1 00:00:00,080 --> 00:00:03,960 Speaker 1: Boulet Cap Podcast special guests in here. My guy Jay Stone, 2 00:00:04,120 --> 00:00:06,880 Speaker 1: what up? What up? What's cracking? My guys can see man, 3 00:00:06,920 --> 00:00:11,000 Speaker 1: we're back. You know what the definition of sacrifice? Yeah, 4 00:00:11,400 --> 00:00:14,400 Speaker 1: this is like, uh, what how many projects have you 5 00:00:14,480 --> 00:00:17,000 Speaker 1: dropped in this series where you know, I feel like 6 00:00:17,040 --> 00:00:20,960 Speaker 1: we have the definition of loyalty, definition of pain, and 7 00:00:21,000 --> 00:00:23,079 Speaker 1: now we're at the definition of sacrifice. We at the 8 00:00:23,079 --> 00:00:25,799 Speaker 1: definition of sacrifice. Yeah, so just like the trilogy of 9 00:00:25,800 --> 00:00:28,880 Speaker 1: the series that I'm dropping, you know what I'm saying, 10 00:00:29,000 --> 00:00:32,000 Speaker 1: And yeah we go again. Yeah, I mean, and it's 11 00:00:32,040 --> 00:00:33,720 Speaker 1: it's you've been. I told you, man, you've been, because 12 00:00:33,720 --> 00:00:36,400 Speaker 1: I feel like we've gotten all three projects relatively in 13 00:00:36,440 --> 00:00:39,240 Speaker 1: a small amount of time. Yeah, it's been about like 14 00:00:39,400 --> 00:00:41,320 Speaker 1: in the last two years and the last two yeah, 15 00:00:41,520 --> 00:00:44,280 Speaker 1: going on three. Yeah, it's crazy. So I thought about 16 00:00:44,280 --> 00:00:47,480 Speaker 1: that shit too. I'm like, damn, like is it too 17 00:00:47,520 --> 00:00:49,800 Speaker 1: soon or should I you know what I'm saying, But like, nah, 18 00:00:49,880 --> 00:00:53,440 Speaker 1: because you know, most artists, you know, even your favorite artist, 19 00:00:53,479 --> 00:00:55,400 Speaker 1: you know what I'm saying, they give you a classic 20 00:00:55,480 --> 00:00:57,800 Speaker 1: album each year. Yeah, and they don't let a year 21 00:00:57,880 --> 00:00:59,360 Speaker 1: go by. It's how jay Z used to be back 22 00:00:59,360 --> 00:01:02,520 Speaker 1: in the day. Every summer exactly exactly, or he'll hits 23 00:01:02,560 --> 00:01:04,440 Speaker 1: you before the year. Is that, you know what I'm saying. 24 00:01:05,160 --> 00:01:08,679 Speaker 1: So yeah, Plus for you being independent and owning all 25 00:01:08,680 --> 00:01:12,880 Speaker 1: of your music, it's uh, it's for your business model. 26 00:01:13,000 --> 00:01:16,080 Speaker 1: The more music you put out, the better it is. Right, Oh, yeah, 27 00:01:16,120 --> 00:01:18,520 Speaker 1: it's way better. You know what I'm saying. I'm I'm 28 00:01:18,560 --> 00:01:21,880 Speaker 1: I'm so used to the grind now like then the reviews. 29 00:01:21,959 --> 00:01:24,440 Speaker 1: The reviews is cool, you feel me, But if I 30 00:01:24,440 --> 00:01:27,680 Speaker 1: get stuck on that, I'm gonna be chasing that you 31 00:01:27,720 --> 00:01:30,560 Speaker 1: said about like critical response to your ship. Yeah, just 32 00:01:30,600 --> 00:01:33,200 Speaker 1: all that, Yeah, exactly. You know what I'm saying. I 33 00:01:33,200 --> 00:01:39,600 Speaker 1: feel like you're very much outside of the industry as 34 00:01:39,640 --> 00:01:42,040 Speaker 1: you possibly can be. Like I feel like you're on 35 00:01:42,080 --> 00:01:44,840 Speaker 1: your mission and whoever wants to fuck with you is 36 00:01:44,840 --> 00:01:47,640 Speaker 1: gonna fuck with you. But you're very much like you 37 00:01:47,720 --> 00:01:51,600 Speaker 1: got the blinders on and you got your tunnel vision. 38 00:01:51,640 --> 00:01:54,280 Speaker 1: And I don't I feel like, you know, I don't 39 00:01:54,280 --> 00:01:56,040 Speaker 1: feel like you're like you really deal with a lot 40 00:01:56,040 --> 00:01:58,800 Speaker 1: of the industry shit like nah, man, you gotta, you gotta, 41 00:01:58,840 --> 00:02:02,400 Speaker 1: you gotta. It's a balance, It's really a balance, you 42 00:02:02,400 --> 00:02:05,040 Speaker 1: know what I'm saying. Yeah, So you know, but it's 43 00:02:05,080 --> 00:02:07,400 Speaker 1: a lot of motherfuckers I do. Fuck with court industry, 44 00:02:07,440 --> 00:02:09,200 Speaker 1: you know what I'm saying that fuck with me of course. 45 00:02:09,440 --> 00:02:11,399 Speaker 1: I mean, yeah, but those are like real, genuine relationships. 46 00:02:11,560 --> 00:02:13,760 Speaker 1: I saw you out, I saw you out in you know, 47 00:02:13,800 --> 00:02:17,520 Speaker 1: shout out to Trey, shout out to Trey Day. You know. 48 00:02:17,800 --> 00:02:20,919 Speaker 1: Obviously this record with Dolph, I'm assuming that came from 49 00:02:20,960 --> 00:02:22,880 Speaker 1: a genuine place as well. Yeah, we went to the 50 00:02:22,880 --> 00:02:24,960 Speaker 1: studio and did that, like we we didn't do no 51 00:02:25,040 --> 00:02:27,280 Speaker 1: email shit, like we actually did that. Yeah, kind of 52 00:02:27,320 --> 00:02:30,480 Speaker 1: explain you know. Obviously, rest in peace to Dolph. I'm 53 00:02:30,480 --> 00:02:32,160 Speaker 1: assuming this is a record that you've had for a 54 00:02:32,200 --> 00:02:38,960 Speaker 1: long time. How long ago was it recorded? Like two 55 00:02:39,040 --> 00:02:43,200 Speaker 1: years ago? Wow? Yeah, we recorded like twenty twenty. You 56 00:02:43,240 --> 00:02:45,280 Speaker 1: know what I'm saying. We used to just chop it up, 57 00:02:45,639 --> 00:02:46,880 Speaker 1: you know what I'm saying. He had called me out 58 00:02:46,960 --> 00:02:49,480 Speaker 1: facetiming with FaceTime each other every other week or some 59 00:02:49,520 --> 00:02:52,840 Speaker 1: shit like. Yeah, he was the best man. Yeah, how like, 60 00:02:53,040 --> 00:02:55,600 Speaker 1: was it like a little bit difficult getting the record 61 00:02:55,600 --> 00:02:57,320 Speaker 1: clear without him being here? I mean, because we do 62 00:02:57,440 --> 00:03:01,480 Speaker 1: know his people are very solid and then you know, man, Yeah, 63 00:03:01,520 --> 00:03:03,240 Speaker 1: I had to go through some channels I had to 64 00:03:03,280 --> 00:03:05,440 Speaker 1: go through. I had to go through some channels. You 65 00:03:05,520 --> 00:03:08,480 Speaker 1: know what I'm saying. Managers, record label, you know what 66 00:03:08,520 --> 00:03:11,240 Speaker 1: I'm saying, Legal teams, you know what I'm saying. They 67 00:03:11,520 --> 00:03:13,200 Speaker 1: they all know who I am. You feel me. I 68 00:03:13,400 --> 00:03:16,239 Speaker 1: did it myself. I made them phone calls myself. You 69 00:03:16,240 --> 00:03:18,120 Speaker 1: know what I'm saying. I didn't send nobody to do that. 70 00:03:18,160 --> 00:03:20,320 Speaker 1: You know what I'm saying. Yeah, how like, how big 71 00:03:20,360 --> 00:03:23,920 Speaker 1: would you describe your like music team to be? I 72 00:03:23,960 --> 00:03:26,239 Speaker 1: got a team? Definitely, I got a team. But sometimes 73 00:03:26,240 --> 00:03:28,079 Speaker 1: you know, I be wanting to make the cause myself. 74 00:03:28,120 --> 00:03:30,040 Speaker 1: You feel me. They hit different that way. Yeah, it 75 00:03:30,120 --> 00:03:32,079 Speaker 1: just hit different that way, you feel me? And then 76 00:03:32,160 --> 00:03:34,160 Speaker 1: after that, you know what I'm saying, I put them 77 00:03:34,200 --> 00:03:36,080 Speaker 1: with my team and then my team will take care 78 00:03:36,080 --> 00:03:39,080 Speaker 1: of the rest. You know what I'm saying. Yeah, it's definitely. 79 00:03:40,160 --> 00:03:42,400 Speaker 1: I even feel like I just had an artist who 80 00:03:42,720 --> 00:03:44,840 Speaker 1: his PR person was hitting me and I just FaceTime. 81 00:03:44,920 --> 00:03:46,160 Speaker 1: I'm like, hey, dude, why the fuck you got some 82 00:03:46,240 --> 00:03:48,680 Speaker 1: random maness? Motherfucker you have to come up my show 83 00:03:48,720 --> 00:03:51,280 Speaker 1: when you did, because shit, you know what I'm saying, Like, 84 00:03:51,480 --> 00:03:53,080 Speaker 1: I mean, I could have did that too. You feel 85 00:03:53,120 --> 00:03:55,080 Speaker 1: me because I got a new PR now you feel me, 86 00:03:55,120 --> 00:03:58,000 Speaker 1: But it's like, I mean, ain't no sense of having 87 00:03:58,080 --> 00:04:00,320 Speaker 1: him hit you when I can do that. My you 88 00:04:00,360 --> 00:04:03,160 Speaker 1: feel me, but sometimes but sometimes you say the headache though, 89 00:04:03,560 --> 00:04:05,440 Speaker 1: well that and like also like this the way I 90 00:04:05,440 --> 00:04:08,800 Speaker 1: look at it, if your your album's coming out, you're 91 00:04:08,840 --> 00:04:11,800 Speaker 1: at a level where PR is helpful, but like I 92 00:04:11,800 --> 00:04:14,800 Speaker 1: feel like you're kind of paying the PR person to 93 00:04:14,840 --> 00:04:20,159 Speaker 1: bridge you from in the new media situations you couldn't 94 00:04:20,200 --> 00:04:24,240 Speaker 1: get onto yourself for you know, yeah, who else is 95 00:04:24,240 --> 00:04:25,760 Speaker 1: on the project? I know you sent me the album 96 00:04:25,800 --> 00:04:27,920 Speaker 1: like a little while ago. I didn't get to run 97 00:04:27,960 --> 00:04:30,200 Speaker 1: through it. So who else on the album? We got a? 98 00:04:30,440 --> 00:04:34,719 Speaker 1: I got Jada kiss, I got a Stalls some fucking 99 00:04:34,800 --> 00:04:38,120 Speaker 1: East Coast here. You got them both on the same record? 100 00:04:38,240 --> 00:04:40,640 Speaker 1: Nah no, no, almost did all I did, but it 101 00:04:40,680 --> 00:04:42,520 Speaker 1: was it was just best that I got one with 102 00:04:42,560 --> 00:04:45,359 Speaker 1: styles with Jada. So it's you know, it's legendary, you 103 00:04:45,360 --> 00:04:47,479 Speaker 1: feel me, y'all. Gott to stop the interview real quick 104 00:04:47,480 --> 00:04:50,479 Speaker 1: to tell you about our good folks over at Blue Shoe. 105 00:04:50,680 --> 00:04:53,920 Speaker 1: Now Fellas, if you're out there and you're suffering from 106 00:04:54,160 --> 00:04:57,440 Speaker 1: a little bit of that ed erect how dysfunction. It's 107 00:04:57,480 --> 00:05:00,360 Speaker 1: totally normal. It happens. 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I feel it when I listen to you. 135 00:06:18,560 --> 00:06:20,600 Speaker 1: I feel like you're just like you're very like You're 136 00:06:20,800 --> 00:06:23,840 Speaker 1: lyrical as fucked. So it makes sense. Yeah, because at 137 00:06:23,839 --> 00:06:26,200 Speaker 1: a point in time, nigga, I'm pretty sure they thought 138 00:06:26,200 --> 00:06:28,480 Speaker 1: the West Coast didn't had lyrics like that. You feel me. 139 00:06:29,000 --> 00:06:30,520 Speaker 1: I think at a point in time that might have 140 00:06:30,560 --> 00:06:32,800 Speaker 1: been the case. Yeah, you feel me. So I always 141 00:06:32,800 --> 00:06:35,440 Speaker 1: want to be one of the niggas that you know, 142 00:06:35,480 --> 00:06:37,360 Speaker 1: when you listen to somebody from the West, you know 143 00:06:37,400 --> 00:06:39,039 Speaker 1: what I'm saying, Like me, you would be like, yeah, 144 00:06:39,040 --> 00:06:41,640 Speaker 1: that nigga got lyrics. He ain't just he ain't just right. 145 00:06:41,800 --> 00:06:45,400 Speaker 1: So Jada and Styles who else? Doff Dolph I got 146 00:06:45,480 --> 00:06:51,440 Speaker 1: lumity on there? Wow? Yeah, oh chick, Yeah yeah wow 147 00:06:51,680 --> 00:06:54,240 Speaker 1: yeah shout out to her, shout out to Lumitty. That's 148 00:06:54,279 --> 00:06:58,960 Speaker 1: the homegirl for sure. Those the forward there anymore I got, 149 00:06:59,160 --> 00:07:01,680 Speaker 1: I got Mazie on. Yeah, you feel me? Hell gang Yeah, 150 00:07:01,760 --> 00:07:05,839 Speaker 1: hell game, we got some shit going you feel me? Yeah? Damn, 151 00:07:05,839 --> 00:07:08,000 Speaker 1: that's so. You got a that's a hell of a lineup, 152 00:07:08,400 --> 00:07:10,200 Speaker 1: hell of a line And I got k Camp on 153 00:07:10,280 --> 00:07:11,720 Speaker 1: my ship. You know what I'm saying. We got one 154 00:07:11,720 --> 00:07:16,880 Speaker 1: for the ladies. K Camp is historically slept on. Yeah, 155 00:07:17,040 --> 00:07:20,360 Speaker 1: his hooks are crazy, he crab, he could sing. Yeah, 156 00:07:20,440 --> 00:07:24,200 Speaker 1: he did R and B shit, latest ship, all of that, Yeah, 157 00:07:24,400 --> 00:07:26,600 Speaker 1: for sure. So you know, I thought I thought about 158 00:07:26,600 --> 00:07:29,320 Speaker 1: bringing that R and B rap ship back. You feel 159 00:07:29,360 --> 00:07:31,080 Speaker 1: what I'm saying, Like, you remember how I used to 160 00:07:31,120 --> 00:07:33,160 Speaker 1: hear you know what I'm saying, a certain R and 161 00:07:33,160 --> 00:07:35,880 Speaker 1: B song. You hear you're here the first verse, and 162 00:07:35,880 --> 00:07:37,480 Speaker 1: then you hear some old R and B. Then you 163 00:07:37,520 --> 00:07:39,960 Speaker 1: hear another rap verse again. You feel me? Yeah, like 164 00:07:40,000 --> 00:07:46,240 Speaker 1: fabulous used to do it obviously for sure. Yeah, So 165 00:07:46,320 --> 00:07:48,680 Speaker 1: I just thought I'd do something different because my last project, 166 00:07:48,680 --> 00:07:51,800 Speaker 1: got In't catered to the women, now right, You got 167 00:07:51,800 --> 00:07:54,360 Speaker 1: to give them something, yeah, hell yeah, because they be 168 00:07:54,360 --> 00:07:56,280 Speaker 1: at the souls and shit. I'm like, damn, I ain't 169 00:07:56,320 --> 00:07:58,760 Speaker 1: got too much for them. So now yeah, I got 170 00:07:58,760 --> 00:08:01,400 Speaker 1: like full full record. Just put the females on this joint. 171 00:08:01,480 --> 00:08:05,520 Speaker 1: So when you send Kiss and Styles a record, well, 172 00:08:05,560 --> 00:08:07,560 Speaker 1: first of all, was it that? Was that the case 173 00:08:07,640 --> 00:08:10,720 Speaker 1: or were you guys in together? Nah? We we sent, 174 00:08:10,800 --> 00:08:14,320 Speaker 1: we sent the records. Do you send them your verse? 175 00:08:15,280 --> 00:08:17,520 Speaker 1: So look this was do you wait till you get 176 00:08:17,520 --> 00:08:20,760 Speaker 1: their verse back? So you know how crazy you got? No? No, no, no, no, 177 00:08:20,880 --> 00:08:23,040 Speaker 1: they gonna they gonna you gotta rock to what I 178 00:08:23,040 --> 00:08:24,960 Speaker 1: already got. You gotta rock. I'm gonna bring you to 179 00:08:25,040 --> 00:08:27,800 Speaker 1: my real I ain't gonna change nothing. Even if you 180 00:08:27,840 --> 00:08:30,920 Speaker 1: go crazy, I'm not gonna be like so they got 181 00:08:30,960 --> 00:08:33,920 Speaker 1: to hear your verse? Yeah, okay, yeah, you feel me? 182 00:08:34,200 --> 00:08:36,160 Speaker 1: I was gonna put Jada on the one with Styles, 183 00:08:36,679 --> 00:08:38,880 Speaker 1: you know what I'm saying. And you know, a few 184 00:08:38,920 --> 00:08:43,080 Speaker 1: weeks went by and I'm like, you know, I give 185 00:08:43,120 --> 00:08:44,960 Speaker 1: a nigga two weeks you know what I'm saying. You know, 186 00:08:45,000 --> 00:08:48,680 Speaker 1: I hit the line you feel me and ship. I 187 00:08:48,720 --> 00:08:50,800 Speaker 1: figured it probably was the record. I don't know. I'm like, 188 00:08:50,800 --> 00:08:52,520 Speaker 1: all right, let me just send them this one though. Yeah, 189 00:08:52,760 --> 00:08:54,600 Speaker 1: I'm like, I think you'll go crazy with me in 190 00:08:54,600 --> 00:08:57,160 Speaker 1: this one with Swizz you feel me? And that nigga 191 00:08:57,200 --> 00:08:59,640 Speaker 1: sent that ship back the next day. Wait, Swiss pri 192 00:08:59,760 --> 00:09:02,160 Speaker 1: this is record? Yeah, Swizz produced a record with me 193 00:09:02,200 --> 00:09:09,240 Speaker 1: and Jaden What. Yeah? This is crazy. Yeah, kudos to you, Jay, 194 00:09:09,320 --> 00:09:12,800 Speaker 1: because you're doing some real You're doing some real major grinning. 195 00:09:12,840 --> 00:09:14,560 Speaker 1: I've been grinding. I'm a fan of hip hop. You 196 00:09:14,559 --> 00:09:16,079 Speaker 1: feel me? Like even when I was a kid, I 197 00:09:16,120 --> 00:09:18,560 Speaker 1: always felt like one day I was gonna be here. 198 00:09:19,200 --> 00:09:21,280 Speaker 1: You feel me? So it's good to like, you know 199 00:09:21,280 --> 00:09:26,040 Speaker 1: what I'm saying. Exchange bars with the greats, that's crazy. Yeah. 200 00:09:26,080 --> 00:09:29,800 Speaker 1: A Swiss Beats record with Kiss on it? Come on, man, 201 00:09:30,120 --> 00:09:33,360 Speaker 1: Swizz on the hook? What stopped playing Swizz on the hook? 202 00:09:33,440 --> 00:09:36,280 Speaker 1: You feel me? That's crazy? How the hell did you 203 00:09:36,360 --> 00:09:42,240 Speaker 1: end up linking with Swiss Beats? Uh? Shit man? Going 204 00:09:42,280 --> 00:09:44,760 Speaker 1: to the studio with uh going to the studio with 205 00:09:45,080 --> 00:09:49,480 Speaker 1: X pulling up on X. You know what I'm saying. Yeah, 206 00:09:49,480 --> 00:09:51,520 Speaker 1: when he was working on the album and I was 207 00:09:51,559 --> 00:09:53,760 Speaker 1: going to go pull up on X cuz you know 208 00:09:53,800 --> 00:09:56,880 Speaker 1: it's been a minute, you know, So I put up 209 00:09:56,880 --> 00:09:59,600 Speaker 1: to the studio as soon as I walked in that nigga. 210 00:09:59,640 --> 00:10:03,520 Speaker 1: Swizz was like, hey, he nice right there. Feel me. 211 00:10:03,600 --> 00:10:05,640 Speaker 1: Just put me on the spot for the everybody. You 212 00:10:05,679 --> 00:10:08,439 Speaker 1: know what I'm saying. D was there? Why was there 213 00:10:08,559 --> 00:10:11,880 Speaker 1: rough riders? All? Yeah? They was? They always in the building. 214 00:10:11,880 --> 00:10:14,720 Speaker 1: You feel me, put the spot on? Feel me? So 215 00:10:15,720 --> 00:10:18,240 Speaker 1: that's where it started. So he put the Did he 216 00:10:18,320 --> 00:10:20,320 Speaker 1: put the spotlight on? You like to fucking rap on 217 00:10:20,360 --> 00:10:22,160 Speaker 1: the spot? Nah, It's just you know, he was just 218 00:10:22,280 --> 00:10:24,439 Speaker 1: walk He didn't even give me time to shake nobody 219 00:10:24,480 --> 00:10:26,320 Speaker 1: here and to greet nobody. He like, oh yeah, that 220 00:10:26,400 --> 00:10:29,560 Speaker 1: nigga nice right there. He already knew exactly who you were. Yeah, 221 00:10:29,800 --> 00:10:32,400 Speaker 1: that's what I've seen Swizz like in my early days, 222 00:10:32,480 --> 00:10:34,920 Speaker 1: like ten years ago. You know what I'm saying, when 223 00:10:34,920 --> 00:10:37,679 Speaker 1: I first was doing his music ship, were not first 224 00:10:37,679 --> 00:10:39,360 Speaker 1: doing his music ship, but when I came home and 225 00:10:39,440 --> 00:10:42,960 Speaker 1: got serious. Yeah that's crazy man. All right, well, listen, 226 00:10:43,160 --> 00:10:45,480 Speaker 1: you're being nonchalant about some of the ship going on 227 00:10:45,480 --> 00:10:47,960 Speaker 1: on your album. You were like, yeah, swisses on it. 228 00:10:47,960 --> 00:10:50,200 Speaker 1: It's a big fucking deal, man, Yeah, it is, bro 229 00:10:50,559 --> 00:10:52,559 Speaker 1: it is. You know what I'm saying, I'm I'm I'm 230 00:10:52,640 --> 00:10:55,040 Speaker 1: humbly aggressive about this. Ship though. Okay, so we got 231 00:10:55,080 --> 00:11:00,880 Speaker 1: Mazie Lumity, uh Styles kiss Golf anybody else? Yeah, we 232 00:11:00,960 --> 00:11:03,400 Speaker 1: got a I got Knee Lamb all my ship. I 233 00:11:03,400 --> 00:11:06,480 Speaker 1: don't even know who that is. Knee Lamb. Yeah yeah, 234 00:11:06,600 --> 00:11:09,040 Speaker 1: see I'm not hip. Yeah that's cool. You're gonna be here. 235 00:11:09,960 --> 00:11:12,319 Speaker 1: I'm looking forward to it. Yeah, she's dope. She's the 236 00:11:12,520 --> 00:11:16,960 Speaker 1: song called hold Me Down singer, singer and rap. Okay, yeah, 237 00:11:17,600 --> 00:11:20,880 Speaker 1: so you gotta man, I feel like what you're doing 238 00:11:21,000 --> 00:11:25,920 Speaker 1: is like somehow not being appreciated enough because I feel 239 00:11:26,000 --> 00:11:29,840 Speaker 1: like you're doing like you're doing that. Rappers with major 240 00:11:29,880 --> 00:11:33,120 Speaker 1: deals aren't doing. You're making money. They're not making exactly. 241 00:11:33,120 --> 00:11:35,679 Speaker 1: They're driving the cars they can't afford to d exactly. Bro, 242 00:11:36,080 --> 00:11:38,320 Speaker 1: I'm like, what the fuck is going on? You feel me? 243 00:11:38,360 --> 00:11:44,440 Speaker 1: But it's cool though, because you know they gonna catch 244 00:11:44,440 --> 00:11:47,200 Speaker 1: it later. Bro, they might not catch it now, because 245 00:11:47,240 --> 00:11:49,600 Speaker 1: it's like that for everybody sometimes, you know, niggas might 246 00:11:49,640 --> 00:11:51,840 Speaker 1: need it, just a full ten year run. I ain't 247 00:11:51,840 --> 00:11:53,600 Speaker 1: on my tenth year run yet, you know what I'm 248 00:11:53,600 --> 00:11:55,640 Speaker 1: saying a lot of niggas got their tenth year run 249 00:11:56,160 --> 00:11:58,679 Speaker 1: and look at them now. You know what I'm saying, 250 00:11:59,440 --> 00:12:03,800 Speaker 1: I feel like you just gotta keep that blinder ship everything, 251 00:12:03,920 --> 00:12:07,200 Speaker 1: Just keep everybody. It'll come to you, bro, don't worry 252 00:12:07,200 --> 00:12:09,960 Speaker 1: about going to it. You and Davey still doing the 253 00:12:09,960 --> 00:12:12,280 Speaker 1: project together for sure, it's almost done. We're gonna go 254 00:12:12,320 --> 00:12:14,600 Speaker 1: on tour together. I probably shouldn't have said that, but 255 00:12:16,040 --> 00:12:18,480 Speaker 1: what I'm saying, that's that's that's what it is. You 256 00:12:18,520 --> 00:12:20,920 Speaker 1: feel me for sure? That's big man. I want to 257 00:12:20,960 --> 00:12:24,120 Speaker 1: know your thoughts on when you first saw Kendrick's video 258 00:12:24,200 --> 00:12:32,160 Speaker 1: The Hard Part five Man, amazing number one. You know 259 00:12:32,200 --> 00:12:34,360 Speaker 1: what I'm saying, I damn it, I damn it dropped 260 00:12:34,360 --> 00:12:37,160 Speaker 1: a tear. You know what I'm saying. That shit was 261 00:12:37,200 --> 00:12:39,560 Speaker 1: just when it got to Nip Park. You feel me. 262 00:12:39,600 --> 00:12:43,560 Speaker 1: It was just that shit was crazy. The movement, the gestures, everything, 263 00:12:43,640 --> 00:12:46,840 Speaker 1: the mannerism, everything like that shit, it shit hit different. 264 00:12:47,679 --> 00:12:50,440 Speaker 1: You know what I'm saying. Definitely it was that words, 265 00:12:50,559 --> 00:12:52,680 Speaker 1: just just just what he was saying, like it was, 266 00:12:52,800 --> 00:12:56,640 Speaker 1: you know what I'm saying, some real impacted ship, do 267 00:12:56,679 --> 00:12:58,920 Speaker 1: you uh? Because when I saw that, I was like, Okay, 268 00:12:59,000 --> 00:13:03,040 Speaker 1: well obviously this is a powerful moment. First of all, 269 00:13:03,040 --> 00:13:05,880 Speaker 1: it's the first music we've heard from Kendrick in five 270 00:13:06,200 --> 00:13:08,920 Speaker 1: five years. You know what I'm saying, It's the first 271 00:13:09,120 --> 00:13:10,959 Speaker 1: it's the first look we get from, you know what 272 00:13:10,960 --> 00:13:13,400 Speaker 1: I'm saying, the first sound we get from. And then 273 00:13:13,440 --> 00:13:17,360 Speaker 1: for him to do that was to me, like, that's 274 00:13:17,400 --> 00:13:21,319 Speaker 1: a hard thing to do without it, I like, it's 275 00:13:21,360 --> 00:13:24,000 Speaker 1: just it's only I feel like only Kendrick could have 276 00:13:24,000 --> 00:13:26,280 Speaker 1: did that. Yeah, you know what I mean? Yeah, because 277 00:13:26,280 --> 00:13:29,520 Speaker 1: I think that somebody else would have did that. Yeah, 278 00:13:29,640 --> 00:13:33,280 Speaker 1: people would have looked at him like crazy. Yeah you 279 00:13:33,720 --> 00:13:35,440 Speaker 1: do you happen to know if like he ran that 280 00:13:35,559 --> 00:13:37,920 Speaker 1: by like Sam or anybody before it came out, or 281 00:13:38,160 --> 00:13:39,760 Speaker 1: was it kind of like did everyone hear it when 282 00:13:39,760 --> 00:13:43,839 Speaker 1: everyone heard it? Nah? I mean, shit like that come 283 00:13:43,880 --> 00:13:45,160 Speaker 1: from the heart. You know what I'm saying. I don't 284 00:13:45,200 --> 00:13:47,160 Speaker 1: think you gotta you know what I'm saying, run shit 285 00:13:47,240 --> 00:13:49,560 Speaker 1: like that about the team, especially you being Kendrick and 286 00:13:49,600 --> 00:13:51,319 Speaker 1: we you know what I'm saying, we fuck with you 287 00:13:51,600 --> 00:13:56,440 Speaker 1: with the team, you home team family. You feel me, Yeah, 288 00:13:56,440 --> 00:13:58,360 Speaker 1: I think that's something just straight from the heart. You 289 00:13:58,360 --> 00:14:00,160 Speaker 1: feel me like, I ain't even gonna let nobody even 290 00:14:00,240 --> 00:14:02,120 Speaker 1: know I'm doing it. Y'all gonna see it when y'all 291 00:14:02,120 --> 00:14:05,360 Speaker 1: see it. Yeah, yeah, it was. It was powerful, dude. Yeah, 292 00:14:05,400 --> 00:14:08,319 Speaker 1: it's crazy because I also feel like when that happened, 293 00:14:08,559 --> 00:14:10,440 Speaker 1: you know, we didn't get to hear from Kendrick and 294 00:14:10,480 --> 00:14:14,959 Speaker 1: the Turn, like Kendrick, I mean, we wait five years, right, 295 00:14:15,760 --> 00:14:18,480 Speaker 1: so when we lost Nip man, Like you know, when 296 00:14:18,559 --> 00:14:20,600 Speaker 1: we think of La, we think of Nip and we 297 00:14:20,640 --> 00:14:24,280 Speaker 1: think of Kendrick, Yeah exactly, and to like finally kind 298 00:14:24,280 --> 00:14:29,040 Speaker 1: of get to hear him, you know, put his thoughts 299 00:14:29,120 --> 00:14:32,840 Speaker 1: into anything about just any any Yeah, but just that loss, 300 00:14:32,880 --> 00:14:35,520 Speaker 1: like you know, it's just man, It's just it was crazy. 301 00:14:35,560 --> 00:14:38,000 Speaker 1: Like you said, it was some real emotional ship. Yeah, 302 00:14:38,000 --> 00:14:40,000 Speaker 1: this sh it was trippy at first. I looked at it. 303 00:14:40,040 --> 00:14:42,520 Speaker 1: I'm like, you know what I'm saying, just going through 304 00:14:42,560 --> 00:14:46,200 Speaker 1: all the different faces, not even just Nip just yeah, Kobe, 305 00:14:47,240 --> 00:14:51,800 Speaker 1: it's all of it. Yeah, super crazy man. Let's talk 306 00:14:51,800 --> 00:14:56,120 Speaker 1: about like you obviously are very much active as an artist, 307 00:14:56,120 --> 00:14:59,080 Speaker 1: but I do feel like you have some CEO ship 308 00:14:59,120 --> 00:15:02,920 Speaker 1: in you. Are you signing artists? Are you gonna be 309 00:15:03,000 --> 00:15:06,520 Speaker 1: like doing the label thing? I know that's definitely something 310 00:15:06,520 --> 00:15:10,880 Speaker 1: I'm gonna do. Uh, I'm gonna drop this mixtape with Drama. 311 00:15:11,720 --> 00:15:17,320 Speaker 1: There's a Drama take is it again? Shouldn't? Definitely? So 312 00:15:17,360 --> 00:15:20,720 Speaker 1: you got a Gangster Girls coming? Yeah? Man, Yeah, I'm 313 00:15:20,720 --> 00:15:23,480 Speaker 1: too ahead of my time. I think I'm ahead of myself. 314 00:15:23,600 --> 00:15:26,440 Speaker 1: You feel me for real? How the heck? Okay? So 315 00:15:27,200 --> 00:15:31,040 Speaker 1: shout out to Drama, A legendary mixtape series of all time. 316 00:15:31,840 --> 00:15:35,360 Speaker 1: My guy just got a Grammy off of Tyler hosting 317 00:15:35,440 --> 00:15:40,200 Speaker 1: Tyler Gradors album. Yeah, Uh? Are you done with the project? 318 00:15:40,560 --> 00:15:43,000 Speaker 1: Is the Gangster Grils done? Now? We're just getting started. 319 00:15:43,000 --> 00:15:44,600 Speaker 1: I'm about to go. I'm about to go to the 320 00:15:44,640 --> 00:15:48,840 Speaker 1: A and tap in uh next week and finish up. 321 00:15:48,880 --> 00:15:51,520 Speaker 1: You're gonna have you been his? Have you been a 322 00:15:51,520 --> 00:15:55,280 Speaker 1: generation years ago? It's new? They moved No, No, I 323 00:15:55,320 --> 00:15:57,560 Speaker 1: know I need to come to the new spot Yeah 324 00:15:57,680 --> 00:16:00,640 Speaker 1: are you gonna do? Because the one thing that's tricky 325 00:16:00,640 --> 00:16:03,880 Speaker 1: about the mixtape game now is if you take other 326 00:16:03,880 --> 00:16:05,680 Speaker 1: people's beats, you might not be able to put it 327 00:16:05,720 --> 00:16:09,640 Speaker 1: on Spotify? And it's a thing I'm I'm I'm doing 328 00:16:09,640 --> 00:16:12,240 Speaker 1: this ship with my producers, all original ship from my 329 00:16:12,360 --> 00:16:14,920 Speaker 1: label and my artists. So you're gonna be able to 330 00:16:14,960 --> 00:16:19,000 Speaker 1: actually put it out on iTunes and Spotify. That's good? Yeah, 331 00:16:19,080 --> 00:16:21,280 Speaker 1: legendary got to you Feel Me. Gotta let the world 332 00:16:21,360 --> 00:16:23,720 Speaker 1: here you feel Me, because I think the legendary mixtapes 333 00:16:23,760 --> 00:16:27,200 Speaker 1: are putting it on that pif only that shit cool, 334 00:16:27,320 --> 00:16:29,720 Speaker 1: but it's like, yeah, but no one shot that PITH. 335 00:16:29,800 --> 00:16:33,640 Speaker 1: But it's people. It's like people listen to music everywhere, 336 00:16:33,680 --> 00:16:35,880 Speaker 1: like too many different places. So I just can't just 337 00:16:35,960 --> 00:16:38,240 Speaker 1: have it just stuck there. Yeah no, no no, not for sure. 338 00:16:38,440 --> 00:16:42,960 Speaker 1: And if we think of the crazy O G mixtapes Cushion, 339 00:16:43,000 --> 00:16:46,360 Speaker 1: Orange Juice, yeah classic, all that was all that was 340 00:16:46,400 --> 00:16:50,240 Speaker 1: all original production. Yeah yeah, yeah, yeah that that. I 341 00:16:50,280 --> 00:16:52,040 Speaker 1: mean a lot of a lot of mixtapes could have 342 00:16:52,080 --> 00:16:53,560 Speaker 1: been albums, you know what I'm saying. I think there 343 00:16:53,760 --> 00:16:58,680 Speaker 1: was albums, but yet Yeah, just the era was mixtape, 344 00:16:58,720 --> 00:17:00,480 Speaker 1: so it was calling the mixtape. You know what I'm saying. 345 00:17:00,880 --> 00:17:03,080 Speaker 1: It was a weird era because it was the blog era. Yeah, 346 00:17:03,200 --> 00:17:05,200 Speaker 1: it was yeah you feel Me, and it was popping. 347 00:17:05,320 --> 00:17:08,399 Speaker 1: You drop a mixtape, you know, you go crazy, going tour, 348 00:17:08,640 --> 00:17:10,840 Speaker 1: going tour off of mix. I'm like off a free 349 00:17:10,880 --> 00:17:14,440 Speaker 1: project performing mixtape like songs he did off of Wayne 350 00:17:15,400 --> 00:17:17,639 Speaker 1: You Feel Me in the crowd love it like everywhere, 351 00:17:17,680 --> 00:17:19,399 Speaker 1: even big tours, like you know what I'm saying he 352 00:17:19,480 --> 00:17:21,840 Speaker 1: performing that song. Hey, we got to stop the interview 353 00:17:21,840 --> 00:17:24,280 Speaker 1: real quick to tell you about our good folks at 354 00:17:24,359 --> 00:17:28,000 Speaker 1: odd Socks. Listen, the most comfortable socks in the entire world, 355 00:17:28,520 --> 00:17:33,480 Speaker 1: I promise you are these odd socks basics right here now. 356 00:17:33,520 --> 00:17:36,800 Speaker 1: I like the uh, the high joints, the whites are 357 00:17:36,800 --> 00:17:39,920 Speaker 1: the blacks. We're very inclusive at the Blue leg Head podcast. 358 00:17:40,080 --> 00:17:42,639 Speaker 1: Love the blacks and the whites of odd Socks, of course, 359 00:17:43,040 --> 00:17:46,120 Speaker 1: but they also got the crazy licenses. They got ninja turtles, 360 00:17:46,160 --> 00:17:50,639 Speaker 1: they got a fucking scarface breaking bad socks which I 361 00:17:50,720 --> 00:17:53,920 Speaker 1: just rewatched amazing, and their underwear of the best man. 362 00:17:53,960 --> 00:17:55,840 Speaker 1: I was just talking to somebody about how fire the 363 00:17:56,119 --> 00:17:59,439 Speaker 1: odd Socks draws are because the waistband it don't fold. 364 00:17:59,480 --> 00:18:02,840 Speaker 1: They're just emi as hell. So go to odd Socksofficial 365 00:18:03,359 --> 00:18:05,680 Speaker 1: dot com. You see the website, spell it that same 366 00:18:05,720 --> 00:18:08,560 Speaker 1: way and use the promo code bootleg cav all one 367 00:18:08,560 --> 00:18:12,080 Speaker 1: word together and you'll get twenty percent off from our 368 00:18:12,119 --> 00:18:15,680 Speaker 1: presenting sponsors, our family at odd Socks. It's all it's 369 00:18:15,680 --> 00:18:17,879 Speaker 1: on my ass and feet, ladies and gentlemen, So go 370 00:18:17,920 --> 00:18:19,800 Speaker 1: get you some odd socks. Let's get back to the interview. 371 00:18:20,080 --> 00:18:23,520 Speaker 1: That's crazy, bro, that's crazy. So the album's coming out 372 00:18:23,640 --> 00:18:27,880 Speaker 1: June fifteenth, June fifteenth, June fifteenth, We're gonna get the project, 373 00:18:29,560 --> 00:18:36,720 Speaker 1: lots of big features, Davies collab project, coming tour, Gangs 374 00:18:36,720 --> 00:18:39,879 Speaker 1: the grills coming so much. I wanted to ask you. 375 00:18:39,960 --> 00:18:42,520 Speaker 1: I had Trell up here and I saw you win 376 00:18:42,640 --> 00:18:44,480 Speaker 1: up to No Jumper and did an interview with him. 377 00:18:45,160 --> 00:18:47,640 Speaker 1: Can you for people who aren't aware as to why 378 00:18:47,680 --> 00:18:49,840 Speaker 1: that was a big deal? Man? Because there might be 379 00:18:49,840 --> 00:18:51,800 Speaker 1: people who are watching this who aren't from LA, who 380 00:18:51,880 --> 00:18:54,199 Speaker 1: aren't hip to the politics of LA. So why was 381 00:18:54,200 --> 00:18:55,720 Speaker 1: that such a big deal that you and t Rel 382 00:18:55,760 --> 00:18:57,879 Speaker 1: sat with each other? Man? Number One? Shout out to 383 00:18:57,920 --> 00:19:02,560 Speaker 1: treel Man. Great guy, Yeah, real, one hundred dude, solid dude. 384 00:19:02,600 --> 00:19:04,600 Speaker 1: You feel me, you know, I feel like you know, 385 00:19:04,680 --> 00:19:06,679 Speaker 1: we come from the same shit. You know what I'm saying, 386 00:19:07,119 --> 00:19:09,320 Speaker 1: you know, South central LA. You know what I'm saying, 387 00:19:09,320 --> 00:19:12,280 Speaker 1: the hoods, the you know what I'm saying, going to jail, 388 00:19:12,880 --> 00:19:16,440 Speaker 1: you know. So it's like, at some point, you know 389 00:19:16,480 --> 00:19:18,520 Speaker 1: what I'm saying, you gotta you got you gotta show 390 00:19:18,560 --> 00:19:20,720 Speaker 1: the young niggas that, you know what I'm saying. We 391 00:19:20,760 --> 00:19:23,320 Speaker 1: can elevate, we can grow, you know what I'm saying, 392 00:19:23,359 --> 00:19:25,280 Speaker 1: and something beyond just you know what I'm saying, doing 393 00:19:25,320 --> 00:19:28,080 Speaker 1: that we can't get do bennings together. Niggas can't get 394 00:19:28,119 --> 00:19:31,520 Speaker 1: money together, you know what I'm saying. So yeah, because 395 00:19:31,520 --> 00:19:34,480 Speaker 1: your guys's neighborhoods obviously don't get along. Now, it's probably 396 00:19:34,520 --> 00:19:39,840 Speaker 1: the most notorious disagreement in LA in the LA Street politics. 397 00:19:40,680 --> 00:19:43,160 Speaker 1: So like, I just thought that was dope, man, because 398 00:19:43,200 --> 00:19:47,280 Speaker 1: I do feel like eventually somebody's gotta you know, show 399 00:19:47,280 --> 00:19:49,520 Speaker 1: everybody that, yeah, somebody gotta do it. You feel me, 400 00:19:49,640 --> 00:19:51,640 Speaker 1: just because based on the politics, you know what I'm saying. 401 00:19:51,680 --> 00:19:53,639 Speaker 1: You know how LA is like, oh, you ain't supposed 402 00:19:53,680 --> 00:19:55,200 Speaker 1: to do this. You ain't supposed to all. They ain't 403 00:19:55,200 --> 00:19:57,000 Speaker 1: supposed talk to They ain't supposed to kick it with them. 404 00:19:57,720 --> 00:19:59,399 Speaker 1: You feel me, But you're your own man at the 405 00:19:59,480 --> 00:20:02,280 Speaker 1: end of the day, Like you feel me and my 406 00:20:02,400 --> 00:20:05,359 Speaker 1: homies they fucked with that day and they ain't against it. 407 00:20:05,400 --> 00:20:07,160 Speaker 1: They wasn't opposed to it. You know what I'm saying. 408 00:20:07,240 --> 00:20:09,399 Speaker 1: Niggas can't be like, oh, nigga, you wouldn't did that 409 00:20:09,440 --> 00:20:12,359 Speaker 1: with feel me. It don't work like that. Do you 410 00:20:12,400 --> 00:20:15,080 Speaker 1: think that there's like because I think when it passed, 411 00:20:15,119 --> 00:20:20,560 Speaker 1: obviously everybody uh when big you set up uh where 412 00:20:20,720 --> 00:20:23,960 Speaker 1: everybody had marched over there together, which was a big deal. 413 00:20:25,760 --> 00:20:29,119 Speaker 1: But what do you think is like the key in 414 00:20:29,359 --> 00:20:34,639 Speaker 1: breaking the cycle? Because it's hard to tell people. I 415 00:20:34,680 --> 00:20:36,480 Speaker 1: think it gotta be more of that right there, what 416 00:20:36,600 --> 00:20:39,439 Speaker 1: you just said. It can't just be done just only 417 00:20:39,560 --> 00:20:43,000 Speaker 1: on you know what I'm saying, just one day. It 418 00:20:43,119 --> 00:20:46,440 Speaker 1: gotta be done multiple times. You feel me. They gotta 419 00:20:46,480 --> 00:20:49,160 Speaker 1: they got they gotta, they gotta get used to being 420 00:20:49,200 --> 00:20:51,640 Speaker 1: with each other, being around each other and not doing shit. 421 00:20:51,760 --> 00:20:54,840 Speaker 1: You know what I'm saying. You feel me because I 422 00:20:54,840 --> 00:20:56,560 Speaker 1: mean it was good to see people that I know 423 00:20:57,160 --> 00:20:59,880 Speaker 1: that you know what I'm saying, then probably wouldn't even 424 00:20:59,880 --> 00:21:02,320 Speaker 1: be with each other on standing around each other, you 425 00:21:02,359 --> 00:21:04,520 Speaker 1: know what I'm saying, next to each other. So you know, 426 00:21:04,600 --> 00:21:07,000 Speaker 1: I think more of it. I think you know what 427 00:21:07,040 --> 00:21:09,520 Speaker 1: I'm saying, niggas that get the point. Yeah, I just 428 00:21:09,560 --> 00:21:13,680 Speaker 1: think like when there's like such a I always say, 429 00:21:13,680 --> 00:21:15,680 Speaker 1: you can't tell people how to react to certain shit. 430 00:21:16,080 --> 00:21:19,520 Speaker 1: Right So if somebody, you know, once upon a time 431 00:21:19,560 --> 00:21:22,879 Speaker 1: maybe took your cousin's life, or your brother's life. I 432 00:21:22,920 --> 00:21:25,359 Speaker 1: can't tell anybody how to react to that, but like eventually, 433 00:21:25,400 --> 00:21:28,680 Speaker 1: it's like you would hope one day the cycle, because 434 00:21:28,720 --> 00:21:32,280 Speaker 1: it's just every time a reaction happens to an action 435 00:21:33,000 --> 00:21:35,879 Speaker 1: just resets the whole thing exactly. And sometimes you be 436 00:21:35,920 --> 00:21:38,800 Speaker 1: thinking like it ain't gonna stop, like it's never ending. 437 00:21:39,359 --> 00:21:43,040 Speaker 1: But I mean, you know, somebody gotta do it. It 438 00:21:43,080 --> 00:21:44,960 Speaker 1: can't be done. I believe it can't be done, you 439 00:21:45,000 --> 00:21:46,159 Speaker 1: know what I'm saying. That's why I thought it was 440 00:21:46,200 --> 00:21:48,560 Speaker 1: dope to see you guys sit together, man, because Trell's 441 00:21:48,560 --> 00:21:50,840 Speaker 1: a great guy. You're a great guy, and it's like 442 00:21:50,880 --> 00:21:54,400 Speaker 1: some real leadership shit to like show everybody else, Yeah, 443 00:21:54,520 --> 00:21:58,280 Speaker 1: that is possible exactly. Somebody else gonna watch that. And 444 00:21:58,840 --> 00:22:01,080 Speaker 1: you know what I'm saying, they might be feeling a 445 00:22:01,119 --> 00:22:03,560 Speaker 1: certain way about another situation. They you know what I'm saying, 446 00:22:03,600 --> 00:22:05,679 Speaker 1: They might be like, oh, well, well I can do 447 00:22:05,720 --> 00:22:10,720 Speaker 1: it over here. Was there ever any situation where you 448 00:22:11,520 --> 00:22:14,960 Speaker 1: on the music side where maybe you wanted to work 449 00:22:15,000 --> 00:22:17,520 Speaker 1: with somebody or somebody wanted to work with you, but 450 00:22:17,600 --> 00:22:20,119 Speaker 1: y'all just couldn't make it happen just because of the politics. 451 00:22:20,640 --> 00:22:28,080 Speaker 1: Uh nah, nah, I mean I would say, like niggas 452 00:22:28,119 --> 00:22:31,320 Speaker 1: like two eleven or Schoolboy Q, but like I mean, 453 00:22:31,359 --> 00:22:34,040 Speaker 1: we never let the hood shit like get in the 454 00:22:34,119 --> 00:22:35,560 Speaker 1: way of that ship. You know what I'm saying. We 455 00:22:35,640 --> 00:22:37,680 Speaker 1: always want to do records with each other and shit 456 00:22:37,760 --> 00:22:39,919 Speaker 1: like that. You feel me, But it's just you know, 457 00:22:40,000 --> 00:22:43,119 Speaker 1: we never did it. But two eleven is a great guy. Yeah, 458 00:22:43,280 --> 00:22:45,560 Speaker 1: like great guy. I seen him in my hood. I 459 00:22:45,560 --> 00:22:47,119 Speaker 1: see him. You know what I'm saying. You see me 460 00:22:47,119 --> 00:22:48,879 Speaker 1: in here's hood, you feel me and Q, and Q 461 00:22:49,040 --> 00:22:51,080 Speaker 1: is an amazing guy. He's the funny He's the funniest 462 00:22:51,160 --> 00:22:55,080 Speaker 1: rapper exactly. He's one. Yeah he said it's a crazy 463 00:22:55,160 --> 00:22:57,600 Speaker 1: shit though. Yeah, that's like, that's the main guy I 464 00:22:57,600 --> 00:22:59,960 Speaker 1: always think about, like man if Que and Knit record, 465 00:23:00,080 --> 00:23:01,680 Speaker 1: you know what I mean, like certain ship like that 466 00:23:01,680 --> 00:23:03,359 Speaker 1: that like you know, it would have been crazy. But 467 00:23:03,440 --> 00:23:06,240 Speaker 1: like obviously you know, but people who aren't from here 468 00:23:06,720 --> 00:23:09,240 Speaker 1: don't understand that kind of shit. So no, they don't 469 00:23:09,880 --> 00:23:14,800 Speaker 1: because like everybody, everybody, everybody ain't with getting money, everybody 470 00:23:14,800 --> 00:23:16,919 Speaker 1: ain't with the music ship. It's some niggas, that's just 471 00:23:17,000 --> 00:23:18,320 Speaker 1: you know what I'm saying. They don't give a fuck 472 00:23:18,320 --> 00:23:20,399 Speaker 1: about none of that. Yeah, yeah, that makes sense. You 473 00:23:20,400 --> 00:23:22,560 Speaker 1: know what I'm saying, And that's crazy, you feel me, 474 00:23:22,600 --> 00:23:24,760 Speaker 1: that's crazy. But they gotta they gotta live life. They 475 00:23:24,760 --> 00:23:27,359 Speaker 1: gotta explore a little bit, you feel me. I mean, 476 00:23:27,359 --> 00:23:29,159 Speaker 1: I was young before. I remember, I didn't give a 477 00:23:29,200 --> 00:23:32,880 Speaker 1: fuck about getting money. You used to be that guy. Yeah, exactly, 478 00:23:32,960 --> 00:23:34,760 Speaker 1: so you had to Yeah, I mean, but you you know, 479 00:23:34,800 --> 00:23:36,840 Speaker 1: you grow up, manage to this ship, you feel me 480 00:23:36,920 --> 00:23:39,680 Speaker 1: levels to it. Indeed, bro, well I appreciate you coming through. Man. 481 00:23:39,720 --> 00:23:42,120 Speaker 1: Thanks for having me man always. We got the freestyle 482 00:23:42,119 --> 00:23:43,600 Speaker 1: we're about to do so that's gonna be a separate 483 00:23:43,640 --> 00:23:46,119 Speaker 1: YouTube video, so go check that shit out the album 484 00:23:46,160 --> 00:23:49,119 Speaker 1: The definition of Sacrifice? Is this the final in the 485 00:23:49,480 --> 00:23:52,040 Speaker 1: Is this gonna be a trilogy? Noth Nah, It's gonna 486 00:23:52,040 --> 00:23:56,360 Speaker 1: be one more. I got one more definition of success. 487 00:23:56,640 --> 00:23:59,040 Speaker 1: I like that. That's how you end it? Yeah, I 488 00:23:59,200 --> 00:24:00,679 Speaker 1: like it. But you know, you know that was that 489 00:24:00,800 --> 00:24:02,600 Speaker 1: was that was That was nip idea. You know what 490 00:24:02,600 --> 00:24:04,520 Speaker 1: I'm saying. Me and Ni was texting each other. I 491 00:24:04,520 --> 00:24:06,960 Speaker 1: had symptom, not symptom, but I gave him my CD 492 00:24:07,640 --> 00:24:09,639 Speaker 1: with like some songs on there. From the Definition of 493 00:24:09,680 --> 00:24:12,879 Speaker 1: Loyalty and That's when he texted me, like, definition of Loyalty. 494 00:24:12,920 --> 00:24:15,040 Speaker 1: That's the name of your album. You know what I'm saying. 495 00:24:15,040 --> 00:24:17,520 Speaker 1: Then he kept texting like your next album should be 496 00:24:17,840 --> 00:24:22,399 Speaker 1: Definition of Sacrifice, Definition of Pain, definition of Poccess. You 497 00:24:22,400 --> 00:24:25,399 Speaker 1: feel me and I'm here, We are there. It is. 498 00:24:25,440 --> 00:24:28,159 Speaker 1: There's the four there, it is right there. You feel me, 499 00:24:28,240 --> 00:24:32,119 Speaker 1: so I ain't gonna stop there it is man, Jay Stone, 500 00:24:32,119 --> 00:24:34,199 Speaker 1: go get the album. Appreciate you, bro. Yeah, let's go, 501 00:24:34,320 --> 00:24:35,400 Speaker 1: man perfect, get it.