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Speaker 1: He is Drink Chants, motherfucking podcast.

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Speaker 2: He's a legends every Queens rapper.

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Speaker 1: He ain't a greedish your boy in O r E.

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Speaker 2: He's a Miami hip hop pioneer, one of its d

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Speaker 2: J E f N.

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Speaker 3: Together they drink it up with some of the biggest players,

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Speaker 3: you know what I mean, and the most professional, unprofessional

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Speaker 3: podcast and your number one source for drunk chans.

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Speaker 1: Mother fucking for every day is New Year's Eve.

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Speaker 2: That's it's time for drink Champions' drink up. Motherfucking mother

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Speaker 2: speak soup. No, I love it, I love it, I

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Speaker 2: love it, I love it.

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Speaker 3: We wanted to give y'all one of the best shows

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Speaker 3: that you haven't seen live obviously, and we have one

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Speaker 3: of the illest people ever to touch the mic. We

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Speaker 3: found out that he's a sex symbol. We didn't know, yo,

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Speaker 3: because he's just our brother. He's a real dude. He's

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Speaker 3: gonna smoke us out the roof.

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Speaker 2: Who we got? Who we got?

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Speaker 3: We got, motherfucking at Joe many A t ain't jo

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Speaker 3: d Man make the mad of the motherfucker bro that

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Speaker 3: makes uthing.

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Speaker 2: You might have been ready he might o brother, my brother, Yo.

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Speaker 1: Yes, I'm so excited.

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Speaker 2: This is off to change.

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Speaker 1: Should we get drunk, Yes, we get drunk. Beth doesn't

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Speaker 1: get drunk, I know.

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Speaker 2: But should we get drunk?

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Speaker 1: Yeah, We're gonna get drunk for meth. So meth.

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Speaker 3: You said one of the best statements I've ever heard

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Speaker 3: in hip hop?

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Speaker 1: What was that about Summer Jam? Goddamn? Go ahead girl,

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Speaker 1: go ahead girl? Wherever are you at?

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Speaker 3: I loved what you said because you was like, Yo,

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Speaker 3: you know what, I'm gonna follow my like my trajectory,

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Speaker 3: where my fans go. Where you loved?

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Speaker 2: Yes?

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Speaker 4: So why did you feel like that about Summer Jam?

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Speaker 4: What was obvious first and foremost that we've aged out

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Speaker 4: of that Summer Jam crowd? They were particularly there to

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Speaker 4: see one person I think it was Sexy Red that night,

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Speaker 4: and a few of the other artists that was on

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Speaker 4: the bill, and I can't blame them for that. What

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Speaker 4: got misconscrewed was they thought I was mad at the crowd.

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Speaker 4: I wasn't mad at all. I'd be a fool to

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Speaker 4: be mad at somebody liking.

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Speaker 1: What they like.

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Speaker 4: But the thing that pissed me off was the way.

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Speaker 4: You know, it's New York. So even if you don't

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Speaker 4: like the music you know who the f I am period.

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Speaker 4: So when that narrative started to take than, when that

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Speaker 4: narrative started to take flight, I had to nip it

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Speaker 4: in the bud and basically speak my truth.

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Speaker 3: Right, do you think us as being New York artist

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Speaker 3: that that that was? That's a very big venue summer

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Speaker 3: jam and it did break a lot of us. I

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Speaker 3: was at the first fucking summer jam. You was at

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Speaker 3: the first time, performed at the first one.

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Speaker 1: The first one, no me, you know, first summer jam?

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Speaker 4: Wu tang yes, sir, wow, I understand they used to

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Speaker 4: have Battle of the Beats, right yeah, and they had

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Speaker 4: to retire the method Man song because it was up

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Speaker 4: there for too long.

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Speaker 1: So yeah, I mean yeah, we was at the first

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Speaker 1: summer jam.

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Speaker 2: So you can we tell you the joke how did

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Speaker 2: you spell your name? Did you? Did you know how

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Speaker 2: to spell your name?

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Speaker 1: What are you talking about?

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Speaker 2: Method Man?

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Speaker 3: Yeah? I know how to spell it.

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Speaker 1: That was a joke like how did that record about? Right?

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Speaker 1: You ain't think I know how to spell my same?

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Speaker 2: Are you spelled your name right?

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Speaker 1: In R N O R E Right?

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Speaker 2: For thinking like that?

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Speaker 1: But th h O D man?

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Speaker 4: Yeah, but I mean haul of notes laid the groundwork

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Speaker 4: for that, and you know, a big haul of notes

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Speaker 4: fan and.

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Speaker 2: You stay on drinks as earlier before with us.

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Speaker 4: Yes, absolutely, so you know you you you are influenced

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Speaker 4: by what you're around. And my parents they listened to everything.

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Speaker 4: So it played a pivotal role in the way I write.

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Speaker 2: But were you always method? Man?

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Speaker 1: Nah?

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Speaker 2: What was your first rap name?

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Speaker 5: Oh?

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Speaker 1: You playing with me?

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Speaker 2: What was your first rap name?

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Speaker 1: I think it was like Papa Smurf for some ship

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Speaker 1: like that. Listen. I was big on the Smurf. I

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Speaker 1: was big on the big time.

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Speaker 2: Really, yeah, that was the only rap name, Papa Smurf.

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Speaker 4: I don't want to talk about this no more. I

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Speaker 4: had a few, though, for sure. All right, let me

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Speaker 4: ask you, meth.

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Speaker 3: I almost I'm almost sure that you're gonna pick what

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Speaker 3: I think that you're gonna pick.

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Speaker 1: But what do you like more?

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Speaker 3: Performing the record or making the record?

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Speaker 1: Damn? It is both? Really? But the performing is the

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Speaker 1: performing is?

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Speaker 4: It's always great to know that something that you wrote

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Speaker 4: as a teenager seventeen, right, and you're performing it on

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Speaker 4: stage as a fifty plus year old man, right, and

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Speaker 4: people are saying the words that you wrote a seventeen

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Speaker 4: year old.

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Speaker 1: Right that right there resonates more than anything, you know.

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Speaker 1: As far as creating and performing, well, I'm gonna be honest.

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Speaker 3: Whenever I know I got to show what you, I'll

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Speaker 3: be like, make sure I go before meth Oh.

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Speaker 1: Damn, why I don't like performing after you?

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Speaker 2: I'm like that with us kill the game.

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Speaker 1: This nigga be walking on people's hands. This nigga go

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Speaker 1: out there and walk up people and people just standing there.

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Speaker 3: I used to do that shit, yes, sir, And you

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Speaker 3: be jumping on speakers and the ald type of crazyes it.

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Speaker 1: But you know what, a lot of that was dictated

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Speaker 1: by the energy in the room.

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Speaker 4: Man, And it's like you want to separate yourself from

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Speaker 4: everybody else, and that kind of separated me and Red

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Speaker 4: Man from everybody else.

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Speaker 2: You know when we get all stage, Like performing on stage,

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Speaker 2: it was nerve wracking. Like I'm saying, did you as

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Speaker 2: an MC, let's be honest, as an MC, did you

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Speaker 2: really did you prefer spitting in the studio or performing it?

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Speaker 4: Okay again both, but the thing is this, I would

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Speaker 4: rather a rhyme and a rhyme cipher than on stage

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Speaker 4: in front of a bunch of people because I know

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Speaker 4: those people in that cipher are there because they want

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Speaker 4: to be, not because they have to be. I mean

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Speaker 4: some of the people that I mean a lot of

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Speaker 4: people that come to the shows.

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Speaker 3: It's the same thing.

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Speaker 4: But I'm saying, like, you're amongst peers there that are

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Speaker 4: going to get everything that you say. So that's the

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Speaker 4: biggest element for me right there. Even when I'm on stage,

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Speaker 4: I'm still in that rhyme cipher. Three hundred and sixty

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Speaker 4: degrees perfect.

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Speaker 3: Yeah, I'm gonna tell you something matter, And I got

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Speaker 3: your personal phone number me and you talk a lot

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Speaker 3: men you there for me.

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Speaker 1: Did records with you with the random text and shit,

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Speaker 1: I love you, Lord, I always.

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Speaker 3: But I'm gonna tell you something. This is something that

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Speaker 3: I cried and I never shared it with you. I

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Speaker 3: never shared it with Ray, I never shared it with ghosts,

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Speaker 3: I never shared it with none of y'all. But when

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Speaker 3: I'm seeing the Wu Tang documentary and y'all seeing y'all

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Speaker 3: looking at each other and y'all rhyming, and then like

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Speaker 3: you over there to the side, Ray is over there

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Speaker 3: to the side, and y'all just talking, and you're a

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Speaker 3: reminiscent I can't lie to you.

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Speaker 1: I think that's very moment is when I really was like.

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Speaker 3: I really really love hip hop, Like I.

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Speaker 1: Really love that iconic how How Legends.

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Speaker 3: Like they're just sitting there and they just talking and

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Speaker 3: it's just like it's like the Avengers. It's like superheroes

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Speaker 3: talking to each other, to each other, and I'm looking

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Speaker 3: at y'all and then and then y'all still got jokes,

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Speaker 3: y'all still guard each other.

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Speaker 4: It's funny, Noordy, because every now and then when I'm

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Speaker 4: on stage with these brothers, you know, especially when it's

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Speaker 4: not your turn to go, or you just watching the

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Speaker 4: performance like everybody else in the audience, and I'm I'm

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Speaker 4: looking at them, and I see those same guys that

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Speaker 4: I used to rhyme with in the staircase, and it

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Speaker 4: kind of brings a smile to my face in a

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Speaker 4: little chuckle because it's like, Nigga, I remember used to

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Speaker 4: wear the same pants everything. Look at you go, boy,

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Speaker 4: do that damn thing and that that It's hard to describe,

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Speaker 4: but I'm pretty sure y'all get where I'm going with this.

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Speaker 4: And shit to see yourself as a child again, but

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Speaker 4: from a man's standpoint, that outer body experience and seeing

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Speaker 4: the people that you grew up with prosper the same

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Speaker 4: way you did.

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Speaker 1: Man, you wish you could bring everybody with you.

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Speaker 6: Now.

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Speaker 3: I was luckily enough to go see Wu Tang and

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Speaker 3: Nas performed together. What I didn't realize I got to

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Speaker 3: experience y'all in Paris. But what I didn't realize was

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Speaker 3: it wasn't a Wu Tang show and then a NAS show.

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Speaker 3: It was actually a Wu Tang NAS show. Yeah, y'all,

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Speaker 3: motherfucking mixed that shit up.

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Speaker 1: I sat there.

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Speaker 3: I again, I never had another fan moment like I

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Speaker 3: was sitting there. Whoever was filming me? So there was

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Speaker 3: one person was filming me.

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Speaker 1: He got me.

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Speaker 2: Because I'm just like a ah. But who put that together?

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Speaker 1: Was that? Rizza? I think it was a combination of

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Speaker 1: NASA's camp in our camp.

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Speaker 2: Okay, let Mike stape version of it.

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Speaker 4: Yeah, I honestly, you see the workload that we have

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Speaker 4: over the years as well as NASA's and different crossroads

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Speaker 4: have come where we've done collaboro's especially with Chef and

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Speaker 4: Ray and NAS. You know, they like brothers from another mother.

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Speaker 4: So when this whole shit was put together, of course,

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Speaker 4: we're going to have that concept. But the funny thing

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Speaker 4: was I didn't make the tour at first because I

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Speaker 4: was filming. I came later on and again one of

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Speaker 4: those moments where you start with something and then you

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Speaker 4: see the progression. And when I got there, I'm inspecting,

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Speaker 4: you know, it's a Wu Tang show.

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Speaker 1: But we got nas now right.

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Speaker 4: This shit was like a Broadway play and I was like, Wow,

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Speaker 4: it really was. These dudes are really doing it, man.

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Speaker 4: I don't think I want to miss too many more shows.

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Speaker 3: I tell you that I went to the Paris show

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Speaker 3: and big up to Steve Rifkin.

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Speaker 1: I believe it's actually a nigga. I lost my water.

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Speaker 3: Your water's right here.

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Speaker 1: When I'm open, they bring you a new one. That's

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Speaker 1: that weed be and I got it from Atlanta. M hm,

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Speaker 1: go ahead, man, rest in peace, Rachel.

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Speaker 2: But can I say something. I just want to say

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Speaker 2: something about meth. You are the epitome of the evolution

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Speaker 2: of hip hop. Appreciate that and let me make more

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Speaker 2: sense of that. Hip hop has to grow up. Yeah,

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Speaker 2: and I feel like hip hop has a problem growing up.

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Speaker 3: No, it's just the audience. I'm gonna keep it a

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Speaker 3: buck with you.

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Speaker 4: This has always been a young man's support and you

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Speaker 4: can't blame them for that, right, I will blame them

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Speaker 4: for that, to be honest. Quality of the work has

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Speaker 4: been so good that it has went past just you know,

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Speaker 4: this era and then it's over, nah, because some of

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Speaker 4: these guys that came from those earlier eras are still

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Speaker 4: relevant today.

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Speaker 1: And like I said, I go to a lot.

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Speaker 4: Of concerts and things of that nature, and you know,

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Speaker 4: some of the newer cats they put asides in seats,

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Speaker 4: but the older cats have been filling up arenas with unity,

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Speaker 4: a lot of us together and that shit is crazy

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Speaker 4: to me for real.

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Speaker 2: But I have more to add to that. Yeah, you

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Speaker 2: as an elder. And the thing is when I say

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Speaker 2: elder statements were all involved.

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Speaker 1: Hey man, all of us do them alright with it?

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Speaker 2: You know in Spanish?

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Speaker 1: You me and man, come down me.

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Speaker 2: All I'm saying is this, you're representing the way that

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Speaker 2: hip hop evolved in the sense that we can keep,

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Speaker 2: we can act, we can produce, we can executive produce.

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Speaker 2: You're doing all of that, and that's what hip hop

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Speaker 2: could continue to do. Hip Hop can't involve everything. Hip

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Speaker 2: hop is everything.

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Speaker 1: Actually it does We just need to see at the

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Speaker 1: table where hip hop is being controlled and distributed at

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Speaker 1: you know what I mean.

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Speaker 3: That's that's the bottom line. We went from stabbing Samuel L.

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Speaker 3: Jackson to.

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Speaker 1: Power.

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Speaker 4: All Right, you're really a lawyer that part. Shout out

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Speaker 4: to Michael Rainey you as a lawyer. No, No, shout

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Speaker 4: out to Michael Rainey Jr. Because a lot of y'all

258
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Speaker 4: and y'all got to keep it above after Omari was killed,

259
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Speaker 4: y'all did not want to see to recap his own show.

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Speaker 4: A lot of people were shitting on this young man.

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Speaker 4: We're not even shitting on him, just on the character.

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Speaker 4: And I believe he did a great job. He carried

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Speaker 4: that show and we're on our last season now. We

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Speaker 4: were blessed to even have four season, So thank you guys.

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Speaker 4: Y'all played a major part. Now, did you ever think that.

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Speaker 1: You'll be then? Would be? She said, we love you Davis. Okay.

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Speaker 1: Did you ever think it's a two part question? One?

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Speaker 3: Did you ever think you'd be acting? Because I heard

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Speaker 3: that you on on a let me break this down.

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Speaker 3: I heard on the set of Soul playing you was

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Speaker 3: very very serious. You was absolutely you was telling people yo.

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Speaker 1: We're acting now, right, I don't know if I like

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Speaker 1: you right now? We acting that kind of ship.

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Speaker 3: Yes, so, and I know I asked you this in

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Speaker 3: a different way. But isn't that called method acted?

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Speaker 6: No?

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Speaker 4: No, I mean let's say, let's say, because I mean

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Speaker 4: method actors, they they do that extra step where if

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Speaker 4: they're playing a homeless person, they're going to go live on.

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Speaker 3: The street for like three hunts.

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Speaker 2: I feel that is a method actor. I feel like

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Speaker 2: you were one of those guys.

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Speaker 1: I can't even change my accent up, it's what but

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Speaker 1: we can, don't you? Actually? Yeah, that shit is hard

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Speaker 1: for me. That's that's all.

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Speaker 4: That's as far as it goes, damnseon interests, that's as

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Speaker 4: far as my ship go.

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Speaker 3: But but so so because I want to I got

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Speaker 3: more questions pertaining to that.

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Speaker 1: But what made you say that when?

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Speaker 3: Because I mean, this is the big rumor in the industry,

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Speaker 3: like method Man was serious or Soul paying Plane cast.

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Speaker 1: Well, when you're coming into a different realm or different craft,

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Speaker 1: there are people that have been doing this ship for

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Speaker 1: years and haven't got the opportunities that you're.

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Speaker 4: Maybe getting at this moment. So you want to be

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Speaker 4: able to say that this wasn't a fluke first and foremost,

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Speaker 4: and I'm willing to do the work, you know, so

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Speaker 4: it doesn't feel like entitlement or anything like that. And ship,

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Speaker 4: you know, and I think people can respect that, especially

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Speaker 4: if you're willing to do the work, right, I respect that.

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Speaker 3: I'm scared to death to be on a set with you. Nah, crazy,

303
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Speaker 3: I'm fucking with you, not meth Our show is by

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Speaker 3: giving people flowers.

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Speaker 1: Right, we got a flower, your flowers, We got the

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Speaker 1: new ship.

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Speaker 2: This is a alumni flower an.

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Speaker 1: No one else has these flowers.

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Speaker 3: This is the first off because we already got your flowers.

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Speaker 3: So this is a.

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Speaker 1: Fire, Jobe. That is fire.

312
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Speaker 4: I can't smoke it though, but that is fire. Thank

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00:16:26,840 --> 00:16:29,640
Speaker 4: you guys, really appreciate that. But let me talk to

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Speaker 4: the crowd real quick. Let me tell you how much this.

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Speaker 3: Man means to the culture, but let me also tell

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Speaker 3: you how humble he is to the culture. Like, this

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Speaker 3: man came to my neighborhood, yeah left rack City, came

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Speaker 3: and shot a video with myself by himself, and he

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Speaker 3: stayed and he took a pictures with every single person.

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Speaker 1: He's not gonna do that tonight. Maybe I don't know

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Speaker 1: I'm throwing it on him.

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Speaker 3: But what I'm saying is, at the level you are

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Speaker 3: in success, how do you still remain.

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Speaker 1: Humbled like that? Well? I know how I got here,

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Speaker 1: you know, And.

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Speaker 4: A lot of people supported U Tang in the early years,

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Speaker 4: and that's the main reason why we're revered today. We

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Speaker 4: didn't switch up on them, So why would I switch

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Speaker 4: up now, you know? Plus, I mean that's just me.

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Speaker 1: People always talk about the sexy thing and I get it,

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Speaker 1: and I don't know.

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Speaker 4: Look, okay, look, I mean girls, Okay, sorry, I don't

333
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Speaker 4: even like bringing the ship up. It seems like a

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00:17:42,840 --> 00:17:46,320
Speaker 4: dude is ungrateful or let me just say this. I'm

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Speaker 4: smart enough to know what it means, right, but humble

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Speaker 4: enough to not let it go to my head. That's

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Speaker 4: all I'm doing right there. That's the main thing for real.

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Speaker 1: And I'm fifty three and I'm happy to be in

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Speaker 1: the shell that I'm in right now, to be living loving.

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Speaker 1: So what you guys see, as far as the physical,

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Speaker 1: that's from the inner, and what's coming from the inner

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00:18:07,160 --> 00:18:14,920
Speaker 1: is happiness, genuine happiness. So g you that's right. I

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Speaker 1: want to ask God comes down. I always you know,

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Speaker 1: God comes down.

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Speaker 3: God comes down and says, man, you got one record

346
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Speaker 3: you could make to seem to save the world with

347
00:18:27,640 --> 00:18:34,840
Speaker 3: a producer, one producer and one feature. Who is the producer?

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Speaker 3: I believe I know who the producer is, but then who.

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Speaker 1: Is the feature? First of all, I'm gonna be like

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Speaker 1: what you're doing in my living room? Bro, God, you

351
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Speaker 1: gonna question God.

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Speaker 2: I'm going to assume be Lord Peace to the God.

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Speaker 2: Can I assume?

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Speaker 1: All right?

355
00:18:50,560 --> 00:18:51,840
Speaker 2: So can I assume the one?

356
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Speaker 1: You can assumes?

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Speaker 2: I can't produce?

358
00:19:00,200 --> 00:19:02,359
Speaker 1: There is but I already did something with these guys.

359
00:19:02,400 --> 00:19:04,439
Speaker 1: But I'm just gonna use it again. Snoop and Dre.

360
00:19:05,480 --> 00:19:08,720
Speaker 3: Oh wait, so, so dra would be the producer and

361
00:19:08,920 --> 00:19:11,879
Speaker 3: Snoop would be the feature. That's why hold hold up,

362
00:19:12,240 --> 00:19:16,520
Speaker 3: hold up, hold up one second. That's fine, let's really

363
00:19:16,800 --> 00:19:23,080
Speaker 3: speak about this. Your one producer and one feature is

364
00:19:23,640 --> 00:19:27,920
Speaker 3: Dre Drake. It's like you said, Drake.

365
00:19:28,119 --> 00:19:30,000
Speaker 4: Yeah, because every time I work with Dre, I feel

366
00:19:30,040 --> 00:19:32,680
Speaker 4: like I need to do over you know what I mean,

367
00:19:32,880 --> 00:19:35,399
Speaker 4: went in the studio. I was in the studio the

368
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Speaker 4: first time I was in the studio with him physically

369
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Speaker 4: there that that chronic different because I never got that.

370
00:19:42,000 --> 00:19:43,919
Speaker 4: I mean, I spit a verse, but it wasn't up

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Speaker 4: to par.

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Speaker 2: From me, So Dre was gracious for the chronic.

373
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Speaker 1: You say it wasn't for the chronic. I'm smoking that ship.

374
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Speaker 4: And got caught in them and what's caught in the moment,

375
00:19:56,240 --> 00:19:58,840
Speaker 4: But Drey was gracious enough to not put it out.

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Speaker 1: It kind of leaked any more fucking way. The second

377
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Speaker 1: shot I got.

378
00:20:03,760 --> 00:20:05,520
Speaker 4: It's for the Dray and Snoop joint coming up in

379
00:20:05,600 --> 00:20:08,720
Speaker 4: case I ain't no SI went back in and oh

380
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Speaker 4: he got a lot of fire ship on there, man.

381
00:20:12,400 --> 00:20:13,639
Speaker 1: Joint. Yes, I am.

382
00:20:14,320 --> 00:20:16,240
Speaker 4: And still I feel like I could have done a

383
00:20:16,320 --> 00:20:20,000
Speaker 4: little bit more. But I'm always gonna feel that right now.

384
00:20:20,040 --> 00:20:21,200
Speaker 4: I'm always gonna feel that way.

385
00:20:21,320 --> 00:20:21,480
Speaker 1: Yeah.

386
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Speaker 3: But one thing, uh, I noticed being on the on

387
00:20:28,240 --> 00:20:31,440
Speaker 3: the on the tour. Yeah, I mean, well it wasn't

388
00:20:31,480 --> 00:20:33,119
Speaker 3: like I was on the tour the whole time. But

389
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Speaker 3: I went to that Paris day and I seen it,

390
00:20:35,480 --> 00:20:38,720
Speaker 3: and I seen the camarderie of Wu Tang backstage. I

391
00:20:38,840 --> 00:20:42,879
Speaker 3: went to Na's trailer mixcuse me room, and then I

392
00:20:42,920 --> 00:20:46,040
Speaker 3: went to Wu Tang room and it was still like

393
00:20:46,320 --> 00:20:50,040
Speaker 3: Rizza was still like amongst the brothers. He was still

394
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Speaker 3: amongst the brothers, and he sat there and this is

395
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Speaker 3: the first time I ever seen anybody ever do this

396
00:20:54,640 --> 00:21:00,480
Speaker 3: in my life. Rizza had vodka and Japanese whiskey. Yeah,

397
00:21:01,520 --> 00:21:05,320
Speaker 3: And I was looking like, just don't go together, Riza ship,

398
00:21:05,480 --> 00:21:07,080
Speaker 3: but he was like, take a shot with me, and

399
00:21:07,240 --> 00:21:07,600
Speaker 3: I did.

400
00:21:08,640 --> 00:21:08,960
Speaker 2: Ship.

401
00:21:09,800 --> 00:21:12,640
Speaker 3: I couldn't say no to Riza to drink you under

402
00:21:12,680 --> 00:21:15,880
Speaker 3: the table. It's that like, because I'm by the way.

403
00:21:16,119 --> 00:21:17,879
Speaker 3: He didn't give me life, he didn't give me the

404
00:21:17,920 --> 00:21:18,400
Speaker 3: Book of life.

405
00:21:18,720 --> 00:21:22,440
Speaker 2: What did he say to him? What I couldn't say,

406
00:21:23,840 --> 00:21:26,159
Speaker 2: Is that so part of the story that he fuck up?

407
00:21:26,520 --> 00:21:27,040
Speaker 1: I don't know.

408
00:21:27,200 --> 00:21:28,399
Speaker 3: But Rizza can drink.

409
00:21:28,480 --> 00:21:31,080
Speaker 1: And if Rizay can drink someone under the table and

410
00:21:31,240 --> 00:21:32,840
Speaker 1: still play back on.

411
00:21:32,960 --> 00:21:35,560
Speaker 3: The kind of he was still on point. But what

412
00:21:35,600 --> 00:21:38,119
Speaker 3: I'm saying is my point of this question was I

413
00:21:38,200 --> 00:21:39,080
Speaker 3: couldn't tell him no.

414
00:21:40,920 --> 00:21:43,399
Speaker 1: Yeah, I mean he could. He could be like that.

415
00:21:43,600 --> 00:21:45,919
Speaker 3: It could. It could be like that sometimes not with us,

416
00:21:46,000 --> 00:21:48,399
Speaker 3: though we grew up with who's saying can say no

417
00:21:48,600 --> 00:21:49,840
Speaker 3: to yeah all the time?

418
00:21:49,920 --> 00:21:50,800
Speaker 1: Okay, at the.

419
00:21:50,880 --> 00:21:53,000
Speaker 4: Time, I did not know, matter of fact to verify.

420
00:21:53,520 --> 00:21:56,280
Speaker 4: Bring him on drink Champs and you'll see, well, you.

421
00:21:56,320 --> 00:21:58,040
Speaker 3: Know, we had this whole thing. We was going to

422
00:21:58,080 --> 00:22:01,560
Speaker 3: meet Rizza in Japan. We were supposed to do drink

423
00:22:02,160 --> 00:22:03,879
Speaker 3: and I'm blowing it up. We might be, we might be,

424
00:22:04,080 --> 00:22:08,680
Speaker 3: we might be fucking it up. But so I you're

425
00:22:08,840 --> 00:22:12,320
Speaker 3: part of one of the greatest groups in hip hop,

426
00:22:12,640 --> 00:22:16,080
Speaker 3: if not the greatest group and hippo right right, thank you,

427
00:22:17,040 --> 00:22:17,920
Speaker 3: thank he is one.

428
00:22:17,800 --> 00:22:20,639
Speaker 2: Of the leads of the greatest hip hop groups.

429
00:22:21,000 --> 00:22:22,920
Speaker 1: We all time, We all leads.

430
00:22:23,160 --> 00:22:27,040
Speaker 2: So not real talk, not real talk. Listen, Meth. You

431
00:22:27,160 --> 00:22:30,440
Speaker 2: could be humble and all this ship, but you led

432
00:22:31,160 --> 00:22:34,920
Speaker 2: that thing. You let the thing that was Wu Tang clan.

433
00:22:35,720 --> 00:22:38,720
Speaker 2: We all love Whu Tang, but you let that movement.

434
00:22:39,240 --> 00:22:41,400
Speaker 4: Let me get that Lacroix can from the small fuck

435
00:22:41,640 --> 00:22:43,800
Speaker 4: now I'm playing with you. I love you, brother, Thank you,

436
00:22:43,920 --> 00:22:46,199
Speaker 4: thank you. I really, I really really appreciate you. Let

437
00:22:46,280 --> 00:22:49,399
Speaker 4: it bro, I really appreciate you. Somebody feel like that

438
00:22:49,760 --> 00:22:53,320
Speaker 4: as a whole. I haven't made a record by myself

439
00:22:53,400 --> 00:22:57,000
Speaker 4: that was even close to the hit that Cream was, so.

440
00:22:57,160 --> 00:22:59,520
Speaker 1: I'll leave it right there around me. And that was

441
00:22:59,600 --> 00:23:02,920
Speaker 1: a group perfect dollar dollar baill y'all one more time

442
00:23:03,280 --> 00:23:09,359
Speaker 1: cast through everything around me and as far as the

443
00:23:09,520 --> 00:23:12,440
Speaker 1: best verse ever to come out of that came that

444
00:23:12,640 --> 00:23:16,800
Speaker 1: goes to inspect the deck on triumph. So as a collective,

445
00:23:17,640 --> 00:23:18,680
Speaker 1: they make me great.

446
00:23:18,920 --> 00:23:24,880
Speaker 2: So we all Amy, we gotta figure it out.

447
00:23:25,280 --> 00:23:26,359
Speaker 3: You got gotta work that.

448
00:23:30,880 --> 00:23:33,720
Speaker 1: You gotta spell the whole ship, say the man, my

449
00:23:33,840 --> 00:23:37,000
Speaker 1: brother E G h O D man.

450
00:23:38,280 --> 00:23:38,760
Speaker 2: H O D.

451
00:23:40,400 --> 00:23:46,560
Speaker 1: D h O D. I'm gonna be I love it,

452
00:23:46,800 --> 00:23:48,280
Speaker 1: I love it. Yeah, let me let you let me.

453
00:23:49,000 --> 00:23:52,359
Speaker 2: I'm just saying that to me, is like the epitome

454
00:23:53,359 --> 00:23:53,960
Speaker 2: of hip hop.

455
00:23:54,000 --> 00:23:57,359
Speaker 4: Bro Thank you broes, thank you lucky enough to come

456
00:23:57,440 --> 00:23:59,240
Speaker 4: up in the narrow where it was about lyrics and ship.

457
00:24:00,440 --> 00:24:06,080
Speaker 4: So the most important thing to us still at this

458
00:24:06,240 --> 00:24:08,800
Speaker 4: point in time, is what's coming out of our mouths

459
00:24:08,880 --> 00:24:13,000
Speaker 4: and shit right and wu tang. It wasn't about because

460
00:24:13,000 --> 00:24:14,679
Speaker 4: the era before that, you know, and I'm not going

461
00:24:14,760 --> 00:24:16,400
Speaker 4: to say any names, but we were starting to wear

462
00:24:16,440 --> 00:24:16,879
Speaker 4: the suits.

463
00:24:17,840 --> 00:24:20,200
Speaker 3: Not shiny suits that came after. We were starting to

464
00:24:20,240 --> 00:24:22,720
Speaker 3: wear the suits, you know, like the.

465
00:24:24,400 --> 00:24:26,560
Speaker 4: Miami Vice shit and all that shit. Niggas were pulling

466
00:24:26,600 --> 00:24:31,040
Speaker 4: their sleeves up on the suits. No, it was dancing

467
00:24:31,440 --> 00:24:32,760
Speaker 4: R and B records with.

468
00:24:32,920 --> 00:24:35,159
Speaker 1: Hip hop lyrics, y'all know what I'm talking about. Just

469
00:24:35,280 --> 00:24:40,119
Speaker 1: do your research. But no, no, no, I'm saying Wu tang.

470
00:24:40,680 --> 00:24:44,560
Speaker 1: We came from Let's put it this way, we were

471
00:24:44,720 --> 00:24:47,520
Speaker 1: what people identified with every day in the streets. We

472
00:24:47,720 --> 00:24:51,240
Speaker 1: weren't the MTV Yo, MTV raps crowd, things like that.

473
00:24:51,560 --> 00:24:53,960
Speaker 4: And to see someone up there that looked like you,

474
00:24:54,280 --> 00:24:57,480
Speaker 4: dressed like you, didn't have money and was struggling, and

475
00:24:57,560 --> 00:24:59,080
Speaker 4: all they talked about was the struggle.

476
00:24:59,520 --> 00:25:02,360
Speaker 1: People love that ship man. They always root for the underdog,

477
00:25:02,520 --> 00:25:06,160
Speaker 1: you know. And our first tour was a fifteen passenger

478
00:25:06,240 --> 00:25:09,560
Speaker 1: fucking van. We got p d ms every fucking day,

479
00:25:09,720 --> 00:25:14,600
Speaker 1: thirty five dollars. Fantastic. Huh fantastic was the van. No,

480
00:25:14,680 --> 00:25:16,000
Speaker 1: I don't know what the van was. It was just

481
00:25:16,080 --> 00:25:19,080
Speaker 1: a big van, a fifteen passengers, you know, with regular shit.

482
00:25:19,560 --> 00:25:23,240
Speaker 1: You know, we're sleeping the shits, traveling from state to state.

483
00:25:23,720 --> 00:25:26,440
Speaker 1: Put in the grind there and at the end of

484
00:25:26,480 --> 00:25:28,480
Speaker 1: the day, and shit, it made us the artist that

485
00:25:28,600 --> 00:25:30,840
Speaker 1: we are today. We didn't get it handed to us.

486
00:25:30,880 --> 00:25:32,880
Speaker 1: We had to go out there and get that ship.

487
00:25:39,520 --> 00:25:41,840
Speaker 1: I remember fucking hustling just to get a first class

488
00:25:41,920 --> 00:25:45,119
Speaker 1: seat from death jam nigga, I'm serious, Yeah, you got

489
00:25:45,200 --> 00:25:47,119
Speaker 1: you had to be you had to be gold, right,

490
00:25:47,480 --> 00:25:49,399
Speaker 1: That was big for me. No, you ain't have to

491
00:25:49,480 --> 00:25:51,760
Speaker 1: be gold. You just had to you know. I think,

492
00:25:52,160 --> 00:25:54,280
Speaker 1: let's just say this, you just had to know your value.

493
00:25:54,480 --> 00:25:58,800
Speaker 1: Fuck what they was talking about now.

494
00:26:00,040 --> 00:26:02,240
Speaker 3: I'm not gonna say no names like how you said earlier.

495
00:26:02,680 --> 00:26:07,119
Speaker 3: But all of these executives, yeah, somewhat, are getting fired.

496
00:26:08,440 --> 00:26:12,160
Speaker 3: They're not making They're stepping down. They're stepping down.

497
00:26:12,240 --> 00:26:13,160
Speaker 1: Okay, that's what I said.

498
00:26:13,320 --> 00:26:14,000
Speaker 2: Getting fired.

499
00:26:14,480 --> 00:26:16,240
Speaker 1: Could be it could be a plethora of things. What

500
00:26:16,400 --> 00:26:16,680
Speaker 1: could be?

501
00:26:16,960 --> 00:26:21,359
Speaker 2: Fuck is happening that they too full? There's some ship

502
00:26:21,520 --> 00:26:22,600
Speaker 2: happening right now.

503
00:26:23,760 --> 00:26:26,119
Speaker 1: It could be. It could be. Honestly, it could be

504
00:26:26,160 --> 00:26:27,080
Speaker 1: a lot of things, though.

505
00:26:27,119 --> 00:26:28,320
Speaker 2: What the fuck is happening?

506
00:26:28,520 --> 00:26:30,879
Speaker 1: They could be full full of ship.

507
00:26:31,480 --> 00:26:38,320
Speaker 4: Maybe they know something we don't about the market or whatever. Probably,

508
00:26:38,960 --> 00:26:42,520
Speaker 4: or third, everybody reads way too much fucking social media

509
00:26:42,880 --> 00:26:44,640
Speaker 4: and they're.

510
00:26:44,520 --> 00:26:44,960
Speaker 1: Out of here.

511
00:26:45,840 --> 00:26:52,280
Speaker 2: Walk are being bunk and done. Fuck these people the

512
00:26:52,440 --> 00:26:55,159
Speaker 2: music getting ships full of ship, and they proved it

513
00:26:55,480 --> 00:26:58,919
Speaker 2: because they all left. We're full of ship and we're leaving.

514
00:26:59,800 --> 00:27:01,879
Speaker 1: About the guy, what about the guy at Nikes.

515
00:27:02,080 --> 00:27:05,240
Speaker 2: Let's be honest, guys, the music industry is ship.

516
00:27:05,640 --> 00:27:07,880
Speaker 3: What about the guy at Nike. He stepped down as well.

517
00:27:08,000 --> 00:27:10,520
Speaker 2: Yeah, he's an asshole. Fuck I don't know that guy,

518
00:27:10,760 --> 00:27:11,560
Speaker 2: but fuck him too.

519
00:27:12,280 --> 00:27:12,840
Speaker 1: That's a lot.

520
00:27:13,800 --> 00:27:16,080
Speaker 2: I don't know that guy. I'm gonna seat this guy,

521
00:27:16,359 --> 00:27:17,160
Speaker 2: so fuck him.

522
00:27:21,880 --> 00:27:28,640
Speaker 1: The vote World makes up. Tell him that you really feel.

523
00:27:29,680 --> 00:27:31,960
Speaker 2: There's something happening in the industry. We don't know.

524
00:27:32,160 --> 00:27:34,720
Speaker 1: You haven't gotten mad that I keep calling you fin.

525
00:27:35,560 --> 00:27:37,879
Speaker 2: I've been doing it on bro, you know why, because

526
00:27:37,920 --> 00:27:38,440
Speaker 2: I love you.

527
00:27:38,600 --> 00:27:38,800
Speaker 3: Dog.

528
00:27:38,920 --> 00:27:42,200
Speaker 1: It's actually d dj e F n e F.

529
00:27:42,840 --> 00:27:46,359
Speaker 2: I'm dj e F fan and you've been doing drops

530
00:27:46,400 --> 00:27:48,240
Speaker 2: for me and you said my name right, yes, and

531
00:27:48,320 --> 00:27:48,960
Speaker 2: then you saved my.

532
00:27:49,080 --> 00:27:51,360
Speaker 1: Night wrong, and I'd be like, whatever is this time?

533
00:27:51,400 --> 00:27:53,520
Speaker 3: And you didn't catch it now, don't you?

534
00:27:53,680 --> 00:27:53,920
Speaker 2: Fuck?

535
00:27:54,160 --> 00:27:56,800
Speaker 1: It's fine though, I know why we have a Vote World,

536
00:27:57,240 --> 00:27:57,480
Speaker 1: and this.

537
00:27:57,640 --> 00:28:01,200
Speaker 3: Is black excellence at his finest and no excellence because

538
00:28:01,200 --> 00:28:03,400
Speaker 3: I'm so sorry.

539
00:28:03,440 --> 00:28:07,240
Speaker 1: Yes sir, yes sir, And contrary I'm not.

540
00:28:08,640 --> 00:28:11,639
Speaker 2: I'm a Cuban guy hanging out with people.

541
00:28:11,960 --> 00:28:15,480
Speaker 1: And contrary to what people think, latinos were very instrumental

542
00:28:15,480 --> 00:28:16,760
Speaker 1: when the start of hip hopcast.

543
00:28:16,880 --> 00:28:19,040
Speaker 3: Right, we're all here, and guess what for all of

544
00:28:19,080 --> 00:28:23,800
Speaker 3: y'all that don't know, these conferences these these conventions for

545
00:28:23,960 --> 00:28:26,919
Speaker 3: us to sit around, and you know it's important, bro

546
00:28:27,280 --> 00:28:29,720
Speaker 3: shake hands, kiss babies, and talk to each other.

547
00:28:30,040 --> 00:28:33,760
Speaker 1: It is very very detrimental to instrumental.

548
00:28:34,400 --> 00:28:35,479
Speaker 3: You know, they knew what I meant.

549
00:28:35,520 --> 00:28:38,920
Speaker 1: They know from resource, just helping out y'all getting better

550
00:28:38,960 --> 00:28:41,640
Speaker 1: at this resource. That's fire.

551
00:28:41,760 --> 00:28:48,480
Speaker 2: That was instrumental. Detrimental, you get detrimental instrumental.

552
00:28:49,760 --> 00:28:54,440
Speaker 3: So it's very important that we sitting around, we shake hands,

553
00:28:54,880 --> 00:28:57,640
Speaker 3: we kiss babies, We tell y'all how do we hear?

554
00:28:57,800 --> 00:29:00,680
Speaker 3: Because if we're not gonna make it, tell the better

555
00:29:01,160 --> 00:29:03,480
Speaker 3: than who will. So this is the reason why we're

556
00:29:03,520 --> 00:29:07,840
Speaker 3: here today. We are so honored to be interviewing our brother,

557
00:29:08,000 --> 00:29:11,920
Speaker 3: our friend, but an icon, a legend, motherfucker.

558
00:29:11,600 --> 00:29:14,800
Speaker 1: M A T H O D man. I mean it matters.

559
00:29:14,920 --> 00:29:16,240
Speaker 1: Gave him his flowers already.

560
00:29:18,080 --> 00:29:21,600
Speaker 3: Quick, We got quick time, We got up.

561
00:29:21,760 --> 00:29:24,200
Speaker 2: All right, are you ready?

562
00:29:24,480 --> 00:29:26,120
Speaker 1: Because he doesn't drink, so it's cool.

563
00:29:26,800 --> 00:29:27,440
Speaker 3: He can smoke.

564
00:29:27,960 --> 00:29:31,200
Speaker 1: Okay, do you want me started off? I can't man smoking.

565
00:29:31,240 --> 00:29:32,880
Speaker 1: I'm good. Okay, you don't have to smoke.

566
00:29:32,920 --> 00:29:36,120
Speaker 2: Okay, great one.

567
00:29:37,920 --> 00:29:39,320
Speaker 1: Why y'all did that last time?

568
00:29:39,360 --> 00:29:40,320
Speaker 3: I ain't answering that ship.

569
00:29:40,400 --> 00:29:44,000
Speaker 1: You just want to drink it's very we don't drink Yeah,

570
00:29:44,040 --> 00:29:46,240
Speaker 1: you're both both. Yeah, let's go.

571
00:29:46,440 --> 00:29:47,240
Speaker 2: I don't have a drink.

572
00:29:47,480 --> 00:29:52,280
Speaker 1: Yeah, go right. They said he's fine, y'all.

573
00:29:52,280 --> 00:29:56,000
Speaker 2: I was joking, jay Z or NOAs.

574
00:29:58,120 --> 00:30:04,760
Speaker 1: Jay Z and nas Man, you could. Entitled to your opinion,

575
00:30:05,920 --> 00:30:09,920
Speaker 1: very entitled to your opinions. Drink up, fellas, both.

576
00:30:15,040 --> 00:30:18,680
Speaker 3: Got let you do the whole day DMX A pop.

577
00:30:19,800 --> 00:30:22,520
Speaker 1: Are you both well? Yeah? Yeah, yeah, I knew X

578
00:30:22,600 --> 00:30:25,480
Speaker 1: way better. That's my brother right there. I'm gonna go X. Okay,

579
00:30:25,560 --> 00:30:27,280
Speaker 1: I'm gonna go X. A lot of people are gonna

580
00:30:27,280 --> 00:30:28,240
Speaker 1: be upset about that ship.

581
00:30:28,320 --> 00:30:31,560
Speaker 4: But the fact that I knew new X, that's why.

582
00:30:31,680 --> 00:30:36,440
Speaker 4: That's that's the basis of my choice. Big L or Biggie,

583
00:30:37,080 --> 00:30:38,000
Speaker 4: big l or biggie.

584
00:30:39,760 --> 00:30:44,760
Speaker 1: Damn, it's all these pot why I gotta be posthumous. Yea,

585
00:30:45,720 --> 00:30:50,200
Speaker 1: both drink up because that was my man's. Biggie was

586
00:30:50,240 --> 00:30:51,000
Speaker 1: my man's as well.

587
00:30:52,160 --> 00:30:54,560
Speaker 2: Red Man, old dirty bastard.

588
00:30:54,680 --> 00:30:57,680
Speaker 1: Anna drink up. That's too easy. Drink up, you should

589
00:30:57,720 --> 00:30:59,600
Speaker 1: have said, Red Mat I met it man, motherfucker. I

590
00:30:59,640 --> 00:31:02,480
Speaker 1: could just ocean real humility up here and been like

591
00:31:02,560 --> 00:31:03,160
Speaker 1: Red Man.

592
00:31:03,080 --> 00:31:06,040
Speaker 2: All day podcasts of radio.

593
00:31:08,880 --> 00:31:14,640
Speaker 1: Neither you fucking, blood sucking No, I'm playing. I like podcasts.

594
00:31:14,840 --> 00:31:16,880
Speaker 1: I'm not gonna lie. I'm not gonna lie. I like podcasts.

595
00:31:19,080 --> 00:31:23,960
Speaker 3: Even Missy Eve or Missy that's that doesn't even match.

596
00:31:24,760 --> 00:31:26,480
Speaker 2: It does match for this audience.

597
00:31:27,040 --> 00:31:28,960
Speaker 1: I mean, what would y'all say. I'll let y'all pick.

598
00:31:30,280 --> 00:31:33,280
Speaker 2: Wall Wait wait wait wait wait wait wait wow wait

599
00:31:33,400 --> 00:31:36,760
Speaker 2: well they spoke waits Yeah, which one is it?

600
00:31:39,560 --> 00:31:43,920
Speaker 1: Or is it Eve? So I'm going with miss Eve.

601
00:31:44,800 --> 00:31:47,000
Speaker 1: Big up to Eve. He got a book out right now,

602
00:31:47,480 --> 00:31:47,800
Speaker 1: you know I.

603
00:31:47,840 --> 00:31:51,479
Speaker 3: Knew Eva destructions.

604
00:31:52,440 --> 00:31:56,680
Speaker 1: It's Missy Eve. Y'all gotta drink, bro Yeah, drink all right,

605
00:31:56,920 --> 00:32:02,200
Speaker 1: go ahead. No you ain't pig e Missy, you ain't picked.

606
00:32:02,800 --> 00:32:05,080
Speaker 1: He didn't catch the nuance of ship Bud No, no.

607
00:32:05,200 --> 00:32:08,280
Speaker 2: No nuance and none of this ship. Are you ready

608
00:32:10,320 --> 00:32:10,760
Speaker 2: for Ella?

609
00:32:10,880 --> 00:32:11,080
Speaker 1: Yay?

610
00:32:13,160 --> 00:32:15,920
Speaker 2: Relax, everybody, you guys gotta relax.

611
00:32:16,400 --> 00:32:16,920
Speaker 1: Lamp pick.

612
00:32:18,480 --> 00:32:21,480
Speaker 4: Interesting, interesting because I don't really have a history with

613
00:32:21,600 --> 00:32:23,640
Speaker 4: either one of these brothers, but I mind if the

614
00:32:27,760 --> 00:32:30,240
Speaker 4: whatever it is, it's a lot of people are saying yay.

615
00:32:31,920 --> 00:32:37,520
Speaker 4: Y'all say yay? Who says phar real, you must be

616
00:32:37,640 --> 00:32:40,520
Speaker 4: from v A and the people that voted for ya

617
00:32:40,720 --> 00:32:41,640
Speaker 4: must be from right.

618
00:32:43,000 --> 00:32:44,480
Speaker 2: We were not drinking drinking.

619
00:32:44,640 --> 00:32:48,880
Speaker 1: Let's drink, let's drink, no drinking, drink, it's even drink.

620
00:32:50,120 --> 00:32:52,040
Speaker 1: It's even d j F And.

621
00:32:53,480 --> 00:32:59,840
Speaker 2: I'm not drinking. Sorry, buddy. All right, So Timberland or

622
00:33:00,080 --> 00:33:01,360
Speaker 2: Swiss beats.

623
00:33:03,120 --> 00:33:06,440
Speaker 4: The Swift shoot, yeah, drink it. No, no, no, no, no,

624
00:33:06,640 --> 00:33:09,680
Speaker 4: but I'm gonna say, I'm gonna say ship man. No,

625
00:33:11,000 --> 00:33:15,000
Speaker 4: I don't know, I never I'm uhh you worked with

626
00:33:15,360 --> 00:33:16,200
Speaker 4: you worked with Swift?

627
00:33:16,480 --> 00:33:16,640
Speaker 1: Yah?

628
00:33:19,040 --> 00:33:21,920
Speaker 2: Should we ask an audience? Nah?

629
00:33:22,120 --> 00:33:23,840
Speaker 1: I mean hold on, hold up?

630
00:33:24,600 --> 00:33:24,760
Speaker 3: Is it?

631
00:33:24,880 --> 00:33:29,960
Speaker 2: Timberland say, yeah, okay, hold it? Hold it?

632
00:33:30,600 --> 00:33:30,760
Speaker 6: Is it?

633
00:33:30,840 --> 00:33:31,920
Speaker 2: Swiss Speed said.

634
00:33:31,840 --> 00:33:35,680
Speaker 1: Yeah, you're not gonna put Swiss on front Street.

635
00:33:35,760 --> 00:33:36,960
Speaker 2: That was suspect.

636
00:33:37,040 --> 00:33:38,880
Speaker 1: We're gonna say both funk that ship. Yeah.

637
00:33:39,360 --> 00:33:40,760
Speaker 2: Yes, I'm gonna drink the bowl.

638
00:33:40,840 --> 00:33:43,680
Speaker 3: Big go to my brother Swiss who just hooked me up.

639
00:33:44,240 --> 00:33:45,280
Speaker 2: That was out of control?

640
00:33:45,560 --> 00:33:46,120
Speaker 3: Do it versus?

641
00:33:46,640 --> 00:33:48,000
Speaker 1: Sorry? Yeah? Yeah?

642
00:33:48,520 --> 00:33:50,680
Speaker 3: Get that man a shot a habigi, now hit on

643
00:33:50,760 --> 00:33:56,520
Speaker 3: your shot nothing man, homie right there over there.

644
00:33:56,560 --> 00:33:58,920
Speaker 1: No, No, that's the homie. That's the homie right there. Yeah. Yeah,

645
00:33:59,080 --> 00:34:01,680
Speaker 1: shot shot shot shots.

646
00:34:01,920 --> 00:34:03,120
Speaker 2: They ain't want to pay me no more.

647
00:34:03,400 --> 00:34:05,360
Speaker 3: I feel like I feel like I got fired I'm

648
00:34:05,400 --> 00:34:06,000
Speaker 3: not sure.

649
00:34:09,600 --> 00:34:11,960
Speaker 2: All right, acting or music?

650
00:34:12,760 --> 00:34:17,640
Speaker 1: Ah? Music, Oh I can't. I can't lead the witness.

651
00:34:19,040 --> 00:34:21,520
Speaker 1: I enjoy acting so much. It's like brand new for

652
00:34:21,640 --> 00:34:23,120
Speaker 1: me and I'm learning so much. Ship.

653
00:34:23,640 --> 00:34:26,879
Speaker 4: But it's always gonna be music, you know. So that's

654
00:34:26,920 --> 00:34:29,400
Speaker 4: where I started at. That's why I still met it

655
00:34:29,520 --> 00:34:33,120
Speaker 4: man in the credit acting Well, no, no no, I said,

656
00:34:33,160 --> 00:34:35,120
Speaker 4: it's always going to be music. I love acting, but

657
00:34:35,200 --> 00:34:36,880
Speaker 4: it's always going to be music.

658
00:34:37,080 --> 00:34:37,799
Speaker 1: So I picked one.

659
00:34:38,080 --> 00:34:39,560
Speaker 3: Well, because music is your first love.

660
00:34:39,800 --> 00:34:41,799
Speaker 4: Yeah, but I only do music now because I want

661
00:34:41,840 --> 00:34:44,239
Speaker 4: to now, because I have to. So that's that's that's good.

662
00:34:44,760 --> 00:34:46,960
Speaker 4: But acting is in first place, period, don't get it

663
00:34:47,040 --> 00:34:48,520
Speaker 4: fucked up. I'm gonna do this acting ship.

664
00:34:48,880 --> 00:34:49,680
Speaker 1: That's how right.

665
00:34:50,040 --> 00:34:52,759
Speaker 3: That's how I feel about podcasting, Like podcasting is in

666
00:34:52,840 --> 00:34:57,200
Speaker 3: first place. But if I had the opportunity to do

667
00:34:57,440 --> 00:34:58,719
Speaker 3: music at a high.

668
00:34:58,760 --> 00:35:01,160
Speaker 1: Level, right might continue to do it?

669
00:35:01,280 --> 00:35:04,720
Speaker 4: Like that's crazy because I'm pretty sure there's millions, millions

670
00:35:04,760 --> 00:35:07,359
Speaker 4: and millions of people that want to hear Norwi come

671
00:35:07,440 --> 00:35:11,759
Speaker 4: back and do his thing. But here's the problem. Y'

672
00:35:11,840 --> 00:35:15,759
Speaker 4: don't buy records or stream so we get lost in

673
00:35:15,840 --> 00:35:18,000
Speaker 4: the shuffle somewhere along the lines and shit and not

674
00:35:18,080 --> 00:35:20,120
Speaker 4: saying that the music isn't great. It could be the

675
00:35:20,200 --> 00:35:22,400
Speaker 4: best shit out. I mean Killer Mike. A lot of

676
00:35:22,440 --> 00:35:25,440
Speaker 4: people we are upset that he won that Grammy or

677
00:35:25,600 --> 00:35:27,239
Speaker 4: where he swept the fucking category.

678
00:35:27,560 --> 00:35:29,800
Speaker 3: Who is not Killer Mike.

679
00:35:30,000 --> 00:35:32,680
Speaker 4: And a lot of it had to do with ignorance

680
00:35:32,719 --> 00:35:35,560
Speaker 4: and being uninformed because Mike had been around for years,

681
00:35:36,040 --> 00:35:39,759
Speaker 4: so he earned those fucking Grammy awards regardless to who

682
00:35:39,920 --> 00:35:42,520
Speaker 4: was the hottest shit at the time. That album was

683
00:35:42,640 --> 00:35:45,680
Speaker 4: solid and he put the work in, so he deserved

684
00:35:45,719 --> 00:35:48,279
Speaker 4: them shits. And that's a part of the problem with

685
00:35:48,480 --> 00:35:51,480
Speaker 4: hip hop as well, because they don't want it to

686
00:35:51,560 --> 00:35:52,000
Speaker 4: grow up.

687
00:35:52,200 --> 00:35:54,360
Speaker 3: There's too much information that we have.

688
00:35:54,560 --> 00:35:58,480
Speaker 4: As former artists or former rappers or former singers that

689
00:35:58,600 --> 00:36:01,320
Speaker 4: they don't want these young casts to tap into. So

690
00:36:01,480 --> 00:36:04,239
Speaker 4: they draw a line and put this fence up and

691
00:36:04,400 --> 00:36:06,640
Speaker 4: tell them, if you fuck with that old nigga on

692
00:36:06,719 --> 00:36:09,600
Speaker 4: this record, you're gonna fuck your career up. Don't rhyme

693
00:36:09,680 --> 00:36:11,879
Speaker 4: with that nigga right there because he ain't got enough

694
00:36:12,000 --> 00:36:14,960
Speaker 4: numbers on his streaming. Don't fuck with her over there

695
00:36:15,040 --> 00:36:17,399
Speaker 4: because she acting like she trying to be you. It's

696
00:36:17,440 --> 00:36:20,680
Speaker 4: a lot of shit that goes on and it's not

697
00:36:20,840 --> 00:36:21,600
Speaker 4: even coming.

698
00:36:21,440 --> 00:36:24,319
Speaker 1: From the record execs. They just watching the mice play

699
00:36:24,840 --> 00:36:25,600
Speaker 1: in the display.

700
00:36:25,719 --> 00:36:28,279
Speaker 4: It's coming from our own the people that are around us,

701
00:36:28,360 --> 00:36:33,960
Speaker 4: because they're already compromised right by your success, which is

702
00:36:34,080 --> 00:36:34,640
Speaker 4: crazy to me.

703
00:36:35,160 --> 00:36:36,120
Speaker 1: I mean that's what was.

704
00:36:36,280 --> 00:36:36,759
Speaker 6: I was so.

705
00:36:38,400 --> 00:36:41,239
Speaker 1: Happy when you when you made that statement about Summer Jam.

706
00:36:41,440 --> 00:36:45,080
Speaker 4: Was like, Yo, it's a separation, right, yeah, sort of

707
00:36:45,280 --> 00:36:46,920
Speaker 4: sort of, But a lot has to do with the

708
00:36:48,080 --> 00:36:50,240
Speaker 4: radio and shit like that, because they don't play.

709
00:36:50,080 --> 00:36:50,839
Speaker 3: Our records still.

710
00:36:51,560 --> 00:36:54,439
Speaker 4: You know, when I was younger, I was still hearing

711
00:36:54,840 --> 00:36:57,000
Speaker 4: records from the Temptations and the book, but you know,

712
00:36:57,160 --> 00:37:00,799
Speaker 4: radio was more relevant back then. I heard a lot

713
00:37:00,880 --> 00:37:03,680
Speaker 4: of music that was you know, a lot of those

714
00:37:03,800 --> 00:37:06,600
Speaker 4: cats were already passed on and things of that. You know,

715
00:37:07,560 --> 00:37:13,320
Speaker 4: mathis and you know, my man Donnie Hathaway, you know

716
00:37:13,360 --> 00:37:16,560
Speaker 4: what I'm saying, shit like that, But I'm talking about

717
00:37:16,600 --> 00:37:21,960
Speaker 4: hearing this shit in the eighties, you know, like about

718
00:37:22,040 --> 00:37:24,680
Speaker 4: late eighties yet and then for some reason something just

719
00:37:24,760 --> 00:37:28,480
Speaker 4: flipped and hip hop just started dominated every fucking thing,

720
00:37:28,960 --> 00:37:31,200
Speaker 4: and it was like fast food and people was eating

721
00:37:31,280 --> 00:37:32,440
Speaker 4: that shit up, eating it up.

722
00:37:32,680 --> 00:37:32,799
Speaker 1: Now.

723
00:37:32,880 --> 00:37:35,720
Speaker 4: Mind you, A lot of people talk about the nineties

724
00:37:35,760 --> 00:37:37,719
Speaker 4: and they say it's revered. Yes, a lot of great

725
00:37:37,840 --> 00:37:40,640
Speaker 4: music came out the nineties, but do not put the

726
00:37:40,760 --> 00:37:44,040
Speaker 4: nineties on a pedestal, because a lot of trash came

727
00:37:44,120 --> 00:37:46,200
Speaker 4: out in the same fucking era.

728
00:37:46,960 --> 00:37:48,440
Speaker 1: The same fucking era.

729
00:37:48,560 --> 00:37:50,879
Speaker 4: A lot of people were copycat and I remember when

730
00:37:50,960 --> 00:37:54,360
Speaker 4: DoD's Effects first came out, you'd be surprised hundreds and niggas,

731
00:37:57,960 --> 00:38:01,400
Speaker 4: you know what I mean. So you can't blame hip

732
00:38:01,440 --> 00:38:04,000
Speaker 4: hop for following a wave and trying to run with it.

733
00:38:04,719 --> 00:38:07,000
Speaker 4: You just have to be able to differentiate who the

734
00:38:07,080 --> 00:38:09,839
Speaker 4: copycats are and who the originators are. And that's where

735
00:38:09,880 --> 00:38:12,360
Speaker 4: shit gets lost in the shuffle, you.

736
00:38:12,400 --> 00:38:13,960
Speaker 1: Know what I mean. There were a lot of them

737
00:38:14,239 --> 00:38:17,400
Speaker 1: that don't even know who invented hip hop. Shit, I

738
00:38:17,560 --> 00:38:19,839
Speaker 1: can't tell you who invented hip hop, but I could

739
00:38:19,880 --> 00:38:22,480
Speaker 1: tell you where it came from and what inspired it.

740
00:38:22,880 --> 00:38:25,479
Speaker 1: It was the fucking struggle that we all was going

741
00:38:25,600 --> 00:38:29,080
Speaker 1: through at that time, and we needed voices to fucking

742
00:38:30,000 --> 00:38:32,880
Speaker 1: tell us exactly or express how we were feeling in

743
00:38:33,000 --> 00:38:33,640
Speaker 1: those moments.

744
00:38:33,880 --> 00:38:36,080
Speaker 4: But we also wanted to shake our ass. Thank you

745
00:38:36,280 --> 00:38:43,799
Speaker 4: very much, ladies and Jimmy, we all immolated. Somebody tried

746
00:38:43,840 --> 00:38:47,239
Speaker 4: to be somebody. Did you ever feel like someone tried

747
00:38:47,239 --> 00:38:47,720
Speaker 4: to RelA.

748
00:38:47,560 --> 00:38:49,480
Speaker 1: This shit motherfucker. I used to be in the mirror

749
00:38:49,600 --> 00:38:52,400
Speaker 1: doing all the damn steps. I'll be telling them, I

750
00:38:52,480 --> 00:38:54,680
Speaker 1: wanted to be on the niggas you wanted to be.

751
00:38:56,640 --> 00:38:56,840
Speaker 2: It was.

752
00:38:57,000 --> 00:38:58,680
Speaker 4: It was amazing to me, like because you know, I

753
00:38:58,719 --> 00:39:01,279
Speaker 4: hadn't seen anything like that, mister Jackson five. I think

754
00:39:01,360 --> 00:39:04,480
Speaker 4: any does not get their flowers enough. Those boys like

755
00:39:04,600 --> 00:39:09,319
Speaker 4: New Audition period. Yes, wait, so so so so there's

756
00:39:09,320 --> 00:39:12,600
Speaker 4: a there's a version of metal Man that was out there. No,

757
00:39:12,760 --> 00:39:16,600
Speaker 4: they ain't got a film like that on caring Now.

758
00:39:16,600 --> 00:39:18,359
Speaker 4: I wasn't trying to do Candy Rain by that time.

759
00:39:18,440 --> 00:39:23,120
Speaker 4: I was already wrong. If New Audition need an extra member,

760
00:39:23,200 --> 00:39:24,600
Speaker 4: let's say Johnny can't make it.

761
00:39:24,800 --> 00:39:26,080
Speaker 1: I got moves, I.

762
00:39:26,160 --> 00:39:28,560
Speaker 3: Noticed steps a step.

763
00:39:28,680 --> 00:39:35,160
Speaker 4: Let's go count me, nigga, Let's go no shout out

764
00:39:35,200 --> 00:39:36,719
Speaker 4: new addition, salute now.

765
00:39:36,719 --> 00:39:41,280
Speaker 3: I also see the documentary and one of the things

766
00:39:41,440 --> 00:39:45,000
Speaker 3: about the documentary with Wu Tang was you actually had

767
00:39:45,040 --> 00:39:45,759
Speaker 3: a legal job.

768
00:39:46,239 --> 00:39:51,640
Speaker 1: Yes, sir, And what was it this the what was it?

769
00:39:51,760 --> 00:39:58,239
Speaker 3: The statutual liberty, the statue of liberty. I'm gonna be honest,

770
00:39:58,280 --> 00:39:58,879
Speaker 3: I'm so sorry.

771
00:39:59,000 --> 00:40:01,080
Speaker 1: I had never been there until I got a job there.

772
00:40:01,120 --> 00:40:02,440
Speaker 2: Okay, I did not know that.

773
00:40:02,600 --> 00:40:03,439
Speaker 1: I had never been.

774
00:40:05,000 --> 00:40:05,280
Speaker 2: Worked.

775
00:40:05,520 --> 00:40:07,719
Speaker 1: I had never been in the Empire State Building until

776
00:40:07,719 --> 00:40:11,359
Speaker 1: they let us pull that little level ship. Yeah. I mean,

777
00:40:11,400 --> 00:40:12,759
Speaker 1: when you live in New York, you take all that

778
00:40:12,800 --> 00:40:13,400
Speaker 1: shit for granted.

779
00:40:13,440 --> 00:40:15,720
Speaker 3: New York niggas is looking at us like these niggas

780
00:40:15,840 --> 00:40:19,040
Speaker 3: is fouls because none of us never go to the

781
00:40:19,080 --> 00:40:20,839
Speaker 3: fucking tourist places at all.

782
00:40:21,320 --> 00:40:24,080
Speaker 1: But but you did work as the Statue of Liberty.

783
00:40:24,239 --> 00:40:25,840
Speaker 4: Like people that live in Atlanta don't really go to

784
00:40:25,920 --> 00:40:28,719
Speaker 4: Lenox Mall, but everybody think everybody being Linux.

785
00:40:30,320 --> 00:40:33,040
Speaker 3: Mall. I was there to day, okay, salute, Okay, So

786
00:40:34,160 --> 00:40:38,000
Speaker 3: what made you still be a rapper and still go like,

787
00:40:38,239 --> 00:40:41,640
Speaker 3: have a job, have a legal job, because everyone at

788
00:40:41,680 --> 00:40:44,840
Speaker 3: that time thought that legal jobs was like not.

789
00:40:45,120 --> 00:40:45,400
Speaker 2: You know what.

790
00:40:45,560 --> 00:40:47,360
Speaker 4: At that point in time, I was still trying to

791
00:40:47,400 --> 00:40:51,840
Speaker 4: find myself and I didn't want to be hustling on

792
00:40:51,920 --> 00:40:55,200
Speaker 4: the block, but I was around hustlers a lot, to

793
00:40:55,320 --> 00:40:57,120
Speaker 4: the point where it was like it was almost training

794
00:40:57,200 --> 00:40:58,880
Speaker 4: for what my life was going to be after I

795
00:40:59,000 --> 00:41:02,640
Speaker 4: lost my job. I wouldn't recommend that shit for anybody, though, hustling.

796
00:41:03,200 --> 00:41:06,719
Speaker 4: If you're not, nah, just don't do it. Fuck that

797
00:41:06,880 --> 00:41:10,000
Speaker 4: man done. They're like, you know, you fuck your community up.

798
00:41:10,040 --> 00:41:13,200
Speaker 4: And this is why a lot of times drug dealers

799
00:41:13,239 --> 00:41:17,239
Speaker 4: and shit around Christmas and Thanksgiving. They'll tell you like

800
00:41:17,400 --> 00:41:19,960
Speaker 4: they had bad Christmases, and they probably did, but that's

801
00:41:20,040 --> 00:41:23,319
Speaker 4: them giving back to the community that they're fucking obliterating.

802
00:41:24,960 --> 00:41:27,960
Speaker 1: And I'm just keeping it a buck and it's not.

803
00:41:29,760 --> 00:41:33,680
Speaker 4: Our making, it's not of our making. But there aren't

804
00:41:33,680 --> 00:41:35,000
Speaker 4: a lot of people helping.

805
00:41:34,840 --> 00:41:35,560
Speaker 1: Us to change it.

806
00:41:36,440 --> 00:41:39,719
Speaker 4: And that shit is frustrating as hell, especially when they're

807
00:41:39,760 --> 00:41:42,320
Speaker 4: taking more and more programs out of public schools.

808
00:41:42,760 --> 00:41:45,920
Speaker 1: I heard that they just brought back free lunch.

809
00:41:47,800 --> 00:41:49,719
Speaker 4: How is that even a thing that I have to

810
00:41:49,840 --> 00:41:53,080
Speaker 4: vote on whether you want to feed children or not.

811
00:41:55,960 --> 00:42:00,719
Speaker 1: That shit is crazy. I didn't realize that.

812
00:42:00,880 --> 00:42:02,040
Speaker 2: Yeah, free lunch.

813
00:42:02,160 --> 00:42:04,120
Speaker 1: Yeah, we used to. We used to throw those little.

814
00:42:03,920 --> 00:42:05,480
Speaker 3: Orange cups from free breakfast.

815
00:42:05,520 --> 00:42:06,600
Speaker 1: We used to have fights with them.

816
00:42:06,640 --> 00:42:09,760
Speaker 3: Ship it was always like a little juicy cups.

817
00:42:09,840 --> 00:42:14,279
Speaker 4: Absolutely, But yeah, more programs, you know, focus more on

818
00:42:14,520 --> 00:42:19,080
Speaker 4: urban problems. And because I think I'm tired of being

819
00:42:19,880 --> 00:42:21,800
Speaker 4: or just tired of our people being so low on

820
00:42:21,880 --> 00:42:25,160
Speaker 4: the totem pole. But we set the fucking level of

821
00:42:25,360 --> 00:42:28,120
Speaker 4: culture and every other thing that's I.

822
00:42:28,120 --> 00:42:31,920
Speaker 2: Mean, that's something. How can we all help to develop

823
00:42:32,000 --> 00:42:33,880
Speaker 2: these programs in our favor.

824
00:42:34,080 --> 00:42:36,000
Speaker 4: We have people doing things, but like I said, it's

825
00:42:36,040 --> 00:42:40,239
Speaker 4: not on a level we need to be involved. Yeah, absolutely,

826
00:42:40,400 --> 00:42:44,520
Speaker 4: How take the phone calls? Take the fucking phone calls,

827
00:42:44,640 --> 00:42:45,560
Speaker 4: or make the phone calls.

828
00:42:46,120 --> 00:42:49,480
Speaker 3: It just that simple. If it's one thing you could

829
00:42:49,520 --> 00:42:53,400
Speaker 3: take back from back in the days, what would.

830
00:42:53,160 --> 00:42:53,360
Speaker 6: It be.

831
00:42:55,239 --> 00:43:00,719
Speaker 3: Mmmm saying ninety seven, I want to say that up

832
00:43:01,000 --> 00:43:04,000
Speaker 3: during my career or just life in general. Shit, you

833
00:43:04,080 --> 00:43:05,759
Speaker 3: know what, that's a double part questioning now, all right,

834
00:43:05,840 --> 00:43:07,920
Speaker 3: So life in general, if I could go back and

835
00:43:08,040 --> 00:43:12,600
Speaker 3: change something or yep, I would change the living standards

836
00:43:12,640 --> 00:43:15,239
Speaker 3: that we lived in as children for my mom and shit, she.

837
00:43:15,280 --> 00:43:16,839
Speaker 1: Had it rough, you know what I mean.

838
00:43:17,600 --> 00:43:19,560
Speaker 3: You know she's still here, Okay, yeah, living.

839
00:43:19,840 --> 00:43:21,799
Speaker 1: I'm still just saying, Oh, that's my baby right there,

840
00:43:21,840 --> 00:43:22,080
Speaker 1: That's what.

841
00:43:23,480 --> 00:43:25,879
Speaker 4: And as far as career career, I would have took

842
00:43:25,920 --> 00:43:28,640
Speaker 4: it way more serious in the beginning, way more serious,

843
00:43:28,760 --> 00:43:36,520
Speaker 4: because when when you're at a level where you can't

844
00:43:36,560 --> 00:43:41,920
Speaker 4: smell your own bullshit, you tend to get comfortable and unfocused,

845
00:43:42,000 --> 00:43:44,120
Speaker 4: and I had a lot of years of that. You know,

846
00:43:45,360 --> 00:43:48,560
Speaker 4: it's great to have this second act now where I

847
00:43:48,600 --> 00:43:50,920
Speaker 4: can show people that I can contribute just more than

848
00:43:50,960 --> 00:43:52,560
Speaker 4: a couple of bars and shit like that.

849
00:43:54,920 --> 00:43:58,200
Speaker 1: It's great to wake up every.

850
00:43:58,120 --> 00:44:01,560
Speaker 4: Morning and genuinely feel half being just live life, because

851
00:44:01,640 --> 00:44:03,800
Speaker 4: that's what it's really about. We only get one of

852
00:44:03,880 --> 00:44:09,640
Speaker 4: these something that really resonated with me. This is one

853
00:44:09,680 --> 00:44:13,200
Speaker 4: of those times I was on Instagram and this lady,

854
00:44:13,320 --> 00:44:16,839
Speaker 4: this white lady, was talking about, you know, in one

855
00:44:16,920 --> 00:44:20,000
Speaker 4: hundred years from now, those clothes you're wearing, nobody's going

856
00:44:20,080 --> 00:44:22,040
Speaker 4: to care about those. That house that you live in,

857
00:44:22,239 --> 00:44:25,160
Speaker 4: somebody else is going to live there, and they won't

858
00:44:25,200 --> 00:44:28,480
Speaker 4: remember who the fuck you are, that car that you love,

859
00:44:28,880 --> 00:44:31,399
Speaker 4: it'll be such an old model, nobody will give a shit.

860
00:44:31,840 --> 00:44:34,279
Speaker 4: Basically what she was saying, you can't take it with you,

861
00:44:34,760 --> 00:44:37,000
Speaker 4: and once you're gone, it doesn't matter who you are,

862
00:44:37,160 --> 00:44:40,520
Speaker 4: no one will remember you. I would like to say

863
00:44:40,680 --> 00:44:44,880
Speaker 4: that Wu Tang has a district in my old neighborhood.

864
00:44:45,280 --> 00:44:46,279
Speaker 1: They gonna remember me.

865
00:44:47,400 --> 00:44:55,520
Speaker 3: Yes, sir, it is new face still here, my brother face,

866
00:44:55,760 --> 00:44:56,320
Speaker 3: new face.

867
00:44:57,800 --> 00:45:01,120
Speaker 1: I hope he got the trigues I'm playing I'm playing

868
00:45:02,400 --> 00:45:04,640
Speaker 1: how y'all feeling or y'all good y'all a little stir crazy.

869
00:45:04,719 --> 00:45:10,440
Speaker 3: Yet he faces a legend in Atlanta.

870
00:45:11,520 --> 00:45:15,320
Speaker 1: From Detroit, right from Detroit. But I don't even know

871
00:45:15,400 --> 00:45:15,839
Speaker 1: what he got.

872
00:45:15,920 --> 00:45:17,520
Speaker 3: He he wanted to tell me what he got, and

873
00:45:17,600 --> 00:45:20,520
Speaker 3: I said, no, I want to be as surprised as

874
00:45:20,800 --> 00:45:21,279
Speaker 3: method man.

875
00:45:21,560 --> 00:45:25,440
Speaker 1: Surprise. Okay, I want to can you show him? This

876
00:45:25,640 --> 00:45:27,160
Speaker 1: is a hip hop historian.

877
00:45:27,800 --> 00:45:31,600
Speaker 2: He is a super hip hop historian, Atlanta native in

878
00:45:31,719 --> 00:45:32,160
Speaker 2: a sense.

879
00:45:33,920 --> 00:45:38,440
Speaker 1: Okay, I see yo, yo, yo rap dog? What is that?

880
00:45:38,800 --> 00:45:43,040
Speaker 1: That is the rap dog? Hold up the sauce. Holy moly,

881
00:45:44,120 --> 00:45:47,800
Speaker 1: I don't even think Zino got that. I killed that.

882
00:45:48,080 --> 00:45:51,800
Speaker 1: I killed that my bad excel cover.

883
00:45:53,640 --> 00:45:53,759
Speaker 6: Yo.

884
00:45:54,520 --> 00:45:56,640
Speaker 1: I like this picture right here. I was as cool

885
00:45:56,680 --> 00:45:59,120
Speaker 1: as a motherfucker, and they let me sit in the middle.

886
00:45:59,560 --> 00:46:04,759
Speaker 1: I was like, yeah, niggas middle nigga, M I D

887
00:46:05,040 --> 00:46:05,759
Speaker 1: D L E.

888
00:46:06,200 --> 00:46:08,960
Speaker 3: Heyah, I ain't mad, though you're hurt.

889
00:46:09,400 --> 00:46:12,800
Speaker 1: Yeah, but whose segmences is that?

890
00:46:13,000 --> 00:46:15,480
Speaker 4: You can eats and ray we did this album. Neither

891
00:46:15,520 --> 00:46:18,359
Speaker 4: one of them niggas showed up to the studio. That's right,

892
00:46:18,440 --> 00:46:23,080
Speaker 4: I told the world, niggas he got tape.

893
00:46:23,160 --> 00:46:23,960
Speaker 2: Remember who you got?

894
00:46:26,239 --> 00:46:26,520
Speaker 1: Nice?

895
00:46:27,120 --> 00:46:30,239
Speaker 2: Yo, that new face you got me you got I got.

896
00:46:30,400 --> 00:46:31,759
Speaker 3: Like planting them CD to me.

897
00:46:31,880 --> 00:46:35,959
Speaker 1: That's what I mean, bro. Yeah, make some moist news.

898
00:46:39,160 --> 00:46:39,719
Speaker 2: What this is?

899
00:46:41,840 --> 00:46:45,120
Speaker 1: This is ray Kawn purple tape only built for Cuban Linx.

900
00:46:45,200 --> 00:46:45,320
Speaker 2: We go.

901
00:46:45,440 --> 00:46:47,680
Speaker 1: How long we're gonna do this ship? I don't want

902
00:46:47,719 --> 00:46:50,319
Speaker 1: to kill your hustle and ship. The face you keep

903
00:46:50,440 --> 00:46:55,839
Speaker 1: sun is like the nostalgia, Dude, nostalgia, new face, new face, nostalgia.

904
00:46:55,960 --> 00:46:58,160
Speaker 1: Make sure y'all check for my man's here, because this

905
00:46:58,239 --> 00:46:58,960
Speaker 1: ship official.

906
00:46:59,239 --> 00:46:59,960
Speaker 3: You could tell he had.

907
00:47:00,200 --> 00:47:02,319
Speaker 1: He went and purchased for all this ship.

908
00:47:02,440 --> 00:47:03,360
Speaker 2: That's purchase.

909
00:47:03,680 --> 00:47:05,799
Speaker 1: That's is where we used to come outside the boys.

910
00:47:06,040 --> 00:47:08,719
Speaker 1: That's where you we knew the producers on the album.

911
00:47:09,000 --> 00:47:11,839
Speaker 4: Appreciation And I signed this one one year, wasn't quick.

912
00:47:12,560 --> 00:47:18,080
Speaker 4: Oh you recognize your own signature? Nah, that don't look

913
00:47:18,160 --> 00:47:21,080
Speaker 4: like an old four SI. No, I wouldn't know, so.

914
00:47:21,440 --> 00:47:28,080
Speaker 5: Nigga know his signatures? Me get this one, now, give

915
00:47:28,120 --> 00:47:32,480
Speaker 5: me your fun out of there. Give all about hold on.

916
00:47:32,880 --> 00:47:38,440
Speaker 5: It's an autograph on the side, right. Yeah, what's that Norrie?

917
00:47:38,600 --> 00:47:40,440
Speaker 1: You when you get there? Yeah, get me out of

918
00:47:40,520 --> 00:47:46,759
Speaker 1: out of the hold hold hold makes something? Yeah, this

919
00:47:46,960 --> 00:47:47,319
Speaker 1: is dope.

920
00:47:50,200 --> 00:47:51,680
Speaker 2: Oh my god, Oh.

921
00:47:51,800 --> 00:47:54,600
Speaker 1: I am I think I want one of those takes.

922
00:47:55,080 --> 00:47:58,120
Speaker 1: I ain't gonna lie. You got the risis signature on there,

923
00:47:58,160 --> 00:48:02,399
Speaker 1: but you got the read letters. But hold on, hold on, yeah,

924
00:48:04,040 --> 00:48:04,480
Speaker 1: but listen.

925
00:48:04,760 --> 00:48:07,600
Speaker 3: I want everybody here to end it with me, right,

926
00:48:10,760 --> 00:48:16,759
Speaker 3: math You're my friend, my brother, absolutely, But I don't

927
00:48:16,840 --> 00:48:18,960
Speaker 3: ever want to take away from the fact that how

928
00:48:19,080 --> 00:48:21,719
Speaker 3: much you mean to hip hop, how much you a legend, is,

929
00:48:22,000 --> 00:48:22,480
Speaker 3: how much you.

930
00:48:22,520 --> 00:48:25,160
Speaker 1: Are icon, how much you are tight cool.

931
00:48:25,320 --> 00:48:28,880
Speaker 3: How much you mean and like, I'm honored that I

932
00:48:28,960 --> 00:48:31,759
Speaker 3: have your I could call you I'm honored, But it

933
00:48:32,120 --> 00:48:35,320
Speaker 3: doesn't take away from me being your fan. It doesn't

934
00:48:35,360 --> 00:48:41,680
Speaker 3: take away from me, you know, loving and honoring and

935
00:48:43,080 --> 00:48:44,680
Speaker 3: giving you your flowers.

936
00:48:44,239 --> 00:48:45,040
Speaker 1: For what you've done.

937
00:48:45,440 --> 00:48:48,000
Speaker 3: And I want you to never to go a day

938
00:48:48,120 --> 00:48:50,320
Speaker 3: without knowing how much hip hop loves you.

939
00:48:50,640 --> 00:48:51,960
Speaker 1: And I believe that all.

940
00:48:51,880 --> 00:48:55,759
Speaker 3: Of these people in here feel the same way, right right,

941
00:48:56,080 --> 00:49:02,120
Speaker 3: do we feel the same way. I really, really really

942
00:49:02,200 --> 00:49:04,799
Speaker 3: appreciate what you did. Big up to Revolte World once

943
00:49:04,840 --> 00:49:08,600
Speaker 3: again for holding this down. They have a whole beautiful weekend.

944
00:49:08,920 --> 00:49:12,080
Speaker 3: It's not just today, it's not just tomorrow, it's not

945
00:49:12,280 --> 00:49:14,799
Speaker 3: just the other day. It's gonna keep going, You're gonna

946
00:49:14,840 --> 00:49:18,080
Speaker 3: keep seeing star power like this. But let me thank

947
00:49:18,160 --> 00:49:22,080
Speaker 3: you Method man, thank you my brother. Like I feel

948
00:49:22,120 --> 00:49:23,640
Speaker 3: like I'm calling your real name when I call you

949
00:49:23,760 --> 00:49:27,839
Speaker 3: method Man, but I want to thank you face to face.

950
00:49:27,920 --> 00:49:29,880
Speaker 3: Man Man. I want to tell you continue to be

951
00:49:30,000 --> 00:49:34,120
Speaker 3: who you are because Man, we owe you all of

952
00:49:34,239 --> 00:49:34,640
Speaker 3: hip hop.

953
00:49:34,840 --> 00:49:39,799
Speaker 1: Thank you, brother, I bust my asses, Thank you, appreciate you. Yes, Yes,

954
00:49:40,239 --> 00:49:41,960
Speaker 1: so picture drop.

955
00:49:42,520 --> 00:49:43,680
Speaker 3: Yeah, let's do it in front.

956
00:49:43,480 --> 00:49:44,040
Speaker 1: The whole crowd.

957
00:49:44,960 --> 00:49:52,520
Speaker 4: Yes, a FN, make e FN. Make sure you motherfucking hydrat. Okay, no,

958
00:49:52,680 --> 00:49:54,640
Speaker 4: that's not a joke. Make sure you're high.

959
00:49:54,480 --> 00:49:56,320
Speaker 1: Drink all right, and to keep you from getting a

960
00:49:56,360 --> 00:49:57,160
Speaker 1: headachetting them all.

961
00:49:57,239 --> 00:50:00,720
Speaker 6: The Drink Champs is a Drink Champs l see production

962
00:50:01,080 --> 00:50:04,280
Speaker 6: hosts and executive producers n O r E and dj

963
00:50:04,480 --> 00:50:05,040
Speaker 6: e FN.

964
00:50:06,200 --> 00:50:07,000
Speaker 2: Listen to Drink.

965
00:50:06,880 --> 00:50:11,160
Speaker 6: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

966
00:50:11,320 --> 00:50:15,080
Speaker 6: get your podcasts. Thanks for joining us for another episode

967
00:50:15,120 --> 00:50:17,759
Speaker 6: of Drink Champs hosted by Yours truly, dj e f

968
00:50:17,920 --> 00:50:20,040
Speaker 6: N and n O r E. Please make sure to

969
00:50:20,080 --> 00:50:22,560
Speaker 6: follow us on all our socials that's at Drink Champs

970
00:50:22,600 --> 00:50:27,280
Speaker 6: across all platforms. At the real Noriagon ig at Noriega

971
00:50:27,360 --> 00:50:31,000
Speaker 6: on Twitter, mine is at Who's Crazy on ig at

972
00:50:31,120 --> 00:50:33,920
Speaker 6: dj e f N on Twitter, and most importantly, stay

973
00:50:34,000 --> 00:50:36,959
Speaker 6: up to date with the latest releases, news and merch

974
00:50:37,120 --> 00:50:39,040
Speaker 6: by going to drink Champs dot com