1 00:00:03,040 --> 00:00:06,600 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. 2 00:00:10,520 --> 00:00:13,240 Speaker 2: Hey, welcome to Stuff to Blow your Mind listener mail. 3 00:00:13,640 --> 00:00:14,720 Speaker 2: My name is Robert. 4 00:00:14,480 --> 00:00:17,840 Speaker 3: Lamb and I am Joe McCormick, and it is Monday, 5 00:00:17,960 --> 00:00:20,080 Speaker 3: the day of each week that we read back messages 6 00:00:20,120 --> 00:00:23,760 Speaker 3: from the Stuff to Blow your Mind mail bag. If 7 00:00:23,800 --> 00:00:25,319 Speaker 3: you would like to get in touch with us, and 8 00:00:25,360 --> 00:00:27,320 Speaker 3: you haven't done it before, why not give it a shot. 9 00:00:27,400 --> 00:00:31,200 Speaker 3: You can email us at contact at stuff to Blow 10 00:00:31,240 --> 00:00:35,080 Speaker 3: your Mind dot com. We accept messages of all kinds, 11 00:00:35,440 --> 00:00:39,360 Speaker 3: you know, feedback to recent episodes, anything interesting you want 12 00:00:39,400 --> 00:00:41,920 Speaker 3: to add to a topic we've talked about, or just 13 00:00:42,000 --> 00:00:44,279 Speaker 3: if you want to say hi, let us know how 14 00:00:44,280 --> 00:00:46,440 Speaker 3: you found out about the show, how you listen, things 15 00:00:46,520 --> 00:00:50,720 Speaker 3: like that. It's all welcome. Contact at stuff to Blow 16 00:00:50,720 --> 00:00:52,400 Speaker 3: your Mind dot com. 17 00:00:52,479 --> 00:00:54,520 Speaker 2: All right, well, let's go ahead and dive into the 18 00:00:54,520 --> 00:00:57,640 Speaker 2: mail bag here. First one here comes to us from 19 00:00:57,720 --> 00:01:00,920 Speaker 2: Kenny and it's a response to our episodes cicadas and 20 00:01:01,040 --> 00:01:10,120 Speaker 2: also some weird house cinema thoughts. Kenny says, Hi, Rob, 21 00:01:10,240 --> 00:01:13,399 Speaker 2: Joe and JJ, we don't have any cicadas in Scotland. 22 00:01:13,600 --> 00:01:17,640 Speaker 2: We have solitary noisy insects like grasshoppers, but nothing as 23 00:01:17,680 --> 00:01:22,080 Speaker 2: exciting as swarms of insects that synchronize their emergence from beneath. 24 00:01:22,520 --> 00:01:25,080 Speaker 2: I checked to see if there were any cicada species 25 00:01:25,120 --> 00:01:27,679 Speaker 2: in the British Isles, and apparently the only native species 26 00:01:27,720 --> 00:01:31,560 Speaker 2: hasn't been sighted or heard from in over fifteen years. Anyway, 27 00:01:31,680 --> 00:01:33,440 Speaker 2: in twenty eighteen, my wife and I went on a 28 00:01:33,480 --> 00:01:37,240 Speaker 2: honeymoon to Japan. I have always loved studio, ghibli and 29 00:01:37,480 --> 00:01:40,319 Speaker 2: other anime, and I've often noted a particular kind of 30 00:01:40,400 --> 00:01:43,400 Speaker 2: establishing shot for scenes set in the heat of summer. 31 00:01:43,880 --> 00:01:47,560 Speaker 2: These are accompanied by a strange, warbling, buzzing noise that 32 00:01:47,680 --> 00:01:50,320 Speaker 2: feels like a long, humid afternoon and the call of 33 00:01:50,320 --> 00:01:53,320 Speaker 2: a cool drink and a shady tree. Having no other 34 00:01:53,400 --> 00:01:55,920 Speaker 2: experience with such a sound, I had always considered it 35 00:01:56,000 --> 00:01:59,200 Speaker 2: uniquely Japanese. I had no idea what caused it. A 36 00:01:59,240 --> 00:02:02,280 Speaker 2: side note here, I spent many summer holidays in France 37 00:02:02,320 --> 00:02:04,600 Speaker 2: and worked at a summer camp in Connecticut for many 38 00:02:04,800 --> 00:02:07,279 Speaker 2: for more than a decade, so I have no idea 39 00:02:07,320 --> 00:02:12,079 Speaker 2: how I didn't notice circada song in those settings. Anyway, 40 00:02:12,200 --> 00:02:14,880 Speaker 2: our first day involved a walk in Tokyo, and we 41 00:02:14,919 --> 00:02:18,480 Speaker 2: decided to make for the Imperial Palace. Leaving the hotel 42 00:02:18,639 --> 00:02:21,560 Speaker 2: was like walking into a wall of heat. It was 43 00:02:21,639 --> 00:02:25,120 Speaker 2: forty two degrees celsius and the humidity was one hundred percent. 44 00:02:26,280 --> 00:02:28,040 Speaker 3: Now, wait a minute. I had to stop for a 45 00:02:28,080 --> 00:02:30,919 Speaker 3: second here because I was a little skeptical. Forty two 46 00:02:30,919 --> 00:02:34,040 Speaker 3: degrees celsius. If you're more familiar with the fahrenheit scale, 47 00:02:34,040 --> 00:02:37,040 Speaker 3: that's like a one oh seven one o eight fahrenheit. 48 00:02:37,680 --> 00:02:41,239 Speaker 3: And it just wasn't in my mind that Japan normally 49 00:02:41,240 --> 00:02:43,280 Speaker 3: got that hot in the summer, you know, like the 50 00:02:43,360 --> 00:02:46,079 Speaker 3: area around Tokyo would normally get that hot. So I 51 00:02:46,120 --> 00:02:48,280 Speaker 3: looked it up, Kidny, nothing personal, but I did want 52 00:02:48,280 --> 00:02:51,880 Speaker 3: to check, and I what I found was astonishing in 53 00:02:51,919 --> 00:02:55,519 Speaker 3: the summer of twenty eighteen, that that was a time 54 00:02:55,600 --> 00:02:59,080 Speaker 3: of extreme temperatures in Japan. I found a weather Underground 55 00:02:59,160 --> 00:03:02,760 Speaker 3: article from Lily twenty third, twenty eighteen about an all 56 00:03:02,800 --> 00:03:06,280 Speaker 3: time heat record of forty one point one degrees celsius 57 00:03:06,600 --> 00:03:10,679 Speaker 3: in Kumagaya, which is like seventy kilometers from Tokyo. And 58 00:03:10,760 --> 00:03:13,200 Speaker 3: as with many places around the world, it seems that 59 00:03:13,400 --> 00:03:17,480 Speaker 3: most of Japan's hottest summer month temperatures on record are 60 00:03:17,520 --> 00:03:20,520 Speaker 3: all within the last decade. So, Kenny, I apologize for 61 00:03:20,600 --> 00:03:23,160 Speaker 3: doubting you. It seems like you were right about on 62 00:03:23,200 --> 00:03:26,079 Speaker 3: the money. That was a hot, hot summer, and Japan 63 00:03:26,200 --> 00:03:28,359 Speaker 3: does indeed have some hot, hot summers. 64 00:03:28,680 --> 00:03:31,680 Speaker 2: Yeah. Yeah, My family, of course, just just came back 65 00:03:31,720 --> 00:03:34,520 Speaker 2: from Japan a couple of weeks ago, and we had 66 00:03:34,520 --> 00:03:37,440 Speaker 2: been warned about the summer heat, and you know, we 67 00:03:37,480 --> 00:03:40,480 Speaker 2: didn't visit during the height of the summer heat, but 68 00:03:41,040 --> 00:03:44,280 Speaker 2: there were some definitely steamy days in Kyoto and Osaka. 69 00:03:45,040 --> 00:03:48,000 Speaker 2: I felt though, like we could handle it because Kyoto 70 00:03:48,040 --> 00:03:51,840 Speaker 2: felt a lot like Atlanta, Georgia, and Osaka felt in 71 00:03:51,840 --> 00:03:55,320 Speaker 2: many ways like New Orleans in terms of heat. But 72 00:03:55,400 --> 00:03:58,200 Speaker 2: also I think Osaka has some qualities to it that 73 00:03:58,280 --> 00:04:00,600 Speaker 2: are kind of like New Orleans other ways. You know, 74 00:04:00,640 --> 00:04:02,680 Speaker 2: it's a big food city and so forth. 75 00:04:03,720 --> 00:04:06,160 Speaker 3: Oh, but I apologize for interrupting the message. So yes, 76 00:04:06,240 --> 00:04:08,600 Speaker 3: Kenny and his fiance they go out into the wall 77 00:04:08,640 --> 00:04:10,400 Speaker 3: of heat on the way to the Imperial Palace. 78 00:04:10,600 --> 00:04:13,440 Speaker 2: That's right, Kenny was saying it was hot, and he continues, 79 00:04:13,880 --> 00:04:16,760 Speaker 2: as we had yet to acclimatize in any meaningful way. 80 00:04:17,160 --> 00:04:20,560 Speaker 2: The walk quickly became pretty uncomfortable. As we bolted from 81 00:04:20,560 --> 00:04:23,880 Speaker 2: one patch of shade to another. As we climbed towards 82 00:04:23,880 --> 00:04:26,840 Speaker 2: a beautiful temple surrounded by modern buildings, I realized I 83 00:04:26,839 --> 00:04:30,000 Speaker 2: could hear that strange buzzing noise I'd always associated with anime. 84 00:04:30,520 --> 00:04:33,039 Speaker 2: We were so uncomfortable by this point that we just 85 00:04:33,120 --> 00:04:35,680 Speaker 2: weren't thinking about it terribly clearly, and it was only 86 00:04:35,720 --> 00:04:38,080 Speaker 2: when my wife turned to me and asked, why is 87 00:04:38,120 --> 00:04:41,560 Speaker 2: that tree screaming that I really considered it. I had 88 00:04:41,600 --> 00:04:45,120 Speaker 2: no idea anyway. We did acclimatize and had an amazing 89 00:04:45,120 --> 00:04:47,720 Speaker 2: experience in Japan, though it was months before I figured 90 00:04:47,720 --> 00:04:52,080 Speaker 2: out what that sound had been. Kenny from Glasgow, well, 91 00:04:52,160 --> 00:04:54,080 Speaker 2: you know Kenny's not done here though, because he does 92 00:04:54,160 --> 00:04:58,120 Speaker 2: have a weird house cinema recommendation. He writes, I've had 93 00:04:58,120 --> 00:05:00,840 Speaker 2: an image burned into my brain. I was a wee boy, 94 00:05:00,920 --> 00:05:03,640 Speaker 2: but I could never remember the movie it came from. 95 00:05:03,839 --> 00:05:05,880 Speaker 2: It was almost a still image from an eighty sci 96 00:05:05,920 --> 00:05:08,960 Speaker 2: fi animation. I recalled a sleek white robot with a 97 00:05:09,040 --> 00:05:13,120 Speaker 2: hunched over elongated torso. In my memory, it stepped forward 98 00:05:13,160 --> 00:05:16,640 Speaker 2: to protect a princess before being riddled with blaster bolts. 99 00:05:17,040 --> 00:05:19,440 Speaker 2: I was on YouTube last week, and the algorithm served 100 00:05:19,440 --> 00:05:21,760 Speaker 2: of a clip. Something about it tickled my brain, and 101 00:05:21,839 --> 00:05:24,599 Speaker 2: I scrolled through one hundred or more comments looking for 102 00:05:24,640 --> 00:05:27,560 Speaker 2: the name of the movie from which the clip had come. Eventually, 103 00:05:27,560 --> 00:05:30,760 Speaker 2: a generous soul put me out of my misery. Starchaser 104 00:05:30,920 --> 00:05:34,279 Speaker 2: the legend of orin the entire thing was available on YouTube, 105 00:05:34,279 --> 00:05:36,120 Speaker 2: so I settled in to watch it. It was an 106 00:05:36,160 --> 00:05:38,840 Speaker 2: obvious Star Wars ripoff, but I thought perhaps a little 107 00:05:38,920 --> 00:05:42,440 Speaker 2: less kid friendly. About halfway through the runtime, a white 108 00:05:42,520 --> 00:05:46,040 Speaker 2: robot made an appearance, and I practically levitated from my sofa. 109 00:05:46,160 --> 00:05:48,880 Speaker 2: That was him. I'd finally found the movie my tiny 110 00:05:48,920 --> 00:05:52,560 Speaker 2: past self had mostly forgotten. Anyway, the movie itself was 111 00:05:52,560 --> 00:05:54,320 Speaker 2: an eye opener, and I would love to hear your 112 00:05:54,360 --> 00:05:55,920 Speaker 2: take on it, have a good one. 113 00:05:56,320 --> 00:05:58,880 Speaker 3: I haven't seen the movie, so I can't comment on 114 00:05:59,080 --> 00:06:01,000 Speaker 3: how similar it is in terms of plot, but the 115 00:06:01,080 --> 00:06:04,960 Speaker 3: poster looks like a really blatant Star Wars ripoff, except 116 00:06:05,040 --> 00:06:08,520 Speaker 3: if if Darth Vader was sort of a water buffalo. 117 00:06:08,720 --> 00:06:13,680 Speaker 2: I think, yeah, I have not seen this one either. 118 00:06:15,279 --> 00:06:17,360 Speaker 2: This is a yeah. This This is one I don't 119 00:06:17,400 --> 00:06:19,720 Speaker 2: know much about. I'm just kind of kind of scanning it. 120 00:06:19,720 --> 00:06:23,599 Speaker 2: Looks like maybe it Maybe Roger Ebert and Gene Siskel 121 00:06:23,680 --> 00:06:25,880 Speaker 2: didn't care for it, But you know, like a lot 122 00:06:25,880 --> 00:06:27,480 Speaker 2: of things from this time period, I guess it's it's 123 00:06:27,560 --> 00:06:31,320 Speaker 2: kind of accumulated a cult following, and certainly these various 124 00:06:31,320 --> 00:06:34,120 Speaker 2: shows that we just got a glimpse of when we're young, 125 00:06:34,160 --> 00:06:37,719 Speaker 2: they often, yeah, they grow in our minds and we 126 00:06:37,800 --> 00:06:39,040 Speaker 2: have to rediscover them later. 127 00:06:39,360 --> 00:06:42,800 Speaker 3: Well, now I'm really confused because I just googled starchaser 128 00:06:42,880 --> 00:06:45,240 Speaker 3: legend of Orrin Villain, and I'm just seeing a guy. 129 00:06:45,400 --> 00:06:47,960 Speaker 3: He's just like a guy wearing a cape and he 130 00:06:48,040 --> 00:06:51,200 Speaker 3: looks mean, so like, what is the buffalo? And maybe 131 00:06:51,200 --> 00:06:52,360 Speaker 3: it's a helmet he wears. 132 00:06:52,680 --> 00:06:56,200 Speaker 2: Maybe, So you know, I do recognize the title now 133 00:06:56,360 --> 00:06:58,520 Speaker 2: because I am reminded by the poster that it is 134 00:06:58,560 --> 00:07:00,240 Speaker 2: a three D movie, So I know it came up 135 00:07:00,279 --> 00:07:02,839 Speaker 2: in some of my our recent searches for three D 136 00:07:02,960 --> 00:07:05,680 Speaker 2: films to cover on Weird House Cinema. And indeed, one 137 00:07:05,720 --> 00:07:08,000 Speaker 2: of the posters that I've turned up says the best 138 00:07:08,040 --> 00:07:11,400 Speaker 2: three D movie ever made. Why would they put it 139 00:07:11,440 --> 00:07:14,160 Speaker 2: on the poster if it's not true? Yeah, And I 140 00:07:14,200 --> 00:07:16,240 Speaker 2: have looked up some of the robots from it. It looks 141 00:07:16,240 --> 00:07:18,040 Speaker 2: like there are several robots, and I do see the 142 00:07:18,120 --> 00:07:20,600 Speaker 2: kind of hunched over robot that I believe Kenny was 143 00:07:20,600 --> 00:07:21,160 Speaker 2: talking about. 144 00:07:21,760 --> 00:07:25,200 Speaker 3: There's one still I found of a robot menacing a 145 00:07:25,320 --> 00:07:28,440 Speaker 3: tied up human guy with what looked like I don't know, gardening. 146 00:07:28,520 --> 00:07:32,560 Speaker 2: Shears, ugh, all right, Well we'll have to explore in 147 00:07:32,600 --> 00:07:34,280 Speaker 2: greater detail and come back to you. 148 00:07:34,640 --> 00:07:37,160 Speaker 3: All right. We got a number of responses about Weird 149 00:07:37,160 --> 00:07:46,040 Speaker 3: House Cinema this week. This message comes from Brian. Brian says, hey, guys, 150 00:07:46,080 --> 00:07:48,240 Speaker 3: you said the mailbag was a little low this week. 151 00:07:48,520 --> 00:07:51,080 Speaker 3: My theory is that you just dive so deep every 152 00:07:51,120 --> 00:07:55,840 Speaker 3: show there are no questions remaining. Well, that is categorically untrue, right, 153 00:07:55,840 --> 00:08:00,560 Speaker 3: there are always questions remaining. But I appreciate the cinnamon. 154 00:08:01,280 --> 00:08:03,920 Speaker 3: We do our best. Brian says, I do have a 155 00:08:04,160 --> 00:08:07,600 Speaker 3: movie to watch when it's hot, when it's too hot 156 00:08:07,640 --> 00:08:09,960 Speaker 3: to go outside. There is only one movie to watch, 157 00:08:10,000 --> 00:08:13,880 Speaker 3: or at least one series, Predator. I would argue that 158 00:08:14,000 --> 00:08:17,720 Speaker 3: it should only be watched when the temperature is ninety plus. 159 00:08:17,920 --> 00:08:20,520 Speaker 3: I found myself alone for a weekend. Of course, ninety 160 00:08:20,520 --> 00:08:24,120 Speaker 3: plus degrees out this would be fahrenheit and trapped inside 161 00:08:24,160 --> 00:08:28,360 Speaker 3: with a heat sensitive octagenarian poodle. I assume that's in 162 00:08:28,400 --> 00:08:32,080 Speaker 3: dog years. We only had one choice. Watch every Predator 163 00:08:32,160 --> 00:08:35,120 Speaker 3: movie ever made. We did, but it was hard work 164 00:08:35,200 --> 00:08:38,480 Speaker 3: and required a lot of beer. The classic first movie 165 00:08:38,559 --> 00:08:41,880 Speaker 3: is certainly worthy of weird house treatment. Great plot, great character, 166 00:08:41,960 --> 00:08:45,320 Speaker 3: is a unique villain, some folklore, gruesome deaths, and a 167 00:08:45,400 --> 00:08:49,080 Speaker 3: second half featuring Arnold Schwarzenegger at his finest. I know 168 00:08:49,160 --> 00:08:52,400 Speaker 3: you normally stay away from big stars worth the exception. 169 00:08:53,000 --> 00:08:55,400 Speaker 3: Do we normally stay away from big stars? Not really? 170 00:08:55,559 --> 00:08:57,640 Speaker 2: I mean we've covered some movies with some of the 171 00:08:57,679 --> 00:09:01,160 Speaker 2: biggest stars ever in them. You know, it just varies. 172 00:09:01,200 --> 00:09:04,440 Speaker 2: You know, I've always said the weirdness qualifier can be 173 00:09:04,480 --> 00:09:05,800 Speaker 2: found in various places in. 174 00:09:05,720 --> 00:09:08,360 Speaker 3: A film, right. I've specified this about the show a lot. 175 00:09:08,400 --> 00:09:11,199 Speaker 3: We do movie We do very well known movies, big movies, 176 00:09:11,240 --> 00:09:14,120 Speaker 3: and obscure and very small. We try to take them all. 177 00:09:14,480 --> 00:09:17,480 Speaker 3: But Brian goes on about the Predator movies suffering through 178 00:09:17,520 --> 00:09:20,600 Speaker 3: the others was brutal. In particular Predator two, with its 179 00:09:20,720 --> 00:09:23,960 Speaker 3: la settings starring Danny Glover. The gym in the series 180 00:09:24,080 --> 00:09:27,760 Speaker 3: was twenty twenty two's Prey, a prequel to the original 181 00:09:27,800 --> 00:09:30,920 Speaker 3: by one hundred years. It was exceptional. And then Brian 182 00:09:31,000 --> 00:09:34,160 Speaker 3: helpfully includes like a screenshot of all the Predator movie 183 00:09:34,160 --> 00:09:38,640 Speaker 3: posters lined up with an arrow pointing to pray. So 184 00:09:38,679 --> 00:09:41,040 Speaker 3: thank you, Brian. Yeah, I know what you're talking about. 185 00:09:41,280 --> 00:09:44,040 Speaker 3: I haven't seen. Let's see what's my quick rundown on 186 00:09:44,040 --> 00:09:46,080 Speaker 3: the series. Of course, the first one's a classic. I 187 00:09:46,080 --> 00:09:49,320 Speaker 3: think it just really does not get better than the 188 00:09:49,320 --> 00:09:52,760 Speaker 3: first Predator movie. If you are looking for a straight, 189 00:09:53,040 --> 00:09:57,000 Speaker 3: you know, straight to the bone, macho action horror movie, 190 00:09:57,040 --> 00:09:58,000 Speaker 3: that it's the best. 191 00:09:58,360 --> 00:10:00,600 Speaker 2: Yeah. I mean it's so over the top and it's 192 00:10:00,720 --> 00:10:04,000 Speaker 2: and it's machismo that if you're just if you're here 193 00:10:04,040 --> 00:10:05,800 Speaker 2: for it and you just want to accept it all 194 00:10:05,840 --> 00:10:07,959 Speaker 2: straight and you're like, yes, this is what it means 195 00:10:08,000 --> 00:10:10,520 Speaker 2: to be masculine and great, it's it's here for you. 196 00:10:10,559 --> 00:10:14,280 Speaker 2: But also it's so silly. It's the cheesemo that you 197 00:10:14,320 --> 00:10:16,320 Speaker 2: can you can have plenty of laughs at it's expense 198 00:10:16,360 --> 00:10:16,720 Speaker 2: as well. 199 00:10:17,280 --> 00:10:21,240 Speaker 3: It's great Predator too. I haven't seen in many, many years, 200 00:10:21,320 --> 00:10:23,840 Speaker 3: but I have kind of fond memories of you know, 201 00:10:23,880 --> 00:10:26,680 Speaker 3: I remember liking Danny Glover and some of the minor cast. 202 00:10:26,720 --> 00:10:28,880 Speaker 3: I think it's got Bill Paxton playing a kind of 203 00:10:28,920 --> 00:10:32,400 Speaker 3: sleazy guy, and uh, you know it's set in like 204 00:10:32,440 --> 00:10:35,880 Speaker 3: a in the middle of like a drug gang war, 205 00:10:36,080 --> 00:10:38,839 Speaker 3: and I don't know how that setting works out well, 206 00:10:38,880 --> 00:10:40,840 Speaker 3: but oh I remember it's also got Gary Busey. 207 00:10:40,920 --> 00:10:41,760 Speaker 2: Oh yes it does. 208 00:10:42,120 --> 00:10:45,040 Speaker 3: Yeah. Gary Busey is some kind of government agent who's 209 00:10:45,040 --> 00:10:48,240 Speaker 3: like hunting the Predator to collect its technology or something. 210 00:10:48,559 --> 00:10:51,400 Speaker 2: Yeah, this is the only point where I disagree with Brian. 211 00:10:51,640 --> 00:10:54,080 Speaker 2: I think Predator Too is exquisite, and it would be 212 00:10:54,480 --> 00:10:57,320 Speaker 2: it would probably be my main choice for weird house 213 00:10:57,320 --> 00:11:00,440 Speaker 2: cinema because it has all these strange elements to it. 214 00:11:00,480 --> 00:11:04,880 Speaker 2: You've got Gary Busey, You've got a like the what's 215 00:11:04,880 --> 00:11:08,000 Speaker 2: supposed to be like the Voodoo King of La or something. 216 00:11:08,080 --> 00:11:11,480 Speaker 2: You've got Danny Glover as your hero, who's great in it. 217 00:11:11,559 --> 00:11:13,440 Speaker 2: I mean I totally bought him as the hero. And 218 00:11:13,480 --> 00:11:17,240 Speaker 2: what goes in some interesting directions with the Predators. Yeah, 219 00:11:17,320 --> 00:11:20,079 Speaker 2: I love it. I think it's it's weird enough to 220 00:11:20,120 --> 00:11:21,080 Speaker 2: discuss on weird Hoose. 221 00:11:21,320 --> 00:11:25,640 Speaker 3: It's the movie that established the Aliens and Predator franchise 222 00:11:25,679 --> 00:11:29,960 Speaker 3: crossover by showing the skull of a xenomorph inside the Predatorship. 223 00:11:30,400 --> 00:11:34,080 Speaker 2: Yeah, whether that's that's possible at all now based on 224 00:11:34,160 --> 00:11:38,360 Speaker 2: current cannon, but still it gave birth to a lot 225 00:11:38,360 --> 00:11:43,280 Speaker 2: of really cool Alien Versus Predator media, and eventually, you know, 226 00:11:43,320 --> 00:11:45,120 Speaker 2: we kind of killed that off with a couple of 227 00:11:45,200 --> 00:11:46,199 Speaker 2: abysmal films. 228 00:11:48,000 --> 00:11:51,719 Speaker 3: I agree about the rest of the series, Brian. So yeah, 229 00:11:51,840 --> 00:11:55,720 Speaker 3: Alien Versus Predator and not good good things. 230 00:11:55,760 --> 00:11:57,760 Speaker 2: I like the monsters in it, like, if you're just 231 00:11:57,800 --> 00:11:59,680 Speaker 2: going to watch the monsters. It has some great shots 232 00:11:59,720 --> 00:12:02,640 Speaker 2: of the enamore is the you know, the predators look cool, 233 00:12:02,760 --> 00:12:05,920 Speaker 2: but everything else about it is a misstep in my opinion. 234 00:12:06,120 --> 00:12:09,080 Speaker 3: I remember they made a second Alien Versus Predator movie 235 00:12:10,200 --> 00:12:14,319 Speaker 3: that was just abysmal. I remember it made me feel bad. 236 00:12:14,440 --> 00:12:17,200 Speaker 3: I was like, I regretted watching it, which you know, 237 00:12:17,240 --> 00:12:19,200 Speaker 3: I watch a lot of bad movies and usually don't 238 00:12:19,200 --> 00:12:21,120 Speaker 3: regret it. I find a way to have fun, but 239 00:12:21,640 --> 00:12:24,480 Speaker 3: that one just ugh. There was the one where it 240 00:12:24,559 --> 00:12:26,800 Speaker 3: had like Adrian Brody and all the people on the 241 00:12:26,800 --> 00:12:28,439 Speaker 3: Predator planet and. 242 00:12:28,920 --> 00:12:32,600 Speaker 2: Credit for cours. I think, yeah, and that one, I mean, 243 00:12:32,760 --> 00:12:35,160 Speaker 2: I remember that one is being fun, but that's not 244 00:12:35,200 --> 00:12:37,400 Speaker 2: one that stuck in my head at all afterwards. 245 00:12:37,640 --> 00:12:40,800 Speaker 3: Yeah, then there was the Predator, which was the one 246 00:12:40,800 --> 00:12:43,480 Speaker 3: directed by Shane Black, which I who was a cast 247 00:12:43,559 --> 00:12:46,640 Speaker 3: member on the first movie. I watched that on an airplane. 248 00:12:46,679 --> 00:12:51,720 Speaker 3: I remember not good, not good. But Pray. I loved Pray. 249 00:12:51,760 --> 00:12:53,400 Speaker 3: I thought was great. 250 00:12:53,679 --> 00:12:57,360 Speaker 2: Pray is exceptional. Yeah, I think I think Pray may 251 00:12:57,360 --> 00:13:00,800 Speaker 2: be the best film in the Predator franchise at this point. 252 00:13:00,880 --> 00:13:03,200 Speaker 2: I think it's my favorite, and I would and I 253 00:13:03,240 --> 00:13:04,640 Speaker 2: know they're going to do I think there's talks of 254 00:13:05,120 --> 00:13:07,560 Speaker 2: even in like pre production, they're talking about doing Prey too. 255 00:13:08,000 --> 00:13:10,880 Speaker 2: I don't know, I'm I'm I feel like they did 256 00:13:10,880 --> 00:13:13,480 Speaker 2: such a great job with one that I'm with Pray, 257 00:13:13,559 --> 00:13:15,960 Speaker 2: with the first Prey film that on one hand, yes, 258 00:13:16,000 --> 00:13:18,280 Speaker 2: I would love to have that experience again, or something 259 00:13:18,280 --> 00:13:20,960 Speaker 2: akin to it in a different time period maybe, or 260 00:13:21,000 --> 00:13:23,880 Speaker 2: the same characters. I thought Amber Mid Thunder was incredible 261 00:13:24,240 --> 00:13:26,880 Speaker 2: as the as the lead in that, I thought it 262 00:13:26,920 --> 00:13:30,200 Speaker 2: was yeah, solid just across the board. But also it's 263 00:13:30,240 --> 00:13:32,640 Speaker 2: like it's so perfect. I'd hate for them to come 264 00:13:32,640 --> 00:13:35,199 Speaker 2: back and not hit it out of the park again. 265 00:13:35,240 --> 00:13:39,920 Speaker 3: You know, I really loved Prey for multiple reasons. Yeah, 266 00:13:39,960 --> 00:13:42,480 Speaker 3: Amber Mid Thunder is great. I loved the way that 267 00:13:42,640 --> 00:13:46,080 Speaker 3: it it does something the first one does, which is 268 00:13:46,080 --> 00:13:50,240 Speaker 3: that it's very tactle like. It's very about like traps 269 00:13:50,320 --> 00:13:53,120 Speaker 3: and like the tools that the that the heroes use 270 00:13:53,200 --> 00:13:55,960 Speaker 3: against the predator, because we know all the predator's tools, 271 00:13:56,000 --> 00:13:58,360 Speaker 3: you know, the blades and all their technology and stuff. 272 00:13:58,720 --> 00:14:01,240 Speaker 3: But yeah, yeah, I really like the way she like 273 00:14:01,400 --> 00:14:06,400 Speaker 3: builds that perhaps physically implausible but movie amazing tool that's 274 00:14:06,440 --> 00:14:10,280 Speaker 3: like the retractable hatchet on the rope. Yeah, I thought 275 00:14:10,280 --> 00:14:11,520 Speaker 3: that one was really good. 276 00:14:11,880 --> 00:14:14,480 Speaker 2: I will say that the Predator the one that you 277 00:14:14,520 --> 00:14:16,040 Speaker 2: watched on a plane, and I watched on a plane 278 00:14:16,040 --> 00:14:20,520 Speaker 2: as well. I did find it enjoyable and funny. It 279 00:14:20,560 --> 00:14:23,200 Speaker 2: has a lot of cool and hilarious back and forth 280 00:14:23,280 --> 00:14:26,560 Speaker 2: rapport and it's some great effects and some callbacks that 281 00:14:26,600 --> 00:14:30,080 Speaker 2: are a lot of fun. But I don't know, it's 282 00:14:30,080 --> 00:14:34,040 Speaker 2: no Prey, It's no Predator one or two. So it's 283 00:14:34,080 --> 00:14:36,760 Speaker 2: still worth watching on an airplane, probably if memory serves. 284 00:14:36,800 --> 00:14:40,120 Speaker 2: It had some problematic choices in some of its plot 285 00:14:40,160 --> 00:14:45,040 Speaker 2: elements that ended up, you know, being a bit of 286 00:14:45,080 --> 00:14:48,520 Speaker 2: a misfire, but still it has some very cool Predator effects. 287 00:14:48,520 --> 00:14:50,880 Speaker 2: It's it's ultimately a fun Predator flick, and you know, 288 00:14:51,280 --> 00:14:56,360 Speaker 2: I'm not completely opposed to predators going up against xenomorphs. Again, 289 00:14:56,440 --> 00:14:57,640 Speaker 2: like I say, I think there was a lot of 290 00:14:57,640 --> 00:15:01,680 Speaker 2: great alien versus Predator media and comic books and novels 291 00:15:02,120 --> 00:15:06,200 Speaker 2: and video games. I think the two do go well together. 292 00:15:06,320 --> 00:15:11,200 Speaker 2: That's why they ended up being brought together. It seemed 293 00:15:11,200 --> 00:15:14,360 Speaker 2: like a great versus matchup. I think that the big 294 00:15:14,720 --> 00:15:18,160 Speaker 2: issue in those AVP films is that they bring the 295 00:15:18,240 --> 00:15:21,640 Speaker 2: xenomorphs to Earth, and they do so in a contemporary setting, 296 00:15:22,000 --> 00:15:24,800 Speaker 2: and that just should not be. That's what you need 297 00:15:24,840 --> 00:15:26,280 Speaker 2: to do, is you need to do what most of 298 00:15:26,400 --> 00:15:29,960 Speaker 2: I think the secondary media was doing. You need to 299 00:15:29,960 --> 00:15:33,480 Speaker 2: put the Predators in the alien universe. That's where the 300 00:15:33,520 --> 00:15:34,280 Speaker 2: magic happens. 301 00:15:34,640 --> 00:15:37,800 Speaker 3: I think that makes more sense. So essentially the setting 302 00:15:38,000 --> 00:15:42,160 Speaker 3: is like the movie Aliens. You have Alien, you have Xenomorphs, 303 00:15:42,160 --> 00:15:44,360 Speaker 3: and you have space marines or something in that kind 304 00:15:44,360 --> 00:15:48,000 Speaker 3: of you know, whaleen Utawni Corporation kind of stuff, and 305 00:15:48,040 --> 00:15:50,520 Speaker 3: then Predators appear as the wild card. 306 00:15:51,160 --> 00:15:53,800 Speaker 2: Yeah, exactly. And I know there have been at least 307 00:15:53,800 --> 00:15:58,720 Speaker 2: some comic books that have have gone into the alien world, 308 00:15:59,160 --> 00:16:03,760 Speaker 2: you know, post Prometheus and Covenant and added in the Predator. 309 00:16:03,840 --> 00:16:08,320 Speaker 2: I think Dan Abnett wrote one of them. I was 310 00:16:08,480 --> 00:16:10,200 Speaker 2: just looking around his stuff, but I haven't read it. 311 00:16:10,240 --> 00:16:12,480 Speaker 2: But still, yeah, there's still a room for a predator 312 00:16:12,520 --> 00:16:16,000 Speaker 2: in there, if it's written correctly, if it's introduced in 313 00:16:16,000 --> 00:16:18,520 Speaker 2: a way that I think honor is both xeno morphin 314 00:16:18,560 --> 00:16:29,520 Speaker 2: predator and of course the intelligence of the audience. All right, 315 00:16:29,560 --> 00:16:33,040 Speaker 2: Our next one comes fittingly from David. David says, hey, 316 00:16:33,040 --> 00:16:35,520 Speaker 2: they're Robert and Joe. Just listen to your episode on Creature. 317 00:16:35,560 --> 00:16:37,760 Speaker 2: Weird House Cinema is my favorite part of the podcast. 318 00:16:38,120 --> 00:16:40,960 Speaker 2: And thought of something while you were talking about how 319 00:16:41,000 --> 00:16:43,560 Speaker 2: the suit in the movie is basically an inversion of 320 00:16:43,560 --> 00:16:46,640 Speaker 2: how Burke was in Aliens. In the movie Jurassic Park, 321 00:16:46,760 --> 00:16:51,280 Speaker 2: the bloodsucking lawyer Gennaro comes across as slimy, going so 322 00:16:51,400 --> 00:16:54,040 Speaker 2: far as to run away during the t Rex attack, 323 00:16:54,120 --> 00:16:56,680 Speaker 2: leaving the kids in the car. In the book, however, 324 00:16:56,840 --> 00:16:59,520 Speaker 2: Gennaro is almost the complete opposite. It ends up being 325 00:16:59,600 --> 00:17:03,680 Speaker 2: quite the uh. I don't want to use the curse word, 326 00:17:03,800 --> 00:17:09,719 Speaker 2: let's say phenomenal butt kicker here hero at the end 327 00:17:09,920 --> 00:17:14,359 Speaker 2: helping Grant clear out velociraptor nests. Anyways, thought it was 328 00:17:14,359 --> 00:17:18,760 Speaker 2: interesting that both creature and aliens feature opposite soup type characters, 329 00:17:18,960 --> 00:17:22,080 Speaker 2: and both the novel and movie of Jurassic Park do 330 00:17:22,200 --> 00:17:25,240 Speaker 2: as well. Thanks for all the awesome and informative episodes 331 00:17:25,280 --> 00:17:26,439 Speaker 2: you put out, David. 332 00:17:27,160 --> 00:17:29,440 Speaker 3: Yeah, I remember about it. So I was a big 333 00:17:29,480 --> 00:17:32,200 Speaker 3: fan of Jurassic Park when I was in elementary school, 334 00:17:32,240 --> 00:17:34,439 Speaker 3: and I went movie first, and then I grabbed the 335 00:17:34,480 --> 00:17:36,600 Speaker 3: novel and read it. And one of the most shocking 336 00:17:36,680 --> 00:17:39,879 Speaker 3: things about it was the difference in how Gennaro is 337 00:17:39,920 --> 00:17:43,040 Speaker 3: depicted and in how Hammond is depicted. You know, in 338 00:17:43,080 --> 00:17:45,240 Speaker 3: the movie, Hammond is a sweet old man with a 339 00:17:45,400 --> 00:17:47,879 Speaker 3: maybe he's a bit naive, but he has a dream of, 340 00:17:48,960 --> 00:17:51,880 Speaker 3: you know, really just doing something magical. In the book, 341 00:17:51,920 --> 00:17:54,680 Speaker 3: he is a much nastier character, just a greedy old 342 00:17:54,720 --> 00:17:57,639 Speaker 3: man who you know, doesn't care who he harms making money. 343 00:17:58,840 --> 00:18:02,119 Speaker 3: And I Gennaro also, I think, I don't know if 344 00:18:02,160 --> 00:18:04,600 Speaker 3: i'd say in the end he comes off great, but 345 00:18:04,680 --> 00:18:07,680 Speaker 3: he certainly is the opposite of cowardly the way he's 346 00:18:07,720 --> 00:18:09,720 Speaker 3: portrayed in the movie, Like at one point he does 347 00:18:09,800 --> 00:18:11,560 Speaker 3: punch of a loss raptor in the face. 348 00:18:12,840 --> 00:18:15,040 Speaker 2: Yeah, I read the book around the time the movie 349 00:18:15,040 --> 00:18:17,880 Speaker 2: came out. I honestly can't remember if I read it 350 00:18:17,920 --> 00:18:20,800 Speaker 2: in anticipation of the movie or afterwards, but it's been 351 00:18:20,840 --> 00:18:23,200 Speaker 2: a long time, so I remember some things were different. 352 00:18:23,240 --> 00:18:26,520 Speaker 2: I mainly remember the different characterization of Hammond, and I 353 00:18:26,560 --> 00:18:30,040 Speaker 2: remember the t Rex having a prehensile tongue. 354 00:18:30,560 --> 00:18:33,120 Speaker 3: Yeah. But I was thinking, actually a little bit more 355 00:18:33,160 --> 00:18:36,480 Speaker 3: about this difference between the lyman Ward character and Creature 356 00:18:36,720 --> 00:18:39,719 Speaker 3: and Burke in Aliens, and somehow I feel like it 357 00:18:39,800 --> 00:18:42,960 Speaker 3: works in both cases. But it works especially because of 358 00:18:43,000 --> 00:18:45,480 Speaker 3: the different age vibes they have. I don't know how 359 00:18:45,520 --> 00:18:48,159 Speaker 3: old each actor actually was when they did these roles, 360 00:18:48,160 --> 00:18:52,320 Speaker 3: but so lyman Ward in Creature is at first he 361 00:18:52,359 --> 00:18:56,040 Speaker 3: seems like a completely selfish, cowardly, you know, corporate suit. 362 00:18:56,119 --> 00:18:58,760 Speaker 3: But he's an older guy, and something about the way 363 00:18:58,800 --> 00:19:01,680 Speaker 3: that he's older and off more like a dad kind 364 00:19:01,760 --> 00:19:05,679 Speaker 3: of makes it make more sense when he comes around 365 00:19:05,680 --> 00:19:09,879 Speaker 3: in the end and is actually, uh, sort of self sacrificing. 366 00:19:10,240 --> 00:19:13,800 Speaker 3: There's something about the way that Burke reads is very boyish. 367 00:19:13,840 --> 00:19:17,040 Speaker 3: His charm is very young and boyish. He's got a 368 00:19:17,119 --> 00:19:21,280 Speaker 3: young kind of handsomeness Paul Reiser does in Aliens that 369 00:19:21,400 --> 00:19:24,080 Speaker 3: makes it make more sense when he is actually all 370 00:19:24,080 --> 00:19:26,879 Speaker 3: his charm initially is revealed to be a facade, and 371 00:19:26,920 --> 00:19:28,440 Speaker 3: he's just a total slime ball. 372 00:19:28,800 --> 00:19:30,479 Speaker 2: Yeah, and it makes it all the more slimy when 373 00:19:30,480 --> 00:19:34,320 Speaker 2: he calls Ripley kid. Yeah, it's like, like really like, 374 00:19:34,400 --> 00:19:36,480 Speaker 2: she's even if we take out the cry of Sleep, 375 00:19:36,640 --> 00:19:40,320 Speaker 2: like like, don't call Ripley kid. Come on, she not 376 00:19:40,440 --> 00:19:43,080 Speaker 2: older than him, He's yeah, she's a great deal older 377 00:19:43,080 --> 00:19:45,679 Speaker 2: than him with of course, you know, cry sleep added in. 378 00:19:46,359 --> 00:19:48,600 Speaker 3: One of my all time favorite slimeballs. By the way, 379 00:19:48,640 --> 00:19:51,359 Speaker 3: I just think of Burke so often he kudos to 380 00:19:51,359 --> 00:19:54,800 Speaker 3: Paul Riiser. It's he does the role so well that 381 00:19:54,840 --> 00:19:59,359 Speaker 3: you almost want to hate him. Yeah, but it's just 382 00:19:59,440 --> 00:20:02,679 Speaker 3: acting folk. Yes, all right, let's do one last message. 383 00:20:02,680 --> 00:20:04,800 Speaker 3: I think this is in response to us generally talking 384 00:20:04,840 --> 00:20:08,200 Speaker 3: about alien knockoffs. A Creature was one of those movies 385 00:20:08,200 --> 00:20:17,879 Speaker 3: considered an alien knockoff. Nathan says, hello again. The X 386 00:20:17,960 --> 00:20:21,360 Speaker 3: Men have a recurring nemesis that are a fairly obvious 387 00:20:21,400 --> 00:20:25,800 Speaker 3: attempt to ride the alien wave, called the Brood. Though 388 00:20:25,800 --> 00:20:30,400 Speaker 3: the Brood are sentient, psychic, sadistic spacefarers with a more 389 00:20:30,560 --> 00:20:34,280 Speaker 3: wasp like design. They first appeared in the time between 390 00:20:34,440 --> 00:20:38,680 Speaker 3: alien and Aliens, March eighty two, Uncanny x Men number 391 00:20:38,680 --> 00:20:41,800 Speaker 3: one fifty five, and like Joe mentioned about the film, 392 00:20:41,840 --> 00:20:46,760 Speaker 3: creature seemed to anticipate some tropes later established by Cameron 393 00:20:46,840 --> 00:20:50,119 Speaker 3: and Fincher at all, like the concept of a queen 394 00:20:50,280 --> 00:20:54,159 Speaker 3: slash hive mind and hatchlings that incorporate traits from the 395 00:20:54,160 --> 00:20:58,160 Speaker 3: host organism. Robert, do you, I know you've been into 396 00:20:58,280 --> 00:20:59,840 Speaker 3: X Men lately? You know something about the Brood? 397 00:21:00,720 --> 00:21:03,879 Speaker 2: I know them mainly from the Marvel Snap you know 398 00:21:04,000 --> 00:21:06,479 Speaker 2: mobile game. They're they're in that, But I don't think 399 00:21:06,520 --> 00:21:08,760 Speaker 2: I've ever consumed any X Men media that features them, 400 00:21:08,880 --> 00:21:12,360 Speaker 2: like I think they're they there's some sort of alien 401 00:21:12,400 --> 00:21:14,840 Speaker 2: creature that's similar to the Brood that were used on 402 00:21:14,880 --> 00:21:17,520 Speaker 2: the old X Men animated series, but it's not the Brood, 403 00:21:18,000 --> 00:21:21,600 Speaker 2: and I honestly don't remember what they did anyway, so 404 00:21:22,119 --> 00:21:25,639 Speaker 2: I am only vaguely familiar with them. But yeah, this 405 00:21:25,760 --> 00:21:28,359 Speaker 2: is a great point about it, and just another another 406 00:21:28,400 --> 00:21:32,400 Speaker 2: one of the ripples in the media universe that alien 407 00:21:32,440 --> 00:21:34,440 Speaker 2: and aliens generated. 408 00:21:34,960 --> 00:21:38,200 Speaker 3: Nathan goes on to say another quick knockoff honorable mention 409 00:21:38,640 --> 00:21:43,600 Speaker 3: contra for the nes uh, and then Nathan says, up up, down, down, left, right, 410 00:21:43,680 --> 00:21:47,080 Speaker 3: left right be a start, that of course, being the 411 00:21:47,119 --> 00:21:49,639 Speaker 3: Konami code that would give you what ninety nine lives 412 00:21:49,720 --> 00:21:50,920 Speaker 3: in Contra or something. 413 00:21:50,920 --> 00:21:52,520 Speaker 2: I think that was the case. I never I never 414 00:21:52,560 --> 00:21:54,400 Speaker 2: owned this one. I think I'm only played at one 415 00:21:54,480 --> 00:21:57,439 Speaker 2: through twice that it always felt seemed I don't know, 416 00:21:57,760 --> 00:21:59,920 Speaker 2: it looked rather rough. I didn't. I wasn't sure I 417 00:21:59,960 --> 00:22:01,960 Speaker 2: was ready for it. I neither like Castle Vania was 418 00:22:02,040 --> 00:22:04,080 Speaker 2: kicking my butt. I didn't think I was ready for 419 00:22:04,160 --> 00:22:05,240 Speaker 2: Contra Contra. 420 00:22:05,400 --> 00:22:08,040 Speaker 3: I remember being very hard, but I enjoyed playing it. 421 00:22:08,080 --> 00:22:11,960 Speaker 3: I had friends who had it, and we would give 422 00:22:11,960 --> 00:22:14,000 Speaker 3: it our best. I don't I don't know if we 423 00:22:14,040 --> 00:22:16,320 Speaker 3: ever beat it back then. I think I did come 424 00:22:16,359 --> 00:22:18,520 Speaker 3: back and play it like as an adult with friends 425 00:22:18,520 --> 00:22:21,160 Speaker 3: in my twenties, and we did finally beat it then because. 426 00:22:20,960 --> 00:22:22,720 Speaker 2: There's a couch co op right like that was the 427 00:22:22,720 --> 00:22:25,040 Speaker 2: feel of it, like you can hang with your buddies 428 00:22:25,040 --> 00:22:26,080 Speaker 2: and play it. Yeah. 429 00:22:26,200 --> 00:22:28,720 Speaker 3: Yeah, But speaking, oh man speaking, this connects several things 430 00:22:28,720 --> 00:22:31,600 Speaker 3: we've talked about today. So yes, there is imagery in 431 00:22:31,640 --> 00:22:35,680 Speaker 3: some of the marketing for Contra, and I think actually 432 00:22:35,720 --> 00:22:38,640 Speaker 3: in its final boss that really does resemble a zeno 433 00:22:38,680 --> 00:22:41,200 Speaker 3: more if it's trying to ride aliens in some way, 434 00:22:41,520 --> 00:22:45,840 Speaker 3: but it also rips off Predator, specifically in its box arts. 435 00:22:45,880 --> 00:22:49,000 Speaker 3: If you look up the cover of the original Contra game, 436 00:22:49,320 --> 00:22:52,720 Speaker 3: look at there are two like muscly, you know, like 437 00:22:52,920 --> 00:22:55,000 Speaker 3: marine guys on the front, who are I guess the 438 00:22:55,080 --> 00:22:58,480 Speaker 3: characters who play as fighting these aliens and the guy 439 00:22:58,560 --> 00:23:01,320 Speaker 3: on the left. That is just a line tracing of 440 00:23:01,400 --> 00:23:04,160 Speaker 3: Arnold Schwarzenegger from the poster for Predator. Have you ever 441 00:23:04,240 --> 00:23:04,679 Speaker 3: noticed that? 442 00:23:05,040 --> 00:23:06,680 Speaker 2: And no, I don't think i'd really put one and 443 00:23:06,720 --> 00:23:08,040 Speaker 2: two together on that, but you're right. 444 00:23:08,400 --> 00:23:11,360 Speaker 3: They changed his face somewhat, but otherwise, like his body 445 00:23:11,440 --> 00:23:14,960 Speaker 3: and clothing, it's the same. Oh yeah, I even found 446 00:23:14,960 --> 00:23:17,920 Speaker 3: an image online side by side showing how it's exactly 447 00:23:17,960 --> 00:23:18,320 Speaker 3: the same. 448 00:23:19,320 --> 00:23:21,520 Speaker 2: Yeah, it's like Arnold. But if his face was a 449 00:23:21,560 --> 00:23:23,240 Speaker 2: young Brian James. 450 00:23:26,560 --> 00:23:30,800 Speaker 3: Well, why doesn't that exist? It should make that meat happen. 451 00:23:31,240 --> 00:23:32,520 Speaker 3: All right? Should we wrap it up there? 452 00:23:32,920 --> 00:23:35,399 Speaker 2: Yeah, let's go ahead and close up the mail bag here, 453 00:23:35,440 --> 00:23:37,600 Speaker 2: but we'll be back in the future. There will be 454 00:23:37,640 --> 00:23:40,600 Speaker 2: more listener mail so keep them coming. Write in if 455 00:23:40,600 --> 00:23:43,760 Speaker 2: you have thoughts about past episodes, current episodes, or potential 456 00:23:43,840 --> 00:23:47,360 Speaker 2: future episodes of stuff below your Mind our Core episodes 457 00:23:47,400 --> 00:23:50,800 Speaker 2: on Tuesdays and Thursdays. You have responses to other listener 458 00:23:50,840 --> 00:23:54,800 Speaker 2: mails that you've heard our Wednesday episodes or Friday's Weird 459 00:23:54,840 --> 00:23:57,800 Speaker 2: House Cinema write in, We would love to hear from you. 460 00:23:58,440 --> 00:24:02,000 Speaker 3: Huge thanks as always to our excellent audio producer JJ Posway. 461 00:24:02,400 --> 00:24:03,959 Speaker 3: If you would like to get in touch with us 462 00:24:04,000 --> 00:24:06,399 Speaker 3: with feedback on this episode or any other, or for 463 00:24:06,440 --> 00:24:08,560 Speaker 3: any of the reasons Rob mentioned, you can email us 464 00:24:08,600 --> 00:24:17,480 Speaker 3: at contact at stuff to Blow your Mind dot com. 465 00:24:17,560 --> 00:24:20,520 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. 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