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Speaker 1: Hey everybody, thanks for pulling up a chair. Today on

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Speaker 1: Table for two, we are at the Sunset Tower Hotel

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Speaker 1: on a beautiful day rolling. We're about to sit with

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Speaker 1: five time Emmy, two time Golden Globe nominee, a producer,

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Speaker 1: an actor, a writer, a director. Twenty twenty three, Time

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Speaker 1: magazine named her one of the one hundred most influential people.

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Speaker 2: You do it New York Minute style.

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Speaker 3: Maybe do like the zucchini chips the patient.

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Speaker 2: Yeah, yeah, look at this guy.

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Speaker 3: You know what I mean?

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Speaker 2: This is a professional.

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Speaker 3: Yeah.

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Speaker 4: I guess I'm also a caesar and a pizza and

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Speaker 4: some sliders.

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Speaker 2: Thank you so much.

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Speaker 1: She's hungry, a nineties indie it girl, a redhead forever,

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Speaker 1: a current TV and movie star season two of Poker Face.

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Speaker 1: Here here we come, the awesome Natasha Leone.

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Speaker 2: Yeah. I only eat free food in this town.

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Speaker 5: You know.

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Speaker 2: Yes, that's how. That's a trick to say.

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Speaker 4: Everyone thinks it's oz empic, but actually if you just

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Speaker 4: only eat the free food that's placed directly in front

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Speaker 4: of you, you.

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Speaker 3: Say, very thick.

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Speaker 1: Pull up a chair, grab yourself a glass of rose,

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Speaker 1: and let's go. I'm Bruce Bosi and this is my

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Speaker 1: podcast table for two. Okay, well, first of all, just

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Speaker 1: a formal welcome to table for two. Thank you for

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Speaker 1: joining me today. This Natasha Leon, if you pulled up a.

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Speaker 2: Chair and you were like, what's happening?

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Speaker 3: Wait a minute?

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Speaker 2: Or Sam Jackson please clarify the top.

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Speaker 3: I love you love Sumangers like that's the icon.

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Speaker 4: Yes, you know, trying to be a living embodiment of

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Speaker 4: an amalgamation of a bunch of times.

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Speaker 2: And I would say that Sue is definitely on board.

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Speaker 3: Well you are, Okay, let's just talk about your life.

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Speaker 1: Like you said, it's exploding yet again and again again,

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Speaker 1: but like this is a massive time we are sitting

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Speaker 1: here because poker Face Season two is coming your way.

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Speaker 3: Anyone does anyone?

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Speaker 4: Like?

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Speaker 2: I think you should definitely give me a name, a

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Speaker 2: nickname right now?

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Speaker 3: Okay?

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Speaker 2: Yeah, but can rhyme with your last name?

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Speaker 3: Okay? BOSSI, yeah so it can.

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Speaker 2: It could be Yeah, Rosie, maybe you just call me Rosie.

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Speaker 2: I don't even know now, but now I don't want

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Speaker 2: to be ras. I don't want to be How do

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Speaker 2: we get Why would you call me? That's not my name?

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Speaker 2: Who is not my name? You know what? Our name

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Speaker 2: is a construct?

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Speaker 4: Yes, gosh eventually called me Tazzi and it will just

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Speaker 4: happen naturally.

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Speaker 2: Yea, yeah, Rose, still not my nighbors still have my name.

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Speaker 2: Every time you try it. Then I will call you, yeah, Daniel,

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Speaker 2: and you're gonna be like, just definitely not my name

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Speaker 2: name always, that's the nice thing.

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Speaker 6: And then you started a bit I didn't fully land

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Speaker 6: where you started calling me not my name.

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Speaker 2: And ten years later and this is now a super enthusiasm.

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Speaker 4: What does birs keep calling me Rosa?

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Speaker 3: Could you tell him to stop? Zucker? Yeah, you grew

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Speaker 3: up in New York.

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Speaker 1: I grew up in New York where Upper East Side

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Speaker 1: seventy four.

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Speaker 3: I was born in Jackson.

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Speaker 4: Hide, wait, hold on a minute, because this is my

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Speaker 4: question actually for today. And that was like, you see,

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Speaker 4: I know about me, but I don't know enough about you.

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Speaker 2: So you some point we.

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Speaker 4: Lose interest in ourself to get interested in our fellows.

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Speaker 2: So excuse the officer.

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Speaker 3: So people want to know about you.

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Speaker 6: Well, I'm just saying I also have an upper reside,

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Speaker 6: so I should sound more like I shouldn't like when

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Speaker 6: I if I have to code switch, you know, get

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Speaker 6: into a doorman building that a scholarship kid you know,

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Speaker 6: like my like Hampton's like the East Hampton's voice.

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Speaker 2: When I want to visit parents and they ask me

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Speaker 2: what parents do.

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Speaker 4: I can't tell them the real truth, the whole truth,

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Speaker 4: you know, not to put the truth your honors.

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Speaker 2: So I just say something like, oh, yeah.

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Speaker 4: You know my mother is like a licensing consultant, and yeah,

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Speaker 4: Dad is just you know, like he's doing a lot.

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Speaker 2: Of business stuff right now at the moment. Hi, I'm

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Speaker 2: already see Ario Libisman. Uh yeah, and it's good.

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Speaker 7: Yeah, that is rol No.

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Speaker 4: Ros is trying to keep up with the main girls

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Speaker 4: because she doesn't understand and so she's like, I understand

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Speaker 4: her code, no problem.

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Speaker 2: Will this help? And they say no, it definitely will not.

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Speaker 4: The hardest evidence I have of that it is Laid

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Speaker 4: Trinity a master work. Okay, is Chris Christofferson, I'm playing

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Speaker 4: a blind scientist. I know that because my hair is

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Speaker 4: dyed blonde and it's very straight and I'm wearing sunglasses.

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Speaker 2: That's how I know I'm ready for the role.

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Speaker 4: So when my step I was signed to smoke a

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Speaker 4: cigarette with Chris Christofferson and he says, you have a

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Speaker 4: real Janis vibe, I realized that it wasn't quite working

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Speaker 4: all those years when I would try it, and it

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Speaker 4: took me about you know, fifteen years later, I sort

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Speaker 4: of discovered that actually I wasn't getting hired to be

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Speaker 4: her ro. I was actually getting hired to I think,

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Speaker 4: be something.

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Speaker 2: Close to my self.

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Speaker 4: And boy was that a painful discovery that it was

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Speaker 4: home hole long. Really yeah, I think first it was,

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Speaker 4: but then I didn't realize that nobody realized. I think,

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Speaker 4: I'm sure this happens a lot in this town, is

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Speaker 4: that when people are actually completely themselves, then they're just like,

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Speaker 4: you know, there's endless supply, you know what I mean,

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Speaker 4: Like it's an I think being spread for seven years

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Speaker 4: or whatever.

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Speaker 2: It really like.

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Speaker 4: Taught me that S and L you know, trick of

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Speaker 4: every night they go up and dress and like things

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Speaker 4: that to them are legendary like that they're still talking about,

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Speaker 4: you know, are literally just talked like that they've worked

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Speaker 4: so hard on with all their using all their you

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Speaker 4: like life flood and everything talked so that certainly you

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Speaker 4: developed this sense of like an endless resource.

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Speaker 2: That's not so.

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Speaker 4: It's like once you give somebody the sort of like

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Speaker 4: you know, tap them and say like you're in boss,

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Speaker 4: you know, then there's no shortage.

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Speaker 2: It feels like I could make a movie about this

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Speaker 2: glass of water right now, the right directed.

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Speaker 4: Started produce packaging, international sales, whatever the fuck waterfall, you know,

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Speaker 4: fucking figure out the fucking AI contract that wraps around it,

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Speaker 4: just in case future derivatives, you know, et cetera.

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Speaker 2: Yeah, so, uh like I could do that on this

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Speaker 2: class of water.

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Speaker 4: You see, just by virtue of it, it's all execution, right,

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Speaker 4: it would just be like in the style of what

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Speaker 4: and then that would be a new invention, and it

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Speaker 4: would be like a moment to moment series of invention

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Speaker 4: that are like directly reflective of sort of where you're at.

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Speaker 2: In the moment.

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Speaker 4: I don't think any of those like, you know, acting great,

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Speaker 4: it's like a Gene Hackman, you know, conversation or something

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Speaker 4: right kind of a performance or night movies or something.

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Speaker 4: I don't think that really comes from, you know, like

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Speaker 4: you've got to bring where.

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Speaker 2: You're at, sort of like a come as you are approached.

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Speaker 2: Thank you so much, thank you.

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Speaker 8: Yes, I'm always fascinating with someone's New York because.

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Speaker 1: We were very we have your city kid, city kid

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Speaker 1: borner raised in city. Well, parents moved from Jackson Heights

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Speaker 1: to New York to Upper east Side seventy.

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Speaker 3: First in part.

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Speaker 2: Oh so for real Upper east Side.

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Speaker 3: Yeah, for real Upper eas Side.

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Speaker 1: Wow.

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Speaker 4: So it was I'm always like on you know, seventy

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Speaker 4: eighths between York and the river, seventy second between New.

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Speaker 2: York and the River.

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Speaker 4: It's not it's you know, it's not just don't lie. No, No,

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Speaker 4: that's like saying like that are Beverly Hills.

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Speaker 2: It's not.

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Speaker 4: It's like, you know, they're they're off shoot. It's like

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Speaker 4: I'm like living on like eighty six and third. That's

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Speaker 4: not like the Upper east Side, the pe Mobile Wheel Estate.

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Speaker 4: We know is you're talking between not even its really

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Speaker 4: just it's only and only parts of Madison.

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Speaker 2: Let's be honest. It's really just Fifth Park, right.

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Speaker 3: You're right, Okay, there's a whole different piece.

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Speaker 2: Right, So I'm just saying seventy first and part that's adult.

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Speaker 2: What kind of a building.

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Speaker 1: It was amazingly one of the like few rental buildings

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Speaker 1: owned by a family on Park, and it was.

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Speaker 3: It has since recently been sold to Harry Macrolle and

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Speaker 3: made a condo thing.

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Speaker 1: But because those buildings are very snoothy, like you come

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Speaker 1: from my restaurant.

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Speaker 3: Business, the whole thing. So we lived in a great apartment,

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Speaker 3: but it was it was like growing up on the

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Speaker 3: real Upper east Side.

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Speaker 2: But sort of like your parents did.

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Speaker 1: My dad ran the palm restaurant, his great his grandfather

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Speaker 1: started a po.

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Speaker 3: So it was like we were restaurant. My mother just

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Speaker 3: didn't just she raised us and she was how you

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Speaker 3: know that there.

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Speaker 1: Was just two, but she had my sister and she

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Speaker 1: grew up in Flushing, she grew up in White.

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Speaker 2: So she's a queen's cross.

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Speaker 3: She's a queen. My dad's a Flushing boy. And what yeah,

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Speaker 3: why where like.

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Speaker 1: Multi generation queen's And then we moved it on up

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Speaker 1: like the Jeffersons to the east Side.

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Speaker 2: And then but what that Italian Italian?

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Speaker 3: Well Italian half southern half Northern.

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Speaker 1: Oh wow, so that's where the lightness comes there is

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Speaker 1: in northern.

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Speaker 2: And may to just say, your gorgeous birds. We know,

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Speaker 2: we know, we see it. You know what you're having

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Speaker 2: to make excuses?

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Speaker 3: Yea, you know it's hard up though, right was movies

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Speaker 3: like what resonated with that movie?

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Speaker 1: I remember I was thirteen fifty ninth Streets between third

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Speaker 1: and left.

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Speaker 3: They had the fifty eighth Street. There was a small

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Speaker 3: theater across. She was a porno theater.

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Speaker 5: And yeah.

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Speaker 4: In midtown go there like like a little kid, child

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Speaker 4: like child acting auditions but like minimated and fucking.

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Speaker 2: I lose my drunk dad somewhere in the streets.

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Speaker 4: You know, he'd go off and then I kind of

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Speaker 4: come out and you have to like, you know, ravel rouser,

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Speaker 4: you're working downtown right, No.

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Speaker 2: Like you just like where the fuck am I? Like

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Speaker 2: this is serious? It's taxi driver.

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Speaker 3: What did that instill in you?

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Speaker 5: Like?

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Speaker 3: Because growing up like that, like kids don't get that.

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Speaker 2: Yeah, but you did.

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Speaker 3: I did. I didn't. I mean you were working as

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Speaker 3: a kid, so you were.

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Speaker 4: Like, well, the thing about working as a kid is

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Speaker 4: that you're definitely like now, I'm just like at the

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Speaker 4: point where I'm like, oh my god, nobody knows anything,

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Speaker 4: Like they're all younger than you know, Yeah, and you know,

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Speaker 4: I look, I'm not a day over one, as you

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Speaker 4: can tell.

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Speaker 2: But and I'm lucky all of this pizza. Did we

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Speaker 2: get fries? And should we?

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Speaker 3: Yeah? But okay I don't those?

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Speaker 2: And did you want your COPSID? Certain.

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Speaker 3: No, no, I don't want to call at all this. Yeah,

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Speaker 3: we definitely we need the frock.

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Speaker 2: Well, I don't know, I don't know if you can

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Speaker 2: actually handle it.

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Speaker 1: You don't think I mean, it's not like a challenge

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Speaker 1: and you're gonna it's a challenge trouble for us.

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Speaker 2: No, no, no, no, that troubles.

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Speaker 3: Much. Yes, right, so yes it's gone.

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Speaker 2: I'm great.

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Speaker 1: I've hung a lot, we have slaughters things.

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Speaker 3: Pizza, pizza because it's free. I like you, I like

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Speaker 3: your How you think this.

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Speaker 2: Is gonna sustain me?

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Speaker 4: I gotta pick out a deadline, you know, like a no,

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Speaker 4: not an article, you know, like an actually an outline

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Speaker 4: by Monday.

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Speaker 2: I'm like, this food is gonna get me through this weekend.

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Speaker 4: This food and the bape cigarette combo that I'm meticulously

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Speaker 4: laid out for myself a regment.

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Speaker 2: Along with laps in the pool. I was going to

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Speaker 2: get that work done this weekend.

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Speaker 3: Vape SIGs, I still love my SIGs.

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Speaker 2: How come they can't invent a healthy do it? They

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Speaker 2: is so busy cutting like civil rights today whatever? Like

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Speaker 2: go and bend the fucking healthy.

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Speaker 1: Say seriously, if we would all highly appreciate it, Okay,

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Speaker 1: wait a minute, so I think we're done with Saturday

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Speaker 1: Night fee what were some.

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Speaker 5: Well, I do want to say one thing about that.

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Speaker 5: You're reminding me of another great moment.

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Speaker 4: But in Ladies and Gentlemen, the five was stays when

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Speaker 4: young Diane Lane, and I bring this.

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Speaker 2: Up to her when I see it. She doesn't really

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Speaker 2: want to talk about the movie, but I do it anyway.

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Speaker 2: Laura Dern doesn't even want to talk about it.

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Speaker 5: Do There's this great scene where she's speaking at Ray

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Speaker 5: Winstone that used to be my screen shaver, and she's like,

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Speaker 5: you know, fifteen.

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Speaker 2: Punk rock when they discover a punk and they let

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Speaker 2: the house and a.

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Speaker 5: Girl gang and Ray Winstone is like the opening act

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Speaker 5: that sort of gets.

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Speaker 2: Trumped by their new sound and he says to her,

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Speaker 2: oh no, she says, Diane Lane says, like fifteen with

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Speaker 2: her fucking crazy damn, but we all make up a

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Speaker 2: punk you know, it's only like red, black and white colors.

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Speaker 2: Like yeah, she says, you know you're jealous of me.

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Speaker 4: I'm everything you wanted to be, and Ray Winstone says

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Speaker 4: I can't and she says exact, that's ther fucking inwards.

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Speaker 3: Yeah, And I was like, I.

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Speaker 2: Want to be in that movie. Yeah, I don't want

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Speaker 2: to be in the Saturday I fev of Arizona break right.

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Speaker 3: No, no, no, no.

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Speaker 1: You've done a lot of work with women and trauma

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Speaker 1: and surviving is this was it based on just things

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Speaker 1: that you that have heard in your life that chicken

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Speaker 1: through And I mean you're you're a huge not only advocate, but.

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Speaker 3: I've done incredible work in this area, which is you know, yeah.

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Speaker 4: I guess my attitude or approach is I just think

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Speaker 4: it's very weird when people don't realize, you know, when

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Speaker 4: there's a lot of fear. And by the way, I'm

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Speaker 4: terrified twenty four seven and I'm always you know, hyper sensitive.

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Speaker 2: It's a lot of way, you know, bravado and not

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Speaker 2: oh no, no problem. Definitely don't need the sharing platic thing.

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Speaker 2: Thank you so much. But maybe I should have a

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Speaker 2: napping I would be wise. I look at this. You

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Speaker 2: take this one as well, please.

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Speaker 3: Okay, anyway, go on, we were talking about.

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Speaker 4: Well, I mean, I just I just think for us,

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Speaker 4: it's like like the big boys are running on the sly.

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Speaker 4: You know, I don't know how we find each other,

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Speaker 4: but like Mikayla Cole at my apartment in New York

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Speaker 4: right now.

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Speaker 2: There was construction in the place that she was at.

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Speaker 2: I was like, taking my keys. I don't even know

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Speaker 2: what the fuck is going on in that apartment. Yeah,

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Speaker 2: why do I even have mortgages? Weren't we supposed to

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Speaker 2: be rich by now? I'm like, why don't you have

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Speaker 2: an apartment?

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Speaker 1: Like?

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Speaker 2: And he's like, don't.

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Speaker 4: Worry, you know, I figured it out with this the

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Speaker 4: final IP negotiation.

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Speaker 2: I just really is the craziest thing I could in

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Speaker 2: these ideas. I was like, that's that's.

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Speaker 1: My model now, But exactly it's a good model. That's

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Speaker 1: that goes in line with don't say you don't have

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Speaker 1: to say no yes.

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Speaker 2: And so you know, for I mean, you know heavyweights

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Speaker 2: out there that.

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Speaker 4: Really and I would say that actually, you know a

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Speaker 4: lot this town is like as much as just like

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Speaker 4: you know, uh Liddy whatever, good ARROTI or something that's

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Speaker 4: the reputation. Usually when like you meet the big boys

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Speaker 4: or pretty serious people and there's a reason why they're.

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Speaker 9: Stuck about this and you usually I have yet to meet,

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Speaker 9: you know, anybody look like me know the equivalent of

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Speaker 9: your broken you know, manicure, fucking acrylic is for somebody else.

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Speaker 9: I don't know why, but it's like, you know what

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Speaker 9: I mean, like their mother's suicide or something, you know

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Speaker 9: what I mean, Like it literally doesn't matter, like getting

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Speaker 9: molested or whatever it is. And it just seems like

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Speaker 9: nobody ends up in like a town of make believe

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Speaker 9: on accident and also with like the grit to be

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Speaker 9: able to kind of like dig deeps and everybody has

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Speaker 9: seen like fucked up shit in this life.

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Speaker 2: That's just being a person. So I think, therefore.

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Speaker 4: Retroactively, my goal has always just been to like be

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Speaker 4: very mindful.

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Speaker 2: Well listen.

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Speaker 4: I mean, I just at least after the first time

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Speaker 4: I took acid at fifteen and then it was determined

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Speaker 4: to take more acid than its operating and I had

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Speaker 4: no metric for what that number might be. But I

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Speaker 4: think I got there and I don't take I don't

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Speaker 4: take that kind of acid anymore, you see, And.

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Speaker 2: Maybe that's a mistake.

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Speaker 1: Welcome back to Table for two. Natasha Leone has been

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Speaker 1: acting since she was a teenager in the nineties, but

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Speaker 1: her career has only continued to heat up.

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Speaker 3: How does it feel to be in this.

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Speaker 1: Moment with multiple recent successful roles in TV? Series and

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Speaker 1: films you run.

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Speaker 3: Like one of the things that it's clear about you

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Speaker 3: is like like you're running.

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Speaker 1: Like you have all this energy and are you finding

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Speaker 1: at this moment in your life which seems pretty epic.

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Speaker 1: I mean it's been You've been working your whole life,

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Speaker 1: and but like everything.

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Speaker 3: That's dropping, movies you're in. You know, how does it

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Speaker 3: feel to be like in this.

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Speaker 4: I feel like almost like because you know, so I

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Speaker 4: think that really I see it as.

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Speaker 2: You know, like like a personal goal is a really it's.

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Speaker 4: Like the worst of all of them, you know what

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Speaker 4: I mean, because it just doesn't really like that sort

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Speaker 4: of all show you that I.

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Speaker 2: Have back from your private schools or whatever.

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Speaker 4: You know, I pretty much showed them like you know,

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Speaker 4: I mean like you ask me to come back, you

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Speaker 4: know what I mean?

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Speaker 2: Right, no, would you graduate? And I'm now talking voices.

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Speaker 4: In fucking you know, Harvard and Yale and like you know,

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00:19:03,480 --> 00:19:08,119
Speaker 4: have a the fifth grade education basically, you know, you know,

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00:19:08,480 --> 00:19:09,760
Speaker 4: you know, very piss of school.

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Speaker 2: So you know, I do read.

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Speaker 1: AMC when I think of these sort of trains, like

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Speaker 1: you know, you bring up her Danes. I know you're

381
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Speaker 1: friends with Chloe and like the whole group and like

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Speaker 1: the nineties, like growing up in the seventies and eighties.

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Speaker 2: And why tell me about that. I know about my life.

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Speaker 3: You know about that well, I mean, but you're like

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Speaker 3: hitting it. I mean mine was very different. It was,

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Speaker 3: you know, I was.

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Speaker 2: Are you into disco?

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Speaker 3: I loved disco? I was.

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Speaker 2: I was.

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Speaker 1: I went to fifty four. But like the second iteration,

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Speaker 1: Friday nights, I was fifteen. We would go, We'd say

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Speaker 1: we're going to a movie and we'd go.

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Speaker 3: But I wasn't I was, you know, it wasn't like

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Speaker 3: a Heyday.

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Speaker 1: I was fifteen and sixteen and nineteen eighty two, so like,

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Speaker 1: I wasn't wild though, I wasn't like hitting the streets downtown.

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Speaker 1: If I could do anything again, growing up in New

398
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Speaker 1: York in the eighties, loved it.

399
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Speaker 3: I would have leaned into taking more risks.

400
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Speaker 1: I kind of came from there. Was I didn't have

401
00:20:08,640 --> 00:20:11,879
Speaker 1: that rebellious street And I actually think it's really important

402
00:20:12,440 --> 00:20:12,800
Speaker 1: to happen.

403
00:20:12,880 --> 00:20:15,520
Speaker 3: And when we grew up in places, there's something intrinsic

404
00:20:15,560 --> 00:20:17,080
Speaker 3: that you have in you, and I happen to me

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Speaker 3: because we grew up in a city like that, like

406
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Speaker 3: you kind of you learned very quick.

407
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Speaker 1: How to navigated, how to learn, how to sense danger,

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Speaker 1: how to be on the subway.

409
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Speaker 3: I had to walk street smart, street smart very important.

410
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Speaker 3: You can't social, yeah, one on one.

411
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Speaker 1: It's one on one baby, and I can't really it's

412
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Speaker 1: like read the room and you know, and it's like quick.

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Speaker 4: No one's going to steal a single put off this

414
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Speaker 4: plate no matter how many times I walk off. I

415
00:20:43,240 --> 00:20:45,720
Speaker 4: could wander off in the distance, but I could steal

416
00:20:46,200 --> 00:20:48,479
Speaker 4: that palm tree whatever refer is that.

417
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Speaker 3: You don't know, you know, I don't know now what yea,

418
00:20:52,119 --> 00:20:54,240
Speaker 3: what is that? That is not a palm tree.

419
00:20:54,520 --> 00:20:58,080
Speaker 2: It's a pump from Yeah, no, it's not exactly because

420
00:20:58,080 --> 00:20:58,560
Speaker 2: it's skinny.

421
00:20:58,640 --> 00:21:02,400
Speaker 3: Right, you're telling me you could scoot that planet.

422
00:21:02,880 --> 00:21:05,200
Speaker 4: I could take that whole plant out of here quicker

423
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Speaker 4: than they would ever take the food town from my

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Speaker 4: You know, man, who's basic smart like you?

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00:21:11,520 --> 00:21:12,520
Speaker 2: Just like you have that.

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00:21:12,640 --> 00:21:14,879
Speaker 1: Yeah, let me tell you the person that dares to

427
00:21:14,920 --> 00:21:17,040
Speaker 1: take that cruton they would be missing.

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Speaker 2: I love it.

429
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Speaker 4: I would.

430
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Speaker 2: I'm nothing spark.

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Speaker 3: How quick is your temper in l a Like.

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Speaker 5: My temper is not. It's not quick around that kind

433
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Speaker 5: of thing that I would consider an active mischief and

434
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Speaker 5: a merry prankster move.

435
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Speaker 2: So I would have deeper specta what's your name? You've

436
00:21:34,960 --> 00:21:37,280
Speaker 2: got the part? What part? I mean, movie about a

437
00:21:37,320 --> 00:21:39,679
Speaker 2: cup of water. I don't have all your other parties.

438
00:21:39,680 --> 00:21:42,680
Speaker 4: But if the studio is very concerned, they're saying something

439
00:21:42,720 --> 00:21:45,320
Speaker 4: about structure, and I told them, when you get there,

440
00:21:45,320 --> 00:21:47,239
Speaker 4: you'll know, bib All right, have you ever seen who

441
00:21:47,240 --> 00:21:53,080
Speaker 4: has water rights itself? Okay, clearly fucking very seen as

442
00:21:53,119 --> 00:21:55,480
Speaker 4: the water tight up lives of water man walks over

443
00:21:55,520 --> 00:21:56,680
Speaker 4: stills prutomme.

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Speaker 2: Yeah.

445
00:22:00,640 --> 00:22:02,640
Speaker 3: A lot of those kids that you're talking about, they

446
00:22:02,680 --> 00:22:05,720
Speaker 3: come from different things, you know what I mean, more

447
00:22:05,760 --> 00:22:09,240
Speaker 3: of the manner born. My grandfather was amazing and bricklayer,

448
00:22:09,520 --> 00:22:09,719
Speaker 3: you know.

449
00:22:10,160 --> 00:22:11,000
Speaker 2: Grandmather was amazing.

450
00:22:11,359 --> 00:22:13,840
Speaker 1: And my grandfather, the other one ran a restaurant. He

451
00:22:13,920 --> 00:22:15,360
Speaker 1: died young because he was a heavy smoke.

452
00:22:15,240 --> 00:22:17,840
Speaker 2: Heavy drink smoke.

453
00:22:17,920 --> 00:22:19,240
Speaker 3: He was bad smoking.

454
00:22:21,960 --> 00:22:26,240
Speaker 1: Yeah, I mean, it's getting noisier that I am the

455
00:22:26,280 --> 00:22:28,680
Speaker 1: one telling you that's smoking is good.

456
00:22:28,760 --> 00:22:33,560
Speaker 3: I'm sorry this has now become act. Yes, yes, what

457
00:22:33,560 --> 00:22:34,160
Speaker 3: are you saying?

458
00:22:34,480 --> 00:22:38,000
Speaker 4: Because I read a long article today that's a news

459
00:22:38,040 --> 00:22:42,760
Speaker 4: broke thanks to the new administration, and it's a distinctly

460
00:22:42,920 --> 00:22:46,040
Speaker 4: item nine oh nine, you know.

461
00:22:46,720 --> 00:22:52,320
Speaker 2: In versus really just a six zero six is smoking?

462
00:22:52,320 --> 00:22:54,000
Speaker 2: Actually turns out's really good for you big back of

463
00:22:54,040 --> 00:22:54,280
Speaker 2: the time.

464
00:22:54,359 --> 00:22:58,399
Speaker 3: Yeah, no, that nine oh nine. Yeah, you didn't see

465
00:22:58,440 --> 00:23:00,439
Speaker 3: the you know, the end to me.

466
00:23:00,960 --> 00:23:04,000
Speaker 1: But on the end you forgot from that bureau that

467
00:23:04,040 --> 00:23:05,360
Speaker 1: now no longer exists.

468
00:23:05,760 --> 00:23:09,080
Speaker 4: I see, because that was meant to be a bureau.

469
00:23:09,200 --> 00:23:10,359
Speaker 3: But they fired that person.

470
00:23:12,200 --> 00:23:13,720
Speaker 2: That's why they said smoking is good.

471
00:23:13,840 --> 00:23:17,159
Speaker 1: Yes, And of course the tobacco companies gave you know,

472
00:23:17,320 --> 00:23:22,760
Speaker 1: six point two billion, you know, to the family to

473
00:23:22,960 --> 00:23:24,680
Speaker 1: then say smoking.

474
00:23:25,280 --> 00:23:26,440
Speaker 2: He's right, because we gave you money.

475
00:23:26,520 --> 00:23:28,439
Speaker 4: Is there any way to get that cash as an

476
00:23:28,440 --> 00:23:30,560
Speaker 4: advanced You don't think, because I'm just saying, who else

477
00:23:30,560 --> 00:23:31,840
Speaker 4: does I want to do a smoking campaign?

478
00:23:32,640 --> 00:23:33,520
Speaker 2: You don't think they get me?

479
00:23:33,920 --> 00:23:37,480
Speaker 3: Oh, I actually think you could get a smoking campaign.

480
00:23:37,880 --> 00:23:44,680
Speaker 3: And I actually think of course you heard.

481
00:23:44,480 --> 00:23:47,520
Speaker 1: It here first, the smoking campaign. They would pay you

482
00:23:47,560 --> 00:23:51,600
Speaker 1: so much for you I don't understand. Well, you certainly

483
00:23:51,600 --> 00:23:57,480
Speaker 1: can launch a campaign, and you right, that's that felt great.

484
00:23:57,920 --> 00:24:01,639
Speaker 4: Don't listen thing anybody told you you have that, You

485
00:24:01,720 --> 00:24:05,040
Speaker 4: grab yourselves and you know what, you get back to business.

486
00:24:05,040 --> 00:24:08,960
Speaker 2: And if somebody gives you a dirty look. You say, hey,

487
00:24:09,359 --> 00:24:12,399
Speaker 2: you're looking at me. Now I know what you're talking to.

488
00:24:13,560 --> 00:24:16,360
Speaker 4: You don't do it, and then your blow smoke raining

489
00:24:16,400 --> 00:24:18,760
Speaker 4: their fish guarantee five foot ditch.

490
00:24:19,040 --> 00:24:22,159
Speaker 2: You never can't COVID again with my smoking player.

491
00:24:31,240 --> 00:24:34,480
Speaker 1: Well, let's talk about your commitment to and the work

492
00:24:34,520 --> 00:24:35,240
Speaker 1: you've been doing.

493
00:24:35,080 --> 00:24:39,720
Speaker 3: With AI because you sterious studio. Yeah, the sterious studios

494
00:24:40,080 --> 00:24:45,120
Speaker 3: you are. You see the is there? Do you see

495
00:24:45,160 --> 00:24:47,679
Speaker 3: the threat of it? You say, okay, leave, this is

496
00:24:47,720 --> 00:24:51,480
Speaker 3: going to exist. We want to be in control of

497
00:24:52,520 --> 00:24:55,120
Speaker 3: our images and be caught, you know, the whole thing.

498
00:24:55,160 --> 00:24:58,000
Speaker 3: Because yeah, it's all crazy cuckoo like.

499
00:24:58,080 --> 00:25:05,320
Speaker 4: So I guess promotion law five yere's so many maybe ten,

500
00:25:06,680 --> 00:25:10,520
Speaker 4: It's all quota helmet. It's all one long fucking day, man.

501
00:25:11,600 --> 00:25:16,960
Speaker 4: I you know, I think that I started going down

502
00:25:17,000 --> 00:25:18,720
Speaker 4: these like rabbit holes like from that sort of like

503
00:25:18,800 --> 00:25:21,919
Speaker 4: first like Phil Bryson into and you know I am.

504
00:25:22,000 --> 00:25:24,320
Speaker 4: I'm like an Honor Sam student, which is something that

505
00:25:24,359 --> 00:25:25,119
Speaker 4: I brag about a lot.

506
00:25:25,160 --> 00:25:26,760
Speaker 2: The Rational writers and makes fun of me a lot.

507
00:25:26,800 --> 00:25:28,040
Speaker 2: There is like we know, Honor.

508
00:25:31,119 --> 00:25:33,080
Speaker 4: I was really into, you know, to a philosophy. As

509
00:25:33,080 --> 00:25:34,240
Speaker 4: a kid, I would write my journals.

510
00:25:34,320 --> 00:25:37,360
Speaker 2: They're terrible. They're all like third part person. I'm trying

511
00:25:37,400 --> 00:25:40,400
Speaker 2: to like, you know, simoon Divovoir or something. I'm trying

512
00:25:40,400 --> 00:25:41,720
Speaker 2: to be like. So they're all kinda you.

513
00:25:41,760 --> 00:25:45,520
Speaker 10: Know, man must and it's like what do you who

514
00:25:45,640 --> 00:25:48,760
Speaker 10: is man and my man must want? And I'm like,

515
00:25:49,000 --> 00:25:52,120
Speaker 10: you know, learn that you cannot rely on these fellows.

516
00:25:53,080 --> 00:25:55,399
Speaker 4: I don't know why that's my I was just really,

517
00:25:56,240 --> 00:26:00,359
Speaker 4: there's a pseudo intellectual LSD ways teenagers and tell them,

518
00:26:00,400 --> 00:26:01,119
Speaker 4: waits's only you.

519
00:26:03,160 --> 00:26:06,240
Speaker 2: So by the timing into espresional nons and I was like, yeah,

520
00:26:06,240 --> 00:26:06,679
Speaker 2: I bought.

521
00:26:06,600 --> 00:26:11,919
Speaker 4: In bit different old man search for meeting Wilhelm Reichs,

522
00:26:13,119 --> 00:26:15,919
Speaker 4: you know who invented for beginners, who invented.

523
00:26:15,600 --> 00:26:19,760
Speaker 2: The uh uh you know the orgle in therapy didn't end.

524
00:26:19,760 --> 00:26:21,680
Speaker 4: Well, it's sort of like, you know, you go in here,

525
00:26:21,720 --> 00:26:24,080
Speaker 4: you have orgasm when you can cut your weight, you know, happiness.

526
00:26:24,480 --> 00:26:28,240
Speaker 4: Uh nazis we''ting a fan and uh then you went

527
00:26:28,240 --> 00:26:31,520
Speaker 4: a little bit moody, to be honest. And so I

528
00:26:31,560 --> 00:26:33,400
Speaker 4: bought in those books and I was like, okay, great,

529
00:26:33,520 --> 00:26:35,520
Speaker 4: so we're gonna make half have a comedy for Netflix.

530
00:26:35,760 --> 00:26:37,919
Speaker 2: Uh and less he's these two books.

531
00:26:37,680 --> 00:26:37,760
Speaker 3: And.

532
00:26:39,920 --> 00:26:41,680
Speaker 2: And the third book was I Am a Strange Loop

533
00:26:41,760 --> 00:26:44,280
Speaker 2: by Doug hops Thatt. Are you know? So it's essentially

534
00:26:44,800 --> 00:26:46,400
Speaker 2: I got very interested.

535
00:26:47,440 --> 00:26:49,960
Speaker 4: Okay, So when you must spend time in America in

536
00:26:50,119 --> 00:26:52,720
Speaker 4: All that Jazz and Jojo Dancer, Your Life Is Calling

537
00:26:52,760 --> 00:26:57,080
Speaker 4: and in The Singing Detective, they all have a recurring theme,

538
00:26:57,160 --> 00:26:59,480
Speaker 4: which is, you know, even in Once one of the

539
00:26:59,480 --> 00:27:01,560
Speaker 4: time in America, uh, de Niro wakes up and he's

540
00:27:01,640 --> 00:27:05,120
Speaker 4: in the uh you know, opium den with the phone ringing,

541
00:27:05,280 --> 00:27:07,240
Speaker 4: and then he's able to track back a whole life

542
00:27:07,320 --> 00:27:09,119
Speaker 4: of like when they were kids, so when when they

543
00:27:09,160 --> 00:27:10,080
Speaker 4: were kings.

544
00:27:09,840 --> 00:27:14,080
Speaker 2: So like when it fell apart and saying like you know,

545
00:27:14,800 --> 00:27:17,399
Speaker 2: get in all that Jazz is like risch Hutter is

546
00:27:17,520 --> 00:27:20,000
Speaker 2: you know, And I think.

547
00:27:19,880 --> 00:27:22,560
Speaker 4: It's probably usually my favorite favorite movie. I mean, like

548
00:27:22,680 --> 00:27:24,720
Speaker 4: it's hard in my secuberia or whatever. I don't know,

549
00:27:26,160 --> 00:27:27,960
Speaker 4: it's like hard to not be like I mean, if

550
00:27:27,960 --> 00:27:31,160
Speaker 4: you hadn't seen a clockwork as a teenager, Like that's

551
00:27:31,200 --> 00:27:31,560
Speaker 4: what I mean.

552
00:27:31,680 --> 00:27:34,959
Speaker 3: Like it's hard to know. Yes, it's hard to unknown.

553
00:27:35,320 --> 00:27:38,080
Speaker 4: Yeah, so multiple things. Okay, when one movie I left

554
00:27:38,119 --> 00:27:39,920
Speaker 4: out there is Jojo Didn't Your Life Is Calling? Which

555
00:27:39,960 --> 00:27:41,639
Speaker 4: with the Richard Pryor where he like you know, stars

556
00:27:41,640 --> 00:27:44,480
Speaker 4: as himself a post is like burning yourself on fire

557
00:27:44,520 --> 00:27:47,000
Speaker 4: from his crack addiction and writes wrecks and stars and.

558
00:27:47,000 --> 00:27:50,119
Speaker 2: Produce him whatever. And but it's also inside of a hospital.

559
00:27:50,160 --> 00:27:52,920
Speaker 2: But are you seeing that listening Detective with Michael Gambon,

560
00:27:53,359 --> 00:27:54,800
Speaker 2: deb No, it's f.

561
00:27:55,000 --> 00:27:57,400
Speaker 1: I mean, I'm like literally gonna have to like text

562
00:27:57,440 --> 00:28:01,800
Speaker 1: you and I want like a list we should do

563
00:28:02,040 --> 00:28:04,160
Speaker 1: like a little festival one weekend.

564
00:28:03,840 --> 00:28:06,840
Speaker 4: When I had this written into my doing will, which

565
00:28:06,840 --> 00:28:07,879
Speaker 4: I learned from Nora Afron.

566
00:28:08,480 --> 00:28:13,000
Speaker 2: So don't worry. You guys are sorry, but yes you're

567
00:28:13,000 --> 00:28:13,560
Speaker 2: gonna have to get the.

568
00:28:13,520 --> 00:28:17,120
Speaker 4: Film for him, okay, okay, yeah, And they're just double

569
00:28:17,160 --> 00:28:18,200
Speaker 4: features of things like you.

570
00:28:19,280 --> 00:28:21,600
Speaker 2: It sets things up like this, like all that jazz

571
00:28:21,760 --> 00:28:24,640
Speaker 2: paired with jender dance. Your life is called right right okay,

572
00:28:25,080 --> 00:28:26,720
Speaker 2: and so on I don't.

573
00:28:26,600 --> 00:28:29,399
Speaker 4: Have Yeah, maybe what we'll do is what's by the

574
00:28:29,440 --> 00:28:32,320
Speaker 4: time in America with saturnight fever, you know what I mean.

575
00:28:32,680 --> 00:28:35,960
Speaker 2: Then we'll go like there'll be things of that nature.

576
00:28:36,560 --> 00:28:39,280
Speaker 4: Make sure one gets to see the hits and you're

577
00:28:39,360 --> 00:28:40,840
Speaker 4: dead when we're joining this, yes.

578
00:28:40,760 --> 00:28:43,520
Speaker 2: Yes, yes, right, but cud were you at norris funeral?

579
00:28:46,560 --> 00:28:47,240
Speaker 3: It was beautiful.

580
00:28:47,360 --> 00:28:49,560
Speaker 2: Yeah, remember how it was all pre planned?

581
00:28:49,720 --> 00:28:52,840
Speaker 3: Yeah, I mean it was all pre planned. She was

582
00:28:53,120 --> 00:28:54,520
Speaker 3: there was Nobody liked that one.

583
00:28:55,040 --> 00:28:58,600
Speaker 2: Nobody like if I am not, If I did not

584
00:28:59,040 --> 00:29:06,120
Speaker 2: have Nor in my life when I did, like, none

585
00:29:06,120 --> 00:29:06,800
Speaker 2: of this would have happened.

586
00:29:08,560 --> 00:29:11,160
Speaker 3: More. Give me more about the first I did the

587
00:29:11,200 --> 00:29:12,240
Speaker 3: first draft of Russia.

588
00:29:12,280 --> 00:29:14,320
Speaker 4: Mall was me and nor was sitting in that weird

589
00:29:15,360 --> 00:29:18,680
Speaker 4: uh station, Uh you know, under pens station, Like there's

590
00:29:18,680 --> 00:29:23,040
Speaker 4: something like nice classy restaurant outside, not going inside with

591
00:29:23,120 --> 00:29:25,920
Speaker 4: the ice, and then yeah.

592
00:29:26,080 --> 00:29:28,720
Speaker 3: And New Yorkers read each other's mind. She knew she's

593
00:29:28,760 --> 00:29:30,800
Speaker 3: like that, and I was thinking, yeah.

594
00:29:30,720 --> 00:29:33,720
Speaker 2: And not that that's a close far spot, but it was,

595
00:29:34,760 --> 00:29:35,600
Speaker 2: and we're there, and she was.

596
00:29:35,640 --> 00:29:38,000
Speaker 4: Like wrote down everything, so it's like, you know, so

597
00:29:38,440 --> 00:29:42,960
Speaker 4: you know, she's funny or change smokes. You know, remem

598
00:29:43,040 --> 00:29:44,760
Speaker 4: one time, let me say your place here in Bella

599
00:29:45,160 --> 00:29:47,360
Speaker 4: And for a movie that actually got defunded, it was

600
00:29:47,440 --> 00:29:49,840
Speaker 4: so in they uh, what are you doing?

601
00:29:49,920 --> 00:29:51,600
Speaker 2: Cant you stay here? You know?

602
00:29:51,760 --> 00:29:55,680
Speaker 4: I I usually ahead and she was liked, oh, would

603
00:29:55,680 --> 00:29:57,920
Speaker 4: you just shut up about the fucking drugs already?

604
00:29:58,080 --> 00:29:58,200
Speaker 11: Uh?

605
00:29:58,840 --> 00:30:02,040
Speaker 2: You know, uh, My next door neighbor was Ostril levant.

606
00:30:02,200 --> 00:30:05,560
Speaker 4: We get the idea. Uh, just call the housekeep and

607
00:30:05,600 --> 00:30:09,560
Speaker 4: you're done and smoke outside. Enjoy your life, right, I mean,

608
00:30:09,600 --> 00:30:11,800
Speaker 4: come on, like the Ultimate Book.

609
00:30:12,040 --> 00:30:16,560
Speaker 3: Yeah, the Ultimate Bug is a great Oh my god,

610
00:30:16,720 --> 00:30:17,880
Speaker 3: that is very true.

611
00:30:37,040 --> 00:30:39,600
Speaker 1: Thanks for joining us for Table for two our guests.

612
00:30:39,760 --> 00:30:42,600
Speaker 1: Natasha Leone's show poker Face is back this week for

613
00:30:42,720 --> 00:30:46,040
Speaker 1: its second season, and she plays the main role and

614
00:30:46,320 --> 00:30:49,719
Speaker 1: serves as an executive producer. The crime comedy has been

615
00:30:49,720 --> 00:30:52,760
Speaker 1: a hit with audiences and critics alike. What does she

616
00:30:52,960 --> 00:30:55,280
Speaker 1: feel makes the show so special?

617
00:30:56,520 --> 00:30:57,440
Speaker 3: I gotta talk about it.

618
00:30:57,840 --> 00:31:00,560
Speaker 2: Please talk to me about whatever. Tell me about this.

619
00:31:00,720 --> 00:31:01,360
Speaker 2: This is interesting.

620
00:31:01,440 --> 00:31:01,640
Speaker 5: So this.

621
00:31:05,600 --> 00:31:08,520
Speaker 2: Sea Face is a wonderful show.

622
00:31:09,080 --> 00:31:13,200
Speaker 4: You like Colombo, and you like Big Lebowski, and you

623
00:31:13,520 --> 00:31:17,240
Speaker 4: like uh, Elliott Would and Robert all of them song

624
00:31:17,320 --> 00:31:20,960
Speaker 4: Goodbye and also in in California, split you if you

625
00:31:21,320 --> 00:31:23,520
Speaker 4: love Knives Out, and then.

626
00:31:23,400 --> 00:31:28,320
Speaker 12: You also love Colombo, and then you also have the

627
00:31:28,440 --> 00:31:31,600
Speaker 12: patience to endure this person who I can't imagine watching

628
00:31:31,680 --> 00:31:34,840
Speaker 12: for twelve hours straight personally.

629
00:31:35,000 --> 00:31:38,840
Speaker 2: But that's your choice. I don't have to only when

630
00:31:38,840 --> 00:31:44,840
Speaker 2: I'm directing, so you know, I would just say if

631
00:31:45,040 --> 00:31:46,120
Speaker 2: there's so many great people on it.

632
00:31:46,200 --> 00:31:46,520
Speaker 5: This year.

633
00:31:46,720 --> 00:31:49,600
Speaker 4: We got Cynthia Rivo, we got Malaney, we got Out

634
00:31:49,600 --> 00:31:52,640
Speaker 4: of Shockout, we got Apuafina, and we got Method Man.

635
00:31:53,240 --> 00:31:56,000
Speaker 2: That wasn't like I think, don't talk, don't tell Malaney,

636
00:31:56,000 --> 00:31:57,800
Speaker 2: but he made me. Made me laugh a little bit harder,

637
00:31:58,000 --> 00:32:01,200
Speaker 2: and I think I will tell him directly to his

638
00:32:01,200 --> 00:32:02,440
Speaker 2: space when I see him in a couple of weeks

639
00:32:02,480 --> 00:32:03,120
Speaker 2: actually on the show.

640
00:32:03,240 --> 00:32:05,720
Speaker 3: Yeah, but he's hysterical, he is.

641
00:32:05,800 --> 00:32:07,880
Speaker 4: He's very funny, but I'm not sure there's this funny

642
00:32:07,880 --> 00:32:10,320
Speaker 4: as method Man from Yeah, Yeah No.

643
00:32:10,880 --> 00:32:12,520
Speaker 2: But he's running into type race tight club.

644
00:32:14,040 --> 00:32:17,240
Speaker 4: So it's a sensational cash and season justin threw I

645
00:32:17,320 --> 00:32:19,120
Speaker 4: so many bait people showed up and I was like,

646
00:32:19,320 --> 00:32:21,480
Speaker 4: it's very moving also because like the friends are basically

647
00:32:21,560 --> 00:32:23,720
Speaker 4: just popping in to be like, hey, how you doing.

648
00:32:23,840 --> 00:32:25,920
Speaker 4: Played the ball came directing an episode, me with Cave

649
00:32:25,960 --> 00:32:27,200
Speaker 4: directing episode, Ti West.

650
00:32:27,080 --> 00:32:27,880
Speaker 2: Directing an episode.

651
00:32:30,480 --> 00:32:33,120
Speaker 4: You know I do, and you know, but really the

652
00:32:33,160 --> 00:32:35,640
Speaker 4: people in tite with on Poker Based are the like

653
00:32:35,800 --> 00:32:39,040
Speaker 4: the the camera department and like the crew.

654
00:32:39,120 --> 00:32:44,880
Speaker 2: The first ads are like my rider dies, you know, but's.

655
00:32:44,520 --> 00:32:47,600
Speaker 4: Like everything is my first short with me, you know,

656
00:32:47,760 --> 00:32:50,000
Speaker 4: like we go back. I don't know what it is now,

657
00:32:50,200 --> 00:32:52,920
Speaker 4: like fifteen years or something. Is orange, Orange Fresh and

658
00:32:52,960 --> 00:32:56,640
Speaker 4: all poker phase my first like fucking our short film.

659
00:32:58,400 --> 00:33:01,320
Speaker 4: And so it has a really catchy title. So this

660
00:33:01,360 --> 00:33:04,240
Speaker 4: is how you knew it was a hit, Caberia Charity

661
00:33:04,320 --> 00:33:05,840
Speaker 4: chast City Oh why Oh.

662
00:33:05,920 --> 00:33:06,800
Speaker 2: So it turns out that.

663
00:33:08,440 --> 00:33:11,160
Speaker 4: So Sweet Charity with Selan McClain is actually directed by

664
00:33:11,200 --> 00:33:14,440
Speaker 4: the Pop Posse is a remake or an interpretation of

665
00:33:15,080 --> 00:33:19,160
Speaker 4: Fellini's Knights of Caberia starting and Jolianda Messina. So when

666
00:33:20,520 --> 00:33:23,440
Speaker 4: Carrie Branson's is some of these like Kenzo fashion films,

667
00:33:23,480 --> 00:33:26,080
Speaker 4: and you know, then they started hitting me up and

668
00:33:26,160 --> 00:33:28,240
Speaker 4: I was in it and it went along with the

669
00:33:28,280 --> 00:33:30,960
Speaker 4: Commerschaal Ali and I Kim Gordon, all these great people

670
00:33:31,240 --> 00:33:35,600
Speaker 4: and and Roman Blanchet. And then so Carrie says, oh,

671
00:33:36,760 --> 00:33:38,480
Speaker 4: you should do one, and I'm like what, No, I'm

672
00:33:38,520 --> 00:33:40,320
Speaker 4: not going to do like a short fashion film. I'm like,

673
00:33:40,440 --> 00:33:42,320
Speaker 4: you know, I gotta make Deer Hunter out of the

674
00:33:42,360 --> 00:33:46,360
Speaker 4: Gate and no, this is not like the fuck Around show.

675
00:33:48,760 --> 00:33:49,480
Speaker 2: But then.

676
00:33:50,960 --> 00:33:53,400
Speaker 4: I was like talking to maya speakerphone in Fred's car.

677
00:33:53,480 --> 00:33:56,720
Speaker 4: I know, I just don't like shorties, but like what

678
00:33:56,880 --> 00:33:58,840
Speaker 4: if it was in Gibberish? Is that something that like

679
00:33:59,080 --> 00:34:03,440
Speaker 4: you know, like what do we invented a language? And

680
00:34:04,200 --> 00:34:08,080
Speaker 4: so it was called you know, Carearra Charity chastity because

681
00:34:08,239 --> 00:34:10,560
Speaker 4: this was gonna be the third part of the sequel.

682
00:34:10,600 --> 00:34:14,720
Speaker 2: No one asked for of that fly and Felini Frashi

683
00:34:15,520 --> 00:34:17,640
Speaker 2: you know, into my very.

684
00:34:17,680 --> 00:34:21,320
Speaker 4: Humble hands to align myself with them with Maya in

685
00:34:22,239 --> 00:34:26,360
Speaker 4: the classic Julietta Messina yes, and uh you know Shirlian

686
00:34:26,400 --> 00:34:29,320
Speaker 4: McClain pall and I think that people understood exactly what

687
00:34:29,440 --> 00:34:33,359
Speaker 4: I meant, but it was really actually probably some Chang

688
00:34:33,560 --> 00:34:35,840
Speaker 4: was the cematographer, who was like a fucking giant.

689
00:34:35,920 --> 00:34:39,880
Speaker 2: I mean he does all like Partain movies and like

690
00:34:39,960 --> 00:34:42,880
Speaker 2: that sequence an old boy, that long corner of like

691
00:34:42,960 --> 00:34:46,320
Speaker 2: that fucking kills. I mean, he's just incredible.

692
00:34:46,440 --> 00:34:49,840
Speaker 4: And Arian Phillips in the costumes, like for sure, everyone

693
00:34:49,920 --> 00:34:50,520
Speaker 4: really showed up.

694
00:34:51,040 --> 00:34:54,680
Speaker 3: I sadly have not seen this. I need to see this.

695
00:34:56,040 --> 00:34:57,719
Speaker 3: I mean, come on, I come.

696
00:34:57,680 --> 00:35:03,000
Speaker 2: Out during the Lestrato School for Clown sequence. Do you

697
00:35:03,080 --> 00:35:06,279
Speaker 2: know what I came about? And fall are you know

698
00:35:06,400 --> 00:35:08,840
Speaker 2: doing to make up? And I was always like me

699
00:35:08,960 --> 00:35:13,640
Speaker 2: holding up camera lenses as an actual you know, LEENI

700
00:35:13,719 --> 00:35:16,800
Speaker 2: clown and they're all in Felini clown make up. You know,

701
00:35:17,000 --> 00:35:19,400
Speaker 2: it's very important. You don't have you never made a movie?

702
00:35:20,920 --> 00:35:22,280
Speaker 3: Have I never made.

703
00:35:27,440 --> 00:35:31,279
Speaker 2: Clowns? And are nobody will watch it? I make it

704
00:35:31,520 --> 00:35:35,200
Speaker 2: all subtitled because it's the third language that doesn't exist.

705
00:35:35,280 --> 00:35:36,160
Speaker 2: Only it's a friend of mine.

706
00:35:37,680 --> 00:35:41,840
Speaker 3: I mean, who is the genius of geniuses? He really is?

707
00:35:42,000 --> 00:35:44,160
Speaker 3: I mean, I mean Rudolph we're.

708
00:35:44,000 --> 00:35:45,520
Speaker 5: Talking about is just.

709
00:35:47,000 --> 00:35:51,279
Speaker 13: I mean, it's I It's also just ridiculous because she's

710
00:35:51,360 --> 00:35:56,400
Speaker 13: just like I mean, but she would just she was like,

711
00:35:57,440 --> 00:35:59,040
Speaker 13: you know, it's kind of like comes said a little

712
00:35:59,040 --> 00:35:59,279
Speaker 13: bit like.

713
00:35:59,600 --> 00:36:01,319
Speaker 2: Who is my tea? What is a set?

714
00:36:01,560 --> 00:36:01,719
Speaker 3: You know?

715
00:36:02,600 --> 00:36:04,479
Speaker 2: And then all of a sudden it says accident. She's

716
00:36:04,520 --> 00:36:09,759
Speaker 2: just like boom, you know, the power of wagers. Also

717
00:36:09,920 --> 00:36:13,400
Speaker 2: like that one time we're in a lot of the

718
00:36:13,440 --> 00:36:16,799
Speaker 2: Bowery and we're having a just twenty years ago, right

719
00:36:16,840 --> 00:36:18,719
Speaker 2: in something ten fifteen. I don't know, I haven't know

720
00:36:18,800 --> 00:36:19,759
Speaker 2: something anymore, and who cares?

721
00:36:21,120 --> 00:36:22,920
Speaker 4: But yeah, we were like time it was like like

722
00:36:23,000 --> 00:36:25,800
Speaker 4: I think she was having a breakup or something, and

723
00:36:25,880 --> 00:36:28,480
Speaker 4: then it was really like emotional and like all the

724
00:36:28,520 --> 00:36:30,000
Speaker 4: way in and then the waiter came up.

725
00:36:29,920 --> 00:36:31,880
Speaker 2: And she went right into a voice. So I was like,

726
00:36:32,440 --> 00:36:33,400
Speaker 2: that is a superpower.

727
00:36:33,480 --> 00:36:35,600
Speaker 4: I do not have this more commons you are thinking of,

728
00:36:35,680 --> 00:36:38,200
Speaker 4: Like I gotta like be in the pocket right to

729
00:36:38,320 --> 00:36:39,920
Speaker 4: kind of be a little bit of a you know,

730
00:36:40,040 --> 00:36:44,360
Speaker 4: raga muff yeah together that like you know, you know

731
00:36:44,640 --> 00:36:46,440
Speaker 4: bridges like the dude.

732
00:36:46,480 --> 00:36:47,520
Speaker 2: That sort of lean back.

733
00:36:47,760 --> 00:36:50,520
Speaker 4: Yeah, I don't even want to be here if it

734
00:36:50,680 --> 00:36:53,359
Speaker 4: happened to be a camel, I pointed.

735
00:36:53,160 --> 00:36:54,719
Speaker 2: Anywhere but here, like.

736
00:37:05,320 --> 00:37:05,920
Speaker 3: Okay.

737
00:37:05,960 --> 00:37:10,560
Speaker 4: So basically, you know, as a result of doing all

738
00:37:10,560 --> 00:37:12,800
Speaker 4: this like sort of like monophysics research essentially, which was

739
00:37:12,880 --> 00:37:14,719
Speaker 4: like definitely way out of my depth that I don't

740
00:37:14,800 --> 00:37:17,360
Speaker 4: understand anything about anything, but you know, I do understand

741
00:37:17,400 --> 00:37:20,000
Speaker 4: things like certain things. So essentially, like there's a theory

742
00:37:21,200 --> 00:37:24,640
Speaker 4: called it's called the Urn of Invention, and uh it's

743
00:37:25,280 --> 00:37:28,920
Speaker 4: it essentially the universe is made up of take a.

744
00:37:29,560 --> 00:37:31,520
Speaker 4: So the code name for season two, Rush and All

745
00:37:31,520 --> 00:37:35,120
Speaker 4: it was a black gumball, okay, because in this Urn

746
00:37:35,200 --> 00:37:38,920
Speaker 4: of Invention, you have gray gumballs and you have white gumballs,

747
00:37:39,320 --> 00:37:43,840
Speaker 4: and inside of there there's only one black gumball. So

748
00:37:43,880 --> 00:37:45,200
Speaker 4: I'm very upset that I never got to shoot that

749
00:37:45,239 --> 00:37:46,839
Speaker 4: team because I had it very much in my mind.

750
00:37:46,840 --> 00:37:50,759
Speaker 4: When like, you know, young Nadia takes the gumball out

751
00:37:50,800 --> 00:37:52,719
Speaker 4: of her hand, it was just like, it's a scene

752
00:37:52,719 --> 00:37:55,600
Speaker 4: that in my mind I've already seen and that's very frustrating.

753
00:37:55,640 --> 00:37:57,560
Speaker 4: So I'm gonna have to get that done. Yeh, fire

754
00:37:57,640 --> 00:38:00,640
Speaker 4: walk with me now. And then later in the return

755
00:38:00,880 --> 00:38:03,719
Speaker 4: I talked to David nch about it. I'm very sad

756
00:38:03,760 --> 00:38:06,560
Speaker 4: that he's gone. Who's in I lived in my neighborhood

757
00:38:06,640 --> 00:38:09,960
Speaker 4: and I yeah, our last exchange.

758
00:38:09,600 --> 00:38:12,000
Speaker 2: I was like, I was like, uh, you know, hello,

759
00:38:12,200 --> 00:38:12,719
Speaker 2: hello sir.

760
00:38:13,480 --> 00:38:15,640
Speaker 4: You know, do I need to evacuate because I'm in

761
00:38:15,680 --> 00:38:19,040
Speaker 4: Puerto Rico And he said, yes, you should be evacuating.

762
00:38:19,080 --> 00:38:22,080
Speaker 4: And I said, copy, you see you on the other side,

763
00:38:22,080 --> 00:38:23,440
Speaker 4: and he said, indeed, I wilke up.

764
00:38:23,600 --> 00:38:31,640
Speaker 2: I was really eerie, like it's fucking like bon gan zones.

765
00:38:33,719 --> 00:38:36,160
Speaker 4: And he in that meeting, he held up a pencil

766
00:38:36,239 --> 00:38:40,120
Speaker 4: to me, you know, and it also told me that

767
00:38:40,160 --> 00:38:41,840
Speaker 4: I reminded him a lot of like this old girlfriend

768
00:38:41,840 --> 00:38:43,719
Speaker 4: he had from high school, which was like me feel

769
00:38:43,760 --> 00:38:45,800
Speaker 4: like I was like, is this a vibe or whatever?

770
00:38:46,120 --> 00:38:49,960
Speaker 2: And I was like because I'm down ah and uh,

771
00:38:50,600 --> 00:38:51,720
Speaker 2: I don't even give whatever.

772
00:38:51,880 --> 00:38:53,400
Speaker 4: It's like I want to be I just want to

773
00:38:53,400 --> 00:38:56,640
Speaker 4: be a witness, the witness in an outer body fucking

774
00:38:57,600 --> 00:38:59,080
Speaker 4: levitating state over there.

775
00:38:58,960 --> 00:39:02,560
Speaker 2: While you have sort of like some version of you know,

776
00:39:03,480 --> 00:39:10,719
Speaker 2: and so maybe a less scared and so it would

777
00:39:10,760 --> 00:39:14,720
Speaker 2: make him a blue velvet baby. Let's go maybe.

778
00:39:15,840 --> 00:39:17,480
Speaker 4: So you held up a pencil and he said, you know,

779
00:39:17,520 --> 00:39:19,400
Speaker 4: because I said what he thought on Ali because I was,

780
00:39:19,480 --> 00:39:20,960
Speaker 4: you know, building dish thing.

781
00:39:21,520 --> 00:39:25,279
Speaker 2: Uh he said, uh, well is a pencil. You see that?

782
00:39:25,440 --> 00:39:28,759
Speaker 4: And now everybody has a pencil, but not everybody can

783
00:39:28,800 --> 00:39:29,920
Speaker 4: do the same thing with the pencil.

784
00:39:29,960 --> 00:39:32,960
Speaker 2: And that's what distinguishes the artist and you know and

785
00:39:33,760 --> 00:39:34,840
Speaker 2: the writer or the whatever.

786
00:39:35,120 --> 00:39:40,720
Speaker 4: And you know, in in talking to you know, Brian

787
00:39:40,880 --> 00:39:43,640
Speaker 4: and you know, Brand had this kind of like breakthrough,

788
00:39:43,880 --> 00:39:47,399
Speaker 4: sort of like moment of uh who show pump tears.

789
00:39:48,440 --> 00:39:50,400
Speaker 4: He had come back and he seen like some of

790
00:39:50,520 --> 00:39:53,480
Speaker 4: the the new tech that was merging and realized it

791
00:39:53,560 --> 00:39:55,080
Speaker 4: was like more be thought of almost like as a

792
00:39:55,320 --> 00:39:57,160
Speaker 4: camera lens or something, that it was just gonna be

793
00:39:57,160 --> 00:39:59,480
Speaker 4: a new medium. So sort of course I had talkies

794
00:39:59,560 --> 00:40:02,600
Speaker 4: to in silence talkies and you know we had oh

795
00:40:02,680 --> 00:40:05,080
Speaker 4: my god, how we evergant? You know, you must have

796
00:40:05,160 --> 00:40:07,800
Speaker 4: these giant cleeve lights and you must be swaying profusely.

797
00:40:08,960 --> 00:40:11,279
Speaker 4: That's how it's done. And it's you know, and we

798
00:40:11,400 --> 00:40:14,520
Speaker 4: must stop at the nightfall. There's such a thing saying

799
00:40:14,960 --> 00:40:18,640
Speaker 4: and you know now and there were there was.

800
00:40:18,640 --> 00:40:20,240
Speaker 2: Just sort of in a weird way, actually very similar.

801
00:40:20,280 --> 00:40:21,839
Speaker 4: It was like they were like all the Keystone cop

802
00:40:21,920 --> 00:40:25,480
Speaker 4: stuff and all that Mabel Norman by Arboko Charlie.

803
00:40:25,239 --> 00:40:26,319
Speaker 2: Tappan whoh I bring up?

804
00:40:26,360 --> 00:40:29,840
Speaker 4: Because our offices are actually located in the Max Senett

805
00:40:29,840 --> 00:40:31,040
Speaker 4: studio in Silver Lake.

806
00:40:31,120 --> 00:40:33,440
Speaker 2: That was the Mabel Norman you know, tied up a

807
00:40:33,480 --> 00:40:34,440
Speaker 2: tree across the street.

808
00:40:34,640 --> 00:40:34,759
Speaker 3: Right.

809
00:40:35,480 --> 00:40:40,880
Speaker 2: So what our discovery was was that the foundational model that.

810
00:40:43,360 --> 00:40:48,600
Speaker 4: This you know, these lums or whatever there's generative AI

811
00:40:48,719 --> 00:40:52,760
Speaker 4: machines were being built on. We're inherently dirty with straight

812
00:40:52,840 --> 00:40:57,600
Speaker 4: up that you know that you know, uh illegally uncopyrighted data,

813
00:40:57,640 --> 00:41:00,239
Speaker 4: straight thing from everything. So right now, if you go

814
00:41:00,400 --> 00:41:02,439
Speaker 4: to one of these like Google ViOS or whatever you could,

815
00:41:02,480 --> 00:41:06,160
Speaker 4: like you can just type in give me toy stirty six.

816
00:41:06,200 --> 00:41:08,279
Speaker 4: I know, literally give me a toy story six. It's

817
00:41:08,320 --> 00:41:12,000
Speaker 4: just that graphic and essentially I guess what's Altman is

818
00:41:12,040 --> 00:41:14,880
Speaker 4: positioning for right now and who knows. But this was

819
00:41:14,960 --> 00:41:16,719
Speaker 4: like the letter that kind of like I don't know,

820
00:41:16,800 --> 00:41:18,560
Speaker 4: but it's by fucking I just stayed in that fucking

821
00:41:18,600 --> 00:41:22,319
Speaker 4: vetso manga style, fucking text messaging. Motherfuckers were not having

822
00:41:22,360 --> 00:41:24,600
Speaker 4: an on a Saturday, but being like except a kabl

823
00:41:24,640 --> 00:41:27,480
Speaker 4: and chet because that's the fuck you see. And so

824
00:41:28,200 --> 00:41:32,160
Speaker 4: she was like, no problem, just do it, phoebe thug.

825
00:41:32,360 --> 00:41:33,600
Speaker 4: She was like, you got it.

826
00:41:33,680 --> 00:41:36,080
Speaker 2: Let me go get Martin and the like.

827
00:41:36,320 --> 00:41:39,320
Speaker 4: Certain people just like have no Yeah, they're just like

828
00:41:39,400 --> 00:41:41,520
Speaker 4: they're punks, you know what I mean, And they're like

829
00:41:41,719 --> 00:41:43,319
Speaker 4: heart of hearts and you can tell.

830
00:41:43,360 --> 00:41:45,919
Speaker 2: Other people were like, let me see all this goes

831
00:41:45,960 --> 00:41:48,040
Speaker 2: in three days? Right? I did it safe, you know.

832
00:41:48,920 --> 00:41:51,160
Speaker 2: But it was essentially to sort of like form this

833
00:41:52,360 --> 00:41:54,840
Speaker 2: coalition and just staying around because we literally looked at

834
00:41:54,960 --> 00:41:55,920
Speaker 2: the office and realized on.

835
00:41:55,960 --> 00:41:59,600
Speaker 4: A Friday that was actually the petition was due by

836
00:41:59,640 --> 00:42:01,919
Speaker 4: eleven fifty nine Saturday a PM. And we're like wait

837
00:42:02,120 --> 00:42:06,160
Speaker 4: what and Chuck, you know, from Valley, was headed to

838
00:42:06,400 --> 00:42:08,239
Speaker 4: her flight back to San Francisco and.

839
00:42:08,320 --> 00:42:09,680
Speaker 2: It was just like us in the ansider. I was like,

840
00:42:09,880 --> 00:42:11,120
Speaker 2: how are we gonna do this? And I was like,

841
00:42:11,840 --> 00:42:14,520
Speaker 2: that's what we just do it. There is no time

842
00:42:14,560 --> 00:42:16,799
Speaker 2: and it was miraculous to either kind of like the.

843
00:42:18,360 --> 00:42:21,799
Speaker 4: Jesse Gordon Levett was like so helpful that he because

844
00:42:21,800 --> 00:42:23,319
Speaker 4: he was like, I think that you should ask because

845
00:42:23,320 --> 00:42:24,960
Speaker 4: I was asking Eye for feedback in the beginning because

846
00:42:24,960 --> 00:42:26,080
Speaker 4: I'm like, I don't I'm not going to be the

847
00:42:26,120 --> 00:42:28,680
Speaker 4: author of this thing, like I'm not gonna you know,

848
00:42:29,600 --> 00:42:31,120
Speaker 4: and he was like, You've got to have this paragraph

849
00:42:31,160 --> 00:42:33,920
Speaker 4: about very specifically, like how this impacts other industries that

850
00:42:34,080 --> 00:42:36,480
Speaker 4: did as well, because it's actually a you know, like

851
00:42:36,560 --> 00:42:37,360
Speaker 4: a global issue.

852
00:42:37,480 --> 00:42:37,840
Speaker 3: You as it.

853
00:42:38,920 --> 00:42:42,400
Speaker 4: So somehow, you know Nick Anfiloni who works at this

854
00:42:42,719 --> 00:42:45,759
Speaker 4: Hysteria two, who's like, you know, I'd just done a

855
00:42:45,880 --> 00:42:49,359
Speaker 4: ton of animation at every like major fucking studio in town.

856
00:42:49,480 --> 00:42:51,480
Speaker 2: But he's a real died in the whole kind of

857
00:42:51,520 --> 00:42:55,600
Speaker 2: like artists first person. He was writing it with us.

858
00:42:55,640 --> 00:42:58,239
Speaker 2: It was like a real I don't know, I was

859
00:42:58,320 --> 00:42:59,719
Speaker 2: just winging it. So that's how I knew how to

860
00:42:59,760 --> 00:43:02,759
Speaker 2: be with it because that's my usual thing. But it

861
00:43:02,840 --> 00:43:05,399
Speaker 2: was essentially to just sort of cock block a bit.

862
00:43:05,800 --> 00:43:07,520
Speaker 4: I don't think that's the political term for it, but

863
00:43:07,640 --> 00:43:09,200
Speaker 4: maybe in this administration it actually is.

864
00:43:10,280 --> 00:43:12,360
Speaker 2: Thought, how can I say this in a way you

865
00:43:12,440 --> 00:43:16,640
Speaker 2: guys will understand if you're listening, Uh, doctor Trump, So

866
00:43:17,239 --> 00:43:19,399
Speaker 2: stop cock block in the artists. You see what I'm saying.

867
00:43:20,520 --> 00:43:21,680
Speaker 3: It's just that's clear.

868
00:43:21,880 --> 00:43:24,440
Speaker 4: That's pretty clear, because it just feels like if you

869
00:43:24,520 --> 00:43:28,440
Speaker 4: actually have this kind of you know, sort of like

870
00:43:28,520 --> 00:43:32,160
Speaker 4: the cards align, you know, the match, the match sticks match,

871
00:43:32,400 --> 00:43:36,160
Speaker 4: and so you can actually suddenly studios and networks and

872
00:43:36,560 --> 00:43:41,320
Speaker 4: agencies and uh managers and talent and TikTok talent, they're

873
00:43:41,400 --> 00:43:43,800
Speaker 4: like they're all incentivized for the same thing, which is

874
00:43:43,840 --> 00:43:46,840
Speaker 4: protecting their kind of underlying IP ownership and you know

875
00:43:48,200 --> 00:43:50,200
Speaker 4: to the best of like our abilities for everything that's

876
00:43:50,200 --> 00:43:52,399
Speaker 4: coming to the past. That's really like, you know, kind

877
00:43:52,440 --> 00:43:54,839
Speaker 4: of their arena and it you know what I mean,

878
00:43:55,000 --> 00:43:57,560
Speaker 4: like anything to I guess not sort of strike, but

879
00:43:57,719 --> 00:44:02,040
Speaker 4: like they cannot don't know, they can't be trained on

880
00:44:02,840 --> 00:44:05,279
Speaker 4: still an I P of course contracts right now it's

881
00:44:05,280 --> 00:44:06,960
Speaker 4: not still an IP if it's from the studios and

882
00:44:06,960 --> 00:44:10,880
Speaker 4: the networks wield our model on because Britain is a documentary,

883
00:44:11,440 --> 00:44:12,920
Speaker 4: you know, a filmmaker like a Peace.

884
00:44:12,760 --> 00:44:13,520
Speaker 2: Corpy I and everything.

885
00:44:13,640 --> 00:44:18,480
Speaker 4: So he paid all those filmmakers or you know, with

886
00:44:18,920 --> 00:44:20,520
Speaker 4: like these investors and stuff.

887
00:44:21,000 --> 00:44:23,160
Speaker 2: He was able to get that paid for their work

888
00:44:23,200 --> 00:44:25,000
Speaker 2: for the underlying model, you know.

889
00:44:25,200 --> 00:44:27,600
Speaker 4: But like you know, it is a question of kind

890
00:44:27,600 --> 00:44:30,560
Speaker 4: of you know, all the studios they technically based on

891
00:44:30,600 --> 00:44:33,200
Speaker 4: the old deals, they own the IP ownership of the

892
00:44:33,960 --> 00:44:35,040
Speaker 4: every everything that they.

893
00:44:35,080 --> 00:44:36,640
Speaker 2: Made, right, so like some of it would go to

894
00:44:36,719 --> 00:44:37,520
Speaker 2: creators and stuff.

895
00:44:37,760 --> 00:44:39,440
Speaker 4: So that's like something like a nugget I'm trying to

896
00:44:39,480 --> 00:44:43,960
Speaker 4: crack as like a side arc, right, but you know,

897
00:44:45,200 --> 00:44:47,080
Speaker 4: this whole idea of like also just really kind of

898
00:44:47,120 --> 00:44:52,120
Speaker 4: like lock boxing, black boxing and guaranteeing our futures whatever

899
00:44:52,160 --> 00:44:55,400
Speaker 4: it is. Right now, they're actually petitioning just for like

900
00:44:55,920 --> 00:45:00,520
Speaker 4: to literally make it legal under the auspices of national

901
00:45:00,560 --> 00:45:03,919
Speaker 4: security in China, to you know, scrape all that theft

902
00:45:04,000 --> 00:45:07,760
Speaker 4: which media automatically overnight all writers that dies.

903
00:45:08,239 --> 00:45:11,640
Speaker 2: There is never another case. So like you, I don't

904
00:45:11,680 --> 00:45:15,200
Speaker 2: know what it is. I've never I'm you know, uh not,

905
00:45:15,320 --> 00:45:17,799
Speaker 2: let's just actually wet. Just people are crazy people. I've

906
00:45:17,800 --> 00:45:19,160
Speaker 2: sort of made that a rule in my life. I

907
00:45:19,280 --> 00:45:21,240
Speaker 2: was like, we're all good. I'm not going to actually

908
00:45:21,280 --> 00:45:24,200
Speaker 2: sue you. I'm just gonna you know, but like I

909
00:45:24,280 --> 00:45:26,040
Speaker 2: don't know how. I have no idea.

910
00:45:26,080 --> 00:45:28,759
Speaker 4: It's way about out of my depth. I'm trying to

911
00:45:28,800 --> 00:45:30,640
Speaker 4: figure it out a couple of hours Google. But you know,

912
00:45:30,920 --> 00:45:35,680
Speaker 4: it's just it's it's really going to be quite complicated.

913
00:45:35,719 --> 00:45:38,160
Speaker 4: So it's like that's what's so crucial about like everybody

914
00:45:38,239 --> 00:45:38,560
Speaker 4: in town.

915
00:45:38,640 --> 00:45:43,200
Speaker 2: Man, like, hey, she's just like this is what we do, right, like.

916
00:45:44,920 --> 00:45:48,200
Speaker 4: You know, and then because right now they're just trying

917
00:45:48,239 --> 00:45:51,160
Speaker 4: to make it no whole tomorrow, right, so it's already happened.

918
00:45:51,000 --> 00:45:53,840
Speaker 3: Right, it has happened. So, I mean, it is that

919
00:45:54,000 --> 00:45:56,640
Speaker 3: change that exists that we are living in and we're

920
00:45:56,680 --> 00:46:00,920
Speaker 3: seeing the regulations need to be. The fight needs to

921
00:46:01,040 --> 00:46:02,960
Speaker 3: be or you lose.

922
00:46:04,520 --> 00:46:05,440
Speaker 2: Lose we all lose it.

923
00:46:05,640 --> 00:46:09,280
Speaker 3: We as we lose everything. The day you use your identity,

924
00:46:09,520 --> 00:46:09,960
Speaker 3: I guess.

925
00:46:09,800 --> 00:46:13,520
Speaker 2: You gotta make a you know, it's Shakespeare Monolague Park

926
00:46:13,560 --> 00:46:13,919
Speaker 2: for free.

927
00:46:14,719 --> 00:46:16,800
Speaker 3: It's it's it's it is wild.

928
00:46:16,920 --> 00:46:18,600
Speaker 2: Not to knock on Jakes spear, but it's not my

929
00:46:18,640 --> 00:46:19,760
Speaker 2: favorite thing of the city offers.

930
00:46:19,760 --> 00:46:20,279
Speaker 3: I'll be honest.

931
00:46:20,680 --> 00:46:26,480
Speaker 2: I did love Mark Ryland's I mean, I like some

932
00:46:26,560 --> 00:46:28,200
Speaker 2: of the zingers. You know what I mean, the classics.

933
00:46:31,440 --> 00:46:32,239
Speaker 3: I like the big hits.

934
00:46:32,480 --> 00:46:34,000
Speaker 2: Yeah, you know it to be an to be I'm like,

935
00:46:34,160 --> 00:46:35,200
Speaker 2: I don't know, bro I get you.

936
00:46:35,400 --> 00:46:35,560
Speaker 4: You know.

937
00:46:43,280 --> 00:46:46,280
Speaker 3: This episode is the last of our second season.

938
00:46:47,000 --> 00:46:49,840
Speaker 1: I've loved sitting with so many wonderful guests over the

939
00:46:49,960 --> 00:46:53,880
Speaker 1: last year, from electric interviews with Kristen wigg and Jeff

940
00:46:53,920 --> 00:46:58,239
Speaker 1: Goldblum to thoughtful conversations with award winners like Divine, Joey

941
00:46:58,320 --> 00:47:02,400
Speaker 1: Randolph and Adrian Brody. As I sit with Natasha at

942
00:47:02,480 --> 00:47:07,040
Speaker 1: a table of sliders, fries, pizza, pigs in a blanket,

943
00:47:07,400 --> 00:47:10,960
Speaker 1: and many glasses of Seltzer and Arnold Palmer, I'm so

944
00:47:11,239 --> 00:47:14,560
Speaker 1: grateful that you the listener, have joined us for our lunches.

945
00:47:15,080 --> 00:47:18,319
Speaker 1: Natasha is one of a kind and the perfect guest

946
00:47:18,680 --> 00:47:25,920
Speaker 1: to share our final meal of the season. I mean,

947
00:47:26,200 --> 00:47:29,759
Speaker 1: I gotta say, as we kind of wrap, I mean,

948
00:47:30,360 --> 00:47:33,680
Speaker 1: this has been one of the most enjoyable table for TUSA.

949
00:47:33,760 --> 00:47:37,400
Speaker 2: But I get enough about you. Do I a new restaurant.

950
00:47:38,320 --> 00:47:41,320
Speaker 1: You know, there's no new restaurant. It would be it

951
00:47:41,320 --> 00:47:44,959
Speaker 1: would be something like in the DNA of old school

952
00:47:45,000 --> 00:47:49,280
Speaker 1: Italian Steakhouse, New York. Oh yeah, speak easy Italian probably,

953
00:47:49,480 --> 00:47:51,680
Speaker 1: you know, with the DNA of bossis and it would

954
00:47:52,040 --> 00:47:54,239
Speaker 1: be small, it would be you know, there's a bunch

955
00:47:54,320 --> 00:47:56,719
Speaker 1: of friends that we share on the East cart so like,

956
00:47:56,760 --> 00:47:59,120
Speaker 1: when you're ready, you should get back in, like you know, yeah,

957
00:48:00,000 --> 00:48:00,920
Speaker 1: I always feel like I like.

958
00:48:01,440 --> 00:48:02,560
Speaker 3: I'm going I'll go to media.

959
00:48:03,200 --> 00:48:06,440
Speaker 2: I'm going on I'm about that. Yeah, yeah, we need

960
00:48:06,520 --> 00:48:07,440
Speaker 2: a new spot, right, we.

961
00:48:07,440 --> 00:48:08,080
Speaker 3: Need a new spot.

962
00:48:08,160 --> 00:48:12,000
Speaker 1: So I think my thing is avl who's seventeen, who

963
00:48:12,040 --> 00:48:13,880
Speaker 1: you've met once she's out of high school.

964
00:48:14,000 --> 00:48:18,880
Speaker 2: She's gonna be like, where's my six it's creasy for

965
00:48:19,120 --> 00:48:22,160
Speaker 2: excuse me, where's my speakingsy steakhouse? Even my dad?

966
00:48:22,280 --> 00:48:27,400
Speaker 11: Yeah, this is a multi generation redo it so maybe,

967
00:48:27,600 --> 00:48:29,960
Speaker 11: but you know right now, like my eye is on her,

968
00:48:30,160 --> 00:48:34,680
Speaker 11: my eye is on you know this, and we're going

969
00:48:34,760 --> 00:48:36,200
Speaker 11: to figure out the next chapter.

970
00:48:36,360 --> 00:48:38,400
Speaker 2: And yeah, do you think we're at the top of

971
00:48:38,480 --> 00:48:39,600
Speaker 2: act three? Is that you too?

972
00:48:39,880 --> 00:48:41,400
Speaker 1: I think we're at that and not used to not

973
00:48:41,560 --> 00:48:43,880
Speaker 1: being when you turn when you were getting close to sixty.

974
00:48:44,239 --> 00:48:46,919
Speaker 3: Yeah, three, there's a full act in three.

975
00:48:47,080 --> 00:48:51,000
Speaker 14: There's a full if you do it right, twenty twenty

976
00:48:51,080 --> 00:48:54,520
Speaker 14: to twenty five years where you're like, I'm in the game,

977
00:48:55,000 --> 00:48:58,120
Speaker 14: and then whatever you know, bad willing.

978
00:48:58,160 --> 00:48:59,799
Speaker 3: You got your health, you got your body, you got

979
00:48:59,880 --> 00:49:02,279
Speaker 3: your right. Yeah, I do. I feel like I'm at

980
00:49:02,280 --> 00:49:03,120
Speaker 3: the top back three.

981
00:49:04,080 --> 00:49:05,759
Speaker 2: Yeah you are doing. I also feel like I'm on

982
00:49:05,800 --> 00:49:07,680
Speaker 2: the top of a three. But you know your twenty

983
00:49:07,840 --> 00:49:11,640
Speaker 2: years jun to know you think so. Yeah, I think.

984
00:49:11,680 --> 00:49:13,640
Speaker 2: I feel like I'm like, come into the clothes.

985
00:49:15,840 --> 00:49:18,640
Speaker 4: I'm running as fast as I can, you know, yeah, yeah, Well,

986
00:49:19,880 --> 00:49:24,080
Speaker 4: because I'm like I always say times, yeah, times fucking

987
00:49:24,239 --> 00:49:27,520
Speaker 4: catching up. I'm like watching my sign for you stand

988
00:49:27,600 --> 00:49:28,320
Speaker 4: in the hour glass.

989
00:49:28,360 --> 00:49:31,240
Speaker 2: These are the days of my lives and there numbered.

990
00:49:31,880 --> 00:49:37,040
Speaker 3: And on that note, thank you for joining us. Thank you,

991
00:49:37,760 --> 00:49:48,239
Speaker 3: Natasha gorgeous and you know what, yes, yeah, thank you,

992
00:49:48,880 --> 00:49:50,160
Speaker 3: thank you, thank you for joining.

993
00:49:50,320 --> 00:49:50,920
Speaker 2: Thank you so much.

994
00:49:51,040 --> 00:49:51,759
Speaker 4: This is lovely.

995
00:49:51,800 --> 00:49:53,480
Speaker 2: I'm so happy to thanks.

996
00:49:53,239 --> 00:49:53,560
Speaker 4: For having me.

997
00:50:05,680 --> 00:50:07,200
Speaker 3: Thank you for pulling up a chair.

998
00:50:07,760 --> 00:50:12,280
Speaker 1: I love our lunches and never forget the romance of Omeo.

999
00:50:13,280 --> 00:50:15,719
Speaker 1: If you enjoy the show, please tell a friend and

1000
00:50:15,920 --> 00:50:19,520
Speaker 1: rate and review us on Apple Podcasts. Table for Two

1001
00:50:19,560 --> 00:50:22,719
Speaker 1: with Bruce Bosi is produced by iHeartRadio seven three seven

1002
00:50:22,760 --> 00:50:27,120
Speaker 1: Part and Airmail. Our executive producers are Bruce Bosi and

1003
00:50:27,239 --> 00:50:27,799
Speaker 1: Nathan King.

1004
00:50:28,160 --> 00:50:30,600
Speaker 3: Our supervising producer is Dylan Fagan.

1005
00:50:30,920 --> 00:50:34,720
Speaker 1: Our editors are Vincent to Johnny and Cas B Bias.

1006
00:50:35,400 --> 00:50:38,840
Speaker 1: Table for two is researched and written by Jack Sullivan.

1007
00:50:39,200 --> 00:50:42,719
Speaker 3: Our sound engineers are Meil B. Klein, Jess Krainich and

1008
00:50:42,920 --> 00:50:47,040
Speaker 3: Jesse Funk. Our music supervisor is Randall Poster. Our talent

1009
00:50:47,120 --> 00:50:48,760
Speaker 3: booking is done by Jane Sarkin.

1010
00:50:49,160 --> 00:50:52,800
Speaker 1: Table for two's social media manager is Gracie Wiener. Special

1011
00:50:52,880 --> 00:50:57,560
Speaker 1: thanks to Amy Sugarman, Uni Scherer, Kevin Yuvane, Bobby Bauer,

1012
00:50:58,040 --> 00:51:02,120
Speaker 1: Alison Kanter Graber. For more podcast from iHeartRadio, visit the

1013
00:51:02,239 --> 00:51:07,359
Speaker 1: iHeartRadio app, Apple Podcasts, or wherever you listen to your

1014
00:51:07,520 --> 00:51:08,360
Speaker 1: favorite shows.