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Speaker 1: What are we even do? What are we even doing?

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Speaker 2: I mean I was still of the age where that

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Speaker 2: was there was negative light shit on that, you know

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Speaker 2: what I mean, what, how are you forty nine?

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Speaker 1: Fucking yeah? You damn good forty nine? Fuck? I feel

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Speaker 1: bad now. No, I'm thirty four. I just hear four. Yeah, yeah,

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Speaker 1: I can think you're right right because you started really young.

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Speaker 2: It was definitely still yeah bringing up I think negative

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Speaker 2: connotation to being sensitive.

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Speaker 1: You know, I don't know in terms of you on

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Speaker 1: that side. The sensitive side seemed to me to be

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Speaker 1: pretty pretty comfortable going out there. I mean, you go out, yeah,

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Speaker 1: I guess, Yeah, that's a cool way. But I go

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Speaker 1: out yeah, no, you do well?

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Speaker 2: Yeah, No. It's been something I feel like that I've

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Speaker 2: personally been observing, like in my own way about myself,

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Speaker 2: I guess, and not only like accepting, but in uh

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Speaker 2: and like feeling good about you know. It's funny because

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Speaker 2: I mean when you talk about twin lists like, uh,

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Speaker 2: you know, which is I think a lot of these

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Speaker 2: conversations surrounding sensitivity, maybe for myself personally, have happened because

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Speaker 2: of this movie, maybe and because someone described to me

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Speaker 2: just me as a very sensitive performance, and I was like, well,

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Speaker 2: I'm a very sensitive person.

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Speaker 1: Right, makes sense to me?

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Speaker 2: And I don't know, I just think that I certainly

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Speaker 2: still you know, even like I think all my friends

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Speaker 2: that I grew up with they probably have issues with that,

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Speaker 2: and I know the men and my family have issues

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Speaker 2: with that. And there's such a positive connotation to the word.

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Speaker 2: There's so many versions of like being you know, sensitive

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Speaker 2: towards you know, things around you and to other people.

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Speaker 2: And I don't know, I feel like it was always

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Speaker 2: defined as being like you're sensitive, You're right, you know,

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Speaker 2: you can't take a joke or you can't you know

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Speaker 2: what I mean. It's almost like strictly defined as being

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Speaker 2: that version of it, which I.

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Speaker 1: Mean, I feel like it's an emotional thing like intuition

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Speaker 1: and evan which is super young, but at any age

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Speaker 1: really as a man, to let go and to allow

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Speaker 1: yourself to feel and to feeling too, feeling is good, yeah,

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Speaker 1: you know, I mean that's what we do, right, Yeah,

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Speaker 1: And because I always find myself going you know, that's

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Speaker 1: that was something that I just like really put away.

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Speaker 1: Were you trained to at that age?

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Speaker 2: And what a barbaric thing to be like a human

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Speaker 2: trained to uh not feel you know what I mean.

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Speaker 1: Yeah, it's very strange. Was there a moment like when

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Speaker 1: you were because you started pretty young, was there a

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Speaker 1: moment like this is what I wanted to do? This

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Speaker 1: is my uh this yes or something? Was it? Yeah?

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Speaker 2: I did kind of have an aha moment because I

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Speaker 2: didn't grow up doing it. I didn't grow up acting,

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Speaker 2: but I grew up loving movies, and I grew up

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Speaker 2: with your parents who love movies.

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Speaker 1: My dad is a crew member too. He is a camera.

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Speaker 2: Operator right right with one parent who worked on movie

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Speaker 2: sets or TV sets, you know.

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Speaker 1: And did you visit I mean was that?

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Speaker 2: Oh?

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Speaker 1: Like really not that often?

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Speaker 2: Actually I remember this one time I was like putting

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Speaker 2: the background on an episode of Law and Order SVU

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Speaker 2: because he was working. We were living in Jersey and

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Speaker 2: he was working on that show. That's like how he

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Speaker 2: made the leap to operator?

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Speaker 1: Was that show? And I remember, anyway, go ahead, remember

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Speaker 1: what I wonder if he was he was the operator

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Speaker 1: when I was working. Oh my god, I know that

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Speaker 1: would be funny, fascinating. I got to ask him. Actually

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Speaker 1: I didn't him. I was coming to meet you today.

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Speaker 1: Let's ask him now. So maybe we have the answer

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Speaker 1: by the end. Oh, very good.

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Speaker 2: Okay, But it's really funny actually because any sort of

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Speaker 2: it was a really shy kid, because I'm also quite

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Speaker 2: goofy though, and like I like to be silly and

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Speaker 2: goof around. I love that, and I was certainly a

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Speaker 2: creative kid. But so I think paired with being shy

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Speaker 2: people do you ever get people.

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Speaker 1: Like being like, you're not shy? I think it's just

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Speaker 1: assumed you're an actress. Oh you must loved And I'm like,

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Speaker 1: I just told a story about being sensitive and not

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Speaker 1: wanting to and hiding that for as long as possible,

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Speaker 1: and then suddenly realizing at a certain age's not that long.

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Speaker 1: Go to be quite honest, that that's what you need.

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Speaker 1: That's what you're supposed to do, so to find ourselves,

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Speaker 1: you know, kind of shy kids, introverted kids wanting to

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Speaker 1: be actors is weird to me, right, I still don't

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Speaker 1: know the answer. I don't know why. Yeah, it's interesting.

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Speaker 1: Something may well because it's I mean, I don't know.

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Speaker 2: I grapple with so many things that come with being

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Speaker 2: an actor all the time. That is the reason that

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Speaker 2: I didn't pursue it necessarily because but then there's the

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Speaker 2: soul of it I really connect to, and I really

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Speaker 2: am like stoked by, you know, my fire. It gets

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Speaker 2: my fire going, I guess because I really care about

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Speaker 2: those things. I think I really like feel deeply that's

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Speaker 2: something I feel deeply for other people like, and I

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Speaker 2: feel deeply for stories, and I connect to sort of

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Speaker 2: I don't know, I guess this.

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Speaker 1: Language of you know, receiving people's stories.

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Speaker 2: Always did as a kid, you know, so movies are

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Speaker 2: always so I have so many impactful memories of films,

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Speaker 2: and so yeah, I think there's there's certainly a correlation.

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Speaker 2: But then there's this whole other side of it that

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Speaker 2: can be quite difficult if you're if you are have

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Speaker 2: an introverted yeah, type of sensitivity.

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Speaker 1: I think it so works because as an introvert, you're

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Speaker 1: a good listener. But I always feel like, but I've

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Speaker 1: been always been a pretty good listener. Yeah, happier on

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Speaker 1: that side of things, you know, And and I think

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Speaker 1: as an actor, I think that's really that's pretty much

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Speaker 1: just listening and reacting is really much what it is.

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Speaker 1: But to also be able to have the I don't

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Speaker 1: know what it is, like an opening or a channel.

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Speaker 1: So that stuff gets in, does the stuff, and then

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Speaker 1: it comes back out again and you're kind of the

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Speaker 1: calm do it for this interchange, you know, And it's

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Speaker 1: when I watch you, I go because you you come

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Speaker 1: up there, you can do menace so well, but you

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Speaker 1: combine it with like there's a vulnerability at the same time. Sure,

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Speaker 1: that makes sense, and to be able to put those

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Speaker 1: two together so you're not just one or the other,

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Speaker 1: I think is I mean, I'm thinking of like The

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Speaker 1: Outfit a good example. You know, you have these moments

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Speaker 1: where you're like and you know, you like come in

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Speaker 1: and you're like this, and you know, hey, hey, and

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Speaker 1: then just for a moment, there's just a moment across

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Speaker 1: you where it's like, you know, there's like there's like

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Speaker 1: a tenderness, you know what I mean. You know that

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Speaker 1: to me is interesting.

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Speaker 2: Thanks, Yeah, it's funny you bring up the well the

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Speaker 2: Outfit in general. I think you are the first person

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Speaker 2: to see that movie and we have a plaque for you.

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Speaker 1: Dam thank you for bringing that because I felt, you know,

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Speaker 1: I felt like I had an obligation really, as you know,

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Speaker 1: just to crack that open for the first time.

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Speaker 2: Yes, it was, and I actually all appreciate it. No, really,

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Speaker 2: I really love that film. No, I really appreciate that.

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Speaker 2: It's funny you talk about vulnerability. It's so interesting because

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Speaker 2: going back to the shyness thing, the sensitive thing, I

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Speaker 2: think I've always been so much more comfortable on camera

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Speaker 2: displaying vulnerability because I'm already there, Like, I'm quite vulnerable

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Speaker 2: in front of the camera, right, do you ever do

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Speaker 2: because that resonated with you only recently.

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Speaker 1: Honestly, I've always felt a little bit like and again,

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Speaker 1: I still I fight that fight, but but I see

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Speaker 1: what you're saying.

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Speaker 2: Because I know and and you bring up that character

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Speaker 2: for me, which is really interesting because he's kind of

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Speaker 2: this bombastic sort of like kind of you know, you

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Speaker 2: know he's the boss's son. Yeah, you know, he's a gangster.

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Speaker 2: But like I kind of it was sort of I

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Speaker 2: felt really comfortable in the role because so much of

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Speaker 2: the point of the character is that he's really like

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Speaker 2: not cut out for those things. You know, it's all

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Speaker 2: a show. Yeah, and he's actually he's he's not really

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Speaker 2: the guy.

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Speaker 1: You know. Yeah, that's tough to walk that, you know

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Speaker 1: what I mean without telegraphing it. Well, that's yes, thanks

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Speaker 1: And appreciate that. Yeah, I liked I like that a lot.

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Speaker 1: Very cool. Yeah, well, thanks for being on. We got

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Speaker 1: the intro.

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Speaker 2: Take my dad really quick, sotect him. Okay, you better

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Speaker 2: not edit a word out of this thing. Waxing poetic.

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Speaker 1: We are this is such a beautiful thing. We welcome,

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Speaker 1: Welcome to our show. What are we do? Camera? You're here, Yeah,

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Speaker 1: you're you're here. Here, don't look, don't look. It's a surprise.

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Speaker 1: This is where I sit down with your favorite actors, creatives, musicians,

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Speaker 1: and we uh people that are basically stirring things up,

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Speaker 1: and we talk about creativity, ambition, social media. We just

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Speaker 1: get weird together in a good way. And today, ladies

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Speaker 1: and gentlemen, actor, former movie kid, I want to talk

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Speaker 1: about this eight two six, Oh my god, yeah we

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Speaker 1: we we went deep. Pioneer of teen dystopia, I was

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Speaker 1: never the pioneers, pioneers and twinles start. We've already talked

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Speaker 1: about that. Dylan O'Brien, I'm really happy to have you here.

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Speaker 1: I'm really thrilled to be And now we're gonna cut

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Speaker 1: this and we're gonna go into the stuff that we

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Speaker 1: already talking about. Perfect. Wait, did I just ruin it? Hey, Dad,

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Speaker 1: did you quick find out what he says? Because the

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Speaker 1: only reason I bring that up because it's a it's

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Speaker 1: another it's a moment. It was a learning moment for me.

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Speaker 1: It was a terror moment, a moment of terror. I

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Speaker 1: don't know if you ever had this. So I'm on

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Speaker 1: the show. I'm doing this first time Long Order, and

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Speaker 1: I've been you know, I've been working for a while,

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Speaker 1: and I'm feeling pretty confident. And I get to the

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Speaker 1: I get to the set and I've I've got, uh,

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Speaker 1: you know, pretty good monologue that I have to do,

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Speaker 1: long monologue. So I came to the set, right and

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Speaker 1: so and I'm have the monologue.

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Speaker 2: Yeah, And I'm going to always ask if you were,

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Speaker 2: if you what length of time were you on the

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Speaker 2: show for?

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Speaker 1: Was this one? Just one?

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Speaker 2: Was it was an episode? Okay, okay, a couple of days.

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Speaker 1: Anyway, So I'm doing get hair and makeup and go

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Speaker 1: to the set and we're gonna just I figure we're

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Speaker 1: gonna rehearse and block it and then I'll have some time.

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Speaker 1: Oh it's stickle of law and Order. So I get

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Speaker 1: this and we kind of block it, rehearsed it. Chris Christmalne.

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Speaker 1: He's alreay sitting he's like reading the paper, like yes,

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Speaker 1: he's like he doesn't he checked out, Like he's chilled down.

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Speaker 1: He's chilled. He's got two lines or something. So it's

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Speaker 1: you know, really about me, and we block it and

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Speaker 1: they said, okay, five minutes actually blocked it. I was like, yeah,

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Speaker 1: that's not gonna This is not good. It's not good.

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Speaker 1: And I went into that extreme panic mode and suddenly

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Speaker 1: you know when your blood flows into your brain and

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Speaker 1: and I got I got the words, but it was like,

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Speaker 1: never again will I come to a set with the

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Speaker 1: kind of cocky attitude that I know what I'm doing.

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Speaker 1: It's like, right, and I got all the lines down. Well,

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Speaker 1: it's a it's a weird things. Were they quite strict

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Speaker 1: on They were pretty strict on. Yeah, they're right.

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Speaker 2: Starting to get to you by the end of the day. Yeah,

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Speaker 2: we're going to both be raving lunatics. It's a mad.

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Speaker 1: Through my veins.

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Speaker 2: Were they quite strict with lines on that show? Yeah,

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Speaker 2: it's I mean, it's it's interesting because you have to

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Speaker 2: first of all, nobody has one singular way of approaching it,

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Speaker 2: like from our standpoint, right, and then and no set

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Speaker 2: is one ecosystem either.

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Speaker 1: They're all so different, like different. Yeah, so Geene wealth

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Speaker 1: things you started with. Was that like word perfect or was.

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Speaker 2: It more like no, you know, it's going back since

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Speaker 2: those days. You know, I had so much fortune. I

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Speaker 2: think in like trust with that being an asset that

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Speaker 2: I would bring and it would be welcomed.

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Speaker 1: Things. Yeah.

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Speaker 2: No, I mean I think I just it cracks me

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Speaker 2: up in hindsight, I guess because they could have so

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Speaker 2: easily been like fuck off you nineteen year old, which

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Speaker 2: there was a little bit of that, but like I

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Speaker 2: was so coming from a place of you know, not

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Speaker 2: ego at all, of just like really caring and being

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Speaker 2: like would I wouldn't it be like this year maybe

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Speaker 2: or just I don't know, or just like this, this

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Speaker 2: doesn't these don't sound like people.

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Speaker 1: This isn't good enough. I don't know.

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Speaker 2: I think I've always had those instincts and have always

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Speaker 2: communicated them, whether or not they were welcomed.

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Speaker 1: That's such a good thing. It's courageous, I think, and

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Speaker 1: also smart. I'm thinking to it, looking back, I am

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Speaker 1: did you with James working with James Sweeney's Yeah, did you?

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Speaker 1: Did you write the script? Together.

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Speaker 2: Did you know he wrote the script and it was

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Speaker 2: so beautifully I loved the great structure saying those words. Yeah,

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Speaker 2: these were words that I really wanted to say. For

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Speaker 2: the most part, they were very specific cadences.

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Speaker 1: And you know, he's just, he's just he's a brilliant writer.

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Speaker 2: So cadence is key, you know, And in specially something

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Speaker 2: like this where everything is so intentional and you really

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Speaker 2: want to you know, he really was crafting a thing, right,

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Speaker 2: so you you so much more I think inclined to,

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Speaker 2: at least for me, follow the vision when it is

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Speaker 2: so deliberately intentional. And he's just he's a filmmaker in

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Speaker 2: that right, And you know, and sometimes I think the

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Speaker 2: script is certainly a thing that has gone far by

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Speaker 2: the wayside a little bit in these days in the

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Speaker 2: process of filmmaking, right, it's like almost one of the afterthoughts,

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Speaker 2: whereas I'm sure decades ago, it's you know, decades and decadecades.

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Speaker 1: Ago, which centuries almost to be honest, let's just go

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Speaker 1: back and I think you said situational. It's different. You know,

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Speaker 1: you walk into a set and is it really super

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Speaker 1: strict or are they open to stuff? And how confident

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Speaker 1: Are they in what they've created? You know?

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Speaker 2: Yeah, and you got to be I mean, your own

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Speaker 2: in the words at the end of the day. So

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Speaker 2: they need to at least hear you out. And if

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Speaker 2: everybody's coming from a place of like on the day, yeah,

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Speaker 2: what's feeling the best, what's sounding the best, let's try things.

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Speaker 1: Best idea wins, then great. If nobody is coming.

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Speaker 2: From a place of like strictly ego and like, you know, power,

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Speaker 2: you know, I think that's when things can get sticky.

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Speaker 2: I've been very lucky to not experience many spaces.

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Speaker 1: That's so nice. Yeah, that's so nice. I think when

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Speaker 1: I started, it was pretty strict. But I also feel like,

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Speaker 1: you know, I started out in theater. I started out

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Speaker 1: with plays. I mean, and you have text. The text

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Speaker 1: is everything, so you're like, get you get kind of

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Speaker 1: kind of conditioned.

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Speaker 2: Yeah, you know, Well now it's it's kind of like

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Speaker 2: you can't you can't hold us to that necessarily if

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Speaker 2: you just wrote the script yesterday, you know what I

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Speaker 2: mean as much? Yeah, I agree, you know, And I

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Speaker 2: mean there's so many things now we're processes backwards, and

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Speaker 2: I feel like for myself, at least I prefer to,

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Speaker 2: you know, pass on that experience, especially the everybody. I

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Speaker 2: think so many people ask if, like I want to

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Speaker 2: be in a you know, like a super Marvel movie

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Speaker 2: or yeah. I think that's just like a common question

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Speaker 2: in the last decade, you know, would you ever do

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Speaker 2: a Marvel And you know, I nobody asked me that

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Speaker 2: they're not coming for you for that role.

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Speaker 1: I need they got the gray haired guy or the

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Speaker 1: calico here this mone I'm doing Calico.

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Speaker 2: Right now, be like a cat.

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Speaker 1: You could, but you won't know what the script is.

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Speaker 1: They'll just be like, you know, you're.

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Speaker 2: The cat guy guy, and we need you as the

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Speaker 2: cat guy for ten years.

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Speaker 1: Yeah, and you're not good yet.

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Speaker 2: Yeah, And you don't know anything else other than you.

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Speaker 1: Need to be cat guy.

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Speaker 2: And we can also put you in any other Cat

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Speaker 2: guy can be.

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Speaker 1: In any other movie ten years or twelve years.

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Speaker 2: And we can call upon cat guy to be in

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Speaker 2: any other movie at any time, and you have to

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Speaker 2: show up.

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Speaker 1: There's a certain restriction there, there's a certain expectation there.

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Speaker 2: Well, but then there's no material. They're like, oh, also,

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Speaker 2: here's the release date, and then we'll write the script.

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Speaker 1: Are you in?

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Speaker 3: Yeah?

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Speaker 1: Sure, And what do I do for the rest of

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Speaker 1: my life? Yeah, it was when I started. So the

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Speaker 1: first I did. Dune was my first movie. I signed

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Speaker 1: a contract. When was your first movie? First movie? It

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Speaker 1: was back in how Well the color film had just

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Speaker 1: come out, and uh, I was twenty three.

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Speaker 2: And how do you feel about them bastardizing it?

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Speaker 1: I mean with shallow may I loved it. Actually, I

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Speaker 1: really enjoyed it. I did. I loved it. It was good.

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Speaker 1: It was good, but okay, I love where you're going

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Speaker 1: twenty three. But I had signed for five Dunes, So

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Speaker 1: there was I signed for five Dunes, you.

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Speaker 2: Know, and is it echoed in my head to sign?

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Speaker 1: But it didn't, not as walking. So that was really cool, Cadence.

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Speaker 1: That's that's the key, Caden. It just drops you right

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Speaker 1: into a character.

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Speaker 2: Yeah yeah, I think so you signed for five sign

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Speaker 2: for five, but we did one?

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Speaker 1: Yes, right, you know, so that was it. It could

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Speaker 1: have been it was like that ten year I was

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Speaker 1: looking at ten years or twelve years, I don't know,

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Speaker 1: and they signed.

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Speaker 2: Ye. Yeah, you thought it was going to be Oh

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Speaker 2: that was it?

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Speaker 1: Yeah? Yeah, that's so interesting. I could live in Seattle

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Speaker 1: and you were twenty three and that was your well, fuck,

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Speaker 1: that's the way to start. What a way to start.

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Speaker 1: And then you know, but I got connected with David Lynch,

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Speaker 1: which was the best thing that ever came out of that.

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Speaker 1: Of course our friendship. That's so interesting.

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Speaker 2: Wait, so where did you did you? I'm interviewing Kyle,

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Speaker 2: because where were you at of school at that point?

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Speaker 1: Where did you go to school? Yeah? So I went

351
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Speaker 1: to school. I went trained at the University of Washington.

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Speaker 1: They had a really good drama theater school there, but

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Speaker 1: trained to do repertory theater. That was going to be

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Speaker 1: my thing. And then they came to Seattle and they

355
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Speaker 1: cast me there. The casting agent came up from lah

356
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Speaker 1: They were doing a search. They weren't coming up there

357
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Speaker 1: for me, right, they came to Seattle. I said, i'

358
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Speaker 1: let's meet some guys and try and find this character

359
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Speaker 1: person to play this character of Paul and auditions. It

360
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Speaker 1: must have been quite a wide search. Now they went, Yeah,

361
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Speaker 1: it was one of those they were trying to find

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Speaker 1: an unknown yea. And I said, they found, you know,

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Speaker 1: complete unknown. It was a great ride. And I was

364
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Speaker 1: too young to rereadly know anything. Sure, and it started

365
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Speaker 1: me off. Sure, Yeah, so it was a good It

366
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Speaker 1: was a good way to begin with James hot, So

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Speaker 1: is this the only one? The first thing? No, if

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Speaker 1: we worked with James before first one.

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Speaker 2: He had made one future film prior, very micro budgeted

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Speaker 2: film that he also wrote, directed, and started.

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Speaker 1: Yeah, I have a feeling you're gonna do more with him.

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Speaker 1: I don't know, it just feels good. Connection is really strong.

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Speaker 2: Yeah, yeah, we've we really we've become great friends and

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Speaker 2: we really love collaborating together.

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Speaker 1: It was a really special experience. I'm thinking about Cadence

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Speaker 1: and character, and I said, so you're you got the two.

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Speaker 1: You have the two characters you have to play Roman

378
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Speaker 1: and Rocky. How did you drop into those bodies? Was

379
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Speaker 1: there a trigger? Was it just like, what's funny?

380
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Speaker 2: You bring up Cadence and I'll throw a voice in

381
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Speaker 2: here too. I mean, the first thing I ever heard

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Speaker 2: in my head when I read the script was Roman.

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Speaker 1: I just heard him so clearly. I just knew him

384
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Speaker 1: so deeply.

385
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Speaker 2: Where I hadn't even discovered kind of why yet, but

386
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Speaker 2: I just knew him, you know, And that's a really

387
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Speaker 2: special thing. I think at this point I had been

388
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Speaker 2: doing this long enough to really pay attention to that

389
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Speaker 2: and so I really was like, Okay, whoa this could

390
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Speaker 2: be I really love this and I really love this guy.

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Speaker 2: And then when it got to the rocky stuff, also,

392
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Speaker 2: it's unfolding for me as the film unfolds, you know,

393
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Speaker 2: so I'm like, I'm like, whoa, whoa, you know, and

394
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Speaker 2: then I get to Rocky too, and I'm like, wait,

395
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Speaker 2: this is lightning, and you know, I'm like, and such

396
00:18:36,480 --> 00:18:38,360
Speaker 2: a different kid and such a different rhythm. I could

397
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Speaker 2: already see him floating, you know. I mean, this one's

398
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Speaker 2: interesting goes back to the vulnerability thing, right, which you

399
00:18:45,400 --> 00:18:48,480
Speaker 2: get to display some with him. But that was a

400
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Speaker 2: you know, I'm not sort of or I don't think

401
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Speaker 2: that I'm kind of a rocky like, you know, just infectious,

402
00:18:58,560 --> 00:19:02,119
Speaker 2: uberly infectious, confident, can walk into.

403
00:19:01,600 --> 00:19:07,080
Speaker 1: A room fire. That's a truth detector. Hang on, I'm

404
00:19:07,080 --> 00:19:12,480
Speaker 1: like wired, you put me up a heart monitor. Guys

405
00:19:12,480 --> 00:19:12,800
Speaker 1: are good.

406
00:19:13,640 --> 00:19:15,920
Speaker 2: But yeah, it's it's uh, it's so it's interesting that

407
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Speaker 2: you bring that up, because it was sort of like

408
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Speaker 2: voice and rhythm dialogue where my way, my initial ways

409
00:19:22,880 --> 00:19:24,639
Speaker 2: in so many years ago when I first saw the script,

410
00:19:24,920 --> 00:19:27,719
Speaker 2: And that's funny. When we're I got called by the

411
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Speaker 2: editor of this film, the slowest actor he's ever edited,

412
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Speaker 2: and any an he meant with how deliberately I would

413
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Speaker 2: speak all of my lines as Roman, and I was like,

414
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Speaker 2: I feel for you and I'm sorry, but I was

415
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Speaker 2: being truthful.

416
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Speaker 1: No, it came across as absolutely that. I appreciate that

417
00:19:49,160 --> 00:19:51,359
Speaker 1: fic absolutely that and I feel like that those are

418
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Speaker 1: the kind of things that you can you know, you

419
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Speaker 1: can make a conscious choice or you can let what

420
00:19:59,080 --> 00:20:00,719
Speaker 1: because the same thing happens to me. You're read a scripting,

421
00:20:00,800 --> 00:20:05,800
Speaker 1: like suddenly you're like the transformation is happening suddenly. Sometimes

422
00:20:05,840 --> 00:20:08,240
Speaker 1: externally you see oh I know what shoes he wears

423
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Speaker 1: right right, Or it's internally it's like, oh this is

424
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Speaker 1: with his sisters. But it can be anything.

425
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Speaker 2: Yeah, but you have to trust that certainly, and it

426
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Speaker 2: starts to like turn into this.

427
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Speaker 1: Yeah, it affects everything, you know. Yeah, it's really interesting.

428
00:20:25,440 --> 00:20:27,439
Speaker 2: I feel like I've learned so much about myself just

429
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Speaker 2: even by doing what I do.

430
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Speaker 1: I've been so grateful for that. Yeah, you know, that's

431
00:20:32,560 --> 00:20:34,520
Speaker 1: part of the journey, which is Yeah, Like if I

432
00:20:34,520 --> 00:20:37,080
Speaker 1: think of you as a performer, I think balanced, slow

433
00:20:37,280 --> 00:20:40,879
Speaker 1: and balanced, slow and balanced. The one head line, the

434
00:20:40,880 --> 00:20:44,400
Speaker 1: line that I loved. It was not the brightest bullet

435
00:20:44,400 --> 00:20:47,680
Speaker 1: tool and the brightest tool. Yeah, it's a great line.

436
00:20:47,800 --> 00:20:50,560
Speaker 2: I think that was the scariest thing about the part

437
00:20:50,640 --> 00:20:53,800
Speaker 2: for me is sort of towing an authentic line of

438
00:20:54,320 --> 00:20:57,159
Speaker 2: I never looked at this character as not intelligent, but

439
00:20:57,400 --> 00:20:59,760
Speaker 2: here were these things in the script where you know,

440
00:20:59,840 --> 00:21:02,200
Speaker 2: he kind of like not knowing a lemon from a line,

441
00:21:02,560 --> 00:21:05,560
Speaker 2: and like, you know, there's like a few things to

442
00:21:05,760 --> 00:21:11,840
Speaker 2: obviously sort of shed light on his shelteredness or experience,

443
00:21:11,920 --> 00:21:15,040
Speaker 2: you know. And and and in the way that he

444
00:21:15,600 --> 00:21:19,359
Speaker 2: looks at him he sees himself, he understands.

445
00:21:18,720 --> 00:21:20,800
Speaker 1: In the shadow of his brother always right.

446
00:21:21,160 --> 00:21:23,960
Speaker 2: So I think those were the important things to get

447
00:21:24,000 --> 00:21:27,720
Speaker 2: from these things, but also like I was really nervous

448
00:21:27,800 --> 00:21:31,280
Speaker 2: to execute them in an authentic way, you know what

449
00:21:31,280 --> 00:21:35,720
Speaker 2: I mean, because obviously this wasn't like a broad comedy movie.

450
00:21:35,800 --> 00:21:38,000
Speaker 2: We were really on the same page of like balancing

451
00:21:38,040 --> 00:21:41,360
Speaker 2: this dark comedy and this but this really human authenticity

452
00:21:41,440 --> 00:21:44,119
Speaker 2: with this emotional through line. So it's not like I

453
00:21:44,160 --> 00:21:50,919
Speaker 2: could like, you know, be like.

454
00:21:48,240 --> 00:21:51,480
Speaker 1: Wink wink, I know what's happening. Yeah, well it was

455
00:21:51,720 --> 00:21:54,520
Speaker 1: because he delivered it, and I was like and you go, oh, yeah,

456
00:21:54,520 --> 00:21:57,800
Speaker 1: and then you're like, wait, that's not coore. It takes

457
00:21:57,800 --> 00:21:58,240
Speaker 1: the audience.

458
00:21:58,280 --> 00:22:02,200
Speaker 2: I guess sure, you get a few steps down the road.

459
00:22:00,520 --> 00:22:04,840
Speaker 1: Yeah, on a second. Yeah, but it points up exactly

460
00:22:04,920 --> 00:22:08,199
Speaker 1: kind of where he is. He's trying, but what's missing

461
00:22:08,640 --> 00:22:12,680
Speaker 1: now that his brother isn't there to like help him out. Yeah,

462
00:22:12,840 --> 00:22:16,080
Speaker 1: And it was like it was like an unexpectedly poignant moment.

463
00:22:16,760 --> 00:22:17,680
Speaker 1: I appreciate that.

464
00:22:17,720 --> 00:22:20,360
Speaker 2: Well, it's so it's so honest, it's you know, and

465
00:22:20,359 --> 00:22:23,440
Speaker 2: and yeah, I think it's such a powerful little Again,

466
00:22:23,440 --> 00:22:26,600
Speaker 2: it's such a beautiful example of James's ability as a

467
00:22:26,600 --> 00:22:31,800
Speaker 2: writer because it's such it's such specificity with the perfect thing,

468
00:22:31,880 --> 00:22:35,960
Speaker 2: you know, and and it tells the emotional it gives

469
00:22:35,960 --> 00:22:39,840
Speaker 2: but it gives you such context of this guy's life

470
00:22:39,840 --> 00:22:41,720
Speaker 2: and where and what he's what he's lost and what

471
00:22:41,760 --> 00:22:44,880
Speaker 2: he's going through right now, and you know, and it's yeah,

472
00:22:44,920 --> 00:22:45,560
Speaker 2: it's beautiful.

473
00:22:46,560 --> 00:22:48,760
Speaker 1: I love that. So I'm looking back here and I

474
00:22:49,040 --> 00:22:50,960
Speaker 1: see what he got over the two things. One is

475
00:22:51,119 --> 00:22:52,760
Speaker 1: and this is an expression you're going to have to

476
00:22:53,160 --> 00:22:55,960
Speaker 1: help me understand. Okay, so what is a white boy

477
00:22:56,000 --> 00:22:59,000
Speaker 1: of the month. You have to see how I did that.

478
00:22:59,080 --> 00:23:01,879
Speaker 1: I waited for him to yip. That's a that's called acting,

479
00:23:02,480 --> 00:23:05,200
Speaker 1: and that's that's how we do it here. These it's

480
00:23:05,240 --> 00:23:06,760
Speaker 1: you know, as a certain age. I'm a certain age,

481
00:23:06,760 --> 00:23:08,720
Speaker 1: and I don't know some of these expressions. So yeah,

482
00:23:08,720 --> 00:23:10,760
Speaker 1: but I feel more I'm I'm kind of closer to

483
00:23:10,800 --> 00:23:14,160
Speaker 1: your age. I gotta be honest. See how I waited

484
00:23:14,400 --> 00:23:17,720
Speaker 1: an old soul. He's an old soul. So what is

485
00:23:17,920 --> 00:23:19,840
Speaker 1: I don't know really what a white boy of the

486
00:23:19,840 --> 00:23:23,040
Speaker 1: month is. I guess it is a it is a

487
00:23:23,240 --> 00:23:25,359
Speaker 1: Oh that's good. Yeah, so what is the Let's pretend

488
00:23:25,440 --> 00:23:26,640
Speaker 1: we don't know because I don't really.

489
00:23:26,440 --> 00:23:28,399
Speaker 2: Know, so I'll just yeah, let's venture guesses.

490
00:23:28,440 --> 00:23:30,960
Speaker 1: Yeah yeah, Ken, Maya will tell us what we should

491
00:23:31,040 --> 00:23:34,280
Speaker 1: what it should be, what it really is things.

492
00:23:34,400 --> 00:23:37,399
Speaker 2: I guess it is a meaty thing I go to.

493
00:23:37,600 --> 00:23:43,800
Speaker 2: Is a you know, selected male of a calendar month.

494
00:23:44,920 --> 00:23:45,960
Speaker 1: Which month would this be?

495
00:23:46,359 --> 00:23:49,000
Speaker 2: And it can be any month? Okay, I assume and

496
00:23:49,040 --> 00:23:53,680
Speaker 2: I believe you know it would have to be Caucasian male.

497
00:23:54,080 --> 00:23:56,320
Speaker 1: Yes, that's good. That's it.

498
00:23:57,520 --> 00:23:58,399
Speaker 2: You're not chiming.

499
00:23:59,600 --> 00:24:01,560
Speaker 1: We're going to complete each other. Since as we didn't,

500
00:24:01,600 --> 00:24:04,000
Speaker 1: Maya correct what it is.

501
00:24:04,000 --> 00:24:07,560
Speaker 2: But there's gotta be more. Yeah, what's the element? That's

502
00:24:07,560 --> 00:24:09,520
Speaker 2: what I want to elemility.

503
00:24:10,160 --> 00:24:13,320
Speaker 4: Hello, well, yes, that's a good way to put it.

504
00:24:13,560 --> 00:24:17,479
Speaker 2: Are you delicious? You firing snack ability back corner?

505
00:24:17,640 --> 00:24:19,000
Speaker 1: That is so funny.

506
00:24:19,560 --> 00:24:22,199
Speaker 4: Yeah. They need to have a certain non threatening us

507
00:24:22,359 --> 00:24:25,360
Speaker 4: to them all sensitivity.

508
00:24:25,400 --> 00:24:26,879
Speaker 1: We cover that with that.

509
00:24:27,359 --> 00:24:34,600
Speaker 4: Nowadays it's a soft boy somebody who all terminology today.

510
00:24:34,920 --> 00:24:39,160
Speaker 2: Yeah, putting soft boy though, doesn't that come with an

511
00:24:39,200 --> 00:24:42,199
Speaker 2: element of and I'm genuinely asking this question, doesn't that

512
00:24:42,240 --> 00:24:44,359
Speaker 2: come with an element of manipulation?

513
00:24:44,560 --> 00:24:45,360
Speaker 3: By the month?

514
00:24:45,440 --> 00:24:46,040
Speaker 1: Is I don't like that?

515
00:24:46,800 --> 00:24:47,600
Speaker 3: Just more wholesome?

516
00:24:48,000 --> 00:24:50,480
Speaker 1: Well, this is someone who generally cares about someone. You know.

517
00:24:50,720 --> 00:24:53,760
Speaker 1: He's going, you're too pure? I am, I am pure? Yeah,

518
00:24:53,840 --> 00:24:55,320
Speaker 1: that is true. It goes back to the eleven year

519
00:24:55,359 --> 00:25:00,879
Speaker 1: old boy seeing that charred arm. So we conclude from this,

520
00:25:01,040 --> 00:25:05,240
Speaker 1: I think I said snack ability. Let's just go with that.

521
00:25:05,800 --> 00:25:10,520
Speaker 4: Yeah, and we've decided this month it's you guys together

522
00:25:10,640 --> 00:25:14,280
Speaker 4: coming back together. It's Dylan and Art like this.

523
00:25:14,480 --> 00:25:18,240
Speaker 1: Did you say I'm coming back? Where did I go? Oh?

524
00:25:18,280 --> 00:25:18,920
Speaker 1: You mean on the.

525
00:25:18,840 --> 00:25:21,840
Speaker 4: Show coming back as you're one of the.

526
00:25:21,280 --> 00:25:23,280
Speaker 2: White boys of them? Went oh?

527
00:25:23,359 --> 00:25:26,960
Speaker 1: Like for when this was created. Yes, you were like,

528
00:25:27,800 --> 00:25:31,840
Speaker 1: when was this created? The twenty fourteen my come here

529
00:25:31,920 --> 00:25:38,200
Speaker 1: mid my Heyday? Baby? Oh? Was that was that the

530
00:25:38,440 --> 00:25:39,800
Speaker 1: YouTube show?

531
00:25:39,840 --> 00:25:41,480
Speaker 2: What was no my YouTube video?

532
00:25:41,600 --> 00:25:43,200
Speaker 1: Yeah? Yeah, yeah, yeah. Do you want to talk about

533
00:25:43,240 --> 00:25:46,800
Speaker 1: movie Kid too? I've checked, I'll checked a couple.

534
00:25:46,920 --> 00:25:49,000
Speaker 2: All I've done is research there, You've done a ton

535
00:25:49,040 --> 00:25:49,800
Speaker 2: of research. I don't know.

536
00:25:49,880 --> 00:25:51,840
Speaker 1: No, I love the I love the lip sync. The

537
00:25:51,880 --> 00:25:53,760
Speaker 1: lip sync and then kind of being discovered and I

538
00:25:53,800 --> 00:25:57,320
Speaker 1: was like, that's very that's very you know bold, Like

539
00:25:57,640 --> 00:25:59,600
Speaker 1: how old were you when you do that? When I

540
00:25:59,680 --> 00:26:02,080
Speaker 1: made that? Yeah? Yeah, yeah, I think I was fifteen, Okay,

541
00:26:02,200 --> 00:26:05,000
Speaker 1: so much Son's seventeen, and there's there's definitely a play,

542
00:26:05,080 --> 00:26:08,080
Speaker 1: a play and an understanding of what you're doing even

543
00:26:08,119 --> 00:26:08,760
Speaker 1: at that age.

544
00:26:08,840 --> 00:26:11,359
Speaker 2: It's interesting for me to reflect on because I think

545
00:26:11,520 --> 00:26:15,280
Speaker 2: in a business where people are always going to kind

546
00:26:15,320 --> 00:26:18,040
Speaker 2: of tell you don't change, but they put a negative

547
00:26:18,080 --> 00:26:20,879
Speaker 2: connotation on it, like a you know, they'll be like,

548
00:26:21,119 --> 00:26:23,240
Speaker 2: don't get big headed, don't become an asshole. I heard

549
00:26:23,280 --> 00:26:25,240
Speaker 2: that a lot when I was young, Like it's a

550
00:26:25,320 --> 00:26:28,600
Speaker 2: weird thing to hear because you also need to evolve.

551
00:26:28,760 --> 00:26:30,399
Speaker 2: But then you're like, wait, is that bad? If I do,

552
00:26:30,560 --> 00:26:32,440
Speaker 2: or people going to think I'm an asshole. So it's

553
00:26:32,760 --> 00:26:35,800
Speaker 2: it's kind of a mind fuck for nineteen year old me.

554
00:26:35,960 --> 00:26:37,879
Speaker 2: I guess this is my personal journey. It's funny. And

555
00:26:37,880 --> 00:26:39,879
Speaker 2: then I'll look at things like that, like the that

556
00:26:40,000 --> 00:26:42,840
Speaker 2: video and I go oh, I've always like kind of

557
00:26:42,880 --> 00:26:44,600
Speaker 2: had the same little takes.

558
00:26:44,640 --> 00:26:45,720
Speaker 1: You know, that was me.

559
00:26:45,880 --> 00:26:48,640
Speaker 2: I mean that was like a trend, and trends are

560
00:26:48,680 --> 00:26:52,440
Speaker 2: now such a thing obviously, but like singing the Pokemon,

561
00:26:52,480 --> 00:26:55,400
Speaker 2: I remember that just being like an it's so god

562
00:26:55,480 --> 00:26:58,439
Speaker 2: it's like prehistoric now its first generation YouTube and like

563
00:26:58,520 --> 00:27:03,360
Speaker 2: singing the Pokemon or no sorry, I'm sorry the Spice Girls. Yeah,

564
00:27:03,400 --> 00:27:07,000
Speaker 2: song was like a trend on like first generation YouTube,

565
00:27:07,680 --> 00:27:13,320
Speaker 2: and my little instinct like whatever funny or not, I

566
00:27:13,320 --> 00:27:16,240
Speaker 2: wanted to make it and then end it really quickly

567
00:27:16,320 --> 00:27:20,000
Speaker 2: with like this funny thing, like I didn't see what

568
00:27:20,160 --> 00:27:23,359
Speaker 2: was so funny about just also doing that thing that

569
00:27:23,440 --> 00:27:24,639
Speaker 2: everyone you know what I mean.

570
00:27:24,680 --> 00:27:26,840
Speaker 1: I'm like, we'll lip sinking to the whole song, like

571
00:27:26,840 --> 00:27:29,480
Speaker 1: what does that do? And it should be something else

572
00:27:29,520 --> 00:27:29,959
Speaker 1: like twisted.

573
00:27:30,040 --> 00:27:33,240
Speaker 2: Yeah, so it was a weird I don't know example

574
00:27:33,280 --> 00:27:35,200
Speaker 2: of I look back and I'm like, oh, I see

575
00:27:35,200 --> 00:27:38,800
Speaker 2: like my sense of humor and creativity, it's kind of

576
00:27:38,880 --> 00:27:39,840
Speaker 2: always been the same.

577
00:27:39,920 --> 00:27:42,600
Speaker 1: And I mean it's a little story. Yeah, thank bang

578
00:27:42,680 --> 00:27:43,800
Speaker 1: like that, you know what I mean, it's not just

579
00:27:43,800 --> 00:27:46,600
Speaker 1: like one note. Sure you add something to the end.

580
00:27:46,760 --> 00:27:50,080
Speaker 2: Yeah, A little little yeah, a little yeah, something little

581
00:27:50,080 --> 00:27:50,680
Speaker 2: spice there.

582
00:27:50,760 --> 00:27:53,840
Speaker 1: Yeah, yeah, that's good, a little spice. I didn't even

583
00:27:53,880 --> 00:27:56,439
Speaker 1: mean it even mean right into it.

584
00:27:56,480 --> 00:28:06,480
Speaker 3: That's brilliant.

585
00:28:06,560 --> 00:28:08,800
Speaker 1: But you do love coffee. I do.

586
00:28:09,440 --> 00:28:11,760
Speaker 2: I do, but I only do one coffee a day,

587
00:28:11,880 --> 00:28:14,600
Speaker 2: so it's like not like an obsessive coffee drinker, but

588
00:28:14,680 --> 00:28:15,560
Speaker 2: I do love coffee.

589
00:28:15,680 --> 00:28:18,119
Speaker 1: So and I'm very specific about my coffe. Yeah, we

590
00:28:18,280 --> 00:28:19,600
Speaker 1: talk about that. Yeah, I do. I do. I do

591
00:28:19,680 --> 00:28:23,040
Speaker 1: because I do six cups today. Six. Yeah, you heard

592
00:28:23,040 --> 00:28:27,440
Speaker 1: it right, six. Worried about you, worried about me. I'm

593
00:28:27,480 --> 00:28:31,280
Speaker 1: going to the bathroom now. Yeah. You gotta the hard

594
00:28:31,320 --> 00:28:33,480
Speaker 1: thing when you get older. It's like you add to

595
00:28:33,520 --> 00:28:35,240
Speaker 1: the progress. You know what I'm saying. And you told

596
00:28:35,240 --> 00:28:38,200
Speaker 1: me it was French press. Is your preference? Yes, yes,

597
00:28:38,560 --> 00:28:42,200
Speaker 1: I used to be like a real cappuccino guy with

598
00:28:42,320 --> 00:28:45,480
Speaker 1: the thing and gradually just become my father where you

599
00:28:45,520 --> 00:28:47,280
Speaker 1: just sort of grind it up put the water on

600
00:28:47,320 --> 00:28:50,440
Speaker 1: it and drink it, shove it down. It's pretty simple.

601
00:28:50,840 --> 00:28:54,000
Speaker 2: And do you so you like the process about it most?

602
00:28:54,400 --> 00:28:56,600
Speaker 2: It's not like a taste preference thing, because I find

603
00:28:56,600 --> 00:28:59,960
Speaker 2: the French press can be one of the more diluted

604
00:29:00,400 --> 00:29:01,240
Speaker 2: ways of interesting.

605
00:29:01,600 --> 00:29:04,200
Speaker 1: Oh really really, Oh my god? Okay, all right, fine

606
00:29:04,600 --> 00:29:06,840
Speaker 1: ladies and gentlemen go to black for just a minute

607
00:29:07,040 --> 00:29:15,160
Speaker 1: and we're back. Yeah you look okay?

608
00:29:15,720 --> 00:29:18,280
Speaker 2: Is it so not?

609
00:29:18,520 --> 00:29:20,720
Speaker 1: I measure it out, I weigh it. Yeah. Yeah, Well,

610
00:29:20,720 --> 00:29:23,440
Speaker 1: because you can make your own you can strength control.

611
00:29:23,560 --> 00:29:25,520
Speaker 1: Yeah yeah, I like it stronger. But how do you do?

612
00:29:25,560 --> 00:29:27,200
Speaker 1: How do you do you so you get the whole

613
00:29:27,200 --> 00:29:27,680
Speaker 1: being you need?

614
00:29:27,800 --> 00:29:29,880
Speaker 2: Like, so I have like a it's called a six

615
00:29:29,960 --> 00:29:33,320
Speaker 2: cup camper bioletti, but it's not like six cups of coffee.

616
00:29:33,320 --> 00:29:35,440
Speaker 2: So I've always been confused about that. When you first

617
00:29:35,440 --> 00:29:37,600
Speaker 2: said six cups, I was like, is it actually six?

618
00:29:38,760 --> 00:29:41,040
Speaker 1: I had to measure it. It's well, that's a good question,

619
00:29:41,200 --> 00:29:42,440
Speaker 1: you know what I mean? Yeah? Is it a cup

620
00:29:42,520 --> 00:29:44,240
Speaker 1: or is it like a little you know.

621
00:29:44,200 --> 00:29:47,600
Speaker 2: So it's it's it's the espresso bletti, like you know

622
00:29:47,640 --> 00:29:50,280
Speaker 2: those camper ones that have been forever. You throw it

623
00:29:50,280 --> 00:29:50,640
Speaker 2: on the stuff.

624
00:29:50,720 --> 00:29:52,880
Speaker 1: Yeah, when you separate it just kind of that. I

625
00:29:52,920 --> 00:29:55,480
Speaker 1: don't know, you throw I throw the espresso grounds in there.

626
00:29:55,720 --> 00:29:56,960
Speaker 1: I like Italy coffee.

627
00:29:57,000 --> 00:30:00,800
Speaker 2: I think great, Yeah, I love that when you pop

628
00:30:00,880 --> 00:30:01,520
Speaker 2: that can y.

629
00:30:02,720 --> 00:30:03,080
Speaker 1: Yeah.

630
00:30:03,600 --> 00:30:05,800
Speaker 2: And then sometimes it implodes. One will implode on you

631
00:30:06,000 --> 00:30:06,920
Speaker 2: if you get a bad one.

632
00:30:07,200 --> 00:30:08,720
Speaker 1: No, you ever do that? What happens? No?

633
00:30:09,440 --> 00:30:12,000
Speaker 2: I g open, You're very excited and like it like

634
00:30:12,080 --> 00:30:13,680
Speaker 2: kind of sprays all over you.

635
00:30:13,720 --> 00:30:19,440
Speaker 1: Really, oh God explodes? What happened? A little indigestion? Yeah,

636
00:30:19,640 --> 00:30:22,680
Speaker 1: that coffee. That's what happens with coffee. You get indigestion.

637
00:30:22,960 --> 00:30:23,560
Speaker 1: That's one of thing.

638
00:30:24,120 --> 00:30:25,920
Speaker 2: Like is coffee good for us? I don't know.

639
00:30:26,040 --> 00:30:30,560
Speaker 1: I think in moderation, I always go to moderation. You're like,

640
00:30:30,640 --> 00:30:32,880
Speaker 1: it's fine and moderation, but I don't do it in moderation.

641
00:30:32,960 --> 00:30:34,240
Speaker 1: That's the problem, right, Yeah.

642
00:30:34,280 --> 00:30:36,160
Speaker 2: And then okay, the weird thing I do is with

643
00:30:36,280 --> 00:30:38,400
Speaker 2: my my little milk situation.

644
00:30:38,720 --> 00:30:39,920
Speaker 1: Okay, you do have milk.

645
00:30:40,240 --> 00:30:44,400
Speaker 2: Yeah, So I'll toss a little oat milk in uh,

646
00:30:44,520 --> 00:30:46,480
Speaker 2: in a in like a pot, and I'll start kind

647
00:30:46,480 --> 00:30:48,560
Speaker 2: of I'll throw a fire and I'll start a little

648
00:30:48,840 --> 00:30:51,240
Speaker 2: eating it up, brought it up, and then I'll I'll

649
00:30:51,320 --> 00:30:55,160
Speaker 2: chop up some ginger root and like turmeric and a

650
00:30:55,160 --> 00:30:56,800
Speaker 2: little cinnamon stick, and I'll throw it in there and

651
00:30:56,800 --> 00:31:00,600
Speaker 2: I'll simmer the milk with that as my coffee's growing up.

652
00:31:00,680 --> 00:31:03,440
Speaker 2: Yeah yeah, yeah, Sometimes I'll drink a little honey in

653
00:31:03,480 --> 00:31:06,840
Speaker 2: there too. Yeah, feel a little sexy in the morning.

654
00:31:08,440 --> 00:31:10,360
Speaker 1: My sticky fingers. That's good. Yeah, you know, you know,

655
00:31:10,400 --> 00:31:10,760
Speaker 1: what the hell?

656
00:31:10,840 --> 00:31:13,000
Speaker 2: And then oh yeah, so then by the time the

657
00:31:13,040 --> 00:31:15,120
Speaker 2: coffee is ready, I'll stop the simmer.

658
00:31:15,440 --> 00:31:17,960
Speaker 1: I'll, you know, and it gives a little nice, little

659
00:31:18,280 --> 00:31:19,000
Speaker 1: yeah flavor.

660
00:31:19,040 --> 00:31:20,200
Speaker 2: And then I throw.

661
00:31:21,480 --> 00:31:26,240
Speaker 1: I put a little like collagen powder in my mix.

662
00:31:26,360 --> 00:31:30,480
Speaker 2: Things on on whether or not that does anything.

663
00:31:30,280 --> 00:31:33,360
Speaker 1: I don't know. I mean, how can it hurt? Right,

664
00:31:33,600 --> 00:31:35,640
Speaker 1: that's a really big way of looking at me. I

665
00:31:35,720 --> 00:31:38,040
Speaker 1: like to think that I do bone broths for that

666
00:31:38,200 --> 00:31:40,200
Speaker 1: for the college. I love bone broth. Yeah, I have

667
00:31:40,240 --> 00:31:42,160
Speaker 1: a big soup maker. I really love making.

668
00:31:42,360 --> 00:31:45,840
Speaker 2: No really, yeah, I went through a huge bone broth

669
00:31:45,840 --> 00:31:47,440
Speaker 2: making face like a bizarre one.

670
00:31:47,520 --> 00:31:52,120
Speaker 1: Yeah. How much time do we have, photographer, I've turned

671
00:31:52,160 --> 00:31:55,479
Speaker 1: into a week turned to a cooking show. I'm comfortable here,

672
00:31:55,520 --> 00:31:58,360
Speaker 1: I'm comfortable speaking with you. Oh good, But I could

673
00:31:58,360 --> 00:32:00,520
Speaker 1: be very not. Yeah, you get what happened. When you

674
00:32:00,520 --> 00:32:02,600
Speaker 1: get quiet, you get uncomfortable.

675
00:32:02,640 --> 00:32:06,040
Speaker 2: No, not even but like I'll feel quiet inside. Yeah,

676
00:32:06,480 --> 00:32:07,200
Speaker 2: loud and angry.

677
00:32:07,320 --> 00:32:08,880
Speaker 1: Yeah, I don't like it. I don't like to bel

678
00:32:09,600 --> 00:32:11,719
Speaker 1: I'm more curious about. So tell me how I tell

679
00:32:11,760 --> 00:32:13,440
Speaker 1: me how it all works. You know what's Yeah, what's

680
00:32:13,480 --> 00:32:16,520
Speaker 1: happening in there? What's the sure? Sure? What's bubbling up?

681
00:32:16,640 --> 00:32:20,280
Speaker 2: Yeah? No, I think it's more just feeling like alienated,

682
00:32:20,440 --> 00:32:22,120
Speaker 2: if that makes sense.

683
00:32:22,440 --> 00:32:24,400
Speaker 1: Yes. When I think of you, I think there is

684
00:32:24,440 --> 00:32:27,480
Speaker 1: there's because there's always something in there's there's a there's

685
00:32:27,520 --> 00:32:31,800
Speaker 1: a fire in there. Maybe that's going. Maybe that's what

686
00:32:31,840 --> 00:32:34,200
Speaker 1: it is. I mean, you're squinting at me. I know

687
00:32:34,280 --> 00:32:37,080
Speaker 1: I'm in a different I know you go. You moved

688
00:32:37,080 --> 00:32:43,760
Speaker 1: when you're you're like, I have a plan I did

689
00:32:43,760 --> 00:32:46,280
Speaker 1: when you sat down. I did want to say, Dylan

690
00:32:46,480 --> 00:32:49,040
Speaker 1: old broh and has ever never done that for you?

691
00:32:49,040 --> 00:32:51,719
Speaker 1: Like to Conan O'Bryan shout out, no, no, oh, yeah,

692
00:32:51,720 --> 00:32:52,320
Speaker 1: that's what it was.

693
00:32:52,720 --> 00:32:54,840
Speaker 2: That was a reference. That's what I'm talking. No one

694
00:32:54,840 --> 00:32:56,720
Speaker 2: has ever done it, Okay, no one has done it

695
00:32:56,800 --> 00:32:59,880
Speaker 2: for you. You've been the first to watch the outfit and

696
00:33:00,080 --> 00:33:01,680
Speaker 2: to introduce.

697
00:33:01,720 --> 00:33:02,280
Speaker 1: Me with that.

698
00:33:03,080 --> 00:33:06,000
Speaker 2: But then we we were gelling so much the top

699
00:33:06,080 --> 00:33:08,880
Speaker 2: he forgot you forgot, I forget about through the cards

700
00:33:08,920 --> 00:33:13,680
Speaker 2: out the don't even talk them over here there everywhere cards?

701
00:33:14,040 --> 00:33:15,760
Speaker 1: Oh god, these are.

702
00:33:16,080 --> 00:33:17,440
Speaker 2: You just talk about?

703
00:33:17,520 --> 00:33:24,320
Speaker 1: White? No one cares cares about it? Did your dad? Oh? Yeah,

704
00:33:24,520 --> 00:33:27,960
Speaker 1: what are you saying? You don't? He said? And who?

705
00:33:28,480 --> 00:33:30,520
Speaker 1: He said? Who the hell is that? My father goes,

706
00:33:30,560 --> 00:33:33,360
Speaker 1: what does he do? I love your dad. I love

707
00:33:33,400 --> 00:33:33,800
Speaker 1: your dad.

708
00:33:34,040 --> 00:33:36,280
Speaker 2: He's he'll put it. He'll get it now. Once I

709
00:33:36,400 --> 00:33:39,160
Speaker 2: point to, he thinks something because he knows a lot

710
00:33:39,200 --> 00:33:42,280
Speaker 2: of crew. Usually I'm texting him about crew. Oh my

711
00:33:42,320 --> 00:33:42,960
Speaker 2: dad's a crew members.

712
00:33:43,200 --> 00:33:54,680
Speaker 1: Yeah yeah, when we come back the game, Oh yeah,

713
00:33:54,720 --> 00:33:55,560
Speaker 1: show me your Yeah.

714
00:33:55,600 --> 00:33:57,640
Speaker 2: Well I decided to change. And it's funny because you

715
00:33:59,360 --> 00:34:00,920
Speaker 2: he took separate bathroom breaks.

716
00:34:00,680 --> 00:34:03,040
Speaker 1: But weird because I found the shirt in the bathroom.

717
00:34:03,040 --> 00:34:08,000
Speaker 1: I just I brought this today. Did you if you're Italian?

718
00:34:08,440 --> 00:34:12,799
Speaker 1: I am a quarter Italian? Are you? Yeah? See see

719
00:34:13,400 --> 00:34:15,959
Speaker 1: you're from New Jersey. That's yeah.

720
00:34:16,080 --> 00:34:17,440
Speaker 2: What's tell me about your shirt?

721
00:34:18,080 --> 00:34:23,520
Speaker 1: This is film film, film critic, anybody? Because I have

722
00:34:23,560 --> 00:34:25,480
Speaker 1: our friends. They love to say and I love it

723
00:34:25,520 --> 00:34:28,040
Speaker 1: when they say me too film film going down to

724
00:34:28,080 --> 00:34:28,800
Speaker 1: the film then.

725
00:34:29,120 --> 00:34:32,840
Speaker 2: Yeah, it's it's it's the way that that word should

726
00:34:32,840 --> 00:34:34,320
Speaker 2: be said by everyone.

727
00:34:34,440 --> 00:34:38,040
Speaker 1: Yeah, I think we have a response from Dylan's father, Ye,

728
00:34:38,760 --> 00:34:42,200
Speaker 1: law and order. Yeah, update on this U d Okay,

729
00:34:42,520 --> 00:34:44,680
Speaker 1: So you go live now.

730
00:34:44,880 --> 00:34:52,160
Speaker 2: I said, I said the actor he goes, oh the

731
00:34:52,920 --> 00:34:54,720
Speaker 2: with to ease Kyle maccoth.

732
00:34:55,600 --> 00:34:58,080
Speaker 1: That would be a no. I didn't even know he

733
00:34:58,200 --> 00:35:03,280
Speaker 1: was on sv AH and that's okay. So he didn't

734
00:35:03,280 --> 00:35:04,959
Speaker 1: study miam IMDb page.

735
00:35:06,080 --> 00:35:08,480
Speaker 2: And you've done such an I sort of love that

736
00:35:08,640 --> 00:35:11,440
Speaker 2: searching job that it's making us all feel.

737
00:35:11,160 --> 00:35:13,400
Speaker 1: Bad that we didn't do it. I just did a

738
00:35:13,480 --> 00:35:15,160
Speaker 1: couple of things.

739
00:35:14,719 --> 00:35:17,080
Speaker 2: Like your episode of SVU is something I.

740
00:35:17,000 --> 00:35:20,040
Speaker 1: Would love to very deep into the arm though. That

741
00:35:20,040 --> 00:35:22,520
Speaker 1: would have been awesome. Anyway, if you want to start, Okay,

742
00:35:22,520 --> 00:35:24,560
Speaker 1: I'm ready, we're back. We've got the game. It's just

743
00:35:24,560 --> 00:35:27,000
Speaker 1: called reviews for two.

744
00:35:27,440 --> 00:35:32,920
Speaker 2: My cards called Dylan's Card, Dylan's card featuring Kyle film reviews,

745
00:35:33,000 --> 00:35:34,040
Speaker 2: Kyle film review.

746
00:35:35,400 --> 00:35:37,719
Speaker 1: Okay, do you want to go first? We both see Okay, Okay,

747
00:35:37,760 --> 00:35:40,800
Speaker 1: I've decided I'm gonna set the scene. We I've decided

748
00:35:40,800 --> 00:35:42,520
Speaker 1: to collect some of them I'm reading some of the

749
00:35:42,560 --> 00:35:46,160
Speaker 1: most outlandish and hilarious reviews from some of our recent

750
00:35:46,200 --> 00:35:48,160
Speaker 1: and not so recent films. So these are these are

751
00:35:48,200 --> 00:35:50,000
Speaker 1: actual reviews.

752
00:35:49,600 --> 00:35:53,280
Speaker 2: And so we're both guessing these all these film reviews

753
00:35:53,280 --> 00:35:55,040
Speaker 2: from the others films.

754
00:35:55,840 --> 00:35:58,759
Speaker 1: So one of us will read a review from the

755
00:35:58,760 --> 00:36:03,239
Speaker 1: other's movie, and that person must guess, must guess which

756
00:36:03,280 --> 00:36:08,200
Speaker 1: one is from spuck Bones. Shall we travel into the

757
00:36:08,239 --> 00:36:11,680
Speaker 1: world of revws. I love that one too. I know

758
00:36:11,760 --> 00:36:15,200
Speaker 1: we've all said the dad is hot, but oh, Phil,

759
00:36:15,560 --> 00:36:18,399
Speaker 1: I know this one. You do? Yeah inside out? Yeah, yeah,

760
00:36:19,080 --> 00:36:21,680
Speaker 1: how did you know? It's well it was a surprise

761
00:36:22,080 --> 00:36:25,239
Speaker 1: suddenly suddenly Yeah, I was like, he's absolutely not hot,

762
00:36:25,320 --> 00:36:27,160
Speaker 1: you know what I mean. But I was like, what

763
00:36:27,320 --> 00:36:27,920
Speaker 1: is happening?

764
00:36:28,160 --> 00:36:30,040
Speaker 2: So it stuck out to you because it was like

765
00:36:31,160 --> 00:36:35,800
Speaker 2: really weird interesting. Yeah, Okay, I really don't have faith

766
00:36:35,800 --> 00:36:36,680
Speaker 2: in myself for this.

767
00:36:37,040 --> 00:36:39,920
Speaker 1: You're gonna be great. You're gonna be great. There can

768
00:36:40,000 --> 00:36:43,560
Speaker 1: never be ready. There can never be two redheads in

769
00:36:43,680 --> 00:36:46,560
Speaker 1: one film. There can never be two red heads in

770
00:36:46,600 --> 00:36:51,560
Speaker 1: one film. This is from a review of a review. Yeah,

771
00:36:51,760 --> 00:36:59,759
Speaker 1: there can never be that can never be two redheads

772
00:37:00,200 --> 00:37:03,400
Speaker 1: one film. I don't know say it with film at

773
00:37:03,400 --> 00:37:07,600
Speaker 1: the end. There can never be two redheads in one film.

774
00:37:07,960 --> 00:37:08,359
Speaker 1: Got it?

775
00:37:12,760 --> 00:37:16,000
Speaker 2: Okay, I'm gonna give your second one. So that's what

776
00:37:16,040 --> 00:37:18,640
Speaker 2: Evil Coop was doing during the twenty five years.

777
00:37:18,920 --> 00:37:22,040
Speaker 1: That's an easy it's a layup. Yeah, yeah, that's true. No,

778
00:37:22,400 --> 00:37:26,799
Speaker 1: that's true. That's the return twin Peaks of Return, that's

779
00:37:26,880 --> 00:37:30,320
Speaker 1: firewalk with me. That's Twin Peaks. It's gonna be a

780
00:37:30,360 --> 00:37:34,000
Speaker 1: little left of center. I think. So that's what he's referencing.

781
00:37:34,480 --> 00:37:37,000
Speaker 1: Oh wait, so that's what Evil Coop was doing years.

782
00:37:37,040 --> 00:37:39,279
Speaker 1: It's Oh, it's about something else.

783
00:37:39,520 --> 00:37:42,880
Speaker 2: I know. You were really funny because you're really confident

784
00:37:42,960 --> 00:37:43,319
Speaker 2: in the game.

785
00:37:44,520 --> 00:37:46,800
Speaker 1: But it's what it's referencing, is what you're saying. But

786
00:37:46,960 --> 00:37:49,520
Speaker 1: hold on a second. I think you on tablet. Yeah

787
00:37:49,800 --> 00:37:54,680
Speaker 1: what Jill and O'Brien, you did what you could baby girl.

788
00:38:00,040 --> 00:38:02,719
Speaker 1: What Maybe it's a slate.

789
00:38:02,760 --> 00:38:04,279
Speaker 2: It will probably help sticks.

790
00:38:05,280 --> 00:38:11,480
Speaker 1: Oh I love that. That's very nice again, Oh, very

791
00:38:11,520 --> 00:38:13,160
Speaker 1: nice one.

792
00:38:13,480 --> 00:38:17,240
Speaker 2: Oh you want to do the same time three?

793
00:38:19,239 --> 00:38:21,359
Speaker 1: You did what you did what you could Baby Girl.

794
00:38:21,400 --> 00:38:26,040
Speaker 1: First of all, it sounds like it's dissing me. You

795
00:38:26,080 --> 00:38:29,480
Speaker 1: did what you could, Baby Girl for the Maze Runner.

796
00:38:30,080 --> 00:38:34,000
Speaker 2: You just gave it to me, Yeah, I misread.

797
00:38:35,360 --> 00:38:37,799
Speaker 1: I was supposed to read a sentence above that, and

798
00:38:37,840 --> 00:38:39,400
Speaker 1: I said the answer the maize.

799
00:38:39,200 --> 00:38:41,880
Speaker 2: Runner, you know what, you know, what's a bummer. But

800
00:38:41,960 --> 00:38:46,239
Speaker 2: I'm really happy that that happened because it was funny.

801
00:38:47,040 --> 00:38:49,200
Speaker 2: I was about to guess that. But it's not like

802
00:38:49,239 --> 00:38:49,600
Speaker 2: I knew.

803
00:38:49,680 --> 00:38:51,279
Speaker 1: I was just gonna. I was like, I need to

804
00:38:51,360 --> 00:38:52,080
Speaker 1: answer something.

805
00:38:52,120 --> 00:38:56,640
Speaker 2: And I only really have one movie. You know, I

806
00:38:56,760 --> 00:39:00,480
Speaker 2: played a kid who you know, I just really wanted

807
00:39:00,520 --> 00:39:02,520
Speaker 2: to get out by that maze and everyone's like, no, no, no,

808
00:39:02,560 --> 00:39:04,959
Speaker 2: We've like kind of set up a whole society works

809
00:39:05,000 --> 00:39:07,359
Speaker 2: here and I'm like, na, there's more for us out there.

810
00:39:07,520 --> 00:39:11,239
Speaker 2: And then like I lead this charge to get out

811
00:39:12,000 --> 00:39:17,319
Speaker 2: and there's a lot of collateral damage, carnage, and uh

812
00:39:18,560 --> 00:39:22,560
Speaker 2: but I survive, and so that, you know, debatably, I

813
00:39:22,560 --> 00:39:26,319
Speaker 2: have a you know, it's one could be angry at

814
00:39:26,320 --> 00:39:29,480
Speaker 2: that person. You know, we had it fine, right and

815
00:39:29,480 --> 00:39:32,560
Speaker 2: then the maze yeah yeah yeah? And then I was like,

816
00:39:32,840 --> 00:39:34,799
Speaker 2: you really wanted to get out and then now all

817
00:39:34,800 --> 00:39:35,719
Speaker 2: these kids are dead?

818
00:39:35,800 --> 00:39:37,080
Speaker 1: Yeah yeah yeah.

819
00:39:37,160 --> 00:39:39,680
Speaker 2: Do you want to give your second one another think?

820
00:39:39,920 --> 00:39:41,200
Speaker 2: Or do you want me to go to your third one?

821
00:39:41,520 --> 00:39:43,640
Speaker 2: So that's what evil Coop was doing there in twenty

822
00:39:43,680 --> 00:39:44,959
Speaker 2: five years he was in.

823
00:39:46,000 --> 00:39:48,040
Speaker 1: I was thinking it was Showgirls? What that could have been? Really,

824
00:39:49,640 --> 00:39:52,040
Speaker 1: that's the funny answer. It is the funny. I don't

825
00:39:52,080 --> 00:39:54,160
Speaker 1: know the real answer. No, I don't know. Enlighten me

826
00:39:54,400 --> 00:39:57,520
Speaker 1: the Flintstones. Oh there you go. Yeah, we never have

827
00:39:57,600 --> 00:39:59,959
Speaker 1: guessed it, I know. But it's sort of interesting because

828
00:39:59,920 --> 00:40:02,200
Speaker 1: it reverenge of twenty five years and of course Winston's

829
00:40:02,239 --> 00:40:03,880
Speaker 1: is you know pre story?

830
00:40:03,960 --> 00:40:04,600
Speaker 2: Yes, that is.

831
00:40:05,160 --> 00:40:08,319
Speaker 1: That is funny and it was fun to do about that.

832
00:40:08,760 --> 00:40:10,520
Speaker 1: Was that a blast? It was a blast. It was

833
00:40:10,520 --> 00:40:11,200
Speaker 1: a blast.

834
00:40:11,480 --> 00:40:14,959
Speaker 2: I've always just thought about driving thears.

835
00:40:15,920 --> 00:40:18,520
Speaker 1: I'm giving this five stars. So my girlfriend sees that

836
00:40:18,560 --> 00:40:26,480
Speaker 1: I watched it. Okay, this is a movie? Yes, whoa

837
00:40:26,880 --> 00:40:30,440
Speaker 1: all right? What short film? Also? Well, short film? I

838
00:40:30,480 --> 00:40:33,000
Speaker 1: was about to say, I was about to qualify.

839
00:40:33,120 --> 00:40:34,800
Speaker 2: I think we got to count that for me getting

840
00:40:34,800 --> 00:40:37,240
Speaker 2: that though, because the reason I asked that was because

841
00:40:37,280 --> 00:40:39,880
Speaker 2: obviously I was thinking that that was the answer.

842
00:40:40,520 --> 00:40:43,200
Speaker 1: Right, does everyone agree? Right? Okay, that's good?

843
00:40:43,560 --> 00:40:47,120
Speaker 2: Okay, I too would fall in love with young Kyle

844
00:40:47,200 --> 00:40:49,759
Speaker 2: McLaughlin almost immediately after meeting him.

845
00:40:51,200 --> 00:40:56,560
Speaker 1: Stumped, I wrote this one, actually, well yeah, blue Bonet yeah. Ooh,

846
00:40:56,680 --> 00:40:57,920
Speaker 1: well I was young. It was the only time I

847
00:40:57,960 --> 00:41:02,480
Speaker 1: was young. You got I have people here to help me.

848
00:41:03,080 --> 00:41:06,439
Speaker 1: Oh my god, wait, I feel good. That's the last one. Okay,

849
00:41:06,440 --> 00:41:08,200
Speaker 1: I got on. This my last one, right, yeah, this

850
00:41:08,239 --> 00:41:11,680
Speaker 1: is my last one. Yeah yeah, I've really failed. Girl

851
00:41:11,800 --> 00:41:17,160
Speaker 1: that funeral b O b Bob? Is this this be

852
00:41:17,360 --> 00:41:25,000
Speaker 1: the last maze runner? No? No, girl that funeral Bob

853
00:41:25,200 --> 00:41:27,960
Speaker 1: Bob meaning like, oh wait, well, I don't know why

854
00:41:28,000 --> 00:41:30,120
Speaker 1: I was thinking. It was like, bring your own beer.

855
00:41:31,880 --> 00:41:35,080
Speaker 1: That's b y o everybody. But this is the short

856
00:41:35,160 --> 00:41:38,359
Speaker 1: version of that. So give it to me again now

857
00:41:38,360 --> 00:41:41,480
Speaker 1: that I'm ready, here we go, Here we go, Girl,

858
00:41:41,560 --> 00:41:42,760
Speaker 1: that funeral Bob.

859
00:41:43,480 --> 00:41:44,400
Speaker 2: What's the punctuation.

860
00:41:44,560 --> 00:41:46,000
Speaker 1: Well that's what I was gonna say. This is there

861
00:41:46,000 --> 00:41:47,000
Speaker 1: a comma after funeral?

862
00:41:47,080 --> 00:41:48,640
Speaker 4: It's nothing big, it's something big, like.

863
00:41:48,800 --> 00:41:50,800
Speaker 1: Oh okay, Bob.

864
00:41:50,880 --> 00:41:55,200
Speaker 2: I really know because I was thinking, like Bob evil Bob.

865
00:41:55,320 --> 00:41:59,680
Speaker 2: I don't know, we are We're never going to be

866
00:41:59,680 --> 00:42:03,200
Speaker 2: on a game show it for like one thing, and

867
00:42:03,280 --> 00:42:07,239
Speaker 2: not even really that No girl, that funeral Bob. Like

868
00:42:07,400 --> 00:42:09,920
Speaker 2: Girl that funeral Bob. I think maybe girl, like they're

869
00:42:09,960 --> 00:42:14,840
Speaker 2: calling the bob a funeral bob. Oh no, you saw it. No,

870
00:42:15,000 --> 00:42:19,400
Speaker 2: I just saw like you helping me? And is it Twinless?

871
00:42:19,520 --> 00:42:22,719
Speaker 1: Yes? Oh so I didn't think, well, I do you

872
00:42:22,800 --> 00:42:23,640
Speaker 1: think that twinless?

873
00:42:23,680 --> 00:42:25,440
Speaker 2: Wow? I feel like an idiot now because it's so

874
00:42:25,560 --> 00:42:27,960
Speaker 2: obviously the answer. But I didn't think that Twinless would

875
00:42:28,000 --> 00:42:28,680
Speaker 2: be on here.

876
00:42:29,840 --> 00:42:30,359
Speaker 1: That's tough.

877
00:42:30,360 --> 00:42:33,840
Speaker 2: But okay, yeah, yeah, I mean the funeral Bob, but

878
00:42:33,880 --> 00:42:38,600
Speaker 2: it is a funeral Bob. I literally have no clue

879
00:42:38,600 --> 00:42:41,839
Speaker 2: why anyone would think this is a bad movie. That's

880
00:42:41,880 --> 00:42:45,080
Speaker 2: the that's the It's not even literally that's the whole thing.

881
00:42:45,360 --> 00:42:46,919
Speaker 1: Because I have so many that I could.

882
00:42:47,280 --> 00:42:50,880
Speaker 2: I literally have no clue why anyone would think this

883
00:42:50,920 --> 00:42:53,719
Speaker 2: is a bad movie. Wholeheartedly agree with this take. I

884
00:42:53,760 --> 00:42:57,080
Speaker 2: consider this film the masterpiece. Now I've really thrown you.

885
00:42:58,239 --> 00:43:01,920
Speaker 1: Yes, I wasn't to say it's not show Girls. It

886
00:43:01,960 --> 00:43:04,279
Speaker 1: is sure girl show Girls. Yeah.

887
00:43:04,360 --> 00:43:05,960
Speaker 2: Do you win if you said it's not the thing

888
00:43:05,960 --> 00:43:06,640
Speaker 2: that's the answer.

889
00:43:06,680 --> 00:43:07,080
Speaker 3: I don't know.

890
00:43:07,239 --> 00:43:08,000
Speaker 2: I think you both won.

891
00:43:09,040 --> 00:43:13,040
Speaker 1: Everybody wins and play we played together. We played together

892
00:43:14,280 --> 00:43:14,920
Speaker 1: to Redheads.

893
00:43:15,400 --> 00:43:18,320
Speaker 2: Oh right, let's go back to that one.

894
00:43:18,080 --> 00:43:20,520
Speaker 1: See you still like to play? The game is still

895
00:43:20,800 --> 00:43:24,240
Speaker 1: cattle Lake. Yes, Ladies and gentlemen.

896
00:43:23,920 --> 00:43:26,839
Speaker 3: Boys and girls, that's it and sticks.

897
00:43:27,239 --> 00:43:32,920
Speaker 1: Yes, of course, what's next? What's what? What? What? What's happening?

898
00:43:32,920 --> 00:43:36,200
Speaker 2: So you want to I've got nothing next?

899
00:43:35,880 --> 00:43:36,720
Speaker 1: If anything?

900
00:43:36,719 --> 00:43:39,839
Speaker 2: Actually I got nothing. I got nothing nothing. I've been

901
00:43:40,400 --> 00:43:43,560
Speaker 2: me too. I meet it with my whole heart, and

902
00:43:43,600 --> 00:43:45,200
Speaker 2: I was like, I don't really know where to go.

903
00:43:46,200 --> 00:43:47,480
Speaker 1: You want to come and hang out?

904
00:43:47,600 --> 00:43:50,560
Speaker 2: Essentially, I would love to do that. I'm probably gonna

905
00:43:50,560 --> 00:43:53,200
Speaker 2: take some time. I do have a film coming out

906
00:43:53,239 --> 00:43:56,160
Speaker 2: in January. It's called Send Help. It is a Sam

907
00:43:56,280 --> 00:44:01,080
Speaker 2: Raimi direct It's me and Rachel McAdams and I love

908
00:44:01,280 --> 00:44:06,000
Speaker 2: very talented, very love Sam, and.

909
00:44:04,880 --> 00:44:09,160
Speaker 1: You love really curious love Sam. Rachel is really she's great.

910
00:44:09,960 --> 00:44:13,640
Speaker 1: I've just never met her, but always admired. She's the coolest. Yeah,

911
00:44:13,960 --> 00:44:15,720
Speaker 1: and Sam is awesome. Yeah.

912
00:44:15,880 --> 00:44:18,920
Speaker 2: Yeah, It's a really funny experience, and I am looking

913
00:44:18,960 --> 00:44:19,919
Speaker 2: forward to seeing the movie.

914
00:44:19,960 --> 00:44:22,359
Speaker 1: I'm kind of like it's wacky romantic kind of thing

915
00:44:22,440 --> 00:44:23,480
Speaker 1: or wacky come what.

916
00:44:23,920 --> 00:44:27,120
Speaker 2: Kind of Hopefully it's like Sam, you know, kind of

917
00:44:27,200 --> 00:44:29,680
Speaker 2: doing Sam again in a way. And I think that's

918
00:44:29,800 --> 00:44:32,120
Speaker 2: that was like the intense mind it. It's a cool

919
00:44:32,760 --> 00:44:39,840
Speaker 2: studio film, original concepts okay, hopefully wacky, weird okay, bloody fun, twisty.

920
00:44:39,600 --> 00:44:41,960
Speaker 1: Right, bloody fun. That sounds very good and something that

921
00:44:42,000 --> 00:44:44,920
Speaker 1: you really enjoyed, just bloody yeah, yeah yeah.

922
00:44:44,920 --> 00:44:47,359
Speaker 2: But other than that, existentially, no, I don't know where

923
00:44:47,400 --> 00:44:48,080
Speaker 2: I go from here.

924
00:44:49,080 --> 00:44:51,799
Speaker 1: Taking some time that's a good thing. Times up and

925
00:44:51,880 --> 00:44:54,120
Speaker 1: we came in just right at the right time. Perfect. Really,

926
00:44:54,480 --> 00:44:59,160
Speaker 1: I felt like we took forever. The audience will be

927
00:44:59,200 --> 00:45:02,160
Speaker 1: the judge of that. Lady, Kids of all ages, thanks

928
00:45:02,160 --> 00:45:04,040
Speaker 1: for joining. I don't know if we actually answered the

929
00:45:04,080 --> 00:45:05,319
Speaker 1: question of what are we even doing? But we had

930
00:45:05,360 --> 00:45:09,840
Speaker 1: a good time. It's really really a pleasure. Wait, that's it? No,

931
00:45:09,760 --> 00:45:13,880
Speaker 1: no back card? Is it? Oh? This one? No? What

932
00:45:13,920 --> 00:45:16,640
Speaker 1: are we doing? Yeah? What are we making? Shows?

933
00:45:16,640 --> 00:45:16,879
Speaker 2: Called?

934
00:45:17,000 --> 00:45:17,600
Speaker 1: Yeah? I love that.

935
00:45:17,640 --> 00:45:19,000
Speaker 2: I'm finding that out on the outro.

936
00:45:19,160 --> 00:45:21,120
Speaker 1: Yeah yeah, I've been holding it in front of your

937
00:45:21,160 --> 00:45:25,799
Speaker 1: face the whole time. I'm listening to you God, and

938
00:45:25,840 --> 00:45:29,520
Speaker 1: he's believing me. Oh, it was really fun. I really

939
00:45:29,600 --> 00:45:32,040
Speaker 1: enjoyed it. I'm so happy to hear that. Good, big,

940
00:45:32,360 --> 00:45:34,440
Speaker 1: big fan of yours. I really love you. You've always

941
00:45:34,440 --> 00:45:39,080
Speaker 1: had great favors. Really, thank you. This it's so Funshush guys, Yeah, yeah,

942
00:45:39,120 --> 00:45:40,560
Speaker 1: but honest, honestly.

943
00:45:40,280 --> 00:45:42,359
Speaker 2: Yeah, no, truly this was a blast cool. I hope

944
00:45:42,360 --> 00:45:43,440
Speaker 2: we didn't annoy you guys.

945
00:45:43,719 --> 00:45:48,719
Speaker 1: Oh, I hope we did. We're annoyed. What Are We

946
00:45:48,840 --> 00:45:52,080
Speaker 1: Even Doing is a production of iHeartMedia and the Elvis

947
00:45:52,160 --> 00:45:57,080
Speaker 1: Duran podcast Network, hosted by me Kyle McLachlin and created

948
00:45:57,239 --> 00:46:02,480
Speaker 1: and produced by Full Picture Productions, featuring music by Yata

949
00:46:02,480 --> 00:46:06,520
Speaker 1: and artwork by Danica Robinson. For more information about the podcast,

950
00:46:06,600 --> 00:46:11,760
Speaker 1: please visit our Instagram and TikTok at wawed with Kyle.

951
00:46:12,840 --> 00:46:16,799
Speaker 1: Please rate, review, and subscribe to What Are We Even

952
00:46:16,840 --> 00:46:22,239
Speaker 1: Doing on Apple, Spotify, YouTube, or anywhere you get your podcasts.

953
00:46:23,000 --> 00:46:24,000
Speaker 1: Exclamation points