Speaker 1: Boulet Cap Podcast special guests in here. My guy Jay Stone,
Speaker 1: what up? What up? What's cracking? My guys can see man,
Speaker 1: we're back. You know what the definition of sacrifice? Yeah,
Speaker 1: this is like, uh, what how many projects have you
Speaker 1: dropped in this series where you know, I feel like
Speaker 1: we have the definition of loyalty, definition of pain, and
Speaker 1: now we're at the definition of sacrifice. We at the
Speaker 1: definition of sacrifice. Yeah, so just like the trilogy of
Speaker 1: the series that I'm dropping, you know what I'm saying,
Speaker 1: And yeah we go again. Yeah, I mean, and it's
Speaker 1: it's you've been. I told you, man, you've been, because
Speaker 1: I feel like we've gotten all three projects relatively in
Speaker 1: a small amount of time. Yeah, it's been about like
Speaker 1: in the last two years and the last two yeah,
Speaker 1: going on three. Yeah, it's crazy. So I thought about
Speaker 1: that shit too. I'm like, damn, like is it too
Speaker 1: soon or should I you know what I'm saying, But like, nah,
Speaker 1: because you know, most artists, you know, even your favorite artist,
Speaker 1: you know what I'm saying, they give you a classic
Speaker 1: album each year. Yeah, and they don't let a year
Speaker 1: go by. It's how jay Z used to be back
Speaker 1: in the day. Every summer exactly exactly, or he'll hits
Speaker 1: you before the year. Is that, you know what I'm saying.
Speaker 1: So yeah, Plus for you being independent and owning all
Speaker 1: of your music, it's uh, it's for your business model.
Speaker 1: The more music you put out, the better it is. Right, Oh, yeah,
Speaker 1: it's way better. You know what I'm saying. I'm I'm
Speaker 1: I'm so used to the grind now like then the reviews.
Speaker 1: The reviews is cool, you feel me, But if I
Speaker 1: get stuck on that, I'm gonna be chasing that you
Speaker 1: said about like critical response to your ship. Yeah, just
Speaker 1: all that, Yeah, exactly. You know what I'm saying. I
Speaker 1: feel like you're very much outside of the industry as
Speaker 1: you possibly can be. Like I feel like you're on
Speaker 1: your mission and whoever wants to fuck with you is
Speaker 1: gonna fuck with you. But you're very much like you
Speaker 1: got the blinders on and you got your tunnel vision.
Speaker 1: And I don't I feel like, you know, I don't
Speaker 1: feel like you're like you really deal with a lot
Speaker 1: of the industry shit like nah, man, you gotta, you gotta,
Speaker 1: you gotta. It's a balance, It's really a balance, you
Speaker 1: know what I'm saying. Yeah, So you know, but it's
Speaker 1: a lot of motherfuckers I do. Fuck with court industry,
Speaker 1: you know what I'm saying that fuck with me of course.
Speaker 1: I mean, yeah, but those are like real, genuine relationships.
Speaker 1: I saw you out, I saw you out in you know,
Speaker 1: shout out to Trey, shout out to Trey Day. You know.
Speaker 1: Obviously this record with Dolph, I'm assuming that came from
Speaker 1: a genuine place as well. Yeah, we went to the
Speaker 1: studio and did that, like we we didn't do no
Speaker 1: email shit, like we actually did that. Yeah, kind of
Speaker 1: explain you know. Obviously, rest in peace to Dolph. I'm
Speaker 1: assuming this is a record that you've had for a
Speaker 1: long time. How long ago was it recorded? Like two
Speaker 1: years ago? Wow? Yeah, we recorded like twenty twenty. You
Speaker 1: know what I'm saying. We used to just chop it up,
Speaker 1: you know what I'm saying. He had called me out
Speaker 1: facetiming with FaceTime each other every other week or some
Speaker 1: shit like. Yeah, he was the best man. Yeah, how like,
Speaker 1: was it like a little bit difficult getting the record
Speaker 1: clear without him being here? I mean, because we do
Speaker 1: know his people are very solid and then you know, man, Yeah,
Speaker 1: I had to go through some channels I had to
Speaker 1: go through. I had to go through some channels. You
Speaker 1: know what I'm saying. Managers, record label, you know what
Speaker 1: I'm saying, Legal teams, you know what I'm saying. They
Speaker 1: they all know who I am. You feel me. I
Speaker 1: did it myself. I made them phone calls myself. You
Speaker 1: know what I'm saying. I didn't send nobody to do that.
Speaker 1: You know what I'm saying. Yeah, how like, how big
Speaker 1: would you describe your like music team to be? I
Speaker 1: got a team? Definitely, I got a team. But sometimes
Speaker 1: you know, I be wanting to make the cause myself.
Speaker 1: You feel me. They hit different that way. Yeah, it
Speaker 1: just hit different that way, you feel me? And then
Speaker 1: after that, you know what I'm saying, I put them
Speaker 1: with my team and then my team will take care
Speaker 1: of the rest. You know what I'm saying. Yeah, it's definitely.
Speaker 1: I even feel like I just had an artist who
Speaker 1: his PR person was hitting me and I just FaceTime.
Speaker 1: I'm like, hey, dude, why the fuck you got some
Speaker 1: random maness? Motherfucker you have to come up my show
Speaker 1: when you did, because shit, you know what I'm saying, Like,
Speaker 1: I mean, I could have did that too. You feel
Speaker 1: me because I got a new PR now you feel me,
Speaker 1: But it's like, I mean, ain't no sense of having
Speaker 1: him hit you when I can do that. My you
Speaker 1: feel me, but sometimes but sometimes you say the headache though,
Speaker 1: well that and like also like this the way I
Speaker 1: look at it, if your your album's coming out, you're
Speaker 1: at a level where PR is helpful, but like I
Speaker 1: feel like you're kind of paying the PR person to
Speaker 1: bridge you from in the new media situations you couldn't
Speaker 1: get onto yourself for you know, yeah, who else is
Speaker 1: on the project? I know you sent me the album
Speaker 1: like a little while ago. I didn't get to run
Speaker 1: through it. So who else on the album? We got a?
Speaker 1: I got Jada kiss, I got a Stalls some fucking
Speaker 1: East Coast here. You got them both on the same record?
Speaker 1: Nah no, no, almost did all I did, but it
Speaker 1: was it was just best that I got one with
Speaker 1: styles with Jada. So it's you know, it's legendary, you
Speaker 1: feel me, y'all. Gott to stop the interview real quick
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Speaker 1: for free, serving yourself a pretty heavily like influenced by
Speaker 1: the East Coast like type of rappers. Yeah for sure.
Speaker 1: I mean you know that's you know, we grew up
Speaker 1: on that ship. You feel what I'm saying. So that's
Speaker 1: just what it is. You feel me in my lyrics.
Speaker 1: You feel me. I feel it when I listen to you.
Speaker 1: I feel like you're just like you're very like You're
Speaker 1: lyrical as fucked. So it makes sense. Yeah, because at
Speaker 1: a point in time, nigga, I'm pretty sure they thought
Speaker 1: the West Coast didn't had lyrics like that. You feel me.
Speaker 1: I think at a point in time that might have
Speaker 1: been the case. Yeah, you feel me. So I always
Speaker 1: want to be one of the niggas that you know,
Speaker 1: when you listen to somebody from the West, you know
Speaker 1: what I'm saying, Like me, you would be like, yeah,
Speaker 1: that nigga got lyrics. He ain't just he ain't just right.
Speaker 1: So Jada and Styles who else? Doff Dolph I got
Speaker 1: lumity on there? Wow? Yeah, oh chick, Yeah yeah wow
Speaker 1: yeah shout out to her, shout out to Lumitty. That's
Speaker 1: the homegirl for sure. Those the forward there anymore I got,
Speaker 1: I got Mazie on. Yeah, you feel me? Hell gang Yeah,
Speaker 1: hell game, we got some shit going you feel me? Yeah? Damn,
Speaker 1: that's so. You got a that's a hell of a lineup,
Speaker 1: hell of a line And I got k Camp on
Speaker 1: my ship. You know what I'm saying. We got one
Speaker 1: for the ladies. K Camp is historically slept on. Yeah,
Speaker 1: his hooks are crazy, he crab, he could sing. Yeah,
Speaker 1: he did R and B shit, latest ship, all of that, Yeah,
Speaker 1: for sure. So you know, I thought I thought about
Speaker 1: bringing that R and B rap ship back. You feel
Speaker 1: what I'm saying, Like, you remember how I used to
Speaker 1: hear you know what I'm saying, a certain R and
Speaker 1: B song. You hear you're here the first verse, and
Speaker 1: then you hear some old R and B. Then you
Speaker 1: hear another rap verse again. You feel me? Yeah, like
Speaker 1: fabulous used to do it obviously for sure. Yeah, So
Speaker 1: I just thought I'd do something different because my last project,
Speaker 1: got In't catered to the women, now right, You got
Speaker 1: to give them something, yeah, hell yeah, because they be
Speaker 1: at the souls and shit. I'm like, damn, I ain't
Speaker 1: got too much for them. So now yeah, I got
Speaker 1: like full full record. Just put the females on this joint.
Speaker 1: So when you send Kiss and Styles a record, well,
Speaker 1: first of all, was it that? Was that the case
Speaker 1: or were you guys in together? Nah? We we sent,
Speaker 1: we sent the records. Do you send them your verse?
Speaker 1: So look this was do you wait till you get
Speaker 1: their verse back? So you know how crazy you got? No? No, no, no, no,
Speaker 1: they gonna they gonna you gotta rock to what I
Speaker 1: already got. You gotta rock. I'm gonna bring you to
Speaker 1: my real I ain't gonna change nothing. Even if you
Speaker 1: go crazy, I'm not gonna be like so they got
Speaker 1: to hear your verse? Yeah, okay, yeah, you feel me?
Speaker 1: I was gonna put Jada on the one with Styles,
Speaker 1: you know what I'm saying. And you know, a few
Speaker 1: weeks went by and I'm like, you know, I give
Speaker 1: a nigga two weeks you know what I'm saying. You know,
Speaker 1: I hit the line you feel me and ship. I
Speaker 1: figured it probably was the record. I don't know. I'm like,
Speaker 1: all right, let me just send them this one though. Yeah,
Speaker 1: I'm like, I think you'll go crazy with me in
Speaker 1: this one with Swizz you feel me? And that nigga
Speaker 1: sent that ship back the next day. Wait, Swiss pri
Speaker 1: this is record? Yeah, Swizz produced a record with me
Speaker 1: and Jaden What. Yeah? This is crazy. Yeah, kudos to you, Jay,
Speaker 1: because you're doing some real You're doing some real major grinning.
Speaker 1: I've been grinding. I'm a fan of hip hop. You
Speaker 1: feel me? Like even when I was a kid, I
Speaker 1: always felt like one day I was gonna be here.
Speaker 1: You feel me? So it's good to like, you know
Speaker 1: what I'm saying. Exchange bars with the greats, that's crazy. Yeah.
Speaker 1: A Swiss Beats record with Kiss on it? Come on, man,
Speaker 1: Swizz on the hook? What stopped playing Swizz on the hook?
Speaker 1: You feel me? That's crazy? How the hell did you
Speaker 1: end up linking with Swiss Beats? Uh? Shit man? Going
Speaker 1: to the studio with uh going to the studio with
Speaker 1: X pulling up on X. You know what I'm saying. Yeah,
Speaker 1: when he was working on the album and I was
Speaker 1: going to go pull up on X cuz you know
Speaker 1: it's been a minute, you know, So I put up
Speaker 1: to the studio as soon as I walked in that nigga.
Speaker 1: Swizz was like, hey, he nice right there. Feel me.
Speaker 1: Just put me on the spot for the everybody. You
Speaker 1: know what I'm saying. D was there? Why was there
Speaker 1: rough riders? All? Yeah? They was? They always in the building.
Speaker 1: You feel me, put the spot on? Feel me? So
Speaker 1: that's where it started. So he put the Did he
Speaker 1: put the spotlight on? You like to fucking rap on
Speaker 1: the spot? Nah, It's just you know, he was just
Speaker 1: walk He didn't even give me time to shake nobody
Speaker 1: here and to greet nobody. He like, oh yeah, that
Speaker 1: nigga nice right there. He already knew exactly who you were. Yeah,
Speaker 1: that's what I've seen Swizz like in my early days,
Speaker 1: like ten years ago. You know what I'm saying, when
Speaker 1: I first was doing his music ship, were not first
Speaker 1: doing his music ship, but when I came home and
Speaker 1: got serious. Yeah that's crazy man. All right, well, listen,
Speaker 1: you're being nonchalant about some of the ship going on
Speaker 1: on your album. You were like, yeah, swisses on it.
Speaker 1: It's a big fucking deal, man, Yeah, it is, bro
Speaker 1: it is. You know what I'm saying, I'm I'm I'm
Speaker 1: humbly aggressive about this. Ship though. Okay, so we got
Speaker 1: Mazie Lumity, uh Styles kiss Golf anybody else? Yeah, we
Speaker 1: got a I got Knee Lamb all my ship. I
Speaker 1: don't even know who that is. Knee Lamb. Yeah yeah,
Speaker 1: see I'm not hip. Yeah that's cool. You're gonna be here.
Speaker 1: I'm looking forward to it. Yeah, she's dope. She's the
Speaker 1: song called hold Me Down singer, singer and rap. Okay, yeah,
Speaker 1: so you gotta man, I feel like what you're doing
Speaker 1: is like somehow not being appreciated enough because I feel
Speaker 1: like you're doing like you're doing that. Rappers with major
Speaker 1: deals aren't doing. You're making money. They're not making exactly.
Speaker 1: They're driving the cars they can't afford to d exactly. Bro,
Speaker 1: I'm like, what the fuck is going on? You feel me?
Speaker 1: But it's cool though, because you know they gonna catch
Speaker 1: it later. Bro, they might not catch it now, because
Speaker 1: it's like that for everybody sometimes, you know, niggas might
Speaker 1: need it, just a full ten year run. I ain't
Speaker 1: on my tenth year run yet, you know what I'm
Speaker 1: saying a lot of niggas got their tenth year run
Speaker 1: and look at them now. You know what I'm saying,
Speaker 1: I feel like you just gotta keep that blinder ship everything,
Speaker 1: Just keep everybody. It'll come to you, bro, don't worry
Speaker 1: about going to it. You and Davey still doing the
Speaker 1: project together for sure, it's almost done. We're gonna go
Speaker 1: on tour together. I probably shouldn't have said that, but
Speaker 1: what I'm saying, that's that's that's what it is. You
Speaker 1: feel me for sure? That's big man. I want to
Speaker 1: know your thoughts on when you first saw Kendrick's video
Speaker 1: The Hard Part five Man, amazing number one. You know
Speaker 1: what I'm saying, I damn it, I damn it dropped
Speaker 1: a tear. You know what I'm saying. That shit was
Speaker 1: just when it got to Nip Park. You feel me.
Speaker 1: It was just that shit was crazy. The movement, the gestures, everything,
Speaker 1: the mannerism, everything like that shit, it shit hit different.
Speaker 1: You know what I'm saying. Definitely it was that words,
Speaker 1: just just just what he was saying, like it was,
Speaker 1: you know what I'm saying, some real impacted ship, do
Speaker 1: you uh? Because when I saw that, I was like, Okay,
Speaker 1: well obviously this is a powerful moment. First of all,
Speaker 1: it's the first music we've heard from Kendrick in five
Speaker 1: five years. You know what I'm saying, It's the first
Speaker 1: it's the first look we get from, you know what
Speaker 1: I'm saying, the first sound we get from. And then
Speaker 1: for him to do that was to me, like, that's
Speaker 1: a hard thing to do without it, I like, it's
Speaker 1: just it's only I feel like only Kendrick could have
Speaker 1: did that. Yeah, you know what I mean? Yeah, because
Speaker 1: I think that somebody else would have did that. Yeah,
Speaker 1: people would have looked at him like crazy. Yeah you
Speaker 1: do you happen to know if like he ran that
Speaker 1: by like Sam or anybody before it came out, or
Speaker 1: was it kind of like did everyone hear it when
Speaker 1: everyone heard it? Nah? I mean, shit like that come
Speaker 1: from the heart. You know what I'm saying. I don't
Speaker 1: think you gotta you know what I'm saying, run shit
Speaker 1: like that about the team, especially you being Kendrick and
Speaker 1: we you know what I'm saying, we fuck with you
Speaker 1: with the team, you home team family. You feel me, Yeah,
Speaker 1: I think that's something just straight from the heart. You
Speaker 1: feel me like, I ain't even gonna let nobody even
Speaker 1: know I'm doing it. Y'all gonna see it when y'all
Speaker 1: see it. Yeah, yeah, it was. It was powerful, dude. Yeah,
Speaker 1: it's crazy because I also feel like when that happened,
Speaker 1: you know, we didn't get to hear from Kendrick and
Speaker 1: the Turn, like Kendrick, I mean, we wait five years, right,
Speaker 1: so when we lost Nip man, Like you know, when
Speaker 1: we think of La, we think of Nip and we
Speaker 1: think of Kendrick, Yeah exactly, and to like finally kind
Speaker 1: of get to hear him, you know, put his thoughts
Speaker 1: into anything about just any any Yeah, but just that loss,
Speaker 1: like you know, it's just man, It's just it was crazy.
Speaker 1: Like you said, it was some real emotional ship. Yeah,
Speaker 1: this sh it was trippy at first. I looked at it.
Speaker 1: I'm like, you know what I'm saying, just going through
Speaker 1: all the different faces, not even just Nip just yeah, Kobe,
Speaker 1: it's all of it. Yeah, super crazy man. Let's talk
Speaker 1: about like you obviously are very much active as an artist,
Speaker 1: but I do feel like you have some CEO ship
Speaker 1: in you. Are you signing artists? Are you gonna be
Speaker 1: like doing the label thing? I know that's definitely something
Speaker 1: I'm gonna do. Uh, I'm gonna drop this mixtape with Drama.
Speaker 1: There's a Drama take is it again? Shouldn't? Definitely? So
Speaker 1: you got a Gangster Girls coming? Yeah? Man, Yeah, I'm
Speaker 1: too ahead of my time. I think I'm ahead of myself.
Speaker 1: You feel me for real? How the heck? Okay? So
Speaker 1: shout out to Drama, A legendary mixtape series of all time.
Speaker 1: My guy just got a Grammy off of Tyler hosting
Speaker 1: Tyler Gradors album. Yeah, Uh? Are you done with the project?
Speaker 1: Is the Gangster Grils done? Now? We're just getting started.
Speaker 1: I'm about to go. I'm about to go to the
Speaker 1: A and tap in uh next week and finish up.
Speaker 1: You're gonna have you been his? Have you been a
Speaker 1: generation years ago? It's new? They moved No, No, I
Speaker 1: know I need to come to the new spot Yeah
Speaker 1: are you gonna do? Because the one thing that's tricky
Speaker 1: about the mixtape game now is if you take other
Speaker 1: people's beats, you might not be able to put it
Speaker 1: on Spotify? And it's a thing I'm I'm I'm doing
Speaker 1: this ship with my producers, all original ship from my
Speaker 1: label and my artists. So you're gonna be able to
Speaker 1: actually put it out on iTunes and Spotify. That's good? Yeah,
Speaker 1: legendary got to you Feel Me. Gotta let the world
Speaker 1: here you feel Me, because I think the legendary mixtapes
Speaker 1: are putting it on that pif only that shit cool,
Speaker 1: but it's like, yeah, but no one shot that PITH.
Speaker 1: But it's people. It's like people listen to music everywhere,
Speaker 1: like too many different places. So I just can't just
Speaker 1: have it just stuck there. Yeah no, no no, not for sure.
Speaker 1: And if we think of the crazy O G mixtapes Cushion,
Speaker 1: Orange Juice, yeah classic, all that was all that was
Speaker 1: all original production. Yeah yeah, yeah, yeah that that. I
Speaker 1: mean a lot of a lot of mixtapes could have
Speaker 1: been albums, you know what I'm saying. I think there
Speaker 1: was albums, but yet Yeah, just the era was mixtape,
Speaker 1: so it was calling the mixtape. You know what I'm saying.
Speaker 1: It was a weird era because it was the blog era. Yeah,
Speaker 1: it was yeah you feel Me, and it was popping.
Speaker 1: You drop a mixtape, you know, you go crazy, going tour,
Speaker 1: going tour off of mix. I'm like off a free
Speaker 1: project performing mixtape like songs he did off of Wayne
Speaker 1: You Feel Me in the crowd love it like everywhere,
Speaker 1: even big tours, like you know what I'm saying he
Speaker 1: performing that song. Hey, we got to stop the interview
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Speaker 1: That's crazy, bro, that's crazy. So the album's coming out
Speaker 1: June fifteenth, June fifteenth, June fifteenth, We're gonna get the project,
Speaker 1: lots of big features, Davies collab project, coming tour, Gangs
Speaker 1: the grills coming so much. I wanted to ask you.
Speaker 1: I had Trell up here and I saw you win
Speaker 1: up to No Jumper and did an interview with him.
Speaker 1: Can you for people who aren't aware as to why
Speaker 1: that was a big deal? Man? Because there might be
Speaker 1: people who are watching this who aren't from LA, who
Speaker 1: aren't hip to the politics of LA. So why was
Speaker 1: that such a big deal that you and t Rel
Speaker 1: sat with each other? Man? Number One? Shout out to
Speaker 1: treel Man. Great guy, Yeah, real, one hundred dude, solid dude.
Speaker 1: You feel me, you know, I feel like you know,
Speaker 1: we come from the same shit. You know what I'm saying,
Speaker 1: you know, South central LA. You know what I'm saying,
Speaker 1: the hoods, the you know what I'm saying, going to jail,
Speaker 1: you know. So it's like, at some point, you know
Speaker 1: what I'm saying, you gotta you got you gotta show
Speaker 1: the young niggas that, you know what I'm saying. We
Speaker 1: can elevate, we can grow, you know what I'm saying,
Speaker 1: and something beyond just you know what I'm saying, doing
Speaker 1: that we can't get do bennings together. Niggas can't get
Speaker 1: money together, you know what I'm saying. So yeah, because
Speaker 1: your guys's neighborhoods obviously don't get along. Now, it's probably
Speaker 1: the most notorious disagreement in LA in the LA Street politics.
Speaker 1: So like, I just thought that was dope, man, because
Speaker 1: I do feel like eventually somebody's gotta you know, show
Speaker 1: everybody that, yeah, somebody gotta do it. You feel me,
Speaker 1: just because based on the politics, you know what I'm saying.
Speaker 1: You know how LA is like, oh, you ain't supposed
Speaker 1: to do this. You ain't supposed to all. They ain't
Speaker 1: supposed talk to They ain't supposed to kick it with them.
Speaker 1: You feel me, But you're your own man at the
Speaker 1: end of the day, Like you feel me and my
Speaker 1: homies they fucked with that day and they ain't against it.
Speaker 1: They wasn't opposed to it. You know what I'm saying.
Speaker 1: Niggas can't be like, oh, nigga, you wouldn't did that
Speaker 1: with feel me. It don't work like that. Do you
Speaker 1: think that there's like because I think when it passed,
Speaker 1: obviously everybody uh when big you set up uh where
Speaker 1: everybody had marched over there together, which was a big deal.
Speaker 1: But what do you think is like the key in
Speaker 1: breaking the cycle? Because it's hard to tell people. I
Speaker 1: think it gotta be more of that right there, what
Speaker 1: you just said. It can't just be done just only
Speaker 1: on you know what I'm saying, just one day. It
Speaker 1: gotta be done multiple times. You feel me. They gotta
Speaker 1: they got they gotta, they gotta get used to being
Speaker 1: with each other, being around each other and not doing shit.
Speaker 1: You know what I'm saying. You feel me because I
Speaker 1: mean it was good to see people that I know
Speaker 1: that you know what I'm saying, then probably wouldn't even
Speaker 1: be with each other on standing around each other, you
Speaker 1: know what I'm saying, next to each other. So you know,
Speaker 1: I think more of it. I think you know what
Speaker 1: I'm saying, niggas that get the point. Yeah, I just
Speaker 1: think like when there's like such a I always say,
Speaker 1: you can't tell people how to react to certain shit.
Speaker 1: Right So if somebody, you know, once upon a time
Speaker 1: maybe took your cousin's life, or your brother's life. I
Speaker 1: can't tell anybody how to react to that, but like eventually,
Speaker 1: it's like you would hope one day the cycle, because
Speaker 1: it's just every time a reaction happens to an action
Speaker 1: just resets the whole thing exactly. And sometimes you be
Speaker 1: thinking like it ain't gonna stop, like it's never ending.
Speaker 1: But I mean, you know, somebody gotta do it. It
Speaker 1: can't be done. I believe it can't be done, you
Speaker 1: know what I'm saying. That's why I thought it was
Speaker 1: dope to see you guys sit together, man, because Trell's
Speaker 1: a great guy. You're a great guy, and it's like
Speaker 1: some real leadership shit to like show everybody else, Yeah,
Speaker 1: that is possible exactly. Somebody else gonna watch that. And
Speaker 1: you know what I'm saying, they might be feeling a
Speaker 1: certain way about another situation. They you know what I'm saying,
Speaker 1: They might be like, oh, well, well I can do
Speaker 1: it over here. Was there ever any situation where you
Speaker 1: on the music side where maybe you wanted to work
Speaker 1: with somebody or somebody wanted to work with you, but
Speaker 1: y'all just couldn't make it happen just because of the politics.
Speaker 1: Uh nah, nah, I mean I would say, like niggas
Speaker 1: like two eleven or Schoolboy Q, but like I mean,
Speaker 1: we never let the hood shit like get in the
Speaker 1: way of that ship. You know what I'm saying. We
Speaker 1: always want to do records with each other and shit
Speaker 1: like that. You feel me, But it's just you know,
Speaker 1: we never did it. But two eleven is a great guy. Yeah,
Speaker 1: like great guy. I seen him in my hood. I
Speaker 1: see him. You know what I'm saying. You see me
Speaker 1: in here's hood, you feel me and Q, and Q
Speaker 1: is an amazing guy. He's the funny He's the funniest
Speaker 1: rapper exactly. He's one. Yeah he said it's a crazy
Speaker 1: shit though. Yeah, that's like, that's the main guy I
Speaker 1: always think about, like man if Que and Knit record,
Speaker 1: you know what I mean, like certain ship like that
Speaker 1: that like you know, it would have been crazy. But
Speaker 1: like obviously you know, but people who aren't from here
Speaker 1: don't understand that kind of shit. So no, they don't
Speaker 1: because like everybody, everybody, everybody ain't with getting money, everybody
Speaker 1: ain't with the music ship. It's some niggas, that's just
Speaker 1: you know what I'm saying. They don't give a fuck
Speaker 1: about none of that. Yeah, yeah, that makes sense. You
Speaker 1: know what I'm saying, And that's crazy, you feel me,
Speaker 1: that's crazy. But they gotta they gotta live life. They
Speaker 1: gotta explore a little bit, you feel me. I mean,
Speaker 1: I was young before. I remember, I didn't give a
Speaker 1: fuck about getting money. You used to be that guy. Yeah, exactly,
Speaker 1: so you had to Yeah, I mean, but you you know,
Speaker 1: you grow up, manage to this ship, you feel me
Speaker 1: levels to it. Indeed, bro, well I appreciate you coming through. Man.
Speaker 1: Thanks for having me man always. We got the freestyle
Speaker 1: we're about to do so that's gonna be a separate
Speaker 1: YouTube video, so go check that shit out the album
Speaker 1: The definition of Sacrifice? Is this the final in the
Speaker 1: Is this gonna be a trilogy? Noth Nah, It's gonna
Speaker 1: be one more. I got one more definition of success.
Speaker 1: I like that. That's how you end it? Yeah, I
Speaker 1: like it. But you know, you know that was that
Speaker 1: was that was That was nip idea. You know what
Speaker 1: I'm saying. Me and Ni was texting each other. I
Speaker 1: had symptom, not symptom, but I gave him my CD
Speaker 1: with like some songs on there. From the Definition of
Speaker 1: Loyalty and That's when he texted me, like, definition of Loyalty.
Speaker 1: That's the name of your album. You know what I'm saying.
Speaker 1: Then he kept texting like your next album should be
Speaker 1: Definition of Sacrifice, Definition of Pain, definition of Poccess. You
Speaker 1: feel me and I'm here, We are there. It is.
Speaker 1: There's the four there, it is right there. You feel me,
Speaker 1: so I ain't gonna stop there it is man, Jay Stone,
Speaker 1: go get the album. Appreciate you, bro. Yeah, let's go,
Speaker 1: man perfect, get it.