1
00:00:00,160 --> 00:00:04,520
Speaker 1: And here he is America's favorite phase on Donald Phaison.

2
00:00:04,800 --> 00:00:07,520
Speaker 1: What were you guys just talking about? We were talking

3
00:00:07,560 --> 00:00:09,360
Speaker 1: about Oculus, But I don't want to talk about it

4
00:00:09,360 --> 00:00:12,479
Speaker 1: anymore because we already gave them a seven minute ad today,

5
00:00:13,440 --> 00:00:15,319
Speaker 1: did we give Okay, we can talk about it a

6
00:00:15,360 --> 00:00:20,239
Speaker 1: little bit. Joelle tried. Joelle tried to gain the paint game. Joelle,

7
00:00:20,239 --> 00:00:24,720
Speaker 1: howd it go? It was so cool? Um, I really

8
00:00:24,760 --> 00:00:28,480
Speaker 1: liked the star like thing. That was great. You can't

9
00:00:28,520 --> 00:00:31,520
Speaker 1: see stars where I live in Los Angeles. Um, but

10
00:00:31,640 --> 00:00:34,520
Speaker 1: I'm from the country US to live where the corn grows,

11
00:00:34,520 --> 00:00:36,400
Speaker 1: and I miss stars. And so I just spent like

12
00:00:36,400 --> 00:00:39,640
Speaker 1: twenty minutes and there just stargazing. And then I found

13
00:00:39,640 --> 00:00:42,720
Speaker 1: out you could get like a dress bust, you know

14
00:00:42,800 --> 00:00:45,279
Speaker 1: where they like pin all the clothes to it so

15
00:00:45,320 --> 00:00:47,640
Speaker 1: that you can like design clothes with the light in

16
00:00:47,680 --> 00:00:50,680
Speaker 1: different textures they have. So I made pretty dresses for

17
00:00:50,880 --> 00:00:53,279
Speaker 1: like twenty minutes. Oh, I didn't know you could make

18
00:00:53,640 --> 00:00:56,720
Speaker 1: make clothes. I'm gonna try that. Fun as hell. And

19
00:00:56,720 --> 00:01:00,040
Speaker 1: then yeah, walking around in your own like design and

20
00:01:00,320 --> 00:01:02,200
Speaker 1: some of the colors will like flash and do like

21
00:01:02,280 --> 00:01:04,960
Speaker 1: pretty rainbow things. It's very Um. If you were a

22
00:01:04,959 --> 00:01:09,120
Speaker 1: Lisa Frank person. Um, enjoy this app. You can be

23
00:01:09,200 --> 00:01:12,039
Speaker 1: your own Lisa Frank. I don't know who Lisa Frank is.

24
00:01:12,440 --> 00:01:15,440
Speaker 1: Oh my god. Okay. In the nineties Lisa Frank made

25
00:01:15,560 --> 00:01:18,360
Speaker 1: like trapper keepers and binders and folders, but they were

26
00:01:18,360 --> 00:01:22,959
Speaker 1: all like meon tigers and elephants and dolphins. Selphins were huge,

27
00:01:23,000 --> 00:01:25,080
Speaker 1: just beautiful, beautiful stuff. But all the girls in the

28
00:01:25,120 --> 00:01:28,280
Speaker 1: nineties I have Lisa Frank binders and such. Oh got it? Hey?

29
00:01:28,319 --> 00:01:30,720
Speaker 1: Did you get more Instagram followers because I blew up

30
00:01:30,760 --> 00:01:34,000
Speaker 1: your hot picture that you posted? I did. I think

31
00:01:34,040 --> 00:01:38,120
Speaker 1: maybe a thousand more people. Maybe a thousand. Yeah, that's wow,

32
00:01:38,160 --> 00:01:40,640
Speaker 1: that's a lot. I was gonna I was gonna write

33
00:01:40,680 --> 00:01:43,759
Speaker 1: something like, you know, only slide into your DMS if

34
00:01:43,760 --> 00:01:45,720
Speaker 1: you mean business. But then I said, I'm just gonna

35
00:01:45,760 --> 00:01:47,880
Speaker 1: not go don't don't don't do that, don't do that,

36
00:01:47,920 --> 00:01:49,760
Speaker 1: don't do that. I was worried she'd get dick picks,

37
00:01:49,760 --> 00:01:53,600
Speaker 1: so I did, Yeah, let me just censor the uh.

38
00:01:54,080 --> 00:01:57,360
Speaker 1: I don't you know what? You know what's interesting? Do

39
00:01:57,480 --> 00:02:02,600
Speaker 1: you go through like all of your emails Joe my emails? Yeah,

40
00:02:02,640 --> 00:02:07,120
Speaker 1: not your emails, your your DMS I'm sorry when I'll

41
00:02:07,160 --> 00:02:09,520
Speaker 1: scroll through them, because sometimes people have very lovely things

42
00:02:09,520 --> 00:02:11,080
Speaker 1: to say and they're like, I don't know how to

43
00:02:11,080 --> 00:02:12,560
Speaker 1: reach you, but I just want to say and I'm like,

44
00:02:12,560 --> 00:02:15,160
Speaker 1: oh my god, that's so nice. Thank you. If you're

45
00:02:15,160 --> 00:02:17,840
Speaker 1: sending me a picture, they're all blurred out. I don't

46
00:02:17,840 --> 00:02:19,920
Speaker 1: know what they say. I can't see them. I don't

47
00:02:19,960 --> 00:02:23,840
Speaker 1: look at them. They're probably here's a couple. I've opened

48
00:02:23,880 --> 00:02:25,400
Speaker 1: a few. Wom been like, that's a screwed to man.

49
00:02:25,480 --> 00:02:29,880
Speaker 1: I don't want it. And you men? What is it

50
00:02:29,880 --> 00:02:31,960
Speaker 1: with men sending dicks? I mean it's I mean, it's

51
00:02:31,960 --> 00:02:35,160
Speaker 1: obviously just a fucking power power thing. But I never understood, like,

52
00:02:35,240 --> 00:02:37,160
Speaker 1: what do they think the responses they're going to get

53
00:02:37,200 --> 00:02:39,160
Speaker 1: from sending a picture of their dick? I want to

54
00:02:39,200 --> 00:02:42,120
Speaker 1: put it in my mouth. They're never gonna get that.

55
00:02:42,240 --> 00:02:44,680
Speaker 1: I mean, if you're the one woman in the world

56
00:02:44,800 --> 00:02:48,080
Speaker 1: or man who's responded, mmm, looks good, then you've ruined

57
00:02:48,120 --> 00:02:56,800
Speaker 1: it for everybody because people a lot of people give

58
00:02:56,840 --> 00:03:01,520
Speaker 1: me shipped for eating popcorn yesterday. I'm sorry everybody. I'm sorry,

59
00:03:01,680 --> 00:03:06,480
Speaker 1: but you edited Dane, Yeah, I mean I had to

60
00:03:06,480 --> 00:03:08,720
Speaker 1: cut some of it out some of it was very explicit.

61
00:03:08,760 --> 00:03:11,760
Speaker 1: I'm sorry, sorry, don't know what happened, Daniel, what happened

62
00:03:11,760 --> 00:03:14,680
Speaker 1: to your webcam? Man? We don't need it's just it's

63
00:03:14,840 --> 00:03:16,760
Speaker 1: not working, right. I want the audience to know. I

64
00:03:16,800 --> 00:03:19,040
Speaker 1: just want the audience to know that Dann a very

65
00:03:19,040 --> 00:03:21,959
Speaker 1: fancy webcam because he's missed her computer guy and you

66
00:03:22,000 --> 00:03:25,120
Speaker 1: can't see him because it doesn't work. Stream will look better.

67
00:03:25,840 --> 00:03:32,040
Speaker 1: All it says is image edge webcam. Yeah, you're you're

68
00:03:32,080 --> 00:03:37,440
Speaker 1: literal imaging image. I would tell you if you're out

69
00:03:37,480 --> 00:03:45,760
Speaker 1: in the market for webcam, don't get an imaging edge one. Hey, Daniel,

70
00:03:46,120 --> 00:03:47,760
Speaker 1: do you want to plug your stream? Since I gave

71
00:03:47,840 --> 00:03:50,800
Speaker 1: Joella a shout out for for Instagram? What what is

72
00:03:50,800 --> 00:03:54,680
Speaker 1: your streaming? What's your streaming thing? Wat? You play? Stream

73
00:03:54,680 --> 00:03:58,080
Speaker 1: on Twitch at twitch dot tv, slash dj Underscore Daniel

74
00:03:58,200 --> 00:04:01,440
Speaker 1: like my Twitter handle um my stream on Wednesdays and

75
00:04:01,520 --> 00:04:05,480
Speaker 1: Sunday nights seven pm onward and um And what game

76
00:04:05,560 --> 00:04:08,800
Speaker 1: do you play? Yeah? Game play everything. Playing a lot

77
00:04:08,840 --> 00:04:11,200
Speaker 1: of the new season of Fall. Guys, there's a brand

78
00:04:11,280 --> 00:04:14,000
Speaker 1: new GTA five heist that came out today. I play

79
00:04:14,000 --> 00:04:21,679
Speaker 1: a lot that that GTA heist looks fire. I haven't.

80
00:04:21,920 --> 00:04:24,159
Speaker 1: I haven't played I haven't played gt Granted, I haven't

81
00:04:24,200 --> 00:04:26,920
Speaker 1: played GTA or Red Dead in about a year now

82
00:04:26,960 --> 00:04:29,240
Speaker 1: since I got home and COVID happened. And you know,

83
00:04:29,320 --> 00:04:32,440
Speaker 1: you can't, you can't just immerse yourself in these world

84
00:04:33,040 --> 00:04:36,640
Speaker 1: worlds for hours when you got you know, uh, eight

85
00:04:37,000 --> 00:04:38,840
Speaker 1: seven year old and a five year old running round

86
00:04:38,880 --> 00:04:41,280
Speaker 1: of course, of course, but there used to be a

87
00:04:41,279 --> 00:04:44,960
Speaker 1: big GTA guy. He was addicted making scrubs. You were playing, dude,

88
00:04:45,000 --> 00:04:49,000
Speaker 1: GTA got to well, I wonder how they're gonna address

89
00:04:49,040 --> 00:04:53,040
Speaker 1: it with the ps what is it a five now? Yeah?

90
00:04:53,080 --> 00:04:56,240
Speaker 1: And the Xbox what is it an Xbox, Xbox series

91
00:04:56,480 --> 00:05:00,400
Speaker 1: X whatever the whatever it is? Right, Yeah, there's so many,

92
00:05:00,480 --> 00:05:03,240
Speaker 1: there's so many consoles. But anyway, I wonder how they're

93
00:05:03,240 --> 00:05:07,960
Speaker 1: gonna address that because the graphics and the fluidity of

94
00:05:08,000 --> 00:05:11,440
Speaker 1: the original were always fire anyway, Like you could do

95
00:05:11,560 --> 00:05:14,440
Speaker 1: everything and anything in GTA. You can fly, you can

96
00:05:14,560 --> 00:05:16,800
Speaker 1: rob somebody. They even made it so you could rob

97
00:05:16,880 --> 00:05:20,160
Speaker 1: banks and stuff like that. Like they it gets to it.

98
00:05:20,160 --> 00:05:25,039
Speaker 1: It's high level, uh you know, scum and villainy, villainy. However,

99
00:05:25,080 --> 00:05:28,840
Speaker 1: he's a scum and villainy. Yeah, it's high level. How

100
00:05:28,880 --> 00:05:31,039
Speaker 1: do they address that? How do they address that with

101
00:05:31,120 --> 00:05:32,880
Speaker 1: the new consoles? How do they make it? How do

102
00:05:32,920 --> 00:05:36,560
Speaker 1: you make it more realistic than is the question? And

103
00:05:36,560 --> 00:05:40,359
Speaker 1: and can you make it virtual? Like what would be

104
00:05:40,440 --> 00:05:44,680
Speaker 1: fire for these games now is if what's the thing

105
00:05:44,720 --> 00:05:47,520
Speaker 1: that they had in that movie who had a boy

106
00:05:47,600 --> 00:05:49,960
Speaker 1: jumped on a treadmill and could run in any direction

107
00:05:51,200 --> 00:05:59,000
Speaker 1: if you could? Yeah, I love them first that they do. Yeah,

108
00:05:59,000 --> 00:06:01,599
Speaker 1: they have things like like, um, well, I know they

109
00:06:01,680 --> 00:06:04,400
Speaker 1: got the best. I know you put like wheeled sneakers

110
00:06:04,440 --> 00:06:08,480
Speaker 1: on and you and you walk around in this um

111
00:06:09,160 --> 00:06:12,279
Speaker 1: uh circle. Rig right, Daniel, you know what I'm talking about? Yeah,

112
00:06:12,279 --> 00:06:14,880
Speaker 1: oh absolutely. What's it called? I think it's called like

113
00:06:14,880 --> 00:06:17,360
Speaker 1: an omni omni track. You have like a little wasting

114
00:06:17,400 --> 00:06:19,280
Speaker 1: that goes around you and then it's like a treadmill

115
00:06:19,320 --> 00:06:22,240
Speaker 1: that just moves in any direction. They're very cool. That

116
00:06:22,279 --> 00:06:25,680
Speaker 1: would be that would be a really cool But yeah,

117
00:06:25,680 --> 00:06:28,080
Speaker 1: I don't know how you would. That would be really

118
00:06:28,080 --> 00:06:29,680
Speaker 1: cool if you could figure out a way to be

119
00:06:29,760 --> 00:06:32,760
Speaker 1: actually jump into the universe like in Ready Player one.

120
00:06:32,839 --> 00:06:36,760
Speaker 1: That's next. Obviously we're so far away from that, we're

121
00:06:36,839 --> 00:06:39,000
Speaker 1: something We're that far away from it. I mean, just

122
00:06:39,000 --> 00:06:41,679
Speaker 1: just messing around with the oculus too. Now I'm seeing

123
00:06:41,680 --> 00:06:43,080
Speaker 1: we're not far away from it. All right, we should

124
00:06:43,080 --> 00:06:44,520
Speaker 1: get to the show because people don't want to hear

125
00:06:44,520 --> 00:06:47,560
Speaker 1: another long VR conversation. I'm sure it was. It's just

126
00:06:47,600 --> 00:06:49,640
Speaker 1: so listen for all of you out there, I'm just saying,

127
00:06:50,440 --> 00:06:53,800
Speaker 1: they've got the PS five's and the Xbox whatever it is.

128
00:06:53,839 --> 00:06:56,600
Speaker 1: But I'm telling you that oculus. Man. All right, it's

129
00:06:56,600 --> 00:07:00,000
Speaker 1: a very special show, you know what. Amazing. First of all,

130
00:07:00,040 --> 00:07:03,080
Speaker 1: it's an amazing show. It's I may not know. I

131
00:07:03,080 --> 00:07:05,360
Speaker 1: did not know how emotional I was going to get

132
00:07:05,400 --> 00:07:07,520
Speaker 1: at the end of this. You hit me up and

133
00:07:07,520 --> 00:07:11,520
Speaker 1: you were like, Yo, it's uh, it's it's it's My

134
00:07:11,840 --> 00:07:15,440
Speaker 1: screw Up. Yeah. Should we have raiding on? And immediately

135
00:07:15,440 --> 00:07:19,080
Speaker 1: I was like, oh, snap, we're already yet the rating episode. Well, listen,

136
00:07:19,160 --> 00:07:21,880
Speaker 1: I had thought for since we started. Here's the thing

137
00:07:21,880 --> 00:07:24,280
Speaker 1: about My screw Up. It's a lot of people's favorite episodes.

138
00:07:24,400 --> 00:07:27,200
Speaker 1: It's one of the highest ranking episodes in terms of

139
00:07:27,240 --> 00:07:31,520
Speaker 1: like the way they write ranked people, fans ranked things

140
00:07:31,520 --> 00:07:34,120
Speaker 1: on TV dot com. It's ranked I read, I read,

141
00:07:34,200 --> 00:07:37,320
Speaker 1: It's tied for highest with an episode called my lunch

142
00:07:37,400 --> 00:07:40,240
Speaker 1: from season five, so it is a lot of people's

143
00:07:40,280 --> 00:07:42,840
Speaker 1: favorite episode. We had planned to have Brandon on, We

144
00:07:42,920 --> 00:07:45,040
Speaker 1: had planned to have Johnny on, but you know, between

145
00:07:45,080 --> 00:07:48,200
Speaker 1: COVID and the holidays and our schedules, everything's all fa cocky.

146
00:07:48,360 --> 00:07:51,160
Speaker 1: So I just said to Um, to Donald, why don't

147
00:07:51,160 --> 00:07:53,800
Speaker 1: we have Josh Raiden on? Because Josh Raiden, for those

148
00:07:53,800 --> 00:07:56,400
Speaker 1: of you don't know, Um wrote the song Winter that

149
00:07:56,440 --> 00:07:58,320
Speaker 1: plays at the end of the show, and that that

150
00:07:58,480 --> 00:08:02,239
Speaker 1: song launched his entire career. It broke him. It broke

151
00:08:02,320 --> 00:08:06,400
Speaker 1: him literally, it broke him. It turned him into the

152
00:08:06,560 --> 00:08:09,680
Speaker 1: Josh raiding that Listen, Man, I remember going to see Josh. Wait, wait,

153
00:08:09,760 --> 00:08:11,600
Speaker 1: let's save it. Let's invite him in, danil is he here?

154
00:08:13,120 --> 00:08:17,080
Speaker 1: Bring it in. Let's see what he looks like. Oh

155
00:08:15,920 --> 00:08:31,280
Speaker 1: the bunderus. Applause, Dan, I'm thunderous. Applause. Josh write. Okay, okay,

156
00:08:31,280 --> 00:08:34,160
Speaker 1: someone's had some coffee. Someone's had some coffee. He's barking.

157
00:08:34,840 --> 00:08:37,880
Speaker 1: This is my first podcast. We have, we started, we'd

158
00:08:37,880 --> 00:08:39,920
Speaker 1: already begune. We did a whole we did We've been

159
00:08:39,920 --> 00:08:43,319
Speaker 1: talking about you on the podcast tap. It's happening all right,

160
00:08:43,440 --> 00:08:47,000
Speaker 1: and we're back in Everybody. We had a very interesting

161
00:08:47,040 --> 00:08:50,360
Speaker 1: thing we edited out trying to educate a professional magician

162
00:08:50,440 --> 00:08:53,600
Speaker 1: how to record himself. Josh, why do you call him

163
00:08:53,600 --> 00:08:56,000
Speaker 1: a magician? Did you just call him a magician a musician?

164
00:08:56,040 --> 00:08:58,720
Speaker 1: How come, Josh, you don't know how to record yourself?

165
00:08:59,360 --> 00:09:05,000
Speaker 1: I remember called intelligent. We're so happy you're here, everybody. So,

166
00:09:05,160 --> 00:09:08,440
Speaker 1: if you don't know, Joshua Rading is my friend from

167
00:09:08,520 --> 00:09:13,160
Speaker 1: Northwestern and um he also he's my friend. He's my friend.

168
00:09:13,440 --> 00:09:17,640
Speaker 1: I introduced him to Donald Phazon one Vegas trip. That's

169
00:09:17,640 --> 00:09:21,240
Speaker 1: all it took, even before Vegas, though I met in

170
00:09:21,240 --> 00:09:23,600
Speaker 1: New York. We met in New York, dude, Jeff Sucker,

171
00:09:24,720 --> 00:09:27,040
Speaker 1: I know we met in New York. Josh, you were

172
00:09:27,080 --> 00:09:30,280
Speaker 1: there that night, back when you had a whole other life, man,

173
00:09:30,400 --> 00:09:33,200
Speaker 1: back before you were a musician, back when you were

174
00:09:33,320 --> 00:09:37,679
Speaker 1: dating another girl. Now now you're freaking a freaking I'm

175
00:09:37,679 --> 00:09:40,200
Speaker 1: gonna say it. You're a playboy, dog, You're a true player.

176
00:09:40,320 --> 00:09:44,240
Speaker 1: You're a rock star. Man. Do you know how hard

177
00:09:44,240 --> 00:09:46,760
Speaker 1: it is to be single and a pandemic? Oh? I

178
00:09:46,880 --> 00:09:49,360
Speaker 1: not feel for him, dude, he's doing this all alone.

179
00:09:49,480 --> 00:09:51,880
Speaker 1: You can't date. And then Joel knows you can't date

180
00:09:52,000 --> 00:09:56,320
Speaker 1: during during COVID and die. So yeah, but you could

181
00:09:56,320 --> 00:09:58,520
Speaker 1: set up so much stuff and when COVID's over just

182
00:09:58,520 --> 00:10:01,520
Speaker 1: played out, you can. I mean, you got the gift, man,

183
00:10:01,559 --> 00:10:04,240
Speaker 1: you got the voice, and you got the guitar. That

184
00:10:04,360 --> 00:10:07,640
Speaker 1: is all you need. I know. But that should be

185
00:10:07,640 --> 00:10:10,600
Speaker 1: put on layaway and people out there. I'll be like, Okay,

186
00:10:10,679 --> 00:10:15,839
Speaker 1: I will wait until two twenty twenty two to give up.

187
00:10:16,440 --> 00:10:19,000
Speaker 1: Kind of somebody's good. It's one thing to be like

188
00:10:19,120 --> 00:10:22,959
Speaker 1: laying foundation, Joel. I'm sure is laying some foundation, right, Joel,

189
00:10:23,000 --> 00:10:27,400
Speaker 1: you're flirting too a little bit. I work, you're working.

190
00:10:28,600 --> 00:10:32,400
Speaker 1: I got the job done at a time. Well, but

191
00:10:32,480 --> 00:10:37,040
Speaker 1: I just I get the job done well anyway. So, Josh,

192
00:10:37,120 --> 00:10:40,320
Speaker 1: you met Donald for the first time our infamous Big night.

193
00:10:40,400 --> 00:10:43,760
Speaker 1: Josh was um my great friend in New York, and

194
00:10:43,800 --> 00:10:46,800
Speaker 1: then I got Scrubs, and um we went through it

195
00:10:46,840 --> 00:10:49,560
Speaker 1: all together. We went through the life change, right, Josh,

196
00:10:50,080 --> 00:10:54,560
Speaker 1: I watched some pretty hilarious things. Yeah, and Donald Donald

197
00:10:54,559 --> 00:10:58,840
Speaker 1: and I were instantly inseparable, and Josh was there with

198
00:10:58,960 --> 00:11:03,640
Speaker 1: us through many an adventure. Listen, man, your best friend

199
00:11:03,720 --> 00:11:08,400
Speaker 1: become famous is is a very interesting thing, and vice versa.

200
00:11:08,520 --> 00:11:11,240
Speaker 1: Dude and vice versa. No, I mean when I mean

201
00:11:11,280 --> 00:11:13,000
Speaker 1: when I say famous, I mean the kind of famous

202
00:11:13,080 --> 00:11:14,480
Speaker 1: that we'd walked down the street in New York and

203
00:11:14,760 --> 00:11:18,080
Speaker 1: sometimes I would walk like, you know, ten feet behind

204
00:11:18,240 --> 00:11:21,000
Speaker 1: Zach through the city just to watch people right after

205
00:11:21,040 --> 00:11:23,120
Speaker 1: they pass him go, oh my god, that was Zach breath.

206
00:11:23,800 --> 00:11:25,760
Speaker 1: Oh my god's the guy from Scrubs. You know. It

207
00:11:26,080 --> 00:11:29,520
Speaker 1: was so funny to watch people's reactions to see, um,

208
00:11:30,120 --> 00:11:32,280
Speaker 1: I still do that to myself in real time. It

209
00:11:32,360 --> 00:11:36,960
Speaker 1: was cool just to piggyback on that, you know, Josh,

210
00:11:37,040 --> 00:11:39,560
Speaker 1: at least I could say for myself. I remember going

211
00:11:39,600 --> 00:11:43,240
Speaker 1: to like the hotel cafe or to like you know,

212
00:11:44,240 --> 00:11:47,000
Speaker 1: I guess, yeah, just the hotel cafe really, and it

213
00:11:47,120 --> 00:11:52,160
Speaker 1: being empty and it just being me, Zach, Mandy Moore,

214
00:11:52,600 --> 00:11:55,240
Speaker 1: and Minka Kelly, and that was it in the in

215
00:11:55,320 --> 00:11:58,720
Speaker 1: the audience watching you perform, and you would go on

216
00:11:58,880 --> 00:12:01,400
Speaker 1: after like some other act and some other act, and

217
00:12:01,400 --> 00:12:03,320
Speaker 1: then it would be just you and you'd get to

218
00:12:03,360 --> 00:12:06,360
Speaker 1: do like three songs, and we'd wait the whole night

219
00:12:06,480 --> 00:12:08,800
Speaker 1: for you to go up and perform. Dude, and that's

220
00:12:08,800 --> 00:12:12,040
Speaker 1: you and now and then so and then so. It

221
00:12:12,160 --> 00:12:14,760
Speaker 1: blew my mind, And I'm gonna say this. You know,

222
00:12:15,080 --> 00:12:17,600
Speaker 1: it's great that you know, the music was on scrubs

223
00:12:17,600 --> 00:12:20,240
Speaker 1: and everything like that, but there was still struggle after

224
00:12:20,280 --> 00:12:22,360
Speaker 1: the music was on scrubs and people don't really know

225
00:12:22,440 --> 00:12:24,880
Speaker 1: that shit. You know, the song was brought and everything

226
00:12:24,920 --> 00:12:26,959
Speaker 1: like that, but you know, it wasn't like you know,

227
00:12:27,400 --> 00:12:30,520
Speaker 1: it wasn't like an overnight all of a sudden instant thing.

228
00:12:31,240 --> 00:12:33,679
Speaker 1: You know what I mean. It's I'm still waiting for

229
00:12:33,720 --> 00:12:39,040
Speaker 1: that big break. Well, Josh, tell everyone, do we ever

230
00:12:39,120 --> 00:12:43,679
Speaker 1: count in? I forgot about six seven eight stories about

231
00:12:43,720 --> 00:12:55,280
Speaker 1: show we made about a bunch of nurses and stories

232
00:12:52,720 --> 00:13:05,600
Speaker 1: never so yead around here, yeato around you here? Did

233
00:13:05,600 --> 00:13:09,600
Speaker 1: you guys see that? Josh, Josh Raydon kaijacking the Five Secrets.

234
00:13:09,679 --> 00:13:13,520
Speaker 1: Usually the guests wait for permission, but no, Josh, Um

235
00:13:14,200 --> 00:13:17,400
Speaker 1: longtime listeners, Zac tell everyone, Actually, Josh is one of

236
00:13:17,440 --> 00:13:20,439
Speaker 1: my few friends. Uh. Josh and my girlfriend's mom are

237
00:13:20,480 --> 00:13:22,559
Speaker 1: the only people left in my life that's still listened

238
00:13:22,600 --> 00:13:25,040
Speaker 1: to the podcast. Your mom doesn't listen anymore. I don't

239
00:13:25,080 --> 00:13:29,360
Speaker 1: think my mom, Well she might, but she doesn't mention it. Um.

240
00:13:30,280 --> 00:13:32,920
Speaker 1: Carrie Brothers mentioned I was on Mark Marron's podcast. He

241
00:13:33,000 --> 00:13:35,360
Speaker 1: like Loved You on Mark Maron's podcast. He doesn't bring

242
00:13:35,440 --> 00:13:39,920
Speaker 1: up this podcast anymore. Um, but Josh raydon Um often

243
00:13:39,960 --> 00:13:42,280
Speaker 1: listens when he's hiking. As I understand it, right, Josh,

244
00:13:42,320 --> 00:13:45,280
Speaker 1: I know Johnny still listens to the podcast. Actually cast

245
00:13:45,760 --> 00:13:47,920
Speaker 1: your podcast for the Well, I've told you this, but

246
00:13:47,960 --> 00:13:51,120
Speaker 1: I'll tell your listeners right when the world shut down.

247
00:13:52,559 --> 00:13:54,680
Speaker 1: I live here in la as you guys do, and

248
00:13:55,040 --> 00:13:56,880
Speaker 1: I live up in the hills, and there's all these

249
00:13:56,920 --> 00:13:59,240
Speaker 1: like stone stairs that go through the hills. These secret

250
00:13:59,280 --> 00:14:02,560
Speaker 1: stone stairs that I COVID got me so scared that

251
00:14:02,600 --> 00:14:07,760
Speaker 1: I wanted to get in good cardiovascular shape because obviously

252
00:14:07,960 --> 00:14:12,520
Speaker 1: the better shape you're in for a respiratory disease of

253
00:14:12,559 --> 00:14:15,079
Speaker 1: you are. So I started running up and down these

254
00:14:15,120 --> 00:14:18,240
Speaker 1: stairs every morning, and the podcast was the only thing

255
00:14:18,240 --> 00:14:20,520
Speaker 1: that got me through. Well, that's great. We've had a

256
00:14:20,560 --> 00:14:24,080
Speaker 1: lot of people say they exercised and inspired them, and

257
00:14:24,080 --> 00:14:25,560
Speaker 1: that makes us very happy. I do have to say

258
00:14:25,720 --> 00:14:27,240
Speaker 1: I didn't get to see you guys for so long

259
00:14:27,360 --> 00:14:29,600
Speaker 1: until we like we formed a pod and then I

260
00:14:29,600 --> 00:14:31,560
Speaker 1: could see you in like in our backyards or just

261
00:14:31,600 --> 00:14:34,320
Speaker 1: our few, you know, tightest friends. But it was like

262
00:14:35,000 --> 00:14:37,520
Speaker 1: I went like a good six weeks, seven weeks without

263
00:14:37,560 --> 00:14:39,960
Speaker 1: seeing one single person, you know, just sitting in my

264
00:14:40,000 --> 00:14:43,600
Speaker 1: house by myself and so listening to you guys talk, uh,

265
00:14:43,960 --> 00:14:48,160
Speaker 1: you know twice a week. Was was just saved my life. Really,

266
00:14:48,680 --> 00:14:50,840
Speaker 1: you know, we don't never talk about that type of stuff,

267
00:14:51,680 --> 00:14:54,720
Speaker 1: being by yourself for six weeks, Josh, other than like,

268
00:14:55,800 --> 00:14:59,240
Speaker 1: I guess face timing, and how did you how did

269
00:14:59,240 --> 00:15:02,120
Speaker 1: you cope with that when COVID first hit, Joell, you

270
00:15:02,160 --> 00:15:04,640
Speaker 1: have your brother with you, right, yeah, Joel has her brother.

271
00:15:04,720 --> 00:15:09,000
Speaker 1: Josh was totally alone. You were dolo basically. It's it's

272
00:15:09,040 --> 00:15:13,560
Speaker 1: interestingly I finished my European tour. I was mid January

273
00:15:13,640 --> 00:15:17,320
Speaker 1: to mid February this year in a different city in

274
00:15:17,360 --> 00:15:20,080
Speaker 1: Europe every day, like hugging people, shaking hands, you know,

275
00:15:20,560 --> 00:15:23,080
Speaker 1: meeting so many different people every day, right when COVID

276
00:15:23,160 --> 00:15:25,520
Speaker 1: was kind of like starting, but it wasn't a big

277
00:15:25,600 --> 00:15:27,840
Speaker 1: thing yet. People were like, oh, what's this, you know,

278
00:15:28,640 --> 00:15:30,880
Speaker 1: And so I got really sick for the whole month

279
00:15:30,960 --> 00:15:33,280
Speaker 1: of that tour. I had this weird throat infection, but

280
00:15:33,320 --> 00:15:35,080
Speaker 1: it was before we knew really what it was. And

281
00:15:35,080 --> 00:15:37,800
Speaker 1: then I finally just got over it. And but it

282
00:15:37,880 --> 00:15:40,760
Speaker 1: culminated in Italy in mid February, you know, which was

283
00:15:40,800 --> 00:15:42,600
Speaker 1: one of the hot spots. Wow, which is one of

284
00:15:42,640 --> 00:15:45,240
Speaker 1: the hots wow? Right then, I mean I was like

285
00:15:45,280 --> 00:15:47,240
Speaker 1: I had to postpone a show in Rome because I

286
00:15:47,280 --> 00:15:49,760
Speaker 1: lost my voice and anyway, So I think I had it,

287
00:15:49,800 --> 00:15:53,560
Speaker 1: but I don't really know. Everybody. Everybody has that story, right,

288
00:15:53,680 --> 00:15:56,040
Speaker 1: everybody has it. I think I had it. I don't

289
00:15:56,160 --> 00:15:57,480
Speaker 1: have that. I don't. I don't think I had it.

290
00:15:57,480 --> 00:15:59,600
Speaker 1: But Josh, did you get the anybody test? Or did

291
00:15:59,600 --> 00:16:03,720
Speaker 1: it go away? I went into our doctor, as you know,

292
00:16:03,760 --> 00:16:06,320
Speaker 1: we share a doctor, and I got the antibody's test,

293
00:16:06,320 --> 00:16:08,080
Speaker 1: but it was like six months later, and they were

294
00:16:08,200 --> 00:16:10,200
Speaker 1: He said, you don't even know if these tests are

295
00:16:10,360 --> 00:16:12,720
Speaker 1: going to give a false positive or pulse negative. We

296
00:16:12,760 --> 00:16:15,880
Speaker 1: don't you know. Anybody's my only last two or three months,

297
00:16:16,040 --> 00:16:18,120
Speaker 1: you know. So it turns out I didn't have them

298
00:16:18,160 --> 00:16:20,240
Speaker 1: after all that time. But my point I was making

299
00:16:20,400 --> 00:16:23,680
Speaker 1: was that, right, I just finished touring this new album,

300
00:16:23,840 --> 00:16:25,760
Speaker 1: all of it, and I thought to myself, I'm gonna

301
00:16:25,800 --> 00:16:27,920
Speaker 1: go home and sit in my house by myself and

302
00:16:27,920 --> 00:16:30,600
Speaker 1: write a new album and not see anyone for like

303
00:16:30,640 --> 00:16:33,200
Speaker 1: three months. And then it's basically going to turn into

304
00:16:33,200 --> 00:16:35,360
Speaker 1: a year and a half of not seeing anyone. But

305
00:16:35,440 --> 00:16:38,080
Speaker 1: I did know we at least folded you into our pods.

306
00:16:38,280 --> 00:16:40,480
Speaker 1: We can see you, We see you. You're gonna come

307
00:16:40,520 --> 00:16:45,440
Speaker 1: over for for Jesus's birthday. That's true, and neither one

308
00:16:45,480 --> 00:16:49,800
Speaker 1: of you. You both are freaking yahweh is looking down

309
00:16:49,880 --> 00:16:53,280
Speaker 1: on YouTube like, no, y'all weighs down for us to

310
00:16:53,320 --> 00:16:58,800
Speaker 1: celebrate a very nice Jewish man's birthday. Yeah. Also it's

311
00:16:58,840 --> 00:17:02,480
Speaker 1: actually friend is not Jewish and is a huge Christmas

312
00:17:02,520 --> 00:17:06,560
Speaker 1: lover and she's very into so we're gonna very supportive

313
00:17:06,600 --> 00:17:09,560
Speaker 1: of her first Christmas in la Um. I wanted to

314
00:17:09,600 --> 00:17:12,240
Speaker 1: say that you give up your identity. You hate your

315
00:17:12,240 --> 00:17:15,679
Speaker 1: own people. You two, you hate your own people. Josh

316
00:17:15,760 --> 00:17:18,040
Speaker 1: is skimming over the fact that he didn't just get

317
00:17:18,080 --> 00:17:20,840
Speaker 1: in respiratory shape. He got in the sickest shape I've

318
00:17:20,840 --> 00:17:23,240
Speaker 1: ever seen him in. Yeah he had he No, he's

319
00:17:23,240 --> 00:17:25,480
Speaker 1: got the sea gutters, dude, He's got the whole thing.

320
00:17:25,880 --> 00:17:35,000
Speaker 1: I know him. Oh wait, Joel, you don't like head, Okay,

321
00:17:33,880 --> 00:17:36,960
Speaker 1: so what is this? I just want to know what

322
00:17:37,119 --> 00:17:39,520
Speaker 1: is a sea gutter? Um? I don't want to see

323
00:17:39,520 --> 00:17:41,480
Speaker 1: it in front Juell, Joel, can you take your headphones

324
00:17:41,520 --> 00:17:44,720
Speaker 1: off from go ahead? All right, Joel took her headphones off.

325
00:17:44,840 --> 00:17:47,800
Speaker 1: Um it's the calm cum gutters and um it's funder

326
00:17:47,840 --> 00:17:52,000
Speaker 1: the whoa whoa under the abs right here, um like

327
00:17:52,040 --> 00:17:56,399
Speaker 1: like the V and and theoretically I'm sorry ear moms

328
00:17:56,400 --> 00:17:59,200
Speaker 1: if you're in the car um with your kids. But um,

329
00:17:59,240 --> 00:18:03,240
Speaker 1: it's where the semen would would likely gather like a gutter. Okay,

330
00:18:03,280 --> 00:18:09,160
Speaker 1: so all right, Joel, put your head hold on hold

331
00:18:09,160 --> 00:18:10,359
Speaker 1: on no no no no no no no no no no no.

332
00:18:12,200 --> 00:18:14,920
Speaker 1: You don't necessarily have Okay, she's a grown ass woman.

333
00:18:15,000 --> 00:18:18,160
Speaker 1: You don't necessarily have to be in shape to have. Yes,

334
00:18:18,359 --> 00:18:21,800
Speaker 1: you do the kind of I have talking Brad. I'm

335
00:18:21,840 --> 00:18:26,320
Speaker 1: telling Brad pennon fight Club the v Wait, he could

336
00:18:26,320 --> 00:18:28,040
Speaker 1: catch it in all of it, he could catch it.

337
00:18:28,280 --> 00:18:32,879
Speaker 1: All right, we're traded on this podcast. It's all just audio. Right,

338
00:18:32,920 --> 00:18:35,720
Speaker 1: it's just audio. Show us. Yeah, show show Josh and

339
00:18:36,440 --> 00:18:44,199
Speaker 1: show this. See those look at this ship. Yeah you

340
00:18:44,200 --> 00:18:46,960
Speaker 1: didn't know that. Donald. I didn't know that. The last

341
00:18:46,960 --> 00:18:49,240
Speaker 1: time I saw him he was kind of getting into dude.

342
00:18:49,240 --> 00:18:52,680
Speaker 1: He looks like that now thanks thanks to the podcast.

343
00:18:52,880 --> 00:18:55,040
Speaker 1: What do you got the peloton. No, you got the stairs.

344
00:18:55,040 --> 00:18:57,679
Speaker 1: You got the stairs, the stairs, you got the stairs.

345
00:18:58,160 --> 00:19:00,000
Speaker 1: He was more than that. Though. You can't just high

346
00:19:00,080 --> 00:19:02,879
Speaker 1: can get abs like that dog. He changed his whole diet.

347
00:19:02,920 --> 00:19:04,560
Speaker 1: He changes. I don't know. I don't know where to

348
00:19:05,119 --> 00:19:06,880
Speaker 1: where I would put a peloton in my house. I'd

349
00:19:06,880 --> 00:19:08,199
Speaker 1: have to put it outside. I don't think you can

350
00:19:08,200 --> 00:19:11,359
Speaker 1: do that because then I could back. You eat in dog,

351
00:19:11,600 --> 00:19:15,400
Speaker 1: what you're eating, you're not eating. He doesn't. He doesn't

352
00:19:15,440 --> 00:19:19,720
Speaker 1: smoke weed because it gives him much. You stopped smoking weed. Yeah,

353
00:19:19,760 --> 00:19:23,280
Speaker 1: I've been eating healthy. He's smoking cigarettes. Oh, I haven't

354
00:19:23,280 --> 00:19:26,480
Speaker 1: smoke cigarettes in years. Good Josh was a big smoker,

355
00:19:26,480 --> 00:19:29,119
Speaker 1: and ladies and gentlemen. He is proof that a hypnotist

356
00:19:29,160 --> 00:19:31,560
Speaker 1: can work because he went to a hypnotist once and

357
00:19:31,680 --> 00:19:34,879
Speaker 1: never smoked again. Right, Josh, it you know I didn't

358
00:19:34,880 --> 00:19:37,400
Speaker 1: have a drag of a cigarette after that for about

359
00:19:38,040 --> 00:19:40,800
Speaker 1: ten years. And then I went through a bad breakup

360
00:19:40,800 --> 00:19:44,040
Speaker 1: with my ex girlfriend and started a little bit again.

361
00:19:44,200 --> 00:19:47,679
Speaker 1: And then about the hypnotists work. Speaking speaking speaking a

362
00:19:47,720 --> 00:19:50,520
Speaker 1: bad break he probably doesn't want to talk about his break. No,

363
00:19:50,560 --> 00:19:52,600
Speaker 1: but speaking a bad breakups, let's just get into the song.

364
00:19:52,640 --> 00:19:57,719
Speaker 1: Now then Ladies and Gentlemen, Paperweight, No No, Donald and

365
00:19:57,720 --> 00:20:02,000
Speaker 1: I have Donald and I share um. One of our

366
00:20:02,040 --> 00:20:04,280
Speaker 1: favorite Josh raids. We played it on the show Paperweight.

367
00:20:04,320 --> 00:20:06,119
Speaker 1: That's one of our favorites. I remember, thank you for

368
00:20:06,160 --> 00:20:09,400
Speaker 1: doing that. I listened to that episode us in so

369
00:20:09,440 --> 00:20:19,879
Speaker 1: many movies. Man Josh's music. All right, we gotta go back.

370
00:20:19,920 --> 00:20:22,080
Speaker 1: We're being bad interviewers here, we're jumping around. I got

371
00:20:22,119 --> 00:20:29,560
Speaker 1: distracted by his sea gutters. Now, Josh h Um, tell

372
00:20:29,600 --> 00:20:32,960
Speaker 1: everyone the story. So, Josh Um, I mean, because you

373
00:20:33,359 --> 00:20:36,960
Speaker 1: just just give everyone a cliff notes version of your trajectory.

374
00:20:37,000 --> 00:20:40,240
Speaker 1: Because you were a screenwriter in You're a screenwriter in Manhattan.

375
00:20:40,280 --> 00:20:43,440
Speaker 1: With with you and I we became friendly being young

376
00:20:43,480 --> 00:20:48,000
Speaker 1: aspiring writers in Manhattan. And then just give everyone some

377
00:20:48,000 --> 00:20:51,919
Speaker 1: some some bullet points of what happened to you. Well, yeah,

378
00:20:51,960 --> 00:20:55,199
Speaker 1: I was a struggling screenwriter. I had I was waiting

379
00:20:55,240 --> 00:20:58,080
Speaker 1: tables and doing you know, catering gigs and things like

380
00:20:58,119 --> 00:21:03,920
Speaker 1: that in New York star artists sort of stuff. And

381
00:21:03,920 --> 00:21:05,880
Speaker 1: then I'd go down to the cafe every morning and

382
00:21:06,160 --> 00:21:08,159
Speaker 1: you know, when I wasn't working some other gig and

383
00:21:09,119 --> 00:21:11,840
Speaker 1: write screenplays. I had written like six features, and you

384
00:21:11,920 --> 00:21:15,040
Speaker 1: and I would give each other notes. I remember the

385
00:21:15,080 --> 00:21:19,199
Speaker 1: first incarnation of Garden State when it was called Largest Arc,

386
00:21:19,520 --> 00:21:22,040
Speaker 1: and it was like sixty pages longer than what I'd

387
00:21:22,119 --> 00:21:24,280
Speaker 1: ended up becoming. But I remember when you gave that

388
00:21:24,320 --> 00:21:26,160
Speaker 1: to me after you had read a couple of mine,

389
00:21:26,200 --> 00:21:29,000
Speaker 1: and I was like, I was writing like big budget

390
00:21:29,119 --> 00:21:31,639
Speaker 1: romantic comedies or you know, things that might maybe like

391
00:21:31,640 --> 00:21:33,800
Speaker 1: a Will Ferrell or Ben Stiller. At the time, I

392
00:21:33,840 --> 00:21:35,360
Speaker 1: was like, that would be great if I could get

393
00:21:35,400 --> 00:21:43,159
Speaker 1: guys like that. And you gave me the Largest Arc

394
00:21:43,200 --> 00:21:45,520
Speaker 1: to read and to give you notes, and I just

395
00:21:45,560 --> 00:21:49,119
Speaker 1: remember thinking, this is like real, this is making me

396
00:21:49,160 --> 00:21:55,480
Speaker 1: feel something. I'm not doing it right, and I just

397
00:21:55,520 --> 00:21:58,560
Speaker 1: sort of felt like it sort of inspired me too.

398
00:21:59,680 --> 00:22:01,520
Speaker 1: I had never played music in my whole life. I

399
00:22:01,520 --> 00:22:04,360
Speaker 1: had never grown up playing music or taking any instrument

400
00:22:04,400 --> 00:22:08,200
Speaker 1: lessons or anything like that, and so I was about

401
00:22:08,240 --> 00:22:11,080
Speaker 1: to turn thirty years old, and I was struggling as

402
00:22:11,119 --> 00:22:15,360
Speaker 1: an artist, and I just thought, maybe I'm doing these

403
00:22:15,400 --> 00:22:17,239
Speaker 1: things for the wrong reasons. I'm trying to write these

404
00:22:17,240 --> 00:22:20,280
Speaker 1: screenplays to sell them, rather than like writing what I know,

405
00:22:20,600 --> 00:22:24,200
Speaker 1: or writing what I'm really passionate about, or making myself

406
00:22:24,280 --> 00:22:27,359
Speaker 1: vulnerable in some way with my writing. And so I

407
00:22:27,400 --> 00:22:31,440
Speaker 1: started playing guitar and learning a few chords and learned

408
00:22:31,440 --> 00:22:35,960
Speaker 1: a few covers, and then I knew enough chords on

409
00:22:36,000 --> 00:22:40,000
Speaker 1: the guitar after learning a couple of Dylan songs that

410
00:22:41,280 --> 00:22:43,400
Speaker 1: I was like, well, I'm a writer. Maybe I'll try

411
00:22:43,400 --> 00:22:47,960
Speaker 1: to write my own song. And I wrote this song Winter.

412
00:22:48,000 --> 00:22:50,399
Speaker 1: It was the first song I wrote. And I remember

413
00:22:50,480 --> 00:22:52,040
Speaker 1: we were sitting in You and I were sitting in

414
00:22:52,080 --> 00:22:54,119
Speaker 1: my apartment in the East Village in New York, and

415
00:22:54,200 --> 00:22:56,359
Speaker 1: you saw a guitar in my living room, sitting up

416
00:22:56,359 --> 00:22:58,240
Speaker 1: against the wall, and you were like, I didn't know

417
00:22:58,240 --> 00:22:59,640
Speaker 1: you played guitar. And I was like, well, I don't

418
00:22:59,640 --> 00:23:02,000
Speaker 1: really play. I'm just kind of learning. And I learned

419
00:23:02,000 --> 00:23:04,720
Speaker 1: a few chords and a few cover songs, and and

420
00:23:04,800 --> 00:23:07,440
Speaker 1: he said, uh, we'll play me something. I was like, oh,

421
00:23:07,480 --> 00:23:10,119
Speaker 1: I could never do that. I at the time, I

422
00:23:10,119 --> 00:23:13,160
Speaker 1: couldn't even open my eyes when I was playing the song.

423
00:23:14,040 --> 00:23:17,160
Speaker 1: I was so nervous to play in front of anybody anyway,

424
00:23:17,200 --> 00:23:19,000
Speaker 1: So I made you turn around. I don't know if

425
00:23:19,000 --> 00:23:21,320
Speaker 1: you remember it. I do remember that you said, don't

426
00:23:21,359 --> 00:23:25,159
Speaker 1: look at me. Don't you look at me wow, and

427
00:23:25,560 --> 00:23:31,240
Speaker 1: uh And I remember this vividly. I played this song

428
00:23:31,320 --> 00:23:33,520
Speaker 1: Winter and you turned around and your eyes were like

429
00:23:33,560 --> 00:23:36,480
Speaker 1: a little watery and it had affected you. And I

430
00:23:36,520 --> 00:23:39,960
Speaker 1: was like, Wow, that's cool. That nothing I've written, you know,

431
00:23:39,960 --> 00:23:42,480
Speaker 1: in terms of screenplays or paintings I painted or anything

432
00:23:42,480 --> 00:23:44,920
Speaker 1: like that, I'd ever I'd ever seen that kind of

433
00:23:45,119 --> 00:23:48,040
Speaker 1: response from someone other than like my mom, you know,

434
00:23:48,119 --> 00:23:51,640
Speaker 1: or dad or you know. And uh, so coming from

435
00:23:51,880 --> 00:23:54,840
Speaker 1: a dear friend, it was really cool and it's sort

436
00:23:54,840 --> 00:23:57,040
Speaker 1: of I don't know. I remember you said to me,

437
00:23:57,600 --> 00:24:01,359
Speaker 1: I really love that song. Um, you should probably maybe

438
00:24:01,400 --> 00:24:03,200
Speaker 1: make a demo of it or something, you know. Scrubs

439
00:24:03,240 --> 00:24:07,280
Speaker 1: and Bills, Bill and Christa. They're always looking for new music,

440
00:24:07,400 --> 00:24:10,399
Speaker 1: especially the music that they can afford, because at the time,

441
00:24:11,119 --> 00:24:14,240
Speaker 1: it wasn't sinks. It wasn't like it as now. You

442
00:24:14,240 --> 00:24:17,359
Speaker 1: wouldn't turn on the TV and hear a Stones song

443
00:24:18,000 --> 00:24:19,800
Speaker 1: or a Beatles song or something like that. They were

444
00:24:19,840 --> 00:24:22,800
Speaker 1: way too expensive. It was pre streaming, so people were

445
00:24:22,840 --> 00:24:26,119
Speaker 1: still making money in the music industry, big legends. It

446
00:24:26,280 --> 00:24:29,200
Speaker 1: was a good time for at the time we were

447
00:24:29,200 --> 00:24:33,399
Speaker 1: making Scrubs was an amazing time for singer songwriters like

448
00:24:33,600 --> 00:24:37,959
Speaker 1: Josh because, like he said, the big famous songs, they

449
00:24:38,040 --> 00:24:40,840
Speaker 1: might splurge a couple of times, as Bill did in

450
00:24:41,400 --> 00:24:43,439
Speaker 1: this show and pay for a big song. But in

451
00:24:43,560 --> 00:24:46,080
Speaker 1: Josh's you know, it was a great opening for a

452
00:24:46,119 --> 00:24:48,600
Speaker 1: singer songwriter because they were they were they were moving

453
00:24:48,640 --> 00:24:51,800
Speaker 1: and beautiful, but gettable and affordable. So essentially it was

454
00:24:51,800 --> 00:24:53,880
Speaker 1: the gold Rush for people like me. So we moved,

455
00:24:54,119 --> 00:24:56,760
Speaker 1: all these musicians moved from New York out to LA

456
00:24:56,840 --> 00:24:58,960
Speaker 1: where the music supervisors and the TV shows and the

457
00:24:59,000 --> 00:25:02,000
Speaker 1: movies are made. And I'd play in this little place

458
00:25:02,040 --> 00:25:05,400
Speaker 1: called though. Oh sorry, but I've skipped over this part

459
00:25:05,440 --> 00:25:07,800
Speaker 1: where the most important part actually, because it has to

460
00:25:07,800 --> 00:25:10,920
Speaker 1: do with scrubs. So you said, you know, maybe make

461
00:25:10,920 --> 00:25:13,000
Speaker 1: a demo of that song. So I went into carry

462
00:25:13,080 --> 00:25:17,560
Speaker 1: brothers are their best friend, into his bedroom. He had

463
00:25:17,560 --> 00:25:20,879
Speaker 1: a little pro tools rag on an old Mac, and

464
00:25:21,160 --> 00:25:24,200
Speaker 1: I just played it live and then recorded a harmony

465
00:25:24,240 --> 00:25:26,920
Speaker 1: over it. I mean, as demo as you can get.

466
00:25:26,960 --> 00:25:31,000
Speaker 1: It's not mixing, no mastering, nothing like, no, it's one take.

467
00:25:31,359 --> 00:25:34,440
Speaker 1: And sent the demo to you. You forwarded it onto

468
00:25:34,440 --> 00:25:38,400
Speaker 1: Bill Lawrence and like, I don't know, like two three

469
00:25:38,440 --> 00:25:41,120
Speaker 1: weeks later, I get a call from Bill, and he's like, hey,

470
00:25:41,160 --> 00:25:43,080
Speaker 1: do you mind if I that that song works perfectly

471
00:25:43,119 --> 00:25:45,080
Speaker 1: in this episode? Do you mind if we use it?

472
00:25:45,080 --> 00:25:47,840
Speaker 1: And I was like, are you kidding? Is the first song,

473
00:25:48,240 --> 00:25:51,480
Speaker 1: the first song you'd ever written that was only recorded

474
00:25:51,560 --> 00:25:53,920
Speaker 1: just with a mic and a guitar on pro tools,

475
00:25:54,000 --> 00:25:57,440
Speaker 1: no nothing else except for one pro tools back that

476
00:25:57,840 --> 00:25:59,800
Speaker 1: it was like Carrie didn't have, like a real studio,

477
00:26:00,160 --> 00:26:02,239
Speaker 1: was like a This was like a little rig we had.

478
00:26:02,280 --> 00:26:04,840
Speaker 1: So the recording we hear in the show is just

479
00:26:05,000 --> 00:26:08,040
Speaker 1: you in Carry's bedroom, Yeah, on a fifty eight mic,

480
00:26:09,160 --> 00:26:13,280
Speaker 1: Like I mean, as basic as you can get, well,

481
00:26:13,320 --> 00:26:15,960
Speaker 1: and then I'll take it from there. I just this

482
00:26:16,119 --> 00:26:18,800
Speaker 1: this section. I remember I always was playing music for

483
00:26:18,840 --> 00:26:22,239
Speaker 1: Bill and he flipped out over this. We I had

484
00:26:22,280 --> 00:26:24,600
Speaker 1: no idea this would become such a popular episode, but

485
00:26:24,600 --> 00:26:29,280
Speaker 1: it was obviously, you know, became enormous. And then everyone

486
00:26:29,359 --> 00:26:32,159
Speaker 1: started searching for Josh's music. But the thing is he

487
00:26:32,200 --> 00:26:38,040
Speaker 1: didn't have any songs. He only had one song, right Carry.

488
00:26:38,040 --> 00:26:41,040
Speaker 1: I remember Carrie when it was airing, Kerry's like, you

489
00:26:41,080 --> 00:26:43,440
Speaker 1: need a MySpace page, you know, so if people search

490
00:26:43,560 --> 00:26:46,680
Speaker 1: for you or whatever. So I didn't. I was even

491
00:26:46,760 --> 00:26:50,479
Speaker 1: more computer or literate back then, although nothing's really changed.

492
00:26:50,600 --> 00:26:53,479
Speaker 1: And so carry set up my MySpace page. It was

493
00:26:53,720 --> 00:26:55,879
Speaker 1: or a little website which is a picture of me

494
00:26:56,160 --> 00:26:58,919
Speaker 1: and a link where you could just listen to Winter

495
00:26:59,320 --> 00:27:03,200
Speaker 1: the demo. And it was really cool because Bill told

496
00:27:03,240 --> 00:27:05,480
Speaker 1: me afterwards, and you told me afterwards that after the

497
00:27:05,520 --> 00:27:09,080
Speaker 1: show aired, Uh, well, you guys were on NBC then

498
00:27:09,119 --> 00:27:12,879
Speaker 1: before you had switched to ABC. So the NBC website

499
00:27:12,920 --> 00:27:16,320
Speaker 1: crashed after the episode aired. From so many people around

500
00:27:16,320 --> 00:27:18,040
Speaker 1: the world trying to find out where to get that

501
00:27:18,080 --> 00:27:21,040
Speaker 1: song or whose song that wasn't Oh my god, well

502
00:27:21,160 --> 00:27:25,160
Speaker 1: there goes screenwriting. I'm moving to LA and become a musician. Yeah.

503
00:27:25,200 --> 00:27:27,000
Speaker 1: So I had goose bumps when you told me that.

504
00:27:27,119 --> 00:27:29,320
Speaker 1: Just now that was that's such a great story. I

505
00:27:29,359 --> 00:27:31,480
Speaker 1: mean yeah, and and and it's just like it's like

506
00:27:31,520 --> 00:27:34,240
Speaker 1: when Susan Boyle came out and sang lay miss, you know,

507
00:27:34,400 --> 00:27:38,240
Speaker 1: everyone was like, oh my god, but I hear I

508
00:27:38,240 --> 00:27:40,000
Speaker 1: didn't hear what you said. I didn't. I didn't. I

509
00:27:40,000 --> 00:27:43,600
Speaker 1: don't get the Susan Boyle. Susan Boyle was that. I know,

510
00:27:43,480 --> 00:27:45,520
Speaker 1: I know who she is. I just don't understand how

511
00:27:45,960 --> 00:27:47,720
Speaker 1: well it was so moving and it was one of

512
00:27:47,720 --> 00:27:50,480
Speaker 1: those moments where I'm very moved, as I'm sure the

513
00:27:50,520 --> 00:27:53,080
Speaker 1: world is, because these shows are so popular. When someone

514
00:27:53,160 --> 00:27:55,679
Speaker 1: comes out and it's Susan Boyle and you're not expecting

515
00:27:55,680 --> 00:27:58,600
Speaker 1: it and they have a voice that makes you just

516
00:27:59,040 --> 00:28:01,200
Speaker 1: your jaw drop and you clutch your head like, oh

517
00:28:01,240 --> 00:28:03,800
Speaker 1: my god, where has this woman been? It's so moving

518
00:28:03,880 --> 00:28:07,000
Speaker 1: she can perform like that, And I'm just saying it

519
00:28:07,040 --> 00:28:09,440
Speaker 1: was It reminded me of Josh being like, he's he's

520
00:28:09,480 --> 00:28:12,840
Speaker 1: thirty years old. He was he hasn't sold a screen play,

521
00:28:12,960 --> 00:28:15,959
Speaker 1: he was feeling, he was going through a bad breakup, um,

522
00:28:16,320 --> 00:28:19,520
Speaker 1: and all of a sudden his entire life changed because

523
00:28:19,600 --> 00:28:22,320
Speaker 1: he wrote, has had the courage to write his very

524
00:28:22,320 --> 00:28:25,480
Speaker 1: first song, and the talent well, and I happened to

525
00:28:25,520 --> 00:28:27,000
Speaker 1: be best friends with a guy who was the star

526
00:28:27,040 --> 00:28:28,840
Speaker 1: of a TV show looking for music. So I mean

527
00:28:28,880 --> 00:28:31,399
Speaker 1: it's a combination of as most people will tell you

528
00:28:31,440 --> 00:28:34,959
Speaker 1: in the entertainment business is it's a combination of talent

529
00:28:35,040 --> 00:28:38,800
Speaker 1: and work, but also who you know, and of course

530
00:28:39,120 --> 00:28:42,480
Speaker 1: of course, but but but but you know, all those

531
00:28:42,520 --> 00:28:45,280
Speaker 1: things line up. Of course access is key, um and

532
00:28:45,280 --> 00:28:48,520
Speaker 1: and but but still, Bill wouldn't have even listened to

533
00:28:49,600 --> 00:28:52,640
Speaker 1: four seconds of my friend's shitty song. You know well,

534
00:28:53,040 --> 00:28:55,560
Speaker 1: I will also say that even after that episode aired

535
00:28:55,560 --> 00:28:57,560
Speaker 1: and we're talking about it wasn't like this overnight thing

536
00:28:57,560 --> 00:28:59,360
Speaker 1: where all of a sudden I was like a rock star.

537
00:28:59,520 --> 00:29:02,760
Speaker 1: It was like, man, I remember, I remember to day.

538
00:29:03,040 --> 00:29:06,240
Speaker 1: I mean it was brick by brick still, I mean

539
00:29:06,320 --> 00:29:10,040
Speaker 1: sixteen sixteen years later, and it's still like your music

540
00:29:10,040 --> 00:29:14,080
Speaker 1: industries gets hurt every year, but you are able to

541
00:29:14,480 --> 00:29:17,040
Speaker 1: um make a living as an artist, and so you

542
00:29:17,080 --> 00:29:19,560
Speaker 1: are blessed as we all are in that way. And

543
00:29:19,920 --> 00:29:23,040
Speaker 1: in normal times, Josh tours all over the world, so

544
00:29:23,080 --> 00:29:26,240
Speaker 1: you should always look where what's your website? We'll get

545
00:29:26,240 --> 00:29:28,680
Speaker 1: your plug in now, Josh, what's their website to search

546
00:29:28,720 --> 00:29:32,440
Speaker 1: for where you tour? And shit? Well, uh, Joshua raidin

547
00:29:32,680 --> 00:29:35,920
Speaker 1: dot com and raidings spelled our A D I N

548
00:29:36,520 --> 00:29:38,440
Speaker 1: that's correct. And then what do you do? Josh? You've

549
00:29:38,440 --> 00:29:40,200
Speaker 1: been doing this. We're gonna talk with the episode. Everyone

550
00:29:40,200 --> 00:29:43,400
Speaker 1: stopped freaking out. Um, Josh, what are you're doing? This

551
00:29:43,480 --> 00:29:46,520
Speaker 1: interesting thing? Now? You're doing sort of private home concerts.

552
00:29:46,520 --> 00:29:49,320
Speaker 1: How do people find out about that? UM? On my

553
00:29:49,360 --> 00:29:51,440
Speaker 1: website you can you can see it it's just a link.

554
00:29:51,520 --> 00:29:55,600
Speaker 1: That's it's a company called Topeka Live that started, um

555
00:29:55,720 --> 00:29:58,960
Speaker 1: after when this pandemic started. It's just some guys I

556
00:29:59,040 --> 00:30:02,920
Speaker 1: knew that started this company to help musicians kind of

557
00:30:02,960 --> 00:30:05,320
Speaker 1: engage with their audiences all over the world and play

558
00:30:05,360 --> 00:30:08,840
Speaker 1: live through these zoom shows. UM So I've been doing

559
00:30:08,880 --> 00:30:11,320
Speaker 1: that a lot this year. Um So, you can have

560
00:30:11,400 --> 00:30:12,959
Speaker 1: about you could have a zoom part, like if your

561
00:30:13,000 --> 00:30:16,000
Speaker 1: friends all love Josh, you could have like a zoom

562
00:30:16,000 --> 00:30:18,480
Speaker 1: party in joshull you hire Josh to comply, or you

563
00:30:18,480 --> 00:30:20,880
Speaker 1: can even just have a song with your with your lover.

564
00:30:21,280 --> 00:30:24,479
Speaker 1: It's a bunch of different options, and it's it's been

565
00:30:24,560 --> 00:30:27,240
Speaker 1: very It's I might, I might get paperweight for me

566
00:30:27,240 --> 00:30:29,280
Speaker 1: and Donald. How much Donald do you want to want

567
00:30:29,320 --> 00:30:32,320
Speaker 1: to put that with me? It's pretty cool because the

568
00:30:32,320 --> 00:30:36,240
Speaker 1: company a portion of every zoom whether it's a serenade

569
00:30:36,280 --> 00:30:38,240
Speaker 1: that's like one song and you get like a chat

570
00:30:38,280 --> 00:30:40,960
Speaker 1: fifteen minutes, or it's like a forty five little minute

571
00:30:41,000 --> 00:30:44,160
Speaker 1: mini concert you get like six songs, you request the

572
00:30:44,240 --> 00:30:47,120
Speaker 1: songs whatever we chat. You can do like six different

573
00:30:47,120 --> 00:30:49,520
Speaker 1: windows of zooms of people all over the world. If

574
00:30:49,520 --> 00:30:51,280
Speaker 1: you have how much for you to show your Sea Gutters.

575
00:30:51,440 --> 00:30:55,920
Speaker 1: Is that is there an option for that for that, um,

576
00:30:56,320 --> 00:30:59,560
Speaker 1: maybe just for for for Zach and Donald. Wait, hold up,

577
00:30:59,600 --> 00:31:04,120
Speaker 1: do you have a only fans Josh? Only fans? I'm

578
00:31:04,160 --> 00:31:07,640
Speaker 1: not sure what that is. Okay, you need to get fans.

579
00:31:07,920 --> 00:31:09,760
Speaker 1: You need to get you only fans back right away.

580
00:31:09,880 --> 00:31:13,040
Speaker 1: I was gonna say, but um, what What also is

581
00:31:13,080 --> 00:31:15,280
Speaker 1: cool about this Topeka Live is that a portion of

582
00:31:15,280 --> 00:31:18,760
Speaker 1: every thing that people purchase goes to this really cool

583
00:31:18,840 --> 00:31:22,280
Speaker 1: charity UM that helps families get out of poverty. So

584
00:31:22,360 --> 00:31:24,720
Speaker 1: it's like a win for everybody. That's really awesome. But

585
00:31:24,760 --> 00:31:26,200
Speaker 1: you need to get an only fans. Yeah, we want

586
00:31:26,320 --> 00:31:29,280
Speaker 1: everyone's everyone wants to see. Only fans will allow you

587
00:31:29,320 --> 00:31:31,880
Speaker 1: to show nudes and let let all your fans really

588
00:31:31,960 --> 00:31:36,160
Speaker 1: enjoy all of you. If you got if you gotta

589
00:31:36,160 --> 00:31:38,360
Speaker 1: show Sea gutters, if you gotta show Sea gutters, get

590
00:31:38,360 --> 00:31:41,000
Speaker 1: you only fans. All right, let's talk. Donald. Are you

591
00:31:41,000 --> 00:31:45,120
Speaker 1: ready with your summary? Josh? We're gonna let you sit

592
00:31:45,160 --> 00:31:49,200
Speaker 1: in because you're a VIP guest as we discussed the episode. Donald,

593
00:31:49,240 --> 00:31:51,520
Speaker 1: as you know from being discussed the episode, am I

594
00:31:51,560 --> 00:31:57,520
Speaker 1: allowed to talk? But yeah, of course we want your input. Okay, Um, Okay, wait,

595
00:31:57,600 --> 00:32:01,360
Speaker 1: let me get my tire, I stop watch and go

596
00:32:02,320 --> 00:32:06,320
Speaker 1: Carlos keeping her last name, Turk's mole is alive, Doctor

597
00:32:06,400 --> 00:32:09,600
Speaker 1: Clox blames Jadep for the death of a patient, and

598
00:32:09,760 --> 00:32:14,760
Speaker 1: Elliot's Bunyan is nightmarish. This episode is a lot, so

599
00:32:14,800 --> 00:32:17,840
Speaker 1: it's hard to summarize in thirty seconds. Brendan Fraser and

600
00:32:17,960 --> 00:32:21,520
Speaker 1: Tara Reid are back, and all of our character storylines

601
00:32:21,640 --> 00:32:26,320
Speaker 1: blend together and intertwined. Other than the obvious, one storyline

602
00:32:26,360 --> 00:32:29,239
Speaker 1: really stood out for me. Who are we when we

603
00:32:29,320 --> 00:32:32,479
Speaker 1: show ourselves to the world? Are you your true self?

604
00:32:32,960 --> 00:32:36,080
Speaker 1: Or do you hide behind a persona? It's always a

605
00:32:36,120 --> 00:32:39,280
Speaker 1: pleasant surprise when you get a positive reaction from a

606
00:32:39,360 --> 00:32:44,520
Speaker 1: negative person. Kelso storyline really softens you up before the

607
00:32:44,520 --> 00:32:48,280
Speaker 1: big reveal at the end of this show. Yeah, that's true.

608
00:32:48,520 --> 00:32:50,920
Speaker 1: Forty six seconds for that one guy making the graph

609
00:32:51,000 --> 00:32:54,120
Speaker 1: every day of how long on Donald is one guy

610
00:32:54,120 --> 00:32:59,200
Speaker 1: can lick my my But he's not. It's not a

611
00:32:59,240 --> 00:33:01,960
Speaker 1: negative thing, he just is. He's just doing an artful

612
00:33:02,040 --> 00:33:03,720
Speaker 1: graph of help. Yeah. But the way you're the way

613
00:33:03,720 --> 00:33:10,240
Speaker 1: you're using him to criticize me makes me want to

614
00:33:10,240 --> 00:33:13,000
Speaker 1: tell him to eat a dick. Yeah, you know that's

615
00:33:13,160 --> 00:33:17,880
Speaker 1: sometimes or a guy just making a graph. Um, all right, listen, Um,

616
00:33:17,920 --> 00:33:21,600
Speaker 1: it's a legendary episode, guys. Um, I gotta say in

617
00:33:21,600 --> 00:33:24,400
Speaker 1: in in my eight point five years on this show, Um,

618
00:33:24,440 --> 00:33:26,680
Speaker 1: this is the one that people bring up most to me.

619
00:33:26,800 --> 00:33:29,200
Speaker 1: I think, right, Donald, would you say that I get this?

620
00:33:29,280 --> 00:33:31,320
Speaker 1: I get this one a lot in a musical episode.

621
00:33:31,520 --> 00:33:35,000
Speaker 1: It's like, it's like the sixth sense? Is that the right? Yeah?

622
00:33:35,640 --> 00:33:38,120
Speaker 1: I think that Bill. Bill has said that was an inspiration.

623
00:33:38,160 --> 00:33:41,680
Speaker 1: Obviously it is the because once you see it happen,

624
00:33:43,120 --> 00:33:45,800
Speaker 1: you get it automatically, like you see when it all

625
00:33:45,840 --> 00:33:49,160
Speaker 1: goes down. Were watching now, watching it right? Watching it now?

626
00:33:49,400 --> 00:33:52,120
Speaker 1: The last time you watch it, you don't necessarily pick

627
00:33:52,200 --> 00:33:54,640
Speaker 1: up on it. I don't think i'd never gone back,

628
00:33:55,160 --> 00:33:57,600
Speaker 1: Like Donald and I have said, we never we never really.

629
00:33:57,760 --> 00:33:59,719
Speaker 1: We'd occasionally watched these when I don't know about you,

630
00:34:00,080 --> 00:34:01,800
Speaker 1: but I would watch them maybe when they aired, and

631
00:34:01,800 --> 00:34:04,080
Speaker 1: then I eventually stopped. And I obviously saw cuts of

632
00:34:04,120 --> 00:34:06,040
Speaker 1: the ones I directed. I would probably seed them all

633
00:34:06,160 --> 00:34:09,480
Speaker 1: up until nine, but I never saw them again. And

634
00:34:09,600 --> 00:34:12,080
Speaker 1: so this one now, watching knowing what you know about

635
00:34:12,120 --> 00:34:14,000
Speaker 1: Ben is really interesting. It's really fun to watch. I

636
00:34:14,040 --> 00:34:16,000
Speaker 1: reckon if you're not watching these as we go back,

637
00:34:16,080 --> 00:34:18,520
Speaker 1: if this would be the one to do it, because

638
00:34:18,560 --> 00:34:21,480
Speaker 1: once you know the ben reveal, it's fun to watch

639
00:34:21,480 --> 00:34:24,640
Speaker 1: it and knowing what you know it really is because

640
00:34:26,520 --> 00:34:31,400
Speaker 1: when it happens, you automatically know exactly what JD's talking about.

641
00:34:31,800 --> 00:34:35,960
Speaker 1: First of all, JD's kind of like a real cavalier

642
00:34:36,000 --> 00:34:40,760
Speaker 1: about time. But also I was gonna say that I didn't.

643
00:34:40,960 --> 00:34:44,399
Speaker 1: I had trouble with the fact that JD's cavalier. Through

644
00:34:44,440 --> 00:34:46,560
Speaker 1: the rest of the episode, he's kind of like joking

645
00:34:46,600 --> 00:34:52,319
Speaker 1: around and meanwhile his heroes best friend just died and

646
00:34:52,360 --> 00:34:54,840
Speaker 1: he was at the helm. Yeah, yeah, yeah, and it

647
00:34:55,040 --> 00:34:57,640
Speaker 1: so that was that was really interesting to me. I

648
00:34:57,680 --> 00:35:00,080
Speaker 1: was like, wow, that's a I know they have to

649
00:35:00,080 --> 00:35:02,839
Speaker 1: throw a misdirect into in there somehow. I guess this

650
00:35:02,920 --> 00:35:04,759
Speaker 1: is the way to do it, because if you're a

651
00:35:05,040 --> 00:35:09,960
Speaker 1: if JD's affected by this screw up, then we know

652
00:35:10,040 --> 00:35:13,200
Speaker 1: that something it's more than just you know, we think

653
00:35:13,239 --> 00:35:15,399
Speaker 1: we'll think, we'll know it's more than just the old

654
00:35:15,440 --> 00:35:18,000
Speaker 1: guy that died. It's it's got to be something bigger.

655
00:35:18,200 --> 00:35:21,160
Speaker 1: It's really masterfully done. Directed by Chris Kotch and written

656
00:35:21,200 --> 00:35:24,960
Speaker 1: by Garet Donovan and Neil Goldman. Um, it's all the

657
00:35:24,960 --> 00:35:28,640
Speaker 1: writing and direction are pretty amazing. So let's go to

658
00:35:28,680 --> 00:35:31,440
Speaker 1: the top. Yeah, this aired, by the way, on February

659
00:35:31,440 --> 00:35:34,759
Speaker 1: twenty fourth, two thousand and four. Wow, just if you

660
00:35:34,800 --> 00:35:37,800
Speaker 1: want to sixteen think about think about your life sixteen

661
00:35:37,880 --> 00:35:40,520
Speaker 1: years ago. Sixteen years ago, what were you doing February

662
00:35:40,560 --> 00:35:44,799
Speaker 1: twenty fourth, two thousand and four, listener, The divorce was

663
00:35:44,840 --> 00:35:47,880
Speaker 1: like in effect, like I was in a you were thrown,

664
00:35:48,280 --> 00:35:50,440
Speaker 1: we were in courtroom times. I was this is like,

665
00:35:50,520 --> 00:35:53,719
Speaker 1: this is like we are doing it now this I

666
00:35:53,760 --> 00:35:56,839
Speaker 1: had moved out by this point. My film came out.

667
00:35:56,920 --> 00:36:01,799
Speaker 1: Garden State came out in two thousand and four. After this, though, Yeah,

668
00:36:01,840 --> 00:36:05,560
Speaker 1: it was um I think um fall or or must

669
00:36:05,600 --> 00:36:08,839
Speaker 1: have been octobersh um or maybe the summer was this.

670
00:36:08,840 --> 00:36:12,280
Speaker 1: This was our biggest season two, right? I think season

671
00:36:12,320 --> 00:36:16,000
Speaker 1: two is the highest ranked. I don't know, Joel, can

672
00:36:16,000 --> 00:36:17,520
Speaker 1: you look that up for us? What was the highest

673
00:36:17,600 --> 00:36:19,680
Speaker 1: rank season? I believe I read on on scrubs Wiki.

674
00:36:19,840 --> 00:36:21,880
Speaker 1: By the way, Scrubs Wiki, you guys know, I always

675
00:36:21,880 --> 00:36:24,160
Speaker 1: talk about it, but it's it's got a lot for

676
00:36:24,200 --> 00:36:26,200
Speaker 1: this episode. If you're into that sort of thing if

677
00:36:26,239 --> 00:36:28,560
Speaker 1: you want to do a deep dive on interpretations of

678
00:36:28,600 --> 00:36:31,400
Speaker 1: all the every day have so many moments that I

679
00:36:31,440 --> 00:36:33,960
Speaker 1: don't even know if Bill thought of or Kneel and Garrett,

680
00:36:34,040 --> 00:36:36,680
Speaker 1: but there's like, why is that poster behind Ben? It

681
00:36:36,760 --> 00:36:40,960
Speaker 1: must mean that anyway, Mickhead more important than anything. Mickhead

682
00:36:40,960 --> 00:36:44,360
Speaker 1: has his first line, Donald, thanks Nurses Pinoza. Yeah, he

683
00:36:44,400 --> 00:36:46,600
Speaker 1: doesn't say, that's it, and then he walks away. That

684
00:36:46,680 --> 00:36:49,719
Speaker 1: was his audition. That was his audition pretty much. That

685
00:36:49,840 --> 00:36:51,799
Speaker 1: was like, can you deliver this line? Now? We know

686
00:36:51,880 --> 00:36:56,160
Speaker 1: the characters just come back from huff huffing paint rehab. Yeah,

687
00:36:56,200 --> 00:37:00,200
Speaker 1: from paint which he'll never do again, which he'll ever

688
00:37:00,239 --> 00:37:02,759
Speaker 1: do again. Well, he looks pretty healthy. Um, you know,

689
00:37:02,920 --> 00:37:05,719
Speaker 1: he's just back from huffing paint rehab and then he

690
00:37:05,960 --> 00:37:08,480
Speaker 1: um and and he's but he's he's pretty he's back

691
00:37:08,520 --> 00:37:10,239
Speaker 1: to being a doctor's he looks like he's all right.

692
00:37:10,239 --> 00:37:14,399
Speaker 1: He says thanks to Nurse Espanoza. Pretty well. Does does

693
00:37:14,440 --> 00:37:17,600
Speaker 1: people know? Do people know that that's Mickhead yet? Have

694
00:37:17,719 --> 00:37:21,000
Speaker 1: people put two and two together? Like we know because

695
00:37:21,040 --> 00:37:24,000
Speaker 1: we know Frank and we know that he played Mickhead, right,

696
00:37:24,080 --> 00:37:26,640
Speaker 1: But has the audience put two and two together. Yet

697
00:37:26,640 --> 00:37:30,000
Speaker 1: has the audience said, oh, that's the Mickhead character. I

698
00:37:30,080 --> 00:37:32,120
Speaker 1: don't know, we talk about Mickhead. I don't know that

699
00:37:32,160 --> 00:37:35,359
Speaker 1: they know that that's Mickhead, that that's Mickhead. Because when

700
00:37:35,360 --> 00:37:37,400
Speaker 1: I realized that that was Mickhead, and I'm on the

701
00:37:37,480 --> 00:37:40,520
Speaker 1: freaking show, right when I realized that was with Mickhead

702
00:37:40,800 --> 00:37:43,719
Speaker 1: was when he tried to kill his wife un later

703
00:37:45,160 --> 00:37:51,200
Speaker 1: later must add a huffing paint relapse. Something must have happened, right, God,

704
00:37:51,280 --> 00:37:55,560
Speaker 1: huffing paint is a joke, bizarre addiction. How did that happen?

705
00:37:55,800 --> 00:37:57,759
Speaker 1: Who was like, I'm gonna spray all this paint in

706
00:37:57,800 --> 00:38:00,719
Speaker 1: this bag, all right, put it in this bag, and

707
00:38:00,840 --> 00:38:04,640
Speaker 1: I'm gonna try and breathe all of the paint in

708
00:38:04,680 --> 00:38:08,000
Speaker 1: the bag into my motherfucking knows, Yeah, and I'm gonna try.

709
00:38:08,160 --> 00:38:11,840
Speaker 1: I'm gonna breathe and breathe and breathe and breathe and breathe.

710
00:38:12,080 --> 00:38:14,520
Speaker 1: I want to see what happens. But it's what motherfucker

711
00:38:14,600 --> 00:38:20,160
Speaker 1: was just sitting there like it's one thing to get

712
00:38:20,200 --> 00:38:21,960
Speaker 1: you high, but to be like, let me go get

713
00:38:22,000 --> 00:38:27,600
Speaker 1: some fucking blue, right, I need more paint um, all right,

714
00:38:27,680 --> 00:38:29,840
Speaker 1: So Joel just told us in the chat that season

715
00:38:29,880 --> 00:38:32,920
Speaker 1: two is the highest rated, followed by season three. So

716
00:38:33,160 --> 00:38:35,319
Speaker 1: your wife's not taking your name. Now this happened in

717
00:38:35,320 --> 00:38:37,960
Speaker 1: your real life because your wife didn't take your name.

718
00:38:38,040 --> 00:38:41,200
Speaker 1: Did that upset you, Well, it was kind of like

719
00:38:41,239 --> 00:38:44,920
Speaker 1: a sabotage thing with me. So with this, she's telling

720
00:38:45,040 --> 00:38:47,360
Speaker 1: him way before the wedding, So there's like a cushion

721
00:38:47,920 --> 00:38:49,839
Speaker 1: he could he has an opportunity to be like, well,

722
00:38:49,880 --> 00:38:52,000
Speaker 1: I don't want to do this, or he can say

723
00:38:52,600 --> 00:38:54,480
Speaker 1: you know what, he can get over it, and I will.

724
00:38:54,800 --> 00:38:57,520
Speaker 1: You know, I'm gonna go turking. We'll go through it

725
00:38:58,239 --> 00:39:02,799
Speaker 1: with my wife. We were at the courthouse signing the

726
00:39:02,920 --> 00:39:06,719
Speaker 1: license and I'm like, Donald Faison and her name is

727
00:39:06,760 --> 00:39:10,360
Speaker 1: gonna be Casey and she goes Cobb, oh shit, And

728
00:39:10,440 --> 00:39:13,520
Speaker 1: I was like and I was like, no, but this

729
00:39:13,600 --> 00:39:16,360
Speaker 1: is the marriage part. We're going at the Casey pason,

730
00:39:16,440 --> 00:39:18,840
Speaker 1: this is the courthouse, this is the time in the place.

731
00:39:19,200 --> 00:39:21,040
Speaker 1: They're like, no, we're gonna she was like. She was

732
00:39:21,040 --> 00:39:23,880
Speaker 1: like cop. She's like, but what I will do is

733
00:39:24,280 --> 00:39:28,320
Speaker 1: I'll make it so that if I do decide to

734
00:39:28,440 --> 00:39:29,840
Speaker 1: change it, we don't have to go through all of

735
00:39:29,840 --> 00:39:32,600
Speaker 1: this legal legal paperwork and stuff like that. It's like

736
00:39:32,680 --> 00:39:34,960
Speaker 1: once it's like a one signed thing, and then she

737
00:39:35,000 --> 00:39:37,160
Speaker 1: can change her name. Like to change your last name

738
00:39:37,239 --> 00:39:40,040
Speaker 1: after the marriage thing. It's like this whole big thing.

739
00:39:40,080 --> 00:39:41,799
Speaker 1: But if you sign, if you do a couple of

740
00:39:41,840 --> 00:39:44,720
Speaker 1: things while you're there, you can make it a little

741
00:39:44,760 --> 00:39:48,160
Speaker 1: bit less strenuous to change your last name. So she

742
00:39:48,239 --> 00:39:50,600
Speaker 1: dangled it. She dangled it in front of me to

743
00:39:50,680 --> 00:39:52,320
Speaker 1: keep me from saying, we'll fuck this shit. I'm not

744
00:39:52,320 --> 00:39:55,799
Speaker 1: don't want to get married in oh shit. She's like, no, no, no, no, no, wait,

745
00:39:56,120 --> 00:39:59,320
Speaker 1: before we before you get all upset in all puffy chest,

746
00:40:00,520 --> 00:40:03,760
Speaker 1: here is what I'm going to do for you. There's

747
00:40:03,760 --> 00:40:06,360
Speaker 1: a possibility that i'll change it later. I'll make it

748
00:40:06,400 --> 00:40:09,040
Speaker 1: so that it's not a problem for me to do that. Okay,

749
00:40:09,600 --> 00:40:15,759
Speaker 1: well you know, huh, I complicated, right? No. I like

750
00:40:15,920 --> 00:40:18,200
Speaker 1: that old tradition. I understand why women are more of

751
00:40:18,280 --> 00:40:20,120
Speaker 1: them more over it like why you don't own me?

752
00:40:20,160 --> 00:40:22,840
Speaker 1: Why am I taking your fucking name? But I think

753
00:40:23,360 --> 00:40:26,640
Speaker 1: that there's um, I guess there's it's one old school

754
00:40:26,680 --> 00:40:29,880
Speaker 1: tradition I really liked, but it's not it's not up

755
00:40:29,880 --> 00:40:34,879
Speaker 1: to the man anymore. It's very calm. I have quite

756
00:40:34,880 --> 00:40:36,680
Speaker 1: a few friends, as you know. I spend a lot

757
00:40:36,719 --> 00:40:40,000
Speaker 1: of time in Sweden over the last twelve thirteen years.

758
00:40:40,000 --> 00:40:43,239
Speaker 1: And yeah, for sure, from Sweden. I know a lot

759
00:40:43,280 --> 00:40:46,080
Speaker 1: of Swedish guys that are friends of mine that got

760
00:40:46,160 --> 00:40:50,640
Speaker 1: married and took their wives names. Wow, we heard them correctly, don't. Yeah,

761
00:40:52,280 --> 00:40:55,600
Speaker 1: So I'm just gonna start calling me Donald Cob, Donald Cop.

762
00:40:55,719 --> 00:40:57,839
Speaker 1: By the way, I'm gonna call you Donald Cob from

763
00:40:57,880 --> 00:41:02,040
Speaker 1: now on. They already got already got a white person's

764
00:41:02,080 --> 00:41:05,279
Speaker 1: last name. I don't need another white persons. I feel like,

765
00:41:05,280 --> 00:41:10,560
Speaker 1: if you already got already got another white person's last name, name,

766
00:41:11,080 --> 00:41:14,000
Speaker 1: are you fucking kidding me? What about frank That's that

767
00:41:14,080 --> 00:41:16,600
Speaker 1: sounds African to you? What about Frankie fair? That just

768
00:41:16,640 --> 00:41:20,480
Speaker 1: means we came from the same plantation, Joshua Raydon Come on, now,

769
00:41:21,239 --> 00:41:25,040
Speaker 1: come on, now, come on, now, they don't notice y'all

770
00:41:25,040 --> 00:41:27,120
Speaker 1: don't know wahund on. Now, how come they ain't no

771
00:41:27,160 --> 00:41:30,359
Speaker 1: black Washington. How come they know white Washington's? How come

772
00:41:30,440 --> 00:41:32,960
Speaker 1: they know white Jefferson's. You know a white Jefferson? You

773
00:41:33,000 --> 00:41:34,680
Speaker 1: know a white person with the last name Jefferson. I

774
00:41:34,680 --> 00:41:36,400
Speaker 1: don't know a white person with the last name Washington,

775
00:41:36,440 --> 00:41:40,719
Speaker 1: white person. I know, why is that? Why is that?

776
00:41:42,920 --> 00:41:45,359
Speaker 1: I don't know, Pason could have been like a made

777
00:41:45,440 --> 00:41:47,880
Speaker 1: up I didn't I hear what you're saying. I know,

778
00:41:48,000 --> 00:41:51,240
Speaker 1: I know what you're saying about slaves taking their master's names.

779
00:41:51,600 --> 00:41:54,400
Speaker 1: There's a phase on North Carolina. Where do you think

780
00:41:54,680 --> 00:41:58,440
Speaker 1: my ancestors parked when they got when they got taken

781
00:41:58,480 --> 00:42:00,480
Speaker 1: from Africa. I didn't know that. I didn't know that.

782
00:42:00,560 --> 00:42:02,759
Speaker 1: There's a raid in Poland, and I think that's where

783
00:42:03,040 --> 00:42:05,880
Speaker 1: possibly my name comes from. It is very possible that

784
00:42:05,960 --> 00:42:10,120
Speaker 1: you are that one of your Radinsky or Radinovich, you

785
00:42:10,160 --> 00:42:12,960
Speaker 1: know something. I always imagine my name was longer like

786
00:42:13,080 --> 00:42:17,800
Speaker 1: Braftberg or Brafowitz or but you could probably there probably

787
00:42:17,960 --> 00:42:20,640
Speaker 1: is a town or something like that. There is somewhere

788
00:42:20,800 --> 00:42:25,040
Speaker 1: where your name originated. And it's not necessarily a person.

789
00:42:25,120 --> 00:42:27,839
Speaker 1: It's like the right am I correct me if I'm wrong.

790
00:42:27,920 --> 00:42:30,759
Speaker 1: It sounds like about right. No, Like all my grandparents

791
00:42:30,760 --> 00:42:34,920
Speaker 1: have unfortunately passed away, so I don't really have a

792
00:42:35,000 --> 00:42:37,759
Speaker 1: great resource to find out where my relatives are from.

793
00:42:37,800 --> 00:42:42,239
Speaker 1: But I think it's probably Polish German like I imagine, like,

794
00:42:42,400 --> 00:42:45,640
Speaker 1: you know, somebody like you know, I'm making up a name,

795
00:42:45,640 --> 00:42:51,200
Speaker 1: but somebody like Jason York was from York in England

796
00:42:51,239 --> 00:42:54,880
Speaker 1: back in the day, and when having to describe himself,

797
00:42:54,880 --> 00:42:57,719
Speaker 1: I'm Jason from York and then he became Jason York,

798
00:42:57,840 --> 00:42:59,600
Speaker 1: you know what I mean? Like, I imagine that's how

799
00:42:59,640 --> 00:43:02,520
Speaker 1: to ship probably happened. So all right, Well we learned

800
00:43:02,520 --> 00:43:05,000
Speaker 1: that JD has a Pinionta helmet. And not only does

801
00:43:05,000 --> 00:43:08,080
Speaker 1: he have a Piniona helmet, he has his own SpongeBob

802
00:43:08,160 --> 00:43:12,040
Speaker 1: SquarePants costume, which he says was a gift from me

803
00:43:12,640 --> 00:43:17,799
Speaker 1: to me. Yes, yes, can I Why does JD have?

804
00:43:18,000 --> 00:43:19,680
Speaker 1: How many times has JD been hit in the head?

805
00:43:23,640 --> 00:43:28,080
Speaker 1: He is a helmet that's specifically for Pinonta parties. Yeah,

806
00:43:28,080 --> 00:43:31,080
Speaker 1: because he that one. There was that one time or

807
00:43:32,360 --> 00:43:34,560
Speaker 1: maybe twice and he's like, you know what, I gotta

808
00:43:34,560 --> 00:43:39,840
Speaker 1: get my Piniona helmet. Um so, um so here's an

809
00:43:39,880 --> 00:43:43,440
Speaker 1: interesting Ben is back. He's not treating he's not treating

810
00:43:43,480 --> 00:43:48,480
Speaker 1: his cancer. Um as we told you last time, um

811
00:43:49,680 --> 00:43:52,640
Speaker 1: um Brendan was on. He was actually he is a

812
00:43:52,640 --> 00:43:56,960
Speaker 1: super big photographer and had all sorts of really cool

813
00:43:57,000 --> 00:43:59,640
Speaker 1: cameras in this one for those camera geeks out there.

814
00:43:59,680 --> 00:44:02,799
Speaker 1: He's got a polaroid back on a Holga, which is

815
00:44:02,800 --> 00:44:04,840
Speaker 1: something I hadn't even ever seen before. I had to

816
00:44:04,840 --> 00:44:07,200
Speaker 1: google that it was a real thing. But Holga is

817
00:44:07,200 --> 00:44:10,480
Speaker 1: a Holga is a very cheap plastic camera that people

818
00:44:10,520 --> 00:44:13,200
Speaker 1: love because if you put film in it, it takes

819
00:44:13,239 --> 00:44:16,600
Speaker 1: really cool interesting it has a plastic lens. It's really cheap.

820
00:44:17,120 --> 00:44:19,279
Speaker 1: And then he put a polaroid back on it, which

821
00:44:19,360 --> 00:44:23,000
Speaker 1: bought you Alga. Remember that. Yeah, I get them as

822
00:44:23,040 --> 00:44:24,719
Speaker 1: one because people know I love cameras and they're not

823
00:44:24,719 --> 00:44:27,160
Speaker 1: that expensive. It's a great gift. Yeah, I didn't have

824
00:44:27,200 --> 00:44:29,120
Speaker 1: any money, and I know you're like cameras. Yeah, I

825
00:44:29,160 --> 00:44:30,759
Speaker 1: got like forty Holgas. If you want one, I'll give

826
00:44:30,760 --> 00:44:33,839
Speaker 1: you one back for a hank. It's kidding. And then

827
00:44:33,880 --> 00:44:36,120
Speaker 1: so the polaroid back is um is, I don't know,

828
00:44:36,120 --> 00:44:37,719
Speaker 1: I've never seen it, and then I googled. Yeah, but

829
00:44:37,760 --> 00:44:41,440
Speaker 1: they didn't even make that film anymore unfortunately anywhere. That's

830
00:44:41,480 --> 00:44:43,880
Speaker 1: just a moment for the camera geeks. And anyway, my

831
00:44:43,920 --> 00:44:48,319
Speaker 1: point is is that later on Ben says, I'll take

832
00:44:48,360 --> 00:44:52,279
Speaker 1: pictures until the day I die. Wow. And then the

833
00:44:52,520 --> 00:44:55,160
Speaker 1: second he first appears, and as a hallucination, he no

834
00:44:55,200 --> 00:44:58,880
Speaker 1: longer has the camera ever again at all. Wow, I

835
00:44:58,920 --> 00:45:01,719
Speaker 1: didn't to you said that. I didn't even I didn't

836
00:45:01,760 --> 00:45:05,480
Speaker 1: put that together. I got that from Scrubs with you.

837
00:45:05,560 --> 00:45:07,759
Speaker 1: I have to there's a few things that that were

838
00:45:07,760 --> 00:45:10,120
Speaker 1: cool that I didn't even know, and that that was

839
00:45:10,120 --> 00:45:12,040
Speaker 1: one of them. This is some sixth cent shit, I'm

840
00:45:12,080 --> 00:45:13,879
Speaker 1: telling you, man. Yeah. Well, the obvious thing is that

841
00:45:13,920 --> 00:45:18,040
Speaker 1: no one, no one sees Ben other than Cox because

842
00:45:18,320 --> 00:45:22,600
Speaker 1: once he's dead. And when you go back and watch,

843
00:45:22,640 --> 00:45:25,279
Speaker 1: it's really clever. How how Chris Cotch directed all of that.

844
00:45:25,360 --> 00:45:28,000
Speaker 1: It's very very well done. There's a whole interaction with

845
00:45:28,040 --> 00:45:30,440
Speaker 1: Sarah where he's pretending to be a public mass. Amazing

846
00:45:30,520 --> 00:45:33,560
Speaker 1: physical comedy by both him and Sarah. And then when

847
00:45:33,560 --> 00:45:35,960
Speaker 1: she walks away and he's still holding onto the string,

848
00:45:36,400 --> 00:45:39,920
Speaker 1: imaginary string and he falls off of the counter amazing

849
00:45:40,040 --> 00:45:43,040
Speaker 1: physical comedy by Brendan Frazo. Yeah, Brandon was so good

850
00:45:43,040 --> 00:45:46,040
Speaker 1: in this episode, so good, so good. He's just so

851
00:45:46,120 --> 00:45:49,760
Speaker 1: freaking charming, that guy he is, he is and and

852
00:45:49,760 --> 00:45:52,319
Speaker 1: and I'm gonna I'm gonna be honest with you. The

853
00:45:52,560 --> 00:45:56,839
Speaker 1: doctor Kelso storyline is so important for this episode. It's

854
00:45:56,880 --> 00:46:02,400
Speaker 1: so important because it's the hard, this this hard character

855
00:46:02,480 --> 00:46:06,680
Speaker 1: who softens at the end, right, And when he softens,

856
00:46:07,280 --> 00:46:12,319
Speaker 1: that's when we as an audience also are let in

857
00:46:12,520 --> 00:46:16,080
Speaker 1: on the big reveal that Ben's Ben's dead and he's

858
00:46:16,120 --> 00:46:20,759
Speaker 1: been dead for a while, and that I personally feel like,

859
00:46:21,120 --> 00:46:25,719
Speaker 1: I don't think that would be as impactful if you

860
00:46:25,800 --> 00:46:29,200
Speaker 1: don't see a journey throughout the show, because there is

861
00:46:29,239 --> 00:46:32,080
Speaker 1: no journey throughout the show and this other you know

862
00:46:32,120 --> 00:46:34,040
Speaker 1: what I mean, there's no journey. Ben's there in the

863
00:46:34,040 --> 00:46:36,719
Speaker 1: beginning and he's dead. There's no journey for Cox Cox.

864
00:46:36,760 --> 00:46:39,160
Speaker 1: There's nothing for Cox really to accept other than the

865
00:46:39,160 --> 00:46:41,200
Speaker 1: fact that his that his best friend's dead and everything.

866
00:46:41,280 --> 00:46:43,919
Speaker 1: There's no journey for him. There's no journey for jd

867
00:46:44,280 --> 00:46:46,480
Speaker 1: there's no journey for anyway. The only person that has

868
00:46:46,480 --> 00:46:49,400
Speaker 1: a journey in this is Kelso and his Kelso and

869
00:46:49,520 --> 00:46:53,479
Speaker 1: and Kelso's journey is so important that it's it has

870
00:46:53,520 --> 00:46:58,120
Speaker 1: to land at the end for Ben's death to be

871
00:47:00,080 --> 00:47:02,440
Speaker 1: even more impactful. Yeah, you know what I mean, I do.

872
00:47:02,600 --> 00:47:05,239
Speaker 1: Is it the first time Kelso's shown any heart at all,

873
00:47:05,360 --> 00:47:07,640
Speaker 1: Because there's a moment in the closet where Judy says

874
00:47:07,920 --> 00:47:11,040
Speaker 1: it's been a hard week. Now, the audience first time

875
00:47:11,120 --> 00:47:14,880
Speaker 1: through assumes that's solely because she's arguing with you about stuff. Um,

876
00:47:15,320 --> 00:47:18,320
Speaker 1: they don't realize that she's also processing this death. And

877
00:47:18,360 --> 00:47:22,000
Speaker 1: then then we know Kelso also is processing stuff. Friends

878
00:47:22,000 --> 00:47:24,680
Speaker 1: with Ben, but you know he shows he I mean

879
00:47:24,800 --> 00:47:26,399
Speaker 1: to me, it was the first time he showed real

880
00:47:26,640 --> 00:47:30,680
Speaker 1: humanity at all. Right, And it's so important for this,

881
00:47:31,239 --> 00:47:33,760
Speaker 1: for this moment to land at the end, because now

882
00:47:34,520 --> 00:47:38,800
Speaker 1: he softened everybody up, He's given everybody the he's he's

883
00:47:38,800 --> 00:47:41,000
Speaker 1: made it so everybody is a relaxed Oh. This is

884
00:47:41,040 --> 00:47:46,040
Speaker 1: a great ending for Scrubs where I feel fuzzy inside.

885
00:47:46,280 --> 00:47:48,320
Speaker 1: And so then when you get punched in the gut

886
00:47:48,719 --> 00:47:51,160
Speaker 1: that we're at the we're at a funeral at the end,

887
00:47:51,400 --> 00:47:56,719
Speaker 1: and Josh's song starts to play, it's even more impactful.

888
00:47:57,239 --> 00:48:00,120
Speaker 1: It's because of Ken's storyline. It's because of kel so

889
00:48:00,280 --> 00:48:03,880
Speaker 1: storyline and how well he plays it at the end

890
00:48:03,880 --> 00:48:07,600
Speaker 1: the closet with Carla, it's so great. It's so I

891
00:48:07,640 --> 00:48:10,560
Speaker 1: wanted to mention that Randall Winston's credit comes up at

892
00:48:10,560 --> 00:48:16,720
Speaker 1: the exact moment that Leonard the security guard is mentioned Wow,

893
00:48:17,400 --> 00:48:20,200
Speaker 1: So someone cleverly timed it. So just as we're talking

894
00:48:20,200 --> 00:48:22,560
Speaker 1: about Leonard the security guard and his afro and his

895
00:48:22,600 --> 00:48:26,080
Speaker 1: hook hand, Randall's credit comes up, because have you ever

896
00:48:26,160 --> 00:48:29,399
Speaker 1: done that? What timed it? So when your name comes

897
00:48:29,440 --> 00:48:35,920
Speaker 1: up a specific no usually key or music key or

898
00:48:36,000 --> 00:48:38,840
Speaker 1: a you know whatever, a music note or whatever whatever.

899
00:48:38,880 --> 00:48:40,840
Speaker 1: Well I'm going in style. Was the first time a

900
00:48:40,960 --> 00:48:43,880
Speaker 1: first feature I directed that had the full hundred piece

901
00:48:44,040 --> 00:48:47,200
Speaker 1: orchestra score. So I think when my card comes at

902
00:48:47,200 --> 00:48:49,560
Speaker 1: the end, directed by I made sure that there was

903
00:48:49,600 --> 00:48:56,080
Speaker 1: a hundred piece orchestra flourish because like in some movies,

904
00:48:56,200 --> 00:48:59,080
Speaker 1: In some movies, like you'll see like in Eddie Murphy

905
00:48:59,120 --> 00:49:01,600
Speaker 1: movies are great for like the beginning of The Golden Child,

906
00:49:01,600 --> 00:49:03,600
Speaker 1: there's all of this montage stuff and then when Eddie

907
00:49:03,640 --> 00:49:06,400
Speaker 1: Murphy shows up, you see Eddie Murphy like he turns

908
00:49:06,400 --> 00:49:08,920
Speaker 1: to camera just like a sitcom damn Near and he

909
00:49:09,000 --> 00:49:10,880
Speaker 1: had the big smile on his face, and it's like

910
00:49:11,000 --> 00:49:13,239
Speaker 1: Eddie Murphy the Golden Child, you know what I mean?

911
00:49:13,560 --> 00:49:16,839
Speaker 1: Like I wonder. I wonder, like even even when directors

912
00:49:17,080 --> 00:49:20,840
Speaker 1: or well music people, when they when their title card

913
00:49:20,880 --> 00:49:22,960
Speaker 1: comes up, do they put a little spruce in it,

914
00:49:23,760 --> 00:49:26,240
Speaker 1: maybe you know what I mean, maybe subliminate. The credits

915
00:49:26,239 --> 00:49:28,840
Speaker 1: are added so much later after you've locked and and

916
00:49:28,880 --> 00:49:31,760
Speaker 1: there's and there's a there's a an order that everyone

917
00:49:31,840 --> 00:49:34,640
Speaker 1: has to go and just per contracts, so it would

918
00:49:34,640 --> 00:49:37,280
Speaker 1: be pretty tricky to do it after the fact unless

919
00:49:37,280 --> 00:49:39,319
Speaker 1: you planned on doing it. I don't mean, I don't

920
00:49:39,320 --> 00:49:42,440
Speaker 1: mean to imply that they cut this to Randall's picture.

921
00:49:42,880 --> 00:49:45,400
Speaker 1: I just mean it probably was close and then it

922
00:49:45,480 --> 00:49:46,800
Speaker 1: was kind of like, you know, if he fledge it

923
00:49:46,880 --> 00:49:49,520
Speaker 1: a few seconds, it'll because in the beginning of scrubs,

924
00:49:49,560 --> 00:49:51,239
Speaker 1: for those of you never I mean, I don't think

925
00:49:51,239 --> 00:49:53,120
Speaker 1: we've ever discussed this. They have to do all these

926
00:49:53,200 --> 00:49:56,319
Speaker 1: opening credits because you know, I mean, that's that's just

927
00:49:56,480 --> 00:49:59,440
Speaker 1: part of the rules, the contracts, the guild rules and everything,

928
00:49:59,719 --> 00:50:04,359
Speaker 1: and and they can be distracting. So there's times when

929
00:50:04,400 --> 00:50:06,680
Speaker 1: they'll pause them for a few seconds if a joke

930
00:50:06,840 --> 00:50:09,600
Speaker 1: is playing out to not upstage the joke, and then

931
00:50:09,640 --> 00:50:12,200
Speaker 1: they'll bring them back in and it's just very subtle.

932
00:50:12,239 --> 00:50:14,600
Speaker 1: The audience wouldn't really notice it. So I'm just saying

933
00:50:14,640 --> 00:50:16,359
Speaker 1: they may have fudged a little bit so it timed

934
00:50:16,360 --> 00:50:20,520
Speaker 1: out perfectly as he's mentioned Carla hates Turk's mole his

935
00:50:20,680 --> 00:50:25,840
Speaker 1: tickle button. Yeah, I imagine that's a lot of people's

936
00:50:25,880 --> 00:50:28,799
Speaker 1: first reaction. I remember one time I was at my

937
00:50:28,920 --> 00:50:33,120
Speaker 1: best friend's house. We were kids, and her dad kept

938
00:50:33,160 --> 00:50:36,080
Speaker 1: looking at me like really weird, like staring really hard

939
00:50:36,120 --> 00:50:41,200
Speaker 1: at my face. And I kept looking back at him like, hey,

940
00:50:41,640 --> 00:50:46,480
Speaker 1: is everything okay? And he kept staring so hard, and

941
00:50:46,640 --> 00:50:48,839
Speaker 1: finally he was like, I'm sorry, man, but what the

942
00:50:48,920 --> 00:50:53,600
Speaker 1: fuck is that on your face? Oh? My god? And

943
00:50:53,680 --> 00:50:57,160
Speaker 1: I was like what. He was like, what the fuck

944
00:50:57,239 --> 00:50:58,920
Speaker 1: is that on your face? You got some shit on

945
00:50:58,960 --> 00:51:03,520
Speaker 1: your face? Oh? What a dick? He thought was food

946
00:51:03,600 --> 00:51:07,399
Speaker 1: or something. He thought I had, like doo doo oh

947
00:51:07,880 --> 00:51:11,200
Speaker 1: on my lip. That feels a little bad. I want

948
00:51:11,200 --> 00:51:15,200
Speaker 1: to hug a baby dude who lived Donald. I laughed

949
00:51:15,200 --> 00:51:18,279
Speaker 1: so hard at that moment. Oh, really, you weren't upset.

950
00:51:18,320 --> 00:51:22,120
Speaker 1: I would have been upset. No, I was old enough.

951
00:51:22,160 --> 00:51:25,040
Speaker 1: I was like sixteen. It was that embarrassed after you

952
00:51:25,040 --> 00:51:27,040
Speaker 1: didn't know. It was like it was more like, dude,

953
00:51:27,040 --> 00:51:29,680
Speaker 1: what do you You've known me my whole life and

954
00:51:29,760 --> 00:51:32,160
Speaker 1: you don't You've never noticed this before. He's known me

955
00:51:32,200 --> 00:51:35,720
Speaker 1: before puberty. He knew me before everything, and he never

956
00:51:35,800 --> 00:51:38,239
Speaker 1: noticed that I had a mole off. It's embarrassing, though, though.

957
00:51:38,280 --> 00:51:40,600
Speaker 1: Don't you think, like, were you always awkward around that guy?

958
00:51:40,600 --> 00:51:43,200
Speaker 1: From then on, I would feel so like cringey. No,

959
00:51:43,280 --> 00:51:45,120
Speaker 1: not at all. Man. When I arrived the Northwestern I

960
00:51:45,160 --> 00:51:48,160
Speaker 1: had just done Manhattan Murder Mystery. Uh one scene, As

961
00:51:48,200 --> 00:51:51,640
Speaker 1: I think I mentioned before, I was Woody Allen movie. Yeah,

962
00:51:51,719 --> 00:51:55,400
Speaker 1: I was their son. And this kid I was always

963
00:51:55,400 --> 00:51:58,560
Speaker 1: a good friend of mine. Um, I really liked him.

964
00:51:58,640 --> 00:52:01,319
Speaker 1: And we were walking and he's and we start talking

965
00:52:01,320 --> 00:52:04,759
Speaker 1: about Manhatt Murmistry and he said, supposedly that kid who

966
00:52:04,760 --> 00:52:08,399
Speaker 1: plays the son goes to school here, and I kind

967
00:52:08,440 --> 00:52:10,320
Speaker 1: of chuckled, and he went, I don't really think he

968
00:52:10,360 --> 00:52:13,120
Speaker 1: was that good though, And it was clear he hadn't

969
00:52:13,120 --> 00:52:16,000
Speaker 1: seen the movie. Dude. I thought he was doing a bit,

970
00:52:16,719 --> 00:52:20,799
Speaker 1: but he wasn't, and it told we weren't really able

971
00:52:20,840 --> 00:52:24,399
Speaker 1: to ever recover. Yeah, but it was It was clearly, dude,

972
00:52:24,400 --> 00:52:26,279
Speaker 1: he hadn't seen the movie though. No, I think he'd

973
00:52:26,320 --> 00:52:28,520
Speaker 1: seen the movie. There's no way he'd seen the movie

974
00:52:28,520 --> 00:52:31,560
Speaker 1: and not recognized you, though I don't. I just don't.

975
00:52:31,680 --> 00:52:33,440
Speaker 1: Maybe I didn't have the same haircut and he just

976
00:52:33,440 --> 00:52:35,160
Speaker 1: didn't put two. Dude, I'm telling you, it was so

977
00:52:35,239 --> 00:52:38,319
Speaker 1: cringing and awkward that our friendship died a quick death.

978
00:52:38,880 --> 00:52:41,280
Speaker 1: Oh dude, that's nothing. I remember sitting in a movie theater,

979
00:52:41,719 --> 00:52:45,400
Speaker 1: freaking behind two ladies watching Wait in the exhale and

980
00:52:45,400 --> 00:52:47,800
Speaker 1: there throughout the movie talking about how much they love

981
00:52:47,920 --> 00:52:50,080
Speaker 1: the movie. Oh, this is such a great movie. I'm

982
00:52:50,160 --> 00:52:53,040
Speaker 1: quiet behind them, just enjoying the ride with them and

983
00:52:53,080 --> 00:52:55,640
Speaker 1: everything like that, laughing when they're laughing, and then I

984
00:52:55,719 --> 00:52:59,200
Speaker 1: come on screen and my scene's over and they go, yeah,

985
00:52:59,239 --> 00:53:03,280
Speaker 1: I don't like him. Him though the movies good, he

986
00:53:03,760 --> 00:53:07,600
Speaker 1: is not. And I remember being like, oh, and that's

987
00:53:07,600 --> 00:53:09,839
Speaker 1: when you just fade right back into that's like real

988
00:53:09,880 --> 00:53:12,800
Speaker 1: time trolling, real time trolling, right in my face. It

989
00:53:12,880 --> 00:53:15,120
Speaker 1: happened to Oh my god. All right. On that note,

990
00:53:15,120 --> 00:53:16,560
Speaker 1: we're gonna go to break and we come back. We're

991
00:53:16,600 --> 00:53:18,880
Speaker 1: gonna have a guest who, hopefully we'll have questions for.

992
00:53:18,960 --> 00:53:22,480
Speaker 1: Josh Radon will be right back after these fine ones,

993
00:53:28,680 --> 00:53:32,600
Speaker 1: and we're ba bring him in, Donald, I mean, bring

994
00:53:32,680 --> 00:53:35,960
Speaker 1: him in, Daniel, no problem, Josh, you're excited. It's your

995
00:53:35,960 --> 00:53:42,240
Speaker 1: first um guest caller on the Scrubs. Rewatch program. Lena

996
00:53:42,360 --> 00:53:46,160
Speaker 1: is joining Lena Lena. Ladies and gentlemen, give it up

997
00:53:46,160 --> 00:53:55,040
Speaker 1: for Lena, Lena, Lena, Lena. Everybody raid that's the josh

998
00:53:55,040 --> 00:53:59,719
Speaker 1: for Radona. Hi, Hi, Lena, Welcome to the program. That's

999
00:53:59,760 --> 00:54:04,440
Speaker 1: don phase on Joel Monique, Joshua Rading Uh, Daniels and

1000
00:54:04,480 --> 00:54:06,719
Speaker 1: a broken camera. Lena. If you're ever in the market

1001
00:54:06,719 --> 00:54:09,600
Speaker 1: for a webcam, do not buy the Imaging Edge webcam.

1002
00:54:09,640 --> 00:54:15,040
Speaker 1: It doesn't work. Apparently the Imaging Edge webcam is really expensive. Yeah,

1003
00:54:15,040 --> 00:54:17,480
Speaker 1: but it doesn't ever. If I would, if I had

1004
00:54:17,480 --> 00:54:19,080
Speaker 1: the time, I would go on Amazon and give it

1005
00:54:19,120 --> 00:54:23,160
Speaker 1: one star. Well, my webcam was about forty nine dollars

1006
00:54:23,160 --> 00:54:27,040
Speaker 1: and it's doing great, maybe I sid Yeah, you look great.

1007
00:54:29,480 --> 00:54:32,759
Speaker 1: Do you notice how Lena, we're able to see you? Yeah,

1008
00:54:32,880 --> 00:54:37,520
Speaker 1: Daniels webcam didn't come with that feature. Oh and and

1009
00:54:37,920 --> 00:54:43,719
Speaker 1: hear that, Daniel. Yeah. You guys need merch webcams. Yeah,

1010
00:54:43,760 --> 00:54:46,760
Speaker 1: you have every merch thing that is known to man.

1011
00:54:46,880 --> 00:54:50,640
Speaker 1: We're gonna sell h fake doctor's real friends webcams, but

1012
00:54:50,640 --> 00:54:54,680
Speaker 1: they're not We're not going to source them from Imaging

1013
00:54:54,840 --> 00:54:57,360
Speaker 1: EdgeCAM Edge web I I'm still trying to get my

1014
00:54:57,400 --> 00:54:59,040
Speaker 1: hands on the onesie, So I have to wait on

1015
00:54:59,040 --> 00:55:03,720
Speaker 1: the webcam restocked to Joel. Do you know I'm working

1016
00:55:03,760 --> 00:55:06,440
Speaker 1: on that. But I'll give you guys an update. No

1017
00:55:06,560 --> 00:55:09,040
Speaker 1: idea we had. We we kind of thought it would

1018
00:55:09,040 --> 00:55:11,880
Speaker 1: be funny. We thought we ordered six hundred because we

1019
00:55:11,880 --> 00:55:14,120
Speaker 1: were like, there's a lot of people listening to this

1020
00:55:14,160 --> 00:55:17,120
Speaker 1: all over the world. Maybe maybe we'll sell six hundred eventually,

1021
00:55:17,320 --> 00:55:19,759
Speaker 1: and and that won't be too many to order. And

1022
00:55:19,800 --> 00:55:22,920
Speaker 1: they were gone in twenty four hours, all of them. Yes,

1023
00:55:23,040 --> 00:55:25,200
Speaker 1: I can't even get one from my from my from

1024
00:55:25,200 --> 00:55:28,719
Speaker 1: my family, my wife. Same of it is. We have

1025
00:55:28,760 --> 00:55:32,319
Speaker 1: a PJA day coming up at work? And where do

1026
00:55:32,320 --> 00:55:36,120
Speaker 1: you work? Where do you work? I'm a nurse. Oh shit,

1027
00:55:36,400 --> 00:55:41,480
Speaker 1: it got real. It just got interesting. Where are you at?

1028
00:55:41,520 --> 00:55:44,440
Speaker 1: Where are you working at? Yeah? So I'm working for

1029
00:55:44,520 --> 00:55:49,879
Speaker 1: the largest healthcare organization in western Pennsylvania. So anyone from

1030
00:55:49,880 --> 00:55:53,839
Speaker 1: Pittsburgh will know exactly who I'm talking about. That's where

1031
00:55:53,840 --> 00:55:55,560
Speaker 1: I work. Oh, so you're going to be one of

1032
00:55:55,560 --> 00:55:58,600
Speaker 1: the first to get the vaccine. So, um, I'm in

1033
00:55:58,719 --> 00:56:01,240
Speaker 1: home care, so the vaccine will go to the acute

1034
00:56:01,239 --> 00:56:04,840
Speaker 1: care staff first in the hospital. That started yesterday And

1035
00:56:04,960 --> 00:56:08,719
Speaker 1: actually my organization was the first to give it, and

1036
00:56:08,760 --> 00:56:13,160
Speaker 1: then home care will be the second round. Okay, so February,

1037
00:56:14,320 --> 00:56:16,160
Speaker 1: I hope, sooner than that. They're saying by the end

1038
00:56:16,200 --> 00:56:20,080
Speaker 1: of January. Okay. Yeah, when you say at home care,

1039
00:56:20,280 --> 00:56:22,800
Speaker 1: do you mean you care for people in their homes. Correct,

1040
00:56:22,880 --> 00:56:25,600
Speaker 1: So we take care of people who either came out

1041
00:56:25,600 --> 00:56:27,879
Speaker 1: of the hospital. So our COVID patients who come out

1042
00:56:27,880 --> 00:56:30,959
Speaker 1: of the hospital really they're really deconditioned, so they really

1043
00:56:31,000 --> 00:56:35,120
Speaker 1: take more therapy than nurses. But what's also happening is

1044
00:56:35,160 --> 00:56:39,040
Speaker 1: that we are so understaffed in the hospitals, understaffed in

1045
00:56:39,080 --> 00:56:42,160
Speaker 1: home care, we're running out of beds, so unfortunately, they're

1046
00:56:42,160 --> 00:56:45,279
Speaker 1: having to send patients home from the hospital faster than

1047
00:56:45,280 --> 00:56:48,279
Speaker 1: they should. So in home care, we're now taking care

1048
00:56:48,320 --> 00:56:53,160
Speaker 1: of people with central lines, chess tubes, chemo, and so

1049
00:56:53,200 --> 00:56:55,719
Speaker 1: we've become an extension of acute care, and so we're

1050
00:56:55,760 --> 00:56:57,520
Speaker 1: taking care of people trying to keep them out of

1051
00:56:57,560 --> 00:57:00,600
Speaker 1: the hospital so that hospital beds are open for the

1052
00:57:00,640 --> 00:57:03,480
Speaker 1: patients who really need it. So you're providing care at

1053
00:57:03,920 --> 00:57:07,239
Speaker 1: how in the home? Yeah? How do you how do

1054
00:57:07,280 --> 00:57:13,400
Speaker 1: you staff a team large enough to take care of

1055
00:57:13,440 --> 00:57:16,440
Speaker 1: all of the people that you're sourcing now out of

1056
00:57:16,480 --> 00:57:22,440
Speaker 1: the hospitals say it sounds like they're because they're running out. Well,

1057
00:57:22,520 --> 00:57:24,200
Speaker 1: they have to stretch it some way. How are you

1058
00:57:24,240 --> 00:57:27,320
Speaker 1: stretching it right now? So it's funny that you ask that, Donald,

1059
00:57:27,360 --> 00:57:31,160
Speaker 1: And if I really figure out the right way to

1060
00:57:31,240 --> 00:57:32,880
Speaker 1: do it, I'm going to write a book and I'm

1061
00:57:32,920 --> 00:57:35,560
Speaker 1: going to be a trillionaire and then i won't have

1062
00:57:35,600 --> 00:57:37,800
Speaker 1: to be a nurse anymore. But here's what we're doing.

1063
00:57:37,840 --> 00:57:40,960
Speaker 1: So I'm a supervisor. I actually am in the office

1064
00:57:41,000 --> 00:57:43,400
Speaker 1: money through Friday, making sure that the nurses get the

1065
00:57:43,400 --> 00:57:45,640
Speaker 1: ppe they need, that all of the patients who need

1066
00:57:45,680 --> 00:57:48,000
Speaker 1: to be covered are covered. If we have to prioritize.

1067
00:57:48,040 --> 00:57:50,400
Speaker 1: I'm the one who's picking who gets seen and who

1068
00:57:50,400 --> 00:57:54,480
Speaker 1: doesn't get seen. So I'm also coordinating with the hospitals

1069
00:57:54,480 --> 00:57:56,480
Speaker 1: to say, no, we're not taking anymore. You need to

1070
00:57:56,480 --> 00:57:59,000
Speaker 1: find another home care. It's not a safe discharge. You

1071
00:57:59,040 --> 00:58:02,040
Speaker 1: need to keep them. So then on the weekends, I'm

1072
00:58:02,080 --> 00:58:04,439
Speaker 1: going out and seeing patients. So we're all just doing

1073
00:58:04,440 --> 00:58:06,720
Speaker 1: the best that we can. And it's scary because our

1074
00:58:06,760 --> 00:58:10,280
Speaker 1: patient list is growing and our staff list is shrinking. Yeah,

1075
00:58:11,000 --> 00:58:13,880
Speaker 1: I was seeing something today in LA that there there

1076
00:58:14,120 --> 00:58:16,840
Speaker 1: there are people that are waiting in ambulances because there's

1077
00:58:16,880 --> 00:58:21,480
Speaker 1: just there's no beds and La La is running out

1078
00:58:21,480 --> 00:58:24,240
Speaker 1: of ICU beds, so they had people. There was something

1079
00:58:24,680 --> 00:58:26,600
Speaker 1: I read, I think it was on Deadline about how

1080
00:58:27,240 --> 00:58:29,400
Speaker 1: they're literally just the ambulances are pulling up and just

1081
00:58:29,440 --> 00:58:32,920
Speaker 1: holding people because they just there's a backlog. What are

1082
00:58:32,920 --> 00:58:36,600
Speaker 1: you guys doing there? So I'm in Pittsburgh and we

1083
00:58:36,720 --> 00:58:40,640
Speaker 1: locked down Saturday morning. We went back on lockdown, and

1084
00:58:40,680 --> 00:58:43,720
Speaker 1: they were saying, don't have a stroke or a heart

1085
00:58:43,720 --> 00:58:46,919
Speaker 1: attack in Pittsburgh because there's no ICU beds left. And

1086
00:58:47,240 --> 00:58:50,000
Speaker 1: that's a really scary thought. So in home care, what

1087
00:58:50,040 --> 00:58:52,640
Speaker 1: we are doing to help is if we can keep

1088
00:58:52,640 --> 00:58:54,280
Speaker 1: them out of the hospital, we are so if that

1089
00:58:54,320 --> 00:58:56,640
Speaker 1: means that we get telehealth, or we get a social worker,

1090
00:58:56,760 --> 00:58:59,640
Speaker 1: or we get family involved, We're trying to critically think

1091
00:58:59,640 --> 00:59:02,000
Speaker 1: and keep out of the hospital. But at the same time,

1092
00:59:02,200 --> 00:59:06,600
Speaker 1: I went about three weeks ago, patient was discharged from

1093
00:59:06,600 --> 00:59:09,320
Speaker 1: the hospital Friday night. I went in Saturday morning, and

1094
00:59:09,360 --> 00:59:11,600
Speaker 1: I sent them right back to the hospital. So it's

1095
00:59:11,680 --> 00:59:14,680
Speaker 1: just knowing what can I handle in the home, what

1096
00:59:14,760 --> 00:59:16,480
Speaker 1: do I need to send back to the hospital, it's

1097
00:59:16,480 --> 00:59:19,680
Speaker 1: getting the doctors on the phone and trying to think

1098
00:59:19,720 --> 00:59:21,720
Speaker 1: and talk and figure out what we can do. Because

1099
00:59:21,760 --> 00:59:24,479
Speaker 1: in home care, you're you're in the living room. There's

1100
00:59:24,520 --> 00:59:27,640
Speaker 1: no X rays, there's no blood work, there's no doctor

1101
00:59:27,680 --> 00:59:29,320
Speaker 1: that I can grab and say, hey, what do you think?

1102
00:59:29,360 --> 00:59:31,560
Speaker 1: It's just a nurse standing in a living room. So

1103
00:59:31,880 --> 00:59:34,240
Speaker 1: we're doing the best we can with the resources we have.

1104
00:59:34,560 --> 00:59:37,480
Speaker 1: Our health system is huge. They have their own insurance,

1105
00:59:37,520 --> 00:59:39,920
Speaker 1: they have their own long term care facilities. So we're

1106
00:59:39,920 --> 00:59:41,640
Speaker 1: trying to think out, can we just get the patient

1107
00:59:41,640 --> 00:59:44,080
Speaker 1: on telehealth and open them, open up a nurse for

1108
00:59:44,120 --> 00:59:46,360
Speaker 1: another visit. Is this somebody who just needs to go

1109
00:59:46,400 --> 00:59:48,080
Speaker 1: back to the hospital, as much as I hate to

1110
00:59:48,080 --> 00:59:50,680
Speaker 1: do that, So we're just doing the best we can.

1111
00:59:50,720 --> 00:59:53,600
Speaker 1: We're critically thinking trying to get the patients who can

1112
00:59:53,640 --> 00:59:55,760
Speaker 1: stay out of the hospital what they need, and then

1113
00:59:55,880 --> 00:59:58,000
Speaker 1: get the patients who need to be in the hospital

1114
00:59:58,000 --> 01:00:01,600
Speaker 1: into the hospital. Thank you so much for what you're doing.

1115
01:00:01,720 --> 01:00:05,320
Speaker 1: And if you could, let's say you're in a position

1116
01:00:05,400 --> 01:00:07,440
Speaker 1: like you are right now where you could speak to

1117
01:00:07,640 --> 01:00:10,840
Speaker 1: thousands and thousands and thousands of people across the world,

1118
01:00:12,760 --> 01:00:17,400
Speaker 1: what would you tell them in terms of from your

1119
01:00:17,440 --> 01:00:20,040
Speaker 1: point of view, what's the best thing they could be

1120
01:00:20,080 --> 01:00:25,040
Speaker 1: doing to keep themselves healthy. Oh my gosh, I might

1121
01:00:25,120 --> 01:00:27,800
Speaker 1: actually start crying right now, because if you do an

1122
01:00:27,880 --> 01:00:30,680
Speaker 1: opportunity that every nurse wishes they could have right now,

1123
01:00:31,400 --> 01:00:34,800
Speaker 1: wear your masks, even if you think it's stupid and

1124
01:00:34,880 --> 01:00:38,440
Speaker 1: it doesn't work. What if there's a one percent chance

1125
01:00:39,040 --> 01:00:42,040
Speaker 1: that you could protect your parents, or your children or

1126
01:00:42,040 --> 01:00:44,880
Speaker 1: the neighbor. If there's a one percent chance that we're

1127
01:00:44,920 --> 01:00:46,919
Speaker 1: all right and you should wear your mask, then why

1128
01:00:47,080 --> 01:00:50,200
Speaker 1: risk it? So wear the mask? Only go out when

1129
01:00:50,200 --> 01:00:51,800
Speaker 1: you have to. If you do have to go out,

1130
01:00:51,840 --> 01:00:53,720
Speaker 1: be really smart about it. Like I said, use that

1131
01:00:53,800 --> 01:00:57,400
Speaker 1: critical thinking and say, okay, well can I outsource what what?

1132
01:00:57,720 --> 01:00:59,840
Speaker 1: Maybe I can ask my neighbors what they need and

1133
01:01:00,240 --> 01:01:02,920
Speaker 1: one person can make the trip the healthiest of us.

1134
01:01:04,400 --> 01:01:07,520
Speaker 1: I understand it's Christmas. I understand it's Tonica. I understand

1135
01:01:07,520 --> 01:01:11,840
Speaker 1: it's d I understand that all of these beautiful holidays

1136
01:01:11,840 --> 01:01:13,680
Speaker 1: are happening and that you want to be with your families.

1137
01:01:13,680 --> 01:01:16,360
Speaker 1: But this is It's not a normal year, and the

1138
01:01:16,400 --> 01:01:19,439
Speaker 1: best gift that you can give to the world right now,

1139
01:01:19,520 --> 01:01:23,520
Speaker 1: including your own family, is to stay home. If you

1140
01:01:23,600 --> 01:01:27,880
Speaker 1: can and if you can't be smart about it, be

1141
01:01:28,040 --> 01:01:30,520
Speaker 1: really smart and really think it through. And if you

1142
01:01:30,560 --> 01:01:34,080
Speaker 1: don't believe it, but there's a one percent chance we're

1143
01:01:34,080 --> 01:01:39,720
Speaker 1: all right, then why risk it? Yeah? Beautifully said? Beautifully said,

1144
01:01:39,760 --> 01:01:42,440
Speaker 1: and right from from someone on the front lines. I mean,

1145
01:01:42,520 --> 01:01:44,680
Speaker 1: you guys all hear me and Donald talk about it

1146
01:01:44,680 --> 01:01:47,040
Speaker 1: because we lost a friend and Josh lost a friend

1147
01:01:47,080 --> 01:01:50,720
Speaker 1: as well. But um, but I think people are just

1148
01:01:50,840 --> 01:01:52,520
Speaker 1: used to hearing it now and they roll their eyes.

1149
01:01:52,520 --> 01:01:54,760
Speaker 1: So to hear it from from a nurse who is

1150
01:01:54,800 --> 01:01:56,800
Speaker 1: on the front lines and seeing it day in and

1151
01:01:56,880 --> 01:02:01,280
Speaker 1: day out, I really appreciate that. All Right, have any questions.

1152
01:02:01,360 --> 01:02:03,080
Speaker 1: I feel silly to segue to this because you have

1153
01:02:03,120 --> 01:02:06,920
Speaker 1: a question. We we we anything scrubs related, anything Josh

1154
01:02:07,000 --> 01:02:10,200
Speaker 1: Ray related. Yeah, So if I have the opportunity for too,

1155
01:02:10,240 --> 01:02:11,959
Speaker 1: I'm gonna ask a scrubs question, and then I'm gonna

1156
01:02:11,960 --> 01:02:16,040
Speaker 1: ask a non scrubs questions. Okay, Oh, that's okay. Josh.

1157
01:02:16,160 --> 01:02:18,440
Speaker 1: Josh is just happy to be here. He's happy to

1158
01:02:18,480 --> 01:02:21,920
Speaker 1: be eavesdropping. Oh wait, if you know any nice women,

1159
01:02:22,240 --> 01:02:24,000
Speaker 1: I feel like a Jewish mother. If you know any

1160
01:02:24,120 --> 01:02:28,800
Speaker 1: nice women in the LA area. He's wonderful, he paints.

1161
01:02:28,880 --> 01:02:35,320
Speaker 1: He sings, Pittsburgh, I'm available. Oh Josh, you got a

1162
01:02:35,360 --> 01:02:37,280
Speaker 1: beautiful nurse right here for you. But I don't think

1163
01:02:38,160 --> 01:02:42,120
Speaker 1: a crazy though, yeah crazy. And also I just don't

1164
01:02:42,160 --> 01:02:44,720
Speaker 1: think Pittsburgh is going to be where Josh plants his roots.

1165
01:02:44,760 --> 01:02:49,680
Speaker 1: But listens and I understand, um, but I'd be lucky

1166
01:02:49,720 --> 01:02:53,280
Speaker 1: to have you Len. He's also a charmer. Lena and

1167
01:02:53,720 --> 01:02:56,000
Speaker 1: Um and nurses. Being with the nurse is one of

1168
01:02:56,040 --> 01:02:58,240
Speaker 1: those things that you hope you never need, but then

1169
01:02:58,400 --> 01:03:00,760
Speaker 1: if you suddenly do, you're so well out, there's there.

1170
01:03:01,280 --> 01:03:03,240
Speaker 1: I would I think that's great to be with a nurse,

1171
01:03:03,240 --> 01:03:05,280
Speaker 1: because you could because I'm always like, what's this thing?

1172
01:03:05,800 --> 01:03:07,960
Speaker 1: What is this? Is this? Am I gonna die from this?

1173
01:03:08,760 --> 01:03:10,960
Speaker 1: Josh and I am the same doctor and we um

1174
01:03:11,000 --> 01:03:13,880
Speaker 1: and he's retiring actually. But the thing I loved about

1175
01:03:13,960 --> 01:03:15,520
Speaker 1: him is like, if I hawked up a lugie, I

1176
01:03:15,560 --> 01:03:17,480
Speaker 1: could send him a text of it and I'd be like,

1177
01:03:17,520 --> 01:03:20,040
Speaker 1: do I need antibiotics? And he'd be like, yes, and

1178
01:03:20,080 --> 01:03:24,520
Speaker 1: that's gross. Yep. I get pictures you can't imagine. You know.

1179
01:03:24,600 --> 01:03:26,560
Speaker 1: Some people worry about like, oh, there's going to be

1180
01:03:26,560 --> 01:03:31,280
Speaker 1: a dick pick I can't like about to say up

1181
01:03:31,320 --> 01:03:34,360
Speaker 1: on my phone what I get texted? Oh my god,

1182
01:03:36,360 --> 01:03:39,600
Speaker 1: we were talking about Joel getting lots of inappropriate pictures.

1183
01:03:39,600 --> 01:03:41,520
Speaker 1: All right, what's your question? Go ahead? Oh my god,

1184
01:03:41,560 --> 01:03:45,960
Speaker 1: are you talking about online dating Joel? Yeah, I've gotten

1185
01:03:46,720 --> 01:03:52,520
Speaker 1: yeah out there. I would I would like to discuss this. Okay,

1186
01:03:52,600 --> 01:03:56,200
Speaker 1: let's be let's be respectful and tactful. She's a she's

1187
01:03:56,280 --> 01:04:00,440
Speaker 1: a classy woman. Absolutely. Um, what which for you? One?

1188
01:04:00,560 --> 01:04:02,480
Speaker 1: Is it the tender that you're getting all these invit

1189
01:04:02,800 --> 01:04:04,640
Speaker 1: I tried to do it right and I went like

1190
01:04:05,280 --> 01:04:09,720
Speaker 1: frommatch dot com. I paid the money and everything, and um,

1191
01:04:09,760 --> 01:04:12,800
Speaker 1: you upload pictures, you describe yourself, and you put this

1192
01:04:12,920 --> 01:04:15,640
Speaker 1: nice little narrative like listen, I'm very busy. If you

1193
01:04:15,840 --> 01:04:18,400
Speaker 1: need a lot of attention, don't bother to talk to me.

1194
01:04:18,880 --> 01:04:22,400
Speaker 1: This is what I'm looking for. And then just the

1195
01:04:22,520 --> 01:04:26,680
Speaker 1: DM start and there will be things out of like

1196
01:04:26,720 --> 01:04:31,320
Speaker 1: I had one that just said, I bet you taste great. Wow,

1197
01:04:32,880 --> 01:04:37,120
Speaker 1: screechy violins on that cow. I don't know if I could.

1198
01:04:37,160 --> 01:04:38,520
Speaker 1: I don't know if I could do that. I don't

1199
01:04:38,560 --> 01:04:40,160
Speaker 1: know if I met I think, don't you when you

1200
01:04:40,240 --> 01:04:43,880
Speaker 1: hear tales about how gross fucking men are, don't you

1201
01:04:44,280 --> 01:04:47,080
Speaker 1: just like I'm just always so. I mean, I know

1202
01:04:47,160 --> 01:04:50,160
Speaker 1: about this, but we men don't get sent I don't get.

1203
01:04:50,360 --> 01:04:52,919
Speaker 1: I don't I don't want and and and please don't start,

1204
01:04:52,960 --> 01:04:55,120
Speaker 1: please don't don't want to hear these But when I

1205
01:04:55,160 --> 01:04:58,800
Speaker 1: hear these tales, I just can't believe how fucking gross

1206
01:04:58,960 --> 01:05:03,120
Speaker 1: men back dick picks aren't even the most shocking. That's

1207
01:05:03,120 --> 01:05:05,480
Speaker 1: not that, it's the stuff and they say to you,

1208
01:05:07,160 --> 01:05:09,040
Speaker 1: I don't get any of that stuff. Like I I

1209
01:05:09,400 --> 01:05:12,080
Speaker 1: go through my DMS like looking for the ship, like,

1210
01:05:12,240 --> 01:05:15,480
Speaker 1: let you see what. No, I don't want to dick pick.

1211
01:05:15,640 --> 01:05:17,400
Speaker 1: I want to see what my fans are saying to me.

1212
01:05:17,480 --> 01:05:20,120
Speaker 1: So sometimes i'll scroll through it and it'll be some

1213
01:05:20,160 --> 01:05:23,480
Speaker 1: of the stuff I'm like, oh god, that's heart wrenching,

1214
01:05:23,560 --> 01:05:25,440
Speaker 1: Oh my god, I shouldn't have opened this. Why did

1215
01:05:25,480 --> 01:05:28,400
Speaker 1: I open this? And then some of it it's like

1216
01:05:28,480 --> 01:05:30,920
Speaker 1: some of it's like yo, man, fuck you man, Yo,

1217
01:05:31,000 --> 01:05:33,280
Speaker 1: your your your podcast is shit. Man. All y'all do

1218
01:05:33,440 --> 01:05:35,840
Speaker 1: is talk about shit on the right and on you

1219
01:05:35,960 --> 01:05:38,000
Speaker 1: for you let the shit on the left. Y'all know,

1220
01:05:38,040 --> 01:05:43,920
Speaker 1: you know you need to be newcast, right. I get

1221
01:05:43,960 --> 01:05:46,600
Speaker 1: I get a lot of that with the red siren emoji.

1222
01:05:47,520 --> 01:05:50,440
Speaker 1: I'll tell you to make a nurse blush, you have

1223
01:05:50,520 --> 01:05:52,680
Speaker 1: to you gotta really, you gotta really put it out there.

1224
01:05:52,720 --> 01:05:55,600
Speaker 1: And some of the messages I've gotten have made me blush.

1225
01:05:55,640 --> 01:05:57,680
Speaker 1: I have yet to get one of those messages. I'm

1226
01:05:57,800 --> 01:05:59,800
Speaker 1: very happy that I've yet to get one of those messages.

1227
01:06:00,440 --> 01:06:03,520
Speaker 1: Yet to get the messages, the real question is, well,

1228
01:06:03,600 --> 01:06:06,240
Speaker 1: not there's many questions I have about this, but when

1229
01:06:06,240 --> 01:06:09,720
Speaker 1: you're asking how crazy men are, which is totally true,

1230
01:06:09,960 --> 01:06:13,960
Speaker 1: it's it's insane. But I have female friends that have

1231
01:06:14,240 --> 01:06:16,600
Speaker 1: told me things like that before, have stories like that,

1232
01:06:16,640 --> 01:06:19,760
Speaker 1: and all these um inappropriate messages, and you're like, my

1233
01:06:19,840 --> 01:06:23,400
Speaker 1: first thought was, okay, so you're a guy who goes

1234
01:06:23,440 --> 01:06:26,360
Speaker 1: on on match dot com and sends these inappropriate pictures

1235
01:06:26,400 --> 01:06:29,720
Speaker 1: or messages wherever, Like is there are you sending those

1236
01:06:29,720 --> 01:06:32,560
Speaker 1: to like one hundred women hoping it one time it

1237
01:06:32,640 --> 01:06:36,040
Speaker 1: works there? It has to be. It has to be that.

1238
01:06:36,880 --> 01:06:39,280
Speaker 1: It's like fishing. They're they're hoping that they catch one.

1239
01:06:39,840 --> 01:06:42,600
Speaker 1: But I'm saying, like, if it's let's say it's one

1240
01:06:42,600 --> 01:06:45,280
Speaker 1: out of five hundred, A woman actually responds like, are

1241
01:06:45,320 --> 01:06:48,080
Speaker 1: you won you won you did. We spoke about this earlier,

1242
01:06:48,120 --> 01:06:50,400
Speaker 1: that one women woman is ruining it for every other

1243
01:06:50,440 --> 01:06:55,800
Speaker 1: woman every you, especially if it happens like in the

1244
01:06:55,840 --> 01:06:58,480
Speaker 1: first week or the first you know, a couple of

1245
01:06:58,520 --> 01:07:00,480
Speaker 1: times you try it where you're like, here's a dick

1246
01:07:00,560 --> 01:07:04,600
Speaker 1: pick and you get the response like, wow, I can't

1247
01:07:05,240 --> 01:07:07,360
Speaker 1: I know if that would have happened to anybody, they'd

1248
01:07:07,360 --> 01:07:09,320
Speaker 1: be like, I'm doing this for the rest of the time.

1249
01:07:10,080 --> 01:07:12,200
Speaker 1: I don't know if you watched that UM, that last

1250
01:07:12,240 --> 01:07:16,240
Speaker 1: Amy Schumer stand up special, but she had a great um.

1251
01:07:16,280 --> 01:07:19,040
Speaker 1: She had great advice for women who get dick picks,

1252
01:07:19,200 --> 01:07:21,560
Speaker 1: and she said, if you get a dick pic, send

1253
01:07:21,600 --> 01:07:28,560
Speaker 1: back a picture of a bigger dick. When when he responds,

1254
01:07:29,360 --> 01:07:31,919
Speaker 1: what's this, you just go, oh, sorry, I just thought

1255
01:07:31,920 --> 01:07:35,440
Speaker 1: we were sending pictures of cool dicks. I don't think.

1256
01:07:36,360 --> 01:07:40,000
Speaker 1: I don't think. When you get a text, you have

1257
01:07:40,160 --> 01:07:42,640
Speaker 1: time to think of the response. You don't have to

1258
01:07:42,680 --> 01:07:45,680
Speaker 1: be really clever, really fast, so it gives you the

1259
01:07:45,680 --> 01:07:48,120
Speaker 1: opportunity with to come up with something great. So I

1260
01:07:48,160 --> 01:07:50,800
Speaker 1: had a guy and feel free to censor this if

1261
01:07:50,840 --> 01:07:53,560
Speaker 1: you'd like to, but I not his name. We don't

1262
01:07:53,560 --> 01:07:55,640
Speaker 1: want to sense or anything. I don't I don't remember

1263
01:07:55,680 --> 01:07:58,840
Speaker 1: his name on one of a thousand whom. I opened

1264
01:07:58,840 --> 01:08:00,600
Speaker 1: it up and it said when's the last time you

1265
01:08:00,680 --> 01:08:03,600
Speaker 1: got ben over? And made come hard? Oh? And it

1266
01:08:03,640 --> 01:08:07,640
Speaker 1: was all misspelled, which is super hot. And so I responded,

1267
01:08:07,760 --> 01:08:12,200
Speaker 1: ask your brother. I think he wrote down the date. Wow, okay,

1268
01:08:12,360 --> 01:08:14,560
Speaker 1: it gives you time, Like I got it. I have

1269
01:08:14,720 --> 01:08:16,920
Speaker 1: to have some coffee think about it. How do I

1270
01:08:16,960 --> 01:08:19,200
Speaker 1: want to respond to that? All right? As fun as

1271
01:08:19,240 --> 01:08:21,120
Speaker 1: that is, Lena, I don't know that you shouldn't. I

1272
01:08:21,120 --> 01:08:24,760
Speaker 1: mean I wouldn't engage, but not to be paternal. I

1273
01:08:24,760 --> 01:08:27,759
Speaker 1: don't think you should engage because they can be scared. Okay,

1274
01:08:27,800 --> 01:08:30,639
Speaker 1: Oh yeah, I'm about to say. You gotta I gotta say, Lena,

1275
01:08:30,760 --> 01:08:33,679
Speaker 1: you're such a You're a nurse, You're a very beautiful woman.

1276
01:08:33,760 --> 01:08:36,479
Speaker 1: I feel like Joell, we could if you want, we

1277
01:08:36,479 --> 01:08:38,160
Speaker 1: could put your well, I don't know if that's going

1278
01:08:38,160 --> 01:08:40,320
Speaker 1: to encourage it. I'm trying. If you're in the Pittsburgh area,

1279
01:08:40,680 --> 01:08:42,680
Speaker 1: how can what do we do? We could put your

1280
01:08:42,720 --> 01:08:49,320
Speaker 1: Instagram on our show notes or something that's gonna I'm

1281
01:08:49,320 --> 01:08:51,360
Speaker 1: trying to help beverbody calm down. This isn't we're not

1282
01:08:51,439 --> 01:08:53,439
Speaker 1: We're not even not fixed your life yet. We haven't

1283
01:08:53,439 --> 01:08:55,800
Speaker 1: even gotten The show is gonna be so fucking long.

1284
01:08:55,960 --> 01:08:59,160
Speaker 1: But I just wanted to say, Lena, Um, I don't

1285
01:08:59,160 --> 01:09:01,040
Speaker 1: want to encourage that behavior, but gosh, I wish I

1286
01:09:01,080 --> 01:09:03,080
Speaker 1: could set you up with someone. Oh no, that's fine.

1287
01:09:03,120 --> 01:09:07,559
Speaker 1: I'm so busy right now. You're busy, busy freaking handling

1288
01:09:07,600 --> 01:09:13,320
Speaker 1: COVID man romance. Everyone's got time for the a little

1289
01:09:13,320 --> 01:09:15,479
Speaker 1: bit of romance. A right, go ahead, Lena, Sorry, what's

1290
01:09:15,479 --> 01:09:19,879
Speaker 1: your question? So my question is for Zack and Donald.

1291
01:09:20,320 --> 01:09:23,720
Speaker 1: So let's say that somebody says, I want to make

1292
01:09:23,760 --> 01:09:27,240
Speaker 1: a movie about the making of Scrubs, how it came

1293
01:09:27,280 --> 01:09:31,519
Speaker 1: to fruition, behind the scenes. What young actors now are

1294
01:09:31,560 --> 01:09:35,719
Speaker 1: playing YouTube in your mid twenties. Oh wow, good question,

1295
01:09:36,080 --> 01:09:42,599
Speaker 1: great question. Well I would play myself obviously, I mean black,

1296
01:09:42,640 --> 01:09:45,920
Speaker 1: don't crack, you know. Yeah, so I think Ben Platt

1297
01:09:46,439 --> 01:09:51,200
Speaker 1: would play me. Oh that's a good answer, because I

1298
01:09:51,280 --> 01:09:53,840
Speaker 1: like so it would be me and Ben Platt pretty much. Yea,

1299
01:09:54,439 --> 01:09:57,439
Speaker 1: and more musical episodes too. Ben Platt has a beautiful voice,

1300
01:09:57,479 --> 01:10:00,880
Speaker 1: so I would sound even better when I sang, and

1301
01:10:00,000 --> 01:10:04,400
Speaker 1: and I think he does. Um, I saw him and

1302
01:10:04,479 --> 01:10:08,400
Speaker 1: dearman Hanson and he and obviously he's playing a very

1303
01:10:08,400 --> 01:10:11,000
Speaker 1: different character. But but there were a lot of jdisms

1304
01:10:11,040 --> 01:10:15,120
Speaker 1: that I liked and saw and respected. I think he's

1305
01:10:15,200 --> 01:10:20,599
Speaker 1: very talented. Donald out a kid, the kid from Stranger Things. Man,

1306
01:10:20,760 --> 01:10:24,320
Speaker 1: that's my dude. Okay. Yeah, although he's a teenager, you

1307
01:10:24,400 --> 01:10:28,080
Speaker 1: need to be he's getting he's getting. He'sn't he's almost eighteen. Man,

1308
01:10:28,200 --> 01:10:30,880
Speaker 1: boy got mustache and everything. Now he's growing up. Okay,

1309
01:10:30,960 --> 01:10:33,360
Speaker 1: he's getting tall. There you go. There is your scrubs,

1310
01:10:33,400 --> 01:10:36,720
Speaker 1: behind the scenes movie cast right there. Um, all right,

1311
01:10:36,760 --> 01:10:39,280
Speaker 1: what's your next question? You said you had another one. Yeah,

1312
01:10:39,400 --> 01:10:43,200
Speaker 1: So I'm actually working on my doctorate and nursing. Sorry, Joel,

1313
01:10:43,320 --> 01:10:44,640
Speaker 1: this is not the question I told you, but I

1314
01:10:44,640 --> 01:10:47,200
Speaker 1: promise it's PC. Okay, you working on your doctor and nursing.

1315
01:10:47,200 --> 01:10:49,360
Speaker 1: That's so awesome. Do not apologize to me. Yeah, and

1316
01:10:49,400 --> 01:10:51,719
Speaker 1: you don't have to, and you don't have to censor yourself.

1317
01:10:51,800 --> 01:10:58,000
Speaker 1: You know, we liked anything inappropriate. I'm my doctorate project

1318
01:10:58,320 --> 01:11:02,080
Speaker 1: is on decreasing the stress in our frontline managers, so

1319
01:11:02,120 --> 01:11:05,320
Speaker 1: the managers who are between the patient care staff and

1320
01:11:05,439 --> 01:11:08,880
Speaker 1: the executive management team. So these are our frontline managers.

1321
01:11:09,720 --> 01:11:13,679
Speaker 1: M So my question for all of you, especially right now,

1322
01:11:13,800 --> 01:11:17,759
Speaker 1: is what are you guys doing to decrease your stress?

1323
01:11:18,960 --> 01:11:24,280
Speaker 1: Drinking lots of pino noir, going outside. I like going.

1324
01:11:24,320 --> 01:11:27,520
Speaker 1: I broke my toe. I was If you listen to podcast,

1325
01:11:27,600 --> 01:11:29,760
Speaker 1: you know I was cycling a lot. The peloton was

1326
01:11:29,840 --> 01:11:33,000
Speaker 1: a great source of leaving stress for me. I broke

1327
01:11:33,040 --> 01:11:35,439
Speaker 1: my toe. So I'm a little on time out with

1328
01:11:35,479 --> 01:11:37,960
Speaker 1: exercise cardio. But I've been going to the dog park.

1329
01:11:38,120 --> 01:11:40,120
Speaker 1: We have a big dog park near us, and I

1330
01:11:40,200 --> 01:11:42,880
Speaker 1: love I get endorphins when I go and watch my

1331
01:11:42,960 --> 01:11:48,840
Speaker 1: dogs print around the dog park, and I don't know

1332
01:11:48,960 --> 01:11:51,800
Speaker 1: those are and those are my first ones that come

1333
01:11:51,800 --> 01:11:53,280
Speaker 1: to mind. What about you, Josh, We know that you're

1334
01:11:53,479 --> 01:11:58,160
Speaker 1: you're hiking. Yeah. I like walking around in nature as

1335
01:11:58,280 --> 01:12:02,080
Speaker 1: much as I can, and reading and you know, just

1336
01:12:04,040 --> 01:12:07,439
Speaker 1: just getting through it, basically getting through it. We lost Donald.

1337
01:12:07,479 --> 01:12:11,440
Speaker 1: What happened to Donald? It's like your question dropped out.

1338
01:12:12,520 --> 01:12:14,680
Speaker 1: Daniel will deal with that. Joel, Joel, what is your

1339
01:12:14,680 --> 01:12:19,920
Speaker 1: answer to the question. It was like doing Christmas things

1340
01:12:20,000 --> 01:12:22,519
Speaker 1: like which sounds crazy, but like you have to go

1341
01:12:22,560 --> 01:12:26,160
Speaker 1: all over the place, and like it was like researching

1342
01:12:26,160 --> 01:12:28,920
Speaker 1: with a friend and then like calling shops to see

1343
01:12:28,920 --> 01:12:31,720
Speaker 1: how we could do it safely. And it is like

1344
01:12:31,800 --> 01:12:34,000
Speaker 1: in the spirit of giving back, and it was like

1345
01:12:34,040 --> 01:12:36,360
Speaker 1: it was a great way to like both like physically

1346
01:12:36,400 --> 01:12:39,160
Speaker 1: get myself out of the house because I you know,

1347
01:12:39,160 --> 01:12:42,679
Speaker 1: I'm an anxious person I ADHD and it like going

1348
01:12:42,680 --> 01:12:47,680
Speaker 1: outside a pre pandemic. Well like I have um social anxiety,

1349
01:12:48,680 --> 01:12:51,400
Speaker 1: m post pandemic being inside so much now, I's like

1350
01:12:51,600 --> 01:12:53,400
Speaker 1: just going to my friend's house is like four or

1351
01:12:53,400 --> 01:12:57,120
Speaker 1: five times much higher. I'm so anxious. Um So having

1352
01:12:57,120 --> 01:12:59,800
Speaker 1: like a goal something to do, a partner that I

1353
01:13:00,160 --> 01:13:02,680
Speaker 1: has been safe throughout this whole thing to go do

1354
01:13:02,760 --> 01:13:05,760
Speaker 1: it with It's been like the greatest dress reliever. And

1355
01:13:05,800 --> 01:13:08,120
Speaker 1: then now I get to send people packages and they

1356
01:13:08,160 --> 01:13:09,960
Speaker 1: over going to open them on Zoom And there's that

1357
01:13:10,000 --> 01:13:12,680
Speaker 1: whole like giving back like aspect of it that I'm

1358
01:13:12,720 --> 01:13:16,519
Speaker 1: just really excited to participate in. So Christmas season for

1359
01:13:16,520 --> 01:13:19,920
Speaker 1: the win, I agree that, um you know there is

1360
01:13:20,040 --> 01:13:21,720
Speaker 1: I am having a lot of fun buying presents for

1361
01:13:21,800 --> 01:13:24,280
Speaker 1: people and and and then we took a lot. We

1362
01:13:24,320 --> 01:13:26,479
Speaker 1: had a lot of joy in decorating the house and

1363
01:13:26,520 --> 01:13:30,160
Speaker 1: getting I've never done a real full out Christmas because

1364
01:13:30,200 --> 01:13:32,559
Speaker 1: I'm Jewish, or at least I'm not. I'm secular, but

1365
01:13:32,600 --> 01:13:35,200
Speaker 1: you know, we just never did it. Yeah, congrats on

1366
01:13:35,200 --> 01:13:37,920
Speaker 1: your Christmas tree. Yeah, we went all out. We went

1367
01:13:37,960 --> 01:13:41,560
Speaker 1: all out, and uh, it's it's fun. I'm having that is,

1368
01:13:41,640 --> 01:13:44,160
Speaker 1: you know, decorating the house and making it all super

1369
01:13:44,160 --> 01:13:48,120
Speaker 1: cozy has been has been a source of joy. How's

1370
01:13:48,120 --> 01:13:52,040
Speaker 1: it going with Donald there, Daniel? He has not responded, well, Daniel,

1371
01:13:52,080 --> 01:13:54,640
Speaker 1: what do you do to distress? What do I do

1372
01:13:54,760 --> 01:13:57,720
Speaker 1: to distress? You know, I am a big fan of

1373
01:13:57,760 --> 01:14:01,879
Speaker 1: electronic music. Um, I've really like biking, riding my bicycle,

1374
01:14:02,360 --> 01:14:06,800
Speaker 1: and so there are times usually after work, usually late

1375
01:14:06,800 --> 01:14:08,720
Speaker 1: at night, I would say around ten pm. I have

1376
01:14:08,720 --> 01:14:12,800
Speaker 1: a very flat neighborhood, and so it's also a very

1377
01:14:12,880 --> 01:14:15,160
Speaker 1: quiet at night, not a lot of cars. So I'll

1378
01:14:15,200 --> 01:14:17,320
Speaker 1: throw it in my helmet, throw on some headphones, turn

1379
01:14:17,360 --> 01:14:19,880
Speaker 1: the light onto my bike, and i will just do

1380
01:14:20,120 --> 01:14:22,880
Speaker 1: laps around my neighborhood, blasting drum and bass in my

1381
01:14:22,920 --> 01:14:28,400
Speaker 1: ears and just going as hard as possible and letting

1382
01:14:28,439 --> 01:14:31,640
Speaker 1: the music just like plow through me like I'm in

1383
01:14:31,640 --> 01:14:33,960
Speaker 1: an action film. I always feel like I'm being chased

1384
01:14:33,960 --> 01:14:35,960
Speaker 1: by like the bad guys in the matrix. Whenever I'm

1385
01:14:35,960 --> 01:14:38,840
Speaker 1: like biking around my neighborhood just listening to super super

1386
01:14:38,880 --> 01:14:42,719
Speaker 1: fast electronic music. I come home, I'm exhausted, I've sweat

1387
01:14:42,800 --> 01:14:44,920
Speaker 1: dripping all over me, and I just feel, you know,

1388
01:14:45,360 --> 01:14:49,240
Speaker 1: alive and released and just like loose and it's it

1389
01:14:49,280 --> 01:14:52,080
Speaker 1: feels great, it feels great. I would think that that

1390
01:14:52,120 --> 01:14:54,080
Speaker 1: would I mean, that sounds awesome, but I would think

1391
01:14:54,080 --> 01:14:55,920
Speaker 1: that would amp you all up. You'd come home like

1392
01:14:56,200 --> 01:15:00,800
Speaker 1: all Like, there's definitely a degree it. Also, I really

1393
01:15:00,800 --> 01:15:03,200
Speaker 1: try to do that when I am really trying to

1394
01:15:03,200 --> 01:15:06,080
Speaker 1: get rid of stress. So I'm already kind of tensed

1395
01:15:06,160 --> 01:15:09,360
Speaker 1: up and ready to go and working it out, Yes,

1396
01:15:09,439 --> 01:15:11,640
Speaker 1: gets my heart rate going, but also just helps me

1397
01:15:11,760 --> 01:15:14,080
Speaker 1: released that stress. So while there's still like a worked

1398
01:15:14,120 --> 01:15:16,559
Speaker 1: up heart rate and stuff, there's a much more turned

1399
01:15:16,560 --> 01:15:20,519
Speaker 1: down mental state that's like, Okay, we are released from this,

1400
01:15:20,720 --> 01:15:23,599
Speaker 1: we are done, and now we can just move on

1401
01:15:23,680 --> 01:15:25,720
Speaker 1: with the night and go take a hot shower and

1402
01:15:25,960 --> 01:15:30,320
Speaker 1: you know, have a glass of something and go to bed. Yeah,

1403
01:15:30,400 --> 01:15:32,400
Speaker 1: how about you, Lena, what do you do? You cut you?

1404
01:15:32,479 --> 01:15:36,880
Speaker 1: I mean you you're writing this dissertation, right? Is that

1405
01:15:36,880 --> 01:15:40,840
Speaker 1: what it is? So when you're a nurse, you're it's

1406
01:15:40,880 --> 01:15:45,200
Speaker 1: called a scholarly project, and it actually lasts the entire

1407
01:15:45,439 --> 01:15:49,839
Speaker 1: five semesters of doctor at school. So I've just completed

1408
01:15:49,880 --> 01:15:52,360
Speaker 1: my first semester. So all I've had to do at

1409
01:15:52,360 --> 01:15:55,880
Speaker 1: this point is just come up with the idea and

1410
01:15:56,400 --> 01:15:59,160
Speaker 1: turn that in and say this is the background of

1411
01:15:59,200 --> 01:16:01,760
Speaker 1: why this is a problem in nursing. I haven't got

1412
01:16:01,800 --> 01:16:05,160
Speaker 1: to the actual like getting it approved or putting together

1413
01:16:05,680 --> 01:16:08,920
Speaker 1: the actual study design, I think and then actually having

1414
01:16:08,960 --> 01:16:11,160
Speaker 1: the experiment I think will be the really stressful part.

1415
01:16:11,600 --> 01:16:15,200
Speaker 1: But so for now, Um, the stressful part is so

1416
01:16:15,280 --> 01:16:18,280
Speaker 1: I'm a I'm a mom, I'm a full time doctorate student,

1417
01:16:18,280 --> 01:16:21,280
Speaker 1: and i'm a single mom of I'm sorry, I'm a nurse,

1418
01:16:21,360 --> 01:16:23,439
Speaker 1: I'm a doctorate student, and i'm a single mom of

1419
01:16:23,479 --> 01:16:29,760
Speaker 1: two active teenage girls your plate. So I'm busy and

1420
01:16:29,840 --> 01:16:33,519
Speaker 1: so um, you know, I'm sorry, sorry, sorry interrupt you, Daniel,

1421
01:16:33,520 --> 01:16:35,720
Speaker 1: And he's waiting to be let back in Donald. There

1422
01:16:35,760 --> 01:16:45,720
Speaker 1: we go. Oh there is right. Stop talking about him.

1423
01:16:45,720 --> 01:16:52,000
Speaker 1: Stop talking about him. Hearing you what happened not a

1424
01:16:52,000 --> 01:16:56,639
Speaker 1: good signal in that closet. Yeah, I can't tell you

1425
01:16:56,720 --> 01:17:05,240
Speaker 1: what I do to relieve stress. That's all. She's a nurse.

1426
01:17:07,560 --> 01:17:12,320
Speaker 1: That's my business. She's a nurse, and it's very healthy. Right,

1427
01:17:12,479 --> 01:17:16,760
Speaker 1: it's normal, but it's normal. It's normal. Rights, normal, Right,

1428
01:17:17,080 --> 01:17:21,400
Speaker 1: it's normal. Right, it is normal, Lena is not. It

1429
01:17:21,520 --> 01:17:25,080
Speaker 1: is probably abnormal for a forty six year old man

1430
01:17:25,160 --> 01:17:29,320
Speaker 1: to have the libido of a sixteen year old right, No, no, yeah,

1431
01:17:29,800 --> 01:17:35,559
Speaker 1: she's shaking her head. You're normal, that's a normal. Yeah,

1432
01:17:35,600 --> 01:17:40,160
Speaker 1: that's what. Yeah. I told you, I told you and

1433
01:17:40,280 --> 01:17:42,800
Speaker 1: my wife that shit. But nobody wanted to listen to me, Lena.

1434
01:17:43,040 --> 01:17:45,640
Speaker 1: Nobody wanted to listen to me. Everybody is like, no,

1435
01:17:46,040 --> 01:17:48,800
Speaker 1: there's something wrong with you. There's something wrong with you,

1436
01:17:49,040 --> 01:17:51,320
Speaker 1: and there's something wrong with your insides, and you need

1437
01:17:51,360 --> 01:17:53,800
Speaker 1: to see therapy. You need to see therapy. You need

1438
01:17:53,840 --> 01:17:59,040
Speaker 1: to go talk to somebody about your freaking libido. Well,

1439
01:17:59,040 --> 01:18:01,360
Speaker 1: maybe Lena King, maybe Lena can give you a note

1440
01:18:01,479 --> 01:18:07,240
Speaker 1: for Casey that says this is perfect prescription in prescription

1441
01:18:07,520 --> 01:18:11,599
Speaker 1: to Yeah, all right, let me go get a hold

1442
01:18:11,600 --> 01:18:13,519
Speaker 1: on no no, no, no no, no no no no no

1443
01:18:13,520 --> 01:18:16,040
Speaker 1: no no no, come on, all right, let's talk about

1444
01:18:16,360 --> 01:18:17,960
Speaker 1: fix your life. I don't know if we can fix

1445
01:18:18,000 --> 01:18:19,720
Speaker 1: your life, but if there's any way we can you

1446
01:18:19,760 --> 01:18:23,040
Speaker 1: missed Donald. She's got two teenage daughters in addition and

1447
01:18:23,080 --> 01:18:25,719
Speaker 1: as a single mom in addition to being a nurse.

1448
01:18:25,840 --> 01:18:28,280
Speaker 1: So she's got a lot of doctorate student yeah kind

1449
01:18:28,320 --> 01:18:30,880
Speaker 1: of doctor. Got a lot on your plate there, right,

1450
01:18:30,920 --> 01:18:37,479
Speaker 1: How can we fix your So this is um. I

1451
01:18:37,680 --> 01:18:40,800
Speaker 1: just want your advice. This is what I really need

1452
01:18:40,800 --> 01:18:43,919
Speaker 1: from you guys, because you are artists and you understand

1453
01:18:43,960 --> 01:18:46,960
Speaker 1: what this is like. Yes, being a nurse was never

1454
01:18:47,000 --> 01:18:50,160
Speaker 1: my dream. I actually went to college for musical theater

1455
01:18:50,320 --> 01:18:53,559
Speaker 1: and then got pregnant, had to get a real job

1456
01:18:53,600 --> 01:18:57,959
Speaker 1: with health insurance, went to nursing school, probably because of scrubs.

1457
01:18:58,000 --> 01:19:03,320
Speaker 1: I'm not gonna lie the time up. And now I'm

1458
01:19:03,360 --> 01:19:07,280
Speaker 1: I'm a mom and I'm a nurse. And so I

1459
01:19:07,360 --> 01:19:09,960
Speaker 1: did a lot of community theater and then that wasn't

1460
01:19:10,000 --> 01:19:13,000
Speaker 1: an option anymore because I was too busy. So what

1461
01:19:13,120 --> 01:19:15,479
Speaker 1: I did was I sat down and wrote a book.

1462
01:19:16,080 --> 01:19:18,519
Speaker 1: I wrote a fiction. I sort of just wrote my

1463
01:19:18,560 --> 01:19:21,720
Speaker 1: own fantasy world that I got to escape into since

1464
01:19:21,720 --> 01:19:25,519
Speaker 1: I couldn't be an actress anymore. And I felt really

1465
01:19:25,520 --> 01:19:27,280
Speaker 1: good about it. I was really passionate about it. I

1466
01:19:27,320 --> 01:19:33,840
Speaker 1: was very excited. And then eighteen rejections later from agents.

1467
01:19:34,880 --> 01:19:37,439
Speaker 1: I had somebody who said, I'll take a look at it,

1468
01:19:37,479 --> 01:19:40,439
Speaker 1: but you have to cut out roughly forty thousand words.

1469
01:19:41,520 --> 01:19:43,960
Speaker 1: So I said, I don't. I don't want to do that.

1470
01:19:44,120 --> 01:19:46,439
Speaker 1: I have all these people who have read it, they

1471
01:19:46,479 --> 01:19:49,040
Speaker 1: love it. I've read it, I've edited it. I don't

1472
01:19:49,040 --> 01:19:50,880
Speaker 1: want to take any more out of it. I'm gonna

1473
01:19:50,920 --> 01:19:56,840
Speaker 1: self publish. So I got the website, I got the TikTok,

1474
01:19:57,240 --> 01:20:00,519
Speaker 1: I got seventy five hundred followers on tick talk. I

1475
01:20:00,600 --> 01:20:04,719
Speaker 1: put a little teaser about the book. Everyone seemed excited, um,

1476
01:20:04,760 --> 01:20:07,759
Speaker 1: and then I really started looking at self publishing, and

1477
01:20:07,800 --> 01:20:10,040
Speaker 1: I thought, if I really want to do this, I

1478
01:20:10,120 --> 01:20:13,559
Speaker 1: need to get a kickstarter. But I don't have the time.

1479
01:20:14,560 --> 01:20:17,040
Speaker 1: I don't know we're gonna be your grit kickstarter because

1480
01:20:17,040 --> 01:20:21,519
Speaker 1: we're gonna look your website, what's the name of the book,

1481
01:20:21,600 --> 01:20:25,360
Speaker 1: and how do people find out about the book? So

1482
01:20:25,439 --> 01:20:27,479
Speaker 1: I guess my question was do I go for it

1483
01:20:27,600 --> 01:20:29,280
Speaker 1: or do I shelve it? But it sounds like you're

1484
01:20:29,280 --> 01:20:31,519
Speaker 1: saying just go for it. This is a place where

1485
01:20:31,600 --> 01:20:36,320
Speaker 1: dreams come true. We're sit we tip pick, we'd pick up,

1486
01:20:36,520 --> 01:20:39,040
Speaker 1: we go to the store. We go to staples, we

1487
01:20:39,200 --> 01:20:44,000
Speaker 1: get white boards, we get erasable markers, okay, yes, and

1488
01:20:44,080 --> 01:20:48,360
Speaker 1: we take those markers to set board and and we

1489
01:20:48,479 --> 01:20:53,160
Speaker 1: write down our dreams and goals. Why do you have

1490
01:20:53,200 --> 01:20:55,080
Speaker 1: like a why do you sound like a preacher something?

1491
01:20:55,240 --> 01:20:58,400
Speaker 1: I like it because I'm trying to get Lena. She

1492
01:20:58,560 --> 01:21:01,880
Speaker 1: needs to get up off her ass, go to the

1493
01:21:01,960 --> 01:21:09,599
Speaker 1: white bull and race and right down. Wants to self

1494
01:21:10,040 --> 01:21:15,400
Speaker 1: publish our own book. Write it down, alright, reverend, reverend, reverend,

1495
01:21:15,479 --> 01:21:18,080
Speaker 1: there's so many babies unlatching right now, so many babies

1496
01:21:18,120 --> 01:21:21,080
Speaker 1: aren't eating right now. But I'm super excited. All right, Well,

1497
01:21:21,160 --> 01:21:23,920
Speaker 1: Donald's right. We we really believe that you can manifest.

1498
01:21:24,000 --> 01:21:26,560
Speaker 1: We're big believers in manifesting. From the white board. It

1499
01:21:26,640 --> 01:21:28,720
Speaker 1: sounds like it's already on your white board and you're

1500
01:21:28,720 --> 01:21:31,599
Speaker 1: about to get the biggest plug you you could ever get. Um,

1501
01:21:32,000 --> 01:21:34,280
Speaker 1: which is so funny you say that, sack, because the

1502
01:21:34,320 --> 01:21:36,680
Speaker 1: way that I got on this podcast is that I'm

1503
01:21:36,720 --> 01:21:40,439
Speaker 1: a witch and I wrote a spell and I did

1504
01:21:40,479 --> 01:21:45,519
Speaker 1: a spell to get on this podcast. That was a

1505
01:21:45,520 --> 01:21:49,200
Speaker 1: big that's a big right angle turn. By the way,

1506
01:21:49,320 --> 01:21:51,559
Speaker 1: much like much like this episode, there's a reveal at

1507
01:21:51,560 --> 01:21:54,479
Speaker 1: the end of the Caller, She's a witch. I didn't

1508
01:21:54,520 --> 01:21:59,040
Speaker 1: want to ruin Joel's big, big twist, but yeah, I'm

1509
01:21:59,040 --> 01:22:01,120
Speaker 1: a witch. And that's how I got myself on here.

1510
01:22:01,120 --> 01:22:02,840
Speaker 1: And so, just like you said, Jack, I wanted to

1511
01:22:02,880 --> 01:22:05,920
Speaker 1: manifest this happening. Are you serious? Are you really a which?

1512
01:22:05,960 --> 01:22:08,000
Speaker 1: Because some people really are? Which? Really? Which? So that's

1513
01:22:08,080 --> 01:22:13,000
Speaker 1: my altar right behind me with your whiteboard right above it. Okay,

1514
01:22:13,160 --> 01:22:16,000
Speaker 1: so I'm not I'm not trying to. I'm not trying to.

1515
01:22:16,000 --> 01:22:17,640
Speaker 1: I'm not trying to make jokes or anything like. No,

1516
01:22:17,720 --> 01:22:19,800
Speaker 1: don't make jokes because it's not religion. How do you

1517
01:22:19,880 --> 01:22:23,439
Speaker 1: how do you practice and science at the same time?

1518
01:22:23,600 --> 01:22:26,400
Speaker 1: How are you able to do? Donald? That's such a

1519
01:22:26,439 --> 01:22:31,040
Speaker 1: good question, very good questioned. Must be wearing off, it's

1520
01:22:31,080 --> 01:22:33,880
Speaker 1: such a good question. So, no, the weed is kicking it.

1521
01:22:34,120 --> 01:22:35,840
Speaker 1: You thought that you thought I took a break because

1522
01:22:35,880 --> 01:22:38,000
Speaker 1: the computer went down? Yeah, yeah, yeah, I need to

1523
01:22:38,000 --> 01:22:40,560
Speaker 1: go smoke some red. So yeahbuddy, something tells me you

1524
01:22:40,640 --> 01:22:43,200
Speaker 1: dropped out of the zoom right around the time when

1525
01:22:43,200 --> 01:22:46,599
Speaker 1: you needed a fucking dropped right around four twenty. That's

1526
01:22:46,880 --> 01:22:49,320
Speaker 1: dropped out. Yeah all right, so Lena, we can't go

1527
01:22:49,400 --> 01:22:52,080
Speaker 1: down a giant witchcraft world. But Donald, that's a great question.

1528
01:22:52,080 --> 01:22:57,160
Speaker 1: How do you reconcile spells and science. So the human

1529
01:22:57,200 --> 01:23:00,400
Speaker 1: body is made up of energy and electricity, so everything

1530
01:23:00,400 --> 01:23:03,240
Speaker 1: around us, and if you go all the way back

1531
01:23:03,600 --> 01:23:07,360
Speaker 1: to the pagan belief, back back, back, back back, their

1532
01:23:07,439 --> 01:23:10,200
Speaker 1: belief was very much about manipulating the energy that is

1533
01:23:10,200 --> 01:23:13,040
Speaker 1: around us, that all the energy is, we're all connected,

1534
01:23:13,200 --> 01:23:17,519
Speaker 1: all of us, and they believed in honoring that. So

1535
01:23:17,640 --> 01:23:20,799
Speaker 1: if you very quickly to make this super super quick,

1536
01:23:21,160 --> 01:23:23,679
Speaker 1: if you look at the rivers of chi that are

1537
01:23:24,439 --> 01:23:29,040
Speaker 1: drawn out by the Chinese back back back back, it

1538
01:23:29,120 --> 01:23:33,080
Speaker 1: actually lines up with the nervous system. So way way

1539
01:23:33,120 --> 01:23:36,040
Speaker 1: back before we even had science, people knew that there

1540
01:23:36,120 --> 01:23:38,080
Speaker 1: was something greater than all of us, that we were

1541
01:23:38,120 --> 01:23:40,920
Speaker 1: all connected, that by caring for the earth, we were

1542
01:23:40,920 --> 01:23:43,360
Speaker 1: caring for ourselves, for caring for each other, we're caring

1543
01:23:43,400 --> 01:23:47,519
Speaker 1: for ourselves. And so I think there is a room

1544
01:23:47,640 --> 01:23:51,960
Speaker 1: for Western medicine and Eastern medicine. If you want to

1545
01:23:52,000 --> 01:23:54,439
Speaker 1: manifest something in your life, Zach, you actually save us

1546
01:23:54,439 --> 01:23:57,000
Speaker 1: a lot on the podcast. You have more magical thinking

1547
01:23:57,080 --> 01:23:59,880
Speaker 1: than you probably realize. But if you want to man

1548
01:24:00,000 --> 01:24:02,759
Speaker 1: infest things, you're manipulating energy around you and you're creating

1549
01:24:02,800 --> 01:24:05,760
Speaker 1: it to happen. However, if somebody in front of you

1550
01:24:05,800 --> 01:24:08,800
Speaker 1: goes into respiratory to stress and drops, you don't want

1551
01:24:08,800 --> 01:24:11,439
Speaker 1: to burn incense. You want to care for them. And

1552
01:24:11,479 --> 01:24:15,280
Speaker 1: that we were lucky that we were able to understand

1553
01:24:15,400 --> 01:24:18,840
Speaker 1: Western medicine but still hold on the Eastern medicine. So

1554
01:24:18,920 --> 01:24:21,200
Speaker 1: I do believe that there is a place for both things.

1555
01:24:22,120 --> 01:24:24,400
Speaker 1: But I do think that when it comes to things

1556
01:24:24,479 --> 01:24:27,280
Speaker 1: like creating what you want in life, that there is

1557
01:24:27,280 --> 01:24:29,800
Speaker 1: a way to honor that and honor the things around you.

1558
01:24:29,840 --> 01:24:32,719
Speaker 1: And I think that my job is a nurse honors

1559
01:24:32,800 --> 01:24:35,120
Speaker 1: all of the people out in this world. It cares

1560
01:24:35,160 --> 01:24:37,760
Speaker 1: for life, and because of that I get a lot

1561
01:24:37,800 --> 01:24:41,439
Speaker 1: of abundance back in return. I'm very lucky in that sense.

1562
01:24:41,960 --> 01:24:44,439
Speaker 1: But I do think that there's room for everything. I

1563
01:24:44,520 --> 01:24:46,559
Speaker 1: think that all of us can be in harmony, and

1564
01:24:46,600 --> 01:24:50,000
Speaker 1: that includes Western and Eastern. So that includes magical thinking

1565
01:24:50,040 --> 01:24:55,400
Speaker 1: as well as science. If that makes sense. Yeah, I mean, sorry,

1566
01:24:55,400 --> 01:25:00,160
Speaker 1: it was really quick. It wasn't It makes a lot

1567
01:25:00,160 --> 01:25:03,920
Speaker 1: a sense. It's like, you know, it's believing in religion

1568
01:25:03,920 --> 01:25:07,679
Speaker 1: and also believing that scientist can exist with religion as well,

1569
01:25:07,720 --> 01:25:11,160
Speaker 1: and I totally get it, absolutely absolutely So if you're

1570
01:25:11,200 --> 01:25:13,800
Speaker 1: sitting at the bedside of somebody who's dying, of course

1571
01:25:13,840 --> 01:25:16,000
Speaker 1: you're going to pray for them, but you're also going

1572
01:25:16,040 --> 01:25:17,880
Speaker 1: to want the doctor to do everything they can to

1573
01:25:17,960 --> 01:25:20,200
Speaker 1: try and keep that person alive. And that's where I

1574
01:25:20,200 --> 01:25:25,040
Speaker 1: really try to honor both things. Um, well, we hear you,

1575
01:25:25,080 --> 01:25:27,839
Speaker 1: and we respect you, and we respect all religions, um

1576
01:25:27,960 --> 01:25:31,760
Speaker 1: and belief systems. Um. So wait, so tell everyone, um

1577
01:25:31,920 --> 01:25:33,479
Speaker 1: how to find do you do you got a cat?

1578
01:25:33,520 --> 01:25:34,800
Speaker 1: I just want to know, do you have a cat?

1579
01:25:35,479 --> 01:25:41,640
Speaker 1: I do? Is it a black cat? No? You are right?

1580
01:25:42,080 --> 01:25:45,960
Speaker 1: And its name is Sebastian, all right? And the interest

1581
01:25:46,000 --> 01:25:49,280
Speaker 1: of and the interests of episode lines? How do we

1582
01:25:49,360 --> 01:25:51,599
Speaker 1: how do We're out of time? Lena? But tell us

1583
01:25:51,600 --> 01:25:53,160
Speaker 1: how to find your book? Tell everyone how to find

1584
01:25:53,160 --> 01:25:56,520
Speaker 1: your book. Yeah. So if you want to find my TikTok,

1585
01:25:56,680 --> 01:25:59,720
Speaker 1: I'm all nurse all the time. All my information is

1586
01:25:59,760 --> 01:26:03,479
Speaker 1: on there, and my website is uh Lena l E

1587
01:26:03,680 --> 01:26:07,280
Speaker 1: Na nasri and a z as in zebra a r

1588
01:26:07,439 --> 01:26:10,240
Speaker 1: ei dot com. And you can find all the information

1589
01:26:10,280 --> 01:26:12,240
Speaker 1: on there. And I guess I'm gonna make a Kickstarter,

1590
01:26:12,360 --> 01:26:14,599
Speaker 1: so watch for it. What's the title of the book.

1591
01:26:14,680 --> 01:26:16,840
Speaker 1: But what's the title of the bight Shift. It's about

1592
01:26:16,880 --> 01:26:20,840
Speaker 1: a night shift nurse who becomes a vampire. Night shifts

1593
01:26:21,560 --> 01:26:23,200
Speaker 1: were you know, you know how we do because we

1594
01:26:23,280 --> 01:26:25,000
Speaker 1: got a little story that we like to talk about

1595
01:26:25,000 --> 01:26:28,320
Speaker 1: about a doctor who becomes a vampire and his name

1596
01:26:28,360 --> 01:26:31,920
Speaker 1: is doctor Acula. Yea nice, Donald, you like it. There's

1597
01:26:31,920 --> 01:26:33,880
Speaker 1: a lot of sex in the book. It's very sexy.

1598
01:26:34,000 --> 01:26:39,360
Speaker 1: There's a lot of what sex sex Donald could use it. Wait,

1599
01:26:39,400 --> 01:26:41,880
Speaker 1: hold on, I'm sorry, Lena, I think you have me

1600
01:26:42,000 --> 01:26:47,040
Speaker 1: confused for someone else. Oh, sorry, apologize, I I I

1601
01:26:49,160 --> 01:26:51,680
Speaker 1: can't even continue this with a straight face. All right,

1602
01:26:51,880 --> 01:26:55,080
Speaker 1: I'm very Intrina. You've been an awesome guest. Um, thank

1603
01:26:55,120 --> 01:26:57,559
Speaker 1: you for being a frontline worker and for all that

1604
01:26:57,600 --> 01:27:00,880
Speaker 1: you're doing. And um, and please staycy and thank you

1605
01:27:00,920 --> 01:27:03,240
Speaker 1: for coming on. You're an awesome guest. Thank thank you,

1606
01:27:03,400 --> 01:27:13,840
Speaker 1: very body. Thank you. Let's take a break. We'll be

1607
01:27:13,920 --> 01:27:22,519
Speaker 1: right back after these fine words. Well, there were so

1608
01:27:22,520 --> 01:27:25,360
Speaker 1: many chapters to that call. That was a big that

1609
01:27:25,400 --> 01:27:28,840
Speaker 1: was that was truly I mean, she's jo Well did

1610
01:27:28,880 --> 01:27:30,320
Speaker 1: you know she was going to drop the witch bomb

1611
01:27:30,360 --> 01:27:32,320
Speaker 1: at the end hell, yeah, why do you think I

1612
01:27:32,439 --> 01:27:36,080
Speaker 1: picked her? I was, sister, let's do that. You were

1613
01:27:36,160 --> 01:27:37,840
Speaker 1: you were? You were probably like, what's she gonna start

1614
01:27:37,880 --> 01:27:40,360
Speaker 1: talking about the witches? Which I was worried. I wasn't

1615
01:27:40,360 --> 01:27:43,120
Speaker 1: gonna get in there. Well, she had a lot to

1616
01:27:43,120 --> 01:27:46,559
Speaker 1: say and she's very interesting. But I thought that Donald

1617
01:27:46,720 --> 01:27:49,200
Speaker 1: thought that she was kidding. And that's why I was like,

1618
01:27:49,240 --> 01:27:51,160
Speaker 1: oh wait, I didn't think she's kidding because she's like,

1619
01:27:51,200 --> 01:27:54,040
Speaker 1: she has all her witch gear behind her. I didn't

1620
01:27:54,040 --> 01:27:58,960
Speaker 1: think she would of like frontline work and nursing and dating,

1621
01:27:59,120 --> 01:28:01,360
Speaker 1: and then all of a sudden it's so Also, yeah,

1622
01:28:01,360 --> 01:28:05,080
Speaker 1: I'm a witch, and so your book is about the

1623
01:28:05,120 --> 01:28:08,680
Speaker 1: book is a sexy book about a nurse vampire. I

1624
01:28:08,680 --> 01:28:14,080
Speaker 1: mean that woman in America. I'll doorly Lina, thank you. Yeah, yeah,

1625
01:28:14,479 --> 01:28:16,519
Speaker 1: you should go on that pitch that pitch thing. What's

1626
01:28:16,520 --> 01:28:20,200
Speaker 1: the pitch thing on Twitter? Joel pitch thing on Twitter?

1627
01:28:20,320 --> 01:28:21,479
Speaker 1: Do you know what I'm talking about? I thought you

1628
01:28:21,560 --> 01:28:23,360
Speaker 1: might know about it. It's like when writers pitch their

1629
01:28:23,400 --> 01:28:29,479
Speaker 1: ideas and they they like it's like, um, they they

1630
01:28:29,560 --> 01:28:31,840
Speaker 1: put out like a byline or not a byline. They

1631
01:28:31,840 --> 01:28:33,680
Speaker 1: put out like a one sentence thing about what the

1632
01:28:33,720 --> 01:28:35,760
Speaker 1: plot of their thing is, and then they hope that

1633
01:28:36,040 --> 01:28:39,280
Speaker 1: publishers or agents um respond to them. Do you know

1634
01:28:39,280 --> 01:28:41,080
Speaker 1: what I'm talking about? Yes, they do. It's called a

1635
01:28:41,120 --> 01:28:44,000
Speaker 1: Twitter pitch. It's sometimes they're by different publishing companies. This

1636
01:28:44,040 --> 01:28:47,040
Speaker 1: is according to Google. UM sometimes just sort of ramped

1637
01:28:47,080 --> 01:28:48,840
Speaker 1: up where people are like, hey, just go for it.

1638
01:28:48,920 --> 01:28:51,120
Speaker 1: I guess agents do it sometimes too, but it's sort

1639
01:28:51,120 --> 01:28:53,519
Speaker 1: of it's called like pitch mod or something. I don't know.

1640
01:28:53,560 --> 01:28:55,840
Speaker 1: There's like there's days where it's like, hey, everybody, it's

1641
01:28:55,880 --> 01:28:58,919
Speaker 1: pitch mod and I'll be pitching my new book and anyway,

1642
01:28:59,200 --> 01:29:04,560
Speaker 1: I digress. Um, So Donald, what's up? Brother? We should? Um?

1643
01:29:04,840 --> 01:29:07,000
Speaker 1: We have a surprise for everybody, and that is that

1644
01:29:07,439 --> 01:29:11,000
Speaker 1: when we're done with our show, Joshua Raden is gonna

1645
01:29:11,120 --> 01:29:14,840
Speaker 1: sing and perform Winter Live for all of you, which

1646
01:29:14,920 --> 01:29:17,960
Speaker 1: is a pretty nice treat. Donald, don't you think you know?

1647
01:29:19,720 --> 01:29:23,840
Speaker 1: I was hoping for a concert the whole episode. I

1648
01:29:23,840 --> 01:29:25,400
Speaker 1: thought that's what we were gonna do. I didn't realize

1649
01:29:25,400 --> 01:29:27,160
Speaker 1: we were gonna, you know, talk about the show, and

1650
01:29:27,240 --> 01:29:29,639
Speaker 1: I didn't think Lena was going to be that interesting,

1651
01:29:29,680 --> 01:29:32,360
Speaker 1: to be honest with you. But you know, okay, she

1652
01:29:32,360 --> 01:29:38,880
Speaker 1: she spoke my language obviously. Yeah, I think it's only

1653
01:29:38,960 --> 01:29:42,880
Speaker 1: right that if we have Josh on the show, of course,

1654
01:29:43,560 --> 01:29:45,799
Speaker 1: that we ask him he could say, he could decline,

1655
01:29:45,840 --> 01:29:47,479
Speaker 1: he could say no, I wouldn't have had him on.

1656
01:29:47,560 --> 01:29:48,960
Speaker 1: I just want to go through a couple more things

1657
01:29:49,000 --> 01:29:51,240
Speaker 1: I love in the show before Josh sing gay Chicken

1658
01:29:51,240 --> 01:29:53,880
Speaker 1: along Gay Chicken was funny. You and I used to

1659
01:29:53,960 --> 01:29:57,360
Speaker 1: actually play gay chicken. Yeah. I uh, that's a that's

1660
01:29:57,360 --> 01:29:59,200
Speaker 1: a tough one to win, you know what I mean?

1661
01:29:59,320 --> 01:30:02,240
Speaker 1: That always winds that one. Well, I'm willing, I'm willing

1662
01:30:02,240 --> 01:30:04,040
Speaker 1: to kiss you because you're willing to make out. If

1663
01:30:04,040 --> 01:30:06,280
Speaker 1: you're willing to make out, if you're willing to make out,

1664
01:30:06,280 --> 01:30:10,240
Speaker 1: then you're always the winner. I wanted to say. Leonard

1665
01:30:10,439 --> 01:30:14,160
Speaker 1: playing playing gin and smoking a cigarette in the hospital

1666
01:30:14,280 --> 01:30:17,240
Speaker 1: using his claw hand I thought was funny. I think

1667
01:30:17,240 --> 01:30:21,880
Speaker 1: it's hilarious that JD slept with both Sullivan sisters. Right,

1668
01:30:22,200 --> 01:30:25,759
Speaker 1: I've had sex with both Sullivan sisters, Um, I laughed.

1669
01:30:25,760 --> 01:30:28,120
Speaker 1: I mean shower shorts. Did you think that shower shorts

1670
01:30:28,200 --> 01:30:30,439
Speaker 1: was in this episode? I didn't. I didn't know it

1671
01:30:30,479 --> 01:30:34,920
Speaker 1: was in there. And also this went on into a

1672
01:30:35,000 --> 01:30:38,599
Speaker 1: different television show didn't. It didn't. It's become your Arrested

1673
01:30:38,600 --> 01:30:41,880
Speaker 1: Development character. Didn't your arrested No no no, because in

1674
01:30:41,960 --> 01:30:44,759
Speaker 1: Arrested Development they have a running them where never nude.

1675
01:30:44,920 --> 01:30:47,080
Speaker 1: David Cross is a never knude. He's never naked. He

1676
01:30:47,080 --> 01:30:49,880
Speaker 1: wears jean shorts underneath all his clothes. Josh Raiden loves

1677
01:30:49,920 --> 01:30:52,519
Speaker 1: that show and I was lucky enough to be on

1678
01:30:52,600 --> 01:30:56,200
Speaker 1: that show as a fellow never nude. So yes, I

1679
01:30:56,240 --> 01:30:58,879
Speaker 1: guess that's that's wise that you're saying there is overlap

1680
01:30:58,920 --> 01:31:01,360
Speaker 1: and that both JD and my character and Arrest of

1681
01:31:01,400 --> 01:31:05,960
Speaker 1: Development do not shower fully nude. You're a fucking never nude.

1682
01:31:06,720 --> 01:31:10,160
Speaker 1: That ship was hilarious. Portion Rossi goes, you're a fucking

1683
01:31:10,320 --> 01:31:13,680
Speaker 1: never nude. Yeah, it was so funny. I got to

1684
01:31:13,720 --> 01:31:17,320
Speaker 1: be an ever nude. Um and um shower shorts for

1685
01:31:17,320 --> 01:31:20,000
Speaker 1: the man who has nothing to hide but still wants

1686
01:31:20,040 --> 01:31:27,080
Speaker 1: to That is one of the funniest jokes. And it's

1687
01:31:27,120 --> 01:31:29,599
Speaker 1: got a wallet, It's got a shower short. That's had

1688
01:31:29,680 --> 01:31:32,839
Speaker 1: me rolling the shower shorts with the with the wallet

1689
01:31:32,880 --> 01:31:36,040
Speaker 1: that zips back. And when he pulls it and it

1690
01:31:36,200 --> 01:31:38,120
Speaker 1: zips back, where does it smack him? That's what I

1691
01:31:38,120 --> 01:31:42,040
Speaker 1: want to know as no in the ass, I do

1692
01:31:42,080 --> 01:31:51,080
Speaker 1: a little jump. Okay um and your male talking, Your

1693
01:31:51,120 --> 01:31:54,040
Speaker 1: male talking is hilarious. Dude, your mole, your mold, what

1694
01:31:54,080 --> 01:31:59,240
Speaker 1: does it say? It says, um that you know that's

1695
01:31:59,320 --> 01:32:01,719
Speaker 1: my voice. And I actually did the puppet for that too,

1696
01:32:01,800 --> 01:32:04,760
Speaker 1: for the mole. As we operated the puppet, I operated

1697
01:32:04,840 --> 01:32:07,160
Speaker 1: the puppet for the mold. The mold was my voice

1698
01:32:07,560 --> 01:32:11,360
Speaker 1: and my hand in the mold. Well, the mall was

1699
01:32:11,439 --> 01:32:13,559
Speaker 1: very funny. I don't know why the mall wasn't a

1700
01:32:13,600 --> 01:32:15,960
Speaker 1: recurring character that I would have thought the mole would

1701
01:32:16,000 --> 01:32:18,000
Speaker 1: have come back, but I guess not. I don't know

1702
01:32:18,040 --> 01:32:20,800
Speaker 1: why Bill didn't ever bring the moll back, but that

1703
01:32:20,880 --> 01:32:25,240
Speaker 1: was great. Elliot's Bunyan at the end when the doctor

1704
01:32:25,280 --> 01:32:33,120
Speaker 1: sees and the nurse passes out, you know whenever these

1705
01:32:33,240 --> 01:32:35,680
Speaker 1: whenever a nurse is like a not a normal one

1706
01:32:35,680 --> 01:32:38,519
Speaker 1: of the regular like background nurses, and you just know

1707
01:32:38,600 --> 01:32:40,439
Speaker 1: she's going to be a stunt woman, because I was like, oh,

1708
01:32:40,479 --> 01:32:41,960
Speaker 1: I don't recognize that woman. And then all of a

1709
01:32:42,000 --> 01:32:44,080
Speaker 1: sudden she took a big fall when she fainted it

1710
01:32:44,080 --> 01:32:45,080
Speaker 1: and I was like, oh, she must have been a

1711
01:32:45,120 --> 01:32:47,960
Speaker 1: stunt woman. That was funny. That was very funny. She

1712
01:32:48,000 --> 01:32:49,320
Speaker 1: must have been a stunt woman because it was a

1713
01:32:49,320 --> 01:32:53,439
Speaker 1: perfect fall too. Um. Yeah, and then the word was peons.

1714
01:32:53,479 --> 01:32:56,639
Speaker 1: We should talk about this the whole show before Ted

1715
01:32:57,840 --> 01:33:02,840
Speaker 1: the lawyer has lost one of his band members, is

1716
01:33:03,080 --> 01:33:05,840
Speaker 1: threatening to quit, and the show opens up even with it,

1717
01:33:05,920 --> 01:33:10,040
Speaker 1: You'll always be a worthless peon. You're nothing more than

1718
01:33:10,080 --> 01:33:13,479
Speaker 1: a worthless peon. And then he turns to you know.

1719
01:33:13,479 --> 01:33:15,760
Speaker 1: After Ted hangs up, the pony turns to Kelso and

1720
01:33:15,800 --> 01:33:20,000
Speaker 1: he goes, doctor Kelso, my band, the Worthless Peons has

1721
01:33:20,080 --> 01:33:24,960
Speaker 1: just lost a member. I think this must be the

1722
01:33:25,040 --> 01:33:27,160
Speaker 1: moment that we learned the name of the band the word. Yeah,

1723
01:33:27,200 --> 01:33:30,720
Speaker 1: it is because they are all worthless peons. I mean

1724
01:33:30,760 --> 01:33:33,080
Speaker 1: that's how they all work at the hospital and feel

1725
01:33:33,120 --> 01:33:36,719
Speaker 1: like they're they're peons to everybody. Yeah. And then also

1726
01:33:37,400 --> 01:33:43,560
Speaker 1: Carla talking about how she's a candy bar. The Espinoza

1727
01:33:43,720 --> 01:33:48,240
Speaker 1: is a candy bar, and then Ted asks her does

1728
01:33:48,280 --> 01:33:52,160
Speaker 1: the Espinoza have nugata in the middle. Yeah, that was funny.

1729
01:33:52,240 --> 01:33:54,120
Speaker 1: I thought I thought he was doing that like as

1730
01:33:54,120 --> 01:33:58,040
Speaker 1: a sexual thing, like trying to be like trying to flirt. No,

1731
01:33:58,120 --> 01:34:01,040
Speaker 1: he just like no, I think he's trying to flirt.

1732
01:34:01,040 --> 01:34:03,200
Speaker 1: I think it's a flirty flirt. Let's let's get to

1733
01:34:03,240 --> 01:34:05,840
Speaker 1: the cemetery where it all goes down. Eighteen forty nine

1734
01:34:07,560 --> 01:34:10,040
Speaker 1: is when we see the first shot of the cemetery.

1735
01:34:10,479 --> 01:34:12,719
Speaker 1: And you know, this has been like the most common

1736
01:34:12,800 --> 01:34:14,800
Speaker 1: meme that's ever been sent to me. Though, where do

1737
01:34:14,840 --> 01:34:17,280
Speaker 1: you think we are? A moment that happens at nineteen

1738
01:34:17,360 --> 01:34:21,400
Speaker 1: thirty five, I got goosebumps. I have to say when

1739
01:34:21,479 --> 01:34:23,200
Speaker 1: when it happened, even though I knew it was coming.

1740
01:34:24,200 --> 01:34:28,640
Speaker 1: It's just a really cool sixth sense reveal. Yeah, and

1741
01:34:28,760 --> 01:34:32,760
Speaker 1: well acted by John C McGinley. Also, yes, and the

1742
01:34:32,800 --> 01:34:38,080
Speaker 1: whole episode well, yeah, Zach, absolutely absolutely, you know what.

1743
01:34:38,600 --> 01:34:41,120
Speaker 1: I know you need it so absolutely I don't need it.

1744
01:34:41,120 --> 01:34:43,439
Speaker 1: It's not about me. Johnny's incredible in this episode, and

1745
01:34:43,760 --> 01:34:45,960
Speaker 1: especially at the end when he's crying, it's very moving.

1746
01:34:46,479 --> 01:34:49,360
Speaker 1: He's very good at it. And and watching them all

1747
01:34:49,439 --> 01:34:58,599
Speaker 1: sit Jordan, Danny and Johnny's sitting watching the funeral as

1748
01:34:58,640 --> 01:35:02,040
Speaker 1: he's you know, lowered into the ground and everything like that,

1749
01:35:03,360 --> 01:35:05,040
Speaker 1: I was wondering, who's going to be the one that,

1750
01:35:05,240 --> 01:35:08,040
Speaker 1: you know, because you forget these things, who's the one

1751
01:35:08,120 --> 01:35:10,760
Speaker 1: like I was wondering, does Danny lean on Jordan? Is

1752
01:35:10,840 --> 01:35:13,840
Speaker 1: Jordan's gonna lean on Cox's Cox? You know, how does this?

1753
01:35:14,560 --> 01:35:16,800
Speaker 1: How does this end? Because there needs to be a

1754
01:35:16,840 --> 01:35:22,000
Speaker 1: moment that you know, this family can you know, grieve together,

1755
01:35:22,520 --> 01:35:25,120
Speaker 1: because we're not really you don't really see it. You

1756
01:35:25,200 --> 01:35:26,920
Speaker 1: just see, you know, And this is a very strong

1757
01:35:27,040 --> 01:35:30,200
Speaker 1: and stone wall fan Like these guys are very mean

1758
01:35:30,240 --> 01:35:32,559
Speaker 1: to each other. And I was like, where's the break?

1759
01:35:32,600 --> 01:35:36,920
Speaker 1: Who's gonna break? And when Jordan grabs Cox, that's the

1760
01:35:36,920 --> 01:35:39,840
Speaker 1: first one. But then when jd puts his hand on

1761
01:35:39,920 --> 01:35:43,240
Speaker 1: Cox and he's willing to ast, He's willing, and he's

1762
01:35:43,240 --> 01:35:48,040
Speaker 1: willing to receive the love from well he's gonna receive

1763
01:35:48,080 --> 01:35:50,400
Speaker 1: it from Jordan, but to receive it from his from

1764
01:35:50,479 --> 01:35:54,599
Speaker 1: his colleague, from his work buddy. Very powerful moment. Yeah,

1765
01:35:54,640 --> 01:35:57,200
Speaker 1: it's very moving. And Jordan's character isn't someone who's going

1766
01:35:57,240 --> 01:36:01,000
Speaker 1: to emote, and sob and Johnny sees you thinking isn't either,

1767
01:36:01,680 --> 01:36:06,120
Speaker 1: but he just finally lets go and she looks over

1768
01:36:06,160 --> 01:36:08,960
Speaker 1: at him, and it's very moving. It's beautifully done. I'm

1769
01:36:09,000 --> 01:36:12,639
Speaker 1: so we're very blessed and lucky to have the Josh

1770
01:36:12,640 --> 01:36:15,960
Speaker 1: here who's going to sing live for you and Josh,

1771
01:36:16,000 --> 01:36:18,839
Speaker 1: are you ready? Is everything tuned? Is the capo set?

1772
01:36:19,680 --> 01:36:21,600
Speaker 1: I know all the lingo. Well, I just want to

1773
01:36:21,600 --> 01:36:24,120
Speaker 1: say one last thing before we get into the raiding situation.

1774
01:36:24,520 --> 01:36:26,880
Speaker 1: Josh Man, I didn't get to finish this earlier. I

1775
01:36:27,000 --> 01:36:33,960
Speaker 1: remember watching you in Hotel Cafe me Manny Moore, Mega Kelly,

1776
01:36:34,240 --> 01:36:38,639
Speaker 1: and Zach Braft, the only people in the place, us

1777
01:36:38,720 --> 01:36:42,639
Speaker 1: and the bartender and you and the sound guy. That's

1778
01:36:42,640 --> 01:36:46,200
Speaker 1: it flash cut to you at the Troopadore the first

1779
01:36:46,200 --> 01:36:49,800
Speaker 1: time you played at the Troopadoor Fire one of the

1780
01:36:49,800 --> 01:36:52,880
Speaker 1: best moments of my life to this day, to be

1781
01:36:52,960 --> 01:36:56,120
Speaker 1: able to say, to be able to say I knew

1782
01:36:56,160 --> 01:37:02,120
Speaker 1: you when this was freaking a whimsical idea and now

1783
01:37:02,320 --> 01:37:05,439
Speaker 1: look at you now. It's it's always it always makes

1784
01:37:05,479 --> 01:37:10,679
Speaker 1: me smile to walk into an auditorium and hear you perform,

1785
01:37:10,760 --> 01:37:13,519
Speaker 1: and then not only that, to watch the people listening

1786
01:37:13,520 --> 01:37:16,439
Speaker 1: to you, like I've seen a thugged out dude, like

1787
01:37:16,479 --> 01:37:19,000
Speaker 1: somebody that looks like the dude that's on the skateboard

1788
01:37:19,040 --> 01:37:22,559
Speaker 1: with the um with the with the ocean Spraye, seen

1789
01:37:22,680 --> 01:37:25,960
Speaker 1: somebody like that at your concert doing exactly what he's

1790
01:37:26,000 --> 01:37:28,920
Speaker 1: doing to the Stevie Nick song, singing and along to

1791
01:37:29,000 --> 01:37:31,680
Speaker 1: the Fleetwood Max song. I've seen that, I've seen I've

1792
01:37:31,720 --> 01:37:33,840
Speaker 1: seen you touch people like that, and it's just so

1793
01:37:33,880 --> 01:37:36,040
Speaker 1: powerful to see. So without any further to do, y'all,

1794
01:37:36,080 --> 01:37:38,920
Speaker 1: I've said enough, Joshua. All right, here's josh Raiden with

1795
01:37:39,360 --> 01:37:56,280
Speaker 1: with Winter, the first song he ever wrote. I know

1796
01:37:57,439 --> 01:38:03,880
Speaker 1: who I am, I know I walk the record stands

1797
01:38:03,880 --> 01:38:13,920
Speaker 1: somehow thinking of Unter your name is the splendor inside me.

1798
01:38:14,800 --> 01:38:33,400
Speaker 1: While I'm wait, I remember the sound of your November Downtown,

1799
01:38:33,280 --> 01:38:40,160
Speaker 1: and I remember the truth. I won't December, will you?

1800
01:38:41,840 --> 01:38:48,280
Speaker 1: But I don't have to make this mistake, and I

1801
01:38:48,360 --> 01:38:54,280
Speaker 1: don't have to stay this way. If only I wade

1802
01:38:56,840 --> 01:39:03,720
Speaker 1: walk as sob and clear by now. Your voice it's

1803
01:39:03,800 --> 01:39:13,240
Speaker 1: all I hear somehow you're calling out Winter. Your voice

1804
01:39:13,760 --> 01:39:24,880
Speaker 1: is the splendor inside me while I wait, and I

1805
01:39:24,960 --> 01:39:36,160
Speaker 1: remember the sound. If you want November downtown, I remember

1806
01:39:36,360 --> 01:39:44,240
Speaker 1: the truth. I want December with you. But I don't

1807
01:39:44,920 --> 01:39:51,160
Speaker 1: have to make this mistake, and I don't have to

1808
01:39:51,240 --> 01:40:00,439
Speaker 1: stay this way. If only I I could have lost

1809
01:40:00,800 --> 01:40:08,840
Speaker 1: myself in rough blue waters in your eyes and I

1810
01:40:09,200 --> 01:40:21,560
Speaker 1: miss you still. I remember the sound off your November downtown.

1811
01:40:25,080 --> 01:40:33,320
Speaker 1: I remember the truth. I wanted December with you. But

1812
01:40:33,520 --> 01:40:40,680
Speaker 1: I don't have to make this mistake and I don't

1813
01:40:40,880 --> 01:41:00,599
Speaker 1: have to stay this way. If only I waited. M Yeah, wow, wow,

1814
01:41:00,880 --> 01:41:04,559
Speaker 1: that's so beautiful. Josh. Thank you. When I hear that song,

1815
01:41:04,600 --> 01:41:06,960
Speaker 1: I go, I can't believe I know the guy who

1816
01:41:07,000 --> 01:41:10,760
Speaker 1: who wrote and things that. It's just such beautiful poetry.

1817
01:41:10,840 --> 01:41:14,240
Speaker 1: Thank you so much. It's very kind and uh, thank

1818
01:41:14,240 --> 01:41:19,320
Speaker 1: you for starting my career. Well, I I if it

1819
01:41:19,360 --> 01:41:21,760
Speaker 1: wasn't me, it would have been somebody else. Um. Well,

1820
01:41:23,000 --> 01:41:27,080
Speaker 1: but you never know. Um. Josh, remind people how if

1821
01:41:27,120 --> 01:41:29,559
Speaker 1: they want to do this, um this thing, they can

1822
01:41:29,560 --> 01:41:33,599
Speaker 1: book you uh to play to my website Joshua Raiden

1823
01:41:33,720 --> 01:41:36,479
Speaker 1: dot com R A D I N and you'll see

1824
01:41:36,479 --> 01:41:38,439
Speaker 1: it right there. It's very simple. I change the website

1825
01:41:38,479 --> 01:41:41,080
Speaker 1: so it's very simple. It's it's top Joshua Raidin dot

1826
01:41:41,080 --> 01:41:43,200
Speaker 1: Topeka Live. You'll see the link. You'll see all the

1827
01:41:43,280 --> 01:41:46,559
Speaker 1: options and which the money goes to. But you can

1828
01:41:46,720 --> 01:41:49,519
Speaker 1: have Josh play for your loved ones maybe even maybe

1829
01:41:49,520 --> 01:41:53,280
Speaker 1: even um you know, this as a holiday gift for

1830
01:41:53,360 --> 01:41:57,000
Speaker 1: someone and back when the world reopens and concerts everything again,

1831
01:41:57,120 --> 01:41:59,400
Speaker 1: make sure to go see Josh um play live. He

1832
01:41:59,520 --> 01:42:04,840
Speaker 1: travels all over the world. Um, it's very popular in Europe, right, Josh,

1833
01:42:04,960 --> 01:42:08,200
Speaker 1: Josh is like um, Bruce Springsteen and Sweden. Not very

1834
01:42:08,240 --> 01:42:12,799
Speaker 1: popularly of Sweden. No, I have a small cult following

1835
01:42:12,840 --> 01:42:15,679
Speaker 1: group of people who know my songs from medical shows.

1836
01:42:15,720 --> 01:42:18,800
Speaker 1: But that's fair. No, And and Josh, that's that's that

1837
01:42:18,920 --> 01:42:21,400
Speaker 1: you're you're exactly you're you're you're what are you being here?

1838
01:42:21,479 --> 01:42:26,080
Speaker 1: Just being dismissive of yourself? You're being self deprecating, Josh Donald,

1839
01:42:26,080 --> 01:42:29,280
Speaker 1: you're still here with us? Well I'm here though. Can

1840
01:42:29,320 --> 01:42:32,160
Speaker 1: we can we just have Donald admit to everyone that

1841
01:42:32,200 --> 01:42:34,880
Speaker 1: I did not mess up my own song? Okay? Fine?

1842
01:42:35,040 --> 01:42:37,080
Speaker 1: Is that is that what you're waiting for? Yeah, it's anyways,

1843
01:42:37,080 --> 01:42:39,400
Speaker 1: we came on the podcast. Look all right, So here's

1844
01:42:39,400 --> 01:42:41,920
Speaker 1: the thing. Here's the thing. Here's the thing. Remind you

1845
01:42:41,920 --> 01:42:45,280
Speaker 1: were mess you did? Mind listeners, what was said? I

1846
01:42:45,320 --> 01:42:47,479
Speaker 1: said that he blew, he messed up his own song.

1847
01:42:47,920 --> 01:42:51,320
Speaker 1: We didn't mess up his own song. You messed it

1848
01:42:51,400 --> 01:42:55,320
Speaker 1: up by not singing the whole song straight through, like

1849
01:42:55,360 --> 01:42:58,600
Speaker 1: you forgot some words here. I didn't forget anyone. This

1850
01:42:58,680 --> 01:43:02,640
Speaker 1: is the thing. I will say this, sirs, say that

1851
01:43:02,680 --> 01:43:09,120
Speaker 1: has happened. And I'm listening you. You've been talking all day, Okay,

1852
01:43:09,120 --> 01:43:11,080
Speaker 1: go ahead, let him have his moment. I'm running the

1853
01:43:11,120 --> 01:43:14,080
Speaker 1: stairs when the podcast started listening to this thing, and

1854
01:43:14,080 --> 01:43:15,680
Speaker 1: all of a sudden, you start talking about me and

1855
01:43:15,680 --> 01:43:17,680
Speaker 1: how you asked me to play your for your in

1856
01:43:17,760 --> 01:43:19,599
Speaker 1: Casey's first dance at your wedding, and you asked for

1857
01:43:19,640 --> 01:43:22,200
Speaker 1: one of my songs and it was you asked for

1858
01:43:22,200 --> 01:43:25,920
Speaker 1: the song Paperweight, which at the time, UM, I went

1859
01:43:26,160 --> 01:43:29,000
Speaker 1: for about eight years or something without playing that song live.

1860
01:43:29,120 --> 01:43:30,880
Speaker 1: It was too painful. I wrote it with my X

1861
01:43:30,880 --> 01:43:32,439
Speaker 1: and when we split up, I just decided I didn't

1862
01:43:32,439 --> 01:43:34,639
Speaker 1: want to play anymore. Now I played It's been whatever

1863
01:43:34,680 --> 01:43:37,840
Speaker 1: it's been time. Have you has played it together yet? No? No,

1864
01:43:37,880 --> 01:43:40,400
Speaker 1: we haven't seen. We haven't hung out in years and years.

1865
01:43:40,520 --> 01:43:42,040
Speaker 1: I would love to see that. Oh we should get

1866
01:43:42,040 --> 01:43:44,640
Speaker 1: down on the show Dome. That would be dope, but

1867
01:43:44,760 --> 01:43:47,360
Speaker 1: I would for sure either way. What I'm saying is,

1868
01:43:47,640 --> 01:43:49,360
Speaker 1: you asked me to play a song of mine called

1869
01:43:49,400 --> 01:43:51,400
Speaker 1: they Bring Me to You, and so I did. But

1870
01:43:51,600 --> 01:43:54,000
Speaker 1: the live version of that song, it's a different version

1871
01:43:54,040 --> 01:43:55,840
Speaker 1: than the recording. Oh, I know because you have a

1872
01:43:55,920 --> 01:43:59,400
Speaker 1: female singing with you and it's just so much different production.

1873
01:43:59,400 --> 01:44:02,160
Speaker 1: But when you play solo acoustic life, so you have

1874
01:44:02,200 --> 01:44:04,960
Speaker 1: to remember. I'm running the stairs listening to your podcast

1875
01:44:05,160 --> 01:44:07,040
Speaker 1: and I hear you do your Oprah voice. Of like,

1876
01:44:08,120 --> 01:44:11,240
Speaker 1: then he fucked up his own song, and I'm like,

1877
01:44:11,320 --> 01:44:15,439
Speaker 1: I spit out my water. I started laughing. So and

1878
01:44:15,479 --> 01:44:17,800
Speaker 1: then of course I texted you right afterwards. I'm like,

1879
01:44:17,840 --> 01:44:20,160
Speaker 1: what are you talking about it? Right away? You were like,

1880
01:44:20,160 --> 01:44:21,960
Speaker 1: first of all, I did not fuck up. I just

1881
01:44:22,000 --> 01:44:24,080
Speaker 1: want the audience to know that. Donald asked Josh to

1882
01:44:24,160 --> 01:44:26,679
Speaker 1: sing him and his wife's first song in his wedding

1883
01:44:26,880 --> 01:44:30,320
Speaker 1: and then made fun of him on front of thousands

1884
01:44:30,360 --> 01:44:32,720
Speaker 1: of people because he didn't like the version. Josh sang,

1885
01:44:33,240 --> 01:44:37,240
Speaker 1: it's me, It's me, all right, we've gone two hours.

1886
01:44:37,880 --> 01:44:40,160
Speaker 1: Don't know. We don't entertain you. I know, right, I

1887
01:44:40,200 --> 01:44:43,519
Speaker 1: just but ye that being said, But I do love

1888
01:44:44,520 --> 01:44:47,360
Speaker 1: and I love you too, that being said, though. Man.

1889
01:44:47,800 --> 01:44:51,120
Speaker 1: At my wedding, when we were sitting up in Zach's

1890
01:44:51,120 --> 01:44:56,960
Speaker 1: house getting ready myself, Josh and zach Um, Josh sits

1891
01:44:57,000 --> 01:45:00,559
Speaker 1: down and he starts strumming on the guitar and just

1892
01:45:00,600 --> 01:45:04,479
Speaker 1: start singing, and he writes a song at my wedding,

1893
01:45:05,560 --> 01:45:08,599
Speaker 1: and I then hear the song maybe like a year

1894
01:45:08,680 --> 01:45:11,360
Speaker 1: later on a plane ride to New York, and I

1895
01:45:11,400 --> 01:45:13,439
Speaker 1: remember hitting him up and being like, dude, that song

1896
01:45:13,479 --> 01:45:17,479
Speaker 1: you wrote at my wedding is playing on the plane

1897
01:45:17,760 --> 01:45:20,000
Speaker 1: and it's the one where it's like it's a wedding,

1898
01:45:20,040 --> 01:45:22,840
Speaker 1: it's a freaking love song, man, And I can't remember,

1899
01:45:23,840 --> 01:45:26,799
Speaker 1: but it's like, if you go something like, I'll find

1900
01:45:28,400 --> 01:45:32,400
Speaker 1: you something. Come on, I haven't played that song and forever.

1901
01:45:32,880 --> 01:45:35,080
Speaker 1: You wrote that at my wedding, and so I have

1902
01:45:35,160 --> 01:45:38,280
Speaker 1: to find it now so that Daniel could play it

1903
01:45:38,280 --> 01:45:40,599
Speaker 1: out if you laid it down, josh right. It's available

1904
01:45:40,640 --> 01:45:45,040
Speaker 1: to an album called of mine called Waxwings. Daniel, It's

1905
01:45:45,040 --> 01:45:48,880
Speaker 1: on Waxwings. Thank you everybody. The onesies Joel told me

1906
01:45:48,960 --> 01:45:51,559
Speaker 1: are are restocked on twelve eighteen, if you want to

1907
01:45:51,600 --> 01:45:55,000
Speaker 1: give the love of me and Donald on your body,

1908
01:45:55,200 --> 01:45:59,240
Speaker 1: and thank you to Daniel, Joelle, Lena, our guests. And

1909
01:45:59,720 --> 01:46:04,520
Speaker 1: here is Joshua Raden with the song Donald, just beautifully.

1910
01:46:08,280 --> 01:46:11,040
Speaker 1: What's the call? When we're together? When we're together, y'all,

1911
01:46:11,280 --> 01:46:18,280
Speaker 1: bae Angsky of the water Fire at Nights no pleasure

1912
01:46:18,439 --> 01:46:25,719
Speaker 1: without sacrifice. Shore and the ocean, the moon sun, one

1913
01:46:25,760 --> 01:46:30,879
Speaker 1: way without the other hand boat done. Now, I believe

1914
01:46:31,200 --> 01:46:36,240
Speaker 1: you what's supposed to be supposed to be you and

1915
01:46:36,640 --> 01:46:46,240
Speaker 1: me ah you forever because we are the best. Gather

1916
01:46:47,720 --> 01:46:54,400
Speaker 1: ah with you forever. You are the old one, and

1917
01:46:54,640 --> 01:47:07,200
Speaker 1: we've just been done. Let the waiting new lotion fall

1918
01:47:07,320 --> 01:47:13,600
Speaker 1: on my shore. Your glass is empty, porson more. I

1919
01:47:13,800 --> 01:47:20,439
Speaker 1: left the table lack of news any time to search

1920
01:47:20,600 --> 01:47:25,280
Speaker 1: for you. Now, I believe you what's supposed to be

1921
01:47:26,320 --> 01:47:34,520
Speaker 1: supposed to be you and me I with you forever

1922
01:47:35,439 --> 01:47:44,439
Speaker 1: because we're the best. Wegether, I with you forever. You

1923
01:47:44,600 --> 01:47:53,360
Speaker 1: are the only one, and we've just been gone that

1924
01:47:53,640 --> 01:47:59,599
Speaker 1: a mountains to reach to the sky, that kind to find.

1925
01:48:01,800 --> 01:48:07,479
Speaker 1: If you forget, I'll do my best to try to

1926
01:48:07,479 --> 01:48:16,080
Speaker 1: remind you, with you forever, because we are the best

1927
01:48:16,520 --> 01:48:25,160
Speaker 1: when we're together to get forever. You ade on Mone

1928
01:48:25,960 --> 01:48:44,520
Speaker 1: and we've just begun with you forever, with you forever

1929
01:48:45,439 --> 01:48:49,440
Speaker 1: you are on Mone, and we've just begun