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Speaker 1: Are you leaving on you on your way back home?

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Speaker 2: Either way, we want to be there.

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Speaker 1: Doesn't matter how much baggage you claim and give us

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Speaker 1: time and a turmanol and gay. We want to send

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Speaker 1: you off inside. You wanna welcome you back home? Tell

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Speaker 1: us all about it? We scared her? Was it fine?

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Speaker 3: Now?

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Speaker 1: Porn?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 3: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need ride?

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Speaker 2: Ride with Karen and Chris? Welcome to Do you need

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Speaker 2: a ride home from our studio? You're listening to Do

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Speaker 2: you need to ride? From the All Things Comedy Studio?

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Speaker 2: My name is Chris.

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Speaker 1: Fairbanks and my name is Karen cle Garaff.

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Speaker 2: We are I just came from a long drive down

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Speaker 2: a long and winding road. How many every day? Is really?

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Speaker 2: I'm sorry, it's just a starter. You know, I warm up,

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Speaker 2: you know I love show Horrified Dumb.

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Speaker 1: She's one of my favorites.

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Speaker 2: Especially when she teams up with Kid Rock.

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Speaker 1: How many hours from labor?

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Speaker 2: A horrifying drive. It was cartoonishly windy, and then clouds

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Speaker 2: of fog would make it where I had just stop

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Speaker 2: and pull over because I couldn't see the edge of

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Speaker 2: the road.

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Speaker 1: Holy shit.

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Speaker 2: And I was headed up to this max fun con

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Speaker 2: thing and uh and then all of a sudden, I

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Speaker 2: took a left and you're just above the fog and

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Speaker 2: it was sunny and beautiful. Oh, it's a lake on

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Speaker 2: top of It's like a lake at five thousand feet.

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Speaker 1: Yeah, it's cool. And it's all kind of fake German.

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Speaker 2: It was kind of Germany.

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Speaker 1: Yeah, who doesn't love that?

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Speaker 2: I guess you certain people, certain people have memories about

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Speaker 2: certain factions.

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Speaker 3: It's true.

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Speaker 2: Yeah.

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Speaker 1: But how long was the drive?

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Speaker 2: Totally?

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Speaker 3: Is?

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Speaker 2: I just I just sped back and got here just

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Speaker 2: in time.

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Speaker 1: Just I just want a number of how many hours

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Speaker 1: the drive?

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Speaker 2: The drive up there was two and a half. The

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Speaker 2: drive down was an hour and forty.

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Speaker 1: Okay, but in scary weather conditions, in a dangerous marine life.

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Speaker 2: Scooby doo, clouds of fog just coming in right in

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Speaker 2: front of me.

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Speaker 1: I thought you were calling me, Scooby, Scooby do.

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Speaker 2: I will tell let me tell you something, scoobs row,

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Speaker 2: does that ring any bells?

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Speaker 1: One of the best jokes I ever wrote was in

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Speaker 1: high school. I was sitting with my best friend Patti

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Speaker 1: Riley and her humongous family at a big table at

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Speaker 1: a Chinese restaurant in San Francisco, and we started talking

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Speaker 1: about Scooby Doo because we had all watched it every

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Speaker 1: day after school our whole lives, and so we were

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Speaker 1: going this was the mid eighties, so this wasn't hacky

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Speaker 1: back then, and we were just going through all the

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Speaker 1: Scooby Doo tropes of why does velm always lose their

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Speaker 1: glasses white, blah blah blah, And I said, my friend

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Speaker 1: Patty had three older sisters and uh no, sorry, two

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Speaker 1: older sisters and a younger sister. But there her two

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Speaker 1: older sisters were like two of the coolest girls that

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Speaker 1: went to our high school, and so of course I

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Speaker 1: had to show off because I wanted to be popular too.

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Speaker 1: And so my observation about Scooby do is they always

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Speaker 1: they're always running down the exact same hallway, so no

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Speaker 1: matter where they are, it's picture plant, picture plant. And

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Speaker 1: it made her sister, Debbie spit her drink all over

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Speaker 1: this huge circular table we were at because.

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Speaker 2: She never really she noticed that but didn't really.

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Speaker 1: Remember that it got her. It got her good, and

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Speaker 1: it was I think it was my first official spit take,

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Speaker 1: and so you know I'll always have a place in

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Speaker 1: my heart for Scooby Doo.

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Speaker 2: Yeah, if it causes your first big laugh with a

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Speaker 2: spit tag, thanks guys.

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Speaker 1: My first big laugh doesn't take away anything from you.

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Speaker 1: So there's no reason to be sad.

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Speaker 2: Well, I didn't mean to get jealous what happened. I

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Speaker 2: don't know that I've ever caused a spit tag close.

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Speaker 2: Then they just have to turn away and swallow.

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Speaker 1: And one thing dribbles out there, one nostril.

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Speaker 2: No, I made someone laugh to wear a baby carrot

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Speaker 2: shout out what that felt pretty good? No, dangerously at

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Speaker 2: a high.

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Speaker 1: Velocity, like a like a carrot bullet.

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Speaker 2: And I called that guy's salad shuder for a long time.

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Speaker 1: Hold on, you're not saying a whole baby carrot.

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Speaker 2: Maybe he took it was like a bit in halfating.

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Speaker 1: He basically snorted.

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Speaker 2: He no, just went to laugh, but his mouth was closed.

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Speaker 2: So the carrot was like, fucking, I want, where's this

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Speaker 2: door go? And it was a nostril. That's the thought

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Speaker 2: process of the carrot.

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Speaker 1: I think, I think, I think a carrot take is

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Speaker 1: better than a spit take.

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Speaker 2: He's a real carrot taker. I think the carrot taker

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Speaker 2: is actually the phantom.

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Speaker 1: What's this?

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Speaker 2: Oh, there's always a phantom in Scooby Doo, and it

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Speaker 2: was often a caretaker. Oh that's right, But I got you, carrot.

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Speaker 2: That's just going back, calling back. I'm with you now,

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Speaker 2: I'm warming up.

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Speaker 1: I hear you.

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Speaker 2: I've only had coffee.

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Speaker 1: Come on, we do this. It's you need protein, you

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Speaker 1: have to have it.

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Speaker 2: Didn't have time. Don't always have time to do the basics,

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Speaker 2: the basic life things like eating and sleeping. Just don't

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Speaker 2: have time always going.

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Speaker 1: You know what, I'm gonna give you a tip. They

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Speaker 1: have these awesome things called seven eleven, and you can

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Speaker 1: go in there and get protein anyhow.

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Speaker 2: Not a lot of the stuff in there will I

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Speaker 2: put in my body, you know, ma'am.

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Speaker 1: Oh, that's right.

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Speaker 2: You have my daily liquor intake. I'm pretty healthy.

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Speaker 1: Did you liquer it up a lot?

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Speaker 2: I liquered it up last night? Fun times, Yeah, it

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Speaker 2: was fun. They had a dance party. Oh and you

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Speaker 2: know there's a lot.

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Speaker 1: Of and did you was Did you touch anyone's butt?

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Speaker 1: Are you allowed to talk about it?

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Speaker 2: I did not touch butts. There's no one's butt that

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Speaker 2: I I mean, I'm not in the market for butt touching,

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Speaker 2: got it.

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Speaker 1: Oh that's right, Sorry, that's okay.

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Speaker 2: But there was there was an undertone there that it's like, hey,

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Speaker 2: that people are going to get laid tonight, and it's

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Speaker 2: like it almost felt like a sexual get together retreat.

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Speaker 1: Thing, like a key for comedy.

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Speaker 2: Yeah, Jesse announced that years ago someone lost their virginity

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Speaker 2: at max fun Con and then and then he felt

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Speaker 2: a lot of power from that new in a jokey yeah, yeah,

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Speaker 2: he was kidding, of course.

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Speaker 1: I kind of pictured him saying that wearing a cape. Yeah,

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Speaker 1: like into a microphone. There's a huge crowd.

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Speaker 2: It's like NPR type podcast fans. There's and a lot

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Speaker 2: of fans of our podcast and they're really sweet and

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Speaker 2: a lot of people. I wish you could have been

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Speaker 2: there for some of the company.

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Speaker 1: I was, you know, I was supposed to be there.

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Speaker 2: But they aren't like partying people that are out clubbing.

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Speaker 2: They're like hardworking people with jobs.

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Speaker 1: I imagine there's a lot of graphic designers. There's a

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Speaker 1: lot of librarians.

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Speaker 2: Hmm, yeah, a lot of teachers.

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Speaker 1: People who are proud to be smart.

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Speaker 2: People that aren't getting together up in the mountains except

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Speaker 2: on a normal basis. Yeah, and then they're all fucking you.

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Speaker 2: You think people fuck it like a rave of some kind,

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Speaker 2: because a lot of most hackey people would have gone

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Speaker 2: with a bound chick type, right, which I'm glad you didn't.

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Speaker 2: I hate. I mean, isn't it curious that when everyone

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Speaker 2: does music from a porn it is a bound chick,

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Speaker 2: a bound bound.

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Speaker 1: Oh right, when there's sex happening in so many other

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Speaker 1: music places like my EDM festival that I was just

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Speaker 1: doing a song from.

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Speaker 2: Yeah, people getting laid at guitar center.

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Speaker 1: Now, let's hear what it sounds like in the background.

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Speaker 2: Mirror. Should we talk about should we talk about how

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Speaker 2: we have a guest today?

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Speaker 1: I think we should. She's had to sit here and

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Speaker 1: listen like she's not here for so long.

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Speaker 2: Yeah, it's that's cutstoff. People do that, though, they develop

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Speaker 2: a rapport and then they're like, our guest today is

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Speaker 2: the terrific, hilarious. My good friend Lizzie Cooperman, Yeah, my

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Speaker 2: friend to yeah, and also our friend.

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Speaker 1: I'm sorry, it's okay, no, no, that sounded combative and it didn't.

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Speaker 1: I didn't mean it that way. It's just like I didn't.

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Speaker 2: Want to speak for you. Maybe you guys had a

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Speaker 2: tiff today.

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Speaker 3: Let me just go over my personal histories.

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Speaker 2: With both of you, Okay, idea, it'd be great. They

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Speaker 2: aren't the same history, right, they.

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Speaker 1: Aren't the same Mine's a history. Chris First, When did

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Speaker 1: you guys first meet?

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Speaker 3: I think we met in Minneapolis, did me?

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Speaker 2: Yes?

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Speaker 3: Weeks ago at Acme Comedy Club. Were you headlining there?

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Speaker 1: Oh?

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Speaker 2: I don't think. I think I was featuring for Frank Kellendo.

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Speaker 2: Oh really, of Mad TV.

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Speaker 1: Of John Madden fame.

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Speaker 2: Yes, yeah, before all.

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Speaker 1: That's just it might have been when he was on Hype.

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Speaker 1: My first writing job with the sketch show on the

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Speaker 1: WB called Pipe Wow Frank kellyand it was a star.

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Speaker 2: Oh wow, he's always been a star. And he was

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Speaker 2: like a neo con Republican who said really bizarre things

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Speaker 2: about how great Bush was.

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Speaker 1: And are not joking?

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Speaker 2: Yeah, And our good friend Andy Richie got in his

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Speaker 2: face over it.

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Speaker 3: Did he say?

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Speaker 2: He just started He's like, that's that's really how you

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Speaker 2: think you're an idiot?

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Speaker 3: I love that?

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Speaker 2: And Andy was just hanging out, No, he was, Ope,

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Speaker 2: it was Andy and I was featuring and Frank Kellyando

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Speaker 2: and the first night Andy got in his face about

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Speaker 2: something that he blurted that I love it. Yeah, it

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Speaker 2: was great, and so they didn't talk anymore for the best.

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Speaker 2: But yeah, that was like maybe my first time, fourth

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Speaker 2: time Firth. I'm gonna just clean up and start juicing

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Speaker 2: right now. Though he kept inviting me to things. But

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Speaker 2: after that, because I had Andy's back during that, I

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Speaker 2: was like, yeah.

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Speaker 3: That was pretty stood behind him and You're like.

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Speaker 2: Yeah, yeah, yeah, I don't really follow politics yet, but

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Speaker 2: I will one day when it affects me.

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Speaker 3: That's so funny.

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Speaker 2: Yeah.

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Speaker 3: So I feel like I met you there and then

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Speaker 3: time passed. Yeah, it was like a fast forward move.

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Speaker 2: If you imagine pages of a calendar, Yeah, that's just

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Speaker 2: peeling off.

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Speaker 3: Yeah, and then here right, Do you didn't live in

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Speaker 3: New York to do?

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Speaker 2: No?

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Speaker 1: I never Okay, did you live in New York?

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Speaker 3: I did. I lived there for two and a half years.

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Speaker 1: Who was your best friend, you know, Christ Derek in

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Speaker 1: New York?

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Speaker 3: He was I lived with Chris Drek.

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Speaker 2: For a while. I just assumed because he moved there

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Speaker 2: around that time. Yes, you were pals in Minneapolis.

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Speaker 3: We were we lived together I think my closest friend

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Speaker 3: there was Carmen Lynch.

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Speaker 1: Oh, I know her. Yeah, she's the greatest.

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Speaker 3: Yes, I love Carmen, So yeah, I think and then

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Speaker 3: but yeah, I don't know. There's a fog over this relationship.

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Speaker 2: It's clear, remember, yeah, it was just it's just a

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Speaker 2: slow build to what we have today. Yes, you're a

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Speaker 2: New York hiatus right right.

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Speaker 3: But I remember seeing you and being like, oh my god,

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Speaker 3: I've never seen anything like that. Like I remember when

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Speaker 3: I saw you. I felt like you opened my mind

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Speaker 3: to like new possibilities.

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Speaker 2: I flobbing words and saying that I'm not good at this,

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Speaker 2: but trying to get laps that way.

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Speaker 3: I always remember the joke about the hair falling through

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Speaker 3: the light that you do.

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Speaker 2: I always think of your frog on a lily pad.

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Speaker 2: Oh really yeah, yeah, that's that's your signature bit in

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Speaker 2: my brain. Maybe you haven't mentioned that frog in years.

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Speaker 3: Yeah, you know, the frog of which I speak, Karen.

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Speaker 2: No, it's a frog on a diplomatic frog on a

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Speaker 2: lily pad with suspenders. I've created a different you know.

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Speaker 1: I like.

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Speaker 3: I like the idea of the frog and the little

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Speaker 3: on the lily pad. It's slightly different, but it's like

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Speaker 3: a frog butler flying a frog butler.

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Speaker 1: Yeah, we had a real frog.

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Speaker 3: Yeah, children's story. So there's always a frog in knickers

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Speaker 3: who answers the door. And then I go through like

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Speaker 3: the whole scenario of me having this frog as a butler,

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Speaker 3: and how I want to like abuse this frog a

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Speaker 3: little bit just because he's like kind of weak and

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Speaker 3: like a little wet.

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Speaker 2: I love it.

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Speaker 3: Yeah, but he has like knickers on and stead yes,

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Speaker 3: kind of like be a tricks potter asque I think

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Speaker 3: I like it.

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Speaker 2: Yeah. I always think of who are those Christmas frogs

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Speaker 2: down by the bog playing the washboard tub whatever? You

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Speaker 2: know what? There's sometimes I feel like my memories are

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Speaker 2: just in my own head. But that was a thing.

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Speaker 1: I mean I don't remember.

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Speaker 2: Ain't no hole in my daughter's drug band Christmas, That's

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Speaker 2: what I'm talking about. What's that? It's a stop motion

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Speaker 2: in a in a bayou bog situation, but it's Christmas.

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Speaker 1: Can I look it up?

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Speaker 2: Yeah, And it's a stop motion animated and there's frogs.

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Speaker 1: Because I was gonna say, I've seen those like frogs

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Speaker 1: playing a stand up bass, but that was in a

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Speaker 1: gift shop in Florida. There was no Christmas involved.

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Speaker 2: I just know one of those songs. It's called Ain't

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Speaker 2: no Hole in the wash tub.

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Speaker 3: Oh wait, the frogs are playing stand up bass like

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Speaker 3: in a window display.

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Speaker 1: Well no, it's like little frogs made of shells, you

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Speaker 1: know there. It's like choch keys that they sell in

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Speaker 1: like tourist traps.

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Speaker 3: Okay, yeah.

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Speaker 1: Or sometimes they're dead frogs that they've stuffed and then

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Speaker 1: shell act so that they just stand there and put

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Speaker 1: like plastic eyes into.

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Speaker 2: I don't like that because under that sillac, don't we

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Speaker 2: have then a rotting frog.

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Speaker 1: Well, the sillac enables it to just not rot.

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Speaker 2: But if someone pokes a hole in the sillac coating

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Speaker 2: oh that thing a smelly frog out, then you'll have.

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Speaker 1: A zombie frog. And then it'll be more modern and

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Speaker 1: you can be like, this is the walking dead frog.

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Speaker 2: Yeah, and then you'll need a made frog to come

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Speaker 2: and clean it all up.

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Speaker 3: I feel like the frog.

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Speaker 2: Oh yeah, Jim, it's moppets, I guess not stop motion.

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Speaker 1: Like.

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Speaker 3: I feel like the frog is easy to humanize because

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Speaker 3: it kind of has like a real human body type.

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Speaker 1: The frog.

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Speaker 3: I feel like frogs do. They're like the apple shape

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Speaker 3: because they have kind of like the big metal and

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Speaker 3: like skinny legs.

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Speaker 2: Fucking thumbs or am I just thinking of Kermit? They

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Speaker 2: got fingers? Yeah, oh no they have I'm just thinking

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Speaker 2: a Kermit, I think. I yeah, I've changed. They have

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Speaker 2: little web they have little webbed hands, like yeah, yeah,

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Speaker 2: one day we will too.

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Speaker 1: We keep evolving, We keep swimming, Yeah, just keep swimming.

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Speaker 2: Tell us about your history with Karen here.

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Speaker 3: My history with well, I feel like I feel like

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Speaker 3: our history has had like twists and turns to it

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Speaker 3: because we didn't always know each other very well, right,

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Speaker 3: and then recently, I don't know, I feel like I'm

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Speaker 3: not great at recounting, but.

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Speaker 1: I mean nothing to her. Oh exactly. It's you know,

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Speaker 1: it's because of Georgia. I think like we met each other.

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Speaker 1: I know when I first met you, which was that

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Speaker 1: comedy show at Highways, which was one of my very

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Speaker 1: first stand up sets back after not doing stand up

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Speaker 1: for five years, and I was like, didn't want to

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Speaker 1: do it real bad, but I was like, you got it,

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Speaker 1: Like you have to start because I knew it was

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Speaker 1: going to be terrible. And it was at this weird

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Speaker 1: theater out in Santa Monica that was that it was

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Speaker 1: like three times longer than it was wide. And I

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Speaker 1: had walked backstage and Lizzie was back there with her

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Speaker 1: keyboard and there's probably four other youngsters back there with her,

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Speaker 1: and I was wanted to die almost the whole time.

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Speaker 1: And you were so nice and whoever the other girl was,

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Speaker 1: I can't remember. I remember this now, yes, And it

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00:16:21,320 --> 00:16:24,520
Speaker 1: was just weird backstage. And as everyone was like talking

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Speaker 1: and riffing with each other backstage, I was like, why

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Speaker 1: am I doing this? I hate stand and calling me

347
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Speaker 1: so much. And then you did your set and you

348
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Speaker 1: sang the Marongo Casino song and I could not stop laughing.

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Speaker 1: I was like losing my mind, Karen.

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Speaker 3: I never I could never remember this exact night until

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Speaker 3: now when you're saying, because I remember you walking in,

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Speaker 3: and before you came in, everyone was like she writes

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Speaker 3: on Ellen, and I felt like I got like nervous,

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Speaker 3: and I was like, oh, like I felt like I

355
00:16:53,920 --> 00:16:58,240
Speaker 3: wasn't communicating, but I was like, yeah, that's hilarious. Yes,

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Speaker 3: now I remember.

357
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Speaker 2: The nicest woman in comedy. You're nice to everybody that

358
00:17:06,400 --> 00:17:12,119
Speaker 2: deserves a pushover Ealy if someone gives a guff I

359
00:17:12,119 --> 00:17:12,800
Speaker 2: can shut down.

360
00:17:12,920 --> 00:17:13,560
Speaker 3: I can shut down.

361
00:17:13,600 --> 00:17:14,400
Speaker 2: I'll give you a little back.

362
00:17:14,600 --> 00:17:17,639
Speaker 1: You don't shut down. I've seen you getting guff and

363
00:17:17,680 --> 00:17:20,600
Speaker 1: give it directly back. That's when I knew. I was like,

364
00:17:20,640 --> 00:17:22,600
Speaker 1: did you have older sisters?

365
00:17:24,119 --> 00:17:30,320
Speaker 3: Saw me where? This is why I said twist and turns.

366
00:17:30,320 --> 00:17:34,200
Speaker 3: I've always loved Karen and wanted to be like, there's

367
00:17:34,200 --> 00:17:38,040
Speaker 3: something that you're like, I will become close to this person.

368
00:17:39,720 --> 00:17:44,560
Speaker 3: You see Karen like as something like beautiful in the

369
00:17:44,640 --> 00:17:52,960
Speaker 3: distance you are, You're like a wonder and where is

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Speaker 3: this going?

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Speaker 1: Where you just started crying?

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Speaker 3: No, But like so I always was like I want

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Speaker 3: to be friends with Karen, but I don't like, Yes,

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00:18:07,880 --> 00:18:08,480
Speaker 3: I never.

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Speaker 2: That's what it is.

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00:18:10,000 --> 00:18:11,960
Speaker 3: Yeah, I would quite get to I acted on it.

377
00:18:15,800 --> 00:18:16,440
Speaker 3: That's a real thing.

378
00:18:16,680 --> 00:18:17,679
Speaker 2: Yeah, it took me a while.

379
00:18:18,520 --> 00:18:20,520
Speaker 1: It's good that I realized that I'm not a mirage.

380
00:18:20,560 --> 00:18:21,280
Speaker 1: I'm an oasis.

381
00:18:21,359 --> 00:18:24,200
Speaker 2: Yeah, you're You're a real thing. You're out there. People

382
00:18:24,280 --> 00:18:26,840
Speaker 2: strive for you, but once they get to you, you're

383
00:18:26,880 --> 00:18:31,760
Speaker 2: not just a whispy reflection caused by hot air hitting

384
00:18:31,800 --> 00:18:38,480
Speaker 2: cold air. Right exactly, thank you. A lot of times

385
00:18:38,520 --> 00:18:41,000
Speaker 2: I interrupt people to clarify their thoughts.

386
00:18:41,080 --> 00:18:43,520
Speaker 3: No, I appreciate it because I was just like imagining

387
00:18:43,560 --> 00:18:48,840
Speaker 3: this like black, beautiful black hair, like swirl in the desert.

388
00:18:48,960 --> 00:18:51,640
Speaker 3: And then I was like, that's not Karen anymore.

389
00:18:51,880 --> 00:18:55,080
Speaker 1: It's Madonna from the Ray of Light video. That's what

390
00:18:55,119 --> 00:18:58,600
Speaker 1: you're really thinking of. And then I turned into a

391
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Speaker 1: bunch of birds.

392
00:19:02,560 --> 00:19:05,280
Speaker 3: So then we shared a room at George's wedding and

393
00:19:05,320 --> 00:19:08,000
Speaker 3: that was like an electric time. I think we were

394
00:19:08,040 --> 00:19:11,840
Speaker 3: both like in a raw place at that time.

395
00:19:12,000 --> 00:19:13,960
Speaker 1: Well, I had just come back from my mom sooner

396
00:19:14,000 --> 00:19:19,480
Speaker 1: all weekend and uh so, and it was at the

397
00:19:19,520 --> 00:19:23,320
Speaker 1: Madonna Inn, which is this kitchy fain place.

398
00:19:23,440 --> 00:19:25,600
Speaker 2: You've been there, I've driven by it and wanted to go.

399
00:19:25,760 --> 00:19:27,800
Speaker 2: It's so on the way to Morongo. Hit it with

400
00:19:27,920 --> 00:19:28,520
Speaker 2: the song.

401
00:19:28,359 --> 00:19:32,439
Speaker 3: More Marongo check me out June twenty first of the Virginal.

402
00:19:33,480 --> 00:19:39,320
Speaker 3: I plug it every five minutes. But yes, and it's

403
00:19:39,440 --> 00:19:43,720
Speaker 3: very so it's already like a sensory experience.

404
00:19:43,880 --> 00:19:47,160
Speaker 1: We were in the horse room. Yes, all horses all around,

405
00:19:47,320 --> 00:19:50,440
Speaker 1: real horses. There was a what do you call it?

406
00:19:50,480 --> 00:19:54,360
Speaker 1: A carousel horse hanging from the light fixture over the bed.

407
00:19:54,440 --> 00:19:59,040
Speaker 3: Yeah, like a large horse in kind of galloping pose.

408
00:19:59,240 --> 00:20:04,120
Speaker 2: There is there was a light fixture that in Austin

409
00:20:04,200 --> 00:20:07,639
Speaker 2: at the Drisco Theater where at Drisco Hotel, it's a

410
00:20:07,680 --> 00:20:11,359
Speaker 2: haunted place, but there was a full on stuffed horse

411
00:20:12,280 --> 00:20:14,640
Speaker 2: with a lamp shade on its head and a light

412
00:20:14,760 --> 00:20:18,320
Speaker 2: in its head. There was that was a lamp.

413
00:20:18,080 --> 00:20:19,879
Speaker 1: There, a full sized horse.

414
00:20:20,040 --> 00:20:22,639
Speaker 2: Yeah, and there's no one there. So I just went

415
00:20:22,680 --> 00:20:25,080
Speaker 2: to a stranger and said, I'm so hungry I could

416
00:20:25,080 --> 00:20:27,680
Speaker 2: eat a lamp. But it was a hard and he's like, oh,

417
00:20:27,680 --> 00:20:28,119
Speaker 2: I get it.

418
00:20:28,680 --> 00:20:30,080
Speaker 3: And then he went back the next day and it

419
00:20:30,160 --> 00:20:30,480
Speaker 3: was gone.

420
00:20:30,800 --> 00:20:33,840
Speaker 2: Yeah, and cigar smoke was coming out of the painting

421
00:20:33,920 --> 00:20:37,119
Speaker 2: of the old owner. That's what the thing is there.

422
00:20:37,240 --> 00:20:39,720
Speaker 2: Cigar smokes come out there and you can smell cigar

423
00:20:39,800 --> 00:20:42,080
Speaker 2: smoke for real. They're like, yeah, you can't smoke here

424
00:20:42,119 --> 00:20:45,240
Speaker 2: that you can just always smell. I'm like they're pumping

425
00:20:45,280 --> 00:20:46,679
Speaker 2: it out of the walls or something.

426
00:20:47,080 --> 00:20:48,919
Speaker 1: Well, it would be a good draw. I would totally

427
00:20:48,920 --> 00:20:49,320
Speaker 1: go there.

428
00:20:49,440 --> 00:20:51,640
Speaker 2: It is across the street from the only place I've

429
00:20:51,640 --> 00:20:54,800
Speaker 2: ever had a legitimate ghost experience. There's like this haunted

430
00:20:54,840 --> 00:20:58,080
Speaker 2: corner in Austin. Yeah. No, I don't even want.

431
00:20:57,960 --> 00:21:00,840
Speaker 3: To think about what was the other experience.

432
00:21:01,119 --> 00:21:04,520
Speaker 2: Oh, I was across the street at Buffalo Billiards painting

433
00:21:04,560 --> 00:21:11,680
Speaker 2: their windows for Christmas and many things. There was people partying, and.

434
00:21:12,880 --> 00:21:15,080
Speaker 3: Is that part of your artist repertoire?

435
00:21:15,800 --> 00:21:16,520
Speaker 2: What's that is?

436
00:21:16,640 --> 00:21:20,960
Speaker 3: Painting windows like as well as you can draw, and.

437
00:21:21,720 --> 00:21:25,480
Speaker 2: Especially in warm environments because you just paint, draw it out,

438
00:21:25,600 --> 00:21:28,800
Speaker 2: paint a white bass with house paint and then just

439
00:21:29,040 --> 00:21:30,760
Speaker 2: get as detailed you as you want.

440
00:21:30,920 --> 00:21:33,000
Speaker 3: That's one of the most exciting things is to be

441
00:21:33,000 --> 00:21:35,800
Speaker 3: eating in a restaurant suddenly, like during the holidays, like

442
00:21:35,840 --> 00:21:37,520
Speaker 3: someone comes in paints on your window.

443
00:21:37,720 --> 00:21:40,080
Speaker 2: It was fun to do that. I like doing it.

444
00:21:40,080 --> 00:21:43,719
Speaker 2: It may put me in the spirit simple pleasure.

445
00:21:43,880 --> 00:21:46,600
Speaker 3: I'm like, one of my greatest pleasures in life is

446
00:21:46,640 --> 00:21:47,720
Speaker 3: a painted window.

447
00:21:49,800 --> 00:21:52,440
Speaker 1: I need a stop and appreciate these pleasures.

448
00:21:53,240 --> 00:21:56,639
Speaker 2: I just was hearing things and wind and peripheral things

449
00:21:56,840 --> 00:22:00,920
Speaker 2: whipping by, and just more like feelings that someone was there.

450
00:22:00,960 --> 00:22:03,560
Speaker 2: And then some guy came and said, hey, you're not

451
00:22:03,680 --> 00:22:06,399
Speaker 2: locked in anymore. I'm an employee and I'm here now,

452
00:22:06,440 --> 00:22:10,080
Speaker 2: and I'm like, oh, no, there's people partying next door.

453
00:22:10,119 --> 00:22:13,920
Speaker 2: And he's like, yeah, those noises and it had stopped.

454
00:22:14,119 --> 00:22:16,000
Speaker 2: I'm like oh, And I looked in there and it

455
00:22:16,080 --> 00:22:21,879
Speaker 2: was like cobweb old pool tables and boxes of Christmas ornaments.

456
00:22:21,800 --> 00:22:23,800
Speaker 1: And you thought there was a fall on like I thought.

457
00:22:23,600 --> 00:22:26,480
Speaker 2: They were decorating too. That's what made it more freaky,

458
00:22:26,480 --> 00:22:29,560
Speaker 2: as there was Christmas ornament and I'd never looked in there.

459
00:22:29,680 --> 00:22:33,240
Speaker 2: I just was hearing, yeah, a multiple, like thirty people.

460
00:22:33,440 --> 00:22:34,439
Speaker 2: It was like a party.

461
00:22:34,600 --> 00:22:35,399
Speaker 3: Oh my god.

462
00:22:35,560 --> 00:22:38,600
Speaker 2: And he said, yeah, I've heard that. I've I've seen

463
00:22:38,680 --> 00:22:41,280
Speaker 2: a layer of dust on that table and I just

464
00:22:41,359 --> 00:22:44,359
Speaker 2: touch it and it all rises. And there's a light

465
00:22:44,520 --> 00:22:46,840
Speaker 2: under the stairs and I'll go shut the door because

466
00:22:46,840 --> 00:22:48,960
Speaker 2: of the door opening would turn on the light and

467
00:22:48,960 --> 00:22:50,679
Speaker 2: he'd go shut it and then go back to the

468
00:22:50,720 --> 00:22:53,440
Speaker 2: bar and it's opening the lights on again. They all

469
00:22:53,520 --> 00:22:58,160
Speaker 2: had stories and I'd never experienced anything. But I'm like, oh,

470
00:22:58,480 --> 00:23:00,960
Speaker 2: come to think of it, a stack of pint glasses

471
00:23:01,040 --> 00:23:03,720
Speaker 2: fell over while I was painting, and I'm like, oh,

472
00:23:03,800 --> 00:23:07,439
Speaker 2: someone knocked over. Oh they're not there anymore. I just

473
00:23:07,520 --> 00:23:10,040
Speaker 2: have to finish this painting. I wasn't really, I can

474
00:23:10,160 --> 00:23:12,920
Speaker 2: just I love the idea of ghosts getting frustrated because

475
00:23:12,920 --> 00:23:17,360
Speaker 2: I'm not. I just keep someone blew on my neck. Anyway.

476
00:23:17,560 --> 00:23:19,919
Speaker 2: Along with this, Santa Claust's faces crooked.

477
00:23:21,160 --> 00:23:23,200
Speaker 3: You just reminded me of a phrase. You didn't say

478
00:23:23,200 --> 00:23:25,960
Speaker 3: this phrase, but a phrase I don't like is come

479
00:23:26,000 --> 00:23:32,679
Speaker 3: to find out conversation. She was wearing a cowgirl outfit,

480
00:23:33,080 --> 00:23:33,880
Speaker 3: come to find out?

481
00:23:34,160 --> 00:23:37,800
Speaker 2: She was born and raised the Well, it is what

482
00:23:37,880 --> 00:23:41,680
Speaker 2: it is. But at the end of the day, at

483
00:23:41,680 --> 00:23:47,560
Speaker 2: the same old. That's when I hate same because people

484
00:23:47,560 --> 00:23:51,680
Speaker 2: go same old, same old. Did you say mold, same old,

485
00:23:52,440 --> 00:23:54,680
Speaker 2: same old, same old mole mole?

486
00:23:55,840 --> 00:24:00,760
Speaker 1: Fine? Wait what sing like that? Do I hate? Hmmm?

487
00:24:02,000 --> 00:24:03,520
Speaker 2: It is what it is, has to be.

488
00:24:03,880 --> 00:24:04,760
Speaker 1: That's super lame.

489
00:24:05,600 --> 00:24:09,280
Speaker 3: Oh. I got an argument with someone for describing her

490
00:24:09,320 --> 00:24:13,240
Speaker 3: friends as pretty decent. I was like, really, I was like,

491
00:24:13,280 --> 00:24:15,720
Speaker 3: do you miss being an Eyeland? She was like, yeah,

492
00:24:15,720 --> 00:24:18,040
Speaker 3: it was pretty decent. I was like, do you miss

493
00:24:18,040 --> 00:24:21,200
Speaker 3: her friends? Yeah, they're pretty decent. And I just got

494
00:24:21,200 --> 00:24:24,000
Speaker 3: this Crawley feeling. Oliver, you like, what does it take

495
00:24:24,080 --> 00:24:28,000
Speaker 3: to break the glass? How do we get past decent? Like?

496
00:24:28,040 --> 00:24:30,480
Speaker 3: It was just everything. It was probably just I didn't

497
00:24:30,480 --> 00:24:32,480
Speaker 3: like the person, honestly, but it's just like such a

498
00:24:32,560 --> 00:24:34,640
Speaker 3: stifling feeling.

499
00:24:34,880 --> 00:24:37,480
Speaker 1: It's like kind of saying I can't be impressed. Yes,

500
00:24:38,359 --> 00:24:41,520
Speaker 1: either that or she just didn't have a good like

501
00:24:41,520 --> 00:24:45,399
Speaker 1: like vocabulary or imagination or experience.

502
00:24:45,520 --> 00:24:46,760
Speaker 3: Maybe I brought something up.

503
00:24:47,400 --> 00:24:49,800
Speaker 2: How were your friends back at home? I give them

504
00:24:49,800 --> 00:24:50,560
Speaker 2: about a six.

505
00:24:51,520 --> 00:24:57,760
Speaker 1: They don't kill people, they're non murdering snooze vests. Although

506
00:24:58,040 --> 00:25:01,280
Speaker 1: I can say on her behead, or who's from the

507
00:25:01,320 --> 00:25:04,280
Speaker 1: Midwest or like a small town you know how like

508
00:25:04,320 --> 00:25:07,000
Speaker 1: sometimes you just grow up. It's like whoever's your age

509
00:25:07,080 --> 00:25:10,280
Speaker 1: and had their desk near yours? Those are your friends? Yes,

510
00:25:10,400 --> 00:25:12,240
Speaker 1: Like maybe she realized when she got to a big

511
00:25:12,280 --> 00:25:14,959
Speaker 1: city and had her pick. It was like, oh yeah,

512
00:25:15,280 --> 00:25:17,280
Speaker 1: like I don't hate them, but they weren't great.

513
00:25:17,920 --> 00:25:20,240
Speaker 3: She was trying to say, that's an honest answer than

514
00:25:20,240 --> 00:25:22,160
Speaker 3: I then like, yeah.

515
00:25:22,160 --> 00:25:24,240
Speaker 1: I just want to figure out one way that you're wrong.

516
00:25:25,080 --> 00:25:26,399
Speaker 3: But I need that.

517
00:25:27,080 --> 00:25:31,320
Speaker 1: Look, I'm willing to look at.

518
00:25:30,640 --> 00:25:35,679
Speaker 2: An oasis not so great to me. Yeah, if I

519
00:25:35,720 --> 00:25:37,760
Speaker 2: think about it, If I think about my friends that

520
00:25:38,119 --> 00:25:41,040
Speaker 2: from home that I start being friends with because they

521
00:25:41,080 --> 00:25:43,800
Speaker 2: lived down the street or they were interested in the

522
00:25:43,840 --> 00:25:47,159
Speaker 2: same thing. They were like skateboarders, I'd bet if I

523
00:25:47,240 --> 00:25:49,840
Speaker 2: met them now it would be harder. I'd bet I

524
00:25:49,840 --> 00:25:53,040
Speaker 2: wouldn't become friends with them really, because they're like shy.

525
00:25:53,880 --> 00:25:56,800
Speaker 2: Now I'm like around people, they're more like outgoing. I

526
00:25:57,400 --> 00:25:59,920
Speaker 2: call it my shy at home friends. Yeah, and they'll

527
00:26:00,359 --> 00:26:04,120
Speaker 2: not friends with them, and it's impossible to replace those

528
00:26:04,160 --> 00:26:05,480
Speaker 2: early friendships.

529
00:26:05,840 --> 00:26:08,080
Speaker 1: Well, I think it's before you get big ideas in

530
00:26:08,119 --> 00:26:11,240
Speaker 1: your head about what you need or what, like fame

531
00:26:11,400 --> 00:26:13,919
Speaker 1: or those dumb things that like only now in my

532
00:26:14,680 --> 00:26:17,560
Speaker 1: let's say early forties, but we should say mid forties.

533
00:26:18,800 --> 00:26:20,359
Speaker 1: I just go like, oh, I don't even know why

534
00:26:20,359 --> 00:26:21,960
Speaker 1: I wanted to do any of the stupid shit in

535
00:26:21,960 --> 00:26:24,560
Speaker 1: the first place, Like when I you know, when I

536
00:26:24,600 --> 00:26:26,640
Speaker 1: go back home, and then I'm like, I always wanted

537
00:26:26,680 --> 00:26:29,439
Speaker 1: to write everything off as like small town and stupid

538
00:26:29,520 --> 00:26:32,119
Speaker 1: and simple, where it's like, no, it wasn't any of

539
00:26:32,160 --> 00:26:33,840
Speaker 1: those things. It's actually pretty cool.

540
00:26:34,000 --> 00:26:35,040
Speaker 2: Yeah, what's the coolest.

541
00:26:35,240 --> 00:26:37,760
Speaker 1: Yeah, but it's what I needed to do to get out,

542
00:26:38,480 --> 00:26:42,040
Speaker 1: yeah and rise up. Yeah right right.

543
00:26:44,600 --> 00:26:44,719
Speaker 3: Oh.

544
00:26:44,800 --> 00:26:47,159
Speaker 1: Also, in our hotel room, Lizzie and I had a

545
00:26:47,160 --> 00:26:49,240
Speaker 1: bid day. I can't remember if I told you about

546
00:26:49,280 --> 00:26:51,440
Speaker 1: that or not. Did I ever say?

547
00:26:51,560 --> 00:26:53,119
Speaker 3: Aaron's nodding, Yes.

548
00:26:53,560 --> 00:26:54,400
Speaker 1: We talked about it.

549
00:26:54,960 --> 00:26:57,040
Speaker 2: No. No, I've stayed at the Madonna and they have

550
00:26:57,080 --> 00:26:58,359
Speaker 2: those Japanese toilet seats.

551
00:26:58,560 --> 00:27:01,840
Speaker 1: Yes, where shoe water up your They sure do. And

552
00:27:01,880 --> 00:27:04,399
Speaker 1: it's warm water. So every time we would go in

553
00:27:04,440 --> 00:27:05,520
Speaker 1: to use so it's like.

554
00:27:06,480 --> 00:27:09,639
Speaker 2: Karen just wiggled her eyebrows warm water and then she

555
00:27:09,680 --> 00:27:13,960
Speaker 2: walk walk a walk up with her eyebrows and then winked.

556
00:27:14,320 --> 00:27:18,040
Speaker 1: Because it was just a funny, Like every time I

557
00:27:18,160 --> 00:27:20,600
Speaker 1: used the bathroom, I would laugh at the end, and

558
00:27:20,600 --> 00:27:22,400
Speaker 1: then Lizzie would hear me in the other room because

559
00:27:22,400 --> 00:27:24,960
Speaker 1: it was just two rooms, but I would like, I

560
00:27:25,000 --> 00:27:27,320
Speaker 1: was like, I'm using the bidet, and because it wasn't

561
00:27:27,320 --> 00:27:27,960
Speaker 1: a separate thing.

562
00:27:28,119 --> 00:27:31,680
Speaker 3: You were sitting on the toilet, going painting, plant painting.

563
00:27:31,960 --> 00:27:34,960
Speaker 3: You were describing the Scooby Doo hallway every time you

564
00:27:35,040 --> 00:27:35,720
Speaker 3: went to the bathroom.

565
00:27:35,720 --> 00:27:40,199
Speaker 1: Every time. I just want that laugh back. But you

566
00:27:40,240 --> 00:27:42,840
Speaker 1: press a little button like you could order what you

567
00:27:42,920 --> 00:27:45,639
Speaker 1: wanted it the direction it goes right, right er, and

568
00:27:45,680 --> 00:27:48,320
Speaker 1: you could get you could get it coming frontwards.

569
00:27:47,800 --> 00:27:51,080
Speaker 2: Could hot or cool it down, like, oh that's too

570
00:27:51,080 --> 00:27:51,720
Speaker 2: hot up there.

571
00:27:51,880 --> 00:27:54,600
Speaker 3: I feel like it was warm the button on the wall,

572
00:27:54,720 --> 00:27:55,080
Speaker 3: wasn't it.

573
00:27:55,200 --> 00:27:58,000
Speaker 2: I want one so bad I can't even begin to

574
00:27:58,040 --> 00:28:00,320
Speaker 2: tell you there. I'm one hundred percent on word with

575
00:28:00,400 --> 00:28:05,560
Speaker 2: the days there with everyone using one get these stank

576
00:28:05,640 --> 00:28:07,879
Speaker 2: asses out of here, I got. I think I'm quoting

577
00:28:07,920 --> 00:28:08,600
Speaker 2: Martin Laurence.

578
00:28:11,000 --> 00:28:12,640
Speaker 1: We need to be washing, they ask.

579
00:28:12,840 --> 00:28:16,879
Speaker 2: Martin Lawrence got banned from Saturday Night Live because he

580
00:28:17,000 --> 00:28:19,280
Speaker 2: just did stand up about women need to wash.

581
00:28:19,359 --> 00:28:21,560
Speaker 1: They ass wash, they asked. And at one point he

582
00:28:21,600 --> 00:28:24,920
Speaker 1: suggests that we put a mint up our ass, or

583
00:28:25,000 --> 00:28:26,760
Speaker 1: put a mint up there. I think at the time

584
00:28:26,960 --> 00:28:29,480
Speaker 1: I pictured he meant ass, but he probably meant pussy.

585
00:28:30,160 --> 00:28:32,560
Speaker 1: But I remember watching that real time and going, this

586
00:28:32,720 --> 00:28:34,240
Speaker 1: is absolute filth.

587
00:28:34,440 --> 00:28:36,080
Speaker 2: Yeah, why do I have to watch this? And then

588
00:28:36,119 --> 00:28:39,360
Speaker 2: the next day he was like in the street wearing

589
00:28:39,400 --> 00:28:41,760
Speaker 2: garbage bags, fielding a gun.

590
00:28:41,880 --> 00:28:45,240
Speaker 1: He went jogging in US in like a sweating suit,

591
00:28:45,320 --> 00:28:49,000
Speaker 1: not a sweatsuit, but like an all plastic suits, the

592
00:28:49,000 --> 00:28:52,959
Speaker 1: ones that you wear to sweat like way more than normal.

593
00:28:53,320 --> 00:28:53,960
Speaker 1: Do you know those?

594
00:28:54,080 --> 00:28:56,200
Speaker 2: I want to do that after I have a bad set.

595
00:28:56,520 --> 00:28:57,680
Speaker 1: Especially sweat it all out.

596
00:28:57,800 --> 00:29:00,120
Speaker 2: Yeah, I ate on s and l let me what

597
00:29:00,200 --> 00:29:00,400
Speaker 2: I know.

598
00:29:01,280 --> 00:29:04,400
Speaker 3: Back to that weekend, everyone was talking about Mike Lawrence,

599
00:29:04,440 --> 00:29:06,080
Speaker 3: and the whole time I thought they were talking about

600
00:29:06,080 --> 00:29:11,520
Speaker 3: Martin Lawrence, And you were like, remember that's because it

601
00:29:11,600 --> 00:29:13,760
Speaker 3: was so weird. I was like, why is everyone talking

602
00:29:13,800 --> 00:29:16,480
Speaker 3: about Martin Lawrence? And I was like, oh god, Martin

603
00:29:16,520 --> 00:29:19,360
Speaker 3: Lawrence is a fun like it was all nice. Yeah,

604
00:29:19,360 --> 00:29:22,440
Speaker 3: it's positive, positive things people were saying. And I was like, God,

605
00:29:22,440 --> 00:29:23,760
Speaker 3: he's just in the zeit guy.

606
00:29:24,320 --> 00:29:26,480
Speaker 1: He's back.

607
00:29:26,600 --> 00:29:29,200
Speaker 2: I've always said that. But the first time I saw

608
00:29:29,320 --> 00:29:32,840
Speaker 2: Martin Lawrence, I'm like, this guy's not going anywhere. He's

609
00:29:32,840 --> 00:29:35,480
Speaker 2: here to stay. I said, yep, totally yeah.

610
00:29:35,640 --> 00:29:37,960
Speaker 1: And the first time I saw Mike Lawrence, I was like,

611
00:29:38,160 --> 00:29:42,440
Speaker 1: this is basically the same as Martin Lawrence. Yeah, it's repeat.

612
00:29:42,200 --> 00:29:46,719
Speaker 2: Yep, same Skins game, same beard, same pro Wings.

613
00:29:47,640 --> 00:29:50,880
Speaker 3: Yeah. But like, so we stayed in this room. There

614
00:29:50,960 --> 00:29:53,160
Speaker 3: was like a weird electricity that we cank it was.

615
00:29:53,240 --> 00:29:56,239
Speaker 3: There was a storm yep, so it was raining. We

616
00:29:56,240 --> 00:30:02,080
Speaker 3: were in the surreal place. We were both emotionally raw, Yes,

617
00:30:02,160 --> 00:30:03,040
Speaker 3: emotionally raw.

618
00:30:03,200 --> 00:30:05,680
Speaker 1: You had to do a speech at the Oh my

619
00:30:05,680 --> 00:30:08,400
Speaker 1: God ceremony. So we were doing some homework and we

620
00:30:08,400 --> 00:30:13,280
Speaker 1: were talking about feelings and like being real and saying

621
00:30:13,320 --> 00:30:16,640
Speaker 1: things that matter as opposed to doing comedy.

622
00:30:16,760 --> 00:30:19,760
Speaker 2: Because you had just come off the heels of killing it.

623
00:30:19,760 --> 00:30:22,440
Speaker 1: At of killing it at my mom's funeral, she murdered

624
00:30:22,440 --> 00:30:24,800
Speaker 1: at it, and I had a real uh. I could

625
00:30:24,800 --> 00:30:28,000
Speaker 1: have taught a learning x an X class about how

626
00:30:28,040 --> 00:30:31,080
Speaker 1: to give a speech at a public event.

627
00:30:31,240 --> 00:30:33,320
Speaker 3: Karen helped me so much because I was driving there.

628
00:30:33,440 --> 00:30:36,400
Speaker 3: I had this plan, but it was like the way

629
00:30:36,600 --> 00:30:39,840
Speaker 3: I would think about putting, you know, like I thought

630
00:30:39,880 --> 00:30:42,280
Speaker 3: it needed like a concept. I was like, this has

631
00:30:42,320 --> 00:30:45,000
Speaker 3: to be like a concept, but it didn't have to

632
00:30:45,040 --> 00:30:45,240
Speaker 3: be that.

633
00:30:45,520 --> 00:30:48,080
Speaker 1: And then I scream peel away the layers, peel away.

634
00:30:48,360 --> 00:30:51,200
Speaker 1: And then we wrote some Yeah, some good stuff.

635
00:30:51,280 --> 00:30:56,000
Speaker 2: You said helpful things and gave me tips before I

636
00:30:56,040 --> 00:30:59,920
Speaker 2: publicly spoke on Conan. That helped a lot for real. Yeah,

637
00:31:00,040 --> 00:31:00,920
Speaker 2: you're good at what.

638
00:31:01,600 --> 00:31:02,240
Speaker 1: I don't remember that.

639
00:31:02,440 --> 00:31:05,200
Speaker 2: Oh, I've forgotten at all. I'll need it again. If

640
00:31:05,440 --> 00:31:07,120
Speaker 2: If and I ever do the show? Do you hate

641
00:31:07,200 --> 00:31:10,040
Speaker 2: If and I ever? No, I love it.

642
00:31:10,040 --> 00:31:12,120
Speaker 3: I feel like I've never even heard that before. If

643
00:31:12,240 --> 00:31:13,520
Speaker 3: and I.

644
00:31:13,040 --> 00:31:17,160
Speaker 2: If it's It's There's a line in uh in the

645
00:31:18,760 --> 00:31:23,000
Speaker 2: Georgia Bailey Christmas What's Oh, It's Wonderful Life where everyone

646
00:31:23,040 --> 00:31:26,600
Speaker 2: comes at the end and they all are pulling together

647
00:31:26,720 --> 00:31:29,680
Speaker 2: money to bail them out, and a maid comes in

648
00:31:29,760 --> 00:31:32,240
Speaker 2: and she says, my sister and I used to rewind

649
00:31:32,280 --> 00:31:34,280
Speaker 2: it and watch it over and over until we understood,

650
00:31:34,280 --> 00:31:39,280
Speaker 2: and finally subtitles spelled it out. I've been saving this

651
00:31:39,440 --> 00:31:46,840
Speaker 2: money for a divorce if and I ever gets a husband,

652
00:31:47,840 --> 00:31:52,040
Speaker 2: if and I ever, and I yeah, I'll need Karen

653
00:31:52,080 --> 00:31:54,000
Speaker 2: to remind me of her words, if and I ever

654
00:31:54,040 --> 00:31:56,760
Speaker 2: do Conan again, if and I ever, it's the.

655
00:31:56,760 --> 00:32:02,400
Speaker 1: Word if with a comma apostrophe and that cowboy hat

656
00:32:03,000 --> 00:32:04,960
Speaker 1: hanging off the end of the end, and then the

657
00:32:05,080 --> 00:32:09,440
Speaker 1: RB's cowboy hat, and then I ever. But you know what,

658
00:32:09,680 --> 00:32:12,480
Speaker 1: I remember what I said, I think, which is what

659
00:32:12,560 --> 00:32:14,720
Speaker 1: I say to everybody who who's about to do something

660
00:32:14,800 --> 00:32:16,520
Speaker 1: big that they get freaked out about.

661
00:32:16,760 --> 00:32:18,440
Speaker 2: I thought it was special for me.

662
00:32:18,960 --> 00:32:20,960
Speaker 1: Well, I mean, it's not like a ton of people

663
00:32:21,040 --> 00:32:28,360
Speaker 1: asking me that I said that. The feeling of nervousness,

664
00:32:28,400 --> 00:32:31,760
Speaker 1: like that excitement and nervousness feel the same, and so

665
00:32:31,840 --> 00:32:33,840
Speaker 1: you don't have to interpret it's the feeling that you're

666
00:32:33,880 --> 00:32:34,560
Speaker 1: having as.

667
00:32:34,440 --> 00:32:34,960
Speaker 2: A bad thing.

668
00:32:35,960 --> 00:32:38,560
Speaker 1: Of course you're nervous, it's it matters to you. It's

669
00:32:38,560 --> 00:32:41,280
Speaker 1: a big deal, that's why you're feeling it. But it's

670
00:32:41,440 --> 00:32:43,680
Speaker 1: just as positive, like you don't have to interpret it

671
00:32:43,720 --> 00:32:45,000
Speaker 1: as a negative, right.

672
00:32:45,080 --> 00:32:47,360
Speaker 3: I feel like that would save a lot of people

673
00:32:47,400 --> 00:32:49,200
Speaker 3: from alcoholism.

674
00:32:48,960 --> 00:32:50,760
Speaker 1: If only I really do.

675
00:32:50,880 --> 00:32:52,480
Speaker 3: I feel like a lot of people like get rid

676
00:32:52,560 --> 00:32:54,280
Speaker 3: of this feeling if they were like, oh my god,

677
00:32:54,320 --> 00:32:59,160
Speaker 3: I'm excited instead of having this like anxiety like people say,

678
00:32:59,520 --> 00:33:02,000
Speaker 3: I go into the situation I can't be around people.

679
00:33:02,160 --> 00:33:05,040
Speaker 3: Like what if they interpreted that as just being like

680
00:33:05,120 --> 00:33:06,880
Speaker 3: on a hot like that was the high?

681
00:33:07,120 --> 00:33:11,600
Speaker 1: Yeah, being nervous, Yeah, my mom. I actually got it

682
00:33:11,640 --> 00:33:14,520
Speaker 1: from my mom the night before I taped the Bob

683
00:33:14,560 --> 00:33:17,320
Speaker 1: Hope Young Comedian Special, which I taped when I was

684
00:33:17,360 --> 00:33:20,840
Speaker 1: like twenty three or four, and everybody else on the

685
00:33:20,880 --> 00:33:26,200
Speaker 1: Young Comedian Special was like Sue Kolinski, Margaret Smith, Paul Provenza,

686
00:33:26,360 --> 00:33:28,880
Speaker 1: like comics who had done the Tonight showe ten times

687
00:33:28,920 --> 00:33:30,800
Speaker 1: and then me and I was in my head. I

688
00:33:30,840 --> 00:33:33,160
Speaker 1: was like, this is the ultimate situation where like I'm

689
00:33:33,160 --> 00:33:35,160
Speaker 1: a fraud and it sticks out and everyone knows I

690
00:33:35,160 --> 00:33:38,240
Speaker 1: shouldn't be here. And so I was in a full blown,

691
00:33:38,280 --> 00:33:40,720
Speaker 1: white hot panic and I was talking to my mom

692
00:33:40,760 --> 00:33:43,400
Speaker 1: on the phone and I was started crying and I

693
00:33:43,440 --> 00:33:45,480
Speaker 1: was like, I'm so nervous, I'm freaking out, and she

694
00:33:45,640 --> 00:33:47,520
Speaker 1: was like, of course you're nervous. It means a lot.

695
00:33:48,000 --> 00:33:49,880
Speaker 1: It's this is a big deal, it means something. You

696
00:33:49,920 --> 00:33:53,120
Speaker 1: should be nervous. But it's good to be nervous because

697
00:33:53,400 --> 00:33:55,640
Speaker 1: that means it's important to you. That's how you know

698
00:33:56,160 --> 00:33:58,320
Speaker 1: what's a big deal to you. Yeah, Like the goal

699
00:33:58,400 --> 00:34:01,440
Speaker 1: should not be to not have feelings, right.

700
00:34:02,320 --> 00:34:05,480
Speaker 3: I love that. I'm glad you called her.

701
00:34:05,920 --> 00:34:06,520
Speaker 1: I know me too.

702
00:34:06,600 --> 00:34:08,120
Speaker 3: My mom would have been like, shove it down and

703
00:34:08,120 --> 00:34:18,680
Speaker 3: get out. There's kidding, smile and smile smile. Yes, hm wow. Yeah.

704
00:34:18,719 --> 00:34:22,319
Speaker 3: I remember having a panic like that at New Faces

705
00:34:23,160 --> 00:34:26,920
Speaker 3: many moons ago, and I remember my manager was like,

706
00:34:27,560 --> 00:34:29,080
Speaker 3: why are you wearing that T shirt? She was like,

707
00:34:29,080 --> 00:34:30,920
Speaker 3: I thought you were gonna wear a tank top and

708
00:34:30,960 --> 00:34:33,279
Speaker 3: I was like, oh my god. Like that those were

709
00:34:33,320 --> 00:34:35,720
Speaker 3: like Epley's welcome.

710
00:34:36,719 --> 00:34:38,759
Speaker 2: Oh my god, that's it was so bad.

711
00:34:39,160 --> 00:34:41,680
Speaker 3: She was back stage and everyone was like what is

712
00:34:41,719 --> 00:34:45,520
Speaker 3: she doing? And she's like, get your tits out there, seriously.

713
00:34:45,760 --> 00:34:48,520
Speaker 3: It was I was. It was awful, and I wasn't

714
00:34:48,520 --> 00:34:50,400
Speaker 3: ready to do it when it was like two thousand

715
00:34:50,400 --> 00:34:54,880
Speaker 3: and seven. I was like, like scrounging together material.

716
00:34:55,080 --> 00:34:58,680
Speaker 2: But yeah, I feel like I did that in three

717
00:34:58,760 --> 00:35:01,359
Speaker 2: and I feel like I wasn't ready either. Really, I

718
00:35:01,440 --> 00:35:03,360
Speaker 2: just went out there and I'm like, I'm not nervous

719
00:35:03,440 --> 00:35:05,480
Speaker 2: until I got on stage and I'm like, yeah, I am.

720
00:35:05,719 --> 00:35:08,319
Speaker 2: I can't have no thoughts in my head. And I

721
00:35:08,440 --> 00:35:12,520
Speaker 2: just started talking about the night before because I had

722
00:35:12,680 --> 00:35:15,400
Speaker 2: went up after Chad Danielson. We just like went to

723
00:35:15,520 --> 00:35:18,760
Speaker 2: some weird eyes wide hut party in clowns picked pocketed

724
00:35:19,520 --> 00:35:22,359
Speaker 2: him and he got his wallet back empty, but they

725
00:35:22,360 --> 00:35:26,400
Speaker 2: bought his strengths, these clowns, these French clowns. It stole

726
00:35:26,440 --> 00:35:30,120
Speaker 2: its wallet and then used the money in it, Tobias.

727
00:35:30,160 --> 00:35:34,040
Speaker 2: And then so instead of doing my uh did I think?

728
00:35:34,080 --> 00:35:35,839
Speaker 2: I did a joke, And then I just started talking

729
00:35:35,880 --> 00:35:38,960
Speaker 2: about Chad and I the night before. What am I doing?

730
00:35:39,040 --> 00:35:43,200
Speaker 2: You're weird showcase? Like a career thing. Everyone got a ballot.

731
00:35:43,719 --> 00:35:46,800
Speaker 2: Oh he just blew it, okay. But the other.

732
00:35:49,160 --> 00:35:53,480
Speaker 3: The second one was I remember I was doing like

733
00:35:53,520 --> 00:35:56,840
Speaker 3: a documentary about the new Faces that year, and I

734
00:35:56,880 --> 00:35:59,040
Speaker 3: remember he'd interviewed me and I was like saying these

735
00:35:59,080 --> 00:36:02,840
Speaker 3: things like everyone has a Mozart and a soliary inside that,

736
00:36:02,960 --> 00:36:05,520
Speaker 3: and I like tanked and he was like standing there

737
00:36:06,800 --> 00:36:08,520
Speaker 3: waiting go Mozart.

738
00:36:08,200 --> 00:36:11,480
Speaker 1: Like wait that just made me flash. Sorry, but that

739
00:36:11,560 --> 00:36:13,960
Speaker 1: just reminded me that I got interviewed one time for

740
00:36:14,200 --> 00:36:18,080
Speaker 1: a women in like a Women of Comedy and Television

741
00:36:18,280 --> 00:36:20,520
Speaker 1: fucking thing. I don't even know. It was some documentary thing.

742
00:36:20,560 --> 00:36:21,360
Speaker 1: I've never seen it.

743
00:36:21,400 --> 00:36:24,799
Speaker 2: Also, yeah, he's documented.

744
00:36:24,320 --> 00:36:27,479
Speaker 1: He loves to document. But no, this woman was asking

745
00:36:27,520 --> 00:36:29,200
Speaker 1: me a questions and she's like, what do you think

746
00:36:29,200 --> 00:36:30,960
Speaker 1: of women in TV right now? And I was like,

747
00:36:32,440 --> 00:36:35,080
Speaker 1: I think women are carrying television right now, and she

748
00:36:35,239 --> 00:36:36,799
Speaker 1: was well, what do you mean by that? And I

749
00:36:36,840 --> 00:36:39,719
Speaker 1: was like oh, And then I just sat there for

750
00:36:39,760 --> 00:36:42,440
Speaker 1: like seven seconds in silence, and all I can think

751
00:36:42,480 --> 00:36:44,360
Speaker 1: of after was if I was an editor and I

752
00:36:44,400 --> 00:36:47,320
Speaker 1: saw that, I would have cut that. That's the funniest

753
00:36:47,320 --> 00:36:50,759
Speaker 1: thing to come out with this grandiest statement and then

754
00:36:50,840 --> 00:36:53,239
Speaker 1: just have absolutely nothing to back it up or say

755
00:36:53,280 --> 00:36:55,279
Speaker 1: about it. After it was just like I was like, oh,

756
00:36:55,280 --> 00:37:00,800
Speaker 1: I'm just talking. I don't ye on you like, this

757
00:37:00,920 --> 00:37:02,640
Speaker 1: is what appearing on my upper lip.

758
00:37:02,800 --> 00:37:04,719
Speaker 2: This is one piece of sweat on your lip.

759
00:37:05,000 --> 00:37:07,680
Speaker 1: Women are absolutely carrying television right now. Well, how do

760
00:37:07,719 --> 00:37:12,080
Speaker 1: you mean a lot?

761
00:37:13,080 --> 00:37:13,480
Speaker 2: Ellan?

762
00:37:16,840 --> 00:37:18,280
Speaker 1: I think that's what it was is. I was thinking

763
00:37:18,280 --> 00:37:20,600
Speaker 1: of people like that. But all the shows had been canceled,

764
00:37:20,920 --> 00:37:22,520
Speaker 1: so then I was just kind of like, oh, yeah,

765
00:37:22,600 --> 00:37:26,520
Speaker 1: not them, well not not her, Oh yeah, Oprah, they're

766
00:37:26,600 --> 00:37:29,120
Speaker 1: kind of getting ready and I don't like Alan McVeigh.

767
00:37:29,120 --> 00:37:31,919
Speaker 1: Else I'm not gonna say not. That's one of those

768
00:37:33,480 --> 00:37:35,799
Speaker 1: That's one of those ones that I think of like

769
00:37:35,880 --> 00:37:37,919
Speaker 1: maybe every two years and I get a real bad

770
00:37:38,239 --> 00:37:39,920
Speaker 1: like shiver, like, oh you weirdo.

771
00:37:40,040 --> 00:37:44,920
Speaker 2: Oh yeah, I have those memories every day. You just flinch. Yes,

772
00:37:45,040 --> 00:37:46,640
Speaker 2: why did I say that to my dad when I

773
00:37:46,680 --> 00:37:47,160
Speaker 2: was twelve?

774
00:37:47,360 --> 00:37:51,319
Speaker 3: Yes, I had one where yeah, or when they ask

775
00:37:51,400 --> 00:37:53,600
Speaker 3: you a question that you're like, that's the last question

776
00:37:53,640 --> 00:37:55,359
Speaker 3: I would ever want to answer. So tell me about

777
00:37:55,400 --> 00:37:57,560
Speaker 3: your family. Are they supportive of what you do? It's

778
00:37:57,600 --> 00:38:02,520
Speaker 3: like like yes, all down like a crazy, greasy black

779
00:38:03,440 --> 00:38:04,279
Speaker 3: spiral hall.

780
00:38:04,560 --> 00:38:04,840
Speaker 2: Yes.

781
00:38:04,920 --> 00:38:06,880
Speaker 1: Because you don't want to be direct and say the

782
00:38:06,920 --> 00:38:08,719
Speaker 1: thing you really want to say, so you have to

783
00:38:09,000 --> 00:38:10,759
Speaker 1: you do a weird thing where you're dancing around what

784
00:38:10,800 --> 00:38:14,120
Speaker 1: you should say, right, and it's blatantly obvious, And the

785
00:38:14,120 --> 00:38:16,200
Speaker 1: more you say, the more you know it's blatantly obvious

786
00:38:16,239 --> 00:38:18,960
Speaker 1: that that you're just being interact on purpose.

787
00:38:18,840 --> 00:38:21,399
Speaker 3: Or you figure it out while you're talking, like yeah,

788
00:38:21,719 --> 00:38:24,239
Speaker 3: like yeah, they were there for well, actually you know

789
00:38:24,280 --> 00:38:30,520
Speaker 3: what like like like then starts sweating on the inside.

790
00:38:30,680 --> 00:38:33,719
Speaker 1: Yeah, hot sweats on the inside.

791
00:38:35,239 --> 00:38:37,920
Speaker 2: They were there. And then in the beginning in the middle,

792
00:38:38,120 --> 00:38:43,640
Speaker 2: I think, well that was nine question that was I'm sorry,

793
00:38:43,680 --> 00:38:46,880
Speaker 2: that was my friend's dad. Then the same glass it's frames.

794
00:38:48,080 --> 00:38:50,480
Speaker 1: In the distance. It looks just like my dad.

795
00:38:50,600 --> 00:38:52,600
Speaker 2: My neighbor was supportive, is what I'm saying.

796
00:38:52,719 --> 00:38:54,759
Speaker 3: It reminds you of like when you first start doing

797
00:38:54,800 --> 00:38:56,640
Speaker 3: stand up and people like, if something crazy happens in

798
00:38:56,640 --> 00:38:58,239
Speaker 3: the room, call it out, And then you call it

799
00:38:58,280 --> 00:39:01,000
Speaker 3: out and it fails, like why are you looking at

800
00:39:01,000 --> 00:39:03,080
Speaker 3: me like that? And then you have nothing funny.

801
00:39:02,760 --> 00:39:05,880
Speaker 2: To say about it. She's made everything worse.

802
00:39:06,160 --> 00:39:10,000
Speaker 1: Yep, there's so many ways to learn in comedy. Yes,

803
00:39:10,160 --> 00:39:14,279
Speaker 1: all by failing. Yeah, yes, so much failing. Oh man,

804
00:39:14,680 --> 00:39:17,080
Speaker 1: we went to a comedy show the other night. I

805
00:39:17,200 --> 00:39:21,560
Speaker 1: just am still shocked by how bad some people can, like,

806
00:39:21,640 --> 00:39:26,160
Speaker 1: how great some people are, how terrible some people are,

807
00:39:27,160 --> 00:39:29,480
Speaker 1: and how it still affects me as if it's my

808
00:39:29,520 --> 00:39:32,440
Speaker 1: first week of doing stampap like the tear when a

809
00:39:32,480 --> 00:39:36,520
Speaker 1: female comic gets on stage and only talks about fingering

810
00:39:36,560 --> 00:39:40,520
Speaker 1: herself or sucking dick or whatever it is. And that's

811
00:39:40,600 --> 00:39:43,279
Speaker 1: and she's doing like a fake character and then doing

812
00:39:43,280 --> 00:39:46,120
Speaker 1: a bunch of those jokes in a row. It feels

813
00:39:46,120 --> 00:39:49,640
Speaker 1: I become it's so crazy, like I don't want to

814
00:39:49,680 --> 00:39:51,960
Speaker 1: not support. It makes me so mad that I'm being

815
00:39:51,960 --> 00:39:54,640
Speaker 1: put into that position to not support a female comic.

816
00:39:54,800 --> 00:39:58,879
Speaker 2: That's the best hackle ever. You should if somebody, why

817
00:39:58,880 --> 00:40:02,080
Speaker 2: are you putting me in this musician to not support

818
00:40:02,120 --> 00:40:03,200
Speaker 2: a female comedian.

819
00:40:03,320 --> 00:40:09,319
Speaker 1: You are incredibly selfish and you're doing a solid disservice. Yeah,

820
00:40:09,360 --> 00:40:11,560
Speaker 1: and then when someone's great, you're like you feel like

821
00:40:11,600 --> 00:40:14,440
Speaker 1: it's the victory of a lifetime. It's just so crazy.

822
00:40:14,600 --> 00:40:15,000
Speaker 1: I don't know.

823
00:40:15,600 --> 00:40:18,000
Speaker 2: I think it's real funny when girls talk about finger

824
00:40:18,040 --> 00:40:18,640
Speaker 2: in themselves.

825
00:40:19,239 --> 00:40:25,560
Speaker 3: Lizzy, I love it. I cannot get a well, that's

826
00:40:25,560 --> 00:40:25,959
Speaker 3: what I.

827
00:40:25,840 --> 00:40:29,040
Speaker 2: Thought you'd say. Morning Zoo, we are looking at traffic

828
00:40:29,080 --> 00:40:29,879
Speaker 2: on the one ten.

829
00:40:30,680 --> 00:40:32,600
Speaker 1: Chris's dream is to be a Morning Zoo tejay.

830
00:40:33,280 --> 00:40:36,640
Speaker 2: You think so so finger yourself the New Ways app

831
00:40:37,280 --> 00:40:39,799
Speaker 2: to get through some of that congestion.

832
00:40:39,520 --> 00:40:42,120
Speaker 1: Nate, bring one of those fingers right over to.

833
00:40:42,120 --> 00:40:45,560
Speaker 2: Ways, coming up back to classic been a while by

834
00:40:45,640 --> 00:40:47,239
Speaker 2: staying apostrophe D.

835
00:40:50,440 --> 00:40:52,799
Speaker 3: Yeah, I feel like the best way for me to

836
00:40:52,800 --> 00:40:55,160
Speaker 3: watch comedy is to not be performing on the show.

837
00:40:56,320 --> 00:40:59,799
Speaker 2: I still like, I like watching shows. I'm glad that

838
00:40:59,840 --> 00:41:01,080
Speaker 2: I haven't got im tire of that.

839
00:41:01,480 --> 00:41:04,520
Speaker 3: Yeah, watching I feel like I was tuning it out

840
00:41:04,560 --> 00:41:06,440
Speaker 3: for a while, Like if I'm on a show, I'm

841
00:41:06,480 --> 00:41:08,239
Speaker 3: not paying a lot of attention to other people because

842
00:41:08,239 --> 00:41:10,680
Speaker 3: I'm just like, yeah.

843
00:41:10,400 --> 00:41:12,759
Speaker 2: Right right. So it's fun to when you're not on

844
00:41:12,800 --> 00:41:14,640
Speaker 2: a show to give it your full attention.

845
00:41:14,360 --> 00:41:16,680
Speaker 3: Yeah, and actually like enjoy.

846
00:41:16,920 --> 00:41:19,320
Speaker 1: Yeah, that's the position I was in because I wasn't.

847
00:41:19,560 --> 00:41:22,080
Speaker 1: I went to watch April Richardson do a set that

848
00:41:22,200 --> 00:41:24,080
Speaker 1: she was nervous to do, so I was like, I'll

849
00:41:24,120 --> 00:41:24,600
Speaker 1: go with you.

850
00:41:25,080 --> 00:41:27,920
Speaker 2: It was trouble Like I do say her last name Richard,

851
00:41:28,160 --> 00:41:32,000
Speaker 2: April Richard, I go April Richardship. I just say it

852
00:41:32,080 --> 00:41:38,160
Speaker 2: every time we my friend April Richardson. I can't something

853
00:41:38,480 --> 00:41:40,080
Speaker 2: in the middle. They all make fun of me, but

854
00:41:40,160 --> 00:41:44,160
Speaker 2: you just said it like I say, or like siblings rich.

855
00:41:45,680 --> 00:41:48,160
Speaker 1: But also I think of jokes when I watch other

856
00:41:48,320 --> 00:41:51,680
Speaker 1: and not topic related at all. When I watch other

857
00:41:51,719 --> 00:41:54,520
Speaker 1: people do stand up, I think of things of my

858
00:41:54,640 --> 00:41:57,160
Speaker 1: own toes, but that are not It's not like, oh,

859
00:41:57,200 --> 00:41:58,719
Speaker 1: I'm going to go to that premise but do a

860
00:41:58,719 --> 00:42:01,960
Speaker 1: different joke. It's to different things, but it's almost like

861
00:42:02,280 --> 00:42:04,440
Speaker 1: other people stand up reminds me of the way you

862
00:42:04,480 --> 00:42:06,520
Speaker 1: can do things or something.

863
00:42:06,360 --> 00:42:10,920
Speaker 3: That happens to me when I go to Lakhma.

864
00:42:11,840 --> 00:42:13,920
Speaker 1: That's why I have to keep art around me at

865
00:42:13,920 --> 00:42:17,120
Speaker 1: all times, because yeah, that does.

866
00:42:17,480 --> 00:42:22,560
Speaker 3: Yeah, I'm thinking about Yeah, last night I did this

867
00:42:22,680 --> 00:42:26,920
Speaker 3: like live sci fi podcast and uh, you know what,

868
00:42:27,000 --> 00:42:32,880
Speaker 3: let's cut this in post strike.

869
00:42:32,920 --> 00:42:33,840
Speaker 1: You don't want to talk about it.

870
00:42:34,719 --> 00:42:37,680
Speaker 3: I know not. I started realizing as I was speaking.

871
00:42:37,719 --> 00:42:39,960
Speaker 3: It was kind of like, yeah, my parents were no,

872
00:42:40,080 --> 00:42:42,920
Speaker 3: my parents were not. They were no. I don't know

873
00:42:43,719 --> 00:42:48,760
Speaker 3: why don't you ask them? One's dead?

874
00:42:49,600 --> 00:42:53,080
Speaker 1: Can I just say that someone else mentioned this separately?

875
00:42:53,160 --> 00:42:57,200
Speaker 1: Maybe it was Georgia your joke about and I don't

876
00:42:57,320 --> 00:43:01,560
Speaker 1: think it's a joke. Joke you when you yell comedy photographer.

877
00:43:03,560 --> 00:43:05,359
Speaker 1: The last time I saw you was at Vince's show.

878
00:43:05,440 --> 00:43:08,840
Speaker 1: Oh yeah, and there's just a part where Lizzy is

879
00:43:08,880 --> 00:43:11,839
Speaker 1: there an actual joke? You say comedy photographer. A bunch

880
00:43:11,920 --> 00:43:12,840
Speaker 1: of times.

881
00:43:12,480 --> 00:43:18,319
Speaker 3: I'm like, where's the comedy photographer? I want to like

882
00:43:18,360 --> 00:43:18,880
Speaker 3: wake up with?

883
00:43:19,200 --> 00:43:22,279
Speaker 2: Yeah, comedy like, where were we were? It looked like

884
00:43:22,320 --> 00:43:24,479
Speaker 2: we were in the den. It was like the back

885
00:43:24,520 --> 00:43:28,120
Speaker 2: of that restaurant. Vance's show and there was like it's

886
00:43:28,360 --> 00:43:31,000
Speaker 2: packed enough to wear twenty five people. That makes it

887
00:43:31,040 --> 00:43:34,759
Speaker 2: a full room, but it looks like some grandpa's hobby room.

888
00:43:35,680 --> 00:43:39,840
Speaker 2: And when you said that, where's the comedy photographer? It

889
00:43:39,960 --> 00:43:43,759
Speaker 2: was real fun And then Matt started taking photos. Yeah,

890
00:43:43,800 --> 00:43:45,080
Speaker 2: it was really funny fun.

891
00:43:45,800 --> 00:43:48,280
Speaker 3: Yeah, that's like a new thing. Well, because I always

892
00:43:48,280 --> 00:43:49,799
Speaker 3: think about it, I'm like, why do I have to

893
00:43:49,800 --> 00:43:54,120
Speaker 3: have all these gross pictures myself like expressing these Yeah, yeah,

894
00:43:54,200 --> 00:43:56,320
Speaker 3: why not just one from down below?

895
00:43:56,680 --> 00:44:00,640
Speaker 1: From the Yeah, always looking up. If you do a

896
00:44:00,640 --> 00:44:04,080
Speaker 1: show at the Virgil, the angle is always the absolute

897
00:44:04,080 --> 00:44:07,880
Speaker 1: worst because the stage is so high and it's so loud.

898
00:44:08,000 --> 00:44:10,799
Speaker 1: Like I can't not comment on it. I'm obsessed with

899
00:44:10,840 --> 00:44:14,799
Speaker 1: comedy photographers and the ones that like at Bridgetown one year,

900
00:44:14,880 --> 00:44:16,959
Speaker 1: this is a while ago, a couple of years ago,

901
00:44:17,520 --> 00:44:20,520
Speaker 1: it was the Ron Lynch show and there was like

902
00:44:20,640 --> 00:44:22,880
Speaker 1: it was a good, good sized crowd, but there was

903
00:44:22,920 --> 00:44:26,080
Speaker 1: this space between the crowd and the stage and Ron's

904
00:44:26,080 --> 00:44:29,759
Speaker 1: on stage doing something in of course, absolute silence, and

905
00:44:29,800 --> 00:44:34,200
Speaker 1: this girl comedy photographer is standing directly between the crowd

906
00:44:34,600 --> 00:44:38,440
Speaker 1: and the stage taking one thousand pictures, and it was

907
00:44:38,480 --> 00:44:41,360
Speaker 1: like it you just started watching her because Ron was

908
00:44:41,400 --> 00:44:45,040
Speaker 1: further away and doing something quietly. I was like, sit

909
00:44:45,280 --> 00:44:48,799
Speaker 1: the fuck. You've already got seventy five pictures of Ron.

910
00:44:48,960 --> 00:44:52,360
Speaker 1: That's plenty right now, step aside and wait till the

911
00:44:52,400 --> 00:44:52,799
Speaker 1: next person.

912
00:44:52,960 --> 00:44:54,560
Speaker 3: Yes, this isn't like so you can go through it

913
00:44:54,640 --> 00:44:56,480
Speaker 3: later and be like, this is the best one that

914
00:44:56,560 --> 00:44:58,719
Speaker 3: I took during this Well, also.

915
00:44:58,680 --> 00:45:01,400
Speaker 1: It was like this weird dance where she kept squatting

916
00:45:01,440 --> 00:45:04,520
Speaker 1: and standing and doing all these like her own comedy

917
00:45:04,520 --> 00:45:07,839
Speaker 1: photographer poses or I was like, you are not part

918
00:45:07,840 --> 00:45:08,399
Speaker 1: of the show.

919
00:45:10,239 --> 00:45:12,680
Speaker 3: Yes, And sometimes I appreciate it. I'm like, oh cool,

920
00:45:12,719 --> 00:45:14,680
Speaker 3: someone took a picture from that show. It was a

921
00:45:14,680 --> 00:45:17,680
Speaker 3: fun night. I have a memory. But at a certain

922
00:45:17,680 --> 00:45:20,560
Speaker 3: point it's like, here are the pictures from last night

923
00:45:20,640 --> 00:45:24,879
Speaker 3: and it's like a stop motion yes on my set,

924
00:45:26,000 --> 00:45:29,640
Speaker 3: Oh my god, like different different horrified faces.

925
00:45:32,080 --> 00:45:35,200
Speaker 1: Yes, it's just fat, fat, fat fat.

926
00:45:35,400 --> 00:45:38,920
Speaker 3: Yes, I know that's the reason I put the like

927
00:45:39,000 --> 00:45:41,400
Speaker 3: you have to approve it on your timeline or whatever.

928
00:45:41,640 --> 00:45:44,160
Speaker 3: But then I was like, if I die, who's gonna

929
00:45:44,200 --> 00:45:45,919
Speaker 3: like how am I going to get nice things said

930
00:45:45,960 --> 00:45:49,120
Speaker 3: about me on my Facebook wall? I won't be there

931
00:45:49,160 --> 00:45:51,319
Speaker 3: to approve it, but like there is that.

932
00:45:52,800 --> 00:45:55,680
Speaker 2: You're right, you have to give someone my last thing

933
00:45:56,200 --> 00:45:59,360
Speaker 2: as I'm like leaking on a kitchen floor or whatever

934
00:45:59,440 --> 00:46:00,560
Speaker 2: has said undo that.

935
00:46:01,200 --> 00:46:02,680
Speaker 3: Do that privacy setting.

936
00:46:02,480 --> 00:46:05,160
Speaker 2: You got to get on Facebook, en I.

937
00:46:05,520 --> 00:46:08,600
Speaker 1: Eat, Karen, this is your last I'll do it. I'll

938
00:46:08,640 --> 00:46:10,560
Speaker 1: do it if you just give me power of attorney

939
00:46:11,080 --> 00:46:12,799
Speaker 1: and then then I'll clear all your.

940
00:46:12,719 --> 00:46:16,480
Speaker 3: Ship passwords in a safe or something, yes, and unlock

941
00:46:16,520 --> 00:46:18,640
Speaker 3: it and be like this is the password is like

942
00:46:18,880 --> 00:46:24,520
Speaker 3: dead c l K for the padlock. Yeah, and we'll

943
00:46:24,520 --> 00:46:26,399
Speaker 3: get in there, we'll take out the password and we'll

944
00:46:26,440 --> 00:46:28,799
Speaker 3: allow everything on the timeline.

945
00:46:29,120 --> 00:46:32,600
Speaker 1: I honestly do need you guys to burn any notebook

946
00:46:32,760 --> 00:46:36,560
Speaker 1: because I have like dressers full of old notebooks filled

947
00:46:36,560 --> 00:46:39,600
Speaker 1: with like poems and shit. I need that gone after

948
00:46:39,640 --> 00:46:43,319
Speaker 1: Are you sure? Yes? Well, you'll you read it.

949
00:46:43,400 --> 00:46:48,880
Speaker 3: I want to sleep with them, make a Karen Clegareff quilt.

950
00:46:49,320 --> 00:46:51,799
Speaker 1: They're not good. I think you'd be incredibly disappointed.

951
00:46:52,040 --> 00:46:54,960
Speaker 2: Would remember when you approached me with the idea of

952
00:46:55,000 --> 00:46:59,200
Speaker 2: your dream blanket? Yes, I'm sorry, I never I'm sorry.

953
00:46:59,320 --> 00:47:05,439
Speaker 3: Okay done. It was a really low point in my life.

954
00:47:05,719 --> 00:47:08,960
Speaker 3: But no idea because the way that I came about

955
00:47:09,160 --> 00:47:14,080
Speaker 3: was I was living with a Minneapolis comedian. We had

956
00:47:14,080 --> 00:47:16,680
Speaker 3: a falling out, we broke up. I had no comforter.

957
00:47:17,239 --> 00:47:19,880
Speaker 3: But I was in a production of six Degrees of

958
00:47:19,880 --> 00:47:24,319
Speaker 3: Separation where the Master Builder I played the daughter. This

959
00:47:24,520 --> 00:47:27,640
Speaker 3: was back in the day ice waiting. I still had

960
00:47:27,640 --> 00:47:29,280
Speaker 3: it to pass as a brown student.

961
00:47:30,239 --> 00:47:33,359
Speaker 1: Why aren't you wearing a tank to wear the tank top?

962
00:47:33,480 --> 00:47:35,680
Speaker 2: Change? Change?

963
00:47:36,920 --> 00:47:38,640
Speaker 3: God, that's sad. I remember I went out and I

964
00:47:38,680 --> 00:47:40,480
Speaker 3: was like, I'm really depressed. And I was like, oh

965
00:47:40,480 --> 00:47:42,640
Speaker 3: my god, why did I say that? I had been

966
00:47:42,680 --> 00:47:44,719
Speaker 3: talking about the comedy is the truth? And then I

967
00:47:44,760 --> 00:47:46,560
Speaker 3: was like, so why not tell the truth? I was like,

968
00:47:46,600 --> 00:47:48,560
Speaker 3: I don't know what I'm doing here, Like I kind

969
00:47:48,560 --> 00:47:50,880
Speaker 3: of just like came out with like some horrible truth

970
00:47:51,360 --> 00:47:52,000
Speaker 3: that no.

971
00:47:54,120 --> 00:47:57,120
Speaker 1: Thing, because that's what real comics do, that's what real

972
00:47:57,160 --> 00:47:57,600
Speaker 1: comics do.

973
00:47:57,760 --> 00:48:02,880
Speaker 3: That's so nice, it's true, that's not whatever. So anyway,

974
00:48:02,960 --> 00:48:06,080
Speaker 3: so I slept with these big sheets of muslin. It

975
00:48:06,120 --> 00:48:08,799
Speaker 3: was actually the Master Builder. Remember my sister directed this

976
00:48:08,920 --> 00:48:12,520
Speaker 3: like multi media production of the Master Builder. She was like,

977
00:48:12,719 --> 00:48:16,080
Speaker 3: I want one spoken word artist one dancer You It

978
00:48:16,120 --> 00:48:19,839
Speaker 3: was Hilary I Love You, but it was a fucking disaster.

979
00:48:20,800 --> 00:48:22,560
Speaker 3: There was a scene in this play where my sister

980
00:48:22,680 --> 00:48:25,160
Speaker 3: was like, I want you to walk to the back

981
00:48:25,200 --> 00:48:27,440
Speaker 3: of the theater. There's gonna be a mirror, and I

982
00:48:27,480 --> 00:48:29,600
Speaker 3: want you to brush your hair and have an orgasm

983
00:48:29,640 --> 00:48:32,080
Speaker 3: into the mirror. And it was the kind of thing

984
00:48:32,080 --> 00:48:33,520
Speaker 3: where was in the back of the theaters over and I

985
00:48:33,640 --> 00:48:35,279
Speaker 3: to like turn around and watch me. And I was

986
00:48:35,320 --> 00:48:37,960
Speaker 3: wearing this like big flowy dress and my parents were

987
00:48:38,000 --> 00:48:41,240
Speaker 3: there and there was supposed to be this like creepy

988
00:48:41,280 --> 00:48:43,800
Speaker 3: guy standing behind. And then after the play, my parents

989
00:48:43,920 --> 00:48:46,719
Speaker 3: like didn't say a word. It was like they were

990
00:48:46,840 --> 00:48:48,600
Speaker 3: like that about every everything.

991
00:48:48,640 --> 00:48:50,480
Speaker 2: It was all like I thought you were gonna say,

992
00:48:50,520 --> 00:48:51,359
Speaker 2: they said, I'll have.

993
00:48:54,600 --> 00:48:58,040
Speaker 1: To Really, he was always mad, and anytime we did

994
00:48:58,120 --> 00:48:59,799
Speaker 1: I did something that my sister would come to me

995
00:48:59,800 --> 00:49:00,879
Speaker 1: and be like, Dad's mad.

996
00:49:00,960 --> 00:49:01,680
Speaker 2: You did that thing.

997
00:49:02,120 --> 00:49:04,799
Speaker 1: Dad's mad. You were swearing, Dad's mad you did that dance.

998
00:49:04,880 --> 00:49:06,960
Speaker 1: Or I was like, I don't know how to handle listen.

999
00:49:06,719 --> 00:49:09,840
Speaker 3: To me too. I got in trouble after a band

1000
00:49:09,960 --> 00:49:13,400
Speaker 3: concert where I guess I was playing drums and I

1001
00:49:13,480 --> 00:49:16,320
Speaker 3: like whispered to someone during the concert, and after it,

1002
00:49:16,320 --> 00:49:17,920
Speaker 3: I was like, why won't my parents talk to me?

1003
00:49:18,080 --> 00:49:22,040
Speaker 3: I still have this memory and they would not speak

1004
00:49:22,080 --> 00:49:23,719
Speaker 3: to me at all, like in the mini vund in

1005
00:49:23,719 --> 00:49:25,680
Speaker 3: the right home. I was like what what? And then

1006
00:49:25,680 --> 00:49:29,320
Speaker 3: my sister was like, Dad said, you talked during the concert.

1007
00:49:29,840 --> 00:49:33,719
Speaker 3: They were so ashamed, and I was like what I didn't.

1008
00:49:33,719 --> 00:49:38,920
Speaker 3: But they never said anything. No Jewish but like really

1009
00:49:38,960 --> 00:49:42,839
Speaker 3: weird about stuff like that, like never, no, Like it

1010
00:49:42,880 --> 00:49:45,600
Speaker 3: wasn't There wasn't even like intermittent reinforcement.

1011
00:49:46,200 --> 00:49:48,080
Speaker 2: It was just like what if you were saying, what's

1012
00:49:48,120 --> 00:49:50,240
Speaker 2: the next song? Or do you have an extra read

1013
00:49:51,080 --> 00:49:53,280
Speaker 2: or something something important?

1014
00:49:53,320 --> 00:49:54,600
Speaker 3: I know I was with the band.

1015
00:49:55,520 --> 00:49:57,080
Speaker 2: They didn't get it amposed to.

1016
00:49:57,040 --> 00:50:04,279
Speaker 3: Be as I played. Chair tells over Richard, I love

1017
00:50:04,360 --> 00:50:06,360
Speaker 3: the timpany process. Did you really play that?

1018
00:50:06,640 --> 00:50:06,839
Speaker 2: Yeah?

1019
00:50:06,880 --> 00:50:10,480
Speaker 3: I love the power of the tympany and the symbol.

1020
00:50:10,920 --> 00:50:11,680
Speaker 1: They're very cool.

1021
00:50:12,000 --> 00:50:12,399
Speaker 3: So good?

1022
00:50:12,440 --> 00:50:13,200
Speaker 1: Did you play both?

1023
00:50:13,719 --> 00:50:15,600
Speaker 3: Yeah? I did all percussion stuff.

1024
00:50:15,680 --> 00:50:18,000
Speaker 1: Yeah you held down a whole percussion.

1025
00:50:19,280 --> 00:50:22,680
Speaker 3: Okay, but but I did, like learn every instrument. I

1026
00:50:22,719 --> 00:50:24,200
Speaker 3: loved it. Yeah. I love drums, but.

1027
00:50:24,400 --> 00:50:26,360
Speaker 2: Can you fully just play a drum if there's a

1028
00:50:26,400 --> 00:50:28,080
Speaker 2: drum kit. Can you just start?

1029
00:50:28,320 --> 00:50:30,400
Speaker 3: Because my thing was my parents were like, are you

1030
00:50:30,480 --> 00:50:32,160
Speaker 3: going to quit? And I was like, no, I'm not

1031
00:50:32,200 --> 00:50:34,040
Speaker 3: going to quit. I promise I'll stick with it. So

1032
00:50:34,040 --> 00:50:36,440
Speaker 3: they brought me a snare drum to start, and I

1033
00:50:36,480 --> 00:50:38,680
Speaker 3: was in a play or like a scene in like

1034
00:50:39,120 --> 00:50:41,600
Speaker 3: a high school acting class where I needed a drum.

1035
00:50:42,080 --> 00:50:45,080
Speaker 3: I left my snare drum at school overnight and someone

1036
00:50:45,200 --> 00:50:48,000
Speaker 3: stole it, and I never wanted to tell my parents,

1037
00:50:48,000 --> 00:50:50,200
Speaker 3: so I just said, yeah, I'm not into it anymore.

1038
00:50:51,480 --> 00:50:54,480
Speaker 3: My drum is at school. Like I felt bad that

1039
00:50:54,520 --> 00:50:56,880
Speaker 3: the drum got stolen. And then when I did The

1040
00:50:56,960 --> 00:51:00,280
Speaker 3: Artist's Way, there's a part where it's like a twelve

1041
00:51:00,280 --> 00:51:02,839
Speaker 3: week program for blocked artists. There's like a part where

1042
00:51:02,840 --> 00:51:04,920
Speaker 3: it's like take a creative view, turn and make it

1043
00:51:04,960 --> 00:51:08,680
Speaker 3: a straight line. Take something like you have to kind

1044
00:51:08,719 --> 00:51:10,239
Speaker 3: of go deep, and so I was like, I'm going

1045
00:51:10,280 --> 00:51:12,319
Speaker 3: to take. So I ended up taking Afro Cuban and

1046
00:51:12,320 --> 00:51:15,719
Speaker 3: Caribbean drumming class in Minneapolis, and I was in a

1047
00:51:15,760 --> 00:51:20,240
Speaker 3: parade and everything, like I played drums like in a parade,

1048
00:51:20,480 --> 00:51:22,400
Speaker 3: and I was like this is so great. I healed

1049
00:51:22,400 --> 00:51:24,880
Speaker 3: it nice as an adult, when was.

1050
00:51:25,080 --> 00:51:27,959
Speaker 2: Yeah, you were already a comic that was ten years

1051
00:51:27,960 --> 00:51:28,320
Speaker 2: ago or so.

1052
00:51:28,520 --> 00:51:31,280
Speaker 3: Yeah, oh yeah, yeah, did you a parade, Chris?

1053
00:51:31,560 --> 00:51:37,279
Speaker 2: I saw it. No, wait, were you wearing that like jumpsuit?

1054
00:51:38,080 --> 00:51:40,840
Speaker 2: That was me slippers in a Viking helmet. I loved you.

1055
00:51:42,440 --> 00:51:44,680
Speaker 3: But the sheet things. Back to the sheets. So I

1056
00:51:44,719 --> 00:51:47,440
Speaker 3: was sleeping with these pieces of muslin and I started

1057
00:51:47,440 --> 00:51:50,759
Speaker 3: writing my dreams down on them in black sharpie, and

1058
00:51:50,800 --> 00:51:53,480
Speaker 3: they became these big like dream sheets. I have three.

1059
00:51:53,520 --> 00:51:56,200
Speaker 3: They're really vague, and at a certain point people were like,

1060
00:51:56,600 --> 00:51:58,680
Speaker 3: you should try to sell these, like this could be

1061
00:51:58,680 --> 00:52:01,239
Speaker 3: a thing, and I was like, yeah, I guess you

1062
00:52:01,239 --> 00:52:03,440
Speaker 3: could sell it like in a kit, like a sheet

1063
00:52:03,480 --> 00:52:09,319
Speaker 3: that you could write your dreams on. What would be like, yeah, sorry,

1064
00:52:09,360 --> 00:52:11,799
Speaker 3: this is copywritten, by the way, So no, no, it's

1065
00:52:11,800 --> 00:52:13,320
Speaker 3: allowed to steal this because I think this is a

1066
00:52:13,360 --> 00:52:16,080
Speaker 3: great idea. It is I've already patented it. Great.

1067
00:52:16,160 --> 00:52:18,080
Speaker 2: It's like you're on Shark Tank. I'm in.

1068
00:52:18,920 --> 00:52:20,280
Speaker 1: I'm going to give you fifty percent.

1069
00:52:20,560 --> 00:52:21,920
Speaker 3: Yes, I've already patented.

1070
00:52:21,920 --> 00:52:27,960
Speaker 2: In one condition. The sheets come with categories like bizarre, motivational,

1071
00:52:28,040 --> 00:52:31,000
Speaker 2: different kind of dreams, and you put you wake up

1072
00:52:31,000 --> 00:52:32,560
Speaker 2: and you put it in the right category.

1073
00:52:32,719 --> 00:52:36,240
Speaker 3: Well, these are actual dreams, sleep dreams.

1074
00:52:36,360 --> 00:52:41,680
Speaker 2: Okay, I'm out. I'll give you thirty percent. I've never

1075
00:52:41,800 --> 00:52:44,080
Speaker 2: I don't have them, so I feel like my brain

1076
00:52:44,320 --> 00:52:44,960
Speaker 2: isn't all.

1077
00:52:45,040 --> 00:52:46,759
Speaker 3: I want to show a picture, but like if you

1078
00:52:47,960 --> 00:52:50,680
Speaker 3: if you read them, they're terrified. Like I was going through.

1079
00:52:50,760 --> 00:52:53,520
Speaker 3: It was like, you know, I shake my mother, but

1080
00:52:53,560 --> 00:52:56,880
Speaker 3: she's a dummy on fire and I can't wake her up. Like,

1081
00:52:58,120 --> 00:53:02,120
Speaker 3: and I'm sleeping with that these sheets. But they were

1082
00:53:02,160 --> 00:53:04,120
Speaker 3: my comforter and then.

1083
00:53:04,280 --> 00:53:09,440
Speaker 1: Yeah, there's something to that sleeping underneath those words.

1084
00:53:09,840 --> 00:53:11,759
Speaker 3: Yes, And I always thought, like, you know what, I'm

1085
00:53:11,760 --> 00:53:13,160
Speaker 3: gonna save my inventions for.

1086
00:53:15,160 --> 00:53:18,000
Speaker 1: Something else, for non podcasting anytimes.

1087
00:53:18,640 --> 00:53:21,200
Speaker 3: I always want words everywhere though, you know.

1088
00:53:21,600 --> 00:53:24,680
Speaker 2: Yeah, I like that idea. I just didn't know what

1089
00:53:24,719 --> 00:53:27,560
Speaker 2: I would add to the design of them. They'd have

1090
00:53:27,600 --> 00:53:31,480
Speaker 2: to be paper like, kind of scratchy sheets, right, yeah,

1091
00:53:32,000 --> 00:53:34,920
Speaker 2: thread count on these, well, they're actually made of almost

1092
00:53:34,960 --> 00:53:35,800
Speaker 2: notebook papers.

1093
00:53:35,920 --> 00:53:40,239
Speaker 1: So I can't get to sleep. I've insomnia now, But

1094
00:53:40,320 --> 00:53:43,040
Speaker 1: I know what all my dreams are. Although I did

1095
00:53:43,160 --> 00:53:44,920
Speaker 1: have a dream the other Night's hard to interrupt you,

1096
00:53:45,320 --> 00:53:48,440
Speaker 1: but it just hit me that all of my front

1097
00:53:48,640 --> 00:53:51,640
Speaker 1: bottom teeth were rotting out and just so one by

1098
00:53:51,680 --> 00:53:53,720
Speaker 1: one I would touch one and they would go crazy

1099
00:53:53,760 --> 00:53:54,920
Speaker 1: loose and I would pull it out.

1100
00:53:55,040 --> 00:53:57,359
Speaker 2: That's every other dream I have. It's my teeth falling out.

1101
00:53:57,440 --> 00:54:01,280
Speaker 3: I've read that that's a fear of pregnancy thing. Really, Yeah,

1102
00:54:01,400 --> 00:54:03,799
Speaker 3: there was a dream interpretation book that I read that

1103
00:54:04,280 --> 00:54:05,480
Speaker 3: linked that to pregnancy.

1104
00:54:05,920 --> 00:54:08,759
Speaker 2: Oh weird, So I think I've gotten someone pregnant. I

1105
00:54:08,880 --> 00:54:11,560
Speaker 2: just feel like I am grinding my teeth.

1106
00:54:11,680 --> 00:54:12,440
Speaker 1: I think I'm definitely.

1107
00:54:12,840 --> 00:54:15,480
Speaker 2: I wake up and I like, go, oh, yep, I

1108
00:54:15,480 --> 00:54:17,759
Speaker 2: think my teeth are loose. It's not like, oh, I

1109
00:54:17,760 --> 00:54:19,240
Speaker 2: think I just made a baby.

1110
00:54:19,480 --> 00:54:25,200
Speaker 1: I wake up with mouthfuls of tooth powder. But from I.

1111
00:54:27,280 --> 00:54:29,600
Speaker 2: That's the most horrifying thing you've ever said. I know

1112
00:54:29,840 --> 00:54:31,439
Speaker 2: I got a tooth cloud.

1113
00:54:31,600 --> 00:54:33,279
Speaker 1: But I wish you could see the picture of my

1114
00:54:33,480 --> 00:54:36,640
Speaker 1: horrible because they have you seen Shane McGowan's teeth, the

1115
00:54:36,680 --> 00:54:39,160
Speaker 1: lead singer of the Pogue, So he has a crazy terrible.

1116
00:54:39,200 --> 00:54:40,160
Speaker 2: He just got him fixed.

1117
00:54:40,200 --> 00:54:44,000
Speaker 3: I know he got him Visilne, No, he got.

1118
00:54:44,239 --> 00:54:46,560
Speaker 2: They He had like one anchor tooth up front and

1119
00:54:46,600 --> 00:54:50,160
Speaker 2: they just attached Yeah, some dentures to the anchor to

1120
00:54:50,440 --> 00:54:51,359
Speaker 2: the anchor.

1121
00:54:51,040 --> 00:54:52,640
Speaker 1: Tooth by Lizzie.

1122
00:54:52,680 --> 00:54:54,920
Speaker 3: What if my dream interpretations were just to bait you

1123
00:54:54,960 --> 00:55:00,040
Speaker 3: to confess things. Tell me, Karen, are you pregnant? I

1124
00:55:00,360 --> 00:55:01,520
Speaker 3: hear them that dream.

1125
00:55:01,840 --> 00:55:04,160
Speaker 1: I guess I am pregnant when I come to think

1126
00:55:04,239 --> 00:55:04,640
Speaker 1: of it.

1127
00:55:07,840 --> 00:55:10,440
Speaker 3: But yeah, so I think I wanted. My idea was

1128
00:55:10,440 --> 00:55:13,680
Speaker 3: that it would maybe look like notebook paper at the time,

1129
00:55:13,800 --> 00:55:15,960
Speaker 3: trying to think of a concrete design.

1130
00:55:16,080 --> 00:55:19,239
Speaker 2: Yeah, yeah, maybe that would be like yelling.

1131
00:55:19,360 --> 00:55:21,399
Speaker 3: Almost like thirty times never heard back.

1132
00:55:22,200 --> 00:55:25,680
Speaker 2: I was in a dark place of being. I was busy.

1133
00:55:25,760 --> 00:55:27,160
Speaker 2: I don't remember, but he.

1134
00:55:27,200 --> 00:55:28,399
Speaker 1: Was grinding his teeth at home.

1135
00:55:28,480 --> 00:55:29,920
Speaker 2: I'm still but.

1136
00:55:29,960 --> 00:55:32,480
Speaker 3: Someone was like, you should talk to Chris Fairbanks, because.

1137
00:55:33,200 --> 00:55:36,719
Speaker 2: Yeah, I just thought anytime someone asked me to do

1138
00:55:36,760 --> 00:55:39,600
Speaker 2: anything like a logo, even or I'm like, I want

1139
00:55:39,640 --> 00:55:45,000
Speaker 2: to just say, I'm just pretty much draw things, illustrations.

1140
00:55:45,960 --> 00:55:49,719
Speaker 2: I wouldn't know how to form it, like to do

1141
00:55:49,840 --> 00:55:52,279
Speaker 2: the sheet thing. I don't know. That's so big, it's

1142
00:55:53,360 --> 00:55:54,319
Speaker 2: bigger than all of us.

1143
00:55:54,880 --> 00:55:56,799
Speaker 1: I tell you my idea for she, well, your sheet

1144
00:55:56,800 --> 00:56:00,239
Speaker 1: should otherwise your feet will stick out they are. There

1145
00:56:00,239 --> 00:56:02,000
Speaker 1: should be enough room for all three of us.

1146
00:56:02,160 --> 00:56:04,239
Speaker 2: Yeah, and your grandparents.

1147
00:56:04,400 --> 00:56:10,239
Speaker 1: I had, just like Charlie Buckett you. I was on

1148
00:56:10,280 --> 00:56:13,080
Speaker 1: a really, really boring date one night at Fred's sixty

1149
00:56:13,120 --> 00:56:15,719
Speaker 1: two on Vermont, and we had.

1150
00:56:15,600 --> 00:56:16,960
Speaker 2: Gotten the movies Romantic.

1151
00:56:18,320 --> 00:56:19,680
Speaker 1: We went to the movies, and then we went to

1152
00:56:19,719 --> 00:56:24,040
Speaker 1: this diner, thank You, and I was sitting there and

1153
00:56:24,120 --> 00:56:26,680
Speaker 1: I was so tired and so bored of this guy

1154
00:56:26,680 --> 00:56:30,880
Speaker 1: that I was dating, and I ordered like eleven thirty night,

1155
00:56:30,920 --> 00:56:34,719
Speaker 1: and I'd ordered pancakes, and when the waitress came and

1156
00:56:34,760 --> 00:56:38,200
Speaker 1: put the pancakes down in front of me, I immediately

1157
00:56:38,239 --> 00:56:40,400
Speaker 1: had It was almost like a hallucination. I had this

1158
00:56:40,520 --> 00:56:44,680
Speaker 1: vision of a tiny version of myself climbing down out

1159
00:56:44,680 --> 00:56:47,920
Speaker 1: of myself and onto the plate and into the pancakes,

1160
00:56:47,960 --> 00:56:50,839
Speaker 1: and then just pulling one pancake like a sheet over

1161
00:56:50,920 --> 00:56:52,360
Speaker 1: my shoulder and turning over.

1162
00:56:52,200 --> 00:56:56,319
Speaker 2: And going to sleep back when you were drinking No, but.

1163
00:56:56,320 --> 00:56:59,319
Speaker 3: I Karen, that is beautiful.

1164
00:56:59,440 --> 00:57:01,920
Speaker 1: And then I was like, I want to make pancake sheets.

1165
00:57:02,239 --> 00:57:04,160
Speaker 1: And then I told my friend Robert Lee, who was

1166
00:57:04,239 --> 00:57:08,120
Speaker 1: the prop master at Ellen, who couldn't truly and legitimately

1167
00:57:08,160 --> 00:57:11,040
Speaker 1: make anything anything, which we made him a half an

1168
00:57:11,080 --> 00:57:13,200
Speaker 1: hour before the show started one time, make us a

1169
00:57:13,320 --> 00:57:16,680
Speaker 1: melted Richard Simmons, And he did it. It was crazy,

1170
00:57:16,720 --> 00:57:18,320
Speaker 1: and he was so mad at me, but he did it.

1171
00:57:18,880 --> 00:57:21,800
Speaker 1: But I went to him and said, I had this

1172
00:57:21,920 --> 00:57:23,720
Speaker 1: vision last night, and he was like, I can make

1173
00:57:23,760 --> 00:57:26,560
Speaker 1: you those, and literally he had a whole plan of

1174
00:57:26,600 --> 00:57:28,760
Speaker 1: how he was going to make me pancake sheets. Really,

1175
00:57:28,960 --> 00:57:30,880
Speaker 1: but I wanted them. I don't think he understood what

1176
00:57:30,920 --> 00:57:33,960
Speaker 1: I meant because I wanted one humongous pancake to get

1177
00:57:33,960 --> 00:57:35,200
Speaker 1: into or two.

1178
00:57:35,120 --> 00:57:37,480
Speaker 2: Actually pad butter pillow.

1179
00:57:37,680 --> 00:57:40,960
Speaker 1: Yeah, yes, that's exactly right. But I wanted them. I

1180
00:57:41,000 --> 00:57:43,560
Speaker 1: wanted them real. Of course, you would want a butter

1181
00:57:44,680 --> 00:57:45,520
Speaker 1: to put your head right on.

1182
00:57:45,640 --> 00:57:54,320
Speaker 3: But saw a white noise machine.

1183
00:57:54,560 --> 00:57:56,439
Speaker 1: Don't we all see it? It would be so warm,

1184
00:57:56,600 --> 00:57:58,360
Speaker 1: they'd be like hotcake, hotcacakes.

1185
00:57:58,400 --> 00:58:03,120
Speaker 2: Just in aunt Jemima auscill fan coming out of her

1186
00:58:03,160 --> 00:58:06,960
Speaker 2: open mouth, her teeth. It's a propeller and as.

1187
00:58:06,840 --> 00:58:08,920
Speaker 1: You pull that top sheet over your shoulder, you just

1188
00:58:08,960 --> 00:58:12,360
Speaker 1: go no, no not and you eat those pancakes. Sleep, Oh,

1189
00:58:12,920 --> 00:58:16,720
Speaker 1: wipe it on your pit pat of butter pillow, hold

1190
00:58:16,760 --> 00:58:18,560
Speaker 1: it under the fan for a little bit syrup.

1191
00:58:18,920 --> 00:58:21,360
Speaker 2: I ended up being an inspiring date.

1192
00:58:21,720 --> 00:58:25,600
Speaker 3: It is interesting, like thinking of how the furniture, just

1193
00:58:25,640 --> 00:58:28,040
Speaker 3: everything we use, like how it came to be h

1194
00:58:28,680 --> 00:58:31,120
Speaker 3: how did it come to be? I was sitting in

1195
00:58:31,160 --> 00:58:34,960
Speaker 3: therapy the other day in the waiting room and talking

1196
00:58:35,000 --> 00:58:40,240
Speaker 3: to my therapy bird. No, but I was I was looking.

1197
00:58:41,080 --> 00:58:42,680
Speaker 3: I was looking at a chair, and I was like,

1198
00:58:43,560 --> 00:58:45,240
Speaker 3: why do we sit in there? Like I thought it

1199
00:58:45,320 --> 00:58:47,560
Speaker 3: was like when I wanted a therapy And he was like,

1200
00:58:47,600 --> 00:58:50,200
Speaker 3: what's on your mind? I was like, honestly, I was

1201
00:58:50,240 --> 00:58:53,240
Speaker 3: just wondering, like why do we sit in chairs? And

1202
00:58:53,280 --> 00:58:56,240
Speaker 3: I was like, wow, I'm paying a lot to ask

1203
00:58:56,320 --> 00:58:59,760
Speaker 3: about the evolution of furniture textiles.

1204
00:59:00,360 --> 00:59:02,560
Speaker 1: Did he have any answers for you? Well?

1205
00:59:02,880 --> 00:59:06,720
Speaker 3: I realized that what I was really thinking about was death.

1206
00:59:08,400 --> 00:59:10,320
Speaker 3: I don't remember how I came to that, but I

1207
00:59:10,360 --> 00:59:13,160
Speaker 3: was like, I was sitting there thinking, how do we

1208
00:59:13,200 --> 00:59:16,080
Speaker 3: know how we want to live our lives? How do

1209
00:59:16,160 --> 00:59:20,680
Speaker 3: we know this is the best way to set? And

1210
00:59:20,720 --> 00:59:22,800
Speaker 3: am I just gonna how much of my time am

1211
00:59:22,840 --> 00:59:24,520
Speaker 3: I going to spend in that chair?

1212
00:59:24,840 --> 00:59:25,080
Speaker 2: Right?

1213
00:59:25,400 --> 00:59:26,520
Speaker 3: That's gonna result.

1214
00:59:26,280 --> 00:59:29,280
Speaker 2: When we all know it's more comfortable to lay flat

1215
00:59:29,800 --> 00:59:35,120
Speaker 2: under the dirt. That's what this is about.

1216
00:59:36,200 --> 00:59:38,880
Speaker 1: Wouldn't you rather be in a casket than a chair?

1217
00:59:40,040 --> 00:59:40,920
Speaker 2: Ultimately, like when you go.

1218
00:59:40,840 --> 00:59:42,600
Speaker 3: To someone's house and You're like, there's so many throw

1219
00:59:42,680 --> 00:59:45,640
Speaker 3: pillows and like how did that? Oh?

1220
00:59:45,760 --> 00:59:49,120
Speaker 1: No, come on, people who their real beds have like

1221
00:59:49,240 --> 00:59:52,280
Speaker 1: five pillows deep, like you know how the pillows go

1222
00:59:52,360 --> 00:59:56,120
Speaker 1: halfway down the bed. I just that is a person

1223
00:59:56,160 --> 00:59:58,840
Speaker 1: that I have no idea what their life is like,

1224
00:59:58,920 --> 01:00:02,680
Speaker 1: because my life is exact opposite of five pillows deep.

1225
01:00:03,280 --> 01:00:03,640
Speaker 2: Perfect.

1226
01:00:03,680 --> 01:00:04,560
Speaker 1: Why is it you?

1227
01:00:04,600 --> 01:00:07,160
Speaker 3: No, I don't have five pillows deep. I have four

1228
01:00:07,160 --> 01:00:09,840
Speaker 3: pillows and then one decorative. But I use it for

1229
01:00:10,000 --> 01:00:10,919
Speaker 3: other things as well.

1230
01:00:11,120 --> 01:00:14,280
Speaker 1: But do you want to say what that thing is?

1231
01:00:14,840 --> 01:00:18,400
Speaker 2: I'd rather not. I might bail you out. I have

1232
01:00:18,440 --> 01:00:21,560
Speaker 2: a pillow just for folding in half and putting between

1233
01:00:21,560 --> 01:00:22,120
Speaker 2: my knees.

1234
01:00:22,440 --> 01:00:24,720
Speaker 3: Really, oh, I see.

1235
01:00:24,440 --> 01:00:25,439
Speaker 1: But not in a dirty way.

1236
01:00:26,520 --> 01:00:30,920
Speaker 2: There is a japan animation character and a hole in it. Now,

1237
01:00:31,120 --> 01:00:33,880
Speaker 2: I just like my hips are weird, and so I

1238
01:00:33,960 --> 01:00:36,520
Speaker 2: like to put cam a pillow in there, right memory

1239
01:00:36,560 --> 01:00:40,000
Speaker 2: phone fold it like together. It feels great right to

1240
01:00:40,080 --> 01:00:43,840
Speaker 2: sleep if I put a pillow in there, I'm just

1241
01:00:43,840 --> 01:00:46,080
Speaker 2: just kicking and kicking and screaming all night.

1242
01:00:46,560 --> 01:00:51,160
Speaker 3: When I was a house cleaner, a maid, I clean

1243
01:00:51,200 --> 01:00:54,400
Speaker 3: this one woman's house. Her name was Francoise, and she

1244
01:00:54,480 --> 01:00:58,960
Speaker 3: had a very romantic bedroom. Like everything was like a

1245
01:00:59,120 --> 01:01:01,640
Speaker 3: rud She was like like waiting, always waiting for her

1246
01:01:01,720 --> 01:01:04,840
Speaker 3: husband to come home from business. But the pillows they

1247
01:01:04,840 --> 01:01:08,320
Speaker 3: were like these like silk like for me. They were

1248
01:01:09,920 --> 01:01:12,440
Speaker 3: for me. They would be the biggest turn off because

1249
01:01:12,480 --> 01:01:16,800
Speaker 3: you felt like there's nothing just very vaginal about like

1250
01:01:17,640 --> 01:01:22,080
Speaker 3: all these pink and red just like circular, you know,

1251
01:01:23,960 --> 01:01:29,000
Speaker 3: uh fluffy, like you like going into a space where

1252
01:01:29,000 --> 01:01:30,840
Speaker 3: they're like this is romance like.

1253
01:01:30,760 --> 01:01:33,880
Speaker 2: This, Yeah, you're just describing what has to be on

1254
01:01:33,920 --> 01:01:35,360
Speaker 2: a rotating heart shape.

1255
01:01:35,560 --> 01:01:38,520
Speaker 3: Yes, and like a vanity with like a golden hair brush.

1256
01:01:39,320 --> 01:01:42,000
Speaker 2: It was like that kind of like van of White's

1257
01:01:42,080 --> 01:01:44,080
Speaker 2: childhood bedroom, or.

1258
01:01:44,040 --> 01:01:47,840
Speaker 1: Like the scene from foul Play where Dudley Moore, remember

1259
01:01:47,920 --> 01:01:50,080
Speaker 1: do you remember foul Playing? The best movie ever? I

1260
01:01:50,640 --> 01:01:54,240
Speaker 1: remember to remember Dudley Moore the Goldiehuns like take me

1261
01:01:54,280 --> 01:01:57,560
Speaker 1: home because it's because the Albinos following her and they

1262
01:01:57,560 --> 01:02:00,000
Speaker 1: go into his house and you pull it's the best movie.

1263
01:02:00,280 --> 01:02:02,120
Speaker 1: He pulls down the Murphy bet Like she goes into

1264
01:02:02,120 --> 01:02:03,840
Speaker 1: the bathroom to check out the window to see if

1265
01:02:03,840 --> 01:02:06,200
Speaker 1: this guy's still following our and meanwhile he pulls down

1266
01:02:06,240 --> 01:02:08,640
Speaker 1: all these things and he has this bachelor pad. That's

1267
01:02:08,760 --> 01:02:10,520
Speaker 1: it's so you have to see it because it's like

1268
01:02:10,760 --> 01:02:13,840
Speaker 1: a slice of seventies life where you're like, people did this,

1269
01:02:14,400 --> 01:02:15,120
Speaker 1: It's crazy.

1270
01:02:15,520 --> 01:02:18,160
Speaker 2: Isn't there a little of a guy that was in

1271
01:02:18,200 --> 01:02:21,600
Speaker 2: a lot of movies back then on a little person? Yeah,

1272
01:02:21,600 --> 01:02:22,840
Speaker 2: that was Balbd.

1273
01:02:22,840 --> 01:02:27,720
Speaker 1: Billy his name is Billy. I do we foul Play

1274
01:02:27,760 --> 01:02:30,920
Speaker 1: is a movie. So my friend Janet Nielsen's father ran

1275
01:02:31,040 --> 01:02:33,880
Speaker 1: Nielsen freight lines and so because of that they had

1276
01:02:33,920 --> 01:02:37,120
Speaker 1: everything first. So the Nielsen's had a VCR in nineteen

1277
01:02:37,120 --> 01:02:41,640
Speaker 1: seventy six. What yes, So her mom would videotape movies

1278
01:02:41,680 --> 01:02:44,240
Speaker 1: for us and edit out the dirty parts so we

1279
01:02:44,280 --> 01:02:47,560
Speaker 1: could watch anything. We watched ten, We watched foul Play.

1280
01:02:47,600 --> 01:02:50,440
Speaker 1: We watched all these movies that were on TV when

1281
01:02:50,480 --> 01:02:52,200
Speaker 1: we were like in first grade.

1282
01:02:52,040 --> 01:02:55,200
Speaker 2: A twenty minute version of Clockwork Orange.

1283
01:02:55,560 --> 01:02:57,720
Speaker 1: Oh, it's mostly about the furniture.

1284
01:02:58,960 --> 01:02:59,760
Speaker 2: That's yeah.

1285
01:03:00,040 --> 01:03:02,600
Speaker 1: We got to watch all those movies because she didn't

1286
01:03:02,600 --> 01:03:04,200
Speaker 1: have to worry about it. And we watched the Sean

1287
01:03:04,240 --> 01:03:09,720
Speaker 1: Cassidy TV special, which was amazing. But anyway, what a

1288
01:03:09,720 --> 01:03:10,240
Speaker 1: hard throb?

1289
01:03:10,720 --> 01:03:14,360
Speaker 3: Oh romantic? Have you ever been on to someone's like

1290
01:03:14,400 --> 01:03:16,840
Speaker 3: do you think bedrooms? Have you ever been to a

1291
01:03:16,880 --> 01:03:18,800
Speaker 3: surprise bedroom where you get there and you're like, this

1292
01:03:18,840 --> 01:03:21,919
Speaker 3: is not what I expected at all. You go home

1293
01:03:21,920 --> 01:03:23,440
Speaker 3: with somebody and I don't even mean like in a

1294
01:03:23,520 --> 01:03:25,600
Speaker 3: romantic way, but you just watch and you're like, I

1295
01:03:25,640 --> 01:03:28,040
Speaker 3: had no idea that like this would be your aesthetic

1296
01:03:28,400 --> 01:03:29,439
Speaker 3: kind of Yeah.

1297
01:03:29,520 --> 01:03:32,240
Speaker 2: Yeah, it's usually in the way it's like, oh wow,

1298
01:03:32,360 --> 01:03:35,960
Speaker 2: you're funny and it's interesting. Why is your room so boring?

1299
01:03:37,160 --> 01:03:37,200
Speaker 3: That?

1300
01:03:37,640 --> 01:03:40,480
Speaker 1: I always had that feeling of if a guy's bedroom

1301
01:03:40,560 --> 01:03:43,600
Speaker 1: is decorated a little too much, like if say the

1302
01:03:43,680 --> 01:03:48,840
Speaker 1: comforter matches the curtains, I'm just like goodbye. Oh yeah.

1303
01:03:48,920 --> 01:03:51,160
Speaker 1: If there's if there's a thing where it just seems

1304
01:03:51,200 --> 01:03:53,720
Speaker 1: like there's a lot of thought in me in the

1305
01:03:53,760 --> 01:03:58,960
Speaker 1: design an organization of a room's Deckore. Yes, I just

1306
01:03:59,040 --> 01:04:00,160
Speaker 1: am like, I don't.

1307
01:04:00,080 --> 01:04:03,640
Speaker 2: Guy's gonna snap at me. It's gonna like say no, no, no,

1308
01:04:03,640 --> 01:04:05,680
Speaker 2: never know, don't put it.

1309
01:04:05,640 --> 01:04:09,280
Speaker 1: There, don't put it there. Coasters, yeah, either that or.

1310
01:04:09,240 --> 01:04:10,560
Speaker 2: A purple pillow. Purple.

1311
01:04:11,080 --> 01:04:14,640
Speaker 1: He just likes me. He likes me, and it's fag haggyway.

1312
01:04:15,400 --> 01:04:18,000
Speaker 3: Yeah. I dated someone. I went to his house and

1313
01:04:18,040 --> 01:04:21,040
Speaker 3: I was like, what are these orange chairs? These like

1314
01:04:21,440 --> 01:04:26,480
Speaker 3: Orange designer. I was like taken aback by it. And

1315
01:04:26,520 --> 01:04:28,200
Speaker 3: then he was like, oh, I had someone help me

1316
01:04:28,280 --> 01:04:30,560
Speaker 3: with this room, Like he had someone help him so

1317
01:04:30,600 --> 01:04:32,920
Speaker 3: it would look more presentable.

1318
01:04:32,720 --> 01:04:35,360
Speaker 2: And you had help with this. Now this is.

1319
01:04:37,480 --> 01:04:39,520
Speaker 3: It's just like but there was something kind of nice

1320
01:04:39,520 --> 01:04:42,520
Speaker 3: and adult about that, like, Okay, he could see that,

1321
01:04:44,040 --> 01:04:46,600
Speaker 3: you know he wanted he wanted it to be a

1322
01:04:46,600 --> 01:04:49,080
Speaker 3: more welcoming place for people and needn't know.

1323
01:04:49,280 --> 01:04:51,360
Speaker 1: Yeah, I guess that's put some effort.

1324
01:04:51,040 --> 01:04:54,080
Speaker 2: Into think when I show people my area, I just

1325
01:04:54,160 --> 01:04:57,280
Speaker 2: point out the things that I will defend and the

1326
01:04:57,320 --> 01:05:00,160
Speaker 2: rest is that painting's cool, my dad made that. Well,

1327
01:05:00,400 --> 01:05:05,640
Speaker 2: the rest of yeah, make a claw, yeah, yes.

1328
01:05:06,680 --> 01:05:07,640
Speaker 3: Is he a clockmaker?

1329
01:05:08,120 --> 01:05:10,640
Speaker 2: He made furniture for a little while. There was like

1330
01:05:10,720 --> 01:05:14,000
Speaker 2: a year where he's an upholsterer, a radio guy, and

1331
01:05:14,040 --> 01:05:17,040
Speaker 2: then furniture maker. But it was like it was all

1332
01:05:17,080 --> 01:05:19,320
Speaker 2: about death. It was all in the end.

1333
01:05:20,200 --> 01:05:20,880
Speaker 3: It all is.

1334
01:05:22,840 --> 01:05:27,520
Speaker 2: Re upholstered the inside the caskets. No, No, I think.

1335
01:05:28,080 --> 01:05:31,160
Speaker 1: I'd like to restate then if I see too many textiles,

1336
01:05:31,480 --> 01:05:34,240
Speaker 1: That's what I'm talking about, Prince. If we're going with

1337
01:05:34,360 --> 01:05:38,640
Speaker 1: the tapestries, yes, if there's wallings, if there's ever a

1338
01:05:38,680 --> 01:05:41,680
Speaker 1: kimono anywhere. Just I'm just saying, to keep.

1339
01:05:41,560 --> 01:05:43,720
Speaker 3: Your eye out a tapestry.

1340
01:05:43,880 --> 01:05:46,520
Speaker 1: Yeah, I'd like people to be concerned and focused on

1341
01:05:46,600 --> 01:05:54,280
Speaker 1: other things besides you know, yes, matching uh, matching textiles. Right,

1342
01:05:55,000 --> 01:05:56,520
Speaker 1: maybe that makes me a bad person.

1343
01:05:58,440 --> 01:06:05,160
Speaker 3: Well, reserve judgment, thank you you. Yeah, it seems a.

1344
01:06:05,160 --> 01:06:09,160
Speaker 2: Therapy about that therapy bird got me for twenty minutes

1345
01:06:09,280 --> 01:06:11,960
Speaker 2: if you remember saying it, because it's.

1346
01:06:11,440 --> 01:06:12,560
Speaker 1: Pretty much the best.

1347
01:06:13,720 --> 01:06:14,280
Speaker 3: This is nice.

1348
01:06:14,280 --> 01:06:14,800
Speaker 1: Are we done?

1349
01:06:14,880 --> 01:06:15,160
Speaker 2: Guys?

1350
01:06:15,160 --> 01:06:15,800
Speaker 3: This is nice.

1351
01:06:15,840 --> 01:06:18,520
Speaker 2: We're at the conclusionary times.

1352
01:06:18,680 --> 01:06:20,480
Speaker 1: Just put out her hand in both of us like

1353
01:06:20,560 --> 01:06:21,000
Speaker 1: she's like.

1354
01:06:21,280 --> 01:06:22,640
Speaker 2: We're holding me over.

1355
01:06:22,880 --> 01:06:25,080
Speaker 3: It's no, I feel like we need to do something

1356
01:06:25,160 --> 01:06:27,240
Speaker 3: drastic with our we're holding you.

1357
01:06:27,480 --> 01:06:30,320
Speaker 2: Oh god, let's pull out the Ouiji board. Aaron, dim

1358
01:06:30,360 --> 01:06:30,840
Speaker 2: the lights.

1359
01:06:31,040 --> 01:06:33,840
Speaker 1: No, I saw the Conjuring two yesterday. Really just based

1360
01:06:33,880 --> 01:06:35,720
Speaker 1: on a true story, and it all started with a

1361
01:06:35,760 --> 01:06:37,720
Speaker 1: Wigi board. Do not if you have a Buigi board

1362
01:06:37,720 --> 01:06:41,240
Speaker 1: in your house, throw it away. Really, do not use scary,

1363
01:06:41,720 --> 01:06:42,200
Speaker 1: don't do it.

1364
01:06:42,280 --> 01:06:44,080
Speaker 2: I don't. I never did. And I'm like, I don't

1365
01:06:44,120 --> 01:06:46,080
Speaker 2: believe in stuff, but let's not do that. Light as

1366
01:06:46,120 --> 01:06:46,720
Speaker 2: a feather piss.

1367
01:06:47,000 --> 01:06:48,600
Speaker 1: No, no, no, what do.

1368
01:06:48,600 --> 01:06:50,840
Speaker 3: You feel about them? Now? You feel like it opens

1369
01:06:50,840 --> 01:06:51,720
Speaker 3: you up as a channel.

1370
01:06:51,880 --> 01:06:53,680
Speaker 1: No, no, no, I feel like it opens up a

1371
01:06:53,760 --> 01:06:56,480
Speaker 1: channel to a thing you can't control. Later, I think

1372
01:06:56,520 --> 01:06:58,760
Speaker 1: it's bad, bad spirits, bad news.

1373
01:06:58,840 --> 01:07:02,240
Speaker 2: Yeah, you don't mess with it, the cult because it's also.

1374
01:07:02,040 --> 01:07:03,480
Speaker 1: A twelve year old that you know what I mean.

1375
01:07:03,520 --> 01:07:05,560
Speaker 1: It's always like does someone don't like me? Or whatever?

1376
01:07:05,600 --> 01:07:09,320
Speaker 1: And then suddenly, as you'll see, slender Man is standing

1377
01:07:09,360 --> 01:07:13,160
Speaker 1: behind you. Oh my god, yeah, go see the conjuring table.

1378
01:07:13,240 --> 01:07:15,360
Speaker 2: Candy man. There's all types.

1379
01:07:15,480 --> 01:07:17,520
Speaker 3: We need to talk more about the spirit world at

1380
01:07:17,520 --> 01:07:18,400
Speaker 3: some point, Okay.

1381
01:07:18,640 --> 01:07:21,480
Speaker 1: On that other podcast, Oh, yes.

1382
01:07:21,360 --> 01:07:24,800
Speaker 3: Yes I do. I'm doing a show and Karen featuring

1383
01:07:24,880 --> 01:07:29,040
Speaker 3: Karen kilgart Gara. I'm doing a show Lizzie Cooperman and friends.

1384
01:07:29,200 --> 01:07:32,120
Speaker 2: I know about this. Yeah, what's invited on the I.

1385
01:07:32,040 --> 01:07:33,400
Speaker 3: Would love for you to come.

1386
01:07:33,640 --> 01:07:34,280
Speaker 2: Where is it?

1387
01:07:34,760 --> 01:07:36,800
Speaker 3: Lots of pressure and Chris throws.

1388
01:07:36,600 --> 01:07:42,160
Speaker 2: Up it is your will there be oh god, there

1389
01:07:42,160 --> 01:07:44,840
Speaker 2: will be a bottle of epicac there. I don't know

1390
01:07:44,840 --> 01:07:50,600
Speaker 2: why I'm it's it's June twenty first. I'm gone. Sorry, No,

1391
01:07:51,560 --> 01:07:56,800
Speaker 2: come on Austin really? Oh Tuesday? No, I live on Wednesday, Yes,

1392
01:07:57,880 --> 01:08:01,560
Speaker 2: if you just go you got a different Sure, I'll

1393
01:08:01,600 --> 01:08:03,360
Speaker 2: do ten minutes to eight pm.

1394
01:08:03,440 --> 01:08:05,400
Speaker 1: Who else is on the show?

1395
01:08:05,440 --> 01:08:09,800
Speaker 3: I No Okay featuring Well first of all, hosted by

1396
01:08:09,840 --> 01:08:14,080
Speaker 3: Katie Crown and Davy Johnson, who are hilarious, hilarious, inventive,

1397
01:08:14,920 --> 01:08:18,360
Speaker 3: like just having them alone will make it, Yeah, an

1398
01:08:18,360 --> 01:08:20,080
Speaker 3: event that's.

1399
01:08:20,840 --> 01:08:22,160
Speaker 1: Just them alone.

1400
01:08:22,880 --> 01:08:29,160
Speaker 3: Please come support me. So Karen Kilgara, tery Co Garra,

1401
01:08:30,040 --> 01:08:36,840
Speaker 3: Nicki Glazer Nikki Glazer from Not Safe with Nicki Glazern Abramson. Oh,

1402
01:08:36,880 --> 01:08:39,679
Speaker 3: he's hilarious, so funny. He has a show called seven

1403
01:08:39,680 --> 01:08:43,960
Speaker 3: Minutes in Purgatory that's just the best. And Raj Desai,

1404
01:08:44,760 --> 01:08:47,280
Speaker 3: who's one of my favorite comedians and joke writers. And

1405
01:08:47,320 --> 01:08:51,120
Speaker 3: it's happening at eight pm six twenty one at the

1406
01:08:51,200 --> 01:08:53,320
Speaker 3: Virgil and I'd love to see you there.

1407
01:08:53,600 --> 01:08:54,680
Speaker 1: What's six? Oh?

1408
01:08:55,560 --> 01:08:59,519
Speaker 3: Yes, I thought you're giving shows one at eight the

1409
01:08:59,600 --> 01:09:03,799
Speaker 3: other twenty one am choose wisely.

1410
01:09:04,080 --> 01:09:07,240
Speaker 1: One's a recap show, one's a recap of the other. Yeah,

1411
01:09:07,280 --> 01:09:09,240
Speaker 1: that should be a really fun good show. And if

1412
01:09:09,280 --> 01:09:11,639
Speaker 1: you haven't been to the Virgil, that's a fun theater

1413
01:09:12,080 --> 01:09:13,880
Speaker 1: that always says it come any then.

1414
01:09:13,840 --> 01:09:18,519
Speaker 3: Dons always And it's produced by Victory lap. Oh they're

1415
01:09:18,560 --> 01:09:19,040
Speaker 3: so nice.

1416
01:09:19,080 --> 01:09:20,679
Speaker 1: They're son. I really like those guys.

1417
01:09:20,760 --> 01:09:23,760
Speaker 3: Yes, Sharon and Anna, so yeah, very cool for you

1418
01:09:23,800 --> 01:09:24,200
Speaker 3: to come.

1419
01:09:24,840 --> 01:09:28,559
Speaker 2: I will come, I will come. I am now for

1420
01:09:28,680 --> 01:09:31,120
Speaker 2: my thing. I was going to talk about our friend

1421
01:09:31,320 --> 01:09:36,360
Speaker 2: Tom that yeah, maybe his GoFundMe, but I can't find it. Yes,

1422
01:09:36,600 --> 01:09:37,960
Speaker 2: should have had it queued up.

1423
01:09:39,640 --> 01:09:43,200
Speaker 3: We have a friend. You know him better than I do.

1424
01:09:43,560 --> 01:09:48,240
Speaker 3: I do. Yeah, he's I have good feelings about this person.

1425
01:09:48,360 --> 01:09:55,439
Speaker 2: Me too. He's a positive, spiritual, funny, sweet skateboarder kid

1426
01:09:55,520 --> 01:09:57,640
Speaker 2: who has been gone for a couple of years, and

1427
01:09:57,680 --> 01:10:01,920
Speaker 2: he's sick. And we've been messaging with his girlfriend because

1428
01:10:02,000 --> 01:10:05,680
Speaker 2: it seems like it is some sort of yeah, what

1429
01:10:05,720 --> 01:10:08,040
Speaker 2: would you category category?

1430
01:10:08,400 --> 01:10:10,719
Speaker 3: I think he has an autoimmune.

1431
01:10:10,360 --> 01:10:12,440
Speaker 2: Right atom he's gonna say audio.

1432
01:10:12,720 --> 01:10:15,320
Speaker 3: By the description that might be a tick born illness.

1433
01:10:15,400 --> 01:10:17,559
Speaker 2: And she said she said he did have a tick

1434
01:10:17,600 --> 01:10:18,120
Speaker 2: at one point.

1435
01:10:18,240 --> 01:10:21,760
Speaker 3: Okay, so I think he has lime disease. But I

1436
01:10:21,800 --> 01:10:25,559
Speaker 3: feel like, you know, that's for them to figure out.

1437
01:10:25,560 --> 01:10:28,639
Speaker 3: But testing is really inaccurate, so a lot of people

1438
01:10:28,760 --> 01:10:30,720
Speaker 3: don't know they have it and go years and.

1439
01:10:30,720 --> 01:10:35,000
Speaker 2: Years think of detailed message diseases. Yeah, because they call

1440
01:10:35,080 --> 01:10:37,240
Speaker 2: it the Great imitator.

1441
01:10:37,400 --> 01:10:41,320
Speaker 3: Yes, a lot of people will be like wheelchair about

1442
01:10:41,439 --> 01:10:44,360
Speaker 3: like think they have mss als and then they start

1443
01:10:44,360 --> 01:10:46,040
Speaker 3: treating for lime disease and they get better.

1444
01:10:46,120 --> 01:10:48,519
Speaker 2: Maybe they called syphilis the great imitator, but this.

1445
01:10:49,160 --> 01:10:52,759
Speaker 3: They call that. Okay, you can't take that away from life, but.

1446
01:10:54,120 --> 01:10:59,880
Speaker 2: It's similar to what syphilis did. I guess, yes, it's Yeah,

1447
01:11:00,280 --> 01:11:04,400
Speaker 2: you're in pain and your feelings are so I wish

1448
01:11:04,400 --> 01:11:06,960
Speaker 2: I could find Tom what's his name? Go fund me.

1449
01:11:07,200 --> 01:11:10,439
Speaker 3: His name is Tom Rob v R A B. Is

1450
01:11:10,439 --> 01:11:12,040
Speaker 3: that Rob.

1451
01:11:12,320 --> 01:11:16,200
Speaker 2: Rob or I've said Rab. I've said Rob. If it's Rob,

1452
01:11:16,240 --> 01:11:17,600
Speaker 2: there should be an oome lot over the A.

1453
01:11:17,800 --> 01:11:20,240
Speaker 3: I mean, make sure to ask on his GoFundMe, is

1454
01:11:20,280 --> 01:11:21,280
Speaker 3: Arab or Rob?

1455
01:11:21,920 --> 01:11:22,360
Speaker 2: Find it?

1456
01:11:23,960 --> 01:11:28,000
Speaker 3: So he isn't He has not been well. He's sounds

1457
01:11:28,000 --> 01:11:31,280
Speaker 3: like he's been misdiagnosed a lot. Yeah, he's suffering. He

1458
01:11:31,400 --> 01:11:35,120
Speaker 3: can't speak or is that he can't He can't can't think.

1459
01:11:35,320 --> 01:11:38,479
Speaker 2: I've tried to text him over the past couple of

1460
01:11:38,520 --> 01:11:41,360
Speaker 2: years and he said it hurts to even text. A

1461
01:11:41,439 --> 01:11:44,720
Speaker 2: doctor messed me up. I can't talk like it's all.

1462
01:11:45,439 --> 01:11:49,000
Speaker 2: But finally is his girlfriend put up this gofund me

1463
01:11:49,080 --> 01:11:51,240
Speaker 2: and it's I'll put a link to it in the

1464
01:11:51,320 --> 01:11:54,639
Speaker 2: description of this episode because I can't find it right now.

1465
01:11:54,720 --> 01:11:55,799
Speaker 2: It's driving me batty.

1466
01:11:55,960 --> 01:11:59,880
Speaker 1: Well. Also, if people know GoFundMe and Tom rob right, yeah,

1467
01:12:00,120 --> 01:12:03,000
Speaker 1: then I bet that'll get them some Google results if

1468
01:12:03,040 --> 01:12:04,519
Speaker 1: they if they have the money to donate.

1469
01:12:04,560 --> 01:12:06,760
Speaker 3: That actually takes you to pay Less Shoes website. But

1470
01:12:06,840 --> 01:12:07,400
Speaker 3: it's a whole.

1471
01:12:09,200 --> 01:12:11,200
Speaker 1: But there are some amazing flip flops this season.

1472
01:12:11,280 --> 01:12:12,120
Speaker 3: Yes, amazing.

1473
01:12:12,560 --> 01:12:15,080
Speaker 1: Oh, Chrys will do a link. That'd be it. That'd

1474
01:12:15,080 --> 01:12:15,840
Speaker 1: be a nice thing today.

1475
01:12:15,840 --> 01:12:16,840
Speaker 3: I'm glad you brought that up.

1476
01:12:16,960 --> 01:12:19,120
Speaker 2: Yes, I had to. Yes, what are you going to

1477
01:12:19,360 --> 01:12:21,000
Speaker 2: talk about? We got conclude?

1478
01:12:21,200 --> 01:12:23,360
Speaker 1: Oh you mean in terms of a plug.

1479
01:12:23,640 --> 01:12:23,880
Speaker 2: Yeah.

1480
01:12:24,200 --> 01:12:26,960
Speaker 1: Uh oh, well then let me say, let's see if

1481
01:12:26,960 --> 01:12:31,439
Speaker 1: I have a show coming up, doe do missus dash?

1482
01:12:31,560 --> 01:12:34,960
Speaker 1: I want to remind everybody to use missus dash. Oh,

1483
01:12:35,000 --> 01:12:40,520
Speaker 1: I'm I'm going to do the Virgil first, Yes, imitation life.

1484
01:12:40,280 --> 01:12:41,160
Speaker 2: Instead of salt.

1485
01:12:41,479 --> 01:12:44,040
Speaker 1: Oh. I'm going to be on the show that is

1486
01:12:44,080 --> 01:12:47,200
Speaker 1: on Monday, June twenty seventh at the Improv Lab at

1487
01:12:47,200 --> 01:12:51,000
Speaker 1: ten pm. I can't remember. I think it's called Everybody's Great.

1488
01:12:52,040 --> 01:12:54,280
Speaker 1: I can't remember. I apologize to the people that are

1489
01:12:54,320 --> 01:12:57,680
Speaker 1: hosting that show. But I love the improv Lab. It's

1490
01:12:57,760 --> 01:13:00,000
Speaker 1: so fun and uh so I'm going to be there

1491
01:13:00,040 --> 01:13:04,759
Speaker 1: June twenty seven at ten pm. Also, the show Roadies

1492
01:13:04,960 --> 01:13:07,920
Speaker 1: on Showtime is premiering Sunday the twenty six at ten.

1493
01:13:08,160 --> 01:13:10,080
Speaker 2: Yeah, are you on that? I auditioned for that?

1494
01:13:10,160 --> 01:13:10,679
Speaker 1: Did you really?

1495
01:13:10,760 --> 01:13:11,200
Speaker 2: Yeah? Yeah?

1496
01:13:11,360 --> 01:13:14,719
Speaker 1: No, I just we watched the trailer for the show

1497
01:13:14,760 --> 01:13:17,840
Speaker 1: at work about one hundred times because the idea of

1498
01:13:17,880 --> 01:13:21,400
Speaker 1: all these beautiful models being Rody's is so hilarious. It's like,

1499
01:13:21,880 --> 01:13:24,320
Speaker 1: so I can't wait to see what it actually is

1500
01:13:24,360 --> 01:13:26,200
Speaker 1: because the trailer makes it.

1501
01:13:26,200 --> 01:13:28,920
Speaker 3: It's like twelve models and like a unibomber.

1502
01:13:31,320 --> 01:13:34,960
Speaker 2: Is just like two different characters in it. Really didn't

1503
01:13:34,960 --> 01:13:35,280
Speaker 2: get it.

1504
01:13:35,439 --> 01:13:37,040
Speaker 1: I don't know if you should be upset about that.

1505
01:13:37,400 --> 01:13:37,840
Speaker 1: We'll see.

1506
01:13:37,960 --> 01:13:40,880
Speaker 3: I knows a reality show, but the script's kind of funny.

1507
01:13:41,880 --> 01:13:42,479
Speaker 2: Well, we'll see.

1508
01:13:43,040 --> 01:13:45,200
Speaker 3: And Chris doesn't have anything to plug. Thank you so

1509
01:13:45,280 --> 01:13:46,160
Speaker 3: much for joining us.

1510
01:13:48,680 --> 01:13:54,360
Speaker 2: I'll be in Norfolk, Nebraska next week for something called

1511
01:13:54,360 --> 01:13:55,559
Speaker 2: The Great American Comedy.

1512
01:13:55,840 --> 01:13:57,360
Speaker 1: Oh well, that's good.

1513
01:13:57,720 --> 01:14:01,200
Speaker 2: And then I'm in Austin, Texas the weekend after that

1514
01:14:01,280 --> 01:14:02,200
Speaker 2: at the Velveto Room.

1515
01:14:02,960 --> 01:14:05,000
Speaker 3: Eyelashes are like their own lampshades.

1516
01:14:05,280 --> 01:14:07,920
Speaker 2: I need to curl them. They're too straight. My visions

1517
01:14:07,920 --> 01:14:09,840
Speaker 2: always blurry because no lashes are right there.

1518
01:14:10,640 --> 01:14:11,839
Speaker 1: If you want to do it right now.

1519
01:14:11,880 --> 01:14:14,559
Speaker 2: Maybe let's have a hair time. Okay, we gotta stop it.

1520
01:14:15,200 --> 01:14:18,400
Speaker 2: Crimp this ship you've been listening to. Do you need

1521
01:14:18,439 --> 01:14:18,960
Speaker 2: a ride?

1522
01:14:19,280 --> 01:14:20,960
Speaker 3: D y n a r