1
00:00:11,840 --> 00:00:16,960
Speaker 1: And his Drink Chas motherfucking podcast. He's a legendary Queen's rappers.

2
00:00:17,200 --> 00:00:19,320
Speaker 1: He's like, that's your boy in no R. He's a

3
00:00:19,440 --> 00:00:22,599
Speaker 1: Miami hippoper lioneer. Up is d J E f N.

4
00:00:22,800 --> 00:00:26,279
Speaker 1: Together they drinking up with some of the biggest players

5
00:00:26,320 --> 00:00:30,600
Speaker 1: in the most professional unprofessional podcast and yet number one

6
00:00:30,640 --> 00:00:35,880
Speaker 1: sorts for drunk back Mother is New Year's time for

7
00:00:36,120 --> 00:00:46,120
Speaker 1: drink Champ, Drink up motherfuck mother? Would it could be hoping?

8
00:00:46,200 --> 00:00:47,839
Speaker 1: This would it should be? This is your boy in R?

9
00:00:48,159 --> 00:00:50,320
Speaker 1: What up is d J E f and this drink Chaps?

10
00:00:56,320 --> 00:00:58,640
Speaker 1: Right now? We got a person. We got a brother

11
00:00:58,640 --> 00:01:01,440
Speaker 1: who's been down since nine the six heard he proved

12
00:01:01,480 --> 00:01:03,960
Speaker 1: his own solo album in ninety seven, and then he

13
00:01:04,040 --> 00:01:07,520
Speaker 1: got with a crew, motherfucking one of the most phenomenal

14
00:01:07,600 --> 00:01:10,680
Speaker 1: groups ever. He's out here monkey fucking doing his own

15
00:01:10,720 --> 00:01:13,400
Speaker 1: thing with red Hood, red hat, motherfucking what is it?

16
00:01:13,480 --> 00:01:16,760
Speaker 1: Red hat and entertainment. This motherfucker's been out here just

17
00:01:16,800 --> 00:01:19,080
Speaker 1: doing it, doing the funking gotta do. I've seen him

18
00:01:19,120 --> 00:01:21,800
Speaker 1: with shower caps on and all type of ship, you

19
00:01:21,800 --> 00:01:23,679
Speaker 1: know what I mean? Everywhere I see on the road.

20
00:01:23,720 --> 00:01:25,960
Speaker 1: He's always been a delight. So he's been he has

21
00:01:26,520 --> 00:01:28,920
Speaker 1: He's the only person I know this Joe, But is

22
00:01:28,920 --> 00:01:31,080
Speaker 1: a jail like trying to cut on the same record

23
00:01:32,720 --> 00:01:34,759
Speaker 1: In case you don't know who the hell I'm talking about,

24
00:01:40,640 --> 00:01:42,319
Speaker 1: I mean, I got. I mean, there's no sense of

25
00:01:42,319 --> 00:01:44,520
Speaker 1: warming up to it. You might as well just get

26
00:01:44,560 --> 00:01:48,960
Speaker 1: straight into it. Um, you had a record this in Joe,

27
00:01:49,000 --> 00:01:52,240
Speaker 1: But who's who's a friend of the show and a

28
00:01:52,280 --> 00:01:54,960
Speaker 1: friend of mine. And and you also you all heard

29
00:01:54,960 --> 00:01:58,240
Speaker 1: this jail like trying to come which I didn't see

30
00:01:58,480 --> 00:02:01,800
Speaker 1: or actually did not know where that came from. But

31
00:02:01,840 --> 00:02:04,480
Speaker 1: she ain't got Kelly. That was something that I've seen

32
00:02:04,680 --> 00:02:07,560
Speaker 1: coming back, you know, I expected. So just break down

33
00:02:07,600 --> 00:02:10,600
Speaker 1: for the fans, you know what I'm saying. Um, you

34
00:02:10,639 --> 00:02:17,880
Speaker 1: know what was that about Electronica? I mean you yeah,

35
00:02:18,480 --> 00:02:20,880
Speaker 1: trying to Um. He used to be down with us

36
00:02:20,880 --> 00:02:24,160
Speaker 1: a long time ago. He was. He used to be

37
00:02:24,600 --> 00:02:29,840
Speaker 1: um an artist woman for Mr. Porter. Really were not group, Yeah,

38
00:02:30,800 --> 00:02:33,720
Speaker 1: and uh he used to like shoot the road footage

39
00:02:33,760 --> 00:02:36,120
Speaker 1: force and you know, going the road and do a

40
00:02:36,120 --> 00:02:39,799
Speaker 1: little ship like Tranica used to be a videographer. Yeah. Wow,

41
00:02:42,240 --> 00:02:44,240
Speaker 1: a lot of famis but like he was, he was

42
00:02:44,280 --> 00:02:48,440
Speaker 1: around you know the studios, So that's you know, he's

43
00:02:48,440 --> 00:02:55,960
Speaker 1: from Louisiana right now, everywhere's yeah you can't. Yeah. So

44
00:02:56,040 --> 00:02:59,400
Speaker 1: basically that's that's the story behind that. So so he

45
00:02:59,480 --> 00:03:00,760
Speaker 1: used to be down each other. But what made you

46
00:03:00,800 --> 00:03:03,840
Speaker 1: disn't on the record though, because he said something about

47
00:03:05,560 --> 00:03:09,480
Speaker 1: um Marshall saying something about two pockets or whatever, and

48
00:03:09,520 --> 00:03:12,960
Speaker 1: he dissed them pretty hard, like he never knew us

49
00:03:13,080 --> 00:03:16,120
Speaker 1: or never hung around him. So I'm really big on family.

50
00:03:16,200 --> 00:03:19,799
Speaker 1: So I just felt like, not you and who never

51
00:03:19,880 --> 00:03:24,280
Speaker 1: knew him? Said, you know, I'm saying like he like

52
00:03:24,320 --> 00:03:31,720
Speaker 1: he never knew us came out Okay, So I was

53
00:03:31,800 --> 00:03:33,440
Speaker 1: just you know, I'm big on family, so I was

54
00:03:33,520 --> 00:03:35,960
Speaker 1: just like, damn, you're digging like he shouldn't have did

55
00:03:36,000 --> 00:03:40,200
Speaker 1: that big, Okay, definitely shouldn't. Okay, all right, I didn't. Now,

56
00:03:40,480 --> 00:03:43,120
Speaker 1: I just go down the line. Okay, Now, Joe Button,

57
00:03:43,800 --> 00:03:48,200
Speaker 1: what I mean? I think that's kind of obvious for

58
00:03:48,240 --> 00:03:51,840
Speaker 1: the fans that don't know Joe Buttons. Uh, I mean

59
00:03:52,040 --> 00:03:56,640
Speaker 1: like probably like the same reason, well even more because uh,

60
00:03:57,520 --> 00:04:00,280
Speaker 1: you know, we had a problem with the back in

61
00:04:00,320 --> 00:04:02,920
Speaker 1: the day and U as he said something about us

62
00:04:02,920 --> 00:04:05,640
Speaker 1: in the song whatever and Royce wanted to put this

63
00:04:05,720 --> 00:04:09,480
Speaker 1: tour together car never said Never tour, which was you know,

64
00:04:09,520 --> 00:04:11,360
Speaker 1: we had the beat for Roy's back in the day,

65
00:04:12,000 --> 00:04:14,280
Speaker 1: and then he was like, do you think about Joe

66
00:04:14,320 --> 00:04:17,520
Speaker 1: buttons like so we had to have a big gass

67
00:04:17,560 --> 00:04:20,960
Speaker 1: conference called yelling and screaming. You just this what the

68
00:04:21,080 --> 00:04:27,400
Speaker 1: motherfuck of us us? I'm sorry, I'm sorry, it's just wrapped.

69
00:04:27,560 --> 00:04:29,479
Speaker 1: So we know, we squashed the beat. Whatever went on

70
00:04:29,560 --> 00:04:33,800
Speaker 1: tour in Canada, sahouse, this is private. They made Slaughterhouse

71
00:04:34,360 --> 00:04:36,840
Speaker 1: while he was on tour with us, so you know,

72
00:04:37,200 --> 00:04:38,680
Speaker 1: while he was on tour with us, they were like, yeah,

73
00:04:38,680 --> 00:04:44,120
Speaker 1: we should get some mcs from from this place, and

74
00:04:44,200 --> 00:04:46,720
Speaker 1: he was beating too, and then then they squats the

75
00:04:46,839 --> 00:04:49,680
Speaker 1: ship and then Royce asked us to squash what Joe was.

76
00:04:49,760 --> 00:04:52,240
Speaker 1: We went on tour with him and then you know,

77
00:04:52,800 --> 00:04:56,160
Speaker 1: everything was cool and then they formed Slaughterhouse and then

78
00:04:56,160 --> 00:04:59,680
Speaker 1: they you know, did the thing on Shady and then

79
00:04:59,680 --> 00:05:03,120
Speaker 1: after that, damn smoke so good as sweet, the goddamn

80
00:05:03,200 --> 00:05:09,880
Speaker 1: thank you man, goddamn smoke chances flowery case. People want

81
00:05:09,880 --> 00:05:12,120
Speaker 1: to go in that smoke Champs got, it's what you got,

82
00:05:12,520 --> 00:05:14,320
Speaker 1: just put it in my blood. You know what I mean,

83
00:05:14,400 --> 00:05:19,240
Speaker 1: because might got old school foul long yeah damn. But anyway,

84
00:05:19,760 --> 00:05:24,400
Speaker 1: yeah yeah, so after that, you know what I'm saying,

85
00:05:24,400 --> 00:05:27,680
Speaker 1: I just felt like, uh, when he when he had

86
00:05:27,720 --> 00:05:31,200
Speaker 1: this little h his rant about album, Yeah, I feel

87
00:05:31,200 --> 00:05:33,680
Speaker 1: like he just went too far with the like the

88
00:05:33,800 --> 00:05:38,120
Speaker 1: racist ship, Donald Trump and the whole you know, Oh

89
00:05:38,240 --> 00:05:41,680
Speaker 1: when did the BT freestyle you're talking about? Okay, I

90
00:05:41,720 --> 00:05:43,760
Speaker 1: just feel like you went too far, you know, as

91
00:05:43,800 --> 00:05:46,039
Speaker 1: being family, but we all funk with each other, laugh

92
00:05:46,200 --> 00:05:49,520
Speaker 1: joke being on tour, like like it's cool to say

93
00:05:49,560 --> 00:05:51,400
Speaker 1: like I don't like I like his album, but you're

94
00:05:51,400 --> 00:05:53,640
Speaker 1: saying like, because that's what I thought it was actually over.

95
00:05:53,680 --> 00:05:55,640
Speaker 1: I thought it was actually him saying he like, I

96
00:05:55,680 --> 00:05:58,800
Speaker 1: didn't know what. But if you've been around Joe with you,

97
00:05:58,880 --> 00:06:00,400
Speaker 1: I would say that I just didn't like what you said.

98
00:06:00,480 --> 00:06:02,200
Speaker 1: But if you've been if you've been around Joe a lot,

99
00:06:03,040 --> 00:06:07,080
Speaker 1: you will understand that he don't like niggas. You know,

100
00:06:07,400 --> 00:06:09,800
Speaker 1: he's more of a female Like he'd rather go out

101
00:06:09,800 --> 00:06:12,400
Speaker 1: with six females, you know what I'm saying. So I

102
00:06:12,440 --> 00:06:15,320
Speaker 1: think he really don't get the camaraderie all the time

103
00:06:15,360 --> 00:06:18,400
Speaker 1: when it comes to to niggas. I remember one time

104
00:06:18,440 --> 00:06:22,560
Speaker 1: he uh, he woke the whole bus up and had

105
00:06:22,560 --> 00:06:26,279
Speaker 1: a meeting about somebody peeing on them on the floor

106
00:06:26,360 --> 00:06:29,120
Speaker 1: and the tour bus like you know, the tour buses shake.

107
00:06:32,080 --> 00:06:36,120
Speaker 1: You know, you know what you're doing with man? You

108
00:06:35,760 --> 00:06:39,680
Speaker 1: you piss on it? You got yeah, you know. But

109
00:06:39,800 --> 00:06:42,919
Speaker 1: he had a meeting blaha, Well I don't want to

110
00:06:42,960 --> 00:06:45,880
Speaker 1: go in the bathroom and bits on the floor. So

111
00:06:46,000 --> 00:06:51,479
Speaker 1: did I. I knew they didn't like he has special type,

112
00:06:51,640 --> 00:06:55,520
Speaker 1: but I did. I did. Um okay, but it ain't

113
00:06:55,520 --> 00:06:56,839
Speaker 1: no beef through you know what I'm saying. You know,

114
00:06:56,880 --> 00:06:59,640
Speaker 1: we we know too many the same people forward to

115
00:07:00,440 --> 00:07:02,640
Speaker 1: to keep going on. You know what I'm saying. I

116
00:07:02,640 --> 00:07:05,520
Speaker 1: think I spoke about piece. He spoke his piece because

117
00:07:05,560 --> 00:07:07,440
Speaker 1: he didn't respond on the record, but he did. He

118
00:07:07,520 --> 00:07:10,320
Speaker 1: did respond, Yeah, I want you far on the record. Man.

119
00:07:10,400 --> 00:07:19,000
Speaker 1: Oh yeah, okay, I always over killed ship. Okay, So

120
00:07:19,920 --> 00:07:22,560
Speaker 1: we gotta ask you what's going on right now? What's happening?

121
00:07:22,680 --> 00:07:26,360
Speaker 1: And now you don't know when this is coming out.

122
00:07:26,760 --> 00:07:29,000
Speaker 1: I mean, we don't know when this is coming out,

123
00:07:29,040 --> 00:07:36,720
Speaker 1: but think about it is m got on. Joey cracked

124
00:07:36,760 --> 00:07:42,960
Speaker 1: my brother's record I'm totally first time I got some

125
00:07:43,040 --> 00:07:48,080
Speaker 1: stories about him. Okay, So I mean he totally one

126
00:07:48,160 --> 00:07:51,520
Speaker 1: way for him, twouldn't have been a cold one. Um,

127
00:07:51,760 --> 00:07:58,520
Speaker 1: totally destroyed diverse, right, And I can't front. At my

128
00:07:58,600 --> 00:08:00,800
Speaker 1: first time I heard it, I didn't heard that he

129
00:08:00,840 --> 00:08:04,440
Speaker 1: said Nick all right, because I'm thinking Ce's talking about

130
00:08:04,440 --> 00:08:07,000
Speaker 1: the Begion. That guy, I'm not thinking he's talking about.

131
00:08:07,080 --> 00:08:09,000
Speaker 1: Then the second and the the third time I heard it,

132
00:08:09,000 --> 00:08:11,040
Speaker 1: I was like, oh, I can't Now I'll get my

133
00:08:11,160 --> 00:08:14,800
Speaker 1: nickers talking because at first I didn't catch him. But

134
00:08:14,920 --> 00:08:16,360
Speaker 1: so Nick comes at him, but he comes out of

135
00:08:16,360 --> 00:08:20,480
Speaker 1: them with four different dudes, right, that's the first one. Uh.

136
00:08:20,640 --> 00:08:24,560
Speaker 1: And response on Twitter he says, I never had a

137
00:08:24,600 --> 00:08:27,520
Speaker 1: show far or something cocksuck us something that's true, that's

138
00:08:27,680 --> 00:08:32,920
Speaker 1: very true and um and then Nick and them makes

139
00:08:32,960 --> 00:08:35,360
Speaker 1: another record, but he does it with the wild and

140
00:08:35,440 --> 00:08:37,520
Speaker 1: now I believe the same dudes from the first one.

141
00:08:37,679 --> 00:08:41,400
Speaker 1: I was the same thing. Altho, those are two different Okay,

142
00:08:41,480 --> 00:08:44,480
Speaker 1: I think addn see I'm the second. So what is

143
00:08:44,520 --> 00:08:48,920
Speaker 1: your rapp up the second? So the first as the

144
00:08:48,960 --> 00:08:51,760
Speaker 1: first one? Yeah, so what is your first response when

145
00:08:51,800 --> 00:08:54,800
Speaker 1: you when you hear that? Like, actually, I'm a I'm

146
00:08:55,600 --> 00:08:59,280
Speaker 1: a real battle rapper fanatic than I had my own

147
00:08:59,280 --> 00:09:02,640
Speaker 1: week before. I know Charlie clips, I don't hit man.

148
00:09:03,040 --> 00:09:05,360
Speaker 1: I thought it was funny at first, you know what

149
00:09:05,360 --> 00:09:07,280
Speaker 1: I'm saying. I knew what it was. I feel like,

150
00:09:07,360 --> 00:09:09,400
Speaker 1: you know, they gotta do it with Nick til do

151
00:09:09,920 --> 00:09:11,920
Speaker 1: you know what I'm saying. That they don't get on

152
00:09:11,960 --> 00:09:15,480
Speaker 1: the song, They're gonna lose their job, you know what

153
00:09:15,480 --> 00:09:17,959
Speaker 1: I'm saying. So I thought the ship was funny, you

154
00:09:18,000 --> 00:09:21,839
Speaker 1: would like I got. Yeah, I thought the ship was funny.

155
00:09:21,840 --> 00:09:23,680
Speaker 1: You know what I'm saying. I ain't. I ain't taking

156
00:09:23,679 --> 00:09:27,040
Speaker 1: no offense to it because they did four bars a piece,

157
00:09:27,040 --> 00:09:29,440
Speaker 1: and until they was trying to I think best not

158
00:09:29,480 --> 00:09:32,679
Speaker 1: to get personal. So so I ain't really think she

159
00:09:32,760 --> 00:09:37,480
Speaker 1: did the first. But Nick, this person though, Yeah, like

160
00:09:37,559 --> 00:09:40,240
Speaker 1: you feel he's taking it personal. Yeah, I believe so.

161
00:09:40,800 --> 00:09:43,120
Speaker 1: I believe. I believe Nick is. You don't think it's

162
00:09:43,160 --> 00:09:46,320
Speaker 1: just battle rap shit for him, It's just it's just bitch.

163
00:09:47,000 --> 00:09:50,520
Speaker 1: I think I think it's I think I think it's Yeah,

164
00:09:50,559 --> 00:09:54,000
Speaker 1: I think which is which is what happened already. This

165
00:09:54,080 --> 00:09:57,240
Speaker 1: is the second time around. I would defend, I would

166
00:09:57,720 --> 00:10:00,839
Speaker 1: I would defend my baby mom of yeah, the same

167
00:10:00,920 --> 00:10:04,440
Speaker 1: way I will. Yeah, I hadn't learned that. I had

168
00:10:04,440 --> 00:10:07,400
Speaker 1: to learn this as a man, because you know, I

169
00:10:07,440 --> 00:10:10,280
Speaker 1: didn't have motherfucker's come out. I sucked your mama such

170
00:10:11,200 --> 00:10:13,480
Speaker 1: and I had I told the du told me, I said, look,

171
00:10:13,880 --> 00:10:17,800
Speaker 1: you sucked my baby mama. I fucked your baby mama.

172
00:10:18,440 --> 00:10:25,280
Speaker 1: My boy fucked your mama. You're all sucking somebody. So yeah,

173
00:10:25,440 --> 00:10:27,520
Speaker 1: and once you start getting the metality in your head,

174
00:10:27,800 --> 00:10:32,880
Speaker 1: you it will be less easy. But I guess everybody

175
00:10:32,920 --> 00:10:35,920
Speaker 1: don't think like that. So I go through it though,

176
00:10:36,440 --> 00:10:40,440
Speaker 1: taking it from the beginning because was it was it

177
00:10:40,559 --> 00:10:43,760
Speaker 1: was it D twelve really had twelve members at first,

178
00:10:44,200 --> 00:10:48,800
Speaker 1: or no, we tried to get twelve members. Okay, an't work? Okay, yeah, yeah,

179
00:10:49,200 --> 00:10:55,160
Speaker 1: six is another so okay, but now, but that's not

180
00:10:55,240 --> 00:10:57,040
Speaker 1: the reason why it was D twelve, not to try

181
00:10:57,040 --> 00:11:06,080
Speaker 1: to have twelve twelve members. Yeah, really, you know, okay,

182
00:11:06,160 --> 00:11:08,440
Speaker 1: but when I when I googled, you said you had

183
00:11:08,440 --> 00:11:12,000
Speaker 1: an album in ninety seven. Alum, Yeah, he was a

184
00:11:12,040 --> 00:11:14,679
Speaker 1: part of a group in nineties six. Yeah that what

185
00:11:14,720 --> 00:11:18,880
Speaker 1: was the name of that group? The outsiders, the outside

186
00:11:17,080 --> 00:11:22,480
Speaker 1: of you guys were actually in the outside of the

187
00:11:22,600 --> 00:11:27,319
Speaker 1: Pace one. Yeah, because I think out the All Jersey Cats.

188
00:11:27,360 --> 00:11:29,640
Speaker 1: I know that that that and was affiliated, but I

189
00:11:29,679 --> 00:11:31,680
Speaker 1: didn't know that it was official. Yeah, I was in

190
00:11:31,720 --> 00:11:36,319
Speaker 1: the group. Yeah, yeah, we uh I met them. I

191
00:11:36,440 --> 00:11:39,440
Speaker 1: met them in d C at a rap battle. You know.

192
00:11:39,520 --> 00:11:42,240
Speaker 1: We they had a we had a Vanity Detroit cast

193
00:11:42,280 --> 00:11:46,040
Speaker 1: that went to it was battling before. Yeah, we've been

194
00:11:46,080 --> 00:11:51,200
Speaker 1: battling alone and this was the Andrews. But it was

195
00:11:51,240 --> 00:11:52,800
Speaker 1: just kid. He came to the hip hop shop and

196
00:11:52,800 --> 00:11:54,319
Speaker 1: he said, anybody wanted to go to d C the

197
00:11:54,360 --> 00:11:57,960
Speaker 1: Hollyway for this rap convention. So I went down there.

198
00:11:58,679 --> 00:12:00,199
Speaker 1: So I go off the bus me and I was

199
00:12:00,240 --> 00:12:03,040
Speaker 1: out from Slum Village. We've seen these cats in the

200
00:12:03,040 --> 00:12:10,080
Speaker 1: Cipher and it was Paced, one of young Z. Yeah,

201
00:12:10,120 --> 00:12:12,000
Speaker 1: and we went over there to the Cipher. We got

202
00:12:12,000 --> 00:12:15,200
Speaker 1: into Cipher and Z told me like, Yo, if you

203
00:12:15,240 --> 00:12:20,079
Speaker 1: ever come to Jersey, um hit me up. I think

204
00:12:20,080 --> 00:12:24,439
Speaker 1: it's a part of this Okay, So I said, I said, okay.

205
00:12:25,080 --> 00:12:28,560
Speaker 1: So ship Like a month later, Proof was going to

206
00:12:28,840 --> 00:12:32,679
Speaker 1: New York. I was like the first New Jersey from

207
00:12:32,679 --> 00:12:35,880
Speaker 1: New York. It was like about thirty minutes. So they

208
00:12:36,000 --> 00:12:39,200
Speaker 1: dropped me off of Newark and I went to like

209
00:12:39,280 --> 00:12:43,160
Speaker 1: four or five times, and then I brought Marshall there

210
00:12:43,520 --> 00:12:47,520
Speaker 1: was back there. I think it's always been. Yeah, yeah,

211
00:12:48,240 --> 00:12:50,960
Speaker 1: I've seen wild shooting. They're trying to gentify it a

212
00:12:51,000 --> 00:12:56,680
Speaker 1: little bit. I see the Starbus coming places. Yeah, that's

213
00:12:59,360 --> 00:13:01,720
Speaker 1: the star Bus company. But that's actually the first time

214
00:13:01,760 --> 00:13:03,480
Speaker 1: I've seen and you must have been on the tour

215
00:13:03,840 --> 00:13:07,600
Speaker 1: that I've seen. M was opening up Frontsiders. Yeah out

216
00:13:07,600 --> 00:13:11,960
Speaker 1: here in cameo in Miami Beach. Yeah yeah, episode. So

217
00:13:12,000 --> 00:13:15,280
Speaker 1: he came around and then we all got cool and

218
00:13:15,480 --> 00:13:17,680
Speaker 1: you know what I'm saying, Like that was like the

219
00:13:17,679 --> 00:13:20,360
Speaker 1: first group that we was affiliated with, but it was

220
00:13:20,400 --> 00:13:24,640
Speaker 1: so many niggas, so much ship going on. We started

221
00:13:25,000 --> 00:13:28,960
Speaker 1: for my own little clique in Detroit. So Proof decided

222
00:13:29,000 --> 00:13:32,240
Speaker 1: he wanted to do a group called Detroitler and the

223
00:13:32,360 --> 00:13:37,880
Speaker 1: concept was to get til rappers that was from different crews,

224
00:13:38,080 --> 00:13:41,800
Speaker 1: like all of our team, and have them become one click.

225
00:13:42,040 --> 00:13:44,760
Speaker 1: But it was the plan because of falls, because it

226
00:13:44,840 --> 00:13:47,559
Speaker 1: was the letter D. Wasn't the plan that all be

227
00:13:47,679 --> 00:13:50,839
Speaker 1: from Detroit? Yeah yeah, yeah, you wanted to start the

228
00:13:50,880 --> 00:13:57,080
Speaker 1: Troit clu okay almost yeah yeah, yeah, but you know,

229
00:13:57,240 --> 00:14:00,959
Speaker 1: we had eight nine and then Niggas and fallout. You said,

230
00:14:01,000 --> 00:14:03,160
Speaker 1: you don't want to beat in the mold. It's hard

231
00:14:03,200 --> 00:14:06,040
Speaker 1: to getting up that mothers together. Yeah, so then we

232
00:14:06,120 --> 00:14:09,160
Speaker 1: just said, are we gonna do six rappers two personalities?

233
00:14:10,320 --> 00:14:14,160
Speaker 1: And then that's why you got slim shady. I don't

234
00:14:14,160 --> 00:14:19,480
Speaker 1: got two personalities, bizarre bar you got six personalities. So

235
00:14:19,880 --> 00:14:22,120
Speaker 1: a teacher named you bizarre because he used to rhyme

236
00:14:22,120 --> 00:14:25,480
Speaker 1: in the class. Yeah. Yeah, my music teacher. She thought

237
00:14:25,480 --> 00:14:28,400
Speaker 1: I was talking to myself. But because you're not right

238
00:14:28,480 --> 00:14:33,880
Speaker 1: with a pen, I was just like, She's like, you're

239
00:14:33,880 --> 00:14:43,200
Speaker 1: telling a teacher she was right, happen. I heard that.

240
00:14:43,280 --> 00:14:46,000
Speaker 1: I said, man, that's like he's when I first see

241
00:14:46,080 --> 00:14:48,200
Speaker 1: you all rule doing that, Like when I first seeing him,

242
00:14:48,360 --> 00:14:51,480
Speaker 1: like right without not writing, I thought he was regarded

243
00:14:51,560 --> 00:14:55,880
Speaker 1: like you don't that's the right term. But even get going,

244
00:14:56,080 --> 00:14:58,080
Speaker 1: because you know, I've never seen at this moment, I

245
00:14:58,080 --> 00:15:00,680
Speaker 1: had never seen nobody right without act like I come

246
00:15:00,720 --> 00:15:03,120
Speaker 1: from real pad and pen, no page, the black and

247
00:15:03,160 --> 00:15:04,960
Speaker 1: white note package. Write your name on the front of

248
00:15:05,000 --> 00:15:06,840
Speaker 1: the ship. You know what I'm saying, Like like before,

249
00:15:06,920 --> 00:15:08,840
Speaker 1: Lucy Lee, that's where I come from, right, you know

250
00:15:08,840 --> 00:15:11,960
Speaker 1: what I'm saying, Lucy Lee was actually like Hollywood. Remember

251
00:15:12,000 --> 00:15:14,080
Speaker 1: the black and white note places right graph on it.

252
00:15:14,400 --> 00:15:15,440
Speaker 1: You know what I'm saying, I just have to have

253
00:15:15,560 --> 00:15:20,080
Speaker 1: the black books and that. So but mo, I know

254
00:15:20,200 --> 00:15:22,920
Speaker 1: you coped up subject. So so you guys go to

255
00:15:22,960 --> 00:15:25,480
Speaker 1: the outside this right and so and this is like

256
00:15:25,600 --> 00:15:28,760
Speaker 1: ninety six. This is ninety six, right, this is after

257
00:15:28,800 --> 00:15:31,720
Speaker 1: the rap Olympics. Thing to him, did this is before that,

258
00:15:32,160 --> 00:15:36,160
Speaker 1: before the rap Olympics? Is? Uh? When I took him

259
00:15:36,160 --> 00:15:41,160
Speaker 1: to meet Wendy Day shout she comes up. At the time,

260
00:15:41,240 --> 00:15:46,040
Speaker 1: let's be clear the white people who were dominated, who

261
00:15:46,160 --> 00:15:49,040
Speaker 1: was who was respected in the industry with third base,

262
00:15:49,800 --> 00:15:53,720
Speaker 1: the white people who were making money who wasn't respective

263
00:15:53,880 --> 00:15:56,680
Speaker 1: or like vanilla. You can't forget beastie boys. I was

264
00:15:56,760 --> 00:15:59,360
Speaker 1: going in, I was going in. But that was early

265
00:15:59,440 --> 00:16:05,680
Speaker 1: in the day where you know, ah, we we never

266
00:16:05,720 --> 00:16:07,880
Speaker 1: even knew that there was white people in Brooklyn at

267
00:16:07,880 --> 00:16:10,280
Speaker 1: the time when they said no sleep to Brooklyn. So

268
00:16:10,320 --> 00:16:12,960
Speaker 1: that was, you know, that was different them in Rick Rubin,

269
00:16:13,040 --> 00:16:15,560
Speaker 1: that's a little bit before kind of my time. It's

270
00:16:15,560 --> 00:16:18,360
Speaker 1: definitely before your time. Um, But that's what I'm trying

271
00:16:18,400 --> 00:16:23,120
Speaker 1: to say. So we had never seen ever last of course, yeah,

272
00:16:23,440 --> 00:16:25,880
Speaker 1: house of pain, ever last House of Pain, which we

273
00:16:25,920 --> 00:16:28,760
Speaker 1: said third base, right, we said, um, there's a couple

274
00:16:28,760 --> 00:16:34,400
Speaker 1: of people were missing. It's just it has never yeah, yeah,

275
00:16:34,480 --> 00:16:38,440
Speaker 1: I was thinking about Okay, okay, I forgot my bad Okay.

276
00:16:38,480 --> 00:16:45,000
Speaker 1: So it has never been a phenomenon like right, big

277
00:16:45,080 --> 00:16:47,600
Speaker 1: up to Rod's pick up, to even with sin Gun

278
00:16:47,680 --> 00:16:50,320
Speaker 1: Kelly pick up to who else is an other guy

279
00:16:51,160 --> 00:16:56,480
Speaker 1: other white person? Yea easy. But still with all of that,

280
00:16:56,840 --> 00:16:59,440
Speaker 1: you know, sometimes they actually put it together what m

281
00:16:59,480 --> 00:17:02,120
Speaker 1: has done. Did you ever see that at first in

282
00:17:02,160 --> 00:17:03,800
Speaker 1: the beginning I'm told about in the beginning and the

283
00:17:03,800 --> 00:17:07,760
Speaker 1: outside of things. Then he stood out Yeah, yeah, yeah, definitely,

284
00:17:07,800 --> 00:17:11,240
Speaker 1: like it's ron wise because of his complexion, like you

285
00:17:11,359 --> 00:17:18,159
Speaker 1: be well, it was a rumor about him before I

286
00:17:18,160 --> 00:17:20,040
Speaker 1: ever met him. It was like a myth because we

287
00:17:20,119 --> 00:17:21,800
Speaker 1: used to have these battles at the hip hop shop

288
00:17:22,240 --> 00:17:25,919
Speaker 1: and uh it was yeah and it was it was

289
00:17:25,960 --> 00:17:28,800
Speaker 1: once a month, and uh I had heard like yo,

290
00:17:28,840 --> 00:17:32,520
Speaker 1: it's just white boy man. He cold, but he was

291
00:17:32,560 --> 00:17:35,840
Speaker 1: a champion. So what they do was like the cipher

292
00:17:36,520 --> 00:17:40,399
Speaker 1: would be like out here and like she proof worked

293
00:17:40,400 --> 00:17:42,400
Speaker 1: at the you know, proof of his manager pop shop.

294
00:17:42,440 --> 00:17:43,840
Speaker 1: So he would put him in the back like an

295
00:17:43,840 --> 00:17:47,359
Speaker 1: office part, and so nobody ever seen him until like

296
00:17:47,400 --> 00:17:49,280
Speaker 1: it was time to battle. He used to have his

297
00:17:49,359 --> 00:17:53,640
Speaker 1: hat down real, ower his head and ship and that's

298
00:17:53,680 --> 00:17:55,959
Speaker 1: when I when I first met him, I was like, damn,

299
00:17:56,119 --> 00:17:59,080
Speaker 1: like he was killing everybody him and Proof was kind

300
00:17:59,080 --> 00:18:03,440
Speaker 1: of setting it like fucking white man can't jump exactly,

301
00:18:03,720 --> 00:18:10,399
Speaker 1: like yeah, exactly described like cruc man, I'll take the

302
00:18:10,440 --> 00:18:15,440
Speaker 1: white boys, Like what for real? I can see that.

303
00:18:15,560 --> 00:18:19,080
Speaker 1: I could see that happening. Yes, yeah, that's exactly what happened.

304
00:18:19,400 --> 00:18:21,879
Speaker 1: It was something like white rig and joke. A lot

305
00:18:21,920 --> 00:18:24,600
Speaker 1: of people thought, oh it's easy and mother slate him real,

306
00:18:25,280 --> 00:18:29,000
Speaker 1: he was just taking motherfucker's out. But getting back to

307
00:18:29,119 --> 00:18:33,480
Speaker 1: my point, at that point, like Beastie Boys a third base,

308
00:18:33,800 --> 00:18:36,800
Speaker 1: you got to hear them being lirical, especially lyrical for

309
00:18:36,840 --> 00:18:41,840
Speaker 1: at that time. But we all know lyrical is considered underground.

310
00:18:42,520 --> 00:18:44,760
Speaker 1: We know that, Like I'm said, at that time, though,

311
00:18:44,960 --> 00:18:47,720
Speaker 1: I mean, I can tell you like this, no, I

312
00:18:47,720 --> 00:18:50,560
Speaker 1: don't take that time because there's certain artists who broke lyrical.

313
00:18:51,080 --> 00:18:54,560
Speaker 1: Liberal people are getting signed on clue tapes like a

314
00:18:54,680 --> 00:18:57,800
Speaker 1: cannabis just off of being lyrical the time were getting

315
00:18:57,800 --> 00:19:00,280
Speaker 1: being lyrical. You got a deal off of being lyrical. Yeah,

316
00:19:00,320 --> 00:19:02,680
Speaker 1: but I didn't. I didn't. I didn't. I don't think

317
00:19:02,760 --> 00:19:05,000
Speaker 1: I meant that. If I did say that, what I

318
00:19:05,119 --> 00:19:08,359
Speaker 1: meant was it just wasn't the popular thing, like you know,

319
00:19:08,480 --> 00:19:11,119
Speaker 1: it was always the puff Daddies that was always easier.

320
00:19:11,160 --> 00:19:13,959
Speaker 1: I think you're thinking conscious. You're confusing conscious and lyrical

321
00:19:14,440 --> 00:19:19,520
Speaker 1: conscious rappers. No, I'm saying lyrical. No, I mean I mean,

322
00:19:19,680 --> 00:19:22,040
Speaker 1: I mean, you know, to tell the truth, even with

323
00:19:22,160 --> 00:19:24,440
Speaker 1: red Man and method Man, where they were just being

324
00:19:24,560 --> 00:19:29,919
Speaker 1: lyrical when they started going like this, it's separated them

325
00:19:29,960 --> 00:19:32,680
Speaker 1: when they said that. I'm trying to say, like like

326
00:19:32,800 --> 00:19:35,600
Speaker 1: you started partying to red Man because remember like red

327
00:19:35,680 --> 00:19:37,800
Speaker 1: Man is just like you know what I mean, I

328
00:19:37,800 --> 00:19:40,000
Speaker 1: don't want to say just because like post What I'm

329
00:19:40,000 --> 00:19:43,000
Speaker 1: trying to say is there's certain things like like at

330
00:19:43,040 --> 00:19:45,920
Speaker 1: that moment, like even not like even not the greatest

331
00:19:46,000 --> 00:19:50,080
Speaker 1: album he made, Maddo. His next album was considered commercial

332
00:19:50,760 --> 00:19:54,000
Speaker 1: because they told him as much lyrical, verical, great greatest

333
00:19:54,000 --> 00:19:58,000
Speaker 1: ship that was to Vercal But that ship was they

334
00:19:58,119 --> 00:20:00,199
Speaker 1: was like, yo, you went gold, you could of went

335
00:20:00,280 --> 00:20:03,040
Speaker 1: double platform. And his next album did go double platin.

336
00:20:03,200 --> 00:20:06,800
Speaker 1: So most people after that no being up to the forefront,

337
00:20:06,840 --> 00:20:08,600
Speaker 1: but to getting the door. They were getting in the

338
00:20:08,680 --> 00:20:11,720
Speaker 1: door lyrical at first, like early nineties men nineties. Yeah,

339
00:20:11,720 --> 00:20:14,480
Speaker 1: but that's what I'm saying that he started change. But

340
00:20:14,560 --> 00:20:16,879
Speaker 1: I use nazis that example he was. He was the

341
00:20:16,960 --> 00:20:21,840
Speaker 1: criticiantial example, right and since then obviously say coming out

342
00:20:21,920 --> 00:20:24,159
Speaker 1: after that. What I'm trying to say is, you know

343
00:20:24,280 --> 00:20:27,120
Speaker 1: the success of that, like him being like because sometimes

344
00:20:27,200 --> 00:20:31,640
Speaker 1: being over lyrical hurts you, Like you know what I'm saying.

345
00:20:32,080 --> 00:20:35,520
Speaker 1: Some people don't just don't understand it. So like you

346
00:20:35,640 --> 00:20:41,159
Speaker 1: saw the phenomenon it could become or you just I

347
00:20:41,240 --> 00:20:44,959
Speaker 1: mean he Yeah, he basically worked harder than anybody ever

348
00:20:45,040 --> 00:20:48,879
Speaker 1: rapper I've seen before, Like you know, the twelve sometimes

349
00:20:48,920 --> 00:20:53,119
Speaker 1: we've been a boot foot seven eight hours just about

350
00:20:53,240 --> 00:20:55,760
Speaker 1: him say it over, I think you could do better.

351
00:20:56,440 --> 00:20:59,680
Speaker 1: I'm like, God damn. He was like Dr Drake before

352
00:20:59,680 --> 00:21:02,879
Speaker 1: he made Yeah, like he Dr Drake Thome's twin, you know,

353
00:21:02,960 --> 00:21:05,000
Speaker 1: I'm saying as far as like and he hard on

354
00:21:05,119 --> 00:21:08,080
Speaker 1: himself too. So here he go back and do the

355
00:21:08,160 --> 00:21:12,320
Speaker 1: same song two weeks for two weeks. I can't do

356
00:21:12,560 --> 00:21:14,600
Speaker 1: I do a song to me, if I come back

357
00:21:14,640 --> 00:21:17,679
Speaker 1: to it, sometimes it's not the same. I don't get

358
00:21:17,720 --> 00:21:22,359
Speaker 1: that same volume. So no, you okay, yeah that's but

359
00:21:22,520 --> 00:21:25,720
Speaker 1: you know he worked hard. Man like he I mean,

360
00:21:25,800 --> 00:21:30,600
Speaker 1: he'll sit there and just mumbile syllables, you know what

361
00:21:30,640 --> 00:21:34,000
Speaker 1: I'm saying, trying to make a match. I'm like, God, damn, bro,

362
00:21:34,119 --> 00:21:36,600
Speaker 1: you really deserve everything. You know what I'm saying. He

363
00:21:36,680 --> 00:21:39,080
Speaker 1: got me. I can't. I can't even wrapt in the studio.

364
00:21:39,320 --> 00:21:40,840
Speaker 1: I can't. I can't just say at home and write

365
00:21:40,840 --> 00:21:44,919
Speaker 1: a rap, right, so now it comes out all right,

366
00:21:46,200 --> 00:21:50,040
Speaker 1: I'm you know, bouncing around the place. The real Sime

367
00:21:50,119 --> 00:21:55,120
Speaker 1: shitty right, that's the first record, correct, you know what's about?

368
00:21:55,320 --> 00:21:59,639
Speaker 1: The single was the real shifty right my name is

369
00:21:59,720 --> 00:22:02,160
Speaker 1: with how Many, which which is basically when he kind

370
00:22:02,160 --> 00:22:07,640
Speaker 1: of shy right so New York Radio, which is that's

371
00:22:07,640 --> 00:22:10,040
Speaker 1: not his first album. He had The Infinite Infinite, which

372
00:22:10,080 --> 00:22:13,240
Speaker 1: he sounded like Nas and jay Z. I think you

373
00:22:13,320 --> 00:22:16,800
Speaker 1: think j Z. I think he sounded like like jay

374
00:22:16,920 --> 00:22:19,800
Speaker 1: Z when jay Z was Hawaiian Sophie jay Z, and

375
00:22:19,880 --> 00:22:22,320
Speaker 1: he sounded like Nas. I think I thought it was

376
00:22:22,760 --> 00:22:25,440
Speaker 1: like hazy with and that's a full it's a full album.

377
00:22:26,480 --> 00:22:29,960
Speaker 1: Mr Porter produced it. Yeah, okay, we was, we was.

378
00:22:30,359 --> 00:22:33,119
Speaker 1: He was super broke back then. Man, Okay, that was

379
00:22:33,200 --> 00:22:34,800
Speaker 1: the that was the how can I Be Down? Days?

380
00:22:36,440 --> 00:22:38,080
Speaker 1: So I took him the freaking too. He was only

381
00:22:38,119 --> 00:22:43,480
Speaker 1: white Atlantic. Yea, let's get to that. Let's get to that.

382
00:22:43,840 --> 00:22:49,760
Speaker 1: Let's get to yalla sound amazing stuff. Tell us guys there,

383
00:22:51,080 --> 00:22:54,280
Speaker 1: Uh no, man, we we we we we were first

384
00:22:54,320 --> 00:22:55,879
Speaker 1: we went to how I Be Down? So he was like,

385
00:22:57,640 --> 00:23:00,159
Speaker 1: which the first like the first one it was. It

386
00:23:00,280 --> 00:23:02,280
Speaker 1: was the how could I'll be down? With? Fat Joe

387
00:23:02,320 --> 00:23:04,400
Speaker 1: got with Yeah, I was there. I was in the street,

388
00:23:05,960 --> 00:23:08,760
Speaker 1: found there, he got in the street, right there and watching.

389
00:23:08,800 --> 00:23:12,199
Speaker 1: I was right there on the sideline, Joe, buddy, I mean,

390
00:23:12,240 --> 00:23:15,080
Speaker 1: you're not tell us that your fat Joe jumped off

391
00:23:15,119 --> 00:23:19,720
Speaker 1: the bus and got into this big swollen as like

392
00:23:20,320 --> 00:23:22,240
Speaker 1: crip or you know what I'm saying something that it

393
00:23:22,400 --> 00:23:25,439
Speaker 1: was crazy. I mean, I was like eighteens in there

394
00:23:25,480 --> 00:23:29,040
Speaker 1: watching like damn. But we came in our copy down

395
00:23:32,160 --> 00:23:38,080
Speaker 1: Peter Thomas and we slept with my man drunking Master's

396
00:23:38,160 --> 00:23:41,560
Speaker 1: floor because we we didn't have no uh fact, what's

397
00:23:41,600 --> 00:23:45,000
Speaker 1: that not the studio drunk Drew. No, No, what's that

398
00:23:45,160 --> 00:23:50,040
Speaker 1: dude from Interscope, the big guy. Uh, he's from New York.

399
00:23:50,119 --> 00:23:53,560
Speaker 1: Everybody know him. He's a promo guy, Kevin. You gotta

400
00:23:53,600 --> 00:23:58,480
Speaker 1: regrass people with a stomach. I mean, he was like

401
00:23:58,520 --> 00:24:01,040
Speaker 1: a king of promotions back then. But he let us

402
00:24:01,040 --> 00:24:05,520
Speaker 1: stay in this room anyway, shot him. I forgot his name. Man. Yeah,

403
00:24:05,680 --> 00:24:08,560
Speaker 1: then we left. How could I'll be down? And uh

404
00:24:09,680 --> 00:24:10,880
Speaker 1: I was like, yeah, you want to go to Freak

405
00:24:10,960 --> 00:24:15,160
Speaker 1: Nick And uh my mom stayed in Atlanta at the time,

406
00:24:15,280 --> 00:24:18,080
Speaker 1: so he was like yeah. So we called the Great

407
00:24:18,119 --> 00:24:23,639
Speaker 1: houndick to the way that make sure, we called the

408
00:24:23,680 --> 00:24:28,000
Speaker 1: Great Hoound from Miami to Atlanta. That's like twelve hours. Yeah.

409
00:24:28,080 --> 00:24:29,720
Speaker 1: And he tried to go on the bus for a

410
00:24:30,119 --> 00:24:33,320
Speaker 1: garbage back, like you know, a garbage back that you

411
00:24:33,760 --> 00:24:36,760
Speaker 1: think trash through it. It's like, sir, you can't, you know,

412
00:24:37,000 --> 00:24:39,560
Speaker 1: you can't get on this this greayhound with the garbage back.

413
00:24:39,560 --> 00:24:42,159
Speaker 1: And I'm like he was like what I had the

414
00:24:42,240 --> 00:24:45,560
Speaker 1: slow gays. But yeah, we went the Freaknick. Man. It

415
00:24:45,680 --> 00:24:48,480
Speaker 1: was crazy, man, but the girls loving him, like, look

416
00:24:48,520 --> 00:24:50,160
Speaker 1: at the white boy. I think he might have been

417
00:24:50,920 --> 00:24:52,600
Speaker 1: the only white boy at Freelick. So we need to

418
00:24:52,720 --> 00:25:01,399
Speaker 1: give it up for him for that. So for the

419
00:25:01,440 --> 00:25:06,320
Speaker 1: big scam up. So um, like I said, uh, you're

420
00:25:06,359 --> 00:25:14,600
Speaker 1: forty three, I'm forty two. Yeah, yeah, yeah. So you've seen,

421
00:25:14,720 --> 00:25:19,320
Speaker 1: like I said, you've seen the dynamic about Vanilla Ice

422
00:25:20,040 --> 00:25:22,280
Speaker 1: as opposed I don't know I said this before, as

423
00:25:22,320 --> 00:25:25,600
Speaker 1: opposed to a third base and even the Beastie Boys

424
00:25:25,640 --> 00:25:28,920
Speaker 1: for that nature. So this is the original Crest House

425
00:25:28,960 --> 00:25:30,639
Speaker 1: of Pain. We can't forget that house of pain. Of

426
00:25:30,720 --> 00:25:32,960
Speaker 1: course I cannot forget as I think there's a couple

427
00:25:33,040 --> 00:25:35,760
Speaker 1: of others, and I apologize if I get some people

428
00:25:35,800 --> 00:25:38,080
Speaker 1: will but of course, of course, and especially through the

429
00:25:38,080 --> 00:25:41,040
Speaker 1: whole course of hip hop. But my name is comes

430
00:25:41,080 --> 00:25:43,920
Speaker 1: out right. It's the first thing, right, my name is

431
00:25:44,040 --> 00:25:49,639
Speaker 1: comes out this video. First off, First off, before I

432
00:25:49,680 --> 00:25:52,400
Speaker 1: even get to my name is, what did you think

433
00:25:53,080 --> 00:25:55,520
Speaker 1: when you found out that he was working with Dr Dre.

434
00:25:57,480 --> 00:26:01,840
Speaker 1: I was. I was in texting, working at UH. I

435
00:26:01,920 --> 00:26:05,680
Speaker 1: was in Texas working at a hospital, and I was

436
00:26:05,760 --> 00:26:08,680
Speaker 1: doing some rounds around the hospital. My little wasn't like

437
00:26:08,760 --> 00:26:12,960
Speaker 1: a disordered like the fact I was a security guard

438
00:26:15,800 --> 00:26:18,200
Speaker 1: and I was doing rounds because you know, being a

439
00:26:18,280 --> 00:26:21,680
Speaker 1: rapper that's the only job you can get where you

440
00:26:21,720 --> 00:26:23,560
Speaker 1: ain't doing SHIP. So that's why I always went for

441
00:26:23,600 --> 00:26:26,560
Speaker 1: the security guards job. But I was doing rounds around

442
00:26:26,640 --> 00:26:29,639
Speaker 1: the thing and she told me like, Yo, you have

443
00:26:29,760 --> 00:26:33,440
Speaker 1: a call in a security office. Call me at work.

444
00:26:34,160 --> 00:26:37,000
Speaker 1: So I get there and he's like in Texas. In Texas,

445
00:26:37,119 --> 00:26:39,760
Speaker 1: my mom had just moved. He was like hello, He's

446
00:26:39,800 --> 00:26:43,280
Speaker 1: like with sub bizarre. I'm like, what's up? He said, Man,

447
00:26:43,320 --> 00:26:46,040
Speaker 1: this this Marshall. I said, what's up. He's like, man,

448
00:26:46,280 --> 00:26:49,400
Speaker 1: I'm in h l A. I just signed Dr Drake.

449
00:26:49,600 --> 00:26:52,040
Speaker 1: I was like what. He's like, yeah, man, I just

450
00:26:52,160 --> 00:26:54,919
Speaker 1: signed the Doctor's Dray. I'm like you He's like, yeah, bro,

451
00:26:55,000 --> 00:26:56,119
Speaker 1: I want you to come out here. I want to

452
00:26:56,119 --> 00:26:58,959
Speaker 1: fly you out here like tomorrow. I was like damn.

453
00:26:59,320 --> 00:27:02,720
Speaker 1: So I huggles phone. I told my supervisor I quit

454
00:27:05,640 --> 00:27:07,959
Speaker 1: and ship. Went home and told my mom and they

455
00:27:08,040 --> 00:27:11,080
Speaker 1: was like what, because you know we're eighteen nineteen years old.

456
00:27:11,080 --> 00:27:13,600
Speaker 1: You're telling your mom that you're about to l A

457
00:27:13,720 --> 00:27:15,199
Speaker 1: and ship. It was and you know who Dr dre

458
00:27:15,400 --> 00:27:18,720
Speaker 1: is at this time. Yeah, I'm looking like yeah. So

459
00:27:19,080 --> 00:27:21,479
Speaker 1: I hopped on the plane the thing and came out

460
00:27:21,520 --> 00:27:24,040
Speaker 1: to l A and when you seen it, you knew

461
00:27:24,080 --> 00:27:27,359
Speaker 1: it was real. Yeah, man, I mean definitely real. Man.

462
00:27:27,400 --> 00:27:29,479
Speaker 1: I'd've been round off the dre like thirty times. Man.

463
00:27:29,520 --> 00:27:31,680
Speaker 1: I probably can count on one hand how many words

464
00:27:31,680 --> 00:27:35,920
Speaker 1: I say to him, Oh wow, because that's much red. Yeah.

465
00:27:36,280 --> 00:27:38,960
Speaker 1: I mean he always, I mean he always be cooling

466
00:27:38,960 --> 00:27:40,960
Speaker 1: my lyrics all the time. So he was like, Yo, Pore,

467
00:27:41,040 --> 00:27:47,200
Speaker 1: you said that ship was crazy. Damn yeah, but you know, okay,

468
00:27:47,280 --> 00:27:49,800
Speaker 1: all right. So even with that being set, because didn't

469
00:27:49,800 --> 00:27:52,440
Speaker 1: the BC boys work with Rick Ruman, right right, even

470
00:27:52,480 --> 00:27:54,359
Speaker 1: with that being set, I gotta get back to my

471
00:27:54,480 --> 00:27:59,719
Speaker 1: random crush. My name is right, that's it comes out.

472
00:28:01,560 --> 00:28:05,400
Speaker 1: They do this phenomenal video they got the blonde head.

473
00:28:06,600 --> 00:28:08,880
Speaker 1: What do you say? Do you say we aut head?

474
00:28:09,560 --> 00:28:14,000
Speaker 1: Or do you say I hope the world because I'm

475
00:28:14,680 --> 00:28:16,720
Speaker 1: gonna tell you what I thought. Remind me to say

476
00:28:16,760 --> 00:28:19,159
Speaker 1: what I felt because I heard it prior to me

477
00:28:19,240 --> 00:28:23,639
Speaker 1: seeing So this is your world now, like you know,

478
00:28:24,320 --> 00:28:26,800
Speaker 1: all the phone calls are coming to you, the phone calls.

479
00:28:27,040 --> 00:28:29,119
Speaker 1: I'm in the industry. We're just talking like, yo, who

480
00:28:29,240 --> 00:28:32,040
Speaker 1: is this guy? But I want to know from your path.

481
00:28:33,600 --> 00:28:37,439
Speaker 1: I think I've never seen the other part. I think

482
00:28:37,480 --> 00:28:40,560
Speaker 1: I went straight to we out of here? You know

483
00:28:40,600 --> 00:28:42,760
Speaker 1: what I'm saying. That's all I thought about, was we

484
00:28:42,840 --> 00:28:45,479
Speaker 1: out of you? Was it just the affiliation to Dre

485
00:28:45,600 --> 00:28:48,240
Speaker 1: already that you thought that's no matter what we do. Yeah,

486
00:28:48,480 --> 00:28:52,040
Speaker 1: I just knew. Remember Dre never touched nothing that did

487
00:28:52,200 --> 00:28:54,440
Speaker 1: and it's hard to come out on't after me? Right, Yeah,

488
00:28:55,640 --> 00:29:00,600
Speaker 1: and Kim had a hard time. Man, Remember as Empire

489
00:29:00,800 --> 00:29:06,360
Speaker 1: was one. Yeah, it's a lot of people that's emperory, right, Yeah,

490
00:29:07,360 --> 00:29:10,040
Speaker 1: Nigga signed the dr Dre and just say it's all yeah,

491
00:29:10,280 --> 00:29:18,320
Speaker 1: they just give up everybody. Yeah, yeah, that's it. Yeah.

492
00:29:18,720 --> 00:29:21,960
Speaker 1: So yeah, I was. I was straight into let's go mode, man,

493
00:29:22,320 --> 00:29:25,880
Speaker 1: because I had actually I had an album out too

494
00:29:26,320 --> 00:29:28,000
Speaker 1: called Attack of the Weirdos, the one you're talking about

495
00:29:28,120 --> 00:29:32,880
Speaker 1: ninety six. Uh, my record was doing so good too,

496
00:29:33,600 --> 00:29:35,560
Speaker 1: so Atlantic because you know, people of people know I

497
00:29:35,640 --> 00:29:38,160
Speaker 1: was the first rapper sign the Shade Records. You know

498
00:29:38,160 --> 00:29:41,560
Speaker 1: what I'm saying, I saw it first before d Twill, So, uh,

499
00:29:42,120 --> 00:29:45,160
Speaker 1: I have Atlantic. They wanted to sign me at the time, Um,

500
00:29:45,480 --> 00:29:48,760
Speaker 1: what's this Craig coming? Still there? He's still a Tuesday right,

501
00:29:49,640 --> 00:29:53,880
Speaker 1: still getting that damn money. Comm He's a great guy. Yeah,

502
00:29:54,000 --> 00:29:56,440
Speaker 1: so I was supposed to sign an idea. I signed

503
00:29:56,440 --> 00:30:01,080
Speaker 1: a letter in Tient first, and uh so, I think

504
00:30:01,120 --> 00:30:03,800
Speaker 1: Shady was supposed to be on Atlantic at first. It

505
00:30:03,960 --> 00:30:07,880
Speaker 1: was going through a deal in Atlantic, and you know,

506
00:30:08,040 --> 00:30:11,640
Speaker 1: Jimmy came in and shut that down, you know, because

507
00:30:11,680 --> 00:30:14,000
Speaker 1: you know, because what I heard, it was Jimmy who

508
00:30:14,080 --> 00:30:18,240
Speaker 1: discovered him. Yeah, I mean I discovered them, but it

509
00:30:18,320 --> 00:30:21,479
Speaker 1: was Jimmy who got the tape, gave the tape to Dre.

510
00:30:22,000 --> 00:30:24,320
Speaker 1: This is what I heard. You tell me if I'm wrong, Yeah,

511
00:30:24,360 --> 00:30:26,360
Speaker 1: I think it was. It was. It was just guy

512
00:30:26,480 --> 00:30:32,200
Speaker 1: named Dean who was Okay, who him and DJ are

513
00:30:32,640 --> 00:30:36,720
Speaker 1: Jimmy's nephews. Okay, This is what I heard that he

514
00:30:36,880 --> 00:30:40,640
Speaker 1: played it for Dre and didn't tell him he was white. Yeah,

515
00:30:40,800 --> 00:30:42,880
Speaker 1: so I had to do with Unsigned, hyping Rigs and

516
00:30:42,920 --> 00:30:46,800
Speaker 1: all that. I think. I think even at that time

517
00:30:46,840 --> 00:30:48,800
Speaker 1: it was too rich to look at Unsigned with my brother,

518
00:30:49,320 --> 00:30:57,280
Speaker 1: he was too rich. Pull up onside and even a

519
00:30:57,400 --> 00:30:59,760
Speaker 1: lot of people got signed right off of Unsigned. Here.

520
00:31:00,000 --> 00:31:02,360
Speaker 1: I don't think John may remember rig Riggs became head

521
00:31:02,400 --> 00:31:04,800
Speaker 1: of A and over there at Shady. Yeah, that's probably after.

522
00:31:05,000 --> 00:31:08,360
Speaker 1: I think. I don't think that was it yeah, I

523
00:31:08,400 --> 00:31:10,400
Speaker 1: don't think that was it. I think it was the

524
00:31:10,480 --> 00:31:13,720
Speaker 1: respect that Jimmy half on, like continue in the relationship

525
00:31:14,120 --> 00:31:16,520
Speaker 1: after you know, the firm and things like that, and

526
00:31:17,000 --> 00:31:20,320
Speaker 1: it's basically like, you know what I'm I'm looking out

527
00:31:20,400 --> 00:31:23,680
Speaker 1: for you, but keeping you on after we lost this

528
00:31:23,760 --> 00:31:26,960
Speaker 1: amount of money. Look, basically listened to this guy. So

529
00:31:27,040 --> 00:31:29,440
Speaker 1: we're saying, Jimmy Ivan brought the tape to Dre. That's

530
00:31:29,440 --> 00:31:31,640
Speaker 1: what we're all saying. This is kind of what in

531
00:31:31,760 --> 00:31:35,000
Speaker 1: my mind, this is what the story too. I mean,

532
00:31:35,440 --> 00:31:42,160
Speaker 1: there could be someone else and you know the process,

533
00:31:42,280 --> 00:31:44,760
Speaker 1: but that's what I heard. And then when Drey, I

534
00:31:44,880 --> 00:31:46,960
Speaker 1: was like, yo, I think I like him, and that

535
00:31:47,200 --> 00:31:49,280
Speaker 1: the very last end was the moment where they said

536
00:31:49,320 --> 00:31:51,640
Speaker 1: that he was white. What do you mean he's kept

537
00:31:51,680 --> 00:31:54,160
Speaker 1: the white that's away? Yeah, I mean I believe I

538
00:31:54,600 --> 00:31:57,920
Speaker 1: think the story he's telling. I've seen that on TV. Yeah.

539
00:31:57,920 --> 00:32:06,120
Speaker 1: I definitely scared man, you know definitely, yeah, yeah, yeah, yeah, yeah.

540
00:32:07,360 --> 00:32:10,800
Speaker 1: Those were Dr Dre words. Yeah, exactly exact. Noris so

541
00:32:10,960 --> 00:32:13,959
Speaker 1: hard He's no, he's talking about exactly exactly. I love

542
00:32:14,000 --> 00:32:16,719
Speaker 1: my hip hop gets to be bround. But um, okay,

543
00:32:16,800 --> 00:32:19,400
Speaker 1: so so you said once you knew that once this

544
00:32:19,480 --> 00:32:21,840
Speaker 1: game out, this this is just gonna gonna go. But

545
00:32:21,960 --> 00:32:24,600
Speaker 1: did you know like this a big like this because

546
00:32:24,640 --> 00:32:28,960
Speaker 1: I mayn't come off bro like this motherfucker yeah, um,

547
00:32:29,440 --> 00:32:32,800
Speaker 1: like he can't go outside, like it's different, Like you

548
00:32:32,880 --> 00:32:34,680
Speaker 1: know what, I'm playing people that all the time, like

549
00:32:34,800 --> 00:32:39,520
Speaker 1: Michael Jackson big, Like the other day, I just you know, serious,

550
00:32:39,640 --> 00:32:41,320
Speaker 1: the day I went to the airport, I just you know,

551
00:32:41,360 --> 00:32:44,160
Speaker 1: I just passed. Yeah, you're going to give a fun

552
00:32:44,360 --> 00:32:48,640
Speaker 1: motherfucker looked at me. That cannot bad room. Yeah, but

553
00:32:48,720 --> 00:32:50,760
Speaker 1: you know usually you gotta do like this, you gotta

554
00:32:50,800 --> 00:32:53,840
Speaker 1: you know, like I just you can't do that. If

555
00:32:53,880 --> 00:32:58,040
Speaker 1: you if yep, you can't do that, people just gonna

556
00:32:58,120 --> 00:33:00,600
Speaker 1: run up. Like I go to the mall sometimes to myself,

557
00:33:01,240 --> 00:33:04,080
Speaker 1: like you just can't do that if if you slip shake, No,

558
00:33:04,280 --> 00:33:06,760
Speaker 1: you just can't. Man. I feel sorry for him your

559
00:33:06,840 --> 00:33:11,360
Speaker 1: time because he's like Elvis. He's like the hip hop Elvis. Yeah,

560
00:33:11,760 --> 00:33:16,479
Speaker 1: and that ship is annoy man, not being public anytime

561
00:33:16,520 --> 00:33:18,960
Speaker 1: you try to do it, you know, just to chest

562
00:33:19,000 --> 00:33:22,360
Speaker 1: it out. It's deadly there man. So so rouse the

563
00:33:22,440 --> 00:33:27,440
Speaker 1: five nine, right, because at one point even you guys

564
00:33:27,560 --> 00:33:32,320
Speaker 1: have beef right, huh was because Royce wasn't never part

565
00:33:32,360 --> 00:33:35,440
Speaker 1: of detail. So he was with our earlier MC on

566
00:33:35,640 --> 00:33:37,920
Speaker 1: that didn't have a relationship with y'all me orch with

567
00:33:37,920 --> 00:33:42,120
Speaker 1: the Igh School together. Yeah, anybody in detrading on each other.

568
00:33:44,800 --> 00:33:48,440
Speaker 1: Let's not racist, because I think it's actually true. Look

569
00:33:48,480 --> 00:33:53,760
Speaker 1: ahead with Hi School together and uh, I mean he

570
00:33:53,840 --> 00:33:55,640
Speaker 1: was really known for wrapping back then. He was known

571
00:33:55,720 --> 00:33:59,200
Speaker 1: for like, uh being smart. He just looked like he's smart. No, No,

572
00:33:59,640 --> 00:34:01,400
Speaker 1: he was case you know what I'm saying. He was

573
00:34:01,480 --> 00:34:05,080
Speaker 1: like smart, fighting, fighting, light took he was it was.

574
00:34:05,160 --> 00:34:07,080
Speaker 1: He was in this group called the Park Boys, the

575
00:34:07,200 --> 00:34:16,359
Speaker 1: Park Boys, hanging about the basketball court, beating up parking. Ok. Yeah,

576
00:34:16,640 --> 00:34:19,040
Speaker 1: so that's you know, that's why our history started. And

577
00:34:19,080 --> 00:34:22,680
Speaker 1: then uh, like I think once he graduated, you know,

578
00:34:22,800 --> 00:34:25,920
Speaker 1: he started this group called Wall Street Wall Street, and

579
00:34:26,120 --> 00:34:29,600
Speaker 1: uh that's when he's you know, started hitting the open

580
00:34:29,680 --> 00:34:32,399
Speaker 1: mics and you know, getting around and seeing any ship.

581
00:34:32,560 --> 00:34:35,680
Speaker 1: So and then so him and you how did he

582
00:34:35,800 --> 00:34:38,680
Speaker 1: become a part of uh because because he was down

583
00:34:38,800 --> 00:34:41,000
Speaker 1: with y'all at first? But I know, did he take

584
00:34:41,040 --> 00:34:43,560
Speaker 1: a deal with Tommy Boy? Yeah? Yeah he is? That

585
00:34:43,760 --> 00:34:45,640
Speaker 1: is that what happened that he was down with y'all

586
00:34:45,960 --> 00:34:47,920
Speaker 1: and he took up deal with Tommy Boy, and then

587
00:34:48,000 --> 00:34:51,480
Speaker 1: y'all was like him, like basically he didn't he do

588
00:34:51,520 --> 00:34:54,120
Speaker 1: a couple white man gigs too early on with them

589
00:34:54,239 --> 00:34:56,960
Speaker 1: like a just Man TV spring breaks. I swear I

590
00:34:57,040 --> 00:34:58,919
Speaker 1: saw him a couple he was like, he was hype

591
00:34:58,960 --> 00:35:01,759
Speaker 1: man first and then UM had his own crew called

592
00:35:01,800 --> 00:35:05,319
Speaker 1: Wall Street. He was type man first and then um

593
00:35:05,880 --> 00:35:08,320
Speaker 1: he got to deal with Tommy Boy. So you know,

594
00:35:08,880 --> 00:35:12,239
Speaker 1: because you know what I drink chaps. Yeah, he said,

595
00:35:13,000 --> 00:35:15,719
Speaker 1: the biggest mistake you haven't made but signs of the

596
00:35:15,800 --> 00:35:19,000
Speaker 1: time and he said Dr dre had like a I

597
00:35:19,080 --> 00:35:23,800
Speaker 1: think lesser deal for him. Now that I'm older, I

598
00:35:24,239 --> 00:35:26,000
Speaker 1: can see what he's saying by that. But I can

599
00:35:26,040 --> 00:35:29,640
Speaker 1: see what he's saying bout that because now that I'm older,

600
00:35:29,719 --> 00:35:33,480
Speaker 1: I can see why the beefs it started with us.

601
00:35:34,120 --> 00:35:35,480
Speaker 1: You know what I'm saying that a lot older, I

602
00:35:35,520 --> 00:35:39,640
Speaker 1: can really appreciate it because see what happened was I

603
00:35:39,719 --> 00:35:42,560
Speaker 1: have reached left Tommy Boy. He didn't deal with Columbia

604
00:35:43,520 --> 00:35:49,080
Speaker 1: and Columbia some year so we we were interscope. So

605
00:35:49,400 --> 00:35:52,719
Speaker 1: but I think he was supposed to do Marshall was

606
00:35:52,719 --> 00:35:58,680
Speaker 1: supposed to do so much with his album, like executly producer. Yeah,

607
00:35:58,920 --> 00:36:01,640
Speaker 1: but what I did know that I know now is

608
00:36:01,719 --> 00:36:08,400
Speaker 1: that basically by us being signed to Interscope, Shady, Marshall

609
00:36:08,480 --> 00:36:12,440
Speaker 1: had to look out for us more because to two

610
00:36:12,520 --> 00:36:18,720
Speaker 1: labels to comfort the interest, you know, say the solos. Yeah,

611
00:36:18,800 --> 00:36:22,279
Speaker 1: So like you know, kind of like if if you're

612
00:36:22,320 --> 00:36:24,400
Speaker 1: doing a war show or something, Jimmy might be like, Yogo,

613
00:36:24,840 --> 00:36:33,080
Speaker 1: bring you gotta gotta promo your guys, man, why you ain't? Yeah,

614
00:36:33,200 --> 00:36:36,040
Speaker 1: But us as rappers, we don't know that. I know

615
00:36:36,120 --> 00:36:41,400
Speaker 1: if you're on Death Jam, I'm on fucking Capital, but

616
00:36:42,000 --> 00:36:44,160
Speaker 1: we don't even know that. Our two labels only like

617
00:36:44,280 --> 00:36:47,120
Speaker 1: each other, so they don't want to clear records ship

618
00:36:47,320 --> 00:36:49,480
Speaker 1: and you know what I'm saying. And I think he

619
00:36:49,560 --> 00:36:52,040
Speaker 1: just got kind of caught up in that. So it

620
00:36:52,200 --> 00:36:55,759
Speaker 1: kind of made it looking away like maybe Marshall wasn't

621
00:36:55,800 --> 00:37:00,319
Speaker 1: doing enough, but it was really that pressure were having

622
00:37:00,360 --> 00:37:03,239
Speaker 1: your own label and breaking these cats that it's on

623
00:37:03,360 --> 00:37:06,239
Speaker 1: your label, you know what I'm saying. So I got

624
00:37:06,800 --> 00:37:08,680
Speaker 1: the kind of like started a little the little beef

625
00:37:08,719 --> 00:37:10,680
Speaker 1: and ship because I'm not gonna lie. I would have

626
00:37:10,760 --> 00:37:17,680
Speaker 1: been met personally after U uh, what is it? What's

627
00:37:17,680 --> 00:37:19,920
Speaker 1: the first one who just got over just smoking some

628
00:37:19,960 --> 00:37:26,480
Speaker 1: good weeks? Like he sold so much breakfast Like I

629
00:37:26,520 --> 00:37:28,239
Speaker 1: would have thought he would have never came. I would

630
00:37:28,280 --> 00:37:30,200
Speaker 1: have through it. I went through the detwelve. I was

631
00:37:30,680 --> 00:37:33,600
Speaker 1: never gonna be like invented because I'm just saying the

632
00:37:33,680 --> 00:37:36,600
Speaker 1: nigga So where was that first LP? Like ten million?

633
00:37:38,640 --> 00:37:41,480
Speaker 1: You know what? We almost didn't come out, but we

634
00:37:42,320 --> 00:37:44,920
Speaker 1: came smart rest of the piece to proof he came

635
00:37:45,000 --> 00:37:47,640
Speaker 1: up with this playing like no we we kind of

636
00:37:48,320 --> 00:37:52,399
Speaker 1: looked at this pattern of like rappers that signed um

637
00:37:53,080 --> 00:37:56,120
Speaker 1: other boys they never make it. Like we've seen the

638
00:37:56,239 --> 00:38:00,719
Speaker 1: Nads with the Brave Hearts, Grave Hearts, We've seen all

639
00:38:00,760 --> 00:38:04,640
Speaker 1: these crews, like the crews falling. So when we got

640
00:38:04,680 --> 00:38:07,240
Speaker 1: ready to come out, we had we had a big dilemma.

641
00:38:07,800 --> 00:38:09,799
Speaker 1: What song was gonna put out. It was either gonna

642
00:38:09,800 --> 00:38:12,760
Speaker 1: be Purple Pills or the song called Ship could happen.

643
00:38:13,560 --> 00:38:16,200
Speaker 1: It was some street song, you know, because Trade, I

644
00:38:16,239 --> 00:38:19,279
Speaker 1: mean Detil was really some street niggers. So we had

645
00:38:19,320 --> 00:38:21,640
Speaker 1: to make it make a decision because the group on filips,

646
00:38:21,680 --> 00:38:24,319
Speaker 1: so who went with Purple Pills? I said, Purple pills, right,

647
00:38:24,360 --> 00:38:30,759
Speaker 1: decision continue, continue the scammed in the art for that

648
00:38:30,920 --> 00:38:40,120
Speaker 1: final you know, no, that was purple I don't know

649
00:38:40,800 --> 00:38:44,200
Speaker 1: what I mean, he should that was our first thing.

650
00:38:44,239 --> 00:38:47,839
Speaker 1: I shoot you before listening. Scam also did the drink

651
00:38:47,920 --> 00:38:51,160
Speaker 1: chains of stuff for us, so you come come help

652
00:38:51,200 --> 00:38:52,799
Speaker 1: me out when you know I do a lot of drugs, man.

653
00:38:52,960 --> 00:38:57,279
Speaker 1: So the purple pills purple pills. So yeah, so we

654
00:38:57,320 --> 00:38:59,640
Speaker 1: had the choice between she could happen and purple pillers.

655
00:39:00,400 --> 00:39:02,759
Speaker 1: It was divided to do a vote system, so I

656
00:39:02,880 --> 00:39:07,640
Speaker 1: think so I'm not gonna call me anything swiftly, uh

657
00:39:07,840 --> 00:39:11,719
Speaker 1: Conniver and US supporter. I think they wanted can happen

658
00:39:12,400 --> 00:39:17,640
Speaker 1: me proof m wanted purple pills me doctor Dray with

659
00:39:17,719 --> 00:39:19,759
Speaker 1: the final vote. Okay, but what is the purple pill?

660
00:39:19,880 --> 00:39:28,279
Speaker 1: Let's just I'm just sure this is what it was.

661
00:39:28,680 --> 00:39:31,440
Speaker 1: The clarify. You know what I'm saying, That's what the clarifier.

662
00:39:31,880 --> 00:39:35,399
Speaker 1: So okay, hear w pills come out? Okay, right, it's

663
00:39:35,400 --> 00:39:39,080
Speaker 1: because you know, Kris One said something very strong back

664
00:39:39,120 --> 00:39:41,720
Speaker 1: in the days. He said, watch what you say because

665
00:39:41,760 --> 00:39:45,640
Speaker 1: you attracted. Oh yeah, that's so. I imagine when y'all

666
00:39:45,680 --> 00:39:49,440
Speaker 1: perform purple pills there was all kind of actually being

667
00:39:49,480 --> 00:39:53,480
Speaker 1: all at you guys, like I just see that. Let's

668
00:39:53,520 --> 00:39:57,040
Speaker 1: bee what you just said. Because we have a large

669
00:39:57,120 --> 00:40:00,200
Speaker 1: fan base of mental health. Oh I didn't mean to

670
00:40:00,239 --> 00:40:07,239
Speaker 1: go there. I meant to go yeah, yeah, literally the same.

671
00:40:07,320 --> 00:40:08,600
Speaker 1: But I can see what you were like, do it

672
00:40:08,719 --> 00:40:12,719
Speaker 1: with mental health issues? With mental health fans? Oh wow,

673
00:40:12,760 --> 00:40:16,800
Speaker 1: I'm saying that issues. They really believe ship that we

674
00:40:17,120 --> 00:40:21,640
Speaker 1: you know what I'm saying drug fans for that for now,

675
00:40:21,960 --> 00:40:28,560
Speaker 1: get that it's very hot, very hot. But I mean

676
00:40:29,400 --> 00:40:31,920
Speaker 1: I mean, yeah, yeah, that's drug. The drug. Because you

677
00:40:32,040 --> 00:40:35,200
Speaker 1: know me, I spoke a out of Malwan. So when

678
00:40:35,239 --> 00:40:38,480
Speaker 1: I go to the cups. At first I first came out,

679
00:40:38,680 --> 00:40:40,719
Speaker 1: they would throw weed at me and I would feel

680
00:40:40,719 --> 00:40:44,080
Speaker 1: like a stripper. But the fuck you throwing weed at

681
00:40:44,160 --> 00:40:45,920
Speaker 1: me for but I'm taking it up and put it

682
00:40:46,000 --> 00:40:49,000
Speaker 1: in my pocket, like yo, don't do that no more,

683
00:40:49,719 --> 00:40:53,360
Speaker 1: I ain't. They don't get it, and they're going to

684
00:40:53,440 --> 00:40:57,080
Speaker 1: the side. I'm like, yeah, so but you know, that's

685
00:40:57,120 --> 00:41:02,160
Speaker 1: what I said. That's what I said. That's what I said,

686
00:41:02,360 --> 00:41:05,000
Speaker 1: and it's what it So I would like to know

687
00:41:05,200 --> 00:41:10,040
Speaker 1: the purple pill. Okay, Broum, And this is the height

688
00:41:10,120 --> 00:41:12,759
Speaker 1: of accident too. Yeah. This, in fact, I had a

689
00:41:12,840 --> 00:41:18,560
Speaker 1: couple of purple pills. I want you to describe coming

690
00:41:18,600 --> 00:41:21,320
Speaker 1: to the show man just wild man, I just I

691
00:41:21,440 --> 00:41:25,719
Speaker 1: just seen some wild ship man. Like I remember one show,

692
00:41:27,040 --> 00:41:28,919
Speaker 1: this captain is trying to get my attention to using

693
00:41:28,920 --> 00:41:32,879
Speaker 1: the audience like bar I love you bizarre. I'm like yeah, yeah,

694
00:41:33,400 --> 00:41:35,960
Speaker 1: He's like, but I love you. I was like yeah,

695
00:41:36,200 --> 00:41:37,759
Speaker 1: and then he was like, I want show you how

696
00:41:37,840 --> 00:41:43,320
Speaker 1: much I love you, And I was so four y'ars

697
00:41:43,440 --> 00:41:45,480
Speaker 1: came on and it was a big ass mos pit.

698
00:41:46,040 --> 00:41:50,680
Speaker 1: He looked me, damn my eyes and let itself on

699
00:41:50,800 --> 00:41:59,200
Speaker 1: fred Ship. Who don't know if he's all, yeah, let's

700
00:41:59,200 --> 00:42:06,719
Speaker 1: make some noise. But time you've always been like, for

701
00:42:06,920 --> 00:42:11,480
Speaker 1: lack of a better reference, the ODB. Yeah, you can

702
00:42:11,520 --> 00:42:14,360
Speaker 1: see it like the od B of the of the

703
00:42:14,440 --> 00:42:18,120
Speaker 1: group you've been up. I don't know if you're trying

704
00:42:18,160 --> 00:42:20,920
Speaker 1: to be the standout, just just the standout, like from

705
00:42:20,960 --> 00:42:25,200
Speaker 1: the shower cap you survived to the you know was

706
00:42:25,239 --> 00:42:28,319
Speaker 1: a joker. It was yeah, we was going we're doing

707
00:42:28,360 --> 00:42:31,680
Speaker 1: our first show at the Lyrics Lounge tour. There was yeah,

708
00:42:32,120 --> 00:42:34,719
Speaker 1: and we had just got signed and uh, we're just

709
00:42:34,800 --> 00:42:38,239
Speaker 1: in Milwaukee, and I was in the bathroom, like, okay

710
00:42:38,239 --> 00:42:41,680
Speaker 1: about the Goring stage is you know, it's six niggers

711
00:42:41,719 --> 00:42:45,280
Speaker 1: on the stage talking. I'd be different, six niggas and Babel.

712
00:42:46,160 --> 00:42:48,520
Speaker 1: So I had to through this little little cheapass shower

713
00:42:48,600 --> 00:42:53,560
Speaker 1: captain and the little cheap motails like defense Ry Jerry

714
00:42:55,040 --> 00:42:57,680
Speaker 1: Jerry Card. So I came out to the lobby just

715
00:42:57,800 --> 00:43:00,800
Speaker 1: for a joke, you know, on a Ranks the comedian,

716
00:43:01,440 --> 00:43:05,080
Speaker 1: and uh, everybody started laughing, and uh, Mark La Belle,

717
00:43:05,120 --> 00:43:07,799
Speaker 1: even his road manager was like, yo, that ships hot.

718
00:43:08,680 --> 00:43:11,200
Speaker 1: That ships hot. And then the next show I did,

719
00:43:12,080 --> 00:43:15,200
Speaker 1: they had like a box with forty shower cap you know,

720
00:43:15,320 --> 00:43:22,440
Speaker 1: over two thousand shower caps. Goddamn have some cars. Just

721
00:43:22,480 --> 00:43:24,520
Speaker 1: remember back in the day when they're I know you

722
00:43:24,520 --> 00:43:28,560
Speaker 1: remember this era, the throwback Jersey's yea, yeah, we was

723
00:43:28,600 --> 00:43:30,960
Speaker 1: obsessed with still right now. Yeah. I used to go

724
00:43:31,080 --> 00:43:38,000
Speaker 1: to Philly trying to find yeah so in shower caps,

725
00:43:38,280 --> 00:43:42,960
Speaker 1: the match whatever Jersey and so yeah, that's how serious was.

726
00:43:43,360 --> 00:43:44,719
Speaker 1: I don't even know it like that. One time I

727
00:43:44,800 --> 00:43:48,160
Speaker 1: came to a video shoot and I have it on

728
00:43:48,280 --> 00:43:51,800
Speaker 1: me and Marshall was like, yo, he was na, what

729
00:43:52,120 --> 00:43:53,840
Speaker 1: do we be a shower cap b It's like, I

730
00:43:53,920 --> 00:43:56,280
Speaker 1: was like, what I ain't wear? Did they like gospace

731
00:43:56,320 --> 00:43:59,239
Speaker 1: without Jersey? Go? Yeah, go get the shower caps. So

732
00:43:59,320 --> 00:44:01,040
Speaker 1: we have to go back to going to the Sharon

733
00:44:01,120 --> 00:44:05,640
Speaker 1: Ke because they feeling that ship one of these songs

734
00:44:05,719 --> 00:44:08,800
Speaker 1: that just heard Marshall He's like described how like he

735
00:44:08,880 --> 00:44:14,560
Speaker 1: wouldn't do another detwelve record anymore record anymore? How did

736
00:44:14,640 --> 00:44:17,279
Speaker 1: you feel when you heard that? Because I know personally

737
00:44:18,080 --> 00:44:20,680
Speaker 1: he probably discussed that what you guys. I don't know

738
00:44:20,760 --> 00:44:22,640
Speaker 1: if he did, if he didn't, but it seems like

739
00:44:23,000 --> 00:44:25,280
Speaker 1: personally discussed that with y'all. But this is the first

740
00:44:25,320 --> 00:44:33,800
Speaker 1: time he's saying it publicly. Yeah like that. Okay, I

741
00:44:33,920 --> 00:44:36,080
Speaker 1: heard the record before came out. I don't get the

742
00:44:36,120 --> 00:44:40,480
Speaker 1: other Fellers hurder, but mean Mr Porter hearder. Uh. I

743
00:44:40,560 --> 00:44:43,279
Speaker 1: thought it was cool, man. I think you know, I

744
00:44:43,360 --> 00:44:46,640
Speaker 1: think D twelve kind of you know, got really damping

745
00:44:46,760 --> 00:44:49,920
Speaker 1: when uh the proof passed away, you know, because that

746
00:44:50,080 --> 00:44:53,200
Speaker 1: was his baby, that was his thing. But when you

747
00:44:53,239 --> 00:44:55,479
Speaker 1: say his baby too up this that was Poof's baby

748
00:44:55,560 --> 00:44:59,200
Speaker 1: being in detwelve. Yea, he kept together. He was a

749
00:44:59,239 --> 00:45:03,040
Speaker 1: general yeah, you know, proof like his belief even if

750
00:45:03,320 --> 00:45:05,719
Speaker 1: like kept everybody aligned like his beliefs and ship that

751
00:45:06,040 --> 00:45:09,319
Speaker 1: he do like the ship like ship the proof. Dude,

752
00:45:09,440 --> 00:45:11,560
Speaker 1: I don't think nobody whatever, like no group would ever

753
00:45:11,640 --> 00:45:14,279
Speaker 1: do that. You have this thing in our group. Like,

754
00:45:14,880 --> 00:45:18,240
Speaker 1: no matter what you do, you should get the same publishing.

755
00:45:18,800 --> 00:45:20,840
Speaker 1: So if you write the hook to the beat, we

756
00:45:21,000 --> 00:45:23,480
Speaker 1: all split the publics from the same. That makes it

757
00:45:23,520 --> 00:45:26,200
Speaker 1: a lot easier instead of fighting them bickering over records.

758
00:45:26,360 --> 00:45:28,320
Speaker 1: But how mean you know what I'm saying, like you

759
00:45:28,400 --> 00:45:32,640
Speaker 1: really got you know what, you gotta be really a tightening.

760
00:45:32,800 --> 00:45:38,320
Speaker 1: You gotta be no rest of peace proof And I

761
00:45:38,600 --> 00:45:50,239
Speaker 1: do this proof that's come on, that's now what I

762
00:45:50,400 --> 00:45:57,799
Speaker 1: just drink somebody's spirits in that mother, you've always never

763
00:45:57,840 --> 00:46:06,839
Speaker 1: been drunk before, Okay, so just take them on. It's

764
00:46:08,960 --> 00:46:14,600
Speaker 1: obviously we all say eight mile, right. We also eight

765
00:46:15,480 --> 00:46:19,120
Speaker 1: break it out and we all saw this wonderful moment.

766
00:46:19,920 --> 00:46:24,920
Speaker 1: Oh you know, uh what what what's what's this guy's

767
00:46:25,000 --> 00:46:29,279
Speaker 1: man name that he'd beat and um and they got

768
00:46:29,320 --> 00:46:31,120
Speaker 1: the meme moming right now with the canding on it.

769
00:46:31,840 --> 00:46:37,360
Speaker 1: Oh ship in the moment and in U what's the

770
00:46:39,840 --> 00:46:42,960
Speaker 1: So there's a meme right now going on because as

771
00:46:43,480 --> 00:46:45,600
Speaker 1: I'm gonna tell my kids this is this is Poper

772
00:46:45,680 --> 00:46:50,960
Speaker 1: Dollar and the Free World. In the free world. Okay,

773
00:46:51,360 --> 00:46:54,680
Speaker 1: in the free world, Okay, it's real life. Who is

774
00:46:54,800 --> 00:47:00,200
Speaker 1: POPA Dot in the free World? Oh and real? Like, like,

775
00:47:00,280 --> 00:47:05,720
Speaker 1: how accurate is eight? Especially that part? Pretty pretty bad radcrew?

776
00:47:06,360 --> 00:47:09,759
Speaker 1: So that was a whole another dude, Like, basically what

777
00:47:09,880 --> 00:47:13,799
Speaker 1: Papa Dot is a symbol of like and basically back

778
00:47:13,840 --> 00:47:17,080
Speaker 1: in Saint Andrew's days, you had to belong to a crew,

779
00:47:17,680 --> 00:47:20,640
Speaker 1: a crew. So Papa Dot to me is like a

780
00:47:20,760 --> 00:47:23,600
Speaker 1: rap crew, you know what, their boys and you're in

781
00:47:23,640 --> 00:47:25,600
Speaker 1: the crew basically your group, and they fight with you.

782
00:47:26,200 --> 00:47:27,640
Speaker 1: You know what I'm saying that they're like a gang

783
00:47:27,840 --> 00:47:30,560
Speaker 1: because Papa Dot can have a crew and then did.

784
00:47:30,960 --> 00:47:34,400
Speaker 1: Basically I'm saying Papa Dot the image stuff of I

785
00:47:34,480 --> 00:47:36,319
Speaker 1: think what they were trying to point was like how

786
00:47:36,920 --> 00:47:41,160
Speaker 1: how Detroit hip hop was with different crews. Like if

787
00:47:41,200 --> 00:47:43,800
Speaker 1: you feel like if you was a dope rapper, what

788
00:47:43,920 --> 00:47:47,320
Speaker 1: you are what I'm saying like, you came to Detroit,

789
00:47:47,440 --> 00:47:49,840
Speaker 1: you was brand new. You came to Saint Andrew and

790
00:47:49,920 --> 00:47:53,399
Speaker 1: they're like, yo, when you're from you know you queens man?

791
00:47:53,520 --> 00:47:56,640
Speaker 1: You know what I'm saying it's signing up. Yeah. So basically,

792
00:47:57,040 --> 00:47:59,200
Speaker 1: eventually you would have to choose a crew. So you're

793
00:47:59,200 --> 00:48:03,160
Speaker 1: saying that that that represents oh ship, hold on, hold on,

794
00:48:03,520 --> 00:48:07,440
Speaker 1: robots calling you Stevie J. You live on the podcast

795
00:48:07,520 --> 00:48:12,839
Speaker 1: and live on drink Chance made some nory stee boy.

796
00:48:13,320 --> 00:48:21,879
Speaker 1: You have to be still here and that's the water. Yeah,

797
00:48:21,880 --> 00:48:25,799
Speaker 1: I'm righting me on my show. Promise you that's walk

798
00:48:25,880 --> 00:48:30,239
Speaker 1: into my bad total people got damn't take that my mouth.

799
00:48:31,239 --> 00:48:33,239
Speaker 1: I got you good. Look at my brother this I got.

800
00:48:33,960 --> 00:48:38,359
Speaker 1: I gotta im that I needed your favorite phe I'm

801
00:48:38,400 --> 00:48:42,360
Speaker 1: so into this substance you're talking about, right, So you

802
00:48:42,400 --> 00:48:44,520
Speaker 1: basically had the chruth. You know, you have to chop

803
00:48:45,400 --> 00:48:48,880
Speaker 1: what was this called Papa Dock in the mere running

804
00:48:48,880 --> 00:48:52,480
Speaker 1: out of the okay, so so free will So like

805
00:48:52,640 --> 00:48:54,800
Speaker 1: all right, So basically what I'm saying like that that

806
00:48:55,000 --> 00:48:58,600
Speaker 1: was real, Like m the little crew you like, that's real,

807
00:48:58,719 --> 00:49:02,000
Speaker 1: Like everybody had a it had to be about thirty crewise.

808
00:49:02,040 --> 00:49:05,440
Speaker 1: They can signify a bunch of people. Yeah. Yeah. Basically,

809
00:49:05,480 --> 00:49:08,120
Speaker 1: so like us, a new rapper, you got to get

810
00:49:08,160 --> 00:49:10,759
Speaker 1: recruited to being the cruise. Papa Dock in the free

811
00:49:10,800 --> 00:49:13,520
Speaker 1: world to me, was just another clip the season crew.

812
00:49:14,120 --> 00:49:17,360
Speaker 1: It was defending, but they're not real that. That's not

813
00:49:17,400 --> 00:49:19,800
Speaker 1: a real popa doctor. I think I think I know

814
00:49:19,840 --> 00:49:25,200
Speaker 1: where they were they were going with it. Okay, shout

815
00:49:25,320 --> 00:49:29,480
Speaker 1: to the free world. So I want you to describe

816
00:49:29,560 --> 00:49:35,080
Speaker 1: Detroit for a second, okay, like because I mean anyway,

817
00:49:35,160 --> 00:49:38,279
Speaker 1: because I see a lot of people don't understand the

818
00:49:38,440 --> 00:49:43,239
Speaker 1: eight miles seven miles they actually motor city thing. They

819
00:49:43,280 --> 00:49:46,160
Speaker 1: don't really really get it, like like you know, um,

820
00:49:46,760 --> 00:49:52,319
Speaker 1: I don't got what trick trick One time, many times

821
00:49:52,440 --> 00:49:55,719
Speaker 1: one of my first times hanging out trick, Um, I

822
00:49:55,800 --> 00:49:58,480
Speaker 1: had to be confused with Trick Daddy from Miami's Trick

823
00:49:58,560 --> 00:50:03,919
Speaker 1: Daddy from Miami. Both I both tricks. Um uh, I'm

824
00:50:04,520 --> 00:50:09,719
Speaker 1: I'm in Detroit. Um, I'm in Detroit. He hang, I

825
00:50:09,760 --> 00:50:13,680
Speaker 1: got my show we hang out, and I totally forgot

826
00:50:13,920 --> 00:50:16,040
Speaker 1: and I took the shows. I was out doing this role.

827
00:50:16,360 --> 00:50:18,680
Speaker 1: Get the name of this movie. It's terrible that just

828
00:50:19,000 --> 00:50:21,440
Speaker 1: you should put up this bigart you were doing. I

829
00:50:21,520 --> 00:50:25,080
Speaker 1: know that's that's that was an Amazon H know it's

830
00:50:25,600 --> 00:50:28,360
Speaker 1: trick trick trickers in there, and um what Harrison is

831
00:50:28,400 --> 00:50:33,640
Speaker 1: in there too? From Joey Roll Joe Roy Yeah, Joe Right.

832
00:50:33,760 --> 00:50:39,480
Speaker 1: So I'm out there and in my scene like these

833
00:50:39,640 --> 00:50:42,080
Speaker 1: these gangsters is supposed to like run up on me

834
00:50:42,560 --> 00:50:44,759
Speaker 1: and I'm supposed to back up down like yo up

835
00:50:44,840 --> 00:50:46,680
Speaker 1: things because I'm not supposed to be there. But the

836
00:50:46,760 --> 00:50:50,200
Speaker 1: crazy ship is the guy that the guy against me.

837
00:50:50,360 --> 00:50:56,160
Speaker 1: It's from the Straights and the people that got dude,

838
00:50:57,640 --> 00:50:59,520
Speaker 1: like every train tastes like, oh my god, I'm not

839
00:50:59,600 --> 00:51:02,920
Speaker 1: so weird. Look what the fun left. Figure out your

840
00:51:03,040 --> 00:51:05,000
Speaker 1: dudes are real actors and the dudes that are coming

841
00:51:05,040 --> 00:51:09,920
Speaker 1: against you. Oh, I called you immediately. I said, hey,

842
00:51:10,800 --> 00:51:13,239
Speaker 1: we gotta gotta resplaction and place these people that it's

843
00:51:13,280 --> 00:51:18,680
Speaker 1: here's an authenticity aticity. He was doing like fifteen I

844
00:51:18,880 --> 00:51:21,320
Speaker 1: keep you not maybe twenty minutes the most, and he's like,

845
00:51:21,360 --> 00:51:22,719
Speaker 1: I'm on the other side of the town. I was

846
00:51:22,800 --> 00:51:26,239
Speaker 1: just like, man, he come like, I don't think about

847
00:51:26,360 --> 00:51:28,239
Speaker 1: I don't know if I remember I said send people.

848
00:51:28,760 --> 00:51:31,400
Speaker 1: Oh he said not nor I'm coming myself be And

849
00:51:31,480 --> 00:51:33,880
Speaker 1: it wasn't like no danger because you know now you

850
00:51:34,000 --> 00:51:35,719
Speaker 1: just wanted them. It just was like it just was

851
00:51:35,800 --> 00:51:37,640
Speaker 1: like yo, I could like I kid you not In

852
00:51:37,719 --> 00:51:40,120
Speaker 1: between texts these guys and they're supposed to be from Detroit.

853
00:51:40,160 --> 00:51:42,719
Speaker 1: I was just so offended. I was like, no, I'm

854
00:51:42,719 --> 00:51:45,600
Speaker 1: gonna from I'm gonna be the only fake person that's

855
00:51:45,640 --> 00:51:48,480
Speaker 1: not from Detroita. What I'm saying like fake Detroit like

856
00:51:48,600 --> 00:51:52,360
Speaker 1: everyone else. I want authentic Detroit and came through. So

857
00:51:53,320 --> 00:51:55,080
Speaker 1: I said, I don't want you to describe the a

858
00:51:55,160 --> 00:51:58,120
Speaker 1: little bit for these people. Like people don't understand and

859
00:51:58,760 --> 00:52:04,400
Speaker 1: it's obviously Michigan crisis going on. They're telling me right

860
00:52:04,440 --> 00:52:07,560
Speaker 1: now that Detroit is being affected the same way a

861
00:52:07,640 --> 00:52:10,200
Speaker 1: lot of other cities are as well. I don't know

862
00:52:10,360 --> 00:52:13,600
Speaker 1: what that Detroit got doing. The cleanest water in the world,

863
00:52:13,760 --> 00:52:15,759
Speaker 1: get out of here. We used to, yeah, weed to

864
00:52:16,080 --> 00:52:19,279
Speaker 1: sell out water to Flint, and then they got cheap

865
00:52:20,000 --> 00:52:23,200
Speaker 1: and cut cut their block supply of from US and

866
00:52:23,239 --> 00:52:26,040
Speaker 1: they started their government. Yeah, they went out there trying

867
00:52:26,080 --> 00:52:31,000
Speaker 1: to open up the old pipes that they had years.

868
00:52:31,400 --> 00:52:33,760
Speaker 1: That's how they end up getting them to that government.

869
00:52:33,840 --> 00:52:37,839
Speaker 1: Nigga like, I didn't see this ship. He's from from

870
00:52:37,880 --> 00:52:42,000
Speaker 1: Flint to John Connor. So do they funk? They shut

871
00:52:42,080 --> 00:52:44,439
Speaker 1: up because they don't want to keep working with y'all. Yeah,

872
00:52:45,719 --> 00:52:47,719
Speaker 1: I'm not gonna lie. I'm not gonna lie to you.

873
00:52:48,640 --> 00:52:51,000
Speaker 1: I don't remember how many years this was. And I

874
00:52:51,120 --> 00:52:54,640
Speaker 1: was traveling through Detroit and I had to show. First off,

875
00:52:54,719 --> 00:52:56,600
Speaker 1: I think it was in the St. Andrews. I had

876
00:52:56,640 --> 00:53:00,319
Speaker 1: to show and most of the gainst this nigga came

877
00:53:00,360 --> 00:53:02,920
Speaker 1: out and there was no security. And this is the

878
00:53:03,000 --> 00:53:05,080
Speaker 1: first time I quoted about it, like you know, like

879
00:53:05,600 --> 00:53:09,280
Speaker 1: maybe you see that security, like it was someone smoke

880
00:53:09,320 --> 00:53:17,000
Speaker 1: And I was just like, yo, and it's not. And

881
00:53:17,200 --> 00:53:21,000
Speaker 1: I drove to my hotel. And as I drove to

882
00:53:21,080 --> 00:53:24,479
Speaker 1: my hotel, I can see I can see them bright

883
00:53:24,560 --> 00:53:29,719
Speaker 1: as ship, Like whoa, it's crazy. Then I'm like, I

884
00:53:29,840 --> 00:53:34,640
Speaker 1: need some swishes. I'm gonna split up real looms, Like alright, cool,

885
00:53:35,080 --> 00:53:39,960
Speaker 1: we turned to go get two blocks away, two blocks away,

886
00:53:40,440 --> 00:53:44,800
Speaker 1: pitts black. You know exactly what you're saying, black, to

887
00:53:44,920 --> 00:53:49,200
Speaker 1: get to to get to the street. Nothing nothing, the

888
00:53:49,280 --> 00:53:52,719
Speaker 1: most scary sit you ever seen. Scarious. You haven't see

889
00:53:52,760 --> 00:53:54,920
Speaker 1: two o'clock in the morning, my dude, like not just

890
00:53:56,520 --> 00:53:58,359
Speaker 1: having a driver, you don't got you know, you don't

891
00:53:58,400 --> 00:54:01,040
Speaker 1: got your you didn't call your checks, you didn't cool you.

892
00:54:02,040 --> 00:54:03,879
Speaker 1: I'm trying to boys, and I ain't call all these dudes,

893
00:54:03,920 --> 00:54:07,000
Speaker 1: something's out there, just don't know. With the driving and ship.

894
00:54:07,080 --> 00:54:09,440
Speaker 1: He's like, you're good like and you're just driving to

895
00:54:10,520 --> 00:54:12,560
Speaker 1: and then you go from a casino where you know

896
00:54:12,680 --> 00:54:14,640
Speaker 1: we see those bright lights everywhere. That's the thing is

897
00:54:15,000 --> 00:54:18,319
Speaker 1: it wakes you up and then just two blocks so baby,

898
00:54:18,360 --> 00:54:20,680
Speaker 1: two miles. I'm not sure, but it felt like two

899
00:54:20,800 --> 00:54:25,239
Speaker 1: centuries like you're driving do and then you get out

900
00:54:25,280 --> 00:54:28,279
Speaker 1: of it bold and then like it's back to like

901
00:54:28,360 --> 00:54:33,279
Speaker 1: civilization like that. Is that not crazy? I'm not, First

902
00:54:33,320 --> 00:54:35,440
Speaker 1: of all, I'm not I'm not lying at all. You

903
00:54:35,560 --> 00:54:39,080
Speaker 1: know what I'm talking about. Yeah, it's got this this

904
00:54:39,239 --> 00:54:43,080
Speaker 1: thing out. They're called the green light green light and uh, basically,

905
00:54:43,120 --> 00:54:47,160
Speaker 1: if you're a business, you can um, you can get

906
00:54:47,200 --> 00:54:50,600
Speaker 1: the green light um in your business and then it

907
00:54:51,000 --> 00:54:54,200
Speaker 1: collects go straight to the police, but I think calls

908
00:54:54,280 --> 00:54:57,040
Speaker 1: like ten to give you something like an alarm. Yeah,

909
00:54:57,160 --> 00:54:58,840
Speaker 1: to the police station. But if you don't got it

910
00:55:00,400 --> 00:55:05,600
Speaker 1: because the precincts shut down earlier Detroit, Yeah, man power,

911
00:55:07,360 --> 00:55:10,080
Speaker 1: so people see that your out of the green light

912
00:55:10,120 --> 00:55:16,400
Speaker 1: and your business it's a green light on you. I'm

913
00:55:16,400 --> 00:55:19,080
Speaker 1: gonna tell you another thing. What's the hotel that's famous

914
00:55:19,160 --> 00:55:22,320
Speaker 1: and it's outside when you're going like it's outside, it's inside.

915
00:55:22,680 --> 00:55:25,080
Speaker 1: Like when you you check in and you go to

916
00:55:25,160 --> 00:55:28,399
Speaker 1: your rooms, like the red of Science Building or something

917
00:55:29,560 --> 00:55:35,520
Speaker 1: you talk about, it's like you know, you what, yeah,

918
00:55:35,760 --> 00:55:38,040
Speaker 1: And when you go to your rooms, you can see

919
00:55:38,080 --> 00:55:42,359
Speaker 1: your homeboy because he's outside. It's a real on the outside. Well,

920
00:55:43,560 --> 00:55:46,719
Speaker 1: I'm gonna figure this out. I don't want mc sweeties. No,

921
00:55:48,239 --> 00:55:51,839
Speaker 1: it's like a Detroit hotel. At least it was there. Well,

922
00:55:51,920 --> 00:55:54,440
Speaker 1: me and my one boy had a glass fight or whatever. Right,

923
00:55:54,520 --> 00:55:57,520
Speaker 1: that's beside the point. He had a glass fight because

924
00:55:57,600 --> 00:56:00,560
Speaker 1: he thinks we was getting off the little bit and

925
00:56:00,680 --> 00:56:02,480
Speaker 1: he just broke my glass. He just walked away and

926
00:56:02,600 --> 00:56:04,520
Speaker 1: he didn't say nothing. So I'm just like I just

927
00:56:04,560 --> 00:56:06,719
Speaker 1: looked at whoever had room service on the floor. I

928
00:56:06,800 --> 00:56:08,319
Speaker 1: picked it up and just do it at But he's

929
00:56:08,320 --> 00:56:13,960
Speaker 1: on the other side of the hallway right anyway, Yeah, yeah,

930
00:56:17,840 --> 00:56:20,560
Speaker 1: so here's a crazy ship. We have a glass but

931
00:56:20,719 --> 00:56:23,440
Speaker 1: he walks in my room were we're not trying to

932
00:56:23,520 --> 00:56:25,399
Speaker 1: hit each other, but we're coming close to each other

933
00:56:25,520 --> 00:56:27,719
Speaker 1: like the own purpose, right, But like we had to

934
00:56:27,800 --> 00:56:32,200
Speaker 1: like into politically conversation with each other. And anyway, so

935
00:56:32,320 --> 00:56:34,360
Speaker 1: he comes to my room. Were like, yeah, we're definitely

936
00:56:34,400 --> 00:56:36,120
Speaker 1: gonna get kicked out. He comes into my room with

937
00:56:36,200 --> 00:56:38,920
Speaker 1: his bags. I'm like, yes, I'm already packing my ship

938
00:56:39,120 --> 00:56:41,520
Speaker 1: like that coming at some point. Right we turned on

939
00:56:41,600 --> 00:56:47,200
Speaker 1: the TV the at a twenty peore our Murder Chad

940
00:56:47,480 --> 00:56:52,520
Speaker 1: like like they had First twenty eight before First twenty eight.

941
00:56:52,880 --> 00:56:58,920
Speaker 1: I promise you my nig, like listen they had if

942
00:56:58,960 --> 00:57:02,319
Speaker 1: you see you, Jeff Brandon, she said, up said she's

943
00:57:02,360 --> 00:57:04,680
Speaker 1: wanted for murder. I know you're talking about Late Night too.

944
00:57:05,080 --> 00:57:08,759
Speaker 1: Late Night give you like they just they just show

945
00:57:08,840 --> 00:57:11,400
Speaker 1: you everything that's one of murder. You're like, you give

946
00:57:11,440 --> 00:57:15,320
Speaker 1: me out of Detroit and me, oh my god, like

947
00:57:15,520 --> 00:57:23,920
Speaker 1: everybody's out here on the show. Well oh god, but okay,

948
00:57:24,000 --> 00:57:27,840
Speaker 1: so yeah, but so and is it really that because

949
00:57:27,880 --> 00:57:32,160
Speaker 1: they say it's so cold and indeed, yeah, those home

950
00:57:32,200 --> 00:57:35,280
Speaker 1: girls names did that song I don't even remember. Damn,

951
00:57:35,880 --> 00:57:38,720
Speaker 1: you're trying to come back to your Detroit, your Detroit past.

952
00:57:38,800 --> 00:57:41,400
Speaker 1: It's crazy. Remember the whole girl there now it was

953
00:57:41,400 --> 00:57:45,000
Speaker 1: like a viral thing. That's she tried to come back.

954
00:57:45,000 --> 00:57:47,240
Speaker 1: I think she tried to do a part two. You know,

955
00:57:48,720 --> 00:57:53,040
Speaker 1: what's her name? Has come team baby baby everywhere. When

956
00:57:53,240 --> 00:57:55,720
Speaker 1: you know that it's so she thought it was hot,

957
00:57:56,040 --> 00:58:00,160
Speaker 1: you know what I'm saying. So the girls called him.

958
00:58:00,160 --> 00:58:03,360
Speaker 1: Now you're part of this legendary group. You guys do

959
00:58:03,560 --> 00:58:07,480
Speaker 1: these records. You guys do these albums. You tour, you

960
00:58:07,640 --> 00:58:11,080
Speaker 1: do the shower Cat. Now it's coming to the heartwatt

961
00:58:11,800 --> 00:58:16,840
Speaker 1: back to you, but you go back to you? What

962
00:58:17,080 --> 00:58:22,040
Speaker 1: is the feeling like? Um? She and a lot more

963
00:58:22,160 --> 00:58:25,520
Speaker 1: hard work you know about You know, I knew, I

964
00:58:25,600 --> 00:58:28,360
Speaker 1: knew my position. You know what I'm saying. Just be bizarre,

965
00:58:29,080 --> 00:58:34,600
Speaker 1: but uh, one verse to keep. Yeah, go on, go

966
00:58:34,800 --> 00:58:37,240
Speaker 1: do the study or whatever. But then I I sign

967
00:58:37,280 --> 00:58:41,400
Speaker 1: my first solo deal with this label called The Sanctuary.

968
00:58:42,280 --> 00:58:47,439
Speaker 1: Matthew knows. I say, Daddy signed me. You. Matthew knows.

969
00:58:51,240 --> 00:58:58,000
Speaker 1: Mathews out here while man writing, Well, Matthew knows, calmed down, man,

970
00:58:59,440 --> 00:59:04,160
Speaker 1: you're the home you called him and him and his

971
00:59:04,320 --> 00:59:06,880
Speaker 1: uh this cat named Max Goose. I gotta just act

972
00:59:07,200 --> 00:59:10,600
Speaker 1: hoge man, how does this happen? Matthew knows. They say

973
00:59:10,680 --> 00:59:13,800
Speaker 1: they call you and say mom, Mom, Papa, Beyonce. They

974
00:59:13,880 --> 00:59:16,560
Speaker 1: want to hili that the how? What? What does this

975
00:59:16,720 --> 00:59:21,280
Speaker 1: conversation exist? Up? Man? Well, my manager at the time,

976
00:59:21,360 --> 00:59:24,280
Speaker 1: Max Goose, he was prepping me about it. He was like, yo,

977
00:59:25,880 --> 00:59:28,280
Speaker 1: I think, he said, Matthew is about to start this

978
00:59:28,360 --> 00:59:32,080
Speaker 1: new label, Carse Sanctuary, and uh, you know, I'm gonna

979
00:59:32,120 --> 00:59:33,880
Speaker 1: let him. Let you meet him, and you know, see

980
00:59:33,880 --> 00:59:35,960
Speaker 1: if you want to do a deal or not. And

981
00:59:36,360 --> 00:59:39,640
Speaker 1: he came to our show in London and then I

982
00:59:39,720 --> 00:59:42,480
Speaker 1: met him back stage briefly and he told me he

983
00:59:42,520 --> 00:59:45,000
Speaker 1: want to do the deal and assignment. And I think

984
00:59:45,000 --> 00:59:48,280
Speaker 1: the paperwork came a couple of weeks later. Wow. Yeah,

985
00:59:49,800 --> 00:59:52,440
Speaker 1: I think he put me on a soldier remix the

986
00:59:52,720 --> 00:59:56,640
Speaker 1: uh that's the child. It was overseas version though. Okay,

987
00:59:56,760 --> 01:00:01,959
Speaker 1: but I supposed to remember that. I when you said

988
01:00:01,960 --> 01:00:04,960
Speaker 1: I thinking, I said, wait a minute, man coming up.

989
01:00:05,800 --> 01:00:07,920
Speaker 1: She started a rounding the man. A lot of ships

990
01:00:07,920 --> 01:00:09,640
Speaker 1: started coming back. But if you want to know the shot,

991
01:00:09,640 --> 01:00:13,640
Speaker 1: I respect that he was a little shot. Were gonna

992
01:00:13,640 --> 01:00:17,680
Speaker 1: fishing left. But I'm till you boy give me something

993
01:00:17,720 --> 01:00:20,000
Speaker 1: else inside of the type. I'll take this. It would

994
01:00:20,000 --> 01:00:23,880
Speaker 1: take that. Also, the Browns. That's not a no, that's

995
01:00:23,920 --> 01:00:26,720
Speaker 1: a dream. That's not a shock you yeah, yeah, yeah, better.

996
01:00:27,200 --> 01:00:30,720
Speaker 1: I was already pre warned about the tigers out some

997
01:00:30,800 --> 01:00:35,360
Speaker 1: water and yeah, so what is what is your favorite moment?

998
01:00:35,560 --> 01:00:38,600
Speaker 1: What is your favorite moment? And I mean I want

999
01:00:38,720 --> 01:00:40,840
Speaker 1: it could be whatever the how you wanted to make

1000
01:00:40,960 --> 01:00:44,840
Speaker 1: me give that I got my favorite moment as far

1001
01:00:44,880 --> 01:00:48,320
Speaker 1: as performing, maybe performing just in music. What was that

1002
01:00:48,520 --> 01:00:50,840
Speaker 1: moment where you was like, you know what, I love

1003
01:00:50,960 --> 01:00:58,720
Speaker 1: this ship? Uh man, I like you know what you

1004
01:00:58,840 --> 01:01:02,640
Speaker 1: get him in the West. I'm about to do warn surround. Yeah,

1005
01:01:03,160 --> 01:01:05,320
Speaker 1: I want all of us to have cool. Yes, true,

1006
01:01:05,520 --> 01:01:10,600
Speaker 1: very true. Algiz So your favorite moment, like probably or

1007
01:01:10,680 --> 01:01:14,400
Speaker 1: proudest moment, proudest moment probably being on the cover of

1008
01:01:14,480 --> 01:01:20,240
Speaker 1: Rolling Stone. Goddamn flow stuff. Next start that. Listen. I

1009
01:01:20,320 --> 01:01:23,160
Speaker 1: can't even fat a little like that. I can't even

1010
01:01:23,200 --> 01:01:28,760
Speaker 1: fas too crazy, So yeah, so can you? Was on

1011
01:01:28,840 --> 01:01:31,960
Speaker 1: the cover of the Volar motherfucking Stone silttle moment, Let's

1012
01:01:31,960 --> 01:01:40,000
Speaker 1: take a ship, no everyone, so no fair moment was fun?

1013
01:01:40,120 --> 01:01:46,560
Speaker 1: This ship matter. It makes it better because your proudest

1014
01:01:46,600 --> 01:01:50,160
Speaker 1: moment as a group that's the Rolling Stone solo artist.

1015
01:01:50,440 --> 01:01:52,520
Speaker 1: You know, But tell us why that's your problem moment. First,

1016
01:01:52,920 --> 01:01:57,040
Speaker 1: I know it's harsh. I'm sorry, just just just that

1017
01:01:57,160 --> 01:01:59,400
Speaker 1: was like the biggest I think the road stone is

1018
01:01:59,440 --> 01:02:03,960
Speaker 1: like the huge man. Yeah, the leak of you know, magazines,

1019
01:02:04,920 --> 01:02:07,560
Speaker 1: so nor many rock stars was going on it. So

1020
01:02:07,960 --> 01:02:10,160
Speaker 1: at the time, yeah, we do mean a lot of

1021
01:02:10,240 --> 01:02:16,120
Speaker 1: rappers on the road and stones. Damn to today, I

1022
01:02:16,120 --> 01:02:18,560
Speaker 1: ain't go like a asap rocket or somebody like that,

1023
01:02:19,840 --> 01:02:22,160
Speaker 1: you know what I mean, like for real like type

1024
01:02:22,160 --> 01:02:28,640
Speaker 1: of ship type ship you know my people cool, but solo,

1025
01:02:28,720 --> 01:02:34,480
Speaker 1: I would probably say, like, um, a couple of two things. Uh.

1026
01:02:36,280 --> 01:02:39,240
Speaker 1: I was co hosted Jimmy kimblon before it came out.

1027
01:02:40,240 --> 01:02:43,680
Speaker 1: What Yeah, that was the closest Jimmy Kimble but the

1028
01:02:43,800 --> 01:02:46,120
Speaker 1: night show, the Night Show. But I was on tour

1029
01:02:46,560 --> 01:02:49,000
Speaker 1: and I told you how proof was. I turned a

1030
01:02:49,040 --> 01:02:51,240
Speaker 1: lot of ship from being on tour. So I had

1031
01:02:51,280 --> 01:02:53,760
Speaker 1: to turn that job down because he was about to

1032
01:02:53,800 --> 01:02:55,600
Speaker 1: do a detwil too. But did you do anything? Did

1033
01:02:55,640 --> 01:02:57,560
Speaker 1: you record on the show? Record like the test shows

1034
01:02:57,600 --> 01:03:00,560
Speaker 1: I was. I did like five test shows. Yeah, that's core. Yeah.

1035
01:03:01,520 --> 01:03:02,720
Speaker 1: So you would have been like the guy on the

1036
01:03:02,800 --> 01:03:07,200
Speaker 1: couch like he was doing like his uncle was the security,

1037
01:03:07,960 --> 01:03:10,560
Speaker 1: the Mexican dude. Yeah, that would have been you. Yeah

1038
01:03:10,760 --> 01:03:14,760
Speaker 1: kind of like yeah, I'm just the sidekick. Yeah, Jimmy Kimmel.

1039
01:03:16,880 --> 01:03:18,920
Speaker 1: Who's that there was that they just hit this up

1040
01:03:18,960 --> 01:03:24,000
Speaker 1: because you know the videos and bizarre shots. And I

1041
01:03:24,160 --> 01:03:26,840
Speaker 1: think the second will probably would be Adam Sandler. I

1042
01:03:26,880 --> 01:03:30,240
Speaker 1: was supposed to be in the Longest Yard and again

1043
01:03:30,360 --> 01:03:36,960
Speaker 1: he was on tour. So you guys have a rapus.

1044
01:03:38,520 --> 01:03:42,040
Speaker 1: But you did do reality before. You're just gonna say

1045
01:03:42,200 --> 01:03:48,640
Speaker 1: a record like some crazy you know. It was the

1046
01:03:48,720 --> 01:03:52,320
Speaker 1: reality show he was on. He was on something on

1047
01:03:52,440 --> 01:03:54,640
Speaker 1: VH one. I think I did too reality shows. I

1048
01:03:54,680 --> 01:03:58,840
Speaker 1: did uh teaching uh actors how to rap like a

1049
01:03:58,960 --> 01:04:04,400
Speaker 1: rap conscience. Yeah, you're not doing celebrity fick clup. I

1050
01:04:04,560 --> 01:04:09,000
Speaker 1: was celebrity fick up. Uh. It was cool man still

1051
01:04:09,080 --> 01:04:13,200
Speaker 1: nicker named doctor. Who who are the people on the

1052
01:04:13,240 --> 01:04:18,920
Speaker 1: show with you? Uh? The Celebrity club, Uh, Sunny and

1053
01:04:19,080 --> 01:04:22,120
Speaker 1: Shar's daughter, the one that just had that. Yeah that

1054
01:04:22,280 --> 01:04:27,680
Speaker 1: was hard. You can see you see I got mad

1055
01:04:27,680 --> 01:04:33,080
Speaker 1: at yeow ship on the show. Yeah, uh theree not

1056
01:04:33,280 --> 01:04:37,760
Speaker 1: not that one that from the cost show. Um um

1057
01:04:38,600 --> 01:04:43,640
Speaker 1: it's two daughters, but that's show. He did a girl

1058
01:04:43,760 --> 01:04:48,640
Speaker 1: from the Partners. How was that experience? Did you enjoyed

1059
01:04:48,760 --> 01:04:53,160
Speaker 1: doing those shows? It was it was weird man I

1060
01:04:53,240 --> 01:04:55,480
Speaker 1: feel like that would be an easy reality show. I

1061
01:04:55,520 --> 01:04:57,680
Speaker 1: want to do a reality show. I want to be

1062
01:04:57,800 --> 01:05:00,280
Speaker 1: a place where I'm not like you know, the ball

1063
01:05:00,400 --> 01:05:04,240
Speaker 1: so a partner where I'm employed. Yeah, but the reality

1064
01:05:04,240 --> 01:05:10,000
Speaker 1: show manipulating situations. Were manipulated just a little while crazy,

1065
01:05:13,600 --> 01:05:17,320
Speaker 1: it was cool. It was cool. I mean it's a

1066
01:05:17,400 --> 01:05:20,320
Speaker 1: lot of setting up, like setting you up. Motherfucker's be

1067
01:05:20,360 --> 01:05:22,680
Speaker 1: trying to set you up to eat food and ship,

1068
01:05:23,120 --> 01:05:27,520
Speaker 1: set you up just to look crazy, manipulating the situation.

1069
01:05:28,040 --> 01:05:31,720
Speaker 1: Like one time I had We suppose I was flying

1070
01:05:31,760 --> 01:05:35,800
Speaker 1: back from Atlanta to uh Callie every weekend doing the show.

1071
01:05:36,200 --> 01:05:39,040
Speaker 1: So Saturday we would do like activity and then Sunday

1072
01:05:39,080 --> 01:05:42,640
Speaker 1: we would do the way in and for some reason

1073
01:05:42,680 --> 01:05:46,000
Speaker 1: why car service didn't show up at the right time whatever,

1074
01:05:46,480 --> 01:05:49,640
Speaker 1: I end up missing my flight. So did you eat

1075
01:05:49,680 --> 01:05:54,680
Speaker 1: Dunking Donuts? After that? You kept your dyet? Yeah, I

1076
01:05:54,760 --> 01:05:58,240
Speaker 1: feel like this is what you're about to set He

1077
01:05:58,440 --> 01:06:00,880
Speaker 1: called me the next day and was like, yo, man,

1078
01:06:01,560 --> 01:06:03,520
Speaker 1: you know we bought black brothers. You can't. You gotta

1079
01:06:03,840 --> 01:06:05,320
Speaker 1: get on the flight. I got into it with the

1080
01:06:05,320 --> 01:06:07,680
Speaker 1: production guy. He's like, you gotta get on his flight. Man,

1081
01:06:07,800 --> 01:06:09,840
Speaker 1: brother be black, you know, so I said, all right,

1082
01:06:09,840 --> 01:06:11,080
Speaker 1: I would come out, come, come out there for you.

1083
01:06:11,840 --> 01:06:14,680
Speaker 1: So Sunday I jumped on the flight, but I only

1084
01:06:14,760 --> 01:06:19,240
Speaker 1: came in for waiting. So they told my team that

1085
01:06:19,360 --> 01:06:22,600
Speaker 1: I was on you know, bizarre, it's no longer to

1086
01:06:22,640 --> 01:06:25,920
Speaker 1: show he abandoned y'all, what do you think about it?

1087
01:06:26,480 --> 01:06:29,800
Speaker 1: So they're taping their opinions because on the show, yeah,

1088
01:06:30,120 --> 01:06:33,480
Speaker 1: not knowing I'm I'm coming back Sunday. So when I

1089
01:06:33,560 --> 01:06:36,880
Speaker 1: get there Sunday first day, they said like, it's so bizarre.

1090
01:06:37,520 --> 01:06:40,920
Speaker 1: You abandoned your team and and never showed up. But

1091
01:06:41,560 --> 01:06:43,520
Speaker 1: they know why I really didn't show up, but it's

1092
01:06:43,560 --> 01:06:45,800
Speaker 1: for TV, and they was like, well, this is what

1093
01:06:45,920 --> 01:06:50,560
Speaker 1: you're about to say. Was young. She was like, yeah,

1094
01:06:50,640 --> 01:06:52,760
Speaker 1: I know, he wouldn't never come back. You you know,

1095
01:06:53,200 --> 01:07:05,600
Speaker 1: he's serious about to lose and weight ship. And I'm like, wait, bust, bust, yeah, bust,

1096
01:07:09,200 --> 01:07:16,280
Speaker 1: just busting. That's what I mean. That's what kind of like, alright,

1097
01:07:16,280 --> 01:07:19,200
Speaker 1: this ship is. You know what I'm saying, This ship

1098
01:07:19,360 --> 01:07:22,480
Speaker 1: is fake. They literally trying to set up just for

1099
01:07:22,560 --> 01:07:26,280
Speaker 1: a story, all right, Like fucking it was cool though, man,

1100
01:07:26,680 --> 01:07:30,000
Speaker 1: I mean acting school right now though, Oh yeah, that's

1101
01:07:30,080 --> 01:07:33,800
Speaker 1: like a year and what you've been learning, like man,

1102
01:07:34,520 --> 01:07:38,240
Speaker 1: like did shake spear? You know you did with with

1103
01:07:38,560 --> 01:07:43,960
Speaker 1: the acting ship, Yeah, Bob freestyling, Biz, I've only played

1104
01:07:44,000 --> 01:07:57,959
Speaker 1: myself victory dreams that I only played me. I'm only

1105
01:07:58,000 --> 01:08:02,360
Speaker 1: play a nigger, like I cannot played like I look

1106
01:08:02,400 --> 01:08:04,000
Speaker 1: at the roles. I was like, just leave it alone

1107
01:08:05,280 --> 01:08:06,920
Speaker 1: at some point of my goal when you know do it?

1108
01:08:07,000 --> 01:08:09,200
Speaker 1: But you like because like if you say you would

1109
01:08:09,320 --> 01:08:12,320
Speaker 1: as a class, so you have to play like Julliard

1110
01:08:12,400 --> 01:08:16,600
Speaker 1: and you like that and um home on Juliette. No, no,

1111
01:08:16,960 --> 01:08:22,400
Speaker 1: I want to like put like all right, So so

1112
01:08:22,520 --> 01:08:26,920
Speaker 1: how is it actually? Man? It's crazy because like I

1113
01:08:26,960 --> 01:08:28,360
Speaker 1: can give it in front of a crowd of a

1114
01:08:28,479 --> 01:08:31,760
Speaker 1: hundred hundred thousand people in rock, but being in the

1115
01:08:31,880 --> 01:08:36,040
Speaker 1: room with twelve people like the cameras and direct them

1116
01:08:36,160 --> 01:08:39,560
Speaker 1: like camera shot man, Like you're good like improvisation in

1117
01:08:39,600 --> 01:08:42,439
Speaker 1: front of people like almost like freestyling. Yeah, obviously forgetting

1118
01:08:42,439 --> 01:08:45,559
Speaker 1: my lines. So you can't do a sex scene out

1119
01:08:48,040 --> 01:08:51,240
Speaker 1: of the window for you because man, you know it

1120
01:08:51,320 --> 01:08:53,800
Speaker 1: took me a couple of sixteen you show me a

1121
01:08:53,840 --> 01:08:58,840
Speaker 1: state property, so I don't know, I just smashed at renting?

1122
01:08:58,880 --> 01:09:01,840
Speaker 1: Is the State partment too. I laid next day, but

1123
01:09:02,320 --> 01:09:05,479
Speaker 1: every other girl I was smashing a couple of I'm smelling,

1124
01:09:05,600 --> 01:09:08,400
Speaker 1: but does he I'm gonna throw out. It's very easy

1125
01:09:08,439 --> 01:09:13,000
Speaker 1: not to get I mean, I mean, I'm not sure

1126
01:09:13,040 --> 01:09:15,920
Speaker 1: about I'll just smell every one of them because like

1127
01:09:16,040 --> 01:09:18,280
Speaker 1: five of them. But it was like the one and

1128
01:09:18,320 --> 01:09:21,479
Speaker 1: the half. Once I smelled, it was not great. So

1129
01:09:21,600 --> 01:09:23,200
Speaker 1: it was easy because you're not supposed to get hard.

1130
01:09:23,240 --> 01:09:24,880
Speaker 1: It's like five people in the room, so it's like,

1131
01:09:24,960 --> 01:09:31,320
Speaker 1: you know, it's you know, it's okay, it's okay because

1132
01:09:31,320 --> 01:09:33,559
Speaker 1: it's like it teaches, like you know what it teaches

1133
01:09:33,600 --> 01:09:36,400
Speaker 1: strip club politics. Now, now you're going to strip club

1134
01:09:36,439 --> 01:09:39,760
Speaker 1: basically be like split bitch. That cameras in front of me,

1135
01:09:40,360 --> 01:09:43,240
Speaker 1: but it's just bouncing back on me. I had to

1136
01:09:43,320 --> 01:09:48,120
Speaker 1: not getting hard. You don't know, Okay, you described it.

1137
01:09:48,160 --> 01:09:51,560
Speaker 1: I can understand. I got hit juice earlier about some

1138
01:09:51,640 --> 01:09:58,920
Speaker 1: white boys about the massage politics. Just like you aren't

1139
01:09:59,040 --> 01:10:06,840
Speaker 1: breaking and jerking. You want the happy ending. Okay, we're

1140
01:10:06,880 --> 01:10:09,800
Speaker 1: going straight to it. In Atlanta, they got most of

1141
01:10:09,840 --> 01:10:11,960
Speaker 1: every strip club has a massage publer next to it.

1142
01:10:12,920 --> 01:10:16,479
Speaker 1: Only you know that right, We're not gonna definitely the

1143
01:10:16,600 --> 01:10:23,960
Speaker 1: only niggat said you got what massage? Straight to it? Man,

1144
01:10:23,960 --> 01:10:25,800
Speaker 1: you're wasting too much. You waste the money there. Yeah,

1145
01:10:26,200 --> 01:10:29,280
Speaker 1: you wanna get straight to the point. It's not that

1146
01:10:29,360 --> 01:10:32,360
Speaker 1: smooth man that the as straight for laters. Guy, it's like,

1147
01:10:32,479 --> 01:10:36,960
Speaker 1: you're good. Okay, So let's talk about this atlantasage parts. Okay,

1148
01:10:40,160 --> 01:10:41,760
Speaker 1: I just need another snack because you know, I'm a

1149
01:10:41,840 --> 01:10:44,080
Speaker 1: married man and I'm never partly gonna go there. I'na

1150
01:10:44,479 --> 01:10:47,000
Speaker 1: probably I'm gonna go to the strip club park. But

1151
01:10:47,040 --> 01:10:49,479
Speaker 1: you're saying at a strip club. There's a next thought

1152
01:10:49,520 --> 01:10:52,200
Speaker 1: to it as massage part. It's the massage part of

1153
01:10:52,280 --> 01:11:00,439
Speaker 1: with Asians. Asians is there they're exclusively come on, come guys,

1154
01:11:00,640 --> 01:11:07,400
Speaker 1: he said. He said, yes, Dominican one one time that

1155
01:11:08,360 --> 01:11:11,240
Speaker 1: I can't under stay. What's up about? No, I wasn't young.

1156
01:11:11,479 --> 01:11:15,120
Speaker 1: We stopped like, go to the one next the winkies, right,

1157
01:11:19,560 --> 01:11:25,200
Speaker 1: get a spicy chicken nutting's on the way out, big

1158
01:11:25,320 --> 01:11:33,519
Speaker 1: up the sports and drink. Okay, so um to engage now,

1159
01:11:33,640 --> 01:11:38,040
Speaker 1: so I apologize for your engagement. I need to know

1160
01:11:38,200 --> 01:11:41,640
Speaker 1: the wildest groupie story, Oh man, I need to know it.

1161
01:11:43,080 --> 01:11:46,360
Speaker 1: Damn wild group. It can be for deech Wall, leave

1162
01:11:46,400 --> 01:11:48,600
Speaker 1: it for you. It has to be the chick that

1163
01:11:48,640 --> 01:11:52,040
Speaker 1: says you're bizarre, So be bizarre. Nigga, let us here,

1164
01:11:52,760 --> 01:11:54,360
Speaker 1: let us here on fighting for you. So you gotta

1165
01:11:54,400 --> 01:11:56,240
Speaker 1: be you gotta you gotta step up what she do.

1166
01:11:56,400 --> 01:11:59,400
Speaker 1: She liked the joint fun. I had some girls that

1167
01:11:59,439 --> 01:12:02,360
Speaker 1: wanted me doing uh fucking while they wear my shower cap.

1168
01:12:04,640 --> 01:12:12,559
Speaker 1: I can't see that. You can't see that. I didn't

1169
01:12:12,600 --> 01:12:18,080
Speaker 1: describe it though, what happened. I think for some reason,

1170
01:12:18,160 --> 01:12:20,040
Speaker 1: I feel like it said it's in the Sherrington Hotel.

1171
01:12:20,120 --> 01:12:23,200
Speaker 1: She wants you to talk background, but scause you know,

1172
01:12:23,320 --> 01:12:27,720
Speaker 1: shearedon got some good shower cats. She shouts, they got

1173
01:12:27,800 --> 01:12:33,960
Speaker 1: some great shower cats. Man, I think, uh man like

1174
01:12:34,280 --> 01:12:36,680
Speaker 1: uh a lot of our fan bas you know. And

1175
01:12:36,800 --> 01:12:40,000
Speaker 1: he was like he was so white and uh, only

1176
01:12:40,160 --> 01:12:43,200
Speaker 1: like the white girls. I don't white, don't. I don't

1177
01:12:43,200 --> 01:12:45,679
Speaker 1: really don't like dealing with white girls with boopy ship

1178
01:12:46,439 --> 01:12:50,120
Speaker 1: really because they change their mind too quick. Do you

1179
01:12:50,280 --> 01:12:52,560
Speaker 1: get Kobe Bryant out here? I mean they changed it

1180
01:12:52,560 --> 01:12:54,640
Speaker 1: in a second. Our security guard he used to make

1181
01:12:54,720 --> 01:12:58,040
Speaker 1: this announcement all the time. He'd be like, you ain't

1182
01:12:58,120 --> 01:13:01,880
Speaker 1: sucking a sucking Get off the book. That really ship,

1183
01:13:02,400 --> 01:13:05,160
Speaker 1: real ship, that's a real ship. We had no sad speeches,

1184
01:13:06,000 --> 01:13:07,800
Speaker 1: and we head of Joe White speech too. We also

1185
01:13:07,880 --> 01:13:13,040
Speaker 1: tell people piez those pistols of goddamn that episode. Don't

1186
01:13:13,280 --> 01:13:15,439
Speaker 1: don't let me tell you all about Homie Court because

1187
01:13:15,439 --> 01:13:21,479
Speaker 1: your homie corn. Okay, please write that down, he started,

1188
01:13:21,600 --> 01:13:25,640
Speaker 1: But uh, yeah, what was I talking about? What was

1189
01:13:25,680 --> 01:13:31,200
Speaker 1: it like groupies white girls? Because sucking a sucking Yeah,

1190
01:13:31,360 --> 01:13:33,639
Speaker 1: I'm secarity is so mad. A married man, I don't

1191
01:13:33,640 --> 01:13:36,960
Speaker 1: remember that, so you don't apologize. I started. Once I

1192
01:13:37,080 --> 01:13:42,680
Speaker 1: discovered a back page holy ship that you had the

1193
01:13:42,760 --> 01:13:53,840
Speaker 1: city before you live hold on, I was on to talk.

1194
01:13:54,680 --> 01:13:56,920
Speaker 1: I got, I got, I got, I got, I got

1195
01:13:57,000 --> 01:13:59,400
Speaker 1: my Bosston boys with me. I've got city boy d,

1196
01:14:00,840 --> 01:14:04,320
Speaker 1: I got Coca rest in Peace Coca and we got

1197
01:14:04,400 --> 01:14:08,880
Speaker 1: to Jaga. Right. So I realized my young boys as

1198
01:14:08,960 --> 01:14:14,200
Speaker 1: young boys, and I'm married and happy. So I get

1199
01:14:14,320 --> 01:14:18,040
Speaker 1: them in the whole of the vehicle, right, you get

1200
01:14:18,080 --> 01:14:19,920
Speaker 1: them a whole other vigas. I want to come home,

1201
01:14:20,120 --> 01:14:22,080
Speaker 1: as you post, I want to come home, and I

1202
01:14:22,200 --> 01:14:26,560
Speaker 1: know how this ends. So the crazy ship is, but

1203
01:14:26,720 --> 01:14:29,280
Speaker 1: I'm happy for my young boys were performing every night.

1204
01:14:29,640 --> 01:14:33,040
Speaker 1: The girls are coming towards us. I'm like, all right, cool,

1205
01:14:33,760 --> 01:14:35,800
Speaker 1: So I'm like, I'm not one of your boys. You

1206
01:14:35,880 --> 01:14:39,960
Speaker 1: don't gotta when I leave, you don't gotta leave. Yeah,

1207
01:14:39,960 --> 01:14:42,920
Speaker 1: I got post up the party little stop because I leave.

1208
01:14:44,600 --> 01:14:49,240
Speaker 1: My young boys would even try let you out and

1209
01:14:49,320 --> 01:14:57,680
Speaker 1: then go straight to black Page's Black Page. Yo. I'm like, yo,

1210
01:14:58,840 --> 01:15:01,840
Speaker 1: just talking time with you life, Like get the phrase

1211
01:15:05,600 --> 01:15:07,320
Speaker 1: is it? Let me spend you The difference between white

1212
01:15:07,360 --> 01:15:10,800
Speaker 1: and black girls. Um, a black girl she knows she

1213
01:15:10,880 --> 01:15:13,200
Speaker 1: hitting your card two or three o'clock the board and

1214
01:15:13,240 --> 01:15:15,519
Speaker 1: going back. They know. But time it is. You know

1215
01:15:15,520 --> 01:15:18,320
Speaker 1: what I'm saying, Like, unless you're talk, I just want

1216
01:15:18,360 --> 01:15:20,160
Speaker 1: to talk. You know, they're gonna tell you. I ain't

1217
01:15:20,200 --> 01:15:24,120
Speaker 1: trying to fun. They're gonna tell you white girls what

1218
01:15:24,280 --> 01:15:27,800
Speaker 1: I learned, just like you could. You know, you could

1219
01:15:27,800 --> 01:15:30,840
Speaker 1: be in there making a home. You do the kinds

1220
01:15:30,840 --> 01:15:36,080
Speaker 1: of put like that. You got some rocks. You can

1221
01:15:36,120 --> 01:15:44,640
Speaker 1: know the cos he's doing. He's right here ahead. You

1222
01:15:44,680 --> 01:15:47,280
Speaker 1: could be talking and the white girl like and she'll

1223
01:15:47,320 --> 01:15:51,240
Speaker 1: just you know what, stop we're going to fact and

1224
01:15:51,320 --> 01:15:59,120
Speaker 1: too fast. And then five minutes later she said we

1225
01:15:59,200 --> 01:16:01,800
Speaker 1: don't even know each like that, and you're like, you're

1226
01:16:01,840 --> 01:16:04,920
Speaker 1: just going through this all night. So one day when

1227
01:16:04,960 --> 01:16:07,400
Speaker 1: my role manager, he was a white boy, I said,

1228
01:16:07,439 --> 01:16:09,519
Speaker 1: what you're doing, man? He said, I'm about to call

1229
01:16:09,600 --> 01:16:12,840
Speaker 1: himself this chick off back page. I said what backpage?

1230
01:16:13,000 --> 01:16:14,439
Speaker 1: He said, yeah, you can even see how they looked

1231
01:16:14,479 --> 01:16:17,280
Speaker 1: the picture everything. So I went to the room, like, damn,

1232
01:16:17,439 --> 01:16:19,880
Speaker 1: she bats him. How much she want? You know what

1233
01:16:19,920 --> 01:16:25,760
Speaker 1: I'm saying, Am I credating myself doing that? You made

1234
01:16:25,760 --> 01:16:29,000
Speaker 1: the first play this ship and this will end up

1235
01:16:29,040 --> 01:16:34,280
Speaker 1: on backpage backpage? You want a sponsorship? So to me,

1236
01:16:35,600 --> 01:16:37,920
Speaker 1: it was much easier, you know, back in there was

1237
01:16:38,200 --> 01:16:40,639
Speaker 1: to the point. And then at the end of the day,

1238
01:16:40,680 --> 01:16:42,280
Speaker 1: like you know what I'm saying, if you everybody, if

1239
01:16:42,320 --> 01:16:43,800
Speaker 1: you do got a gril, you did have a girl,

1240
01:16:43,880 --> 01:16:46,080
Speaker 1: you know your girl gonna call after the show. She

1241
01:16:46,120 --> 01:16:48,400
Speaker 1: don't want to talk to you all that ship. Hey,

1242
01:16:48,520 --> 01:16:52,439
Speaker 1: I'm done all these other guys. You know. You know

1243
01:16:52,640 --> 01:16:54,800
Speaker 1: you know what young boys told me that They told

1244
01:16:54,840 --> 01:16:58,519
Speaker 1: me that they older homies told them. Yeah, my nigga's

1245
01:16:58,520 --> 01:17:02,120
Speaker 1: on Boston. Goddamnit, my big up mother, Puny, I miss you.

1246
01:17:02,240 --> 01:17:05,200
Speaker 1: I haven't seen you black boy, Coca Coca. You know

1247
01:17:05,560 --> 01:17:08,519
Speaker 1: Sunnyde's cousin rest in peace. You know, we love you, brother.

1248
01:17:08,920 --> 01:17:11,559
Speaker 1: And mon Taker was there and I said, Yo, why

1249
01:17:11,720 --> 01:17:16,880
Speaker 1: y'all spend money every night? You don't pussy? Then? Afraid

1250
01:17:16,920 --> 01:17:21,559
Speaker 1: you know what he said, We don't pay them to stay.

1251
01:17:23,439 --> 01:17:27,120
Speaker 1: Wait were you talking about that back pays you pay? Yeah?

1252
01:17:27,520 --> 01:17:31,960
Speaker 1: Oh no, then I'm from the plenty of fish era. Yeah, yeah,

1253
01:17:31,960 --> 01:17:36,479
Speaker 1: you stand like when you're not paying, she might want

1254
01:17:36,479 --> 01:17:39,280
Speaker 1: to spend the night, she might get emotions. Just you

1255
01:17:39,439 --> 01:17:42,120
Speaker 1: just saying she displaced the homies and a lot of

1256
01:17:42,120 --> 01:17:44,840
Speaker 1: people with the girl with your hat. Now you ain't

1257
01:17:44,840 --> 01:17:47,679
Speaker 1: got your hat on the more, you know what I'm saying.

1258
01:17:47,960 --> 01:17:49,800
Speaker 1: So this is a side of pimp and Perry Prime.

1259
01:17:49,920 --> 01:17:53,840
Speaker 1: You're leaving, you know, and Detroit. You know what, the

1260
01:17:54,000 --> 01:17:57,200
Speaker 1: niggas got gailors and all the type of these niggas

1261
01:17:57,240 --> 01:18:00,880
Speaker 1: got car their frames and gators and silk shirts and

1262
01:18:01,040 --> 01:18:05,280
Speaker 1: all types of animals. And them niggas be they move

1263
01:18:05,680 --> 01:18:10,720
Speaker 1: like they'd be stepping on that my mind. I was

1264
01:18:10,760 --> 01:18:14,360
Speaker 1: also checked by that manager Rico. I was also told that, uh,

1265
01:18:15,160 --> 01:18:18,559
Speaker 1: the real big on glasses man, Yeah, I'm big on glasses.

1266
01:18:18,600 --> 01:18:20,880
Speaker 1: But I can't afford that. He told me. He told

1267
01:18:20,880 --> 01:18:24,160
Speaker 1: me like, don't even go to drink. Champions ain't real

1268
01:18:24,200 --> 01:18:28,120
Speaker 1: because nowhere it's gonna Oh yeah, I'm walking out. Oh yeah,

1269
01:18:28,160 --> 01:18:31,759
Speaker 1: y'all in the glasses. I'm an end the glasses Manki

1270
01:18:31,800 --> 01:18:34,439
Speaker 1: didn't play men that nig he is still going on.

1271
01:18:34,640 --> 01:18:37,479
Speaker 1: What'sn't they play? Players? Still be But that's like some

1272
01:18:37,720 --> 01:18:41,200
Speaker 1: real Detroit ship like around for a long time, Like

1273
01:18:41,360 --> 01:18:44,040
Speaker 1: you had to have gators, like you ever got pressure,

1274
01:18:44,160 --> 01:18:45,799
Speaker 1: like to go to the problem, like in the problems,

1275
01:18:45,840 --> 01:18:48,280
Speaker 1: you have gators on the problem. Yeah, no, I ain't

1276
01:18:48,280 --> 01:18:50,080
Speaker 1: going to the plum tam. I ain't going to problem.

1277
01:18:51,520 --> 01:18:53,680
Speaker 1: I was. I was like, we got a story. But

1278
01:18:53,960 --> 01:18:57,000
Speaker 1: because I ain't neither on that nom gonna take you

1279
01:18:57,040 --> 01:19:11,599
Speaker 1: gonna keep it going this yeah, keep keeps gas why

1280
01:19:13,680 --> 01:19:20,120
Speaker 1: three two back page back page back So, so explain

1281
01:19:20,280 --> 01:19:23,920
Speaker 1: us only court because we all got court in every crew.

1282
01:19:24,560 --> 01:19:28,360
Speaker 1: So we want to explain y'all, y'all homie. Court basically

1283
01:19:28,439 --> 01:19:31,519
Speaker 1: started from Dre and his crew got passed down to us,

1284
01:19:32,280 --> 01:19:35,479
Speaker 1: and it's basically like rules, who's Dras crew? I'm sorry

1285
01:19:35,479 --> 01:19:39,200
Speaker 1: to catch up, Who's Drays crew? You say we just

1286
01:19:40,200 --> 01:19:47,240
Speaker 1: don't understand what and what you say. Yeah, yeah, yeah,

1287
01:19:48,760 --> 01:19:51,880
Speaker 1: it's called homie court. Basically it was. It's rules for

1288
01:19:51,960 --> 01:19:55,320
Speaker 1: the homies on the road when it comes to like,

1289
01:19:56,040 --> 01:19:59,000
Speaker 1: you know, females whatever, no kissing in the mouth. I

1290
01:19:59,040 --> 01:20:01,680
Speaker 1: feel like you. We got charges, like you know, one

1291
01:20:01,800 --> 01:20:05,960
Speaker 1: charge would be like harboring a known freak, explained the

1292
01:20:06,080 --> 01:20:09,720
Speaker 1: details of that kind of harboring. Non freak is like

1293
01:20:09,760 --> 01:20:12,360
Speaker 1: a freak that basically want to do everybody, but you

1294
01:20:12,479 --> 01:20:15,639
Speaker 1: take your till you like you take a hostage. Yeah,

1295
01:20:16,520 --> 01:20:21,280
Speaker 1: not real hostage. And we got one called you kept

1296
01:20:21,320 --> 01:20:25,760
Speaker 1: the safer home eating road kill after someone don't eat

1297
01:20:25,840 --> 01:20:32,840
Speaker 1: the girl pussy to do that? So who kid was

1298
01:20:33,240 --> 01:20:37,120
Speaker 1: but not someone fu? Yeah, it's on the road period

1299
01:20:37,200 --> 01:20:41,960
Speaker 1: after the he's just so who kid was like a

1300
01:20:42,080 --> 01:20:46,880
Speaker 1: notorious eventual offender? Okay kill No, just a homy court period.

1301
01:20:48,400 --> 01:20:52,680
Speaker 1: I cauld see I could seek yeah yeah. So we

1302
01:20:53,000 --> 01:20:56,360
Speaker 1: uh we were like, so basically you gotta get a lawyer,

1303
01:20:57,080 --> 01:21:01,840
Speaker 1: which is somebody somebody on the tour. Yeah, they'll they'll

1304
01:21:01,880 --> 01:21:09,320
Speaker 1: put us a peanut under your door. You charge, Yeah,

1305
01:21:11,360 --> 01:21:13,760
Speaker 1: I think that way for other do you get something,

1306
01:21:13,920 --> 01:21:16,599
Speaker 1: you gotta find you a lawyer. And then then find

1307
01:21:16,640 --> 01:21:20,240
Speaker 1: a judge one of your friends. Yeah, I mean you know,

1308
01:21:20,360 --> 01:21:23,400
Speaker 1: whether you whever you want being like somebody like you

1309
01:21:23,520 --> 01:21:26,960
Speaker 1: know Paul or Drain will be the judge, whoever whoever's around.

1310
01:21:27,439 --> 01:21:29,679
Speaker 1: And then we have this big gass meeting. Everybody gotta

1311
01:21:29,800 --> 01:21:33,840
Speaker 1: come down to the lobby or they might even ask

1312
01:21:33,880 --> 01:21:36,519
Speaker 1: for a conference room at the until you know what

1313
01:21:36,560 --> 01:21:39,200
Speaker 1: I'm saying. And then you get your charges brought up

1314
01:21:39,200 --> 01:21:41,720
Speaker 1: against you, and then like if you lose, you in

1315
01:21:41,880 --> 01:21:45,679
Speaker 1: like three days, you gotta clean the bus. That's also

1316
01:21:45,800 --> 01:21:48,640
Speaker 1: some serious money us that he lost the case. They

1317
01:21:48,720 --> 01:21:52,960
Speaker 1: be the wear boxers outside the pins and say I

1318
01:21:53,040 --> 01:21:58,719
Speaker 1: love detwelve. Do you everybody walked past? Yeah? Two he lost.

1319
01:21:59,720 --> 01:22:03,880
Speaker 1: That's when we started touring with the g uh. I

1320
01:22:04,000 --> 01:22:07,519
Speaker 1: was warding everybody like they out lost. I mean they

1321
01:22:07,520 --> 01:22:10,880
Speaker 1: only they don't listen to the room. So one of

1322
01:22:10,960 --> 01:22:13,720
Speaker 1: my homies he had this chick he was I think

1323
01:22:13,760 --> 01:22:16,120
Speaker 1: it was a Seattle tune where we had this chick

1324
01:22:16,560 --> 01:22:18,639
Speaker 1: and he said, you want my chickens in the lobby.

1325
01:22:19,240 --> 01:22:20,560
Speaker 1: I said, yo, you need to go get her. And

1326
01:22:20,760 --> 01:22:24,240
Speaker 1: g then is in the lobby right now. You know

1327
01:22:24,320 --> 01:22:29,040
Speaker 1: Philly fifty kid like entourage run, So I said, you

1328
01:22:29,200 --> 01:22:31,800
Speaker 1: you better get her. He was like, nas, I get

1329
01:22:31,880 --> 01:22:33,840
Speaker 1: rid of the room. She good, she's about to come up.

1330
01:22:34,320 --> 01:22:36,000
Speaker 1: So I said, I said, bro, we should go get him.

1331
01:22:37,600 --> 01:22:38,840
Speaker 1: And so we went down to the lobby and we

1332
01:22:38,960 --> 01:22:41,960
Speaker 1: grabbing right family. So we grabbed the chicks. So we're

1333
01:22:41,960 --> 01:22:46,519
Speaker 1: getting them the elevator and uh, loring banks. But somebody

1334
01:22:46,520 --> 01:22:50,160
Speaker 1: else is on the elevator when opened, so they're in

1335
01:22:50,240 --> 01:22:52,760
Speaker 1: the back of the elevator. So the girls are in

1336
01:22:52,840 --> 01:22:55,559
Speaker 1: the middle of the elevator and we're in the front,

1337
01:22:56,439 --> 01:22:58,680
Speaker 1: so they we can't see what they're doing and talk

1338
01:22:58,720 --> 01:23:01,280
Speaker 1: about nothing. We all we know because we're facing this way.

1339
01:23:02,360 --> 01:23:04,760
Speaker 1: So when the door opens, supposed to get off our floor,

1340
01:23:05,120 --> 01:23:08,800
Speaker 1: we get out and cheecks about to get out waters

1341
01:23:08,880 --> 01:23:12,920
Speaker 1: and I just see, uh, I think, yeah, you're one

1342
01:23:12,960 --> 01:23:17,840
Speaker 1: of them pushing the button, and the waters were like,

1343
01:23:22,400 --> 01:23:31,160
Speaker 1: che man, give me that one more shot. Everybody could

1344
01:23:31,200 --> 01:23:33,880
Speaker 1: do watermelons. Why the watermelons wich that out? I don't

1345
01:23:33,920 --> 01:23:40,320
Speaker 1: understand we had that. We had that last time stuff

1346
01:23:40,600 --> 01:23:47,880
Speaker 1: got something. He said, yeah, yeastily, I don't understand why

1347
01:23:47,920 --> 01:23:50,640
Speaker 1: you'd be acting like I'm bugging out last time we

1348
01:23:50,720 --> 01:23:52,920
Speaker 1: did it. But tore Lane said he's been doing the

1349
01:23:53,000 --> 01:23:57,800
Speaker 1: front you know. Listen looked at him. I said, Yo,

1350
01:23:57,840 --> 01:24:05,559
Speaker 1: look I'm leaving a bow share f r. Yeahbody, because

1351
01:24:05,960 --> 01:24:12,160
Speaker 1: just like my bill was everything again Jack as the whole.

1352
01:24:14,120 --> 01:24:16,479
Speaker 1: They took out wires and connected to the turd tables

1353
01:24:16,560 --> 01:24:24,360
Speaker 1: next nor what it's good, worse terrible. It was making

1354
01:24:24,479 --> 01:24:26,920
Speaker 1: bad as the need is taking up for them to like, yeah,

1355
01:24:27,320 --> 01:24:30,600
Speaker 1: we didn't have one about mother over. I looked at

1356
01:24:30,680 --> 01:24:34,560
Speaker 1: one about the surrock. I took it with Tory, you know,

1357
01:24:34,640 --> 01:24:37,439
Speaker 1: like sugar our award, right, our broken award is gone,

1358
01:24:38,240 --> 01:24:41,960
Speaker 1: our famous award. Let's cats are out. They still that

1359
01:24:42,120 --> 01:24:51,200
Speaker 1: ship you active, Yeah, he's still looking for Mortima that

1360
01:24:51,280 --> 01:24:53,439
Speaker 1: she was famous and we lost this guys a trim

1361
01:24:53,560 --> 01:25:01,680
Speaker 1: this bro gotta change something, go back to back then.

1362
01:25:02,680 --> 01:25:08,559
Speaker 1: So everything's going on. I know I've asked this earlier,

1363
01:25:09,479 --> 01:25:13,200
Speaker 1: and I know we winded. But as Eminem being one

1364
01:25:13,240 --> 01:25:16,120
Speaker 1: of the Ellis lyricists in the world, are you offended

1365
01:25:16,200 --> 01:25:19,840
Speaker 1: that Nick Cannon is really like going at him like that, um,

1366
01:25:20,439 --> 01:25:23,720
Speaker 1: because like I mean, Nicks my boy, but he's not

1367
01:25:24,000 --> 01:25:28,559
Speaker 1: he's not lyricist, lyricist lyricis but he's but he does

1368
01:25:28,640 --> 01:25:30,920
Speaker 1: consider himself because we had to interview him, and I

1369
01:25:31,000 --> 01:25:33,439
Speaker 1: feel like he feels he's hip hop, so he feels

1370
01:25:33,479 --> 01:25:35,920
Speaker 1: like it's it's you know, he want to respond, he

1371
01:25:35,960 --> 01:25:44,320
Speaker 1: want to battle. Yeah, but do you think that was

1372
01:25:44,360 --> 01:25:47,519
Speaker 1: like bad that he involved with the people? You think? Yeah,

1373
01:25:47,760 --> 01:25:50,920
Speaker 1: I think that was courty. But because then it makes

1374
01:25:50,960 --> 01:25:54,240
Speaker 1: you like, automatically, you, Jordan Lucas, have to be involved,

1375
01:25:55,080 --> 01:25:59,080
Speaker 1: he said, wasn't they want to involve mad people? Jordan Lucas, Right? Yeah, yeah, yeah,

1376
01:26:00,120 --> 01:26:02,880
Speaker 1: there was kind of corny, especially when you got when

1377
01:26:02,920 --> 01:26:04,439
Speaker 1: you got four dudes in the video of Wild and

1378
01:26:04,479 --> 01:26:07,400
Speaker 1: Out T shirts at Nick Candid, Don't I just come

1379
01:26:07,479 --> 01:26:10,400
Speaker 1: for an error where like, you know, the group with

1380
01:26:10,600 --> 01:26:13,880
Speaker 1: all the same T shirts on, right, you know what

1381
01:26:13,920 --> 01:26:15,519
Speaker 1: I'm saying, So to see them in the back of

1382
01:26:15,600 --> 01:26:17,600
Speaker 1: the Wild and Out T shirts on and then like

1383
01:26:18,760 --> 01:26:20,280
Speaker 1: I mean, the don't know what they say? Maybe you

1384
01:26:20,320 --> 01:26:22,479
Speaker 1: those only did four bars and then he got the

1385
01:26:22,880 --> 01:26:24,800
Speaker 1: chicks singing, I mean the dude singing the R and

1386
01:26:24,880 --> 01:26:28,880
Speaker 1: V hood. It was just what should saying? I haven't

1387
01:26:28,920 --> 01:26:30,720
Speaker 1: heard it? What did you saying on the record? I

1388
01:26:30,800 --> 01:26:34,439
Speaker 1: forget what what does show saying? Like I'm gonna respond

1389
01:26:34,479 --> 01:26:36,120
Speaker 1: to twenty four hours. He should be kicked out of

1390
01:26:36,160 --> 01:26:39,040
Speaker 1: the short. He should be saying ship, hey man, trying

1391
01:26:39,040 --> 01:26:43,000
Speaker 1: to help me win this appeel, so I get the streets. Um,

1392
01:26:44,240 --> 01:26:48,479
Speaker 1: have you ever bumped into the show in real life? Uh? Yeah,

1393
01:26:49,120 --> 01:26:52,639
Speaker 1: a couple of times. Uh. The first time I've seen

1394
01:26:52,680 --> 01:26:57,200
Speaker 1: it was at the in the club video about to

1395
01:26:57,240 --> 01:27:00,800
Speaker 1: say I felt that that was the first video. No,

1396
01:27:00,920 --> 01:27:03,360
Speaker 1: that's another story with proof. Okay, I know you heard

1397
01:27:03,360 --> 01:27:06,519
Speaker 1: about that story. The first story. Yeah, we were doing

1398
01:27:06,560 --> 01:27:11,720
Speaker 1: the club video and uh, I just remember, yeah, he

1399
01:27:11,800 --> 01:27:18,360
Speaker 1: had damn you know. Yeah, he put up with some

1400
01:27:18,560 --> 01:27:20,240
Speaker 1: with some with some essays. It was kind of weird

1401
01:27:21,000 --> 01:27:25,560
Speaker 1: and uh he stopped. The whole partnership was like and

1402
01:27:25,760 --> 01:27:29,040
Speaker 1: uh uh fifty of them stopped. It was fifth Game

1403
01:27:29,120 --> 01:27:31,960
Speaker 1: was there too, and we all stopped and we and

1404
01:27:32,000 --> 01:27:33,519
Speaker 1: Soft was like, what's up? What you want to do?

1405
01:27:34,080 --> 01:27:38,040
Speaker 1: Look that should and I remember should. He pulled a

1406
01:27:38,120 --> 01:27:42,519
Speaker 1: cigar out. He puffed it, looked at Fifth and then

1407
01:27:42,920 --> 01:27:47,320
Speaker 1: turned around and walked away. But don't think I mean

1408
01:27:47,400 --> 01:27:50,600
Speaker 1: they was ready many Yeah, well, you know that was

1409
01:27:50,680 --> 01:27:53,280
Speaker 1: the first time I've seen him again. The second time

1410
01:27:53,320 --> 01:27:57,040
Speaker 1: I've seen him as in Vegas, and I think I

1411
01:27:57,120 --> 01:27:59,360
Speaker 1: think Trick Tricker all of us is in Vegas, and uh,

1412
01:28:00,920 --> 01:28:02,880
Speaker 1: people was calling me from my room like yo Trip yo, yo,

1413
01:28:03,040 --> 01:28:06,920
Speaker 1: should knightdown stairs. So just as a fan, like you

1414
01:28:06,960 --> 01:28:09,559
Speaker 1: know what I'm saying, like we like that, let's go see,

1415
01:28:09,640 --> 01:28:12,000
Speaker 1: let's go see after the other thing that happened. Yeah,

1416
01:28:12,240 --> 01:28:14,760
Speaker 1: so we're all going downstairs to see to see shut Night.

1417
01:28:15,800 --> 01:28:20,160
Speaker 1: And I remember Trick Trick came downstairs or either was

1418
01:28:20,360 --> 01:28:22,200
Speaker 1: either Trick Trick or one of his boys. One of them.

1419
01:28:22,280 --> 01:28:25,479
Speaker 1: Somebody was like right in front the ship there was like, man,

1420
01:28:26,880 --> 01:28:30,680
Speaker 1: he ain't even that big like that Black put up

1421
01:28:30,880 --> 01:28:35,840
Speaker 1: his ship and h I think Proof came down there

1422
01:28:36,720 --> 01:28:39,519
Speaker 1: and uh, Should reached out to shake his hand and

1423
01:28:39,720 --> 01:28:44,800
Speaker 1: Proof left him hanging, and uh yeah, Proof of the man.

1424
01:28:45,080 --> 01:28:47,160
Speaker 1: And the Should was like, oh that's how it is.

1425
01:28:47,760 --> 01:28:49,960
Speaker 1: You ain't gonna, ain't gonna get him my hand shakes.

1426
01:28:50,040 --> 01:28:52,960
Speaker 1: You know, let's step outside it and talk Proof, Like

1427
01:28:53,040 --> 01:28:58,120
Speaker 1: step outside. That's how that's how Podet killed. But you

1428
01:28:58,160 --> 01:28:59,560
Speaker 1: know what I'm saying, So I think that was the

1429
01:28:59,640 --> 01:29:02,200
Speaker 1: end of that. Should was piste off. But man, you

1430
01:29:02,240 --> 01:29:04,400
Speaker 1: know we're from Detroit, man, so it's like we don't

1431
01:29:04,439 --> 01:29:08,800
Speaker 1: really get what's going on with the The politics is

1432
01:29:08,880 --> 01:29:10,800
Speaker 1: secary because you know we were we didn't know what

1433
01:29:10,920 --> 01:29:12,760
Speaker 1: was going on at the source of awards. We used

1434
01:29:12,760 --> 01:29:15,479
Speaker 1: the only words that didn't run, you know, the source

1435
01:29:15,479 --> 01:29:17,160
Speaker 1: of Awards when it should came in with the army

1436
01:29:17,720 --> 01:29:21,200
Speaker 1: and proofs, like why ambody running? That's all I heard?

1437
01:29:21,560 --> 01:29:27,360
Speaker 1: Shot motherfucking starts scattering, and I was like, damn, the

1438
01:29:28,160 --> 01:29:31,200
Speaker 1: Bible wars. So the Bible wars. What was it in

1439
01:29:31,240 --> 01:29:34,720
Speaker 1: New York? No, it wasn't. What's it New York? But

1440
01:29:35,400 --> 01:29:38,839
Speaker 1: forty them how to fight with back minister and the audience.

1441
01:29:39,120 --> 01:29:43,200
Speaker 1: It was mad fights going with the young bucks. No, no,

1442
01:29:43,360 --> 01:29:47,559
Speaker 1: this is it was just before that, after that. Now

1443
01:29:47,640 --> 01:29:51,760
Speaker 1: this is this is before that forty forty got a

1444
01:29:51,800 --> 01:29:56,120
Speaker 1: fight in the audience. Uh should came d like I

1445
01:29:56,160 --> 01:30:01,080
Speaker 1: think that r dre was. Man, what's this the same

1446
01:30:01,160 --> 01:30:04,080
Speaker 1: time as a dump puncture? I don't know. I do

1447
01:30:04,120 --> 01:30:06,960
Speaker 1: a lot of drugs, if some of the ship might

1448
01:30:07,000 --> 01:30:12,360
Speaker 1: be a lot of I see Mr Lee walked out

1449
01:30:12,400 --> 01:30:14,320
Speaker 1: because there was noise out there. We're gonna do one

1450
01:30:14,320 --> 01:30:17,200
Speaker 1: more shot of some ship. You want to do Columbia

1451
01:30:17,240 --> 01:30:21,040
Speaker 1: White doing all right? And you know if you don't

1452
01:30:21,120 --> 01:30:27,040
Speaker 1: got call me white? Is where it's that you want

1453
01:30:27,040 --> 01:30:31,000
Speaker 1: to do it Greek like me? Don't. I'm gonna stake

1454
01:30:31,040 --> 01:30:34,519
Speaker 1: with rock. I'm gonna stick with calling me white. What

1455
01:30:34,560 --> 01:30:37,200
Speaker 1: do you want to stick with? Good? You gotta do

1456
01:30:37,720 --> 01:30:40,000
Speaker 1: threes like you know, man, I never did a shot

1457
01:30:40,040 --> 01:30:44,599
Speaker 1: every so doing too its yeah and then three shot

1458
01:30:44,680 --> 01:30:47,040
Speaker 1: like that. I'm gonna be a nauseous man or stuff.

1459
01:30:47,360 --> 01:30:50,560
Speaker 1: You ain't you want to drink chat? You know, this

1460
01:30:50,680 --> 01:30:53,040
Speaker 1: is what we salute. All that just you know what,

1461
01:30:53,479 --> 01:30:55,960
Speaker 1: And the fact that you've been doing this man since

1462
01:30:56,040 --> 01:31:00,559
Speaker 1: motherfucker ninety six nineties seven. I wasn't doing this man, uh,

1463
01:31:01,400 --> 01:31:06,280
Speaker 1: continuing to live life man and having fun. Man. You

1464
01:31:06,320 --> 01:31:09,040
Speaker 1: know what I'm saying because I'm surprised like you and

1465
01:31:09,200 --> 01:31:11,200
Speaker 1: him would have felt out at one point. Did you

1466
01:31:11,280 --> 01:31:13,760
Speaker 1: all out at one point? No? No, no, you never

1467
01:31:13,840 --> 01:31:16,040
Speaker 1: got mad at him like a little bit of course. Okay,

1468
01:31:16,400 --> 01:31:20,800
Speaker 1: your friends friends real friend trip. Yeah yeah, that's real friends.

1469
01:31:21,479 --> 01:31:22,880
Speaker 1: I get mad at f and all the time, so

1470
01:31:23,080 --> 01:31:28,080
Speaker 1: back can get mad at me every day. It's just okay, Um,

1471
01:31:28,439 --> 01:31:31,160
Speaker 1: you me and Polo, same ship. Come on, you wanna

1472
01:31:31,280 --> 01:31:33,800
Speaker 1: this is light ship, This is this is good good,

1473
01:31:34,080 --> 01:31:36,960
Speaker 1: better and I'm gonna k yeah, yeah, stick with the doctor.

1474
01:31:37,320 --> 01:31:39,400
Speaker 1: We're gonna get some docking and ship the three shots.

1475
01:31:39,400 --> 01:31:48,920
Speaker 1: Everyone's gonna look huh. How about the trophy? Mr lady,

1476
01:31:50,120 --> 01:31:52,880
Speaker 1: we're imported to the trunk. Hey did you find out

1477
01:31:52,920 --> 01:31:55,439
Speaker 1: a trophy while you're out there? Come on, baby, come

1478
01:31:55,600 --> 01:32:01,640
Speaker 1: I know you know yoa ship? Come on? Where are

1479
01:32:01,640 --> 01:32:05,720
Speaker 1: you find this? Now? You would take that this is watermelon.

1480
01:32:07,439 --> 01:32:09,800
Speaker 1: I'm gonna do the dirk. Okay, I do dok alright

1481
01:32:09,840 --> 01:32:13,479
Speaker 1: because I just said through all blood live, you're gonna

1482
01:32:13,520 --> 01:32:16,559
Speaker 1: like it. Okay, because there's water another guy, Davis, that's

1483
01:32:16,600 --> 01:32:20,679
Speaker 1: out of the crazy. I'm black. I can say I'm black.

1484
01:32:20,720 --> 01:32:25,920
Speaker 1: I can say if we are, y'all make clean. If

1485
01:32:26,000 --> 01:32:28,240
Speaker 1: you are black, you or can make me connected to

1486
01:32:28,479 --> 01:32:32,840
Speaker 1: light ship. I'm just telling you I like to black

1487
01:32:35,560 --> 01:32:39,120
Speaker 1: and I'm black black. I don't know, but like I'm

1488
01:32:39,160 --> 01:32:41,160
Speaker 1: black black, you know what I mean? That's it. I

1489
01:32:41,200 --> 01:32:44,160
Speaker 1: don't know. One can't wrote me on the drink, on

1490
01:32:44,240 --> 01:32:48,639
Speaker 1: the drink to go make it tin super. I'm gonna

1491
01:32:48,880 --> 01:32:51,720
Speaker 1: one of those right now. Just just just a little

1492
01:32:51,720 --> 01:32:55,559
Speaker 1: bitter that come on a little more, a little bit

1493
01:32:55,600 --> 01:32:57,599
Speaker 1: more than that. I'm gonna be thrown up on drink

1494
01:32:57,920 --> 01:33:10,760
Speaker 1: that's not solute. That's cool and how intimidated? What's it

1495
01:33:10,880 --> 01:33:15,519
Speaker 1: to get on that mic? Let's say Andrews. Oh man,

1496
01:33:16,240 --> 01:33:18,640
Speaker 1: that's the place and what they called it a mile

1497
01:33:18,760 --> 01:33:22,599
Speaker 1: they call it? Uh? I think the Drews Drews. Yeah,

1498
01:33:23,760 --> 01:33:27,400
Speaker 1: very intimidating, man, because you got to be the best.

1499
01:33:27,920 --> 01:33:30,519
Speaker 1: What I'm saying, the best of the best. But the

1500
01:33:30,600 --> 01:33:33,280
Speaker 1: hip hop Shop was even more difficult than that. What's

1501
01:33:33,320 --> 01:33:37,080
Speaker 1: the pick then it's the hip hop Shop. No, it's

1502
01:33:37,120 --> 01:33:40,840
Speaker 1: a Saint Andrews. The Saint Andrews is more. I think

1503
01:33:40,840 --> 01:33:42,599
Speaker 1: they kind of mixed it together. When we know battles

1504
01:33:42,640 --> 01:33:44,800
Speaker 1: going on there was more so they kind of like

1505
01:33:45,080 --> 01:33:49,519
Speaker 1: put the both in. Yeah. Yeah, the battles are going

1506
01:33:49,560 --> 01:33:57,080
Speaker 1: on at the hip hop shop. So in Detroit, what's

1507
01:33:57,080 --> 01:34:00,840
Speaker 1: the most legendary battle you saw that's in coming up

1508
01:34:00,920 --> 01:34:05,479
Speaker 1: that maybe you even got that, maybe even got a hotel.

1509
01:34:06,280 --> 01:34:09,679
Speaker 1: But you said, man, this is what makes me want

1510
01:34:09,720 --> 01:34:15,599
Speaker 1: to do this. Yeah, by seeing like I think, uh,

1511
01:34:17,320 --> 01:34:21,360
Speaker 1: I think Conniver and Marshall battle one time. That was

1512
01:34:21,439 --> 01:34:24,040
Speaker 1: a good battle, and all the battle was good because

1513
01:34:24,040 --> 01:34:28,360
Speaker 1: remember the way that a thing in an eight mile

1514
01:34:28,439 --> 01:34:32,200
Speaker 1: where he started himself. H yeah, that was that was

1515
01:34:32,280 --> 01:34:37,400
Speaker 1: one of the schemes that they did that really happened. No, no, no,

1516
01:34:37,680 --> 01:34:40,479
Speaker 1: but I'm just saying, just say, I can't see him before.

1517
01:34:40,560 --> 01:34:43,160
Speaker 1: We're kind of like play a little you know, I'm

1518
01:34:43,200 --> 01:34:46,280
Speaker 1: white whatever, because that was the vote thing. You know,

1519
01:34:46,400 --> 01:34:48,760
Speaker 1: we always have to defend like, oh he word, you

1520
01:34:48,760 --> 01:34:53,120
Speaker 1: know what I'm saying. So were you not his big homie? Like,

1521
01:34:53,240 --> 01:34:57,000
Speaker 1: weren't you out before him? No, I'm the youngest, I'm

1522
01:34:57,000 --> 01:34:59,840
Speaker 1: a little So who were the piety, like the guys

1523
01:34:59,880 --> 01:35:02,200
Speaker 1: that you grew up in Detroit that that the m

1524
01:35:02,360 --> 01:35:05,680
Speaker 1: or you were looking up to already? H I c

1525
01:35:05,880 --> 01:35:11,960
Speaker 1: P Detroit most warned, awesome trade. That's crazy if Breed

1526
01:35:13,280 --> 01:35:15,120
Speaker 1: you know what, I always thought he was from the

1527
01:35:15,160 --> 01:35:18,519
Speaker 1: Bay for some damn reason. Yeah, yeah he was smooth.

1528
01:35:18,920 --> 01:35:25,320
Speaker 1: Yeah that was smooth racist. Yeah, because you just do

1529
01:35:25,439 --> 01:35:33,479
Speaker 1: everybody from the smooth at that time. Smooth racist. Yeah,

1530
01:35:33,600 --> 01:35:36,720
Speaker 1: that's what we grew up listening to. And then and

1531
01:35:36,800 --> 01:35:41,400
Speaker 1: then uh jeez, this is not a history, I know, man,

1532
01:35:42,240 --> 01:35:45,600
Speaker 1: of goddamn motherfucking history. No, man, it was. It was.

1533
01:35:46,400 --> 01:35:48,679
Speaker 1: It was crazy back there, man. Now, how about Biggie,

1534
01:35:48,680 --> 01:35:53,800
Speaker 1: because Biggie gonna come into Detroit big players. Um you

1535
01:35:53,920 --> 01:35:57,000
Speaker 1: remember that he was too young. I don't remember him,

1536
01:35:57,640 --> 01:36:01,719
Speaker 1: you think, yeah, I remember you. I remember like rappers.

1537
01:36:01,840 --> 01:36:04,400
Speaker 1: We started making rappers come to the hip Hop Shop.

1538
01:36:05,200 --> 01:36:08,760
Speaker 1: And I remember one time proves out of time. He said, yo,

1539
01:36:09,200 --> 01:36:10,680
Speaker 1: be and need you to hold it down for me.

1540
01:36:11,840 --> 01:36:13,240
Speaker 1: Uh why am I the town? I want you to

1541
01:36:13,280 --> 01:36:16,559
Speaker 1: host the host of the hip Hop Shop And uh

1542
01:36:16,840 --> 01:36:21,000
Speaker 1: fact Joe was coming there tore that week, so I

1543
01:36:21,080 --> 01:36:23,680
Speaker 1: didn't even host the fist. Actually he came in there,

1544
01:36:23,800 --> 01:36:28,000
Speaker 1: snatched the wipe up back here Joey cracking ahead and

1545
01:36:28,120 --> 01:36:30,000
Speaker 1: he got the bits. I mean he had to crack it,

1546
01:36:30,160 --> 01:36:32,519
Speaker 1: you know what I'm saying. Shot saw the tragic made

1547
01:36:32,720 --> 01:36:36,479
Speaker 1: he went to a lot of underground. Yeah. We was

1548
01:36:36,520 --> 01:36:38,640
Speaker 1: happy because you know, he was doing a promot it.

1549
01:36:38,760 --> 01:36:41,120
Speaker 1: He didn't have to come there. It wasn't like a

1550
01:36:41,240 --> 01:36:44,120
Speaker 1: spot property that was on to He was coming as

1551
01:36:44,120 --> 01:36:48,800
Speaker 1: an underground ship. Bro. Yeah, that was like a big

1552
01:36:48,840 --> 01:36:51,600
Speaker 1: moment in my life where well I definitely felt like

1553
01:36:51,760 --> 01:36:55,599
Speaker 1: it was reachable, you know what I'm saying. Started doing

1554
01:36:55,680 --> 01:36:58,960
Speaker 1: this ship because he was like bad yeah man. And

1555
01:36:59,040 --> 01:37:03,280
Speaker 1: then just by him coming to our element and I

1556
01:37:03,320 --> 01:37:06,439
Speaker 1: mean he was in a cipher, but physically seen someone.

1557
01:37:06,720 --> 01:37:08,519
Speaker 1: You didn't see somebody who made it at that time,

1558
01:37:08,840 --> 01:37:10,760
Speaker 1: being you know, I mean we used to go to

1559
01:37:11,080 --> 01:37:13,200
Speaker 1: North we used to wrap. It's a favorite story that

1560
01:37:13,280 --> 01:37:17,040
Speaker 1: Ev gave bat Joe his demo. Take five times he did, Yeah,

1561
01:37:17,560 --> 01:37:21,800
Speaker 1: he did. Yeah, yea many day days because if it

1562
01:37:21,840 --> 01:37:25,799
Speaker 1: went for Wendy, Yeah, we gotta have Wendy down Maneah Wendy.

1563
01:37:26,000 --> 01:37:29,280
Speaker 1: Wendy kind of put us on the way because she, uh,

1564
01:37:29,880 --> 01:37:32,320
Speaker 1: she was coming to Detroit for a music convention. I

1565
01:37:32,439 --> 01:37:34,840
Speaker 1: told Marshall, like, yo, we gotta we gotta go see Wendy.

1566
01:37:34,960 --> 01:37:37,640
Speaker 1: You know, you know she was for it. All these

1567
01:37:37,640 --> 01:37:40,560
Speaker 1: people getting that cash money Yeah, cash money yea. So

1568
01:37:41,040 --> 01:37:45,240
Speaker 1: we went to the hotels. He was following the cash. Yeah.

1569
01:37:45,360 --> 01:37:49,439
Speaker 1: That was hard. It's hard at that time. I need

1570
01:37:49,520 --> 01:37:51,320
Speaker 1: to know this stuff. He gave hit my visit, he

1571
01:37:51,360 --> 01:37:53,040
Speaker 1: gave him, he said, hey, my name Marshall. He gave

1572
01:37:53,080 --> 01:37:56,479
Speaker 1: her her demo, his demo, and she was like okay.

1573
01:37:56,840 --> 01:37:58,920
Speaker 1: We walked away. We actually left because we had no

1574
01:37:59,000 --> 01:38:00,760
Speaker 1: business to being at the convention. We couldn't afford it.

1575
01:38:02,400 --> 01:38:05,680
Speaker 1: But he said Marshall, yeah, not Eminem. He didn't have

1576
01:38:05,760 --> 01:38:07,680
Speaker 1: him in them at the time. No, he said, it's

1577
01:38:07,720 --> 01:38:10,240
Speaker 1: really but when he like, I guess she felt he

1578
01:38:10,320 --> 01:38:12,280
Speaker 1: was she was older or something. That's the most nonp

1579
01:38:14,200 --> 01:38:19,760
Speaker 1: I almost never said okay. So she called him up

1580
01:38:19,800 --> 01:38:22,040
Speaker 1: a week later and was like, yo, I fun with

1581
01:38:22,120 --> 01:38:27,639
Speaker 1: your tape. Um, I'm throwing this rap battle and Cali

1582
01:38:27,800 --> 01:38:33,080
Speaker 1: and his signed rappers versus unsigned rappers, and she said,

1583
01:38:33,120 --> 01:38:35,960
Speaker 1: this guy named Juice is going to be the team captain.

1584
01:38:37,040 --> 01:38:40,799
Speaker 1: And I don't know about you know about Juice from Chicago.

1585
01:38:40,960 --> 01:38:43,439
Speaker 1: He was like, it's crazy. The end, it's battle Rapper

1586
01:38:43,479 --> 01:38:46,720
Speaker 1: rapper back then him and Marshall actually battle before. So

1587
01:38:47,040 --> 01:38:50,360
Speaker 1: Juice wanted Marshall to be on his team. And so

1588
01:38:50,640 --> 01:38:53,120
Speaker 1: I think it was Juice Marshall and a lot of

1589
01:38:53,160 --> 01:38:55,439
Speaker 1: people don't know techno. I was on that. They were

1590
01:38:55,479 --> 01:38:59,040
Speaker 1: a team too, and it's not this is that. So

1591
01:38:59,120 --> 01:39:01,560
Speaker 1: they flew out there and then they battled most of

1592
01:39:01,560 --> 01:39:06,920
Speaker 1: them cats from the Freestyle Fellowship, like you know, a

1593
01:39:07,040 --> 01:39:12,400
Speaker 1: c alone all the Medusa. So they battled, and you know,

1594
01:39:13,120 --> 01:39:14,920
Speaker 1: if it wasn't but if it wasn't for Wendy Day,

1595
01:39:16,000 --> 01:39:24,600
Speaker 1: you know, m pick up the Wendy Day, that's no

1596
01:39:24,760 --> 01:39:28,000
Speaker 1: bizarre and be honest, something that's been sucking me the

1597
01:39:28,040 --> 01:39:32,760
Speaker 1: whole night tonight only yes, right now, this whole time.

1598
01:39:33,520 --> 01:39:39,240
Speaker 1: You got on the Jeane jacket plaid sleeve for time

1599
01:39:40,360 --> 01:39:44,000
Speaker 1: I have never seen nothing like You're in four different

1600
01:39:44,080 --> 01:39:47,600
Speaker 1: wells cats. What are you doing? What is that? What

1601
01:39:47,840 --> 01:39:50,519
Speaker 1: is designed by? I need to know? Like I don't

1602
01:39:54,040 --> 01:39:58,920
Speaker 1: because listen to gen Jacket sleepless go by right, you're great,

1603
01:39:59,680 --> 01:40:02,360
Speaker 1: but it up the Lama jack. That's it, says Detroit,

1604
01:40:02,400 --> 01:40:11,040
Speaker 1: all right, but then the fire says Antarctica. Why where

1605
01:40:11,120 --> 01:40:16,479
Speaker 1: were you going with this? Detroit man? We really inter

1606
01:40:16,640 --> 01:40:18,800
Speaker 1: dresses and you don't think it's going to be cold

1607
01:40:18,880 --> 01:40:27,720
Speaker 1: everybod cold. Don't you don't even hurt anything. You don't

1608
01:40:27,720 --> 01:40:33,639
Speaker 1: need that at all. I mean no, we we get

1609
01:40:33,720 --> 01:40:36,479
Speaker 1: for two hours, and you know what, I can't complain.

1610
01:40:36,640 --> 01:40:38,760
Speaker 1: I can't wait to complain to my people up top.

1611
01:40:38,800 --> 01:40:40,960
Speaker 1: I like, it's forty degrees out and they're like, mother

1612
01:40:43,800 --> 01:40:46,920
Speaker 1: god man, you know our friendly degrees. It's I got

1613
01:40:47,120 --> 01:40:52,080
Speaker 1: a goose with the shorts. It's yeah. So where is

1614
01:40:52,120 --> 01:40:54,599
Speaker 1: that Is that a design you made or that's something

1615
01:40:55,320 --> 01:40:59,400
Speaker 1: exactually said, that's just figuring up. This is actually just

1616
01:40:59,520 --> 01:41:04,240
Speaker 1: black company out of they called me Calp. I might

1617
01:41:04,240 --> 01:41:08,679
Speaker 1: be named cal Lakobe. I say that my cal sounds

1618
01:41:08,720 --> 01:41:11,679
Speaker 1: like a Takella company. Yeah, they're black on the compob

1619
01:41:12,000 --> 01:41:13,840
Speaker 1: Yeah okay, and they kind of they got a lot

1620
01:41:13,880 --> 01:41:16,479
Speaker 1: of ship with fur O. So they didn't make that

1621
01:41:16,640 --> 01:41:18,320
Speaker 1: for you. It's in my mind. I felt like, this

1622
01:41:18,520 --> 01:41:21,040
Speaker 1: is you. Yeah, I wish they would have made Yeah,

1623
01:41:21,840 --> 01:41:26,320
Speaker 1: but uh yeah, man, you know mccobe, Yeah, Kobe, Kobe,

1624
01:41:26,439 --> 01:41:33,160
Speaker 1: shout to m Kobe. Got damn that was the Nori Club. Yeah,

1625
01:41:33,400 --> 01:41:34,960
Speaker 1: I got that. So I'm gonna take a little show

1626
01:41:35,000 --> 01:41:37,519
Speaker 1: of Watermeluth. Come on, but what do you got one

1627
01:41:37,640 --> 01:41:39,200
Speaker 1: left at me? And I'm gonna be honest. I gotta

1628
01:41:39,240 --> 01:41:42,160
Speaker 1: go home. Yeah, I gotta go now, I gotta go.

1629
01:41:43,640 --> 01:41:46,240
Speaker 1: I just know it's just something. Stay here, we go,

1630
01:41:46,479 --> 01:41:50,040
Speaker 1: we stay right there. Yeah, we talk. I don't gotta

1631
01:41:50,080 --> 01:41:52,120
Speaker 1: go though, but I's take it on the show. I

1632
01:41:52,160 --> 01:41:58,200
Speaker 1: mean you don't have to. Yeah, I'm so um yeah. Yeah,

1633
01:41:58,240 --> 01:42:00,920
Speaker 1: but you got a question. I wanted some rock you

1634
01:42:01,080 --> 01:42:05,479
Speaker 1: do Yeah, goddamn, listen just click the park last song.

1635
01:42:05,479 --> 01:42:07,360
Speaker 1: I see that me said that the rocks lighting the table.

1636
01:42:07,439 --> 01:42:09,400
Speaker 1: That is not that you did not say that. Let

1637
01:42:09,520 --> 01:42:13,760
Speaker 1: it I see if I have a robot, big up

1638
01:42:13,760 --> 01:42:16,640
Speaker 1: to Tim. Can't you tell the robot robot tivity? You

1639
01:42:16,640 --> 01:42:20,760
Speaker 1: don't know? I gotta robot about about I don't know

1640
01:42:20,880 --> 01:42:24,680
Speaker 1: about like legals got nigger at the first you know,

1641
01:42:25,080 --> 01:42:27,639
Speaker 1: first change key one of the jetson's right, first check

1642
01:42:27,720 --> 01:42:30,360
Speaker 1: the funk like you know, you know, training up phone,

1643
01:42:30,479 --> 01:42:34,040
Speaker 1: you know your first brothers, you know not that excuse

1644
01:42:34,040 --> 01:42:37,880
Speaker 1: me not training from rap person? Keep you from since

1645
01:42:38,120 --> 01:42:41,600
Speaker 1: So yeah, who got the first robot nigger? Oh? On

1646
01:42:44,439 --> 01:42:59,599
Speaker 1: first family of drain on amazonas want all the way

1647
01:43:06,080 --> 01:43:16,280
Speaker 1: good time here? Oh he follow Yeah, ro if I

1648
01:43:16,360 --> 01:43:34,320
Speaker 1: get in the hands off keeping, it's gonna robot keep mind. Yeah,

1649
01:43:37,200 --> 01:43:39,000
Speaker 1: but now you put it on and bring it here.

1650
01:43:39,439 --> 01:43:46,679
Speaker 1: Someone don't don't make it. Hey, that's a crazy man. Listen, man,

1651
01:43:47,160 --> 01:43:49,040
Speaker 1: would you say? Was the question me? I'm sorry, Yeah,

1652
01:43:49,080 --> 01:43:51,800
Speaker 1: I'm saying that the robot don't make this ship if

1653
01:43:52,120 --> 01:43:53,680
Speaker 1: someone puts it on the plane and bring it to

1654
01:43:53,760 --> 01:43:56,200
Speaker 1: What I do is I can program it or a Telly,

1655
01:43:56,360 --> 01:43:59,240
Speaker 1: So I go say, go ask for somebody like it's

1656
01:43:59,280 --> 01:44:03,759
Speaker 1: it's it's it's perfect. Handover with you when I when

1657
01:44:03,760 --> 01:44:07,280
Speaker 1: I'm hung over, which i'm tomorrow, So tomorrow you to

1658
01:44:07,360 --> 01:44:09,040
Speaker 1: use it. I'm not I don't know, gonna be hung

1659
01:44:09,120 --> 01:44:12,360
Speaker 1: over to mom A right, huh. But when I am hungover,

1660
01:44:13,840 --> 01:44:16,000
Speaker 1: what happens is I always want my water, but I

1661
01:44:16,040 --> 01:44:18,200
Speaker 1: want to get out of bed, so I just want

1662
01:44:18,240 --> 01:44:21,400
Speaker 1: to lean over and drink some water. But my fucking

1663
01:44:21,479 --> 01:44:23,840
Speaker 1: son is sucking other age where he thinks it's not

1664
01:44:23,920 --> 01:44:27,160
Speaker 1: cool anymore to bring me some fucking water. So you

1665
01:44:27,240 --> 01:44:33,760
Speaker 1: know the fuck you bounds the root. I can send

1666
01:44:33,800 --> 01:44:37,560
Speaker 1: the robot to the kitchen. The kitchen will meet my

1667
01:44:37,680 --> 01:44:39,960
Speaker 1: son in the kitchen. All you gotta do the gullage room,

1668
01:44:40,080 --> 01:44:42,560
Speaker 1: put the water in the drink, and then she'll go

1669
01:44:42,760 --> 01:44:45,519
Speaker 1: right to my ro right exactly the right. Now. I

1670
01:44:45,880 --> 01:44:48,760
Speaker 1: suppose I don't want to. I suppose I've sat down

1671
01:44:48,880 --> 01:44:50,639
Speaker 1: on them in the bathroom. That's what I broke out

1672
01:44:50,720 --> 01:44:53,519
Speaker 1: it for in the bathroom, and I want to run

1673
01:44:53,600 --> 01:44:57,000
Speaker 1: out of the run out of the Swisses. It was

1674
01:44:57,160 --> 01:44:59,439
Speaker 1: the same thing, and put the Swisses on the joint

1675
01:44:59,760 --> 01:45:02,320
Speaker 1: for be right to the bathroom. About to say right

1676
01:45:02,320 --> 01:45:04,920
Speaker 1: out of tissue, No, you know what, I ain't even

1677
01:45:05,240 --> 01:45:07,160
Speaker 1: it's a found that I am. I ain't even think

1678
01:45:07,200 --> 01:45:09,519
Speaker 1: about tissue. How are you thinking about running out of

1679
01:45:10,640 --> 01:45:15,840
Speaker 1: He's what about running out of weed? And especially yeahbody

1680
01:45:15,920 --> 01:45:18,240
Speaker 1: verybody asked the weed man like you know what I mean.

1681
01:45:18,800 --> 01:45:21,280
Speaker 1: But yeah, I'm the first backban Winter Road. But I

1682
01:45:21,360 --> 01:45:24,439
Speaker 1: think you nis gotta recognize and you definitely you don't

1683
01:45:24,439 --> 01:45:27,360
Speaker 1: need to. You don't need to. You don't slid slow.

1684
01:45:31,240 --> 01:45:41,840
Speaker 1: Oh so Jesus dr Dre in the studio man was

1685
01:45:41,920 --> 01:45:49,679
Speaker 1: mainking the album What's going through your mind? Man? First

1686
01:45:49,720 --> 01:45:52,200
Speaker 1: of all, you know, I never smoked a good California weed,

1687
01:45:52,360 --> 01:45:55,600
Speaker 1: so I was damn the coma to every day. Just

1688
01:45:57,000 --> 01:45:59,240
Speaker 1: what was this kind of stre smoking the weed? Yeah?

1689
01:45:59,640 --> 01:46:01,560
Speaker 1: He you know, he was one of the do I

1690
01:46:01,640 --> 01:46:03,800
Speaker 1: smoked with because you know, I' only person that group

1691
01:46:03,840 --> 01:46:08,320
Speaker 1: to smoke Scott mail Man mail Man Scott, so you know,

1692
01:46:08,400 --> 01:46:12,160
Speaker 1: whatever else was around, but man, it was it was

1693
01:46:12,240 --> 01:46:16,320
Speaker 1: dope man. Because uh, just watching Drake created you know

1694
01:46:16,320 --> 01:46:18,760
Speaker 1: what I'm saying, Like like the way he records. You

1695
01:46:18,800 --> 01:46:22,040
Speaker 1: had the musicians in studio and they just keep it

1696
01:46:22,120 --> 01:46:25,160
Speaker 1: that player running and they just playing ship and they

1697
01:46:25,280 --> 01:46:28,280
Speaker 1: play sampling the hill just some reason like his drums

1698
01:46:28,320 --> 01:46:33,000
Speaker 1: would just sound like a fucking storm. Yeah you ain't

1699
01:46:33,080 --> 01:46:35,960
Speaker 1: just fucking you don't used to go through like two

1700
01:46:36,040 --> 01:46:40,360
Speaker 1: or three speakers a week. He were blown like two

1701
01:46:40,439 --> 01:46:44,880
Speaker 1: or three, So definitely the angels. Angels man, yeah, Man,

1702
01:46:45,439 --> 01:46:49,200
Speaker 1: so just seeing him and there we're all creating because

1703
01:46:49,200 --> 01:46:51,320
Speaker 1: he gives you the skeleton beat. First, you get you

1704
01:46:51,360 --> 01:46:55,120
Speaker 1: a skeleton aother beat. Then he was around the vocals. Yeah,

1705
01:46:55,120 --> 01:46:57,320
Speaker 1: I think I think you wrap it in. That's where

1706
01:46:57,840 --> 01:47:02,760
Speaker 1: the sauce come over there. It yea your premiere, No

1707
01:47:03,040 --> 01:47:09,200
Speaker 1: never will Why we didn't make that happen on dreams? Yeah,

1708
01:47:09,240 --> 01:47:15,160
Speaker 1: you know what hold on those alchemists. Alchemists that's his

1709
01:47:15,240 --> 01:47:18,880
Speaker 1: white brother. Yeah, that's all right. Do you want a

1710
01:47:18,880 --> 01:47:21,960
Speaker 1: premier b it'd be crazy, Yeah, that would be him

1711
01:47:21,960 --> 01:47:25,120
Speaker 1: a voice sound great together shouting to them. Man, they

1712
01:47:25,160 --> 01:47:27,280
Speaker 1: got that they got coming out on I think they

1713
01:47:27,320 --> 01:47:29,360
Speaker 1: don't have another line. Yeah, I think they have another

1714
01:47:29,400 --> 01:47:34,320
Speaker 1: prodform anniversaries too, had one. But man, is there anything

1715
01:47:34,400 --> 01:47:36,160
Speaker 1: else you want to tell the people? Man? You know

1716
01:47:36,360 --> 01:47:39,640
Speaker 1: us know man with a bizarre Man, I got a

1717
01:47:39,680 --> 01:47:43,559
Speaker 1: podcast and working the c c s S. You shound

1718
01:47:43,640 --> 01:47:47,400
Speaker 1: to c You signed to the c w W c

1719
01:47:47,560 --> 01:47:50,200
Speaker 1: c S, c s S. The CBS is a serious

1720
01:47:53,160 --> 01:47:59,040
Speaker 1: it was a simusing deal. You have a CBS. Yeah,

1721
01:47:59,240 --> 01:48:03,200
Speaker 1: for the podcast. I think it would do somebody else there,

1722
01:48:03,680 --> 01:48:06,880
Speaker 1: somebody else, but because they got bought like three times

1723
01:48:07,200 --> 01:48:09,320
Speaker 1: that Yeah, we've been going through it. Yeah, and we'd

1724
01:48:09,360 --> 01:48:16,320
Speaker 1: love to grab our rights back. Says too much. Okay, okay,

1725
01:48:16,400 --> 01:48:20,679
Speaker 1: y'all started at CBS, right, yes, yeah, big of everybody

1726
01:48:20,840 --> 01:48:24,360
Speaker 1: was starting us at CBS. Shout out CBS. We've got

1727
01:48:24,479 --> 01:48:29,360
Speaker 1: no man. I guess that movie. Hold on, it's the

1728
01:48:29,400 --> 01:48:31,560
Speaker 1: first time I'm sorry, I'm gonna less, you're finished. The

1729
01:48:31,680 --> 01:48:35,000
Speaker 1: first time I had a Snoop Dogg roach. You know

1730
01:48:35,080 --> 01:48:37,519
Speaker 1: that's that's that's a Snoop Dogg roaches, but it's a

1731
01:48:37,560 --> 01:48:39,920
Speaker 1: bigger long roach. What what's? What's that we've got over?

1732
01:48:39,960 --> 01:48:43,400
Speaker 1: Because that ship is the first thing she was smoking

1733
01:48:43,479 --> 01:48:47,920
Speaker 1: was crazy shit I came with was serial milk, jet

1734
01:48:48,000 --> 01:48:51,840
Speaker 1: Field and July. So what I did was, I'll be honest.

1735
01:48:51,920 --> 01:48:55,920
Speaker 1: The reason why he passes nobody it's not because I

1736
01:48:56,000 --> 01:48:59,280
Speaker 1: didn't wash my hands before and after, but I wrote

1737
01:48:59,320 --> 01:49:03,400
Speaker 1: it on the toilet. So I just don't see you're

1738
01:49:03,439 --> 01:49:07,880
Speaker 1: that courteous, don't curteous, because I just went like if

1739
01:49:07,920 --> 01:49:11,880
Speaker 1: you like told me like yo yo, So so you

1740
01:49:11,960 --> 01:49:14,840
Speaker 1: know you were rolling ship that I was, you know,

1741
01:49:14,920 --> 01:49:19,680
Speaker 1: I was shipping at the town. I wouldn't want to smoke, so,

1742
01:49:20,000 --> 01:49:23,360
Speaker 1: you know, so I felt very uncomfortable, like you know,

1743
01:49:23,439 --> 01:49:25,360
Speaker 1: I don't pass. So I was like when I wrote

1744
01:49:25,400 --> 01:49:27,360
Speaker 1: it on the toilet, some of the last rolls come

1745
01:49:27,360 --> 01:49:30,280
Speaker 1: on on the toilet. But I don't want to share

1746
01:49:30,360 --> 01:49:32,599
Speaker 1: that with everybody. Now, I don't want to share the weed.

1747
01:49:32,680 --> 01:49:34,280
Speaker 1: I just don't want to share that, the fact that

1748
01:49:34,600 --> 01:49:40,639
Speaker 1: I might have been un Santuary time sect Sancuary get out,

1749
01:49:41,439 --> 01:49:46,160
Speaker 1: but it's a sanctuary because ship after I rolled, but

1750
01:49:46,360 --> 01:49:48,679
Speaker 1: it never took us. I mean to take a shower.

1751
01:49:48,840 --> 01:49:52,439
Speaker 1: I've got ship and everything, but I don't take a

1752
01:49:52,479 --> 01:49:56,240
Speaker 1: shower before I roll it, so you know, might not remember,

1753
01:49:56,280 --> 01:49:58,559
Speaker 1: might not feel good to everybody. This is a dirty,

1754
01:49:58,600 --> 01:50:02,160
Speaker 1: complicated story. It is to me to because this nig

1755
01:50:02,280 --> 01:50:04,519
Speaker 1: is like it's sunny, was smoking and he isn't give

1756
01:50:04,560 --> 01:50:07,040
Speaker 1: a funk Like I smoke it. I smoke it, didn't

1757
01:50:07,040 --> 01:50:08,920
Speaker 1: you roll it on the toilet and like I got

1758
01:50:09,080 --> 01:50:11,360
Speaker 1: the worst case of diarrhea, doesn't matter, like you know

1759
01:50:11,479 --> 01:50:14,880
Speaker 1: the kid, you know what I mean. I'm so sorry

1760
01:50:14,920 --> 01:50:17,680
Speaker 1: I got anything you want to tell the people who

1761
01:50:17,720 --> 01:50:19,880
Speaker 1: God damn it. Please, Oh man, I gotta new album

1762
01:50:19,960 --> 01:50:24,280
Speaker 1: out called Rufus. Rufus. I think that's your name is

1763
01:50:24,479 --> 01:50:27,800
Speaker 1: verse name. Ain't gonna lie you like the third they

1764
01:50:27,880 --> 01:50:33,040
Speaker 1: got no name Rufus's because you know, it's like you

1765
01:50:33,160 --> 01:50:36,479
Speaker 1: gotta be like really from the South, South name Rufus,

1766
01:50:36,560 --> 01:50:41,280
Speaker 1: Like that's some real South eat eating squirrel. Like when

1767
01:50:41,320 --> 01:50:43,559
Speaker 1: you eat your name is Rufus. You made the squirrel

1768
01:50:44,200 --> 01:50:50,200
Speaker 1: the South. They're saying, like, I know we're do the

1769
01:50:50,280 --> 01:50:53,000
Speaker 1: public of the South. You're still the sounds mighty. You

1770
01:50:53,080 --> 01:50:56,719
Speaker 1: all know, like a real nigg like city city, city, city,

1771
01:50:57,040 --> 01:51:00,400
Speaker 1: like from named Rufus. When you Rufus. Your parents are

1772
01:51:00,400 --> 01:51:02,519
Speaker 1: from the Deep South and my life yeah I'm a

1773
01:51:02,640 --> 01:51:05,960
Speaker 1: junior and your parents from the South. Though, you don't

1774
01:51:05,960 --> 01:51:11,040
Speaker 1: eat squirrel like he said. He said he's thinking about

1775
01:51:11,160 --> 01:51:17,240
Speaker 1: he's like left all right, like squirts. Listen, man, I

1776
01:51:17,320 --> 01:51:20,400
Speaker 1: know nig's name ruf It's I don't squirrel or something.

1777
01:51:26,240 --> 01:51:29,680
Speaker 1: There's something going taste like chicken. Yeah, everybody's saying that

1778
01:51:29,840 --> 01:51:32,479
Speaker 1: like alligator. It's like chicken. It's like this is the

1779
01:51:32,479 --> 01:51:35,240
Speaker 1: reason why we gotta stop eating chicken. You know't eat

1780
01:51:35,320 --> 01:51:37,800
Speaker 1: chicken because when everybody saying it tastes like that, and

1781
01:51:38,280 --> 01:51:43,400
Speaker 1: I'm sorry you eat chicken or I'm fortunately okay, I

1782
01:51:43,520 --> 01:51:46,240
Speaker 1: still eat chicken. I'm still look, I'm still a leg round.

1783
01:51:46,320 --> 01:51:48,960
Speaker 1: So you gonna to terry, Yeah, I don't. I don't

1784
01:51:49,000 --> 01:51:54,120
Speaker 1: eat pork and beef and any red meat, but um boil.

1785
01:51:55,120 --> 01:51:58,320
Speaker 1: I'm sorry, a little bit shot on the boil. Come

1786
01:51:58,400 --> 01:52:03,920
Speaker 1: where so boot your minel catch up called Salada mind

1787
01:52:06,360 --> 01:52:11,800
Speaker 1: mine as man isn't catch up catchup? You listen, I'm listen.

1788
01:52:11,960 --> 01:52:13,599
Speaker 1: I don't want you to do that. I don't want

1789
01:52:13,600 --> 01:52:16,960
Speaker 1: you to do that as a real Spanic. Don't you

1790
01:52:17,080 --> 01:52:19,240
Speaker 1: dare go to the public or Walgreens and get a

1791
01:52:19,320 --> 01:52:24,200
Speaker 1: minele catch up. It's horrible. I don't over the making

1792
01:52:24,280 --> 01:52:27,240
Speaker 1: yourself you can't evolve. Listen to white people who made

1793
01:52:27,280 --> 01:52:30,200
Speaker 1: that minel catch up, I call it mine catch up

1794
01:52:30,439 --> 01:52:34,920
Speaker 1: catche y'all. It's just expectable, y'all, Like as a Latin know,

1795
01:52:35,120 --> 01:52:37,439
Speaker 1: like like it's like, yo, you can't do that. That's

1796
01:52:37,520 --> 01:52:41,600
Speaker 1: like getting I can and selfish and I can't. You

1797
01:52:41,760 --> 01:52:45,679
Speaker 1: can't do that. Somebody needs to be kicked in the net.

1798
01:52:47,000 --> 01:52:50,559
Speaker 1: Kick you in the neck. I'm sorry, you know I'm

1799
01:52:50,600 --> 01:52:54,519
Speaker 1: a fat boy because you know what's I'm sorry as

1800
01:52:54,520 --> 01:52:56,920
Speaker 1: a coming when we both either what's your baby food?

1801
01:52:56,960 --> 01:53:03,479
Speaker 1: Dish man? Nowadays a salmon. When I was younger, it

1802
01:53:03,600 --> 01:53:08,080
Speaker 1: was a poor our state. Grandfather told me the state

1803
01:53:08,160 --> 01:53:11,479
Speaker 1: don't cost it would cost less than fifteen in the

1804
01:53:11,560 --> 01:53:18,240
Speaker 1: real state made it expensive, that's all. That's all. Yeah, man,

1805
01:53:20,320 --> 01:53:23,559
Speaker 1: I mean, what's your favorite food? I'll tak a pizza.

1806
01:53:23,600 --> 01:53:28,400
Speaker 1: Pizza man? All right back there, give me some speak

1807
01:53:28,720 --> 01:53:33,200
Speaker 1: your question. Man, as a rapper doing this for so

1808
01:53:33,320 --> 01:53:39,000
Speaker 1: many years, like twenty years, would you say that you

1809
01:53:39,120 --> 01:53:41,600
Speaker 1: were addicted to the road and like when you was

1810
01:53:41,640 --> 01:53:43,479
Speaker 1: at when you get home and it breaks, you feel

1811
01:53:43,520 --> 01:53:47,040
Speaker 1: like that we need to get out, Like, no, you're

1812
01:53:47,040 --> 01:53:52,040
Speaker 1: absolutely right, thank you for pulling my card. No, absolutely,

1813
01:53:52,120 --> 01:53:54,880
Speaker 1: I wasn't into the road because I think I'm to

1814
01:53:54,920 --> 01:54:01,160
Speaker 1: hotels I stay. Yea. Is it addicted or you're used

1815
01:54:01,200 --> 01:54:03,880
Speaker 1: to it? That might be a difference. Yeah, I feel

1816
01:54:03,880 --> 01:54:06,680
Speaker 1: like when I'm at home, I'm I'm here temporary, like

1817
01:54:06,880 --> 01:54:08,719
Speaker 1: what's what's the next move? You know what I'm saying.

1818
01:54:09,840 --> 01:54:12,920
Speaker 1: I don't I don't get this being I'm just at home,

1819
01:54:13,120 --> 01:54:15,880
Speaker 1: Like even when I'm home, did it to that I

1820
01:54:16,280 --> 01:54:20,120
Speaker 1: sometimes I get a hot room and where I'm from

1821
01:54:20,240 --> 01:54:22,479
Speaker 1: like stare for a week. No, I get that, Yeah,

1822
01:54:22,600 --> 01:54:27,800
Speaker 1: I totally. I mean it's crazy too. I saw the

1823
01:54:27,880 --> 01:54:31,920
Speaker 1: contract just eighteen so I've got more of the road

1824
01:54:32,080 --> 01:54:35,400
Speaker 1: life and I have of the other life. So I

1825
01:54:35,600 --> 01:54:38,200
Speaker 1: rather feel like that. Sometimes I'd rather just like feel

1826
01:54:38,240 --> 01:54:41,680
Speaker 1: like I was just coming downstairs. But how about understand

1827
01:54:41,920 --> 01:54:48,800
Speaker 1: that's four shots, but I got five for that? Only

1828
01:54:49,000 --> 01:54:53,600
Speaker 1: none of you? Yes, what's what I'm saying? How y'all

1829
01:54:53,600 --> 01:54:59,360
Speaker 1: negg in Kasa? You don't say shoot cool? I know

1830
01:54:59,560 --> 01:55:04,000
Speaker 1: you'll a friend of there, like shoot programm. Y'all ain't

1831
01:55:04,000 --> 01:55:06,040
Speaker 1: gonna help me out? Not to y'all like listen, you

1832
01:55:06,120 --> 01:55:09,760
Speaker 1: ain't wollow me out? Do do do? Do? Colombia wife

1833
01:55:13,040 --> 01:55:18,520
Speaker 1: and somebody help. Somebody helped us all. Somebody gave us all.

1834
01:55:19,320 --> 01:55:22,320
Speaker 1: I mean, somebody take a shot for us. All, come on,

1835
01:55:23,400 --> 01:55:34,480
Speaker 1: step it upright last, I just gotta ask from Dream

1836
01:55:34,560 --> 01:55:36,760
Speaker 1: Champs sake, can I get one? I ain't gonna lie

1837
01:55:37,000 --> 01:55:40,680
Speaker 1: being honest and my friend with you, everybody ever saw you,

1838
01:55:40,760 --> 01:55:43,080
Speaker 1: they've always been kind of me, always been good or

1839
01:55:43,120 --> 01:55:51,320
Speaker 1: it's been crazy for Dream Champs Classic segment, I think

1840
01:55:51,400 --> 01:55:55,120
Speaker 1: kind of in the answer. Already, alright, bizarre, do you,

1841
01:55:55,200 --> 01:55:59,440
Speaker 1: he asked. I feel like we know the answer if

1842
01:55:59,480 --> 01:56:02,360
Speaker 1: it's still like you're a were or we're like you're

1843
01:56:02,360 --> 01:56:14,040
Speaker 1: an ass a sword, Yeah, yeah, yeah, we have a friend.

1844
01:56:14,080 --> 01:56:16,960
Speaker 1: Then at the game he called himself an ass Saorius like, okay,

1845
01:56:17,120 --> 01:56:30,480
Speaker 1: he's an yeah he and then eats it. He said that, No, no,

1846
01:56:31,040 --> 01:56:36,440
Speaker 1: you got me. I don't know that. I've never known. Man.

1847
01:56:36,640 --> 01:56:39,200
Speaker 1: I'm gonna. I'm gonna. I want to know it's your

1848
01:56:39,240 --> 01:56:40,920
Speaker 1: I don't think it's bad. I made him through you,

1849
01:56:41,080 --> 01:56:43,280
Speaker 1: so I'm gonna make sure I'm protecting me. It's my

1850
01:56:43,360 --> 01:56:46,560
Speaker 1: old relationship. I'm not gonna even protect the Sunny. No,

1851
01:56:46,680 --> 01:56:52,320
Speaker 1: I don't Sunny protect himself. He's he's okay, you want

1852
01:56:52,360 --> 01:56:55,080
Speaker 1: to shot at a shot? Call me a shot. Called me.

1853
01:56:55,960 --> 01:56:57,880
Speaker 1: By the way, I don't know if you know. This

1854
01:56:58,000 --> 01:57:00,720
Speaker 1: is what the Colombians drinking. They stiff up from come cocaine,

1855
01:57:02,520 --> 01:57:04,640
Speaker 1: and then they smoke in a cocaine and then they

1856
01:57:04,720 --> 01:57:07,920
Speaker 1: dreaded the cocaine. And then but I care a man,

1857
01:57:07,960 --> 01:57:14,520
Speaker 1: so I ain't gonna be like and s free, what

1858
01:57:14,560 --> 01:57:16,360
Speaker 1: are you doing? I thought he was gonna drink coming

1859
01:57:16,440 --> 01:57:19,320
Speaker 1: wait everything, I just said, what you're going out with

1860
01:57:19,440 --> 01:57:26,200
Speaker 1: that sugar freaking I'm I'm like, three's only big. You

1861
01:57:26,600 --> 01:57:30,000
Speaker 1: don't keep everything that's not He's water right now. So

1862
01:57:31,800 --> 01:57:33,920
Speaker 1: I'm not gonna be live and trying to trade them

1863
01:57:33,960 --> 01:57:36,160
Speaker 1: back there crazy too for a minute. So this is

1864
01:57:36,600 --> 01:57:43,720
Speaker 1: that real last brother, we got tune minutes taking the

1865
01:57:43,760 --> 01:57:49,960
Speaker 1: shot right and be good. My money, my boys been.

1866
01:57:50,520 --> 01:57:54,680
Speaker 1: I don't not like damn, that's that's real. That's this

1867
01:57:54,840 --> 01:57:58,400
Speaker 1: real ship hold right. Holy, I thought I thought. I

1868
01:57:58,480 --> 01:58:00,680
Speaker 1: thought when I came in, he was gonna like, I think,

1869
01:58:00,760 --> 01:58:05,360
Speaker 1: like you're taking a shot. This this job is detriment. Yeah,

1870
01:58:06,600 --> 01:58:08,240
Speaker 1: but you know what it is. I'm gonna be honest.

1871
01:58:08,440 --> 01:58:11,240
Speaker 1: I didn't really get to this and hip hop. We

1872
01:58:11,320 --> 01:58:14,760
Speaker 1: gotta stop praising each other. We gotta saying I appreciate you.

1873
01:58:15,360 --> 01:58:19,880
Speaker 1: You know D twelve, Like you said, it was a

1874
01:58:19,960 --> 01:58:24,800
Speaker 1: group that you know, came up there with woot came

1875
01:58:24,880 --> 01:58:27,160
Speaker 1: up there. We stopped. It was proof, you know, I

1876
01:58:27,320 --> 01:58:28,920
Speaker 1: was that was a question I was going to ask you,

1877
01:58:29,120 --> 01:58:31,560
Speaker 1: was how it was after proof? But you know, me

1878
01:58:31,720 --> 01:58:33,680
Speaker 1: looking at your face and me looking at your eyes,

1879
01:58:33,920 --> 01:58:36,040
Speaker 1: I don't even want to ask that question because you

1880
01:58:36,120 --> 01:58:38,680
Speaker 1: know why. I already know the answer because I know

1881
01:58:38,840 --> 01:58:41,960
Speaker 1: the audience is probably like that, you know what I mean,

1882
01:58:42,640 --> 01:58:44,960
Speaker 1: And so that's totally up to you. That was my

1883
01:58:45,080 --> 01:58:47,800
Speaker 1: totally last question. If you want to answer how it

1884
01:58:48,040 --> 01:58:50,280
Speaker 1: was after proof is but I'm a day like this.

1885
01:58:51,640 --> 01:58:54,200
Speaker 1: I don't mind either way if you want to, because

1886
01:58:55,080 --> 01:58:57,640
Speaker 1: you know, we probably never get in. We'll probably never

1887
01:58:57,720 --> 01:58:59,720
Speaker 1: get something that could you think we ever would ever

1888
01:58:59,800 --> 01:59:03,240
Speaker 1: do something like this? I don't know, man, I don't

1889
01:59:03,240 --> 01:59:05,200
Speaker 1: know why. I feel like he would. I know that

1890
01:59:05,760 --> 01:59:07,720
Speaker 1: it doesn't seem like he would, but I feel like

1891
01:59:08,160 --> 01:59:12,320
Speaker 1: he's so hip hop. But might you want to? You

1892
01:59:12,360 --> 01:59:14,760
Speaker 1: want to end this on it's like, you know, describing

1893
01:59:14,840 --> 01:59:17,960
Speaker 1: how and if not, that's totally fun, bro, you know

1894
01:59:18,000 --> 01:59:20,200
Speaker 1: what I mean. Just you just describe, you know, for

1895
01:59:20,400 --> 01:59:22,440
Speaker 1: us looking from the outside then and you you know,

1896
01:59:22,560 --> 01:59:25,160
Speaker 1: describing how much of a leader he was, you know

1897
01:59:25,920 --> 01:59:28,240
Speaker 1: it was. It was about the process at once, because

1898
01:59:29,680 --> 01:59:33,720
Speaker 1: for the first ten hours of it, they they had

1899
01:59:33,760 --> 01:59:37,840
Speaker 1: me as a suspect. Yeah, but I was. I was

1900
01:59:37,920 --> 01:59:41,320
Speaker 1: in Atlanta. I lived in Atlanta. But I guess wherever

1901
01:59:41,440 --> 01:59:43,160
Speaker 1: he got the hospital he got dropped off. I had

1902
01:59:43,240 --> 01:59:46,240
Speaker 1: the dude told the people to emergency that the name

1903
01:59:46,320 --> 01:59:53,200
Speaker 1: was bizarre, so trying to process in passing and be

1904
01:59:53,360 --> 01:59:55,080
Speaker 1: a name as a suspect. You know what I'm saying.

1905
01:59:55,120 --> 01:59:57,240
Speaker 1: It was I didn't know that, Yeah, it was. It was.

1906
01:59:57,360 --> 02:00:04,200
Speaker 1: It was about the process. So but I think, you know,

1907
02:00:04,320 --> 02:00:06,400
Speaker 1: the third album, we kind of rushed into it to

1908
02:00:06,560 --> 02:00:09,160
Speaker 1: try to get the paint away. So we I think

1909
02:00:09,200 --> 02:00:12,320
Speaker 1: we went to Callie and we started working in the

1910
02:00:12,400 --> 02:00:15,200
Speaker 1: next D twelve ol woman, I don't think she was

1911
02:00:15,280 --> 02:00:19,360
Speaker 1: coming out right because Proof was literally like like the

1912
02:00:19,480 --> 02:00:24,640
Speaker 1: leader Optimus Prime. Yeah, yeah, yeah, So it was like

1913
02:00:25,320 --> 02:00:27,720
Speaker 1: so many decisions that leads to be made and think

1914
02:00:27,880 --> 02:00:31,000
Speaker 1: things we've done it just the leadership just weren't there

1915
02:00:31,080 --> 02:00:34,440
Speaker 1: no more, you know what I'm saying. Yeah, it was

1916
02:00:34,520 --> 02:00:39,000
Speaker 1: a big thing, man. Like the funeral was like, you know,

1917
02:00:39,240 --> 02:00:41,560
Speaker 1: Proof was like the marriage truly called the Mayor Detroit.

1918
02:00:42,320 --> 02:00:45,840
Speaker 1: So it was like it was like super super hood man. Like,

1919
02:00:47,120 --> 02:00:48,800
Speaker 1: Like didn't you know the part where they get like

1920
02:00:48,960 --> 02:00:52,760
Speaker 1: the preacher to tell everybody to say some words before

1921
02:00:53,720 --> 02:00:55,920
Speaker 1: you know, before they closed the cast or whatever they

1922
02:00:56,000 --> 02:00:58,920
Speaker 1: had dudek They're like, yeah, man, he was more nigger,

1923
02:00:59,800 --> 02:01:02,280
Speaker 1: you know that? Pretty like please no cusins in the church,

1924
02:01:02,760 --> 02:01:06,360
Speaker 1: you know me, and we used to everybody like damn.

1925
02:01:07,120 --> 02:01:09,760
Speaker 1: So it was just one part that was real famous

1926
02:01:09,800 --> 02:01:13,840
Speaker 1: in our city. So this lady, she gets up, uh

1927
02:01:14,280 --> 02:01:18,760
Speaker 1: on the stand. She says, hey, I don't know proof,

1928
02:01:19,720 --> 02:01:24,480
Speaker 1: but my father was David Ruffler from the Temptation. She said,

1929
02:01:24,640 --> 02:01:27,480
Speaker 1: so I know about death and being in the music

1930
02:01:27,640 --> 02:01:30,560
Speaker 1: business and this and that, and I just want to say,

1931
02:01:31,080 --> 02:01:34,080
Speaker 1: you know, shout out to Dr dre Eminem, you know,

1932
02:01:34,760 --> 02:01:37,480
Speaker 1: hoping us with the city all. And she said, and

1933
02:01:37,600 --> 02:01:40,200
Speaker 1: I just want to say, go buy my new son album.

1934
02:01:42,040 --> 02:01:49,320
Speaker 1: And everybody starts saying and she was still taught, so

1935
02:01:49,400 --> 02:01:51,960
Speaker 1: I was just like, what the fund type of food?

1936
02:01:55,000 --> 02:01:57,720
Speaker 1: He started off speech, No one, I don't know. Yeah,

1937
02:01:58,400 --> 02:02:00,320
Speaker 1: and then she went to promoting her son is up.

1938
02:02:03,800 --> 02:02:08,960
Speaker 1: It's I think outside and think it's just selling T shirts.

1939
02:02:09,720 --> 02:02:11,760
Speaker 1: You know what I'm saying. They have music bumping. It

1940
02:02:11,920 --> 02:02:15,120
Speaker 1: was just like, damn, this ship is wow, Like you

1941
02:02:15,160 --> 02:02:16,880
Speaker 1: know what I'm saying. So it was it was a

1942
02:02:16,920 --> 02:02:19,480
Speaker 1: lot of the process, man, and you know, what's the

1943
02:02:19,520 --> 02:02:22,480
Speaker 1: crazy ship something? He appreciated it if he was alive,

1944
02:02:22,640 --> 02:02:25,320
Speaker 1: you know what I mean, And that was alive. But

1945
02:02:25,520 --> 02:02:27,640
Speaker 1: I mean, I mean, you know, That's what's something that

1946
02:02:27,720 --> 02:02:30,520
Speaker 1: we're trying to do with Drink Champions. If we could

1947
02:02:30,520 --> 02:02:33,839
Speaker 1: do anything celebrating off that culture and if our Latino

1948
02:02:33,920 --> 02:02:36,600
Speaker 1: culture and I'll just culture period or hip hop coaching

1949
02:02:37,040 --> 02:02:39,520
Speaker 1: is to celebrate our lives. Now. You know, one thing

1950
02:02:39,560 --> 02:02:42,240
Speaker 1: I respect about New Orleans is you know, when the

1951
02:02:42,360 --> 02:02:47,360
Speaker 1: person dies, they motherfucking celebrated his birthday, Because I mean,

1952
02:02:47,480 --> 02:02:50,760
Speaker 1: why not celebrate his birthday like he died? You know

1953
02:02:50,800 --> 02:02:52,520
Speaker 1: what I'm saying, why not do that? Wh're not not

1954
02:02:52,840 --> 02:02:56,720
Speaker 1: reverse the process, um and uh the thing, and it

1955
02:02:56,880 --> 02:02:59,640
Speaker 1: just you know, just celebrate life every day saying like

1956
02:02:59,640 --> 02:03:01,560
Speaker 1: I always tell people, I had to Auntie that party

1957
02:03:01,720 --> 02:03:04,320
Speaker 1: every day and she would tell me that was somebody's birthday,

1958
02:03:04,360 --> 02:03:07,520
Speaker 1: and kid, I didn't kid. When I came there, she

1959
02:03:07,520 --> 02:03:09,720
Speaker 1: would tell me it's a different person's birthday, whether she

1960
02:03:09,840 --> 02:03:12,560
Speaker 1: was lying to me or not. I just always enjoyed

1961
02:03:12,640 --> 02:03:15,480
Speaker 1: hanging out with that Auntie. And that's what we want

1962
02:03:15,520 --> 02:03:17,120
Speaker 1: to do with Drink Champers. You know what I'm saying,

1963
02:03:17,120 --> 02:03:20,640
Speaker 1: everyone's motherfucker's that the process of fucking great fucking time,

1964
02:03:20,720 --> 02:03:23,360
Speaker 1: a great funking attitude, and that's whether fucking is man,

1965
02:03:23,440 --> 02:03:36,520
Speaker 1: you know, Thanks for joining us for another episode of

1966
02:03:36,600 --> 02:03:39,080
Speaker 1: Drink Champs, hosted by yours truly d J E F

1967
02:03:39,560 --> 02:03:41,680
Speaker 1: and n O R E. Please make sure to follow

1968
02:03:41,760 --> 02:03:44,320
Speaker 1: us on all our socials. Let's at Drink Champs across

1969
02:03:44,360 --> 02:03:48,680
Speaker 1: all platforms at the Real Noriegan, I g at Noriega

1970
02:03:48,720 --> 02:03:51,440
Speaker 1: on Twitter, mine is at Who's Crazy on I g

1971
02:03:52,240 --> 02:03:55,040
Speaker 1: at d J e f N on Twitter, and most importantly,

1972
02:03:55,080 --> 02:03:57,880
Speaker 1: stay up to date with the latest releases, news and

1973
02:03:58,040 --> 02:04:10,120
Speaker 1: merch by going to drink Champs dot com. H