WEBVTT - Episode 457 w/ RZA

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<v Speaker 1>He is drink chess, motherfucking podcast makes He's a legendary

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<v Speaker 1>queens rapper. He ain't sagreed as your boy in O

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<v Speaker 1>R E.

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<v Speaker 2>He's a Miami hip pop pioneer put up as d

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<v Speaker 2>J e f N. Together they drink it up with

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<v Speaker 2>some of the biggest players you know what I mean.

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<v Speaker 2>And the most professional unprofessional podcast and your number one

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<v Speaker 2>source for drunk drink chans.

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<v Speaker 1>Moy Days New Year C's It's time for drink Champions.

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<v Speaker 1>Drink up mother mother? Would it good? Be hoping? Wa supid?

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<v Speaker 1>This is your boy in O R What up? It's

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<v Speaker 1>d J e f N.

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<v Speaker 3>This mid tap crazy war YEA make something.

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<v Speaker 1>And right now I want to tell you arguably this

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<v Speaker 1>is pop be one of the if not the best,

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<v Speaker 1>one of the greatest hip hop all producers over all

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<v Speaker 1>of all time. The man can make anything. He can

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<v Speaker 1>produce movies, make scores. He can produce your producers, producer, producer,

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<v Speaker 1>the producers, the other producer. They look up to him.

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<v Speaker 1>He has put together one of the most legendary groups

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<v Speaker 1>of all times. There will never be another. There was

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<v Speaker 1>never one before and there will never be another one after.

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<v Speaker 1>They are the alpha and Omega as a person that

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<v Speaker 1>I look up to in a lot of ways. If

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<v Speaker 1>it wasn't for what they did in hip hop, it

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<v Speaker 1>wouldn't have trickled down to what people did after that

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<v Speaker 1>in hip hop, and that led it to me. So

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<v Speaker 1>in a lot of ways, this is his show, regardless

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<v Speaker 1>he claims it or not. In case you don't know

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<v Speaker 1>what he's talking about, talking about Bobby, motherfucking digital Chris raheem,

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<v Speaker 1>motherfucking the rhythm. I ain't gonna lie to you. We've

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<v Speaker 1>been trying to get you from the beginning. You know

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<v Speaker 1>what I mean because because of But I'm gonna tell

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<v Speaker 1>you something. And I know I'm bouncing around, but I'm

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<v Speaker 1>gonna tell you something. I went. I was in Paris

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<v Speaker 1>two days prior to Wu and Na's coming to Paris.

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<v Speaker 1>So I looked at my wife and I was like,

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<v Speaker 1>it's no way. I'm in Paris and I'm gonna leave.

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<v Speaker 1>Knowing that it was coming, I was like, we gotta

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<v Speaker 1>stay two more days. So She's like, no problem. I went,

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<v Speaker 1>and I tried to like be like incog Negro right

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<v Speaker 1>because I wanted to like actually see the show, like

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<v Speaker 1>as a fan. When I tell you and I'm not

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<v Speaker 1>saying this because I say this when they're not around.

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<v Speaker 1>That's arguably the best show, not hip hop show, the

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<v Speaker 1>best show I've ever seen. Right, No, me, let me

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<v Speaker 1>break it down for you. Why I'm sitting there as

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<v Speaker 1>a fan. Steve Rifkin is trying to just like me

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<v Speaker 1>to the back, and I'm like, I don't want to

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<v Speaker 1>go to the back, like I actually want to like

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<v Speaker 1>the regular seat. I want to sit down to people

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<v Speaker 1>just recognizing me. I was like, not tell you, motherfucker,

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<v Speaker 1>I'm a minority today, like I'm I'm a fan.

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<v Speaker 3>So what I didn't know was y'all shared the stage.

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<v Speaker 1>It really it's really a Wu Tang nas showna's Wu

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<v Speaker 1>Tang show. It's not like like one is opening up

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<v Speaker 1>for each other. We came up with that idea and

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<v Speaker 1>how did him just come about in the beginning? Then

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<v Speaker 1>now I was both talked about like this has to

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<v Speaker 1>be like a cold headline, like like like you know,

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<v Speaker 1>we're not opening up for each other. I mean, that's

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<v Speaker 1>that doesn't doesn't make sense. So from the beginning we

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<v Speaker 1>thought of that, but then the idea was like, now

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<v Speaker 1>how to bring that to reality? And you know, I

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<v Speaker 1>make movies and film and stories, and so I was like,

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<v Speaker 1>you know, I got some ideas and then I built

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<v Speaker 1>with the Garden and he you know, no, I said it,

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<v Speaker 1>what what the is going to direct the tour? Right right?

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<v Speaker 1>I was like yeah, yeah, and so and so we

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<v Speaker 1>you know, we we just built it like that. And

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<v Speaker 1>whoever else came involved, because Buster was was on that one.

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<v Speaker 1>It was Buster Hall Paris one. No, no, okay, because I

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<v Speaker 1>know we had Buster in Daylight will yeah, that's the

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<v Speaker 1>next one, right. But point being made is that no

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<v Speaker 1>matter who came on that tour, the idea was that

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<v Speaker 1>we're not moving as a competition with each other. We're

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<v Speaker 1>moving as a movement. Like the goal is for the

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<v Speaker 1>audience to be entertained by the hip hop culture, you

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<v Speaker 1>know what I mean. So we're not never trying to

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<v Speaker 1>outdo each other or none of that, you know what

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<v Speaker 1>I mean. The music, the vibe, the energy is like

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<v Speaker 1>you in Paris, We're taking you back to New York.

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<v Speaker 1>But you know what I mean, when we hit London, Dublin,

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<v Speaker 1>but this is a New York state of mind. So

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<v Speaker 1>the tour, so the tour was caught New York state

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<v Speaker 1>of mind, right because it. Get do two tours. Yeah,

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<v Speaker 1>we did. We did two rounds and they was both

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<v Speaker 1>caught New York State. Yeah, okay, bad and so. So.

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<v Speaker 1>The funny thing though, is Naza and pitched the idea

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<v Speaker 1>of New York state of Mind. That's my Oh wow,

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<v Speaker 1>that's his song, you know what I mean. But I'm like, yo,

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<v Speaker 1>were moving like this with the Woo and nas. That's

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<v Speaker 1>the New York state of Mind. I'm saying. Some of

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<v Speaker 1>my Woo brothers was like, that's dope, But how about

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<v Speaker 1>Woo York state of Mind? Yeah that's a non spher,

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<v Speaker 1>non cipher like like like nah, Now, New York state

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<v Speaker 1>of Mind is perfect, you know what I mean. Then

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<v Speaker 1>we're going buster game, same thing everybody. You know that

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<v Speaker 1>at the end of the day, you know, hip hop

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<v Speaker 1>is gone worldwide and does what it does, but it

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<v Speaker 1>still has this mecca, it still has its foundation. Yeah

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<v Speaker 1>that's New York, you know what I mean. So you

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<v Speaker 1>know what man and so and so and so that

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<v Speaker 1>tour was was was was was the fiftieth your anniversary

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<v Speaker 1>of self right, So it's like, yo, let's go New York. Listen.

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<v Speaker 1>Let people feel that.

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<v Speaker 3>You've got a sequenced to like a mixtape almost.

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<v Speaker 1>That's what I felt like. I felt like it was

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<v Speaker 1>a mixtape purpose and a play, and the play had

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<v Speaker 1>a baby. It was like it was theatrical. It was

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<v Speaker 1>ups down, like I mean, we found so we found.

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<v Speaker 1>What I would say is we found points of connection

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<v Speaker 1>that happens. Right. So thanks to NADS and Mob Deep

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<v Speaker 1>and Gray Kwan and Ghosts and the songs they did together, right,

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<v Speaker 1>thanks for the Cuban Link album which had that song

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<v Speaker 1>verbal Intercourse, right and another songs they did over the years,

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<v Speaker 1>we had intersection marks. Yeah. So it's like so Nas

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<v Speaker 1>came out on Verbal Intercourse, you know what I mean,

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<v Speaker 1>and then when he came out that was it was

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<v Speaker 1>still part of the WHO set. But then we transitioned

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<v Speaker 1>away and he goes into it and then he gets

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<v Speaker 1>back to Off One High and Ray Kwan joins him

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<v Speaker 1>on that and he brings Ghost and Kap. But then

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<v Speaker 1>we transitioned it back and forth and it just was

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<v Speaker 1>like tag team welay race, you know what I mean.

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<v Speaker 3>And and that that that you gotta give.

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<v Speaker 1>Grace the Nas too, because it's like it's almost like

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<v Speaker 1>he's he's holding it down with other people like it

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<v Speaker 1>is hard. Yeah, well, I mean, first of all, you know,

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<v Speaker 1>na is one of the greatest, of course, but also

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<v Speaker 1>in that capacity though we was all one. That's right,

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<v Speaker 1>like like like like I love that. He was like, Yo,

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<v Speaker 1>I'm the the tenth by the time. At that time,

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<v Speaker 1>it was like now it's just we just's and you

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<v Speaker 1>know what we were saying to each other. You know,

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<v Speaker 1>this is the show where people come and talk and

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<v Speaker 1>they open up, right, But we were saying to each

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<v Speaker 1>other backstage, you know what I mean, even with Bus

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<v Speaker 1>and everybody who joined through throughout the process, was like,

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<v Speaker 1>this is just good for the culture. It's good for

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<v Speaker 1>black men to see all this alpha energy work together,

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<v Speaker 1>not compete, not writing over this or squandering over this,

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<v Speaker 1>not arguing over the economics and none of that. It's like,

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<v Speaker 1>it's good. It's a good model for the rest of

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<v Speaker 1>the world to see. That was like our backstage talk.

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<v Speaker 1>We knew that, Yo, this is what this is kind

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<v Speaker 1>of like what the community needs to be doing. You

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<v Speaker 1>know what I mean, Get off of that if they

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<v Speaker 1>call it a black going black, white on white or whatever.

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<v Speaker 1>You know what I mean, We're going love on love,

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<v Speaker 1>you know what I mean.

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<v Speaker 3>You know what's the beauty about that that I got

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<v Speaker 3>to see.

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<v Speaker 1>And like I said, I was sneaking backstage at first

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<v Speaker 1>until y'all performer. Then after you have perform, I kind

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<v Speaker 1>of like revealed. But what I got to see is

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<v Speaker 1>each individual grow. Like I remember going backstage. I remember

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<v Speaker 1>seeing Way and Ghosts on one side, and you got

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<v Speaker 1>and Cavo on one side, like it used to be

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<v Speaker 1>like like almost like a like like I don't know

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<v Speaker 1>if it was like park Hill and State and Brooklyn

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<v Speaker 1>like I don't know, like, but when I got to

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<v Speaker 1>see it this time, like I guess this is everyone

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<v Speaker 1>coming together has grown men and understanding.

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<v Speaker 3>I got to see the love, Like I.

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<v Speaker 1>Got to really see like y'all as brothers and like

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<v Speaker 1>I'm sitting there like holy shit, like I'm still a

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<v Speaker 1>fan because because i'm your friends, like I considered the

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<v Speaker 1>family too, Like I'm still a fan. So I'm sitting

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<v Speaker 1>there and just watching y'all and I just see how

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<v Speaker 1>happy y'all are when y'all to get that when y'all together,

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<v Speaker 1>like that shit is like I know I'm outside, but

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<v Speaker 1>I can see that ship and I could be like yo,

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<v Speaker 1>like because when when y'all get together, do y'all women

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<v Speaker 1>this of the beginning or yah women, yes, yes, staying

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<v Speaker 1>in in the now. You never know though, you know

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<v Speaker 1>what I mean. But it's the beautiful thing is there's

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<v Speaker 1>so much history, and the history is so intertwined, like

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<v Speaker 1>like you said, you know, to the degree of you know,

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<v Speaker 1>children like my sister got children by goals, you know

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<v Speaker 1>what I mean, Like.

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<v Speaker 3>The family tree is preyed.

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<v Speaker 1>You know, meth wife and you guards, you know, first

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<v Speaker 1>mother of his, see the sisters just like this, you

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<v Speaker 1>know what I mean. Me and ray Kwan third grade together,

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<v Speaker 1>you know, the community of it all, I think is

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<v Speaker 1>what keeps it everlasting. That's why who tank forever? And

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<v Speaker 1>I just think that at any given moment, you don't

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<v Speaker 1>know which one of your brothers got that spark of

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<v Speaker 1>chi that's what you needed, you know what I mean.

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<v Speaker 1>I might be on a high mountain thinking, you know whatever,

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<v Speaker 1>versus on some Rizzarus ship, you know what I mean.

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<v Speaker 1>But I needed to see you guard that day, you know,

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<v Speaker 1>I mean, just just just because my shoes start getting

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<v Speaker 1>too point you know, it's like, hold on, God, you

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<v Speaker 1>gotta round them off a lot and get two pointy

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<v Speaker 1>on your shoes. So it's like still sharp and still

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<v Speaker 1>you know what I mean. That's and that's what we

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<v Speaker 1>do for each other. And I think, I know, I

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<v Speaker 1>ain't gonna say. I think it's like every time that

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<v Speaker 1>votron comes together. Yes, you know what I mean, you

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<v Speaker 1>get to form that blazing sword, you know what I mean, bump.

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<v Speaker 3>And now you guys are going into the new tour.

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<v Speaker 1>Yeah, the new tour, which we called the Final Chamber,

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<v Speaker 1>and that's going back to like us, you know, running

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<v Speaker 1>around the globe one more time together, you know what

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<v Speaker 1>I mean. We touched the globe, yes, you know what

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<v Speaker 1>I mean, and you got to think about you know,

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<v Speaker 1>you know you MC hip hop, you know, or the

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<v Speaker 1>success that hip hop gave us. And it's like, do

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<v Speaker 1>you go back and give back to all the people

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<v Speaker 1>that actually do their consumption of your material allows you

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<v Speaker 1>to put your son through college or allow you to

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<v Speaker 1>you know what I mean, to be up in your

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<v Speaker 1>five thousand square feet or whatever. You know what I mean,

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<v Speaker 1>How do you go back? And will you go back?

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<v Speaker 1>You know what I mean? And for us it's hard

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<v Speaker 1>to get us all together regardless because of that, but

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<v Speaker 1>this is all part of a plan, right, you know

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<v Speaker 1>what I mean, one thing that I saw I have

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<v Speaker 1>to do is plan ahead. So but you planned a

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<v Speaker 1>thirty year plan.

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<v Speaker 3>You knew that y'all would be here thirty years later.

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<v Speaker 1>It's what I said, though, Okay, this is what I

0:11:25.640 --> 0:11:27.560
<v Speaker 1>just say, and you can vouch this from another brother

0:11:27.760 --> 0:11:31.400
<v Speaker 1>and to a team. I said, when we came, based

0:11:31.440 --> 0:11:34.199
<v Speaker 1>on the energy we was bringing right, the talent level,

0:11:35.400 --> 0:11:39.760
<v Speaker 1>the unorthodox that you for, the universal, that w you

0:11:39.840 --> 0:11:43.600
<v Speaker 1>for that wisdom. When we was bringing I said, I

0:11:43.600 --> 0:11:47.280
<v Speaker 1>don't see nothing coming like this gonna take twenty five years,

0:11:47.480 --> 0:11:53.040
<v Speaker 1>twenty years before the system itself starts to catch up. Yeah, yeah,

0:11:53.760 --> 0:11:56.320
<v Speaker 1>I think the twenty years before it's like, okay, now

0:11:56.880 --> 0:11:59.960
<v Speaker 1>this the talent level of others are starting at that

0:12:00.080 --> 0:12:02.760
<v Speaker 1>talent left. And then I said, but maybe, I said,

0:12:02.800 --> 0:12:06.280
<v Speaker 1>when that happens, though, our plane is going to land.

0:12:07.080 --> 0:12:09.640
<v Speaker 1>I said, now we can land like this, right, we

0:12:09.679 --> 0:12:13.640
<v Speaker 1>can land like this. If we land like this, you

0:12:13.679 --> 0:12:16.640
<v Speaker 1>know what I mean, that's thirty years yeah, okay, And

0:12:16.720 --> 0:12:20.720
<v Speaker 1>that's what we were on this one, that this is

0:12:20.760 --> 0:12:24.480
<v Speaker 1>no nose. Let me let me let me know, let

0:12:24.520 --> 0:12:26.800
<v Speaker 1>me let you know. If you know this expression, thank you.

0:12:28.120 --> 0:12:31.720
<v Speaker 1>Whenever a person people have like you know, a cammarderie.

0:12:31.720 --> 0:12:34.000
<v Speaker 1>Like it's a bunch of people and people say, yo,

0:12:34.040 --> 0:12:35.719
<v Speaker 1>you know, we're gonna break it up and put this

0:12:35.720 --> 0:12:38.000
<v Speaker 1>person over there, this person there, you know what people

0:12:38.000 --> 0:12:42.880
<v Speaker 1>call it. Let's vizard it. You know that now I

0:12:42.960 --> 0:12:48.000
<v Speaker 1>know that that's a good. That's a good. Remember y'are

0:12:48.080 --> 0:12:51.959
<v Speaker 1>the first group ever in existence that had one record

0:12:52.040 --> 0:12:55.800
<v Speaker 1>label with the whole group and then piece off each

0:12:55.920 --> 0:13:02.520
<v Speaker 1>That shit is genius. Don't let's take a Okay, what

0:13:02.600 --> 0:13:04.480
<v Speaker 1>is this? What is this? I like that? I like that?

0:13:04.520 --> 0:13:08.240
<v Speaker 1>You got more? Okay? Okay, So we're drinking sake today,

0:13:08.520 --> 0:13:10.640
<v Speaker 1>all right. So the reason why we're drinking sake, I

0:13:10.679 --> 0:13:13.040
<v Speaker 1>watched the show when you drink what you drink? But yeah,

0:13:13.800 --> 0:13:17.320
<v Speaker 1>it's only two liquors like like this that gives you

0:13:17.360 --> 0:13:21.040
<v Speaker 1>an upper okay. One is the Chila yes, and the

0:13:21.080 --> 0:13:25.560
<v Speaker 1>other is saki. Now saki though doesn't have ethanol alcohol

0:13:25.559 --> 0:13:27.760
<v Speaker 1>in it. This is for a minute, all right. So

0:13:27.800 --> 0:13:31.600
<v Speaker 1>this fermentation meaning you don't get no headache and all that.

0:13:31.720 --> 0:13:34.040
<v Speaker 1>So this is if you're going drink vomiting fluid. No,

0:13:35.000 --> 0:13:38.400
<v Speaker 1>don't drink like what does that mean? We to each

0:13:38.440 --> 0:13:53.160
<v Speaker 1>other through time anyway? Saki that's fool. Yeah, this is fool.

0:13:53.640 --> 0:14:00.640
<v Speaker 1>Let me chase. Yes, yeah, yes, we gotta we got

0:14:01.360 --> 0:14:04.440
<v Speaker 1>you go get full Flash sake lessons from it's called

0:14:04.480 --> 0:14:10.400
<v Speaker 1>Heavenly Ski. Yeah, this this particular saki. Yeah. Sorry, I'm

0:14:10.400 --> 0:14:12.360
<v Speaker 1>gonna take some ice in there and put it like that.

0:14:12.320 --> 0:14:12.680
<v Speaker 1>That's right.

0:14:12.760 --> 0:14:14.840
<v Speaker 3>Yeah, there you go, give us that bottle service.

0:14:14.960 --> 0:14:28.160
<v Speaker 1>Yeah. Yeah, I'm only joking. So because me, I was

0:14:28.240 --> 0:14:30.320
<v Speaker 1>the person I was trying to get in the industry,

0:14:30.360 --> 0:14:32.280
<v Speaker 1>I was a young kid, I was probably like, what

0:14:32.440 --> 0:14:35.800
<v Speaker 1>what was it? And what? Yeah? The who say funny gave?

0:14:35.840 --> 0:14:38.280
<v Speaker 1>My first album was ninety three.

0:14:38.600 --> 0:14:41.480
<v Speaker 3>I have the fly from the first Miami showing ninety four.

0:14:42.200 --> 0:14:46.520
<v Speaker 1>That was so me. I was too young to understand.

0:14:47.040 --> 0:14:49.040
<v Speaker 1>I thought only y'all was on the same label. When

0:14:49.040 --> 0:14:56.400
<v Speaker 1>people was like, no idiots, when the individual projects. Yes,

0:14:56.480 --> 0:15:00.480
<v Speaker 1>when when I first off, when I sa e't meth

0:15:00.600 --> 0:15:01.200
<v Speaker 1>on the bus?

0:15:01.320 --> 0:15:04.160
<v Speaker 3>What was now bring the Pain.

0:15:03.960 --> 0:15:07.600
<v Speaker 1>Wasn't on a thirty six changs? Right? That was right? Yes,

0:15:08.160 --> 0:15:10.640
<v Speaker 1>I was confused because I'm like, why they ain't got

0:15:10.640 --> 0:15:16.200
<v Speaker 1>that logo with that right? Right? Yes? So this is

0:15:16.200 --> 0:15:18.080
<v Speaker 1>this is I sort of God. I don't even think

0:15:18.120 --> 0:15:19.880
<v Speaker 1>of acting this for the fans. I think of accident

0:15:19.880 --> 0:15:22.800
<v Speaker 1>this for myself. But what made you say, you know

0:15:22.840 --> 0:15:25.800
<v Speaker 1>what everyone puts the what's that ship put the p's

0:15:25.840 --> 0:15:30.480
<v Speaker 1>in the same bucket all your age basket. That's what

0:15:30.520 --> 0:15:30.840
<v Speaker 1>I meant.

0:15:30.960 --> 0:15:33.760
<v Speaker 3>So what made you say was that the plan or

0:15:33.960 --> 0:15:35.880
<v Speaker 3>that how it developed?

0:15:36.360 --> 0:15:39.920
<v Speaker 1>It was? It was the plan as well as uh

0:15:40.080 --> 0:15:42.520
<v Speaker 1>the evolution of the plan. So what I mean by

0:15:42.560 --> 0:15:45.200
<v Speaker 1>that is that you know, at the end of the day,

0:15:46.440 --> 0:15:48.800
<v Speaker 1>you know, we all you know, I can I put that.

0:15:48.960 --> 0:15:50.680
<v Speaker 1>I like to talk too much about the street hustle

0:15:50.800 --> 0:15:53.720
<v Speaker 1>side of that, right, but coming from a street hustle, right,

0:15:53.960 --> 0:15:56.000
<v Speaker 1>what you need mostly in the street hustle is what

0:15:56.120 --> 0:15:59.800
<v Speaker 1>a connect, all right, So once you got the connect,

0:15:59.840 --> 0:16:01.720
<v Speaker 1>then you could kind of be up in the building, right,

0:16:02.080 --> 0:16:05.240
<v Speaker 1>so loud as to connect right, right, So we so loud,

0:16:05.400 --> 0:16:07.400
<v Speaker 1>you know at the time, you know, you know Steve

0:16:07.440 --> 0:16:11.720
<v Speaker 1>Rifkin of course being an intelligent executive, one of the

0:16:11.760 --> 0:16:15.360
<v Speaker 1>best executives. Because Steve Rifkin was an executive, that didn't

0:16:15.360 --> 0:16:17.960
<v Speaker 1>get him interfere with the art, right, His job was

0:16:18.000 --> 0:16:19.000
<v Speaker 1>to market it and do it.

0:16:19.160 --> 0:16:20.680
<v Speaker 3>Your job, he was a young dude at the time

0:16:20.680 --> 0:16:21.280
<v Speaker 3>into hip hop.

0:16:21.360 --> 0:16:23.760
<v Speaker 1>Yeah, your job was to cook it. His job was

0:16:23.800 --> 0:16:26.920
<v Speaker 1>to serviet you know what I mean, but what we

0:16:26.920 --> 0:16:29.480
<v Speaker 1>were but he didn't have the at the time, the

0:16:29.560 --> 0:16:32.520
<v Speaker 1>business couldn't sustain all of us. We knew that you

0:16:32.520 --> 0:16:35.640
<v Speaker 1>couldn't take this. Even if somebody were to through a

0:16:35.840 --> 0:16:38.480
<v Speaker 1>m hip hop wasn't getting no ms back then. But

0:16:38.560 --> 0:16:41.800
<v Speaker 1>even that ain't going to feed this whole family, right right,

0:16:42.040 --> 0:16:44.000
<v Speaker 1>So the idea was like, well, let's make the connect

0:16:44.000 --> 0:16:48.120
<v Speaker 1>with him, Okay, make that a piece of business, but

0:16:48.200 --> 0:16:52.200
<v Speaker 1>then make connects with other partners throughout the industry, right

0:16:52.360 --> 0:16:55.720
<v Speaker 1>so that we can first economically be able to maintain

0:16:56.200 --> 0:17:00.000
<v Speaker 1>the organization and then so that's the economic decision to create.

0:17:00.080 --> 0:17:02.920
<v Speaker 1>The decision was this, So I'm a guy in the

0:17:02.960 --> 0:17:06.400
<v Speaker 1>industry that came through the industry and felled right according

0:17:06.440 --> 0:17:08.440
<v Speaker 1>to how you would say success would be with Prince

0:17:08.520 --> 0:17:12.240
<v Speaker 1>Rock after the Prince Rakking EP, you know what I mean.

0:17:13.080 --> 0:17:15.760
<v Speaker 1>You know, ten twenty thousand units wasn't enough to hit

0:17:15.800 --> 0:17:18.200
<v Speaker 1>that threshold, even though right now ten and twenty thousand

0:17:18.280 --> 0:17:21.440
<v Speaker 1>units right now it's like you popping no, no, no, now,

0:17:21.920 --> 0:17:27.200
<v Speaker 1>look it went it went back major.

0:17:27.280 --> 0:17:27.600
<v Speaker 3>What was the.

0:17:28.240 --> 0:17:32.000
<v Speaker 4>Tommy Boy defending major ind Major like a major.

0:17:32.520 --> 0:17:34.640
<v Speaker 1>But the guy for me was you know, I had

0:17:34.640 --> 0:17:36.280
<v Speaker 1>to hit a certain number in order to get that

0:17:36.440 --> 0:17:39.320
<v Speaker 1>album budget. I didn't hit that number of Tivy boy,

0:17:39.359 --> 0:17:42.160
<v Speaker 1>I didn't get that album budget. You had a threshold.

0:17:42.320 --> 0:17:44.720
<v Speaker 1>You had a threshold. So the point being made is that,

0:17:45.000 --> 0:17:46.840
<v Speaker 1>but I had a chance also to see the industry

0:17:46.880 --> 0:17:49.720
<v Speaker 1>in a way that it was just dog eat.

0:17:49.600 --> 0:17:52.439
<v Speaker 3>Dog from whatever you saty for what it was.

0:17:53.000 --> 0:17:56.520
<v Speaker 1>But I said in my psyche that, y'all, what if

0:17:56.560 --> 0:17:59.760
<v Speaker 1>I get the industry to work together all from my

0:18:01.520 --> 0:18:03.639
<v Speaker 1>you know what I mean? So I intentionally was like

0:18:04.440 --> 0:18:08.200
<v Speaker 1>if Death Jam have somebody, if Geffen has somebody, if

0:18:08.200 --> 0:18:11.240
<v Speaker 1>you want to elect you have somebody, b MG, loud

0:18:11.320 --> 0:18:14.160
<v Speaker 1>half somebody, you know what I mean. Eventually, when West

0:18:14.160 --> 0:18:18.600
<v Speaker 1>Coast and got party to get something, the industry is

0:18:21.400 --> 0:18:24.359
<v Speaker 1>almost unintentionally working on your behalf, working on the behalf

0:18:24.400 --> 0:18:26.880
<v Speaker 1>of WO time, right, So let me ask you. I'm

0:18:26.880 --> 0:18:28.600
<v Speaker 1>sorry to cut you up because I really don't you

0:18:28.640 --> 0:18:32.640
<v Speaker 1>follow me on that though. Yeah, okay, but that's not illegal, right,

0:18:33.080 --> 0:18:39.360
<v Speaker 1>not design like that where you don't ask you were

0:18:39.359 --> 0:18:42.040
<v Speaker 1>you become. What I'm saying is like, you know, when

0:18:42.119 --> 0:18:44.240
<v Speaker 1>when the group is signed, it's like I would have

0:18:44.280 --> 0:18:48.080
<v Speaker 1>known Oh no, no, because now that's in our industry

0:18:48.359 --> 0:18:51.520
<v Speaker 1>because they was just woo taking aside Method many in

0:18:51.520 --> 0:18:53.120
<v Speaker 1>our industry. You don't, you don't want that to happen.

0:18:53.280 --> 0:18:54.920
<v Speaker 1>Let's pros and cons to that, right. I want to

0:18:54.920 --> 0:18:56.760
<v Speaker 1>get too deep on the business right here. I want

0:18:56.760 --> 0:18:58.640
<v Speaker 1>to spend more time building with you then talking about

0:18:58.680 --> 0:19:01.240
<v Speaker 1>the business, right who But I will say the beauty

0:19:01.280 --> 0:19:03.080
<v Speaker 1>of it. Let me say the beauty of it is

0:19:03.119 --> 0:19:06.760
<v Speaker 1>that after Wu Tang thirty six came Method Man, all

0:19:06.760 --> 0:19:08.800
<v Speaker 1>these sisters going platinum, bro, you know what I mean?

0:19:09.680 --> 0:19:12.480
<v Speaker 1>And then the last album to come in that first

0:19:12.720 --> 0:19:16.800
<v Speaker 1>swing of the solo albums was Liquid Swards right right,

0:19:17.359 --> 0:19:20.119
<v Speaker 1>and when he came. By the time he came, you

0:19:20.200 --> 0:19:27.000
<v Speaker 1>got Electra, Loud, Death Jam and now Geffing and even

0:19:27.080 --> 0:19:29.560
<v Speaker 1>g because we have the gold albums with great biggers.

0:19:30.320 --> 0:19:34.080
<v Speaker 1>Right back in those days, you had to buy floor

0:19:34.119 --> 0:19:37.760
<v Speaker 1>space in the record stores for pop, right, and you

0:19:37.800 --> 0:19:39.600
<v Speaker 1>had to buy that in order, you know, to get

0:19:39.640 --> 0:19:43.960
<v Speaker 1>your records there. All five labels put their money together

0:19:44.359 --> 0:19:51.920
<v Speaker 1>to have who taking the front and the right y'all.

0:19:51.920 --> 0:19:53.920
<v Speaker 1>And even though Ji was the album that came out

0:19:53.920 --> 0:19:56.440
<v Speaker 1>and he hit the number one rap album or whatever, right,

0:19:57.160 --> 0:20:01.960
<v Speaker 1>everybody who had catalog shit double their cells. Like so stay, say,

0:20:02.080 --> 0:20:05.160
<v Speaker 1>dude is doing twenty thousand normally, right forty Now you're

0:20:05.200 --> 0:20:08.360
<v Speaker 1>doing forty, kid, because the industry is combined.

0:20:08.440 --> 0:20:10.520
<v Speaker 4>Like what the playlist would be today. If someone's popping

0:20:10.560 --> 0:20:12.399
<v Speaker 4>on the playlist, it runs down the playlist.

0:20:12.520 --> 0:20:14.200
<v Speaker 1>You know what. I never thought of that, Yeah, it was.

0:20:14.320 --> 0:20:21.119
<v Speaker 1>It was the first playlist. Now, now, who was somebody

0:20:21.160 --> 0:20:25.000
<v Speaker 1>you did business with that you wish you did that?

0:20:25.080 --> 0:20:28.440
<v Speaker 1>Whish I didn't? Yere hm, that's that's a deep question.

0:20:29.640 --> 0:20:33.399
<v Speaker 1>I got plenty of them. Okay, you need an example,

0:20:33.440 --> 0:20:36.520
<v Speaker 1>I got ready, But I can answer that one quick

0:20:36.600 --> 0:20:40.560
<v Speaker 1>for you. Who was this gentleman a boy? The name

0:20:40.560 --> 0:20:43.840
<v Speaker 1>of thinker's name was Rock? Okay. It was the first

0:20:43.920 --> 0:20:46.960
<v Speaker 1>lesson in record business, one on one for me, which

0:20:47.080 --> 0:20:51.760
<v Speaker 1>was he we were selling protected next by ourselves, right

0:20:51.800 --> 0:20:55.159
<v Speaker 1>out of our trunks. But if you got lucky, you

0:20:55.200 --> 0:20:58.040
<v Speaker 1>could get it to a one stop, right, you get

0:20:58.040 --> 0:20:59.680
<v Speaker 1>it to a one stop. That's like they may take

0:20:59.720 --> 0:21:01.600
<v Speaker 1>five thousand copies, and we was getting them. We was

0:21:01.880 --> 0:21:04.359
<v Speaker 1>we was getting We was moving units. We moved you know,

0:21:05.160 --> 0:21:08.159
<v Speaker 1>tens of thousands before we finally got the loud Wow, right,

0:21:08.200 --> 0:21:09.200
<v Speaker 1>that's what made loud.

0:21:09.760 --> 0:21:12.840
<v Speaker 4>One stuff is the regional distributors exactly. But my men,

0:21:13.119 --> 0:21:17.919
<v Speaker 4>my men rock, sorry, my man Rock. He was representing

0:21:17.920 --> 0:21:18.560
<v Speaker 4>the one stop.

0:21:18.600 --> 0:21:21.560
<v Speaker 1>He said, and he took you know, let's just say

0:21:21.560 --> 0:21:24.760
<v Speaker 1>five thousand copies, you know what I mean, and boom

0:21:24.800 --> 0:21:27.440
<v Speaker 1>we sold them. But then now we're coming for the cream.

0:21:27.480 --> 0:21:30.440
<v Speaker 1>He ain't got the cream, right, you know what I mean.

0:21:31.240 --> 0:21:34.000
<v Speaker 1>And it's just like what and we don't understand that.

0:21:34.160 --> 0:21:37.080
<v Speaker 1>But this is your friend from the hood. This is

0:21:37.080 --> 0:21:40.800
<v Speaker 1>an industry we're selling. Madam Mover was like, yo, this

0:21:40.840 --> 0:21:43.399
<v Speaker 1>guy he's going to take five thousand copies, was like

0:21:43.400 --> 0:21:47.400
<v Speaker 1>that's nice. Boom Press, let's go. Let's go. Yeah, people,

0:21:47.760 --> 0:21:49.359
<v Speaker 1>we're going to rock and Sol rock and Sol is

0:21:49.440 --> 0:21:53.240
<v Speaker 1>hitting us with clothes crash this cash on delivery. But

0:21:53.560 --> 0:21:58.920
<v Speaker 1>you gave him okay, yeah, all right, he don't pay wow,

0:21:59.640 --> 0:22:01.840
<v Speaker 1>So now you don't pay. So now we stepped we

0:22:01.920 --> 0:22:05.040
<v Speaker 1>step in kind of we stepped in aggressive, you know

0:22:05.119 --> 0:22:09.000
<v Speaker 1>that is at those young age. And he was like uh.

0:22:09.200 --> 0:22:12.960
<v Speaker 1>It was like it wasn't gonna go well. But with him,

0:22:13.320 --> 0:22:15.320
<v Speaker 1>who worked put on was the two brothers who I

0:22:15.359 --> 0:22:20.400
<v Speaker 1>respected this day, the Lean brothers, you know, brothers. Yes, yes,

0:22:20.960 --> 0:22:26.560
<v Speaker 1>the US brothers. Yeah, everybody writes us and it was there. Yeah,

0:22:26.600 --> 0:22:31.600
<v Speaker 1>I'm sorry. They said they advised us because they couldn't

0:22:31.600 --> 0:22:35.280
<v Speaker 1>nobody can stop us. But they advised, like, yo, listen,

0:22:36.840 --> 0:22:39.440
<v Speaker 1>let this go. You know what I mean, You guys

0:22:39.440 --> 0:22:41.680
<v Speaker 1>got a whole thing ahead of you if you go

0:22:41.760 --> 0:22:45.400
<v Speaker 1>and do what you're gonna do here they get in here, right,

0:22:45.760 --> 0:22:48.919
<v Speaker 1>because it's like that's that's it could be some gangster

0:22:48.960 --> 0:22:52.359
<v Speaker 1>shit at the end of the day, you're not gonna

0:22:52.400 --> 0:22:55.240
<v Speaker 1>grow because you know, when you're young. You don't know that.

0:22:56.320 --> 0:22:58.560
<v Speaker 1>You know, like all the cases that my WHU brothers

0:22:58.560 --> 0:23:01.200
<v Speaker 1>had is because being young, right, and so you don't

0:23:01.200 --> 0:23:02.919
<v Speaker 1>know that. Yo, you knock this dude out, you starmped

0:23:02.920 --> 0:23:06.040
<v Speaker 1>this dude out. That could stop your whole career. That's

0:23:06.040 --> 0:23:09.880
<v Speaker 1>because your physical aggression. Yeah, so we took advice from him.

0:23:09.960 --> 0:23:11.600
<v Speaker 3>But wait, hold up, but how does it get through

0:23:11.640 --> 0:23:12.919
<v Speaker 3>to you guys in that moment?

0:23:13.440 --> 0:23:16.439
<v Speaker 1>No, no, because while I still negotiated, he had he

0:23:16.480 --> 0:23:20.200
<v Speaker 1>had a studio. It's okay, you know what, pay us

0:23:20.240 --> 0:23:24.159
<v Speaker 1>back in studio time. So we had to. So we

0:23:24.200 --> 0:23:28.040
<v Speaker 1>found the we call it a diplomatic solution, which was

0:23:28.800 --> 0:23:31.200
<v Speaker 1>pay us back in studio and they did the song

0:23:31.320 --> 0:23:35.200
<v Speaker 1>method Man that became the next single was because it

0:23:35.240 --> 0:23:37.640
<v Speaker 1>was done in that scene in that studio. We went there,

0:23:38.040 --> 0:23:42.119
<v Speaker 1>and it sounds a little better than protecting that sonically

0:23:42.760 --> 0:23:45.919
<v Speaker 1>because I'm now in a real studio with a little

0:23:46.000 --> 0:23:48.680
<v Speaker 1>SSL and all that. So it had it, had it,

0:23:48.800 --> 0:23:53.080
<v Speaker 1>so it was explains a lot. Yeah yeah, yeah, yeah,

0:23:53.160 --> 0:23:55.399
<v Speaker 1>so so so so that was So that was a solution.

0:23:55.520 --> 0:23:59.040
<v Speaker 1>But doing business with him was like it almost made

0:23:59.040 --> 0:24:00.960
<v Speaker 1>me say like fuck the fuck your game, you know

0:24:01.000 --> 0:24:03.920
<v Speaker 1>what I mean, because it's like I didn't, I don't.

0:24:04.000 --> 0:24:07.920
<v Speaker 1>I didn't expect somebody to do my package like that,

0:24:08.080 --> 0:24:10.320
<v Speaker 1>you know what I mean. It's like your package to

0:24:10.359 --> 0:24:12.560
<v Speaker 1>give him a package you bunk bunk bunk. So so

0:24:12.600 --> 0:24:14.760
<v Speaker 1>I didn't expect that to happen. You know that, none

0:24:14.760 --> 0:24:17.560
<v Speaker 1>of us, they're me power, you know, divine at the time,

0:24:17.640 --> 0:24:20.040
<v Speaker 1>move all of us. But the solution was a show

0:24:20.119 --> 0:24:29.800
<v Speaker 1>diplomat solution, right yeah, So Marsko Selly was I like

0:24:29.840 --> 0:24:37.320
<v Speaker 1>what you went with it? You said cred but you

0:24:38.680 --> 0:24:44.000
<v Speaker 1>once you put that, trying to put the yeah take

0:24:44.000 --> 0:24:46.879
<v Speaker 1>a shot, it can't you can't take a shot. And

0:24:46.960 --> 0:24:51.680
<v Speaker 1>we can't take let's gip him for for for for

0:24:51.560 --> 0:25:02.480
<v Speaker 1>the for the game, expensive album and nice. So this

0:25:02.560 --> 0:25:05.840
<v Speaker 1>to me is genius as well. Right, how does this happen?

0:25:05.920 --> 0:25:08.040
<v Speaker 1>Because this guy step to you and say, I want

0:25:08.080 --> 0:25:12.200
<v Speaker 1>to will they created it? Okay? Yeah, I'm asking you know.

0:25:12.400 --> 0:25:14.280
<v Speaker 1>So yeah, So we talked about this a lot already.

0:25:14.359 --> 0:25:18.399
<v Speaker 1>So I'm okay, I want to hit. I got so

0:25:18.480 --> 0:25:19.760
<v Speaker 1>much time with you. Okay, let's go.

0:25:19.840 --> 0:25:20.080
<v Speaker 3>Let's go.

0:25:21.440 --> 0:25:24.879
<v Speaker 1>I will say this though about it. Right. It was

0:25:24.960 --> 0:25:27.320
<v Speaker 1>an idea that one of my students, and you know,

0:25:27.640 --> 0:25:31.920
<v Speaker 1>kind of germinated, right, and it was kind of cohesive

0:25:31.960 --> 0:25:34.520
<v Speaker 1>with the idea I had, which was, to me, music

0:25:34.680 --> 0:25:36.800
<v Speaker 1>is art. It should be treated as such. Right. At

0:25:36.840 --> 0:25:39.920
<v Speaker 1>this time, music was being devalued, right, right, So it's like,

0:25:39.960 --> 0:25:41.560
<v Speaker 1>now we got to find a way to put value

0:25:41.600 --> 0:25:44.359
<v Speaker 1>back into it. And people mostly value what they can't have,

0:25:45.600 --> 0:25:49.080
<v Speaker 1>all right, Sorry, then they can't have this, right, only one.

0:25:49.160 --> 0:25:52.080
<v Speaker 1>We're going to make one copy and it's gonna you

0:25:52.160 --> 0:25:54.359
<v Speaker 1>gotta go to a museum to hear it, you know

0:25:54.400 --> 0:25:56.719
<v Speaker 1>what I mean. That was the ambition of it. Uh

0:25:56.880 --> 0:25:59.080
<v Speaker 1>So we started to listen and and and the funny

0:25:59.119 --> 0:26:04.720
<v Speaker 1>thing is different millionaires and even billionaires was acting like

0:26:04.760 --> 0:26:06.159
<v Speaker 1>they was going to buy it, you know what I mean.

0:26:06.160 --> 0:26:07.960
<v Speaker 1>It was like it was because that's the auction business,

0:26:08.040 --> 0:26:12.840
<v Speaker 1>Southerby's and Padaway, that's what they do, right. But then

0:26:12.880 --> 0:26:15.320
<v Speaker 1>I met this kid. He was still a kid and

0:26:15.400 --> 0:26:18.960
<v Speaker 1>he wasn't famous yet, Marsh Grelly. Maybe at the time

0:26:19.000 --> 0:26:21.159
<v Speaker 1>he was probably worth a couple of hundred mil so

0:26:21.240 --> 0:26:25.280
<v Speaker 1>he was really a baby compared to the other bidders. Okay, okay,

0:26:25.359 --> 0:26:29.280
<v Speaker 1>all the bidders had bills. But he had came to

0:26:29.400 --> 0:26:32.600
<v Speaker 1>the little listening and he heard it. He heard like

0:26:32.600 --> 0:26:36.200
<v Speaker 1>a little twelve minutes and he was like, yo, whatever

0:26:36.320 --> 0:26:41.719
<v Speaker 1>he heard. He needs that album. He needs the Enigma

0:26:41.880 --> 0:26:45.879
<v Speaker 1>time code machine exactly right in the in the turning

0:26:46.000 --> 0:26:49.960
<v Speaker 1>papers and this is awesome historical ship. Wait, the Enigma

0:26:50.000 --> 0:26:53.840
<v Speaker 1>has nothing to do with listen that's from World War Two. Yeah,

0:26:54.520 --> 0:26:56.919
<v Speaker 1>he's getting the last one they got, like the one

0:26:56.960 --> 0:27:00.879
<v Speaker 1>that's the last living listener. He's getting that. He's getting

0:27:00.880 --> 0:27:03.520
<v Speaker 1>the tuning papers of the guy who designed this ship.

0:27:03.760 --> 0:27:05.840
<v Speaker 1>This is the guy who made the first computer arguably,

0:27:07.320 --> 0:27:14.159
<v Speaker 1>and the Wu Tang album. He's all three of these ships.

0:27:14.960 --> 0:27:16.080
<v Speaker 1>And so I told her, I said, yo, you know

0:27:16.200 --> 0:27:18.960
<v Speaker 1>this album is like, you know, all albums like our babies,

0:27:19.080 --> 0:27:20.200
<v Speaker 1>you know what I mean, So you got to be

0:27:20.280 --> 0:27:22.560
<v Speaker 1>treating this thing with the highest respect. And that's when

0:27:22.600 --> 0:27:23.880
<v Speaker 1>he told me, I'm gonna do all that and when

0:27:23.880 --> 0:27:26.080
<v Speaker 1>you get all three of these things, he said, he's

0:27:26.119 --> 0:27:33.200
<v Speaker 1>going to become like a powerful man in the world. Right.

0:27:33.480 --> 0:27:35.560
<v Speaker 1>I was like, wait, wait, you know what I mean,

0:27:35.800 --> 0:27:38.200
<v Speaker 1>Bung bung. And I didn't hear about the other things. No, no,

0:27:38.640 --> 0:27:41.520
<v Speaker 1>And so he does it right, and I kinda I

0:27:41.640 --> 0:27:44.119
<v Speaker 1>kind of make the make the deal with him. Right

0:27:44.280 --> 0:27:46.600
<v Speaker 1>then I'm home my wife and ship we chilling. She

0:27:46.760 --> 0:27:48.879
<v Speaker 1>knows about it and all that. And then he's on

0:27:49.000 --> 0:27:53.320
<v Speaker 1>the news and she's like, uh, maybe isn't that the

0:27:53.440 --> 0:27:56.040
<v Speaker 1>guy that's that's uh that you made the deal with

0:27:56.119 --> 0:27:59.119
<v Speaker 1>the guy disclosure or it wasn't it was also NBA.

0:27:59.760 --> 0:28:01.920
<v Speaker 3>Yeah, and they're still working out the deal, you know,

0:28:01.960 --> 0:28:02.560
<v Speaker 3>all the paperwork.

0:28:02.560 --> 0:28:02.760
<v Speaker 1>Ship.

0:28:03.160 --> 0:28:05.960
<v Speaker 3>But then he shows on TV as the evil lest

0:28:06.040 --> 0:28:11.280
<v Speaker 3>Man Alive. He was in medication.

0:28:12.359 --> 0:28:16.320
<v Speaker 1>Okay, so but I'm like, oh, ship boom, but aldi

0:28:16.400 --> 0:28:20.080
<v Speaker 1>shook hands with him, already made a deal. So so

0:28:20.200 --> 0:28:22.320
<v Speaker 1>I could you know, your world is your bond, you

0:28:22.359 --> 0:28:25.399
<v Speaker 1>know what I mean? So you know with it. But

0:28:25.480 --> 0:28:28.159
<v Speaker 1>I did say this to him. I said, Bro, you

0:28:28.280 --> 0:28:31.760
<v Speaker 1>got a lot of bash it on you. I would

0:28:31.800 --> 0:28:34.200
<v Speaker 1>advise that you take this whole album and do something good.

0:28:34.640 --> 0:28:36.800
<v Speaker 1>I said, maybe just give it to the people. Wow,

0:28:37.080 --> 0:28:38.920
<v Speaker 1>Like I don't know what to do. I said, it's

0:28:38.920 --> 0:28:41.280
<v Speaker 1>a chance for you to do good. He smiled at

0:28:41.360 --> 0:28:48.160
<v Speaker 1>me and doubled down on bad ship. He went, he

0:28:48.240 --> 0:28:51.440
<v Speaker 1>caught be for ghost faces and everything that great, he

0:28:51.520 --> 0:28:55.640
<v Speaker 1>went in anyway, Yeah, yeah, but it is. It is

0:28:55.760 --> 0:28:59.880
<v Speaker 1>on record right now. The album when it was resold,

0:29:00.600 --> 0:29:03.880
<v Speaker 1>it was resold for over four million. He bought it

0:29:03.920 --> 0:29:06.640
<v Speaker 1>for two resold it for over four or the government

0:29:06.680 --> 0:29:09.240
<v Speaker 1>took it. Then they auctioned it all. So it's it's

0:29:09.280 --> 0:29:11.720
<v Speaker 1>one of those it's like it appreciates like a house

0:29:11.800 --> 0:29:13.239
<v Speaker 1>or some shit. It's like it gets more and more

0:29:13.360 --> 0:29:15.640
<v Speaker 1>valuable over time. And it and it didn't make the

0:29:15.680 --> 0:29:20.360
<v Speaker 1>Guinness World Records as the most expensive single album in

0:29:20.440 --> 0:29:27.040
<v Speaker 1>the history. You know what I mean? He said to

0:29:27.120 --> 0:29:29.400
<v Speaker 1>it earlier, he said, give it to the people. Is

0:29:29.480 --> 0:29:31.680
<v Speaker 1>that an option in the contract that they could actually

0:29:31.720 --> 0:29:32.480
<v Speaker 1>give it. You could give it.

0:29:32.520 --> 0:29:35.719
<v Speaker 4>You can't sell it, can't sell it. But the government

0:29:35.720 --> 0:29:39.040
<v Speaker 4>didn't make that contract with you so they could auction it. Well,

0:29:39.080 --> 0:29:41.520
<v Speaker 4>the government, you know, they know because they got it

0:29:41.560 --> 0:29:42.960
<v Speaker 4>from him and then they were able to it.

0:29:43.000 --> 0:29:45.120
<v Speaker 1>They can only auction it as a single unit, like

0:29:45.200 --> 0:29:47.400
<v Speaker 1>a painting. It's almost like an n f T. That's

0:29:47.440 --> 0:29:49.840
<v Speaker 1>what That's what I thought. I was the first NFT.

0:29:49.920 --> 0:29:51.320
<v Speaker 1>I was will to say, Yeah, I say that. Yeah,

0:29:51.320 --> 0:29:54.440
<v Speaker 1>you can say, like the first n f T. It's like,

0:29:54.480 --> 0:29:56.760
<v Speaker 1>even if somebody's playing you gotta it's only one moment,

0:29:56.880 --> 0:29:59.960
<v Speaker 1>Lisa yo, right, you know what I mean, And that's

0:30:00.040 --> 0:30:01.360
<v Speaker 1>that's what it is. I mean, you got people that

0:30:01.440 --> 0:30:05.080
<v Speaker 1>got the T shirt, but the real more release of

0:30:05.080 --> 0:30:15.600
<v Speaker 1>that is like this more like what I'm going to

0:30:15.680 --> 0:30:29.760
<v Speaker 1>Monica on Sunday, Monica. How many people? Because the documentary, right,

0:30:31.760 --> 0:30:35.600
<v Speaker 1>everybody was mad as your brother and then I got

0:30:35.680 --> 0:30:41.040
<v Speaker 1>to see brothers kicking at wakec On's weather. Okay, so

0:30:43.480 --> 0:30:45.760
<v Speaker 1>like that that was the part of the documentary. Obviously,

0:30:45.960 --> 0:30:49.200
<v Speaker 1>you know, I'm outside of looking in. That was the

0:30:49.240 --> 0:30:52.360
<v Speaker 1>part like because was known to keep family business in family.

0:30:52.560 --> 0:30:54.920
<v Speaker 1>This is the first time everybody coming out. It's the

0:30:55.000 --> 0:30:57.640
<v Speaker 1>first time I've ever seen that. But then I see

0:30:57.800 --> 0:31:00.120
<v Speaker 1>so for me as a person, that's like like, you know,

0:31:00.240 --> 0:31:02.920
<v Speaker 1>I got to see that. It's it's love there. Of course,

0:31:03.120 --> 0:31:07.120
<v Speaker 1>all that Showtime documentary, it looked different, looked at contentious.

0:31:07.280 --> 0:31:11.200
<v Speaker 1>What's your explanation for that? For the for the way

0:31:11.240 --> 0:31:20.520
<v Speaker 1>it looks on the documentary. Yeah, okay, we got the

0:31:20.600 --> 0:31:25.280
<v Speaker 1>Japanese cups from the Japanese look somewhere Japanese try to

0:31:25.320 --> 0:31:29.000
<v Speaker 1>redeal you got so. One other thing was saki. Okay,

0:31:29.080 --> 0:31:33.000
<v Speaker 1>if you're drinking heaven sake, which is actually a saki

0:31:33.120 --> 0:31:36.720
<v Speaker 1>that's polished. The rice was polished fine for this, like

0:31:37.040 --> 0:31:38.959
<v Speaker 1>it's all about how you polish the ris to get

0:31:39.000 --> 0:31:42.960
<v Speaker 1>the best fermentation. And then also a French wine master

0:31:43.600 --> 0:31:46.200
<v Speaker 1>finished this all that's why it's so smooth. But this

0:31:46.360 --> 0:31:49.040
<v Speaker 1>one you can't pour your own saki. Yes, so I

0:31:49.120 --> 0:31:55.400
<v Speaker 1>need you to pour miss that's right. Never okay, don't

0:31:55.440 --> 0:31:55.600
<v Speaker 1>do that.

0:31:57.480 --> 0:31:58.640
<v Speaker 3>Let me take this shot.

0:32:00.040 --> 0:32:03.800
<v Speaker 1>Over that. Yeah yeah, okay, yeah, Bomber, Yeah, I'm sorry

0:32:03.800 --> 0:32:05.080
<v Speaker 1>if I'm doing all the rule. See like she's like

0:32:05.160 --> 0:32:08.160
<v Speaker 1>this guy, no, we need to learn, No, we need

0:32:08.240 --> 0:32:10.600
<v Speaker 1>to learn, you know. So when we have motherfucker Jackie

0:32:10.640 --> 0:32:14.440
<v Speaker 1>Chan come here together, I turned together, said Yo Rizzard

0:32:14.480 --> 0:32:20.880
<v Speaker 1>told us motherfuckers exactly I'm sorry, yeah, yeah, so real quick.

0:32:21.560 --> 0:32:25.520
<v Speaker 1>In the Showtime documentary, it was talking about how some

0:32:25.640 --> 0:32:28.880
<v Speaker 1>of the brothers was angry with Divine based on business, right,

0:32:29.520 --> 0:32:32.000
<v Speaker 1>and every artist may have been through this, and you're

0:32:32.040 --> 0:32:33.680
<v Speaker 1>an artist or you may be able to play to this.

0:32:34.320 --> 0:32:36.680
<v Speaker 1>So the argument with the with the Vine was saying

0:32:36.720 --> 0:32:39.600
<v Speaker 1>the ghost face was y'all of coach said, if I

0:32:39.680 --> 0:32:44.560
<v Speaker 1>make a million dollars, how much you get? Right? I

0:32:44.640 --> 0:32:48.120
<v Speaker 1>think Divine said, you know, twenty percent, ten twenty maybe

0:32:48.160 --> 0:32:51.120
<v Speaker 1>ten percent because we kept we kept that modest. Most

0:32:51.240 --> 0:32:54.480
<v Speaker 1>managers take twenty percent of your money, right, your agent

0:32:54.560 --> 0:32:57.680
<v Speaker 1>takes ten percent. Right. If you make an m thirty

0:32:58.120 --> 0:33:02.440
<v Speaker 1>percent is gone right, right, and go say I fucked that.

0:33:04.560 --> 0:33:08.360
<v Speaker 1>I want my whole ill. So what happens is the

0:33:08.440 --> 0:33:13.000
<v Speaker 1>artists don't realize that your art definitely creates value. But

0:33:13.080 --> 0:33:16.680
<v Speaker 1>it's music business, right, and so the business side has

0:33:16.720 --> 0:33:19.240
<v Speaker 1>to go and what these that. So if an artist

0:33:19.320 --> 0:33:22.160
<v Speaker 1>is only if a manager's only getting ten percent, you

0:33:22.240 --> 0:33:26.040
<v Speaker 1>know what I mean, you're getting nine hundred down right.

0:33:26.120 --> 0:33:28.080
<v Speaker 1>You may want your whole joint. But it's like yo, nah,

0:33:28.120 --> 0:33:30.680
<v Speaker 1>this is business. And so when you're in that business

0:33:30.760 --> 0:33:34.480
<v Speaker 1>position in the way you're gonna you look almost you

0:33:34.640 --> 0:33:37.520
<v Speaker 1>look down upon in a way, right because the artist

0:33:37.640 --> 0:33:40.240
<v Speaker 1>is thinking, like yo, I signed for a million dollars,

0:33:40.240 --> 0:33:44.040
<v Speaker 1>where's my million? It's like nah, yo, And to forget

0:33:44.080 --> 0:33:46.600
<v Speaker 1>what the manager taking with the agent takeing. The lawyers too,

0:33:46.960 --> 0:33:49.480
<v Speaker 1>the lawyer don't man my man Uncle Sam, and I

0:33:49.480 --> 0:33:52.680
<v Speaker 1>ain't talking about Sam Jackson. You know they're coming in

0:33:52.920 --> 0:33:57.840
<v Speaker 1>like right down. So the Vine has always been the

0:33:58.000 --> 0:34:01.800
<v Speaker 1>business savvy one of us. So when he got out

0:34:01.800 --> 0:34:04.800
<v Speaker 1>of the system, right, he got a job at the

0:34:04.880 --> 0:34:11.040
<v Speaker 1>World Trade Center cleaning carpets. But he was reading all

0:34:11.120 --> 0:34:13.960
<v Speaker 1>that shit, you know what I mean. So, but he

0:34:14.120 --> 0:34:17.920
<v Speaker 1>was studying all that shit. So he was doing quick books.

0:34:18.200 --> 0:34:21.959
<v Speaker 1>I'm making beats on my computer. He's doing the counting shit.

0:34:22.320 --> 0:34:24.239
<v Speaker 1>He's learning and managing shit, you know what I mean.

0:34:24.719 --> 0:34:27.040
<v Speaker 1>And his deal if you go back and you check,

0:34:27.280 --> 0:34:30.160
<v Speaker 1>and I'm not just bigging him up because he's my brother.

0:34:30.760 --> 0:34:33.759
<v Speaker 1>But if you go back and you checked, you know

0:34:33.880 --> 0:34:36.600
<v Speaker 1>every company besides WU Tank Production, So WHU Tank Production?

0:34:37.040 --> 0:34:40.440
<v Speaker 1>I started at myself personally took my last ten g's.

0:34:41.160 --> 0:34:42.800
<v Speaker 1>I had a choice. Let me I say this with you.

0:34:42.920 --> 0:34:45.959
<v Speaker 1>I had a choice, bro me and Tony had twenty

0:34:46.040 --> 0:34:51.120
<v Speaker 1>thousand dollars, right, and the plan was to go hook

0:34:51.200 --> 0:34:57.120
<v Speaker 1>up with my uncle Joe and get a break. I

0:34:57.239 --> 0:35:04.000
<v Speaker 1>just knew Uncle Joe wasn't good from there thought out

0:35:04.160 --> 0:35:04.680
<v Speaker 1>what you said.

0:35:05.000 --> 0:35:05.640
<v Speaker 3>It's a way, he say.

0:35:05.719 --> 0:35:08.919
<v Speaker 1>Uncle Joe told my pops that's my post, my brother,

0:35:09.000 --> 0:35:11.520
<v Speaker 1>my pop's first cousin. So we so we go down

0:35:12.960 --> 0:35:16.000
<v Speaker 1>and we we we see uncle Joe. But at the

0:35:16.080 --> 0:35:19.600
<v Speaker 1>same time, I got a seed in the oven. I

0:35:19.680 --> 0:35:21.759
<v Speaker 1>got nalls of self that's clear now because I'm not

0:35:21.800 --> 0:35:24.200
<v Speaker 1>smoking a drink, and so my brain waves are super clear.

0:35:25.239 --> 0:35:27.359
<v Speaker 1>And we down and I'm not a vegan knocked out

0:35:27.400 --> 0:35:31.839
<v Speaker 1>like seventeen chicken wings that you know what I mean.

0:35:33.360 --> 0:35:35.800
<v Speaker 1>I'm going there and it's like and we're talking about it.

0:35:35.840 --> 0:35:37.680
<v Speaker 1>It's like you're boom, we'll get it to North Carolina.

0:35:38.520 --> 0:35:40.279
<v Speaker 1>I'll get it from North Khaki and bring it to

0:35:40.360 --> 0:35:46.520
<v Speaker 1>the package eh. But on that trip, Yo, I decided

0:35:46.520 --> 0:35:49.600
<v Speaker 1>to leave without it. M hmm. Came back to New

0:35:49.680 --> 0:35:52.719
<v Speaker 1>York empty handed. You had the money, right, and it

0:35:52.880 --> 0:35:58.359
<v Speaker 1>told Tony like, nah, I'm done. I'm done negative, right,

0:35:58.800 --> 0:36:01.319
<v Speaker 1>Because every time we did something negative, something went wrong.

0:36:02.000 --> 0:36:04.360
<v Speaker 1>Somebody got locked up, somebody got shot or you gotta

0:36:04.680 --> 0:36:08.360
<v Speaker 1>you gotta get your biscuit, and it says negative breeze negative,

0:36:08.360 --> 0:36:10.800
<v Speaker 1>and the Bible with says for every negative action you do,

0:36:11.280 --> 0:36:14.239
<v Speaker 1>I give you one in return, he says, but for

0:36:14.320 --> 0:36:17.319
<v Speaker 1>every positive action you do, I multiplied you by ten.

0:36:19.719 --> 0:36:22.200
<v Speaker 1>So I was like, yo, I gave ghost his hat,

0:36:22.280 --> 0:36:24.799
<v Speaker 1>took my half, and I actually told him, I said, yo, bro,

0:36:25.200 --> 0:36:28.840
<v Speaker 1>love you go on with your life man, because ghosts

0:36:28.880 --> 0:36:31.200
<v Speaker 1>is so real that the way we was going, he

0:36:31.200 --> 0:36:33.360
<v Speaker 1>would have jumped in front of the bullet, you know

0:36:33.400 --> 0:36:35.800
<v Speaker 1>what I mean. And I was like, nah, God, I

0:36:35.920 --> 0:36:39.440
<v Speaker 1>appreciate everything, but go ahead. I gotta figure something outside.

0:36:39.600 --> 0:36:42.440
<v Speaker 1>And I just walked. I walked for days and days

0:36:42.480 --> 0:36:44.520
<v Speaker 1>and days. People thought I was going crazy a little bit,

0:36:45.760 --> 0:36:48.960
<v Speaker 1>but I was form a lady and I realized what

0:36:49.040 --> 0:36:50.319
<v Speaker 1>I had to do it. I'm gonna give a shout

0:36:50.320 --> 0:36:54.560
<v Speaker 1>out to mister James Smith. He's the father of Mel Kwan.

0:36:55.160 --> 0:36:58.759
<v Speaker 1>Mel Kwan was my first manager. I'm giving him a

0:36:58.840 --> 0:37:02.160
<v Speaker 1>shout out because I sued to go to his crib

0:37:02.560 --> 0:37:04.920
<v Speaker 1>and he believed in his son, mel Chwan. So he

0:37:05.040 --> 0:37:08.239
<v Speaker 1>started a record label called Your Maker Records, and that's

0:37:08.280 --> 0:37:11.000
<v Speaker 1>where he had a group called the divine force on it.

0:37:11.200 --> 0:37:14.480
<v Speaker 1>So I boring all of them right from my pink houses.

0:37:15.360 --> 0:37:17.360
<v Speaker 1>But I always went to his house because I was

0:37:17.360 --> 0:37:20.200
<v Speaker 1>signed as an artist. I used to fall three hundred

0:37:20.239 --> 0:37:22.680
<v Speaker 1>dollars for the rent. I stopped scrambling and all that

0:37:23.000 --> 0:37:25.680
<v Speaker 1>at this time, right, but he always had boxes of

0:37:25.719 --> 0:37:29.560
<v Speaker 1>records stored in his crib, and I realized that the

0:37:29.680 --> 0:37:35.800
<v Speaker 1>record company was his house, the Brownstone was the label.

0:37:36.719 --> 0:37:39.680
<v Speaker 1>So I took my tenzis and went and sat down

0:37:39.719 --> 0:37:41.960
<v Speaker 1>with him, played a few games of chests, and said,

0:37:41.960 --> 0:37:44.120
<v Speaker 1>I want to start a company. He said, Yo, you

0:37:44.239 --> 0:37:47.759
<v Speaker 1>go talk to mister Warren. Mister Warren to help you.

0:37:47.960 --> 0:37:50.720
<v Speaker 1>I went to talk to mister Bill Warren. We formed

0:37:50.719 --> 0:37:53.479
<v Speaker 1>the Wu Tang Production. I put the money in the lawyer,

0:37:53.560 --> 0:37:57.040
<v Speaker 1>put the money in the bank, formed the company, formed contracts,

0:37:57.360 --> 0:38:00.680
<v Speaker 1>and then took this idea and stepped to my brothers like, Yo,

0:38:00.800 --> 0:38:02.880
<v Speaker 1>this is what I this is the plan. So before

0:38:02.920 --> 0:38:05.480
<v Speaker 1>you form the company, you didn't have to fully signed

0:38:05.520 --> 0:38:07.040
<v Speaker 1>to you No, so you had to go to them

0:38:07.080 --> 0:38:10.680
<v Speaker 1>and convist them that, yeah, that's I had a former company.

0:38:11.120 --> 0:38:13.520
<v Speaker 1>And then they're not gonna say convinced my brothers, I

0:38:13.520 --> 0:38:17.120
<v Speaker 1>would say that advise my brothers gonna go anywhere, whether

0:38:17.280 --> 0:38:24.720
<v Speaker 1>I caught you or not. Yeah, okay, but let's go together,

0:38:25.280 --> 0:38:28.040
<v Speaker 1>you know what I mean. So look, by myself at

0:38:28.080 --> 0:38:30.440
<v Speaker 1>the end of the day, no disrespect to nobody. And

0:38:30.560 --> 0:38:34.640
<v Speaker 1>I'm a guaranteed gold artist, right, I got gold, Bobby,

0:38:34.680 --> 0:38:37.160
<v Speaker 1>there's your those gold grave daggers with my Wu Tang brother,

0:38:37.200 --> 0:38:39.560
<v Speaker 1>I'm multi platinum, right exactly. You know what I mean?

0:38:39.920 --> 0:38:45.000
<v Speaker 1>So you Yeah, by myself, I'm a but together the

0:38:45.120 --> 0:38:48.440
<v Speaker 1>community eats. Right. Look how many families eat off of

0:38:48.480 --> 0:38:49.160
<v Speaker 1>this record tree?

0:38:49.239 --> 0:38:49.319
<v Speaker 4>Yo?

0:38:49.480 --> 0:38:51.000
<v Speaker 1>You know what I mean? So I want to share

0:38:51.040 --> 0:38:52.880
<v Speaker 1>that share that peace with you, because what was the

0:38:53.000 --> 0:38:54.840
<v Speaker 1>date that you that you made the company? Like around

0:38:54.880 --> 0:38:58.040
<v Speaker 1>what year? This is probably the company's ninety two, right,

0:38:58.160 --> 0:39:01.200
<v Speaker 1>And then protecting that comes out. I make the company first,

0:39:02.840 --> 0:39:08.080
<v Speaker 1>and then after the company, uh started gearing up equipment.

0:39:08.680 --> 0:39:11.160
<v Speaker 1>When got powered to join me help gear up equipment.

0:39:12.360 --> 0:39:15.920
<v Speaker 1>Gave him a divine control of management. I told him,

0:39:15.920 --> 0:39:19.240
<v Speaker 1>nobody takes nobody's publishing. Publishing always stayed with the artists.

0:39:19.440 --> 0:39:24.640
<v Speaker 1>I read the book, you know what I mean, And yeah,

0:39:25.000 --> 0:39:27.160
<v Speaker 1>and and and and built it. So the point I

0:39:27.280 --> 0:39:29.600
<v Speaker 1>was saying by saying that with you is that the

0:39:29.719 --> 0:39:33.440
<v Speaker 1>idea to do wrong was trump by the idea to

0:39:33.520 --> 0:39:37.120
<v Speaker 1>do right, and then the idea to do right multiplied

0:39:37.239 --> 0:39:40.439
<v Speaker 1>my entire family, my entire team, and to this day.

0:39:41.760 --> 0:39:48.600
<v Speaker 1>Right you think about the Wu Tang series, right, yeah,

0:39:50.560 --> 0:39:52.680
<v Speaker 1>you know I've taken Now, I got ten new young

0:39:52.800 --> 0:39:57.120
<v Speaker 1>men actors, some of them is their first gig, right,

0:39:57.520 --> 0:40:03.920
<v Speaker 1>turning them to millionaires. That's a just to remind DMX

0:40:03.960 --> 0:40:06.399
<v Speaker 1>on the show, right And DMX So I said something

0:40:06.480 --> 0:40:08.640
<v Speaker 1>to him, and DMX said, I stopped this in rack

0:40:08.960 --> 0:40:11.680
<v Speaker 1>rack rappers And I said, oh yeah, watch and he said,

0:40:11.719 --> 0:40:15.640
<v Speaker 1>because every one rapper can feed sixteen families. So let's

0:40:15.680 --> 0:40:20.640
<v Speaker 1>think about that. Think about what I experience, right right,

0:40:21.080 --> 0:40:27.120
<v Speaker 1>right right? You funded a whole, the whole, at least Connecticut.

0:40:35.360 --> 0:40:37.960
<v Speaker 1>You argue that Wu Tang had its own economy. You

0:40:38.040 --> 0:40:42.040
<v Speaker 1>created an economy that was Wu Tang. No, that's crazy.

0:40:42.160 --> 0:40:45.080
<v Speaker 1>So let me tell you a story that's that's funny. Right.

0:40:45.400 --> 0:40:48.040
<v Speaker 1>I met you one time at the Woo store. I

0:40:48.280 --> 0:40:52.399
<v Speaker 1>came to an opening, and then I think one time

0:40:52.480 --> 0:40:56.960
<v Speaker 1>in Mystic studios and that right, But then one time

0:40:57.480 --> 0:40:59.640
<v Speaker 1>we was in a hip factory studio. This is our

0:40:59.760 --> 0:41:02.440
<v Speaker 1>fire getting hot. I finally like hot, like I was

0:41:02.920 --> 0:41:04.160
<v Speaker 1>all one of the times I met you, I was

0:41:04.200 --> 0:41:06.520
<v Speaker 1>coming up. I'm finally hot. I'm finally hot. Like it's

0:41:06.560 --> 0:41:10.160
<v Speaker 1>like the NR albums. I'm steping, I pull I pull up.

0:41:10.320 --> 0:41:12.840
<v Speaker 1>You already in You're already I think you would leave it.

0:41:12.880 --> 0:41:14.600
<v Speaker 1>I couldn't. I couldn't tell. But it was like fifteen

0:41:14.640 --> 0:41:18.520
<v Speaker 1>of y'all and I can tell you was zooted out

0:41:18.560 --> 0:41:22.080
<v Speaker 1>your mind. I look, but this is Missa right. He's like,

0:41:23.520 --> 0:41:25.759
<v Speaker 1>but I gotta be cool about it. I gotta be cool.

0:41:25.800 --> 0:41:28.279
<v Speaker 1>But I'm still this is Middler. So you said to me,

0:41:28.360 --> 0:41:30.239
<v Speaker 1>you said to me. He's like, I made the beat

0:41:30.480 --> 0:41:33.879
<v Speaker 1>exactly how you wanted it. And I was like, he said,

0:41:33.960 --> 0:41:36.080
<v Speaker 1>exactly how you told me to do it. I made

0:41:36.120 --> 0:41:38.000
<v Speaker 1>it and I'm like, world up.

0:41:39.239 --> 0:41:39.880
<v Speaker 5>But it wasn't you.

0:41:40.080 --> 0:41:43.799
<v Speaker 1>I wantn't make it.

0:41:45.600 --> 0:41:45.800
<v Speaker 4>With me.

0:41:45.880 --> 0:41:46.960
<v Speaker 1>But he was like, if you want to hear it,

0:41:47.120 --> 0:41:50.080
<v Speaker 1>I was like, yeah, I came upstairs. You played me

0:41:50.160 --> 0:41:53.200
<v Speaker 1>the most amazing BF the fuck I had. Track Master

0:41:53.320 --> 0:41:56.840
<v Speaker 1>Jones said, Yo, Nord, give me one second, and I

0:41:56.960 --> 0:41:59.360
<v Speaker 1>went outside to get one second, and it was crazy

0:41:59.400 --> 0:42:02.640
<v Speaker 1>about that crazy tone introduced me to fifty cent Wow

0:42:02.840 --> 0:42:08.560
<v Speaker 1>as I turned around. Your man, that's crazy. I got

0:42:08.600 --> 0:42:13.160
<v Speaker 1>to beat man. That's crazy. You don't remember, you know, yo,

0:42:13.400 --> 0:42:15.640
<v Speaker 1>that I tell that story all the time because so crazy.

0:42:15.680 --> 0:42:17.600
<v Speaker 1>You know here back in those days, I just saw

0:42:18.080 --> 0:42:21.600
<v Speaker 1>the sort of gizzl will always be filming us, right,

0:42:21.960 --> 0:42:23.680
<v Speaker 1>you know, he was going to let's let's take a

0:42:23.719 --> 0:42:26.759
<v Speaker 1>shot for that beat. Okay, shot that we never heard

0:42:26.760 --> 0:42:36.200
<v Speaker 1>of it? Hey, yo, bro, Yeah, I realized this is

0:42:36.239 --> 0:42:38.880
<v Speaker 1>really good though, by the way, hold on, hold on

0:42:38.920 --> 0:42:41.400
<v Speaker 1>because now because you know, first I was, you know,

0:42:41.640 --> 0:42:43.600
<v Speaker 1>I was gonna like it, whether because because you know

0:42:43.600 --> 0:42:49.399
<v Speaker 1>what I'm saying like that, no matter what I want

0:42:49.400 --> 0:42:52.120
<v Speaker 1>to believe, No, no, no, no, I was with the program.

0:42:52.400 --> 0:42:54.800
<v Speaker 1>But this is actually good. No, no, this is this

0:42:54.960 --> 0:42:57.800
<v Speaker 1>is This is especially if you drinking in the daytime.

0:42:58.000 --> 0:43:01.320
<v Speaker 1>Bright you could drink this at lunch and still go

0:43:01.480 --> 0:43:03.319
<v Speaker 1>back to the office because you said, this is an

0:43:03.360 --> 0:43:06.799
<v Speaker 1>upper exactly. We're not getting socky face here, okay, yeah,

0:43:07.640 --> 0:43:13.440
<v Speaker 1>we getting like the big back. What's up with the

0:43:13.560 --> 0:43:15.319
<v Speaker 1>V one? Like I mean, you know what I'm saying,

0:43:15.600 --> 0:43:18.399
<v Speaker 1>We got die a little bit, you know, to live

0:43:18.440 --> 0:43:20.319
<v Speaker 1>a little bit. Sometimes you got die a little bit.

0:43:22.880 --> 0:43:33.799
<v Speaker 1>You see. Great, see great, hairs, great hairs, great hairs,

0:43:33.880 --> 0:43:36.960
<v Speaker 1>like colonists, Okay, colonists trying to get this you're like

0:43:37.000 --> 0:43:47.480
<v Speaker 1>a colonists. But you know what, you probably as an artist, right,

0:43:47.560 --> 0:43:51.359
<v Speaker 1>and your artist suggested, right. But I think, like, I mean,

0:43:51.400 --> 0:43:53.520
<v Speaker 1>I gotta say this ship. I think like when you're

0:43:53.560 --> 0:43:56.719
<v Speaker 1>thinking about like our image are look and all that,

0:43:57.360 --> 0:43:59.239
<v Speaker 1>I don't know, like as an artist you kind of

0:43:59.239 --> 0:44:01.680
<v Speaker 1>almost like how with responsibility to try to keep your

0:44:01.719 --> 0:44:05.480
<v Speaker 1>physical physical and everything almost the same if you can,

0:44:06.000 --> 0:44:09.880
<v Speaker 1>because like that's the that's the that's the image of

0:44:09.960 --> 0:44:12.279
<v Speaker 1>your that's your commodity. You know what I mean. I

0:44:12.320 --> 0:44:14.320
<v Speaker 1>mean if you look at this box right here, I

0:44:14.440 --> 0:44:21.440
<v Speaker 1>mean you got the smile and ship I mean, and

0:44:21.520 --> 0:44:23.759
<v Speaker 1>it's beautiful. I'm proud of you. Got to send a

0:44:23.800 --> 0:44:26.120
<v Speaker 1>couple of you're good.

0:44:26.360 --> 0:44:28.880
<v Speaker 3>I told them last time I was res here. I'm

0:44:28.880 --> 0:44:30.719
<v Speaker 3>trying to get Ris down with the crew.

0:44:30.840 --> 0:44:31.399
<v Speaker 1>You know what I'm saying.

0:44:31.520 --> 0:44:33.719
<v Speaker 3>Oh goddamn it, So I want to go in the

0:44:33.800 --> 0:44:39.359
<v Speaker 3>box something for a little bit.

0:44:41.440 --> 0:44:45.120
<v Speaker 1>Acting. One of my favorite roles you did is with

0:44:46.200 --> 0:44:49.840
<v Speaker 1>uh uh, what's that ship? When Adam Sander's sick and

0:44:49.920 --> 0:44:53.480
<v Speaker 1>you and the funny people. Funny people, Yeah, like.

0:44:56.480 --> 0:44:59.160
<v Speaker 3>Is acting something that attracted you to that world?

0:44:59.239 --> 0:45:02.719
<v Speaker 1>Or is it scoring the movies that bring you there? Yeah? No,

0:45:02.800 --> 0:45:07.200
<v Speaker 1>I wasn't. I wasn't Like I didn't. I didn't forecast

0:45:08.120 --> 0:45:15.440
<v Speaker 1>myself being an actor, but I forecasted. You know, being

0:45:15.480 --> 0:45:20.640
<v Speaker 1>an actor is almost a dream, right kids watching TV? Unattainable. Yeah, yeah,

0:45:20.640 --> 0:45:23.080
<v Speaker 1>you don't think you're going to be on that silver screen.

0:45:23.760 --> 0:45:26.560
<v Speaker 1>But what happened, I think for me, unfortunately, was when

0:45:26.600 --> 0:45:31.640
<v Speaker 1>I was scoring movies, I had a chance. I got

0:45:31.960 --> 0:45:35.400
<v Speaker 1>this gentleman name usually don't give good she you know

0:45:35.440 --> 0:45:37.160
<v Speaker 1>what I mean, because he he he, he made a

0:45:37.160 --> 0:45:40.560
<v Speaker 1>lot of big mistakes in our business and and he's

0:45:40.600 --> 0:45:44.480
<v Speaker 1>in jail for but you know what I'm talking about that, Yeah,

0:45:44.680 --> 0:45:47.440
<v Speaker 1>but he he he met me when I was scoring

0:45:47.560 --> 0:45:49.680
<v Speaker 1>Kill Bill, and he.

0:45:49.800 --> 0:45:56.399
<v Speaker 3>Saw my charisma. Tarantino ship.

0:45:57.320 --> 0:45:59.040
<v Speaker 1>Yeah, so he saw he saw that I had like

0:45:59.320 --> 0:46:01.880
<v Speaker 1>a magnet is like an actor has to have a

0:46:01.960 --> 0:46:04.360
<v Speaker 1>madnessys in my thing? And he so then he was

0:46:04.400 --> 0:46:06.640
<v Speaker 1>doing this movie called De Rail. It was him and

0:46:06.719 --> 0:46:11.520
<v Speaker 1>his other producer name of Lorenzo, Lorenzo the brother no Dams.

0:46:12.480 --> 0:46:14.719
<v Speaker 1>I'm a drinking so I can't even say Lorenzo's name, right,

0:46:14.760 --> 0:46:16.520
<v Speaker 1>so I was just to my brother Lorenzo. Let's say

0:46:16.560 --> 0:46:19.640
<v Speaker 1>to a shot to Lorenzo. Lorenzo, but do something mate,

0:46:20.520 --> 0:46:26.759
<v Speaker 1>I Joe and all what the the the vatura? It

0:46:26.880 --> 0:46:31.080
<v Speaker 1>gets better? Yeah, every every every second Lonzo name Okay,

0:46:33.400 --> 0:46:36.120
<v Speaker 1>his name is yeah, let me say I said again,

0:46:36.400 --> 0:46:40.960
<v Speaker 1>Lorenzo d Bonnivataura. Let me say Lorenzo's name right, well,

0:46:41.360 --> 0:46:48.319
<v Speaker 1>Lorenzo d Bonnivatura. And uh and uh and mister bank

0:46:48.400 --> 0:46:51.719
<v Speaker 1>Bong was doing the movie and uh he caught my crib.

0:46:51.800 --> 0:46:51.920
<v Speaker 4>Yo.

0:46:53.400 --> 0:46:56.520
<v Speaker 1>He's like, Rizzo, I'm doing the movie. You still got

0:46:56.600 --> 0:46:58.680
<v Speaker 1>a cryb This is this is, this is this is.

0:47:02.000 --> 0:47:04.040
<v Speaker 1>I sure got a qlip fun You gotta have a

0:47:04.120 --> 0:47:06.759
<v Speaker 1>qlip phone? What to sound like? Go wow, you can't

0:47:06.800 --> 0:47:07.640
<v Speaker 1>hit nine one one?

0:47:09.440 --> 0:47:15.080
<v Speaker 3>You like this slow battery radio joints just in case, no,

0:47:15.160 --> 0:47:15.560
<v Speaker 3>I got I.

0:47:15.560 --> 0:47:18.600
<v Speaker 1>Gotta we keep a hard wire Plus we got an

0:47:18.600 --> 0:47:22.520
<v Speaker 1>elevator in the crib. And and you got no. The

0:47:22.680 --> 0:47:25.440
<v Speaker 1>law is you have an elevator in the crib, you

0:47:25.560 --> 0:47:28.560
<v Speaker 1>gotta have a hard wire phone. Okay, that's a law.

0:47:29.719 --> 0:47:35.320
<v Speaker 1>That's not why I got the phone. Okay, but but anyway,

0:47:35.920 --> 0:47:39.200
<v Speaker 1>but he calls the crib and he just says, uhre's

0:47:39.480 --> 0:47:43.640
<v Speaker 1>do my movie. You have a new career. Now, that's

0:47:43.719 --> 0:47:46.480
<v Speaker 1>like that. I was like, but I had to go

0:47:46.520 --> 0:47:49.719
<v Speaker 1>to London. And so I told my wife and said, well,

0:47:49.719 --> 0:47:51.120
<v Speaker 1>I got to go to London. They want me to

0:47:51.160 --> 0:47:53.440
<v Speaker 1>do this movie. You know what I'm saying. Bunk bom

0:47:53.880 --> 0:47:58.040
<v Speaker 1>can say bunk bom. But and so bam I went

0:47:58.080 --> 0:48:01.759
<v Speaker 1>to London. It was called Derail mh and check this

0:48:01.840 --> 0:48:04.000
<v Speaker 1>it out. So I do this movie right, in this

0:48:04.120 --> 0:48:07.640
<v Speaker 1>particular film, this is when you acted me actings and

0:48:08.440 --> 0:48:11.719
<v Speaker 1>Clive Owens is the is the star and John Carlo

0:48:11.880 --> 0:48:17.400
<v Speaker 1>Esposito right, and my character is not gonna make it

0:48:17.480 --> 0:48:22.439
<v Speaker 1>through the movie because you're black. I'm sorry. Okay, Okay,

0:48:23.000 --> 0:48:29.880
<v Speaker 1>that's a question. I don't know that's rhetorical. It's definitely

0:48:29.920 --> 0:48:34.759
<v Speaker 1>still a typical this particular film. Okay, okay, right, my

0:48:34.920 --> 0:48:36.920
<v Speaker 1>character ain't gonna make it well, and I know that

0:48:36.960 --> 0:48:39.480
<v Speaker 1>I read the script right, but I don't know how

0:48:39.600 --> 0:48:42.399
<v Speaker 1>movies work. Okay, this is your first one, yes, okay,

0:48:42.840 --> 0:48:44.839
<v Speaker 1>your film. Okay, So I'm thinking when I get there,

0:48:45.640 --> 0:48:49.640
<v Speaker 1>everything is linear, like my character, Shit, you're gonna do

0:48:49.680 --> 0:48:51.399
<v Speaker 1>it ship you filmed back, We're gonna do it ship.

0:48:51.440 --> 0:48:53.440
<v Speaker 1>You know, you know which way it's gonna go. But

0:48:53.560 --> 0:48:58.440
<v Speaker 1>on day one they did the shot where they do

0:48:58.600 --> 0:49:04.120
<v Speaker 1>me dirty, you take it out and they gotta do prosthetics.

0:49:04.200 --> 0:49:07.120
<v Speaker 1>They put all this metal ship around my head, put explosives.

0:49:07.560 --> 0:49:10.160
<v Speaker 1>This ship is, this ship is, this ship is traumatizing,

0:49:10.760 --> 0:49:13.520
<v Speaker 1>all right, you know what I mean? They put the

0:49:13.600 --> 0:49:18.320
<v Speaker 1>quarter load. Okay, so this is not like this is

0:49:18.440 --> 0:49:21.759
<v Speaker 1>like this it changes my life, you know what I mean?

0:49:22.440 --> 0:49:27.960
<v Speaker 1>They want Bob. I mean, first first shot of the day,

0:49:29.080 --> 0:49:30.719
<v Speaker 1>you know, they prepping me like, yeah, we're gonna do this.

0:49:30.880 --> 0:49:33.320
<v Speaker 1>And then so so then the movie goes on and

0:49:33.800 --> 0:49:38.279
<v Speaker 1>I'm exactly they want. But then the movie goes on, right,

0:49:39.080 --> 0:49:41.760
<v Speaker 1>And then I said to myself, was shit, the character

0:49:41.880 --> 0:49:47.480
<v Speaker 1>definitely ain't making It's no rewriting of that ship. So

0:49:47.600 --> 0:49:52.759
<v Speaker 1>I better do something to make the character remembered, rememberable, memorable, right,

0:49:53.280 --> 0:49:55.200
<v Speaker 1>And so I So there was this dude in my

0:49:55.280 --> 0:49:57.640
<v Speaker 1>hood that's always whistled every time he came around it.

0:49:57.960 --> 0:49:59.800
<v Speaker 1>And he whistled so much that even when he returned

0:49:59.800 --> 0:50:02.319
<v Speaker 1>to the essence at his funeral, one of his son's

0:50:02.360 --> 0:50:05.600
<v Speaker 1>whistled and the whole everybody just broken. Tears because he

0:50:05.800 --> 0:50:08.040
<v Speaker 1>just had this whistle, and so I said, I'm gonna

0:50:08.040 --> 0:50:11.600
<v Speaker 1>whistle every time my characters show up on screen so

0:50:11.719 --> 0:50:14.439
<v Speaker 1>that when it happens in the movie, the audience gonna

0:50:14.480 --> 0:50:16.480
<v Speaker 1>fil me, right, So sat it out. So I do that.

0:50:17.520 --> 0:50:19.920
<v Speaker 1>And when they do the testing, when they put movies out,

0:50:19.920 --> 0:50:22.200
<v Speaker 1>they test, They test like who you like, who you

0:50:22.239 --> 0:50:27.000
<v Speaker 1>don't like. So my character test is so high that

0:50:27.160 --> 0:50:32.640
<v Speaker 1>they gave him another scene and it caused the casting

0:50:32.760 --> 0:50:38.440
<v Speaker 1>agent to call me for American Gangster. But I went

0:50:38.440 --> 0:50:40.560
<v Speaker 1>into that director later though. He's the police and the

0:50:40.560 --> 0:50:43.839
<v Speaker 1>American gangster. Yeah, exactly, you played a good police, Don't

0:50:43.880 --> 0:50:46.359
<v Speaker 1>give me honest I did. I thought you was the boy.

0:50:47.040 --> 0:50:50.960
<v Speaker 3>I was almost almost called you, like, man, I'm glad.

0:50:52.920 --> 0:50:53.880
<v Speaker 1>I did that good right?

0:50:58.040 --> 0:50:59.400
<v Speaker 3>That would chase the most by the.

0:51:00.920 --> 0:51:03.040
<v Speaker 1>I ain't gonna lie, you know. I got nineteen the

0:51:03.160 --> 0:51:05.319
<v Speaker 1>rest on my sheep. Damn when they when they when

0:51:05.320 --> 0:51:07.480
<v Speaker 1>they when they pulled it out one day, and I'm

0:51:07.520 --> 0:51:10.040
<v Speaker 1>not bragging about this. I just saw it hit the floor.

0:51:11.000 --> 0:51:13.080
<v Speaker 1>This is this is this is this. When I was

0:51:13.160 --> 0:51:17.200
<v Speaker 1>like nineteen, and the judge was like, yo, bro, you

0:51:17.280 --> 0:51:19.080
<v Speaker 1>got to go shut down for a minute, no matter

0:51:19.160 --> 0:51:21.719
<v Speaker 1>what this. This is a petty it's a petty crime

0:51:21.840 --> 0:51:27.360
<v Speaker 1>right here waiting the floor. But but let me go

0:51:27.440 --> 0:51:28.839
<v Speaker 1>back to this director real quick. I know you gonna

0:51:28.880 --> 0:51:31.480
<v Speaker 1>chop this check it out. So now I'm with the

0:51:31.560 --> 0:51:34.840
<v Speaker 1>director years later, and you know I must have some

0:51:34.920 --> 0:51:37.680
<v Speaker 1>success in the in that field. I said, Yo, let

0:51:37.719 --> 0:51:41.279
<v Speaker 1>me ask you this, Why on the very first day

0:51:42.200 --> 0:51:44.640
<v Speaker 1>did you cure my character?

0:51:44.800 --> 0:51:46.839
<v Speaker 3>Like, why can't you let me get used to the set?

0:51:47.280 --> 0:51:49.879
<v Speaker 1>He said? And he's he's a he's a sweetest guy.

0:51:50.360 --> 0:51:54.920
<v Speaker 1>He's like Bobby. Actually, I didn't know if you was

0:51:54.960 --> 0:51:56.480
<v Speaker 1>going to show up for the rest of the movie.

0:51:57.440 --> 0:52:01.120
<v Speaker 1>You know, rappers, they are volatile ship es. Seriously, they

0:52:01.160 --> 0:52:04.279
<v Speaker 1>don't come on time. So I knew I needed that shut.

0:52:07.080 --> 0:52:09.440
<v Speaker 1>Once I got that, I say, whatever he do from here,

0:52:09.840 --> 0:52:13.640
<v Speaker 1>I could cut around. Oh that's crazy, you know, but

0:52:13.760 --> 0:52:16.200
<v Speaker 1>that was a stigma for us. You got to think

0:52:16.239 --> 0:52:21.560
<v Speaker 1>about it. Hip hop comes to Hollywood, the trailers smell yeah.

0:52:21.560 --> 0:52:24.839
<v Speaker 1>I mean, I'm saying, when I realized that, I made

0:52:24.880 --> 0:52:29.399
<v Speaker 1>it my business right, because I'm notoriously known for being late,

0:52:30.480 --> 0:52:32.600
<v Speaker 1>I made it my business not to be I made

0:52:32.600 --> 0:52:36.440
<v Speaker 1>it my business to start being a reliable entity for

0:52:36.560 --> 0:52:40.440
<v Speaker 1>all of us so that when they call somebody know that. Yo. No, no, no, no,

0:52:40.600 --> 0:52:42.560
<v Speaker 1>these days, okay, you know what I mean, they'll show

0:52:42.640 --> 0:52:44.239
<v Speaker 1>up because a lot of hip hop is when we

0:52:44.360 --> 0:52:46.960
<v Speaker 1>was coming to the film, we bought out hip hop,

0:52:47.360 --> 0:52:49.440
<v Speaker 1>so we didn't really have the respective time. Oh it's

0:52:49.440 --> 0:52:57.200
<v Speaker 1>a different, different anyway, bunk bomb, But goddamn, I want

0:52:57.239 --> 0:52:57.520
<v Speaker 1>to go and.

0:52:57.840 --> 0:53:01.960
<v Speaker 4>Dive into Grave Diggers copy? Can you can you like

0:53:02.160 --> 0:53:05.759
<v Speaker 4>what spawned that project? Was it already something in your

0:53:05.840 --> 0:53:07.560
<v Speaker 4>mind in the Wu Tang beginnings?

0:53:08.440 --> 0:53:12.320
<v Speaker 1>No, the Grave Diggers is a brainchild of Prince Paul. Okay,

0:53:12.760 --> 0:53:16.759
<v Speaker 1>so the Grave Diggers Trince Paul super producers. Hold on,

0:53:16.920 --> 0:53:23.359
<v Speaker 1>let's let's let's toast Prince Paul. Look, genus, I don't

0:53:23.400 --> 0:53:25.480
<v Speaker 1>think you get enough. You know, we need him on

0:53:25.600 --> 0:53:31.200
<v Speaker 1>drinks here? Yeah, because because what's Grave Diggers. I'm sorry,

0:53:31.239 --> 0:53:34.080
<v Speaker 1>I'm I'm rushing the question. But what's Grave Higgers considered

0:53:34.120 --> 0:53:37.000
<v Speaker 1>the first horror rap considered? Yeah? Okay, yeah, okay, were

0:53:37.040 --> 0:53:39.200
<v Speaker 1>you considering it that? Like hardcore? Was it a thing

0:53:39.360 --> 0:53:41.480
<v Speaker 1>to you guys doing that? No? I think like, we

0:53:41.520 --> 0:53:43.239
<v Speaker 1>don't name my ship. We didn't even name hip hop.

0:53:43.320 --> 0:53:46.960
<v Speaker 1>Hippo media media media called the horror core. We don't

0:53:47.040 --> 0:53:49.719
<v Speaker 1>name it, you know that, but it was it was

0:53:49.760 --> 0:53:54.279
<v Speaker 1>his brain child. He worked on Tommy Boy. He had

0:53:54.280 --> 0:53:56.680
<v Speaker 1>a lot of success and things like that. But I

0:53:56.760 --> 0:53:59.279
<v Speaker 1>met Prince Paul when I was doing Prince Raking The

0:53:59.440 --> 0:54:03.319
<v Speaker 1>High Hats, my first single was done by Prince Paul.

0:54:03.520 --> 0:54:06.040
<v Speaker 1>I never used to use high hats. Even if some

0:54:06.120 --> 0:54:07.600
<v Speaker 1>of the wou you'll go with this dude didn't pick

0:54:07.640 --> 0:54:10.600
<v Speaker 1>the high hats set right, Paul was like, no, you

0:54:10.680 --> 0:54:12.799
<v Speaker 1>need high hass. You know what I mean? They keep

0:54:12.840 --> 0:54:15.480
<v Speaker 1>the time. But he thought about it, and he said

0:54:16.440 --> 0:54:18.560
<v Speaker 1>four of his favorite them or three of his favorite

0:54:18.560 --> 0:54:20.960
<v Speaker 1>them seeds was fu quan for stuff to sonic right,

0:54:21.960 --> 0:54:24.719
<v Speaker 1>Prince rock King, who didn't make it at the time,

0:54:25.280 --> 0:54:29.320
<v Speaker 1>and too poetic from too poetic right, he thought he

0:54:29.400 --> 0:54:32.640
<v Speaker 1>thought as lyricists that he just loved us as that.

0:54:33.080 --> 0:54:35.960
<v Speaker 1>And so this is before Wu Tang. I'm working on

0:54:36.080 --> 0:54:39.120
<v Speaker 1>Wu Tang, my own business, my own company, all that.

0:54:39.239 --> 0:54:42.439
<v Speaker 1>I'm doing that, but I'm going to Long Island three

0:54:42.520 --> 0:54:46.840
<v Speaker 1>times a week to Prince Paul's house. It's parallel. I

0:54:46.920 --> 0:54:48.960
<v Speaker 1>don't even know. I don't know what's going to happen,

0:54:49.520 --> 0:54:52.840
<v Speaker 1>but I know that Prince Paul is Prince Paul I

0:54:53.719 --> 0:54:56.799
<v Speaker 1>admired him. I think Prince Paul, out of all producers

0:54:56.960 --> 0:55:00.200
<v Speaker 1>and all reality, he's the He's the father of the

0:55:00.280 --> 0:55:01.000
<v Speaker 1>hip hop skit.

0:55:01.600 --> 0:55:04.840
<v Speaker 3>Yeah yeah, seriously, his albums are crazy.

0:55:04.920 --> 0:55:07.239
<v Speaker 1>So even though we did our skits would come through

0:55:07.360 --> 0:55:11.400
<v Speaker 1>movies and Wu Tanger is known for their skits. Doctor

0:55:11.480 --> 0:55:19.160
<v Speaker 1>Dre is known for his skits. Prince seriously, he d albums,

0:55:19.280 --> 0:55:23.040
<v Speaker 1>those Daylight albums, yeah and all that. I forgot that

0:55:23.400 --> 0:55:27.200
<v Speaker 1>those albums so the ass were they were journeys within themselves.

0:55:27.760 --> 0:55:31.200
<v Speaker 1>So anyway, so he thought of bringing us together. Now

0:55:32.800 --> 0:55:35.239
<v Speaker 1>far as of being grave biggas, that wasn't what it's

0:55:35.239 --> 0:55:36.440
<v Speaker 1>going to be. He don't. He don't know what we're

0:55:36.440 --> 0:55:39.000
<v Speaker 1>going to create it. But at the end, but at

0:55:39.040 --> 0:55:42.600
<v Speaker 1>that time, I was in a revery dark space, right,

0:55:43.360 --> 0:55:45.640
<v Speaker 1>So if you go back into that hip hop, I

0:55:45.760 --> 0:55:50.239
<v Speaker 1>created the fangs, all right, but the fans came from

0:55:50.280 --> 0:55:55.239
<v Speaker 1>a dream, all right. When I was young, nine ten

0:55:55.360 --> 0:56:00.520
<v Speaker 1>years old, nigga, the vampires kidnapped me care They threw

0:56:00.560 --> 0:56:02.840
<v Speaker 1>me in the bag and they carried me and the

0:56:02.920 --> 0:56:05.000
<v Speaker 1>dude had a crazy dog with him to His dog

0:56:05.200 --> 0:56:10.840
<v Speaker 1>was Silver. That'sing a silver dog, right, and he was vicious.

0:56:10.920 --> 0:56:13.840
<v Speaker 1>Yoall with a vampire. With a vampire, I like the

0:56:13.960 --> 0:56:16.920
<v Speaker 1>vampire women, you know what I mean? Because might like

0:56:17.040 --> 0:56:21.320
<v Speaker 1>vampire women, but you know, and they threw me in

0:56:21.360 --> 0:56:26.319
<v Speaker 1>the they threw me to the women. And then when

0:56:26.360 --> 0:56:32.080
<v Speaker 1>I became a vampire, I had metal teeth and so

0:56:32.280 --> 0:56:35.320
<v Speaker 1>and so now I'm doing this and like, I got it.

0:56:36.560 --> 0:56:39.279
<v Speaker 1>I'm gonna bring that shit to reality, you know what

0:56:39.280 --> 0:56:41.200
<v Speaker 1>I mean? And so I told the jeel to make

0:56:41.280 --> 0:56:44.320
<v Speaker 1>the fangs were going grave diggers. You're going a resurrector,

0:56:44.680 --> 0:56:48.279
<v Speaker 1>so me Paul fu Quan and poetic. You know, we

0:56:48.400 --> 0:56:50.879
<v Speaker 1>we brainstormed on it and we thought about what it's

0:56:50.880 --> 0:56:53.560
<v Speaker 1>gonna be. We said, yo, the grave diggers. But the

0:56:53.600 --> 0:56:56.520
<v Speaker 1>grave diggers had another con context. It was like, why

0:56:56.640 --> 0:57:00.640
<v Speaker 1>be a grave digger? Well a calling to According to

0:57:01.360 --> 0:57:08.120
<v Speaker 1>Malcolm X, he said, our people are mentally dead. So

0:57:08.200 --> 0:57:10.719
<v Speaker 1>if our people are mentally dead, that means we got

0:57:10.840 --> 0:57:13.359
<v Speaker 1>to dig them back up and bring them to life.

0:57:13.480 --> 0:57:17.160
<v Speaker 1>So that's why you see the pic the sickle and

0:57:17.280 --> 0:57:20.520
<v Speaker 1>the shovel. The sickle cuts the grass, the pick breaks

0:57:20.560 --> 0:57:23.320
<v Speaker 1>the wood, and the shovel digs them up. You got

0:57:23.360 --> 0:57:28.880
<v Speaker 1>the grim Reaper, the Gatekeeper, the Undertaker, and me, I

0:57:29.000 --> 0:57:31.160
<v Speaker 1>bring it back. I bring you back to life. The

0:57:31.280 --> 0:57:33.160
<v Speaker 1>Resurrector brings it back to life.

0:57:36.800 --> 0:57:38.480
<v Speaker 4>You want to say, just to reiterate, I think it

0:57:38.560 --> 0:57:40.760
<v Speaker 4>was dope, is that it was parallel to Wu Tank.

0:57:41.040 --> 0:57:44.320
<v Speaker 4>It wasn't like, uh, Prince Paul came in and said, oh,

0:57:44.360 --> 0:57:44.720
<v Speaker 4>because of.

0:57:44.760 --> 0:57:47.680
<v Speaker 3>Wu Tang, let's do No, it was parallel. It worked out.

0:57:49.040 --> 0:57:50.720
<v Speaker 1>It looked like from the outside looking at it looked

0:57:50.720 --> 0:57:57.120
<v Speaker 1>like Grave Diggers came after and even that second album

0:57:57.360 --> 0:58:01.320
<v Speaker 1>when we did Wu Tang Forever, we had the whole

0:58:02.280 --> 0:58:06.280
<v Speaker 1>studio complex American Studio and in California. Yea, yeah, yeah,

0:58:06.320 --> 0:58:08.760
<v Speaker 1>so we so no, we had We did both holburs

0:58:08.800 --> 0:58:10.600
<v Speaker 1>at the same time. This album and Wu Tank Forever

0:58:10.720 --> 0:58:13.240
<v Speaker 1>is done at the exact same time. Every I got

0:58:13.320 --> 0:58:17.640
<v Speaker 1>everybody living at the oak Woods and okay, yeah, yeah,

0:58:17.680 --> 0:58:20.160
<v Speaker 1>yea yeah. So we got twenty thirty apartments in the

0:58:20.240 --> 0:58:24.200
<v Speaker 1>oak Woods, Grave Diggers flying and tire Woo flying, sons

0:58:24.240 --> 0:58:26.880
<v Speaker 1>and man flying, and we just kill up priest flies

0:58:26.920 --> 0:58:30.479
<v Speaker 1>and were just in the studio just making music, making music,

0:58:30.520 --> 0:58:32.800
<v Speaker 1>and then Mutank Forever becomes the album and the Grave

0:58:32.840 --> 0:58:33.760
<v Speaker 1>Diggers be coming down, and to.

0:58:33.800 --> 0:58:36.040
<v Speaker 4>Be fair, Prince Poel was already a legend too, Yeah,

0:58:36.160 --> 0:58:38.840
<v Speaker 4>super legend. Yeah yeah, yeah U.

0:58:38.880 --> 0:58:44.160
<v Speaker 1>Kwan made that. Then they's nothing like hip hop. Yeah,

0:58:45.920 --> 0:58:48.720
<v Speaker 1>so we want you to know. Our show is about

0:58:48.760 --> 0:58:52.280
<v Speaker 1>giving people their flowers where they could smell them, they thought, so,

0:58:52.280 --> 0:58:55.480
<v Speaker 1>where they could tell them, they think, where they can

0:58:55.560 --> 0:58:57.280
<v Speaker 1>ding them, and they drinks while they can drink them.

0:59:03.520 --> 0:59:06.760
<v Speaker 1>Yeah yeah, that Snoop Snoop said is better than Grammy

0:59:06.760 --> 0:59:07.959
<v Speaker 1>because it comes from your people.

0:59:11.960 --> 0:59:15.280
<v Speaker 3>I don't think so, right, So.

0:59:15.320 --> 0:59:19.160
<v Speaker 1>I take this. Yeah, that's the point of them. Let

0:59:19.160 --> 0:59:21.480
<v Speaker 1>me say this real quick, and we're not doing that.

0:59:22.080 --> 0:59:25.280
<v Speaker 1>We're not done. Early earlier we got another bomber. Let's go,

0:59:25.400 --> 0:59:27.280
<v Speaker 1>let's go. I do want to say this out loud now.

0:59:27.880 --> 0:59:30.320
<v Speaker 1>You know, I'm proud of you, Yes, proud of what

0:59:30.440 --> 0:59:35.480
<v Speaker 1>you're doing. See, hip hop gave us a voice, and

0:59:35.600 --> 0:59:38.760
<v Speaker 1>for a moment, we thought that voice was limited to

0:59:39.160 --> 0:59:42.800
<v Speaker 1>the beat into the ROMs you're showing improving and some

0:59:42.920 --> 0:59:44.880
<v Speaker 1>other brother but you really kind of pining it in

0:59:44.960 --> 0:59:47.040
<v Speaker 1>a certain way. Yes, that's right. That that that that

0:59:47.320 --> 0:59:50.040
<v Speaker 1>that the voice and the magnetism doesn't have to be

0:59:50.520 --> 0:59:53.200
<v Speaker 1>with the beat in the club. You know, just us,

0:59:53.320 --> 0:59:56.480
<v Speaker 1>just hearing you talk us, hearing you talk to us, us,

0:59:56.520 --> 0:59:59.000
<v Speaker 1>hearing you talk to the to the audience. It's a

0:59:59.080 --> 1:00:01.920
<v Speaker 1>magnetism which you already had when you was doing, but

1:00:02.080 --> 1:00:06.320
<v Speaker 1>now it's just and for for us, you know, sitting

1:00:06.440 --> 1:00:08.560
<v Speaker 1>back and watching, it's like, Wow, the guard just went

1:00:08.600 --> 1:00:11.920
<v Speaker 1>and made foot crunch to a new path, and many

1:00:12.120 --> 1:00:14.600
<v Speaker 1>many people doing and many people following my footsteps. You know,

1:00:15.760 --> 1:00:21.680
<v Speaker 1>they called me the Clarence X a motherfucker mother. But

1:00:21.760 --> 1:00:22.440
<v Speaker 1>let's talk about that.

1:00:22.920 --> 1:00:29.000
<v Speaker 3>Let's talk about that. Let's talk about that real quick.

1:00:29.160 --> 1:00:33.080
<v Speaker 1>Because the other day, uh, well not the other day,

1:00:33.120 --> 1:00:35.400
<v Speaker 1>but like you know, like last month, you know, I'm

1:00:35.560 --> 1:00:38.360
<v Speaker 1>going through New York City and what I saw was

1:00:38.960 --> 1:00:40.720
<v Speaker 1>I don't want to say heartbreaking, but it was it

1:00:40.880 --> 1:00:43.200
<v Speaker 1>was I don't want to say disappointing neither. It was

1:00:43.320 --> 1:00:45.400
<v Speaker 1>different for me, right like going through a hood that

1:00:45.520 --> 1:00:48.480
<v Speaker 1>I don't know and hearing people say saying, Yo, what up, cuz,

1:00:48.920 --> 1:00:50.000
<v Speaker 1>what up? What up? What up?

1:00:50.040 --> 1:00:50.360
<v Speaker 3>Blood?

1:00:50.880 --> 1:00:53.200
<v Speaker 1>And I'm just like, I ain't never used to hear

1:00:53.280 --> 1:00:56.480
<v Speaker 1>that before a days here. You know what's crazy. Even

1:00:56.520 --> 1:01:00.920
<v Speaker 1>if a person came up to you wanting war, you

1:01:01.040 --> 1:01:02.520
<v Speaker 1>know what, the first word they's to say to you

1:01:03.000 --> 1:01:06.919
<v Speaker 1>peace like like you can actually use the word piece

1:01:06.960 --> 1:01:09.920
<v Speaker 1>in a negative way back then, but peace. And you're like,

1:01:10.000 --> 1:01:15.520
<v Speaker 1>oh man, you know what I mean. But when And

1:01:16.000 --> 1:01:21.080
<v Speaker 1>I want you to answer this, when did the gods

1:01:21.160 --> 1:01:25.280
<v Speaker 1>take the back seat and negativity take the front seat.

1:01:26.440 --> 1:01:28.400
<v Speaker 1>I don't know if I have that answer right right,

1:01:29.160 --> 1:01:33.520
<v Speaker 1>because I don't think negative ever really takes the front seat.

1:01:33.600 --> 1:01:35.200
<v Speaker 1>I don't think you know what I worded that wrong?

1:01:35.240 --> 1:01:38.160
<v Speaker 1>You're correct, so so yeah, and I don't think God

1:01:38.200 --> 1:01:40.520
<v Speaker 1>never takes the vaccie. But I'll say that you're saying,

1:01:40.600 --> 1:01:44.520
<v Speaker 1>like when has that? When was the presence of that

1:01:44.800 --> 1:01:50.280
<v Speaker 1>energy right not present? And now you got this other

1:01:50.400 --> 1:01:50.960
<v Speaker 1>energy present?

1:01:51.040 --> 1:01:51.120
<v Speaker 4>Right?

1:01:51.200 --> 1:01:53.400
<v Speaker 1>Like for is this not to be long winning? But

1:01:53.440 --> 1:01:55.040
<v Speaker 1>let me just say, like when I used to go

1:01:55.120 --> 1:01:57.280
<v Speaker 1>to Harlem, it was a thing I wanted to stop

1:01:57.320 --> 1:01:59.160
<v Speaker 1>it in law schooling back like like I wanted to

1:01:59.160 --> 1:02:00.920
<v Speaker 1>I want to go get some I wonder would get

1:02:00.920 --> 1:02:03.640
<v Speaker 1>some oiels like I don't even see the instant man

1:02:03.760 --> 1:02:06.080
<v Speaker 1>out there no more, like you know what I'm saying,

1:02:06.120 --> 1:02:07.680
<v Speaker 1>so like I don't even know if a law of

1:02:07.680 --> 1:02:10.400
<v Speaker 1>school with Mecca is still there, like they're still there, Okay, Okay,

1:02:10.440 --> 1:02:12.600
<v Speaker 1>it's still there. Well, I'll say this like I'm sorry,

1:02:12.640 --> 1:02:13.520
<v Speaker 1>I'm sorry. I think no.

1:02:14.080 --> 1:02:16.680
<v Speaker 3>A couple of things happened in New York, you know.

1:02:16.960 --> 1:02:20.920
<v Speaker 1>First and foremost, I think it was when Juliani he

1:02:21.040 --> 1:02:23.480
<v Speaker 1>made everything get off the streets. Remember that he made

1:02:23.520 --> 1:02:26.000
<v Speaker 1>everybody go inside the building and pay and pay rent

1:02:26.280 --> 1:02:29.160
<v Speaker 1>right right right, and and so that took away the

1:02:29.240 --> 1:02:33.800
<v Speaker 1>street culture for a moment. The gentrification of that probably

1:02:33.880 --> 1:02:36.760
<v Speaker 1>really put a big because you can walk in New

1:02:36.840 --> 1:02:40.200
<v Speaker 1>York and you can find rare books like the iis paper, right,

1:02:40.320 --> 1:02:42.320
<v Speaker 1>you know what I mean. They came by the call.

1:02:42.440 --> 1:02:44.560
<v Speaker 1>They came before Columbus, the final call, you know what

1:02:44.600 --> 1:02:47.240
<v Speaker 1>I mean. So now you can't find that, you know

1:02:47.280 --> 1:02:51.640
<v Speaker 1>what I mean. So but also it's like the you know,

1:02:51.760 --> 1:02:55.160
<v Speaker 1>the brothers also went out too, to the world, right,

1:02:55.240 --> 1:02:57.840
<v Speaker 1>So it's almost like, you know a lot of a

1:02:57.880 --> 1:03:00.240
<v Speaker 1>lot of brothers went. You go to DC, you go

1:03:00.320 --> 1:03:02.160
<v Speaker 1>to Minnesota, you go to different places. You see that

1:03:02.240 --> 1:03:06.560
<v Speaker 1>brothers have kind of spread out, I mean atl But

1:03:06.720 --> 1:03:10.640
<v Speaker 1>in our day, all that energy was concentrated, you know

1:03:10.680 --> 1:03:13.600
<v Speaker 1>what I mean. And then the magnetism of it has

1:03:13.720 --> 1:03:17.240
<v Speaker 1>changed because of what magnetized the people. Now, people who

1:03:17.240 --> 1:03:22.400
<v Speaker 1>are more magnetized by money. Right, So the mathematics teaches

1:03:22.480 --> 1:03:27.320
<v Speaker 1>us about the twelve jewels right, knowledge, wisdom, understanding, freedom,

1:03:27.480 --> 1:03:31.000
<v Speaker 1>justice and equality, food, clothing and shelter, love, piece and happiness.

1:03:31.920 --> 1:03:37.200
<v Speaker 1>But most people right now, their concerns is food, clothing,

1:03:37.720 --> 1:03:42.440
<v Speaker 1>and shelter. The other jewels almost irrelevant. And then for

1:03:42.520 --> 1:03:44.920
<v Speaker 1>our community, the only way to get food, clothing and

1:03:45.040 --> 1:03:48.680
<v Speaker 1>shelter is with money. Then the only way to get

1:03:48.760 --> 1:03:52.480
<v Speaker 1>money in our community is that which we see is

1:03:52.600 --> 1:03:56.400
<v Speaker 1>shining with money, which is our artists, our ball players,

1:03:57.160 --> 1:03:59.720
<v Speaker 1>you know what I mean, the talent like we don't

1:03:59.720 --> 1:04:05.040
<v Speaker 1>know that that, or we don't see the doctor live

1:04:05.160 --> 1:04:07.240
<v Speaker 1>next door to the ball player. We don't know that,

1:04:08.080 --> 1:04:10.040
<v Speaker 1>you know what I mean. So our image of what

1:04:10.200 --> 1:04:12.959
<v Speaker 1>we think that attracts us and could get us those

1:04:13.200 --> 1:04:18.200
<v Speaker 1>three major jewels is the artist point of view. And

1:04:18.280 --> 1:04:21.000
<v Speaker 1>then the artist point of view have changed. So in

1:04:21.160 --> 1:04:25.040
<v Speaker 1>our day, it's rock Kim's cars, one Big Daddy Kane, right,

1:04:25.520 --> 1:04:28.680
<v Speaker 1>or it's Woutang it's nots right, you know what I mean?

1:04:29.200 --> 1:04:32.040
<v Speaker 1>You know is that? And then it becomes more and

1:04:32.160 --> 1:04:38.240
<v Speaker 1>more people that don't have this knowledge of self right, right,

1:04:38.760 --> 1:04:41.360
<v Speaker 1>and and yet they're getting richer and richer. So the

1:04:41.440 --> 1:04:43.760
<v Speaker 1>young mind is like, yo, why why would I like,

1:04:43.880 --> 1:04:47.120
<v Speaker 1>why would I study when all I could do is

1:04:47.240 --> 1:04:49.960
<v Speaker 1>do this and get it? And so the so the

1:04:50.040 --> 1:04:54.680
<v Speaker 1>magnetism have changed, and then the brothers themselves. It's almost like,

1:04:55.400 --> 1:05:03.520
<v Speaker 1>I think men get scared to talk to young men. Yeah, yeah,

1:05:03.560 --> 1:05:05.440
<v Speaker 1>you know what I mean. And I don't think that's

1:05:05.480 --> 1:05:08.840
<v Speaker 1>that's that's unhealthy for us. Yeah, you know, I think.

1:05:09.000 --> 1:05:11.760
<v Speaker 1>And then you know, like, look, let me keep it

1:05:11.880 --> 1:05:13.880
<v Speaker 1>raw for a moment. You can censor me if you need.

1:05:14.840 --> 1:05:17.800
<v Speaker 1>You know, we at that age right in our power ciphers,

1:05:17.880 --> 1:05:20.360
<v Speaker 1>right when I mean by power sycles, Yeah, most of

1:05:20.440 --> 1:05:23.840
<v Speaker 1>us who are there, right, power is the truth, right,

1:05:23.880 --> 1:05:27.880
<v Speaker 1>It's a magnetic attraction. Right, he's fifty years old. I

1:05:28.000 --> 1:05:31.080
<v Speaker 1>just turned congratulations. Can you remember that? Can you remember that?

1:05:35.760 --> 1:05:37.720
<v Speaker 1>As of course that threshold? Let me let me get

1:05:37.720 --> 1:05:48.000
<v Speaker 1>your flowers to man, I was like, no, good, no, okay,

1:05:48.080 --> 1:05:50.680
<v Speaker 1>I'm saying, you know, it's like, okay, so everybody got podcasts,

1:05:50.720 --> 1:05:55.440
<v Speaker 1>everybody's talking, but most of us are talking about glory days.

1:05:57.040 --> 1:05:59.880
<v Speaker 1>Most of us are talking about the darkness of it.

1:06:00.520 --> 1:06:02.920
<v Speaker 1>And I unders ain't talking about the light. There's nobody

1:06:03.000 --> 1:06:07.560
<v Speaker 1>sitting there saying like, yo, when I first read Message

1:06:07.600 --> 1:06:11.600
<v Speaker 1>to the Black Man, or when I first read The

1:06:11.680 --> 1:06:14.480
<v Speaker 1>Circle Seven, when I first read Malcolm X right, or

1:06:14.680 --> 1:06:17.520
<v Speaker 1>or or any great books. You know James Allen as

1:06:17.560 --> 1:06:20.080
<v Speaker 1>a man thinker. You know what I mean, The Art

1:06:20.120 --> 1:06:22.400
<v Speaker 1>of War sun Zoo. You know what I mean, The

1:06:22.440 --> 1:06:27.280
<v Speaker 1>Book of Changes to Each Ching, Right, nobody's talking that, right.

1:06:27.680 --> 1:06:30.400
<v Speaker 1>We're we all trying to prove who's the most gangster.

1:06:31.920 --> 1:06:33.840
<v Speaker 1>So we are trying to prove who's the most gangster

1:06:33.920 --> 1:06:36.240
<v Speaker 1>whatever our children want to be trying to do, prove

1:06:36.240 --> 1:06:39.320
<v Speaker 1>who the most gangster so and so so, so that

1:06:39.440 --> 1:06:42.040
<v Speaker 1>has to change. We got to be listen, bro.

1:06:43.440 --> 1:06:43.800
<v Speaker 3>Gangster.

1:06:45.800 --> 1:06:54.760
<v Speaker 1>Seriously, Malcolm X okay, walking talking that talk at the

1:06:54.800 --> 1:06:59.040
<v Speaker 1>time when you couldn't talk it, traveling, pulling up to

1:06:59.120 --> 1:07:04.960
<v Speaker 1>your city to teach you how to be better and

1:07:05.400 --> 1:07:08.080
<v Speaker 1>and to teach you the power of a black man,

1:07:08.640 --> 1:07:13.520
<v Speaker 1>and to teach you the the the revelation that the

1:07:13.640 --> 1:07:18.880
<v Speaker 1>system is actually being plotted against you. And the system

1:07:19.000 --> 1:07:24.680
<v Speaker 1>is like what you're saying, you know, Doctor King Marching

1:07:25.600 --> 1:07:29.840
<v Speaker 1>turned another tee hit with fire holes and dogs, knowing

1:07:29.880 --> 1:07:31.479
<v Speaker 1>they were going to go into that noo. They walked

1:07:31.520 --> 1:07:34.160
<v Speaker 1>into it. They knew it. Yeah, so so that that

1:07:34.280 --> 1:07:36.880
<v Speaker 1>part of us. And ain't just saying I don't want

1:07:36.880 --> 1:07:38.640
<v Speaker 1>to make this. It's not even a black thing. I'm

1:07:38.680 --> 1:07:42.640
<v Speaker 1>just saying an American thing. The American Revolution itself, bro,

1:07:43.720 --> 1:07:48.480
<v Speaker 1>was people saying, yo, son, I can't pay taxation with

1:07:48.600 --> 1:07:51.880
<v Speaker 1>our representation, sir. You know they was. Let me just

1:07:52.000 --> 1:07:56.480
<v Speaker 1>give you that jewel. Imagine this, bro, in the in

1:07:56.560 --> 1:08:01.520
<v Speaker 1>the old America, if you made some nice cotton shirts

1:08:01.640 --> 1:08:08.040
<v Speaker 1>in America, you had to ship them to London and

1:08:08.160 --> 1:08:11.080
<v Speaker 1>then London package them and sip them back and sell

1:08:11.120 --> 1:08:13.560
<v Speaker 1>them to you. If you live next door to me

1:08:14.600 --> 1:08:17.720
<v Speaker 1>in the old America before the revolution, you can live

1:08:17.920 --> 1:08:20.800
<v Speaker 1>next door and I could write you a letter and

1:08:21.240 --> 1:08:21.800
<v Speaker 1>mail it to you.

1:08:22.360 --> 1:08:27.440
<v Speaker 3>It will go to London first. Oh, because London had control.

1:08:28.800 --> 1:08:32.400
<v Speaker 1>To get back you say in London, I'm thinking London

1:08:32.439 --> 1:08:43.160
<v Speaker 1>When you say you mean, you mean, I'm thinking like London. Okay,

1:08:43.200 --> 1:08:45.400
<v Speaker 1>I get it, I get it. No, but think about that, right,

1:08:45.520 --> 1:08:48.519
<v Speaker 1>so so so people were brave enough to be vote

1:08:48.560 --> 1:08:52.759
<v Speaker 1>against that. It was to we vote against taxation without representation,

1:08:52.880 --> 1:08:56.439
<v Speaker 1>to we vote against tyranny, you know what I mean.

1:08:56.960 --> 1:09:00.280
<v Speaker 1>And so triviny manifests itself in many forms, and people

1:09:00.560 --> 1:09:05.040
<v Speaker 1>weren't food and diluted to accept it. And so then

1:09:05.080 --> 1:09:06.560
<v Speaker 1>we go back to this is not going into the

1:09:06.640 --> 1:09:10.360
<v Speaker 1>hip hop culture. It's like yo, of course it should

1:09:10.400 --> 1:09:13.640
<v Speaker 1>be fun and it should be ruggedness, you know what

1:09:13.680 --> 1:09:15.479
<v Speaker 1>I mean. We came with ruggedness, we know what we did,

1:09:16.200 --> 1:09:19.960
<v Speaker 1>but still it should be substance, right, you know what

1:09:20.000 --> 1:09:23.040
<v Speaker 1>I mean. And until the substance come back, you're going

1:09:23.080 --> 1:09:29.040
<v Speaker 1>to definitely be dealing with, you know, the eighty five

1:09:29.160 --> 1:09:32.080
<v Speaker 1>mentality and what I mean about the eighty five mentality.

1:09:32.200 --> 1:09:35.679
<v Speaker 1>So the eighty five they say people who are easily

1:09:35.800 --> 1:09:38.680
<v Speaker 1>let in the wrong direction and hard to be let

1:09:38.720 --> 1:09:41.679
<v Speaker 1>in the right direction, you know what I mean. They're

1:09:41.720 --> 1:09:46.200
<v Speaker 1>also poisoned animal eaters, it says, people who don't even

1:09:46.280 --> 1:09:49.920
<v Speaker 1>know their true origin in the world. They don't know

1:09:50.000 --> 1:09:54.120
<v Speaker 1>their own power. I think about you know, someone who

1:09:54.600 --> 1:09:57.599
<v Speaker 1>this thing about a community, you know who gets up

1:09:58.960 --> 1:10:02.240
<v Speaker 1>and everybody got to dollar and they take it out

1:10:02.280 --> 1:10:08.000
<v Speaker 1>of the community instead of keeping it in the community

1:10:08.680 --> 1:10:13.360
<v Speaker 1>and rotating and recycling it. So those times it's changed.

1:10:13.400 --> 1:10:18.960
<v Speaker 1>But I'm optimistic, but not pessimistic. And knowledge is not

1:10:19.640 --> 1:10:23.880
<v Speaker 1>what they call it. Intelligence is always relevant because people

1:10:23.880 --> 1:10:25.599
<v Speaker 1>are like, oh, you ain't relevant no more. Listen, bro,

1:10:26.240 --> 1:10:31.960
<v Speaker 1>intelligence is always relevant. And anybody who gets too far

1:10:32.120 --> 1:10:35.200
<v Speaker 1>away from that, all he's going to do is get

1:10:35.280 --> 1:10:39.280
<v Speaker 1>up to a certain height and he's going to distill back. Right.

1:10:39.400 --> 1:10:44.880
<v Speaker 1>So water never ridses above six miles from the Earth's surface, right, because.

1:10:46.040 --> 1:10:47.800
<v Speaker 3>It can't get heavier than gravitation.

1:10:48.920 --> 1:10:50.600
<v Speaker 1>He said, So when the water rides up there, and

1:10:50.680 --> 1:10:53.000
<v Speaker 1>you could put that to a person, he's rising up

1:10:53.040 --> 1:10:55.720
<v Speaker 1>and he's having these attracting powers, and he's getting up

1:10:56.080 --> 1:10:58.200
<v Speaker 1>and then he gets up and now all of a sudden, boom,

1:10:58.240 --> 1:11:03.880
<v Speaker 1>he's gonna come back down a m for hell, right,

1:11:04.479 --> 1:11:08.000
<v Speaker 1>hopefully snow because the snow was light, pure and fluffy,

1:11:08.160 --> 1:11:11.920
<v Speaker 1>you know what I mean. But this is the same

1:11:11.960 --> 1:11:13.800
<v Speaker 1>thing in the personality of the people, the same thing

1:11:13.840 --> 1:11:21.400
<v Speaker 1>in the celebrity I watched some of us, Like I'll

1:11:21.479 --> 1:11:24.080
<v Speaker 1>use myself as an example. It's like when I became

1:11:24.240 --> 1:11:26.320
<v Speaker 1>like the number one, Like it was like number one,

1:11:27.479 --> 1:11:29.000
<v Speaker 1>you know what I mean. I call it a complex.

1:11:30.280 --> 1:11:32.679
<v Speaker 1>You know what I mean. It's a high, it's a drug.

1:11:32.760 --> 1:11:34.760
<v Speaker 1>It's like I'm number one nigga and can't tell me

1:11:34.920 --> 1:11:38.680
<v Speaker 1>ship yo, He couldn't tell me nothing serious. I was

1:11:38.720 --> 1:11:44.320
<v Speaker 1>with Quincy Jones and wasn't even listening to him. You

1:11:44.520 --> 1:11:49.439
<v Speaker 1>was with Chrissy. I'm number one, you know what I mean?

1:11:50.000 --> 1:11:53.640
<v Speaker 1>Knowing no, But even when Tyson was number one, he

1:11:53.800 --> 1:11:55.800
<v Speaker 1>was I'm the best in the world. I'm I'm a

1:11:55.920 --> 1:11:58.960
<v Speaker 1>Zodie at cancer. So maybe no, it's but it's an

1:11:59.000 --> 1:12:07.200
<v Speaker 1>ego thing that kicks. I know you felt it, and

1:12:07.320 --> 1:12:12.040
<v Speaker 1>so now all of a sudden, do you believe you?

1:12:12.120 --> 1:12:14.720
<v Speaker 1>Believe you it? You would have chosenhim, you know what

1:12:14.760 --> 1:12:18.600
<v Speaker 1>I mean, And everything you do is right, But it

1:12:18.680 --> 1:12:22.400
<v Speaker 1>ain't I'm saying in the law. You know, he's merciful

1:12:22.960 --> 1:12:25.599
<v Speaker 1>and if and if you're meant for his grace, he'll

1:12:25.680 --> 1:12:28.000
<v Speaker 1>smack you with something. He threw Jonah in the belly

1:12:28.520 --> 1:12:31.920
<v Speaker 1>of the well and sit down and think, homie, you

1:12:32.040 --> 1:12:33.240
<v Speaker 1>know what I mean. He had to sit there and

1:12:33.320 --> 1:12:36.519
<v Speaker 1>meditate for a moment, you know what I mean, and

1:12:36.640 --> 1:12:40.760
<v Speaker 1>then realize, oh, I better do what I'm ordained to do,

1:12:41.400 --> 1:12:44.960
<v Speaker 1>not do what my ego is leading me to. You know,

1:12:46.680 --> 1:12:48.720
<v Speaker 1>I talk about Jonah a lot to my buddies and

1:12:48.800 --> 1:12:53.479
<v Speaker 1>ship right, because not Jodah hell no, now Jonah hell

1:12:53.840 --> 1:12:56.360
<v Speaker 1>Jonah in the water on you and they say that

1:12:56.680 --> 1:12:58.920
<v Speaker 1>tak it. Imagine this though this don't imagine this and

1:12:59.000 --> 1:13:00.679
<v Speaker 1>this is not the funny part. Drank champs.

1:13:01.120 --> 1:13:01.200
<v Speaker 5>Right.

1:13:01.640 --> 1:13:07.280
<v Speaker 1>Imagine you on a boat partying with homies. A storm

1:13:07.400 --> 1:13:10.240
<v Speaker 1>is coming and you kind of the new guy there,

1:13:11.600 --> 1:13:14.320
<v Speaker 1>and they go, yo, we've been kind of cool before this.

1:13:14.600 --> 1:13:17.519
<v Speaker 1>This guy is something might be him, and they take

1:13:17.600 --> 1:13:21.519
<v Speaker 1>you and throw you off the boat. That's what happened

1:13:21.560 --> 1:13:23.680
<v Speaker 1>to him. Wow, he goes in the water. According to

1:13:23.760 --> 1:13:26.360
<v Speaker 1>the story, right, whether it's myth or magic whatever, but

1:13:26.400 --> 1:13:29.000
<v Speaker 1>let's just take the story. He gets swallowed up by

1:13:29.080 --> 1:13:34.400
<v Speaker 1>the well. Now, imagine you inside a well. He closed

1:13:34.439 --> 1:13:39.599
<v Speaker 1>his mouth, and two hours later, you're still there. Now

1:13:39.800 --> 1:13:42.920
<v Speaker 1>two hours you in there like, oh shit, what the fuck?

1:13:43.040 --> 1:13:46.439
<v Speaker 1>You ain't dead though, this is my life, right, you

1:13:46.520 --> 1:13:48.960
<v Speaker 1>ain't dead, but you trust me. You're thinking you're gonna

1:13:49.000 --> 1:13:54.160
<v Speaker 1>be dead any minute now. But now it's four hours. Now,

1:13:54.200 --> 1:13:59.559
<v Speaker 1>it's six hours. You ain't dead. But now it's twelve hours. Now,

1:13:59.640 --> 1:14:04.040
<v Speaker 1>it's twenty four hours. Nigga, you fall asleep, nigga, Now

1:14:04.120 --> 1:14:09.760
<v Speaker 1>you wake up, you're still there. Now you're hungry. Right now,

1:14:10.600 --> 1:14:13.600
<v Speaker 1>you gotta smell it, you gotta feel the flesh. You

1:14:13.640 --> 1:14:20.360
<v Speaker 1>gotta it's dark now twelve hours later. You don't know

1:14:20.400 --> 1:14:22.240
<v Speaker 1>what time you lost time now you don't want to

1:14:22.280 --> 1:14:25.960
<v Speaker 1>sleep right now, you don't know. But there's another twenty four.

1:14:26.640 --> 1:14:30.639
<v Speaker 1>Still ain't getting nowhere, Still ain't eating, You don't piss,

1:14:31.520 --> 1:14:35.760
<v Speaker 1>you don't took a shit. Listen, is deep? You like this,

1:14:36.640 --> 1:14:41.840
<v Speaker 1>but you're alive. And then on that seventy second hour,

1:14:42.520 --> 1:14:45.000
<v Speaker 1>the Mercy Issue and he opens up the spitch. The

1:14:45.040 --> 1:14:49.320
<v Speaker 1>fucking man Jonah went right to his job. Boy, you

1:14:49.360 --> 1:14:51.320
<v Speaker 1>know what I mean? This is a life will humble you. Yeah,

1:14:51.439 --> 1:14:54.000
<v Speaker 1>and that's a blessing. You know that happened to me

1:14:54.240 --> 1:14:56.479
<v Speaker 1>in a different way, you know what I mean? When

1:14:56.479 --> 1:14:58.120
<v Speaker 1>I thought I was the greatest and at the top,

1:14:59.360 --> 1:15:01.800
<v Speaker 1>you know what I mean, something happened in my life.

1:15:01.800 --> 1:15:01.920
<v Speaker 6>You know.

1:15:02.439 --> 1:15:05.080
<v Speaker 1>Always in all my shot that's with your audience. It's

1:15:05.160 --> 1:15:07.160
<v Speaker 1>like my mom's passed away. In the year two thousand,

1:15:07.560 --> 1:15:09.519
<v Speaker 1>while I was at the photo shoot for the cover

1:15:09.600 --> 1:15:12.040
<v Speaker 1>of the Sauce and the cover says where the Wu

1:15:12.120 --> 1:15:15.600
<v Speaker 1>Tang Empire Rise again, And we had some preme clientele.

1:15:15.920 --> 1:15:17.800
<v Speaker 1>So I was like, yeah, definitely about to fuck these

1:15:18.280 --> 1:15:21.680
<v Speaker 1>motherfucker's up. This album is is it. This is a

1:15:21.760 --> 1:15:26.559
<v Speaker 1>five micer, you know what I mean. But yet, Bama Lama,

1:15:27.320 --> 1:15:29.360
<v Speaker 1>you see what I mean. So and what that do

1:15:29.560 --> 1:15:33.160
<v Speaker 1>for you is like okay, you realize, okay, your calling

1:15:33.280 --> 1:15:38.040
<v Speaker 1>is more serious than the art. But be an artist, right,

1:15:38.200 --> 1:15:41.439
<v Speaker 1>be an artist, That's what I am. But make sure

1:15:41.479 --> 1:15:44.280
<v Speaker 1>you stay in tuned. So I took the time from

1:15:44.320 --> 1:15:47.400
<v Speaker 1>that point, I visited many temples around the world. You

1:15:47.439 --> 1:15:50.479
<v Speaker 1>know what I mean. I went to Shiling Temple, Wu

1:15:50.560 --> 1:15:53.400
<v Speaker 1>Tang Temple. Me and my wife did. We went on church.

1:15:53.520 --> 1:15:56.639
<v Speaker 1>We go to churches, bro all types of churches. Went

1:15:56.680 --> 1:15:59.000
<v Speaker 1>to Mecca, went to the mosque, went to the Blue Mosque,

1:15:59.360 --> 1:16:03.360
<v Speaker 1>Abu Da. He went to pyramids of Egypt, all these

1:16:03.360 --> 1:16:06.479
<v Speaker 1>spiritual things. Right. So that so me as an artist,

1:16:06.920 --> 1:16:10.120
<v Speaker 1>when you do get something from the riza, you're gonna

1:16:10.160 --> 1:16:13.240
<v Speaker 1>get that, You're gonna get this element of like, Okay,

1:16:13.840 --> 1:16:18.400
<v Speaker 1>it won't be just without cause, without bloods. It will

1:16:18.479 --> 1:16:22.280
<v Speaker 1>be peace God because God is a Greek word that

1:16:22.439 --> 1:16:26.240
<v Speaker 1>means wisdom, strength, and beauty. And it's just three attributes

1:16:26.280 --> 1:16:28.880
<v Speaker 1>of a law. It's not the whole ninety nine. It's

1:16:28.920 --> 1:16:31.920
<v Speaker 1>just three attributes. But yet when we look at each other,

1:16:32.240 --> 1:16:34.360
<v Speaker 1>we should see that wisdom. We should see that strength,

1:16:34.520 --> 1:16:37.120
<v Speaker 1>We should see that beauty. We should see that and

1:16:37.240 --> 1:16:39.280
<v Speaker 1>you should try to radiate that. You should try to

1:16:39.680 --> 1:16:41.679
<v Speaker 1>You know, if you don't got if you got strength,

1:16:41.800 --> 1:16:45.240
<v Speaker 1>gains some wisdom, you don't be a strong, dumb motherfucker.

1:16:47.280 --> 1:16:49.679
<v Speaker 1>If you got wisdom and strength gains some beauty, don't

1:16:49.720 --> 1:16:54.640
<v Speaker 1>be a strong, smart, funky motherfucker. So these things you

1:16:54.680 --> 1:16:57.960
<v Speaker 1>know are important. Bump bump, God, damn, let's take a

1:16:57.960 --> 1:17:05.960
<v Speaker 1>shot for that. Well, tell about quick time with slime works.

1:17:06.080 --> 1:17:06.519
<v Speaker 1>Let's do it.

1:17:08.720 --> 1:17:12.639
<v Speaker 4>This is our drinking game. We're gonna give you two choices.

1:17:14.240 --> 1:17:18.000
<v Speaker 4>You pick one, we don't drink if you say both

1:17:18.120 --> 1:17:20.400
<v Speaker 4>are neither. So basically, you don't really want to answer it.

1:17:20.720 --> 1:17:23.479
<v Speaker 4>I want to be politically correct. Then we all drink.

1:17:24.200 --> 1:17:26.680
<v Speaker 3>But really, the two the two choices we give you

1:17:26.800 --> 1:17:27.799
<v Speaker 3>is not about this and anybody.

1:17:27.840 --> 1:17:30.200
<v Speaker 4>Really, we just want to bring up conversations about the

1:17:30.240 --> 1:17:31.360
<v Speaker 4>people we're mentioned here.

1:17:31.479 --> 1:17:37.080
<v Speaker 1>All good, cool, going to the second bottle? Yeah, oh,

1:17:37.120 --> 1:17:37.639
<v Speaker 1>this is done.

1:17:37.960 --> 1:17:38.120
<v Speaker 4>Lead that.

1:17:38.800 --> 1:17:42.320
<v Speaker 1>We're gonna leave that for the brothers way here, okay, cool, cool,

1:17:44.080 --> 1:17:53.479
<v Speaker 1>this is long, y'all, y'all went in ready.

1:17:54.280 --> 1:17:58.280
<v Speaker 3>I'm always tupoker d m X in which way?

1:17:58.520 --> 1:18:01.760
<v Speaker 4>If this is okay, So everybody asked that question, this

1:18:01.880 --> 1:18:03.760
<v Speaker 4>is whatever criteria in your mind.

1:18:04.160 --> 1:18:06.160
<v Speaker 3>It could be you were closer with one person.

1:18:06.439 --> 1:18:09.160
<v Speaker 4>One person make better spaghetti, one person was a better rapper,

1:18:09.600 --> 1:18:11.840
<v Speaker 4>better producer, whatever whatever in your mind.

1:18:11.960 --> 1:18:14.880
<v Speaker 1>Yeah, I think, well, I'm gonna break the rules of

1:18:14.960 --> 1:18:17.120
<v Speaker 1>your game, and I'm gonna drink when I drink. And

1:18:19.040 --> 1:18:22.280
<v Speaker 1>but you mentioned Tupac and d m X, right, but

1:18:22.439 --> 1:18:26.799
<v Speaker 1>actually mentioned two of the most spiritually and tuned artists

1:18:27.000 --> 1:18:30.240
<v Speaker 1>of hip hop prolific. Yeah right, I'm serious. I mean

1:18:30.280 --> 1:18:32.920
<v Speaker 1>they weren't toned spirit a little bit more, you know

1:18:32.960 --> 1:18:36.680
<v Speaker 1>what I mean? So okay, they don't seem like I

1:18:36.760 --> 1:18:40.599
<v Speaker 1>just know they both had that had that spiritual energy

1:18:41.400 --> 1:18:43.360
<v Speaker 1>that just exuded out of them, you know what I mean?

1:18:43.760 --> 1:18:49.400
<v Speaker 1>So both Okay, Okay, played the game.

1:18:49.640 --> 1:18:52.360
<v Speaker 3>Yeah, you gotta take the shot I took.

1:18:52.439 --> 1:18:58.720
<v Speaker 1>I took my shot. Jamie is gonna be running around

1:18:59.040 --> 1:19:08.960
<v Speaker 1>next Okay, Yeah, Nasa or Jiz in which way? Just

1:19:09.040 --> 1:19:13.000
<v Speaker 1>the way? No, that both very powerful brothers. Right, But

1:19:13.240 --> 1:19:18.080
<v Speaker 1>look for the MC, and my favorite best MC is

1:19:18.120 --> 1:19:21.160
<v Speaker 1>the Juster. Okay, I don't think no MC could beat

1:19:21.200 --> 1:19:24.160
<v Speaker 1>the just I think with have written for hip hop.

1:19:24.600 --> 1:19:27.080
<v Speaker 1>No other MC compare. Even if you go to rock Kim,

1:19:27.360 --> 1:19:30.479
<v Speaker 1>who is one of the greatest, right and most people,

1:19:30.600 --> 1:19:32.720
<v Speaker 1>he is the greatest, and NAS is most people is

1:19:32.840 --> 1:19:35.680
<v Speaker 1>the greatest, right. Right. If I go back and I

1:19:35.800 --> 1:19:39.160
<v Speaker 1>look at what offered to hip hop, right, and then

1:19:39.240 --> 1:19:44.639
<v Speaker 1>look at what US spawned right, Us spawned me right,

1:19:45.680 --> 1:19:50.439
<v Speaker 1>dirty meth ray ghosts, these are all from us, is

1:19:50.520 --> 1:19:54.679
<v Speaker 1>the enlightener, and you go get all your top MC's.

1:19:54.720 --> 1:19:56.880
<v Speaker 1>I'm saying this with a little EGO on my back,

1:19:57.000 --> 1:20:02.880
<v Speaker 1>for ego won't get he won't leave Naje what what

1:20:04.080 --> 1:20:08.479
<v Speaker 1>the war? All pholytically right is Actually no one has

1:20:08.560 --> 1:20:12.280
<v Speaker 1>mastered yet, you know what I mean? Now outside the

1:20:12.360 --> 1:20:17.439
<v Speaker 1>world with NAS did is this to me? Nas is

1:20:17.560 --> 1:20:20.880
<v Speaker 1>to me? This is my own only analogy. I call

1:20:21.040 --> 1:20:25.200
<v Speaker 1>NAS a Bobby Fisher of MC's because Bobby Fisher was

1:20:25.240 --> 1:20:29.439
<v Speaker 1>the youngest MC to the youngest chess master to master.

1:20:29.560 --> 1:20:32.320
<v Speaker 1>He became a grand master at the youngest age. There's

1:20:32.320 --> 1:20:35.080
<v Speaker 1>a few that beat him over the years, but he

1:20:35.320 --> 1:20:37.600
<v Speaker 1>was the first one at that age to be and

1:20:38.120 --> 1:20:42.160
<v Speaker 1>NAS was a master at the age of sixteen seventeen,

1:20:42.680 --> 1:20:44.479
<v Speaker 1>where most of us because you met us we was

1:20:44.520 --> 1:20:49.040
<v Speaker 1>already in our twenties, but he was at the age

1:20:49.080 --> 1:20:53.040
<v Speaker 1>of seventeen eighteen dope at somebody that was twenty five

1:20:53.240 --> 1:20:56.519
<v Speaker 1>thirty true and you know, serious due he was a

1:20:56.680 --> 1:21:00.600
<v Speaker 1>he's a he's a prodigy child of MC in you

1:21:00.640 --> 1:21:02.680
<v Speaker 1>know what I mean. But the just is already there

1:21:02.800 --> 1:21:09.120
<v Speaker 1>by the time we meet, he's already writing ideas. You know,

1:21:09.360 --> 1:21:10.720
<v Speaker 1>that's just one day.

1:21:10.800 --> 1:21:10.920
<v Speaker 2>You know.

1:21:11.880 --> 1:21:15.439
<v Speaker 1>I'm our challenge hip hop to do this. Get every

1:21:15.680 --> 1:21:20.720
<v Speaker 1>MC lyrics and put them in a book and then

1:21:21.000 --> 1:21:23.840
<v Speaker 1>measure it that way and see what you gain from it.

1:21:24.040 --> 1:21:26.880
<v Speaker 1>Right if some make you smile, laugh or teach you

1:21:27.040 --> 1:21:29.479
<v Speaker 1>game like you know, some rappers they give you the game,

1:21:30.280 --> 1:21:32.240
<v Speaker 1>you don't even teach you how to hustle. You know

1:21:32.280 --> 1:21:35.040
<v Speaker 1>what I'm saying. The Rule's gonna teach you how to

1:21:35.120 --> 1:21:37.680
<v Speaker 1>love and all reality. And you saw going through some

1:21:37.760 --> 1:21:40.679
<v Speaker 1>of these lyrics. Bro. First of all, the quantum science,

1:21:40.840 --> 1:21:43.760
<v Speaker 1>the dude that built the Internet motem, you know, the

1:21:43.800 --> 1:21:48.240
<v Speaker 1>Internet motive is No, you don't have you know what,

1:21:49.720 --> 1:21:54.519
<v Speaker 1>Let you go the box. Listen, listen to the thirty

1:21:54.560 --> 1:21:58.640
<v Speaker 1>six A talk about that. I'm saying that hit his

1:21:58.840 --> 1:22:03.080
<v Speaker 1>brain cells opened. So that's what we do we open

1:22:03.200 --> 1:22:06.000
<v Speaker 1>up your brain cells? We cause that. See, when you

1:22:06.120 --> 1:22:10.360
<v Speaker 1>burn wood, you get fueled. You brain burn brain cells,

1:22:10.400 --> 1:22:13.240
<v Speaker 1>you get thoughts. You put the right kind of wood,

1:22:13.640 --> 1:22:16.280
<v Speaker 1>you get better fuel. Let's smoke. You put the right

1:22:16.360 --> 1:22:19.400
<v Speaker 1>type of thoughts and energy, you get better ideas. You

1:22:19.439 --> 1:22:22.080
<v Speaker 1>know what I mean. So, so Judah said in one

1:22:22.120 --> 1:22:26.200
<v Speaker 1>of his lyrics, uh, something about via satellite from the

1:22:26.240 --> 1:22:34.160
<v Speaker 1>Woo mansion, looking at all the branches that came from

1:22:34.200 --> 1:22:37.519
<v Speaker 1>his tree. He wasn't talking about just the Woo. We

1:22:37.560 --> 1:22:42.479
<v Speaker 1>were just talking about all the MC's that the Woo inspired. Now, right,

1:22:42.680 --> 1:22:44.559
<v Speaker 1>And I'm gonna say last thing about the Jist because

1:22:44.560 --> 1:22:47.400
<v Speaker 1>I'm so he's my enlighten up. So what is for

1:22:47.520 --> 1:22:49.680
<v Speaker 1>hip hop? And he won't never say it because he

1:22:49.800 --> 1:22:52.120
<v Speaker 1>never comes out. He's pretty humble, and we need him

1:22:52.120 --> 1:22:55.599
<v Speaker 1>on drinks. He's the one last member of After You. Okay,

1:22:56.320 --> 1:23:02.400
<v Speaker 1>he drinks. But what he is for hip hop? He's

1:23:02.479 --> 1:23:08.400
<v Speaker 1>actually the bridge. So when hip hop started in South Bronx, right,

1:23:09.439 --> 1:23:14.280
<v Speaker 1>some would say nineteen seventy three, right, right, there's a

1:23:14.360 --> 1:23:20.120
<v Speaker 1>project called Soundview Projects. Right, he's his cousin lives there.

1:23:21.240 --> 1:23:24.200
<v Speaker 1>He's learning it from there. Wow. But he's the he's

1:23:24.240 --> 1:23:26.479
<v Speaker 1>the thirteen year old. He bought hip hop to me

1:23:26.600 --> 1:23:31.040
<v Speaker 1>in nineteen seventy six. I was bought in seventy seven. Okay,

1:23:31.320 --> 1:23:38.680
<v Speaker 1>he took me to the Bronx, to the Jams, right,

1:23:38.720 --> 1:23:41.280
<v Speaker 1>but we the kids, though. I got my ass whipped

1:23:42.280 --> 1:23:44.920
<v Speaker 1>from staying out again on the train here. Okay, okay,

1:23:45.240 --> 1:23:49.280
<v Speaker 1>check it out bus bus note from the shallon bus

1:23:49.720 --> 1:23:55.320
<v Speaker 1>boat train. Jesus seriously. So I got to talk about

1:23:55.360 --> 1:23:59.480
<v Speaker 1>that because because hip hop got all this great godfathers

1:23:59.520 --> 1:24:03.519
<v Speaker 1>and pillars, right, and and it may sound egotistic to

1:24:03.520 --> 1:24:06.000
<v Speaker 1>say that, but Wu Tang became one of those pillars.

1:24:06.160 --> 1:24:09.560
<v Speaker 1>And that's because we have not the founding forefathers. We

1:24:09.640 --> 1:24:14.639
<v Speaker 1>have the first generation from them who was amongst them

1:24:15.160 --> 1:24:19.600
<v Speaker 1>as as as a spectator. So maybe only then it

1:24:19.720 --> 1:24:23.479
<v Speaker 1>was only at best. I wouldn't even say one hundred mcs, right,

1:24:23.520 --> 1:24:25.680
<v Speaker 1>you said it gets diluted after that? Yeah, right, you

1:24:25.720 --> 1:24:27.000
<v Speaker 1>know what I'm saying. When I learned how to MC,

1:24:27.479 --> 1:24:31.639
<v Speaker 1>it wasn't five hundred of us, you know. But anyway,

1:24:32.320 --> 1:24:37.000
<v Speaker 1>keep going, Okay, so he pictures, Yeah, okay, bum bomb.

1:24:37.120 --> 1:24:40.680
<v Speaker 4>I don't got to drink then, okay, you don't have

1:24:40.800 --> 1:24:46.080
<v Speaker 4>to drink cool fourth disciple or true Master as producers

1:24:46.400 --> 1:24:46.960
<v Speaker 4>as whatever.

1:24:49.880 --> 1:24:51.200
<v Speaker 3>These questions are made by these guys.

1:24:51.280 --> 1:24:55.760
<v Speaker 1>Just I'm saying, well, no, no, true master, the fourth

1:24:55.880 --> 1:24:58.800
<v Speaker 1>is the disciples, the true masters, a master. He was

1:24:58.840 --> 1:25:01.280
<v Speaker 1>already a master before Fourth became in the slight. But

1:25:01.320 --> 1:25:06.000
<v Speaker 1>Fourth is dope though, but true mass the Uh yeah,

1:25:06.320 --> 1:25:07.960
<v Speaker 1>if I was a pitt the measure, if I was

1:25:08.000 --> 1:25:10.640
<v Speaker 1>to measure them from my camp of who was the

1:25:11.120 --> 1:25:14.080
<v Speaker 1>wh who laid it the illess, they had true mass,

1:25:14.280 --> 1:25:15.560
<v Speaker 1>you know what I mean? He has, He has the

1:25:15.640 --> 1:25:18.040
<v Speaker 1>proof of it is he has more songs on the

1:25:18.080 --> 1:25:22.439
<v Speaker 1>Wu Tang album than Fourth. But Fourth was young young

1:25:22.560 --> 1:25:26.000
<v Speaker 1>man and he was special, special young man, and he

1:25:26.080 --> 1:25:27.200
<v Speaker 1>did his thing for us. Yeah.

1:25:29.080 --> 1:25:32.960
<v Speaker 4>DJ muggs are large, large pro and which way I

1:25:33.000 --> 1:25:38.560
<v Speaker 4>guess it could be whatever, but playing waves on it because.

1:25:39.960 --> 1:25:41.800
<v Speaker 1>Like yo, that's my mass. Like yo, he made me

1:25:41.920 --> 1:25:44.639
<v Speaker 1>ill macaroniy one day. No, no, no, both my man,

1:25:44.720 --> 1:25:47.880
<v Speaker 1>I mean mugs. First of all, lost professor. Once again,

1:25:47.880 --> 1:25:52.640
<v Speaker 1>we don't talk enough about lost professor. That's another one

1:25:52.680 --> 1:25:54.320
<v Speaker 1>that want to die. His heir neither he don't want

1:25:54.320 --> 1:25:58.599
<v Speaker 1>to die. Yeah, man, we're showing you how to gratefully exactly,

1:25:58.920 --> 1:26:03.120
<v Speaker 1>beautiful bro but let me talk about them. I mean,

1:26:03.200 --> 1:26:07.280
<v Speaker 1>Muggs is Mugs, right, and you know so much to

1:26:07.320 --> 1:26:12.639
<v Speaker 1>the culture, Soul Assassin, you know, but you know, Lost

1:26:12.680 --> 1:26:17.439
<v Speaker 1>Professor there's the pioneer. Yes, Like so it's like I'm

1:26:17.479 --> 1:26:18.960
<v Speaker 1>sure that I'm sure that.

1:26:19.360 --> 1:26:21.439
<v Speaker 3>That would probably exactly.

1:26:21.439 --> 1:26:24.960
<v Speaker 1>I'm sure that Lost Professor inspired Mugs. Muggs inspired Lost Professor.

1:26:25.280 --> 1:26:28.920
<v Speaker 1>That's a good way to look at this ship the time. Yeah, so,

1:26:29.040 --> 1:26:31.600
<v Speaker 1>and I would say that, but I just want to

1:26:31.600 --> 1:26:36.640
<v Speaker 1>say that that that he needs we need more light

1:26:36.760 --> 1:26:42.840
<v Speaker 1>on him because he's like, uh, he's like one of

1:26:42.920 --> 1:26:44.960
<v Speaker 1>those Red Bentley's, Like you know what I mean, Like

1:26:44.960 --> 1:26:46.320
<v Speaker 1>you know some people got a Bentley like you see

1:26:46.320 --> 1:26:52.400
<v Speaker 1>that other he's a vintage car bro he's Lost Professor,

1:26:52.880 --> 1:26:53.920
<v Speaker 1>you know what I mean. I don't and I don't

1:26:53.920 --> 1:26:56.040
<v Speaker 1>spend a lot of time spend I didn't even get

1:26:56.040 --> 1:26:57.599
<v Speaker 1>five days in life with him, you know what I mean.

1:26:58.040 --> 1:27:00.839
<v Speaker 1>When I see him, I just automatically have a reverence

1:27:00.920 --> 1:27:01.320
<v Speaker 1>for him.

1:27:01.280 --> 1:27:04.439
<v Speaker 3>And probably one of the first producer slash ms.

1:27:05.240 --> 1:27:07.360
<v Speaker 1>Yeah, and with with his lyrics.

1:27:07.760 --> 1:27:11.120
<v Speaker 3>No, it wasn't like them sne part was was not

1:27:11.240 --> 1:27:13.320
<v Speaker 3>as good as the producing Like he was just good.

1:27:13.880 --> 1:27:16.720
<v Speaker 1>Yeah. So sounding like you pick it laws from. Yeah, okay, Hice,

1:27:16.760 --> 1:27:20.080
<v Speaker 1>we don't got a drink we can make. So this

1:27:20.160 --> 1:27:22.439
<v Speaker 1>is a two part question. This is a two part question.

1:27:22.720 --> 1:27:23.080
<v Speaker 1>All right.

1:27:24.600 --> 1:27:26.639
<v Speaker 3>The question is Ellmatic are ready to die?

1:27:26.760 --> 1:27:33.400
<v Speaker 1>Right right? But I also want you to address this

1:27:33.600 --> 1:27:39.040
<v Speaker 1>lifetime rumor that there was a rumor that Meth got

1:27:39.120 --> 1:27:41.800
<v Speaker 1>on the record were big, and that you did not

1:27:42.000 --> 1:27:45.160
<v Speaker 1>want that to happen. You did not want so, so

1:27:45.520 --> 1:27:48.639
<v Speaker 1>first the first madic or ready to die? First, I'm

1:27:48.720 --> 1:27:55.880
<v Speaker 1>going emadic. Okay, all right, we got yes, let's talk

1:27:55.960 --> 1:28:00.160
<v Speaker 1>this rumor rumor. Okay, no, No, I don't want on

1:28:00.280 --> 1:28:08.000
<v Speaker 1>nobody beats wasn't the beast. It was just it was

1:28:08.120 --> 1:28:09.840
<v Speaker 1>just like it was our time, and it was just

1:28:10.040 --> 1:28:12.880
<v Speaker 1>like I didn't want nobody else sharing that in that moment,

1:28:13.120 --> 1:28:16.120
<v Speaker 1>you know what I mean. But I will super But

1:28:16.439 --> 1:28:21.559
<v Speaker 1>Tracy Rapus, first of all, an os just another unsung

1:28:21.640 --> 1:28:25.160
<v Speaker 1>hero of hip hop probably you know she she pitched

1:28:25.200 --> 1:28:31.160
<v Speaker 1>that idea, you know what I mean? And and and yeah,

1:28:31.160 --> 1:28:33.800
<v Speaker 1>I said, yes, she pitched the idea. She pitched the

1:28:33.880 --> 1:28:36.880
<v Speaker 1>idea of of of Meth and Biggie doing the song together.

1:28:38.120 --> 1:28:40.360
<v Speaker 1>And she was already smart, like she's she's the one

1:28:41.040 --> 1:28:45.360
<v Speaker 1>that changes. Let me see what she did, bro Seriously,

1:28:45.800 --> 1:28:50.400
<v Speaker 1>she came to stand alan to my apartment that had

1:28:50.439 --> 1:28:55.600
<v Speaker 1>the records in the box. Okay who the album was

1:28:55.640 --> 1:29:00.800
<v Speaker 1>not out? Only protect your neckers out wow okay? And

1:29:01.120 --> 1:29:06.400
<v Speaker 1>I played her the demos of Method Man Dirty and

1:29:06.880 --> 1:29:08.720
<v Speaker 1>I had a couple of demos that of songs. She

1:29:08.720 --> 1:29:11.439
<v Speaker 1>didn't pick me from the demo they wanted, Yeah, get

1:29:11.880 --> 1:29:15.920
<v Speaker 1>she wanted Meth and Dirty. They wanted both of them.

1:29:15.960 --> 1:29:16.880
<v Speaker 3>For a BIGS album.

1:29:17.120 --> 1:29:19.720
<v Speaker 1>No, no, listen, listen, this is to sign the Depth

1:29:19.760 --> 1:29:25.880
<v Speaker 1>Jam they jam. Oh so so she so I ended

1:29:25.960 --> 1:29:28.519
<v Speaker 1>up signing myth the Depth Jam through her. By the

1:29:28.640 --> 1:29:32.280
<v Speaker 1>end of the day, her that that n R pen

1:29:32.439 --> 1:29:35.080
<v Speaker 1>that signature, who took us to Wissell Simmons and all that,

1:29:35.560 --> 1:29:38.720
<v Speaker 1>that was a big moment for us. So and her

1:29:39.439 --> 1:29:44.680
<v Speaker 1>her vibe and and uh paper on the post of

1:29:44.760 --> 1:29:48.680
<v Speaker 1>culture was was undeniable. And so when she said it,

1:29:49.160 --> 1:29:53.280
<v Speaker 1>of course the biggie, Yeah, she said Biggie and Meth.

1:29:54.040 --> 1:29:57.000
<v Speaker 1>Of course I disagreed because I was very I wanted

1:29:57.280 --> 1:30:00.240
<v Speaker 1>nobody fucking with the woo was this woo? But but

1:30:01.040 --> 1:30:04.120
<v Speaker 1>I trusted her. I believe they trust her and I

1:30:04.200 --> 1:30:10.439
<v Speaker 1>trust her, her her whole cultural posts, and she was right.

1:30:10.920 --> 1:30:12.639
<v Speaker 1>So so let me ask you, was that the first

1:30:12.680 --> 1:30:16.600
<v Speaker 1>feature who did outside of wolves that like, like you

1:30:16.680 --> 1:30:19.920
<v Speaker 1>know what meth was, Meth was hopping featury me was

1:30:19.960 --> 1:30:25.160
<v Speaker 1>the early feature So he did because no, because Meth

1:30:25.320 --> 1:30:29.439
<v Speaker 1>is that type of MC right, Meth love it. Look,

1:30:29.560 --> 1:30:33.000
<v Speaker 1>he loved rappings. To this day, he's gotten better.

1:30:33.040 --> 1:30:36.840
<v Speaker 4>I'm not I think he's gotten better listen, but I

1:30:36.920 --> 1:30:38.720
<v Speaker 4>feel like he's he's gotten better.

1:30:38.920 --> 1:30:44.880
<v Speaker 1>He was always dope, right, he's great, Right, He's he's

1:30:44.960 --> 1:30:48.639
<v Speaker 1>at a level and nobody's talking about him in that degree. Nobody,

1:30:48.960 --> 1:30:50.559
<v Speaker 1>nobody niggas talking about.

1:30:51.760 --> 1:30:56.560
<v Speaker 7>What they didn't take those lists and like they like,

1:31:00.200 --> 1:31:04.440
<v Speaker 7>it's ridiculous with his wits and his liverical ability.

1:31:04.160 --> 1:31:06.400
<v Speaker 1>Right now, Yo, it's like it's almost uncanny.

1:31:06.760 --> 1:31:09.280
<v Speaker 4>It's like he went backwards in terms of like being

1:31:09.439 --> 1:31:11.240
<v Speaker 4>the youthful Meth again, like he's just.

1:31:11.240 --> 1:31:13.600
<v Speaker 1>Gonna hold other chamber. He's free to just fuck you

1:31:13.720 --> 1:31:17.080
<v Speaker 1>up on the mic. But anyway, I'm glad that they

1:31:17.120 --> 1:31:21.599
<v Speaker 1>did it right, and I'm glad that I was proving

1:31:21.600 --> 1:31:22.559
<v Speaker 1>along on that one. Right.

1:31:22.800 --> 1:31:26.599
<v Speaker 3>Yeah, but but but I was super duper fuck that, right,

1:31:27.479 --> 1:31:28.240
<v Speaker 3>I mean, I mean.

1:31:28.720 --> 1:31:32.479
<v Speaker 1>In retrospect, I believe you're right, But I believe in

1:31:32.560 --> 1:31:34.679
<v Speaker 1>that situation you were supposed to let it go because

1:31:34.720 --> 1:31:37.840
<v Speaker 1>that did you know, by the way, when biggest actions

1:31:37.880 --> 1:31:40.200
<v Speaker 1>for this feature, what level of big is he? He

1:31:40.680 --> 1:31:43.840
<v Speaker 1>is he already Biggie Smalls or he's he's becoming that

1:31:43.920 --> 1:31:46.200
<v Speaker 1>guy he's coming at coming. That would be the first

1:31:46.600 --> 1:31:49.320
<v Speaker 1>that No. Look, he had. I mean, first of all,

1:31:49.520 --> 1:31:53.840
<v Speaker 1>he had party and party, which is already it's fun.

1:31:53.880 --> 1:31:58.120
<v Speaker 1>He's bubbling and ship. But this is his album right right,

1:31:58.160 --> 1:32:00.519
<v Speaker 1>and this is going to be on his album. But

1:32:01.280 --> 1:32:05.320
<v Speaker 1>but we're already we're the man already, you know what

1:32:05.360 --> 1:32:07.559
<v Speaker 1>I mean. He's going to be the man though he's

1:32:07.560 --> 1:32:10.320
<v Speaker 1>about to drop the medical megaton bombs, you know what

1:32:10.360 --> 1:32:18.600
<v Speaker 1>I mean. But we don't know that, right, but we

1:32:18.840 --> 1:32:21.960
<v Speaker 1>just I was just really selfish about it. Somebody told

1:32:22.000 --> 1:32:24.880
<v Speaker 1>me to do that too, somebody clear, No, somebody told

1:32:24.880 --> 1:32:27.120
<v Speaker 1>me to be selfish. It was Daddy or from stept

1:32:27.160 --> 1:32:30.920
<v Speaker 1>to Sonic. He came to me one day, ran into him.

1:32:31.280 --> 1:32:33.479
<v Speaker 1>He said, Yo, God, y'all killing it. The wood is

1:32:33.560 --> 1:32:35.559
<v Speaker 1>just and this everything. Say, y'all gonna tell you something.

1:32:36.400 --> 1:32:39.880
<v Speaker 1>Don't let no other producers producer mcs I said, why,

1:32:39.880 --> 1:32:48.880
<v Speaker 1>I said, don't worry about that, don't do it. Don't

1:32:49.000 --> 1:32:51.680
<v Speaker 1>understand mo size too. Like I'm like, I think, I'm like,

1:32:51.760 --> 1:32:54.240
<v Speaker 1>you know why he might. I think he's I'm gonna.

1:32:54.000 --> 1:32:57.200
<v Speaker 3>Go with his many ms and like that's too crazy.

1:32:59.880 --> 1:33:01.519
<v Speaker 1>If you take a look at it. Right.

1:33:02.439 --> 1:33:06.320
<v Speaker 3>Of course, over time you did keep it the beginning,

1:33:06.360 --> 1:33:07.280
<v Speaker 3>you know, we did.

1:33:07.920 --> 1:33:11.400
<v Speaker 1>We did. Listen who did seven platinum back to back

1:33:11.479 --> 1:33:17.320
<v Speaker 1>as a producer single Wu Tang goes platinum, multiple platforms,

1:33:17.800 --> 1:33:26.479
<v Speaker 1>method Man double Plat, Gray Kwan Platt, dirt Plat, a Platt,

1:33:27.640 --> 1:33:38.360
<v Speaker 1>ghost Plat, then another rule multiplats, back to back, protective.

1:33:38.400 --> 1:33:41.080
<v Speaker 1>It wasn't it wasn't Jesus.

1:33:42.240 --> 1:33:45.439
<v Speaker 3>They come with Kappa go gold, right, he come home

1:33:45.800 --> 1:33:46.479
<v Speaker 3>go gold.

1:33:46.800 --> 1:33:51.760
<v Speaker 1>Then come back plat again. Not the so so keep

1:33:51.840 --> 1:33:54.760
<v Speaker 1>and that was that was you know, from one leadership.

1:33:55.200 --> 1:33:58.560
<v Speaker 1>So that was good. Right. So anyway, anyway, let me

1:33:58.600 --> 1:34:02.519
<v Speaker 1>get off me. This is this is I say, that's

1:34:02.560 --> 1:34:04.960
<v Speaker 1>that's that's, that's that's. I didn't when I looked at

1:34:05.000 --> 1:34:07.120
<v Speaker 1>it one day, I said, damn son, but y'all I

1:34:07.280 --> 1:34:11.600
<v Speaker 1>never left the basement. I'm serious because I want to

1:34:11.640 --> 1:34:12.080
<v Speaker 1>get back to that.

1:34:12.160 --> 1:34:14.320
<v Speaker 3>But before we leave this question, I want to ask

1:34:14.400 --> 1:34:15.040
<v Speaker 3>one more question.

1:34:15.520 --> 1:34:17.639
<v Speaker 1>Okay, you clear this record because you had to clear

1:34:17.720 --> 1:34:20.120
<v Speaker 1>this right, you had to clear math right, So you

1:34:20.200 --> 1:34:24.240
<v Speaker 1>clear this record. Then the very next album you guys

1:34:24.400 --> 1:34:32.400
<v Speaker 1>drop it's Ghosts and Ray actually going at Biggie like,

1:34:33.960 --> 1:34:36.320
<v Speaker 1>what was your mindset saying, wait a minute, did I

1:34:36.439 --> 1:34:39.719
<v Speaker 1>did not make a mistake or how was you feeling? Period?

1:34:39.840 --> 1:34:39.880
<v Speaker 4>No?

1:34:40.080 --> 1:34:44.960
<v Speaker 3>Well, but first of all, Big is my man, right,

1:34:45.200 --> 1:34:45.680
<v Speaker 3>you know what I mean?

1:34:46.200 --> 1:34:49.479
<v Speaker 1>Like you knows in peace, rest and peace? You know,

1:34:50.520 --> 1:34:54.519
<v Speaker 1>like like Big is my man, rest in peace? And

1:34:54.680 --> 1:34:56.200
<v Speaker 1>was my man? Like he was happy for me. I

1:34:56.320 --> 1:34:58.800
<v Speaker 1>was happy for him. We seen each other not on

1:35:00.000 --> 1:35:02.680
<v Speaker 1>we seen each other on right. So that's how New

1:35:02.760 --> 1:35:06.519
<v Speaker 1>York was back then, you know what I mean? When

1:35:06.600 --> 1:35:08.600
<v Speaker 1>he got on though, every time you see me, he

1:35:08.880 --> 1:35:12.479
<v Speaker 1>saw me hit me with a bottle of champagne. That's

1:35:12.520 --> 1:35:15.120
<v Speaker 1>the kind of man he was, which is only a

1:35:15.240 --> 1:35:18.400
<v Speaker 1>punch does that? You know what I mean? But as

1:35:18.479 --> 1:35:20.799
<v Speaker 1>he becomes more and more than man and all the mcs.

1:35:20.920 --> 1:35:23.640
<v Speaker 1>My crew is a crew of em seeds. We and

1:35:23.920 --> 1:35:27.800
<v Speaker 1>my crew is is vicious at this time, and now

1:35:27.880 --> 1:35:30.640
<v Speaker 1>he get enlightened, and so it's like Yo, du was

1:35:30.680 --> 1:35:32.479
<v Speaker 1>ready to eat that, you know what I mean. That's

1:35:32.479 --> 1:35:36.559
<v Speaker 1>the energy of m seeing right. That's why every time

1:35:36.600 --> 1:35:40.760
<v Speaker 1>you see a nigga want pop pass a bottle, I'm like, Yo,

1:35:41.200 --> 1:35:41.960
<v Speaker 1>that's he blessing me.

1:35:42.560 --> 1:35:44.360
<v Speaker 3>Don't get mad because he passing me a bottle.

1:35:45.360 --> 1:35:47.800
<v Speaker 1>Right, But that's not fun all that right because we

1:35:47.960 --> 1:35:50.280
<v Speaker 1>was vy also at that one point, is like he'th

1:35:50.360 --> 1:35:54.760
<v Speaker 1>the abbot to ourselves. It's another thing we was. We

1:35:55.000 --> 1:35:57.439
<v Speaker 1>was it was it was like no, it was us

1:35:57.520 --> 1:36:00.400
<v Speaker 1>and nobody and that was our energy. That was It

1:36:00.520 --> 1:36:01.880
<v Speaker 1>took a long time for us to get out of

1:36:01.960 --> 1:36:04.720
<v Speaker 1>that energy, you know what I mean. So you know

1:36:04.880 --> 1:36:07.040
<v Speaker 1>when they said it, it's like they're gonna. I don't

1:36:07.200 --> 1:36:09.240
<v Speaker 1>We can't sensor what they want, what they feel, because

1:36:09.240 --> 1:36:11.320
<v Speaker 1>it had to be something because if you think about

1:36:11.360 --> 1:36:14.800
<v Speaker 1>what they actually said, they was like they nigga bit

1:36:14.960 --> 1:36:17.400
<v Speaker 1>non ship like this actually had nothing to do with them.

1:36:19.160 --> 1:36:22.240
<v Speaker 1>If you think, but you've been another man and hip

1:36:22.240 --> 1:36:28.800
<v Speaker 1>hop had one rule. Yes, it's true, still rules. Yeah,

1:36:29.520 --> 1:36:32.880
<v Speaker 1>the rules still stand. It's just still standing. But you know,

1:36:33.320 --> 1:36:37.280
<v Speaker 1>biting is is like it was just it was just

1:36:37.479 --> 1:36:39.760
<v Speaker 1>the forbidding feud of hip hop. You know what I

1:36:39.840 --> 1:36:43.439
<v Speaker 1>mean and and and when you hip hop and you

1:36:43.600 --> 1:36:46.080
<v Speaker 1>kind of you know one thing about hip hop, knowing

1:36:46.200 --> 1:36:49.960
<v Speaker 1>that people don't remember you couldn't just wear your cago. Kid.

1:36:51.320 --> 1:36:53.280
<v Speaker 1>The dude who had the cano had more than the

1:36:53.360 --> 1:36:56.160
<v Speaker 1>cago wng. But you know what I mean, he had

1:36:56.479 --> 1:36:58.560
<v Speaker 1>he had a spect, you know what I mean. He

1:36:58.640 --> 1:37:01.200
<v Speaker 1>was able to walk through that with that can go

1:37:01.360 --> 1:37:03.120
<v Speaker 1>and get back, you know what I mean, whether they're

1:37:03.120 --> 1:37:05.320
<v Speaker 1>on the ferry bus train, you know what I mean.

1:37:05.640 --> 1:37:07.640
<v Speaker 1>So we we we those kids that we came from

1:37:07.720 --> 1:37:11.439
<v Speaker 1>Staten Island to lie in quarters I mean Red Part,

1:37:12.120 --> 1:37:15.000
<v Speaker 1>you know what I mean, Union Square. It's like we're

1:37:15.040 --> 1:37:17.200
<v Speaker 1>in there, you know what I mean. And then there

1:37:17.240 --> 1:37:20.240
<v Speaker 1>you can't be in there. It's not easy to be

1:37:20.439 --> 1:37:24.080
<v Speaker 1>there and not be from Brooklyn, right, you know what

1:37:24.120 --> 1:37:27.599
<v Speaker 1>I mean, not be from Queens, you know what I mean,

1:37:27.920 --> 1:37:30.200
<v Speaker 1>if you're from Queens. It's like back in those days,

1:37:30.280 --> 1:37:33.160
<v Speaker 1>the rapper, the rapper. Why do you think rappers have bodyguards?

1:37:34.520 --> 1:37:37.960
<v Speaker 1>They couldn't even come in like that. So hip hop

1:37:38.080 --> 1:37:42.320
<v Speaker 1>had this this this heavy culture of being strong, pier

1:37:42.760 --> 1:37:45.720
<v Speaker 1>and they had a heavy culture of not biting now

1:37:47.680 --> 1:37:52.400
<v Speaker 1>you know, but you know, I guess that's how the

1:37:52.439 --> 1:37:55.639
<v Speaker 1>brothers felt like he bet and we and they interviewed

1:37:55.880 --> 1:37:57.800
<v Speaker 1>Ray and Ghosts right here. They spoke up on it.

1:37:58.439 --> 1:38:00.479
<v Speaker 1>What they say about it there was they were like

1:38:01.000 --> 1:38:03.400
<v Speaker 1>that's how they felt at the time, but they regretted it,

1:38:03.439 --> 1:38:06.320
<v Speaker 1>you know because they said Ghosts actually because I believe

1:38:06.360 --> 1:38:07.840
<v Speaker 1>we had way con talk about it. It was the

1:38:07.840 --> 1:38:10.160
<v Speaker 1>first time we had ghosts talk about and ghost was like,

1:38:10.479 --> 1:38:12.320
<v Speaker 1>you know, he made peace with him, like he had

1:38:12.400 --> 1:38:13.680
<v Speaker 1>got to see it. That was good, you know what

1:38:13.720 --> 1:38:17.719
<v Speaker 1>I mean, Oh that's good. No, No, after the piece

1:38:17.800 --> 1:38:23.360
<v Speaker 1>came before that internally, okay, right, the vine in power right,

1:38:23.439 --> 1:38:28.679
<v Speaker 1>they already was like, nah, remember I produced on BIG's album?

1:38:29.120 --> 1:38:32.960
<v Speaker 1>Was right? Because no, yo, they was they like they

1:38:33.400 --> 1:38:35.680
<v Speaker 1>they was. They didn't appreciate it. We we we we

1:38:35.760 --> 1:38:38.720
<v Speaker 1>squashed that though, because it was like like like they

1:38:38.800 --> 1:38:41.000
<v Speaker 1>was like, yo, I play that cumulation all the time.

1:38:42.680 --> 1:38:45.320
<v Speaker 1>So it was like, but hip hop is that. And

1:38:45.760 --> 1:38:48.240
<v Speaker 1>I'm glad that because because you know, we don't talk

1:38:48.280 --> 1:38:50.200
<v Speaker 1>about ship because uses just to keep moving. But I'm

1:38:50.200 --> 1:38:53.040
<v Speaker 1>glad that Ghosts had a chance. So if he deemed

1:38:53.040 --> 1:38:56.840
<v Speaker 1>that with him, Big was a special, special special dude.

1:38:56.880 --> 1:38:59.160
<v Speaker 1>We all know that, but some of us didn't get

1:38:59.160 --> 1:39:02.600
<v Speaker 1>a chance to shake his hand, laugh with him, you

1:39:02.680 --> 1:39:04.400
<v Speaker 1>know what I mean, be up in the studio with him,

1:39:04.760 --> 1:39:06.599
<v Speaker 1>and none of that. So they don't so they wouldn't

1:39:06.640 --> 1:39:09.519
<v Speaker 1>know what they don't know. He he was like a

1:39:09.640 --> 1:39:11.439
<v Speaker 1>prince like you know what I mean, like a like

1:39:11.720 --> 1:39:13.760
<v Speaker 1>like a very rare you know what I mean. Then

1:39:13.800 --> 1:39:16.560
<v Speaker 1>when they when you go, like you said, illmatic and

1:39:16.760 --> 1:39:22.000
<v Speaker 1>ready to die, I'm saying for me, lyrically illmatic. It's

1:39:22.080 --> 1:39:26.200
<v Speaker 1>the masterpiece of lyrical talent. But of course ready to

1:39:26.320 --> 1:39:28.160
<v Speaker 1>Die gave us some of the best songs that pop

1:39:28.240 --> 1:39:31.160
<v Speaker 1>ever's going to get, right, bring us back.

1:39:31.040 --> 1:39:32.439
<v Speaker 3>To that skit era you was talking about.

1:39:32.520 --> 1:39:36.439
<v Speaker 1>Yeah, well, Prince Paul. So anyway, ys move on, look

1:39:36.479 --> 1:39:39.639
<v Speaker 1>at let's go. How am I doing over here? Mama? Yeah,

1:39:40.720 --> 1:39:46.320
<v Speaker 1>stap your feet through times like zone out to pieces

1:39:49.160 --> 1:39:54.880
<v Speaker 1>or Brooklyn and which way the way you are saying

1:39:54.920 --> 1:40:00.120
<v Speaker 1>both because both dank right. I was just trying get

1:40:00.160 --> 1:40:00.880
<v Speaker 1>you to drink, that's all.

1:40:01.920 --> 1:40:03.760
<v Speaker 4>You know what.

1:40:04.320 --> 1:40:08.559
<v Speaker 1>Let me just tell you something. We're here to celebrate

1:40:08.640 --> 1:40:09.120
<v Speaker 1>you tonight.

1:40:09.200 --> 1:40:09.400
<v Speaker 4>Brother.

1:40:09.800 --> 1:40:11.559
<v Speaker 1>I know you're a humble brother, but Lipsen, we're here

1:40:11.640 --> 1:40:15.200
<v Speaker 1>to celebrate you. You are arguably one of the smartest

1:40:15.240 --> 1:40:17.439
<v Speaker 1>people in hip hop, one of the people who invented

1:40:17.479 --> 1:40:20.680
<v Speaker 1>the lane that has never been duplicated and will never

1:40:20.760 --> 1:40:23.200
<v Speaker 1>be duplicated. And I want you to know how much

1:40:23.280 --> 1:40:26.360
<v Speaker 1>we appreciate you here. So we're gonna all night. We

1:40:26.479 --> 1:40:40.160
<v Speaker 1>are here, we are residents. I mean, look, his eyes

1:40:40.280 --> 1:40:43.439
<v Speaker 1>is getting shy, so he don't remember this. You do

1:40:43.560 --> 1:40:45.880
<v Speaker 1>remember this? You don't remember when we was in France. Yes,

1:40:46.200 --> 1:40:51.280
<v Speaker 1>you had that, I had what happened to it? Yeah?

1:40:52.240 --> 1:40:55.680
<v Speaker 3>We're gonna y'all? Yes, And that night I told you.

1:40:56.040 --> 1:40:57.840
<v Speaker 1>Yes, I did you I kind of I kind of

1:40:58.280 --> 1:41:03.080
<v Speaker 1>you tilted that you didn't gonna You know what, Let

1:41:03.120 --> 1:41:05.760
<v Speaker 1>me be honest with you. It doesn't taste like like

1:41:06.120 --> 1:41:06.960
<v Speaker 1>it creeps up one.

1:41:07.080 --> 1:41:11.600
<v Speaker 3>It don't take it was dangerous. Are you drinking with

1:41:11.640 --> 1:41:12.040
<v Speaker 3>the support?

1:41:12.120 --> 1:41:12.599
<v Speaker 1>With the support?

1:41:12.640 --> 1:41:14.800
<v Speaker 4>Which I think I like that. I like that's a

1:41:14.920 --> 1:41:17.200
<v Speaker 4>that's a that's a nice bearing. I mean, well, Japanese

1:41:17.240 --> 1:41:19.120
<v Speaker 4>being and sake they just go great together.

1:41:19.240 --> 1:41:22.240
<v Speaker 1>Yes, themature, but you got another bottle of that's the last? Yes, No,

1:41:22.280 --> 1:41:29.240
<v Speaker 1>we got one more good good. The temperature is getting right, okay,

1:41:29.280 --> 1:41:34.439
<v Speaker 1>okay to feel good, so I'm gonna move on. Okay,

1:41:34.600 --> 1:41:36.559
<v Speaker 1>you said both right, yep, all right, cool, I'm gonna

1:41:36.600 --> 1:41:39.720
<v Speaker 1>keep it going. He went to the bath. Okay, you

1:41:39.800 --> 1:41:41.760
<v Speaker 1>said something about hold on hot sake. You said you

1:41:41.840 --> 1:41:43.760
<v Speaker 1>only drank hot sock No. I used to only drink

1:41:43.840 --> 1:41:46.280
<v Speaker 1>hot socky because I thought it with cold beer. I

1:41:46.360 --> 1:41:49.680
<v Speaker 1>thought that goes together. Wow, I don't know. Well, hot

1:41:49.720 --> 1:41:53.600
<v Speaker 1>sake is usually bad socky. So so you make it

1:41:53.720 --> 1:41:56.519
<v Speaker 1>hot just to kind of like to get rid of it.

1:41:56.680 --> 1:41:58.680
<v Speaker 1>You would never heat does something? This is you know

1:41:58.720 --> 1:42:02.240
<v Speaker 1>what's crazy. I've never drank hot saki wolf Japanese people.

1:42:02.320 --> 1:42:04.840
<v Speaker 1>Only drink it with my white friends. Okay, so is

1:42:04.880 --> 1:42:07.720
<v Speaker 1>that bad? It's no, no, no, no, no that man,

1:42:07.800 --> 1:42:11.679
<v Speaker 1>you've been no no, no no. Hot saki is usually

1:42:11.720 --> 1:42:14.680
<v Speaker 1>going to be a lower grade. Right. So this is

1:42:14.760 --> 1:42:16.640
<v Speaker 1>here right here, and you'll see right this is a

1:42:17.439 --> 1:42:21.240
<v Speaker 1>jumai okay, right, So the jumai is a special way

1:42:21.240 --> 1:42:23.920
<v Speaker 1>they make it. So so that's like a gave like

1:42:24.000 --> 1:42:26.600
<v Speaker 1>in tequila. Like there's different thing. Yeah, exactly, it's like

1:42:26.640 --> 1:42:30.680
<v Speaker 1>a Nate hole okay, okay, and blanc hole.

1:42:30.800 --> 1:42:30.920
<v Speaker 8>Right.

1:42:31.280 --> 1:42:34.320
<v Speaker 1>So even know this is not stuffed in the barrel. Okay,

1:42:34.400 --> 1:42:36.519
<v Speaker 1>The point being made is that you will never heat

1:42:36.600 --> 1:42:38.600
<v Speaker 1>this up, okay, you know, I mean that would be

1:42:38.720 --> 1:42:42.439
<v Speaker 1>like destroying if you have some saki, like you know,

1:42:42.960 --> 1:42:45.599
<v Speaker 1>some fot out of saki okay and you just kind

1:42:45.600 --> 1:42:47.240
<v Speaker 1>of going to the hibachi spot and they.

1:42:47.200 --> 1:43:02.800
<v Speaker 5>Be like, yeah, yeah, you know, I ain't gonna lie.

1:43:03.040 --> 1:43:03.640
<v Speaker 9>I swear to go.

1:43:04.240 --> 1:43:06.679
<v Speaker 1>I thought I knew every drink etiquette in the world.

1:43:07.160 --> 1:43:11.240
<v Speaker 1>Just fucked me up just now, because that's what who

1:43:11.280 --> 1:43:14.240
<v Speaker 1>I spoke to today, Diego. I used to always drink

1:43:14.280 --> 1:43:16.200
<v Speaker 1>hot sock, right, so I didn't know. I didn't know

1:43:16.280 --> 1:43:17.000
<v Speaker 1>that that's that's the.

1:43:17.080 --> 1:43:19.720
<v Speaker 3>Cheap ship because if you ask them to heat this up,

1:43:19.720 --> 1:43:20.559
<v Speaker 3>they ain't gonna heat.

1:43:20.400 --> 1:43:22.000
<v Speaker 1>It up for you. They're gonna be like no, no, no, no,

1:43:22.200 --> 1:43:25.240
<v Speaker 1>I mean yeah, are They're gonna charge you price of

1:43:25.360 --> 1:43:27.840
<v Speaker 1>what they costs heat it up, and you're gonna lose

1:43:27.880 --> 1:43:31.080
<v Speaker 1>what you paid for. Right, Because I used to drink

1:43:31.320 --> 1:43:36.920
<v Speaker 1>Japanese whiskey, right and jamming Yamazaki eighteen, ordered Yamazaki eighteen,

1:43:37.160 --> 1:43:38.840
<v Speaker 1>and you order it with the ice, they won't give

1:43:38.880 --> 1:43:41.040
<v Speaker 1>it to you, right, They were like no, right, Like

1:43:41.120 --> 1:43:43.320
<v Speaker 1>you go to wiki with ice, right, You're not that,

1:43:44.280 --> 1:43:47.559
<v Speaker 1>You're not that, not that. So maybe you put one

1:43:47.640 --> 1:43:50.519
<v Speaker 1>drop of water in it though, just so some some people,

1:43:50.680 --> 1:43:53.400
<v Speaker 1>the ice is only to open up, the open up,

1:43:53.439 --> 1:43:56.320
<v Speaker 1>the open up the flavor of it, right, whiskey. Yeah,

1:43:57.080 --> 1:43:58.560
<v Speaker 1>but most of you ever you ever went to a

1:43:58.600 --> 1:44:02.679
<v Speaker 1>whiskey convention? No, yo, dude, anybody want to a tasting

1:44:02.760 --> 1:44:05.840
<v Speaker 1>where they taught us that everybody at the convention they

1:44:05.920 --> 1:44:08.439
<v Speaker 1>have an eye dropper, okay, and they go they just

1:44:08.479 --> 1:44:11.240
<v Speaker 1>put one drop of water first and then because it

1:44:11.360 --> 1:44:14.600
<v Speaker 1>opens it up. Remember this nake has been distilled and

1:44:14.680 --> 1:44:17.120
<v Speaker 1>it's inside of a bow. So a little bit of

1:44:17.240 --> 1:44:20.640
<v Speaker 1>hydrogen oxygen looses those atoms up, you know what I mean.

1:44:21.160 --> 1:44:23.320
<v Speaker 1>So that's why you get the big solid rock that

1:44:23.400 --> 1:44:23.960
<v Speaker 1>don't melt.

1:44:24.080 --> 1:44:24.599
<v Speaker 3>That's the reason.

1:44:25.080 --> 1:44:28.320
<v Speaker 1>Yeah, yeah, yeah, yeah, okay, all right, could the drink

1:44:29.439 --> 1:44:32.439
<v Speaker 1>just good? All right? I do a curve w after

1:44:33.040 --> 1:44:34.400
<v Speaker 1>after what Ready to die?

1:44:35.600 --> 1:44:35.760
<v Speaker 4>Man?

1:44:35.960 --> 1:44:36.280
<v Speaker 1>All right?

1:44:36.560 --> 1:44:44.040
<v Speaker 3>Buck Wilder diamond D in which way, we don't know

1:44:44.200 --> 1:44:44.640
<v Speaker 3>what you are.

1:44:44.800 --> 1:44:47.519
<v Speaker 1>So I don't know those brothers right personally, I spect them,

1:44:47.560 --> 1:44:50.160
<v Speaker 1>but I can't say I know them, man. But I

1:44:50.200 --> 1:44:54.320
<v Speaker 1>would say that diamond D once again just offers so

1:44:54.439 --> 1:44:58.240
<v Speaker 1>much to the culture. He he he bought in another

1:44:58.439 --> 1:45:01.960
<v Speaker 1>chamber that that was that was needed, you know, I mean,

1:45:02.000 --> 1:45:04.120
<v Speaker 1>are they both in the the I T I believe

1:45:05.280 --> 1:45:08.479
<v Speaker 1>both the I T C. But it's like and and

1:45:08.680 --> 1:45:11.880
<v Speaker 1>and it's just the when Diamond had like he's like

1:45:11.960 --> 1:45:14.520
<v Speaker 1>the gristle on the chicken.

1:45:14.600 --> 1:45:17.560
<v Speaker 3>Another rapper producer had, the ROMs.

1:45:17.280 --> 1:45:20.559
<v Speaker 1>Had the flow. It's like, it's like, what's the other dudes,

1:45:20.920 --> 1:45:22.559
<v Speaker 1>we don't talk about enough. We don't talk about foul

1:45:22.600 --> 1:45:35.400
<v Speaker 1>monk or not nose piece we go up, yeah, we

1:45:35.520 --> 1:45:39.160
<v Speaker 1>go piece, We wait and but yeah, so I'm gonna

1:45:39.160 --> 1:45:42.120
<v Speaker 1>go diamond d on that and let them fight that out. Okay,

1:45:44.280 --> 1:45:47.559
<v Speaker 1>wrapping up that just just in just in the chambers,

1:45:47.880 --> 1:45:50.800
<v Speaker 1>like like like the full the full package. Would you

1:45:50.880 --> 1:45:53.920
<v Speaker 1>like better wrapper or produce it me? Yeah? Yeah, oh

1:45:54.520 --> 1:45:57.200
<v Speaker 1>what you mean? I mean?

1:45:57.240 --> 1:46:07.200
<v Speaker 3>This is this is question that's both both. I'm not bullshing.

1:46:07.240 --> 1:46:10.720
<v Speaker 3>This gets better as you go. Way you stand up,

1:46:11.000 --> 1:46:14.479
<v Speaker 3>and they don't try to take a beat, you know

1:46:14.600 --> 1:46:18.280
<v Speaker 3>what I'm saying. Once you stand up, I know it's

1:46:18.280 --> 1:46:18.880
<v Speaker 3>a different life.

1:46:21.760 --> 1:46:25.920
<v Speaker 1>You check this out, right, So a lot of people

1:46:26.000 --> 1:46:28.000
<v Speaker 1>know me for my beats, and a lot of the

1:46:28.200 --> 1:46:31.360
<v Speaker 1>look a lot of the industry, you know, it was

1:46:31.479 --> 1:46:33.519
<v Speaker 1>it was inspired by my beats. You a ready, right,

1:46:33.560 --> 1:46:35.920
<v Speaker 1>and all phrases do that. Im able to add inspiration

1:46:36.040 --> 1:46:41.400
<v Speaker 1>to anything. But they overlooked me as an MC. You

1:46:41.479 --> 1:46:45.200
<v Speaker 1>know what I mean. But and it's my lyrics. If

1:46:45.240 --> 1:46:48.040
<v Speaker 1>they were to pay more attention to my lyrics, the

1:46:48.160 --> 1:46:50.680
<v Speaker 1>kids would be better, But the kids wouldn't be on

1:46:50.760 --> 1:46:54.040
<v Speaker 1>the route there on. I don't write for myself, yo.

1:46:55.040 --> 1:47:00.760
<v Speaker 1>I write scriptures so that you could hear the chill

1:47:00.840 --> 1:47:03.320
<v Speaker 1>with the feedback. We don't need that, right, ten o'clock,

1:47:03.680 --> 1:47:07.280
<v Speaker 1>where's your see that right? See that right? Because women

1:47:07.640 --> 1:47:10.599
<v Speaker 1>run around chasing shit? But where's your kids at? Baby

1:47:11.080 --> 1:47:13.320
<v Speaker 1>feeling Matt Hostel wearing at all postile? That was a

1:47:13.400 --> 1:47:15.920
<v Speaker 1>style back then, flowing like Christ. When I speak to God,

1:47:16.000 --> 1:47:19.479
<v Speaker 1>I'm bringing gospel, bro, you know what I mean. So

1:47:19.640 --> 1:47:25.960
<v Speaker 1>it's like my mission was to instill inspiration like I

1:47:26.040 --> 1:47:28.479
<v Speaker 1>wanted to be. I'm lyrically, I'm serious. So you go

1:47:28.560 --> 1:47:32.559
<v Speaker 1>back and listen to my lyrics, bro, and take time.

1:47:32.680 --> 1:47:35.760
<v Speaker 1>Fusion of the five elements to search for the higher intelligence.

1:47:36.560 --> 1:47:39.439
<v Speaker 1>Women walk around cellar and live in irrelevant the most

1:47:39.479 --> 1:47:44.200
<v Speaker 1>benelevant king communicate through your dreams. Mental pictures have been painted,

1:47:44.479 --> 1:47:47.519
<v Speaker 1>but the law is heard, is scene everywhere, and you're

1:47:47.560 --> 1:47:53.000
<v Speaker 1>surrounding the atmosphere, thermisphere, stratusphere, trappisphere. Can you imagine from

1:47:53.160 --> 1:47:58.400
<v Speaker 1>one single idea everything appeared here? So understanding will make

1:47:58.439 --> 1:48:04.040
<v Speaker 1>the truth crystal clear. We got innocent black immigrants locked

1:48:04.080 --> 1:48:09.680
<v Speaker 1>in housing tenements eighty five dependent where phair recipients. My

1:48:09.800 --> 1:48:14.360
<v Speaker 1>neighborhood has been stamped like a concentration camp. For at nighttime,

1:48:14.400 --> 1:48:16.640
<v Speaker 1>I would walk through my throat. I was bright as

1:48:16.680 --> 1:48:23.800
<v Speaker 1>a street lamp. Electric proles right, electric proves, robotic strolls,

1:48:24.080 --> 1:48:27.960
<v Speaker 1>taking telescopic pictures of the globe. Babies being born now

1:48:28.040 --> 1:48:33.880
<v Speaker 1>with Michael Chip stuff inside their earlobes, examinated vaccinated lies,

1:48:33.960 --> 1:48:38.360
<v Speaker 1>fabricated food, and drug administration testing poison in prison population.

1:48:39.880 --> 1:48:43.360
<v Speaker 1>My occupation is to stop the inauguration of Satan. They

1:48:43.439 --> 1:48:46.880
<v Speaker 1>thought it was Ronald Reagan. That's why I come to

1:48:47.000 --> 1:48:49.960
<v Speaker 1>slave men like Bartholomeo, because every particle of some physical

1:48:50.080 --> 1:48:54.479
<v Speaker 1>articles is diabolicals down to the last molecule. But anyway,

1:49:01.040 --> 1:49:05.479
<v Speaker 1>but anyway, it's like I was doing that because shot that.

1:49:09.439 --> 1:49:10.200
<v Speaker 5>You do the work.

1:49:13.720 --> 1:49:16.400
<v Speaker 1>Anyway, you said, producing m C And yes, that's why

1:49:16.439 --> 1:49:21.360
<v Speaker 1>I said both. I love the way, yeah, okay, by nature?

1:49:22.280 --> 1:49:26.920
<v Speaker 1>Which way you're that's going to probably be now And

1:49:26.960 --> 1:49:29.200
<v Speaker 1>I'm getting clown im drinking and keep saying which way,

1:49:29.400 --> 1:49:32.680
<v Speaker 1>but I can't help but say which way good? No problems,

1:49:32.840 --> 1:49:33.479
<v Speaker 1>is my man? Man?

1:49:33.960 --> 1:49:36.200
<v Speaker 4>I think it's under I don't say underrated, but I

1:49:36.280 --> 1:49:38.080
<v Speaker 4>think he deserves to be higher.

1:49:38.160 --> 1:49:40.080
<v Speaker 3>And everybody's top list of them CS.

1:49:40.560 --> 1:49:43.519
<v Speaker 1>Like Sticky as well. Yeah, yes as well. Yes, they

1:49:43.720 --> 1:49:49.280
<v Speaker 1>both inspired culture flows and identity for a lot of rapplets.

1:49:49.800 --> 1:49:53.760
<v Speaker 1>A lot of their stuff is embedded in a lot

1:49:53.800 --> 1:49:57.719
<v Speaker 1>of em c's like it's like it's their sheet cold

1:49:58.040 --> 1:49:59.880
<v Speaker 1>that they won't admit, right, you know what I mean?

1:50:00.760 --> 1:50:04.120
<v Speaker 1>But for me, think you Treaches is both a special

1:50:04.439 --> 1:50:07.479
<v Speaker 1>because I would say both okay, and I'll tell you why.

1:50:09.200 --> 1:50:10.160
<v Speaker 3>You think that show.

1:50:12.640 --> 1:50:15.400
<v Speaker 1>Wait till you get up both they both like New

1:50:15.439 --> 1:50:17.800
<v Speaker 1>York is such a special place and shout out New

1:50:17.880 --> 1:50:22.320
<v Speaker 1>Jersey as well, and Philadelphia and Long but New York

1:50:22.439 --> 1:50:25.360
<v Speaker 1>long asters that's us were together. Somebody trying to say

1:50:25.360 --> 1:50:28.760
<v Speaker 1>Buffalo wasn't New York. Buffalo is New York, New York.

1:50:28.840 --> 1:50:32.760
<v Speaker 1>You're not going for that, veron all, that's New York, bro.

1:50:33.320 --> 1:50:38.439
<v Speaker 1>But for Trench and and any and them, Mamud Tommy boy.

1:50:38.560 --> 1:50:40.439
<v Speaker 1>That's right. I was tom Boy too, and we wasn't

1:50:40.520 --> 1:50:43.920
<v Speaker 1>nobody made it yet, so they sending us out together

1:50:44.840 --> 1:50:49.439
<v Speaker 1>to the radio with which came in at my name.

1:50:49.680 --> 1:50:52.680
<v Speaker 3>That's right, Okay, like this they make it though.

1:50:56.560 --> 1:50:58.680
<v Speaker 1>I remember going to see him after Apollo, after they

1:50:58.760 --> 1:51:00.320
<v Speaker 1>made it, and I ain't seen him like my five

1:51:00.360 --> 1:51:02.600
<v Speaker 1>six months. You know, I'm still trying this ship. But

1:51:02.680 --> 1:51:04.960
<v Speaker 1>you know it's my mass you know, they oh shit,

1:51:05.080 --> 1:51:07.840
<v Speaker 1>let me, he's my brother. Trech is like that type

1:51:07.880 --> 1:51:10.400
<v Speaker 1>of guy. He's a special guy. He's just he's one

1:51:10.439 --> 1:51:16.479
<v Speaker 1>of the once again another special entity. But but I

1:51:16.600 --> 1:51:19.880
<v Speaker 1>seen them. He came off stage sweat, he took his

1:51:19.920 --> 1:51:23.479
<v Speaker 1>shirt up, muscles everything, It's like bunk bunk ship And

1:51:23.560 --> 1:51:28.800
<v Speaker 1>I was like, oh ship, my my dude. We were

1:51:28.800 --> 1:51:31.560
<v Speaker 1>still a limo together like this falling out, like just

1:51:31.640 --> 1:51:36.439
<v Speaker 1>going to the radio, just doing freestyles, hoping, and now

1:51:36.479 --> 1:51:40.920
<v Speaker 1>he he was platinum. Yo, bitch is going crazy. You

1:51:41.000 --> 1:51:43.120
<v Speaker 1>know my song is about business. They're not going crazy,

1:51:45.120 --> 1:51:47.680
<v Speaker 1>you know what I'm saying. But but but still the

1:51:47.760 --> 1:51:50.280
<v Speaker 1>brotherhood was like that, you know what I mean? And

1:51:50.320 --> 1:51:52.920
<v Speaker 1>when WU were opened our first store, this that and

1:51:52.920 --> 1:51:56.920
<v Speaker 1>the other. Right, yeah, okay, he came through basically basically

1:51:56.920 --> 1:51:59.240
<v Speaker 1>almost bought it out. Wow, you know what I mean,

1:51:59.280 --> 1:52:01.240
<v Speaker 1>that's how much. But then you go about the Sticky,

1:52:01.760 --> 1:52:05.280
<v Speaker 1>it's like Sticky and Onyx and fucking Frasro. That's my

1:52:05.439 --> 1:52:08.120
<v Speaker 1>those are my party homies. Were the dudes in the

1:52:08.200 --> 1:52:12.000
<v Speaker 1>party before nobody's on. We're the real dudes in the party,

1:52:12.560 --> 1:52:15.160
<v Speaker 1>you know what I mean. It's like whatever, you know

1:52:15.200 --> 1:52:17.519
<v Speaker 1>what I mean, if it's a vic, if it's something

1:52:17.600 --> 1:52:23.439
<v Speaker 1>going down, we were the real meat, dirty, sticky me Frasro.

1:52:23.960 --> 1:52:26.439
<v Speaker 1>If you if you was in the party, in the

1:52:26.479 --> 1:52:30.840
<v Speaker 1>street party, those are the real motherfuckers. That how they

1:52:30.880 --> 1:52:35.400
<v Speaker 1>got in, we don't know. Is it dangerous now in

1:52:35.439 --> 1:52:37.479
<v Speaker 1>this party a little more dangerous, yes, you know what

1:52:37.520 --> 1:52:39.840
<v Speaker 1>I mean. So sticky in them all they was like

1:52:40.000 --> 1:52:41.920
<v Speaker 1>when they got on too, it was like I was like,

1:52:42.000 --> 1:52:44.800
<v Speaker 1>oh shit, all the real niggas is getting on now,

1:52:44.880 --> 1:52:48.560
<v Speaker 1>like some of the real people that wasn't just like

1:52:48.880 --> 1:52:52.920
<v Speaker 1>uh just kind of like the streets was getting in.

1:52:53.439 --> 1:52:55.920
<v Speaker 1>Specs as an example of the streets getting in. Sticky

1:52:56.000 --> 1:52:57.720
<v Speaker 1>is an example of the streets getting and who is

1:52:57.760 --> 1:53:05.200
<v Speaker 1>the entire community straight up? Though? Anyway, love what you got.

1:53:07.200 --> 1:53:12.040
<v Speaker 3>Karas one on rock him in your way, I say,

1:53:12.080 --> 1:53:12.479
<v Speaker 3>which way?

1:53:13.800 --> 1:53:21.960
<v Speaker 1>Wow, Jamie, Look, that's that's that's even though it sounds hard, right,

1:53:23.680 --> 1:53:28.679
<v Speaker 1>rock him, Okay, right, they both gave us so much,

1:53:29.760 --> 1:53:30.280
<v Speaker 1>you know what I mean.

1:53:31.280 --> 1:53:35.400
<v Speaker 3>And caras One, you know his type of dude.

1:53:36.280 --> 1:53:39.479
<v Speaker 1>Nobody ever wanted to get on after caras won. You

1:53:39.560 --> 1:53:44.280
<v Speaker 1>never did a show. He's with caras One. You better

1:53:44.360 --> 1:53:46.960
<v Speaker 1>go first. And he gave a speech in between and

1:53:47.040 --> 1:53:50.360
<v Speaker 1>ship and everyone shuts up and listens. Yo, he did

1:53:50.439 --> 1:53:54.599
<v Speaker 1>one show. Yo. He dropped back to back bangers. I'm

1:53:54.600 --> 1:53:59.600
<v Speaker 1>talking about ten, twelve, thirteen, back to back bangers and

1:53:59.680 --> 1:54:04.559
<v Speaker 1>then like, okay, that was the mic check didn't wait

1:54:04.600 --> 1:54:09.240
<v Speaker 1>into the ship. That's something. There's how many bangers he got, right,

1:54:09.280 --> 1:54:14.479
<v Speaker 1>because he made albums that was full of bangs listen til.

1:54:16.520 --> 1:54:16.680
<v Speaker 4>Right.

1:54:17.320 --> 1:54:21.200
<v Speaker 1>So in that capacity you're gonna not find really not

1:54:21.439 --> 1:54:24.240
<v Speaker 1>nobody that could do that. But when you when you

1:54:24.320 --> 1:54:27.599
<v Speaker 1>mentioned it to me, my mom went to the argument

1:54:27.720 --> 1:54:31.240
<v Speaker 1>of those mcs who was the best and what rock

1:54:31.320 --> 1:54:33.800
<v Speaker 1>Kilm wrote in his two albums.

1:54:34.560 --> 1:54:37.920
<v Speaker 3>You know what I mean, and that didn't curse exactly

1:54:38.000 --> 1:54:39.280
<v Speaker 3>for most part.

1:54:39.160 --> 1:54:42.920
<v Speaker 1>Of the most part what he wrote, bro, no MC

1:54:43.080 --> 1:54:46.520
<v Speaker 1>of that generation compete compared to that. You know what

1:54:46.520 --> 1:54:48.680
<v Speaker 1>I'm saying. They could try and argue it if you want.

1:54:49.400 --> 1:54:51.360
<v Speaker 1>But if you go, what did you say when the

1:54:51.440 --> 1:54:53.800
<v Speaker 1>Earth gets further and further? He said? Follow me? Right,

1:54:54.080 --> 1:54:57.400
<v Speaker 1>so you thought you was first, Well, let's travel at

1:54:57.440 --> 1:55:01.040
<v Speaker 1>a magnificent speed around the universe. You thought you was first,

1:55:01.040 --> 1:55:03.640
<v Speaker 1>will follow me, and let's travel at a magnificent speed

1:55:03.720 --> 1:55:06.440
<v Speaker 1>around the universe. And what would you say when the

1:55:06.520 --> 1:55:09.760
<v Speaker 1>Earth gets further and further away, and the planet seems

1:55:09.760 --> 1:55:12.840
<v Speaker 1>small like balls of clay, and you straight into the

1:55:13.080 --> 1:55:16.600
<v Speaker 1>milky way, wells out of sight as far as your

1:55:16.680 --> 1:55:20.240
<v Speaker 1>eye can see, not even a saddle lighte. But then

1:55:20.320 --> 1:55:24.120
<v Speaker 1>suddenly you see a star. You better follow it because

1:55:24.160 --> 1:55:34.400
<v Speaker 1>it's the all from the to triple darkness, and then

1:55:34.480 --> 1:55:39.360
<v Speaker 1>appeared for you. So his lyrical content and abilities were

1:55:40.480 --> 1:55:43.160
<v Speaker 1>just now incredible. So even caras One gave us a

1:55:43.160 --> 1:55:46.000
<v Speaker 1>lot of things, you know, like what's beef right? Or

1:55:46.080 --> 1:55:49.440
<v Speaker 1>even when he talked about you know, your diet. The

1:55:49.560 --> 1:55:53.600
<v Speaker 1>teacher Jimmy my philosophy is Jimmy great great great, But

1:55:53.680 --> 1:55:57.720
<v Speaker 1>I'm just saying the concentration she what makes her dope.

1:55:57.760 --> 1:56:00.240
<v Speaker 1>Em See, this is the way you could could taking

1:56:00.280 --> 1:56:04.160
<v Speaker 1>the throat in the garbage. Some mcs are a container

1:56:04.240 --> 1:56:07.600
<v Speaker 1>of juice. You ever get that good apple juice, like

1:56:07.720 --> 1:56:14.520
<v Speaker 1>that whole fucking Martelli's apple juice. That ship is good, good,

1:56:17.320 --> 1:56:22.879
<v Speaker 1>it is good. But some MC's it's the concentrated apple juice.

1:56:23.640 --> 1:56:27.880
<v Speaker 1>You gotta add water to this, nigga, my chemist, dad,

1:56:28.320 --> 1:56:33.160
<v Speaker 1>you gotta add water, all right, Okay, I be asking that. Okay,

1:56:33.960 --> 1:56:37.320
<v Speaker 1>now this one I already because I bet, I bet

1:56:37.360 --> 1:56:39.440
<v Speaker 1>you will be on time. And I lost that bet.

1:56:39.560 --> 1:56:41.760
<v Speaker 1>But I bet on this this question too. Hold on,

1:56:42.840 --> 1:56:45.280
<v Speaker 1>that's a good guy. But no, I bet on you.

1:56:45.960 --> 1:56:46.800
<v Speaker 1>I was on time.

1:56:46.960 --> 1:56:49.080
<v Speaker 3>We thought as much as we were talking, you were definitely.

1:56:50.320 --> 1:56:52.640
<v Speaker 10>We were here two hours early just to make sure

1:56:52.880 --> 1:56:54.520
<v Speaker 10>because we knew he was gonna be on time.

1:56:54.600 --> 1:56:57.800
<v Speaker 1>I bet on you. We do this with every artist

1:56:57.920 --> 1:57:01.720
<v Speaker 1>like we bet right, and I got to afford thirty

1:57:01.880 --> 1:57:02.240
<v Speaker 1>sucked up.

1:57:05.120 --> 1:57:07.240
<v Speaker 3>We only say because we told everybody he's gonna be

1:57:07.320 --> 1:57:07.720
<v Speaker 3>on time.

1:57:09.360 --> 1:57:11.840
<v Speaker 1>But but but hold on, but I'm not. I'm not

1:57:11.880 --> 1:57:18.240
<v Speaker 1>gonna lead the witness. Analog or digital bought me digital

1:57:18.360 --> 1:57:21.200
<v Speaker 1>that well, if you'd have asked me a few years ago,

1:57:21.200 --> 1:57:23.400
<v Speaker 1>I would have I would have chose this time I

1:57:23.440 --> 1:57:32.320
<v Speaker 1>got to say both, I love again. I thought you,

1:57:33.240 --> 1:57:35.000
<v Speaker 1>I know, if you had some years ago reason why

1:57:35.000 --> 1:57:37.400
<v Speaker 1>I would have said digital a few years But first

1:57:37.400 --> 1:57:40.400
<v Speaker 1>of all, digital is where we're at. But you can

1:57:40.440 --> 1:57:43.000
<v Speaker 1>still use this. There's things that you can still use analog.

1:57:45.000 --> 1:57:46.680
<v Speaker 1>Let me tell you about while I saying analog, bro,

1:57:47.160 --> 1:57:48.600
<v Speaker 1>because now we're in the AI world.

1:57:49.320 --> 1:57:50.440
<v Speaker 3>It's a whole different world now.

1:57:50.680 --> 1:57:53.040
<v Speaker 1>So now that we're in the AI world, you're gonna

1:57:53.200 --> 1:57:57.040
<v Speaker 1>wish somebody just played the guitar for you. You're gonna

1:57:57.080 --> 1:57:59.640
<v Speaker 1>wish at the resonance of that. You wanna want to

1:57:59.680 --> 1:58:05.080
<v Speaker 1>wish that the that real physical sound is real. Watch

1:58:05.120 --> 1:58:08.600
<v Speaker 1>when you get a porter, a porter shorty. When the

1:58:08.680 --> 1:58:11.720
<v Speaker 1>Porter Shorty is the robot. Yeah, Watch when you get

1:58:11.720 --> 1:58:15.120
<v Speaker 1>a porter shorty short Yeah. I hope, we hope. We

1:58:15.160 --> 1:58:21.040
<v Speaker 1>don't need them. We got wives for some dudes. People

1:58:21.080 --> 1:58:25.360
<v Speaker 1>gonna get Porter Shorty. It's gonna, it's gonna it's gonna

1:58:27.960 --> 1:58:33.120
<v Speaker 1>lyric about it. The Porter. Yeah, the Porter, the Porter Shorty.

1:58:34.080 --> 1:58:36.200
<v Speaker 1>Right when you do it, she's gonna click her eyes

1:58:36.240 --> 1:58:38.760
<v Speaker 1>and record it for you and then hit it and

1:58:38.800 --> 1:58:43.160
<v Speaker 1>then she's gonna play it back. I don't even know

1:58:43.280 --> 1:58:50.240
<v Speaker 1>what the I don't know. That's the play. When you

1:58:50.280 --> 1:58:53.120
<v Speaker 1>got your robot shorty recording you. She's gonna film that

1:58:53.200 --> 1:58:55.240
<v Speaker 1>you're doing. She's gonna be filming you as you're doing it.

1:58:55.520 --> 1:58:58.800
<v Speaker 1>But you want her to film, You want her to listen.

1:58:58.880 --> 1:59:02.360
<v Speaker 1>Bro's having it on his own. He gotta take his data.

1:59:02.880 --> 1:59:03.640
<v Speaker 3>It needs data.

1:59:05.080 --> 1:59:08.919
<v Speaker 4>I see just a sign note. I've seen this billionaire

1:59:09.000 --> 1:59:10.960
<v Speaker 4>on It was something I saw online. But he said,

1:59:11.960 --> 1:59:14.960
<v Speaker 4>you know, the future of investing. He wants to invest

1:59:15.080 --> 1:59:18.839
<v Speaker 4>in sports because AI is going to take over everything,

1:59:18.880 --> 1:59:21.760
<v Speaker 4>and everything's gonna be so digital that the physical people

1:59:21.800 --> 1:59:25.400
<v Speaker 4>that actually do sports is gonna be a commodity running man.

1:59:26.200 --> 1:59:26.400
<v Speaker 1>Yeah.

1:59:26.800 --> 1:59:28.760
<v Speaker 4>Yeah, So he's investing all his money. This is a

1:59:28.800 --> 1:59:31.840
<v Speaker 4>guy that invested in tech supposedly, now he's gonna invest

1:59:31.920 --> 1:59:35.720
<v Speaker 4>in sports. He's going analogue. He's going analog.

1:59:35.800 --> 1:59:36.600
<v Speaker 1>Yeah, that's what he's doing.

1:59:37.360 --> 1:59:41.080
<v Speaker 3>So he said, both okay, okay, I like, hold on,

1:59:41.400 --> 1:59:42.200
<v Speaker 3>I got interrupt you.

1:59:43.600 --> 1:59:46.240
<v Speaker 1>I like that listen. You know, is he taking all

1:59:46.280 --> 1:59:50.240
<v Speaker 1>these shots? You hitting these dudes going back to back

1:59:50.320 --> 1:59:52.600
<v Speaker 1>on the Bone Show? Yeah, okay, okay, oh no, this

1:59:52.720 --> 1:59:54.960
<v Speaker 1>is all no, no, no, no, it's a good thing.

1:59:56.440 --> 2:00:00.480
<v Speaker 1>I'm a little I'm press he got the low let

2:00:00.520 --> 2:00:08.440
<v Speaker 1>me see that. Yes, yeah, I'm smoking later, Yeah, okay

2:00:20.600 --> 2:00:24.360
<v Speaker 1>for yoll how much time? You know we kind of

2:00:24.400 --> 2:00:27.800
<v Speaker 1>the hour, right, Yeah, I'm happy. Listen. Let me just

2:00:27.880 --> 2:00:29.280
<v Speaker 1>want to make it all the way through. Yes, yes,

2:00:29.360 --> 2:00:31.480
<v Speaker 1>let me just tell you something. Bro, I'm gonna be honest.

2:00:31.560 --> 2:00:34.160
<v Speaker 1>If we've done it's part of the show. Yes, but listen,

2:00:34.240 --> 2:00:37.720
<v Speaker 1>but let me just tell you something. And you know,

2:00:39.520 --> 2:00:42.160
<v Speaker 1>we've had other people on this show, we had other legends,

2:00:42.240 --> 2:00:44.480
<v Speaker 1>but we have never had the abbot on this show.

2:00:44.760 --> 2:00:47.480
<v Speaker 1>And you know what, I am so happy, I'm so

2:00:47.960 --> 2:00:54.240
<v Speaker 1>honored and we he asked me if.

2:00:55.640 --> 2:00:57.240
<v Speaker 3>But what I'm trying to say is, man, this is

2:00:57.320 --> 2:00:57.960
<v Speaker 3>this is a blessing.

2:00:58.080 --> 2:01:00.240
<v Speaker 1>Man. So in case I ain't saying earlier or we

2:01:00.320 --> 2:01:02.120
<v Speaker 1>didn't say it earlier, I just want to say to

2:01:02.200 --> 2:01:04.200
<v Speaker 1>you and your beautiful wife, thank you. Man. You know

2:01:04.240 --> 2:01:06.720
<v Speaker 1>what I'm saying because I know I know you ain't

2:01:07.160 --> 2:01:09.240
<v Speaker 1>you know, you know at the end of the day,

2:01:09.360 --> 2:01:11.840
<v Speaker 1>like you know, I you know, I live this life,

2:01:11.840 --> 2:01:14.800
<v Speaker 1>so I understand, like and our culture, what we were

2:01:14.840 --> 2:01:16.720
<v Speaker 1>trying to do is, you know, so many people say

2:01:16.760 --> 2:01:18.440
<v Speaker 1>that if you have ten years in this game, like

2:01:18.560 --> 2:01:20.600
<v Speaker 1>you washed up and so many other and so many

2:01:20.680 --> 2:01:23.760
<v Speaker 1>other coaches. I've never even heard that word be spoke

2:01:23.840 --> 2:01:25.840
<v Speaker 1>of washed up or your time is up?

2:01:26.040 --> 2:01:26.960
<v Speaker 3>Like what the fuck is that?

2:01:27.120 --> 2:01:27.600
<v Speaker 1>Does that mean?

2:01:27.720 --> 2:01:30.720
<v Speaker 3>Other than boxing and sports and like that? But what

2:01:30.880 --> 2:01:31.920
<v Speaker 3>other genre of music?

2:01:32.040 --> 2:01:34.520
<v Speaker 1>These motherfuckers Martley Crewe and them niggas, they tore fucking

2:01:34.560 --> 2:01:38.760
<v Speaker 1>them niggas nine hundred, Like I just saw the Grateful

2:01:38.880 --> 2:01:43.040
<v Speaker 1>Dad in Vegas two weeks ago. I don't even know

2:01:43.040 --> 2:01:45.960
<v Speaker 1>those people are still lying. I love them. I think, Bob,

2:01:46.000 --> 2:01:49.240
<v Speaker 1>Where's eighty two? And they're still killing it, killing it,

2:01:49.360 --> 2:01:51.920
<v Speaker 1>beautiful show. So why they can't hip hop? Why why

2:01:52.000 --> 2:01:53.880
<v Speaker 1>we can't grow with that? Why we can't? And you

2:01:53.960 --> 2:01:56.520
<v Speaker 1>know what's crazy about I'm sorry to make it all

2:01:56.600 --> 2:01:57.880
<v Speaker 1>make sense, but let me make it, make it, make

2:01:57.880 --> 2:01:59.920
<v Speaker 1>it all make sense. That was then illest thing about

2:02:00.280 --> 2:02:03.120
<v Speaker 1>You're watching you and nas, you guys and knaves in

2:02:03.240 --> 2:02:05.600
<v Speaker 1>Paris together was I was looking. I was like, look

2:02:05.640 --> 2:02:07.920
<v Speaker 1>at the audience and the shit was packed, it was

2:02:08.000 --> 2:02:11.400
<v Speaker 1>sold out. But I'm looking, and there was some there

2:02:11.480 --> 2:02:13.560
<v Speaker 1>was there was a lot of youngins in there that

2:02:13.680 --> 2:02:17.480
<v Speaker 1>you thought were with their parents. But then I was paused.

2:02:17.520 --> 2:02:20.640
<v Speaker 1>I was watching their mouths and they knew the words,

2:02:21.040 --> 2:02:24.200
<v Speaker 1>and I'm like, oh no, their parents.

2:02:26.080 --> 2:02:27.560
<v Speaker 3>I rememberated like, you.

2:02:27.600 --> 2:02:30.040
<v Speaker 1>Know, at first, at first sight you're looking You're like,

2:02:30.160 --> 2:02:32.240
<v Speaker 1>all right, cool, but then you look at you like,

2:02:32.280 --> 2:02:35.839
<v Speaker 1>wait a minute. These are good parents. These are parents

2:02:35.960 --> 2:02:39.160
<v Speaker 1>who who let their kids listen to the right music.

2:02:39.560 --> 2:02:43.200
<v Speaker 1>And the kids were actually it's like Bob Marley. It

2:02:43.360 --> 2:02:45.720
<v Speaker 1>just it's so beautiful. It's so beautiful. So it's know,

2:02:45.760 --> 2:02:48.440
<v Speaker 1>it's so crazy. One thing I did see and hip

2:02:48.480 --> 2:02:51.840
<v Speaker 1>hop is a beautiful thing. I was in Australia and

2:02:52.480 --> 2:02:54.720
<v Speaker 1>the day in Australia that bugged me out is that

2:02:55.160 --> 2:03:02.120
<v Speaker 1>the audience was actually forty percent or young. Wow. Yeah,

2:03:02.520 --> 2:03:04.680
<v Speaker 1>I'm talking about like it was weird a little bit too.

2:03:04.960 --> 2:03:08.680
<v Speaker 1>I had to I had to like lecture them. I

2:03:08.760 --> 2:03:11.320
<v Speaker 1>got back to the hotel. It was like twenty eighteen

2:03:11.360 --> 2:03:14.440
<v Speaker 1>year old as a hold on seal, girls listen due

2:03:14.480 --> 2:03:18.400
<v Speaker 1>this we did not this is but it's not a

2:03:18.520 --> 2:03:23.240
<v Speaker 1>boy band, it's he's a grown man. You guys, go home,

2:03:23.440 --> 2:03:26.400
<v Speaker 1>this is weird, take a picture and go home. I

2:03:26.880 --> 2:03:28.720
<v Speaker 1>how to tell people, get them home. I had to

2:03:28.760 --> 2:03:31.960
<v Speaker 1>get girls out of vans right. But but the point

2:03:31.960 --> 2:03:35.720
<v Speaker 1>I'm making is that the attraction of our culture. The

2:03:35.800 --> 2:03:38.800
<v Speaker 1>attraction of the music is timeless, and that's what it's

2:03:38.800 --> 2:03:41.400
<v Speaker 1>supposed to be. That's beautiful. It's beautiful. And what we

2:03:41.560 --> 2:03:45.040
<v Speaker 1>got to do and hopefully if we can right is

2:03:47.520 --> 2:03:52.000
<v Speaker 1>not be shy or brave enough to circulate back around

2:03:52.080 --> 2:03:54.680
<v Speaker 1>the globe and touch the people. Because the thing that

2:03:54.920 --> 2:03:59.320
<v Speaker 1>happened is it ain't It won't be because the guys

2:03:59.360 --> 2:04:03.200
<v Speaker 1>said ten year a wash up. The guy who accepts

2:04:03.280 --> 2:04:08.720
<v Speaker 1>that makes his self wash up. He won't come outside,

2:04:09.400 --> 2:04:13.440
<v Speaker 1>he won't show up because he don't you know, he

2:04:13.480 --> 2:04:16.240
<v Speaker 1>hasn't preserved hisself. He don't feel the chi you know

2:04:16.240 --> 2:04:18.520
<v Speaker 1>what I mean? There was recently. So if you do say,

2:04:18.520 --> 2:04:20.000
<v Speaker 1>they don't wan, they don't want to do videos no

2:04:20.080 --> 2:04:24.720
<v Speaker 1>more because because of the physical appearances like nah nah yo, gee, listen,

2:04:25.440 --> 2:04:28.320
<v Speaker 1>you're still appreciated. You remember least you know least grass Peiri.

2:04:28.400 --> 2:04:31.520
<v Speaker 1>He might know what that is, yo. You see Lee

2:04:31.560 --> 2:04:35.160
<v Speaker 1>Scrass Prairie Yo. He was he I went to a

2:04:35.240 --> 2:04:38.400
<v Speaker 1>Jamaican festival. Oh his roster ship, that's why he knows.

2:04:39.920 --> 2:04:43.200
<v Speaker 1>He looked like a prophet, right, he was super super

2:04:43.320 --> 2:04:45.960
<v Speaker 1>great out just you know what you wanted to see him.

2:04:46.760 --> 2:04:48.400
<v Speaker 1>You wanted to touch that. He was like, yo, hold on,

2:04:48.440 --> 2:04:51.200
<v Speaker 1>I want to that that's real, but you know so

2:04:51.520 --> 2:04:54.360
<v Speaker 1>so just saying that that the culture will continue to

2:04:54.440 --> 2:04:58.480
<v Speaker 1>attract younger generations. The industry itself thought they could write

2:04:58.520 --> 2:05:00.600
<v Speaker 1>it off, but they thought it was a fat It's

2:05:00.640 --> 2:05:03.360
<v Speaker 1>not a fadest fifty years. It's fifty years old, you know,

2:05:03.760 --> 2:05:06.480
<v Speaker 1>and it's international, and it's international. It's going to continue.

2:05:06.640 --> 2:05:08.640
<v Speaker 4>And one thing I've said on this show a bunch

2:05:08.640 --> 2:05:12.040
<v Speaker 4>of times is it's the number. It should be considered

2:05:12.080 --> 2:05:15.280
<v Speaker 4>that it is the number one cultural export of the

2:05:15.400 --> 2:05:18.200
<v Speaker 4>United States to the world, and we are not really

2:05:18.240 --> 2:05:19.200
<v Speaker 4>taking advantage of that.

2:05:19.720 --> 2:05:22.040
<v Speaker 3>The culture didn't take advantage of it, right, We didn't.

2:05:22.080 --> 2:05:24.640
<v Speaker 4>And what happens is each region now is saying, all right, well,

2:05:25.280 --> 2:05:27.720
<v Speaker 4>because I've traveled and they in the hip hop heads

2:05:27.760 --> 2:05:29.720
<v Speaker 4>in these countries and said, you guys lost your way

2:05:29.880 --> 2:05:34.520
<v Speaker 4>hip hop wise, you guys are corporate and you lost it.

2:05:34.680 --> 2:05:38.000
<v Speaker 4>So they're creating their own vibe within themselves, which which

2:05:38.040 --> 2:05:40.600
<v Speaker 4>is just good. Yeah, but we should pay attention and

2:05:41.280 --> 2:05:42.280
<v Speaker 4>keep in touch because it.

2:05:42.360 --> 2:05:46.320
<v Speaker 1>Got from here, right, well, they will come back here too.

2:05:46.360 --> 2:05:50.720
<v Speaker 1>There's the artist called I did an album with an artist.

2:05:50.800 --> 2:05:54.000
<v Speaker 1>Her name is a witch out of Okinawa and she

2:05:54.200 --> 2:05:59.720
<v Speaker 1>kind of Yeah, Okinawa, Japan got a song featuring asaf Berg.

2:06:01.800 --> 2:06:02.520
<v Speaker 1>Who else joined it?

2:06:03.080 --> 2:06:07.240
<v Speaker 3>That's where mister Miyagi from Yeah yeah, hold.

2:06:07.120 --> 2:06:16.960
<v Speaker 1>On one of the biggest the home of Saki Yo Okinawa. Right,

2:06:17.160 --> 2:06:20.440
<v Speaker 1>check this out, love, they got a saki Okay, check

2:06:20.520 --> 2:06:24.200
<v Speaker 1>this out. So they had a snake that was killing

2:06:24.240 --> 2:06:27.480
<v Speaker 1>all the people. Oh ship they put the snake in. Yeah,

2:06:27.560 --> 2:06:29.920
<v Speaker 1>snake was poisonous, killing all the people. They went and

2:06:30.080 --> 2:06:33.040
<v Speaker 1>captured them, all the snakes and they put them in

2:06:33.600 --> 2:06:36.400
<v Speaker 1>in saki bottles and you drank it. They fermented the

2:06:36.440 --> 2:06:39.440
<v Speaker 1>snake and it's an apple dsiac. I believe that. Let's

2:06:39.520 --> 2:06:48.040
<v Speaker 1>be drinking and you'd be like, yo, what up? Anyway? Okinawa? Okay?

2:06:48.120 --> 2:06:51.640
<v Speaker 1>This this we at We got.

2:06:53.240 --> 2:06:57.480
<v Speaker 3>Full time slime, Primo a p rock. Now you skipped

2:06:57.520 --> 2:06:58.000
<v Speaker 3>a million.

2:06:58.040 --> 2:06:59.800
<v Speaker 1>I know that's why you're gonna do it. No, No,

2:07:01.200 --> 2:07:02.880
<v Speaker 1>we can added this, we can we can go back,

2:07:02.960 --> 2:07:06.440
<v Speaker 1>we go back. Yeah, you add all this, but Primo

2:07:06.600 --> 2:07:11.800
<v Speaker 1>Pete rock in which in the producer way, that's the

2:07:11.880 --> 2:07:16.480
<v Speaker 1>deep even though Peple Rock do rhyme too, that's that's

2:07:16.600 --> 2:07:23.160
<v Speaker 1>that's deep rock rock. That's that's deep. That's a deep one.

2:07:23.880 --> 2:07:30.680
<v Speaker 1>I gotta say both. I'm in this takes really better.

2:07:30.720 --> 2:07:31.200
<v Speaker 1>It's getting better.

2:07:32.600 --> 2:07:33.240
<v Speaker 5>Is different?

2:07:33.440 --> 2:07:35.560
<v Speaker 3>Is it a different one? I'm saying, is it like,

2:07:35.640 --> 2:07:36.440
<v Speaker 3>what's the mixture of this?

2:07:36.640 --> 2:07:39.560
<v Speaker 1>Yeah? So so this one here is also. I like

2:07:39.680 --> 2:07:42.440
<v Speaker 1>this one the best. It's still a jumi, but so

2:07:43.000 --> 2:07:47.160
<v Speaker 1>not to go there. This this particular brand makes about

2:07:47.280 --> 2:07:53.160
<v Speaker 1>five levels of saki, all premeal. She's getting more, She's

2:07:53.200 --> 2:07:53.760
<v Speaker 1>moving more and more.

2:07:53.960 --> 2:07:55.040
<v Speaker 3>She didn't even know that, did you know that?

2:07:55.840 --> 2:07:59.840
<v Speaker 1>Yeah, she's moving up and off. Is that the left bottle?

2:08:00.440 --> 2:08:04.000
<v Speaker 1>We got the ceramic? No, we don't get the ceramic.

2:08:04.080 --> 2:08:06.880
<v Speaker 1>It's the only one we could. No, No, there's a ceramic. Yeah,

2:08:07.960 --> 2:08:12.120
<v Speaker 1>so that's that's we have it. Yeah, yeah, we move

2:08:12.160 --> 2:08:14.040
<v Speaker 1>it up the ladder. Okay, okay, let's go.

2:08:16.520 --> 2:08:17.720
<v Speaker 3>Start passing people, I think.

2:08:21.560 --> 2:08:23.720
<v Speaker 1>Okay, so let me let me speak of those who brothers.

2:08:23.760 --> 2:08:25.600
<v Speaker 1>You're gonna chop you up anyway. So whatever.

2:08:27.240 --> 2:08:31.840
<v Speaker 3>So p Rock, you know, he pioneered so much for

2:08:31.960 --> 2:08:33.000
<v Speaker 3>us and hip hop.

2:08:34.800 --> 2:08:35.200
<v Speaker 1>Always.

2:08:35.800 --> 2:08:39.040
<v Speaker 3>You know, I love his horn chops was very interesting.

2:08:39.160 --> 2:08:42.120
<v Speaker 1>It was he was an m C. He rock and

2:08:42.160 --> 2:08:45.240
<v Speaker 1>see all smooth, crazy, his his his his his ideas,

2:08:46.000 --> 2:08:48.640
<v Speaker 1>you know, and then Premiere.

2:08:49.280 --> 2:08:53.839
<v Speaker 3>Premiere actually created a formula.

2:08:56.040 --> 2:09:02.560
<v Speaker 1>Premiere made a formula that works every time MS if

2:09:02.560 --> 2:09:05.080
<v Speaker 1>you pay attention to that. A lot of producers wasn't

2:09:05.080 --> 2:09:09.400
<v Speaker 1>able to do that. He created his own formula. You

2:09:09.560 --> 2:09:12.440
<v Speaker 1>check Pete Rock, you check Residue, check dras. None of

2:09:12.560 --> 2:09:17.760
<v Speaker 1>us don't have a concise formula. I'm trying to figure

2:09:17.760 --> 2:09:18.480
<v Speaker 1>out where you're going with.

2:09:18.560 --> 2:09:21.040
<v Speaker 4>This, Like he's consistent in his formulas. What you're saying

2:09:21.120 --> 2:09:23.800
<v Speaker 4>his formala his fault. Yeah, you don't mean a sound,

2:09:24.240 --> 2:09:24.800
<v Speaker 4>not a sound.

2:09:25.000 --> 2:09:27.760
<v Speaker 1>I mean it is kind of. It's not a sound

2:09:27.760 --> 2:09:30.720
<v Speaker 1>because this sound was inspired by all his sound changes as.

2:09:30.640 --> 2:09:33.600
<v Speaker 4>We change, right, Okay, okay, but physic it's drum pattern

2:09:34.080 --> 2:09:35.280
<v Speaker 4>is his formal.

2:09:35.920 --> 2:09:38.280
<v Speaker 1>Yeah, I'm trying to figure out what you mean. Okay,

2:09:38.560 --> 2:09:39.280
<v Speaker 1>his formala.

2:09:39.400 --> 2:09:44.959
<v Speaker 3>Okay, you're saying it's a chop like he has a form.

2:09:46.320 --> 2:09:50.760
<v Speaker 1>He has a formula that you know it is a Premiere.

2:09:51.480 --> 2:09:53.520
<v Speaker 3>Well yeah, it's a signature sound for sure.

2:09:53.600 --> 2:09:56.960
<v Speaker 1>Yeah, but not just the sound. Bro if he don't

2:09:57.000 --> 2:09:59.680
<v Speaker 1>scratch in the hook, but you can still know it's

2:09:59.720 --> 2:10:02.800
<v Speaker 1>for me, No, it ain't Premire. You're not going to

2:10:02.920 --> 2:10:04.720
<v Speaker 1>find his joint.

2:10:04.880 --> 2:10:08.040
<v Speaker 3>Without a scratching it that he doesn't incorporate his DJ,

2:10:09.560 --> 2:10:10.880
<v Speaker 3>his his his his his.

2:10:11.800 --> 2:10:14.600
<v Speaker 1>He also keeps I think he keeps one of his

2:10:14.720 --> 2:10:18.600
<v Speaker 1>old machines still right, he keeps keeps his old equipment

2:10:19.240 --> 2:10:22.240
<v Speaker 1>and he uses that in his formula show every time

2:10:22.280 --> 2:10:26.440
<v Speaker 1>you played one of his tracks, right, you know, Okay,

2:10:26.480 --> 2:10:31.360
<v Speaker 1>that's what you could tell it's Premiere right, right, right,

2:10:31.560 --> 2:10:33.520
<v Speaker 1>But Pete Rock. You got to Michael old p Rock

2:10:33.560 --> 2:10:37.160
<v Speaker 1>did that? You can tell him that. No, Okay, did

2:10:37.200 --> 2:10:44.040
<v Speaker 1>you know Pete Rock when he did? Okay, wait, who

2:10:44.080 --> 2:10:56.520
<v Speaker 1>did Above the Clouds? That was that's Premier's people. All

2:10:56.560 --> 2:10:58.160
<v Speaker 1>the way they did was the one when it was

2:10:58.400 --> 2:11:03.920
<v Speaker 1>with the racing ship, Start your engines? Yeah, yeah, that's

2:11:03.960 --> 2:11:04.440
<v Speaker 1>Pete Rock.

2:11:04.800 --> 2:11:06.440
<v Speaker 3>Right, But wasn't you on that?

2:11:08.760 --> 2:11:11.480
<v Speaker 1>I want to make it is that Pete Rock, Pete

2:11:11.560 --> 2:11:18.040
<v Speaker 1>Rock digging. I'm alright, let me say this has made

2:11:18.080 --> 2:11:22.800
<v Speaker 1>a formula. Pete Rock is a master. But similar to

2:11:22.920 --> 2:11:26.440
<v Speaker 1>me in a way. We've we've played in multiple chambers,

2:11:27.600 --> 2:11:27.800
<v Speaker 1>you know.

2:11:27.800 --> 2:11:28.160
<v Speaker 10>What I mean?

2:11:28.600 --> 2:11:33.160
<v Speaker 1>So so Cuban Link, even though it's Riza, it's nothing

2:11:33.240 --> 2:11:35.600
<v Speaker 1>like Old Dirty's album. If you really look at it,

2:11:37.600 --> 2:11:43.760
<v Speaker 1>the sonic quality could be similar, But Dirty album is

2:11:43.800 --> 2:11:53.680
<v Speaker 1>full of bass. Tubman links its strings. It's totally a

2:11:53.880 --> 2:11:57.560
<v Speaker 1>different chamber. Liquid Spars is totally different from crazy. Every

2:11:57.600 --> 2:11:59.960
<v Speaker 1>time he says the noises, I know exactly.

2:11:59.640 --> 2:12:05.240
<v Speaker 3>Where who are you compare yourself more to it.

2:12:05.280 --> 2:12:06.360
<v Speaker 1>So I'm like, no, I'm not comparing.

2:12:06.360 --> 2:12:06.840
<v Speaker 3>I'm not comparing.

2:12:10.040 --> 2:12:13.120
<v Speaker 1>You know, I said both because they both are pillars.

2:12:13.200 --> 2:12:17.800
<v Speaker 1>But I want to I want to say, identify the difference.

2:12:18.120 --> 2:12:23.920
<v Speaker 1>It's like nobody's in production quality level matches Doctor Dre

2:12:25.560 --> 2:12:30.880
<v Speaker 1>quality level. If you put on Michael Jackson do and

2:12:31.040 --> 2:12:34.440
<v Speaker 1>you put on Doctor Dre, you don't got to touch

2:12:34.520 --> 2:12:40.400
<v Speaker 1>the knock. Okay, his he made records from the beginning.

2:12:41.240 --> 2:12:46.040
<v Speaker 1>That's at the quality of all the records elanated in history,

2:12:46.080 --> 2:12:49.520
<v Speaker 1>at the highest level. That's ill you put on thirty

2:12:49.560 --> 2:12:53.720
<v Speaker 1>six after Dre. You gotta turn my ship up. You're

2:12:53.720 --> 2:12:55.960
<v Speaker 1>gonna get a different experience though you're gonna hear something

2:12:56.000 --> 2:12:59.240
<v Speaker 1>sit there, what the fuck? What the fuck is that?

2:13:01.600 --> 2:13:02.120
<v Speaker 1>You know what I mean?

2:13:02.640 --> 2:13:04.400
<v Speaker 3>I turned it up, but you got to turn it out.

2:13:06.160 --> 2:13:10.640
<v Speaker 1>But you could just right now with with with with premire.

2:13:11.160 --> 2:13:13.760
<v Speaker 1>He's also sonically there because he's pushing the drums up front,

2:13:13.880 --> 2:13:17.160
<v Speaker 1>right he could, but it's still gonna master d right,

2:13:17.400 --> 2:13:21.400
<v Speaker 1>it'll be high. It'd be louder than me, right, similar

2:13:21.440 --> 2:13:25.560
<v Speaker 1>to Pete. But nobody's getting to Dre's va and perfections

2:13:25.560 --> 2:13:30.960
<v Speaker 1>and that that VU though that ship that was moving

2:13:31.040 --> 2:13:32.600
<v Speaker 1>like that, that was on your SSL.

2:13:33.160 --> 2:13:36.400
<v Speaker 3>He mastered that, Yes, d like a scientist, and that

2:13:36.560 --> 2:13:37.480
<v Speaker 3>my ship on the SSL.

2:13:37.560 --> 2:13:41.080
<v Speaker 1>To be honest, it's like this. I pushed it all overay.

2:13:41.120 --> 2:13:43.480
<v Speaker 1>There was like, yo, you can't do that. I'm like,

2:13:43.520 --> 2:13:47.120
<v Speaker 1>why not? When you master this, nigga, they wanna go.

2:13:48.680 --> 2:13:51.520
<v Speaker 1>Now your is gonna sound where it's gonna sound. I

2:13:51.600 --> 2:13:53.040
<v Speaker 1>don't get you know what I mean?

2:13:53.160 --> 2:13:55.520
<v Speaker 3>But anyway, so, but but did you do that on purpose?

2:13:56.120 --> 2:13:56.400
<v Speaker 4>For me?

2:13:56.840 --> 2:13:58.640
<v Speaker 1>A lot of my ship I did because that was

2:13:58.720 --> 2:14:00.880
<v Speaker 1>the whole allure of For me. A lot of my

2:14:00.960 --> 2:14:03.760
<v Speaker 1>shid I died was purposely. Let me say one thing

2:14:03.800 --> 2:14:06.320
<v Speaker 1>that that's weird about me, and you could this isn't

2:14:06.360 --> 2:14:09.600
<v Speaker 1>part of your question. So for me, right, if you

2:14:09.800 --> 2:14:11.800
<v Speaker 1>take one of my tracks in the studio and you

2:14:11.880 --> 2:14:16.640
<v Speaker 1>came to the board, if you move the fader down,

2:14:17.400 --> 2:14:23.600
<v Speaker 1>the beat falls apart. It only works because of the

2:14:23.720 --> 2:14:26.480
<v Speaker 1>post of what I'm of the level that I set

2:14:26.480 --> 2:14:29.240
<v Speaker 1>everything at it's only working because of the posts of

2:14:29.280 --> 2:14:33.520
<v Speaker 1>what I'm Controlling'm controlling the pulse. It's not everything is

2:14:33.600 --> 2:14:37.320
<v Speaker 1>not in key, and everything is not in rhythm, But

2:14:37.480 --> 2:14:41.840
<v Speaker 1>what's the dominating pulse? Makes it make sense? Even you

2:14:41.920 --> 2:14:44.280
<v Speaker 1>go to that same knowledge of God song on Ray

2:14:44.360 --> 2:14:49.360
<v Speaker 1>Kuan's album, it doesn't. If you move something, it's like

2:14:50.200 --> 2:14:54.000
<v Speaker 1>you lost it, Bobby, you dropped it. So that happens

2:14:54.160 --> 2:14:57.480
<v Speaker 1>people with the engineers, you fucked up. I'm like, Noah,

2:14:57.840 --> 2:15:01.040
<v Speaker 1>while you do that, well, you fucked up, bro, That's

2:15:01.080 --> 2:15:04.560
<v Speaker 1>not what's happening here. You're thinking of the science of it.

2:15:05.560 --> 2:15:07.960
<v Speaker 1>I'm working off a post. I was working off a posset,

2:15:08.520 --> 2:15:15.960
<v Speaker 1>So a post means I could go like, but if

2:15:16.000 --> 2:15:19.200
<v Speaker 1>I put a drum beat pushing that post, it's gonna

2:15:19.280 --> 2:15:21.760
<v Speaker 1>change it. It's gonna change that to a rhythm. But

2:15:21.840 --> 2:15:25.080
<v Speaker 1>then if I put it what the fuck is that?

2:15:25.680 --> 2:15:28.000
<v Speaker 1>But if I put it low right here and move

2:15:28.040 --> 2:15:32.760
<v Speaker 1>it paying it to the left, it's gonna it's gonna

2:15:32.800 --> 2:15:36.760
<v Speaker 1>make It's like, what the fuck is going on? And

2:15:36.800 --> 2:15:39.600
<v Speaker 1>then when they end sinking on it, you don't even

2:15:39.640 --> 2:15:44.600
<v Speaker 1>hear nothing because now you're trapped in his flow. A

2:15:44.720 --> 2:15:46.760
<v Speaker 1>good A good song like that is what the blood

2:15:46.760 --> 2:15:51.920
<v Speaker 1>clock my method? Man go back and check that. But anyway, right,

2:15:56.840 --> 2:15:59.000
<v Speaker 1>hold on, hold on, hold on. So the next question,

2:16:00.400 --> 2:16:04.440
<v Speaker 1>only built for Cuba Links or iron Man? Where does

2:16:04.440 --> 2:16:04.640
<v Speaker 1>this go?

2:16:04.800 --> 2:16:04.920
<v Speaker 4>Bro?

2:16:05.840 --> 2:16:09.560
<v Speaker 1>Only built for Cuba Links. That was easy, That was easy.

2:16:10.160 --> 2:16:13.920
<v Speaker 1>Only Cuba Links is the foundation of iron Man. Okay, okay,

2:16:14.040 --> 2:16:18.880
<v Speaker 1>iron Man is good? Right, but iron Man falls short? Yeah, yeah,

2:16:18.920 --> 2:16:21.080
<v Speaker 1>we fall short. But I'm gonna deny it because what

2:16:21.240 --> 2:16:24.400
<v Speaker 1>happened in iron Man is that we have the flood

2:16:25.400 --> 2:16:28.400
<v Speaker 1>in the middle of the album. So after Cuban Links

2:16:28.440 --> 2:16:32.920
<v Speaker 1>Liquid Sports, we start iron Man, and the second flood happens.

2:16:34.240 --> 2:16:37.920
<v Speaker 1>This flood, though it doesn't destroy floppy disc like the

2:16:38.000 --> 2:16:40.879
<v Speaker 1>one that got sucked up. Now and now the equipment

2:16:41.720 --> 2:16:43.520
<v Speaker 1>is fuck. I got a two itch machine in my crip.

2:16:43.800 --> 2:16:44.400
<v Speaker 1>Real flood.

2:16:45.160 --> 2:16:50.920
<v Speaker 3>I'm thinking I'm a sling. I've been through two floods.

2:16:51.120 --> 2:16:52.680
<v Speaker 1>Okay. Once I thought I could have.

2:16:54.360 --> 2:16:54.840
<v Speaker 3>Biblical on.

2:16:56.640 --> 2:17:00.640
<v Speaker 1>The flood wasn't coming from under I moved to It

2:17:00.760 --> 2:17:04.160
<v Speaker 1>came from over. Wow, that's just my own comma that

2:17:04.240 --> 2:17:05.840
<v Speaker 1>I have to fix. I had to get a good woman,

2:17:06.320 --> 2:17:15.800
<v Speaker 1>which I have. Now I have a good woman. Now

2:17:16.360 --> 2:17:22.560
<v Speaker 1>let's take itself for a good So I am man

2:17:22.720 --> 2:17:25.160
<v Speaker 1>was finished and Mystic Studios when you falling mistake you better.

2:17:25.600 --> 2:17:28.320
<v Speaker 1>So we had to leave our own studio and didn't

2:17:28.360 --> 2:17:31.600
<v Speaker 1>go to Mystic. And now seeing my own studio, every

2:17:31.840 --> 2:17:36.680
<v Speaker 1>compressor was already set. When Ghosts came in. He sounded

2:17:36.720 --> 2:17:40.840
<v Speaker 1>like ghosts every time, because I set the settings right.

2:17:40.959 --> 2:17:44.560
<v Speaker 1>Every MC had their own compressor, their own settings. Now

2:17:44.600 --> 2:17:47.800
<v Speaker 1>I'm in a somebody else studio, it ain't the same.

2:17:48.240 --> 2:17:51.080
<v Speaker 1>And when I leave there tomorrow or god comfort, two days,

2:17:51.280 --> 2:17:54.120
<v Speaker 1>he done change it again. Okay, because somebody else uses

2:17:54.120 --> 2:17:58.200
<v Speaker 1>s so liquids foil than Cuban relations, which people considered

2:17:58.200 --> 2:18:02.000
<v Speaker 1>the epitome of my creation. Nothing changed.

2:18:02.959 --> 2:18:03.680
<v Speaker 3>It was consistent.

2:18:03.800 --> 2:18:06.920
<v Speaker 1>It was consistent, and so when you hear them, it

2:18:07.520 --> 2:18:13.400
<v Speaker 1>sounds like him. One thing a lot of put artists

2:18:13.400 --> 2:18:19.400
<v Speaker 1>and producers don't realize is that. And I'll say that

2:18:19.440 --> 2:18:21.400
<v Speaker 1>we all due respect because we're not talking about nobody else,

2:18:21.480 --> 2:18:23.880
<v Speaker 1>of course, But okay, so Snoop goes to no limit.

2:18:24.560 --> 2:18:27.480
<v Speaker 1>That album don't sound like Doctor Dre. You see what

2:18:27.480 --> 2:18:32.080
<v Speaker 1>I'm saying. So the studio you use, it's just like

2:18:32.640 --> 2:18:34.440
<v Speaker 1>DN was it D M D and D D and

2:18:34.520 --> 2:18:37.480
<v Speaker 1>D D and D Man. Once some dudes didn't go

2:18:37.560 --> 2:18:38.279
<v Speaker 1>there no more.

2:18:40.040 --> 2:18:40.760
<v Speaker 3>And they don't.

2:18:42.080 --> 2:18:44.120
<v Speaker 1>Premiere. He was the one that really made D and

2:18:44.200 --> 2:18:46.800
<v Speaker 1>D sounded. But once once people started going there, they

2:18:46.840 --> 2:18:49.400
<v Speaker 1>all got good. I think, like maybe, but once they

2:18:49.400 --> 2:18:52.360
<v Speaker 1>stopped going there, it's like, oh, there's no D n

2:18:52.440 --> 2:18:56.640
<v Speaker 1>D there. Sometimes the studio itself is part of the

2:18:57.160 --> 2:19:00.640
<v Speaker 1>vibe and so on. So you say accumulations iron Man.

2:19:01.240 --> 2:19:07.360
<v Speaker 1>Iron Man was finished and mystic and to me, we

2:19:07.800 --> 2:19:12.520
<v Speaker 1>we forced our hand on compromised. So anyway that this

2:19:12.640 --> 2:19:15.760
<v Speaker 1>is this is a great as for me as a fan. Yeah, yeah,

2:19:17.480 --> 2:19:19.200
<v Speaker 1>I'm glad that the fans get to hear this, but

2:19:19.280 --> 2:19:20.119
<v Speaker 1>this is me as a fan.

2:19:20.400 --> 2:19:24.720
<v Speaker 3>Capadana, master Killer, this got.

2:19:26.080 --> 2:19:28.800
<v Speaker 1>I don't get that this is this is.

2:19:34.080 --> 2:19:37.400
<v Speaker 3>Sha Shall we talk about them a little bit? Yeah,

2:19:37.440 --> 2:19:40.959
<v Speaker 3>hell yeah, man yo legends. By the way, master Killer

2:19:41.040 --> 2:19:42.640
<v Speaker 3>just dropped the album today and I'm on.

2:19:47.879 --> 2:19:49.840
<v Speaker 1>The Killer. Let me just take you something. I haven't

2:19:49.959 --> 2:19:53.000
<v Speaker 1>ribbed this so long that when when I heard my

2:19:53.160 --> 2:19:55.040
<v Speaker 1>own verse, I was like, how did he get this?

2:19:56.200 --> 2:19:56.520
<v Speaker 1>I don't know.

2:19:56.680 --> 2:19:57.080
<v Speaker 5>I think.

2:19:59.000 --> 2:20:01.120
<v Speaker 1>I was like, nor are you going? I heard that?

2:20:06.879 --> 2:20:11.280
<v Speaker 3>Yeah, album was dope because I had. What I did

2:20:11.400 --> 2:20:12.120
<v Speaker 3>was just listen to it.

2:20:12.200 --> 2:20:13.920
<v Speaker 1>As I was getting a haircut, I listened to my

2:20:14.000 --> 2:20:17.240
<v Speaker 1>point obviously, and I mean first because I was I was,

2:20:17.400 --> 2:20:20.040
<v Speaker 1>I was amazed at me. I was like, really still

2:20:20.080 --> 2:20:23.000
<v Speaker 1>got it? So and then the album just kept playing

2:20:23.000 --> 2:20:24.920
<v Speaker 1>and I was just like, damn, bro got some joy

2:20:25.000 --> 2:20:28.560
<v Speaker 1>from it, like like hip hop is still making hip hop.

2:20:28.640 --> 2:20:31.039
<v Speaker 1>It's just we gotta we gotta search for it. Now.

2:20:31.120 --> 2:20:32.960
<v Speaker 1>You gotta search for it. Now you know what we

2:20:33.040 --> 2:20:35.240
<v Speaker 1>could do. We gotta search for it. So we always

2:20:35.280 --> 2:20:38.320
<v Speaker 1>had to search for it, right, you know reality I

2:20:38.480 --> 2:20:42.160
<v Speaker 1>mentioned earlier that just took me to sound view projects.

2:20:42.879 --> 2:20:44.520
<v Speaker 1>That's a long ride here.

2:20:44.640 --> 2:20:46.960
<v Speaker 3>Hip hop, you're singing in a different way.

2:20:47.000 --> 2:20:48.280
<v Speaker 1>It's the same thing. Yeah, it's a search.

2:20:48.480 --> 2:20:50.600
<v Speaker 4>It's like going from kin Do. So we used to

2:20:50.640 --> 2:20:52.920
<v Speaker 4>go to Winwood to all the hip hop jams and

2:20:52.920 --> 2:20:58.040
<v Speaker 4>Winwood you know w kN do to to to the

2:20:58.240 --> 2:21:00.520
<v Speaker 4>w Hotel. But I'm telling you, you know, I'm telling

2:21:00.520 --> 2:21:04.119
<v Speaker 4>you from Kendo. We was going to Winwood where Zoolo

2:21:04.200 --> 2:21:05.600
<v Speaker 4>Nation used to throw their parties at.

2:21:06.000 --> 2:21:08.480
<v Speaker 3>I say, I'm trying to tell you the distance.

2:21:08.560 --> 2:21:10.760
<v Speaker 1>Distance I'm not saying like I'm.

2:21:10.640 --> 2:21:12.480
<v Speaker 4>Telling you that's that's the equivalent of us having to

2:21:12.560 --> 2:21:15.240
<v Speaker 4>travel experience, further experience.

2:21:17.640 --> 2:21:22.160
<v Speaker 1>I mean, what kindle when yeah, in the ferry man

2:21:22.400 --> 2:21:24.720
<v Speaker 1>to get to get they could go underserved to get

2:21:25.040 --> 2:21:28.320
<v Speaker 1>to get the sound view from the Staten Island minimum

2:21:29.600 --> 2:21:34.600
<v Speaker 1>two hours two and a half hours minimum minimum. Listen,

2:21:35.080 --> 2:21:38.400
<v Speaker 1>it's the Bronx when the Bronx was like burn down

2:21:38.440 --> 2:21:42.560
<v Speaker 1>Bronx not not just that from there, Yo, you'll see listen, bro.

2:21:43.240 --> 2:21:46.879
<v Speaker 1>People don't understand this life of what hip hop went through.

2:21:48.120 --> 2:21:49.160
<v Speaker 1>Hip Hop went through.

2:21:50.800 --> 2:22:01.679
<v Speaker 8>Topads on the floor, blood, crime, cops, crooked, uh cry fire.

2:22:02.160 --> 2:22:09.320
<v Speaker 1>Hip hop and lived. And now you see somebody in

2:22:09.440 --> 2:22:13.360
<v Speaker 1>Korea you know what I mean exactly. You know, it's

2:22:13.400 --> 2:22:15.880
<v Speaker 1>a beautiful thing. What hip hop did is this and

2:22:15.959 --> 2:22:18.480
<v Speaker 1>he am I about to digress a little bit. So,

2:22:18.840 --> 2:22:22.280
<v Speaker 1>so a law is merciful. Let's just know that, right.

2:22:23.680 --> 2:22:25.720
<v Speaker 1>And we all have arm leg leg arm head. So

2:22:25.800 --> 2:22:28.039
<v Speaker 1>don't when you hear alaw, don't get scared. Some people,

2:22:28.080 --> 2:22:31.400
<v Speaker 1>Oh nah, we all have arm leg leg arm had

2:22:31.480 --> 2:22:35.720
<v Speaker 1>that image. But a law is merciful and he finds

2:22:35.800 --> 2:22:39.560
<v Speaker 1>ways to deliver mercy. You know what I mean. Hip

2:22:39.600 --> 2:22:42.040
<v Speaker 1>Hop is a mercy. The Quran was a mercy. They

2:22:42.080 --> 2:22:43.800
<v Speaker 1>said it was a mercy. It says, a law gave

2:22:43.840 --> 2:22:46.240
<v Speaker 1>the Koran to Muhammad as a mercy the man, so

2:22:46.400 --> 2:22:49.440
<v Speaker 1>he could know what's good and what's bad and how

2:22:49.520 --> 2:22:51.640
<v Speaker 1>to navigate through this. And it's a book of not

2:22:51.840 --> 2:22:57.840
<v Speaker 1>just spirituality. It's political, it's business, it science, it's husbandry,

2:22:58.280 --> 2:23:04.280
<v Speaker 1>it's wives, it's inherit. This right hip hop comes to

2:23:04.400 --> 2:23:09.280
<v Speaker 1>our community as a saving force. It first saves us

2:23:09.360 --> 2:23:14.560
<v Speaker 1>in New York, but then it continues to move. Okay,

2:23:14.640 --> 2:23:17.560
<v Speaker 1>it's okay, we saved these guys. Let's save some West

2:23:17.600 --> 2:23:20.720
<v Speaker 1>coast guys. Let's get the terminals first. Okay, Now it's

2:23:20.720 --> 2:23:24.039
<v Speaker 1>get in the middle. Let's go to the south. Now,

2:23:24.959 --> 2:23:28.280
<v Speaker 1>let's go, let's go. Do you hear the new Indian

2:23:28.400 --> 2:23:32.520
<v Speaker 1>m CSI now is out there?

2:23:34.879 --> 2:23:36.080
<v Speaker 3>The Vietnamese MCS.

2:23:36.520 --> 2:23:38.920
<v Speaker 1>Yo, listen I went to When I went to I'm

2:23:38.920 --> 2:23:41.160
<v Speaker 1>one of the first MCS to ever perform in Egypt.

2:23:41.480 --> 2:23:43.039
<v Speaker 1>You will never know that because they don't be They

2:23:43.080 --> 2:23:47.720
<v Speaker 1>didn't record it, they didn't allow it. It was unallowed.

2:23:47.840 --> 2:23:54.320
<v Speaker 1>I took it. Me and Sean Paul, right, what a combination, separate,

2:23:54.400 --> 2:23:55.320
<v Speaker 1>separate times.

2:23:57.040 --> 2:23:57.360
<v Speaker 3>Together.

2:23:58.520 --> 2:24:00.440
<v Speaker 1>But I was just saying it was like it didn't

2:24:00.480 --> 2:24:04.360
<v Speaker 1>exist there. Now it exists, So hip hop has went

2:24:04.440 --> 2:24:07.480
<v Speaker 1>and saved all these families. You go to South Africa

2:24:07.959 --> 2:24:10.240
<v Speaker 1>and you see a brother pull up with a Bentley.

2:24:10.760 --> 2:24:14.040
<v Speaker 1>How you get that? Hip hop not saying that the

2:24:14.120 --> 2:24:17.640
<v Speaker 1>Bentley is the is the thing he should have gotten, right,

2:24:17.720 --> 2:24:19.160
<v Speaker 1>But when you get money, the first thing you do

2:24:19.400 --> 2:24:23.000
<v Speaker 1>is get the luxury to appreciate the money. Mahamad Ali

2:24:23.120 --> 2:24:26.320
<v Speaker 1>said it. They said to Muhammad Ali. They said, Mohammad Ali,

2:24:26.440 --> 2:24:28.600
<v Speaker 1>you talk about the black man and all the power

2:24:28.720 --> 2:24:31.800
<v Speaker 1>he should have, and you're trying to to, you know,

2:24:32.000 --> 2:24:35.160
<v Speaker 1>raise the constuts of your people, and you want them to,

2:24:35.840 --> 2:24:38.440
<v Speaker 1>you know, not be caught up into the white man's world.

2:24:39.120 --> 2:24:42.720
<v Speaker 1>But you, Muhammad, you have a Bentley. How do you

2:24:43.320 --> 2:24:47.120
<v Speaker 1>justify that? He said, no, no, no, I have true Bentley's,

2:24:48.720 --> 2:24:51.320
<v Speaker 1>he said. He said, because my people got to see

2:24:51.360 --> 2:24:54.800
<v Speaker 1>that what I do make something mean something. They see

2:24:54.840 --> 2:24:58.000
<v Speaker 1>a value. They don't want me coming over ripped clothes

2:24:58.080 --> 2:25:01.200
<v Speaker 1>and trying to talk to them. That's that was Jesus job.

2:25:02.040 --> 2:25:06.160
<v Speaker 1>He came over. You know, you know, so Petland, you

2:25:06.240 --> 2:25:08.520
<v Speaker 1>know what I mean. The job. The job now was

2:25:08.560 --> 2:25:12.520
<v Speaker 1>to have a magnetism. Hip hop is that magnetism, It's

2:25:12.600 --> 2:25:16.080
<v Speaker 1>that conduit. It's that, yo, and I see so many

2:25:16.160 --> 2:25:19.680
<v Speaker 1>of us blessed by it, you know what I mean

2:25:19.840 --> 2:25:22.080
<v Speaker 1>that we ought to be thankful. I'm gonna take a

2:25:22.160 --> 2:25:24.800
<v Speaker 1>moment right now if you guys don't mind toast the

2:25:24.879 --> 2:25:26.760
<v Speaker 1>hip hop, toast the hip hop. Oh god damn it,

2:25:31.120 --> 2:25:33.800
<v Speaker 1>none onless here would be here without hip hop exactly.

2:25:33.920 --> 2:25:39.000
<v Speaker 1>Absolutely looks. We talked about his voice earlier, right, and

2:25:39.400 --> 2:25:43.920
<v Speaker 1>and and you know we all dance to his fucking joint.

2:25:44.840 --> 2:25:49.320
<v Speaker 1>What what we all know? He threw elbow, He puts

2:25:49.360 --> 2:25:51.200
<v Speaker 1>people out our way when that shit came on, right,

2:25:52.000 --> 2:25:56.480
<v Speaker 1>And that was a voice, but he's hip hop and

2:25:56.640 --> 2:25:58.520
<v Speaker 1>his voice wasn't limited to the music.

2:25:58.879 --> 2:26:02.200
<v Speaker 3>That's what's happening to hip hop for us, Elder Statesman.

2:26:02.520 --> 2:26:04.360
<v Speaker 1>You don't have to just be the music. And I'm

2:26:04.360 --> 2:26:06.360
<v Speaker 1>glad that Massacilor got a new album. And you heard

2:26:06.400 --> 2:26:11.119
<v Speaker 1>your joint and it's called balance. Balance, balance, okay, yes, asked?

2:26:11.160 --> 2:26:15.600
<v Speaker 1>I said, why balance, Samuel, He said, Yo, God, balance

2:26:15.680 --> 2:26:18.480
<v Speaker 1>is always needed, it is. That's that's the beauty of

2:26:18.560 --> 2:26:21.640
<v Speaker 1>hip hop when it's balanced, exactly. And we can agree

2:26:21.720 --> 2:26:23.920
<v Speaker 1>right now it feels unbalanced.

2:26:23.520 --> 2:26:26.120
<v Speaker 3>Unbalanced, but you have all the ship in it.

2:26:26.320 --> 2:26:30.160
<v Speaker 4>The fuckery and the righteousness exactly as long as it's

2:26:30.200 --> 2:26:31.000
<v Speaker 4>balanced exactly.

2:26:31.520 --> 2:26:34.000
<v Speaker 1>Give me the blue and the red pill choice, but

2:26:34.920 --> 2:26:37.560
<v Speaker 1>give me some wisdom behind my choice. And that's what.

2:26:37.680 --> 2:26:39.720
<v Speaker 3>That's what, that's what. That's what I hope that we

2:26:39.840 --> 2:26:40.440
<v Speaker 3>can provide.

2:26:40.480 --> 2:26:43.760
<v Speaker 1>I've been drinking that. You know, those w's kind of

2:26:44.720 --> 2:26:48.199
<v Speaker 1>a little bit there. You drank the more you should

2:26:48.520 --> 2:27:01.240
<v Speaker 1>any I believe you own a w. It's getting better, better, colder,

2:27:01.240 --> 2:27:01.880
<v Speaker 1>it gets the better.

2:27:02.040 --> 2:27:03.840
<v Speaker 3>Yes, but our bodies is not getting better.

2:27:03.879 --> 2:27:14.400
<v Speaker 1>But okay everywhere. But she's like, he's up a little bit.

2:27:16.560 --> 2:27:19.200
<v Speaker 1>Give me another one. You're good. She got. What's your

2:27:19.240 --> 2:27:19.560
<v Speaker 1>next one?

2:27:19.600 --> 2:27:24.720
<v Speaker 3>I'm good, I'm good, you got? You got the ceramics

2:27:24.760 --> 2:27:25.080
<v Speaker 3>for real?

2:27:25.560 --> 2:27:30.360
<v Speaker 4>Yeah, get the surrounded. I want the ceramics business. N

2:27:30.480 --> 2:27:31.600
<v Speaker 4>W A public enemy?

2:27:32.280 --> 2:27:35.520
<v Speaker 1>Wow? No, no, no, no, no no, you just give

2:27:35.600 --> 2:27:36.480
<v Speaker 1>a million relaxed bud.

2:27:38.600 --> 2:27:40.440
<v Speaker 3>You can twist it. You want to twist that one twist.

2:27:41.840 --> 2:27:44.160
<v Speaker 3>Here's my favorite question on this whole show period.

2:27:44.280 --> 2:27:47.640
<v Speaker 1>Okay, here we go. I'm not I might as well

2:27:47.720 --> 2:27:53.880
<v Speaker 1>ask him n w A or Wu Tang clan.

2:27:54.400 --> 2:27:54.879
<v Speaker 5>No, we don't.

2:27:54.959 --> 2:27:55.240
<v Speaker 1>I don't.

2:27:55.320 --> 2:27:56.720
<v Speaker 3>I personally don't like you, guys.

2:27:57.040 --> 2:27:59.800
<v Speaker 1>Everybody doesn't like this question because of the different era.

2:28:00.240 --> 2:28:03.840
<v Speaker 1>But what I'm saying is it's the same impact even

2:28:03.879 --> 2:28:07.880
<v Speaker 1>though it's different errors. Like what what what n w

2:28:08.080 --> 2:28:12.520
<v Speaker 1>A did for for for Los Angeles, California West Coast

2:28:12.560 --> 2:28:17.000
<v Speaker 1>period was changed everything. They made people start wearing curls,

2:28:17.160 --> 2:28:20.280
<v Speaker 1>They made people start wearing bandanas, they made people start,

2:28:20.560 --> 2:28:23.560
<v Speaker 1>you know, krip walking, gang banging. Well, Wu tang, did

2:28:24.040 --> 2:28:27.439
<v Speaker 1>you made black motherfuckers want to be Chinese Japanese?

2:28:27.840 --> 2:28:28.880
<v Speaker 3>You made motherfuckers?

2:28:29.120 --> 2:28:31.320
<v Speaker 1>We're in hold on man, man, it's like you you

2:28:31.520 --> 2:28:36.640
<v Speaker 1>changed the culture like like so to me, the impact,

2:28:37.680 --> 2:28:40.320
<v Speaker 1>I'm not saying the errors not when we put this

2:28:40.400 --> 2:28:42.240
<v Speaker 1>question together. And by the way, it's not our question.

2:28:42.760 --> 2:28:45.120
<v Speaker 1>These are these two guys. There's a cocaine section in Colombia.

2:28:52.840 --> 2:28:55.520
<v Speaker 3>Okay, we're in Miami, Miami.

2:28:55.680 --> 2:28:58.119
<v Speaker 1>Would it be like the Colombia.

2:29:00.120 --> 2:29:00.960
<v Speaker 3>Like to ask this question.

2:29:01.000 --> 2:29:03.280
<v Speaker 1>It's my favorite question because the reason why I like

2:29:03.320 --> 2:29:05.960
<v Speaker 1>to ask it is because I'd be wanting people to

2:29:06.120 --> 2:29:09.840
<v Speaker 1>understand I'm not asking the errors or who came before

2:29:09.879 --> 2:29:13.440
<v Speaker 1>who or who influenced too. What I'm saying is the impact.

2:29:13.720 --> 2:29:15.280
<v Speaker 1>But you didn't ask it to start with. It was

2:29:15.320 --> 2:29:18.600
<v Speaker 1>these guys question. But I thought it was genius.

2:29:18.640 --> 2:29:20.440
<v Speaker 4>But my argument, this is my argument why I don't

2:29:20.480 --> 2:29:22.960
<v Speaker 4>like the question, because I feel if those are my

2:29:23.080 --> 2:29:25.600
<v Speaker 4>two fair groups, n w A and Public Enemy, I

2:29:25.640 --> 2:29:31.000
<v Speaker 4>feel like they're the same energy, different sides of the spectrum.

2:29:31.560 --> 2:29:34.000
<v Speaker 4>They actually are the same things, but on the different

2:29:34.000 --> 2:29:37.039
<v Speaker 4>sides of the spectrum. In that era, they provided us

2:29:37.120 --> 2:29:40.160
<v Speaker 4>with the balance. Right, that's what I love about that

2:29:40.360 --> 2:29:42.800
<v Speaker 4>question being then too. But when I think it's Wu

2:29:42.879 --> 2:29:44.800
<v Speaker 4>Tang versus w I think it's off balance.

2:29:44.920 --> 2:29:47.280
<v Speaker 1>And that's sense. I respect that, But let me let

2:29:47.320 --> 2:29:48.879
<v Speaker 1>me just comment and you guys can chop it up

2:29:48.879 --> 2:29:55.560
<v Speaker 1>how you want. Right, So Public Enemy is inspiring in

2:29:55.800 --> 2:29:59.800
<v Speaker 1>w A. N w A is not inspiring Public Enemy. Seriously,

2:30:00.320 --> 2:30:03.360
<v Speaker 1>run DMC is inspiring in w A. N w A

2:30:03.480 --> 2:30:06.840
<v Speaker 1>is not inspiring one DMC. But that's because the New

2:30:06.920 --> 2:30:10.400
<v Speaker 1>York is the mecca of hip hop. So they got

2:30:10.520 --> 2:30:12.400
<v Speaker 1>to fly to New York and find the breakbeasts and

2:30:12.440 --> 2:30:14.720
<v Speaker 1>bring them doctor Cali. They can't find them of those

2:30:14.760 --> 2:30:18.040
<v Speaker 1>in those record stores, right, But where n w A

2:30:18.240 --> 2:30:19.800
<v Speaker 1>brought the hip hop and when they brought to the

2:30:19.879 --> 2:30:23.160
<v Speaker 1>coach is undeniable. And we don't have Kendrick at the

2:30:23.240 --> 2:30:26.279
<v Speaker 1>Super Bowl. If n w A don't exist, Okay.

2:30:26.320 --> 2:30:28.560
<v Speaker 4>And maybe if Public Enemy don't exist as well, because

2:30:28.560 --> 2:30:30.800
<v Speaker 4>I feel like there's a lineage there too as well.

2:30:31.240 --> 2:30:34.080
<v Speaker 1>I'm gonna argue that. But n w A gives us

2:30:34.160 --> 2:30:38.600
<v Speaker 1>doctor dre yep, yeah, well yeah, WA gives us ice cube.

2:30:38.760 --> 2:30:40.680
<v Speaker 1>If we don't got ice cube, I don't make movies

2:30:42.920 --> 2:30:49.080
<v Speaker 1>straight up, straight up, right, and they continue to go

2:30:49.280 --> 2:30:51.200
<v Speaker 1>to the brain that goes then we get snooping me

2:30:51.520 --> 2:30:57.680
<v Speaker 1>so so much. Right, So in Public Enemy is is

2:30:57.760 --> 2:31:01.960
<v Speaker 1>the consciousness public Enemy asked? Did that first? They did

2:31:02.000 --> 2:31:04.120
<v Speaker 1>the toy with anthrax before any of us did a

2:31:04.840 --> 2:31:09.800
<v Speaker 1>rock and roll combination besides one DMC. Right, but now

2:31:09.920 --> 2:31:12.440
<v Speaker 1>you throw Wu Tang into the equation, and I don't

2:31:12.440 --> 2:31:16.640
<v Speaker 1>mind speaking on Wu Tang in this equation, right, what

2:31:16.800 --> 2:31:22.840
<v Speaker 1>Wu Tang does is this, right, NWA influence is actually

2:31:23.280 --> 2:31:28.720
<v Speaker 1>the influence of hip hop right now? New York is

2:31:28.840 --> 2:31:35.480
<v Speaker 1>not selling records. Okay, name the top hip hop artists

2:31:35.480 --> 2:31:40.800
<v Speaker 1>in New York at the time. Juice Crew, you got

2:31:41.680 --> 2:31:43.360
<v Speaker 1>no no. By the time you get to ninety two

2:31:43.440 --> 2:31:45.280
<v Speaker 1>ninety three, Jewice Crew can't sell records.

2:31:46.360 --> 2:31:50.680
<v Speaker 4>Big Daddy KMEE record is eighty eight to ninety Well,

2:31:50.720 --> 2:31:52.800
<v Speaker 4>I mean, if you want to take the lineage, yeah, but.

2:31:52.920 --> 2:31:57.240
<v Speaker 1>They but no juice. So we get a platinum Big Biz,

2:31:57.840 --> 2:32:01.040
<v Speaker 1>we get a gold knee, we get a cat, we

2:32:01.120 --> 2:32:03.840
<v Speaker 1>get a gold cane, we gotta we got a platinum

2:32:03.959 --> 2:32:06.520
<v Speaker 1>carreras one. We got a platinum Rock Kim in the eighties.

2:32:07.040 --> 2:32:10.600
<v Speaker 1>Now in the nineties, none of them is selling platinums.

2:32:12.440 --> 2:32:17.720
<v Speaker 1>Travers coming, Leaders is coming, Gang Starts coming, Traver is

2:32:17.760 --> 2:32:21.360
<v Speaker 1>gonna give you gold. Nobody's giving you platinums unless it's poppy.

2:32:23.480 --> 2:32:27.400
<v Speaker 1>What about what aboutation? Damn? Like I said, they come

2:32:27.560 --> 2:32:30.760
<v Speaker 1>and give us a platinum. That's why I said Trench

2:32:30.879 --> 2:32:36.040
<v Speaker 1>and Onyx are a new way of energy that comes

2:32:36.120 --> 2:32:40.560
<v Speaker 1>up exactly okay, And still he gives us a platinum

2:32:42.240 --> 2:32:47.680
<v Speaker 1>within for poppy songs, which wasn't poppy but West Coast

2:32:48.000 --> 2:32:54.320
<v Speaker 1>even to load Young MC. Everybody double platinum, platinum, platinum platinums.

2:32:55.240 --> 2:32:58.000
<v Speaker 1>And so even though Tretch and triv and everybody are

2:32:58.280 --> 2:33:04.360
<v Speaker 1>giving us this beautiful thing black Moon, you go through

2:33:04.400 --> 2:33:09.199
<v Speaker 1>that whole underground movement, you're not cracking three hundred thousand cells.

2:33:11.120 --> 2:33:13.800
<v Speaker 1>Didn't do that. E P M D now is going

2:33:13.840 --> 2:33:17.279
<v Speaker 1>ahead different hold on, but eld on respect the EPM

2:33:17.440 --> 2:33:19.080
<v Speaker 1>No Depth.

2:33:18.840 --> 2:33:23.080
<v Speaker 3>Squad is like my cousins squad. And yeah, those my cousins.

2:33:24.200 --> 2:33:27.800
<v Speaker 1>I'm just saying it's declining and the and and let

2:33:27.800 --> 2:33:31.800
<v Speaker 1>me say to you, and the investment is different because

2:33:31.800 --> 2:33:33.720
<v Speaker 1>because look, even like Once of Again l L is

2:33:33.760 --> 2:33:36.400
<v Speaker 1>one of the greatest, he's he's he's making to do

2:33:36.520 --> 2:33:40.080
<v Speaker 1>all this. But I was just saying the average investment

2:33:40.320 --> 2:33:44.960
<v Speaker 1>in hip hop, right, Like, let's say, what's your first

2:33:45.000 --> 2:33:49.119
<v Speaker 1>record deal? Look, if you're Penalty records terrible uh economic?

2:33:49.200 --> 2:33:52.800
<v Speaker 1>What was that five thousand dollars? Okay that you know

2:33:52.920 --> 2:33:59.920
<v Speaker 1>that five thousand dollars. Okay, Let's say Wu Tang first album.

2:34:00.000 --> 2:34:00.360
<v Speaker 1>You know what?

2:34:00.360 --> 2:34:06.760
<v Speaker 3>It was sixty thousand, sixty thousand.

2:34:06.440 --> 2:34:10.520
<v Speaker 1>Dollars for everybody for the whole album. Bro, nobody got

2:34:10.560 --> 2:34:14.240
<v Speaker 1>no money. No, that was we lost money on that.

2:34:15.959 --> 2:34:17.400
<v Speaker 1>That's what you understand this for a moment, just to

2:34:17.440 --> 2:34:21.880
<v Speaker 1>get a little culture thing here. Even Method Man's album,

2:34:22.800 --> 2:34:25.520
<v Speaker 1>if you take Method Man's album, his videos and everything,

2:34:26.000 --> 2:34:28.400
<v Speaker 1>you're not gonna spend no more than five hundred thousand

2:34:28.400 --> 2:34:32.560
<v Speaker 1>dollars he makes. He's gonna bring in twenty million dollars.

2:34:33.840 --> 2:34:39.280
<v Speaker 1>Wutan is gonna bring in twenty million dollars. Okay, it's

2:34:39.400 --> 2:34:44.039
<v Speaker 1>business now. On the East Coast, it's business now, it's

2:34:44.160 --> 2:34:48.960
<v Speaker 1>marketing business. If the Wu Tang doesn't come and sell

2:34:49.000 --> 2:34:51.640
<v Speaker 1>a million records on a budget like that, there's no

2:34:51.800 --> 2:34:54.720
<v Speaker 1>business in hip hop on the East Coast. You're tying

2:34:54.760 --> 2:34:57.080
<v Speaker 1>on the business side, not just in the culture. It

2:34:57.160 --> 2:35:03.119
<v Speaker 1>goes both ways. Because now you got the guy who

2:35:03.840 --> 2:35:07.000
<v Speaker 1>like the dude told me to my face, bro those

2:35:07.040 --> 2:35:12.240
<v Speaker 1>hoodies that will never work. So take the hoodies off. Wow.

2:35:12.320 --> 2:35:17.160
<v Speaker 1>Because if you go to the west beyond Nwa, when

2:35:17.200 --> 2:35:20.880
<v Speaker 1>you get tone and young and all these other dudes, Dusa,

2:35:21.360 --> 2:35:30.400
<v Speaker 1>Dusa are basically prince raquines. It's packaged. They've tried to

2:35:30.440 --> 2:35:34.520
<v Speaker 1>package me. It didn't work. Wu Tank is unpackaged. So

2:35:34.640 --> 2:35:38.760
<v Speaker 1>if I become unpackaged, he could be unpackaged. Everybody coming

2:35:38.800 --> 2:35:43.440
<v Speaker 1>after us could be unpackaged because it's not a package now,

2:35:44.240 --> 2:35:48.640
<v Speaker 1>it's something else happening. So the impact becomes a similar

2:35:48.680 --> 2:35:51.520
<v Speaker 1>the same. Of course, the Asian culture is a whole

2:35:51.560 --> 2:35:56.040
<v Speaker 1>new thing, right, But then no many brothers started running

2:35:56.080 --> 2:35:59.840
<v Speaker 1>to the mosque and studying mathematics. You know what I mean?

2:36:00.080 --> 2:36:03.359
<v Speaker 1>You know how many dudes as the rule movement is happening,

2:36:03.959 --> 2:36:07.400
<v Speaker 1>and the college kids and the blacks and the whites

2:36:07.440 --> 2:36:09.600
<v Speaker 1>and the Spanish are all kind of vibing into this

2:36:09.760 --> 2:36:11.960
<v Speaker 1>new thing. And Hot ninety seven is changing from a

2:36:12.320 --> 2:36:16.480
<v Speaker 1>club radio station to a hip hop radio station and

2:36:16.560 --> 2:36:19.320
<v Speaker 1>the noose number one song on Hot ninety seven Method Man,

2:36:20.440 --> 2:36:27.000
<v Speaker 1>it's changing the chie Now meth comes and you get

2:36:27.120 --> 2:36:32.400
<v Speaker 1>a fucking a hip hop Grammy all I needed. If

2:36:32.440 --> 2:36:36.120
<v Speaker 1>you go back to your hip hop duets, you can't

2:36:36.240 --> 2:36:43.240
<v Speaker 1>name ten of them. That's not just a Grammy winner.

2:36:43.879 --> 2:36:48.520
<v Speaker 1>They sold two million copies bro the single at that time, Yo,

2:36:49.200 --> 2:36:54.000
<v Speaker 1>the single Method Man single at that time was competing

2:36:54.040 --> 2:36:57.520
<v Speaker 1>with We Are the World in single cells. Wow, as

2:36:57.560 --> 2:37:00.680
<v Speaker 1>far as the measurement, as far as the measurement. So

2:37:00.800 --> 2:37:03.080
<v Speaker 1>something different is happening on this side of the world now.

2:37:03.560 --> 2:37:07.119
<v Speaker 1>So now it's like there's money over here. It's been vests.

2:37:07.400 --> 2:37:09.880
<v Speaker 1>So then and then once Cuberlee came in, like Yo,

2:37:10.879 --> 2:37:14.400
<v Speaker 1>everybody started saying the wool Gambinos and now we're taking

2:37:14.400 --> 2:37:19.880
<v Speaker 1>on identities. The identities changed the whole hip hop landscape.

2:37:20.400 --> 2:37:25.840
<v Speaker 1>The identities are still existing. So now and it's a platinum,

2:37:26.440 --> 2:37:29.240
<v Speaker 1>it ain't like a two hundred thousand sellar it's been

2:37:29.400 --> 2:37:32.199
<v Speaker 1>four or five hundred grand and make ten million dollars.

2:37:32.240 --> 2:37:36.440
<v Speaker 1>It's good business. So the impact is the same thing

2:37:36.480 --> 2:37:39.400
<v Speaker 1>that Dre is doing on his side of town. Right,

2:37:39.720 --> 2:37:44.720
<v Speaker 1>He's making star after star after star after star, and

2:37:44.840 --> 2:37:47.360
<v Speaker 1>we're doing it. But the thing that's happening different is differently.

2:37:49.080 --> 2:37:51.760
<v Speaker 1>You know. It's almost that I said. I started this

2:37:51.840 --> 2:37:56.480
<v Speaker 1>by saying, hip hop is a mercy. A law gave

2:37:56.680 --> 2:37:59.480
<v Speaker 1>us a mercy. I started from there. Then you went

2:37:59.520 --> 2:38:01.080
<v Speaker 1>into the two different groups. I'm telling to let you

2:38:01.160 --> 2:38:03.160
<v Speaker 1>know that. Then he said, he said he had Wou

2:38:03.240 --> 2:38:06.480
<v Speaker 1>Tang and n w A. It's like, yo, they both

2:38:06.600 --> 2:38:10.880
<v Speaker 1>had to do a job. They both had to do

2:38:11.000 --> 2:38:15.440
<v Speaker 1>a job. Okay, in the measure of that job. You

2:38:15.600 --> 2:38:17.640
<v Speaker 1>have a guy at the super Bowl. But hold on,

2:38:18.320 --> 2:38:21.680
<v Speaker 1>who's the guy that hired him? Another guy who hired

2:38:21.720 --> 2:38:25.360
<v Speaker 1>him jay Z. Jay Z don't exist if Wotang don't exist.

2:38:28.720 --> 2:38:31.120
<v Speaker 1>But God, and I'm not saying that with an ego.

2:38:31.760 --> 2:38:34.720
<v Speaker 1>I'm saying if we didn't come with cream and slow

2:38:34.760 --> 2:38:37.480
<v Speaker 1>it down and put that culture into it. Because at

2:38:37.520 --> 2:38:41.720
<v Speaker 1>the time he's he's he's he's not makes jay Z exactly.

2:38:42.600 --> 2:38:45.520
<v Speaker 1>And of course the number of respected him because he

2:38:45.640 --> 2:38:49.560
<v Speaker 1>took it, took it, and he took it and multiplied

2:38:49.640 --> 2:38:53.000
<v Speaker 1>it into what he does. But it happens as Jay said,

2:38:53.440 --> 2:38:55.959
<v Speaker 1>Jay don't come. I know Jay is a dirty name

2:38:56.000 --> 2:38:58.960
<v Speaker 1>right now, but no, never than me. I love it.

2:38:59.040 --> 2:39:01.920
<v Speaker 1>I love that brother, a man, love his family. I

2:39:02.000 --> 2:39:04.120
<v Speaker 1>wish his family would have just been a family. But

2:39:04.200 --> 2:39:08.840
<v Speaker 1>life is unpredictable, okay, But he don't exist. If we

2:39:08.920 --> 2:39:11.680
<v Speaker 1>don't exist, right, and if he don't exist, you got

2:39:11.760 --> 2:39:14.680
<v Speaker 1>a whole nother slew a lineage that don't exist. So

2:39:14.959 --> 2:39:18.200
<v Speaker 1>and so you go to Dre and you go to

2:39:18.280 --> 2:39:21.680
<v Speaker 1>the Abbot, you get something special, but you can say thing.

2:39:21.680 --> 2:39:24.520
<v Speaker 1>You go to Chuck d and you go to uh

2:39:25.240 --> 2:39:27.279
<v Speaker 1>recall and Andre and you get something special.

2:39:27.000 --> 2:39:31.640
<v Speaker 4>To me public enemy ice cube, American's most wanted. That's

2:39:31.680 --> 2:39:32.959
<v Speaker 4>a trajectory in its own.

2:39:33.040 --> 2:39:36.440
<v Speaker 1>But something is happening, bro, that when the historians really studied,

2:39:36.560 --> 2:39:39.520
<v Speaker 1>after we all leave here, they're gonna go, holy shit,

2:39:40.200 --> 2:39:43.720
<v Speaker 1>these dudes, meaning all of us, including yourself, bro, as

2:39:43.760 --> 2:39:49.119
<v Speaker 1>you know, these dudes want the new Bible in the Bible, right,

2:39:50.080 --> 2:39:51.960
<v Speaker 1>somebody could google I don't know all the numbers of

2:39:52.000 --> 2:39:56.120
<v Speaker 1>the books in the Bible. Sixty six books or something

2:39:56.160 --> 2:40:01.440
<v Speaker 1>like that. Somebody google that, you know what the Google?

2:40:01.520 --> 2:40:07.760
<v Speaker 1>Motherfucker Google? Who said six? Who talking my right books?

2:40:10.920 --> 2:40:14.680
<v Speaker 1>I remember, mister Lee touch on the computer. I don't

2:40:14.720 --> 2:40:20.959
<v Speaker 1>believe you. I don't know. I beat Google. Google. Yes,

2:40:26.320 --> 2:40:30.360
<v Speaker 1>I was faster than Google, I know it. Right, the

2:40:30.440 --> 2:40:34.960
<v Speaker 1>point being made, I know sixty six books. Right, there's

2:40:35.000 --> 2:40:36.959
<v Speaker 1>a book in there called the Book of Oprah Dyah?

2:40:37.920 --> 2:40:41.400
<v Speaker 1>Is it our first ceramic? Let's talk about this. Hold on, man,

2:40:41.879 --> 2:40:44.320
<v Speaker 1>you poor, Let's talk about that bottle. Yeah, get it

2:40:44.360 --> 2:40:47.480
<v Speaker 1>back for a moment. Okay, I'm I'm sorry to direct.

2:40:48.400 --> 2:40:52.640
<v Speaker 1>I'm gonna have you coming, like we already said, direct

2:40:53.080 --> 2:40:59.240
<v Speaker 1>direct cat me. Let me get this spiritual thing about.

2:40:59.840 --> 2:41:03.360
<v Speaker 1>So in the Bible there's sixty six books. You probably

2:41:03.400 --> 2:41:06.560
<v Speaker 1>all know the Book of Genesis. Yeah, you know the

2:41:07.000 --> 2:41:10.160
<v Speaker 1>New Testament, Book of John Mark Luke and all those

2:41:10.160 --> 2:41:14.360
<v Speaker 1>good brothers. You might know. Uh, does anybody know the

2:41:14.400 --> 2:41:23.959
<v Speaker 1>Book of Opah Dyah Opa Lokaa opadya Obadiah. Okay, check

2:41:24.000 --> 2:41:26.920
<v Speaker 1>it out. So I like that because part of the

2:41:27.000 --> 2:41:33.720
<v Speaker 1>Testament is listen, bro. He might he might have three pages.

2:41:33.760 --> 2:41:35.760
<v Speaker 1>It might not be three pages. It's not a book

2:41:35.760 --> 2:41:37.959
<v Speaker 1>at all. It's in the No, it's called the Book

2:41:38.000 --> 2:41:40.320
<v Speaker 1>of Obadiah, but it's a page. You in the book.

2:41:40.400 --> 2:41:43.080
<v Speaker 1>You in the book, and you get a book. But

2:41:43.240 --> 2:41:47.760
<v Speaker 1>he only got some a few bars in there. He's fished,

2:41:48.160 --> 2:41:52.160
<v Speaker 1>but he's in the book. He's in the book. In

2:41:52.240 --> 2:41:54.560
<v Speaker 1>the book, he's six. So when we think about all

2:41:54.600 --> 2:41:58.480
<v Speaker 1>of us, bro, right, were in that book, and some

2:41:58.600 --> 2:42:01.920
<v Speaker 1>of us will be you know, n w A. Well,

2:42:01.959 --> 2:42:05.520
<v Speaker 1>he got forty fifty pages, moving forty fifty pages, somebody's

2:42:05.520 --> 2:42:06.520
<v Speaker 1>gonna have to open die.

2:42:08.600 --> 2:42:14.480
<v Speaker 3>So what I'm saying, but he's gonna be in the book.

2:42:14.520 --> 2:42:15.640
<v Speaker 3>And that's what hip hop is doing.

2:42:16.080 --> 2:42:20.120
<v Speaker 1>Yes, we're making trust me, bro, When you go back

2:42:20.160 --> 2:42:22.360
<v Speaker 1>and bring all these fucking lyrics together and you bring

2:42:22.440 --> 2:42:25.039
<v Speaker 1>all this shit and this, historians gotta study the times

2:42:25.640 --> 2:42:30.520
<v Speaker 1>from nineteen eighty, right, I'm seventy three. I think him

2:42:30.520 --> 2:42:32.280
<v Speaker 1>a seventy three. Yeah, Yah, let's think my mom said

2:42:32.520 --> 2:42:34.960
<v Speaker 1>eighty because I was going with the popularity or the

2:42:35.040 --> 2:42:37.640
<v Speaker 1>first platinum record. But let's say from nineteen seventy three

2:42:38.440 --> 2:42:44.480
<v Speaker 1>to wherever those spaceships find it, the most information they're

2:42:44.520 --> 2:42:47.720
<v Speaker 1>gonna gain it's gonna come from hip hop. Okay, see

2:42:47.800 --> 2:42:51.600
<v Speaker 1>before soul and rock. Was given information because you've been

2:42:51.640 --> 2:42:55.320
<v Speaker 1>listening to Stevie Wonder as as as long as full time,

2:42:55.560 --> 2:42:59.840
<v Speaker 1>like he got some bars, but in hip hop the

2:43:00.160 --> 2:43:01.320
<v Speaker 1>type of information.

2:43:01.959 --> 2:43:05.360
<v Speaker 3>I grew up on the crime side, the New York

2:43:05.520 --> 2:43:06.200
<v Speaker 3>Times side.

2:43:06.360 --> 2:43:11.240
<v Speaker 1>Staying alive was no job's second hand mom's bouncing little man.

2:43:11.600 --> 2:43:14.640
<v Speaker 1>Then we moved a shout the lad a young youth

2:43:15.160 --> 2:43:19.160
<v Speaker 1>rocking to go too only way and I'm begating g off,

2:43:19.480 --> 2:43:24.640
<v Speaker 1>drug Lou, hold it six bars, No, six bars is

2:43:24.800 --> 2:43:28.880
<v Speaker 1>ten years. I started on the crime side, the New

2:43:28.959 --> 2:43:32.840
<v Speaker 1>York Time side. That's already within a frame right. Staying

2:43:32.920 --> 2:43:36.600
<v Speaker 1>alive was no jobs. He had second hand clothing. His

2:43:36.800 --> 2:43:39.880
<v Speaker 1>mother left his father, so now they moved to Staten Island.

2:43:40.600 --> 2:43:45.560
<v Speaker 1>He's a young youth rocking the little gold tooth, had

2:43:45.560 --> 2:43:47.720
<v Speaker 1>a polo goose and the only way he began to

2:43:47.840 --> 2:43:51.120
<v Speaker 1>g off was drug Lou. You know, Washington kid go

2:43:51.240 --> 2:43:57.360
<v Speaker 1>from a married family struggle to a single mother family.

2:43:58.560 --> 2:44:02.039
<v Speaker 1>So now a criminal in this street selling drugs, trying

2:44:02.080 --> 2:44:04.360
<v Speaker 1>to make a living in six lines.

2:44:05.400 --> 2:44:11.800
<v Speaker 3>And that said, so when it's when the spaceship.

2:44:11.400 --> 2:44:18.840
<v Speaker 1>Niggas being robbing the pall metal, Yeah, Paul Metals in

2:44:18.879 --> 2:44:20.680
<v Speaker 1>Brooklyn and Brooklyn for us in Miami.

2:44:20.760 --> 2:44:21.680
<v Speaker 3>We took it to Paul Metal.

2:44:21.720 --> 2:44:26.480
<v Speaker 1>We have a pal Metal, but.

2:44:26.520 --> 2:44:28.879
<v Speaker 3>He said, pushing a big joint from down south.

2:44:29.360 --> 2:44:32.640
<v Speaker 1>That's what we thought. No, no, but pal Metal is

2:44:32.680 --> 2:44:38.360
<v Speaker 1>a spot in Brooklyn and the big joint from down

2:44:38.600 --> 2:44:41.440
<v Speaker 1>It makes sense though, it's like a big joint from

2:44:41.440 --> 2:44:45.199
<v Speaker 1>now south. But the big joint is the car because

2:44:45.640 --> 2:44:47.520
<v Speaker 1>in the old days, New York niggas will go to

2:44:47.640 --> 2:44:51.119
<v Speaker 1>Virginia the bottle whip for less taxes and drive it back.

2:44:51.600 --> 2:44:53.400
<v Speaker 1>So now you got to Ben's nigga, but you get

2:44:53.440 --> 2:44:56.480
<v Speaker 1>if I got it from down southigga, pushing a big

2:44:56.600 --> 2:45:00.720
<v Speaker 1>joint from down south. Now filthy stacked up. Better watch

2:45:00.800 --> 2:45:04.280
<v Speaker 1>your back these things they got it cracked up on

2:45:04.400 --> 2:45:07.240
<v Speaker 1>My man from up north. Now he got a loft,

2:45:08.080 --> 2:45:11.000
<v Speaker 1>you know, came up he was locked up, came home,

2:45:11.480 --> 2:45:15.480
<v Speaker 1>made money and got a loft. I don't, I don't

2:45:15.480 --> 2:45:17.080
<v Speaker 1>went from cream the cannon beat. Ugh, then.

2:45:18.879 --> 2:45:19.640
<v Speaker 5>I don't remix.

2:45:21.560 --> 2:45:26.560
<v Speaker 4>You need to let me ask you real quick, because

2:45:26.600 --> 2:45:29.120
<v Speaker 4>everything you're you're saying in terms of the impacts of

2:45:29.160 --> 2:45:34.680
<v Speaker 4>everything is musically. What about all the elements that are.

2:45:34.680 --> 2:45:37.400
<v Speaker 1>Him saying, Oh, I say you said music, but the

2:45:37.400 --> 2:45:42.440
<v Speaker 1>way you do because you're I'm sorry, Bro, it's every chamber. Yes,

2:45:43.320 --> 2:45:46.199
<v Speaker 1>I'm just speaking on the surface. Of course there's lyrics,

2:45:46.560 --> 2:45:49.560
<v Speaker 1>but nah, Bro, how you dress listen.

2:45:49.360 --> 2:45:51.480
<v Speaker 3>Because I think the elements is what makes hip hop

2:45:51.560 --> 2:45:52.080
<v Speaker 3>so special.

2:45:52.200 --> 2:45:56.040
<v Speaker 1>Bro, esn you paid one hundred and fifty dollars for

2:45:56.120 --> 2:45:58.440
<v Speaker 1>a hoodie, Bro two three hundred four hours for a

2:45:58.480 --> 2:46:03.039
<v Speaker 1>hoodie that was banned. They told me that they would

2:46:03.080 --> 2:46:05.560
<v Speaker 1>never get in the industry. My first video we had

2:46:05.600 --> 2:46:10.200
<v Speaker 1>a hoodies. They said, throw the video in the garbage. Okay,

2:46:11.080 --> 2:46:15.480
<v Speaker 1>we the culture. When I speak of the culture of

2:46:15.560 --> 2:46:19.720
<v Speaker 1>hip hop, no, I'm not saying the just the lyrics.

2:46:19.959 --> 2:46:22.920
<v Speaker 1>It's almost like when the colonists came to a country,

2:46:23.959 --> 2:46:27.120
<v Speaker 1>they first send them the priests, and the priests come

2:46:27.200 --> 2:46:29.199
<v Speaker 1>with the word first. From the beginning was the word,

2:46:29.280 --> 2:46:32.800
<v Speaker 1>it says, and then the word becomes flesh. So of

2:46:32.879 --> 2:46:35.040
<v Speaker 1>course the word is what penetrates us first. That's the music.

2:46:35.520 --> 2:46:39.480
<v Speaker 1>But nah, both, I'm talking about the hairstyles, the barber.

2:46:41.760 --> 2:46:44.000
<v Speaker 1>If the hip hop barber don't exist, you don't got

2:46:44.120 --> 2:46:53.880
<v Speaker 1>to cut. Bro. You're looking like leaving the Beaver's so

2:46:54.000 --> 2:46:58.600
<v Speaker 1>many chambers. So I told so and when I say

2:46:58.959 --> 2:47:01.800
<v Speaker 1>vua and I say tang, or you say I said

2:47:01.800 --> 2:47:04.680
<v Speaker 1>you guys said n w a wu tang publicing at me. Uh,

2:47:05.000 --> 2:47:09.720
<v Speaker 1>you gonna keep going outcast Dayla soul. You keep naming

2:47:09.800 --> 2:47:14.400
<v Speaker 1>all these different rock calm nos pivotal groups right right, biggie,

2:47:15.120 --> 2:47:20.480
<v Speaker 1>they are pitting something in this palette that is changing

2:47:21.200 --> 2:47:25.160
<v Speaker 1>the world. You. Your girl is going to tell you

2:47:25.280 --> 2:47:30.080
<v Speaker 1>to go get her a Louis Vaton bag, bro, not

2:47:30.280 --> 2:47:40.040
<v Speaker 1>because of Louis Vaton, because of hip hop, seriously, because

2:47:40.080 --> 2:47:42.600
<v Speaker 1>what hip hop did with Louis Vatan, right, because what

2:47:42.760 --> 2:47:46.520
<v Speaker 1>hip hop did with Gucci, It's like those things, it's

2:47:46.640 --> 2:47:51.200
<v Speaker 1>like we took you know, like one point, we had

2:47:51.240 --> 2:47:54.360
<v Speaker 1>a problem with sampling, right, Sampling tried to cripple us,

2:47:54.400 --> 2:47:56.320
<v Speaker 1>and it did. But that's why you also have this

2:47:56.440 --> 2:47:58.879
<v Speaker 1>whole new wave of just trapped beats and dope beats

2:47:58.879 --> 2:48:01.360
<v Speaker 1>that don't depend upon it, right, you know, to depend

2:48:01.440 --> 2:48:03.840
<v Speaker 1>upon the playing beats. Yeah, And I was just saying

2:48:03.959 --> 2:48:07.120
<v Speaker 1>they got electronic for a moment. I did it with

2:48:07.200 --> 2:48:09.400
<v Speaker 1>Bob me Digital. I did it. I did Bobby Digital

2:48:09.440 --> 2:48:12.200
<v Speaker 1>because they were taking all my ship. Bro. I was like,

2:48:12.320 --> 2:48:15.600
<v Speaker 1>fuck y'all, I hit the button right, you can't appreciate that.

2:48:15.680 --> 2:48:18.000
<v Speaker 1>I'm making somebody go back. When you hear a song

2:48:18.080 --> 2:48:21.240
<v Speaker 1>like after the laughter, there will be tears. It didn't

2:48:21.240 --> 2:48:24.600
<v Speaker 1>sell a million records, bro, but what I say sold

2:48:24.640 --> 2:48:28.119
<v Speaker 1>a million, okay, the real record saying the real record

2:48:28.480 --> 2:48:31.600
<v Speaker 1>way no way like that. But they got that.

2:48:31.800 --> 2:48:32.760
<v Speaker 3>The publishing off of that.

2:48:32.959 --> 2:48:37.000
<v Speaker 1>Of course, of course hip hop re energized. That's bad

2:48:37.120 --> 2:48:41.320
<v Speaker 1>I did. That's what. Yeah, it re energized the value

2:48:41.720 --> 2:48:45.039
<v Speaker 1>I say, the resurrector resurrection shit, you know what I mean,

2:48:45.120 --> 2:48:46.680
<v Speaker 1>brought it back. So I just want to still in

2:48:46.879 --> 2:48:49.959
<v Speaker 1>in this punchline with that hip hop has been able

2:48:50.120 --> 2:48:55.680
<v Speaker 1>to do its culture, inspire and create a value for

2:48:55.800 --> 2:49:02.480
<v Speaker 1>the world, whether it's K pop, whether it's the all

2:49:02.560 --> 2:49:05.080
<v Speaker 1>the New, all the new Fastest.

2:49:06.440 --> 2:49:09.120
<v Speaker 11>You arguing with me before, ridiculous, man, Yo, it's hip hop,

2:49:09.680 --> 2:49:14.600
<v Speaker 11>k robs hip hop, K pop is bv D. When

2:49:14.640 --> 2:49:16.600
<v Speaker 11>they was doing on B hip hop.

2:49:17.360 --> 2:49:21.840
<v Speaker 1>If you go back to Bell BIV Devaux and Poison,

2:49:22.640 --> 2:49:25.000
<v Speaker 1>first of all, what they said, what they sampled.

2:49:26.600 --> 2:49:28.480
<v Speaker 3>They always sampled hip hop always, but.

2:49:28.560 --> 2:49:31.600
<v Speaker 1>That Poison sample for us was everything. But g Rapp

2:49:31.640 --> 2:49:33.880
<v Speaker 1>only sold two hundred thousand, three hundred thousand records. At

2:49:33.920 --> 2:49:38.400
<v Speaker 1>that time, they sampled poison. Damn, it's platinum. Most people

2:49:38.480 --> 2:49:43.600
<v Speaker 1>don't even know it's g rapped. But then the career,

2:49:44.200 --> 2:49:47.480
<v Speaker 1>are they doing that too, Are they sampling? What they're

2:49:47.560 --> 2:49:52.600
<v Speaker 1>doing now is sampling the culture? Yeah, okay, so they

2:49:52.800 --> 2:49:55.160
<v Speaker 1>checking out what they supposed to do. But there's a

2:49:55.200 --> 2:49:57.720
<v Speaker 1>producer over there right now. He's American. He over there,

2:49:57.959 --> 2:50:01.560
<v Speaker 1>he cacking the fuck up. It should be. He got it.

2:50:01.680 --> 2:50:04.440
<v Speaker 3>He's over there, like listen, cake up, pay Bobby, he.

2:50:06.959 --> 2:50:12.160
<v Speaker 1>Got he got a hundred beats. Yo, you're going again.

2:50:16.680 --> 2:50:17.640
<v Speaker 3>We're skinny than you.

2:50:23.440 --> 2:50:23.600
<v Speaker 1>Got.

2:50:25.080 --> 2:50:27.120
<v Speaker 3>All right, let me passing back, get it up. It's

2:50:27.120 --> 2:50:27.400
<v Speaker 3>all good.

2:50:27.440 --> 2:50:29.160
<v Speaker 1>It's a good. Hold on, hold on, hold up, all right.

2:50:29.160 --> 2:50:31.880
<v Speaker 1>So well, hold on, I just got breaking news. It

2:50:32.000 --> 2:50:35.440
<v Speaker 1>is at seven o'clock breaking news. Oh wow. Wu Tang

2:50:35.560 --> 2:50:39.400
<v Speaker 1>Clan joints forces with Dave Chappelle to unveil their highly

2:50:39.440 --> 2:50:44.240
<v Speaker 1>anticipated Time Capsule tour of the Time Capsule. Yeah, the

2:50:44.320 --> 2:50:47.520
<v Speaker 1>Time Capsule is. Oh man, we got talking about my

2:50:47.560 --> 2:50:51.320
<v Speaker 1>movie I forgot about. Let's go comcast that. Yeah damn okay,

2:50:51.360 --> 2:50:53.760
<v Speaker 1>So what's the time. The time? So you know that

2:50:53.879 --> 2:50:56.480
<v Speaker 1>the Time Capsule is on our tour We'll bring him

2:50:56.480 --> 2:50:59.320
<v Speaker 1>with us a time capsule. And this is the final tour.

2:50:59.600 --> 2:51:02.320
<v Speaker 1>This is the New Chamber Tour. We're breaking this time

2:51:02.400 --> 2:51:05.360
<v Speaker 1>capsule and wherever we go, every city we go, we're

2:51:05.360 --> 2:51:09.080
<v Speaker 1>gonna have somebody from that city put something into that capsule.

2:51:10.360 --> 2:51:12.960
<v Speaker 1>So whether I mean somebody could put this one of

2:51:13.000 --> 2:51:16.040
<v Speaker 1>these and then whatever, somebody will be lucky enough to

2:51:16.160 --> 2:51:18.680
<v Speaker 1>put something in theirs in that time capsule and we're

2:51:18.720 --> 2:51:20.920
<v Speaker 1>going to figure out the end. Are we gonna put

2:51:20.959 --> 2:51:23.000
<v Speaker 1>that time capsule on the top of a mountain. We're

2:51:23.040 --> 2:51:25.560
<v Speaker 1>gonna put it somewhere, but it's gonna be the Woo

2:51:25.840 --> 2:51:31.200
<v Speaker 1>time capsule that captured everything. So what happened heard of this? Yeah,

2:51:31.360 --> 2:51:33.080
<v Speaker 1>I was just saying it's a new thing, okay. But

2:51:33.160 --> 2:51:38.480
<v Speaker 1>what happened was the tour starts on July sixth and Baltimore.

2:51:40.080 --> 2:51:44.480
<v Speaker 1>But Dave had asked me five years ago. He said, Yo, risk,

2:51:45.400 --> 2:51:47.800
<v Speaker 1>if you get the Wu Tang clan to come to

2:51:47.959 --> 2:51:53.280
<v Speaker 1>Yellow Springs, Ohio, those motherfuckers will go bananas. He has

2:51:53.360 --> 2:51:57.760
<v Speaker 1>a small club and Yellow Springs, Hold, God's been there, okay, Yo.

2:51:57.920 --> 2:52:03.320
<v Speaker 1>The Wo went there exactly, but it was like, we

2:52:03.400 --> 2:52:05.560
<v Speaker 1>don't come, We only coming together now for our tour,

2:52:06.800 --> 2:52:10.600
<v Speaker 1>so officially, off the grid, off the record. The first

2:52:10.640 --> 2:52:15.520
<v Speaker 1>stop of this tour was Yellow Springs, Ohio. Wow. Okay,

2:52:15.720 --> 2:52:19.880
<v Speaker 1>so the tour already started unofficial officially Okay, you said that,

2:52:20.480 --> 2:52:22.240
<v Speaker 1>but no the first show, yes, so you could say

2:52:22.240 --> 2:52:24.800
<v Speaker 1>the first show of the tour, yes, it started okay,

2:52:25.000 --> 2:52:29.640
<v Speaker 1>was in Yellow Springs, Ohio at Dave Seppelle's club. So

2:52:29.800 --> 2:52:31.360
<v Speaker 1>that means he got to do what oh they got

2:52:31.480 --> 2:52:33.920
<v Speaker 1>to do what they have to piss something in the

2:52:34.000 --> 2:52:36.640
<v Speaker 1>time capsule and Dave, I don't know what he put

2:52:36.680 --> 2:52:42.000
<v Speaker 1>in there, but Dave, whatever the Ohio people did, he

2:52:42.160 --> 2:52:44.959
<v Speaker 1>had something that he's putting it too this time capsule.

2:52:45.400 --> 2:52:46.880
<v Speaker 1>So when we get to bought them all there beat

2:52:46.920 --> 2:52:49.000
<v Speaker 1>the second people. They beat them to the punch. So

2:52:49.080 --> 2:52:50.920
<v Speaker 1>you don't know what these people are putting it in

2:52:50.959 --> 2:52:53.440
<v Speaker 1>the time they could put they wonder there I put in.

2:52:54.520 --> 2:52:56.680
<v Speaker 3>First, I'm first, sorry, okay, okay, okay.

2:52:56.640 --> 2:53:03.280
<v Speaker 1>I put in some floppy disc yeah, okay, from the flood, okay, okay,

2:53:03.600 --> 2:53:05.360
<v Speaker 1>from the flood. Yeah. So I had a flood that

2:53:05.440 --> 2:53:08.600
<v Speaker 1>wiped washed away a lot of my beats, and so

2:53:08.720 --> 2:53:12.640
<v Speaker 1>I took a couple of real flood not the slang

2:53:12.720 --> 2:53:15.360
<v Speaker 1>flood Well, okay, all right, So I had had a

2:53:15.400 --> 2:53:18.720
<v Speaker 1>flood that washed away on my floppy disk and I

2:53:18.840 --> 2:53:20.720
<v Speaker 1>still have those floppy disks, but they just don't work

2:53:20.760 --> 2:53:23.440
<v Speaker 1>in the ASR ten no more because they got damaged.

2:53:23.760 --> 2:53:26.440
<v Speaker 1>And so I took a couple of floppy discs and

2:53:26.560 --> 2:53:28.920
<v Speaker 1>I put them in a time capsule as my contribution

2:53:29.080 --> 2:53:31.760
<v Speaker 1>to the future. So that means that this floppy disc

2:53:32.040 --> 2:53:34.959
<v Speaker 1>if people discover this wherever you put the time capsule

2:53:35.360 --> 2:53:37.840
<v Speaker 1>later on in life, yeah, discover this. This might be

2:53:37.879 --> 2:53:43.160
<v Speaker 1>some unreleased Wu Tang songs. Yeah, either either either unreleased

2:53:43.360 --> 2:53:48.600
<v Speaker 1>or is it the original stems of the It may

2:53:48.680 --> 2:53:50.680
<v Speaker 1>be unreleased. Got to be some of the stuff never

2:53:50.840 --> 2:53:53.880
<v Speaker 1>never never happened. I never sampled it. You understand that

2:53:54.160 --> 2:53:59.080
<v Speaker 1>you went to the bathroom, mummy. I'm sorry a lot

2:53:59.080 --> 2:54:00.200
<v Speaker 1>of people, right.

2:54:00.760 --> 2:54:04.720
<v Speaker 3>So they just unveiled him and who taking Dave Chappelle

2:54:05.160 --> 2:54:06.480
<v Speaker 3>that I saw the post.

2:54:06.600 --> 2:54:06.920
<v Speaker 1>I didn't.

2:54:07.000 --> 2:54:12.080
<v Speaker 3>I didn't see it unveiling. Yeah, So, uh, what they're

2:54:12.120 --> 2:54:14.480
<v Speaker 3>doing is for each stop on the tour, they're gonna

2:54:14.520 --> 2:54:15.360
<v Speaker 3>have a time capsule.

2:54:15.920 --> 2:54:20.880
<v Speaker 1>Yeah, it's one time capsule probably about you know, like this, right,

2:54:21.000 --> 2:54:24.200
<v Speaker 1>so you don't blame your fucking turntable. Okay, but every

2:54:24.240 --> 2:54:27.959
<v Speaker 1>city we go to, somebody is allowed to put something

2:54:28.040 --> 2:54:29.560
<v Speaker 1>into that time capsule for their city.

2:54:29.720 --> 2:54:30.119
<v Speaker 3>Anything.

2:54:30.600 --> 2:54:37.760
<v Speaker 1>Yeah, I mean something reasonable, right, but I know use condos. Yeah,

2:54:41.680 --> 2:54:47.840
<v Speaker 1>I'm saying yeah, yeah, something something that's moutilated or that

2:54:48.000 --> 2:54:51.480
<v Speaker 1>makes sense that somebody could appreciate. Like like I put

2:54:51.520 --> 2:54:55.960
<v Speaker 1>in two floppy disks from my old beat machine that

2:54:56.200 --> 2:54:59.640
<v Speaker 1>that doesn't work, right, so I put that in there, right,

2:54:59.800 --> 2:55:03.400
<v Speaker 1>So so they put in something from whatever he put in.

2:55:04.240 --> 2:55:06.240
<v Speaker 1>And that was only two things I said. There is

2:55:06.280 --> 2:55:07.840
<v Speaker 1>when I put in with Dave put in. Our first

2:55:07.840 --> 2:55:10.120
<v Speaker 1>stop will be Baltimore, and somebody from that city will

2:55:10.120 --> 2:55:12.720
<v Speaker 1>put something in and every city we go to, hopefully

2:55:13.280 --> 2:55:14.800
<v Speaker 1>at the end of the day, were able to hit

2:55:14.879 --> 2:55:17.720
<v Speaker 1>the world with this and everybody around the world gets

2:55:17.760 --> 2:55:20.320
<v Speaker 1>to pitch something in that box and that box and

2:55:20.360 --> 2:55:22.760
<v Speaker 1>it comes. You got to come to the joint. Is

2:55:22.800 --> 2:55:27.200
<v Speaker 1>you going to Miami? Yes, one day right now, we're

2:55:27.240 --> 2:55:33.480
<v Speaker 1>not schedule schedule that, Yo, bro, we going to Tampa.

2:55:33.840 --> 2:55:35.800
<v Speaker 1>I said, yo, we could be a part of that. Okay,

2:55:35.840 --> 2:55:37.640
<v Speaker 1>so kind of Tampa. But still I was like, how

2:55:37.640 --> 2:55:38.520
<v Speaker 1>are we going to Tampa?

2:55:39.680 --> 2:55:42.480
<v Speaker 3>Miami Miami's always is the worst city for tours.

2:55:43.000 --> 2:55:46.039
<v Speaker 1>No, today we came in. We killed Miami for Miami.

2:55:46.120 --> 2:55:47.119
<v Speaker 3>I'm saying tours in general.

2:55:47.200 --> 2:55:47.680
<v Speaker 1>Ticket Master.

2:55:47.920 --> 2:55:49.160
<v Speaker 4>I mean, I don't know from back in the days,

2:55:49.160 --> 2:55:51.959
<v Speaker 4>from marketing times that I worked, they've always said.

2:55:51.840 --> 2:55:55.160
<v Speaker 1>That, Okay, because Miami, they don't box.

2:55:55.040 --> 2:55:57.879
<v Speaker 3>Ticket eleven to the club and hang out with.

2:56:00.040 --> 2:56:03.800
<v Speaker 1>It. So let's just plain, let's explain this ceramic. Okay,

2:56:03.879 --> 2:56:06.640
<v Speaker 1>bump bump. All right, So I'm gonna do this like

2:56:06.680 --> 2:56:08.720
<v Speaker 1>a like a public announcement. I respect that. You know,

2:56:08.760 --> 2:56:10.680
<v Speaker 1>you got the rules in the building. Yes, I got

2:56:10.760 --> 2:56:13.240
<v Speaker 1>e f N in the buildings. I got Normy in

2:56:13.280 --> 2:56:13.720
<v Speaker 1>the building.

2:56:13.959 --> 2:56:14.200
<v Speaker 4>Let's go.

2:56:14.520 --> 2:56:22.040
<v Speaker 1>They invited me to drink chips. He invited me like

2:56:22.720 --> 2:56:25.880
<v Speaker 1>for years, years, years, and and it always wanted to

2:56:25.959 --> 2:56:29.120
<v Speaker 1>be come, but it was different circumstances that didn't allow me.

2:56:29.800 --> 2:56:32.800
<v Speaker 1>And it bump bump bump, but this circumstance allowed me. Yes.

2:56:33.120 --> 2:56:35.920
<v Speaker 1>But as I watched this show, he's always drinking. Some niggas,

2:56:36.200 --> 2:56:39.920
<v Speaker 1>I can say, yeah, yeah, yeah, we're good, yeah yeah yeah.

2:56:40.840 --> 2:56:42.560
<v Speaker 1>Bleak all my niggas. I don't want to say niggas.

2:56:43.720 --> 2:57:03.240
<v Speaker 1>Some niggas, niggas niggas, my niggas, the cocaine section. So

2:57:03.360 --> 2:57:05.600
<v Speaker 1>now so, so I said, I'll come bump bump with you,

2:57:05.680 --> 2:57:09.480
<v Speaker 1>and we here, but I wanted to drink something that's

2:57:09.560 --> 2:57:12.600
<v Speaker 1>more of an upper okay, and so we have sacky.

2:57:12.640 --> 2:57:16.680
<v Speaker 1>We've been drinking socky this whole ship. One three bottle.

2:57:16.800 --> 2:57:20.280
<v Speaker 1>This is the third one bottle? Is this this is

2:57:20.320 --> 2:57:22.080
<v Speaker 1>the third? It is the third? Yeah, it's the third.

2:57:22.160 --> 2:57:25.800
<v Speaker 1>You did one? Yeah? Okay, okay, is this dispressing one?

2:57:26.080 --> 2:57:26.600
<v Speaker 1>Special one?

2:57:27.440 --> 2:57:28.360
<v Speaker 3>Yeah, it's dispecial.

2:57:29.680 --> 2:57:32.840
<v Speaker 1>It's not special bottle. Look at this bottle. Look at that?

2:57:35.080 --> 2:57:37.199
<v Speaker 1>Hey what the camera that? Yeah? You want to zoom

2:57:37.240 --> 2:57:37.480
<v Speaker 1>in on that?

2:57:37.600 --> 2:57:38.680
<v Speaker 3>Yeah, yeah, zoom in on that.

2:57:39.879 --> 2:57:43.400
<v Speaker 1>Yeah. I always say cocaine white.

2:57:45.879 --> 2:57:46.760
<v Speaker 5>You got the cocaine.

2:57:47.800 --> 2:57:55.360
<v Speaker 1>Yeah, my brother, you don't con sip, but you can't sniff.

2:58:02.440 --> 2:58:04.000
<v Speaker 1>So why this one white?

2:58:04.600 --> 2:58:08.240
<v Speaker 4>A ceramic ceramic y saradic. But what's what's the difference

2:58:08.320 --> 2:58:12.360
<v Speaker 4>with the other bottles. That's the big boy one. I'm

2:58:12.400 --> 2:58:15.000
<v Speaker 4>trying to help the process know what is crazy. The

2:58:15.040 --> 2:58:17.400
<v Speaker 4>other bottle was black, right, right, and then we had

2:58:17.440 --> 2:58:20.039
<v Speaker 4>a blue one, I think, or no, listen, both we.

2:58:20.160 --> 2:58:21.680
<v Speaker 1>Try to represent all the human families.

2:58:24.640 --> 2:58:27.880
<v Speaker 3>Family, the blue for the blue pop up the avatar.

2:58:29.879 --> 2:58:33.520
<v Speaker 3>That's the way, the clear one and they.

2:58:32.760 --> 2:58:35.480
<v Speaker 1>Yellow one right, the other one kind of yellowish. Why

2:58:35.560 --> 2:58:37.240
<v Speaker 1>you're not family out?

2:58:37.440 --> 2:58:40.959
<v Speaker 10>We have to wait what's supposed to We have one

2:58:41.000 --> 2:58:49.560
<v Speaker 10>more left, We have several several see the pretty Yeah,

2:58:49.640 --> 2:58:53.080
<v Speaker 10>so I ain't gonna love this ship got me nice.

2:58:52.879 --> 2:58:56.760
<v Speaker 6>But like like you're not sweepy. This is like shrew

2:58:56.920 --> 2:59:00.360
<v Speaker 6>but you're like but not really something you know what's

2:59:00.360 --> 2:59:04.320
<v Speaker 6>so crazy? We all drank and we d because that's

2:59:04.320 --> 2:59:04.560
<v Speaker 6>what we.

2:59:04.600 --> 2:59:07.680
<v Speaker 1>Do, right. But if you call a drink, honestly, bro,

2:59:08.280 --> 2:59:10.600
<v Speaker 1>you better all drink and shake is.

2:59:10.560 --> 2:59:11.080
<v Speaker 3>A great drink.

2:59:11.120 --> 2:59:14.200
<v Speaker 1>It's a better it's better for the which one's not

2:59:14.240 --> 2:59:15.400
<v Speaker 1>saying that one.

2:59:18.080 --> 2:59:18.640
<v Speaker 3>You're saying that's not.

2:59:22.560 --> 2:59:25.440
<v Speaker 1>What's this one? That's that's the's the aliens. This is

2:59:26.320 --> 2:59:33.480
<v Speaker 1>that's the future we have that we all version because

2:59:33.480 --> 2:59:37.360
<v Speaker 1>that's the big boy. Holds up this is that's a

2:59:37.400 --> 2:59:45.800
<v Speaker 1>big boy listen because it's ceramic. Yah suspense. Also, look

2:59:45.800 --> 2:59:47.880
<v Speaker 1>at that top. Look at the top, bro, That top

2:59:48.040 --> 2:59:49.960
<v Speaker 1>is like that's how you know what I mean? Like

2:59:50.440 --> 2:59:54.080
<v Speaker 1>that's like a nice right there. She opened it.

2:59:55.320 --> 2:59:59.360
<v Speaker 3>They go like this, let me, I'm glad you asked

2:59:59.800 --> 3:00:02.520
<v Speaker 3>man brother that she was till.

3:00:02.400 --> 3:00:09.080
<v Speaker 1>The dog like that. Okay, anyway, hold on, we're not

3:00:09.200 --> 3:00:12.240
<v Speaker 1>marketing this ship. We're drinking it. But okay, we've been

3:00:12.320 --> 3:00:15.680
<v Speaker 1>through some bottles. This bottle just came out recently. I've

3:00:15.680 --> 3:00:17.080
<v Speaker 1>been drinking this for a couple of years, since we

3:00:17.200 --> 3:00:20.440
<v Speaker 1>was in Paris. Man, they know we drunk this in Paris,

3:00:21.080 --> 3:00:25.840
<v Speaker 1>but I don't. This is Paris. You might have been

3:00:26.080 --> 3:00:28.800
<v Speaker 1>one of these. Okay, yeah, but you told me when

3:00:28.800 --> 3:00:30.600
<v Speaker 1>I saw you and raised wed and he was like, yo,

3:00:30.760 --> 3:00:34.880
<v Speaker 1>you fucked me up with that, so good. I said,

3:00:35.080 --> 3:00:37.120
<v Speaker 1>to suck him up again. And then we decided to

3:00:37.160 --> 3:00:39.440
<v Speaker 1>do when when my time allowed me to be here

3:00:39.440 --> 3:00:41.320
<v Speaker 1>and blessed with and you guys have blessed me to

3:00:45.160 --> 3:00:47.000
<v Speaker 1>let's hit that ceramic. Come on, I was like, we're

3:00:47.000 --> 3:00:49.480
<v Speaker 1>going with Saki. So here goes to Saki, the ceramics,

3:00:49.680 --> 3:00:51.640
<v Speaker 1>the long version. You're gonna have to pull this. This

3:00:51.800 --> 3:00:52.240
<v Speaker 1>is the bump.

3:00:52.640 --> 3:00:54.560
<v Speaker 3>Make sure all our cops are clin called the Bangie.

3:00:55.360 --> 3:00:58.160
<v Speaker 1>Just bunk, no, no, no, listen, it's called heaven sake,

3:00:59.240 --> 3:01:04.000
<v Speaker 1>that for Rammic gotta be called the Bangie. Okay, anybody

3:01:04.040 --> 3:01:06.680
<v Speaker 1>out there who works for that company yes, he's just

3:01:07.120 --> 3:01:11.320
<v Speaker 1>he renamed it. Yes, bankie, yeah, let me take that.

3:01:11.400 --> 3:01:15.600
<v Speaker 1>But real quick, you want to quake, right, we read

3:01:15.760 --> 3:01:18.039
<v Speaker 1>read the word, just just read the world.

3:01:17.920 --> 3:01:20.960
<v Speaker 4>With the name of the brand with his brother Heaven's Sake,

3:01:21.200 --> 3:01:23.880
<v Speaker 4>and he said it, say again, Heaven's Sake.

3:01:24.160 --> 3:01:27.200
<v Speaker 1>He said Heaven's Sake or heaven Saki. Right. So there's

3:01:27.240 --> 3:01:29.760
<v Speaker 1>a song on the Wood Tang album that's called Heaven's Sake.

3:01:30.160 --> 3:01:32.440
<v Speaker 3>Oh heaven sonk No.

3:01:32.600 --> 3:01:34.640
<v Speaker 1>So when I saw this. When I saw it, I

3:01:34.800 --> 3:01:42.120
<v Speaker 1>was like, he's right. Now, you say it wrong, you

3:01:42.160 --> 3:01:47.160
<v Speaker 1>said it right. They're gonna suck that up and it's

3:01:47.160 --> 3:01:51.400
<v Speaker 1>gonna be like your son, what is that ship?

3:01:51.480 --> 3:01:55.920
<v Speaker 3>So all right, if we make it that, I'll be

3:01:56.040 --> 3:01:57.080
<v Speaker 3>excited about this one.

3:01:57.440 --> 3:02:00.120
<v Speaker 1>Because mister Lee couldn't find it at all. But let

3:02:00.160 --> 3:02:04.640
<v Speaker 1>me fine if someone brought somebody brought it to him. Alright, cool.

3:02:06.400 --> 3:02:20.800
<v Speaker 9>Japanese brother, he's on camera. He gleat you want he said,

3:02:20.800 --> 3:02:21.440
<v Speaker 9>I don't know something.

3:02:22.600 --> 3:02:27.520
<v Speaker 1>You know, I'm so crazy about Japanese language. If you

3:02:27.600 --> 3:02:31.120
<v Speaker 1>can't remember Japanese language, the best thing to do is

3:02:31.200 --> 3:02:34.000
<v Speaker 1>to try to take the word and make it an

3:02:34.080 --> 3:02:39.800
<v Speaker 1>English sentence like a he got though, thank you, I mean,

3:02:39.920 --> 3:02:42.280
<v Speaker 1>thank you, right, But how would you flip that? He

3:02:42.360 --> 3:02:48.320
<v Speaker 1>got those? He got those? I don't know how you

3:02:48.360 --> 3:02:49.840
<v Speaker 1>got those from me? I said, you gotta let I

3:02:49.879 --> 3:02:58.000
<v Speaker 1>got those, man, I got those another one he said, uh,

3:02:58.480 --> 3:03:02.480
<v Speaker 1>you you need can eat you are? Okay? How do

3:03:02.520 --> 3:03:11.440
<v Speaker 1>we flip out? Go to a girl? Oh my god? Yeah?

3:03:11.480 --> 3:03:14.280
<v Speaker 1>And then you said, no, oh you know what I

3:03:14.360 --> 3:03:15.600
<v Speaker 1>just said. I don't think I all said on the

3:03:15.600 --> 3:03:20.280
<v Speaker 1>mic ahead again, yeah yeah for canichi CANi can hold

3:03:20.320 --> 3:03:27.560
<v Speaker 1>on canchi? Wahni? Can I eat you all? Can I

3:03:27.600 --> 3:03:27.840
<v Speaker 1>eat you?

3:03:30.720 --> 3:03:31.520
<v Speaker 5>Can eat you out?

3:03:35.120 --> 3:03:42.280
<v Speaker 1>I don't know, man, help me remember the words. Sorry,

3:03:42.360 --> 3:03:44.760
<v Speaker 1>not to shign, not up, sorry, not tonight, you know,

3:03:45.080 --> 3:03:51.800
<v Speaker 1>sign not tonight, sign not tonight anyway. No, that's bad.

3:03:52.480 --> 3:03:53.080
<v Speaker 1>Cut that out.

3:03:56.560 --> 3:03:57.200
<v Speaker 3>Take it serious.

3:03:58.240 --> 3:04:05.720
<v Speaker 1>All our first ceramics drinking expensive whiskey. I drink expensive ship.

3:04:05.640 --> 3:04:07.040
<v Speaker 3>And where do we get the ceramics from.

3:04:07.600 --> 3:04:10.920
<v Speaker 1>We're gonna make it to you like this. I'm gonna

3:04:10.920 --> 3:04:15.160
<v Speaker 1>tell you like this smells a little stronger than the

3:04:15.280 --> 3:04:19.000
<v Speaker 1>other one smells sweeter. Actually I smell sweetness, but I

3:04:19.040 --> 3:04:22.440
<v Speaker 1>smell that strongness as well. Let me try, all right,

3:04:23.040 --> 3:04:23.800
<v Speaker 1>tell me what you feel?

3:04:23.840 --> 3:04:27.920
<v Speaker 3>Do you feel the karate kids out of you. I'm

3:04:27.920 --> 3:04:32.920
<v Speaker 3>going second small man, man, it smells stronger.

3:04:34.680 --> 3:04:40.200
<v Speaker 1>Wait a minute, that's good. Let me Can I sell

3:04:40.200 --> 3:04:43.120
<v Speaker 1>you a cat around my heart? Right now? That's nice.

3:04:44.800 --> 3:04:46.800
<v Speaker 4>Let's tell the audience something. When we were first talking

3:04:46.800 --> 3:04:49.360
<v Speaker 4>about doing this episode, we go to Ja, wanted to

3:04:49.400 --> 3:04:50.760
<v Speaker 4>go to Japan and we're so.

3:04:50.959 --> 3:04:53.240
<v Speaker 3>Hyped about hold on, can I invite you to Japan?

3:04:53.440 --> 3:04:56.840
<v Speaker 1>Yes? Holoit that said the name this? Yeah, I like

3:04:56.879 --> 3:05:01.640
<v Speaker 1>that he understood. That's you, Jeremy. I know what I'm saying.

3:05:02.280 --> 3:05:05.360
<v Speaker 1>Can I invite you guys with your parents if you

3:05:05.480 --> 3:05:09.040
<v Speaker 1>ever invite me back to the show. This is your home. Now,

3:05:09.840 --> 3:05:12.320
<v Speaker 1>we gotta go to Japan one, okay, please, let's we're

3:05:12.320 --> 3:05:16.960
<v Speaker 1>gonna I'm gonna special drinks, yo. We gotta make that happen. Yeah,

3:05:17.040 --> 3:05:21.240
<v Speaker 1>please all right, bump bump please. So Drake Champions is

3:05:21.280 --> 3:05:26.520
<v Speaker 1>one of the top and pioneering hip hop podcast of

3:05:27.080 --> 3:05:29.720
<v Speaker 1>it all. When I'm happy that you sparked so many

3:05:29.760 --> 3:05:31.720
<v Speaker 1>other brothers and a lot of brothers are eating well

3:05:31.760 --> 3:05:34.520
<v Speaker 1>because of you. Yes, you know what I mean. May

3:05:34.560 --> 3:05:41.280
<v Speaker 1>you be eating well as the thing? Yes? Yes? And

3:05:42.240 --> 3:05:43.760
<v Speaker 1>now it's a privilege for me to be here in

3:05:43.800 --> 3:05:46.160
<v Speaker 1>the honor. I'm glad I decided to funk with you.

3:05:46.680 --> 3:05:49.320
<v Speaker 1>You know, one thing happened to me too. I can talk,

3:05:49.520 --> 3:05:53.240
<v Speaker 1>so you know, I took my shahada, right, even though

3:05:53.920 --> 3:05:59.760
<v Speaker 1>I got nas herself already. You nas yourself already? Yeah,

3:06:00.600 --> 3:06:03.280
<v Speaker 1>when you have so now the self. In my days,

3:06:03.280 --> 3:06:05.240
<v Speaker 1>they make you fast three days before they gave you

3:06:05.320 --> 3:06:08.560
<v Speaker 1>the lessons lessons of the five cent Yes, yes, usually

3:06:08.640 --> 3:06:11.440
<v Speaker 1>fast three days. Yeah. So so what's the difference from

3:06:11.800 --> 3:06:14.280
<v Speaker 1>taking your shahada because fast and three days and getting

3:06:14.280 --> 3:06:16.680
<v Speaker 1>the lessons, Well, you're talking about the one twenty lesons, yeah,

3:06:16.680 --> 3:06:18.680
<v Speaker 1>one hundred twenty lessons, right. I had a faster three

3:06:18.720 --> 3:06:21.440
<v Speaker 1>days and I got that, but then without did the shahada. Right,

3:06:22.120 --> 3:06:24.520
<v Speaker 1>First of all, my lesson said, the lesson says that

3:06:24.920 --> 3:06:27.280
<v Speaker 1>what is your own self? What is what is your

3:06:27.360 --> 3:06:31.360
<v Speaker 1>own self? And they were speaking primarily to the Latins,

3:06:32.360 --> 3:06:35.800
<v Speaker 1>the Native Americans, and the black men of America who

3:06:37.560 --> 3:06:40.240
<v Speaker 1>kind of was lost from ourselves? Is that where they

3:06:40.280 --> 3:06:43.080
<v Speaker 1>said that the Asiatic black man? Yeah, the Asiatic meeting

3:06:43.160 --> 3:06:46.720
<v Speaker 1>that life itself was more origin in Asia. At one

3:06:46.720 --> 3:06:49.480
<v Speaker 1>point the whole planet was called Asia, but it wasn't

3:06:49.600 --> 3:06:52.480
<v Speaker 1>called Africa. Africa's more of a later name, maybe two

3:06:52.520 --> 3:06:54.600
<v Speaker 1>thousand years old at best, maybe fifteen hundred years old

3:06:54.600 --> 3:06:59.760
<v Speaker 1>before the continents moved. Yeah, yeah, yeah, yeah, it was

3:06:59.800 --> 3:07:02.440
<v Speaker 1>just Asia. Just means land, right, right, right, and so

3:07:02.520 --> 3:07:05.720
<v Speaker 1>everything was land before we start paying borders. But it's

3:07:05.760 --> 3:07:13.880
<v Speaker 1>said that our own selves are righteous Muslims, then what

3:07:13.959 --> 3:07:18.440
<v Speaker 1>do that mean? Would you consider yourself righteous? Earfing? Or

3:07:18.560 --> 3:07:21.600
<v Speaker 1>you try to be righteous? You try to be righteous

3:07:22.080 --> 3:07:25.360
<v Speaker 1>and I strive to be righteous, okay. And the word

3:07:25.480 --> 3:07:30.360
<v Speaker 1>Muslim me mousalim, meaning either one from the city or

3:07:30.400 --> 3:07:34.880
<v Speaker 1>from the idea of peace. So basically you could translate

3:07:34.879 --> 3:07:37.680
<v Speaker 1>the word Muslim to a man of peace. Do you

3:07:37.720 --> 3:07:39.880
<v Speaker 1>feel like you're a man of peace? Do you feel

3:07:39.879 --> 3:07:41.120
<v Speaker 1>like you're a man of peace? I feel like I'm

3:07:41.120 --> 3:07:44.280
<v Speaker 1>a man. So one of our strivings is to be

3:07:44.400 --> 3:07:48.600
<v Speaker 1>a righteous man of peace. And because that's one of

3:07:48.640 --> 3:07:56.280
<v Speaker 1>our strivings, right, because that's our physical presence, it's healthy

3:07:56.440 --> 3:07:59.680
<v Speaker 1>for us to acknowledge that. Right. So when I took

3:07:59.720 --> 3:08:02.480
<v Speaker 1>this how to, I took I did knowledge to that

3:08:02.520 --> 3:08:06.760
<v Speaker 1>because my lesson already described who I was. Now, then

3:08:06.800 --> 3:08:08.400
<v Speaker 1>some people some people hit me up there, yo, why

3:08:08.400 --> 3:08:12.520
<v Speaker 1>are you drinking? Bro? You know what I mean? Yeah, okay,

3:08:12.840 --> 3:08:14.120
<v Speaker 1>And I just said to them, and I want to

3:08:14.520 --> 3:08:16.600
<v Speaker 1>I just say, at the end of the day, you know,

3:08:17.240 --> 3:08:19.760
<v Speaker 1>my straw is my straw, you know what I mean.

3:08:20.280 --> 3:08:22.120
<v Speaker 1>I'm sure there'll come a time I won't drink, I

3:08:22.160 --> 3:08:26.480
<v Speaker 1>start smoking, and I'll continue to become as more. It's

3:08:26.520 --> 3:08:28.600
<v Speaker 1>acting more advices as I can, you know what I mean.

3:08:29.160 --> 3:08:31.840
<v Speaker 1>But as I moved to my entertainment world and dealing

3:08:31.879 --> 3:08:34.760
<v Speaker 1>with these things, I actually don't drink before I go

3:08:34.840 --> 3:08:38.360
<v Speaker 1>on stage before I drunk every time. So everything is

3:08:39.040 --> 3:08:41.520
<v Speaker 1>getting better and better, and that's the goal of it,

3:08:41.640 --> 3:08:45.680
<v Speaker 1>to have a path to get better and better. Now. Also,

3:08:45.760 --> 3:08:52.400
<v Speaker 1>I'm a Shalin disciple, and so Shain was founded or

3:08:52.879 --> 3:08:55.840
<v Speaker 1>brought to the surface by a man named Body Dama.

3:08:57.640 --> 3:09:01.200
<v Speaker 1>And Body Dama, yeah, he drunk wine. And that's why

3:09:01.240 --> 3:09:06.000
<v Speaker 1>you have a drunk Buddha, a laughing Buddha, drunken, sleeping Buddha.

3:09:06.080 --> 3:09:08.320
<v Speaker 1>You got all these different things because these are all

3:09:08.400 --> 3:09:10.320
<v Speaker 1>different expressions of what a man might have to go

3:09:10.480 --> 3:09:14.200
<v Speaker 1>through to find enlightenment. Mm hmm. So our lessons teach

3:09:14.320 --> 3:09:16.920
<v Speaker 1>us that we are by nature we should be righteous,

3:09:16.959 --> 3:09:19.600
<v Speaker 1>and we should be a men of peace. But Bodhi

3:09:19.720 --> 3:09:23.680
<v Speaker 1>Dhama means enlightened righteousness.

3:09:24.440 --> 3:09:24.959
<v Speaker 4>Mm hmm.

3:09:27.440 --> 3:09:29.600
<v Speaker 1>Enlighten. So now you could be righteous, but how about

3:09:29.760 --> 3:09:34.200
<v Speaker 1>enlightened righteousness? And so do my Chilentce studies. That's what

3:09:34.320 --> 3:09:36.520
<v Speaker 1>I was strong to be. You look at the ris,

3:09:37.240 --> 3:09:42.760
<v Speaker 1>may you see enlightened righteousness. That's striving for peace. I

3:09:42.840 --> 3:09:48.720
<v Speaker 1>just want to share that with your brothers. All right. Now,

3:09:48.800 --> 3:09:51.280
<v Speaker 1>there's a rumor that to come see you, you gotta

3:09:51.320 --> 3:09:54.360
<v Speaker 1>walk up one hundred steps to come see us. I

3:09:54.400 --> 3:10:02.680
<v Speaker 1>told you that my other studio, my other studio. Did

3:10:02.720 --> 3:10:08.800
<v Speaker 1>you create the other studio? I call the studios temples

3:10:09.480 --> 3:10:11.440
<v Speaker 1>the other studio. Yeah, you have to walk off these stirs.

3:10:11.440 --> 3:10:13.920
<v Speaker 1>When you get up there, you be out of breath. Bro,

3:10:15.160 --> 3:10:17.360
<v Speaker 1>if I should give you one story, you should edit

3:10:17.440 --> 3:10:19.800
<v Speaker 1>about that. But when you walk up the studio steps,

3:10:20.280 --> 3:10:23.000
<v Speaker 1>you get there, you're out of breath. And that's that.

3:10:23.160 --> 3:10:25.320
<v Speaker 1>But but then I've got to be and my wife

3:10:25.360 --> 3:10:29.200
<v Speaker 1>bought another spot and we built the studio there in

3:10:29.320 --> 3:10:31.400
<v Speaker 1>this studio. Now you got to walk down one hundred

3:10:31.400 --> 3:10:35.480
<v Speaker 1>and twenty steps. The gag is you could walk down

3:10:35.520 --> 3:10:39.840
<v Speaker 1>one hundred and twenty you're not going to say it

3:10:39.920 --> 3:10:44.520
<v Speaker 1>makes you not want to leave. It makes you not

3:10:44.600 --> 3:10:46.880
<v Speaker 1>want to leave. But what quick store you can edit

3:10:46.920 --> 3:10:48.440
<v Speaker 1>the center because we dragging it. Let me know, we

3:10:48.480 --> 3:10:51.280
<v Speaker 1>went out of time. There's no time, okay for you?

3:10:51.400 --> 3:10:53.680
<v Speaker 1>All right? So y'all so so so yeah, So I

3:10:53.760 --> 3:10:56.560
<v Speaker 1>have a studio that's way up. The studio I had

3:10:56.640 --> 3:10:58.960
<v Speaker 1>was built up one hundred and twenty steps. And you know,

3:10:59.040 --> 3:11:01.320
<v Speaker 1>when bus came through, he did the one twenty. Nds

3:11:01.360 --> 3:11:03.320
<v Speaker 1>came through, he did the one twenty. You know, the

3:11:03.959 --> 3:11:08.480
<v Speaker 1>whatever whoever came through did the one twenty right, and uh,

3:11:08.840 --> 3:11:11.000
<v Speaker 1>you know, you get up the out of breath. I

3:11:11.160 --> 3:11:14.440
<v Speaker 1>did a song with my brother, my hero, my wife's hero,

3:11:16.000 --> 3:11:17.960
<v Speaker 1>Sly from Sly and the Family.

3:11:20.240 --> 3:11:22.280
<v Speaker 3>So Slotstone comes to do a.

3:11:22.320 --> 3:11:25.120
<v Speaker 1>Song on doing this thing called Athos Samurai and I

3:11:25.200 --> 3:11:27.440
<v Speaker 1>want to do a song. I wanted to remake family

3:11:27.520 --> 3:11:31.360
<v Speaker 1>affair and my wife is the big slot famn like baby,

3:11:34.080 --> 3:11:35.760
<v Speaker 1>I think I got. I talked to George Clinton and

3:11:35.840 --> 3:11:39.119
<v Speaker 1>he's going to bring Sly to the studio. We're gonna

3:11:39.120 --> 3:11:42.640
<v Speaker 1>do that song over. It's like cool, all right, so

3:11:42.800 --> 3:11:48.720
<v Speaker 1>now we you know, but Sly is quite adamant if

3:11:48.720 --> 3:11:51.360
<v Speaker 1>you're going to do this session. He needs at least

3:11:51.400 --> 3:11:54.320
<v Speaker 1>half the cheese up front, right, you know what I mean.

3:11:54.400 --> 3:11:59.480
<v Speaker 1>I'm cool with that. Bam milama, here's half the cheese. Okay.

3:12:00.240 --> 3:12:09.600
<v Speaker 1>He comes to the sessions and it's those steps and

3:12:09.760 --> 3:12:14.040
<v Speaker 1>you know, so he wants the second half, but you

3:12:14.120 --> 3:12:17.360
<v Speaker 1>gotta hit these steps, right, So he so, and he

3:12:17.440 --> 3:12:20.280
<v Speaker 1>has this gentleman with him, this gentleman he had, well

3:12:20.320 --> 3:12:22.320
<v Speaker 1>I can't really describe this gentleman. This gentleman kind of

3:12:22.440 --> 3:12:24.920
<v Speaker 1>like he was bullheaded, but he had like a string

3:12:25.000 --> 3:12:27.880
<v Speaker 1>of here that hung off the side and ship I

3:12:27.920 --> 3:12:31.120
<v Speaker 1>couldn't like a monk. He wasn't a monk though, like

3:12:31.200 --> 3:12:33.800
<v Speaker 1>a month like a monk. Like that's some Veby Bebby

3:12:33.920 --> 3:12:37.160
<v Speaker 1>Bebby unique individual like I don't I don't know what

3:12:37.280 --> 3:12:39.039
<v Speaker 1>that what that was, but remember they.

3:12:39.000 --> 3:12:44.320
<v Speaker 3>Come from an era. They come from the psychedelic.

3:12:45.560 --> 3:12:49.360
<v Speaker 1>He might have been psychedelic. That was a second. Yeah.

3:12:49.959 --> 3:12:53.360
<v Speaker 1>And I met him at Slye House and then Slide

3:12:53.400 --> 3:12:55.560
<v Speaker 1>pulls up to him, like I said, the studio and

3:12:55.720 --> 3:13:00.120
<v Speaker 1>Slide has this van that's like his personal van he

3:13:00.400 --> 3:13:04.520
<v Speaker 1>like when he travels this this van has a bad bathroom.

3:13:05.440 --> 3:13:09.720
<v Speaker 1>It's a schoofy doo type van. Good, right, and so

3:13:09.920 --> 3:13:12.440
<v Speaker 1>he's like, yo, I mean, I don't know where He's like,

3:13:12.480 --> 3:13:16.280
<v Speaker 1>I'm in the studio, but I'm waiting for him. But

3:13:16.320 --> 3:13:19.400
<v Speaker 1>he never comes up. And then all of a sudden,

3:13:19.920 --> 3:13:24.440
<v Speaker 1>the guy with the one bomb car Yeah, no, no,

3:13:24.600 --> 3:13:28.440
<v Speaker 1>he shows up. He knocks on the door. He open up, like, hey,

3:13:28.920 --> 3:13:32.120
<v Speaker 1>what's sly At? He's like's on hundred twenty steps. He's

3:13:32.200 --> 3:13:39.840
<v Speaker 1>like brother Rizza. Brother Sly was wondering could he get

3:13:39.879 --> 3:13:46.959
<v Speaker 1>the rest of the advanced before he comes up. I'm like, yeah, yeah,

3:13:47.000 --> 3:13:49.160
<v Speaker 1>whatever whatever, you know what I mean, Let's tell about

3:13:49.160 --> 3:13:51.640
<v Speaker 1>the Slide to come on up. We'll do the song

3:13:51.760 --> 3:13:54.400
<v Speaker 1>we got there advancing. It'll be all good. It'll tell

3:13:54.480 --> 3:13:57.080
<v Speaker 1>him come on up. He's like okay, So now he

3:13:57.160 --> 3:14:03.440
<v Speaker 1>has to go back down. He goes down, comes back

3:14:03.520 --> 3:14:16.680
<v Speaker 1>up again. No, Sly, no slop. Brother slaes wonder if

3:14:16.680 --> 3:14:25.320
<v Speaker 1>you can at least give me a portion before he

3:14:25.440 --> 3:14:32.440
<v Speaker 1>comes up. I'm like, I'm smoking too, Like how much?

3:14:33.480 --> 3:14:35.640
<v Speaker 1>You know what I mean? Like, I tell Brother Slid,

3:14:35.720 --> 3:14:38.000
<v Speaker 1>do have some cash here? It's just you know, I

3:14:38.040 --> 3:14:40.720
<v Speaker 1>don't really keep cashing you, but I do have some

3:14:40.879 --> 3:14:43.200
<v Speaker 1>cash here. Because you ask Brother Slide like how much

3:14:43.320 --> 3:14:49.760
<v Speaker 1>cash would be cool to get him up here. And

3:14:49.920 --> 3:15:02.680
<v Speaker 1>he goes down again, comes back the It's like out

3:15:02.720 --> 3:15:10.040
<v Speaker 1>of the raft. He told me the number though, fire down,

3:15:10.360 --> 3:15:13.880
<v Speaker 1>you know what I man. I'm like, shit, I don't

3:15:13.879 --> 3:15:16.840
<v Speaker 1>really got fired down. Twenty five hundred cash right right

3:15:17.320 --> 3:15:19.520
<v Speaker 1>right there. I don't know Shapo had it. Somebody had

3:15:19.560 --> 3:15:21.960
<v Speaker 1>it and my guy who there twenty But tell brother

3:15:22.080 --> 3:15:28.960
<v Speaker 1>Slop we got you know, twenty fived. Whatever he goes,

3:15:29.160 --> 3:15:30.800
<v Speaker 1>he comes back with him in full time though, you

3:15:30.840 --> 3:15:31.240
<v Speaker 1>know what I mean.

3:15:31.879 --> 3:15:34.320
<v Speaker 3>But the point of the story is that those steps,

3:15:34.600 --> 3:15:35.160
<v Speaker 3>you know what I mean?

3:15:35.320 --> 3:15:39.400
<v Speaker 1>Serious? Yeah, it means you coming to work, come to

3:15:39.480 --> 3:15:42.320
<v Speaker 1>get something. He's working, he's working, and brother Slot came

3:15:42.400 --> 3:15:46.880
<v Speaker 1>up sat I had a rolls piano and he sat

3:15:46.959 --> 3:15:51.840
<v Speaker 1>there bro and he played. It's a family, a fan,

3:15:52.400 --> 3:15:56.760
<v Speaker 1>it's something that ship and I don't know. You never

3:15:56.800 --> 3:15:58.880
<v Speaker 1>come to the studio like that. She comes. When she

3:15:58.920 --> 3:16:04.400
<v Speaker 1>comes by, I was like, step everything, Okay, the studio.

3:16:04.840 --> 3:16:06.440
<v Speaker 1>If she comes to the studio, she's coming to flush

3:16:06.480 --> 3:16:09.000
<v Speaker 1>every day down the toilet right right right, Okay, Okay,

3:16:10.680 --> 3:16:12.280
<v Speaker 1>it's the old days. I don't gus, I don't smoke

3:16:12.280 --> 3:16:14.960
<v Speaker 1>on drinking. I'm not drink. I don't smoke nothing but

3:16:15.120 --> 3:16:16.640
<v Speaker 1>the old days. You're gonna come to my studio and

3:16:16.680 --> 3:16:18.600
<v Speaker 1>I'll mindset that is with you and you can throw

3:16:18.600 --> 3:16:20.360
<v Speaker 1>it in the garbage or you can keep it. Keep it.

3:16:20.360 --> 3:16:23.120
<v Speaker 1>If you came to my studio, bro, no matter what

3:16:23.280 --> 3:16:25.160
<v Speaker 1>you did, it's in the cabinet.

3:16:25.879 --> 3:16:28.480
<v Speaker 4>I don't do everything you do. Oh you say like

3:16:28.560 --> 3:16:31.160
<v Speaker 4>all the bad habits, No matter what you if you say.

3:16:31.080 --> 3:16:36.560
<v Speaker 1>Yo wiz, all I do is eat monkey, monkey, ship,

3:16:36.720 --> 3:16:39.360
<v Speaker 1>but soapin piss. It's in the I got a job

3:16:39.480 --> 3:16:43.920
<v Speaker 1>for you. If you come to the studio. I got

3:16:43.959 --> 3:16:47.160
<v Speaker 1>you covered, bro. I got dudes that came. They had

3:16:47.240 --> 3:16:53.560
<v Speaker 1>no session. They do that because the studio somethingsion the Hey,

3:16:53.800 --> 3:16:55.600
<v Speaker 1>they walk into a hundred and twenty steps. They walk

3:16:55.959 --> 3:17:02.000
<v Speaker 1>twenty steps. So if she came up at home and

3:17:02.360 --> 3:17:04.960
<v Speaker 1>all that shit is there, all that shit goes in

3:17:05.080 --> 3:17:08.280
<v Speaker 1>the toilet, in the garbage, because that's not healthy for us.

3:17:08.520 --> 3:17:11.720
<v Speaker 1>She always was promoting health for us, consciousness and health

3:17:12.200 --> 3:17:14.840
<v Speaker 1>and ship, so she'd come throw it out. All the

3:17:14.879 --> 3:17:17.360
<v Speaker 1>guys are calling, go yo, shit, what happened? That's my

3:17:17.400 --> 3:17:21.760
<v Speaker 1>wife came up and ship. Don't worry. Twenty four hours,

3:17:21.800 --> 3:17:25.680
<v Speaker 1>I'll be restocked, so brother, but Brother Slide comes up

3:17:26.640 --> 3:17:33.520
<v Speaker 1>and I'm like, yo, let me call downstairs. Having come up,

3:17:34.440 --> 3:17:38.000
<v Speaker 1>and I called downstairs and she came up and watched

3:17:38.040 --> 3:17:40.240
<v Speaker 1>Brother Slide performed this song.

3:17:40.400 --> 3:17:40.520
<v Speaker 4>Yo.

3:17:41.080 --> 3:17:42.680
<v Speaker 1>So you don't have an elevator on the side of

3:17:42.720 --> 3:17:45.520
<v Speaker 1>the steps, well you need a zip line. If you

3:17:46.080 --> 3:17:50.240
<v Speaker 1>like it's crazy, it's deep, it's all elevated there. Oh okay,

3:17:50.720 --> 3:17:52.840
<v Speaker 1>I don't remember how Buster told me the story. How

3:17:52.879 --> 3:17:54.720
<v Speaker 1>did you know that Buster told me that story, because

3:17:54.760 --> 3:17:57.440
<v Speaker 1>when he came up the stairs, he was like, yo.

3:18:01.959 --> 3:18:06.200
<v Speaker 1>He was like, yo, see like you serious about that phone.

3:18:08.840 --> 3:18:13.320
<v Speaker 1>You're so Buster, You're so real white notice temple shit. Lord.

3:18:16.320 --> 3:18:19.360
<v Speaker 3>He was like, it's a one time visit.

3:18:19.480 --> 3:18:25.320
<v Speaker 1>Lord he was. But I had that yellow machine though

3:18:26.120 --> 3:18:29.520
<v Speaker 1>they had mad He was like empty that motherfucker. I

3:18:29.640 --> 3:18:34.320
<v Speaker 1>emptied it for oh shit, this listen. How we doing?

3:18:34.360 --> 3:18:38.280
<v Speaker 1>How we doing that? We great fish? Hold on, I'll

3:18:38.280 --> 3:18:41.920
<v Speaker 1>try this. I got this liquids swars Or returned to

3:18:42.000 --> 3:18:47.080
<v Speaker 1>the thirty six chambers a fifty minute time on them. Okay, okay,

3:18:47.160 --> 3:18:48.480
<v Speaker 1>Oh I got to like the movie too. I've been

3:18:48.520 --> 3:18:50.480
<v Speaker 1>been a twenty minute timer. I didn't do the movie.

3:18:50.520 --> 3:18:52.800
<v Speaker 1>We do the movie all right, cool, okay, So liquid

3:18:52.840 --> 3:18:55.760
<v Speaker 1>swars or return to the thirty six chambers in which way?

3:18:56.080 --> 3:19:02.320
<v Speaker 1>Whichever way you I mean, I think that's fair easy one,

3:19:04.240 --> 3:19:07.200
<v Speaker 1>Oh it's hard. Well, well that's what I said. I

3:19:07.200 --> 3:19:11.160
<v Speaker 1>said on which way? They both are two unique things, right.

3:19:12.000 --> 3:19:13.560
<v Speaker 1>But if you want to be like like in the

3:19:13.640 --> 3:19:18.680
<v Speaker 1>hip hop canaan, people gonna say liquids wards. Right. But

3:19:19.720 --> 3:19:23.480
<v Speaker 1>the thing that O d B did and and and

3:19:23.560 --> 3:19:26.240
<v Speaker 1>that this is trying to make my answers shorter. It

3:19:26.280 --> 3:19:27.960
<v Speaker 1>should like you canna put a two minute time on me?

3:19:28.240 --> 3:19:30.960
<v Speaker 1>You're good, right. The thing that od B did, which

3:19:30.959 --> 3:19:34.400
<v Speaker 1>people don't realize od ODIB made the first hip hop

3:19:34.480 --> 3:19:41.920
<v Speaker 1>comedy album. I thought, okay about that, Okay, Okay, I'll

3:19:41.959 --> 3:19:44.120
<v Speaker 1>say Biz is the father. You're right? Okay? Yeah, so

3:19:44.240 --> 3:19:49.400
<v Speaker 1>od b od B modern, he brought it to the tradition. Yeah,

3:19:50.120 --> 3:19:52.840
<v Speaker 1>I'm his short is almost Richard Priory, you know what

3:19:52.840 --> 3:19:57.400
<v Speaker 1>I mean. And and and for me creating it with him,

3:19:58.640 --> 3:20:02.800
<v Speaker 1>you know, it was like intentional. One of the best

3:20:02.840 --> 3:20:06.280
<v Speaker 1>beats on the album to me was called going Down

3:20:07.440 --> 3:20:11.640
<v Speaker 1>and that beat was actually for Havoc and Ship would

3:20:11.720 --> 3:20:13.640
<v Speaker 1>have it because Steven, like, could you help produce mob

3:20:13.720 --> 3:20:16.320
<v Speaker 1>Deep album and then I met Havoc before. But but

3:20:16.400 --> 3:20:18.480
<v Speaker 1>then when we met in the office that day, I

3:20:18.560 --> 3:20:21.119
<v Speaker 1>was like, you don't need me, gud, Let's do it yourself,

3:20:21.280 --> 3:20:23.960
<v Speaker 1>like the same thing what you call or told me

3:20:25.080 --> 3:20:29.440
<v Speaker 1>daddy O. I said to him, like, produce all your own. Yeah, yes,

3:20:29.520 --> 3:20:31.760
<v Speaker 1>that's in bunk bong. He made some of the best

3:20:31.800 --> 3:20:35.600
<v Speaker 1>shiits in history, right, but I still had but I

3:20:35.800 --> 3:20:40.480
<v Speaker 1>promised on one and it was this track called going Down.

3:20:41.120 --> 3:20:45.160
<v Speaker 1>But then, oh, d beasts, I wanted, that's not how

3:20:45.160 --> 3:20:47.800
<v Speaker 1>I got you have you want. But in the middle

3:20:47.800 --> 3:20:53.520
<v Speaker 1>of that track, he's his wisdy. They upstairs cooking fish

3:20:54.160 --> 3:20:56.760
<v Speaker 1>up in the upstairs and they and they and they

3:20:56.920 --> 3:21:00.520
<v Speaker 1>cook and ship and were down the studio. He's like, yo,

3:21:00.600 --> 3:21:06.240
<v Speaker 1>god uh, I want to do something crazy in the middle,

3:21:06.680 --> 3:21:08.200
<v Speaker 1>so what I want my whirs to come down and

3:21:08.360 --> 3:21:14.520
<v Speaker 1>argue with me. I said, that's genius. So I said, Yo,

3:21:14.920 --> 3:21:17.600
<v Speaker 1>come down, Damn you guys gonna get too an argument.

3:21:17.680 --> 3:21:21.279
<v Speaker 1>I'm gonna record this ship And they record an argument.

3:21:21.680 --> 3:21:23.960
<v Speaker 1>But there was a real argument. I mean good enough,

3:21:26.959 --> 3:21:29.760
<v Speaker 1>good enough though, like me and Actlan And then the

3:21:29.879 --> 3:21:33.520
<v Speaker 1>gag was in the middle of that argument, He's gonna

3:21:33.560 --> 3:21:39.280
<v Speaker 1>sing somewhere over the rainbow, and he doesn't. And that's

3:21:39.320 --> 3:21:42.480
<v Speaker 1>in the middle of a song, so so so that

3:21:42.640 --> 3:21:45.320
<v Speaker 1>so no other album can do that, and then and

3:21:45.400 --> 3:21:49.119
<v Speaker 1>the whole can. So ODB brought something to the table

3:21:49.200 --> 3:21:53.680
<v Speaker 1>that's crazily unique and and like he said, it was new,

3:21:53.959 --> 3:21:54.680
<v Speaker 1>a new chamber.

3:21:54.879 --> 3:21:57.640
<v Speaker 3>So how often did he do that? Did he insert

3:21:57.760 --> 3:21:59.800
<v Speaker 3>his vision on the tracks for his.

3:22:00.320 --> 3:22:02.920
<v Speaker 1>I mean know for me and him? Yes, he like

3:22:03.360 --> 3:22:07.920
<v Speaker 1>like like there's times where as the abbot I demand

3:22:07.959 --> 3:22:10.680
<v Speaker 1>what he do, right because I because I would have

3:22:10.720 --> 3:22:12.480
<v Speaker 1>that position, I canna SAYO, you're going to do this?

3:22:13.160 --> 3:22:15.880
<v Speaker 1>They promised that give me five years of saying I

3:22:15.959 --> 3:22:19.120
<v Speaker 1>can say whatever I want to say, right, everybody agreed,

3:22:19.400 --> 3:22:20.720
<v Speaker 1>So it was time I told him do this to

3:22:20.800 --> 3:22:23.840
<v Speaker 1>know this like, this is the track stump. He made

3:22:23.920 --> 3:22:27.120
<v Speaker 1>that track and then gave it to me to finish. Wow,

3:22:28.200 --> 3:22:30.640
<v Speaker 1>I mean, I said, yo, go buy a saw. He

3:22:30.680 --> 3:22:32.600
<v Speaker 1>bought an asol. He only made four beats in his

3:22:32.680 --> 3:22:38.760
<v Speaker 1>whole life because he really wasn't that patient, right, you

3:22:38.840 --> 3:22:40.920
<v Speaker 1>know what I mean? But he made that track stump,

3:22:41.280 --> 3:22:42.680
<v Speaker 1>you know what I mean. I just add the Purans

3:22:42.720 --> 3:22:45.720
<v Speaker 1>and some other shit to it. But that's so. That's that.

3:22:45.840 --> 3:22:46.000
<v Speaker 4>You know.

3:22:46.240 --> 3:22:49.080
<v Speaker 1>He was very involved with his album. But certain things

3:22:49.120 --> 3:22:50.440
<v Speaker 1>I was like, Nah, you're doing this, you're doing that.

3:22:50.520 --> 3:22:52.280
<v Speaker 1>I need this, or remember that song you did when

3:22:52.280 --> 3:22:54.680
<v Speaker 1>you was a kid. I need this. But when he

3:22:54.920 --> 3:22:58.000
<v Speaker 1>when you hear us say he has one song where

3:22:58.000 --> 3:22:59.920
<v Speaker 1>he does the same, he has two songs on the

3:23:00.080 --> 3:23:05.160
<v Speaker 1>album and they they both got the same verse, the

3:23:05.240 --> 3:23:11.000
<v Speaker 1>exact same verse on two separate songs on the same album.

3:23:12.160 --> 3:23:15.520
<v Speaker 1>It's called damn It. He does the same rhyme on

3:23:16.640 --> 3:23:18.960
<v Speaker 1>three songs. If you really check it, he dos a

3:23:19.000 --> 3:23:24.560
<v Speaker 1>piece of it for another song. What he said, Yo, God,

3:23:24.640 --> 3:23:28.000
<v Speaker 1>trust me. That's all right, I trust you.

3:23:28.640 --> 3:23:31.400
<v Speaker 3>When he did shame on the Nigga, he came in

3:23:31.600 --> 3:23:32.760
<v Speaker 3>so late in the studios.

3:23:32.920 --> 3:23:36.000
<v Speaker 1>I was angry. I said, when you say the fuck

3:23:36.040 --> 3:23:37.920
<v Speaker 1>that God was? They had the bitch with him and ship,

3:23:39.280 --> 3:23:41.680
<v Speaker 1>Yo God, just trying to mic on because it is

3:23:41.840 --> 3:23:44.040
<v Speaker 1>my cousin, and you know if I go at it

3:23:44.160 --> 3:23:46.480
<v Speaker 1>it will be a two hour argument. Then Wenna get

3:23:46.520 --> 3:23:48.600
<v Speaker 1>to work. He's like, let me turn the mic on

3:23:49.160 --> 3:23:51.840
<v Speaker 1>on the who went in there in one take Nigga?

3:23:51.920 --> 3:23:55.800
<v Speaker 1>He did that song wow, same on the Nigga to

3:23:55.840 --> 3:23:59.560
<v Speaker 1>try the one game on a nigga bow. I was like,

3:23:59.640 --> 3:24:02.720
<v Speaker 1>now fit finish the hook. God, nah, nigga, that's finished.

3:24:03.840 --> 3:24:06.520
<v Speaker 1>I said, how you didn't say everything? They gonna love it.

3:24:09.600 --> 3:24:13.560
<v Speaker 1>I'm like, I kept it. I believe them. Did you

3:24:13.640 --> 3:24:18.400
<v Speaker 1>really believe them? Though? Yes, okay, I told I believe it.

3:24:18.520 --> 3:24:20.560
<v Speaker 1>I totally believe them. Take a shot of all the

3:24:21.680 --> 3:24:26.240
<v Speaker 1>rest in peace. So let me let me tell you something.

3:24:26.520 --> 3:24:28.600
<v Speaker 1>As a person that knew you for a long time,

3:24:29.520 --> 3:24:32.280
<v Speaker 1>the one time I felt like this is me as

3:24:32.320 --> 3:24:37.320
<v Speaker 1>an outsider looking at I felt the uncomfortable situation was

3:24:37.360 --> 3:24:42.760
<v Speaker 1>when I seen you dirty and Dame dash together right like,

3:24:43.840 --> 3:24:45.520
<v Speaker 1>like I ain't gonna lie like you know what I mean.

3:24:46.920 --> 3:24:49.440
<v Speaker 1>You saw my uncomfortability like a mother. I saw it

3:24:49.560 --> 3:24:52.640
<v Speaker 1>because you know, I just one. I'm an artist. I'm

3:24:52.760 --> 3:24:55.280
<v Speaker 1>in the industry, and I'm watching this through BT right,

3:24:55.360 --> 3:24:57.040
<v Speaker 1>so I'm not It's not like like it's not no

3:24:57.160 --> 3:25:00.440
<v Speaker 1>inside information. I'm actually watching this with the people. But

3:25:00.560 --> 3:25:03.200
<v Speaker 1>I think that you knew that he didn't belong there,

3:25:03.360 --> 3:25:05.320
<v Speaker 1>or you felt that he didn't belong there. But she

3:25:05.440 --> 3:25:09.160
<v Speaker 1>was respecting your cousin's decision, and he was respecting your

3:25:09.360 --> 3:25:12.920
<v Speaker 1>artists because in this game is frowned upon to keep

3:25:13.240 --> 3:25:16.040
<v Speaker 1>keep somebody right. So you you so you so I

3:25:16.200 --> 3:25:18.520
<v Speaker 1>saw you let him go, but then I saw you

3:25:18.680 --> 3:25:20.960
<v Speaker 1>like work with him, but I saw your hurting this

3:25:21.120 --> 3:25:24.039
<v Speaker 1>in your heart. I don't know if I'm acurate with that, y'all. Okay,

3:25:24.080 --> 3:25:26.720
<v Speaker 1>I'm a because like this is me watching on TV,

3:25:27.080 --> 3:25:30.160
<v Speaker 1>and I'm like, I'm like, I'm like that it was bad. Okay.

3:25:30.320 --> 3:25:33.560
<v Speaker 1>The edit made it worse. Okay, Okay, Like in.

3:25:33.600 --> 3:25:35.240
<v Speaker 3>The edit, it just shows me and him in the

3:25:35.280 --> 3:25:35.840
<v Speaker 3>moment with Dame.

3:25:36.440 --> 3:25:38.960
<v Speaker 1>Then it shows me kind of walking out and you

3:25:39.040 --> 3:25:42.200
<v Speaker 1>can see my hurt right in the reality. That ain't

3:25:42.200 --> 3:25:45.640
<v Speaker 1>how it happened, right, And the reality is me and

3:25:45.760 --> 3:25:51.280
<v Speaker 1>him and Dame m and I told a saw yo,

3:25:51.680 --> 3:25:54.480
<v Speaker 1>let me and Dame just talk for a minute. Let

3:25:54.480 --> 3:25:57.200
<v Speaker 1>me let's go ahead. Because he had made the deal

3:25:57.240 --> 3:25:59.640
<v Speaker 1>with Dame in the jail, right yeah, okay, aeah, I'm

3:25:59.640 --> 3:26:01.960
<v Speaker 1>sorry this whole other thing. He didn't make the deal

3:26:02.000 --> 3:26:05.800
<v Speaker 1>with day Oh wow. He had someone have power over

3:26:05.840 --> 3:26:09.120
<v Speaker 1>attorney while he was locked up, and they made the deal.

3:26:10.400 --> 3:26:12.880
<v Speaker 1>But as they say, the games to be sol not told, okay,

3:26:13.920 --> 3:26:19.240
<v Speaker 1>but what Dame said to me, and the part they

3:26:19.400 --> 3:26:23.120
<v Speaker 1>edited out. He said something to me that I couldn't deny. Yo.

3:26:24.120 --> 3:26:33.560
<v Speaker 1>He said, Yo, Ris, your family came to me, you

3:26:33.680 --> 3:26:38.280
<v Speaker 1>meaning Dirty family. The family, Yeah, whoever was representing Dirty

3:26:39.280 --> 3:26:41.720
<v Speaker 1>his family, like we saw you saw that pressed. Everybody

3:26:41.800 --> 3:26:43.720
<v Speaker 1>was there his you know, his mom was there, pop whatever,

3:26:43.760 --> 3:26:46.720
<v Speaker 1>he was there. This is when he came home. He came. Yeah,

3:26:46.760 --> 3:26:49.119
<v Speaker 1>I wasn't there. I had just talked to Dirty already

3:26:49.120 --> 3:26:51.600
<v Speaker 1>had a deal for him, you know what I mean.

3:26:51.959 --> 3:26:53.160
<v Speaker 1>I was like, Yo, when you come up, I had

3:26:53.200 --> 3:26:54.880
<v Speaker 1>a deal on a plan. My deal was like, you

3:26:54.959 --> 3:26:57.640
<v Speaker 1>come home. I built a gym for you. I got

3:26:57.640 --> 3:27:02.080
<v Speaker 1>an apartment in Manhattan, five thousand square feats udio already Okay,

3:27:02.560 --> 3:27:04.119
<v Speaker 1>I would said, Yo, you need a woman. I gotta

3:27:04.160 --> 3:27:06.959
<v Speaker 1>got I got girls. I just send you. I'm serious.

3:27:07.400 --> 3:27:10.880
<v Speaker 1>I was like, Yo, I got you, God, just come home,

3:27:11.879 --> 3:27:15.400
<v Speaker 1>you know what I mean. My shit was maybe nine

3:27:15.440 --> 3:27:17.920
<v Speaker 1>to fifty. I didn't have the M but I had

3:27:17.959 --> 3:27:20.560
<v Speaker 1>to pay a couple of people, all right, but I

3:27:20.640 --> 3:27:23.039
<v Speaker 1>got you. I basically had the same M in all reality, right,

3:27:24.160 --> 3:27:26.600
<v Speaker 1>And he's like cool. And then I flew to Europe

3:27:27.040 --> 3:27:29.280
<v Speaker 1>for a couple of weeks. Last on you know, the

3:27:29.320 --> 3:27:32.760
<v Speaker 1>Wizards to do what he does. And then I found

3:27:32.800 --> 3:27:36.800
<v Speaker 1>out from the press. Wow and so but so anyway,

3:27:36.840 --> 3:27:39.320
<v Speaker 1>so it was sad for me. But when Dame said

3:27:39.440 --> 3:27:42.760
<v Speaker 1>was so real in the world of the reality of life.

3:27:42.800 --> 3:27:48.400
<v Speaker 1>He said, Yo, Chris, nothing loss, it's like to nothing

3:27:48.440 --> 3:27:51.119
<v Speaker 1>to do with you. Your family came to me, oh

3:27:51.240 --> 3:27:53.040
<v Speaker 1>and they take They asked me to ask them what

3:27:53.120 --> 3:27:57.320
<v Speaker 1>they want. They said a million dollars. I said, cool,

3:27:57.520 --> 3:27:59.720
<v Speaker 1>So that difference made the difference, and I was like,

3:28:00.720 --> 3:28:03.959
<v Speaker 1>I don't argue with that. M hm, I can't argue

3:28:04.040 --> 3:28:07.000
<v Speaker 1>with that, right, So then I just asked a sons

3:28:07.040 --> 3:28:09.000
<v Speaker 1>to what you want to do? He said, yo, god, yeah,

3:28:09.080 --> 3:28:11.600
<v Speaker 1>let me do this. You know man, I was like,

3:28:12.879 --> 3:28:14.720
<v Speaker 1>when you so you see seeing me walking out with

3:28:14.760 --> 3:28:18.200
<v Speaker 1>that soggy, sad face. Because it wasn't about the money

3:28:18.280 --> 3:28:20.640
<v Speaker 1>or nothing. I could have said, okay, how about two million, right,

3:28:21.520 --> 3:28:28.120
<v Speaker 1>but I just felt like right, I just felt like, like,

3:28:28.320 --> 3:28:30.440
<v Speaker 1>like you said, it wasn't it wasn't. It didn't belong there,

3:28:31.400 --> 3:28:32.920
<v Speaker 1>you know what I mean. You don't want to be

3:28:32.959 --> 3:28:36.120
<v Speaker 1>a hater, Yeah, I want to be like I'm stopping progress. Yeah,

3:28:36.440 --> 3:28:39.720
<v Speaker 1>they kind of running the game. They got it. They

3:28:39.760 --> 3:28:42.240
<v Speaker 1>shine and bright who won't wanted to be signed to

3:28:42.320 --> 3:28:45.960
<v Speaker 1>rock Fell especially at that time, even you know, yeah,

3:28:46.360 --> 3:28:49.200
<v Speaker 1>git niggas like, yo, that's that's it. You know what

3:28:49.240 --> 3:28:51.959
<v Speaker 1>I mean, It's like, that's what it is. But I'm

3:28:51.959 --> 3:28:54.199
<v Speaker 1>gonna tell you again. You could correct me if I'm wrong,

3:28:54.640 --> 3:28:56.720
<v Speaker 1>But it wasn't that when I've seen it to you,

3:28:58.200 --> 3:29:01.440
<v Speaker 1>it was you you with the wrong not not the

3:29:01.520 --> 3:29:04.600
<v Speaker 1>wrong people meaning like the wrong people, but you I

3:29:04.720 --> 3:29:07.160
<v Speaker 1>know how to make you sound exactly.

3:29:07.320 --> 3:29:09.039
<v Speaker 3>I know, like that's that's what I was taking.

3:29:09.120 --> 3:29:11.320
<v Speaker 1>I was like, damn, I was like, I never said,

3:29:11.560 --> 3:29:12.720
<v Speaker 1>I don't want to say I want to say. I

3:29:12.800 --> 3:29:15.520
<v Speaker 1>want to say. Disappointment maybe is a word like that

3:29:15.640 --> 3:29:18.480
<v Speaker 1>you were. I was super disappointed. Okay if you saw that,

3:29:19.080 --> 3:29:21.440
<v Speaker 1>you know, they say a camera catch right now whatever,

3:29:21.480 --> 3:29:23.760
<v Speaker 1>the camera catch a nigga as well, they say the

3:29:23.840 --> 3:29:25.280
<v Speaker 1>camera see through your bullshit?

3:29:25.560 --> 3:29:27.600
<v Speaker 3>Right because you had a vision. You had a vision

3:29:27.640 --> 3:29:28.400
<v Speaker 3>for what he was gonna do.

3:29:28.959 --> 3:29:29.080
<v Speaker 4>Right.

3:29:29.680 --> 3:29:32.680
<v Speaker 1>My vision wasn't only for his music, was for his life, right, right,

3:29:32.720 --> 3:29:34.920
<v Speaker 1>You had a vision. People don't realize this. And I

3:29:34.920 --> 3:29:36.760
<v Speaker 1>always got to throw something on top of things. You

3:29:36.800 --> 3:29:38.680
<v Speaker 1>know me, as you know me, you know me, I'm

3:29:38.720 --> 3:29:41.720
<v Speaker 1>doing on your whole show, But yo gee, how far

3:29:41.879 --> 3:29:45.720
<v Speaker 1>you become from yourself? So let's say a nigga's two

3:29:45.800 --> 3:29:48.080
<v Speaker 1>hundred pounds and now he's four hundred pounds. How much

3:29:48.160 --> 3:29:50.720
<v Speaker 1>other shit other than himself? And he put on hisself?

3:29:52.280 --> 3:29:54.480
<v Speaker 1>That's what a lesson says. How did he do it?

3:29:54.680 --> 3:29:58.000
<v Speaker 1>It made him other than himself? Once you make you once,

3:29:58.080 --> 3:30:01.600
<v Speaker 1>I canna make you other than yourself. I can make

3:30:01.640 --> 3:30:04.920
<v Speaker 1>you suck that crack pipe like a motherfucker. Let's as

3:30:04.920 --> 3:30:06.960
<v Speaker 1>they say, porky is pork is anything that makes you

3:30:07.000 --> 3:30:10.359
<v Speaker 1>other than yourself, not just the exactly to meet exactly.

3:30:10.560 --> 3:30:13.160
<v Speaker 3>Pork is anything exactly. Swine is something that makes you

3:30:13.280 --> 3:30:13.760
<v Speaker 3>other than.

3:30:13.720 --> 3:30:16.160
<v Speaker 1>Yourselther than yourself exactly, so you become you might not

3:30:16.240 --> 3:30:19.160
<v Speaker 1>know you other than yourself? Right, you know what I mean?

3:30:19.240 --> 3:30:19.840
<v Speaker 1>You sitting there, you.

3:30:19.840 --> 3:30:22.360
<v Speaker 3>Don't even realize that, yo gee, you used.

3:30:22.240 --> 3:30:25.160
<v Speaker 1>To be the mac daddy don and you're doing You're

3:30:25.160 --> 3:30:28.400
<v Speaker 1>sitting you done fucked around and and saansing Us left

3:30:28.440 --> 3:30:30.800
<v Speaker 1>with the light of for fucking eight months and now

3:30:31.200 --> 3:30:34.280
<v Speaker 1>he's like the dick drain and muscles ain't working and

3:30:34.360 --> 3:30:38.680
<v Speaker 1>the bitch cut his head. You other than yourself, and

3:30:38.720 --> 3:30:40.720
<v Speaker 1>then you had to go back and pray to a

3:30:40.800 --> 3:30:43.760
<v Speaker 1>law to get that stript back. But then he still

3:30:43.800 --> 3:30:46.400
<v Speaker 1>got to do what dyeing his own iniquity. That's what

3:30:46.520 --> 3:30:49.920
<v Speaker 1>a lesson says in Execus chapter three. It says, you

3:30:50.080 --> 3:30:52.960
<v Speaker 1>can get a warning and you can save, but you

3:30:53.040 --> 3:30:56.880
<v Speaker 1>still have to die your iniquity so other than itself.

3:30:57.600 --> 3:30:59.360
<v Speaker 1>When I when I saw a song come out of

3:30:59.400 --> 3:31:03.320
<v Speaker 1>the system, because a son is first of all, a

3:31:03.480 --> 3:31:06.120
<v Speaker 1>song was flying, and most of the WOO members at first,

3:31:08.120 --> 3:31:11.360
<v Speaker 1>A song almost brought Polo and Ballei the stat Now

3:31:12.600 --> 3:31:16.000
<v Speaker 1>let's talk about it for a quick moment. Okay, A

3:31:16.200 --> 3:31:19.440
<v Speaker 1>song is a nigga coming from Brooklyn, my cousin coming

3:31:19.520 --> 3:31:22.680
<v Speaker 1>in with Bam Lamo Polo all the way down. Nigga

3:31:23.520 --> 3:31:27.080
<v Speaker 1>and niggas are still bill blasts, and bill blasts might

3:31:27.160 --> 3:31:29.320
<v Speaker 1>when Bill Blase I got somebody, okare you gotta get away?

3:31:32.040 --> 3:31:33.680
<v Speaker 1>You know what I'm saying. A song is that guy.

3:31:34.440 --> 3:31:38.000
<v Speaker 1>He was a song unique, He was flying. You know,

3:31:38.040 --> 3:31:41.280
<v Speaker 1>he wasn't an old dirty bast. He became older. I

3:31:41.320 --> 3:31:44.360
<v Speaker 1>gave him that name, and the materialized. I gave him

3:31:44.360 --> 3:31:46.200
<v Speaker 1>that name for a different reason. We're talking about another time.

3:31:46.680 --> 3:31:49.440
<v Speaker 1>But I didn't expect it to overtake him. That's why

3:31:49.480 --> 3:31:52.879
<v Speaker 1>I said the word is powerful. But when he came

3:31:52.920 --> 3:31:58.879
<v Speaker 1>out of the system, he wasn't neither right get out

3:31:58.879 --> 3:32:02.560
<v Speaker 1>of jail. Okay, you know it wasn't wasn't neither none

3:32:02.600 --> 3:32:05.560
<v Speaker 1>of those names. It was something else. And then when

3:32:05.600 --> 3:32:08.200
<v Speaker 1>they then they didn't inurture to find and go back

3:32:08.240 --> 3:32:11.600
<v Speaker 1>and find him. They didn't nurture. I think that's interesting

3:32:11.680 --> 3:32:13.840
<v Speaker 1>what you said earlier. I think you said you had

3:32:13.840 --> 3:32:15.360
<v Speaker 1>an apartment for him, but you said you had the

3:32:15.440 --> 3:32:18.800
<v Speaker 1>gym fall. Yeah, exactly. I knew that he needed that.

3:32:20.560 --> 3:32:25.120
<v Speaker 1>Most people come home from jail in shape shape, but

3:32:25.240 --> 3:32:30.120
<v Speaker 1>that that that the people that come home that gain weight.

3:32:30.959 --> 3:32:34.600
<v Speaker 1>I'm mainly depressed because jail food sucks. So that means

3:32:34.640 --> 3:32:36.520
<v Speaker 1>they had to go to the commissary and eat all

3:32:36.720 --> 3:32:40.240
<v Speaker 1>those dirty snacks, not just that. Yeah, like, do you

3:32:40.280 --> 3:32:42.120
<v Speaker 1>know what I'm sugary snacks? You're right about that. No,

3:32:42.160 --> 3:32:45.560
<v Speaker 1>you're right about because regular commsary I mean regular food

3:32:45.800 --> 3:32:49.080
<v Speaker 1>sucks keep you in shape, though, Yeah, but it will

3:32:49.160 --> 3:32:50.360
<v Speaker 1>keep you in shape, you know what I mean, because

3:32:50.520 --> 3:32:54.920
<v Speaker 1>it's processed carbs. But if you go into the the

3:32:55.320 --> 3:33:01.760
<v Speaker 1>you know, you know that's all common hydrogs are. That's

3:33:01.800 --> 3:33:04.560
<v Speaker 1>what the oreos are. That's where the twinkies are. That's

3:33:04.600 --> 3:33:06.760
<v Speaker 1>what all that is. So that's but that's that's a

3:33:06.800 --> 3:33:10.000
<v Speaker 1>side of depression. Yeah, there's the side of the depression. Listen,

3:33:10.760 --> 3:33:14.560
<v Speaker 1>A son unique don't belong in a cage. A song

3:33:14.680 --> 3:33:17.440
<v Speaker 1>is one of the A son unique for all our

3:33:17.760 --> 3:33:24.960
<v Speaker 1>listeners out there. Old Dirty was freedom put into a body,

3:33:25.879 --> 3:33:30.800
<v Speaker 1>a large merciful He always sends something for us. If

3:33:30.840 --> 3:33:32.959
<v Speaker 1>Old Dirty didn't exist, and the rest of the wool

3:33:33.000 --> 3:33:38.119
<v Speaker 1>don't understand what freedom means, freedom of expression, Old Dirty

3:33:38.280 --> 3:33:43.200
<v Speaker 1>was freedom itself, and he was. You know, if you've

3:33:43.240 --> 3:33:45.560
<v Speaker 1>seen Old Dirty right now, If Old Dirty was coming back,

3:33:45.640 --> 3:33:48.760
<v Speaker 1>if we were doing this interview right now and Dirty

3:33:48.879 --> 3:33:52.480
<v Speaker 1>walked in, whatever he wanted to do is what is

3:33:52.560 --> 3:33:55.280
<v Speaker 1>going to happen, and we're going to do. Cameras are nothing.

3:33:55.360 --> 3:33:59.119
<v Speaker 1>None of that means nothing. If you had to piss

3:33:59.200 --> 3:34:01.600
<v Speaker 1>and he came in and in this container right here,

3:34:03.000 --> 3:34:05.840
<v Speaker 1>he would have did it and left and it would

3:34:05.879 --> 3:34:12.280
<v Speaker 1>have just been like, that's that's what foppened. God damn,

3:34:12.600 --> 3:34:15.360
<v Speaker 1>it would have been. Yo. He so the time he

3:34:15.600 --> 3:34:19.240
<v Speaker 1>yo yo, he was driving on the on the on

3:34:19.320 --> 3:34:24.480
<v Speaker 1>the Verrizonal Bridge turned this cost sideways, blocked traffic. Nigga,

3:34:25.920 --> 3:34:27.600
<v Speaker 1>mind you he's driving with a forty I'm mighty had

3:34:27.640 --> 3:34:32.200
<v Speaker 1>passed your seat hit in ninety. It's a dangerous ride, bro.

3:34:32.959 --> 3:34:36.160
<v Speaker 1>But now he pulls, stops the whole traffic like a cop.

3:34:37.200 --> 3:34:40.920
<v Speaker 1>Get out and take some piss, gets back in the

3:34:41.040 --> 3:34:43.880
<v Speaker 1>car and drop the Yeah. God. So anyway, like I

3:34:44.000 --> 3:34:48.240
<v Speaker 1>was saying, he was embodying the freedom. Now take a

3:34:48.280 --> 3:34:53.360
<v Speaker 1>guy like that and put him in jail. Yeah, he

3:34:53.440 --> 3:34:55.640
<v Speaker 1>couldn't take it. They said he tried to set himself

3:34:55.680 --> 3:34:58.760
<v Speaker 1>on fire in jail. Shot it. I saw the documentary.

3:34:58.760 --> 3:35:00.080
<v Speaker 1>He said, Oh did he tried to set hrself on

3:35:00.200 --> 3:35:03.840
<v Speaker 1>fire in jail? He couldn't take that. This guy is free.

3:35:04.720 --> 3:35:10.920
<v Speaker 1>So when he comes out, you're seeing let be suppressed energy.

3:35:11.920 --> 3:35:15.000
<v Speaker 1>And then like you said, the hydros and the audios

3:35:15.320 --> 3:35:16.920
<v Speaker 1>more that's now growing around here.

3:35:16.920 --> 3:35:17.720
<v Speaker 3>Muted and muted.

3:35:18.040 --> 3:35:21.960
<v Speaker 1>Yeah, and now he's now he's not the one man

3:35:22.040 --> 3:35:25.560
<v Speaker 1>on a sawn no more. Right, So anyway, yeah, this

3:35:25.680 --> 3:35:29.680
<v Speaker 1>is crazy. The other day, I's had an argument two

3:35:29.720 --> 3:35:32.400
<v Speaker 1>people out of argument and they were saying, oh, what's alcohol,

3:35:32.480 --> 3:35:34.760
<v Speaker 1>And it was like, man, sugar is ten times worse

3:35:34.800 --> 3:35:38.680
<v Speaker 1>than alcohol, like because sugar sends you in a state

3:35:38.720 --> 3:35:42.119
<v Speaker 1>of depression. You know what I mean, if you're strong enough,

3:35:42.160 --> 3:35:45.760
<v Speaker 1>you could like just kind of like alcohol, alcohol turns

3:35:45.760 --> 3:35:54.400
<v Speaker 1>into sugar. List like you got to drinking water.

3:35:54.520 --> 3:35:58.120
<v Speaker 3>Now he went to the bathroom twice, has been there

3:35:58.200 --> 3:35:58.840
<v Speaker 3>for four hours.

3:35:59.680 --> 3:36:08.520
<v Speaker 1>Don't be listen, guys, question it's drink that I'm drinking.

3:36:08.520 --> 3:36:13.720
<v Speaker 1>I'm drinking drink. So let's speak it that that famous incident,

3:36:13.840 --> 3:36:17.960
<v Speaker 1>that famous that famous incident in the Grammy? Was it

3:36:18.080 --> 3:36:23.480
<v Speaker 1>the Grammys where yeah song says who takes for the children? Yeah?

3:36:23.920 --> 3:36:27.400
<v Speaker 1>Like what happened that time y'all didn't written the award? Yeah,

3:36:27.400 --> 3:36:29.240
<v Speaker 1>I don't know the exact thing. I wasn't physically there,

3:36:30.959 --> 3:36:34.560
<v Speaker 1>but he was. He said something that was actually profound.

3:36:35.120 --> 3:36:38.160
<v Speaker 1>I mean, they gave the best hip hop album? Was

3:36:38.160 --> 3:36:40.440
<v Speaker 1>a hip hop or rap? What's the category? Same ship

3:36:40.959 --> 3:36:43.240
<v Speaker 1>to them they gave. They gave it to I think

3:36:43.320 --> 3:36:48.240
<v Speaker 1>Pete Diddy at that time versus w Tan mhmm. It's

3:36:48.280 --> 3:36:51.480
<v Speaker 1>like that don't make sense, right, No disrespect to their

3:36:52.200 --> 3:36:54.760
<v Speaker 1>creativity and what they gained and all their record sells.

3:36:55.440 --> 3:37:00.800
<v Speaker 1>It's almost like, uh, if I was shoot guys, right,

3:37:00.879 --> 3:37:06.160
<v Speaker 1>now thank you no disrespect that he sold the most

3:37:06.240 --> 3:37:08.960
<v Speaker 1>liketords out of all of us. If I told you

3:37:09.080 --> 3:37:13.560
<v Speaker 1>who is the better rapper, Vanilla Ice or NAS, and

3:37:13.680 --> 3:37:15.600
<v Speaker 1>somebody say Vanilla Ice, how you're gonna be And I

3:37:15.600 --> 3:37:18.560
<v Speaker 1>ain't saying, I'm just saying, you know what you're saying,

3:37:18.840 --> 3:37:21.840
<v Speaker 1>Vanila I sold more records than NAS. I get you

3:37:22.200 --> 3:37:25.720
<v Speaker 1>exactly what you're saying. But who has the better album?

3:37:26.080 --> 3:37:29.040
<v Speaker 1>I mean hip hop? Yeah, I mean who has the

3:37:29.120 --> 3:37:33.640
<v Speaker 1>better hip hop's life? Who has the better hip not absolutely? Yeah,

3:37:34.040 --> 3:37:37.040
<v Speaker 1>you're hip hop exactly Like so that's what God he

3:37:37.160 --> 3:37:40.880
<v Speaker 1>was saying. It's like, yo, you know, for the Puffy

3:37:40.959 --> 3:37:43.240
<v Speaker 1>is you're speaking for hip hop. Yeah, Puffy is good,

3:37:43.320 --> 3:37:47.320
<v Speaker 1>Puffy's great, Puffy did what he did, but boutang, Yeah,

3:37:47.879 --> 3:37:49.400
<v Speaker 1>you know what I'm saying, he says for the children,

3:37:49.560 --> 3:37:52.960
<v Speaker 1>meaning he met like, Yo, it's better, right, It's better

3:37:53.040 --> 3:37:56.880
<v Speaker 1>for you who tanks It's a better bet, you know

3:37:56.879 --> 3:38:01.400
<v Speaker 1>what I mean? And and and do that ship. No,

3:38:02.440 --> 3:38:05.240
<v Speaker 1>that's one thing that's freedom. Think about this. I don't

3:38:05.240 --> 3:38:08.200
<v Speaker 1>know because I wasn't there, but this is imagine a fuss.

3:38:09.120 --> 3:38:12.880
<v Speaker 1>Here's a guy in the audience that's not giving no

3:38:12.959 --> 3:38:17.000
<v Speaker 1>announcement tonight. He's not scheduled for no appearance on the

3:38:17.040 --> 3:38:20.280
<v Speaker 1>stage called O DV. Yeah, but he was dressed like

3:38:20.400 --> 3:38:23.080
<v Speaker 1>it though he is, he's dressed shop he sees. He said,

3:38:23.240 --> 3:38:27.120
<v Speaker 1>I spent three thousand hours on my suit. He said

3:38:27.160 --> 3:38:30.120
<v Speaker 1>it on the mic. We got that. Remember that, here's

3:38:30.200 --> 3:38:32.400
<v Speaker 1>a guy that's not you know, they got a list.

3:38:33.720 --> 3:38:37.160
<v Speaker 1>He ain't scheduled on the list. How the fuck he

3:38:37.200 --> 3:38:43.400
<v Speaker 1>get from his seat through the auditorium to the security

3:38:44.160 --> 3:38:47.720
<v Speaker 1>to the mic to say he walk with Mariah Carey.

3:38:47.800 --> 3:38:50.600
<v Speaker 1>I'm making this up. Okay, even if he did that, Okay,

3:38:51.760 --> 3:38:55.400
<v Speaker 1>how did how how he is up on the stage, Well,

3:38:55.560 --> 3:38:58.920
<v Speaker 1>he's like looking at that look at their qu sheets,

3:38:59.680 --> 3:39:04.120
<v Speaker 1>like this is not in the show program the Kanye

3:39:04.240 --> 3:39:08.240
<v Speaker 1>West been his ship? Yeah, Kanye say ye, Kanye said,

3:39:09.000 --> 3:39:11.440
<v Speaker 1>Kanye did it this way right, Well, Kanye did it

3:39:11.640 --> 3:39:13.560
<v Speaker 1>to tell Swift. Yeah, he did a tailor swim. But

3:39:13.560 --> 3:39:15.560
<v Speaker 1>he walked from his seat right there in the front

3:39:15.600 --> 3:39:18.879
<v Speaker 1>off the steps, right. Dirty had to do some ship

3:39:19.080 --> 3:39:23.720
<v Speaker 1>like but we didn't know that.

3:39:23.959 --> 3:39:27.680
<v Speaker 3>He wasn't even close. No, we'll know where he came

3:39:27.760 --> 3:39:28.280
<v Speaker 3>from Rome.

3:39:29.280 --> 3:39:30.320
<v Speaker 5>He's not even on the other.

3:39:30.320 --> 3:39:32.920
<v Speaker 1>Shots of the camera. If you watched the whole episode

3:39:32.959 --> 3:39:36.200
<v Speaker 1>of the show. You don't even see the shot go

3:39:36.800 --> 3:39:41.720
<v Speaker 1>faster Thange. Listen, he poured some ship off only a

3:39:41.840 --> 3:39:47.520
<v Speaker 1>free man could pull off. He's like fucked everything. Steve

3:39:47.600 --> 3:39:51.680
<v Speaker 1>Rifkott said that he was. He Steve Wigan said that

3:39:51.760 --> 3:39:54.360
<v Speaker 1>he was at his house him and his fire shot

3:39:54.440 --> 3:39:57.680
<v Speaker 1>him up. That god damn. But anyway, because Steve lived

3:39:57.680 --> 3:39:59.959
<v Speaker 1>on fifty Year Street like that town, and he said

3:40:00.000 --> 3:40:02.840
<v Speaker 1>he came to his clip before and after. So that's

3:40:02.840 --> 3:40:04.760
<v Speaker 1>a whole other story that would get from Steve one day.

3:40:05.160 --> 3:40:09.920
<v Speaker 1>He don't drink. But anyway, the freedom of dirty was

3:40:10.040 --> 3:40:12.480
<v Speaker 1>bottled up while he was in jail, and when he

3:40:12.560 --> 3:40:15.160
<v Speaker 1>came out he was not hisself. And when he got

3:40:15.200 --> 3:40:18.000
<v Speaker 1>to RockA Feller, he was not himself. And we never

3:40:18.120 --> 3:40:23.119
<v Speaker 1>got a chance to build the full shedding of everything

3:40:23.120 --> 3:40:25.800
<v Speaker 1>that was upon him, to let the unique a song

3:40:25.879 --> 3:40:28.560
<v Speaker 1>blossom again. But we've been blessed through the through the

3:40:28.720 --> 3:40:32.000
<v Speaker 1>mostary of a law that his son wyd B goes

3:40:32.080 --> 3:40:33.960
<v Speaker 1>on tour with the wool like that. I like that,

3:40:34.040 --> 3:40:36.720
<v Speaker 1>so before all performs all his father love is and

3:40:36.800 --> 3:40:39.959
<v Speaker 1>that's another blessing for our family. I'm not gonna lie

3:40:40.000 --> 3:40:42.520
<v Speaker 1>to you. I forget what because I went to the

3:40:42.600 --> 3:40:45.520
<v Speaker 1>Paras show. I forget what other show. This wasn't on tour.

3:40:45.600 --> 3:40:48.800
<v Speaker 1>This was like just a random who show you two

3:40:48.879 --> 3:40:51.720
<v Speaker 1>wool shows I went to and I sent him on

3:40:51.800 --> 3:40:54.200
<v Speaker 1>stage and I was like, yo, DP, he still got it.

3:40:54.320 --> 3:40:55.360
<v Speaker 1>I was talking to myself like.

3:40:55.400 --> 3:40:58.040
<v Speaker 3>What the I was like, Yo, that's a little bit

3:40:58.280 --> 3:41:00.959
<v Speaker 3>because you you know, like he has is brand, like.

3:41:02.440 --> 3:41:06.120
<v Speaker 1>He has the energy. And I'm meaning, I know it's

3:41:06.200 --> 3:41:09.480
<v Speaker 1>O DB's son, but his he he, he embraces the

3:41:09.600 --> 3:41:12.400
<v Speaker 1>characters so much that I don't call him O DBS son.

3:41:12.440 --> 3:41:14.520
<v Speaker 1>I say, I call him O d B. But me

3:41:14.720 --> 3:41:18.280
<v Speaker 1>saying that, like, I'm like, what a minute, that's that's

3:41:18.360 --> 3:41:21.040
<v Speaker 1>kind of like crazy. So let's make let's take a

3:41:21.040 --> 3:41:27.400
<v Speaker 1>shot for shot n Y d B mm hmm. Was

3:41:27.400 --> 3:41:31.560
<v Speaker 1>about how much we got less we're about. I want

3:41:31.560 --> 3:41:32.200
<v Speaker 1>to take this now.

3:41:32.480 --> 3:41:35.039
<v Speaker 4>Okay, go first, I'm going to you, and I'm going

3:41:35.040 --> 3:41:37.359
<v Speaker 4>after everybody because all right, cook, I don't.

3:41:37.160 --> 3:41:43.360
<v Speaker 1>Need to be uncomfortlated. First off, you have so many movies,

3:41:43.440 --> 3:41:46.960
<v Speaker 1>so many things that you scored, so many but let's

3:41:46.959 --> 3:41:50.440
<v Speaker 1>talk about this. You've got a new new project. Yes, indeed,

3:41:51.320 --> 3:41:53.240
<v Speaker 1>let's let's take a shot for it. First, take a shot. First,

3:41:53.440 --> 3:41:55.320
<v Speaker 1>we're taking a shot to my new film. It's called

3:41:55.400 --> 3:41:58.959
<v Speaker 1>One Spoon of Chocolate one and this is your film,

3:41:59.120 --> 3:42:09.480
<v Speaker 1>my film directed, written, written, directed, directed, produced by my wife.

3:42:09.800 --> 3:42:12.039
<v Speaker 1>Oh wow, you know what I mean? So double bum.

3:42:13.920 --> 3:42:14.200
<v Speaker 5>Double.

3:42:17.000 --> 3:42:18.920
<v Speaker 1>I mean you told me that your wife, she has

3:42:18.959 --> 3:42:21.840
<v Speaker 1>two July way, she'd be here in a second. So,

3:42:22.000 --> 3:42:23.800
<v Speaker 1>I mean, let's talk about that for a quick second.

3:42:23.920 --> 3:42:27.280
<v Speaker 1>You talk about the movie. But the beauty of the

3:42:27.480 --> 3:42:32.920
<v Speaker 1>power of the wisdom or the woman. Right, A lot

3:42:32.959 --> 3:42:35.560
<v Speaker 1>of dudes, especially in our the generation before us, there

3:42:35.640 --> 3:42:38.920
<v Speaker 1>was so many pimps, and that culture was the mindset

3:42:38.959 --> 3:42:39.480
<v Speaker 1>of our people.

3:42:39.840 --> 3:42:42.880
<v Speaker 3>We didn't recognize the value of the woman.

3:42:43.280 --> 3:42:46.560
<v Speaker 1>There's like and there's a sample on Cuban Links where

3:42:46.560 --> 3:42:50.000
<v Speaker 1>the God says, yeah, man, I keep a bitch. When

3:42:50.040 --> 3:42:52.360
<v Speaker 1>I got a bitch, I keep a bit shaking. He said,

3:42:53.160 --> 3:42:55.880
<v Speaker 1>I give her money, and I'm sorry, I'll give a

3:42:55.959 --> 3:43:00.600
<v Speaker 1>clothes jewelry with no money. Because I give a girl money,

3:43:01.800 --> 3:43:06.480
<v Speaker 1>she would lose her mind. Right, So the old school

3:43:06.680 --> 3:43:11.000
<v Speaker 1>mindset was that don't give your woman the money. You

3:43:11.320 --> 3:43:15.199
<v Speaker 1>control the money and let her just have some clothing

3:43:15.280 --> 3:43:20.720
<v Speaker 1>and jury that's foolish, because who take care of your house?

3:43:21.520 --> 3:43:24.800
<v Speaker 1>Who take care of the home. The woman who's gonna

3:43:24.800 --> 3:43:27.800
<v Speaker 1>make sure the kids go to school and and put

3:43:27.840 --> 3:43:30.200
<v Speaker 1>the kids in their proper clothing and their proper equate

3:43:30.920 --> 3:43:32.240
<v Speaker 1>how's she gonna do that? She gotta wait for you

3:43:32.320 --> 3:43:35.200
<v Speaker 1>to write to check, you know what I mean. So

3:43:35.320 --> 3:43:41.480
<v Speaker 1>the jewel that people forgot is that kings don't build

3:43:41.640 --> 3:43:48.119
<v Speaker 1>castles for kings. A king build a castle for the queen.

3:43:49.200 --> 3:43:50.160
<v Speaker 1>That's right, you know what it is.

3:43:50.320 --> 3:43:51.080
<v Speaker 3>King build.

3:43:54.440 --> 3:43:57.040
<v Speaker 1>He felt that, He said, Yo, we don't build. We

3:43:57.080 --> 3:43:59.480
<v Speaker 1>didn't building for ourselves. We go to war and do

3:43:59.560 --> 3:44:02.080
<v Speaker 1>all the oils of war to bring back home to

3:44:02.160 --> 3:44:07.439
<v Speaker 1>our wisdom. Because knowledge and wisdom bores what understanding understanding

3:44:08.400 --> 3:44:10.600
<v Speaker 1>That means you the knowledge, you're the foundation. But you

3:44:10.720 --> 3:44:12.880
<v Speaker 1>got to put it through the wisdom. The wisdom is

3:44:12.920 --> 3:44:17.520
<v Speaker 1>the woman symbolic to what the womb. If you put

3:44:17.560 --> 3:44:19.680
<v Speaker 1>it through the womb, you'll get a light. You put

3:44:19.720 --> 3:44:22.680
<v Speaker 1>it in your hand. All these kids don't got girls.

3:44:23.360 --> 3:44:25.080
<v Speaker 1>You put it in your hand and nothing gonna happen.

3:44:28.560 --> 3:44:31.840
<v Speaker 1>You need that wisdom to carry that seat of life.

3:44:32.040 --> 3:44:35.680
<v Speaker 1>But that seat of life is not just physical. Sometimes

3:44:35.680 --> 3:44:41.840
<v Speaker 1>it's mental. Spiritual, economical, soul, shoot, metaphysical. There we go.

3:44:42.240 --> 3:44:44.400
<v Speaker 1>So I want to just add that to the conversation

3:44:44.520 --> 3:44:49.640
<v Speaker 1>because we wife's head too, right there, bong that wife.

3:44:49.920 --> 3:44:51.160
<v Speaker 3>So let's take a shot to the wives.

3:44:51.400 --> 3:45:00.120
<v Speaker 12>Shot to the wives, ma'am, nor we know already, but

3:45:00.800 --> 3:45:03.440
<v Speaker 12>you know, yeah, yeah he's married to.

3:45:05.160 --> 3:45:07.440
<v Speaker 3>I'm actually yeah married laughing ship.

3:45:09.200 --> 3:45:12.320
<v Speaker 4>It's like, ask you between these guys, You're like, what

3:45:12.520 --> 3:45:13.119
<v Speaker 4>do you mean.

3:45:14.959 --> 3:45:18.960
<v Speaker 1>Which way? Yeah, No, I'm married, I'm married. But you

3:45:19.240 --> 3:45:22.000
<v Speaker 1>agree with us absolutely, Yeah. You guys told me a coach.

3:45:22.080 --> 3:45:33.080
<v Speaker 1>Brothers no one guy, Yo, that's even yo. We still

3:45:33.120 --> 3:45:38.880
<v Speaker 1>we're gonna get your brothers. You thought you so bunk

3:45:38.959 --> 3:45:43.000
<v Speaker 1>bunk so not. It's important though, y'all because our culture, yeah,

3:45:43.160 --> 3:45:47.240
<v Speaker 1>is because we called missogynistic. Yeah, and then our women

3:45:47.280 --> 3:45:51.120
<v Speaker 1>are now rapping harder than us. Girl, she's like yeah,

3:45:51.160 --> 3:45:57.480
<v Speaker 1>she's yeah, they rapping for the deck now. So it's

3:45:57.520 --> 3:46:00.640
<v Speaker 1>getting crazy. But we need to know that as a position.

3:46:00.760 --> 3:46:03.560
<v Speaker 1>That's why it says the sun and the moon having

3:46:03.600 --> 3:46:06.760
<v Speaker 1>attracting power over our planet. When the lesson says that,

3:46:06.840 --> 3:46:09.640
<v Speaker 1>they're saying that the planet is your life or your

3:46:09.720 --> 3:46:13.040
<v Speaker 1>child's life. And the mother and the father both have

3:46:13.640 --> 3:46:17.800
<v Speaker 1>attracting powers and influential powers over that planet. And if

3:46:17.800 --> 3:46:20.520
<v Speaker 1>they grow that planet right, they grow health healthy. But

3:46:20.640 --> 3:46:21.920
<v Speaker 1>if they they don't grow it right, it's going to

3:46:22.000 --> 3:46:25.120
<v Speaker 1>go through rain health. Not on earthquakes, they said, they

3:46:25.160 --> 3:46:28.160
<v Speaker 1>continue every day. The Earth travels at the speet of

3:46:28.200 --> 3:46:30.280
<v Speaker 1>one thousand and thirty seven one thirty miles per hour

3:46:30.640 --> 3:46:35.080
<v Speaker 1>as it's moving around the sun. Right, but yet the

3:46:35.360 --> 3:46:38.800
<v Speaker 1>ideas is drawing up into the Earth's rotation, which is

3:46:38.840 --> 3:46:42.120
<v Speaker 1>called gravitation. When you think about that, though the child

3:46:42.520 --> 3:46:45.200
<v Speaker 1>ideas is took it in by the mother, what happens

3:46:45.240 --> 3:46:49.360
<v Speaker 1>when the father's not there? It ruins the gravitational Pope,

3:46:50.560 --> 3:46:54.920
<v Speaker 1>Now she got to try to explain the mathematics of

3:46:55.000 --> 3:46:58.800
<v Speaker 1>the sun. The moon is there is what to reflect

3:46:58.840 --> 3:47:01.000
<v Speaker 1>the light of the sun, not to be the light

3:47:01.080 --> 3:47:04.039
<v Speaker 1>of the son. We grew a part of single parent

3:47:04.160 --> 3:47:09.840
<v Speaker 1>where our mothers had to be the man and the woman.

3:47:10.640 --> 3:47:12.080
<v Speaker 1>She had to be the knowledge and wisdom. And she

3:47:12.160 --> 3:47:15.240
<v Speaker 1>can't do that like she did the best she can

3:47:16.000 --> 3:47:18.360
<v Speaker 1>and thanks to us or thanks, I'll say thanks in

3:47:18.440 --> 3:47:21.000
<v Speaker 1>my life we canna say thanks to the mathematics that

3:47:21.160 --> 3:47:24.119
<v Speaker 1>the father. That's why we called the father the father.

3:47:24.959 --> 3:47:28.840
<v Speaker 1>Because yeah, he became a father to brothers who didn't

3:47:28.840 --> 3:47:32.240
<v Speaker 1>have a father. He gave him that knowledge. Because that's

3:47:32.280 --> 3:47:35.520
<v Speaker 1>not to start calling on the father. I didn't know that. No,

3:47:35.600 --> 3:47:37.320
<v Speaker 1>they called her the father because he was the father

3:47:37.480 --> 3:47:40.680
<v Speaker 1>of that idea. Ok So the father of an idea,

3:47:40.840 --> 3:47:44.879
<v Speaker 1>father means one who furthers or father. That's why I said,

3:47:44.920 --> 3:47:48.080
<v Speaker 1>he took you father, he took you father. And also

3:47:48.200 --> 3:47:52.960
<v Speaker 1>in the first the opening of the Quran, what's the

3:47:53.000 --> 3:47:56.080
<v Speaker 1>first chapter of the Koran? Anybody the father to her

3:47:57.080 --> 3:48:01.600
<v Speaker 1>the far the beginning of the father. Yeah, so that's

3:48:01.600 --> 3:48:04.760
<v Speaker 1>where you get this father from. But still he furthered

3:48:04.800 --> 3:48:07.560
<v Speaker 1>our education. So he became the father of us. But

3:48:07.720 --> 3:48:10.960
<v Speaker 1>also even that's a spiritual but even the mental and

3:48:11.000 --> 3:48:13.840
<v Speaker 1>the physical thing. He becomes your father because you don't

3:48:13.840 --> 3:48:16.640
<v Speaker 1>got your father there. And tell you the basic science

3:48:16.879 --> 3:48:22.480
<v Speaker 1>that knowledge means to know, to look, to listen, to observe,

3:48:23.160 --> 3:48:26.480
<v Speaker 1>and to respect. Now you may know something but you

3:48:26.520 --> 3:48:32.840
<v Speaker 1>ain't listen. Listening is not observing. Observing and seeing it's

3:48:32.879 --> 3:48:34.760
<v Speaker 1>two different things. You could see it, but you didn't

3:48:34.800 --> 3:48:38.680
<v Speaker 1>observe it. And you can do all those things and

3:48:38.800 --> 3:48:43.960
<v Speaker 1>not respect it. And you're going to have a problem

3:48:43.959 --> 3:48:48.160
<v Speaker 1>if you don't complete every action of knowledge, and then

3:48:48.200 --> 3:48:49.960
<v Speaker 1>that leads to our wisdom. So these type of things,

3:48:51.680 --> 3:48:53.600
<v Speaker 1>these type of things are important. We're going back to

3:48:53.680 --> 3:48:57.760
<v Speaker 1>our wives. They're the wisdom. So that knowledge goes through

3:48:57.800 --> 3:49:02.160
<v Speaker 1>the wisdom, the wisdom. It's not just a wise dome,

3:49:02.879 --> 3:49:05.360
<v Speaker 1>because you have to have a wise dome. Dome means

3:49:05.400 --> 3:49:10.320
<v Speaker 1>what domain. You got to have something wise and where

3:49:10.360 --> 3:49:14.880
<v Speaker 1>you domain at. Your domain must have wise and wisdom

3:49:14.920 --> 3:49:17.640
<v Speaker 1>in it or it ain't gone. But if you have

3:49:17.800 --> 3:49:20.040
<v Speaker 1>that knowledge and you get to that wisdom, wisdom they

3:49:20.040 --> 3:49:23.320
<v Speaker 1>say also the accumulation of experience, those experiences you put

3:49:23.360 --> 3:49:26.520
<v Speaker 1>in your woman. Even when a man makes love to

3:49:26.640 --> 3:49:33.000
<v Speaker 1>his woman, he's putting his accumulated experience into it. That

3:49:33.120 --> 3:49:36.120
<v Speaker 1>spung cell that travels inside your woman before it made

3:49:36.120 --> 3:49:40.760
<v Speaker 1>your child. You got children's, yeah, children, the spung cell.

3:49:41.120 --> 3:49:42.880
<v Speaker 1>The scientists have already looked at it.

3:49:46.360 --> 3:49:47.080
<v Speaker 4>It has.

3:49:48.800 --> 3:49:57.000
<v Speaker 1>One molecule of air. So this molecule of air, now

3:49:57.160 --> 3:50:02.000
<v Speaker 1>what is the soun surprised of hydrants in the head, right,

3:50:02.720 --> 3:50:05.800
<v Speaker 1>So you have a molecule of air that comprises all

3:50:05.880 --> 3:50:08.320
<v Speaker 1>these gases of air, and that air I said in

3:50:08.400 --> 3:50:10.560
<v Speaker 1>one of my lyrics. But I'll just give you some

3:50:10.720 --> 3:50:15.560
<v Speaker 1>of them. Hydrogen and helium, xenon, freeon are gone. You

3:50:15.600 --> 3:50:19.560
<v Speaker 1>know what I mean, carbon, you know what I mean, oxygen.

3:50:19.680 --> 3:50:22.720
<v Speaker 1>These are all it's mainly eight main gases. I put

3:50:22.720 --> 3:50:24.680
<v Speaker 1>it in the lyrics so so brothers could study that.

3:50:25.040 --> 3:50:26.600
<v Speaker 1>They don't listen to me, they won't hit my beats.

3:50:29.080 --> 3:50:30.320
<v Speaker 1>But I put it in there so we can know

3:50:30.600 --> 3:50:33.800
<v Speaker 1>that now, this, this, this, this organic life is carrying

3:50:33.880 --> 3:50:37.720
<v Speaker 1>a molecule of that to a cloud of blood that

3:50:37.880 --> 3:50:41.640
<v Speaker 1>your woman has thirty days of her life eating, smoking,

3:50:41.760 --> 3:50:44.280
<v Speaker 1>drinking or better not eat smoking, whatever she's doing her

3:50:44.360 --> 3:50:46.960
<v Speaker 1>thirty days of her life, she's accumulating all that energy

3:50:47.400 --> 3:50:51.680
<v Speaker 1>and it went down to this egg waiting in the

3:50:51.720 --> 3:50:55.200
<v Speaker 1>cloud of blood. And then you, when you're having sex

3:50:55.280 --> 3:50:59.720
<v Speaker 1>with your woman, you take that sexual energy all that

3:51:00.120 --> 3:51:02.240
<v Speaker 1>is coming in when you feel that first that that's

3:51:02.280 --> 3:51:04.120
<v Speaker 1>what I'm not making this up. When you come, when

3:51:04.160 --> 3:51:08.960
<v Speaker 1>you feel that firstphor you you feel it here first, bro,

3:51:09.280 --> 3:51:11.800
<v Speaker 1>when you when you come came, we agree. Man. When

3:51:11.840 --> 3:51:13.720
<v Speaker 1>you have an orgasm, when you feel it that first

3:51:14.400 --> 3:51:19.640
<v Speaker 1>here before it goes here, it triggers in your mind first,

3:51:20.400 --> 3:51:26.080
<v Speaker 1>It's like, damn, that's euphoria. Okay, euphoria Okay, I respect

3:51:26.080 --> 3:51:30.320
<v Speaker 1>that I was saying. So now it went from a

3:51:30.440 --> 3:51:39.600
<v Speaker 1>gas to a liquid, and the travels is a liquid.

3:51:41.400 --> 3:51:46.720
<v Speaker 1>Now the spum cell knows where it goes. M it's

3:51:46.800 --> 3:51:48.200
<v Speaker 1>not like where the going.

3:51:50.480 --> 3:51:52.280
<v Speaker 3>He's headed to a direct.

3:51:52.000 --> 3:52:01.720
<v Speaker 1>Destination upstream like a salmon. Don't want the barby said salmon.

3:52:02.240 --> 3:52:07.120
<v Speaker 1>Saying salmon like a salmon, I said, right, I did

3:52:07.160 --> 3:52:20.280
<v Speaker 1>a stea. It travels, It travels upstream knowing where it's

3:52:20.320 --> 3:52:23.600
<v Speaker 1>going bro to reach the egg. And when it gets there,

3:52:23.680 --> 3:52:25.760
<v Speaker 1>you notice not to get too deep on it, but

3:52:25.840 --> 3:52:27.240
<v Speaker 1>you can cut it out. You want to cut it

3:52:27.640 --> 3:52:30.520
<v Speaker 1>when it gets to anything. Whatever you do to do,

3:52:31.080 --> 3:52:32.880
<v Speaker 1>whether you do that something to you when it gets

3:52:32.920 --> 3:52:36.440
<v Speaker 1>to the egg. Right, only when the first get there

3:52:37.280 --> 3:52:38.760
<v Speaker 1>about nice for themselves?

3:52:38.840 --> 3:52:39.120
<v Speaker 4>Make it.

3:52:40.440 --> 3:52:43.720
<v Speaker 1>One guy's leading though, he's like, I can do it.

3:52:44.760 --> 3:52:47.720
<v Speaker 1>He gets there right? Who say boat? Yeah? Who save boat?

3:52:48.280 --> 3:52:50.600
<v Speaker 1>Hit the boat of lighting in there? When he goes in?

3:52:50.760 --> 3:52:53.160
<v Speaker 1>What do the other a sponge shells do? They give up?

3:52:53.360 --> 3:52:57.240
<v Speaker 1>Non cipher, They surround the informal corona help him out.

3:52:57.360 --> 3:53:00.640
<v Speaker 1>They formed the eight points of the sun brother, and

3:53:00.720 --> 3:53:03.120
<v Speaker 1>they stop anything else from entering he's in there, ball,

3:53:03.160 --> 3:53:05.720
<v Speaker 1>he's in a He's like, yo, you always that getting

3:53:05.760 --> 3:53:13.280
<v Speaker 1>busy kids. So so say that. So the sperm cell

3:53:13.360 --> 3:53:17.480
<v Speaker 1>nose where to go. But even more deeper that we

3:53:17.520 --> 3:53:19.760
<v Speaker 1>don't pay attention to the ex cell knows where to wait.

3:53:21.160 --> 3:53:23.600
<v Speaker 1>It's not like it's waiting over here, nigga. It's like

3:53:23.880 --> 3:53:27.480
<v Speaker 1>I'm waiting for you right here, this strong motherfucker that

3:53:27.600 --> 3:53:30.800
<v Speaker 1>could bring me those chromosomes. I'm waiting for it. Right

3:53:30.880 --> 3:53:33.000
<v Speaker 1>behind your head. Right now, I see two X chromosomes.

3:53:33.240 --> 3:53:43.280
<v Speaker 1>Look at that. No, no, right right behind, right behind

3:53:43.320 --> 3:53:46.960
<v Speaker 1>you know it X so so so in the in

3:53:47.040 --> 3:53:50.600
<v Speaker 1>the body, the female body, there's this two X chromosomes.

3:53:51.280 --> 3:53:53.240
<v Speaker 1>I'm speaking of the major way, not going through all

3:53:53.280 --> 3:53:56.160
<v Speaker 1>the different twenty but majorly it's two xs and and

3:53:56.280 --> 3:53:57.840
<v Speaker 1>the man though he has an X and a Y.

3:54:00.240 --> 3:54:02.880
<v Speaker 1>The X in mathematics is the twenty fourth letter, and

3:54:02.920 --> 3:54:05.320
<v Speaker 1>it's known. It's the symbol for what is unknown. This

3:54:05.440 --> 3:54:07.400
<v Speaker 1>is why we have to use X as a multiplication.

3:54:07.960 --> 3:54:10.880
<v Speaker 1>So when this spun is going Muslims, they would say,

3:54:11.320 --> 3:54:14.440
<v Speaker 1>Malcolm X is because he didn't know his last name.

3:54:14.560 --> 3:54:16.840
<v Speaker 1>His last name was the slave man. Right, Okay, you

3:54:16.840 --> 3:54:19.160
<v Speaker 1>get this point Okay, so you get that x though,

3:54:19.280 --> 3:54:22.000
<v Speaker 1>and it's also a multiplication, So when that spum hits

3:54:22.080 --> 3:54:25.240
<v Speaker 1>that egg, it's gonna be a multiplication. The chances of

3:54:25.320 --> 3:54:28.560
<v Speaker 1>it being a man is three to one because you

3:54:28.680 --> 3:54:29.760
<v Speaker 1>have her have two x.

3:54:30.000 --> 3:54:30.600
<v Speaker 3>Three to one.

3:54:30.720 --> 3:54:35.760
<v Speaker 1>So that's why people are celebrating a man. Yeah, chances likely, No,

3:54:35.840 --> 3:54:37.560
<v Speaker 1>it's not likely. It's three the one chance you're gonna

3:54:37.560 --> 3:54:40.360
<v Speaker 1>get a man. Wow, I didn't know. One chance you

3:54:40.400 --> 3:54:45.200
<v Speaker 1>can get a woman. Nos. Three chances for one for

3:54:45.240 --> 3:54:48.400
<v Speaker 1>a woman, one chance for a man, which is natural

3:54:48.520 --> 3:54:51.680
<v Speaker 1>because you need in order for population to multiply, you

3:54:51.800 --> 3:54:54.640
<v Speaker 1>need women. If you get a guy, you get a

3:54:54.680 --> 3:55:00.560
<v Speaker 1>bunch of guys. Stop playing, Stop playing, bast let's not

3:55:00.720 --> 3:55:01.560
<v Speaker 1>playing basketball.

3:55:02.720 --> 3:55:04.560
<v Speaker 4>In a lot of and a lot of people, like

3:55:04.640 --> 3:55:07.880
<v Speaker 4>a lot of different cultures, they celebrate the man because

3:55:07.920 --> 3:55:09.880
<v Speaker 4>obviously that's not the norm.

3:55:09.720 --> 3:55:13.160
<v Speaker 1>Right because the man is what we call the life giver, right,

3:55:14.080 --> 3:55:19.200
<v Speaker 1>But the woman is the life receiver. She receives that life,

3:55:19.240 --> 3:55:22.680
<v Speaker 1>She receives all your bullshit bro good and bad, and

3:55:22.800 --> 3:55:25.320
<v Speaker 1>she takes that to that spun And when that spungsor

3:55:25.400 --> 3:55:29.200
<v Speaker 1>hits that excel, it delivers all your data and information

3:55:29.280 --> 3:55:32.400
<v Speaker 1>of you. It also delivers what you was thinking. But

3:55:32.600 --> 3:55:34.000
<v Speaker 1>within it, like I was trying to say, there's a

3:55:34.040 --> 3:55:38.120
<v Speaker 1>molecule of air and that's the one spark of energy.

3:55:38.280 --> 3:55:41.200
<v Speaker 1>That spark of energy is gonna now of course everything

3:55:41.240 --> 3:55:45.680
<v Speaker 1>because it's organic and and organic is happening. And when

3:55:45.720 --> 3:55:48.440
<v Speaker 1>its as a bomb, it's like a bomb. It's the

3:55:48.480 --> 3:55:52.840
<v Speaker 1>big bang. Uh. Scientists called it the Big Bang theory.

3:55:52.880 --> 3:55:56.000
<v Speaker 1>But in this form it is the same. No, I

3:55:56.080 --> 3:55:58.640
<v Speaker 1>believe it. Yeah, the Big Bank theory happens there because

3:55:58.640 --> 3:56:02.640
<v Speaker 1>once that sponsor hits that and it starts multiplying how

3:56:02.720 --> 3:56:06.840
<v Speaker 1>many cells does a human body? Starts producing trillions? How

3:56:06.920 --> 3:56:11.520
<v Speaker 1>many stars we have? Exactly? So a law is the greatest.

3:56:12.160 --> 3:56:15.760
<v Speaker 1>A law started with the thought of it. Put that thought,

3:56:16.000 --> 3:56:21.040
<v Speaker 1>that energy and that organic atom and inorganic matter sent

3:56:21.160 --> 3:56:25.800
<v Speaker 1>that through and bring forth this new life. Now we

3:56:25.920 --> 3:56:29.680
<v Speaker 1>started this by saying the woman and being the queen,

3:56:29.720 --> 3:56:32.560
<v Speaker 1>and why we build our castles is because yo, gee,

3:56:33.920 --> 3:56:39.080
<v Speaker 1>that's the That's why the brothers call it the Earth right,

3:56:39.880 --> 3:56:42.680
<v Speaker 1>and the lessons say the planet Earth is the home

3:56:42.760 --> 3:56:46.240
<v Speaker 1>of Islam. Says take that for a second, or you've

3:56:46.280 --> 3:56:48.880
<v Speaker 1>met that lesson before. Brothers okay said, the planet Earth

3:56:49.000 --> 3:56:51.920
<v Speaker 1>is the home of Islam. Islam is the avag word

3:56:52.000 --> 3:56:57.640
<v Speaker 1>that means what anybody but the Islam peace exactly. The

3:56:57.760 --> 3:57:00.680
<v Speaker 1>earth is the home of peace. Were not in peace

3:57:00.720 --> 3:57:03.560
<v Speaker 1>on Earth because all the other planets are not the

3:57:03.720 --> 3:57:07.800
<v Speaker 1>home of peace the other planets. You gotta send a

3:57:07.880 --> 3:57:11.560
<v Speaker 1>spaceship to Mars to get a sample of dirt, the

3:57:11.800 --> 3:57:16.200
<v Speaker 1>hope you find an organic life. You might find a

3:57:16.240 --> 3:57:20.480
<v Speaker 1>little molecule or some shit like bang bung here a nigga,

3:57:20.480 --> 3:57:22.200
<v Speaker 1>I could call on a piece of bread, throw it

3:57:22.280 --> 3:57:24.640
<v Speaker 1>in the closet and the whole tree ll grow out

3:57:24.680 --> 3:57:29.760
<v Speaker 1>of it. Nigga, this is the home of Islam. Okay,

3:57:30.520 --> 3:57:32.880
<v Speaker 1>I'm gonna go too deep on that. But anyway, but

3:57:33.040 --> 3:57:38.840
<v Speaker 1>your woman is considered your earth because through her all

3:57:39.040 --> 3:57:43.560
<v Speaker 1>possibilities are there. So we don't fight war or work

3:57:43.640 --> 3:57:46.600
<v Speaker 1>every day or do everything for our own We do

3:57:46.760 --> 3:57:51.400
<v Speaker 1>it as a king to build a castle for our queen,

3:57:51.800 --> 3:57:55.600
<v Speaker 1>so we could give birth to a prince. I call

3:57:55.680 --> 3:57:58.920
<v Speaker 1>all my sons and my nephews, my nephews over there

3:57:58.960 --> 3:58:01.600
<v Speaker 1>right now listening if if if he answered the phone

3:58:01.680 --> 3:58:04.920
<v Speaker 1>right now, Young divine you over there, can you year

3:58:05.000 --> 3:58:08.080
<v Speaker 1>me if I call you on the phone, what do

3:58:08.160 --> 3:58:12.960
<v Speaker 1>I say to you first, what I call you peace, prince.

3:58:14.600 --> 3:58:16.880
<v Speaker 1>I'm gonna know he's a prince, yo, his father is

3:58:16.920 --> 3:58:19.800
<v Speaker 1>a king. I'll do the same to my sons, and

3:58:19.880 --> 3:58:23.000
<v Speaker 1>I'll do the same to your sons, because this journey

3:58:23.400 --> 3:58:26.040
<v Speaker 1>is only made of kings and queens. Took a shots

3:58:26.040 --> 3:58:28.960
<v Speaker 1>the kings and queens to the kings and queens, bomb

3:58:29.040 --> 3:58:35.400
<v Speaker 1>bomb to the kings, all right, talking about loyalty or respect,

3:58:35.400 --> 3:58:36.720
<v Speaker 1>and then we want to get into your movies and

3:58:37.120 --> 3:58:40.520
<v Speaker 1>loyalty of respect, loyalty, loyalty, No, sorry about that.

3:58:41.600 --> 3:58:47.880
<v Speaker 3>We cut that edit that pull the liquor, yea, lordy

3:58:47.960 --> 3:58:55.240
<v Speaker 3>of respect both. We're going back down it. Then we're

3:58:55.240 --> 3:58:56.280
<v Speaker 3>gonna bro.

3:58:57.520 --> 3:59:04.200
<v Speaker 1>This is an this one is uh yeah, we're going down.

3:59:04.240 --> 3:59:07.120
<v Speaker 1>We need to go down. We're gonna la.

3:59:07.680 --> 3:59:10.440
<v Speaker 3>That's a ramic ship. Ain't say nothing, but that ship

3:59:10.560 --> 3:59:11.520
<v Speaker 3>is mad strong.

3:59:11.600 --> 3:59:14.880
<v Speaker 4>I think I'm a little envious.

3:59:14.920 --> 3:59:15.400
<v Speaker 1>So we went.

3:59:15.560 --> 3:59:17.760
<v Speaker 3>We went and bought some though, right we feel like

3:59:17.880 --> 3:59:19.360
<v Speaker 3>I feel like they had three shots.

3:59:19.200 --> 3:59:21.600
<v Speaker 1>That I should have had six. Yeah, we bought, we

3:59:21.680 --> 3:59:26.320
<v Speaker 1>bought more. I need something to sir. We're going to

3:59:26.400 --> 3:59:29.160
<v Speaker 1>the beach for that you're doing. They call me child, Well,

3:59:31.680 --> 3:59:40.240
<v Speaker 1>I like that why I picked lordy and respect because

3:59:40.320 --> 3:59:42.480
<v Speaker 1>you know, first of all, if you got lord he

3:59:42.560 --> 3:59:44.440
<v Speaker 1>and no respect, where the fuck you at you? Like

3:59:44.520 --> 3:59:46.160
<v Speaker 1>I'm down with you some but I don't like you.

3:59:46.880 --> 3:59:49.160
<v Speaker 1>Like I'm fucking with you, my nigga, but I can't

3:59:49.200 --> 3:59:51.760
<v Speaker 1>wait to fucking step over you. Lord.

3:59:51.960 --> 3:59:53.880
<v Speaker 3>Respect is a nigga that loyal to you but can't

3:59:53.880 --> 3:59:54.160
<v Speaker 3>wait to.

3:59:54.160 --> 3:59:58.040
<v Speaker 1>Take your position. Lord, have respectus. He's loyal and he

3:59:58.120 --> 4:00:00.920
<v Speaker 1>respect your position. But expect what I lost you. I

4:00:01.040 --> 4:00:02.760
<v Speaker 1>respect you. I respect you by a nigga. I can't wait.

4:00:03.680 --> 4:00:05.600
<v Speaker 1>Let these niggas kill you. This is the best is

4:00:05.680 --> 4:00:11.080
<v Speaker 1>the best answer. Let's be real, though, Let's be real.

4:00:11.200 --> 4:00:13.120
<v Speaker 1>You need both of those. We need both. We need

4:00:13.200 --> 4:00:13.680
<v Speaker 1>both of those.

4:00:13.840 --> 4:00:15.480
<v Speaker 3>So so now let's let's let's talk about this.

4:00:15.720 --> 4:00:16.160
<v Speaker 1>This movie.

4:00:16.640 --> 4:00:18.720
<v Speaker 4>I want to get before the movies here because this

4:00:18.840 --> 4:00:23.000
<v Speaker 4>we're gonna I know, I want to rap. I can't

4:00:23.040 --> 4:00:24.720
<v Speaker 4>hear with something, bro, let me tell you something.

4:00:25.680 --> 4:00:28.160
<v Speaker 3>Listen to this. I know I already said this is you.

4:00:28.440 --> 4:00:31.440
<v Speaker 3>This is the first Wu Tang show in Miami.

4:00:31.720 --> 4:00:35.080
<v Speaker 1>That's crazy. That's the flyer. Take a look at that

4:00:35.120 --> 4:00:37.760
<v Speaker 1>show that that was like twitter back then. He passed

4:00:37.760 --> 4:00:42.080
<v Speaker 1>it to me. This is the ancient Twitter. Look at this.

4:00:42.200 --> 4:00:45.560
<v Speaker 1>Listen to me, agent Twitter, it is it is. It

4:00:45.760 --> 4:00:49.280
<v Speaker 1>is ancient, ancient, ancient.

4:00:49.640 --> 4:00:54.400
<v Speaker 3>To me personally, as ap Pad, this is full circle

4:00:54.520 --> 4:00:54.760
<v Speaker 3>for me.

4:00:55.120 --> 4:00:57.960
<v Speaker 1>That's a blessing to be a fan. You were there.

4:00:58.160 --> 4:01:02.160
<v Speaker 1>I was absolutely asking. Yeah, I wanted to have a fly.

4:01:02.440 --> 4:01:05.400
<v Speaker 1>I was in there, bro, But look at look at

4:01:05.440 --> 4:01:10.680
<v Speaker 1>the list. Okay, it's Wu Tang Clan right. Exclusive performance.

4:01:11.160 --> 4:01:17.000
<v Speaker 1>It says Miami Hip Hop ninety four. Right, Mother Superior, Yep.

4:01:17.600 --> 4:01:19.160
<v Speaker 1>I see that. I get the Mother Superior. What's that

4:01:19.200 --> 4:01:22.240
<v Speaker 1>that's above her? Below? Now she's there somewhere, Mother Superior

4:01:22.400 --> 4:01:25.080
<v Speaker 1>very well. Anyway, it says in association with all right.

4:01:25.120 --> 4:01:27.640
<v Speaker 1>It starts off with I ain't gonna be the whole ship,

4:01:27.800 --> 4:01:30.840
<v Speaker 1>all right, but anyway, Miami Hip Hop nineteen ninety four

4:01:30.920 --> 4:01:34.840
<v Speaker 1>Part one, Exclusive performance of Wu Tank, Exclusive performance of

4:01:34.880 --> 4:01:41.440
<v Speaker 1>Wu Tang Clan, also performing live Dimmy D. You know

4:01:41.560 --> 4:01:44.440
<v Speaker 1>Dimmi D. He knows and you don't know, no kid,

4:01:45.560 --> 4:01:48.720
<v Speaker 1>Fucky Black snows Yep in the Nation in the hoods.

4:01:49.720 --> 4:01:55.920
<v Speaker 1>That's Dope, Mother Superior Superior x x x E S

4:01:56.360 --> 4:01:59.120
<v Speaker 1>Wait wait the first x.

4:02:02.880 --> 4:02:08.600
<v Speaker 3>Yes, solid waste, Solid waste, that's Paul right.

4:02:11.680 --> 4:02:12.720
<v Speaker 1>And more.

4:02:12.840 --> 4:02:17.480
<v Speaker 4>Remember and read the venue the venue fat by DJ

4:02:17.720 --> 4:02:20.840
<v Speaker 4>Chris shout out, that's DJ Classic now.

4:02:20.920 --> 4:02:25.800
<v Speaker 1>Misspect Wednesday, February ninth, nineteen ninety four at the spaces

4:02:26.200 --> 4:02:31.000
<v Speaker 1>Maha templelf A Mahi Temple or the twelve year that's crazy,

4:02:31.320 --> 4:02:33.120
<v Speaker 1>you know, so beautiful? Though? Is that?

4:02:34.160 --> 4:02:36.120
<v Speaker 3>Do you guys remember that at all? Do you remember that?

4:02:36.240 --> 4:02:39.520
<v Speaker 1>All? I remember coming up? Damn, I'm drying, hey, but

4:02:39.600 --> 4:02:46.160
<v Speaker 1>I started making that. Yeah, certain syllables. Just leave your

4:02:46.240 --> 4:02:49.640
<v Speaker 1>mouth for your drinking. The awe and the W are

4:02:49.760 --> 4:02:50.480
<v Speaker 1>very challenging.

4:02:51.600 --> 4:02:57.280
<v Speaker 3>But I remember comeing to Miami. But don't ruin my

4:02:57.360 --> 4:02:58.480
<v Speaker 3>flyer please, I'm sorry, guys.

4:03:00.240 --> 4:03:04.280
<v Speaker 1>Just a gift, No, not at all. Okay, this is

4:03:06.840 --> 4:03:08.080
<v Speaker 1>what you got? What else you got it?

4:03:08.600 --> 4:03:11.000
<v Speaker 4>I gotta'll give me one more, one more. I bought

4:03:11.040 --> 4:03:14.240
<v Speaker 4>this tape. That's the first WHU Tank record I bought.

4:03:14.720 --> 4:03:17.480
<v Speaker 4>And then I and then my brother Paul Dreams Tan Sports.

4:03:17.680 --> 4:03:19.080
<v Speaker 1>I said, now that's new, kid.

4:03:19.000 --> 4:03:22.000
<v Speaker 3>Now that's new. He gave me this as a gift recently, man,

4:03:22.120 --> 4:03:25.520
<v Speaker 3>thank you, brother and grave. I bought that myself as well.

4:03:25.600 --> 4:03:28.680
<v Speaker 3>And this this is the time that older the bastard

4:03:28.840 --> 4:03:29.360
<v Speaker 3>turned over.

4:03:29.800 --> 4:03:32.560
<v Speaker 1>You was here. Of course I was there. You know

4:03:32.680 --> 4:03:35.960
<v Speaker 1>the story, what I know the story? They called me,

4:03:36.080 --> 4:03:40.680
<v Speaker 1>they called me after listen, wait what look at this? Okay,

4:03:41.440 --> 4:03:43.960
<v Speaker 1>you want that story, get this, tell us the story.

4:03:44.000 --> 4:03:45.640
<v Speaker 1>But how are you gonna call me fen the whole time? That?

4:03:48.320 --> 4:03:48.640
<v Speaker 1>Hold on?

4:03:49.840 --> 4:03:50.080
<v Speaker 4>Hold on?

4:03:50.200 --> 4:03:53.840
<v Speaker 1>So now, black black dudes always short.

4:03:54.480 --> 4:03:57.640
<v Speaker 3>Anybody do you know that once the black guy.

4:03:57.600 --> 4:04:07.080
<v Speaker 1>Get to know you short after four hours, I'm like, yeah,

4:04:10.640 --> 4:04:14.800
<v Speaker 1>I mean, I mean, now it tells us. I don't

4:04:14.800 --> 4:04:15.600
<v Speaker 1>know what you talking about.

4:04:15.720 --> 4:04:18.120
<v Speaker 3>This was an incredible What is this?

4:04:18.760 --> 4:04:19.640
<v Speaker 1>If it.

4:04:21.280 --> 4:04:26.840
<v Speaker 4>Was this that, it's not really it's actually not really

4:04:27.000 --> 4:04:30.680
<v Speaker 4>on the fly, Yeah, Kelly was there, if I remember right,

4:04:30.840 --> 4:04:34.160
<v Speaker 4>this is the woman are bastard turned the speakers.

4:04:33.920 --> 4:04:41.160
<v Speaker 1>Into the table. Yeah yeah, he threw them over. Yeah okay, okay, look.

4:04:41.040 --> 4:04:43.440
<v Speaker 4>Look even if it's not this this story, I was

4:04:43.480 --> 4:04:45.640
<v Speaker 4>there for that one as well. Even if it's not

4:04:45.760 --> 4:04:46.560
<v Speaker 4>this flyer.

4:04:46.440 --> 4:04:55.440
<v Speaker 1>He the story, okay, e f N, I would because

4:04:55.440 --> 4:05:03.320
<v Speaker 1>I was like, it was flowing. Let me let me

4:05:03.360 --> 4:05:05.320
<v Speaker 1>take him moment, let me take this, Let me take

4:05:05.320 --> 4:05:11.520
<v Speaker 1>you saying I'm good. Take them on, Broy, Listen, I

4:05:11.640 --> 4:05:13.360
<v Speaker 1>love watching you. Let me just give you some shot.

4:05:13.520 --> 4:05:16.160
<v Speaker 1>We've been giving the guards so shot hit the Michael,

4:05:16.200 --> 4:05:20.800
<v Speaker 1>but it put the put the light on him. I

4:05:20.840 --> 4:05:25.520
<v Speaker 1>really appreciate you, yo, your your poise, your reaction, your knowledge,

4:05:25.960 --> 4:05:28.800
<v Speaker 1>your experience with hip hop culture and everybody that every

4:05:28.880 --> 4:05:31.840
<v Speaker 1>guest that you make them feel like like you're like

4:05:32.000 --> 4:05:35.000
<v Speaker 1>like it's almost like your your timing and your punchlines.

4:05:35.800 --> 4:05:39.920
<v Speaker 1>Whether it's editing or not, we don't edit. Really, it's good, bro,

4:05:40.280 --> 4:05:45.720
<v Speaker 1>And I know you know argument. I had to look

4:05:45.760 --> 4:05:48.200
<v Speaker 1>at my eyes. You see him and I saw that.

4:05:48.640 --> 4:05:52.520
<v Speaker 1>But but you know what, I love it. We punt that,

4:05:52.680 --> 4:05:54.360
<v Speaker 1>we punt that. I won't comment on that.

4:05:54.480 --> 4:05:57.640
<v Speaker 3>I mean, listen, I'm right with that.

4:05:58.160 --> 4:06:00.400
<v Speaker 1>That's one of the movies. Now. Yeah know, let me

4:06:00.480 --> 4:06:02.200
<v Speaker 1>let me, let me let me go to the story

4:06:02.320 --> 4:06:04.600
<v Speaker 1>and talk about the o dB story. You can talk

4:06:04.600 --> 4:06:06.080
<v Speaker 1>about it. No, I was there. I was there. I

4:06:06.160 --> 4:06:08.240
<v Speaker 1>know that I wanted. I was want to say on

4:06:08.240 --> 4:06:09.920
<v Speaker 1>the microphone so people see me and my wife is

4:06:09.960 --> 4:06:14.520
<v Speaker 1>like nigga flag. But I appreciate you, bro, thank you.

4:06:15.080 --> 4:06:18.120
<v Speaker 1>Appreciate you extremely for what you started in when you

4:06:18.160 --> 4:06:20.760
<v Speaker 1>started in the culture and be both TV don't exist

4:06:20.840 --> 4:06:26.200
<v Speaker 1>no more without you, yes us yeah, yeah, but listen

4:06:26.200 --> 4:06:29.280
<v Speaker 1>to ob sty your chamber adds a lot to this

4:06:29.360 --> 4:06:32.720
<v Speaker 1>bo let me know that. Okay, okay, and I might

4:06:33.760 --> 4:06:40.840
<v Speaker 1>five and I might no, no, brand, it's going fast

4:06:40.880 --> 4:06:56.840
<v Speaker 1>forward time, he said, you wind got fast forward? Hold on,

4:06:57.240 --> 4:07:02.040
<v Speaker 1>who's this guy? Who's that right there? Look at you?

4:07:02.240 --> 4:07:04.600
<v Speaker 1>I know that guy. That's what that's my man right there,

4:07:05.200 --> 4:07:10.600
<v Speaker 1>that's you might get to know he's the boy. That's

4:07:10.760 --> 4:07:13.240
<v Speaker 1>that's the rock. Now he's want to see why you

4:07:13.280 --> 4:07:16.960
<v Speaker 1>want to even you're still living on? Yeah, I like it.

4:07:18.080 --> 4:07:23.640
<v Speaker 1>That's when I was bleaching, you know what, don't lead?

4:07:24.480 --> 4:07:24.920
<v Speaker 1>Why I go?

4:07:25.080 --> 4:07:25.480
<v Speaker 4>Why I go?

4:07:26.040 --> 4:07:28.280
<v Speaker 3>Let's take a shower. Want to ask questions? Why is

4:07:28.320 --> 4:07:29.160
<v Speaker 3>it green and black?

4:07:29.280 --> 4:07:33.680
<v Speaker 1>Like the monster? This this version of the rough draft.

4:07:33.920 --> 4:07:38.120
<v Speaker 1>These are the real let's get one together. It has

4:07:38.200 --> 4:07:42.440
<v Speaker 1>nothing to do with the monster, but everything watch the

4:07:42.480 --> 4:07:46.480
<v Speaker 1>green and black both Wait what what everything is? Nigga?

4:07:47.040 --> 4:07:49.760
<v Speaker 1>The niggas took shipping the can. Look at the cat

4:07:50.760 --> 4:07:55.040
<v Speaker 1>this monster that is not I know, shot my niggaho.

4:07:57.240 --> 4:07:59.680
<v Speaker 3>We're praying which folks, Who's who had the first promotion?

4:08:00.400 --> 4:08:08.200
<v Speaker 1>Monster? Yeah? Together, I was like, no, we got a

4:08:08.240 --> 4:08:09.320
<v Speaker 1>great idea for your brother.

4:08:09.720 --> 4:08:12.080
<v Speaker 3>I got a great idea. What we're gonna do is

4:08:12.120 --> 4:08:18.000
<v Speaker 3>green and no hold on, no disrespect for my brother.

4:08:18.840 --> 4:08:21.320
<v Speaker 1>Know who He's gonna get mad at me, and I

4:08:21.360 --> 4:08:23.680
<v Speaker 1>gotta left my waist and get my strength up. I've

4:08:23.720 --> 4:08:25.720
<v Speaker 1>been drinking, so I might have to face this. When

4:08:25.720 --> 4:08:29.440
<v Speaker 1>I face it, I'm gonna say it it. I'm going

4:08:29.480 --> 4:08:31.560
<v Speaker 1>you ready, Yeah, I would love to see ghost face

4:08:31.640 --> 4:08:35.640
<v Speaker 1>on that box. Those faces, those faces are we want yo,

4:08:35.760 --> 4:08:39.960
<v Speaker 1>Let's get ghodst face on the box. Yeah. Respect, yeah, no,

4:08:40.120 --> 4:08:42.720
<v Speaker 1>big back, Tony Be. I don't know my kung food

4:08:42.800 --> 4:08:46.440
<v Speaker 1>so you know that, but I can see your face

4:08:46.480 --> 4:08:50.560
<v Speaker 1>on the box and it's a great person, a great partner.

4:08:51.080 --> 4:08:53.360
<v Speaker 3>I've seen ray Quan the other day. His ship like

4:08:53.480 --> 4:08:55.280
<v Speaker 3>he had the se girl is big?

4:08:55.760 --> 4:09:07.040
<v Speaker 1>Did we wind? No? What's the plan is that? Brother?

4:09:07.280 --> 4:09:09.840
<v Speaker 1>And I was so you think Rake Walker give you

4:09:09.960 --> 4:09:12.680
<v Speaker 1>his face? I think I think way you go? So Ray,

4:09:12.840 --> 4:09:14.600
<v Speaker 1>I bet you on the spot, go so ray for me?

4:09:14.800 --> 4:09:20.960
<v Speaker 3>You say we want if you say, goes Ray Kwan

4:09:21.320 --> 4:09:22.440
<v Speaker 3>for the be wine box.

4:09:32.280 --> 4:09:32.680
<v Speaker 4>M hmm.

4:09:34.240 --> 4:09:37.000
<v Speaker 1>Makes one more time and that's it. We never did

4:09:37.080 --> 4:09:38.400
<v Speaker 1>we talk about no no, so about the movie. You

4:09:38.480 --> 4:09:40.920
<v Speaker 1>don't take the picture an yea. The story of the story.

4:09:41.080 --> 4:09:43.360
<v Speaker 1>Look now you're good. Now you're doing the story with

4:09:43.480 --> 4:09:46.000
<v Speaker 1>the story was O d B. No, we did the story.

4:09:46.120 --> 4:09:46.560
<v Speaker 1>I didn't say it.

4:09:46.600 --> 4:09:49.440
<v Speaker 3>No you'll need it, don't need it. We need all

4:09:49.520 --> 4:09:49.920
<v Speaker 3>the story.

4:09:50.200 --> 4:09:52.480
<v Speaker 13>Yeah yeah, you didn't say sorry, so we need that story.

4:09:52.520 --> 4:09:56.040
<v Speaker 13>That's anyway. So so so method Man and Red Man's performing.

4:09:56.120 --> 4:10:00.720
<v Speaker 13>It's in Miami, so we and my man. No, that's

4:10:00.800 --> 4:10:05.600
<v Speaker 13>Princess Club. You did all Yeah. Now, who's controlling the

4:10:05.680 --> 4:10:06.600
<v Speaker 13>whole party that night?

4:10:07.400 --> 4:10:07.840
<v Speaker 1>Well, I don't know.

4:10:08.400 --> 4:10:10.840
<v Speaker 3>I'm a fan Death Jam is controlling the whole party.

4:10:11.080 --> 4:10:13.960
<v Speaker 1>But is it this one? I don't know Jam talking

4:10:14.000 --> 4:10:18.520
<v Speaker 1>about its Depth Jam's party. Okay, yeah, okay, all right,

4:10:19.200 --> 4:10:25.160
<v Speaker 1>so method Man Red Man is signed to Depth Jam Campleton,

4:10:25.960 --> 4:10:29.400
<v Speaker 1>I remember, I remember that, like its signed the Depth Jam.

4:10:29.680 --> 4:10:33.320
<v Speaker 3>I remember that came to the film disrespected.

4:10:34.680 --> 4:10:37.840
<v Speaker 1>Yeah, boy came with okay, but old b is not

4:10:38.160 --> 4:10:44.960
<v Speaker 1>Yo came death Cham. Okay, So now, because because you're

4:10:45.080 --> 4:10:49.000
<v Speaker 1>gonna make you all enough was mad? Meth don't get

4:10:49.080 --> 4:10:51.160
<v Speaker 1>mad a lot by what we do, but he was

4:10:51.160 --> 4:10:53.440
<v Speaker 1>a little mad about this because he really felt like

4:10:53.600 --> 4:10:57.840
<v Speaker 1>it was a little bit, a little bit beyond the boundaries.

4:10:58.080 --> 4:10:59.680
<v Speaker 3>What was beyond the boundaries?

4:11:00.320 --> 4:11:04.440
<v Speaker 1>Okay? If listen, Odie B. Is known for destroying your show.

4:11:05.280 --> 4:11:07.160
<v Speaker 1>If you if you talked the Quest Love and them

4:11:07.240 --> 4:11:09.480
<v Speaker 1>right now, they'd be like, oh yeah, remember that night

4:11:09.520 --> 4:11:13.240
<v Speaker 1>Odi B came. Yeah, he took over the show, ended it,

4:11:13.520 --> 4:11:16.400
<v Speaker 1>party was over. You go to Flavor Public and I

4:11:16.480 --> 4:11:21.400
<v Speaker 1>mean anybody. Old B is known for coming. He's yeah,

4:11:21.800 --> 4:11:22.880
<v Speaker 1>he's not part of the bill.

4:11:24.040 --> 4:11:27.520
<v Speaker 3>He's a strange shows, he said, and she's a show destroyed.

4:11:27.560 --> 4:11:30.840
<v Speaker 1>One night he brought me towards shows and destroyed. Yeah.

4:11:30.840 --> 4:11:33.240
<v Speaker 1>He's like, yo, God call me, meet me. I met him.

4:11:33.480 --> 4:11:35.400
<v Speaker 1>He was like, Yo, let's go fuck these niggas up.

4:11:37.400 --> 4:11:39.960
<v Speaker 1>And I'm like, you know, it's like, I'm old with him.

4:11:40.160 --> 4:11:42.360
<v Speaker 1>I'm with him. I'm with him. We go up and

4:11:42.440 --> 4:11:46.240
<v Speaker 1>we destroyed the show. He's like this, he said, this

4:11:46.280 --> 4:11:51.120
<v Speaker 1>sh ain't real enough. You know me, Kielly. One night, Yeah,

4:11:51.240 --> 4:11:57.280
<v Speaker 1>it's fighting over the remember that. Yes, yes he did it.

4:11:58.040 --> 4:12:01.280
<v Speaker 1>Old B would come to your ship and in Miami

4:12:01.400 --> 4:12:03.800
<v Speaker 1>he got jumped. Listen you know that, right, listen, hold

4:12:03.840 --> 4:12:09.600
<v Speaker 1>on after if it ain't what he wants, he's gonna

4:12:09.840 --> 4:12:12.000
<v Speaker 1>if he don't feel it, he's gonna suck it up.

4:12:13.160 --> 4:12:17.040
<v Speaker 1>That night, Meth and Red was doing this ship Cableton

4:12:17.160 --> 4:12:19.880
<v Speaker 1>was next because I got oldie story and I got

4:12:19.920 --> 4:12:23.960
<v Speaker 1>myth story Meth, and they did with methic on who

4:12:24.040 --> 4:12:27.040
<v Speaker 1>was to not MEPhI Red Man but O d B.

4:12:28.480 --> 4:12:30.120
<v Speaker 1>I guess he wanted to be part of it that

4:12:30.280 --> 4:12:33.240
<v Speaker 1>night and it was Meth because he can't be he

4:12:33.320 --> 4:12:35.520
<v Speaker 1>can't do it in the world. It's like, but he

4:12:35.680 --> 4:12:37.520
<v Speaker 1>felt like, I guess me. I don't know what Meth

4:12:37.600 --> 4:12:39.080
<v Speaker 1>did to him. Meph was like he tried to like

4:12:39.120 --> 4:12:41.440
<v Speaker 1>telling them, Chelse said. Odib was kind of little zoned out,

4:12:42.680 --> 4:12:43.800
<v Speaker 1>you know what I mean. It was a little bit

4:12:44.000 --> 4:12:47.160
<v Speaker 1>on e, a little bit past the level, but he

4:12:47.240 --> 4:12:48.600
<v Speaker 1>wanted to get on there. I was like, nah, don't

4:12:48.640 --> 4:12:51.760
<v Speaker 1>let the god on. The guard is not and they

4:12:51.800 --> 4:12:58.400
<v Speaker 1>didn't let him on, and they did that ship but whatever,

4:12:58.920 --> 4:13:01.600
<v Speaker 1>they leave his fucking state and they let odi be

4:13:01.800 --> 4:13:06.920
<v Speaker 1>ond like these niggas haven't let me on, and they

4:13:07.000 --> 4:13:13.280
<v Speaker 1>came with his next that ship. All this shit is weak.

4:13:14.080 --> 4:13:17.240
<v Speaker 1>And he went on and he got see I mean

4:13:17.320 --> 4:13:19.240
<v Speaker 1>before the show ended. Though. He did this because they

4:13:19.280 --> 4:13:21.440
<v Speaker 1>won't let him on, they said before they show. He

4:13:21.520 --> 4:13:25.440
<v Speaker 1>went on stage and he turned the turntables off over No,

4:13:25.680 --> 4:13:27.880
<v Speaker 1>he brought the fingers down. Bro hold on. First, he

4:13:27.920 --> 4:13:32.080
<v Speaker 1>started with the turntables. He turned the DJ set over,

4:13:32.760 --> 4:13:37.320
<v Speaker 1>start pulling down speakers, was saying like, yo, fuck this show.

4:13:38.320 --> 4:13:43.960
<v Speaker 1>Who tangs the best? Was yo? He came to this.

4:13:44.360 --> 4:13:47.280
<v Speaker 1>Everybody's like he look, he didn't even on the bills,

4:13:47.960 --> 4:13:51.280
<v Speaker 1>Like like we look at the bill, his name is

4:13:51.320 --> 4:13:56.680
<v Speaker 1>not there. He says, happen to be in Miami. Nothing.

4:13:56.760 --> 4:14:00.720
<v Speaker 1>Man's brother is happy to be performing, and he's like,

4:14:00.760 --> 4:14:03.200
<v Speaker 1>oh ship, I'm gonna sucking my brother and I'm gonna

4:14:03.240 --> 4:14:05.480
<v Speaker 1>take over the show. He's also known for that the

4:14:05.600 --> 4:14:08.480
<v Speaker 1>ODB would come to your ship in a good way.

4:14:09.040 --> 4:14:11.800
<v Speaker 1>If I did the show when ODB showed up, niggad

4:14:11.800 --> 4:14:14.800
<v Speaker 1>gonna take a thirty minute break because he's gonna do

4:14:15.280 --> 4:14:17.480
<v Speaker 1>this ship and they gonna love it. And I'll be

4:14:17.600 --> 4:14:21.160
<v Speaker 1>like when he finished finish it, Hey, I come back,

4:14:21.200 --> 4:14:23.800
<v Speaker 1>I'll do my ship that night. They didn't let him more.

4:14:25.680 --> 4:14:28.680
<v Speaker 1>They was like no psightpher God, and he was like

4:14:29.680 --> 4:14:37.120
<v Speaker 1>no cipher, no, no cipher. He threw speakers on the floor.

4:14:37.320 --> 4:14:41.120
<v Speaker 1>It was and we all witnessed it. So that's the

4:14:41.160 --> 4:14:48.920
<v Speaker 1>ODB start anyway, shot the ODB hell bress B all right,

4:14:48.960 --> 4:14:53.440
<v Speaker 1>So let me get my best space Offseaell, this business

4:14:53.480 --> 4:14:58.680
<v Speaker 1>is big business. Now I'll be going big business. You reccon, No,

4:14:59.480 --> 4:15:02.840
<v Speaker 1>you don't know. You know good and you directed written

4:15:02.880 --> 4:15:05.600
<v Speaker 1>and directed by the Rizzard. So it's not like it's

4:15:05.600 --> 4:15:07.600
<v Speaker 1>not like the show is in the middle, you know

4:15:07.640 --> 4:15:09.000
<v Speaker 1>what I mean. We didn't have all this shit in

4:15:09.080 --> 4:15:13.040
<v Speaker 1>our sister and we're gonna get our tea up. We

4:15:13.080 --> 4:15:15.960
<v Speaker 1>get like, this is professional. This movie cost ten million

4:15:16.000 --> 4:15:19.400
<v Speaker 1>dollars to make. The name of the movie it's called

4:15:19.440 --> 4:15:24.360
<v Speaker 1>One Spoon of Chocolate. So this movie started like this.

4:15:27.640 --> 4:15:29.920
<v Speaker 1>I've been good in life. Life is good. I love it.

4:15:30.120 --> 4:15:34.120
<v Speaker 1>Some assets and me and my wife was looking for

4:15:34.240 --> 4:15:37.200
<v Speaker 1>maybe another place to another real estate. We've been doing

4:15:37.240 --> 4:15:39.360
<v Speaker 1>good in real estate, so we thought we about another house.

4:15:39.480 --> 4:15:41.800
<v Speaker 1>We saw a beautiful house. It was like Bama Lama.

4:15:42.440 --> 4:15:45.120
<v Speaker 1>It was like the waterfall was from the ceiling in

4:15:45.240 --> 4:15:48.160
<v Speaker 1>the pools. I like it. Yeah, yes, yeah, I like it.

4:15:48.560 --> 4:15:51.520
<v Speaker 1>You know what I mean. California too, don't think about

4:15:51.560 --> 4:15:54.960
<v Speaker 1>the fires. So we saw in the house was like

4:15:55.080 --> 4:15:58.000
<v Speaker 1>Bama lamb. I was like, yo, yeah, I could build

4:15:58.000 --> 4:16:02.760
<v Speaker 1>a studio right there. No steps. It's like more like

4:16:02.960 --> 4:16:06.000
<v Speaker 1>it's like a dormitory type of studio for forty nine

4:16:06.040 --> 4:16:10.120
<v Speaker 1>thousand square feet. Very beautiful place. Thank you. Hey, Bang

4:16:10.200 --> 4:16:13.800
<v Speaker 1>Bong got a witness. I got a witness. Now it

4:16:13.880 --> 4:16:16.760
<v Speaker 1>was real and I was like, wow, this is beautiful baby.

4:16:17.400 --> 4:16:19.160
<v Speaker 1>But let me ask you a question. You want to

4:16:20.000 --> 4:16:22.960
<v Speaker 1>buy a new house or make a movie. And she

4:16:23.080 --> 4:16:24.360
<v Speaker 1>looked at me, It's like, well, what do you want

4:16:24.400 --> 4:16:28.480
<v Speaker 1>to do. I was like, make a movie. She's like, okay,

4:16:28.520 --> 4:16:33.800
<v Speaker 1>let's make a movie. So she killed her idea, enrolled

4:16:33.840 --> 4:16:38.680
<v Speaker 1>with my idea, and so and this happened through the

4:16:38.680 --> 4:16:41.640
<v Speaker 1>New York State of mon tour, all my ones up,

4:16:42.520 --> 4:16:44.280
<v Speaker 1>you know what I mean. And on the back of

4:16:44.320 --> 4:16:47.440
<v Speaker 1>the bus, I just kept writing. I started the script

4:16:47.480 --> 4:16:51.760
<v Speaker 1>thirteen years ago after I made a movie called Man

4:16:51.760 --> 4:16:54.320
<v Speaker 1>with the Aientist. I started writing this script, and even

4:16:54.360 --> 4:16:58.120
<v Speaker 1>the executives of Universal, the executives at Universal, my man,

4:16:58.760 --> 4:17:01.960
<v Speaker 1>Adam Foguson was its chief executive, and I was like, Adam,

4:17:02.080 --> 4:17:04.400
<v Speaker 1>I got a couple of ideas for my next film.

4:17:04.520 --> 4:17:08.680
<v Speaker 1>Because May with Iphish it wasn't a smash, but it

4:17:08.760 --> 4:17:10.960
<v Speaker 1>made its money back and everybody made a few million hours,

4:17:11.680 --> 4:17:13.760
<v Speaker 1>mind you, a few million hours. And the movie business

4:17:13.760 --> 4:17:16.960
<v Speaker 1>is not good. It's cool it's just like we didn't

4:17:17.000 --> 4:17:21.560
<v Speaker 1>lose money. Yeah, pay the janitors because you need to

4:17:21.640 --> 4:17:24.280
<v Speaker 1>make a hundred to make two hundred. That's yeah. But

4:17:24.440 --> 4:17:27.760
<v Speaker 1>still nobody lost money fucking with me. So you get

4:17:27.800 --> 4:17:31.440
<v Speaker 1>another chance to dance. And so I told Adam. I

4:17:31.520 --> 4:17:33.160
<v Speaker 1>was like, I got a couple of ideas. I started

4:17:33.200 --> 4:17:37.240
<v Speaker 1>pitching these ideas, but the one that he said that

4:17:37.440 --> 4:17:42.800
<v Speaker 1>sounded like it had market value was this one spoon

4:17:42.840 --> 4:17:46.520
<v Speaker 1>of chocolate. And so he said, he taught me, you know,

4:17:46.800 --> 4:17:50.800
<v Speaker 1>chase chase that. I said, cool. He taught me chase

4:17:50.880 --> 4:17:54.760
<v Speaker 1>that wurs okay. Continue. So I leave and I started

4:17:54.840 --> 4:18:00.480
<v Speaker 1>chasing it and I get stuck at page forty. That's

4:18:00.520 --> 4:18:03.640
<v Speaker 1>that I've made two other movies. Bro, I got stuck

4:18:03.720 --> 4:18:07.680
<v Speaker 1>for ten years at page forty. After two other movies.

4:18:07.920 --> 4:18:11.000
<v Speaker 1>My brother Paul Hall. Paul Hall, you may know Paul

4:18:11.080 --> 4:18:14.040
<v Speaker 1>Hall from you did a lot of Tyler Perry. Oh,

4:18:14.080 --> 4:18:17.680
<v Speaker 1>Paul Hall did a lot of John Singleton Cheff Higher Learning.

4:18:18.560 --> 4:18:21.840
<v Speaker 1>So Paul was that producer that guided John Singleton through

4:18:22.640 --> 4:18:24.840
<v Speaker 1>and I met him because there was another movie. He

4:18:25.000 --> 4:18:29.680
<v Speaker 1>was like, they let lions get hired. Lions get hired

4:18:29.680 --> 4:18:31.800
<v Speaker 1>me to do a movie. And Paul was producing, and

4:18:31.920 --> 4:18:34.080
<v Speaker 1>Bunk Bung and me and Paul was there right. So anyway,

4:18:35.320 --> 4:18:39.600
<v Speaker 1>now we get to a point, you know, twenty fifteen,

4:18:41.160 --> 4:18:44.000
<v Speaker 1>I started writing the Garrett when this movie, and I

4:18:44.080 --> 4:18:48.320
<v Speaker 1>get twenty more pages and Bama lama froze again. Nothing.

4:18:48.400 --> 4:18:49.680
<v Speaker 1>It's like, I don't know to do this movie. I

4:18:49.720 --> 4:18:51.480
<v Speaker 1>don't know how to finish it. I don't know where

4:18:51.480 --> 4:18:55.640
<v Speaker 1>they're going. I'm stuck. And then we just go. But

4:18:55.720 --> 4:18:58.000
<v Speaker 1>then the writers' strike happened. They might know when the

4:18:58.040 --> 4:19:00.320
<v Speaker 1>writer strike a few years ago. I want to New

4:19:00.400 --> 4:19:02.720
<v Speaker 1>York state of my tour. I just asked my wife

4:19:02.760 --> 4:19:05.080
<v Speaker 1>what you want to do. She said, make a movie.

4:19:05.360 --> 4:19:08.120
<v Speaker 1>I started digging through all my my ideas. I got

4:19:08.320 --> 4:19:11.600
<v Speaker 1>like twenty ideas. I got twenty pages, ten pages, eighty pages,

4:19:11.760 --> 4:19:15.360
<v Speaker 1>five pages in this one. I read to her. She said,

4:19:15.480 --> 4:19:17.920
<v Speaker 1>I like where that's going. She didn't know where I

4:19:18.000 --> 4:19:20.080
<v Speaker 1>was going to end, but I like where it's going.

4:19:21.080 --> 4:19:24.800
<v Speaker 1>And I eventually uh on a tour. On the back

4:19:24.840 --> 4:19:27.480
<v Speaker 1>of that tour bus, my wife on one pollow, me

4:19:27.560 --> 4:19:31.800
<v Speaker 1>and one pillow, I wrote the whole movie. By the

4:19:31.920 --> 4:19:35.960
<v Speaker 1>end of the tour, I had it, We had the economics,

4:19:36.040 --> 4:19:39.080
<v Speaker 1>we had some other Financial Partners. That was down with me,

4:19:40.000 --> 4:19:41.960
<v Speaker 1>and we went and made this movie. It's called One

4:19:42.000 --> 4:19:45.840
<v Speaker 1>Spoon of Chocolate. It's gonna premiere at the Tribeca Film Festival,

4:19:46.720 --> 4:19:52.640
<v Speaker 1>New York City, New York City. Shout out with It's

4:19:52.640 --> 4:19:55.720
<v Speaker 1>gonna premiere June eighth at the Tribeca Film Festival in

4:19:55.840 --> 4:20:00.000
<v Speaker 1>New York City. One Spool of Chocolate June eighth, New York,

4:20:00.040 --> 4:20:10.280
<v Speaker 1>York City, Tribecca Film Festival, World pamea come fuck with us. Boom, yeah, oh,

4:20:10.640 --> 4:20:13.280
<v Speaker 1>I like that. I got yo. I ain't gonna lie.

4:20:13.360 --> 4:20:15.000
<v Speaker 1>I fly back on a.

4:20:15.640 --> 4:20:19.080
<v Speaker 4>Drink Champs is a Drink Champs LLC production hosts and

4:20:19.200 --> 4:20:22.600
<v Speaker 4>executive producers n O r E and dj e FN.

4:20:23.800 --> 4:20:27.880
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4:20:31.880 --> 4:20:34.480
<v Speaker 4>for another episode of Drink Champs hosted by Yours Truly,

4:20:34.640 --> 4:20:37.160
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4:20:37.240 --> 4:20:39.400
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4:20:39.480 --> 4:20:41.360
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