WEBVTT - Listener Mail: All Other Considerations Secondary

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow your Mind listener mail.

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<v Speaker 2>My name is Robert.

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<v Speaker 3>Lamb and I am Joe McCormick, and it is Monday,

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<v Speaker 3>the day of each week that we read back messages

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<v Speaker 3>from the Stuff to Blow your Mind mail bag. If

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<v Speaker 3>you would like to get in touch with us, and

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<v Speaker 3>you haven't done it before, why not give it a shot.

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<v Speaker 3>You can email us at contact at stuff to Blow

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<v Speaker 3>your Mind dot com. We accept messages of all kinds,

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<v Speaker 3>you know, feedback to recent episodes, anything interesting you want

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<v Speaker 3>to add to a topic we've talked about, or just

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<v Speaker 3>if you want to say hi, let us know how

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<v Speaker 3>you found out about the show, how you listen, things

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<v Speaker 3>like that. It's all welcome. Contact at stuff to Blow

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<v Speaker 3>your Mind dot com.

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<v Speaker 2>All right, well, let's go ahead and dive into the

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<v Speaker 2>mail bag here. First one here comes to us from

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<v Speaker 2>Kenny and it's a response to our episodes cicadas and

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<v Speaker 2>also some weird house cinema thoughts. Kenny says, Hi, Rob,

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<v Speaker 2>Joe and JJ, we don't have any cicadas in Scotland.

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<v Speaker 2>We have solitary noisy insects like grasshoppers, but nothing as

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<v Speaker 2>exciting as swarms of insects that synchronize their emergence from beneath.

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<v Speaker 2>I checked to see if there were any cicada species

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<v Speaker 2>in the British Isles, and apparently the only native species

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<v Speaker 2>hasn't been sighted or heard from in over fifteen years. Anyway,

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<v Speaker 2>in twenty eighteen, my wife and I went on a

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<v Speaker 2>honeymoon to Japan. I have always loved studio, ghibli and

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<v Speaker 2>other anime, and I've often noted a particular kind of

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<v Speaker 2>establishing shot for scenes set in the heat of summer.

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<v Speaker 2>These are accompanied by a strange, warbling, buzzing noise that

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<v Speaker 2>feels like a long, humid afternoon and the call of

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<v Speaker 2>a cool drink and a shady tree. Having no other

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<v Speaker 2>experience with such a sound, I had always considered it

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<v Speaker 2>uniquely Japanese. I had no idea what caused it. A

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<v Speaker 2>side note here, I spent many summer holidays in France

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<v Speaker 2>and worked at a summer camp in Connecticut for many

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<v Speaker 2>for more than a decade, so I have no idea

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<v Speaker 2>how I didn't notice circada song in those settings. Anyway,

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<v Speaker 2>our first day involved a walk in Tokyo, and we

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<v Speaker 2>decided to make for the Imperial Palace. Leaving the hotel

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<v Speaker 2>was like walking into a wall of heat. It was

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<v Speaker 2>forty two degrees celsius and the humidity was one hundred percent.

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<v Speaker 3>Now, wait a minute. I had to stop for a

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<v Speaker 3>second here because I was a little skeptical. Forty two

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<v Speaker 3>degrees celsius. If you're more familiar with the fahrenheit scale,

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<v Speaker 3>that's like a one oh seven one o eight fahrenheit.

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<v Speaker 3>And it just wasn't in my mind that Japan normally

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<v Speaker 3>got that hot in the summer, you know, like the

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<v Speaker 3>area around Tokyo would normally get that hot. So I

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<v Speaker 3>looked it up, Kidny, nothing personal, but I did want

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<v Speaker 3>to check, and I what I found was astonishing in

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<v Speaker 3>the summer of twenty eighteen, that that was a time

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<v Speaker 3>of extreme temperatures in Japan. I found a weather Underground

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<v Speaker 3>article from Lily twenty third, twenty eighteen about an all

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<v Speaker 3>time heat record of forty one point one degrees celsius

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<v Speaker 3>in Kumagaya, which is like seventy kilometers from Tokyo. And

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<v Speaker 3>as with many places around the world, it seems that

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<v Speaker 3>most of Japan's hottest summer month temperatures on record are

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<v Speaker 3>all within the last decade. So, Kenny, I apologize for

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<v Speaker 3>doubting you. It seems like you were right about on

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<v Speaker 3>the money. That was a hot, hot summer, and Japan

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<v Speaker 3>does indeed have some hot, hot summers.

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<v Speaker 2>Yeah. Yeah, My family, of course, just just came back

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<v Speaker 2>from Japan a couple of weeks ago, and we had

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<v Speaker 2>been warned about the summer heat, and you know, we

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<v Speaker 2>didn't visit during the height of the summer heat, but

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<v Speaker 2>there were some definitely steamy days in Kyoto and Osaka.

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<v Speaker 2>I felt though, like we could handle it because Kyoto

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<v Speaker 2>felt a lot like Atlanta, Georgia, and Osaka felt in

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<v Speaker 2>many ways like New Orleans in terms of heat. But

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<v Speaker 2>also I think Osaka has some qualities to it that

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<v Speaker 2>are kind of like New Orleans other ways. You know,

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<v Speaker 2>it's a big food city and so forth.

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<v Speaker 3>Oh, but I apologize for interrupting the message. So yes,

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<v Speaker 3>Kenny and his fiance they go out into the wall

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<v Speaker 3>of heat on the way to the Imperial Palace.

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<v Speaker 2>That's right, Kenny was saying it was hot, and he continues,

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<v Speaker 2>as we had yet to acclimatize in any meaningful way.

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<v Speaker 2>The walk quickly became pretty uncomfortable. As we bolted from

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<v Speaker 2>one patch of shade to another. As we climbed towards

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<v Speaker 2>a beautiful temple surrounded by modern buildings, I realized I

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<v Speaker 2>could hear that strange buzzing noise I'd always associated with anime.

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<v Speaker 2>We were so uncomfortable by this point that we just

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<v Speaker 2>weren't thinking about it terribly clearly, and it was only

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<v Speaker 2>when my wife turned to me and asked, why is

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<v Speaker 2>that tree screaming that I really considered it. I had

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<v Speaker 2>no idea anyway. We did acclimatize and had an amazing

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<v Speaker 2>experience in Japan, though it was months before I figured

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<v Speaker 2>out what that sound had been. Kenny from Glasgow, well,

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<v Speaker 2>you know Kenny's not done here though, because he does

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<v Speaker 2>have a weird house cinema recommendation. He writes, I've had

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<v Speaker 2>an image burned into my brain. I was a wee boy,

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<v Speaker 2>but I could never remember the movie it came from.

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<v Speaker 2>It was almost a still image from an eighty sci

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<v Speaker 2>fi animation. I recalled a sleek white robot with a

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<v Speaker 2>hunched over elongated torso. In my memory, it stepped forward

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<v Speaker 2>to protect a princess before being riddled with blaster bolts.

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<v Speaker 2>I was on YouTube last week, and the algorithm served

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<v Speaker 2>of a clip. Something about it tickled my brain, and

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<v Speaker 2>I scrolled through one hundred or more comments looking for

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<v Speaker 2>the name of the movie from which the clip had come. Eventually,

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<v Speaker 2>a generous soul put me out of my misery. Starchaser

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<v Speaker 2>the legend of orin the entire thing was available on YouTube,

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<v Speaker 2>so I settled in to watch it. It was an

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<v Speaker 2>obvious Star Wars ripoff, but I thought perhaps a little

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<v Speaker 2>less kid friendly. About halfway through the runtime, a white

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<v Speaker 2>robot made an appearance, and I practically levitated from my sofa.

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<v Speaker 2>That was him. I'd finally found the movie my tiny

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<v Speaker 2>past self had mostly forgotten. Anyway, the movie itself was

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<v Speaker 2>an eye opener, and I would love to hear your

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<v Speaker 2>take on it, have a good one.

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<v Speaker 3>I haven't seen the movie, so I can't comment on

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<v Speaker 3>how similar it is in terms of plot, but the

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<v Speaker 3>poster looks like a really blatant Star Wars ripoff, except

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<v Speaker 3>if if Darth Vader was sort of a water buffalo.

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<v Speaker 2>I think, yeah, I have not seen this one either.

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<v Speaker 2>This is a yeah. This This is one I don't

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<v Speaker 2>know much about. I'm just kind of kind of scanning it.

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<v Speaker 2>Looks like maybe it Maybe Roger Ebert and Gene Siskel

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<v Speaker 2>didn't care for it, But you know, like a lot

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<v Speaker 2>of things from this time period, I guess it's it's

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<v Speaker 2>kind of accumulated a cult following, and certainly these various

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<v Speaker 2>shows that we just got a glimpse of when we're young,

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<v Speaker 2>they often, yeah, they grow in our minds and we

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<v Speaker 2>have to rediscover them later.

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<v Speaker 3>Well, now I'm really confused because I just googled starchaser

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<v Speaker 3>legend of Orrin Villain, and I'm just seeing a guy.

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<v Speaker 3>He's just like a guy wearing a cape and he

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<v Speaker 3>looks mean, so like, what is the buffalo? And maybe

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<v Speaker 3>it's a helmet he wears.

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<v Speaker 2>Maybe, So you know, I do recognize the title now

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<v Speaker 2>because I am reminded by the poster that it is

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<v Speaker 2>a three D movie, So I know it came up

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<v Speaker 2>in some of my our recent searches for three D

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<v Speaker 2>films to cover on Weird House Cinema. And indeed, one

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<v Speaker 2>of the posters that I've turned up says the best

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<v Speaker 2>three D movie ever made. Why would they put it

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<v Speaker 2>on the poster if it's not true? Yeah, And I

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<v Speaker 2>have looked up some of the robots from it. It looks

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<v Speaker 2>like there are several robots, and I do see the

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<v Speaker 2>kind of hunched over robot that I believe Kenny was

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<v Speaker 2>talking about.

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<v Speaker 3>There's one still I found of a robot menacing a

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<v Speaker 3>tied up human guy with what looked like I don't know, gardening.

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<v Speaker 2>Shears, ugh, all right, Well we'll have to explore in

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<v Speaker 2>greater detail and come back to you.

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<v Speaker 3>All right. We got a number of responses about Weird

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<v Speaker 3>House Cinema this week. This message comes from Brian. Brian says, hey, guys,

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<v Speaker 3>you said the mailbag was a little low this week.

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<v Speaker 3>My theory is that you just dive so deep every

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<v Speaker 3>show there are no questions remaining. Well, that is categorically untrue, right,

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<v Speaker 3>there are always questions remaining. But I appreciate the cinnamon.

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<v Speaker 3>We do our best. Brian says, I do have a

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<v Speaker 3>movie to watch when it's hot, when it's too hot

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<v Speaker 3>to go outside. There is only one movie to watch,

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<v Speaker 3>or at least one series, Predator. I would argue that

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<v Speaker 3>it should only be watched when the temperature is ninety plus.

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<v Speaker 3>I found myself alone for a weekend. Of course, ninety

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<v Speaker 3>plus degrees out this would be fahrenheit and trapped inside

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<v Speaker 3>with a heat sensitive octagenarian poodle. I assume that's in

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<v Speaker 3>dog years. We only had one choice. Watch every Predator

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<v Speaker 3>movie ever made. We did, but it was hard work

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<v Speaker 3>and required a lot of beer. The classic first movie

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<v Speaker 3>is certainly worthy of weird house treatment. Great plot, great character,

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<v Speaker 3>is a unique villain, some folklore, gruesome deaths, and a

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<v Speaker 3>second half featuring Arnold Schwarzenegger at his finest. I know

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<v Speaker 3>you normally stay away from big stars worth the exception.

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<v Speaker 3>Do we normally stay away from big stars? Not really?

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<v Speaker 2>I mean we've covered some movies with some of the

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<v Speaker 2>biggest stars ever in them. You know, it just varies.

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<v Speaker 2>You know, I've always said the weirdness qualifier can be

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<v Speaker 2>found in various places in.

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<v Speaker 3>A film, right. I've specified this about the show a lot.

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<v Speaker 3>We do movie We do very well known movies, big movies,

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<v Speaker 3>and obscure and very small. We try to take them all.

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<v Speaker 3>But Brian goes on about the Predator movies suffering through

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<v Speaker 3>the others was brutal. In particular Predator two, with its

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<v Speaker 3>la settings starring Danny Glover. The gym in the series

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<v Speaker 3>was twenty twenty two's Prey, a prequel to the original

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<v Speaker 3>by one hundred years. It was exceptional. And then Brian

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<v Speaker 3>helpfully includes like a screenshot of all the Predator movie

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<v Speaker 3>posters lined up with an arrow pointing to pray. So

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<v Speaker 3>thank you, Brian. Yeah, I know what you're talking about.

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<v Speaker 3>I haven't seen. Let's see what's my quick rundown on

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<v Speaker 3>the series. Of course, the first one's a classic. I

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<v Speaker 3>think it just really does not get better than the

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<v Speaker 3>first Predator movie. If you are looking for a straight,

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<v Speaker 3>you know, straight to the bone, macho action horror movie,

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<v Speaker 3>that it's the best.

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<v Speaker 2>Yeah. I mean it's so over the top and it's

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<v Speaker 2>and it's machismo that if you're just if you're here

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<v Speaker 2>for it and you just want to accept it all

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<v Speaker 2>straight and you're like, yes, this is what it means

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<v Speaker 2>to be masculine and great, it's it's here for you.

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<v Speaker 2>But also it's so silly. It's the cheesemo that you

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<v Speaker 2>can you can have plenty of laughs at it's expense

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<v Speaker 2>as well.

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<v Speaker 3>It's great Predator too. I haven't seen in many, many years,

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<v Speaker 3>but I have kind of fond memories of you know,

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<v Speaker 3>I remember liking Danny Glover and some of the minor cast.

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<v Speaker 3>I think it's got Bill Paxton playing a kind of

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<v Speaker 3>sleazy guy, and uh, you know it's set in like

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<v Speaker 3>a in the middle of like a drug gang war,

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<v Speaker 3>and I don't know how that setting works out well,

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<v Speaker 3>but oh I remember it's also got Gary Busey.

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<v Speaker 2>Oh yes it does.

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<v Speaker 3>Yeah. Gary Busey is some kind of government agent who's

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<v Speaker 3>like hunting the Predator to collect its technology or something.

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<v Speaker 2>Yeah, this is the only point where I disagree with Brian.

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<v Speaker 2>I think Predator Too is exquisite, and it would be

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<v Speaker 2>it would probably be my main choice for weird house

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<v Speaker 2>cinema because it has all these strange elements to it.

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<v Speaker 2>You've got Gary Busey, You've got a like the what's

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<v Speaker 2>supposed to be like the Voodoo King of La or something.

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<v Speaker 2>You've got Danny Glover as your hero, who's great in it.

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<v Speaker 2>I mean I totally bought him as the hero. And

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<v Speaker 2>what goes in some interesting directions with the Predators. Yeah,

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<v Speaker 2>I love it. I think it's it's weird enough to

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<v Speaker 2>discuss on weird Hoose.

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<v Speaker 3>It's the movie that established the Aliens and Predator franchise

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<v Speaker 3>crossover by showing the skull of a xenomorph inside the Predatorship.

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<v Speaker 2>Yeah, whether that's that's possible at all now based on

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<v Speaker 2>current cannon, but still it gave birth to a lot

0:11:38.360 --> 0:11:43.280
<v Speaker 2>of really cool Alien Versus Predator media, and eventually, you know,

0:11:43.320 --> 0:11:45.120
<v Speaker 2>we kind of killed that off with a couple of

0:11:45.200 --> 0:11:46.199
<v Speaker 2>abysmal films.

0:11:48.000 --> 0:11:51.719
<v Speaker 3>I agree about the rest of the series, Brian. So yeah,

0:11:51.840 --> 0:11:55.720
<v Speaker 3>Alien Versus Predator and not good good things.

0:11:55.760 --> 0:11:57.760
<v Speaker 2>I like the monsters in it, like, if you're just

0:11:57.800 --> 0:11:59.680
<v Speaker 2>going to watch the monsters. It has some great shots

0:11:59.720 --> 0:12:02.640
<v Speaker 2>of the enamore is the you know, the predators look cool,

0:12:02.760 --> 0:12:05.920
<v Speaker 2>but everything else about it is a misstep in my opinion.

0:12:06.120 --> 0:12:09.080
<v Speaker 3>I remember they made a second Alien Versus Predator movie

0:12:10.200 --> 0:12:14.319
<v Speaker 3>that was just abysmal. I remember it made me feel bad.

0:12:14.440 --> 0:12:17.200
<v Speaker 3>I was like, I regretted watching it, which you know,

0:12:17.240 --> 0:12:19.200
<v Speaker 3>I watch a lot of bad movies and usually don't

0:12:19.200 --> 0:12:21.120
<v Speaker 3>regret it. I find a way to have fun, but

0:12:21.640 --> 0:12:24.480
<v Speaker 3>that one just ugh. There was the one where it

0:12:24.559 --> 0:12:26.800
<v Speaker 3>had like Adrian Brody and all the people on the

0:12:26.800 --> 0:12:28.439
<v Speaker 3>Predator planet and.

0:12:28.920 --> 0:12:32.600
<v Speaker 2>Credit for cours. I think, yeah, and that one, I mean,

0:12:32.760 --> 0:12:35.160
<v Speaker 2>I remember that one is being fun, but that's not

0:12:35.200 --> 0:12:37.400
<v Speaker 2>one that stuck in my head at all afterwards.

0:12:37.640 --> 0:12:40.800
<v Speaker 3>Yeah, then there was the Predator, which was the one

0:12:40.800 --> 0:12:43.480
<v Speaker 3>directed by Shane Black, which I who was a cast

0:12:43.559 --> 0:12:46.640
<v Speaker 3>member on the first movie. I watched that on an airplane.

0:12:46.679 --> 0:12:51.720
<v Speaker 3>I remember not good, not good. But Pray. I loved Pray.

0:12:51.760 --> 0:12:53.400
<v Speaker 3>I thought was great.

0:12:53.679 --> 0:12:57.360
<v Speaker 2>Pray is exceptional. Yeah, I think I think Pray may

0:12:57.360 --> 0:13:00.800
<v Speaker 2>be the best film in the Predator franchise at this point.

0:13:00.880 --> 0:13:03.200
<v Speaker 2>I think it's my favorite, and I would and I

0:13:03.240 --> 0:13:04.640
<v Speaker 2>know they're going to do I think there's talks of

0:13:05.120 --> 0:13:07.560
<v Speaker 2>even in like pre production, they're talking about doing Prey too.

0:13:08.000 --> 0:13:10.880
<v Speaker 2>I don't know, I'm I'm I feel like they did

0:13:10.880 --> 0:13:13.480
<v Speaker 2>such a great job with one that I'm with Pray,

0:13:13.559 --> 0:13:15.960
<v Speaker 2>with the first Prey film that on one hand, yes,

0:13:16.000 --> 0:13:18.280
<v Speaker 2>I would love to have that experience again, or something

0:13:18.280 --> 0:13:20.960
<v Speaker 2>akin to it in a different time period maybe, or

0:13:21.000 --> 0:13:23.880
<v Speaker 2>the same characters. I thought Amber Mid Thunder was incredible

0:13:24.240 --> 0:13:26.880
<v Speaker 2>as the as the lead in that, I thought it

0:13:26.920 --> 0:13:30.200
<v Speaker 2>was yeah, solid just across the board. But also it's

0:13:30.240 --> 0:13:32.640
<v Speaker 2>like it's so perfect. I'd hate for them to come

0:13:32.640 --> 0:13:35.199
<v Speaker 2>back and not hit it out of the park again.

0:13:35.240 --> 0:13:39.920
<v Speaker 3>You know, I really loved Prey for multiple reasons. Yeah,

0:13:39.960 --> 0:13:42.480
<v Speaker 3>Amber Mid Thunder is great. I loved the way that

0:13:42.640 --> 0:13:46.080
<v Speaker 3>it it does something the first one does, which is

0:13:46.080 --> 0:13:50.240
<v Speaker 3>that it's very tactle like. It's very about like traps

0:13:50.320 --> 0:13:53.120
<v Speaker 3>and like the tools that the that the heroes use

0:13:53.200 --> 0:13:55.960
<v Speaker 3>against the predator, because we know all the predator's tools,

0:13:56.000 --> 0:13:58.360
<v Speaker 3>you know, the blades and all their technology and stuff.

0:13:58.720 --> 0:14:01.240
<v Speaker 3>But yeah, yeah, I really like the way she like

0:14:01.400 --> 0:14:06.400
<v Speaker 3>builds that perhaps physically implausible but movie amazing tool that's

0:14:06.440 --> 0:14:10.280
<v Speaker 3>like the retractable hatchet on the rope. Yeah, I thought

0:14:10.280 --> 0:14:11.520
<v Speaker 3>that one was really good.

0:14:11.880 --> 0:14:14.480
<v Speaker 2>I will say that the Predator the one that you

0:14:14.520 --> 0:14:16.040
<v Speaker 2>watched on a plane, and I watched on a plane

0:14:16.040 --> 0:14:20.520
<v Speaker 2>as well. I did find it enjoyable and funny. It

0:14:20.560 --> 0:14:23.200
<v Speaker 2>has a lot of cool and hilarious back and forth

0:14:23.280 --> 0:14:26.560
<v Speaker 2>rapport and it's some great effects and some callbacks that

0:14:26.600 --> 0:14:30.080
<v Speaker 2>are a lot of fun. But I don't know, it's

0:14:30.080 --> 0:14:34.040
<v Speaker 2>no Prey, It's no Predator one or two. So it's

0:14:34.080 --> 0:14:36.760
<v Speaker 2>still worth watching on an airplane, probably if memory serves.

0:14:36.800 --> 0:14:40.120
<v Speaker 2>It had some problematic choices in some of its plot

0:14:40.160 --> 0:14:45.040
<v Speaker 2>elements that ended up, you know, being a bit of

0:14:45.080 --> 0:14:48.520
<v Speaker 2>a misfire, but still it has some very cool Predator effects.

0:14:48.520 --> 0:14:50.880
<v Speaker 2>It's it's ultimately a fun Predator flick, and you know,

0:14:51.280 --> 0:14:56.360
<v Speaker 2>I'm not completely opposed to predators going up against xenomorphs. Again,

0:14:56.440 --> 0:14:57.640
<v Speaker 2>like I say, I think there was a lot of

0:14:57.640 --> 0:15:01.680
<v Speaker 2>great alien versus Predator media and comic books and novels

0:15:02.120 --> 0:15:06.200
<v Speaker 2>and video games. I think the two do go well together.

0:15:06.320 --> 0:15:11.200
<v Speaker 2>That's why they ended up being brought together. It seemed

0:15:11.200 --> 0:15:14.360
<v Speaker 2>like a great versus matchup. I think that the big

0:15:14.720 --> 0:15:18.160
<v Speaker 2>issue in those AVP films is that they bring the

0:15:18.240 --> 0:15:21.640
<v Speaker 2>xenomorphs to Earth, and they do so in a contemporary setting,

0:15:22.000 --> 0:15:24.800
<v Speaker 2>and that just should not be. That's what you need

0:15:24.840 --> 0:15:26.280
<v Speaker 2>to do, is you need to do what most of

0:15:26.400 --> 0:15:29.960
<v Speaker 2>I think the secondary media was doing. You need to

0:15:29.960 --> 0:15:33.480
<v Speaker 2>put the Predators in the alien universe. That's where the

0:15:33.520 --> 0:15:34.280
<v Speaker 2>magic happens.

0:15:34.640 --> 0:15:37.800
<v Speaker 3>I think that makes more sense. So essentially the setting

0:15:38.000 --> 0:15:42.160
<v Speaker 3>is like the movie Aliens. You have Alien, you have Xenomorphs,

0:15:42.160 --> 0:15:44.360
<v Speaker 3>and you have space marines or something in that kind

0:15:44.360 --> 0:15:48.000
<v Speaker 3>of you know, whaleen Utawni Corporation kind of stuff, and

0:15:48.040 --> 0:15:50.520
<v Speaker 3>then Predators appear as the wild card.

0:15:51.160 --> 0:15:53.800
<v Speaker 2>Yeah, exactly. And I know there have been at least

0:15:53.800 --> 0:15:58.720
<v Speaker 2>some comic books that have have gone into the alien world,

0:15:59.160 --> 0:16:03.760
<v Speaker 2>you know, post Prometheus and Covenant and added in the Predator.

0:16:03.840 --> 0:16:08.320
<v Speaker 2>I think Dan Abnett wrote one of them. I was

0:16:08.480 --> 0:16:10.200
<v Speaker 2>just looking around his stuff, but I haven't read it.

0:16:10.240 --> 0:16:12.480
<v Speaker 2>But still, yeah, there's still a room for a predator

0:16:12.520 --> 0:16:16.000
<v Speaker 2>in there, if it's written correctly, if it's introduced in

0:16:16.000 --> 0:16:18.520
<v Speaker 2>a way that I think honor is both xeno morphin

0:16:18.560 --> 0:16:29.520
<v Speaker 2>predator and of course the intelligence of the audience. All right,

0:16:29.560 --> 0:16:33.040
<v Speaker 2>Our next one comes fittingly from David. David says, hey,

0:16:33.040 --> 0:16:35.520
<v Speaker 2>they're Robert and Joe. Just listen to your episode on Creature.

0:16:35.560 --> 0:16:37.760
<v Speaker 2>Weird House Cinema is my favorite part of the podcast.

0:16:38.120 --> 0:16:40.960
<v Speaker 2>And thought of something while you were talking about how

0:16:41.000 --> 0:16:43.560
<v Speaker 2>the suit in the movie is basically an inversion of

0:16:43.560 --> 0:16:46.640
<v Speaker 2>how Burke was in Aliens. In the movie Jurassic Park,

0:16:46.760 --> 0:16:51.280
<v Speaker 2>the bloodsucking lawyer Gennaro comes across as slimy, going so

0:16:51.400 --> 0:16:54.040
<v Speaker 2>far as to run away during the t Rex attack,

0:16:54.120 --> 0:16:56.680
<v Speaker 2>leaving the kids in the car. In the book, however,

0:16:56.840 --> 0:16:59.520
<v Speaker 2>Gennaro is almost the complete opposite. It ends up being

0:16:59.600 --> 0:17:03.680
<v Speaker 2>quite the uh. I don't want to use the curse word,

0:17:03.800 --> 0:17:09.719
<v Speaker 2>let's say phenomenal butt kicker here hero at the end

0:17:09.920 --> 0:17:14.359
<v Speaker 2>helping Grant clear out velociraptor nests. Anyways, thought it was

0:17:14.359 --> 0:17:18.760
<v Speaker 2>interesting that both creature and aliens feature opposite soup type characters,

0:17:18.960 --> 0:17:22.080
<v Speaker 2>and both the novel and movie of Jurassic Park do

0:17:22.200 --> 0:17:25.240
<v Speaker 2>as well. Thanks for all the awesome and informative episodes

0:17:25.280 --> 0:17:26.439
<v Speaker 2>you put out, David.

0:17:27.160 --> 0:17:29.440
<v Speaker 3>Yeah, I remember about it. So I was a big

0:17:29.480 --> 0:17:32.200
<v Speaker 3>fan of Jurassic Park when I was in elementary school,

0:17:32.240 --> 0:17:34.439
<v Speaker 3>and I went movie first, and then I grabbed the

0:17:34.480 --> 0:17:36.600
<v Speaker 3>novel and read it. And one of the most shocking

0:17:36.680 --> 0:17:39.879
<v Speaker 3>things about it was the difference in how Gennaro is

0:17:39.920 --> 0:17:43.040
<v Speaker 3>depicted and in how Hammond is depicted. You know, in

0:17:43.080 --> 0:17:45.240
<v Speaker 3>the movie, Hammond is a sweet old man with a

0:17:45.400 --> 0:17:47.879
<v Speaker 3>maybe he's a bit naive, but he has a dream of,

0:17:48.960 --> 0:17:51.880
<v Speaker 3>you know, really just doing something magical. In the book,

0:17:51.920 --> 0:17:54.680
<v Speaker 3>he is a much nastier character, just a greedy old

0:17:54.720 --> 0:17:57.639
<v Speaker 3>man who you know, doesn't care who he harms making money.

0:17:58.840 --> 0:18:02.119
<v Speaker 3>And I Gennaro also, I think, I don't know if

0:18:02.160 --> 0:18:04.600
<v Speaker 3>i'd say in the end he comes off great, but

0:18:04.680 --> 0:18:07.680
<v Speaker 3>he certainly is the opposite of cowardly the way he's

0:18:07.720 --> 0:18:09.720
<v Speaker 3>portrayed in the movie, Like at one point he does

0:18:09.800 --> 0:18:11.560
<v Speaker 3>punch of a loss raptor in the face.

0:18:12.840 --> 0:18:15.040
<v Speaker 2>Yeah, I read the book around the time the movie

0:18:15.040 --> 0:18:17.880
<v Speaker 2>came out. I honestly can't remember if I read it

0:18:17.920 --> 0:18:20.800
<v Speaker 2>in anticipation of the movie or afterwards, but it's been

0:18:20.840 --> 0:18:23.200
<v Speaker 2>a long time, so I remember some things were different.

0:18:23.240 --> 0:18:26.520
<v Speaker 2>I mainly remember the different characterization of Hammond, and I

0:18:26.560 --> 0:18:30.040
<v Speaker 2>remember the t Rex having a prehensile tongue.

0:18:30.560 --> 0:18:33.120
<v Speaker 3>Yeah. But I was thinking, actually a little bit more

0:18:33.160 --> 0:18:36.480
<v Speaker 3>about this difference between the lyman Ward character and Creature

0:18:36.720 --> 0:18:39.719
<v Speaker 3>and Burke in Aliens, and somehow I feel like it

0:18:39.800 --> 0:18:42.960
<v Speaker 3>works in both cases. But it works especially because of

0:18:43.000 --> 0:18:45.480
<v Speaker 3>the different age vibes they have. I don't know how

0:18:45.520 --> 0:18:48.159
<v Speaker 3>old each actor actually was when they did these roles,

0:18:48.160 --> 0:18:52.320
<v Speaker 3>but so lyman Ward in Creature is at first he

0:18:52.359 --> 0:18:56.040
<v Speaker 3>seems like a completely selfish, cowardly, you know, corporate suit.

0:18:56.119 --> 0:18:58.760
<v Speaker 3>But he's an older guy, and something about the way

0:18:58.800 --> 0:19:01.680
<v Speaker 3>that he's older and off more like a dad kind

0:19:01.760 --> 0:19:05.679
<v Speaker 3>of makes it make more sense when he comes around

0:19:05.680 --> 0:19:09.879
<v Speaker 3>in the end and is actually, uh, sort of self sacrificing.

0:19:10.240 --> 0:19:13.800
<v Speaker 3>There's something about the way that Burke reads is very boyish.

0:19:13.840 --> 0:19:17.040
<v Speaker 3>His charm is very young and boyish. He's got a

0:19:17.119 --> 0:19:21.280
<v Speaker 3>young kind of handsomeness Paul Reiser does in Aliens that

0:19:21.400 --> 0:19:24.080
<v Speaker 3>makes it make more sense when he is actually all

0:19:24.080 --> 0:19:26.879
<v Speaker 3>his charm initially is revealed to be a facade, and

0:19:26.920 --> 0:19:28.440
<v Speaker 3>he's just a total slime ball.

0:19:28.800 --> 0:19:30.479
<v Speaker 2>Yeah, and it makes it all the more slimy when

0:19:30.480 --> 0:19:34.320
<v Speaker 2>he calls Ripley kid. Yeah, it's like, like really like,

0:19:34.400 --> 0:19:36.480
<v Speaker 2>she's even if we take out the cry of Sleep,

0:19:36.640 --> 0:19:40.320
<v Speaker 2>like like, don't call Ripley kid. Come on, she not

0:19:40.440 --> 0:19:43.080
<v Speaker 2>older than him, He's yeah, she's a great deal older

0:19:43.080 --> 0:19:45.679
<v Speaker 2>than him with of course, you know, cry sleep added in.

0:19:46.359 --> 0:19:48.600
<v Speaker 3>One of my all time favorite slimeballs. By the way,

0:19:48.640 --> 0:19:51.359
<v Speaker 3>I just think of Burke so often he kudos to

0:19:51.359 --> 0:19:54.800
<v Speaker 3>Paul Riiser. It's he does the role so well that

0:19:54.840 --> 0:19:59.359
<v Speaker 3>you almost want to hate him. Yeah, but it's just

0:19:59.440 --> 0:20:02.679
<v Speaker 3>acting folk. Yes, all right, let's do one last message.

0:20:02.680 --> 0:20:04.800
<v Speaker 3>I think this is in response to us generally talking

0:20:04.840 --> 0:20:08.200
<v Speaker 3>about alien knockoffs. A Creature was one of those movies

0:20:08.200 --> 0:20:17.879
<v Speaker 3>considered an alien knockoff. Nathan says, hello again. The X

0:20:17.960 --> 0:20:21.360
<v Speaker 3>Men have a recurring nemesis that are a fairly obvious

0:20:21.400 --> 0:20:25.800
<v Speaker 3>attempt to ride the alien wave, called the Brood. Though

0:20:25.800 --> 0:20:30.400
<v Speaker 3>the Brood are sentient, psychic, sadistic spacefarers with a more

0:20:30.560 --> 0:20:34.280
<v Speaker 3>wasp like design. They first appeared in the time between

0:20:34.440 --> 0:20:38.680
<v Speaker 3>alien and Aliens, March eighty two, Uncanny x Men number

0:20:38.680 --> 0:20:41.800
<v Speaker 3>one fifty five, and like Joe mentioned about the film,

0:20:41.840 --> 0:20:46.760
<v Speaker 3>creature seemed to anticipate some tropes later established by Cameron

0:20:46.840 --> 0:20:50.119
<v Speaker 3>and Fincher at all, like the concept of a queen

0:20:50.280 --> 0:20:54.159
<v Speaker 3>slash hive mind and hatchlings that incorporate traits from the

0:20:54.160 --> 0:20:58.160
<v Speaker 3>host organism. Robert, do you, I know you've been into

0:20:58.280 --> 0:20:59.840
<v Speaker 3>X Men lately? You know something about the Brood?

0:21:00.720 --> 0:21:03.879
<v Speaker 2>I know them mainly from the Marvel Snap you know

0:21:04.000 --> 0:21:06.479
<v Speaker 2>mobile game. They're they're in that, But I don't think

0:21:06.520 --> 0:21:08.760
<v Speaker 2>I've ever consumed any X Men media that features them,

0:21:08.880 --> 0:21:12.360
<v Speaker 2>like I think they're they there's some sort of alien

0:21:12.400 --> 0:21:14.840
<v Speaker 2>creature that's similar to the Brood that were used on

0:21:14.880 --> 0:21:17.520
<v Speaker 2>the old X Men animated series, but it's not the Brood,

0:21:18.000 --> 0:21:21.600
<v Speaker 2>and I honestly don't remember what they did anyway, so

0:21:22.119 --> 0:21:25.639
<v Speaker 2>I am only vaguely familiar with them. But yeah, this

0:21:25.760 --> 0:21:28.359
<v Speaker 2>is a great point about it, and just another another

0:21:28.400 --> 0:21:32.400
<v Speaker 2>one of the ripples in the media universe that alien

0:21:32.440 --> 0:21:34.440
<v Speaker 2>and aliens generated.

0:21:34.960 --> 0:21:38.200
<v Speaker 3>Nathan goes on to say another quick knockoff honorable mention

0:21:38.640 --> 0:21:43.600
<v Speaker 3>contra for the nes uh, and then Nathan says, up up, down, down, left, right,

0:21:43.680 --> 0:21:47.080
<v Speaker 3>left right be a start, that of course, being the

0:21:47.119 --> 0:21:49.639
<v Speaker 3>Konami code that would give you what ninety nine lives

0:21:49.720 --> 0:21:50.920
<v Speaker 3>in Contra or something.

0:21:50.920 --> 0:21:52.520
<v Speaker 2>I think that was the case. I never I never

0:21:52.560 --> 0:21:54.400
<v Speaker 2>owned this one. I think I'm only played at one

0:21:54.480 --> 0:21:57.439
<v Speaker 2>through twice that it always felt seemed I don't know,

0:21:57.760 --> 0:21:59.920
<v Speaker 2>it looked rather rough. I didn't. I wasn't sure I

0:21:59.960 --> 0:22:01.960
<v Speaker 2>was ready for it. I neither like Castle Vania was

0:22:02.040 --> 0:22:04.080
<v Speaker 2>kicking my butt. I didn't think I was ready for

0:22:04.160 --> 0:22:05.240
<v Speaker 2>Contra Contra.

0:22:05.400 --> 0:22:08.040
<v Speaker 3>I remember being very hard, but I enjoyed playing it.

0:22:08.080 --> 0:22:11.960
<v Speaker 3>I had friends who had it, and we would give

0:22:11.960 --> 0:22:14.000
<v Speaker 3>it our best. I don't I don't know if we

0:22:14.040 --> 0:22:16.320
<v Speaker 3>ever beat it back then. I think I did come

0:22:16.359 --> 0:22:18.520
<v Speaker 3>back and play it like as an adult with friends

0:22:18.520 --> 0:22:21.160
<v Speaker 3>in my twenties, and we did finally beat it then because.

0:22:20.960 --> 0:22:22.720
<v Speaker 2>There's a couch co op right like that was the

0:22:22.720 --> 0:22:25.040
<v Speaker 2>feel of it, like you can hang with your buddies

0:22:25.040 --> 0:22:26.080
<v Speaker 2>and play it. Yeah.

0:22:26.200 --> 0:22:28.720
<v Speaker 3>Yeah, But speaking, oh man speaking, this connects several things

0:22:28.720 --> 0:22:31.600
<v Speaker 3>we've talked about today. So yes, there is imagery in

0:22:31.640 --> 0:22:35.680
<v Speaker 3>some of the marketing for Contra, and I think actually

0:22:35.720 --> 0:22:38.640
<v Speaker 3>in its final boss that really does resemble a zeno

0:22:38.680 --> 0:22:41.200
<v Speaker 3>more if it's trying to ride aliens in some way,

0:22:41.520 --> 0:22:45.840
<v Speaker 3>but it also rips off Predator, specifically in its box arts.

0:22:45.880 --> 0:22:49.000
<v Speaker 3>If you look up the cover of the original Contra game,

0:22:49.320 --> 0:22:52.720
<v Speaker 3>look at there are two like muscly, you know, like

0:22:52.920 --> 0:22:55.000
<v Speaker 3>marine guys on the front, who are I guess the

0:22:55.080 --> 0:22:58.480
<v Speaker 3>characters who play as fighting these aliens and the guy

0:22:58.560 --> 0:23:01.320
<v Speaker 3>on the left. That is just a line tracing of

0:23:01.400 --> 0:23:04.160
<v Speaker 3>Arnold Schwarzenegger from the poster for Predator. Have you ever

0:23:04.240 --> 0:23:04.679
<v Speaker 3>noticed that?

0:23:05.040 --> 0:23:06.680
<v Speaker 2>And no, I don't think i'd really put one and

0:23:06.720 --> 0:23:08.040
<v Speaker 2>two together on that, but you're right.

0:23:08.400 --> 0:23:11.360
<v Speaker 3>They changed his face somewhat, but otherwise, like his body

0:23:11.440 --> 0:23:14.960
<v Speaker 3>and clothing, it's the same. Oh yeah, I even found

0:23:14.960 --> 0:23:17.920
<v Speaker 3>an image online side by side showing how it's exactly

0:23:17.960 --> 0:23:18.320
<v Speaker 3>the same.

0:23:19.320 --> 0:23:21.520
<v Speaker 2>Yeah, it's like Arnold. But if his face was a

0:23:21.560 --> 0:23:23.240
<v Speaker 2>young Brian James.

0:23:26.560 --> 0:23:30.800
<v Speaker 3>Well, why doesn't that exist? It should make that meat happen.

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<v Speaker 3>All right? Should we wrap it up there?

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<v Speaker 2>Yeah, let's go ahead and close up the mail bag here,

0:23:35.440 --> 0:23:37.600
<v Speaker 2>but we'll be back in the future. There will be

0:23:37.640 --> 0:23:40.600
<v Speaker 2>more listener mail so keep them coming. Write in if

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<v Speaker 2>you have thoughts about past episodes, current episodes, or potential

0:23:43.840 --> 0:23:47.360
<v Speaker 2>future episodes of stuff below your Mind our Core episodes

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<v Speaker 2>on Tuesdays and Thursdays. You have responses to other listener

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<v Speaker 2>mails that you've heard our Wednesday episodes or Friday's Weird

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<v Speaker 2>House Cinema write in, We would love to hear from you.

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<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

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<v Speaker 3>If you would like to get in touch with us

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<v Speaker 3>with feedback on this episode or any other, or for

0:24:06.440 --> 0:24:08.560
<v Speaker 3>any of the reasons Rob mentioned, you can email us

0:24:08.600 --> 0:24:17.480
<v Speaker 3>at contact at stuff to Blow your Mind dot com.

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<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

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<v Speaker 1>more podcasts from my heart Radio, visit the iHeartRadio app,

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<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.