WEBVTT - The Secret to Judd Apatow’s Success is... Self Help?

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<v Speaker 1>Now really, really, now really lo and welcome to Really

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<v Speaker 1>Know Really with Jason Alexander and Peter Tilden remind you

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<v Speaker 1>that you'll only be helping yourself by subscribing to our

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<v Speaker 1>show and speaking of self help, is it real?

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<v Speaker 2>Jason and Peter have.

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<v Speaker 3>Always been skeptical of the ability for self help books

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<v Speaker 3>and seminars to impact and improve a person's life. They

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<v Speaker 3>even delved into the comedic aspects of the self help

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<v Speaker 3>world with their two thousand and one ABC sitcom Bob Patterson.

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<v Speaker 3>So when they discovered the Judd Appetah, super successful screenwriter, producer,

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<v Speaker 3>noted comedian, author and director of a myriad of cultural

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<v Speaker 3>defining comedies such as Freaks and Geeks, The Forty year

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<v Speaker 3>Old Virgin, Knocked Up, train Wreck, and The King of

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<v Speaker 3>Staten Island, was quite obsessed with the self help genre.

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<v Speaker 2>They needed to find out why, and.

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<v Speaker 3>As a result, they also got to discuss Jud's journey

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<v Speaker 3>to self help, his unique Iowa experience, and why he

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<v Speaker 3>writes his comedies as dramas. Really, No, really, and now

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<v Speaker 3>here are two guys who could use any kind of

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<v Speaker 3>help they can get.

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<v Speaker 4>Jason and Peter, everybody knows Judd Apatow Is from fourty

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<v Speaker 4>year Old Virgin and Knocked Up and Funny People and

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<v Speaker 4>train Wrecking King of Ston Island.

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<v Speaker 5>And on and on and on.

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<v Speaker 4>I'm fascinated that somebody who's as successful as he is

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<v Speaker 4>was moved by self help. And I know that Carry

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<v Speaker 4>Shandling was one of the first people to give him

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<v Speaker 4>turn him onto self help. So right, that's what I

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<v Speaker 4>want to find out about.

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<v Speaker 6>If you have a Tony Robbins, you go to a

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<v Speaker 6>Tony Robbins seminar, are.

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<v Speaker 5>You doing self help? Well, you're you're doing Tony.

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<v Speaker 4>Help, but you drove there, so it's you're actually doing

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<v Speaker 4>self self help.

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<v Speaker 6>Is never self help? Self help to me is I

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<v Speaker 6>have a problem. I'm gonna go out and sit on

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<v Speaker 6>a rock under the stars and with fingers in a circle,

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<v Speaker 6>cross leg until I come up with an answer. But

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<v Speaker 6>there this is I'm gonna go I have a problem.

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<v Speaker 6>I'm gonna go to Noble and get a book from

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<v Speaker 6>a guy who's going to try and help me.

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<v Speaker 5>That's not so much, but that's I'm getting an opinion.

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<v Speaker 6>So we're going to go to a man who is

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<v Speaker 6>known for comedy, known for making us laugh, who's going

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<v Speaker 6>to inform us about why a man as successful as

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<v Speaker 6>he with everything he's got, and it's a lot, it's

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<v Speaker 6>disproportionately a lot, it's too much much, and it feels

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<v Speaker 6>that he needs to improve himself by reading a book

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<v Speaker 6>by somebody he's never met.

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<v Speaker 5>Well, you're diminishing the cell phone thing in a big way.

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<v Speaker 5>It's not self help. All right, let's find it. Well,

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<v Speaker 5>let's find let's find them, saying let's find out. Let's

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<v Speaker 5>find out.

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<v Speaker 6>Ladies and gentlemen, would you please welcome a man who

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<v Speaker 6>needs no introduction, but Peter introduce him.

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<v Speaker 4>Shot Appetizer a producer, director, screenwriter, comedian known for his

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<v Speaker 4>work in comedy films, the founder of Appetitle Productions.

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<v Speaker 5>Can you hear us?

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<v Speaker 4>Jed?

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<v Speaker 7>I hear you very well?

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<v Speaker 5>We see you? Can you? I'm afraid to say, can

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<v Speaker 5>you see us?

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<v Speaker 8>You? Sorry?

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<v Speaker 5>We looked well, thank.

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<v Speaker 4>You for coming on, really excited to have you. We

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<v Speaker 4>already did an amazing introduction to you and talked.

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<v Speaker 7>I could have heard it and felt good about myself.

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<v Speaker 6>Well you could have heard it. I don't know if

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<v Speaker 6>you felt. I always take the oppositional point of view.

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<v Speaker 4>Yeah, so the reason exactly the reason we wanted to

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<v Speaker 4>have you on, among other things, not only because your

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<v Speaker 4>body of work.

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<v Speaker 5>Was it fascinating to me.

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<v Speaker 4>The TV shows that I've done with Jason have all

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<v Speaker 4>been about self help, because I'm fascinated with that whirl.

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<v Speaker 4>And I saw you in an interview with Larry King

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<v Speaker 4>and you said, kind of jokingly, but not behind this

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<v Speaker 4>is terror.

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<v Speaker 8>Oh yeah, And then.

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<v Speaker 4>You talked about self help, and I thought, I got

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<v Speaker 4>to find out what that. How does somebody so successful

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<v Speaker 4>still have the terror, the terror behind the eyes, And

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<v Speaker 4>what tapes are playing in your head? And how that

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<v Speaker 4>self help help you?

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<v Speaker 8>You're going right in. You're going right in.

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<v Speaker 5>Frankly, we've been here all day.

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<v Speaker 8>The eighth interview you did today, in the entire cast

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<v Speaker 8>of How I Met your Mother.

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<v Speaker 4>It has been hold on, hold on. We're very specific

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<v Speaker 4>about who we have. We don't just do. We don't

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<v Speaker 4>do so.

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<v Speaker 5>We didn't want to do celebrities.

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<v Speaker 4>We got the guy who brought the willing matins, bringing

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<v Speaker 4>the willly mammoths back. We've got the top professors in

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<v Speaker 4>space drunk this and that. But it is fascinating watching

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<v Speaker 4>you like getting quiet and watching you talk about that

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<v Speaker 4>and go that. It's amazing. It's amazing that that would

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<v Speaker 4>be what's inside you know, so if you can talk

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<v Speaker 4>about that alone, no Shandler give you a self help book.

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<v Speaker 4>And it started kind of them sure.

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<v Speaker 8>I mean I didn't have any religion as a kid.

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<v Speaker 8>My parents never mentioned it. There was just no It

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<v Speaker 8>was just pure black hole. There was no we believe,

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<v Speaker 8>we don't believe.

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<v Speaker 5>It's just no hanikah, no high holidays, know nothing.

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<v Speaker 7>We were the Jews with the Christmas tree because it

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<v Speaker 7>was right, okay.

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<v Speaker 8>And I never even knew if any of the family

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<v Speaker 8>had rejected the idea of it for a reason. You know,

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<v Speaker 8>we were a family that had people in the Holocaust.

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<v Speaker 8>But no one ever said we don't believe it because

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<v Speaker 8>of the Holocaust. That There was none of that talk either.

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<v Speaker 8>It was just like a sliding disinterest.

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<v Speaker 4>But you did have a phrase that resonated with me

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<v Speaker 4>growing up in the same kind of household. You're one.

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<v Speaker 4>You're the one line which informed you of a bigger

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<v Speaker 4>issue was nobody said that life was fair.

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<v Speaker 8>That's it.

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<v Speaker 7>That's our whole religion.

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<v Speaker 8>Nobody said life was there. The other aspect of our

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<v Speaker 8>religion was next year will be our year.

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<v Speaker 4>Yeah, So I know also your parents separated and you

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<v Speaker 4>went through a lot of stuff growing up.

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<v Speaker 8>Yeah, and I think that the lack of any faith

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<v Speaker 8>or even discussion to see where you stand with it is.

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<v Speaker 8>It's just it's a weird hole to leave a kid.

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<v Speaker 8>And I and I remember as a I was always

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<v Speaker 8>afraid of nuclear war. I was always afraid of Brezhnev,

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<v Speaker 8>you know. So I had this like quiet terror for

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<v Speaker 8>some reason. I don't know it was from the movie

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<v Speaker 8>The Day After something, but it did feel weird to

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<v Speaker 8>have nothing, to have any of it make any sense.

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<v Speaker 8>So when I met Gary Shandling, he was the first

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<v Speaker 8>person that gave me Buddhist books, Pima Chodron books and

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<v Speaker 8>you know uh tiknn han people like that. And then

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<v Speaker 8>ram das and and told me that there were ways

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<v Speaker 8>to organize your life other than just the immediate pain

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<v Speaker 8>of workoholism and panic and you know, hypervigilance. You know,

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<v Speaker 8>I just became hyper vigil like, I better get a job.

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<v Speaker 8>No one is going to take care of me. I

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<v Speaker 8>need to be organized.

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<v Speaker 6>So and was that gesture from Gary did it come

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<v Speaker 6>out of conversations you had with you or did he

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<v Speaker 6>just look at you and go this kid needs help.

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<v Speaker 6>I'm going to give him a book. Was it Did

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<v Speaker 6>it come out of your relationship with him that he said,

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<v Speaker 6>I think that this would be meaningful to you.

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<v Speaker 8>Well, I'm not sure exactly. It's funny because when I

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<v Speaker 8>look back in my relationship with Gary, which is very close,

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<v Speaker 8>I almost felt like a starter kit for a son.

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<v Speaker 7>You know.

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<v Speaker 8>Gary at the time was in the relationship with Linda

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<v Speaker 8>just said I wrote the Grammys, you know, with him

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<v Speaker 8>back in the late eighties or maybe ninety or ninety one.

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<v Speaker 8>It was the first day of it was. I met

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<v Speaker 8>him like the weekend the Gulf War started, So you

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<v Speaker 8>check your calendar. Yeah, okay, wow.

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<v Speaker 2>But we just became very close and.

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<v Speaker 8>Just hung out all the time. And I don't even

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<v Speaker 8>remember whining about my life in any way. He was

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<v Speaker 8>just introducing me to some ideas that interested him. I'm

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<v Speaker 8>sure I said I needed them at some point. But

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<v Speaker 8>the first one was gave me a book that was

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<v Speaker 8>called Turning Problems into Happiness, and it was written by

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<v Speaker 8>some Buddhist monk, and the premise was that you should

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<v Speaker 8>be happy every time you have a problem, because it

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<v Speaker 8>will force you to evolve in some way. You'll learn

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<v Speaker 8>patience or compassion or something like that. And I had

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<v Speaker 8>never heard a thought like that my entire life, Like, wait,

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<v Speaker 8>so when bad things happen, I learn and then so

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<v Speaker 8>it's not so bad. I mean, I had never heard

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<v Speaker 8>any ideas that helps me in my new adult life.

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<v Speaker 8>And I remember when my mom died, he just dropped

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<v Speaker 8>me off a box of books and it was all

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<v Speaker 8>very profound for me. And I think I'm still on

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<v Speaker 8>that journey, and lately I feel like I'm only now

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<v Speaker 8>beginning to really get it, you know, thirty years later.

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<v Speaker 4>But is that just because you're so You're so now

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<v Speaker 4>you have time. I mean, you were on the treadmill

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<v Speaker 4>to obliving, you were doing so many things. But the

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<v Speaker 4>other thing that I found that really reson about you

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<v Speaker 4>in my life, my family always laughs because when we

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<v Speaker 4>go on vacation, we going anywhere, I prepare for every eventuality.

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<v Speaker 4>And you said, I'm probably a good producer because I

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<v Speaker 4>look at everything that can possibly go wrong and prepare

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<v Speaker 4>for that. And that's how I live my life. And

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<v Speaker 4>is that a big responsibility? And you just can't help

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<v Speaker 4>yourself that that's where your mind goes.

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<v Speaker 8>I think that you know, when I was a kid,

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<v Speaker 8>my parents really fought and never worked out an agreement

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<v Speaker 8>of you know what the alimony would be like, They

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<v Speaker 8>never worked it out, and they just fought, paid a

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<v Speaker 8>lot of lawyers and kind of both went broke from

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<v Speaker 8>a never ending fight. And it made me think, you've

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<v Speaker 8>got to get organized.

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<v Speaker 7>And so part of that is how do you do

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<v Speaker 7>a good job?

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<v Speaker 8>You know. I interviewed comedians when I was a kid.

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<v Speaker 8>I interviewed Erry Seinfeld when I was sixteen years old

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<v Speaker 8>from my high school radio station, and a lot of

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<v Speaker 8>comedians said, you know, it takes like seven years to

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<v Speaker 8>find your voice.

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<v Speaker 7>So I learned from these comedians to be patient with

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<v Speaker 7>my evolution as a as a writer or a comedian.

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<v Speaker 8>And and then I could really plan, like I was

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<v Speaker 8>doing long range planning, like I'm seventeen years old, I'm

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<v Speaker 8>doing stand up. That means I'll be great when I'm

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<v Speaker 8>twenty four. Okay, good. And then I was terrible for

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<v Speaker 8>the first year or so, but I was like, I'm

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<v Speaker 8>supposed to be bad. This is good. This is all

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<v Speaker 8>part of the plan. And it gave me a weird

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<v Speaker 8>kind of patience about it. And then as I turned

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<v Speaker 8>into a producer, I think every time you suffer as

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<v Speaker 8>a producer, you figure out, like, how can I.

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<v Speaker 7>Prevent this next time?

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<v Speaker 8>Right? Like I did made a movie and it went

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<v Speaker 8>over budget and the studio was so mean to me

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<v Speaker 8>and it was like getting kicked in the face every day.

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<v Speaker 8>It was like we were two hundred million dollars over

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<v Speaker 8>budget based on how they were treating me. When we

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<v Speaker 8>did The Cable Guy, we were like, I think we're

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<v Speaker 8>was be forty it was forty two. But I just

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<v Speaker 8>got my ass whoops from all people there. And then

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<v Speaker 8>for the rest of my career, never been under budge, overbudget,

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<v Speaker 8>never been overbudget ever, because I'm like, yeah, that sucks.

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<v Speaker 8>Be realistic, be organized, know your stuff, and I think

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<v Speaker 8>you learn hundreds of those, Like Okay, if I like,

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<v Speaker 8>for instance, Shandling, the scripts were always done like the

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<v Speaker 8>night before, and Gary was always exhausted and in a

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<v Speaker 8>bad mood. What if we wrote them several months before,

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<v Speaker 8>maybe we'd be happier and maybe the creative process would

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<v Speaker 8>be less intense. And it's not always possible, but that's

0:11:41.640 --> 0:11:43.559
<v Speaker 8>how my mind works, Like, how can I prevent the

0:11:43.679 --> 0:11:48.120
<v Speaker 8>pain that this organization will cause? Ye?

0:11:48.240 --> 0:11:49.599
<v Speaker 6>I want to pursue that for saying I want to

0:11:49.600 --> 0:11:51.520
<v Speaker 6>get into so many things to do. But just you know,

0:11:51.559 --> 0:11:53.480
<v Speaker 6>while we're playing around in this area of self help,

0:11:54.559 --> 0:11:56.160
<v Speaker 6>someone said to it. I think Peter said to me

0:11:56.240 --> 0:11:59.079
<v Speaker 6>in when he said, hey, let's talk to John that

0:11:59.200 --> 0:12:04.120
<v Speaker 6>you haven't you know a substantial collection of reading in

0:12:04.200 --> 0:12:09.160
<v Speaker 6>the self help world. Is that because you have some

0:12:10.440 --> 0:12:15.360
<v Speaker 6>doubt about your ability to learn from your experientials or

0:12:16.440 --> 0:12:18.800
<v Speaker 6>I'm trying to get a handle on not because I

0:12:18.920 --> 0:12:22.480
<v Speaker 6>don't believe in self help. I guess most of the

0:12:22.600 --> 0:12:25.480
<v Speaker 6>learning that I've had through what you're describing is both

0:12:25.520 --> 0:12:29.800
<v Speaker 6>experiential and therapy where I talk about my travails and

0:12:30.000 --> 0:12:31.920
<v Speaker 6>this person sits there and goes, you know, I see

0:12:31.960 --> 0:12:34.040
<v Speaker 6>a trend or I see an arc, or I have

0:12:34.160 --> 0:12:34.560
<v Speaker 6>a question.

0:12:36.080 --> 0:12:38.280
<v Speaker 5>Do you do that as well? Or has that all

0:12:38.360 --> 0:12:39.720
<v Speaker 5>been provided from your reading?

0:12:40.320 --> 0:12:40.360
<v Speaker 8>No?

0:12:40.520 --> 0:12:43.319
<v Speaker 7>I do that as well, Okay, and have for a

0:12:43.480 --> 0:12:47.960
<v Speaker 7>long long time. But yeah, recently I looked in.

0:12:48.040 --> 0:12:51.400
<v Speaker 8>My journals and I realized that what I wrote yesterday

0:12:51.520 --> 0:12:53.319
<v Speaker 8>was the same as thirty years ago in terms of

0:12:53.400 --> 0:12:56.640
<v Speaker 8>my complaints and my shrining and my pam and you know,

0:12:57.400 --> 0:12:58.319
<v Speaker 8>bracing thoughts.

0:12:58.600 --> 0:13:00.520
<v Speaker 7>Yeah, hypervisually, it was all the same.

0:13:00.640 --> 0:13:03.199
<v Speaker 6>Yeah, still for me still is along with gott to

0:13:03.240 --> 0:13:05.600
<v Speaker 6>drop that twenty pounds. That seems to be my big.

0:13:05.800 --> 0:13:10.760
<v Speaker 8>Exercise that readmilk tomorrow, I would listen, don't forget to meditate.

0:13:10.840 --> 0:13:13.360
<v Speaker 8>You don't have sugar, you know. And it's the same

0:13:13.520 --> 0:13:19.080
<v Speaker 8>from nineteen ninety two. So this year I took ayahuasca.

0:13:19.800 --> 0:13:21.959
<v Speaker 5>Oh no, you know you did not? Oh, come on,

0:13:22.760 --> 0:13:25.199
<v Speaker 5>you go down to South America and there's a whole No.

0:13:25.720 --> 0:13:28.839
<v Speaker 8>I did it in the very exotic land of Studio City,

0:13:29.360 --> 0:13:30.520
<v Speaker 8>that's where all the best shaman.

0:13:30.800 --> 0:13:31.439
<v Speaker 5>Wait a minute, how did you?

0:13:31.679 --> 0:13:31.959
<v Speaker 3>How do you?

0:13:32.440 --> 0:13:35.599
<v Speaker 5>How do you vet that it wasn't like camel testicles

0:13:35.600 --> 0:13:37.000
<v Speaker 5>and whatever? How do you know what it was?

0:13:37.520 --> 0:13:40.160
<v Speaker 8>I did? It was someone that had been to the

0:13:40.240 --> 0:13:43.199
<v Speaker 8>person before, and I just thought I need something to

0:13:43.360 --> 0:13:46.240
<v Speaker 8>like kick me out of a certain kind of mental roots.

0:13:46.920 --> 0:13:50.679
<v Speaker 7>And it definitely did. I'll say that I don't recommend it.

0:13:51.080 --> 0:13:52.440
<v Speaker 8>What did you do? Did you throw up?

0:13:52.559 --> 0:13:54.480
<v Speaker 5>What was the process? Did you throw up?

0:13:55.000 --> 0:13:56.360
<v Speaker 8>Yes, that's part of it.

0:13:56.480 --> 0:13:56.960
<v Speaker 5>You throw up.

0:13:57.040 --> 0:13:57.960
<v Speaker 8>You're not familiar what.

0:13:58.040 --> 0:14:00.760
<v Speaker 5>He tells me you you're going to throw up? I go,

0:14:01.120 --> 0:14:03.360
<v Speaker 5>how is that good? What you don't throw up?

0:14:03.520 --> 0:14:06.400
<v Speaker 4>That's not a selling point usually, but Okay, your soul

0:14:06.720 --> 0:14:08.319
<v Speaker 4>leaves three, you're not diarrhea?

0:14:08.360 --> 0:14:10.719
<v Speaker 5>Can I get diarrhea two with this? Or you have

0:14:10.800 --> 0:14:13.240
<v Speaker 5>to pay extra? So what was the process? What did

0:14:13.320 --> 0:14:16.000
<v Speaker 5>what did you go through? What did you or more importantly,

0:14:16.080 --> 0:14:18.599
<v Speaker 5>what did you discover that that? From where do you

0:14:18.679 --> 0:14:25.400
<v Speaker 5>do in studio city arts wors? What wasn't like well,

0:14:37.000 --> 0:14:39.480
<v Speaker 5>what did you or more importantly, what did you discover

0:14:39.800 --> 0:14:41.840
<v Speaker 5>that that? From where do you do in studio city

0:14:41.920 --> 0:14:47.800
<v Speaker 5>arts worship? What wasn't like Well?

0:14:48.120 --> 0:14:49.920
<v Speaker 8>It's funny because I talk about it on stage when

0:14:49.920 --> 0:14:51.480
<v Speaker 8>I do stand up and I tell this story like

0:14:51.520 --> 0:14:53.960
<v Speaker 8>a twenty five minute version of the story now, and

0:14:54.200 --> 0:14:56.200
<v Speaker 8>I always asked the crowd has anyone done it? And

0:14:56.240 --> 0:14:58.760
<v Speaker 8>the funny thing is at Largo where I play, it's

0:14:58.760 --> 0:15:01.800
<v Speaker 8>two hundred and fifty seats, it's usually one person, which

0:15:01.880 --> 0:15:05.200
<v Speaker 8>is really funny because it's like, wow, this drug is

0:15:05.320 --> 0:15:10.920
<v Speaker 8>so insane that only one two fifty two, you know,

0:15:11.520 --> 0:15:16.080
<v Speaker 8>in la which is like the experience stage. But when

0:15:16.120 --> 0:15:17.760
<v Speaker 8>I asked people what did you get out of it?

0:15:18.360 --> 0:15:22.680
<v Speaker 8>Everyone has a crazy story, but a similar kind of lesson.

0:15:22.840 --> 0:15:24.920
<v Speaker 8>There's a lot of people who one.

0:15:24.840 --> 0:15:29.560
<v Speaker 9>Guy said, I opened a box and inside was my name,

0:15:31.040 --> 0:15:32.760
<v Speaker 9>and I was like, well, what does that mean? And

0:15:32.880 --> 0:15:36.240
<v Speaker 9>he goes, you know, to just be, just be, which

0:15:36.320 --> 0:15:39.280
<v Speaker 9>is also like stop your rasing thoughts, right, And then

0:15:39.440 --> 0:15:42.880
<v Speaker 9>the other night someone said I realized that I was

0:15:42.960 --> 0:15:45.320
<v Speaker 9>part of the fabric of the universe.

0:15:45.440 --> 0:15:48.560
<v Speaker 7>And then someone else, you know, like it's like it's always.

0:15:48.280 --> 0:15:52.640
<v Speaker 8>The same thing, which is some version of either be

0:15:52.920 --> 0:15:55.400
<v Speaker 8>kind to each other in the way you want to

0:15:55.480 --> 0:15:59.080
<v Speaker 8>be kind or it's, uh, we're all in this together,

0:16:00.360 --> 0:16:02.560
<v Speaker 8>you know, and to some people there's aliens involved to

0:16:02.640 --> 0:16:06.280
<v Speaker 8>get there, right, like right, they're having and I had that,

0:16:06.640 --> 0:16:09.680
<v Speaker 8>you know, crazy like visions of things, but it lands

0:16:09.760 --> 0:16:13.200
<v Speaker 8>at you be nice, you know, like we all have

0:16:13.280 --> 0:16:16.000
<v Speaker 8>to take care of each other, but in a profound way,

0:16:16.200 --> 0:16:19.720
<v Speaker 8>not in like a simple bull play where like you

0:16:19.800 --> 0:16:23.480
<v Speaker 8>really feel it, like oh yeah, do you forget that

0:16:23.720 --> 0:16:24.640
<v Speaker 8>that's the whole thing.

0:16:24.720 --> 0:16:26.400
<v Speaker 5>So let me do and be honest. I know you'll

0:16:26.440 --> 0:16:26.800
<v Speaker 5>be honest.

0:16:26.840 --> 0:16:28.800
<v Speaker 6>So let's say you did the aahuasca and you had

0:16:28.880 --> 0:16:32.480
<v Speaker 6>this revelation on Tuesday, Yeah, on Sunday. Do you go, yeah,

0:16:32.520 --> 0:16:33.680
<v Speaker 6>I think I did ayahuasca?

0:16:33.800 --> 0:16:35.680
<v Speaker 5>Or does it stay with you? How long does it?

0:16:36.040 --> 0:16:37.600
<v Speaker 5>Was my question? How long does it last?

0:16:38.320 --> 0:16:41.680
<v Speaker 8>Well, here's the funny thing is, And people had told

0:16:41.760 --> 0:16:45.960
<v Speaker 8>me about things like this For months afterwards. I would

0:16:46.000 --> 0:16:48.240
<v Speaker 8>wake up in the middle of the night. I would

0:16:48.480 --> 0:16:53.000
<v Speaker 8>feel like I had been having a conversation and I

0:16:53.120 --> 0:16:56.120
<v Speaker 8>had just woken up into the middle of my mind

0:16:56.320 --> 0:16:59.800
<v Speaker 8>having a conversation, and then an idea would be presented

0:16:59.840 --> 0:17:00.160
<v Speaker 8>to me.

0:17:00.960 --> 0:17:02.720
<v Speaker 7>So it was like I had been thinking about something.

0:17:02.840 --> 0:17:05.200
<v Speaker 7>I woke up and then I would hear something.

0:17:05.359 --> 0:17:07.600
<v Speaker 8>It would be like you don't do any of the

0:17:07.680 --> 0:17:10.520
<v Speaker 8>things you ask your wife to do, but like you'd

0:17:10.560 --> 0:17:13.920
<v Speaker 8>wake up with that as like a power thought, you know.

0:17:15.520 --> 0:17:19.480
<v Speaker 8>And it happened for months and interesting insights as is

0:17:19.640 --> 0:17:21.440
<v Speaker 8>like some part of my mind is still working on

0:17:22.280 --> 0:17:24.520
<v Speaker 8>aspects of it. And I think they people, you know,

0:17:24.640 --> 0:17:26.040
<v Speaker 8>some people see it as a mystical I know, if

0:17:26.080 --> 0:17:27.960
<v Speaker 8>it's chemical. I don't even know what it is. I

0:17:28.040 --> 0:17:30.840
<v Speaker 8>try not to think about it. But it definitely felt

0:17:30.960 --> 0:17:34.040
<v Speaker 8>like it helped me let go a little bit. That's

0:17:34.080 --> 0:17:37.480
<v Speaker 8>what I felt during the whole trip, was let go.

0:17:37.840 --> 0:17:38.920
<v Speaker 8>What are you holding on to?

0:17:40.040 --> 0:17:41.800
<v Speaker 4>Just like, well, you're in the job, will you control

0:17:41.880 --> 0:17:44.000
<v Speaker 4>everything you do? The casting you did, the writing you did.

0:17:44.040 --> 0:17:45.600
<v Speaker 4>I mean, that's a big control thing.

0:17:46.440 --> 0:17:47.280
<v Speaker 5>I at length.

0:17:47.359 --> 0:17:49.560
<v Speaker 6>Can you tell them go back to the casting thing,

0:17:49.680 --> 0:17:54.320
<v Speaker 6>because god, oh, I would never say it to him,

0:17:54.480 --> 0:17:55.240
<v Speaker 6>but I will say that.

0:17:56.880 --> 0:17:59.119
<v Speaker 5>Some people think I would do comment I.

0:17:59.119 --> 0:18:00.119
<v Speaker 8>Need to sell tape and.

0:18:02.920 --> 0:18:07.440
<v Speaker 5>Hold on. I think you need Jason.

0:18:07.640 --> 0:18:10.360
<v Speaker 7>Yeah, I consider what I saw you in those Neil

0:18:10.400 --> 0:18:11.320
<v Speaker 7>Simon plays.

0:18:11.160 --> 0:18:12.400
<v Speaker 8>The self page.

0:18:12.480 --> 0:18:13.920
<v Speaker 5>Oh that's very sweet. Thanks.

0:18:14.240 --> 0:18:15.160
<v Speaker 7>How great were those?

0:18:15.280 --> 0:18:16.480
<v Speaker 8>We've talked about that before?

0:18:16.720 --> 0:18:17.640
<v Speaker 6>Oh my god.

0:18:17.920 --> 0:18:20.920
<v Speaker 5>Yeah, it was working with Neil.

0:18:21.040 --> 0:18:22.879
<v Speaker 6>You know, when I was in my twenties, I was

0:18:23.080 --> 0:18:25.480
<v Speaker 6>I was living the dream I had as a teenager

0:18:26.040 --> 0:18:28.280
<v Speaker 6>that then took a left turn and became something I

0:18:28.359 --> 0:18:30.960
<v Speaker 6>never imagined, which was the film and television stuff. But

0:18:31.119 --> 0:18:33.240
<v Speaker 6>I fantasized, oh boy, if I could get over the

0:18:33.359 --> 0:18:34.960
<v Speaker 6>river and just you know, work in New York and

0:18:35.040 --> 0:18:38.040
<v Speaker 6>what And then it was it went from Hal Prince,

0:18:38.080 --> 0:18:42.359
<v Speaker 6>Stephen Sondheim to Candor and have Terrence mcnanly to Neil Simon,

0:18:42.359 --> 0:18:45.200
<v Speaker 6>and I went, I I don't know what's happening, and

0:18:45.560 --> 0:18:50.760
<v Speaker 6>and Neil was so unbelievably kind to me and nurturing

0:18:50.880 --> 0:18:52.919
<v Speaker 6>to me that it just it was. It was an

0:18:52.960 --> 0:18:54.040
<v Speaker 6>incredibly special thing.

0:18:54.440 --> 0:18:57.720
<v Speaker 7>Which was the first Neil Simon when you did with him, I.

0:18:57.760 --> 0:19:02.400
<v Speaker 6>Only did Broadway Bound with him, then did a revival

0:19:02.480 --> 0:19:05.920
<v Speaker 6>of Prisoner or Second Avenue here in La that he

0:19:06.040 --> 0:19:08.240
<v Speaker 6>came and saw. And then I directed Broadway Bound and

0:19:08.359 --> 0:19:11.720
<v Speaker 6>he came and saw that, and he was already, you know,

0:19:12.040 --> 0:19:16.040
<v Speaker 6>deeply into Alzheimer's or whatever dimension he had. And it

0:19:16.200 --> 0:19:19.600
<v Speaker 6>was it was that was a really tough night because

0:19:19.640 --> 0:19:23.280
<v Speaker 6>he kinda he kind of knew he was connected to it,

0:19:23.840 --> 0:19:25.879
<v Speaker 6>and he was having all the feelings about that, but

0:19:25.960 --> 0:19:29.159
<v Speaker 6>he couldn't understand why he was connected to it.

0:19:29.440 --> 0:19:31.840
<v Speaker 5>Wow, and it that that was hard.

0:19:31.960 --> 0:19:32.280
<v Speaker 8>But he.

0:19:34.320 --> 0:19:35.960
<v Speaker 4>Next to Neil Simon got to be a bit friendly

0:19:35.960 --> 0:19:38.600
<v Speaker 4>and I said, you're so straight laced when you got

0:19:38.680 --> 0:19:39.440
<v Speaker 4>out to Hollywood.

0:19:39.760 --> 0:19:41.240
<v Speaker 5>Did you do drugs? And he said, Peter.

0:19:41.800 --> 0:19:44.200
<v Speaker 4>First party I went to, they gave me pot that

0:19:44.320 --> 0:19:46.280
<v Speaker 4>was so strong its laced was something it would kill

0:19:46.359 --> 0:19:47.240
<v Speaker 4>River Phoenix again.

0:19:49.960 --> 0:19:52.119
<v Speaker 5>First conversation with you, guys are so much.

0:19:52.080 --> 0:19:53.080
<v Speaker 7>Darker than you expect.

0:19:53.200 --> 0:19:56.600
<v Speaker 8>Oh my god, I emailed Mike Nichols. I was shooting

0:19:56.640 --> 0:20:00.560
<v Speaker 8>a scene for train Wreck where the it was like

0:20:00.640 --> 0:20:04.080
<v Speaker 8>a helicopter shot of the Staten Island ferry and it

0:20:04.200 --> 0:20:06.240
<v Speaker 8>was a little bit of a nod to working girl

0:20:06.520 --> 0:20:09.120
<v Speaker 8>right right opening Working girl, and so I emailed Mike

0:20:09.160 --> 0:20:12.119
<v Speaker 8>Nichols like, hey, we're shooting this thing today, and he goes, well,

0:20:12.160 --> 0:20:15.399
<v Speaker 8>this time, I hope the helicopter crashes into the ferry.

0:20:15.680 --> 0:20:19.720
<v Speaker 5>Nice. Yeah, wow, wow, you think those guys are all

0:20:19.840 --> 0:20:21.240
<v Speaker 5>light and such?

0:20:21.440 --> 0:20:22.400
<v Speaker 8>You were so rough?

0:20:22.520 --> 0:20:24.200
<v Speaker 6>Do you know what that we're so off talking about.

0:20:24.200 --> 0:20:25.760
<v Speaker 6>I'm going to share a story with you. I do

0:20:25.920 --> 0:20:26.960
<v Speaker 6>not know if it's true.

0:20:27.080 --> 0:20:27.800
<v Speaker 5>It was told me.

0:20:27.960 --> 0:20:32.000
<v Speaker 6>It sounds true, but Patti Chaievsky very famously wrote one

0:20:32.040 --> 0:20:33.240
<v Speaker 6>of my favorite movies of all time.

0:20:33.320 --> 0:20:37.159
<v Speaker 5>Network. Yes, I think, either for the Golden Globes or

0:20:37.280 --> 0:20:38.040
<v Speaker 5>some other award.

0:20:38.080 --> 0:20:42.680
<v Speaker 6>That year it tied with Rocky for the award, and

0:20:43.440 --> 0:20:46.840
<v Speaker 6>they said accepting for a Network Patty chifc accepting for

0:20:47.000 --> 0:20:50.320
<v Speaker 6>Rocky producer Erwin Winkler. And the story goes that as

0:20:50.359 --> 0:20:52.360
<v Speaker 6>they were coming up the aisle to go to the podium,

0:20:52.520 --> 0:20:55.200
<v Speaker 6>Erwin Winkler got right next to Patty Chaievsky and said

0:20:55.240 --> 0:20:59.000
<v Speaker 6>to him, Patty, I am so so honored to share

0:20:59.040 --> 0:20:59.800
<v Speaker 6>this award with you.

0:21:00.200 --> 0:21:02.920
<v Speaker 5>Patty Saevsky said to him, I hope you die.

0:21:08.560 --> 0:21:10.480
<v Speaker 7>What year was that Broadway Bound production?

0:21:10.760 --> 0:21:13.800
<v Speaker 6>Broadway Bound was either eighty six or eighties. The one

0:21:13.840 --> 0:21:15.840
<v Speaker 6>that I was in was either eighty six or eighty seven.

0:21:15.880 --> 0:21:18.000
<v Speaker 6>I was twenty six or twenty seven years old down, So.

0:21:18.119 --> 0:21:21.880
<v Speaker 8>I went to see that when I was eighteen years old. Wow,

0:21:22.520 --> 0:21:24.959
<v Speaker 8>So you know, coming from a place where I had

0:21:24.960 --> 0:21:26.760
<v Speaker 8>been injuring these comedians for the last two years. I

0:21:26.880 --> 0:21:30.800
<v Speaker 8>started doing stand up the year before, and I had

0:21:30.920 --> 0:21:33.760
<v Speaker 8>comedy on the brain, and then to see that.

0:21:34.480 --> 0:21:37.680
<v Speaker 6>Well, also because he discusses it that, you know in

0:21:37.800 --> 0:21:40.800
<v Speaker 6>the play, about how how comedy is written and done?

0:21:40.840 --> 0:21:44.040
<v Speaker 8>And yeah, I mean that really because I went to

0:21:44.119 --> 0:21:46.720
<v Speaker 8>all those plays in that era neo ciber place, but

0:21:46.920 --> 0:21:49.800
<v Speaker 8>for me as someone who dreamed of doing what he

0:21:49.960 --> 0:21:52.840
<v Speaker 8>did in that Yeah, and also the you know, the

0:21:53.040 --> 0:21:56.560
<v Speaker 8>idea of what is this about? That I mean, because

0:21:56.560 --> 0:21:59.840
<v Speaker 8>those Neil Simon plays would be so hilarious and then

0:21:59.840 --> 0:22:02.240
<v Speaker 8>they would get so real. We would land in a

0:22:02.320 --> 0:22:04.720
<v Speaker 8>very profound place. And I think it was what I

0:22:04.840 --> 0:22:08.080
<v Speaker 8>was just realizing, Oh, everything isn't supposed to be like

0:22:08.240 --> 0:22:12.680
<v Speaker 8>meatballs or caddy shack, right, there's another way to do that.

0:22:12.880 --> 0:22:15.480
<v Speaker 4>Sure, Yeah, but you were just go somewhere I read

0:22:15.800 --> 0:22:17.920
<v Speaker 4>either you said or somebody said about your comedies that

0:22:18.000 --> 0:22:20.960
<v Speaker 4>you write him as dramas the story has to be Yes,

0:22:21.040 --> 0:22:23.520
<v Speaker 4>it's character driven, but the story has to make sense

0:22:23.560 --> 0:22:24.040
<v Speaker 4>on its own.

0:22:24.560 --> 0:22:28.160
<v Speaker 8>That I tried to. I mean I tried to. Yeah,

0:22:28.240 --> 0:22:33.360
<v Speaker 8>I mean I worked at the Critic this Cartoon James producer. Yeah,

0:22:33.560 --> 0:22:35.920
<v Speaker 8>Mike recon al Jean did so. I had a year

0:22:36.000 --> 0:22:38.840
<v Speaker 8>where I was able to just hear him talk about stories.

0:22:39.720 --> 0:22:43.879
<v Speaker 8>And obviously he's been one of the guiding lights. But

0:22:44.800 --> 0:22:46.360
<v Speaker 8>that's how I looked at it, because he always talked

0:22:46.359 --> 0:22:48.399
<v Speaker 8>about honoring the characters, and he would say, we have

0:22:48.480 --> 0:22:51.359
<v Speaker 8>to do right by the characters in our work as

0:22:51.400 --> 0:22:53.520
<v Speaker 8>if they existed, and if the writing was bad, we

0:22:53.600 --> 0:22:57.000
<v Speaker 8>were screwing them over. Wow. I had never heard anyone

0:22:57.080 --> 0:23:02.720
<v Speaker 8>speak like that about film and storytelling, and it had

0:23:02.760 --> 0:23:03.680
<v Speaker 8>a big effect on it.

0:23:04.280 --> 0:23:04.639
<v Speaker 5>Where are you?

0:23:04.800 --> 0:23:06.440
<v Speaker 4>I'm curious where you are now because so much of

0:23:06.440 --> 0:23:08.359
<v Speaker 4>your comedy is about growth, which is funny because I'm

0:23:08.359 --> 0:23:11.800
<v Speaker 4>sitting next to a guy who's sitcom lasted what nine years.

0:23:11.720 --> 0:23:14.800
<v Speaker 5>And it was no growth, none of those characters, one

0:23:15.200 --> 0:23:15.880
<v Speaker 5>one iota.

0:23:16.280 --> 0:23:18.080
<v Speaker 4>Are you at a different place at this age and

0:23:18.160 --> 0:23:20.320
<v Speaker 4>where you are in your life as far as what

0:23:20.400 --> 0:23:22.879
<v Speaker 4>you want to writer you feel compelled to put out

0:23:22.920 --> 0:23:25.960
<v Speaker 4>there on screen stories you want to tell I.

0:23:26.359 --> 0:23:29.960
<v Speaker 8>You know, I it's it's a funny age because when

0:23:30.000 --> 0:23:32.840
<v Speaker 8>you get older, you realize, like, I talk about this

0:23:32.920 --> 0:23:36.000
<v Speaker 8>and stand up, but you know an older comedian that

0:23:36.119 --> 0:23:40.560
<v Speaker 8>someone is only talking about decay. You know they're only

0:23:40.640 --> 0:23:46.520
<v Speaker 8>going like, don't you hate diverticulitis? I hate when all

0:23:46.600 --> 0:23:50.280
<v Speaker 8>your girlfriends from high school start dying of natural causes.

0:23:51.640 --> 0:23:54.240
<v Speaker 8>And so I struggle with that a little bit because

0:23:54.720 --> 0:23:58.800
<v Speaker 8>I had projects about high school and college and getting

0:23:58.880 --> 0:24:01.800
<v Speaker 8>someone pregnant and being married in middle age. And then

0:24:01.800 --> 0:24:03.680
<v Speaker 8>at some point you're like, do I just have to

0:24:03.800 --> 0:24:09.040
<v Speaker 8>do this stuff right now to high school again?

0:24:10.160 --> 0:24:12.440
<v Speaker 4>I said to Jason, it's so sad in our relationship.

0:24:12.440 --> 0:24:14.880
<v Speaker 4>We know each other thirty five years. The gifts went

0:24:14.960 --> 0:24:17.679
<v Speaker 4>from really great gifts to orthopedic devices.

0:24:18.480 --> 0:24:21.000
<v Speaker 5>I swear to God, I had a birthday three days ago.

0:24:21.960 --> 0:24:25.760
<v Speaker 6>The best gift I got so far is a pair

0:24:25.840 --> 0:24:30.480
<v Speaker 6>of socks that have acupressure, a diagram of where on

0:24:30.600 --> 0:24:31.879
<v Speaker 6>the foot, and a little thing.

0:24:31.960 --> 0:24:33.440
<v Speaker 5>I swear to God, I have it right here on

0:24:33.560 --> 0:24:38.280
<v Speaker 5>my bag, A thing that you use to press on. Second,

0:24:38.280 --> 0:24:39.040
<v Speaker 5>I'm gonna show you this.

0:24:39.840 --> 0:24:43.240
<v Speaker 6>This is this is this is the acupressure tool that

0:24:43.400 --> 0:24:45.920
<v Speaker 6>you use to press into your foot to make you

0:24:46.080 --> 0:24:50.600
<v Speaker 6>look I'm telling you it's a it's a Jimmy Duranty profile.

0:24:50.680 --> 0:24:52.919
<v Speaker 7>But other than that, it's on Amazon right now.

0:24:53.880 --> 0:24:56.200
<v Speaker 5>Oh my god, it's the greatest thing. I had the

0:24:56.320 --> 0:25:00.040
<v Speaker 5>socks on the other day. My god. So it's what

0:25:00.119 --> 0:25:01.960
<v Speaker 5>are the next product? What are you working on now?

0:25:02.080 --> 0:25:05.399
<v Speaker 5>So I from stand up? But yeah, why did you

0:25:05.840 --> 0:25:07.400
<v Speaker 5>you took a long Yeah?

0:25:07.400 --> 0:25:10.040
<v Speaker 7>I took a long break, like fifteen years.

0:25:10.200 --> 0:25:13.200
<v Speaker 5>And what was the thing that said I gotta what

0:25:13.480 --> 0:25:14.600
<v Speaker 5>called you to go back to that?

0:25:15.040 --> 0:25:17.240
<v Speaker 8>Yeah? I don't know. I mean I just missed.

0:25:19.080 --> 0:25:20.240
<v Speaker 7>I missed being around people.

0:25:20.320 --> 0:25:21.920
<v Speaker 8>You know, when you make movies, you do the shoot,

0:25:22.000 --> 0:25:24.360
<v Speaker 8>but when you write, you're kind of mainly alone. When

0:25:24.400 --> 0:25:26.280
<v Speaker 8>you edit, you're with one guy in a room for

0:25:26.440 --> 0:25:29.440
<v Speaker 8>six months. And I thought, I think I'm far away

0:25:29.560 --> 0:25:32.399
<v Speaker 8>from the fun part of it. And then I was

0:25:32.440 --> 0:25:35.960
<v Speaker 8>working with Amy Schumer and she was, you know, skyrocketing

0:25:36.000 --> 0:25:37.879
<v Speaker 8>in her stand up career when we were working on

0:25:38.000 --> 0:25:40.440
<v Speaker 8>train Wreck, right, And one night at the Comedy Seller,

0:25:40.520 --> 0:25:42.200
<v Speaker 8>I said, I'm gonna go on just to show you

0:25:42.320 --> 0:25:44.119
<v Speaker 8>what it was like when I did it, and she

0:25:44.240 --> 0:25:46.399
<v Speaker 8>thought I would bomb. And then I actually had an

0:25:46.480 --> 0:25:49.639
<v Speaker 8>okay set, yeah, just telling some stories, and then at

0:25:49.680 --> 0:25:53.119
<v Speaker 8>the comedy seller sd who Books, it was like, you

0:25:53.160 --> 0:25:55.360
<v Speaker 8>can come in whatever you want. So then every night

0:25:55.440 --> 0:25:58.440
<v Speaker 8>when we wrapped train Wreck, I would just go to

0:25:58.520 --> 0:26:02.040
<v Speaker 8>the comedy seller and go on and I just think

0:26:02.119 --> 0:26:04.280
<v Speaker 8>it's fun and I feel it helps me tune into

0:26:04.359 --> 0:26:07.840
<v Speaker 8>what people are laughing at and thinking about. And I

0:26:07.960 --> 0:26:09.960
<v Speaker 8>don't think the issue of like what can you say

0:26:10.119 --> 0:26:14.359
<v Speaker 8>or not say affects most people that much. It depends

0:26:14.400 --> 0:26:16.080
<v Speaker 8>on how you want to talk about things. You know,

0:26:16.160 --> 0:26:17.960
<v Speaker 8>if you have a good point of view and a

0:26:18.440 --> 0:26:20.959
<v Speaker 8>kind heart, you can get away with a lot. There

0:26:20.960 --> 0:26:23.080
<v Speaker 8>are people who have a really dark sense of humors

0:26:23.119 --> 0:26:26.560
<v Speaker 8>and they want to just say the thing you're not

0:26:26.680 --> 0:26:29.800
<v Speaker 8>allowed to say as a release for you know, for

0:26:29.880 --> 0:26:33.280
<v Speaker 8>certain people, that's fun to go. I love a comedy

0:26:33.600 --> 0:26:35.840
<v Speaker 8>where you say the thing that should end your career,

0:26:36.760 --> 0:26:40.080
<v Speaker 8>and I think there is a place for that. What's

0:26:40.080 --> 0:26:43.800
<v Speaker 8>wrong with the culture is everyone else hears about it.

0:26:44.720 --> 0:26:45.920
<v Speaker 8>You know, in the old day, you might be able

0:26:45.960 --> 0:26:48.240
<v Speaker 8>to go see someone and they would be shocking, but

0:26:48.440 --> 0:26:50.680
<v Speaker 8>their act wouldn't be on the internet because there was

0:26:50.800 --> 0:26:53.280
<v Speaker 8>no internet, so you could just like it's like if

0:26:53.280 --> 0:26:56.040
<v Speaker 8>you love like a punk band or Norwegian death metal,

0:26:56.800 --> 0:26:59.119
<v Speaker 8>you know, it's not like everyone has to like it.

0:26:59.240 --> 0:27:03.120
<v Speaker 8>You might like urban, so don't listen to Norwegian death metal.

0:27:04.119 --> 0:27:07.000
<v Speaker 8>But I think people think everything is supposed to work

0:27:07.080 --> 0:27:10.080
<v Speaker 8>for everybody, which isn't the case. It's funny because I

0:27:10.119 --> 0:27:12.640
<v Speaker 8>was at the Gotham Comic Club in New York two

0:27:12.680 --> 0:27:15.080
<v Speaker 8>weeks ago. Right I'm about to go on, They're like,

0:27:15.560 --> 0:27:18.280
<v Speaker 8>Jerry's gonna come in? Is that okay? If Jerry comes

0:27:18.359 --> 0:27:22.520
<v Speaker 8>in seinfilm And I'm like yeah, and I'm friends to Jerry,

0:27:22.600 --> 0:27:24.080
<v Speaker 8>and I go, how long does he want to do?

0:27:24.240 --> 0:27:28.640
<v Speaker 8>And they go twenty five minutes? And then you're like, oh,

0:27:28.880 --> 0:27:29.760
<v Speaker 8>Jerry's gonna.

0:27:29.600 --> 0:27:32.119
<v Speaker 7>Murder for twenty five minutes. I got to try to

0:27:32.200 --> 0:27:33.720
<v Speaker 7>do an hour after that.

0:27:34.880 --> 0:27:37.879
<v Speaker 8>And then he comes in and of course couldn't be better,

0:27:38.560 --> 0:27:41.639
<v Speaker 8>and the crowd is so happy and he is the best,

0:27:42.240 --> 0:27:46.000
<v Speaker 8>and then the crowd was so good for me, they

0:27:46.040 --> 0:27:48.680
<v Speaker 8>were fain they were just ye put them in the

0:27:48.800 --> 0:27:51.920
<v Speaker 8>best comedy food, because you know, he's one of the

0:27:51.960 --> 0:27:55.199
<v Speaker 8>reasons why I went into all of this, became very

0:27:55.240 --> 0:27:57.920
<v Speaker 8>obsessed with Jerry's work right when he came on the

0:27:57.960 --> 0:28:00.960
<v Speaker 8>scene in like the early eighties. Yeah, and then he

0:28:01.119 --> 0:28:03.919
<v Speaker 8>was so nice to me when I interviewed him, shockingly

0:28:04.080 --> 0:28:06.560
<v Speaker 8>nice to like a sixteen year old interviewed with fro

0:28:06.560 --> 0:28:09.399
<v Speaker 8>my high school radio station. Then six months later I

0:28:09.480 --> 0:28:12.359
<v Speaker 8>called him and I asked to interview him again, and

0:28:12.520 --> 0:28:14.520
<v Speaker 8>he said, well, I just did it. Why would I

0:28:14.600 --> 0:28:15.040
<v Speaker 8>do it again?

0:28:15.880 --> 0:28:18.280
<v Speaker 7>And I said, I don't know, you'd do the Tonight

0:28:18.320 --> 0:28:19.160
<v Speaker 7>show more than once?

0:28:19.680 --> 0:28:21.040
<v Speaker 5>And then he did do another.

0:28:21.280 --> 0:28:22.080
<v Speaker 2>Are you serious?

0:28:23.240 --> 0:28:23.600
<v Speaker 4>Wow?

0:28:24.680 --> 0:28:24.960
<v Speaker 5>Wow?

0:28:25.560 --> 0:28:25.760
<v Speaker 8>Yeah?

0:28:26.000 --> 0:28:29.080
<v Speaker 6>Ye did you try that with Larry David?

0:28:29.080 --> 0:28:30.320
<v Speaker 5>I'd be interested in saying how that.

0:28:31.320 --> 0:28:33.400
<v Speaker 4>Let me take it back to that at age seventeen.

0:28:33.840 --> 0:28:36.359
<v Speaker 4>Were you a kid who on some level was secure

0:28:36.440 --> 0:28:38.480
<v Speaker 4>enough to figure I can do this, because when I

0:28:38.560 --> 0:28:40.000
<v Speaker 4>read what you did, that you did and hurt the

0:28:40.040 --> 0:28:43.000
<v Speaker 4>stories before that you called these comedians was part of it. Also,

0:28:43.520 --> 0:28:46.080
<v Speaker 4>I'll interview them, but they'll also embrace me, and I'll

0:28:46.120 --> 0:28:48.400
<v Speaker 4>be in that group and somehow that will get me.

0:28:48.720 --> 0:28:50.360
<v Speaker 4>Somebody will say, hey, jud you're that good open for

0:28:50.440 --> 0:28:52.560
<v Speaker 4>me or whatever. Was there a whole method to the

0:28:52.600 --> 0:28:55.400
<v Speaker 4>madness or was it just the interviews? And why did

0:28:55.480 --> 0:28:58.320
<v Speaker 4>you feel you could do it and that they would respond?

0:28:58.440 --> 0:29:00.720
<v Speaker 4>Because most kids, like my son, he asked, do you

0:29:00.720 --> 0:29:02.040
<v Speaker 4>should do that? Yeah, I don't know, He's going to

0:29:02.040 --> 0:29:04.000
<v Speaker 4>be mad. I goes, who cares if they're mad? Cares

0:29:04.000 --> 0:29:05.600
<v Speaker 4>if they hang up? What's the downside?

0:29:05.960 --> 0:29:06.840
<v Speaker 5>So I get a lot of that.

0:29:06.960 --> 0:29:08.920
<v Speaker 4>When you ment your young people, they go, well, I

0:29:08.960 --> 0:29:11.160
<v Speaker 4>can't just call Joe app Okay, yes you can, so

0:29:11.320 --> 0:29:13.360
<v Speaker 4>he either call back or he won't. So where was

0:29:13.440 --> 0:29:16.880
<v Speaker 4>your seventeen year old head when you were doing that stuff.

0:29:17.040 --> 0:29:20.280
<v Speaker 8>Well, my grandfather is a jazz producer, and he produced

0:29:20.880 --> 0:29:24.480
<v Speaker 8>Charlie Parker and Dizzy Gillespie and Diyona Washington, and he

0:29:24.600 --> 0:29:25.400
<v Speaker 8>was just a hustler.

0:29:25.560 --> 0:29:27.640
<v Speaker 7>And I always knew that there was some hustle to this.

0:29:28.480 --> 0:29:32.400
<v Speaker 8>And so when I worked at this high school radio station,

0:29:32.480 --> 0:29:35.000
<v Speaker 8>my friend Josh Rosendal would go interview the new bands.

0:29:35.280 --> 0:29:38.280
<v Speaker 8>So he went and he interviewed Rim and Susie in

0:29:38.320 --> 0:29:40.520
<v Speaker 8>the Banshees, and then he said to me, you should

0:29:40.520 --> 0:29:44.080
<v Speaker 8>try to interview comics. And I didn't think it would

0:29:44.120 --> 0:29:47.040
<v Speaker 8>help me stand up because I hadn't started stand up yet.

0:29:47.440 --> 0:29:50.160
<v Speaker 8>Although I dreamed of it, I just thought I just

0:29:50.240 --> 0:29:52.720
<v Speaker 8>wanted to touch that world I was so obsessed with,

0:29:53.320 --> 0:29:56.440
<v Speaker 8>like the Mike Douglas Show, and Merv Griffin, like he

0:29:56.680 --> 0:29:59.200
<v Speaker 8>was like peeking your you know, peeking your head into

0:29:59.280 --> 0:30:02.480
<v Speaker 8>the TV. Were those people real? And so the first

0:30:02.520 --> 0:30:06.040
<v Speaker 8>person I inted it was Steve Allen, and it was

0:30:06.200 --> 0:30:09.400
<v Speaker 8>incredible that he existed because the only sorry I had

0:30:09.400 --> 0:30:10.840
<v Speaker 8>ever met was Toty Fields.

0:30:11.520 --> 0:30:14.000
<v Speaker 5>Toty Fields, Oh man.

0:30:14.400 --> 0:30:17.400
<v Speaker 8>She was buddies with my grandma. So they talked about

0:30:17.440 --> 0:30:19.560
<v Speaker 8>her all the time, like she was the coolest person

0:30:19.640 --> 0:30:21.760
<v Speaker 8>in the world. So I think, as a little kid

0:30:21.840 --> 0:30:24.160
<v Speaker 8>on some level, as like a weird kid, I thought,

0:30:25.160 --> 0:30:27.360
<v Speaker 8>Tody Fields is the coolest person in the world. That

0:30:27.480 --> 0:30:30.840
<v Speaker 8>means I can be cool. I'm weird like Tony Fields.

0:30:31.640 --> 0:30:35.040
<v Speaker 7>And so it just gave me some courage.

0:30:35.080 --> 0:30:37.920
<v Speaker 8>But also, no one liked comedy back then, Like kids

0:30:37.960 --> 0:30:41.160
<v Speaker 8>weren't talking about it, you know, in the early eighties

0:30:41.240 --> 0:30:44.120
<v Speaker 8>the way they do now. And so it was like

0:30:44.240 --> 0:30:46.680
<v Speaker 8>I had my own hobby that no one had any

0:30:46.840 --> 0:30:48.000
<v Speaker 8>interest in at all.

0:30:48.680 --> 0:30:51.360
<v Speaker 6>But wasn't that I'm trying, you know, as I've gotten

0:30:51.400 --> 0:30:55.080
<v Speaker 6>older time in my sense of time, So but what

0:30:55.400 --> 0:30:58.320
<v Speaker 6>the early eighties, wasn't that still sort of the real

0:30:58.440 --> 0:31:03.280
<v Speaker 6>height of Carlin? Then Steve Martin and yeah, so you know,

0:31:03.680 --> 0:31:06.840
<v Speaker 6>they seem like they were so much in the zeitgeist.

0:31:07.040 --> 0:31:10.600
<v Speaker 6>I'm surprised that people weren't talking and sounding it live,

0:31:10.720 --> 0:31:12.240
<v Speaker 6>weren't talking about comedy.

0:31:12.400 --> 0:31:13.920
<v Speaker 10>I think, you know, people would watch it all, but

0:31:14.000 --> 0:31:16.440
<v Speaker 10>no one really cared, you know what I mean, Like

0:31:16.680 --> 0:31:20.000
<v Speaker 10>we would all go see Ghostbusters, but it wasn't like

0:31:20.120 --> 0:31:22.840
<v Speaker 10>there was like comedy obsessives, uh huh.

0:31:23.440 --> 0:31:26.600
<v Speaker 8>And so I just took it to some.

0:31:26.640 --> 0:31:29.400
<v Speaker 7>Other weird level, like my friends did go to c

0:31:29.560 --> 0:31:30.480
<v Speaker 7>Spinal Tap with me.

0:31:30.960 --> 0:31:32.600
<v Speaker 8>I went. I took a friend of the Spinal Tap,

0:31:32.640 --> 0:31:35.400
<v Speaker 8>and when it came out, maybe it was like in

0:31:36.000 --> 0:31:38.360
<v Speaker 8>eleventh grade or something, and when it ended.

0:31:38.520 --> 0:31:40.160
<v Speaker 7>He still thought it was a real band.

0:31:41.280 --> 0:31:45.160
<v Speaker 8>You know. Sure she didn't really know their comedy that yeah, yeah,

0:31:45.200 --> 0:31:45.600
<v Speaker 8>yeah yeah.

0:31:46.080 --> 0:31:50.920
<v Speaker 5>Because what I'm noticing and getting is what brings me

0:31:51.040 --> 0:31:52.200
<v Speaker 5>back to what we started with.

0:31:53.680 --> 0:31:53.720
<v Speaker 3>You.

0:31:54.440 --> 0:31:56.760
<v Speaker 6>You seem to me, and everything I've read about you,

0:31:57.480 --> 0:31:59.840
<v Speaker 6>and even the fact that you loved stand up doing

0:32:00.640 --> 0:32:04.440
<v Speaker 6>to me. I went into performing because I couldn't be

0:32:04.640 --> 0:32:07.880
<v Speaker 6>with myself. So if I and I didn't want myself

0:32:08.000 --> 0:32:10.440
<v Speaker 6>to be seen. So if I was a character, that

0:32:10.680 --> 0:32:13.440
<v Speaker 6>was good. If I was in an ensemble, that was good.

0:32:13.720 --> 0:32:15.920
<v Speaker 6>Because I didn't have a tribe, and I couldn't and

0:32:16.000 --> 0:32:19.240
<v Speaker 6>I couldn't stand being alone. I did not think of

0:32:19.320 --> 0:32:22.000
<v Speaker 6>myself as a self motivator. I did not think of

0:32:22.080 --> 0:32:23.680
<v Speaker 6>myself as a go getter.

0:32:25.000 --> 0:32:25.680
<v Speaker 5>Here you are.

0:32:25.880 --> 0:32:28.840
<v Speaker 6>Everything I've seen you accomplish has been because you said,

0:32:29.000 --> 0:32:31.800
<v Speaker 6>I am going to go do this. I'll figure it

0:32:31.840 --> 0:32:33.600
<v Speaker 6>out when I get there, but I'm gonna go do

0:32:33.880 --> 0:32:37.680
<v Speaker 6>this thing. And yet at the very same time, you're

0:32:37.760 --> 0:32:41.280
<v Speaker 6>the guy going to the books to go I'm not

0:32:41.440 --> 0:32:44.200
<v Speaker 6>good yet. I'm not good. I'm gonna I'm gonna throw

0:32:44.280 --> 0:32:46.480
<v Speaker 6>up in studio city and find out what I don't know.

0:32:47.160 --> 0:32:51.880
<v Speaker 6>And those two, the two they seem like opposite sides

0:32:51.920 --> 0:32:54.480
<v Speaker 6>of something, as opposed to two sides of the same coin.

0:32:55.200 --> 0:32:56.880
<v Speaker 5>Do you know what I'm saying That makes sense?

0:32:56.920 --> 0:32:58.720
<v Speaker 8>I mean, I think that maybe it's just that I

0:33:00.200 --> 0:33:05.440
<v Speaker 8>so insecure that I like I was looking for like

0:33:06.200 --> 0:33:09.040
<v Speaker 8>my way to escape. And at a very early age,

0:33:09.120 --> 0:33:12.560
<v Speaker 8>like weirdly early, like almost like you know, ten or eleven,

0:33:13.000 --> 0:33:16.880
<v Speaker 8>I thought, Okay, it's comedy. It's comedy, that's the thing.

0:33:17.360 --> 0:33:18.960
<v Speaker 8>And then no one had any interest. So it was

0:33:19.000 --> 0:33:22.479
<v Speaker 8>like this little secret dream and I kept thinking to myself,

0:33:22.680 --> 0:33:27.680
<v Speaker 8>no one people don't really get me, but I think

0:33:27.760 --> 0:33:30.960
<v Speaker 8>this thing I like is gonna save me. Like I

0:33:31.040 --> 0:33:33.240
<v Speaker 8>had a sense that I'm going to go to a

0:33:33.320 --> 0:33:35.960
<v Speaker 8>place where they get it, Like there's a world where

0:33:36.040 --> 0:33:40.160
<v Speaker 8>George Goebel lives, you know, there's a world where Paul

0:33:40.320 --> 0:33:43.560
<v Speaker 8>end is, and I think I might have a spot

0:33:43.920 --> 0:33:46.000
<v Speaker 8>to do something there. I didn't even know what it was,

0:33:46.640 --> 0:33:51.240
<v Speaker 8>but that drive to do it was also probably like

0:33:51.640 --> 0:33:55.920
<v Speaker 8>mental health condition, which was why do you need to

0:33:56.000 --> 0:33:59.040
<v Speaker 8>do it? Because you're insecure, You're not comfortable with who

0:33:59.120 --> 0:34:01.920
<v Speaker 8>you are, trying to succeed, to feel good at yourself,

0:34:02.160 --> 0:34:06.240
<v Speaker 8>You're trying to have a thing, and the you know,

0:34:06.360 --> 0:34:11.320
<v Speaker 8>the madness of the pursuit allowed me to avoid figuring

0:34:11.360 --> 0:34:12.160
<v Speaker 8>out who I was.

0:34:12.440 --> 0:34:15.000
<v Speaker 6>So in some ways, it's not so much to be metaphorical.

0:34:15.040 --> 0:34:16.640
<v Speaker 6>It's not so much a call to the light as

0:34:16.840 --> 0:34:18.200
<v Speaker 6>a flee from the darkness.

0:34:18.880 --> 0:34:20.719
<v Speaker 8>In a way, part of it was, I mean, I

0:34:20.880 --> 0:34:23.200
<v Speaker 8>loved it, but I also thought I would get safety

0:34:23.440 --> 0:34:26.959
<v Speaker 8>in it, and as opposed to just having safety because

0:34:26.960 --> 0:34:28.080
<v Speaker 8>I just liked myself.

0:34:28.239 --> 0:34:29.200
<v Speaker 5>But that so I get it.

0:34:29.320 --> 0:34:32.839
<v Speaker 4>So the big questions for you, mister successful producer, director, writer,

0:34:33.320 --> 0:34:35.719
<v Speaker 4>can you be one hundred percent present at any given time,

0:34:35.880 --> 0:34:37.640
<v Speaker 4>or do you vacillate back and forth and it's a

0:34:37.719 --> 0:34:38.400
<v Speaker 4>constant battle.

0:34:38.880 --> 0:34:40.799
<v Speaker 8>I think it's a constant bout. But I'm way better

0:34:40.880 --> 0:34:43.840
<v Speaker 8>than I used to be. I understand the path to

0:34:43.960 --> 0:34:47.120
<v Speaker 8>get there. It doesn't happen as often as I like,

0:34:47.239 --> 0:34:52.120
<v Speaker 8>but I have whatever mental things from reading Ramdas and

0:34:52.520 --> 0:34:57.560
<v Speaker 8>breathing things. I feel like I still get a little crazy.

0:34:57.680 --> 0:35:02.000
<v Speaker 8>But you're a jasonalmmer More. I'm Comadjason, Tom Jason.

0:35:02.400 --> 0:35:03.880
<v Speaker 4>By the way, we weren't able to do I was

0:35:03.960 --> 0:35:06.520
<v Speaker 4>so excited about doing that TV show we came up

0:35:06.520 --> 0:35:10.160
<v Speaker 4>with Bob Patterson about a motivational guy who couldn't motivate

0:35:10.200 --> 0:35:12.600
<v Speaker 4>his own family, and I wanted the mentor to be

0:35:12.800 --> 0:35:13.799
<v Speaker 4>secretly a mess.

0:35:14.200 --> 0:35:16.439
<v Speaker 5>But I still love that. I love that world so much.

0:35:16.960 --> 0:35:23.920
<v Speaker 6>We've had more fun exploring slash lampooning the guys who

0:35:24.000 --> 0:35:26.320
<v Speaker 6>get up and go I can help you be a

0:35:26.400 --> 0:35:26.759
<v Speaker 6>better you.

0:35:27.239 --> 0:35:31.080
<v Speaker 5>I've got and what we found in it was so interesting.

0:35:31.200 --> 0:35:32.880
<v Speaker 6>We would we would do a live show where I

0:35:32.920 --> 0:35:35.919
<v Speaker 6>played a character named Donnie Clay who's going to show

0:35:35.920 --> 0:35:36.239
<v Speaker 6>you the way.

0:35:36.320 --> 0:35:38.800
<v Speaker 5>Donnie Clay shows you the way. America's fourth leading motivation

0:35:40.360 --> 0:35:41.680
<v Speaker 5>and we would.

0:35:41.880 --> 0:35:45.640
<v Speaker 6>We would espouse things that were so silly and so nonsense,

0:35:46.560 --> 0:35:48.600
<v Speaker 6>and and the audience would laugh, they'd have a great time.

0:35:48.640 --> 0:35:50.160
<v Speaker 6>They knew it was a comedy show. And at the

0:35:50.239 --> 0:35:52.680
<v Speaker 6>meet and greets at the end, they'd go, you know what,

0:35:52.920 --> 0:35:54.920
<v Speaker 6>I actually I learned a lot to them.

0:35:55.800 --> 0:35:57.840
<v Speaker 4>But to be fair about what we love him like,

0:35:57.920 --> 0:36:00.520
<v Speaker 4>he had to Donnie Clay Forwards to guarantee your success

0:36:01.040 --> 0:36:02.440
<v Speaker 4>financial financially.

0:36:04.280 --> 0:36:06.279
<v Speaker 6>Free your income. I'll increase youring and we would do it.

0:36:06.800 --> 0:36:08.520
<v Speaker 6>It's not a book, it's not a program. It's not

0:36:08.600 --> 0:36:10.640
<v Speaker 6>a thing you have to do for Forwards. And you'll

0:36:10.640 --> 0:36:13.239
<v Speaker 6>go out tomorrow and you'll increase your income fifty and

0:36:13.320 --> 0:36:15.040
<v Speaker 6>we build it up for you know, the whole big

0:36:15.120 --> 0:36:17.120
<v Speaker 6>thing and eventually go here you go, folks, take to

0:36:17.239 --> 0:36:21.759
<v Speaker 6>get out your Recordersfans of Forwards, get a second job

0:36:22.400 --> 0:36:24.919
<v Speaker 6>and and okay, big laugh.

0:36:25.040 --> 0:36:27.120
<v Speaker 5>And then people would come up and go, you know right, right,

0:36:27.200 --> 0:36:30.200
<v Speaker 5>you're right, you're right, But.

0:36:30.320 --> 0:36:31.040
<v Speaker 8>Do we get job?

0:36:31.239 --> 0:36:33.799
<v Speaker 5>Well, thanks for spending time with us, man, and thanks.

0:36:33.560 --> 0:36:37.200
<v Speaker 6>For everything's good at home, Leslie's good, everything's fine. Your

0:36:37.320 --> 0:36:38.879
<v Speaker 6>daughter is becoming a huge star.

0:36:39.520 --> 0:36:41.800
<v Speaker 7>The kids are both working, they have jobs.

0:36:42.000 --> 0:36:42.840
<v Speaker 5>God bless.

0:36:44.160 --> 0:36:46.960
<v Speaker 7>And uh, you know learning what that is.

0:36:48.920 --> 0:36:51.239
<v Speaker 5>Excellent? Now do you are you annoying to them at

0:36:51.280 --> 0:36:52.719
<v Speaker 5>this point or not annoying to them?

0:36:53.840 --> 0:36:56.319
<v Speaker 8>Well, once they move out, you realize that your job

0:36:56.480 --> 0:36:59.919
<v Speaker 8>is to figure out how to feel like it would

0:37:00.280 --> 0:37:05.160
<v Speaker 8>be painful to be around you, right like you because

0:37:05.800 --> 0:37:09.759
<v Speaker 8>like a consultant a parent, you're a consultant. And then

0:37:09.800 --> 0:37:11.000
<v Speaker 8>you kind of want to hang out with them and

0:37:11.040 --> 0:37:13.600
<v Speaker 8>their friends, Like would they ever allow me to dinner

0:37:13.719 --> 0:37:16.520
<v Speaker 8>with their friends? Like I would never when I was

0:37:16.600 --> 0:37:19.719
<v Speaker 8>young with my parents, Like go on vacation with them

0:37:20.160 --> 0:37:24.359
<v Speaker 8>as a young adult was so neurotic weird, and uh,

0:37:24.960 --> 0:37:27.920
<v Speaker 8>I regret that, but that's what you want. I love it,

0:37:28.000 --> 0:37:30.120
<v Speaker 8>Like would would they ever call me and go let's

0:37:30.160 --> 0:37:33.040
<v Speaker 8>get breakfast? And that has happened, so I feel like

0:37:33.120 --> 0:37:35.400
<v Speaker 8>I'm succeeding just.

0:37:35.440 --> 0:37:38.440
<v Speaker 5>Breakfast to hang well, clearly free breakfast.

0:37:39.040 --> 0:37:42.000
<v Speaker 6>Okay, that's the beginning of that. Yeah, my kids have

0:37:42.080 --> 0:37:44.120
<v Speaker 6>never whipped out the card to pay for a minute.

0:37:44.280 --> 0:37:46.680
<v Speaker 5>And my kids never said let's have no, we have

0:37:46.840 --> 0:37:47.560
<v Speaker 5>we have a meal.

0:37:47.680 --> 0:37:48.279
<v Speaker 3>We do that.

0:37:48.960 --> 0:37:51.320
<v Speaker 7>My daughter's on a TV series, she still expects me

0:37:51.400 --> 0:37:52.120
<v Speaker 7>to cover the uber.

0:37:53.080 --> 0:37:55.799
<v Speaker 5>Oh my god, it's never gonna end.

0:37:57.200 --> 0:38:00.799
<v Speaker 4>So we have something to talk about. That's hus be safe, man,

0:38:00.880 --> 0:38:02.920
<v Speaker 4>and thank you for all the comedies. Thanks for taking the.

0:38:02.920 --> 0:38:04.760
<v Speaker 5>Time, Judd all the best. Thank you friends.

0:38:05.120 --> 0:38:06.800
<v Speaker 8>Yes, thanks that so funny.

0:38:07.160 --> 0:38:07.759
<v Speaker 5>Thank you brother.

0:38:18.000 --> 0:38:18.520
<v Speaker 3>Well look at that.

0:38:18.640 --> 0:38:22.000
<v Speaker 6>We got a big, big Hollywood producer, writer, director, multi

0:38:22.120 --> 0:38:25.440
<v Speaker 6>award winner, came on our show, had a fabulous conversation

0:38:25.680 --> 0:38:29.759
<v Speaker 6>and left without offering me a goddamn thing. Not a hey,

0:38:29.800 --> 0:38:32.120
<v Speaker 6>I got something in mind for you, not a I

0:38:32.200 --> 0:38:34.440
<v Speaker 6>should have used you in, not a hey, I'm a

0:38:34.480 --> 0:38:36.480
<v Speaker 6>big fan talk about a show I was in the

0:38:36.600 --> 0:38:37.520
<v Speaker 6>nineteen eighties.

0:38:37.360 --> 0:38:41.880
<v Speaker 4>Talking about self help. I need let me give you

0:38:42.040 --> 0:38:43.560
<v Speaker 4>some help. Let me give you some help here, let

0:38:43.600 --> 0:38:45.920
<v Speaker 4>me let me offer some help you. The gift was

0:38:46.000 --> 0:38:49.760
<v Speaker 4>having him on, not an offerer, just be here now, barbarandas.

0:38:49.960 --> 0:38:53.120
<v Speaker 5>Don't you think that that we did hit on this?

0:38:54.239 --> 0:38:56.879
<v Speaker 6>I think I hit a fascinating thought when I said,

0:38:57.080 --> 0:39:01.080
<v Speaker 6>he is a guy who's basically carved of all his

0:39:01.239 --> 0:39:03.600
<v Speaker 6>own stuff. Yes, he worked with a couple of wonderful

0:39:03.640 --> 0:39:05.600
<v Speaker 6>mentors along the way, but he had to carve his

0:39:05.680 --> 0:39:06.560
<v Speaker 6>way to get to them.

0:39:07.000 --> 0:39:09.560
<v Speaker 5>It was not like, you know, being in.

0:39:09.880 --> 0:39:13.240
<v Speaker 6>A play that somebody else wrote and somebody else directed,

0:39:13.280 --> 0:39:14.880
<v Speaker 6>and you get seen by a thing, and so you

0:39:14.960 --> 0:39:18.359
<v Speaker 6>get your next big opportunity. He had to create every

0:39:18.400 --> 0:39:20.960
<v Speaker 6>opportunity from scratch. He's writing his own stand up, he's

0:39:20.960 --> 0:39:23.080
<v Speaker 6>writing his own films. He says, I'm going to be

0:39:23.120 --> 0:39:27.920
<v Speaker 6>a producer. And yet so he's got that ability to

0:39:28.000 --> 0:39:31.719
<v Speaker 6>say I am worthy of doing this. People will be there,

0:39:31.960 --> 0:39:34.280
<v Speaker 6>And at the same time he's going, I'm not worthy.

0:39:34.280 --> 0:39:36.520
<v Speaker 6>I'm not worthy of it. But I don't know enough,

0:39:36.600 --> 0:39:38.480
<v Speaker 6>or I don't feel like I'm not color.

0:39:38.239 --> 0:39:40.000
<v Speaker 4>In Philly, so I didn't know well to do people,

0:39:40.040 --> 0:39:42.279
<v Speaker 4>and I didn't know people in entertainment. And I came

0:39:42.360 --> 0:39:45.040
<v Speaker 4>out to LA and I never network. Being a raider,

0:39:45.160 --> 0:39:46.759
<v Speaker 4>I never networked. It was a job for me, so

0:39:46.800 --> 0:39:48.319
<v Speaker 4>I didn't network, but I got to interview a lot

0:39:48.320 --> 0:39:49.920
<v Speaker 4>of people, and I got to know people of different

0:39:50.040 --> 0:39:54.920
<v Speaker 4>different stages in their life, from billionaires the most successful actors,

0:39:55.080 --> 0:40:01.240
<v Speaker 4>the movie stars. And there's shocking how many of them unhappy,

0:40:01.360 --> 0:40:05.480
<v Speaker 4>crying in the car, feel unfulfilled. And you said it

0:40:05.520 --> 0:40:08.319
<v Speaker 4>to an extent, Jay, and we've been closed a long time.

0:40:09.239 --> 0:40:11.600
<v Speaker 4>When you won the Tony, which is a huge thing,

0:40:11.800 --> 0:40:14.480
<v Speaker 4>and even though the phone calls came, you said it's

0:40:14.520 --> 0:40:16.120
<v Speaker 4>not what I thought you think it's going to be.

0:40:16.640 --> 0:40:18.400
<v Speaker 4>Something is going to come down and it's going to

0:40:18.520 --> 0:40:20.680
<v Speaker 4>change your life and forever more. You're going to feel

0:40:20.680 --> 0:40:23.719
<v Speaker 4>good about yourself and no insecurities and no problems. And

0:40:23.840 --> 0:40:26.960
<v Speaker 4>it does none of that other than get you some

0:40:27.160 --> 0:40:33.160
<v Speaker 4>more work. And here's Judd Apatow who's saying, yeah, he's

0:40:33.200 --> 0:40:35.520
<v Speaker 4>as big as can be in the studios, clubbing him

0:40:36.400 --> 0:40:39.600
<v Speaker 4>for being two million dollars over. Yeah, So you still

0:40:39.760 --> 0:40:43.239
<v Speaker 4>have to prove yourself constantly. Absolutely, you have a movie,

0:40:43.360 --> 0:40:45.319
<v Speaker 4>your third movie, you have a billion dollars in the bank,

0:40:45.360 --> 0:40:48.040
<v Speaker 4>and third movie fails, and the critics just savage it

0:40:48.120 --> 0:40:50.279
<v Speaker 4>because it's their time to turn on you because they

0:40:50.320 --> 0:40:52.239
<v Speaker 4>were so good to you for three or you got

0:40:52.320 --> 0:40:55.120
<v Speaker 4>it wrong, or you got it wrong whatever. Those things

0:40:55.160 --> 0:40:57.600
<v Speaker 4>are still tough for human beings to deal with. You know,

0:40:57.719 --> 0:41:00.200
<v Speaker 4>the top guys on Broadway that you just talked about them,

0:41:00.760 --> 0:41:02.600
<v Speaker 4>look at what happened to a lot of those guys.

0:41:02.680 --> 0:41:03.360
<v Speaker 8>They disintegrate.

0:41:03.880 --> 0:41:06.720
<v Speaker 4>The biggest stars, the biggest rock stars are doing heroin.

0:41:07.320 --> 0:41:10.440
<v Speaker 4>They're doing drugs. Their medic is self medicating because it's

0:41:10.560 --> 0:41:13.520
<v Speaker 4>never what they felt it was gonna be.

0:41:13.840 --> 0:41:16.040
<v Speaker 5>Right, You know, so it's a different.

0:41:15.760 --> 0:41:16.680
<v Speaker 8>War it is.

0:41:17.200 --> 0:41:20.280
<v Speaker 6>There's the other side of it is also how many

0:41:20.800 --> 0:41:22.759
<v Speaker 6>people and I had my own version of this for

0:41:22.800 --> 0:41:27.480
<v Speaker 6>a while, are now put in that place of extraordinary

0:41:27.520 --> 0:41:30.440
<v Speaker 6>success or attention or whatever you might be, and you

0:41:30.840 --> 0:41:32.719
<v Speaker 6>can't make it fit.

0:41:32.880 --> 0:41:35.600
<v Speaker 5>You can't imposter yourself in it. It's impostered.

0:41:35.719 --> 0:41:38.719
<v Speaker 6>So you get lost, you know, and and and you

0:41:38.880 --> 0:41:41.479
<v Speaker 6>have to find First you have to know you're lost,

0:41:41.520 --> 0:41:42.920
<v Speaker 6>and then you have to find your way, and.

0:41:42.920 --> 0:41:46.480
<v Speaker 4>Then you genuinely have to be happy with the gratitude

0:41:46.520 --> 0:41:48.359
<v Speaker 4>thing and I know is that you have to really

0:41:48.840 --> 0:41:51.000
<v Speaker 4>be present and go with what I got is pretty

0:41:51.080 --> 0:41:54.479
<v Speaker 4>damn good, whatever that is, because if you're still racing

0:41:54.560 --> 0:41:56.640
<v Speaker 4>for that other thing, then you're not really present. My

0:41:56.920 --> 0:42:01.839
<v Speaker 4>horrible thing is with the ADHD and with the mesophonia.

0:42:01.920 --> 0:42:05.040
<v Speaker 4>Here you know that I'm always my mind tends to

0:42:05.120 --> 0:42:07.400
<v Speaker 4>want to be somewhere else, and I really want to

0:42:07.440 --> 0:42:09.279
<v Speaker 4>be like when with you, one hundred percent present, when

0:42:09.280 --> 0:42:13.120
<v Speaker 4>I'm with my kid family present. And that's hard battle.

0:42:13.520 --> 0:42:16.600
<v Speaker 4>Except the older you get, the more is a clock

0:42:16.760 --> 0:42:20.160
<v Speaker 4>keeps sticking. You realize less time to get it right,

0:42:20.520 --> 0:42:22.319
<v Speaker 4>so there's more pressure to get that right.

0:42:23.200 --> 0:42:23.799
<v Speaker 5>And by the way.

0:42:23.960 --> 0:42:25.920
<v Speaker 4>Also look at how much of the world is medicated

0:42:26.680 --> 0:42:28.840
<v Speaker 4>because so so depression.

0:42:32.040 --> 0:42:37.040
<v Speaker 5>Can you imagine? No, no, I cannot listen.

0:42:37.120 --> 0:42:39.960
<v Speaker 6>I know people who have had the most extraordinary experiences,

0:42:40.040 --> 0:42:43.600
<v Speaker 6>and I go, yeah, if you swallow arsenic, you're going

0:42:43.680 --> 0:42:44.440
<v Speaker 6>to have an experience.

0:42:44.480 --> 0:42:46.719
<v Speaker 4>Could be again, you're going to I just think it's

0:42:46.800 --> 0:42:48.520
<v Speaker 4>very dangerous. Love producer, Why I want to go to

0:42:48.560 --> 0:42:50.000
<v Speaker 4>another country to do it? And I said, do me

0:42:50.000 --> 0:42:50.319
<v Speaker 4>your favor.

0:42:51.000 --> 0:42:53.839
<v Speaker 5>I'm all for that. I hope you have growth, get

0:42:53.920 --> 0:42:56.640
<v Speaker 5>us a backup before you're going to be dead in

0:42:56.719 --> 0:43:00.680
<v Speaker 5>a foreign three months where with the guy throwing up.

0:43:00.560 --> 0:43:03.759
<v Speaker 4>And he's in your Maybe so it is, but it's

0:43:03.840 --> 0:43:06.760
<v Speaker 4>the search. We're all searching to try and be happier,

0:43:06.880 --> 0:43:09.000
<v Speaker 4>and part of that is being present. And it's really

0:43:09.080 --> 0:43:11.400
<v Speaker 4>hard being one hundred percent present because people.

0:43:13.760 --> 0:43:15.920
<v Speaker 5>I was going to say that the present isn't always

0:43:16.200 --> 0:43:18.920
<v Speaker 5>so pleasant, so that makes it even crazier. Feel good

0:43:18.920 --> 0:43:19.400
<v Speaker 5>about yourself.

0:43:19.440 --> 0:43:21.319
<v Speaker 6>I read a thing the other day not too long

0:43:21.360 --> 0:43:23.960
<v Speaker 6>ago that I thought was, so, you know, we're looking

0:43:24.680 --> 0:43:26.759
<v Speaker 6>for the mysteries of the universe beyond what we know,

0:43:27.000 --> 0:43:30.400
<v Speaker 6>and we're looking for the existence of miracles. And the

0:43:30.480 --> 0:43:31.920
<v Speaker 6>guy said and you can do this. I'm going to

0:43:31.960 --> 0:43:33.400
<v Speaker 6>tell you right now to do something. Just do it,

0:43:33.440 --> 0:43:34.920
<v Speaker 6>don't think about just do it. Touch the top of

0:43:34.960 --> 0:43:37.680
<v Speaker 6>your head. Why does that happen?

0:43:38.040 --> 0:43:40.759
<v Speaker 5>You think it. I'm going to touch the top of

0:43:40.840 --> 0:43:42.720
<v Speaker 5>my head and it happens.

0:43:43.440 --> 0:43:47.279
<v Speaker 6>First of all, go explain that, because that's you want

0:43:47.280 --> 0:43:48.400
<v Speaker 6>the mysteries of the universe.

0:43:48.760 --> 0:43:49.680
<v Speaker 5>How does that happen?

0:43:49.800 --> 0:43:52.480
<v Speaker 6>And then second of all, when you're looking for miracles,

0:43:53.600 --> 0:43:55.160
<v Speaker 6>not everybody can make that happen.

0:43:55.400 --> 0:43:56.160
<v Speaker 5>Yeah, no kidding.

0:43:56.400 --> 0:43:59.360
<v Speaker 6>So the fact that you today can think my nose

0:43:59.400 --> 0:44:02.279
<v Speaker 6>itches and you scratch your nose without thinking about it,

0:44:03.719 --> 0:44:06.360
<v Speaker 6>that is a miraculous thing. That is a When I

0:44:06.440 --> 0:44:09.200
<v Speaker 6>do my Q and A show and sometimes we talk

0:44:09.239 --> 0:44:10.960
<v Speaker 6>about magic and my love for magic, and I talk

0:44:11.000 --> 0:44:12.720
<v Speaker 6>about how my wife is not a fan of magic

0:44:12.960 --> 0:44:15.040
<v Speaker 6>because she thinks it's a power trip on the part

0:44:15.080 --> 0:44:17.399
<v Speaker 6>of the magician, and I go, no, to me, it's

0:44:17.440 --> 0:44:20.160
<v Speaker 6>about I know it's not real. I know it's not real,

0:44:21.040 --> 0:44:24.560
<v Speaker 6>but the idea that somebody figure out how to make

0:44:24.600 --> 0:44:27.040
<v Speaker 6>it feel real. It's like a great story. That's my

0:44:27.200 --> 0:44:29.880
<v Speaker 6>story is not real, but you get a feeling from it.

0:44:30.280 --> 0:44:32.840
<v Speaker 6>And to me, I talk about in that section I

0:44:32.920 --> 0:44:36.880
<v Speaker 6>talk about you walked out, you put on clothes today.

0:44:38.000 --> 0:44:40.319
<v Speaker 6>Somebody made you close. They got it to your house.

0:44:40.440 --> 0:44:40.800
<v Speaker 5>You bought it.

0:44:40.880 --> 0:44:43.120
<v Speaker 6>You have a house that didn't just appear. It's not

0:44:43.200 --> 0:44:45.480
<v Speaker 6>a mud hut. Somebody built that. You live in it

0:44:45.920 --> 0:44:48.719
<v Speaker 6>with what paper? You exchanged one thing? And you gotta

0:44:48.960 --> 0:44:52.120
<v Speaker 6>I say, it's all magic. It's all miraculous if you

0:44:52.560 --> 0:44:56.120
<v Speaker 6>just slow down enough to go, somebody made this and

0:44:57.120 --> 0:44:57.879
<v Speaker 6>what's what it does.

0:44:58.040 --> 0:44:59.480
<v Speaker 4>By the way, one of the most suppressing things I

0:44:59.560 --> 0:45:03.280
<v Speaker 4>did is I recorded behind the scenes and manager reveals

0:45:03.320 --> 0:45:06.440
<v Speaker 4>all the tricks. I watched about six I got so

0:45:06.800 --> 0:45:10.360
<v Speaker 4>depressed because even the biggest tricks, you go, oh, it

0:45:10.560 --> 0:45:11.680
<v Speaker 4>just ruined that for me.

0:45:12.520 --> 0:45:13.680
<v Speaker 8>So I never watched.

0:45:14.320 --> 0:45:17.600
<v Speaker 5>Here's here's how you know. Why do not do that?

0:45:18.000 --> 0:45:21.080
<v Speaker 5>A magician not because it's a brotherhood of anything.

0:45:21.600 --> 0:45:26.520
<v Speaker 6>A magician will never ask another magician how something was done.

0:45:27.360 --> 0:45:32.200
<v Speaker 5>A true magician will go that was beautiful. Isn't pendent

0:45:32.239 --> 0:45:34.280
<v Speaker 5>teller writing a book revealing how they did all the tricks?

0:45:34.320 --> 0:45:34.480
<v Speaker 4>Though?

0:45:34.560 --> 0:45:37.400
<v Speaker 6>But I'm not saying magicians won't share their secrets. There's

0:45:37.400 --> 0:45:40.240
<v Speaker 6>a there's a huge legacy of magicians as they retire

0:45:40.360 --> 0:45:41.560
<v Speaker 6>their career, retire there.

0:45:41.480 --> 0:45:43.520
<v Speaker 5>They will do that. That's say, here's how I achieved

0:45:44.160 --> 0:45:44.839
<v Speaker 5>all I care about.

0:45:45.120 --> 0:45:46.680
<v Speaker 4>All I care about. Are they going to reveal how

0:45:46.680 --> 0:45:48.359
<v Speaker 4>they do the bullet catch where he shoots the blue.

0:45:48.719 --> 0:45:50.719
<v Speaker 4>I think they are revealing that's one of the most

0:45:50.800 --> 0:45:51.640
<v Speaker 4>amazing tricks ever.

0:45:51.880 --> 0:45:52.920
<v Speaker 5>You know what else is amazing?

0:45:53.520 --> 0:45:57.480
<v Speaker 6>David, He's a miracle. He's proof of miracles on God's

0:45:57.520 --> 0:46:00.879
<v Speaker 6>Green play you look at your David. Sure it's true

0:46:01.040 --> 0:46:03.759
<v Speaker 6>today you got to meet from the confines of your

0:46:03.800 --> 0:46:04.840
<v Speaker 6>home Judd appetite.

0:46:04.880 --> 0:46:10.000
<v Speaker 2>Yes, I did, very thankful, very thankful.

0:46:10.360 --> 0:46:14.000
<v Speaker 6>It's really was there a single lesson take away you

0:46:14.080 --> 0:46:14.560
<v Speaker 6>got from it?

0:46:16.080 --> 0:46:16.239
<v Speaker 3>You know?

0:46:16.440 --> 0:46:19.759
<v Speaker 11>I was able to say because I had. He is

0:46:19.920 --> 0:46:22.680
<v Speaker 11>the first person I've been close to since Jim Carrey

0:46:23.040 --> 0:46:26.600
<v Speaker 11>where I was trying to not say, God, I really

0:46:26.760 --> 0:46:28.000
<v Speaker 11>enjoyed the cable guy.

0:46:28.440 --> 0:46:30.839
<v Speaker 2>And to see what the reaction was because I truly did.

0:46:30.920 --> 0:46:34.680
<v Speaker 11>I love that that picture and Jim Carrey did not

0:46:35.920 --> 0:46:38.560
<v Speaker 11>not appreciate it when I when I mentioned that to him.

0:46:38.600 --> 0:46:41.600
<v Speaker 6>Yeah, yeah, really did he think you were making that

0:46:41.760 --> 0:46:43.320
<v Speaker 6>you were being facetious?

0:46:43.760 --> 0:46:44.480
<v Speaker 5>I think it was.

0:46:44.719 --> 0:46:47.480
<v Speaker 2>It was within six.

0:46:47.360 --> 0:46:49.600
<v Speaker 11>Months to a year that it had come out and

0:46:49.840 --> 0:46:52.520
<v Speaker 11>he was we were at a benefit together. He was

0:46:52.640 --> 0:46:56.279
<v Speaker 11>dating somebody that I was I worked with, and yeah,

0:46:56.360 --> 0:46:58.840
<v Speaker 11>I think he did. I did think that he couldn't

0:46:58.920 --> 0:47:00.840
<v Speaker 11>hear the fact that I'm like, I think this was

0:47:01.000 --> 0:47:04.600
<v Speaker 11>actually a brilliant comedy that actually with some of the

0:47:04.719 --> 0:47:08.080
<v Speaker 11>Menenda stuff that people are now watching on Netflix, if

0:47:08.080 --> 0:47:10.040
<v Speaker 11>you want to go back and watch it, just the

0:47:10.120 --> 0:47:11.960
<v Speaker 11>parody of that was really brilliant.

0:47:12.000 --> 0:47:13.239
<v Speaker 5>And you know, there you go.

0:47:14.960 --> 0:47:16.600
<v Speaker 2>Not a good first impression with this.

0:47:17.120 --> 0:47:19.000
<v Speaker 5>I just must say I've been watching the Menenda thing.

0:47:19.080 --> 0:47:21.000
<v Speaker 4>Not a comedy, just for people who need to know,

0:47:21.640 --> 0:47:24.719
<v Speaker 4>not a comedy, really, not a com really. Yeah, it's

0:47:24.800 --> 0:47:28.120
<v Speaker 4>kind of an interesting series, though really interesting series. I

0:47:28.200 --> 0:47:31.520
<v Speaker 4>started it was felt campy the first episode and then

0:47:31.560 --> 0:47:34.160
<v Speaker 4>there's some really good acting in that. But wow, if

0:47:34.200 --> 0:47:36.560
<v Speaker 4>a third of that stuff is even close to accurate,

0:47:37.120 --> 0:47:38.960
<v Speaker 4>hokey smoke, what a story?

0:47:39.120 --> 0:47:42.440
<v Speaker 6>Well yea, as they say, there's some things happening. H

0:47:44.480 --> 0:47:46.880
<v Speaker 6>Thank you, jud Apto, Thank you ladies and gentlemen. We

0:47:46.920 --> 0:47:48.880
<v Speaker 6>will see you next time on this little show.

0:47:48.719 --> 0:47:51.000
<v Speaker 5>That we call really No really.

0:47:51.880 --> 0:47:54.160
<v Speaker 3>As another episode if really no really it comes to

0:47:54.239 --> 0:47:56.600
<v Speaker 3>a close. I know you're wondering, what is the best

0:47:56.800 --> 0:47:59.920
<v Speaker 3>selling self help book ever? Well, you can help yourself

0:48:00.120 --> 0:48:02.000
<v Speaker 3>to that answer in a moment. But first let's thank

0:48:02.040 --> 0:48:05.440
<v Speaker 3>our guest, judappataw. You can follow Jud on his website

0:48:05.520 --> 0:48:09.400
<v Speaker 3>judapptou dot com or on Instagram where he is unsurprisingly

0:48:09.719 --> 0:48:13.879
<v Speaker 3>at judappatow No. Find all pertinent links in our show notes,

0:48:14.800 --> 0:48:18.040
<v Speaker 3>our little show hangs out on Instagram, TikTok YouTube, and

0:48:18.200 --> 0:48:21.239
<v Speaker 3>threads at really No Really podcast, And of course you

0:48:21.320 --> 0:48:23.839
<v Speaker 3>can share your thoughts and feedback with us online at

0:48:23.920 --> 0:48:27.680
<v Speaker 3>reallynoreally dot com. If you have a really some amazing

0:48:27.840 --> 0:48:31.120
<v Speaker 3>factor story that boggles your mind, share it with us

0:48:31.239 --> 0:48:33.279
<v Speaker 3>and if we use it, we will send you a

0:48:33.400 --> 0:48:34.040
<v Speaker 3>little gift.

0:48:34.400 --> 0:48:37.320
<v Speaker 2>Nothing life changing, obviously, but it's the thought that counts.

0:48:37.560 --> 0:48:37.600
<v Speaker 8>No.

0:48:38.000 --> 0:48:40.600
<v Speaker 3>Check out our full episodes on YouTube, hit that subscribe

0:48:40.640 --> 0:48:42.840
<v Speaker 3>button and take that bell so you're updated when we

0:48:42.920 --> 0:48:46.160
<v Speaker 3>release new videos and episodes, which we do each Tuesday.

0:48:46.480 --> 0:48:49.600
<v Speaker 3>So listen and follow us on the iHeartRadio app, Apple

0:48:49.680 --> 0:48:53.239
<v Speaker 3>Podcasts or wherever you get your podcasts. And now the

0:48:53.320 --> 0:48:55.920
<v Speaker 3>answer to the question what is the best selling self

0:48:55.960 --> 0:48:59.279
<v Speaker 3>help book ever? Well, Included among the top titles is

0:48:59.400 --> 0:49:03.360
<v Speaker 3>nineteen nine four Agreements by Don Miguel Ruiz, How to

0:49:03.440 --> 0:49:07.280
<v Speaker 3>Win Friends and Influence People by Dale Carnegie, originally published

0:49:07.320 --> 0:49:10.160
<v Speaker 3>in nineteen thirty six, Chicken Soup for the Soul, which

0:49:10.200 --> 0:49:13.440
<v Speaker 3>has sold over eleven million copies. Nineteen fifty two, is

0:49:13.520 --> 0:49:16.800
<v Speaker 3>big seller The Power of Positive Thinking by Norman Vincent

0:49:16.920 --> 0:49:20.880
<v Speaker 3>Peel and Stephen Kobe's Seven Habits of Highly Successful People,

0:49:21.120 --> 0:49:24.120
<v Speaker 3>but the biggest seller to date is Think and Grow

0:49:24.280 --> 0:49:29.080
<v Speaker 3>Rich by Napoleon Hill. Hill interviewed highly successful business magnates

0:49:29.120 --> 0:49:32.520
<v Speaker 3>to identify key laws and habits that drive success. Key

0:49:32.560 --> 0:49:36.600
<v Speaker 3>among them was faith, desire, persistence, and the suppression of doubt,

0:49:36.840 --> 0:49:40.719
<v Speaker 3>and that has led to over eighty million copies being sold. Well,

0:49:40.840 --> 0:49:42.880
<v Speaker 3>it's good enough for me. I'm gonna wrap this up

0:49:42.920 --> 0:49:47.239
<v Speaker 3>and go Think and Grow Rich. Okay, I'm thinking. Okay,

0:49:47.320 --> 0:49:52.839
<v Speaker 3>nothing's happening yet, but I'll let you know when it does. Really,

0:49:52.920 --> 0:49:55.800
<v Speaker 3>it really is a production of iHeartRadio and Blase Entertainment.