Speaker 1: He is Drink Chants, motherfucking podcast.
Speaker 2: He's a legends every Queens rapper.
Speaker 1: He ain't a greedish your boy in O r E.
Speaker 2: He's a Miami hip hop pioneer, one of its d
Speaker 2: J E f N.
Speaker 3: Together they drink it up with some of the biggest players,
Speaker 3: you know what I mean, and the most professional, unprofessional
Speaker 3: podcast and your number one source for drunk chans.
Speaker 1: Mother fucking for every day is New Year's Eve.
Speaker 2: That's it's time for drink Champions' drink up. Motherfucking mother
Speaker 2: speak soup. No, I love it, I love it, I
Speaker 2: love it, I love it.
Speaker 3: We wanted to give y'all one of the best shows
Speaker 3: that you haven't seen live obviously, and we have one
Speaker 3: of the illest people ever to touch the mic. We
Speaker 3: found out that he's a sex symbol. We didn't know, yo,
Speaker 3: because he's just our brother. He's a real dude. He's
Speaker 3: gonna smoke us out the roof.
Speaker 2: Who we got? Who we got?
Speaker 3: We got, motherfucking at Joe many A t ain't jo
Speaker 3: d Man make the mad of the motherfucker bro that
Speaker 3: makes uthing.
Speaker 2: You might have been ready he might o brother, my brother, Yo.
Speaker 1: Yes, I'm so excited.
Speaker 2: This is off to change.
Speaker 1: Should we get drunk, Yes, we get drunk. Beth doesn't
Speaker 1: get drunk, I know.
Speaker 2: But should we get drunk?
Speaker 1: Yeah, We're gonna get drunk for meth. So meth.
Speaker 3: You said one of the best statements I've ever heard
Speaker 3: in hip hop?
Speaker 1: What was that about Summer Jam? Goddamn? Go ahead girl,
Speaker 1: go ahead girl? Wherever are you at?
Speaker 3: I loved what you said because you was like, Yo,
Speaker 3: you know what, I'm gonna follow my like my trajectory,
Speaker 3: where my fans go. Where you loved?
Speaker 2: Yes?
Speaker 4: So why did you feel like that about Summer Jam?
Speaker 4: What was obvious first and foremost that we've aged out
Speaker 4: of that Summer Jam crowd? They were particularly there to
Speaker 4: see one person I think it was Sexy Red that night,
Speaker 4: and a few of the other artists that was on
Speaker 4: the bill, and I can't blame them for that. What
Speaker 4: got misconscrewed was they thought I was mad at the crowd.
Speaker 4: I wasn't mad at all. I'd be a fool to
Speaker 4: be mad at somebody liking.
Speaker 1: What they like.
Speaker 4: But the thing that pissed me off was the way.
Speaker 4: You know, it's New York. So even if you don't
Speaker 4: like the music you know who the f I am period.
Speaker 4: So when that narrative started to take than, when that
Speaker 4: narrative started to take flight, I had to nip it
Speaker 4: in the bud and basically speak my truth.
Speaker 3: Right, do you think us as being New York artist
Speaker 3: that that that was? That's a very big venue summer
Speaker 3: jam and it did break a lot of us. I
Speaker 3: was at the first fucking summer jam. You was at
Speaker 3: the first time, performed at the first one.
Speaker 1: The first one, no me, you know, first summer jam?
Speaker 4: Wu tang yes, sir, wow, I understand they used to
Speaker 4: have Battle of the Beats, right yeah, and they had
Speaker 4: to retire the method Man song because it was up
Speaker 4: there for too long.
Speaker 1: So yeah, I mean yeah, we was at the first
Speaker 1: summer jam.
Speaker 2: So you can we tell you the joke how did
Speaker 2: you spell your name? Did you? Did you know how
Speaker 2: to spell your name?
Speaker 1: What are you talking about?
Speaker 2: Method Man?
Speaker 3: Yeah? I know how to spell it.
Speaker 1: That was a joke like how did that record about? Right?
Speaker 1: You ain't think I know how to spell my same?
Speaker 2: Are you spelled your name right?
Speaker 1: In R N O R E Right?
Speaker 2: For thinking like that?
Speaker 1: But th h O D man?
Speaker 4: Yeah, but I mean haul of notes laid the groundwork
Speaker 4: for that, and you know, a big haul of notes
Speaker 4: fan and.
Speaker 2: You stay on drinks as earlier before with us.
Speaker 4: Yes, absolutely, so you know you you you are influenced
Speaker 4: by what you're around. And my parents they listened to everything.
Speaker 4: So it played a pivotal role in the way I write.
Speaker 2: But were you always method? Man?
Speaker 1: Nah?
Speaker 2: What was your first rap name?
Speaker 5: Oh?
Speaker 1: You playing with me?
Speaker 2: What was your first rap name?
Speaker 1: I think it was like Papa Smurf for some ship
Speaker 1: like that. Listen. I was big on the Smurf. I
Speaker 1: was big on the big time.
Speaker 2: Really, yeah, that was the only rap name, Papa Smurf.
Speaker 4: I don't want to talk about this no more. I
Speaker 4: had a few, though, for sure. All right, let me
Speaker 4: ask you, meth.
Speaker 3: I almost I'm almost sure that you're gonna pick what
Speaker 3: I think that you're gonna pick.
Speaker 1: But what do you like more?
Speaker 3: Performing the record or making the record?
Speaker 1: Damn? It is both? Really? But the performing is the
Speaker 1: performing is?
Speaker 4: It's always great to know that something that you wrote
Speaker 4: as a teenager seventeen, right, and you're performing it on
Speaker 4: stage as a fifty plus year old man, right, and
Speaker 4: people are saying the words that you wrote a seventeen
Speaker 4: year old.
Speaker 1: Right that right there resonates more than anything, you know.
Speaker 1: As far as creating and performing, well, I'm gonna be honest.
Speaker 3: Whenever I know I got to show what you, I'll
Speaker 3: be like, make sure I go before meth Oh.
Speaker 1: Damn, why I don't like performing after you?
Speaker 2: I'm like that with us kill the game.
Speaker 1: This nigga be walking on people's hands. This nigga go
Speaker 1: out there and walk up people and people just standing there.
Speaker 3: I used to do that shit, yes, sir, And you
Speaker 3: be jumping on speakers and the ald type of crazyes it.
Speaker 1: But you know what, a lot of that was dictated
Speaker 1: by the energy in the room.
Speaker 4: Man, And it's like you want to separate yourself from
Speaker 4: everybody else, and that kind of separated me and Red
Speaker 4: Man from everybody else.
Speaker 2: You know when we get all stage, Like performing on stage,
Speaker 2: it was nerve wracking. Like I'm saying, did you as
Speaker 2: an MC, let's be honest, as an MC, did you
Speaker 2: really did you prefer spitting in the studio or performing it?
Speaker 4: Okay again both, but the thing is this, I would
Speaker 4: rather a rhyme and a rhyme cipher than on stage
Speaker 4: in front of a bunch of people because I know
Speaker 4: those people in that cipher are there because they want
Speaker 4: to be, not because they have to be. I mean
Speaker 4: some of the people that I mean a lot of
Speaker 4: people that come to the shows.
Speaker 3: It's the same thing.
Speaker 4: But I'm saying, like, you're amongst peers there that are
Speaker 4: going to get everything that you say. So that's the
Speaker 4: biggest element for me right there. Even when I'm on stage,
Speaker 4: I'm still in that rhyme cipher. Three hundred and sixty
Speaker 4: degrees perfect.
Speaker 3: Yeah, I'm gonna tell you something matter, And I got
Speaker 3: your personal phone number me and you talk a lot
Speaker 3: men you there for me.
Speaker 1: Did records with you with the random text and shit,
Speaker 1: I love you, Lord, I always.
Speaker 3: But I'm gonna tell you something. This is something that
Speaker 3: I cried and I never shared it with you. I
Speaker 3: never shared it with Ray, I never shared it with ghosts,
Speaker 3: I never shared it with none of y'all. But when
Speaker 3: I'm seeing the Wu Tang documentary and y'all seeing y'all
Speaker 3: looking at each other and y'all rhyming, and then like
Speaker 3: you over there to the side, Ray is over there
Speaker 3: to the side, and y'all just talking, and you're a
Speaker 3: reminiscent I can't lie to you.
Speaker 1: I think that's very moment is when I really was like.
Speaker 3: I really really love hip hop, Like I.
Speaker 1: Really love that iconic how How Legends.
Speaker 3: Like they're just sitting there and they just talking and
Speaker 3: it's just like it's like the Avengers. It's like superheroes
Speaker 3: talking to each other, to each other, and I'm looking
Speaker 3: at y'all and then and then y'all still got jokes,
Speaker 3: y'all still guard each other.
Speaker 4: It's funny, Noordy, because every now and then when I'm
Speaker 4: on stage with these brothers, you know, especially when it's
Speaker 4: not your turn to go, or you just watching the
Speaker 4: performance like everybody else in the audience, and I'm I'm
Speaker 4: looking at them, and I see those same guys that
Speaker 4: I used to rhyme with in the staircase, and it
Speaker 4: kind of brings a smile to my face in a
Speaker 4: little chuckle because it's like, Nigga, I remember used to
Speaker 4: wear the same pants everything. Look at you go, boy,
Speaker 4: do that damn thing and that that It's hard to describe,
Speaker 4: but I'm pretty sure y'all get where I'm going with this.
Speaker 4: And shit to see yourself as a child again, but
Speaker 4: from a man's standpoint, that outer body experience and seeing
Speaker 4: the people that you grew up with prosper the same
Speaker 4: way you did.
Speaker 1: Man, you wish you could bring everybody with you.
Speaker 6: Now.
Speaker 3: I was luckily enough to go see Wu Tang and
Speaker 3: Nas performed together. What I didn't realize I got to
Speaker 3: experience y'all in Paris. But what I didn't realize was
Speaker 3: it wasn't a Wu Tang show and then a NAS show.
Speaker 3: It was actually a Wu Tang NAS show. Yeah, y'all,
Speaker 3: motherfucking mixed that shit up.
Speaker 1: I sat there.
Speaker 3: I again, I never had another fan moment like I
Speaker 3: was sitting there. Whoever was filming me? So there was
Speaker 3: one person was filming me.
Speaker 1: He got me.
Speaker 2: Because I'm just like a ah. But who put that together?
Speaker 1: Was that? Rizza? I think it was a combination of
Speaker 1: NASA's camp in our camp.
Speaker 2: Okay, let Mike stape version of it.
Speaker 4: Yeah, I honestly, you see the workload that we have
Speaker 4: over the years as well as NASA's and different crossroads
Speaker 4: have come where we've done collaboro's especially with Chef and
Speaker 4: Ray and NAS. You know, they like brothers from another mother.
Speaker 4: So when this whole shit was put together, of course,
Speaker 4: we're going to have that concept. But the funny thing
Speaker 4: was I didn't make the tour at first because I
Speaker 4: was filming. I came later on and again one of
Speaker 4: those moments where you start with something and then you
Speaker 4: see the progression. And when I got there, I'm inspecting,
Speaker 4: you know, it's a Wu Tang show.
Speaker 1: But we got nas now right.
Speaker 4: This shit was like a Broadway play and I was like, Wow,
Speaker 4: it really was. These dudes are really doing it, man.
Speaker 4: I don't think I want to miss too many more shows.
Speaker 3: I tell you that I went to the Paris show
Speaker 3: and big up to Steve Rifkin.
Speaker 1: I believe it's actually a nigga. I lost my water.
Speaker 3: Your water's right here.
Speaker 1: When I'm open, they bring you a new one. That's
Speaker 1: that weed be and I got it from Atlanta. M hm,
Speaker 1: go ahead, man, rest in peace, Rachel.
Speaker 2: But can I say something. I just want to say
Speaker 2: something about meth. You are the epitome of the evolution
Speaker 2: of hip hop. Appreciate that and let me make more
Speaker 2: sense of that. Hip hop has to grow up. Yeah,
Speaker 2: and I feel like hip hop has a problem growing up.
Speaker 3: No, it's just the audience. I'm gonna keep it a
Speaker 3: buck with you.
Speaker 4: This has always been a young man's support and you
Speaker 4: can't blame them for that, right, I will blame them
Speaker 4: for that, to be honest. Quality of the work has
Speaker 4: been so good that it has went past just you know,
Speaker 4: this era and then it's over, nah, because some of
Speaker 4: these guys that came from those earlier eras are still
Speaker 4: relevant today.
Speaker 1: And like I said, I go to a lot.
Speaker 4: Of concerts and things of that nature, and you know,
Speaker 4: some of the newer cats they put asides in seats,
Speaker 4: but the older cats have been filling up arenas with unity,
Speaker 4: a lot of us together and that shit is crazy
Speaker 4: to me for real.
Speaker 2: But I have more to add to that. Yeah, you
Speaker 2: as an elder. And the thing is when I say
Speaker 2: elder statements were all involved.
Speaker 1: Hey man, all of us do them alright with it?
Speaker 2: You know in Spanish?
Speaker 1: You me and man, come down me.
Speaker 2: All I'm saying is this, you're representing the way that
Speaker 2: hip hop evolved in the sense that we can keep,
Speaker 2: we can act, we can produce, we can executive produce.
Speaker 2: You're doing all of that, and that's what hip hop
Speaker 2: could continue to do. Hip Hop can't involve everything. Hip
Speaker 2: hop is everything.
Speaker 1: Actually it does We just need to see at the
Speaker 1: table where hip hop is being controlled and distributed at
Speaker 1: you know what I mean.
Speaker 3: That's that's the bottom line. We went from stabbing Samuel L.
Speaker 3: Jackson to.
Speaker 1: Power.
Speaker 4: All Right, you're really a lawyer that part. Shout out
Speaker 4: to Michael Rainey you as a lawyer. No, No, shout
Speaker 4: out to Michael Rainey Jr. Because a lot of y'all
Speaker 4: and y'all got to keep it above after Omari was killed,
Speaker 4: y'all did not want to see to recap his own show.
Speaker 4: A lot of people were shitting on this young man.
Speaker 4: We're not even shitting on him, just on the character.
Speaker 4: And I believe he did a great job. He carried
Speaker 4: that show and we're on our last season now. We
Speaker 4: were blessed to even have four season, So thank you guys.
Speaker 4: Y'all played a major part. Now, did you ever think that.
Speaker 1: You'll be then? Would be? She said, we love you Davis. Okay.
Speaker 1: Did you ever think it's a two part question? One?
Speaker 3: Did you ever think you'd be acting? Because I heard
Speaker 3: that you on on a let me break this down.
Speaker 3: I heard on the set of Soul playing you was
Speaker 3: very very serious. You was absolutely you was telling people yo.
Speaker 1: We're acting now, right, I don't know if I like
Speaker 1: you right now? We acting that kind of ship.
Speaker 3: Yes, so, and I know I asked you this in
Speaker 3: a different way. But isn't that called method acted?
Speaker 6: No?
Speaker 4: No, I mean let's say, let's say, because I mean
Speaker 4: method actors, they they do that extra step where if
Speaker 4: they're playing a homeless person, they're going to go live on.
Speaker 3: The street for like three hunts.
Speaker 2: I feel that is a method actor. I feel like
Speaker 2: you were one of those guys.
Speaker 1: I can't even change my accent up, it's what but
Speaker 1: we can, don't you? Actually? Yeah, that shit is hard
Speaker 1: for me. That's that's all.
Speaker 4: That's as far as it goes, damnseon interests, that's as
Speaker 4: far as my ship go.
Speaker 3: But but so so because I want to I got
Speaker 3: more questions pertaining to that.
Speaker 1: But what made you say that when?
Speaker 3: Because I mean, this is the big rumor in the industry,
Speaker 3: like method Man was serious or Soul paying Plane cast.
Speaker 1: Well, when you're coming into a different realm or different craft,
Speaker 1: there are people that have been doing this ship for
Speaker 1: years and haven't got the opportunities that you're.
Speaker 4: Maybe getting at this moment. So you want to be
Speaker 4: able to say that this wasn't a fluke first and foremost,
Speaker 4: and I'm willing to do the work, you know, so
Speaker 4: it doesn't feel like entitlement or anything like that. And ship,
Speaker 4: you know, and I think people can respect that, especially
Speaker 4: if you're willing to do the work, right, I respect that.
Speaker 3: I'm scared to death to be on a set with you. Nah, crazy,
Speaker 3: I'm fucking with you, not meth Our show is by
Speaker 3: giving people flowers.
Speaker 1: Right, we got a flower, your flowers, We got the
Speaker 1: new ship.
Speaker 2: This is a alumni flower an.
Speaker 1: No one else has these flowers.
Speaker 3: This is the first off because we already got your flowers.
Speaker 3: So this is a.
Speaker 1: Fire, Jobe. That is fire.
Speaker 4: I can't smoke it though, but that is fire. Thank
Speaker 4: you guys, really appreciate that. But let me talk to
Speaker 4: the crowd real quick. Let me tell you how much this.
Speaker 3: Man means to the culture, but let me also tell
Speaker 3: you how humble he is to the culture. Like, this
Speaker 3: man came to my neighborhood, yeah left rack City, came
Speaker 3: and shot a video with myself by himself, and he
Speaker 3: stayed and he took a pictures with every single person.
Speaker 1: He's not gonna do that tonight. Maybe I don't know
Speaker 1: I'm throwing it on him.
Speaker 3: But what I'm saying is, at the level you are
Speaker 3: in success, how do you still remain.
Speaker 1: Humbled like that? Well? I know how I got here,
Speaker 1: you know, And.
Speaker 4: A lot of people supported U Tang in the early years,
Speaker 4: and that's the main reason why we're revered today. We
Speaker 4: didn't switch up on them, So why would I switch
Speaker 4: up now, you know? Plus, I mean that's just me.
Speaker 1: People always talk about the sexy thing and I get it,
Speaker 1: and I don't know.
Speaker 4: Look, okay, look, I mean girls, Okay, sorry, I don't
Speaker 4: even like bringing the ship up. It seems like a
Speaker 4: dude is ungrateful or let me just say this. I'm
Speaker 4: smart enough to know what it means, right, but humble
Speaker 4: enough to not let it go to my head. That's
Speaker 4: all I'm doing right there. That's the main thing for real.
Speaker 1: And I'm fifty three and I'm happy to be in
Speaker 1: the shell that I'm in right now, to be living loving.
Speaker 1: So what you guys see, as far as the physical,
Speaker 1: that's from the inner, and what's coming from the inner
Speaker 1: is happiness, genuine happiness. So g you that's right. I
Speaker 1: want to ask God comes down. I always you know,
Speaker 1: God comes down.
Speaker 3: God comes down and says, man, you got one record
Speaker 3: you could make to seem to save the world with
Speaker 3: a producer, one producer and one feature. Who is the producer?
Speaker 3: I believe I know who the producer is, but then who.
Speaker 1: Is the feature? First of all, I'm gonna be like
Speaker 1: what you're doing in my living room? Bro, God, you
Speaker 1: gonna question God.
Speaker 2: I'm going to assume be Lord Peace to the God.
Speaker 2: Can I assume?
Speaker 1: All right?
Speaker 2: So can I assume the one?
Speaker 1: You can assumes?
Speaker 2: I can't produce?
Speaker 1: There is but I already did something with these guys.
Speaker 1: But I'm just gonna use it again. Snoop and Dre.
Speaker 3: Oh wait, so, so dra would be the producer and
Speaker 3: Snoop would be the feature. That's why hold hold up,
Speaker 3: hold up, hold up one second. That's fine, let's really
Speaker 3: speak about this. Your one producer and one feature is
Speaker 3: Dre Drake. It's like you said, Drake.
Speaker 4: Yeah, because every time I work with Dre, I feel
Speaker 4: like I need to do over you know what I mean,
Speaker 4: went in the studio. I was in the studio the
Speaker 4: first time I was in the studio with him physically
Speaker 4: there that that chronic different because I never got that.
Speaker 4: I mean, I spit a verse, but it wasn't up
Speaker 4: to par.
Speaker 2: From me, So Dre was gracious for the chronic.
Speaker 1: You say it wasn't for the chronic. I'm smoking that ship.
Speaker 4: And got caught in them and what's caught in the moment,
Speaker 4: But Drey was gracious enough to not put it out.
Speaker 1: It kind of leaked any more fucking way. The second
Speaker 1: shot I got.
Speaker 4: It's for the Dray and Snoop joint coming up in
Speaker 4: case I ain't no SI went back in and oh
Speaker 4: he got a lot of fire ship on there, man.
Speaker 1: Joint. Yes, I am.
Speaker 4: And still I feel like I could have done a
Speaker 4: little bit more. But I'm always gonna feel that right now.
Speaker 4: I'm always gonna feel that way.
Speaker 1: Yeah.
Speaker 3: But one thing, uh, I noticed being on the on
Speaker 3: the on the tour. Yeah, I mean, well it wasn't
Speaker 3: like I was on the tour the whole time. But
Speaker 3: I went to that Paris day and I seen it,
Speaker 3: and I seen the camarderie of Wu Tang backstage. I
Speaker 3: went to Na's trailer mixcuse me room, and then I
Speaker 3: went to Wu Tang room and it was still like
Speaker 3: Rizza was still like amongst the brothers. He was still
Speaker 3: amongst the brothers, and he sat there and this is
Speaker 3: the first time I ever seen anybody ever do this
Speaker 3: in my life. Rizza had vodka and Japanese whiskey. Yeah,
Speaker 3: And I was looking like, just don't go together, Riza ship,
Speaker 3: but he was like, take a shot with me, and
Speaker 3: I did.
Speaker 2: Ship.
Speaker 3: I couldn't say no to Riza to drink you under
Speaker 3: the table. It's that like, because I'm by the way.
Speaker 3: He didn't give me life, he didn't give me the
Speaker 3: Book of life.
Speaker 2: What did he say to him? What I couldn't say,
Speaker 2: Is that so part of the story that he fuck up?
Speaker 1: I don't know.
Speaker 3: But Rizza can drink.
Speaker 1: And if Rizay can drink someone under the table and
Speaker 1: still play back on.
Speaker 3: The kind of he was still on point. But what
Speaker 3: I'm saying is my point of this question was I
Speaker 3: couldn't tell him no.
Speaker 1: Yeah, I mean he could. He could be like that.
Speaker 3: It could. It could be like that sometimes not with us,
Speaker 3: though we grew up with who's saying can say no
Speaker 3: to yeah all the time?
Speaker 1: Okay, at the.
Speaker 4: Time, I did not know, matter of fact to verify.
Speaker 4: Bring him on drink Champs and you'll see, well, you.
Speaker 3: Know, we had this whole thing. We was going to
Speaker 3: meet Rizza in Japan. We were supposed to do drink
Speaker 3: and I'm blowing it up. We might be, we might be,
Speaker 3: we might be fucking it up. But so I you're
Speaker 3: part of one of the greatest groups in hip hop,
Speaker 3: if not the greatest group and hippo right right, thank you,
Speaker 3: thank he is one.
Speaker 2: Of the leads of the greatest hip hop groups.
Speaker 1: We all time, We all leads.
Speaker 2: So not real talk, not real talk. Listen, Meth. You
Speaker 2: could be humble and all this ship, but you led
Speaker 2: that thing. You let the thing that was Wu Tang clan.
Speaker 2: We all love Whu Tang, but you let that movement.
Speaker 4: Let me get that Lacroix can from the small fuck
Speaker 4: now I'm playing with you. I love you, brother, Thank you,
Speaker 4: thank you. I really, I really really appreciate you. Let
Speaker 4: it bro, I really appreciate you. Somebody feel like that
Speaker 4: as a whole. I haven't made a record by myself
Speaker 4: that was even close to the hit that Cream was, so.
Speaker 1: I'll leave it right there around me. And that was
Speaker 1: a group perfect dollar dollar baill y'all one more time
Speaker 1: cast through everything around me and as far as the
Speaker 1: best verse ever to come out of that came that
Speaker 1: goes to inspect the deck on triumph. So as a collective,
Speaker 1: they make me great.
Speaker 2: So we all Amy, we gotta figure it out.
Speaker 3: You got gotta work that.
Speaker 1: You gotta spell the whole ship, say the man, my
Speaker 1: brother E G h O D man.
Speaker 2: H O D.
Speaker 1: D h O D. I'm gonna be I love it,
Speaker 1: I love it. Yeah, let me let you let me.
Speaker 2: I'm just saying that to me, is like the epitome
Speaker 2: of hip hop.
Speaker 4: Bro Thank you broes, thank you lucky enough to come
Speaker 4: up in the narrow where it was about lyrics and ship.
Speaker 4: So the most important thing to us still at this
Speaker 4: point in time, is what's coming out of our mouths
Speaker 4: and shit right and wu tang. It wasn't about because
Speaker 4: the era before that, you know, and I'm not going
Speaker 4: to say any names, but we were starting to wear
Speaker 4: the suits.
Speaker 3: Not shiny suits that came after. We were starting to
Speaker 3: wear the suits, you know, like the.
Speaker 4: Miami Vice shit and all that shit. Niggas were pulling
Speaker 4: their sleeves up on the suits. No, it was dancing
Speaker 4: R and B records with.
Speaker 1: Hip hop lyrics, y'all know what I'm talking about. Just
Speaker 1: do your research. But no, no, no, I'm saying Wu tang.
Speaker 1: We came from Let's put it this way, we were
Speaker 1: what people identified with every day in the streets. We
Speaker 1: weren't the MTV Yo, MTV raps crowd, things like that.
Speaker 4: And to see someone up there that looked like you,
Speaker 4: dressed like you, didn't have money and was struggling, and
Speaker 4: all they talked about was the struggle.
Speaker 1: People love that ship man. They always root for the underdog,
Speaker 1: you know. And our first tour was a fifteen passenger
Speaker 1: fucking van. We got p d ms every fucking day,
Speaker 1: thirty five dollars. Fantastic. Huh fantastic was the van. No,
Speaker 1: I don't know what the van was. It was just
Speaker 1: a big van, a fifteen passengers, you know, with regular shit.
Speaker 1: You know, we're sleeping the shits, traveling from state to state.
Speaker 1: Put in the grind there and at the end of
Speaker 1: the day, and shit, it made us the artist that
Speaker 1: we are today. We didn't get it handed to us.
Speaker 1: We had to go out there and get that ship.
Speaker 1: I remember fucking hustling just to get a first class
Speaker 1: seat from death jam nigga, I'm serious, Yeah, you got
Speaker 1: you had to be you had to be gold, right,
Speaker 1: That was big for me. No, you ain't have to
Speaker 1: be gold. You just had to you know. I think,
Speaker 1: let's just say this, you just had to know your value.
Speaker 1: Fuck what they was talking about now.
Speaker 3: I'm not gonna say no names like how you said earlier.
Speaker 3: But all of these executives, yeah, somewhat, are getting fired.
Speaker 3: They're not making They're stepping down. They're stepping down.
Speaker 1: Okay, that's what I said.
Speaker 2: Getting fired.
Speaker 1: Could be it could be a plethora of things. What
Speaker 1: could be?
Speaker 2: Fuck is happening that they too full? There's some ship
Speaker 2: happening right now.
Speaker 1: It could be. It could be. Honestly, it could be
Speaker 1: a lot of things, though.
Speaker 2: What the fuck is happening?
Speaker 1: They could be full full of ship.
Speaker 4: Maybe they know something we don't about the market or whatever. Probably,
Speaker 4: or third, everybody reads way too much fucking social media
Speaker 4: and they're.
Speaker 1: Out of here.
Speaker 2: Walk are being bunk and done. Fuck these people the
Speaker 2: music getting ships full of ship, and they proved it
Speaker 2: because they all left. We're full of ship and we're leaving.
Speaker 1: About the guy, what about the guy at Nikes.
Speaker 2: Let's be honest, guys, the music industry is ship.
Speaker 3: What about the guy at Nike. He stepped down as well.
Speaker 2: Yeah, he's an asshole. Fuck I don't know that guy,
Speaker 2: but fuck him too.
Speaker 1: That's a lot.
Speaker 2: I don't know that guy. I'm gonna seat this guy,
Speaker 2: so fuck him.
Speaker 1: The vote World makes up. Tell him that you really feel.
Speaker 2: There's something happening in the industry. We don't know.
Speaker 1: You haven't gotten mad that I keep calling you fin.
Speaker 2: I've been doing it on bro, you know why, because
Speaker 2: I love you.
Speaker 3: Dog.
Speaker 1: It's actually d dj e F n e F.
Speaker 2: I'm dj e F fan and you've been doing drops
Speaker 2: for me and you said my name right, yes, and
Speaker 2: then you saved my.
Speaker 1: Night wrong, and I'd be like, whatever is this time?
Speaker 3: And you didn't catch it now, don't you?
Speaker 2: Fuck?
Speaker 1: It's fine though, I know why we have a Vote World,
Speaker 1: and this.
Speaker 3: Is black excellence at his finest and no excellence because
Speaker 3: I'm so sorry.
Speaker 1: Yes sir, yes sir, And contrary I'm not.
Speaker 2: I'm a Cuban guy hanging out with people.
Speaker 1: And contrary to what people think, latinos were very instrumental
Speaker 1: when the start of hip hopcast.
Speaker 3: Right, we're all here, and guess what for all of
Speaker 3: y'all that don't know, these conferences these these conventions for
Speaker 3: us to sit around, and you know it's important, bro
Speaker 3: shake hands, kiss babies, and talk to each other.
Speaker 1: It is very very detrimental to instrumental.
Speaker 3: You know, they knew what I meant.
Speaker 1: They know from resource, just helping out y'all getting better
Speaker 1: at this resource. That's fire.
Speaker 2: That was instrumental. Detrimental, you get detrimental instrumental.
Speaker 3: So it's very important that we sitting around, we shake hands,
Speaker 3: we kiss babies, We tell y'all how do we hear?
Speaker 3: Because if we're not gonna make it, tell the better
Speaker 3: than who will. So this is the reason why we're
Speaker 3: here today. We are so honored to be interviewing our brother,
Speaker 3: our friend, but an icon, a legend, motherfucker.
Speaker 1: M A T H O D man. I mean it matters.
Speaker 1: Gave him his flowers already.
Speaker 3: Quick, We got quick time, We got up.
Speaker 2: All right, are you ready?
Speaker 1: Because he doesn't drink, so it's cool.
Speaker 3: He can smoke.
Speaker 1: Okay, do you want me started off? I can't man smoking.
Speaker 1: I'm good. Okay, you don't have to smoke.
Speaker 2: Okay, great one.
Speaker 1: Why y'all did that last time?
Speaker 3: I ain't answering that ship.
Speaker 1: You just want to drink it's very we don't drink Yeah,
Speaker 1: you're both both. Yeah, let's go.
Speaker 2: I don't have a drink.
Speaker 1: Yeah, go right. They said he's fine, y'all.
Speaker 2: I was joking, jay Z or NOAs.
Speaker 1: Jay Z and nas Man, you could. Entitled to your opinion,
Speaker 1: very entitled to your opinions. Drink up, fellas, both.
Speaker 3: Got let you do the whole day DMX A pop.
Speaker 1: Are you both well? Yeah? Yeah, yeah, I knew X
Speaker 1: way better. That's my brother right there. I'm gonna go X. Okay,
Speaker 1: I'm gonna go X. A lot of people are gonna
Speaker 1: be upset about that ship.
Speaker 4: But the fact that I knew new X, that's why.
Speaker 4: That's that's the basis of my choice. Big L or Biggie,
Speaker 4: big l or biggie.
Speaker 1: Damn, it's all these pot why I gotta be posthumous. Yea,
Speaker 1: both drink up because that was my man's. Biggie was
Speaker 1: my man's as well.
Speaker 2: Red Man, old dirty bastard.
Speaker 1: Anna drink up. That's too easy. Drink up, you should
Speaker 1: have said, Red Mat I met it man, motherfucker. I
Speaker 1: could just ocean real humility up here and been like
Speaker 1: Red Man.
Speaker 2: All day podcasts of radio.
Speaker 1: Neither you fucking, blood sucking No, I'm playing. I like podcasts.
Speaker 1: I'm not gonna lie. I'm not gonna lie. I like podcasts.
Speaker 3: Even Missy Eve or Missy that's that doesn't even match.
Speaker 2: It does match for this audience.
Speaker 1: I mean, what would y'all say. I'll let y'all pick.
Speaker 2: Wall Wait wait wait wait wait wait wait wow wait
Speaker 2: well they spoke waits Yeah, which one is it?
Speaker 1: Or is it Eve? So I'm going with miss Eve.
Speaker 1: Big up to Eve. He got a book out right now,
Speaker 1: you know I.
Speaker 3: Knew Eva destructions.
Speaker 1: It's Missy Eve. Y'all gotta drink, bro Yeah, drink all right,
Speaker 1: go ahead. No you ain't pig e Missy, you ain't picked.
Speaker 1: He didn't catch the nuance of ship Bud No, no.
Speaker 2: No nuance and none of this ship. Are you ready
Speaker 2: for Ella?
Speaker 1: Yay?
Speaker 2: Relax, everybody, you guys gotta relax.
Speaker 1: Lamp pick.
Speaker 4: Interesting, interesting because I don't really have a history with
Speaker 4: either one of these brothers, but I mind if the
Speaker 4: whatever it is, it's a lot of people are saying yay.
Speaker 4: Y'all say yay? Who says phar real, you must be
Speaker 4: from v A and the people that voted for ya
Speaker 4: must be from right.
Speaker 2: We were not drinking drinking.
Speaker 1: Let's drink, let's drink, no drinking, drink, it's even drink.
Speaker 1: It's even d j F And.
Speaker 2: I'm not drinking. Sorry, buddy. All right, So Timberland or
Speaker 2: Swiss beats.
Speaker 4: The Swift shoot, yeah, drink it. No, no, no, no, no,
Speaker 4: but I'm gonna say, I'm gonna say ship man. No,
Speaker 4: I don't know, I never I'm uhh you worked with
Speaker 4: you worked with Swift?
Speaker 1: Yah?
Speaker 2: Should we ask an audience? Nah?
Speaker 1: I mean hold on, hold up?
Speaker 3: Is it?
Speaker 2: Timberland say, yeah, okay, hold it? Hold it?
Speaker 6: Is it?
Speaker 2: Swiss Speed said.
Speaker 1: Yeah, you're not gonna put Swiss on front Street.
Speaker 2: That was suspect.
Speaker 1: We're gonna say both funk that ship. Yeah.
Speaker 2: Yes, I'm gonna drink the bowl.
Speaker 3: Big go to my brother Swiss who just hooked me up.
Speaker 2: That was out of control?
Speaker 3: Do it versus?
Speaker 1: Sorry? Yeah? Yeah?
Speaker 3: Get that man a shot a habigi, now hit on
Speaker 3: your shot nothing man, homie right there over there.
Speaker 1: No, No, that's the homie. That's the homie right there. Yeah. Yeah,
Speaker 1: shot shot shot shots.
Speaker 2: They ain't want to pay me no more.
Speaker 3: I feel like I feel like I got fired I'm
Speaker 3: not sure.
Speaker 2: All right, acting or music?
Speaker 1: Ah? Music, Oh I can't. I can't lead the witness.
Speaker 1: I enjoy acting so much. It's like brand new for
Speaker 1: me and I'm learning so much. Ship.
Speaker 4: But it's always gonna be music, you know. So that's
Speaker 4: where I started at. That's why I still met it
Speaker 4: man in the credit acting Well, no, no no, I said,
Speaker 4: it's always going to be music. I love acting, but
Speaker 4: it's always going to be music.
Speaker 1: So I picked one.
Speaker 3: Well, because music is your first love.
Speaker 4: Yeah, but I only do music now because I want
Speaker 4: to now, because I have to. So that's that's that's good.
Speaker 4: But acting is in first place, period, don't get it
Speaker 4: fucked up. I'm gonna do this acting ship.
Speaker 1: That's how right.
Speaker 3: That's how I feel about podcasting, Like podcasting is in
Speaker 3: first place. But if I had the opportunity to do
Speaker 3: music at a high.
Speaker 1: Level, right might continue to do it?
Speaker 4: Like that's crazy because I'm pretty sure there's millions, millions
Speaker 4: and millions of people that want to hear Norwi come
Speaker 4: back and do his thing. But here's the problem. Y'
Speaker 4: don't buy records or stream so we get lost in
Speaker 4: the shuffle somewhere along the lines and shit and not
Speaker 4: saying that the music isn't great. It could be the
Speaker 4: best shit out. I mean Killer Mike. A lot of
Speaker 4: people we are upset that he won that Grammy or
Speaker 4: where he swept the fucking category.
Speaker 3: Who is not Killer Mike.
Speaker 4: And a lot of it had to do with ignorance
Speaker 4: and being uninformed because Mike had been around for years,
Speaker 4: so he earned those fucking Grammy awards regardless to who
Speaker 4: was the hottest shit at the time. That album was
Speaker 4: solid and he put the work in, so he deserved
Speaker 4: them shits. And that's a part of the problem with
Speaker 4: hip hop as well, because they don't want it to
Speaker 4: grow up.
Speaker 3: There's too much information that we have.
Speaker 4: As former artists or former rappers or former singers that
Speaker 4: they don't want these young casts to tap into. So
Speaker 4: they draw a line and put this fence up and
Speaker 4: tell them, if you fuck with that old nigga on
Speaker 4: this record, you're gonna fuck your career up. Don't rhyme
Speaker 4: with that nigga right there because he ain't got enough
Speaker 4: numbers on his streaming. Don't fuck with her over there
Speaker 4: because she acting like she trying to be you. It's
Speaker 4: a lot of shit that goes on and it's not
Speaker 4: even coming.
Speaker 1: From the record execs. They just watching the mice play
Speaker 1: in the display.
Speaker 4: It's coming from our own the people that are around us,
Speaker 4: because they're already compromised right by your success, which is
Speaker 4: crazy to me.
Speaker 1: I mean that's what was.
Speaker 6: I was so.
Speaker 1: Happy when you when you made that statement about Summer Jam.
Speaker 4: Was like, Yo, it's a separation, right, yeah, sort of
Speaker 4: sort of, But a lot has to do with the
Speaker 4: radio and shit like that, because they don't play.
Speaker 3: Our records still.
Speaker 4: You know, when I was younger, I was still hearing
Speaker 4: records from the Temptations and the book, but you know,
Speaker 4: radio was more relevant back then. I heard a lot
Speaker 4: of music that was you know, a lot of those
Speaker 4: cats were already passed on and things of that. You know,
Speaker 4: mathis and you know, my man Donnie Hathaway, you know
Speaker 4: what I'm saying, shit like that, But I'm talking about
Speaker 4: hearing this shit in the eighties, you know, like about
Speaker 4: late eighties yet and then for some reason something just
Speaker 4: flipped and hip hop just started dominated every fucking thing,
Speaker 4: and it was like fast food and people was eating
Speaker 4: that shit up, eating it up.
Speaker 1: Now.
Speaker 4: Mind you, A lot of people talk about the nineties
Speaker 4: and they say it's revered. Yes, a lot of great
Speaker 4: music came out the nineties, but do not put the
Speaker 4: nineties on a pedestal, because a lot of trash came
Speaker 4: out in the same fucking era.
Speaker 1: The same fucking era.
Speaker 4: A lot of people were copycat and I remember when
Speaker 4: DoD's Effects first came out, you'd be surprised hundreds and niggas,
Speaker 4: you know what I mean. So you can't blame hip
Speaker 4: hop for following a wave and trying to run with it.
Speaker 4: You just have to be able to differentiate who the
Speaker 4: copycats are and who the originators are. And that's where
Speaker 4: shit gets lost in the shuffle, you.
Speaker 1: Know what I mean. There were a lot of them
Speaker 1: that don't even know who invented hip hop. Shit, I
Speaker 1: can't tell you who invented hip hop, but I could
Speaker 1: tell you where it came from and what inspired it.
Speaker 1: It was the fucking struggle that we all was going
Speaker 1: through at that time, and we needed voices to fucking
Speaker 1: tell us exactly or express how we were feeling in
Speaker 1: those moments.
Speaker 4: But we also wanted to shake our ass. Thank you
Speaker 4: very much, ladies and Jimmy, we all immolated. Somebody tried
Speaker 4: to be somebody. Did you ever feel like someone tried
Speaker 4: to RelA.
Speaker 1: This shit motherfucker. I used to be in the mirror
Speaker 1: doing all the damn steps. I'll be telling them, I
Speaker 1: wanted to be on the niggas you wanted to be.
Speaker 2: It was.
Speaker 4: It was amazing to me, like because you know, I
Speaker 4: hadn't seen anything like that, mister Jackson five. I think
Speaker 4: any does not get their flowers enough. Those boys like
Speaker 4: New Audition period. Yes, wait, so so so so there's
Speaker 4: a there's a version of metal Man that was out there. No,
Speaker 4: they ain't got a film like that on caring Now.
Speaker 4: I wasn't trying to do Candy Rain by that time.
Speaker 4: I was already wrong. If New Audition need an extra member,
Speaker 4: let's say Johnny can't make it.
Speaker 1: I got moves, I.
Speaker 3: Noticed steps a step.
Speaker 4: Let's go count me, nigga, Let's go no shout out
Speaker 4: new addition, salute now.
Speaker 3: I also see the documentary and one of the things
Speaker 3: about the documentary with Wu Tang was you actually had
Speaker 3: a legal job.
Speaker 1: Yes, sir, And what was it this the what was it?
Speaker 3: The statutual liberty, the statue of liberty. I'm gonna be honest,
Speaker 3: I'm so sorry.
Speaker 1: I had never been there until I got a job there.
Speaker 2: Okay, I did not know that.
Speaker 1: I had never been.
Speaker 2: Worked.
Speaker 1: I had never been in the Empire State Building until
Speaker 1: they let us pull that little level ship. Yeah. I mean,
Speaker 1: when you live in New York, you take all that
Speaker 1: shit for granted.
Speaker 3: New York niggas is looking at us like these niggas
Speaker 3: is fouls because none of us never go to the
Speaker 3: fucking tourist places at all.
Speaker 1: But but you did work as the Statue of Liberty.
Speaker 4: Like people that live in Atlanta don't really go to
Speaker 4: Lenox Mall, but everybody think everybody being Linux.
Speaker 3: Mall. I was there to day, okay, salute, Okay, So
Speaker 3: what made you still be a rapper and still go like,
Speaker 3: have a job, have a legal job, because everyone at
Speaker 3: that time thought that legal jobs was like not.
Speaker 2: You know what.
Speaker 4: At that point in time, I was still trying to
Speaker 4: find myself and I didn't want to be hustling on
Speaker 4: the block, but I was around hustlers a lot, to
Speaker 4: the point where it was like it was almost training
Speaker 4: for what my life was going to be after I
Speaker 4: lost my job. I wouldn't recommend that shit for anybody, though, hustling.
Speaker 4: If you're not, nah, just don't do it. Fuck that
Speaker 4: man done. They're like, you know, you fuck your community up.
Speaker 4: And this is why a lot of times drug dealers
Speaker 4: and shit around Christmas and Thanksgiving. They'll tell you like
Speaker 4: they had bad Christmases, and they probably did, but that's
Speaker 4: them giving back to the community that they're fucking obliterating.
Speaker 1: And I'm just keeping it a buck and it's not.
Speaker 4: Our making, it's not of our making. But there aren't
Speaker 4: a lot of people helping.
Speaker 1: Us to change it.
Speaker 4: And that shit is frustrating as hell, especially when they're
Speaker 4: taking more and more programs out of public schools.
Speaker 1: I heard that they just brought back free lunch.
Speaker 4: How is that even a thing that I have to
Speaker 4: vote on whether you want to feed children or not.
Speaker 1: That shit is crazy. I didn't realize that.
Speaker 2: Yeah, free lunch.
Speaker 1: Yeah, we used to. We used to throw those little.
Speaker 3: Orange cups from free breakfast.
Speaker 1: We used to have fights with them.
Speaker 3: Ship it was always like a little juicy cups.
Speaker 4: Absolutely, But yeah, more programs, you know, focus more on
Speaker 4: urban problems. And because I think I'm tired of being
Speaker 4: or just tired of our people being so low on
Speaker 4: the totem pole. But we set the fucking level of
Speaker 4: culture and every other thing that's I.
Speaker 2: Mean, that's something. How can we all help to develop
Speaker 2: these programs in our favor.
Speaker 4: We have people doing things, but like I said, it's
Speaker 4: not on a level we need to be involved. Yeah, absolutely,
Speaker 4: How take the phone calls? Take the fucking phone calls,
Speaker 4: or make the phone calls.
Speaker 3: It just that simple. If it's one thing you could
Speaker 3: take back from back in the days, what would.
Speaker 6: It be.
Speaker 3: Mmmm saying ninety seven, I want to say that up
Speaker 3: during my career or just life in general. Shit, you
Speaker 3: know what, that's a double part questioning now, all right,
Speaker 3: So life in general, if I could go back and
Speaker 3: change something or yep, I would change the living standards
Speaker 3: that we lived in as children for my mom and shit, she.
Speaker 1: Had it rough, you know what I mean.
Speaker 3: You know she's still here, Okay, yeah, living.
Speaker 1: I'm still just saying, Oh, that's my baby right there,
Speaker 1: That's what.
Speaker 4: And as far as career career, I would have took
Speaker 4: it way more serious in the beginning, way more serious,
Speaker 4: because when when you're at a level where you can't
Speaker 4: smell your own bullshit, you tend to get comfortable and unfocused,
Speaker 4: and I had a lot of years of that. You know,
Speaker 4: it's great to have this second act now where I
Speaker 4: can show people that I can contribute just more than
Speaker 4: a couple of bars and shit like that.
Speaker 1: It's great to wake up every.
Speaker 4: Morning and genuinely feel half being just live life, because
Speaker 4: that's what it's really about. We only get one of
Speaker 4: these something that really resonated with me. This is one
Speaker 4: of those times I was on Instagram and this lady,
Speaker 4: this white lady, was talking about, you know, in one
Speaker 4: hundred years from now, those clothes you're wearing, nobody's going
Speaker 4: to care about those. That house that you live in,
Speaker 4: somebody else is going to live there, and they won't
Speaker 4: remember who the fuck you are, that car that you love,
Speaker 4: it'll be such an old model, nobody will give a shit.
Speaker 4: Basically what she was saying, you can't take it with you,
Speaker 4: and once you're gone, it doesn't matter who you are,
Speaker 4: no one will remember you. I would like to say
Speaker 4: that Wu Tang has a district in my old neighborhood.
Speaker 1: They gonna remember me.
Speaker 3: Yes, sir, it is new face still here, my brother face,
Speaker 3: new face.
Speaker 1: I hope he got the trigues I'm playing I'm playing
Speaker 1: how y'all feeling or y'all good y'all a little stir crazy.
Speaker 3: Yet he faces a legend in Atlanta.
Speaker 1: From Detroit, right from Detroit. But I don't even know
Speaker 1: what he got.
Speaker 3: He he wanted to tell me what he got, and
Speaker 3: I said, no, I want to be as surprised as
Speaker 3: method man.
Speaker 1: Surprise. Okay, I want to can you show him? This
Speaker 1: is a hip hop historian.
Speaker 2: He is a super hip hop historian, Atlanta native in
Speaker 2: a sense.
Speaker 1: Okay, I see yo, yo, yo rap dog? What is that?
Speaker 1: That is the rap dog? Hold up the sauce. Holy moly,
Speaker 1: I don't even think Zino got that. I killed that.
Speaker 1: I killed that my bad excel cover.
Speaker 6: Yo.
Speaker 1: I like this picture right here. I was as cool
Speaker 1: as a motherfucker, and they let me sit in the middle.
Speaker 1: I was like, yeah, niggas middle nigga, M I D
Speaker 1: D L E.
Speaker 3: Heyah, I ain't mad, though you're hurt.
Speaker 1: Yeah, but whose segmences is that?
Speaker 4: You can eats and ray we did this album. Neither
Speaker 4: one of them niggas showed up to the studio. That's right,
Speaker 4: I told the world, niggas he got tape.
Speaker 2: Remember who you got?
Speaker 1: Nice?
Speaker 2: Yo, that new face you got me you got I got.
Speaker 3: Like planting them CD to me.
Speaker 1: That's what I mean, bro. Yeah, make some moist news.
Speaker 2: What this is?
Speaker 1: This is ray Kawn purple tape only built for Cuban Linx.
Speaker 2: We go.
Speaker 1: How long we're gonna do this ship? I don't want
Speaker 1: to kill your hustle and ship. The face you keep
Speaker 1: sun is like the nostalgia, Dude, nostalgia, new face, new face, nostalgia.
Speaker 1: Make sure y'all check for my man's here, because this
Speaker 1: ship official.
Speaker 3: You could tell he had.
Speaker 1: He went and purchased for all this ship.
Speaker 2: That's purchase.
Speaker 1: That's is where we used to come outside the boys.
Speaker 1: That's where you we knew the producers on the album.
Speaker 4: Appreciation And I signed this one one year, wasn't quick.
Speaker 4: Oh you recognize your own signature? Nah, that don't look
Speaker 4: like an old four SI. No, I wouldn't know, so.
Speaker 5: Nigga know his signatures? Me get this one, now, give
Speaker 5: me your fun out of there. Give all about hold on.
Speaker 5: It's an autograph on the side, right. Yeah, what's that Norrie?
Speaker 1: You when you get there? Yeah, get me out of
Speaker 1: out of the hold hold hold makes something? Yeah, this
Speaker 1: is dope.
Speaker 2: Oh my god, Oh.
Speaker 1: I am I think I want one of those takes.
Speaker 1: I ain't gonna lie. You got the risis signature on there,
Speaker 1: but you got the read letters. But hold on, hold on, yeah,
Speaker 1: but listen.
Speaker 3: I want everybody here to end it with me, right,
Speaker 3: math You're my friend, my brother, absolutely, But I don't
Speaker 3: ever want to take away from the fact that how
Speaker 3: much you mean to hip hop, how much you a legend, is,
Speaker 3: how much you.
Speaker 1: Are icon, how much you are tight cool.
Speaker 3: How much you mean and like, I'm honored that I
Speaker 3: have your I could call you I'm honored, But it
Speaker 3: doesn't take away from me being your fan. It doesn't
Speaker 3: take away from me, you know, loving and honoring and
Speaker 3: giving you your flowers.
Speaker 1: For what you've done.
Speaker 3: And I want you to never to go a day
Speaker 3: without knowing how much hip hop loves you.
Speaker 1: And I believe that all.
Speaker 3: Of these people in here feel the same way, right right,
Speaker 3: do we feel the same way. I really, really really
Speaker 3: appreciate what you did. Big up to Revolte World once
Speaker 3: again for holding this down. They have a whole beautiful weekend.
Speaker 3: It's not just today, it's not just tomorrow, it's not
Speaker 3: just the other day. It's gonna keep going, You're gonna
Speaker 3: keep seeing star power like this. But let me thank
Speaker 3: you Method man, thank you my brother. Like I feel
Speaker 3: like I'm calling your real name when I call you
Speaker 3: method Man, but I want to thank you face to face.
Speaker 3: Man Man. I want to tell you continue to be
Speaker 3: who you are because Man, we owe you all of
Speaker 3: hip hop.
Speaker 1: Thank you, brother, I bust my asses, Thank you, appreciate you. Yes, Yes,
Speaker 1: so picture drop.
Speaker 3: Yeah, let's do it in front.
Speaker 1: The whole crowd.
Speaker 4: Yes, a FN, make e FN. Make sure you motherfucking hydrat. Okay, no,
Speaker 4: that's not a joke. Make sure you're high.
Speaker 1: Drink all right, and to keep you from getting a
Speaker 1: headachetting them all.
Speaker 6: The Drink Champs is a Drink Champs l see production
Speaker 6: hosts and executive producers n O r E and dj
Speaker 6: e FN.
Speaker 2: Listen to Drink.
Speaker 6: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you
Speaker 6: get your podcasts. Thanks for joining us for another episode
Speaker 6: of Drink Champs hosted by Yours truly, dj e f
Speaker 6: N and n O r E. Please make sure to
Speaker 6: follow us on all our socials that's at Drink Champs
Speaker 6: across all platforms. At the real Noriagon ig at Noriega
Speaker 6: on Twitter, mine is at Who's Crazy on ig at
Speaker 6: dj e f N on Twitter, and most importantly, stay
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