1 00:00:00,040 --> 00:00:03,320 Speaker 1: Hey, listeners, it's James Parker. Can you keep a secret? 2 00:00:03,760 --> 00:00:06,520 Speaker 1: Daughters of d C is up next, But first a 3 00:00:06,600 --> 00:00:12,280 Speaker 1: quick word from our sponsor, Iron Horn's Epic Productions. And 4 00:00:12,360 --> 00:00:24,240 Speaker 1: I heard Radio present Daughters of DC. It's no secret 5 00:00:24,280 --> 00:00:28,400 Speaker 1: that in Washington, d C. Corruption is everywhere. You could 6 00:00:28,440 --> 00:00:31,240 Speaker 1: say it's gone viral. That's why my friends and I 7 00:00:31,320 --> 00:00:36,200 Speaker 1: decided to take on the system from the inside. I'm James, 8 00:00:36,360 --> 00:00:39,760 Speaker 1: I'm Peyton, I'm Celia, I'm Natalie, and we're the Daughters 9 00:00:39,760 --> 00:00:54,680 Speaker 1: that equality, fairness, justice. I grew up believing in those things, 10 00:00:55,600 --> 00:00:59,960 Speaker 1: thinking they mattered. I was so naive. My name is 11 00:01:00,120 --> 00:01:04,760 Speaker 1: James Parker. My mom, Congresswoman Angela Parker, is the first 12 00:01:04,800 --> 00:01:08,640 Speaker 1: black woman elected Speaker of the House. So yeah, no 13 00:01:08,760 --> 00:01:12,080 Speaker 1: pressure there. If it wasn't from my mom, I'd just 14 00:01:12,120 --> 00:01:15,560 Speaker 1: be James, the invisible luner, spending way too much time 15 00:01:15,600 --> 00:01:20,800 Speaker 1: on her computer. Instead, everyone's always looking at me like 16 00:01:21,400 --> 00:01:25,800 Speaker 1: they expect something. What's fair about that? What's fair about 17 00:01:25,840 --> 00:01:28,000 Speaker 1: everyone in your life deciding what they want you to 18 00:01:28,040 --> 00:01:33,040 Speaker 1: be instead of you getting to decide for yourself. Sometimes 19 00:01:33,840 --> 00:01:38,120 Speaker 1: I wish you would all just go away. Sometimes I 20 00:01:38,160 --> 00:01:50,520 Speaker 1: wish I could just be someone else. Looks like the 21 00:01:50,560 --> 00:01:54,400 Speaker 1: ever enterprising storm Alloy just found an squl injection vulnerability. 22 00:01:55,000 --> 00:01:56,880 Speaker 1: But you said this spiral wall was supposed to be 23 00:01:57,800 --> 00:02:01,760 Speaker 1: what do you call it? Impenetrable with that zero day 24 00:02:01,760 --> 00:02:04,000 Speaker 1: glit shine earth last week, I'll be over this wall 25 00:02:04,040 --> 00:02:06,160 Speaker 1: in two licks. Now do you believe me when I 26 00:02:06,200 --> 00:02:08,320 Speaker 1: just say I need a minute? Onyx writer, don't you 27 00:02:08,360 --> 00:02:12,359 Speaker 1: think you've had enough? Storm? I've been so generous, so magnanimous, 28 00:02:12,360 --> 00:02:15,200 Speaker 1: more like megalomaniacal. It takes time to throw up a 29 00:02:15,200 --> 00:02:17,880 Speaker 1: proxy to bounce my traffic through Kazakhs town. We don't 30 00:02:17,919 --> 00:02:20,480 Speaker 1: have forever Storm, so we both know you'd love to 31 00:02:20,520 --> 00:02:22,840 Speaker 1: spend all night with me. Save it for your fan 32 00:02:22,919 --> 00:02:28,960 Speaker 1: fake conics and score. I'm over the firewall. Okay, send 33 00:02:28,960 --> 00:02:32,160 Speaker 1: the code if I don't obliterate this mall where I'm screwed. Okay, 34 00:02:32,400 --> 00:02:38,840 Speaker 1: if you really think you're ready, catch you've gotten awfully quiet. 35 00:02:39,160 --> 00:02:42,680 Speaker 1: I'm concentrating this mallor is trash. I'm expunging it as 36 00:02:42,680 --> 00:02:45,239 Speaker 1: we speak. All right, I gotta ghost in a minute. 37 00:02:45,360 --> 00:02:47,360 Speaker 1: I hope you got things in the control over there 38 00:02:47,639 --> 00:02:56,519 Speaker 1: or else. Wait somethings off. Yeah, I know later, No, 39 00:02:57,520 --> 00:03:02,639 Speaker 1: this is not supposed to happen. Crap, crap, crap crap. 40 00:03:03,720 --> 00:03:06,640 Speaker 1: James Renee Parker, what did you do? Did you boot 41 00:03:06,680 --> 00:03:09,120 Speaker 1: me off my own router again? Sorry? Mom? I have 42 00:03:09,240 --> 00:03:11,760 Speaker 1: half a dozen staffers downstairs giving up their Friday night 43 00:03:11,760 --> 00:03:13,480 Speaker 1: no less to get this bill pass, and they need 44 00:03:13,520 --> 00:03:15,680 Speaker 1: the internet to do their jobs. I know, I know, 45 00:03:15,840 --> 00:03:19,320 Speaker 1: I just it wasn't on purpose. And look we're back up. 46 00:03:19,639 --> 00:03:21,440 Speaker 1: Can I have one night where I don't have to 47 00:03:21,480 --> 00:03:25,760 Speaker 1: worry that my daughter is turning into anonymous? Go get 48 00:03:25,800 --> 00:03:31,480 Speaker 1: in here. What you're going out tonight? Right? Yeah? Lacrosse 49 00:03:31,520 --> 00:03:35,520 Speaker 1: party should be fun. You're taken James with you, Mom. James, 50 00:03:36,320 --> 00:03:43,280 Speaker 1: go and put on something other than a gray hoodie. 51 00:03:45,280 --> 00:03:48,280 Speaker 1: Come on, James, you're can have out all night. Only 52 00:03:48,320 --> 00:03:50,640 Speaker 1: you'll be mad about Mom making you go to a party. 53 00:03:50,920 --> 00:03:53,640 Speaker 1: She gets to stay home. She's Speaker of the house 54 00:03:53,760 --> 00:03:57,080 Speaker 1: and she's working. What's the big deal anyway? Um, in 55 00:03:57,120 --> 00:04:01,200 Speaker 1: case you haven't noticed, my day goes home, school, home, online. 56 00:04:01,480 --> 00:04:04,760 Speaker 1: I'm not exactly going to have friends at this party. 57 00:04:04,920 --> 00:04:07,320 Speaker 1: It's a celious It wasn't that long ago that you 58 00:04:07,320 --> 00:04:10,960 Speaker 1: two were besties, not anymore? Come on, that whole blow 59 00:04:11,120 --> 00:04:13,880 Speaker 1: was like two years ago. I'm sure Mom doesn't care anymore. 60 00:04:15,160 --> 00:04:18,479 Speaker 1: What about Bate. It's a lacrosse party, she'll be there. 61 00:04:18,800 --> 00:04:22,520 Speaker 1: Or Natalie, she's at every party. We didn't really keep 62 00:04:22,520 --> 00:04:27,560 Speaker 1: in touch. They well, I I kind of fell off 63 00:04:27,560 --> 00:04:29,800 Speaker 1: the map last year when we were living with Grandma. 64 00:04:30,320 --> 00:04:34,640 Speaker 1: It was too hard after Dad. I get it, believe me. 65 00:04:36,080 --> 00:04:37,800 Speaker 1: That doesn't mean you can't get it back out there. 66 00:04:38,200 --> 00:04:41,880 Speaker 1: I managed, all right, it's different for you. James were twins. 67 00:04:42,480 --> 00:04:46,080 Speaker 1: If I can do it, you've got no excuse whatever. 68 00:04:46,760 --> 00:04:49,200 Speaker 1: My point is, you're stuck going to this party, so 69 00:04:49,279 --> 00:04:51,760 Speaker 1: you might as well hit them up. I'm sure they'll 70 00:04:51,800 --> 00:04:55,359 Speaker 1: be happy you're rejoining the living. I don't know what 71 00:04:55,440 --> 00:04:58,560 Speaker 1: if they don't want to see me. We did not 72 00:04:58,680 --> 00:05:01,360 Speaker 1: come here to fear the few. Sure, we came here 73 00:05:01,400 --> 00:05:07,119 Speaker 1: to shape it. Really, you're quoting Obama at me? Fine, 74 00:05:07,240 --> 00:05:18,839 Speaker 1: here we go. I'm messaging everyone happy mm hmm. Hey Celia, Peyton, Natalie. 75 00:05:20,320 --> 00:05:24,160 Speaker 1: I heard you were all going to be at Celia's party. 76 00:05:25,600 --> 00:05:40,760 Speaker 1: See you there, Ah, we're here. Hello, Earth to James. 77 00:05:41,360 --> 00:05:45,400 Speaker 1: What where's your head at? I changed my mind. I 78 00:05:45,400 --> 00:05:48,200 Speaker 1: don't want to go in there. You go. I'll wait 79 00:05:48,200 --> 00:06:00,880 Speaker 1: in the car. Get out, Cole come, no backing out 80 00:06:00,880 --> 00:06:03,239 Speaker 1: now cool? No one got back to me, nobody wants 81 00:06:03,240 --> 00:06:06,960 Speaker 1: me here. What about your carrying and supportive brother? Now 82 00:06:07,000 --> 00:06:12,640 Speaker 1: get out? Not optional? Fine? Just think of this is 83 00:06:12,720 --> 00:06:15,720 Speaker 1: preparation from my botillion next. I know you don't want 84 00:06:15,720 --> 00:06:18,200 Speaker 1: to go, but maybe it'd be easier if you had 85 00:06:18,200 --> 00:06:20,240 Speaker 1: a date. There's a guy on my team who needs 86 00:06:20,240 --> 00:06:22,800 Speaker 1: an escort, and it just so happens that he's inside 87 00:06:22,880 --> 00:06:26,000 Speaker 1: right now. I wouldn't even know how to talk to him. 88 00:06:26,160 --> 00:06:29,359 Speaker 1: He's chill. You'll like him, trust me. He's a gamer 89 00:06:29,560 --> 00:06:40,479 Speaker 1: like you. I think he plays Call of Duty. Hey, 90 00:06:40,560 --> 00:06:46,400 Speaker 1: how's it going? Kyle? Nice kicks? Pay great save yesterday? 91 00:06:46,800 --> 00:06:51,280 Speaker 1: You're not it's called wait come here. I am so 92 00:06:51,320 --> 00:06:53,720 Speaker 1: sorry about my dad. By the way, he was not 93 00:06:53,800 --> 00:06:56,080 Speaker 1: very nice to your mom this weekend. Isn't it a 94 00:06:56,160 --> 00:06:58,760 Speaker 1: big faux pall for senator to be taken shots at 95 00:06:58,760 --> 00:07:05,240 Speaker 1: the house? That's what said? Hey, Hi, shut up James 96 00:07:05,320 --> 00:07:09,800 Speaker 1: Parker at a party. Look at you? I love that 97 00:07:09,920 --> 00:07:17,040 Speaker 1: switch shirt. It looks soup comfy. Yeah? Thanks paying? So um, 98 00:07:17,080 --> 00:07:20,360 Speaker 1: how's it going? Well? I'm just so surprised to see 99 00:07:20,400 --> 00:07:24,840 Speaker 1: you here because I did mustn't you actually Celia and 100 00:07:24,920 --> 00:07:27,920 Speaker 1: Natalie too on do you d C d you d 101 00:07:28,040 --> 00:07:31,840 Speaker 1: C Really? I haven't even opened the app in forever. 102 00:07:32,720 --> 00:07:37,880 Speaker 1: Wait here it is stealing my bunk. See you there? 103 00:07:39,640 --> 00:07:44,000 Speaker 1: See you pay here dominated the j V game. I 104 00:07:44,080 --> 00:07:45,640 Speaker 1: bet she gets called it for the rest of the season. 105 00:07:46,960 --> 00:07:50,640 Speaker 1: Sto'll be cold. He's just being nice and to have 106 00:07:50,760 --> 00:07:55,320 Speaker 1: it so know I'm here. What are we supposed to 107 00:07:55,480 --> 00:07:58,960 Speaker 1: do with these things? James? You are just the cutest. 108 00:07:59,640 --> 00:08:03,160 Speaker 1: What you start by getting some drinks? Come on, don't 109 00:08:03,200 --> 00:08:07,440 Speaker 1: waste your time? Baby, Tanner? What up playing live streaming? Son? 110 00:08:08,240 --> 00:08:10,560 Speaker 1: What up? Dance? Dance? It's your boy, Tanner, a k 111 00:08:10,960 --> 00:08:13,880 Speaker 1: tan Man coming at you from the loose super Deluxe mansion. 112 00:08:14,440 --> 00:08:17,200 Speaker 1: As you can see, we're just up in here raising 113 00:08:17,280 --> 00:08:21,280 Speaker 1: hell after our epic win tonight. Ghost Barton's hashtag the 114 00:08:21,320 --> 00:08:27,560 Speaker 1: Cross Teams Barton Pride, Babe, Babe, my god, Stop Tanner? 115 00:08:27,920 --> 00:08:30,040 Speaker 1: Why do you have to stream everything? Can you just 116 00:08:30,200 --> 00:08:33,120 Speaker 1: enjoy the party? Cross King and Queen right here make 117 00:08:33,200 --> 00:08:42,560 Speaker 1: way for Royalty Old Gone. I love this song. Catch 118 00:08:42,600 --> 00:08:44,880 Speaker 1: up with you later. Time to get out of hair 119 00:08:44,960 --> 00:08:47,560 Speaker 1: before I choked to death in a cloud of sweating hormones. 120 00:08:49,480 --> 00:08:53,040 Speaker 1: And there's Celia, Come on, James, you can do this. 121 00:08:53,559 --> 00:08:55,360 Speaker 1: She's only like the queen at the school now, no 122 00:08:55,480 --> 00:08:58,199 Speaker 1: big deal. Not believe who I shared a little rendeven 123 00:08:58,280 --> 00:09:00,959 Speaker 1: with at the White House Correspondence did after after party 124 00:09:01,040 --> 00:09:04,640 Speaker 1: last year? Oh my god, Celia who Rosy Beacham, Secretary 125 00:09:04,640 --> 00:09:08,400 Speaker 1: of State, marks curts of having parents who donate to 126 00:09:08,440 --> 00:09:11,760 Speaker 1: both sides. Tickets to all the top tier events, Celia, 127 00:09:12,440 --> 00:09:17,920 Speaker 1: James Parker, Well wonders never cease. This party is kind 128 00:09:17,920 --> 00:09:22,000 Speaker 1: of crazy, nothing compared to my sweet sixteen. Everyone had 129 00:09:22,040 --> 00:09:24,400 Speaker 1: to check their phones at the door. You would not 130 00:09:24,480 --> 00:09:26,640 Speaker 1: believe what happens when the cameras are off A long 131 00:09:26,640 --> 00:09:29,280 Speaker 1: way from your twelfth birthday. Huh remember when we hit 132 00:09:29,360 --> 00:09:34,880 Speaker 1: under your bed? Can we have a word, James, James, 133 00:09:35,280 --> 00:09:37,400 Speaker 1: I love you, and it's cool you brought back the 134 00:09:37,480 --> 00:09:40,000 Speaker 1: d O DC app and everything. But let's not start 135 00:09:40,040 --> 00:09:43,120 Speaker 1: busting out kids stories. Okay, we're a little too old 136 00:09:43,120 --> 00:09:46,640 Speaker 1: for that. I have a rep to maintain. Yeah, sorry, 137 00:09:46,679 --> 00:09:51,760 Speaker 1: that was stupid. I totally get it. Okay, listen, you're amazing. 138 00:09:52,120 --> 00:09:56,760 Speaker 1: Enjoy the party. You loosen up. Natalie's outside, maybe go 139 00:09:56,840 --> 00:09:58,960 Speaker 1: sit next to her and I don't know, in hell 140 00:09:59,040 --> 00:10:05,680 Speaker 1: deeply a few times. Sure, thanks Celia. Oh mg, Celia, 141 00:10:05,679 --> 00:10:09,440 Speaker 1: I did I tell you about my Babby trip. I 142 00:10:09,559 --> 00:10:20,680 Speaker 1: heard the rumors. Let me give you a little It's 143 00:10:20,679 --> 00:10:24,079 Speaker 1: almost like I'm the only one who's even heard of Augusta. 144 00:10:24,480 --> 00:10:26,680 Speaker 1: You know. Suffice it to say, Mrs Senson and I 145 00:10:26,720 --> 00:10:29,400 Speaker 1: had words. I won't stand and be a part of 146 00:10:29,400 --> 00:10:33,280 Speaker 1: a drama program that isn't actively advocating for non authoritarian 147 00:10:33,320 --> 00:10:39,960 Speaker 1: Latinos voices. Natalie, how's it going, James? I just saw 148 00:10:40,000 --> 00:10:43,079 Speaker 1: you were back on the app last from the past. 149 00:10:43,480 --> 00:10:48,040 Speaker 1: Come say it, girl, join the dialogue. See here's my point, though, 150 00:10:48,280 --> 00:10:53,439 Speaker 1: The entire education system is built to colonize our collective imaginations. 151 00:10:53,679 --> 00:10:55,760 Speaker 1: Take the S A T S for instance. They are 152 00:10:55,760 --> 00:10:58,880 Speaker 1: a total scam designed to appeal to white upper class students. 153 00:10:59,080 --> 00:11:01,720 Speaker 1: So what does that say about college admissions? I guess 154 00:11:01,880 --> 00:11:05,520 Speaker 1: Take the A C T S. George, remove the scales 155 00:11:05,559 --> 00:11:08,040 Speaker 1: from your eyes. If we live in the box, we 156 00:11:08,400 --> 00:11:11,640 Speaker 1: become the box. James, You get me right? I mean, 157 00:11:11,960 --> 00:11:15,360 Speaker 1: what are we only permitted to be? These ivy targeted 158 00:11:15,360 --> 00:11:18,840 Speaker 1: achievement missiles being shot out of a DuPont branded cannon. 159 00:11:20,320 --> 00:11:22,720 Speaker 1: I don't know. I mean I am feeling the pressure 160 00:11:22,760 --> 00:11:25,760 Speaker 1: from my mom. She's like my hero. By the way, 161 00:11:26,040 --> 00:11:28,800 Speaker 1: come on, what about your dad? I mean he's developed 162 00:11:28,880 --> 00:11:32,560 Speaker 1: quite the following. Let me be blunt. If I get 163 00:11:32,600 --> 00:11:36,079 Speaker 1: stuck talking to a one more meat headed rosen bro, 164 00:11:36,520 --> 00:11:45,160 Speaker 1: I'll rip my own ears off. No, you're cool, George James, 165 00:11:46,320 --> 00:11:49,480 Speaker 1: Where are you going? I think I hear my brother 166 00:11:49,640 --> 00:11:54,760 Speaker 1: calling me. Sorry, Natalie, catch up more later sounds good girl, now, George. 167 00:11:54,840 --> 00:12:05,720 Speaker 1: Back to my point, the socioconemic intricacies of sorry, look 168 00:12:05,760 --> 00:12:10,000 Speaker 1: where you're going? Sorry? Dance it is? Remember when we 169 00:12:10,080 --> 00:12:12,240 Speaker 1: knew all the moves to work from home? We were 170 00:12:12,280 --> 00:12:18,880 Speaker 1: like our own fifth harmony turns, Remember except for the 171 00:12:19,000 --> 00:12:21,320 Speaker 1: special surprise I mentioned. Come on, come on, come on, 172 00:12:21,320 --> 00:12:29,679 Speaker 1: it's upstairs. Dance on hey, Peyton? Wait what I bet 173 00:12:29,720 --> 00:12:31,600 Speaker 1: we could get them to play work from home? Right, 174 00:12:31,679 --> 00:12:37,160 Speaker 1: Payton dancing? Hey? Hey, a little advice. She's really loosen up. 175 00:12:38,400 --> 00:12:40,920 Speaker 1: Maybe people would only call you a freak behind your 176 00:12:40,920 --> 00:12:45,320 Speaker 1: back instead ofto your face. Come on, Fay, let's go 177 00:12:46,800 --> 00:12:56,600 Speaker 1: okay ol hey d o. DC fans stay tuned. More 178 00:12:56,679 --> 00:12:59,600 Speaker 1: Daughters of DC is up next, But first, a quick 179 00:12:59,600 --> 00:13:09,320 Speaker 1: word for our sponsor, Cold Social Experiment over. Okay, time 180 00:13:09,360 --> 00:13:12,960 Speaker 1: you don't see to the safety of my tips. You're hilarious, James, 181 00:13:13,000 --> 00:13:15,960 Speaker 1: come here, I want you to beat someone. This is Adrian, 182 00:13:16,040 --> 00:13:19,200 Speaker 1: the guy was telling you about. Hey, we have tricked together, right, 183 00:13:20,360 --> 00:13:23,600 Speaker 1: maybe Adrian? You don't have an escort to the Botillion yet? 184 00:13:23,679 --> 00:13:27,960 Speaker 1: Right that as of yet? Interesting? Well, it looks like 185 00:13:27,960 --> 00:13:30,120 Speaker 1: we're running low on ice. I think I'll make a 186 00:13:30,200 --> 00:13:32,400 Speaker 1: run to the store and leave you to talk. I'll 187 00:13:32,440 --> 00:13:34,880 Speaker 1: go you sorry, don't rum in the car for you 188 00:13:34,920 --> 00:13:45,040 Speaker 1: and I really ashamed have a Cole says you're a gamer? Me? Yeah, sorry, 189 00:13:45,400 --> 00:13:48,320 Speaker 1: I didn't hear you. Can't you speak up? What do 190 00:13:48,360 --> 00:13:54,160 Speaker 1: you play? Which games? Uh? Fun? Music? So loud? Do 191 00:13:54,240 --> 00:13:59,160 Speaker 1: you want to dance instead? Talk after me? Dance? Well 192 00:14:00,000 --> 00:14:03,720 Speaker 1: that's not really much. Hey did you have the toilet flushing? 193 00:14:04,160 --> 00:14:05,760 Speaker 1: Because that means I have to go in and get it. 194 00:14:07,040 --> 00:14:25,200 Speaker 1: I have to be by all right, you're okay, You're okay. 195 00:14:27,240 --> 00:14:30,040 Speaker 1: Nothing to do, but wait out your mortification in here 196 00:14:30,120 --> 00:14:34,320 Speaker 1: until Cole comes back, and then never attend another party 197 00:14:34,360 --> 00:14:40,160 Speaker 1: ever again, for as long as you live. Um? Was 198 00:14:40,200 --> 00:14:45,800 Speaker 1: that a d O d C alert? Hello? And I 199 00:14:45,880 --> 00:14:50,200 Speaker 1: won one upstairs, first second bedroom. One on the ride 200 00:14:51,720 --> 00:14:58,480 Speaker 1: on my way coming now, what is going on? Oh 201 00:14:58,520 --> 00:15:01,880 Speaker 1: my god, pain, are you okay? Happened? I don't even 202 00:15:01,920 --> 00:15:06,000 Speaker 1: really know it all happened so fast, but D d 203 00:15:06,120 --> 00:15:10,520 Speaker 1: C was opening my phone, so a message. We're here 204 00:15:10,520 --> 00:15:13,080 Speaker 1: for you. What do you need? I just want to 205 00:15:13,120 --> 00:15:24,560 Speaker 1: go home. Yeah, Peyton and I had a great time 206 00:15:24,560 --> 00:15:29,720 Speaker 1: at Celia's on Friday. You were kidding? She did in 207 00:15:29,840 --> 00:15:33,360 Speaker 1: Celia's parents bedroom. Okay, pay her June Tanner ticket to 208 00:15:33,400 --> 00:15:36,600 Speaker 1: the next level at Celia's party. You heard wrong. Valentina 209 00:15:36,760 --> 00:15:40,320 Speaker 1: Tanner's the ultimate trophy boy. Lock it down, Peyton, You 210 00:15:40,400 --> 00:15:42,920 Speaker 1: and Tanner doing the nasty? Okay, all right, you get 211 00:15:42,960 --> 00:15:45,800 Speaker 1: a girl. No, seriously, it wasn't like that. Believe me. 212 00:15:46,480 --> 00:15:55,400 Speaker 1: Here comes your voy Now can we talk Tanner? What 213 00:15:55,520 --> 00:15:59,280 Speaker 1: happened on Friday? Babe? This place is not sexy. Let's 214 00:15:59,320 --> 00:16:03,160 Speaker 1: go to the stable. No, I don't feel good about 215 00:16:03,160 --> 00:16:08,360 Speaker 1: what happened. What are you talking about? Well? I um, 216 00:16:08,400 --> 00:16:10,600 Speaker 1: I don't feel like I had a lot of control. 217 00:16:11,400 --> 00:16:15,000 Speaker 1: How you feel? It's not my fault? No, no, no, no, 218 00:16:15,200 --> 00:16:19,160 Speaker 1: I'm I'm trying to I'm having fun. Is the whole 219 00:16:19,200 --> 00:16:21,720 Speaker 1: point of dating. If you don't want to be fun, don't. 220 00:16:22,040 --> 00:16:28,080 Speaker 1: I'm sorry, but I I wasn't ready. Okay, then maybe 221 00:16:28,120 --> 00:16:34,880 Speaker 1: I should find someone who is. I think Tanner just 222 00:16:34,960 --> 00:16:39,720 Speaker 1: broke up with me. Good. You're better than that asshole, 223 00:16:39,800 --> 00:16:43,440 Speaker 1: are you? Okay? No, he's so angry. Maybe I did 224 00:16:43,560 --> 00:16:46,800 Speaker 1: do something wrong. I mean we were dating. It's not 225 00:16:46,840 --> 00:16:50,920 Speaker 1: your fault. Peyton, thank you. I know it's been a while, 226 00:16:50,960 --> 00:16:53,400 Speaker 1: but I can't talk to my other friends like I 227 00:16:53,400 --> 00:16:57,200 Speaker 1: can talk to you all. You know. I guess same, Yeah, 228 00:16:58,280 --> 00:17:01,520 Speaker 1: me too. It was kind of price, but I'm glad 229 00:17:01,560 --> 00:17:04,240 Speaker 1: you resurrected D O d C. James. I know it's 230 00:17:04,280 --> 00:17:08,480 Speaker 1: corny kids stuff. No, it's not. We needed each other 231 00:17:08,880 --> 00:17:11,640 Speaker 1: and the app made it happen. Daughters of DC come 232 00:17:11,680 --> 00:17:18,240 Speaker 1: back door, and now we have a mission taking down Tanner. 233 00:17:18,920 --> 00:17:22,080 Speaker 1: I know we'll go to the headmaster file a complaint 234 00:17:22,080 --> 00:17:26,359 Speaker 1: to Yes, No, I can't. I can't do confrontation, not 235 00:17:26,480 --> 00:17:30,680 Speaker 1: after Colorama, I don't know Tanner's dance close with my dad. 236 00:17:30,960 --> 00:17:34,359 Speaker 1: What have this gotten? The press will make it completely anonymous, 237 00:17:34,680 --> 00:17:43,439 Speaker 1: trust me, Natalie Rosenberg, What now another sitting over non 238 00:17:43,560 --> 00:17:47,600 Speaker 1: organic produce of the dining hall salad ball? No? Well, 239 00:17:47,720 --> 00:17:50,960 Speaker 1: actually that's a good idea, but I'm here for justice. 240 00:17:51,520 --> 00:17:54,920 Speaker 1: How many detentions do you want for this justice, Natalie, 241 00:17:55,000 --> 00:17:59,960 Speaker 1: I'm not putting up Celia lou head Master Woodford, Well, 242 00:18:00,040 --> 00:18:05,040 Speaker 1: a lovely ascot really accentuates your sideburns. We're here to 243 00:18:05,080 --> 00:18:08,280 Speaker 1: file a complaint on behalf of an anonymous victim. What 244 00:18:08,440 --> 00:18:12,280 Speaker 1: kind of complaint? Tanner read assaulted a student at a party? 245 00:18:12,640 --> 00:18:18,160 Speaker 1: We want him expelled. That's not how this works, ladies. 246 00:18:18,440 --> 00:18:22,119 Speaker 1: And filing a formal complaint is extensive. It involves a 247 00:18:22,240 --> 00:18:27,159 Speaker 1: tribune of the board. Your anonymous victim would have to 248 00:18:27,200 --> 00:18:31,280 Speaker 1: give a statement something into questioning. It's an intense process, 249 00:18:31,359 --> 00:18:35,480 Speaker 1: and someone like Tanna will have a strong defense. Last time. 250 00:18:35,800 --> 00:18:38,840 Speaker 1: What do you mean last time? Tanner's a repeat offender 251 00:18:39,160 --> 00:18:44,640 Speaker 1: student privacy of course, Headmaster. But as my parents consider 252 00:18:44,720 --> 00:18:47,720 Speaker 1: their annual donation, I'm sure what they want to know 253 00:18:47,840 --> 00:18:50,800 Speaker 1: Their daughter isn't at school with a predator? Is that 254 00:18:50,880 --> 00:18:55,679 Speaker 1: a threat? How about this? If you don't leave this minute, 255 00:18:55,720 --> 00:18:59,960 Speaker 1: I'm searching both your lacas for contraband how does that sound? 256 00:19:00,040 --> 00:19:04,440 Speaker 1: Ms rosenbog Um, Celia, maybe that's not such a good idea. 257 00:19:04,560 --> 00:19:13,080 Speaker 1: Thank you for your time, head Master Woodford. We couldn't 258 00:19:13,080 --> 00:19:15,840 Speaker 1: file a complaint, but we did find out Tanner's done 259 00:19:15,880 --> 00:19:19,159 Speaker 1: this before. What But he wouldn't give us any details. 260 00:19:19,480 --> 00:19:22,320 Speaker 1: We have no idea what happened. This whole thing stinks 261 00:19:22,320 --> 00:19:26,120 Speaker 1: of a cover up. I can find out what happened. 262 00:19:26,680 --> 00:19:30,119 Speaker 1: I thought you didn't like confrontation. I don't. But if 263 00:19:30,160 --> 00:19:32,880 Speaker 1: Tanner's done this before, there's got to be a record, right, 264 00:19:33,160 --> 00:19:38,000 Speaker 1: a file online that I can get and without any confrontation. 265 00:19:38,680 --> 00:19:40,600 Speaker 1: I've been practicing exactly this kind of thing on my 266 00:19:40,640 --> 00:19:46,240 Speaker 1: hacker forums. Hacker forums. Who even are you? Who am I? 267 00:19:50,440 --> 00:19:55,280 Speaker 1: I'm Storm Alloy, That's who. The school is running Windows 268 00:19:55,280 --> 00:19:58,639 Speaker 1: two thousands and the system is riddled with holes. This 269 00:19:58,760 --> 00:20:02,399 Speaker 1: is a real level one. Bough does keep smashing accent. 270 00:20:02,400 --> 00:20:06,000 Speaker 1: It's gonna explode at some point. The decryption key is 271 00:20:06,000 --> 00:20:10,199 Speaker 1: still in its default location. Nudes little on excres about this. 272 00:20:11,240 --> 00:20:14,960 Speaker 1: I'm in all right, DuPont, tell me your secrets. Let's 273 00:20:14,960 --> 00:20:20,160 Speaker 1: see student records there he is raid come a Tanner, 274 00:20:22,320 --> 00:20:25,040 Speaker 1: Oh Tanner. They're gonna need better grades than that to 275 00:20:25,040 --> 00:20:27,919 Speaker 1: get into Dartmouth unless Daddy buys them a new building. 276 00:20:29,760 --> 00:20:35,040 Speaker 1: Formal complaints, there's one. Wow, there's a lot here interviews 277 00:20:35,200 --> 00:20:44,040 Speaker 1: and I'll just download this whoa pulls out. What's going on? 278 00:20:44,600 --> 00:20:48,440 Speaker 1: The files are all disappearing? Where are they going? I'm 279 00:20:48,440 --> 00:20:56,960 Speaker 1: not doing anything valiant? You are you? You can call 280 00:20:57,000 --> 00:21:01,200 Speaker 1: me Smith? What did you do with Tannerspy? Im? Sorry? 281 00:21:01,920 --> 00:21:05,480 Speaker 1: I represent a party with an interest in those files. 282 00:21:05,520 --> 00:21:08,239 Speaker 1: I'm a party with interests in those files, and I 283 00:21:08,359 --> 00:21:12,960 Speaker 1: was here first poor baby hackers out of their death. 284 00:21:14,200 --> 00:21:16,880 Speaker 1: You know I could teach you a thing or two 285 00:21:18,040 --> 00:21:22,320 Speaker 1: if you were resolved to listen. I'm not a baby hacker. 286 00:21:22,840 --> 00:21:28,600 Speaker 1: I'm storm allowing, of course you are. Goodbye baby hacker 287 00:21:29,760 --> 00:21:43,720 Speaker 1: for now. Damn it lostmuth lostmuth point Jane? What? Oh 288 00:21:44,440 --> 00:21:48,960 Speaker 1: had Mr Whitford? Yes? Were you too unwrapped breaking into 289 00:21:49,000 --> 00:21:53,560 Speaker 1: the administrator's account to hear me? You have a lot 290 00:21:53,640 --> 00:22:07,600 Speaker 1: to explain, young lady. Crap crap, crap crap. H so disappointing. 291 00:22:08,440 --> 00:22:12,119 Speaker 1: I had much higher hopes for young James. We have 292 00:22:12,200 --> 00:22:16,760 Speaker 1: work yet to do to unmut her true potential. But 293 00:22:16,880 --> 00:22:21,439 Speaker 1: as she just sounds further into the swamp, who knows 294 00:22:21,680 --> 00:22:28,560 Speaker 1: what might float to the surface. Oh, you said you 295 00:22:28,600 --> 00:22:32,960 Speaker 1: wanted to speak about the solidar case again, So if 296 00:22:32,960 --> 00:22:37,720 Speaker 1: you're here to check I'm being by ticker. I know 297 00:22:37,920 --> 00:22:43,000 Speaker 1: that I'm not going anywhere. If that's all you wanted 298 00:22:43,040 --> 00:22:45,640 Speaker 1: to say, I'm going to turn in for the night. 299 00:22:46,760 --> 00:23:01,120 Speaker 1: Good night. What do you have never been? As our 300 00:23:01,200 --> 00:23:06,439 Speaker 1: dearest sixteenth President said, nearly all men can stand adversity, 301 00:23:07,560 --> 00:23:12,080 Speaker 1: But if you want a testament's character, give him power. 302 00:23:22,560 --> 00:23:26,840 Speaker 1: Iron Horn's Epic Productions and I Heart Radio present Daughters 303 00:23:26,840 --> 00:23:30,920 Speaker 1: of d C. Created and executive produced by Heather Einhorn 304 00:23:31,040 --> 00:23:37,240 Speaker 1: and Adam STAFFARONI head writer Sasha Stewart, Senior writer, Louis Cornfeld, 305 00:23:37,960 --> 00:23:43,480 Speaker 1: writers Tyler english beckwith Cha Ruth Senna and Adam Stafferoni 306 00:23:44,200 --> 00:23:49,159 Speaker 1: directed by J. B. Block. Executive produced by I Heart Radio. 307 00:23:49,880 --> 00:23:54,000 Speaker 1: Produced by A Rupe Senna, Kayla Kimberly Woods as James Parker, 308 00:23:54,560 --> 00:24:00,000 Speaker 1: Melissa Vanderskin as Peyton Blackburn, Tala Romana as Natalie Rosenberg, 309 00:24:00,080 --> 00:24:05,840 Speaker 1: Arc Suzia as Celia lou with performances by O. G. Banks, 310 00:24:06,600 --> 00:24:13,280 Speaker 1: k Bess Vick Chaw, theydor Che Darren De Paul, Paul Gayette, 311 00:24:14,000 --> 00:24:21,000 Speaker 1: Jury Lowenthal, Brandon Middleton, Stephanie Shea, Richard Tato, Genie Toronto, 312 00:24:21,640 --> 00:24:26,240 Speaker 1: Andia Winslow Marshal York with Francesca Ramsey and J. V. 313 00:24:26,359 --> 00:24:33,160 Speaker 1: Blanc Development Executive Greg Locker, production manager Gail Artino, production 314 00:24:33,200 --> 00:24:38,240 Speaker 1: coordinator and script supervisor Lowa Martin. Creative direction and designed 315 00:24:38,240 --> 00:24:43,040 Speaker 1: by Ryan McKay. He Aren't Illustrated by Heather Danforth. Reporting 316 00:24:43,240 --> 00:24:49,880 Speaker 1: edit Coleman, Sound recording Engineer Diana David. Additional recordings Claudio 317 00:24:49,960 --> 00:24:58,560 Speaker 1: Santos additional recordings Michael Schneider, Sound supervision Christian whiggainst Sound 318 00:24:58,560 --> 00:25:03,640 Speaker 1: designers R d Y and Josh Melody. Original music Josh Melody, 319 00:25:04,119 --> 00:25:09,200 Speaker 1: Additional music from Jingle Punks. Consultant Kelsey Fraser, M s W. 320 00:25:10,040 --> 00:25:15,560 Speaker 1: Culture Consultants, Logan Davis, Casey Davis and Davis Family. Special 321 00:25:15,600 --> 00:25:19,440 Speaker 1: thank you to The Shadow Unicorn, Eine Horn's Epic Productions 322 00:25:19,440 --> 00:25:22,240 Speaker 1: and I Heart Radio Present Daughters of d C