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Speaker 1: A new location for Donald Fazon. Is that your animation suite?

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Speaker 2: I am in my animation room right now.

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Speaker 1: Guys, are you rolling on your deck? Are you rolling?

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Speaker 2: I'm not rolling on my am I shooting something.

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Speaker 1: Make sure you're rolling on your audio recording.

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Speaker 2: Device, Yes, I am recording, says I'm recording. It's on

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Speaker 2: the zoom.

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Speaker 1: Can we hear your level? Can we hear your level?

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Speaker 2: Check?

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Speaker 1: Sound?

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Speaker 2: This is my level?

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Speaker 1: Well, that sounds like you're be singing loudly the whole time.

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Speaker 1: I don't think you will be.

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Speaker 3: Is this my level? It feels like my level. Yeah,

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Speaker 3: that might be too high. But that's too perfect.

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Speaker 1: That's too No one wants no one wants to hear yelling.

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Speaker 4: But you also shouldn't set your level at the point

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Speaker 4: that you're yelling.

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Speaker 1: You should see the level at the points a level check. Donald,

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Speaker 1: you've been in the business a long You've been in

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Speaker 1: the business a long time.

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Speaker 2: It's at seven. It's at seven.

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Speaker 1: Okay, okay? Donald? Do you notice anything about my image? No,

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Speaker 1: I switched back to using the fancy camera. I thought

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Speaker 1: you might notice it looks the same. That's not true, Daniel.

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Speaker 1: You notice right, you look very good.

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Speaker 3: You look well, I didn't say he didn't. I didn't

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Speaker 3: say he looked bad. I just said the imagery looks

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Speaker 3: the same.

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Speaker 1: I'm not crazy, right, Doude, dude, Daniel and Joel. You

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Speaker 1: notice the quality of the camera.

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Speaker 4: Right, yeah, pretty immediately the camera quality and also the

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Speaker 4: fact that it's not tracking you around the room a

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Speaker 4: zoom moves.

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Speaker 1: Yeah, that was annoying. I guess that's a good feature

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Speaker 1: from Apple. If you're what if you're like on zoom

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Speaker 1: calls for work or something, but if you're recording a

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Speaker 1: video podcast that is not.

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Speaker 2: Good for Zoom calls at your own work.

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Speaker 1: Why what happened to you?

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Speaker 2: Nothing happened to me.

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Speaker 3: But if you're being tracked by your camera, Let's say

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Speaker 3: you go take a shit and that camera tracks you

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Speaker 3: all the way into the bathroom.

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Speaker 1: It doesn't do that, Donald, It doesn't follow you around

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Speaker 1: the house.

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Speaker 2: Imagine the camera flies.

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Speaker 1: You said the camera tracks if you move left and right,

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Speaker 1: it pans left and right. It doesn't doesn't. It doesn't

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Speaker 1: walk around the house.

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Speaker 2: I was about to say, flies off of the monitor

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Speaker 2: like a robot.

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Speaker 1: I've been seeing these rolling robots all around West Hollywood.

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Speaker 1: I don't know if you if listeners if you have

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Speaker 1: these in your neighborhood yet, I'm sure those of you

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Speaker 1: in large American cities probably seen them. But in West

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Speaker 1: Hollywood there are so many robots it's very creepy rolling

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Speaker 1: around delivering stuff.

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Speaker 2: What are they delivering?

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Speaker 1: I guess food. I don't know. I've never I don't

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Speaker 1: live in an area where a where ald delivery robot

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Speaker 1: could make it what they do?

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Speaker 5: Anything you can order off of your grub Hub or post.

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Speaker 1: Mast made door dash and what happens. It rolls up

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Speaker 1: to your door and you put in a code.

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Speaker 2: Yeah you guys.

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Speaker 1: Have you guys received a robot delivery?

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Speaker 4: I have one time?

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Speaker 2: Yes?

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Speaker 1: And what was it like? Dane talk us through it?

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Speaker 4: Well, I uh, me and my friends were so excited.

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Speaker 4: The robot's name was George. We stood outside of our

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Speaker 4: apartment watching it roll down the street and then a

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Speaker 4: group of children stood in front of it such that

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Speaker 4: it stopped moving and we had They yelled down the street, Hey,

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Speaker 4: that's our robot. That's our robot, and they said, what

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Speaker 4: are you going to do about it?

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Speaker 1: Oh? My god?

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Speaker 2: And the neighborhood did you live in? Daniel?

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Speaker 6: Literally this is literally like in like West Hollywood off

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Speaker 6: of Lobrea, like a friendly neighborhood. And then all of

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Speaker 6: a sudden and then me and my friends are like, okay,

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Speaker 6: then we're coming down here, and then they ran inside

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Speaker 6: and then George brought us a McDonald's.

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Speaker 1: The robots are designed to look kind of like Wally

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Speaker 1: to me, yes, and they have big eyes.

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Speaker 2: And Eva like Wally and Eva.

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Speaker 1: Yes right. They were clearly designed to look very wide eyed,

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Speaker 1: and to me, I received them as little children who

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Speaker 1: are lost because they have they have big eyes. I

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Speaker 1: really my heart always breaks for these things. They're designed

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Speaker 1: with giant puppy dog eyes. They have their name on

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Speaker 1: the side, and every time I see them, they're confused

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Speaker 1: because they like you see them stopped at like a

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Speaker 1: sidewalk cafe because it doesn't know how to get around

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Speaker 1: the sidewalk cafe. The other day I saw one and

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Speaker 1: it would bumped into another robot and they didn't know

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Speaker 1: how to pass each other. They were just robots. But

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Speaker 1: when I see them crossing the street alone, I just

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Speaker 1: I feel like it's like a lost puppy that's that

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Speaker 1: doesn't know where it's going.

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Speaker 5: I'm always afraid someone's going to come and beat the

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Speaker 5: crap out of them.

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Speaker 1: And I'm sure they do.

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Speaker 5: They know they definitely have before. Was it in Boston

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Speaker 5: you kept beating up.

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Speaker 3: I don't understand. I don't understand the need to beat

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Speaker 3: up the road. I mean I do understand.

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Speaker 2: Way, I take that back. I understand the need to

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Speaker 2: beat up a robot.

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Speaker 3: I do understand because I remember when we were at

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Speaker 3: when I was a kid, and fucking whenever a mascot

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Speaker 3: would come out into the neighborhood, like it's when you

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Speaker 3: have security at Disneyland, that's one thing, But when you

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Speaker 3: walk into somebody's neighborhood in a fucking Teddy rock Spin

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Speaker 3: outfit and don't expect to get tackled and beat up,

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Speaker 3: you beat up. I was a part of a mob

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Speaker 3: that jumped on a ted at woman rink and we

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Speaker 3: didn't beat them Teddy Rocksman up.

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Speaker 2: He just took the clothes off the Teddy Russ. What

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Speaker 2: are you doing?

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Speaker 1: Oh my, you tackle.

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Speaker 3: There's a bunch of kids out there. They're all grown

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Speaker 3: now that know of this story. And was there that

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Speaker 3: day when some idiot decided to bring Teddy Rocksman out

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Speaker 3: amongst twelve to thirteen year old boys and girls at

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Speaker 3: ice skating rink.

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Speaker 1: Don't you think that person was trying to bring joy

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Speaker 1: to the children.

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Speaker 3: He bought a lot of joy or she WoT a

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Speaker 3: lot of joy.

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Speaker 2: I don't know.

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Speaker 3: All I know is we laughed so hard at the

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Speaker 3: fact that Teddy Roxman was a woman, and we were like, oh, I.

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Speaker 1: Have to tell you that Teddy the robots remind me

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Speaker 1: of a Teddy Rocks fin because I worry that that

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Speaker 1: teenagers are going to do the same thing and beat

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Speaker 1: up these robots.

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Speaker 3: Well, we didn't beat up this person. We just tackled

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Speaker 3: and took.

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Speaker 1: His tackled and took the clothing off of the rush.

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Speaker 3: No, the Teddy Rock's been clothing, not all of the clothing,

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Speaker 3: just the Teddy Rocks beIN clothing.

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Speaker 1: Got it. Well, there you go. It's very bizarre driving around.

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Speaker 1: I'm sure I'm not the only one who thinks like

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Speaker 1: this is such a weird future we're living in where

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Speaker 1: robots are doing all the delivery, and I'm sure drones

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Speaker 1: are aren't far behind.

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Speaker 2: There are drones.

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Speaker 3: If you drive through Hollywood right now, you're being tracked

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Speaker 3: by drones. If you if you go over the speed

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Speaker 3: limit and not Hollywood Beverly Hills. It says to you,

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Speaker 3: you're being tracked by drones.

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Speaker 1: Well, I had a I had a driver from the

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Speaker 1: airport tell me that in lower in downtown l A. There.

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Speaker 1: I don't know if he was crazy and making this up,

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Speaker 1: but they've begun doing deliveries from drones. I've seen videos

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Speaker 1: of that. Really.

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Speaker 4: Yeah, Like it's it's still like very beta testing, Like

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Speaker 4: you know, eventually we'll be seeing them flying around like

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Speaker 4: it's like the fifth element where it's just like a whole.

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Speaker 3: That that's what the flying car is. The flying car

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Speaker 3: isn't going to be a car like what we know.

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Speaker 3: It's literally going to be a drone and you sit

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Speaker 3: in a bubble in the middle of the drone.

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Speaker 1: Right, that's already a thing. Yeah, but I think in

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Speaker 1: our Daniel's right, in our lifetime, at the very least,

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Speaker 1: we're going to see we're going to look up and

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Speaker 1: see like drone traffic delivering shit.

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Speaker 2: For sure.

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Speaker 3: We might even see flying cars in our lifetime if

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Speaker 3: we're lucky in the next in the next will in the.

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Speaker 2: Next thirty years, I believe. Oh absolutely, wow.

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Speaker 1: Well there's already there's already a commercial thing you can

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Speaker 1: buy that's a flying one car drone. Yeah.

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Speaker 4: Yeah, the regulations for that stuff are going to be

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Speaker 4: real rough, I know.

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Speaker 1: But wouldn't you have thought the regulations for self driving

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Speaker 1: cars would be crazy? Wouldn't you have thought that robots

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Speaker 1: going down the street would be crazy. It's all happening

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Speaker 1: and people are getting it all through.

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Speaker 4: I agree. I just think that there's you know, three

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Speaker 4: dimensional space is a little bit different than like, you know,

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Speaker 4: I know, cars exist in a three dimensional space, but

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Speaker 4: they move into two dimensional plane, which a little bit

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Speaker 4: easier to control versus planes in the sky where it's

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Speaker 4: like height regulations, space regulations.

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Speaker 2: Well, who's to say that.

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Speaker 3: Who's to say that the airline business will be here

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Speaker 3: in thirty years. I mean, we're pushing towards electricity and

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Speaker 3: all of that stuff right now, and one of the

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Speaker 3: biggest pollutions in the sky right now or period are

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Speaker 3: airline companies and stuff like that. So who's to say

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Speaker 3: that in the future that's not the next thing to

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Speaker 3: go electrician.

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Speaker 1: It will be electric one day, but it's still there's

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Speaker 1: stillnna be airline traffic.

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Speaker 3: Right But even with airlines, I'm just saying, even with

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Speaker 3: airline traffic, it's still there will be levels to it,

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Speaker 3: you know what I mean. I don't think anybody's trying

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Speaker 3: to fly a drone thirty thousand feet in the air,

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Speaker 3: you know what I mean?

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Speaker 2: Like, yeah, you know, I think I definitely agree with you.

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Speaker 3: There will be no flying around the airport that you'll

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Speaker 3: have to land that thing.

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Speaker 2: All of that shit, You're right, Danil, And.

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Speaker 3: Then they're going to also have to put some type

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Speaker 3: of chip in the shit to make sure that you

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Speaker 3: can't just go rogue. And oh my god, just so

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Speaker 3: many things to It won't be free like what's what's.

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Speaker 2: The ship that we do when we play video games?

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Speaker 2: There's there's free water pilot. It won't be free world, No,

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Speaker 2: that shit will be straight up track.

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Speaker 4: Also, also imagine that you imagine that you get in

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Speaker 4: a self driving car and you have a known warrant

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Speaker 4: for your arrest. Where do you think that car is

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Speaker 4: going to drive.

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Speaker 1: You right to face recognition? And it just that's good.

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Speaker 1: That's a good sci fi movie. By the way, I

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Speaker 1: want to highly recommend the show Ripley on Netflix.

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Speaker 2: Is it about Ripley from Aliens?

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Speaker 7: Now?

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Speaker 1: It's about It's from the novel The Talented Mister Ripley,

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Speaker 1: and everyone remembers the famous Matt Damon, Jude Law Gwyneth

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Speaker 1: Paltrow movie, But that's just a two hour tale from

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Speaker 1: this epic novel, and it was just retold with Andrew Scott,

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Speaker 1: who's a phenomenal actor. Those of you who don't recognize

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Speaker 1: his name, he was the hot priest on Flea Bag

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Speaker 1: and he's such a good actor. And so they were

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Speaker 1: able to tell an eight our version of the story

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Speaker 1: on Netflix, and it's so beautifully shot and wonderfully acted.

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Speaker 1: I highly highly recommend it.

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Speaker 2: I didn't want to go even more in depth.

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Speaker 1: Yeah, it's a whole lot more story than the movie,

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Speaker 1: And honestly, I think it might be one of the

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Speaker 1: best examples of cinematography I've ever seen on television. Really,

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Speaker 1: it's black and white every single frame. It's all takes

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Speaker 1: place in like nineteen fifties Italy and every single rate.

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Speaker 3: That's a big thing coming from you, bro. Best cinematography

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Speaker 3: and television.

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Speaker 1: History, definitely, I think in the top of five television

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Speaker 1: shows I've ever seen in terms of cinematography. Wow, every frame.

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Speaker 1: When you watch it, audience and you three, you'll be

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Speaker 1: aware that just of the framing and the lighting, every

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Speaker 1: frame is more and beautiful than the last. It's stunning.

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Speaker 1: And the fact that they executed it in Italy, you know,

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Speaker 1: in twenty twenty three or whatever. They magically really make

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Speaker 1: you believe that you're in the fifties in Italy and

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Speaker 1: the acting is so good. Well, mister, there you go.

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Speaker 1: There's my recommendation of the week I'm watching that I have.

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Speaker 2: I have no recommendations.

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Speaker 1: Has started?

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Speaker 2: No?

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Speaker 1: When does that start? Which one lyrics Acolyte.

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Speaker 2: I'm not really excited about Acolyte. I don't know much about.

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Speaker 1: It, even from such excitement before.

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Speaker 2: I like the trailer. It was good, but then after

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Speaker 2: you watch it after a while, it's like, what's this

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Speaker 2: show going to be?

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Speaker 4: June fourth? We'll find out.

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Speaker 2: No, we'll find out June fourth.

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Speaker 3: And then and then like right after that, there's another

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Speaker 3: Star Wars show coming on, and then we have Tales

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Speaker 3: of the Empire coming. There are a bunch of Star

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Speaker 3: Wars things coming that I am excited about.

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Speaker 5: But are you watching Shogun?

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Speaker 1: I gotta watch that.

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Speaker 2: I think I might have to.

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Speaker 3: I need to watch something because right now, my fucking

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Speaker 3: like I feel like I'm just in a groundhog day

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Speaker 3: and everything I watch is, uh, it's the same, you know,

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Speaker 3: it's it's it's I'm a fantasy guy, and I guess

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Speaker 3: the fantasy is told the same.

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Speaker 2: Way every time.

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Speaker 3: It seems like, dude, it's.

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Speaker 1: Definitely got strong three body problem. I was going to

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Speaker 1: suggest that too, that's definitely Bill. Bill Lawrence, our friend

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Speaker 1: Bill Laurence said that he watched the pilot and really

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Speaker 1: liked that.

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Speaker 2: It's I need something because.

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Speaker 4: Whole seasons out on Netflix.

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Speaker 2: Watch that.

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Speaker 3: Okay, I watched all the Invincible that was fired, you

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Speaker 3: know what I mean? But I watched that in like

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Speaker 3: one day, you know what I mean, Like, uh, it's

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Speaker 3: too short, And then they tried to act like, well,

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Speaker 3: it's animation. Come on, motherfucker, that's to the animation on computer.

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Speaker 3: Y'all could have got that ship out a lot quicker

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Speaker 3: than you're pretending to be, you know what I mean?

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Speaker 3: Six episode seven and how many episodes and of a

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Speaker 3: fucking comic book that's been out for decades or over

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Speaker 3: a decade.

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Speaker 2: Get the fuck out of here, man, Thank you?

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Speaker 1: All right, Shall we get into the TV show Scrubs?

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Speaker 1: Where what is this? I think it's the penultimate episode

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Speaker 1: of JD. On season nine. It is episode five of

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Speaker 1: season nine, Count of Sin, Donald.

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Speaker 7: Five six seven stories that show we made about a

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Speaker 7: bunch of dogs and nurses said.

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Speaker 2: Here's the stories news.

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Speaker 8: So YadA ra here, yeada here show.

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Speaker 1: Okay, Donald, tell us about your feelings of this episode.

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Speaker 1: You have been.

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Speaker 2: Very I've been the most critical.

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Speaker 1: Out of them, you've been the most critical and I

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Speaker 1: and I want to give the audience a balanced view.

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Speaker 1: I want them to to.

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Speaker 3: There's no way this is a there's going to be

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Speaker 3: a balanced view because I feel like all of your

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Speaker 3: all of you are going to be on the same

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Speaker 3: page as me.

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Speaker 1: Yeah, this episode was not good. Let's be you. But

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Speaker 1: I want to give the audience.

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Speaker 2: I don't want.

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Speaker 1: I try audience to watch each one with new eyes

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Speaker 1: and go no judgment. It's a clean slate. Let's take

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Speaker 1: this in. I'm not I'm not going in with negativity.

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Speaker 1: And this was just not funny. It is a half

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Speaker 1: hour comedy.

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Speaker 3: Remember it was boring as can be too, Like it

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Speaker 3: was like, listen, were you and I aren't high on

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Speaker 3: the highest level of fucking acting right now?

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Speaker 2: That way, we're going way too overboard.

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Speaker 1: What show are we on?

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Speaker 2: What are we doing. What are we doing?

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Speaker 1: Do you remember when you when I make fun of

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Speaker 1: your acting in that that commercial is a child coffee commercial.

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Speaker 1: When you go you have been away a long time.

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Speaker 2: We are doing that.

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Speaker 1: We are like you as a nine year old. How

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Speaker 1: old are you that?

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Speaker 2: I was probably eleven.

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Speaker 1: Yeah, we're acting like eleven year olds who got their

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Speaker 1: first job.

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Speaker 2: Yes, you know, I take that back. It's polished, it's good.

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Speaker 3: It's it's not like we're bad actors, but we're just

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Speaker 3: overdoing it.

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Speaker 2: We're like so.

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Speaker 1: Far over I think my acting is bad. I've said

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Speaker 1: I don't think.

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Speaker 3: I don't think your acting is bad. As Donald, you

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Speaker 3: will have gone. I think you have gone the way

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Speaker 3: of You're now just a complete laugh war and we're

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Speaker 3: trying so hard for the laugh that we're that we're crashing.

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Speaker 1: I think Donald, it's I, as the British say, have

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Speaker 1: lost the plot. I am just so cartoonishly large. Yes,

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Speaker 1: and you're right, I guess I'll laugh for but not

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Speaker 1: even like any basis in reality.

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Speaker 3: No, there's nothing grounded about our performance. No, Like when

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Speaker 3: I'm watching this, I'm like, holy shit, dude, you're like

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Speaker 3: if you were to compare the first episode of scrubs

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Speaker 3: to this.

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Speaker 1: Yeah, it's I want to take responsibility to the audience

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Speaker 1: because I've always should talked season nine, but I'm I'm

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Speaker 1: I'm a contributor to the problem.

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Speaker 2: I am such a contributor to the problem in the situation.

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Speaker 1: I am such a contribute I want to take responsibility

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Speaker 1: and apologize to the audience for my contributions to this

359
00:16:36,400 --> 00:16:42,560
Speaker 1: being a really broad, not based in reality form of acting.

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Speaker 3: And then so there's that, and then my favorite part

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00:16:45,800 --> 00:16:51,080
Speaker 3: of the show now is fucking Drew and Denise. That's

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Speaker 3: the better part of the show. You know, what they're doing.

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Speaker 3: What it felt like to me is like when we

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Speaker 3: remember when we were watching it in the beginning and

365
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Speaker 3: a lot of the story was yours and Cox.

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Speaker 2: They're like the same couple. They're like that couple.

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Speaker 3: All of a sudden, it's like they make fun of

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Speaker 3: each other, they shit on each other, one trying to

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Speaker 3: up the other, but they're in love with each other.

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Speaker 2: Like you could follow these two, I know, but everyone

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Speaker 2: would be the same storyline.

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Speaker 1: Everyone has a person that's their new incarnation. Like you know,

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Speaker 1: Carrie Bosche is the new JD. Coole. I guess he's

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Speaker 1: the new todd Ish, they're the new Jordan and Cox.

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Speaker 3: And then now Cox is like the new Kelso, Like,

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Speaker 3: what the fuck he's sitting here causing He's causing all

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Speaker 3: of his trouble.

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00:17:37,000 --> 00:17:39,520
Speaker 2: What is your problem, bro? What's your problem?

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Speaker 1: He's a dick?

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Speaker 2: I mean, what is your problem?

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Speaker 1: He was always like a jerk because he it was

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Speaker 1: tough love and he wanted them to be good doctors.

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Speaker 1: And I guess this plot tries to pull that as well,

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Speaker 1: but it really felt like several times I was like,

385
00:17:53,480 --> 00:17:57,600
Speaker 1: what a dick? Yeah, yeah, Like there's nothing redeemable about him.

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Speaker 3: No, And even at the end when he's like I'm trying,

387
00:18:00,160 --> 00:18:02,280
Speaker 3: I'm gonna like, yeah, he tried. When he gives her

388
00:18:02,320 --> 00:18:04,159
Speaker 3: the I, we're gonna jump ahead, guys, sorry, and then

389
00:18:04,200 --> 00:18:07,600
Speaker 3: we'll go back when he lets himself be the buddy

390
00:18:08,640 --> 00:18:12,360
Speaker 3: for the IV at the end, I don't give a shit.

391
00:18:12,840 --> 00:18:16,200
Speaker 3: The conversation with JD doesn't land the way it should

392
00:18:16,359 --> 00:18:18,840
Speaker 3: because you're like, why are you still trying to teach

393
00:18:18,920 --> 00:18:22,560
Speaker 3: lessons to this fucking to the teacher in front of

394
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Speaker 3: the students. If anything, you made the student's whole lessons,

395
00:18:27,000 --> 00:18:30,480
Speaker 3: all of his lessons, not have any credibility because you

396
00:18:30,560 --> 00:18:33,240
Speaker 3: clown him in front of the whole class right before

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00:18:33,280 --> 00:18:33,800
Speaker 3: he leaves.

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Speaker 1: And also JD's leaving again, Like didn't he just leave?

399
00:18:36,760 --> 00:18:38,240
Speaker 1: Why is he leaving again? I mean, I know I'm

400
00:18:38,280 --> 00:18:41,040
Speaker 1: leaving because my contracts up, but as an exer, but

401
00:18:41,560 --> 00:18:44,560
Speaker 1: why I even lost track of story? Why is JD

402
00:18:44,720 --> 00:18:45,320
Speaker 1: leaving again?

403
00:18:46,440 --> 00:18:47,400
Speaker 2: I couldn't tell you.

404
00:18:47,520 --> 00:18:50,399
Speaker 5: I think she gives another offer difference.

405
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Speaker 1: I missed whatever exposition was. Why JD's leaving yet again?

406
00:18:55,280 --> 00:18:59,640
Speaker 2: It all long? Does I work at the hospital with Sam? Where? Sam? Where?

407
00:18:59,640 --> 00:19:00,439
Speaker 2: It's close to say it?

408
00:19:00,840 --> 00:19:02,360
Speaker 1: I don't know, but I know that I only did

409
00:19:02,359 --> 00:19:05,080
Speaker 1: six episodes and in this episode I was carrying a

410
00:19:05,119 --> 00:19:07,080
Speaker 1: box and You're like, come on one more Eagle, and

411
00:19:07,119 --> 00:19:09,040
Speaker 1: I'm like, what the fuck didn't we just do this

412
00:19:09,080 --> 00:19:14,560
Speaker 1: four episodego? Five episodes ago? Anyway, it is what it is.

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00:19:15,320 --> 00:19:16,720
Speaker 1: JD's last day, guys.

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Speaker 2: Uh.

415
00:19:17,400 --> 00:19:22,560
Speaker 1: JD had to watch a four hour video called Boundaries because.

416
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Speaker 2: He touched a person in the chest in.

417
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Speaker 1: Their heart, a woman he meant to he meant, he

418
00:19:28,560 --> 00:19:30,879
Speaker 1: meant to reference something in their heart, and he touched

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Speaker 1: her heart and then was forced to take a course.

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Speaker 1: So now when he speaks to Lucy. He references her

421
00:19:36,800 --> 00:19:39,400
Speaker 1: stomach and she says, why are you pointing to my stomach?

422
00:19:39,440 --> 00:19:40,920
Speaker 1: And he said, because I had to watch a four

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Speaker 1: hour video on boundaries.

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Speaker 2: Yeah.

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Speaker 3: I actually did like this part where Cox is talking

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Speaker 3: to the students and he's, you know, saying, how all

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00:19:53,680 --> 00:19:55,760
Speaker 3: of them are probably going to pass this test. This

428
00:19:55,800 --> 00:20:00,639
Speaker 3: is an easy test, but there's sometimes as that one person,

429
00:20:01,200 --> 00:20:04,560
Speaker 3: that one student that can't do it. And it's a

430
00:20:04,760 --> 00:20:08,080
Speaker 3: gift for him because he gets to send somebody home

431
00:20:08,640 --> 00:20:11,560
Speaker 3: at a very very early stage in their career. You

432
00:20:11,600 --> 00:20:13,919
Speaker 3: want to be a doctor and you can't draw blood.

433
00:20:14,600 --> 00:20:16,760
Speaker 3: This ain't for you, kid, you know what I mean.

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00:20:16,800 --> 00:20:20,280
Speaker 3: And it's rare, but it right. You want you got dreams,

435
00:20:20,320 --> 00:20:23,720
Speaker 3: you want fame, but it's rare it happens. It's rare

436
00:20:23,800 --> 00:20:26,760
Speaker 3: that it happens, and it happens, and when it does happen,

437
00:20:26,960 --> 00:20:28,040
Speaker 3: it happened for him.

438
00:20:28,080 --> 00:20:29,200
Speaker 2: It's like Christmas.

439
00:20:29,560 --> 00:20:33,560
Speaker 3: I did like that analogy because don't waste my time, right,

440
00:20:33,720 --> 00:20:35,160
Speaker 3: That's pretty much what he's saying.

441
00:20:35,000 --> 00:20:35,760
Speaker 2: All of y'all here.

442
00:20:36,359 --> 00:20:39,520
Speaker 3: If you can't pass this test, you are wasting my

443
00:20:39,680 --> 00:20:41,800
Speaker 3: fucking time and you don't.

444
00:20:41,560 --> 00:20:44,520
Speaker 1: Deserve to be nice to learn that a med student

445
00:20:45,480 --> 00:20:49,879
Speaker 1: this far along in where they are wouldn't be able

446
00:20:49,920 --> 00:20:51,280
Speaker 1: to draw blood.

447
00:20:51,800 --> 00:20:54,680
Speaker 2: But maybe his motherfucker skate dude, I'm.

448
00:20:54,560 --> 00:20:58,320
Speaker 1: Sh I suppose yeah, I just would have thought that. Again,

449
00:20:58,359 --> 00:21:00,360
Speaker 1: I guess I don't really fully get how how along

450
00:21:00,440 --> 00:21:03,600
Speaker 1: these kids are, but I guess maybe obviously they're at

451
00:21:03,600 --> 00:21:05,119
Speaker 1: the point where it's time to draw blood for the

452
00:21:05,119 --> 00:21:06,760
Speaker 1: first time. I don't know. I was just surprised that,

453
00:21:06,800 --> 00:21:08,880
Speaker 1: like Lucy didn't know how to draw blood, And.

454
00:21:08,840 --> 00:21:12,440
Speaker 2: Why are they drawing blood through a needle and pulling it?

455
00:21:13,800 --> 00:21:17,000
Speaker 3: Don't you put the stint and the thing in it

456
00:21:17,040 --> 00:21:19,120
Speaker 3: and you put the tube and all that, Like, isn't.

457
00:21:18,960 --> 00:21:20,879
Speaker 1: That they were doing? They had that little butterfly needle

458
00:21:20,960 --> 00:21:23,160
Speaker 1: and then they were putting the just the test tube.

459
00:21:23,480 --> 00:21:26,160
Speaker 2: It looked like she was pulling it with the no.

460
00:21:26,280 --> 00:21:27,920
Speaker 1: I think I think we would have gotten that right

461
00:21:28,000 --> 00:21:30,679
Speaker 1: for sure. You know, Scrubbs did pride itself on being acted.

462
00:21:30,720 --> 00:21:32,679
Speaker 2: I don't know, man, this is this is med.

463
00:21:32,560 --> 00:21:36,440
Speaker 1: School, okay, So Cox is just on a tear. He's

464
00:21:36,640 --> 00:21:40,119
Speaker 1: really just I mean, screaming at these kids, trying to

465
00:21:40,119 --> 00:21:42,760
Speaker 1: scare the fuck out of them and tells them they

466
00:21:42,800 --> 00:21:44,720
Speaker 1: all need to draw blood or they're gonna be kicked

467
00:21:44,720 --> 00:21:48,679
Speaker 1: out of med school. Jad's slide presentation to time in

468
00:21:48,720 --> 00:21:51,360
Speaker 1: my life was pretty funny, especially when you pull back

469
00:21:51,400 --> 00:21:54,359
Speaker 1: to reveal me in the exact position as the ending slide.

470
00:21:54,840 --> 00:21:58,439
Speaker 3: I remember this episode us dressing up as a Hardy boys.

471
00:21:58,680 --> 00:22:02,320
Speaker 3: This is not so far enough away that I don't

472
00:22:02,400 --> 00:22:04,080
Speaker 3: remember it, you know what I mean? This is like

473
00:22:05,560 --> 00:22:07,760
Speaker 3: I do remember me putting on the hairpiece for the

474
00:22:07,760 --> 00:22:08,520
Speaker 3: Hardy Boys, and.

475
00:22:08,480 --> 00:22:13,840
Speaker 1: That that party boys thing is pretty funny when I go,

476
00:22:13,920 --> 00:22:16,320
Speaker 1: Dad's gonna be so proud of us, black adopted brother.

477
00:22:21,000 --> 00:22:23,679
Speaker 1: I don't know anything about the Hardy Boys, but either

478
00:22:24,200 --> 00:22:26,360
Speaker 1: do you guys know anything about the Hardy Boys?

479
00:22:26,680 --> 00:22:26,880
Speaker 9: Yeah?

480
00:22:27,320 --> 00:22:31,440
Speaker 5: Boy detective sometimes hung out with Nancy Drew classic stories

481
00:22:32,480 --> 00:22:34,359
Speaker 5: somewhat like Scooby Doo, a little less silly.

482
00:22:36,040 --> 00:22:39,400
Speaker 1: So they were boys that that solved mysteries.

483
00:22:39,560 --> 00:22:41,720
Speaker 3: Did you ever read the book about the Girl with

484
00:22:41,760 --> 00:22:45,000
Speaker 3: the Photographic Memory? Was a series of novels of little

485
00:22:45,000 --> 00:22:50,080
Speaker 3: teenage books. And she would go click and was the

486
00:22:50,160 --> 00:22:53,960
Speaker 3: name of that ship? And she would say that ship

487
00:22:54,040 --> 00:22:56,959
Speaker 3: And that's how she would remember shit, like if she

488
00:22:57,119 --> 00:22:59,840
Speaker 3: and and and she was a detective, right, and so

489
00:23:00,520 --> 00:23:02,560
Speaker 3: she'd be out and about and if she thought something

490
00:23:02,720 --> 00:23:05,720
Speaker 3: was just a little odd, she'd go click and then

491
00:23:05,720 --> 00:23:07,680
Speaker 3: she could remember everything that was happening.

492
00:23:08,400 --> 00:23:09,120
Speaker 2: Yeah.

493
00:23:09,200 --> 00:23:12,480
Speaker 1: I remade that into a TV show or a movie.

494
00:23:12,359 --> 00:23:16,840
Speaker 5: Cam Jansen, Oh my god, Yeah, what's it called cam Jansen?

495
00:23:17,119 --> 00:23:19,399
Speaker 2: Cam Jansen, the cam Jansen series.

496
00:23:19,440 --> 00:23:23,240
Speaker 1: Wow, she had a photographic memory.

497
00:23:23,640 --> 00:23:25,080
Speaker 2: Yeah, that was her superpower.

498
00:23:25,560 --> 00:23:26,320
Speaker 5: That's amazing.

499
00:23:26,760 --> 00:23:28,199
Speaker 2: That's probably the best superpower.

500
00:23:28,240 --> 00:23:32,240
Speaker 3: And for people who don't, who can't fly and can't

501
00:23:32,240 --> 00:23:35,200
Speaker 3: turn invisible and all of that shit. Okay, I'm gonna

502
00:23:35,240 --> 00:23:38,880
Speaker 3: jump off on another tangent. There's two things I learned

503
00:23:38,960 --> 00:23:43,359
Speaker 3: during spring break and while looking at the computer. One,

504
00:23:43,800 --> 00:23:48,280
Speaker 3: if we train our bodies at a certain point, we

505
00:23:48,320 --> 00:23:51,960
Speaker 3: can reach superpower. I'm not saying we can fly and

506
00:23:52,000 --> 00:23:55,679
Speaker 3: stuff like that, but to leap far and to be

507
00:23:56,119 --> 00:23:59,240
Speaker 3: extra strong. You'd be surprised how far the human body

508
00:23:59,280 --> 00:24:02,680
Speaker 3: can go. That's the first thing. But an actual superpower

509
00:24:02,720 --> 00:24:06,360
Speaker 3: to me is a photographic memory. If you can remember

510
00:24:06,800 --> 00:24:09,680
Speaker 3: anything in everything, and there are people out there who

511
00:24:09,720 --> 00:24:11,760
Speaker 3: can do that. If you can say I want to

512
00:24:11,800 --> 00:24:16,280
Speaker 3: remember this, how can you ever? Like, you could be

513
00:24:16,320 --> 00:24:18,840
Speaker 3: a doctor, you could be a lawyer, well case study,

514
00:24:18,880 --> 00:24:21,600
Speaker 3: you could be anything that has to do with some

515
00:24:21,680 --> 00:24:25,800
Speaker 3: type of reference or history, a detective, anything that has

516
00:24:25,840 --> 00:24:27,600
Speaker 3: to do with that, you'd be the best at it.

517
00:24:27,960 --> 00:24:30,080
Speaker 3: Like if you had if you had that power, And

518
00:24:30,119 --> 00:24:31,720
Speaker 3: that's the Oh I wish I had that. That's the

519
00:24:31,760 --> 00:24:33,119
Speaker 3: one thing I wish I had. I wish I had

520
00:24:33,119 --> 00:24:34,200
Speaker 3: a photographic memory.

521
00:24:34,320 --> 00:24:34,480
Speaker 7: Yeah.

522
00:24:34,520 --> 00:24:37,040
Speaker 1: I saw a movie where a guy referenced it and

523
00:24:37,080 --> 00:24:40,199
Speaker 1: he's he if he read something once, he could recite it.

524
00:24:40,280 --> 00:24:42,600
Speaker 1: He just that is I guess that is a real

525
00:24:42,640 --> 00:24:43,600
Speaker 1: thing for some people.

526
00:24:43,920 --> 00:24:49,080
Speaker 5: They have whole competitions really yeah, like memorize memorization contests,

527
00:24:49,200 --> 00:24:52,119
Speaker 5: and they have these really funky ways of like remembering

528
00:24:52,400 --> 00:24:55,840
Speaker 5: very very very long passages of texts, or they'll give

529
00:24:55,880 --> 00:24:58,640
Speaker 5: them like really convoluted directions and they have to navigate

530
00:24:58,680 --> 00:24:59,760
Speaker 5: a map from memory.

531
00:25:00,240 --> 00:25:03,080
Speaker 2: How long do they have to do the memorization.

532
00:25:03,400 --> 00:25:06,719
Speaker 5: It depends on the competition. I saw, Oh man, it

533
00:25:06,760 --> 00:25:08,239
Speaker 5: was like a New York Times piece or something they

534
00:25:08,280 --> 00:25:10,320
Speaker 5: did like what video essay where they give the girl

535
00:25:10,400 --> 00:25:13,800
Speaker 5: like seven and a half minutes to read like fifty

536
00:25:13,840 --> 00:25:16,680
Speaker 5: pages and she was like doing the speed read thing,

537
00:25:16,720 --> 00:25:19,879
Speaker 5: but then she was also like creating a memory map

538
00:25:19,920 --> 00:25:21,600
Speaker 5: in her head of what she was reading. So that

539
00:25:21,640 --> 00:25:24,119
Speaker 5: when they were asked her to call specific details, she

540
00:25:24,160 --> 00:25:26,120
Speaker 5: could do it and like the blink of an eye.

541
00:25:26,119 --> 00:25:28,399
Speaker 5: It was crazy. I don't know, Like, there's there's a

542
00:25:28,440 --> 00:25:30,199
Speaker 5: way you can teach yourself. She's like, you don't have

543
00:25:30,200 --> 00:25:32,720
Speaker 5: to be a genius to learn memorization.

544
00:25:32,920 --> 00:25:33,520
Speaker 2: Memorization.

545
00:25:33,840 --> 00:25:36,080
Speaker 1: There's another one of these things. Have you guys seen

546
00:25:36,119 --> 00:25:39,280
Speaker 1: have we talked about this where you can remember exactly

547
00:25:39,320 --> 00:25:41,000
Speaker 1: what happened on any day of your life.

548
00:25:42,040 --> 00:25:43,760
Speaker 5: Yeah, that's awesome, it would be awesome.

549
00:25:45,840 --> 00:25:48,640
Speaker 1: I saw a special on this. It is a specific

550
00:25:48,760 --> 00:25:52,199
Speaker 1: brain skill and there was a famous actress. What's the

551
00:25:52,240 --> 00:25:55,000
Speaker 1: name of the actress who was the female lead on

552
00:25:55,119 --> 00:25:59,600
Speaker 1: Taxi Mary Lou No, Yeah, you're close. Will you guys

553
00:25:59,600 --> 00:26:04,959
Speaker 1: look that up? She had She was in special now

554
00:26:05,000 --> 00:26:07,359
Speaker 1: maryly w Red I think is the gymnast Mary Lou Henner,

555
00:26:07,480 --> 00:26:09,040
Speaker 1: Mary Lou Henner, Is that correct?

556
00:26:09,520 --> 00:26:10,240
Speaker 5: Mariel Henner?

557
00:26:10,920 --> 00:26:14,800
Speaker 1: Mary, Yeah, Muriel Henner, Mary.

558
00:26:14,600 --> 00:26:16,919
Speaker 5: Lou Henner, Yeah, m A R I l U.

559
00:26:17,400 --> 00:26:20,400
Speaker 1: Mary Lou Henner has this And if you guys are more,

560
00:26:21,560 --> 00:26:24,560
Speaker 1: google or YouTube the video about Mary Lou Henner and

561
00:26:24,600 --> 00:26:26,760
Speaker 1: being able to remember any dates because they had this

562
00:26:26,880 --> 00:26:29,920
Speaker 1: special on these people and they were like an including

563
00:26:29,920 --> 00:26:32,080
Speaker 1: celebrity Mary Lou Henner, who's also one of these people,

564
00:26:32,280 --> 00:26:34,400
Speaker 1: and they would just the interviewer would name a date,

565
00:26:35,400 --> 00:26:37,280
Speaker 1: any date in their life, and they would tell you

566
00:26:37,359 --> 00:26:40,120
Speaker 1: exactly what happened that day, what they what the day

567
00:26:40,200 --> 00:26:42,800
Speaker 1: was like, what the weather was like. They just their

568
00:26:42,840 --> 00:26:45,280
Speaker 1: brain has a thing where that just locks into a

569
00:26:45,320 --> 00:26:47,280
Speaker 1: storage drive is as easy as you reading it.

570
00:26:47,920 --> 00:26:54,000
Speaker 5: Highly superior autobiographical memory or h SAM that Mary Lou

571
00:26:54,040 --> 00:26:56,520
Speaker 5: Henner has, that's h SAM.

572
00:26:56,680 --> 00:26:56,920
Speaker 2: Wow.

573
00:26:57,040 --> 00:27:00,399
Speaker 3: So look, it's a it's a it's a well, I

574
00:27:00,440 --> 00:27:04,640
Speaker 3: guess if not everybody has it, it's considered a what's

575
00:27:04,680 --> 00:27:05,600
Speaker 3: the word I'm looking for?

576
00:27:06,160 --> 00:27:09,800
Speaker 1: Not a party truck that's considered a party.

577
00:27:09,840 --> 00:27:12,600
Speaker 3: No, well, that's that's what it could be used for.

578
00:27:12,880 --> 00:27:15,040
Speaker 3: But isn't it like a debilitation if you have some

579
00:27:15,040 --> 00:27:16,000
Speaker 3: shit like that, Like.

580
00:27:16,000 --> 00:27:19,360
Speaker 5: They describe it as a condition. So it doesn't inhibit

581
00:27:19,400 --> 00:27:23,080
Speaker 5: her from doing anything, you know, it just gives her

582
00:27:23,080 --> 00:27:23,720
Speaker 5: like all of these.

583
00:27:23,560 --> 00:27:25,359
Speaker 1: Other But if you get a chance, watch the video

584
00:27:25,359 --> 00:27:27,480
Speaker 1: of her being interviewed. She was with like I don't

585
00:27:27,480 --> 00:27:29,639
Speaker 1: know five other people that there weren't celebrities. She just

586
00:27:29,640 --> 00:27:32,120
Speaker 1: happens to be a famous actress who has it and

587
00:27:32,520 --> 00:27:35,160
Speaker 1: they were just going around the room, like nineteen eighty two,

588
00:27:35,640 --> 00:27:38,760
Speaker 1: January third. She goes, I remember it was very cold

589
00:27:38,840 --> 00:27:41,480
Speaker 1: and I was wearing red sweatpants and I had just

590
00:27:41,520 --> 00:27:44,000
Speaker 1: gone to the theater and then we went to I mean,

591
00:27:44,040 --> 00:27:45,439
Speaker 1: it's just so trippy. Wow.

592
00:27:45,480 --> 00:27:49,159
Speaker 3: So she should be able to pull from some horrific

593
00:27:49,359 --> 00:27:51,200
Speaker 3: days and everything like that.

594
00:27:51,359 --> 00:27:53,080
Speaker 1: Yeah, if you pick a bad one.

595
00:27:53,240 --> 00:27:55,240
Speaker 2: That's fucking horrible. Man.

596
00:27:56,000 --> 00:27:58,119
Speaker 1: I don't think that, Like she's sitting there living them

597
00:27:58,160 --> 00:28:01,520
Speaker 1: all at the same time, she's if you call one up.

598
00:28:01,560 --> 00:28:03,840
Speaker 1: I mean, it's just it's just how foul foul and

599
00:28:04,160 --> 00:28:07,800
Speaker 1: just how impressive and amazing is an infinite are our brain.

600
00:28:07,840 --> 00:28:13,200
Speaker 3: If you could remember any day vividly, vividly, what would

601
00:28:13,200 --> 00:28:15,000
Speaker 3: it be like. There's people there, There's people that are

602
00:28:15,040 --> 00:28:17,320
Speaker 3: probably like I remember when I was born. I came

603
00:28:17,320 --> 00:28:18,960
Speaker 3: out the woomb it was light.

604
00:28:20,000 --> 00:28:23,320
Speaker 1: I wonder if that that fall category, if she can remember,

605
00:28:23,400 --> 00:28:26,439
Speaker 1: like I remember, there was bright light and it was

606
00:28:26,520 --> 00:28:29,440
Speaker 1: coming from sort of an envelope sized space.

607
00:28:30,960 --> 00:28:33,600
Speaker 2: It stretched and stretched.

608
00:28:33,080 --> 00:28:35,240
Speaker 1: And the light got bigger and bigger.

609
00:28:35,840 --> 00:28:37,840
Speaker 3: The next thing I knew, I was being slept on

610
00:28:37,920 --> 00:28:39,400
Speaker 3: the ass by some white man.

611
00:28:39,680 --> 00:28:42,360
Speaker 1: Some white man was hitting me hard on my back

612
00:28:43,440 --> 00:28:47,040
Speaker 1: and then there was a titty in my face. It

613
00:28:47,080 --> 00:28:51,200
Speaker 1: was good, and that it was and that milk was

614
00:28:51,280 --> 00:28:57,080
Speaker 1: delicious and warm. Sorry, we go to break right back

615
00:28:57,120 --> 00:29:01,280
Speaker 1: after these Fine what you're trying to get into one day?

616
00:29:02,320 --> 00:29:03,240
Speaker 1: What you're trying to.

617
00:29:03,240 --> 00:29:14,440
Speaker 10: Do, and we're back.

618
00:29:13,680 --> 00:29:16,360
Speaker 2: We're We're so back, We're back.

619
00:29:16,680 --> 00:29:20,400
Speaker 1: Okay. So JD he does this whole PowerPoint demonstration. He's

620
00:29:20,440 --> 00:29:26,320
Speaker 1: trying to get points for the teacher evaluations. He says

621
00:29:26,440 --> 00:29:29,080
Speaker 1: powerful stuff, huh. And then he tried to do a

622
00:29:29,080 --> 00:29:31,400
Speaker 1: balloon drop and that didn't work. And then he did

623
00:29:31,440 --> 00:29:33,680
Speaker 1: two hours off froyo And if you tell him doctor

624
00:29:33,760 --> 00:29:35,840
Speaker 1: D sent you, you get a extra whip.

625
00:29:37,560 --> 00:29:39,760
Speaker 3: Like they went all out. They went all out to

626
00:29:39,840 --> 00:29:46,400
Speaker 3: try and make JD fucking arkle, like they went all out,

627
00:29:46,520 --> 00:29:49,960
Speaker 3: like everything is like straight up, yeah, think about it,

628
00:29:50,120 --> 00:29:50,760
Speaker 3: doctor D.

629
00:29:51,440 --> 00:29:55,440
Speaker 2: He's just like straight up this character, now you know

630
00:29:55,440 --> 00:29:55,920
Speaker 2: what I mean?

631
00:29:57,440 --> 00:30:02,160
Speaker 3: Yeah, man, like like or or screech or and I'm

632
00:30:02,200 --> 00:30:04,280
Speaker 3: building like that's the fucking crazy shit.

633
00:30:04,360 --> 00:30:06,200
Speaker 2: It's like, holy can you not a teacher?

634
00:30:06,360 --> 00:30:07,720
Speaker 1: How come you're not being a value?

635
00:30:07,760 --> 00:30:11,400
Speaker 3: I'm a surgeon. I'm a surgeon, dude. Surgeons don't I mean,

636
00:30:11,440 --> 00:30:12,560
Speaker 3: I don't know what the fuck I am.

637
00:30:12,600 --> 00:30:13,080
Speaker 2: I'm just there.

638
00:30:13,160 --> 00:30:15,360
Speaker 1: I wouldn't say that the black friend.

639
00:30:16,240 --> 00:30:17,719
Speaker 2: There's no reason.

640
00:30:17,840 --> 00:30:18,600
Speaker 1: I don't know why.

641
00:30:18,480 --> 00:30:18,920
Speaker 2: They never.

642
00:30:20,920 --> 00:30:24,680
Speaker 1: Explained there's no reason for any of us to be there. Well,

643
00:30:24,680 --> 00:30:27,400
Speaker 1: they don't explain what you're doing there, like you don't

644
00:30:27,440 --> 00:30:29,960
Speaker 1: seem to teach, and I would teach.

645
00:30:30,080 --> 00:30:33,840
Speaker 5: One of season nine, you do visit Turk's extremely small

646
00:30:33,880 --> 00:30:37,680
Speaker 5: classrooms giant lecture hall, but we haven't been back to

647
00:30:37,720 --> 00:30:39,600
Speaker 5: a classroom of Turk since.

648
00:30:39,440 --> 00:30:42,320
Speaker 1: They weren't really tracking Turk as teacher. Because we're talking

649
00:30:42,320 --> 00:30:43,560
Speaker 1: about the teacher evaluations.

650
00:30:43,800 --> 00:30:50,400
Speaker 3: I am John Boyega in episode eight of Star Wars.

651
00:30:52,120 --> 00:30:52,800
Speaker 1: What does that mean?

652
00:30:52,840 --> 00:30:55,360
Speaker 5: I see in the Last Jedi when they instead of

653
00:30:55,360 --> 00:30:57,800
Speaker 5: making him the lead Jedi, they made him the goofy

654
00:30:57,840 --> 00:30:58,360
Speaker 5: best friend.

655
00:31:00,600 --> 00:31:03,280
Speaker 1: I thought he was the stormtrooper who saves.

656
00:31:03,000 --> 00:31:04,800
Speaker 2: The day in the first movie.

657
00:31:04,840 --> 00:31:06,440
Speaker 1: In the first I didn't watch the second one.

658
00:31:06,800 --> 00:31:10,280
Speaker 3: The second movie, they just abandoned that completely. Fuck that shit. Dude,

659
00:31:10,320 --> 00:31:12,720
Speaker 3: you know what you're gonna do. You're gonna dance.

660
00:31:13,600 --> 00:31:14,280
Speaker 1: Did he dance?

661
00:31:14,880 --> 00:31:16,240
Speaker 2: No, but he kind of dances.

662
00:31:16,440 --> 00:31:19,280
Speaker 5: He does stumble out half naked in like a sprouting

663
00:31:19,320 --> 00:31:22,000
Speaker 5: water suit. Gag. That's his introduction back into.

664
00:31:21,800 --> 00:31:26,600
Speaker 1: The Sorry these are references. I don't know, all right,

665
00:31:26,680 --> 00:31:29,800
Speaker 1: So what about Cox flicking the dead corpse? That was

666
00:31:29,920 --> 00:31:32,600
Speaker 1: so weird to me? Didn't you just feel like that

667
00:31:32,680 --> 00:31:34,800
Speaker 1: was like like out, I mean, I know Cox is

668
00:31:35,360 --> 00:31:38,040
Speaker 1: Cox doesn't have disrespect for corpses, does he?

669
00:31:38,560 --> 00:31:40,360
Speaker 5: No, it's gonna say. The main thing with Cox is

670
00:31:40,400 --> 00:31:43,160
Speaker 5: so weird. It's like his anger in the original Scrub

671
00:31:43,200 --> 00:31:46,880
Speaker 5: series is always at the institution for not treating people

672
00:31:47,240 --> 00:31:49,640
Speaker 5: with the lover Wilfs respect he thinks they deserve. It's

673
00:31:49,680 --> 00:31:53,600
Speaker 5: always at the larger institution. But here, man, it's is

674
00:31:53,640 --> 00:31:57,520
Speaker 5: that anybody who can take a shot, anybody.

675
00:31:58,280 --> 00:32:00,640
Speaker 2: I agree with you, Joelle, it was about the institution.

676
00:32:00,800 --> 00:32:02,760
Speaker 3: No, back in the day, it was about, look, the

677
00:32:02,840 --> 00:32:06,440
Speaker 3: institution can't fuck you, and yo respect the institution too,

678
00:32:06,680 --> 00:32:07,240
Speaker 3: you know what I mean.

679
00:32:07,360 --> 00:32:09,400
Speaker 2: That was what was redeeming about him. That was what

680
00:32:09,520 --> 00:32:09,960
Speaker 2: was awesome.

681
00:32:10,000 --> 00:32:12,520
Speaker 3: It was like, look, it's not only about how the

682
00:32:13,120 --> 00:32:15,440
Speaker 3: system treats you, it's how you treat the system also.

683
00:32:15,720 --> 00:32:18,320
Speaker 3: There's a level of respect going both ways. Now he

684
00:32:18,400 --> 00:32:20,880
Speaker 3: just seems to be like you're in my way, You're

685
00:32:20,880 --> 00:32:21,520
Speaker 3: in my way.

686
00:32:25,800 --> 00:32:28,520
Speaker 1: And also flicking a corpse's ear, Like that just seems

687
00:32:28,560 --> 00:32:31,360
Speaker 1: really out of character, Like disrespecting a cadaver does not

688
00:32:31,480 --> 00:32:37,960
Speaker 1: seem in line with doctor Cox agreed. JD says that

689
00:32:38,080 --> 00:32:41,160
Speaker 1: he had one line in his theater camp's production of Oliver,

690
00:32:41,320 --> 00:32:43,840
Speaker 1: and it was no thank you, I don't like soup.

691
00:32:50,880 --> 00:32:55,880
Speaker 1: So he gets an anonymous negative review and he totally spirals,

692
00:32:55,920 --> 00:32:58,000
Speaker 1: and he says, Turk in my needy tell me one

693
00:32:58,040 --> 00:32:59,240
Speaker 1: hundred times.

694
00:33:01,560 --> 00:33:04,760
Speaker 2: This. I feel like we've done this episode before.

695
00:33:06,520 --> 00:33:08,560
Speaker 1: Well, JD, I don't know we have.

696
00:33:09,960 --> 00:33:12,800
Speaker 3: Just in fact, Okay, I get that we're on the

697
00:33:12,840 --> 00:33:16,120
Speaker 3: show and that we're the original cast, but when you

698
00:33:16,160 --> 00:33:20,160
Speaker 3: watch the opening, it's about the interns and the freaking

699
00:33:20,200 --> 00:33:21,160
Speaker 3: students and stuff.

700
00:33:21,640 --> 00:33:24,440
Speaker 2: Why are we the main characters in this shit?

701
00:33:24,600 --> 00:33:29,480
Speaker 1: Like the concept was to wean the audience off of us.

702
00:33:29,360 --> 00:33:31,680
Speaker 3: But what happens when you leave though? That's the thing.

703
00:33:31,800 --> 00:33:35,560
Speaker 3: Sarah comes in, like what the fuck? Like, we're just it.

704
00:33:35,800 --> 00:33:38,920
Speaker 3: It's there is no weaning. It's like we're tricking the

705
00:33:39,000 --> 00:33:42,960
Speaker 3: audience almost this we I'm sorry. I think this show

706
00:33:42,960 --> 00:33:46,520
Speaker 3: would have done way better if I wasn't on it,

707
00:33:46,600 --> 00:33:49,200
Speaker 3: Like straight up, like I'm not going to say you

708
00:33:49,320 --> 00:33:52,000
Speaker 3: or anybody else that's from the original cast. It would

709
00:33:52,000 --> 00:33:53,840
Speaker 3: have been better if I was like a like, this

710
00:33:53,920 --> 00:33:55,400
Speaker 3: is the one time where I look at this like

711
00:33:55,600 --> 00:33:58,160
Speaker 3: a reboot would have been better than this shit, Like

712
00:33:58,280 --> 00:34:00,520
Speaker 3: you know what I mean, Like this is I'm I'm

713
00:34:00,600 --> 00:34:04,000
Speaker 3: I'm angry at Turk and JD right now. It's like, y'all,

714
00:34:04,160 --> 00:34:08,680
Speaker 3: they've gone so far off the rails and into this

715
00:34:08,760 --> 00:34:11,520
Speaker 3: new world and stuff that it's not even believable. And

716
00:34:11,520 --> 00:34:14,520
Speaker 3: it's not even like even with the Ostriches and and

717
00:34:14,520 --> 00:34:17,600
Speaker 3: and and them forming a century, you know what i mean, Like,

718
00:34:17,680 --> 00:34:20,200
Speaker 3: even with all of that, that's still kind of felt

719
00:34:20,719 --> 00:34:22,000
Speaker 3: grounded in some way.

720
00:34:22,080 --> 00:34:25,200
Speaker 1: I just felt grounded. That's a bad example, but I

721
00:34:25,239 --> 00:34:25,600
Speaker 1: do know.

722
00:34:25,640 --> 00:34:28,560
Speaker 3: But I'm saying I'm using that because that's the most

723
00:34:28,600 --> 00:34:29,720
Speaker 3: extreme that it got.

724
00:34:29,880 --> 00:34:33,279
Speaker 1: The just stole your cago and it came in. They

725
00:34:33,320 --> 00:34:37,440
Speaker 1: put it on, put it and then he closed he

726
00:34:37,640 --> 00:34:40,360
Speaker 1: closed the gate of the garden with his horse or

727
00:34:40,400 --> 00:34:45,239
Speaker 1: whatever you call it. Yes, and then they started alternating

728
00:34:45,400 --> 00:34:47,280
Speaker 1: guard duty to keep it in the tree.

729
00:34:47,680 --> 00:34:51,800
Speaker 2: Yes, and still and still and it was more grounded.

730
00:34:51,880 --> 00:34:55,080
Speaker 1: And then through Jason Bateman's window.

731
00:34:55,120 --> 00:34:59,080
Speaker 3: Yes and still seems more grounded than what we're watching

732
00:34:59,160 --> 00:34:59,560
Speaker 3: right now.

733
00:35:00,160 --> 00:35:04,320
Speaker 1: This definitely is a tone change, and it's very noticeable.

734
00:35:05,480 --> 00:35:05,680
Speaker 7: You know.

735
00:35:05,880 --> 00:35:08,480
Speaker 1: Yeah, sometimes if you watch a series. I'm not going

736
00:35:08,520 --> 00:35:09,920
Speaker 1: to call anyone out because I don't want to be

737
00:35:09,960 --> 00:35:12,080
Speaker 1: that guy. But if you watch a series you love

738
00:35:12,280 --> 00:35:15,320
Speaker 1: and all of a sudden season two, it really feels different.

739
00:35:16,280 --> 00:35:20,080
Speaker 1: You know, the writer's changed, often a different show runner

740
00:35:20,520 --> 00:35:24,600
Speaker 1: or a different team, and you might be going I

741
00:35:24,760 --> 00:35:27,280
Speaker 1: kind of still like this, maybe, but what is different?

742
00:35:27,280 --> 00:35:28,640
Speaker 1: And you might not be able to put your finger

743
00:35:28,719 --> 00:35:31,960
Speaker 1: on it. And sometimes it's something as big as it's

744
00:35:32,000 --> 00:35:34,960
Speaker 1: a different showrunner, and obviously that was the case here.

745
00:35:35,239 --> 00:35:37,880
Speaker 1: It's for the first time, a totally different showrunner and

746
00:35:38,360 --> 00:35:39,200
Speaker 1: the tone is different.

747
00:35:39,440 --> 00:35:41,520
Speaker 2: But the showrunner of this show has gone on to

748
00:35:41,520 --> 00:35:42,720
Speaker 2: do some successful stuff.

749
00:35:42,880 --> 00:35:44,920
Speaker 1: I'm not saying that he couldn't be brilliant. I'm sure

750
00:35:44,960 --> 00:35:49,640
Speaker 1: he's brilliant. I'm just saying that you can't. No two

751
00:35:50,120 --> 00:35:52,680
Speaker 1: showrunners are going to be able to mimic the exact

752
00:35:52,760 --> 00:35:53,560
Speaker 1: same tone.

753
00:35:54,040 --> 00:35:55,880
Speaker 3: I was a part of a change a shift like

754
00:35:55,920 --> 00:35:59,279
Speaker 3: that one time that was it was like, Wow, this

755
00:35:59,320 --> 00:36:03,200
Speaker 3: isn't even the same. I was on Clueless and Clueless

756
00:36:03,239 --> 00:36:06,200
Speaker 3: was on ABC, and when it went from the movie

757
00:36:06,239 --> 00:36:09,560
Speaker 3: to the television show, Amy Heckerling still was involved and

758
00:36:09,600 --> 00:36:11,960
Speaker 3: she show ran the first season. At the end of

759
00:36:12,000 --> 00:36:14,480
Speaker 3: the season, ABC decided they weren't going to pick it up,

760
00:36:15,680 --> 00:36:17,480
Speaker 3: and I don't know what happened, but she kind of

761
00:36:17,800 --> 00:36:22,359
Speaker 3: left as the showrunner. And the dude Tim O'Donnell, who

762
00:36:23,239 --> 00:36:26,479
Speaker 3: show ran Growing Pains for a little bit, he came

763
00:36:26,520 --> 00:36:29,600
Speaker 3: on and started doing the show, and the show shifted

764
00:36:29,719 --> 00:36:33,000
Speaker 3: from this Beverly Hills show like that was very similar

765
00:36:33,080 --> 00:36:38,320
Speaker 3: to the movie, to something that was written for young teens,

766
00:36:38,480 --> 00:36:39,920
Speaker 3: and you know what I mean, Like the movie. When

767
00:36:39,960 --> 00:36:42,719
Speaker 3: you watch the movie, it's for everyone. It's adults, and

768
00:36:42,840 --> 00:36:45,040
Speaker 3: when you're a kid, you kind of fantasize, this is

769
00:36:45,120 --> 00:36:46,000
Speaker 3: kind of how I want to be.

770
00:36:46,040 --> 00:36:48,040
Speaker 2: But the movie's really for adults, you know what I mean.

771
00:36:48,520 --> 00:36:52,960
Speaker 3: The television show was aspired to be that and ABC

772
00:36:53,160 --> 00:36:56,439
Speaker 3: was like, we don't like it. And when we moved

773
00:36:56,520 --> 00:37:00,839
Speaker 3: to UPN, it became something great you want to laugh at.

774
00:37:03,680 --> 00:37:06,000
Speaker 1: No, I haven't heard the term of UPN in so long.

775
00:37:08,040 --> 00:37:10,160
Speaker 1: Some of our listeners probably don't know yet, Like.

776
00:37:10,120 --> 00:37:11,560
Speaker 2: What the fuck is the UPN?

777
00:37:12,600 --> 00:37:15,240
Speaker 3: But when it moved, it became like a completely different

778
00:37:15,280 --> 00:37:19,280
Speaker 3: show and these kids were dealing with stuff like Arnold

779
00:37:19,360 --> 00:37:23,280
Speaker 3: Jackson and and and uh and and sitcom World.

780
00:37:23,360 --> 00:37:24,560
Speaker 1: Right, it became way broader.

781
00:37:24,600 --> 00:37:27,640
Speaker 3: It became way broader, and all of a sudden, it

782
00:37:27,680 --> 00:37:30,360
Speaker 3: wasn't as you know, it wasn't clueless anymore.

783
00:37:30,360 --> 00:37:31,680
Speaker 2: It was called the uthing else.

784
00:37:31,840 --> 00:37:34,640
Speaker 1: UPN also didn't have the budget that ABC had, right,

785
00:37:34,680 --> 00:37:35,920
Speaker 1: so probably had a.

786
00:37:35,880 --> 00:37:36,680
Speaker 2: Pretty good budget.

787
00:37:36,719 --> 00:37:38,440
Speaker 3: I mean, we were I was on that the at

788
00:37:38,440 --> 00:37:41,200
Speaker 3: a time when Moesha was on when you know what

789
00:37:41,239 --> 00:37:42,840
Speaker 3: I mean, like there were a bunch of Buffy the

790
00:37:42,880 --> 00:37:45,680
Speaker 3: Vampire Slayer. All of the UPN and the w B

791
00:37:45,840 --> 00:37:48,120
Speaker 3: were kind of like the or yeah, the w B, right,

792
00:37:48,120 --> 00:37:50,279
Speaker 3: that's what it was, kind of like the same thing.

793
00:37:50,360 --> 00:37:54,440
Speaker 3: And then they merged and became the c W c

794
00:37:54,719 --> 00:37:56,680
Speaker 3: W I think that's the c W, right.

795
00:37:56,920 --> 00:37:57,800
Speaker 1: But were UPN?

796
00:38:00,040 --> 00:38:02,040
Speaker 2: You used to have so many names for that network.

797
00:38:02,120 --> 00:38:03,640
Speaker 1: Man, what did you call it?

798
00:38:04,040 --> 00:38:10,400
Speaker 2: I don't want to say it because there were a

799
00:38:10,440 --> 00:38:12,640
Speaker 2: lot of black people. There were a lot of black

800
00:38:12,680 --> 00:38:17,880
Speaker 2: people on up IN, and they called it let's just

801
00:38:17,920 --> 00:38:18,399
Speaker 2: put it that.

802
00:38:18,360 --> 00:38:25,919
Speaker 1: Way, Okay, we'll beat that. Wow. I didn't know that.

803
00:38:26,080 --> 00:38:29,320
Speaker 1: But UPN I'm sure had a different tone than ABC.

804
00:38:30,320 --> 00:38:30,440
Speaker 5: Uh.

805
00:38:30,600 --> 00:38:33,040
Speaker 3: Yeah, they would just starting remember when Fox first came

806
00:38:33,080 --> 00:38:35,840
Speaker 3: out and how Fox was the network Fox.

807
00:38:36,200 --> 00:38:36,399
Speaker 1: Yeah.

808
00:38:36,520 --> 00:38:38,080
Speaker 2: A lot of y'all are too young to remember that,

809
00:38:38,120 --> 00:38:38,279
Speaker 2: but I.

810
00:38:38,440 --> 00:38:41,000
Speaker 1: Remember it was like early yeah.

811
00:38:41,160 --> 00:38:45,399
Speaker 3: Right, So it was like the programming was so risque.

812
00:38:45,800 --> 00:38:47,719
Speaker 3: I guess you would is the terms you would use,

813
00:38:47,800 --> 00:38:48,040
Speaker 3: like we.

814
00:38:48,000 --> 00:38:48,799
Speaker 2: Had to show for Fox.

815
00:38:48,880 --> 00:38:51,000
Speaker 1: Yeah, they were trying to push the envelope on UPN.

816
00:38:51,000 --> 00:38:53,920
Speaker 3: Also, there was a show on that network where they

817
00:38:53,920 --> 00:38:54,520
Speaker 3: had a man.

818
00:38:54,719 --> 00:38:55,200
Speaker 2: It was a.

819
00:38:56,640 --> 00:39:00,280
Speaker 3: It was a show that took place during slavery, and

820
00:39:00,320 --> 00:39:03,600
Speaker 3: in an opening scene they had a walk and talk

821
00:39:04,040 --> 00:39:08,200
Speaker 3: with two people walking and a black man hanging in

822
00:39:08,239 --> 00:39:09,480
Speaker 3: a tree as they walk by.

823
00:39:09,719 --> 00:39:11,480
Speaker 1: Oh my god, damn.

824
00:39:11,480 --> 00:39:14,319
Speaker 5: They said, we're starting of tough get in there.

825
00:39:14,840 --> 00:39:16,800
Speaker 1: Wow is this on early UPN?

826
00:39:17,200 --> 00:39:19,960
Speaker 2: Yeah? That show was canceled, like right away, I'll never

827
00:39:20,000 --> 00:39:21,880
Speaker 2: forget that shit. Let's take a break.

828
00:39:21,920 --> 00:39:31,840
Speaker 1: We'll be right back after these fine words. All right,

829
00:39:31,920 --> 00:39:35,640
Speaker 1: let's get back to Scrubs Season nine, episode five. So

830
00:39:35,800 --> 00:39:40,279
Speaker 1: he gets the anonymous negative review. JD tells Turk that

831
00:39:40,320 --> 00:39:43,319
Speaker 1: Eagles are played out, which is true. Enough of the eagling, I.

832
00:39:43,360 --> 00:39:45,319
Speaker 2: Think, are you fucking on crack man?

833
00:39:45,640 --> 00:39:48,560
Speaker 1: Listen? I know the audience loves eagling and I like

834
00:39:48,640 --> 00:39:49,120
Speaker 1: to eagle.

835
00:39:49,160 --> 00:39:50,680
Speaker 2: When I get to fucking eagle.

836
00:39:51,760 --> 00:39:53,359
Speaker 1: You never get to eagle your too.

837
00:39:53,480 --> 00:39:54,760
Speaker 2: I sometimes get to eagle.

838
00:39:54,800 --> 00:39:55,600
Speaker 1: Who eagles you?

839
00:39:56,160 --> 00:39:58,439
Speaker 2: I got to eagle at like a comic con type

840
00:39:58,480 --> 00:39:59,719
Speaker 2: situation where I was.

841
00:40:00,080 --> 00:40:02,399
Speaker 1: You got was? It? Was it a large man who

842
00:40:02,400 --> 00:40:05,600
Speaker 1: has big muscles, very strong, because.

843
00:40:05,719 --> 00:40:07,160
Speaker 2: I was like, and I was like, I don't want

844
00:40:07,160 --> 00:40:08,560
Speaker 2: to get on your back, and he was like, just

845
00:40:08,719 --> 00:40:12,359
Speaker 2: do it for God. Back out now. He was big

846
00:40:12,520 --> 00:40:13,920
Speaker 2: and he helped me up, and I'm.

847
00:40:14,280 --> 00:40:19,440
Speaker 1: Oh, so well, listen, I don't know if there's a reboot.

848
00:40:19,520 --> 00:40:21,720
Speaker 2: Do you clinch your knees together when you eagle?

849
00:40:22,160 --> 00:40:24,640
Speaker 1: Yes, you have to. You have to get a good grip.

850
00:40:28,719 --> 00:40:31,440
Speaker 1: I should teach a course and how to eagle properly.

851
00:40:31,640 --> 00:40:36,880
Speaker 3: Yeah, and how to say eagle too. Well, now people

852
00:40:36,960 --> 00:40:38,680
Speaker 3: use it in the wrong way. People like I would

853
00:40:38,800 --> 00:40:42,120
Speaker 3: love it if we could do the eagle.

854
00:40:43,280 --> 00:40:45,480
Speaker 1: Well, no, you don't do the I don't know if

855
00:40:45,520 --> 00:40:48,320
Speaker 1: we should egle. If we do a reboot, it feels.

856
00:40:48,760 --> 00:40:51,240
Speaker 2: You're on crack. Are you serious?

857
00:40:51,800 --> 00:40:52,719
Speaker 1: I don't think we should do it.

858
00:40:52,760 --> 00:40:55,440
Speaker 2: They want us to eagle and T mobile commercials. You

859
00:40:55,480 --> 00:40:56,720
Speaker 2: don't want an eagle, dude.

860
00:40:57,160 --> 00:41:06,680
Speaker 1: I just think that eagling is is something. I just

861
00:41:06,760 --> 00:41:08,759
Speaker 1: think that eagling is.

862
00:41:10,960 --> 00:41:11,040
Speaker 7: Me.

863
00:41:11,160 --> 00:41:13,000
Speaker 1: I don't know, Joelle. Do you think if we do

864
00:41:13,120 --> 00:41:15,600
Speaker 1: a reboot of Scrubs that it would be it would

865
00:41:15,600 --> 00:41:17,880
Speaker 1: be okay for us to forego eagling.

866
00:41:18,880 --> 00:41:23,040
Speaker 5: No, I don't think it would get on his back

867
00:41:23,080 --> 00:41:24,800
Speaker 5: an eagle for us?

868
00:41:24,920 --> 00:41:25,520
Speaker 2: What the fuck?

869
00:41:27,000 --> 00:41:29,440
Speaker 1: They're like, look, give the people what they want. I

870
00:41:29,480 --> 00:41:30,839
Speaker 1: guess that would be.

871
00:41:30,840 --> 00:41:32,960
Speaker 3: The dopest eagle left. That would have been a dope eagle.

872
00:41:33,200 --> 00:41:35,720
Speaker 3: I have to make the back of Jason Momoa.

873
00:41:35,960 --> 00:41:39,680
Speaker 2: E double eagle, double eagle eagle.

874
00:41:41,600 --> 00:41:45,200
Speaker 1: We'll have to do a bit about it where we're like,

875
00:41:45,200 --> 00:41:47,040
Speaker 1: like both of our backs hurt and I'm like, hold

876
00:41:47,040 --> 00:41:50,239
Speaker 1: on his step stool to get on you.

877
00:41:50,239 --> 00:41:53,200
Speaker 2: You know, I would love to eagle.

878
00:41:53,680 --> 00:41:55,520
Speaker 1: I was thinking, me so funny, Did I tell you

879
00:41:55,520 --> 00:41:58,000
Speaker 1: this about my idea for how the reboot.

880
00:41:57,680 --> 00:42:00,320
Speaker 2: Would open where you're flying on an eagle.

881
00:42:00,880 --> 00:42:04,560
Speaker 1: No where, It's like, you totally do a an homage

882
00:42:04,600 --> 00:42:08,279
Speaker 1: to the first episode of Scrubs, you know when JD

883
00:42:08,400 --> 00:42:10,799
Speaker 1: hits the alarm and then he hops out of bed

884
00:42:10,880 --> 00:42:12,279
Speaker 1: and remember didn't we talk.

885
00:42:12,200 --> 00:42:14,720
Speaker 5: About this, Yeah, we did talk about ideas.

886
00:42:15,280 --> 00:42:17,000
Speaker 1: The idea is that He's got like a seapap on

887
00:42:17,239 --> 00:42:19,560
Speaker 1: and he's like he's like back hurts. As he gets

888
00:42:19,560 --> 00:42:22,160
Speaker 1: out of bed. You look over and Elliott's got like

889
00:42:22,160 --> 00:42:24,439
Speaker 1: a night gear on, like a you know, like because

890
00:42:24,480 --> 00:42:26,960
Speaker 1: she's like, you know, snores or something. I mean, I

891
00:42:27,000 --> 00:42:29,839
Speaker 1: don't know, like like total contrasts. And then and then

892
00:42:29,880 --> 00:42:32,400
Speaker 1: he gets to the mirror. Instead of like putting a

893
00:42:32,560 --> 00:42:35,560
Speaker 1: shaving cream all over my chest, I'm like so exhausted

894
00:42:35,600 --> 00:42:38,080
Speaker 1: and I'm like really bored shaving, and like, you know,

895
00:42:38,160 --> 00:42:40,480
Speaker 1: JD's just become like a tired You know.

896
00:42:41,200 --> 00:42:44,000
Speaker 3: That that would be an actual great moment to use

897
00:42:44,040 --> 00:42:48,200
Speaker 3: the mirror as what had what's happened in the last

898
00:42:48,440 --> 00:42:50,320
Speaker 3: few years, also what's.

899
00:42:50,120 --> 00:42:52,040
Speaker 2: Happened in the last you know what I mean.

900
00:42:52,280 --> 00:42:54,440
Speaker 3: He goes to the mirror and as he's shaving or

901
00:42:54,440 --> 00:42:57,560
Speaker 3: whatever it is, you can see in his reflection everything

902
00:42:57,600 --> 00:43:00,200
Speaker 3: that's happened. So the audience catches up and now we

903
00:43:00,280 --> 00:43:03,200
Speaker 3: understand why we're back at a hospital with everybody again.

904
00:43:03,560 --> 00:43:06,000
Speaker 1: Right, get you could do that, or you could also

905
00:43:06,040 --> 00:43:08,680
Speaker 1: have the original JD from the pilot in the mirror

906
00:43:08,760 --> 00:43:10,920
Speaker 1: and he's like looking at his young self being like

907
00:43:10,960 --> 00:43:11,840
Speaker 1: what's become of me?

908
00:43:12,360 --> 00:43:14,280
Speaker 2: Right, does that too, here's.

909
00:43:14,120 --> 00:43:15,520
Speaker 1: No joy left in his life?

910
00:43:17,400 --> 00:43:20,200
Speaker 3: How come everybody gets cynical as they get older? How

911
00:43:20,239 --> 00:43:21,120
Speaker 3: come everybody?

912
00:43:21,200 --> 00:43:21,560
Speaker 2: How come?

913
00:43:22,200 --> 00:43:27,359
Speaker 3: How why does wisdom seem to freaking promote cynicism?

914
00:43:27,560 --> 00:43:29,919
Speaker 2: Like or you know what I mean? Like, why is that?

915
00:43:30,080 --> 00:43:35,000
Speaker 3: Why the more knowledge I get, the more pessimism I.

916
00:43:34,920 --> 00:43:37,600
Speaker 2: Feel towards the world and stuff?

917
00:43:37,719 --> 00:43:37,839
Speaker 5: Like?

918
00:43:38,000 --> 00:43:38,759
Speaker 2: Why is that?

919
00:43:39,040 --> 00:43:40,399
Speaker 5: Because you've experienced the.

920
00:43:40,400 --> 00:43:43,520
Speaker 1: Negative experienced When you're a child, you're just so wide

921
00:43:43,520 --> 00:43:46,319
Speaker 1: eyed and you don't know what you don't know. And

922
00:43:46,360 --> 00:43:49,560
Speaker 1: then as you grow and you experience heartache and loss

923
00:43:49,760 --> 00:43:54,520
Speaker 1: and grief and financial strain and worry about providing for

924
00:43:54,600 --> 00:43:57,200
Speaker 1: your family and all these things, it's sort of like

925
00:43:57,600 --> 00:44:00,920
Speaker 1: it's sort of like mud accumulating on a on a windshield,

926
00:44:01,160 --> 00:44:04,680
Speaker 1: and by the time you're forty nine years old, it's

927
00:44:05,120 --> 00:44:08,680
Speaker 1: hard to see through that windshield, and so there's things

928
00:44:08,800 --> 00:44:11,239
Speaker 1: we can all do to clean off that windshield. But

929
00:44:11,280 --> 00:44:13,319
Speaker 1: I think that's what came up for me when you

930
00:44:13,320 --> 00:44:16,120
Speaker 1: said that, is like you're operating with all of this,

931
00:44:17,320 --> 00:44:19,000
Speaker 1: with all of this mud on your windshield.

932
00:44:20,000 --> 00:44:21,920
Speaker 3: That's a great that's a great way to put it.

933
00:44:22,400 --> 00:44:25,279
Speaker 3: But it feels like it feels like that we see

934
00:44:25,320 --> 00:44:27,920
Speaker 3: it in the television show. You just described it in

935
00:44:28,320 --> 00:44:30,759
Speaker 3: the opening of the new series Scrubs. You know what

936
00:44:30,800 --> 00:44:33,080
Speaker 3: I mean, It just seems like that's always.

937
00:44:33,640 --> 00:44:36,799
Speaker 1: What I was thinking, Like, you know, a young, joyful

938
00:44:37,239 --> 00:44:39,880
Speaker 1: twenty something who has his first day as an intern.

939
00:44:40,160 --> 00:44:42,640
Speaker 1: He just has so much excitement at him. He doesn't

940
00:44:42,640 --> 00:44:45,000
Speaker 1: he can't believe he got here, doesn't it. And then

941
00:44:45,280 --> 00:44:50,600
Speaker 1: after twenty five years of dealing with the stress and

942
00:44:51,160 --> 00:44:54,799
Speaker 1: insurance companies and death and loss and the trouble in

943
00:44:54,800 --> 00:44:58,399
Speaker 1: his marriage, and you know, I'm just making shit up,

944
00:44:58,400 --> 00:45:00,560
Speaker 1: But you know, it's a different pint of view. It's

945
00:45:00,560 --> 00:45:02,080
Speaker 1: someone who's weathered a lot of storms.

946
00:45:03,560 --> 00:45:06,800
Speaker 3: It's an interesting show, especially because we know the characters already.

947
00:45:06,840 --> 00:45:09,800
Speaker 1: You know, I think that's what would make a reboot better.

948
00:45:09,880 --> 00:45:12,399
Speaker 1: To be honest, that's what it would interest me, would be.

949
00:45:13,360 --> 00:45:16,080
Speaker 1: And this isn't labn't said this to Bill, although I will.

950
00:45:16,160 --> 00:45:18,920
Speaker 1: But to me, what makes interesting is like exactly what

951
00:45:18,960 --> 00:45:21,160
Speaker 1: you just said, Don was like, it's still a comedy,

952
00:45:21,160 --> 00:45:24,440
Speaker 1: of course, but it's coming from someone who's lived a

953
00:45:24,480 --> 00:45:26,640
Speaker 1: lot of life and see and had a lot of

954
00:45:27,120 --> 00:45:30,040
Speaker 1: ups and downs, and he's no longer that wide eyed

955
00:45:30,440 --> 00:45:33,120
Speaker 1: kid who can't believe he's got this experience. He's someone

956
00:45:33,120 --> 00:45:36,520
Speaker 1: who's who maybe has lost some joy in his life,

957
00:45:36,600 --> 00:45:40,000
Speaker 1: and maybe through coming back together with the community of

958
00:45:40,040 --> 00:45:42,360
Speaker 1: the people that love that he loved so much and

959
00:45:42,440 --> 00:45:44,680
Speaker 1: reminds him of the joy in his life. Maybe that's

960
00:45:44,680 --> 00:45:47,400
Speaker 1: what the premise of the show could be, is in

961
00:45:47,480 --> 00:45:50,840
Speaker 1: reuniting with these seven people or so that he that

962
00:45:50,960 --> 00:45:54,000
Speaker 1: he remembered such joy with some of that joy comes

963
00:45:54,040 --> 00:45:58,160
Speaker 1: back into his life and cleans off his proverbial wind screen.

964
00:45:59,239 --> 00:46:01,640
Speaker 3: It's just like I said in the beginning of the show,

965
00:46:02,640 --> 00:46:05,759
Speaker 3: it's always Star Wars, Baby, it always goes back to

966
00:46:05,840 --> 00:46:08,320
Speaker 3: fantasy at the end of the day, when.

967
00:46:08,200 --> 00:46:10,080
Speaker 1: Did you get Star Wars?

968
00:46:10,239 --> 00:46:14,000
Speaker 3: Because Yoda at the end of he goes off because

969
00:46:14,200 --> 00:46:17,400
Speaker 3: of his experience and and all of the stuff. He

970
00:46:17,520 --> 00:46:22,920
Speaker 3: exiles himself. Luke Skywalker exiles himself. All of these people

971
00:46:23,000 --> 00:46:26,399
Speaker 3: exile himself, and it's just something that that's one thing

972
00:46:26,440 --> 00:46:28,840
Speaker 3: that brings them back, and it's something from their past,

973
00:46:28,920 --> 00:46:33,000
Speaker 3: whether it be Luke Skywalker, whether it be Ray with

974
00:46:33,080 --> 00:46:35,719
Speaker 3: the with the with the message that his you know

975
00:46:35,800 --> 00:46:40,200
Speaker 3: that Princess Leiah needs him. It always brings the hero,

976
00:46:40,480 --> 00:46:44,680
Speaker 3: the dude who we started the hero's journey with back

977
00:46:44,760 --> 00:46:49,759
Speaker 3: into purpose, and I feel like, you know, that's a

978
00:46:49,800 --> 00:46:52,600
Speaker 3: great idea. I think that's no matter, it always works,

979
00:46:52,600 --> 00:46:54,680
Speaker 3: but I think that's a great way to bring j

980
00:46:54,880 --> 00:46:56,719
Speaker 3: D back into this whole situation.

981
00:46:57,360 --> 00:46:57,960
Speaker 2: You know what I mean?

982
00:46:59,520 --> 00:47:03,520
Speaker 5: Is Doctor Cox's journey the first time the first time around?

983
00:47:03,719 --> 00:47:04,120
Speaker 7: Mm hmm.

984
00:47:04,680 --> 00:47:07,080
Speaker 5: If you have this guy who's so beat up by

985
00:47:07,120 --> 00:47:10,959
Speaker 5: life of his crazy parents, his relationship fell apart, he's

986
00:47:11,120 --> 00:47:13,200
Speaker 5: unhappy with the institution he's in, and then this kid

987
00:47:13,239 --> 00:47:16,040
Speaker 5: comes into his life and sort of ree sparks and

988
00:47:16,120 --> 00:47:18,919
Speaker 5: reimagines all of this like beauty he has for his job,

989
00:47:19,000 --> 00:47:21,680
Speaker 5: so that at the very end of season eight, anyway,

990
00:47:21,760 --> 00:47:24,200
Speaker 5: we get to see into this future where he's part

991
00:47:24,239 --> 00:47:27,040
Speaker 5: of this kid's family and they spend holidays together and stuff.

992
00:47:27,520 --> 00:47:30,840
Speaker 3: That's another story right there. What the fuck was doctor

993
00:47:30,960 --> 00:47:34,320
Speaker 3: Cox like as an intern when he was a student.

994
00:47:34,680 --> 00:47:38,080
Speaker 2: What's that story? Who would play who would play Johnny?

995
00:47:38,280 --> 00:47:41,480
Speaker 2: Who would play Kelso? Who would play Jordan? Like? These

996
00:47:41,480 --> 00:47:45,640
Speaker 2: are stories that are all there ready for the freaking taking.

997
00:47:46,360 --> 00:47:49,840
Speaker 3: If Scrubs comes back and trust Yellowstone shit or that,

998
00:47:50,000 --> 00:47:50,560
Speaker 3: you know, we could go.

999
00:47:50,560 --> 00:47:51,320
Speaker 2: I don't want to Stone.

1000
00:47:51,440 --> 00:47:54,400
Speaker 1: We're not gonna do like young Kelso. I mean, we're gonna,

1001
00:47:54,480 --> 00:47:55,759
Speaker 1: you know, if we do it, we're gonna do.

1002
00:47:55,800 --> 00:47:59,920
Speaker 2: Like young Kelso. Sounds funny though, Young Sheldon Young Kelso.

1003
00:48:00,280 --> 00:48:03,640
Speaker 1: God, all right, I don't think somebody. I don't think

1004
00:48:03,640 --> 00:48:05,200
Speaker 1: you and I. I don't think you and I are

1005
00:48:05,200 --> 00:48:05,800
Speaker 1: in Young.

1006
00:48:05,680 --> 00:48:09,279
Speaker 2: Kelso executive producer on it. Let's take a break.

1007
00:48:09,320 --> 00:48:11,800
Speaker 1: We're a break and we come back. We are gonna

1008
00:48:11,960 --> 00:48:17,160
Speaker 1: finish talking about the television show scrubb zach As Zacha

1009
00:48:17,280 --> 00:48:19,879
Speaker 1: love you. She really does, Yeah, she does.

1010
00:48:29,200 --> 00:48:31,000
Speaker 2: And we're back because you're a dick.

1011
00:48:32,680 --> 00:48:35,520
Speaker 1: She's such a good wife. You really married well I did?

1012
00:48:35,560 --> 00:48:35,880
Speaker 2: All right?

1013
00:48:36,200 --> 00:48:41,320
Speaker 1: All right, Sonny Sonny is back and uh is this

1014
00:48:41,440 --> 00:48:43,399
Speaker 1: Sonny's first appearance in season nine?

1015
00:48:43,840 --> 00:48:44,640
Speaker 5: Yes? I think.

1016
00:48:45,160 --> 00:48:48,480
Speaker 1: Okay, So Sonny's back and she wants to go on

1017
00:48:48,520 --> 00:48:51,680
Speaker 1: a date with her boyfriend. And there's this whole power

1018
00:48:51,760 --> 00:48:56,240
Speaker 1: play between Denise and Drew. Cox puts in her head

1019
00:48:56,280 --> 00:49:01,160
Speaker 1: that you know, our relationship is her. She's being dominated

1020
00:49:01,200 --> 00:49:03,480
Speaker 1: by Drew and the Drew is winning and he's controlling

1021
00:49:03,600 --> 00:49:10,000
Speaker 1: the relationship. Okay, and then we learned that Barry Friedman

1022
00:49:11,000 --> 00:49:13,560
Speaker 1: and when we do our hunting, it is the person

1023
00:49:13,800 --> 00:49:18,239
Speaker 1: who uh perhaps gave you the bad review gave us

1024
00:49:18,239 --> 00:49:19,359
Speaker 1: the bad review.

1025
00:49:19,120 --> 00:49:20,960
Speaker 2: Because there rs kind of look alike.

1026
00:49:22,760 --> 00:49:25,000
Speaker 1: Turk loves the magnifying glass.

1027
00:49:24,800 --> 00:49:26,439
Speaker 2: That he made JD buy.

1028
00:49:27,760 --> 00:49:31,480
Speaker 1: And they knock on Barry's They knock on Barry's door,

1029
00:49:31,840 --> 00:49:35,040
Speaker 1: and this is sort of a copy of the first

1030
00:49:35,040 --> 00:49:39,840
Speaker 1: episode I directed when We're looking for Heather Graham, because

1031
00:49:39,880 --> 00:49:45,200
Speaker 1: we knock on the mysterious door and kelto Kelso answers, yeah.

1032
00:49:45,120 --> 00:49:47,080
Speaker 2: He's he's taken over Barry's room.

1033
00:49:47,200 --> 00:49:51,080
Speaker 3: Barry was We find out that Barry hasn't been in

1034
00:49:51,120 --> 00:49:55,320
Speaker 3: school since the first couple of weeks and he washed out,

1035
00:49:55,600 --> 00:49:58,200
Speaker 3: and Kelso took his room and has been using it

1036
00:49:58,239 --> 00:50:02,600
Speaker 3: as his sex pad because he kid because having sex

1037
00:50:02,680 --> 00:50:06,120
Speaker 3: in the same bed that he had sex within it

1038
00:50:06,280 --> 00:50:08,520
Speaker 3: in gives him the softies.

1039
00:50:08,640 --> 00:50:10,960
Speaker 1: Right, And he says, come on in, you're letting all

1040
00:50:11,000 --> 00:50:11,759
Speaker 1: the funk.

1041
00:50:11,480 --> 00:50:14,640
Speaker 3: Out, meaning he's smoking that ship he got that gas?

1042
00:50:15,000 --> 00:50:16,600
Speaker 3: Really he got that gas?

1043
00:50:16,640 --> 00:50:19,279
Speaker 1: Does that mean that does that mean that he was

1044
00:50:19,360 --> 00:50:21,240
Speaker 1: letting he was smoking gonzo or does.

1045
00:50:21,120 --> 00:50:24,240
Speaker 2: It mean that he It ain't the sex funk, it's.

1046
00:50:24,120 --> 00:50:27,200
Speaker 1: The guy thought It meant like the smell of nobody

1047
00:50:27,239 --> 00:50:28,439
Speaker 1: else who.

1048
00:50:28,440 --> 00:50:31,960
Speaker 2: Had a person that where the fun where where where?

1049
00:50:32,280 --> 00:50:34,720
Speaker 1: She may have just left thirty seconds before they knocked.

1050
00:50:34,760 --> 00:50:35,239
Speaker 1: We don't know.

1051
00:50:36,600 --> 00:50:36,920
Speaker 2: Sure.

1052
00:50:37,520 --> 00:50:40,719
Speaker 3: I took it as this motherfuckers smoking weed. He's not

1053
00:50:40,800 --> 00:50:45,000
Speaker 3: a doctor anymore. He smokes weed. He freaking teaches classes,

1054
00:50:45,200 --> 00:50:46,279
Speaker 3: he's living the best life.

1055
00:50:46,719 --> 00:50:49,319
Speaker 1: Okay, well he's getting high in the dorm room. And

1056
00:50:50,600 --> 00:50:54,239
Speaker 1: there it is. Yeah, I'm he says, I'm working the

1057
00:50:54,320 --> 00:50:56,680
Speaker 1: case right now, and I am this close to cracking

1058
00:50:56,719 --> 00:50:57,240
Speaker 1: and open.

1059
00:50:57,120 --> 00:51:01,640
Speaker 2: Right this is when? So so that was.

1060
00:51:05,880 --> 00:51:07,880
Speaker 1: JD is like sew into being a detective of us.

1061
00:51:08,000 --> 00:51:10,040
Speaker 2: Yeah, watched it.

1062
00:51:10,200 --> 00:51:12,239
Speaker 1: Really And I had a moment, dude where I was

1063
00:51:12,320 --> 00:51:15,839
Speaker 1: like kind of stoked about watching you and I'm being detectives.

1064
00:51:17,760 --> 00:51:19,200
Speaker 1: I guess that's what psych is.

1065
00:51:19,160 --> 00:51:22,880
Speaker 2: Right, Yeah, it's it's us. It's us as detectives.

1066
00:51:23,120 --> 00:51:24,200
Speaker 1: It's us as detectives.

1067
00:51:24,960 --> 00:51:27,479
Speaker 2: But it's stars. But it's stars two different people.

1068
00:51:27,760 --> 00:51:28,040
Speaker 1: I know.

1069
00:51:28,080 --> 00:51:28,560
Speaker 2: But is there?

1070
00:51:28,680 --> 00:51:30,600
Speaker 1: Not D, I've never watched psych?

1071
00:51:30,760 --> 00:51:31,000
Speaker 2: Is there?

1072
00:51:31,200 --> 00:51:34,040
Speaker 1: Is there? A? Is there? What is the what is

1073
00:51:34,040 --> 00:51:34,640
Speaker 1: psych about?

1074
00:51:34,680 --> 00:51:37,600
Speaker 2: What is I've never watched it in my life? Friends,

1075
00:51:37,640 --> 00:51:39,200
Speaker 2: and I've never watched psych.

1076
00:51:39,280 --> 00:51:44,400
Speaker 3: Fabulous, Sure we should rewatch watch everybody. Everybody says to

1077
00:51:44,560 --> 00:51:47,719
Speaker 3: every all the time you and Zach should have guest

1078
00:51:47,719 --> 00:51:48,399
Speaker 3: starred on Psych.

1079
00:51:48,400 --> 00:51:51,440
Speaker 5: I'm like, get the fabulous gut starts. Here's the thing.

1080
00:51:51,440 --> 00:51:53,800
Speaker 5: It's a white guy and a start on scrubs.

1081
00:51:53,880 --> 00:51:54,640
Speaker 2: Y'all can eat a dick?

1082
00:52:00,560 --> 00:52:01,280
Speaker 1: Was in the Psych?

1083
00:52:01,800 --> 00:52:02,760
Speaker 2: You, Sae Joe.

1084
00:52:02,800 --> 00:52:08,239
Speaker 3: I'm not shuying you directly, such.

1085
00:52:06,480 --> 00:52:08,480
Speaker 1: A hoe for being other TV?

1086
00:52:10,200 --> 00:52:12,480
Speaker 2: Your mother yea psych? Yeah?

1087
00:52:12,640 --> 00:52:17,280
Speaker 1: What else? She's always fucking somebody other, some other jewish

1088
00:52:17,360 --> 00:52:21,359
Speaker 1: looking TV character's girlfriend. And I'm pissed off about it.

1089
00:52:22,440 --> 00:52:25,759
Speaker 1: Don't be mad, all right, Joell? What is psych about it?

1090
00:52:25,760 --> 00:52:26,760
Speaker 1: In a nutshell? Please?

1091
00:52:27,200 --> 00:52:29,239
Speaker 5: Okay? This a black friend and a white friend. A

1092
00:52:29,239 --> 00:52:33,759
Speaker 5: white friend is a great detective. He's fabulous, but his

1093
00:52:33,840 --> 00:52:35,360
Speaker 5: dad's a detective. He doesn't like his dad, so he

1094
00:52:35,360 --> 00:52:37,520
Speaker 5: doesn't want to follow in his shoes, so instead he

1095
00:52:37,560 --> 00:52:40,160
Speaker 5: pretends to be a psychic detective so to help solve

1096
00:52:40,239 --> 00:52:42,600
Speaker 5: crimes without becoming a part of the hooly unit his

1097
00:52:42,640 --> 00:52:45,280
Speaker 5: father is a part of. His best friend tags along

1098
00:52:45,360 --> 00:52:48,600
Speaker 5: to try to be the grounding element when he goes off.

1099
00:52:48,640 --> 00:52:51,280
Speaker 5: And it's crazy and they have all kinds of crazy

1100
00:52:51,320 --> 00:52:55,160
Speaker 5: hijinks and adventures and it's amazing. If you like people

1101
00:52:55,280 --> 00:52:57,719
Speaker 5: with photographic memories. He has one frequently he'll be like,

1102
00:52:57,760 --> 00:53:00,319
Speaker 5: oh yeah, I'll do the Detective TV thing. He touches

1103
00:53:00,360 --> 00:53:01,799
Speaker 5: his forehead, He's like, I remember, and then you get

1104
00:53:01,840 --> 00:53:04,480
Speaker 5: a black and white flashback other thing you saw sc

1105
00:53:04,960 --> 00:53:09,200
Speaker 5: that's the Scrubs flash. It's so good, guys. It's super

1106
00:53:09,239 --> 00:53:12,600
Speaker 5: funny and delightful. There are so many episodes. It's like

1107
00:53:12,680 --> 00:53:14,200
Speaker 5: trying to do react to the last year, Like there

1108
00:53:14,200 --> 00:53:16,920
Speaker 5: are just simply too many episodes, but there are mostly great,

1109
00:53:17,239 --> 00:53:18,280
Speaker 5: and they keep doing movies.

1110
00:53:18,320 --> 00:53:20,480
Speaker 1: They've done like three movies because.

1111
00:53:20,200 --> 00:53:21,880
Speaker 5: It's so good.

1112
00:53:22,120 --> 00:53:26,960
Speaker 3: This thing, actually, this thing actually was was actually like

1113
00:53:26,960 --> 00:53:30,320
Speaker 3: like I get this a lot whenever I take pictures

1114
00:53:30,360 --> 00:53:33,000
Speaker 3: with Doulay or whenever in Deulay, and like I've known

1115
00:53:33,040 --> 00:53:35,600
Speaker 3: Delay since we were kids, and that's my connection. But

1116
00:53:35,640 --> 00:53:39,360
Speaker 3: everybody's connection to me and Doulay is pretty much we

1117
00:53:39,480 --> 00:53:43,120
Speaker 3: pretty much played the same character, but in two different worlds, you.

1118
00:53:43,040 --> 00:53:43,560
Speaker 2: Know what I mean?

1119
00:53:43,640 --> 00:53:48,279
Speaker 1: Really, all right, let's keep going. Uh, let's see, uh

1120
00:53:48,360 --> 00:53:50,120
Speaker 1: Lucy gives j D puppy dog.

1121
00:53:49,920 --> 00:53:52,160
Speaker 2: Guys, and he falls for it.

1122
00:53:52,760 --> 00:53:55,360
Speaker 1: He falls for it. Perry wrote the bad review we

1123
00:53:55,440 --> 00:53:57,759
Speaker 1: learned and just as it, by the way, then the

1124
00:53:57,760 --> 00:54:00,880
Speaker 1: balloons drop This not a second commercial break? Did you

1125
00:54:00,880 --> 00:54:03,160
Speaker 1: guys notice that that isn't the norm?

1126
00:54:04,360 --> 00:54:06,200
Speaker 5: I thought there was a weird set up with.

1127
00:54:06,400 --> 00:54:09,840
Speaker 1: A strange it had a weird second commercial break.

1128
00:54:10,400 --> 00:54:12,400
Speaker 3: How do you feel about commercials, guys? To be honest,

1129
00:54:12,800 --> 00:54:16,359
Speaker 3: would you prefer commercials not existed or would you prefer that?

1130
00:54:16,400 --> 00:54:21,040
Speaker 1: You to add, I wouldn't want to watch a commercial break.

1131
00:54:21,080 --> 00:54:23,960
Speaker 1: I'd rather pay for a streaming service without commercials.

1132
00:54:24,200 --> 00:54:25,439
Speaker 2: I don't mind commercials.

1133
00:54:25,920 --> 00:54:27,799
Speaker 5: It depends on the mood I'm in. Sometimes I'm not

1134
00:54:27,800 --> 00:54:30,359
Speaker 5: trying to think, and it's commercial just except the amount

1135
00:54:30,400 --> 00:54:32,480
Speaker 5: of time I don't have to be thinking. But if

1136
00:54:32,480 --> 00:54:34,640
Speaker 5: I'm into a show like oh man, we had a

1137
00:54:34,680 --> 00:54:38,240
Speaker 5: friend's place watching Shogun and they didn't have no commercial Hulu,

1138
00:54:38,280 --> 00:54:39,640
Speaker 5: so here we are, well, I know.

1139
00:54:42,120 --> 00:54:44,719
Speaker 3: It was it a commercial break at the time where

1140
00:54:44,760 --> 00:54:46,920
Speaker 3: you need where it was like a dun dunt like

1141
00:54:46,960 --> 00:54:48,400
Speaker 3: I like a perfect set.

1142
00:54:50,760 --> 00:54:53,120
Speaker 2: Right. I think that's kind of cool. There's something cool.

1143
00:54:53,480 --> 00:54:57,520
Speaker 1: I don't like commercials. Everybody all right? So Cox confronts JD.

1144
00:54:58,000 --> 00:55:01,359
Speaker 1: These fucking kids need tough low of you know, gives

1145
00:55:01,400 --> 00:55:04,600
Speaker 1: him a whole lesson. He's back to giving JD lessons,

1146
00:55:04,760 --> 00:55:08,960
Speaker 1: this time about being a teacher. Denise decides not to

1147
00:55:09,000 --> 00:55:12,359
Speaker 1: steal from Drew, so that means that she's in a relationship.

1148
00:55:13,680 --> 00:55:16,040
Speaker 2: Yeah, he was part of the show right now, if

1149
00:55:16,040 --> 00:55:17,960
Speaker 2: you ask, adorable.

1150
00:55:17,680 --> 00:55:21,240
Speaker 1: And as I always say each each episode of this podcast,

1151
00:55:21,320 --> 00:55:23,600
Speaker 1: Michael Mosley is the most grounded person in the show.

1152
00:55:26,400 --> 00:55:29,080
Speaker 1: JD doesn't show up for Lucy on purpose because Cox

1153
00:55:29,160 --> 00:55:32,319
Speaker 1: got to his head. And there's a fantasy where she

1154
00:55:32,520 --> 00:55:35,359
Speaker 1: imagines roller skating with JD. And he's dressed as a

1155
00:55:35,360 --> 00:55:40,239
Speaker 1: needle and I guess this has been Scrubs. What he

1156
00:55:40,280 --> 00:55:42,480
Speaker 1: said that needle has been in an episode of Scrubs

1157
00:55:42,520 --> 00:55:47,920
Speaker 1: before the needle costume, I don't remember. And then then

1158
00:55:47,960 --> 00:55:50,600
Speaker 1: they decide they're going to do a big, fucking massive

1159
00:55:50,680 --> 00:55:53,040
Speaker 1: super Eagle and they tell all the kids that the

1160
00:55:53,120 --> 00:55:54,960
Speaker 1: cast of Twilight is in the quad.

1161
00:55:55,600 --> 00:55:57,560
Speaker 2: Do you remember that day? Yeah?

1162
00:55:57,600 --> 00:55:58,520
Speaker 1: I do remember that day.

1163
00:55:58,840 --> 00:56:00,640
Speaker 3: Do you remember who was watching us from the balcony

1164
00:56:00,680 --> 00:56:02,240
Speaker 3: that day?

1165
00:56:02,560 --> 00:56:03,160
Speaker 1: Tim Burton?

1166
00:56:03,600 --> 00:56:03,920
Speaker 2: Yeah?

1167
00:56:04,600 --> 00:56:05,759
Speaker 1: Yeah, shut up?

1168
00:56:06,000 --> 00:56:08,200
Speaker 5: What was watching you guys do super Eagles? In the

1169
00:56:08,239 --> 00:56:08,799
Speaker 5: parking lot?

1170
00:56:09,040 --> 00:56:11,200
Speaker 1: I think he was cutting? Do you remember what movie

1171
00:56:11,280 --> 00:56:11,840
Speaker 1: was cutting? Was?

1172
00:56:12,360 --> 00:56:12,600
Speaker 2: Sure?

1173
00:56:12,800 --> 00:56:16,520
Speaker 1: Maybe Alice in Wonderland? Would that line up twenty ten.

1174
00:56:16,680 --> 00:56:18,760
Speaker 5: Then els Whener comes out twenty eleven, I think.

1175
00:56:19,080 --> 00:56:22,279
Speaker 1: Wow, Joelle, you might have that photographic memory thing that that.

1176
00:56:23,120 --> 00:56:25,880
Speaker 5: A movie theater in twenty eleven. I remember.

1177
00:56:28,400 --> 00:56:30,839
Speaker 1: Tim Burton was working on the same lot cutting a

1178
00:56:30,840 --> 00:56:33,120
Speaker 1: movie I think was Alice in Wonderland, and we were

1179
00:56:33,120 --> 00:56:35,080
Speaker 1: all doing that Super Eagle and I think we all

1180
00:56:35,080 --> 00:56:37,640
Speaker 1: looked up and Tim Burton was watching a Super Eagle.

1181
00:56:38,160 --> 00:56:41,200
Speaker 2: Yeah.

1182
00:56:41,239 --> 00:56:44,759
Speaker 1: And then Kelso sells Cole viagra as the tag.

1183
00:56:46,080 --> 00:56:47,720
Speaker 2: That's a good drug dealer right there.

1184
00:56:48,480 --> 00:56:52,080
Speaker 1: I don't know why Cole needs viagra, but he's curious

1185
00:56:52,120 --> 00:56:54,640
Speaker 1: about having some, and he scores some from Kelso.

1186
00:56:55,600 --> 00:56:58,160
Speaker 5: We have an airport bar control for women together. What

1187
00:56:58,239 --> 00:56:58,720
Speaker 5: a nightmare?

1188
00:56:59,239 --> 00:57:03,719
Speaker 3: Oh my god, that's wait, hold up, I got to

1189
00:57:03,719 --> 00:57:06,120
Speaker 3: talk about airport bars. I was just recently in an

1190
00:57:06,160 --> 00:57:09,680
Speaker 3: airport bar. I was traveling go ahead, and I asked,

1191
00:57:10,120 --> 00:57:13,439
Speaker 3: are their regulars? And I don't mean people that fly

1192
00:57:13,600 --> 00:57:15,560
Speaker 3: in and out? I mean people that just come to

1193
00:57:15,600 --> 00:57:17,480
Speaker 3: the bar at the airport.

1194
00:57:18,000 --> 00:57:19,640
Speaker 1: But how do you get past security if you're going

1195
00:57:19,680 --> 00:57:21,160
Speaker 1: to an airport, I mean before security?

1196
00:57:21,400 --> 00:57:26,720
Speaker 2: Yeah? Yes, And they were like, yeah, that actually is

1197
00:57:27,000 --> 00:57:27,320
Speaker 2: a thing.

1198
00:57:27,400 --> 00:57:31,600
Speaker 3: There are quite a few people that frequent the Burbank

1199
00:57:31,640 --> 00:57:34,800
Speaker 3: Airport and drink.

1200
00:57:36,400 --> 00:57:38,120
Speaker 2: Like cheers and then go home.

1201
00:57:39,600 --> 00:57:40,440
Speaker 1: That's really sad.

1202
00:57:40,920 --> 00:57:41,680
Speaker 2: That's so sad.

1203
00:57:45,240 --> 00:57:46,640
Speaker 1: I don't know why I feel sad for them, but

1204
00:57:46,680 --> 00:57:47,000
Speaker 1: I do.

1205
00:57:47,960 --> 00:57:50,080
Speaker 3: I when I heard that, I was like, holy shit,

1206
00:57:52,760 --> 00:57:54,760
Speaker 3: the drinks aren't that good?

1207
00:57:55,320 --> 00:57:56,400
Speaker 5: What were you?

1208
00:57:57,800 --> 00:57:59,640
Speaker 3: I was having a bloody Mary at the time, and

1209
00:57:59,680 --> 00:58:03,640
Speaker 3: I was like, this ain't the best blay. I wouldn't travel.

1210
00:58:03,920 --> 00:58:06,040
Speaker 1: You wouldn't travel to Burbank for that bloody Mary.

1211
00:58:06,280 --> 00:58:11,040
Speaker 3: I wouldn't travel from the Burbank okay, for there were

1212
00:58:11,080 --> 00:58:12,800
Speaker 3: serving at the Burbank airport.

1213
00:58:13,560 --> 00:58:15,640
Speaker 1: All right. On that note, Joelle, do you have any

1214
00:58:16,000 --> 00:58:19,760
Speaker 1: people that want to weigh in on Scrubs Season nine,

1215
00:58:19,800 --> 00:58:20,560
Speaker 1: episode five.

1216
00:58:21,160 --> 00:58:25,440
Speaker 5: We have two voicemails. One is the review. You can

1217
00:58:25,480 --> 00:58:28,760
Speaker 5: play that one first dannel. That would be awesome, and

1218
00:58:28,800 --> 00:58:30,680
Speaker 5: the second one will let that be a surprise.

1219
00:58:31,840 --> 00:58:35,640
Speaker 9: I hope it's Tamika, Joel, Daniel, Zach and Donald. My

1220
00:58:35,800 --> 00:58:39,520
Speaker 9: name is Katie. I'm calling in from Harrisburg, Pennsylvania. I'm

1221
00:58:39,560 --> 00:58:42,200
Speaker 9: watching Scrub season nine for the first time ever. I

1222
00:58:42,360 --> 00:58:44,400
Speaker 9: really could never bring myself to watch it when it

1223
00:58:44,480 --> 00:58:47,360
Speaker 9: originally aired, and I've always skipped it in my rewatches.

1224
00:58:47,880 --> 00:58:51,320
Speaker 9: My biggest issue, and I'll discuss this specifically in regards

1225
00:58:51,400 --> 00:58:54,200
Speaker 9: to season nine, episode five, is that we seem to

1226
00:58:54,240 --> 00:58:56,520
Speaker 9: have lost all traces of this being one of the

1227
00:58:56,560 --> 00:59:01,080
Speaker 9: most medically accurate shows on television. To have an opinion

1228
00:59:01,080 --> 00:59:03,760
Speaker 9: on medical accuracy, I know that's what you're thinking, and

1229
00:59:03,760 --> 00:59:07,400
Speaker 9: that's a great question. My husband completed medical school, residency

1230
00:59:07,400 --> 00:59:10,760
Speaker 9: and anesthesiology, and is currently doing a fellowship in regional

1231
00:59:10,760 --> 00:59:14,040
Speaker 9: anesthesia and acute pain Medicine. I've been by his side

1232
00:59:14,080 --> 00:59:16,440
Speaker 9: every step of the way, and anyone who's been on

1233
00:59:16,480 --> 00:59:18,480
Speaker 9: this journey knows that the spouse goes through it just

1234
00:59:18,520 --> 00:59:20,800
Speaker 9: as much as the doctor. As a side note, my

1235
00:59:20,840 --> 00:59:22,800
Speaker 9: husband was an intern at the start of COVID when

1236
00:59:22,840 --> 00:59:24,920
Speaker 9: your podcast started. It was a lot for us to

1237
00:59:24,960 --> 00:59:27,400
Speaker 9: take on, and your podcast was a huge support for

1238
00:59:27,520 --> 00:59:30,200
Speaker 9: me during that time. My oldest child was actually born

1239
00:59:30,240 --> 00:59:34,040
Speaker 9: on Joelle's birthday, October first, in twenty twenty. Anyways, I

1240
00:59:34,200 --> 00:59:37,680
Speaker 9: digress to set the stage for season nine, episode five.

1241
00:59:38,560 --> 00:59:41,280
Speaker 9: According to JD at the top of the episode, we're

1242
00:59:41,320 --> 00:59:45,280
Speaker 9: now six weeks into medical school. Under no circumstances would

1243
00:59:45,320 --> 00:59:48,080
Speaker 9: a student who has completed only six weeks of medical

1244
00:59:48,080 --> 00:59:51,520
Speaker 9: school be doing any type of procedure on live patients.

1245
00:59:52,240 --> 00:59:55,160
Speaker 9: Drew and the crash cart in episode three. This really

1246
00:59:55,200 --> 00:59:56,920
Speaker 9: pushed me over the edge, and I knew that I

1247
00:59:56,960 --> 01:00:00,680
Speaker 9: had to send in a review for you. Medical students

1248
01:00:00,720 --> 01:00:03,520
Speaker 9: are not interns. They would not be drawing blood. This

1249
01:00:03,640 --> 01:00:06,400
Speaker 9: is a skill learned much later. Drew wouldn't be walking

1250
01:00:06,400 --> 01:00:09,160
Speaker 9: around the hospital grabbing medical files off the counter to

1251
01:00:09,200 --> 01:00:12,160
Speaker 9: go see a patient. That really bothered me when he

1252
01:00:12,200 --> 01:00:15,840
Speaker 9: did that as he was talking to Joe Denise, and

1253
01:00:16,000 --> 01:00:20,120
Speaker 9: it seems to just have lost the authenticity that the

1254
01:00:20,160 --> 01:00:24,360
Speaker 9: original eight seasons had. Besides that, JD is just still

1255
01:00:24,520 --> 01:00:27,760
Speaker 9: so needy. At the end of season eight, we see

1256
01:00:27,760 --> 01:00:31,080
Speaker 9: a beautiful montage of JD Elliott, doctor Cox, and Jordan

1257
01:00:31,320 --> 01:00:34,400
Speaker 9: Turk and Carla. Their relationship has grown and they've become

1258
01:00:34,440 --> 01:00:38,000
Speaker 9: more like a family than just coworkers. Season nine seems

1259
01:00:38,000 --> 01:00:40,880
Speaker 9: to disregard that entirely. All of the character growth for

1260
01:00:40,960 --> 01:00:44,080
Speaker 9: JD over the eight years totally crumbles as he reverts

1261
01:00:44,120 --> 01:00:47,760
Speaker 9: to striving for everyone's approval all the time. Searching for

1262
01:00:47,840 --> 01:00:51,720
Speaker 9: the author of his negative evaluation is just so unethical.

1263
01:00:52,280 --> 01:00:54,080
Speaker 9: It's just not the spot we left him. At the

1264
01:00:54,120 --> 01:00:56,480
Speaker 9: end of season eight, I was also disappointed in the

1265
01:00:56,560 --> 01:00:58,680
Speaker 9: joke he made about the deaf student in his class.

1266
01:00:58,800 --> 01:01:02,280
Speaker 9: This was just insensitive and not funny. The Hardy Boys

1267
01:01:02,320 --> 01:01:04,280
Speaker 9: book covers did make me laugh, and I liked the

1268
01:01:04,360 --> 01:01:07,600
Speaker 9: old school shenanigans between JD and Turk. I just can't

1269
01:01:07,600 --> 01:01:10,120
Speaker 9: appreciate it as much within the context of this greater

1270
01:01:10,240 --> 01:01:13,480
Speaker 9: character degradation. We've left the world of realism and turned

1271
01:01:13,520 --> 01:01:16,200
Speaker 9: the whole foundation of the show into a farce. Thank

1272
01:01:16,240 --> 01:01:18,560
Speaker 9: you for letting me speak my piece. I love your

1273
01:01:18,560 --> 01:01:20,160
Speaker 9: show and hope you all have a great day.

1274
01:01:20,880 --> 01:01:24,680
Speaker 1: We've left the world of realism for a farce. I mean,

1275
01:01:24,720 --> 01:01:26,800
Speaker 1: she said it better than we've been trying to say it.

1276
01:01:27,160 --> 01:01:31,360
Speaker 2: I've been stuttering and stuttering and stammering and stumbling trying

1277
01:01:31,360 --> 01:01:32,280
Speaker 2: to say exactly that.

1278
01:01:32,880 --> 01:01:37,840
Speaker 1: Yeah, well she did a very good job. And you're right, Katie, Right, Katie,

1279
01:01:37,840 --> 01:01:44,080
Speaker 1: everything you said is accurate, and yeah, we agree, we agree.

1280
01:01:45,160 --> 01:01:48,760
Speaker 2: There's got to be somebody out there that's like, all.

1281
01:01:48,560 --> 01:01:51,680
Speaker 11: Of you are fucking wrong. This is the best television

1282
01:01:51,880 --> 01:01:54,440
Speaker 11: I've ever seen in my life, and all of you

1283
01:01:54,760 --> 01:01:59,520
Speaker 11: deserved Emmys, and fucking it's got to be some I'm inferring.

1284
01:01:59,600 --> 01:02:02,440
Speaker 1: I'm in deferring that Joelle is having trouble finding those people.

1285
01:02:03,200 --> 01:02:06,320
Speaker 5: There's not as many of them. We will have some

1286
01:02:06,360 --> 01:02:09,440
Speaker 5: more positive reviews coming up in the your future. I

1287
01:02:09,480 --> 01:02:11,680
Speaker 5: did want to end this episode on a positive note,

1288
01:02:11,720 --> 01:02:13,600
Speaker 5: so why don't we go ahead and play our second

1289
01:02:13,640 --> 01:02:14,800
Speaker 5: voice note really quickly.

1290
01:02:14,960 --> 01:02:17,640
Speaker 1: I hope it's the couple that allow the woman to

1291
01:02:17,800 --> 01:02:18,960
Speaker 1: have sex with the friend.

1292
01:02:19,400 --> 01:02:22,240
Speaker 2: Do you get me too? Please be back, please come back.

1293
01:02:22,320 --> 01:02:26,520
Speaker 4: I have a feeling it's not okay.

1294
01:02:33,800 --> 01:02:37,000
Speaker 12: There's a new doctor in town and he's ready to

1295
01:02:37,120 --> 01:02:43,720
Speaker 12: get down. Prest In in Journal Medicine, paint on the

1296
01:02:43,840 --> 01:02:49,040
Speaker 12: take your last mistake because you say your HMO about

1297
01:02:49,080 --> 01:02:49,560
Speaker 12: his bed.

1298
01:02:59,240 --> 01:03:00,000
Speaker 8: As a matter of.

1299
01:03:11,240 --> 01:03:11,960
Speaker 1: That was fire.

1300
01:03:12,320 --> 01:03:14,680
Speaker 5: That's what our good friend Travis, he heard us shout

1301
01:03:14,720 --> 01:03:16,920
Speaker 5: about on the pod and he was like, I have

1302
01:03:17,040 --> 01:03:18,880
Speaker 5: this one that's been in the chamber for a while.

1303
01:03:19,240 --> 01:03:21,000
Speaker 5: I wanted to share it with you guys, and I

1304
01:03:21,040 --> 01:03:22,720
Speaker 5: was like, this really lifted my spirits.

1305
01:03:23,240 --> 01:03:25,480
Speaker 1: That's amazing. Damn I need that for the sound I

1306
01:03:25,520 --> 01:03:26,760
Speaker 1: need that for my soundboard.

1307
01:03:26,840 --> 01:03:28,480
Speaker 4: I'll set it over.

1308
01:03:28,520 --> 01:03:32,840
Speaker 1: I just need the hook, doctor Ala and the horns.

1309
01:03:33,080 --> 01:03:34,840
Speaker 2: Doctor dark Cula.

1310
01:03:37,280 --> 01:03:41,919
Speaker 1: Thank you, Travis, Travis, we really appreciate that. Wow, I

1311
01:03:42,000 --> 01:03:45,440
Speaker 1: that was great. I was a bop much appreciate it.

1312
01:03:45,480 --> 01:03:50,480
Speaker 1: Tea Fresh, I love a nice BOPO we love a bob.

1313
01:03:50,640 --> 01:03:52,680
Speaker 1: How you guys been listening to Beyonce's Country.

1314
01:03:52,720 --> 01:03:56,480
Speaker 2: It's amazing, real good. I'm gonna say something right now, Zach.

1315
01:03:56,480 --> 01:03:57,480
Speaker 2: I'm gonna say something right now.

1316
01:03:57,480 --> 01:03:59,439
Speaker 1: Howbody calm down, Zach?

1317
01:03:59,640 --> 01:04:07,720
Speaker 2: I can't. I cannot calm down and listen? Oh my right,

1318
01:04:07,960 --> 01:04:08,840
Speaker 2: Oh god.

1319
01:04:09,520 --> 01:04:11,240
Speaker 5: I listened to her every the first thing I do

1320
01:04:11,280 --> 01:04:13,560
Speaker 5: in the morning, as I say and hit play on

1321
01:04:13,680 --> 01:04:16,280
Speaker 5: America Let's Go. I listened to it no lesson three

1322
01:04:16,320 --> 01:04:18,040
Speaker 5: times a day every day since it came out. I

1323
01:04:18,080 --> 01:04:23,080
Speaker 5: am absolutely obsessed. Almost off book. I've almost memorized now

1324
01:04:23,160 --> 01:04:25,920
Speaker 5: getting into harmonies, been in the harmonies.

1325
01:04:26,280 --> 01:04:26,640
Speaker 2: Wow.

1326
01:04:27,400 --> 01:04:29,920
Speaker 5: The song she does with Miley Cyrus to.

1327
01:04:29,960 --> 01:04:33,080
Speaker 2: Most most want is Fire. That one.

1328
01:04:34,360 --> 01:04:35,400
Speaker 1: With Miley Cyrus.

1329
01:04:35,480 --> 01:04:40,480
Speaker 4: Yeah, yeah, harmonized.

1330
01:04:37,800 --> 01:04:44,600
Speaker 5: You don't know Thelma and Louise of song because each

1331
01:04:44,600 --> 01:04:46,920
Speaker 5: song is based off of a movie. This is definitely

1332
01:04:46,960 --> 01:04:48,919
Speaker 5: the Thelma and Louise track.

1333
01:04:49,440 --> 01:04:52,240
Speaker 2: Bodyguard is Fire, Bodyguard? Everybody else?

1334
01:04:52,280 --> 01:04:54,800
Speaker 5: A Deeke produced the hell out of Bodyguard.

1335
01:04:54,880 --> 01:04:59,080
Speaker 2: Oh my god, freaking projector Fire projector.

1336
01:04:58,880 --> 01:05:01,440
Speaker 5: Protector made me. I send it to my mom Immediately,

1337
01:05:01,480 --> 01:05:03,040
Speaker 5: I was like, this is how you love me like

1338
01:05:03,040 --> 01:05:04,479
Speaker 5: a baby, a baby.

1339
01:05:04,880 --> 01:05:06,520
Speaker 2: It's rare, it's rare good.

1340
01:05:06,840 --> 01:05:09,280
Speaker 5: It's the really spaghetti. When she brings out the rap,

1341
01:05:09,360 --> 01:05:11,360
Speaker 5: I said, you have to do this to us. She

1342
01:05:11,440 --> 01:05:14,160
Speaker 5: sings opera? Is that she sings opera?

1343
01:05:14,200 --> 01:05:16,280
Speaker 2: And my favorite, you know, my favorite song on the

1344
01:05:16,320 --> 01:05:17,760
Speaker 2: whole record is do you tell me.

1345
01:05:19,800 --> 01:05:20,280
Speaker 5: Come here?

1346
01:05:20,440 --> 01:05:25,920
Speaker 3: You pretty little thing like Levi's jeans, that is fire,

1347
01:05:26,400 --> 01:05:27,120
Speaker 3: turn you on?

1348
01:05:29,560 --> 01:05:34,720
Speaker 2: You know all this shall change the logo to the

1349
01:05:34,760 --> 01:05:35,520
Speaker 2: two US.

1350
01:05:35,560 --> 01:05:36,960
Speaker 5: It's perfect, It's divine.

1351
01:05:38,840 --> 01:05:43,560
Speaker 3: Is it doing well in hole? This woman went out

1352
01:05:43,760 --> 01:05:48,280
Speaker 3: and did her research. Not only is she coming into

1353
01:05:48,480 --> 01:05:52,120
Speaker 3: country as an artist, but she's coming with the knowledge

1354
01:05:52,360 --> 01:05:55,360
Speaker 3: of everything that's came in the past, all the black

1355
01:05:55,400 --> 01:05:57,920
Speaker 3: knowledge too, and she'd bring in the white knowledge.

1356
01:05:57,960 --> 01:05:59,840
Speaker 2: Also. She's not turning her back on.

1357
01:06:00,520 --> 01:06:04,440
Speaker 3: Anybody, turning back on anybody.

1358
01:06:04,800 --> 01:06:06,320
Speaker 5: Blackbird is so beautiful.

1359
01:06:07,520 --> 01:06:10,240
Speaker 2: A country song that's a fucking country song.

1360
01:06:13,000 --> 01:06:15,880
Speaker 5: On the country Apple iTunes. She's the first black woman

1361
01:06:15,920 --> 01:06:18,280
Speaker 5: to hit number one and no I'm sorry, the first

1362
01:06:18,760 --> 01:06:21,120
Speaker 5: person in America with a country album to hit number

1363
01:06:21,120 --> 01:06:23,920
Speaker 5: one on the UK charts. It's doing very good everything.

1364
01:06:24,680 --> 01:06:26,720
Speaker 3: The first black outist ever have a number one record

1365
01:06:26,840 --> 01:06:28,360
Speaker 3: on the country charts.

1366
01:06:28,440 --> 01:06:34,720
Speaker 1: Question was is the country community embracing It's a mixed bag.

1367
01:06:34,800 --> 01:06:37,600
Speaker 5: It's a mixed bag. I think there's definitely a segment

1368
01:06:37,640 --> 01:06:40,720
Speaker 5: of the country community who was like, this isn't country

1369
01:06:40,760 --> 01:06:44,560
Speaker 5: and I don't want it. They were overturned pretty quickly

1370
01:06:44,720 --> 01:06:47,000
Speaker 5: as as far as people like calling into country radios

1371
01:06:47,000 --> 01:06:49,200
Speaker 5: and requesting the songs. Eventually they had to capitown and

1372
01:06:49,240 --> 01:06:51,720
Speaker 5: be like, it is country and we will play it. Uh,

1373
01:06:51,920 --> 01:06:53,920
Speaker 5: it's weird and foolish. I think for anyone to be

1374
01:06:54,000 --> 01:06:57,480
Speaker 5: like Beyonce of the Deep South, Texas and by way

1375
01:06:57,520 --> 01:07:00,520
Speaker 5: of Louisiana can't hold down this genre. I think she

1376
01:07:00,600 --> 01:07:01,080
Speaker 5: killed it.

1377
01:07:01,320 --> 01:07:03,720
Speaker 2: But yeah, you know, it all comes. It all stems

1378
01:07:03,760 --> 01:07:09,720
Speaker 2: from when she did that song with the Dixie Chicks, Samtis.

1379
01:07:13,400 --> 01:07:15,880
Speaker 1: When it comes to Beyonce, you have that skill where

1380
01:07:15,880 --> 01:07:17,920
Speaker 1: you can remember anything, any date that happened.

1381
01:07:18,000 --> 01:07:19,800
Speaker 5: Oh yeah, for sure, for sure, for sure.

1382
01:07:20,160 --> 01:07:23,120
Speaker 3: But but it was you could tell by watching the

1383
01:07:23,160 --> 01:07:26,560
Speaker 3: audience this young lady's on stage killing it, you know,

1384
01:07:26,760 --> 01:07:30,960
Speaker 3: like literally on stage giving a great performance. And there

1385
01:07:31,000 --> 01:07:33,760
Speaker 3: were certain people in the audience who didn't appreciate the

1386
01:07:33,760 --> 01:07:37,560
Speaker 3: fact that a black woman was singing a black pop

1387
01:07:37,640 --> 01:07:40,480
Speaker 3: star was singing their music.

1388
01:07:40,800 --> 01:07:42,520
Speaker 5: Or that she brought their outlaws. They kicked the Dixie

1389
01:07:42,600 --> 01:07:44,360
Speaker 5: Chicks out and she said, I'm bringing them back with me.

1390
01:07:44,760 --> 01:07:47,800
Speaker 3: Yeah, and she brought the Outlaws with her, right, that's

1391
01:07:47,800 --> 01:07:51,040
Speaker 3: what The Dixie Chicks should change their name to the Outlaws.

1392
01:07:51,200 --> 01:07:51,720
Speaker 2: You know what I mean?

1393
01:07:56,080 --> 01:07:58,600
Speaker 3: But hold on, We're not done.

1394
01:07:59,080 --> 01:07:59,360
Speaker 5: Are not?

1395
01:07:59,400 --> 01:07:59,960
Speaker 2: We're not done.

1396
01:08:00,320 --> 01:08:02,320
Speaker 3: Everybody likes a little ass flay, don't even act like

1397
01:08:02,320 --> 01:08:06,600
Speaker 3: you don't. But they were hating on her, and that's

1398
01:08:06,600 --> 01:08:09,800
Speaker 3: where this album comes from. The album comes from. You know,

1399
01:08:09,880 --> 01:08:12,240
Speaker 3: it would have been different if people would have been like, yo, yo,

1400
01:08:12,320 --> 01:08:16,599
Speaker 3: come on through, everybody's welcome. But instead she got a

1401
01:08:16,640 --> 01:08:19,000
Speaker 3: lot of pushback and it showed up again.

1402
01:08:21,320 --> 01:08:23,439
Speaker 2: Man, I'm a Beyonce fan. I can't lie. Look at you.

1403
01:08:23,520 --> 01:08:28,760
Speaker 3: I sound like a hive behive, freaking like, how can

1404
01:08:28,920 --> 01:08:29,559
Speaker 3: I don't get it?

1405
01:08:29,600 --> 01:08:29,760
Speaker 5: Man?

1406
01:08:29,840 --> 01:08:33,679
Speaker 3: Like if Beyonce was like, I'm gonna save Star Wars,

1407
01:08:33,760 --> 01:08:34,080
Speaker 3: I'd be.

1408
01:08:34,040 --> 01:08:39,000
Speaker 2: Like, go save it, then show me what it is.

1409
01:08:47,800 --> 01:08:47,920
Speaker 1: Like.

1410
01:08:47,960 --> 01:08:51,840
Speaker 3: This ever country ain't never seen nothing. Not only a

1411
01:08:51,920 --> 01:08:54,759
Speaker 3: country people buying it, but everybody else.

1412
01:08:54,680 --> 01:08:56,160
Speaker 2: Is to they ain't never seen.

1413
01:08:57,920 --> 01:08:58,880
Speaker 1: In house arrest.

1414
01:09:00,840 --> 01:09:01,320
Speaker 2: I can't wait.

1415
01:09:02,120 --> 01:09:04,720
Speaker 1: I'm gonna listen. You've convinced me.

1416
01:09:04,880 --> 01:09:07,120
Speaker 5: Oh, I have one more announcement. We have a sweepstakes

1417
01:09:07,240 --> 01:09:09,800
Speaker 5: for the backpack giveaway. That's how I Heart says we

1418
01:09:09,800 --> 01:09:11,559
Speaker 5: should do it. We should do a sleep stakes. So

1419
01:09:11,600 --> 01:09:15,479
Speaker 5: there will be a website iHeartRadio dot com slash f

1420
01:09:15,640 --> 01:09:18,880
Speaker 5: d r F. So the initials of this show fake

1421
01:09:18,920 --> 01:09:22,639
Speaker 5: Doctor's Real Friends f as in Frank Dias and doctor

1422
01:09:22,840 --> 01:09:27,000
Speaker 5: RS and Richard f isn't Frank again, iHeart dot com

1423
01:09:27,040 --> 01:09:32,640
Speaker 5: slash f d r F. You must enter before the

1424
01:09:33,120 --> 01:09:35,960
Speaker 5: last day of April, I believe. So just go to

1425
01:09:36,040 --> 01:09:40,519
Speaker 5: iHeartRadio dot com slash f d r F f as

1426
01:09:40,560 --> 01:09:43,639
Speaker 5: in Frank Dias and doctor RS and Richard f as

1427
01:09:43,680 --> 01:09:46,800
Speaker 5: in Frank to win the sleep stakes. Get yourself a

1428
01:09:46,840 --> 01:09:48,799
Speaker 5: Scrubs backpack today.

1429
01:09:49,400 --> 01:09:52,240
Speaker 1: All right, everybody, thank you for tuning in. We appreciate you.

1430
01:09:53,160 --> 01:09:57,400
Speaker 1: We really know you can choose many podcasts in your day,

1431
01:09:57,520 --> 01:10:00,559
Speaker 1: and we thank you for choosing Fake Doctors, real friends.

1432
01:10:00,560 --> 01:10:04,040
Speaker 1: It is our pleasure to entertain you and hopefully make

1433
01:10:04,080 --> 01:10:06,080
Speaker 1: you giggle. Donald.

1434
01:10:07,400 --> 01:10:11,639
Speaker 3: If you didn't giggle today, I apologize if you didn't giggle.

1435
01:10:11,640 --> 01:10:13,519
Speaker 1: We apologized, but we tried. We tried for an hour

1436
01:10:13,520 --> 01:10:14,320
Speaker 1: and twenty minutes.

1437
01:10:14,439 --> 01:10:16,000
Speaker 2: Yeah, we went. We went extra long.

1438
01:10:16,560 --> 01:10:20,559
Speaker 1: Yeah to hopefully hopefully coax a giggle out of you.

1439
01:10:21,240 --> 01:10:22,080
Speaker 2: All I wanted was.

1440
01:10:24,000 --> 01:10:27,160
Speaker 1: Yeah, if we gotta, if we gotta, if we got one,

1441
01:10:27,320 --> 01:10:32,480
Speaker 1: if we got one.

1442
01:10:30,880 --> 01:10:31,439
Speaker 2: I'm happy.

1443
01:10:31,680 --> 01:10:32,280
Speaker 1: Yeah me too.

1444
01:10:32,680 --> 01:10:40,200
Speaker 3: Job well done, Well, take care of your loved ones everyone.

1445
01:10:39,320 --> 01:10:45,280
Speaker 1: Stories were not show. We made about a bunch of

1446
01:10:45,479 --> 01:10:46,400
Speaker 1: dogs and nurses.

1447
01:10:48,520 --> 01:11:01,479
Speaker 8: He said, he's the stories. So yeah here Yeah jackto