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Speaker 1: But I invited you here. I thought I made myself

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Speaker 1: perfectly clear. When you're a guest to my home, you

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Speaker 1: gotta come to me empty. And I said, no guests,

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Speaker 1: you're presences presents enough. I already had too much stuff,

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Speaker 1: So how did you dare to surbey me?

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Speaker 2: Welcome to I said, no gifts and Bridgard Wineger, we're

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Speaker 2: in the backyard. There was some minor police activity about

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Speaker 2: an hour ago. I don't know what was happening, but

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Speaker 2: I think that's been cleared up. My voice is back

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Speaker 2: to probably ninety eight percent. Probably can't still can't hit

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Speaker 2: the high notes that I'm famous for, but I think

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Speaker 2: we'll make it through the whole episode without me sounding weak,

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Speaker 2: at least physically or vocally. Emotionally mentally, those things just

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Speaker 2: continue to seem who knows that'll be spotty. I mean,

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Speaker 2: what's dominating my thoughts is I have a buy one

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Speaker 2: getting one free salad coupon on my counter, and I

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Speaker 2: just can't stop thinking about how I'm going to use

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Speaker 2: that as wisely as possible to get two salads, and

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Speaker 2: when I'll eat the second salad. Is there any other

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Speaker 2: crucial business we need to talk about? There isn't I adore.

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Speaker 2: I love today's guest. I'm so excited he's here. It's

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Speaker 2: Drew DROGI, Drew Hybridser, Welcome to I said, no gift.

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Speaker 3: Thank you so much. I'm so happy you're here. I'm

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Speaker 3: so happy to be here. What happened to your voice?

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Speaker 2: Like I I was in New York, alast.

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Speaker 3: To get it loud City.

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Speaker 2: I was screaming the entire time. Sure, you have to

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Speaker 2: you get on the plane the way.

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Speaker 3: You gotta, you gotta, you gotta tell people exactly what

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Speaker 3: you want.

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Speaker 2: You've got to be open and honest. That's right, brutal. Yes, yeah,

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Speaker 2: I sit down on the plane on the way to

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Speaker 2: New York, and I immediately it's screaming, scream until I

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Speaker 2: get back to lax Great and then I'm back into

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Speaker 2: my you know, relaxed surfer.

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Speaker 3: Five, sweet easy Los Angeles.

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Speaker 2: Yes, exactly. Yeah, I had a I got a cold

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Speaker 2: while there, and uh, it just decimated my voice. Because

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Speaker 2: you were going to record earlier this week, I know,

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Speaker 2: and it felt it feels like such a flimsy excuse

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Speaker 2: to be like he doesn't have his voice.

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Speaker 3: It's an audio podcast, like it kind of like a

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Speaker 3: made up thing. No but I no, no, no, but no.

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Speaker 3: It happens all the time. I lose my voice a lot.

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Speaker 3: I'm horrible about, Like I have to go back and

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Speaker 3: actually do like training that I quote unquote learned in

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Speaker 3: college about how to take care of my instrument, and

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Speaker 3: I don't. I'm horrible about it. I will blow it

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Speaker 3: out so easily, and I don't always. I'm always nervous

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Speaker 3: about doing it, like what I'm doing stage shows and stuff.

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Speaker 3: But it usually happens at the bar after the show

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Speaker 3: because you're talking for hours and you're not realizing how

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Speaker 3: much you're straining just to just to make noise forever.

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Speaker 3: And so that's usually where it happens.

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Speaker 2: You actually lose and then what are you doing to

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Speaker 2: repair it? To recover?

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Speaker 3: There's a very little you can do other than rest

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Speaker 3: and drink lots of water. I sometimes the saltwater helps.

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Speaker 3: Gargling pineapple helps. Pineapple, yeah, pineapples very it's uh, it's

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Speaker 3: a it's an anti inflammatory. Oh and you know what

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Speaker 3: really helps. Actually, there's a lot of tricks that help

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Speaker 3: with it. Ibuprofen. Take three. I be profn at night

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Speaker 3: and three in the morning. And it because you're anti

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Speaker 3: inflammatory because your voice is actually just blown out. That's what.

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Speaker 3: And then and another thing, if you really need I

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Speaker 3: learned this as just a fast trick is lays potato

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Speaker 3: chips or fried chicken, because those things have so much

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Speaker 3: grease in them that they will bond your vocal cords

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Speaker 3: together to make noise.

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Speaker 2: This is a dream to hear.

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Speaker 3: I mean I learned this when I was, you know,

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Speaker 3: doing a musical in the New York City and they

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Speaker 3: told us, they were like, if you really need to

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Speaker 3: make noise, it's specifically lays playing potato chips because they've

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Speaker 3: got so much grease. They're just so oily. It's so oily,

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Speaker 3: that's why. And or fried chicken.

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Speaker 2: Wow, this is fascinating, Like real.

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Speaker 3: Fried chicken, not like some like no no, no, no,

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Speaker 3: like oven bake, none of that shit. You need like real, dripping,

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Speaker 3: greasy fried chicken.

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Speaker 2: I love greasy, dripping right.

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Speaker 3: It's a great excuse to just run out in the

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Speaker 3: middle shows be like I have to eat the nastiest

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Speaker 3: fried chicken.

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Speaker 2: I get fine.

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Speaker 3: Yeah, exactly what musical were you doing in the time Titanique?

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Speaker 3: Have you seen it?

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Speaker 2: Wait? I saw you. I was there. When was this

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Speaker 2: this was actually very uncomfortable for me because I was

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Speaker 2: afraid I was going to make eye contact with you

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Speaker 2: on stage. Oh god.

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Speaker 3: I first of all, I can't see anything when I'm

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Speaker 3: up there. I'm blind as.

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Speaker 2: A bad I know, you forget that as an audience. Yeah,

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Speaker 2: but at the time, I was like, if I will

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Speaker 2: have to leave the theater. This must have been last year.

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Speaker 3: It was last year we did it. Yeah, I mean

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Speaker 3: it's still running, but I was in it last year.

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Speaker 3: It's a blast. It's a parody of Titanic with all

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Speaker 3: the music of Celine Dion. It's become this thing. I know.

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Speaker 3: I was just thinking about Marlon Connie and Tye and

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Speaker 3: Nicholas who wrote it. Now it's like the productions of

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Speaker 3: it in Australia, all your Kid, London and Canada and

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Speaker 3: oh yeah, all over the world the productions of Titanique

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Speaker 3: that are happening, And I'm like, how cool.

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Speaker 2: That's wild. When did it open it that's a great question.

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Speaker 3: I should know that they've been doing it. They've been

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Speaker 3: working on it off and on and workshopping it for

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Speaker 3: many years. Okay, it opened at the Theater at the

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Speaker 3: Old like underneath Christides or the RC right, right, So

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Speaker 3: that's where it opened, okay, and then they moved it

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Speaker 3: to the Daryl Roth. Yes, I'm going to say like

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Speaker 3: November of twenty two it moved to Daryl Roth and

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Speaker 3: it's been running there since then.

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Speaker 2: Wow, for to already have international franchises, Yes, that's pretty impressive.

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Speaker 3: Yes, but I think it opened, you know twenty one.

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Speaker 3: It must have been obviously post pend.

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Speaker 2: Right, yes, yes, yeah, that makes sense. Yeah, I saw

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Speaker 2: you in it. That's such a strange. I could completely

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Speaker 2: forgot obviously your performance was just completely forgettable. I was

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Speaker 2: fairly in it, Vanish I just.

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Speaker 3: Play an eyelash and forget about me.

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Speaker 2: How long were you in it?

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Speaker 3: For? Five months? Okay?

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Speaker 2: Yeah, yeah, it's like right near Union Square there, yep, yes, yeah,

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Speaker 2: house straight.

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Speaker 3: It was such a dream because I've never I love musicals,

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Speaker 3: like I'm not a singer, right, so, and so it

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Speaker 3: was like this dream to do a musical in New

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Speaker 3: York City and to do the eight shows a week

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Speaker 3: thing that I had never really done because even when

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Speaker 3: I did my solo show there, the most average was

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Speaker 3: seven shows a week. I never did eight, right, And

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Speaker 3: I was like, I need that New York theater, like

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Speaker 3: it's hell.

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Speaker 2: It's horrible, a nightmare.

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Speaker 3: It's a nightmare. You're never not tired. Your day off

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Speaker 3: is your most exhausted day. Of course, your body lets

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Speaker 3: yourself actually be tired. But I'm so glad I had

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Speaker 3: the experience because as someone who never thought that would

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Speaker 3: happen to be in a musical, and it was like,

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Speaker 3: that's very cool.

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Speaker 2: To not have the number one thing you need for

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Speaker 2: a musical.

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Speaker 3: Right, And this character was the one part that didn't

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Speaker 3: sing right right and that you don't remember, and.

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Speaker 2: That I completely The rest of the show was fire.

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Speaker 3: I mean, can we start, Let's go down the line

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Speaker 3: and talk about how great everybody else was and memorable

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Speaker 3: they were.

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Speaker 2: No, you were spectacular. The whole show was so delightful.

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Speaker 2: It's just a party.

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Speaker 3: It's about it's a party. It's a big party. It's

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Speaker 3: so much fun. Yeah.

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Speaker 2: The eight shows a week thing coming from living in

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Speaker 2: LA and working in this site of entertainment where you

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Speaker 2: write three hours every nine months.

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Speaker 3: Right exactly. Or even when you do theater in LA,

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Speaker 3: it's usually four or five shows a week. You do

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Speaker 3: like a weekend, and you rarely do two in one day.

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Speaker 3: In La. You know, it's it's very easy. It's very

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Speaker 3: JV compared to like New York is like whip cracking.

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Speaker 2: Do you start to just I feel like you would

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Speaker 2: just lose the feeling of it all a few shows in,

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Speaker 2: Do you just feel robotic?

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Speaker 3: I would feel robotic after a while. And I felt

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Speaker 3: that way in my own show too, And I was like,

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Speaker 3: and I remember the first time I felt that way

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Speaker 3: that I'd always heard, Like, you know, an actors, you

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Speaker 3: start thinking about your laundry, and you start you right,

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Speaker 3: and you have those intrusive thoughts, and I was like, well,

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Speaker 3: that'll never be me. I'll always be in the in

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Speaker 3: the truth of the moment every time. But even in

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Speaker 3: my own show, I started to go, oh, blah blah blah,

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Speaker 3: I'm just thinking. And I was watching my body do

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Speaker 3: the same mannerisms and that same and so I went

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Speaker 3: off stage and I said the stagement. I said, oh

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Speaker 3: my god, I'm so sorry. I was so out of

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Speaker 3: it tonight, and he said I had no idea. Wow,

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Speaker 3: So you do. It's like choreography with anything, you have

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Speaker 3: to kind of actually not think about it because the

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Speaker 3: worst thing to do is to be up there and

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Speaker 3: go I'm not present. I need to get in my body,

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Speaker 3: and then that makes you even more in your head

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Speaker 3: and then you're a very aware aware of everything you have.

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Speaker 3: You have to stop thinking and just go out there

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Speaker 3: and do the show right, which is really weird because

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Speaker 3: you go through this long period of like do I

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Speaker 3: know my lines? Am I listening to my partner? Is

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Speaker 3: this the way to deliver this the best way? Like

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Speaker 3: you go through this trial period for like previews, and

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Speaker 3: then you hit you like coast for a bit where

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Speaker 3: you're like, oh, I'm so connected and so fun and

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Speaker 3: then you're like, I am so out the door and

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Speaker 3: I don't even know. But five months was as long

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Speaker 3: as I felt.

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Speaker 2: Like I couldn't do it, to be basically working overtime.

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Speaker 3: Yeah, and just the same words over and over again.

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Speaker 3: My my interests of thoughts were coming in and I

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Speaker 3: would be like what if I start screaming? What if

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Speaker 3: I jump up the stage? What if I high fi

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Speaker 3: bridge are in the audience? Like I would just content

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Speaker 3: thou show. You would exactly see time machine, That's what

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Speaker 3: I need to do is go back in time. No,

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Speaker 3: but I would I would have those complete thoughts of

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Speaker 3: just like what if I you.

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Speaker 2: Know, oh, which very fun thoughts, which are.

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Speaker 3: Fun but also terrifying and also just like get in it,

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Speaker 3: say it it, you know, but you know, well.

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Speaker 2: Yeah, it's kind of like a very dull, out of

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Speaker 2: body experience. Yes, fascinating for sure, which I probably, as

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Speaker 2: having no stage skill whatsoever, will never experience.

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Speaker 3: I don't believe that.

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Speaker 2: Well, believe it here today too.

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Speaker 3: You know, I think no. I think it's like, in

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Speaker 3: a way, it kind of protects you, because you know,

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Speaker 3: you're like, when the audience is great, you can feel

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Speaker 3: like I'm amazing, we're killing it, We're doing so great,

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Speaker 3: and then they're bad and you're like, I'm horrible. And

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Speaker 3: then sometimes there's part of you it's like neither you're

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Speaker 3: always there's always kind of like baseline. It is what

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Speaker 3: it is, and so you kind of like through that,

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Speaker 3: you're kind of like, oh, we're just punching the clock

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Speaker 3: and going back, and when you're doing that many shows,

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Speaker 3: you're just like, all right, the next one is in

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Speaker 3: five minutes, so here we go. Put another quarter in

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Speaker 3: the back of my neck and wind me up or whatever.

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Speaker 2: How familiar were you with Titanic before? Were you much

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Speaker 2: of a fan of the movie.

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Speaker 3: I do like the movie, like the I like the

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Speaker 3: nineteen twelve part of the movie. The wrap around is

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Speaker 3: pretty horrible. I mean, the Bill Paxton incredible is so bad.

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Speaker 3: But I do think the actual Titanic part of it

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Speaker 3: is really great. I saw it. I definitely saw it

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Speaker 3: in the theater. I maybe saw it all the way

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Speaker 3: through one other time before. But I've known them from

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Speaker 3: the beginning, so I did the very first like a

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Speaker 3: reading of Titanique at someone's apartment, like before it was

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Speaker 3: ever done, and then I wasn't able to do it

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Speaker 3: officially until last year. So I've watched I've seen Titanique

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Speaker 3: six or seven times and after I've actually gone back

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Speaker 3: and seen it after I did it.

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Speaker 2: Yeah, I think I've only seen the movie once in

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Speaker 2: the theaters, right, And it's just I never have any

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Speaker 2: other reason to watch it.

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Speaker 3: No, it's three and a half hours long, and why

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Speaker 3: would you just sit down and watch that? Right?

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Speaker 2: But people love it, They've worshiped.

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Speaker 3: Yeah, I mean it's it got a lot of you know,

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Speaker 3: people love to bag on it too and hate on it,

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Speaker 3: but it it's better than that. I mean, you know,

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Speaker 3: it's better than a lot of things that have won

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Speaker 3: Best Picture, Right, you know and so, and it's a

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Speaker 3: big blockbuster.

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Speaker 2: Period piece, kind of engaging melodro.

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Speaker 3: But everyone's really good in it, you know, the kids

257
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Speaker 3: are great in it, Victor Carver's.

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Speaker 2: Fantashure and I do. I mean, the only thing I've

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Speaker 2: seen repeatedly is the dropping the thing into the ocean.

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Speaker 3: Right, which is ridiculous. It makes no sense and you

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Speaker 3: want to throttle that woman, like why why are you

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Speaker 3: doing that?

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Speaker 2: I Like, when it came to my attention as an adult,

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Speaker 2: I was like, this couldn't possibly have been part of

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Speaker 2: the original because I had obviously forgotten. But it's part

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Speaker 2: of the film, right, right. It's so strange. It's so

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Speaker 2: strange because it seems objectively bad.

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Speaker 3: Yes, and it's also like what like you're throwing the

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Speaker 3: whole thing away into the just sort of like.

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Speaker 2: Eh, and is you're doing that just to maintain the mystery?

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Speaker 2: What is the I don't even know.

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Speaker 3: It's yeah, I think it's sort of like I've told

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Speaker 3: my story, that's all you get, and I I don't know.

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Speaker 3: I don't think James Karen thought it through. We have

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Speaker 3: fun and Titanic making fun of that every night, right,

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Speaker 3: But you know.

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Speaker 2: Yeah, have you lived in New York much.

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Speaker 3: I've never lived in New York. Oh wow, I've only

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Speaker 3: I've spent a lot of time there. But I've lived

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Speaker 3: in Los Angeles proper for twenty five years.

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Speaker 2: Where are you from?

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Speaker 3: North Carolina?

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Speaker 2: Oh? Okay, okay, yeah wow, So yeah, I've only I've

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Speaker 2: lived in New York for probably a total of a

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Speaker 2: year and a half at this point. Okay, But I

286
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Speaker 2: don't know that I'm made for it, So I don't.

287
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Speaker 3: Know that I love working there and that that was

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Speaker 3: the longest I was there doing Touch Sneque. But I've

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Speaker 3: done my show's there. I'm trying to get I love

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Speaker 3: I mean, you know, having a job there is so fun. Oh,

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Speaker 3: doing a play there, a purpose, Being on a TV

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Speaker 3: show there is like you know, or I love to

293
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Speaker 3: spend like two weeks max going and seeing things and

294
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Speaker 3: seeing friends and hanging out and spending way too much

295
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Speaker 3: money and just being an idiot.

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Speaker 2: Right, Dasha, blast right.

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Speaker 3: I've never lived there where I'm just pounding the pavement

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Speaker 3: trying to have a life there without like some sort

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Speaker 3: of employment for too long, right, I think that would

300
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Speaker 3: be really tough. And I'm used to this. I'm used

301
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Speaker 3: to space and ease and ease, you know, I used

302
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Speaker 3: to ease.

303
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Speaker 2: The other thing I was going to ask you about

304
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Speaker 2: related to Titanic if we can move on beyond this,

305
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Speaker 2: but have you seen this Selene Dion documentary?

306
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Speaker 3: Yes? I have.

307
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Speaker 2: How did you feel about that?

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Speaker 3: It's it's wonderful. You know, I had no I had

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00:14:14,800 --> 00:14:17,200
Speaker 3: no real connection with Selene Dion. If anything, I kind

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Speaker 3: of laughed at her and thought she was kind of

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Speaker 3: an you know, and then even the in the beginning

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Speaker 3: of Titanique, you know, Marlen Mendel's hilarious impression of Celene

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Speaker 3: Dion and then you know, getting to like see Nicole Parker,

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Speaker 3: Jackie Burns do it, and all these people like it's

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Speaker 3: this but Ty Blue, who directed our show, was so

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Speaker 3: smart in making us love her. We was like, you

317
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Speaker 3: have to love Selene. It's like the entire thing is

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Speaker 3: what would Selene do? And Selene leads with kindness and

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Speaker 3: so she's goofy and ridiculous, but you have to love her.

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Speaker 3: And so I realized through that show. I was like,

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Speaker 3: I know all of these songs. I would not own

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Speaker 3: these songs is my kind of music. Yet you kind

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Speaker 3: of learned to love. So I became a fan of

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Speaker 3: her because of doing the show. It was one of

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Speaker 3: those things of like, I did a Karen Carpenter's parody show,

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Speaker 3: and I love Karen Carpenter. I was like, Karen Carpenter,

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Speaker 3: get out of here, grow up. But but now you're like, oh,

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Speaker 3: I love you know, I'm not afraid to admit I

329
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Speaker 3: can like, you know, kind of like sentimental grocery store music.

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Speaker 3: And and her voice is on Seline's voice is unbelievable,

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Speaker 3: and so it's Karen Carpenter's obviously, so yeah so and

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Speaker 3: then on top of it, with the all of her

333
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Speaker 3: health issues that she's had, it just makes you like

334
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Speaker 3: really see the human being that she is and you

335
00:15:37,280 --> 00:15:39,480
Speaker 3: love her, and you're like, thank god, I love my

336
00:15:39,520 --> 00:15:40,400
Speaker 3: starts to be weird.

337
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Speaker 2: Oh of course weird in a good way.

338
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Speaker 3: Absolutely, Barbara streisand is not weird enough.

339
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Speaker 2: She could breathe it all.

340
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Speaker 3: I'll say it. I want I want a weirdo.

341
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Speaker 2: Let's find out something. You have all of the resources

342
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Speaker 2: to be as strange as you possibly want.

343
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Speaker 3: Go for it, Go for it.

344
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Speaker 2: Be a freak.

345
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Speaker 3: Do it.

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Speaker 2: Please have something to hie.

347
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Speaker 3: The rest of us, go, oh my god, did you

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Speaker 3: see yes, of course, keep I'm guessing.

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Speaker 2: Yeah, I don't. I mean I again, I think I

350
00:16:08,600 --> 00:16:11,240
Speaker 2: do have memory issues because from the documentary, I remember

351
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Speaker 2: health issues. I remember her son's being strange in a

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Speaker 2: way where they were like drinking milkshakes all the time,

353
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Speaker 2: oh right, and being gamers, and then she's just kind

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Speaker 2: of trapped at least in the documentary in Las Vegas, right, which.

355
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Speaker 3: That would be my deal. That's my least favorite place

356
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Speaker 3: on earth.

357
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Speaker 2: I'd love to hear it.

358
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Speaker 3: I hate Las Vegas. Do you like Las Vegas?

359
00:16:33,520 --> 00:16:35,800
Speaker 2: I do not, and it's awful. I have to say,

360
00:16:35,840 --> 00:16:36,840
Speaker 2: you know, there are a lot I'm sure there are

361
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Speaker 2: a lot of wonderful people who love it and live there.

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Speaker 2: For me, I now cannot go back.

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Speaker 3: I have been to Old Vegas and I liked that.

364
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Speaker 3: Like the Old Vegas part is very cool and like

365
00:16:46,800 --> 00:16:50,240
Speaker 3: I can imagine that. But the New Vegas, the Strip,

366
00:16:50,360 --> 00:16:55,760
Speaker 3: it's literally everything terrible about America forced into this horrible,

367
00:16:56,720 --> 00:17:00,400
Speaker 3: just vein of filth, and it's and it's all always

368
00:17:00,960 --> 00:17:05,600
Speaker 3: so hot outside and so cold inside. It's loud, they

369
00:17:05,600 --> 00:17:10,080
Speaker 3: are people everywhere. It's decad it it's barbecue, pork chop,

370
00:17:10,160 --> 00:17:12,480
Speaker 3: margarita it's awful.

371
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Speaker 2: When was the last time you were there?

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Speaker 3: Yesterday? No? No, you know I have not been there

373
00:17:18,960 --> 00:17:21,719
Speaker 3: in years. I only go there when I have to.

374
00:17:21,840 --> 00:17:25,439
Speaker 3: My family used to take family trips there, and they

375
00:17:25,520 --> 00:17:26,879
Speaker 3: used to think it was so fun. We're gonna We're

376
00:17:26,880 --> 00:17:28,280
Speaker 3: gonna meet in Vegas, and they would fly all the

377
00:17:28,280 --> 00:17:30,400
Speaker 3: way from the Carolinas and then I would meet them

378
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Speaker 3: in Vegas and I was like, please, can I go

379
00:17:32,760 --> 00:17:35,680
Speaker 3: home to North Carolina. I'd actually rather, I mean, I

380
00:17:35,800 --> 00:17:40,120
Speaker 3: must rather be in North Carolina than than Las Vegas.

381
00:17:40,320 --> 00:17:43,880
Speaker 3: But I guess I had. I had a job there,

382
00:17:44,680 --> 00:17:47,240
Speaker 3: maybe ten or more years ago, and I remember getting

383
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Speaker 3: like a six am flight out of there, just gland

384
00:17:50,680 --> 00:17:52,760
Speaker 3: at six forty five am in LA I mean, like

385
00:17:52,800 --> 00:17:55,159
Speaker 3: I would take the earliest flight to get out of there.

386
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Speaker 3: I was like, nope, no more of this.

387
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Speaker 2: No, it is torture for me to be there. There's nothing,

388
00:17:59,640 --> 00:18:03,440
Speaker 2: There's zero appeal. You are seeing the absolute base of

389
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Speaker 2: human behavior, seeing people at their lowest.

390
00:18:06,600 --> 00:18:09,000
Speaker 3: Yes, and just the sadness of people like with the

391
00:18:09,040 --> 00:18:11,879
Speaker 3: sweaty cocktail and putting another quarter in the slot machine,

392
00:18:11,920 --> 00:18:14,719
Speaker 3: just being like my mortgage and you're just like this

393
00:18:14,880 --> 00:18:18,920
Speaker 3: is so dark and awful, and I just I when

394
00:18:18,960 --> 00:18:23,360
Speaker 3: I win mon I don't like gambling, I go okay,

395
00:18:23,880 --> 00:18:27,840
Speaker 3: like it doesn't do anything for me to win. I'm

396
00:18:27,840 --> 00:18:29,920
Speaker 3: that way with games too. I don't need to win games.

397
00:18:30,160 --> 00:18:34,800
Speaker 3: I'm going to in any setting. I'm going to a

398
00:18:34,840 --> 00:18:36,920
Speaker 3: game night tonight, and I pissed people off because I

399
00:18:36,960 --> 00:18:42,240
Speaker 3: don't care. Where's your competitive spirit. I'm like, I had

400
00:18:42,280 --> 00:18:44,560
Speaker 3: to let that die to do what I do for

401
00:18:44,640 --> 00:18:48,600
Speaker 3: a living, I had to not be competitive. So I

402
00:18:48,680 --> 00:18:50,479
Speaker 3: just don't enjoy. So that part of that I don't like.

403
00:18:50,840 --> 00:18:55,600
Speaker 3: The entertainment is, yeah, it's cats on ice, you know,

404
00:18:55,640 --> 00:19:00,399
Speaker 3: it's never anything like, I don't know, challenging.

405
00:19:00,520 --> 00:19:03,080
Speaker 2: Right, I mean, of course, now the thing is people

406
00:19:03,119 --> 00:19:04,600
Speaker 2: want to see the sphere.

407
00:19:05,920 --> 00:19:06,879
Speaker 3: That I would like to see that.

408
00:19:07,760 --> 00:19:09,240
Speaker 2: It's like, is it worth going there?

409
00:19:10,240 --> 00:19:15,679
Speaker 3: I'll I'll see it on the helicopter passed or exactly.

410
00:19:16,080 --> 00:19:18,320
Speaker 2: I guess I could make a road trip that simply

411
00:19:18,320 --> 00:19:21,320
Speaker 2: doesn't stop in Las Vegas. You just drive through, you

412
00:19:21,400 --> 00:19:22,520
Speaker 2: take a peek, you do that.

413
00:19:22,640 --> 00:19:24,680
Speaker 3: It's like Big Ben Parliament. And just.

414
00:19:26,359 --> 00:19:28,880
Speaker 2: Because none of the bands that they are scheduling there

415
00:19:28,960 --> 00:19:31,280
Speaker 2: haven't hold any interest for me. I don't need to

416
00:19:31,280 --> 00:19:35,000
Speaker 2: see you two and write three D or whatever we're

417
00:19:35,000 --> 00:19:35,560
Speaker 2: talking about.

418
00:19:35,600 --> 00:19:37,080
Speaker 3: No, I mean the bands have to be those kind

419
00:19:37,080 --> 00:19:37,600
Speaker 3: of bands, right.

420
00:19:37,560 --> 00:19:39,280
Speaker 2: Yeah, they have to be the biggest band. They have

421
00:19:39,320 --> 00:19:42,359
Speaker 2: to be like a an NFL halftime band, right, which

422
00:19:42,400 --> 00:19:46,200
Speaker 2: doesn't hold a lot of my attention, unfortunately. What sort

423
00:19:46,240 --> 00:19:47,440
Speaker 2: of games are you playing at game night?

424
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Speaker 3: I don't know, but these are intelligent, like like very

425
00:19:52,720 --> 00:19:55,040
Speaker 3: I mean, these are one of the people there is

426
00:19:55,040 --> 00:19:58,679
Speaker 3: like a producer and big brother oh the game creating

427
00:19:58,720 --> 00:20:00,440
Speaker 3: the games, and they really like have a sort of

428
00:20:00,560 --> 00:20:01,800
Speaker 3: you know, and you kind of get there, like I

429
00:20:01,800 --> 00:20:05,040
Speaker 3: don't know what world I'm walking into.

430
00:20:04,880 --> 00:20:06,240
Speaker 2: Tonight, cheese.

431
00:20:06,560 --> 00:20:08,520
Speaker 3: But there are games like celebrity that I'm usually very

432
00:20:08,520 --> 00:20:11,440
Speaker 3: good at, right, but I don't care, Like when I'm

433
00:20:11,440 --> 00:20:12,000
Speaker 3: like I don't.

434
00:20:11,960 --> 00:20:14,639
Speaker 2: That's kind of even worse when someone's good and they

435
00:20:14,640 --> 00:20:15,320
Speaker 2: don't care, I.

436
00:20:15,280 --> 00:20:18,360
Speaker 3: Know, they hate you. You're like and they're like, come on,

437
00:20:18,640 --> 00:20:20,160
Speaker 3: you don't even have to put it whatever. But I'm

438
00:20:20,240 --> 00:20:23,480
Speaker 3: terrible at most games, and I'm terrible at poker. So

439
00:20:23,520 --> 00:20:25,840
Speaker 3: when I randomly went a hand, like a clock's always

440
00:20:25,920 --> 00:20:27,200
Speaker 3: you know, right, a broken clock?

441
00:20:27,560 --> 00:20:30,360
Speaker 2: Is it always rites twice a day? That right?

442
00:20:30,480 --> 00:20:32,000
Speaker 3: Yes? Yes, which you know.

443
00:20:32,119 --> 00:20:34,600
Speaker 2: Yeah, I mean that's sort of gambling in general exact

444
00:20:34,600 --> 00:20:36,520
Speaker 2: because anyone can I know there's like.

445
00:20:36,480 --> 00:20:38,600
Speaker 3: A strategy to all of it, and I just don't care.

446
00:20:38,760 --> 00:20:41,240
Speaker 3: My brain doesn't cannot care enough.

447
00:20:42,119 --> 00:20:44,399
Speaker 2: The only one that I can like tolerate as far

448
00:20:44,440 --> 00:20:47,400
Speaker 2: as card games is black check because it's simple, it's

449
00:20:47,440 --> 00:20:48,160
Speaker 2: over pretty.

450
00:20:48,000 --> 00:20:50,960
Speaker 3: Quickly, right, and I've got to get to twenty one. Yes,

451
00:20:51,440 --> 00:20:53,520
Speaker 3: it's when you get sixteen and you're like, I don't

452
00:20:53,560 --> 00:20:54,760
Speaker 3: really know what should I do?

453
00:20:55,320 --> 00:20:56,640
Speaker 2: And ultimately who cares?

454
00:20:56,880 --> 00:20:57,560
Speaker 3: Who cares?

455
00:20:57,600 --> 00:20:59,840
Speaker 2: So we can just get through this? Yeah, but yeah,

456
00:20:59,840 --> 00:21:02,720
Speaker 2: I'm not a I mean, there's just Las Vegas. They're

457
00:21:02,720 --> 00:21:04,120
Speaker 2: gonna have to think of something new if they're going

458
00:21:04,119 --> 00:21:04,760
Speaker 2: to draw me in.

459
00:21:05,240 --> 00:21:08,639
Speaker 3: Thank you. I go there for a paycheck or maybe

460
00:21:08,680 --> 00:21:13,800
Speaker 3: a hug from mom.

461
00:21:14,000 --> 00:21:16,240
Speaker 2: Well, I think there's something else I hate that I'd

462
00:21:16,320 --> 00:21:16,879
Speaker 2: like to talk to you.

463
00:21:17,640 --> 00:21:18,400
Speaker 3: Let's get into it.

464
00:21:19,200 --> 00:21:22,640
Speaker 2: I was looking forward to having you here today, absolutely

465
00:21:22,880 --> 00:21:25,679
Speaker 2: thrilled to have Drew here. I thought we'll have a

466
00:21:25,720 --> 00:21:30,879
Speaker 2: wonderful conversation. Drew will go home ha. So you know

467
00:21:30,920 --> 00:21:33,199
Speaker 2: the podcast is called I said no gifts and so,

468
00:21:33,760 --> 00:21:35,760
Speaker 2: and I know there have been emails and I'm sure

469
00:21:36,200 --> 00:21:39,560
Speaker 2: hundreds of phone calls, and the title has been repeated

470
00:21:39,560 --> 00:21:42,520
Speaker 2: over and over too. Yeah, so it was a little

471
00:21:43,119 --> 00:21:44,840
Speaker 2: I'm just going to say disappointed today.

472
00:21:44,960 --> 00:21:45,600
Speaker 3: Sorry.

473
00:21:47,400 --> 00:21:51,080
Speaker 2: Yeah, you showed up holding what could not more clearly

474
00:21:51,240 --> 00:21:52,680
Speaker 2: be a gift for me.

475
00:21:54,760 --> 00:21:57,119
Speaker 3: I really wanted to give it to you. I am sorry.

476
00:21:57,160 --> 00:21:58,919
Speaker 3: I know, I just but you know what that thing

477
00:21:58,920 --> 00:22:01,439
Speaker 3: where people say no gifts they really want, that's what

478
00:22:01,480 --> 00:22:01,959
Speaker 3: they really mean.

479
00:22:02,200 --> 00:22:04,840
Speaker 2: I really want them, right, I mean because I don't

480
00:22:04,920 --> 00:22:07,000
Speaker 2: say for me, but people.

481
00:22:06,760 --> 00:22:10,359
Speaker 3: When I have parties, I don't say no gifts. And

482
00:22:10,400 --> 00:22:12,120
Speaker 3: then when I don't get a mic, what the fuck

483
00:22:12,240 --> 00:22:13,120
Speaker 3: I didn't give me a gift?

484
00:22:13,119 --> 00:22:14,080
Speaker 2: Do I have any real friends?

485
00:22:14,119 --> 00:22:16,240
Speaker 3: I'm like, no gifts please. That's like someone saying bring

486
00:22:16,400 --> 00:22:17,760
Speaker 3: bring me right. Yeah.

487
00:22:17,840 --> 00:22:19,080
Speaker 2: Yeah, I don't know that I would ever have an

488
00:22:19,080 --> 00:22:21,720
Speaker 2: invitation that said no gifts. What place in my life

489
00:22:21,720 --> 00:22:24,040
Speaker 2: do I have to get to where I'm no begging

490
00:22:24,040 --> 00:22:25,400
Speaker 2: people not to please don't.

491
00:22:25,200 --> 00:22:27,560
Speaker 3: Bring me anything. I need nothing, I need everything.

492
00:22:27,800 --> 00:22:29,480
Speaker 2: I'll take whatever you can get all of it.

493
00:22:29,920 --> 00:22:33,720
Speaker 3: Please. My place is just full of choch keys and

494
00:22:33,800 --> 00:22:37,520
Speaker 3: I need them all. But I hope you like this.

495
00:22:37,440 --> 00:22:38,720
Speaker 2: Well, yeah I should. I open it here on the

496
00:22:38,760 --> 00:22:40,320
Speaker 2: podcast Okay.

497
00:22:43,119 --> 00:22:46,359
Speaker 3: I know we should cancel our Amazon Prime subscriptions, but

498
00:22:46,720 --> 00:22:47,640
Speaker 3: get this on Amazon.

499
00:22:47,760 --> 00:22:50,000
Speaker 2: How do we get out of this Amazon truck we have?

500
00:22:50,119 --> 00:22:52,960
Speaker 3: There has to be a new, a new way.

501
00:22:52,840 --> 00:22:56,880
Speaker 2: Slightly less worse version of Amazon, right because Amazon kind

502
00:22:56,920 --> 00:22:59,679
Speaker 2: of for the longest time, Walmart was the place no

503
00:22:59,720 --> 00:23:02,160
Speaker 2: one goes to Walmart, right, and now Walmart almost seems

504
00:23:02,200 --> 00:23:02,680
Speaker 2: like a good guy.

505
00:23:02,840 --> 00:23:03,600
Speaker 3: Yes, totally.

506
00:23:04,760 --> 00:23:08,560
Speaker 2: So somebody that's just ten percent less horrible than Amazon

507
00:23:09,200 --> 00:23:12,159
Speaker 2: needs to trot in, I know, and give us an

508
00:23:12,160 --> 00:23:14,080
Speaker 2: opportunity to switch service.

509
00:23:13,840 --> 00:23:16,040
Speaker 3: So that we can just order things that we can't

510
00:23:16,280 --> 00:23:19,280
Speaker 3: because I I hope no one's given you this before,

511
00:23:19,440 --> 00:23:21,600
Speaker 3: but I didn't nowhere else to get it. I hope

512
00:23:21,640 --> 00:23:22,760
Speaker 3: you don't mind it.

513
00:23:23,080 --> 00:23:26,159
Speaker 2: Oh, you know, because I've been given several.

514
00:23:26,119 --> 00:23:28,119
Speaker 3: Oh my god, I love it. It's it's an adorable

515
00:23:28,240 --> 00:23:31,960
Speaker 3: like little like litterate, like a purloined little gun for

516
00:23:32,000 --> 00:23:33,840
Speaker 3: your for a little for a little coin purse. It

517
00:23:33,920 --> 00:23:37,040
Speaker 3: shoots one bullet at a time. That's all I need. Yeah,

518
00:23:37,119 --> 00:23:40,359
Speaker 3: just a few feet across. It makes a cute little

519
00:23:40,359 --> 00:23:41,360
Speaker 3: noise when you shoot it.

520
00:23:42,200 --> 00:23:45,280
Speaker 2: Okay, let me open this, Okay, let's see here. Take

521
00:23:45,320 --> 00:23:45,879
Speaker 2: two hands.

522
00:23:46,119 --> 00:23:57,520
Speaker 3: Okay, Oh, yeah, so it's supposed to also come gift wrapped.

523
00:23:57,600 --> 00:24:02,000
Speaker 3: I believe I believe it is, and there's a yeah, sure,

524
00:24:02,200 --> 00:24:04,879
Speaker 3: keep your gift a surprise. Let's so what does it

525
00:24:04,920 --> 00:24:05,360
Speaker 3: say here?

526
00:24:05,520 --> 00:24:07,320
Speaker 2: Let's see, I'm not gonna this seems to be just

527
00:24:07,359 --> 00:24:10,720
Speaker 2: the gift for seats or does that have a message

528
00:24:10,720 --> 00:24:11,040
Speaker 2: on it? Oh?

529
00:24:11,080 --> 00:24:12,600
Speaker 3: Yeah, it tells you what it is. It's a gift

530
00:24:12,640 --> 00:24:13,240
Speaker 3: for seat and.

531
00:24:13,560 --> 00:24:16,880
Speaker 2: This just says enjoy your gift from Drew DROGI Okay, okay, right,

532
00:24:17,080 --> 00:24:21,679
Speaker 2: very person obviously spent hours asked.

533
00:24:21,480 --> 00:24:24,440
Speaker 3: Him to say the most personal thing possible.

534
00:24:25,400 --> 00:24:30,960
Speaker 2: But okay, okay, now we're look at that beautiful, gorgeous?

535
00:24:30,960 --> 00:24:36,600
Speaker 3: How fun is that? See? Now you're happy? Now I'm

536
00:24:36,720 --> 00:24:38,600
Speaker 3: finally Now is there a gift? Is there a note

537
00:24:38,720 --> 00:24:39,480
Speaker 3: inside that?

538
00:24:40,000 --> 00:24:42,679
Speaker 2: Okay, now there's a there's the same message, but now

539
00:24:43,080 --> 00:24:47,040
Speaker 2: half printed. It says essentially, joy your gift.

540
00:24:47,000 --> 00:24:51,280
Speaker 3: Joy your gift from Drew from so see. Okay, so

541
00:24:51,440 --> 00:24:54,200
Speaker 3: I'm so glad that happened. Joy your gift. When I

542
00:24:54,440 --> 00:24:56,760
Speaker 3: was okay, so I spent before I moved to l A,

543
00:24:56,840 --> 00:25:00,520
Speaker 3: I spent a summer in Kentucky outdoor summer stock Wow,

544
00:25:00,960 --> 00:25:05,760
Speaker 3: and I need to get my entire theater resume I need. Yeah,

545
00:25:06,320 --> 00:25:11,000
Speaker 3: so storied and rich and textured. No, I was doing

546
00:25:11,119 --> 00:25:13,320
Speaker 3: and so after the shows we were doing Outroorth Theater.

547
00:25:13,440 --> 00:25:15,040
Speaker 3: It was so crazy. We had to stand in the

548
00:25:15,240 --> 00:25:17,760
Speaker 3: joyed at mine, go stand at the joy at mine?

549
00:25:17,920 --> 00:25:20,320
Speaker 3: What's so that you would stand in line and people

550
00:25:20,359 --> 00:25:22,159
Speaker 3: would won't go by and they would go joined it,

551
00:25:22,720 --> 00:25:26,280
Speaker 3: joyed it, joined it. And when people would push past you,

552
00:25:26,359 --> 00:25:27,360
Speaker 3: they would go, jout.

553
00:25:27,840 --> 00:25:28,600
Speaker 2: What does that mean?

554
00:25:28,720 --> 00:25:33,520
Speaker 3: Watch out? Watch out? Wow shout. And I'm from North Carolina,

555
00:25:33,600 --> 00:25:36,080
Speaker 3: but I did not understand Kentucky. Like that was a

556
00:25:36,440 --> 00:25:40,880
Speaker 3: new language for me. That's it was the Blue Ridge Mountains.

557
00:25:40,920 --> 00:25:43,680
Speaker 3: It was a very different joyed it, joyed it? What

558
00:25:43,840 --> 00:25:46,280
Speaker 3: was it? I'm really glad that joy your gifts.

559
00:25:46,680 --> 00:25:48,879
Speaker 2: Really come full circle? Yeah, your theater career.

560
00:25:50,359 --> 00:25:52,920
Speaker 3: Oh, it's just inside. It's just it's just a list

561
00:25:53,000 --> 00:25:57,280
Speaker 3: of all the shows I've done Arizona. You can order

562
00:25:57,320 --> 00:26:01,000
Speaker 3: on Amazon. It's very expensive and it's just a list

563
00:26:01,080 --> 00:26:02,200
Speaker 3: of all of all of my credit.

564
00:26:02,320 --> 00:26:07,520
Speaker 2: That's your new Amazon storefront. Air dropping them into people's homes. Okay,

565
00:26:07,600 --> 00:26:10,000
Speaker 2: let's open these bags that they put them in are

566
00:26:10,160 --> 00:26:13,480
Speaker 2: the toughest material on ours. This could be used in

567
00:26:13,520 --> 00:26:18,960
Speaker 2: the military. Yeah, okay, no, let's see here. I don't

568
00:26:19,000 --> 00:26:19,480
Speaker 2: need your help.

569
00:26:19,560 --> 00:26:20,320
Speaker 3: Oh I love it.

570
00:26:20,840 --> 00:26:22,040
Speaker 2: I like how strong I sai.

571
00:26:22,200 --> 00:26:25,200
Speaker 3: No, yes, not vocally weak at all anymore.

572
00:26:26,840 --> 00:26:30,520
Speaker 2: Okay, we're pulling it out here. Okay, it's oh and

573
00:26:30,600 --> 00:26:33,400
Speaker 2: then it's almost I don't need your help.

574
00:26:33,840 --> 00:26:36,560
Speaker 3: Okay again, I.

575
00:26:36,640 --> 00:26:37,560
Speaker 2: Did not expect more.

576
00:26:37,920 --> 00:26:43,080
Speaker 3: My god, it's a Russian doll. Keep going, that looks okay.

577
00:26:43,520 --> 00:26:46,000
Speaker 3: I wishers video like who wraps that? Like someone in

578
00:26:46,040 --> 00:26:49,200
Speaker 3: a factor was like it's slapping band aids on just

579
00:26:49,320 --> 00:26:53,040
Speaker 3: like blue tissue paper. It's still happening more.

580
00:26:52,880 --> 00:26:54,119
Speaker 2: Band aids than necessary.

581
00:26:54,359 --> 00:26:58,560
Speaker 3: Yeah, it really seems angrily wrapping. I mean it's done

582
00:26:59,600 --> 00:27:03,800
Speaker 3: with their day. Francis Random Dorman, Oh my god, we

583
00:27:03,960 --> 00:27:04,840
Speaker 3: literally the same thing.

584
00:27:05,520 --> 00:27:08,800
Speaker 2: Yeah, that movie I had a lot of complicated feelings about.

585
00:27:08,880 --> 00:27:11,359
Speaker 3: Yeah, same, but I also maybe haven't related to a

586
00:27:11,440 --> 00:27:13,680
Speaker 3: lead character as much. At the end, I was like,

587
00:27:13,760 --> 00:27:16,399
Speaker 3: oh am, I hurt. I'm fine with that.

588
00:27:17,200 --> 00:27:18,280
Speaker 2: Was it an Amazon ad?

589
00:27:19,640 --> 00:27:19,880
Speaker 3: Yeah?

590
00:27:20,720 --> 00:27:26,240
Speaker 2: It felt not against it enough. Felt it felt like

591
00:27:26,280 --> 00:27:29,760
Speaker 2: it took such a neutral look at Amazon.

592
00:27:30,560 --> 00:27:32,480
Speaker 3: Really liked it because I think it was I was

593
00:27:32,560 --> 00:27:35,399
Speaker 3: like just happy that like somebody who was like a

594
00:27:35,560 --> 00:27:39,600
Speaker 3: drifter who was like, I'm a I'm a traveler all that,

595
00:27:40,000 --> 00:27:41,840
Speaker 3: and it gave a lot of love to that. I

596
00:27:41,880 --> 00:27:43,920
Speaker 3: didn't feel sorry for her in any way. Yes, which

597
00:27:43,920 --> 00:27:45,560
Speaker 3: I thought was really great, and I thought she was

598
00:27:45,640 --> 00:27:48,359
Speaker 3: fantastic in it, and and I really liked the like

599
00:27:48,520 --> 00:27:51,040
Speaker 3: kind of the documentary feel of it.

600
00:27:51,119 --> 00:27:54,120
Speaker 2: All these are all ems wanted to see one person

601
00:27:54,200 --> 00:27:56,000
Speaker 2: have to, you know, pee in a bottle or something,

602
00:27:56,160 --> 00:27:56,800
Speaker 2: just the truth.

603
00:27:57,240 --> 00:27:59,359
Speaker 3: Oh, but you so like the shitting in the bucket

604
00:27:59,400 --> 00:28:02,600
Speaker 3: didn't count. She shits in a buck yes, I can't

605
00:28:02,680 --> 00:28:06,280
Speaker 3: memory specifically pee in a bottle, but she does ship

606
00:28:06,400 --> 00:28:09,080
Speaker 3: in a bus while at work, No, while in her

607
00:28:09,280 --> 00:28:11,960
Speaker 3: while in her in her van van.

608
00:28:12,160 --> 00:28:14,879
Speaker 2: Okay, I wanted to see her ship in a bucket

609
00:28:14,960 --> 00:28:17,560
Speaker 2: in the Amazon warehouse. Oh, okay, because I'm sure that's

610
00:28:17,600 --> 00:28:19,680
Speaker 2: had to happen. Oh, I'm probably the person who wrapped this.

611
00:28:20,000 --> 00:28:22,520
Speaker 3: Well keep ground wrapping. You know, I have no you

612
00:28:22,600 --> 00:28:26,440
Speaker 3: have no idea what you're going to get? Okay, I

613
00:28:26,520 --> 00:28:33,520
Speaker 3: wish I Okay, Now it's in this box another boxes.

614
00:28:33,720 --> 00:28:36,520
Speaker 2: Tell you what it is. It's has tech deaths.

615
00:28:36,880 --> 00:28:41,000
Speaker 3: Yes, yes, it's an ass tech death whistle. And have

616
00:28:41,120 --> 00:28:43,880
Speaker 3: you ever heard this before. I've only heard this online

617
00:28:43,920 --> 00:28:45,880
Speaker 3: and it makes the most incredible noise. It's a very

618
00:28:46,000 --> 00:28:48,600
Speaker 3: upsetting noise that it makes, and it's apposed to like

619
00:28:48,680 --> 00:28:51,960
Speaker 3: ward off enemies, as texts used it. I should have

620
00:28:52,080 --> 00:28:54,400
Speaker 3: actually done research before I came on this, because I

621
00:28:54,440 --> 00:28:56,880
Speaker 3: knew what I was giving you, but I dont real

622
00:28:56,920 --> 00:28:58,200
Speaker 3: thing about it. I don't even know if this is

623
00:28:58,240 --> 00:29:00,400
Speaker 3: going to work at all, but it makes a really

624
00:29:00,920 --> 00:29:03,600
Speaker 3: wonderful upsetting noise and it words off evil spirits.

625
00:29:03,680 --> 00:29:05,960
Speaker 2: Oh my god, I'm going to carry this in my bag.

626
00:29:06,160 --> 00:29:09,760
Speaker 3: Yes, as you should. It's better than a gun. So

627
00:29:10,000 --> 00:29:12,040
Speaker 3: now I think you just blow into the top of it.

628
00:29:13,040 --> 00:29:15,479
Speaker 2: Okay, Yeah, we'll get a little further away for now.

629
00:29:17,720 --> 00:29:20,560
Speaker 2: Like here on elys is directing the death with oh

630
00:29:20,600 --> 00:29:29,680
Speaker 2: my god. Okay, that's what we played throughout the episode.

631
00:29:29,800 --> 00:29:34,080
Speaker 3: Yeah, absolutely, anything, just like you need it, Like I

632
00:29:34,240 --> 00:29:36,560
Speaker 3: just feel like, I'm so want to scream right now

633
00:29:36,600 --> 00:29:39,480
Speaker 3: in the world. It's I get I give you that.

634
00:29:39,560 --> 00:29:41,600
Speaker 3: It's like a it's like a one are those things

635
00:29:41,640 --> 00:29:42,080
Speaker 3: you just you.

636
00:29:42,280 --> 00:29:45,240
Speaker 2: Like a stress ball, It's like a screaming into a towel.

637
00:29:45,520 --> 00:29:47,800
Speaker 3: Scream into a towel. Does screaming for you? You just

638
00:29:47,880 --> 00:29:50,720
Speaker 3: have to blow into it and it just it it.

639
00:29:51,440 --> 00:29:53,760
Speaker 2: I was recently thinking should I start a TikTok where

640
00:29:53,760 --> 00:29:56,760
Speaker 2: every video is just me screaming into a different substance

641
00:29:56,880 --> 00:30:00,800
Speaker 2: or towel or whatever. Here's a thousand eat a thousand

642
00:30:00,920 --> 00:30:05,680
Speaker 2: count sheets or whatever, because that's the feeling all the time, right,

643
00:30:05,840 --> 00:30:07,960
Speaker 2: just scream how it feels to scream into this. Let

644
00:30:08,040 --> 00:30:15,040
Speaker 2: me but now we should probably alert the listener every

645
00:30:15,080 --> 00:30:15,800
Speaker 2: time I'm about.

646
00:30:15,640 --> 00:30:18,360
Speaker 3: Yeah, trigger warning. It's it's really deeply.

647
00:30:18,280 --> 00:30:20,640
Speaker 2: You feel like I'm hitting it the note correctly.

648
00:30:21,680 --> 00:30:24,640
Speaker 3: Let me see, I will not. Okay, I think that's

649
00:30:24,680 --> 00:30:25,520
Speaker 3: all you can do, right.

650
00:30:25,800 --> 00:30:27,280
Speaker 2: I just want to make sure I'm getting the perfect

651
00:30:27,400 --> 00:30:30,160
Speaker 2: note out of this death whistle because I'm.

652
00:30:30,040 --> 00:30:31,880
Speaker 3: Sure saying, see if you can hum into and see

653
00:30:31,920 --> 00:30:32,440
Speaker 3: that changes it?

654
00:30:34,080 --> 00:30:34,440
Speaker 1: Hmmm?

655
00:30:35,080 --> 00:30:35,320
Speaker 3: Are you.

656
00:30:38,280 --> 00:30:42,800
Speaker 2: Perfect? See it either does or.

657
00:30:46,200 --> 00:30:46,680
Speaker 3: Choices.

658
00:30:47,040 --> 00:30:50,440
Speaker 2: That's the tech life whistle. I just want to keep

659
00:30:50,440 --> 00:30:51,720
Speaker 2: blowing this, and I know this has got to be

660
00:30:52,080 --> 00:30:53,400
Speaker 2: excruciating for a listener.

661
00:30:53,680 --> 00:30:59,960
Speaker 3: Yeah, I love that. Punish them for making the choice

662
00:31:00,040 --> 00:31:02,920
Speaker 3: to listen to this, Like, oh my god, what am I.

663
00:31:03,000 --> 00:31:05,640
Speaker 2: Doing with my life? Yeah, I've got to get it together.

664
00:31:05,840 --> 00:31:09,120
Speaker 3: Hurt them. Wow, So no one's giving you this before.

665
00:31:09,240 --> 00:31:11,400
Speaker 2: This has never been on the pot. Okay, good, okay good,

666
00:31:11,520 --> 00:31:13,640
Speaker 2: But probably every gift from now on will be a death.

667
00:31:13,920 --> 00:31:15,920
Speaker 3: So I hope this just sets off a whole like

668
00:31:16,040 --> 00:31:18,480
Speaker 3: death whistle chain, because I know you've done this show

669
00:31:18,520 --> 00:31:20,320
Speaker 3: for a while and I was like, I didn't you know.

670
00:31:20,560 --> 00:31:24,720
Speaker 3: I wanted to make sure this is unbelievable. I'm so happy.

671
00:31:24,840 --> 00:31:27,520
Speaker 2: It really is a stress reliever. Yeah, I'm like, I've

672
00:31:27,600 --> 00:31:31,160
Speaker 2: released so much already. How did you learn about this?

673
00:31:31,520 --> 00:31:33,920
Speaker 3: I saw it online. I saw something and the noise

674
00:31:33,960 --> 00:31:35,640
Speaker 3: made me laugh because it was just like this thing

675
00:31:35,960 --> 00:31:37,840
Speaker 3: and people would just say it was like this, really,

676
00:31:38,840 --> 00:31:41,600
Speaker 3: it's this primal, upsetting noise that you would hear it,

677
00:31:42,440 --> 00:31:47,400
Speaker 3: and yes, exactly, dear right, just like bread just sort

678
00:31:47,440 --> 00:31:49,840
Speaker 3: of it words off evil spirits and do you.

679
00:31:49,880 --> 00:31:50,560
Speaker 2: Have one of your own?

680
00:31:50,840 --> 00:31:53,320
Speaker 3: No, But now I need to you're so jealous. I know,

681
00:31:53,640 --> 00:31:55,160
Speaker 3: I know I'm going to find a way to steal that.

682
00:31:59,200 --> 00:32:02,360
Speaker 2: The only thing that's missing as my death was, and they.

683
00:32:02,320 --> 00:32:03,880
Speaker 3: We're gonna see it. I'm gonna be doing a recording

684
00:32:03,880 --> 00:32:06,400
Speaker 3: of something else you're gonna see at the background like

685
00:32:06,600 --> 00:32:07,640
Speaker 3: that mother fuck.

686
00:32:08,680 --> 00:32:10,280
Speaker 2: That's like a nine part docu series.

687
00:32:10,400 --> 00:32:13,000
Speaker 3: Yes, exactly. I mean I think it's a good I

688
00:32:13,040 --> 00:32:14,160
Speaker 3: think it's a good thing to have.

689
00:32:14,400 --> 00:32:15,800
Speaker 2: I hope it's a good I think this is a

690
00:32:15,880 --> 00:32:16,480
Speaker 2: good thing to have.

691
00:32:16,800 --> 00:32:19,479
Speaker 3: I not like a like the have you seen Trilogy

692
00:32:19,520 --> 00:32:20,640
Speaker 3: of Terror? Have you seen that movie?

693
00:32:20,760 --> 00:32:20,800
Speaker 1: No?

694
00:32:20,920 --> 00:32:21,200
Speaker 2: What's this?

695
00:32:22,000 --> 00:32:24,040
Speaker 3: Oh my god? Okay, so it was. It was a

696
00:32:24,840 --> 00:32:28,040
Speaker 3: TV movie that came out in the seventies with Karen Black,

697
00:32:28,440 --> 00:32:32,240
Speaker 3: who was like huge star years ago. She's Oscar. I mean,

698
00:32:32,320 --> 00:32:34,680
Speaker 3: she was amazing at her She did a TV movie.

699
00:32:34,800 --> 00:32:37,239
Speaker 3: It was. It was three short films. She plays four

700
00:32:37,360 --> 00:32:40,120
Speaker 3: characters in the movie because there's one for she plays twins. Okay,

701
00:32:40,400 --> 00:32:42,680
Speaker 3: no one remembers the first two movies, the first two shorts.

702
00:32:42,760 --> 00:32:48,000
Speaker 3: The third short is a legendary and truly terrifying piece

703
00:32:48,040 --> 00:32:50,160
Speaker 3: about a woman who gets a zooni fetish doll, that's

704
00:32:50,200 --> 00:32:54,160
Speaker 3: what they call it. I'm sure very problematic, this white

705
00:32:54,200 --> 00:32:57,800
Speaker 3: woman getting this African doll that has that's literally a

706
00:32:57,880 --> 00:33:01,280
Speaker 3: problem that she pulls it out of her I think

707
00:33:01,320 --> 00:33:03,000
Speaker 3: she could to get it from her mother. She's on

708
00:33:03,080 --> 00:33:05,160
Speaker 3: a phone call, she's in the bathtub, and they're like,

709
00:33:05,240 --> 00:33:07,680
Speaker 3: whatever you do, don't let the doll's belt fall off.

710
00:33:08,120 --> 00:33:09,600
Speaker 3: Because then all hell breaks.

711
00:33:09,360 --> 00:33:11,960
Speaker 2: Loose its successories exactly.

712
00:33:13,000 --> 00:33:17,880
Speaker 3: Don't make it nude. And so she's in the bathtub.

713
00:33:18,280 --> 00:33:19,920
Speaker 3: All of a sudden, doll just standing there and the

714
00:33:20,040 --> 00:33:23,320
Speaker 3: belt just falls off. Next thing you know, that doll

715
00:33:23,440 --> 00:33:26,440
Speaker 3: is chasing her around her apartment. She's throwing it in

716
00:33:26,520 --> 00:33:29,120
Speaker 3: the oven. She is screaming. It's from the doll's point

717
00:33:29,120 --> 00:33:33,640
Speaker 3: of view. It's growling, it's stabbing at her. It's absolutely

718
00:33:33,760 --> 00:33:36,600
Speaker 3: it's so it's like a thirty minute long Don't watch

719
00:33:36,640 --> 00:33:40,640
Speaker 3: the first two films, watch the third and trilogy of Terror. Everyone,

720
00:33:40,760 --> 00:33:42,680
Speaker 3: I'm telling you, I highly recommend it is.

721
00:33:42,720 --> 00:33:46,480
Speaker 2: The doll done through stop motion, Yes, okay.

722
00:33:46,360 --> 00:33:47,800
Speaker 3: A lot of it is from the point of view

723
00:33:47,840 --> 00:33:50,520
Speaker 3: of the doll, so you're just seeing like you're just

724
00:33:50,640 --> 00:33:53,440
Speaker 3: seeing this, like these arms and stabbing at her and

725
00:33:53,520 --> 00:33:56,640
Speaker 3: she's on the ground screaming. But it's really upsetting.

726
00:33:56,800 --> 00:33:58,120
Speaker 2: This feels so up your house.

727
00:33:58,200 --> 00:33:59,880
Speaker 3: Oh I love it, but I love Child's Play all

728
00:34:00,040 --> 00:34:02,640
Speaker 3: so like the original Child's Play, it is genuinely scary.

729
00:34:03,080 --> 00:34:03,800
Speaker 2: I've never seen.

730
00:34:03,880 --> 00:34:06,640
Speaker 3: Oh it's great, it's great. You don't think that, like,

731
00:34:06,840 --> 00:34:09,120
Speaker 3: oh little dolls. Can I be scary? Nothing wrong?

732
00:34:09,800 --> 00:34:13,120
Speaker 2: Can we get a visual on Trilogy of Terror, on

733
00:34:13,239 --> 00:34:15,839
Speaker 2: this doll in particular, I really just want to visualize

734
00:34:15,880 --> 00:34:20,000
Speaker 2: what's happening. I do feel like seventies and maybe early

735
00:34:20,120 --> 00:34:22,880
Speaker 2: eighties is shocked already.

736
00:34:23,120 --> 00:34:25,920
Speaker 3: It's shocking. This is probably shocking.

737
00:34:27,400 --> 00:34:32,239
Speaker 2: Yeah, yeah, oh, I feel like seventies and oh let's

738
00:34:32,239 --> 00:34:32,520
Speaker 2: see here.

739
00:34:33,160 --> 00:34:36,760
Speaker 3: Oh oh yeah it is, yes, exactly.

740
00:34:37,040 --> 00:34:38,120
Speaker 2: It's got a massive head.

741
00:34:38,239 --> 00:34:41,719
Speaker 3: Oh and just teeth and just and lips like full lipsticks.

742
00:34:41,800 --> 00:34:44,000
Speaker 2: This is not I mean, this is a problematic creature.

743
00:34:44,160 --> 00:34:45,800
Speaker 3: Yeah. Full Kelly and Conway.

744
00:34:47,280 --> 00:34:49,600
Speaker 2: You know, just where's Kelly.

745
00:34:50,440 --> 00:34:54,359
Speaker 3: She's a she's a warrior dog. She's a fun little doll.

746
00:34:54,520 --> 00:34:57,719
Speaker 3: Just don't take her belt off. She'll come for you.

747
00:35:00,280 --> 00:35:04,920
Speaker 2: To be stocks around your house by Kelleyhan conflict Hell true,

748
00:35:04,960 --> 00:35:07,440
Speaker 2: hell true, Hell No. What I was going to say

749
00:35:07,480 --> 00:35:10,440
Speaker 2: is like, I feel like seventies and eighties TV horror

750
00:35:10,719 --> 00:35:13,920
Speaker 2: is almost scarier than horror in the movies from those decades.

751
00:35:13,920 --> 00:35:17,640
Speaker 3: Oh yeah, because it's like you listened to Sam Pancakes podcast. Yes,

752
00:35:18,080 --> 00:35:22,560
Speaker 3: he's a great podcast called Sam Pancake Presents the Monday

753
00:35:22,600 --> 00:35:24,800
Speaker 3: Afternoon Movie. I'm the horrible, like dear friend of it.

754
00:35:25,040 --> 00:35:27,920
Speaker 3: It's about he does the TV movies from the seventies

755
00:35:27,960 --> 00:35:30,480
Speaker 3: and eighties. Okay, oh fantastic, and I've done it a

756
00:35:30,520 --> 00:35:32,839
Speaker 3: few times. It's so much fun you watch a really

757
00:35:32,920 --> 00:35:35,640
Speaker 3: obscure movie. But there were so many TV and it's

758
00:35:35,680 --> 00:35:40,359
Speaker 3: specifically TV movies right from that decade what is it movie?

759
00:35:40,400 --> 00:35:43,080
Speaker 3: And they're usually horror, and they're and they're horrible like

760
00:35:43,719 --> 00:35:45,560
Speaker 3: and they tie things up in the whatever amount of

761
00:35:45,600 --> 00:35:48,400
Speaker 3: time they have, right, And I know, but it was

762
00:35:48,760 --> 00:35:51,320
Speaker 3: But also that's a thing too, I think for because

763
00:35:51,320 --> 00:35:53,040
Speaker 3: even as like a kid, I mean I grew up

764
00:35:53,040 --> 00:35:54,960
Speaker 3: in the eighties and I would watch those things and

765
00:35:55,040 --> 00:35:57,600
Speaker 3: they were on TV in the you know, in the

766
00:35:57,600 --> 00:36:00,800
Speaker 3: middle of the day, were terrifying. I think about like

767
00:36:00,880 --> 00:36:02,840
Speaker 3: I would come home from school and on HBO in

768
00:36:02,880 --> 00:36:07,480
Speaker 3: the middle of the day would be Kujo and Mommy Darrist,

769
00:36:08,080 --> 00:36:10,680
Speaker 3: which I still call a horror movie because I was

770
00:36:10,719 --> 00:36:12,360
Speaker 3: a child and that movie's on TV every day, and

771
00:36:12,400 --> 00:36:13,680
Speaker 3: it was terrified.

772
00:36:13,760 --> 00:36:14,920
Speaker 2: That would scare the light.

773
00:36:15,040 --> 00:36:17,920
Speaker 3: It was so scary. And I loved horror. I love thriller,

774
00:36:17,960 --> 00:36:19,759
Speaker 3: I love Nightmare and elm Street, I love all of

775
00:36:19,840 --> 00:36:22,520
Speaker 3: that stuff. But there were some of those that when

776
00:36:22,520 --> 00:36:25,040
Speaker 3: they would feel like they were real, right, there was

777
00:36:25,080 --> 00:36:28,839
Speaker 3: like there was a document and sometimes when that when

778
00:36:28,840 --> 00:36:32,040
Speaker 3: they weren't scored properly, they were more up, they were

779
00:36:32,040 --> 00:36:34,760
Speaker 3: more upsetting. You were just like, why this is happening

780
00:36:36,160 --> 00:36:37,800
Speaker 3: where it's like a movie. It's like, oh, this is

781
00:36:37,840 --> 00:36:39,440
Speaker 3: a movie and it's bump up on and you know

782
00:36:39,480 --> 00:36:41,640
Speaker 3: the bad guy's coming. But some of those, like really

783
00:36:41,760 --> 00:36:43,040
Speaker 3: cheap ones were just sort of like.

784
00:36:44,840 --> 00:36:46,799
Speaker 2: They don't have the budgets to tell you when it's

785
00:36:46,800 --> 00:36:49,040
Speaker 2: coming now, so you're it was just sort of like,

786
00:36:49,200 --> 00:36:51,279
Speaker 2: oh my god, and mommy dear, is just the idea

787
00:36:51,280 --> 00:36:54,800
Speaker 2: of having a scary mother figure screaming and having.

788
00:36:54,800 --> 00:36:56,399
Speaker 3: Cutting the hair scene. I know where I talking about

789
00:36:56,400 --> 00:36:58,520
Speaker 3: the wire hangers and all this stuff like that, but

790
00:36:59,200 --> 00:37:03,280
Speaker 3: when she chops off Christina's hair, Oh, it's really upsetting.

791
00:37:03,360 --> 00:37:04,200
Speaker 3: It's very upsetting.

792
00:37:04,440 --> 00:37:07,000
Speaker 2: I mean, to have that happen to you, to have

793
00:37:07,080 --> 00:37:09,760
Speaker 2: your my mom even tried to get into the hair character.

794
00:37:09,880 --> 00:37:14,439
Speaker 3: Now, I know, thank you, she's not cut out, not literally.

795
00:37:14,920 --> 00:37:22,160
Speaker 2: Literally thank you. Yeah. I feel like I just recently

796
00:37:22,280 --> 00:37:24,879
Speaker 2: watched one of these movies. I love a haunted house movie,

797
00:37:24,920 --> 00:37:27,040
Speaker 2: and there's a few of them, but I found a

798
00:37:27,719 --> 00:37:29,359
Speaker 2: I wish I could remember. It was a seventies TV

799
00:37:29,480 --> 00:37:31,399
Speaker 2: movie where these people moved into what was I think

800
00:37:31,440 --> 00:37:33,920
Speaker 2: even they acknowledged was a cursed home and then just

801
00:37:34,000 --> 00:37:34,920
Speaker 2: tried to make a go of it.

802
00:37:35,120 --> 00:37:37,800
Speaker 3: Oh, I think I know what you're talking about. And

803
00:37:39,880 --> 00:37:42,759
Speaker 3: a famous for this in the seventies woman was the

804
00:37:43,080 --> 00:37:45,000
Speaker 3: mother in it. Believe in it, But I don't remember.

805
00:37:45,080 --> 00:37:46,040
Speaker 3: But There's in a Basement?

806
00:37:46,480 --> 00:37:50,040
Speaker 2: Yeah, smiliar. Yeah, yeah, I mean, this is a good

807
00:37:50,080 --> 00:37:51,560
Speaker 2: thing to bring up on a podcast.

808
00:37:52,320 --> 00:37:54,360
Speaker 3: I don't know, And I think it's is it that

809
00:37:54,520 --> 00:37:58,839
Speaker 3: one where oh her? And then oh god?

810
00:37:59,080 --> 00:37:59,239
Speaker 2: Right?

811
00:37:59,520 --> 00:38:01,759
Speaker 3: And should we spoiled it?

812
00:38:03,719 --> 00:38:05,480
Speaker 2: What's the scariest movie you've ever seen?

813
00:38:07,120 --> 00:38:10,360
Speaker 3: I okay, so immediately I think about my mom and

814
00:38:10,440 --> 00:38:12,560
Speaker 3: I love scary movies, and we would go to the

815
00:38:12,600 --> 00:38:17,000
Speaker 3: movies a lot growing up, and I remember going just

816
00:38:17,040 --> 00:38:18,640
Speaker 3: being like, let's go. It was like a nine to

817
00:38:18,760 --> 00:38:21,640
Speaker 3: thirty on a week night. Right when it had opened,

818
00:38:21,760 --> 00:38:23,000
Speaker 3: we saw Silence of the Lambs.

819
00:38:23,000 --> 00:38:23,600
Speaker 2: Oh my god.

820
00:38:23,800 --> 00:38:26,600
Speaker 3: That was because we were just preparing for like this

821
00:38:26,760 --> 00:38:30,560
Speaker 3: kind of a spooky and having no idea how genuinely terrifying.

822
00:38:30,560 --> 00:38:33,319
Speaker 3: That's the scariest I've ever been in a theater watching

823
00:38:33,400 --> 00:38:35,440
Speaker 3: that movie. And that movie still is very effective and

824
00:38:35,600 --> 00:38:39,920
Speaker 3: very disturbing to me. I'm I think Rednecks in the

825
00:38:39,960 --> 00:38:43,000
Speaker 3: Woods are really scary, like Texas chains Lamask a Wrong Turn,

826
00:38:44,560 --> 00:38:47,160
Speaker 3: All Wrong Turns Eliza Dushkoup And it's actually a really

827
00:38:47,239 --> 00:38:51,440
Speaker 3: great nineties early two thousands, Like Red Next it's actually

828
00:38:51,560 --> 00:38:54,239
Speaker 3: really really scary and great. I love it. But it's

829
00:38:54,920 --> 00:38:59,000
Speaker 3: those movies are scarier to me than like zombies or

830
00:38:59,440 --> 00:39:02,080
Speaker 3: alien or things like that. Right when it's like, oh,

831
00:39:02,120 --> 00:39:03,000
Speaker 3: that could really happen.

832
00:39:03,320 --> 00:39:04,760
Speaker 2: That's exactly I feel.

833
00:39:05,160 --> 00:39:07,200
Speaker 3: That's really really scary to me. And I also just

834
00:39:07,239 --> 00:39:08,600
Speaker 3: growing up in the South, I think you just.

835
00:39:08,680 --> 00:39:11,120
Speaker 2: Kind of are scared of, like, oh, yeah, that's they

836
00:39:11,160 --> 00:39:11,440
Speaker 2: could be.

837
00:39:11,680 --> 00:39:13,759
Speaker 3: Oh at any moment, Like cities don't scare me, like

838
00:39:13,800 --> 00:39:14,640
Speaker 3: country scares me.

839
00:39:15,120 --> 00:39:17,319
Speaker 2: Yeah, that makes a lot of sense. And the wrong

840
00:39:17,360 --> 00:39:19,040
Speaker 2: turn they're just trying to go on a nice vacation.

841
00:39:19,239 --> 00:39:22,279
Speaker 3: Yeah, and they take the wrong turn. Little do you

842
00:39:22,440 --> 00:39:27,120
Speaker 3: know they're hunted by these Yeah, for a purpose. Sure,

843
00:39:28,040 --> 00:39:33,640
Speaker 3: lunch Hills have Eyes as another good one. And yeah,

844
00:39:33,640 --> 00:39:35,359
Speaker 3: there's always a lot of those that are.

845
00:39:35,280 --> 00:39:38,680
Speaker 2: Just sort of like you know, I just watch the

846
00:39:38,840 --> 00:39:40,440
Speaker 2: Zodiac documentary. Have you seen this?

847
00:39:42,320 --> 00:39:43,279
Speaker 3: Oh? Yeah, I have not seen it.

848
00:39:43,480 --> 00:39:45,560
Speaker 2: No, It was scary initially, and then I started to

849
00:39:45,600 --> 00:39:48,480
Speaker 2: feel like these people are telling their story that they

850
00:39:48,960 --> 00:39:51,919
Speaker 2: think that they basically lived with the zodiac. Oh okay,

851
00:39:52,120 --> 00:39:54,800
Speaker 2: started to feel a little. I became skeptical.

852
00:39:55,000 --> 00:39:58,640
Speaker 3: Uh huh, I understand. I love that movie. That's the

853
00:39:58,680 --> 00:40:02,960
Speaker 3: movies believe, but that's really about the world around it

854
00:40:03,080 --> 00:40:05,520
Speaker 3: because no one ever really knew who he was. I

855
00:40:05,600 --> 00:40:08,160
Speaker 3: kne who the actual killer was, and so that made

856
00:40:08,160 --> 00:40:10,839
Speaker 3: it even more disturbing when you go into it knowing

857
00:40:11,000 --> 00:40:12,200
Speaker 3: like they're not going to find.

858
00:40:12,080 --> 00:40:13,879
Speaker 2: Him because he's still out there.

859
00:40:14,160 --> 00:40:17,400
Speaker 3: Yes, wasn't there that people thinking that Ted Cruz was

860
00:40:17,440 --> 00:40:20,960
Speaker 3: the Zodio, which literally makes no sense because Ted Cruise

861
00:40:21,040 --> 00:40:24,760
Speaker 3: is younger than me or my age. It's a crazy disturbing.

862
00:40:24,440 --> 00:40:26,920
Speaker 2: Number with Ted Cruise is he's probably twenty eight.

863
00:40:29,239 --> 00:40:32,239
Speaker 3: Age, he's my age, and no, but I you know,

864
00:40:32,280 --> 00:40:34,719
Speaker 3: you're the numbers, and it's sort of like, oh, well

865
00:40:34,760 --> 00:40:36,040
Speaker 3: then no, it's obviously not.

866
00:40:36,440 --> 00:40:38,239
Speaker 2: Yeah, I mean even that, I just don't like him

867
00:40:38,280 --> 00:40:41,800
Speaker 2: getting any attention on my agree negative or positive. I

868
00:40:41,920 --> 00:40:44,640
Speaker 2: just want him to fall into a swamp and no

869
00:40:44,719 --> 00:40:48,280
Speaker 2: one ever knows. He's just vanishes from society and we can't.

870
00:40:48,120 --> 00:40:49,879
Speaker 3: Wait for that to happen to a lot of people.

871
00:40:50,200 --> 00:40:52,200
Speaker 3: I mean, that's what's going to have to happen.

872
00:40:52,960 --> 00:40:53,200
Speaker 2: True.

873
00:40:53,360 --> 00:40:56,239
Speaker 3: At this point, we scream into our death mask and

874
00:40:56,480 --> 00:41:03,600
Speaker 3: just hope for swamps, you know, Hope for Swamps, my

875
00:41:03,760 --> 00:41:06,840
Speaker 3: favorite Oprah book Club book, Hope for Swamps.

876
00:41:09,040 --> 00:41:11,279
Speaker 2: Do we know exactly what this is supposed to do?

877
00:41:11,480 --> 00:41:12,480
Speaker 2: Is it supposed to ward off?

878
00:41:12,640 --> 00:41:14,719
Speaker 3: Is it's supposed to ward off? I hope it's not

879
00:41:14,840 --> 00:41:16,280
Speaker 3: to like invite, invite.

880
00:41:17,840 --> 00:41:23,160
Speaker 2: My life just craters after this, Like sure, let's go,

881
00:41:23,520 --> 00:41:28,800
Speaker 2: Like well, I'm just great, just drive off. Listening to

882
00:41:28,920 --> 00:41:29,759
Speaker 2: Karen Carpon, I.

883
00:41:31,480 --> 00:41:37,040
Speaker 3: I know exactly rainy days and mondays. No, I I

884
00:41:37,520 --> 00:41:39,480
Speaker 3: think it's to ward off evil spirits. I don't say

885
00:41:39,560 --> 00:41:41,040
Speaker 3: that on at.

886
00:41:41,000 --> 00:41:41,960
Speaker 2: Least you have any idea.

887
00:41:42,600 --> 00:41:45,120
Speaker 3: There are a few things. One of the main things

888
00:41:45,239 --> 00:41:45,400
Speaker 3: is to.

889
00:41:47,280 --> 00:41:51,640
Speaker 4: It was used as an intimidation tactic in war, completely

890
00:41:52,120 --> 00:41:55,120
Speaker 4: can be used in ceremonies and human sacrifice rituals.

891
00:41:55,200 --> 00:41:56,920
Speaker 2: Perfect to get into it.

892
00:41:57,160 --> 00:41:58,120
Speaker 3: Sweet may have.

893
00:41:58,160 --> 00:42:00,640
Speaker 4: Been used to honor the wind god and to call

894
00:42:00,719 --> 00:42:05,880
Speaker 4: for favorable weather conditions. Weather today, Yeah Yeah announced the

895
00:42:05,960 --> 00:42:08,600
Speaker 4: death of a tribal member, and the whistle was used

896
00:42:08,640 --> 00:42:10,440
Speaker 4: on the day of the dad along with other instruments.

897
00:42:10,480 --> 00:42:12,360
Speaker 4: So there, Yeah, the multipurpose whistle.

898
00:42:12,480 --> 00:42:14,480
Speaker 2: Yeah, it truly is. It's a Swiss army knife and

899
00:42:14,600 --> 00:42:16,040
Speaker 2: there you go. I mean, I don't even know if

900
00:42:16,040 --> 00:42:17,759
Speaker 2: I describe this to the listener, but it's a little

901
00:42:17,760 --> 00:42:23,160
Speaker 2: black skull and it's so tasteful. Little skull, yeah, half skull. Yeah,

902
00:42:23,200 --> 00:42:27,400
Speaker 2: the jaw is gone, some enormous teeth up front. Ye,

903
00:42:27,920 --> 00:42:30,279
Speaker 2: and it's really stunning. I think it's made out of

904
00:42:30,280 --> 00:42:32,600
Speaker 2: clay or something. Let's just do another, just, you know,

905
00:42:32,719 --> 00:42:34,279
Speaker 2: because we should do this periodically.

906
00:42:34,640 --> 00:42:39,280
Speaker 3: Hm. I also love that it like it's like a kettle.

907
00:42:39,360 --> 00:42:44,279
Speaker 3: It gets stronger, it builds, you know.

908
00:42:44,600 --> 00:42:47,560
Speaker 2: Yeah, there's no tea at the end. It's just.

909
00:42:51,480 --> 00:42:54,880
Speaker 3: Kind of that annoying tea at the end, just the

910
00:42:55,120 --> 00:42:57,920
Speaker 3: rage sounds of air escaping.

911
00:42:58,360 --> 00:42:59,600
Speaker 2: Do you play any instruments?

912
00:42:59,760 --> 00:43:00,279
Speaker 3: I don't.

913
00:43:00,680 --> 00:43:01,960
Speaker 2: Did you ever take I never did.

914
00:43:02,120 --> 00:43:05,239
Speaker 3: I have very long piano fingers that people always said

915
00:43:05,239 --> 00:43:08,840
Speaker 3: you your hands to play piano, and I was always told, like,

916
00:43:09,120 --> 00:43:11,840
Speaker 3: you'll regret it, you never play piano. I don't regret it.

917
00:43:12,360 --> 00:43:15,160
Speaker 3: I've never been interested in and I mean I love

918
00:43:15,239 --> 00:43:17,040
Speaker 3: when people play it. Well. I wish I could sing

919
00:43:17,160 --> 00:43:18,520
Speaker 3: that's the thing. I'm going to bring that back too.

920
00:43:18,960 --> 00:43:20,640
Speaker 3: That's the thing that I wish I could do is

921
00:43:20,800 --> 00:43:22,480
Speaker 3: like sing and dance and then I would, you know,

922
00:43:23,320 --> 00:43:24,799
Speaker 3: just do plays all the time.

923
00:43:24,840 --> 00:43:28,480
Speaker 2: But piano, no, how well can you sing? Can you

924
00:43:28,719 --> 00:43:29,959
Speaker 2: like in the car? You're like, I can.

925
00:43:30,040 --> 00:43:32,800
Speaker 3: Carry So Titanic gave me a lot more confidence. And

926
00:43:33,200 --> 00:43:35,320
Speaker 3: I can talk sing, you know, I can do talkie

927
00:43:35,320 --> 00:43:38,600
Speaker 3: sing things. It's just not a pretty sound when I sing,

928
00:43:39,320 --> 00:43:42,880
Speaker 3: and but I have found ways of doing it, and

929
00:43:42,960 --> 00:43:46,080
Speaker 3: a lot of it is just is confidence. Sure. I'm

930
00:43:46,160 --> 00:43:50,400
Speaker 3: just where I'm way more confident saying lines. When I

931
00:43:50,440 --> 00:43:51,759
Speaker 3: have a song and I'm like, oh God, if I

932
00:43:51,840 --> 00:43:53,399
Speaker 3: mess up a word, I'm going to throw the whole

933
00:43:53,440 --> 00:43:55,840
Speaker 3: song away. I'm not really gonna know. I had to

934
00:43:55,920 --> 00:43:59,160
Speaker 3: do a show where I had to another theater story.

935
00:43:59,600 --> 00:44:02,279
Speaker 3: I had to do Vogue. I just sing Madonnald's Woe,

936
00:44:02,680 --> 00:44:06,920
Speaker 3: which I've sung for thirty years. I had to have

937
00:44:07,000 --> 00:44:09,400
Speaker 3: it written down. I had to make excuse that it

938
00:44:09,520 --> 00:44:11,720
Speaker 3: was written for me because I was like Greta Garbo

939
00:44:11,800 --> 00:44:16,160
Speaker 3: and Monroe Dietrich into Mondial, Jimmy Dean, Jimmy Harlow, Jimmy Carter,

940
00:44:16,960 --> 00:44:19,840
Speaker 3: Carter Black. I was like, literally going, I don't know

941
00:44:20,000 --> 00:44:23,680
Speaker 3: what I'm saying, and I was yeah. So I was like,

942
00:44:23,800 --> 00:44:26,359
Speaker 3: if I get this wrong at the beginning of the show,

943
00:44:27,360 --> 00:44:31,520
Speaker 3: then the whole show is to have it written down.

944
00:44:31,640 --> 00:44:32,880
Speaker 3: I was so in my head about it.

945
00:44:33,400 --> 00:44:35,120
Speaker 2: I wouldn't be surprised if Madonna has to have it

946
00:44:35,160 --> 00:44:35,560
Speaker 2: written down.

947
00:44:35,800 --> 00:44:37,960
Speaker 3: She has everything written down on her hand.

948
00:44:38,000 --> 00:44:40,240
Speaker 2: I'm just messy.

949
00:44:41,080 --> 00:44:44,200
Speaker 3: Carlow Gene picture of a what.

950
00:44:46,000 --> 00:44:50,279
Speaker 2: Just covered in bit? Uh? Did you ever? Did you

951
00:44:50,360 --> 00:44:52,319
Speaker 2: perform in middle and high school? Was that a thing?

952
00:44:52,920 --> 00:44:56,359
Speaker 3: High school? Tenth grade? I started doing theater in high school. Yeah?

953
00:44:56,400 --> 00:44:57,720
Speaker 2: Did you do high school musicals?

954
00:44:58,200 --> 00:45:01,680
Speaker 3: I did not. I think I directed musicals in my

955
00:45:01,800 --> 00:45:05,000
Speaker 3: community theater when I was in high school. Wow. Yes,

956
00:45:05,320 --> 00:45:08,880
Speaker 3: oh oh. Let me tell you. I've got the Lincoln

957
00:45:08,960 --> 00:45:12,080
Speaker 3: Times News in Lincoln, North Carolina when I was eighteen.

958
00:45:12,160 --> 00:45:15,720
Speaker 3: I remember I was directing this the musical called Smoke

959
00:45:15,760 --> 00:45:19,719
Speaker 3: on the Mountain, which is a gospel musical comedy in

960
00:45:19,880 --> 00:45:25,360
Speaker 3: nineteen ninety five. Yep, And the headline of the paper

961
00:45:25,560 --> 00:45:31,600
Speaker 3: just said, Drew Drogi eighteen is Lincolnin's orson Wells. That

962
00:45:31,719 --> 00:45:34,880
Speaker 3: was the nicest I've ever gotten. The nicest thing that

963
00:45:34,960 --> 00:45:38,040
Speaker 3: anyone's ever said about me. They really had high expense

964
00:45:38,200 --> 00:45:41,279
Speaker 3: on Oh oh, it's all over it. I had to

965
00:45:41,320 --> 00:45:45,080
Speaker 3: work in your hair. Yeah, you know, it's my head shot.

966
00:45:46,760 --> 00:45:50,400
Speaker 3: You don't have quotes on your head shots from your

967
00:45:50,440 --> 00:45:54,200
Speaker 3: town newspaper. Come on, gotta get in the business.

968
00:45:54,360 --> 00:45:56,360
Speaker 2: That's huge. How did you react to that?

969
00:45:56,440 --> 00:45:58,640
Speaker 3: I was it was downhill from there. I was like,

970
00:45:58,680 --> 00:46:01,279
Speaker 3: I can't live up to that. So yeah, but I

971
00:46:01,400 --> 00:46:03,600
Speaker 3: did a lot with the Community Theater. I was actually

972
00:46:03,640 --> 00:46:06,520
Speaker 3: a wonderful it. I did save my life because I

973
00:46:06,719 --> 00:46:08,640
Speaker 3: was kicked out of every club. We had like a

974
00:46:08,719 --> 00:46:11,719
Speaker 3: whole marijuana tobuckle where we were found with marijuana and

975
00:46:12,160 --> 00:46:15,040
Speaker 3: all my awards were stripped away from me and like everything.

976
00:46:15,280 --> 00:46:17,080
Speaker 3: So the only thing I had by the end was

977
00:46:17,120 --> 00:46:20,680
Speaker 3: the Community Theater. They took very romantic. They took our

978
00:46:20,760 --> 00:46:23,719
Speaker 3: scholarships away, they took our We were kicked out of

979
00:46:24,280 --> 00:46:27,200
Speaker 3: the Honor Society, out of the like all the clubs.

980
00:46:27,280 --> 00:46:29,560
Speaker 3: We were like, it was literally our senior year was

981
00:46:29,680 --> 00:46:31,759
Speaker 3: just we're stripping this from you and taking this from you.

982
00:46:31,800 --> 00:46:33,960
Speaker 3: And there's thousands of dollars in scholarship money we're taking

983
00:46:34,000 --> 00:46:37,640
Speaker 3: from Wow, what a ship yeah, because we confess to

984
00:46:37,719 --> 00:46:40,080
Speaker 3: having a joint. We weren't even cod was on a

985
00:46:40,120 --> 00:46:40,600
Speaker 3: school trip.

986
00:46:40,960 --> 00:46:43,520
Speaker 2: What a way to make sure the person continues to

987
00:46:43,640 --> 00:46:44,120
Speaker 2: do drink?

988
00:46:44,520 --> 00:46:47,080
Speaker 3: And when I continue to do drug, of course I

989
00:46:47,239 --> 00:46:49,560
Speaker 3: usually eat it, but I do I do pot every day.

990
00:46:51,360 --> 00:46:52,719
Speaker 3: I would say that, And I learned to lie. I

991
00:46:52,800 --> 00:46:54,440
Speaker 3: learned how to lie be like, no, I didn't have

992
00:46:54,560 --> 00:46:57,520
Speaker 3: I don't have a joint on me. I. But because

993
00:46:57,520 --> 00:46:58,840
Speaker 3: I was like, oh, I'm going to tell the truth,

994
00:47:00,040 --> 00:47:00,359
Speaker 3: we were.

995
00:47:00,400 --> 00:47:02,480
Speaker 2: Yeah, why did you decide to tell the truth?

996
00:47:02,760 --> 00:47:05,200
Speaker 3: We were actually they were really they were really insidious

997
00:47:05,200 --> 00:47:07,840
Speaker 3: about it. They they grabbed one person out of the

998
00:47:07,880 --> 00:47:11,280
Speaker 3: group and made her fest up. They said, she's already

999
00:47:11,320 --> 00:47:14,799
Speaker 3: told us, and so you may as well tell us, right,

1000
00:47:15,000 --> 00:47:17,200
Speaker 3: And we also were just like, well, we're going to

1001
00:47:17,280 --> 00:47:18,719
Speaker 3: do the right thing and we're going to say yes,

1002
00:47:18,760 --> 00:47:22,160
Speaker 3: we did it. And then because of that, then it

1003
00:47:22,320 --> 00:47:24,920
Speaker 3: was like our lives and we're like, oh, right, next time,

1004
00:47:25,000 --> 00:47:27,279
Speaker 3: don't don't tell the truth. That's what I learned from

1005
00:47:27,320 --> 00:47:30,799
Speaker 3: that whole situation was like lie and weeds better than

1006
00:47:31,320 --> 00:47:35,200
Speaker 3: you know, most of those people that you're you know, you.

1007
00:47:35,200 --> 00:47:37,200
Speaker 2: Know, yeah, I think just lie until at least until

1008
00:47:37,200 --> 00:47:39,520
Speaker 2: you have the full picture of what's going to happen exactly.

1009
00:47:40,480 --> 00:47:42,759
Speaker 3: They never known, and they would have they would have

1010
00:47:42,800 --> 00:47:46,319
Speaker 3: literally been like you know, he said, versus she said,

1011
00:47:46,360 --> 00:47:47,840
Speaker 3: but we would have let our friend she.

1012
00:47:47,920 --> 00:47:51,200
Speaker 2: Could throw her under the bus. Yeah, she made the

1013
00:47:51,360 --> 00:47:54,280
Speaker 2: decision she did. This is a pro rat podcast.

1014
00:47:54,680 --> 00:47:58,640
Speaker 3: Absolutely okay. In that case, Well, is.

1015
00:47:58,600 --> 00:48:00,520
Speaker 2: There anything left to say about the whistle?

1016
00:48:00,800 --> 00:48:02,279
Speaker 3: I don't think so.

1017
00:48:02,400 --> 00:48:05,520
Speaker 2: I mean, we'll blow it. It'll be blown again frequently.

1018
00:48:05,600 --> 00:48:10,360
Speaker 3: But I say I highly recommend them. I recommend getting

1019
00:48:10,360 --> 00:48:11,920
Speaker 3: them in a store. But if you can't find them

1020
00:48:11,960 --> 00:48:12,840
Speaker 3: in a store, they.

1021
00:48:12,760 --> 00:48:14,839
Speaker 2: Are on alms online. I wonder you can get these

1022
00:48:14,880 --> 00:48:15,440
Speaker 2: in a store.

1023
00:48:15,800 --> 00:48:17,120
Speaker 3: I know, Like, what store? Do you go to?

1024
00:48:17,280 --> 00:48:17,640
Speaker 2: Target?

1025
00:48:17,719 --> 00:48:24,160
Speaker 3: I'm sure they or they have Holiday death Wessons, Silver

1026
00:48:24,280 --> 00:48:28,120
Speaker 3: Bell Death wik Yes, yes, I have Santa's boots. What have.

1027
00:48:31,160 --> 00:48:33,080
Speaker 2: Well, I think it's time to play a game. All right, great,

1028
00:48:33,600 --> 00:48:35,960
Speaker 2: I think we'll play this game called Gift a Curse Listener.

1029
00:48:36,040 --> 00:48:38,759
Speaker 2: We'll play Gift Masters soon. It's under construction again. I'm

1030
00:48:38,800 --> 00:48:41,240
Speaker 2: so lazy. Oh all right, I need a number between

1031
00:48:41,239 --> 00:48:41,920
Speaker 2: one and ten from you.

1032
00:48:42,400 --> 00:48:43,360
Speaker 3: Seven, Okay.

1033
00:48:43,440 --> 00:48:45,560
Speaker 2: I have to do a little bit of light calculating

1034
00:48:45,600 --> 00:48:47,880
Speaker 2: to get our game pieces. So you can promote, recommend,

1035
00:48:48,080 --> 00:48:48,799
Speaker 2: do whatever you want.

1036
00:48:48,960 --> 00:48:51,600
Speaker 3: I can promote, Oh please, when is this coming out?

1037
00:48:51,640 --> 00:48:54,359
Speaker 3: Do we know? Well at that point, hopefully it will

1038
00:48:54,360 --> 00:48:56,359
Speaker 3: still be in theaters. But I'm in a new movie

1039
00:48:56,440 --> 00:49:01,239
Speaker 3: called Queer that opens on November twenty seventh, but I

1040
00:49:01,320 --> 00:49:03,920
Speaker 3: don't know what actually when it opens wide, but definitely

1041
00:49:03,960 --> 00:49:08,719
Speaker 3: go see that. What else I've got nothing else going on? Yeah,

1042
00:49:08,880 --> 00:49:11,640
Speaker 3: that's about it. I'm looking for work.

1043
00:49:15,400 --> 00:49:18,160
Speaker 2: Yeah, that's perfect. I mean, it's so exciting the movie.

1044
00:49:18,280 --> 00:49:21,000
Speaker 3: Yeah, it's it's really great. It's wonderful. I'm very excited that.

1045
00:49:21,520 --> 00:49:23,360
Speaker 2: I mean, it seems like it's going to be incredible.

1046
00:49:23,440 --> 00:49:27,200
Speaker 2: On Daniel Craig, Yes, he's wonderful. It's just the nicest,

1047
00:49:28,320 --> 00:49:31,480
Speaker 2: normal to earth person. He's such a great I mean,

1048
00:49:31,760 --> 00:49:36,000
Speaker 2: he's phenomenal in this movie, I'm sure. And Nike anything

1049
00:49:36,040 --> 00:49:39,440
Speaker 2: he's ever done, and I mean he's always great. But

1050
00:49:39,560 --> 00:49:43,080
Speaker 2: this is just like WHOA and then Luca Guaddino. So

1051
00:49:43,160 --> 00:49:45,439
Speaker 2: it was like so it was it was a dream.

1052
00:49:46,000 --> 00:49:48,160
Speaker 2: Somebody made it because he's made two movies this year.

1053
00:49:48,400 --> 00:49:51,040
Speaker 3: He did well. Challengers was done, but because of Strike

1054
00:49:51,120 --> 00:49:54,239
Speaker 3: and the whole thing, and they had a hold back

1055
00:49:54,280 --> 00:49:56,640
Speaker 3: what weever. But yeah, so he actually showed us Challengers

1056
00:49:56,680 --> 00:49:58,160
Speaker 3: when we were when we were filming.

1057
00:49:57,960 --> 00:50:00,920
Speaker 2: There, so I got to get to see that inside school.

1058
00:50:01,040 --> 00:50:03,640
Speaker 3: Yeah, and I love Challengers too. It's but it's a

1059
00:50:03,719 --> 00:50:06,000
Speaker 3: lot of the same team. I mean, justin Kurtziz who

1060
00:50:06,040 --> 00:50:10,239
Speaker 3: wrote the script for both of Atticus Ross Andresler just

1061
00:50:10,280 --> 00:50:13,920
Speaker 3: the music for both, and so like Jonathan Anderson designed costumes,

1062
00:50:13,960 --> 00:50:16,400
Speaker 3: and so it's a lot of the same team that

1063
00:50:16,520 --> 00:50:20,399
Speaker 3: did Challengers also did Queer and they are wildly different movies. Yeah,

1064
00:50:20,400 --> 00:50:22,719
Speaker 3: they seem very very gay movies in very different ways.

1065
00:50:22,840 --> 00:50:24,160
Speaker 2: Ultimately both tennis films.

1066
00:50:24,400 --> 00:50:28,160
Speaker 3: Yes, of course, there's so much tennis. No I play,

1067
00:50:28,400 --> 00:50:32,080
Speaker 3: Chris Evert. The fact that you're that that's my reference true,

1068
00:50:32,120 --> 00:50:35,839
Speaker 3: Not Martina and Averagel, not Venus and Serena, Chris Ager.

1069
00:50:36,280 --> 00:50:40,319
Speaker 2: Chris Evert, sure, I mean those are you have way

1070
00:50:40,400 --> 00:50:42,319
Speaker 2: more tennis polls than I could have possibly had.

1071
00:50:42,440 --> 00:50:44,760
Speaker 3: I don't even know how I know that. Very impressive

1072
00:50:44,880 --> 00:50:46,080
Speaker 3: she hosted, and now that's how I know.

1073
00:50:46,239 --> 00:50:48,800
Speaker 2: So there we go, there we go exactly, Okay, do

1074
00:50:48,920 --> 00:50:52,120
Speaker 2: I have anything to recommend? Oh, I've been rewatching getting on.

1075
00:50:52,719 --> 00:50:53,800
Speaker 3: Oh, Laurie metcalf.

1076
00:50:53,960 --> 00:50:57,600
Speaker 2: Oh, just an unbelievable And I've learned recently that people

1077
00:50:57,640 --> 00:50:59,839
Speaker 2: who I trust in respect haven't even heard of the show.

1078
00:51:00,040 --> 00:51:01,480
Speaker 3: Oh it needs to come back and people need to

1079
00:51:01,520 --> 00:51:03,600
Speaker 3: watch again. I need to watch it again because I

1080
00:51:04,160 --> 00:51:05,759
Speaker 3: didn't watch all of it and loved the ones that

1081
00:51:05,840 --> 00:51:06,319
Speaker 3: I did see.

1082
00:51:06,400 --> 00:51:08,600
Speaker 2: Oh so you haven't You haven't seen the final episode. No,

1083
00:51:08,800 --> 00:51:11,640
Speaker 2: I have not. It's so beautiful. There's a moment that

1084
00:51:11,760 --> 00:51:13,920
Speaker 2: is one of the most beautiful moments I've seen in television.

1085
00:51:14,000 --> 00:51:15,600
Speaker 2: Oh it was a very funny show.

1086
00:51:15,800 --> 00:51:18,520
Speaker 3: Oh yeah, it was really funny. Yeah, it was also

1087
00:51:18,560 --> 00:51:20,719
Speaker 3: really great. I saw Yesterday, which is a very different tone,

1088
00:51:20,760 --> 00:51:23,279
Speaker 3: but speaking of like hospital, way more in the comedy side,

1089
00:51:23,320 --> 00:51:24,360
Speaker 3: but Saint Denis medical.

1090
00:51:24,440 --> 00:51:26,799
Speaker 2: Oh yeah, of course, it's so fun and it's got.

1091
00:51:27,320 --> 00:51:28,640
Speaker 3: It's got. You have a friend of any.

1092
00:51:28,680 --> 00:51:32,560
Speaker 2: I've had got friends who write on it. Oh, yes, Yaomi, Naomi,

1093
00:51:32,760 --> 00:51:33,640
Speaker 2: my friend justin Ye.

1094
00:51:34,520 --> 00:51:38,320
Speaker 3: People, it's I mean, you've got the the national treasure

1095
00:51:38,320 --> 00:51:40,440
Speaker 3: that is Wendy McLendon Covey and she's so good, and

1096
00:51:40,640 --> 00:51:43,160
Speaker 3: the legend that is David Alla Greer And like Allison

1097
00:51:43,200 --> 00:51:44,799
Speaker 3: told me, it's like this great cast. But it's also

1098
00:51:46,200 --> 00:51:48,480
Speaker 3: really moving and very sweet. I thought it would just

1099
00:51:48,520 --> 00:51:51,120
Speaker 3: be a fun you know, just a roperstar in a

1100
00:51:51,640 --> 00:51:56,759
Speaker 3: in a hospital, but instead it's it's really I was like, Wow,

1101
00:51:56,760 --> 00:51:57,399
Speaker 3: I'm really moved.

1102
00:51:57,440 --> 00:52:01,960
Speaker 2: And two solid hospital recommendations. People need to be watching

1103
00:52:02,000 --> 00:52:03,120
Speaker 2: more hospital on t tree.

1104
00:52:03,200 --> 00:52:04,479
Speaker 3: There's not enough hospital on TV.

1105
00:52:04,640 --> 00:52:09,359
Speaker 2: That's whatever, says the problem with the industry. Yes, get

1106
00:52:09,440 --> 00:52:13,480
Speaker 2: some more hospitals and we'll fire. Okay, this is how

1107
00:52:13,520 --> 00:52:15,480
Speaker 2: we play Gift or a Curse. I'm going to name

1108
00:52:15,560 --> 00:52:17,640
Speaker 2: three things, and you're going to tell me if there

1109
00:52:17,680 --> 00:52:19,880
Speaker 2: are a gift or a curse and why, and then

1110
00:52:19,880 --> 00:52:22,000
Speaker 2: I'll tell you if you're right or wrong. Because there

1111
00:52:22,000 --> 00:52:24,640
Speaker 2: are correct answers. You can fail this game. Oh I

1112
00:52:24,719 --> 00:52:27,759
Speaker 2: hope so, and I probably will. You use the death

1113
00:52:27,760 --> 00:52:30,640
Speaker 2: whistle because why wouldn't.

1114
00:52:30,640 --> 00:52:30,960
Speaker 3: Why not.

1115
00:52:31,600 --> 00:52:33,840
Speaker 2: When the death whistle blows, that means you did not

1116
00:52:33,920 --> 00:52:37,200
Speaker 2: get the point. Okay, when the death whistle blows, it

1117
00:52:37,280 --> 00:52:40,839
Speaker 2: means you were also correct. I'll just why afterwards. It'll

1118
00:52:40,840 --> 00:52:44,400
Speaker 2: be blown no matter, okay. Number one this is from

1119
00:52:44,440 --> 00:52:47,840
Speaker 2: a listener named Steph. Gift or a Curse When somebody

1120
00:52:47,960 --> 00:52:50,640
Speaker 2: is out on a walk and happens upon a fruit

1121
00:52:50,719 --> 00:52:53,600
Speaker 2: tree near the sidewalk in a stranger's yard and helps

1122
00:52:53,640 --> 00:52:54,919
Speaker 2: themselves to some of the fruit.

1123
00:52:57,200 --> 00:53:00,359
Speaker 3: And it's a gift or a curse. Yes, I see,

1124
00:53:00,920 --> 00:53:04,680
Speaker 3: I'm going to call that a gift. Why because it's

1125
00:53:05,560 --> 00:53:07,680
Speaker 3: you never eat all the fruit that it's on your tree,

1126
00:53:08,160 --> 00:53:10,880
Speaker 3: give it to the neighborhood. It's fruits made to be eaten.

1127
00:53:11,120 --> 00:53:14,200
Speaker 3: I think it's a I think it's a delicious treat.

1128
00:53:14,760 --> 00:53:16,719
Speaker 3: And I enjoy all the fairy tales in which people

1129
00:53:16,760 --> 00:53:19,080
Speaker 3: bite fruit and magic happens to them.

1130
00:53:22,080 --> 00:53:29,439
Speaker 2: Oh, correct, correct, Yes, I love. I'm always so scared

1131
00:53:29,440 --> 00:53:31,920
Speaker 2: to do it myself. I'm so tempted. Yes, but I

1132
00:53:31,960 --> 00:53:34,920
Speaker 2: think if your fruit tree is hanging over the sidewalk,

1133
00:53:35,000 --> 00:53:38,560
Speaker 2: that's city property. Yes, And why can't I take a

1134
00:53:38,560 --> 00:53:39,759
Speaker 2: little after my neighbors have.

1135
00:53:40,040 --> 00:53:42,120
Speaker 3: My neighbors have an orange tree who belonged to gay

1136
00:53:42,200 --> 00:53:44,879
Speaker 3: rights activists and legend Morris Kite, who did pass away

1137
00:53:44,880 --> 00:53:47,480
Speaker 3: a few years ago, but he was like the amazing

1138
00:53:47,600 --> 00:53:51,680
Speaker 3: gay like like hero of That's Hollywood, was in his nineties.

1139
00:53:51,880 --> 00:53:54,040
Speaker 3: He had this bitter orange tree that's good for marmalade

1140
00:53:54,080 --> 00:53:56,239
Speaker 3: and cocktails. You don't really want to eat the oranges, right,

1141
00:53:56,640 --> 00:53:59,719
Speaker 3: It produces so many oranges and they're thrilled, or at

1142
00:53:59,760 --> 00:54:01,279
Speaker 3: least they tell me they are when we when we

1143
00:54:01,360 --> 00:54:04,759
Speaker 3: take them off the tree to they're wonderful in a negronie.

1144
00:54:04,880 --> 00:54:06,279
Speaker 2: Oh that sounds I need to find out where this

1145
00:54:06,360 --> 00:54:11,560
Speaker 2: is located. Shop. Yeah, yeah, I think it's lovely. Someone's

1146
00:54:11,600 --> 00:54:14,800
Speaker 2: going to take it, whether it's a wild animal another person,

1147
00:54:15,239 --> 00:54:17,040
Speaker 2: or it will fall to the ground, yes, and rot

1148
00:54:17,120 --> 00:54:18,560
Speaker 2: on the ground. Yeah, we should all. I want to

1149
00:54:18,560 --> 00:54:18,799
Speaker 2: get one.

1150
00:54:18,880 --> 00:54:22,279
Speaker 3: Anyone who is like, donate the fruit, then dig up

1151
00:54:22,320 --> 00:54:24,560
Speaker 3: the tree right, throw it away, Throw the tree away,

1152
00:54:25,280 --> 00:54:29,680
Speaker 3: and you're selfing with it. Die? Thank you?

1153
00:54:30,920 --> 00:54:33,040
Speaker 2: No you? Okay, you get the point. An absolute gift

1154
00:54:33,560 --> 00:54:36,080
Speaker 2: okay number two. This is from a listener named Cameron.

1155
00:54:36,440 --> 00:54:39,600
Speaker 2: Gift or a curse welcome Matt's slash other assorted front

1156
00:54:39,640 --> 00:54:42,080
Speaker 2: door trinkets or decor in the indoor hallway of an

1157
00:54:42,080 --> 00:54:42,800
Speaker 2: apartment building.

1158
00:54:44,360 --> 00:54:45,400
Speaker 3: I'm gonna say, curse.

1159
00:54:45,840 --> 00:54:46,000
Speaker 2: Why.

1160
00:54:46,640 --> 00:54:49,399
Speaker 3: I think they're trying too hard. I mean, like, it's

1161
00:54:49,440 --> 00:54:51,160
Speaker 3: one thing if it's like a nice decorative map, but

1162
00:54:51,280 --> 00:54:53,840
Speaker 3: if it has a message on it, I'm always like

1163
00:54:54,040 --> 00:54:56,480
Speaker 3: uh uh oh, Like I'm a little bit like red flag.

1164
00:54:56,960 --> 00:54:59,279
Speaker 3: It's like you're you're you you are trying. It's like

1165
00:54:59,320 --> 00:55:02,800
Speaker 3: bumper sticker or anything like. I'm this and it's just

1166
00:55:02,960 --> 00:55:05,360
Speaker 3: it's a lot at me. I don't need a welcome

1167
00:55:05,719 --> 00:55:08,239
Speaker 3: or anything wacky or fine. When I'm walking in the door,

1168
00:55:08,680 --> 00:55:12,239
Speaker 3: a nice, beautiful pattern, a nice color, lovely. I can

1169
00:55:12,520 --> 00:55:14,480
Speaker 3: dust off my shoes or leave them at the door.

1170
00:55:14,520 --> 00:55:17,719
Speaker 3: I'm happy to do that. Don't scream words at me

1171
00:55:17,800 --> 00:55:19,480
Speaker 3: when I'm coming up to your place. Thank you.

1172
00:55:23,960 --> 00:55:28,520
Speaker 2: Wrong, it's a curse. It's a gift. It's a gift.

1173
00:55:28,760 --> 00:55:30,880
Speaker 2: I mean, I'm doing a lot here. I'm playing an instrument.

1174
00:55:30,920 --> 00:55:33,600
Speaker 2: Now the listener has to forgive me. You're wrong, You're

1175
00:55:33,640 --> 00:55:36,200
Speaker 2: absolutely wrong. I love it. The more clutter we can

1176
00:55:36,239 --> 00:55:39,360
Speaker 2: get in a hallway, the better, the more opportunities to

1177
00:55:39,520 --> 00:55:44,040
Speaker 2: trip over trinkets and chowkeys. I think it's absolutely terrific.

1178
00:55:44,080 --> 00:55:47,600
Speaker 2: And I love a little mattch to wipe my filthy

1179
00:55:47,640 --> 00:55:49,000
Speaker 2: feet the mud off.

1180
00:55:49,080 --> 00:55:51,640
Speaker 3: Do you like it to say funny things like lordy, lordy,

1181
00:55:51,800 --> 00:55:52,760
Speaker 3: Brenda's forty.

1182
00:55:53,200 --> 00:55:59,360
Speaker 2: Yes, that's all they should say. A special happy birthday

1183
00:55:59,440 --> 00:56:04,920
Speaker 2: welcome that you own for the rest of life. That

1184
00:56:05,239 --> 00:56:07,880
Speaker 2: someone's gone. This is you have a second item for

1185
00:56:07,960 --> 00:56:16,120
Speaker 2: your correct Yeah, I mean you've really proven yourself wrong.

1186
00:56:16,040 --> 00:56:16,880
Speaker 3: Here, Yeah I really have.

1187
00:56:18,560 --> 00:56:18,600
Speaker 2: That.

1188
00:56:18,920 --> 00:56:19,279
Speaker 3: Yeah, I know.

1189
00:56:21,120 --> 00:56:23,719
Speaker 2: Okay, so one out of two so far and this

1190
00:56:23,880 --> 00:56:26,000
Speaker 2: is the final one. This is from an unknown listener.

1191
00:56:26,000 --> 00:56:28,160
Speaker 2: And whenever I see unknown it feels a little creepy.

1192
00:56:28,200 --> 00:56:30,920
Speaker 2: It's like an unmarked grave. But whatever, gift your a

1193
00:56:31,000 --> 00:56:34,360
Speaker 2: curse saying the name of the credit card company before

1194
00:56:34,440 --> 00:56:37,799
Speaker 2: reading out the number. It's a Visa for one four seven.

1195
00:56:37,960 --> 00:56:41,719
Speaker 3: Oh, that's a curse. You're an idiot, because first of all,

1196
00:56:41,800 --> 00:56:44,360
Speaker 3: they know by the like a Visa and MasterCard, they

1197
00:56:44,400 --> 00:56:46,400
Speaker 3: have like certain numbers that immediately make it what it is.

1198
00:56:46,719 --> 00:56:49,640
Speaker 3: But also like it doesn't the number is not going

1199
00:56:49,719 --> 00:56:52,279
Speaker 3: to be different per like that's that credit cards number.

1200
00:56:52,320 --> 00:56:54,480
Speaker 3: It's not like, oh, Visa has that number and MasterCard

1201
00:56:54,520 --> 00:56:58,120
Speaker 3: house Americans. The number is the number. You don't need

1202
00:56:58,200 --> 00:57:02,400
Speaker 3: to say that. That's like saying it's a red card. Uh,

1203
00:57:02,680 --> 00:57:05,080
Speaker 3: you know what I mean, we don't need that.

1204
00:57:05,880 --> 00:57:08,200
Speaker 2: And now the school it's just.

1205
00:57:09,680 --> 00:57:10,200
Speaker 3: So many.

1206
00:57:11,560 --> 00:57:18,240
Speaker 2: I lead a musical life. Wrong, Ah, it's a gift again.

1207
00:57:18,360 --> 00:57:20,840
Speaker 2: I mean, speaking of Brenda, this feels like real Brenda,

1208
00:57:22,200 --> 00:57:26,240
Speaker 2: right when somebody it's a master card for one for

1209
00:57:26,360 --> 00:57:27,320
Speaker 2: something that's a.

1210
00:57:27,360 --> 00:57:28,760
Speaker 3: Dream Diners club.

1211
00:57:33,240 --> 00:57:35,960
Speaker 2: It's a Discover three one, threes eight. It's I think

1212
00:57:36,000 --> 00:57:38,640
Speaker 2: that's perfect behavior I need. I think we should all

1213
00:57:38,720 --> 00:57:39,640
Speaker 2: be bringing that energy.

1214
00:57:39,800 --> 00:57:41,800
Speaker 3: Oh, I love it. I love it. I just find

1215
00:57:41,880 --> 00:57:42,200
Speaker 3: it like.

1216
00:57:43,280 --> 00:57:47,560
Speaker 2: That's very phone in between your ear and shoulder reading

1217
00:57:47,640 --> 00:57:48,000
Speaker 2: it out?

1218
00:57:49,440 --> 00:57:49,720
Speaker 1: You are?

1219
00:57:49,920 --> 00:57:51,920
Speaker 3: I mean, I love I love anyone who's going to

1220
00:57:52,040 --> 00:57:55,040
Speaker 3: read their credit card number out loud in public, really loud,

1221
00:57:55,080 --> 00:57:58,120
Speaker 3: and just announce it. I mean, how fun? What a

1222
00:57:58,240 --> 00:58:03,120
Speaker 3: wild adventure you're must always be on. Yeah, I think

1223
00:58:03,160 --> 00:58:07,520
Speaker 3: that's how I got scammed again. It's a Visa five

1224
00:58:08,080 --> 00:58:08,840
Speaker 3: six one.

1225
00:58:09,960 --> 00:58:12,720
Speaker 2: How often are you reading out the number? You're calling

1226
00:58:12,760 --> 00:58:16,200
Speaker 2: the Sears catalog? You're on the phone with pennies. It's

1227
00:58:17,400 --> 00:58:20,800
Speaker 2: I think it's a gift, at least for our Brenda's Sure,

1228
00:58:21,520 --> 00:58:23,360
Speaker 2: Well you got one out of three, one out of three.

1229
00:58:23,480 --> 00:58:24,000
Speaker 3: That's not bad.

1230
00:58:24,160 --> 00:58:25,760
Speaker 2: It's not a complete fail.

1231
00:58:25,920 --> 00:58:27,680
Speaker 3: No, And I don't care. I told you I don't

1232
00:58:27,720 --> 00:58:28,000
Speaker 3: like to win.

1233
00:58:28,360 --> 00:58:32,040
Speaker 2: Right, you're the person for this, right, and now I'm furious.

1234
00:58:32,120 --> 00:58:35,480
Speaker 2: I need you to be passionate about this. And now

1235
00:58:35,520 --> 00:58:37,280
Speaker 2: we need to get into the on aalase gift or

1236
00:58:37,280 --> 00:58:40,360
Speaker 2: a curse. On liase is a very objective judge and

1237
00:58:40,720 --> 00:58:43,000
Speaker 2: they're going to give us one and we're both going

1238
00:58:43,120 --> 00:58:45,720
Speaker 2: to try to get the correct answer on release. What

1239
00:58:45,840 --> 00:58:47,080
Speaker 2: is your thing today?

1240
00:58:47,880 --> 00:58:51,160
Speaker 4: Gift a curse? The friendship of Martha Stewart and Snoop Dogg.

1241
00:58:51,720 --> 00:58:53,560
Speaker 2: Interesting. Do you want to go first?

1242
00:58:53,640 --> 00:58:53,760
Speaker 1: Oh?

1243
00:58:53,880 --> 00:58:56,600
Speaker 3: Yeah, go first. I think that's a gift. I think

1244
00:58:56,680 --> 00:59:02,000
Speaker 3: that's a wonderful thing. I think they both are fascinating personalities.

1245
00:59:02,080 --> 00:59:05,080
Speaker 3: They both bring out a real like mirth in each other.

1246
00:59:05,840 --> 00:59:09,400
Speaker 3: He absolutely made her like he's has softened her in

1247
00:59:09,480 --> 00:59:12,919
Speaker 3: a really fun way. I'm a fan. I'm a fan

1248
00:59:13,000 --> 00:59:15,160
Speaker 3: of that pairing and partnership.

1249
00:59:15,600 --> 00:59:18,680
Speaker 2: Okay, yeah, I'm also going to say gift. I was

1250
00:59:18,720 --> 00:59:20,800
Speaker 2: on the phone with my mom just last night talking

1251
00:59:21,000 --> 00:59:23,080
Speaker 2: about the Martha Stewart documentary.

1252
00:59:22,640 --> 00:59:23,360
Speaker 3: Which I've not seen.

1253
00:59:23,800 --> 00:59:26,960
Speaker 2: It gets a little dark. She seems like she could

1254
00:59:26,960 --> 00:59:31,000
Speaker 2: be a very lonely person. But my mom wants them

1255
00:59:31,040 --> 00:59:31,600
Speaker 2: to get married.

1256
00:59:32,120 --> 00:59:32,320
Speaker 3: Ah.

1257
00:59:32,600 --> 00:59:35,120
Speaker 2: She just loves these two together. We all love them together.

1258
00:59:35,280 --> 00:59:35,480
Speaker 3: Yeah.

1259
00:59:36,120 --> 00:59:39,600
Speaker 2: I mean, I feel like it's a pretty honest thing

1260
00:59:39,680 --> 00:59:42,880
Speaker 2: that's happening. I hope, I hope that they love each other.

1261
00:59:43,000 --> 00:59:45,440
Speaker 3: I hope so too. I think it's fantastic, it's organic,

1262
00:59:45,560 --> 00:59:48,040
Speaker 3: and maybe it's just We're totally just. You know, sometimes

1263
00:59:48,120 --> 00:59:50,960
Speaker 3: you feel like, oh, you literally put these two wildly

1264
00:59:51,080 --> 00:59:53,800
Speaker 3: different people together in a world and whatever, but like

1265
00:59:53,880 --> 00:59:56,560
Speaker 3: in a buddy comedy or something right. But instead I'm like, no,

1266
00:59:56,680 --> 00:59:59,280
Speaker 3: they genuinely I want to believe they genuinely like each other.

1267
00:59:59,280 --> 01:00:02,919
Speaker 2: I mean it should be an buddy comedy, would solving

1268
01:00:02,960 --> 01:00:03,320
Speaker 2: a crime?

1269
01:00:03,360 --> 01:00:04,880
Speaker 3: Or she needs to be in the remake of Taxi?

1270
01:00:05,240 --> 01:00:05,479
Speaker 1: Yes?

1271
01:00:05,640 --> 01:00:10,240
Speaker 2: Absolutely, on Elis, how did we do?

1272
01:00:10,640 --> 01:00:11,760
Speaker 3: You're wrong, it's a curse.

1273
01:00:12,240 --> 01:00:13,960
Speaker 4: I see the reason why I'm going to be the

1274
01:00:14,000 --> 01:00:16,400
Speaker 4: bad guy here because I know, deep in your heart Bridger,

1275
01:00:16,880 --> 01:00:18,520
Speaker 4: you want to say it's a curse, because you know

1276
01:00:18,600 --> 01:00:19,040
Speaker 4: that should be.

1277
01:00:19,120 --> 01:00:21,920
Speaker 2: You know Martha, you love Martha.

1278
01:00:22,160 --> 01:00:24,360
Speaker 3: I mean sure, I know.

1279
01:00:24,480 --> 01:00:26,440
Speaker 4: That you really want to have that best friend status

1280
01:00:26,480 --> 01:00:26,920
Speaker 4: with Martha.

1281
01:00:27,880 --> 01:00:29,919
Speaker 2: Wow for you to, I mean you you have seen

1282
01:00:29,960 --> 01:00:32,400
Speaker 2: me in a way that no one else possibly could.

1283
01:00:32,520 --> 01:00:34,080
Speaker 2: Of course, I would love to be on her little

1284
01:00:34,360 --> 01:00:37,520
Speaker 2: she rides like a little four wheel go kart throughout

1285
01:00:37,560 --> 01:00:39,640
Speaker 2: the movie, to be the passenger and that and her

1286
01:00:39,840 --> 01:00:43,080
Speaker 2: just being mean to me, I'm I would love nothing more.

1287
01:00:44,280 --> 01:00:45,480
Speaker 4: What a missed opportunity.

1288
01:00:45,840 --> 01:00:49,560
Speaker 3: But you know I I love Snoop and I will

1289
01:00:49,640 --> 01:00:52,320
Speaker 3: have to say. Now, I maybe I have told this

1290
01:00:52,360 --> 01:00:54,800
Speaker 3: story before. Back in the day, I was catering at

1291
01:00:54,840 --> 01:00:58,800
Speaker 3: the Playboy Mansion. Okay, it was Jamie Fox's birthday the

1292
01:00:58,880 --> 01:01:01,960
Speaker 3: Playboy Mansion. All these people were there and they were

1293
01:01:02,080 --> 01:01:04,160
Speaker 3: very strict about like times like at this time, we

1294
01:01:04,240 --> 01:01:06,120
Speaker 3: have to stop serving this and you can do this.

1295
01:01:06,280 --> 01:01:09,080
Speaker 3: And we were all in these like horrible nehrew jackets

1296
01:01:09,120 --> 01:01:12,040
Speaker 3: and running in my horrible job and everyone's like mean

1297
01:01:12,120 --> 01:01:15,680
Speaker 3: and whatever. And this guy grabbed me and he was like,

1298
01:01:15,760 --> 01:01:17,320
Speaker 3: I need a sprite. He just got me. He's like

1299
01:01:17,360 --> 01:01:19,400
Speaker 3: I need and I need to get a sprite. And

1300
01:01:19,520 --> 01:01:22,720
Speaker 3: I was like, I'm sorry, sir, it's cut off whatever.

1301
01:01:22,800 --> 01:01:24,240
Speaker 3: And he looks me and he goes, it's for Snoop

1302
01:01:24,840 --> 01:01:27,840
Speaker 3: and I was like absolutely, And I went in, and

1303
01:01:28,000 --> 01:01:31,120
Speaker 3: I mean I dug through, I just unlocked codes. I

1304
01:01:31,200 --> 01:01:34,600
Speaker 3: went through Pep secret doors. What I dove in I

1305
01:01:34,720 --> 01:01:37,680
Speaker 3: was finding us. I was like, I'm getting Snoop a sprite.

1306
01:01:38,880 --> 01:01:42,240
Speaker 3: He's got driving off exactly why he needs it and

1307
01:01:42,360 --> 01:01:44,280
Speaker 3: he needs a sprite. And I'm like, I will do

1308
01:01:44,400 --> 01:01:46,560
Speaker 3: that for Snoop Dogg. So You're welcome if you're listening, son,

1309
01:01:46,840 --> 01:01:47,520
Speaker 3: I did that for you.

1310
01:01:48,000 --> 01:01:50,200
Speaker 2: How are they cutting off sprite? At any point during

1311
01:01:50,480 --> 01:01:51,120
Speaker 2: it was sprite?

1312
01:01:51,240 --> 01:01:53,479
Speaker 3: He needed a can of sprite. I was like, that's

1313
01:01:54,080 --> 01:01:57,360
Speaker 3: I will fire me Patina catering.

1314
01:01:59,360 --> 01:02:00,880
Speaker 2: Yeah, that feels like something that should just be on

1315
01:02:00,920 --> 01:02:02,480
Speaker 2: a table somewhere in the gardeners.

1316
01:02:02,640 --> 01:02:04,280
Speaker 3: I was like, that's not even like making you a

1317
01:02:04,360 --> 01:02:07,440
Speaker 3: cocktail or anything involving. It was not chopping we not

1318
01:02:07,520 --> 01:02:10,040
Speaker 3: you know what a moheedo or something you want to

1319
01:02:10,160 --> 01:02:10,720
Speaker 3: sprite that.

1320
01:02:10,880 --> 01:02:13,800
Speaker 2: People get thirsty all the time all the time. Wow,

1321
01:02:13,920 --> 01:02:20,400
Speaker 2: good for you for really stepping in there a great person. Wow,

1322
01:02:20,440 --> 01:02:22,240
Speaker 2: So you've been into the Playboy Mansion?

1323
01:02:22,880 --> 01:02:23,080
Speaker 3: Yeah?

1324
01:02:23,600 --> 01:02:24,880
Speaker 2: What was that? What was it was?

1325
01:02:25,000 --> 01:02:28,280
Speaker 3: I just remember being very dark and not welcoming and

1326
01:02:28,560 --> 01:02:31,440
Speaker 3: it just didn't feel like fun or sexy at all

1327
01:02:31,520 --> 01:02:32,920
Speaker 3: to me. And it was, but it was also like

1328
01:02:32,960 --> 01:02:35,320
Speaker 3: it was working and just sort of like you're sort

1329
01:02:35,360 --> 01:02:38,440
Speaker 3: of ordered around, and it's almost like my memories of

1330
01:02:38,520 --> 01:02:40,560
Speaker 3: like working in places, was like you were basically like,

1331
01:02:40,680 --> 01:02:43,520
Speaker 3: look down, don't take this in. This isn't your life,

1332
01:02:43,600 --> 01:02:45,520
Speaker 3: you know, kind of a thing. I let them call

1333
01:02:45,600 --> 01:02:46,960
Speaker 3: me Andrew when I.

1334
01:02:47,000 --> 01:02:49,520
Speaker 2: Ca I was like, do you want to call you Andrew? No?

1335
01:02:49,840 --> 01:02:50,840
Speaker 2: Is your name? Andrew?

1336
01:02:50,920 --> 01:02:53,800
Speaker 3: My full name is Andrew, but my mom and dad

1337
01:02:53,920 --> 01:02:56,680
Speaker 3: were like called me Drew from day one. They named

1338
01:02:56,720 --> 01:02:58,960
Speaker 3: me Andrew, but I was always to be Drew, and

1339
01:02:59,160 --> 01:03:02,400
Speaker 3: so yeah, they when I was like, yeah, call me

1340
01:03:02,480 --> 01:03:04,760
Speaker 3: Andrew here, I'm just I'm a different person here when

1341
01:03:04,760 --> 01:03:06,520
Speaker 3: I'm here. So Andrew did that job.

1342
01:03:07,040 --> 01:03:09,920
Speaker 2: Always to be Drew is such a beautiful title for something.

1343
01:03:10,080 --> 01:03:12,479
Speaker 3: Ah my next, so always to be Drew?

1344
01:03:14,520 --> 01:03:16,360
Speaker 2: Wow, what is the word I've been? I have been

1345
01:03:16,400 --> 01:03:18,640
Speaker 2: to the Playbood Mansion, but not inside, just the outside,

1346
01:03:19,040 --> 01:03:19,920
Speaker 2: and it was as similar.

1347
01:03:19,960 --> 01:03:21,720
Speaker 3: That's more what I remember than the inside. I don't

1348
01:03:21,720 --> 01:03:23,040
Speaker 3: remember how much of that we went in.

1349
01:03:23,360 --> 01:03:25,680
Speaker 2: But do you remember the outside being kind of also

1350
01:03:25,800 --> 01:03:27,800
Speaker 2: not taken that well taken care of?

1351
01:03:28,000 --> 01:03:30,040
Speaker 3: No, yeah, it was kind of yeah. I was like, yeah,

1352
01:03:30,080 --> 01:03:31,440
Speaker 3: it was a dingy, Yes.

1353
01:03:31,400 --> 01:03:34,080
Speaker 2: It was yeah. They I guess they're really putting something

1354
01:03:34,120 --> 01:03:37,280
Speaker 2: out there to make people think it's nice. But I

1355
01:03:37,440 --> 01:03:39,360
Speaker 2: know there's a mildew.

1356
01:03:39,880 --> 01:03:41,520
Speaker 3: Yeah, there's a girl melting on everything.

1357
01:03:41,840 --> 01:03:46,439
Speaker 2: I think, yes, Okay, let's uh. This is the final

1358
01:03:46,480 --> 01:03:50,400
Speaker 2: segment of the podcast. Unfortunately we lost on Elisa's Little Game,

1359
01:03:50,440 --> 01:03:51,320
Speaker 2: which makes me sick.

1360
01:03:51,440 --> 01:03:52,200
Speaker 3: But what do you do?

1361
01:03:52,840 --> 01:03:55,040
Speaker 2: This is? I said, no emails people right in too,

1362
01:03:55,120 --> 01:03:58,680
Speaker 2: I said, no gifts at gmail dot com begging for answers.

1363
01:03:58,840 --> 01:04:02,120
Speaker 2: Great you help me answer question? Yes, okay, this says

1364
01:04:02,800 --> 01:04:08,000
Speaker 2: dear Bridger and memorable guest. That's nice, especially considering all

1365
01:04:08,080 --> 01:04:11,280
Speaker 2: of my memory problems. My husband and I are expecting

1366
01:04:11,280 --> 01:04:14,400
Speaker 2: our first child through surrogacy. Our surrogate is an amazing

1367
01:04:14,480 --> 01:04:17,320
Speaker 2: woman who has been through the entire IVF process and

1368
01:04:17,440 --> 01:04:20,400
Speaker 2: most of the pregnancy at this point without a single complaint.

1369
01:04:20,840 --> 01:04:23,840
Speaker 2: We have given some gifts at the major milestones, such

1370
01:04:23,880 --> 01:04:26,760
Speaker 2: as baskets of self care products, gift cards, et cetera.

1371
01:04:27,280 --> 01:04:30,400
Speaker 2: At the most recent appointment, she gave us a very thoughtful,

1372
01:04:30,440 --> 01:04:33,600
Speaker 2: handmade gift. Oh that's nice. As we prepare for the birth,

1373
01:04:33,800 --> 01:04:35,600
Speaker 2: we are at a loss for what to get the

1374
01:04:35,680 --> 01:04:38,800
Speaker 2: person who gives birth to our son. Any suggestions will

1375
01:04:38,800 --> 01:04:41,720
Speaker 2: be given the consideration they deserve. Well that I don't

1376
01:04:41,800 --> 01:04:44,880
Speaker 2: like to hear that. Oh yeah, sincerely, Lucas and Justin

1377
01:04:44,960 --> 01:04:50,920
Speaker 2: from Atlanta, Georgia. I mean to end, they deserve the

1378
01:04:51,040 --> 01:04:53,480
Speaker 2: consideration they deserve. I mean, I almost just want to

1379
01:04:53,480 --> 01:04:56,440
Speaker 2: shut down the podcast. If you're not just gonna take

1380
01:04:56,480 --> 01:04:57,600
Speaker 2: these with open arms.

1381
01:04:57,480 --> 01:05:01,200
Speaker 3: Exactly, we'll consider it. Well, of course she would also

1382
01:05:01,320 --> 01:05:02,919
Speaker 3: like it's one of those things, like, of course she would,

1383
01:05:03,320 --> 01:05:05,800
Speaker 3: but to say that she's a little bit like, Okay,

1384
01:05:06,000 --> 01:05:06,240
Speaker 3: it was.

1385
01:05:06,240 --> 01:05:10,560
Speaker 2: A nastiness to it. If you didn't believe we were

1386
01:05:10,600 --> 01:05:12,040
Speaker 2: going to have a good answer for you, maybe just

1387
01:05:12,080 --> 01:05:14,600
Speaker 2: don't write into the podcast exactly find another part.

1388
01:05:14,720 --> 01:05:18,040
Speaker 3: Also, do you think this is real anyway? I mean,

1389
01:05:18,080 --> 01:05:22,320
Speaker 3: your baby's real? Okay, great, congratulations another child in the world.

1390
01:05:23,640 --> 01:05:27,760
Speaker 3: What do you give the mother for like having the baby?

1391
01:05:28,200 --> 01:05:31,240
Speaker 2: Right, especially now that she's given another gift, I don't

1392
01:05:31,240 --> 01:05:32,800
Speaker 2: feel like she should have given a gift.

1393
01:05:32,840 --> 01:05:35,640
Speaker 3: She's done enough, she's done enough, she's gone too far,

1394
01:05:35,880 --> 01:05:37,400
Speaker 3: she's absolutely done enough.

1395
01:05:37,440 --> 01:05:40,200
Speaker 2: Early red flag. Actually, I would say maybe she's like

1396
01:05:40,240 --> 01:05:43,400
Speaker 2: planning to take the baby. Oh I hope, maybe she's

1397
01:05:43,440 --> 01:05:44,440
Speaker 2: starting to make get.

1398
01:05:44,360 --> 01:05:44,840
Speaker 3: It back.

1399
01:05:47,640 --> 01:05:49,160
Speaker 2: They she opened at the hospital and the doors.

1400
01:05:51,080 --> 01:05:54,080
Speaker 3: What god, I mean, what do you get? What do

1401
01:05:54,160 --> 01:05:56,120
Speaker 3: you give someone that's like done that? Like I feel

1402
01:05:56,200 --> 01:05:59,560
Speaker 3: like anything is never enough. I mean you could buy

1403
01:05:59,560 --> 01:06:01,560
Speaker 3: her a house and still be like, but you gave

1404
01:06:01,640 --> 01:06:03,680
Speaker 3: us a child, you know what I mean? So I

1405
01:06:03,720 --> 01:06:08,200
Speaker 3: would say, you know, I think a really nice dinner car,

1406
01:06:08,440 --> 01:06:10,360
Speaker 3: like a you know, get for a nice.

1407
01:06:10,400 --> 01:06:15,120
Speaker 2: Nice local rest restaurant or franchise, franchise, national change.

1408
01:06:14,840 --> 01:06:17,320
Speaker 3: And you know a year in a wine club. Does

1409
01:06:17,360 --> 01:06:20,080
Speaker 3: she drink now that she's just drink wine.

1410
01:06:19,960 --> 01:06:22,320
Speaker 2: Or has she been secretly drinking? There you go, then

1411
01:06:22,360 --> 01:06:29,280
Speaker 2: that's a problem, sure not to her. Not. Now what's

1412
01:06:29,360 --> 01:06:30,480
Speaker 2: done is done, thank you.

1413
01:06:32,960 --> 01:06:34,720
Speaker 3: Yeah, I would just say something like that you've already

1414
01:06:34,720 --> 01:06:37,600
Speaker 3: given her, like spa. It sounds like self treatment, stuff

1415
01:06:37,760 --> 01:06:38,160
Speaker 3: like things.

1416
01:06:38,920 --> 01:06:41,480
Speaker 2: You know. Yeah, there's just never there. I mean, I

1417
01:06:41,520 --> 01:06:44,080
Speaker 2: guess you could give her a pet, give her another

1418
01:06:44,240 --> 01:06:47,160
Speaker 2: life large animal.

1419
01:06:47,000 --> 01:06:48,520
Speaker 3: But then it's just to take care of that likes

1420
01:06:48,560 --> 01:06:52,320
Speaker 3: just to want that. A large animal like a jaguar.

1421
01:06:52,120 --> 01:06:58,160
Speaker 2: A jaguar exotic, something that's borderline illegal. Okay, sure, something

1422
01:06:58,240 --> 01:06:59,360
Speaker 2: that should not be caged.

1423
01:07:00,840 --> 01:07:01,760
Speaker 3: But Atlanta's big.

1424
01:07:02,160 --> 01:07:04,160
Speaker 2: You know, her house is probably massive.

1425
01:07:04,400 --> 01:07:06,640
Speaker 3: I'm sure. Give her a.

1426
01:07:06,800 --> 01:07:15,920
Speaker 2: Wild animal, something zoo, I don't know. Get her something

1427
01:07:16,000 --> 01:07:19,480
Speaker 2: that's been preserved in amber yea or in some swamp

1428
01:07:19,560 --> 01:07:19,760
Speaker 2: in the.

1429
01:07:20,080 --> 01:07:23,320
Speaker 3: Thanks for taking our child and deal with this.

1430
01:07:23,600 --> 01:07:26,400
Speaker 2: Yeah, moving on, because who knows the child that they've

1431
01:07:26,440 --> 01:07:28,000
Speaker 2: all created together could be a nightmare.

1432
01:07:28,480 --> 01:07:29,120
Speaker 3: I hope he is.

1433
01:07:32,360 --> 01:07:34,320
Speaker 2: So you have to give her something that could potentially

1434
01:07:34,360 --> 01:07:35,040
Speaker 2: be a life.

1435
01:07:34,920 --> 01:07:36,320
Speaker 3: Ruin heer, Absolutely so.

1436
01:07:36,440 --> 01:07:40,000
Speaker 2: I think actually the only thing is an exotic animal.

1437
01:07:39,920 --> 01:07:46,760
Speaker 3: That bites and get an astac death mask death whistle,

1438
01:07:47,960 --> 01:07:50,280
Speaker 3: and then you know, train it through.

1439
01:07:50,240 --> 01:07:53,480
Speaker 2: That, trained through a death.

1440
01:07:56,120 --> 01:08:01,040
Speaker 3: I think that parents would be wonderful. Let's fine, okay,

1441
01:08:01,200 --> 01:08:05,160
Speaker 3: exactly just anybody. We're putting it out there now. Bridge

1442
01:08:05,200 --> 01:08:09,120
Speaker 3: and I are looking to become dads. Make us a kid,

1443
01:08:09,480 --> 01:08:12,760
Speaker 3: and you will get You'll get an exotic animal preserved

1444
01:08:12,760 --> 01:08:17,040
Speaker 3: in amber with an az tech death whistle. Who could ask, hello,

1445
01:08:17,600 --> 01:08:19,559
Speaker 3: all you had to do nine months out of your life?

1446
01:08:19,720 --> 01:08:20,320
Speaker 2: Who care?

1447
01:08:20,720 --> 01:08:22,000
Speaker 3: Cook a baby? Thank you?

1448
01:08:22,200 --> 01:08:22,800
Speaker 2: Deal with it.

1449
01:08:23,120 --> 01:08:24,439
Speaker 3: You'll never hear from us again.

1450
01:08:26,080 --> 01:08:31,160
Speaker 2: We will change our numbers. Oh, we'll never again, full

1451
01:08:31,240 --> 01:08:36,640
Speaker 2: new identities, and you're left with this creature. Well I

1452
01:08:36,720 --> 01:08:39,880
Speaker 2: feel like that. I mean that that requires full consideration. Yes,

1453
01:08:40,120 --> 01:08:43,960
Speaker 2: I mean they're doing it. Let's just assume that Justin

1454
01:08:44,040 --> 01:08:47,400
Speaker 2: and what's his name, Lucas, Lucas, thank you Justin and

1455
01:08:47,520 --> 01:08:52,880
Speaker 2: Lucas take it away. Uh, surprise her, shock, her, delight

1456
01:08:53,000 --> 01:08:57,439
Speaker 2: her exactly one for one baby for animal. Yeah, don't

1457
01:08:57,439 --> 01:09:06,240
Speaker 2: write back in, we answered it perfectly. That I can

1458
01:09:06,320 --> 01:09:10,360
Speaker 2: just blow throughout the day satisfying. It really is a

1459
01:09:10,560 --> 01:09:14,680
Speaker 2: stress reliever. I can't recommend it enough. I'm sitting here

1460
01:09:14,720 --> 01:09:16,880
Speaker 2: with two people who are deeply jealous of my new gift,

1461
01:09:17,320 --> 01:09:19,240
Speaker 2: Drew and on Alis, and there's nothing they can do

1462
01:09:19,360 --> 01:09:22,720
Speaker 2: about it. Thank you for being here, then, thank you,

1463
01:09:22,800 --> 01:09:25,360
Speaker 2: Thank you for this wonderful that's such a good time

1464
01:09:25,400 --> 01:09:29,400
Speaker 2: with you, so much fun. Listener, The podcast is over.

1465
01:09:33,439 --> 01:09:41,040
Speaker 2: Oh I love you, goodbye. I said, No Gifts is

1466
01:09:41,080 --> 01:09:45,719
Speaker 2: an exactly right production. Our senior producer is on Alisa Nelson,

1467
01:09:45,800 --> 01:09:49,479
Speaker 2: and our episodes are beautifully mixed by Ben Tolladay. The

1468
01:09:49,600 --> 01:09:52,960
Speaker 2: theme song is by miracle worker Amy Mann, and we

1469
01:09:53,000 --> 01:09:56,400
Speaker 2: couldn't do it without our booker, Patrick Cottner. You must

1470
01:09:56,600 --> 01:09:59,240
Speaker 2: follow the show on Instagram. And I said, No Gifts,

1471
01:09:59,280 --> 01:10:01,000
Speaker 2: that's where you're going to see pictures of all these

1472
01:10:01,120 --> 01:10:03,800
Speaker 2: wonderful gifts I'm getting. And don't you want to see

1473
01:10:03,840 --> 01:10:04,360
Speaker 2: the gifts?

1474
01:10:05,240 --> 01:10:12,200
Speaker 1: And I invited you here, thought I made myself perfectly clear,

1475
01:10:13,520 --> 01:10:18,599
Speaker 1: But you're a guess to my home. You gotta come

1476
01:10:18,680 --> 01:10:24,360
Speaker 1: to me empty And I said, no guests, you're our

1477
01:10:24,560 --> 01:10:31,640
Speaker 1: presences presents enough I already had too much stuff, So

1478
01:10:31,840 --> 01:10:34,720
Speaker 1: how did you dare to surbey me?