WEBVTT - 1. 9/10

0:00:06.800 --> 0:00:14.000
<v Speaker 1>September two thousand, one pm, Manhattan. The sun set five

0:00:14.040 --> 0:00:18.760
<v Speaker 1>minutes ago technically really, though it's been dark for a while.

0:00:19.640 --> 0:00:26.759
<v Speaker 1>Thunderstorms coursed through the city, pulsing and pausing, blackening the sky.

0:00:27.720 --> 0:00:30.320
<v Speaker 1>This is the sound of that rain. The rain of

0:00:31.600 --> 0:00:37.800
<v Speaker 1>captured on video by a man named Andres Barila standing

0:00:37.800 --> 0:00:40.240
<v Speaker 1>in a department store across the street from the World

0:00:40.280 --> 0:00:45.800
<v Speaker 1>Trade Center, is Dr Sneha and Philip at eight pm

0:00:46.680 --> 0:00:49.320
<v Speaker 1>hours and twenty eight minutes before a Boeing seven sixty

0:00:49.400 --> 0:00:52.760
<v Speaker 1>seven slams into one of the skyscrapers above snay House,

0:00:52.760 --> 0:00:56.200
<v Speaker 1>swipes her husband's credit card, grabs two bags, and exits

0:00:56.240 --> 0:01:04.080
<v Speaker 1>onto the street. She's never seen again. Except that's not true.

0:01:04.520 --> 0:01:08.399
<v Speaker 1>Snay was seen again. We just don't know by whom.

0:01:08.440 --> 0:01:11.440
<v Speaker 1>She stayed somewhere that night, though we don't know where.

0:01:14.319 --> 0:01:16.520
<v Speaker 1>There is a grand story to be told of nine

0:01:16.600 --> 0:01:21.000
<v Speaker 1>eleven of the world before and after. This is not that.

0:01:21.800 --> 0:01:24.240
<v Speaker 1>This is the story of one missing woman and her

0:01:24.280 --> 0:01:27.560
<v Speaker 1>family's questifine her. The story of a thirty one year

0:01:27.600 --> 0:01:30.880
<v Speaker 1>old newlywed on the precipice of life, a promising career

0:01:30.880 --> 0:01:34.759
<v Speaker 1>in medicine ahead of an artist, a poet, a sister,

0:01:35.240 --> 0:01:40.680
<v Speaker 1>a daughter, someone loved, someone lost, someone who disappeared during

0:01:40.680 --> 0:01:45.600
<v Speaker 1>a monumental moment in American history. Since September two one,

0:01:45.880 --> 0:01:49.520
<v Speaker 1>there's been no sign of Snay huh, no DNA, nothing.

0:01:50.480 --> 0:01:53.760
<v Speaker 1>In the absence of evidence, tabloids and rhetors alike poured

0:01:53.840 --> 0:01:58.440
<v Speaker 1>over her personal life, her sexuality, her mental health, alcohol use,

0:01:58.720 --> 0:02:03.160
<v Speaker 1>legal troubles, snay how the victim? Snay? How the hero Snay?

0:02:03.200 --> 0:02:08.080
<v Speaker 1>How the troubled woman? But who was Snay really? Who

0:02:08.200 --> 0:02:16.480
<v Speaker 1>is she? For my heart media, this is missing on

0:02:16.600 --> 0:02:19.560
<v Speaker 1>nine eleven, The story of one woman who vanished on

0:02:19.600 --> 0:02:22.200
<v Speaker 1>the eve of history and my quest to find her.

0:02:22.720 --> 0:02:54.040
<v Speaker 1>I'm your host, John Wallzac. Talk to people who knew

0:02:54.080 --> 0:02:59.280
<v Speaker 1>snay ha friend or foe, and you'll hear the same descriptors. Brilliant, beautiful,

0:02:59.800 --> 0:03:04.200
<v Speaker 1>our tistic, charismatic, and depending on who you ask, either

0:03:04.240 --> 0:03:08.200
<v Speaker 1>manipulative or more generously, really good at getting what she wanted.

0:03:08.760 --> 0:03:16.800
<v Speaker 1>Sna was smart, I mean brilliant. She spoke five languages, English, Russian, Italian, German, Emalayalam.

0:03:16.840 --> 0:03:21.240
<v Speaker 1>She loved books. She was philosophical and poetic. Though she

0:03:21.320 --> 0:03:24.280
<v Speaker 1>grew up in a conservative Indian family, she was progressive.

0:03:24.680 --> 0:03:27.520
<v Speaker 1>She considered herself a feminist, and she loved gay men

0:03:27.840 --> 0:03:30.760
<v Speaker 1>at a time when much of America didn't. Her art

0:03:30.840 --> 0:03:33.760
<v Speaker 1>was typically abstract. She was a fan of Jackson Pollock.

0:03:34.480 --> 0:03:37.720
<v Speaker 1>One day, much to her parents surprise, she and a

0:03:37.800 --> 0:03:42.640
<v Speaker 1>friend painted a mural in her family's basement. Sneh was ageless,

0:03:43.080 --> 0:03:48.640
<v Speaker 1>smooth skin, rice smile, piercing brown eyes, black hair, five

0:03:48.720 --> 0:03:53.920
<v Speaker 1>six and a hundred and fifteen pounds, but fierce. Her

0:03:53.960 --> 0:03:57.960
<v Speaker 1>life began on October seventh, nineteen sixty nine, in southwest India,

0:03:58.160 --> 0:04:01.040
<v Speaker 1>in the state of Kerala. It's three years later her

0:04:01.080 --> 0:04:04.240
<v Speaker 1>father wanted visa lottery for doctors and moved the family,

0:04:04.520 --> 0:04:07.840
<v Speaker 1>say her mother on Zu, and her older brother Ashwyn,

0:04:07.960 --> 0:04:11.400
<v Speaker 1>to Albany, New York. Three years after that, her younger

0:04:11.440 --> 0:04:15.440
<v Speaker 1>brother John was born. As a kid, sna attended Ludonville

0:04:15.520 --> 0:04:20.120
<v Speaker 1>Christian School and later Emma Willard School, an exclusive private

0:04:20.120 --> 0:04:23.960
<v Speaker 1>academy that counts among its alumni Jane Fonda and Senator

0:04:24.040 --> 0:04:28.080
<v Speaker 1>Kirston jilla Brand, who graduated the semester before Snaha arrived.

0:04:28.839 --> 0:04:32.560
<v Speaker 1>Snayha ran track and played flute and the piano. She

0:04:32.680 --> 0:04:35.920
<v Speaker 1>decorated her bedroom with posters of Billy Idol and breakfast

0:04:35.920 --> 0:04:39.800
<v Speaker 1>at Tiffany's. She idolized Audrey Hepburn and listened to boy

0:04:39.880 --> 0:04:45.960
<v Speaker 1>George and Duran duran in Naha graduated from Emma Willard

0:04:46.200 --> 0:04:49.600
<v Speaker 1>and moved to Baltimore to attend Johns Hopkins University, where

0:04:49.640 --> 0:04:53.920
<v Speaker 1>she pursued both premed and creative writing studies. Whether or

0:04:53.960 --> 0:04:56.719
<v Speaker 1>not Snayha really wanted to be a doctor depends on

0:04:56.760 --> 0:05:01.040
<v Speaker 1>who you ask. Her family says yes, really, everyone else

0:05:01.080 --> 0:05:04.240
<v Speaker 1>says no. They say she really wanted to be an artist.

0:05:06.080 --> 0:05:09.640
<v Speaker 1>At Hopkins, was the treasurer of her sorority by muw

0:05:10.440 --> 0:05:13.560
<v Speaker 1>It was easy for her to make friends on the outside.

0:05:13.640 --> 0:05:18.560
<v Speaker 1>She was gregarious and extroverted, approachable and kind, but she

0:05:18.680 --> 0:05:22.440
<v Speaker 1>also had an introverted streak, someone quick and witty who

0:05:22.440 --> 0:05:28.720
<v Speaker 1>could turn inward. In May, Snaha graduated from Hopkins by

0:05:30.120 --> 0:05:37.040
<v Speaker 1>she was in Seattle. Seattle and ninety three was energy,

0:05:37.200 --> 0:05:40.680
<v Speaker 1>the epicenter of American culture. If you just graduated from

0:05:40.720 --> 0:05:45.120
<v Speaker 1>college and you're looking for somewhere to go and somewhere fun,

0:05:45.240 --> 0:05:48.240
<v Speaker 1>somewhere cool, somewhere to get a start, Seattle sing Keith Place,

0:05:48.279 --> 0:05:53.120
<v Speaker 1>and everyone was heading. Hugo Kuga, a reporter New Snaeha loosely.

0:05:53.720 --> 0:05:56.680
<v Speaker 1>His girlfriend at the time was her roommate. They shared

0:05:56.680 --> 0:06:00.600
<v Speaker 1>a house on Capitol Hill, a gritty, trendy, gay friendly neighborhood.

0:06:00.960 --> 0:06:04.320
<v Speaker 1>You'd meet people who had and were from other places

0:06:04.440 --> 0:06:08.960
<v Speaker 1>and nothing no time to Seattle at all, and people

0:06:08.960 --> 0:06:13.040
<v Speaker 1>who dressed well. I've remember that, and Sale is one

0:06:13.040 --> 0:06:17.280
<v Speaker 1>of those people. She was not white, she was cool,

0:06:17.680 --> 0:06:23.040
<v Speaker 1>she dressed well. She was not from Seattle. Um, oh, okay, yeah,

0:06:23.080 --> 0:06:25.039
<v Speaker 1>you're like, you're one of those people. You're one of

0:06:25.040 --> 0:06:27.719
<v Speaker 1>those cool people who moved to Seattle. She was easy

0:06:27.760 --> 0:06:31.120
<v Speaker 1>to talk to. She uh yeah. I mean, you know,

0:06:31.160 --> 0:06:34.360
<v Speaker 1>some people are cool and cold and stand off as

0:06:34.400 --> 0:06:36.440
<v Speaker 1>she wasn't. I remember that. She was a warm person,

0:06:36.640 --> 0:06:41.039
<v Speaker 1>easy to talk to. Um, easy to joke with. While

0:06:41.080 --> 0:06:45.000
<v Speaker 1>in Seattle, took classes at the University of Washington or

0:06:45.040 --> 0:06:48.680
<v Speaker 1>you dub and fell into the rave scene. She loved fashion,

0:06:49.000 --> 0:06:52.640
<v Speaker 1>especially shoes, and she loved to dance. Her younger brother,

0:06:52.760 --> 0:06:55.880
<v Speaker 1>John joined her in Seattle for about a year. By

0:06:55.880 --> 0:07:00.000
<v Speaker 1>the summer of had moved east to attend the Chicago

0:07:00.040 --> 0:07:04.680
<v Speaker 1>go Medical School. One year later, Ron Lieberman arrived in Chicago,

0:07:05.040 --> 0:07:08.680
<v Speaker 1>also to attend med school. Ron was a long haired

0:07:08.880 --> 0:07:13.320
<v Speaker 1>Jewish musician from Los Angeles. He was skinny, looked like Jesus,

0:07:13.360 --> 0:07:17.840
<v Speaker 1>and played the guitar in He and snay has started dating.

0:07:18.640 --> 0:07:22.040
<v Speaker 1>Sometime after that, In ninety six or ninety seven, Snah

0:07:22.200 --> 0:07:25.640
<v Speaker 1>took a year off from d school. She flew to Tuscany, Italy,

0:07:25.800 --> 0:07:30.320
<v Speaker 1>where she spent six or seven months painting. She loved Tuscany,

0:07:30.480 --> 0:07:34.680
<v Speaker 1>she could see herself living there permanently. During this time,

0:07:35.080 --> 0:07:37.880
<v Speaker 1>Sah pondered whether or not she really wanted to be

0:07:37.920 --> 0:07:41.040
<v Speaker 1>a doctor, or whether she should dedicate herself to art.

0:07:42.120 --> 0:07:44.920
<v Speaker 1>It was in Tuscany that Ron proposed to her on

0:07:44.960 --> 0:07:48.440
<v Speaker 1>the balcony of her apartment in Florence. She said yes,

0:07:48.920 --> 0:07:52.560
<v Speaker 1>and after a blissful Tuscan escape, returned to Chicago and

0:07:52.680 --> 0:07:57.240
<v Speaker 1>med school in n She and Ron graduated and moved

0:07:57.240 --> 0:08:01.160
<v Speaker 1>to New York City that July. Based did their residencies,

0:08:01.600 --> 0:08:04.800
<v Speaker 1>Ron at Jacoby Medical Center in the Bronx and snay

0:08:04.840 --> 0:08:08.920
<v Speaker 1>Haw at Cabrini Medical Center in Manhattan. Ron specialized in

0:08:08.960 --> 0:08:13.720
<v Speaker 1>emergency medicine. Snah wasn't sure what to do, maybe oncology

0:08:13.920 --> 0:08:17.640
<v Speaker 1>or neurology, or maybe she'd be an allergist. On May

0:08:17.680 --> 0:08:20.760
<v Speaker 1>thirteenth two thousand, Ron and Snaeha got married at the

0:08:20.800 --> 0:08:24.560
<v Speaker 1>trout Beck, a luxurious in and Amenia, New York. Their

0:08:24.560 --> 0:08:28.200
<v Speaker 1>wedding was lavish and joyful, so much so it was

0:08:28.240 --> 0:08:31.520
<v Speaker 1>featured in a magazine Grace Ormond Wedding Style in two

0:08:31.600 --> 0:08:35.079
<v Speaker 1>thousand one. The night before the ceremony, in an ancient

0:08:35.160 --> 0:08:38.480
<v Speaker 1>eight hour Indian ritual, temporary designs were painted on the

0:08:38.480 --> 0:08:42.479
<v Speaker 1>bride's hands and feet, with Hannah symbolizing her new marital status.

0:08:42.800 --> 0:08:45.280
<v Speaker 1>Custom dictates that a woman remains a new bride as

0:08:45.320 --> 0:08:48.720
<v Speaker 1>long as the design can still be seen. Spanish flamenco

0:08:48.760 --> 0:08:52.520
<v Speaker 1>guitar music entertained guests before the ceremony, while classical Indian

0:08:52.600 --> 0:08:56.079
<v Speaker 1>music featuring sitar and tablet drums provided the backdrop. As

0:08:56.080 --> 0:08:58.760
<v Speaker 1>the couple stood under an outdoor arbor, over which a

0:08:58.880 --> 0:09:02.000
<v Speaker 1>talent or Jewish prayer your shawl was straped well I

0:09:02.040 --> 0:09:04.960
<v Speaker 1>guess sing an Indian song, Ron plays a tiny teardrop

0:09:05.000 --> 0:09:09.160
<v Speaker 1>shaped gold pendant and cross around Snah's neck, symbolizing their marriage.

0:09:09.559 --> 0:09:11.760
<v Speaker 1>He then wrapped the bride in a red silk wedding

0:09:11.840 --> 0:09:15.920
<v Speaker 1>sorry elaborately woven with golden thread. The couple drank wine

0:09:16.040 --> 0:09:18.959
<v Speaker 1>from a Kiddish cup, over which another guest had recited

0:09:18.960 --> 0:09:22.840
<v Speaker 1>a traditional Jewish blessing. Ron ended the ceremony by smashing

0:09:22.840 --> 0:09:28.880
<v Speaker 1>a glass underfoot. In the Jewish tradition, the year that

0:09:29.000 --> 0:09:31.800
<v Speaker 1>followed the summer of two thousand to the summer of

0:09:31.800 --> 0:09:35.440
<v Speaker 1>two thousand one, that was the Golden year, the year

0:09:35.600 --> 0:10:03.560
<v Speaker 1>everything seemed right with the world seemed as I see it.

0:10:03.840 --> 0:10:10.120
<v Speaker 1>There are four logical explanations for Snay has disappearance. Nine eleven, murder,

0:10:10.800 --> 0:10:16.960
<v Speaker 1>she ran away and is alive. Suicide. But come on, murder,

0:10:17.080 --> 0:10:21.920
<v Speaker 1>suicide that she's alive. None of that makes sense. Here's

0:10:21.960 --> 0:10:25.360
<v Speaker 1>the thing, though, neither does nine eleven, not when you

0:10:25.400 --> 0:10:29.880
<v Speaker 1>look at it closely. Nothing makes sense. So what do

0:10:29.960 --> 0:10:33.600
<v Speaker 1>you do when the person you love just vanishes? A wife,

0:10:33.760 --> 0:10:38.240
<v Speaker 1>a sister, a daughter gone, just gone? What do you

0:10:38.280 --> 0:10:41.680
<v Speaker 1>do with that? Snay House family settled on the hero

0:10:41.800 --> 0:10:44.880
<v Speaker 1>narrative that snayhow was walking home on nine eleven and

0:10:45.000 --> 0:10:48.240
<v Speaker 1>ran into the burning towers to help people, And really,

0:10:48.360 --> 0:10:51.560
<v Speaker 1>can you blame them? Think of the pain the grief

0:10:51.920 --> 0:10:55.079
<v Speaker 1>that leads a family to choose nine eleven as the answer.

0:10:55.760 --> 0:10:58.880
<v Speaker 1>And although there's no proof yet that Snay had died

0:10:58.880 --> 0:11:02.760
<v Speaker 1>on nine eleven. Officially, that is the answer, that she

0:11:02.840 --> 0:11:05.720
<v Speaker 1>died in the attacks at the World Trade Center. For

0:11:05.800 --> 0:11:09.880
<v Speaker 1>snayhus family, this is all very painful, so I think

0:11:09.880 --> 0:11:12.400
<v Speaker 1>it's important from the get go to make clear what

0:11:12.480 --> 0:11:15.520
<v Speaker 1>I hope to accomplish with this show. First, I want

0:11:15.559 --> 0:11:18.680
<v Speaker 1>to tell you about real snay Ha, not Reddit Snah

0:11:18.840 --> 0:11:23.400
<v Speaker 1>the mystery woman. Second, I want to examine her disappearance closely.

0:11:23.960 --> 0:11:27.880
<v Speaker 1>She deserves that. Finally, most of all, I want to

0:11:27.920 --> 0:11:31.880
<v Speaker 1>find new information answers. What I can promise you is

0:11:31.880 --> 0:11:34.440
<v Speaker 1>the truth, all of it as I know it. What

0:11:34.559 --> 0:11:38.000
<v Speaker 1>I can't promise you is a neat, tidy ending. That's

0:11:38.080 --> 0:11:42.360
<v Speaker 1>up to you. Yes, you, I'm speaking to the person

0:11:42.440 --> 0:11:47.240
<v Speaker 1>sna stayed with an You're out there. You never came forward,

0:11:47.559 --> 0:11:51.320
<v Speaker 1>not to her family, the cops, the press. Come forward

0:11:51.520 --> 0:11:56.840
<v Speaker 1>now please. I'll protect your identity, and to anyone else

0:11:56.880 --> 0:12:00.280
<v Speaker 1>with important information you too, I'll let you know how

0:12:00.280 --> 0:12:04.160
<v Speaker 1>to reach us at the end of the show. Any

0:12:04.280 --> 0:12:07.880
<v Speaker 1>proper examination of snay has disappearance begins with a minute

0:12:07.880 --> 0:12:12.200
<v Speaker 1>by minute account of To piece together this timeline, I

0:12:12.240 --> 0:12:16.640
<v Speaker 1>relied on court records, police records, and interviews when possible

0:12:16.880 --> 0:12:23.040
<v Speaker 1>times are exact. When not, they're approximate. September two thousand one,

0:12:23.640 --> 0:12:27.800
<v Speaker 1>around ten thirty am, Snay is in Manhattan Criminal Court

0:12:28.160 --> 0:12:32.360
<v Speaker 1>charged with assault, harassment, and falsely reporting an incident. A

0:12:32.360 --> 0:12:35.240
<v Speaker 1>few months ago. She told police that a fellow doctors

0:12:35.280 --> 0:12:39.160
<v Speaker 1>sexually assaulted her in a bar. Then, according to the NYPD,

0:12:39.520 --> 0:12:43.080
<v Speaker 1>she recanted and proceeded to harass the doctor and his wife.

0:12:44.000 --> 0:12:46.720
<v Speaker 1>This is the incident that her family believes led her

0:12:46.760 --> 0:12:51.120
<v Speaker 1>to spiral downward. We'll get into it more later. With

0:12:51.160 --> 0:12:54.680
<v Speaker 1>her today are her husband, Ron, and her attorney, Mark Freiburg.

0:12:55.400 --> 0:12:58.120
<v Speaker 1>Her appearance is brief, the case is adjourned to a

0:12:58.160 --> 0:13:02.560
<v Speaker 1>future date. What happened next is disputed. According to an

0:13:02.679 --> 0:13:06.760
<v Speaker 1>NYPD detective. While exiting the courthouse, Snah and Ron get

0:13:06.760 --> 0:13:10.160
<v Speaker 1>into a heated argument. Ron says this never happened, and

0:13:10.240 --> 0:13:14.040
<v Speaker 1>Mark Freiburg, Snayhouse attorney, told me he doesn't remember any argument.

0:13:14.440 --> 0:13:19.480
<v Speaker 1>He declined further comment. Sometime between ten thirty and eleven thirty,

0:13:19.880 --> 0:13:22.280
<v Speaker 1>while walking a mile from the courthouse back to their

0:13:22.320 --> 0:13:26.160
<v Speaker 1>apartment at Rector Place, Ron and Snay has stopped at

0:13:26.160 --> 0:13:28.200
<v Speaker 1>a bank and pull a hundred dollars out of an

0:13:28.200 --> 0:13:32.280
<v Speaker 1>a t M. They split the money. Between eleven fifteen

0:13:32.360 --> 0:13:36.400
<v Speaker 1>and eleven thirty, Ron leaves for work. His shift starts

0:13:36.400 --> 0:13:38.800
<v Speaker 1>at one, and he doesn't want to be late. He

0:13:38.840 --> 0:13:42.040
<v Speaker 1>has to catch the subway to the Bronx. Ron declined

0:13:42.080 --> 0:13:44.080
<v Speaker 1>to speak to me, but here he is. In two

0:13:44.080 --> 0:13:47.439
<v Speaker 1>thousand two, on Unsolved Mysteries, kissed her. I told her

0:13:47.440 --> 0:13:50.600
<v Speaker 1>I loved her, and I left. Luckily, I left my

0:13:50.679 --> 0:13:53.920
<v Speaker 1>keys at home, so I went back and I got

0:13:54.000 --> 0:13:56.440
<v Speaker 1>to his string again, and that was the last time

0:13:56.440 --> 0:14:02.440
<v Speaker 1>that I saw be four. Ron Leaves tells him she's

0:14:02.440 --> 0:14:05.280
<v Speaker 1>going to clean the apartment. They're hosting a small dinner

0:14:05.320 --> 0:14:08.760
<v Speaker 1>party the next night, the eleven. She's excited because the

0:14:08.800 --> 0:14:12.080
<v Speaker 1>shipment of Orc is just derived from Hawaii. She tells

0:14:12.200 --> 0:14:14.560
<v Speaker 1>Ron that at some point she might take a walk.

0:14:15.760 --> 0:14:20.720
<v Speaker 1>Early afternoon, sna meditates. She starts cleaning the apartment and

0:14:20.760 --> 0:14:25.840
<v Speaker 1>repotting the orchids. Around two to two thirty and her

0:14:25.880 --> 0:14:29.640
<v Speaker 1>mom Ato talk via instant messenger, probably a o LL

0:14:29.680 --> 0:14:34.280
<v Speaker 1>Instant Messenger or AIM. They chat for one to two hours,

0:14:34.920 --> 0:14:38.080
<v Speaker 1>then tells aunt Wo that she better get back to cleaning.

0:14:39.360 --> 0:14:42.480
<v Speaker 1>While no one disagrees that Snah and Onto talked via

0:14:42.560 --> 0:14:46.160
<v Speaker 1>i AM records indicate that they also may have spoken

0:14:46.160 --> 0:14:49.040
<v Speaker 1>by phone and or text, though I haven't been able

0:14:49.080 --> 0:14:53.680
<v Speaker 1>to confirm that. Anzo declined to speak to me. Around

0:14:53.760 --> 0:14:57.400
<v Speaker 1>four or five, Say signs off and tells her mom

0:14:57.480 --> 0:15:02.680
<v Speaker 1>she's going to run errands. Between five and five thirty,

0:15:03.320 --> 0:15:06.760
<v Speaker 1>Sammy Fliciano, a doorman, see Snay how walk out the

0:15:06.760 --> 0:15:10.040
<v Speaker 1>front of her apartment building. Sammy is the second to

0:15:10.160 --> 0:15:13.440
<v Speaker 1>last person that we know of to see Snay alive

0:15:13.840 --> 0:15:16.520
<v Speaker 1>September ten. What do you remember of September ten? What

0:15:16.640 --> 0:15:18.680
<v Speaker 1>hours did you work and what do you remember of

0:15:18.720 --> 0:15:22.560
<v Speaker 1>that night? September two? Was the night before, I mean

0:15:22.600 --> 0:15:26.760
<v Speaker 1>the day before, of course, right. Uh? I worked at

0:15:26.760 --> 0:15:31.920
<v Speaker 1>three three eleven shift as the casci age. Um, I

0:15:31.960 --> 0:15:36.200
<v Speaker 1>remember just working my shift and I'm going home. Do

0:15:36.240 --> 0:15:37.960
<v Speaker 1>you have any memories from that night or is it

0:15:38.080 --> 0:15:42.120
<v Speaker 1>just kind of get lost in the aftermath of not eleven? No,

0:15:42.440 --> 0:15:45.400
<v Speaker 1>I can't remember, honestly. I mean, I just know I

0:15:45.440 --> 0:15:49.040
<v Speaker 1>did the night shift, and UM, I remember being picked

0:15:49.120 --> 0:15:52.680
<v Speaker 1>up by a friend of mine and that's it. I

0:15:52.720 --> 0:15:55.840
<v Speaker 1>can't remember much. So I think the NYPD, maybe a

0:15:55.840 --> 0:15:57.760
<v Speaker 1>private investigator spoke with you. I know it's been a

0:15:57.840 --> 0:16:01.760
<v Speaker 1>really long time, but um, they didn't. I didn't even

0:16:01.800 --> 0:16:05.960
<v Speaker 1>remember that. They they it listed you as the second

0:16:06.000 --> 0:16:10.680
<v Speaker 1>to last person to see Dr Philip. And so I'm

0:16:10.680 --> 0:16:12.400
<v Speaker 1>just gonna I'm gonna read you what what I found

0:16:12.400 --> 0:16:14.200
<v Speaker 1>in the reports and tell me if any of it

0:16:14.280 --> 0:16:17.640
<v Speaker 1>strikes a chord. It said that you saw Dr Philip

0:16:17.720 --> 0:16:21.440
<v Speaker 1>leave the building sometime between five fifteen and five thirty.

0:16:21.520 --> 0:16:28.600
<v Speaker 1>Do you have any memory of that? Um? No, I don't.

0:16:29.400 --> 0:16:31.840
<v Speaker 1>Do you do you remember that? Actually, Dr phil No,

0:16:31.960 --> 0:16:33.680
<v Speaker 1>that's the that's the that's that. That's the other question.

0:16:33.720 --> 0:16:36.520
<v Speaker 1>I mean, I don't have no memory of the persons

0:16:36.600 --> 0:16:39.720
<v Speaker 1>of that residents name. I mean faith, I'm sorry, face,

0:16:39.920 --> 0:16:42.920
<v Speaker 1>no memory of that face. Yeah, but Snay Philip, you

0:16:42.960 --> 0:16:47.520
<v Speaker 1>recognized the name. The name sounds very familiar, just the faith.

0:16:47.560 --> 0:16:49.320
<v Speaker 1>I cannot pay for it. I cannot put a face

0:16:49.360 --> 0:16:54.680
<v Speaker 1>into it. So, unfortunately, twenty years later, Sammy doesn't remember much.

0:16:55.360 --> 0:16:59.200
<v Speaker 1>At the time, Snay has apartment building. Rector Place was

0:16:59.280 --> 0:17:02.920
<v Speaker 1>called Park with a C Place park Place. It's a

0:17:03.000 --> 0:17:07.119
<v Speaker 1>twenty four story building built in it had about three

0:17:07.200 --> 0:17:11.480
<v Speaker 1>hundred units. Google mapp it. It's about nine dred feet

0:17:11.480 --> 0:17:15.800
<v Speaker 1>southwest of the World Trade Center. By nine eleven, Rector

0:17:15.920 --> 0:17:19.879
<v Speaker 1>was at about occupancy, many of its residents worked on

0:17:19.920 --> 0:17:23.399
<v Speaker 1>Wall Street. I know which unit Ron and Snaha lived in,

0:17:23.680 --> 0:17:26.399
<v Speaker 1>but I'm not publishing it. I don't want people to

0:17:26.440 --> 0:17:30.560
<v Speaker 1>disturb the current owner, who understandably does not want publicity.

0:17:30.920 --> 0:17:32.560
<v Speaker 1>What I can tell you is that it was a

0:17:32.600 --> 0:17:35.000
<v Speaker 1>one bedroom, that Ron and Shall lived on, one of

0:17:35.000 --> 0:17:37.720
<v Speaker 1>the cheaper floors, and that their unit did not face

0:17:37.800 --> 0:17:46.720
<v Speaker 1>the World Trade Center. When Snaha leaves Rector sometime around

0:17:46.880 --> 0:17:50.760
<v Speaker 1>five or five thirty PM, she's wearing a brown dress

0:17:50.840 --> 0:17:54.720
<v Speaker 1>and sandals. Her dress is, according to Ron, quote, kind

0:17:54.760 --> 0:17:57.040
<v Speaker 1>of a shirt style dress that came to her knees

0:17:57.200 --> 0:18:01.159
<v Speaker 1>short sleeves. Later in court, Ron's says she wore quote,

0:18:01.440 --> 0:18:04.879
<v Speaker 1>a knee length brown collared short sleeve shirt dress with

0:18:05.000 --> 0:18:08.480
<v Speaker 1>buttons down the front, sandals, a beated black and gold

0:18:08.560 --> 0:18:11.680
<v Speaker 1>choker with a tear drop shaped cross pendant, a gold

0:18:11.720 --> 0:18:14.400
<v Speaker 1>engagement ring with a diamond in the center, a gold

0:18:14.440 --> 0:18:17.880
<v Speaker 1>wedding band with small diamonds studded around it, and earrings

0:18:17.920 --> 0:18:21.960
<v Speaker 1>with diamonds, studs, and flower shapes. Her toenails were painted purple.

0:18:23.560 --> 0:18:26.800
<v Speaker 1>After she leaves the apartment, Snayha drops off dry cleaning.

0:18:27.280 --> 0:18:30.960
<v Speaker 1>Then she walks the Century One, a massive department store

0:18:31.000 --> 0:18:33.720
<v Speaker 1>across the street from the World Trade Center, just east

0:18:33.760 --> 0:18:37.840
<v Speaker 1>of the Twin Towers. Century One, no relation to the

0:18:37.840 --> 0:18:41.400
<v Speaker 1>real estate company, is a New York icon, a beloved

0:18:41.400 --> 0:18:45.240
<v Speaker 1>spot where for decades shoppers could treasure hunt for discounted

0:18:45.320 --> 0:18:51.680
<v Speaker 1>high fashion. I say could, because in September Century declared

0:18:51.680 --> 0:18:56.280
<v Speaker 1>bankruptcy citing the impact of the COVID pandemic. Earlier this year,

0:18:56.400 --> 0:19:00.480
<v Speaker 1>the company CEO, Raymond Guindey, graciously gave me a final

0:19:00.520 --> 0:19:04.200
<v Speaker 1>tour of the store, which will likely never reopen. It

0:19:04.280 --> 0:19:07.679
<v Speaker 1>was emptied out, partially lit and running on fumes with

0:19:07.760 --> 0:19:12.159
<v Speaker 1>a skeletal staff. Close your eyes and wander around with me,

0:19:12.600 --> 0:19:16.720
<v Speaker 1>a two hundred thousand square foot six story complex with

0:19:16.840 --> 0:19:20.080
<v Speaker 1>flickering lights in the middle of a pandemic, looking for

0:19:20.119 --> 0:19:23.399
<v Speaker 1>the last known location of a woman who disappeared on

0:19:23.440 --> 0:19:26.159
<v Speaker 1>the evening before nine eleven. Thanks for walking up all

0:19:26.160 --> 0:19:30.080
<v Speaker 1>the escalators with us. I appreciate it. Get in my

0:19:30.160 --> 0:19:33.600
<v Speaker 1>work out I handed in India print out of the

0:19:33.680 --> 0:19:36.360
<v Speaker 1>last known image of snay Ha A still of her

0:19:36.400 --> 0:19:39.320
<v Speaker 1>in the women's coat area, captured by a security camera.

0:19:40.080 --> 0:19:45.000
<v Speaker 1>So this is probably literally this picture the area this

0:19:45.080 --> 0:19:49.080
<v Speaker 1>was taken I think it was around here, let me,

0:19:50.520 --> 0:19:54.359
<v Speaker 1>or in this area here? So did the women's coat

0:19:54.400 --> 0:19:56.680
<v Speaker 1>area was in the same place in two thousand one

0:19:56.720 --> 0:20:00.600
<v Speaker 1>that it was untild recently, yes of us. So like

0:20:00.600 --> 0:20:03.280
<v Speaker 1>when we're looking and that looks like a door or something,

0:20:03.560 --> 0:20:05.520
<v Speaker 1>I think it's that door. And I think that column

0:20:05.560 --> 0:20:11.920
<v Speaker 1>is that column. This picture is maybe taken over here someplace. Wow. Okay,

0:20:13.520 --> 0:20:15.119
<v Speaker 1>and where are we on the top floor? Where are

0:20:15.160 --> 0:20:17.360
<v Speaker 1>we were on the fifth floor? The one floor? It's

0:20:17.400 --> 0:20:20.920
<v Speaker 1>six floors. We tried to pinpoint the camera that caught

0:20:21.000 --> 0:20:24.159
<v Speaker 1>the image. Do you think it is that a that

0:20:24.280 --> 0:20:28.639
<v Speaker 1>a camera? Yeah, all those domes always cameras. Well. I know,

0:20:28.720 --> 0:20:31.320
<v Speaker 1>I think you're probably right because I imagine I mean,

0:20:31.320 --> 0:20:34.720
<v Speaker 1>either this would have been aimed more closely this way

0:20:34.840 --> 0:20:37.720
<v Speaker 1>or or the other way. They had like at least

0:20:37.920 --> 0:20:41.080
<v Speaker 1>got it, So you know they have been the cameras

0:20:41.119 --> 0:20:44.960
<v Speaker 1>from two one. Probably probably not because they constantly, but

0:20:45.040 --> 0:20:47.000
<v Speaker 1>the location is pretty much, say the same. They swap

0:20:47.040 --> 0:20:53.560
<v Speaker 1>out the camera technology, you know, a better six O

0:20:53.720 --> 0:20:58.280
<v Speaker 1>five Snap purchases several items, including Lingerie and bed Lennon's

0:20:59.480 --> 0:21:03.080
<v Speaker 1>six four D. I found a single source that states

0:21:03.160 --> 0:21:06.680
<v Speaker 1>say made another purchase at this time, though I haven't

0:21:06.720 --> 0:21:14.520
<v Speaker 1>been able to confirm it. The sun sets, snay Ha

0:21:14.720 --> 0:21:17.359
<v Speaker 1>buys three pairs of shoes in a different part of

0:21:17.400 --> 0:21:21.440
<v Speaker 1>the store. And here we have a critical question. Why

0:21:21.560 --> 0:21:25.320
<v Speaker 1>wasn't snay captured on camera in the women's shoe area? Oh,

0:21:25.440 --> 0:21:28.600
<v Speaker 1>I'd spread at the time. Was the UM security system

0:21:28.600 --> 0:21:31.080
<v Speaker 1>in terms of like camera coverage, because one thing that

0:21:31.119 --> 0:21:33.679
<v Speaker 1>I read is that there were not security cameras in

0:21:33.680 --> 0:21:37.399
<v Speaker 1>the women's shoe area. That seem accurate to you. I

0:21:37.480 --> 0:21:41.440
<v Speaker 1>don't know if it's surprising because pretty much him everywhere. Yeah,

0:21:41.920 --> 0:21:45.200
<v Speaker 1>I would be surprised it would. They usually go all

0:21:45.200 --> 0:21:49.000
<v Speaker 1>over like you see. Guindy took me to the security room.

0:21:49.040 --> 0:21:52.040
<v Speaker 1>It had one of those big mirror like windows. I

0:21:52.160 --> 0:21:55.119
<v Speaker 1>pressed my face against the glass to see inside. The

0:21:55.160 --> 0:21:59.040
<v Speaker 1>timeline of of when Dr Philip disappeared UM the doorman

0:21:59.160 --> 0:22:02.000
<v Speaker 1>at her building on After Place saw her leaving sometime

0:22:02.080 --> 0:22:05.960
<v Speaker 1>around five fifteen five dirty. But obviously if you look

0:22:05.960 --> 0:22:08.680
<v Speaker 1>at this still from the security footage, you know it's

0:22:08.720 --> 0:22:12.359
<v Speaker 1>a sixteen fifty seven twenty four, so four fifty seven roughly.

0:22:12.720 --> 0:22:16.280
<v Speaker 1>Do you know, by chance if the time was calibrated

0:22:16.359 --> 0:22:19.800
<v Speaker 1>or correct or off or I have no idea. I figured,

0:22:19.840 --> 0:22:22.080
<v Speaker 1>I figured, I'm asking you the time on a security

0:22:22.119 --> 0:22:24.320
<v Speaker 1>camera was correct twenty years ago. But I did hear

0:22:24.680 --> 0:22:27.560
<v Speaker 1>that there was a transaction done and like around six

0:22:27.600 --> 0:22:30.320
<v Speaker 1>pm or something. Yeah, So there, as far as I know,

0:22:30.440 --> 0:22:34.560
<v Speaker 1>there were I believe to transactions. One was for lingerie

0:22:34.720 --> 0:22:38.560
<v Speaker 1>bed linens um and then the last was for three

0:22:38.600 --> 0:22:42.959
<v Speaker 1>pairs of shoes. So so we're she was caught on

0:22:43.160 --> 0:22:47.240
<v Speaker 1>camera and exactly where we're standing right now browsing women's coats,

0:22:47.920 --> 0:22:51.560
<v Speaker 1>where where would lingerie bed linens and then also women's

0:22:51.560 --> 0:22:53.720
<v Speaker 1>shoes in relation to where we are right now, where

0:22:53.720 --> 0:22:56.280
<v Speaker 1>are the different areas? So the lingerie would have been

0:22:56.400 --> 0:23:00.280
<v Speaker 1>a couple of floors down, probably on three bed men's

0:23:00.320 --> 0:23:03.040
<v Speaker 1>would be in the basement of this building. And then

0:23:03.520 --> 0:23:05.399
<v Speaker 1>to get two shoes, it makes sense that she paid

0:23:05.440 --> 0:23:08.199
<v Speaker 1>to transactions to get two shoes. It's into separate building

0:23:08.840 --> 0:23:11.240
<v Speaker 1>on the other side, and it makes sense that she

0:23:11.280 --> 0:23:13.080
<v Speaker 1>paid for it and then went to those buildings kind

0:23:13.119 --> 0:23:15.399
<v Speaker 1>of like an annex where she shopped separately in the

0:23:15.400 --> 0:23:18.399
<v Speaker 1>shoe area. Which building what streets just so it faces

0:23:18.440 --> 0:23:21.879
<v Speaker 1>on Broadway the shoe annex, uh, and it there's a

0:23:21.920 --> 0:23:25.280
<v Speaker 1>way to connect from here without going outside, but it's

0:23:25.359 --> 0:23:28.720
<v Speaker 1>kind of circuitous. Some people just go out the front

0:23:28.760 --> 0:23:32.280
<v Speaker 1>door and walk next door. It's easier. So how far

0:23:32.600 --> 0:23:34.280
<v Speaker 1>how big of a compost? I'm gonna have to get

0:23:34.280 --> 0:23:36.720
<v Speaker 1>Google Maps. How big of a complex is? Does you said?

0:23:36.720 --> 0:23:39.280
<v Speaker 1>It's five six buildings total? I mean so basically it

0:23:39.440 --> 0:23:42.280
<v Speaker 1>fronts the main street on Church Street, which is to

0:23:42.520 --> 0:23:45.920
<v Speaker 1>the west, and it it goes through the series of

0:23:45.920 --> 0:23:49.000
<v Speaker 1>buildings to Broadway, which is the east. So it's almost

0:23:49.000 --> 0:23:52.320
<v Speaker 1>the full square block, although a couple of chunks are

0:23:52.800 --> 0:23:55.840
<v Speaker 1>not part of this door. But it makes sense that

0:23:55.920 --> 0:23:57.800
<v Speaker 1>she would work her way to shoes and then that

0:23:57.800 --> 0:24:00.560
<v Speaker 1>would be her final transaction. Yeah. And then if she

0:24:00.840 --> 0:24:03.960
<v Speaker 1>was exiting um having purchased shoes, would she walk out

0:24:04.000 --> 0:24:07.120
<v Speaker 1>on Broadway or probably? Okay, that makes the most sense.

0:24:09.040 --> 0:24:13.960
<v Speaker 1>Sometime between seven seven thirty, snay Haa exits Century one,

0:24:14.240 --> 0:24:18.520
<v Speaker 1>probably onto Broadway. She carries two bags with five fifty

0:24:18.520 --> 0:24:22.760
<v Speaker 1>dollars worth of shoes, bed, linens, and lingerie. It's still

0:24:22.840 --> 0:24:51.080
<v Speaker 1>raining on and off. M That thunderstorm was so I

0:24:51.119 --> 0:24:54.679
<v Speaker 1>don't know how to say. It was so strangely beautiful

0:24:55.240 --> 0:24:58.760
<v Speaker 1>that it was eerie. It was like something is happening

0:24:58.880 --> 0:25:01.080
<v Speaker 1>something is coming. I don't know what it is. I'm

0:25:01.119 --> 0:25:05.919
<v Speaker 1>going to have to record this nine. Monica Bravo is

0:25:05.960 --> 0:25:08.879
<v Speaker 1>an artist in residence at the World Trade Center, working

0:25:08.880 --> 0:25:11.280
<v Speaker 1>out of an empty space on the ninety two floor

0:25:11.320 --> 0:25:15.240
<v Speaker 1>of the North Tower. That evening, she captures video as

0:25:15.320 --> 0:25:19.840
<v Speaker 1>rain rolls into the city as Snayhouse shops below, Monica

0:25:19.960 --> 0:25:24.000
<v Speaker 1>films from above. Later, Monica turns her footage into a

0:25:24.040 --> 0:25:30.440
<v Speaker 1>work of art called September tenth two one, which translates

0:25:30.480 --> 0:25:33.600
<v Speaker 1>to roughly, it's impossible for you to die on the

0:25:33.640 --> 0:25:37.320
<v Speaker 1>eve of your death. Monica waited all summer for this

0:25:37.480 --> 0:25:40.360
<v Speaker 1>rain to film it. It started at to fifty five,

0:25:40.400 --> 0:25:42.639
<v Speaker 1>if I'm not wrong. It started like like you know

0:25:42.640 --> 0:25:44.879
<v Speaker 1>when you see the storm coming and you see like

0:25:44.920 --> 0:25:47.840
<v Speaker 1>the big cloud like low, and you go, oh shoot,

0:25:47.880 --> 0:25:49.760
<v Speaker 1>I'm going to get all wet like like that, and

0:25:49.760 --> 0:25:52.240
<v Speaker 1>then it's dark and you see like it's like a

0:25:52.320 --> 0:25:55.639
<v Speaker 1>dark monster coming. And I started seeing it from the

0:25:55.640 --> 0:25:58.200
<v Speaker 1>window and that's when I started taping. And it's fascinating

0:25:58.200 --> 0:26:01.719
<v Speaker 1>how fast that um cloud came over that it just

0:26:01.880 --> 0:26:05.440
<v Speaker 1>touches the window with a drop of water. I don't

0:26:05.440 --> 0:26:06.919
<v Speaker 1>know if you see it in the first second of

0:26:07.000 --> 0:26:10.000
<v Speaker 1>the film. It's just like you see the storms coming

0:26:10.040 --> 0:26:12.840
<v Speaker 1>and then immediately you know the storm is present when

0:26:12.880 --> 0:26:16.280
<v Speaker 1>it's the first few drops on the on the on

0:26:16.359 --> 0:26:18.439
<v Speaker 1>the window, and you know you are part of the storm.

0:26:18.520 --> 0:26:22.520
<v Speaker 1>So it did not stop until probably nine pm. It

0:26:22.640 --> 0:26:26.840
<v Speaker 1>was it was always raining, and there was lightning at

0:26:26.880 --> 0:26:29.439
<v Speaker 1>the end of a very frightening lightning. You I used

0:26:29.480 --> 0:26:32.639
<v Speaker 1>to be so scared of lightning until that day. And

0:26:32.680 --> 0:26:35.360
<v Speaker 1>you know what made me get like rid of that

0:26:35.600 --> 0:26:39.600
<v Speaker 1>fear was that this is my thought then not right, so, oh,

0:26:39.720 --> 0:26:41.879
<v Speaker 1>that's going to happen to me. I'm in Tawaiwan. We

0:26:42.000 --> 0:26:45.000
<v Speaker 1>have the I don't know how to say in English Paris,

0:26:45.080 --> 0:26:48.040
<v Speaker 1>you know this thing that yeah, yeah, yeah, we have that.

0:26:48.359 --> 0:26:50.400
<v Speaker 1>So I was like, I would safe here. First I'm

0:26:50.400 --> 0:26:53.199
<v Speaker 1>gonna be dead, I don't know, from another fire, but

0:26:53.280 --> 0:26:55.920
<v Speaker 1>not here. I was thinking about fire the whole time

0:26:55.960 --> 0:26:59.600
<v Speaker 1>I was there. The moment I leave that night, I

0:26:59.720 --> 0:27:02.320
<v Speaker 1>take the tape and I thought maybe I should take

0:27:02.320 --> 0:27:05.280
<v Speaker 1>everything else, and I said, well, no, there wouldn't be

0:27:05.280 --> 0:27:07.520
<v Speaker 1>a fire. But I was thinking all the time about fire.

0:27:08.119 --> 0:27:10.399
<v Speaker 1>And I looked at the water sprinkles and that's it.

0:27:10.880 --> 0:27:16.240
<v Speaker 1>Oh no, there's sprinkles here, We're gonna be fine. Around midnight,

0:27:16.520 --> 0:27:19.920
<v Speaker 1>Monica leaves the North Tower, less than nine hours before

0:27:19.960 --> 0:27:23.760
<v Speaker 1>American Airlines Flight eleven slams into it one floor above.

0:27:25.080 --> 0:27:29.800
<v Speaker 1>There are only two artists left on the ninety floor. One, Jeff,

0:27:30.080 --> 0:27:35.040
<v Speaker 1>leaves after Monica. The other, Michael Richards, a sculptor, sleeps

0:27:35.119 --> 0:27:37.760
<v Speaker 1>in the tower that night and dies in the attack.

0:27:37.840 --> 0:27:44.240
<v Speaker 1>The next day. Eleven PM, Sammy Fliciano says Doorman ends

0:27:44.320 --> 0:27:48.480
<v Speaker 1>his shift at Rector Say hasn't returned to the apartment,

0:27:49.040 --> 0:27:54.320
<v Speaker 1>neither has her husband Ron. Around eleven fifteen, Ron returns

0:27:54.320 --> 0:27:58.520
<v Speaker 1>home from work. Snay is not there, nor are her bags.

0:27:59.200 --> 0:28:01.560
<v Speaker 1>There's no sign she's been in the apartment since she

0:28:01.680 --> 0:28:05.480
<v Speaker 1>left about six hours earlier. Here again is Ron on

0:28:05.600 --> 0:28:09.080
<v Speaker 1>unsolved mysteries. Sometimes she would feel uncomfortable staying by herself

0:28:09.320 --> 0:28:11.879
<v Speaker 1>at home, and her brother lives very close by, and

0:28:11.920 --> 0:28:15.000
<v Speaker 1>her cousin also lives very close by, so she would

0:28:15.040 --> 0:28:17.160
<v Speaker 1>sometimes go spend the night with him. And I thought, well,

0:28:17.200 --> 0:28:19.600
<v Speaker 1>maybe she just decided to stop at her brother's house

0:28:20.440 --> 0:28:29.640
<v Speaker 1>or her cousin. Around midnight, Ron goes to sleep. Nine

0:28:29.720 --> 0:28:35.600
<v Speaker 1>eleven four oh five am, someone places a call from

0:28:35.640 --> 0:28:41.720
<v Speaker 1>the apartment landline to Ron's cell phone. Ron has no

0:28:41.880 --> 0:28:46.960
<v Speaker 1>memory of making that call. Next time I'm missing on

0:28:47.040 --> 0:29:02.760
<v Speaker 1>nine eleven. Second, before we go, I want to let

0:29:02.760 --> 0:29:04.760
<v Speaker 1>you know that at the end of each episode, I'll

0:29:04.800 --> 0:29:08.040
<v Speaker 1>be giving you homework, something you can do, some way

0:29:08.080 --> 0:29:10.840
<v Speaker 1>you can help move the story forward, and then I'll

0:29:10.840 --> 0:29:13.200
<v Speaker 1>give you our tipline, an email where you can send

0:29:13.240 --> 0:29:17.200
<v Speaker 1>us information or even documents. Some of these tasks will

0:29:17.240 --> 0:29:21.800
<v Speaker 1>be interactive and relatively easy, some will be specialized and difficult.

0:29:22.280 --> 0:29:24.840
<v Speaker 1>The goal is to add you, our audience, to our

0:29:24.840 --> 0:29:30.800
<v Speaker 1>investigative team. This week one, did you know Snay Huh? Two?

0:29:31.280 --> 0:29:34.520
<v Speaker 1>Do you have any unpublished images or video captured in

0:29:34.560 --> 0:29:39.720
<v Speaker 1>Lower Manhattan on September two one or on nine eleven? Three?

0:29:40.120 --> 0:29:44.440
<v Speaker 1>Did Snay has? Stay with you? If so, please reach

0:29:44.480 --> 0:29:48.120
<v Speaker 1>out to us. If you want, we'll protect your identity.

0:29:48.360 --> 0:29:50.720
<v Speaker 1>You can reach us by phone at one eight three

0:29:50.800 --> 0:29:55.240
<v Speaker 1>three New Tips that's one eight three three six three

0:29:55.360 --> 0:30:00.120
<v Speaker 1>nine eight four seven seven again one eight three e

0:30:00.720 --> 0:30:04.880
<v Speaker 1>six three nine eight four seven seven, or you can

0:30:04.920 --> 0:30:08.680
<v Speaker 1>reach us via email at tips at iHeart media dot com.

0:30:08.720 --> 0:30:13.680
<v Speaker 1>That's tips, t I P s at iHeart media dot com.

0:30:13.720 --> 0:30:16.840
<v Speaker 1>Ben Bollen is our executive producer. Paul Decan is our

0:30:16.880 --> 0:30:21.200
<v Speaker 1>supervising producer, Chris Brown is our assistant producer, Seth Nicholas

0:30:21.280 --> 0:30:24.880
<v Speaker 1>Johnson is our producer. Sam T. Garden is our research assistant,

0:30:25.240 --> 0:30:28.720
<v Speaker 1>and I'm your host and executive producer John Waalzack. Cover

0:30:28.880 --> 0:30:32.200
<v Speaker 1>art by Pam Peacock. Special thanks to Tamika Campbell at

0:30:32.200 --> 0:30:35.480
<v Speaker 1>iHeart and to Christophe Zappery in New Orleans. Also thank

0:30:35.520 --> 0:30:39.800
<v Speaker 1>you to Sammy Fliciano, Raymond Guindey, Hugo, Cogia, Monica Bravo,

0:30:40.080 --> 0:30:44.040
<v Speaker 1>Andrey's Bardi La and ASoP Rock. Original theme music by

0:30:44.040 --> 0:30:47.280
<v Speaker 1>ASoP Rock. Check out a soops website at ASoP rock

0:30:47.360 --> 0:30:51.880
<v Speaker 1>dot com. Wedding article voiced by any Reese. Archival audio

0:30:51.920 --> 0:30:55.920
<v Speaker 1>from Unsolved Mysteries provided by Cosgrove Mirror Productions. Audio of

0:30:55.920 --> 0:30:58.400
<v Speaker 1>the Reign of nine ten provided by Andres Bardi La.

0:30:58.720 --> 0:31:00.880
<v Speaker 1>You can find him on Twitter at at b A

0:31:01.360 --> 0:31:04.680
<v Speaker 1>R R I l A. You can view Monica Bravos

0:31:04.760 --> 0:31:08.000
<v Speaker 1>art at Monica Bravo dot com, m O n I

0:31:08.240 --> 0:31:11.440
<v Speaker 1>k A Bravo dot com, and you can find me

0:31:11.560 --> 0:31:15.080
<v Speaker 1>on Twitter at at John wallzac j O n w

0:31:15.400 --> 0:31:19.320
<v Speaker 1>A l c z A K. If you like this show.

0:31:19.520 --> 0:31:22.280
<v Speaker 1>Check out our first season Missing in Alaska, about the

0:31:22.360 --> 0:31:26.000
<v Speaker 1>nineteen seventy two disappearance of two congressmen. Missing on nine

0:31:26.040 --> 0:31:34.520
<v Speaker 1>eleven is a co production of iHeart Media and Greenford Media.