WEBVTT - #173 - J.Stone

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<v Speaker 1>Boulet Cap Podcast special guests in here. My guy Jay Stone,

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<v Speaker 1>what up? What up? What's cracking? My guys can see man,

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<v Speaker 1>we're back. You know what the definition of sacrifice? Yeah,

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<v Speaker 1>this is like, uh, what how many projects have you

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<v Speaker 1>dropped in this series where you know, I feel like

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<v Speaker 1>we have the definition of loyalty, definition of pain, and

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<v Speaker 1>now we're at the definition of sacrifice. We at the

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<v Speaker 1>definition of sacrifice. Yeah, so just like the trilogy of

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<v Speaker 1>the series that I'm dropping, you know what I'm saying,

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<v Speaker 1>And yeah we go again. Yeah, I mean, and it's

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<v Speaker 1>it's you've been. I told you, man, you've been, because

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<v Speaker 1>I feel like we've gotten all three projects relatively in

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<v Speaker 1>a small amount of time. Yeah, it's been about like

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<v Speaker 1>in the last two years and the last two yeah,

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<v Speaker 1>going on three. Yeah, it's crazy. So I thought about

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<v Speaker 1>that shit too. I'm like, damn, like is it too

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<v Speaker 1>soon or should I you know what I'm saying, But like, nah,

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<v Speaker 1>because you know, most artists, you know, even your favorite artist,

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<v Speaker 1>you know what I'm saying, they give you a classic

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<v Speaker 1>album each year. Yeah, and they don't let a year

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<v Speaker 1>go by. It's how jay Z used to be back

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<v Speaker 1>in the day. Every summer exactly exactly, or he'll hits

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<v Speaker 1>you before the year. Is that, you know what I'm saying.

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<v Speaker 1>So yeah, Plus for you being independent and owning all

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<v Speaker 1>of your music, it's uh, it's for your business model.

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<v Speaker 1>The more music you put out, the better it is. Right, Oh, yeah,

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<v Speaker 1>it's way better. You know what I'm saying. I'm I'm

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<v Speaker 1>I'm so used to the grind now like then the reviews.

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<v Speaker 1>The reviews is cool, you feel me, But if I

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<v Speaker 1>get stuck on that, I'm gonna be chasing that you

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<v Speaker 1>said about like critical response to your ship. Yeah, just

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<v Speaker 1>all that, Yeah, exactly. You know what I'm saying. I

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<v Speaker 1>feel like you're very much outside of the industry as

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<v Speaker 1>you possibly can be. Like I feel like you're on

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<v Speaker 1>your mission and whoever wants to fuck with you is

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<v Speaker 1>gonna fuck with you. But you're very much like you

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<v Speaker 1>got the blinders on and you got your tunnel vision.

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<v Speaker 1>And I don't I feel like, you know, I don't

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<v Speaker 1>feel like you're like you really deal with a lot

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<v Speaker 1>of the industry shit like nah, man, you gotta, you gotta,

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<v Speaker 1>you gotta. It's a balance, It's really a balance, you

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<v Speaker 1>know what I'm saying. Yeah, So you know, but it's

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<v Speaker 1>a lot of motherfuckers I do. Fuck with court industry,

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<v Speaker 1>you know what I'm saying that fuck with me of course.

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<v Speaker 1>I mean, yeah, but those are like real, genuine relationships.

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<v Speaker 1>I saw you out, I saw you out in you know,

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<v Speaker 1>shout out to Trey, shout out to Trey Day. You know.

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<v Speaker 1>Obviously this record with Dolph, I'm assuming that came from

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<v Speaker 1>a genuine place as well. Yeah, we went to the

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<v Speaker 1>studio and did that, like we we didn't do no

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<v Speaker 1>email shit, like we actually did that. Yeah, kind of

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<v Speaker 1>explain you know. Obviously, rest in peace to Dolph. I'm

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<v Speaker 1>assuming this is a record that you've had for a

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<v Speaker 1>long time. How long ago was it recorded? Like two

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<v Speaker 1>years ago? Wow? Yeah, we recorded like twenty twenty. You

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<v Speaker 1>know what I'm saying. We used to just chop it up,

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<v Speaker 1>you know what I'm saying. He had called me out

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<v Speaker 1>facetiming with FaceTime each other every other week or some

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<v Speaker 1>shit like. Yeah, he was the best man. Yeah, how like,

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<v Speaker 1>was it like a little bit difficult getting the record

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<v Speaker 1>clear without him being here? I mean, because we do

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<v Speaker 1>know his people are very solid and then you know, man, Yeah,

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<v Speaker 1>I had to go through some channels I had to

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<v Speaker 1>go through. I had to go through some channels. You

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<v Speaker 1>know what I'm saying. Managers, record label, you know what

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<v Speaker 1>I'm saying, Legal teams, you know what I'm saying. They

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<v Speaker 1>they all know who I am. You feel me. I

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<v Speaker 1>did it myself. I made them phone calls myself. You

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<v Speaker 1>know what I'm saying. I didn't send nobody to do that.

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<v Speaker 1>You know what I'm saying. Yeah, how like, how big

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<v Speaker 1>would you describe your like music team to be? I

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<v Speaker 1>got a team? Definitely, I got a team. But sometimes

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<v Speaker 1>you know, I be wanting to make the cause myself.

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<v Speaker 1>You feel me. They hit different that way. Yeah, it

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<v Speaker 1>just hit different that way, you feel me? And then

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<v Speaker 1>after that, you know what I'm saying, I put them

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<v Speaker 1>with my team and then my team will take care

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<v Speaker 1>of the rest. You know what I'm saying. Yeah, it's definitely.

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<v Speaker 1>I even feel like I just had an artist who

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<v Speaker 1>his PR person was hitting me and I just FaceTime.

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<v Speaker 1>I'm like, hey, dude, why the fuck you got some

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<v Speaker 1>random maness? Motherfucker you have to come up my show

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<v Speaker 1>when you did, because shit, you know what I'm saying, Like,

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<v Speaker 1>I mean, I could have did that too. You feel

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<v Speaker 1>me because I got a new PR now you feel me,

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<v Speaker 1>But it's like, I mean, ain't no sense of having

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<v Speaker 1>him hit you when I can do that. My you

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<v Speaker 1>feel me, but sometimes but sometimes you say the headache though,

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<v Speaker 1>well that and like also like this the way I

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<v Speaker 1>look at it, if your your album's coming out, you're

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<v Speaker 1>at a level where PR is helpful, but like I

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<v Speaker 1>feel like you're kind of paying the PR person to

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<v Speaker 1>bridge you from in the new media situations you couldn't

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<v Speaker 1>get onto yourself for you know, yeah, who else is

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<v Speaker 1>on the project? I know you sent me the album

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<v Speaker 1>like a little while ago. I didn't get to run

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<v Speaker 1>through it. So who else on the album? We got a?

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<v Speaker 1>I got Jada kiss, I got a Stalls some fucking

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<v Speaker 1>East Coast here. You got them both on the same record?

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<v Speaker 1>Nah no, no, almost did all I did, but it

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<v Speaker 1>was it was just best that I got one with

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<v Speaker 1>styles with Jada. So it's you know, it's legendary, you

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<v Speaker 1>feel me, y'all. Gott to stop the interview real quick

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<v Speaker 1>for free, serving yourself a pretty heavily like influenced by

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<v Speaker 1>the East Coast like type of rappers. Yeah for sure.

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<v Speaker 1>I mean you know that's you know, we grew up

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<v Speaker 1>on that ship. You feel what I'm saying. So that's

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<v Speaker 1>just what it is. You feel me in my lyrics.

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<v Speaker 1>You feel me. I feel it when I listen to you.

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<v Speaker 1>I feel like you're just like you're very like You're

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<v Speaker 1>lyrical as fucked. So it makes sense. Yeah, because at

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<v Speaker 1>a point in time, nigga, I'm pretty sure they thought

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<v Speaker 1>the West Coast didn't had lyrics like that. You feel me.

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<v Speaker 1>I think at a point in time that might have

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<v Speaker 1>been the case. Yeah, you feel me. So I always

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<v Speaker 1>want to be one of the niggas that you know,

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<v Speaker 1>when you listen to somebody from the West, you know

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<v Speaker 1>what I'm saying, Like me, you would be like, yeah,

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<v Speaker 1>that nigga got lyrics. He ain't just he ain't just right.

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<v Speaker 1>So Jada and Styles who else? Doff Dolph I got

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<v Speaker 1>lumity on there? Wow? Yeah, oh chick, Yeah yeah wow

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<v Speaker 1>yeah shout out to her, shout out to Lumitty. That's

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<v Speaker 1>the homegirl for sure. Those the forward there anymore I got,

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<v Speaker 1>I got Mazie on. Yeah, you feel me? Hell gang Yeah,

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<v Speaker 1>hell game, we got some shit going you feel me? Yeah? Damn,

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<v Speaker 1>that's so. You got a that's a hell of a lineup,

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<v Speaker 1>hell of a line And I got k Camp on

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<v Speaker 1>my ship. You know what I'm saying. We got one

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<v Speaker 1>for the ladies. K Camp is historically slept on. Yeah,

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<v Speaker 1>his hooks are crazy, he crab, he could sing. Yeah,

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<v Speaker 1>he did R and B shit, latest ship, all of that, Yeah,

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<v Speaker 1>for sure. So you know, I thought I thought about

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<v Speaker 1>bringing that R and B rap ship back. You feel

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<v Speaker 1>what I'm saying, Like, you remember how I used to

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<v Speaker 1>hear you know what I'm saying, a certain R and

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<v Speaker 1>B song. You hear you're here the first verse, and

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<v Speaker 1>then you hear some old R and B. Then you

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<v Speaker 1>hear another rap verse again. You feel me? Yeah, like

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<v Speaker 1>fabulous used to do it obviously for sure. Yeah, So

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<v Speaker 1>I just thought I'd do something different because my last project,

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<v Speaker 1>got In't catered to the women, now right, You got

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<v Speaker 1>to give them something, yeah, hell yeah, because they be

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<v Speaker 1>at the souls and shit. I'm like, damn, I ain't

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<v Speaker 1>got too much for them. So now yeah, I got

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<v Speaker 1>like full full record. Just put the females on this joint.

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<v Speaker 1>So when you send Kiss and Styles a record, well,

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<v Speaker 1>first of all, was it that? Was that the case

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<v Speaker 1>or were you guys in together? Nah? We we sent,

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<v Speaker 1>we sent the records. Do you send them your verse?

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<v Speaker 1>So look this was do you wait till you get

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<v Speaker 1>their verse back? So you know how crazy you got? No? No, no, no, no,

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<v Speaker 1>they gonna they gonna you gotta rock to what I

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<v Speaker 1>already got. You gotta rock. I'm gonna bring you to

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<v Speaker 1>my real I ain't gonna change nothing. Even if you

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<v Speaker 1>go crazy, I'm not gonna be like so they got

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<v Speaker 1>to hear your verse? Yeah, okay, yeah, you feel me?

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<v Speaker 1>I was gonna put Jada on the one with Styles,

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<v Speaker 1>you know what I'm saying. And you know, a few

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<v Speaker 1>weeks went by and I'm like, you know, I give

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<v Speaker 1>a nigga two weeks you know what I'm saying. You know,

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<v Speaker 1>I hit the line you feel me and ship. I

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<v Speaker 1>figured it probably was the record. I don't know. I'm like,

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<v Speaker 1>all right, let me just send them this one though. Yeah,

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<v Speaker 1>I'm like, I think you'll go crazy with me in

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<v Speaker 1>this one with Swizz you feel me? And that nigga

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<v Speaker 1>sent that ship back the next day. Wait, Swiss pri

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<v Speaker 1>this is record? Yeah, Swizz produced a record with me

0:09:02.200 --> 0:09:09.240
<v Speaker 1>and Jaden What. Yeah? This is crazy. Yeah, kudos to you, Jay,

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<v Speaker 1>because you're doing some real You're doing some real major grinning.

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<v Speaker 1>I've been grinding. I'm a fan of hip hop. You

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<v Speaker 1>feel me? Like even when I was a kid, I

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<v Speaker 1>always felt like one day I was gonna be here.

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<v Speaker 1>You feel me? So it's good to like, you know

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<v Speaker 1>what I'm saying. Exchange bars with the greats, that's crazy. Yeah.

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<v Speaker 1>A Swiss Beats record with Kiss on it? Come on, man,

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<v Speaker 1>Swizz on the hook? What stopped playing Swizz on the hook?

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<v Speaker 1>You feel me? That's crazy? How the hell did you

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<v Speaker 1>end up linking with Swiss Beats? Uh? Shit man? Going

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<v Speaker 1>to the studio with uh going to the studio with

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<v Speaker 1>X pulling up on X. You know what I'm saying. Yeah,

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<v Speaker 1>when he was working on the album and I was

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<v Speaker 1>going to go pull up on X cuz you know

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<v Speaker 1>it's been a minute, you know, So I put up

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<v Speaker 1>to the studio as soon as I walked in that nigga.

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<v Speaker 1>Swizz was like, hey, he nice right there. Feel me.

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<v Speaker 1>Just put me on the spot for the everybody. You

0:10:05.679 --> 0:10:08.439
<v Speaker 1>know what I'm saying. D was there? Why was there

0:10:08.559 --> 0:10:11.880
<v Speaker 1>rough riders? All? Yeah? They was? They always in the building.

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<v Speaker 1>You feel me, put the spot on? Feel me? So

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<v Speaker 1>that's where it started. So he put the Did he

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<v Speaker 1>put the spotlight on? You like to fucking rap on

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<v Speaker 1>the spot? Nah, It's just you know, he was just

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<v Speaker 1>walk He didn't even give me time to shake nobody

0:10:24.480 --> 0:10:26.320
<v Speaker 1>here and to greet nobody. He like, oh yeah, that

0:10:26.400 --> 0:10:29.560
<v Speaker 1>nigga nice right there. He already knew exactly who you were. Yeah,

0:10:29.800 --> 0:10:32.400
<v Speaker 1>that's what I've seen Swizz like in my early days,

0:10:32.480 --> 0:10:34.920
<v Speaker 1>like ten years ago. You know what I'm saying, when

0:10:34.920 --> 0:10:37.679
<v Speaker 1>I first was doing his music ship, were not first

0:10:37.679 --> 0:10:39.360
<v Speaker 1>doing his music ship, but when I came home and

0:10:39.440 --> 0:10:42.960
<v Speaker 1>got serious. Yeah that's crazy man. All right, well, listen,

0:10:43.160 --> 0:10:45.480
<v Speaker 1>you're being nonchalant about some of the ship going on

0:10:45.480 --> 0:10:47.960
<v Speaker 1>on your album. You were like, yeah, swisses on it.

0:10:47.960 --> 0:10:50.200
<v Speaker 1>It's a big fucking deal, man, Yeah, it is, bro

0:10:50.559 --> 0:10:52.559
<v Speaker 1>it is. You know what I'm saying, I'm I'm I'm

0:10:52.640 --> 0:10:55.040
<v Speaker 1>humbly aggressive about this. Ship though. Okay, so we got

0:10:55.080 --> 0:11:00.880
<v Speaker 1>Mazie Lumity, uh Styles kiss Golf anybody else? Yeah, we

0:11:00.960 --> 0:11:03.400
<v Speaker 1>got a I got Knee Lamb all my ship. I

0:11:03.400 --> 0:11:06.480
<v Speaker 1>don't even know who that is. Knee Lamb. Yeah yeah,

0:11:06.600 --> 0:11:09.040
<v Speaker 1>see I'm not hip. Yeah that's cool. You're gonna be here.

0:11:09.960 --> 0:11:12.319
<v Speaker 1>I'm looking forward to it. Yeah, she's dope. She's the

0:11:12.520 --> 0:11:16.960
<v Speaker 1>song called hold Me Down singer, singer and rap. Okay, yeah,

0:11:17.600 --> 0:11:20.880
<v Speaker 1>so you gotta man, I feel like what you're doing

0:11:21.000 --> 0:11:25.920
<v Speaker 1>is like somehow not being appreciated enough because I feel

0:11:26.000 --> 0:11:29.840
<v Speaker 1>like you're doing like you're doing that. Rappers with major

0:11:29.880 --> 0:11:33.120
<v Speaker 1>deals aren't doing. You're making money. They're not making exactly.

0:11:33.120 --> 0:11:35.679
<v Speaker 1>They're driving the cars they can't afford to d exactly. Bro,

0:11:36.080 --> 0:11:38.320
<v Speaker 1>I'm like, what the fuck is going on? You feel me?

0:11:38.360 --> 0:11:44.440
<v Speaker 1>But it's cool though, because you know they gonna catch

0:11:44.440 --> 0:11:47.200
<v Speaker 1>it later. Bro, they might not catch it now, because

0:11:47.240 --> 0:11:49.600
<v Speaker 1>it's like that for everybody sometimes, you know, niggas might

0:11:49.640 --> 0:11:51.840
<v Speaker 1>need it, just a full ten year run. I ain't

0:11:51.840 --> 0:11:53.600
<v Speaker 1>on my tenth year run yet, you know what I'm

0:11:53.600 --> 0:11:55.640
<v Speaker 1>saying a lot of niggas got their tenth year run

0:11:56.160 --> 0:11:58.679
<v Speaker 1>and look at them now. You know what I'm saying,

0:11:59.440 --> 0:12:03.800
<v Speaker 1>I feel like you just gotta keep that blinder ship everything,

0:12:03.920 --> 0:12:07.200
<v Speaker 1>Just keep everybody. It'll come to you, bro, don't worry

0:12:07.200 --> 0:12:09.960
<v Speaker 1>about going to it. You and Davey still doing the

0:12:09.960 --> 0:12:12.280
<v Speaker 1>project together for sure, it's almost done. We're gonna go

0:12:12.320 --> 0:12:14.600
<v Speaker 1>on tour together. I probably shouldn't have said that, but

0:12:16.040 --> 0:12:18.480
<v Speaker 1>what I'm saying, that's that's that's what it is. You

0:12:18.520 --> 0:12:20.920
<v Speaker 1>feel me for sure? That's big man. I want to

0:12:20.960 --> 0:12:24.120
<v Speaker 1>know your thoughts on when you first saw Kendrick's video

0:12:24.200 --> 0:12:32.160
<v Speaker 1>The Hard Part five Man, amazing number one. You know

0:12:32.200 --> 0:12:34.360
<v Speaker 1>what I'm saying, I damn it, I damn it dropped

0:12:34.360 --> 0:12:37.160
<v Speaker 1>a tear. You know what I'm saying. That shit was

0:12:37.200 --> 0:12:39.560
<v Speaker 1>just when it got to Nip Park. You feel me.

0:12:39.600 --> 0:12:43.560
<v Speaker 1>It was just that shit was crazy. The movement, the gestures, everything,

0:12:43.640 --> 0:12:46.840
<v Speaker 1>the mannerism, everything like that shit, it shit hit different.

0:12:47.679 --> 0:12:50.440
<v Speaker 1>You know what I'm saying. Definitely it was that words,

0:12:50.559 --> 0:12:52.680
<v Speaker 1>just just just what he was saying, like it was,

0:12:52.800 --> 0:12:56.640
<v Speaker 1>you know what I'm saying, some real impacted ship, do

0:12:56.679 --> 0:12:58.920
<v Speaker 1>you uh? Because when I saw that, I was like, Okay,

0:12:59.000 --> 0:13:03.040
<v Speaker 1>well obviously this is a powerful moment. First of all,

0:13:03.040 --> 0:13:05.880
<v Speaker 1>it's the first music we've heard from Kendrick in five

0:13:06.200 --> 0:13:08.920
<v Speaker 1>five years. You know what I'm saying, It's the first

0:13:09.120 --> 0:13:10.959
<v Speaker 1>it's the first look we get from, you know what

0:13:10.960 --> 0:13:13.400
<v Speaker 1>I'm saying, the first sound we get from. And then

0:13:13.440 --> 0:13:17.360
<v Speaker 1>for him to do that was to me, like, that's

0:13:17.400 --> 0:13:21.319
<v Speaker 1>a hard thing to do without it, I like, it's

0:13:21.360 --> 0:13:24.000
<v Speaker 1>just it's only I feel like only Kendrick could have

0:13:24.000 --> 0:13:26.280
<v Speaker 1>did that. Yeah, you know what I mean? Yeah, because

0:13:26.280 --> 0:13:29.520
<v Speaker 1>I think that somebody else would have did that. Yeah,

0:13:29.640 --> 0:13:33.280
<v Speaker 1>people would have looked at him like crazy. Yeah you

0:13:33.720 --> 0:13:35.440
<v Speaker 1>do you happen to know if like he ran that

0:13:35.559 --> 0:13:37.920
<v Speaker 1>by like Sam or anybody before it came out, or

0:13:38.160 --> 0:13:39.760
<v Speaker 1>was it kind of like did everyone hear it when

0:13:39.760 --> 0:13:43.839
<v Speaker 1>everyone heard it? Nah? I mean, shit like that come

0:13:43.880 --> 0:13:45.160
<v Speaker 1>from the heart. You know what I'm saying. I don't

0:13:45.200 --> 0:13:47.160
<v Speaker 1>think you gotta you know what I'm saying, run shit

0:13:47.240 --> 0:13:49.560
<v Speaker 1>like that about the team, especially you being Kendrick and

0:13:49.600 --> 0:13:51.319
<v Speaker 1>we you know what I'm saying, we fuck with you

0:13:51.600 --> 0:13:56.440
<v Speaker 1>with the team, you home team family. You feel me, Yeah,

0:13:56.440 --> 0:13:58.360
<v Speaker 1>I think that's something just straight from the heart. You

0:13:58.360 --> 0:14:00.160
<v Speaker 1>feel me like, I ain't even gonna let nobody even

0:14:00.240 --> 0:14:02.120
<v Speaker 1>know I'm doing it. Y'all gonna see it when y'all

0:14:02.120 --> 0:14:05.360
<v Speaker 1>see it. Yeah, yeah, it was. It was powerful, dude. Yeah,

0:14:05.400 --> 0:14:08.319
<v Speaker 1>it's crazy because I also feel like when that happened,

0:14:08.559 --> 0:14:10.440
<v Speaker 1>you know, we didn't get to hear from Kendrick and

0:14:10.480 --> 0:14:14.959
<v Speaker 1>the Turn, like Kendrick, I mean, we wait five years, right,

0:14:15.760 --> 0:14:18.480
<v Speaker 1>so when we lost Nip man, Like you know, when

0:14:18.559 --> 0:14:20.600
<v Speaker 1>we think of La, we think of Nip and we

0:14:20.640 --> 0:14:24.280
<v Speaker 1>think of Kendrick, Yeah exactly, and to like finally kind

0:14:24.280 --> 0:14:29.040
<v Speaker 1>of get to hear him, you know, put his thoughts

0:14:29.120 --> 0:14:32.840
<v Speaker 1>into anything about just any any Yeah, but just that loss,

0:14:32.880 --> 0:14:35.520
<v Speaker 1>like you know, it's just man, It's just it was crazy.

0:14:35.560 --> 0:14:38.000
<v Speaker 1>Like you said, it was some real emotional ship. Yeah,

0:14:38.000 --> 0:14:40.000
<v Speaker 1>this sh it was trippy at first. I looked at it.

0:14:40.040 --> 0:14:42.520
<v Speaker 1>I'm like, you know what I'm saying, just going through

0:14:42.560 --> 0:14:46.200
<v Speaker 1>all the different faces, not even just Nip just yeah, Kobe,

0:14:47.240 --> 0:14:51.800
<v Speaker 1>it's all of it. Yeah, super crazy man. Let's talk

0:14:51.800 --> 0:14:56.120
<v Speaker 1>about like you obviously are very much active as an artist,

0:14:56.120 --> 0:14:59.080
<v Speaker 1>but I do feel like you have some CEO ship

0:14:59.120 --> 0:15:02.920
<v Speaker 1>in you. Are you signing artists? Are you gonna be

0:15:03.000 --> 0:15:06.520
<v Speaker 1>like doing the label thing? I know that's definitely something

0:15:06.520 --> 0:15:10.880
<v Speaker 1>I'm gonna do. Uh, I'm gonna drop this mixtape with Drama.

0:15:11.720 --> 0:15:17.320
<v Speaker 1>There's a Drama take is it again? Shouldn't? Definitely? So

0:15:17.360 --> 0:15:20.720
<v Speaker 1>you got a Gangster Girls coming? Yeah? Man, Yeah, I'm

0:15:20.720 --> 0:15:23.480
<v Speaker 1>too ahead of my time. I think I'm ahead of myself.

0:15:23.600 --> 0:15:26.440
<v Speaker 1>You feel me for real? How the heck? Okay? So

0:15:27.200 --> 0:15:31.040
<v Speaker 1>shout out to Drama, A legendary mixtape series of all time.

0:15:31.840 --> 0:15:35.360
<v Speaker 1>My guy just got a Grammy off of Tyler hosting

0:15:35.440 --> 0:15:40.200
<v Speaker 1>Tyler Gradors album. Yeah, Uh? Are you done with the project?

0:15:40.560 --> 0:15:43.000
<v Speaker 1>Is the Gangster Grils done? Now? We're just getting started.

0:15:43.000 --> 0:15:44.600
<v Speaker 1>I'm about to go. I'm about to go to the

0:15:44.640 --> 0:15:48.840
<v Speaker 1>A and tap in uh next week and finish up.

0:15:48.880 --> 0:15:51.520
<v Speaker 1>You're gonna have you been his? Have you been a

0:15:51.520 --> 0:15:55.280
<v Speaker 1>generation years ago? It's new? They moved No, No, I

0:15:55.320 --> 0:15:57.560
<v Speaker 1>know I need to come to the new spot Yeah

0:15:57.680 --> 0:16:00.640
<v Speaker 1>are you gonna do? Because the one thing that's tricky

0:16:00.640 --> 0:16:03.880
<v Speaker 1>about the mixtape game now is if you take other

0:16:03.880 --> 0:16:05.680
<v Speaker 1>people's beats, you might not be able to put it

0:16:05.720 --> 0:16:09.640
<v Speaker 1>on Spotify? And it's a thing I'm I'm I'm doing

0:16:09.640 --> 0:16:12.240
<v Speaker 1>this ship with my producers, all original ship from my

0:16:12.360 --> 0:16:14.920
<v Speaker 1>label and my artists. So you're gonna be able to

0:16:14.960 --> 0:16:19.000
<v Speaker 1>actually put it out on iTunes and Spotify. That's good? Yeah,

0:16:19.080 --> 0:16:21.280
<v Speaker 1>legendary got to you Feel Me. Gotta let the world

0:16:21.360 --> 0:16:23.720
<v Speaker 1>here you feel Me, because I think the legendary mixtapes

0:16:23.760 --> 0:16:27.200
<v Speaker 1>are putting it on that pif only that shit cool,

0:16:27.320 --> 0:16:29.720
<v Speaker 1>but it's like, yeah, but no one shot that PITH.

0:16:29.800 --> 0:16:33.640
<v Speaker 1>But it's people. It's like people listen to music everywhere,

0:16:33.680 --> 0:16:35.880
<v Speaker 1>like too many different places. So I just can't just

0:16:35.960 --> 0:16:38.240
<v Speaker 1>have it just stuck there. Yeah no, no no, not for sure.

0:16:38.440 --> 0:16:42.960
<v Speaker 1>And if we think of the crazy O G mixtapes Cushion,

0:16:43.000 --> 0:16:46.360
<v Speaker 1>Orange Juice, yeah classic, all that was all that was

0:16:46.400 --> 0:16:50.240
<v Speaker 1>all original production. Yeah yeah, yeah, yeah that that. I

0:16:50.280 --> 0:16:52.040
<v Speaker 1>mean a lot of a lot of mixtapes could have

0:16:52.080 --> 0:16:53.560
<v Speaker 1>been albums, you know what I'm saying. I think there

0:16:53.760 --> 0:16:58.680
<v Speaker 1>was albums, but yet Yeah, just the era was mixtape,

0:16:58.720 --> 0:17:00.480
<v Speaker 1>so it was calling the mixtape. You know what I'm saying.

0:17:00.880 --> 0:17:03.080
<v Speaker 1>It was a weird era because it was the blog era. Yeah,

0:17:03.200 --> 0:17:05.200
<v Speaker 1>it was yeah you feel Me, and it was popping.

0:17:05.320 --> 0:17:08.399
<v Speaker 1>You drop a mixtape, you know, you go crazy, going tour,

0:17:08.640 --> 0:17:10.840
<v Speaker 1>going tour off of mix. I'm like off a free

0:17:10.880 --> 0:17:14.440
<v Speaker 1>project performing mixtape like songs he did off of Wayne

0:17:15.400 --> 0:17:17.639
<v Speaker 1>You Feel Me in the crowd love it like everywhere,

0:17:17.680 --> 0:17:19.399
<v Speaker 1>even big tours, like you know what I'm saying he

0:17:19.480 --> 0:17:21.840
<v Speaker 1>performing that song. Hey, we got to stop the interview

0:17:21.840 --> 0:17:24.280
<v Speaker 1>real quick to tell you about our good folks at

0:17:24.359 --> 0:17:28.000
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0:17:28.520 --> 0:17:33.480
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0:17:33.520 --> 0:17:36.800
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0:17:36.800 --> 0:17:39.920
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0:17:40.080 --> 0:17:42.639
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0:17:43.040 --> 0:17:46.120
<v Speaker 1>but they also got the crazy licenses. They got ninja turtles,

0:17:46.160 --> 0:17:50.639
<v Speaker 1>they got a fucking scarface breaking bad socks which I

0:17:50.720 --> 0:17:53.920
<v Speaker 1>just rewatched amazing, and their underwear of the best man.

0:17:53.960 --> 0:17:55.840
<v Speaker 1>I was just talking to somebody about how fire the

0:17:56.119 --> 0:17:59.439
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0:17:59.480 --> 0:18:02.840
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0:18:03.359 --> 0:18:05.680
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0:18:05.720 --> 0:18:08.560
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0:18:08.560 --> 0:18:12.080
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0:18:12.119 --> 0:18:15.680
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0:18:15.680 --> 0:18:17.879
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0:18:17.920 --> 0:18:19.800
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0:18:20.080 --> 0:18:23.520
<v Speaker 1>That's crazy, bro, that's crazy. So the album's coming out

0:18:23.640 --> 0:18:27.880
<v Speaker 1>June fifteenth, June fifteenth, June fifteenth, We're gonna get the project,

0:18:29.560 --> 0:18:36.720
<v Speaker 1>lots of big features, Davies collab project, coming tour, Gangs

0:18:36.720 --> 0:18:39.879
<v Speaker 1>the grills coming so much. I wanted to ask you.

0:18:39.960 --> 0:18:42.520
<v Speaker 1>I had Trell up here and I saw you win

0:18:42.640 --> 0:18:44.480
<v Speaker 1>up to No Jumper and did an interview with him.

0:18:45.160 --> 0:18:47.640
<v Speaker 1>Can you for people who aren't aware as to why

0:18:47.680 --> 0:18:49.840
<v Speaker 1>that was a big deal? Man? Because there might be

0:18:49.840 --> 0:18:51.800
<v Speaker 1>people who are watching this who aren't from LA, who

0:18:51.880 --> 0:18:54.199
<v Speaker 1>aren't hip to the politics of LA. So why was

0:18:54.200 --> 0:18:55.720
<v Speaker 1>that such a big deal that you and t Rel

0:18:55.760 --> 0:18:57.879
<v Speaker 1>sat with each other? Man? Number One? Shout out to

0:18:57.920 --> 0:19:02.560
<v Speaker 1>treel Man. Great guy, Yeah, real, one hundred dude, solid dude.

0:19:02.600 --> 0:19:04.600
<v Speaker 1>You feel me, you know, I feel like you know,

0:19:04.680 --> 0:19:06.679
<v Speaker 1>we come from the same shit. You know what I'm saying,

0:19:07.119 --> 0:19:09.320
<v Speaker 1>you know, South central LA. You know what I'm saying,

0:19:09.320 --> 0:19:12.280
<v Speaker 1>the hoods, the you know what I'm saying, going to jail,

0:19:12.880 --> 0:19:16.440
<v Speaker 1>you know. So it's like, at some point, you know

0:19:16.480 --> 0:19:18.520
<v Speaker 1>what I'm saying, you gotta you got you gotta show

0:19:18.560 --> 0:19:20.720
<v Speaker 1>the young niggas that, you know what I'm saying. We

0:19:20.760 --> 0:19:23.320
<v Speaker 1>can elevate, we can grow, you know what I'm saying,

0:19:23.359 --> 0:19:25.280
<v Speaker 1>and something beyond just you know what I'm saying, doing

0:19:25.320 --> 0:19:28.080
<v Speaker 1>that we can't get do bennings together. Niggas can't get

0:19:28.119 --> 0:19:31.520
<v Speaker 1>money together, you know what I'm saying. So yeah, because

0:19:31.520 --> 0:19:34.480
<v Speaker 1>your guys's neighborhoods obviously don't get along. Now, it's probably

0:19:34.520 --> 0:19:39.840
<v Speaker 1>the most notorious disagreement in LA in the LA Street politics.

0:19:40.680 --> 0:19:43.160
<v Speaker 1>So like, I just thought that was dope, man, because

0:19:43.200 --> 0:19:47.280
<v Speaker 1>I do feel like eventually somebody's gotta you know, show

0:19:47.280 --> 0:19:49.520
<v Speaker 1>everybody that, yeah, somebody gotta do it. You feel me,

0:19:49.640 --> 0:19:51.640
<v Speaker 1>just because based on the politics, you know what I'm saying.

0:19:51.680 --> 0:19:53.639
<v Speaker 1>You know how LA is like, oh, you ain't supposed

0:19:53.680 --> 0:19:55.200
<v Speaker 1>to do this. You ain't supposed to all. They ain't

0:19:55.200 --> 0:19:57.000
<v Speaker 1>supposed talk to They ain't supposed to kick it with them.

0:19:57.720 --> 0:19:59.399
<v Speaker 1>You feel me, But you're your own man at the

0:19:59.480 --> 0:20:02.280
<v Speaker 1>end of the day, Like you feel me and my

0:20:02.400 --> 0:20:05.359
<v Speaker 1>homies they fucked with that day and they ain't against it.

0:20:05.400 --> 0:20:07.160
<v Speaker 1>They wasn't opposed to it. You know what I'm saying.

0:20:07.240 --> 0:20:09.399
<v Speaker 1>Niggas can't be like, oh, nigga, you wouldn't did that

0:20:09.440 --> 0:20:12.359
<v Speaker 1>with feel me. It don't work like that. Do you

0:20:12.400 --> 0:20:15.080
<v Speaker 1>think that there's like because I think when it passed,

0:20:15.119 --> 0:20:20.560
<v Speaker 1>obviously everybody uh when big you set up uh where

0:20:20.720 --> 0:20:23.960
<v Speaker 1>everybody had marched over there together, which was a big deal.

0:20:25.760 --> 0:20:29.119
<v Speaker 1>But what do you think is like the key in

0:20:29.359 --> 0:20:34.639
<v Speaker 1>breaking the cycle? Because it's hard to tell people. I

0:20:34.680 --> 0:20:36.480
<v Speaker 1>think it gotta be more of that right there, what

0:20:36.600 --> 0:20:39.439
<v Speaker 1>you just said. It can't just be done just only

0:20:39.560 --> 0:20:43.000
<v Speaker 1>on you know what I'm saying, just one day. It

0:20:43.119 --> 0:20:46.440
<v Speaker 1>gotta be done multiple times. You feel me. They gotta

0:20:46.480 --> 0:20:49.160
<v Speaker 1>they got they gotta, they gotta get used to being

0:20:49.200 --> 0:20:51.640
<v Speaker 1>with each other, being around each other and not doing shit.

0:20:51.760 --> 0:20:54.840
<v Speaker 1>You know what I'm saying. You feel me because I

0:20:54.840 --> 0:20:56.560
<v Speaker 1>mean it was good to see people that I know

0:20:57.160 --> 0:20:59.880
<v Speaker 1>that you know what I'm saying, then probably wouldn't even

0:20:59.880 --> 0:21:02.320
<v Speaker 1>be with each other on standing around each other, you

0:21:02.359 --> 0:21:04.520
<v Speaker 1>know what I'm saying, next to each other. So you know,

0:21:04.600 --> 0:21:07.000
<v Speaker 1>I think more of it. I think you know what

0:21:07.040 --> 0:21:09.520
<v Speaker 1>I'm saying, niggas that get the point. Yeah, I just

0:21:09.560 --> 0:21:13.680
<v Speaker 1>think like when there's like such a I always say,

0:21:13.680 --> 0:21:15.680
<v Speaker 1>you can't tell people how to react to certain shit.

0:21:16.080 --> 0:21:19.520
<v Speaker 1>Right So if somebody, you know, once upon a time

0:21:19.560 --> 0:21:22.879
<v Speaker 1>maybe took your cousin's life, or your brother's life. I

0:21:22.920 --> 0:21:25.359
<v Speaker 1>can't tell anybody how to react to that, but like eventually,

0:21:25.400 --> 0:21:28.680
<v Speaker 1>it's like you would hope one day the cycle, because

0:21:28.720 --> 0:21:32.280
<v Speaker 1>it's just every time a reaction happens to an action

0:21:33.000 --> 0:21:35.879
<v Speaker 1>just resets the whole thing exactly. And sometimes you be

0:21:35.920 --> 0:21:38.800
<v Speaker 1>thinking like it ain't gonna stop, like it's never ending.

0:21:39.359 --> 0:21:43.040
<v Speaker 1>But I mean, you know, somebody gotta do it. It

0:21:43.080 --> 0:21:44.960
<v Speaker 1>can't be done. I believe it can't be done, you

0:21:45.000 --> 0:21:46.159
<v Speaker 1>know what I'm saying. That's why I thought it was

0:21:46.200 --> 0:21:48.560
<v Speaker 1>dope to see you guys sit together, man, because Trell's

0:21:48.560 --> 0:21:50.840
<v Speaker 1>a great guy. You're a great guy, and it's like

0:21:50.880 --> 0:21:54.400
<v Speaker 1>some real leadership shit to like show everybody else, Yeah,

0:21:54.520 --> 0:21:58.280
<v Speaker 1>that is possible exactly. Somebody else gonna watch that. And

0:21:58.840 --> 0:22:01.080
<v Speaker 1>you know what I'm saying, they might be feeling a

0:22:01.119 --> 0:22:03.560
<v Speaker 1>certain way about another situation. They you know what I'm saying,

0:22:03.600 --> 0:22:05.679
<v Speaker 1>They might be like, oh, well, well I can do

0:22:05.720 --> 0:22:10.720
<v Speaker 1>it over here. Was there ever any situation where you

0:22:11.520 --> 0:22:14.960
<v Speaker 1>on the music side where maybe you wanted to work

0:22:15.000 --> 0:22:17.520
<v Speaker 1>with somebody or somebody wanted to work with you, but

0:22:17.600 --> 0:22:20.119
<v Speaker 1>y'all just couldn't make it happen just because of the politics.

0:22:20.640 --> 0:22:28.080
<v Speaker 1>Uh nah, nah, I mean I would say, like niggas

0:22:28.119 --> 0:22:31.320
<v Speaker 1>like two eleven or Schoolboy Q, but like I mean,

0:22:31.359 --> 0:22:34.040
<v Speaker 1>we never let the hood shit like get in the

0:22:34.119 --> 0:22:35.560
<v Speaker 1>way of that ship. You know what I'm saying. We

0:22:35.640 --> 0:22:37.680
<v Speaker 1>always want to do records with each other and shit

0:22:37.760 --> 0:22:39.919
<v Speaker 1>like that. You feel me, But it's just you know,

0:22:40.000 --> 0:22:43.119
<v Speaker 1>we never did it. But two eleven is a great guy. Yeah,

0:22:43.280 --> 0:22:45.560
<v Speaker 1>like great guy. I seen him in my hood. I

0:22:45.560 --> 0:22:47.119
<v Speaker 1>see him. You know what I'm saying. You see me

0:22:47.119 --> 0:22:48.879
<v Speaker 1>in here's hood, you feel me and Q, and Q

0:22:49.040 --> 0:22:51.080
<v Speaker 1>is an amazing guy. He's the funny He's the funniest

0:22:51.160 --> 0:22:55.080
<v Speaker 1>rapper exactly. He's one. Yeah he said it's a crazy

0:22:55.160 --> 0:22:57.600
<v Speaker 1>shit though. Yeah, that's like, that's the main guy I

0:22:57.600 --> 0:22:59.960
<v Speaker 1>always think about, like man if Que and Knit record,

0:23:00.080 --> 0:23:01.680
<v Speaker 1>you know what I mean, like certain ship like that

0:23:01.680 --> 0:23:03.359
<v Speaker 1>that like you know, it would have been crazy. But

0:23:03.440 --> 0:23:06.240
<v Speaker 1>like obviously you know, but people who aren't from here

0:23:06.720 --> 0:23:09.240
<v Speaker 1>don't understand that kind of shit. So no, they don't

0:23:09.880 --> 0:23:14.800
<v Speaker 1>because like everybody, everybody, everybody ain't with getting money, everybody

0:23:14.800 --> 0:23:16.919
<v Speaker 1>ain't with the music ship. It's some niggas, that's just

0:23:17.000 --> 0:23:18.320
<v Speaker 1>you know what I'm saying. They don't give a fuck

0:23:18.320 --> 0:23:20.399
<v Speaker 1>about none of that. Yeah, yeah, that makes sense. You

0:23:20.400 --> 0:23:22.560
<v Speaker 1>know what I'm saying, And that's crazy, you feel me,

0:23:22.600 --> 0:23:24.760
<v Speaker 1>that's crazy. But they gotta they gotta live life. They

0:23:24.760 --> 0:23:27.359
<v Speaker 1>gotta explore a little bit, you feel me. I mean,

0:23:27.359 --> 0:23:29.159
<v Speaker 1>I was young before. I remember, I didn't give a

0:23:29.200 --> 0:23:32.880
<v Speaker 1>fuck about getting money. You used to be that guy. Yeah, exactly,

0:23:32.960 --> 0:23:34.760
<v Speaker 1>so you had to Yeah, I mean, but you you know,

0:23:34.800 --> 0:23:36.840
<v Speaker 1>you grow up, manage to this ship, you feel me

0:23:36.920 --> 0:23:39.680
<v Speaker 1>levels to it. Indeed, bro, well I appreciate you coming through. Man.

0:23:39.720 --> 0:23:42.120
<v Speaker 1>Thanks for having me man always. We got the freestyle

0:23:42.119 --> 0:23:43.600
<v Speaker 1>we're about to do so that's gonna be a separate

0:23:43.640 --> 0:23:46.119
<v Speaker 1>YouTube video, so go check that shit out the album

0:23:46.160 --> 0:23:49.119
<v Speaker 1>The definition of Sacrifice? Is this the final in the

0:23:49.480 --> 0:23:52.040
<v Speaker 1>Is this gonna be a trilogy? Noth Nah, It's gonna

0:23:52.040 --> 0:23:56.360
<v Speaker 1>be one more. I got one more definition of success.

0:23:56.640 --> 0:23:59.040
<v Speaker 1>I like that. That's how you end it? Yeah, I

0:23:59.200 --> 0:24:00.679
<v Speaker 1>like it. But you know, you know that was that

0:24:00.800 --> 0:24:02.600
<v Speaker 1>was that was That was nip idea. You know what

0:24:02.600 --> 0:24:04.520
<v Speaker 1>I'm saying. Me and Ni was texting each other. I

0:24:04.520 --> 0:24:06.960
<v Speaker 1>had symptom, not symptom, but I gave him my CD

0:24:07.640 --> 0:24:09.639
<v Speaker 1>with like some songs on there. From the Definition of

0:24:09.680 --> 0:24:12.879
<v Speaker 1>Loyalty and That's when he texted me, like, definition of Loyalty.

0:24:12.920 --> 0:24:15.040
<v Speaker 1>That's the name of your album. You know what I'm saying.

0:24:15.040 --> 0:24:17.520
<v Speaker 1>Then he kept texting like your next album should be

0:24:17.840 --> 0:24:22.399
<v Speaker 1>Definition of Sacrifice, Definition of Pain, definition of Poccess. You

0:24:22.400 --> 0:24:25.399
<v Speaker 1>feel me and I'm here, We are there. It is.

0:24:25.440 --> 0:24:28.159
<v Speaker 1>There's the four there, it is right there. You feel me,

0:24:28.240 --> 0:24:32.119
<v Speaker 1>so I ain't gonna stop there it is man, Jay Stone,

0:24:32.119 --> 0:24:34.199
<v Speaker 1>go get the album. Appreciate you, bro. Yeah, let's go,

0:24:34.320 --> 0:24:35.400
<v Speaker 1>man perfect, get it.