WEBVTT - Episode 432 w/ Method Man (Live from Revolt World)

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<v Speaker 1>He is Drink Chants, motherfucking podcast.

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<v Speaker 2>He's a legends every Queens rapper.

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<v Speaker 1>He ain't a greedish your boy in O r E.

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<v Speaker 2>He's a Miami hip hop pioneer, one of its d

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<v Speaker 2>J E f N.

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<v Speaker 3>Together they drink it up with some of the biggest players,

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<v Speaker 3>you know what I mean, and the most professional, unprofessional

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<v Speaker 3>podcast and your number one source for drunk chans.

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<v Speaker 1>Mother fucking for every day is New Year's Eve.

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<v Speaker 2>That's it's time for drink Champions' drink up. Motherfucking mother

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<v Speaker 2>speak soup. No, I love it, I love it, I

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<v Speaker 2>love it, I love it.

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<v Speaker 3>We wanted to give y'all one of the best shows

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<v Speaker 3>that you haven't seen live obviously, and we have one

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<v Speaker 3>of the illest people ever to touch the mic. We

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<v Speaker 3>found out that he's a sex symbol. We didn't know, yo,

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<v Speaker 3>because he's just our brother. He's a real dude. He's

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<v Speaker 3>gonna smoke us out the roof.

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<v Speaker 2>Who we got? Who we got?

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<v Speaker 3>We got, motherfucking at Joe many A t ain't jo

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<v Speaker 3>d Man make the mad of the motherfucker bro that

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<v Speaker 3>makes uthing.

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<v Speaker 2>You might have been ready he might o brother, my brother, Yo.

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<v Speaker 1>Yes, I'm so excited.

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<v Speaker 2>This is off to change.

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<v Speaker 1>Should we get drunk, Yes, we get drunk. Beth doesn't

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<v Speaker 1>get drunk, I know.

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<v Speaker 2>But should we get drunk?

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<v Speaker 1>Yeah, We're gonna get drunk for meth. So meth.

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<v Speaker 3>You said one of the best statements I've ever heard

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<v Speaker 3>in hip hop?

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<v Speaker 1>What was that about Summer Jam? Goddamn? Go ahead girl,

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<v Speaker 1>go ahead girl? Wherever are you at?

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<v Speaker 3>I loved what you said because you was like, Yo,

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<v Speaker 3>you know what, I'm gonna follow my like my trajectory,

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<v Speaker 3>where my fans go. Where you loved?

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<v Speaker 2>Yes?

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<v Speaker 4>So why did you feel like that about Summer Jam?

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<v Speaker 4>What was obvious first and foremost that we've aged out

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<v Speaker 4>of that Summer Jam crowd? They were particularly there to

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<v Speaker 4>see one person I think it was Sexy Red that night,

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<v Speaker 4>and a few of the other artists that was on

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<v Speaker 4>the bill, and I can't blame them for that. What

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<v Speaker 4>got misconscrewed was they thought I was mad at the crowd.

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<v Speaker 4>I wasn't mad at all. I'd be a fool to

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<v Speaker 4>be mad at somebody liking.

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<v Speaker 1>What they like.

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<v Speaker 4>But the thing that pissed me off was the way.

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<v Speaker 4>You know, it's New York. So even if you don't

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<v Speaker 4>like the music you know who the f I am period.

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<v Speaker 4>So when that narrative started to take than, when that

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<v Speaker 4>narrative started to take flight, I had to nip it

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<v Speaker 4>in the bud and basically speak my truth.

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<v Speaker 3>Right, do you think us as being New York artist

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<v Speaker 3>that that that was? That's a very big venue summer

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<v Speaker 3>jam and it did break a lot of us. I

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<v Speaker 3>was at the first fucking summer jam. You was at

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<v Speaker 3>the first time, performed at the first one.

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<v Speaker 1>The first one, no me, you know, first summer jam?

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<v Speaker 4>Wu tang yes, sir, wow, I understand they used to

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<v Speaker 4>have Battle of the Beats, right yeah, and they had

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<v Speaker 4>to retire the method Man song because it was up

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<v Speaker 4>there for too long.

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<v Speaker 1>So yeah, I mean yeah, we was at the first

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<v Speaker 1>summer jam.

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<v Speaker 2>So you can we tell you the joke how did

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<v Speaker 2>you spell your name? Did you? Did you know how

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<v Speaker 2>to spell your name?

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<v Speaker 1>What are you talking about?

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<v Speaker 2>Method Man?

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<v Speaker 3>Yeah? I know how to spell it.

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<v Speaker 1>That was a joke like how did that record about? Right?

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<v Speaker 1>You ain't think I know how to spell my same?

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<v Speaker 2>Are you spelled your name right?

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<v Speaker 1>In R N O R E Right?

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<v Speaker 2>For thinking like that?

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<v Speaker 1>But th h O D man?

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<v Speaker 4>Yeah, but I mean haul of notes laid the groundwork

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<v Speaker 4>for that, and you know, a big haul of notes

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<v Speaker 4>fan and.

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<v Speaker 2>You stay on drinks as earlier before with us.

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<v Speaker 4>Yes, absolutely, so you know you you you are influenced

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<v Speaker 4>by what you're around. And my parents they listened to everything.

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<v Speaker 4>So it played a pivotal role in the way I write.

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<v Speaker 2>But were you always method? Man?

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<v Speaker 1>Nah?

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<v Speaker 2>What was your first rap name?

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<v Speaker 5>Oh?

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<v Speaker 1>You playing with me?

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<v Speaker 2>What was your first rap name?

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<v Speaker 1>I think it was like Papa Smurf for some ship

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<v Speaker 1>like that. Listen. I was big on the Smurf. I

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<v Speaker 1>was big on the big time.

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<v Speaker 2>Really, yeah, that was the only rap name, Papa Smurf.

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<v Speaker 4>I don't want to talk about this no more. I

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<v Speaker 4>had a few, though, for sure. All right, let me

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<v Speaker 4>ask you, meth.

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<v Speaker 3>I almost I'm almost sure that you're gonna pick what

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<v Speaker 3>I think that you're gonna pick.

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<v Speaker 1>But what do you like more?

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<v Speaker 3>Performing the record or making the record?

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<v Speaker 1>Damn? It is both? Really? But the performing is the

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<v Speaker 1>performing is?

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<v Speaker 4>It's always great to know that something that you wrote

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<v Speaker 4>as a teenager seventeen, right, and you're performing it on

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<v Speaker 4>stage as a fifty plus year old man, right, and

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<v Speaker 4>people are saying the words that you wrote a seventeen

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<v Speaker 4>year old.

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<v Speaker 1>Right that right there resonates more than anything, you know.

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<v Speaker 1>As far as creating and performing, well, I'm gonna be honest.

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<v Speaker 3>Whenever I know I got to show what you, I'll

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<v Speaker 3>be like, make sure I go before meth Oh.

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<v Speaker 1>Damn, why I don't like performing after you?

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<v Speaker 2>I'm like that with us kill the game.

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<v Speaker 1>This nigga be walking on people's hands. This nigga go

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<v Speaker 1>out there and walk up people and people just standing there.

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<v Speaker 3>I used to do that shit, yes, sir, And you

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<v Speaker 3>be jumping on speakers and the ald type of crazyes it.

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<v Speaker 1>But you know what, a lot of that was dictated

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<v Speaker 1>by the energy in the room.

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<v Speaker 4>Man, And it's like you want to separate yourself from

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<v Speaker 4>everybody else, and that kind of separated me and Red

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<v Speaker 4>Man from everybody else.

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<v Speaker 2>You know when we get all stage, Like performing on stage,

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<v Speaker 2>it was nerve wracking. Like I'm saying, did you as

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<v Speaker 2>an MC, let's be honest, as an MC, did you

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<v Speaker 2>really did you prefer spitting in the studio or performing it?

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<v Speaker 4>Okay again both, but the thing is this, I would

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<v Speaker 4>rather a rhyme and a rhyme cipher than on stage

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<v Speaker 4>in front of a bunch of people because I know

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<v Speaker 4>those people in that cipher are there because they want

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<v Speaker 4>to be, not because they have to be. I mean

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<v Speaker 4>some of the people that I mean a lot of

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<v Speaker 4>people that come to the shows.

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<v Speaker 3>It's the same thing.

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<v Speaker 4>But I'm saying, like, you're amongst peers there that are

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<v Speaker 4>going to get everything that you say. So that's the

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<v Speaker 4>biggest element for me right there. Even when I'm on stage,

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<v Speaker 4>I'm still in that rhyme cipher. Three hundred and sixty

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<v Speaker 4>degrees perfect.

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<v Speaker 3>Yeah, I'm gonna tell you something matter, And I got

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<v Speaker 3>your personal phone number me and you talk a lot

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<v Speaker 3>men you there for me.

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<v Speaker 1>Did records with you with the random text and shit,

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<v Speaker 1>I love you, Lord, I always.

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<v Speaker 3>But I'm gonna tell you something. This is something that

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<v Speaker 3>I cried and I never shared it with you. I

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<v Speaker 3>never shared it with Ray, I never shared it with ghosts,

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<v Speaker 3>I never shared it with none of y'all. But when

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<v Speaker 3>I'm seeing the Wu Tang documentary and y'all seeing y'all

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<v Speaker 3>looking at each other and y'all rhyming, and then like

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<v Speaker 3>you over there to the side, Ray is over there

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<v Speaker 3>to the side, and y'all just talking, and you're a

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<v Speaker 3>reminiscent I can't lie to you.

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<v Speaker 1>I think that's very moment is when I really was like.

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<v Speaker 3>I really really love hip hop, Like I.

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<v Speaker 1>Really love that iconic how How Legends.

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<v Speaker 3>Like they're just sitting there and they just talking and

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<v Speaker 3>it's just like it's like the Avengers. It's like superheroes

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<v Speaker 3>talking to each other, to each other, and I'm looking

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<v Speaker 3>at y'all and then and then y'all still got jokes,

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<v Speaker 3>y'all still guard each other.

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<v Speaker 4>It's funny, Noordy, because every now and then when I'm

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<v Speaker 4>on stage with these brothers, you know, especially when it's

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<v Speaker 4>not your turn to go, or you just watching the

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<v Speaker 4>performance like everybody else in the audience, and I'm I'm

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<v Speaker 4>looking at them, and I see those same guys that

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<v Speaker 4>I used to rhyme with in the staircase, and it

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<v Speaker 4>kind of brings a smile to my face in a

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<v Speaker 4>little chuckle because it's like, Nigga, I remember used to

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<v Speaker 4>wear the same pants everything. Look at you go, boy,

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<v Speaker 4>do that damn thing and that that It's hard to describe,

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<v Speaker 4>but I'm pretty sure y'all get where I'm going with this.

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<v Speaker 4>And shit to see yourself as a child again, but

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<v Speaker 4>from a man's standpoint, that outer body experience and seeing

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<v Speaker 4>the people that you grew up with prosper the same

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<v Speaker 4>way you did.

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<v Speaker 1>Man, you wish you could bring everybody with you.

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<v Speaker 6>Now.

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<v Speaker 3>I was luckily enough to go see Wu Tang and

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<v Speaker 3>Nas performed together. What I didn't realize I got to

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<v Speaker 3>experience y'all in Paris. But what I didn't realize was

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<v Speaker 3>it wasn't a Wu Tang show and then a NAS show.

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<v Speaker 3>It was actually a Wu Tang NAS show. Yeah, y'all,

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<v Speaker 3>motherfucking mixed that shit up.

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<v Speaker 1>I sat there.

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<v Speaker 3>I again, I never had another fan moment like I

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<v Speaker 3>was sitting there. Whoever was filming me? So there was

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<v Speaker 3>one person was filming me.

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<v Speaker 1>He got me.

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<v Speaker 2>Because I'm just like a ah. But who put that together?

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<v Speaker 1>Was that? Rizza? I think it was a combination of

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<v Speaker 1>NASA's camp in our camp.

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<v Speaker 2>Okay, let Mike stape version of it.

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<v Speaker 4>Yeah, I honestly, you see the workload that we have

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<v Speaker 4>over the years as well as NASA's and different crossroads

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<v Speaker 4>have come where we've done collaboro's especially with Chef and

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<v Speaker 4>Ray and NAS. You know, they like brothers from another mother.

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<v Speaker 4>So when this whole shit was put together, of course,

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<v Speaker 4>we're going to have that concept. But the funny thing

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<v Speaker 4>was I didn't make the tour at first because I

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<v Speaker 4>was filming. I came later on and again one of

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<v Speaker 4>those moments where you start with something and then you

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<v Speaker 4>see the progression. And when I got there, I'm inspecting,

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<v Speaker 4>you know, it's a Wu Tang show.

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<v Speaker 1>But we got nas now right.

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<v Speaker 4>This shit was like a Broadway play and I was like, Wow,

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<v Speaker 4>it really was. These dudes are really doing it, man.

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<v Speaker 4>I don't think I want to miss too many more shows.

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<v Speaker 3>I tell you that I went to the Paris show

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<v Speaker 3>and big up to Steve Rifkin.

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<v Speaker 1>I believe it's actually a nigga. I lost my water.

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<v Speaker 3>Your water's right here.

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<v Speaker 1>When I'm open, they bring you a new one. That's

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<v Speaker 1>that weed be and I got it from Atlanta. M hm,

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<v Speaker 1>go ahead, man, rest in peace, Rachel.

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<v Speaker 2>But can I say something. I just want to say

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<v Speaker 2>something about meth. You are the epitome of the evolution

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<v Speaker 2>of hip hop. Appreciate that and let me make more

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<v Speaker 2>sense of that. Hip hop has to grow up. Yeah,

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<v Speaker 2>and I feel like hip hop has a problem growing up.

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<v Speaker 3>No, it's just the audience. I'm gonna keep it a

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<v Speaker 3>buck with you.

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<v Speaker 4>This has always been a young man's support and you

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<v Speaker 4>can't blame them for that, right, I will blame them

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<v Speaker 4>for that, to be honest. Quality of the work has

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<v Speaker 4>been so good that it has went past just you know,

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<v Speaker 4>this era and then it's over, nah, because some of

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<v Speaker 4>these guys that came from those earlier eras are still

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<v Speaker 4>relevant today.

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<v Speaker 1>And like I said, I go to a lot.

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<v Speaker 4>Of concerts and things of that nature, and you know,

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<v Speaker 4>some of the newer cats they put asides in seats,

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<v Speaker 4>but the older cats have been filling up arenas with unity,

0:12:22.760 --> 0:12:24.840
<v Speaker 4>a lot of us together and that shit is crazy

0:12:24.920 --> 0:12:25.760
<v Speaker 4>to me for real.

0:12:25.960 --> 0:12:28.360
<v Speaker 2>But I have more to add to that. Yeah, you

0:12:28.800 --> 0:12:31.200
<v Speaker 2>as an elder. And the thing is when I say

0:12:31.280 --> 0:12:33.560
<v Speaker 2>elder statements were all involved.

0:12:33.360 --> 0:12:37.800
<v Speaker 1>Hey man, all of us do them alright with it?

0:12:39.040 --> 0:12:39.760
<v Speaker 2>You know in Spanish?

0:12:39.960 --> 0:12:42.319
<v Speaker 1>You me and man, come down me.

0:12:46.760 --> 0:12:51.160
<v Speaker 2>All I'm saying is this, you're representing the way that

0:12:51.800 --> 0:12:54.280
<v Speaker 2>hip hop evolved in the sense that we can keep,

0:12:54.600 --> 0:12:59.800
<v Speaker 2>we can act, we can produce, we can executive produce.

0:13:00.679 --> 0:13:03.200
<v Speaker 2>You're doing all of that, and that's what hip hop

0:13:03.280 --> 0:13:08.000
<v Speaker 2>could continue to do. Hip Hop can't involve everything. Hip

0:13:08.000 --> 0:13:09.680
<v Speaker 2>hop is everything.

0:13:10.160 --> 0:13:12.319
<v Speaker 1>Actually it does We just need to see at the

0:13:12.400 --> 0:13:15.960
<v Speaker 1>table where hip hop is being controlled and distributed at

0:13:16.040 --> 0:13:16.560
<v Speaker 1>you know what I mean.

0:13:18.000 --> 0:13:20.679
<v Speaker 3>That's that's the bottom line. We went from stabbing Samuel L.

0:13:20.800 --> 0:13:21.400
<v Speaker 3>Jackson to.

0:13:24.800 --> 0:13:25.120
<v Speaker 1>Power.

0:13:25.440 --> 0:13:28.000
<v Speaker 4>All Right, you're really a lawyer that part. Shout out

0:13:28.040 --> 0:13:30.400
<v Speaker 4>to Michael Rainey you as a lawyer. No, No, shout

0:13:30.440 --> 0:13:32.760
<v Speaker 4>out to Michael Rainey Jr. Because a lot of y'all

0:13:32.800 --> 0:13:36.520
<v Speaker 4>and y'all got to keep it above after Omari was killed,

0:13:37.000 --> 0:13:39.360
<v Speaker 4>y'all did not want to see to recap his own show.

0:13:39.840 --> 0:13:41.720
<v Speaker 4>A lot of people were shitting on this young man.

0:13:41.760 --> 0:13:44.280
<v Speaker 4>We're not even shitting on him, just on the character.

0:13:44.679 --> 0:13:47.040
<v Speaker 4>And I believe he did a great job. He carried

0:13:47.120 --> 0:13:49.959
<v Speaker 4>that show and we're on our last season now. We

0:13:50.080 --> 0:13:52.640
<v Speaker 4>were blessed to even have four season, So thank you guys.

0:13:52.720 --> 0:13:56.400
<v Speaker 4>Y'all played a major part. Now, did you ever think that.

0:13:58.400 --> 0:14:04.240
<v Speaker 1>You'll be then? Would be? She said, we love you Davis. Okay.

0:14:05.280 --> 0:14:08.880
<v Speaker 1>Did you ever think it's a two part question? One?

0:14:08.960 --> 0:14:11.800
<v Speaker 3>Did you ever think you'd be acting? Because I heard

0:14:11.840 --> 0:14:14.959
<v Speaker 3>that you on on a let me break this down.

0:14:15.360 --> 0:14:18.280
<v Speaker 3>I heard on the set of Soul playing you was

0:14:18.600 --> 0:14:22.440
<v Speaker 3>very very serious. You was absolutely you was telling people yo.

0:14:24.120 --> 0:14:27.120
<v Speaker 1>We're acting now, right, I don't know if I like

0:14:27.240 --> 0:14:29.320
<v Speaker 1>you right now? We acting that kind of ship.

0:14:29.480 --> 0:14:34.200
<v Speaker 3>Yes, so, and I know I asked you this in

0:14:34.280 --> 0:14:37.200
<v Speaker 3>a different way. But isn't that called method acted?

0:14:38.680 --> 0:14:38.720
<v Speaker 6>No?

0:14:39.680 --> 0:14:43.920
<v Speaker 4>No, I mean let's say, let's say, because I mean

0:14:44.040 --> 0:14:48.080
<v Speaker 4>method actors, they they do that extra step where if

0:14:48.080 --> 0:14:50.240
<v Speaker 4>they're playing a homeless person, they're going to go live on.

0:14:50.280 --> 0:14:51.760
<v Speaker 3>The street for like three hunts.

0:14:52.360 --> 0:14:55.520
<v Speaker 2>I feel that is a method actor. I feel like

0:14:55.680 --> 0:14:56.840
<v Speaker 2>you were one of those guys.

0:14:57.160 --> 0:14:59.640
<v Speaker 1>I can't even change my accent up, it's what but

0:14:59.720 --> 0:15:04.600
<v Speaker 1>we can, don't you? Actually? Yeah, that shit is hard

0:15:04.640 --> 0:15:05.440
<v Speaker 1>for me. That's that's all.

0:15:05.560 --> 0:15:08.760
<v Speaker 4>That's as far as it goes, damnseon interests, that's as

0:15:08.800 --> 0:15:09.760
<v Speaker 4>far as my ship go.

0:15:11.160 --> 0:15:13.840
<v Speaker 3>But but so so because I want to I got

0:15:13.920 --> 0:15:15.600
<v Speaker 3>more questions pertaining to that.

0:15:15.760 --> 0:15:18.120
<v Speaker 1>But what made you say that when?

0:15:18.200 --> 0:15:21.400
<v Speaker 3>Because I mean, this is the big rumor in the industry,

0:15:21.480 --> 0:15:25.720
<v Speaker 3>like method Man was serious or Soul paying Plane cast.

0:15:26.240 --> 0:15:30.200
<v Speaker 1>Well, when you're coming into a different realm or different craft,

0:15:30.640 --> 0:15:32.720
<v Speaker 1>there are people that have been doing this ship for

0:15:32.880 --> 0:15:35.560
<v Speaker 1>years and haven't got the opportunities that you're.

0:15:35.520 --> 0:15:37.960
<v Speaker 4>Maybe getting at this moment. So you want to be

0:15:38.240 --> 0:15:42.800
<v Speaker 4>able to say that this wasn't a fluke first and foremost,

0:15:42.920 --> 0:15:45.640
<v Speaker 4>and I'm willing to do the work, you know, so

0:15:45.760 --> 0:15:48.760
<v Speaker 4>it doesn't feel like entitlement or anything like that. And ship,

0:15:48.880 --> 0:15:50.960
<v Speaker 4>you know, and I think people can respect that, especially

0:15:50.960 --> 0:15:53.600
<v Speaker 4>if you're willing to do the work, right, I respect that.

0:15:54.160 --> 0:15:56.960
<v Speaker 3>I'm scared to death to be on a set with you. Nah, crazy,

0:15:57.280 --> 0:15:59.960
<v Speaker 3>I'm fucking with you, not meth Our show is by

0:16:00.080 --> 0:16:01.560
<v Speaker 3>giving people flowers.

0:16:01.560 --> 0:16:04.440
<v Speaker 1>Right, we got a flower, your flowers, We got the

0:16:04.600 --> 0:16:05.040
<v Speaker 1>new ship.

0:16:05.840 --> 0:16:08.280
<v Speaker 2>This is a alumni flower an.

0:16:10.880 --> 0:16:12.600
<v Speaker 1>No one else has these flowers.

0:16:13.520 --> 0:16:16.200
<v Speaker 3>This is the first off because we already got your flowers.

0:16:16.200 --> 0:16:16.720
<v Speaker 3>So this is a.

0:16:19.160 --> 0:16:22.320
<v Speaker 1>Fire, Jobe. That is fire.

0:16:23.000 --> 0:16:26.800
<v Speaker 4>I can't smoke it though, but that is fire. Thank

0:16:26.840 --> 0:16:29.640
<v Speaker 4>you guys, really appreciate that. But let me talk to

0:16:29.720 --> 0:16:37.360
<v Speaker 4>the crowd real quick. Let me tell you how much this.

0:16:37.480 --> 0:16:40.640
<v Speaker 3>Man means to the culture, but let me also tell

0:16:40.680 --> 0:16:43.720
<v Speaker 3>you how humble he is to the culture. Like, this

0:16:43.920 --> 0:16:47.280
<v Speaker 3>man came to my neighborhood, yeah left rack City, came

0:16:47.320 --> 0:16:50.920
<v Speaker 3>and shot a video with myself by himself, and he

0:16:51.120 --> 0:16:54.880
<v Speaker 3>stayed and he took a pictures with every single person.

0:16:54.960 --> 0:16:59.120
<v Speaker 1>He's not gonna do that tonight. Maybe I don't know

0:16:59.200 --> 0:17:00.000
<v Speaker 1>I'm throwing it on him.

0:17:00.600 --> 0:17:04.800
<v Speaker 3>But what I'm saying is, at the level you are

0:17:05.320 --> 0:17:08.760
<v Speaker 3>in success, how do you still remain.

0:17:08.560 --> 0:17:11.600
<v Speaker 1>Humbled like that? Well? I know how I got here,

0:17:12.040 --> 0:17:12.600
<v Speaker 1>you know, And.

0:17:15.200 --> 0:17:18.159
<v Speaker 4>A lot of people supported U Tang in the early years,

0:17:18.240 --> 0:17:22.080
<v Speaker 4>and that's the main reason why we're revered today. We

0:17:22.200 --> 0:17:24.760
<v Speaker 4>didn't switch up on them, So why would I switch

0:17:24.880 --> 0:17:27.879
<v Speaker 4>up now, you know? Plus, I mean that's just me.

0:17:29.040 --> 0:17:31.480
<v Speaker 1>People always talk about the sexy thing and I get it,

0:17:31.920 --> 0:17:33.040
<v Speaker 1>and I don't know.

0:17:34.200 --> 0:17:39.640
<v Speaker 4>Look, okay, look, I mean girls, Okay, sorry, I don't

0:17:39.680 --> 0:17:42.720
<v Speaker 4>even like bringing the ship up. It seems like a

0:17:42.840 --> 0:17:46.320
<v Speaker 4>dude is ungrateful or let me just say this. I'm

0:17:46.359 --> 0:17:49.600
<v Speaker 4>smart enough to know what it means, right, but humble

0:17:49.760 --> 0:17:52.320
<v Speaker 4>enough to not let it go to my head. That's

0:17:52.440 --> 0:17:55.880
<v Speaker 4>all I'm doing right there. That's the main thing for real.

0:17:56.400 --> 0:17:58.399
<v Speaker 1>And I'm fifty three and I'm happy to be in

0:17:58.480 --> 0:18:01.800
<v Speaker 1>the shell that I'm in right now, to be living loving.

0:18:02.119 --> 0:18:04.280
<v Speaker 1>So what you guys see, as far as the physical,

0:18:04.640 --> 0:18:06.920
<v Speaker 1>that's from the inner, and what's coming from the inner

0:18:07.160 --> 0:18:14.920
<v Speaker 1>is happiness, genuine happiness. So g you that's right. I

0:18:15.040 --> 0:18:20.280
<v Speaker 1>want to ask God comes down. I always you know,

0:18:21.080 --> 0:18:21.720
<v Speaker 1>God comes down.

0:18:22.000 --> 0:18:24.760
<v Speaker 3>God comes down and says, man, you got one record

0:18:24.760 --> 0:18:27.480
<v Speaker 3>you could make to seem to save the world with

0:18:27.640 --> 0:18:34.840
<v Speaker 3>a producer, one producer and one feature. Who is the producer?

0:18:36.000 --> 0:18:39.640
<v Speaker 3>I believe I know who the producer is, but then who.

0:18:39.640 --> 0:18:42.119
<v Speaker 1>Is the feature? First of all, I'm gonna be like

0:18:42.160 --> 0:18:45.399
<v Speaker 1>what you're doing in my living room? Bro, God, you

0:18:45.440 --> 0:18:46.240
<v Speaker 1>gonna question God.

0:18:46.359 --> 0:18:49.200
<v Speaker 2>I'm going to assume be Lord Peace to the God.

0:18:49.400 --> 0:18:50.080
<v Speaker 2>Can I assume?

0:18:50.200 --> 0:18:50.520
<v Speaker 1>All right?

0:18:50.560 --> 0:18:51.840
<v Speaker 2>So can I assume the one?

0:18:52.480 --> 0:18:58.320
<v Speaker 1>You can assumes?

0:18:58.560 --> 0:18:59.399
<v Speaker 2>I can't produce?

0:19:00.200 --> 0:19:02.359
<v Speaker 1>There is but I already did something with these guys.

0:19:02.400 --> 0:19:04.439
<v Speaker 1>But I'm just gonna use it again. Snoop and Dre.

0:19:05.480 --> 0:19:08.720
<v Speaker 3>Oh wait, so, so dra would be the producer and

0:19:08.920 --> 0:19:11.879
<v Speaker 3>Snoop would be the feature. That's why hold hold up,

0:19:12.240 --> 0:19:16.520
<v Speaker 3>hold up, hold up one second. That's fine, let's really

0:19:16.800 --> 0:19:23.080
<v Speaker 3>speak about this. Your one producer and one feature is

0:19:23.640 --> 0:19:27.920
<v Speaker 3>Dre Drake. It's like you said, Drake.

0:19:28.119 --> 0:19:30.000
<v Speaker 4>Yeah, because every time I work with Dre, I feel

0:19:30.040 --> 0:19:32.680
<v Speaker 4>like I need to do over you know what I mean,

0:19:32.880 --> 0:19:35.399
<v Speaker 4>went in the studio. I was in the studio the

0:19:35.440 --> 0:19:37.400
<v Speaker 4>first time I was in the studio with him physically

0:19:37.480 --> 0:19:41.840
<v Speaker 4>there that that chronic different because I never got that.

0:19:42.000 --> 0:19:43.919
<v Speaker 4>I mean, I spit a verse, but it wasn't up

0:19:43.960 --> 0:19:44.359
<v Speaker 4>to par.

0:19:44.400 --> 0:19:47.879
<v Speaker 2>From me, So Dre was gracious for the chronic.

0:19:47.960 --> 0:19:50.400
<v Speaker 1>You say it wasn't for the chronic. I'm smoking that ship.

0:19:52.640 --> 0:19:54.920
<v Speaker 4>And got caught in them and what's caught in the moment,

0:19:56.240 --> 0:19:58.840
<v Speaker 4>But Drey was gracious enough to not put it out.

0:19:59.200 --> 0:20:02.440
<v Speaker 1>It kind of leaked any more fucking way. The second

0:20:02.520 --> 0:20:03.320
<v Speaker 1>shot I got.

0:20:03.760 --> 0:20:05.520
<v Speaker 4>It's for the Dray and Snoop joint coming up in

0:20:05.600 --> 0:20:08.720
<v Speaker 4>case I ain't no SI went back in and oh

0:20:08.800 --> 0:20:11.000
<v Speaker 4>he got a lot of fire ship on there, man.

0:20:12.400 --> 0:20:13.639
<v Speaker 1>Joint. Yes, I am.

0:20:14.320 --> 0:20:16.240
<v Speaker 4>And still I feel like I could have done a

0:20:16.320 --> 0:20:20.000
<v Speaker 4>little bit more. But I'm always gonna feel that right now.

0:20:20.040 --> 0:20:21.200
<v Speaker 4>I'm always gonna feel that way.

0:20:21.320 --> 0:20:21.480
<v Speaker 1>Yeah.

0:20:21.880 --> 0:20:27.240
<v Speaker 3>But one thing, uh, I noticed being on the on

0:20:28.240 --> 0:20:31.440
<v Speaker 3>the on the tour. Yeah, I mean, well it wasn't

0:20:31.480 --> 0:20:33.119
<v Speaker 3>like I was on the tour the whole time. But

0:20:33.200 --> 0:20:35.200
<v Speaker 3>I went to that Paris day and I seen it,

0:20:35.480 --> 0:20:38.720
<v Speaker 3>and I seen the camarderie of Wu Tang backstage. I

0:20:38.840 --> 0:20:42.879
<v Speaker 3>went to Na's trailer mixcuse me room, and then I

0:20:42.920 --> 0:20:46.040
<v Speaker 3>went to Wu Tang room and it was still like

0:20:46.320 --> 0:20:50.040
<v Speaker 3>Rizza was still like amongst the brothers. He was still

0:20:50.080 --> 0:20:52.520
<v Speaker 3>amongst the brothers, and he sat there and this is

0:20:52.560 --> 0:20:54.520
<v Speaker 3>the first time I ever seen anybody ever do this

0:20:54.640 --> 0:21:00.480
<v Speaker 3>in my life. Rizza had vodka and Japanese whiskey. Yeah,

0:21:01.520 --> 0:21:05.320
<v Speaker 3>And I was looking like, just don't go together, Riza ship,

0:21:05.480 --> 0:21:07.080
<v Speaker 3>but he was like, take a shot with me, and

0:21:07.240 --> 0:21:07.600
<v Speaker 3>I did.

0:21:08.640 --> 0:21:08.960
<v Speaker 2>Ship.

0:21:09.800 --> 0:21:12.640
<v Speaker 3>I couldn't say no to Riza to drink you under

0:21:12.680 --> 0:21:15.880
<v Speaker 3>the table. It's that like, because I'm by the way.

0:21:16.119 --> 0:21:17.879
<v Speaker 3>He didn't give me life, he didn't give me the

0:21:17.920 --> 0:21:18.400
<v Speaker 3>Book of life.

0:21:18.720 --> 0:21:22.440
<v Speaker 2>What did he say to him? What I couldn't say,

0:21:23.840 --> 0:21:26.159
<v Speaker 2>Is that so part of the story that he fuck up?

0:21:26.520 --> 0:21:27.040
<v Speaker 1>I don't know.

0:21:27.200 --> 0:21:28.399
<v Speaker 3>But Rizza can drink.

0:21:28.480 --> 0:21:31.080
<v Speaker 1>And if Rizay can drink someone under the table and

0:21:31.240 --> 0:21:32.840
<v Speaker 1>still play back on.

0:21:32.960 --> 0:21:35.560
<v Speaker 3>The kind of he was still on point. But what

0:21:35.600 --> 0:21:38.119
<v Speaker 3>I'm saying is my point of this question was I

0:21:38.200 --> 0:21:39.080
<v Speaker 3>couldn't tell him no.

0:21:40.920 --> 0:21:43.399
<v Speaker 1>Yeah, I mean he could. He could be like that.

0:21:43.600 --> 0:21:45.919
<v Speaker 3>It could. It could be like that sometimes not with us,

0:21:46.000 --> 0:21:48.399
<v Speaker 3>though we grew up with who's saying can say no

0:21:48.600 --> 0:21:49.840
<v Speaker 3>to yeah all the time?

0:21:49.920 --> 0:21:50.800
<v Speaker 1>Okay, at the.

0:21:50.880 --> 0:21:53.000
<v Speaker 4>Time, I did not know, matter of fact to verify.

0:21:53.520 --> 0:21:56.280
<v Speaker 4>Bring him on drink Champs and you'll see, well, you.

0:21:56.320 --> 0:21:58.040
<v Speaker 3>Know, we had this whole thing. We was going to

0:21:58.080 --> 0:22:01.560
<v Speaker 3>meet Rizza in Japan. We were supposed to do drink

0:22:02.160 --> 0:22:03.879
<v Speaker 3>and I'm blowing it up. We might be, we might be,

0:22:04.080 --> 0:22:08.680
<v Speaker 3>we might be fucking it up. But so I you're

0:22:08.840 --> 0:22:12.320
<v Speaker 3>part of one of the greatest groups in hip hop,

0:22:12.640 --> 0:22:16.080
<v Speaker 3>if not the greatest group and hippo right right, thank you,

0:22:17.040 --> 0:22:17.920
<v Speaker 3>thank he is one.

0:22:17.800 --> 0:22:20.639
<v Speaker 2>Of the leads of the greatest hip hop groups.

0:22:21.000 --> 0:22:22.920
<v Speaker 1>We all time, We all leads.

0:22:23.160 --> 0:22:27.040
<v Speaker 2>So not real talk, not real talk. Listen, Meth. You

0:22:27.160 --> 0:22:30.440
<v Speaker 2>could be humble and all this ship, but you led

0:22:31.160 --> 0:22:34.920
<v Speaker 2>that thing. You let the thing that was Wu Tang clan.

0:22:35.720 --> 0:22:38.720
<v Speaker 2>We all love Whu Tang, but you let that movement.

0:22:39.240 --> 0:22:41.400
<v Speaker 4>Let me get that Lacroix can from the small fuck

0:22:41.640 --> 0:22:43.800
<v Speaker 4>now I'm playing with you. I love you, brother, Thank you,

0:22:43.920 --> 0:22:46.199
<v Speaker 4>thank you. I really, I really really appreciate you. Let

0:22:46.280 --> 0:22:49.399
<v Speaker 4>it bro, I really appreciate you. Somebody feel like that

0:22:49.760 --> 0:22:53.320
<v Speaker 4>as a whole. I haven't made a record by myself

0:22:53.400 --> 0:22:57.000
<v Speaker 4>that was even close to the hit that Cream was, so.

0:22:57.160 --> 0:22:59.520
<v Speaker 1>I'll leave it right there around me. And that was

0:22:59.600 --> 0:23:02.920
<v Speaker 1>a group perfect dollar dollar baill y'all one more time

0:23:03.280 --> 0:23:09.359
<v Speaker 1>cast through everything around me and as far as the

0:23:09.520 --> 0:23:12.440
<v Speaker 1>best verse ever to come out of that came that

0:23:12.640 --> 0:23:16.800
<v Speaker 1>goes to inspect the deck on triumph. So as a collective,

0:23:17.640 --> 0:23:18.680
<v Speaker 1>they make me great.

0:23:18.920 --> 0:23:24.880
<v Speaker 2>So we all Amy, we gotta figure it out.

0:23:25.280 --> 0:23:26.359
<v Speaker 3>You got gotta work that.

0:23:30.880 --> 0:23:33.720
<v Speaker 1>You gotta spell the whole ship, say the man, my

0:23:33.840 --> 0:23:37.000
<v Speaker 1>brother E G h O D man.

0:23:38.280 --> 0:23:38.760
<v Speaker 2>H O D.

0:23:40.400 --> 0:23:46.560
<v Speaker 1>D h O D. I'm gonna be I love it,

0:23:46.800 --> 0:23:48.280
<v Speaker 1>I love it. Yeah, let me let you let me.

0:23:49.000 --> 0:23:52.359
<v Speaker 2>I'm just saying that to me, is like the epitome

0:23:53.359 --> 0:23:53.960
<v Speaker 2>of hip hop.

0:23:54.000 --> 0:23:57.359
<v Speaker 4>Bro Thank you broes, thank you lucky enough to come

0:23:57.440 --> 0:23:59.240
<v Speaker 4>up in the narrow where it was about lyrics and ship.

0:24:00.440 --> 0:24:06.080
<v Speaker 4>So the most important thing to us still at this

0:24:06.240 --> 0:24:08.800
<v Speaker 4>point in time, is what's coming out of our mouths

0:24:08.880 --> 0:24:13.000
<v Speaker 4>and shit right and wu tang. It wasn't about because

0:24:13.000 --> 0:24:14.679
<v Speaker 4>the era before that, you know, and I'm not going

0:24:14.760 --> 0:24:16.400
<v Speaker 4>to say any names, but we were starting to wear

0:24:16.440 --> 0:24:16.879
<v Speaker 4>the suits.

0:24:17.840 --> 0:24:20.200
<v Speaker 3>Not shiny suits that came after. We were starting to

0:24:20.240 --> 0:24:22.720
<v Speaker 3>wear the suits, you know, like the.

0:24:24.400 --> 0:24:26.560
<v Speaker 4>Miami Vice shit and all that shit. Niggas were pulling

0:24:26.600 --> 0:24:31.040
<v Speaker 4>their sleeves up on the suits. No, it was dancing

0:24:31.440 --> 0:24:32.760
<v Speaker 4>R and B records with.

0:24:32.920 --> 0:24:35.159
<v Speaker 1>Hip hop lyrics, y'all know what I'm talking about. Just

0:24:35.280 --> 0:24:40.119
<v Speaker 1>do your research. But no, no, no, I'm saying Wu tang.

0:24:40.680 --> 0:24:44.560
<v Speaker 1>We came from Let's put it this way, we were

0:24:44.720 --> 0:24:47.520
<v Speaker 1>what people identified with every day in the streets. We

0:24:47.720 --> 0:24:51.240
<v Speaker 1>weren't the MTV Yo, MTV raps crowd, things like that.

0:24:51.560 --> 0:24:53.960
<v Speaker 4>And to see someone up there that looked like you,

0:24:54.280 --> 0:24:57.480
<v Speaker 4>dressed like you, didn't have money and was struggling, and

0:24:57.560 --> 0:24:59.080
<v Speaker 4>all they talked about was the struggle.

0:24:59.520 --> 0:25:02.360
<v Speaker 1>People love that ship man. They always root for the underdog,

0:25:02.520 --> 0:25:06.160
<v Speaker 1>you know. And our first tour was a fifteen passenger

0:25:06.240 --> 0:25:09.560
<v Speaker 1>fucking van. We got p d ms every fucking day,

0:25:09.720 --> 0:25:14.600
<v Speaker 1>thirty five dollars. Fantastic. Huh fantastic was the van. No,

0:25:14.680 --> 0:25:16.000
<v Speaker 1>I don't know what the van was. It was just

0:25:16.080 --> 0:25:19.080
<v Speaker 1>a big van, a fifteen passengers, you know, with regular shit.

0:25:19.560 --> 0:25:23.240
<v Speaker 1>You know, we're sleeping the shits, traveling from state to state.

0:25:23.720 --> 0:25:26.440
<v Speaker 1>Put in the grind there and at the end of

0:25:26.480 --> 0:25:28.480
<v Speaker 1>the day, and shit, it made us the artist that

0:25:28.600 --> 0:25:30.840
<v Speaker 1>we are today. We didn't get it handed to us.

0:25:30.880 --> 0:25:32.880
<v Speaker 1>We had to go out there and get that ship.

0:25:39.520 --> 0:25:41.840
<v Speaker 1>I remember fucking hustling just to get a first class

0:25:41.920 --> 0:25:45.119
<v Speaker 1>seat from death jam nigga, I'm serious, Yeah, you got

0:25:45.200 --> 0:25:47.119
<v Speaker 1>you had to be you had to be gold, right,

0:25:47.480 --> 0:25:49.399
<v Speaker 1>That was big for me. No, you ain't have to

0:25:49.480 --> 0:25:51.760
<v Speaker 1>be gold. You just had to you know. I think,

0:25:52.160 --> 0:25:54.280
<v Speaker 1>let's just say this, you just had to know your value.

0:25:54.480 --> 0:25:58.800
<v Speaker 1>Fuck what they was talking about now.

0:26:00.040 --> 0:26:02.240
<v Speaker 3>I'm not gonna say no names like how you said earlier.

0:26:02.680 --> 0:26:07.119
<v Speaker 3>But all of these executives, yeah, somewhat, are getting fired.

0:26:08.440 --> 0:26:12.160
<v Speaker 3>They're not making They're stepping down. They're stepping down.

0:26:12.240 --> 0:26:13.160
<v Speaker 1>Okay, that's what I said.

0:26:13.320 --> 0:26:14.000
<v Speaker 2>Getting fired.

0:26:14.480 --> 0:26:16.240
<v Speaker 1>Could be it could be a plethora of things. What

0:26:16.400 --> 0:26:16.680
<v Speaker 1>could be?

0:26:16.960 --> 0:26:21.359
<v Speaker 2>Fuck is happening that they too full? There's some ship

0:26:21.520 --> 0:26:22.600
<v Speaker 2>happening right now.

0:26:23.760 --> 0:26:26.119
<v Speaker 1>It could be. It could be. Honestly, it could be

0:26:26.160 --> 0:26:27.080
<v Speaker 1>a lot of things, though.

0:26:27.119 --> 0:26:28.320
<v Speaker 2>What the fuck is happening?

0:26:28.520 --> 0:26:30.879
<v Speaker 1>They could be full full of ship.

0:26:31.480 --> 0:26:38.320
<v Speaker 4>Maybe they know something we don't about the market or whatever. Probably,

0:26:38.960 --> 0:26:42.520
<v Speaker 4>or third, everybody reads way too much fucking social media

0:26:42.880 --> 0:26:44.640
<v Speaker 4>and they're.

0:26:44.520 --> 0:26:44.960
<v Speaker 1>Out of here.

0:26:45.840 --> 0:26:52.280
<v Speaker 2>Walk are being bunk and done. Fuck these people the

0:26:52.440 --> 0:26:55.159
<v Speaker 2>music getting ships full of ship, and they proved it

0:26:55.480 --> 0:26:58.919
<v Speaker 2>because they all left. We're full of ship and we're leaving.

0:26:59.800 --> 0:27:01.879
<v Speaker 1>About the guy, what about the guy at Nikes.

0:27:02.080 --> 0:27:05.240
<v Speaker 2>Let's be honest, guys, the music industry is ship.

0:27:05.640 --> 0:27:07.880
<v Speaker 3>What about the guy at Nike. He stepped down as well.

0:27:08.000 --> 0:27:10.520
<v Speaker 2>Yeah, he's an asshole. Fuck I don't know that guy,

0:27:10.760 --> 0:27:11.560
<v Speaker 2>but fuck him too.

0:27:12.280 --> 0:27:12.840
<v Speaker 1>That's a lot.

0:27:13.800 --> 0:27:16.080
<v Speaker 2>I don't know that guy. I'm gonna seat this guy,

0:27:16.359 --> 0:27:17.160
<v Speaker 2>so fuck him.

0:27:21.880 --> 0:27:28.640
<v Speaker 1>The vote World makes up. Tell him that you really feel.

0:27:29.680 --> 0:27:31.960
<v Speaker 2>There's something happening in the industry. We don't know.

0:27:32.160 --> 0:27:34.720
<v Speaker 1>You haven't gotten mad that I keep calling you fin.

0:27:35.560 --> 0:27:37.879
<v Speaker 2>I've been doing it on bro, you know why, because

0:27:37.920 --> 0:27:38.440
<v Speaker 2>I love you.

0:27:38.600 --> 0:27:38.800
<v Speaker 3>Dog.

0:27:38.920 --> 0:27:42.200
<v Speaker 1>It's actually d dj e F n e F.

0:27:42.840 --> 0:27:46.359
<v Speaker 2>I'm dj e F fan and you've been doing drops

0:27:46.400 --> 0:27:48.240
<v Speaker 2>for me and you said my name right, yes, and

0:27:48.320 --> 0:27:48.960
<v Speaker 2>then you saved my.

0:27:49.080 --> 0:27:51.360
<v Speaker 1>Night wrong, and I'd be like, whatever is this time?

0:27:51.400 --> 0:27:53.520
<v Speaker 3>And you didn't catch it now, don't you?

0:27:53.680 --> 0:27:53.920
<v Speaker 2>Fuck?

0:27:54.160 --> 0:27:56.800
<v Speaker 1>It's fine though, I know why we have a Vote World,

0:27:57.240 --> 0:27:57.480
<v Speaker 1>and this.

0:27:57.640 --> 0:28:01.200
<v Speaker 3>Is black excellence at his finest and no excellence because

0:28:01.200 --> 0:28:03.400
<v Speaker 3>I'm so sorry.

0:28:03.440 --> 0:28:07.240
<v Speaker 1>Yes sir, yes sir, And contrary I'm not.

0:28:08.640 --> 0:28:11.639
<v Speaker 2>I'm a Cuban guy hanging out with people.

0:28:11.960 --> 0:28:15.480
<v Speaker 1>And contrary to what people think, latinos were very instrumental

0:28:15.480 --> 0:28:16.760
<v Speaker 1>when the start of hip hopcast.

0:28:16.880 --> 0:28:19.040
<v Speaker 3>Right, we're all here, and guess what for all of

0:28:19.080 --> 0:28:23.800
<v Speaker 3>y'all that don't know, these conferences these these conventions for

0:28:23.960 --> 0:28:26.919
<v Speaker 3>us to sit around, and you know it's important, bro

0:28:27.280 --> 0:28:29.720
<v Speaker 3>shake hands, kiss babies, and talk to each other.

0:28:30.040 --> 0:28:33.760
<v Speaker 1>It is very very detrimental to instrumental.

0:28:34.400 --> 0:28:35.479
<v Speaker 3>You know, they knew what I meant.

0:28:35.520 --> 0:28:38.920
<v Speaker 1>They know from resource, just helping out y'all getting better

0:28:38.960 --> 0:28:41.640
<v Speaker 1>at this resource. That's fire.

0:28:41.760 --> 0:28:48.480
<v Speaker 2>That was instrumental. Detrimental, you get detrimental instrumental.

0:28:49.760 --> 0:28:54.440
<v Speaker 3>So it's very important that we sitting around, we shake hands,

0:28:54.880 --> 0:28:57.640
<v Speaker 3>we kiss babies, We tell y'all how do we hear?

0:28:57.800 --> 0:29:00.680
<v Speaker 3>Because if we're not gonna make it, tell the better

0:29:01.160 --> 0:29:03.480
<v Speaker 3>than who will. So this is the reason why we're

0:29:03.520 --> 0:29:07.840
<v Speaker 3>here today. We are so honored to be interviewing our brother,

0:29:08.000 --> 0:29:11.920
<v Speaker 3>our friend, but an icon, a legend, motherfucker.

0:29:11.600 --> 0:29:14.800
<v Speaker 1>M A T H O D man. I mean it matters.

0:29:14.920 --> 0:29:16.240
<v Speaker 1>Gave him his flowers already.

0:29:18.080 --> 0:29:21.600
<v Speaker 3>Quick, We got quick time, We got up.

0:29:21.760 --> 0:29:24.200
<v Speaker 2>All right, are you ready?

0:29:24.480 --> 0:29:26.120
<v Speaker 1>Because he doesn't drink, so it's cool.

0:29:26.800 --> 0:29:27.440
<v Speaker 3>He can smoke.

0:29:27.960 --> 0:29:31.200
<v Speaker 1>Okay, do you want me started off? I can't man smoking.

0:29:31.240 --> 0:29:32.880
<v Speaker 1>I'm good. Okay, you don't have to smoke.

0:29:32.920 --> 0:29:36.120
<v Speaker 2>Okay, great one.

0:29:37.920 --> 0:29:39.320
<v Speaker 1>Why y'all did that last time?

0:29:39.360 --> 0:29:40.320
<v Speaker 3>I ain't answering that ship.

0:29:40.400 --> 0:29:44.000
<v Speaker 1>You just want to drink it's very we don't drink Yeah,

0:29:44.040 --> 0:29:46.240
<v Speaker 1>you're both both. Yeah, let's go.

0:29:46.440 --> 0:29:47.240
<v Speaker 2>I don't have a drink.

0:29:47.480 --> 0:29:52.280
<v Speaker 1>Yeah, go right. They said he's fine, y'all.

0:29:52.280 --> 0:29:56.000
<v Speaker 2>I was joking, jay Z or NOAs.

0:29:58.120 --> 0:30:04.760
<v Speaker 1>Jay Z and nas Man, you could. Entitled to your opinion,

0:30:05.920 --> 0:30:09.920
<v Speaker 1>very entitled to your opinions. Drink up, fellas, both.

0:30:15.040 --> 0:30:18.680
<v Speaker 3>Got let you do the whole day DMX A pop.

0:30:19.800 --> 0:30:22.520
<v Speaker 1>Are you both well? Yeah? Yeah, yeah, I knew X

0:30:22.600 --> 0:30:25.480
<v Speaker 1>way better. That's my brother right there. I'm gonna go X. Okay,

0:30:25.560 --> 0:30:27.280
<v Speaker 1>I'm gonna go X. A lot of people are gonna

0:30:27.280 --> 0:30:28.240
<v Speaker 1>be upset about that ship.

0:30:28.320 --> 0:30:31.560
<v Speaker 4>But the fact that I knew new X, that's why.

0:30:31.680 --> 0:30:36.440
<v Speaker 4>That's that's the basis of my choice. Big L or Biggie,

0:30:37.080 --> 0:30:38.000
<v Speaker 4>big l or biggie.

0:30:39.760 --> 0:30:44.760
<v Speaker 1>Damn, it's all these pot why I gotta be posthumous. Yea,

0:30:45.720 --> 0:30:50.200
<v Speaker 1>both drink up because that was my man's. Biggie was

0:30:50.240 --> 0:30:51.000
<v Speaker 1>my man's as well.

0:30:52.160 --> 0:30:54.560
<v Speaker 2>Red Man, old dirty bastard.

0:30:54.680 --> 0:30:57.680
<v Speaker 1>Anna drink up. That's too easy. Drink up, you should

0:30:57.720 --> 0:30:59.600
<v Speaker 1>have said, Red Mat I met it man, motherfucker. I

0:30:59.640 --> 0:31:02.480
<v Speaker 1>could just ocean real humility up here and been like

0:31:02.560 --> 0:31:03.160
<v Speaker 1>Red Man.

0:31:03.080 --> 0:31:06.040
<v Speaker 2>All day podcasts of radio.

0:31:08.880 --> 0:31:14.640
<v Speaker 1>Neither you fucking, blood sucking No, I'm playing. I like podcasts.

0:31:14.840 --> 0:31:16.880
<v Speaker 1>I'm not gonna lie. I'm not gonna lie. I like podcasts.

0:31:19.080 --> 0:31:23.960
<v Speaker 3>Even Missy Eve or Missy that's that doesn't even match.

0:31:24.760 --> 0:31:26.480
<v Speaker 2>It does match for this audience.

0:31:27.040 --> 0:31:28.960
<v Speaker 1>I mean, what would y'all say. I'll let y'all pick.

0:31:30.280 --> 0:31:33.280
<v Speaker 2>Wall Wait wait wait wait wait wait wait wow wait

0:31:33.400 --> 0:31:36.760
<v Speaker 2>well they spoke waits Yeah, which one is it?

0:31:39.560 --> 0:31:43.920
<v Speaker 1>Or is it Eve? So I'm going with miss Eve.

0:31:44.800 --> 0:31:47.000
<v Speaker 1>Big up to Eve. He got a book out right now,

0:31:47.480 --> 0:31:47.800
<v Speaker 1>you know I.

0:31:47.840 --> 0:31:51.479
<v Speaker 3>Knew Eva destructions.

0:31:52.440 --> 0:31:56.680
<v Speaker 1>It's Missy Eve. Y'all gotta drink, bro Yeah, drink all right,

0:31:56.920 --> 0:32:02.200
<v Speaker 1>go ahead. No you ain't pig e Missy, you ain't picked.

0:32:02.800 --> 0:32:05.080
<v Speaker 1>He didn't catch the nuance of ship Bud No, no.

0:32:05.200 --> 0:32:08.280
<v Speaker 2>No nuance and none of this ship. Are you ready

0:32:10.320 --> 0:32:10.760
<v Speaker 2>for Ella?

0:32:10.880 --> 0:32:11.080
<v Speaker 1>Yay?

0:32:13.160 --> 0:32:15.920
<v Speaker 2>Relax, everybody, you guys gotta relax.

0:32:16.400 --> 0:32:16.920
<v Speaker 1>Lamp pick.

0:32:18.480 --> 0:32:21.480
<v Speaker 4>Interesting, interesting because I don't really have a history with

0:32:21.600 --> 0:32:23.640
<v Speaker 4>either one of these brothers, but I mind if the

0:32:27.760 --> 0:32:30.240
<v Speaker 4>whatever it is, it's a lot of people are saying yay.

0:32:31.920 --> 0:32:37.520
<v Speaker 4>Y'all say yay? Who says phar real, you must be

0:32:37.640 --> 0:32:40.520
<v Speaker 4>from v A and the people that voted for ya

0:32:40.720 --> 0:32:41.640
<v Speaker 4>must be from right.

0:32:43.000 --> 0:32:44.480
<v Speaker 2>We were not drinking drinking.

0:32:44.640 --> 0:32:48.880
<v Speaker 1>Let's drink, let's drink, no drinking, drink, it's even drink.

0:32:50.120 --> 0:32:52.040
<v Speaker 1>It's even d j F And.

0:32:53.480 --> 0:32:59.840
<v Speaker 2>I'm not drinking. Sorry, buddy. All right, So Timberland or

0:33:00.080 --> 0:33:01.360
<v Speaker 2>Swiss beats.

0:33:03.120 --> 0:33:06.440
<v Speaker 4>The Swift shoot, yeah, drink it. No, no, no, no, no,

0:33:06.640 --> 0:33:09.680
<v Speaker 4>but I'm gonna say, I'm gonna say ship man. No,

0:33:11.000 --> 0:33:15.000
<v Speaker 4>I don't know, I never I'm uhh you worked with

0:33:15.360 --> 0:33:16.200
<v Speaker 4>you worked with Swift?

0:33:16.480 --> 0:33:16.640
<v Speaker 1>Yah?

0:33:19.040 --> 0:33:21.920
<v Speaker 2>Should we ask an audience? Nah?

0:33:22.120 --> 0:33:23.840
<v Speaker 1>I mean hold on, hold up?

0:33:24.600 --> 0:33:24.760
<v Speaker 3>Is it?

0:33:24.880 --> 0:33:29.960
<v Speaker 2>Timberland say, yeah, okay, hold it? Hold it?

0:33:30.600 --> 0:33:30.760
<v Speaker 6>Is it?

0:33:30.840 --> 0:33:31.920
<v Speaker 2>Swiss Speed said.

0:33:31.840 --> 0:33:35.680
<v Speaker 1>Yeah, you're not gonna put Swiss on front Street.

0:33:35.760 --> 0:33:36.960
<v Speaker 2>That was suspect.

0:33:37.040 --> 0:33:38.880
<v Speaker 1>We're gonna say both funk that ship. Yeah.

0:33:39.360 --> 0:33:40.760
<v Speaker 2>Yes, I'm gonna drink the bowl.

0:33:40.840 --> 0:33:43.680
<v Speaker 3>Big go to my brother Swiss who just hooked me up.

0:33:44.240 --> 0:33:45.280
<v Speaker 2>That was out of control?

0:33:45.560 --> 0:33:46.120
<v Speaker 3>Do it versus?

0:33:46.640 --> 0:33:48.000
<v Speaker 1>Sorry? Yeah? Yeah?

0:33:48.520 --> 0:33:50.680
<v Speaker 3>Get that man a shot a habigi, now hit on

0:33:50.760 --> 0:33:56.520
<v Speaker 3>your shot nothing man, homie right there over there.

0:33:56.560 --> 0:33:58.920
<v Speaker 1>No, No, that's the homie. That's the homie right there. Yeah. Yeah,

0:33:59.080 --> 0:34:01.680
<v Speaker 1>shot shot shot shots.

0:34:01.920 --> 0:34:03.120
<v Speaker 2>They ain't want to pay me no more.

0:34:03.400 --> 0:34:05.360
<v Speaker 3>I feel like I feel like I got fired I'm

0:34:05.400 --> 0:34:06.000
<v Speaker 3>not sure.

0:34:09.600 --> 0:34:11.960
<v Speaker 2>All right, acting or music?

0:34:12.760 --> 0:34:17.640
<v Speaker 1>Ah? Music, Oh I can't. I can't lead the witness.

0:34:19.040 --> 0:34:21.520
<v Speaker 1>I enjoy acting so much. It's like brand new for

0:34:21.640 --> 0:34:23.120
<v Speaker 1>me and I'm learning so much. Ship.

0:34:23.640 --> 0:34:26.879
<v Speaker 4>But it's always gonna be music, you know. So that's

0:34:26.920 --> 0:34:29.400
<v Speaker 4>where I started at. That's why I still met it

0:34:29.520 --> 0:34:33.120
<v Speaker 4>man in the credit acting Well, no, no no, I said,

0:34:33.160 --> 0:34:35.120
<v Speaker 4>it's always going to be music. I love acting, but

0:34:35.200 --> 0:34:36.880
<v Speaker 4>it's always going to be music.

0:34:37.080 --> 0:34:37.799
<v Speaker 1>So I picked one.

0:34:38.080 --> 0:34:39.560
<v Speaker 3>Well, because music is your first love.

0:34:39.800 --> 0:34:41.799
<v Speaker 4>Yeah, but I only do music now because I want

0:34:41.840 --> 0:34:44.239
<v Speaker 4>to now, because I have to. So that's that's that's good.

0:34:44.760 --> 0:34:46.960
<v Speaker 4>But acting is in first place, period, don't get it

0:34:47.040 --> 0:34:48.520
<v Speaker 4>fucked up. I'm gonna do this acting ship.

0:34:48.880 --> 0:34:49.680
<v Speaker 1>That's how right.

0:34:50.040 --> 0:34:52.759
<v Speaker 3>That's how I feel about podcasting, Like podcasting is in

0:34:52.840 --> 0:34:57.200
<v Speaker 3>first place. But if I had the opportunity to do

0:34:57.440 --> 0:34:58.719
<v Speaker 3>music at a high.

0:34:58.760 --> 0:35:01.160
<v Speaker 1>Level, right might continue to do it?

0:35:01.280 --> 0:35:04.720
<v Speaker 4>Like that's crazy because I'm pretty sure there's millions, millions

0:35:04.760 --> 0:35:07.359
<v Speaker 4>and millions of people that want to hear Norwi come

0:35:07.440 --> 0:35:11.759
<v Speaker 4>back and do his thing. But here's the problem. Y'

0:35:11.840 --> 0:35:15.759
<v Speaker 4>don't buy records or stream so we get lost in

0:35:15.840 --> 0:35:18.000
<v Speaker 4>the shuffle somewhere along the lines and shit and not

0:35:18.080 --> 0:35:20.120
<v Speaker 4>saying that the music isn't great. It could be the

0:35:20.200 --> 0:35:22.400
<v Speaker 4>best shit out. I mean Killer Mike. A lot of

0:35:22.440 --> 0:35:25.440
<v Speaker 4>people we are upset that he won that Grammy or

0:35:25.600 --> 0:35:27.239
<v Speaker 4>where he swept the fucking category.

0:35:27.560 --> 0:35:29.800
<v Speaker 3>Who is not Killer Mike.

0:35:30.000 --> 0:35:32.680
<v Speaker 4>And a lot of it had to do with ignorance

0:35:32.719 --> 0:35:35.560
<v Speaker 4>and being uninformed because Mike had been around for years,

0:35:36.040 --> 0:35:39.759
<v Speaker 4>so he earned those fucking Grammy awards regardless to who

0:35:39.920 --> 0:35:42.520
<v Speaker 4>was the hottest shit at the time. That album was

0:35:42.640 --> 0:35:45.680
<v Speaker 4>solid and he put the work in, so he deserved

0:35:45.719 --> 0:35:48.279
<v Speaker 4>them shits. And that's a part of the problem with

0:35:48.480 --> 0:35:51.480
<v Speaker 4>hip hop as well, because they don't want it to

0:35:51.560 --> 0:35:52.000
<v Speaker 4>grow up.

0:35:52.200 --> 0:35:54.360
<v Speaker 3>There's too much information that we have.

0:35:54.560 --> 0:35:58.480
<v Speaker 4>As former artists or former rappers or former singers that

0:35:58.600 --> 0:36:01.320
<v Speaker 4>they don't want these young casts to tap into. So

0:36:01.480 --> 0:36:04.239
<v Speaker 4>they draw a line and put this fence up and

0:36:04.400 --> 0:36:06.640
<v Speaker 4>tell them, if you fuck with that old nigga on

0:36:06.719 --> 0:36:09.600
<v Speaker 4>this record, you're gonna fuck your career up. Don't rhyme

0:36:09.680 --> 0:36:11.879
<v Speaker 4>with that nigga right there because he ain't got enough

0:36:12.000 --> 0:36:14.960
<v Speaker 4>numbers on his streaming. Don't fuck with her over there

0:36:15.040 --> 0:36:17.399
<v Speaker 4>because she acting like she trying to be you. It's

0:36:17.440 --> 0:36:20.680
<v Speaker 4>a lot of shit that goes on and it's not

0:36:20.840 --> 0:36:21.600
<v Speaker 4>even coming.

0:36:21.440 --> 0:36:24.319
<v Speaker 1>From the record execs. They just watching the mice play

0:36:24.840 --> 0:36:25.600
<v Speaker 1>in the display.

0:36:25.719 --> 0:36:28.279
<v Speaker 4>It's coming from our own the people that are around us,

0:36:28.360 --> 0:36:33.960
<v Speaker 4>because they're already compromised right by your success, which is

0:36:34.080 --> 0:36:34.640
<v Speaker 4>crazy to me.

0:36:35.160 --> 0:36:36.120
<v Speaker 1>I mean that's what was.

0:36:36.280 --> 0:36:36.759
<v Speaker 6>I was so.

0:36:38.400 --> 0:36:41.239
<v Speaker 1>Happy when you when you made that statement about Summer Jam.

0:36:41.440 --> 0:36:45.080
<v Speaker 4>Was like, Yo, it's a separation, right, yeah, sort of

0:36:45.280 --> 0:36:46.920
<v Speaker 4>sort of, But a lot has to do with the

0:36:48.080 --> 0:36:50.240
<v Speaker 4>radio and shit like that, because they don't play.

0:36:50.080 --> 0:36:50.839
<v Speaker 3>Our records still.

0:36:51.560 --> 0:36:54.439
<v Speaker 4>You know, when I was younger, I was still hearing

0:36:54.840 --> 0:36:57.000
<v Speaker 4>records from the Temptations and the book, but you know,

0:36:57.160 --> 0:37:00.799
<v Speaker 4>radio was more relevant back then. I heard a lot

0:37:00.880 --> 0:37:03.680
<v Speaker 4>of music that was you know, a lot of those

0:37:03.800 --> 0:37:06.600
<v Speaker 4>cats were already passed on and things of that. You know,

0:37:07.560 --> 0:37:13.320
<v Speaker 4>mathis and you know, my man Donnie Hathaway, you know

0:37:13.360 --> 0:37:16.560
<v Speaker 4>what I'm saying, shit like that, But I'm talking about

0:37:16.600 --> 0:37:21.960
<v Speaker 4>hearing this shit in the eighties, you know, like about

0:37:22.040 --> 0:37:24.680
<v Speaker 4>late eighties yet and then for some reason something just

0:37:24.760 --> 0:37:28.480
<v Speaker 4>flipped and hip hop just started dominated every fucking thing,

0:37:28.960 --> 0:37:31.200
<v Speaker 4>and it was like fast food and people was eating

0:37:31.280 --> 0:37:32.440
<v Speaker 4>that shit up, eating it up.

0:37:32.680 --> 0:37:32.799
<v Speaker 1>Now.

0:37:32.880 --> 0:37:35.720
<v Speaker 4>Mind you, A lot of people talk about the nineties

0:37:35.760 --> 0:37:37.719
<v Speaker 4>and they say it's revered. Yes, a lot of great

0:37:37.840 --> 0:37:40.640
<v Speaker 4>music came out the nineties, but do not put the

0:37:40.760 --> 0:37:44.040
<v Speaker 4>nineties on a pedestal, because a lot of trash came

0:37:44.120 --> 0:37:46.200
<v Speaker 4>out in the same fucking era.

0:37:46.960 --> 0:37:48.440
<v Speaker 1>The same fucking era.

0:37:48.560 --> 0:37:50.879
<v Speaker 4>A lot of people were copycat and I remember when

0:37:50.960 --> 0:37:54.360
<v Speaker 4>DoD's Effects first came out, you'd be surprised hundreds and niggas,

0:37:57.960 --> 0:38:01.400
<v Speaker 4>you know what I mean. So you can't blame hip

0:38:01.440 --> 0:38:04.000
<v Speaker 4>hop for following a wave and trying to run with it.

0:38:04.719 --> 0:38:07.000
<v Speaker 4>You just have to be able to differentiate who the

0:38:07.080 --> 0:38:09.839
<v Speaker 4>copycats are and who the originators are. And that's where

0:38:09.880 --> 0:38:12.360
<v Speaker 4>shit gets lost in the shuffle, you.

0:38:12.400 --> 0:38:13.960
<v Speaker 1>Know what I mean. There were a lot of them

0:38:14.239 --> 0:38:17.400
<v Speaker 1>that don't even know who invented hip hop. Shit, I

0:38:17.560 --> 0:38:19.839
<v Speaker 1>can't tell you who invented hip hop, but I could

0:38:19.880 --> 0:38:22.480
<v Speaker 1>tell you where it came from and what inspired it.

0:38:22.880 --> 0:38:25.479
<v Speaker 1>It was the fucking struggle that we all was going

0:38:25.600 --> 0:38:29.080
<v Speaker 1>through at that time, and we needed voices to fucking

0:38:30.000 --> 0:38:32.880
<v Speaker 1>tell us exactly or express how we were feeling in

0:38:33.000 --> 0:38:33.640
<v Speaker 1>those moments.

0:38:33.880 --> 0:38:36.080
<v Speaker 4>But we also wanted to shake our ass. Thank you

0:38:36.280 --> 0:38:43.799
<v Speaker 4>very much, ladies and Jimmy, we all immolated. Somebody tried

0:38:43.840 --> 0:38:47.239
<v Speaker 4>to be somebody. Did you ever feel like someone tried

0:38:47.239 --> 0:38:47.720
<v Speaker 4>to RelA.

0:38:47.560 --> 0:38:49.480
<v Speaker 1>This shit motherfucker. I used to be in the mirror

0:38:49.600 --> 0:38:52.400
<v Speaker 1>doing all the damn steps. I'll be telling them, I

0:38:52.480 --> 0:38:54.680
<v Speaker 1>wanted to be on the niggas you wanted to be.

0:38:56.640 --> 0:38:56.840
<v Speaker 2>It was.

0:38:57.000 --> 0:38:58.680
<v Speaker 4>It was amazing to me, like because you know, I

0:38:58.719 --> 0:39:01.279
<v Speaker 4>hadn't seen anything like that, mister Jackson five. I think

0:39:01.360 --> 0:39:04.480
<v Speaker 4>any does not get their flowers enough. Those boys like

0:39:04.600 --> 0:39:09.319
<v Speaker 4>New Audition period. Yes, wait, so so so so there's

0:39:09.320 --> 0:39:12.600
<v Speaker 4>a there's a version of metal Man that was out there. No,

0:39:12.760 --> 0:39:16.600
<v Speaker 4>they ain't got a film like that on caring Now.

0:39:16.600 --> 0:39:18.359
<v Speaker 4>I wasn't trying to do Candy Rain by that time.

0:39:18.440 --> 0:39:23.120
<v Speaker 4>I was already wrong. If New Audition need an extra member,

0:39:23.200 --> 0:39:24.600
<v Speaker 4>let's say Johnny can't make it.

0:39:24.800 --> 0:39:26.080
<v Speaker 1>I got moves, I.

0:39:26.160 --> 0:39:28.560
<v Speaker 3>Noticed steps a step.

0:39:28.680 --> 0:39:35.160
<v Speaker 4>Let's go count me, nigga, Let's go no shout out

0:39:35.200 --> 0:39:36.719
<v Speaker 4>new addition, salute now.

0:39:36.719 --> 0:39:41.280
<v Speaker 3>I also see the documentary and one of the things

0:39:41.440 --> 0:39:45.000
<v Speaker 3>about the documentary with Wu Tang was you actually had

0:39:45.040 --> 0:39:45.759
<v Speaker 3>a legal job.

0:39:46.239 --> 0:39:51.640
<v Speaker 1>Yes, sir, And what was it this the what was it?

0:39:51.760 --> 0:39:58.239
<v Speaker 3>The statutual liberty, the statue of liberty. I'm gonna be honest,

0:39:58.280 --> 0:39:58.879
<v Speaker 3>I'm so sorry.

0:39:59.000 --> 0:40:01.080
<v Speaker 1>I had never been there until I got a job there.

0:40:01.120 --> 0:40:02.440
<v Speaker 2>Okay, I did not know that.

0:40:02.600 --> 0:40:03.439
<v Speaker 1>I had never been.

0:40:05.000 --> 0:40:05.280
<v Speaker 2>Worked.

0:40:05.520 --> 0:40:07.719
<v Speaker 1>I had never been in the Empire State Building until

0:40:07.719 --> 0:40:11.359
<v Speaker 1>they let us pull that little level ship. Yeah. I mean,

0:40:11.400 --> 0:40:12.759
<v Speaker 1>when you live in New York, you take all that

0:40:12.800 --> 0:40:13.400
<v Speaker 1>shit for granted.

0:40:13.440 --> 0:40:15.720
<v Speaker 3>New York niggas is looking at us like these niggas

0:40:15.840 --> 0:40:19.040
<v Speaker 3>is fouls because none of us never go to the

0:40:19.080 --> 0:40:20.839
<v Speaker 3>fucking tourist places at all.

0:40:21.320 --> 0:40:24.080
<v Speaker 1>But but you did work as the Statue of Liberty.

0:40:24.239 --> 0:40:25.840
<v Speaker 4>Like people that live in Atlanta don't really go to

0:40:25.920 --> 0:40:28.719
<v Speaker 4>Lenox Mall, but everybody think everybody being Linux.

0:40:30.320 --> 0:40:33.040
<v Speaker 3>Mall. I was there to day, okay, salute, Okay, So

0:40:34.160 --> 0:40:38.000
<v Speaker 3>what made you still be a rapper and still go like,

0:40:38.239 --> 0:40:41.640
<v Speaker 3>have a job, have a legal job, because everyone at

0:40:41.680 --> 0:40:44.840
<v Speaker 3>that time thought that legal jobs was like not.

0:40:45.120 --> 0:40:45.400
<v Speaker 2>You know what.

0:40:45.560 --> 0:40:47.360
<v Speaker 4>At that point in time, I was still trying to

0:40:47.400 --> 0:40:51.840
<v Speaker 4>find myself and I didn't want to be hustling on

0:40:51.920 --> 0:40:55.200
<v Speaker 4>the block, but I was around hustlers a lot, to

0:40:55.320 --> 0:40:57.120
<v Speaker 4>the point where it was like it was almost training

0:40:57.200 --> 0:40:58.880
<v Speaker 4>for what my life was going to be after I

0:40:59.000 --> 0:41:02.640
<v Speaker 4>lost my job. I wouldn't recommend that shit for anybody, though, hustling.

0:41:03.200 --> 0:41:06.719
<v Speaker 4>If you're not, nah, just don't do it. Fuck that

0:41:06.880 --> 0:41:10.000
<v Speaker 4>man done. They're like, you know, you fuck your community up.

0:41:10.040 --> 0:41:13.200
<v Speaker 4>And this is why a lot of times drug dealers

0:41:13.239 --> 0:41:17.239
<v Speaker 4>and shit around Christmas and Thanksgiving. They'll tell you like

0:41:17.400 --> 0:41:19.960
<v Speaker 4>they had bad Christmases, and they probably did, but that's

0:41:20.040 --> 0:41:23.319
<v Speaker 4>them giving back to the community that they're fucking obliterating.

0:41:24.960 --> 0:41:27.960
<v Speaker 1>And I'm just keeping it a buck and it's not.

0:41:29.760 --> 0:41:33.680
<v Speaker 4>Our making, it's not of our making. But there aren't

0:41:33.680 --> 0:41:35.000
<v Speaker 4>a lot of people helping.

0:41:34.840 --> 0:41:35.560
<v Speaker 1>Us to change it.

0:41:36.440 --> 0:41:39.719
<v Speaker 4>And that shit is frustrating as hell, especially when they're

0:41:39.760 --> 0:41:42.320
<v Speaker 4>taking more and more programs out of public schools.

0:41:42.760 --> 0:41:45.920
<v Speaker 1>I heard that they just brought back free lunch.

0:41:47.800 --> 0:41:49.719
<v Speaker 4>How is that even a thing that I have to

0:41:49.840 --> 0:41:53.080
<v Speaker 4>vote on whether you want to feed children or not.

0:41:55.960 --> 0:42:00.719
<v Speaker 1>That shit is crazy. I didn't realize that.

0:42:00.880 --> 0:42:02.040
<v Speaker 2>Yeah, free lunch.

0:42:02.160 --> 0:42:04.120
<v Speaker 1>Yeah, we used to. We used to throw those little.

0:42:03.920 --> 0:42:05.480
<v Speaker 3>Orange cups from free breakfast.

0:42:05.520 --> 0:42:06.600
<v Speaker 1>We used to have fights with them.

0:42:06.640 --> 0:42:09.760
<v Speaker 3>Ship it was always like a little juicy cups.

0:42:09.840 --> 0:42:14.279
<v Speaker 4>Absolutely, But yeah, more programs, you know, focus more on

0:42:14.520 --> 0:42:19.080
<v Speaker 4>urban problems. And because I think I'm tired of being

0:42:19.880 --> 0:42:21.800
<v Speaker 4>or just tired of our people being so low on

0:42:21.880 --> 0:42:25.160
<v Speaker 4>the totem pole. But we set the fucking level of

0:42:25.360 --> 0:42:28.120
<v Speaker 4>culture and every other thing that's I.

0:42:28.120 --> 0:42:31.920
<v Speaker 2>Mean, that's something. How can we all help to develop

0:42:32.000 --> 0:42:33.880
<v Speaker 2>these programs in our favor.

0:42:34.080 --> 0:42:36.000
<v Speaker 4>We have people doing things, but like I said, it's

0:42:36.040 --> 0:42:40.239
<v Speaker 4>not on a level we need to be involved. Yeah, absolutely,

0:42:40.400 --> 0:42:44.520
<v Speaker 4>How take the phone calls? Take the fucking phone calls,

0:42:44.640 --> 0:42:45.560
<v Speaker 4>or make the phone calls.

0:42:46.120 --> 0:42:49.480
<v Speaker 3>It just that simple. If it's one thing you could

0:42:49.520 --> 0:42:53.400
<v Speaker 3>take back from back in the days, what would.

0:42:53.160 --> 0:42:53.360
<v Speaker 6>It be.

0:42:55.239 --> 0:43:00.719
<v Speaker 3>Mmmm saying ninety seven, I want to say that up

0:43:01.000 --> 0:43:04.000
<v Speaker 3>during my career or just life in general. Shit, you

0:43:04.080 --> 0:43:05.759
<v Speaker 3>know what, that's a double part questioning now, all right,

0:43:05.840 --> 0:43:07.920
<v Speaker 3>So life in general, if I could go back and

0:43:08.040 --> 0:43:12.600
<v Speaker 3>change something or yep, I would change the living standards

0:43:12.640 --> 0:43:15.239
<v Speaker 3>that we lived in as children for my mom and shit, she.

0:43:15.280 --> 0:43:16.839
<v Speaker 1>Had it rough, you know what I mean.

0:43:17.600 --> 0:43:19.560
<v Speaker 3>You know she's still here, Okay, yeah, living.

0:43:19.840 --> 0:43:21.799
<v Speaker 1>I'm still just saying, Oh, that's my baby right there,

0:43:21.840 --> 0:43:22.080
<v Speaker 1>That's what.

0:43:23.480 --> 0:43:25.879
<v Speaker 4>And as far as career career, I would have took

0:43:25.920 --> 0:43:28.640
<v Speaker 4>it way more serious in the beginning, way more serious,

0:43:28.760 --> 0:43:36.520
<v Speaker 4>because when when you're at a level where you can't

0:43:36.560 --> 0:43:41.920
<v Speaker 4>smell your own bullshit, you tend to get comfortable and unfocused,

0:43:42.000 --> 0:43:44.120
<v Speaker 4>and I had a lot of years of that. You know,

0:43:45.360 --> 0:43:48.560
<v Speaker 4>it's great to have this second act now where I

0:43:48.600 --> 0:43:50.920
<v Speaker 4>can show people that I can contribute just more than

0:43:50.960 --> 0:43:52.560
<v Speaker 4>a couple of bars and shit like that.

0:43:54.920 --> 0:43:58.200
<v Speaker 1>It's great to wake up every.

0:43:58.120 --> 0:44:01.560
<v Speaker 4>Morning and genuinely feel half being just live life, because

0:44:01.640 --> 0:44:03.800
<v Speaker 4>that's what it's really about. We only get one of

0:44:03.880 --> 0:44:09.640
<v Speaker 4>these something that really resonated with me. This is one

0:44:09.680 --> 0:44:13.200
<v Speaker 4>of those times I was on Instagram and this lady,

0:44:13.320 --> 0:44:16.839
<v Speaker 4>this white lady, was talking about, you know, in one

0:44:16.920 --> 0:44:20.000
<v Speaker 4>hundred years from now, those clothes you're wearing, nobody's going

0:44:20.080 --> 0:44:22.040
<v Speaker 4>to care about those. That house that you live in,

0:44:22.239 --> 0:44:25.160
<v Speaker 4>somebody else is going to live there, and they won't

0:44:25.200 --> 0:44:28.480
<v Speaker 4>remember who the fuck you are, that car that you love,

0:44:28.880 --> 0:44:31.399
<v Speaker 4>it'll be such an old model, nobody will give a shit.

0:44:31.840 --> 0:44:34.279
<v Speaker 4>Basically what she was saying, you can't take it with you,

0:44:34.760 --> 0:44:37.000
<v Speaker 4>and once you're gone, it doesn't matter who you are,

0:44:37.160 --> 0:44:40.520
<v Speaker 4>no one will remember you. I would like to say

0:44:40.680 --> 0:44:44.880
<v Speaker 4>that Wu Tang has a district in my old neighborhood.

0:44:45.280 --> 0:44:46.279
<v Speaker 1>They gonna remember me.

0:44:47.400 --> 0:44:55.520
<v Speaker 3>Yes, sir, it is new face still here, my brother face,

0:44:55.760 --> 0:44:56.320
<v Speaker 3>new face.

0:44:57.800 --> 0:45:01.120
<v Speaker 1>I hope he got the trigues I'm playing I'm playing

0:45:02.400 --> 0:45:04.640
<v Speaker 1>how y'all feeling or y'all good y'all a little stir crazy.

0:45:04.719 --> 0:45:10.440
<v Speaker 3>Yet he faces a legend in Atlanta.

0:45:11.520 --> 0:45:15.320
<v Speaker 1>From Detroit, right from Detroit. But I don't even know

0:45:15.400 --> 0:45:15.839
<v Speaker 1>what he got.

0:45:15.920 --> 0:45:17.520
<v Speaker 3>He he wanted to tell me what he got, and

0:45:17.600 --> 0:45:20.520
<v Speaker 3>I said, no, I want to be as surprised as

0:45:20.800 --> 0:45:21.279
<v Speaker 3>method man.

0:45:21.560 --> 0:45:25.440
<v Speaker 1>Surprise. Okay, I want to can you show him? This

0:45:25.640 --> 0:45:27.160
<v Speaker 1>is a hip hop historian.

0:45:27.800 --> 0:45:31.600
<v Speaker 2>He is a super hip hop historian, Atlanta native in

0:45:31.719 --> 0:45:32.160
<v Speaker 2>a sense.

0:45:33.920 --> 0:45:38.440
<v Speaker 1>Okay, I see yo, yo, yo rap dog? What is that?

0:45:38.800 --> 0:45:43.040
<v Speaker 1>That is the rap dog? Hold up the sauce. Holy moly,

0:45:44.120 --> 0:45:47.800
<v Speaker 1>I don't even think Zino got that. I killed that.

0:45:48.080 --> 0:45:51.800
<v Speaker 1>I killed that my bad excel cover.

0:45:53.640 --> 0:45:53.759
<v Speaker 6>Yo.

0:45:54.520 --> 0:45:56.640
<v Speaker 1>I like this picture right here. I was as cool

0:45:56.680 --> 0:45:59.120
<v Speaker 1>as a motherfucker, and they let me sit in the middle.

0:45:59.560 --> 0:46:04.759
<v Speaker 1>I was like, yeah, niggas middle nigga, M I D

0:46:05.040 --> 0:46:05.759
<v Speaker 1>D L E.

0:46:06.200 --> 0:46:08.960
<v Speaker 3>Heyah, I ain't mad, though you're hurt.

0:46:09.400 --> 0:46:12.800
<v Speaker 1>Yeah, but whose segmences is that?

0:46:13.000 --> 0:46:15.480
<v Speaker 4>You can eats and ray we did this album. Neither

0:46:15.520 --> 0:46:18.359
<v Speaker 4>one of them niggas showed up to the studio. That's right,

0:46:18.440 --> 0:46:23.080
<v Speaker 4>I told the world, niggas he got tape.

0:46:23.160 --> 0:46:23.960
<v Speaker 2>Remember who you got?

0:46:26.239 --> 0:46:26.520
<v Speaker 1>Nice?

0:46:27.120 --> 0:46:30.239
<v Speaker 2>Yo, that new face you got me you got I got.

0:46:30.400 --> 0:46:31.759
<v Speaker 3>Like planting them CD to me.

0:46:31.880 --> 0:46:35.959
<v Speaker 1>That's what I mean, bro. Yeah, make some moist news.

0:46:39.160 --> 0:46:39.719
<v Speaker 2>What this is?

0:46:41.840 --> 0:46:45.120
<v Speaker 1>This is ray Kawn purple tape only built for Cuban Linx.

0:46:45.200 --> 0:46:45.320
<v Speaker 2>We go.

0:46:45.440 --> 0:46:47.680
<v Speaker 1>How long we're gonna do this ship? I don't want

0:46:47.719 --> 0:46:50.319
<v Speaker 1>to kill your hustle and ship. The face you keep

0:46:50.440 --> 0:46:55.839
<v Speaker 1>sun is like the nostalgia, Dude, nostalgia, new face, new face, nostalgia.

0:46:55.960 --> 0:46:58.160
<v Speaker 1>Make sure y'all check for my man's here, because this

0:46:58.239 --> 0:46:58.960
<v Speaker 1>ship official.

0:46:59.239 --> 0:46:59.960
<v Speaker 3>You could tell he had.

0:47:00.200 --> 0:47:02.319
<v Speaker 1>He went and purchased for all this ship.

0:47:02.440 --> 0:47:03.360
<v Speaker 2>That's purchase.

0:47:03.680 --> 0:47:05.799
<v Speaker 1>That's is where we used to come outside the boys.

0:47:06.040 --> 0:47:08.719
<v Speaker 1>That's where you we knew the producers on the album.

0:47:09.000 --> 0:47:11.839
<v Speaker 4>Appreciation And I signed this one one year, wasn't quick.

0:47:12.560 --> 0:47:18.080
<v Speaker 4>Oh you recognize your own signature? Nah, that don't look

0:47:18.160 --> 0:47:21.080
<v Speaker 4>like an old four SI. No, I wouldn't know, so.

0:47:21.440 --> 0:47:28.080
<v Speaker 5>Nigga know his signatures? Me get this one, now, give

0:47:28.120 --> 0:47:32.480
<v Speaker 5>me your fun out of there. Give all about hold on.

0:47:32.880 --> 0:47:38.440
<v Speaker 5>It's an autograph on the side, right. Yeah, what's that Norrie?

0:47:38.600 --> 0:47:40.440
<v Speaker 1>You when you get there? Yeah, get me out of

0:47:40.520 --> 0:47:46.759
<v Speaker 1>out of the hold hold hold makes something? Yeah, this

0:47:46.960 --> 0:47:47.319
<v Speaker 1>is dope.

0:47:50.200 --> 0:47:51.680
<v Speaker 2>Oh my god, Oh.

0:47:51.800 --> 0:47:54.600
<v Speaker 1>I am I think I want one of those takes.

0:47:55.080 --> 0:47:58.120
<v Speaker 1>I ain't gonna lie. You got the risis signature on there,

0:47:58.160 --> 0:48:02.399
<v Speaker 1>but you got the read letters. But hold on, hold on, yeah,

0:48:04.040 --> 0:48:04.480
<v Speaker 1>but listen.

0:48:04.760 --> 0:48:07.600
<v Speaker 3>I want everybody here to end it with me, right,

0:48:10.760 --> 0:48:16.759
<v Speaker 3>math You're my friend, my brother, absolutely, But I don't

0:48:16.840 --> 0:48:18.960
<v Speaker 3>ever want to take away from the fact that how

0:48:19.080 --> 0:48:21.719
<v Speaker 3>much you mean to hip hop, how much you a legend, is,

0:48:22.000 --> 0:48:22.480
<v Speaker 3>how much you.

0:48:22.520 --> 0:48:25.160
<v Speaker 1>Are icon, how much you are tight cool.

0:48:25.320 --> 0:48:28.880
<v Speaker 3>How much you mean and like, I'm honored that I

0:48:28.960 --> 0:48:31.759
<v Speaker 3>have your I could call you I'm honored, But it

0:48:32.120 --> 0:48:35.320
<v Speaker 3>doesn't take away from me being your fan. It doesn't

0:48:35.360 --> 0:48:41.680
<v Speaker 3>take away from me, you know, loving and honoring and

0:48:43.080 --> 0:48:44.680
<v Speaker 3>giving you your flowers.

0:48:44.239 --> 0:48:45.040
<v Speaker 1>For what you've done.

0:48:45.440 --> 0:48:48.000
<v Speaker 3>And I want you to never to go a day

0:48:48.120 --> 0:48:50.320
<v Speaker 3>without knowing how much hip hop loves you.

0:48:50.640 --> 0:48:51.960
<v Speaker 1>And I believe that all.

0:48:51.880 --> 0:48:55.759
<v Speaker 3>Of these people in here feel the same way, right right,

0:48:56.080 --> 0:49:02.120
<v Speaker 3>do we feel the same way. I really, really really

0:49:02.200 --> 0:49:04.799
<v Speaker 3>appreciate what you did. Big up to Revolte World once

0:49:04.840 --> 0:49:08.600
<v Speaker 3>again for holding this down. They have a whole beautiful weekend.

0:49:08.920 --> 0:49:12.080
<v Speaker 3>It's not just today, it's not just tomorrow, it's not

0:49:12.280 --> 0:49:14.799
<v Speaker 3>just the other day. It's gonna keep going, You're gonna

0:49:14.840 --> 0:49:18.080
<v Speaker 3>keep seeing star power like this. But let me thank

0:49:18.160 --> 0:49:22.080
<v Speaker 3>you Method man, thank you my brother. Like I feel

0:49:22.120 --> 0:49:23.640
<v Speaker 3>like I'm calling your real name when I call you

0:49:23.760 --> 0:49:27.839
<v Speaker 3>method Man, but I want to thank you face to face.

0:49:27.920 --> 0:49:29.880
<v Speaker 3>Man Man. I want to tell you continue to be

0:49:30.000 --> 0:49:34.120
<v Speaker 3>who you are because Man, we owe you all of

0:49:34.239 --> 0:49:34.640
<v Speaker 3>hip hop.

0:49:34.840 --> 0:49:39.799
<v Speaker 1>Thank you, brother, I bust my asses, Thank you, appreciate you. Yes, Yes,

0:49:40.239 --> 0:49:41.960
<v Speaker 1>so picture drop.

0:49:42.520 --> 0:49:43.680
<v Speaker 3>Yeah, let's do it in front.

0:49:43.480 --> 0:49:44.040
<v Speaker 1>The whole crowd.

0:49:44.960 --> 0:49:52.520
<v Speaker 4>Yes, a FN, make e FN. Make sure you motherfucking hydrat. Okay, no,

0:49:52.680 --> 0:49:54.640
<v Speaker 4>that's not a joke. Make sure you're high.

0:49:54.480 --> 0:49:56.320
<v Speaker 1>Drink all right, and to keep you from getting a

0:49:56.360 --> 0:49:57.160
<v Speaker 1>headachetting them all.

0:49:57.239 --> 0:50:00.720
<v Speaker 6>The Drink Champs is a Drink Champs l see production

0:50:01.080 --> 0:50:04.280
<v Speaker 6>hosts and executive producers n O r E and dj

0:50:04.480 --> 0:50:05.040
<v Speaker 6>e FN.

0:50:06.200 --> 0:50:07.000
<v Speaker 2>Listen to Drink.

0:50:06.880 --> 0:50:11.160
<v Speaker 6>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

0:50:11.320 --> 0:50:15.080
<v Speaker 6>get your podcasts. Thanks for joining us for another episode

0:50:15.120 --> 0:50:17.759
<v Speaker 6>of Drink Champs hosted by Yours truly, dj e f

0:50:17.920 --> 0:50:20.040
<v Speaker 6>N and n O r E. Please make sure to

0:50:20.080 --> 0:50:22.560
<v Speaker 6>follow us on all our socials that's at Drink Champs

0:50:22.600 --> 0:50:27.280
<v Speaker 6>across all platforms. At the real Noriagon ig at Noriega

0:50:27.360 --> 0:50:31.000
<v Speaker 6>on Twitter, mine is at Who's Crazy on ig at

0:50:31.120 --> 0:50:33.920
<v Speaker 6>dj e f N on Twitter, and most importantly, stay

0:50:34.000 --> 0:50:36.959
<v Speaker 6>up to date with the latest releases, news and merch

0:50:37.120 --> 0:50:39.040
<v Speaker 6>by going to drink Champs dot com