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Speaker 1: So of course, you know, all these egghead professors are

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Speaker 1: up there and just completely misrepresenting, you know, my thesis

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Speaker 1: and trying to discredit me. But kids are smart, like

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Speaker 1: kids are smart, kids are smart, and they know they

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Speaker 1: can smell the bs and and finally I just let

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Speaker 1: them go, you know, I let them punch themselves out.

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Speaker 1: And when these wind bags finally deflated themselves, I said, actually, professor,

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Speaker 1: that's not what I said. I do believe in evolution.

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Speaker 1: I just do not think that we evolved from monkeys

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Speaker 1: in general, but rather one specific monkey bone. And if

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Speaker 1: you watch monkey Bone, which I doubt they had, he's

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Speaker 1: talking the human traits. He's nasty, displayed well, he's horny.

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Speaker 1: He's irascible, Yes, he he's irascible, and in the way

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Speaker 1: that humanity is. Frankly, he behaves with as much disrespect

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Speaker 1: as some of these professors were doing towards me. They

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Speaker 1: don't even realize they're embodying monkey Bones personality when they're fighting,

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Speaker 1: and thus having proven the thesis, that's exactly right. Uh.

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Speaker 1: And the kids, to their credit, were really smart and

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Speaker 1: really got it, you know, aside from the one that

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Speaker 1: you know whatever, I don't know who reached into the

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Speaker 1: pocket of the student paper writer or whatever and slid

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Speaker 1: him an extra fifty to write that hit piece. Yeah,

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Speaker 1: but not all kids. Some kids are not very smart.

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Speaker 1: They're they're well, you know, neither he nor there. There

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Speaker 1: are some really really, some are really Some are very

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Speaker 1: very dumb. Yeah, some are like so fucking Some of

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Speaker 1: the ship they say or write is like are you

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Speaker 1: can you fucking hear yourself? Like Jesus.

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Speaker 2: Sona sona Sorry, I was about to fall asleep. Hi,

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Speaker 2: how are you guys?

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Speaker 3: What's going on? The Like the book is just so crazy?

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Speaker 3: Huh the promo?

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Speaker 1: Can you believe you all night reading the book? Yeah,

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Speaker 1: that's why you're falling asleep.

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Speaker 2: Huh, you're saying I'm reading my book. I was up

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Speaker 2: all night reading the book. I wrote just no, just no,

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Speaker 2: you got you guys. I don't save you're just talking

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Speaker 2: about monkey for a long time. I don't know.

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Speaker 1: Two minutes.

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Speaker 2: Was it two minutes because it felt like twenty minutes.

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Speaker 1: That's a burn that's what she said.

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Speaker 2: She said, that's a burner. It's it felt like twenty minutes,

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Speaker 2: she said.

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Speaker 1: Out all of it, the whole thing. Was it two minutes?

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Speaker 1: Because it felt like twenty minutes. That's a burn.

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Speaker 2: Yeah, that's ah. She did say that I could hear.

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Speaker 2: I guess I bet she said that. How are you

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Speaker 2: guys doing. I'm gonna miss you too. I don't know why.

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Speaker 1: Isn't it crazy? I mean, it's a borderline toxic relationship

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Speaker 1: we're in.

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Speaker 2: Yeah, it is not even borderline. It is toxic.

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Speaker 1: But I can't stop coming back. I can't stop feeding

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Speaker 1: at the trough.

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Speaker 2: It is like a trough. I don't know.

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Speaker 1: I isn't it. It's all just crashing here. It's all

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Speaker 1: apple cores and all my rusty boots.

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Speaker 2: I've done this twice before, and every time I'm like,

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Speaker 2: I can't do that again. It's just I can't. And

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Speaker 2: then when Kevin emails me, I get excited. Why. I

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Speaker 2: don't get it. I don't understand it at all. I

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Speaker 2: don't know why. I am excited to talk because we

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Speaker 2: get each.

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Speaker 1: Other and we're the only ones to do Sona.

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Speaker 2: No, I don't think you're out of the rest.

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Speaker 1: Of the world. And like you're having to like go

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Speaker 1: through the motions for them, having to sort of like

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Speaker 1: tone it down because they don't get it. They don't

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Speaker 1: fucking get you.

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Speaker 2: But in here you guys get me, you get me,

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Speaker 2: or you get it.

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Speaker 1: The three of us we get it. The three of

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Speaker 1: us all get it, and basically no one else does so.

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Speaker 1: And you know, I think also, why you have that

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Speaker 1: experience you described. We're creating something here and we put

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Speaker 1: it out into the world, and it's almost it's almost

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Speaker 1: like childbirth. And they say that although that experience can

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Speaker 1: be unpleasant, there's a there's an element of amnesia that

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Speaker 1: allows me to do it.

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Speaker 3: As soon as I popped into the zoom, I saw

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Speaker 3: sona like, she looks different, she looks amit like this

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Speaker 3: person wrote a book.

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Speaker 2: Oh, I thought you. Well, first of all, you compared

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Speaker 2: it to childbirth. I also had kids, I had two

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Speaker 2: of them at the same time, and this is nothing

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Speaker 2: like childbirth. I I take great offense to say. I mean,

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Speaker 2: there's like, how fucking.

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Speaker 1: Dare let's talk about the difference. Is there's more typing,

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Speaker 1: go on, go on, there's go on, pnter, there's no

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Speaker 1: printer really in well, I guess you becomes hurt. You're

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Speaker 1: something of a three D printer.

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Speaker 2: You you were trying to figure out what like makes

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Speaker 2: this like childbirth?

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Speaker 1: I wasn't thought of clarifying Printer, I was saying that

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Speaker 1: doing the podcast is like childbirth, and that's why she

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Speaker 1: gets created. It's a product. It's all creative work. Oh god.

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Speaker 1: Writing a book is also like the podcasting, which is

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Speaker 1: also like childbirth.

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Speaker 2: Yeah, well, I think I wrote a book, and it

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Speaker 2: is it was I had to write.

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Speaker 1: I wrote a book. Yeah, I had.

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Speaker 2: There are so many fucking words in a book and

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Speaker 2: you're you're the one who has to write them. And

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Speaker 2: so at a certain point I was like, I'll just

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Speaker 2: get some ship on paper and then hope it makes

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Speaker 2: any kind of sense. And you know what, sometimes it doesn't.

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Speaker 1: But I found that it's much harder.

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Speaker 2: Yeah, it's much harder than fantastic.

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Speaker 1: When I was reading the book, I was like, some

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Speaker 1: of this, what is this fool talking about? Like yeah,

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Speaker 1: like yeah, what is I found myself putting the book

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Speaker 1: down and saying, Sona, my dear, you've lost the thread.

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Speaker 1: But but damn if I didn't pick it back.

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Speaker 2: Oh you did? You went back for more?

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Speaker 1: Okay, yes, all right, I had there's a workout. Yeah

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Speaker 1: did you get girls?

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Speaker 2: Have you guys written books or is it just me?

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Speaker 1: Yeah? We actually did a whole episode about the books

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Speaker 1: that we're working on and stuff.

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Speaker 2: Oh really what? But did you write them? Are you

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Speaker 2: working on them?

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Speaker 1: Now? Yeah? You listen to the show, and I don't.

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Speaker 2: I never listen to this show. I don't even think

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Speaker 2: I listened to the episodes. I'm I didn't even listen to.

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Speaker 1: Those, and in my voice, our most popular ones.

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Speaker 2: Yeah, you keep.

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Speaker 1: Coming, son A Valley. That's what we.

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Speaker 2: That's the effect I have.

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Speaker 1: You're welcome show show the cover? Do we have the cover?

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Speaker 1: Do we have it within?

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Speaker 2: Are you asking me?

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Speaker 1: Yes?

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Speaker 2: You? Oh, ship, I can get it. I don't have one.

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Speaker 1: Kevin's gonna pull it up.

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Speaker 2: He's He's just I haven't somewhere.

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Speaker 1: Rolling Adobe first stands down there. So as we wait, Sona,

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Speaker 1: let's writing somebody, Well I wanted the original cover is

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Speaker 1: not the one that you drew on.

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Speaker 2: Yeah, that's it. She's my book.

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Speaker 3: Four and a half stars. Pretty good, family, listen to me,

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Speaker 3: my family. I summoned the family assemble and complete the

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Speaker 3: final star. Everyone go on Amazon and rate the book

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Speaker 3: one half star. To contribute that final piece. They're missing

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Speaker 3: a half star. You can provide it. You can make

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Speaker 3: a difference.

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Speaker 2: Yes, this is what you should be spending your time

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Speaker 2: on this is very important. Make that four because I can.

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Speaker 2: I be honest, I don't Is it bad? I don't care.

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Speaker 2: It's okay, it could stay four and a half, it

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Speaker 2: could go down.

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Speaker 1: It's bad that you're pretending you don't care for our audience,

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Speaker 1: because the kids are really smart these days, especially ones

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Speaker 1: that listen to this show. They're very literate. They know books,

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Speaker 1: and they know they can smell when somebody's like acting

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Speaker 1: cool to try to impress them. When I say, it's

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Speaker 1: fucking killing me. The half star is all I think about.

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Speaker 1: And that's why I came on here and begged Hayes

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Speaker 1: to assign our army right of podcast listeners, many of

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Speaker 1: whom will be sitting out this week to get in

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Speaker 1: there and complete the rating.

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Speaker 2: Wait, so did you say your audience is literate?

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Speaker 1: There? Yes, a lot of them are as as you.

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Speaker 3: Are missing, like words among like you take one of them,

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Speaker 3: there's gonna be a lot of stuff that they're not

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Speaker 3: going to be able to come up with on their own.

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Speaker 3: But like the entire like put together as a team,

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Speaker 3: as a family, working together, there is almost nothing that

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Speaker 3: they are able to read.

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Speaker 1: Right when I think of the two of you.

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Speaker 2: I think of literacy, So I think that makes a

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Speaker 2: lot of sense. I bet you've had a lot of

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Speaker 2: big authors on this show.

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Speaker 1: What's that we have? Yeah? The joke here, Sorry, I'm

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Speaker 1: just trying to put this together. This is the you

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Speaker 1: see me putting down the book just for a second. Yeah, Okay,

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Speaker 1: I get like what I wanted to do. I just

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Speaker 1: don't ye think we stuck the landing. Maybe we can

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Speaker 1: workshop it a little bit. No.

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Speaker 2: What I'm trying to say is if I was an

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Speaker 2: actual reputable author who was like a novelist, I don't

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Speaker 2: know if I would be here.

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Speaker 1: Okay, I mean, uh, I guess if you go back

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Speaker 1: a handful of weeks. Uh, Tommy Orange, this was the

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Speaker 1: National book Ward finalist, right Uh? And he was just

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Speaker 1: on the show. Juliet Phillips, the author of Disappearing Earth,

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Speaker 1: the did when she was doing like her sort of

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Speaker 1: press to her for that talked about this being her

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Speaker 1: favorite podcast. She would do it.

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Speaker 3: We actually yeah, you know, like we thought as to

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Speaker 3: you would be.

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Speaker 1: Yeah, book her?

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Speaker 2: Actually?

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Speaker 1: Can you book her with Sona? Can we maybe bring Sona?

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Speaker 1: That would be interesting? Come back and YouTube can sort

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Speaker 1: of talk shop about writing. I mean, your book is

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Speaker 1: a little different. It's funny, isn't it.

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Speaker 2: What is funny?

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Speaker 1: Your book's a little different. It's a little funny.

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Speaker 2: My book is funny, or it's funny. What's funny?

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Speaker 1: It's just it's a little different different. Huh, it's a

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Speaker 1: little funny. It's built it's built different, isn't it.

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Speaker 2: But the book is the book is different, and it's

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Speaker 2: built different.

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Speaker 1: It hits different, and it's built different. When it's sona,

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Speaker 1: it hits different.

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Speaker 2: Yeah, yeah, it is, it is, it is, it is.

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Speaker 2: It does hit different.

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Speaker 1: I wanted to talk about writing. There's a certain musicality

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Speaker 1: and rhythm to comedy, don't you agree?

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Speaker 2: And the way you're asking this, what do you.

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Speaker 1: Think for yourself? Almost as a composer?

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Speaker 2: Oh wow, are you the worst person right now?

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Speaker 3: Steel drum No, Honestly, when I was when I was

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Speaker 3: reading the book, it felt like I was listening to

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Speaker 3: a steel drum band.

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Speaker 1: If the.

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Speaker 2: Rhythm, yes, If I had to compare my book writing

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Speaker 2: to some sort of musicality.

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Speaker 1: Crab is like it's like snapping its claws, or even

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Speaker 1: me singing.

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Speaker 2: It could be me trying to play an instrument, or

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Speaker 2: me singing because I'm I'm pretty tone deaf, so I

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Speaker 2: think that would really encapsulate how I write. Let's talk

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Speaker 2: about tone deaf book musicality.

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Speaker 3: And we can sort of let's like we can sort

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Speaker 3: of we can explode the song of the book in

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Speaker 3: a way. Yes, and let me just start from very

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Speaker 3: quickle my tenure.

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Speaker 2: Of being no, don't read it.

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Speaker 3: That makes discipitated in eight, eventually this committic could come.

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Speaker 3: Who I had admired, my terrorlessent life became nuisance.

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Speaker 1: What are you talking about? Was that? Because you know?

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Speaker 1: For me, I really I really wanted to like that part. Yeah.

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Speaker 1: John read that to me and I was like, what

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Speaker 1: am I the crazy one?

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Speaker 3: Yes? Do you see how the rhythm is? Yes, here's

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Speaker 3: the question, Like do you see how the rhythm is

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Speaker 3: like not conducive to?

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Speaker 1: Like this is what we've been talking about. The kids

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Speaker 1: are smart, right, they know what they're being like, like

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Speaker 1: we get it and they get it. It's sort of

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Speaker 1: like a like in parts the rhythm is sort of

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Speaker 1: like it's like b asking you you know what I mean? Yeah?

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Speaker 2: Wait is there a question?

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Speaker 1: Uh? Yeah, why did you do that? How come?

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Speaker 2: Because I've never written anything before.

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Speaker 1: So it's didn't I say that.

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Speaker 2: It's an amateur.

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Speaker 1: I have to say that.

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Speaker 2: Yeah, I write like I talk, which I don't think

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Speaker 2: is necessarily the way people are supposed to write. And

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Speaker 2: I don't.

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Speaker 1: It's so how people talk, you know what I mean.

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Speaker 1: It's none of this bullshit.

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Speaker 2: Yeah, it's not like you know, I'm not a wordsmith,

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Speaker 2: you know, I just like, I just talk and then

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Speaker 2: I put that on on the papers.

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Speaker 1: We've always said that that was the goal for this podcast.

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Speaker 1: It's like, we want to podcast how people actually talk.

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Speaker 2: Oh, then you're you're failing. You're failing. This is not

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Speaker 2: normal the way you guys speak to each other normal.

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Speaker 2: This is not normal. This is complet normal. Okay, de

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Speaker 2: rage are you are you doing the clapping hands emoji

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Speaker 2: thing in between each word? What are you doing? Hayes? Yeah, okay, all.

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Speaker 1: Right, that was not normalized doing this because cartoons, Yes.

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Speaker 2: Yeah, but the book has cartoons. Yeah that's what you said. Yeah,

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Speaker 2: my husband is a he's a graphic artist. He do

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Speaker 2: all he did all the cartoons.

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Speaker 1: And very graphic artist. Some of this ship. I had

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Speaker 1: to put the book down and masturbate.

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Speaker 2: Did you jerk it to the illustrations of Conan. I

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Speaker 2: feel like you two would. That's why I'm asking did

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Speaker 2: you find a sexual because I know you guys love

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Speaker 2: him very much. I think you too love him so

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Speaker 2: much that you would look at images of him as

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Speaker 2: a cartoon in a pornographic fashion.

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Speaker 1: When he comes on the show, that's when I bust

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Speaker 1: before when likely not after? When when he comes on

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Speaker 1: the show. Yeah, when when he comes on the show,

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Speaker 1: that's when I come on the show.

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Speaker 2: You guys should hold your breath, definitely.

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Speaker 1: Hold more than that. Come on, come on, I'm getting

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Speaker 1: blue breath over here. You brought it up. I'm the

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Speaker 1: one in the corner turning blue downstairs.

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Speaker 2: I can't. I gotta go, I gotta go.

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Speaker 1: Excuse me, you brought this up.

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Speaker 2: I was asking a sincere question of whether or not

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Speaker 2: YouTube jerk it to illustrations of Conan, and and you made.

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Speaker 1: It disgusting, brass.

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Speaker 2: Yeah, you love him, that's why you know he's like

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Speaker 2: a hero. People like you, people like me?

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Speaker 1: What does that mean?

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Speaker 2: What am I like people like you?

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Speaker 1: You know? I love to know what I'm like.

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Speaker 2: You know, like to people like you, guys who are

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Speaker 2: like yeah, like comedy con o'bryen.

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Speaker 1: Yeah, I like. I don't like sellouts. I don't like

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Speaker 1: people who like get like get the big TV show

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Speaker 1: and are like, oh yeah, I like, I'm so excited

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Speaker 1: to like, do do the big show? Right with commercials? Oh,

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Speaker 1: this is all being funded by Lockheed. I mean honestly,

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Speaker 1: it's commercials for missiles every ten minutes. It's unbelievable. And

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Speaker 1: that's how you line in your pockets. If we do commercials. No,

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Speaker 1: it's for raw honey. We do commercials for unwashed vegetables.

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Speaker 1: We do commercials for German razorblade factories.

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Speaker 2: You guys are above it.

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Speaker 1: Yeah, we actually provide services to our listeners. Yeah. Yeah,

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Speaker 1: we're not part of the military industrial complex. The show unbelievable.

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Speaker 1: The helpers look for the helpers, you know what I mean,

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Speaker 1: mister always look for the helpers.

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Speaker 2: That's I love mister Rogers.

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Speaker 1: I bet you do.

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Speaker 2: Yeah, people you would, oh okay, yeah, because you guys.

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Speaker 1: You know attitudes of him. That's what you what you

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Speaker 1: said to me, because you love him.

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Speaker 2: You know what, you too need mister Rogers in your lives.

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Speaker 2: I think that it would really help you because human.

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Speaker 1: Beings wander in my house to wander around the room, and.

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Speaker 2: That's his TV house. That's why he changes or whatever

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Speaker 2: puts on his cardigan, because he goes from his real

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Speaker 2: life to his TV house. If you watched it, you

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Speaker 2: would know that.

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Speaker 1: And you know I could do that for free. Fucking

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Speaker 1: God complex the king of some little village in his backyard.

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Speaker 1: I guess there was a king, but he's like in

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Speaker 1: control of the king too. It's like, just you know,

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Speaker 1: it's in our imagination, puppet master. So this book is

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Speaker 1: in the humor section, correct it.

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Speaker 2: Strangely enough, it's actually, I think considered advice and how to?

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Speaker 2: So okay, I'm making people's lives better. You know. Was

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Speaker 2: it a New York Times bestseller? Yeah? It was and

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Speaker 2: advice and how to category? Yeah okay, so I guess

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Speaker 2: you know, I am adding some legitimacy to your podcast

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Speaker 2: in some way.

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Speaker 1: So it's what like you and Jordan Peterson, And he's.

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Speaker 2: Not in advice and how to? I think he was

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Speaker 2: on the bigger list, the harder he's on. It's I

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Speaker 2: was behind the big table in front the subtle art

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Speaker 2: of not giving a fuck. That was the book I

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Speaker 2: was behind.

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Speaker 1: That's a good book to be bhyd very tiny. Do

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Speaker 1: you feel like you were missing us? Uh swear with

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Speaker 1: an asterisk on your book? No, the World's fucking I did.

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Speaker 2: The World's fuck Assistant.

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Speaker 1: But with an asterisk.

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Speaker 2: Oops. Yeah yeah, yeah, okay, I could change it the

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Speaker 2: World's fuck Assistant.

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Speaker 1: A ship stint, the World's fucking shit, the World's fucking

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Speaker 1: ship stint.

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Speaker 2: That's good, you guys are really good. Times is our

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Speaker 2: time up?

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Speaker 1: No? Okay, stop more, it's close.

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Speaker 3: So the humor say, I mean like I would stay

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Speaker 3: if they try to put it in there or something,

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Speaker 3: I would stay out of there.

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Speaker 1: The kind of ship that Jason Fox from Foxtrot is

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Speaker 1: like getting up to over there. He's really trouble. He's

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Speaker 1: creating like little little bots, little like little Jason Box

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Speaker 1: bots to attack page no no, no, no no, And

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Speaker 1: your book gets caught in the crossfire of that.

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Speaker 2: So I should stay out of humor, and I should

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Speaker 2: stay in the advice and how to just.

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Speaker 1: Don't go in humor. I think some of those the

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Speaker 1: cavemen from BC are not going to treat that book

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Speaker 1: too kindly. You know, they're used to reading off of

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Speaker 1: tablets that are like, you know, chiseled into They if

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Speaker 1: they see a book like that, they'd probably be pretty

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Speaker 1: scared throw it in the ocean. So I got stabbing

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Speaker 1: it for sure.

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Speaker 2: I'll go email our publishers and tell them to keep

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Speaker 2: it out of the humor sections I don't want to

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Speaker 2: see because you Yeah, because you two said he's.

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Speaker 1: Acting all over your book, dude, opus, dude, I think

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Speaker 1: it's best that you stay where you are advice and

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Speaker 1: have that's probably safer. Dude.

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Speaker 2: You guys bookstores, I could tell you guys are big,

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Speaker 2: big bookstore people.

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Speaker 1: Oh yeah again. So now it's like the idea is like,

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Speaker 1: I love that you're trying something, so I don't want

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00:23:32,320 --> 00:23:36,719
Speaker 1: to be too negative about it. I like that you

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Speaker 1: are like excited and like want to do something, uh,

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Speaker 1: you know, sort of insulting the podcast. But the idea

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Speaker 1: that we're less likely to be in a bookstore than

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Speaker 1: other podcast hosts makes me feel like you're just not

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Speaker 1: paying attention, you know what I mean. You're telling on

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Speaker 1: yourself a little bit.

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Speaker 2: Well, I think I will. I have a rebuttal to that, Sean.

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00:24:06,520 --> 00:24:10,320
Speaker 2: I think because I'm paying attention. I think you guys

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Speaker 2: don't go into bookstores very often. That's all it. Neither do.

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Speaker 2: I it's okay. You know, it's okay to be like this.

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00:24:20,160 --> 00:24:23,360
Speaker 1: You tell a story where it's okay to be like you.

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Speaker 1: You said, so you.

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Speaker 2: Revealing each other and that's beautiful.

393
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Speaker 3: You reveal in your book that once at work you

394
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Speaker 3: were speaking Armenian on the phone with your grandmother and

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Speaker 3: Conan asked you if you were arguing with Dracula.

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Speaker 2: Yes, yeah, Oh is that funny? You just wanted to Is.

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Speaker 1: That like was that designed to, like, you know, find

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Speaker 1: like take Conan down after all this time, like uh,

399
00:24:50,800 --> 00:24:56,120
Speaker 1: like for racial insensitivity? Like does that is that the goal?

400
00:24:56,160 --> 00:24:56,720
Speaker 1: We can do that?

401
00:24:57,400 --> 00:24:59,320
Speaker 2: We do you want to take Conan down?

402
00:24:59,359 --> 00:25:01,040
Speaker 1: I'm fine with we can do that right now.

403
00:25:01,320 --> 00:25:03,159
Speaker 2: Let's take him down. I mean, I think that it

404
00:25:03,240 --> 00:25:05,720
Speaker 2: was really offensive the way he like thought that my

405
00:25:06,440 --> 00:25:09,640
Speaker 2: native tongue sounded like like I was arguing.

406
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Speaker 3: With Dracula, the killers of all the history of the world.

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00:25:13,880 --> 00:25:18,040
Speaker 1: Yeah, and one of the meanest bosses, Like they made

408
00:25:18,200 --> 00:25:21,719
Speaker 1: horrible bosses. And I couldn't believe Dracula wasn't in it,

409
00:25:22,080 --> 00:25:24,959
Speaker 1: because if you really think about like who was like

410
00:25:25,200 --> 00:25:28,280
Speaker 1: a bad boss, It's like you would not want to

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Speaker 1: work for Dracula.

412
00:25:29,520 --> 00:25:31,800
Speaker 2: No, I don't want to work for Dracula. And you

413
00:25:31,840 --> 00:25:34,200
Speaker 2: know what, I wouldn't want to work for Conan O'Brien either,

414
00:25:34,280 --> 00:25:38,960
Speaker 2: because he is clearly a Dracula sympathizer. And he yeah, I.

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00:25:38,680 --> 00:25:41,200
Speaker 1: Guess he did say you were arguing with Dracula, which

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00:25:41,240 --> 00:25:43,879
Speaker 1: is like, I guess that's that puts you short of

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Speaker 1: on the right side of things.

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Speaker 2: I think it does too.

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Speaker 1: What is this that's a book? I had it just

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Speaker 1: within arms reach that he actually just had a book

421
00:25:54,520 --> 00:25:57,199
Speaker 1: like and it was just sitting right there. It's actually

422
00:25:57,280 --> 00:26:00,320
Speaker 1: like a signed first edition of a book. Oh wow. Oh,

423
00:26:00,440 --> 00:26:03,640
Speaker 1: I guess it's like I guess they see me at

424
00:26:03,640 --> 00:26:06,320
Speaker 1: the book so much that they're like, oh wow, this

425
00:26:06,359 --> 00:26:07,560
Speaker 1: guy really likes books.

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00:26:07,800 --> 00:26:09,440
Speaker 2: They see it like books so much.

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00:26:09,560 --> 00:26:12,280
Speaker 1: Yes, I guess the people who even make the books

428
00:26:12,280 --> 00:26:15,719
Speaker 1: are like, hey, this one is special for you. M hm.

429
00:26:16,440 --> 00:26:20,000
Speaker 2: So okay, congrats, that's really cool, Sean. I mean when

430
00:26:20,000 --> 00:26:21,000
Speaker 2: I talk to you, I think I.

431
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Speaker 1: Don't think it's cool.

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00:26:21,640 --> 00:26:22,520
Speaker 2: I think guy reads.

433
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Speaker 1: I don't think it's normal.

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00:26:24,440 --> 00:26:25,960
Speaker 2: Yeah, when I talk to you, I think this guy

435
00:26:26,040 --> 00:26:29,080
Speaker 2: reads a lot, because yeah, you say a lot of

436
00:26:29,080 --> 00:26:31,800
Speaker 2: things that make a lot of sense. So I think, oh,

437
00:26:31,840 --> 00:26:32,680
Speaker 2: my god, what a.

438
00:26:32,640 --> 00:26:37,040
Speaker 1: Reader, motherfucker. I'm trying to help you with the book.

439
00:26:39,560 --> 00:26:45,080
Speaker 1: The whole idea was like the book is wasting away

440
00:26:46,119 --> 00:26:49,600
Speaker 1: in the like advice and how to ghetto of the bookstore.

441
00:26:49,840 --> 00:26:51,760
Speaker 1: It's moldering over there.

442
00:26:53,080 --> 00:26:53,720
Speaker 2: The ghetto.

443
00:26:54,680 --> 00:26:54,960
Speaker 1: I know.

444
00:26:55,040 --> 00:26:57,000
Speaker 2: But you guys said not to go in humor, so

445
00:26:57,040 --> 00:26:58,359
Speaker 2: I'm not going to go into Let me.

446
00:26:58,280 --> 00:27:01,000
Speaker 1: Just say that you're not You're not going to survive

447
00:27:01,119 --> 00:27:01,639
Speaker 1: in humor.

448
00:27:02,040 --> 00:27:05,040
Speaker 2: Okay, So where should my book go? Sean?

449
00:27:05,760 --> 00:27:09,040
Speaker 1: That's what we're trying to figure it out. But it's

450
00:27:09,119 --> 00:27:14,480
Speaker 1: not easy, you know, and they end up with it

451
00:27:14,560 --> 00:27:19,360
Speaker 1: on the wrong end of a dagwood sub it between

452
00:27:19,480 --> 00:27:22,840
Speaker 1: all the lettuce and tomatoes. You just see your fucking

453
00:27:22,920 --> 00:27:28,600
Speaker 1: book getting how chomped into. It's not good. The advice

454
00:27:28,640 --> 00:27:33,360
Speaker 1: and how to section. The people that need those books

455
00:27:33,720 --> 00:27:38,960
Speaker 1: don't know how to get there. They can't find it.

456
00:27:40,720 --> 00:27:42,560
Speaker 1: There's shit, it's too fucked up.

457
00:27:42,720 --> 00:27:46,800
Speaker 2: They can't like they need two section to figure out

458
00:27:46,840 --> 00:27:49,000
Speaker 2: how to get to the how to section.

459
00:27:49,240 --> 00:27:53,320
Speaker 1: You said it, Sis, I wouldn't mind if yours got

460
00:27:53,359 --> 00:27:55,119
Speaker 1: put in Like I don't know if there's like a

461
00:27:55,240 --> 00:28:01,359
Speaker 1: sort of like maps section, yeah, in like travel or

462
00:28:01,480 --> 00:28:06,040
Speaker 1: just maps maps and Atlas's you know, I don't know.

463
00:28:06,080 --> 00:28:07,800
Speaker 1: I don't go to bookstores very much. I don't know

464
00:28:07,840 --> 00:28:10,480
Speaker 1: what they have. But if there is like a there's

465
00:28:10,560 --> 00:28:15,600
Speaker 1: like a maps area areas something maybe, you know, sticking

466
00:28:15,600 --> 00:28:18,439
Speaker 1: a stick a map in the front of the book. Okay,

467
00:28:18,560 --> 00:28:20,600
Speaker 1: squeeze your right in there. Now you're now you're a

468
00:28:20,640 --> 00:28:24,040
Speaker 1: great seller in there, and the and the directions can

469
00:28:24,080 --> 00:28:25,919
Speaker 1: be to the how to an advice section. Now you

470
00:28:25,960 --> 00:28:26,520
Speaker 1: double dip.

471
00:28:27,000 --> 00:28:31,280
Speaker 2: Oh, and then my book will be there too. Yeah, okay,

472
00:28:31,359 --> 00:28:32,600
Speaker 2: all right, that's a really good thing.

473
00:28:32,600 --> 00:28:34,959
Speaker 1: And and and what's the issue there, Well, we'd have

474
00:28:35,000 --> 00:28:38,120
Speaker 1: to print more books, wouldn't we? And is that a

475
00:28:38,160 --> 00:28:42,800
Speaker 1: good thing? Well, it is for you, the book lady.

476
00:28:43,120 --> 00:28:46,760
Speaker 2: I'm a book lady. Mm hmm, all right, cool, that's

477
00:28:46,840 --> 00:28:48,960
Speaker 2: very cool. Oh, you have really cool ideas.

478
00:28:50,280 --> 00:28:54,560
Speaker 1: So it steels so good, Like why didn't we start here?

479
00:28:55,800 --> 00:28:58,120
Speaker 2: You're so clever with your really good ideas.

480
00:28:58,320 --> 00:29:02,560
Speaker 1: It's so much easier. There's cursing in here, Yeah you

481
00:29:02,600 --> 00:29:04,040
Speaker 1: do swears, I do.

482
00:29:04,080 --> 00:29:07,040
Speaker 2: I'm I'm a cursor, are you guys not? Do you

483
00:29:07,080 --> 00:29:09,280
Speaker 2: not curse? Am I the only one who has a

484
00:29:09,320 --> 00:29:09,960
Speaker 2: potty mouth?

485
00:29:10,200 --> 00:29:12,240
Speaker 1: Hey? You are a cursor? You're blinking on my screen

486
00:29:12,320 --> 00:29:13,200
Speaker 1: right now.

487
00:29:13,960 --> 00:29:17,840
Speaker 2: I can't. Oh my god, use.

488
00:29:17,840 --> 00:29:23,120
Speaker 1: The I go the Stord's got another meaning, I can't

489
00:29:23,720 --> 00:29:27,320
Speaker 1: it almost time? Oh no, there's still no no, no,

490
00:29:27,320 --> 00:29:30,400
Speaker 1: no no. Yeah, we'll find it. We'll find another pocket.

491
00:29:32,120 --> 00:29:35,600
Speaker 1: So I guess maybe it should be in humor and

492
00:29:35,920 --> 00:29:39,880
Speaker 1: freaking potty humor. Yeah, it should, it should Uncle John's

493
00:29:39,880 --> 00:29:40,840
Speaker 1: Bathroom Reader.

494
00:29:41,280 --> 00:29:43,080
Speaker 2: I do think that it was written to be a

495
00:29:43,160 --> 00:29:48,040
Speaker 2: little more amusing than it was written to be more

496
00:29:48,080 --> 00:29:50,600
Speaker 2: of a how to. But I don't know where the

497
00:29:50,840 --> 00:29:53,320
Speaker 2: I don't know where people put the books in the bookstore.

498
00:29:53,400 --> 00:29:56,240
Speaker 2: I haven't I haven't gotten I haven't gone to a

499
00:29:56,240 --> 00:29:57,720
Speaker 2: bookstore yet to see where it is.

500
00:29:59,000 --> 00:30:01,280
Speaker 1: Well, what is it telling us? How to do?

501
00:30:02,160 --> 00:30:05,120
Speaker 2: How to be bad at being an assistant.

502
00:30:04,360 --> 00:30:07,440
Speaker 1: To stumble ass backwards into some sort.

503
00:30:07,240 --> 00:30:10,440
Speaker 2: Of yeah, like the cartoons in there teach you like.

504
00:30:10,440 --> 00:30:13,480
Speaker 1: The wind, how to nap work talent.

505
00:30:13,600 --> 00:30:17,080
Speaker 2: How to watch TV at work, how to abuse your

506
00:30:17,120 --> 00:30:22,840
Speaker 2: corporate card without embezzling, how to uh leverage your pregnancy

507
00:30:23,040 --> 00:30:23,440
Speaker 2: at work?

508
00:30:23,600 --> 00:30:26,640
Speaker 1: Work around you? Like, what must they be thinking? They say,

509
00:30:26,720 --> 00:30:31,600
Speaker 1: I do everything right. I just come to yeah, punch

510
00:30:31,680 --> 00:30:36,440
Speaker 1: in Like I just like do my damnedest every cycle day.

511
00:30:36,560 --> 00:30:38,280
Speaker 1: I've never thought about that. There must be some people

512
00:30:38,280 --> 00:30:40,320
Speaker 1: who really really hate you who you work for.

513
00:30:40,760 --> 00:30:44,200
Speaker 2: Absolutely, I don't. I don't even think it's people that

514
00:30:44,280 --> 00:30:46,040
Speaker 2: I just work with. I think it's a lot of

515
00:30:46,040 --> 00:30:49,640
Speaker 2: people who are just like, oh, okay, cool. So you

516
00:30:49,680 --> 00:30:51,720
Speaker 2: wrote a book and then you got Conan O'Brien to

517
00:30:51,720 --> 00:30:55,760
Speaker 2: write the foreword for it, so wow, you're really going

518
00:30:56,120 --> 00:31:00,200
Speaker 2: on an uphill battle to sell those books, and they're.

519
00:31:00,120 --> 00:31:05,360
Speaker 1: Right, mm hmmm, what what? What? What were the four

520
00:31:05,360 --> 00:31:11,880
Speaker 1: words that he wrote? Don't buy this book?

521
00:31:14,040 --> 00:31:17,240
Speaker 2: I can't he forward. I'm not even going to get

522
00:31:17,240 --> 00:31:20,320
Speaker 2: into it. You're you're, you're a reader, so I'm sure

523
00:31:20,320 --> 00:31:20,560
Speaker 2: you know.

524
00:31:21,160 --> 00:31:22,520
Speaker 1: Well I showed you the book.

525
00:31:24,280 --> 00:31:28,200
Speaker 2: It was all blurry because your camera's fancy, sean show it.

526
00:31:29,400 --> 00:31:33,680
Speaker 1: I just didn't. Just I knew you'd have a lot

527
00:31:33,720 --> 00:31:38,080
Speaker 1: of comments on the background, so I decided to go

528
00:31:38,160 --> 00:31:39,160
Speaker 1: blurry today and.

529
00:31:39,200 --> 00:31:41,400
Speaker 2: Just I know. But then when you held when you

530
00:31:41,480 --> 00:31:43,720
Speaker 2: held the book up, it was blurry. So what do

531
00:31:43,800 --> 00:31:46,320
Speaker 2: we do here? How do I know if that was

532
00:31:46,360 --> 00:31:46,960
Speaker 2: even a book?

533
00:31:47,000 --> 00:31:52,000
Speaker 1: It was a book. It was a signed book, and

534
00:31:52,080 --> 00:31:56,480
Speaker 1: the reason they signed it, it's because they really liked me.

535
00:31:56,600 --> 00:32:01,200
Speaker 1: At the books. So when I google your book Sona Yeah,

536
00:32:01,720 --> 00:32:05,840
Speaker 1: or specifically when I google sonym Obsessian book, I get

537
00:32:05,880 --> 00:32:12,720
Speaker 1: people also search for okay, and the third option is

538
00:32:12,760 --> 00:32:18,040
Speaker 1: yours Cruelly Elvira stop.

539
00:32:18,560 --> 00:32:27,440
Speaker 3: Elvira's memoir of her of her experience being Mistress of

540
00:32:27,480 --> 00:32:27,920
Speaker 3: the Dark.

541
00:32:29,320 --> 00:32:33,720
Speaker 2: So is there they think that that's connected to my book?

542
00:32:34,280 --> 00:32:37,720
Speaker 3: I guess because they also thought that you were arguing

543
00:32:37,760 --> 00:32:38,440
Speaker 3: with Dracula.

544
00:32:38,800 --> 00:32:41,080
Speaker 2: Okay, we're back to Dracula.

545
00:32:40,880 --> 00:32:43,680
Speaker 1: Okay, So like Elvira is basically like.

546
00:32:43,960 --> 00:32:46,560
Speaker 2: Oh, we went back to the we went back.

547
00:32:46,400 --> 00:32:49,680
Speaker 1: To the d like a like a hot Dracula type.

548
00:32:51,000 --> 00:32:53,800
Speaker 2: I thought we were canceling Conan over the Dracula thing.

549
00:32:53,880 --> 00:33:00,920
Speaker 2: Now you're into it. Now it feels like leaning into it.

550
00:33:00,960 --> 00:33:03,560
Speaker 2: You're you're pulling up Elviral books like I feel like

551
00:33:03,640 --> 00:33:06,200
Speaker 2: you're almost on codin wide books.

552
00:33:06,440 --> 00:33:10,000
Speaker 1: So maybe it's I'm sorry, Maybe it's time for you

553
00:33:10,040 --> 00:33:10,240
Speaker 1: to go.

554
00:33:11,680 --> 00:33:15,720
Speaker 2: Maybe it's time for you also to get a little canceled.

555
00:33:15,360 --> 00:33:17,960
Speaker 1: Right now, up one single. I agree. If I were

556
00:33:17,960 --> 00:33:20,560
Speaker 1: pulling up like a ton of Elviral books on the show,

557
00:33:20,760 --> 00:33:22,560
Speaker 1: ye would be he pulls up a half dozen el

558
00:33:22,680 --> 00:33:25,960
Speaker 1: Vira books, Then yeah, absolutely, we have to end the show.

559
00:33:26,640 --> 00:33:29,200
Speaker 1: He pulls up one. Everybody gets to pull up one

560
00:33:29,240 --> 00:33:30,080
Speaker 1: Elviral Books.

561
00:33:30,240 --> 00:33:33,120
Speaker 2: I felt like I was in a safe place where

562
00:33:33,200 --> 00:33:36,280
Speaker 2: this somebody understood. How like saying that I was arguing

563
00:33:36,280 --> 00:33:38,360
Speaker 2: with Dracula would have been hurtful to me. But now

564
00:33:38,400 --> 00:33:40,880
Speaker 2: I feel like you guys almost think that that was

565
00:33:40,960 --> 00:33:44,320
Speaker 2: funny and that you like sympathize with Conan, which is

566
00:33:44,920 --> 00:33:48,760
Speaker 2: hurtful to me. And I I'd like you to apologize. Yeah,

567
00:33:48,800 --> 00:33:51,560
Speaker 2: you would, because you guys love him so much. So

568
00:33:51,640 --> 00:33:54,920
Speaker 2: I think that you love that he compared me to Dracula,

569
00:33:55,160 --> 00:33:57,200
Speaker 2: and I think that you should.

570
00:33:57,800 --> 00:34:00,200
Speaker 1: I think he probably would even have a back cover

571
00:34:01,680 --> 00:34:02,800
Speaker 1: my book.

572
00:34:02,920 --> 00:34:04,040
Speaker 2: Yeah it has a back cover.

573
00:34:04,640 --> 00:34:06,040
Speaker 1: Are you sure? Yeah?

574
00:34:06,120 --> 00:34:09,520
Speaker 2: Yeah, I'm sure. Okay, you guys don't even have it.

575
00:34:09,680 --> 00:34:12,759
Speaker 2: You don't even have the book. How do you know?

576
00:34:14,200 --> 00:34:15,560
Speaker 1: Did you do an audio book?

577
00:34:16,080 --> 00:34:16,359
Speaker 2: I did?

578
00:34:17,320 --> 00:34:19,680
Speaker 1: M Did you sound like this or did you figure

579
00:34:19,680 --> 00:34:20,120
Speaker 1: something out?

580
00:34:26,480 --> 00:34:28,520
Speaker 2: I sound exactly like this, and I'm going to send

581
00:34:28,520 --> 00:34:31,360
Speaker 2: you a copy of it. I'm gonna let you listen

582
00:34:31,400 --> 00:34:33,440
Speaker 2: to this. I want you to go to sleep listening

583
00:34:33,560 --> 00:34:36,080
Speaker 2: to this. I want you to think about me all

584
00:34:36,200 --> 00:34:36,680
Speaker 2: the time.

585
00:34:37,200 --> 00:34:39,880
Speaker 1: I'm always looking to build up that library. Yeah, if

586
00:34:39,920 --> 00:34:43,200
Speaker 1: you've got a credit or a code or something that

587
00:34:43,239 --> 00:34:43,839
Speaker 1: could be cool.

588
00:34:44,239 --> 00:34:45,400
Speaker 2: Yeah, is it?

589
00:34:45,520 --> 00:34:48,160
Speaker 1: Kevin and I all share a single audible account, so.

590
00:34:49,120 --> 00:34:54,080
Speaker 2: You two share at you guys share a lot of things.

591
00:34:54,239 --> 00:34:55,839
Speaker 2: I feel like you guys are share a lot.

592
00:34:55,880 --> 00:34:56,479
Speaker 1: What's a lot?

593
00:34:58,360 --> 00:35:02,640
Speaker 2: Like you know Netflix passwords, HBO, Max passwords?

594
00:35:02,719 --> 00:35:03,320
Speaker 1: That's illegal?

595
00:35:03,800 --> 00:35:06,040
Speaker 2: Like if you share your you know you guys, So.

596
00:35:06,040 --> 00:35:07,160
Speaker 1: Now we know what happened.

597
00:35:07,320 --> 00:35:08,440
Speaker 2: Do you guys know.

598
00:35:10,680 --> 00:35:12,640
Speaker 1: How Max is having these issues?

599
00:35:12,840 --> 00:35:15,160
Speaker 2: Do you talk on the phone and catch up with

600
00:35:15,200 --> 00:35:18,160
Speaker 2: each other every night? I just want to know friendship.

601
00:35:18,560 --> 00:35:22,400
Speaker 1: It's kind of Yeah, we do talk on the phone,

602
00:35:22,400 --> 00:35:23,319
Speaker 1: but one at a time.

603
00:35:23,560 --> 00:35:27,120
Speaker 2: Yeah, did you sit next to each other?

604
00:35:27,200 --> 00:35:29,960
Speaker 1: And yeah, in order to FaceTime, we have to like

605
00:35:30,000 --> 00:35:32,799
Speaker 1: screen cap it and then hand it to the other

606
00:35:32,880 --> 00:35:36,600
Speaker 1: person and then back and forth. So it's really uh,

607
00:35:37,600 --> 00:35:39,799
Speaker 1: it's not the main way that we communicate. It's very

608
00:35:39,840 --> 00:35:43,080
Speaker 1: time consuming for us to talk on the phone. Yeah, Kevin,

609
00:35:43,080 --> 00:35:47,239
Speaker 1: did you get a haircut? I did? It's too much.

610
00:35:47,280 --> 00:35:50,360
Speaker 1: I got nervous when I put my glasses on. I

611
00:35:50,400 --> 00:35:52,680
Speaker 1: should I got to start worrying. I want to get

612
00:35:52,680 --> 00:35:55,440
Speaker 1: my hair I was okay. This man got a little nervous.

613
00:35:58,920 --> 00:36:04,279
Speaker 1: It's it's Macklemore. I should have said mackell lest.

614
00:36:04,520 --> 00:36:07,200
Speaker 2: Yeah, I think you look great because but.

615
00:36:07,120 --> 00:36:08,680
Speaker 1: This is the kind of like good assistant.

616
00:36:08,719 --> 00:36:11,040
Speaker 3: I mean, I know your whole thing is like being

617
00:36:11,040 --> 00:36:13,200
Speaker 3: bad at your job, but like this is like getting

618
00:36:13,200 --> 00:36:16,799
Speaker 3: a haircut before every show. Doesn't always work out, but

619
00:36:16,960 --> 00:36:22,560
Speaker 3: this is the kind of thing that like just showing that, like, hey, yes,

620
00:36:22,600 --> 00:36:24,200
Speaker 3: I understand, I'm going to work.

621
00:36:24,560 --> 00:36:25,400
Speaker 1: Like, so it's.

622
00:36:25,360 --> 00:36:29,120
Speaker 2: Kevin your assistant. I don't He's not your assistant though,

623
00:36:29,160 --> 00:36:33,439
Speaker 2: isn't he your producer? So I'm I feel like, why

624
00:36:33,480 --> 00:36:36,560
Speaker 2: are you saying he needs to do these things?

625
00:36:36,840 --> 00:36:42,799
Speaker 1: He produces assistance for us, Like I don't know what

626
00:36:42,880 --> 00:36:48,239
Speaker 1: you think his role is. He's certainly he's certainly not

627
00:36:48,320 --> 00:36:49,760
Speaker 1: allowed to write a book.

628
00:36:53,400 --> 00:36:55,520
Speaker 2: You're not gonna let Kevin write a book. If you

629
00:36:55,560 --> 00:36:57,480
Speaker 2: wanted to write a book, you wouldn't you know.

630
00:36:57,440 --> 00:37:03,320
Speaker 1: How often I accuse his relatives of being Dracula that

631
00:37:03,440 --> 00:37:10,080
Speaker 1: thinks he's the lame day a finish Kevin can't write

632
00:37:10,080 --> 00:37:13,239
Speaker 1: a book. I mean Kevin, I mean Kevin did a

633
00:37:13,280 --> 00:37:16,840
Speaker 1: podcast a little while ago of his own and he

634
00:37:16,920 --> 00:37:20,879
Speaker 1: basically you know, and pulled back two bloody stumps from

635
00:37:20,880 --> 00:37:26,000
Speaker 1: that experience. Yeah.

636
00:37:26,200 --> 00:37:27,840
Speaker 2: All right, well, Kevin, if you want to write a

637
00:37:27,840 --> 00:37:30,879
Speaker 2: book taking these two down, I will happily help you.

638
00:37:31,160 --> 00:37:33,279
Speaker 2: I mean, if we will you do the forward for me?

639
00:37:33,520 --> 00:37:36,040
Speaker 2: I will, I will happily do. I will write four

640
00:37:36,080 --> 00:37:38,880
Speaker 2: words for you, and I will happily do that for you,

641
00:37:39,120 --> 00:37:49,360
Speaker 2: and I will. Uh, how about how about how about

642
00:37:49,400 --> 00:37:54,520
Speaker 2: Sean and Hayes suck? How's that Hayes and Sean suck

643
00:37:54,840 --> 00:37:58,600
Speaker 2: wow with capital s U c K. I know, I

644
00:37:58,640 --> 00:38:01,440
Speaker 2: don't know who should go for. I feel like maybe

645
00:38:01,480 --> 00:38:05,719
Speaker 2: alphabetically Hayes and Sean suck and that's it. That's the

646
00:38:05,760 --> 00:38:09,520
Speaker 2: whole forward for you, Kevin, You're welcome, and that's that's

647
00:38:09,560 --> 00:38:10,120
Speaker 2: gonna sell.

648
00:38:11,520 --> 00:38:13,239
Speaker 1: Your husband do cartoons for me?

649
00:38:14,560 --> 00:38:17,080
Speaker 2: Yeah, you have to pay him, though I don't have to.

650
00:38:18,160 --> 00:38:19,480
Speaker 2: We're married. Yeah.

651
00:38:20,920 --> 00:38:25,080
Speaker 1: Dix, Oh my gosh.

652
00:38:24,480 --> 00:38:31,000
Speaker 2: Why do you guys always go back to Dix? Why?

653
00:38:31,520 --> 00:38:33,360
Speaker 2: Why is it always Dix with you guys? Why is

654
00:38:33,400 --> 00:38:37,000
Speaker 2: it always go back to me? It's always that, It's

655
00:38:37,000 --> 00:38:40,440
Speaker 2: always Dix and Dracula with you too. I don't understand it.

656
00:38:40,440 --> 00:38:43,160
Speaker 2: It's like, uh, like I come here thinking I'm gonna

657
00:38:43,160 --> 00:38:45,399
Speaker 2: have a mature conversation and then you guys are like dick,

658
00:38:45,480 --> 00:38:50,399
Speaker 2: Dick Dracula monkeys, like what the fuck? Just calm down,

659
00:38:51,000 --> 00:38:54,480
Speaker 2: that's all, just be grown ups. Thank you, Kevin. I'll

660
00:38:54,480 --> 00:38:55,320
Speaker 2: help you write your book.

661
00:38:56,120 --> 00:38:58,200
Speaker 1: Thank you, Monkey Bone, Monkey Bone.

662
00:38:59,120 --> 00:39:02,480
Speaker 3: Do other people at listen to the podcast? Do they

663
00:39:02,480 --> 00:39:05,680
Speaker 3: come up and be like you were? You were funny

664
00:39:05,680 --> 00:39:06,440
Speaker 3: on the podcast.

665
00:39:06,800 --> 00:39:08,560
Speaker 2: A lot of people at work listening to the podcast.

666
00:39:08,600 --> 00:39:10,280
Speaker 2: You know why because we don't have a show anymore.

667
00:39:10,360 --> 00:39:12,919
Speaker 2: So people listen to the podcast that is to kind

668
00:39:12,920 --> 00:39:16,920
Speaker 2: of you know, uh see what everyone's up to, you know,

669
00:39:17,360 --> 00:39:21,400
Speaker 2: because we talked about ourselves. They piss I don't have

670
00:39:21,440 --> 00:39:22,440
Speaker 2: any so.

671
00:39:22,480 --> 00:39:27,640
Speaker 1: Pissed if I'm listening to that show. Why do I

672
00:39:27,680 --> 00:39:32,880
Speaker 1: have watched just like knock Over like everything on her

673
00:39:32,920 --> 00:39:38,000
Speaker 1: desk all day long and just stomp around the office

674
00:39:38,040 --> 00:39:41,040
Speaker 1: like God, you guys.

675
00:39:40,360 --> 00:39:43,560
Speaker 2: You guys think my coworkers resent me because I wrote

676
00:39:43,560 --> 00:39:46,200
Speaker 2: a book and I'm on the podcast. Are you trying

677
00:39:46,200 --> 00:39:48,400
Speaker 2: to like stir some kind of base with me and

678
00:39:48,480 --> 00:39:54,480
Speaker 2: my former coworkers? Yourself aware of it doing right now?

679
00:39:54,560 --> 00:39:58,840
Speaker 1: What is this you're like, don'tagine for a moment I

680
00:39:58,880 --> 00:40:01,200
Speaker 1: would want one of your co workers without a book

681
00:40:01,239 --> 00:40:13,759
Speaker 1: and an on air personality us, Yeah, opportunity on air.

682
00:40:13,800 --> 00:40:18,319
Speaker 1: Opportunity would maybe be more accurate. And you're working, You're

683
00:40:18,360 --> 00:40:21,320
Speaker 1: going like I'm doing basically like my job is almost

684
00:40:21,320 --> 00:40:25,040
Speaker 1: the same job, and I'm doing better at it. And

685
00:40:25,080 --> 00:40:32,879
Speaker 1: then this person's just like eating everything that is available.

686
00:40:33,680 --> 00:40:37,080
Speaker 1: I feel like it's bad. And she knows she's bad

687
00:40:37,120 --> 00:40:39,400
Speaker 1: at the job, and she wrote a book about that,

688
00:40:39,600 --> 00:40:41,080
Speaker 1: she's bragging about it.

689
00:40:41,200 --> 00:40:44,160
Speaker 2: I feel like you two are first of all, you're

690
00:40:44,200 --> 00:40:46,759
Speaker 2: really demeaning the people that I work with because you're

691
00:40:46,800 --> 00:40:49,000
Speaker 2: making them all seem like they're a bunch of shlubs

692
00:40:49,480 --> 00:40:54,840
Speaker 2: sitting around. They're like picking their butts. They're not the

693
00:40:54,880 --> 00:40:58,000
Speaker 2: whole idea with a lot of very talented people.

694
00:40:59,840 --> 00:41:03,839
Speaker 1: They're talented, Yes, the whole idea is that they are

695
00:41:03,920 --> 00:41:09,359
Speaker 1: more deserving of your your success you are.

696
00:41:10,360 --> 00:41:12,239
Speaker 2: I first of all, I agree with you, but I

697
00:41:12,280 --> 00:41:14,560
Speaker 2: also think a lot of them are very successful. Agree

698
00:41:14,560 --> 00:41:16,440
Speaker 2: with me to a lot of them did a lot

699
00:41:16,480 --> 00:41:20,759
Speaker 2: of really incredible things. And I really admire my coworkers.

700
00:41:21,040 --> 00:41:23,280
Speaker 2: I don't know about you guys, but like, I really

701
00:41:23,320 --> 00:41:25,400
Speaker 2: love the people that I work with, and I really

702
00:41:25,440 --> 00:41:28,000
Speaker 2: love how much they've accomplished. And I think they're all

703
00:41:28,080 --> 00:41:31,200
Speaker 2: very successful, and I think that Uh yeah, I don't.

704
00:41:31,280 --> 00:41:33,320
Speaker 2: I don't know. I don't think they're at all angry

705
00:41:33,360 --> 00:41:35,759
Speaker 2: at me because they're like, okay, cool, So.

706
00:41:36,880 --> 00:41:40,680
Speaker 1: I assume, I guess, I assume. Okay, there's a dedication

707
00:41:40,840 --> 00:41:46,520
Speaker 1: page here, so I naturally given what you just said, Yeah,

708
00:41:46,520 --> 00:41:50,120
Speaker 1: book is dedicated to them. Oh no, it looks like

709
00:41:50,160 --> 00:41:54,880
Speaker 1: it was dedicated to two little babies. Oh perfect, my children.

710
00:41:55,320 --> 00:41:58,520
Speaker 2: Yeah, it was dedicated to my children fucking read.

711
00:42:03,320 --> 00:42:07,360
Speaker 1: Yeah, yeah, very useful dedicating a book to them.

712
00:42:07,480 --> 00:42:10,920
Speaker 2: Yeah you know what. Yeah, they're gonna be older one

713
00:42:11,000 --> 00:42:12,960
Speaker 2: day and they're gonna be able to read it then hopefully.

714
00:42:13,160 --> 00:42:15,520
Speaker 2: I mean, at this rate, I don't. I don't think

715
00:42:15,520 --> 00:42:17,520
Speaker 2: they will, but they will.

716
00:42:17,320 --> 00:42:21,640
Speaker 1: Eventually for fuel are you kidding me? Once peak oil heads,

717
00:42:22,520 --> 00:42:24,239
Speaker 1: the book will become fuel.

718
00:42:26,560 --> 00:42:30,440
Speaker 3: Read it just as the page is curl into into ash.

719
00:42:30,719 --> 00:42:34,480
Speaker 1: Yeah. The advice and how too it will provide is

720
00:42:34,560 --> 00:42:40,480
Speaker 1: like how to power your bone crusher to the water well?

721
00:42:44,920 --> 00:42:47,680
Speaker 1: Are the are the holiday party invites? Are those going

722
00:42:47,760 --> 00:42:53,520
Speaker 1: to be emailed again this year? Yeah? We're getting August. Yeah,

723
00:42:54,120 --> 00:42:58,480
Speaker 1: so let's just get the do you need our address

724
00:42:58,520 --> 00:43:00,640
Speaker 1: of the I mean it's it's it's the same as

725
00:43:01,400 --> 00:43:03,279
Speaker 1: last year. But yeah, we have it.

726
00:43:03,320 --> 00:43:04,960
Speaker 2: We have it, we have it, we have all your

727
00:43:04,960 --> 00:43:06,759
Speaker 2: info will be yesterday it was.

728
00:43:06,760 --> 00:43:12,600
Speaker 1: My birthday as well. Uh am, I I just did

729
00:43:12,920 --> 00:43:16,000
Speaker 1: Should I be checking my spam folder? I did get

730
00:43:16,080 --> 00:43:23,080
Speaker 1: a yes, did you get can I ask? Speaking of

731
00:43:23,120 --> 00:43:26,399
Speaker 1: like comedy luminaries, like we can all agree weird al

732
00:43:26,520 --> 00:43:30,839
Speaker 1: As is like a guy who we all really really

733
00:43:30,840 --> 00:43:33,839
Speaker 1: admire and and look up to. Uh, did you get

734
00:43:33,840 --> 00:43:36,480
Speaker 1: an email from him yesterday? Sean? I did, in fact

735
00:43:36,520 --> 00:43:39,319
Speaker 1: get an email from Oh wow, what what did that say?

736
00:43:40,320 --> 00:43:42,839
Speaker 1: It was a little video of like a birthday song

737
00:43:42,880 --> 00:43:46,279
Speaker 1: that he had made specifically for me, mentioned my name

738
00:43:46,360 --> 00:43:50,960
Speaker 1: multiple times, kind of an elaborate production, actually at the

739
00:43:51,000 --> 00:43:54,280
Speaker 1: balloons with the number number of years I've been alive.

740
00:43:54,400 --> 00:43:57,720
Speaker 1: And yeah, it was sweet. It was nice. He didn't

741
00:43:57,760 --> 00:44:00,880
Speaker 1: have to do it, but he did. And you know,

742
00:44:00,960 --> 00:44:03,080
Speaker 1: I watched that a few times and then the conan

743
00:44:03,680 --> 00:44:10,040
Speaker 1: uh message, I'm just looking did you get it? Well,

744
00:44:10,440 --> 00:44:15,960
Speaker 1: there's a hmm, I got a I've got an email

745
00:44:16,000 --> 00:44:17,480
Speaker 1: from Peacock. Is that him?

746
00:44:17,880 --> 00:44:21,520
Speaker 2: That's him, that's the cone, that's from him. Yeah, it's he.

747
00:44:22,480 --> 00:44:24,320
Speaker 1: The Peacock emails now after.

748
00:44:24,080 --> 00:44:28,520
Speaker 2: Everything that and he sent it to Sean at sewan

749
00:44:28,600 --> 00:44:29,440
Speaker 2: dot com.

750
00:44:29,480 --> 00:44:38,640
Speaker 1: So at Sean at sean.

751
00:44:35,239 --> 00:44:38,239
Speaker 2: Com that was your email, right? I mean we had

752
00:44:38,239 --> 00:44:41,400
Speaker 2: we sent it to shot at sean.

753
00:44:41,840 --> 00:44:44,000
Speaker 1: I registered for that email. I wasn't aware that it

754
00:44:44,440 --> 00:44:45,680
Speaker 1: went through it did?

755
00:44:45,840 --> 00:44:49,239
Speaker 2: It worked? And so we sent it to that what yesterday?

756
00:44:49,360 --> 00:44:51,720
Speaker 2: So you should have received it And if you didn't

757
00:44:51,719 --> 00:44:54,719
Speaker 2: get it, then that's on you, honestly. If it's not,

758
00:44:55,440 --> 00:44:59,319
Speaker 2: if you're not checking all your emails, whose fault is that?

759
00:44:59,640 --> 00:45:03,160
Speaker 1: Really? Birthday? He's gonna check every email on his birthday?

760
00:45:03,200 --> 00:45:03,680
Speaker 1: Come on?

761
00:45:04,360 --> 00:45:07,960
Speaker 2: Yeah, well then you're coming at me being like, where's

762
00:45:08,000 --> 00:45:11,760
Speaker 2: Conan's email? Check? Shot at shun.

763
00:45:11,200 --> 00:45:14,160
Speaker 1: SONA do you take Do you take your birthday?

764
00:45:14,920 --> 00:45:15,240
Speaker 2: Yes?

765
00:45:15,400 --> 00:45:16,759
Speaker 1: Work you do? Oh?

766
00:45:16,800 --> 00:45:18,920
Speaker 2: I thought you said do I take it? Seriously? And

767
00:45:18,960 --> 00:45:20,319
Speaker 2: I do? I celebrate all month?

768
00:45:20,960 --> 00:45:22,600
Speaker 1: But do you? But do you do you go to

769
00:45:22,680 --> 00:45:24,640
Speaker 1: work on your birthday? Uh?

770
00:45:24,680 --> 00:45:29,239
Speaker 2: If I have a choice not to, I won't. What?

771
00:45:29,600 --> 00:45:34,480
Speaker 1: Wow? Are you guys not big to focus? Like the

772
00:45:34,520 --> 00:45:37,359
Speaker 1: way I've been picturing your sort of arrangement. And then

773
00:45:37,400 --> 00:45:40,759
Speaker 1: suddenly it's like if I have a choice not to.

774
00:45:41,320 --> 00:45:45,080
Speaker 2: If I if I can not go to work on

775
00:45:45,160 --> 00:45:49,759
Speaker 2: my birthday, shouldn't I just not. Does everybody go to No?

776
00:45:49,920 --> 00:45:55,200
Speaker 1: I know, but I didn't realize just the level of

777
00:45:55,320 --> 00:45:59,880
Speaker 1: control that this man has. That like a man you

778
00:46:00,400 --> 00:46:02,840
Speaker 1: you don't even have a choice whether or not to go.

779
00:46:03,080 --> 00:46:07,240
Speaker 2: That's true. I mean Conan's Conan is an absolute tyrant

780
00:46:07,360 --> 00:46:10,440
Speaker 2: to work for. And I think that, you know, I

781
00:46:10,480 --> 00:46:12,399
Speaker 2: said a lot of nice things about him in my book,

782
00:46:12,440 --> 00:46:15,160
Speaker 2: but that's because, like I still work for him. But

783
00:46:15,520 --> 00:46:18,000
Speaker 2: the moment I stopped working for him, I'm gonna take

784
00:46:18,040 --> 00:46:21,319
Speaker 2: him down. And I think that I think you two

785
00:46:21,400 --> 00:46:21,880
Speaker 2: can help me.

786
00:46:22,320 --> 00:46:23,520
Speaker 1: How much is the book.

787
00:46:24,880 --> 00:46:28,640
Speaker 2: Twenty five dollars? Twenty five dollars?

788
00:46:28,840 --> 00:46:30,440
Speaker 1: How much is it going to be in two months?

789
00:46:31,800 --> 00:46:33,040
Speaker 1: It's twenty three dollars.

790
00:46:33,400 --> 00:46:34,360
Speaker 2: Twenty three dollars.

791
00:46:34,520 --> 00:46:37,320
Speaker 1: Okay, goodbyely Amo