1 00:00:00,760 --> 00:00:01,480 Speaker 1: I'm Buzznight. 2 00:00:01,480 --> 00:00:04,320 Speaker 2: You're host of the Taking a Walk podcast, the podcast 3 00:00:04,360 --> 00:00:10,360 Speaker 2: where we talk with musicians, industry insiders, and often radio personalities. 4 00:00:10,440 --> 00:00:15,880 Speaker 2: As my background before doing this podcast comes from radio now, 5 00:00:15,920 --> 00:00:18,079 Speaker 2: I especially like when we can turn you on to 6 00:00:18,720 --> 00:00:23,320 Speaker 2: radio personalities who are podcasting. And on this episode, I'm 7 00:00:23,360 --> 00:00:26,560 Speaker 2: talking with two of my friends back when I work 8 00:00:26,640 --> 00:00:32,600 Speaker 2: for Greater Media managing stations in Philadelphia, WMMR and WMGK 9 00:00:32,760 --> 00:00:36,280 Speaker 2: in particular, and they are the co host of a podcast. 10 00:00:36,320 --> 00:00:39,480 Speaker 2: They've been at this one for a number of years. 11 00:00:39,560 --> 00:00:43,440 Speaker 2: It's called The Imbalanced History of Rock and Roll. Please 12 00:00:43,479 --> 00:00:47,960 Speaker 2: welcome Ray Koob and Marcus Goldman on the Taking a 13 00:00:48,000 --> 00:00:48,920 Speaker 2: Walk Podcast. 14 00:00:50,080 --> 00:00:54,600 Speaker 3: Look, we have a confluence of our two podcasts. It's 15 00:00:54,880 --> 00:01:00,279 Speaker 3: almost like taking a Walk or an Imbalanced Walk and 16 00:01:00,400 --> 00:01:04,360 Speaker 3: the Imbalanced History together. And joining us on his and 17 00:01:04,640 --> 00:01:09,840 Speaker 3: our podcast is my old dear friend, Buzznight, the creator 18 00:01:10,520 --> 00:01:14,000 Speaker 3: of the Taking a Walk podcast. And for our gang 19 00:01:14,319 --> 00:01:16,720 Speaker 3: who don't know about that, tell them about what your 20 00:01:16,840 --> 00:01:19,039 Speaker 3: podcast is about. 21 00:01:19,400 --> 00:01:24,320 Speaker 4: It is literally taking the concept of comedians and cars 22 00:01:24,360 --> 00:01:28,280 Speaker 4: getting coffee and flipping it a little upside down in 23 00:01:28,319 --> 00:01:37,560 Speaker 4: my direction. So it's me walking and talking with musicians, industry, insiders, authors, 24 00:01:38,440 --> 00:01:42,720 Speaker 4: other crazy people, many of them virtual as well. But 25 00:01:43,720 --> 00:01:47,280 Speaker 4: we're taking a walk virtually down memory lane with a 26 00:01:47,319 --> 00:01:48,279 Speaker 4: lot of different people. 27 00:01:49,200 --> 00:01:52,400 Speaker 3: You make it sound so passe, but listen to the 28 00:01:52,440 --> 00:01:56,960 Speaker 3: list gang who are the most recent guests on Buzzes podcast. 29 00:01:58,000 --> 00:02:02,680 Speaker 3: Producer Jack Douglas, one of my true heroes, had a 30 00:02:02,680 --> 00:02:08,120 Speaker 3: great podcast episode with him, Lucy, the daughter of Joe Walsh. 31 00:02:08,680 --> 00:02:10,800 Speaker 3: I had Steve Lherman and Tom Werman. 32 00:02:11,440 --> 00:02:11,639 Speaker 1: Yeah. 33 00:02:11,639 --> 00:02:13,480 Speaker 4: I just love how it's sort of worked off of 34 00:02:13,520 --> 00:02:16,160 Speaker 4: each other and had nothing to do with each other either. 35 00:02:17,840 --> 00:02:21,600 Speaker 3: And you had Kenny A the Other Kenny A Kenny Aronoff, 36 00:02:21,639 --> 00:02:24,280 Speaker 3: one of the great drummers of all time on just 37 00:02:24,320 --> 00:02:28,040 Speaker 3: a few weeks ago. We're friends and pod friends with 38 00:02:28,200 --> 00:02:31,560 Speaker 3: Kenny A Kenny Aronson, who's been on with us a 39 00:02:31,600 --> 00:02:32,359 Speaker 3: couple times now. 40 00:02:32,440 --> 00:02:39,720 Speaker 4: Kenny is mister boundless energy and enthusiasm and as you know, 41 00:02:40,120 --> 00:02:44,720 Speaker 4: as some great leadership skills baked in there as well. 42 00:02:44,919 --> 00:02:48,160 Speaker 3: Isn't that part of what you do with your podcast, 43 00:02:49,040 --> 00:02:51,680 Speaker 3: that side of things, more than just what the person's 44 00:02:51,800 --> 00:02:55,960 Speaker 3: known for their other talents or leadership qualities. 45 00:02:56,240 --> 00:02:59,240 Speaker 1: I do gravitate towards that. I'm a nerd about that. 46 00:02:59,400 --> 00:03:07,000 Speaker 4: I suppose, so it indirectly leads there somehow, and some 47 00:03:07,080 --> 00:03:10,560 Speaker 4: have a better story than others at it, but all fun. 48 00:03:11,400 --> 00:03:14,680 Speaker 3: And in case people are wondering how these guys know 49 00:03:14,760 --> 00:03:18,200 Speaker 3: each other so well, Buzz and I go back to 50 00:03:18,440 --> 00:03:22,120 Speaker 3: when he was the program director in Danbury right at 51 00:03:22,240 --> 00:03:25,520 Speaker 3: w RKI I ninety five and I was at the FMQB, 52 00:03:25,600 --> 00:03:27,959 Speaker 3: and we would talk every other week or so about 53 00:03:28,000 --> 00:03:30,000 Speaker 3: what was going on, what you were listening to. 54 00:03:30,600 --> 00:03:35,400 Speaker 4: I know, and then we would recreate the magic years 55 00:03:35,480 --> 00:03:42,520 Speaker 4: later when I got involved, thankfully in Philadelphia, first with 56 00:03:43,520 --> 00:03:47,640 Speaker 4: WMGK and then with the great WMMR and the rest 57 00:03:47,640 --> 00:03:50,600 Speaker 4: of the crew. And that's where I got to run 58 00:03:50,640 --> 00:03:55,840 Speaker 4: into the notorious Marcus Goldman as well. 59 00:03:55,840 --> 00:03:58,560 Speaker 3: Marcus. In between, I was a record dude, and I 60 00:03:58,560 --> 00:04:00,560 Speaker 3: would go to Boston all the time. I would go 61 00:04:00,600 --> 00:04:02,880 Speaker 3: there for the day, right and I would always come 62 00:04:02,880 --> 00:04:06,080 Speaker 3: and see you guys. And it's because you had that 63 00:04:06,120 --> 00:04:11,120 Speaker 3: great air staff at the station in Boston, the first one, 64 00:04:11,720 --> 00:04:16,280 Speaker 3: the classic rock station with Carter Allen w Als who 65 00:04:16,279 --> 00:04:20,080 Speaker 3: are the rock stars of radio in Boston. So that 66 00:04:20,160 --> 00:04:23,520 Speaker 3: was always cool for me. Any guy who's wrotten one 67 00:04:23,640 --> 00:04:25,480 Speaker 3: or two books about you two, I Forgured. I want 68 00:04:25,520 --> 00:04:28,200 Speaker 3: to see him once in a while, and always great 69 00:04:28,240 --> 00:04:30,680 Speaker 3: conversation and talking about what we were doing at the 70 00:04:30,760 --> 00:04:35,120 Speaker 3: label CMC International with the artist that we had for you, one. 71 00:04:35,000 --> 00:04:40,599 Speaker 4: Of the nicest guys, Carter Allen without question, and we 72 00:04:40,680 --> 00:04:45,200 Speaker 4: had Charles lockwadera who came over from BCN to work 73 00:04:45,279 --> 00:04:47,920 Speaker 4: mornings at ZLX, and. 74 00:04:47,600 --> 00:04:49,840 Speaker 1: Much of that air staff is still intact. 75 00:04:49,920 --> 00:04:53,960 Speaker 4: I'm proud to say, Chuck Nolan doing afternoons, Kenny Young 76 00:04:54,040 --> 00:04:54,599 Speaker 4: over there. 77 00:04:54,680 --> 00:04:56,640 Speaker 1: So yeah, we had a really. 78 00:04:57,279 --> 00:04:59,839 Speaker 4: A fun time at that station, and the station to 79 00:04:59,839 --> 00:05:04,320 Speaker 4: the day is performing real well. So I want to 80 00:05:04,360 --> 00:05:09,200 Speaker 4: hear though the history which one of you two created 81 00:05:09,279 --> 00:05:16,040 Speaker 4: this magical podcast called The Imbalanced History of Rock and Roll. 82 00:05:16,960 --> 00:05:20,560 Speaker 3: He did it. Oh wait, that's my natural inclination since 83 00:05:20,600 --> 00:05:21,839 Speaker 3: Catholic School. Go ahead, Marcus. 84 00:05:22,520 --> 00:05:27,960 Speaker 5: I mean, it's really a team effort, and it has been. 85 00:05:28,120 --> 00:05:32,440 Speaker 6: But I presented the idea to Ray a couple months 86 00:05:32,480 --> 00:05:39,000 Speaker 6: after he had been let go from MGK, and I 87 00:05:39,040 --> 00:05:43,120 Speaker 6: had looked and there weren't really that many history podcasts 88 00:05:43,200 --> 00:05:48,320 Speaker 6: or real really musical discussion podcasts that weren't like that 89 00:05:49,000 --> 00:05:52,240 Speaker 6: weren't doing what I had in mind, and I had 90 00:05:52,279 --> 00:05:53,719 Speaker 6: a bunch of notes and ideas. 91 00:05:53,800 --> 00:05:57,960 Speaker 5: I presented them to Ray a little bit and. 92 00:05:57,839 --> 00:06:00,599 Speaker 6: We started talking back and forth, and then we met 93 00:06:00,600 --> 00:06:04,720 Speaker 6: for lunch and outlined the whole idea, and then a 94 00:06:04,800 --> 00:06:05,680 Speaker 6: couple months. 95 00:06:05,480 --> 00:06:07,880 Speaker 5: Later we recorded our first episode. 96 00:06:07,400 --> 00:06:10,400 Speaker 6: And we've been rolling since then. And that's how it 97 00:06:10,480 --> 00:06:13,480 Speaker 6: kind of happened. And I mean, with rock and roll, 98 00:06:13,880 --> 00:06:17,080 Speaker 6: look at the long history of it, and. 99 00:06:18,680 --> 00:06:20,679 Speaker 5: You could even say that it goes back. 100 00:06:20,520 --> 00:06:24,080 Speaker 6: To the classical days, the whole idea of rock and 101 00:06:24,160 --> 00:06:26,600 Speaker 6: roll and that rebelliousness. 102 00:06:25,760 --> 00:06:29,800 Speaker 5: But rock and roll as we know it, you know it. 103 00:06:30,240 --> 00:06:33,400 Speaker 6: I mean, the term is coined from the African American 104 00:06:33,520 --> 00:06:37,279 Speaker 6: slang rock and roll, and it really is a mix. 105 00:06:37,360 --> 00:06:42,160 Speaker 5: When it began. The discussion is great and it's still ongoing. 106 00:06:42,240 --> 00:06:45,440 Speaker 6: I know, Rocket eighty eight, everybody says, is the first 107 00:06:45,480 --> 00:06:50,120 Speaker 6: recorded rock and roll song, and it's a fascinating subject, 108 00:06:50,200 --> 00:06:55,000 Speaker 6: a great song, and an interesting place to begin because 109 00:06:55,040 --> 00:06:59,600 Speaker 6: what spawned from that, what came from that, is pretty incredible. 110 00:06:59,839 --> 00:07:02,799 Speaker 6: And what we've seen since then, and how we've seen 111 00:07:03,400 --> 00:07:06,279 Speaker 6: the whole rock and roll format grow and change and 112 00:07:06,400 --> 00:07:10,080 Speaker 6: branch off here and there, and you know, it's just 113 00:07:10,160 --> 00:07:14,800 Speaker 6: been amazing. And the radio formats that have been developed 114 00:07:15,280 --> 00:07:18,720 Speaker 6: because of all of these branches of music from the 115 00:07:18,800 --> 00:07:22,120 Speaker 6: rock and roll family tree is wonderful. You have the oldies, 116 00:07:22,160 --> 00:07:25,000 Speaker 6: you have the classic rock, you have the alternative. You know, 117 00:07:25,040 --> 00:07:26,320 Speaker 6: you have the metal stations. 118 00:07:26,360 --> 00:07:29,320 Speaker 3: You have Yeah, you have classic alternative now too, right. 119 00:07:30,120 --> 00:07:34,640 Speaker 6: So I mean you have so many, you know, branches, 120 00:07:34,720 --> 00:07:39,160 Speaker 6: and it's a great story that needs to be told. 121 00:07:40,000 --> 00:07:43,040 Speaker 3: You know, I'm wondering, Buzz. You're on the inside of 122 00:07:43,040 --> 00:07:46,000 Speaker 3: a lot of the discussions in radio all these decades. 123 00:07:46,920 --> 00:07:50,000 Speaker 3: What's it like now for people who are trying to 124 00:07:50,200 --> 00:07:52,800 Speaker 3: catch the tiger by the tail if you will? You know, 125 00:07:52,920 --> 00:07:56,840 Speaker 3: the thing constantly moves what people want and need from radio, 126 00:07:57,160 --> 00:08:00,240 Speaker 3: And what's it like now on the inside trying to 127 00:08:00,240 --> 00:08:03,520 Speaker 3: figure that out versus like twenty five years ago? 128 00:08:03,600 --> 00:08:06,200 Speaker 1: Say well, this will shock you both. 129 00:08:06,360 --> 00:08:09,720 Speaker 4: But if we take us back twenty five years ago 130 00:08:10,400 --> 00:08:16,240 Speaker 4: the importance of personalities, connecting with an audience and engaging 131 00:08:16,280 --> 00:08:21,040 Speaker 4: with an audience was really important, then you guys are 132 00:08:21,280 --> 00:08:25,400 Speaker 4: excellent at it from both of your careers and what 133 00:08:25,480 --> 00:08:30,560 Speaker 4: you do with this podcast of yours. Fast forward to today. 134 00:08:31,400 --> 00:08:37,360 Speaker 4: Even though there's been a lot of radio folks who 135 00:08:37,400 --> 00:08:43,800 Speaker 4: have lost work and have been downsized, particularly personalities. There's 136 00:08:43,880 --> 00:08:48,960 Speaker 4: also this conundrum I think in the boardrooms because they 137 00:08:49,000 --> 00:08:51,640 Speaker 4: scratch their head and they go, wait a minute. We 138 00:08:51,720 --> 00:08:57,600 Speaker 4: know our secret sauce is our people and our personalities 139 00:08:57,880 --> 00:09:02,880 Speaker 4: and the stories that they can tell. Maybe we made 140 00:09:02,880 --> 00:09:06,480 Speaker 4: some of the wrong decisions along the way. So the 141 00:09:06,520 --> 00:09:12,640 Speaker 4: oddity of the situation is many folks know what drives 142 00:09:12,640 --> 00:09:16,840 Speaker 4: an audience to love these great radio stations we've talked about. 143 00:09:17,920 --> 00:09:22,280 Speaker 1: They just can't figure out how to adapt to the times. 144 00:09:22,120 --> 00:09:24,840 Speaker 3: You know, And that's why we show up and go 145 00:09:24,920 --> 00:09:27,480 Speaker 3: to work every day, ladies and gentlemen. Of what we do. 146 00:09:28,320 --> 00:09:30,440 Speaker 3: I mean, for me now it's like a part time thing, 147 00:09:30,880 --> 00:09:34,600 Speaker 3: but always open to doing more work. You're doing your thing, 148 00:09:35,080 --> 00:09:39,360 Speaker 3: and the idea of taking a walk while you're doing 149 00:09:39,360 --> 00:09:42,040 Speaker 3: an interview is kind of a neat thing. And we 150 00:09:42,080 --> 00:09:44,120 Speaker 3: never would have thought about that when we were like 151 00:09:44,200 --> 00:09:48,040 Speaker 3: younger men, because you couldn't do that without all kinds 152 00:09:48,040 --> 00:09:51,120 Speaker 3: of equipment. Now you could actually do it with just 153 00:09:51,240 --> 00:09:53,840 Speaker 3: you know, a couple handhelds. 154 00:09:54,080 --> 00:09:57,800 Speaker 4: Yeah, I mean, and you know, look, the phone is 155 00:09:57,800 --> 00:10:01,880 Speaker 4: with us wherever we are, so it's obviously a tool 156 00:10:02,200 --> 00:10:08,719 Speaker 4: to our advantage. So I think the possibilities with you know, 157 00:10:09,280 --> 00:10:13,520 Speaker 4: podcasts and technology are pretty amazing. I'll tell you what 158 00:10:13,679 --> 00:10:16,440 Speaker 4: I can't help when I hear the show that you 159 00:10:16,520 --> 00:10:19,400 Speaker 4: guys do and I called it a show. It's a podcast, 160 00:10:19,440 --> 00:10:21,720 Speaker 4: but I called it a show. I can't help but 161 00:10:22,480 --> 00:10:26,000 Speaker 4: listen to you guys and your camaraderie and your great 162 00:10:26,040 --> 00:10:30,880 Speaker 4: storytelling and your great interviewing skills, and think, man, there's 163 00:10:31,120 --> 00:10:35,400 Speaker 4: there's a place for this that is even beyond podcasting. 164 00:10:35,480 --> 00:10:36,520 Speaker 1: I really believe that. 165 00:10:37,600 --> 00:10:39,840 Speaker 3: Well, thank you man. That means a lot. You know, 166 00:10:39,960 --> 00:10:42,559 Speaker 3: you see and hear a lot of this stuff and 167 00:10:43,320 --> 00:10:48,480 Speaker 3: a lot of radio. So Marcus isn't Marcus and I 168 00:10:48,480 --> 00:10:51,000 Speaker 3: aren't really thinking that way, but maybe we should be 169 00:10:51,040 --> 00:10:52,120 Speaker 3: thinking that way. Brother. 170 00:10:52,559 --> 00:10:55,520 Speaker 5: I still think there's a place for that in radio and. 171 00:10:57,800 --> 00:11:03,400 Speaker 3: For us are place for I'm sorry. 172 00:11:04,280 --> 00:11:07,400 Speaker 6: If you look at what Pierre Robert is doing on 173 00:11:07,520 --> 00:11:10,200 Speaker 6: Middays at WMMR and the way he connects with the 174 00:11:10,280 --> 00:11:13,520 Speaker 6: audience and he connects with the artists we play, and 175 00:11:13,559 --> 00:11:18,960 Speaker 6: then he connects the artists with the audience, it's pretty magical. 176 00:11:19,280 --> 00:11:22,120 Speaker 5: It's a lot in a way. 177 00:11:23,320 --> 00:11:26,520 Speaker 3: It's why he's the pied Piper of Philadelphia, no doubt, and. 178 00:11:26,440 --> 00:11:27,840 Speaker 5: Even in radio in general. 179 00:11:28,000 --> 00:11:32,880 Speaker 6: His ability and his talent and his skills are special 180 00:11:32,960 --> 00:11:37,960 Speaker 6: and unique. And the way he really does he pulls 181 00:11:38,000 --> 00:11:43,480 Speaker 6: everybody together as a connector or as a connection vortex 182 00:11:43,600 --> 00:11:47,000 Speaker 6: for everybody to connect. It's pretty incredible. And that's a 183 00:11:47,040 --> 00:11:50,480 Speaker 6: hard skill to have, and that's a natural thing for him. 184 00:11:50,920 --> 00:11:54,840 Speaker 6: But that is the magic of what radio is. And 185 00:11:55,120 --> 00:11:57,400 Speaker 6: if you listen to his MM archive sessions, if you 186 00:11:57,440 --> 00:12:00,480 Speaker 6: listen to his workforce blocks, if you know, listen to 187 00:12:00,520 --> 00:12:03,400 Speaker 6: his vinyl cut and his coffee break and just what 188 00:12:03,440 --> 00:12:07,200 Speaker 6: he brings when he covers concerts. It's the connection. 189 00:12:08,120 --> 00:12:11,440 Speaker 3: Loving care goes into all of it, you know. And 190 00:12:11,760 --> 00:12:15,760 Speaker 3: if there was more of that, I think there'd be 191 00:12:15,800 --> 00:12:19,920 Speaker 3: more of an understanding between talent and management on those things. 192 00:12:19,920 --> 00:12:22,760 Speaker 3: But that's a whole other discussion. The biggest thing is 193 00:12:23,720 --> 00:12:28,400 Speaker 3: still trying to find those gems who are out there, 194 00:12:28,440 --> 00:12:31,079 Speaker 3: people who have all the potential and just need a 195 00:12:31,200 --> 00:12:33,520 Speaker 3: chance to screw up in public for a while and 196 00:12:33,559 --> 00:12:36,040 Speaker 3: get better. Right. I did it at z z O 197 00:12:36,160 --> 00:12:38,640 Speaker 3: in Allentown when I was a kid in the eighties. 198 00:12:38,679 --> 00:12:43,199 Speaker 3: Everybody has their places where they work early in their career, 199 00:12:43,720 --> 00:12:48,640 Speaker 3: near major markets or people whombory believes to have a 200 00:12:48,800 --> 00:12:51,080 Speaker 3: U haul. They'd buy one of those trailers and just 201 00:12:51,120 --> 00:12:53,679 Speaker 3: take it with him everywhere they went because they moved 202 00:12:53,679 --> 00:12:54,480 Speaker 3: so much buzz. 203 00:12:55,400 --> 00:12:58,120 Speaker 4: We would often say to people when they moved into 204 00:12:58,679 --> 00:13:04,280 Speaker 4: into town, don't buy a house right away. That was 205 00:13:04,400 --> 00:13:08,280 Speaker 4: years ago. We said that that wasn't even recently, right. 206 00:13:09,679 --> 00:13:13,840 Speaker 4: You know, one thing I think we both share as 207 00:13:13,840 --> 00:13:17,960 Speaker 4: far as our podcasts and going back to Pierre as well, 208 00:13:19,520 --> 00:13:26,240 Speaker 4: is our own different, unique appetite for diverse styles of music. 209 00:13:26,800 --> 00:13:31,000 Speaker 4: I mean here, you guys can run the gamut from 210 00:13:32,320 --> 00:13:37,040 Speaker 4: the great Annie Haslam from Renaissance, who I think I 211 00:13:37,120 --> 00:13:39,720 Speaker 4: told you Ray might have been my first interview that 212 00:13:39,800 --> 00:13:45,280 Speaker 4: I ever did in my career as well, to you know, 213 00:13:45,520 --> 00:13:49,960 Speaker 4: your led Zeppelin work on the podcast, to you know, 214 00:13:50,080 --> 00:13:54,600 Speaker 4: just the span of diverse musical styles and eras that 215 00:13:54,640 --> 00:13:58,080 Speaker 4: you guys really cover. And that's one of the things 216 00:13:58,520 --> 00:14:02,640 Speaker 4: that I like, I like to say on taking a Walk, 217 00:14:02,679 --> 00:14:08,439 Speaker 4: we're showcasing everybody from new artist or independent artist or 218 00:14:08,520 --> 00:14:12,480 Speaker 4: recently signed artist or new artist on the horizon. We 219 00:14:12,600 --> 00:14:17,200 Speaker 4: had Adam and Loka Connion and who I know, you 220 00:14:17,240 --> 00:14:21,560 Speaker 4: guys know from your neck of the woods to you know, 221 00:14:21,600 --> 00:14:25,120 Speaker 4: a Hall of famer, you know, such as you know 222 00:14:25,200 --> 00:14:27,080 Speaker 4: Bill Medley from the Righteous Brothers. 223 00:14:27,280 --> 00:14:31,800 Speaker 3: You know, Now, what was that like talking to a 224 00:14:31,840 --> 00:14:33,080 Speaker 3: living walking legend. 225 00:14:33,640 --> 00:14:37,240 Speaker 4: Well, unfortunately it was virtual, so it was not the 226 00:14:37,240 --> 00:14:40,440 Speaker 4: the the walking, but but it was. It was incredible 227 00:14:40,640 --> 00:14:49,080 Speaker 4: just hearing his fierce appetite for the road. And still, 228 00:14:49,320 --> 00:14:52,840 Speaker 4: I mean it's a different incarnation of the band. And 229 00:14:53,680 --> 00:14:57,320 Speaker 4: yet and this this is shared across and I know 230 00:14:57,400 --> 00:15:00,400 Speaker 4: you've seen this as well with with your guests. I mean, 231 00:15:01,280 --> 00:15:05,480 Speaker 4: you know, I used to sometimes think, my god, don't 232 00:15:05,480 --> 00:15:08,440 Speaker 4: they have enough money? Why aren't they you know, just 233 00:15:08,920 --> 00:15:14,240 Speaker 4: enjoying their life and get off the road. But it's 234 00:15:14,280 --> 00:15:18,600 Speaker 4: a passion and a love for their audiences. 235 00:15:18,280 --> 00:15:21,280 Speaker 3: As long as they can do it, because sometimes, you know, 236 00:15:21,440 --> 00:15:24,440 Speaker 3: talent fades. The ability to sing like you did when 237 00:15:24,440 --> 00:15:26,600 Speaker 3: you were fifty or fifty five fades. 238 00:15:27,560 --> 00:15:30,880 Speaker 4: Yeah, so I think I have a greater respect for that, 239 00:15:31,520 --> 00:15:33,240 Speaker 4: maybe than I initially had. 240 00:15:34,120 --> 00:15:36,320 Speaker 3: Who would you say, out of all the musicians who've 241 00:15:36,360 --> 00:15:39,320 Speaker 3: been on your podcast, was the most fun? 242 00:15:40,400 --> 00:15:45,720 Speaker 4: Well, I mean you're mcalkanen, who is is just you know, 243 00:15:46,000 --> 00:15:50,760 Speaker 4: at eighty four or whatever is so vibrant and you know, 244 00:15:51,440 --> 00:15:56,360 Speaker 4: loving creating and just you know, the embodiment of all 245 00:15:56,440 --> 00:16:01,080 Speaker 4: of that. Loved Adam back to low Cook Connie just 246 00:16:01,160 --> 00:16:03,720 Speaker 4: and we were in South Philly. I know that shocks 247 00:16:03,800 --> 00:16:08,440 Speaker 4: you as well. That was a lot of fun. And 248 00:16:08,480 --> 00:16:13,320 Speaker 4: then I always will come back to the dear friend 249 00:16:13,400 --> 00:16:18,920 Speaker 4: and greatest keyboard player. Maybe in my life that I've 250 00:16:18,920 --> 00:16:21,200 Speaker 4: witnessed Bill Payne from the band Little Feet. 251 00:16:21,960 --> 00:16:24,520 Speaker 3: Oh, Billy just turned seventy five the other day, or 252 00:16:24,520 --> 00:16:25,600 Speaker 3: Buddy love him. 253 00:16:26,880 --> 00:16:28,920 Speaker 1: How about you, guys, who was most fun for you? 254 00:16:29,960 --> 00:16:32,800 Speaker 5: It's hard to say who was the most fun. 255 00:16:33,160 --> 00:16:37,640 Speaker 6: There's some that have been very, very special authors, mostly 256 00:16:38,000 --> 00:16:45,000 Speaker 6: Preston Lauterbach, because he co wrote a story or helped 257 00:16:45,760 --> 00:16:50,920 Speaker 6: Robert Johnson's half sister tell the story of her experience 258 00:16:50,960 --> 00:16:53,320 Speaker 6: with Robert Johnson, and it kind of filled in the 259 00:16:53,320 --> 00:16:56,360 Speaker 6: holes of that eighteen months that he sold his soul 260 00:16:56,480 --> 00:17:05,719 Speaker 6: to the devil and fascinating and it was wonderful to 261 00:17:05,800 --> 00:17:10,520 Speaker 6: learn something completely new, and to this day, that episode 262 00:17:10,640 --> 00:17:13,000 Speaker 6: and that interview is still one of my favorites. 263 00:17:13,359 --> 00:17:16,480 Speaker 5: Uh, I don't know how about you, Ray? 264 00:17:17,240 --> 00:17:20,640 Speaker 3: First off, about that episode, we'd put out Robert Johnson 265 00:17:20,720 --> 00:17:23,880 Speaker 3: and the pro Janitors two episodes, and then we came 266 00:17:23,920 --> 00:17:28,439 Speaker 3: across Preston in this book, and we were just blown 267 00:17:28,520 --> 00:17:31,320 Speaker 3: away and the episode came out so great because all 268 00:17:31,359 --> 00:17:35,320 Speaker 3: the stuff Mark has said and more. That was pretty special. 269 00:17:35,600 --> 00:17:40,880 Speaker 3: But it's fun when one of your rock and roll 270 00:17:40,920 --> 00:17:43,480 Speaker 3: heroes or rock and roll Hall of Famer comes on 271 00:17:43,640 --> 00:17:47,720 Speaker 3: and just kind of hangs out. And that has happened 272 00:17:47,800 --> 00:17:51,800 Speaker 3: quite often, to our amazement, because we don't put on 273 00:17:51,880 --> 00:17:54,280 Speaker 3: a lot of like, hey guys, I'll tell us all 274 00:17:54,320 --> 00:17:56,680 Speaker 3: about everything. We just kind of hang out and talk 275 00:17:56,760 --> 00:18:00,600 Speaker 3: to people and sometimes good stuff comes out, and sometimes 276 00:18:00,600 --> 00:18:03,240 Speaker 3: it's just fun talking about the new record or whatever's 277 00:18:03,280 --> 00:18:03,679 Speaker 3: going on. 278 00:18:04,160 --> 00:18:10,280 Speaker 4: Did anybody ever seek you out after the interview and say, man, 279 00:18:11,040 --> 00:18:14,720 Speaker 4: when I opened my mouth about filling the blank love 280 00:18:14,720 --> 00:18:18,480 Speaker 4: affair or whatever, please take that out, did anyone. 281 00:18:18,160 --> 00:18:24,520 Speaker 3: Ask you that, Uh, yes, yes, on second thought, or 282 00:18:24,560 --> 00:18:27,080 Speaker 3: what was that bit? Upon further review. 283 00:18:27,920 --> 00:18:28,760 Speaker 5: Yes, one time. 284 00:18:30,200 --> 00:18:33,600 Speaker 3: That's really only one time, not really, because a lot 285 00:18:33,640 --> 00:18:35,879 Speaker 3: of people we talked to we have kind of a 286 00:18:35,960 --> 00:18:40,600 Speaker 3: passing contact with. But it's it's always fun to find 287 00:18:40,640 --> 00:18:43,920 Speaker 3: out what people are really thinking, and maybe you find 288 00:18:43,920 --> 00:18:46,720 Speaker 3: out a couple of stories behind the behind the scenes 289 00:18:47,040 --> 00:18:50,399 Speaker 3: things you didn't know about, and fun on top of 290 00:18:50,440 --> 00:18:53,040 Speaker 3: that just makes it all all the better, and that's 291 00:18:53,080 --> 00:18:55,359 Speaker 3: one of the things about podcasting because it gets loose 292 00:18:56,320 --> 00:18:58,200 Speaker 3: and sometimes things come out. 293 00:18:59,000 --> 00:19:02,359 Speaker 6: We did have one experience that really touched me in 294 00:19:02,440 --> 00:19:06,480 Speaker 6: a different way. After we did the episode on the Plasmatics, 295 00:19:06,480 --> 00:19:09,480 Speaker 6: about two weeks later, we got an episode from guitarist 296 00:19:09,480 --> 00:19:15,520 Speaker 6: West Beach and he said he thanked us for doing 297 00:19:15,560 --> 00:19:18,080 Speaker 6: the episode, and he's like, hey, you guys were pretty 298 00:19:18,080 --> 00:19:21,240 Speaker 6: accurate with what you did. You missed these two things 299 00:19:21,240 --> 00:19:24,760 Speaker 6: in the timeline and they were off and he corrected 300 00:19:24,800 --> 00:19:27,920 Speaker 6: them for us, which was amazing, and then he thanked 301 00:19:28,000 --> 00:19:31,080 Speaker 6: us for doing the episode. And then I responded to 302 00:19:31,160 --> 00:19:33,919 Speaker 6: him and asked him if we caught the feel and 303 00:19:34,160 --> 00:19:36,840 Speaker 6: the vibe of who the Plasmatics were and how they 304 00:19:36,880 --> 00:19:40,320 Speaker 6: wanted to make people really uncomfortable, and he said that 305 00:19:40,359 --> 00:19:42,280 Speaker 6: we did a good job doing that, And I think 306 00:19:42,640 --> 00:19:46,119 Speaker 6: that was really important, just because of the fact that 307 00:19:46,160 --> 00:19:49,840 Speaker 6: I think we do our best work when we capture 308 00:19:50,040 --> 00:19:55,800 Speaker 6: the essence of who those bands and that music is so. 309 00:19:57,160 --> 00:20:01,360 Speaker 3: Is and or are yes wherever it is. That's exactly right. 310 00:20:02,720 --> 00:20:04,919 Speaker 7: He'll be right back with more of the Taking a 311 00:20:04,960 --> 00:20:13,160 Speaker 7: Walk Podcast. Welcome back to the Taking a Walk Podcast. 312 00:20:14,240 --> 00:20:16,560 Speaker 1: Well, it's obvious you guys have a respect for the 313 00:20:16,600 --> 00:20:18,520 Speaker 1: people that you're. 314 00:20:18,560 --> 00:20:22,600 Speaker 4: Sitting down with and having on, which I think immediately 315 00:20:23,440 --> 00:20:27,240 Speaker 4: puts guests at comfort and ease so they can be 316 00:20:27,359 --> 00:20:28,280 Speaker 4: revealing right. 317 00:20:28,960 --> 00:20:31,879 Speaker 3: Last year, we got to talk to Denny Lane. He 318 00:20:31,960 --> 00:20:33,879 Speaker 3: was getting ready to go out and do what turned 319 00:20:33,920 --> 00:20:37,080 Speaker 3: out to be his final tour, and he was very 320 00:20:37,080 --> 00:20:40,400 Speaker 3: frank with us about his own situation when it came 321 00:20:40,480 --> 00:20:44,280 Speaker 3: to COVID and things like that, including talking to us 322 00:20:44,280 --> 00:20:46,760 Speaker 3: about the phone call he got from McCartney about it. 323 00:20:47,119 --> 00:20:49,800 Speaker 3: But more than that, it was just great to talk 324 00:20:49,840 --> 00:20:53,040 Speaker 3: to him about all the different phases of his career 325 00:20:53,280 --> 00:20:56,679 Speaker 3: and get his take on all that stuff. Not thinking 326 00:20:56,760 --> 00:20:58,920 Speaker 3: that it might be the last time, you know, we'd 327 00:20:58,960 --> 00:21:01,040 Speaker 3: talked to him was pretty special to me. 328 00:21:01,640 --> 00:21:03,080 Speaker 1: It's pretty amazing. 329 00:21:04,080 --> 00:21:06,679 Speaker 4: I got to tell you I had Paul Rogers on 330 00:21:07,760 --> 00:21:13,480 Speaker 4: from career spanning obviously Free Bed Company, the Firm, and 331 00:21:13,520 --> 00:21:20,959 Speaker 4: I'm leaving about probably five other bands out. But his 332 00:21:21,160 --> 00:21:25,520 Speaker 4: wife accompanied him on the interview because he had over 333 00:21:25,600 --> 00:21:29,919 Speaker 4: the years recently had some health issues, so she's just 334 00:21:30,000 --> 00:21:34,000 Speaker 4: there to kind of be a companion during the interview. 335 00:21:34,600 --> 00:21:39,800 Speaker 4: But they were so sweet together and he would sing 336 00:21:39,880 --> 00:21:43,320 Speaker 4: along like, you know, out loud to a lot of 337 00:21:43,359 --> 00:21:46,760 Speaker 4: the things he was talking about from the catalog. He 338 00:21:46,800 --> 00:21:49,639 Speaker 4: would just like sing some of it, so that was 339 00:21:49,680 --> 00:21:54,240 Speaker 4: an extra bonus. And then two weeks later, Lo and behold, 340 00:21:54,920 --> 00:21:58,160 Speaker 4: I get a card in the mail. His wife had 341 00:21:58,200 --> 00:22:01,120 Speaker 4: asked for my address, and I guess the sweet thank 342 00:22:01,160 --> 00:22:04,879 Speaker 4: you card, which was you know, like just touched me 343 00:22:05,520 --> 00:22:10,040 Speaker 4: so incredibly because the interview was great enough, but it 344 00:22:10,080 --> 00:22:12,520 Speaker 4: was just an added sweet gesture, you. 345 00:22:12,440 --> 00:22:14,800 Speaker 3: Know, you know, I think he's like that. When I 346 00:22:14,880 --> 00:22:18,000 Speaker 3: was working at the record label, I had a band 347 00:22:18,320 --> 00:22:22,359 Speaker 3: in a a chili cookoff in Richmond. We were the 348 00:22:22,400 --> 00:22:26,720 Speaker 3: one number two band on the bill and Paul was 349 00:22:26,760 --> 00:22:30,720 Speaker 3: on at the end of the day and just bouncing around, 350 00:22:30,840 --> 00:22:32,840 Speaker 3: ran into him and turned out he was like a 351 00:22:32,880 --> 00:22:35,320 Speaker 3: really great guy. We ended up doing a live album 352 00:22:35,359 --> 00:22:38,360 Speaker 3: with him, and he was so appreciative of what we 353 00:22:38,760 --> 00:22:41,320 Speaker 3: did to try to get a played that send over 354 00:22:41,440 --> 00:22:45,920 Speaker 3: like an autographed glass framed copy of the cover. That 355 00:22:46,000 --> 00:22:48,200 Speaker 3: kind of steff the same kind of thing. And he's 356 00:22:48,280 --> 00:22:51,720 Speaker 3: just really a great guy. And I feel and Marcus, 357 00:22:51,720 --> 00:22:55,840 Speaker 3: we've discussed this ad nauseum. It's almost a rock and 358 00:22:55,960 --> 00:22:59,280 Speaker 3: roll crime. The Bad Company at least isn't in that 359 00:22:59,400 --> 00:23:01,560 Speaker 3: Rock and Roll Hall of Fame out there in Cleveland, 360 00:23:01,560 --> 00:23:05,880 Speaker 3: because that band alone makes him eligibly I. 361 00:23:05,880 --> 00:23:07,080 Speaker 1: Think without question. 362 00:23:07,400 --> 00:23:08,080 Speaker 3: Oh my god. 363 00:23:08,359 --> 00:23:12,359 Speaker 1: I mean, that's incredible to even think about them not 364 00:23:12,760 --> 00:23:14,639 Speaker 1: being you know, being in you know. 365 00:23:15,480 --> 00:23:17,840 Speaker 3: See, that's the difference between if it had been in 366 00:23:17,880 --> 00:23:20,800 Speaker 3: Philly or in Cleveland. We'd be like Bad Company first 367 00:23:20,840 --> 00:23:24,520 Speaker 3: second round that ran. It's different mentality. 368 00:23:24,560 --> 00:23:27,000 Speaker 6: I guess Doo and Sabbath would have made it in 369 00:23:27,320 --> 00:23:29,359 Speaker 6: the first round if the Rock and Roll Hall of 370 00:23:29,400 --> 00:23:30,399 Speaker 6: Fame was in Philly. 371 00:23:30,600 --> 00:23:32,120 Speaker 5: Also, just saying. 372 00:23:33,280 --> 00:23:34,480 Speaker 1: Here you go exactly. 373 00:23:35,680 --> 00:23:38,280 Speaker 3: We're just hanging in talking with our buddy Buzz Night 374 00:23:38,520 --> 00:23:41,800 Speaker 3: on both of our podcasts this week. It's kind of 375 00:23:41,840 --> 00:23:44,000 Speaker 3: neat to have it on both podcasts. 376 00:23:44,600 --> 00:23:48,000 Speaker 1: So who do you guys have coming up around the corner? 377 00:23:48,280 --> 00:23:54,440 Speaker 4: And then secondly, who is on your wish list here 378 00:23:54,520 --> 00:23:57,360 Speaker 4: that you really want to get? 379 00:23:58,400 --> 00:24:02,800 Speaker 6: We have Susie Ronson coming up, and she's got a 380 00:24:02,800 --> 00:24:05,560 Speaker 6: new book out called Me and Mister Jones, Her time 381 00:24:05,600 --> 00:24:09,560 Speaker 6: with David Bowie and the Spiders from Mars and how 382 00:24:09,920 --> 00:24:13,240 Speaker 6: the whole fashion came together, how the haircuts came together, 383 00:24:13,800 --> 00:24:18,440 Speaker 6: how she met Mick Ronson, how he was involved in 384 00:24:18,480 --> 00:24:23,040 Speaker 6: the music, how she was involved in some of the 385 00:24:23,359 --> 00:24:27,240 Speaker 6: crazy things that happened on stage that shocked the shit 386 00:24:27,320 --> 00:24:31,000 Speaker 6: out of people during that early seventies period of Bowie 387 00:24:31,040 --> 00:24:36,080 Speaker 6: and the Spiders. And it is such a cool different perspective, 388 00:24:36,400 --> 00:24:39,680 Speaker 6: and it is well told by Susie. 389 00:24:39,920 --> 00:24:41,320 Speaker 5: It is a great read. 390 00:24:42,200 --> 00:24:45,359 Speaker 3: It's called Me and Mister Jones, which of course is Bowie. 391 00:24:46,320 --> 00:24:51,240 Speaker 3: It's pretty insider stuff and she's not afraid to talk 392 00:24:51,280 --> 00:24:53,920 Speaker 3: about it. I love it. We're working on a number 393 00:24:53,920 --> 00:24:57,120 Speaker 3: of different topics that kind of evolve as we get 394 00:24:57,160 --> 00:25:01,359 Speaker 3: closer to actually recording them. We want to catch back 395 00:25:02,000 --> 00:25:05,600 Speaker 3: up with our friend Harvey Holiday from oldies radio here 396 00:25:05,640 --> 00:25:08,720 Speaker 3: in Philly, because he's such a great deal intologist. We 397 00:25:08,720 --> 00:25:11,760 Speaker 3: want to talk with him about Blonde Don Blonde. Our 398 00:25:11,800 --> 00:25:15,360 Speaker 3: old friend Phil Nicolo has gotten into the vinyl production 399 00:25:15,520 --> 00:25:18,679 Speaker 3: business with some of our old friends from Philly, and 400 00:25:18,760 --> 00:25:20,359 Speaker 3: we want to get him in and talk with him 401 00:25:20,800 --> 00:25:23,800 Speaker 3: and other overdue episodes. We have a whole stack of them. 402 00:25:23,840 --> 00:25:25,600 Speaker 3: That's the thing we were wondering that first time we 403 00:25:25,640 --> 00:25:28,439 Speaker 3: went to the bar, Marcus and I said down, we 404 00:25:28,480 --> 00:25:32,200 Speaker 3: were wondering, I wonder if we'll ever get through this list. 405 00:25:32,480 --> 00:25:34,720 Speaker 3: You know, if we get through this listen to be good, right, 406 00:25:34,760 --> 00:25:36,920 Speaker 3: and here we are. You know, there's still a couple 407 00:25:37,000 --> 00:25:38,800 Speaker 3: from that list left right, Mark. 408 00:25:39,440 --> 00:25:42,040 Speaker 6: There are quite a few from that list left because 409 00:25:43,680 --> 00:25:47,480 Speaker 6: divergent topics have come up, and then we've had these interviews. 410 00:25:47,560 --> 00:25:51,560 Speaker 6: We've had these opportunities to speak with people that have 411 00:25:51,640 --> 00:25:55,199 Speaker 6: come up not only through the podcast but through the 412 00:25:55,240 --> 00:25:58,479 Speaker 6: Pantheon Podcast Network, which is where we are on as well. 413 00:25:58,760 --> 00:26:04,600 Speaker 6: And so we've had some really really cool opportunities to 414 00:26:04,680 --> 00:26:08,639 Speaker 6: look at other aspects of rock and roll history that 415 00:26:08,720 --> 00:26:11,359 Speaker 6: we hadn't even thought about or that weren't even on 416 00:26:11,400 --> 00:26:14,480 Speaker 6: our radar. So to learn to be able to read 417 00:26:14,520 --> 00:26:17,240 Speaker 6: a great book and to be able to talk with 418 00:26:17,320 --> 00:26:21,439 Speaker 6: the author or somebody involved in that as well is 419 00:26:21,560 --> 00:26:24,919 Speaker 6: so wonderful because you always learn more than what's in 420 00:26:24,960 --> 00:26:25,480 Speaker 6: the book. 421 00:26:25,840 --> 00:26:28,600 Speaker 1: I know, you guys had Joel Selvan on right. 422 00:26:30,920 --> 00:26:33,120 Speaker 5: That story's hardcore. Man. 423 00:26:33,560 --> 00:26:35,159 Speaker 6: If you want to read a book that makes you 424 00:26:35,200 --> 00:26:38,000 Speaker 6: feel uncomfortable, that is a book to read. It is 425 00:26:38,040 --> 00:26:43,720 Speaker 6: a great read, but God, it makes you feel uncomfortable, 426 00:26:44,520 --> 00:26:48,640 Speaker 6: and it really does a great job making you feel 427 00:26:48,760 --> 00:26:54,040 Speaker 6: his mental illness. And Joel did a great job telling 428 00:26:54,080 --> 00:26:56,040 Speaker 6: a story that had not been told before. 429 00:26:56,720 --> 00:27:01,960 Speaker 4: Yeah, drums and demons, the story of Jim Gordon. When 430 00:27:02,040 --> 00:27:04,919 Speaker 4: you think about this, and Joel has said this, he 431 00:27:05,000 --> 00:27:07,000 Speaker 4: may have said this with you guys. 432 00:27:08,000 --> 00:27:13,840 Speaker 1: He said, the music industry accepts drug addicts and all 433 00:27:13,960 --> 00:27:14,760 Speaker 1: kinds of shit. 434 00:27:15,440 --> 00:27:19,159 Speaker 4: All kinds of people messed up, but mental health they 435 00:27:19,560 --> 00:27:22,880 Speaker 4: run the other way, which I think was a stark 436 00:27:22,960 --> 00:27:26,680 Speaker 4: comment and a really necessary comment to be out there. 437 00:27:27,040 --> 00:27:32,000 Speaker 4: He mentioned, I think there was only two people once 438 00:27:32,080 --> 00:27:38,440 Speaker 4: Jim Gordon became incarcerated who had the decency to stay 439 00:27:38,560 --> 00:27:41,639 Speaker 4: connected with him. I know one of them was Jackson Brown. 440 00:27:41,800 --> 00:27:43,840 Speaker 4: Unfortunately I forget who the other one was. 441 00:27:44,480 --> 00:27:44,600 Speaker 5: Well. 442 00:27:44,640 --> 00:27:46,720 Speaker 3: I think he said one of the Osman brothers was 443 00:27:46,760 --> 00:27:48,680 Speaker 3: the only one to stand up for him in court. 444 00:27:48,920 --> 00:27:49,600 Speaker 1: Unbelievable. 445 00:27:49,840 --> 00:27:52,680 Speaker 6: Yeah, I made sure that I said out loud when 446 00:27:52,680 --> 00:27:55,399 Speaker 6: we were speaking with Joel that I was very disappointed 447 00:27:55,560 --> 00:27:58,200 Speaker 6: in the music industry of the way they treat mental illness. 448 00:27:58,720 --> 00:28:05,840 Speaker 6: It's just flatasting because a breakdown, a complete detachment, could 449 00:28:05,840 --> 00:28:08,960 Speaker 6: not have been prevented. But maybe his mom would have 450 00:28:09,000 --> 00:28:11,360 Speaker 6: been able to live out a full life, right had 451 00:28:11,400 --> 00:28:13,920 Speaker 6: more people been involved and more. 452 00:28:13,720 --> 00:28:15,640 Speaker 5: People not look the other way. 453 00:28:15,880 --> 00:28:18,879 Speaker 6: Dude was one of the greatest drummers to ever sit 454 00:28:19,400 --> 00:28:22,560 Speaker 6: on a kit in the history of rock and roll. 455 00:28:22,600 --> 00:28:26,600 Speaker 6: He's up there with Bonham and all of the greats. 456 00:28:26,800 --> 00:28:29,399 Speaker 3: And like so many other people, I think most people 457 00:28:29,440 --> 00:28:33,000 Speaker 3: who've read this book find the rest of the story 458 00:28:33,240 --> 00:28:36,840 Speaker 3: before the murder. They get that there's no story after. 459 00:28:37,720 --> 00:28:40,520 Speaker 3: But a lot of people, including people like me, who 460 00:28:40,600 --> 00:28:43,760 Speaker 3: followed his career and was as shocked as anyone, never 461 00:28:43,840 --> 00:28:48,040 Speaker 3: hurt anything else ever until now. And that's why Selvin 462 00:28:48,080 --> 00:28:50,640 Speaker 3: gets big ups with us. We were happy to have 463 00:28:50,720 --> 00:28:52,360 Speaker 3: him on. Get him on if you can. He's a 464 00:28:52,640 --> 00:28:54,240 Speaker 3: great guy and fun to talk to. 465 00:28:54,600 --> 00:28:57,240 Speaker 1: He lets it, he lets it loose, for sure. 466 00:28:58,120 --> 00:29:02,080 Speaker 3: Yes, he said something about you know, we all have 467 00:29:02,120 --> 00:29:06,400 Speaker 3: thoughts about murdery or mothery with some hainus laughing. I 468 00:29:06,520 --> 00:29:11,239 Speaker 3: was like, holy shit, but it's true. Well not that, 469 00:29:11,320 --> 00:29:12,640 Speaker 3: but his laugh is funny. 470 00:29:12,760 --> 00:29:15,640 Speaker 5: Sorry, but yeah, what he did is a serious crime. 471 00:29:15,680 --> 00:29:18,080 Speaker 6: There's no doubt about it, and that will never be 472 00:29:18,200 --> 00:29:22,560 Speaker 6: minimized or taken lightly in any way. It's horrible and 473 00:29:22,680 --> 00:29:25,080 Speaker 6: horrific and awful everything about it. 474 00:29:25,600 --> 00:29:28,040 Speaker 5: But we could have done better. 475 00:29:28,160 --> 00:29:31,719 Speaker 4: And it would, you know, be wonderful if this became 476 00:29:31,800 --> 00:29:37,560 Speaker 4: a more serious initiative in and around the music industry 477 00:29:37,640 --> 00:29:39,560 Speaker 4: to really pay attention to this. 478 00:29:40,400 --> 00:29:42,960 Speaker 3: I think we owe it to each other in the business. 479 00:29:43,240 --> 00:29:46,520 Speaker 6: There are a few organizations that have been started by 480 00:29:46,520 --> 00:29:50,080 Speaker 6: some of the younger musicians, like Jonathan Davis of Korn 481 00:29:50,200 --> 00:29:54,000 Speaker 6: is very active in mental health and mental health for musicians. 482 00:29:54,040 --> 00:29:56,880 Speaker 5: So there are organizations out there. 483 00:29:57,440 --> 00:29:59,920 Speaker 1: It's getting it out of the darkness that's really key, 484 00:30:00,080 --> 00:30:00,320 Speaker 1: you know. 485 00:30:01,560 --> 00:30:05,680 Speaker 3: I think that's it right there, speaking of getting things 486 00:30:05,960 --> 00:30:09,200 Speaker 3: out of the corners and out into the light. Just 487 00:30:09,200 --> 00:30:11,320 Speaker 3: when we thought we really couldn't come up with anything 488 00:30:11,360 --> 00:30:13,920 Speaker 3: else to do with the podcast, we've got plenty more 489 00:30:13,920 --> 00:30:17,600 Speaker 3: episodes than things to do. We just launched Believe It 490 00:30:17,680 --> 00:30:21,120 Speaker 3: or Not on Live three sixty five Buzz the Imbalanced 491 00:30:21,160 --> 00:30:23,840 Speaker 3: History Channel, and I think it's what the world really needs, 492 00:30:24,320 --> 00:30:28,160 Speaker 3: the Imbalanced History Channel. And we've had a few episodes 493 00:30:28,240 --> 00:30:31,360 Speaker 3: up there, more adding all the time, and it's one 494 00:30:31,360 --> 00:30:33,920 Speaker 3: of the things we've been talking about these last weeks 495 00:30:34,040 --> 00:30:36,320 Speaker 3: or two. It's one of those things we've been talking 496 00:30:36,320 --> 00:30:39,520 Speaker 3: about lately about which episodes to put out, win and 497 00:30:39,560 --> 00:30:41,680 Speaker 3: that kind of stuff, and some of the stuff we 498 00:30:41,720 --> 00:30:44,720 Speaker 3: were talking about here with you today. But out of 499 00:30:44,760 --> 00:30:46,840 Speaker 3: three hundred and fifty episodes. You get a choice, you. 500 00:30:46,800 --> 00:30:51,240 Speaker 4: Know, congratulations. That's not a small feat to have that 501 00:30:51,360 --> 00:30:52,240 Speaker 4: many episodes. 502 00:30:53,080 --> 00:30:55,360 Speaker 6: Nope, takes a lot of work, as you know, putting 503 00:30:55,400 --> 00:30:58,800 Speaker 6: a podcast together. Are there any people you'll be taking 504 00:30:58,880 --> 00:31:02,080 Speaker 6: a walk with on your podcast in the near future 505 00:31:02,120 --> 00:31:03,440 Speaker 6: that you want to talk about? 506 00:31:03,840 --> 00:31:10,160 Speaker 4: Well, Eugene Houtz, I believe I'm pronouncing his last name 507 00:31:10,280 --> 00:31:15,600 Speaker 4: from the hardcore punk band Go Go Bordello. 508 00:31:17,400 --> 00:31:23,000 Speaker 1: He was so amazing. It just just. 509 00:31:23,240 --> 00:31:30,960 Speaker 4: Energy and intensity and good nature and just a love 510 00:31:31,320 --> 00:31:35,840 Speaker 4: and vigor for being out there. So he's gonna come 511 00:31:35,880 --> 00:31:38,600 Speaker 4: out in an episode in a in a couple of 512 00:31:38,600 --> 00:31:43,880 Speaker 4: weeks and then to completely take as dramatic a turn 513 00:31:43,960 --> 00:31:47,960 Speaker 4: as you possibly could. I have a gentleman whose name 514 00:31:48,040 --> 00:31:53,360 Speaker 4: is Ricky Ricardi, who is the curator of the Lewis 515 00:31:53,480 --> 00:31:59,600 Speaker 4: Armstrong Museum in Corona, Queens, and I was fortunate to 516 00:31:59,640 --> 00:32:04,720 Speaker 4: be with him walking through Lewis's house, which is still 517 00:32:04,760 --> 00:32:10,600 Speaker 4: intact and each room looks the same. There's audio that's 518 00:32:10,720 --> 00:32:14,880 Speaker 4: part of each room. Nobody thinks about going to this museum, unfortunately, 519 00:32:14,960 --> 00:32:19,720 Speaker 4: because it's right near LaGuardia Airport. It's out there. But 520 00:32:20,640 --> 00:32:24,040 Speaker 4: I say, if you have a chance to visit that 521 00:32:24,160 --> 00:32:28,200 Speaker 4: museum and to visit the house. Highly recommend it. So 522 00:32:28,760 --> 00:32:34,280 Speaker 4: we take a turn from hardcore punk to Lewis Armstrong 523 00:32:35,040 --> 00:32:36,680 Speaker 4: on the Taken a Walk podcast. 524 00:32:37,240 --> 00:32:38,760 Speaker 5: I have to go to that museum. 525 00:32:39,040 --> 00:32:42,560 Speaker 6: I absolutely have to go check out that museum. That 526 00:32:42,720 --> 00:32:46,200 Speaker 6: sounds amazing. My wife and I both love Queen's. We 527 00:32:46,240 --> 00:32:49,720 Speaker 6: have no problem taking the train up to Queen's, cruising 528 00:32:49,760 --> 00:32:52,360 Speaker 6: around and then checking out the Lewis Armstrong Museum. That 529 00:32:52,440 --> 00:32:55,560 Speaker 6: sounds amazing. And his influence on the early days of 530 00:32:55,640 --> 00:32:58,120 Speaker 6: rock and roll camp be discounted either. 531 00:32:59,360 --> 00:32:59,920 Speaker 1: Oh my god. 532 00:33:00,200 --> 00:33:04,800 Speaker 4: And he was, you know, not only a star and music. 533 00:33:05,000 --> 00:33:09,520 Speaker 4: He was somebody who forged away obviously in terms of 534 00:33:09,560 --> 00:33:12,480 Speaker 4: a time when you know he was out there that 535 00:33:12,560 --> 00:33:20,040 Speaker 4: it was you know, certainly his race and the issues 536 00:33:20,080 --> 00:33:23,280 Speaker 4: that were there. His acting career as. 537 00:33:23,120 --> 00:33:25,480 Speaker 3: Well, broke through a lot of things, a lot of 538 00:33:25,560 --> 00:33:27,720 Speaker 3: barriers that were doubled in front of them. 539 00:33:27,720 --> 00:33:31,880 Speaker 4: Too incredible and apparently what would happen he you know, 540 00:33:31,920 --> 00:33:35,240 Speaker 4: he was a road warrior, and so they have some 541 00:33:35,360 --> 00:33:38,440 Speaker 4: pictures at the museum after he'd been out on the 542 00:33:38,560 --> 00:33:42,400 Speaker 4: road for many months, when he and the band came 543 00:33:42,480 --> 00:33:45,840 Speaker 4: back in their bus and parked it outside the house. 544 00:33:46,400 --> 00:33:49,240 Speaker 4: All the kids from the neighborhood would come on by 545 00:33:50,080 --> 00:33:54,239 Speaker 4: and Lewis would buy them all ice cream and just 546 00:33:54,480 --> 00:33:57,239 Speaker 4: hang out with him and just kind of just just 547 00:33:57,960 --> 00:34:01,120 Speaker 4: basking the glory of being around their energy and their 548 00:34:01,200 --> 00:34:03,680 Speaker 4: love for him. It's a priceless picture. 549 00:34:04,160 --> 00:34:08,279 Speaker 5: That's a way to recharge really quickly. Kids have that 550 00:34:08,560 --> 00:34:09,640 Speaker 5: magical power. 551 00:34:10,040 --> 00:34:10,920 Speaker 3: Good to be home. 552 00:34:11,120 --> 00:34:13,480 Speaker 1: That's how you know, right, yep, exactly. 553 00:34:13,680 --> 00:34:17,640 Speaker 3: We're hanging with buzz Night here on a joint session 554 00:34:18,120 --> 00:34:22,200 Speaker 3: of his podcast, Taking a Walk Found Everywhere. Oh, tell 555 00:34:22,280 --> 00:34:26,200 Speaker 3: us about your new podcast on your network that you started. 556 00:34:26,719 --> 00:34:29,279 Speaker 4: So I have this other podcast I produce. It's called 557 00:34:29,400 --> 00:34:32,960 Speaker 4: Music Save Me, and it's about the power of music 558 00:34:33,080 --> 00:34:37,640 Speaker 4: from a healing perspective and what it means from a 559 00:34:37,719 --> 00:34:42,680 Speaker 4: musician's standpoint and certainly their fans standpoint. It's hosted by 560 00:34:42,840 --> 00:34:47,319 Speaker 4: Lynn Hoffman, who is a dear friend. Also has worked 561 00:34:47,320 --> 00:34:49,919 Speaker 4: at A and E and VH one, and she does 562 00:34:50,040 --> 00:34:53,480 Speaker 4: voiceover work now and worked on the radio in Boston. 563 00:34:54,080 --> 00:34:58,120 Speaker 4: And we're about twelve episodes into the podcast right now. 564 00:34:58,160 --> 00:35:03,080 Speaker 4: We started with Winona our second episode. We were fortunate to. 565 00:35:03,040 --> 00:35:04,439 Speaker 1: Have jelly Roll. 566 00:35:05,600 --> 00:35:09,520 Speaker 4: We had the story of Chad Tepper, who is an 567 00:35:09,600 --> 00:35:14,759 Speaker 4: artist who really has such a heart for putting out 568 00:35:14,800 --> 00:35:18,120 Speaker 4: good energy from his life which was so tough, living 569 00:35:18,520 --> 00:35:22,919 Speaker 4: homeless essentially until he was six years old. Country artist 570 00:35:23,040 --> 00:35:27,760 Speaker 4: named Walker Hayes as well, And. 571 00:35:26,640 --> 00:35:28,560 Speaker 1: So we're building on that one. 572 00:35:28,680 --> 00:35:33,680 Speaker 4: Just recorded an episode for that podcast and have taken 573 00:35:33,719 --> 00:35:34,760 Speaker 4: a walk with Pat. 574 00:35:34,560 --> 00:35:36,440 Speaker 1: Monahan from Train Cool. 575 00:35:36,520 --> 00:35:42,040 Speaker 4: And we also had on the Music Saved Me the 576 00:35:42,080 --> 00:35:44,800 Speaker 4: great Brent Smith from Shine Down, one of the nicest 577 00:35:44,840 --> 00:35:46,200 Speaker 4: guys you'll ever meet. 578 00:35:46,360 --> 00:35:47,520 Speaker 1: That's one of those moments. 579 00:35:47,560 --> 00:35:50,239 Speaker 4: I know, you guys hit these moments, you know, when 580 00:35:50,280 --> 00:35:52,759 Speaker 4: you run into somebody like Brent or so many of 581 00:35:52,840 --> 00:35:57,440 Speaker 4: these other folks, I stop and I just go, God, 582 00:35:58,120 --> 00:36:01,800 Speaker 4: I'm so lucky to be doing this and to connect 583 00:36:01,800 --> 00:36:03,160 Speaker 4: with these really great people. 584 00:36:04,160 --> 00:36:04,960 Speaker 3: I know what you mean. 585 00:36:05,400 --> 00:36:08,719 Speaker 6: Their music has become quite motivational and inspirational to a 586 00:36:08,760 --> 00:36:12,920 Speaker 6: lot of people. So mad respect to Shineedown for really 587 00:36:13,280 --> 00:36:16,440 Speaker 6: really making a difference to a lot of people. That's 588 00:36:16,520 --> 00:36:19,200 Speaker 6: what music does, That's what music's supposed to do. 589 00:36:20,120 --> 00:36:21,399 Speaker 5: Dave Grohls said it. 590 00:36:21,960 --> 00:36:24,920 Speaker 6: There might be eighty thousand people in the stadium singing 591 00:36:25,280 --> 00:36:29,000 Speaker 6: my hero, but eighty thousand people are singing it for 592 00:36:29,160 --> 00:36:36,320 Speaker 6: eighty thousand different reasons, and that is power, that is connection. 593 00:36:37,440 --> 00:36:41,440 Speaker 6: That is so much And Shinedown has been very successful 594 00:36:41,480 --> 00:36:44,799 Speaker 6: in connecting with their audience through radio, through streaming, through 595 00:36:44,840 --> 00:36:48,240 Speaker 6: their live shows, which are fantastic. 596 00:36:48,640 --> 00:36:51,279 Speaker 4: They really are one of America's great rock bands when 597 00:36:51,320 --> 00:36:52,000 Speaker 4: you think about it. 598 00:36:52,440 --> 00:36:56,120 Speaker 3: Oh yeah, no two ways about it. And in Philly 599 00:36:56,239 --> 00:36:59,880 Speaker 3: they connected strong with one of the nicest guys in 600 00:37:00,040 --> 00:37:03,960 Speaker 3: Philly radio, Brent Porsche my MANVP. Absolutely, the fact that 601 00:37:04,000 --> 00:37:06,239 Speaker 3: those guys are that tight doesn't surprise me at all. 602 00:37:06,480 --> 00:37:07,279 Speaker 3: Oh I love that. 603 00:37:07,600 --> 00:37:08,800 Speaker 5: Yeah, BP's awesome. 604 00:37:09,560 --> 00:37:10,160 Speaker 3: I love that. 605 00:37:10,719 --> 00:37:14,960 Speaker 1: Well, guys, this has been so much fun having this. 606 00:37:15,040 --> 00:37:17,880 Speaker 1: I love how you call it, Ray, a joint session. 607 00:37:18,560 --> 00:37:22,640 Speaker 3: All right, Yeah, I love it. 608 00:37:23,360 --> 00:37:26,920 Speaker 4: This has been an absolute blast. Ray and Marcus. I 609 00:37:27,120 --> 00:37:29,440 Speaker 4: just can't tell you how grateful. 610 00:37:29,080 --> 00:37:32,000 Speaker 1: I am to be yes on this joint session. I 611 00:37:32,000 --> 00:37:33,200 Speaker 1: love it a joint session. 612 00:37:33,360 --> 00:37:35,560 Speaker 5: It's been nice talking to you too, Buzz. It's been 613 00:37:35,560 --> 00:37:35,960 Speaker 5: a long. 614 00:37:36,000 --> 00:37:37,120 Speaker 3: Always good to see it, Pal. 615 00:37:37,560 --> 00:37:44,440 Speaker 4: Always congratulations on your podcast and any listener of Taking 616 00:37:44,440 --> 00:37:47,640 Speaker 4: a Walk is gonna love the Imbalanced History of rock 617 00:37:47,680 --> 00:37:48,160 Speaker 4: and Roll. 618 00:37:48,320 --> 00:37:49,560 Speaker 1: I highly recommend it. 619 00:37:49,680 --> 00:37:52,879 Speaker 3: Do check it out back at your Pal and you're 620 00:37:52,880 --> 00:37:55,080 Speaker 3: gonna find all the connections, the links and all that 621 00:37:55,400 --> 00:37:59,040 Speaker 3: to buzz and stuff too inside this episode wherever you're 622 00:37:59,120 --> 00:37:59,640 Speaker 3: finding it. 623 00:38:00,160 --> 00:38:01,560 Speaker 1: See you man, See you guys. 624 00:38:03,080 --> 00:38:05,520 Speaker 7: Thanks for listening to this episode of the Taking a 625 00:38:05,560 --> 00:38:09,440 Speaker 7: Walk podcast. Share this and other episodes with your friends 626 00:38:09,560 --> 00:38:13,040 Speaker 7: and follow us so you never miss an episode. Taking 627 00:38:13,080 --> 00:38:16,960 Speaker 7: a Walk is available on the iHeartRadio app, Apple Podcasts, 628 00:38:17,160 --> 00:38:19,480 Speaker 7: and wherever you get your podcasts