WEBVTT - Omarion Part 1

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<v Speaker 1>And money. Well than take vala. We are at all

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<v Speaker 1>things R and B ladies and gentleman. What's going on?

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<v Speaker 1>I am Tank Valentine and this Yeah this the RVY

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<v Speaker 1>Money podcast, baby a glory on all things all, all

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<v Speaker 1>of it, R and B y Yeah, oh man, yeah

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<v Speaker 1>this is rare organic. Yeah, alcalin, alcalin R and B.

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<v Speaker 1>You you getting your fruits and badges? Yeah, you getting

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<v Speaker 1>your fruits and your waters you got Yeah. Very few

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<v Speaker 1>people go from child star, child superstar. You're grown man,

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<v Speaker 1>growing superstar. And this man has done it in all sectors, uh, TV,

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<v Speaker 1>film and music. Ladies and gentlemen, our brother our friends.

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<v Speaker 1>I loved one, Mr Marri Valentine. Thank you for having me,

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<v Speaker 1>Thank you for having me yourself. Man. All is well,

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<v Speaker 1>All is well, and in alignment. Yeah yeah, you're using words. Listen,

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<v Speaker 1>I want to do I want to do a little

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<v Speaker 1>promoting off the top. Let's promote off the top of book. Yes, unbothered. Yes,

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<v Speaker 1>the power of choosing enjoy, the power of choosing joy

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<v Speaker 1>out right now. Yes, indeed, just give me give me

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<v Speaker 1>a couple of bars on that man, how did you

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<v Speaker 1>just what? What what made you take this road? And

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<v Speaker 1>upon completion. How do you feel with all of this,

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<v Speaker 1>have all this good stuff happening around this book? Yeah?

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<v Speaker 1>So you know, UM, my experience you know, with love uh,

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<v Speaker 1>in certain instances have been very public, you know. Um,

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<v Speaker 1>so my life truly inspired this book. You know. Um,

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<v Speaker 1>there is real power and you know, not allowing outside

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<v Speaker 1>forces to you know, cripple your mindset and your perspective. Um.

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<v Speaker 1>Hence the you know drop title Choosing Joy and UM,

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<v Speaker 1>you know, the fans dubbed me unbothered Mr Unbothered. You know,

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<v Speaker 1>they gave me that name, they gave me that title,

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<v Speaker 1>but it truly, uh, you know, gave a name to

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<v Speaker 1>a posture that I felt like I've been holding my

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<v Speaker 1>whole life, you know what I mean. So, UM, it's

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<v Speaker 1>journal prompts in there, it's meditation, it's um affirmation. UM,

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<v Speaker 1>I'm really speaking from my personal experience and going through

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<v Speaker 1>this business and sharing the importance of you know, being

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<v Speaker 1>the master of your destiny, you know, UM, choosing you

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<v Speaker 1>know what's best for you. And because I went through

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<v Speaker 1>the things that I went through, you know, which was

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<v Speaker 1>pretty intense, seeing the value of being able to step

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<v Speaker 1>back and um not allow you know, people to control

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<v Speaker 1>my behavior is a powerful thing, you know. Um. I

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<v Speaker 1>feel like the culture really needs, you know, um, some

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<v Speaker 1>focus on emotional intelligence. You know, we all speak about

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<v Speaker 1>mental health, but it really truly starts with one step,

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<v Speaker 1>you know, and that's you deciding, you know, um to

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<v Speaker 1>be where you will value to be, where you are appreciated,

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<v Speaker 1>UM to you know, um uh be unbothered. Yeah, there

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<v Speaker 1>goes a few bars for your tank. I think that

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<v Speaker 1>My brother Window used to tell me, don't let nobody

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<v Speaker 1>put your emotion. Mm hmmm. Don't let nothing or nobody

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<v Speaker 1>right put you in emotion. And in the beginning, it

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<v Speaker 1>started with you know, oh he's promoted to saying we

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<v Speaker 1>gotta or the people at the radio saying we gotta

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<v Speaker 1>said no, no, we'll move when it's time to move.

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<v Speaker 1>We don't have to react. Well, well, we'll let them

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<v Speaker 1>do what they're gonna do, and then we'll figure out

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<v Speaker 1>what we're gonna do. And then that's what we'll do,

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<v Speaker 1>not based on anything that's going on around us. But

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<v Speaker 1>when when you adopt it into your into your spirit,

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<v Speaker 1>into your everyday movements, it's like the choices you make

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<v Speaker 1>UM dictate how you live your life. You know what

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<v Speaker 1>I mean, so the choice that the underlying choosing joy

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<v Speaker 1>is a real choice that you have to make, you

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<v Speaker 1>have to want to make. They always called me the

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<v Speaker 1>glass half full, because that's how I choose to see

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<v Speaker 1>everything right. There is a reason for this, and within

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<v Speaker 1>this there's growth. There's going to be learning that understand

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<v Speaker 1>something in here for me, even if it's only one

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<v Speaker 1>little thing, I want to grab onto that and make

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<v Speaker 1>that the reason why I'm experiencing whatever this is. So, man,

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<v Speaker 1>I applaud you, Thank you, man, I applaud you, thank you.

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<v Speaker 1>You've seen the congratulations. Yeah. Um, hair your hair, yeah hair,

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<v Speaker 1>it's nice that you just did you for the pot? No? No, no, actually, um, yesterday,

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<v Speaker 1>Um I was on a Black Lady Sketch comedy show.

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<v Speaker 1>Yeah I just did that. Yeah, ball man, aren't they ball? Ye?

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<v Speaker 1>Don't don't? Yeah? Yeah, did you go crazy? No? Of course.

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<v Speaker 1>You know, when you get to be yourself, people don't

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<v Speaker 1>get you. Were get an opportunity in that space, and

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<v Speaker 1>I think I think those ladies for that where we

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<v Speaker 1>get to just change that fun straight up shout out

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<v Speaker 1>to Robbin, Yeah, Scott Robin is we just get to

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<v Speaker 1>let our hair down. Gabrielle get let our hair down

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<v Speaker 1>to have I mean, you let your here there, I'm

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<v Speaker 1>working on mine. I'm growing. I'm growing. It's some stuff

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<v Speaker 1>under here. I don't think. I don't think I ain't

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<v Speaker 1>got you know what I'm saying. I don't think I

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<v Speaker 1>ain't wavy. But all right, so listen, we've known you win.

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<v Speaker 1>But you know, we always treated as if there's somebody

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<v Speaker 1>watching for the first time, straight up, and they want

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<v Speaker 1>to know where did o'marion come from? Where? When was

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<v Speaker 1>the first time somebody said that boy good? When was

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<v Speaker 1>the first time you said in your mind, oh, ship,

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<v Speaker 1>I got something? Yeah, take us back to Inglewood, take

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<v Speaker 1>us back to the woods. Well, well, you know what,

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<v Speaker 1>you know, Inglewood was a special place. And you know,

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<v Speaker 1>when you're from California, you know, back then, gangs didn't

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<v Speaker 1>look like what they look like now, you know what

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<v Speaker 1>I'm saying, like gang gang. It didn't look like that.

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<v Speaker 1>It looked like brotherhood. It looked like being accepted in

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<v Speaker 1>the neighborhood. You know, uh, you know, elders or o

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<v Speaker 1>g s looking after you, you know what I mean. Um,

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<v Speaker 1>so I was just an inner city kid, you know

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<v Speaker 1>what I mean? That love to you know, um, discover things.

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<v Speaker 1>You know what I'm saying. Um, I went to the

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<v Speaker 1>Boys and Girls Club, you know. Um, I would say

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<v Speaker 1>it started for me at UM this um this fine

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<v Speaker 1>art school called LAFA That's where I went to. And

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<v Speaker 1>when I went to Lafa UM for the summer program,

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<v Speaker 1>every day we did something different. You know. We did

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<v Speaker 1>like seven or eight different dance styles. Uh, singing was

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<v Speaker 1>a part of it as well. But that's when I

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<v Speaker 1>booked my first quote unquote gig as a performer, you

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<v Speaker 1>know what I mean. Um, I came in the game community. No,

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<v Speaker 1>actually through audition that was happening at the dance studio

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<v Speaker 1>I was at, Yeah, and that's actually where I met

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<v Speaker 1>Ro Road for the first time to you know what

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<v Speaker 1>I mean, on this audition a Road Cliff Um and

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<v Speaker 1>Ed Moore. You know what I'm saying. So before you know,

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<v Speaker 1>I came even into my artistry. You know, I was

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<v Speaker 1>very much just you know, an inner city you know

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<v Speaker 1>kid that just you know, had the biggest mole and

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<v Speaker 1>you know, would try anything. You know what I'm saying. Um,

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<v Speaker 1>that's when I Um, I was thirteen, I booked my

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<v Speaker 1>first commercial, you know what I mean, My Pops commercial,

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<v Speaker 1>which Uh was shot at Dorsey, which is the high

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<v Speaker 1>school my mom went to. You know what I mean.

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<v Speaker 1>When you're from l A, you know, it's it's a

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<v Speaker 1>lot of places, but it's real small too, you know

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<v Speaker 1>what I'm saying. So, um, my mom actually was a

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<v Speaker 1>hair stylus and she worked at a lot of the

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<v Speaker 1>prominent Um you know, she worked at Millennium. She used

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<v Speaker 1>to work at this other shop on Hollywood and Vine

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<v Speaker 1>called Afros of Hollywood. Um so yeah, man, I was

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<v Speaker 1>just an inner city kid, and you know what I mean,

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<v Speaker 1>I just you know, after my pop commercial, you know,

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<v Speaker 1>I got into B two K. You know what I'm saying.

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<v Speaker 1>And okay, so so at the time, um, one of

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<v Speaker 1>the managers was married to my play aunt. So my

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<v Speaker 1>plate on invited me to a New Year's party and

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<v Speaker 1>of course, you know everybody was there. You know this

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<v Speaker 1>house on Cold Facts actually, um right here in the

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<v Speaker 1>valley and everybody would be there is Actually before B

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<v Speaker 1>two K even became who we were, you know what

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<v Speaker 1>I mean. We're performed for Destiny Child. Destiny Child is

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<v Speaker 1>to come through Black used to come through seven oh two.

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<v Speaker 1>You know what I'm saying. All of the girls, Yeah,

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<v Speaker 1>before you finished for the white people, Can you explain

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<v Speaker 1>to them with a plate? Okay, I know what you mean.

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<v Speaker 1>I would like for you to explain to them what

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<v Speaker 1>you know your mama home. Let me break it down.

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<v Speaker 1>Let me break it down. So my play on, um

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<v Speaker 1>was actually okay, well I have to take it back

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<v Speaker 1>because my nana, which would be my grandmother, was cool

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<v Speaker 1>with her mother, and you know, they used to run

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<v Speaker 1>this hair salon back in the day right off of Crenshaw. So, um,

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<v Speaker 1>that's how my play on. You know, and my mom

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<v Speaker 1>they were around the same age, so they essentially grew

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<v Speaker 1>up together. So you know, my mom had me at sixteen,

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<v Speaker 1>so she was like a child having a child, So

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<v Speaker 1>they grew up together. I grew up with him. So

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<v Speaker 1>that's how that's my play on. She's not literally blood,

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<v Speaker 1>but you know, she grew up with my mom, so

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<v Speaker 1>that's the play on. It's important. I mean, I could

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<v Speaker 1>start so far back, you know, with this, but really,

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<v Speaker 1>you know, um, the highlight is is that you know,

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<v Speaker 1>I was just one of those type of kids that

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<v Speaker 1>was excited about life. You know, I had no fear virtually,

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<v Speaker 1>I could go anywhere I wanted to go, and you know,

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<v Speaker 1>I wanted to entertain. I wanted to be seen from

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<v Speaker 1>Um jump that you that you just can remember that

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<v Speaker 1>you were just that kid that like I was dancing

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<v Speaker 1>for people when you when you kid that literally, oh

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<v Speaker 1>come downstairs and do the flip. I was that kid.

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<v Speaker 1>And also, um yeah, I was that kid. Oh do

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<v Speaker 1>that dance? Shut up? Oh MARII you know what I'm saying.

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<v Speaker 1>I was just I had so much energy, so you know,

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<v Speaker 1>it was just bound to happen. And also too, because

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<v Speaker 1>my mom was a hairstylar. She used to uh do

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<v Speaker 1>God's Properties hair. She just a lot of people in yeah,

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<v Speaker 1>in the industry hair. So I would be around that,

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<v Speaker 1>you know what I'm saying. Um, so yeah, I was

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<v Speaker 1>always like entertaining. I grew up in the entertainment business.

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<v Speaker 1>You know what I'm saying. Shout out to your mom.

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<v Speaker 1>Shout out for really giving you your first platform and

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<v Speaker 1>believing in it because a lot of times people's parents

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<v Speaker 1>they don't and this is something that that happens that

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<v Speaker 1>people don't speak about a lot. A lot of entertainers

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<v Speaker 1>were annoying kids like let's just be real, wait a minute,

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<v Speaker 1>that's that's a hilarious true. So when yeah, that's facts

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<v Speaker 1>work shut that, shut that, shut up. Yeah, yeah, you

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<v Speaker 1>know what I mean. So so when I'm paring you,

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<v Speaker 1>he's saying they' worked to make no money, ain't right?

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<v Speaker 1>All these singing, all these damn songs. They're making no money.

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<v Speaker 1>But but shout out to the parents though, for real,

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<v Speaker 1>that that let the kids be creative? Yeah and make noise. Yeah,

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<v Speaker 1>yeah for the neighbors tolerated, ain't tolerated? You know what?

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<v Speaker 1>Because that it's a lot of people's dreams that get

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<v Speaker 1>shut down. That's true because sometimes the parents are the

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<v Speaker 1>surroundings may not even understanding exactly like a lot of

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<v Speaker 1>us are just as bad ass kid that won't shut

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<v Speaker 1>up when in actuality, this is a kid that could

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<v Speaker 1>grow to change lives and and and again back to

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<v Speaker 1>this first generation thing. It's like my parents looking at me,

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<v Speaker 1>sit in my room all day and make beats and

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<v Speaker 1>sing and write songs. You know what I mean. It's

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<v Speaker 1>kind of weird and not eat. Yeah, it's weird. It's weird.

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<v Speaker 1>Did you eat to like? You know, I'm gonna eating

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<v Speaker 1>a second? Do you know what time it is? It's

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<v Speaker 1>a p M. You haven't eaten all day? I still have.

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<v Speaker 1>I just move on my wake up clothes. I'm in

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<v Speaker 1>my drawers, right. But I was so consumed with something.

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<v Speaker 1>I didn't know what it was. I don't know what

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<v Speaker 1>to do with it. I just knew that I had

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<v Speaker 1>to make a beat and I had to write a

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<v Speaker 1>song and I had to sing that. That's all I knew. Yeah,

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<v Speaker 1>I was making noise. I had real amps, you know

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<v Speaker 1>what I'm saying, like somebody my mother coming in and

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<v Speaker 1>kicking the door. Hey, hey, my nigga. But they got

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<v Speaker 1>you those amps. They bought them for me. So it

0:14:17.160 --> 0:14:19.560
<v Speaker 1>was like it was like listen. They didn't know how

0:14:20.240 --> 0:14:24.400
<v Speaker 1>to support it, but they also knew not to get

0:14:24.440 --> 0:14:27.120
<v Speaker 1>in the way. Right, he's working on something. I don't

0:14:27.160 --> 0:14:29.560
<v Speaker 1>know what he working on. Something didn't let him do

0:14:29.640 --> 0:14:32.600
<v Speaker 1>he go? Now? His kids be creative? Man, you get

0:14:32.680 --> 0:14:36.320
<v Speaker 1>him to be too, k What is that? What is

0:14:36.320 --> 0:14:39.760
<v Speaker 1>that conversation? Like? How does that conversation go? Easy? Moms

0:14:39.840 --> 0:14:41.160
<v Speaker 1>was like, Yo, do you want to be in a

0:14:41.160 --> 0:14:44.480
<v Speaker 1>group or what? Because you know, we was at the

0:14:44.520 --> 0:14:48.920
<v Speaker 1>New Year's um party and you know the other three

0:14:48.920 --> 0:14:51.560
<v Speaker 1>boys they started dancing and I'm like, oh, they like,

0:14:52.080 --> 0:14:54.240
<v Speaker 1>you know, they're doing their choreography, you know what I mean?

0:14:54.600 --> 0:14:56.280
<v Speaker 1>And they're like, go ahead, Oh you know what I'm saying.

0:14:56.320 --> 0:14:58.320
<v Speaker 1>I sing and then I dance and then I hit

0:14:58.360 --> 0:15:00.880
<v Speaker 1>my back flip and they like, back flip. I got

0:15:00.960 --> 0:15:04.440
<v Speaker 1>to hit the backflip. Now, how do you well? You

0:15:04.480 --> 0:15:06.880
<v Speaker 1>know what. I taught myself how to backflip, So I

0:15:06.920 --> 0:15:10.600
<v Speaker 1>want to say, um, I was well in my double

0:15:10.680 --> 0:15:15.360
<v Speaker 1>hand backhands spring vibe, but I was like maybe fourteen

0:15:15.400 --> 0:15:18.880
<v Speaker 1>when I met there. Yeah, fourteen only try to backflip points. No,

0:15:19.200 --> 0:15:25.680
<v Speaker 1>it didn't go with never did it again? Know I'm good. Yeah.

0:15:26.960 --> 0:15:29.960
<v Speaker 1>The front flip though, I can get that, which don't

0:15:30.000 --> 0:15:31.800
<v Speaker 1>mean ship you know what I mean? You know I

0:15:31.880 --> 0:15:35.280
<v Speaker 1>mean it doesn't with no hands, it doesn't mean anything.

0:15:35.280 --> 0:15:41.400
<v Speaker 1>Did you have hands? That's called a dive roll. I'm

0:15:41.440 --> 0:15:45.680
<v Speaker 1>about to show you these these hands in what you're

0:15:45.760 --> 0:15:49.840
<v Speaker 1>doing in my little front flip. Let me come out

0:15:49.880 --> 0:15:54.600
<v Speaker 1>a self taught flippers are damaged individuals. Our bodies are messed.

0:15:55.400 --> 0:15:58.080
<v Speaker 1>Uh yeah. One time I did twenty hands springs in

0:15:58.120 --> 0:16:02.680
<v Speaker 1>the road at Sherman Park on the grass. Oh my lord, going,

0:16:05.440 --> 0:16:19.000
<v Speaker 1>come on, you're still playing for it today? About pick

0:16:19.080 --> 0:16:25.200
<v Speaker 1>your feet? I flipped off of a garage once over

0:16:25.360 --> 0:16:29.680
<v Speaker 1>rotated and landing on my neck. Yeah, I was the

0:16:29.760 --> 0:16:34.080
<v Speaker 1>daredevil too, so if anything, yeah, that was anything. Come

0:16:34.120 --> 0:16:37.200
<v Speaker 1>on like that was that was life though, straight up

0:16:37.320 --> 0:16:39.320
<v Speaker 1>what I'm saying, they got you in the group. It

0:16:39.480 --> 0:16:42.880
<v Speaker 1>just broke his damn neck. You actually stunching my growth.

0:16:43.840 --> 0:16:46.640
<v Speaker 1>Now we're supposed to be six six man. That was real.

0:16:48.440 --> 0:16:52.880
<v Speaker 1>This ship you see this monkey all off the back flip.

0:16:54.400 --> 0:17:00.560
<v Speaker 1>This is out of control. That's crazy. Those pieces six crazy.

0:17:00.800 --> 0:17:03.960
<v Speaker 1>So yeah, now you're in the group. Ye now I'm

0:17:04.080 --> 0:17:07.800
<v Speaker 1>in the group. That's so that's literally your audition. Yeah

0:17:07.800 --> 0:17:10.440
<v Speaker 1>the party, yep, the party, like we got it. We

0:17:10.520 --> 0:17:13.160
<v Speaker 1>got young fellow, we need him. Yep. Come on you

0:17:13.160 --> 0:17:14.440
<v Speaker 1>you want to be in a group. Oh, you want

0:17:14.440 --> 0:17:16.119
<v Speaker 1>to be in a group. And I'm like thinking to myself,

0:17:16.160 --> 0:17:17.959
<v Speaker 1>like Dann, this would be dope. You know. I actually

0:17:18.160 --> 0:17:21.880
<v Speaker 1>was working on, um, you know, some solo stuff. I

0:17:21.920 --> 0:17:24.040
<v Speaker 1>was rapping. I actually did this song called I want

0:17:24.040 --> 0:17:26.920
<v Speaker 1>to be like Puff and I actually got my name

0:17:27.760 --> 0:17:31.439
<v Speaker 1>yeah I want to be like I was rapping. Yeah,

0:17:31.520 --> 0:17:35.760
<v Speaker 1>I started, I started rapping and did you have a wrap? Yeah?

0:17:35.840 --> 0:17:39.000
<v Speaker 1>I actually got my name from I used to be

0:17:39.040 --> 0:17:42.040
<v Speaker 1>in this rap crew with with all adults called the

0:17:42.080 --> 0:17:46.080
<v Speaker 1>Wild Kingdom. And um, there was this dude named Ruckets

0:17:46.119 --> 0:17:48.240
<v Speaker 1>that was in the group and he named me on Marian.

0:17:48.359 --> 0:17:50.080
<v Speaker 1>He was like, your name of Marian. I'm like, oh

0:17:50.160 --> 0:17:52.120
<v Speaker 1>did you what's the science? You know what I'm saying.

0:17:52.560 --> 0:17:55.960
<v Speaker 1>And Ian king forever. You know what I'm saying, Marian

0:17:56.119 --> 0:18:06.239
<v Speaker 1>came forever. So really it's just going back to your

0:18:06.280 --> 0:18:08.760
<v Speaker 1>rooms at this point, is what you're telling us. Yeah,

0:18:08.840 --> 0:18:10.119
<v Speaker 1>this is where it start, you know what what I'm saying.

0:18:11.119 --> 0:18:21.640
<v Speaker 1>Wait minute, My name wasn't cool. It was just empt hurricane.

0:18:21.760 --> 0:18:24.679
<v Speaker 1>It didn't have the didn't have no kings and queens,

0:18:27.760 --> 0:18:32.800
<v Speaker 1>it didn't have no motherland, no sense of origin, just

0:18:32.840 --> 0:18:36.040
<v Speaker 1>a hurricane. So that's where your name comes from. Yep.

0:18:36.160 --> 0:18:40.880
<v Speaker 1>And then my mom you know, um, the the guy

0:18:40.920 --> 0:18:43.000
<v Speaker 1>that she was with at that time, you know, um,

0:18:43.000 --> 0:18:45.920
<v Speaker 1>he used to like manage producers and stuff like that.

0:18:46.040 --> 0:18:50.800
<v Speaker 1>So early on, you know what I mean, that machines, planning, fat,

0:18:50.840 --> 0:18:54.760
<v Speaker 1>all of that. I was exposed to all that. The planet.

0:18:55.560 --> 0:19:01.800
<v Speaker 1>Come on, think, come on, come on, you know all

0:19:01.880 --> 0:19:05.880
<v Speaker 1>around you as year is this though, Because I'm trying

0:19:05.920 --> 0:19:11.680
<v Speaker 1>to figure out I feel like I met you. I

0:19:11.920 --> 0:19:17.440
<v Speaker 1>met you in ninety. What do you what did you

0:19:17.520 --> 0:19:19.920
<v Speaker 1>do in the group? Did you join the group? It

0:19:20.080 --> 0:19:23.720
<v Speaker 1>was like it was like somewhere around there I met

0:19:23.840 --> 0:19:28.800
<v Speaker 1>you nine. Were you working with Dave Scott? Then we

0:19:28.880 --> 0:19:34.359
<v Speaker 1>played basketball together? Oh wow, I don't remember this. We

0:19:34.440 --> 0:19:38.960
<v Speaker 1>played basketball at a park close to More Park. I think, yeah,

0:19:39.280 --> 0:19:42.800
<v Speaker 1>something like that, because he was telling me that that

0:19:43.040 --> 0:19:44.560
<v Speaker 1>you you were in a group. It was I think

0:19:44.560 --> 0:19:47.160
<v Speaker 1>it was another another somebody else from the groups, like, yeah,

0:19:47.160 --> 0:19:49.720
<v Speaker 1>a dope, I'm working with him, be super dope. And

0:19:49.760 --> 0:19:51.359
<v Speaker 1>I was like, okay, cool, I'm you know, because I

0:19:51.440 --> 0:19:52.879
<v Speaker 1>was just trying to do my artist thing. But I

0:19:53.000 --> 0:19:56.159
<v Speaker 1>was fresh off the tours singing backgrounds with Genuine and

0:19:56.720 --> 0:19:59.840
<v Speaker 1>he was dancing with Genuine and him got rid of club.

0:20:00.000 --> 0:20:04.680
<v Speaker 1>Oh that's crazy. Yeah we played basketball. Wow, that's crazy.

0:20:05.440 --> 0:20:07.200
<v Speaker 1>Before I think it was like a holiday or something

0:20:07.240 --> 0:20:11.000
<v Speaker 1>I was out here for like a Thanksgiving and yeah,

0:20:11.160 --> 0:20:15.240
<v Speaker 1>that's still wow. So now you're the new lead singer, yes,

0:20:15.520 --> 0:20:18.840
<v Speaker 1>the group? And do they have a deal yet? No,

0:20:19.000 --> 0:20:22.280
<v Speaker 1>we don't have a deal. You know, this process up

0:20:22.640 --> 0:20:25.560
<v Speaker 1>leading up to us getting a deal was, you know,

0:20:25.800 --> 0:20:29.240
<v Speaker 1>the schooling in which you know that has been that

0:20:29.400 --> 0:20:32.119
<v Speaker 1>gift that has constantly, you know, give to me, you

0:20:32.160 --> 0:20:34.520
<v Speaker 1>know what I mean, like the drive, like working with

0:20:34.680 --> 0:20:38.360
<v Speaker 1>Dave because you know, I had took some dance classes obviously,

0:20:38.480 --> 0:20:40.520
<v Speaker 1>you know what I mean, but I never really worked

0:20:40.600 --> 0:20:43.399
<v Speaker 1>with an individual you know, like Dave, you know what

0:20:43.440 --> 0:20:46.640
<v Speaker 1>I'm saying. And he really helped me develop as um

0:20:47.040 --> 0:20:49.280
<v Speaker 1>you know, in that in that space, you know what

0:20:49.359 --> 0:20:52.840
<v Speaker 1>I'm saying. So it took like two to two and

0:20:52.880 --> 0:20:55.119
<v Speaker 1>a half three years of us just really being together

0:20:55.400 --> 0:20:59.040
<v Speaker 1>and like, you know, every day, you know, besides us

0:20:59.080 --> 0:21:00.840
<v Speaker 1>being in school. It was like, alright, for the weekend,

0:21:00.840 --> 0:21:02.560
<v Speaker 1>we're going over here, all y'all practice. All right. As

0:21:02.560 --> 0:21:04.280
<v Speaker 1>soon as y'all get up, anybody came through the door,

0:21:04.400 --> 0:21:06.360
<v Speaker 1>was like beach k performed, you know what I'm saying.

0:21:06.400 --> 0:21:10.159
<v Speaker 1>So we really um a lot of work. Yeah, we

0:21:10.280 --> 0:21:12.639
<v Speaker 1>put we we were developed. We were developed, you know

0:21:12.680 --> 0:21:17.280
<v Speaker 1>what I'm saying. So that's it is. It is because

0:21:17.320 --> 0:21:20.960
<v Speaker 1>you guys, you guys, you guys were ready. Yeah. The

0:21:21.000 --> 0:21:25.560
<v Speaker 1>first time I saw you, I was like, yo, yo,

0:21:25.680 --> 0:21:30.440
<v Speaker 1>we did that a gazillion times, you know, like and

0:21:30.520 --> 0:21:34.240
<v Speaker 1>I attribute you know, even my staying power and being

0:21:34.320 --> 0:21:36.879
<v Speaker 1>able to continue to transform our art and having that

0:21:37.520 --> 0:21:39.960
<v Speaker 1>that essence. You know what I mean? That that that

0:21:40.280 --> 0:21:42.760
<v Speaker 1>that eat you know that beginning time for me where

0:21:42.800 --> 0:21:45.840
<v Speaker 1>it was like okay, no, it ain't about getting it perfect,

0:21:45.880 --> 0:21:48.080
<v Speaker 1>It's about doing it over again. Now do it again.

0:21:48.480 --> 0:21:50.359
<v Speaker 1>Now do it again, Now do it again. You know

0:21:50.400 --> 0:21:53.879
<v Speaker 1>what I'm saying. And I feel like you know, um,

0:21:54.640 --> 0:21:57.920
<v Speaker 1>all artists you know have a knack for you know,

0:21:58.080 --> 0:22:01.480
<v Speaker 1>a type of perfection. And you know what I'm saying. Um,

0:22:02.000 --> 0:22:04.120
<v Speaker 1>So yeah, that's what we was doing. Man, we was perfect.

0:22:04.200 --> 0:22:06.440
<v Speaker 1>I mean we went to go see pretty much all

0:22:06.520 --> 0:22:08.840
<v Speaker 1>the labels. You know what I'm saying. We we we've

0:22:08.880 --> 0:22:10.480
<v Speaker 1>seen l a read. I speak about this in my

0:22:10.560 --> 0:22:15.040
<v Speaker 1>book too. You know, um, that experience of you know,

0:22:15.280 --> 0:22:17.600
<v Speaker 1>being denied, of being told no. And then you know

0:22:17.760 --> 0:22:21.359
<v Speaker 1>that last meeting was with you know, DamID Fishing and

0:22:21.440 --> 0:22:24.280
<v Speaker 1>Polly Anthony over at EPIC and it was like, Yo,

0:22:24.760 --> 0:22:26.960
<v Speaker 1>they had that conversation with us like yo, if y'all

0:22:27.200 --> 0:22:29.119
<v Speaker 1>don't get signed, and you know, like we pretty much

0:22:29.119 --> 0:22:30.480
<v Speaker 1>can't help y'all. You know what I mean. So we

0:22:30.640 --> 0:22:34.719
<v Speaker 1>was fourteen fifteen, you know, years old, dealing with all right,

0:22:35.320 --> 0:22:37.200
<v Speaker 1>you know, if y'all if you're gonna make it or

0:22:37.280 --> 0:22:39.000
<v Speaker 1>not you know what I'm saying, or you're gonna do

0:22:39.040 --> 0:22:41.080
<v Speaker 1>the best performance you'll ever had or not. Y'all want

0:22:41.119 --> 0:22:43.920
<v Speaker 1>this deal or not? And obviously we got the deal

0:22:44.040 --> 0:22:47.000
<v Speaker 1>and then that was it. So every other label turned

0:22:47.000 --> 0:22:50.399
<v Speaker 1>you down? Yeah, yeah, every other label. You know, l

0:22:50.480 --> 0:22:52.600
<v Speaker 1>A Read flew us out. You know, that's the first

0:22:52.640 --> 0:22:54.840
<v Speaker 1>time I've ever been to the fourth season I put

0:22:54.920 --> 0:23:02.119
<v Speaker 1>on the road. Yeah yeah, yep, flew us out. We're like, oh,

0:23:02.160 --> 0:23:05.440
<v Speaker 1>we're signed, We're signed. Oh yeah, l A Read. You

0:23:05.520 --> 0:23:08.240
<v Speaker 1>know what was what was the label called at that time?

0:23:08.440 --> 0:23:11.000
<v Speaker 1>The face? Yeah, they was on fire, you know what

0:23:11.000 --> 0:23:13.040
<v Speaker 1>I'm saying. We was like, yeah, we're home, and it

0:23:13.160 --> 0:23:17.639
<v Speaker 1>was like no, sir, no sir. Passed on y'all. So

0:23:17.760 --> 0:23:23.240
<v Speaker 1>at fourteen fifteen, how does that feel? How does that

0:23:23.359 --> 0:23:25.639
<v Speaker 1>feel when you feel like you went in front of

0:23:25.760 --> 0:23:28.520
<v Speaker 1>someone and gave your all, gave your best, You didn't

0:23:28.520 --> 0:23:31.359
<v Speaker 1>do like you said, you didn't practice this a gazillion times,

0:23:31.840 --> 0:23:33.960
<v Speaker 1>and you're like, this is my moment, and then you

0:23:34.080 --> 0:23:36.880
<v Speaker 1>get the phone call or after you perform, you see

0:23:36.920 --> 0:23:38.639
<v Speaker 1>the reaction and you're like, oh, I don't think this

0:23:38.800 --> 0:23:42.600
<v Speaker 1>is it? Like what is that feeling like for you?

0:23:42.840 --> 0:23:45.920
<v Speaker 1>For for a fourteen, fifteen year old kid. Well, you

0:23:46.040 --> 0:23:48.760
<v Speaker 1>know it kind of for me at that time, you

0:23:48.800 --> 0:23:50.200
<v Speaker 1>know what I'm saying, it kind of just went in

0:23:50.280 --> 0:23:51.879
<v Speaker 1>one air and went out the other, you know what

0:23:51.920 --> 0:23:57.800
<v Speaker 1>I'm saying, just because you know, um, I don't think

0:23:57.880 --> 0:24:03.400
<v Speaker 1>that you know, we focused so much on like, you know, failure,

0:24:03.600 --> 0:24:06.640
<v Speaker 1>you know what I'm saying. Like, you know, we were

0:24:06.760 --> 0:24:10.080
<v Speaker 1>kind of built in the you know space like all right,

0:24:10.880 --> 0:24:14.560
<v Speaker 1>let's you know, dissect this performance. Now, what could y'all

0:24:14.560 --> 0:24:16.280
<v Speaker 1>have done better? You know what I'm saying, Like what

0:24:16.680 --> 0:24:18.800
<v Speaker 1>you know what I mean? So every performance was kind

0:24:18.840 --> 0:24:20.760
<v Speaker 1>of like that. It wasn't like it was the end

0:24:20.800 --> 0:24:23.800
<v Speaker 1>of the world, you know for us a moment. Yeah,

0:24:23.840 --> 0:24:26.360
<v Speaker 1>it was just like okay, whoa, Well they didn't want

0:24:26.400 --> 0:24:28.600
<v Speaker 1>to you know, and you know what I'm saying, not

0:24:28.800 --> 0:24:32.240
<v Speaker 1>really realizing or recognizing that, you know, the business was

0:24:32.280 --> 0:24:34.879
<v Speaker 1>gonna be hinged on the people that were representing us,

0:24:35.119 --> 0:24:38.680
<v Speaker 1>not understanding that as a kid, you know what I'm saying, Yeah,

0:24:38.840 --> 0:24:41.320
<v Speaker 1>you know what I mean, but knowing like, yo, I'm

0:24:41.359 --> 0:24:43.280
<v Speaker 1>coming here to give him of all. So okay, well

0:24:43.359 --> 0:24:45.560
<v Speaker 1>he didn't take us, that's fine. Well we got one

0:24:45.600 --> 0:24:48.880
<v Speaker 1>more meeting, right, all right, cool, well we're about to Yeah,

0:24:48.920 --> 0:24:51.920
<v Speaker 1>we you know, we was jumping on tables. That's really

0:24:51.960 --> 0:24:53.399
<v Speaker 1>how we got signed, you know what I mean. Like

0:24:53.520 --> 0:24:55.920
<v Speaker 1>when we were performing, we was like at you. You

0:24:55.960 --> 0:24:58.080
<v Speaker 1>know what I'm saying, We're jumping off this doing it.

0:24:58.400 --> 0:25:00.560
<v Speaker 1>You know what I'm saying. So that's what essentially I

0:25:00.640 --> 0:25:03.160
<v Speaker 1>feel like I got ideal. But to answer your question,

0:25:03.560 --> 0:25:05.359
<v Speaker 1>I think it just felt like, all right, well whatever,

0:25:05.560 --> 0:25:07.480
<v Speaker 1>you know what I mean, let's keep it going like

0:25:07.760 --> 0:25:10.280
<v Speaker 1>that's a that's a great mindset. That's a great mindset

0:25:10.480 --> 0:25:13.040
<v Speaker 1>to not let these things knock you down. Yeah, you know,

0:25:13.200 --> 0:25:15.560
<v Speaker 1>because you just at the end of the day, it's cliche,

0:25:15.720 --> 0:25:18.640
<v Speaker 1>but it's true. You just need one the right Yes, yeah,

0:25:19.240 --> 0:25:23.040
<v Speaker 1>just just one, that one and y'all got that. Yeah, yep.

0:25:23.400 --> 0:25:26.160
<v Speaker 1>And from that point when you guys get signed to Epic,

0:25:26.920 --> 0:25:31.440
<v Speaker 1>how long until the debut album? Well we uh, we

0:25:31.960 --> 0:25:36.720
<v Speaker 1>immediately started getting into recording, so they fast tracted. Yeah

0:25:37.000 --> 0:25:39.080
<v Speaker 1>you know what I'm saying, They see TC we win

0:25:39.160 --> 0:25:42.800
<v Speaker 1>and got our diamond chains. Yeah yeah, we didn't got

0:25:42.880 --> 0:25:46.240
<v Speaker 1>the diamond chain and we got the locksmith. You know

0:25:46.240 --> 0:25:49.760
<v Speaker 1>what I'm saying. We went to Jacob You see that

0:25:49.840 --> 0:25:54.879
<v Speaker 1>was the first check knew that. Did you know you

0:25:54.960 --> 0:25:57.199
<v Speaker 1>were blowing it? Now? Did you think this was just oh,

0:25:57.240 --> 0:25:59.600
<v Speaker 1>it's just part of the gave of Steve. Now you

0:25:59.720 --> 0:26:03.760
<v Speaker 1>know what you count your money? Yet? Nah? We were kids, man,

0:26:03.880 --> 0:26:06.639
<v Speaker 1>We're just like, oh, we want that. Okay, here you go, Oh,

0:26:06.720 --> 0:26:08.480
<v Speaker 1>y'all want this? Okay, Well I'm gonna get this. And

0:26:08.520 --> 0:26:10.600
<v Speaker 1>then you know, he likell, I'm gonna get this one

0:26:10.720 --> 0:26:12.680
<v Speaker 1>right here. You know what I'm saying. So, you know,

0:26:12.920 --> 0:26:15.560
<v Speaker 1>just having access to that, we wasn't thinking about like,

0:26:15.680 --> 0:26:19.159
<v Speaker 1>hold up, I need this to stretch. Okay, I need this,

0:26:19.359 --> 0:26:22.680
<v Speaker 1>I need it. You know, Yeah, we didn't. We didn't

0:26:22.720 --> 0:26:27.880
<v Speaker 1>know about Yeah, because you think you're coming out tomorrow.

0:26:27.960 --> 0:26:30.159
<v Speaker 1>You think you think I was coming out to you?

0:26:30.240 --> 0:26:34.720
<v Speaker 1>Got this is itching me. I gotta get I gotta

0:26:34.720 --> 0:26:37.440
<v Speaker 1>get out there. I gotta I have to show right.

0:26:37.800 --> 0:26:41.959
<v Speaker 1>I have to let everybody know. Okay, I'm up, I'm up.

0:26:42.600 --> 0:26:49.320
<v Speaker 1>What's good? I need rims and the chain my name

0:26:49.400 --> 0:26:52.040
<v Speaker 1>on it exactly just in case they don't know who

0:26:52.119 --> 0:26:55.119
<v Speaker 1>I am. So, did you go to Fox Hills immediately

0:26:55.200 --> 0:26:57.479
<v Speaker 1>after you get your chain? No? Actually hit them all.

0:26:57.720 --> 0:26:59.280
<v Speaker 1>We were we were in New York. You know what,

0:26:59.680 --> 0:27:02.399
<v Speaker 1>Jacob was my first my first jeweler, you know what

0:27:02.440 --> 0:27:06.000
<v Speaker 1>I'm saying. So you know, we was Yeah, we was

0:27:06.080 --> 0:27:09.439
<v Speaker 1>introduced properly and like all right, y'all boys, go over here,

0:27:09.440 --> 0:27:11.000
<v Speaker 1>and now we're gonna get you all in this outfit.

0:27:11.080 --> 0:27:13.320
<v Speaker 1>We're gonna we're gonna put you all up here right here,

0:27:13.560 --> 0:27:15.080
<v Speaker 1>and then y'all gonna do this and then it was

0:27:15.160 --> 0:27:18.119
<v Speaker 1>like heavy lit and it's funny. H Just to give

0:27:18.160 --> 0:27:20.560
<v Speaker 1>you this little nugget, we we I think we were

0:27:20.600 --> 0:27:24.720
<v Speaker 1>staying at the Hudson Downtown, New York and uh, we

0:27:24.840 --> 0:27:28.520
<v Speaker 1>get on the elevator and who's on the elevator. I

0:27:28.600 --> 0:27:32.120
<v Speaker 1>was about to say, ain't l a read? We were hot,

0:27:32.520 --> 0:27:36.200
<v Speaker 1>we most successful group. We get on the elevator. You know,

0:27:36.400 --> 0:27:38.919
<v Speaker 1>he's like, hey, what's up, guys. He was like, hey,

0:27:39.040 --> 0:27:43.000
<v Speaker 1>congratulations man, y'all doing great. And it was like, oh boom,

0:27:43.280 --> 0:27:45.480
<v Speaker 1>and that was a full circle moment for us. So yeah,

0:27:45.680 --> 0:27:48.240
<v Speaker 1>that was that was that was happening back then and

0:27:48.359 --> 0:27:50.399
<v Speaker 1>continues to happen. You know what I'm saying. All Right,

0:27:50.400 --> 0:27:51.679
<v Speaker 1>so let's let's I want to get to I want

0:27:51.680 --> 0:27:53.840
<v Speaker 1>to get to a song. Okay, I want to get

0:27:53.880 --> 0:27:56.760
<v Speaker 1>to I want to get the guys to be. Okay,

0:27:56.840 --> 0:28:01.720
<v Speaker 1>you're just gonna jump over, I don't mind. We can

0:28:01.760 --> 0:28:04.320
<v Speaker 1>go back to bumpump Okay, all right, that was my joy.

0:28:04.840 --> 0:28:07.239
<v Speaker 1>I got to be with my favorite. That's my favorite too,

0:28:07.800 --> 0:28:11.399
<v Speaker 1>got to be come on, as you know, as a

0:28:11.480 --> 0:28:16.320
<v Speaker 1>church kid, as a little Steve, as a you know,

0:28:17.000 --> 0:28:20.960
<v Speaker 1>as a singer and a vibe artist. Yah, gots to

0:28:21.080 --> 0:28:28.399
<v Speaker 1>be was a grown man period. Yeah, I knew you

0:28:28.520 --> 0:28:30.960
<v Speaker 1>were serious when I heard that record, because I actually

0:28:31.000 --> 0:28:33.159
<v Speaker 1>I hadn't met you yet. Yeah, I knew you were

0:28:33.200 --> 0:28:36.760
<v Speaker 1>serious at that point. Is that yeah? Yeah, yeah, for sure,

0:28:37.200 --> 0:28:38.920
<v Speaker 1>for sure, going for the heads, going for the number

0:28:38.920 --> 0:28:44.360
<v Speaker 1>one spot. It was such a record for kids to have,

0:28:44.840 --> 0:28:49.200
<v Speaker 1>but like pandemonia, it felt like pandemonia, but it was like,

0:28:49.240 --> 0:28:51.080
<v Speaker 1>oh yeah, it's it's about to turn all away into

0:28:51.120 --> 0:28:56.960
<v Speaker 1>these It was like, listen, digital boys, these grown women

0:28:57.000 --> 0:29:01.960
<v Speaker 1>ain't gonna be able to contain themselves with the vibrations

0:29:02.360 --> 0:29:05.880
<v Speaker 1>that are connected to this guy's the big record. Right,

0:29:06.000 --> 0:29:15.520
<v Speaker 1>come on, this is a problem. Yeah, was it a problem? Yeah? Yeah, listen, listen, listen.

0:29:15.680 --> 0:29:23.600
<v Speaker 1>I want to manage you and that's what come on? Yeah, yea,

0:29:23.680 --> 0:29:27.800
<v Speaker 1>I want to manage you hear me? Yeah, yeah, that's facts,

0:29:27.840 --> 0:29:29.920
<v Speaker 1>that's fact. And we was talking that talk and we

0:29:30.080 --> 0:29:33.080
<v Speaker 1>was walking that walk to yeah, yeah, yeah yeah. Listen.

0:29:33.120 --> 0:29:34.720
<v Speaker 1>I was a young I was a young player out

0:29:34.760 --> 0:29:39.680
<v Speaker 1>here at that time, and y'all was definitely the little valance.

0:29:39.720 --> 0:29:43.960
<v Speaker 1>That's what they're doing. Okay, I like like, how was it? Like? Okay,

0:29:44.040 --> 0:29:47.160
<v Speaker 1>we got bump bump ump, great? Going crazy? Um, you

0:29:47.280 --> 0:29:51.480
<v Speaker 1>got going crazy? How is it? Going back to Inglewood?

0:29:51.640 --> 0:29:55.120
<v Speaker 1>How is it? Man? It's so much love, It's so

0:29:55.360 --> 0:29:57.800
<v Speaker 1>much love, you know what I mean? But all y'all

0:29:57.840 --> 0:30:00.600
<v Speaker 1>wasn't from Inglewood though. Everybody from parts of l a

0:30:01.120 --> 0:30:04.520
<v Speaker 1>um yep, different parts of l a Um No, but

0:30:04.640 --> 0:30:10.280
<v Speaker 1>everybody well not l A. You know, um songs from Compton,

0:30:10.360 --> 0:30:13.320
<v Speaker 1>something from West l A. And then yeah, I guess

0:30:13.320 --> 0:30:16.880
<v Speaker 1>you could say l A. But yeah, going back to Inglewood, man,

0:30:17.080 --> 0:30:18.600
<v Speaker 1>you know what I mean? Because you know, I was

0:30:19.240 --> 0:30:21.880
<v Speaker 1>definitely tied to the soil on like my best friend,

0:30:22.280 --> 0:30:24.280
<v Speaker 1>you know, steal in Inglewood, you know what I mean.

0:30:24.440 --> 0:30:27.760
<v Speaker 1>So I would be there all the time until until

0:30:27.960 --> 0:30:31.280
<v Speaker 1>I realized, wait a minute, I'm sitting out here on

0:30:31.400 --> 0:30:34.160
<v Speaker 1>the porch. I need to go back in the house.

0:30:34.440 --> 0:30:37.480
<v Speaker 1>You know what I'm saying, because um, you know there

0:30:37.640 --> 0:30:40.160
<v Speaker 1>was a time you know what I mean, Uh, when

0:30:40.240 --> 0:30:42.160
<v Speaker 1>when l A has just got real violent, you know

0:30:42.520 --> 0:30:44.040
<v Speaker 1>as far as the game culture goes, you know what

0:30:44.040 --> 0:30:46.720
<v Speaker 1>I'm saying. So I was going back, but I wasn't,

0:30:47.040 --> 0:30:50.480
<v Speaker 1>you know, like processing that's like, yo, you know, you

0:30:50.600 --> 0:30:53.480
<v Speaker 1>got some shows in a couple of weeks, right and

0:30:53.600 --> 0:30:55.800
<v Speaker 1>you know anybody could come over here and start shooting

0:30:55.920 --> 0:31:00.280
<v Speaker 1>right now. But you know what though, when you grow up, yeah,

0:31:01.080 --> 0:31:03.840
<v Speaker 1>in that element, it takes a minute. It's hard to

0:31:04.040 --> 0:31:09.200
<v Speaker 1>process that you're what you're what you're really growing up in.

0:31:10.000 --> 0:31:12.240
<v Speaker 1>These are the same streets out and ran up in

0:31:12.240 --> 0:31:18.720
<v Speaker 1>the tag and flipped off of that's and they were

0:31:18.800 --> 0:31:24.240
<v Speaker 1>at an age where friends start going different ways like

0:31:24.400 --> 0:31:29.960
<v Speaker 1>that's that that teenage fourteen thirteen, fourteen fifteen is when

0:31:30.160 --> 0:31:33.800
<v Speaker 1>your homeboy. When y'all was tending eleven, y'all was just homies.

0:31:34.040 --> 0:31:37.040
<v Speaker 1>Now he's from a different side of the street, are

0:31:37.160 --> 0:31:41.680
<v Speaker 1>from another block block away, and now in in l A,

0:31:41.840 --> 0:31:45.160
<v Speaker 1>y'all have a whole another culture with the colors what

0:31:45.240 --> 0:31:49.640
<v Speaker 1>I'm saying of like and people don't like most people

0:31:49.640 --> 0:31:53.360
<v Speaker 1>don't realize, like you went to school with Nip. Yeah, yeah,

0:31:54.160 --> 0:31:57.440
<v Speaker 1>high school Joe Pottner growing up, you know what I'm saying.

0:31:57.480 --> 0:32:02.320
<v Speaker 1>So I'm sure he's probably seen and you early on like, yo, damn,

0:32:02.400 --> 0:32:05.200
<v Speaker 1>that's my homie as he jumping off the porch. Though,

0:32:05.360 --> 0:32:08.560
<v Speaker 1>that's facts, that's facts, that's facts, you know what I mean.

0:32:08.680 --> 0:32:11.920
<v Speaker 1>So it's just like you're saying, like that experience for

0:32:12.040 --> 0:32:15.360
<v Speaker 1>you being at home, where you seeing you fifteen, sixteen whatever.

0:32:15.480 --> 0:32:17.640
<v Speaker 1>At that point you're like, damn, the homies is really

0:32:17.680 --> 0:32:22.400
<v Speaker 1>out here, active, straight up, straight up and from different sizes. Now,

0:32:22.560 --> 0:32:25.000
<v Speaker 1>that's facts, that's facts. You can't even pick a side.

0:32:25.040 --> 0:32:27.480
<v Speaker 1>You're like, yeah, I might just have to get out

0:32:27.520 --> 0:32:30.600
<v Speaker 1>of here. Yeah, I mean, it definitely was fun though,

0:32:30.640 --> 0:32:32.480
<v Speaker 1>you know what I mean. Pulling up you know what

0:32:32.520 --> 0:32:35.320
<v Speaker 1>I'm saying. All my whips in the hood, they're like, whoa,

0:32:35.520 --> 0:32:37.440
<v Speaker 1>what is this? You have to do that? What is that?

0:32:38.000 --> 0:32:46.600
<v Speaker 1>I'm like, come on, we out, you know, Yeah, that's

0:32:46.600 --> 0:32:48.400
<v Speaker 1>the first whip. What's the first? What's the first? My

0:32:48.800 --> 0:32:54.720
<v Speaker 1>first whip? I bought myself c O five hundred three TVs.

0:32:55.120 --> 0:32:57.600
<v Speaker 1>Y'all remember how we used to do it? You know,

0:32:57.840 --> 0:32:59.920
<v Speaker 1>did you go to Global Times? I was I was

0:33:00.040 --> 0:33:08.960
<v Speaker 1>a three ten. I was like, over have full sounds,

0:33:09.440 --> 0:33:13.640
<v Speaker 1>you know, swede headline to come on with the crown

0:33:13.720 --> 0:33:15.440
<v Speaker 1>in the headline. You know what I mean. He swayed

0:33:15.520 --> 0:33:17.400
<v Speaker 1>on the seat, you know, he swayed on the floor.

0:33:17.800 --> 0:33:24.280
<v Speaker 1>Oh yeah, eighteen eighteen yeah, eighteen out of control? Yeah

0:33:24.400 --> 0:33:28.600
<v Speaker 1>for real? Playing jay Z. Excuse me? What's your name?

0:33:29.480 --> 0:33:35.480
<v Speaker 1>Yeah yeah, yeah yeah, shot out to my potting to

0:33:35.560 --> 0:33:44.920
<v Speaker 1>Chris Mills and three one all tis all the whips.

0:33:45.120 --> 0:33:48.360
<v Speaker 1>Chris Mills was the coldest to ever. That's facts. That's

0:33:48.480 --> 0:33:51.440
<v Speaker 1>I've never seen nobody flip cars like him ever. That's facts.

0:33:51.480 --> 0:33:54.080
<v Speaker 1>And he was in a different one every day every day.

0:33:54.440 --> 0:34:01.520
<v Speaker 1>That's facts. That guy brou With just the first guy saw,

0:34:02.360 --> 0:34:06.880
<v Speaker 1>first guy ever saw take off his shoes, his snickers,

0:34:07.880 --> 0:34:11.840
<v Speaker 1>put them in the in the lambow trunk which was

0:34:11.920 --> 0:34:14.560
<v Speaker 1>in the front front, and then put on his house shoes.

0:34:15.040 --> 0:34:22.120
<v Speaker 1>Yeah yeah, yeah, yeah, drive to drive his car. Watch him.

0:34:22.160 --> 0:34:30.239
<v Speaker 1>I was like, that's different. Let's try that. You have

0:34:30.360 --> 0:34:38.800
<v Speaker 1>to team Broney yeah, ce L five man and but

0:34:39.000 --> 0:34:40.840
<v Speaker 1>car has always been a part of my journey. You

0:34:40.880 --> 0:34:42.720
<v Speaker 1>know what I'm saying. I don't have so many whips.

0:34:44.160 --> 0:34:46.319
<v Speaker 1>I'm saying cars always whips. You know what I'm saying,

0:34:46.400 --> 0:34:54.440
<v Speaker 1>I don't even gotta have nowhere to live, make all

0:34:54.560 --> 0:34:58.440
<v Speaker 1>I care about. I don't care somebody's gonna let me

0:34:58.440 --> 0:34:59.880
<v Speaker 1>spend a night with You don't know where I'm going

0:35:06.000 --> 0:35:10.719
<v Speaker 1>to that town house? Like yeah, yeah, like trying to

0:35:10.760 --> 0:35:20.160
<v Speaker 1>back am I am? I clothed? Hilarious? Yeah so what Yeah?

0:35:20.480 --> 0:35:26.600
<v Speaker 1>So now with the sixth, with all of the success,

0:35:29.040 --> 0:35:38.279
<v Speaker 1>what is the inspiration or or what in fact makes

0:35:38.320 --> 0:35:45.600
<v Speaker 1>you decide I'm going solo? Is solo before you guys said,

0:35:45.640 --> 0:35:48.239
<v Speaker 1>it's solo a thing that's like in the beginning, right,

0:35:48.680 --> 0:35:53.000
<v Speaker 1>It's solo a thing like let's get these solo projects

0:35:53.080 --> 0:35:56.560
<v Speaker 1>off and then let's get back to business or what

0:35:56.800 --> 0:36:01.719
<v Speaker 1>Solo a thing where I'm like running course? Right? So, um,

0:36:02.080 --> 0:36:05.400
<v Speaker 1>it was like it was two phases from my personal

0:36:05.480 --> 0:36:09.000
<v Speaker 1>perspective and experience, you know. And one was that we

0:36:09.239 --> 0:36:14.760
<v Speaker 1>all were doing separate UM covers for the Pandemonium album,

0:36:15.680 --> 0:36:20.719
<v Speaker 1>and you know, we all kind of felt away, you know,

0:36:20.880 --> 0:36:22.960
<v Speaker 1>different about that. You know what I'm saying, Oh, I'm

0:36:22.960 --> 0:36:25.160
<v Speaker 1>gonna have my cover or you're gonna have your cover,

0:36:25.360 --> 0:36:27.480
<v Speaker 1>or we're all gonna have covers. It's little you know

0:36:27.480 --> 0:36:29.719
<v Speaker 1>what I'm saying, Oh, I'm about to go solo. You

0:36:29.760 --> 0:36:33.080
<v Speaker 1>know what I'm saying. Um, that was kind of the conversation,

0:36:33.239 --> 0:36:35.200
<v Speaker 1>you know what I mean. But it was it was

0:36:35.320 --> 0:36:38.719
<v Speaker 1>all It was all supported, you know, up until the

0:36:38.880 --> 0:36:43.840
<v Speaker 1>time that the group separated. And that was for me.

0:36:44.520 --> 0:36:48.480
<v Speaker 1>It was not initially my plan to be a solo artist,

0:36:48.680 --> 0:36:50.560
<v Speaker 1>you know what I'm saying, because I was already a

0:36:50.640 --> 0:36:52.440
<v Speaker 1>solo artist. You know what I'm saying. I already was

0:36:52.520 --> 0:36:55.200
<v Speaker 1>developing myself in music, you know what i mean. So

0:36:55.280 --> 0:36:57.000
<v Speaker 1>once I got in the group, it was a conscious

0:36:57.080 --> 0:36:59.600
<v Speaker 1>decision that it was something that it was, you know,

0:36:59.760 --> 0:37:02.000
<v Speaker 1>I'm I'm a part of this is zick. You know

0:37:02.040 --> 0:37:05.120
<v Speaker 1>what I'm saying. Yeah, you know, but right up until

0:37:05.320 --> 0:37:07.200
<v Speaker 1>you know, it was like a lot of the business

0:37:07.320 --> 0:37:10.719
<v Speaker 1>was super convoluted, you know, Um, people had to pick

0:37:10.800 --> 0:37:13.560
<v Speaker 1>size you know. The boys was basically you know, like

0:37:13.719 --> 0:37:15.320
<v Speaker 1>on the other side, you know what i mean. And

0:37:15.440 --> 0:37:18.040
<v Speaker 1>it was like You're coming with us, and I'm like,

0:37:18.160 --> 0:37:21.879
<v Speaker 1>oh I am, and I'm like, okay, well I roll

0:37:21.960 --> 0:37:24.000
<v Speaker 1>with y'all, So I guess I gotta go back with y'all,

0:37:24.400 --> 0:37:26.759
<v Speaker 1>you know what i mean. Literally in the car, you know,

0:37:26.760 --> 0:37:29.360
<v Speaker 1>what I'm saying, um, and then it kind of just

0:37:29.719 --> 0:37:32.319
<v Speaker 1>unfolded from there, you know what I mean. We went

0:37:32.480 --> 0:37:39.400
<v Speaker 1>through a lot of I guess, uh unnecessary you know,

0:37:39.800 --> 0:37:43.840
<v Speaker 1>tumultuous things because it was people in the middle, you know,

0:37:44.040 --> 0:37:50.680
<v Speaker 1>really kind of architecting, you know, are our differences, you

0:37:50.719 --> 0:37:52.840
<v Speaker 1>know what I'm saying, and putting putting them against us,

0:37:52.880 --> 0:37:58.919
<v Speaker 1>you know what I'm saying. So you know, yeah, yeah,

0:37:59.040 --> 0:38:00.879
<v Speaker 1>and I mean like yo, as soon as as soon

0:38:00.920 --> 0:38:02.879
<v Speaker 1>as as soon it was like, you know, we had

0:38:03.520 --> 0:38:06.400
<v Speaker 1>the situation that separated us. That was pretty much like yo,

0:38:07.120 --> 0:38:09.279
<v Speaker 1>oh was going with us, y'all do whatever y'all want

0:38:09.320 --> 0:38:11.800
<v Speaker 1>to do, you know, which in hindsight, I didn't know

0:38:12.040 --> 0:38:14.759
<v Speaker 1>what created in my city towards me, you know, from them,

0:38:14.880 --> 0:38:17.040
<v Speaker 1>you know what I'm saying. And then I'm like in

0:38:17.120 --> 0:38:19.840
<v Speaker 1>the studio and then I'm hearing these niggas is on

0:38:20.200 --> 0:38:22.480
<v Speaker 1>you know what i mean, the radio station, and they

0:38:22.640 --> 0:38:25.960
<v Speaker 1>this in me. So now I'm like, y'all niggas, you

0:38:26.000 --> 0:38:27.359
<v Speaker 1>know what I'm saying, I'm going again on my ship,

0:38:27.440 --> 0:38:30.680
<v Speaker 1>you know what I mean. Um. And that's why you know,

0:38:30.800 --> 0:38:32.520
<v Speaker 1>not to go super fast forward. But that's why the

0:38:32.560 --> 0:38:35.759
<v Speaker 1>millennium tour was so special, you know what I'm saying, um,

0:38:36.440 --> 0:38:39.840
<v Speaker 1>because in hindsight, it was a lot of people in

0:38:39.920 --> 0:38:43.839
<v Speaker 1>the middle of of conversations that you know, we should

0:38:43.880 --> 0:38:46.080
<v Speaker 1>have had, you know what I'm saying, We should you know,

0:38:46.239 --> 0:38:48.080
<v Speaker 1>dealt with you know what I mean. But we were kids,

0:38:48.160 --> 0:38:49.600
<v Speaker 1>you know what I'm saying, So we didn't know how

0:38:49.680 --> 0:38:55.160
<v Speaker 1>to articulate, like, Yo, what's up? You know what I'm saying, Whip. No,

0:38:55.400 --> 0:38:58.680
<v Speaker 1>we didn't. And and you know, I I would say

0:38:58.800 --> 0:39:00.880
<v Speaker 1>that like my experience is with the group, it was

0:39:00.960 --> 0:39:04.040
<v Speaker 1>almost like it was really a lot of outside voices

0:39:04.160 --> 0:39:07.400
<v Speaker 1>controlling what was going on in the inside. But you know,

0:39:07.520 --> 0:39:10.239
<v Speaker 1>in the inside, it was up to us, you know,

0:39:10.760 --> 0:39:13.360
<v Speaker 1>to have that bond, you know what I mean. So

0:39:14.000 --> 0:39:17.440
<v Speaker 1>we didn't know how to be responsible, you know, with

0:39:17.600 --> 0:39:19.480
<v Speaker 1>each other, you know what I mean. It's like you

0:39:19.560 --> 0:39:22.200
<v Speaker 1>gotta bro, you know what I mean. But in hindsight,

0:39:22.280 --> 0:39:24.960
<v Speaker 1>it's like your bro lives in a separate household, so

0:39:25.200 --> 0:39:27.719
<v Speaker 1>his values and the way that he deals with things

0:39:27.840 --> 0:39:31.319
<v Speaker 1>is completely different from your growing up in your experiences,

0:39:31.400 --> 0:39:33.840
<v Speaker 1>and if you don't get an opportunity to reconcile that,

0:39:34.320 --> 0:39:38.040
<v Speaker 1>you know, that's what essentially created the you know, um,

0:39:39.600 --> 0:39:41.960
<v Speaker 1>the you know, the head butting and you know the

0:39:42.280 --> 0:39:45.080
<v Speaker 1>disrespect and you know all of that. You know what

0:39:45.120 --> 0:39:48.160
<v Speaker 1>I'm saying. Um, So yeah, I think, like you know,

0:39:50.360 --> 0:39:53.279
<v Speaker 1>it's difficult to backtrack in those type of situations when

0:39:53.400 --> 0:39:57.880
<v Speaker 1>so much, when so much has happened to lead up

0:39:57.920 --> 0:40:04.400
<v Speaker 1>to Yeah, the bad energy it was because it's like

0:40:04.480 --> 0:40:06.600
<v Speaker 1>as you say, with the with the with the architects

0:40:07.320 --> 0:40:10.480
<v Speaker 1>saying that we're trying to that have their own agenda

0:40:11.560 --> 0:40:14.440
<v Speaker 1>and needed to do whatever they needed to do to

0:40:14.640 --> 0:40:17.680
<v Speaker 1>make sure that things happen their way. You know what

0:40:17.760 --> 0:40:23.440
<v Speaker 1>I mean? It created so much distance to where without

0:40:23.520 --> 0:40:27.880
<v Speaker 1>those conversations, without that communication and without that understanding, that

0:40:28.200 --> 0:40:33.000
<v Speaker 1>that distance was filled up with so much hate, negativity,

0:40:33.360 --> 0:40:38.040
<v Speaker 1>back and forth and things that nobody knew if they

0:40:38.120 --> 0:40:42.279
<v Speaker 1>really meant. But I gotta say something back or I

0:40:42.320 --> 0:40:44.880
<v Speaker 1>gotta feel something back. You know what I'm saying? What

0:40:45.040 --> 0:40:49.680
<v Speaker 1>what they say? But what do you say? What? And

0:40:49.880 --> 0:40:52.680
<v Speaker 1>and not one, not at one time did were you

0:40:52.880 --> 0:40:56.600
<v Speaker 1>able to? Because here's here's what happens. When you watched

0:40:56.600 --> 0:41:02.279
<v Speaker 1>The Godfather and the Godfather is talking to Michael, and

0:41:02.320 --> 0:41:06.960
<v Speaker 1>he says, whoever comes to you and tells you about

0:41:07.000 --> 0:41:11.520
<v Speaker 1>the meeting. He's the trader. So many times I'd oftend

0:41:11.680 --> 0:41:14.759
<v Speaker 1>whoever the person is coming to you saying, they were

0:41:14.800 --> 0:41:18.799
<v Speaker 1>saying yeah, yeah, yeah, yeah right right yeah, well yeah,

0:41:20.040 --> 0:41:25.719
<v Speaker 1>is more than likely helping to orchestrate or continue to

0:41:25.920 --> 0:41:30.560
<v Speaker 1>orchestrate the division. Yeah between you, between you and or

0:41:30.640 --> 0:41:34.480
<v Speaker 1>between them, and like yeah, I don't wanna rock with

0:41:34.600 --> 0:41:37.200
<v Speaker 1>you like that? Like that got you though? Yeah whatever

0:41:37.360 --> 0:41:40.239
<v Speaker 1>that Yeah, And you know, that's been a large part

0:41:40.320 --> 0:41:43.320
<v Speaker 1>of my experience, even in maturing in business, you know

0:41:43.320 --> 0:41:47.360
<v Speaker 1>what I'm saying, like, you know, just other agendas, you

0:41:47.400 --> 0:41:50.520
<v Speaker 1>know what I'm saying, and things being convoluted and not

0:41:50.680 --> 0:41:55.560
<v Speaker 1>communicated properly, and you know, no real space to have

0:41:55.800 --> 0:41:58.400
<v Speaker 1>those important conversations, you know what I'm saying. And then

0:41:58.440 --> 0:42:01.399
<v Speaker 1>in hindsight, you know, being a man now and having

0:42:01.400 --> 0:42:04.680
<v Speaker 1>a child and seeing you know, my son and then realizing,

0:42:04.840 --> 0:42:08.880
<v Speaker 1>you know, when kids are young, how it's really like,

0:42:09.360 --> 0:42:12.239
<v Speaker 1>you know, your responsibility to make sure that you have

0:42:12.360 --> 0:42:14.920
<v Speaker 1>that environment for them to feel safe and for to

0:42:15.000 --> 0:42:17.719
<v Speaker 1>be protected and to learn you know what I'm saying.

0:42:17.960 --> 0:42:22.160
<v Speaker 1>And yeah, man, that's largely been my you know experience,

0:42:22.239 --> 0:42:24.840
<v Speaker 1>and that's why I've always you know, continue to just

0:42:25.080 --> 0:42:28.680
<v Speaker 1>take responsibility for myself and you know my endeavors and

0:42:29.120 --> 0:42:31.560
<v Speaker 1>what I say and what I do. You know that

0:42:31.800 --> 0:42:34.719
<v Speaker 1>is important to me because not always have I had

0:42:34.760 --> 0:42:37.560
<v Speaker 1>the opportunity to set the records strate you know what

0:42:37.600 --> 0:42:40.919
<v Speaker 1>I'm saying. And also too, you know, just just looking

0:42:40.960 --> 0:42:43.279
<v Speaker 1>at my journey, you know what I mean, I'm like one.

0:42:43.440 --> 0:42:47.960
<v Speaker 1>I'm I'm I'm the only artist other than Beyonce. You know.

0:42:48.320 --> 0:42:51.799
<v Speaker 1>Um that is like Michael Jackson, that comes from a group,

0:42:51.880 --> 0:42:55.520
<v Speaker 1>a shared space, a shared experience on stage. You know,

0:42:55.719 --> 0:42:59.719
<v Speaker 1>that's different from being a solo artist or deciding that

0:42:59.840 --> 0:43:02.200
<v Speaker 1>I my solo act. This is all about me, you

0:43:02.239 --> 0:43:05.080
<v Speaker 1>know what I mean? So um, you know, I feel

0:43:05.120 --> 0:43:07.920
<v Speaker 1>like my experience is unique in that way, you know

0:43:07.920 --> 0:43:10.759
<v Speaker 1>what I mean, Like where I come from, you know,

0:43:10.960 --> 0:43:13.440
<v Speaker 1>the group, and now I even share the stage with

0:43:13.520 --> 0:43:15.759
<v Speaker 1>my dancers, and it's a different experience for me as

0:43:15.760 --> 0:43:18.520
<v Speaker 1>a solo artist. And I love you, but I'm not

0:43:18.560 --> 0:43:21.840
<v Speaker 1>gonna let you forget Bobby Brown. Okay, you're gonna have

0:43:21.880 --> 0:43:24.760
<v Speaker 1>to mention but but but you gotta mention but but Bobby.

0:43:25.000 --> 0:43:29.080
<v Speaker 1>But Bobby still was in a closer error than than Mike.

0:43:29.360 --> 0:43:32.000
<v Speaker 1>You know what I'm saying like his error was still closer,

0:43:32.040 --> 0:43:35.920
<v Speaker 1>you know, I mean he directly influenced you know, Bobby.

0:43:36.200 --> 0:43:39.160
<v Speaker 1>You know what I'm saying, Like, you know, we were

0:43:39.200 --> 0:43:41.520
<v Speaker 1>come in generations, you know, at least two or three

0:43:41.560 --> 0:43:44.960
<v Speaker 1>down generations. You know what I'm saying. Yeah, yeah, for sure,

0:43:45.040 --> 0:43:47.799
<v Speaker 1>you show, you gotta mention, you know, you gotta miss

0:43:47.800 --> 0:43:52.239
<v Speaker 1>your boy there he might trap like I had to

0:43:52.239 --> 0:43:56.239
<v Speaker 1>break up a fight between by I don't want that

0:43:56.280 --> 0:44:01.480
<v Speaker 1>to No. We we we we definitely, we definitely. But

0:44:01.760 --> 0:44:04.360
<v Speaker 1>I mean even his experience was a little bit different.

0:44:04.960 --> 0:44:10.719
<v Speaker 1>You know, he was in the group, and then that's true,

0:44:10.880 --> 0:44:14.800
<v Speaker 1>that's true, that's true. Well, yeah, I don't know the

0:44:14.880 --> 0:44:24.160
<v Speaker 1>full story. I don't know the full story. We couldn't

0:44:24.200 --> 0:44:26.040
<v Speaker 1>let Bobby go. We thought he was a major talent.

0:44:26.719 --> 0:44:30.440
<v Speaker 1>Felt like we felt like we could do something with

0:44:30.560 --> 0:44:33.239
<v Speaker 1>this kid. He was a special kid, and we gave

0:44:33.320 --> 0:44:37.040
<v Speaker 1>him an opportunity to go solo. So so because of

0:44:37.160 --> 0:44:39.960
<v Speaker 1>that experience, you know what I mean, Like my me,

0:44:40.200 --> 0:44:45.400
<v Speaker 1>me stepping into being a solo artist was completely different

0:44:45.480 --> 0:44:50.600
<v Speaker 1>from you know, Bobby and my and my um and

0:44:50.719 --> 0:44:54.120
<v Speaker 1>my personal uh you know experience, you know what I'm saying,

0:44:54.160 --> 0:44:57.719
<v Speaker 1>Like b two K you know, not up until you

0:44:57.800 --> 0:45:01.680
<v Speaker 1>know the docu and this last fifteen year you know,

0:45:02.040 --> 0:45:06.400
<v Speaker 1>reunion that things feel like, Okay, it's not undone. You

0:45:06.440 --> 0:45:09.360
<v Speaker 1>know what I'm saying. Okay, you know we can perform.

0:45:09.480 --> 0:45:11.760
<v Speaker 1>This is this is about us. This is not about

0:45:12.239 --> 0:45:14.920
<v Speaker 1>you know, any outside business people. It's up to us,

0:45:15.000 --> 0:45:16.640
<v Speaker 1>you know what I'm saying. And that was something that

0:45:17.320 --> 0:45:20.200
<v Speaker 1>you know, Um, I feel like, you know, it was

0:45:20.320 --> 0:45:23.080
<v Speaker 1>unique to me, you know what I mean, because uh,

0:45:23.480 --> 0:45:27.719
<v Speaker 1>you know, I guess you know, justin you know, it's

0:45:27.760 --> 0:45:31.120
<v Speaker 1>one too, justin this one too, now that I'm thinking

0:45:31.160 --> 0:45:34.520
<v Speaker 1>about it, justin this one too. Um. But yeah, you know,

0:45:34.680 --> 0:45:37.640
<v Speaker 1>stepping in the solo start you know into that. It

0:45:37.800 --> 0:45:50.000
<v Speaker 1>wasn't planned, you know, it wasn't something that I remember.

0:45:50.239 --> 0:45:56.040
<v Speaker 1>I remember like obviously we were first. Yeah, I remember

0:45:56.120 --> 0:46:00.439
<v Speaker 1>just us building our bond and me seeing you hurt

0:46:01.160 --> 0:46:03.719
<v Speaker 1>like you were hurt by that. If I can say that,

0:46:03.880 --> 0:46:06.000
<v Speaker 1>you know what I'm saying. Of course, like a lot

0:46:06.040 --> 0:46:07.880
<v Speaker 1>of people think that it's just like, oh, you know,

0:46:08.520 --> 0:46:11.000
<v Speaker 1>he got a new deal and now he's just he

0:46:11.120 --> 0:46:13.759
<v Speaker 1>forgot about it. He up and and no. But it's

0:46:13.840 --> 0:46:17.040
<v Speaker 1>like it's a brotherhood connected to the there are you know,

0:46:17.120 --> 0:46:19.239
<v Speaker 1>they're family bonds there, you know. I mean, there's just

0:46:19.400 --> 0:46:23.000
<v Speaker 1>it's more than just music. And I remember just meeting you,

0:46:23.960 --> 0:46:27.640
<v Speaker 1>right I think ship it felt like it was right there. Yeah,

0:46:27.840 --> 0:46:29.719
<v Speaker 1>it was. It was right there, you know what I mean,

0:46:29.800 --> 0:46:32.000
<v Speaker 1>And and us having those conversations and you just really

0:46:32.080 --> 0:46:36.640
<v Speaker 1>being like like, I'm here, but it's my dogs though,

0:46:36.680 --> 0:46:38.239
<v Speaker 1>you know what I'm saying, Like, it's my guys, and

0:46:39.080 --> 0:46:42.160
<v Speaker 1>now I gotta do this album. And literally it was

0:46:42.280 --> 0:46:47.080
<v Speaker 1>like you just got thrown into it, fact facts, facts quick,

0:46:47.280 --> 0:46:49.759
<v Speaker 1>and from us, from the from the creative side, from

0:46:49.880 --> 0:46:53.640
<v Speaker 1>the writing and producing side, uh with with with us

0:46:53.680 --> 0:46:55.560
<v Speaker 1>and the other dogs. It was more so like, okay,

0:46:55.600 --> 0:46:57.719
<v Speaker 1>how do we help this young fellow man, you know,

0:46:59.440 --> 0:47:04.680
<v Speaker 1>moving to this new space to this And the craziest

0:47:04.760 --> 0:47:11.239
<v Speaker 1>thing that you probably don't know what Nickas didn't have

0:47:11.320 --> 0:47:14.640
<v Speaker 1>no records for you. Okay, No, I didn't know that

0:47:15.160 --> 0:47:18.719
<v Speaker 1>y'all made them right there. Yeah, But it wasn't like

0:47:18.840 --> 0:47:22.320
<v Speaker 1>it wasn't even no real prep for you. Because I

0:47:22.560 --> 0:47:26.000
<v Speaker 1>think now looking back on it, since all that was

0:47:26.120 --> 0:47:29.719
<v Speaker 1>happening so fast, you got thrown into the sessions that

0:47:29.840 --> 0:47:33.640
<v Speaker 1>we were already doing. There were already projects that we

0:47:33.760 --> 0:47:38.239
<v Speaker 1>were working on that, the building the machine of the

0:47:38.400 --> 0:47:42.120
<v Speaker 1>Underdogs was working on and then it was just like damn, there,

0:47:43.640 --> 0:47:49.000
<v Speaker 1>marian is coming almost on some favorite ship y'all know,

0:47:49.080 --> 0:47:50.800
<v Speaker 1>the young fellow right from the group. Like it was

0:47:50.920 --> 0:47:55.239
<v Speaker 1>that and the craziest thing, bro, you know, twenty years

0:47:55.320 --> 0:47:58.680
<v Speaker 1>later we can have a full conversation. Is Nikkas wasn't

0:47:58.960 --> 0:48:04.960
<v Speaker 1>trying to do record for you? That's crazy. You're looking

0:48:05.080 --> 0:48:08.399
<v Speaker 1>at the two niggas who were who end up doing them.

0:48:08.760 --> 0:48:12.839
<v Speaker 1>That's facts on the All Star we can we talked

0:48:12.880 --> 0:48:14.680
<v Speaker 1>about it before, you know what I mean, on some

0:48:14.840 --> 0:48:17.279
<v Speaker 1>on some prior podcast, we didn't. We didn't go in

0:48:17.360 --> 0:48:19.439
<v Speaker 1>depth because we knew you were coming, so we would

0:48:19.480 --> 0:48:22.480
<v Speaker 1>have the real conversation with you here. Now that's amazing,

0:48:22.600 --> 0:48:24.960
<v Speaker 1>And you know what, that makes sense. That makes sense

0:48:25.000 --> 0:48:31.240
<v Speaker 1>because I was there when the Underdogs broke up. I remember, Okay,

0:48:32.400 --> 0:48:36.600
<v Speaker 1>I remember the niggas was about to fight. Yeah yeah,

0:48:41.080 --> 0:48:50.120
<v Speaker 1>I remember, and you know I got a little Roger

0:48:50.400 --> 0:48:55.560
<v Speaker 1>come on, Mr Rogers, this is come on, my nigh

0:48:57.200 --> 0:49:02.040
<v Speaker 1>come because because because Mario was coming, yeah yeah yeah,

0:49:03.360 --> 0:49:10.840
<v Speaker 1>And you don't understand what working for you, working on

0:49:11.000 --> 0:49:19.239
<v Speaker 1>your project did for me at that time. Um, that

0:49:19.560 --> 0:49:27.560
<v Speaker 1>was your Oh was my first sign of freedom, of

0:49:27.680 --> 0:49:36.320
<v Speaker 1>being free, being back able to create, not being bogged

0:49:36.400 --> 0:49:40.480
<v Speaker 1>down with with with the pressures and the you know,

0:49:40.640 --> 0:49:43.800
<v Speaker 1>I was going through a thing. I could not make songs,

0:49:44.520 --> 0:49:49.120
<v Speaker 1>I could not make a beat. Nothing was landing. And

0:49:49.239 --> 0:49:51.640
<v Speaker 1>one day I had to be honest with myself. I said,

0:49:52.560 --> 0:50:00.640
<v Speaker 1>this isn't working for me. I'm out. That's what came

0:50:00.680 --> 0:50:14.399
<v Speaker 1>from it. The same day we knocked that wall down together. Yeah, sir,

0:50:17.400 --> 0:50:22.960
<v Speaker 1>that's gonna be the same garling. It's going through lady singing, Oh,

0:50:24.880 --> 0:50:29.840
<v Speaker 1>come on up next, same on me. I'm glad so

0:50:30.200 --> 0:50:34.759
<v Speaker 1>you can say oh the mon oh in the night

0:50:36.080 --> 0:50:40.160
<v Speaker 1>saying on me, come on this. This is this that's

0:50:40.520 --> 0:50:46.440
<v Speaker 1>represents so much. I was free. Yeah, these guys made

0:50:46.480 --> 0:50:48.360
<v Speaker 1>me at the studio and we was like on the weekend,

0:50:48.400 --> 0:50:53.480
<v Speaker 1>it was just us dark empty, Tony Dixon, Eric Dawkins,

0:50:54.239 --> 0:50:58.680
<v Speaker 1>tank and that's facts. He was like, listen, listen, this

0:50:58.840 --> 0:51:02.319
<v Speaker 1>is this is it. We just then it was then

0:51:02.360 --> 0:51:23.919
<v Speaker 1>it was yeah, yeah, he was just like the day, Yeah,

0:51:28.480 --> 0:51:43.720
<v Speaker 1>that's nothing that Jack. It's like, hey, I was still around.

0:51:44.000 --> 0:51:48.160
<v Speaker 1>I was stealing around, my long around. I was still

0:51:50.920 --> 0:51:54.000
<v Speaker 1>see from being the reason we turned out this way,

0:51:54.800 --> 0:51:58.680
<v Speaker 1>act like I don't want to be with you, man,

0:51:58.800 --> 0:52:03.279
<v Speaker 1>Why don't won Come on? It was down, it was

0:52:03.360 --> 0:52:08.520
<v Speaker 1>going down. I was back in my bag. Come on,

0:52:08.920 --> 0:52:12.879
<v Speaker 1>come on. I was not in my bag before then.

0:52:14.560 --> 0:52:19.040
<v Speaker 1>I was hurting before then. And that was those sessions.

0:52:19.400 --> 0:52:22.440
<v Speaker 1>Working with you, working with Jay, working with Tony, and

0:52:22.560 --> 0:52:27.040
<v Speaker 1>working with Eric that one weekend put me on a wave.

0:52:27.960 --> 0:52:30.319
<v Speaker 1>And the crazy thing is bro and I don't think

0:52:30.320 --> 0:52:34.759
<v Speaker 1>we've ever told you this. Ultimately, that was our first

0:52:34.840 --> 0:52:40.520
<v Speaker 1>sessions together. Those are our first records writing together. Because

0:52:40.560 --> 0:52:45.279
<v Speaker 1>you know, I think you know the original Underdogs were

0:52:46.360 --> 0:52:49.239
<v Speaker 1>Damon Harvey and me. No, I don't think I knew

0:52:49.280 --> 0:52:54.600
<v Speaker 1>that we started together. I made up to name. First

0:52:54.680 --> 0:52:58.440
<v Speaker 1>record is Tyrese. I liked them girls, first ever underdog record,

0:52:59.160 --> 0:53:04.560
<v Speaker 1>and I left. I left the first time. They didn't

0:53:04.560 --> 0:53:06.440
<v Speaker 1>want to make me a partner, which now I understand

0:53:06.480 --> 0:53:10.000
<v Speaker 1>as I got older what I meant to them at

0:53:10.080 --> 0:53:12.960
<v Speaker 1>that stage. All I really brought with sweat equity, you

0:53:12.960 --> 0:53:14.880
<v Speaker 1>know what I mean. I'm kid, I'm like eighteen nineteen

0:53:14.960 --> 0:53:17.160
<v Speaker 1>years old when when we make up the Underdogs and

0:53:18.440 --> 0:53:21.640
<v Speaker 1>when I came back, Damon had called me and we

0:53:21.719 --> 0:53:24.040
<v Speaker 1>just wanted me to come by the studio. At this point,

0:53:24.120 --> 0:53:26.759
<v Speaker 1>I went done in singing, I got cracking, I'm doing

0:53:26.800 --> 0:53:30.880
<v Speaker 1>my ship and this nig is there and this is

0:53:31.000 --> 0:53:36.960
<v Speaker 1>all literally in the same week or two to come

0:53:37.040 --> 0:53:41.040
<v Speaker 1>on to you show up. So those were the first

0:53:42.360 --> 0:53:46.040
<v Speaker 1>records that Tank and I worked on together. Wow, that's crazy,

0:53:46.200 --> 0:53:49.120
<v Speaker 1>yo album. It seemed like it wasn't that long ago though,

0:53:49.160 --> 0:53:52.319
<v Speaker 1>because I remember being in the studio, you know, even

0:53:52.400 --> 0:53:54.160
<v Speaker 1>with just you and I. It was some sessions where

0:53:54.200 --> 0:53:56.120
<v Speaker 1>it just was me and you. You know what I'm saying,

0:53:56.480 --> 0:53:59.240
<v Speaker 1>recording records, you know what I'm saying. And I remember

0:53:59.280 --> 0:54:00.880
<v Speaker 1>coming to see you in the back room, you know

0:54:00.920 --> 0:54:03.279
<v Speaker 1>what I mean, like, Yo, hold up, let me go

0:54:03.360 --> 0:54:07.640
<v Speaker 1>see this, because it was just like we can click. Yeah,

0:54:07.719 --> 0:54:09.799
<v Speaker 1>we clicked, you know, I mean we laughed about it. Man.

0:54:09.800 --> 0:54:11.960
<v Speaker 1>I don't know if you remember. And then you remember

0:54:12.080 --> 0:54:16.840
<v Speaker 1>like we shot Dice yeah yeah, yeah, yeah me and

0:54:16.880 --> 0:54:19.160
<v Speaker 1>you're a little roddy. Yeah. I kept telling you not

0:54:19.280 --> 0:54:25.440
<v Speaker 1>to shoot. I told you, yeah, yeah. I was like, no, not,

0:54:27.960 --> 0:54:29.800
<v Speaker 1>I feel fast. It's like that's what I do, not

0:54:30.080 --> 0:54:34.520
<v Speaker 1>I said, let me get that. But no, no, this

0:54:34.680 --> 0:54:37.560
<v Speaker 1>is a wild ship and were all young niggas at

0:54:37.560 --> 0:54:40.400
<v Speaker 1>the time, but I think you're like eighteen eighteen years old.

0:54:40.440 --> 0:54:45.200
<v Speaker 1>I'm making me maybe twenty one whatever, and you just

0:54:45.400 --> 0:54:48.719
<v Speaker 1>came from doing the B two K shows by yourself?

0:54:49.920 --> 0:54:53.960
<v Speaker 1>Can you flost me? Lost me? Just it was it

0:54:54.080 --> 0:54:58.239
<v Speaker 1>was like, it was like, how did He was like, yeah,

0:54:58.280 --> 0:55:00.200
<v Speaker 1>you know, because we saw about shooting Dice. I was like,

0:55:00.239 --> 0:55:02.400
<v Speaker 1>you got I was a niggy. What you got on

0:55:02.440 --> 0:55:04.600
<v Speaker 1>you Nike sho you like, I don't really got no cash,

0:55:04.920 --> 0:55:07.360
<v Speaker 1>but you know I got this and the check was

0:55:07.440 --> 0:55:13.880
<v Speaker 1>for a honey bum. I said, nigga, your money good?

0:55:15.880 --> 0:55:18.120
<v Speaker 1>Oh yeah, yeah. I was acting up back then. Oh

0:55:18.239 --> 0:55:23.919
<v Speaker 1>your money is good? Nick Cashers right here? Yeah yeah,

0:55:27.120 --> 0:55:31.960
<v Speaker 1>oh my good list Yeah I was. I respected it

0:55:33.239 --> 0:55:35.960
<v Speaker 1>with a snapper and he still rolled them. Don't do

0:55:36.080 --> 0:55:39.279
<v Speaker 1>this with him. I don't know how he does it,

0:55:39.800 --> 0:55:47.960
<v Speaker 1>but he always wins. Yeah. R listen. It was this

0:55:48.040 --> 0:55:51.560
<v Speaker 1>funny ass picture. I gotta find it. I want to

0:55:51.600 --> 0:55:55.239
<v Speaker 1>computer somewhere because we have been shooting Dice all night

0:55:55.520 --> 0:55:58.360
<v Speaker 1>and got late. You just left and you left a

0:55:58.440 --> 0:56:02.720
<v Speaker 1>couple of your rings. Oh I put them motherfucker's around

0:56:03.160 --> 0:56:06.560
<v Speaker 1>like a uh like an ox chord, like like an

0:56:06.600 --> 0:56:09.920
<v Speaker 1>ox cord and wrote on the sign, I want my

0:56:10.040 --> 0:56:16.279
<v Speaker 1>fifteen thousand and two dance moves. Oh my goodness, Oh

0:56:16.400 --> 0:56:22.400
<v Speaker 1>you'll never see a ring again. I need to see that.

0:56:23.760 --> 0:56:26.880
<v Speaker 1>I'm gonna send this. I gotta find it. Here's a

0:56:26.960 --> 0:56:30.920
<v Speaker 1>part that that was really awesome to me. Um And

0:56:31.640 --> 0:56:35.200
<v Speaker 1>within your artistry Rural to me at that time was

0:56:35.320 --> 0:56:41.320
<v Speaker 1>like god dancer. It was like he was like I

0:56:41.440 --> 0:56:44.560
<v Speaker 1>just thought he was the best thing since since she's

0:56:44.600 --> 0:56:46.920
<v Speaker 1>and you know what I'm saying, since the Patty Meil.

0:56:47.120 --> 0:56:51.040
<v Speaker 1>I was like that, you're you're different. And I tried

0:56:51.040 --> 0:56:52.560
<v Speaker 1>to do his choreography. I don't know if you, I

0:56:52.560 --> 0:56:56.479
<v Speaker 1>don't know. Everybody told you choreographph that video, the freaky video,

0:56:57.200 --> 0:57:00.880
<v Speaker 1>don't look that up, don't look like that. But I did.

0:57:01.000 --> 0:57:03.399
<v Speaker 1>I did well. I did well. The song didn't work,

0:57:03.800 --> 0:57:06.200
<v Speaker 1>but I did well. Something about me dancing the songs

0:57:06.320 --> 0:57:14.279
<v Speaker 1>don't really anyway, So he's not you. Um And And

0:57:14.640 --> 0:57:19.160
<v Speaker 1>I used to always watch ro Road do choreography, and

0:57:19.200 --> 0:57:22.360
<v Speaker 1>I would always watch the dancers due to choreography, and

0:57:22.400 --> 0:57:27.320
<v Speaker 1>I'd be like, it just didn't it didn't catch, it

0:57:27.400 --> 0:57:32.840
<v Speaker 1>didn't match, it didn't And then I saw you doing

0:57:32.960 --> 0:57:39.600
<v Speaker 1>ro Roast choreography, and I said, he's row row. Yeah, definitely,

0:57:39.720 --> 0:57:42.320
<v Speaker 1>Like I don't know how you was one of my

0:57:42.440 --> 0:57:49.000
<v Speaker 1>blands morphed into that, but I haven't seen You were

0:57:49.040 --> 0:57:51.680
<v Speaker 1>the first. You were the you were the you. You.

0:57:51.840 --> 0:57:54.040
<v Speaker 1>You did it the most you. You. You absorbed the

0:57:54.080 --> 0:57:57.840
<v Speaker 1>style of the most there. With Jacob Latimore, who really

0:57:58.800 --> 0:58:03.280
<v Speaker 1>shout JA, I was like Jacob, he's he's tough, but

0:58:03.400 --> 0:58:06.120
<v Speaker 1>you were the first person I've ever seen be able

0:58:06.160 --> 0:58:11.240
<v Speaker 1>to absorb that style, like like Nuance for Nuance, it

0:58:11.360 --> 0:58:14.520
<v Speaker 1>wasn't just the moves. You got a sauce. Yeah, you

0:58:14.600 --> 0:58:18.560
<v Speaker 1>gotta yeah, got a sauce. Because because I used to listen,

0:58:18.960 --> 0:58:22.440
<v Speaker 1>we used to I'm from record playing to the Underdogs.

0:58:23.600 --> 0:58:28.680
<v Speaker 1>I used to watch you give Mr Chris Brown a

0:58:28.920 --> 0:58:37.360
<v Speaker 1>lot of business. Chris is so competitive, like he was like, fuck, hey,

0:58:37.400 --> 0:58:42.160
<v Speaker 1>when you do that? He and Din he could work

0:58:42.240 --> 0:58:44.640
<v Speaker 1>on it. Yeah, you know what I'm saying. And did

0:58:44.720 --> 0:58:51.840
<v Speaker 1>he come back with more for you? Yeah? That was

0:58:51.920 --> 0:58:54.920
<v Speaker 1>a time. That was the time that I was watching

0:58:55.040 --> 0:59:00.080
<v Speaker 1>two Titans, and especially at Record Plane, y'all was in

0:59:00.120 --> 0:59:06.480
<v Speaker 1>the hallway about a hour. That's true. It's crazy, that's true,

0:59:06.640 --> 0:59:11.440
<v Speaker 1>that's true. And that was earning, sharpening iron like in

0:59:11.520 --> 0:59:15.120
<v Speaker 1>those moments, Gabe put Chris on a mission. You know

0:59:15.280 --> 0:59:18.360
<v Speaker 1>that that put Chris on a mission, Like I'm going

0:59:18.560 --> 0:59:21.680
<v Speaker 1>to get him. Yeah, I'm gonna get him. It wasn't

0:59:21.720 --> 0:59:24.960
<v Speaker 1>about nobody else. And I'm like, we'll ask him personally,

0:59:25.800 --> 0:59:29.600
<v Speaker 1>did anybody else make you mad? You made him mad?

0:59:32.160 --> 0:59:36.200
<v Speaker 1>Shout out to CB. I just saw some interview that

0:59:36.280 --> 0:59:38.600
<v Speaker 1>he did and he was, you know, definitely complimented me

0:59:38.680 --> 0:59:41.360
<v Speaker 1>about my dads and my journey. So salute to see.

0:59:41.360 --> 0:59:49.280
<v Speaker 1>B R and b Money is a production of the

0:59:49.360 --> 0:59:53.200
<v Speaker 1>Black Effects podcast Network, but more podcasts from I Heart

0:59:53.280 --> 0:59:57.000
<v Speaker 1>Radio visit the I Heart Radio app, Apple podcast, or

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1:00:03.440 --> 1:00:06.800
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