WEBVTT - Part Two: The Last Days of L. Ron Hubbard

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<v Speaker 1>What again, l ronning my hubbards. It's part two Hubbard's

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<v Speaker 1>death episodes. My guests, as with last time, Abe Epperson,

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<v Speaker 1>Michael Swain, none of you will have noticed the joke

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<v Speaker 1>in that, but I pointed to the wrong person. It

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<v Speaker 1>did not translate visually hilarious. Another thing that's not going

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<v Speaker 1>to translate visually is me getting ready the next product

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<v Speaker 1>I'm going to throw during this episode, tired of the bagels,

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<v Speaker 1>so Robert took out his big knife and I was

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<v Speaker 1>stabbing a plastic of a many many Kleenex boxes. He

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<v Speaker 1>pulled one off. I'm gonna be throwing clean X boxes.

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<v Speaker 1>I'm gonna throw the first one to the window right

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<v Speaker 1>between us, right between to the windows and to the walls. Yeah,

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<v Speaker 1>and if you know the rest of that song, you

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<v Speaker 1>know why we need so much clean Ax. Yeah, we

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<v Speaker 1>got a ten pack is packing. It is a lot

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<v Speaker 1>of clean ax. That is a lot of CLEANX. He

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<v Speaker 1>will throw all of them by the end of this episode.

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<v Speaker 1>I thought you were going to pop open one of

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<v Speaker 1>those bad boys and throw individual kleen Ax. But that's

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<v Speaker 1>not as impact. That does not have the impact active

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<v Speaker 1>throwing a whole box of clean is it? Important to

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<v Speaker 1>you that the box be filled with clean X. There

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<v Speaker 1>could have just be a box with a similar weight.

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<v Speaker 1>I think I'm just gonna throw a lot of stuff

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<v Speaker 1>over the course of the rest of my career. Understood.

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<v Speaker 1>I like I like tossing. I like throwing both good things,

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<v Speaker 1>both fun. Get some salads in here for you. I

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<v Speaker 1>would love to toss themself. Hello everyone on their early

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<v Speaker 1>morning commute. Welcome the Robert and the pig and the

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<v Speaker 1>other pig. It's your drive times. You know what I hate?

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<v Speaker 1>Drive times? Yeah, that was a good one. Sophie, who

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<v Speaker 1>cleans up in here? Is it me? Oh? It's you,

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<v Speaker 1>it's Sophie. Well, we've already established the joke. So this

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<v Speaker 1>is going to keep happening, and there's no way to

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<v Speaker 1>stop it. I can't. I can't over exaggerate your lack

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<v Speaker 1>of enthusiasts. So far, you pick pretty easy things to

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<v Speaker 1>clean out. When it evolves to throwing confetti, I'm just

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<v Speaker 1>gonna throw ornaments, yeatter them against the walls. Just push

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<v Speaker 1>class everything, Push pins everywhere, Push pins like a home

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<v Speaker 1>alone that you Bullets, just whatever, just bullets. It's just awesome.

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<v Speaker 1>I'd think someone who's barefoot so much of the time,

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<v Speaker 1>wouldn't want to scatter pointy things around the ground. But okay, no,

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<v Speaker 1>let's got those councils. It's fine, it's fine. You know

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<v Speaker 1>what else is fine? Ron Hubbard's career. I disagree. I

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<v Speaker 1>can't wait, it's just fine. I might agree with that

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<v Speaker 1>by the end. Oh, of course it's fine. I mean, now, a,

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<v Speaker 1>you do quite a lot of directing on your own,

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<v Speaker 1>so I think you might pick up some tips and oh,

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<v Speaker 1>I'm gonna learn from the master my next set. Oh

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<v Speaker 1>it's gonna be bad, because this is a master class.

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<v Speaker 1>This is a master class. Right now, Everyone who listens

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<v Speaker 1>to this episode will be qualified to direct a Hollywood production. Yes,

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<v Speaker 1>it just takes this much school by behind the best.

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<v Speaker 1>It really does only take that much if you also

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<v Speaker 1>have millions, literally infinite money. Now, life on the run

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<v Speaker 1>is not good for anyone's health. Despite his vast wealth

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<v Speaker 1>and the opulent surroundings of the Lakita Ranch where he

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<v Speaker 1>hid out in southern California, by early nineteen seventy seven,

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<v Speaker 1>Hubbard's lifestyle was catching up with him again. Anne Rosenbloom,

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<v Speaker 1>who trained to be a messenger during this period, was

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<v Speaker 1>horrified by his appearance when she first met him. Quote

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<v Speaker 1>the first night I was there, I didn't talk to

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<v Speaker 1>LRH since he was busy, but I saw him. He

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<v Speaker 1>had long, reddish gray hair down past his shoulders, rotting teeth,

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<v Speaker 1>and a really fat gut. He didn't look anything like

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<v Speaker 1>his pictures. When next day I met him, he was

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<v Speaker 1>doing exercises in his courtyard and called me over. I

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<v Speaker 1>was nervous meeting him. I was really surprised that I

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<v Speaker 1>didn't feel this electric something or other that I was

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<v Speaker 1>told happens when you are around him. So these were

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<v Speaker 1>in the last days before the FBI dragnet closed down

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<v Speaker 1>around Mary Sue Hubbard and all of l Ron's people

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<v Speaker 1>with the Guardian's office, and Mary Sue became extra protective

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<v Speaker 1>of her husband during this period. Her dogs, which were

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<v Speaker 1>said to be clear, guarded him at all times. If

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<v Speaker 1>they barked at you, it was a sign that you

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<v Speaker 1>were secretly committing crimes against the Hubbards, or had done

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<v Speaker 1>so in a past line. Oh, that's not going to

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<v Speaker 1>stoke his paranoia. Anytime the dog barks that mailman is

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<v Speaker 1>an agent who opposes the church. What happens when the

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<v Speaker 1>dog barks at him? Yeah, or Oh, I don't think

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<v Speaker 1>the dogs stare around if they bark at him. Yeah, yeah,

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<v Speaker 1>they just have new dogs on deck. That dog toy

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<v Speaker 1>is a suppressive person who knew now. Elron continued to

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<v Speaker 1>innovate his tech during this period. His main interest was

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<v Speaker 1>the purification rundown, which he viewed as a cure for

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<v Speaker 1>drug addiction. This was an evolution of Hubbard's GUK vitamin treatment,

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<v Speaker 1>which we talked about during the first three parter. Today,

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<v Speaker 1>the purification rundown is a popular scientology treatment that involves

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<v Speaker 1>massive doses of vitamins and a sweat lodge. In Oklahoma,

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<v Speaker 1>it killed four people over the course of three years.

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<v Speaker 1>Hubbard developed this treatment based on what he believed with

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<v Speaker 1>the effects of LSD on the body. According to Jim Kalki,

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<v Speaker 1>one of Hubbard's longtime helpers, quote, all the information came

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<v Speaker 1>from one person who had taken LSD once. That was

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<v Speaker 1>how he did his research. It's pretty chill, dude, all right,

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<v Speaker 1>it's this is my shit right here. Honestly, it was good.

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<v Speaker 1>Now Hubbard became convinced that the purification rundown was going

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<v Speaker 1>to cure all of the world's drug addictions. He decided

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<v Speaker 1>This achievement had clearly earned him a Nobel Prize, and

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<v Speaker 1>he wrote it an order to his pr officer authorizing

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<v Speaker 1>the expenditure of unlimited funds to win him the Nobel Prize.

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<v Speaker 1>He so clearly deserved this, he didn't. He didn't get

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<v Speaker 1>a Nobel Oh really, it turns out it's kind of

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<v Speaker 1>hard to bribe this guy. I can't say that it's cannon.

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<v Speaker 1>I do think. You know, if the listeners of this

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<v Speaker 1>podcast want to get me a Nobel Prize, I will

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<v Speaker 1>do drugs off of it. That's what I would You

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<v Speaker 1>rather get a Nobel Prize for stopping all drug use

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<v Speaker 1>you personally, or just have listeners send you some drugs? Oh?

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<v Speaker 1>I would I would rather get the Nobel Prize. I've

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<v Speaker 1>got a blacksmith, So I take the Nobel prize to

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<v Speaker 1>my blacksmith and have it forged into a crack pipe

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<v Speaker 1>smoking Except if you want to see me throwing some stuff,

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<v Speaker 1>you give me some crack and a Nobel Peace pipe

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<v Speaker 1>as well. I think the Nobel Peace Prize and you

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<v Speaker 1>know where that cash prize is all going to be spent? Yeah,

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<v Speaker 1>under a bridge filling up that pipe. Then you're gonna

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<v Speaker 1>get shived for your golden pipe. So that's gone. Yeah,

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<v Speaker 1>that's what happens under bridges. It's not going to be

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<v Speaker 1>great now. Hubbard transferred from Lakinta to hide out in Sparks, Nevada.

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<v Speaker 1>After the FBI crashed down on operations snow White. All

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<v Speaker 1>contact with the Guardian's Office and the Hubbard family was suspended,

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<v Speaker 1>and LRH relied on his child messengers to deliver his

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<v Speaker 1>words to and from church leadership. On May twenty fifth,

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<v Speaker 1>nineteen seventy seven, Star Wars launched to a world of

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<v Speaker 1>unsuspecting moviegoers. Here we go. It made conservatively all the

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<v Speaker 1>money and changed both Hollywood and the world forever. Now.

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<v Speaker 1>I don't know if l Ron Hubbard ever actually saw

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<v Speaker 1>Star Wars. I kind of doubt it because he was

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<v Speaker 1>a horrible narcissist who probably never read or watched anyone

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<v Speaker 1>else's science fiction. But it's possible. I know he read

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<v Speaker 1>a lot of Harlan Ellison, who is my favorite side fi.

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<v Speaker 1>He definitely Yeah, Well, like personal friends, and I guess,

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<v Speaker 1>you know, you feel the guilt or like you have to,

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<v Speaker 1>but you imagine the one person who could get along

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<v Speaker 1>with l Ron Hubbard. Of course, it's hard Elison. It's

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<v Speaker 1>just weird that if you he seems to really like

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<v Speaker 1>sci fi. Yeah, he resist, it's hard to like. I

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<v Speaker 1>don't know if he ever saw it, but he definitely

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<v Speaker 1>paid attention to its financial success. From July to December

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<v Speaker 1>of nineteen seventy seven, while hiding out in Sparks, Nevada,

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<v Speaker 1>he worked feverishly on the screenplay for a feature film,

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<v Speaker 1>Revolt in the Stars. This was a dramatization of one

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<v Speaker 1>of the Star Wars. Yeah, it's a war that does

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<v Speaker 1>occur the stars. Yeah, a star wars. Yeah, a star war,

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<v Speaker 1>if you will. This was a dramatization of one of

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<v Speaker 1>the highest level scientology training courses, the OT three Information

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<v Speaker 1>or Operating Thetans. I'm gonna give that shit away. Yeah,

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<v Speaker 1>you had to pay one hundred grand for that. There's

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<v Speaker 1>actually some weird stuff regarding that, which we'll get to here.

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<v Speaker 1>So the rough plot was that an evil space dictator Xenu,

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<v Speaker 1>murdered seventy six planets worth of aliens, sucked in their

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<v Speaker 1>frozen goats to Earth and blew them up with nuclear bombs.

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<v Speaker 1>Strapped a volcanoes. Ghosts are water vapor and they all

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<v Speaker 1>have swords you can freeze aghast. Oh my god, I

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<v Speaker 1>just figured out how we can solve global warming. All right.

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<v Speaker 1>People least likely to believe in global warming are also

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<v Speaker 1>probably gonna be the most superstitious people in the country.

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<v Speaker 1>So I'm gonna guess global warming deniers also have a

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<v Speaker 1>high tendency to believe them magical thinking. You convince them

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<v Speaker 1>that if the ice caps melt, all of the ghosts

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<v Speaker 1>will be freed. I think we have a plan. Then

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<v Speaker 1>we got a problem, and we gotta put We gotta

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<v Speaker 1>cool down the world to keep the ghost frozen. Ghost

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<v Speaker 1>dictators need to never stop doing whatever drug they did.

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<v Speaker 1>It's a child, right, And there are ghosts in the

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<v Speaker 1>North Pole, there are coasts in the North poland they

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<v Speaker 1>will kill us if we don't freeze them. These are

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<v Speaker 1>the myths of our time that we need to embrace

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<v Speaker 1>that will help us. It's like that I saw a

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<v Speaker 1>post where someone, some anti vaxxer was talking about how

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<v Speaker 1>you can actually make vaccine safe if you rub a

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<v Speaker 1>potato on the vaccine injection site, and it's like, yeah, okay,

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<v Speaker 1>just tell him that, Yeah, vaccinate your kids and rub

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<v Speaker 1>him with the potato. Just release all of Dan Aykroyd's books. Yeah,

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<v Speaker 1>ten years later, the Potato Flew decimates the population of

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<v Speaker 1>North America. Hot Potatoes. That will be the last Fox

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<v Speaker 1>News Chiron before everyone dies. Potatoes are too hot, the

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<v Speaker 1>hot potato and the round is over. Oh boy, Potato

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<v Speaker 1>verse ghost. Now, if you paid attention to anything I've

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<v Speaker 1>said about Alon Hubbard over the last five hours or

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<v Speaker 1>so of podcasts about the fucker, you know that he's

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<v Speaker 1>literally incapable of giving up on any single idea he

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<v Speaker 1>ever had. Now, y'all remember Excalibur, the book Hubbard claimed

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<v Speaker 1>to have written in nineteen thirty eight that he said

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<v Speaker 1>was so profound it caused people to commit suicide. And

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<v Speaker 1>after reading it, Yeah, it locked away from how I

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<v Speaker 1>know the words caliber from? Is that? Well? Yeah, it's

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<v Speaker 1>like the MANI Python, the funniest joke that you can't see.

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<v Speaker 1>But with psychology, Yeah, yeah, philosophy the second you go

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<v Speaker 1>mad right as you love? Would that be good? That's

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<v Speaker 1>not a feather in your cap. You're like, this guy

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<v Speaker 1>read my book and committed suicide right after. I think

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<v Speaker 1>that means it's super good. That comic Con panel we

0:10:16.440 --> 0:10:18.520
<v Speaker 1>have today George R. Martin and the guy who wrote

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<v Speaker 1>the book that makes everyone kill themselves, My name is

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<v Speaker 1>l Forty years after his claims about Excalibur started, Hubbard

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<v Speaker 1>made the same claims about the OT three course materials.

0:10:31.720 --> 0:10:34.520
<v Speaker 1>Scientologists weren't exposed to the Xenu story until they were

0:10:34.559 --> 0:10:37.319
<v Speaker 1>several years and thousands of dollars into the religion already.

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<v Speaker 1>That's because, according to Hubbard, learning the story of Xenu

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<v Speaker 1>would cause death in a matter of days. According to

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<v Speaker 1>Tony Ortega, a former scientologist who's now an activist against

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<v Speaker 1>the church, quote, if we follow his logic, his intention

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<v Speaker 1>in writing it was to produce a film that, if

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<v Speaker 1>shown to the world, would kill off all the non

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<v Speaker 1>OT three part of the population. Oh manicide, the biblical flood. Yeah, forever.

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<v Speaker 1>Everyone who's not hasn't paid me enough money to be

0:11:03.559 --> 0:11:06.280
<v Speaker 1>at this level. He's gonna make a movie to kill everybody.

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<v Speaker 1>He's gonna make a fucking passion of the wrong. I'm

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<v Speaker 1>firmly convinced, And of course there's no way to prove that.

0:11:12.400 --> 0:11:16.199
<v Speaker 1>At every step, a large chunk of him knows that,

0:11:16.280 --> 0:11:18.920
<v Speaker 1>and it's probably the thing's most proud of. Ye look

0:11:18.960 --> 0:11:21.600
<v Speaker 1>at how I built a billion dollar empire on nothing.

0:11:21.640 --> 0:11:24.319
<v Speaker 1>I'm proud of that. So I don't think he wrote

0:11:24.320 --> 0:11:27.880
<v Speaker 1>it thinking this will kill everything. But it's still every

0:11:27.880 --> 0:11:29.920
<v Speaker 1>detail of his life is better if you assume he

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<v Speaker 1>believed his own it is. Yeah, I think he started

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<v Speaker 1>to at a certain point. You don't know how you

0:11:35.679 --> 0:11:38.560
<v Speaker 1>don't mix it up. You don't make the kids search

0:11:38.640 --> 0:11:42.439
<v Speaker 1>for gold for months on on, like cramped sailing vessels

0:11:42.480 --> 0:11:45.319
<v Speaker 1>if you don't really believe they might find some. And

0:11:45.520 --> 0:11:47.720
<v Speaker 1>some of the paranoid shit he did, you're like, well,

0:11:47.720 --> 0:11:51.080
<v Speaker 1>that's not fabricated. He's really grappling with paranoia. Yeah, he's

0:11:51.160 --> 0:11:56.360
<v Speaker 1>definitely paranoid. I imagine like little l Ron, Little Ron, Yeah,

0:11:56.440 --> 0:11:58.760
<v Speaker 1>like going to the ice cream truck and like say

0:11:59.000 --> 0:12:00.960
<v Speaker 1>saying to the guys sell the ice cream, like you

0:12:00.960 --> 0:12:04.560
<v Speaker 1>know that popsicles are ghosts, and he goes really he's like,

0:12:04.600 --> 0:12:07.320
<v Speaker 1>oh my god, that worked. I know what my life is.

0:12:09.280 --> 0:12:11.640
<v Speaker 1>Oh god. I do like to think about, like what

0:12:11.640 --> 0:12:14.080
<v Speaker 1>would happen if this movie was made and did what

0:12:14.160 --> 0:12:16.360
<v Speaker 1>Hubbard said it would do, and like everyone who watched

0:12:16.400 --> 0:12:19.280
<v Speaker 1>it killed themselves because I have conversations with your friends

0:12:19.320 --> 0:12:21.360
<v Speaker 1>would be like, you know, there's that new movie that

0:12:21.400 --> 0:12:24.600
<v Speaker 1>makes everybody kill themselves you want to go see Well, yeah,

0:12:24.800 --> 0:12:28.840
<v Speaker 1>I kind of do you kind of like I love life.

0:12:28.920 --> 0:12:31.800
<v Speaker 1>But also I have the AMC movie past I got

0:12:31.800 --> 0:12:34.280
<v Speaker 1>to use it on something, use it on something, and

0:12:34.440 --> 0:12:39.840
<v Speaker 1>I am dying to know the details anymore. And watch

0:12:39.920 --> 0:12:43.560
<v Speaker 1>the murder movie. Also, what a weird experience if you

0:12:43.760 --> 0:12:46.960
<v Speaker 1>came into the room late and everyone is dead but

0:12:47.000 --> 0:12:49.520
<v Speaker 1>there's one person and you're like, ew, you're a OT

0:12:49.720 --> 0:12:53.280
<v Speaker 1>three in scientology. I did not know that, and they're like,

0:12:53.480 --> 0:12:57.400
<v Speaker 1>I know. So. Another thing that Ortega notes in his

0:12:57.520 --> 0:13:00.520
<v Speaker 1>article about Revolting the Stars is that John Travolta is

0:13:00.559 --> 0:13:03.520
<v Speaker 1>still to this day expressing a desire to make the

0:13:03.559 --> 0:13:06.280
<v Speaker 1>movie into a major Hollywood production, which may mean that

0:13:06.360 --> 0:13:10.280
<v Speaker 1>John Travolta secretly wants to commit mass planetary genocide. At

0:13:10.360 --> 0:13:13.079
<v Speaker 1>the very least he knows that thing. Yeah, the idea

0:13:13.080 --> 0:13:15.120
<v Speaker 1>that John Travolta is trying to wipe out all life

0:13:15.160 --> 0:13:19.640
<v Speaker 1>on Earth that's not scientology is now my favorite conspiracy theory. Right. Yeah,

0:13:19.720 --> 0:13:23.079
<v Speaker 1>I also believe that now, probably thanks to the popularity

0:13:23.080 --> 0:13:25.920
<v Speaker 1>of this podcast, some group of nerds who I will

0:13:25.920 --> 0:13:29.600
<v Speaker 1>love forever forever will find this and shoot it on

0:13:29.640 --> 0:13:34.560
<v Speaker 1>their phones and send it to us shooting bastards. Yeah,

0:13:34.600 --> 0:13:38.240
<v Speaker 1>please make the movie that kills everything, which is basically

0:13:38.240 --> 0:13:40.640
<v Speaker 1>he just thought of the Ring. Yeah, the Ring, but

0:13:40.720 --> 0:13:44.560
<v Speaker 1>for everyone, for everyone. Yeah, and just as as sort

0:13:44.600 --> 0:13:47.280
<v Speaker 1>of future payment to whoever does shoot Revolt in the Stars,

0:13:47.360 --> 0:13:49.600
<v Speaker 1>I'm gonna throw another box of clean us, right, yea

0:13:50.000 --> 0:13:53.720
<v Speaker 1>Mazzle number three. That's a scientology thing, right, yep? I

0:13:53.760 --> 0:13:56.839
<v Speaker 1>think so, or take it. Apparently read through the script

0:13:56.920 --> 0:13:58.400
<v Speaker 1>for a Volt among the Stars, which I think you

0:13:58.440 --> 0:14:00.440
<v Speaker 1>can find if you really look for it, and he

0:14:00.440 --> 0:14:02.640
<v Speaker 1>summed up its plot this way. Quote in the script

0:14:02.679 --> 0:14:05.400
<v Speaker 1>Hubbard wrote for the movie. The character rawl, clearly based

0:14:05.440 --> 0:14:07.560
<v Speaker 1>on Hubbard himself, takes on the mit of various two

0:14:07.600 --> 0:14:10.920
<v Speaker 1>dimensional characters with single syllable names Chi and men who

0:14:10.920 --> 0:14:13.720
<v Speaker 1>have wandered out of an episode of Flash Gordon. The

0:14:14.200 --> 0:14:16.800
<v Speaker 1>screenplay apparently ends on these lines. As the evil Xenu

0:14:16.880 --> 0:14:18.480
<v Speaker 1>is strapped into a prison inside of one of the

0:14:18.559 --> 0:14:22.720
<v Speaker 1>volcanoes he previously bombed to murder space ghosts wetting his

0:14:22.880 --> 0:14:25.560
<v Speaker 1>dry cracked lips. Xenu looked up at the doctor, some

0:14:25.680 --> 0:14:28.720
<v Speaker 1>terror showing in his glazed eyes. These devices keep one

0:14:28.760 --> 0:14:32.720
<v Speaker 1>alive forever, don't talk, snapped the doctor. A guard stepped forward.

0:14:32.800 --> 0:14:35.800
<v Speaker 1>Don't talk to the prisoner. Despairing Xenu rolled his eyes.

0:14:36.040 --> 0:14:41.920
<v Speaker 1>How long is forever? No one answered? No one knew, Well, yeah,

0:14:42.120 --> 0:14:46.560
<v Speaker 1>what what? What? What fuck you can talking about? I mean,

0:14:46.600 --> 0:14:51.200
<v Speaker 1>it sounds like I've been to film school, and there's

0:14:51.280 --> 0:14:55.000
<v Speaker 1>quite a bit of scripts that are suspicious of this

0:14:55.120 --> 0:14:57.400
<v Speaker 1>type of arriety. By the way, when your movie Revolt

0:14:57.440 --> 0:14:59.800
<v Speaker 1>among the Stars comes out, everyone's going to refer to

0:14:59.840 --> 0:15:03.880
<v Speaker 1>it as rats. He is so good, Look with that now.

0:15:04.360 --> 0:15:06.400
<v Speaker 1>Hubbard's dream was to make the movie himself and add

0:15:06.480 --> 0:15:10.080
<v Speaker 1>George Lucas to his list of accomplishments, alongside aviation pioneer,

0:15:10.280 --> 0:15:14.040
<v Speaker 1>treasure hunter, profit and surprisingly good at sex. This gradually

0:15:14.080 --> 0:15:16.520
<v Speaker 1>expanded into a desire to add a whole film production

0:15:16.600 --> 0:15:19.920
<v Speaker 1>wing to the Church of Scientology. The Sena Org, a

0:15:19.960 --> 0:15:22.960
<v Speaker 1>ten acre ranch around Lakina, was purchased, code named Monroe,

0:15:23.000 --> 0:15:25.160
<v Speaker 1>and turned into housing for the production staff for l

0:15:25.240 --> 0:15:28.280
<v Speaker 1>Ron Hubbard's new film company, Slash Cult. The studio was

0:15:28.280 --> 0:15:30.600
<v Speaker 1>built on a one hundred and forty acre grapefruit farm

0:15:30.640 --> 0:15:34.520
<v Speaker 1>that the church also purchased. How do you give notes

0:15:34.840 --> 0:15:37.280
<v Speaker 1>when you're in a call? Like if everyone acting in

0:15:37.280 --> 0:15:40.160
<v Speaker 1>a hand producing it is on set, there are no notes. Yeah,

0:15:40.600 --> 0:15:43.240
<v Speaker 1>you do what he tells you. This. I uctually think

0:15:43.240 --> 0:15:47.600
<v Speaker 1>the set's a little a little goudy, right now. That's suppressive, dude,

0:15:47.680 --> 0:15:51.520
<v Speaker 1>that's suppressive mood. He kills everyone though, like does the

0:15:51.520 --> 0:15:54.640
<v Speaker 1>screenplay just like paralyze them or is it the like

0:15:55.040 --> 0:15:58.240
<v Speaker 1>what stage does the magic like kill yourself? Well, all

0:15:58.240 --> 0:16:00.280
<v Speaker 1>of these people are OT three, so they can so

0:16:00.320 --> 0:16:02.760
<v Speaker 1>they can do whatever there. I bet his plan was

0:16:02.800 --> 0:16:05.120
<v Speaker 1>to do the opposite. Let the movie come out, no

0:16:05.160 --> 0:16:08.520
<v Speaker 1>one dies, and then say see, you're all scientologists. You

0:16:08.520 --> 0:16:15.520
<v Speaker 1>don't even know it. And I see now. Yeah, So

0:16:15.640 --> 0:16:19.760
<v Speaker 1>they buy several different giant ranches to add to the

0:16:19.920 --> 0:16:23.080
<v Speaker 1>already giant ranch and turn into a film production studio. Now,

0:16:23.120 --> 0:16:26.440
<v Speaker 1>according to the book, beaar Face, Messiah, quote, lights, Dolly's, cameras,

0:16:26.480 --> 0:16:28.600
<v Speaker 1>and a vast range of technical equipment were all moved

0:16:28.600 --> 0:16:31.720
<v Speaker 1>into the new studio. Hubbard took to wearing a cowboy hat, suspenders,

0:16:31.760 --> 0:16:34.160
<v Speaker 1>and a bandana, which he imagined gave him an artistic

0:16:34.200 --> 0:16:37.400
<v Speaker 1>me in appropriate to a director. The sene Org was

0:16:37.440 --> 0:16:40.440
<v Speaker 1>to cut its teeth, making simple promotional films illustrating various

0:16:40.440 --> 0:16:43.760
<v Speaker 1>situations in which Scientology could be used beneficially. Hubbard wrote

0:16:43.800 --> 0:16:46.240
<v Speaker 1>all the scripts and knew exactly what he wanted, constantly

0:16:46.280 --> 0:16:49.280
<v Speaker 1>biting into a raw grapefruit. He just care. Isn't all

0:16:49.320 --> 0:16:55.680
<v Speaker 1>that Thompson right now? He is? Hunter would be shooting

0:16:55.680 --> 0:16:59.120
<v Speaker 1>at people. Hunter would have a shot at people. Yeah,

0:16:59.160 --> 0:17:03.000
<v Speaker 1>but he's he's using cameras. So Hubbard knew what he wanted,

0:17:03.040 --> 0:17:06.119
<v Speaker 1>but found out that it was it's really hard to

0:17:06.119 --> 0:17:08.680
<v Speaker 1>make movies like this is kind of a difficult thing

0:17:08.720 --> 0:17:11.840
<v Speaker 1>to do, and so his first productions did not all

0:17:11.880 --> 0:17:13.199
<v Speaker 1>go well. Now, some of this had to do with

0:17:13.240 --> 0:17:15.360
<v Speaker 1>the fact that the random assortment of people who'd found

0:17:15.359 --> 0:17:17.840
<v Speaker 1>the Church of Scientology compelling did not all possess the

0:17:17.880 --> 0:17:22.359
<v Speaker 1>incredibly specific technical know how necessary to make films. Now,

0:17:22.680 --> 0:17:24.119
<v Speaker 1>I want to note that this had been true of l.

0:17:24.160 --> 0:17:26.520
<v Speaker 1>Ron Hubbard's navy too, and they'd sort of faked it

0:17:26.560 --> 0:17:28.480
<v Speaker 1>until they made it. But it turns out that the

0:17:28.520 --> 0:17:31.439
<v Speaker 1>same strategy does not work with movie making, Thus answering

0:17:31.480 --> 0:17:34.040
<v Speaker 1>forever the age old question, is it harder to captain

0:17:34.119 --> 0:17:37.280
<v Speaker 1>a boat or man a boom mic? Harder to man

0:17:37.280 --> 0:17:40.679
<v Speaker 1>of boom mic? Apparently easier to get random people to

0:17:40.720 --> 0:17:43.359
<v Speaker 1>be part of a navy. Well, there's no because you

0:17:43.359 --> 0:17:47.560
<v Speaker 1>can drop depth charges and say you hit something. That's fine.

0:17:47.880 --> 0:17:50.119
<v Speaker 1>When you're shooting a movie. If you don't get the scene,

0:17:50.280 --> 0:17:54.960
<v Speaker 1>it's not listen to it and say this is shitty sound.

0:17:56.800 --> 0:17:58.800
<v Speaker 1>So the church put out a call to any members

0:17:58.800 --> 0:18:00.960
<v Speaker 1>of the faith who had even vaguely relevant experience in

0:18:01.000 --> 0:18:03.280
<v Speaker 1>the film industry. The best they could do was Adele

0:18:03.280 --> 0:18:06.240
<v Speaker 1>and Ernie Hartwell, championship ballroom dancers, who had taken a

0:18:06.240 --> 0:18:08.240
<v Speaker 1>few courses and were told that the sina Org would

0:18:08.240 --> 0:18:10.879
<v Speaker 1>be their path into the scientology elite. They were not

0:18:10.960 --> 0:18:14.360
<v Speaker 1>impressed upon their arrival to the cina Org. Ernie later recalled,

0:18:14.520 --> 0:18:17.200
<v Speaker 1>I was absolutely shocked to see everyone running around in shorts,

0:18:17.280 --> 0:18:19.679
<v Speaker 1>ragged clothes, dirty and unkemped. They put us in a

0:18:19.680 --> 0:18:21.600
<v Speaker 1>little three room shack on the edge of the ranch.

0:18:21.640 --> 0:18:23.680
<v Speaker 1>We go inside and what a mess. The place was

0:18:23.720 --> 0:18:27.520
<v Speaker 1>overrun with bugs and insects. Adele said, quote. The main

0:18:27.560 --> 0:18:29.320
<v Speaker 1>thing I disliked was that when we first got there,

0:18:29.320 --> 0:18:30.960
<v Speaker 1>we were programmed on the lies we had to tell.

0:18:31.000 --> 0:18:32.399
<v Speaker 1>If we ran into one of our friends, we had

0:18:32.440 --> 0:18:33.679
<v Speaker 1>to tell a lie to them and say that we

0:18:33.680 --> 0:18:35.800
<v Speaker 1>were just there for a vacation who were schooled on

0:18:35.840 --> 0:18:38.320
<v Speaker 1>how to get away from process servers, FBI agents, and

0:18:38.359 --> 0:18:40.919
<v Speaker 1>any government officials or any policemen who wanted anything to

0:18:40.960 --> 0:18:44.000
<v Speaker 1>do with Ubbert. Welcome to our production company. Here's what

0:18:44.040 --> 0:18:48.280
<v Speaker 1>you say to the SBI. E I bet just it.

0:18:48.320 --> 0:18:52.600
<v Speaker 1>Being in California, there's a fair chance some of these

0:18:52.640 --> 0:18:54.919
<v Speaker 1>people probably would have gone to film school if they

0:18:54.960 --> 0:18:56.840
<v Speaker 1>weren't broke from spending all their money on the Church

0:18:56.880 --> 0:18:59.199
<v Speaker 1>of Scientology. And they came from everywhere though. Sure he

0:18:59.359 --> 0:19:01.600
<v Speaker 1>just moved them to like you just had to go

0:19:01.640 --> 0:19:03.920
<v Speaker 1>wherever you be. But they have all the money. Send

0:19:03.920 --> 0:19:06.880
<v Speaker 1>some people to film school if Yeah, what great voices

0:19:06.920 --> 0:19:11.440
<v Speaker 1>were squashed out by al Ron Hubbard's movie making an interprese? Hey,

0:19:12.400 --> 0:19:14.879
<v Speaker 1>I want to see these cult people's movie. I do

0:19:15.000 --> 0:19:17.480
<v Speaker 1>desperately want to see these cult people's movies. You know

0:19:17.520 --> 0:19:19.320
<v Speaker 1>what else? I want to see or at least listen

0:19:19.359 --> 0:19:22.399
<v Speaker 1>to the fine products and services that have advertised on

0:19:22.440 --> 0:19:24.679
<v Speaker 1>our show and or program. Oh, I love those. I

0:19:24.760 --> 0:19:27.440
<v Speaker 1>want to see them, but kind of fingers crossed, I'll

0:19:27.480 --> 0:19:30.320
<v Speaker 1>just close my eyes and imagine. Yeah, our ads are

0:19:30.359 --> 0:19:32.320
<v Speaker 1>randomly generated a lot of the time, so it is

0:19:32.400 --> 0:19:35.320
<v Speaker 1>possible the Church of Scientology will advertise. If so, I'm

0:19:35.320 --> 0:19:38.560
<v Speaker 1>actually fine with that. If they if they advertise on

0:19:38.600 --> 0:19:44.080
<v Speaker 1>this episode, totally doubt I'm not. I'm okay with it.

0:19:44.280 --> 0:19:47.240
<v Speaker 1>I don't know if listening through all this an ad

0:19:47.280 --> 0:19:50.440
<v Speaker 1>for the Church of Scientology makes you decide, you know what, Yes,

0:19:50.920 --> 0:19:53.399
<v Speaker 1>that is true. Me. You clicked on this and you're like,

0:19:53.520 --> 0:20:04.320
<v Speaker 1>but the ad really resonated. Yeah, all right, products we're

0:20:04.320 --> 0:20:06.680
<v Speaker 1>back and Sophie is actually leaving the room. She's about

0:20:06.720 --> 0:20:08.679
<v Speaker 1>to open the door, which is bad for sound quality

0:20:08.720 --> 0:20:11.400
<v Speaker 1>but good for what I like to call cinema verite,

0:20:11.480 --> 0:20:14.720
<v Speaker 1>a term I invented for podcasts. Being true, we're really

0:20:14.880 --> 0:20:20.399
<v Speaker 1>peeling back the podcasting curtain. Yeah, because I didn't the

0:20:20.480 --> 0:20:25.920
<v Speaker 1>term loosely affiliated with podcasts. Yeah, that's the word cinema

0:20:26.000 --> 0:20:29.840
<v Speaker 1>and the curtain. Well, you know, the main goal when

0:20:29.880 --> 0:20:33.080
<v Speaker 1>you make a podcast is to uh just broadcast to

0:20:33.080 --> 0:20:35.600
<v Speaker 1>everyone else that, yes, you should also have a podcast.

0:20:35.680 --> 0:20:37.640
<v Speaker 1>You should have a podcast all rest till every there's

0:20:37.680 --> 0:20:39.960
<v Speaker 1>as many podcasts as there are people. I want there

0:20:39.960 --> 0:20:42.119
<v Speaker 1>to be twice as many podcasts as people, and until

0:20:42.160 --> 0:20:47.280
<v Speaker 1>there are I will continue to throw I laughed, but

0:20:47.320 --> 0:20:51.359
<v Speaker 1>it hit me in the throat. Well, you know what

0:20:51.359 --> 0:20:54.439
<v Speaker 1>they say about throats, Michael Products and Services. It's the

0:20:54.520 --> 0:20:58.600
<v Speaker 1>laziest part of the body, that's true. All right, we're back.

0:20:58.640 --> 0:21:03.320
<v Speaker 1>Well there's parstalsis so l Ron Hubbard aw Tour director

0:21:03.560 --> 0:21:05.560
<v Speaker 1>was still desperately afraid of being brought in by a

0:21:05.560 --> 0:21:08.280
<v Speaker 1>surprise police rate. A souped up, dodged dart with a

0:21:08.280 --> 0:21:10.359
<v Speaker 1>full tank of gas was kept on stand by twenty

0:21:10.359 --> 0:21:12.800
<v Speaker 1>four to seven outside of his production facility. He just

0:21:13.920 --> 0:21:18.080
<v Speaker 1>fuckinging run car. The director has a like, I feel

0:21:18.119 --> 0:21:20.600
<v Speaker 1>like everything you said so far is applicable only to

0:21:20.760 --> 0:21:23.960
<v Speaker 1>l Ron Hubbard or Roman Polanski. Every day put a

0:21:23.960 --> 0:21:26.679
<v Speaker 1>Philly cheese steak on the dashboard and replaced it the

0:21:26.720 --> 0:21:30.159
<v Speaker 1>next day he might have to go. And it occurs

0:21:30.240 --> 0:21:32.680
<v Speaker 1>to me that we should just have a table of disguises.

0:21:35.880 --> 0:21:40.199
<v Speaker 1>They literally did all right now. I don't know if

0:21:40.200 --> 0:21:41.880
<v Speaker 1>any of y'all are aware of this, but AU Tour

0:21:41.920 --> 0:21:44.439
<v Speaker 1>directors are not known to be mentally healthy people. At

0:21:44.440 --> 0:21:46.600
<v Speaker 1>the best of times. Ol Ron Hubbard might have given

0:21:46.640 --> 0:21:48.560
<v Speaker 1>a guy like Stanley Kubrick a run for his money

0:21:48.560 --> 0:21:52.280
<v Speaker 1>in the crazy pants category. Stanley Kubrick finished movies. He

0:21:52.359 --> 0:21:55.439
<v Speaker 1>did finish movies. Adele first met Hubbard when she was

0:21:55.480 --> 0:21:57.480
<v Speaker 1>working in the wardrobe department and heard him start to

0:21:57.520 --> 0:22:00.760
<v Speaker 1>scream at a group of his underlings. This is a

0:22:00.800 --> 0:22:04.480
<v Speaker 1>quote of Hubbard directings, Oh hey, you dirty, goddamn sons

0:22:04.520 --> 0:22:07.200
<v Speaker 1>of bitches, you're so goddamn stupid. Fuck you, you cocksuckers.

0:22:07.320 --> 0:22:09.040
<v Speaker 1>It seemed to go on for several minutes. I had

0:22:09.080 --> 0:22:10.560
<v Speaker 1>something in my hand and it fell to the floor.

0:22:10.640 --> 0:22:12.560
<v Speaker 1>I said, who in the world is that? They said

0:22:12.600 --> 0:22:14.080
<v Speaker 1>it was the Boss. We weren't allowed to use the

0:22:14.119 --> 0:22:16.439
<v Speaker 1>name Hubbard for security reasons. You mean the leader of

0:22:16.440 --> 0:22:18.679
<v Speaker 1>the church speaks like that, I asked, Oh, yes, was

0:22:18.680 --> 0:22:21.880
<v Speaker 1>the reply. He doesn't believe in keeping anything back. Yeah,

0:22:21.880 --> 0:22:23.600
<v Speaker 1>this is straight out of the book of a usc

0:22:23.880 --> 0:22:29.080
<v Speaker 1>School Cinematic Arts. Actually, goddamn sons of bitches. Adele's first

0:22:29.080 --> 0:22:31.640
<v Speaker 1>big job was makeup assistant on a Hubbard flick called

0:22:31.800 --> 0:22:35.040
<v Speaker 1>The Unfathomable Man. It was a modest project, covering the

0:22:35.200 --> 0:22:37.080
<v Speaker 1>entire history of the human race from the beginning of

0:22:37.080 --> 0:22:38.679
<v Speaker 1>time to the modern era through the eyes of el

0:22:38.760 --> 0:22:43.600
<v Speaker 1>Run Hubbard. I'm sorry that this is a great time.

0:22:45.400 --> 0:22:47.399
<v Speaker 1>You can't even think of it. What's the first thing

0:22:47.400 --> 0:22:49.080
<v Speaker 1>you think? Well, he's a man. Well, I can think

0:22:49.119 --> 0:22:54.399
<v Speaker 1>of a man. You can't not this guy. Adele's recollections

0:22:54.440 --> 0:22:57.960
<v Speaker 1>make it sound rather surprisingly like a Sam Raimi flick quote.

0:22:58.280 --> 0:23:00.199
<v Speaker 1>Did he ever like those films to be bloody? It

0:23:00.280 --> 0:23:01.960
<v Speaker 1>was enough to make you sick. We'd be shooting a

0:23:02.000 --> 0:23:03.960
<v Speaker 1>scene and all of a sudden he'd yell, stop, make

0:23:04.000 --> 0:23:06.080
<v Speaker 1>it more gory. We'd go running out on the set

0:23:06.119 --> 0:23:08.159
<v Speaker 1>and with all this carrow syrup and food coloring, and

0:23:08.200 --> 0:23:10.320
<v Speaker 1>we'd just dump it all over the actors. Then we'd

0:23:10.320 --> 0:23:12.720
<v Speaker 1>foam some more, and he'd stop it again and say

0:23:12.720 --> 0:23:15.200
<v Speaker 1>it's still not gory enough. Then we'd throw more blood

0:23:15.240 --> 0:23:18.680
<v Speaker 1>on them. Well, he's competing with the Bible, so he's

0:23:18.800 --> 0:23:21.680
<v Speaker 1>kind of matches. Every religion needs to match a certain

0:23:21.800 --> 0:23:24.040
<v Speaker 1>level of gore just to keep our interest. I just

0:23:24.080 --> 0:23:27.320
<v Speaker 1>imagine him at monitor and when they nail like how

0:23:27.359 --> 0:23:32.159
<v Speaker 1>much blood, He's just yes, this will bring scientology to

0:23:32.200 --> 0:23:35.479
<v Speaker 1>the masses. Okay, now pour some blood on me. Okay,

0:23:35.560 --> 0:23:40.600
<v Speaker 1>now we can continue. Get the disguises. The movie included

0:23:40.600 --> 0:23:42.960
<v Speaker 1>a scene where an FBI office was bombed. This was

0:23:43.040 --> 0:23:45.920
<v Speaker 1>understandably al Ron Hubbard's favorite part. He jerked off well

0:23:46.200 --> 0:23:48.800
<v Speaker 1>at that scene I imagine he grew a little over

0:23:48.920 --> 0:23:51.320
<v Speaker 1>enthusiastic and had so much blood dumped on his actors

0:23:51.359 --> 0:23:53.119
<v Speaker 1>that their clothing stuck to their bodies and had to

0:23:53.119 --> 0:23:55.800
<v Speaker 1>be cut off by the wardrobe people. Hubbard made up

0:23:55.840 --> 0:23:57.600
<v Speaker 1>for his general lack of knowledge of how to make

0:23:57.640 --> 0:24:00.920
<v Speaker 1>movies by being an incredibly persnickety asshole. According to bare

0:24:00.960 --> 0:24:03.440
<v Speaker 1>Face Messiah quote, when the Sena Org was shooting in

0:24:03.480 --> 0:24:05.320
<v Speaker 1>the studio, all the sets had to be cleaned and

0:24:05.359 --> 0:24:08.119
<v Speaker 1>scrubbed with special soap every morning before Hubbard arrived, and

0:24:08.160 --> 0:24:10.040
<v Speaker 1>the messengers would go round with white gloves to a

0:24:10.080 --> 0:24:12.800
<v Speaker 1>shear it had been done properly. Hubbard had a director's

0:24:12.840 --> 0:24:14.320
<v Speaker 1>chair that no one else was allowed to sit in,

0:24:14.359 --> 0:24:16.159
<v Speaker 1>and as he was walking around the set, a messenger

0:24:16.160 --> 0:24:18.400
<v Speaker 1>would follow close behind him, ready to put the chair

0:24:18.480 --> 0:24:20.960
<v Speaker 1>underneath him if he chose to sit down. One unfortunate

0:24:21.040 --> 0:24:23.159
<v Speaker 1>girl got the positioning wrong by a few minutes inches,

0:24:23.320 --> 0:24:28.480
<v Speaker 1>and it's the commodore sat down chair. It's slapstick comedy

0:24:28.680 --> 0:24:32.000
<v Speaker 1>until you learn they're like, she was swiftly beaten the yea.

0:24:32.920 --> 0:24:37.000
<v Speaker 1>She was put in Scientology's prison. Yeah, of course, yeah,

0:24:37.040 --> 0:24:41.359
<v Speaker 1>it's real. She was tortured, Yeah, and you know, well,

0:24:41.840 --> 0:24:44.520
<v Speaker 1>it's worth it if the work stands up to the test.

0:24:44.600 --> 0:24:48.080
<v Speaker 1>That's why we have an Academy Award for cleanest set.

0:24:48.520 --> 0:24:52.159
<v Speaker 1>That's very key to filmmak Wait is it really and

0:24:52.200 --> 0:24:56.159
<v Speaker 1>all the specs is a Nobel Peace Prize material? And

0:24:56.280 --> 0:24:58.600
<v Speaker 1>he's like, you know, directing a movie, you keep the

0:24:58.640 --> 0:25:01.639
<v Speaker 1>set clean, you place the chair as correctly. You have

0:25:01.720 --> 0:25:08.040
<v Speaker 1>a lot of blood. Now. The numerous stories that Hubbard

0:25:08.040 --> 0:25:10.439
<v Speaker 1>tried to film all had grand narratives, usually starting at

0:25:10.480 --> 0:25:13.520
<v Speaker 1>the very beginning of galactic history. One film, The Problems

0:25:13.520 --> 0:25:15.320
<v Speaker 1>of Life, was about a young couple who felt their

0:25:15.359 --> 0:25:18.600
<v Speaker 1>existence lack meaning. They asked for advice from a psychiatrist

0:25:18.680 --> 0:25:21.240
<v Speaker 1>who was played as a violently insane person. The next

0:25:21.240 --> 0:25:24.040
<v Speaker 1>asked help from a scientist who was also violently insane.

0:25:24.160 --> 0:25:26.480
<v Speaker 1>Then they found a scientologist who was a perfect being

0:25:26.520 --> 0:25:29.520
<v Speaker 1>of pure contentment. Keema Douglas, an artist and scientologist who

0:25:29.520 --> 0:25:32.520
<v Speaker 1>spent time with Hubbard during this period, noted quote The

0:25:32.560 --> 0:25:34.320
<v Speaker 1>trouble was that he wanted to make movies that would

0:25:34.320 --> 0:25:37.240
<v Speaker 1>take over Hollywood, but they were terrible, really terrible. The

0:25:37.320 --> 0:25:39.080
<v Speaker 1>crew would have to do scenes over and over again

0:25:39.119 --> 0:25:41.720
<v Speaker 1>before he was satisfied. Occasionally the day would end up

0:25:41.720 --> 0:25:43.840
<v Speaker 1>with a fine well done everyone, but more often there

0:25:43.840 --> 0:25:45.800
<v Speaker 1>were tantrums and he'd storm off the set, screaming that

0:25:45.840 --> 0:25:50.760
<v Speaker 1>it had better be right tomorrow. On Hubbard, fix it,

0:25:50.840 --> 0:25:56.119
<v Speaker 1>fix it for more beatings for you all. I've got

0:25:56.240 --> 0:25:59.600
<v Speaker 1>to go have sex, surprising. It's better be a movie

0:25:59.600 --> 0:26:04.119
<v Speaker 1>when I get back. All the while as all run,

0:26:04.160 --> 0:26:07.320
<v Speaker 1>Hubbard painstakingly acquired roughly the amount of expertise one would

0:26:07.320 --> 0:26:09.399
<v Speaker 1>receive in the first semester of film school. He was

0:26:09.480 --> 0:26:12.280
<v Speaker 1>raising money to make Revolt in the Stars a reality.

0:26:12.480 --> 0:26:14.800
<v Speaker 1>He succeeded in putting together millions of dollars to make

0:26:14.840 --> 0:26:17.000
<v Speaker 1>the film and funneled it through a production company called

0:26:17.160 --> 0:26:20.320
<v Speaker 1>a Brilliant Film Company. Tragically, Hubbard was as bad at

0:26:20.400 --> 0:26:22.719
<v Speaker 1>running a production company as he was at everything that

0:26:22.800 --> 0:26:26.800
<v Speaker 1>wasn't infiltrating the federal government. A Brilliant Film Company went bankrupt,

0:26:26.880 --> 0:26:28.560
<v Speaker 1>and Revolt in the Stars was never more than a

0:26:28.560 --> 0:26:32.080
<v Speaker 1>few costumes in an unbelievably bad screenplay. I'd still pay

0:26:32.080 --> 0:26:36.200
<v Speaker 1>a lot to see those pay a lot costumes. Someone's

0:26:36.200 --> 0:26:39.600
<v Speaker 1>got those costumes, someone's got They are like religious art,

0:26:39.760 --> 0:26:43.040
<v Speaker 1>like artifacts. Now, right, there's a church of Scientology where

0:26:43.040 --> 0:26:45.359
<v Speaker 1>there's a case like you'd see a dark light. Yeah,

0:26:45.400 --> 0:26:48.760
<v Speaker 1>like it's that thing we never made. There's and they

0:26:48.800 --> 0:26:50.760
<v Speaker 1>all still have the blood on him, and it's still

0:26:50.840 --> 0:26:52.760
<v Speaker 1>unsure of whether or not it's the fake blood or

0:26:52.840 --> 0:26:55.200
<v Speaker 1>the real blood from the beatings from and when they

0:26:55.240 --> 0:26:58.520
<v Speaker 1>cut them out of the clothes. Yeah, you know, there

0:26:58.560 --> 0:27:02.080
<v Speaker 1>were some scissors accidents. In late nineteen seventy eight, a

0:27:02.080 --> 0:27:04.120
<v Speaker 1>few days after Mary Sue Hubbard and ten other top

0:27:04.160 --> 0:27:07.000
<v Speaker 1>scientologists were indicted for their rampant crimes, l Ron Hubbard

0:27:07.000 --> 0:27:09.320
<v Speaker 1>collapsed while filming a very stupid movie in one hundred

0:27:09.320 --> 0:27:11.880
<v Speaker 1>and twenty degree heat. He recovered, but it had become

0:27:11.920 --> 0:27:14.679
<v Speaker 1>abundantly clear to everyone that the ranch in southern California

0:27:14.720 --> 0:27:17.080
<v Speaker 1>and the strenuous life of an auteur film director were

0:27:17.080 --> 0:27:20.000
<v Speaker 1>not suited for the ailing old man now. During this time,

0:27:20.040 --> 0:27:23.080
<v Speaker 1>el Ron Hubbard continued to receive regular auditing sessions. His

0:27:23.160 --> 0:27:25.960
<v Speaker 1>auditor was a fellow named Mayo, and Mayo grew increasingly

0:27:26.000 --> 0:27:28.520
<v Speaker 1>unsettled about the revelations he received from the Great Profit

0:27:28.560 --> 0:27:32.040
<v Speaker 1>of Scientology. As he recovered from heatstroke. Quote from Mayol,

0:27:32.560 --> 0:27:34.920
<v Speaker 1>he revealed things about himself in his past which absolutely

0:27:34.960 --> 0:27:37.080
<v Speaker 1>contradicted what we'd been told about him. He wasn't taking

0:27:37.119 --> 0:27:39.040
<v Speaker 1>any great risk because I was a loyal and trusted

0:27:39.119 --> 0:27:41.399
<v Speaker 1>subject and had a duty to keep such things confidential.

0:27:41.680 --> 0:27:43.639
<v Speaker 1>It wasn't just what I discovered about his past. I

0:27:43.680 --> 0:27:45.639
<v Speaker 1>didn't care where he was born or what he had

0:27:45.680 --> 0:27:47.280
<v Speaker 1>done in the war. It didn't mean a thing to me.

0:27:47.480 --> 0:27:49.920
<v Speaker 1>I wasn't a loyal Scientologist because he had an illustrious

0:27:49.960 --> 0:27:51.840
<v Speaker 1>war record. What worried me is that when I saw

0:27:51.880 --> 0:27:53.720
<v Speaker 1>things he did and heard statements he made that showed

0:27:53.720 --> 0:27:55.720
<v Speaker 1>his intentions were different from what they appeared to be

0:27:56.040 --> 0:27:58.439
<v Speaker 1>when I was with him. Messengers often arrived with suitcases

0:27:58.440 --> 0:28:00.960
<v Speaker 1>full of money, wadds one hundred dollar bills, Yet he

0:28:01.000 --> 0:28:02.960
<v Speaker 1>had always said and written that he never received a

0:28:02.960 --> 0:28:05.080
<v Speaker 1>penny from Scientology who had asked to see it. The

0:28:05.080 --> 0:28:06.919
<v Speaker 1>messenger would opened the case, and he'd gloat over it

0:28:06.960 --> 0:28:08.320
<v Speaker 1>for a bit before it was put away in a

0:28:08.359 --> 0:28:10.840
<v Speaker 1>safe in his bedroom. He didn't really spend much. I

0:28:10.840 --> 0:28:13.399
<v Speaker 1>guess it was getaway money. I didn't mind the idea

0:28:13.400 --> 0:28:15.280
<v Speaker 1>of him having money or being rich. I thought he

0:28:15.280 --> 0:28:17.439
<v Speaker 1>had done tremendous wonders and should be well paid for it.

0:28:17.600 --> 0:28:19.240
<v Speaker 1>But why did he have to lie about it. I

0:28:19.280 --> 0:28:21.399
<v Speaker 1>slowly began to realize that he wasn't acting for the

0:28:21.400 --> 0:28:23.840
<v Speaker 1>public good or for the benefit of mankind. It might

0:28:23.880 --> 0:28:25.639
<v Speaker 1>have started out like that, but it was no longer.

0:28:25.680 --> 0:28:27.760
<v Speaker 1>So one day we were all talking about the price

0:28:27.760 --> 0:28:29.639
<v Speaker 1>of gold or something like that, and he said to

0:28:29.680 --> 0:28:32.639
<v Speaker 1>me very emphatically that he was obsessed by an insatiable

0:28:32.720 --> 0:28:34.960
<v Speaker 1>lust for money and power. I'll never forget it. Those

0:28:34.960 --> 0:28:38.440
<v Speaker 1>were his exact words, an insatiable lust for money and power.

0:28:39.320 --> 0:28:46.240
<v Speaker 1>I love yeah, pleesus. Yeah. Also, because if you're at

0:28:46.280 --> 0:28:50.680
<v Speaker 1>that level where you're hit the boss's auditor, you must

0:28:50.720 --> 0:28:53.600
<v Speaker 1>have already been exposed repeatedly to the fact that the

0:28:53.600 --> 0:28:56.640
<v Speaker 1>purpose of auditing is not to keep it confidential. The

0:28:56.680 --> 0:28:59.960
<v Speaker 1>purpose of auditing is to have dirt on people. Don't

0:29:00.160 --> 0:29:02.280
<v Speaker 1>know how this guy didn't walk away with a portion

0:29:02.360 --> 0:29:05.040
<v Speaker 1>of the gold, is what I'm getting. Yeah, he may have. Hey,

0:29:05.040 --> 0:29:09.120
<v Speaker 1>guess what, Boss, Yeah, I have a recording. Now, you idiot,

0:29:09.640 --> 0:29:12.240
<v Speaker 1>you're dying, the old idiot. I think the guy you

0:29:12.320 --> 0:29:13.840
<v Speaker 1>put in that job is the guy you know is

0:29:13.880 --> 0:29:16.240
<v Speaker 1>never going to betray you, right, yeah, Yeah, And he

0:29:16.280 --> 0:29:19.240
<v Speaker 1>didn't while Hubbard was alive. Eventually, it seems like he

0:29:19.840 --> 0:29:22.400
<v Speaker 1>came clear. I'm sure it was a process so all

0:29:22.480 --> 0:29:25.800
<v Speaker 1>the pieces didn't align. But hearing this quote, now, you're like,

0:29:25.880 --> 0:29:28.440
<v Speaker 1>if you felt this way, then you could have walked

0:29:28.440 --> 0:29:31.080
<v Speaker 1>away with a chunk of that gold, probably away with

0:29:31.160 --> 0:29:33.840
<v Speaker 1>one of those suitcases of dirty hundred dollars bills. Because

0:29:33.840 --> 0:29:37.240
<v Speaker 1>if there's anything Hubbard's going to respond to, it's blackmail. Yeah. Yeah.

0:29:38.200 --> 0:29:40.680
<v Speaker 1>After a couple months of convalescence, Hubbard was healthy enough

0:29:40.680 --> 0:29:43.520
<v Speaker 1>to get back to directing movies. Naturally, he made his

0:29:43.560 --> 0:29:46.960
<v Speaker 1>auditor an actor quote. He walked around with an electric bullhorn,

0:29:47.040 --> 0:29:49.880
<v Speaker 1>yelling orders through it, even if the person was only

0:29:49.920 --> 0:29:51.960
<v Speaker 1>a few feet away. The crew were in a constant

0:29:51.960 --> 0:29:54.040
<v Speaker 1>state of fear. He'd say he wanted a certain set

0:29:54.080 --> 0:29:56.320
<v Speaker 1>built and describe it. Everyone would work in a frenzied

0:29:56.360 --> 0:29:58.160
<v Speaker 1>state to get it done, often through the night, not

0:29:58.200 --> 0:30:00.440
<v Speaker 1>stopping for meals and praying it would be right and

0:30:00.480 --> 0:30:02.480
<v Speaker 1>that they would not get into trouble. When he arrived

0:30:02.480 --> 0:30:05.160
<v Speaker 1>to begin shooting me and he invariably decided he didn't

0:30:05.200 --> 0:30:07.440
<v Speaker 1>like it. It had been altered. He wanted it blue,

0:30:07.480 --> 0:30:09.480
<v Speaker 1>not green. Some of the crew would be sent to

0:30:09.560 --> 0:30:13.000
<v Speaker 1>RPF Scientology prison, and others would be running around trying

0:30:13.000 --> 0:30:15.040
<v Speaker 1>to find some blue paint. Then he'd want to know

0:30:15.080 --> 0:30:17.800
<v Speaker 1>white it was blue and not yellow. Have you seen

0:30:17.840 --> 0:30:23.440
<v Speaker 1>the Star Wars documentary, Yes, Empire Dreams where he can't

0:30:23.760 --> 0:30:30.600
<v Speaker 1>pronounce his own gungans, gungansungans. George, you wrote this, Yeah,

0:30:31.200 --> 0:30:34.480
<v Speaker 1>all poetry, right, there's a weird synergy in the fact.

0:30:34.520 --> 0:30:38.040
<v Speaker 1>Did you hear about the plot? Lucas released details of

0:30:38.080 --> 0:30:40.920
<v Speaker 1>the plot he was gonna do if he had done seven,

0:30:40.960 --> 0:30:44.400
<v Speaker 1>eight and nine, and then involved tiny creatures that live

0:30:44.440 --> 0:30:47.880
<v Speaker 1>in your blood called the will. He loves tiny creatures

0:30:47.920 --> 0:30:51.720
<v Speaker 1>living in your books. It's thetans. Dude, you were like,

0:30:51.920 --> 0:30:55.640
<v Speaker 1>they are the same Lucas Now that he is officially

0:30:55.840 --> 0:31:00.880
<v Speaker 1>I guess traded Star Wars to quote white Slavers not

0:31:01.160 --> 0:31:05.600
<v Speaker 1>totally inaccurate. Disc It doesn't mean that one of them

0:31:05.680 --> 0:31:07.720
<v Speaker 1>is on the right side. Yeah, think for the good

0:31:07.760 --> 0:31:10.160
<v Speaker 1>of everyone, he may as well buckle down and make

0:31:10.360 --> 0:31:13.440
<v Speaker 1>a revolt among the stars. I think Lucas is the

0:31:13.480 --> 0:31:15.520
<v Speaker 1>man to do it. He is He's the only man

0:31:15.560 --> 0:31:18.080
<v Speaker 1>to do it. He's the only man to finally make

0:31:18.120 --> 0:31:21.840
<v Speaker 1>revolt among the stars reality. I'm holding Chekhov's kleenox box

0:31:21.880 --> 0:31:26.000
<v Speaker 1>and illustrate another point about filmmaking, which is that you

0:31:26.040 --> 0:31:29.920
<v Speaker 1>should always throw Kleenex at the walls. Yeah, it's like,

0:31:30.120 --> 0:31:33.360
<v Speaker 1>uh yeah, it's like a bullhorn. Yeah, as Chekhov's tools go.

0:31:33.480 --> 0:31:35.960
<v Speaker 1>That one didn't like stretch the tension out. But sure

0:31:36.000 --> 0:31:37.360
<v Speaker 1>it did not. It did not. I didn't go to

0:31:37.400 --> 0:31:43.920
<v Speaker 1>film school. Yeah, don't let that stop you. I just

0:31:44.040 --> 0:31:45.760
<v Speaker 1>we got five more of these Kleenexes that I got

0:31:45.800 --> 0:31:47.360
<v Speaker 1>a toss, and I'm starting to realize I may not

0:31:47.440 --> 0:31:49.480
<v Speaker 1>have that much anger. So some of some of these

0:31:49.480 --> 0:31:52.480
<v Speaker 1>tosses are going to be less impactful than Sorry, just

0:31:52.480 --> 0:31:55.560
<v Speaker 1>where we are right now, can't not toss them. They

0:31:55.560 --> 0:31:59.960
<v Speaker 1>can be sad Kleenex tossing boxes, sad Kleenex. All right,

0:32:00.200 --> 0:32:03.640
<v Speaker 1>let's get back to the thing. Here's Mayo again, talking

0:32:03.640 --> 0:32:05.880
<v Speaker 1>about eln hubbrid is a director and being an actor

0:32:05.960 --> 0:32:07.960
<v Speaker 1>under him. Quote, when I was trying to be an actor,

0:32:08.000 --> 0:32:09.800
<v Speaker 1>I'd have to do the same line over and over again.

0:32:09.840 --> 0:32:11.880
<v Speaker 1>It was never right. It was too loud, too quiet,

0:32:11.920 --> 0:32:14.640
<v Speaker 1>too intense, not intense enough. Then he'd scream, why aren't

0:32:14.680 --> 0:32:18.080
<v Speaker 1>you doing it enthusiastically. He'd end up stamping off, screaming

0:32:18.080 --> 0:32:19.840
<v Speaker 1>that it was all impossible. And that no one would

0:32:19.840 --> 0:32:21.760
<v Speaker 1>do what he said. One of the main reasons why

0:32:21.760 --> 0:32:23.240
<v Speaker 1>he got sick, I think was that he had so

0:32:23.280 --> 0:32:26.160
<v Speaker 1>many failures and so much frustration and upset over the movies.

0:32:26.360 --> 0:32:30.200
<v Speaker 1>Everyone was tiptoeing around waiting for explosions. So yeah, because

0:32:30.240 --> 0:32:33.000
<v Speaker 1>this man is someone who just tells people how he

0:32:33.080 --> 0:32:35.560
<v Speaker 1>wants the world to be and it just happens. And

0:32:35.600 --> 0:32:38.440
<v Speaker 1>in filmmaking they have to like create it for themselves,

0:32:38.480 --> 0:32:40.680
<v Speaker 1>they have to act. It's the one thing like he

0:32:40.720 --> 0:32:43.320
<v Speaker 1>gets through his whole life doing that basically right, and

0:32:43.360 --> 0:32:46.600
<v Speaker 1>it works with his private navy, but it can't work

0:32:46.640 --> 0:32:49.560
<v Speaker 1>with filmmaking, which can't ask force the audience to think

0:32:49.600 --> 0:32:53.840
<v Speaker 1>the movie's entertaining. Yeah, you have to make an entertaining movie, yeah, yeah,

0:32:53.880 --> 0:32:55.720
<v Speaker 1>nor can you get the thing that's in your head

0:32:56.640 --> 0:33:01.440
<v Speaker 1>absolutely perfect every time, like by every performer so so,

0:33:01.560 --> 0:33:04.680
<v Speaker 1>but also as an actor, I mean, come off in Mail,

0:33:04.960 --> 0:33:06.800
<v Speaker 1>I had to say the line a bunch of times.

0:33:06.880 --> 0:33:09.480
<v Speaker 1>That's that's the process of acting for films. You get

0:33:09.480 --> 0:33:11.720
<v Speaker 1>the feeling though that it was like literally for days

0:33:11.720 --> 0:33:13.960
<v Speaker 1>at a time sometimes and it was like he would

0:33:14.000 --> 0:33:16.440
<v Speaker 1>just say more enthusiastically, lesson like he doesn't know how

0:33:16.480 --> 0:33:18.400
<v Speaker 1>to direct you like, he's not sitting down, like like,

0:33:18.920 --> 0:33:20.600
<v Speaker 1>only walk you through your motivation here. You have to

0:33:20.680 --> 0:33:22.920
<v Speaker 1>understand why it's wrong. He was just shouting no, it's

0:33:22.960 --> 0:33:26.560
<v Speaker 1>not right. For well example, a very basic rule of

0:33:26.600 --> 0:33:31.200
<v Speaker 1>directing is it's widely frowned upon to just say do

0:33:31.440 --> 0:33:35.000
<v Speaker 1>this emotion like, that's the most basic director right right.

0:33:36.120 --> 0:33:40.200
<v Speaker 1>I also love that notes. His notes are basically go

0:33:40.320 --> 0:33:43.320
<v Speaker 1>in a direction, go in the opposite director, like these

0:33:43.360 --> 0:33:47.080
<v Speaker 1>ambiguous definitions of what he wants. That sounds real clear

0:33:47.120 --> 0:33:48.920
<v Speaker 1>to me. That sounds like a guy with vision. If

0:33:48.960 --> 0:33:51.160
<v Speaker 1>only he had been a YouTube personality and just said

0:33:51.200 --> 0:33:53.360
<v Speaker 1>fuck it, I will be all the parts and I

0:33:53.360 --> 0:33:56.160
<v Speaker 1>will shoot this advira, he would be a huge hit

0:33:56.280 --> 0:33:59.600
<v Speaker 1>on YouTube if he were alive and younger today, for sure,

0:33:59.680 --> 0:34:02.160
<v Speaker 1>that would that would be he would own that place.

0:34:02.280 --> 0:34:05.040
<v Speaker 1>He would be one of those channels you end up

0:34:05.080 --> 0:34:08.400
<v Speaker 1>on one you're three clicks away from a decent good

0:34:08.520 --> 0:34:12.120
<v Speaker 1>God Year video, and he would be convincing I'm just

0:34:12.160 --> 0:34:15.160
<v Speaker 1>gonna guess you're convincing millions that the Holocaust didn't happen. Yeah,

0:34:15.360 --> 0:34:18.239
<v Speaker 1>you see that kind of cultism and tribalism and like

0:34:18.440 --> 0:34:21.080
<v Speaker 1>twitch streamers and stuff, it's pretty Oh, he would be

0:34:21.160 --> 0:34:25.680
<v Speaker 1>so good at twitch, he would be incredible. Now, I

0:34:25.719 --> 0:34:27.480
<v Speaker 1>do want to note as we as we get to

0:34:27.520 --> 0:34:30.520
<v Speaker 1>this point that that I think the story, like the

0:34:30.520 --> 0:34:33.200
<v Speaker 1>fact that l Ron Hubbard finally failed when he tried

0:34:33.200 --> 0:34:36.319
<v Speaker 1>to stumble into filmmaking, is proof of something important, which

0:34:36.360 --> 0:34:39.120
<v Speaker 1>is that the US Navy and all navies are a

0:34:39.160 --> 0:34:42.920
<v Speaker 1>bunch of pansy waste, little little little woost factories. Okay, okay,

0:34:43.200 --> 0:34:46.440
<v Speaker 1>Hollywood is where shit really gets done. So suck on it,

0:34:46.600 --> 0:34:50.839
<v Speaker 1>fucking aircraft carrier whimps. We got our prop goods. We're

0:34:50.880 --> 0:34:54.560
<v Speaker 1>pretty we're pretty close to the ocean right now. So

0:34:54.560 --> 0:34:56.960
<v Speaker 1>I'm a little nervous. What are they going to do?

0:34:56.960 --> 0:34:58.960
<v Speaker 1>They can't make a movie, That's what this proves. Well,

0:34:58.960 --> 0:35:02.960
<v Speaker 1>we've also such a navy coast guard much like yeah,

0:35:03.040 --> 0:35:07.319
<v Speaker 1>take it, coastguard. Fucking movies is what's hard. Yeah, that's

0:35:07.360 --> 0:35:11.120
<v Speaker 1>the real that's the message here, not these not these

0:35:11.120 --> 0:35:15.920
<v Speaker 1>people have their cushy wars. They're easy jobs on submarines.

0:35:16.920 --> 0:35:19.560
<v Speaker 1>What's hard as movies. Yeah, Well, that's what we can

0:35:19.640 --> 0:35:22.280
<v Speaker 1>all agree is what we do is the most important, best,

0:35:22.320 --> 0:35:24.920
<v Speaker 1>the most important, and the most difficult job. I would

0:35:25.000 --> 0:35:28.840
<v Speaker 1>like to see anyone in the goddamn Navy tossa clean xbox.

0:35:29.280 --> 0:35:31.640
<v Speaker 1>See I expected you to grab that clean xbox, and

0:35:31.640 --> 0:35:33.520
<v Speaker 1>you grab that one, so now you have to go

0:35:33.600 --> 0:35:40.760
<v Speaker 1>to jail. Fun fact, all of Hollywood's like Dolly industry,

0:35:40.840 --> 0:35:43.440
<v Speaker 1>the things that move cameras in space kind of thing

0:35:43.840 --> 0:35:47.840
<v Speaker 1>that was all adopted from Navy. Uh technology for putting

0:35:48.080 --> 0:35:51.800
<v Speaker 1>bombs into places. We've been reverse infiltrated by some navy.

0:35:53.360 --> 0:35:55.719
<v Speaker 1>Navy you're in the pocket of big Navy, aren't you.

0:35:56.040 --> 0:36:03.880
<v Speaker 1>I am a big Navy rucually different from old Navy. Sorry, Navy,

0:36:03.960 --> 0:36:06.520
<v Speaker 1>I'm not really that Sorry. It's fun. You got boats.

0:36:06.520 --> 0:36:09.439
<v Speaker 1>You're fine now. Eventually, the stress of running the Center

0:36:09.560 --> 0:36:12.239
<v Speaker 1>organ dealing with the brutal California desert climate, as well

0:36:12.280 --> 0:36:14.359
<v Speaker 1>as his growing fear that the FBI was closing in

0:36:14.400 --> 0:36:16.479
<v Speaker 1>on him, forced l Ron Hoverd to make what would

0:36:16.520 --> 0:36:19.359
<v Speaker 1>become his very last move to a tiny farming town

0:36:19.520 --> 0:36:23.040
<v Speaker 1>called Himmet California. Oh boy, lots of time and yeah,

0:36:23.120 --> 0:36:28.719
<v Speaker 1>a nice little camping camping well around Himmet area. I

0:36:28.800 --> 0:36:32.680
<v Speaker 1>love camping and you know what else, I love products,

0:36:32.920 --> 0:36:36.440
<v Speaker 1>oh services, Just those two things. No other room for

0:36:36.480 --> 0:36:40.640
<v Speaker 1>love in my life. Boy, just product service. The rule

0:36:40.680 --> 0:36:42.719
<v Speaker 1>of three is not being fulfilled. Is going to just

0:36:42.880 --> 0:36:46.799
<v Speaker 1>kill me? This whole break well, yea, too bad. I

0:36:46.800 --> 0:36:55.120
<v Speaker 1>could not condiments. I hope, I really, I hope. I

0:36:55.120 --> 0:36:59.280
<v Speaker 1>hope it's a condoment for Gooper's peanut butter and jelly

0:36:59.280 --> 0:37:08.640
<v Speaker 1>and one condiment once we're back. So l Ron Hubbard

0:37:08.640 --> 0:37:11.319
<v Speaker 1>moved to Hemmett, California, in secret. His location was known

0:37:11.320 --> 0:37:13.279
<v Speaker 1>only to a handful of people within the church for

0:37:13.320 --> 0:37:15.680
<v Speaker 1>the next six years. The number of people Hubbard interacted

0:37:15.719 --> 0:37:18.239
<v Speaker 1>with regularly wouldn't be enough to make up two full

0:37:18.280 --> 0:37:21.080
<v Speaker 1>baseball teams or basketball teams, whichever one smaller. I think

0:37:21.080 --> 0:37:23.719
<v Speaker 1>it's five people on basketball right. Well, this is on

0:37:23.840 --> 0:37:26.279
<v Speaker 1>the court's on the court. There's more people in baseball team.

0:37:26.400 --> 0:37:29.000
<v Speaker 1>There's more people in baseball teams. That's also way more

0:37:29.040 --> 0:37:32.080
<v Speaker 1>people than I know. Yeah, exactly, curling team. I think

0:37:32.200 --> 0:37:36.239
<v Speaker 1>the curling team. Now, this life of seclusion in hiding

0:37:36.239 --> 0:37:38.919
<v Speaker 1>out from justice suited Ron well. According to bare Face

0:37:39.000 --> 0:37:41.759
<v Speaker 1>Messiah quote, although he occasionally threw his food across the

0:37:41.840 --> 0:37:43.960
<v Speaker 1>room when he believed the cook was trying to poison him,

0:37:44.040 --> 0:37:45.920
<v Speaker 1>by and large, he was better timbered than he had been.

0:37:45.960 --> 0:37:47.960
<v Speaker 1>When he was trying to make movies. He usually got

0:37:48.000 --> 0:37:50.400
<v Speaker 1>up about midday, oudit, hit himself for an hour, and

0:37:50.400 --> 0:37:52.880
<v Speaker 1>then dealt with whatever correspondence the messengers had decided he

0:37:52.880 --> 0:37:55.360
<v Speaker 1>should see. In the afternoons, he devoted several hours to

0:37:55.400 --> 0:37:58.719
<v Speaker 1>taping lectures in mixing suitable background music. In the evenings,

0:37:58.880 --> 0:38:01.239
<v Speaker 1>he watched television and reminist to a small but always

0:38:01.280 --> 0:38:04.759
<v Speaker 1>attentive audience. Did you say mixing? Yeah, so he spent

0:38:04.840 --> 0:38:08.520
<v Speaker 1>all day making playlists and yeah, he probably would have

0:38:08.600 --> 0:38:11.600
<v Speaker 1>edited his own podcast. That's a good, harmless old man.

0:38:12.560 --> 0:38:16.120
<v Speaker 1>That's fine, better cute messiah. You know, it's better than

0:38:16.160 --> 0:38:18.759
<v Speaker 1>torturing people in your prison when they don't act right.

0:38:19.000 --> 0:38:23.480
<v Speaker 1>So filmmaking was the that's really really what cracked the chestnut. Yeah,

0:38:23.880 --> 0:38:25.799
<v Speaker 1>really open him up to you know what, I'm just

0:38:25.840 --> 0:38:29.000
<v Speaker 1>gonna chill out. I also can't believe he doesn't have

0:38:29.040 --> 0:38:31.320
<v Speaker 1>someone tasting his food ahead of time. At this point,

0:38:31.600 --> 0:38:34.600
<v Speaker 1>I just assumed he'd have the whole royal like groom

0:38:34.600 --> 0:38:37.319
<v Speaker 1>of the stool to wipe his ass, you know, royal

0:38:37.360 --> 0:38:41.120
<v Speaker 1>food taster to keep the poison out. I want to

0:38:41.160 --> 0:38:42.520
<v Speaker 1>know what tips him on. Yeah, but if he's got

0:38:42.520 --> 0:38:44.319
<v Speaker 1>a royal food tasteres and get to throw his food

0:38:44.320 --> 0:38:49.239
<v Speaker 1>across the room. I proved, like you have clean xboxes, Well,

0:38:49.400 --> 0:38:51.520
<v Speaker 1>I do have toss and food. Yeah, you make a

0:38:51.560 --> 0:38:53.600
<v Speaker 1>plate for yourself and a plate to toss. I throw

0:38:53.600 --> 0:38:55.360
<v Speaker 1>food at Sophie when things aren't the way that I.

0:38:55.520 --> 0:38:58.600
<v Speaker 1>Robert is filling a clean xbox with food. He's just

0:38:58.600 --> 0:39:01.879
<v Speaker 1>shoving it full of food. That's going to be tough

0:39:01.880 --> 0:39:04.080
<v Speaker 1>to clean up. When Sophie gets back, we only have

0:39:04.160 --> 0:39:06.120
<v Speaker 1>three left. We'll leave it for her. We'll leave it

0:39:06.160 --> 0:39:11.879
<v Speaker 1>for her. David Mayo was a member of Hubbard's small,

0:39:11.920 --> 0:39:14.800
<v Speaker 1>attentive audience in the nights. He recalled many evenings with

0:39:14.840 --> 0:39:17.799
<v Speaker 1>a commodore, playing hillbilly songs on his guitar and lying

0:39:17.840 --> 0:39:21.320
<v Speaker 1>about the years he'd spent as a troubadour in Appalasia.

0:39:21.600 --> 0:39:23.239
<v Speaker 1>I think he was making up the songs as he

0:39:23.280 --> 0:39:28.880
<v Speaker 1>went along. Afterwards, everyone clapped, Yes, I desperately want to

0:39:28.920 --> 0:39:33.680
<v Speaker 1>hear some of l Ron Hubbard's wanted. Yeah, there's no

0:39:33.760 --> 0:39:40.200
<v Speaker 1>replacement that. There's nothing that could have as Yeah. Hubbard

0:39:40.360 --> 0:39:46.680
<v Speaker 1>pretending to be a hillbilly singing random songs. Hey y'all,

0:39:47.360 --> 0:39:53.440
<v Speaker 1>little nas X help me out was coming to get you.

0:39:53.480 --> 0:39:55.160
<v Speaker 1>On the days when he went into town, Hubbard would

0:39:55.160 --> 0:39:57.799
<v Speaker 1>wear a variety of absurd disguises, a baseball cap with

0:39:57.840 --> 0:40:00.239
<v Speaker 1>fake hair sewn onto it, stage makeup to all through

0:40:00.239 --> 0:40:03.560
<v Speaker 1>the shape of his face, false eyebrows, and sideburns. Hubbard

0:40:03.600 --> 0:40:05.680
<v Speaker 1>was convinced he looked like a local. No one else

0:40:05.719 --> 0:40:08.560
<v Speaker 1>thought this. Thankfully, the Internet did not exist, and so

0:40:08.680 --> 0:40:11.680
<v Speaker 1>no one in him recognized him either. For six years,

0:40:11.760 --> 0:40:14.720
<v Speaker 1>Hubbard's location was kept perfectly secret from the law, the government,

0:40:14.719 --> 0:40:17.360
<v Speaker 1>and even his own wife and children. Gradually, he pared

0:40:17.360 --> 0:40:19.840
<v Speaker 1>down the number of scientologists allowed to be around him.

0:40:19.960 --> 0:40:22.880
<v Speaker 1>David Miskovich, his former messenger, and also at one point

0:40:22.880 --> 0:40:25.560
<v Speaker 1>a cameraman, was often the only person in direct contact

0:40:25.600 --> 0:40:27.319
<v Speaker 1>with l Ron Hubbard. Do you know if he worked

0:40:27.320 --> 0:40:29.160
<v Speaker 1>on the movies? Oh yeah, yeah, that's what he was doing.

0:40:29.160 --> 0:40:31.960
<v Speaker 1>He was, Yeah, okay, that's part of the way. The

0:40:31.960 --> 0:40:37.239
<v Speaker 1>guy anything, Yes, I need cameraman. Hey, guy who used

0:40:37.239 --> 0:40:42.120
<v Speaker 1>to be like a production messenger, you're a cameraman. Yeah, yeah, Later,

0:40:42.200 --> 0:40:44.399
<v Speaker 1>if you could beat some other guys up in a room,

0:40:44.480 --> 0:40:47.279
<v Speaker 1>I guess you can have this. That what happened with

0:40:48.320 --> 0:40:52.080
<v Speaker 1>we'll talk about. Yeah, he needs episode, he needs his

0:40:52.120 --> 0:40:55.120
<v Speaker 1>own three parter, probably to be honest. Now, Hubbard did

0:40:55.160 --> 0:40:58.759
<v Speaker 1>continue sending letters to David Mayo, his beloved auditor. Mayo

0:40:58.840 --> 0:41:01.239
<v Speaker 1>recalls these letters growing more and more unhinged as the

0:41:01.280 --> 0:41:04.439
<v Speaker 1>months turned into years of isolation. Quote in the first

0:41:04.440 --> 0:41:06.640
<v Speaker 1>paragraph of one letter, he said something like, you might

0:41:06.640 --> 0:41:08.880
<v Speaker 1>think I've gone crazy, but I'm still okay. Just believe

0:41:08.880 --> 0:41:11.480
<v Speaker 1>what I say is true. I remember thinking, God, whatever's

0:41:11.480 --> 0:41:19.399
<v Speaker 1>coming must be pretty weird. The en it was real

0:41:19.480 --> 0:41:22.399
<v Speaker 1>demented stuff, berating psychiatrists and claiming they were the root

0:41:22.440 --> 0:41:24.439
<v Speaker 1>of all evil, not just on this planet, but since

0:41:24.480 --> 0:41:27.160
<v Speaker 1>time immemorial. He had figured out that back at the

0:41:27.200 --> 0:41:30.640
<v Speaker 1>beginning of the universe, psychiatrists created evil on a particular

0:41:30.680 --> 0:41:33.479
<v Speaker 1>star system. When I read through it, I thought, my god,

0:41:33.520 --> 0:41:35.799
<v Speaker 1>he is crazy. He can exhort me to think he's

0:41:35.800 --> 0:41:39.800
<v Speaker 1>not crazy, but this letter belies it. I thought I

0:41:39.840 --> 0:41:43.120
<v Speaker 1>had to say it is crazy, but I thought you

0:41:43.160 --> 0:41:45.040
<v Speaker 1>were going to go it's like, yeah, this is kind

0:41:45.040 --> 0:41:48.719
<v Speaker 1>of crazy, because like, who made the scientist a psychiatry

0:41:48.840 --> 0:41:52.319
<v Speaker 1>or asiatrists invented evil in the beginning of time. I

0:41:52.360 --> 0:41:54.560
<v Speaker 1>was always going to be It's always got to be

0:41:54.600 --> 0:41:56.960
<v Speaker 1>the beginning of time. I wish we could know his

0:41:57.440 --> 0:42:00.439
<v Speaker 1>that origin of that. I feel like he must at

0:42:00.440 --> 0:42:03.520
<v Speaker 1>some point in his life had one therapy session where

0:42:03.520 --> 0:42:05.680
<v Speaker 1>he went, yeah, I'm a little blue and they were like,

0:42:05.800 --> 0:42:09.040
<v Speaker 1>you're a piece of shit, Like, well, I hate this,

0:42:09.760 --> 0:42:13.320
<v Speaker 1>I hate psychiatry, Like who hurt you? Yeah, little Elrod.

0:42:13.440 --> 0:42:17.399
<v Speaker 1>I will say that his hatred of psychiatrists is more

0:42:17.480 --> 0:42:19.439
<v Speaker 1>proof that, like, as a man, even though he didn't

0:42:19.440 --> 0:42:21.960
<v Speaker 1>spend that much time here, he was the living embodiment

0:42:22.000 --> 0:42:25.919
<v Speaker 1>of Los Angeles, like this city and a single man

0:42:26.160 --> 0:42:30.840
<v Speaker 1>out of touch with all reality completely and very hungry

0:42:30.880 --> 0:42:34.359
<v Speaker 1>for power. Yeah. Yeah, kind of a terrible place to live.

0:42:34.480 --> 0:42:37.120
<v Speaker 1>It's so specific and consistent, like it rubbed off on

0:42:37.160 --> 0:42:40.319
<v Speaker 1>Tom Cruise he did that appearance where he famously was

0:42:40.480 --> 0:42:44.200
<v Speaker 1>psychiatry is evil that it's such a core tenant, and

0:42:44.239 --> 0:42:46.920
<v Speaker 1>I don't know of any other religion that's like, also

0:42:47.200 --> 0:42:51.839
<v Speaker 1>the Lord Saith screw chiropractice, but we hate them. It's

0:42:51.840 --> 0:42:56.880
<v Speaker 1>so Buddhism's really anti chiropractice. It's that line the poem

0:42:56.920 --> 0:43:00.080
<v Speaker 1>Ausi man Diaz were like, because Los Angeles itself is

0:43:00.160 --> 0:43:02.319
<v Speaker 1>kind of attestament to that. They're like, let's make him

0:43:02.360 --> 0:43:05.560
<v Speaker 1>metropolis where in the desert. Yeah, and let's where you

0:43:05.600 --> 0:43:09.520
<v Speaker 1>don't make twenty million people there? Yeah, how do we

0:43:09.840 --> 0:43:11.879
<v Speaker 1>how do we plan for this? Still plan? We'll make

0:43:11.960 --> 0:43:14.239
<v Speaker 1>it up at Nope planning? Okay, but we should at

0:43:14.280 --> 0:43:17.200
<v Speaker 1>least have a network of trams and trolleys and no,

0:43:17.800 --> 0:43:21.239
<v Speaker 1>how do one car for every person? How do we

0:43:21.280 --> 0:43:23.880
<v Speaker 1>get water? We just steal it from this other state?

0:43:24.360 --> 0:43:26.680
<v Speaker 1>Now take it from north people. Now, everyone in the

0:43:26.680 --> 0:43:30.759
<v Speaker 1>town's feeling alienated and isolated by the plight of modern man. Well,

0:43:30.760 --> 0:43:35.400
<v Speaker 1>they should pay us, Yeah, because we can fix that. Yeah,

0:43:35.920 --> 0:43:39.920
<v Speaker 1>we cures what ails you. Yeah. Now. By nineteen eighty two,

0:43:40.040 --> 0:43:43.239
<v Speaker 1>lafayet Run Hubbard's letters to David Mayo revealed to growing

0:43:43.239 --> 0:43:45.960
<v Speaker 1>obsession with death. The Commodore was seventy one years old,

0:43:46.000 --> 0:43:48.320
<v Speaker 1>in poor health, and as crazy as a bat on acid.

0:43:49.000 --> 0:43:50.960
<v Speaker 1>Hubbard was still canny enough to know that he had

0:43:50.960 --> 0:43:53.760
<v Speaker 1>exactly one great achievement left in him. Oh, Run, Hubbard

0:43:53.800 --> 0:43:56.279
<v Speaker 1>was going to write the greatest science fiction series of

0:43:56.320 --> 0:43:59.040
<v Speaker 1>all time. The first entry in the new Saga would

0:43:59.040 --> 0:44:03.320
<v Speaker 1>be that field. Yeah, Saga of the year three thousand.

0:44:03.960 --> 0:44:09.160
<v Speaker 1>Jake Peer got to him typing Firefly Pilot, what are

0:44:09.160 --> 0:44:13.080
<v Speaker 1>you telling that's why there's only one Sason. Yeah, Hubbard

0:44:13.120 --> 0:44:14.799
<v Speaker 1>did not publish a sci fi story in more than

0:44:14.840 --> 0:44:17.520
<v Speaker 1>thirty years. At that point. Battlefield Earth was a sprawling,

0:44:17.560 --> 0:44:20.200
<v Speaker 1>eight hundred page epic. He declared it the longest science

0:44:20.200 --> 0:44:22.359
<v Speaker 1>fiction book ever written, which might actually have been true

0:44:22.360 --> 0:44:25.719
<v Speaker 1>at the time. I really have no idres. That's not

0:44:25.760 --> 0:44:29.040
<v Speaker 1>a determinate it. That is believable, though, because one thing

0:44:29.080 --> 0:44:32.520
<v Speaker 1>all around Hubbard can do is write incredibly long books

0:44:32.560 --> 0:44:38.240
<v Speaker 1>and never edit them, not for a second. This is yeah, yeah,

0:44:38.480 --> 0:44:41.359
<v Speaker 1>as a sci fi short story buff. Just for the record,

0:44:41.719 --> 0:44:44.279
<v Speaker 1>all of his short stories are mediocre. Yeah. He wasn't

0:44:44.320 --> 0:44:47.600
<v Speaker 1>an amazing sci fi shorts. He was an adequate short story. Yeah,

0:44:47.719 --> 0:44:50.239
<v Speaker 1>adequate an age in which you'd buy a book that

0:44:50.320 --> 0:44:53.600
<v Speaker 1>had forty of them for a penny, and that's what

0:44:53.719 --> 0:44:57.359
<v Speaker 1>entertainment was. He was like a mediocre Netflix series that

0:44:57.400 --> 0:44:59.200
<v Speaker 1>you put like. That's what his science fiction was, because

0:44:59.239 --> 0:45:01.719
<v Speaker 1>like those those little like magazines that would be full

0:45:01.719 --> 0:45:03.480
<v Speaker 1>of stories were like Netflix. Some of them. You get

0:45:03.480 --> 0:45:06.000
<v Speaker 1>some Arthur C. Clarks and it's like BoJack Horsemen or whatever,

0:45:06.040 --> 0:45:07.840
<v Speaker 1>and it's brilliant, and a lot of them are l

0:45:07.920 --> 0:45:10.960
<v Speaker 1>Ron Hubbard, which is like a show or whatever were

0:45:10.960 --> 0:45:13.239
<v Speaker 1>almost always like Flash Gordon like, he never had a

0:45:13.239 --> 0:45:15.960
<v Speaker 1>grand sci fi concept. He put a cowboy in space

0:45:16.000 --> 0:45:19.760
<v Speaker 1>and had do cool shit. Yeah, yeah, this is heresy.

0:45:20.120 --> 0:45:24.320
<v Speaker 1>Yeah oh I've turned I looked at the window and

0:45:24.400 --> 0:45:28.240
<v Speaker 1>I've gone clear. Don't say that about l Ron Hobby

0:45:28.719 --> 0:45:32.440
<v Speaker 1>el Ron. So the plot of Battlefield Earth was as

0:45:32.480 --> 0:45:35.839
<v Speaker 1>dumb as it was shitty. Johnny good Boy Tyler, the protagonist,

0:45:36.000 --> 0:45:37.919
<v Speaker 1>was one of the last human beings on Earth after

0:45:37.960 --> 0:45:41.080
<v Speaker 1>an alien invasion destroyed civilization. In the thousand years since,

0:45:41.160 --> 0:45:43.720
<v Speaker 1>mankind regressed to a feral Stone Age level of development,

0:45:43.760 --> 0:45:46.040
<v Speaker 1>while the evil aliens who now ruled the world minded

0:45:46.120 --> 0:45:49.400
<v Speaker 1>for its resources. Hubbard's ego demanded the Battlefield Earth be

0:45:49.440 --> 0:45:51.719
<v Speaker 1>an instant hit. Thankfully, he had the resources of one

0:45:51.719 --> 0:45:53.799
<v Speaker 1>of the world's wealthiest cults at his beck and call.

0:45:54.080 --> 0:45:56.400
<v Speaker 1>The Church of Scientology, bought fifty thousand copies of the

0:45:56.400 --> 0:45:58.640
<v Speaker 1>book at launch, and also poured millions into a pr

0:45:58.719 --> 0:46:01.919
<v Speaker 1>campaign aimed at making it go viral. Scientologists were ordered

0:46:01.920 --> 0:46:04.680
<v Speaker 1>to buy two or three copies each had minimum. Battlefield

0:46:04.800 --> 0:46:07.879
<v Speaker 1>Earth was just the prelude to Mission Earth, a one

0:46:07.920 --> 0:46:11.000
<v Speaker 1>point two million word epic Hubbard intended to release in

0:46:11.080 --> 0:46:14.120
<v Speaker 1>ten parts. Yeah, one point two million words and what

0:46:14.280 --> 0:46:17.200
<v Speaker 1>has been written? Oh yeah, okay, because that or I

0:46:17.280 --> 0:46:19.680
<v Speaker 1>was like, was he like pointing at the stands calling

0:46:19.760 --> 0:46:23.160
<v Speaker 1>his shot? Yeah, the sequel, by the way, one million?

0:46:23.160 --> 0:46:26.000
<v Speaker 1>He did that and then wrote it and then did it. Yeah,

0:46:26.040 --> 0:46:28.919
<v Speaker 1>like it for some for some reference, I think Lord

0:46:28.920 --> 0:46:30.359
<v Speaker 1>of the Rings trilogy at the top, that has about

0:46:30.400 --> 0:46:32.880
<v Speaker 1>four hundred thousand words total, something somewhere in that ballpark.

0:46:36.080 --> 0:46:38.799
<v Speaker 1>So three Lord of the Rings trilogies. Yeah, yeah. We

0:46:38.840 --> 0:46:41.479
<v Speaker 1>never think about how much goddamn time this guy's spent

0:46:41.520 --> 0:46:44.680
<v Speaker 1>in front of a Typewright, that's one thing that is

0:46:44.760 --> 0:46:48.759
<v Speaker 1>not right. He wrote like a fucking crazy At the end,

0:46:48.760 --> 0:46:55.680
<v Speaker 1>it just says screw Flanders over. So Hubbard actually wrote

0:46:55.680 --> 0:46:57.839
<v Speaker 1>this monstrosit, or at least dictated it to someone else.

0:46:57.840 --> 0:46:59.719
<v Speaker 1>We don't really know, but tragically he did not live

0:46:59.760 --> 0:47:02.840
<v Speaker 1>to see it released in its entirety. On January nineteenth,

0:47:02.920 --> 0:47:05.400
<v Speaker 1>nineteen eighty six, el Ron Hubbard sent out his last

0:47:05.440 --> 0:47:08.960
<v Speaker 1>command flag Order number three thousand, eight hundred and seventy nine,

0:47:09.239 --> 0:47:12.520
<v Speaker 1>the Sea Org and its Future. In this order, the

0:47:12.520 --> 0:47:15.759
<v Speaker 1>Commodore promoted himself to Admiral, published a glossy photo of

0:47:15.800 --> 0:47:19.239
<v Speaker 1>himself in a new uniform, and about five days later died.

0:47:20.000 --> 0:47:21.920
<v Speaker 1>He did not die alone, but he was not surrounded

0:47:21.920 --> 0:47:24.400
<v Speaker 1>by his friends or family either. His doctor and lawyer

0:47:24.400 --> 0:47:26.640
<v Speaker 1>were the only ones present. Everything about his death was

0:47:26.680 --> 0:47:28.880
<v Speaker 1>handled with the utmost secrecy, but the Church could not

0:47:28.880 --> 0:47:31.480
<v Speaker 1>stop the coroner from looking at the body. The inquest

0:47:31.480 --> 0:47:33.839
<v Speaker 1>found a bandage on his right butt sheet covering ten

0:47:33.880 --> 0:47:37.000
<v Speaker 1>fresh needle marks. It also found traces of hydroxene in

0:47:37.000 --> 0:47:39.360
<v Speaker 1>his blood. The drug is most often prescribed as an

0:47:39.360 --> 0:47:43.239
<v Speaker 1>anti anxiety and anti neurotic medication, in other words, a

0:47:43.280 --> 0:47:47.520
<v Speaker 1>psychiatric medication. The Church steadfastedly rejected the idea that el

0:47:47.560 --> 0:47:50.000
<v Speaker 1>Roon Hubbard had died with psychiatric medicine in his system.

0:47:50.080 --> 0:47:52.400
<v Speaker 1>They claimed that he took the medication as an antihistamine,

0:47:52.400 --> 0:47:57.200
<v Speaker 1>which sure, guys, yeah absolutely. His butt gets famously congest

0:47:57.280 --> 0:48:02.120
<v Speaker 1>This bud gets through congested. Was having antieistamy, Yeah, yeah, exactly.

0:48:02.360 --> 0:48:04.720
<v Speaker 1>In a phone interview with the San Luis Obispo New Times,

0:48:04.800 --> 0:48:07.400
<v Speaker 1>church spokesman Tommy Davis insisted he didn't take it as

0:48:07.400 --> 0:48:09.719
<v Speaker 1>a psychiatric medication, that's all. It's one of those things

0:48:09.719 --> 0:48:11.920
<v Speaker 1>that anti scientologists want to make an issue about and

0:48:12.000 --> 0:48:16.640
<v Speaker 1>we're like, yeah, whatever, and emphasized the anger Tommy Davis experience,

0:48:16.719 --> 0:48:19.719
<v Speaker 1>like express to the newspaper, I'm gonna throw another I'm

0:48:19.719 --> 0:48:23.319
<v Speaker 1>gonna throw it. Yeah yeah, ooh that one. Because they

0:48:23.360 --> 0:48:25.600
<v Speaker 1>were all going like he'd be as millions of people

0:48:25.680 --> 0:48:32.000
<v Speaker 1>and we're like as if, yeah whatever whatever. The rank

0:48:32.040 --> 0:48:34.479
<v Speaker 1>and file of Scientology were informed of their profit's death.

0:48:34.680 --> 0:48:38.360
<v Speaker 1>Death three days later, on January twenty seventh, David Miskovich

0:48:38.400 --> 0:48:42.000
<v Speaker 1>addressed eighteen hundred scientologists at the Hollywood Palladium Theater. He

0:48:42.080 --> 0:48:45.879
<v Speaker 1>told them this. At two thousand hours Friday twenty fourth

0:48:45.920 --> 0:48:48.680
<v Speaker 1>January nineteen eighty six, el Ron Hubbard discarded the body

0:48:48.719 --> 0:48:50.960
<v Speaker 1>he had used in this lifetime for seventy four years,

0:48:50.960 --> 0:48:53.239
<v Speaker 1>ten months, and eleven days. The body he had used

0:48:53.239 --> 0:48:55.480
<v Speaker 1>to facilitate his existence in this universe had ceased to

0:48:55.520 --> 0:48:57.600
<v Speaker 1>be useful, and in fact, had become an impediment to

0:48:57.640 --> 0:49:00.200
<v Speaker 1>the work he now must do outside its confines. The

0:49:00.239 --> 0:49:02.560
<v Speaker 1>being we knew was l Ron Hubbard still exists. Although

0:49:02.560 --> 0:49:04.719
<v Speaker 1>you may feel grief, understand that he did not and

0:49:04.800 --> 0:49:07.880
<v Speaker 1>does not now. He simply moved on to his next step.

0:49:08.120 --> 0:49:10.520
<v Speaker 1>L RH in fact, used this lifetime and body. We

0:49:10.600 --> 0:49:13.120
<v Speaker 1>knew to accomplish what no man has ever accomplished. He

0:49:13.200 --> 0:49:15.600
<v Speaker 1>unlocked the mysteries of life and gave us the tools

0:49:15.680 --> 0:49:19.799
<v Speaker 1>so we could free ourselves and our fellow men. Wow. Ps,

0:49:20.360 --> 0:49:23.160
<v Speaker 1>he did himself auditing and he found out he's even

0:49:23.239 --> 0:49:25.520
<v Speaker 1>better than he thought he was. So he's an admirals

0:49:25.760 --> 0:49:29.440
<v Speaker 1>admiral now. So I could not think of the Hudsucker, right,

0:49:29.560 --> 0:49:33.080
<v Speaker 1>you know the Hutsucker Praxy series. Yeah, at six four

0:49:33.239 --> 0:49:38.120
<v Speaker 1>wearing Hutsucker merged with the infinite. That is a punch out.

0:49:38.200 --> 0:49:42.439
<v Speaker 1>He should have merged with the Well. He did leave

0:49:42.520 --> 0:49:45.280
<v Speaker 1>us with a little bit of a eulogy to himself,

0:49:45.440 --> 0:49:47.880
<v Speaker 1>because of course I can't be finished with Yeah. L

0:49:47.960 --> 0:49:49.680
<v Speaker 1>Ron Hubbard wasn't going to let someone else get the

0:49:49.719 --> 0:49:52.160
<v Speaker 1>last one. He wrote all the things. There's nothing he

0:49:52.160 --> 0:49:55.279
<v Speaker 1>couldn't have written that wasn't written. And the elegy he

0:49:55.400 --> 0:49:58.759
<v Speaker 1>chose was a song called thank You for Listening from

0:49:58.800 --> 0:50:01.560
<v Speaker 1>an album of Scientology songs titled The Road to Freedom.

0:50:01.600 --> 0:50:03.560
<v Speaker 1>Are you to listen to it? Yeah, we are going

0:50:03.600 --> 0:50:07.960
<v Speaker 1>to hear l Ron Hubbard himself sing a motherfucking song.

0:50:08.040 --> 0:50:10.239
<v Speaker 1>Oh dude, he's gonna tell me he can fuck and

0:50:10.360 --> 0:50:12.759
<v Speaker 1>has a voice like an angel. I hope this is

0:50:12.760 --> 0:50:16.280
<v Speaker 1>a Bob Dude. I hope this is a Bob all right, Friends,

0:50:16.880 --> 0:50:24.440
<v Speaker 1>without further ado, the voice of l Ron Hubbard, the

0:50:24.480 --> 0:50:51.040
<v Speaker 1>Boss Music's original Nice Rich Bring said, oh goddamns. They

0:50:51.080 --> 0:50:59.160
<v Speaker 1>would argue the voice so like a dinosaur and a

0:50:59.280 --> 0:51:05.600
<v Speaker 1>children saying what I believe. I only give them fact

0:51:07.040 --> 0:51:12.200
<v Speaker 1>if they believe quite a why it still will have

0:51:12.520 --> 0:51:22.080
<v Speaker 1>him mine. Yeah, I love this song xcept did you

0:51:22.200 --> 0:51:27.279
<v Speaker 1>listen to the lyrics and their passion. I'm gonna toss

0:51:27.280 --> 0:51:31.520
<v Speaker 1>a cleanic, but it's the room. There are also no

0:51:31.560 --> 0:51:34.320
<v Speaker 1>real instruments on this song. That's why I got away.

0:51:34.840 --> 0:51:43.120
<v Speaker 1>Yeah karaoke. Imagine listening to this at a funeral. But

0:51:43.320 --> 0:51:47.920
<v Speaker 1>truth is truth. And if they then it's I to

0:51:48.080 --> 0:51:54.200
<v Speaker 1>live with lie. That's their concern, not mine, my friend.

0:51:54.920 --> 0:52:05.640
<v Speaker 1>They're free to fantas loves them low line. It sounds

0:52:05.719 --> 0:52:09.759
<v Speaker 1>like it's a full house theme about how you all

0:52:10.160 --> 0:52:13.799
<v Speaker 1>believe me, You're all gonna suffer now this is He's

0:52:13.840 --> 0:52:20.600
<v Speaker 1>hardly nuts to the full house. Yeah, a lot of

0:52:20.719 --> 0:52:30.080
<v Speaker 1>musicals in between the vocals. Yeah, he's breakdancing's surprisingly good

0:52:30.080 --> 0:52:37.520
<v Speaker 1>at break dancing and fucking really way too much instrumentals

0:52:37.560 --> 0:52:43.120
<v Speaker 1>so much. Okay, Now, so that we can't get in

0:52:43.160 --> 0:52:48.839
<v Speaker 1>trouble with copyright concerns, let's discuss linguistically, lyrically, musically, because

0:52:48.880 --> 0:52:51.799
<v Speaker 1>you're both musicians, right, Yeah, you're a rapist much less,

0:52:52.040 --> 0:52:54.040
<v Speaker 1>that's true. Yeah, you're a rapist and you're you're part

0:52:54.080 --> 0:52:56.879
<v Speaker 1>of Cody's band, right yeah, yeah, I consider it Cody's band,

0:52:56.880 --> 0:52:59.840
<v Speaker 1>but I don't know that it is. It's more like

0:53:00.040 --> 0:53:05.000
<v Speaker 1>guys just showing up and which which makes you is

0:53:05.120 --> 0:53:09.239
<v Speaker 1>qualified as l Ron Hubbard to talk about exactly put

0:53:09.239 --> 0:53:12.160
<v Speaker 1>this on the public record. I was kicked out of

0:53:12.160 --> 0:53:18.360
<v Speaker 1>that band, no further comment. Okay, that's true. Yes, Cody's

0:53:18.360 --> 0:53:21.919
<v Speaker 1>band he is. He is a prima donna. And we'll

0:53:21.960 --> 0:53:25.400
<v Speaker 1>be listening to this episode and I want him to

0:53:25.760 --> 0:53:28.160
<v Speaker 1>record my version of this song once I get a cold. Well.

0:53:28.200 --> 0:53:31.800
<v Speaker 1>I was in charge of cover the song. Let's cover

0:53:32.000 --> 0:53:35.040
<v Speaker 1>Let's cover this song. I was in charge of cleaning

0:53:35.040 --> 0:53:37.080
<v Speaker 1>the rehearsal rooms, and the guys with the white gloves

0:53:37.080 --> 0:53:40.600
<v Speaker 1>were not please. They kicked me out of it. So, Michael,

0:53:41.080 --> 0:53:43.919
<v Speaker 1>your thoughts on thank you for listening, and on elroon

0:53:43.960 --> 0:53:46.400
<v Speaker 1>Hubbard's voice let's start with your thoughts on his voice.

0:53:47.239 --> 0:53:49.840
<v Speaker 1>Abe already stole the best, Like Abe gave me the

0:53:49.880 --> 0:53:52.520
<v Speaker 1>image that's stuck in my mind, which yeah, it's like

0:53:52.600 --> 0:53:57.120
<v Speaker 1>Barney the Dinosaur singing to kids, but instead of teaching

0:53:57.160 --> 0:53:59.920
<v Speaker 1>them how to wash their hands, he's saying, you're all

0:54:00.080 --> 0:54:03.480
<v Speaker 1>living in a deluded fantasy world. Children. Soon you will

0:54:03.480 --> 0:54:07.839
<v Speaker 1>get sick from this, do you understand? But listen to

0:54:07.880 --> 0:54:15.720
<v Speaker 1>my Sweet Candy the free two phone. It also sounds

0:54:15.760 --> 0:54:18.520
<v Speaker 1>like the guy in a barbershop quartet who's only there

0:54:18.560 --> 0:54:21.239
<v Speaker 1>to hit the loan out of hed to go oh baby,

0:54:21.400 --> 0:54:23.279
<v Speaker 1>and they're like, the three other guys didn't show up.

0:54:23.719 --> 0:54:28.160
<v Speaker 1>You got to sing the middle and high. There's not

0:54:28.239 --> 0:54:30.319
<v Speaker 1>a shot of that guy who hits that loan out

0:54:30.360 --> 0:54:33.440
<v Speaker 1>and then goes, ah, yeah that loan oue part of

0:54:33.480 --> 0:54:38.080
<v Speaker 1>the song. God, Abe, your thoughts, uh yeah, mine went

0:54:38.120 --> 0:54:41.840
<v Speaker 1>immediately through the instrumentation because it's it's just it's shouting

0:54:42.000 --> 0:54:46.520
<v Speaker 1>something immediately, like from the get go. It's the horns,

0:54:47.040 --> 0:54:50.120
<v Speaker 1>like you were saying, Michael, they're like clearly fake horns,

0:54:50.200 --> 0:54:53.960
<v Speaker 1>like someone got like my brother's cassio and is doing

0:54:54.040 --> 0:54:57.160
<v Speaker 1>like French horn on it. I bet they somehow fucked

0:54:57.160 --> 0:54:59.400
<v Speaker 1>that up, though. I bet they actually recorded because he

0:54:59.440 --> 0:55:02.359
<v Speaker 1>had money. He had so much money, so I've never

0:55:02.480 --> 0:55:06.160
<v Speaker 1>heard a recording that probably was recorded on actual instruments.

0:55:06.480 --> 0:55:09.439
<v Speaker 1>And because they're so bad at recording, like they're bad

0:55:09.440 --> 0:55:13.640
<v Speaker 1>at filmmaking, they're very similar. It sounds like a Midi version.

0:55:14.080 --> 0:55:16.480
<v Speaker 1>And you know how I like Middi's, Michael Middi's are

0:55:16.480 --> 0:55:20.360
<v Speaker 1>my favorite? Your favorite? That's it's it's better than the

0:55:20.360 --> 0:55:24.800
<v Speaker 1>original the Midi versions. But I wish I or maybe

0:55:24.800 --> 0:55:27.600
<v Speaker 1>it was. I mean, if this was studio musicians he

0:55:27.719 --> 0:55:30.960
<v Speaker 1>hired what I be on a Fly on the Wall

0:55:31.040 --> 0:55:33.319
<v Speaker 1>flo he clearly could have afforded it. I feel like

0:55:33.360 --> 0:55:35.680
<v Speaker 1>he didn't just because he was so scared that everyone

0:55:35.760 --> 0:55:37.879
<v Speaker 1>was trying to murder him, as secretly the FBI, which

0:55:37.920 --> 0:55:40.000
<v Speaker 1>is why he didn't just like hire a real production

0:55:40.080 --> 0:55:42.040
<v Speaker 1>company to make this movie. It had to all be

0:55:42.120 --> 0:55:45.080
<v Speaker 1>done in house by ar fifteen can fit in a

0:55:45.120 --> 0:55:49.920
<v Speaker 1>guitar case. He's like, no musicians, no, yeah, exactly that

0:55:50.000 --> 0:55:52.960
<v Speaker 1>every there's so many moments in this this journey that

0:55:53.000 --> 0:55:55.799
<v Speaker 1>we've been taking where it's just I want to know

0:55:55.880 --> 0:55:58.680
<v Speaker 1>what that guy who is just told all right, so

0:55:58.760 --> 0:56:01.759
<v Speaker 1>you have to learn how Mike, He's like, ah, I

0:56:02.320 --> 0:56:05.160
<v Speaker 1>my last job was I worked at McDonald's. Yeah, you know,

0:56:05.239 --> 0:56:06.840
<v Speaker 1>like I into a lot of cases. I was a

0:56:06.880 --> 0:56:10.439
<v Speaker 1>heart surgeon. Like this has shot at all my area, right,

0:56:10.640 --> 0:56:12.640
<v Speaker 1>I have no clue how to do this. Well, it's

0:56:12.640 --> 0:56:15.719
<v Speaker 1>gonna have to be perfect or what he'll beat you. Yeah,

0:56:15.920 --> 0:56:19.360
<v Speaker 1>he'll wind up in the torture prison as well. I

0:56:19.400 --> 0:56:23.440
<v Speaker 1>guess I signed up and gave money for this. I

0:56:23.480 --> 0:56:26.200
<v Speaker 1>do feel like killing myself after listening to it. That

0:56:26.280 --> 0:56:30.759
<v Speaker 1>must mean it's the best song. It's version of Excalibur.

0:56:31.680 --> 0:56:33.879
<v Speaker 1>It's it's so weird to me that a guy could

0:56:33.920 --> 0:56:38.520
<v Speaker 1>who could manipulate the emotions of millions of people and

0:56:38.560 --> 0:56:41.200
<v Speaker 1>strike at something core in us, which is just you know,

0:56:41.320 --> 0:56:44.080
<v Speaker 1>like the hook to Scientology is, yeah, your life is

0:56:44.120 --> 0:56:46.759
<v Speaker 1>a mess, and they offer enough that seems believable at

0:56:46.760 --> 0:56:49.680
<v Speaker 1>the base level that it hooks millions of people in.

0:56:50.400 --> 0:56:54.839
<v Speaker 1>And yet he doesn't understand tone at all, Like it's

0:56:54.960 --> 0:57:00.400
<v Speaker 1>the bizarre. The lyrics are ominous, and the music is

0:57:00.520 --> 0:57:04.160
<v Speaker 1>like Scientology is the soda that will finally refresh you,

0:57:04.960 --> 0:57:08.680
<v Speaker 1>like all of his sodas, he doesn't like get how

0:57:08.719 --> 0:57:11.360
<v Speaker 1>to manipulate people's emotions and yet he does it, and

0:57:11.440 --> 0:57:14.319
<v Speaker 1>yet he obviously gets it. I will. I didn't want

0:57:14.320 --> 0:57:16.120
<v Speaker 1>to point out that he was only like pitch. He

0:57:16.200 --> 0:57:18.760
<v Speaker 1>was pitchy a lot less than I expected. Yeah, he

0:57:18.840 --> 0:57:21.120
<v Speaker 1>was pitching maybe one or once or twice he like

0:57:21.360 --> 0:57:26.160
<v Speaker 1>flubbed a note. But I mean he's got mediocre pipes,

0:57:26.400 --> 0:57:29.320
<v Speaker 1>you know what I'm saying, the mediocre. The main thing

0:57:29.360 --> 0:57:32.880
<v Speaker 1>that made it sound bad, I thought was that he

0:57:33.200 --> 0:57:37.320
<v Speaker 1>cut everywhere. It sounds like the melody lines like it's

0:57:37.400 --> 0:57:41.280
<v Speaker 1>falling down the stairs exactly what It's called the noise gate.

0:57:41.360 --> 0:57:45.080
<v Speaker 1>And they probably had it to because they don't know

0:57:45.120 --> 0:57:48.640
<v Speaker 1>what's going on, so they just anytime the microphone is like,

0:57:48.680 --> 0:57:50.600
<v Speaker 1>oh there's no signal, it just got there's no tail.

0:57:50.840 --> 0:57:53.360
<v Speaker 1>It's a bunch of lawyers and spies trying to work

0:57:53.360 --> 0:57:56.440
<v Speaker 1>on it. Also, if the noise gate was off on

0:57:56.480 --> 0:58:00.240
<v Speaker 1>this track, between every line, you'd hear him go he

0:58:00.320 --> 0:58:03.320
<v Speaker 1>like breathes in as a seventy one year old trip keeper.

0:58:05.560 --> 0:58:12.320
<v Speaker 1>Guess there any moment is the final one? Call me

0:58:12.600 --> 0:58:18.560
<v Speaker 1>the commodore. Well, I think that's our legally mandated commentary

0:58:18.600 --> 0:58:22.000
<v Speaker 1>over that song. You know what I have to say

0:58:22.000 --> 0:58:24.640
<v Speaker 1>about fair use. Yeah, I'm gonna I'm gonna chuck my

0:58:24.720 --> 0:58:29.880
<v Speaker 1>last Cleenex box. That's number ten, babies. The floor is

0:58:29.920 --> 0:58:33.760
<v Speaker 1>covered in throwing bagels and throwing boxes of Kleenex, a

0:58:33.800 --> 0:58:36.240
<v Speaker 1>couple of torn up pieces of earlier scripts that I

0:58:36.280 --> 0:58:38.880
<v Speaker 1>read earlier. What I dropped the top of my water

0:58:38.960 --> 0:58:41.520
<v Speaker 1>bottle on the ground. I wanted to help out. Thank you.

0:58:42.240 --> 0:58:45.560
<v Speaker 1>We always leave it a mess because I'm a problem

0:58:45.600 --> 0:58:49.160
<v Speaker 1>like l Ron Hubbard, And once this show takes off enough,

0:58:49.320 --> 0:58:52.760
<v Speaker 1>I will absolutely buy a compound in southern Californias and

0:58:52.800 --> 0:58:57.280
<v Speaker 1>force people to make movies. Yeah yeah, movie maker. No no, no,

0:58:57.280 --> 0:59:03.560
<v Speaker 1>no, no no, no, you'll be boat Yeah. Bring into the cults.

0:59:03.680 --> 0:59:06.560
<v Speaker 1>They'll be making the movies. I assume you started this

0:59:06.640 --> 0:59:09.120
<v Speaker 1>show to have a big track record. Educate everyone on

0:59:09.200 --> 0:59:12.000
<v Speaker 1>people way worse than stuff you plan to do later

0:59:12.240 --> 0:59:14.480
<v Speaker 1>so they know it's not so bad. Or I might

0:59:14.560 --> 0:59:17.240
<v Speaker 1>try to take it to the end level. I didn't

0:59:17.240 --> 0:59:20.040
<v Speaker 1>finish Wild Wild Country, but I'm on board with creating

0:59:20.080 --> 0:59:22.360
<v Speaker 1>a cult city in the middle of nowhere. I really

0:59:22.400 --> 0:59:25.600
<v Speaker 1>want to see what your battlefield Earth is. Oh yeah,

0:59:25.760 --> 0:59:27.720
<v Speaker 1>I want to know what you think happened right at

0:59:27.720 --> 0:59:30.080
<v Speaker 1>the beginning of the universe. I wish how it relates

0:59:30.120 --> 0:59:33.520
<v Speaker 1>to you. I'm a psychiatrist. I wish we could get

0:59:33.520 --> 0:59:37.400
<v Speaker 1>cults to just assemble, make a movie based on their beliefs,

0:59:37.400 --> 0:59:39.920
<v Speaker 1>and then disassemble. Yeah, I want to see all of them.

0:59:39.960 --> 0:59:43.000
<v Speaker 1>I wish all movies were made by cults. Yes, they

0:59:43.040 --> 0:59:47.560
<v Speaker 1>are in a way. It is propaganda, all of it. Yeah,

0:59:47.840 --> 0:59:51.120
<v Speaker 1>or what would have said? It's true? Yeah? Including this?

0:59:51.840 --> 0:59:54.720
<v Speaker 1>Well yeah, I mean this is absolutely propaganda aimed at

0:59:54.760 --> 0:59:58.240
<v Speaker 1>getting me a compound, someone west and a religion get

0:59:58.360 --> 1:00:02.360
<v Speaker 1>indoctrinated people. Yeah, with just a giant glowing dorito on

1:00:02.480 --> 1:00:08.320
<v Speaker 1>the spindle that turns everyone at all and in turts

1:00:08.320 --> 1:00:15.720
<v Speaker 1>of that's your colt. Would be nice because if you

1:00:15.800 --> 1:00:18.040
<v Speaker 1>funk up the set or robber changes his mind. He

1:00:18.080 --> 1:00:20.080
<v Speaker 1>wanted a blue, now he wants a green, he just

1:00:20.120 --> 1:00:23.240
<v Speaker 1>throws a bagel at your heat like it could be worse. Also,

1:00:23.320 --> 1:00:26.320
<v Speaker 1>I will throw bagels a lot. If you're hungry, just

1:00:26.400 --> 1:00:29.640
<v Speaker 1>eat the compound because it's made of bagels and big

1:00:29.760 --> 1:00:34.120
<v Speaker 1>real rat problems. Yeah, you got your five rat quota

1:00:34.200 --> 1:00:43.240
<v Speaker 1>already rat within three sentence. They're huge carves. These bagel

1:00:43.280 --> 1:00:47.040
<v Speaker 1>fed rats are becoming too strong. Roberts just threatening to

1:00:47.080 --> 1:00:50.440
<v Speaker 1>overtake the compounds. Somebody has been feeding them away protein

1:00:50.840 --> 1:00:55.160
<v Speaker 1>so working out as well. So they're like swollen, enormous rats.

1:00:55.200 --> 1:00:59.560
<v Speaker 1>And well, we found a dead rat with a bunch

1:00:59.560 --> 1:01:02.080
<v Speaker 1>of puncture needs in its butt. We think it's the rat.

1:01:02.120 --> 1:01:05.919
<v Speaker 1>You we think they have all Also, the rat has

1:01:05.960 --> 1:01:10.920
<v Speaker 1>a T shirt that says the Joe Rogan podcast, We're fucked.

1:01:11.440 --> 1:01:18.880
<v Speaker 1>We're so fucked. Oh god, oh god. Okay, plugs pluggables. Yeah,

1:01:19.040 --> 1:01:22.280
<v Speaker 1>we uh both he and I, Michael Swave and Abe Epperson.

1:01:23.040 --> 1:01:26.480
<v Speaker 1>We have a little thing called small Beans, which you

1:01:26.560 --> 1:01:30.800
<v Speaker 1>can see on Patreon. We do videos and podcasts ourselves

1:01:31.000 --> 1:01:33.680
<v Speaker 1>and there's a bunch of other great podcasts on that network.

1:01:34.360 --> 1:01:39.040
<v Speaker 1>You can access it from by going to patreon dot

1:01:39.080 --> 1:01:42.560
<v Speaker 1>com slash small Beans. And uh, yeah, we were doing

1:01:42.600 --> 1:01:45.280
<v Speaker 1>another show. I don't know we said this last episode.

1:01:45.320 --> 1:01:47.600
<v Speaker 1>I can't even remember. Oh yeah, it's the Double Down.

1:01:47.640 --> 1:01:50.400
<v Speaker 1>In case you only wanted to hear about the last

1:01:50.440 --> 1:01:53.200
<v Speaker 1>part of the last part of l Ron Hubbard's life. Yeah,

1:01:53.200 --> 1:01:56.040
<v Speaker 1>we're launching a new show called Off Hours that is

1:01:56.600 --> 1:01:58.960
<v Speaker 1>gonna be basically the whole production team are people who

1:01:59.000 --> 1:02:01.800
<v Speaker 1>used to work at a psyche called cracked and what

1:02:01.920 --> 1:02:06.280
<v Speaker 1>was what was? What was that? It was a napkin

1:02:06.360 --> 1:02:09.480
<v Speaker 1>fulfillment site, you know, they like refill all the paper

1:02:09.600 --> 1:02:14.360
<v Speaker 1>towels and soap dispensers. But they also ran a web series.

1:02:15.480 --> 1:02:17.600
<v Speaker 1>And similarly a lot of people who worked on that

1:02:17.640 --> 1:02:20.160
<v Speaker 1>show are now working on our new show called Off Hours,

1:02:20.440 --> 1:02:23.280
<v Speaker 1>which will involve four friends sitting around talking about pop culture.

1:02:23.560 --> 1:02:27.120
<v Speaker 1>Well that sound legally distinct, legally distinct and a good

1:02:27.160 --> 1:02:29.959
<v Speaker 1>antidote for Behind the Bastard. Yes, it gets you down.

1:02:30.560 --> 1:02:33.320
<v Speaker 1>Come listen to some mindless bullshit that we won't find

1:02:33.320 --> 1:02:38.320
<v Speaker 1>out for twenty years was actually evil. Yeah, it's going exactly.

1:02:38.400 --> 1:02:41.760
<v Speaker 1>Let's get that cultural dipsticks. Well, everybody build a cult,

1:02:43.280 --> 1:02:46.400
<v Speaker 1>all right, for sure, we for sure shut us up.

1:02:46.800 --> 1:02:51.040
<v Speaker 1>Were build a cult. Okay, I'm leaving. Well this has

1:02:51.080 --> 1:02:55.000
<v Speaker 1>been Behind the Bastards. I've been Robert Evans my Twitter, Instagram,

1:02:55.040 --> 1:02:58.440
<v Speaker 1>at Bastards pod website, Find the Bastards dot com, t shirts,

1:02:58.520 --> 1:03:01.200
<v Speaker 1>tea public, I have another pod cast. It could happen here.

1:03:01.760 --> 1:03:11.520
<v Speaker 1>It's sad. Goodbye. M h m h m hm m

1:03:11.680 --> 1:03:13.760
<v Speaker 1>hm hm