1 00:00:01,639 --> 00:00:05,080 Speaker 1: Hey, welcome to episode two eleven of the Bobby Cast, 2 00:00:05,840 --> 00:00:08,760 Speaker 1: talking about some music news, talking about new music out today, 3 00:00:08,800 --> 00:00:11,240 Speaker 1: and also talking about they did a list of the 4 00:00:11,320 --> 00:00:14,440 Speaker 1: top one hundred and twenty five artists of all time 5 00:00:14,520 --> 00:00:16,720 Speaker 1: of life. And we'll get to that, and then Eddie 6 00:00:16,720 --> 00:00:18,520 Speaker 1: will join us a little bit might be myself. We'll 7 00:00:18,560 --> 00:00:22,080 Speaker 1: all give our our top five of our life. Um, 8 00:00:22,160 --> 00:00:24,760 Speaker 1: let's start with Pink has taken a break from music. 9 00:00:25,160 --> 00:00:28,280 Speaker 1: She says that she's gonna stop in and spend more 10 00:00:28,360 --> 00:00:31,760 Speaker 1: quality time with her family. And I saw Pink at 11 00:00:31,760 --> 00:00:34,239 Speaker 1: the c M as. I didn't talk to her, but 12 00:00:34,400 --> 00:00:37,239 Speaker 1: she was very pleasant and talking folks. Have you met 13 00:00:37,240 --> 00:00:41,120 Speaker 1: her before though, Yeah, it's been a while. Um, but 14 00:00:41,240 --> 00:00:46,000 Speaker 1: yeah it's been a while. Sounds so good. She had 15 00:00:46,040 --> 00:00:52,640 Speaker 1: her kids with her, He has two kids. Did you 16 00:00:52,800 --> 00:00:58,080 Speaker 1: love me anyway? Another one of the stories was three 17 00:00:58,080 --> 00:01:00,680 Speaker 1: things you Didn't see on TV. Jennifer Nettles lets our 18 00:01:00,720 --> 00:01:05,360 Speaker 1: wardrobe to the talking the Sugarland singer And I saw her. 19 00:01:05,360 --> 00:01:07,000 Speaker 1: She had a bunch of stuff written on her. Here's 20 00:01:07,000 --> 00:01:09,399 Speaker 1: the thing that annoys me about And there's not a 21 00:01:09,400 --> 00:01:11,479 Speaker 1: bigger advocate for women to country music than me. I 22 00:01:11,640 --> 00:01:14,520 Speaker 1: in my contract I negotiated a national spot to just 23 00:01:14,520 --> 00:01:19,199 Speaker 1: play female country music, but I did. When people start 24 00:01:19,200 --> 00:01:22,240 Speaker 1: screaming about equal things, I don't think anything should be equal. 25 00:01:22,440 --> 00:01:24,920 Speaker 1: I think if women have better music, they should be more. 26 00:01:25,400 --> 00:01:27,520 Speaker 1: If guys have better music, they should be more. If 27 00:01:27,600 --> 00:01:31,679 Speaker 1: bands with mixed guy, I think equal hearing, like everybody 28 00:01:31,680 --> 00:01:33,960 Speaker 1: should be heard the same and then you. But when 29 00:01:34,000 --> 00:01:36,600 Speaker 1: people are like you should play everybody equally. No, we're 30 00:01:36,600 --> 00:01:42,679 Speaker 1: not socialists or communists. You just find the best guy 31 00:01:42,840 --> 00:01:46,560 Speaker 1: or girl or band or mixed group or whatever. And 32 00:01:46,600 --> 00:01:50,600 Speaker 1: so when I was people go play equal, you're having 33 00:01:50,680 --> 00:01:54,400 Speaker 1: all wrong. You're fighting the wrong battle. Like, no, listen 34 00:01:54,560 --> 00:01:58,880 Speaker 1: equally and play based on what you feel is the best. 35 00:02:00,440 --> 00:02:03,080 Speaker 1: And I mean when I went to the CMP, I 36 00:02:03,080 --> 00:02:06,520 Speaker 1: did the close thing that CMT awards on my clothes. 37 00:02:06,560 --> 00:02:10,040 Speaker 1: It said play um play more females and I wore 38 00:02:10,080 --> 00:02:12,079 Speaker 1: it and you know I got picked up and not 39 00:02:12,160 --> 00:02:15,160 Speaker 1: like hers. But again I just think she's fighting the 40 00:02:15,160 --> 00:02:19,120 Speaker 1: wrong battle. You just shouldn't scream for do it equal. 41 00:02:19,400 --> 00:02:21,320 Speaker 1: You should do hey for better. We need to play 42 00:02:21,360 --> 00:02:25,800 Speaker 1: more for works. We need to play guys, girls, dinosaurs, donkeys. 43 00:02:27,000 --> 00:02:29,160 Speaker 1: It's just a wrong fight to scream about doing it 44 00:02:29,280 --> 00:02:35,080 Speaker 1: and that's what our shirt said, like play and whatever, um, 45 00:02:35,160 --> 00:02:37,600 Speaker 1: and play our records please and thank you. They should 46 00:02:37,600 --> 00:02:39,600 Speaker 1: just listen to everybody. It should just be hey, what's 47 00:02:39,600 --> 00:02:42,560 Speaker 1: the best music? Because a lot of things happened before play, 48 00:02:42,639 --> 00:02:44,440 Speaker 1: like invest in the labels need to invest in these 49 00:02:44,520 --> 00:02:48,160 Speaker 1: artists earlier. They need to before it even gets to 50 00:02:48,560 --> 00:02:52,480 Speaker 1: record labels getting to radio. There's like ninety four steps 51 00:02:52,720 --> 00:02:55,360 Speaker 1: and everybody's only looking at radio airplay and going. And 52 00:02:55,360 --> 00:02:57,239 Speaker 1: by the way, I don't pick music. I do on 53 00:02:57,280 --> 00:03:01,000 Speaker 1: the female show. I do that. I program that. UM, 54 00:03:01,040 --> 00:03:04,440 Speaker 1: I program one song on my countdown and then I 55 00:03:04,480 --> 00:03:06,280 Speaker 1: can slide in the song on morning show. But I 56 00:03:06,280 --> 00:03:08,320 Speaker 1: don't program like I'm not a music programer. It's never 57 00:03:08,360 --> 00:03:11,720 Speaker 1: been my interest. I do and haven't been, you know, 58 00:03:11,919 --> 00:03:13,600 Speaker 1: doing a lot of stuff with female artists for a 59 00:03:13,639 --> 00:03:16,440 Speaker 1: long time. So it's weird that I'm kind of taking, 60 00:03:16,720 --> 00:03:19,640 Speaker 1: not the other side, just a different side to actually 61 00:03:20,320 --> 00:03:22,160 Speaker 1: push the argument in the right direction so more can 62 00:03:22,200 --> 00:03:25,760 Speaker 1: get done quicker. The logical side, I feel it's you 63 00:03:25,960 --> 00:03:29,800 Speaker 1: and you should never just throw a record on for 64 00:03:29,800 --> 00:03:34,079 Speaker 1: the sake of it being Texas country or female, or 65 00:03:34,200 --> 00:03:36,000 Speaker 1: you should never take and just put it on because 66 00:03:36,040 --> 00:03:39,480 Speaker 1: of that, because what's gonna happen is when it goes 67 00:03:39,520 --> 00:03:42,720 Speaker 1: on just because of what the label is, it may 68 00:03:42,760 --> 00:03:45,760 Speaker 1: not be the best. And then when it's not the best, 69 00:03:45,800 --> 00:03:47,480 Speaker 1: it fails, and then other programmers like I didn't go 70 00:03:47,520 --> 00:03:50,640 Speaker 1: see we told you, we told you that this Texas 71 00:03:50,680 --> 00:03:53,040 Speaker 1: Country artist, when you're like, play more Texas Country. Okay, well, 72 00:03:53,040 --> 00:03:54,400 Speaker 1: I guess we gotta find something to play. Let's put 73 00:03:54,400 --> 00:03:56,560 Speaker 1: it up, and then you do when it fails, and 74 00:03:56,560 --> 00:03:58,200 Speaker 1: they use that against you when it comes to all 75 00:03:58,240 --> 00:04:01,400 Speaker 1: the rest of Texas Country or female or bands or 76 00:04:01,640 --> 00:04:10,200 Speaker 1: it doesn't matter. So I understand her sentiment. I'm glad 77 00:04:10,240 --> 00:04:12,640 Speaker 1: she's doing it because I have been very obnoxious about 78 00:04:12,640 --> 00:04:15,240 Speaker 1: it too, And maybe her plan was, who cares how 79 00:04:16,000 --> 00:04:19,720 Speaker 1: logically accurate this is. Maybe I'm just gonna be seen 80 00:04:19,760 --> 00:04:21,640 Speaker 1: as someone you'll get picked up in the news and 81 00:04:21,720 --> 00:04:24,839 Speaker 1: done it too. I'm with it down, get it. But 82 00:04:24,920 --> 00:04:27,560 Speaker 1: the whole equal thing bothers me because it's nothing should 83 00:04:27,600 --> 00:04:32,920 Speaker 1: be equal except for equal rights for everyone, and then 84 00:04:32,960 --> 00:04:34,760 Speaker 1: with that you can also lose them if you go 85 00:04:34,800 --> 00:04:42,000 Speaker 1: to jail, and nothing's really equal you so um, And 86 00:04:42,040 --> 00:04:44,600 Speaker 1: I've said many times, if females are making way better music, 87 00:04:44,600 --> 00:04:47,159 Speaker 1: that this should be eight percent of the playlist. Why 88 00:04:47,160 --> 00:04:55,279 Speaker 1: would you shoot for the equal equal dominate all of it? Anyway, 89 00:04:55,320 --> 00:05:00,919 Speaker 1: that's the deal. I wish that someone who was getting 90 00:05:00,920 --> 00:05:04,960 Speaker 1: their records played was one screaming that though too. Does 91 00:05:04,960 --> 00:05:08,520 Speaker 1: that make sense? Because I wish and they do, and 92 00:05:08,520 --> 00:05:11,039 Speaker 1: they do fight for it. I' let's saying they don't. 93 00:05:11,080 --> 00:05:12,760 Speaker 1: But it would be cool to see an artist who 94 00:05:12,839 --> 00:05:16,120 Speaker 1: was dominating the charts where that and not someone who 95 00:05:16,520 --> 00:05:20,000 Speaker 1: right now isn't, because then you're going, you just wanting 96 00:05:20,040 --> 00:05:23,240 Speaker 1: your records played or everybody. Yeah, and I'm sure she 97 00:05:23,240 --> 00:05:24,720 Speaker 1: wants everybody's by the way, don't get me wrong, But 98 00:05:24,760 --> 00:05:26,599 Speaker 1: I'm saying that I would like for that same notion 99 00:05:26,640 --> 00:05:28,400 Speaker 1: to come from like I was doing it. I was like, 100 00:05:28,440 --> 00:05:30,640 Speaker 1: I mean, female probably wearing this, but I was being 101 00:05:30,760 --> 00:05:37,480 Speaker 1: very obnoxious about it and just going, hey, I'm purposefully 102 00:05:37,680 --> 00:05:39,800 Speaker 1: trying to move the conversation along with the ways that 103 00:05:39,839 --> 00:05:41,680 Speaker 1: I can. But I'm gonna tell you where it is. 104 00:05:41,760 --> 00:05:44,360 Speaker 1: It's in record labels investing in young artists and developing 105 00:05:44,400 --> 00:05:46,360 Speaker 1: them and putting them with the right producers that cost 106 00:05:46,440 --> 00:05:51,080 Speaker 1: more money. That all that happens before it even gets 107 00:05:51,080 --> 00:05:54,240 Speaker 1: to radio. And I'm not taking up radio because listen, 108 00:05:54,680 --> 00:05:57,000 Speaker 1: I haven't been best friends with the radio in a 109 00:05:57,000 --> 00:05:59,559 Speaker 1: long time. I'm on it right now. You're not listening 110 00:05:59,560 --> 00:06:03,320 Speaker 1: to radio, LS know a podcast, but if any I mean, 111 00:06:03,360 --> 00:06:08,480 Speaker 1: I think I've been the biggest critic of how it works, 112 00:06:08,520 --> 00:06:11,080 Speaker 1: so much so that I get called out privately by 113 00:06:11,120 --> 00:06:13,440 Speaker 1: my company and other radio people, like, hey, you're making 114 00:06:13,480 --> 00:06:15,359 Speaker 1: us look bad. No. I think it's better for the 115 00:06:15,520 --> 00:06:20,039 Speaker 1: general product if we just do better. And it's not 116 00:06:20,320 --> 00:06:25,159 Speaker 1: making things equal. It's just giving listen, listening to everything 117 00:06:25,200 --> 00:06:27,040 Speaker 1: the same and then deciding what's the best. But that's 118 00:06:27,040 --> 00:06:28,720 Speaker 1: not even happening either. But that's the goal. That's where 119 00:06:28,760 --> 00:06:32,600 Speaker 1: we should get investing money. Early, early, early, I could 120 00:06:32,640 --> 00:06:34,599 Speaker 1: do a whole hour on this. I'm off of it 121 00:06:34,640 --> 00:06:40,080 Speaker 1: though a little nozex. They say he was denied significant 122 00:06:40,160 --> 00:06:43,480 Speaker 1: screen time. Uh, it's the amazing didn't get to see 123 00:06:43,480 --> 00:06:44,680 Speaker 1: the show. I don't know if the show him or not. 124 00:06:44,920 --> 00:06:47,479 Speaker 1: I saw him around a lot, walking around. Did you 125 00:06:47,480 --> 00:06:50,200 Speaker 1: see him? I guess you were in the count. You know. 126 00:06:50,240 --> 00:06:51,760 Speaker 1: It was like the Luke Coombs when the people were 127 00:06:51,760 --> 00:06:53,479 Speaker 1: tweeting me and LUKELMBS got booed and I was like, 128 00:06:54,040 --> 00:06:57,600 Speaker 1: I was there. I didn't hear one boot, nor would they. 129 00:06:58,080 --> 00:07:01,160 Speaker 1: Luke Holms is beloved, so it turns out it was 130 00:07:01,200 --> 00:07:04,600 Speaker 1: going Luke kind of like boom. Did you hear a clip? 131 00:07:04,640 --> 00:07:06,240 Speaker 1: I did hear it. It sound like Booze. It did 132 00:07:06,240 --> 00:07:08,680 Speaker 1: sound like booze. You just hear those. You see him 133 00:07:08,720 --> 00:07:11,480 Speaker 1: not react to it, so you're like, oh, it's Luke. Yeah, 134 00:07:11,560 --> 00:07:16,600 Speaker 1: never nothing about it. Miranda Lambert ties number one record 135 00:07:16,680 --> 00:07:19,000 Speaker 1: on Top Country Albums chart. Let's see what's this? Let 136 00:07:19,040 --> 00:07:21,800 Speaker 1: me see this one here it becomes because it's their 137 00:07:21,880 --> 00:07:27,360 Speaker 1: seventh to hit number one, not good for her in 138 00:07:27,360 --> 00:07:29,920 Speaker 1: its first week ending November seven, the set and fifty 139 00:07:29,920 --> 00:07:36,840 Speaker 1: three thousand equivalent album units. Some of these records come 140 00:07:36,880 --> 00:07:38,960 Speaker 1: out that hit number one if it's like not a 141 00:07:39,000 --> 00:07:40,640 Speaker 1: huge one, and they're like, hey, it was number one, 142 00:07:40,680 --> 00:07:42,960 Speaker 1: not Miranda's Miranda's Killed is great, but they're like, hey, 143 00:07:43,080 --> 00:07:45,600 Speaker 1: number one record, like ten thousand, congratulations, And I'm like, 144 00:07:46,440 --> 00:07:50,960 Speaker 1: when the reging idiots put of record, we sold and 145 00:07:51,000 --> 00:07:54,600 Speaker 1: that was just sales. But yeah, records don't sell. It's 146 00:07:54,600 --> 00:07:56,600 Speaker 1: crazy to look back at like numbers from even like 147 00:07:57,440 --> 00:08:01,800 Speaker 1: five seven years ago. It's a million week number album. 148 00:08:01,840 --> 00:08:06,280 Speaker 1: Would be millions, and um, yeah, got to Miranda. By 149 00:08:06,320 --> 00:08:09,280 Speaker 1: the way, Luke combs, his record is gonna be number 150 00:08:09,320 --> 00:08:15,280 Speaker 1: one for who knows how long. Whodian the Blowfish they 151 00:08:15,320 --> 00:08:17,920 Speaker 1: hit number three, there you go. But but Luke's old 152 00:08:17,920 --> 00:08:20,000 Speaker 1: record was a number two. By the way I'm talking 153 00:08:20,000 --> 00:08:22,600 Speaker 1: about Luke. It was Miranda Luke's old record. And then 154 00:08:22,600 --> 00:08:25,119 Speaker 1: who do You at? Three? And that's in no slite 155 00:08:25,120 --> 00:08:30,680 Speaker 1: to anybody looked. Old record still crushes. New music out 156 00:08:30,720 --> 00:08:37,080 Speaker 1: today Courage Sling Dion's twelfth album overall, but our first 157 00:08:37,120 --> 00:08:40,080 Speaker 1: English language album in six years. It includes this song 158 00:08:40,160 --> 00:08:46,080 Speaker 1: Lovers Never Die. Its Lovers Never Die. Oh that's pretty cool. Yeah, 159 00:08:47,800 --> 00:08:51,640 Speaker 1: I wasn't expecting that. I mean, listen, I'm not gonna 160 00:08:51,640 --> 00:08:54,800 Speaker 1: go listen to this land slan down record. But definitely 161 00:08:54,840 --> 00:08:56,880 Speaker 1: more contemporary than I was thinking. That would be like 162 00:08:56,960 --> 00:09:03,120 Speaker 1: Titanic again just violence, yea more violent, less chain smoker, 163 00:09:03,160 --> 00:09:04,640 Speaker 1: but there's a little bit of chain smoker in there. 164 00:09:04,720 --> 00:09:06,840 Speaker 1: There's a beat in there. Yeah, and also a song 165 00:09:06,840 --> 00:09:16,679 Speaker 1: called lying Down. Lady and a Bellum has a record, 166 00:09:16,720 --> 00:09:20,599 Speaker 1: their seventh album called Ocean and here we go a 167 00:09:20,640 --> 00:09:22,360 Speaker 1: little big towns on them with this song called the 168 00:09:22,360 --> 00:09:26,000 Speaker 1: Things The Things that rex You? Is that the name 169 00:09:26,000 --> 00:09:28,600 Speaker 1: of the song, Things that Wreck You? Yeah? Okay they 170 00:09:28,640 --> 00:09:31,760 Speaker 1: wrote rex you on this Okay, the Tenson makes sense, 171 00:09:32,120 --> 00:09:35,840 Speaker 1: The Things that wreck You. There's a lot of voices 172 00:09:35,880 --> 00:09:39,600 Speaker 1: on this song. It's like we are the world ocean? 173 00:09:40,440 --> 00:09:44,320 Speaker 1: Have you know this one? Here? This is Sam keep 174 00:09:44,400 --> 00:09:46,720 Speaker 1: pressing and then they're hit Now what if I never 175 00:09:46,720 --> 00:09:51,360 Speaker 1: get over you? Now? Do you consider Lady lle a 176 00:09:51,360 --> 00:09:54,840 Speaker 1: female artist? I do too, because we're a lady and 177 00:09:55,000 --> 00:09:57,120 Speaker 1: Hillary probably sings more than Charles. Do you consider a 178 00:09:57,120 --> 00:09:59,240 Speaker 1: little big town of female artist? I do too, Yeah, 179 00:09:59,240 --> 00:10:07,160 Speaker 1: because kimberly'sy singer, and I think if yeah, a little 180 00:10:07,160 --> 00:10:13,720 Speaker 1: peep when I lie but don't sound records called Everybody's Everything. 181 00:10:14,600 --> 00:10:16,880 Speaker 1: I see little Peep on Twitter. It's about it. Died 182 00:10:16,880 --> 00:10:21,520 Speaker 1: a couple of years ago, That's right, Yeah, I see 183 00:10:21,520 --> 00:10:24,440 Speaker 1: stories about it. I'm still on Twitter, though. How did 184 00:10:24,480 --> 00:10:27,440 Speaker 1: this record come out? They put it out? He had 185 00:10:27,480 --> 00:10:32,000 Speaker 1: stuff like like recorded fall Out Boy, but I Greta's 186 00:10:32,040 --> 00:10:37,280 Speaker 1: HiT's yeah all right, m And then a song the 187 00:10:37,360 --> 00:10:40,360 Speaker 1: White Cliff. I'm just gonna looking at something. Um styles 188 00:10:40,360 --> 00:10:43,360 Speaker 1: PE's a rapper on who that is his song? Uh, 189 00:10:43,520 --> 00:10:48,439 Speaker 1: let's see alright, okay, dark Water, a Christian Bush from 190 00:10:48,480 --> 00:10:51,440 Speaker 1: sugar Land, formed dark Water as a rock and roll 191 00:10:51,520 --> 00:10:54,560 Speaker 1: jam band. Here's a song called painted Blue from dark 192 00:10:54,559 --> 00:11:07,439 Speaker 1: Water is all right, just quickly some songs. Billie Eilish 193 00:11:07,480 --> 00:11:11,480 Speaker 1: has a new song I called Everything I Wanted her 194 00:11:11,480 --> 00:11:20,040 Speaker 1: brother all her work, Yeah, crazy, good for them. Khalid 195 00:11:20,160 --> 00:11:26,439 Speaker 1: has Up All Night. Taylor Swift has beautiful Ghosts from 196 00:11:26,440 --> 00:11:31,480 Speaker 1: the Cats movie. But at least you have beautiful class. 197 00:11:32,000 --> 00:11:36,360 Speaker 1: Probably listen to that one like that. I'm like, hopey 198 00:11:36,400 --> 00:11:38,120 Speaker 1: Lyndian doesn't put a song out like and then I'm like, oh, 199 00:11:38,160 --> 00:11:40,400 Speaker 1: I like that. Like that, I'm a hypocrite, Like nine 200 00:11:40,440 --> 00:11:44,199 Speaker 1: songs later, and then Caitlin Smith, one of my favorites, 201 00:11:44,559 --> 00:11:57,520 Speaker 1: damn you for breaking my heart. All right, there you go. 202 00:11:58,160 --> 00:12:01,480 Speaker 1: I'll leave on this note. Don't inc that you should 203 00:12:01,480 --> 00:12:04,360 Speaker 1: play women equal. You should play them more if they're better, 204 00:12:04,720 --> 00:12:06,200 Speaker 1: and they and a lot of them are, and they're 205 00:12:06,200 --> 00:12:07,720 Speaker 1: not getting good looks. What we have to do. We 206 00:12:07,760 --> 00:12:12,080 Speaker 1: have to equalize it as getting equal money spent on 207 00:12:12,160 --> 00:12:18,680 Speaker 1: the artists early developing them, then equal listening, Like hey, goober, 208 00:12:18,840 --> 00:12:21,320 Speaker 1: goober dude with the ween are listening to music, You're 209 00:12:21,320 --> 00:12:23,200 Speaker 1: gonna listen to ten songs, how about you listen to 210 00:12:23,240 --> 00:12:26,920 Speaker 1: five females. I'm okay with equal and listening, but then 211 00:12:26,960 --> 00:12:29,120 Speaker 1: you gotta go, what what if they're not equal listening 212 00:12:29,520 --> 00:12:33,400 Speaker 1: and just equals in in creativity? Equal to me isn't 213 00:12:33,440 --> 00:12:38,200 Speaker 1: a very fair word. So I'm not big idea. There 214 00:12:38,240 --> 00:12:40,040 Speaker 1: are times where I'm going, all these songs by women 215 00:12:40,040 --> 00:12:41,560 Speaker 1: are much better than the men's songs, and we should 216 00:12:41,559 --> 00:12:44,400 Speaker 1: play them more, not equal. And there are times where 217 00:12:44,440 --> 00:12:46,040 Speaker 1: I'm like, oh, well, it's in these texts. We don't 218 00:12:46,080 --> 00:12:48,040 Speaker 1: have to just put one texts country artist and give 219 00:12:48,080 --> 00:12:50,840 Speaker 1: them a shot. I would have to just do Aaron Watson. 220 00:12:51,200 --> 00:12:52,880 Speaker 1: There's four or five of them that are really good 221 00:12:52,960 --> 00:12:55,120 Speaker 1: right now, or Cody Johnson because it feels like just 222 00:12:55,120 --> 00:12:57,040 Speaker 1: one at a time. They kind of pop up. You've 223 00:12:57,080 --> 00:13:01,360 Speaker 1: noticed that, like, why don't we hear more of them? Well, no, no, no, no, 224 00:13:01,640 --> 00:13:06,640 Speaker 1: you don't want to. The market in the end dictates, 225 00:13:06,760 --> 00:13:08,520 Speaker 1: but you've got to kind of get it to the market. 226 00:13:08,559 --> 00:13:10,079 Speaker 1: And what's great is you don't have to do that 227 00:13:10,120 --> 00:13:13,680 Speaker 1: as much anymore because the Internet and streaming and podcast 228 00:13:13,720 --> 00:13:15,440 Speaker 1: it allows you to kind of find your own way. 229 00:13:16,480 --> 00:13:18,600 Speaker 1: Thank you for listening to my ted talk. I enjoyed it. 230 00:13:18,640 --> 00:13:21,079 Speaker 1: Thank you. Okay, we'll do this and we'll get to 231 00:13:21,120 --> 00:13:28,640 Speaker 1: these artists, all right. So they put out this list 232 00:13:28,760 --> 00:13:32,320 Speaker 1: Billboards list of the top music artists of all time, 233 00:13:32,640 --> 00:13:35,120 Speaker 1: and we'll walk down the top ten. Eddie's here with me, 234 00:13:35,160 --> 00:13:36,839 Speaker 1: by the way, what's up. And we're also going to 235 00:13:36,960 --> 00:13:40,360 Speaker 1: do our top five of our Lifetime's exciting, which one 236 00:13:40,679 --> 00:13:42,599 Speaker 1: we probably some of the same because the role was 237 00:13:42,640 --> 00:13:45,200 Speaker 1: that coun be your favorite, but it has to be 238 00:13:45,240 --> 00:13:50,680 Speaker 1: the biggest in your life, like where you were wherever. 239 00:13:50,960 --> 00:13:53,840 Speaker 1: My list is kind of the biggest. Um, there's no 240 00:13:53,880 --> 00:13:57,199 Speaker 1: wrong by the music shakers. They made a difference in music. 241 00:13:58,000 --> 00:14:00,240 Speaker 1: We'll get to our lists in a second. I do 242 00:14:00,320 --> 00:14:02,520 Speaker 1: want to roll down this Billboard list the top ten, Michael, 243 00:14:02,520 --> 00:14:07,959 Speaker 1: do we have clips four top Club the good God? Okay, 244 00:14:08,280 --> 00:14:10,200 Speaker 1: these are number twenty five. These are the biggest when 245 00:14:10,240 --> 00:14:12,000 Speaker 1: I do every one of them with the clip. But 246 00:14:12,120 --> 00:14:16,800 Speaker 1: these are the biggest artists of our of all time? Okay, 247 00:14:16,840 --> 00:14:20,200 Speaker 1: And what was the what was the rule? Do you know? 248 00:14:20,880 --> 00:14:22,920 Speaker 1: Is this just people making up their mind or do 249 00:14:22,960 --> 00:14:24,440 Speaker 1: they use some sort of data? I go by like 250 00:14:24,560 --> 00:14:27,840 Speaker 1: charts number one's album sales, so they're using a lot 251 00:14:27,880 --> 00:14:30,120 Speaker 1: of different data for this. Okay, here's billboards. The number 252 00:14:30,120 --> 00:14:37,120 Speaker 1: twenty five, Neil Diamonds, all right, Number twenty four is 253 00:14:37,160 --> 00:14:42,480 Speaker 1: Bruce Springsteen, which I get the impact of Bruce Springston. 254 00:14:42,520 --> 00:14:45,240 Speaker 1: I've just never been a Bruce springsteon guy. Like I 255 00:14:45,320 --> 00:14:48,280 Speaker 1: like the big, big, big mainstream hits like this one, Yeah, 256 00:14:48,360 --> 00:14:50,680 Speaker 1: Born to Run. Do you like the other stuff? Born 257 00:14:50,680 --> 00:14:58,160 Speaker 1: in the USA? Uh? Good Glory Days, Glory Glory Day, 258 00:14:58,320 --> 00:15:00,800 Speaker 1: And I like the other Like we had Bobby cast 259 00:15:00,880 --> 00:15:04,720 Speaker 1: with the writer who who listened to Bruce Springstein and 260 00:15:04,720 --> 00:15:07,640 Speaker 1: went to the concert. Oh yeah, Josh Kier, Josh Kire, 261 00:15:07,720 --> 00:15:09,080 Speaker 1: and he he was like, you know what, I was 262 00:15:09,200 --> 00:15:10,680 Speaker 1: listening to so and soo album and I went and 263 00:15:10,760 --> 00:15:12,560 Speaker 1: listen to it and I enjoyed it. But I'm just 264 00:15:12,640 --> 00:15:15,480 Speaker 1: never a big Bruce guy. I bought Bruce Springsteen tickets 265 00:15:15,520 --> 00:15:17,000 Speaker 1: one time, and I end up selling them because like, 266 00:15:17,040 --> 00:15:18,480 Speaker 1: I don't know if I can just do a three 267 00:15:18,480 --> 00:15:20,600 Speaker 1: and a half hour concert of Bruce Springstein. And he's 268 00:15:20,600 --> 00:15:22,720 Speaker 1: a die hard fan. He left halfway through it because 269 00:15:22,920 --> 00:15:25,440 Speaker 1: he just saw do the first album's entirety and then left, 270 00:15:25,840 --> 00:15:29,400 Speaker 1: that's too much. Sure's A twenty three. These are the 271 00:15:29,400 --> 00:15:33,880 Speaker 1: biggest albums ever Eminem's A twenty two, but Jiminem shook 272 00:15:33,920 --> 00:15:35,520 Speaker 1: up the whole world. He could have easily been on 273 00:15:35,520 --> 00:15:40,040 Speaker 1: my list of top five, wasn't. But I remember when 274 00:15:40,080 --> 00:15:42,080 Speaker 1: we started playing Eminim on radio show as a teenager, 275 00:15:42,560 --> 00:15:45,400 Speaker 1: and I thought, oh, this is a novelty rapper because 276 00:15:45,400 --> 00:15:47,200 Speaker 1: he made a little funny noises in his songs and 277 00:15:47,240 --> 00:15:50,600 Speaker 1: made rhymes. Herb Albert is a number twenty one. My 278 00:15:50,680 --> 00:15:56,040 Speaker 1: dad loved her Albert and Tijuana Brass. I couldn't name 279 00:15:56,040 --> 00:15:58,880 Speaker 1: a song. I mean, it's this that that he played 280 00:15:58,880 --> 00:16:02,600 Speaker 1: a trumpet. Oh, I do know this? What's this from? 281 00:16:02,800 --> 00:16:05,240 Speaker 1: We use it like game show music. That's what it is. 282 00:16:05,640 --> 00:16:08,560 Speaker 1: I would have never have known it is this dude, 283 00:16:09,000 --> 00:16:11,120 Speaker 1: serious art, and you're using it for games we're playing. 284 00:16:11,320 --> 00:16:15,920 Speaker 1: We're playing. Named that fart or her Balpert? Yeah, man, 285 00:16:15,960 --> 00:16:18,720 Speaker 1: my dad loved it. Garth Brooks is at twenty on 286 00:16:18,720 --> 00:16:20,360 Speaker 1: this list. Okay, good, I'm glad they put him on 287 00:16:20,360 --> 00:16:22,000 Speaker 1: the list. I thought he should have been much higher. 288 00:16:22,440 --> 00:16:26,640 Speaker 1: I mean, it's rolling Stone, Billy Joel and nineteen, Rihanna 289 00:16:26,720 --> 00:16:37,000 Speaker 1: at Prince at seventeen, Drake at sixteen that's pretty cool. 290 00:16:37,040 --> 00:16:40,320 Speaker 1: I mean fairly new artists. I was looking at a 291 00:16:40,400 --> 00:16:43,200 Speaker 1: Drake playlist of the day. Drake's not that new anymore. 292 00:16:43,240 --> 00:16:47,400 Speaker 1: Drake is like an old rapper now because times, yeah, 293 00:16:47,400 --> 00:16:49,200 Speaker 1: he's had a song, he's been on, kind of got 294 00:16:49,280 --> 00:16:52,360 Speaker 1: on the scene for a long time. Drake's you know 295 00:16:52,800 --> 00:16:55,480 Speaker 1: not and you like the new, young, fresh rapper anymore. 296 00:16:55,600 --> 00:16:58,240 Speaker 1: Still the big It's still the biggest rapper, the biggest 297 00:16:58,600 --> 00:17:01,240 Speaker 1: um coming to roll through some digital Rod Stewart at fifteen, 298 00:17:01,320 --> 00:17:05,600 Speaker 1: Janet Jackson and fourteen, Elvis at thirteen, Paul McCartney at twelve, 299 00:17:05,760 --> 00:17:09,440 Speaker 1: Whitney Houston eleven, Chicago at ten Chicago, we'll start there. 300 00:17:09,960 --> 00:17:15,520 Speaker 1: Top ten hundred twenty five Top music artists of all 301 00:17:15,520 --> 00:17:18,600 Speaker 1: time at number ten Chicago. Not a big Chicago fan. 302 00:17:19,000 --> 00:17:23,320 Speaker 1: Raymundo Is knows every song. Again, he grew up. It's 303 00:17:23,520 --> 00:17:25,080 Speaker 1: probably been one of the biggest bis life because where 304 00:17:25,080 --> 00:17:27,440 Speaker 1: he grew up there too, because he's from the Midwest 305 00:17:27,840 --> 00:17:30,440 Speaker 1: and they were big, but they were even bigger where 306 00:17:30,440 --> 00:17:34,000 Speaker 1: they're the biggest was Chicago. From Chicago, I would assume, 307 00:17:34,720 --> 00:17:38,600 Speaker 1: So I don't know the answer assumed. At number nine, 308 00:17:38,680 --> 00:17:50,200 Speaker 1: Stevie Wonder Taylor swept at eight. Love it. He's a 309 00:17:50,440 --> 00:17:55,280 Speaker 1: reason for the two. Now we're getting into the heavyweights here. 310 00:17:55,320 --> 00:17:57,639 Speaker 1: Who do you think the number one? The Beatles? Okay? 311 00:17:57,640 --> 00:17:59,000 Speaker 1: Who else would be it? You think could be up here? 312 00:17:59,480 --> 00:18:00,840 Speaker 1: I will tell you you're right or not. But who's 313 00:18:00,840 --> 00:18:02,960 Speaker 1: gonna be on the top? You already said Janet Jackson. 314 00:18:03,000 --> 00:18:05,439 Speaker 1: I would have thought she'd been up there. Um bigger 315 00:18:05,440 --> 00:18:09,199 Speaker 1: than Michael though, Okay, Michael, No, already did Michael, Okay, 316 00:18:09,480 --> 00:18:15,320 Speaker 1: Michael was that? Oh he is always about to happen? Seven? 317 00:18:15,600 --> 00:18:19,080 Speaker 1: All right? And then Rolling Stones maybe Michael Jackson number seven. 318 00:18:20,600 --> 00:18:22,960 Speaker 1: Just see the Simpsons they put out on Disney plus 319 00:18:23,000 --> 00:18:26,119 Speaker 1: all the episodes except for Michael Jackson where you guest stars. 320 00:18:26,720 --> 00:18:30,959 Speaker 1: He plays a patient like the mental and forever. They 321 00:18:30,960 --> 00:18:33,240 Speaker 1: didn't know that was really Michael Jackson. No, I think 322 00:18:33,240 --> 00:18:36,639 Speaker 1: he has a different credited name, Barbara streisand's at six 323 00:18:37,480 --> 00:18:41,560 Speaker 1: before me, before our time. Don't get it, but understand 324 00:18:42,000 --> 00:18:46,359 Speaker 1: that it's substantial. It's a good way to put it. 325 00:18:46,560 --> 00:18:56,960 Speaker 1: Madonna f five, Mariah Carey at four, one of the 326 00:18:56,960 --> 00:18:58,919 Speaker 1: first CDs ever bought. I bought two CDs at the 327 00:18:58,920 --> 00:19:06,480 Speaker 1: same time, a c D C MRAI Herrett music. Yeah, okay, 328 00:19:06,480 --> 00:19:08,879 Speaker 1: we have three left, Ddie, who are these three? All right? 329 00:19:08,960 --> 00:19:11,240 Speaker 1: So the Beatles have to be up there, and then, 330 00:19:11,520 --> 00:19:13,480 Speaker 1: like I said, rolling Stones have to be up there. 331 00:19:15,760 --> 00:19:21,640 Speaker 1: The other the other one. Um, I'll just say Nirvana 332 00:19:22,160 --> 00:19:24,720 Speaker 1: didn't make the list really, not the top twenty five. 333 00:19:24,880 --> 00:19:28,120 Speaker 1: They made the top obviously, but no at number three. 334 00:19:28,240 --> 00:19:35,960 Speaker 1: The one you didn't get is Elton John the Rolling 335 00:19:36,000 --> 00:19:42,480 Speaker 1: Stones at two and the Beatles at one. At one, which, 336 00:19:42,520 --> 00:19:44,640 Speaker 1: by the way, if we're just breaking this down here, 337 00:19:45,240 --> 00:19:50,920 Speaker 1: number one, British, number two, British, number three, British. There 338 00:19:51,000 --> 00:19:53,240 Speaker 1: was something about the British man and their style of 339 00:19:53,480 --> 00:19:56,560 Speaker 1: the biggest artists of all time. But everyone that tiny 340 00:19:56,600 --> 00:19:59,000 Speaker 1: STI that tiny country. But every one of those artists 341 00:19:59,000 --> 00:20:01,560 Speaker 1: will tell you they are influenced by American artists like 342 00:20:01,600 --> 00:20:03,600 Speaker 1: blues and American blues and stuff. Yeah, but still great 343 00:20:03,640 --> 00:20:05,959 Speaker 1: Americans could have been influenced by American artists, right, I'm 344 00:20:06,000 --> 00:20:08,479 Speaker 1: just saying, but the top three are freaking British crazy, huh. 345 00:20:08,560 --> 00:20:10,639 Speaker 1: British music is great, but a lot of them were 346 00:20:10,680 --> 00:20:13,760 Speaker 1: influenced by our roots. Okay, but our people could have 347 00:20:13,760 --> 00:20:16,520 Speaker 1: been influenced by our roots and they weren't, I know, 348 00:20:16,760 --> 00:20:19,000 Speaker 1: good for them Elton, Rolling Stones and the Beatles are 349 00:20:19,119 --> 00:20:22,000 Speaker 1: number one. So what we decided to do was top 350 00:20:22,040 --> 00:20:25,679 Speaker 1: five artists of our lives. And I see yours now 351 00:20:25,680 --> 00:20:27,400 Speaker 1: they're they're on a sheet. Didn't see him Hill? Just now? 352 00:20:28,560 --> 00:20:33,080 Speaker 1: What do you think we only have one the same? Really? Yeah? 353 00:20:33,480 --> 00:20:38,720 Speaker 1: With the Beatles, you roll through yours? All right? Top five, Eddie, 354 00:20:39,000 --> 00:20:43,000 Speaker 1: these are the top five artists of your life. Go ahead, 355 00:20:43,080 --> 00:20:44,879 Speaker 1: and I'm gonna go with the number five. Starting with 356 00:20:44,960 --> 00:20:48,280 Speaker 1: number five Garth Brooks, okay, and I chose a lot 357 00:20:48,280 --> 00:20:51,199 Speaker 1: of these because they did change music. Garth Brooks at 358 00:20:51,240 --> 00:20:53,760 Speaker 1: that time was the artist there. One said that's not country? 359 00:20:53,760 --> 00:20:58,240 Speaker 1: What is this? He made country huge? And me, I mean, 360 00:20:58,280 --> 00:21:00,280 Speaker 1: I was didn't really know much about music. It wasn't 361 00:21:00,320 --> 00:21:03,280 Speaker 1: the cool music. I was young. It was like ninety 362 00:21:03,520 --> 00:21:06,760 Speaker 1: ninety ninety one two and no much. But he, to me, 363 00:21:07,000 --> 00:21:09,720 Speaker 1: was pop music. It's not necessarily country music. So to me, 364 00:21:09,800 --> 00:21:14,200 Speaker 1: that's huge. Number four Pearl Jam, and I chose Pearl 365 00:21:14,280 --> 00:21:18,320 Speaker 1: Jam because again, grunge music. What I mean, you gotta 366 00:21:18,359 --> 00:21:20,240 Speaker 1: understand what rock was doing at that time. It was 367 00:21:20,280 --> 00:21:22,680 Speaker 1: nothing but hair bands, but they did. They weren't the 368 00:21:22,720 --> 00:21:24,800 Speaker 1: breaker of it weren't Nirvana was. But I'm not about 369 00:21:24,800 --> 00:21:26,680 Speaker 1: to put Nirvana because that would be fake of me. 370 00:21:26,920 --> 00:21:29,360 Speaker 1: But I mean it didn't be your favorite in my life. 371 00:21:29,400 --> 00:21:31,159 Speaker 1: Pearl Ja is your favorite band, and I feel like 372 00:21:31,160 --> 00:21:33,919 Speaker 1: you went favoritism on this in my life. Nirvana to 373 00:21:34,000 --> 00:21:36,439 Speaker 1: me was never my favorite grunge band and I couldn't 374 00:21:36,480 --> 00:21:38,800 Speaker 1: really get into Nirvana. But I'm gonna say that I 375 00:21:38,840 --> 00:21:42,680 Speaker 1: didn't put John Mayer online even though he changed music 376 00:21:42,680 --> 00:21:46,119 Speaker 1: that you did Pearl Jam in your cheater. But go ahead, 377 00:21:46,200 --> 00:21:50,520 Speaker 1: number three, alright, number three, You two. I mean, if 378 00:21:50,520 --> 00:21:53,480 Speaker 1: you've ever seen you two live, it's not to me, 379 00:21:53,600 --> 00:21:56,840 Speaker 1: that's not just music. It's just they've build a corporation. 380 00:21:57,480 --> 00:22:00,119 Speaker 1: You two has build something that I don't think a 381 00:22:00,119 --> 00:22:02,879 Speaker 1: lot of other artists really understand. I went to the 382 00:22:02,880 --> 00:22:06,080 Speaker 1: YouTube museum in Dublin, did you What's What's What's in there? 383 00:22:06,280 --> 00:22:08,359 Speaker 1: Did a lot of pictures music played over the top 384 00:22:08,359 --> 00:22:10,800 Speaker 1: of interviews they've done. Then that's their home, that is 385 00:22:10,840 --> 00:22:13,800 Speaker 1: their home. I just think that that they grew up 386 00:22:13,840 --> 00:22:16,800 Speaker 1: with such so much violence in the streets and what 387 00:22:16,960 --> 00:22:20,280 Speaker 1: Ireland had been going through a lot of poverties, so 388 00:22:20,320 --> 00:22:22,240 Speaker 1: they had a lot to sing about, and to me, 389 00:22:22,400 --> 00:22:25,720 Speaker 1: that just changed. It wasn't just about rhythms and beats, 390 00:22:25,720 --> 00:22:30,000 Speaker 1: it was about something else, and YouTube changed music Number two. 391 00:22:30,600 --> 00:22:33,920 Speaker 1: Number two is Bob Dylan. Bob Dylan is huge again 392 00:22:33,960 --> 00:22:37,000 Speaker 1: before my time, but once I understood what he was doing, 393 00:22:38,200 --> 00:22:40,680 Speaker 1: He's still around. And I don't recommend anyone goes same 394 00:22:40,880 --> 00:22:44,040 Speaker 1: live because he's kind of hard to understand. But Bob Dylan, 395 00:22:45,080 --> 00:22:48,359 Speaker 1: I mean, he was a folk singer turned into a 396 00:22:48,480 --> 00:22:51,680 Speaker 1: rock and roll star, to a poet, to all these 397 00:22:51,680 --> 00:22:54,000 Speaker 1: things that just a lot of people don't understand what 398 00:22:54,040 --> 00:22:56,920 Speaker 1: he's done for music. So many artists have covered Bob 399 00:22:57,000 --> 00:22:59,200 Speaker 1: Dylan songs and they never even knew that Bob Dylan 400 00:22:59,240 --> 00:23:02,400 Speaker 1: wrote those songs. So with the thing being top five 401 00:23:02,440 --> 00:23:06,520 Speaker 1: artists of your life, you still felt comfortable putting killing 402 00:23:06,640 --> 00:23:09,560 Speaker 1: up before you were born. Really yeah, because I listened 403 00:23:09,600 --> 00:23:12,359 Speaker 1: to a lot of Bob Dylan and one and one 404 00:23:12,480 --> 00:23:17,080 Speaker 1: again before me the Beatles. But the Beatles were huge 405 00:23:17,160 --> 00:23:20,000 Speaker 1: part think okay, but huge part as soon as I 406 00:23:20,040 --> 00:23:21,879 Speaker 1: when I was a kid, I would drive around with 407 00:23:21,920 --> 00:23:24,640 Speaker 1: my mom and my mom would listen to the Beatles NonStop. 408 00:23:25,040 --> 00:23:26,840 Speaker 1: There are no wrong rules. There are no rules in 409 00:23:26,880 --> 00:23:29,280 Speaker 1: this This was my idea of music to me, and 410 00:23:29,280 --> 00:23:30,960 Speaker 1: we didn't even play a game. My mom she taught 411 00:23:30,960 --> 00:23:33,679 Speaker 1: me She's like ring goes the drummer, there's George, Paul 412 00:23:33,760 --> 00:23:36,159 Speaker 1: and John and then they all kind of sing. So 413 00:23:36,200 --> 00:23:38,440 Speaker 1: she would play Beatles song and be like, who's singing 414 00:23:38,440 --> 00:23:40,159 Speaker 1: in this one? And it was a game. It was 415 00:23:40,240 --> 00:23:42,760 Speaker 1: part of me growing up. So to me, this started 416 00:23:42,840 --> 00:23:45,600 Speaker 1: music for me. So the Beatles to me are the 417 00:23:45,680 --> 00:23:50,480 Speaker 1: number one all time artists. So I just went mine 418 00:23:50,560 --> 00:23:53,600 Speaker 1: was all people who in my lifetime became big, like 419 00:23:53,720 --> 00:23:56,679 Speaker 1: artists of my life more so than arts that affected 420 00:23:56,680 --> 00:23:58,159 Speaker 1: me or to put it in John Mayor or createst 421 00:23:58,200 --> 00:24:01,879 Speaker 1: Co Water Revival Thought or Rachel Roles or Johnny Cash. 422 00:24:01,920 --> 00:24:03,399 Speaker 1: I did, but none of them were in my life. 423 00:24:04,400 --> 00:24:06,960 Speaker 1: So I went with in my life the things that 424 00:24:07,000 --> 00:24:08,960 Speaker 1: I saw that were wild, and I was like, I 425 00:24:08,960 --> 00:24:11,480 Speaker 1: cannot believe how popular this is. And my number five 426 00:24:11,520 --> 00:24:13,720 Speaker 1: pick is a bit controversial. I remember going to Don't 427 00:24:13,720 --> 00:24:16,119 Speaker 1: Play Yet. I remember going to this show. It's sold 428 00:24:16,119 --> 00:24:20,080 Speaker 1: out in like one second, and I thought because they 429 00:24:20,119 --> 00:24:21,720 Speaker 1: had quite a role going for a while for a 430 00:24:21,720 --> 00:24:23,800 Speaker 1: couple of records, and I was like, I've never seen 431 00:24:23,840 --> 00:24:27,680 Speaker 1: anything like the hysteria that's happening here now ghostly I 432 00:24:27,760 --> 00:24:31,200 Speaker 1: was ever talking now and you're gonna laugh because they're 433 00:24:31,200 --> 00:24:34,760 Speaker 1: often made fun of now, but a number five of 434 00:24:34,800 --> 00:24:39,080 Speaker 1: my life when I saw pop was freaking creamy. Oh 435 00:24:39,200 --> 00:24:43,240 Speaker 1: my goodness, what is wrong with you? I know, trust me. 436 00:24:43,280 --> 00:24:44,760 Speaker 1: I didn't want to put that. I knew I lose 437 00:24:44,800 --> 00:24:46,879 Speaker 1: a cool point. But I've never seen anything like that. 438 00:24:46,920 --> 00:24:50,760 Speaker 1: But my my, what is this list? What? What's the called? 439 00:24:50,800 --> 00:24:54,160 Speaker 1: What's the name of this list? All time? Best artists 440 00:24:54,160 --> 00:24:56,760 Speaker 1: of all time? Best top five artists of your life? 441 00:24:57,600 --> 00:25:00,159 Speaker 1: I know, but I've never seen anything like what did. 442 00:25:00,200 --> 00:25:02,199 Speaker 1: When they came on the scene, it was crazy. They 443 00:25:02,240 --> 00:25:04,119 Speaker 1: had a whole different kind of rock that doesn't I 444 00:25:04,119 --> 00:25:05,640 Speaker 1: don't listen to Creed now. I'm not even a fan, 445 00:25:06,000 --> 00:25:07,480 Speaker 1: but it was crazy when it happened. And I was 446 00:25:07,480 --> 00:25:09,439 Speaker 1: in radio as a teenager and I was going, what 447 00:25:09,600 --> 00:25:15,680 Speaker 1: is happening? Number four? Because they did create taking grunge 448 00:25:15,760 --> 00:25:18,840 Speaker 1: to the mainstream? Was Nirvana? Smells like teen spirit? Allow 449 00:25:18,880 --> 00:25:23,199 Speaker 1: Pearl John to become a band. I'm saying nothing of it. 450 00:25:23,280 --> 00:25:26,320 Speaker 1: I love Nirvana because they were so mainstream. They made 451 00:25:26,720 --> 00:25:31,120 Speaker 1: grunge mainstream. You wouldn't have had better Man or Jeremy 452 00:25:31,119 --> 00:25:35,040 Speaker 1: without Nirvana and music before Nirvana was well, it was 453 00:25:35,080 --> 00:25:38,320 Speaker 1: coming out of that glam rock just had it had 454 00:25:38,320 --> 00:25:41,280 Speaker 1: to die. Number three again, not a huge fan, but 455 00:25:41,320 --> 00:25:46,320 Speaker 1: I have to say Taylor Swift, he's a reason possibly 456 00:25:46,359 --> 00:25:49,159 Speaker 1: the most famous artist right now. She's peaked already and 457 00:25:49,200 --> 00:25:50,600 Speaker 1: on and on our way down. You know, the last 458 00:25:50,640 --> 00:25:53,240 Speaker 1: record numbers did okay, but it's definitely not what it 459 00:25:53,320 --> 00:25:55,520 Speaker 1: used to be. But that's okay. Everybody hits that cycle 460 00:25:57,000 --> 00:25:59,800 Speaker 1: and she you can't stay at the peak the whole time. 461 00:26:00,720 --> 00:26:04,080 Speaker 1: But the biggest thing, except for my number two that 462 00:26:04,160 --> 00:26:07,960 Speaker 1: I've seen, like this is so famous famous in music, 463 00:26:08,600 --> 00:26:10,520 Speaker 1: Taylor's at three. Who do you think number two is? 464 00:26:10,520 --> 00:26:13,600 Speaker 1: If I go so famous? You haven't said Garth yet, okay, 465 00:26:13,600 --> 00:26:19,000 Speaker 1: but that's not who. It is so famous Like justin Timberlake, 466 00:26:19,080 --> 00:26:25,600 Speaker 1: Britney Spears, Brittany was hands down the biggest star period 467 00:26:26,960 --> 00:26:33,520 Speaker 1: and all facets of on your TV freaking Brittany songs, 468 00:26:34,240 --> 00:26:39,359 Speaker 1: magazines was doing movies freaking Crossroads. Yeah, let's trying to 469 00:26:39,359 --> 00:26:42,760 Speaker 1: forgot about that movie. So Brittany is it too? As 470 00:26:42,800 --> 00:26:44,919 Speaker 1: you can see, my list is different, it's not my favorite, 471 00:26:45,320 --> 00:26:47,760 Speaker 1: but this was you were living in This really shook you. 472 00:26:47,840 --> 00:26:49,560 Speaker 1: I guess that shook me, but I was just like, wow, 473 00:26:49,600 --> 00:26:52,080 Speaker 1: I've never seen anything so big before. And then number 474 00:26:52,119 --> 00:26:55,400 Speaker 1: one's Garth Brooks, the guy did Stadiums is a country Star, 475 00:26:55,600 --> 00:27:00,760 Speaker 1: first one ever specials, double live albums. It was number 476 00:27:00,800 --> 00:27:03,600 Speaker 1: one on the pop chart. So of my life, I've 477 00:27:03,600 --> 00:27:05,320 Speaker 1: never seen anything like Garth Brooke and I was a 478 00:27:05,320 --> 00:27:07,720 Speaker 1: bit young when it happened so much so I think 479 00:27:07,720 --> 00:27:09,399 Speaker 1: you made a good point. That was pop music to me. 480 00:27:09,400 --> 00:27:13,080 Speaker 1: It was so big. So Michael Tarlto, you're less. Freddie 481 00:27:13,080 --> 00:27:14,760 Speaker 1: has to get out of here. Yeah. Um, these are 482 00:27:14,880 --> 00:27:17,040 Speaker 1: the top five artists of your life? Or did you 483 00:27:17,080 --> 00:27:20,080 Speaker 1: do your favorites? I did of my life? Okay, go ahead, 484 00:27:20,160 --> 00:27:23,520 Speaker 1: number five and would you pick? I picked Link two. Okay. 485 00:27:23,560 --> 00:27:25,879 Speaker 1: That's like the band I started listening to in like 486 00:27:25,960 --> 00:27:29,440 Speaker 1: sixth grade, and that's when pop punk was like huge. 487 00:27:29,920 --> 00:27:32,480 Speaker 1: Everybody was like dressing like them and like I wanted 488 00:27:32,520 --> 00:27:35,280 Speaker 1: to be them. But that music was just so influential 489 00:27:35,320 --> 00:27:37,520 Speaker 1: of like what I started to listen to all throughout 490 00:27:37,600 --> 00:27:39,360 Speaker 1: high school. I just did my list of mine wasn't 491 00:27:39,359 --> 00:27:42,800 Speaker 1: my list wasn't about me? You guys have attached them 492 00:27:42,800 --> 00:27:44,600 Speaker 1: to like my favorite. I didn't realize we were doing 493 00:27:44,640 --> 00:27:49,280 Speaker 1: that because Creedy didn't affect me one bit. Yeah, none 494 00:27:50,440 --> 00:27:52,480 Speaker 1: like mine was like just things that I observed and 495 00:27:52,520 --> 00:27:55,200 Speaker 1: saw in my lifetime that I couldn't explain, and that 496 00:27:55,280 --> 00:27:57,200 Speaker 1: we're such a phenomenon. Yeah. I feel like when you 497 00:27:57,240 --> 00:28:00,159 Speaker 1: say part of your life, you know in your know 498 00:28:00,320 --> 00:28:02,800 Speaker 1: that you saw during your it's during your life. I 499 00:28:02,840 --> 00:28:04,840 Speaker 1: get that. And when you said your list, like, those 500 00:28:04,840 --> 00:28:06,960 Speaker 1: are really good ones, I would have put justin Timberlake. 501 00:28:07,000 --> 00:28:08,840 Speaker 1: If I would have done done, I think I think 502 00:28:08,920 --> 00:28:11,640 Speaker 1: was bigger than Timberlake was. I didn't listen to that, 503 00:28:11,720 --> 00:28:14,160 Speaker 1: but that's not the point. But I wouldn't even think 504 00:28:14,160 --> 00:28:16,240 Speaker 1: that they were because I wasn't part of my life. 505 00:28:16,640 --> 00:28:18,879 Speaker 1: That's the hard part about it. We're not I'm arguing 506 00:28:18,920 --> 00:28:22,240 Speaker 1: that has no right answer right now, but we're not built. 507 00:28:22,320 --> 00:28:24,400 Speaker 1: Just disappointed on myself that I didn't do Like you guys, 508 00:28:24,400 --> 00:28:27,000 Speaker 1: A personal list is the least personal list ever. Kind 509 00:28:27,000 --> 00:28:29,080 Speaker 1: of like your list though, No, I like him, jealous 510 00:28:29,080 --> 00:28:32,239 Speaker 1: of you guys. I would have done Mike's Mike say 511 00:28:32,280 --> 00:28:33,919 Speaker 1: was like this is my favorite. I didn't even get 512 00:28:33,960 --> 00:28:35,679 Speaker 1: the shoutut to my favorites. I had to pick stupid 513 00:28:36,000 --> 00:28:39,040 Speaker 1: list that people I didn't even care about. Um, go ahead, 514 00:28:39,080 --> 00:28:40,800 Speaker 1: blank on A two made you want to start a band. 515 00:28:40,800 --> 00:28:42,440 Speaker 1: So they're the biggest thing that you've seen in your 516 00:28:42,440 --> 00:28:44,640 Speaker 1: life and then the biggest person in hip hop right now. 517 00:28:46,080 --> 00:28:48,400 Speaker 1: I'm so jealous that I didn't pick personal things. You 518 00:28:48,480 --> 00:28:50,600 Speaker 1: have no passion about my list. I did fight for Creed. 519 00:28:50,760 --> 00:28:52,680 Speaker 1: You guys realized that to fight for Creed in my list, 520 00:28:52,760 --> 00:28:54,440 Speaker 1: you love hip hop and you didn't put a hip 521 00:28:54,440 --> 00:28:57,200 Speaker 1: hop artist in there. What would be one hip hop 522 00:28:57,280 --> 00:29:00,880 Speaker 1: artist that Tupac wasn't my favorite, that's a good one. 523 00:29:00,880 --> 00:29:07,080 Speaker 1: But I just saw hip hop become not just socially savvy, 524 00:29:07,120 --> 00:29:11,360 Speaker 1: but I saw social savvy hip hop become mainstream. There's 525 00:29:11,360 --> 00:29:13,400 Speaker 1: a bit, there's a big difference. There was a lot 526 00:29:13,440 --> 00:29:16,400 Speaker 1: of social hip hop, but Tupac had more of a 527 00:29:16,400 --> 00:29:19,680 Speaker 1: cultural impact than like Biggie whatever. But it was that that. 528 00:29:20,040 --> 00:29:23,000 Speaker 1: Again wasn't a huge Tupac fan, but during my life 529 00:29:23,040 --> 00:29:25,280 Speaker 1: I saw him take and turn a whole format on 530 00:29:25,360 --> 00:29:31,640 Speaker 1: seater and make social hip hop more pop culture. So 531 00:29:32,000 --> 00:29:33,800 Speaker 1: we we just all look at our list different. I'm 532 00:29:33,840 --> 00:29:35,600 Speaker 1: very jealous of you guys list because you picked personal 533 00:29:35,640 --> 00:29:38,800 Speaker 1: ones and I'm over. We were going well, arms wide open. 534 00:29:38,960 --> 00:29:42,480 Speaker 1: It was awesome. I had to defend mine because I'm like, guy, 535 00:29:42,480 --> 00:29:46,160 Speaker 1: don't judge me, all right? Um, okay, Mike, what I 536 00:29:46,200 --> 00:29:54,400 Speaker 1: have Alcalantria? I was in their fan club growing up. Okay, okay, 537 00:29:54,440 --> 00:29:55,880 Speaker 1: I put a list of Milano on mine and I 538 00:29:55,920 --> 00:29:58,360 Speaker 1: was in her fan club. I'm so pissed at myself. 539 00:29:58,400 --> 00:30:03,560 Speaker 1: Go ahead and get another on hand of the cre 540 00:30:04,880 --> 00:30:06,760 Speaker 1: favorite band of all time, favorite band of all time? 541 00:30:07,000 --> 00:30:09,520 Speaker 1: Really yeah, I love the Cure. Should put John Mayor, 542 00:30:09,640 --> 00:30:12,040 Speaker 1: it should have all right, what else? And then I 543 00:30:12,080 --> 00:30:19,440 Speaker 1: have ranted the biggest punk band? Yeah, Mike, is that's Scott? Yeah, 544 00:30:19,480 --> 00:30:25,560 Speaker 1: Scott Punk. Right there we go. Sorry, dude, No, I 545 00:30:25,640 --> 00:30:30,200 Speaker 1: just tried to approach mine from no relationship heart, and 546 00:30:30,240 --> 00:30:31,880 Speaker 1: I wish I would not have. I wish i'd spent 547 00:30:31,920 --> 00:30:37,000 Speaker 1: like count of Crows, John Mayor, are you yeah? I 548 00:30:37,080 --> 00:30:40,280 Speaker 1: just all of that. I got Garth in. Yeah, Garth. 549 00:30:40,320 --> 00:30:41,840 Speaker 1: I don't think you can do the list without Garth, 550 00:30:42,120 --> 00:30:44,680 Speaker 1: especially just in my life, but also like as a kid, 551 00:30:44,720 --> 00:30:47,280 Speaker 1: I would have probably picked again because of my grandmother's 552 00:30:47,320 --> 00:30:50,440 Speaker 1: influence and all we listened to is really Arkansas country 553 00:30:50,440 --> 00:30:53,560 Speaker 1: and gospel, and Johnny Cash was a big part of 554 00:30:53,560 --> 00:30:56,640 Speaker 1: that is all the time. But it didn't because it wasn't. 555 00:30:56,640 --> 00:30:59,000 Speaker 1: He was there when I was alive. I remember my 556 00:30:59,080 --> 00:31:01,920 Speaker 1: really good friend girl and up. He moved to another 557 00:31:01,960 --> 00:31:04,240 Speaker 1: town when we were in sixth grade, but he came 558 00:31:04,280 --> 00:31:06,800 Speaker 1: back in eighth grade to come visit, and I was mad. 559 00:31:06,880 --> 00:31:09,960 Speaker 1: I was garthed out, dude. I had like before we left, 560 00:31:09,960 --> 00:31:12,000 Speaker 1: we were just kids, you know, we didn't really have 561 00:31:12,160 --> 00:31:14,360 Speaker 1: that music thing. But he came back and I had 562 00:31:14,400 --> 00:31:17,280 Speaker 1: wranglers on, a brush popper like Garth Brooks shirt with 563 00:31:17,320 --> 00:31:19,640 Speaker 1: like my justin boots on. He looked at me. He's 564 00:31:19,680 --> 00:31:21,719 Speaker 1: been listening like sir mix a lot. He's looking at me, like, 565 00:31:21,880 --> 00:31:25,440 Speaker 1: what happened to you? Garth Brooks? Man? He did it 566 00:31:25,480 --> 00:31:28,400 Speaker 1: to me. I started just dressing like him. All right, 567 00:31:28,400 --> 00:31:30,360 Speaker 1: there you are. Check out Eddie on the Sore Losers 568 00:31:30,440 --> 00:31:35,080 Speaker 1: Podcast sports podcast Eddie Raimundo and Lunchbox. Yeah we we 569 00:31:35,080 --> 00:31:37,080 Speaker 1: we got we got to talk about this big fight 570 00:31:37,160 --> 00:31:39,440 Speaker 1: that happened in the NFL. Did you see that? Well? Yeah, 571 00:31:39,440 --> 00:31:41,400 Speaker 1: but you're this is this podcast we listened to for 572 00:31:41,440 --> 00:31:43,680 Speaker 1: weeks and months. Yes, but that episode will still be 573 00:31:43,680 --> 00:31:45,160 Speaker 1: there and we'll talk about it. That was one of 574 00:31:45,200 --> 00:31:48,440 Speaker 1: the craziest things that happened in sports this year. All right, 575 00:31:48,440 --> 00:31:48,680 Speaker 1: thank you.