WEBVTT - Shirley Manson

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<v Speaker 1>Hello everybody.

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<v Speaker 2>This is Craig Ferguson letting you know that my Fancy

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<v Speaker 2>Rascal Tour continues throughout the fall of twenty twenty three.

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<v Speaker 2>For a full list of dates and tickets, please go

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<v Speaker 2>to my website, the Craig Ferguson Show dot com slash tour.

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<v Speaker 2>My name is Craig Ferguson. The name of this podcast

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<v Speaker 2>is Joy. I talk to interest in people about what

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<v Speaker 2>brings them happiness.

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<v Speaker 3>Here's one of my old friends. Her name is Shirley Mans.

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<v Speaker 1>She's the lead singer with a band called Garbage. I

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<v Speaker 1>first met her she was the lead singer of Oh

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<v Speaker 1>Well You'll find out enjoy.

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<v Speaker 2>I'll just say nice things about you. But if I

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<v Speaker 2>say nice things about you now, no, because I don't

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<v Speaker 2>want to say nice things about you, know, because you're Scottish,

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<v Speaker 2>so you'll get angry at me.

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<v Speaker 3>You saying nice things about I've been living here for

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<v Speaker 3>a long time now, though, I like do.

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<v Speaker 1>They try and take your Scottishness away from you when

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<v Speaker 1>you go to be ridiculous?

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<v Speaker 3>So they do it to me? What do you mean?

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<v Speaker 1>Sometimes I think it's because you're from Edinburgh. Edinburgh people, No.

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<v Speaker 3>That's not true. That's not it.

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<v Speaker 2>No, no, that is not true. You are super famous,

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<v Speaker 2>you are.

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<v Speaker 1>This is great.

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<v Speaker 3>Well, good night everybody, good night, We're done here.

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<v Speaker 2>I think in the Edinburgh side of things, I think

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<v Speaker 2>people are nicer about it.

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<v Speaker 1>I think in Glasgow they.

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<v Speaker 2>Try and say are your accents you're not even Scottish anymore.

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<v Speaker 1>But I think in Edinburgh there like, no, it's okay,

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<v Speaker 1>you can, you can. You're allowed to be successful elsewhere

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<v Speaker 1>and then come back to Edinburgh. Lots of people do it,

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<v Speaker 1>but in Glasgow to get fucking mad at you.

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<v Speaker 3>Yeah, that's the thing. That's probably fair. They're a little

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<v Speaker 3>bit easier on you.

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<v Speaker 1>And yeah they are.

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<v Speaker 3>They've got me ship over the years.

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<v Speaker 2>Well, you can't get tenured. You're now tenured. You're now

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<v Speaker 2>a rock star that's tenured as rock star.

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<v Speaker 1>But you can't get to that point without getting going

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<v Speaker 1>through the I like to call it the Zar Doors period.

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<v Speaker 1>Like even Sean Connery had to go through the Mangini

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<v Speaker 1>before he became finally tenured. True, you know what I

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<v Speaker 1>wanted to talk to you about today. I was just

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<v Speaker 1>thinking when I was coming here to day, I want

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<v Speaker 1>to talk to silly about there's a couple of things.

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<v Speaker 2>One is the Columbia Hotel God, which was we'll get

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<v Speaker 2>to And the other thing is you being one hundred

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<v Speaker 2>percent Viking.

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<v Speaker 3>Yeah, that's the weirdest thing.

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<v Speaker 1>I Like, you did a twenty three and meion, you're

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<v Speaker 1>one hundred percent one thing Viking.

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<v Speaker 3>Which is really unusual in this d Dane.

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<v Speaker 1>I suppose Viking is a verb, isn't it.

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<v Speaker 3>It's like, I don't know what that meant. I don't

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<v Speaker 3>think I'm Dane per se right, I'm not sure one

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<v Speaker 3>hundred percent what they meant by that.

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<v Speaker 2>Yeah, you do have kind of a warrior spirit, you

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<v Speaker 2>know what I mean. It's like, even like as a performer,

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<v Speaker 2>even when I.

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<v Speaker 1>Saw you when you were like a kid, when I

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<v Speaker 1>was a kid and you were a kid, I was

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<v Speaker 1>less of.

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<v Speaker 3>A kid than you were, but not that much, not

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<v Speaker 3>by much.

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<v Speaker 1>But I remember, like even seeing you back then when

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<v Speaker 1>you were with the cool kids, you still had that

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<v Speaker 1>kind of.

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<v Speaker 2>Like like you were tough girl. I guess you had

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<v Speaker 2>to be back I think, well.

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<v Speaker 3>I am tough, Yeah you are, for sure, and I

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<v Speaker 3>am redheaded, and I am aware that I am in

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<v Speaker 3>tune with my Viking for sure.

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<v Speaker 2>Did you think because rock music is very fucking His

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<v Speaker 2>horror was like a rugby thing, almost the way guys are. Actually,

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<v Speaker 2>I was reading that the thing recently that Courtney Love

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<v Speaker 2>wrote about the.

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<v Speaker 1>Rock and Rock Hall of Fame. Yeah, it'st fucking ballocks,

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<v Speaker 1>that is. Do you know that I went to the

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<v Speaker 1>Rock and Roll Hall of Fame and I was looking around.

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<v Speaker 1>I was in Cleveland, and you know, there's limited things

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<v Speaker 1>to do. I was walking around the Rock and Hall

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<v Speaker 1>of Fame and I saw an exhibit and it was

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<v Speaker 1>like Buddy Holly exhibit. And I was like, oh, yeah,

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<v Speaker 1>Buddy Holly is a seminal artist.

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<v Speaker 2>And I was looking at it and they had his

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<v Speaker 2>glasses and I was looking at his glasses and I thought, wait,

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<v Speaker 2>in a fucking minute, wasn't he wearing his glasses in

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<v Speaker 2>the plane? These aren't a fucking because they were intact.

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<v Speaker 2>If they were his glasses, they surely would have been broken.

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<v Speaker 3>I'm going to just throw this out there, and this

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<v Speaker 3>is more than I don't know.

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<v Speaker 1>I'm not sure. I think they went to a fucking

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<v Speaker 1>eye doctors. They went to like a specsaver. Give us

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<v Speaker 1>a pair of the Buddy Holly, we'll put it in

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<v Speaker 1>the museum.

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<v Speaker 2>When we when I was at school, we did a

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<v Speaker 2>museum of space and we did man's first foodprint on

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<v Speaker 2>the minut We had bought a shoe box full of

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<v Speaker 2>sand and somebody stood on it with their wellies and

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<v Speaker 2>then that was it.

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<v Speaker 1>It was amazing Man's first step.

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<v Speaker 3>On the moon. It wasn't really that's quite. No, I'm sorry,

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<v Speaker 3>I think that's quite.

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<v Speaker 1>Are you in the Rock and Roll Hall of Fame?

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<v Speaker 1>I am Are you really one of the few women

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<v Speaker 1>that are in it? Or is the bad?

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<v Speaker 3>Lots of women's articles and sort of testament to women,

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<v Speaker 3>to be fair, and I actually loved my visit to

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<v Speaker 3>the Rock and Roll Hall of Fame. I couldn't get

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<v Speaker 3>over it. I thought like the public enemy, except it

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<v Speaker 3>was amazing, you know.

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<v Speaker 1>I just was angry at the Buddy Holy Glass.

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<v Speaker 3>Yeah, no fair, I mean I get it. I mean

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<v Speaker 3>I'm just into music, so I was to related, you know.

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<v Speaker 3>But I think there is a real issue with the

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<v Speaker 3>whole patriarchal view of history. I mean that we were

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<v Speaker 3>face we face a problem.

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<v Speaker 1>Yeah, I sure, I mean there's definitely work being done

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<v Speaker 1>on that, a little bit spread out enough. But I

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<v Speaker 1>love Chrissy Heines take on.

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<v Speaker 3>Yeah, I mean, who doesn't love stop, she said, anyone

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<v Speaker 3>who thinks the rock roll of Ames getting to do

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<v Speaker 3>with rock and roll was funck all about rock and roll?

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<v Speaker 1>Oh god, she's still fucking fantastic.

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<v Speaker 3>Tremendous were they were these because.

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<v Speaker 1>We were talking about Susie Sue as well. Who these

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<v Speaker 1>are artists who were like a wee bit ahead of

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<v Speaker 1>you chronologically, but they're the women that you kind of

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<v Speaker 1>were looking up to when you were in Goodbye Ms.

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<v Speaker 1>McKenzie and stuff.

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<v Speaker 3>Yeah. I mean, I'm really lucky because I sort of

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<v Speaker 3>fell in love with the sort of second generation of

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<v Speaker 3>women artists, right, and they were all, for the most part,

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<v Speaker 3>kind of rock and rollers, you know, like Debbie Harry,

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<v Speaker 3>Christy Heine, Patti Smith, even Stevie Nicks.

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<v Speaker 1>You know, Steven was awesome.

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<v Speaker 3>Yeah, she's real.

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<v Speaker 1>Rock and roll.

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<v Speaker 2>Yeah, I've burned at heart, you know, So that's true. Actually,

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<v Speaker 2>I mean that band, I mean, their music was very

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<v Speaker 2>kind of accessible, but their lifestyle, yeah.

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<v Speaker 3>It was wild.

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<v Speaker 1>I know.

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<v Speaker 3>So Yeah, I had an amazing I had amazing women

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<v Speaker 3>to look up to. And they were the first generation

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<v Speaker 3>of women who have been allowed to age, which is

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<v Speaker 3>again something that hasn't happened really historically, is that women

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<v Speaker 3>have been allowed to work.

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<v Speaker 2>I think still these women still, I think the women

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<v Speaker 2>still get it worse than men about aging.

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<v Speaker 1>Like you still see that, like articles that look at

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<v Speaker 1>her now.

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<v Speaker 3>It's awful. I mean, they do it. They've done it

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<v Speaker 3>to me, and it's so gut wrenching when it happens.

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<v Speaker 1>Do you ever meet Carrie Fisher?

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<v Speaker 3>No, I've never met Carry Fisher, although she was friendly

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<v Speaker 3>with a lot of people I knew.

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<v Speaker 1>Oh, Carrie was a friend of mine.

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<v Speaker 2>I was very friendly with Carrie and I loved her,

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<v Speaker 2>and she talked to me about that. She said, I

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<v Speaker 2>didn't think when I was twenty four years old and

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<v Speaker 2>I put on that metal bikini in Star Wars, that

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<v Speaker 2>I was making a fucking contract to look like that

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<v Speaker 2>for the rest of my life.

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<v Speaker 1>And I would be shamed and putting the pillory for

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<v Speaker 1>not looking like that when I was fifty years old.

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<v Speaker 3>Yeah, and I get it.

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<v Speaker 1>It's shocking. It's of open prejudice, I think as well.

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<v Speaker 3>I wish it was the last bastion, but I think

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<v Speaker 3>there's quite a few other.

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<v Speaker 2>I think important people try and kind of hide it

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<v Speaker 2>a little bit. And oh yeah, I'm very inclusive, but

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<v Speaker 2>I don't. What they say now is they say it's

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<v Speaker 2>woke if they.

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<v Speaker 1>Want to kind of say that they don't like you,

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<v Speaker 1>or they're angry at what you think.

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<v Speaker 3>They call you woke, Well, they call you woke when

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<v Speaker 3>they feel a little guilty that you're aware that they're

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<v Speaker 3>being an absolute asshole towards someone else.

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<v Speaker 1>Yeah, I see, I'm very capable of being an absolute ass.

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<v Speaker 3>Well, look who you're talking to me, And I'm really

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<v Speaker 3>good at it too. But I mean the stepping on

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<v Speaker 3>people's necks currently, I really find it frightening. Actually, I

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<v Speaker 3>think I think it's worse than it used to be.

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<v Speaker 3>I do, Yeah, I mean I think the world has

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<v Speaker 3>always been awful, right That's just how the world is.

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<v Speaker 1>You're only happy when it rains.

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<v Speaker 3>I think it's pretty bad right now, I really do.

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<v Speaker 3>I think there's a very sort of just a right

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<v Speaker 3>swing around the world, all over the globe, and it's

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<v Speaker 3>allowed people to voice really horrible ideas about other people.

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<v Speaker 2>The awful thing I think about it is that if

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<v Speaker 2>you believe in free speech, which I kind of do,

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<v Speaker 2>then I suppose you have to believe in the right

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<v Speaker 2>of people to voice awful shit, which is a shame.

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<v Speaker 3>Yeah, I don't know. See, I don't know if if

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<v Speaker 3>you if freedom of speech is to allow people to

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<v Speaker 3>spew hate, I think it's really dangerous. But I understand

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<v Speaker 3>that it's a very thin line. Unfortunate.

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<v Speaker 1>Who was it was?

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<v Speaker 2>It was a russo or I think it was Rousseau

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<v Speaker 2>who said, I may not agree with what you say,

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<v Speaker 2>but I will defend to the death you're right to say.

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<v Speaker 3>It sounds like Russou sounds French, it does. Yeah.

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<v Speaker 2>And then and then the French, or God bless them,

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<v Speaker 2>they're mad again. They're setting their garbage guys around strike,

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<v Speaker 2>they're setting fire to the town halls because they're raised,

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<v Speaker 2>you know, raised the retirementge from sixty two to sixty four.

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<v Speaker 3>Yeah. Like I love that by the French. I love

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<v Speaker 3>whether they take it sitting down, but.

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<v Speaker 1>The idea of to write, so who's right? And then

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<v Speaker 1>the sixty two year.

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<v Speaker 3>Olds like, we're so aggurate. I'm so tired, but I've

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<v Speaker 3>got one more riot in me. I'm going out and

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<v Speaker 3>the blessomar I love it.

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<v Speaker 2>That's I'm very envious of you in the fact that

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<v Speaker 2>in your world you get to play Paris and Madrid

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<v Speaker 2>and South America and all that, because music is universal

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<v Speaker 2>and what I do is just you know, like, no,

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<v Speaker 2>I have to talk to people that understand.

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<v Speaker 3>What the fuck I'm saying. Yeah, that's true, that's horrible.

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<v Speaker 3>Just go and learn a few languages. I thought about

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<v Speaker 3>Eddie doesn't wanderin. I'd like you to learn a little Mandarin.

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<v Speaker 1>You know, my son speaks Mandarin.

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<v Speaker 2>See it's great, Yeah, it's he's really good at well,

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<v Speaker 2>I don't know if he's really good at don't speaking

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<v Speaker 2>of it, but other people seem to amazing.

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<v Speaker 3>Yeah, Chinese people kind of talk to him and he

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<v Speaker 3>talks about that's the coolest ever, I think, because it's

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<v Speaker 3>very hard. No, I wish I did.

0:10:04.400 --> 0:10:05.440
<v Speaker 1>What do you speak? Then? You speak?

0:10:05.640 --> 0:10:09.240
<v Speaker 3>I speak a little bit of French. That's because you're

0:10:09.240 --> 0:10:11.640
<v Speaker 3>from all the lions in the French.

0:10:11.760 --> 0:10:14.319
<v Speaker 2>Scott's in the French against the English. Do you go

0:10:14.440 --> 0:10:16.000
<v Speaker 2>back to Scotland a lot? Because the last time I

0:10:16.040 --> 0:10:18.920
<v Speaker 2>saw you was actually he through airport. Were both getting

0:10:18.920 --> 0:10:19.800
<v Speaker 2>off a plane.

0:10:20.400 --> 0:10:24.000
<v Speaker 3>During COVID and there was nobody else on the train

0:10:24.240 --> 0:10:27.679
<v Speaker 3>but you and me and my husband. You were on

0:10:27.800 --> 0:10:30.280
<v Speaker 3>the train and my husband got on the train and

0:10:30.400 --> 0:10:33.800
<v Speaker 3>for some reason, I was trolling behind nearly I was

0:10:33.920 --> 0:10:37.719
<v Speaker 3>like the doors and I suddenly pushed my way in

0:10:38.000 --> 0:10:42.079
<v Speaker 3>and I felt the annoyance of another the only other

0:10:42.240 --> 0:10:45.560
<v Speaker 3>passenger on the train, and to my horror, it was.

0:10:45.640 --> 0:10:50.560
<v Speaker 2>Me Worse than that, it was a Scottish person's unbelieva people.

0:10:50.920 --> 0:10:52.560
<v Speaker 3>Hey, Scottish people.

0:10:52.400 --> 0:10:54.920
<v Speaker 1>Unless they're prepared, you know what I mean? You have

0:10:55.040 --> 0:10:57.800
<v Speaker 1>to be prepared for it. You just like running Scottish

0:10:58.240 --> 0:11:03.520
<v Speaker 1>I think scott Yeah, it's so weird, isn't it.

0:11:03.600 --> 0:11:05.839
<v Speaker 3>It's quite weird that Megan says that to me, is like,

0:11:05.880 --> 0:11:07.559
<v Speaker 3>what the fuck is that with you guys? I'm like,

0:11:07.640 --> 0:11:09.440
<v Speaker 3>I don't know, It's just weird.

0:11:09.720 --> 0:11:11.319
<v Speaker 1>We are very strange people.

0:11:11.480 --> 0:11:14.240
<v Speaker 3>I love that though, Yeah, we're I love the Scots.

0:11:14.280 --> 0:11:15.280
<v Speaker 3>I can't help myself.

0:11:15.480 --> 0:11:17.600
<v Speaker 1>They are the odd Would you ever go back there

0:11:17.600 --> 0:11:19.480
<v Speaker 1>and live? Do you think I would?

0:11:19.679 --> 0:11:22.120
<v Speaker 3>I've talked about it. After COVID, I went kind of

0:11:22.200 --> 0:11:25.319
<v Speaker 3>mad here being living in La right, and I just

0:11:25.679 --> 0:11:28.439
<v Speaker 3>woke up one day and there was literally twenty four

0:11:28.520 --> 0:11:32.199
<v Speaker 3>helicopters buzzing around our house and had been for hours

0:11:32.200 --> 0:11:34.959
<v Speaker 3>and hours on end. There were people protesting in the streets,

0:11:35.440 --> 0:11:39.040
<v Speaker 3>and it was quite intense and heartbreaking, and then there

0:11:39.200 --> 0:11:42.480
<v Speaker 3>was an earthquake and I sat up, ball upright and shouted,

0:11:46.400 --> 0:11:48.920
<v Speaker 3>well I did, and yes you did.

0:11:49.120 --> 0:11:52.040
<v Speaker 1>I did. I went home and it's raining.

0:11:52.800 --> 0:11:55.439
<v Speaker 3>Yes, it's raining. All I could have told you that,

0:11:55.559 --> 0:11:56.080
<v Speaker 3>though love.

0:11:57.120 --> 0:11:58.520
<v Speaker 1>Is always raining.

0:11:59.120 --> 0:12:01.840
<v Speaker 3>And on that amazing house, No, I moved to.

0:12:01.840 --> 0:12:03.600
<v Speaker 1>Another amazing house. Do you want to buy the amazing

0:12:03.640 --> 0:12:04.559
<v Speaker 1>house I've trying.

0:12:04.360 --> 0:12:07.240
<v Speaker 3>To sell that? Do you realize what happens? Musicians don't

0:12:07.240 --> 0:12:08.200
<v Speaker 3>make enough money anymore?

0:12:08.480 --> 0:12:10.720
<v Speaker 1>No? I don't know if that's true. You guys level.

0:12:10.640 --> 0:12:13.600
<v Speaker 3>Musicians, trust me, don't make enough. People think we're really

0:12:13.760 --> 0:12:16.200
<v Speaker 3>rich because they think we're like Beyonce or The Weekend.

0:12:16.760 --> 0:12:20.360
<v Speaker 2>It's not like that, yeah, but you know what those guys,

0:12:22.559 --> 0:12:25.559
<v Speaker 2>But I don't know. I mean that's not mid level though.

0:12:25.640 --> 0:12:28.160
<v Speaker 2>I mean, like you're playing big, You're going to tour

0:12:28.240 --> 0:12:32.280
<v Speaker 2>with No Gallagher this year. I wouldn't describe either you

0:12:32.520 --> 0:12:34.800
<v Speaker 2>or No Gallaghers like that's top tier.

0:12:35.720 --> 0:12:38.319
<v Speaker 3>Well, it is top tier, but it's still, like, I

0:12:38.400 --> 0:12:42.160
<v Speaker 3>don't know, there's just a huge gulf between us obviously

0:12:42.240 --> 0:12:45.520
<v Speaker 3>and baby bands who are really struggling, and then us

0:12:45.800 --> 0:12:48.760
<v Speaker 3>and those heavyweights that I've just mentioned, like they make

0:12:49.160 --> 0:12:51.559
<v Speaker 3>handle our fist, you know, and that's not the case

0:12:52.120 --> 0:12:55.120
<v Speaker 3>for us. Like, if we're not touring, we're not making money. Yeah,

0:12:55.120 --> 0:12:58.199
<v Speaker 3>because records don't sell anymore. They don't kind of you

0:12:58.280 --> 0:13:00.560
<v Speaker 3>can't make money. You can't make money through radio play

0:13:00.640 --> 0:13:03.679
<v Speaker 3>like you used to. You just can't make any money

0:13:03.800 --> 0:13:06.880
<v Speaker 3>unless you get your arse off the couch and go

0:13:07.040 --> 0:13:07.920
<v Speaker 3>and play.

0:13:08.200 --> 0:13:10.640
<v Speaker 1>And it's it's hard work, it is, but it's it's

0:13:10.720 --> 0:13:14.199
<v Speaker 1>also kind of interesting because the musicians that I tend.

0:13:14.120 --> 0:13:17.959
<v Speaker 3>To like, I love music and I we're musicians, and

0:13:18.120 --> 0:13:18.719
<v Speaker 3>I think like that.

0:13:18.800 --> 0:13:20.920
<v Speaker 2>I even think like that when I'm right stand up

0:13:21.160 --> 0:13:24.440
<v Speaker 2>has the show has to run, like and I tour

0:13:24.559 --> 0:13:26.920
<v Speaker 2>with Tamas who if he's not touring with me, he's

0:13:27.000 --> 0:13:29.920
<v Speaker 2>touring with Dinas or Junior or or somebody.

0:13:30.679 --> 0:13:31.680
<v Speaker 1>I don't know if people.

0:13:33.960 --> 0:13:35.719
<v Speaker 2>Like most of the people he deals with are like

0:13:36.160 --> 0:13:43.880
<v Speaker 2>quiet and introspective and and I'm like, hey, yeah, but

0:13:44.600 --> 0:13:46.520
<v Speaker 2>you're a rock star. I was just a I'm just

0:13:46.600 --> 0:13:48.160
<v Speaker 2>a vulgar lounge entertainer.

0:13:48.280 --> 0:13:54.040
<v Speaker 1>But but the but the idea of I'm I think

0:13:54.200 --> 0:13:58.040
<v Speaker 1>that the people that I tend to like you are

0:13:58.120 --> 0:14:00.719
<v Speaker 1>one of them. As an artist, you would do it

0:14:00.880 --> 0:14:02.800
<v Speaker 1>if there was no money in it. Yeah, you know,

0:14:02.920 --> 0:14:04.160
<v Speaker 1>it's what you do.

0:14:04.480 --> 0:14:04.680
<v Speaker 3>Yep.

0:14:05.120 --> 0:14:07.800
<v Speaker 1>And because I remember I did I tell you this?

0:14:07.880 --> 0:14:09.520
<v Speaker 1>I toured with the Rolling Stones for a while.

0:14:09.720 --> 0:14:10.839
<v Speaker 3>No, you haven't told me that.

0:14:11.000 --> 0:14:13.959
<v Speaker 1>Yeah, I was writing a script with Mick Jagger.

0:14:15.080 --> 0:14:16.400
<v Speaker 3>How do I not know this story?

0:14:16.520 --> 0:14:18.800
<v Speaker 1>Well we never made the movie, but I got fired.

0:14:18.840 --> 0:14:19.160
<v Speaker 1>But I was.

0:14:20.120 --> 0:14:21.840
<v Speaker 3>But I toured with him for a couple of months

0:14:21.880 --> 0:14:23.560
<v Speaker 3>and it was on the Bridges to Babylon tours.

0:14:23.560 --> 0:14:24.280
<v Speaker 1>So it was a while ago.

0:14:24.600 --> 0:14:28.680
<v Speaker 2>But I remember watching Keith Richards, who became the focus

0:14:28.760 --> 0:14:32.640
<v Speaker 2>of my fascination, not Meg. Mike's a I'm not saying

0:14:32.720 --> 0:14:35.160
<v Speaker 2>I'm not comparing myself to Meg, but he's an entertainer.

0:14:35.600 --> 0:14:39.520
<v Speaker 1>He's a like a razzle, dazzle show off man. But

0:14:39.640 --> 0:14:42.640
<v Speaker 1>I became fascinated by Keith Richards, who if he was

0:14:42.720 --> 0:14:45.360
<v Speaker 1>playing a pub in South London, he'd be just as happy.

0:14:45.440 --> 0:14:48.120
<v Speaker 1>Yeah he's not. I don't think he really even sees

0:14:48.240 --> 0:14:48.760
<v Speaker 1>that world.

0:14:48.920 --> 0:14:51.760
<v Speaker 3>Yeah, I agree, I mean he's that's what makes him

0:14:51.800 --> 0:14:55.160
<v Speaker 3>so extraordinary. But that's what I think makes the bands.

0:14:56.120 --> 0:14:58.560
<v Speaker 2>I mean, when you talk about Beyonce or The Weekend

0:14:58.640 --> 0:15:00.560
<v Speaker 2>or I don't know anything really about them. Artists I

0:15:00.600 --> 0:15:03.040
<v Speaker 2>know they're huge and people love them, but it doesn't

0:15:03.040 --> 0:15:04.400
<v Speaker 2>seem to me to be the same kind of thing.

0:15:04.480 --> 0:15:08.120
<v Speaker 2>That's show business and rock and roll, and show business

0:15:08.280 --> 0:15:10.080
<v Speaker 2>to me are a little different.

0:15:10.440 --> 0:15:13.320
<v Speaker 3>Rock and roller is kind of like circus folk. Really,

0:15:14.040 --> 0:15:17.760
<v Speaker 3>you know, it's kind of I think that's fair disreputable,

0:15:18.280 --> 0:15:20.960
<v Speaker 3>but it's very out of vogue to be a sort

0:15:21.000 --> 0:15:25.480
<v Speaker 3>of rock and roller. Of course it will. Yeah, it's funny.

0:15:25.520 --> 0:15:28.400
<v Speaker 3>I once met Karen a Party from the lead singer

0:15:28.440 --> 0:15:31.440
<v Speaker 3>of the Ya Yes, and we were talking about rock

0:15:31.600 --> 0:15:34.200
<v Speaker 3>music and I said to her something along the lines of,

0:15:34.400 --> 0:15:36.160
<v Speaker 3>you know, oh god, yeah, I know, but I really

0:15:36.240 --> 0:15:38.960
<v Speaker 3>embarrassed to be a you know, a rock and roller.

0:15:39.120 --> 0:15:41.400
<v Speaker 3>And she went, how can you possibly be embarrassed? We're

0:15:41.480 --> 0:15:44.960
<v Speaker 3>like a dying breed, you are. You're fucking being a

0:15:45.080 --> 0:15:48.960
<v Speaker 3>rock and roller. Yeah, it's the coolest, And I was like,

0:15:49.480 --> 0:15:51.760
<v Speaker 3>it totally changed my kind of like view on it.

0:15:52.040 --> 0:15:52.800
<v Speaker 1>It fucking is.

0:15:52.960 --> 0:15:55.200
<v Speaker 2>I mean, it's like being like the women that you mentioned,

0:15:55.280 --> 0:15:58.800
<v Speaker 2>Debbie Harry and Susie so Edible, Chrissy Haying. I mean,

0:15:58.840 --> 0:16:03.280
<v Speaker 2>these are fucking seminal artists, and I think that it

0:16:03.480 --> 0:16:06.280
<v Speaker 2>transcends so much rock and roll whan has done right,

0:16:06.800 --> 0:16:09.280
<v Speaker 2>Like it's that feeling of you know, I think it

0:16:09.400 --> 0:16:12.360
<v Speaker 2>was the guy in Son what was what's the name

0:16:12.400 --> 0:16:14.680
<v Speaker 2>of that guy that a head that runs you know

0:16:14.760 --> 0:16:17.280
<v Speaker 2>that band's Son that do the really loud drone metal stuff.

0:16:17.960 --> 0:16:22.280
<v Speaker 2>They're talking about absorbing the sound through your body, not

0:16:22.520 --> 0:16:26.920
<v Speaker 2>just your ears, but like the whole that to me,

0:16:27.760 --> 0:16:30.000
<v Speaker 2>rock and rolls like that since I saw Hawkwind when

0:16:30.040 --> 0:16:33.080
<v Speaker 2>I was thirteen years old in the Glasgow Apollo, just.

0:16:33.120 --> 0:16:36.040
<v Speaker 3>A fucking size of it.

0:16:36.720 --> 0:16:38.920
<v Speaker 1>It's crazy, and I don't think you get that with

0:16:40.240 --> 0:16:41.560
<v Speaker 1>you know, the stadium shows.

0:16:41.600 --> 0:16:44.200
<v Speaker 3>I don't think I agree, but I think it's definitely

0:16:44.280 --> 0:16:49.480
<v Speaker 3>out vogue to voice you know, fury and lust and

0:16:50.400 --> 0:16:54.520
<v Speaker 3>you know, even like Unbridled Joy. It's just uncool for

0:16:54.640 --> 0:16:57.640
<v Speaker 3>some reason. And it's all this very contained pop music

0:16:57.720 --> 0:17:00.760
<v Speaker 3>currently that people are really into. But everybody that you're

0:17:00.800 --> 0:17:03.760
<v Speaker 3>ever going to meet has got streaks of you know,

0:17:04.080 --> 0:17:07.040
<v Speaker 3>darkness in them, and that's what I love music.

0:17:07.240 --> 0:17:10.520
<v Speaker 1>I love what Robert Fripp said about rock and rolling pop.

0:17:10.560 --> 0:17:12.440
<v Speaker 3>Do you ever hear that he's incredible?

0:17:12.480 --> 0:17:17.719
<v Speaker 2>The main fucking invented the guitar solo style. I mean,

0:17:17.800 --> 0:17:22.520
<v Speaker 2>but Robert Fripp said about rodd. He said, the difference

0:17:22.680 --> 0:17:26.399
<v Speaker 2>between pop music and rock and raw is that in

0:17:26.600 --> 0:17:30.080
<v Speaker 2>pop music people fall in love and kiss each other.

0:17:31.200 --> 0:17:33.480
<v Speaker 1>In rock and rall, someone's getting fucked.

0:17:33.800 --> 0:17:36.000
<v Speaker 3>Amazing, amazing.

0:17:37.119 --> 0:17:37.480
<v Speaker 1>I love it.

0:17:37.560 --> 0:17:39.960
<v Speaker 2>It's just when you say, you know, voice and lust

0:17:40.040 --> 0:17:44.879
<v Speaker 2>and fury and and that to me is that's the difference,

0:17:44.920 --> 0:17:47.359
<v Speaker 2>I guess. And so let me take you on a journey,

0:17:47.840 --> 0:17:50.960
<v Speaker 2>if I may, you may back to the we were talking.

0:17:50.760 --> 0:17:52.840
<v Speaker 1>Briefly about the Columbia.

0:17:52.400 --> 0:17:54.280
<v Speaker 3>Hotel in London.

0:17:54.720 --> 0:17:55.080
<v Speaker 1>London.

0:17:55.240 --> 0:17:57.639
<v Speaker 2>Yeah, when I stayed there when I was drumming in

0:17:57.720 --> 0:18:02.800
<v Speaker 2>bands like I guess the early to mid nineteen eighties, which.

0:18:02.680 --> 0:18:04.480
<v Speaker 3>You would have been. I was there.

0:18:04.640 --> 0:18:07.639
<v Speaker 2>You were kicking off with Goodbye mister McKenzie at that time, right,

0:18:07.760 --> 0:18:11.480
<v Speaker 2>we were like they were a sizable band in the

0:18:11.640 --> 0:18:12.560
<v Speaker 2>UK at that time.

0:18:12.680 --> 0:18:14.080
<v Speaker 3>Yeah, they were doing well.

0:18:14.720 --> 0:18:17.520
<v Speaker 2>And that hotel that's where everyone used to go in

0:18:17.880 --> 0:18:18.919
<v Speaker 2>was the rock and roll hotel.

0:18:19.040 --> 0:18:19.399
<v Speaker 1>It was.

0:18:19.520 --> 0:18:23.959
<v Speaker 2>It was like London's I guess, right High or right

0:18:24.080 --> 0:18:26.600
<v Speaker 2>High wherever it was. I got into a fight there once.

0:18:27.160 --> 0:18:29.480
<v Speaker 3>You're very unruly when you were young. I mean, you're

0:18:29.720 --> 0:18:30.640
<v Speaker 3>unruly enough now.

0:18:30.840 --> 0:18:34.040
<v Speaker 1>No, But I got into a fight with Mark Allman's manager,

0:18:35.760 --> 0:18:38.439
<v Speaker 1>How did you manage that? I don't know, I can't remember.

0:18:38.800 --> 0:18:40.440
<v Speaker 1>It wasn't really a proper fight. I think it was

0:18:40.480 --> 0:18:42.960
<v Speaker 1>a lot of pushing and shoving and stuff, but I

0:18:43.040 --> 0:18:45.800
<v Speaker 1>think we were both out of shape and a bit scared.

0:18:46.640 --> 0:18:48.680
<v Speaker 3>So it was like a lot of move fu you

0:18:49.080 --> 0:18:50.120
<v Speaker 3>fuck you anyway.

0:18:50.440 --> 0:18:55.200
<v Speaker 1>But that and I remember people in the bar.

0:18:55.240 --> 0:18:58.800
<v Speaker 3>Of that hotel getting really twisted. Oh a lot did

0:18:58.840 --> 0:19:00.600
<v Speaker 3>you do A lot of that? Did a lot of that?

0:19:00.680 --> 0:19:02.800
<v Speaker 3>I mean, my first band, good Bye Miss McKenzie, was wild,

0:19:03.000 --> 0:19:08.840
<v Speaker 3>like proper wild ye rock and roll, lifestyle, rock and

0:19:09.080 --> 0:19:11.520
<v Speaker 3>everything has been very tame ever since, to be honest,

0:19:11.600 --> 0:19:14.120
<v Speaker 3>even our wildest days in Garbage had nothing on good

0:19:14.119 --> 0:19:16.280
<v Speaker 3>Bye Mister McKenzie. But yeah, being in that bar. I

0:19:16.320 --> 0:19:19.520
<v Speaker 3>can still really remember that bar in the Columbia Hotel.

0:19:19.640 --> 0:19:23.600
<v Speaker 3>The curtains, the weird curtains, and oh the carpet, and the.

0:19:23.720 --> 0:19:26.080
<v Speaker 1>Carpet was it was like it wasn't really a carpet.

0:19:26.119 --> 0:19:28.320
<v Speaker 1>It was just like old beer and seamen.

0:19:29.280 --> 0:19:31.320
<v Speaker 3>I was just actually going to go somewhere like that.

0:19:31.960 --> 0:19:33.800
<v Speaker 3>But you're right, very crusty.

0:19:34.119 --> 0:19:39.000
<v Speaker 1>It was awful. But I think that the anecdotal part

0:19:39.080 --> 0:19:41.359
<v Speaker 1>of that, I I mean I suppose things move on,

0:19:41.520 --> 0:19:44.520
<v Speaker 1>but does that still exist for young musicians and young

0:19:44.800 --> 0:19:45.879
<v Speaker 1>of course we're still doing that.

0:19:46.359 --> 0:19:49.440
<v Speaker 3>Yeah, although it's apparently the new generation are a lot

0:19:49.760 --> 0:19:52.560
<v Speaker 3>are risk averse. You know, they're just not as wild

0:19:52.600 --> 0:19:54.119
<v Speaker 3>as we all used to be. They're a bit more,

0:19:54.480 --> 0:19:58.080
<v Speaker 3>they know a lot more. But there's still, of course,

0:19:58.119 --> 0:20:02.600
<v Speaker 3>there are still wild sides to the rock and roll business.

0:20:02.800 --> 0:20:06.159
<v Speaker 2>I feel I feel sorry for the younger generation because

0:20:06.359 --> 0:20:08.359
<v Speaker 2>everything is documented.

0:20:07.800 --> 0:20:10.760
<v Speaker 1>So every mistake they make there's it's there they it's

0:20:10.840 --> 0:20:11.879
<v Speaker 1>there forever, you know.

0:20:12.080 --> 0:20:15.040
<v Speaker 3>That's why I think they do temper themselves a little

0:20:15.040 --> 0:20:17.400
<v Speaker 3>more than we. I mean, I would take my top

0:20:17.520 --> 0:20:19.919
<v Speaker 3>off in the bar, you know, at the Columbia Hotel,

0:20:20.119 --> 0:20:24.959
<v Speaker 3>just to be a brat. Well I'm so glad everybody

0:20:25.000 --> 0:20:28.000
<v Speaker 3>else you would say, a great girl, a great gal,

0:20:28.480 --> 0:20:32.200
<v Speaker 3>but you know, a big show offie yea like shocking. First,

0:20:32.640 --> 0:20:34.359
<v Speaker 3>I don't know why I did that, but I did it.

0:20:34.760 --> 0:20:36.960
<v Speaker 3>And now I don't think there's that many.

0:20:37.280 --> 0:20:38.520
<v Speaker 1>You can't do that anymore.

0:20:38.600 --> 0:20:42.359
<v Speaker 2>I think also kids, I don't know, I mean because

0:20:42.440 --> 0:20:44.640
<v Speaker 2>I'm kind of at the get off my lawn age,

0:20:44.720 --> 0:20:47.480
<v Speaker 2>but I kind of see the younger generation.

0:20:47.560 --> 0:20:49.640
<v Speaker 1>I think they're great. I actually think they're great.

0:20:49.680 --> 0:20:52.600
<v Speaker 2>They're great, they're they're they're the challenge, and they're fucking

0:20:52.920 --> 0:20:56.240
<v Speaker 2>they're difficult and they're annoying. So that's good. Everything is

0:20:56.359 --> 0:20:58.800
<v Speaker 2>good in that respect. But I feel sorry for them

0:20:58.840 --> 0:21:00.840
<v Speaker 2>because they are risk of it a little bit. That

0:21:01.000 --> 0:21:04.080
<v Speaker 2>they are a little they place themselves a little too.

0:21:04.240 --> 0:21:06.200
<v Speaker 3>Yeah, and they're all worried. Apparently there's a lot of

0:21:06.240 --> 0:21:09.119
<v Speaker 3>anxiety and question and I don't know, God, we're getting

0:21:09.200 --> 0:21:11.320
<v Speaker 3>very dark today. No, I don't know, but I feel

0:21:11.359 --> 0:21:13.800
<v Speaker 3>bad for them. And they're not having as much sex

0:21:13.840 --> 0:21:17.480
<v Speaker 3>as we used to have. That's another weird twist to

0:21:17.560 --> 0:21:17.880
<v Speaker 3>the tea.

0:21:18.000 --> 0:21:25.000
<v Speaker 2>Probably avoid antibiotics, but they might not need the answer, right,

0:21:25.119 --> 0:21:25.920
<v Speaker 2>That's what I was thinking.

0:21:26.000 --> 0:21:29.399
<v Speaker 1>But it was an odd environment. I suppose it was

0:21:29.560 --> 0:21:32.359
<v Speaker 1>very kind of back an alien them. And I wonder, now,

0:21:32.520 --> 0:21:36.280
<v Speaker 1>here's an interesting thing because I thought if I was

0:21:36.359 --> 0:21:38.639
<v Speaker 1>looking at that now and if I had a daughter

0:21:38.840 --> 0:21:41.399
<v Speaker 1>in that environment that I was in, so when you

0:21:41.560 --> 0:21:41.760
<v Speaker 1>were a.

0:21:41.760 --> 0:21:44.240
<v Speaker 2>Young girl, i'd be like, oh, I don't know, I

0:21:44.440 --> 0:21:46.920
<v Speaker 2>feel about that. I mean, you would you are tough,

0:21:47.000 --> 0:21:47.920
<v Speaker 2>and I think that's okay.

0:21:48.000 --> 0:21:50.120
<v Speaker 1>But I think there were girls there who weren't tough

0:21:50.160 --> 0:21:52.760
<v Speaker 1>who were like, that'd be fucking scary. There were some

0:21:52.920 --> 0:21:53.840
<v Speaker 1>bad guys around.

0:21:54.400 --> 0:21:56.280
<v Speaker 3>Yeah, I mean there's still bad guys around.

0:21:56.359 --> 0:21:57.640
<v Speaker 1>Yes, there are, No, that's true.

0:21:57.800 --> 0:22:00.879
<v Speaker 3>I don't think that's changed any Unfortunately, the percentage of

0:22:01.119 --> 0:22:03.600
<v Speaker 3>you know, dudes that when it hurt girls is perplexing

0:22:03.640 --> 0:22:06.320
<v Speaker 3>to me. I don't understand it. It's really beyond my understanding.

0:22:06.760 --> 0:22:09.720
<v Speaker 1>I mean those people are that's a different thing. I mean, yes,

0:22:09.800 --> 0:22:11.680
<v Speaker 1>they exist. But what I'm thinking more is just the

0:22:11.840 --> 0:22:15.200
<v Speaker 1>general kind of blockerry.

0:22:17.359 --> 0:22:20.760
<v Speaker 3>I mean there is still that unfortunately in the music industry.

0:22:21.280 --> 0:22:24.360
<v Speaker 3>It's really bad actually, but it's not quite as bad

0:22:24.440 --> 0:22:25.479
<v Speaker 3>as it was in the eighties.

0:22:25.840 --> 0:22:28.600
<v Speaker 1>Yeah, I think it's funny. I get out of it

0:22:28.720 --> 0:22:29.200
<v Speaker 1>very quickly.

0:22:29.600 --> 0:22:32.160
<v Speaker 2>I mean I was out of it by the time

0:22:32.280 --> 0:22:34.919
<v Speaker 2>I was twenty one. I wasn't drumming anymore.

0:22:35.160 --> 0:22:38.040
<v Speaker 3>Wow wild Yeah, I wish I could say the same.

0:22:38.560 --> 0:22:40.280
<v Speaker 3>I never got out of it really well.

0:22:40.359 --> 0:22:42.920
<v Speaker 1>I think I regret getting it.

0:22:43.080 --> 0:22:45.720
<v Speaker 2>Yeah, sometimes, and then I see how much of drummer

0:22:45.800 --> 0:22:47.000
<v Speaker 2>makes now and I'm like, yeah, you.

0:22:47.040 --> 0:22:48.240
<v Speaker 3>Know, you made a good choice.

0:22:48.640 --> 0:22:49.040
<v Speaker 1>Everybody.

0:22:49.119 --> 0:22:53.639
<v Speaker 3>Yeah, let's look at your bank. Why monkeys. But it's

0:22:53.760 --> 0:22:56.400
<v Speaker 3>very free still if you want it. To be being

0:22:56.440 --> 0:22:59.520
<v Speaker 3>a musician can really live pretty freely, and that's the

0:22:59.600 --> 0:23:00.240
<v Speaker 3>greatest gift.

0:23:01.040 --> 0:23:03.960
<v Speaker 1>Does anyone live free? Though? If we're all taking video

0:23:04.080 --> 0:23:05.440
<v Speaker 1>of each other all the time.

0:23:05.359 --> 0:23:07.160
<v Speaker 3>Though, that's getting very profound.

0:23:07.440 --> 0:23:10.919
<v Speaker 2>Well I know, but it's just like we fucking volunteered

0:23:11.600 --> 0:23:14.840
<v Speaker 2>to be in this fucking big brother society.

0:23:14.840 --> 0:23:16.359
<v Speaker 1>We don't even need big Brother. We do it to

0:23:16.359 --> 0:23:17.359
<v Speaker 1>her fucking selves.

0:23:17.400 --> 0:23:20.920
<v Speaker 2>Yeah, it's like you volunteer to We live in this

0:23:21.160 --> 0:23:23.399
<v Speaker 2>giant fucking neighborhood watch scheme.

0:23:23.880 --> 0:23:27.239
<v Speaker 3>We do. And yet there there's so much content now,

0:23:27.320 --> 0:23:32.160
<v Speaker 3>and there's so much testimony. I don't know if you're anymore.

0:23:32.560 --> 0:23:34.280
<v Speaker 3>You know, I feel like you're as anonymous as you

0:23:34.320 --> 0:23:37.760
<v Speaker 3>always wear. I mean, who fucking cares? Yeah, I don't care.

0:23:37.840 --> 0:23:39.879
<v Speaker 3>It's like fucking I don't care if you're watching me

0:23:40.040 --> 0:23:41.720
<v Speaker 3>or filming me. I really don't give a toss.

0:23:42.080 --> 0:23:44.560
<v Speaker 1>Right, Well, that's because you're a rock and roll star.

0:23:44.720 --> 0:23:47.480
<v Speaker 1>But if you were applying for a job and Denny's,

0:23:47.800 --> 0:23:50.239
<v Speaker 1>they're going to fucking google you when you turn up.

0:23:50.440 --> 0:23:53.480
<v Speaker 3>Oh, I see what you're saying. See you with your top.

0:23:53.280 --> 0:23:57.960
<v Speaker 1>Off in the bar and the you know, I think

0:23:58.000 --> 0:24:02.520
<v Speaker 1>she should be actually the hostess so bad, but it's

0:24:02.760 --> 0:24:03.840
<v Speaker 1>it's kind of no.

0:24:03.960 --> 0:24:04.720
<v Speaker 3>I see what you're saying.

0:24:05.200 --> 0:24:07.720
<v Speaker 1>I think it's it's a shame. But I don't know

0:24:07.720 --> 0:24:08.040
<v Speaker 1>what you do.

0:24:08.240 --> 0:24:10.200
<v Speaker 3>But I don't put your tits. So youre are So

0:24:10.280 --> 0:24:14.040
<v Speaker 3>you're on the internet, Well that's really pretty simple. But

0:24:14.119 --> 0:24:15.200
<v Speaker 3>once it's done, it's done.

0:24:17.359 --> 0:24:18.760
<v Speaker 1>I don't know that. So are you too?

0:24:18.960 --> 0:24:20.960
<v Speaker 2>Are you going back to South America and all that

0:24:21.040 --> 0:24:24.840
<v Speaker 2>kind of stuff? Do you live inside the bubble of

0:24:24.920 --> 0:24:28.040
<v Speaker 2>the tour or do you make do you force yourself out?

0:24:28.080 --> 0:24:31.080
<v Speaker 3>And I always insist on going out, and I literally

0:24:31.320 --> 0:24:35.600
<v Speaker 3>send our security guard into like mad anxiety. He can

0:24:35.680 --> 0:24:37.960
<v Speaker 3>hardly handle it. I'm like, I want to go and

0:24:38.080 --> 0:24:39.359
<v Speaker 3>do this, and I want to do that, and I

0:24:39.400 --> 0:24:42.360
<v Speaker 3>want to see this, and yeah, I'm a huge culture whore,

0:24:42.920 --> 0:24:45.480
<v Speaker 3>so I'll go anywhere and do anything. And he just

0:24:45.560 --> 0:24:46.399
<v Speaker 3>has to keep up with me.

0:24:46.480 --> 0:24:48.680
<v Speaker 2>And do you think that helps in the in the

0:24:48.800 --> 0:24:52.159
<v Speaker 2>business of writing and creativity to do that, because I

0:24:52.200 --> 0:24:55.080
<v Speaker 2>always think that if you start writing songs about how

0:24:55.200 --> 0:24:58.240
<v Speaker 2>great you are and how much money you have, you

0:24:58.400 --> 0:25:00.680
<v Speaker 2>lose me a little bit, as I know, audience member.

0:25:00.840 --> 0:25:03.000
<v Speaker 3>But I think it's really inspiring. I mean, I just

0:25:03.080 --> 0:25:05.160
<v Speaker 3>think about our last record, which is arguably the most

0:25:05.160 --> 0:25:07.560
<v Speaker 3>political I've ever gotten. It's not even that political, but

0:25:08.040 --> 0:25:10.480
<v Speaker 3>it was inspired by going to South America and seeing

0:25:10.480 --> 0:25:13.960
<v Speaker 3>what was going on in Chile and basically the people's

0:25:14.040 --> 0:25:18.840
<v Speaker 3>uprising because they just couldn't take the disparity between the

0:25:18.920 --> 0:25:20.760
<v Speaker 3>rich and the poor any longer. And they went out

0:25:20.800 --> 0:25:23.800
<v Speaker 3>into the streets and they bucked shit up and they

0:25:23.880 --> 0:25:27.880
<v Speaker 3>eventually got change in their constitution, which was so inspiring

0:25:27.960 --> 0:25:30.280
<v Speaker 3>to me. It was really moving, and I would never

0:25:30.560 --> 0:25:33.520
<v Speaker 3>ever have had that experience had I not gone down there. Yeah,

0:25:34.000 --> 0:25:36.080
<v Speaker 3>so were you there when it was when it was

0:25:36.400 --> 0:25:38.360
<v Speaker 3>kicking off, and it was wild, and I saw shit

0:25:38.440 --> 0:25:42.440
<v Speaker 3>that I will never recover from, to be honest. Yeah,

0:25:42.600 --> 0:25:45.760
<v Speaker 3>really crazy stuff. We were in traffic, were stuck in

0:25:45.800 --> 0:25:48.000
<v Speaker 3>traffic because it was crazy, and there were literally millions

0:25:48.040 --> 0:25:52.040
<v Speaker 3>of people in the streets. And yeah, we passed a

0:25:52.080 --> 0:25:54.640
<v Speaker 3>police station and they were blaring music and you heard

0:25:54.720 --> 0:25:59.240
<v Speaker 3>someone screaming above the blaring music. And then the government

0:25:59.640 --> 0:26:02.520
<v Speaker 3>was you know, they didn't have clean water, and they

0:26:02.560 --> 0:26:05.399
<v Speaker 3>weren't giving people access to clean water if you weren't rich,

0:26:05.440 --> 0:26:08.360
<v Speaker 3>couldn't afford water. And we were driving through this Chilean

0:26:08.840 --> 0:26:11.960
<v Speaker 3>countryside just outsids Santiago, and there was just fields of

0:26:12.080 --> 0:26:15.919
<v Speaker 3>dead horses because they couldn't and it was really heavy,

0:26:16.080 --> 0:26:18.560
<v Speaker 3>you know, like that is just heavy, heavy stuff, And

0:26:18.600 --> 0:26:20.359
<v Speaker 3>it was just because they had a corrupt government that

0:26:20.640 --> 0:26:23.439
<v Speaker 3>believed that it was fine for the poor to suffer

0:26:23.680 --> 0:26:26.440
<v Speaker 3>as long as they had their wealth. And it just

0:26:26.600 --> 0:26:29.879
<v Speaker 3>put into highlight to me how insane capitalism is and

0:26:29.960 --> 0:26:33.200
<v Speaker 3>how this just obsession with money and power is.

0:26:36.760 --> 0:26:39.800
<v Speaker 2>This is an official invitation to the Fancy Rascal stand

0:26:39.880 --> 0:26:43.280
<v Speaker 2>up Show I Craig Ferguson will be performing this fall

0:26:43.560 --> 0:26:46.359
<v Speaker 2>in your region. You can buy tickets and check out

0:26:46.400 --> 0:26:49.080
<v Speaker 2>the full list of dates at the Craig Ferguson Show

0:26:49.160 --> 0:26:51.760
<v Speaker 2>dot com slash dour see you.

0:26:51.840 --> 0:26:53.040
<v Speaker 1>There or not.

0:26:58.560 --> 0:27:02.840
<v Speaker 2>That's interesting that you would say that capitalism is insane because.

0:27:02.960 --> 0:27:06.119
<v Speaker 3>It kind of the type of capitalism that we have, right.

0:27:06.359 --> 0:27:08.800
<v Speaker 3>I'm not anti capitalist, but it's.

0:27:08.720 --> 0:27:11.280
<v Speaker 2>An interesting thing though, because I remember when I was

0:27:11.600 --> 0:27:13.520
<v Speaker 2>very young, because I'm from Glasgow and you're from Edinburgh,

0:27:13.520 --> 0:27:15.840
<v Speaker 2>and I always thought people from Edinburgh had more money

0:27:16.240 --> 0:27:17.240
<v Speaker 2>than people from Glasgow.

0:27:17.320 --> 0:27:19.199
<v Speaker 3>And I think it's a kind of broad stroke rule

0:27:19.200 --> 0:27:20.720
<v Speaker 3>of thing. It was a richer city, that's true.

0:27:20.760 --> 0:27:24.119
<v Speaker 2>Yeah, it was a capital and then also just that

0:27:24.400 --> 0:27:26.920
<v Speaker 2>time in the eighties that that kind of was true.

0:27:27.000 --> 0:27:29.840
<v Speaker 2>And then so I had been always raised in a

0:27:29.960 --> 0:27:32.560
<v Speaker 2>very like my grandfather was a red clydesider and all

0:27:32.560 --> 0:27:34.960
<v Speaker 2>that kind of stuff. So I was a very socialist

0:27:35.000 --> 0:27:39.399
<v Speaker 2>ethos and everywhere I looked. And the first time did

0:27:39.440 --> 0:27:41.760
<v Speaker 2>you ever go to Russia when the Soviets were in charge,

0:27:42.080 --> 0:27:45.840
<v Speaker 2>because it goes I never did. My sister did, but

0:27:45.960 --> 0:27:49.960
<v Speaker 2>I never did. I only went after it kicked off

0:27:50.040 --> 0:27:53.879
<v Speaker 2>and everything went crazy kind of gangsterism over in like

0:27:54.080 --> 0:27:59.719
<v Speaker 2>the post Soviet boom, capitalism boom, and I remember being there,

0:27:59.760 --> 0:28:02.960
<v Speaker 2>and so someone saying talking about capitalism and saying, the

0:28:03.080 --> 0:28:09.680
<v Speaker 2>problem with capitalism is that requires a reasonably honest police force.

0:28:10.600 --> 0:28:13.040
<v Speaker 2>And if it doesn't doesn't have to be one hundred percent,

0:28:13.320 --> 0:28:15.800
<v Speaker 2>but it has to be reasonably honest. And if it's

0:28:15.880 --> 0:28:19.760
<v Speaker 2>not reasonably honest, you've got Chicago in the nineteen twenties

0:28:20.240 --> 0:28:22.879
<v Speaker 2>or Moscow in the nineteen nineties, or sounds to me.

0:28:23.040 --> 0:28:26.400
<v Speaker 2>I don't know end about child, but but I feel

0:28:26.520 --> 0:28:27.879
<v Speaker 2>like that's interesting.

0:28:27.960 --> 0:28:32.040
<v Speaker 1>If there's a crisis not government police, if there's a

0:28:32.160 --> 0:28:36.680
<v Speaker 1>crisis in police, then you've got a crisis in society

0:28:36.800 --> 0:28:39.120
<v Speaker 1>because if people don't trust the police, or if they

0:28:39.360 --> 0:28:42.600
<v Speaker 1>or if the police aren't trustworthy or both, then that's

0:28:42.640 --> 0:28:46.840
<v Speaker 1>when you get real fucking problems in capitalists or any society.

0:28:46.840 --> 0:28:47.960
<v Speaker 1>I suppose when you think about it.

0:28:47.960 --> 0:28:51.280
<v Speaker 3>And then when you mix that with police and government, yeah,

0:28:51.920 --> 0:28:53.120
<v Speaker 3>you know you're in a lot of trouble.

0:28:53.200 --> 0:28:54.240
<v Speaker 1>Are you an American citizen?

0:28:54.480 --> 0:28:54.760
<v Speaker 3>I am.

0:28:55.000 --> 0:28:57.920
<v Speaker 2>It's funny because I think when you become a citizen,

0:28:57.960 --> 0:28:59.480
<v Speaker 2>you're allowed to participate in that.

0:29:00.200 --> 0:29:01.520
<v Speaker 1>When before I was a citizen, I.

0:29:01.520 --> 0:29:03.400
<v Speaker 3>Would never talk about any politics here.

0:29:03.520 --> 0:29:06.440
<v Speaker 2>I don't really talk about it now actually because I'll

0:29:06.480 --> 0:29:09.000
<v Speaker 2>talk to you about it because we're talking, but I

0:29:09.040 --> 0:29:10.960
<v Speaker 2>would never in the act talk about politics.

0:29:11.000 --> 0:29:11.400
<v Speaker 1>Won't do it.

0:29:12.200 --> 0:29:16.440
<v Speaker 3>But you're also you were in real mainstream like entertainment,

0:29:16.560 --> 0:29:18.920
<v Speaker 3>and I don't know if you're certainly in this country.

0:29:18.960 --> 0:29:22.480
<v Speaker 3>Are you in adverted commas tolerate? It's not tolerated, you.

0:29:22.560 --> 0:29:24.840
<v Speaker 1>Know, that is actually I think if you look at

0:29:24.920 --> 0:29:27.960
<v Speaker 1>what I was doing then, like I was in late.

0:29:27.920 --> 0:29:30.120
<v Speaker 3>Night, but you were there to make people feel good. Yeah,

0:29:30.120 --> 0:29:32.280
<v Speaker 3>if you tossed on about politics.

0:29:31.840 --> 0:29:35.120
<v Speaker 1>That you are all political now they all they're all

0:29:35.200 --> 0:29:38.160
<v Speaker 1>political and like the whole thing is is and to

0:29:38.320 --> 0:29:40.720
<v Speaker 1>even if I was still doing it, to not be

0:29:40.960 --> 0:29:43.760
<v Speaker 1>political would be seen as being political. They would assume

0:29:43.880 --> 0:29:45.200
<v Speaker 1>you were right wing unless.

0:29:45.120 --> 0:29:49.160
<v Speaker 3>You were like being very different climate it is, well,

0:29:49.240 --> 0:29:50.040
<v Speaker 3>I think it started.

0:29:50.600 --> 0:29:55.120
<v Speaker 2>We watched the tv R in about twenty sixteen, because

0:29:55.160 --> 0:29:56.600
<v Speaker 2>I think it kicked off around then.

0:29:57.480 --> 0:29:59.320
<v Speaker 3>Yeah, I think you might be right. I mean, things

0:29:59.360 --> 0:30:04.040
<v Speaker 3>have just got so polarized, polarized and crazy and unreasonable. Yeah.

0:30:04.200 --> 0:30:07.160
<v Speaker 3>You know, when you talk about reasonable police we don't

0:30:07.280 --> 0:30:09.680
<v Speaker 3>currently have a reasonable police force. We don't even have

0:30:10.320 --> 0:30:14.280
<v Speaker 3>reasonable political parties. They're both unreasonable as far as I

0:30:14.520 --> 0:30:15.880
<v Speaker 3>unconcerned right and the left.

0:30:15.920 --> 0:30:17.680
<v Speaker 1>I think it goes all the way across. I mean,

0:30:17.720 --> 0:30:20.160
<v Speaker 1>I think if you if you think about I had

0:30:20.280 --> 0:30:23.560
<v Speaker 1>friends in my life, I still do have friends in

0:30:23.600 --> 0:30:23.880
<v Speaker 1>my life.

0:30:23.920 --> 0:30:27.640
<v Speaker 3>I find that very hard to be Yea, I have friends.

0:30:27.400 --> 0:30:31.120
<v Speaker 1>Of my people who I think are fucking idiots and

0:30:31.240 --> 0:30:35.520
<v Speaker 1>their views are shit and either're just you know, what

0:30:35.680 --> 0:30:38.200
<v Speaker 1>they think how the world, to be honest is awful.

0:30:39.040 --> 0:30:39.720
<v Speaker 1>But they're my friend.

0:30:39.760 --> 0:30:40.320
<v Speaker 3>What are you going to do?

0:30:40.680 --> 0:30:42.600
<v Speaker 1>So you know, you just I just don't bring that

0:30:42.760 --> 0:30:46.360
<v Speaker 1>up when I'm talking to them. And I wonder, I wonder.

0:30:46.160 --> 0:30:50.120
<v Speaker 2>If that is dying out with the sense of the

0:30:50.520 --> 0:30:53.560
<v Speaker 2>if you have the algorithm that only in your if

0:30:53.640 --> 0:30:58.040
<v Speaker 2>your friendships or your interactions socially are fueled by your phone.

0:30:58.160 --> 0:31:01.000
<v Speaker 1>Or it's just your phone. Let's not talk about computers.

0:31:01.040 --> 0:31:01.960
<v Speaker 1>It's your fucking phone.

0:31:02.480 --> 0:31:06.960
<v Speaker 2>So all your interactions are informed by the algorithm. Will

0:31:07.000 --> 0:31:08.680
<v Speaker 2>show you this because this is what it wants you

0:31:08.800 --> 0:31:14.760
<v Speaker 2>to say. You're being led away from discourse and led

0:31:14.840 --> 0:31:19.960
<v Speaker 2>into you know, furious yeah, yeah, yeah, and the inability

0:31:20.040 --> 0:31:23.240
<v Speaker 2>to debate. Computers can't debate. That's ones are zeros, so

0:31:23.320 --> 0:31:25.160
<v Speaker 2>they don't have they talk about AI. But yeah, it's

0:31:25.200 --> 0:31:27.640
<v Speaker 2>fucking billshit, it's a lie. I don't think it's it's

0:31:27.680 --> 0:31:28.160
<v Speaker 2>not a lie.

0:31:28.200 --> 0:31:29.720
<v Speaker 3>It's a bias, right.

0:31:29.800 --> 0:31:32.880
<v Speaker 2>Right, Okay, yeah, you're right, it's it's it does exist,

0:31:33.280 --> 0:31:36.840
<v Speaker 2>but it doesn't have that thing. It's pop music versus

0:31:36.960 --> 0:31:39.360
<v Speaker 2>rock and roll. It's sure you listen through your ears,

0:31:39.440 --> 0:31:41.560
<v Speaker 2>but but not really. I mean, you talk to a

0:31:41.640 --> 0:31:43.520
<v Speaker 2>deaf person will go to a rock and roll show

0:31:43.520 --> 0:31:47.000
<v Speaker 2>and and love it because you feel it, you know,

0:31:47.160 --> 0:31:48.200
<v Speaker 2>you feel the whole.

0:31:49.160 --> 0:31:53.680
<v Speaker 1>Yeah, but I don't think computers do I think computers

0:31:53.760 --> 0:31:54.200
<v Speaker 1>just hear it?

0:31:54.920 --> 0:31:55.480
<v Speaker 3>Do you know what I mean?

0:31:55.560 --> 0:31:58.720
<v Speaker 2>It's like you it's it's like it's one it's only

0:31:58.920 --> 0:32:02.800
<v Speaker 2>using some of the of the equipment, but not all

0:32:02.920 --> 0:32:03.120
<v Speaker 2>of them.

0:32:03.280 --> 0:32:06.840
<v Speaker 3>Well, indeed, and I think get in there, trust me. Yeah,

0:32:07.240 --> 0:32:08.560
<v Speaker 3>really getting scary, I do.

0:32:09.040 --> 0:32:12.200
<v Speaker 1>I think. I also think the Internet is a phase

0:32:12.280 --> 0:32:14.080
<v Speaker 1>that will go the way of CB radio. Yeah.

0:32:14.080 --> 0:32:14.600
<v Speaker 3>Well, let's hope.

0:32:14.640 --> 0:32:17.640
<v Speaker 1>So it's never coming back.

0:32:17.800 --> 0:32:20.440
<v Speaker 3>Although I mean it's really handy for so many things.

0:32:21.720 --> 0:32:22.400
<v Speaker 1>Totally agree.

0:32:22.760 --> 0:32:25.000
<v Speaker 3>I love it too. Oh, I love it for some things.

0:32:25.080 --> 0:32:28.000
<v Speaker 1>Yeah, and I love it for like I love a good,

0:32:28.160 --> 0:32:30.600
<v Speaker 1>you know, dog that can balance a plate on its

0:32:30.640 --> 0:32:31.200
<v Speaker 1>head and stuff.

0:32:31.240 --> 0:32:33.920
<v Speaker 3>And I'm obsessed with the animal videos. It's actually really worrying.

0:32:33.960 --> 0:32:35.480
<v Speaker 3>I might need to go and see somebody about it.

0:32:36.200 --> 0:32:36.960
<v Speaker 1>Do you know what that is?

0:32:37.480 --> 0:32:38.080
<v Speaker 3>Anxiety?

0:32:38.400 --> 0:32:41.320
<v Speaker 1>Sadness, It's it's part of the aging process.

0:32:41.320 --> 0:32:44.719
<v Speaker 3>Oh yeah, fair enough. I just love animal videos. Yea.

0:32:47.040 --> 0:32:49.560
<v Speaker 3>I even have animals that I don't like in my house.

0:32:53.880 --> 0:32:57.520
<v Speaker 3>I have a really old dog and I'm obsessed by

0:32:57.600 --> 0:32:59.080
<v Speaker 3>her and I don't know what I'm going to do

0:32:59.160 --> 0:33:01.840
<v Speaker 3>when she decides she is already halfway out the door, yeah,

0:33:02.080 --> 0:33:04.760
<v Speaker 3>and I want to follow her. It's literally that insane.

0:33:04.960 --> 0:33:05.720
<v Speaker 1>I understand that.

0:33:06.000 --> 0:33:09.840
<v Speaker 2>But here's the thing because do you remember Cabbage the

0:33:09.920 --> 0:33:13.880
<v Speaker 2>French bulldog that of course Cabbage sadly shuffled off this

0:33:14.040 --> 0:33:18.640
<v Speaker 2>morll coil about two years ago. It was bad, like

0:33:18.760 --> 0:33:21.960
<v Speaker 2>she lost an eye. First she was I mean she

0:33:22.120 --> 0:33:26.080
<v Speaker 2>was a rescue dog because French bulldogs shouldn't really exist.

0:33:26.120 --> 0:33:26.560
<v Speaker 1>I don't think.

0:33:26.600 --> 0:33:28.840
<v Speaker 3>It was a weird something very odd there.

0:33:29.320 --> 0:33:32.800
<v Speaker 1>And then she had like an extra nipple and a

0:33:32.960 --> 0:33:36.720
<v Speaker 1>weird ass and she was run toy and Milo mouldest

0:33:36.720 --> 0:33:39.400
<v Speaker 1>boy used to say nine nipples, zero fox.

0:33:40.640 --> 0:33:44.000
<v Speaker 2>But when she died, I thought, well that's that's it. Yeah,

0:33:44.600 --> 0:33:48.320
<v Speaker 2>and now we have Seamus Fabulous, who was a Jack

0:33:48.400 --> 0:33:49.000
<v Speaker 2>Russell tener.

0:33:49.400 --> 0:33:50.720
<v Speaker 3>They're my favorite breed of dogs.

0:33:50.760 --> 0:33:52.880
<v Speaker 1>Oh my god, they're fucking crazy.

0:33:53.160 --> 0:33:53.960
<v Speaker 3>They're full on.

0:33:54.200 --> 0:33:56.120
<v Speaker 2>Do you know the difference between a Jack Russell and

0:33:56.240 --> 0:33:59.440
<v Speaker 2>a French bulldog? French bulldog people kiss and fall in

0:33:59.520 --> 0:34:06.520
<v Speaker 2>love Russell, somebody's getting fucked. I mean, they are fucking crazy.

0:34:06.760 --> 0:34:10.919
<v Speaker 3>They're not crazy, they're just they don't go along. Yeah,

0:34:10.920 --> 0:34:12.239
<v Speaker 3>they don't give a fuck. And they're wild. I mean

0:34:12.239 --> 0:34:13.759
<v Speaker 3>they're hunters. That's why they were bread.

0:34:14.000 --> 0:34:15.560
<v Speaker 1>They'll go down together, they will.

0:34:15.440 --> 0:34:18.400
<v Speaker 3>And they'll kill it and bring it back to you blood.

0:34:18.520 --> 0:34:22.400
<v Speaker 1>Yeah, good face good Now what kind of dog as

0:34:22.440 --> 0:34:22.719
<v Speaker 1>you doing?

0:34:23.080 --> 0:34:24.000
<v Speaker 3>Jack Russell next?

0:34:25.480 --> 0:34:26.479
<v Speaker 1>See, that's what I'm thinking.

0:34:26.600 --> 0:34:28.200
<v Speaker 3>But she's got a wee bit Chihuaha in her so

0:34:28.280 --> 0:34:30.680
<v Speaker 3>she's quite docile. But she was wild when she was young,

0:34:31.400 --> 0:34:33.480
<v Speaker 3>were you? Yeah, well exactly how are you wilder? Are

0:34:33.520 --> 0:34:33.879
<v Speaker 3>you wild?

0:34:33.960 --> 0:34:35.239
<v Speaker 1>Now? Do you still about wild?

0:34:35.640 --> 0:34:38.319
<v Speaker 3>I am not wild, but I do notice that I'm

0:34:38.560 --> 0:34:41.480
<v Speaker 3>I really really don't give a fuck, and that is

0:34:41.560 --> 0:34:46.000
<v Speaker 3>a wildness in itself. Worse. Yeah, of course, of course

0:34:46.040 --> 0:34:46.640
<v Speaker 3>I love that.

0:34:47.440 --> 0:34:48.880
<v Speaker 1>It's one of the good things about it.

0:34:49.040 --> 0:34:52.120
<v Speaker 3>Well, I don't know, It's been really great for my career.

0:34:52.280 --> 0:34:54.720
<v Speaker 3>I wouldn't have had this longer career if I was docile.

0:34:55.480 --> 0:34:58.560
<v Speaker 1>No, but but you were beast. But you had to be.

0:34:59.040 --> 0:35:00.880
<v Speaker 1>You had to be, I mean, and you were you

0:35:01.000 --> 0:35:03.520
<v Speaker 1>were when I first saw you perform.

0:35:03.600 --> 0:35:08.440
<v Speaker 2>You're a young woman in this particularly aggressive period of music,

0:35:08.680 --> 0:35:10.000
<v Speaker 2>you know, I mean, it's like that.

0:35:10.400 --> 0:35:16.560
<v Speaker 1>All the energy was big and loud and noisy and tough,

0:35:16.800 --> 0:35:20.120
<v Speaker 1>big fucking open ee chords and fucking tom tom drums

0:35:20.160 --> 0:35:22.439
<v Speaker 1>and wait, you're time very tough, and you were.

0:35:22.360 --> 0:35:24.120
<v Speaker 3>Part of that. So of course you are.

0:35:24.760 --> 0:35:27.440
<v Speaker 1>Of course you you become like that I think it's

0:35:27.520 --> 0:35:28.480
<v Speaker 1>great that you're still there.

0:35:28.760 --> 0:35:30.480
<v Speaker 3>I don't know there. Sometimes when I come home from

0:35:30.520 --> 0:35:34.120
<v Speaker 3>dinner parties and things like that, I'm always having the

0:35:34.200 --> 0:35:38.279
<v Speaker 3>conversation with my husband and it's like, did I did

0:35:38.320 --> 0:35:40.239
<v Speaker 3>I embarrass myself tonight? You know?

0:35:41.360 --> 0:35:41.759
<v Speaker 1>No? You no.

0:35:41.840 --> 0:35:44.480
<v Speaker 3>I'll always say did I embarrass you tonight? And he'll

0:35:44.480 --> 0:35:47.200
<v Speaker 3>always say, no, you just embarrass yourself.

0:35:47.840 --> 0:35:50.400
<v Speaker 2>See that's pretty good. That's really why I know, because

0:35:50.480 --> 0:35:52.279
<v Speaker 2>I don't know Billy very well. But what I know

0:35:52.360 --> 0:35:58.439
<v Speaker 2>about Billy is this, Yeah, he's slightly embarrassed all the time.

0:35:59.000 --> 0:36:01.360
<v Speaker 3>No, it's quite the open, yeah, which is why I

0:36:01.480 --> 0:36:01.960
<v Speaker 3>married him.

0:36:02.080 --> 0:36:05.560
<v Speaker 1>He's quiet, He's so quiet, he's got a calm air.

0:36:05.840 --> 0:36:07.320
<v Speaker 3>I want to be like more like Billy do. And

0:36:07.360 --> 0:36:09.279
<v Speaker 3>I have learned to like chill a wee bit because

0:36:09.280 --> 0:36:12.280
<v Speaker 3>of him. Like he is never gives himself away socially.

0:36:12.400 --> 0:36:13.920
<v Speaker 3>Now I know you well enough to know that you

0:36:14.000 --> 0:36:16.239
<v Speaker 3>give yourself away like I do over and over and

0:36:16.360 --> 0:36:16.759
<v Speaker 3>over again.

0:36:16.920 --> 0:36:18.200
<v Speaker 1>The rooms start crying.

0:36:18.680 --> 0:36:21.640
<v Speaker 3>Same thing, And he's just like always like he just

0:36:21.920 --> 0:36:25.040
<v Speaker 3>listens to people. And I find that astounding because I'm

0:36:25.040 --> 0:36:25.680
<v Speaker 3>a broadcaster.

0:36:25.960 --> 0:36:27.840
<v Speaker 1>Yeah, I think I think it's dignity.

0:36:28.320 --> 0:36:31.680
<v Speaker 3>It's dignity and it's powerful and I'm just like like

0:36:31.760 --> 0:36:36.000
<v Speaker 3>a big messy labrador licking everybody's faces, you know. But

0:36:36.080 --> 0:36:39.760
<v Speaker 3>at the same time it takes all sorts. Of course

0:36:39.840 --> 0:36:42.640
<v Speaker 3>it does. And clearly Billy is fond of you. Yeah,

0:36:42.640 --> 0:36:44.839
<v Speaker 3>he loves me. Today it should be a very very

0:36:45.360 --> 0:36:48.200
<v Speaker 3>pitiful lead singer. He'd be crasy. It wouldn't be this

0:36:48.400 --> 0:36:49.279
<v Speaker 3>you want to watch that.

0:36:53.400 --> 0:36:56.320
<v Speaker 2>I got, you know, I have struggle with that sometimes

0:36:56.360 --> 0:36:59.520
<v Speaker 2>when bands watch a band and the singers like shy

0:36:59.680 --> 0:37:02.200
<v Speaker 2>and they're airs in front of the face, I'm like, hey, hey,

0:37:02.400 --> 0:37:05.160
<v Speaker 2>people at the fucking back have paid two pal come on,

0:37:06.160 --> 0:37:07.960
<v Speaker 2>let's fucking see your eyes and teeth.

0:37:08.080 --> 0:37:08.440
<v Speaker 1>Let's go.

0:37:08.960 --> 0:37:10.680
<v Speaker 3>But we grew up with Bruce Forsyth show.

0:37:10.719 --> 0:37:11.040
<v Speaker 1>I mean.

0:37:12.600 --> 0:37:15.280
<v Speaker 3>That's our style. But I'd love to be a floppy,

0:37:15.400 --> 0:37:17.840
<v Speaker 3>shy singer at the front. I mean, I'd love to

0:37:17.960 --> 0:37:21.319
<v Speaker 3>be like that mysterious and everyone going, oh, she's so cool, so.

0:37:21.520 --> 0:37:24.359
<v Speaker 1>Cool and mysterious. Do you think you're cooling? Don't think

0:37:24.400 --> 0:37:27.319
<v Speaker 1>nobody thinks. I think that would be a reach.

0:37:27.400 --> 0:37:31.560
<v Speaker 3>But cool, I'm fucking quite hot, you know what I mean.

0:37:31.800 --> 0:37:34.560
<v Speaker 1>Okay, okay, but I think look, if I had to,

0:37:34.719 --> 0:37:38.640
<v Speaker 1>if I had no you, Luke, no you you look

0:37:38.680 --> 0:37:41.640
<v Speaker 1>at this if I had if I had a daughter,

0:37:41.760 --> 0:37:44.520
<v Speaker 1>I don't. But if I had a daughter, I'd want

0:37:44.600 --> 0:37:46.960
<v Speaker 1>her to be like you. I'd want her to be

0:37:47.200 --> 0:37:49.200
<v Speaker 1>confident and like fuck you.

0:37:49.640 --> 0:37:51.120
<v Speaker 3>Let's get my dad on the phone show.

0:37:51.280 --> 0:37:54.400
<v Speaker 1>Yeah. See, your dad's an interesting dude, Yes he is.

0:37:54.680 --> 0:37:57.239
<v Speaker 1>You know your dad was the correct me.

0:37:57.239 --> 0:38:00.399
<v Speaker 2>If I'm wrong, I will, which you never fucking shy

0:38:00.480 --> 0:38:03.560
<v Speaker 2>about doing that ever before. But your dad was the

0:38:03.800 --> 0:38:06.680
<v Speaker 2>moderator of the General Assembly of the Church of Scotland.

0:38:06.760 --> 0:38:07.080
<v Speaker 1>Is that right?

0:38:07.800 --> 0:38:10.320
<v Speaker 3>No, I don't know if that's true. He certainly was

0:38:10.400 --> 0:38:11.080
<v Speaker 3>a member of.

0:38:11.160 --> 0:38:13.719
<v Speaker 1>That the group of elders, the correct that he was

0:38:13.760 --> 0:38:16.640
<v Speaker 1>an elder there, Yeah, which that which is?

0:38:17.040 --> 0:38:19.839
<v Speaker 2>He did a pretty cool thing though, didn't he wasn't

0:38:19.840 --> 0:38:23.279
<v Speaker 2>he involved in the recognition of gay marriage within that church.

0:38:23.560 --> 0:38:25.399
<v Speaker 3>Well, he certainly voted for that, right.

0:38:25.560 --> 0:38:25.759
<v Speaker 1>Yeah.

0:38:26.320 --> 0:38:28.040
<v Speaker 3>He's a good man, my dad, and he's a bit

0:38:28.120 --> 0:38:30.879
<v Speaker 3>punk rock onto himself. Let me just put it this way.

0:38:31.120 --> 0:38:33.240
<v Speaker 3>He just recently told me he was planning his funeral.

0:38:33.920 --> 0:38:36.280
<v Speaker 3>I am not involved. I'm not allowed to be involved.

0:38:37.480 --> 0:38:39.640
<v Speaker 3>My other two sisters are involved. Do you get to

0:38:39.760 --> 0:38:43.520
<v Speaker 3>Go's what I said? Am I invited to this event?

0:38:44.120 --> 0:38:46.840
<v Speaker 3>And he's also written his own obituary. Who does that?

0:38:47.680 --> 0:38:48.279
<v Speaker 3>Who does that?

0:38:48.440 --> 0:38:49.279
<v Speaker 1>That's a pretty cool thing.

0:38:49.320 --> 0:38:51.319
<v Speaker 3>It's not cool, it's silly. As I said to him, Dad,

0:38:51.880 --> 0:38:54.680
<v Speaker 3>if you've written your own obituary, that's really all good,

0:38:54.760 --> 0:38:57.359
<v Speaker 3>you know. But I will survive you, and I will.

0:38:57.719 --> 0:38:59.839
<v Speaker 3>I can write you, I can write over your a bit.

0:39:00.520 --> 0:39:02.040
<v Speaker 1>That's true. It's kind of a waste.

0:39:02.120 --> 0:39:05.000
<v Speaker 3>It's control, very very cross. When I said that, yeah,

0:39:05.320 --> 0:39:07.560
<v Speaker 3>it's a bit of a control, and I was roaring

0:39:07.680 --> 0:39:08.120
<v Speaker 3>with laughter.

0:39:10.000 --> 0:39:12.200
<v Speaker 1>But he's clearly a very religious man.

0:39:13.320 --> 0:39:17.359
<v Speaker 3>He kind of his faith got shaken during COVID. Oh,

0:39:17.840 --> 0:39:20.000
<v Speaker 3>it was really wild to watch. This is a man

0:39:20.120 --> 0:39:21.960
<v Speaker 3>I grew up with. He was my Sunday school teacher,

0:39:22.320 --> 0:39:26.399
<v Speaker 3>and during COVID his faith kind of deserted him a little.

0:39:26.440 --> 0:39:28.760
<v Speaker 3>It was wild. It's coming back now. I notice.

0:39:29.000 --> 0:39:30.439
<v Speaker 1>Why would COVID have all things?

0:39:30.520 --> 0:39:33.320
<v Speaker 3>He felt like, well, it's interesting should say that, because

0:39:33.360 --> 0:39:37.080
<v Speaker 3>he felt really disillusioned by organized religion. He felt like

0:39:37.200 --> 0:39:41.080
<v Speaker 3>the church just left people to it, like, left them alone,

0:39:41.520 --> 0:39:45.400
<v Speaker 3>didn't support them, didn't find money to bring to the poor. Literally,

0:39:45.480 --> 0:39:47.520
<v Speaker 3>I mean right, I don't know, it sent them off

0:39:47.560 --> 0:39:50.800
<v Speaker 3>into this weird, like we were really shaken by it. Like,

0:39:50.880 --> 0:39:53.560
<v Speaker 3>what's happened to Dad? Is he going to the devil?

0:39:55.880 --> 0:39:57.000
<v Speaker 1>Did you become religious?

0:39:57.080 --> 0:39:58.080
<v Speaker 3>Oh? God?

0:39:58.239 --> 0:40:02.279
<v Speaker 1>No? Well where are you in the whole God thing?

0:40:02.680 --> 0:40:06.960
<v Speaker 3>I don't believe in anything? Really, I think it's very religious,

0:40:08.280 --> 0:40:09.120
<v Speaker 3>is it? Yes?

0:40:10.400 --> 0:40:12.880
<v Speaker 1>Yes, I think that's a very religious thing.

0:40:12.960 --> 0:40:14.400
<v Speaker 3>What on earth do you mean by that?

0:40:14.760 --> 0:40:18.080
<v Speaker 1>Well, here's what I mean by that. If you are,

0:40:18.480 --> 0:40:20.160
<v Speaker 1>would you describe yourself as an atheist?

0:40:21.760 --> 0:40:25.279
<v Speaker 3>Maybe I feel like I'm getting tricked. No, no, no,

0:40:26.600 --> 0:40:29.480
<v Speaker 3>say yes, I would say yeah, I would say I'm

0:40:29.480 --> 0:40:30.480
<v Speaker 3>an atheist. See.

0:40:30.760 --> 0:40:34.200
<v Speaker 1>I think atheism is the most fundamental religious stance that

0:40:34.360 --> 0:40:35.240
<v Speaker 1>human being contained.

0:40:35.520 --> 0:40:37.359
<v Speaker 3>And what do you mean by that? What I mean

0:40:37.440 --> 0:40:39.600
<v Speaker 3>is this what you're saying is I know.

0:40:41.120 --> 0:40:47.080
<v Speaker 2>Socrates wrong, Einstein wrong, Saint Francis of ASSISI wrong, all

0:40:47.239 --> 0:40:49.760
<v Speaker 2>you people in human history that believed in God.

0:40:49.680 --> 0:40:51.200
<v Speaker 3>You're all wrong.

0:40:51.920 --> 0:40:56.000
<v Speaker 1>I'm right, that's an atheist position.

0:40:57.280 --> 0:41:00.560
<v Speaker 3>But I don't disagree with Einstein or Socrates.

0:41:01.160 --> 0:41:02.319
<v Speaker 1>They both believed in God.

0:41:02.520 --> 0:41:03.640
<v Speaker 3>Right, I see what you're saying. Well, we have a

0:41:03.680 --> 0:41:07.120
<v Speaker 3>difference of opinion. Right, they were wrong. Well, here's my

0:41:07.280 --> 0:41:10.120
<v Speaker 3>feeling about religion. I get what you're saying, So it's

0:41:10.120 --> 0:41:12.200
<v Speaker 3>an interesting point, and you've sent me spinning, and I'm

0:41:12.200 --> 0:41:16.000
<v Speaker 3>going to be thinking about this all day. But I

0:41:16.560 --> 0:41:21.399
<v Speaker 3>can't help but think religion has been designed by men

0:41:21.800 --> 0:41:26.760
<v Speaker 3>ye who cannot accept that they really are not that important,

0:41:27.400 --> 0:41:31.160
<v Speaker 3>and it's totally complete construct and so it's really hard

0:41:31.200 --> 0:41:34.600
<v Speaker 3>for me to tune into that and fall in line

0:41:34.640 --> 0:41:34.800
<v Speaker 3>with it.

0:41:35.120 --> 0:41:37.719
<v Speaker 1>You know, Yes, I agree with that, and I think

0:41:37.760 --> 0:41:41.400
<v Speaker 1>you're right. But what I also think is religion is

0:41:41.520 --> 0:41:45.000
<v Speaker 1>not God. Religion is religion.

0:41:44.719 --> 0:41:48.000
<v Speaker 3>Yes, and God. But you asked me if I was religious.

0:41:48.280 --> 0:41:51.000
<v Speaker 2>I did, and so you've tricked me and you run

0:41:51.120 --> 0:41:53.800
<v Speaker 2>the day I did. But I also asked, do you

0:41:53.920 --> 0:41:56.040
<v Speaker 2>believe in God? Or if I didn't, I meant to,

0:41:59.040 --> 0:41:59.920
<v Speaker 2>do you believe in God?

0:42:00.000 --> 0:42:05.600
<v Speaker 3>I believe in dogs? Yeah, I do, somewhere somewhere in

0:42:05.640 --> 0:42:08.279
<v Speaker 3>my face. I mean, I believe in nature right, That

0:42:08.480 --> 0:42:11.360
<v Speaker 3>to me is the only thing really I can believe

0:42:11.400 --> 0:42:15.440
<v Speaker 3>in with any certainty. And of dogs, dogs and nature.

0:42:15.560 --> 0:42:16.920
<v Speaker 1>Dogs are part of nature, of course they are.

0:42:17.239 --> 0:42:21.279
<v Speaker 2>And also I think that is to me, that's more

0:42:21.440 --> 0:42:25.480
<v Speaker 2>to do with God than you know, the idea of

0:42:26.040 --> 0:42:27.680
<v Speaker 2>angry Santa on a cloud.

0:42:27.920 --> 0:42:29.680
<v Speaker 1>Do you go to church? I don't.

0:42:29.719 --> 0:42:33.720
<v Speaker 3>But I built one. What well, we moved You're getting

0:42:33.840 --> 0:42:35.520
<v Speaker 3>right weird on me, now, yeah, no, no, I'm a

0:42:35.560 --> 0:42:36.440
<v Speaker 3>little weird. Get it.

0:42:37.080 --> 0:42:39.560
<v Speaker 1>It's not that I built one, it's that we moved

0:42:39.600 --> 0:42:41.920
<v Speaker 1>house in Scotland. We moved to a place that had

0:42:41.960 --> 0:42:44.000
<v Speaker 1>a bit more land because we wanted to keep some

0:42:44.120 --> 0:42:44.719
<v Speaker 1>horses right.

0:42:45.680 --> 0:42:47.719
<v Speaker 3>And the place that we bought had.

0:42:47.640 --> 0:42:52.080
<v Speaker 2>An old, broken down chapel type building on it. And

0:42:52.200 --> 0:42:55.759
<v Speaker 2>during COVID, I had nothing to fucking do, so I

0:42:56.160 --> 0:42:56.480
<v Speaker 2>kind of.

0:42:57.040 --> 0:43:00.920
<v Speaker 1>Looked at YouTube videos of carpentry and thing and stuff,

0:43:00.920 --> 0:43:03.600
<v Speaker 1>and I thought, that little chapel thing, I'm going to

0:43:03.640 --> 0:43:06.239
<v Speaker 1>put it back, and and I so.

0:43:06.400 --> 0:43:07.960
<v Speaker 2>And I'm not a religious person at all. I'm not

0:43:08.080 --> 0:43:11.279
<v Speaker 2>in part of any organized religion at all. But I thought, well,

0:43:11.440 --> 0:43:14.239
<v Speaker 2>what harm I'm going to do put the little building back.

0:43:14.600 --> 0:43:17.120
<v Speaker 2>Then I found a little bell, so I put the

0:43:17.280 --> 0:43:19.760
<v Speaker 2>bell in the church. Tell me in a local joiner.

0:43:19.880 --> 0:43:22.799
<v Speaker 1>We got up there and put the bell and it's

0:43:22.880 --> 0:43:25.439
<v Speaker 1>a beautiful little church.

0:43:26.080 --> 0:43:28.680
<v Speaker 2>And the guy who works on the place where that

0:43:28.800 --> 0:43:31.960
<v Speaker 2>works on the estate, he's he's very Scottish and he

0:43:32.040 --> 0:43:35.160
<v Speaker 2>said what church is that? Because he's he's from a

0:43:35.239 --> 0:43:38.919
<v Speaker 2>slightly different like I was raised in a Protestant like you, yeah,

0:43:39.239 --> 0:43:42.040
<v Speaker 2>and he was raised as Catholic, which in Scotland is

0:43:42.320 --> 0:43:44.799
<v Speaker 2>you know, it's a big or was a big deal.

0:43:44.880 --> 0:43:47.000
<v Speaker 1>I hope it's not so much, still is for some people.

0:43:47.640 --> 0:43:50.560
<v Speaker 3>But he said to me, so what is it? Then

0:43:51.120 --> 0:43:51.799
<v Speaker 3>I said what do you mean?

0:43:51.840 --> 0:43:54.000
<v Speaker 1>What is it? I said, well, is it Church of

0:43:54.040 --> 0:43:58.000
<v Speaker 1>Scotland or the proper one? And I said it's a

0:43:58.120 --> 0:44:03.359
<v Speaker 1>non denominational Church of Scotland. They said, that's no a church.

0:44:03.440 --> 0:44:04.400
<v Speaker 1>I said, it fucking is.

0:44:04.520 --> 0:44:09.160
<v Speaker 3>Now, it's right there. That's brilliant. So it's just a

0:44:09.440 --> 0:44:12.480
<v Speaker 3>it's a but I got some pews. I bought some

0:44:12.680 --> 0:44:13.279
<v Speaker 3>pews and I.

0:44:13.280 --> 0:44:17.600
<v Speaker 1>Put them in, and like, there's no imagery from anybody's religion,

0:44:17.760 --> 0:44:19.719
<v Speaker 1>but there's some places to set in.

0:44:19.800 --> 0:44:21.640
<v Speaker 3>Some books and stuff, place to be.

0:44:22.080 --> 0:44:24.040
<v Speaker 1>Yeah, I like that. The first book I put in

0:44:24.120 --> 0:44:25.280
<v Speaker 1>it was Young's Read.

0:44:25.160 --> 0:44:27.160
<v Speaker 3>Book, How Fantastic?

0:44:27.280 --> 0:44:30.880
<v Speaker 1>Yeah, So which is all different religious imagery and stuff

0:44:30.920 --> 0:44:31.080
<v Speaker 1>like that.

0:44:31.719 --> 0:44:34.040
<v Speaker 3>Do you when you travel do you go to local churches?

0:44:34.080 --> 0:44:36.040
<v Speaker 3>Because I do all the time. I don't.

0:44:36.239 --> 0:44:38.160
<v Speaker 1>Actually I should do that. I used to kind of

0:44:38.200 --> 0:44:39.959
<v Speaker 1>do that a little bit in Europe, but I haven't

0:44:39.960 --> 0:44:41.160
<v Speaker 1>done it in America so much.

0:44:41.719 --> 0:44:43.680
<v Speaker 3>Well, yeah, they're not quite as grand as they are

0:44:43.760 --> 0:44:44.200
<v Speaker 3>in Europe.

0:44:44.920 --> 0:44:47.440
<v Speaker 2>Yeah, well yeah, when you do that, So like when

0:44:47.440 --> 0:44:49.400
<v Speaker 2>you go to South so you've seen a lot of

0:44:49.440 --> 0:44:51.600
<v Speaker 2>Catholic churches then for a Protestant, yeah, a.

0:44:51.600 --> 0:44:54.640
<v Speaker 3>Lot of cathedrals. And I love it. I have to say, like,

0:44:54.719 --> 0:44:56.160
<v Speaker 3>I don't know why I'm drawn to it. So there

0:44:56.239 --> 0:45:01.440
<v Speaker 3>must be some weird like pool from me with religion,

0:45:01.640 --> 0:45:04.360
<v Speaker 3>of course, of course, because the impulse.

0:45:05.200 --> 0:45:09.279
<v Speaker 2>Look, capitalism in and of itself is not evil, but

0:45:09.400 --> 0:45:11.000
<v Speaker 2>people could use it for evil.

0:45:11.440 --> 0:45:13.920
<v Speaker 1>Religion in and of itself I don't believe is even of.

0:45:14.000 --> 0:45:18.440
<v Speaker 3>Course used, although it was constructed to control the people,

0:45:18.560 --> 0:45:22.759
<v Speaker 3>the poor. That's that's where religion basically began as a

0:45:22.800 --> 0:45:26.680
<v Speaker 3>way of control, at least in I don't like relatively

0:45:26.760 --> 0:45:27.520
<v Speaker 3>modern history.

0:45:27.520 --> 0:45:29.959
<v Speaker 1>I think. I think in modern times, I think that's true.

0:45:30.000 --> 0:45:34.400
<v Speaker 2>But I think the impulse to try and figure it

0:45:34.520 --> 0:45:39.560
<v Speaker 2>out or to recognize the larger thing, I don't know

0:45:39.920 --> 0:45:40.360
<v Speaker 2>about that.

0:45:40.960 --> 0:45:43.160
<v Speaker 1>I don't think so. I think when the when the

0:45:43.320 --> 0:45:47.040
<v Speaker 1>Roman Empire co opted Christianity, I think that was a

0:45:47.120 --> 0:45:51.160
<v Speaker 1>power move for sure, that was perc and certainly a

0:45:51.200 --> 0:45:54.520
<v Speaker 1>lot of a lot of different religions have done that,

0:45:54.600 --> 0:45:57.279
<v Speaker 1>But I'm not so sure about it anymore. I used

0:45:57.320 --> 0:45:58.719
<v Speaker 1>to be a lot sure about it, and I'm not.

0:45:59.239 --> 0:46:01.399
<v Speaker 1>Like as I built my wee church and I thought, well,

0:46:01.400 --> 0:46:04.120
<v Speaker 1>who am I a pressing here? Well, nobody, I am

0:46:04.160 --> 0:46:05.759
<v Speaker 1>a local joiner to help me put the.

0:46:05.760 --> 0:46:07.520
<v Speaker 3>Bail up pressing.

0:46:16.800 --> 0:46:18.880
<v Speaker 1>I don't want to oppress anybody. I don't think. I

0:46:18.920 --> 0:46:20.640
<v Speaker 1>don't want to even people I don't agree with.

0:46:20.880 --> 0:46:24.520
<v Speaker 3>What then, what is your relationship to Like, why are

0:46:24.600 --> 0:46:27.520
<v Speaker 3>you a comedian? Because that is a that is something

0:46:27.640 --> 0:46:30.640
<v Speaker 3>you're honest truth, I don't I fell into it.

0:46:31.640 --> 0:46:32.160
<v Speaker 1>I think that.

0:46:32.360 --> 0:46:33.600
<v Speaker 3>But you've been doing it long enough.

0:46:33.719 --> 0:46:35.560
<v Speaker 1>I have been doing it for a long time. I

0:46:35.680 --> 0:46:35.960
<v Speaker 1>think that.

0:46:36.120 --> 0:46:38.640
<v Speaker 2>I just it was very forgiving of a lifestyle that

0:46:38.760 --> 0:46:42.080
<v Speaker 2>I had when I started that. You know, you could

0:46:42.160 --> 0:46:46.520
<v Speaker 2>be fucking hammered and late and still kind of get by,

0:46:46.800 --> 0:46:47.959
<v Speaker 2>certainly in the early days.

0:46:47.960 --> 0:46:50.719
<v Speaker 3>You can't now, like you've just finished a tour here

0:46:50.760 --> 0:46:53.920
<v Speaker 3>in North America. I like doing it. I know, I

0:46:54.000 --> 0:46:55.480
<v Speaker 3>love doing Why do you like doing it?

0:46:56.480 --> 0:47:01.040
<v Speaker 2>It's my instrument, it's my band, it's my it's my guitar,

0:47:01.120 --> 0:47:02.480
<v Speaker 2>it's my Keith Richards.

0:47:02.520 --> 0:47:04.480
<v Speaker 1>It's like I play the guitar. I go there and

0:47:04.520 --> 0:47:06.040
<v Speaker 1>I play it. It's what I do.

0:47:06.200 --> 0:47:07.000
<v Speaker 3>What is it doing?

0:47:08.080 --> 0:47:12.920
<v Speaker 1>It's fulfilling an emotional and financial need.

0:47:13.120 --> 0:47:15.000
<v Speaker 3>I think, well, aside from the finances, I mean, you

0:47:15.120 --> 0:47:15.840
<v Speaker 3>have to make a living.

0:47:16.680 --> 0:47:16.839
<v Speaker 1>Right.

0:47:17.400 --> 0:47:20.040
<v Speaker 3>As you've gotten older, surely you must have a different

0:47:20.200 --> 0:47:23.680
<v Speaker 3>idea of why you do what you do than you

0:47:23.880 --> 0:47:25.120
<v Speaker 3>did when you were younger.

0:47:25.480 --> 0:47:31.400
<v Speaker 1>No, I do I feel alive when I do it.

0:47:31.640 --> 0:47:35.320
<v Speaker 1>Do you remember the movie Chariots of Fire? Of course,

0:47:35.920 --> 0:47:41.520
<v Speaker 1>it's great, beautiful Edinburgh feeling in that movie. And when

0:47:42.080 --> 0:47:44.919
<v Speaker 1>Ian Charleston, who plays I can't remember the ad.

0:47:44.880 --> 0:47:48.600
<v Speaker 3>Ian, Oh god, damn it. The Runner, Yeah, the.

0:47:48.640 --> 0:47:51.600
<v Speaker 2>Runner, beautiful Scottich runner who wouldn't run on a Sunday.

0:47:51.840 --> 0:47:54.920
<v Speaker 1>I yes, I think I think it was something like that.

0:47:55.360 --> 0:47:56.560
<v Speaker 1>He wouldn't run on a Sunday.

0:47:56.600 --> 0:47:58.800
<v Speaker 2>That was the story that he was a Scottish athlete

0:47:58.840 --> 0:48:01.239
<v Speaker 2>the Olympics in the nineteen and he wouldn't run on

0:48:01.280 --> 0:48:02.480
<v Speaker 2>a Sunday because of his faith.

0:48:02.520 --> 0:48:05.320
<v Speaker 1>And somebody asked him about it. His sister is what

0:48:05.440 --> 0:48:07.600
<v Speaker 1>it was, says in the movie. It's a great line

0:48:07.640 --> 0:48:08.040
<v Speaker 1>in the movie.

0:48:08.320 --> 0:48:10.080
<v Speaker 2>Because he wanted to be a missionary in China, and

0:48:10.160 --> 0:48:12.520
<v Speaker 2>in fact he did become a missionary in China and

0:48:12.600 --> 0:48:17.440
<v Speaker 2>died there. But he says this line about running and

0:48:17.520 --> 0:48:20.560
<v Speaker 2>about China. His sister says, you should be a missionary,

0:48:20.640 --> 0:48:22.400
<v Speaker 2>and he said, I know. He said, I believe God

0:48:22.520 --> 0:48:26.240
<v Speaker 2>made me for a purpose, and that purpose is China.

0:48:27.719 --> 0:48:34.120
<v Speaker 2>But when I run, I feel his pleasure, and I

0:48:34.239 --> 0:48:37.920
<v Speaker 2>feel like I feel a little bit like I'm connected

0:48:37.960 --> 0:48:39.440
<v Speaker 2>to something when I do stand up.

0:48:40.160 --> 0:48:44.719
<v Speaker 3>But you must enjoy. But yeah, of course, like as

0:48:44.760 --> 0:48:47.000
<v Speaker 3>I've gotten older, I'm like, oh, I'm actually in service.

0:48:47.120 --> 0:48:51.479
<v Speaker 3>I'm basically, you know, I'm here to make people feel

0:48:51.560 --> 0:48:54.879
<v Speaker 3>better than when they walked in. Yeah, and then when

0:48:54.880 --> 0:48:58.080
<v Speaker 3>it's gotten clearer and clearer for me, that, oh, that's

0:48:58.200 --> 0:49:01.200
<v Speaker 3>my service and this is such a great thing to do.

0:49:01.520 --> 0:49:04.600
<v Speaker 3>Is a purpose for me, right, And I just imagine

0:49:04.600 --> 0:49:06.480
<v Speaker 3>that if you you literally are going on stage to

0:49:06.560 --> 0:49:10.160
<v Speaker 3>make people laugh, it's the same thing. That connection with

0:49:10.320 --> 0:49:13.560
<v Speaker 3>people's it's a sense of purpose. It's like, which is

0:49:13.680 --> 0:49:18.440
<v Speaker 3>like organized religion in a way it's it is. I'm

0:49:18.440 --> 0:49:20.880
<v Speaker 3>not conflating by the way what we do with practicing,

0:49:21.200 --> 0:49:24.560
<v Speaker 3>you know, organized faith. I'm not deigning to do that.

0:49:24.719 --> 0:49:28.000
<v Speaker 3>I just mean the parallel.

0:49:28.880 --> 0:49:31.040
<v Speaker 2>I think it's a good I think It's an interesting

0:49:31.040 --> 0:49:32.880
<v Speaker 2>way to look at it because there are parallels. There

0:49:32.880 --> 0:49:35.680
<v Speaker 2>are little rituals, you know, there are little things that

0:49:35.760 --> 0:49:38.200
<v Speaker 2>make people feel comfortable. You go to the merch table,

0:49:38.280 --> 0:49:41.439
<v Speaker 2>you get a warm beer in a plastic glass. There's

0:49:41.480 --> 0:49:43.759
<v Speaker 2>your communion. You go into the room. It smells of

0:49:43.920 --> 0:49:47.080
<v Speaker 2>weed and sweat, you know, yeah, and bum yeah.

0:49:47.719 --> 0:49:48.239
<v Speaker 3>You hear that.

0:49:50.400 --> 0:49:52.920
<v Speaker 2>Of the ams before the music starts going through them.

0:49:52.960 --> 0:49:54.640
<v Speaker 2>There there are rituals.

0:49:54.680 --> 0:49:57.279
<v Speaker 1>There's the whole thing of we were talking about this

0:49:57.360 --> 0:50:00.840
<v Speaker 1>earlier actually that the idea of the on war for

0:50:01.360 --> 0:50:03.359
<v Speaker 1>rock acts is like, will they do an extra song?

0:50:03.440 --> 0:50:04.120
<v Speaker 1>I think they will?

0:50:04.880 --> 0:50:07.239
<v Speaker 3>They do so annoying. I keep saying to my band,

0:50:07.320 --> 0:50:09.360
<v Speaker 3>let's not do an OnCore tonight, please, Can we just

0:50:09.440 --> 0:50:11.600
<v Speaker 3>do this set right? And they're like, no, no, no,

0:50:12.719 --> 0:50:14.920
<v Speaker 3>we have to do the OnCore. And I can't stand

0:50:14.960 --> 0:50:18.239
<v Speaker 3>an encore unless it's really warranted. I mean there's occasionally,

0:50:18.480 --> 0:50:22.279
<v Speaker 3>and I can count the warranted times, maybe five times

0:50:22.280 --> 0:50:25.879
<v Speaker 3>in my whole career, but we really warranted an encore. Yeah,

0:50:26.040 --> 0:50:28.000
<v Speaker 3>I know, so dumb.

0:50:28.280 --> 0:50:30.600
<v Speaker 2>But you know, when I was going to see bands

0:50:30.600 --> 0:50:32.319
<v Speaker 2>when I was a kid, and I assume you were

0:50:32.360 --> 0:50:35.040
<v Speaker 2>doing the same when the band did an encore. It

0:50:35.160 --> 0:50:37.520
<v Speaker 2>was like when they came on and said good evening,

0:50:38.120 --> 0:50:40.160
<v Speaker 2>Glasgow or Edinburgh, this is our.

0:50:40.120 --> 0:50:42.160
<v Speaker 1>Favorite time to playing, and you'd be like it is

0:50:42.239 --> 0:50:43.440
<v Speaker 1>their favorite town to playing.

0:50:44.440 --> 0:50:46.279
<v Speaker 3>Yeah, that's true, true.

0:50:47.160 --> 0:50:49.399
<v Speaker 1>You feel like it feels special. It's part of being

0:50:49.719 --> 0:50:53.200
<v Speaker 1>live with the band. It's not TV, it's not a record.

0:50:53.320 --> 0:50:57.040
<v Speaker 3>No, it's very special live. But it's when I was younger,

0:50:57.400 --> 0:50:59.400
<v Speaker 3>I guess I thought it was all about me and

0:50:59.680 --> 0:51:01.600
<v Speaker 3>what I'm trying to get at. It's just that ideas.

0:51:01.800 --> 0:51:05.240
<v Speaker 3>As I've gotten older and older, it's so not about

0:51:05.280 --> 0:51:08.520
<v Speaker 3>me anymore. It's like you're making if your challenge, Shirley

0:51:08.520 --> 0:51:11.360
<v Speaker 3>Anne Manson is to make people feel good tonight and

0:51:11.480 --> 0:51:13.200
<v Speaker 3>let's see if you can do it. And it feels

0:51:13.239 --> 0:51:15.480
<v Speaker 3>like a challenge to me. And when when I step

0:51:15.520 --> 0:51:18.279
<v Speaker 3>out into a hostile audience, I'm liking my brain, I'll

0:51:18.320 --> 0:51:20.520
<v Speaker 3>whin you over. Oh I'm going to make you feel

0:51:20.640 --> 0:51:22.600
<v Speaker 3>good And it's such a great feeling.

0:51:22.840 --> 0:51:25.640
<v Speaker 1>I know, I fucking know that it's the weirdest thing.

0:51:25.719 --> 0:51:28.719
<v Speaker 3>And I think only twisted Scottish people.

0:51:29.840 --> 0:51:33.759
<v Speaker 1>I think people who are true performers respond to that.

0:51:34.680 --> 0:51:38.400
<v Speaker 2>Like I noticed that with like in my business it's comedians,

0:51:38.440 --> 0:51:41.160
<v Speaker 2>but I've seen it with rock stars too, or rock

0:51:41.280 --> 0:51:44.800
<v Speaker 2>musicians even, or any musician that you go out in

0:51:44.840 --> 0:51:50.359
<v Speaker 2>front of an audience and you fail badly, and then

0:51:50.400 --> 0:51:53.000
<v Speaker 2>you go and do it again, and you go and

0:51:53.120 --> 0:51:55.719
<v Speaker 2>do it again, and I think, I.

0:51:56.120 --> 0:52:00.320
<v Speaker 3>Do I like this. I don't like it like a

0:52:00.400 --> 0:52:02.320
<v Speaker 3>little bit. There's something in it.

0:52:02.480 --> 0:52:05.280
<v Speaker 1>I fucking like it's failure.

0:52:05.960 --> 0:52:07.520
<v Speaker 3>It's weird. It's weird.

0:52:07.920 --> 0:52:08.080
<v Speaker 1>You know.

0:52:08.719 --> 0:52:11.800
<v Speaker 2>It's like that now when I look at young performers

0:52:11.840 --> 0:52:14.240
<v Speaker 2>and they go on YouTube and they don't fail because

0:52:14.320 --> 0:52:16.080
<v Speaker 2>they make it a little bit and they put it

0:52:16.120 --> 0:52:16.799
<v Speaker 2>out and it's good.

0:52:17.239 --> 0:52:18.080
<v Speaker 1>They're not standing in.

0:52:18.080 --> 0:52:23.040
<v Speaker 2>Front of you know, three hundred drunk Lasswegians who are

0:52:23.239 --> 0:52:25.480
<v Speaker 2>it's not even a comedy club. It's like, all right,

0:52:25.560 --> 0:52:27.520
<v Speaker 2>it's a disco stop for a minute, and now here's

0:52:27.560 --> 0:52:31.399
<v Speaker 2>some asshole thinks he's funny, and then you like, they're

0:52:31.440 --> 0:52:32.640
<v Speaker 2>not cheering when you walk on.

0:52:33.000 --> 0:52:36.640
<v Speaker 3>I think what you do is really scary. It's really

0:52:36.840 --> 0:52:39.399
<v Speaker 3>really scary. So I would imagine the adrenaline rush must

0:52:39.440 --> 0:52:40.200
<v Speaker 3>be so intense.

0:52:40.280 --> 0:52:42.600
<v Speaker 1>Do you know it's funny? Now? No? I wonder do

0:52:42.680 --> 0:52:45.200
<v Speaker 1>you get an adrenaline rush when you're on stage?

0:52:45.320 --> 0:52:46.320
<v Speaker 3>Not really, not anymore.

0:52:46.440 --> 0:52:48.960
<v Speaker 1>No, I see I don't either. I go to it different.

0:52:49.000 --> 0:52:50.839
<v Speaker 3>I get Yeah, it's a different thing.

0:52:51.120 --> 0:52:53.120
<v Speaker 1>It's like I remember once, when it was years and

0:52:53.160 --> 0:52:55.320
<v Speaker 1>years and years and years ago, I read an interview

0:52:55.440 --> 0:52:59.440
<v Speaker 1>with Michael Jackson, and it was how weird he was.

0:52:59.480 --> 0:53:01.080
<v Speaker 1>It was not about how weird he was, and there

0:53:01.160 --> 0:53:02.120
<v Speaker 1>was one or two of those and.

0:53:02.480 --> 0:53:07.560
<v Speaker 2>Certainly things going on, but in the interview he said

0:53:08.200 --> 0:53:11.600
<v Speaker 2>he felt so comfortable performing that he could sleep on stage.

0:53:12.239 --> 0:53:13.759
<v Speaker 2>And I remember at the time thinking that is the

0:53:13.920 --> 0:53:19.320
<v Speaker 2>strangest fucking thing I've ever heard. What a twisted, crazy mind.

0:53:19.800 --> 0:53:22.760
<v Speaker 2>And now when I get on stage, now I'm.

0:53:22.640 --> 0:53:26.720
<v Speaker 3>Ready for a snoozl quite but I relax.

0:53:27.120 --> 0:53:29.279
<v Speaker 1>Yeah, it's like now I can It's like getting into

0:53:29.320 --> 0:53:30.120
<v Speaker 1>the bath or something.

0:53:30.160 --> 0:53:33.120
<v Speaker 3>Maybe I'm like being good at something. Yeah, when you're young,

0:53:33.160 --> 0:53:35.440
<v Speaker 3>you don't know that you can do something really until

0:53:35.520 --> 0:53:37.640
<v Speaker 3>you've done ten thousand hours of it, and then you're like,

0:53:37.680 --> 0:53:38.320
<v Speaker 3>I can gut it.

0:53:38.600 --> 0:53:40.480
<v Speaker 1>Just what Tony Hawk was saying the other day when

0:53:41.160 --> 0:53:42.919
<v Speaker 1>yeah he was talking about the ten thousand hours.

0:53:42.920 --> 0:53:43.759
<v Speaker 3>I love Tony Hawk.

0:53:43.840 --> 0:53:46.200
<v Speaker 1>Oh he's fantastic. Yeah, he's fantastic.

0:53:46.320 --> 0:53:46.719
<v Speaker 3>He really is.

0:53:46.760 --> 0:53:50.799
<v Speaker 2>He's very, very interesting dude, and that the same thing,

0:53:50.880 --> 0:53:53.160
<v Speaker 2>there's another guy. In order to do what he did,

0:53:53.800 --> 0:53:57.160
<v Speaker 2>you gotta fail over and over after fail fail fail,

0:53:57.239 --> 0:53:59.920
<v Speaker 2>fail fail. What I think is is a little bit

0:54:00.120 --> 0:54:04.359
<v Speaker 2>of a I worry for the younger generation is they

0:54:04.400 --> 0:54:07.839
<v Speaker 2>don't get to fail. And you got to because at

0:54:07.880 --> 0:54:10.440
<v Speaker 2>some point you're going to fail, But you don't get

0:54:10.480 --> 0:54:12.200
<v Speaker 2>to fail in private. You don't get to fail in

0:54:12.239 --> 0:54:14.279
<v Speaker 2>the dark little comedy club. You don't get to fail

0:54:14.640 --> 0:54:17.319
<v Speaker 2>without someone filming it, you know what I mean.

0:54:18.000 --> 0:54:22.440
<v Speaker 3>Your humiliation is online, it's there for your failure is permanent.

0:54:22.520 --> 0:54:24.680
<v Speaker 3>But they also have this strange attitude I've noticed and

0:54:24.920 --> 0:54:26.360
<v Speaker 3>I've seen it with some of the young ones in

0:54:26.440 --> 0:54:28.279
<v Speaker 3>my life, is that they think they should be the

0:54:28.400 --> 0:54:31.440
<v Speaker 3>CEO of any company that you know. They get a

0:54:31.560 --> 0:54:35.360
<v Speaker 3>job as a tea and coffee runner and they're literally like,

0:54:35.440 --> 0:54:38.600
<v Speaker 3>well when am I going to get promotion? After like

0:54:38.680 --> 0:54:41.400
<v Speaker 3>two weeks? It's like, you know, you really have to

0:54:41.480 --> 0:54:42.920
<v Speaker 3>just stick in their kid, Oh, you're going to be

0:54:43.000 --> 0:54:43.560
<v Speaker 3>there for a while.

0:54:43.840 --> 0:54:46.640
<v Speaker 2>It's like you're going to be fighting Mark Allman's manager

0:54:46.680 --> 0:54:47.640
<v Speaker 2>in the Columbia Hotel.

0:54:47.760 --> 0:54:47.920
<v Speaker 1>Yeah.

0:54:47.960 --> 0:54:50.160
<v Speaker 3>But they've got this weird, twisted idea of what of

0:54:50.360 --> 0:54:52.480
<v Speaker 3>doing well is and they all think they should be

0:54:52.560 --> 0:54:56.080
<v Speaker 3>famous and I know, have tons of followers and be influential.

0:54:56.200 --> 0:54:58.560
<v Speaker 3>It's really strange. It's not good.

0:54:58.719 --> 0:54:59.719
<v Speaker 1>It's been around for a while.

0:54:59.760 --> 0:55:02.480
<v Speaker 2>I'm I ember seen a trailer for Justin Bieber, the

0:55:02.680 --> 0:55:07.520
<v Speaker 2>Justin Bieber movie, when he was about eighteen, and there

0:55:07.600 --> 0:55:08.279
<v Speaker 2>was this tree.

0:55:08.320 --> 0:55:10.200
<v Speaker 1>I didn't watch the movie because I watched it. I'm

0:55:10.239 --> 0:55:13.839
<v Speaker 1>not in the demographic, but either it's actually really well,

0:55:14.360 --> 0:55:14.560
<v Speaker 1>it was.

0:55:14.560 --> 0:55:16.920
<v Speaker 2>Good movie, but I was watching the trailer, and then

0:55:16.960 --> 0:55:19.120
<v Speaker 2>the trailer, which is of course not the movie, this

0:55:19.320 --> 0:55:20.320
<v Speaker 2>voiceover says.

0:55:20.800 --> 0:55:23.680
<v Speaker 1>They said he'd never make it, and.

0:55:23.719 --> 0:55:25.719
<v Speaker 3>I'm like, well, how long did they say that? Well,

0:55:25.760 --> 0:55:31.520
<v Speaker 3>he's fucking sixteen, Like who said it? Yeah, who said it?

0:55:31.960 --> 0:55:35.600
<v Speaker 2>That's fucking ridiculous that everything has to be an epic

0:55:35.680 --> 0:55:39.280
<v Speaker 2>and everything has to be, you know, Madison Square Garden.

0:55:39.360 --> 0:55:40.200
<v Speaker 1>By the time you're.

0:55:40.080 --> 0:55:43.040
<v Speaker 2>Eighteen, you know that you don't understand it should be

0:55:43.120 --> 0:55:47.279
<v Speaker 2>Keith Richards Madison Square Garden or the fucking Dog and

0:55:47.360 --> 0:55:49.480
<v Speaker 2>Duck and eel Pie Island, doesn't matter.

0:55:49.640 --> 0:55:51.120
<v Speaker 1>You've got the guitar in your hand.

0:55:51.480 --> 0:55:53.880
<v Speaker 3>I noticed a weird thing though, at the Oscars this year,

0:55:53.960 --> 0:55:57.840
<v Speaker 3>where Lady Gaga performed, and I actually thought it was

0:55:57.880 --> 0:56:01.640
<v Speaker 3>really clever over like she just I think she's great too.

0:56:02.480 --> 0:56:04.279
<v Speaker 3>But she took off foll her makeup and was just

0:56:04.400 --> 0:56:06.320
<v Speaker 3>in sort of like how we dress, you know, like

0:56:06.480 --> 0:56:09.320
<v Speaker 3>how we dressed when we were young, like just jeans

0:56:09.400 --> 0:56:12.960
<v Speaker 3>and a T shirt, no makeup, you know. But then

0:56:13.000 --> 0:56:15.600
<v Speaker 3>she tells this we story before she starts singing, which is,

0:56:15.719 --> 0:56:18.400
<v Speaker 3>you know, I wrote this song in my basement and

0:56:18.480 --> 0:56:20.319
<v Speaker 3>blah blah blah, and I'm thinking of herself. Wait, hold

0:56:20.360 --> 0:56:24.080
<v Speaker 3>on a minute. We all know Lady Gaga is fucking loaded, right,

0:56:24.160 --> 0:56:27.799
<v Speaker 3>and she lives in a mansion, right, and she wrote

0:56:27.840 --> 0:56:30.120
<v Speaker 3>that song in this timeline that we're all aware of,

0:56:30.360 --> 0:56:32.480
<v Speaker 3>Like we all know that you became famous ten years

0:56:32.480 --> 0:56:34.719
<v Speaker 3>ago at this point, and so the basement that you're

0:56:34.719 --> 0:56:37.120
<v Speaker 3>writing your song in is in the basement of a

0:56:37.239 --> 0:56:41.480
<v Speaker 3>huge mansion. But the story isn't beautiful, right. So our stories,

0:56:41.840 --> 0:56:44.680
<v Speaker 3>all of us, came from a generation where people we

0:56:44.920 --> 0:56:49.480
<v Speaker 3>really did make records and write in disgusting like Midriy

0:56:49.520 --> 0:56:52.680
<v Speaker 3>Street basements and it's cool, right, But this new generation

0:56:52.760 --> 0:56:56.640
<v Speaker 3>they don't have that poetry because everything goes so fast.

0:56:57.000 --> 0:56:59.560
<v Speaker 3>They're famous within a nanosecond, really, and then if they're

0:56:59.600 --> 0:57:02.200
<v Speaker 3>smart and they've got good material, they'll stay on top,

0:57:02.520 --> 0:57:04.640
<v Speaker 3>so they get bored of it in a way. I

0:57:04.760 --> 0:57:08.080
<v Speaker 3>just thought this was really interesting construct again of like

0:57:09.360 --> 0:57:14.160
<v Speaker 3>authenticicity and you know punk rock ethos, which they clearly admire,

0:57:14.640 --> 0:57:17.160
<v Speaker 3>but they've had no they've not had any contact with it.

0:57:17.560 --> 0:57:21.760
<v Speaker 2>I wonder if I'm making any sense, I make a

0:57:21.880 --> 0:57:25.680
<v Speaker 2>total I'm just gonna yes, and in you, I wonder

0:57:25.880 --> 0:57:29.280
<v Speaker 2>if that the ones that really are.

0:57:29.360 --> 0:57:32.480
<v Speaker 1>Involved in the poetry, you and I don't know about them.

0:57:33.320 --> 0:57:34.400
<v Speaker 1>They're hiding from us.

0:57:34.640 --> 0:57:35.479
<v Speaker 3>I know that for a fact.

0:57:35.800 --> 0:57:40.560
<v Speaker 1>Yeah, they're They're in basements in Akron, Ohi or Detroit,

0:57:40.680 --> 0:57:44.360
<v Speaker 1>Michigan or fucking you know, in New York or New

0:57:44.480 --> 0:57:46.880
<v Speaker 1>Jersey or Glasgow or Edinburgh, and we don't know about it.

0:57:46.920 --> 0:57:49.400
<v Speaker 3>I'm not saying they don't exist. I'm just saying how

0:57:49.600 --> 0:57:53.960
<v Speaker 3>interesting it was to have this huge star pretend that

0:57:54.120 --> 0:57:57.160
<v Speaker 3>they were smaller than they were. It was just I

0:57:57.240 --> 0:57:59.720
<v Speaker 3>can't explain. I really can't articulate this because it's just

0:57:59.800 --> 0:58:01.920
<v Speaker 3>come to me as we were speaking. No, I thought

0:58:01.920 --> 0:58:02.840
<v Speaker 3>it was fascinating.

0:58:02.840 --> 0:58:05.720
<v Speaker 2>I think you, I think you are articulating it very well,

0:58:05.760 --> 0:58:08.040
<v Speaker 2>and I think it is fascinating. I think what it

0:58:08.240 --> 0:58:12.480
<v Speaker 2>is is that at a certain point I got to

0:58:12.600 --> 0:58:14.160
<v Speaker 2>this in my own life, and I wonder if it

0:58:14.240 --> 0:58:21.440
<v Speaker 2>happened to you when garbage was at the absolute, fucking,

0:58:22.000 --> 0:58:26.480
<v Speaker 2>the supersonic part of your career. And we all know,

0:58:27.040 --> 0:58:29.040
<v Speaker 2>any of us who have survived more than six months

0:58:29.040 --> 0:58:31.320
<v Speaker 2>in this business know that that comes and it goes.

0:58:31.480 --> 0:58:34.240
<v Speaker 2>It comes and it goes, and it's quite a fucking ride,

0:58:34.360 --> 0:58:37.240
<v Speaker 2>and that's part of the fun. Yeah, but I want

0:58:37.400 --> 0:58:40.480
<v Speaker 2>there was a point in my life where I went

0:58:41.640 --> 0:58:43.520
<v Speaker 2>I was walking Across'll tell you what it was. Actually,

0:58:43.520 --> 0:58:46.440
<v Speaker 2>I was walking across the tarmac to an airplane that

0:58:46.520 --> 0:58:47.840
<v Speaker 2>I owned, and I thought.

0:58:49.560 --> 0:58:52.640
<v Speaker 1>You know what, I don't think this is for me.

0:58:52.920 --> 0:58:53.880
<v Speaker 1>I don't think this is right.

0:58:54.360 --> 0:58:56.240
<v Speaker 2>I don't think this is I don't think this is

0:58:56.280 --> 0:58:57.760
<v Speaker 2>as cool as I thought it was going to be.

0:58:58.480 --> 0:59:02.479
<v Speaker 2>I think that I think sixteen year old me would

0:59:02.480 --> 0:59:06.840
<v Speaker 2>be impressed. But I'm fucking fifty two and this is

0:59:07.000 --> 0:59:07.800
<v Speaker 2>not cool.

0:59:08.040 --> 0:59:09.800
<v Speaker 3>See. This is why I love you, because you're the

0:59:09.920 --> 0:59:12.360
<v Speaker 3>only person I've ever heard say that kind of stuff

0:59:12.760 --> 0:59:15.000
<v Speaker 3>to me. Because I feel a wee bit like that,

0:59:15.240 --> 0:59:17.000
<v Speaker 3>And in fact, I was just talking about this yesterday,

0:59:17.280 --> 0:59:20.640
<v Speaker 3>when we were at the peak of our height of success.

0:59:21.280 --> 0:59:24.840
<v Speaker 3>I was embarrassed because I thought my teenage self would

0:59:24.840 --> 0:59:28.680
<v Speaker 3>think I was a fucking RS piece. It's cheesy, Like

0:59:28.720 --> 0:59:31.920
<v Speaker 3>I felt like all these the whole sort of hysteria

0:59:32.000 --> 0:59:35.600
<v Speaker 3>that surrounded success, like all of a sudden, tabloid photographers.

0:59:35.760 --> 0:59:38.720
<v Speaker 3>You know, we're taking my photographs at airports, and I

0:59:38.880 --> 0:59:40.520
<v Speaker 3>was like breaking up with my husband and there was

0:59:40.560 --> 0:59:44.600
<v Speaker 3>somebody taking our photographs really distressing and vile, and I

0:59:44.760 --> 0:59:47.520
<v Speaker 3>was just like, this is so uncool and so awful

0:59:47.640 --> 0:59:50.560
<v Speaker 3>and dehumanizing, and I just don't admire it. I wish

0:59:50.600 --> 0:59:54.000
<v Speaker 3>I did admire it more, but I don't. Like I

0:59:54.080 --> 0:59:56.080
<v Speaker 3>don't sit and look at a lot of these celebrities

0:59:56.120 --> 0:59:58.800
<v Speaker 3>and go, wow, you're so cool. No, none of them,

0:59:59.480 --> 1:00:01.400
<v Speaker 3>almost non of them. There's a few that managed to

1:00:02.120 --> 1:00:04.360
<v Speaker 3>carry it off, sure, but for the most part, it

1:00:04.560 --> 1:00:07.280
<v Speaker 3>is like, oh, it's funny going on here.

1:00:07.560 --> 1:00:09.040
<v Speaker 1>No, I totally get it.

1:00:09.200 --> 1:00:12.520
<v Speaker 2>I think that there was Once I got a phone

1:00:12.560 --> 1:00:16.320
<v Speaker 2>call from Steve Jones, the guitarist, Yes Pistols, right, So

1:00:16.440 --> 1:00:19.000
<v Speaker 2>Jones calls me you. I've known jonesy for years, and

1:00:19.080 --> 1:00:22.600
<v Speaker 2>the Pistols were getting back together to do this. They

1:00:22.640 --> 1:00:25.560
<v Speaker 2>were doing this shown at the Roxy.

1:00:25.640 --> 1:00:27.120
<v Speaker 1>I think it was. This is a few years ago,

1:00:27.600 --> 1:00:30.000
<v Speaker 1>like maybe fifteen years ago or something to ten or fifteen.

1:00:30.000 --> 1:00:33.000
<v Speaker 3>I remember this actually, and Minus said, obviously.

1:00:32.880 --> 1:00:35.240
<v Speaker 2>Right, Minus said, but Matt Locke was doing it. So

1:00:36.680 --> 1:00:39.120
<v Speaker 2>they were getting back together and Jonesy called up said

1:00:39.480 --> 1:00:45.320
<v Speaker 2>would you you come and introduce it? And now sixteen

1:00:45.400 --> 1:00:47.600
<v Speaker 2>year old May, that's like getting a call.

1:00:47.560 --> 1:00:49.320
<v Speaker 3>From God, Yeah, that's incredible.

1:00:50.040 --> 1:00:51.960
<v Speaker 2>But I couldn't do it because I was doing a

1:00:52.000 --> 1:00:54.160
<v Speaker 2>corporate gig for T Mobile and lesbigas.

1:00:54.640 --> 1:00:55.360
<v Speaker 1>Oh god.

1:00:57.800 --> 1:01:00.600
<v Speaker 3>I remember when I was going out to talk to

1:01:00.720 --> 1:01:02.479
<v Speaker 3>the the night of the show.

1:01:02.600 --> 1:01:06.240
<v Speaker 2>I'm doing the corporate kick for T Mobile in Las

1:01:06.360 --> 1:01:08.760
<v Speaker 2>Vegas and I'm walking out. There's all these guys in

1:01:08.840 --> 1:01:11.560
<v Speaker 2>this and I can smell the fucking shitty lobster in

1:01:11.680 --> 1:01:15.400
<v Speaker 2>the room and I have a It's fucking horrendous, and

1:01:15.480 --> 1:01:17.600
<v Speaker 2>I felt awful about it, and I was like, just

1:01:17.720 --> 1:01:18.960
<v Speaker 2>what the fuck happened to me?

1:01:19.120 --> 1:01:19.320
<v Speaker 3>Man?

1:01:20.520 --> 1:01:23.000
<v Speaker 1>I spoke to Jon about it a couple of weeks later,

1:01:23.000 --> 1:01:24.080
<v Speaker 1>and he went, it's.

1:01:23.920 --> 1:01:25.560
<v Speaker 3>Just what we was doing. We're doing it for the

1:01:25.600 --> 1:01:26.200
<v Speaker 3>fucking money.

1:01:26.680 --> 1:01:29.400
<v Speaker 1>I went, oh, yeah, I suppose so and he let

1:01:29.480 --> 1:01:30.080
<v Speaker 1>me off the hook.

1:01:30.120 --> 1:01:32.480
<v Speaker 3>It's a good story. He still got the good story out. Yeah,

1:01:32.960 --> 1:01:33.680
<v Speaker 3>I got that.

1:01:33.920 --> 1:01:35.760
<v Speaker 1>Highlights it right, Yeah, a little bit.

1:01:36.200 --> 1:01:40.680
<v Speaker 3>That to me, it completely explains the discomfort of realizing,

1:01:41.040 --> 1:01:42.800
<v Speaker 3>like this is just not who I want to be.

1:01:43.160 --> 1:01:47.360
<v Speaker 1>But none of that ship matters. What matters is is

1:01:47.440 --> 1:01:50.840
<v Speaker 1>the feeling you get when you hear the fucking amschoo

1:01:51.680 --> 1:01:53.800
<v Speaker 1>and you fucking walk out and the audience is there

1:01:53.840 --> 1:01:56.080
<v Speaker 1>and you know what you can do and I've seen

1:01:56.160 --> 1:01:58.880
<v Speaker 1>you fucking do it, and you walk out and you

1:01:59.120 --> 1:02:02.000
<v Speaker 1>fucking get a my in your hand and here we go,

1:02:02.360 --> 1:02:04.760
<v Speaker 1>here we go, and here we fucking go, and that's

1:02:04.880 --> 1:02:09.280
<v Speaker 1>the ride and everything else it's fucking gravy. It's it's

1:02:09.400 --> 1:02:10.320
<v Speaker 1>sugar sprinkles.

1:02:10.720 --> 1:02:13.080
<v Speaker 3>Strangely, the thing I love the most is being in

1:02:13.160 --> 1:02:15.760
<v Speaker 3>my dressing room and you can hear the crowd. Yeah,

1:02:15.840 --> 1:02:18.680
<v Speaker 3>that's my favorite moment. Like yeah, like it doesn't get

1:02:18.720 --> 1:02:20.960
<v Speaker 3>better than that. Like for me, that's it. It's like

1:02:21.320 --> 1:02:25.080
<v Speaker 3>the anticipation and that excitement you hear them all speaking

1:02:25.200 --> 1:02:27.840
<v Speaker 3>and laughing and shouting. I don't know, I just love that.

1:02:28.480 --> 1:02:29.600
<v Speaker 3>I totally understand that.

1:02:29.800 --> 1:02:32.480
<v Speaker 1>I have a memory of doing a gig in la,

1:02:33.200 --> 1:02:35.440
<v Speaker 1>which I love you for and I will always love

1:02:35.480 --> 1:02:37.080
<v Speaker 1>you for. Because I was going out, I was playing

1:02:37.080 --> 1:02:37.920
<v Speaker 1>the Ace Hotel.

1:02:38.360 --> 1:02:39.200
<v Speaker 3>I remember it well.

1:02:39.360 --> 1:02:42.800
<v Speaker 2>I was doing I remember because I was in that

1:02:42.960 --> 1:02:46.040
<v Speaker 2>you have a laugh, that's this thing you were going to. No, no,

1:02:46.160 --> 1:02:48.640
<v Speaker 2>it's not even about the laugh. It's not even about

1:02:48.680 --> 1:02:52.080
<v Speaker 2>the laugh. It's before it. What I did was I

1:02:52.160 --> 1:02:54.640
<v Speaker 2>remember the intro music I had at the Ace Theater

1:02:55.040 --> 1:02:57.920
<v Speaker 2>was the Cramps playing Let's Get Fucked Up. And it

1:02:58.080 --> 1:03:02.320
<v Speaker 2>starts off with the drums going like that, just fucking

1:03:02.400 --> 1:03:05.440
<v Speaker 2>rolls out like that. And I heard you going, yeah.

1:03:07.240 --> 1:03:12.920
<v Speaker 1>The audience, I heard your voice that would fucking right, fucking.

1:03:12.680 --> 1:03:15.480
<v Speaker 3>Right, here we go, here we go. And it is that.

1:03:15.800 --> 1:03:20.600
<v Speaker 2>It's that there's like everything falls away in those moments

1:03:21.240 --> 1:03:25.040
<v Speaker 2>of performance. I think everything falls away, and the planes

1:03:25.080 --> 1:03:28.880
<v Speaker 2>and the money and the fucking and the paparazzi photographers

1:03:28.920 --> 1:03:32.680
<v Speaker 2>and the resentments and the fear and everything fucking disappears.

1:03:32.720 --> 1:03:34.480
<v Speaker 3>And that's that's why I do it, and I think

1:03:34.520 --> 1:03:36.560
<v Speaker 3>that's why you do it. Yeah, I think so. Although

1:03:36.560 --> 1:03:39.000
<v Speaker 3>I've never had a personal plane, I would quite like one.

1:03:39.080 --> 1:03:39.560
<v Speaker 3>I must have been.

1:03:39.680 --> 1:03:43.680
<v Speaker 1>Yeah, you'd be surprised. I would quite like you'd be surprised.

1:03:44.400 --> 1:03:45.200
<v Speaker 1>You'd be surprised.

1:03:45.920 --> 1:03:47.760
<v Speaker 3>I totally understand what you're saying, and I love you

1:03:47.880 --> 1:03:49.520
<v Speaker 3>for that. I think I can I can find that

1:03:50.320 --> 1:03:54.280
<v Speaker 3>talk to you. I understand it must be weird, so weird,

1:03:54.560 --> 1:03:58.760
<v Speaker 3>but I mean, you've had such a insane career and

1:03:58.920 --> 1:04:01.440
<v Speaker 3>you've seen things that's a few people have, you know,

1:04:01.560 --> 1:04:03.920
<v Speaker 3>and like you talk about these massive you know, like

1:04:03.960 --> 1:04:05.880
<v Speaker 3>you say, you're on late night TV. That's huge. I

1:04:05.920 --> 1:04:08.480
<v Speaker 3>don't really get much bigger than that in America. Yeah,

1:04:08.480 --> 1:04:09.040
<v Speaker 3>I mean it's weird.

1:04:09.080 --> 1:04:10.360
<v Speaker 1>I remember talking to somebody.

1:04:10.360 --> 1:04:11.800
<v Speaker 2>I was talking to somebody about this the other day

1:04:11.800 --> 1:04:16.200
<v Speaker 2>because they were talking about how I left, and I said, yeah,

1:04:16.280 --> 1:04:18.439
<v Speaker 2>but because I didn't, you know, it wasn't a thing

1:04:18.560 --> 1:04:20.439
<v Speaker 2>to me. And this if you look at the people

1:04:20.440 --> 1:04:24.120
<v Speaker 2>who have left, like after shortagh period of the time

1:04:24.200 --> 1:04:27.200
<v Speaker 2>I left, James Corden left, Trevor Noah left. We're not

1:04:27.320 --> 1:04:30.200
<v Speaker 2>from here. John Oliver left, We're not from here. So

1:04:30.280 --> 1:04:32.600
<v Speaker 2>we didn't grow up with that. Johnny Carson is the

1:04:33.160 --> 1:04:34.680
<v Speaker 2>way you have to be. It's like it's a gig

1:04:35.320 --> 1:04:37.800
<v Speaker 2>and you do a tough gig. Yeah, it's a lot

1:04:37.800 --> 1:04:40.840
<v Speaker 2>of tough. It's a concept help. Yeah, but it's you know,

1:04:41.080 --> 1:04:43.720
<v Speaker 2>it's Rick Wakeman Journey to the Center of the Earth.

1:04:43.800 --> 1:04:45.360
<v Speaker 2>It's the full Cape and Orchestra.

1:04:45.880 --> 1:04:48.480
<v Speaker 3>And you're being self depreciating. But to be fair, that

1:04:48.680 --> 1:04:51.600
<v Speaker 3>is a tough gig, you know, is it?

1:04:51.720 --> 1:04:51.880
<v Speaker 1>Though?

1:04:53.160 --> 1:04:55.440
<v Speaker 3>It's tough, Like you're cleaning floors for a living. That's

1:04:55.480 --> 1:04:58.160
<v Speaker 3>a tough that's a tough job. Or you know, you're

1:04:58.160 --> 1:05:00.880
<v Speaker 3>a nurse. That's a tough job. But but that's not

1:05:01.040 --> 1:05:04.400
<v Speaker 3>to say that what you do in these positions is

1:05:04.520 --> 1:05:06.520
<v Speaker 3>not I don't know, it's exhausting.

1:05:06.560 --> 1:05:09.240
<v Speaker 2>I would imagine it is exhausting. It's emotionally exhausting and

1:05:09.320 --> 1:05:10.280
<v Speaker 2>I and that is true.

1:05:10.360 --> 1:05:12.880
<v Speaker 3>But being an intellectually you have to be intellectually awake,

1:05:13.080 --> 1:05:14.800
<v Speaker 3>you know, every night.

1:05:15.280 --> 1:05:18.160
<v Speaker 1>Yeah, that's a lot, it is. It's a lot, but

1:05:19.040 --> 1:05:20.840
<v Speaker 1>it's I didn't do it for I did it for

1:05:20.960 --> 1:05:21.760
<v Speaker 1>ten years. That's that.

1:05:21.880 --> 1:05:22.680
<v Speaker 3>Well, that's a long time.

1:05:22.880 --> 1:05:23.920
<v Speaker 1>It's long enough for me.

1:05:24.120 --> 1:05:27.920
<v Speaker 3>Yeah, yeah, And do you I mean, surely when maybe.

1:05:27.720 --> 1:05:29.640
<v Speaker 1>My podcast early I meant to ask you.

1:05:30.880 --> 1:05:32.360
<v Speaker 3>I know, but I haven't seen you in so long.

1:05:32.920 --> 1:05:35.960
<v Speaker 3>I'm dying to ask questions when you decided to leave?

1:05:36.040 --> 1:05:38.560
<v Speaker 3>And you know, because I can remember thinking Wow, he's

1:05:38.600 --> 1:05:41.320
<v Speaker 3>going to go back to Scotland. That's intense because it's

1:05:41.400 --> 1:05:45.800
<v Speaker 3>like coming off an escalator. Yeah yeah, so for a

1:05:45.840 --> 1:05:49.560
<v Speaker 3>while you're moving at the same speed as it's challenging.

1:05:49.680 --> 1:05:53.000
<v Speaker 3>So what was like what happened? Like I'm assuming you

1:05:53.120 --> 1:05:55.520
<v Speaker 3>were just moving moving? You got that incredible house, which

1:05:55.880 --> 1:05:58.920
<v Speaker 3>I don't think i'll ever forget, was so beautiful, and

1:05:59.000 --> 1:06:01.200
<v Speaker 3>you have this amazing lie, and you had chickens and

1:06:01.480 --> 1:06:06.840
<v Speaker 3>a really domesticated, beautiful life. I still have that, of course,

1:06:07.080 --> 1:06:10.040
<v Speaker 3>I know you do. But at some point there must

1:06:10.040 --> 1:06:11.920
<v Speaker 3>have been the jolt when you get off the escalator

1:06:11.960 --> 1:06:14.600
<v Speaker 3>of like, whoa, what the hell? Like, where do I

1:06:14.680 --> 1:06:18.680
<v Speaker 3>put all my energy, my talents, my do you know

1:06:18.720 --> 1:06:20.160
<v Speaker 3>what I mean? You know what I'm saying.

1:06:20.240 --> 1:06:20.440
<v Speaker 1>I do.

1:06:20.640 --> 1:06:22.720
<v Speaker 2>That's why I built a fucking church, you know. I mean,

1:06:23.040 --> 1:06:26.000
<v Speaker 2>it's it's like you you have to put it somewhere.

1:06:26.680 --> 1:06:30.920
<v Speaker 2>But also, I don't know if you've experienced this, there

1:06:31.120 --> 1:06:35.080
<v Speaker 2>was a point where I became discouraged, of course, just

1:06:35.240 --> 1:06:37.640
<v Speaker 2>with everything. Yeah, I was burnt out and it was

1:06:37.720 --> 1:06:40.640
<v Speaker 2>after late night and I've just discouraged. I didn't know

1:06:40.720 --> 1:06:43.280
<v Speaker 2>why I made some TV shows I probably shouldn't have

1:06:43.320 --> 1:06:46.160
<v Speaker 2>made it. You know, I wrote a book, which I'm

1:06:46.200 --> 1:06:49.520
<v Speaker 2>proud of, but there was Yeah, it was a change

1:06:49.520 --> 1:06:49.880
<v Speaker 2>of pace.

1:06:50.160 --> 1:06:50.840
<v Speaker 1>It was difficult.

1:06:50.880 --> 1:06:55.360
<v Speaker 3>Did you never experience that? Absolutely experienced experience it just

1:06:56.000 --> 1:07:00.520
<v Speaker 3>around about our fourth record and we couldn't put food right,

1:07:00.880 --> 1:07:03.360
<v Speaker 3>you know, And and that happens to musicians all the time,

1:07:03.920 --> 1:07:05.840
<v Speaker 3>but when it happens to you, you're just like, I

1:07:05.960 --> 1:07:07.800
<v Speaker 3>literally thought, this is the end of the world. And

1:07:08.280 --> 1:07:10.800
<v Speaker 3>I am forty years old. I was forty and I

1:07:11.320 --> 1:07:13.600
<v Speaker 3>will never get back up on that pony because they

1:07:13.640 --> 1:07:16.200
<v Speaker 3>don't let women back on the pony. And then enough

1:07:16.320 --> 1:07:19.560
<v Speaker 3>years past, my mom died and we had been on

1:07:19.680 --> 1:07:22.000
<v Speaker 3>hiatus for about five years, which is a long time.

1:07:22.120 --> 1:07:24.120
<v Speaker 3>I was on a TV show, I played a tour right,

1:07:25.520 --> 1:07:26.880
<v Speaker 3>and that kind of kept me busy for a while

1:07:26.880 --> 1:07:28.920
<v Speaker 3>and brought in the excitement that was used to as

1:07:28.960 --> 1:07:30.920
<v Speaker 3>a musician. But then that came to an end and

1:07:30.960 --> 1:07:32.560
<v Speaker 3>my mum died, and then I was like, all right,

1:07:32.600 --> 1:07:35.960
<v Speaker 3>what now? And I just went to Coachella one year

1:07:36.120 --> 1:07:38.480
<v Speaker 3>and I was looking at the everything and thinking, what

1:07:38.840 --> 1:07:42.800
<v Speaker 3>they're fussing about this band? And I'm sitting here rotting

1:07:42.880 --> 1:07:45.919
<v Speaker 3>on my couch. No longer will this be the case,

1:07:46.120 --> 1:07:47.400
<v Speaker 3>and I just called the band up and I was

1:07:47.480 --> 1:07:49.880
<v Speaker 3>basically sort of like, come on, let's let's work just

1:07:50.040 --> 1:07:52.800
<v Speaker 3>for the sake of working. Doesn't matter. If it's not

1:07:52.920 --> 1:07:55.720
<v Speaker 3>top ten, doesn't matter, you know. If we don't sell

1:07:55.760 --> 1:07:59.200
<v Speaker 3>a million records, who cares? As long as we enjoy

1:07:59.600 --> 1:08:02.080
<v Speaker 3>doing the pursuit of what it was that we fell

1:08:02.120 --> 1:08:02.480
<v Speaker 3>in love with.

1:08:02.720 --> 1:08:04.600
<v Speaker 1>And that's when you become Keith Rechards.

1:08:04.760 --> 1:08:08.880
<v Speaker 3>Well, that's when you're Yeah, you're freed and you've never

1:08:08.920 --> 1:08:09.320
<v Speaker 3>been before.

1:08:09.320 --> 1:08:12.520
<v Speaker 1>You're free because they don't know you. Ye, And that's

1:08:12.640 --> 1:08:14.600
<v Speaker 1>what I think the truth is.

1:08:14.680 --> 1:08:17.360
<v Speaker 3>Look, I'm sixty fucking years old, but you look good.

1:08:19.520 --> 1:08:22.160
<v Speaker 2>But here's the thing. I'm sixty years old. It's not

1:08:22.479 --> 1:08:26.080
<v Speaker 2>whatever fucking way you cut it. It's not the first day.

1:08:26.200 --> 1:08:28.080
<v Speaker 2>And this is I've said this to audiences and I

1:08:28.240 --> 1:08:31.120
<v Speaker 2>mean it like I'll go out and say to an audience, Look,

1:08:31.120 --> 1:08:32.840
<v Speaker 2>I've done a lot of shows, and I've fucking won

1:08:32.880 --> 1:08:34.240
<v Speaker 2>of wars, and I've made a lot of money and

1:08:34.240 --> 1:08:36.559
<v Speaker 2>I'll be very successful. So if this show sucks tonight,

1:08:36.800 --> 1:08:42.320
<v Speaker 2>it's fucking you. It's like that, Yeah, and it's true.

1:08:42.320 --> 1:08:45.160
<v Speaker 3>That's brilliant. You know, the evidence is good at what

1:08:45.240 --> 1:08:48.320
<v Speaker 3>I do. You want to have a good time. That's great,

1:08:48.360 --> 1:08:50.720
<v Speaker 3>fucking relaxed that he's got it. Yeah, you know, I

1:08:50.800 --> 1:08:51.519
<v Speaker 3>mean it's.

1:08:51.520 --> 1:08:52.280
<v Speaker 1>It's I can do this.

1:08:52.600 --> 1:08:55.400
<v Speaker 3>I love that, and I love that and I'm cool.

1:08:55.439 --> 1:08:55.880
<v Speaker 1>I mean it.

1:08:56.160 --> 1:08:58.120
<v Speaker 3>Do you feel that when you work out? But I've

1:08:58.160 --> 1:09:02.280
<v Speaker 3>never vocalized it as well as you just have sing it. Yeah,

1:09:03.000 --> 1:09:05.240
<v Speaker 3>it's so good. It's a really nice feeling. And I

1:09:05.280 --> 1:09:07.479
<v Speaker 3>guess that's why when I do do shows now and

1:09:07.600 --> 1:09:09.880
<v Speaker 3>I walk out and people you can and you see

1:09:09.920 --> 1:09:12.559
<v Speaker 3>them immediately, right. You can look into a massive audience

1:09:12.680 --> 1:09:15.000
<v Speaker 3>and go, well, there's the cunt that hates me, and

1:09:15.080 --> 1:09:17.200
<v Speaker 3>it's only here because his girlfriend wants to be and

1:09:17.280 --> 1:09:19.240
<v Speaker 3>blah blah blah. Yeah, and for some reason, you can

1:09:19.360 --> 1:09:24.200
<v Speaker 3>really focus on singular people. I don't think audiences understand that.

1:09:24.439 --> 1:09:25.400
<v Speaker 1>Oh yeah, you see them.

1:09:25.400 --> 1:09:27.679
<v Speaker 3>They don't think you're looking at them. And you see

1:09:27.800 --> 1:09:30.360
<v Speaker 3>all kinds of things going on. People picking their nose,

1:09:31.120 --> 1:09:34.240
<v Speaker 3>you know, looking at their phones, you know whatever. Oh

1:09:34.320 --> 1:09:35.720
<v Speaker 3>he's off to the bar to get a drink. I mean,

1:09:35.760 --> 1:09:39.200
<v Speaker 3>you catch it all. It's really wild. But now it

1:09:39.320 --> 1:09:41.479
<v Speaker 3>used to bother me when people won't pay attention and

1:09:42.000 --> 1:09:43.960
<v Speaker 3>not appreciate what we were doing. And now it's just

1:09:44.400 --> 1:09:46.880
<v Speaker 3>I said earlier, it's just sort of like everything's good.

1:09:47.040 --> 1:09:48.719
<v Speaker 3>We've got this'rye.

1:09:49.080 --> 1:09:50.040
<v Speaker 1>You are the joy.

1:09:50.280 --> 1:09:52.600
<v Speaker 3>You are a joy, Craig Ferguson, is so great to

1:09:52.640 --> 1:09:52.920
<v Speaker 3>see you.

1:09:53.000 --> 1:09:54.839
<v Speaker 1>Thank thank you for on your podcast.

1:09:55.000 --> 1:09:55.479
<v Speaker 3>You're welcome.

1:09:55.720 --> 1:09:56.000
<v Speaker 1>Problem.

1:09:56.280 --> 1:09:57.760
<v Speaker 3>Have I see me in it again next time?

1:09:57.920 --> 1:10:04.520
<v Speaker 1>Yeah? Not all befo