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Speaker 1: Cool Zone Media.

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Speaker 2: Book What have I done? Hello, and welcome to Cool

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Speaker 2: Zone Media book Club, the only book club where actually

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Speaker 2: it's a bunch of podcasters playing role playing games instead

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Speaker 2: of reading books. It's not at all a book, that's right.

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Speaker 2: We are trying out something like that.

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Speaker 3: It's a lot of books.

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Speaker 2: I have so many books on my table because we're

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Speaker 2: playing a role playing game this week. We are doing

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Speaker 2: something new, and we're going to be doing it for

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Speaker 2: more than just this week, because I don't know if

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Speaker 2: you all have ever played a role playing game, but

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Speaker 2: it lasts longer than an hour. I'm your host, Margaret Kildre,

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Speaker 2: but I'm not actually the game master of this game,

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Speaker 2: because the game master is none other than Jason Bowman,

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Speaker 2: who's the lead designer of one of the best things

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Speaker 2: to have up into tabletop role playing Pathfinder. If you're

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Speaker 2: not familiar with Pathfinder, Pathfinder is like but it's not

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Speaker 2: because instead I like it better than We're going to

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Speaker 2: be playing fantasy characters running through a world full of

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Speaker 2: I think frogs, because the game is called Dawn of Frogs.

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Speaker 2: That's right. I don't know there's an exclamation mark because

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Speaker 2: I don't have the book because I'm not the one

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Speaker 2: running it, but I like to believe there's an exclamation

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Speaker 2: mark after each and every word.

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Speaker 4: Oh, there's definitely jazz hands.

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Speaker 2: Oh yeah, can we call them frog hands? Yes, I

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Speaker 2: have a frog hat. Why am I not wearing a

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Speaker 2: frog hat?

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Speaker 4: You are wearing chain mail.

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Speaker 2: It's on my character sheet. This is what I've been

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Speaker 2: trying to explain to everyone the whole time, and they're

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Speaker 2: asking why I'm wearing chain mail. It's on my character sheet.

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Speaker 2: I have chain mail. So this isn't book Club. We're

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Speaker 2: gonna call it the Cool Kids Table or cool Kids

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Speaker 2: at the Table. This is not actually agreed upon. I

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Speaker 2: just threw this into the script, but without further ado,

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Speaker 2: I would like to introduce Jason, hazel Io and Robert

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Speaker 2: who are our players and game masters. Only one of

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Speaker 2: them is the game master.

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Speaker 3: Well I guess that's my cue. Then, Hi there everybody.

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Speaker 3: I'm Jason Bowman. I'm the director of Games at Pizo

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Speaker 3: and boy, a long time ago, I wrote a little

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Speaker 3: game called Pathfinder. These days, i'm the team lead for

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Speaker 3: Pathfinder second Edition and all of our board games and

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Speaker 3: card games and stuff. So yeah, and I'm excited here

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Speaker 3: today to be running Dawn of the Frogs. It's a

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Speaker 3: new adventure that I wrote actually, so I'm excited to

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Speaker 3: run all of you through it, and I'm sure you'll

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Speaker 3: all do just great.

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Speaker 2: I keep calling it rain of Frogs in my head,

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Speaker 2: but rain like r E I g h N. But

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Speaker 2: that's because of rain of blood. I just keep.

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Speaker 5: Thinking there will be no dawn for the race of

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Speaker 5: Frogs like goth Mog and Return of the King, but

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Speaker 5: instead some guy boys staff frogs.

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Speaker 2: Yeah, yeah, that's probably what's going to happen.

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Speaker 4: Hello. My name is Hazel Akisha. I am mostly just

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Speaker 4: an assistant on this podcast. I help pick out the

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Speaker 4: stories every week and write little scripts and write a transitions.

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Speaker 4: But I'm excited to be in front of the mic today.

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Speaker 6: Hey, I'm io. I have a CV and wouldn't you

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Speaker 6: like to know it. I love to play the game

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Speaker 6: of life and I'm a they them and over to you. Robert.

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Speaker 5: I'm Robert. I sit on the Internet and do podcasts

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Speaker 5: and sometimes, like right now, I play video games or

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Speaker 5: not video games games via podcasts.

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Speaker 2: That's me. There's my introduction. We're actually just we just

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Speaker 2: live play video games.

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Speaker 6: I've been trying to sell Margaret on this for years.

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Speaker 5: Now, but without streaming, Margaret, I do want I don't

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Speaker 5: know if there's a co op option for Cyberpunk twenty

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Speaker 5: seventy seven, but.

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Speaker 2: We could have some fun.

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Speaker 6: I think you like it.

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Speaker 2: I had to play it, and I hate when the

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Speaker 2: game tells you what to do, but when the story

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Speaker 2: is already in the game, it's not as fun to me.

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Speaker 2: I like the game where you have the giant map

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Speaker 2: and then everything is complicated and you run like sixteen

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Speaker 2: different economies and you can do evil things if you

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Speaker 2: want to, but I actually can't bring myself to ever.

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Speaker 6: Yeah, you love like Stock Market Simulator, but in space games, yes, yes, Stilaris, Yeah.

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Speaker 3: Yeah, Stilaris. There were three weeks of my life.

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Speaker 2: Ye, I'm totally neurotypical, but yeah, those are the players.

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Speaker 2: What's the game, Jason, Well.

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Speaker 3: Today, everybody, we're gonna be playing donather Frogs and without

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Speaker 3: further ado, I think I'm going to just get us going.

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Speaker 3: The dun Meyer is a gloomy and foreboding swamp. Yes,

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Speaker 3: beauty can be found within. In some spots, the sun's

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Speaker 3: light rarely reaches the water through the foliage above, while

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Speaker 3: in others, brightly colored swamp flowers and insects seem almost

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Speaker 3: to sparkle. The town of bog Bottom isn't a big place,

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Speaker 3: but it's one the locals have called home for generations. Yet,

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Speaker 3: now that some of the townsfolk have gone missing near

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Speaker 3: an old mill deep in the swamp, someone needs to

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Speaker 3: find out what happened to them. Spoilers. That someone is you.

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Speaker 3: The journey to the crumbling landmark takes several hours, and

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Speaker 3: while arduous, it's uneventful. Many predators lurk in the swamp,

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Speaker 3: but there's been no sign of their presence so far.

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Speaker 3: Far off, frogs chirp and croak, and flies buzz dreamily.

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Speaker 3: The crumbling wooden mill stands amid the mist, half sunken

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Speaker 3: into the swamp. The front door has been rotted away,

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Speaker 3: but the entrance is mostly blocked by thick vines. Someone

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Speaker 3: could possibly squeeze through these vines, or perhaps try and

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Speaker 3: cut them loose. Perhaps a clue to the villager's fate

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Speaker 3: lies within now. The group of you have been in

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Speaker 3: bog Bottom for some time. You arrived there several days ago,

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Speaker 3: having just fled from your most recent exploits, and when

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Speaker 3: news came to you that these villagers were missing. You

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Speaker 3: saw an opportunity, perhaps to earn some small amount of redemption,

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Speaker 3: or perhaps even more importantly, to earn some coin to

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Speaker 3: fill your empty pockets. The four of you have been

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Speaker 3: traveling for a few hours. This old crumbling mill is

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Speaker 3: not too far away from the swampy community of Bottom,

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Speaker 3: and now you stand with the mill somewhere up in

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Speaker 3: the distance. It's perhaps, you know, one hundred feet away

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Speaker 3: or so, looking at each other, sizing up the situation

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Speaker 3: and preparing for adventure. But before we do that, I

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Speaker 3: think we're going to throw it around the horn and

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Speaker 3: let everybody introduce their characters. Maybe tell us a little

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Speaker 3: bit about what you look like and kind of what

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Speaker 3: you're kitted out with. What do we see when we

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Speaker 3: look upon you? Spite? Why don't we start with you?

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Speaker 2: Well, Spite is my name, it's my given name. I've

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Speaker 2: been named much like everyone else where I grew up.

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Speaker 2: We get named after the virtues. You know. I probably

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Speaker 2: talk about my sister Malice a lot. I really look

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Speaker 2: up to her. Spite is probably all of nineteen or

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Speaker 2: twenty years old. She's not one hundred percent certain, and

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Speaker 2: the crash doesn't keep really exact dates. She's wearing chain mail.

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Speaker 2: She has a helmet with a candle stuck to the top,

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Speaker 2: you know, so she can see where she's going. I

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Speaker 2: don't know why everyone thinks that's so strange. And she

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Speaker 2: does a lot of things that she doesn't realize people

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Speaker 2: realize are strange. All of her outfit is completely black

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Speaker 2: and red, just like normal outfits should be, and she's

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Speaker 2: wearing chain mail. She has a morning star that she

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Speaker 2: almost always has out because it's practically a fidget spinner.

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Speaker 2: There's a couple javelins strapped to her pack, and that's

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Speaker 2: spite she's human. Yeah, she's pretty sure she doesn't actually

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Speaker 2: know her birth parents are that kind of stuff as

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Speaker 2: a bourgeois like keeping track of actual birth parents does

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Speaker 2: not fly or spide is from squash.

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Speaker 3: Why don't you go next?

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Speaker 6: Well, imagine a halfling. Great, you're doing it now. Imagine

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Speaker 6: a dog not so fast. This dog stands like a

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Speaker 6: man does, but with thumbs the whole thing. He's a shooney,

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Speaker 6: which are nasty little dog men. He's a sturdy trunk

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Speaker 6: of a boy, three feet tall and shaped like a friend.

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Speaker 6: He has a canine face. But if you like, smush

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Speaker 6: down the snow until the sinuses were kind of a

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Speaker 6: dead end where the air would go in and spin

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Speaker 6: around the brain and shoot right back out. Fans of

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Speaker 6: phrenology listening may describe his skull shape as fucked up.

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Speaker 6: He has piercing green eyes positions somewhere between predator and prey,

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Speaker 6: often facing the same direction. His friendly face is positively

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Speaker 6: littered with jowls and folds and tufts of unruly bad

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Speaker 6: boy cow licks that were you to see it in

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Speaker 6: our world, you would think, ah, a monument to man's hubris,

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Speaker 6: or maybe some sort of joke that God is playing

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Speaker 6: on wolves. But in this crazy mixed up world of Pathfinder,

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Speaker 6: he's a New York eight. He has long, flowing hair

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Speaker 6: that can only be described as bitchin, and he wears

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Speaker 6: a military style beret right on top of his damn head,

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Speaker 6: a belly button so deep it touches his spine. He

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Speaker 6: wears a half cape and a chain mail crop top

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Speaker 6: with a Mediterranean chest hair situation trailing down to leather

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Speaker 6: cut off breeches to cut a figure we can all

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Speaker 6: agree is really really sexy. He's got a big knife

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Speaker 6: that's also a gun with the serial number filed off,

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Speaker 6: so it looks like the fucking buster sword taped to

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Speaker 6: a derringer. He used to be a gentleman bank rob

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Speaker 6: for the rev until he got caught because he kept

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Speaker 6: shooting his name into the side of banks. But these

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Speaker 6: fine adventures all busted him out. What else his pronouns

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Speaker 6: any pronouns? Despite exclusively referring to himself as a he. Yeah,

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Speaker 6: he's one of those kinds of guys, but don't let

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Speaker 6: that fool you. This guy's great, and podcast listeners across

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Speaker 6: the nation agree. He's got a lot of heart, a

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Speaker 6: lot of chutzpah, and what the French call is certain.

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Speaker 6: I don't know what his name is, squash. Please don't

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Speaker 6: wear it out.

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Speaker 2: I'm so glad I'm not following h.

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Speaker 3: Murdy. I do not envy you, but you can follow

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Speaker 3: up that.

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Speaker 4: I didn't write myself a script for how to introduce

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Speaker 4: my characters, so listeners please bear with me. I am

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Speaker 4: playing Sister Murdragana Bow also as Murdy. She uses she

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Speaker 4: her pronouns. I am a half org Cleric for you

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Speaker 4: nerds out there, Technically I worship a rastal. However, I

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Speaker 4: have found myself as part of an erstwhile soup cult

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Speaker 4: to the God. You know, we're all about taking care

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Speaker 4: of the community. We hand out food, we give alms,

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Speaker 4: you know, maybe like food not bombs. Maybe like a

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Speaker 4: Catholic workers to say, I would face cast Murdy if

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Speaker 4: I was making the HBO special as tng Era Denise Crosby.

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Speaker 4: I've got light green gray skin and jet black straight hair.

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Speaker 4: Got triangle bangs, you know, the kind slick back lopu

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Speaker 4: and if you care about that kind of stuff. I'm

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Speaker 4: wearing a black linen dress which is aline insensibly swushy.

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Speaker 4: I got leather pouches and pockets on a built around

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Speaker 4: my waist, sort of like a waitress apron, again fitting

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Speaker 4: with the soup nun theme. Got leather armor, so sort

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Speaker 4: of like a cute, tight fitting crop top out of leather.

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Speaker 4: Just imagine it draw me some nice fannert. Yeah, I know.

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Speaker 4: I got one cool pauldron, very important. You can often

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Speaker 4: see me wielding a soup ladle and a chef's knife,

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Speaker 4: and I also have a cauldron full of a magical

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Speaker 4: perpetual stew on a bindle for easy carrying Murdy.

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Speaker 2: Soup Nuan soup nan.

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Speaker 3: Last, but certainly not least trant introduce yourself.

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Speaker 5: Well, yeah, so, you know, unlike the boss where I

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Speaker 5: come from, they didn't name us for our virtues. So

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Speaker 5: I got named for my dad, and he was not

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Speaker 5: a guy with a lot of virtues. Alcan stars in

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Speaker 5: h city for some people, but not my family. My

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Speaker 5: dad and my dad's dad made gunpowder, and they raised

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Speaker 5: me not to make waves, not to complain, not to

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Speaker 5: have an issue with the fact that, you know, my

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Speaker 5: whole life was living in a fucking slum making gunpowder.

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Speaker 5: The only thing they taught me that was of much

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Speaker 5: use was how to make gunpowder, and I got too

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Speaker 5: good at that, and then I did some things with

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Speaker 5: it that made me have to leave town in a hurry,

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Speaker 5: which is how I met up with this crew who

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Speaker 5: had some ideas for how to use the stuff I

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Speaker 5: knew how to make. That I preferred to the things

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Speaker 5: I was raised to do, so that's what I do.

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Speaker 5: I make bombs and allegedly other things that all have

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Speaker 5: more or less the same goal, which is to cause

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Speaker 5: problems for anyone in an area that I don't really

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Speaker 5: like what's going on there, or I'm just kind of

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Speaker 5: bored and I want something loud to happen. All of

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Speaker 5: these things are acceptable. I'm about six foot, non into

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Speaker 5: script looking, which has been helpful in the past because

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Speaker 5: it's really nice not to get recognized. I try to

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Speaker 5: wear a mask whenever I'm doing anything particularly interesting. I

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Speaker 5: keep as many bombs on me as I feel like

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Speaker 5: I can wear without exploding, and I usually avoid that,

241
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Speaker 5: although not always, as you can tell from the scars

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Speaker 5: on my hands and my neck and a couple other

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Speaker 5: parts of my body that I don't generally share with

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Speaker 5: other members of the adventuring troop because it's a bad

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Speaker 5: idea to shit where you eat. I keep a couple

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Speaker 5: of holdout pistols, one under each shoulder, and I keep

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Speaker 5: a blenderbuss on my back in case, you know, I

248
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Speaker 5: need faster solutions to problems, but I really prefer to

249
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Speaker 5: solve things with the mix of gunpowder and alchemy. It's

250
00:14:03,200 --> 00:14:05,200
Speaker 5: just easier that way. You don't have to be there,

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Speaker 5: you don't have to see what happens afterwards. You can

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Speaker 5: just watch the pretty lights and then run like hell.

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Speaker 2: The reason we're in a backwater like bog Bottom is because,

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Speaker 2: as people might have guessed from what they heard, we

255
00:14:18,440 --> 00:14:20,680
Speaker 2: blew up a jail and let everyone out, and we

256
00:14:20,720 --> 00:14:23,480
Speaker 2: thought everyone in town would treat us like heroes, and

257
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Speaker 2: shockingly they did not.

258
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Speaker 5: In my experience, they never do when you blow something up,

259
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Speaker 5: even when you.

260
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Speaker 4: Give them soup.

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Speaker 6: I really can't thank you enough.

262
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Speaker 3: So for the people at bog Bottom, they might see

263
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Speaker 3: four fresh faced adventurers, but in reality they have four

264
00:14:42,280 --> 00:14:46,480
Speaker 3: dangerous malcontents in their mist But there are villagers that

265
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Speaker 3: need rescue. And as I mentioned before, your coin purses

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Speaker 3: are very light right now. In fact, the sea captain

267
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Speaker 3: that brought you to the Isle of Quartos dropped you

268
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Speaker 3: off at the shore when he found you didn't have

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Speaker 3: enough money to make it all the way to Absalom,

270
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Speaker 3: so you were just kind of left at the shore.

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Speaker 3: You're lucky he didn't drop you off in the middle

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Speaker 3: of the inner seat.

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Speaker 5: I offered to pay him with a bomb, and he

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Speaker 5: took that as some sort of threat.

275
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Speaker 2: I don't know.

276
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Speaker 3: As it turns out, boats don't really like bomb payments,

277
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Speaker 3: not good food.

278
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Speaker 2: We're gonna pay him later anyway, possibly with a bomb.

279
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Speaker 6: Oh, I'll pay him, Uh huh, that's sours.

280
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Speaker 2: He's a pressing people. I'm a champion just by.

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Speaker 3: The Yeah, he's oppressing people. By demanding that you pay him.

282
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Speaker 6: Huh yeah, fucking fascists everywhere I look.

283
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Speaker 3: So the four of you are currently standing outside of

284
00:15:46,800 --> 00:15:50,480
Speaker 3: this old mill. The base of this mill is made

285
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Speaker 3: of fieldstone, the upper floors look like they're made of wood.

286
00:15:53,320 --> 00:15:57,040
Speaker 3: The entire thing is tilting kind of dangerously to one side.

287
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Speaker 3: This is a windmill, and most of its blades are

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00:16:00,280 --> 00:16:03,520
Speaker 3: fallen off. There's like the fragment of one and the

289
00:16:03,560 --> 00:16:07,240
Speaker 3: skeleton of another still attached to the front of the building.

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00:16:07,480 --> 00:16:10,480
Speaker 3: Although you can't imagine that the mills inner workings are

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Speaker 3: intact at all. In fact, you can see one of

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00:16:13,520 --> 00:16:15,960
Speaker 3: the kind of blades laying in the swamp muck next

293
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Speaker 3: to you. Up ahead, you can see the darkened entrance

294
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Speaker 3: that goes inside the mill's interior. You're here primarily because

295
00:16:24,560 --> 00:16:27,120
Speaker 3: the people who went missing were out in this area

296
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Speaker 3: doing some swamp fishing, and they just never came back.

297
00:16:32,000 --> 00:16:35,080
Speaker 3: So you've arrived at this kind of old, crumbling mill.

298
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Speaker 3: As I mentioned before, the way in looks kind of blocked.

299
00:16:39,680 --> 00:16:43,120
Speaker 3: There's vines. You could maybe squeeze through it, or perhaps

300
00:16:43,120 --> 00:16:46,600
Speaker 3: you could cut them away. There are I'm sure other

301
00:16:46,640 --> 00:16:49,960
Speaker 3: options as well. This being a swamp It is pretty

302
00:16:50,080 --> 00:16:53,680
Speaker 3: damp and muddy around these parts. The ground underneath you

303
00:16:53,840 --> 00:16:56,600
Speaker 3: kind of makes a squelching noise with every step, but

304
00:16:56,680 --> 00:16:58,800
Speaker 3: as you get closer to the mill itself there is

305
00:16:58,840 --> 00:17:00,560
Speaker 3: a bit more firmer round.

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00:17:01,400 --> 00:17:03,360
Speaker 2: Does it look like anyone's been here?

307
00:17:03,480 --> 00:17:03,560
Speaker 4: Like?

308
00:17:03,680 --> 00:17:07,000
Speaker 2: Does it look like like are the vines disturbed in

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00:17:07,040 --> 00:17:07,440
Speaker 2: any way?

310
00:17:07,840 --> 00:17:11,040
Speaker 3: It definitely looks like the vines haven't fully grown over

311
00:17:11,080 --> 00:17:14,400
Speaker 3: the opening, So it's quite possible that something's been going

312
00:17:14,440 --> 00:17:16,160
Speaker 3: in or out. But if you want to know more

313
00:17:16,280 --> 00:17:20,720
Speaker 3: about whether or not perhaps anybody's been coming this way recently,

314
00:17:21,040 --> 00:17:22,480
Speaker 3: I would ask for one of you to make me

315
00:17:22,600 --> 00:17:25,160
Speaker 3: a survival check to look for tracks.

316
00:17:26,480 --> 00:17:28,920
Speaker 2: Any of us any good at that I got plus three?

317
00:17:29,320 --> 00:17:31,400
Speaker 4: I'm decent at that I've got plus four?

318
00:17:31,440 --> 00:17:33,920
Speaker 3: All right, go ahead and give me a survival skill.

319
00:17:33,760 --> 00:17:34,360
Speaker 4: Check though.

320
00:17:36,400 --> 00:17:37,760
Speaker 2: A right first roll of the game?

321
00:17:39,040 --> 00:17:42,440
Speaker 4: That is it ten on the dice, so total of fourteen.

322
00:17:42,800 --> 00:17:45,160
Speaker 3: Looking around, you can tell that there are definitely some

323
00:17:45,240 --> 00:17:47,760
Speaker 3: tracks in the muck, but it's a little hard for

324
00:17:47,800 --> 00:17:50,400
Speaker 3: you to make out whether or not they're humanoid tracks

325
00:17:50,480 --> 00:17:53,480
Speaker 3: or perhaps animal tracks. The ground here is just so

326
00:17:53,480 --> 00:17:56,840
Speaker 3: soft that the recent rains and mists have kind of

327
00:17:56,880 --> 00:17:58,960
Speaker 3: worn it into just kind of a morass. It's clear

328
00:17:59,000 --> 00:18:00,000
Speaker 3: that there's been some traffic.

329
00:18:01,600 --> 00:18:06,760
Speaker 2: Hey, squash, every time I step it sounds like your name, scorsh, scorsh.

330
00:18:07,040 --> 00:18:11,040
Speaker 6: The swamp is alive with a sound of squash. Is

331
00:18:11,080 --> 00:18:13,840
Speaker 6: this mill? This mill is pretty dilapidated.

332
00:18:13,920 --> 00:18:17,040
Speaker 3: Yeah, yeah, it doesn't look like this mill has been

333
00:18:17,040 --> 00:18:19,880
Speaker 3: in use for several years at least.

334
00:18:20,320 --> 00:18:24,800
Speaker 6: Is there some like crumbling infrastructure. Maybe a cool dog

335
00:18:24,920 --> 00:18:28,040
Speaker 6: could do a flip intwo like big holes in the roof.

336
00:18:29,000 --> 00:18:31,400
Speaker 3: That's way too high up. I mean the mill itself

337
00:18:31,440 --> 00:18:33,080
Speaker 3: is probably about forty feet tall.

338
00:18:33,280 --> 00:18:35,280
Speaker 6: You don't know this dog, but point.

339
00:18:36,960 --> 00:18:39,800
Speaker 3: Your acrobatic skills are truly legendary. But you're you're pretty

340
00:18:39,800 --> 00:18:42,280
Speaker 3: sure you couldn't flip up that high. Your best bet

341
00:18:42,320 --> 00:18:43,600
Speaker 3: is going to be to try to wiggle through the

342
00:18:43,680 --> 00:18:45,959
Speaker 3: vines or cut them away or something.

343
00:18:47,640 --> 00:18:49,840
Speaker 2: I take out a dagger and walk up and start

344
00:18:49,840 --> 00:18:50,560
Speaker 2: cutting vines.

345
00:18:51,320 --> 00:18:53,199
Speaker 6: Okay, this is gonna take forever, trance.

346
00:18:53,520 --> 00:18:57,359
Speaker 2: You know I could do that faster. Good point, Good point.

347
00:18:57,600 --> 00:19:01,119
Speaker 2: I step back. I'm gonna grab one of my u

348
00:19:01,480 --> 00:19:03,679
Speaker 2: what are they called the uh bus?

349
00:19:04,240 --> 00:19:06,000
Speaker 5: No, No, I've got I've got bombs. I don't want

350
00:19:06,000 --> 00:19:07,560
Speaker 5: to use them. I've got a versatile flask. Can I

351
00:19:07,640 --> 00:19:09,680
Speaker 5: use one of those to make a lesser alchemists fire

352
00:19:09,720 --> 00:19:10,879
Speaker 5: and try to burn the shit away?

353
00:19:11,560 --> 00:19:14,479
Speaker 3: Yeah, you can give that a shot. So you you

354
00:19:14,520 --> 00:19:16,919
Speaker 3: break out your versatile vial and using some of the

355
00:19:16,960 --> 00:19:19,240
Speaker 3: reagents that you have on you kind of squirreled away

356
00:19:19,240 --> 00:19:20,520
Speaker 3: in the many pouches that you have.

357
00:19:21,000 --> 00:19:24,240
Speaker 5: See, this is why I've been collecting and drying pea. Everybody.

358
00:19:24,280 --> 00:19:28,399
Speaker 5: By the way, saltpeter doesn't just grow on trees.

359
00:19:29,600 --> 00:19:31,760
Speaker 2: I thought you just were composting it.

360
00:19:31,920 --> 00:19:34,720
Speaker 5: Kind of The issue isn't that I didn't believe you.

361
00:19:34,800 --> 00:19:36,919
Speaker 4: The issue is that I did believe you.

362
00:19:38,440 --> 00:19:41,840
Speaker 3: So why don't you go ahead and throw a bomb?

363
00:19:42,200 --> 00:19:44,760
Speaker 3: So go ahead and make unattack.

364
00:19:44,440 --> 00:19:47,040
Speaker 5: Le Yes, okay, okay, I get my D twenty.

365
00:19:47,320 --> 00:19:49,320
Speaker 2: I'm standing back by the way. I know I was

366
00:19:49,400 --> 00:19:51,280
Speaker 2: up there with a knife a moment ago, but I leave.

367
00:19:51,600 --> 00:19:54,320
Speaker 5: That's a good move because that role did not turn

368
00:19:54,359 --> 00:19:54,840
Speaker 5: out great.

369
00:19:55,600 --> 00:19:56,359
Speaker 2: That's a four.

370
00:19:56,640 --> 00:19:59,760
Speaker 5: And then let's see here one of my plus plus

371
00:20:00,680 --> 00:20:01,679
Speaker 5: so nine.

372
00:20:03,600 --> 00:20:06,400
Speaker 3: Well, it doesn't quite hit the mark. The bomb kind

373
00:20:06,400 --> 00:20:08,320
Speaker 3: of hits the wall next to it. And while it

374
00:20:08,359 --> 00:20:11,040
Speaker 3: does sear some of the vines a bit you're gonna

375
00:20:11,040 --> 00:20:14,280
Speaker 3: wager that they're so damp and kind of swollen with

376
00:20:14,440 --> 00:20:16,960
Speaker 3: swamp buck that your bomb really probably isn't gonna have

377
00:20:17,000 --> 00:20:18,439
Speaker 3: too much of an effect unless you want to use

378
00:20:18,440 --> 00:20:19,920
Speaker 3: a lot of them.

379
00:20:19,960 --> 00:20:22,320
Speaker 2: You know, there are problems that molotovs don't solve.

380
00:20:22,400 --> 00:20:25,520
Speaker 5: I say, all right, I think I've got I mean,

381
00:20:25,560 --> 00:20:28,080
Speaker 5: we could try a reverse Molotov. I could freeze them

382
00:20:29,440 --> 00:20:34,879
Speaker 5: flov is, like drinking it or something that's called a

383
00:20:34,920 --> 00:20:35,600
Speaker 5: good Thursday.

384
00:20:36,600 --> 00:20:39,480
Speaker 6: Every time I throw a Molotov, there's one problem. And

385
00:20:39,520 --> 00:20:41,639
Speaker 6: you throw a Molotov and boom right away, you got

386
00:20:41,640 --> 00:20:42,680
Speaker 6: a different problem.

387
00:20:42,800 --> 00:20:43,200
Speaker 2: Mm hmm.

388
00:20:44,160 --> 00:20:44,879
Speaker 6: Definitely stole that.

389
00:20:45,000 --> 00:20:48,920
Speaker 2: Yeah, anyway, Yeah, team, I'm gonna cut it with my name.

390
00:20:49,000 --> 00:20:50,960
Speaker 6: Yeah, let's go back to sword, all right.

391
00:20:51,520 --> 00:20:54,520
Speaker 3: So this isn't gonna be an attack role. It's more like,

392
00:20:55,080 --> 00:20:57,280
Speaker 3: can you pry it open and use your blades and

393
00:20:57,320 --> 00:20:59,679
Speaker 3: weapons to destroy it? So we're gonna call it an

394
00:20:59,800 --> 00:21:02,399
Speaker 3: f LETEX check. Anybody got athletics you can try that.

395
00:21:02,560 --> 00:21:03,720
Speaker 2: Oh I'm good at that.

396
00:21:03,960 --> 00:21:05,920
Speaker 3: Yeah, why don't you give me an athletics check?

397
00:21:06,200 --> 00:21:08,199
Speaker 2: In the crash? Would they make us? I mean, we

398
00:21:08,320 --> 00:21:10,760
Speaker 2: choose to run every day and do a lot of

399
00:21:10,800 --> 00:21:13,800
Speaker 2: exercises for the revolution and the glory of God. I

400
00:21:13,840 --> 00:21:17,040
Speaker 2: am too busy saying that to actually be paying attention

401
00:21:17,080 --> 00:21:19,679
Speaker 2: to what I'm doing. So I rolled it two and

402
00:21:19,800 --> 00:21:23,159
Speaker 2: I got a total of naing right start, Yeah, I

403
00:21:23,200 --> 00:21:25,160
Speaker 2: have a plus seven at this goddamn thing.

404
00:21:25,640 --> 00:21:27,639
Speaker 3: The dice rolling here is just phenomenal.

405
00:21:27,720 --> 00:21:28,840
Speaker 6: We're really screaming.

406
00:21:29,240 --> 00:21:32,440
Speaker 2: This is actually a historically cursed die, but it's the prettiest,

407
00:21:32,520 --> 00:21:33,520
Speaker 2: so I always use it.

408
00:21:33,520 --> 00:21:34,879
Speaker 6: Aesthetics will be the death of you.

409
00:21:35,160 --> 00:21:38,200
Speaker 3: I can't fault you. So you begin working at these vines,

410
00:21:38,200 --> 00:21:41,200
Speaker 3: but you're just not having much luck. No matter how

411
00:21:41,240 --> 00:21:43,920
Speaker 3: you try. There seems to be just more vines. There's

412
00:21:44,000 --> 00:21:46,160
Speaker 3: just more and more here. Would someone else like to try?

413
00:21:46,160 --> 00:21:48,119
Speaker 3: Someone with less cursed dice?

414
00:21:48,920 --> 00:21:52,080
Speaker 2: I think this is actually impossible. I say, there's no

415
00:21:52,200 --> 00:21:53,680
Speaker 2: way they could have gone in here.

416
00:21:54,160 --> 00:21:56,679
Speaker 6: I spit on both my hands and rub them together,

417
00:21:56,760 --> 00:21:58,600
Speaker 6: and I say, like, let's see your God try this.

418
00:21:58,760 --> 00:22:01,280
Speaker 6: And I pull out my big, odd damn sword and

419
00:22:01,480 --> 00:22:02,960
Speaker 6: try and pry this bad boy open.

420
00:22:03,640 --> 00:22:04,520
Speaker 2: I step back again.

421
00:22:06,920 --> 00:22:07,920
Speaker 6: Wait, what am I rolling?

422
00:22:08,359 --> 00:22:09,520
Speaker 3: An athletics check?

423
00:22:09,880 --> 00:22:12,000
Speaker 6: Okay, that's a fourteen.

424
00:22:12,640 --> 00:22:15,640
Speaker 3: So you continue to work away at these vines, and

425
00:22:15,960 --> 00:22:18,720
Speaker 3: after a bit of struggle. You've managed to clear a

426
00:22:18,760 --> 00:22:22,400
Speaker 3: wide enough way that you think everybody could possibly squeeze inside.

427
00:22:22,520 --> 00:22:25,040
Speaker 3: That's right. Maybe it might take a little bit of effort,

428
00:22:25,160 --> 00:22:28,520
Speaker 3: but you're wagering that everybody could kind of worm their

429
00:22:28,560 --> 00:22:29,200
Speaker 3: way in there.

430
00:22:29,800 --> 00:22:32,720
Speaker 6: I raise my arms and say Squash, and I wriggle

431
00:22:32,760 --> 00:22:33,440
Speaker 6: on inside.

432
00:22:33,880 --> 00:22:35,400
Speaker 2: I use the mud to say your name.

433
00:22:36,240 --> 00:22:38,840
Speaker 5: I'm just saying we could use more bombs.

434
00:22:38,800 --> 00:22:41,359
Speaker 2: Ie making squashing noises, and then I follow you. Yeah,

435
00:22:41,400 --> 00:22:41,879
Speaker 2: I head in.

436
00:22:42,280 --> 00:22:45,480
Speaker 6: Yeah, I'm also following You're right, we should have used

437
00:22:45,480 --> 00:22:48,800
Speaker 6: more bombs. And everyone gets inside and they see Squash

438
00:22:48,880 --> 00:22:52,919
Speaker 6: pissing freely into a empty soda can and giving trant

439
00:22:52,920 --> 00:22:53,760
Speaker 6: to big thumbs up.

440
00:22:55,760 --> 00:23:00,480
Speaker 3: So you all managed to squeeze inside. The floor side

441
00:23:00,520 --> 00:23:04,000
Speaker 3: the old mill has rotted away, and the massive millstone

442
00:23:04,000 --> 00:23:08,000
Speaker 3: has sunken halfway into the muck. A sagging staircase nearby

443
00:23:08,160 --> 00:23:12,840
Speaker 3: leads up to the floor above. Suddenly, the mud stirs

444
00:23:13,280 --> 00:23:18,000
Speaker 3: as a trio of dog size swamp beetles erupt up

445
00:23:18,280 --> 00:23:22,600
Speaker 3: from the film Oh need, oh brother. All right, everybody,

446
00:23:23,400 --> 00:23:28,000
Speaker 3: we are about to go into our first combat.

447
00:23:28,400 --> 00:23:31,240
Speaker 2: It's too late to already have my shield a morning

448
00:23:31,359 --> 00:23:31,880
Speaker 2: star out.

449
00:23:32,920 --> 00:23:50,600
Speaker 3: Yeah, I'm afraid it is, so it goes. So we've

450
00:23:50,640 --> 00:23:53,920
Speaker 3: got three of these massive swamp beetles. Like I said,

451
00:23:53,920 --> 00:23:57,080
Speaker 3: these things are about two and a half beat long

452
00:23:57,200 --> 00:23:59,920
Speaker 3: and they just come burrowing up out of the muck.

453
00:24:00,520 --> 00:24:02,639
Speaker 3: So what I'm gonna do is, I'm going to ask

454
00:24:03,200 --> 00:24:07,040
Speaker 3: each of you to roll initiative. And in Pathfinder, you

455
00:24:07,080 --> 00:24:08,960
Speaker 3: can roll a lot of things for initiative, but for

456
00:24:09,040 --> 00:24:12,480
Speaker 3: this first fight, we're gonna have you roll perception. So

457
00:24:12,920 --> 00:24:15,560
Speaker 3: go ahead and give me a perception check. Keep the

458
00:24:15,640 --> 00:24:17,960
Speaker 3: number to yourself here just for a moment, and I

459
00:24:18,000 --> 00:24:19,840
Speaker 3: will go around and collect it from you.

460
00:24:20,160 --> 00:24:27,440
Speaker 2: Great ooh yeah, I don't think I'm gonna go anywhere

461
00:24:27,440 --> 00:24:29,040
Speaker 2: without my shield out in the future.

462
00:24:29,600 --> 00:24:34,760
Speaker 3: That is certainly something we can note. All right, why

463
00:24:34,760 --> 00:24:37,200
Speaker 3: don't I go around and collect everyone's initiative? Murdy, What

464
00:24:37,280 --> 00:24:37,720
Speaker 3: did you get?

465
00:24:38,160 --> 00:24:41,000
Speaker 4: I got a fifteen on the dice, so that is

466
00:24:41,040 --> 00:24:43,280
Speaker 4: twenty teen, so twenty.

467
00:24:43,000 --> 00:24:45,600
Speaker 3: Two, all right, that's pretty good, squash. What do you got? Also?

468
00:24:45,720 --> 00:24:46,240
Speaker 6: Twenty two?

469
00:24:47,200 --> 00:24:49,760
Speaker 3: Which one of you would like to go first? It's

470
00:24:49,800 --> 00:24:50,480
Speaker 3: your choice.

471
00:24:50,800 --> 00:24:54,600
Speaker 4: I can give everybody like a pretty decent boon. We

472
00:24:54,640 --> 00:24:55,679
Speaker 4: want to take advantage of that.

473
00:24:55,960 --> 00:24:56,720
Speaker 6: I love a boon.

474
00:24:56,920 --> 00:24:59,600
Speaker 3: Sure, all right, we'll leave it like that. Trance, what

475
00:24:59,640 --> 00:24:59,919
Speaker 3: do you got?

476
00:25:00,520 --> 00:25:05,760
Speaker 5: I got a seventeen seventeen and Spie, what did you get?

477
00:25:06,400 --> 00:25:08,160
Speaker 2: Roll of fifteen for a total of nineteen.

478
00:25:09,880 --> 00:25:12,280
Speaker 3: Well, you all beat the initiative of my poor, poor

479
00:25:12,320 --> 00:25:16,960
Speaker 3: beetles who did very poorly. All right, everybody, here we

480
00:25:17,000 --> 00:25:18,760
Speaker 3: are in the first round of combat. So we've got

481
00:25:18,760 --> 00:25:20,760
Speaker 3: three beetles that have come burrowing up out of the muck.

482
00:25:21,200 --> 00:25:23,880
Speaker 3: It looks like crawling up out of this swamp goo

483
00:25:24,760 --> 00:25:27,159
Speaker 3: has really slowed them down, giving you all quite the

484
00:25:27,320 --> 00:25:31,919
Speaker 3: edge at the top of the order. Squash, you'll get

485
00:25:31,960 --> 00:25:32,520
Speaker 3: to go first.

486
00:25:33,800 --> 00:25:37,480
Speaker 6: Squash trying to pull his pants up after trying to

487
00:25:38,680 --> 00:25:41,520
Speaker 6: make what was sure to be a beautiful bomb. One

488
00:25:41,560 --> 00:25:44,000
Speaker 6: hand shoots from the hip his big sword that's also

489
00:25:44,040 --> 00:25:47,960
Speaker 6: a gun. His gun sword shoots whichever beatle's closest.

490
00:25:48,840 --> 00:25:51,320
Speaker 3: So you're gonna draw your weapon and you're gonna fire.

491
00:25:51,400 --> 00:25:52,520
Speaker 3: So that's two of your actions.

492
00:25:52,640 --> 00:25:53,160
Speaker 6: Yeah bang.

493
00:25:53,720 --> 00:25:55,760
Speaker 3: Looking at where you're at, it looks like you're gonna

494
00:25:55,760 --> 00:25:57,879
Speaker 3: be firing at that first beetle over there on the left.

495
00:25:58,320 --> 00:26:00,639
Speaker 3: It's kind of crawling up around the millstone, between the

496
00:26:00,680 --> 00:26:03,560
Speaker 3: millstone and the ruins stairs so go ahead and give

497
00:26:03,600 --> 00:26:04,880
Speaker 3: me an attack roller.

498
00:26:06,840 --> 00:26:10,240
Speaker 6: It's not what I want it to be, so I

499
00:26:10,359 --> 00:26:14,040
Speaker 6: rolled a six plus seven for a total of thirteen.

500
00:26:15,400 --> 00:26:19,679
Speaker 3: The bullet from your pistol goes gliding right past the beetle,

501
00:26:19,920 --> 00:26:24,720
Speaker 3: just barely missing it, impacting the muck right behind it. Now,

502
00:26:24,920 --> 00:26:26,879
Speaker 3: I believe you're gonna have to reload that pistol, so

503
00:26:26,920 --> 00:26:28,720
Speaker 3: you cannot fire it again for your third action, but

504
00:26:28,760 --> 00:26:29,480
Speaker 3: you could reload.

505
00:26:30,240 --> 00:26:34,399
Speaker 6: Ugh ah, I'm reloading. This guy's gonna fucking get it

506
00:26:34,440 --> 00:26:35,640
Speaker 6: next time, all right.

507
00:26:35,720 --> 00:26:37,400
Speaker 3: So you take a shot with your pistol, it comes

508
00:26:37,480 --> 00:26:39,200
Speaker 3: up a hair short, and then you take a moment

509
00:26:39,240 --> 00:26:43,479
Speaker 3: to reload. That is the end of Squash's turn. Next up, Murdy,

510
00:26:44,280 --> 00:26:47,280
Speaker 3: We've got beetles all around you. They are uninjured, their

511
00:26:47,320 --> 00:26:50,440
Speaker 3: mandibles are clicking menacingly. What do you do?

512
00:26:53,200 --> 00:26:56,520
Speaker 4: Basing nasty? So I am gonna raise my shield and

513
00:26:56,560 --> 00:26:59,919
Speaker 4: I'm gonna cast less, which as a spell, counts for

514
00:27:00,080 --> 00:27:02,800
Speaker 4: two actions, and it's going to give myself and my

515
00:27:02,840 --> 00:27:05,560
Speaker 4: allies a plus one status bonus to all its tact

516
00:27:05,640 --> 00:27:07,160
Speaker 4: rolls as long as you stay with them.

517
00:27:07,160 --> 00:27:11,480
Speaker 3: Fifteen feet of meat, all right, So that is currently everybody,

518
00:27:11,520 --> 00:27:14,240
Speaker 3: because you just clustered in after crawling through the vine,

519
00:27:14,280 --> 00:27:18,800
Speaker 3: so everybody has that bonus on attack rolls, and after

520
00:27:18,880 --> 00:27:21,960
Speaker 3: calling down the blessings of aer still to the group.

521
00:27:21,960 --> 00:27:25,760
Speaker 3: That is the end of Murdy's turn spite. We're turning

522
00:27:25,760 --> 00:27:28,080
Speaker 3: it over to you. Will your name say?

523
00:27:28,119 --> 00:27:32,560
Speaker 2: Hold up, I'm going to use my defensive advance that

524
00:27:32,720 --> 00:27:36,320
Speaker 2: is blessed upon me. I learned it in school when

525
00:27:36,359 --> 00:27:40,360
Speaker 2: I worshiped Milani, the goddess that I worship. So I'm

526
00:27:40,359 --> 00:27:45,080
Speaker 2: going to raise my shield stride confidently forward, right out

527
00:27:45,080 --> 00:27:47,480
Speaker 2: of range of the blessed spell, right next to that

528
00:27:47,600 --> 00:27:53,359
Speaker 2: beetle to my right. And also, oh, before I do this,

529
00:27:53,400 --> 00:27:55,800
Speaker 2: I'm drawing my morning Star, and then I'm using this

530
00:27:55,840 --> 00:27:59,200
Speaker 2: two action thing that lets me raise my shield stride

531
00:27:59,320 --> 00:28:03,440
Speaker 2: and strike. All right, So that's what I'm doing. And

532
00:28:04,240 --> 00:28:07,160
Speaker 2: when I mentioned that this die does not roll particularly well,

533
00:28:09,080 --> 00:28:11,800
Speaker 2: I would like to say that the total I got

534
00:28:12,000 --> 00:28:14,600
Speaker 2: was an eight, but the number I rolled was a one.

535
00:28:15,920 --> 00:28:19,760
Speaker 3: So that would be a critical failure. You swing wildly

536
00:28:19,880 --> 00:28:23,840
Speaker 3: around your your morning Star, flailing through the ear nearly

537
00:28:23,960 --> 00:28:26,480
Speaker 3: hitting trench right in the face, because he's right next

538
00:28:26,480 --> 00:28:31,320
Speaker 3: to you and just within a hair's breadth of his nose,

539
00:28:32,040 --> 00:28:35,119
Speaker 3: but but you otherwise don't suffer any ill effects. The

540
00:28:35,119 --> 00:28:37,600
Speaker 3: beatle kind of looks at you like were you were

541
00:28:37,600 --> 00:28:38,440
Speaker 3: you trying to hit me?

542
00:28:40,840 --> 00:28:45,400
Speaker 2: Ill max on my damage. I rolled max damage because

543
00:28:45,400 --> 00:28:46,720
Speaker 2: I rolled at the same time.

544
00:28:46,520 --> 00:28:48,680
Speaker 3: You nearly did max damage to your friend's face. But

545
00:28:48,720 --> 00:28:50,800
Speaker 3: the beetle is unscathed.

546
00:28:52,000 --> 00:28:52,640
Speaker 2: That's my turn.

547
00:28:53,840 --> 00:28:57,600
Speaker 3: Well, trans were down to you. Next up the Beatles go.

548
00:28:57,720 --> 00:29:01,680
Speaker 3: The rest of your cohort has bravely not damaging any

549
00:29:01,680 --> 00:29:04,920
Speaker 3: beetles yet, so it's down to you. All right.

550
00:29:06,320 --> 00:29:08,880
Speaker 5: Don't worry, boss, I got this fire in the hole,

551
00:29:09,000 --> 00:29:11,200
Speaker 5: and then I'm gonna throw up an alchemist fire at

552
00:29:11,240 --> 00:29:14,440
Speaker 5: the nearest beetle right in front of spite.

553
00:29:15,320 --> 00:29:17,920
Speaker 3: Now, I do happen to know that you were a bomber,

554
00:29:18,400 --> 00:29:21,000
Speaker 3: and being a bomber means that you do have the

555
00:29:21,200 --> 00:29:26,200
Speaker 3: option of having the splash damage from your bomb only

556
00:29:26,320 --> 00:29:28,920
Speaker 3: hit the beetle, because when you throw a bomb, it

557
00:29:28,960 --> 00:29:31,240
Speaker 3: caused a splash, so it damages the area around it.

558
00:29:31,760 --> 00:29:34,080
Speaker 3: But you don't have to use that ability. The question

559
00:29:34,160 --> 00:29:35,960
Speaker 3: I have for you is whether or not you are.

560
00:29:37,920 --> 00:29:42,040
Speaker 5: Yeah, yeah, it's the boss, all right, unless I miss,

561
00:29:42,320 --> 00:29:43,400
Speaker 5: unless there's a mistake.

562
00:29:44,320 --> 00:29:46,040
Speaker 2: Yeah, oh I rolled a natural twenty.

563
00:29:46,720 --> 00:29:48,360
Speaker 3: Well, that's definitely.

564
00:29:51,800 --> 00:29:52,720
Speaker 2: Can we switch dice.

565
00:29:54,800 --> 00:29:58,360
Speaker 3: The beetle, who was entirely missed by the previous attack,

566
00:29:58,640 --> 00:30:01,840
Speaker 3: is kind of just looking around and I'm disoriented, and you,

567
00:30:02,280 --> 00:30:06,400
Speaker 3: from just right over spited shoulder tossed this alchemist's fire

568
00:30:06,840 --> 00:30:10,160
Speaker 3: directly into its little beetle face. So go ahead and

569
00:30:10,360 --> 00:30:13,120
Speaker 3: roll damage for the alchemist fire.

570
00:30:13,840 --> 00:30:17,160
Speaker 2: It out of the air with its mouth reflexibly as.

571
00:30:17,000 --> 00:30:20,760
Speaker 3: If trying to play fetch seven seven points of damage,

572
00:30:21,000 --> 00:30:26,360
Speaker 3: which is entirely doubled plus the splash damage you emilate

573
00:30:26,520 --> 00:30:30,480
Speaker 3: this beetle. The alchemist fire lands on the beetle, shattering

574
00:30:30,480 --> 00:30:36,760
Speaker 3: across its carapace and cooking it thoroughly. In one moment,

575
00:30:37,120 --> 00:30:39,760
Speaker 3: the beetle has been destroyed.

576
00:30:40,080 --> 00:30:41,520
Speaker 2: That'll teach you to be an animal.

577
00:30:41,560 --> 00:30:42,280
Speaker 3: I just met.

578
00:30:45,440 --> 00:30:47,440
Speaker 2: Oh we are in its house. I hadn't thought of

579
00:30:47,480 --> 00:30:49,440
Speaker 2: the moral complications of this before.

580
00:30:49,800 --> 00:30:53,680
Speaker 5: Oh gosh, boss, if you're God wanted that beatle alive,

581
00:30:53,720 --> 00:30:55,040
Speaker 5: I wouldn't have hit it so hard.

582
00:30:56,240 --> 00:30:57,120
Speaker 2: That's a good point.

583
00:30:57,840 --> 00:31:00,720
Speaker 3: So that was only your first act because you have

584
00:31:00,840 --> 00:31:04,920
Speaker 3: quick bomber. Uh huh, So you do still have two

585
00:31:04,920 --> 00:31:05,640
Speaker 3: more actions.

586
00:31:06,280 --> 00:31:07,360
Speaker 2: Can I throw another bomb?

587
00:31:08,040 --> 00:31:11,280
Speaker 3: You can but remember in half Finder, each attack you

588
00:31:11,360 --> 00:31:14,280
Speaker 3: make in one turn after the first takes a penalty.

589
00:31:14,520 --> 00:31:18,360
Speaker 3: That penalty is usually five. Okay, I mean, but if

590
00:31:18,400 --> 00:31:19,880
Speaker 3: you keep rolling twenties, it doesn't.

591
00:31:20,600 --> 00:31:22,160
Speaker 5: Yeah, I think I've got to throw it at the

592
00:31:22,160 --> 00:31:24,360
Speaker 5: one most directly in front of me. I guess I

593
00:31:24,400 --> 00:31:27,080
Speaker 5: can step up in front of Margaret and then take

594
00:31:27,120 --> 00:31:27,480
Speaker 5: a throw.

595
00:31:28,160 --> 00:31:30,600
Speaker 3: Yeah, you could move forward a hair if you want, Yeah,

596
00:31:30,720 --> 00:31:31,280
Speaker 3: no problem.

597
00:31:31,440 --> 00:31:33,320
Speaker 2: Then I'm gonna hurl another bomb.

598
00:31:33,600 --> 00:31:35,720
Speaker 3: One of the Beatles is crawling up over the half

599
00:31:35,760 --> 00:31:39,880
Speaker 3: sunken millstone, and you just lobbed the bomb directly at it,

600
00:31:39,920 --> 00:31:40,560
Speaker 3: So go ahead.

601
00:31:40,800 --> 00:31:43,680
Speaker 5: I brought a house swarm and present I did not.

602
00:31:47,680 --> 00:31:51,040
Speaker 5: That's gonna be an eight for a total of I

603
00:31:51,080 --> 00:31:55,960
Speaker 5: guess it's minus five plus plus your plus my bonus,

604
00:31:56,120 --> 00:31:58,800
Speaker 5: which with these is five, So just an eight.

605
00:31:59,160 --> 00:32:00,320
Speaker 2: That just can't that.

606
00:32:01,000 --> 00:32:04,960
Speaker 3: Well, that's convenient. So this bomb goes soaring over the beetle,

607
00:32:05,080 --> 00:32:08,080
Speaker 3: landing just behind him. Now, because it's a bomb and

608
00:32:08,120 --> 00:32:11,560
Speaker 3: you missed, you didn't critically miss it still like explodes

609
00:32:11,640 --> 00:32:14,080
Speaker 3: right next to the beetle and does the splash damage

610
00:32:14,080 --> 00:32:15,640
Speaker 3: to it, So it is still going to take one

611
00:32:15,840 --> 00:32:17,880
Speaker 3: point of fire damage there.

612
00:32:17,920 --> 00:32:18,200
Speaker 1: You go.

613
00:32:19,160 --> 00:32:20,040
Speaker 2: I got him started.

614
00:32:21,000 --> 00:32:24,160
Speaker 3: So the beetle has been slightly singed, and that is

615
00:32:24,200 --> 00:32:25,120
Speaker 3: the end of your turn.

616
00:32:25,680 --> 00:32:28,320
Speaker 2: My moms did always say they hated the Beatles. This

617
00:32:28,400 --> 00:32:29,280
Speaker 2: must be what they meant.

618
00:32:29,920 --> 00:32:35,480
Speaker 3: Clearly. The Beatles, having seen one of their ill burned

619
00:32:35,600 --> 00:32:39,440
Speaker 3: down to the exoskeleton, are clicking with furious anger as

620
00:32:39,480 --> 00:32:44,560
Speaker 3: the first one comes marching up to Squash, It's mandibles

621
00:32:44,920 --> 00:32:48,640
Speaker 3: clicking wildly, And it is going to come up to

622
00:32:48,680 --> 00:32:52,040
Speaker 3: Squash and attempt to bite you with its mandibles.

623
00:32:52,480 --> 00:32:53,160
Speaker 6: Good luck.

624
00:32:53,840 --> 00:32:56,080
Speaker 3: So I'm going to get a grand total of eight,

625
00:32:56,560 --> 00:32:59,160
Speaker 3: which is not going to be enough to hit you.

626
00:32:59,280 --> 00:33:01,840
Speaker 3: I can't image in your issue. Is undoubtedly better than.

627
00:33:01,800 --> 00:33:03,479
Speaker 6: An eight, Absolutely it is.

628
00:33:03,960 --> 00:33:05,880
Speaker 3: So that is not going to do it. And with

629
00:33:05,920 --> 00:33:08,040
Speaker 3: its final action, it's going to attempt to bite you again,

630
00:33:08,040 --> 00:33:09,880
Speaker 3: even though it has a remote chance of hitting. No,

631
00:33:10,080 --> 00:33:12,560
Speaker 3: that's definitely not going to do it either. So that

632
00:33:12,600 --> 00:33:15,640
Speaker 3: beetle comes up and furiously attempts to catch you with

633
00:33:15,680 --> 00:33:18,960
Speaker 3: its mandibles, but frankly you're able to dance away from

634
00:33:19,040 --> 00:33:22,160
Speaker 3: its bite without too much trouble. The other beetle, this

635
00:33:22,200 --> 00:33:26,000
Speaker 3: one was lightly scorched by the alchemist fire, is going

636
00:33:26,040 --> 00:33:29,640
Speaker 3: to crawl up to the front of this millstone right

637
00:33:29,680 --> 00:33:33,400
Speaker 3: next to Trent. Its beetle legs clicking across the stone's surface,

638
00:33:33,880 --> 00:33:35,480
Speaker 3: and as it makes its way up to you, trant

639
00:33:35,600 --> 00:33:38,040
Speaker 3: is going to attempt to bite you with its mandibles.

640
00:33:38,400 --> 00:33:40,800
Speaker 3: Do you have an armor class of sixteen or less?

641
00:33:41,160 --> 00:33:44,719
Speaker 5: Nope, seventeen, baby, better beetles than you have tried.

642
00:33:46,120 --> 00:33:48,480
Speaker 3: Beetle desperately tries to get a hold of you, even

643
00:33:48,520 --> 00:33:51,240
Speaker 3: getting so closest to get its mandibles around your overcoat,

644
00:33:51,240 --> 00:33:53,080
Speaker 3: but it does not manage to connect and you pull

645
00:33:53,080 --> 00:33:53,760
Speaker 3: away safely.

646
00:33:54,640 --> 00:33:56,120
Speaker 2: You got to learn how to move fast when you

647
00:33:56,120 --> 00:33:56,760
Speaker 2: make bombs.

648
00:33:58,080 --> 00:34:00,160
Speaker 3: With its final action, it's going to attempt to attack

649
00:34:00,400 --> 00:34:04,760
Speaker 3: once again. Terrible does a terrible job. It's it's mandibles

650
00:34:04,920 --> 00:34:08,680
Speaker 3: close around nothing but air with a roll a grand tole.

651
00:34:08,560 --> 00:34:11,040
Speaker 2: Of a four first level fights.

652
00:34:11,080 --> 00:34:13,600
Speaker 3: Baby, Yeah, you know, hey, you live by the die,

653
00:34:13,640 --> 00:34:15,520
Speaker 3: you die by the die. In this case, the Beatles

654
00:34:15,560 --> 00:34:19,120
Speaker 3: are not looking too good. All right, we're back to

655
00:34:19,160 --> 00:34:21,359
Speaker 3: the top of the order. Squash its back to you.

656
00:34:21,400 --> 00:34:21,840
Speaker 3: What do you do.

657
00:34:22,480 --> 00:34:24,920
Speaker 6: I'm gonna draw my glave and I'm gonna run this

658
00:34:24,960 --> 00:34:27,399
Speaker 6: little bastard through, all.

659
00:34:27,400 --> 00:34:29,239
Speaker 3: Right, So you draw your glove. That's your first action,

660
00:34:29,320 --> 00:34:30,880
Speaker 3: and for your second action, you're gonna go ahead and

661
00:34:30,880 --> 00:34:32,880
Speaker 3: make an attack, So why don't you go ahead and

662
00:34:32,960 --> 00:34:33,840
Speaker 3: give me an attackle?

663
00:34:36,239 --> 00:34:39,719
Speaker 6: Mmm, well it is one, is the thing?

664
00:34:40,080 --> 00:34:40,440
Speaker 3: Okay?

665
00:34:40,520 --> 00:34:42,279
Speaker 6: Yeah, I rolled the one.

666
00:34:42,640 --> 00:34:45,640
Speaker 3: It is a complete miss.

667
00:34:45,680 --> 00:34:45,839
Speaker 1: Then.

668
00:34:46,280 --> 00:34:49,520
Speaker 3: Uh so you bring the huge glave down attempting to

669
00:34:49,560 --> 00:34:51,640
Speaker 3: crush the beetle, but the glave is so long you

670
00:34:51,680 --> 00:34:54,439
Speaker 3: actually missed the beatle entirely and hit the muck behind it.

671
00:34:56,000 --> 00:34:58,400
Speaker 3: You can make another attack, but that had no effect.

672
00:34:58,560 --> 00:35:01,759
Speaker 6: Mmmm, it's better than nothing.

673
00:35:02,120 --> 00:35:04,200
Speaker 4: And you are still close to me. So you're taking

674
00:35:04,239 --> 00:35:04,719
Speaker 4: plus one?

675
00:35:04,800 --> 00:35:07,560
Speaker 2: Yeah, less, so total of a plus three, I think right?

676
00:35:08,360 --> 00:35:14,040
Speaker 6: All right, one more again. I rolled at fourteen for

677
00:35:14,120 --> 00:35:15,360
Speaker 6: a total of seventeen.

678
00:35:17,040 --> 00:35:20,080
Speaker 3: All right, this one is going to connect. Your glave

679
00:35:20,200 --> 00:35:23,600
Speaker 3: does manage to catch the beatles care pace, Go ahead

680
00:35:23,640 --> 00:35:25,000
Speaker 3: and roll damage.

681
00:35:26,840 --> 00:35:31,080
Speaker 6: That's a five and I get a plus two on

682
00:35:31,160 --> 00:35:33,880
Speaker 6: my glave, so seven damage.

683
00:35:35,239 --> 00:35:37,600
Speaker 3: Your glave catches the beetle in the back of its

684
00:35:37,640 --> 00:35:41,399
Speaker 3: carapace and it splits open, spilling a sickly white goo

685
00:35:41,440 --> 00:35:45,239
Speaker 3: into the swamp. The beetle is dead.

686
00:35:45,440 --> 00:35:47,080
Speaker 6: Yes, And I get right up close to its ear

687
00:35:47,080 --> 00:35:49,400
Speaker 6: and I say it's been a hars day's night and

688
00:35:49,440 --> 00:35:50,640
Speaker 6: I've been working like a dog.

689
00:35:53,880 --> 00:35:55,400
Speaker 2: But do you know what else kills?

690
00:35:56,040 --> 00:36:00,560
Speaker 5: I mean the real ringo who killed you know or

691
00:36:00,920 --> 00:36:02,920
Speaker 5: you know what was killed by the fake ringo? I

692
00:36:02,920 --> 00:36:05,239
Speaker 5: guess so the fake ring the current ringo killed the

693
00:36:05,239 --> 00:36:05,800
Speaker 5: real Ringo.

694
00:36:05,880 --> 00:36:09,160
Speaker 2: Sorry? Who Also? I believe it's one of the ringos

695
00:36:09,200 --> 00:36:11,759
Speaker 2: that sponsors our show? Is that? That's right? It's the

696
00:36:11,800 --> 00:36:14,359
Speaker 2: dead Ringo. The dead Ringo sponsors our show.

697
00:36:14,440 --> 00:36:15,839
Speaker 5: It was the only thing in his will.

698
00:36:16,360 --> 00:36:19,239
Speaker 2: Yeah, and I think some other ads too, But the

699
00:36:19,280 --> 00:36:22,480
Speaker 2: most important thing is that dead Ringo to sponsored the

700
00:36:22,520 --> 00:36:30,759
Speaker 2: show and we're back.

701
00:36:31,040 --> 00:36:34,400
Speaker 5: Yeah, quick correction, it was actually Pete Best that sponsored

702
00:36:34,440 --> 00:36:34,759
Speaker 5: the show.

703
00:36:34,920 --> 00:36:39,000
Speaker 2: Sorry, we make mistakes all the time. Unfortunately, there's no

704
00:36:39,040 --> 00:36:39,920
Speaker 2: way to go back and edit.

705
00:36:40,080 --> 00:36:42,399
Speaker 5: So, just like the Beatles when they replaced Pete Best

706
00:36:42,400 --> 00:36:44,680
Speaker 5: with Ringo anyway, well when they recorded those songs.

707
00:36:44,760 --> 00:36:48,760
Speaker 2: Yeah, I have nothing against the Beatles. I don't actually

708
00:36:48,800 --> 00:36:50,160
Speaker 2: care one way or the other about this.

709
00:36:50,400 --> 00:36:53,319
Speaker 3: These swamp Beatles beg to differ. Speaking of which, we

710
00:36:53,360 --> 00:36:55,799
Speaker 3: are back in the middle of combat. Two of the

711
00:36:55,880 --> 00:36:58,480
Speaker 3: three Beatles are now dead, and all that remains is

712
00:36:58,520 --> 00:37:02,920
Speaker 3: one perched atop the millstone, slightly singed by a bomb. Murdy,

713
00:37:03,360 --> 00:37:06,719
Speaker 3: it is your turn, all right.

714
00:37:07,120 --> 00:37:11,160
Speaker 4: I am paying very close attention to my blessed bell

715
00:37:11,280 --> 00:37:14,480
Speaker 4: to keep it up. I am going to run right

716
00:37:14,600 --> 00:37:17,960
Speaker 4: up to the beetle next to Trent. Let's see if

717
00:37:18,000 --> 00:37:20,160
Speaker 4: I can get this thing to move on a little

718
00:37:20,160 --> 00:37:24,080
Speaker 4: twenty and that should be within my twenty five moves absolutely.

719
00:37:24,560 --> 00:37:27,120
Speaker 4: And then because the beetles like up on the millstone,

720
00:37:27,160 --> 00:37:30,479
Speaker 4: I want to take my soup ladle and like try

721
00:37:30,520 --> 00:37:33,080
Speaker 4: to deck it and get it to fall off the thing.

722
00:37:33,800 --> 00:37:38,560
Speaker 4: I'm just gonna roll my club. I rolled a seventeen

723
00:37:38,800 --> 00:37:41,840
Speaker 4: on the dive, plus my three bonus is twenty.

724
00:37:41,680 --> 00:37:44,320
Speaker 3: Twenty connects right with its little beetle face.

725
00:37:46,000 --> 00:37:47,920
Speaker 4: Okay, and I do too damage.

726
00:37:47,520 --> 00:37:50,520
Speaker 3: To damage, not enough to drive it from the millstone,

727
00:37:50,560 --> 00:37:54,560
Speaker 3: but plenty enough to irritate it. The beetle looks at

728
00:37:54,600 --> 00:37:58,480
Speaker 3: you menacingly. It's mandible snapping. You still have one action left?

729
00:37:58,880 --> 00:38:01,279
Speaker 4: Yeah, I'm doing the eye thing. I've got to. I

730
00:38:01,280 --> 00:38:03,960
Speaker 4: don't know how to describe this real podcast.

731
00:38:04,239 --> 00:38:07,600
Speaker 3: They're matching its gaze with your fingers.

732
00:38:07,920 --> 00:38:08,160
Speaker 6: Yeah.

733
00:38:08,239 --> 00:38:10,160
Speaker 4: Yeah, it's like a peace sign, but.

734
00:38:11,719 --> 00:38:14,520
Speaker 2: All peace signs are for violence. That's how we get peace.

735
00:38:16,760 --> 00:38:21,680
Speaker 3: Spite you are up next, ready for some more peaceful violence.

736
00:38:22,160 --> 00:38:25,359
Speaker 2: I'm going to pacify this beetle. I'm going to use

737
00:38:25,400 --> 00:38:27,640
Speaker 2: defensive advance. I'm going to step up to the left

738
00:38:27,640 --> 00:38:32,280
Speaker 2: of murdy all right, and I am going to raise

739
00:38:32,320 --> 00:38:37,440
Speaker 2: my shield, stride forward confidently, and this time remember how

740
00:38:37,480 --> 00:38:41,359
Speaker 2: to hold the morning Star and get a seventeen on

741
00:38:41,400 --> 00:38:44,239
Speaker 2: the die for a total of twenty four. You take

742
00:38:44,480 --> 00:38:47,080
Speaker 2: twenty five twenty five? Is that a crit.

743
00:38:47,800 --> 00:38:51,840
Speaker 3: Twenty five is a critical hit? You bring the morning

744
00:38:51,880 --> 00:38:54,640
Speaker 3: start down, cracking it right in the middle of its carapace.

745
00:38:54,840 --> 00:38:56,839
Speaker 3: Go ahead and roll damage and double it for me.

746
00:38:57,160 --> 00:38:57,520
Speaker 1: All right?

747
00:38:57,600 --> 00:39:00,959
Speaker 2: So I got three plus four is seven times two

748
00:39:01,040 --> 00:39:02,480
Speaker 2: is fourteen damage.

749
00:39:02,920 --> 00:39:06,759
Speaker 3: There is now a gooey smear where there was at

750
00:39:06,800 --> 00:39:09,800
Speaker 3: one point in time a beetle.

751
00:39:10,560 --> 00:39:12,680
Speaker 2: Oh that's kind of gross, I say.

752
00:39:12,560 --> 00:39:13,240
Speaker 6: Ew yuck.

753
00:39:14,080 --> 00:39:16,000
Speaker 4: Do you think we could eat this? Does any of

754
00:39:16,040 --> 00:39:17,480
Speaker 4: this look edible like a lobster?

755
00:39:18,280 --> 00:39:21,360
Speaker 3: Well, so there's one thing I need to resolve real quickly.

756
00:39:21,400 --> 00:39:26,320
Speaker 3: When you smash this beetle, this beetle spatters when it dies,

757
00:39:26,760 --> 00:39:30,040
Speaker 3: and it splashes all three of you. That would be

758
00:39:30,080 --> 00:39:31,560
Speaker 3: all three of you that are right up next to it.

759
00:39:31,640 --> 00:39:34,719
Speaker 3: That is spite Mrdy and Trant. All three of you

760
00:39:34,800 --> 00:39:39,359
Speaker 3: gets spattered with this caustic beetle goo. All of you

761
00:39:39,440 --> 00:39:44,640
Speaker 3: take one point of acid damage as the beetle's innerds

762
00:39:45,080 --> 00:39:46,840
Speaker 3: scorch and burn your skin.

763
00:39:47,200 --> 00:39:50,280
Speaker 5: You calling that acid down. I've taken worse acid damage

764
00:39:50,280 --> 00:39:50,600
Speaker 5: from me.

765
00:39:54,520 --> 00:39:56,920
Speaker 3: It is really more of a love singe at this point.

766
00:39:58,719 --> 00:40:00,759
Speaker 6: I have a big handful of gear that I that

767
00:40:00,840 --> 00:40:03,759
Speaker 6: I like shake off my hand. It's just like no

768
00:40:04,280 --> 00:40:05,600
Speaker 6: goofer squash today.

769
00:40:06,080 --> 00:40:09,279
Speaker 3: Yeah, you're lucky because technically squash I forgot they had

770
00:40:09,280 --> 00:40:11,320
Speaker 3: that ability. You should have taken a point of damage

771
00:40:11,320 --> 00:40:12,920
Speaker 3: as well when you killed the beetle next to you.

772
00:40:13,200 --> 00:40:16,560
Speaker 3: What are you gonna do? I forgot, so I guess

773
00:40:16,600 --> 00:40:19,960
Speaker 3: you're immune. You heard it.

774
00:40:20,000 --> 00:40:21,200
Speaker 6: Everyone that's cannon forever.

775
00:40:21,600 --> 00:40:25,959
Speaker 3: No, I'm gonna have a rit of that right now.

776
00:40:27,360 --> 00:40:29,759
Speaker 4: I have so many rags in all of my pack

777
00:40:29,800 --> 00:40:32,520
Speaker 4: and my cook wear for wiping down surfaces. We can

778
00:40:32,560 --> 00:40:34,319
Speaker 4: get this taken care of. No big deal.

779
00:40:34,920 --> 00:40:37,360
Speaker 2: I just like hold out my arms in hand for

780
00:40:37,440 --> 00:40:38,359
Speaker 2: you to clean off.

781
00:40:39,080 --> 00:40:42,319
Speaker 3: Fortunately, the acid the moment it's exposed to air, it

782
00:40:42,360 --> 00:40:45,640
Speaker 3: apparently neutralizes pretty quick. It's just that initial exposure that

783
00:40:45,719 --> 00:40:48,920
Speaker 3: burns for a moment. But yeah, the three beetles have

784
00:40:49,080 --> 00:40:53,080
Speaker 3: now been defeated. The last of the beatles lies dead

785
00:40:53,120 --> 00:40:56,960
Speaker 3: on the floor, leaving this area open for exploration. Although

786
00:40:56,960 --> 00:40:59,000
Speaker 3: the ground floor of the old mill is now quiet

787
00:40:59,040 --> 00:41:03,759
Speaker 3: and still somewhere above on another floor, two creatures are

788
00:41:03,800 --> 00:41:07,759
Speaker 3: having a conversation. The only way up appears to be

789
00:41:07,800 --> 00:41:11,360
Speaker 3: a rickety staircase that SAgs off the nearby wall, looking

790
00:41:11,440 --> 00:41:16,000
Speaker 3: like it might collapse at any moment. So, now the

791
00:41:16,080 --> 00:41:18,520
Speaker 3: combat's done and you're inside the mill, you can there's

792
00:41:18,520 --> 00:41:20,560
Speaker 3: a lot of things you could do. Right. You could

793
00:41:21,080 --> 00:41:22,840
Speaker 3: take a look around see if there is anything to

794
00:41:22,920 --> 00:41:25,040
Speaker 3: be discovered down here on the ground floor of the mill.

795
00:41:25,360 --> 00:41:27,879
Speaker 3: You could perhaps listen in on these voices and see

796
00:41:27,920 --> 00:41:29,759
Speaker 3: what there is to hear. You could take a look

797
00:41:29,800 --> 00:41:31,759
Speaker 3: at the stairs. You could even start trying to climb

798
00:41:31,800 --> 00:41:34,920
Speaker 3: the stairs. But there doesn't seem to be any active

799
00:41:34,960 --> 00:41:36,600
Speaker 3: threats down here on the ground floor.

800
00:41:37,000 --> 00:41:39,920
Speaker 5: I'm gonna prep another couple of alchemists fires from my

801
00:41:40,040 --> 00:41:42,160
Speaker 5: quick stashes while we were searching around.

802
00:41:42,280 --> 00:41:44,440
Speaker 3: You're gonna get your versatile whiles back, because you're down

803
00:41:44,480 --> 00:41:45,040
Speaker 3: at least.

804
00:41:44,840 --> 00:41:48,480
Speaker 5: One, Yes, I'm down one, and yeah another, well two

805
00:41:48,480 --> 00:41:50,520
Speaker 5: more actually say yeah.

806
00:41:50,000 --> 00:41:53,680
Speaker 4: Does anybody care to be healed for a single healing point?

807
00:41:53,800 --> 00:41:56,759
Speaker 2: Oh, I'm okay, it just stings a little. I kind

808
00:41:56,760 --> 00:41:57,239
Speaker 2: of like it.

809
00:41:58,320 --> 00:42:01,120
Speaker 6: Can I listen in to what the conversation is or

810
00:42:01,160 --> 00:42:02,200
Speaker 6: is it just too faint?

811
00:42:03,080 --> 00:42:05,719
Speaker 3: You can attempt to give me a perception check.

812
00:42:06,320 --> 00:42:09,600
Speaker 2: I'm gonna do this also, all right, I would also

813
00:42:09,680 --> 00:42:10,279
Speaker 2: like to try to.

814
00:42:10,280 --> 00:42:15,239
Speaker 6: Listen as a ten plus five for a total of fifteen.

815
00:42:16,200 --> 00:42:20,080
Speaker 4: All right, I have eight plus seven, which is also fifteen.

816
00:42:20,440 --> 00:42:23,080
Speaker 2: I have a nineteen plus four for total of twenty three.

817
00:42:23,440 --> 00:42:26,399
Speaker 3: So murdy squash. The two of you kind of listen in,

818
00:42:26,880 --> 00:42:30,520
Speaker 3: but between your kind of squelching in the muck below

819
00:42:30,880 --> 00:42:33,759
Speaker 3: and just the general sounds of the swamp, you don't

820
00:42:33,760 --> 00:42:35,880
Speaker 3: make out much. But spite your hearing is just a

821
00:42:35,920 --> 00:42:39,000
Speaker 3: hair cleaner, And although you can't make out what is

822
00:42:39,040 --> 00:42:41,640
Speaker 3: being said, you can make out what sounds to be

823
00:42:41,719 --> 00:42:51,200
Speaker 3: like a low, rumbling kind of guttural sound. It almost

824
00:42:51,640 --> 00:42:52,160
Speaker 3: sounds like.

825
00:42:52,239 --> 00:42:56,759
Speaker 2: Croaking when you say croaking, Am I able to be

826
00:42:56,880 --> 00:42:59,279
Speaker 2: like that? Sounds like a giant frog? Or is it

827
00:42:59,640 --> 00:43:02,640
Speaker 2: like more of them? I don't think those are people talking.

828
00:43:03,120 --> 00:43:05,960
Speaker 2: I think that there's a bunch of frogs upstairs. They

829
00:43:06,000 --> 00:43:08,239
Speaker 2: probably got trapped here by the Beatles because if they

830
00:43:08,280 --> 00:43:10,759
Speaker 2: came down, the Beatles would have killed them. And so

831
00:43:10,800 --> 00:43:14,600
Speaker 2: we were saving the innocent frogs by killing those beetles.

832
00:43:14,800 --> 00:43:17,400
Speaker 2: We liberated those frogs upstairs.

833
00:43:19,520 --> 00:43:20,560
Speaker 6: Yes, great works fight.

834
00:43:21,480 --> 00:43:25,080
Speaker 2: Yeah, whatever you say, boss, Sure that's what happened.

835
00:43:26,520 --> 00:43:30,200
Speaker 3: So Trance still needs some time to finish making his vials.

836
00:43:30,640 --> 00:43:33,960
Speaker 3: So while that's happening, the rest of you can look

837
00:43:34,000 --> 00:43:35,960
Speaker 3: around the area, take a look at the stairs. If

838
00:43:35,960 --> 00:43:37,719
Speaker 3: there's anything else you want to do, you have a

839
00:43:37,719 --> 00:43:40,760
Speaker 3: few moments to do it. Trant's vials takes ten minutes

840
00:43:40,800 --> 00:43:41,120
Speaker 3: to make.

841
00:43:41,360 --> 00:43:43,880
Speaker 2: I'm Megan, one of them's asset. I'm just scooping up

842
00:43:43,920 --> 00:43:47,640
Speaker 2: some beetle goop for it. If it's a ten minute thing,

843
00:43:47,840 --> 00:43:50,200
Speaker 2: then I might heal myself with lay on hands and

844
00:43:50,200 --> 00:43:50,960
Speaker 2: then refocus.

845
00:43:51,400 --> 00:43:53,600
Speaker 3: Sure that could be what you do. Yeah, that's easy.

846
00:43:53,680 --> 00:43:56,160
Speaker 2: And so I reached down and I touched my hand

847
00:43:56,239 --> 00:44:01,080
Speaker 2: and I whisper Malani, I got burned. I was doing good.

848
00:44:01,480 --> 00:44:04,880
Speaker 2: And then Malani magically heals my hand. And then I

849
00:44:04,920 --> 00:44:06,840
Speaker 2: sit down and I take off my helmet and I

850
00:44:06,920 --> 00:44:09,960
Speaker 2: light the candle and I pray over my helmet for

851
00:44:10,000 --> 00:44:14,080
Speaker 2: about ten minutes, silently staring at everyone who gets too close.

852
00:44:15,640 --> 00:44:18,400
Speaker 6: Squash is looking at this and it's just like, Damn,

853
00:44:19,080 --> 00:44:20,600
Speaker 6: I should get into God or something.

854
00:44:21,719 --> 00:44:22,960
Speaker 3: Maybe I should find religion.

855
00:44:23,160 --> 00:44:25,520
Speaker 6: That seems pretty bitch. And I turned to Murdy and

856
00:44:25,560 --> 00:44:26,799
Speaker 6: I say, you worship.

857
00:44:26,600 --> 00:44:27,080
Speaker 3: What is it?

858
00:44:28,680 --> 00:44:31,759
Speaker 6: Arasco? I'm a bit of a rascal myself. What's this

859
00:44:31,840 --> 00:44:32,359
Speaker 6: guy's deal?

860
00:44:32,880 --> 00:44:35,319
Speaker 4: What's a rascal's dealer? What's Malanie's? I don't know shit

861
00:44:35,360 --> 00:44:37,960
Speaker 4: about Milani, And honestly, I don't even know that much

862
00:44:38,000 --> 00:44:40,240
Speaker 4: about a rascal. I'm just kind of here for the soup.

863
00:44:40,600 --> 00:44:41,560
Speaker 6: Damn. My kind of guy.

864
00:44:42,120 --> 00:44:44,880
Speaker 3: Show up for the prayers about family and home and heart,

865
00:44:44,920 --> 00:44:47,640
Speaker 3: stay for the soup. All right. So it sounds like

866
00:44:47,760 --> 00:44:52,720
Speaker 3: Spike and Trent are busy. That leaves Murdy and Squash.

867
00:44:52,760 --> 00:44:54,440
Speaker 3: You've had a bit of a discussion about religion. Do

868
00:44:54,440 --> 00:44:56,200
Speaker 3: you want to take a look around? Do you want

869
00:44:56,200 --> 00:44:57,680
Speaker 3: to take a look at the stairs? There's anything you

870
00:44:57,680 --> 00:44:59,480
Speaker 3: want to do before we just kind of move forward?

871
00:45:01,520 --> 00:45:03,920
Speaker 4: Yeah? Do we want to try to climb the stairs?

872
00:45:04,040 --> 00:45:08,000
Speaker 4: I have a climbing kit on me, and I could

873
00:45:08,000 --> 00:45:10,080
Speaker 4: try to rig something to make it safer to climb

874
00:45:10,080 --> 00:45:10,600
Speaker 4: the stairs.

875
00:45:11,120 --> 00:45:12,719
Speaker 6: That's smart. I'm in the middle of being like, what

876
00:45:13,120 --> 00:45:15,279
Speaker 6: do you think about like like God? Like I've been

877
00:45:15,280 --> 00:45:17,640
Speaker 6: hearing about God too, the sequel to God. Oh you're

878
00:45:17,640 --> 00:45:20,719
Speaker 6: getting out? Okay, Yeah, let's no, let's let's let's let's

879
00:45:20,719 --> 00:45:23,120
Speaker 6: go up the stairs. But let's let's be really let's

880
00:45:23,200 --> 00:45:24,200
Speaker 6: be stunny about it.

881
00:45:25,239 --> 00:45:27,520
Speaker 4: Yeah. The God that I'm into is into doing things

882
00:45:27,560 --> 00:45:31,400
Speaker 4: and not so much into thinking specific thoughts.

883
00:45:32,440 --> 00:45:34,319
Speaker 5: I mean, if you're looking for something to believe in

884
00:45:34,360 --> 00:45:37,680
Speaker 5: more powerful than yourself, I can suggest bombs.

885
00:45:39,520 --> 00:45:42,120
Speaker 2: I glare at everyone for talking so loudly.

886
00:45:42,040 --> 00:45:42,839
Speaker 3: Very trustworthy.

887
00:45:43,120 --> 00:45:45,160
Speaker 6: Now do you have some pamphlets about this? Because of

888
00:45:45,200 --> 00:45:45,680
Speaker 6: this second?

889
00:45:45,680 --> 00:45:48,560
Speaker 5: I absolutely have some pamphlets. Now, if you get caught

890
00:45:48,600 --> 00:45:50,640
Speaker 5: with one of these pamphlets, you will get in a

891
00:45:50,719 --> 00:45:51,600
Speaker 5: lot of trouble.

892
00:45:52,239 --> 00:45:55,200
Speaker 6: But yes, I do have zeeines.

893
00:45:54,880 --> 00:45:57,520
Speaker 4: In my inventory, and I will hand one to Squash

894
00:45:57,560 --> 00:45:59,360
Speaker 4: about how to make soup for three hundred.

895
00:45:59,840 --> 00:46:01,920
Speaker 2: I have a similar pamphlet about bombs.

896
00:46:01,960 --> 00:46:06,080
Speaker 6: I'm unzipping my backpack and taking a bunch of us

897
00:46:06,400 --> 00:46:08,360
Speaker 6: on taking out lend us bread and stuff.

898
00:46:08,680 --> 00:46:11,360
Speaker 5: Now, this is how to make bombs for three hundred pamphlets.

899
00:46:11,360 --> 00:46:13,799
Speaker 5: So you just got to divide the amount of fertilizer,

900
00:46:14,080 --> 00:46:16,640
Speaker 5: buy three hundred to make a one person bomb.

901
00:46:17,000 --> 00:46:18,560
Speaker 2: Don't fuck that part up?

902
00:46:18,600 --> 00:46:19,680
Speaker 6: Okay, taking notes?

903
00:46:20,120 --> 00:46:21,799
Speaker 2: Are we going to make the food and bombs joke?

904
00:46:21,840 --> 00:46:28,200
Speaker 3: Now? Why can't be both? That depends on how much

905
00:46:28,280 --> 00:46:32,680
Speaker 3: chili you can make? Murdy, Can you give me a

906
00:46:32,719 --> 00:46:35,360
Speaker 3: perception check as you're taking a look at these stairs?

907
00:46:36,480 --> 00:46:40,760
Speaker 4: Sure can? That was a thirteen on the dive plus

908
00:46:40,760 --> 00:46:41,680
Speaker 4: seven is twenty.

909
00:46:42,320 --> 00:46:43,960
Speaker 3: So you take a look at the stairs and you

910
00:46:44,040 --> 00:46:48,480
Speaker 3: notice that one section in particular looks kind of dangerous.

911
00:46:48,480 --> 00:46:50,239
Speaker 3: The rest of it it looks safe and you could

912
00:46:50,280 --> 00:46:52,200
Speaker 3: just climb it. I mean, it's stairs. You're like, you

913
00:46:52,200 --> 00:46:53,880
Speaker 3: don't have to make a check to go up a

914
00:46:53,920 --> 00:46:56,000
Speaker 3: set of stairs, But there is one part of it

915
00:46:56,040 --> 00:47:00,120
Speaker 3: that looks frankly kind of rotten and rickety, and you're

916
00:47:00,160 --> 00:47:03,440
Speaker 3: gonna wager folks could either jump over that or they

917
00:47:03,440 --> 00:47:06,200
Speaker 3: could just kind of risk going across it quickly. Now,

918
00:47:06,239 --> 00:47:07,359
Speaker 3: I'll say this. You have a.

919
00:47:07,320 --> 00:47:10,600
Speaker 4: Climber's kit, you said, I sure do, Jason.

920
00:47:10,560 --> 00:47:12,000
Speaker 3: So if you wanted to break out some of the

921
00:47:12,040 --> 00:47:15,919
Speaker 3: pieces of your climber's kit and make me, let's say,

922
00:47:16,080 --> 00:47:19,800
Speaker 3: an athletics check to kind of scale through the area,

923
00:47:19,800 --> 00:47:22,399
Speaker 3: and put in some pitons. I'll give everyone that comes

924
00:47:22,440 --> 00:47:23,759
Speaker 3: behind you a bonus.

925
00:47:24,320 --> 00:47:25,920
Speaker 4: Jason, can I talk you into letting me do a

926
00:47:25,920 --> 00:47:27,200
Speaker 4: crafting check instead?

927
00:47:28,280 --> 00:47:34,800
Speaker 3: No, damn good guys. We're gonna go and start whittling

928
00:47:34,800 --> 00:47:37,520
Speaker 3: out some new stairs. You know that's not a crafting check.

929
00:47:37,600 --> 00:47:39,359
Speaker 3: I'm gonna need you to make an athletics check.

930
00:47:40,520 --> 00:47:45,759
Speaker 4: I disagree, but all right, get them, get them. I'm

931
00:47:45,760 --> 00:47:49,440
Speaker 4: gonna think really hard about my time in the equiment

932
00:47:49,440 --> 00:47:51,799
Speaker 4: of Boy Scouts, but for a rastal when I'm gonna

933
00:47:51,840 --> 00:47:54,240
Speaker 4: cast guidance, which gives me a plus one.

934
00:47:55,280 --> 00:47:56,160
Speaker 3: Good idea.

935
00:47:57,640 --> 00:48:02,680
Speaker 4: Because I don't have any acrobatics at all. We're rolling then,

936
00:48:02,719 --> 00:48:06,200
Speaker 4: nice died listeners. That was a six on the die

937
00:48:06,640 --> 00:48:07,680
Speaker 4: I have for all a seven.

938
00:48:08,400 --> 00:48:11,799
Speaker 2: I'm looking and trying so hard not to get distracted

939
00:48:11,800 --> 00:48:15,839
Speaker 2: because I'm like, I could do that better, but now

940
00:48:15,880 --> 00:48:16,759
Speaker 2: I'm busy.

941
00:48:16,880 --> 00:48:19,640
Speaker 3: So you're trying to make your way up these stairs

942
00:48:19,640 --> 00:48:21,879
Speaker 3: and play some petons, but you end up standing on

943
00:48:21,880 --> 00:48:23,839
Speaker 3: one of them that's pretty rotten and broken and it

944
00:48:23,840 --> 00:48:26,920
Speaker 3: starts to give way. Can you give me a reflex

945
00:48:27,080 --> 00:48:29,359
Speaker 3: saving thrown?

946
00:48:29,480 --> 00:48:33,800
Speaker 4: I'm still thinking back about boy Scouts for the aristol.

947
00:48:34,239 --> 00:48:35,279
Speaker 3: Yeah, I'm taking.

948
00:48:35,520 --> 00:48:40,200
Speaker 4: On this too, and that was a fourteen plus three

949
00:48:40,320 --> 00:48:41,520
Speaker 4: plus one is eighteen.

950
00:48:42,400 --> 00:48:44,759
Speaker 3: Well, you didn't need to think about your days back

951
00:48:44,760 --> 00:48:47,239
Speaker 3: and the boy Scouts at all because you made it so.

952
00:48:47,440 --> 00:48:50,279
Speaker 3: You managed to kind of skip across. You haven't really

953
00:48:50,360 --> 00:48:54,040
Speaker 3: helped anybody, but you have made it across yourself. You

954
00:48:54,120 --> 00:48:56,719
Speaker 3: did kind of stumble across and make your way over.

955
00:48:57,080 --> 00:48:59,680
Speaker 3: Now that you're there, you could at least toss a

956
00:48:59,760 --> 00:49:02,239
Speaker 3: rope back so that anybody trying to make their way

957
00:49:02,239 --> 00:49:04,080
Speaker 3: across would have at least a little guidance.

958
00:49:05,080 --> 00:49:06,080
Speaker 6: I'm following close by.

959
00:49:08,560 --> 00:49:11,360
Speaker 2: Okay, there's it been ten minutes. Where are we at?

960
00:49:11,840 --> 00:49:14,160
Speaker 3: We're getting close to that point. The two of you

961
00:49:14,239 --> 00:49:15,960
Speaker 3: will be able to come and help them after we

962
00:49:16,000 --> 00:49:18,879
Speaker 3: find out what happens to Squash. So Squash, you can

963
00:49:18,920 --> 00:49:21,759
Speaker 3: either just attempt to walk across the stairs and make

964
00:49:21,800 --> 00:49:24,239
Speaker 3: a reflex, say, or you can make an athletics check

965
00:49:24,280 --> 00:49:26,280
Speaker 3: to try and kind of jump across the rotten section.

966
00:49:26,640 --> 00:49:29,600
Speaker 6: Could I talk you into an acrobatics check where I

967
00:49:29,680 --> 00:49:30,960
Speaker 6: do a fun flip over?

968
00:49:31,680 --> 00:49:37,360
Speaker 3: Sure, yeah, that's right. It's not like you're trying to

969
00:49:37,400 --> 00:49:38,440
Speaker 3: craft your way across.

970
00:49:39,680 --> 00:49:44,800
Speaker 4: I'm sorry if tying knots not crafting. I've climbed trees before.

971
00:49:45,200 --> 00:49:48,320
Speaker 4: That's all knots. I'm not really using my body.

972
00:49:49,040 --> 00:49:52,840
Speaker 6: I look at Murdy and I say, what's this shit roll? Oh?

973
00:49:52,880 --> 00:49:56,640
Speaker 6: Thank god it worked out. That's a sixteen plus seven

974
00:49:57,120 --> 00:49:57,640
Speaker 6: twenty three.

975
00:49:58,400 --> 00:50:03,560
Speaker 3: Yeah, you vault across seasl And so just as this

976
00:50:03,719 --> 00:50:05,880
Speaker 3: kind of wraps up, the two of you down below

977
00:50:05,960 --> 00:50:09,200
Speaker 3: have finished making your versatile vial and praying to your deity.

978
00:50:09,600 --> 00:50:11,640
Speaker 3: So the two of you are now free to attempt

979
00:50:11,680 --> 00:50:13,799
Speaker 3: to join the others. You're kind of left with the

980
00:50:13,800 --> 00:50:16,600
Speaker 3: same situation. You either have to jump across with an

981
00:50:16,640 --> 00:50:19,160
Speaker 3: athletics check or just attempt to reflex save to avoid

982
00:50:19,239 --> 00:50:19,760
Speaker 3: kind of falling.

983
00:50:21,280 --> 00:50:22,840
Speaker 2: And there's a rope that's been tossed.

984
00:50:23,080 --> 00:50:24,840
Speaker 3: There is a rope that's going to give you a bonus.

985
00:50:24,880 --> 00:50:27,120
Speaker 3: I'm just going to take that off the difficulty though,

986
00:50:27,120 --> 00:50:28,720
Speaker 3: So don't worry about it, Okay.

987
00:50:29,280 --> 00:50:33,000
Speaker 5: I mean, boss, I could set off some explosives behind us,

988
00:50:33,120 --> 00:50:35,880
Speaker 5: and then the detonation of that will propel us upwards

989
00:50:36,040 --> 00:50:36,840
Speaker 5: onto the ledge.

990
00:50:37,120 --> 00:50:40,880
Speaker 2: I appreciate your willingness to think outside the box, but

991
00:50:40,960 --> 00:50:43,520
Speaker 2: I think that actually what we need to do is

992
00:50:43,600 --> 00:50:45,440
Speaker 2: just jump over these couple stairs.

993
00:50:46,000 --> 00:50:47,360
Speaker 5: Is this one of those things they trained you to

994
00:50:47,360 --> 00:50:48,240
Speaker 5: do in God School.

995
00:50:48,880 --> 00:50:52,239
Speaker 2: Oh, jumping around. It's very important. We do jumping jacks

996
00:50:52,239 --> 00:50:53,120
Speaker 2: every morning.

997
00:50:53,400 --> 00:50:56,000
Speaker 5: All right, all right, I don't understand your faith, but uh,

998
00:50:56,200 --> 00:50:57,920
Speaker 5: you know you haven't let us wrong often.

999
00:50:57,840 --> 00:51:00,319
Speaker 2: So that we can be ready to kill the oppressors. Yeah,

1000
00:51:00,400 --> 00:51:02,920
Speaker 2: or whoever and the bourgeoisie. I don't know how to

1001
00:51:02,920 --> 00:51:04,839
Speaker 2: spell that one. I speak two languages and I don't

1002
00:51:04,840 --> 00:51:07,520
Speaker 2: know how to spell that one. But the important thing

1003
00:51:07,600 --> 00:51:10,239
Speaker 2: is we can just jump across, and then I jump

1004
00:51:10,280 --> 00:51:13,200
Speaker 2: across roll a ten for a total of seventeen, so.

1005
00:51:13,239 --> 00:51:16,000
Speaker 3: You easily are able to clear the distance and make

1006
00:51:16,040 --> 00:51:19,000
Speaker 3: your way to the other side. Trent. That leaves only you.

1007
00:51:19,280 --> 00:51:21,000
Speaker 3: I'm a little sad we're not going to get to

1008
00:51:21,000 --> 00:51:23,840
Speaker 3: see the explosion behind you. I'm assuming you've got at

1009
00:51:23,920 --> 00:51:26,400
Speaker 3: least a handful of like doves inside your jacket to

1010
00:51:26,440 --> 00:51:27,560
Speaker 3: release at the same time.

1011
00:51:29,120 --> 00:51:34,080
Speaker 2: I got a total of seven with my athletics. Not great, all.

1012
00:51:34,040 --> 00:51:40,360
Speaker 3: Right, So Trant attempts to jump across, but instead misses

1013
00:51:40,440 --> 00:51:44,040
Speaker 3: the jump entirely and falls through the stairs into the

1014
00:51:44,120 --> 00:51:47,960
Speaker 3: muff below. Take four points of damage.

1015
00:51:48,400 --> 00:51:50,960
Speaker 6: Okay, I grab Spie by lot of the pels. Why

1016
00:51:50,960 --> 00:51:51,640
Speaker 6: don't you talk about it?

1017
00:51:52,040 --> 00:51:56,120
Speaker 2: The bombs A single tear rolls down my cheek as

1018
00:51:56,160 --> 00:51:58,640
Speaker 2: I can see my friend hurt.

1019
00:51:59,080 --> 00:52:01,440
Speaker 4: I set the bindle down and starts stirring the soup,

1020
00:52:01,640 --> 00:52:04,359
Speaker 4: making sure it's still going. Very important key thing about

1021
00:52:04,360 --> 00:52:06,120
Speaker 4: petwal Stew is it does need to be kept in

1022
00:52:06,200 --> 00:52:08,960
Speaker 4: even one sixty five. I think that's true in real

1023
00:52:09,000 --> 00:52:10,919
Speaker 4: life too. It's definitely true about magic soup.

1024
00:52:12,200 --> 00:52:14,920
Speaker 2: I'm going to jump back over and go down and

1025
00:52:15,000 --> 00:52:15,800
Speaker 2: lay on hands.

1026
00:52:17,480 --> 00:52:19,560
Speaker 3: Well, I'm assuming Trent can get up and make his

1027
00:52:19,680 --> 00:52:20,240
Speaker 3: way back.

1028
00:52:20,640 --> 00:52:23,680
Speaker 2: Can Yeah, I will attempt to do that.

1029
00:52:24,360 --> 00:52:26,640
Speaker 3: Okay, So if you didn't want to jump down, you

1030
00:52:26,680 --> 00:52:28,560
Speaker 3: can wait and see if Trent can make it across.

1031
00:52:28,560 --> 00:52:30,520
Speaker 2: Oh no, my character would absolutely.

1032
00:52:30,440 --> 00:52:32,799
Speaker 3: Rack down in that case. Give me another athletics check.

1033
00:52:33,520 --> 00:52:35,600
Speaker 2: If my friends are jumping off a cliff, spite is

1034
00:52:35,680 --> 00:52:38,320
Speaker 2: jumping off a cliff for a total of thirteen.

1035
00:52:39,360 --> 00:52:46,799
Speaker 3: Well, you joined Trent faster than you had hoped, as

1036
00:52:46,880 --> 00:52:49,600
Speaker 3: you fall through the stairs as well and also take

1037
00:52:49,640 --> 00:52:51,120
Speaker 3: four points of damage.

1038
00:52:51,480 --> 00:52:54,120
Speaker 5: All right, this doesn't seem to be going well.

1039
00:52:54,239 --> 00:52:55,720
Speaker 2: Well, now we can go back up together.

1040
00:52:56,480 --> 00:52:58,879
Speaker 4: Murdy always looks tired, but Murty has never looked more

1041
00:52:58,920 --> 00:53:01,640
Speaker 4: tired than this moment, furiously star at the soup.

1042
00:53:02,680 --> 00:53:04,520
Speaker 3: I can't wait for the other two of you to

1043
00:53:04,600 --> 00:53:06,880
Speaker 3: join them down there making the same mistake. I'm just

1044
00:53:06,960 --> 00:53:07,680
Speaker 3: excited for it.

1045
00:53:09,480 --> 00:53:12,520
Speaker 2: Can I toss? How strong? Am I?

1046
00:53:12,520 --> 00:53:12,799
Speaker 3: I am?

1047
00:53:12,920 --> 00:53:14,920
Speaker 2: Very strong? Can I toss?

1048
00:53:15,840 --> 00:53:17,960
Speaker 3: I would let you kind of give him an assist,

1049
00:53:18,360 --> 00:53:20,439
Speaker 3: like you know, as he's about to jump, you kind

1050
00:53:20,440 --> 00:53:23,640
Speaker 3: of push him to give him a bonus.

1051
00:53:24,360 --> 00:53:29,920
Speaker 2: Okay, I'm gonna try and toss him, all right, assist him, spike.

1052
00:53:30,000 --> 00:53:32,240
Speaker 3: Can you give me an athletics check on the assist?

1053
00:53:33,120 --> 00:53:36,560
Speaker 2: Yeah, fourteen plus seven twenty one, that is an assist?

1054
00:53:37,880 --> 00:53:41,640
Speaker 5: Cool, all right, I'm gonna roll yep. I got a

1055
00:53:41,640 --> 00:53:45,839
Speaker 5: five this time plus anything plus my strength, so eight

1056
00:53:46,120 --> 00:53:47,520
Speaker 5: and then whatever the assist is.

1057
00:53:48,360 --> 00:53:53,000
Speaker 3: Okay, Well, so you end up back down in the

1058
00:53:53,040 --> 00:53:53,560
Speaker 3: mud again.

1059
00:53:56,640 --> 00:53:59,480
Speaker 5: Look, I didn't go to climbing school. I didn't go

1060
00:53:59,520 --> 00:54:00,680
Speaker 5: to any kind to school.

1061
00:54:01,480 --> 00:54:02,840
Speaker 2: Can you just toss us a rope?

1062
00:54:03,160 --> 00:54:05,640
Speaker 4: I say, I did go to climbing school. I went

1063
00:54:05,719 --> 00:54:06,480
Speaker 4: to Scouts.

1064
00:54:07,719 --> 00:54:10,200
Speaker 5: I got one option here, and it's blow things up.

1065
00:54:10,280 --> 00:54:12,040
Speaker 5: That is not climbing inclusive.

1066
00:54:12,200 --> 00:54:13,239
Speaker 6: I drop a rope down.

1067
00:54:14,160 --> 00:54:16,080
Speaker 3: So the other way that you could do this now

1068
00:54:16,120 --> 00:54:19,439
Speaker 3: that you have two people across, and quite conceivably Spike

1069
00:54:19,480 --> 00:54:21,400
Speaker 3: could get across as well. Is that you could just

1070
00:54:21,440 --> 00:54:23,799
Speaker 3: tie a rope around Trent and pull Trent up?

1071
00:54:24,480 --> 00:54:26,480
Speaker 2: Yeah? I think that that's the plan.

1072
00:54:26,600 --> 00:54:30,680
Speaker 4: I have pulleys. We can't rigs like a four to

1073
00:54:30,719 --> 00:54:31,360
Speaker 4: one pulley.

1074
00:54:32,080 --> 00:54:33,600
Speaker 3: I mean make me a craft check.

1075
00:54:34,800 --> 00:54:39,560
Speaker 6: Yeah, yeah, finally.

1076
00:54:39,640 --> 00:54:43,320
Speaker 4: All right, that was a nine plus four US it

1077
00:54:43,400 --> 00:54:43,960
Speaker 4: is thirteen.

1078
00:54:45,360 --> 00:54:50,239
Speaker 3: Sure, Spike. Can you give me an athletics check to

1079
00:54:50,320 --> 00:54:51,120
Speaker 3: jump back across?

1080
00:54:51,320 --> 00:54:55,440
Speaker 2: Yeah, nineteen plus seven is twenty six, No problem. Can

1081
00:54:55,520 --> 00:54:57,520
Speaker 2: I like kind of jump back and forth like three

1082
00:54:57,520 --> 00:54:59,080
Speaker 2: times with the one check, just.

1083
00:54:59,080 --> 00:55:02,680
Speaker 3: To be like, yeah, bouncing back and forth, and then

1084
00:55:02,840 --> 00:55:06,200
Speaker 3: the three of you haul Trent up to the top.

1085
00:55:06,520 --> 00:55:09,920
Speaker 3: It's it's not the most glamorous way to reach the

1086
00:55:09,960 --> 00:55:12,360
Speaker 3: second floor of the tower, but it does get the

1087
00:55:12,440 --> 00:55:12,959
Speaker 3: job done.

1088
00:55:13,120 --> 00:55:15,880
Speaker 6: Hey, there's my guy, and I pat Trance on the back.

1089
00:55:16,560 --> 00:55:18,400
Speaker 6: But then I sneak up the stairs.

1090
00:55:19,160 --> 00:55:22,520
Speaker 2: I lay on hands on Trent to heal six points

1091
00:55:22,520 --> 00:55:25,799
Speaker 2: of damage. Thanks boss, or do you want to heal instead? Murdy?

1092
00:55:25,920 --> 00:55:27,600
Speaker 4: I have four slots of heel. That's up to you

1093
00:55:27,840 --> 00:55:28,640
Speaker 4: about which.

1094
00:55:28,440 --> 00:55:30,880
Speaker 2: Spells you want to I get mine back if I

1095
00:55:30,920 --> 00:55:32,000
Speaker 2: hang out for ten minutes.

1096
00:55:32,160 --> 00:55:34,280
Speaker 5: This is the wake up call I needed. I'm working

1097
00:55:34,320 --> 00:55:35,800
Speaker 5: on some sort of climbing bomb.

1098
00:55:35,920 --> 00:55:36,240
Speaker 6: Next.

1099
00:55:38,560 --> 00:55:41,160
Speaker 3: There are, in fact, you have heard of mutagens that

1100
00:55:41,200 --> 00:55:44,319
Speaker 3: make you better at like athletics and climbing. They make

1101
00:55:44,360 --> 00:55:47,319
Speaker 3: you more animalistic, allowing you to kind of make some

1102
00:55:47,360 --> 00:55:48,320
Speaker 3: of these checks easier.

1103
00:55:48,520 --> 00:55:51,719
Speaker 5: Is there some explosive delivery system for these mutagens?

1104
00:55:52,080 --> 00:55:53,279
Speaker 3: I mean, you kind of drink them.

1105
00:55:53,400 --> 00:55:56,480
Speaker 2: But I'll have to get creative.

1106
00:55:57,000 --> 00:55:59,960
Speaker 3: Yeah, we'll, we'll, We'll have to do some experiment.

1107
00:56:00,960 --> 00:56:05,319
Speaker 2: So I am going at half speed to have my

1108
00:56:05,719 --> 00:56:08,240
Speaker 2: morning Star and shield at the ready.

1109
00:56:08,760 --> 00:56:12,320
Speaker 3: Right at this point in time, considering the dangers of

1110
00:56:12,360 --> 00:56:14,600
Speaker 3: this place, I'm assuming everybody has their weapons drawn and

1111
00:56:14,640 --> 00:56:15,279
Speaker 3: shields out.

1112
00:56:15,800 --> 00:56:18,400
Speaker 6: I have a hand out ready to shake in friendship.

1113
00:56:19,000 --> 00:56:21,839
Speaker 3: So you continue making your way up the stairs up

1114
00:56:21,840 --> 00:56:25,120
Speaker 3: to the second floor of the old crumbling mill. A

1115
00:56:25,160 --> 00:56:29,920
Speaker 3: wooden shaft once pierced this chamber, connecting the machinery above

1116
00:56:30,080 --> 00:56:33,160
Speaker 3: with the millstone below, but now it lays ruined on

1117
00:56:33,200 --> 00:56:37,000
Speaker 3: the floor. On the other side of the room, a

1118
00:56:37,080 --> 00:56:40,720
Speaker 3: ladder goes up to what must be the top floor,

1119
00:56:41,640 --> 00:56:45,439
Speaker 3: But in front of that ladder there's a dark shape

1120
00:56:45,480 --> 00:56:49,040
Speaker 3: slumbering in the gloom. But before you can find out

1121
00:56:49,080 --> 00:56:52,200
Speaker 3: what that is, I think we're going to break this

1122
00:56:52,320 --> 00:56:54,640
Speaker 3: episode and you will have to tune in next time

1123
00:56:55,120 --> 00:56:58,520
Speaker 3: to learn what is slumbering at the foot of the ladder.

1124
00:56:59,040 --> 00:57:03,640
Speaker 2: Oh, no, all of us have to wait a week. Yes,

1125
00:57:03,719 --> 00:57:04,680
Speaker 2: that's how we're gonna do it.

1126
00:57:05,080 --> 00:57:08,080
Speaker 3: Yes, absolutely, it's going to be a whole week.

1127
00:57:09,200 --> 00:57:11,080
Speaker 6: I can't wait that long to find out it's a

1128
00:57:11,080 --> 00:57:12,200
Speaker 6: totuo or something.

1129
00:57:12,600 --> 00:57:14,799
Speaker 2: It's probably a toto, I don't I.

1130
00:57:14,719 --> 00:57:15,640
Speaker 6: Think it's a totaro.

1131
00:57:15,760 --> 00:57:19,680
Speaker 4: Guys on big Beetle, that Snorris somehow.

1132
00:57:21,120 --> 00:57:23,120
Speaker 2: Snoring beetle. There were four I don't know how many

1133
00:57:23,160 --> 00:57:24,680
Speaker 2: beatles there are. You say, big beetle.

1134
00:57:24,720 --> 00:57:28,000
Speaker 5: I'm now imagining like a Beetle CEO of some sort,

1135
00:57:28,240 --> 00:57:31,160
Speaker 5: like a Beetle industrial complex that we're going to take down,

1136
00:57:31,320 --> 00:57:33,280
Speaker 5: which makes me feel better about the fact that we

1137
00:57:33,360 --> 00:57:34,400
Speaker 5: just killed all those guys.

1138
00:57:35,120 --> 00:57:37,000
Speaker 4: I heard you say big beetle. I thought you were

1139
00:57:37,040 --> 00:57:39,200
Speaker 4: going like twenty foot tall John Lennon, but.

1140
00:57:40,240 --> 00:57:44,560
Speaker 5: I'd blow him up too. Fuck it, David Chapman on

1141
00:57:44,600 --> 00:57:45,120
Speaker 5: his ass.

1142
00:57:46,320 --> 00:57:50,200
Speaker 2: Well, that's it for episode one of whatever we're gonna

1143
00:57:50,240 --> 00:57:52,560
Speaker 2: call this. I'm still calling it cool kids at the

1144
00:57:52,600 --> 00:57:55,640
Speaker 2: table because there's a joke there about how actually it

1145
00:57:55,680 --> 00:57:57,840
Speaker 2: wasn't cool to play these games when I was younger,

1146
00:57:57,880 --> 00:58:00,920
Speaker 2: but it's cool now. And if you listen, next week,

1147
00:58:01,080 --> 00:58:03,959
Speaker 2: we're gonna wake up the Toto Giant Beetle and blow

1148
00:58:04,040 --> 00:58:08,080
Speaker 2: up John Lennon. But in the meantime, does everyone want

1149
00:58:08,120 --> 00:58:10,840
Speaker 2: to plug anything here? At the end of the first episode,

1150
00:58:11,600 --> 00:58:12,880
Speaker 2: I don't you all listen to me?

1151
00:58:12,920 --> 00:58:17,200
Speaker 5: Every week it's okay to break into people's houses and

1152
00:58:18,440 --> 00:58:21,200
Speaker 5: kill them as long as they're not humans.

1153
00:58:22,760 --> 00:58:22,920
Speaker 4: Ah.

1154
00:58:23,000 --> 00:58:25,200
Speaker 3: Yes, the message of Pathfinder comes to leave.

1155
00:58:25,240 --> 00:58:26,800
Speaker 2: That's probably legally true.

1156
00:58:26,960 --> 00:58:31,640
Speaker 6: Unfortunately, Second that I'm on the internet at bum Lung

1157
00:58:32,040 --> 00:58:33,960
Speaker 6: in some places it's probably it.

1158
00:58:34,600 --> 00:58:36,400
Speaker 4: I'm not on the internet. Don't try to find me.

1159
00:58:36,440 --> 00:58:38,720
Speaker 4: But you can find my zine about how to self

1160
00:58:38,760 --> 00:58:42,200
Speaker 4: vantage and abortion at Tangled Wilderness dot org. It's called

1161
00:58:42,240 --> 00:58:44,120
Speaker 4: how to Do It Anyway, printed out, give it to

1162
00:58:44,160 --> 00:58:44,920
Speaker 4: your friends.

1163
00:58:45,240 --> 00:58:48,000
Speaker 3: And I'm Jason Bulman. I'm the director of games at PISO.

1164
00:58:48,040 --> 00:58:50,920
Speaker 3: You can find me all across the internet, usually at

1165
00:58:51,320 --> 00:58:55,120
Speaker 3: Jason Bowman. That's b U l M a h N

1166
00:58:55,640 --> 00:58:59,240
Speaker 3: that h likes to wander on me. So get it right, Yeah,

1167
00:58:59,280 --> 00:59:01,440
Speaker 3: that's all I got right now. Thanks for listening, everybuddy.

1168
00:59:02,320 --> 00:59:04,160
Speaker 2: All right, bye everyone, see you next week.

1169
00:59:04,320 --> 00:59:07,000
Speaker 6: Bye.

1170
00:59:09,160 --> 00:59:11,680
Speaker 1: It Could Happen Here as a production of cool Zone Media.

1171
00:59:11,760 --> 00:59:14,440
Speaker 1: For more podcasts from cool Zone Media, visit our website

1172
00:59:14,480 --> 00:59:17,600
Speaker 1: coolzonemedia dot com or check us out on the iHeartRadio app,

1173
00:59:17,600 --> 00:59:20,960
Speaker 1: Apple Podcasts, or wherever you listen to podcasts. You can

1174
00:59:21,000 --> 00:59:23,680
Speaker 1: find sources for It Could Happen Here, updated monthly at

1175
00:59:23,720 --> 00:59:26,960
Speaker 1: coolzonemedia dot com slash sources. Thanks for listening.