WEBVTT - Drew Droege Disobeys Bridger

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<v Speaker 1>But I invited you here. I thought I made myself

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<v Speaker 1>perfectly clear. When you're a guest to my home, you

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<v Speaker 1>gotta come to me empty. And I said, no guests,

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<v Speaker 1>you're presences presents enough. I already had too much stuff,

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<v Speaker 1>So how did you dare to surbey me?

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<v Speaker 2>Welcome to I said, no gifts and Bridgard Wineger, we're

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<v Speaker 2>in the backyard. There was some minor police activity about

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<v Speaker 2>an hour ago. I don't know what was happening, but

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<v Speaker 2>I think that's been cleared up. My voice is back

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<v Speaker 2>to probably ninety eight percent. Probably can't still can't hit

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<v Speaker 2>the high notes that I'm famous for, but I think

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<v Speaker 2>we'll make it through the whole episode without me sounding weak,

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<v Speaker 2>at least physically or vocally. Emotionally mentally, those things just

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<v Speaker 2>continue to seem who knows that'll be spotty. I mean,

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<v Speaker 2>what's dominating my thoughts is I have a buy one

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<v Speaker 2>getting one free salad coupon on my counter, and I

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<v Speaker 2>just can't stop thinking about how I'm going to use

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<v Speaker 2>that as wisely as possible to get two salads, and

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<v Speaker 2>when I'll eat the second salad. Is there any other

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<v Speaker 2>crucial business we need to talk about? There isn't I adore.

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<v Speaker 2>I love today's guest. I'm so excited he's here. It's

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<v Speaker 2>Drew DROGI, Drew Hybridser, Welcome to I said, no gift.

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<v Speaker 3>Thank you so much. I'm so happy you're here. I'm

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<v Speaker 3>so happy to be here. What happened to your voice?

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<v Speaker 2>Like I I was in New York, alast.

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<v Speaker 3>To get it loud City.

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<v Speaker 2>I was screaming the entire time. Sure, you have to

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<v Speaker 2>you get on the plane the way.

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<v Speaker 3>You gotta, you gotta, you gotta tell people exactly what

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<v Speaker 3>you want.

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<v Speaker 2>You've got to be open and honest. That's right, brutal. Yes, yeah,

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<v Speaker 2>I sit down on the plane on the way to

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<v Speaker 2>New York, and I immediately it's screaming, scream until I

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<v Speaker 2>get back to lax Great and then I'm back into

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<v Speaker 2>my you know, relaxed surfer.

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<v Speaker 3>Five, sweet easy Los Angeles.

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<v Speaker 2>Yes, exactly. Yeah, I had a I got a cold

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<v Speaker 2>while there, and uh, it just decimated my voice. Because

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<v Speaker 2>you were going to record earlier this week, I know,

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<v Speaker 2>and it felt it feels like such a flimsy excuse

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<v Speaker 2>to be like he doesn't have his voice.

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<v Speaker 3>It's an audio podcast, like it kind of like a

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<v Speaker 3>made up thing. No but I no, no, no, but no.

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<v Speaker 3>It happens all the time. I lose my voice a lot.

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<v Speaker 3>I'm horrible about, Like I have to go back and

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<v Speaker 3>actually do like training that I quote unquote learned in

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<v Speaker 3>college about how to take care of my instrument, and

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<v Speaker 3>I don't. I'm horrible about it. I will blow it

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<v Speaker 3>out so easily, and I don't always. I'm always nervous

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<v Speaker 3>about doing it, like what I'm doing stage shows and stuff.

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<v Speaker 3>But it usually happens at the bar after the show

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<v Speaker 3>because you're talking for hours and you're not realizing how

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<v Speaker 3>much you're straining just to just to make noise forever.

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<v Speaker 3>And so that's usually where it happens.

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<v Speaker 2>You actually lose and then what are you doing to

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<v Speaker 2>repair it? To recover?

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<v Speaker 3>There's a very little you can do other than rest

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<v Speaker 3>and drink lots of water. I sometimes the saltwater helps.

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<v Speaker 3>Gargling pineapple helps. Pineapple, yeah, pineapples very it's uh, it's

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<v Speaker 3>a it's an anti inflammatory. Oh and you know what

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<v Speaker 3>really helps. Actually, there's a lot of tricks that help

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<v Speaker 3>with it. Ibuprofen. Take three. I be profn at night

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<v Speaker 3>and three in the morning. And it because you're anti

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<v Speaker 3>inflammatory because your voice is actually just blown out. That's what.

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<v Speaker 3>And then and another thing, if you really need I

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<v Speaker 3>learned this as just a fast trick is lays potato

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<v Speaker 3>chips or fried chicken, because those things have so much

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<v Speaker 3>grease in them that they will bond your vocal cords

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<v Speaker 3>together to make noise.

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<v Speaker 2>This is a dream to hear.

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<v Speaker 3>I mean I learned this when I was, you know,

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<v Speaker 3>doing a musical in the New York City and they

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<v Speaker 3>told us, they were like, if you really need to

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<v Speaker 3>make noise, it's specifically lays playing potato chips because they've

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<v Speaker 3>got so much grease. They're just so oily. It's so oily,

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<v Speaker 3>that's why. And or fried chicken.

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<v Speaker 2>Wow, this is fascinating, Like real.

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<v Speaker 3>Fried chicken, not like some like no no, no, no,

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<v Speaker 3>like oven bake, none of that shit. You need like real, dripping,

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<v Speaker 3>greasy fried chicken.

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<v Speaker 2>I love greasy, dripping right.

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<v Speaker 3>It's a great excuse to just run out in the

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<v Speaker 3>middle shows be like I have to eat the nastiest

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<v Speaker 3>fried chicken.

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<v Speaker 2>I get fine.

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<v Speaker 3>Yeah, exactly what musical were you doing in the time Titanique?

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<v Speaker 3>Have you seen it?

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<v Speaker 2>Wait? I saw you. I was there. When was this

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<v Speaker 2>this was actually very uncomfortable for me because I was

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<v Speaker 2>afraid I was going to make eye contact with you

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<v Speaker 2>on stage. Oh god.

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<v Speaker 3>I first of all, I can't see anything when I'm

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<v Speaker 3>up there. I'm blind as.

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<v Speaker 2>A bad I know, you forget that as an audience. Yeah,

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<v Speaker 2>but at the time, I was like, if I will

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<v Speaker 2>have to leave the theater. This must have been last year.

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<v Speaker 3>It was last year we did it. Yeah, I mean

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<v Speaker 3>it's still running, but I was in it last year.

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<v Speaker 3>It's a blast. It's a parody of Titanic with all

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<v Speaker 3>the music of Celine Dion. It's become this thing. I know.

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<v Speaker 3>I was just thinking about Marlon Connie and Tye and

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<v Speaker 3>Nicholas who wrote it. Now it's like the productions of

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<v Speaker 3>it in Australia, all your Kid, London and Canada and

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<v Speaker 3>oh yeah, all over the world the productions of Titanique

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<v Speaker 3>that are happening, And I'm like, how cool.

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<v Speaker 2>That's wild. When did it open it that's a great question.

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<v Speaker 3>I should know that they've been doing it. They've been

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<v Speaker 3>working on it off and on and workshopping it for

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<v Speaker 3>many years. Okay, it opened at the Theater at the

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<v Speaker 3>Old like underneath Christides or the RC right, right, So

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<v Speaker 3>that's where it opened, okay, and then they moved it

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<v Speaker 3>to the Daryl Roth. Yes, I'm going to say like

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<v Speaker 3>November of twenty two it moved to Daryl Roth and

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<v Speaker 3>it's been running there since then.

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<v Speaker 2>Wow, for to already have international franchises, Yes, that's pretty impressive.

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<v Speaker 3>Yes, but I think it opened, you know twenty one.

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<v Speaker 3>It must have been obviously post pend.

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<v Speaker 2>Right, yes, yes, yeah, that makes sense. Yeah, I saw

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<v Speaker 2>you in it. That's such a strange. I could completely

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<v Speaker 2>forgot obviously your performance was just completely forgettable. I was

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<v Speaker 2>fairly in it, Vanish I just.

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<v Speaker 3>Play an eyelash and forget about me.

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<v Speaker 2>How long were you in it?

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<v Speaker 3>For? Five months? Okay?

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<v Speaker 2>Yeah, yeah, it's like right near Union Square there, yep, yes, yeah,

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<v Speaker 2>house straight.

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<v Speaker 3>It was such a dream because I've never I love musicals,

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<v Speaker 3>like I'm not a singer, right, so, and so it

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<v Speaker 3>was like this dream to do a musical in New

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<v Speaker 3>York City and to do the eight shows a week

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<v Speaker 3>thing that I had never really done because even when

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<v Speaker 3>I did my solo show there, the most average was

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<v Speaker 3>seven shows a week. I never did eight, right, And

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<v Speaker 3>I was like, I need that New York theater, like

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<v Speaker 3>it's hell.

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<v Speaker 2>It's horrible, a nightmare.

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<v Speaker 3>It's a nightmare. You're never not tired. Your day off

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<v Speaker 3>is your most exhausted day. Of course, your body lets

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<v Speaker 3>yourself actually be tired. But I'm so glad I had

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<v Speaker 3>the experience because as someone who never thought that would

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<v Speaker 3>happen to be in a musical, and it was like,

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<v Speaker 3>that's very cool.

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<v Speaker 2>To not have the number one thing you need for

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<v Speaker 2>a musical.

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<v Speaker 3>Right, And this character was the one part that didn't

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<v Speaker 3>sing right right and that you don't remember, and.

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<v Speaker 2>That I completely The rest of the show was fire.

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<v Speaker 3>I mean, can we start, Let's go down the line

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<v Speaker 3>and talk about how great everybody else was and memorable

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<v Speaker 3>they were.

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<v Speaker 2>No, you were spectacular. The whole show was so delightful.

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<v Speaker 2>It's just a party.

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<v Speaker 3>It's about it's a party. It's a big party. It's

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<v Speaker 3>so much fun. Yeah.

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<v Speaker 2>The eight shows a week thing coming from living in

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<v Speaker 2>LA and working in this site of entertainment where you

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<v Speaker 2>write three hours every nine months.

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<v Speaker 3>Right exactly. Or even when you do theater in LA,

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<v Speaker 3>it's usually four or five shows a week. You do

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<v Speaker 3>like a weekend, and you rarely do two in one day.

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<v Speaker 3>In La. You know, it's it's very easy. It's very

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<v Speaker 3>JV compared to like New York is like whip cracking.

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<v Speaker 2>Do you start to just I feel like you would

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<v Speaker 2>just lose the feeling of it all a few shows in,

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<v Speaker 2>Do you just feel robotic?

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<v Speaker 3>I would feel robotic after a while. And I felt

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<v Speaker 3>that way in my own show too, And I was like,

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<v Speaker 3>and I remember the first time I felt that way

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<v Speaker 3>that I'd always heard, Like, you know, an actors, you

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<v Speaker 3>start thinking about your laundry, and you start you right,

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<v Speaker 3>and you have those intrusive thoughts, and I was like, well,

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<v Speaker 3>that'll never be me. I'll always be in the in

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<v Speaker 3>the truth of the moment every time. But even in

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<v Speaker 3>my own show, I started to go, oh, blah blah blah,

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<v Speaker 3>I'm just thinking. And I was watching my body do

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<v Speaker 3>the same mannerisms and that same and so I went

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<v Speaker 3>off stage and I said the stagement. I said, oh

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<v Speaker 3>my god, I'm so sorry. I was so out of

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<v Speaker 3>it tonight, and he said I had no idea. Wow,

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<v Speaker 3>So you do. It's like choreography with anything, you have

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<v Speaker 3>to kind of actually not think about it because the

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<v Speaker 3>worst thing to do is to be up there and

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<v Speaker 3>go I'm not present. I need to get in my body,

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<v Speaker 3>and then that makes you even more in your head

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<v Speaker 3>and then you're a very aware aware of everything you have.

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<v Speaker 3>You have to stop thinking and just go out there

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<v Speaker 3>and do the show right, which is really weird because

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<v Speaker 3>you go through this long period of like do I

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<v Speaker 3>know my lines? Am I listening to my partner? Is

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<v Speaker 3>this the way to deliver this the best way? Like

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<v Speaker 3>you go through this trial period for like previews, and

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<v Speaker 3>then you hit you like coast for a bit where

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<v Speaker 3>you're like, oh, I'm so connected and so fun and

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<v Speaker 3>then you're like, I am so out the door and

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<v Speaker 3>I don't even know. But five months was as long

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<v Speaker 3>as I felt.

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<v Speaker 2>Like I couldn't do it, to be basically working overtime.

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<v Speaker 3>Yeah, and just the same words over and over again.

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<v Speaker 3>My my interests of thoughts were coming in and I

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<v Speaker 3>would be like what if I start screaming? What if

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<v Speaker 3>I jump up the stage? What if I high fi

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<v Speaker 3>bridge are in the audience? Like I would just content

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<v Speaker 3>thou show. You would exactly see time machine, That's what

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<v Speaker 3>I need to do is go back in time. No,

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<v Speaker 3>but I would I would have those complete thoughts of

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<v Speaker 3>just like what if I you.

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<v Speaker 2>Know, oh, which very fun thoughts, which are.

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<v Speaker 3>Fun but also terrifying and also just like get in it,

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<v Speaker 3>say it it, you know, but you know, well.

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<v Speaker 2>Yeah, it's kind of like a very dull, out of

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<v Speaker 2>body experience. Yes, fascinating for sure, which I probably, as

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<v Speaker 2>having no stage skill whatsoever, will never experience.

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<v Speaker 3>I don't believe that.

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<v Speaker 2>Well, believe it here today too.

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<v Speaker 3>You know, I think no. I think it's like, in

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<v Speaker 3>a way, it kind of protects you, because you know,

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<v Speaker 3>you're like, when the audience is great, you can feel

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<v Speaker 3>like I'm amazing, we're killing it, We're doing so great,

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<v Speaker 3>and then they're bad and you're like, I'm horrible. And

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<v Speaker 3>then sometimes there's part of you it's like neither you're

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<v Speaker 3>always there's always kind of like baseline. It is what

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<v Speaker 3>it is, and so you kind of like through that,

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<v Speaker 3>you're kind of like, oh, we're just punching the clock

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<v Speaker 3>and going back, and when you're doing that many shows,

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<v Speaker 3>you're just like, all right, the next one is in

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<v Speaker 3>five minutes, so here we go. Put another quarter in

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<v Speaker 3>the back of my neck and wind me up or whatever.

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<v Speaker 2>How familiar were you with Titanic before? Were you much

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<v Speaker 2>of a fan of the movie.

0:10:52.080 --> 0:10:53.880
<v Speaker 3>I do like the movie, like the I like the

0:10:54.000 --> 0:10:56.719
<v Speaker 3>nineteen twelve part of the movie. The wrap around is

0:10:56.760 --> 0:11:01.640
<v Speaker 3>pretty horrible. I mean, the Bill Paxton incredible is so bad.

0:11:01.720 --> 0:11:05.120
<v Speaker 3>But I do think the actual Titanic part of it

0:11:05.160 --> 0:11:08.840
<v Speaker 3>is really great. I saw it. I definitely saw it

0:11:08.880 --> 0:11:11.120
<v Speaker 3>in the theater. I maybe saw it all the way

0:11:11.160 --> 0:11:15.000
<v Speaker 3>through one other time before. But I've known them from

0:11:15.040 --> 0:11:17.599
<v Speaker 3>the beginning, so I did the very first like a

0:11:17.800 --> 0:11:21.920
<v Speaker 3>reading of Titanique at someone's apartment, like before it was

0:11:21.960 --> 0:11:23.439
<v Speaker 3>ever done, and then I wasn't able to do it

0:11:23.480 --> 0:11:28.160
<v Speaker 3>officially until last year. So I've watched I've seen Titanique

0:11:28.920 --> 0:11:33.520
<v Speaker 3>six or seven times and after I've actually gone back

0:11:33.520 --> 0:11:34.720
<v Speaker 3>and seen it after I did it.

0:11:34.800 --> 0:11:36.400
<v Speaker 2>Yeah, I think I've only seen the movie once in

0:11:36.440 --> 0:11:40.520
<v Speaker 2>the theaters, right, And it's just I never have any

0:11:40.559 --> 0:11:41.520
<v Speaker 2>other reason to watch it.

0:11:41.559 --> 0:11:43.439
<v Speaker 3>No, it's three and a half hours long, and why

0:11:43.480 --> 0:11:45.600
<v Speaker 3>would you just sit down and watch that? Right?

0:11:45.800 --> 0:11:47.680
<v Speaker 2>But people love it, They've worshiped.

0:11:47.800 --> 0:11:49.880
<v Speaker 3>Yeah, I mean it's it got a lot of you know,

0:11:49.880 --> 0:11:51.840
<v Speaker 3>people love to bag on it too and hate on it,

0:11:51.880 --> 0:11:54.839
<v Speaker 3>but it it's better than that. I mean, you know,

0:11:54.880 --> 0:11:56.560
<v Speaker 3>it's better than a lot of things that have won

0:11:56.640 --> 0:11:59.400
<v Speaker 3>Best Picture, Right, you know and so, and it's a

0:11:59.440 --> 0:12:01.400
<v Speaker 3>big blockbuster.

0:12:01.040 --> 0:12:02.920
<v Speaker 2>Period piece, kind of engaging melodro.

0:12:03.200 --> 0:12:05.600
<v Speaker 3>But everyone's really good in it, you know, the kids

0:12:05.640 --> 0:12:07.720
<v Speaker 3>are great in it, Victor Carver's.

0:12:07.400 --> 0:12:10.360
<v Speaker 2>Fantashure and I do. I mean, the only thing I've

0:12:10.400 --> 0:12:15.320
<v Speaker 2>seen repeatedly is the dropping the thing into the ocean.

0:12:15.120 --> 0:12:17.160
<v Speaker 3>Right, which is ridiculous. It makes no sense and you

0:12:17.200 --> 0:12:20.160
<v Speaker 3>want to throttle that woman, like why why are you

0:12:20.240 --> 0:12:20.640
<v Speaker 3>doing that?

0:12:22.559 --> 0:12:25.240
<v Speaker 2>I Like, when it came to my attention as an adult,

0:12:26.080 --> 0:12:28.079
<v Speaker 2>I was like, this couldn't possibly have been part of

0:12:28.120 --> 0:12:31.000
<v Speaker 2>the original because I had obviously forgotten. But it's part

0:12:31.040 --> 0:12:34.120
<v Speaker 2>of the film, right, right. It's so strange. It's so

0:12:34.160 --> 0:12:36.120
<v Speaker 2>strange because it seems objectively bad.

0:12:36.520 --> 0:12:39.760
<v Speaker 3>Yes, and it's also like what like you're throwing the

0:12:39.760 --> 0:12:41.760
<v Speaker 3>whole thing away into the just sort of like.

0:12:41.880 --> 0:12:46.240
<v Speaker 2>Eh, and is you're doing that just to maintain the mystery?

0:12:46.280 --> 0:12:47.320
<v Speaker 2>What is the I don't even know.

0:12:47.520 --> 0:12:49.440
<v Speaker 3>It's yeah, I think it's sort of like I've told

0:12:49.440 --> 0:12:53.480
<v Speaker 3>my story, that's all you get, and I I don't know.

0:12:53.640 --> 0:12:56.800
<v Speaker 3>I don't think James Karen thought it through. We have

0:12:56.840 --> 0:12:58.920
<v Speaker 3>fun and Titanic making fun of that every night, right,

0:12:59.080 --> 0:12:59.720
<v Speaker 3>But you know.

0:13:01.760 --> 0:13:04.360
<v Speaker 2>Yeah, have you lived in New York much.

0:13:04.440 --> 0:13:06.200
<v Speaker 3>I've never lived in New York. Oh wow, I've only

0:13:06.240 --> 0:13:08.240
<v Speaker 3>I've spent a lot of time there. But I've lived

0:13:08.360 --> 0:13:11.560
<v Speaker 3>in Los Angeles proper for twenty five years.

0:13:11.559 --> 0:13:12.200
<v Speaker 2>Where are you from?

0:13:12.400 --> 0:13:13.240
<v Speaker 3>North Carolina?

0:13:13.320 --> 0:13:16.559
<v Speaker 2>Oh? Okay, okay, yeah wow, So yeah, I've only I've

0:13:16.559 --> 0:13:18.160
<v Speaker 2>lived in New York for probably a total of a

0:13:18.320 --> 0:13:21.240
<v Speaker 2>year and a half at this point. Okay, But I

0:13:21.240 --> 0:13:23.600
<v Speaker 2>don't know that I'm made for it, So I don't.

0:13:23.440 --> 0:13:25.679
<v Speaker 3>Know that I love working there and that that was

0:13:25.720 --> 0:13:27.520
<v Speaker 3>the longest I was there doing Touch Sneque. But I've

0:13:27.520 --> 0:13:30.920
<v Speaker 3>done my show's there. I'm trying to get I love

0:13:31.040 --> 0:13:33.560
<v Speaker 3>I mean, you know, having a job there is so fun. Oh,

0:13:33.640 --> 0:13:35.760
<v Speaker 3>doing a play there, a purpose, Being on a TV

0:13:35.800 --> 0:13:38.760
<v Speaker 3>show there is like you know, or I love to

0:13:38.800 --> 0:13:41.880
<v Speaker 3>spend like two weeks max going and seeing things and

0:13:41.920 --> 0:13:43.839
<v Speaker 3>seeing friends and hanging out and spending way too much

0:13:43.840 --> 0:13:45.480
<v Speaker 3>money and just being an idiot.

0:13:45.280 --> 0:13:46.760
<v Speaker 2>Right, Dasha, blast right.

0:13:47.040 --> 0:13:49.120
<v Speaker 3>I've never lived there where I'm just pounding the pavement

0:13:49.200 --> 0:13:51.800
<v Speaker 3>trying to have a life there without like some sort

0:13:51.800 --> 0:13:54.160
<v Speaker 3>of employment for too long, right, I think that would

0:13:54.160 --> 0:13:56.880
<v Speaker 3>be really tough. And I'm used to this. I'm used

0:13:56.920 --> 0:14:01.920
<v Speaker 3>to space and ease and ease, you know, I used

0:14:01.960 --> 0:14:02.360
<v Speaker 3>to ease.

0:14:02.720 --> 0:14:04.200
<v Speaker 2>The other thing I was going to ask you about

0:14:04.240 --> 0:14:06.440
<v Speaker 2>related to Titanic if we can move on beyond this,

0:14:06.520 --> 0:14:08.600
<v Speaker 2>but have you seen this Selene Dion documentary?

0:14:08.920 --> 0:14:09.559
<v Speaker 3>Yes? I have.

0:14:09.760 --> 0:14:10.800
<v Speaker 2>How did you feel about that?

0:14:10.920 --> 0:14:14.679
<v Speaker 3>It's it's wonderful. You know, I had no I had

0:14:14.800 --> 0:14:17.200
<v Speaker 3>no real connection with Selene Dion. If anything, I kind

0:14:17.240 --> 0:14:18.800
<v Speaker 3>of laughed at her and thought she was kind of

0:14:18.800 --> 0:14:22.000
<v Speaker 3>an you know, and then even the in the beginning

0:14:22.000 --> 0:14:25.600
<v Speaker 3>of Titanique, you know, Marlen Mendel's hilarious impression of Celene

0:14:25.600 --> 0:14:28.840
<v Speaker 3>Dion and then you know, getting to like see Nicole Parker,

0:14:28.960 --> 0:14:30.640
<v Speaker 3>Jackie Burns do it, and all these people like it's

0:14:30.680 --> 0:14:34.520
<v Speaker 3>this but Ty Blue, who directed our show, was so

0:14:34.560 --> 0:14:37.400
<v Speaker 3>smart in making us love her. We was like, you

0:14:37.600 --> 0:14:40.960
<v Speaker 3>have to love Selene. It's like the entire thing is

0:14:41.680 --> 0:14:44.560
<v Speaker 3>what would Selene do? And Selene leads with kindness and

0:14:44.600 --> 0:14:48.920
<v Speaker 3>so she's goofy and ridiculous, but you have to love her.

0:14:48.960 --> 0:14:52.240
<v Speaker 3>And so I realized through that show. I was like,

0:14:52.320 --> 0:14:56.200
<v Speaker 3>I know all of these songs. I would not own

0:14:56.320 --> 0:14:59.280
<v Speaker 3>these songs is my kind of music. Yet you kind

0:14:59.280 --> 0:15:02.360
<v Speaker 3>of learned to love. So I became a fan of

0:15:02.400 --> 0:15:04.360
<v Speaker 3>her because of doing the show. It was one of

0:15:04.360 --> 0:15:07.520
<v Speaker 3>those things of like, I did a Karen Carpenter's parody show,

0:15:07.520 --> 0:15:10.160
<v Speaker 3>and I love Karen Carpenter. I was like, Karen Carpenter,

0:15:10.280 --> 0:15:14.800
<v Speaker 3>get out of here, grow up. But but now you're like, oh,

0:15:14.800 --> 0:15:17.320
<v Speaker 3>I love you know, I'm not afraid to admit I

0:15:17.320 --> 0:15:21.320
<v Speaker 3>can like, you know, kind of like sentimental grocery store music.

0:15:21.880 --> 0:15:24.680
<v Speaker 3>And and her voice is on Seline's voice is unbelievable,

0:15:24.760 --> 0:15:28.240
<v Speaker 3>and so it's Karen Carpenter's obviously, so yeah so and

0:15:28.280 --> 0:15:31.200
<v Speaker 3>then on top of it, with the all of her

0:15:31.280 --> 0:15:33.360
<v Speaker 3>health issues that she's had, it just makes you like

0:15:34.200 --> 0:15:37.200
<v Speaker 3>really see the human being that she is and you

0:15:37.280 --> 0:15:39.480
<v Speaker 3>love her, and you're like, thank god, I love my

0:15:39.520 --> 0:15:40.400
<v Speaker 3>starts to be weird.

0:15:40.720 --> 0:15:42.640
<v Speaker 2>Oh of course weird in a good way.

0:15:42.720 --> 0:15:45.640
<v Speaker 3>Absolutely, Barbara streisand is not weird enough.

0:15:46.200 --> 0:15:47.200
<v Speaker 2>She could breathe it all.

0:15:48.400 --> 0:15:50.360
<v Speaker 3>I'll say it. I want I want a weirdo.

0:15:50.680 --> 0:15:52.960
<v Speaker 2>Let's find out something. You have all of the resources

0:15:53.000 --> 0:15:54.720
<v Speaker 2>to be as strange as you possibly want.

0:15:54.960 --> 0:15:56.360
<v Speaker 3>Go for it, Go for it.

0:15:56.520 --> 0:15:57.120
<v Speaker 2>Be a freak.

0:15:57.360 --> 0:15:58.040
<v Speaker 3>Do it.

0:15:58.240 --> 0:16:00.000
<v Speaker 2>Please have something to hie.

0:16:00.120 --> 0:16:02.000
<v Speaker 3>The rest of us, go, oh my god, did you

0:16:02.120 --> 0:16:06.560
<v Speaker 3>see yes, of course, keep I'm guessing.

0:16:06.320 --> 0:16:08.560
<v Speaker 2>Yeah, I don't. I mean I again, I think I

0:16:08.600 --> 0:16:11.240
<v Speaker 2>do have memory issues because from the documentary, I remember

0:16:11.440 --> 0:16:15.120
<v Speaker 2>health issues. I remember her son's being strange in a

0:16:15.120 --> 0:16:18.200
<v Speaker 2>way where they were like drinking milkshakes all the time,

0:16:18.320 --> 0:16:23.240
<v Speaker 2>oh right, and being gamers, and then she's just kind

0:16:23.240 --> 0:16:26.840
<v Speaker 2>of trapped at least in the documentary in Las Vegas, right, which.

0:16:27.080 --> 0:16:29.360
<v Speaker 3>That would be my deal. That's my least favorite place

0:16:29.400 --> 0:16:29.800
<v Speaker 3>on earth.

0:16:29.880 --> 0:16:30.840
<v Speaker 2>I'd love to hear it.

0:16:31.040 --> 0:16:33.480
<v Speaker 3>I hate Las Vegas. Do you like Las Vegas?

0:16:33.520 --> 0:16:35.800
<v Speaker 2>I do not, and it's awful. I have to say,

0:16:35.840 --> 0:16:36.840
<v Speaker 2>you know, there are a lot I'm sure there are

0:16:36.840 --> 0:16:39.080
<v Speaker 2>a lot of wonderful people who love it and live there.

0:16:39.640 --> 0:16:42.240
<v Speaker 2>For me, I now cannot go back.

0:16:42.280 --> 0:16:44.160
<v Speaker 3>I have been to Old Vegas and I liked that.

0:16:44.280 --> 0:16:46.720
<v Speaker 3>Like the Old Vegas part is very cool and like

0:16:46.800 --> 0:16:50.240
<v Speaker 3>I can imagine that. But the New Vegas, the Strip,

0:16:50.360 --> 0:16:55.760
<v Speaker 3>it's literally everything terrible about America forced into this horrible,

0:16:56.720 --> 0:17:00.400
<v Speaker 3>just vein of filth, and it's and it's all always

0:17:00.960 --> 0:17:05.600
<v Speaker 3>so hot outside and so cold inside. It's loud, they

0:17:05.600 --> 0:17:10.080
<v Speaker 3>are people everywhere. It's decad it it's barbecue, pork chop,

0:17:10.160 --> 0:17:12.480
<v Speaker 3>margarita it's awful.

0:17:13.160 --> 0:17:14.600
<v Speaker 2>When was the last time you were there?

0:17:14.880 --> 0:17:18.960
<v Speaker 3>Yesterday? No? No, you know I have not been there

0:17:18.960 --> 0:17:21.719
<v Speaker 3>in years. I only go there when I have to.

0:17:21.840 --> 0:17:25.439
<v Speaker 3>My family used to take family trips there, and they

0:17:25.520 --> 0:17:26.879
<v Speaker 3>used to think it was so fun. We're gonna We're

0:17:26.880 --> 0:17:28.280
<v Speaker 3>gonna meet in Vegas, and they would fly all the

0:17:28.280 --> 0:17:30.400
<v Speaker 3>way from the Carolinas and then I would meet them

0:17:30.400 --> 0:17:32.720
<v Speaker 3>in Vegas and I was like, please, can I go

0:17:32.760 --> 0:17:35.680
<v Speaker 3>home to North Carolina. I'd actually rather, I mean, I

0:17:35.800 --> 0:17:40.120
<v Speaker 3>must rather be in North Carolina than than Las Vegas.

0:17:40.320 --> 0:17:43.880
<v Speaker 3>But I guess I had. I had a job there,

0:17:44.680 --> 0:17:47.240
<v Speaker 3>maybe ten or more years ago, and I remember getting

0:17:47.280 --> 0:17:50.600
<v Speaker 3>like a six am flight out of there, just gland

0:17:50.680 --> 0:17:52.760
<v Speaker 3>at six forty five am in LA I mean, like

0:17:52.800 --> 0:17:55.159
<v Speaker 3>I would take the earliest flight to get out of there.

0:17:55.200 --> 0:17:56.399
<v Speaker 3>I was like, nope, no more of this.

0:17:57.000 --> 0:17:59.640
<v Speaker 2>No, it is torture for me to be there. There's nothing,

0:17:59.640 --> 0:18:03.440
<v Speaker 2>There's zero appeal. You are seeing the absolute base of

0:18:03.520 --> 0:18:06.760
<v Speaker 2>human behavior, seeing people at their lowest.

0:18:06.600 --> 0:18:09.000
<v Speaker 3>Yes, and just the sadness of people like with the

0:18:09.040 --> 0:18:11.879
<v Speaker 3>sweaty cocktail and putting another quarter in the slot machine,

0:18:11.920 --> 0:18:14.719
<v Speaker 3>just being like my mortgage and you're just like this

0:18:14.880 --> 0:18:18.920
<v Speaker 3>is so dark and awful, and I just I when

0:18:18.960 --> 0:18:23.360
<v Speaker 3>I win mon I don't like gambling, I go okay,

0:18:23.880 --> 0:18:27.840
<v Speaker 3>like it doesn't do anything for me to win. I'm

0:18:27.840 --> 0:18:29.920
<v Speaker 3>that way with games too. I don't need to win games.

0:18:30.160 --> 0:18:34.800
<v Speaker 3>I'm going to in any setting. I'm going to a

0:18:34.840 --> 0:18:36.920
<v Speaker 3>game night tonight, and I pissed people off because I

0:18:36.960 --> 0:18:42.240
<v Speaker 3>don't care. Where's your competitive spirit. I'm like, I had

0:18:42.280 --> 0:18:44.560
<v Speaker 3>to let that die to do what I do for

0:18:44.640 --> 0:18:48.600
<v Speaker 3>a living, I had to not be competitive. So I

0:18:48.680 --> 0:18:50.479
<v Speaker 3>just don't enjoy. So that part of that I don't like.

0:18:50.840 --> 0:18:55.600
<v Speaker 3>The entertainment is, yeah, it's cats on ice, you know,

0:18:55.640 --> 0:19:00.399
<v Speaker 3>it's never anything like, I don't know, challenging.

0:19:00.520 --> 0:19:03.080
<v Speaker 2>Right, I mean, of course, now the thing is people

0:19:03.119 --> 0:19:04.600
<v Speaker 2>want to see the sphere.

0:19:05.920 --> 0:19:06.879
<v Speaker 3>That I would like to see that.

0:19:07.760 --> 0:19:09.240
<v Speaker 2>It's like, is it worth going there?

0:19:10.240 --> 0:19:15.679
<v Speaker 3>I'll I'll see it on the helicopter passed or exactly.

0:19:16.080 --> 0:19:18.320
<v Speaker 2>I guess I could make a road trip that simply

0:19:18.320 --> 0:19:21.320
<v Speaker 2>doesn't stop in Las Vegas. You just drive through, you

0:19:21.400 --> 0:19:22.520
<v Speaker 2>take a peek, you do that.

0:19:22.640 --> 0:19:24.680
<v Speaker 3>It's like Big Ben Parliament. And just.

0:19:26.359 --> 0:19:28.880
<v Speaker 2>Because none of the bands that they are scheduling there

0:19:28.960 --> 0:19:31.280
<v Speaker 2>haven't hold any interest for me. I don't need to

0:19:31.280 --> 0:19:35.000
<v Speaker 2>see you two and write three D or whatever we're

0:19:35.000 --> 0:19:35.560
<v Speaker 2>talking about.

0:19:35.600 --> 0:19:37.080
<v Speaker 3>No, I mean the bands have to be those kind

0:19:37.080 --> 0:19:37.600
<v Speaker 3>of bands, right.

0:19:37.560 --> 0:19:39.280
<v Speaker 2>Yeah, they have to be the biggest band. They have

0:19:39.320 --> 0:19:42.359
<v Speaker 2>to be like a an NFL halftime band, right, which

0:19:42.400 --> 0:19:46.200
<v Speaker 2>doesn't hold a lot of my attention, unfortunately. What sort

0:19:46.240 --> 0:19:47.440
<v Speaker 2>of games are you playing at game night?

0:19:48.080 --> 0:19:52.640
<v Speaker 3>I don't know, but these are intelligent, like like very

0:19:52.720 --> 0:19:55.040
<v Speaker 3>I mean, these are one of the people there is

0:19:55.040 --> 0:19:58.679
<v Speaker 3>like a producer and big brother oh the game creating

0:19:58.720 --> 0:20:00.440
<v Speaker 3>the games, and they really like have a sort of

0:20:00.560 --> 0:20:01.800
<v Speaker 3>you know, and you kind of get there, like I

0:20:01.800 --> 0:20:05.040
<v Speaker 3>don't know what world I'm walking into.

0:20:04.880 --> 0:20:06.240
<v Speaker 2>Tonight, cheese.

0:20:06.560 --> 0:20:08.520
<v Speaker 3>But there are games like celebrity that I'm usually very

0:20:08.520 --> 0:20:11.440
<v Speaker 3>good at, right, but I don't care, Like when I'm

0:20:11.440 --> 0:20:12.000
<v Speaker 3>like I don't.

0:20:11.960 --> 0:20:14.639
<v Speaker 2>That's kind of even worse when someone's good and they

0:20:14.640 --> 0:20:15.320
<v Speaker 2>don't care, I.

0:20:15.280 --> 0:20:18.360
<v Speaker 3>Know, they hate you. You're like and they're like, come on,

0:20:18.640 --> 0:20:20.160
<v Speaker 3>you don't even have to put it whatever. But I'm

0:20:20.240 --> 0:20:23.480
<v Speaker 3>terrible at most games, and I'm terrible at poker. So

0:20:23.520 --> 0:20:25.840
<v Speaker 3>when I randomly went a hand, like a clock's always

0:20:25.920 --> 0:20:27.200
<v Speaker 3>you know, right, a broken clock?

0:20:27.560 --> 0:20:30.360
<v Speaker 2>Is it always rites twice a day? That right?

0:20:30.480 --> 0:20:32.000
<v Speaker 3>Yes? Yes, which you know.

0:20:32.119 --> 0:20:34.600
<v Speaker 2>Yeah, I mean that's sort of gambling in general exact

0:20:34.600 --> 0:20:36.520
<v Speaker 2>because anyone can I know there's like.

0:20:36.480 --> 0:20:38.600
<v Speaker 3>A strategy to all of it, and I just don't care.

0:20:38.760 --> 0:20:41.240
<v Speaker 3>My brain doesn't cannot care enough.

0:20:42.119 --> 0:20:44.399
<v Speaker 2>The only one that I can like tolerate as far

0:20:44.440 --> 0:20:47.400
<v Speaker 2>as card games is black check because it's simple, it's

0:20:47.440 --> 0:20:48.160
<v Speaker 2>over pretty.

0:20:48.000 --> 0:20:50.960
<v Speaker 3>Quickly, right, and I've got to get to twenty one. Yes,

0:20:51.440 --> 0:20:53.520
<v Speaker 3>it's when you get sixteen and you're like, I don't

0:20:53.560 --> 0:20:54.760
<v Speaker 3>really know what should I do?

0:20:55.320 --> 0:20:56.640
<v Speaker 2>And ultimately who cares?

0:20:56.880 --> 0:20:57.560
<v Speaker 3>Who cares?

0:20:57.600 --> 0:20:59.840
<v Speaker 2>So we can just get through this? Yeah, but yeah,

0:20:59.840 --> 0:21:02.720
<v Speaker 2>I'm not a I mean, there's just Las Vegas. They're

0:21:02.720 --> 0:21:04.120
<v Speaker 2>gonna have to think of something new if they're going

0:21:04.119 --> 0:21:04.760
<v Speaker 2>to draw me in.

0:21:05.240 --> 0:21:08.639
<v Speaker 3>Thank you. I go there for a paycheck or maybe

0:21:08.680 --> 0:21:13.800
<v Speaker 3>a hug from mom.

0:21:14.000 --> 0:21:16.240
<v Speaker 2>Well, I think there's something else I hate that I'd

0:21:16.320 --> 0:21:16.879
<v Speaker 2>like to talk to you.

0:21:17.640 --> 0:21:18.400
<v Speaker 3>Let's get into it.

0:21:19.200 --> 0:21:22.640
<v Speaker 2>I was looking forward to having you here today, absolutely

0:21:22.880 --> 0:21:25.679
<v Speaker 2>thrilled to have Drew here. I thought we'll have a

0:21:25.720 --> 0:21:30.879
<v Speaker 2>wonderful conversation. Drew will go home ha. So you know

0:21:30.920 --> 0:21:33.199
<v Speaker 2>the podcast is called I said no gifts and so,

0:21:33.760 --> 0:21:35.760
<v Speaker 2>and I know there have been emails and I'm sure

0:21:36.200 --> 0:21:39.560
<v Speaker 2>hundreds of phone calls, and the title has been repeated

0:21:39.560 --> 0:21:42.520
<v Speaker 2>over and over too. Yeah, so it was a little

0:21:43.119 --> 0:21:44.840
<v Speaker 2>I'm just going to say disappointed today.

0:21:44.960 --> 0:21:45.600
<v Speaker 3>Sorry.

0:21:47.400 --> 0:21:51.080
<v Speaker 2>Yeah, you showed up holding what could not more clearly

0:21:51.240 --> 0:21:52.680
<v Speaker 2>be a gift for me.

0:21:54.760 --> 0:21:57.119
<v Speaker 3>I really wanted to give it to you. I am sorry.

0:21:57.160 --> 0:21:58.919
<v Speaker 3>I know, I just but you know what that thing

0:21:58.920 --> 0:22:01.439
<v Speaker 3>where people say no gifts they really want, that's what

0:22:01.480 --> 0:22:01.959
<v Speaker 3>they really mean.

0:22:02.200 --> 0:22:04.840
<v Speaker 2>I really want them, right, I mean because I don't

0:22:04.920 --> 0:22:07.000
<v Speaker 2>say for me, but people.

0:22:06.760 --> 0:22:10.359
<v Speaker 3>When I have parties, I don't say no gifts. And

0:22:10.400 --> 0:22:12.120
<v Speaker 3>then when I don't get a mic, what the fuck

0:22:12.240 --> 0:22:13.120
<v Speaker 3>I didn't give me a gift?

0:22:13.119 --> 0:22:14.080
<v Speaker 2>Do I have any real friends?

0:22:14.119 --> 0:22:16.240
<v Speaker 3>I'm like, no gifts please. That's like someone saying bring

0:22:16.400 --> 0:22:17.760
<v Speaker 3>bring me right. Yeah.

0:22:17.840 --> 0:22:19.080
<v Speaker 2>Yeah, I don't know that I would ever have an

0:22:19.080 --> 0:22:21.720
<v Speaker 2>invitation that said no gifts. What place in my life

0:22:21.720 --> 0:22:24.040
<v Speaker 2>do I have to get to where I'm no begging

0:22:24.040 --> 0:22:25.400
<v Speaker 2>people not to please don't.

0:22:25.200 --> 0:22:27.560
<v Speaker 3>Bring me anything. I need nothing, I need everything.

0:22:27.800 --> 0:22:29.480
<v Speaker 2>I'll take whatever you can get all of it.

0:22:29.920 --> 0:22:33.720
<v Speaker 3>Please. My place is just full of choch keys and

0:22:33.800 --> 0:22:37.520
<v Speaker 3>I need them all. But I hope you like this.

0:22:37.440 --> 0:22:38.720
<v Speaker 2>Well, yeah I should. I open it here on the

0:22:38.760 --> 0:22:40.320
<v Speaker 2>podcast Okay.

0:22:43.119 --> 0:22:46.359
<v Speaker 3>I know we should cancel our Amazon Prime subscriptions, but

0:22:46.720 --> 0:22:47.640
<v Speaker 3>get this on Amazon.

0:22:47.760 --> 0:22:50.000
<v Speaker 2>How do we get out of this Amazon truck we have?

0:22:50.119 --> 0:22:52.960
<v Speaker 3>There has to be a new, a new way.

0:22:52.840 --> 0:22:56.880
<v Speaker 2>Slightly less worse version of Amazon, right because Amazon kind

0:22:56.920 --> 0:22:59.679
<v Speaker 2>of for the longest time, Walmart was the place no

0:22:59.720 --> 0:23:02.160
<v Speaker 2>one goes to Walmart, right, and now Walmart almost seems

0:23:02.200 --> 0:23:02.680
<v Speaker 2>like a good guy.

0:23:02.840 --> 0:23:03.600
<v Speaker 3>Yes, totally.

0:23:04.760 --> 0:23:08.560
<v Speaker 2>So somebody that's just ten percent less horrible than Amazon

0:23:09.200 --> 0:23:12.159
<v Speaker 2>needs to trot in, I know, and give us an

0:23:12.160 --> 0:23:14.080
<v Speaker 2>opportunity to switch service.

0:23:13.840 --> 0:23:16.040
<v Speaker 3>So that we can just order things that we can't

0:23:16.280 --> 0:23:19.280
<v Speaker 3>because I I hope no one's given you this before,

0:23:19.440 --> 0:23:21.600
<v Speaker 3>but I didn't nowhere else to get it. I hope

0:23:21.640 --> 0:23:22.760
<v Speaker 3>you don't mind it.

0:23:23.080 --> 0:23:26.159
<v Speaker 2>Oh, you know, because I've been given several.

0:23:26.119 --> 0:23:28.119
<v Speaker 3>Oh my god, I love it. It's it's an adorable

0:23:28.240 --> 0:23:31.960
<v Speaker 3>like little like litterate, like a purloined little gun for

0:23:32.000 --> 0:23:33.840
<v Speaker 3>your for a little for a little coin purse. It

0:23:33.920 --> 0:23:37.040
<v Speaker 3>shoots one bullet at a time. That's all I need. Yeah,

0:23:37.119 --> 0:23:40.359
<v Speaker 3>just a few feet across. It makes a cute little

0:23:40.359 --> 0:23:41.360
<v Speaker 3>noise when you shoot it.

0:23:42.200 --> 0:23:45.280
<v Speaker 2>Okay, let me open this, Okay, let's see here. Take

0:23:45.320 --> 0:23:45.879
<v Speaker 2>two hands.

0:23:46.119 --> 0:23:57.520
<v Speaker 3>Okay, Oh, yeah, so it's supposed to also come gift wrapped.

0:23:57.600 --> 0:24:02.000
<v Speaker 3>I believe I believe it is, and there's a yeah, sure,

0:24:02.200 --> 0:24:04.879
<v Speaker 3>keep your gift a surprise. Let's so what does it

0:24:04.920 --> 0:24:05.360
<v Speaker 3>say here?

0:24:05.520 --> 0:24:07.320
<v Speaker 2>Let's see, I'm not gonna this seems to be just

0:24:07.359 --> 0:24:10.720
<v Speaker 2>the gift for seats or does that have a message

0:24:10.720 --> 0:24:11.040
<v Speaker 2>on it? Oh?

0:24:11.080 --> 0:24:12.600
<v Speaker 3>Yeah, it tells you what it is. It's a gift

0:24:12.640 --> 0:24:13.240
<v Speaker 3>for seat and.

0:24:13.560 --> 0:24:16.880
<v Speaker 2>This just says enjoy your gift from Drew DROGI Okay, okay, right,

0:24:17.080 --> 0:24:21.679
<v Speaker 2>very person obviously spent hours asked.

0:24:21.480 --> 0:24:24.440
<v Speaker 3>Him to say the most personal thing possible.

0:24:25.400 --> 0:24:30.960
<v Speaker 2>But okay, okay, now we're look at that beautiful, gorgeous?

0:24:30.960 --> 0:24:36.600
<v Speaker 3>How fun is that? See? Now you're happy? Now I'm

0:24:36.720 --> 0:24:38.600
<v Speaker 3>finally Now is there a gift? Is there a note

0:24:38.720 --> 0:24:39.480
<v Speaker 3>inside that?

0:24:40.000 --> 0:24:42.679
<v Speaker 2>Okay, now there's a there's the same message, but now

0:24:43.080 --> 0:24:47.040
<v Speaker 2>half printed. It says essentially, joy your gift.

0:24:47.000 --> 0:24:51.280
<v Speaker 3>Joy your gift from Drew from so see. Okay, so

0:24:51.440 --> 0:24:54.200
<v Speaker 3>I'm so glad that happened. Joy your gift. When I

0:24:54.440 --> 0:24:56.760
<v Speaker 3>was okay, so I spent before I moved to l A,

0:24:56.840 --> 0:25:00.520
<v Speaker 3>I spent a summer in Kentucky outdoor summer stock Wow,

0:25:00.960 --> 0:25:05.760
<v Speaker 3>and I need to get my entire theater resume I need. Yeah,

0:25:06.320 --> 0:25:11.000
<v Speaker 3>so storied and rich and textured. No, I was doing

0:25:11.119 --> 0:25:13.320
<v Speaker 3>and so after the shows we were doing Outroorth Theater.

0:25:13.440 --> 0:25:15.040
<v Speaker 3>It was so crazy. We had to stand in the

0:25:15.240 --> 0:25:17.760
<v Speaker 3>joyed at mine, go stand at the joy at mine?

0:25:17.920 --> 0:25:20.320
<v Speaker 3>What's so that you would stand in line and people

0:25:20.359 --> 0:25:22.159
<v Speaker 3>would won't go by and they would go joined it,

0:25:22.720 --> 0:25:26.280
<v Speaker 3>joyed it, joined it. And when people would push past you,

0:25:26.359 --> 0:25:27.360
<v Speaker 3>they would go, jout.

0:25:27.840 --> 0:25:28.600
<v Speaker 2>What does that mean?

0:25:28.720 --> 0:25:33.520
<v Speaker 3>Watch out? Watch out? Wow shout. And I'm from North Carolina,

0:25:33.600 --> 0:25:36.080
<v Speaker 3>but I did not understand Kentucky. Like that was a

0:25:36.440 --> 0:25:40.880
<v Speaker 3>new language for me. That's it was the Blue Ridge Mountains.

0:25:40.920 --> 0:25:43.680
<v Speaker 3>It was a very different joyed it, joyed it? What

0:25:43.840 --> 0:25:46.280
<v Speaker 3>was it? I'm really glad that joy your gifts.

0:25:46.680 --> 0:25:48.879
<v Speaker 2>Really come full circle? Yeah, your theater career.

0:25:50.359 --> 0:25:52.920
<v Speaker 3>Oh, it's just inside. It's just it's just a list

0:25:53.000 --> 0:25:57.280
<v Speaker 3>of all the shows I've done Arizona. You can order

0:25:57.320 --> 0:26:01.000
<v Speaker 3>on Amazon. It's very expensive and it's just a list

0:26:01.080 --> 0:26:02.200
<v Speaker 3>of all of all of my credit.

0:26:02.320 --> 0:26:07.520
<v Speaker 2>That's your new Amazon storefront. Air dropping them into people's homes. Okay,

0:26:07.600 --> 0:26:10.000
<v Speaker 2>let's open these bags that they put them in are

0:26:10.160 --> 0:26:13.480
<v Speaker 2>the toughest material on ours. This could be used in

0:26:13.520 --> 0:26:18.960
<v Speaker 2>the military. Yeah, okay, no, let's see here. I don't

0:26:19.000 --> 0:26:19.480
<v Speaker 2>need your help.

0:26:19.560 --> 0:26:20.320
<v Speaker 3>Oh I love it.

0:26:20.840 --> 0:26:22.040
<v Speaker 2>I like how strong I sai.

0:26:22.200 --> 0:26:25.200
<v Speaker 3>No, yes, not vocally weak at all anymore.

0:26:26.840 --> 0:26:30.520
<v Speaker 2>Okay, we're pulling it out here. Okay, it's oh and

0:26:30.600 --> 0:26:33.400
<v Speaker 2>then it's almost I don't need your help.

0:26:33.840 --> 0:26:36.560
<v Speaker 3>Okay again, I.

0:26:36.640 --> 0:26:37.560
<v Speaker 2>Did not expect more.

0:26:37.920 --> 0:26:43.080
<v Speaker 3>My god, it's a Russian doll. Keep going, that looks okay.

0:26:43.520 --> 0:26:46.000
<v Speaker 3>I wishers video like who wraps that? Like someone in

0:26:46.040 --> 0:26:49.200
<v Speaker 3>a factor was like it's slapping band aids on just

0:26:49.320 --> 0:26:53.040
<v Speaker 3>like blue tissue paper. It's still happening more.

0:26:52.880 --> 0:26:54.119
<v Speaker 2>Band aids than necessary.

0:26:54.359 --> 0:26:58.560
<v Speaker 3>Yeah, it really seems angrily wrapping. I mean it's done

0:26:59.600 --> 0:27:03.800
<v Speaker 3>with their day. Francis Random Dorman, Oh my god, we

0:27:03.960 --> 0:27:04.840
<v Speaker 3>literally the same thing.

0:27:05.520 --> 0:27:08.800
<v Speaker 2>Yeah, that movie I had a lot of complicated feelings about.

0:27:08.880 --> 0:27:11.359
<v Speaker 3>Yeah, same, but I also maybe haven't related to a

0:27:11.440 --> 0:27:13.680
<v Speaker 3>lead character as much. At the end, I was like,

0:27:13.760 --> 0:27:16.399
<v Speaker 3>oh am, I hurt. I'm fine with that.

0:27:17.200 --> 0:27:18.280
<v Speaker 2>Was it an Amazon ad?

0:27:19.640 --> 0:27:19.880
<v Speaker 3>Yeah?

0:27:20.720 --> 0:27:26.240
<v Speaker 2>It felt not against it enough. Felt it felt like

0:27:26.280 --> 0:27:29.760
<v Speaker 2>it took such a neutral look at Amazon.

0:27:30.560 --> 0:27:32.480
<v Speaker 3>Really liked it because I think it was I was

0:27:32.560 --> 0:27:35.399
<v Speaker 3>like just happy that like somebody who was like a

0:27:35.560 --> 0:27:39.600
<v Speaker 3>drifter who was like, I'm a I'm a traveler all that,

0:27:40.000 --> 0:27:41.840
<v Speaker 3>and it gave a lot of love to that. I

0:27:41.880 --> 0:27:43.920
<v Speaker 3>didn't feel sorry for her in any way. Yes, which

0:27:43.920 --> 0:27:45.560
<v Speaker 3>I thought was really great, and I thought she was

0:27:45.640 --> 0:27:48.359
<v Speaker 3>fantastic in it, and and I really liked the like

0:27:48.520 --> 0:27:51.040
<v Speaker 3>kind of the documentary feel of it.

0:27:51.119 --> 0:27:54.120
<v Speaker 2>All these are all ems wanted to see one person

0:27:54.200 --> 0:27:56.000
<v Speaker 2>have to, you know, pee in a bottle or something,

0:27:56.160 --> 0:27:56.800
<v Speaker 2>just the truth.

0:27:57.240 --> 0:27:59.359
<v Speaker 3>Oh, but you so like the shitting in the bucket

0:27:59.400 --> 0:28:02.600
<v Speaker 3>didn't count. She shits in a buck yes, I can't

0:28:02.680 --> 0:28:06.280
<v Speaker 3>memory specifically pee in a bottle, but she does ship

0:28:06.400 --> 0:28:09.080
<v Speaker 3>in a bus while at work, No, while in her

0:28:09.280 --> 0:28:11.960
<v Speaker 3>while in her in her van van.

0:28:12.160 --> 0:28:14.879
<v Speaker 2>Okay, I wanted to see her ship in a bucket

0:28:14.960 --> 0:28:17.560
<v Speaker 2>in the Amazon warehouse. Oh, okay, because I'm sure that's

0:28:17.600 --> 0:28:19.680
<v Speaker 2>had to happen. Oh, I'm probably the person who wrapped this.

0:28:20.000 --> 0:28:22.520
<v Speaker 3>Well keep ground wrapping. You know, I have no you

0:28:22.600 --> 0:28:26.440
<v Speaker 3>have no idea what you're going to get? Okay, I

0:28:26.520 --> 0:28:33.520
<v Speaker 3>wish I Okay, Now it's in this box another boxes.

0:28:33.720 --> 0:28:36.520
<v Speaker 2>Tell you what it is. It's has tech deaths.

0:28:36.880 --> 0:28:41.000
<v Speaker 3>Yes, yes, it's an ass tech death whistle. And have

0:28:41.120 --> 0:28:43.880
<v Speaker 3>you ever heard this before. I've only heard this online

0:28:43.920 --> 0:28:45.880
<v Speaker 3>and it makes the most incredible noise. It's a very

0:28:46.000 --> 0:28:48.600
<v Speaker 3>upsetting noise that it makes, and it's apposed to like

0:28:48.680 --> 0:28:51.960
<v Speaker 3>ward off enemies, as texts used it. I should have

0:28:52.080 --> 0:28:54.400
<v Speaker 3>actually done research before I came on this, because I

0:28:54.440 --> 0:28:56.880
<v Speaker 3>knew what I was giving you, but I dont real

0:28:56.920 --> 0:28:58.200
<v Speaker 3>thing about it. I don't even know if this is

0:28:58.240 --> 0:29:00.400
<v Speaker 3>going to work at all, but it makes a really

0:29:00.920 --> 0:29:03.600
<v Speaker 3>wonderful upsetting noise and it words off evil spirits.

0:29:03.680 --> 0:29:05.960
<v Speaker 2>Oh my god, I'm going to carry this in my bag.

0:29:06.160 --> 0:29:09.760
<v Speaker 3>Yes, as you should. It's better than a gun. So

0:29:10.000 --> 0:29:12.040
<v Speaker 3>now I think you just blow into the top of it.

0:29:13.040 --> 0:29:15.479
<v Speaker 2>Okay, Yeah, we'll get a little further away for now.

0:29:17.720 --> 0:29:20.560
<v Speaker 2>Like here on elys is directing the death with oh

0:29:20.600 --> 0:29:29.680
<v Speaker 2>my god. Okay, that's what we played throughout the episode.

0:29:29.800 --> 0:29:34.080
<v Speaker 3>Yeah, absolutely, anything, just like you need it, Like I

0:29:34.240 --> 0:29:36.560
<v Speaker 3>just feel like, I'm so want to scream right now

0:29:36.600 --> 0:29:39.480
<v Speaker 3>in the world. It's I get I give you that.

0:29:39.560 --> 0:29:41.600
<v Speaker 3>It's like a it's like a one are those things

0:29:41.640 --> 0:29:42.080
<v Speaker 3>you just you.

0:29:42.280 --> 0:29:45.240
<v Speaker 2>Like a stress ball, It's like a screaming into a towel.

0:29:45.520 --> 0:29:47.800
<v Speaker 3>Scream into a towel. Does screaming for you? You just

0:29:47.880 --> 0:29:50.720
<v Speaker 3>have to blow into it and it just it it.

0:29:51.440 --> 0:29:53.760
<v Speaker 2>I was recently thinking should I start a TikTok where

0:29:53.760 --> 0:29:56.760
<v Speaker 2>every video is just me screaming into a different substance

0:29:56.880 --> 0:30:00.800
<v Speaker 2>or towel or whatever. Here's a thousand eat a thousand

0:30:00.920 --> 0:30:05.680
<v Speaker 2>count sheets or whatever, because that's the feeling all the time, right,

0:30:05.840 --> 0:30:07.960
<v Speaker 2>just scream how it feels to scream into this. Let

0:30:08.040 --> 0:30:15.040
<v Speaker 2>me but now we should probably alert the listener every

0:30:15.080 --> 0:30:15.800
<v Speaker 2>time I'm about.

0:30:15.640 --> 0:30:18.360
<v Speaker 3>Yeah, trigger warning. It's it's really deeply.

0:30:18.280 --> 0:30:20.640
<v Speaker 2>You feel like I'm hitting it the note correctly.

0:30:21.680 --> 0:30:24.640
<v Speaker 3>Let me see, I will not. Okay, I think that's

0:30:24.680 --> 0:30:25.520
<v Speaker 3>all you can do, right.

0:30:25.800 --> 0:30:27.280
<v Speaker 2>I just want to make sure I'm getting the perfect

0:30:27.400 --> 0:30:30.160
<v Speaker 2>note out of this death whistle because I'm.

0:30:30.040 --> 0:30:31.880
<v Speaker 3>Sure saying, see if you can hum into and see

0:30:31.920 --> 0:30:32.440
<v Speaker 3>that changes it?

0:30:34.080 --> 0:30:34.440
<v Speaker 1>Hmmm?

0:30:35.080 --> 0:30:35.320
<v Speaker 3>Are you.

0:30:38.280 --> 0:30:42.800
<v Speaker 2>Perfect? See it either does or.

0:30:46.200 --> 0:30:46.680
<v Speaker 3>Choices.

0:30:47.040 --> 0:30:50.440
<v Speaker 2>That's the tech life whistle. I just want to keep

0:30:50.440 --> 0:30:51.720
<v Speaker 2>blowing this, and I know this has got to be

0:30:52.080 --> 0:30:53.400
<v Speaker 2>excruciating for a listener.

0:30:53.680 --> 0:30:59.960
<v Speaker 3>Yeah, I love that. Punish them for making the choice

0:31:00.040 --> 0:31:02.920
<v Speaker 3>to listen to this, Like, oh my god, what am I.

0:31:03.000 --> 0:31:05.640
<v Speaker 2>Doing with my life? Yeah, I've got to get it together.

0:31:05.840 --> 0:31:09.120
<v Speaker 3>Hurt them. Wow, So no one's giving you this before.

0:31:09.240 --> 0:31:11.400
<v Speaker 2>This has never been on the pot. Okay, good, okay good,

0:31:11.520 --> 0:31:13.640
<v Speaker 2>But probably every gift from now on will be a death.

0:31:13.920 --> 0:31:15.920
<v Speaker 3>So I hope this just sets off a whole like

0:31:16.040 --> 0:31:18.480
<v Speaker 3>death whistle chain, because I know you've done this show

0:31:18.520 --> 0:31:20.320
<v Speaker 3>for a while and I was like, I didn't you know.

0:31:20.560 --> 0:31:24.720
<v Speaker 3>I wanted to make sure this is unbelievable. I'm so happy.

0:31:24.840 --> 0:31:27.520
<v Speaker 2>It really is a stress reliever. Yeah, I'm like, I've

0:31:27.600 --> 0:31:31.160
<v Speaker 2>released so much already. How did you learn about this?

0:31:31.520 --> 0:31:33.920
<v Speaker 3>I saw it online. I saw something and the noise

0:31:33.960 --> 0:31:35.640
<v Speaker 3>made me laugh because it was just like this thing

0:31:35.960 --> 0:31:37.840
<v Speaker 3>and people would just say it was like this, really,

0:31:38.840 --> 0:31:41.600
<v Speaker 3>it's this primal, upsetting noise that you would hear it,

0:31:42.440 --> 0:31:47.400
<v Speaker 3>and yes, exactly, dear right, just like bread just sort

0:31:47.440 --> 0:31:49.840
<v Speaker 3>of it words off evil spirits and do you.

0:31:49.880 --> 0:31:50.560
<v Speaker 2>Have one of your own?

0:31:50.840 --> 0:31:53.320
<v Speaker 3>No, But now I need to you're so jealous. I know,

0:31:53.640 --> 0:31:55.160
<v Speaker 3>I know I'm going to find a way to steal that.

0:31:59.200 --> 0:32:02.360
<v Speaker 2>The only thing that's missing as my death was, and they.

0:32:02.320 --> 0:32:03.880
<v Speaker 3>We're gonna see it. I'm gonna be doing a recording

0:32:03.880 --> 0:32:06.400
<v Speaker 3>of something else you're gonna see at the background like

0:32:06.600 --> 0:32:07.640
<v Speaker 3>that mother fuck.

0:32:08.680 --> 0:32:10.280
<v Speaker 2>That's like a nine part docu series.

0:32:10.400 --> 0:32:13.000
<v Speaker 3>Yes, exactly. I mean I think it's a good I

0:32:13.040 --> 0:32:14.160
<v Speaker 3>think it's a good thing to have.

0:32:14.400 --> 0:32:15.800
<v Speaker 2>I hope it's a good I think this is a

0:32:15.880 --> 0:32:16.480
<v Speaker 2>good thing to have.

0:32:16.800 --> 0:32:19.479
<v Speaker 3>I not like a like the have you seen Trilogy

0:32:19.520 --> 0:32:20.640
<v Speaker 3>of Terror? Have you seen that movie?

0:32:20.760 --> 0:32:20.800
<v Speaker 1>No?

0:32:20.920 --> 0:32:21.200
<v Speaker 2>What's this?

0:32:22.000 --> 0:32:24.040
<v Speaker 3>Oh my god? Okay, so it was. It was a

0:32:24.840 --> 0:32:28.040
<v Speaker 3>TV movie that came out in the seventies with Karen Black,

0:32:28.440 --> 0:32:32.240
<v Speaker 3>who was like huge star years ago. She's Oscar. I mean,

0:32:32.320 --> 0:32:34.680
<v Speaker 3>she was amazing at her She did a TV movie.

0:32:34.800 --> 0:32:37.239
<v Speaker 3>It was. It was three short films. She plays four

0:32:37.360 --> 0:32:40.120
<v Speaker 3>characters in the movie because there's one for she plays twins. Okay,

0:32:40.400 --> 0:32:42.680
<v Speaker 3>no one remembers the first two movies, the first two shorts.

0:32:42.760 --> 0:32:48.000
<v Speaker 3>The third short is a legendary and truly terrifying piece

0:32:48.040 --> 0:32:50.160
<v Speaker 3>about a woman who gets a zooni fetish doll, that's

0:32:50.200 --> 0:32:54.160
<v Speaker 3>what they call it. I'm sure very problematic, this white

0:32:54.200 --> 0:32:57.800
<v Speaker 3>woman getting this African doll that has that's literally a

0:32:57.880 --> 0:33:01.280
<v Speaker 3>problem that she pulls it out of her I think

0:33:01.320 --> 0:33:03.000
<v Speaker 3>she could to get it from her mother. She's on

0:33:03.080 --> 0:33:05.160
<v Speaker 3>a phone call, she's in the bathtub, and they're like,

0:33:05.240 --> 0:33:07.680
<v Speaker 3>whatever you do, don't let the doll's belt fall off.

0:33:08.120 --> 0:33:09.600
<v Speaker 3>Because then all hell breaks.

0:33:09.360 --> 0:33:11.960
<v Speaker 2>Loose its successories exactly.

0:33:13.000 --> 0:33:17.880
<v Speaker 3>Don't make it nude. And so she's in the bathtub.

0:33:18.280 --> 0:33:19.920
<v Speaker 3>All of a sudden, doll just standing there and the

0:33:20.040 --> 0:33:23.320
<v Speaker 3>belt just falls off. Next thing you know, that doll

0:33:23.440 --> 0:33:26.440
<v Speaker 3>is chasing her around her apartment. She's throwing it in

0:33:26.520 --> 0:33:29.120
<v Speaker 3>the oven. She is screaming. It's from the doll's point

0:33:29.120 --> 0:33:33.640
<v Speaker 3>of view. It's growling, it's stabbing at her. It's absolutely

0:33:33.760 --> 0:33:36.600
<v Speaker 3>it's so it's like a thirty minute long Don't watch

0:33:36.640 --> 0:33:40.640
<v Speaker 3>the first two films, watch the third and trilogy of Terror. Everyone,

0:33:40.760 --> 0:33:42.680
<v Speaker 3>I'm telling you, I highly recommend it is.

0:33:42.720 --> 0:33:46.480
<v Speaker 2>The doll done through stop motion, Yes, okay.

0:33:46.360 --> 0:33:47.800
<v Speaker 3>A lot of it is from the point of view

0:33:47.840 --> 0:33:50.520
<v Speaker 3>of the doll, so you're just seeing like you're just

0:33:50.640 --> 0:33:53.440
<v Speaker 3>seeing this, like these arms and stabbing at her and

0:33:53.520 --> 0:33:56.640
<v Speaker 3>she's on the ground screaming. But it's really upsetting.

0:33:56.800 --> 0:33:58.120
<v Speaker 2>This feels so up your house.

0:33:58.200 --> 0:33:59.880
<v Speaker 3>Oh I love it, but I love Child's Play all

0:34:00.040 --> 0:34:02.640
<v Speaker 3>so like the original Child's Play, it is genuinely scary.

0:34:03.080 --> 0:34:03.800
<v Speaker 2>I've never seen.

0:34:03.880 --> 0:34:06.640
<v Speaker 3>Oh it's great, it's great. You don't think that, like,

0:34:06.840 --> 0:34:09.120
<v Speaker 3>oh little dolls. Can I be scary? Nothing wrong?

0:34:09.800 --> 0:34:13.120
<v Speaker 2>Can we get a visual on Trilogy of Terror, on

0:34:13.239 --> 0:34:15.839
<v Speaker 2>this doll in particular, I really just want to visualize

0:34:15.880 --> 0:34:20.000
<v Speaker 2>what's happening. I do feel like seventies and maybe early

0:34:20.120 --> 0:34:22.880
<v Speaker 2>eighties is shocked already.

0:34:23.120 --> 0:34:25.920
<v Speaker 3>It's shocking. This is probably shocking.

0:34:27.400 --> 0:34:32.239
<v Speaker 2>Yeah, yeah, oh, I feel like seventies and oh let's

0:34:32.239 --> 0:34:32.520
<v Speaker 2>see here.

0:34:33.160 --> 0:34:36.760
<v Speaker 3>Oh oh yeah it is, yes, exactly.

0:34:37.040 --> 0:34:38.120
<v Speaker 2>It's got a massive head.

0:34:38.239 --> 0:34:41.719
<v Speaker 3>Oh and just teeth and just and lips like full lipsticks.

0:34:41.800 --> 0:34:44.000
<v Speaker 2>This is not I mean, this is a problematic creature.

0:34:44.160 --> 0:34:45.800
<v Speaker 3>Yeah. Full Kelly and Conway.

0:34:47.280 --> 0:34:49.600
<v Speaker 2>You know, just where's Kelly.

0:34:50.440 --> 0:34:54.359
<v Speaker 3>She's a she's a warrior dog. She's a fun little doll.

0:34:54.520 --> 0:34:57.719
<v Speaker 3>Just don't take her belt off. She'll come for you.

0:35:00.280 --> 0:35:04.920
<v Speaker 2>To be stocks around your house by Kelleyhan conflict Hell true,

0:35:04.960 --> 0:35:07.440
<v Speaker 2>hell true, Hell No. What I was going to say

0:35:07.480 --> 0:35:10.440
<v Speaker 2>is like, I feel like seventies and eighties TV horror

0:35:10.719 --> 0:35:13.920
<v Speaker 2>is almost scarier than horror in the movies from those decades.

0:35:13.920 --> 0:35:17.640
<v Speaker 3>Oh yeah, because it's like you listened to Sam Pancakes podcast. Yes,

0:35:18.080 --> 0:35:22.560
<v Speaker 3>he's a great podcast called Sam Pancake Presents the Monday

0:35:22.600 --> 0:35:24.800
<v Speaker 3>Afternoon Movie. I'm the horrible, like dear friend of it.

0:35:25.040 --> 0:35:27.920
<v Speaker 3>It's about he does the TV movies from the seventies

0:35:27.960 --> 0:35:30.480
<v Speaker 3>and eighties. Okay, oh fantastic, and I've done it a

0:35:30.520 --> 0:35:32.839
<v Speaker 3>few times. It's so much fun you watch a really

0:35:32.920 --> 0:35:35.640
<v Speaker 3>obscure movie. But there were so many TV and it's

0:35:35.680 --> 0:35:40.359
<v Speaker 3>specifically TV movies right from that decade what is it movie?

0:35:40.400 --> 0:35:43.080
<v Speaker 3>And they're usually horror, and they're and they're horrible like

0:35:43.719 --> 0:35:45.560
<v Speaker 3>and they tie things up in the whatever amount of

0:35:45.600 --> 0:35:48.400
<v Speaker 3>time they have, right, And I know, but it was

0:35:48.760 --> 0:35:51.320
<v Speaker 3>But also that's a thing too, I think for because

0:35:51.320 --> 0:35:53.040
<v Speaker 3>even as like a kid, I mean I grew up

0:35:53.040 --> 0:35:54.960
<v Speaker 3>in the eighties and I would watch those things and

0:35:55.040 --> 0:35:57.600
<v Speaker 3>they were on TV in the you know, in the

0:35:57.600 --> 0:36:00.800
<v Speaker 3>middle of the day, were terrifying. I think about like

0:36:00.880 --> 0:36:02.840
<v Speaker 3>I would come home from school and on HBO in

0:36:02.880 --> 0:36:07.480
<v Speaker 3>the middle of the day would be Kujo and Mommy Darrist,

0:36:08.080 --> 0:36:10.680
<v Speaker 3>which I still call a horror movie because I was

0:36:10.719 --> 0:36:12.360
<v Speaker 3>a child and that movie's on TV every day, and

0:36:12.400 --> 0:36:13.680
<v Speaker 3>it was terrified.

0:36:13.760 --> 0:36:14.920
<v Speaker 2>That would scare the light.

0:36:15.040 --> 0:36:17.920
<v Speaker 3>It was so scary. And I loved horror. I love thriller,

0:36:17.960 --> 0:36:19.759
<v Speaker 3>I love Nightmare and elm Street, I love all of

0:36:19.840 --> 0:36:22.520
<v Speaker 3>that stuff. But there were some of those that when

0:36:22.520 --> 0:36:25.040
<v Speaker 3>they would feel like they were real, right, there was

0:36:25.080 --> 0:36:28.839
<v Speaker 3>like there was a document and sometimes when that when

0:36:28.840 --> 0:36:32.040
<v Speaker 3>they weren't scored properly, they were more up, they were

0:36:32.040 --> 0:36:34.760
<v Speaker 3>more upsetting. You were just like, why this is happening

0:36:36.160 --> 0:36:37.800
<v Speaker 3>where it's like a movie. It's like, oh, this is

0:36:37.840 --> 0:36:39.440
<v Speaker 3>a movie and it's bump up on and you know

0:36:39.480 --> 0:36:41.640
<v Speaker 3>the bad guy's coming. But some of those, like really

0:36:41.760 --> 0:36:43.040
<v Speaker 3>cheap ones were just sort of like.

0:36:44.840 --> 0:36:46.799
<v Speaker 2>They don't have the budgets to tell you when it's

0:36:46.800 --> 0:36:49.040
<v Speaker 2>coming now, so you're it was just sort of like,

0:36:49.200 --> 0:36:51.279
<v Speaker 2>oh my god, and mommy dear, is just the idea

0:36:51.280 --> 0:36:54.800
<v Speaker 2>of having a scary mother figure screaming and having.

0:36:54.800 --> 0:36:56.399
<v Speaker 3>Cutting the hair scene. I know where I talking about

0:36:56.400 --> 0:36:58.520
<v Speaker 3>the wire hangers and all this stuff like that, but

0:36:59.200 --> 0:37:03.280
<v Speaker 3>when she chops off Christina's hair, Oh, it's really upsetting.

0:37:03.360 --> 0:37:04.200
<v Speaker 3>It's very upsetting.

0:37:04.440 --> 0:37:07.000
<v Speaker 2>I mean, to have that happen to you, to have

0:37:07.080 --> 0:37:09.760
<v Speaker 2>your my mom even tried to get into the hair character.

0:37:09.880 --> 0:37:14.439
<v Speaker 3>Now, I know, thank you, she's not cut out, not literally.

0:37:14.920 --> 0:37:22.160
<v Speaker 2>Literally thank you. Yeah. I feel like I just recently

0:37:22.280 --> 0:37:24.879
<v Speaker 2>watched one of these movies. I love a haunted house movie,

0:37:24.920 --> 0:37:27.040
<v Speaker 2>and there's a few of them, but I found a

0:37:27.719 --> 0:37:29.359
<v Speaker 2>I wish I could remember. It was a seventies TV

0:37:29.480 --> 0:37:31.399
<v Speaker 2>movie where these people moved into what was I think

0:37:31.440 --> 0:37:33.920
<v Speaker 2>even they acknowledged was a cursed home and then just

0:37:34.000 --> 0:37:34.920
<v Speaker 2>tried to make a go of it.

0:37:35.120 --> 0:37:37.800
<v Speaker 3>Oh, I think I know what you're talking about. And

0:37:39.880 --> 0:37:42.759
<v Speaker 3>a famous for this in the seventies woman was the

0:37:43.080 --> 0:37:45.000
<v Speaker 3>mother in it. Believe in it, But I don't remember.

0:37:45.080 --> 0:37:46.040
<v Speaker 3>But There's in a Basement?

0:37:46.480 --> 0:37:50.040
<v Speaker 2>Yeah, smiliar. Yeah, yeah, I mean, this is a good

0:37:50.080 --> 0:37:51.560
<v Speaker 2>thing to bring up on a podcast.

0:37:52.320 --> 0:37:54.360
<v Speaker 3>I don't know, And I think it's is it that

0:37:54.520 --> 0:37:58.839
<v Speaker 3>one where oh her? And then oh god?

0:37:59.080 --> 0:37:59.239
<v Speaker 2>Right?

0:37:59.520 --> 0:38:01.759
<v Speaker 3>And should we spoiled it?

0:38:03.719 --> 0:38:05.480
<v Speaker 2>What's the scariest movie you've ever seen?

0:38:07.120 --> 0:38:10.360
<v Speaker 3>I okay, so immediately I think about my mom and

0:38:10.440 --> 0:38:12.560
<v Speaker 3>I love scary movies, and we would go to the

0:38:12.600 --> 0:38:17.000
<v Speaker 3>movies a lot growing up, and I remember going just

0:38:17.040 --> 0:38:18.640
<v Speaker 3>being like, let's go. It was like a nine to

0:38:18.760 --> 0:38:21.640
<v Speaker 3>thirty on a week night. Right when it had opened,

0:38:21.760 --> 0:38:23.000
<v Speaker 3>we saw Silence of the Lambs.

0:38:23.000 --> 0:38:23.600
<v Speaker 2>Oh my god.

0:38:23.800 --> 0:38:26.600
<v Speaker 3>That was because we were just preparing for like this

0:38:26.760 --> 0:38:30.560
<v Speaker 3>kind of a spooky and having no idea how genuinely terrifying.

0:38:30.560 --> 0:38:33.319
<v Speaker 3>That's the scariest I've ever been in a theater watching

0:38:33.400 --> 0:38:35.440
<v Speaker 3>that movie. And that movie still is very effective and

0:38:35.600 --> 0:38:39.920
<v Speaker 3>very disturbing to me. I'm I think Rednecks in the

0:38:39.960 --> 0:38:43.000
<v Speaker 3>Woods are really scary, like Texas chains Lamask a Wrong Turn,

0:38:44.560 --> 0:38:47.160
<v Speaker 3>All Wrong Turns Eliza Dushkoup And it's actually a really

0:38:47.239 --> 0:38:51.440
<v Speaker 3>great nineties early two thousands, Like Red Next it's actually

0:38:51.560 --> 0:38:54.239
<v Speaker 3>really really scary and great. I love it. But it's

0:38:54.920 --> 0:38:59.000
<v Speaker 3>those movies are scarier to me than like zombies or

0:38:59.440 --> 0:39:02.080
<v Speaker 3>alien or things like that. Right when it's like, oh,

0:39:02.120 --> 0:39:03.000
<v Speaker 3>that could really happen.

0:39:03.320 --> 0:39:04.760
<v Speaker 2>That's exactly I feel.

0:39:05.160 --> 0:39:07.200
<v Speaker 3>That's really really scary to me. And I also just

0:39:07.239 --> 0:39:08.600
<v Speaker 3>growing up in the South, I think you just.

0:39:08.680 --> 0:39:11.120
<v Speaker 2>Kind of are scared of, like, oh, yeah, that's they

0:39:11.160 --> 0:39:11.440
<v Speaker 2>could be.

0:39:11.680 --> 0:39:13.759
<v Speaker 3>Oh at any moment, Like cities don't scare me, like

0:39:13.800 --> 0:39:14.640
<v Speaker 3>country scares me.

0:39:15.120 --> 0:39:17.319
<v Speaker 2>Yeah, that makes a lot of sense. And the wrong

0:39:17.360 --> 0:39:19.040
<v Speaker 2>turn they're just trying to go on a nice vacation.

0:39:19.239 --> 0:39:22.279
<v Speaker 3>Yeah, and they take the wrong turn. Little do you

0:39:22.440 --> 0:39:27.120
<v Speaker 3>know they're hunted by these Yeah, for a purpose. Sure,

0:39:28.040 --> 0:39:33.640
<v Speaker 3>lunch Hills have Eyes as another good one. And yeah,

0:39:33.640 --> 0:39:35.359
<v Speaker 3>there's always a lot of those that are.

0:39:35.280 --> 0:39:38.680
<v Speaker 2>Just sort of like you know, I just watch the

0:39:38.840 --> 0:39:40.440
<v Speaker 2>Zodiac documentary. Have you seen this?

0:39:42.320 --> 0:39:43.279
<v Speaker 3>Oh? Yeah, I have not seen it.

0:39:43.480 --> 0:39:45.560
<v Speaker 2>No, It was scary initially, and then I started to

0:39:45.600 --> 0:39:48.480
<v Speaker 2>feel like these people are telling their story that they

0:39:48.960 --> 0:39:51.919
<v Speaker 2>think that they basically lived with the zodiac. Oh okay,

0:39:52.120 --> 0:39:54.800
<v Speaker 2>started to feel a little. I became skeptical.

0:39:55.000 --> 0:39:58.640
<v Speaker 3>Uh huh, I understand. I love that movie. That's the

0:39:58.680 --> 0:40:02.960
<v Speaker 3>movies believe, but that's really about the world around it

0:40:03.080 --> 0:40:05.520
<v Speaker 3>because no one ever really knew who he was. I

0:40:05.600 --> 0:40:08.160
<v Speaker 3>kne who the actual killer was, and so that made

0:40:08.160 --> 0:40:10.839
<v Speaker 3>it even more disturbing when you go into it knowing

0:40:11.000 --> 0:40:12.200
<v Speaker 3>like they're not going to find.

0:40:12.080 --> 0:40:13.879
<v Speaker 2>Him because he's still out there.

0:40:14.160 --> 0:40:17.400
<v Speaker 3>Yes, wasn't there that people thinking that Ted Cruz was

0:40:17.440 --> 0:40:20.960
<v Speaker 3>the Zodio, which literally makes no sense because Ted Cruise

0:40:21.040 --> 0:40:24.760
<v Speaker 3>is younger than me or my age. It's a crazy disturbing.

0:40:24.440 --> 0:40:26.920
<v Speaker 2>Number with Ted Cruise is he's probably twenty eight.

0:40:29.239 --> 0:40:32.239
<v Speaker 3>Age, he's my age, and no, but I you know,

0:40:32.280 --> 0:40:34.719
<v Speaker 3>you're the numbers, and it's sort of like, oh, well

0:40:34.760 --> 0:40:36.040
<v Speaker 3>then no, it's obviously not.

0:40:36.440 --> 0:40:38.239
<v Speaker 2>Yeah, I mean even that, I just don't like him

0:40:38.280 --> 0:40:41.800
<v Speaker 2>getting any attention on my agree negative or positive. I

0:40:41.920 --> 0:40:44.640
<v Speaker 2>just want him to fall into a swamp and no

0:40:44.719 --> 0:40:48.280
<v Speaker 2>one ever knows. He's just vanishes from society and we can't.

0:40:48.120 --> 0:40:49.879
<v Speaker 3>Wait for that to happen to a lot of people.

0:40:50.200 --> 0:40:52.200
<v Speaker 3>I mean, that's what's going to have to happen.

0:40:52.960 --> 0:40:53.200
<v Speaker 2>True.

0:40:53.360 --> 0:40:56.239
<v Speaker 3>At this point, we scream into our death mask and

0:40:56.480 --> 0:41:03.600
<v Speaker 3>just hope for swamps, you know, Hope for Swamps, my

0:41:03.760 --> 0:41:06.840
<v Speaker 3>favorite Oprah book Club book, Hope for Swamps.

0:41:09.040 --> 0:41:11.279
<v Speaker 2>Do we know exactly what this is supposed to do?

0:41:11.480 --> 0:41:12.480
<v Speaker 2>Is it supposed to ward off?

0:41:12.640 --> 0:41:14.719
<v Speaker 3>Is it's supposed to ward off? I hope it's not

0:41:14.840 --> 0:41:16.280
<v Speaker 3>to like invite, invite.

0:41:17.840 --> 0:41:23.160
<v Speaker 2>My life just craters after this, Like sure, let's go,

0:41:23.520 --> 0:41:28.800
<v Speaker 2>Like well, I'm just great, just drive off. Listening to

0:41:28.920 --> 0:41:29.759
<v Speaker 2>Karen Carpon, I.

0:41:31.480 --> 0:41:37.040
<v Speaker 3>I know exactly rainy days and mondays. No, I I

0:41:37.520 --> 0:41:39.480
<v Speaker 3>think it's to ward off evil spirits. I don't say

0:41:39.560 --> 0:41:41.040
<v Speaker 3>that on at.

0:41:41.000 --> 0:41:41.960
<v Speaker 2>Least you have any idea.

0:41:42.600 --> 0:41:45.120
<v Speaker 3>There are a few things. One of the main things

0:41:45.239 --> 0:41:45.400
<v Speaker 3>is to.

0:41:47.280 --> 0:41:51.640
<v Speaker 4>It was used as an intimidation tactic in war, completely

0:41:52.120 --> 0:41:55.120
<v Speaker 4>can be used in ceremonies and human sacrifice rituals.

0:41:55.200 --> 0:41:56.920
<v Speaker 2>Perfect to get into it.

0:41:57.160 --> 0:41:58.120
<v Speaker 3>Sweet may have.

0:41:58.160 --> 0:42:00.640
<v Speaker 4>Been used to honor the wind god and to call

0:42:00.719 --> 0:42:05.880
<v Speaker 4>for favorable weather conditions. Weather today, Yeah Yeah announced the

0:42:05.960 --> 0:42:08.600
<v Speaker 4>death of a tribal member, and the whistle was used

0:42:08.640 --> 0:42:10.440
<v Speaker 4>on the day of the dad along with other instruments.

0:42:10.480 --> 0:42:12.360
<v Speaker 4>So there, Yeah, the multipurpose whistle.

0:42:12.480 --> 0:42:14.480
<v Speaker 2>Yeah, it truly is. It's a Swiss army knife and

0:42:14.600 --> 0:42:16.040
<v Speaker 2>there you go. I mean, I don't even know if

0:42:16.040 --> 0:42:17.759
<v Speaker 2>I describe this to the listener, but it's a little

0:42:17.760 --> 0:42:23.160
<v Speaker 2>black skull and it's so tasteful. Little skull, yeah, half skull. Yeah,

0:42:23.200 --> 0:42:27.400
<v Speaker 2>the jaw is gone, some enormous teeth up front. Ye,

0:42:27.920 --> 0:42:30.279
<v Speaker 2>and it's really stunning. I think it's made out of

0:42:30.280 --> 0:42:32.600
<v Speaker 2>clay or something. Let's just do another, just, you know,

0:42:32.719 --> 0:42:34.279
<v Speaker 2>because we should do this periodically.

0:42:34.640 --> 0:42:39.280
<v Speaker 3>Hm. I also love that it like it's like a kettle.

0:42:39.360 --> 0:42:44.279
<v Speaker 3>It gets stronger, it builds, you know.

0:42:44.600 --> 0:42:47.560
<v Speaker 2>Yeah, there's no tea at the end. It's just.

0:42:51.480 --> 0:42:54.880
<v Speaker 3>Kind of that annoying tea at the end, just the

0:42:55.120 --> 0:42:57.920
<v Speaker 3>rage sounds of air escaping.

0:42:58.360 --> 0:42:59.600
<v Speaker 2>Do you play any instruments?

0:42:59.760 --> 0:43:00.279
<v Speaker 3>I don't.

0:43:00.680 --> 0:43:01.960
<v Speaker 2>Did you ever take I never did.

0:43:02.120 --> 0:43:05.239
<v Speaker 3>I have very long piano fingers that people always said

0:43:05.239 --> 0:43:08.840
<v Speaker 3>you your hands to play piano, and I was always told, like,

0:43:09.120 --> 0:43:11.840
<v Speaker 3>you'll regret it, you never play piano. I don't regret it.

0:43:12.360 --> 0:43:15.160
<v Speaker 3>I've never been interested in and I mean I love

0:43:15.239 --> 0:43:17.040
<v Speaker 3>when people play it. Well. I wish I could sing

0:43:17.160 --> 0:43:18.520
<v Speaker 3>that's the thing. I'm going to bring that back too.

0:43:18.960 --> 0:43:20.640
<v Speaker 3>That's the thing that I wish I could do is

0:43:20.800 --> 0:43:22.480
<v Speaker 3>like sing and dance and then I would, you know,

0:43:23.320 --> 0:43:24.799
<v Speaker 3>just do plays all the time.

0:43:24.840 --> 0:43:28.480
<v Speaker 2>But piano, no, how well can you sing? Can you

0:43:28.719 --> 0:43:29.959
<v Speaker 2>like in the car? You're like, I can.

0:43:30.040 --> 0:43:32.800
<v Speaker 3>Carry So Titanic gave me a lot more confidence. And

0:43:33.200 --> 0:43:35.320
<v Speaker 3>I can talk sing, you know, I can do talkie

0:43:35.320 --> 0:43:38.600
<v Speaker 3>sing things. It's just not a pretty sound when I sing,

0:43:39.320 --> 0:43:42.880
<v Speaker 3>and but I have found ways of doing it, and

0:43:42.960 --> 0:43:46.080
<v Speaker 3>a lot of it is just is confidence. Sure. I'm

0:43:46.160 --> 0:43:50.400
<v Speaker 3>just where I'm way more confident saying lines. When I

0:43:50.440 --> 0:43:51.759
<v Speaker 3>have a song and I'm like, oh God, if I

0:43:51.840 --> 0:43:53.399
<v Speaker 3>mess up a word, I'm going to throw the whole

0:43:53.440 --> 0:43:55.840
<v Speaker 3>song away. I'm not really gonna know. I had to

0:43:55.920 --> 0:43:59.160
<v Speaker 3>do a show where I had to another theater story.

0:43:59.600 --> 0:44:02.279
<v Speaker 3>I had to do Vogue. I just sing Madonnald's Woe,

0:44:02.680 --> 0:44:06.920
<v Speaker 3>which I've sung for thirty years. I had to have

0:44:07.000 --> 0:44:09.400
<v Speaker 3>it written down. I had to make excuse that it

0:44:09.520 --> 0:44:11.720
<v Speaker 3>was written for me because I was like Greta Garbo

0:44:11.800 --> 0:44:16.160
<v Speaker 3>and Monroe Dietrich into Mondial, Jimmy Dean, Jimmy Harlow, Jimmy Carter,

0:44:16.960 --> 0:44:19.840
<v Speaker 3>Carter Black. I was like, literally going, I don't know

0:44:20.000 --> 0:44:23.680
<v Speaker 3>what I'm saying, and I was yeah. So I was like,

0:44:23.800 --> 0:44:26.359
<v Speaker 3>if I get this wrong at the beginning of the show,

0:44:27.360 --> 0:44:31.520
<v Speaker 3>then the whole show is to have it written down.

0:44:31.640 --> 0:44:32.880
<v Speaker 3>I was so in my head about it.

0:44:33.400 --> 0:44:35.120
<v Speaker 2>I wouldn't be surprised if Madonna has to have it

0:44:35.160 --> 0:44:35.560
<v Speaker 2>written down.

0:44:35.800 --> 0:44:37.960
<v Speaker 3>She has everything written down on her hand.

0:44:38.000 --> 0:44:40.240
<v Speaker 2>I'm just messy.

0:44:41.080 --> 0:44:44.200
<v Speaker 3>Carlow Gene picture of a what.

0:44:46.000 --> 0:44:50.279
<v Speaker 2>Just covered in bit? Uh? Did you ever? Did you

0:44:50.360 --> 0:44:52.319
<v Speaker 2>perform in middle and high school? Was that a thing?

0:44:52.920 --> 0:44:56.359
<v Speaker 3>High school? Tenth grade? I started doing theater in high school. Yeah?

0:44:56.400 --> 0:44:57.720
<v Speaker 2>Did you do high school musicals?

0:44:58.200 --> 0:45:01.680
<v Speaker 3>I did not. I think I directed musicals in my

0:45:01.800 --> 0:45:05.000
<v Speaker 3>community theater when I was in high school. Wow. Yes,

0:45:05.320 --> 0:45:08.880
<v Speaker 3>oh oh. Let me tell you. I've got the Lincoln

0:45:08.960 --> 0:45:12.080
<v Speaker 3>Times News in Lincoln, North Carolina when I was eighteen.

0:45:12.160 --> 0:45:15.720
<v Speaker 3>I remember I was directing this the musical called Smoke

0:45:15.760 --> 0:45:19.719
<v Speaker 3>on the Mountain, which is a gospel musical comedy in

0:45:19.880 --> 0:45:25.360
<v Speaker 3>nineteen ninety five. Yep, And the headline of the paper

0:45:25.560 --> 0:45:31.600
<v Speaker 3>just said, Drew Drogi eighteen is Lincolnin's orson Wells. That

0:45:31.719 --> 0:45:34.880
<v Speaker 3>was the nicest I've ever gotten. The nicest thing that

0:45:34.960 --> 0:45:38.040
<v Speaker 3>anyone's ever said about me. They really had high expense

0:45:38.200 --> 0:45:41.279
<v Speaker 3>on Oh oh, it's all over it. I had to

0:45:41.320 --> 0:45:45.080
<v Speaker 3>work in your hair. Yeah, you know, it's my head shot.

0:45:46.760 --> 0:45:50.400
<v Speaker 3>You don't have quotes on your head shots from your

0:45:50.440 --> 0:45:54.200
<v Speaker 3>town newspaper. Come on, gotta get in the business.

0:45:54.360 --> 0:45:56.360
<v Speaker 2>That's huge. How did you react to that?

0:45:56.440 --> 0:45:58.640
<v Speaker 3>I was it was downhill from there. I was like,

0:45:58.680 --> 0:46:01.279
<v Speaker 3>I can't live up to that. So yeah, but I

0:46:01.400 --> 0:46:03.600
<v Speaker 3>did a lot with the Community Theater. I was actually

0:46:03.640 --> 0:46:06.520
<v Speaker 3>a wonderful it. I did save my life because I

0:46:06.719 --> 0:46:08.640
<v Speaker 3>was kicked out of every club. We had like a

0:46:08.719 --> 0:46:11.719
<v Speaker 3>whole marijuana tobuckle where we were found with marijuana and

0:46:12.160 --> 0:46:15.040
<v Speaker 3>all my awards were stripped away from me and like everything.

0:46:15.280 --> 0:46:17.080
<v Speaker 3>So the only thing I had by the end was

0:46:17.120 --> 0:46:20.680
<v Speaker 3>the Community Theater. They took very romantic. They took our

0:46:20.760 --> 0:46:23.719
<v Speaker 3>scholarships away, they took our We were kicked out of

0:46:24.280 --> 0:46:27.200
<v Speaker 3>the Honor Society, out of the like all the clubs.

0:46:27.280 --> 0:46:29.560
<v Speaker 3>We were like, it was literally our senior year was

0:46:29.680 --> 0:46:31.759
<v Speaker 3>just we're stripping this from you and taking this from you.

0:46:31.800 --> 0:46:33.960
<v Speaker 3>And there's thousands of dollars in scholarship money we're taking

0:46:34.000 --> 0:46:37.640
<v Speaker 3>from Wow, what a ship yeah, because we confess to

0:46:37.719 --> 0:46:40.080
<v Speaker 3>having a joint. We weren't even cod was on a

0:46:40.120 --> 0:46:40.600
<v Speaker 3>school trip.

0:46:40.960 --> 0:46:43.520
<v Speaker 2>What a way to make sure the person continues to

0:46:43.640 --> 0:46:44.120
<v Speaker 2>do drink?

0:46:44.520 --> 0:46:47.080
<v Speaker 3>And when I continue to do drug, of course I

0:46:47.239 --> 0:46:49.560
<v Speaker 3>usually eat it, but I do I do pot every day.

0:46:51.360 --> 0:46:52.719
<v Speaker 3>I would say that, And I learned to lie. I

0:46:52.800 --> 0:46:54.440
<v Speaker 3>learned how to lie be like, no, I didn't have

0:46:54.560 --> 0:46:57.520
<v Speaker 3>I don't have a joint on me. I. But because

0:46:57.520 --> 0:46:58.840
<v Speaker 3>I was like, oh, I'm going to tell the truth,

0:47:00.040 --> 0:47:00.359
<v Speaker 3>we were.

0:47:00.400 --> 0:47:02.480
<v Speaker 2>Yeah, why did you decide to tell the truth?

0:47:02.760 --> 0:47:05.200
<v Speaker 3>We were actually they were really they were really insidious

0:47:05.200 --> 0:47:07.840
<v Speaker 3>about it. They they grabbed one person out of the

0:47:07.880 --> 0:47:11.280
<v Speaker 3>group and made her fest up. They said, she's already

0:47:11.320 --> 0:47:14.799
<v Speaker 3>told us, and so you may as well tell us, right,

0:47:15.000 --> 0:47:17.200
<v Speaker 3>And we also were just like, well, we're going to

0:47:17.280 --> 0:47:18.719
<v Speaker 3>do the right thing and we're going to say yes,

0:47:18.760 --> 0:47:22.160
<v Speaker 3>we did it. And then because of that, then it

0:47:22.320 --> 0:47:24.920
<v Speaker 3>was like our lives and we're like, oh, right, next time,

0:47:25.000 --> 0:47:27.279
<v Speaker 3>don't don't tell the truth. That's what I learned from

0:47:27.320 --> 0:47:30.799
<v Speaker 3>that whole situation was like lie and weeds better than

0:47:31.320 --> 0:47:35.200
<v Speaker 3>you know, most of those people that you're you know, you.

0:47:35.200 --> 0:47:37.200
<v Speaker 2>Know, yeah, I think just lie until at least until

0:47:37.200 --> 0:47:39.520
<v Speaker 2>you have the full picture of what's going to happen exactly.

0:47:40.480 --> 0:47:42.759
<v Speaker 3>They never known, and they would have they would have

0:47:42.800 --> 0:47:46.319
<v Speaker 3>literally been like you know, he said, versus she said,

0:47:46.360 --> 0:47:47.840
<v Speaker 3>but we would have let our friend she.

0:47:47.920 --> 0:47:51.200
<v Speaker 2>Could throw her under the bus. Yeah, she made the

0:47:51.360 --> 0:47:54.280
<v Speaker 2>decision she did. This is a pro rat podcast.

0:47:54.680 --> 0:47:58.640
<v Speaker 3>Absolutely okay. In that case, Well, is.

0:47:58.600 --> 0:48:00.520
<v Speaker 2>There anything left to say about the whistle?

0:48:00.800 --> 0:48:02.279
<v Speaker 3>I don't think so.

0:48:02.400 --> 0:48:05.520
<v Speaker 2>I mean, we'll blow it. It'll be blown again frequently.

0:48:05.600 --> 0:48:10.360
<v Speaker 3>But I say I highly recommend them. I recommend getting

0:48:10.360 --> 0:48:11.920
<v Speaker 3>them in a store. But if you can't find them

0:48:11.960 --> 0:48:12.840
<v Speaker 3>in a store, they.

0:48:12.760 --> 0:48:14.839
<v Speaker 2>Are on alms online. I wonder you can get these

0:48:14.880 --> 0:48:15.440
<v Speaker 2>in a store.

0:48:15.800 --> 0:48:17.120
<v Speaker 3>I know, Like, what store? Do you go to?

0:48:17.280 --> 0:48:17.640
<v Speaker 2>Target?

0:48:17.719 --> 0:48:24.160
<v Speaker 3>I'm sure they or they have Holiday death Wessons, Silver

0:48:24.280 --> 0:48:28.120
<v Speaker 3>Bell Death wik Yes, yes, I have Santa's boots. What have.

0:48:31.160 --> 0:48:33.080
<v Speaker 2>Well, I think it's time to play a game. All right, great,

0:48:33.600 --> 0:48:35.960
<v Speaker 2>I think we'll play this game called Gift a Curse Listener.

0:48:36.040 --> 0:48:38.759
<v Speaker 2>We'll play Gift Masters soon. It's under construction again. I'm

0:48:38.800 --> 0:48:41.240
<v Speaker 2>so lazy. Oh all right, I need a number between

0:48:41.239 --> 0:48:41.920
<v Speaker 2>one and ten from you.

0:48:42.400 --> 0:48:43.360
<v Speaker 3>Seven, Okay.

0:48:43.440 --> 0:48:45.560
<v Speaker 2>I have to do a little bit of light calculating

0:48:45.600 --> 0:48:47.880
<v Speaker 2>to get our game pieces. So you can promote, recommend,

0:48:48.080 --> 0:48:48.799
<v Speaker 2>do whatever you want.

0:48:48.960 --> 0:48:51.600
<v Speaker 3>I can promote, Oh please, when is this coming out?

0:48:51.640 --> 0:48:54.359
<v Speaker 3>Do we know? Well at that point, hopefully it will

0:48:54.360 --> 0:48:56.359
<v Speaker 3>still be in theaters. But I'm in a new movie

0:48:56.440 --> 0:49:01.239
<v Speaker 3>called Queer that opens on November twenty seventh, but I

0:49:01.320 --> 0:49:03.920
<v Speaker 3>don't know what actually when it opens wide, but definitely

0:49:03.960 --> 0:49:08.719
<v Speaker 3>go see that. What else I've got nothing else going on? Yeah,

0:49:08.880 --> 0:49:11.640
<v Speaker 3>that's about it. I'm looking for work.

0:49:15.400 --> 0:49:18.160
<v Speaker 2>Yeah, that's perfect. I mean, it's so exciting the movie.

0:49:18.280 --> 0:49:21.000
<v Speaker 3>Yeah, it's it's really great. It's wonderful. I'm very excited that.

0:49:21.520 --> 0:49:23.360
<v Speaker 2>I mean, it seems like it's going to be incredible.

0:49:23.440 --> 0:49:27.200
<v Speaker 2>On Daniel Craig, Yes, he's wonderful. It's just the nicest,

0:49:28.320 --> 0:49:31.480
<v Speaker 2>normal to earth person. He's such a great I mean,

0:49:31.760 --> 0:49:36.000
<v Speaker 2>he's phenomenal in this movie, I'm sure. And Nike anything

0:49:36.040 --> 0:49:39.440
<v Speaker 2>he's ever done, and I mean he's always great. But

0:49:39.560 --> 0:49:43.080
<v Speaker 2>this is just like WHOA and then Luca Guaddino. So

0:49:43.160 --> 0:49:45.439
<v Speaker 2>it was like so it was it was a dream.

0:49:46.000 --> 0:49:48.160
<v Speaker 2>Somebody made it because he's made two movies this year.

0:49:48.400 --> 0:49:51.040
<v Speaker 3>He did well. Challengers was done, but because of Strike

0:49:51.120 --> 0:49:54.239
<v Speaker 3>and the whole thing, and they had a hold back

0:49:54.280 --> 0:49:56.640
<v Speaker 3>what weever. But yeah, so he actually showed us Challengers

0:49:56.680 --> 0:49:58.160
<v Speaker 3>when we were when we were filming.

0:49:57.960 --> 0:50:00.920
<v Speaker 2>There, so I got to get to see that inside school.

0:50:01.040 --> 0:50:03.640
<v Speaker 3>Yeah, and I love Challengers too. It's but it's a

0:50:03.719 --> 0:50:06.000
<v Speaker 3>lot of the same team. I mean, justin Kurtziz who

0:50:06.040 --> 0:50:10.239
<v Speaker 3>wrote the script for both of Atticus Ross Andresler just

0:50:10.280 --> 0:50:13.920
<v Speaker 3>the music for both, and so like Jonathan Anderson designed costumes,

0:50:13.960 --> 0:50:16.400
<v Speaker 3>and so it's a lot of the same team that

0:50:16.520 --> 0:50:20.399
<v Speaker 3>did Challengers also did Queer and they are wildly different movies. Yeah,

0:50:20.400 --> 0:50:22.719
<v Speaker 3>they seem very very gay movies in very different ways.

0:50:22.840 --> 0:50:24.160
<v Speaker 2>Ultimately both tennis films.

0:50:24.400 --> 0:50:28.160
<v Speaker 3>Yes, of course, there's so much tennis. No I play,

0:50:28.400 --> 0:50:32.080
<v Speaker 3>Chris Evert. The fact that you're that that's my reference true,

0:50:32.120 --> 0:50:35.839
<v Speaker 3>Not Martina and Averagel, not Venus and Serena, Chris Ager.

0:50:36.280 --> 0:50:40.319
<v Speaker 2>Chris Evert, sure, I mean those are you have way

0:50:40.400 --> 0:50:42.319
<v Speaker 2>more tennis polls than I could have possibly had.

0:50:42.440 --> 0:50:44.760
<v Speaker 3>I don't even know how I know that. Very impressive

0:50:44.880 --> 0:50:46.080
<v Speaker 3>she hosted, and now that's how I know.

0:50:46.239 --> 0:50:48.800
<v Speaker 2>So there we go, there we go exactly, Okay, do

0:50:48.920 --> 0:50:52.120
<v Speaker 2>I have anything to recommend? Oh, I've been rewatching getting on.

0:50:52.719 --> 0:50:53.800
<v Speaker 3>Oh, Laurie metcalf.

0:50:53.960 --> 0:50:57.600
<v Speaker 2>Oh, just an unbelievable And I've learned recently that people

0:50:57.640 --> 0:50:59.839
<v Speaker 2>who I trust in respect haven't even heard of the show.

0:51:00.040 --> 0:51:01.480
<v Speaker 3>Oh it needs to come back and people need to

0:51:01.520 --> 0:51:03.600
<v Speaker 3>watch again. I need to watch it again because I

0:51:04.160 --> 0:51:05.759
<v Speaker 3>didn't watch all of it and loved the ones that

0:51:05.840 --> 0:51:06.319
<v Speaker 3>I did see.

0:51:06.400 --> 0:51:08.600
<v Speaker 2>Oh so you haven't You haven't seen the final episode. No,

0:51:08.800 --> 0:51:11.640
<v Speaker 2>I have not. It's so beautiful. There's a moment that

0:51:11.760 --> 0:51:13.920
<v Speaker 2>is one of the most beautiful moments I've seen in television.

0:51:14.000 --> 0:51:15.600
<v Speaker 2>Oh it was a very funny show.

0:51:15.800 --> 0:51:18.520
<v Speaker 3>Oh yeah, it was really funny. Yeah, it was also

0:51:18.560 --> 0:51:20.719
<v Speaker 3>really great. I saw Yesterday, which is a very different tone,

0:51:20.760 --> 0:51:23.279
<v Speaker 3>but speaking of like hospital, way more in the comedy side,

0:51:23.320 --> 0:51:24.360
<v Speaker 3>but Saint Denis medical.

0:51:24.440 --> 0:51:26.799
<v Speaker 2>Oh yeah, of course, it's so fun and it's got.

0:51:27.320 --> 0:51:28.640
<v Speaker 3>It's got. You have a friend of any.

0:51:28.680 --> 0:51:32.560
<v Speaker 2>I've had got friends who write on it. Oh, yes, Yaomi, Naomi,

0:51:32.760 --> 0:51:33.640
<v Speaker 2>my friend justin Ye.

0:51:34.520 --> 0:51:38.320
<v Speaker 3>People, it's I mean, you've got the the national treasure

0:51:38.320 --> 0:51:40.440
<v Speaker 3>that is Wendy McLendon Covey and she's so good, and

0:51:40.640 --> 0:51:43.160
<v Speaker 3>the legend that is David Alla Greer And like Allison

0:51:43.200 --> 0:51:44.799
<v Speaker 3>told me, it's like this great cast. But it's also

0:51:46.200 --> 0:51:48.480
<v Speaker 3>really moving and very sweet. I thought it would just

0:51:48.520 --> 0:51:51.120
<v Speaker 3>be a fun you know, just a roperstar in a

0:51:51.640 --> 0:51:56.759
<v Speaker 3>in a hospital, but instead it's it's really I was like, Wow,

0:51:56.760 --> 0:51:57.399
<v Speaker 3>I'm really moved.

0:51:57.440 --> 0:52:01.960
<v Speaker 2>And two solid hospital recommendations. People need to be watching

0:52:02.000 --> 0:52:03.120
<v Speaker 2>more hospital on t tree.

0:52:03.200 --> 0:52:04.479
<v Speaker 3>There's not enough hospital on TV.

0:52:04.640 --> 0:52:09.359
<v Speaker 2>That's whatever, says the problem with the industry. Yes, get

0:52:09.440 --> 0:52:13.480
<v Speaker 2>some more hospitals and we'll fire. Okay, this is how

0:52:13.520 --> 0:52:15.480
<v Speaker 2>we play Gift or a Curse. I'm going to name

0:52:15.560 --> 0:52:17.640
<v Speaker 2>three things, and you're going to tell me if there

0:52:17.680 --> 0:52:19.880
<v Speaker 2>are a gift or a curse and why, and then

0:52:19.880 --> 0:52:22.000
<v Speaker 2>I'll tell you if you're right or wrong. Because there

0:52:22.000 --> 0:52:24.640
<v Speaker 2>are correct answers. You can fail this game. Oh I

0:52:24.719 --> 0:52:27.759
<v Speaker 2>hope so, and I probably will. You use the death

0:52:27.760 --> 0:52:30.640
<v Speaker 2>whistle because why wouldn't.

0:52:30.640 --> 0:52:30.960
<v Speaker 3>Why not.

0:52:31.600 --> 0:52:33.840
<v Speaker 2>When the death whistle blows, that means you did not

0:52:33.920 --> 0:52:37.200
<v Speaker 2>get the point. Okay, when the death whistle blows, it

0:52:37.280 --> 0:52:40.839
<v Speaker 2>means you were also correct. I'll just why afterwards. It'll

0:52:40.840 --> 0:52:44.400
<v Speaker 2>be blown no matter, okay. Number one this is from

0:52:44.440 --> 0:52:47.840
<v Speaker 2>a listener named Steph. Gift or a Curse When somebody

0:52:47.960 --> 0:52:50.640
<v Speaker 2>is out on a walk and happens upon a fruit

0:52:50.719 --> 0:52:53.600
<v Speaker 2>tree near the sidewalk in a stranger's yard and helps

0:52:53.640 --> 0:52:54.919
<v Speaker 2>themselves to some of the fruit.

0:52:57.200 --> 0:53:00.359
<v Speaker 3>And it's a gift or a curse. Yes, I see,

0:53:00.920 --> 0:53:04.680
<v Speaker 3>I'm going to call that a gift. Why because it's

0:53:05.560 --> 0:53:07.680
<v Speaker 3>you never eat all the fruit that it's on your tree,

0:53:08.160 --> 0:53:10.880
<v Speaker 3>give it to the neighborhood. It's fruits made to be eaten.

0:53:11.120 --> 0:53:14.200
<v Speaker 3>I think it's a I think it's a delicious treat.

0:53:14.760 --> 0:53:16.719
<v Speaker 3>And I enjoy all the fairy tales in which people

0:53:16.760 --> 0:53:19.080
<v Speaker 3>bite fruit and magic happens to them.

0:53:22.080 --> 0:53:29.439
<v Speaker 2>Oh, correct, correct, Yes, I love. I'm always so scared

0:53:29.440 --> 0:53:31.920
<v Speaker 2>to do it myself. I'm so tempted. Yes, but I

0:53:31.960 --> 0:53:34.920
<v Speaker 2>think if your fruit tree is hanging over the sidewalk,

0:53:35.000 --> 0:53:38.560
<v Speaker 2>that's city property. Yes, And why can't I take a

0:53:38.560 --> 0:53:39.759
<v Speaker 2>little after my neighbors have.

0:53:40.040 --> 0:53:42.120
<v Speaker 3>My neighbors have an orange tree who belonged to gay

0:53:42.200 --> 0:53:44.879
<v Speaker 3>rights activists and legend Morris Kite, who did pass away

0:53:44.880 --> 0:53:47.480
<v Speaker 3>a few years ago, but he was like the amazing

0:53:47.600 --> 0:53:51.680
<v Speaker 3>gay like like hero of That's Hollywood, was in his nineties.

0:53:51.880 --> 0:53:54.040
<v Speaker 3>He had this bitter orange tree that's good for marmalade

0:53:54.080 --> 0:53:56.239
<v Speaker 3>and cocktails. You don't really want to eat the oranges, right,

0:53:56.640 --> 0:53:59.719
<v Speaker 3>It produces so many oranges and they're thrilled, or at

0:53:59.760 --> 0:54:01.279
<v Speaker 3>least they tell me they are when we when we

0:54:01.360 --> 0:54:04.759
<v Speaker 3>take them off the tree to they're wonderful in a negronie.

0:54:04.880 --> 0:54:06.279
<v Speaker 2>Oh that sounds I need to find out where this

0:54:06.360 --> 0:54:11.560
<v Speaker 2>is located. Shop. Yeah, yeah, I think it's lovely. Someone's

0:54:11.600 --> 0:54:14.800
<v Speaker 2>going to take it, whether it's a wild animal another person,

0:54:15.239 --> 0:54:17.040
<v Speaker 2>or it will fall to the ground, yes, and rot

0:54:17.120 --> 0:54:18.560
<v Speaker 2>on the ground. Yeah, we should all. I want to

0:54:18.560 --> 0:54:18.799
<v Speaker 2>get one.

0:54:18.880 --> 0:54:22.279
<v Speaker 3>Anyone who is like, donate the fruit, then dig up

0:54:22.320 --> 0:54:24.560
<v Speaker 3>the tree right, throw it away, Throw the tree away,

0:54:25.280 --> 0:54:29.680
<v Speaker 3>and you're selfing with it. Die? Thank you?

0:54:30.920 --> 0:54:33.040
<v Speaker 2>No you? Okay, you get the point. An absolute gift

0:54:33.560 --> 0:54:36.080
<v Speaker 2>okay number two. This is from a listener named Cameron.

0:54:36.440 --> 0:54:39.600
<v Speaker 2>Gift or a curse welcome Matt's slash other assorted front

0:54:39.640 --> 0:54:42.080
<v Speaker 2>door trinkets or decor in the indoor hallway of an

0:54:42.080 --> 0:54:42.800
<v Speaker 2>apartment building.

0:54:44.360 --> 0:54:45.400
<v Speaker 3>I'm gonna say, curse.

0:54:45.840 --> 0:54:46.000
<v Speaker 2>Why.

0:54:46.640 --> 0:54:49.399
<v Speaker 3>I think they're trying too hard. I mean, like, it's

0:54:49.440 --> 0:54:51.160
<v Speaker 3>one thing if it's like a nice decorative map, but

0:54:51.280 --> 0:54:53.840
<v Speaker 3>if it has a message on it, I'm always like

0:54:54.040 --> 0:54:56.480
<v Speaker 3>uh uh oh, Like I'm a little bit like red flag.

0:54:56.960 --> 0:54:59.279
<v Speaker 3>It's like you're you're you you are trying. It's like

0:54:59.320 --> 0:55:02.800
<v Speaker 3>bumper sticker or anything like. I'm this and it's just

0:55:02.960 --> 0:55:05.360
<v Speaker 3>it's a lot at me. I don't need a welcome

0:55:05.719 --> 0:55:08.239
<v Speaker 3>or anything wacky or fine. When I'm walking in the door,

0:55:08.680 --> 0:55:12.239
<v Speaker 3>a nice, beautiful pattern, a nice color, lovely. I can

0:55:12.520 --> 0:55:14.480
<v Speaker 3>dust off my shoes or leave them at the door.

0:55:14.520 --> 0:55:17.719
<v Speaker 3>I'm happy to do that. Don't scream words at me

0:55:17.800 --> 0:55:19.480
<v Speaker 3>when I'm coming up to your place. Thank you.

0:55:23.960 --> 0:55:28.520
<v Speaker 2>Wrong, it's a curse. It's a gift. It's a gift.

0:55:28.760 --> 0:55:30.880
<v Speaker 2>I mean, I'm doing a lot here. I'm playing an instrument.

0:55:30.920 --> 0:55:33.600
<v Speaker 2>Now the listener has to forgive me. You're wrong, You're

0:55:33.640 --> 0:55:36.200
<v Speaker 2>absolutely wrong. I love it. The more clutter we can

0:55:36.239 --> 0:55:39.360
<v Speaker 2>get in a hallway, the better, the more opportunities to

0:55:39.520 --> 0:55:44.040
<v Speaker 2>trip over trinkets and chowkeys. I think it's absolutely terrific.

0:55:44.080 --> 0:55:47.600
<v Speaker 2>And I love a little mattch to wipe my filthy

0:55:47.640 --> 0:55:49.000
<v Speaker 2>feet the mud off.

0:55:49.080 --> 0:55:51.640
<v Speaker 3>Do you like it to say funny things like lordy, lordy,

0:55:51.800 --> 0:55:52.760
<v Speaker 3>Brenda's forty.

0:55:53.200 --> 0:55:59.360
<v Speaker 2>Yes, that's all they should say. A special happy birthday

0:55:59.440 --> 0:56:04.920
<v Speaker 2>welcome that you own for the rest of life. That

0:56:05.239 --> 0:56:07.880
<v Speaker 2>someone's gone. This is you have a second item for

0:56:07.960 --> 0:56:16.120
<v Speaker 2>your correct Yeah, I mean you've really proven yourself wrong.

0:56:16.040 --> 0:56:16.880
<v Speaker 3>Here, Yeah I really have.

0:56:18.560 --> 0:56:18.600
<v Speaker 2>That.

0:56:18.920 --> 0:56:19.279
<v Speaker 3>Yeah, I know.

0:56:21.120 --> 0:56:23.719
<v Speaker 2>Okay, so one out of two so far and this

0:56:23.880 --> 0:56:26.000
<v Speaker 2>is the final one. This is from an unknown listener.

0:56:26.000 --> 0:56:28.160
<v Speaker 2>And whenever I see unknown it feels a little creepy.

0:56:28.200 --> 0:56:30.920
<v Speaker 2>It's like an unmarked grave. But whatever, gift your a

0:56:31.000 --> 0:56:34.360
<v Speaker 2>curse saying the name of the credit card company before

0:56:34.440 --> 0:56:37.799
<v Speaker 2>reading out the number. It's a Visa for one four seven.

0:56:37.960 --> 0:56:41.719
<v Speaker 3>Oh, that's a curse. You're an idiot, because first of all,

0:56:41.800 --> 0:56:44.360
<v Speaker 3>they know by the like a Visa and MasterCard, they

0:56:44.400 --> 0:56:46.400
<v Speaker 3>have like certain numbers that immediately make it what it is.

0:56:46.719 --> 0:56:49.640
<v Speaker 3>But also like it doesn't the number is not going

0:56:49.719 --> 0:56:52.279
<v Speaker 3>to be different per like that's that credit cards number.

0:56:52.320 --> 0:56:54.480
<v Speaker 3>It's not like, oh, Visa has that number and MasterCard

0:56:54.520 --> 0:56:58.120
<v Speaker 3>house Americans. The number is the number. You don't need

0:56:58.200 --> 0:57:02.400
<v Speaker 3>to say that. That's like saying it's a red card. Uh,

0:57:02.680 --> 0:57:05.080
<v Speaker 3>you know what I mean, we don't need that.

0:57:05.880 --> 0:57:08.200
<v Speaker 2>And now the school it's just.

0:57:09.680 --> 0:57:10.200
<v Speaker 3>So many.

0:57:11.560 --> 0:57:18.240
<v Speaker 2>I lead a musical life. Wrong, Ah, it's a gift again.

0:57:18.360 --> 0:57:20.840
<v Speaker 2>I mean, speaking of Brenda, this feels like real Brenda,

0:57:22.200 --> 0:57:26.240
<v Speaker 2>right when somebody it's a master card for one for

0:57:26.360 --> 0:57:27.320
<v Speaker 2>something that's a.

0:57:27.360 --> 0:57:28.760
<v Speaker 3>Dream Diners club.

0:57:33.240 --> 0:57:35.960
<v Speaker 2>It's a Discover three one, threes eight. It's I think

0:57:36.000 --> 0:57:38.640
<v Speaker 2>that's perfect behavior I need. I think we should all

0:57:38.720 --> 0:57:39.640
<v Speaker 2>be bringing that energy.

0:57:39.800 --> 0:57:41.800
<v Speaker 3>Oh, I love it. I love it. I just find

0:57:41.880 --> 0:57:42.200
<v Speaker 3>it like.

0:57:43.280 --> 0:57:47.560
<v Speaker 2>That's very phone in between your ear and shoulder reading

0:57:47.640 --> 0:57:48.000
<v Speaker 2>it out?

0:57:49.440 --> 0:57:49.720
<v Speaker 1>You are?

0:57:49.920 --> 0:57:51.920
<v Speaker 3>I mean, I love I love anyone who's going to

0:57:52.040 --> 0:57:55.040
<v Speaker 3>read their credit card number out loud in public, really loud,

0:57:55.080 --> 0:57:58.120
<v Speaker 3>and just announce it. I mean, how fun? What a

0:57:58.240 --> 0:58:03.120
<v Speaker 3>wild adventure you're must always be on. Yeah, I think

0:58:03.160 --> 0:58:07.520
<v Speaker 3>that's how I got scammed again. It's a Visa five

0:58:08.080 --> 0:58:08.840
<v Speaker 3>six one.

0:58:09.960 --> 0:58:12.720
<v Speaker 2>How often are you reading out the number? You're calling

0:58:12.760 --> 0:58:16.200
<v Speaker 2>the Sears catalog? You're on the phone with pennies. It's

0:58:17.400 --> 0:58:20.800
<v Speaker 2>I think it's a gift, at least for our Brenda's Sure,

0:58:21.520 --> 0:58:23.360
<v Speaker 2>Well you got one out of three, one out of three.

0:58:23.480 --> 0:58:24.000
<v Speaker 3>That's not bad.

0:58:24.160 --> 0:58:25.760
<v Speaker 2>It's not a complete fail.

0:58:25.920 --> 0:58:27.680
<v Speaker 3>No, And I don't care. I told you I don't

0:58:27.720 --> 0:58:28.000
<v Speaker 3>like to win.

0:58:28.360 --> 0:58:32.040
<v Speaker 2>Right, you're the person for this, right, and now I'm furious.

0:58:32.120 --> 0:58:35.480
<v Speaker 2>I need you to be passionate about this. And now

0:58:35.520 --> 0:58:37.280
<v Speaker 2>we need to get into the on aalase gift or

0:58:37.280 --> 0:58:40.360
<v Speaker 2>a curse. On liase is a very objective judge and

0:58:40.720 --> 0:58:43.000
<v Speaker 2>they're going to give us one and we're both going

0:58:43.120 --> 0:58:45.720
<v Speaker 2>to try to get the correct answer on release. What

0:58:45.840 --> 0:58:47.080
<v Speaker 2>is your thing today?

0:58:47.880 --> 0:58:51.160
<v Speaker 4>Gift a curse? The friendship of Martha Stewart and Snoop Dogg.

0:58:51.720 --> 0:58:53.560
<v Speaker 2>Interesting. Do you want to go first?

0:58:53.640 --> 0:58:53.760
<v Speaker 1>Oh?

0:58:53.880 --> 0:58:56.600
<v Speaker 3>Yeah, go first. I think that's a gift. I think

0:58:56.680 --> 0:59:02.000
<v Speaker 3>that's a wonderful thing. I think they both are fascinating personalities.

0:59:02.080 --> 0:59:05.080
<v Speaker 3>They both bring out a real like mirth in each other.

0:59:05.840 --> 0:59:09.400
<v Speaker 3>He absolutely made her like he's has softened her in

0:59:09.480 --> 0:59:12.919
<v Speaker 3>a really fun way. I'm a fan. I'm a fan

0:59:13.000 --> 0:59:15.160
<v Speaker 3>of that pairing and partnership.

0:59:15.600 --> 0:59:18.680
<v Speaker 2>Okay, yeah, I'm also going to say gift. I was

0:59:18.720 --> 0:59:20.800
<v Speaker 2>on the phone with my mom just last night talking

0:59:21.000 --> 0:59:23.080
<v Speaker 2>about the Martha Stewart documentary.

0:59:22.640 --> 0:59:23.360
<v Speaker 3>Which I've not seen.

0:59:23.800 --> 0:59:26.960
<v Speaker 2>It gets a little dark. She seems like she could

0:59:26.960 --> 0:59:31.000
<v Speaker 2>be a very lonely person. But my mom wants them

0:59:31.040 --> 0:59:31.600
<v Speaker 2>to get married.

0:59:32.120 --> 0:59:32.320
<v Speaker 3>Ah.

0:59:32.600 --> 0:59:35.120
<v Speaker 2>She just loves these two together. We all love them together.

0:59:35.280 --> 0:59:35.480
<v Speaker 3>Yeah.

0:59:36.120 --> 0:59:39.600
<v Speaker 2>I mean, I feel like it's a pretty honest thing

0:59:39.680 --> 0:59:42.880
<v Speaker 2>that's happening. I hope, I hope that they love each other.

0:59:43.000 --> 0:59:45.440
<v Speaker 3>I hope so too. I think it's fantastic, it's organic,

0:59:45.560 --> 0:59:48.040
<v Speaker 3>and maybe it's just We're totally just. You know, sometimes

0:59:48.120 --> 0:59:50.960
<v Speaker 3>you feel like, oh, you literally put these two wildly

0:59:51.080 --> 0:59:53.800
<v Speaker 3>different people together in a world and whatever, but like

0:59:53.880 --> 0:59:56.560
<v Speaker 3>in a buddy comedy or something right. But instead I'm like, no,

0:59:56.680 --> 0:59:59.280
<v Speaker 3>they genuinely I want to believe they genuinely like each other.

0:59:59.280 --> 1:00:02.919
<v Speaker 2>I mean it should be an buddy comedy, would solving

1:00:02.960 --> 1:00:03.320
<v Speaker 2>a crime?

1:00:03.360 --> 1:00:04.880
<v Speaker 3>Or she needs to be in the remake of Taxi?

1:00:05.240 --> 1:00:05.479
<v Speaker 1>Yes?

1:00:05.640 --> 1:00:10.240
<v Speaker 2>Absolutely, on Elis, how did we do?

1:00:10.640 --> 1:00:11.760
<v Speaker 3>You're wrong, it's a curse.

1:00:12.240 --> 1:00:13.960
<v Speaker 4>I see the reason why I'm going to be the

1:00:14.000 --> 1:00:16.400
<v Speaker 4>bad guy here because I know, deep in your heart Bridger,

1:00:16.880 --> 1:00:18.520
<v Speaker 4>you want to say it's a curse, because you know

1:00:18.600 --> 1:00:19.040
<v Speaker 4>that should be.

1:00:19.120 --> 1:00:21.920
<v Speaker 2>You know Martha, you love Martha.

1:00:22.160 --> 1:00:24.360
<v Speaker 3>I mean sure, I know.

1:00:24.480 --> 1:00:26.440
<v Speaker 4>That you really want to have that best friend status

1:00:26.480 --> 1:00:26.920
<v Speaker 4>with Martha.

1:00:27.880 --> 1:00:29.919
<v Speaker 2>Wow for you to, I mean you you have seen

1:00:29.960 --> 1:00:32.400
<v Speaker 2>me in a way that no one else possibly could.

1:00:32.520 --> 1:00:34.080
<v Speaker 2>Of course, I would love to be on her little

1:00:34.360 --> 1:00:37.520
<v Speaker 2>she rides like a little four wheel go kart throughout

1:00:37.560 --> 1:00:39.640
<v Speaker 2>the movie, to be the passenger and that and her

1:00:39.840 --> 1:00:43.080
<v Speaker 2>just being mean to me, I'm I would love nothing more.

1:00:44.280 --> 1:00:45.480
<v Speaker 4>What a missed opportunity.

1:00:45.840 --> 1:00:49.560
<v Speaker 3>But you know I I love Snoop and I will

1:00:49.640 --> 1:00:52.320
<v Speaker 3>have to say. Now, I maybe I have told this

1:00:52.360 --> 1:00:54.800
<v Speaker 3>story before. Back in the day, I was catering at

1:00:54.840 --> 1:00:58.800
<v Speaker 3>the Playboy Mansion. Okay, it was Jamie Fox's birthday the

1:00:58.880 --> 1:01:01.960
<v Speaker 3>Playboy Mansion. All these people were there and they were

1:01:02.080 --> 1:01:04.160
<v Speaker 3>very strict about like times like at this time, we

1:01:04.240 --> 1:01:06.120
<v Speaker 3>have to stop serving this and you can do this.

1:01:06.280 --> 1:01:09.080
<v Speaker 3>And we were all in these like horrible nehrew jackets

1:01:09.120 --> 1:01:12.040
<v Speaker 3>and running in my horrible job and everyone's like mean

1:01:12.120 --> 1:01:15.680
<v Speaker 3>and whatever. And this guy grabbed me and he was like,

1:01:15.760 --> 1:01:17.320
<v Speaker 3>I need a sprite. He just got me. He's like

1:01:17.360 --> 1:01:19.400
<v Speaker 3>I need and I need to get a sprite. And

1:01:19.520 --> 1:01:22.720
<v Speaker 3>I was like, I'm sorry, sir, it's cut off whatever.

1:01:22.800 --> 1:01:24.240
<v Speaker 3>And he looks me and he goes, it's for Snoop

1:01:24.840 --> 1:01:27.840
<v Speaker 3>and I was like absolutely, And I went in, and

1:01:28.000 --> 1:01:31.120
<v Speaker 3>I mean I dug through, I just unlocked codes. I

1:01:31.200 --> 1:01:34.600
<v Speaker 3>went through Pep secret doors. What I dove in I

1:01:34.720 --> 1:01:37.680
<v Speaker 3>was finding us. I was like, I'm getting Snoop a sprite.

1:01:38.880 --> 1:01:42.240
<v Speaker 3>He's got driving off exactly why he needs it and

1:01:42.360 --> 1:01:44.280
<v Speaker 3>he needs a sprite. And I'm like, I will do

1:01:44.400 --> 1:01:46.560
<v Speaker 3>that for Snoop Dogg. So You're welcome if you're listening, son,

1:01:46.840 --> 1:01:47.520
<v Speaker 3>I did that for you.

1:01:48.000 --> 1:01:50.200
<v Speaker 2>How are they cutting off sprite? At any point during

1:01:50.480 --> 1:01:51.120
<v Speaker 2>it was sprite?

1:01:51.240 --> 1:01:53.479
<v Speaker 3>He needed a can of sprite. I was like, that's

1:01:54.080 --> 1:01:57.360
<v Speaker 3>I will fire me Patina catering.

1:01:59.360 --> 1:02:00.880
<v Speaker 2>Yeah, that feels like something that should just be on

1:02:00.920 --> 1:02:02.480
<v Speaker 2>a table somewhere in the gardeners.

1:02:02.640 --> 1:02:04.280
<v Speaker 3>I was like, that's not even like making you a

1:02:04.360 --> 1:02:07.440
<v Speaker 3>cocktail or anything involving. It was not chopping we not

1:02:07.520 --> 1:02:10.040
<v Speaker 3>you know what a moheedo or something you want to

1:02:10.160 --> 1:02:10.720
<v Speaker 3>sprite that.

1:02:10.880 --> 1:02:13.800
<v Speaker 2>People get thirsty all the time all the time. Wow,

1:02:13.920 --> 1:02:20.400
<v Speaker 2>good for you for really stepping in there a great person. Wow,

1:02:20.440 --> 1:02:22.240
<v Speaker 2>So you've been into the Playboy Mansion?

1:02:22.880 --> 1:02:23.080
<v Speaker 3>Yeah?

1:02:23.600 --> 1:02:24.880
<v Speaker 2>What was that? What was it was?

1:02:25.000 --> 1:02:28.280
<v Speaker 3>I just remember being very dark and not welcoming and

1:02:28.560 --> 1:02:31.440
<v Speaker 3>it just didn't feel like fun or sexy at all

1:02:31.520 --> 1:02:32.920
<v Speaker 3>to me. And it was, but it was also like

1:02:32.960 --> 1:02:35.320
<v Speaker 3>it was working and just sort of like you're sort

1:02:35.360 --> 1:02:38.440
<v Speaker 3>of ordered around, and it's almost like my memories of

1:02:38.520 --> 1:02:40.560
<v Speaker 3>like working in places, was like you were basically like,

1:02:40.680 --> 1:02:43.520
<v Speaker 3>look down, don't take this in. This isn't your life,

1:02:43.600 --> 1:02:45.520
<v Speaker 3>you know, kind of a thing. I let them call

1:02:45.600 --> 1:02:46.960
<v Speaker 3>me Andrew when I.

1:02:47.000 --> 1:02:49.520
<v Speaker 2>Ca I was like, do you want to call you Andrew? No?

1:02:49.840 --> 1:02:50.840
<v Speaker 2>Is your name? Andrew?

1:02:50.920 --> 1:02:53.800
<v Speaker 3>My full name is Andrew, but my mom and dad

1:02:53.920 --> 1:02:56.680
<v Speaker 3>were like called me Drew from day one. They named

1:02:56.720 --> 1:02:58.960
<v Speaker 3>me Andrew, but I was always to be Drew, and

1:02:59.160 --> 1:03:02.400
<v Speaker 3>so yeah, they when I was like, yeah, call me

1:03:02.480 --> 1:03:04.760
<v Speaker 3>Andrew here, I'm just I'm a different person here when

1:03:04.760 --> 1:03:06.520
<v Speaker 3>I'm here. So Andrew did that job.

1:03:07.040 --> 1:03:09.920
<v Speaker 2>Always to be Drew is such a beautiful title for something.

1:03:10.080 --> 1:03:12.479
<v Speaker 3>Ah my next, so always to be Drew?

1:03:14.520 --> 1:03:16.360
<v Speaker 2>Wow, what is the word I've been? I have been

1:03:16.400 --> 1:03:18.640
<v Speaker 2>to the Playbood Mansion, but not inside, just the outside,

1:03:19.040 --> 1:03:19.920
<v Speaker 2>and it was as similar.

1:03:19.960 --> 1:03:21.720
<v Speaker 3>That's more what I remember than the inside. I don't

1:03:21.720 --> 1:03:23.040
<v Speaker 3>remember how much of that we went in.

1:03:23.360 --> 1:03:25.680
<v Speaker 2>But do you remember the outside being kind of also

1:03:25.800 --> 1:03:27.800
<v Speaker 2>not taken that well taken care of?

1:03:28.000 --> 1:03:30.040
<v Speaker 3>No, yeah, it was kind of yeah. I was like, yeah,

1:03:30.080 --> 1:03:31.440
<v Speaker 3>it was a dingy, Yes.

1:03:31.400 --> 1:03:34.080
<v Speaker 2>It was yeah. They I guess they're really putting something

1:03:34.120 --> 1:03:37.280
<v Speaker 2>out there to make people think it's nice. But I

1:03:37.440 --> 1:03:39.360
<v Speaker 2>know there's a mildew.

1:03:39.880 --> 1:03:41.520
<v Speaker 3>Yeah, there's a girl melting on everything.

1:03:41.840 --> 1:03:46.439
<v Speaker 2>I think, yes, Okay, let's uh. This is the final

1:03:46.480 --> 1:03:50.400
<v Speaker 2>segment of the podcast. Unfortunately we lost on Elisa's Little Game,

1:03:50.440 --> 1:03:51.320
<v Speaker 2>which makes me sick.

1:03:51.440 --> 1:03:52.200
<v Speaker 3>But what do you do?

1:03:52.840 --> 1:03:55.040
<v Speaker 2>This is? I said, no emails people right in too,

1:03:55.120 --> 1:03:58.680
<v Speaker 2>I said, no gifts at gmail dot com begging for answers.

1:03:58.840 --> 1:04:02.120
<v Speaker 2>Great you help me answer question? Yes, okay, this says

1:04:02.800 --> 1:04:08.000
<v Speaker 2>dear Bridger and memorable guest. That's nice, especially considering all

1:04:08.080 --> 1:04:11.280
<v Speaker 2>of my memory problems. My husband and I are expecting

1:04:11.280 --> 1:04:14.400
<v Speaker 2>our first child through surrogacy. Our surrogate is an amazing

1:04:14.480 --> 1:04:17.320
<v Speaker 2>woman who has been through the entire IVF process and

1:04:17.440 --> 1:04:20.400
<v Speaker 2>most of the pregnancy at this point without a single complaint.

1:04:20.840 --> 1:04:23.840
<v Speaker 2>We have given some gifts at the major milestones, such

1:04:23.880 --> 1:04:26.760
<v Speaker 2>as baskets of self care products, gift cards, et cetera.

1:04:27.280 --> 1:04:30.400
<v Speaker 2>At the most recent appointment, she gave us a very thoughtful,

1:04:30.440 --> 1:04:33.600
<v Speaker 2>handmade gift. Oh that's nice. As we prepare for the birth,

1:04:33.800 --> 1:04:35.600
<v Speaker 2>we are at a loss for what to get the

1:04:35.680 --> 1:04:38.800
<v Speaker 2>person who gives birth to our son. Any suggestions will

1:04:38.800 --> 1:04:41.720
<v Speaker 2>be given the consideration they deserve. Well that I don't

1:04:41.800 --> 1:04:44.880
<v Speaker 2>like to hear that. Oh yeah, sincerely, Lucas and Justin

1:04:44.960 --> 1:04:50.920
<v Speaker 2>from Atlanta, Georgia. I mean to end, they deserve the

1:04:51.040 --> 1:04:53.480
<v Speaker 2>consideration they deserve. I mean, I almost just want to

1:04:53.480 --> 1:04:56.440
<v Speaker 2>shut down the podcast. If you're not just gonna take

1:04:56.480 --> 1:04:57.600
<v Speaker 2>these with open arms.

1:04:57.480 --> 1:05:01.200
<v Speaker 3>Exactly, we'll consider it. Well, of course she would also

1:05:01.320 --> 1:05:02.919
<v Speaker 3>like it's one of those things, like, of course she would,

1:05:03.320 --> 1:05:05.800
<v Speaker 3>but to say that she's a little bit like, Okay,

1:05:06.000 --> 1:05:06.240
<v Speaker 3>it was.

1:05:06.240 --> 1:05:10.560
<v Speaker 2>A nastiness to it. If you didn't believe we were

1:05:10.600 --> 1:05:12.040
<v Speaker 2>going to have a good answer for you, maybe just

1:05:12.080 --> 1:05:14.600
<v Speaker 2>don't write into the podcast exactly find another part.

1:05:14.720 --> 1:05:18.040
<v Speaker 3>Also, do you think this is real anyway? I mean,

1:05:18.080 --> 1:05:22.320
<v Speaker 3>your baby's real? Okay, great, congratulations another child in the world.

1:05:23.640 --> 1:05:27.760
<v Speaker 3>What do you give the mother for like having the baby?

1:05:28.200 --> 1:05:31.240
<v Speaker 2>Right, especially now that she's given another gift, I don't

1:05:31.240 --> 1:05:32.800
<v Speaker 2>feel like she should have given a gift.

1:05:32.840 --> 1:05:35.640
<v Speaker 3>She's done enough, she's done enough, she's gone too far,

1:05:35.880 --> 1:05:37.400
<v Speaker 3>she's absolutely done enough.

1:05:37.440 --> 1:05:40.200
<v Speaker 2>Early red flag. Actually, I would say maybe she's like

1:05:40.240 --> 1:05:43.400
<v Speaker 2>planning to take the baby. Oh I hope, maybe she's

1:05:43.440 --> 1:05:44.440
<v Speaker 2>starting to make get.

1:05:44.360 --> 1:05:44.840
<v Speaker 3>It back.

1:05:47.640 --> 1:05:49.160
<v Speaker 2>They she opened at the hospital and the doors.

1:05:51.080 --> 1:05:54.080
<v Speaker 3>What god, I mean, what do you get? What do

1:05:54.160 --> 1:05:56.120
<v Speaker 3>you give someone that's like done that? Like I feel

1:05:56.200 --> 1:05:59.560
<v Speaker 3>like anything is never enough. I mean you could buy

1:05:59.560 --> 1:06:01.560
<v Speaker 3>her a house and still be like, but you gave

1:06:01.640 --> 1:06:03.680
<v Speaker 3>us a child, you know what I mean? So I

1:06:03.720 --> 1:06:08.200
<v Speaker 3>would say, you know, I think a really nice dinner car,

1:06:08.440 --> 1:06:10.360
<v Speaker 3>like a you know, get for a nice.

1:06:10.400 --> 1:06:15.120
<v Speaker 2>Nice local rest restaurant or franchise, franchise, national change.

1:06:14.840 --> 1:06:17.320
<v Speaker 3>And you know a year in a wine club. Does

1:06:17.360 --> 1:06:20.080
<v Speaker 3>she drink now that she's just drink wine.

1:06:19.960 --> 1:06:22.320
<v Speaker 2>Or has she been secretly drinking? There you go, then

1:06:22.360 --> 1:06:29.280
<v Speaker 2>that's a problem, sure not to her. Not. Now what's

1:06:29.360 --> 1:06:30.480
<v Speaker 2>done is done, thank you.

1:06:32.960 --> 1:06:34.720
<v Speaker 3>Yeah, I would just say something like that you've already

1:06:34.720 --> 1:06:37.600
<v Speaker 3>given her, like spa. It sounds like self treatment, stuff

1:06:37.760 --> 1:06:38.160
<v Speaker 3>like things.

1:06:38.920 --> 1:06:41.480
<v Speaker 2>You know. Yeah, there's just never there. I mean, I

1:06:41.520 --> 1:06:44.080
<v Speaker 2>guess you could give her a pet, give her another

1:06:44.240 --> 1:06:47.160
<v Speaker 2>life large animal.

1:06:47.000 --> 1:06:48.520
<v Speaker 3>But then it's just to take care of that likes

1:06:48.560 --> 1:06:52.320
<v Speaker 3>just to want that. A large animal like a jaguar.

1:06:52.120 --> 1:06:58.160
<v Speaker 2>A jaguar exotic, something that's borderline illegal. Okay, sure, something

1:06:58.240 --> 1:06:59.360
<v Speaker 2>that should not be caged.

1:07:00.840 --> 1:07:01.760
<v Speaker 3>But Atlanta's big.

1:07:02.160 --> 1:07:04.160
<v Speaker 2>You know, her house is probably massive.

1:07:04.400 --> 1:07:06.640
<v Speaker 3>I'm sure. Give her a.

1:07:06.800 --> 1:07:15.920
<v Speaker 2>Wild animal, something zoo, I don't know. Get her something

1:07:16.000 --> 1:07:19.480
<v Speaker 2>that's been preserved in amber yea or in some swamp

1:07:19.560 --> 1:07:19.760
<v Speaker 2>in the.

1:07:20.080 --> 1:07:23.320
<v Speaker 3>Thanks for taking our child and deal with this.

1:07:23.600 --> 1:07:26.400
<v Speaker 2>Yeah, moving on, because who knows the child that they've

1:07:26.440 --> 1:07:28.000
<v Speaker 2>all created together could be a nightmare.

1:07:28.480 --> 1:07:29.120
<v Speaker 3>I hope he is.

1:07:32.360 --> 1:07:34.320
<v Speaker 2>So you have to give her something that could potentially

1:07:34.360 --> 1:07:35.040
<v Speaker 2>be a life.

1:07:34.920 --> 1:07:36.320
<v Speaker 3>Ruin heer, Absolutely so.

1:07:36.440 --> 1:07:40.000
<v Speaker 2>I think actually the only thing is an exotic animal.

1:07:39.920 --> 1:07:46.760
<v Speaker 3>That bites and get an astac death mask death whistle,

1:07:47.960 --> 1:07:50.280
<v Speaker 3>and then you know, train it through.

1:07:50.240 --> 1:07:53.480
<v Speaker 2>That, trained through a death.

1:07:56.120 --> 1:08:01.040
<v Speaker 3>I think that parents would be wonderful. Let's fine, okay,

1:08:01.200 --> 1:08:05.160
<v Speaker 3>exactly just anybody. We're putting it out there now. Bridge

1:08:05.200 --> 1:08:09.120
<v Speaker 3>and I are looking to become dads. Make us a kid,

1:08:09.480 --> 1:08:12.760
<v Speaker 3>and you will get You'll get an exotic animal preserved

1:08:12.760 --> 1:08:17.040
<v Speaker 3>in amber with an az tech death whistle. Who could ask, hello,

1:08:17.600 --> 1:08:19.559
<v Speaker 3>all you had to do nine months out of your life?

1:08:19.720 --> 1:08:20.320
<v Speaker 2>Who care?

1:08:20.720 --> 1:08:22.000
<v Speaker 3>Cook a baby? Thank you?

1:08:22.200 --> 1:08:22.800
<v Speaker 2>Deal with it.

1:08:23.120 --> 1:08:24.439
<v Speaker 3>You'll never hear from us again.

1:08:26.080 --> 1:08:31.160
<v Speaker 2>We will change our numbers. Oh, we'll never again, full

1:08:31.240 --> 1:08:36.640
<v Speaker 2>new identities, and you're left with this creature. Well I

1:08:36.720 --> 1:08:39.880
<v Speaker 2>feel like that. I mean that that requires full consideration. Yes,

1:08:40.120 --> 1:08:43.960
<v Speaker 2>I mean they're doing it. Let's just assume that Justin

1:08:44.040 --> 1:08:47.400
<v Speaker 2>and what's his name, Lucas, Lucas, thank you Justin and

1:08:47.520 --> 1:08:52.880
<v Speaker 2>Lucas take it away. Uh, surprise her, shock, her, delight

1:08:53.000 --> 1:08:57.439
<v Speaker 2>her exactly one for one baby for animal. Yeah, don't

1:08:57.439 --> 1:09:06.240
<v Speaker 2>write back in, we answered it perfectly. That I can

1:09:06.320 --> 1:09:10.360
<v Speaker 2>just blow throughout the day satisfying. It really is a

1:09:10.560 --> 1:09:14.680
<v Speaker 2>stress reliever. I can't recommend it enough. I'm sitting here

1:09:14.720 --> 1:09:16.880
<v Speaker 2>with two people who are deeply jealous of my new gift,

1:09:17.320 --> 1:09:19.240
<v Speaker 2>Drew and on Alis, and there's nothing they can do

1:09:19.360 --> 1:09:22.720
<v Speaker 2>about it. Thank you for being here, then, thank you,

1:09:22.800 --> 1:09:25.360
<v Speaker 2>Thank you for this wonderful that's such a good time

1:09:25.400 --> 1:09:29.400
<v Speaker 2>with you, so much fun. Listener, The podcast is over.

1:09:33.439 --> 1:09:41.040
<v Speaker 2>Oh I love you, goodbye. I said, No Gifts is

1:09:41.080 --> 1:09:45.719
<v Speaker 2>an exactly right production. Our senior producer is on Alisa Nelson,

1:09:45.800 --> 1:09:49.479
<v Speaker 2>and our episodes are beautifully mixed by Ben Tolladay. The

1:09:49.600 --> 1:09:52.960
<v Speaker 2>theme song is by miracle worker Amy Mann, and we

1:09:53.000 --> 1:09:56.400
<v Speaker 2>couldn't do it without our booker, Patrick Cottner. You must

1:09:56.600 --> 1:09:59.240
<v Speaker 2>follow the show on Instagram. And I said, No Gifts,

1:09:59.280 --> 1:10:01.000
<v Speaker 2>that's where you're going to see pictures of all these

1:10:01.120 --> 1:10:03.800
<v Speaker 2>wonderful gifts I'm getting. And don't you want to see

1:10:03.840 --> 1:10:04.360
<v Speaker 2>the gifts?

1:10:05.240 --> 1:10:12.200
<v Speaker 1>And I invited you here, thought I made myself perfectly clear,

1:10:13.520 --> 1:10:18.599
<v Speaker 1>But you're a guess to my home. You gotta come

1:10:18.680 --> 1:10:24.360
<v Speaker 1>to me empty And I said, no guests, you're our

1:10:24.560 --> 1:10:31.640
<v Speaker 1>presences presents enough I already had too much stuff, So

1:10:31.840 --> 1:10:34.720
<v Speaker 1>how did you dare to surbey me?