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Speaker 1: Look, may oh, I see you. Look over there is

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Speaker 1: that culture. Yes, goodness, wow, lost cultures, lost culture. He

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Speaker 1: is calling. Actually came in today thinking who is going

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Speaker 1: to do the ding and dong? Are they going to

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Speaker 1: take that from us?

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Speaker 2: You never know they're actually respecting the structure, the decorum

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Speaker 2: of this sload space.

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Speaker 1: What are you saying? Because they can hear you, I can't.

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Speaker 3: I'm doing subliminal messages to your audience. Y'all, y'all keep

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Speaker 3: doing what you do. Money what superliminal us we are?

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Speaker 3: We have the mic.

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Speaker 4: Satan is your kid?

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Speaker 1: We heard that, we heard that, and we just want

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Speaker 1: to You can say that as loud as listen. Why

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Speaker 1: you whisper for that?

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Speaker 4: You can still listen to Sabrina Carpenter, but listen to even.

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Speaker 1: Excuse me, cap is the Devil's music down? Have you

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Speaker 1: heard the new Madonna track.

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Speaker 4: The Most sixty nine cents to Josh Island?

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Speaker 1: What do you need that type of money for?

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Speaker 4: If I get one hundred and fifty dollars, I will

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Speaker 4: buy Fuegos their dance shoes. I want for line dancing.

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Speaker 1: Oh my god, you love Wagos ding dong los. Culturista's calling,

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Speaker 1: great host it host it go.

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Speaker 3: Hello, I'm Jonathan groff ding Dong Lost Cultista's calling is

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Speaker 3: joined with of course, Liah Michelle.

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Speaker 1: Hello. Hello, we know each other from the way back. Yes,

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Speaker 1: when does y'all meet? We met doing Spring Awakening off Broadway. Yes,

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Speaker 1: stop it. Yes, well then it made the famous leap

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Speaker 1: to Broadway, one of the more famous leaps.

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Speaker 2: Now, what did you think of the time that you

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Speaker 2: guys were trying to get into the Tonys while Bowen

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Speaker 2: Yang and Matt Whitaker were also head runner the bathroom

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Speaker 2: and we were all the four of us were all

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Speaker 2: stuck outside.

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Speaker 1: The Tony's door. I loved that. Oh, we loved to

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Speaker 1: remember that always. We talk about it daily. I wanted, Tony,

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Speaker 1: you just might get one girl year my be your

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Speaker 1: year for na win a Tony. Oh I hope so,

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Speaker 1: I hope that would be so she deserves it. If

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Speaker 1: you think it will be funny, yes, I think everything

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Speaker 1: that would beautiful. Everything Marlon Mindel does is funny, winning award.

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Speaker 1: It would be hilarious herself. The quality and caliber of

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Speaker 1: that performance, and we can call it Tony worthy. It's

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Speaker 1: incredibly opening.

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Speaker 5: We went to opening, yes, and we were on like

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Speaker 5: the third row, and we laughed really hard at this joke.

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Speaker 5: Everybody loves semen except lesbians, and we laughed really hard,

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Speaker 5: and Marla pointed us and went, oh, lesbians, And then

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Speaker 5: she clocked it was Joshumac.

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Speaker 1: Oh Hi. I literally thought you were lesbian. We were

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Speaker 1: dressed like lesbians. I was like a silk change like this,

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Speaker 1: a big wide brimmed hat. Yeah.

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Speaker 2: Now, this is actually a huge historic moment for the

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Speaker 2: two of you, because I feel like you have not

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Speaker 2: had this kind of hair, sort of synchronicity and.

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Speaker 5: Years in a long time. Are you, I guess, are

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Speaker 5: you technically longer?

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Speaker 1: I don't know, maybe you're longer.

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Speaker 2: You're both floating with broccoli cut. You both have gorgeouss

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Speaker 2: mod mod.

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Speaker 1: Mod the mod squad here.

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Speaker 5: I grew out, I grew out of short haircut into

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Speaker 5: a shag, and then I decided to commit to the shag,

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Speaker 5: commit to shag for spring.

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Speaker 1: But now it's well, no, it's still spring. It's still

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Speaker 1: sometimes speaking of committing to shag for spring, it must

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Speaker 1: be a little warmer than it just was, because today

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Speaker 1: I was walking around and bodies, bodies, bodies of film.

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Speaker 1: Ryan Jones's friend called the skank Onknox. It must be

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Speaker 1: the because some of the sluttiest men straight, gay and otherwise.

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Speaker 5: That the day where everyone decides, like now I will

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Speaker 5: wear my slutty summer.

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Speaker 1: Forget I'm wearing a jockstrap right now? Oh yeah, you

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Speaker 1: didn't forget? He showed us. Would you like to see

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Speaker 1: my ass again? We can do that for them. It's

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Speaker 1: for they react. A lot of them went running a

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Speaker 1: lot of this. You're going to show us you're out.

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Speaker 1: You know you're not gonna point it too camera. Okay,

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Speaker 1: go ahead, go ahead, go ahead, go on your bent

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Speaker 1: in a way that would suggest this spread. That's the

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Speaker 1: first time I think we've been shown a whole on

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Speaker 1: They were dying to the whole time show hole.

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Speaker 5: I'm also wearing a jock strap because we're gonna go

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Speaker 5: to the jockstrap happy hour.

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Speaker 3: You know what's fascinating, because Sam Taggart is gonna is

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Speaker 3: doing a podcast in this very building right now. Cleave

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Speaker 3: that out, please plead this whole episode out. Also going

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Speaker 3: to jockstrap happy Hour. That's very you know the cinematic universes,

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Speaker 3: will I know true heads could listen to both episodes

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Speaker 3: knowing they're leading towards that.

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Speaker 1: You think he's talking about it on his We should

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Speaker 1: text him and say, please, please speak on it. Let

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Speaker 1: them speak on it. Is George gonna go to Jockstraw?

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Speaker 1: You married that? Yeah, he has a lack of will

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Speaker 1: to hold on a second. We're the only ones not married.

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Speaker 1: Are you married? I'm not married?

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Speaker 5: Yeah?

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Speaker 1: But come on yea true, Come on me, I'm not married.

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Speaker 1: That's not what I heard. Oh yeah, what did you

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Speaker 1: hear about me? That you're married? That you're married? Where

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Speaker 1: did you hear this? A beautiful woman?

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Speaker 5: I heard it from page six, page six report, the

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Speaker 5: front page of page six.

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Speaker 1: Who's my wife? Tell me Diana Vice Advice and you

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Speaker 1: all are very happy together according to page one of

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Speaker 1: page six. By the way, a lot of you think

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Speaker 1: that my wife Diana Vice spells her name like Rachel Wess. No, no,

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Speaker 1: it's Diana Vice, like Miami Vice. Miami was actually her

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Speaker 1: great aunt, Mimi gorgeous. They named the show after her. Yeah, well,

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Speaker 1: they said she's such a beautiful baby. Such would you say? More?

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Speaker 6: Right?

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Speaker 1: Which when she was born? What happened was you said born?

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Speaker 1: And I heard louren Because I'm in the entertainment in

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Speaker 1: the brain.

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Speaker 5: Wait, we're not really Leah Michelle and Jonathan Ross or

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Speaker 5: do you want to be Rose Byrne and Kelly O'Hara.

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Speaker 5: I think we're Roseburn and Kelly her. But which is which?

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Speaker 1: That's fascinating interesting, Kelly. Now I'm a f Kelly rose Byrne,

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Speaker 1: the husband of Miami vice Dianavice. Rather is her mother?

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Speaker 1: I guess? I guess step step nephew nephew of Diana

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Speaker 1: VISs law nephew and law.

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Speaker 2: Ma'am I am Lea Michelle.

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Speaker 3: You're the really of the traveling Liah Michelle. Everyone will

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Speaker 3: play her part.

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Speaker 1: I want to Tony. I want to say I wanted to.

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Speaker 1: I want to Can I say something? If I wish her,

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Speaker 1: I'd want one to me and one, I would say,

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Speaker 1: you know, quite frankly, I'd say give me one, give me.

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Speaker 3: Give me that thing called I would want one totally

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Speaker 3: was the first. If I wasn't her, I would want drama.

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Speaker 3: I'm a drama desk nominee.

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Speaker 1: By the way, will know now if we're Tony nominees,

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Speaker 1: that's right, because we're going to find out on time

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Speaker 1: is so? Can you do you both do? Younger brother

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Speaker 1: in ragtime. Yes, vil. When Ben can't do it, we

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Speaker 1: both do it.

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Speaker 5: Yes, you're off off stage on a theater, off site swing.

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Speaker 3: Yes, one of these the back half, and one's the

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Speaker 3: front half. Right, and you get in that ben.

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Speaker 1: Le costume, half of Benley Viros and I'm the face

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Speaker 1: part of ben door face. You can sing, I'm the

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Speaker 1: face and throat of Benley Viros. Yes, and you're that.

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Speaker 1: Don't ask the Connector. I didn't, Yes, I did see Connector.

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Speaker 1: He can well. I heard his like a music great. Oh,

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Speaker 1: chick may be dead or boy chick is maybe on pause?

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Speaker 1: Pause to gay boy chick pause, yes, very the music industry, yes, yes, yes,

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Speaker 1: pause to day first name music, last name industry. We

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Speaker 1: learned lesson with that Troy Savon. Things can get a

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Speaker 1: little too gay. All these musicians are going to be

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Speaker 1: sniffing puppers. And then come back when you're a girl.

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Speaker 5: Yeah, be like one of your girls exactly when you girl,

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Speaker 5: you kind of resemble him as that girl injered girl songs.

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Speaker 5: When I'm in drag a long gorgeous blown out wig.

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Speaker 5: Troy doesn't that.

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Speaker 2: No, did you see the poster I made for my Yes, yes,

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Speaker 2: that's where giving now. We were out to dinner with

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Speaker 2: Joe Firestone last night and she did tell us that,

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Speaker 2: uh you you had you were You were quoted as saying,

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Speaker 2: I've been in movies, I've written movies.

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Speaker 1: I've been on TV. Yes.

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Speaker 2: The thing that I've gotten the most positive feedback on

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Speaker 2: is the poster for my show Weird Girls.

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Speaker 1: And usually that you know on stage you're slightly hyperbolic.

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Speaker 2: I'm not being talk to talk about the numbers people

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Speaker 2: want me trans.

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Speaker 1: The dms are like, you're a woman, I like it better,

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Speaker 1: we like this better. This is that's how trans works,

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Speaker 1: because you're a woman. Like positive reinforcement. No, it was

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Speaker 1: this community coming together say yes girls, people like.

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Speaker 5: Even being like you're really pretty, Oh this is so pretty,

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Speaker 5: or people being like horny dms in a way I've

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Speaker 5: never received.

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Speaker 1: I like something like horns like you've never seen. And

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Speaker 1: I'm telling you people were horny for me as a girl.

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Speaker 1: I don't you were sent a picture of a body

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Speaker 1: part you hadn't seen before. I've never seen you, hadn't

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Speaker 1: you for you goddamn sexual microscope out the way you

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Speaker 1: are always? Would you say?

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Speaker 3: The response was such that people were spreading cheeks showing

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Speaker 3: hole at.

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Speaker 5: Ieheart that kind of you know, I've never gotten that

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Speaker 5: kind of positive team to do it again.

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Speaker 1: I think I think you do it one more time

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Speaker 1: to your for your friend Aaron iHeart is title of

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Speaker 1: that show at I Heeart. That's really good.

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Speaker 2: This is a Stradio Lab theory that Sam and George

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Speaker 2: have put up. Which is those pass which is you?

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Speaker 1: You are? You are an artist such as Lizzo and

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Speaker 1: you you arrive at across Roads and it's pitchfork target,

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Speaker 1: and it's and you only have two choices. It's target

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Speaker 1: or pitchfork. Wait, what is the other choice? I was

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Speaker 1: calling your pitchfork?

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Speaker 3: Do they have a pitch literally yeah, that's I guess.

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Speaker 1: You're Pocahontas in a responsible way. We were talking about Pocahona,

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Speaker 1: were talking, well, of course, aren't you a gay guy

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Speaker 1: in the year twenty Cocahontas everyone I believe she She

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Speaker 1: was deciding between the smoothest course, Uh.

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Speaker 5: Huh, steady Coco is on my dreaming at it and

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Speaker 5: end or do you.

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Speaker 1: Still wait for me dream giver the target. I literally

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Speaker 1: forgot Cynthia's riff. I was gonna try to you, no

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Speaker 1: one can because the stone we were We were actually

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Speaker 1: on the subway the other day and we were again

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Speaker 1: so much grass. See they have not changed. Sttle, you're

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Speaker 1: going down in some woman. Lovely, You're going down in

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Speaker 1: some woman down to the subway. Advice my wife. We

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Speaker 1: were going down to the subway and this woman was

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Speaker 1: like just sing and just lost it. Said love you

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Speaker 1: by the way, and she said, wicked is And she

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Speaker 1: went like this wicked is U? And I said, has

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Speaker 1: anyone ever come up to you, pointed to you, got

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Speaker 1: in your face and just went must it is? Because

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Speaker 1: you know they do that to Cynthia. But it'll come

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Speaker 1: back when she's old. It'll be lovely. That's what happens

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Speaker 1: to them all. They like Judy Garland hated Over the Rainbow,

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Speaker 1: but of course you know she left. Yeah, everyone's like

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Speaker 1: over the right do the riff, Yeah, because your act

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Speaker 1: becomes your animal exactly. But in the end you have

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Speaker 1: a legacy. We hate text the musical right now. So

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Speaker 1: John Waters was in that chair last week, this one

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Speaker 1: and that one. Yeah, well he's eighty's respectful. This is

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Speaker 1: truly year old, never never penetrating stuff, and it's disgusting

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Speaker 1: at least straight. Now, you just fucked a woman, Josh,

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Speaker 1: I know that's true. That's okay.

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Speaker 2: John Waters in the chair just talking about cult classics

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Speaker 2: and how no one wants to be a cult artist,

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Speaker 2: and we were like, we know our friends who wrote

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Speaker 2: to musical. He's like, I've seen a joshanaire and we.

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Speaker 1: Were and they were like they they are obvious. Like

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Speaker 1: as soon as the movie came out, everyone was like,

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Speaker 1: it's a future cult classic. And then y'all were like, well,

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Speaker 1: that doesn't feel amazing. It was I didn't have said

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Speaker 1: this failed failed fail.

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Speaker 3: I wonder what John says about this, because actually we

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Speaker 3: love the reception of Dickson so far as I'm like,

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Speaker 3: it shouldn't have been made at all. Yeah, but it

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Speaker 3: is true that making a cult classic is like you

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Speaker 3: just make a flop and sort of seven years later

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Speaker 3: people are like, actually it's a hit now seven okay,

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Speaker 3: so can I reveal somebody anything that's sort of like

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Speaker 3: everybody's like, well, it didn't really do well, and then

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Speaker 3: I think time passes and then they're like, actually it

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Speaker 3: did great.

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Speaker 2: And then the story is why didn't it do well?

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Speaker 2: It's so good, like it can always retroactively sort of

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Speaker 2: balm that wound. Can I reveal something to y'all please?

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Speaker 2: And it's I meant to tell you this sooner, but

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Speaker 2: I think this is a great occasion. I promise they

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Speaker 2: didn't save it for this I want to do. It

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Speaker 2: went to death of a salesman.

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Speaker 1: I haven't been yet. We're going to go soon.

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Speaker 2: I opened up the playbill, I go and read Nathan

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Speaker 2: Lane's bio. He lists all of his credits, and I

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Speaker 2: was hurt that Dixon Musical was not listed.

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Speaker 1: It was in another one he's listed in. Yeah, it

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Speaker 1: was in a Pinchers from Home Pictures from Home. Oh okay,

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Speaker 1: So then maybe he was just got too many. I

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Speaker 1: don't think he loves that movie. That was not him.

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Speaker 1: It's always the publicis is he's advice. I should know

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Speaker 1: better than anyone. My wife is a publicist. Oh my god,

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Speaker 1: for the art world.

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Speaker 5: Ah, well, that's dangerous, big money laundering. No, he said

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Speaker 5: at the premiere, I'm proud of this movie. And he's

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Speaker 5: not one to okay talk like that, to say, he's

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Speaker 5: still our dad who texts us to get praise.

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Speaker 1: Yeah, okay, that makes me feel much whatever I don't feel,

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Speaker 1: all is right Okay, good. I mean, and he was,

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Speaker 1: by the way, amazing. I'm sure, God he is. I'm sorry.

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Speaker 1: He's a hot Willie. He's a hot Willy is a

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Speaker 1: culture number forty at Willy Willy Lowman. Willy Lowman always

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Speaker 1: a great role for a fucking stud. Yeah, yeah, what

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Speaker 1: theater would be your dream role? All the parts and

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Speaker 1: even I'm going to say props just male roles. I'm

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Speaker 1: even gonna say that a mab.

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Speaker 3: I want to be in. Subways are for sleeping.

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Speaker 5: This is a real familiar at all.

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Speaker 3: It's it's a it's an old musical about homelessness on

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Speaker 3: the subways that I just like to think.

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Speaker 1: It's like a charming comedy. Actually want to be in

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Speaker 1: I think you give an UQ. You'd be amazing. You

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Speaker 1: got to learn pets or I want to be that

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Speaker 1: big tree in Miss Redwood Tree Religion. I want to

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Speaker 1: be Why didn't I wear my red wood shirts, my

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Speaker 1: Josh shirt? I thought I was doing the right thing.

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Speaker 1: I have a perfectly good Redwood.

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Speaker 5: I'm in my speaking ass my Jonathan David Smith. He's

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Speaker 5: a one for artist, is his ass.

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Speaker 1: He's taking photos of your ass. I actually we've never

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Speaker 1: taken photos. You don't your photos, you you hose for drawings. Yeah,

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Speaker 1: I've done photos too, though, Yes, where are they? Well,

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Speaker 1: you know a lot of a lot of older people say,

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Speaker 1: take the photos of yourself nude when you're young, because

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Speaker 1: you get this, it just does. It will never look

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Speaker 1: like that, so we've all missed it. I don't know

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Speaker 1: we'd be some old girls you think older. This is

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Speaker 1: the youngest you'll ever be. Right now. That's the creamy

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Speaker 1: nugget of what I'm saying. You could say every single

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Speaker 1: day creamy due to that nugget, very egg just all

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00:16:32,640 --> 00:16:37,000
Speaker 1: over it, like like you one musk. But you didn't

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Speaker 1: see when you showed hole for a second. I came everywhere.

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Speaker 1: That's why you got to keep your eyes open. Well,

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Speaker 1: I was playing for the cameras.

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Speaker 2: I had ordered all these chicken nuggets for us. Speaking

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Speaker 2: of creamy nuggets, how do you how do you get

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Speaker 2: the ass so juicy? It's it's really juiced upon Yeah, what.

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00:16:52,560 --> 00:16:55,760
Speaker 1: Are you doing for your ass? Ever since the drama desk? No, no,

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00:16:58,640 --> 00:17:03,680
Speaker 1: it's gone right to us ass biking and the handles

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Speaker 1: go like this. I'm going to sing that at Cynthia

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Speaker 1: and I say my most my most fit friend, Clark says, really,

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Speaker 1: you gotta do I'm not even entertaining this joke because

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Speaker 1: that's actually a really sad story. Honey, it's a pitchfork

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00:17:22,000 --> 00:17:25,480
Speaker 1: app It's Interruption Hour. Anyway. All you got to do

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Speaker 1: is walk on an elliptical at an incline, and apparently

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Speaker 1: you get ripped. People like that.

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Speaker 5: People do the st but everyone says something. Everyone says,

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Speaker 5: if you do that, you actually have the flatestass.

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Speaker 1: What everyone's body is different? Why can't the community agree

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00:17:38,840 --> 00:17:40,520
Speaker 1: like they did when they knew that Aaron was a

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Speaker 1: trans woman, and the community needs to agree on on body.

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Speaker 1: I wish the community would just agree body, yadda, yaddi.

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Speaker 1: Joe Firestone got my name in her mouth, make me

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Speaker 1: make me sick and laudatory way she is. Joe Firestone

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Speaker 1: is the head writer of The Cultural Away. I know

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Speaker 1: that I heard this a lot. Really one of the

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Speaker 1: funniest humans alive. This will be good for everyone. Yeah,

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Speaker 1: what's that? Oh? You doing a SMR? What's the deal

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00:18:08,080 --> 00:18:14,520
Speaker 1: with sparkling water? Okay, Jerry Off? People love it. It's

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00:18:14,680 --> 00:18:17,320
Speaker 1: it's spicy. Yeah, I like it to hurt a little.

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00:18:17,440 --> 00:18:19,920
Speaker 1: I love the stuff. No, ice. You don't need no ice.

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Speaker 1: You're and you're from the North. It's very southern to

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00:18:23,920 --> 00:18:26,639
Speaker 1: like ice. Oh I've had ice and every single one

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00:18:26,640 --> 00:18:28,840
Speaker 1: of my beverages for years, just from the North. You

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Speaker 1: what I just you said what I just said. I said,

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00:18:31,040 --> 00:18:32,919
Speaker 1: look down on my ice coffee and you're gonna You're

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00:18:32,920 --> 00:18:35,399
Speaker 1: not gonna drink that. You lie State of the Union.

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00:18:37,240 --> 00:18:39,520
Speaker 1: You lie in your life getting better and better.

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00:18:39,600 --> 00:18:42,600
Speaker 3: What's more iconic? You lie at Obama or throwing the

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00:18:42,640 --> 00:18:44,159
Speaker 3: shoe at George w shoe.

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Speaker 1: The shoe was. The shoe was incredible.

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Speaker 5: My dream role is Curtis and dream Girls, and I

342
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Speaker 5: will play it.

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Speaker 1: It's gonna be, It's gonna be. Your face will be everywhere.

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Speaker 5: In sound check for Weird Girl Songs, Kyle Kyle Bryer,

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Speaker 5: the Lovely's director Lovely and a Half, I half maybe

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00:19:10,240 --> 00:19:13,680
Speaker 5: even cute in a double was playing home, just practicing

347
00:19:13,680 --> 00:19:15,880
Speaker 5: and was playing home and I started singing home and

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Speaker 5: one of the wait staff goes, that's for at home.

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Speaker 1: It was soundcheck. She was being fun. Yes, in an

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Speaker 1: earned capacity of completely wait staff can do anything. Yes

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Speaker 1: they can. They really. They get carte blanche, the white cards.

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00:19:37,720 --> 00:19:40,720
Speaker 1: It's real culture number one, wait staff gets carte blanche.

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Speaker 1: Now go go off make fun of us, Yeah, make

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Speaker 1: fun that was your fun. That was you know you

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Speaker 1: were on sn L. It's a show and it's the

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Speaker 1: highest form of flattery is imitation. So you people should understand. No,

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Speaker 1: I just a little tender today. Of course, make fun

358
00:20:00,600 --> 00:20:07,280
Speaker 1: of jd Vance. I really never did. I would never

359
00:20:07,320 --> 00:20:09,840
Speaker 1: make fun of any author because how hard it is

360
00:20:09,920 --> 00:20:14,359
Speaker 1: to write a book. It's really have you written a book? Yes? Written?

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00:20:14,520 --> 00:20:17,600
Speaker 1: You've written a long show. That's not a book. Could

362
00:20:17,680 --> 00:20:22,000
Speaker 1: be this one has written a book. Is there any

363
00:20:22,040 --> 00:20:26,359
Speaker 1: plans to take your show to the larger stage, to

364
00:20:26,600 --> 00:20:32,760
Speaker 1: the book market? Well, yes, this Sorry, we're taking the

365
00:20:32,760 --> 00:20:36,520
Speaker 1: show to Target. I guess we're making a real the

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Speaker 1: target arena.

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00:20:37,440 --> 00:20:40,760
Speaker 3: Is there a target arena? Yes, opening, there must be.

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00:20:40,800 --> 00:20:42,040
Speaker 3: There must be a Target arena.

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00:20:42,200 --> 00:20:43,800
Speaker 1: Oh god, I'd be shocked that there wasn't. You know.

370
00:20:43,840 --> 00:20:46,440
Speaker 1: What I really can't wrap my head around is crypto

371
00:20:46,560 --> 00:20:51,720
Speaker 1: dot com which one is not? Again, that is also bad.

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00:20:52,280 --> 00:20:54,199
Speaker 3: It makes you miss Staple Center, and that also SI

373
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Speaker 3: like at the time we didn't know how good we had.

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00:20:58,359 --> 00:21:02,720
Speaker 1: You know, Staples, We do know how good we had it.

375
00:21:03,119 --> 00:21:07,800
Speaker 1: Staple is still a things, not as the big as

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00:21:07,840 --> 00:21:13,359
Speaker 1: Crypto dot com. Crypto dot dot com.

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00:21:12,400 --> 00:21:14,080
Speaker 3: But you can't go to crypto dot com for your

378
00:21:14,080 --> 00:21:18,560
Speaker 3: loose leaf paper neither, so Staples still is necessary, sir.

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00:21:19,520 --> 00:21:23,560
Speaker 1: I think Staples really ate down with the release of

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00:21:23,640 --> 00:21:27,920
Speaker 1: the the easy button. That was a cultural It was easy,

381
00:21:27,960 --> 00:21:32,280
Speaker 1: that's the easy button, that big and the ads that

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00:21:32,359 --> 00:21:38,000
Speaker 1: was Staples office Max Staples could never could never researcher,

383
00:21:38,160 --> 00:21:40,160
Speaker 1: researcher on site that was easy?

384
00:21:40,520 --> 00:21:44,200
Speaker 2: Is you anytime something was easy?

385
00:21:44,240 --> 00:21:44,320
Speaker 7: Well?

386
00:21:44,359 --> 00:21:49,360
Speaker 3: It contains everything. It's a synectic key. It speaks to everything.

387
00:21:49,400 --> 00:21:52,320
Speaker 3: It's holistic, you know what'sological everything?

388
00:21:52,520 --> 00:21:55,359
Speaker 1: And I swear to God, I got by the way,

389
00:21:55,640 --> 00:21:57,800
Speaker 1: the weed that I spy and smoke in Los Angeles

390
00:21:57,920 --> 00:22:00,639
Speaker 1: is not a weed. It's chronic. I on the street,

391
00:22:01,680 --> 00:22:06,840
Speaker 1: it's the craziest. Jared Frieder, who's the biggest stoner I know,

392
00:22:07,119 --> 00:22:09,480
Speaker 1: takes one hit of my ship and goes, you're crazy

393
00:22:09,600 --> 00:22:13,720
Speaker 1: and lays down. I walk down the street to Michaels.

394
00:22:14,920 --> 00:22:23,440
Speaker 1: I have it all home, Decord now. I said, let

395
00:22:23,480 --> 00:22:25,359
Speaker 1: me pick this pillow up and walk around with it

396
00:22:25,359 --> 00:22:27,080
Speaker 1: for a little while. Maybe I'll buy it. It was

397
00:22:27,160 --> 00:22:29,119
Speaker 1: like it was like, you kind of crazy pillow. So

398
00:22:29,160 --> 00:22:32,760
Speaker 1: then I run into get this a woman and her mom,

399
00:22:32,840 --> 00:22:34,439
Speaker 1: and she goes over and she the first thing she

400
00:22:34,480 --> 00:22:38,160
Speaker 1: says is, I can't believe I'm running into you at Michael's.

401
00:22:38,480 --> 00:22:42,280
Speaker 1: I'm very high. I'm like, do you like this pillow?

402
00:22:42,960 --> 00:22:45,680
Speaker 1: And I had something else in my hand. I think

403
00:22:45,720 --> 00:22:48,080
Speaker 1: it was also from the collection. She looks at me,

404
00:22:48,440 --> 00:22:49,960
Speaker 1: she looks at the pillow on the other thing, and

405
00:22:50,000 --> 00:22:54,120
Speaker 1: she goes, you know, I think they look good together.

406
00:22:55,600 --> 00:22:57,560
Speaker 1: I was like, yeah, but that wasn't my question. Do

407
00:22:57,600 --> 00:23:00,600
Speaker 1: you like it? The mother goes, I don't know who

408
00:23:00,600 --> 00:23:02,480
Speaker 1: you are, so I'm just going to tell you the truth.

409
00:23:02,600 --> 00:23:05,040
Speaker 1: I don't like it at all. And then she goes,

410
00:23:05,119 --> 00:23:06,520
Speaker 1: I don't like it either, but I feel like I

411
00:23:06,600 --> 00:23:08,600
Speaker 1: can't tell you I don't like it. I was like, no,

412
00:23:08,640 --> 00:23:12,159
Speaker 1: you need to see the truth. He did, and she goes, Okay,

413
00:23:12,200 --> 00:23:14,000
Speaker 1: we don't like it. I was like, all right, I

414
00:23:14,040 --> 00:23:15,719
Speaker 1: might think about it, because I don't know I do

415
00:23:15,840 --> 00:23:17,520
Speaker 1: like it. She goes, okay, well, it was so great

416
00:23:17,560 --> 00:23:18,840
Speaker 1: to see you. I can't believe I get to tell

417
00:23:18,840 --> 00:23:20,840
Speaker 1: everyone I saw you at Michael's. Can ask what are

418
00:23:20,840 --> 00:23:24,080
Speaker 1: the odds this whole thing was a hallucination. Right, How

419
00:23:24,160 --> 00:23:26,680
Speaker 1: dank is that chronic? You know what I mean? Because

420
00:23:26,680 --> 00:23:28,560
Speaker 1: this is not East Coast weed, but this is West

421
00:23:28,560 --> 00:23:30,200
Speaker 1: Coast weed. Are you saying I'm going to throw it

422
00:23:30,240 --> 00:23:33,639
Speaker 1: out the twenty percent? It was? You were talking to

423
00:23:33,640 --> 00:23:37,240
Speaker 1: a Jonathan Adler Vaughn Right, truly, I did put everything

424
00:23:37,240 --> 00:23:38,240
Speaker 1: down and leave with nothing.

425
00:23:39,160 --> 00:23:41,359
Speaker 3: The true like comedy movie cut where you go on

426
00:23:41,400 --> 00:23:43,159
Speaker 3: the trip and then it hard cuts you talking to

427
00:23:43,200 --> 00:23:43,639
Speaker 3: a door.

428
00:23:44,080 --> 00:23:50,480
Speaker 1: Rama Jonathan glad Adler pillows and like for some reason,

429
00:23:50,640 --> 00:23:52,879
Speaker 1: like two smocks and some art stuff because I'm going

430
00:23:52,920 --> 00:23:55,040
Speaker 1: to get into art. I guess yeah you should.

431
00:23:55,480 --> 00:23:57,240
Speaker 2: I just I just want to call out the mom like.

432
00:23:57,320 --> 00:23:59,159
Speaker 2: She was also hedging a little bit too. She's like,

433
00:23:59,200 --> 00:24:00,680
Speaker 2: I like them to get well, just say you don't

434
00:24:00,720 --> 00:24:01,480
Speaker 2: fucking like it.

435
00:24:01,800 --> 00:24:05,520
Speaker 1: She was just giving her daughter to the space to

436
00:24:05,520 --> 00:24:08,919
Speaker 1: say hi to someone she liked, and then she was like, listen,

437
00:24:08,960 --> 00:24:10,800
Speaker 1: I don't know who you are. I love that. I

438
00:24:10,880 --> 00:24:12,399
Speaker 1: am going to tell you I don't like that.

439
00:24:12,760 --> 00:24:15,440
Speaker 3: Reminds me of one of my favorite Shakira quotes. Okay,

440
00:24:15,840 --> 00:24:18,200
Speaker 3: early Shakira when she was coming on the scene. Okay,

441
00:24:18,640 --> 00:24:21,200
Speaker 3: humble Mountains and all that yes, okay. She was doing

442
00:24:21,200 --> 00:24:22,919
Speaker 3: an interview and she was doing some quote about the

443
00:24:22,920 --> 00:24:25,280
Speaker 3: crossover to the United States, and she basically was like, back,

444
00:24:25,560 --> 00:24:27,359
Speaker 3: you know, in my home country, everybody I walked on

445
00:24:27,400 --> 00:24:29,880
Speaker 3: the street, shaq Shaqui, Shakira, I come here, I walk

446
00:24:29,920 --> 00:24:31,560
Speaker 3: down the street. People come up to me and they go,

447
00:24:31,600 --> 00:24:32,760
Speaker 3: who are you? What are you doing?

448
00:24:33,280 --> 00:24:33,760
Speaker 1: And I love that.

449
00:24:33,840 --> 00:24:36,000
Speaker 3: It wasn't just like I'm not known. It's like people

450
00:24:36,040 --> 00:24:36,760
Speaker 3: come up here and they're like.

451
00:24:36,760 --> 00:24:40,000
Speaker 1: Who are you? And what are you? What are you doing?

452
00:24:40,080 --> 00:24:44,119
Speaker 1: What are your unfavorite Shakira quotes? Great point, you're not

453
00:24:44,160 --> 00:24:48,959
Speaker 1: a big fan of yellow. I love that one. Humble Mountains,

454
00:24:49,040 --> 00:24:55,120
Speaker 1: Humble Mountains, Shakira quote, your most unfavorite most things, she said,

455
00:24:55,160 --> 00:24:58,119
Speaker 1: I don't like one of your favorite one of your

456
00:24:58,160 --> 00:24:59,200
Speaker 1: favorite Shakira quotes.

457
00:24:59,200 --> 00:25:03,119
Speaker 3: I hated when Shaqui said jet fuel doesn't melt steel,

458
00:25:03,200 --> 00:25:05,160
Speaker 3: beas I hated when she said.

459
00:25:05,119 --> 00:25:07,840
Speaker 1: What did you feel when she said no, no, no,

460
00:25:07,920 --> 00:25:11,480
Speaker 1: I don't think you have to pay taxes? Well that

461
00:25:11,480 --> 00:25:16,520
Speaker 1: that's sort of iconic. I think that's potentially inspiring.

462
00:25:17,320 --> 00:25:23,080
Speaker 5: Yeah, there's potential to all evade all of a socialists.

463
00:25:23,760 --> 00:25:26,720
Speaker 1: Something I heard when I was in like elementary school

464
00:25:26,760 --> 00:25:28,240
Speaker 1: or middle schore or something is that's one of the

465
00:25:28,280 --> 00:25:30,520
Speaker 1: younger schools. And one of one of the younger schools

466
00:25:30,640 --> 00:25:34,399
Speaker 1: is a Shakira is a legal genius who speaks upwards

467
00:25:34,400 --> 00:25:35,240
Speaker 1: of six languages.

468
00:25:37,840 --> 00:25:40,120
Speaker 3: I would believe that, I would absolutely believe that hips

469
00:25:40,160 --> 00:25:41,480
Speaker 3: don't lie, Hips don't lie.

470
00:25:41,800 --> 00:25:42,879
Speaker 1: Humble mountains and all that.

471
00:25:43,040 --> 00:25:44,760
Speaker 2: Humble mountains and all that. Now I want to put

472
00:25:44,800 --> 00:25:47,719
Speaker 2: out a store as well, in the same vein as

473
00:25:47,760 --> 00:25:50,080
Speaker 2: Michael's pleeze five below.

474
00:25:51,640 --> 00:25:55,960
Speaker 1: Go to that you have you go, what do they got?

475
00:25:56,000 --> 00:26:02,600
Speaker 1: They've got, you know, minion, they've got cheap stuff for birthdays,

476
00:26:02,600 --> 00:26:03,960
Speaker 1: for children's because.

477
00:26:03,680 --> 00:26:08,040
Speaker 2: Then fun craft. I'm not sure. I don't want to

478
00:26:08,040 --> 00:26:08,480
Speaker 2: look into it.

479
00:26:08,560 --> 00:26:13,080
Speaker 1: I'm sure he doesn't even want to Google it because

480
00:26:13,080 --> 00:26:15,359
Speaker 1: of the implication. Well, Google's all bad now too. I

481
00:26:15,400 --> 00:26:21,000
Speaker 1: don't want my AI overview people. I don't want that.

482
00:26:22,000 --> 00:26:26,360
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483
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500
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503
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504
00:27:35,280 --> 00:27:40,080
Speaker 1: thanks again to our sponsor, Vital Proteins. These statements have

505
00:27:40,160 --> 00:27:42,760
Speaker 1: not been evaluated by the Food and Drug Administration. This

506
00:27:42,920 --> 00:27:46,479
Speaker 1: product is not intended to diagnose, treat, cure, or prevent

507
00:27:46,600 --> 00:27:49,600
Speaker 1: any disease. I thought you said it was proven by science.

508
00:27:49,680 --> 00:27:52,000
Speaker 1: I never said that. I just said it was good.

509
00:27:52,440 --> 00:27:55,159
Speaker 1: Do you watch before you three? I'm opting out of

510
00:27:55,200 --> 00:27:57,960
Speaker 1: the season. What she you'll get in, you'll get on

511
00:27:58,040 --> 00:28:02,920
Speaker 1: the highlight. She wore this gown to Sydney and Jacob's weddings.

512
00:28:03,920 --> 00:28:07,080
Speaker 1: I've seen pretty much everything that involves Alexa. I did

513
00:28:07,200 --> 00:28:09,239
Speaker 1: like the scene where she and she was like, Hi,

514
00:28:09,320 --> 00:28:12,920
Speaker 1: I want to work for you, and she expins a

515
00:28:12,920 --> 00:28:15,240
Speaker 1: little monologue and I was like, I like that monologue.

516
00:28:15,240 --> 00:28:17,639
Speaker 1: Like in season one when she slams the locker and

517
00:28:17,720 --> 00:28:23,600
Speaker 1: yells at Sydney Sweeney when they like, She's that was me.

518
00:28:23,720 --> 00:28:28,399
Speaker 1: I did that, didn't do that? And you're also Julio

519
00:28:28,440 --> 00:28:32,040
Speaker 1: Torre's mus it's like her, one of his great muses.

520
00:28:32,680 --> 00:28:35,439
Speaker 1: One of the fun things about Euphoria is that it

521
00:28:35,520 --> 00:28:40,200
Speaker 1: imagines a world where everything violent someone does is slamming

522
00:28:40,240 --> 00:28:43,560
Speaker 1: someone's head into something. They like that. Every scene is

523
00:28:43,640 --> 00:28:47,560
Speaker 1: someone gets their head slammed so hard into a railing

524
00:28:47,800 --> 00:28:50,960
Speaker 1: wall or surface, so much so that it would crack

525
00:28:51,040 --> 00:28:53,600
Speaker 1: in half, and you hear a sound that suggested cracks

526
00:28:53,640 --> 00:28:55,680
Speaker 1: in half, and yet it doesn't, and people survive.

527
00:28:56,040 --> 00:28:58,920
Speaker 5: All these people from high school are still good friends

528
00:28:58,960 --> 00:29:00,880
Speaker 5: with a drug addict, drug dealer.

529
00:29:01,080 --> 00:29:05,640
Speaker 1: That's the one girl and have and have various jobs

530
00:29:05,720 --> 00:29:09,760
Speaker 1: or non jobs and can afford Botaga. Yes, well he's

531
00:29:09,800 --> 00:29:12,720
Speaker 1: in debt right and he's and he's wearing Botaga and

532
00:29:13,080 --> 00:29:15,480
Speaker 1: most incredible. And that's that'll get you in debt. That

533
00:29:15,560 --> 00:29:23,200
Speaker 1: I'll get you in debt. Trust me, trusted my wife. Well,

534
00:29:23,400 --> 00:29:26,720
Speaker 1: she's in debt, MoMA in debt. It's hard in art

535
00:29:26,720 --> 00:29:28,200
Speaker 1: publicity right now, totally.

536
00:29:28,280 --> 00:29:31,840
Speaker 5: No one's buying paintings are They're not buying paintings anymore?

537
00:29:32,000 --> 00:29:35,440
Speaker 1: Buying pain sure bred dogs. What would you do as

538
00:29:35,480 --> 00:29:43,440
Speaker 1: an art publicist, because I know they exist? I would go.

539
00:29:43,920 --> 00:29:47,160
Speaker 3: I would go to museums such as Gougenheim. I'm sure

540
00:29:47,240 --> 00:29:50,400
Speaker 3: I would love the google to the paintings loudly go

541
00:29:50,800 --> 00:29:52,040
Speaker 3: I like this stuff.

542
00:29:52,240 --> 00:29:54,240
Speaker 1: Shame you can't buy it. I wonder where you could.

543
00:29:54,360 --> 00:29:57,320
Speaker 5: My sister Amy Joe Jackson went on as Tamara and

544
00:29:57,400 --> 00:29:59,800
Speaker 5: Titus Andronica So Broadway, Tamra being the lead, and there

545
00:29:59,800 --> 00:30:02,000
Speaker 5: was a guy next to my dad taking notes and

546
00:30:02,040 --> 00:30:03,440
Speaker 5: he was like, do you think that's a reviewer? And

547
00:30:03,440 --> 00:30:04,520
Speaker 5: I was like, just keep talking.

548
00:30:04,680 --> 00:30:08,640
Speaker 1: Wow, that Tamera sure is something dad, But I don't

549
00:30:08,640 --> 00:30:12,640
Speaker 1: know if it was the audience seemed so really a

550
00:30:12,680 --> 00:30:17,280
Speaker 1: buzz about the Tamera cover. Wow, that Tamra sure was something.

551
00:30:17,280 --> 00:30:19,120
Speaker 1: It probably was a reviewer, right if it was just

552
00:30:19,160 --> 00:30:25,640
Speaker 1: someone who's scribbling, right, writer? Who got did you have

553
00:30:25,680 --> 00:30:33,360
Speaker 1: a blog? Days? Did you ever see students scribbling along

554
00:30:33,360 --> 00:30:36,600
Speaker 1: as you slay it? Harald Night? It was crazy? Put

555
00:30:36,600 --> 00:30:39,840
Speaker 1: that book down, losers. Really, guy watched me fly? When

556
00:30:39,880 --> 00:30:42,360
Speaker 1: did you as a teacher, just want to say, like, listen,

557
00:30:42,480 --> 00:30:45,240
Speaker 1: you either have it or you don't. The first class

558
00:30:45,280 --> 00:30:51,320
Speaker 1: every day, Yeah, don't don't don't have don't. Yeah, but

559
00:30:51,440 --> 00:30:56,600
Speaker 1: sometimes who's going to make it? Based on looks? You? You?

560
00:30:56,600 --> 00:31:03,000
Speaker 1: You kinda kind of fix the nose. This one show

561
00:31:03,200 --> 00:31:10,120
Speaker 1: at heart, stand up straight, you slouch. You have to

562
00:31:10,120 --> 00:31:12,640
Speaker 1: show hold at the at the hallway with the crazy

563
00:31:12,640 --> 00:31:13,640
Speaker 1: hallway with the radio.

564
00:31:13,960 --> 00:31:17,120
Speaker 3: Anything you need, thank you, We just need that one.

565
00:31:17,840 --> 00:31:20,680
Speaker 3: Anything you need this is in this space, the hallway,

566
00:31:20,680 --> 00:31:20,960
Speaker 3: in this.

567
00:31:20,920 --> 00:31:26,240
Speaker 1: Space, the hallway on the twelfth floor. You know, anything

568
00:31:26,240 --> 00:31:29,320
Speaker 1: you need. You know who was in there, Nicole Scherzinger,

569
00:31:30,120 --> 00:31:34,280
Speaker 1: who they called the Pussycat Dolls. We're all dancing around,

570
00:31:34,480 --> 00:31:38,240
Speaker 1: they call well, I just it's basically Nicole Scherzinger featuring

571
00:31:38,280 --> 00:31:42,280
Speaker 1: whatever Girls Are of It. Yeah, back in the day.

572
00:31:42,280 --> 00:31:44,440
Speaker 1: Back in the day, they had names exactly. There was

573
00:31:44,520 --> 00:31:47,280
Speaker 1: one name Melody, Melody. I think there were two or

574
00:31:47,280 --> 00:31:49,600
Speaker 1: three named Melody. I don't know if that. I don't

575
00:31:49,640 --> 00:31:51,040
Speaker 1: know if that could be true. I think it was

576
00:31:51,080 --> 00:31:56,600
Speaker 1: a couple of melodies. Melodies in the world. There are

577
00:31:56,600 --> 00:31:59,400
Speaker 1: only three melodies in circulation. One of them was on

578
00:31:59,440 --> 00:32:02,320
Speaker 1: the show Hey Dude, played by.

579
00:32:02,200 --> 00:32:04,240
Speaker 5: Oh God, this is bad that I can't remember her

580
00:32:04,320 --> 00:32:13,200
Speaker 5: name search party. Oh Christine, this is bad. We're gay,

581
00:32:13,240 --> 00:32:20,200
Speaker 5: We're gay Taylor. Christine Taylor played Melody. Can I say

582
00:32:20,200 --> 00:32:20,760
Speaker 5: some dude?

583
00:32:20,880 --> 00:32:23,160
Speaker 1: You know? She and Ben Stiller took a break and

584
00:32:23,200 --> 00:32:27,080
Speaker 1: got back together. Take a break, Stay up, stay let's.

585
00:32:27,240 --> 00:32:32,440
Speaker 6: To while you write seven in season three. I can't

586
00:32:32,480 --> 00:32:36,680
Speaker 6: deal with you when you're doing this ship. I imagine

587
00:32:36,720 --> 00:32:42,320
Speaker 6: he'd be a good Curtis too. Oh my god, two

588
00:32:42,400 --> 00:32:44,120
Speaker 6: headed Curtis, two.

589
00:32:43,960 --> 00:32:48,840
Speaker 1: Headed white Curtis Curtis. There's something there. They were looking

590
00:32:48,880 --> 00:32:52,760
Speaker 1: to update Dream Girls, so two headed white Curtis and

591
00:32:52,800 --> 00:32:56,520
Speaker 1: a skinny I think this is an at home episode.

592
00:33:00,240 --> 00:33:02,240
Speaker 1: What do you mean it's an at home episode? He

593
00:33:02,360 --> 00:33:04,560
Speaker 1: was doing a calling a call to the waitress who said,

594
00:33:04,600 --> 00:33:08,760
Speaker 1: that's that's for at home. That's not okay. Do you

595
00:33:08,920 --> 00:33:12,560
Speaker 1: most comedy, most comedies called isn't it recognition?

596
00:33:12,880 --> 00:33:13,080
Speaker 5: Yeah?

597
00:33:14,200 --> 00:33:21,280
Speaker 1: Do you think after his recognition or surprise? I was

598
00:33:21,320 --> 00:33:23,200
Speaker 1: never good at knowing when the callback was for a

599
00:33:23,240 --> 00:33:25,640
Speaker 1: second beat. That's not true. Oh no, that's not true, Aaron,

600
00:33:25,720 --> 00:33:28,640
Speaker 1: Yes it was, no, Matt, it wasn't. You thought I

601
00:33:28,760 --> 00:33:31,440
Speaker 1: was good at second beats. That was my skill, coach.

602
00:33:31,560 --> 00:33:33,840
Speaker 1: You were my improv coach, and you thought second beats

603
00:33:33,920 --> 00:33:37,719
Speaker 1: was my big skill. Your energy, enthusiasm and commitment funny

604
00:33:37,880 --> 00:33:43,479
Speaker 1: was your big funny, big big mouse like my, like my?

605
00:33:44,680 --> 00:33:47,120
Speaker 1: Where should the mouth? Where should the four of us do?

606
00:33:47,160 --> 00:33:51,920
Speaker 1: A herald? Beacon? Beacon? Can we actually get real about

607
00:33:51,920 --> 00:33:55,040
Speaker 1: four the tour? Get real? You know we did. We

608
00:33:55,080 --> 00:33:56,200
Speaker 1: didn't receive an offer.

609
00:33:56,360 --> 00:34:00,239
Speaker 3: We had car teams to talk, but born this very

610
00:34:00,720 --> 00:34:04,040
Speaker 3: becoming real. I can't feed them too much. But only

611
00:34:04,120 --> 00:34:08,200
Speaker 3: bump is that it is coke is coke and some K.

612
00:34:08,440 --> 00:34:14,919
Speaker 8: If you're if you're rich, if you're these razors expensive, yes,

613
00:34:15,080 --> 00:34:19,279
Speaker 8: because of Iran the war are are getting getting your case.

614
00:34:20,440 --> 00:34:24,239
Speaker 1: Gas prices up, K prices up. I don't think that's

615
00:34:24,560 --> 00:34:31,320
Speaker 1: in the straights, opened the straights. If it's called just

616
00:34:32,560 --> 00:34:35,239
Speaker 1: for the tour, I feel like my.

617
00:34:35,320 --> 00:34:37,640
Speaker 2: Dream is for it to be a tour in one city,

618
00:34:37,640 --> 00:34:40,960
Speaker 2: which is king Theater, Beacon Theater, Radio City, Like it's.

619
00:34:41,040 --> 00:34:45,000
Speaker 1: Only New York City. We're touring for big venues in

620
00:34:45,040 --> 00:34:48,319
Speaker 1: New York My King's Theater, Beacon Theater, Radio City, u

621
00:34:48,360 --> 00:34:54,160
Speaker 1: C B fourteenth. I think we're going to run into

622
00:34:54,280 --> 00:34:57,680
Speaker 1: contract things with this unless we space them out. Well,

623
00:34:57,719 --> 00:35:01,520
Speaker 1: then we'll have our teams deal with it. Four after all,

624
00:35:04,960 --> 00:35:14,360
Speaker 1: didn't warm up. It didn't warm up. Interval is insane?

625
00:35:14,840 --> 00:35:15,120
Speaker 1: What is.

626
00:35:19,080 --> 00:35:19,200
Speaker 9: That?

627
00:35:19,239 --> 00:35:28,040
Speaker 1: A six? Seven? Now that's worth It's a perfect four.

628
00:35:30,000 --> 00:35:36,000
Speaker 1: It's very sun to see it. The Tony nominated.

629
00:35:35,640 --> 00:35:39,239
Speaker 2: Musical has a ten week extension. Oh good, is what

630
00:35:39,320 --> 00:35:42,280
Speaker 2: does really? September twentieth break?

631
00:35:43,480 --> 00:35:47,359
Speaker 1: Yeah, I didn't know that because it's so good. It's

632
00:35:47,360 --> 00:35:50,040
Speaker 1: the besk God for it, Thank God for no one else.

633
00:35:50,080 --> 00:35:54,839
Speaker 1: I love an eighty minute show on Broadway, Darling. I

634
00:35:54,880 --> 00:35:57,120
Speaker 1: still had to pee during Titanic, to be fair.

635
00:35:57,120 --> 00:35:59,759
Speaker 5: I have seen it upwards of forty five times, So

636
00:35:59,800 --> 00:36:01,160
Speaker 5: I did you hear who's doing?

637
00:36:01,200 --> 00:36:08,680
Speaker 1: Oh? Mary, Kamala Kamala is doing Wow. She was replacing Maya. Wow. Yes,

638
00:36:08,960 --> 00:36:13,319
Speaker 1: and they're doing Little Coconut Tree droke. No, she's Louise.

639
00:36:13,360 --> 00:36:15,520
Speaker 1: She wanted to be second on the call sheet. She's

640
00:36:15,520 --> 00:36:19,200
Speaker 1: gonna well, she's she's gonna learn both. She's gonna learn

641
00:36:19,239 --> 00:36:24,200
Speaker 1: both because what happens is Vega. Sometimes Kamala just wants

642
00:36:24,239 --> 00:36:27,400
Speaker 1: to be in service. She's for the people, and so

643
00:36:27,520 --> 00:36:29,840
Speaker 1: basically she just wants to do the supporting part. Some

644
00:36:30,000 --> 00:36:34,759
Speaker 1: night she said, which part is more vice? You know?

645
00:36:34,920 --> 00:36:37,480
Speaker 1: I saw, I heard. I didn't see that. She took

646
00:36:37,520 --> 00:36:39,919
Speaker 1: all the Cowboy Carter merch off the website. Oh yeah,

647
00:36:40,000 --> 00:36:45,560
Speaker 1: so it's coming and put just a picture of Josh's whole.

648
00:36:46,120 --> 00:36:48,279
Speaker 3: So now I can resell all my Cowboy Carter merch

649
00:36:48,440 --> 00:36:51,560
Speaker 3: for money. I've been hoarding it like it's appreciated.

650
00:36:51,560 --> 00:36:51,799
Speaker 1: Side.

651
00:36:51,920 --> 00:36:53,800
Speaker 5: Did you know that I found a Princess Diana beanie

652
00:36:53,800 --> 00:37:00,000
Speaker 5: baby in Charleston? Wait, not Charleston, sorry, Colonial Williamsburg.

653
00:37:00,160 --> 00:37:03,120
Speaker 1: Thank you for apologizing. Where did you find it at

654
00:37:03,120 --> 00:37:03,880
Speaker 1: a thrift store?

655
00:37:04,040 --> 00:37:05,880
Speaker 5: Oh my god, I walked into the thrift store for

656
00:37:05,920 --> 00:37:08,600
Speaker 5: fun with the tag on honey, Yes, I remember when

657
00:37:08,640 --> 00:37:12,040
Speaker 5: Beanie Babies was gold, Yes, honey, And she sits atop

658
00:37:12,040 --> 00:37:12,919
Speaker 5: my dresser right now.

659
00:37:12,760 --> 00:37:14,759
Speaker 1: In place of honor. Do you have any idea that

660
00:37:14,760 --> 00:37:17,719
Speaker 1: you're gonna be? Was? How much did you pay for her?

661
00:37:17,880 --> 00:37:20,480
Speaker 5: Okay, the thing is I went into the store just

662
00:37:20,520 --> 00:37:23,000
Speaker 5: for fun. I saw one beanie baby and thought, huh.

663
00:37:23,040 --> 00:37:25,640
Speaker 5: And this was a giant, like an antique mall giant,

664
00:37:25,640 --> 00:37:27,600
Speaker 5: and I thought, wouldn't it be fun if I found

665
00:37:27,600 --> 00:37:29,239
Speaker 5: a princess died beanie baby. Kind Of as a lark,

666
00:37:29,480 --> 00:37:32,680
Speaker 5: I went through every single aisle, skipped one weirdly, and

667
00:37:32,719 --> 00:37:34,880
Speaker 5: then didn't find it. Tons of babies, never found one.

668
00:37:34,960 --> 00:37:36,480
Speaker 5: I said, oh, let me go back to that last aisle.

669
00:37:36,520 --> 00:37:38,959
Speaker 5: There she was in a case stop price tag hidden.

670
00:37:39,000 --> 00:37:40,480
Speaker 5: I couldn't see it, and I said, so I went

671
00:37:41,000 --> 00:37:42,479
Speaker 5: talked to the person. I said, can you come unlock

672
00:37:42,520 --> 00:37:43,359
Speaker 5: her and let me see how much?

673
00:37:43,520 --> 00:37:49,280
Speaker 1: Oh my god, like it was fucking October eleven dollars?

674
00:37:49,480 --> 00:37:49,640
Speaker 9: What?

675
00:37:49,760 --> 00:37:52,680
Speaker 1: The woman unlocked her and said, you reminded me I

676
00:37:52,760 --> 00:37:55,160
Speaker 1: got two of these on my dresser cost me a

677
00:37:55,200 --> 00:37:58,560
Speaker 1: lot more than eleven dollars, And I said, market's good.

678
00:37:58,600 --> 00:38:00,480
Speaker 1: I'm going to buy her, and now she lives with me.

679
00:38:00,680 --> 00:38:02,040
Speaker 1: I kind of want to make her into a hat

680
00:38:02,200 --> 00:38:02,920
Speaker 1: or a brooch.

681
00:38:03,040 --> 00:38:06,400
Speaker 5: Oh no, just like for one night only. I'm not

682
00:38:06,400 --> 00:38:08,080
Speaker 5: going to ruin her, but I kind of want to

683
00:38:08,080 --> 00:38:09,839
Speaker 5: wear her. I think you should ruin her.

684
00:38:12,160 --> 00:38:16,439
Speaker 1: Finish. It looks as if hot off ties presses now

685
00:38:16,640 --> 00:38:18,600
Speaker 1: did gorgeous. It's a color. What a color?

686
00:38:19,080 --> 00:38:21,719
Speaker 2: You were in colonial Limsburg seeing it sort of break

687
00:38:21,719 --> 00:38:23,279
Speaker 2: the spell for you that you were sort of in

688
00:38:23,320 --> 00:38:25,920
Speaker 2: the old times seeing Diana.

689
00:38:26,239 --> 00:38:29,400
Speaker 1: Yeah, no, I will say they didn't have beanie babies

690
00:38:29,440 --> 00:38:31,480
Speaker 1: back then. A lot of the a lot of the

691
00:38:32,560 --> 00:38:35,640
Speaker 1: what are they called reenactors, they themselves broke the spell,

692
00:38:36,160 --> 00:38:38,200
Speaker 1: did they really? Well? What me and Michael.

693
00:38:38,239 --> 00:38:42,040
Speaker 5: I went with my legally wedded spouse, Michael, and for now,

694
00:38:42,280 --> 00:38:44,000
Speaker 5: for now, divorce is real.

695
00:38:44,239 --> 00:38:45,960
Speaker 1: And no, I was just talking about all of us

696
00:38:45,960 --> 00:38:50,640
Speaker 1: losing our rights. If you get divorced, that's business. I

697
00:38:50,680 --> 00:38:53,759
Speaker 1: was just telling the audience that our rights are at risk.

698
00:38:54,560 --> 00:38:58,160
Speaker 1: You whatever, if you get divorced, that's your that's your

699
00:38:58,320 --> 00:39:00,760
Speaker 1: Please keep it off the mic on a comedy podcast. Okay,

700
00:39:00,800 --> 00:39:02,400
Speaker 1: so we we see this woman.

701
00:39:02,719 --> 00:39:05,320
Speaker 5: She's she's at the entrance to one of the buildings

702
00:39:05,400 --> 00:39:07,560
Speaker 5: and she's singing like an oh tell Me tune, and

703
00:39:07,600 --> 00:39:09,160
Speaker 5: we loved her like we have to go talk to

704
00:39:09,160 --> 00:39:12,239
Speaker 5: her and talk to her like Hi, how much to

705
00:39:12,360 --> 00:39:14,040
Speaker 5: like what you know? Like where we're trying to get

706
00:39:14,040 --> 00:39:17,440
Speaker 5: to hear whatever, And she goes use the app. It's

707
00:39:17,480 --> 00:39:18,640
Speaker 5: not her fault, but she's.

708
00:39:18,480 --> 00:39:19,520
Speaker 1: Again to get download the app.

709
00:39:19,520 --> 00:39:21,440
Speaker 5: And what I'm like, They wouldn't have said this, they

710
00:39:21,440 --> 00:39:23,160
Speaker 5: would they would have offered me better.

711
00:39:23,239 --> 00:39:25,120
Speaker 1: Of course, I hope she'd been like, well, I mean,

712
00:39:25,280 --> 00:39:29,560
Speaker 1: use the apple some one in there, whatever lands is north,

713
00:39:29,800 --> 00:39:34,840
Speaker 1: use the app latching trails do nor were the apple lands?

714
00:39:36,040 --> 00:39:39,600
Speaker 5: It was sad the way, and she went back to

715
00:39:39,640 --> 00:39:41,959
Speaker 5: humming her tune and it would do better.

716
00:39:42,239 --> 00:39:44,239
Speaker 1: Please. It ain't what it was. You would be really

717
00:39:44,239 --> 00:39:47,040
Speaker 1: good at Colonial Williamsburg. What do you think because you're

718
00:39:47,280 --> 00:39:50,560
Speaker 1: you're a natural, you're a committed actress, and a committed actress,

719
00:39:50,600 --> 00:39:53,399
Speaker 1: I'd just be churning butter in the corner. Oh yeah, hot,

720
00:39:53,520 --> 00:39:54,239
Speaker 1: jerking that hog.

721
00:39:54,400 --> 00:39:56,880
Speaker 2: Do you guys think there were effemini Asians in Colonial

722
00:39:56,920 --> 00:39:58,080
Speaker 2: Williamsburg that I could play?

723
00:39:58,200 --> 00:40:02,279
Speaker 1: It was mostly yeah, you think you're effeminate. Yeah, you

724
00:40:02,280 --> 00:40:05,839
Speaker 1: think you're fate absolutely to my little bracelets and rings. Well,

725
00:40:05,880 --> 00:40:09,000
Speaker 1: that's something that you've put on, that's not your mannerisms well,

726
00:40:09,280 --> 00:40:11,520
Speaker 1: wouldn't you call my mannerisms if feminine? Show us your

727
00:40:11,640 --> 00:40:16,200
Speaker 1: things again? Yeah, you wake those hands all gay? Effeminine girl.

728
00:40:16,360 --> 00:40:20,640
Speaker 1: I like that you are effeminates. You who's the most

729
00:40:20,680 --> 00:40:23,160
Speaker 1: mask of the four of us. That's a really tough

730
00:40:23,160 --> 00:40:26,920
Speaker 1: phrase between Josh Matt Josh Matt, But that's really sad.

731
00:40:26,960 --> 00:40:30,000
Speaker 2: If that's you two YouTube code switch maybe the most

732
00:40:30,000 --> 00:40:32,160
Speaker 2: effective what you said.

733
00:40:32,200 --> 00:40:32,800
Speaker 1: Yeah, there you go.

734
00:40:33,880 --> 00:40:37,279
Speaker 2: You know, you know how Jeff Hiller describes as acting

735
00:40:37,320 --> 00:40:39,799
Speaker 2: straight in it's such a helpful way.

736
00:40:40,000 --> 00:40:42,719
Speaker 1: It's it's you imagine all the blood slowly leaving your face.

737
00:40:43,320 --> 00:40:47,239
Speaker 1: You can't do any of it? Yeah, what's I can't

738
00:40:47,280 --> 00:40:48,280
Speaker 1: give you what you.

739
00:40:48,160 --> 00:40:48,640
Speaker 7: Want from you?

740
00:40:49,920 --> 00:40:57,120
Speaker 1: You want? Why are able to go up that? It's yeah,

741
00:40:57,120 --> 00:41:03,120
Speaker 1: that is another good guys can't lift motions right right? Right?

742
00:41:03,239 --> 00:41:05,080
Speaker 1: So go ahead? Just can you how high can you

743
00:41:05,120 --> 00:41:14,080
Speaker 1: lift your arms? God, don't show him no thought for

744
00:41:14,120 --> 00:41:19,080
Speaker 1: a second. You were gonna go feral. You would have pause, pause,

745
00:41:19,719 --> 00:41:23,359
Speaker 1: you're too gay. Listen. Okay, if I'm going to say

746
00:41:23,400 --> 00:41:26,319
Speaker 1: it's a straight off between me and Josh, that's really rough.

747
00:41:27,320 --> 00:41:29,680
Speaker 1: That should be the for the tour. We can do

748
00:41:29,680 --> 00:41:32,680
Speaker 1: it straight off, straight off. Here's what I'll say, you

749
00:41:32,719 --> 00:41:37,440
Speaker 1: tend to like much straighter music and arts and culture.

750
00:41:37,480 --> 00:41:42,680
Speaker 1: Culturally straight, I would say behaviorally, I am straighter than

751
00:41:42,800 --> 00:41:46,120
Speaker 1: it's long Island and yeah, understood and accepted. Yeah, we

752
00:41:46,160 --> 00:41:54,600
Speaker 1: protect ourselves in different ways out here, Aaron, I actually

753
00:41:54,680 --> 00:41:57,680
Speaker 1: have very like interest in terms of video games and

754
00:41:57,760 --> 00:41:59,120
Speaker 1: animate which is also really straight.

755
00:41:59,239 --> 00:42:04,200
Speaker 5: Yeah, anime stoner like that kind of ship is straight, but.

756
00:42:04,200 --> 00:42:08,080
Speaker 3: Actually really straight into that we're realizing it's really straight

757
00:42:08,160 --> 00:42:09,000
Speaker 3: and mask.

758
00:42:09,040 --> 00:42:14,439
Speaker 1: Yeah, especially when we sing. Vibrato is inherently extremely gay.

759
00:42:15,880 --> 00:42:19,279
Speaker 1: Why you're shaken? Like, why your voice? Hold it steady old?

760
00:42:19,280 --> 00:42:21,759
Speaker 1: This is steady boy. I've been really enjoying this part

761
00:42:21,760 --> 00:42:29,560
Speaker 1: of my voice. You make an energy sound and you

762
00:42:29,640 --> 00:42:31,759
Speaker 1: just go hard and you bury it back to it's

763
00:42:31,760 --> 00:42:34,360
Speaker 1: gonna from the back of No, that's safe if you

764
00:42:34,440 --> 00:42:37,200
Speaker 1: never say it wasn't safe because it's buried. Can we

765
00:42:37,400 --> 00:42:40,319
Speaker 1: treasure and you give notes on how we're doing the technique? Okay,

766
00:42:40,360 --> 00:42:45,800
Speaker 1: I'd love to track. That's good, really good? How was

767
00:42:45,840 --> 00:42:50,680
Speaker 1: that really good? Oh? Too much mouth going on? Oh?

768
00:42:51,040 --> 00:42:59,919
Speaker 10: Okay, fierce, here's now give it again? Really good, so good,

769
00:43:05,960 --> 00:43:07,920
Speaker 10: really good, hot hot.

770
00:43:08,400 --> 00:43:13,480
Speaker 1: I'm be leaving. Dianavice after this episode. For a polycule

771
00:43:13,600 --> 00:43:17,160
Speaker 1: of mask guy, let's get really into brass tacks. You

772
00:43:17,360 --> 00:43:20,280
Speaker 1: have to date seriously for at least a year, sex

773
00:43:20,360 --> 00:43:25,800
Speaker 1: and all one star, actress, singer, or more of Hollywood.

774
00:43:25,800 --> 00:43:28,960
Speaker 1: Cameron Diaz in the Mask. Cameron is the Mask. We

775
00:43:28,960 --> 00:43:31,640
Speaker 1: were somebody.

776
00:43:31,760 --> 00:43:33,879
Speaker 5: God, damn it, I can't remember her. Some gay guy

777
00:43:33,920 --> 00:43:38,280
Speaker 5: recently posted like, wait, I was talking to gay guys

778
00:43:38,320 --> 00:43:41,600
Speaker 5: and they're like, what's the hottest woman a woman's ever

779
00:43:41,600 --> 00:43:43,760
Speaker 5: been in a movie? He's like, my friend says, fade

780
00:43:43,760 --> 00:43:47,600
Speaker 5: done away in Network. And that's when I slammed, y'all

781
00:43:47,600 --> 00:43:50,680
Speaker 5: are faggots, Yeah this is And I said it's Cameron

782
00:43:50,719 --> 00:43:52,279
Speaker 5: Dias in the Mask and they were like, wait, A

783
00:43:52,360 --> 00:43:54,239
Speaker 5: woman were with said that. And then I asked some

784
00:43:54,320 --> 00:43:56,880
Speaker 5: straight boys I was with, and one of them said,

785
00:43:57,719 --> 00:43:59,759
Speaker 5: I can't remember some kind of like bond girly thing,

786
00:43:59,800 --> 00:44:01,839
Speaker 5: and and then one of them was like, I would

787
00:44:01,840 --> 00:44:04,080
Speaker 5: probably say Cameron Diaz in the Mask. He's like, I

788
00:44:04,160 --> 00:44:06,120
Speaker 5: used to kiss pictures of her when I was little.

789
00:44:06,680 --> 00:44:10,320
Speaker 1: Whoa in a magazine? In a magazine? She did? Really

790
00:44:10,719 --> 00:44:14,120
Speaker 1: she was. She was like, you've never seen anyone more.

791
00:44:14,640 --> 00:44:19,000
Speaker 3: She made the mask go crazy, guys, were bulging out,

792
00:44:19,040 --> 00:44:19,920
Speaker 3: that's how hot she was.

793
00:44:19,960 --> 00:44:22,200
Speaker 5: But I think I would I would love to date

794
00:44:22,280 --> 00:44:24,720
Speaker 5: Cameron Diaz in the Mast seriously for one year and sexually.

795
00:44:25,080 --> 00:44:29,720
Speaker 1: You know who straight guys love Anna de Armas. Yeah. Total.

796
00:44:30,800 --> 00:44:35,960
Speaker 2: I was gonna say, no joke. Cameron Diaz in Charlie's.

797
00:44:35,480 --> 00:44:39,000
Speaker 5: Angels gorgeous, gorgeous in there as well when she does

798
00:44:39,040 --> 00:44:40,399
Speaker 5: the hairtot when she flips her hair.

799
00:44:40,520 --> 00:44:43,400
Speaker 1: Luke Wilson, I'm like, I saw Cameron Diaz in I

800
00:44:43,560 --> 00:44:47,560
Speaker 1: R L. I was in Vail, Colorado, truly hainous and

801
00:44:47,640 --> 00:44:52,040
Speaker 1: gorna sweater. Whoever said orange was the new pink was

802
00:44:52,080 --> 00:44:53,319
Speaker 1: seriously deserved.

803
00:44:54,080 --> 00:44:58,279
Speaker 5: But this woman came off the slopes had like goggles on.

804
00:44:58,760 --> 00:45:00,880
Speaker 5: I was sitting having a hot coke or whatever, and

805
00:45:00,920 --> 00:45:03,720
Speaker 5: I was like, damn, that lady's pretty took off the goggles,

806
00:45:03,719 --> 00:45:07,680
Speaker 5: literally shook her hair. It was Cameron Diaz. She looked perfect.

807
00:45:07,920 --> 00:45:11,279
Speaker 5: I swear to God. Eleven children like ran up to

808
00:45:11,320 --> 00:45:12,319
Speaker 5: her in the eleven.

809
00:45:12,560 --> 00:45:14,160
Speaker 6: Yet like she was like.

810
00:45:16,680 --> 00:45:20,960
Speaker 11: She was like children, Piper coming up like little kids,

811
00:45:21,000 --> 00:45:23,560
Speaker 11: magical and it was as if she was like their

812
00:45:23,920 --> 00:45:28,759
Speaker 11: like aunt slopes in a non drug way.

813
00:45:28,320 --> 00:45:31,960
Speaker 9: And even children threw her hair around children. I was like,

814
00:45:32,000 --> 00:45:36,520
Speaker 9: this is screaming eleven. She was like, that's a Diaz doesn't.

815
00:45:37,960 --> 00:45:43,080
Speaker 9: The bakers doesn't. Eleven is a Diaz doesn't. It doesn't.

816
00:45:44,320 --> 00:45:48,160
Speaker 1: Culture number eleven eleven, that's a Dias doesn't.

817
00:45:48,800 --> 00:45:53,239
Speaker 2: Now, it is incredible what she's done in the Filipino community.

818
00:45:54,840 --> 00:46:03,279
Speaker 12: That clip is she is. She is revered every day.

819
00:46:04,760 --> 00:46:09,520
Speaker 12: My friends made the best rice and she just makes

820
00:46:09,600 --> 00:46:10,120
Speaker 12: the face.

821
00:46:10,400 --> 00:46:12,480
Speaker 1: It's incredible. The face which is I don't know what

822
00:46:12,520 --> 00:46:14,960
Speaker 1: the face is. I think it's just Cameron. It's just camera,

823
00:46:15,719 --> 00:46:20,280
Speaker 1: just Cameron movie. Would you fall in love with Cameron

824
00:46:20,320 --> 00:46:25,319
Speaker 1: Diaz too? Great question with the original question Charlie's Angels too?

825
00:46:25,360 --> 00:46:30,240
Speaker 1: Of course? You know what's an underrated one? Bad teacher

826
00:46:30,560 --> 00:46:33,239
Speaker 1: I've never seen. She's very funny and bad teacher, and

827
00:46:33,719 --> 00:46:36,880
Speaker 1: she's the teacher. She is the bad teacher. She like

828
00:46:36,920 --> 00:46:39,840
Speaker 1: smokes out her car and like like she hot boxes.

829
00:46:40,120 --> 00:46:42,520
Speaker 1: She hooks up with Justin Timberlake, but he like, but

830
00:46:42,600 --> 00:46:44,520
Speaker 1: he comes in his pants and they don't have sex.

831
00:46:44,600 --> 00:46:47,359
Speaker 1: Like that's very something about Mary. This is after they

832
00:46:47,360 --> 00:46:52,520
Speaker 1: had broken up. By the way, professionals love what's the

833
00:46:52,560 --> 00:47:01,480
Speaker 1: movie with Tony Collette in her shoes. This is Wild Party.

834
00:47:01,640 --> 00:47:05,919
Speaker 1: It was not Wild Party. I'm just it was a joke.

835
00:47:06,480 --> 00:47:08,520
Speaker 1: The joke was I said the wrong Wild Party. That's

836
00:47:08,600 --> 00:47:11,560
Speaker 1: Julia Murney. I know that's what the joke was.

837
00:47:12,040 --> 00:47:15,919
Speaker 2: Early days, I'm dB, I'm clicking on all these actresses pages,

838
00:47:16,000 --> 00:47:18,960
Speaker 2: seeing what is in pre production, pre pro, what was

839
00:47:19,000 --> 00:47:22,360
Speaker 2: in pre pro at the time for Antony collect actresses.

840
00:47:22,360 --> 00:47:26,960
Speaker 1: I loved IMDb movie called me Bussy. There you go

841
00:47:26,960 --> 00:47:27,400
Speaker 1: go ahead.

842
00:47:28,000 --> 00:47:30,680
Speaker 2: The movie was in her shoes in pre production. I go,

843
00:47:30,960 --> 00:47:34,640
Speaker 2: I'm going to be following this movie obsessively to this day.

844
00:47:34,680 --> 00:47:37,440
Speaker 1: You still do. And here's the twist. It's still in

845
00:47:37,480 --> 00:47:42,920
Speaker 1: pre pro. Still still never still haven't forget it. You're

846
00:47:42,920 --> 00:47:49,200
Speaker 1: not going to the jockstrap party tonight with Aunay. It's

847
00:47:49,280 --> 00:47:53,080
Speaker 1: the Shirley McClain vehicle to end all Shirley McClain vehicles.

848
00:47:53,560 --> 00:47:58,440
Speaker 1: Talk Back hosted by Talk to Anna. Actually knowing that

849
00:47:58,520 --> 00:48:01,359
Speaker 1: you did this is important because I did the same thing.

850
00:48:01,360 --> 00:48:03,319
Speaker 1: And this was also were you like a little awards game?

851
00:48:03,360 --> 00:48:06,120
Speaker 1: Because remember it had it had awards, buzz it had awards. Buzz.

852
00:48:06,160 --> 00:48:07,960
Speaker 1: I was on the message boards. Oh my god, it

853
00:48:08,040 --> 00:48:11,000
Speaker 1: was devastated when it fell off awards predictions. I was like,

854
00:48:11,080 --> 00:48:12,880
Speaker 1: but I wanted it. I wanted in her shoes to

855
00:48:12,920 --> 00:48:16,080
Speaker 1: go all the way based just on a great title

856
00:48:16,160 --> 00:48:19,880
Speaker 1: in her it was a book. Huh. I love that.

857
00:48:19,920 --> 00:48:22,320
Speaker 1: I know I'm not behind my probably I'm not behind

858
00:48:22,360 --> 00:48:24,200
Speaker 1: that book. It was a book. It was a bookstseller.

859
00:48:26,400 --> 00:48:28,840
Speaker 1: It feels like it feels like the title of a

860
00:48:28,880 --> 00:48:31,239
Speaker 1: movie that where you're like, that was a book.

861
00:48:31,719 --> 00:48:35,120
Speaker 2: A book name another one that about a boy, Devil

862
00:48:35,160 --> 00:48:36,280
Speaker 2: wears Prada.

863
00:48:36,520 --> 00:48:40,160
Speaker 1: I saw last year. What's the review of?

864
00:48:41,080 --> 00:48:44,480
Speaker 5: They are like three well, Stanley Chuccio too, but there's

865
00:48:44,520 --> 00:48:46,399
Speaker 5: like three of the most famous people sometimes when they're

866
00:48:46,400 --> 00:48:48,680
Speaker 5: like doing if you really think about it, who am

867
00:48:48,719 --> 00:48:49,320
Speaker 5: I thinking about?

868
00:48:49,480 --> 00:48:51,120
Speaker 1: Are you missing? Are you missing?

869
00:48:51,960 --> 00:48:58,520
Speaker 5: And Hathway those three Yeah, and you know, like the

870
00:48:58,520 --> 00:49:00,840
Speaker 5: they it was it was like out because in the

871
00:49:00,840 --> 00:49:03,680
Speaker 5: first one, of course Merrill was but Emily was just

872
00:49:03,680 --> 00:49:05,800
Speaker 5: showing up and Anne was famous but not like literally,

873
00:49:06,560 --> 00:49:08,240
Speaker 5: so it was just like sometimes they're in shots.

874
00:49:08,000 --> 00:49:09,680
Speaker 1: Together, You're like, damn, y'all are like this is like

875
00:49:09,760 --> 00:49:12,239
Speaker 1: movie stars. I think it was.

876
00:49:12,320 --> 00:49:14,160
Speaker 5: It was very fun. It's not as good as Number one,

877
00:49:14,160 --> 00:49:15,880
Speaker 5: but it's very but it's very sure how much.

878
00:49:15,719 --> 00:49:19,000
Speaker 3: Did they spend on acting actor and actress salaries?

879
00:49:19,360 --> 00:49:23,000
Speaker 1: For d W probably got one k? You know what?

880
00:49:23,160 --> 00:49:25,840
Speaker 3: Actually, what's day R eight times four?

881
00:49:26,719 --> 00:49:29,240
Speaker 1: You know? You know what? I bet? I bet parody

882
00:49:30,360 --> 00:49:35,279
Speaker 1: for all three of them, most favorite, nation favorite. I

883
00:49:35,280 --> 00:49:38,640
Speaker 1: bet twelve point five each each. That's less than a

884
00:49:38,960 --> 00:49:41,080
Speaker 1: billion dollars. But it's a different culture. Do you think

885
00:49:41,080 --> 00:49:43,440
Speaker 1: they can back end? Yes, I didn't get back, and

886
00:49:43,480 --> 00:49:47,120
Speaker 1: you think they do anal honey to give you all

887
00:49:47,160 --> 00:49:47,440
Speaker 1: back in?

888
00:49:48,280 --> 00:49:51,480
Speaker 2: Come on, yes on this now there has to be

889
00:49:51,600 --> 00:49:53,399
Speaker 2: don't pull down the drop strap this time.

890
00:49:54,640 --> 00:49:59,759
Speaker 1: There we go so nice. Just as I remember asked,

891
00:49:59,800 --> 00:50:02,879
Speaker 1: I'm I have asked as I do need actually has

892
00:50:02,920 --> 00:50:06,279
Speaker 1: been getting bigger. And you know what, Yeah, I look

893
00:50:06,320 --> 00:50:08,840
Speaker 1: at everyone's butt. If you were going away from me,

894
00:50:09,040 --> 00:50:11,080
Speaker 1: don't looking at your butt. The surgeries are working.

895
00:50:11,160 --> 00:50:14,640
Speaker 2: The surgeries are working, the shots, the shots Matt has, Matt,

896
00:50:14,800 --> 00:50:16,239
Speaker 2: Matt's has gone so convex.

897
00:50:16,680 --> 00:50:20,960
Speaker 1: My ass is big, your globe, just as I'm going

898
00:50:21,000 --> 00:50:26,520
Speaker 1: to look at that, it's so shape, it's fat, bigger

899
00:50:26,520 --> 00:50:28,960
Speaker 1: than it was, but it's maybe age. It's one of

900
00:50:28,960 --> 00:50:34,920
Speaker 1: my favorite things about Look at this. This is so funny,

901
00:50:35,040 --> 00:50:37,440
Speaker 1: this is so special. I love the Josh Aaron episodes.

902
00:50:37,480 --> 00:50:39,279
Speaker 1: They get so real. Yeah, they get so real and

903
00:50:39,320 --> 00:50:41,960
Speaker 1: so picture just like ever since I was little, the

904
00:50:42,000 --> 00:50:43,840
Speaker 1: first thing people would always say about me. And I

905
00:50:43,880 --> 00:50:46,120
Speaker 1: know this is crazy to complain about, but it's always like,

906
00:50:46,400 --> 00:50:50,120
Speaker 1: oh my god, I was like three or four, you

907
00:50:50,600 --> 00:50:52,920
Speaker 1: fat ass. It's just a fat fucking ass. Like it

908
00:50:53,200 --> 00:50:55,080
Speaker 1: just made me feel like growing up like that was

909
00:50:55,120 --> 00:50:59,840
Speaker 1: the good thing about me. It is, baby, I always

910
00:51:00,080 --> 00:51:07,600
Speaker 1: forget I was smart or like, but you're not. You're not.

911
00:51:08,120 --> 00:51:10,440
Speaker 1: I just don't have a fat, just a big fat.

912
00:51:10,520 --> 00:51:11,960
Speaker 1: I do remember some fat.

913
00:51:11,800 --> 00:51:14,279
Speaker 5: As when you used to not want to bottom this

914
00:51:14,480 --> 00:51:16,080
Speaker 5: we're going way into the past.

915
00:51:16,200 --> 00:51:21,640
Speaker 1: I remember thinking, what a shame I've you've you've changed.

916
00:51:21,680 --> 00:51:25,560
Speaker 1: I've actually apologized to Henry about it, oh, because I

917
00:51:25,600 --> 00:51:26,840
Speaker 1: think that's not accepted.

918
00:51:28,200 --> 00:51:28,279
Speaker 6: No.

919
00:51:28,400 --> 00:51:30,680
Speaker 1: He was like, oh, that's nice of you to say

920
00:51:30,760 --> 00:51:34,759
Speaker 1: I didn't need it. I didn't need it. I need

921
00:51:35,680 --> 00:51:37,280
Speaker 1: just because I had like bottom fear.

922
00:51:38,280 --> 00:51:41,200
Speaker 5: I remember you said you you watch porn and you

923
00:51:41,239 --> 00:51:44,759
Speaker 5: watch the bottom and you want that, and I was like, yeah,

924
00:51:44,760 --> 00:51:47,600
Speaker 5: it must have been like twenty years. It looks like yes, yes, truly,

925
00:51:47,920 --> 00:51:50,279
Speaker 5: little boy. You're like they look like they're in pain. Yeah,

926
00:51:50,480 --> 00:51:52,360
Speaker 5: they are, but then then it turns good. Well, I

927
00:51:52,360 --> 00:51:54,279
Speaker 5: remember you said to me, this is.

928
00:51:54,280 --> 00:51:57,120
Speaker 1: Truly like how you know there are elderly God, you

929
00:51:57,160 --> 00:52:01,560
Speaker 1: were like, you were like that. I just been like,

930
00:52:01,680 --> 00:52:04,520
Speaker 1: taught us a lot. Sure of course, you said to me,

931
00:52:05,239 --> 00:52:07,719
Speaker 1: it hurts every time, but that actually becomes part of

932
00:52:07,760 --> 00:52:10,040
Speaker 1: it and becomes part of what's good about it. And

933
00:52:10,080 --> 00:52:14,920
Speaker 1: I was like, yes, you famously who also taught a lot,

934
00:52:15,040 --> 00:52:18,600
Speaker 1: said and this actually made a lot of difference. He

935
00:52:18,719 --> 00:52:20,920
Speaker 1: just said one time on on Rupe Paul's drag Race

936
00:52:20,960 --> 00:52:25,000
Speaker 1: apropos of nothing. If you want it, it will not hurt. Yeah,

937
00:52:25,000 --> 00:52:29,200
Speaker 1: you do have to want. Sometimes it is for hours,

938
00:52:30,120 --> 00:52:32,360
Speaker 1: hours exactly for the tour of the Hours, and we

939
00:52:32,520 --> 00:52:35,080
Speaker 1: just do the hours. Would be wait, let's let's dream,

940
00:52:35,120 --> 00:52:39,279
Speaker 1: let's cast shadow hours shadow, it's a shadow casting horse style.

941
00:52:39,760 --> 00:52:42,680
Speaker 5: This actually is really this is hard. Okay, Well, there's

942
00:52:42,680 --> 00:52:47,640
Speaker 5: the three main girls, and then there's Stanley Stanley to

943
00:52:47,800 --> 00:52:48,600
Speaker 5: collect Tony.

944
00:52:48,800 --> 00:52:51,880
Speaker 1: That's the Stanley Tucci of the Hours. Stanley. Okay, but

945
00:52:51,920 --> 00:52:57,720
Speaker 1: can we ask gold number seventy six Stanley. It's true

946
00:52:57,960 --> 00:53:00,160
Speaker 1: and if they do the hours too, she's gonna have

947
00:53:00,239 --> 00:53:02,960
Speaker 1: a huge do that. But but can we actually talk

948
00:53:03,000 --> 00:53:05,760
Speaker 1: about the support the supporting women of The Hours because

949
00:53:05,800 --> 00:53:08,400
Speaker 1: we I know we're saying Tony Klepp, but maybe you

950
00:53:08,680 --> 00:53:17,200
Speaker 1: need to be supporting womens. Harris and Harris that's a

951
00:53:17,239 --> 00:53:22,720
Speaker 1: sad one, always had a sad one, but a street

952
00:53:22,800 --> 00:53:24,920
Speaker 1: Gate icon in the same way that Stanley Tucci is,

953
00:53:25,040 --> 00:53:29,239
Speaker 1: who's Ed Harris married to again?

954
00:53:29,680 --> 00:53:32,359
Speaker 3: That's like jump scare.

955
00:53:35,320 --> 00:53:35,440
Speaker 13: That.

956
00:53:35,520 --> 00:53:38,080
Speaker 1: Okay, so we got it. We gotta cast this The Hours, Yes, right,

957
00:53:38,239 --> 00:53:43,200
Speaker 1: but I love Julianne Merrill, Tony. Should we all be

958
00:53:43,280 --> 00:53:46,520
Speaker 1: supporting girls? Oh that's interesting, and co can be the

959
00:53:46,520 --> 00:53:49,279
Speaker 1: three of them? Cole should be the three of them?

960
00:53:49,480 --> 00:53:55,040
Speaker 1: Where is Cole all everyone in the film? Except and

961
00:53:55,080 --> 00:53:58,240
Speaker 1: we're watching it and we'll watch it and we're watching

962
00:53:58,239 --> 00:53:58,799
Speaker 1: something here.

963
00:53:59,600 --> 00:54:01,000
Speaker 2: I do want to I kind of want to call it.

964
00:54:01,120 --> 00:54:02,719
Speaker 2: It's on Tony in that movie, because you know what

965
00:54:02,760 --> 00:54:04,839
Speaker 2: she has to me. One of the most part one

966
00:54:04,840 --> 00:54:06,560
Speaker 2: of the most heartbreaking lines in the whole thing was

967
00:54:06,600 --> 00:54:11,120
Speaker 2: after Julianne kisses her Yeah, like a huge such a

968
00:54:11,120 --> 00:54:13,919
Speaker 2: good scene, tense pause, and then and then Tony goes,

969
00:54:15,280 --> 00:54:19,280
Speaker 2: You're so sweet, m devasting.

970
00:54:21,000 --> 00:54:26,520
Speaker 1: Want Tony, Yeah, Tony, what are they they're so Merril

971
00:54:26,600 --> 00:54:32,480
Speaker 1: plays modern day. I can be since I've written a novel,

972
00:54:32,480 --> 00:54:36,600
Speaker 1: I'll be Virginia Wolf. Yes, yeah you will. You will

973
00:54:36,640 --> 00:54:39,200
Speaker 1: be to Virginia. Would would you like the nose? I

974
00:54:39,239 --> 00:54:42,320
Speaker 1: would like the nose. The nose is mandatory. Noses mandatory,

975
00:54:42,520 --> 00:54:46,040
Speaker 1: And I'm Meryl in the modern day.

976
00:54:46,200 --> 00:54:49,000
Speaker 5: Yeah, don't you feel I can see you with that

977
00:54:49,080 --> 00:54:52,360
Speaker 5: fat ass in the fifties housewife stress Julianne.

978
00:54:52,080 --> 00:54:55,440
Speaker 1: Super repressed and like over for Tony. That means did

979
00:54:55,480 --> 00:54:58,000
Speaker 1: you try to kiss me? And I reject you? Yeah?

980
00:54:58,320 --> 00:55:02,640
Speaker 1: And then it does. Everyone's everyone's the close friendship forever.

981
00:55:02,800 --> 00:55:06,279
Speaker 1: And then your son ends up killing himself. Oh wow,

982
00:55:06,320 --> 00:55:09,000
Speaker 1: because he's gonna die anyway. Spoiler alert for The Hours,

983
00:55:09,360 --> 00:55:13,080
Speaker 1: you guys watch The Hours Ed Harris was a movie

984
00:55:13,920 --> 00:55:16,800
Speaker 1: like what we think happened within her shoes, not unlike

985
00:55:17,400 --> 00:55:19,759
Speaker 1: in her shoes. Ed Harris dies at the end.

986
00:55:20,200 --> 00:55:24,040
Speaker 2: This is gorgeous challenge, right, like, get four gay guys.

987
00:55:24,120 --> 00:55:27,480
Speaker 2: Anyone can do this? Four shut up to shut up?

988
00:55:28,880 --> 00:55:32,160
Speaker 1: Good luck? Good luck? What all the producers in the

989
00:55:32,200 --> 00:55:34,239
Speaker 1: room are thinking, literally, they're like, but they've all got

990
00:55:34,320 --> 00:55:36,400
Speaker 1: on their phone. They all started doing other things and

991
00:55:36,640 --> 00:55:41,120
Speaker 1: listening they're on Grinder's grinder. But this actually this maikes me.

992
00:55:41,280 --> 00:55:44,680
Speaker 2: My thing, this challenge. I want four guys put an

993
00:55:44,719 --> 00:55:47,319
Speaker 2: hour and a half on the clock. Just start talking

994
00:55:47,320 --> 00:55:49,200
Speaker 2: about the movies you love. I don't just start talking

995
00:55:49,239 --> 00:55:53,040
Speaker 2: about pop culture in a way we need. But you

996
00:55:53,080 --> 00:55:55,200
Speaker 2: can't have phones to like check.

997
00:55:56,280 --> 00:55:59,080
Speaker 5: My uncle always says, like when we're when we're eating

998
00:55:59,120 --> 00:56:00,840
Speaker 5: or whatever, and someone's like, who was the president then?

999
00:56:00,880 --> 00:56:02,880
Speaker 5: And looks it up and he goes a question never

1000
00:56:02,920 --> 00:56:06,480
Speaker 5: goes unanswered. Yeah, parties questions used to go and answered.

1001
00:56:06,800 --> 00:56:11,000
Speaker 1: I know that I will say a question.

1002
00:56:11,160 --> 00:56:13,799
Speaker 3: Our friends and comedian Natasha Vainlot they also a lot

1003
00:56:13,800 --> 00:56:15,759
Speaker 3: of different parties and they've started making them look sort

1004
00:56:15,760 --> 00:56:18,600
Speaker 3: of adamantly no phone, and it's fun for the reasons

1005
00:56:18,600 --> 00:56:21,640
Speaker 3: of just like not having the phone. Also does that

1006
00:56:21,680 --> 00:56:23,120
Speaker 3: where you just go like who is that? And you

1007
00:56:23,160 --> 00:56:24,560
Speaker 3: all want to google and you go you just sort

1008
00:56:24,560 --> 00:56:26,359
Speaker 3: of talk it out and sometimes you go, I guess

1009
00:56:26,360 --> 00:56:29,560
Speaker 3: I know when it is really you all find it.

1010
00:56:29,560 --> 00:56:32,000
Speaker 3: It feels really good, so the mystery, and sometimes you

1011
00:56:32,000 --> 00:56:34,160
Speaker 3: don't find it and you just go, well, and you

1012
00:56:34,200 --> 00:56:34,919
Speaker 3: have to live in that.

1013
00:56:37,200 --> 00:56:40,120
Speaker 1: Sometimes the butt goes through a lot when the butt speaks,

1014
00:56:40,480 --> 00:56:44,080
Speaker 1: we listen. Preparation H is the butt care expert known

1015
00:56:44,120 --> 00:56:47,440
Speaker 1: for helping people care for their hemorrhoids with confidence and

1016
00:56:47,480 --> 00:56:51,600
Speaker 1: because every situation is different. Preparation H offers relief in

1017
00:56:51,760 --> 00:56:55,520
Speaker 1: multiple forms that adapt to needs. Medicated wipes formulated with

1018
00:56:55,520 --> 00:56:59,279
Speaker 1: Witch Hazel Alo invite them and e to help keep

1019
00:56:59,280 --> 00:57:03,400
Speaker 1: things calm and collected, even in the case of dreaded

1020
00:57:03,800 --> 00:57:07,239
Speaker 1: emorhids and for moments that feel a bit more dramatic,

1021
00:57:07,640 --> 00:57:12,320
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1022
00:57:12,360 --> 00:57:17,000
Speaker 1: relief from itching, burning, and swelling. There's also a multi

1023
00:57:17,000 --> 00:57:20,160
Speaker 1: symptom relief cream when broader support is needed. It all

1024
00:57:20,200 --> 00:57:24,440
Speaker 1: works together as a simple system, a wipe, a cream, spray,

1025
00:57:25,000 --> 00:57:29,640
Speaker 1: helping make life feel manageable again. I would love for

1026
00:57:29,720 --> 00:57:33,200
Speaker 1: that Preparation Age treats the issue rather than just masking it.

1027
00:57:33,360 --> 00:57:36,400
Speaker 1: No shame here, only solutions. So if a butt has

1028
00:57:36,440 --> 00:57:39,480
Speaker 1: been begging for a little kindness, wipe and treat for

1029
00:57:39,520 --> 00:57:42,600
Speaker 1: a better relief with the number one doctor recommended brand

1030
00:57:42,880 --> 00:57:43,640
Speaker 1: Preparation H.

1031
00:57:44,080 --> 00:57:49,840
Speaker 3: Everyone say your favorite proper noun. Okay, Zoe Kazan, that's

1032
00:57:49,920 --> 00:57:51,240
Speaker 3: a Diana Vice.

1033
00:57:54,480 --> 00:57:58,080
Speaker 2: Grape, Danny Minogue oh.

1034
00:58:00,080 --> 00:58:07,720
Speaker 1: So uns, that's not one of my close friends. I

1035
00:58:07,760 --> 00:58:12,800
Speaker 1: don't know my girl Grape Soda, she's in prison. I

1036
00:58:12,800 --> 00:58:17,280
Speaker 1: write to her every other week. Otherwise my wrist cramps.

1037
00:58:17,760 --> 00:58:21,800
Speaker 1: Absolutely otherwise you know what started to happen? And don't

1038
00:58:22,120 --> 00:58:24,480
Speaker 1: don't tell the doctor. Don't tell the doctor or do

1039
00:58:25,120 --> 00:58:27,800
Speaker 1: everyone just go like this, naturally put your hands up? Yep,

1040
00:58:27,960 --> 00:58:34,360
Speaker 1: just she said it, and I suspected everyone's hands naturally

1041
00:58:34,600 --> 00:58:37,240
Speaker 1: are in like that they're supposed to be. I was

1042
00:58:37,280 --> 00:58:40,479
Speaker 1: mim we were just mimicking. So what do your hands

1043
00:58:40,560 --> 00:58:44,320
Speaker 1: naturally do? Wait? No, I guess what I mean is

1044
00:58:44,360 --> 00:58:48,800
Speaker 1: like rest, tell me to put up. I see what

1045
00:58:48,840 --> 00:58:51,160
Speaker 1: the body does naturally hands up, hands up, at risk?

1046
00:58:54,000 --> 00:58:59,480
Speaker 1: Everything is big, everything sexual joke to you. What I'm

1047
00:58:59,480 --> 00:59:03,240
Speaker 1: saying is our phones have made our we are. It's

1048
00:59:03,480 --> 00:59:05,720
Speaker 1: like a carporal tunnel but for the fingers. So you

1049
00:59:05,800 --> 00:59:08,000
Speaker 1: think like this, you think it should be like this naturally,

1050
00:59:08,080 --> 00:59:10,040
Speaker 1: But I'm just saying, like at rest, like it's not

1051
00:59:10,080 --> 00:59:13,400
Speaker 1: supposed to be this. Ease your hand and make it because.

1052
00:59:13,240 --> 00:59:15,880
Speaker 3: We've been doing that so much. Like oh wow, who

1053
00:59:16,160 --> 00:59:17,600
Speaker 3: why does mine naturally do this?

1054
00:59:18,360 --> 00:59:21,400
Speaker 1: That's so interesting? Why does mine naturally do this? What

1055
00:59:21,440 --> 00:59:24,760
Speaker 1: do you think this means that? It means you're around.

1056
00:59:24,760 --> 00:59:27,240
Speaker 1: I got a lot of guys with weird cops. You're

1057
00:59:27,240 --> 00:59:30,400
Speaker 1: ready for the Eagle, big, big spoiler. I don't know

1058
00:59:30,600 --> 00:59:36,160
Speaker 1: COMI your physical that's so cylindrical. Huh?

1059
00:59:38,160 --> 00:59:43,040
Speaker 5: Is Iner is in double She's great. It was in

1060
00:59:43,080 --> 00:59:45,440
Speaker 5: a scene with four hundred cameos.

1061
00:59:45,600 --> 00:59:49,240
Speaker 1: It was literally screaming at them. He was nervous she

1062
00:59:49,280 --> 00:59:53,680
Speaker 1: would be cut. Actually she's comming in on the pot

1063
00:59:53,760 --> 00:59:58,120
Speaker 1: and I screamed at the screen. Where's Matt.

1064
00:59:58,400 --> 01:00:01,320
Speaker 5: I did feel like I don't Caleb very well, but

1065
01:00:01,440 --> 01:00:02,960
Speaker 5: he's in the movie, and I did feel like I

1066
01:00:03,040 --> 01:00:04,680
Speaker 5: hung out with him. You know when you see your

1067
01:00:04,680 --> 01:00:06,840
Speaker 5: friends and something and you're, oh, that was fun. When

1068
01:00:06,880 --> 01:00:09,919
Speaker 5: I saw Kayla, he didn't. That was parasocial, doll. You've

1069
01:00:09,920 --> 01:00:10,680
Speaker 5: never hung out of them?

1070
01:00:10,680 --> 01:00:11,960
Speaker 1: No, no, I bet him. But I mean I'm like,

1071
01:00:12,240 --> 01:00:14,080
Speaker 1: I feel I don't even well, but I was like, oh,

1072
01:00:14,080 --> 01:00:17,520
Speaker 1: that was nice. I must radiated on screen. Yeah, he's good.

1073
01:00:17,760 --> 01:00:20,640
Speaker 1: He definitely does. He was in this chair radiating. Damn

1074
01:00:20,840 --> 01:00:28,000
Speaker 1: damn him. John Waters, Oh please, because it's a joke.

1075
01:00:29,240 --> 01:00:31,520
Speaker 1: The equipment, Because you know what, a lot of people

1076
01:00:31,560 --> 01:00:34,960
Speaker 1: worked really fucking hard to set this up. You're sure

1077
01:00:35,080 --> 01:00:37,120
Speaker 1: a lot of people worked really fucking hard.

1078
01:00:38,160 --> 01:00:40,600
Speaker 5: That's not even a number, it's just the number one

1079
01:00:41,520 --> 01:00:42,520
Speaker 5: rule culture.

1080
01:00:42,960 --> 01:00:45,160
Speaker 1: A lot of people goes above the list. Look, a

1081
01:00:45,160 --> 01:00:48,840
Speaker 1: lot of people worked really hard. Number one, number one one,

1082
01:00:49,360 --> 01:00:53,200
Speaker 1: which actually is playing alphabet is war. That's the number

1083
01:00:53,240 --> 01:00:55,200
Speaker 1: one rule. That's the number one one of one of

1084
01:00:55,240 --> 01:00:55,560
Speaker 1: a few.

1085
01:00:57,560 --> 01:01:00,600
Speaker 3: This is an obvious question. Someone keeps all these somewhere.

1086
01:01:00,680 --> 01:01:03,200
Speaker 3: There's like a wiki. You fans are putting them everywhere.

1087
01:01:03,600 --> 01:01:05,880
Speaker 1: Y'all do that. We do not do that, but I

1088
01:01:05,880 --> 01:01:06,600
Speaker 1: think there's one.

1089
01:01:06,880 --> 01:01:09,360
Speaker 2: There are a few devoted fans out there who update

1090
01:01:09,640 --> 01:01:11,240
Speaker 2: a living document like the Constitution.

1091
01:01:12,080 --> 01:01:14,080
Speaker 1: Yes, devoted is a nice word.

1092
01:01:14,600 --> 01:01:17,880
Speaker 2: Devoted. I love devoted. I we I usually were devoted

1093
01:01:17,920 --> 01:01:21,720
Speaker 2: in I said it last night, did we have we?

1094
01:01:21,720 --> 01:01:23,800
Speaker 2: We cut a joke for one of our nominations, but

1095
01:01:24,280 --> 01:01:27,200
Speaker 2: I was belly worship and I was like, devote. I

1096
01:01:27,240 --> 01:01:29,000
Speaker 2: want to devote myself to belly worship.

1097
01:01:29,040 --> 01:01:32,040
Speaker 1: Devoted. That's good to vote, as as as helplessly devote,

1098
01:01:32,080 --> 01:01:35,040
Speaker 1: voted love. We're just gonna reveal this. One of the

1099
01:01:35,160 --> 01:01:38,000
Speaker 1: not one of the categories is Shrek Award for top

1100
01:01:38,040 --> 01:01:40,320
Speaker 1: thing we want to do to that Green Guy. And

1101
01:01:40,400 --> 01:01:44,360
Speaker 1: one of the potential nominees was belly Worship, but it

1102
01:01:44,400 --> 01:01:46,200
Speaker 1: got cut. It got cut in favor of what we

1103
01:01:46,320 --> 01:01:48,720
Speaker 1: felt were stronger nominees. But I guess we'll see. It'll

1104
01:01:48,720 --> 01:01:52,360
Speaker 1: be up to It's nice for the DVD sure. By

1105
01:01:52,360 --> 01:01:58,760
Speaker 1: the way, Shrek had some really good DVD extra Cameron,

1106
01:01:59,080 --> 01:02:00,800
Speaker 1: that's something we want, Cameron.

1107
01:02:00,920 --> 01:02:02,920
Speaker 3: Oh my god, maybe that's where she was, That's where

1108
01:02:02,960 --> 01:02:05,040
Speaker 3: she was hottest. That's I want that for Dick so

1109
01:02:05,080 --> 01:02:06,520
Speaker 3: bad to do commentary, I know.

1110
01:02:06,680 --> 01:02:09,320
Speaker 1: And they filmed all that behind the scenes, you know,

1111
01:02:10,280 --> 01:02:13,640
Speaker 1: I don't know Sonny and Disney's vaults. Y'all have the

1112
01:02:13,760 --> 01:02:17,919
Speaker 1: vinyl and the sewer boys merch. Not a good point,

1113
01:02:18,120 --> 01:02:22,000
Speaker 1: you know. The top back should be you two and

1114
01:02:22,080 --> 01:02:28,440
Speaker 1: Meghan the or Mole Ali oh the the the of course,

1115
01:02:29,560 --> 01:02:31,919
Speaker 1: my huge drap artist. She has a huge rap artist.

1116
01:02:32,120 --> 01:02:34,520
Speaker 1: Drap artist. You can't get her in. I bet she

1117
01:02:34,560 --> 01:02:37,480
Speaker 1: would list the movie in her playball by Well we

1118
01:02:37,520 --> 01:02:41,680
Speaker 1: should yeah, she damn.

1119
01:02:43,000 --> 01:02:44,600
Speaker 3: I did see a gay guy on the subway the

1120
01:02:44,640 --> 01:02:48,200
Speaker 3: other day and three pieces of Megan thee Stallion, Mulan

1121
01:02:48,320 --> 01:02:51,360
Speaker 3: ruge merch t shirt, hat, tote.

1122
01:02:51,200 --> 01:02:54,960
Speaker 1: And I went, let's go. I did watch the MEGANI

1123
01:02:55,040 --> 01:03:00,840
Speaker 1: Stallion Mulan Ruge Medley approximately two hundred, smiling ear to ear,

1124
01:03:01,600 --> 01:03:07,160
Speaker 1: absolutely like hell that, yes, she's fucking.

1125
01:03:07,960 --> 01:03:10,600
Speaker 2: Like it's it's a different kind of stunt casting quote

1126
01:03:10,640 --> 01:03:12,480
Speaker 2: unquote when it's like, oh, you just let the person

1127
01:03:12,560 --> 01:03:16,080
Speaker 2: who is a natural live performer, like just do their thing.

1128
01:03:16,280 --> 01:03:19,960
Speaker 1: I mean obviously that's just that. Yeah, she's not playing

1129
01:03:19,960 --> 01:03:23,880
Speaker 1: Setine exactly. She could. She could cough into a nap again.

1130
01:03:24,120 --> 01:03:27,520
Speaker 1: Will remember our theater spree? Yes, I've never read. We

1131
01:03:27,560 --> 01:03:29,320
Speaker 1: have to go, spe we have to go. What should

1132
01:03:29,320 --> 01:03:32,880
Speaker 1: we see this summer? There's something I do want to see.

1133
01:03:35,080 --> 01:03:39,080
Speaker 1: I want to see I want to see Twings Fly.

1134
01:03:42,760 --> 01:03:45,480
Speaker 1: It's the most second most expensive musical of all time

1135
01:03:45,560 --> 01:03:49,160
Speaker 1: stop after Spider Man. Really them Twinks are flying, Them

1136
01:03:49,160 --> 01:03:54,600
Speaker 1: Twins are flying. It's all about the wires about We

1137
01:03:54,640 --> 01:03:58,680
Speaker 1: saw you, did you see I'm not sing it? Tuesday?

1138
01:03:58,720 --> 01:04:02,880
Speaker 1: I really enjoyed right rock loved it. I'll see it again,

1139
01:04:03,080 --> 01:04:03,439
Speaker 1: we said.

1140
01:04:03,680 --> 01:04:05,760
Speaker 5: We went to the opening of Cats Chocoball and the

1141
01:04:05,760 --> 01:04:13,160
Speaker 5: opening Rocky Horror. Both times sat directly behind Murray Hills.

1142
01:04:13,320 --> 01:04:17,680
Speaker 1: The experience of like you're talking and then that it

1143
01:04:17,800 --> 01:04:22,439
Speaker 1: was exactly. I'm not even talking like oh, a couple

1144
01:04:22,400 --> 01:04:24,600
Speaker 1: of rows away or like a little like just right

1145
01:04:24,680 --> 01:04:25,360
Speaker 1: in front of us.

1146
01:04:25,480 --> 01:04:29,880
Speaker 3: Both times Murray Hill, Murray Hill, Wow, killing me because

1147
01:04:31,480 --> 01:04:33,360
Speaker 3: they're doing a pre show speech like the director of

1148
01:04:33,360 --> 01:04:35,960
Speaker 3: the round. He's thinking court Partners. He's like, of course,

1149
01:04:36,000 --> 01:04:37,840
Speaker 3: American Express, Murray Let's go.

1150
01:04:40,560 --> 01:04:43,480
Speaker 1: AMEX. The Rise of Murray Hills one a great is

1151
01:04:43,480 --> 01:04:51,000
Speaker 1: a great New York It was fore told pod. By

1152
01:04:51,000 --> 01:04:51,680
Speaker 1: the way, you know who.

1153
01:04:52,440 --> 01:04:56,600
Speaker 3: Has been on pody for many years that recently when

1154
01:04:56,600 --> 01:04:58,760
Speaker 3: we were keeking, we hung out with him at the Titanicum.

1155
01:04:58,920 --> 01:05:00,960
Speaker 3: That's a person that can me shut up because I

1156
01:05:01,000 --> 01:05:02,560
Speaker 3: just am like please only Utah.

1157
01:05:02,640 --> 01:05:07,160
Speaker 5: It's funniest, yeah, I said, because Nathan Lee Graham was

1158
01:05:07,200 --> 01:05:08,960
Speaker 5: in the original acus of Wild Party, which me and

1159
01:05:08,960 --> 01:05:10,840
Speaker 5: my sister used to listen to a lot in high school.

1160
01:05:11,200 --> 01:05:13,640
Speaker 5: And I saw with Tony and I saw the City

1161
01:05:13,640 --> 01:05:16,200
Speaker 5: Center on course production, which was wonderful, And when we

1162
01:05:16,240 --> 01:05:17,800
Speaker 5: ran out of Nathan, I said, oh my god, Nathan.

1163
01:05:17,840 --> 01:05:19,640
Speaker 5: The whole time during Wild Party, I was thinking of you,

1164
01:05:19,680 --> 01:05:20,640
Speaker 5: He goes, I bet you were.

1165
01:05:23,640 --> 01:05:27,960
Speaker 1: Perfect. I bet you were perfect creature, perfect person. He

1166
01:05:28,120 --> 01:05:30,680
Speaker 1: was on the podcast like within the first maybe two

1167
01:05:30,760 --> 01:05:33,440
Speaker 1: years of us having it and he was back in

1168
01:05:33,480 --> 01:05:35,800
Speaker 1: the apartment. The first thing we asked ribber doog apartment

1169
01:05:37,000 --> 01:05:39,400
Speaker 1: this was that we were that we were remember that day. Yeah,

1170
01:05:39,400 --> 01:05:40,840
Speaker 1: I was so excited. We used to do this out

1171
01:05:40,840 --> 01:05:43,240
Speaker 1: of a We work for like months and then he

1172
01:05:43,280 --> 01:05:45,480
Speaker 1: came in. He came in with the tea and the

1173
01:05:45,520 --> 01:05:47,520
Speaker 1: first thing we asked him was We're like, what's your

1174
01:05:47,600 --> 01:05:51,840
Speaker 1: tea flavor? And he just goes constant comment it's still

1175
01:05:52,080 --> 01:05:54,720
Speaker 1: and that was the title of that comment.

1176
01:05:54,880 --> 01:05:56,640
Speaker 3: I feel like we've said this before, but I do

1177
01:05:56,720 --> 01:06:00,880
Speaker 3: think Nathan Lee Graham and Zoolander is like chill blueprint,

1178
01:06:01,040 --> 01:06:04,440
Speaker 3: like a piece of gay iconography that like created a

1179
01:06:04,480 --> 01:06:05,000
Speaker 3: generation of.

1180
01:06:06,600 --> 01:06:08,600
Speaker 2: I really do think we and then we would all

1181
01:06:08,640 --> 01:06:12,840
Speaker 2: go on to play a gay assistant.

1182
01:06:10,360 --> 01:06:14,680
Speaker 1: We think, have I done it? Have I done it?

1183
01:06:15,240 --> 01:06:18,480
Speaker 1: I feel like I've definitely been like gay guy like that.

1184
01:06:18,800 --> 01:06:20,280
Speaker 5: Yeah, I don't know if I was an assistant, but

1185
01:06:20,320 --> 01:06:23,720
Speaker 5: I've definitely been like a bitchy gate Like even.

1186
01:06:23,520 --> 01:06:27,320
Speaker 2: Caleb hair Run, he just did it. He joined in

1187
01:06:27,520 --> 01:06:30,080
Speaker 2: the like in He's.

1188
01:06:29,880 --> 01:06:31,960
Speaker 3: The king of gay assistant mountain right now. He's sort

1189
01:06:32,000 --> 01:06:35,000
Speaker 3: of the number one chair, top chair big time until

1190
01:06:35,040 --> 01:06:38,080
Speaker 3: someone else takes him to be in D D l

1191
01:06:38,120 --> 01:06:41,480
Speaker 3: P Final, the Final Boss at.

1192
01:06:41,440 --> 01:06:44,240
Speaker 1: This moment, Oh, I guess maybe something happens at the

1193
01:06:46,480 --> 01:06:51,040
Speaker 1: turn with that character. Mhm. See the film they go

1194
01:06:51,120 --> 01:06:55,800
Speaker 1: to Milan, they do, yes, amazing city. I wish we

1195
01:06:55,840 --> 01:06:56,720
Speaker 1: had seen more of it.

1196
01:06:57,040 --> 01:06:59,880
Speaker 2: Yeah, well there's there's not much to see. Honestly, it's

1197
01:07:00,080 --> 01:07:03,240
Speaker 2: just dragging Milan a little bit. I think Milan likes

1198
01:07:03,280 --> 01:07:05,880
Speaker 2: being dragged. Were even talked to the locals there there

1199
01:07:05,880 --> 01:07:09,240
Speaker 2: like she fired, Yeah, they're Mulan.

1200
01:07:09,640 --> 01:07:12,480
Speaker 1: Don't drag her, want to sword to the neck. Thank you.

1201
01:07:12,600 --> 01:07:13,960
Speaker 1: Let's get down to business. Wait.

1202
01:07:14,040 --> 01:07:16,440
Speaker 5: I just learned that Carrie Fisher did punch ups on

1203
01:07:16,480 --> 01:07:18,280
Speaker 5: Anastasia script.

1204
01:07:17,800 --> 01:07:21,760
Speaker 1: She was, but isn't that fear she was the most

1205
01:07:21,880 --> 01:07:23,560
Speaker 1: prolific Hollywood scripta.

1206
01:07:23,680 --> 01:07:25,480
Speaker 3: Do we have the like full list of everything she did?

1207
01:07:25,520 --> 01:07:27,000
Speaker 1: Punch him off? Because I feel like every year you

1208
01:07:27,120 --> 01:07:30,360
Speaker 1: learn a new one. I learned this from Izzy's be

1209
01:07:30,440 --> 01:07:33,439
Speaker 1: Kind Rewind, which everyone should watch. I love he should

1210
01:07:33,440 --> 01:07:33,600
Speaker 1: be on.

1211
01:07:34,280 --> 01:07:36,960
Speaker 5: Oh god, yeah, if you can get her, good luck,

1212
01:07:37,000 --> 01:07:41,240
Speaker 5: good luck. She took Michael to Judy Garland's jacket unveiling

1213
01:07:41,280 --> 01:07:46,000
Speaker 5: at Carnegie Hall. Holy moly, Oh was he so happy,

1214
01:07:46,240 --> 01:07:47,040
Speaker 5: happy as a clam.

1215
01:07:47,160 --> 01:07:47,520
Speaker 1: Damn.

1216
01:07:47,680 --> 01:07:49,840
Speaker 3: There was something we were all trying to get tickets to,

1217
01:07:50,240 --> 01:07:52,440
Speaker 3: I feel like. So I was like, can everybody do

1218
01:07:52,480 --> 01:07:54,080
Speaker 3: this date? And Michael had to be like, no, I'm

1219
01:07:54,120 --> 01:07:55,520
Speaker 3: seeing Judy Garland's jacket.

1220
01:07:55,560 --> 01:07:55,880
Speaker 1: Unvailing.

1221
01:07:56,080 --> 01:07:58,120
Speaker 5: They're going to go to Josh Daniels Cabaret, which I

1222
01:07:58,120 --> 01:07:59,960
Speaker 5: had to leave to see Amy Jo Jackson Tamara.

1223
01:08:00,120 --> 01:08:00,960
Speaker 1: But I loved.

1224
01:08:00,760 --> 01:08:04,080
Speaker 3: Hearing that excuse, No, I have to go see Judy guard.

1225
01:08:04,040 --> 01:08:07,560
Speaker 1: I can't to Carnegie Hall to see jacket. And it's

1226
01:08:07,640 --> 01:08:09,640
Speaker 1: the jacket from the night. It's from the night. Oh

1227
01:08:09,720 --> 01:08:14,280
Speaker 1: my god, was there Lorna, Miss Left? Miss Left? You

1228
01:08:14,320 --> 01:08:23,040
Speaker 1: know that we Ana and Orna, Yes, and they do

1229
01:08:23,160 --> 01:08:26,800
Speaker 1: side show and they do. They should come on for

1230
01:08:26,960 --> 01:08:31,799
Speaker 1: the tour. They should come on for the tour, and Lorna,

1231
01:08:32,320 --> 01:08:34,760
Speaker 1: I do think for the tour as a rule, it

1232
01:08:34,760 --> 01:08:37,559
Speaker 1: needs a surprise fifth at the end of every show. Yes,

1233
01:08:37,880 --> 01:08:40,439
Speaker 1: why that's kind of if we can say this on it.

1234
01:08:40,680 --> 01:08:42,160
Speaker 3: But I think it would be funny if we did,

1235
01:08:42,200 --> 01:08:44,800
Speaker 3: like an iconic R and B song, like one of

1236
01:08:44,840 --> 01:08:47,120
Speaker 3: the ones that has one of the like speaking monologues,

1237
01:08:47,160 --> 01:08:49,880
Speaker 3: you know, and like someone like Ariana Grande comes out

1238
01:08:49,920 --> 01:08:52,439
Speaker 3: to only do the speaking part and does the thing

1239
01:08:52,479 --> 01:08:54,760
Speaker 3: we need. We need a county singer to come out

1240
01:08:54,800 --> 01:08:57,400
Speaker 3: and just do the like like leaving the voicemail.

1241
01:08:58,560 --> 01:09:01,880
Speaker 2: Do you know what has just opening? Speaking part of

1242
01:09:01,960 --> 01:09:05,400
Speaker 2: that of this sort of canon is Whitney Houston and

1243
01:09:05,439 --> 01:09:07,960
Speaker 2: Deborah Cox, same script, different castes.

1244
01:09:07,960 --> 01:09:08,400
Speaker 1: It starts.

1245
01:09:08,400 --> 01:09:11,880
Speaker 2: It opens with Whitney going, dev thank you for being

1246
01:09:11,920 --> 01:09:15,759
Speaker 2: woman enough to come, and then Deborah goes, Whitney, what's

1247
01:09:15,760 --> 01:09:16,320
Speaker 2: this about?

1248
01:09:16,640 --> 01:09:21,800
Speaker 1: And then they started to okay, so yeah, what's this about?

1249
01:09:22,240 --> 01:09:26,439
Speaker 1: So yeah, Ari comes out with dev thank you for

1250
01:09:26,479 --> 01:09:31,400
Speaker 1: being woman enough to come. Whitney, what this.

1251
01:09:30,960 --> 01:09:32,840
Speaker 3: Ari and Bin Platt come out and they just do

1252
01:09:32,880 --> 01:09:42,000
Speaker 3: those two lines and then they.

1253
01:09:38,000 --> 01:09:41,760
Speaker 1: So this is I don't think so, honey, whatever, you

1254
01:09:41,800 --> 01:09:44,800
Speaker 1: know what it is. I explained it every single time

1255
01:09:44,880 --> 01:09:47,200
Speaker 1: on the episode, and every single time when I get

1256
01:09:47,200 --> 01:09:50,280
Speaker 1: to the explanation it's end, I'm like, why did I

1257
01:09:50,360 --> 01:09:50,519
Speaker 1: do that?

1258
01:09:50,600 --> 01:09:53,320
Speaker 3: Well, if you don't know, pause right now and go

1259
01:09:53,360 --> 01:09:54,920
Speaker 3: and listen to any other episode.

1260
01:09:57,000 --> 01:09:58,800
Speaker 1: Single one the work.

1261
01:09:59,200 --> 01:10:02,800
Speaker 2: Okay, Okay, kat Rogers has one. This is Matt Rogers.

1262
01:10:02,840 --> 01:10:04,280
Speaker 2: I don't think so, honey. His time starts.

1263
01:10:04,560 --> 01:10:07,240
Speaker 1: I don't think so, honey, Andrew Lloyd Webber being like, well,

1264
01:10:07,240 --> 01:10:11,640
Speaker 1: we can't do the balcony scene in Avida because we

1265
01:10:12,080 --> 01:10:15,479
Speaker 1: have gun laws in Britain. The reason they can't do

1266
01:10:15,600 --> 01:10:18,800
Speaker 1: it is because there's no balcony at that theater where

1267
01:10:18,840 --> 01:10:22,160
Speaker 1: that would make it logistically feasible. I don't think so, honey,

1268
01:10:22,160 --> 01:10:24,640
Speaker 1: that we needed to make it about gun Violelce. Now

1269
01:10:24,640 --> 01:10:28,280
Speaker 1: we're picturing Zegler getting snipe and now I'm picturing it,

1270
01:10:28,560 --> 01:10:31,439
Speaker 1: and I'm sure now she is like, well, yeah, I

1271
01:10:31,439 --> 01:10:34,800
Speaker 1: guess that was an option. Wasn't thinking about it. But

1272
01:10:35,000 --> 01:10:41,040
Speaker 1: let's just remind all of America what the wound is

1273
01:10:41,120 --> 01:10:42,960
Speaker 1: that we're walking around with, which is that we have

1274
01:10:43,000 --> 01:10:45,479
Speaker 1: no goddamn gun laws. But that is not the reason

1275
01:10:45,600 --> 01:10:50,280
Speaker 1: they let the Zegler cannot do this element. And I'm

1276
01:10:50,360 --> 01:10:53,719
Speaker 1: sure they'll think of something. Here's an idea. You blast

1277
01:10:53,760 --> 01:10:55,679
Speaker 1: her out into Times Square, she does it from there

1278
01:10:55,800 --> 01:10:58,720
Speaker 1: from a cannon. I like that idea, Jamie Lloyd, but

1279
01:10:58,840 --> 01:11:01,400
Speaker 1: I will say he didn't need to go there. Andrew

1280
01:11:01,479 --> 01:11:08,880
Speaker 1: Lloyd Webber kind of similar to Cinderella, the Bad Musicals,

1281
01:11:08,920 --> 01:11:12,000
Speaker 1: really fun's fired and not in that way. He could

1282
01:11:12,040 --> 01:11:14,559
Speaker 1: have said the same thing for Sunset Boulevard eight times

1283
01:11:14,600 --> 01:11:18,160
Speaker 1: a week, sleeping snow. He's out there for a while.

1284
01:11:18,439 --> 01:11:21,000
Speaker 5: Something that was so fun was what I can't remember

1285
01:11:21,040 --> 01:11:23,360
Speaker 5: the theater, the Saint James. What what theater is the

1286
01:11:23,400 --> 01:11:26,000
Speaker 5: Saint James. He's right across from Sardis. If you went

1287
01:11:26,080 --> 01:11:29,519
Speaker 5: to Sardis during intermission, you got to live watch every

1288
01:11:29,600 --> 01:11:30,560
Speaker 5: time those plays.

1289
01:11:31,520 --> 01:11:34,040
Speaker 1: You get a martini and sit at the playglass night.

1290
01:11:34,280 --> 01:11:37,720
Speaker 1: I just watched to get on the street. That's it

1291
01:11:37,840 --> 01:11:43,080
Speaker 1: was really fun thing. Are you gonna watch this person? Sometimes?

1292
01:11:46,280 --> 01:11:47,840
Speaker 1: I love I had a little you know, I saw

1293
01:11:47,840 --> 01:11:50,400
Speaker 1: it four times. Yeah, I would have. It was if

1294
01:11:50,479 --> 01:11:55,519
Speaker 1: I was rich like you rag her after the drama desk,

1295
01:11:55,800 --> 01:11:59,080
Speaker 1: after the prize money, Yeah, don't.

1296
01:11:58,920 --> 01:12:00,880
Speaker 3: Forget about the two hundred five was a dollar prize

1297
01:12:00,920 --> 01:12:02,559
Speaker 3: from down and make jewelers.

1298
01:12:02,560 --> 01:12:05,040
Speaker 1: We should go see Lost boys. I'm really glad. I

1299
01:12:05,080 --> 01:12:06,360
Speaker 1: would love that. That would be fun. Really want to

1300
01:12:06,360 --> 01:12:08,080
Speaker 1: see Lost. We should do it. We should we should

1301
01:12:08,120 --> 01:12:12,800
Speaker 1: play them go no, no, no, I just was angeloid Webber.

1302
01:12:12,800 --> 01:12:15,000
Speaker 1: I can't believe he said that. But we've moved so funny.

1303
01:12:15,160 --> 01:12:20,120
Speaker 1: He's one of our most be saying things people. Yeah,

1304
01:12:20,200 --> 01:12:23,040
Speaker 1: he'd be he'd been rich to ever forget when he

1305
01:12:23,320 --> 01:12:25,320
Speaker 1: was a guest judge on American Idol years and years

1306
01:12:25,320 --> 01:12:27,200
Speaker 1: and years ago and they were doing Andrew the music

1307
01:12:27,240 --> 01:12:30,200
Speaker 1: of Andrew laid Weber, which sure, and that was a coincidence.

1308
01:12:30,240 --> 01:12:34,920
Speaker 1: Actually it just happened. They were doing it and the

1309
01:12:35,200 --> 01:12:38,519
Speaker 1: girl was singing memory or something. Yeah, that's one of

1310
01:12:38,560 --> 01:12:38,840
Speaker 1: the ones.

1311
01:12:38,960 --> 01:12:44,360
Speaker 13: And he was like, no, no, no, when you sing

1312
01:12:44,520 --> 01:12:51,720
Speaker 13: this urine old glama pos it was like seventeen year

1313
01:12:51,760 --> 01:12:53,320
Speaker 13: old girl from fucking Iowa.

1314
01:12:54,520 --> 01:12:59,320
Speaker 1: He definitely said the word glama puss. I'll never forget.

1315
01:12:59,400 --> 01:13:03,120
Speaker 1: They when Joel Mchalos did the soup years ago, he

1316
01:13:03,280 --> 01:13:05,800
Speaker 1: just played the clip about eighteen times in a row

1317
01:13:05,880 --> 01:13:08,800
Speaker 1: of Actually I did think the soup was the height

1318
01:13:08,840 --> 01:13:11,760
Speaker 1: of But this is good direct to Rachel Zegler because

1319
01:13:11,760 --> 01:13:14,519
Speaker 1: I know you're watching you always when you're a vita

1320
01:13:14,640 --> 01:13:18,400
Speaker 1: up there, you're a glamour puss, don't you dare forget it?

1321
01:13:19,080 --> 01:13:23,559
Speaker 1: Forget your bears repeating you're a glamour puss. Up it's

1322
01:13:23,560 --> 01:13:27,880
Speaker 1: not a glamour puss. A vita she can play and

1323
01:13:28,320 --> 01:13:34,439
Speaker 1: mural get it. Yeah, you know what, you know what?

1324
01:13:35,080 --> 01:13:37,000
Speaker 1: You know what was on my for sure top five

1325
01:13:37,080 --> 01:13:39,400
Speaker 1: most played but I think Spotify like couldn't compute this

1326
01:13:39,560 --> 01:13:41,639
Speaker 1: level of gay, so it didn't make it. Are we talking?

1327
01:13:42,000 --> 01:13:46,080
Speaker 1: It was the the phone call scene from Sunset Boulevard

1328
01:13:46,479 --> 01:13:54,280
Speaker 1: when Nicole is like, is this miss I'm coming? And

1329
01:13:54,400 --> 01:13:56,879
Speaker 1: it's just this whole crazy ass.

1330
01:13:58,280 --> 01:13:59,800
Speaker 6: Do you know what?

1331
01:14:01,320 --> 01:14:03,280
Speaker 1: And Spotify wouldn't put it on there. I was just

1332
01:14:03,720 --> 01:14:06,960
Speaker 1: listen to it so many times. It was good, and

1333
01:14:07,120 --> 01:14:10,360
Speaker 1: it and it and it charted for Matt. Yeah, you know,

1334
01:14:11,240 --> 01:14:12,959
Speaker 1: did we see the Glenn Close.

1335
01:14:12,800 --> 01:14:17,040
Speaker 5: Revival revival together? Because we were so far back? Yeah,

1336
01:14:17,479 --> 01:14:19,519
Speaker 5: everyone's clapping because of her entrance. We could only see her.

1337
01:14:19,680 --> 01:14:22,040
Speaker 1: We were screening, we were and we were in probably

1338
01:14:22,080 --> 01:14:24,200
Speaker 1: the third fro from the back. It was like fifteen

1339
01:14:24,280 --> 01:14:26,599
Speaker 1: of us. We all bought a huge theater seventeen dollars

1340
01:14:26,640 --> 01:14:30,080
Speaker 1: each to Sunset Boulevard the revival with Glenn closes the eighties.

1341
01:14:31,760 --> 01:14:35,000
Speaker 1: Of course she comes out just her feet are showing

1342
01:14:35,439 --> 01:14:38,920
Speaker 1: all we can see and everyone else. That's bad direction

1343
01:14:39,040 --> 01:14:42,360
Speaker 1: and blocking. They don't care about the bars, the doors.

1344
01:14:42,439 --> 01:14:46,240
Speaker 1: She should have done it like this, Oh don't know

1345
01:14:48,439 --> 01:14:53,080
Speaker 1: your face? Well, we wish we can't get one? Oh god,

1346
01:14:55,479 --> 01:14:59,560
Speaker 1: all right, oh god, do I have one? Do you.

1347
01:15:00,200 --> 01:15:04,000
Speaker 1: I mean, I found mind. Do you need to go first?

1348
01:15:04,080 --> 01:15:07,120
Speaker 1: I forget if that's I don't actually, since we break

1349
01:15:07,160 --> 01:15:10,960
Speaker 1: form all the time here, maybe josh goes you have one, yeah,

1350
01:15:11,160 --> 01:15:15,400
Speaker 1: with lo minutes. It came to me earlier. This is

1351
01:15:15,520 --> 01:15:17,760
Speaker 1: Joshua need to get this off my chest. I don't

1352
01:15:17,760 --> 01:15:20,400
Speaker 1: think so, honey, and his time starts now, I don't.

1353
01:15:20,280 --> 01:15:24,240
Speaker 3: Think so honey. To all you folks at home beating

1354
01:15:24,280 --> 01:15:26,880
Speaker 3: your meat to how sexy my voice sounds right now,

1355
01:15:28,000 --> 01:15:31,320
Speaker 3: I hate how much y'all are stroking your hogs because

1356
01:15:31,360 --> 01:15:36,000
Speaker 3: my voice is just so sexy. Stroke in those pussies

1357
01:15:36,040 --> 01:15:39,320
Speaker 3: and those cocks, just because I have such a sexy

1358
01:15:39,520 --> 01:15:40,479
Speaker 3: sexy voice.

1359
01:15:41,240 --> 01:15:44,240
Speaker 1: Oh, I don't think so, honey. Y'all are a little

1360
01:15:44,280 --> 01:15:49,240
Speaker 1: perverb pickies. Let me be just because my voice sounds

1361
01:15:49,400 --> 01:15:54,280
Speaker 1: like sex. Oh, I don't think so, honey. I don't

1362
01:15:54,320 --> 01:15:56,200
Speaker 1: think that y'all are about to come because of my

1363
01:15:56,479 --> 01:15:59,479
Speaker 1: voice right now. This is just I want y'all to

1364
01:15:59,600 --> 01:16:02,840
Speaker 1: come because I sound so fucking and you're watching me too,

1365
01:16:04,439 --> 01:16:07,080
Speaker 1: think so honey, don't come, It is a pod come

1366
01:16:07,720 --> 01:16:12,640
Speaker 1: oh fu, oh, come, don't Comelica fucking come right now,

1367
01:16:13,200 --> 01:16:24,599
Speaker 1: Malica second, wet down for social No one did come

1368
01:16:25,240 --> 01:16:27,240
Speaker 1: did I ask you to play the whole thing?

1369
01:16:27,360 --> 01:16:31,200
Speaker 2: So that's how podcasts start. DJ run it back, hit

1370
01:16:31,280 --> 01:16:34,120
Speaker 2: the track, hit the track. I've got one, Okay, I

1371
01:16:34,240 --> 01:16:36,479
Speaker 2: really need one. That was amazing, that was really good.

1372
01:16:36,520 --> 01:16:41,520
Speaker 1: It's important. I needed to remember that this is bon yangs.

1373
01:16:41,560 --> 01:16:43,560
Speaker 1: I don't think so, honey. His time starts now. I

1374
01:16:43,640 --> 01:16:46,559
Speaker 1: don't think so, honey. What's the deal with sparkling water?

1375
01:16:47,360 --> 01:16:53,040
Speaker 1: Oh and it's spicy and you like it, and sparkling

1376
01:16:53,200 --> 01:16:55,519
Speaker 1: will not when the lights are off, there's no light

1377
01:16:55,600 --> 01:16:59,360
Speaker 1: to were fracked through the bubbles. Isn't that interesting?

1378
01:16:59,520 --> 01:17:02,000
Speaker 2: And yet we still call it that, you know when

1379
01:17:02,040 --> 01:17:05,479
Speaker 2: we call it in other languages water with air, because

1380
01:17:05,520 --> 01:17:08,360
Speaker 2: that's all it is. Let's not give it too much

1381
01:17:08,640 --> 01:17:15,960
Speaker 2: editorializing sparkling. The jarin doesn't really need to be there,

1382
01:17:16,280 --> 01:17:16,640
Speaker 2: does it.

1383
01:17:16,880 --> 01:17:17,040
Speaker 7: Now?

1384
01:17:17,479 --> 01:17:22,479
Speaker 1: You can say sparkle water. Sparkling is just still in process,

1385
01:17:22,520 --> 01:17:22,880
Speaker 1: still in.

1386
01:17:22,960 --> 01:17:27,160
Speaker 2: Process, and it's ephemeral, honey, Like all things in life,

1387
01:17:27,880 --> 01:17:31,960
Speaker 2: at one point will sparkling and bubbling. Let it be

1388
01:17:32,160 --> 01:17:35,120
Speaker 2: what it is, which is just carbonated water, which you

1389
01:17:35,120 --> 01:17:37,520
Speaker 2: would have to make out of some crazy contraption.

1390
01:17:38,040 --> 01:17:38,719
Speaker 1: Five seconds.

1391
01:17:38,800 --> 01:17:42,680
Speaker 2: Your phosphates in that, and it would be okay, I

1392
01:17:42,840 --> 01:17:47,639
Speaker 2: want my SODA's sweet and not neutral slash spicy.

1393
01:17:47,880 --> 01:17:51,280
Speaker 1: That's one minute. I love spicy. You're so right.

1394
01:17:51,360 --> 01:17:56,479
Speaker 3: Everyone else congasas and also sings. It's interesting that that's

1395
01:17:56,520 --> 01:17:59,320
Speaker 3: the binary with air or without air.

1396
01:17:59,400 --> 01:18:03,960
Speaker 1: Care washing clarifying question, Yes, Jarend, this is just a

1397
01:18:04,040 --> 01:18:06,120
Speaker 1: word with I G. No, it is a specific use

1398
01:18:06,160 --> 01:18:08,559
Speaker 1: of the I G. But most iron G verbs are

1399
01:18:08,640 --> 01:18:13,639
Speaker 1: gonna be okay, so iron G inaction is apparent kissing.

1400
01:18:13,960 --> 01:18:18,720
Speaker 1: I was running, I was picking, choosing. Well, yeah, I

1401
01:18:18,840 --> 01:18:27,919
Speaker 1: was fishing, fisting, fucking, lying, I was allowing Aaron Jackson.

1402
01:18:28,800 --> 01:18:32,160
Speaker 1: I was steaming, steaming. Can't believe that. I call my

1403
01:18:32,240 --> 01:18:36,680
Speaker 1: man cheating. I'm trying to think of the next line. No,

1404
01:18:36,760 --> 01:18:40,600
Speaker 1: I know, I'm sorry. I skipped one. I was steaming, scheming, Well,

1405
01:18:40,640 --> 01:18:42,800
Speaker 1: he was scheming. I was beaming in the beam, just

1406
01:18:42,880 --> 01:18:45,160
Speaker 1: be just steaming. Oh here's a question. Is it still

1407
01:18:45,200 --> 01:18:49,040
Speaker 1: a Jarend if they stylize it like steaming? Yeah, sure,

1408
01:18:50,080 --> 01:18:54,720
Speaker 1: that's a jar. You got me, girl, That's what you

1409
01:18:54,800 --> 01:18:59,880
Speaker 1: get here on lost cult incisive word incisive. So these

1410
01:19:00,080 --> 01:19:05,240
Speaker 1: have been really really good so far today, and I

1411
01:19:05,720 --> 01:19:10,439
Speaker 1: do not envy you Jackson. You can pass. No one's done.

1412
01:19:10,600 --> 01:19:13,920
Speaker 1: You always have the option you pass. I have one.

1413
01:19:14,000 --> 01:19:16,840
Speaker 1: I think, okay, it's going to be thinking. I think,

1414
01:19:17,240 --> 01:19:19,800
Speaker 1: I think, I think I have one. I thinking, okay,

1415
01:19:20,240 --> 01:19:22,320
Speaker 1: this is Aaron Jackson's. I don't think Sonny. As time

1416
01:19:22,400 --> 01:19:23,759
Speaker 1: starts now, I don't.

1417
01:19:23,600 --> 01:19:27,160
Speaker 5: Think so, honey, that the kitchen, the room of the

1418
01:19:27,240 --> 01:19:32,080
Speaker 5: kitchen continues to continues to be dirty. You clean it

1419
01:19:32,640 --> 01:19:39,120
Speaker 5: very well, bleach the whole, the whole gag not but

1420
01:19:39,240 --> 01:19:44,360
Speaker 5: a day later stains upon the floor once again. And

1421
01:19:44,560 --> 01:19:47,680
Speaker 5: all you did was get some yogurt out. It's not

1422
01:19:47,760 --> 01:19:49,640
Speaker 5: like you've made a big Marin era pot, had it

1423
01:19:49,720 --> 01:19:54,320
Speaker 5: bubbling for all your nanas and nano's. You simply got

1424
01:19:54,439 --> 01:19:56,799
Speaker 5: a slap a yogurt in a bowl, and then suddenly

1425
01:19:56,880 --> 01:20:00,160
Speaker 5: you cover. You have to once again and.

1426
01:20:00,240 --> 01:20:04,080
Speaker 1: Reach for the mop. And I don't think it's the counter, Honey.

1427
01:20:05,600 --> 01:20:09,640
Speaker 1: That room has got an attitude and he needs to

1428
01:20:09,720 --> 01:20:13,400
Speaker 1: figure itself. Why so many stains? Give him extra time?

1429
01:20:14,880 --> 01:20:19,080
Speaker 1: Was like that room to take a note from bed living,

1430
01:20:19,960 --> 01:20:23,040
Speaker 1: even a little less noise from your kitchen. I don't

1431
01:20:23,040 --> 01:20:26,280
Speaker 1: think so, honey. You're filthy. Give him extra But he

1432
01:20:27,160 --> 01:20:30,600
Speaker 1: ended it himself. You don't think bad. Bad has an attitude.

1433
01:20:32,040 --> 01:20:35,280
Speaker 1: There's soap in there just so it gets a little cleaner.

1434
01:20:35,439 --> 01:20:37,720
Speaker 1: And sometimes I feel like I cleaned the toilet with

1435
01:20:37,760 --> 01:20:39,519
Speaker 1: a simple bit of bleach and it's good for like

1436
01:20:39,560 --> 01:20:44,000
Speaker 1: a week. Toilet has a bathroom. No, y'all got to

1437
01:20:44,040 --> 01:20:46,600
Speaker 1: go back in your kitchen. I bet you're right, but

1438
01:20:46,680 --> 01:20:49,160
Speaker 1: I'm saying the toilet be doing the same thing. Next. Yes,

1439
01:20:49,479 --> 01:20:51,879
Speaker 1: you clean it, then you go pee and poop instantly

1440
01:20:53,080 --> 01:20:56,600
Speaker 1: because there's water in it, it just goes away. You

1441
01:20:56,760 --> 01:21:00,760
Speaker 1: use the brush to clean the toilet, and all about

1442
01:21:00,800 --> 01:21:06,439
Speaker 1: cooking with soap. Bitch, Why I just opened your mind?

1443
01:21:06,640 --> 01:21:11,760
Speaker 1: You why I just open your mond age? No, no, no,

1444
01:21:12,280 --> 01:21:17,200
Speaker 1: come in. I made soup ste No, no, your no,

1445
01:21:17,600 --> 01:21:18,560
Speaker 1: then your nos?

1446
01:21:22,160 --> 01:21:25,080
Speaker 7: No no, I made soup steal And was this time

1447
01:21:25,160 --> 01:21:28,479
Speaker 7: with soap death. He died doing what he loved, a

1448
01:21:28,640 --> 01:21:33,160
Speaker 7: bad bitch when he loved bad.

1449
01:21:34,320 --> 01:21:42,040
Speaker 1: It was a good bit job Trama Drama Desk nominee

1450
01:21:43,280 --> 01:21:46,280
Speaker 1: Rocky Horror was a Critics pick. Yes we were at

1451
01:21:46,280 --> 01:21:47,040
Speaker 1: the after party.

1452
01:21:47,280 --> 01:21:51,640
Speaker 5: Reese Havoc slash Austin Spiro legendary legend ball. First thing

1453
01:21:52,240 --> 01:21:55,080
Speaker 5: they say when they walk in is Critics pick my love,

1454
01:21:55,439 --> 01:21:58,920
Speaker 5: and that made us last so hard, so fure going critics,

1455
01:22:00,160 --> 01:22:01,320
Speaker 5: so that truly when I.

1456
01:22:01,400 --> 01:22:04,599
Speaker 3: Say the morning, let's go, get a voicemail from Austin

1457
01:22:04,640 --> 01:22:07,040
Speaker 3: Sparrow drama desk my love drama.

1458
01:22:07,560 --> 01:22:11,840
Speaker 1: It's the new sickening no drama.

1459
01:22:13,280 --> 01:22:15,799
Speaker 2: When you take a brush from the toilet or the plunger,

1460
01:22:16,320 --> 01:22:18,439
Speaker 2: you clean it with bleach, you let him dry, you

1461
01:22:18,560 --> 01:22:21,439
Speaker 2: put it back in. Two seconds later you go back

1462
01:22:21,439 --> 01:22:23,719
Speaker 2: to the bathroom. Why is the holder covered?

1463
01:22:23,760 --> 01:22:27,200
Speaker 1: And ship? This is what I'm talking about.

1464
01:22:27,920 --> 01:22:30,760
Speaker 5: It is kitchen and bathroom. Do not let bathroom and

1465
01:22:30,840 --> 01:22:32,880
Speaker 5: also bathroom. Like your shower curtain gets mold when you

1466
01:22:32,960 --> 01:22:33,559
Speaker 5: did nothing wrong.

1467
01:22:34,439 --> 01:22:36,920
Speaker 1: You want to know what the red is, like.

1468
01:22:38,720 --> 01:22:40,600
Speaker 2: The red thing on the on, like the plastic like

1469
01:22:40,680 --> 01:22:43,240
Speaker 2: if you I don't have this anymore, but I remember

1470
01:22:44,040 --> 01:22:44,519
Speaker 2: have a weekend.

1471
01:22:44,640 --> 01:22:46,840
Speaker 1: Is this going to ruin? But when you have like

1472
01:22:46,880 --> 01:22:49,679
Speaker 1: a plastic shower curtain lining, sometimes it gets pink. Yeah,

1473
01:22:50,680 --> 01:22:53,400
Speaker 1: fucking like blood. No no, no, it's like it's like

1474
01:22:53,520 --> 01:22:57,719
Speaker 1: a mold slash algae kind of situation. I didn't realize.

1475
01:22:59,240 --> 01:23:02,760
Speaker 1: But that's life. It's chocolate. Life get moldy sometimes I

1476
01:23:02,840 --> 01:23:06,680
Speaker 1: need so we still keep eating. It's chocolate we were,

1477
01:23:07,160 --> 01:23:10,000
Speaker 1: wouldn't you agree? Life get moldy? Sometimes we still keep eating.

1478
01:23:10,320 --> 01:23:12,519
Speaker 1: What is mold if not a living thing? Thank you?

1479
01:23:12,880 --> 01:23:16,120
Speaker 1: Blessed her, blessed that it's a beautiful thing growing through

1480
01:23:16,160 --> 01:23:19,479
Speaker 1: the cracks of something hard and challenging. M All right,

1481
01:23:19,479 --> 01:23:22,080
Speaker 1: everyone guessed the title of one of This is the

1482
01:23:22,200 --> 01:23:24,280
Speaker 1: last thing we're going to do in the episode. Okay,

1483
01:23:24,600 --> 01:23:29,040
Speaker 1: guess the title of one of the Ariana Grande ag eight.

1484
01:23:29,240 --> 01:23:33,000
Speaker 1: Now we know it's called pedal. You cannot guess pedal? Okay, yeah, right, right, right,

1485
01:23:33,439 --> 01:23:36,920
Speaker 1: but guess the title of an Ariana Grande track. And

1486
01:23:37,200 --> 01:23:41,840
Speaker 1: if any of us are right, I don't know what happens. Okay,

1487
01:23:42,000 --> 01:23:45,879
Speaker 1: but just right the other by them, an all expense

1488
01:23:46,040 --> 01:23:52,960
Speaker 1: paid trip to someone who lost Angeles Angeles, California, exactly.

1489
01:23:52,960 --> 01:23:55,720
Speaker 1: We'll got the big l A girls. Yeah, and this

1490
01:23:55,840 --> 01:23:56,800
Speaker 1: is the last thing we're gonna do.

1491
01:23:57,120 --> 01:23:58,960
Speaker 3: Plus so I just want to say, everybody only gets

1492
01:23:59,040 --> 01:24:01,439
Speaker 3: one hour to make there because this is the last

1493
01:24:01,479 --> 01:24:01,960
Speaker 3: thing we're gonna do.

1494
01:24:02,479 --> 01:24:05,760
Speaker 1: So an hour apiece, Okay, so just like four more hours. Okay,

1495
01:24:05,840 --> 01:24:09,080
Speaker 1: Josh you're first, Well that's an hour. So it's time.

1496
01:24:11,320 --> 01:24:17,120
Speaker 1: There's going to be a song called Rooted wow O

1497
01:24:17,240 --> 01:24:19,640
Speaker 1: O T E D or are you d E D?

1498
01:24:20,760 --> 01:24:25,000
Speaker 1: Are you d r O U T. All I'll say

1499
01:24:25,120 --> 01:24:32,240
Speaker 1: is there's a song called rooted, rooted rooted either hard

1500
01:24:32,600 --> 01:24:35,439
Speaker 1: hard D or soft T like or it's about Rue Paul.

1501
01:24:39,479 --> 01:24:45,519
Speaker 1: Let's let's trace what about you Aaron? The song will

1502
01:24:45,560 --> 01:24:55,000
Speaker 1: be called wet wind wet wind. After you make your guests,

1503
01:24:55,240 --> 01:24:57,559
Speaker 1: put your push your mic away because you're done.

1504
01:24:57,400 --> 01:24:58,000
Speaker 4: With the episode.

1505
01:24:59,280 --> 01:25:02,840
Speaker 1: W h E E T wet wind? Do you want

1506
01:25:02,840 --> 01:25:09,799
Speaker 1: to wind? There will be a song on the album Pedal,

1507
01:25:11,479 --> 01:25:14,639
Speaker 1: on the first Ariana Grande album under her new Baby

1508
01:25:14,720 --> 01:25:23,600
Speaker 1: Doll Music imprint called lost in the House. This is

1509
01:25:23,640 --> 01:25:26,519
Speaker 1: my guest for the Ariana Grande song title on Pedal

1510
01:25:28,600 --> 01:25:33,840
Speaker 1: Boca Boca Boca, and it's gonna people don't know if

1511
01:25:33,880 --> 01:25:37,360
Speaker 1: she's talking about her homeland or a Spanish word for

1512
01:25:37,400 --> 01:25:39,360
Speaker 1: mouth spouts for her mouth three times could be either.

1513
01:25:39,800 --> 01:25:41,479
Speaker 1: I don't know what kind of era she's in. Is

1514
01:25:41,520 --> 01:25:46,800
Speaker 1: she in a retrospective era or a little horror physicians

1515
01:25:47,040 --> 01:25:49,120
Speaker 1: horror era era? I'm pushing away.

1516
01:25:50,560 --> 01:25:53,160
Speaker 2: That was a great exercise and we really didn't get

1517
01:25:53,200 --> 01:25:55,200
Speaker 2: that into for the tour, which I think we'll have

1518
01:25:55,240 --> 01:25:55,600
Speaker 2: to say for.

1519
01:25:59,680 --> 01:26:08,960
Speaker 1: I thought you said Lorne industry. Do you guys want

1520
01:26:09,240 --> 01:26:14,679
Speaker 1: to promote anything? Promote anything? I wish everyone would read

1521
01:26:14,760 --> 01:26:19,040
Speaker 1: a book. Thank you. Any book will do. Why not mine? Yeah?

1522
01:26:20,520 --> 01:26:29,120
Speaker 1: Why not? Astonishing Life m August Morch the Torch, Astonishing

1523
01:26:29,760 --> 01:26:33,920
Speaker 1: of Morch, the Torch, August the talkst We hope you

1524
01:26:34,040 --> 01:26:36,360
Speaker 1: enjoyed this episode of Lost Cultureista us with Matt Rogers

1525
01:26:36,400 --> 01:26:39,400
Speaker 1: and Bowen I can subscribe for more at the Patreon

1526
01:26:39,520 --> 01:26:43,040
Speaker 1: follow us at we don't need We don't have a Patreon.

1527
01:26:44,439 --> 01:26:47,880
Speaker 1: I didn't. That's them being imposters. If Lost Culture Is

1528
01:26:47,920 --> 01:26:50,120
Speaker 1: does Patreon starts popping up, it's them trying to make

1529
01:26:50,160 --> 01:26:54,160
Speaker 1: a quick book or a slow one. You gotta get

1530
01:26:54,160 --> 01:26:58,120
Speaker 1: our producer off grinder. All right. We have every episode

1531
01:26:58,160 --> 01:27:09,880
Speaker 1: with the song well in every episode book what Win?

1532
01:27:11,600 --> 01:27:14,639
Speaker 1: Good Bye, good Bye. Last Culture Reacis is the production

1533
01:27:14,680 --> 01:27:17,719
Speaker 1: by Will Ferrell's Big Money Players and iHeartRadio Podcasts, created

1534
01:27:17,800 --> 01:27:21,000
Speaker 1: and hosted by Matt Rogers and Bowen Yang, Executive produced

1535
01:27:21,040 --> 01:27:23,920
Speaker 1: by Anna hasby A and produced by Becca Ramos, edited

1536
01:27:23,920 --> 01:27:26,160
Speaker 1: and mixed by Duck Babe, and our music is by

1537
01:27:26,200 --> 01:27:27,040
Speaker 1: Henry Kamerski.