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Speaker 1: You u from the island.

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Speaker 2: Your people yep, off well off Trinidad. Okay, that's man

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Speaker 2: in London and here I am.

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Speaker 1: Yeah, that's what's up. That's what's up.

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Speaker 3: How long you been over here?

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Speaker 2: This would be the seventeenth years?

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Speaker 4: Oh you.

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Speaker 2: Like they ain't been over here.

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Speaker 3: Now you're good, you're back here. It's like you from

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Speaker 3: count the Road. He didn't look like.

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Speaker 2: South Side, won't you Chicago?

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Speaker 5: Chicago?

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Speaker 1: You had him always fucked up.

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Speaker 6: What is the first thing you fell in love with

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Speaker 6: when you got here?

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Speaker 2: Oh that's tough.

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Speaker 6: Because I watched those videos, but it like, uh, British

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Speaker 6: people trap pc ast for the first time.

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Speaker 1: My goodness, that's it is so funny, hilarious.

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Speaker 2: It's funny to me, my little susn't. I'll tell you,

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Speaker 2: I'll tell you stuff. Feel like my cousin went to

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Speaker 2: chick fil A when he came here and then did

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Speaker 2: a whole like girlst chick fil A, Like you've had

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Speaker 2: chick fil A anyhow? Let me think I went to

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Speaker 2: New York. Okay, you know they had it's.

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Speaker 7: Yeah yeah, yeah, still Vis and all that type place.

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Speaker 7: Yeah yeah, I about to say so you see the

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Speaker 7: comparison like I.

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Speaker 8: Mean it's when we travel we type in so it'll

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Speaker 8: just be like, yeah, we've.

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Speaker 4: Been to Nando's, you know what I mean.

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Speaker 7: Yeah, yeah, we know.

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Speaker 3: I ain't been no like I've been no.

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Speaker 4: And they got.

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Speaker 7: It's like an African style, uh South African green chicken,

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Speaker 7: and then they got all these little sauce that's hot.

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Speaker 1: Really ship it. But yeah, but it still gives it

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Speaker 1: to all.

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Speaker 3: Type of it's getting done both.

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Speaker 4: That's crazy.

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Speaker 8: It's feels like everybody loves spicy food.

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Speaker 2: You don't like it.

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Speaker 3: I knew when you get old, you got refluent, I

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Speaker 3: got I got time.

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Speaker 4: This is me up like this and.

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Speaker 1: Like nothing like that way up you.

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Speaker 7: Got about your spend it.

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Speaker 3: It was.

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Speaker 1: Nigga God.

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Speaker 4: Rolling down.

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Speaker 1: But there's always a lot of back and forth.

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Speaker 6: But with the Americans in the in the Black Bridge

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Speaker 6: now a lot of discourse.

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Speaker 1: We love, we rock with y'all.

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Speaker 7: We want y'all to know that sometimes you know, motherfuckers

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Speaker 7: might just say something out of pocket ship.

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Speaker 8: But yeah, it's the stigma of Americans like we.

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Speaker 1: Don't want to know.

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Speaker 3: Oh we don't know.

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Speaker 8: You see what I'm saying, Like anybody that's African that

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Speaker 8: stays in another country and stags anywhere else. That's just

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Speaker 8: like you're from London, like, so you you dealing with

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Speaker 8: a whole nother systematic whatever old president is going on

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Speaker 8: in London that we don't even know that.

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Speaker 2: And that's the part I would say to people like, look,

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Speaker 2: you can find a point of reference. It's the same ship,

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Speaker 2: different currency rights that same ship, different currency deal with

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Speaker 2: it too. But people come here and say wow ship.

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Speaker 2: People go there and say wow ship.

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Speaker 1: Yes, it's just.

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Speaker 3: No see this the land of the freedom.

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Speaker 1: You can say wow.

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Speaker 2: If we say all type of wild ship just head

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Speaker 2: you know what they flow up?

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Speaker 1: You want everything?

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Speaker 4: What's the meaning? Yeah?

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Speaker 1: Over here, oh man.

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Speaker 3: We just be doing ship.

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Speaker 8: But I think we cordially like gravitating and finding our

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Speaker 8: way back, you know what I'm saying, because it's I

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Speaker 8: think that the internet has helped us.

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Speaker 3: And it's a lot of.

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Speaker 8: Even y'all coming over here like enlightened us and putting

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Speaker 8: us up on gas.

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Speaker 6: Whatever, just about like tell us some ship we need

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Speaker 6: to know, right, we might be overlooking.

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Speaker 2: My things always travel Like look, I came here when

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Speaker 2: I was twenty seven, and I've traveled literally traveled the world,

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Speaker 2: partly because of music. But also I'm in quizzing to

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Speaker 2: move around when I'm around, but the more I travel,

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Speaker 2: the more I'm just like everything is literally the fucking

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Speaker 2: say you go to Korea and find fried chicken just

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Speaker 2: like here it's back in London, just made like how

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Speaker 2: we make it if Mamma makes it, Like how much

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Speaker 2: that's not domin you make it.

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Speaker 8: It's just that that is part of the world you resigned,

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Speaker 8: spices you had that bought you for others.

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Speaker 7: Yeah, that ship was good everywhere right, like this ship

99
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Speaker 7: was good. Way it came from so good that motherfucker

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Speaker 7: was like, hey man, we.

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Speaker 4: Do that me really.

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Speaker 1: Oil? Are you wanting to meet.

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Speaker 8: Put the oil in the podcast with the indie?

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Speaker 2: We need buy that too. That's where it came from.

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Speaker 1: Oh yeah yeah yeah real for real?

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Speaker 3: This like so so you said I just heard you

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Speaker 3: said you got him.

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Speaker 8: Twenty six, Like, first of all, there was a life

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Speaker 8: you was already living when you're stepped into America, when

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Speaker 8: you saw.

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Speaker 3: The lights and saw everything.

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Speaker 9: Moving, like what was your first week likeright.

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Speaker 2: So I was staying with I remember I told you

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Speaker 2: all the specifics, but stay with my friends at her

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Speaker 2: friend's house and I stayed at the top of like

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Speaker 2: stayed with my homegirls friend's house at the top of

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Speaker 2: her place. And a while lady she lived in Chelsea.

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Speaker 2: It was me black and.

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Speaker 6: Okay, we New York, Chelsea Market.

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Speaker 2: Down the street from Chelsea Market. I don't have a

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Speaker 2: frame of reference of what's where. I know I'm in Manhattan.

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Speaker 7: Came into the Rice backroom, but.

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Speaker 4: I know that in the New York I was like

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Speaker 4: New York, you.

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Speaker 2: Know, it's part of the charm of New York. I'll

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Speaker 2: stayed there for a while, and then I moved to

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Speaker 2: Wall Street. I didn't know where I was again, but

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Speaker 2: just knew it was quiet and dark. And I moved

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Speaker 2: to Brooklyn and I stayed pretty much for the entire

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Speaker 2: time I was in New York. I was out on

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Speaker 2: the road and I'll be back.

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Speaker 10: Mm hmm, okay, right, okay, So once you doing music

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Speaker 10: at that time, so.

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Speaker 1: We ain't going on musically when you came, so you asked.

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Speaker 11: Them, so then okay, okay, yeah, okay, oh.

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Speaker 7: Yeah, they were trying to they were trying to call

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Speaker 7: your blood. Yeah, I mean, come out here, you want

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Speaker 7: a ship.

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Speaker 2: But it makes sense. I had my day in London

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Speaker 2: and then she reached the end of that rope and

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Speaker 2: they were trying to do anything so so much your

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Speaker 2: legend and he was like, which line you here?

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Speaker 6: Cool?

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Speaker 2: I took like three years to get that done. It

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Speaker 2: was a lot. I was recording myself, I was flying

146
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Speaker 2: back and forth. I had my house, a lot going on.

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Speaker 2: So by the time I signed my deal, I realized

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Speaker 2: I had to kind of be in front of their faces.

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Speaker 2: Wanted to make things move, because I mean, if I'm

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Speaker 2: the home and I'm I'm sorry story, everybody.

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Speaker 1: Get that money.

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Speaker 6: Okay, just the Boteah, well you're good.

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Speaker 3: Everybody my keys.

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Speaker 2: Oh oh, the whole mic, he said, the whole thing. Okay,

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Speaker 2: oh okay.

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Speaker 12: Come.

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Speaker 4: See that ship is so fresh right there.

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Speaker 2: Man, okay, okay, we really do here.

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Speaker 4: Okay, right, are you good? Oh?

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Speaker 3: So really be some ship.

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Speaker 8: She leaving now, she leaving out, So we're gonna we're

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Speaker 8: gonna running back when you got here, She's like, yeah,

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Speaker 8: I stayed.

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Speaker 3: On top of the White Lady, and uh, let's how

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Speaker 3: you he over there?

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Speaker 4: Like, man, she ain't even tell him to spit out.

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Speaker 2: It was nothing.

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Speaker 4: Tell him about the quarry, got.

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Speaker 6: Yeah, sold, everything moved to America.

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Speaker 1: He met a man on my face.

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Speaker 3: Talking about sucking asshole. Thank you. I'm thinking you came

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Speaker 3: I'm the asshole.

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Speaker 6: She was all there, okay, oh.

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Speaker 3: We got my bother podcast. Oh y'all craziness for.

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Speaker 2: What the hell?

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Speaker 1: Hell no, leave it. We need the ambiance.

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Speaker 2: O y'all last, Oh, oh y'all lad.

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Speaker 6: Stop alright, DC must have gave you these little thing

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Speaker 6: ass pants. DC gave you these wrong me.

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Speaker 3: I'm been throwing all my pants like that away in

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Speaker 3: the mirror.

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Speaker 4: If you do that, I don't.

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Speaker 6: Give me.

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Speaker 5: You know what you boy that didn't you know me?

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Speaker 3: Boy my life because I was trying. I don't know

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Speaker 3: what I was getting twenty eight. I'm like, why why

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Speaker 3: was I getting waist.

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Speaker 5: Twenty I'm thirty one for really twenty eight?

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Speaker 3: I'm talking. I'm trying not well.

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Speaker 2: Belt.

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Speaker 1: Yeah, I want to brace man. Yeah, I don't know why.

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Speaker 8: Y'all ain't table we did at you said this is

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Speaker 8: my swag.

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Speaker 3: I don't know, No, I ain't know they was gonna.

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Speaker 4: Be there tight back a little none of them.

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Speaker 3: I had a legging bro.

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Speaker 6: Hey, we're gonna make the clip go viral with DC

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Speaker 6: with legging making a series.

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Speaker 8: Joe was like what the And I was in Unkland too,

200
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Speaker 8: they even they ain't even say nothing.

201
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Speaker 1: Stretch fans with the angles out he.

202
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Speaker 4: Cut oh, cut up, I would sell give me a

203
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Speaker 4: town check.

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Speaker 2: I don't know.

205
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Speaker 3: I went just doing, said why y'all selling me?

206
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Speaker 1: Let me hear you get it?

207
00:12:14,480 --> 00:12:18,559
Speaker 2: One, two, three, four, five, twelve and.

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00:12:20,720 --> 00:12:22,680
Speaker 4: Twelve and two and a hundred debated.

209
00:12:25,400 --> 00:12:31,240
Speaker 3: Pounds. You know when you started doing I need I need,

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00:12:31,360 --> 00:12:33,760
Speaker 3: I need a beat machine. You need want I need

211
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Speaker 3: a beat machine? Jenny Ky like what jail.

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Speaker 4: Yaio?

213
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Speaker 1: Then walking back to eighty five, self shut.

214
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Speaker 6: Whush, don't go wait to guests come in the house

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Speaker 6: with us today. This long restinated here makes a beautiful music.

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Speaker 6: Come on, man, she is a cultural icon. Look and

217
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Speaker 6: she from across that water, across that.

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Speaker 4: Across the pond with us today, isn't it who? We have?

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Speaker 2: None other.

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Speaker 1: American?

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Speaker 13: Yeah, that's all we That song made us all you

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Speaker 13: shout out us? We didn't get shouted out.

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Speaker 1: Right, that's all tell you.

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Speaker 6: It made me feel like we was in a long

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Speaker 6: distance relationship. Didn't nobody wanted to buy the ticket first?

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Speaker 7: Wow, bro, I started a little lady with an accident.

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Speaker 7: I was yelling for anything.

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Speaker 3: Look, she's going to come over here. Christis yeah, what

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Speaker 3: is that?

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Speaker 4: Then?

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Speaker 2: Everyone stop? It's terrible, terrible, this is wildly this is terrible. Bloody.

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Speaker 3: No, I don't say bloody.

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Speaker 2: We say bloody, say bloody, say bloody.

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Speaker 4: What do you want to be like?

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Speaker 3: Bloody?

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Speaker 2: Listen, Bro, that's that's right. Listen, it's bro. So there

237
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Speaker 2: you go, you ah, there you go.

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Speaker 3: That was.

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Speaker 2: This goes off the rails.

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Speaker 4: Bro.

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Speaker 3: This is another This is a little part of London.

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Speaker 2: The same bloody all right. So I was saying it

243
00:14:44,160 --> 00:14:48,000
Speaker 2: like this. New Orleans has an accent. Of course, Georgia

244
00:14:48,080 --> 00:14:50,240
Speaker 2: has an accent. Depending on what part of Georgia you

245
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Speaker 2: come from, the accent gets more severe or it gets less, right,

246
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Speaker 2: So that's exactly what it's like. I'm from West London.

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Speaker 2: I don't North London is speak different to South London.

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Speaker 1: Area.

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00:15:04,320 --> 00:15:06,720
Speaker 2: There, Yeah, little things from.

250
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Speaker 4: The west, from the west, from the west side.

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Speaker 3: It's the.

252
00:15:15,360 --> 00:15:16,600
Speaker 4: West side of the u K.

253
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Speaker 1: Is the west side of the West side.

254
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Speaker 2: Of London, the u K. That's I feel, that's everything.

255
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Speaker 2: That's everything. Okay, be closer to the island whales in

256
00:15:27,840 --> 00:15:29,280
Speaker 2: the UK in the.

257
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Speaker 5: UK now because confusing because London is England everybody so

258
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Speaker 5: being you're thinking, this is your own country.

259
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Speaker 2: So London the city inside of England, the country house

260
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Speaker 2: in the UK, the whole maybe the continent.

261
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Speaker 3: So it was in Scotland island, Paris is in.

262
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Speaker 2: Paris is not Paris is in front others. That's as

263
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Speaker 2: the fund, don't.

264
00:16:07,360 --> 00:16:10,760
Speaker 1: You know talking about right for much it just all

265
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Speaker 1: ran together. Yeah, Europe, y'all.

266
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Speaker 7: Europe that like y'all have a lot of countries close together.

267
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Speaker 7: You see where we got to go to another just

268
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Speaker 7: in the country.

269
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Speaker 2: Well to be to be fair though, like look, it's

270
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Speaker 2: all it's all just like masses of life.

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Speaker 3: Like, so which one of the biggest.

272
00:16:32,560 --> 00:16:36,080
Speaker 2: Probably Asia, like that's the biggest continent.

273
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Speaker 6: I don't know.

274
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Speaker 2: I'm talking over there with jib oh London. London represents London.

275
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Speaker 8: Okay, like Cali like Calia is like to the outside world,

276
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Speaker 8: they don't know.

277
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Speaker 2: California like six things. Yeah, well i was six different

278
00:16:47,560 --> 00:16:50,040
Speaker 2: cities in the state of California. I'm gonna fight, you

279
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Speaker 2: know what.

280
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Speaker 3: I'm saying, Like how big is I won't to know

281
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Speaker 3: how big?

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Speaker 2: It's big? Yeah, yeah, yeah, it's it's big. London is

283
00:16:57,360 --> 00:17:00,640
Speaker 2: the city inside of England, the country which is quite big,

284
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Speaker 2: just al must at the bottom off to the right

285
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Speaker 2: is if I'm getting right, is to the left is Whales,

286
00:17:07,160 --> 00:17:09,399
Speaker 2: and it gets to the top is Scotland. And in

287
00:17:09,480 --> 00:17:14,360
Speaker 2: the middle is like northern England. Poland's in the whole.

288
00:17:14,160 --> 00:17:16,959
Speaker 4: Other city that's about Northwey.

289
00:17:18,080 --> 00:17:19,520
Speaker 2: Yeah, that's the whole other country.

290
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Speaker 1: Also mid You ain't gonna stay so.

291
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Speaker 4: Do we get that?

292
00:17:30,320 --> 00:17:32,760
Speaker 1: Can you draft Sweden from from right there?

293
00:17:35,400 --> 00:17:35,960
Speaker 2: Probably? Yeah?

294
00:17:35,960 --> 00:17:38,000
Speaker 1: Why ain't nobody said about Denmarket?

295
00:17:42,840 --> 00:17:43,680
Speaker 4: How do we get there?

296
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Speaker 6: We're gonna discuss the whole nova scoti alright, nothing, all right, no, no,

297
00:17:52,480 --> 00:17:54,240
Speaker 6: So nobody want to bring up Belarus?

298
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Speaker 1: Right now?

299
00:17:55,000 --> 00:17:55,440
Speaker 2: Geography?

300
00:17:56,400 --> 00:17:59,200
Speaker 8: What about amstand damn with smoke weed?

301
00:18:00,840 --> 00:18:01,720
Speaker 3: Pounds on pounds?

302
00:18:02,840 --> 00:18:04,520
Speaker 2: How did we get here? That's how do we get here?

303
00:18:04,520 --> 00:18:05,320
Speaker 4: It's a geography?

304
00:18:05,440 --> 00:18:09,000
Speaker 1: Les really was I really? I want you to know

305
00:18:09,119 --> 00:18:10,879
Speaker 1: that I knew it was a rap?

306
00:18:11,200 --> 00:18:12,480
Speaker 3: Did I tell you?

307
00:18:13,200 --> 00:18:13,520
Speaker 6: And yeah?

308
00:18:13,600 --> 00:18:13,760
Speaker 3: We do?

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00:18:13,840 --> 00:18:15,520
Speaker 12: Got we're supposed to be talking about she was a

310
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Speaker 12: rapper and sold everything and all that.

311
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Speaker 1: That's what was That's what got left out.

312
00:18:23,280 --> 00:18:28,600
Speaker 4: Yeah it wasn't. You didn't say I did. Why do

313
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Speaker 4: you know? Is he I did?

314
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Speaker 1: Do?

315
00:18:32,400 --> 00:18:37,159
Speaker 2: That I'm trying to playing me like coming out.

316
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Speaker 1: All.

317
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Speaker 2: The only thing I did that was a lot was

318
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Speaker 2: I did like a posture feed between the S and

319
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Speaker 2: the L like it's because trying to be a small rapper.

320
00:18:53,720 --> 00:18:55,560
Speaker 2: And then everyone just kept confusing. Now I was just like,

321
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Speaker 2: it's thet's just.

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Speaker 4: Gonna well, you don't she was a dope.

323
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Speaker 2: I felt like I was good. Yeah, records top twenty.

324
00:19:06,160 --> 00:19:16,600
Speaker 3: Top, so you don't round the ne dyin.

325
00:19:20,200 --> 00:19:22,600
Speaker 2: Top now. I had reconsized with awards on my very

326
00:19:22,680 --> 00:19:28,160
Speaker 2: first album, The eighteenth Day, and it's a song called

327
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Speaker 2: ninety eight. I can never tell people I'm not my

328
00:19:31,520 --> 00:19:33,479
Speaker 2: age because I have a whole record called ninety eight

329
00:19:33,560 --> 00:19:36,920
Speaker 2: year that maybe and yes it did his see this

330
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Speaker 2: is why it's kind of why I'm here, like you know,

331
00:19:40,119 --> 00:19:42,000
Speaker 2: like it's one of the ones like that joining them

332
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Speaker 2: heard and loved when I met them and they were like,

333
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Speaker 2: you know, she's she's really doing it, taking off or

334
00:19:49,720 --> 00:19:53,119
Speaker 2: crazy going for a while seventeen years in the US,

335
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Speaker 2: I'm doing this since it came.

336
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Speaker 7: So was it a feeling of I think you kind

337
00:20:00,800 --> 00:20:02,960
Speaker 7: of said, I just want to make sure. Was it

338
00:20:03,000 --> 00:20:05,040
Speaker 7: a feeling of I did all I could do here.

339
00:20:05,520 --> 00:20:06,320
Speaker 2: Yeah it worked.

340
00:20:06,320 --> 00:20:08,760
Speaker 1: I didn't. I didn't hit the charts. I did like

341
00:20:09,960 --> 00:20:11,960
Speaker 1: this my ceiling, let me go ahead.

342
00:20:12,080 --> 00:20:14,560
Speaker 8: So it really was speaking on it, like what is

343
00:20:14,680 --> 00:20:17,760
Speaker 8: the ceiling in London looked like? When you're saying all right,

344
00:20:17,800 --> 00:20:20,240
Speaker 8: I got to go to another country to succeed more.

345
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Speaker 4: All right.

346
00:20:20,920 --> 00:20:22,920
Speaker 2: So the short version of the long version of my

347
00:20:22,960 --> 00:20:25,159
Speaker 2: story is I started as or River, worked in a

348
00:20:25,200 --> 00:20:27,720
Speaker 2: record shop, did every single thing you could possibly think

349
00:20:27,800 --> 00:20:30,920
Speaker 2: of to like know how to be an independent artist

350
00:20:31,280 --> 00:20:35,560
Speaker 2: right wing, worked in a video company that had to

351
00:20:35,600 --> 00:20:38,440
Speaker 2: make music videos, worked in a record store, learn about

352
00:20:38,480 --> 00:20:41,159
Speaker 2: virayl on, how to sell your vinyl and what. So

353
00:20:41,280 --> 00:20:44,880
Speaker 2: I my own label put out all my mixtapes, sold

354
00:20:44,960 --> 00:20:47,800
Speaker 2: five thousand myself and a month back to when I

355
00:20:47,840 --> 00:20:49,680
Speaker 2: went to labels first and said hey, I'm an artist.

356
00:20:49,720 --> 00:20:52,920
Speaker 2: I got easternmos. They were like, uh, that's cute, and

357
00:20:53,040 --> 00:20:55,120
Speaker 2: I was like cool. So when I sold it, did

358
00:20:55,200 --> 00:20:58,640
Speaker 2: my thing came back with some numbers and they were like, well,

359
00:20:58,680 --> 00:21:02,800
Speaker 2: tell me more. Right, caught the eye of another A

360
00:21:03,000 --> 00:21:05,320
Speaker 2: and R who was like, I'm doing a deal. When

361
00:21:05,359 --> 00:21:06,879
Speaker 2: you signed it was my first artist went back to

362
00:21:06,920 --> 00:21:09,439
Speaker 2: the same label. I was like and they ended up

363
00:21:09,480 --> 00:21:14,200
Speaker 2: signing me, so my own label, by this label, let's

364
00:21:14,240 --> 00:21:18,600
Speaker 2: do the deal. Did the deal before I went. And

365
00:21:18,640 --> 00:21:20,200
Speaker 2: I don't know if this is a story that people

366
00:21:20,280 --> 00:21:23,880
Speaker 2: might know. Before I went and signed, I was recording

367
00:21:23,960 --> 00:21:25,840
Speaker 2: all the time. I would just put out my own money,

368
00:21:25,960 --> 00:21:28,320
Speaker 2: go get my things done. I went to America a

369
00:21:28,359 --> 00:21:30,399
Speaker 2: few times. I came to LA a few times and

370
00:21:30,760 --> 00:21:34,000
Speaker 2: I would recorded like corrupt and a bunch of like

371
00:21:34,080 --> 00:21:36,600
Speaker 2: oh geez, James the barge and things like that, go back.

372
00:21:38,240 --> 00:21:41,160
Speaker 2: I was getting it done. The second or third time

373
00:21:41,200 --> 00:21:43,800
Speaker 2: I came back out to record, I bumped into Kanye

374
00:21:43,840 --> 00:21:46,480
Speaker 2: and John. It's maybe like two thousand and two, and

375
00:21:48,640 --> 00:21:50,240
Speaker 2: Kanye and told him I want to meet John because

376
00:21:50,240 --> 00:21:53,639
Speaker 2: I heard John on the music on his mixtapes. So John,

377
00:21:54,600 --> 00:21:57,040
Speaker 2: I ended up going to the studio they signed me.

378
00:21:57,080 --> 00:21:59,359
Speaker 2: It was a lot of prayer in that entire period,

379
00:21:59,440 --> 00:22:01,679
Speaker 2: from writing a talk about it and I'm sure sure right,

380
00:22:03,160 --> 00:22:06,040
Speaker 2: I met John ask him to be on a record

381
00:22:06,080 --> 00:22:08,720
Speaker 2: that I had written called Hey Girl. It was my

382
00:22:08,800 --> 00:22:11,680
Speaker 2: first album. I took back and this label wanted to

383
00:22:11,720 --> 00:22:14,800
Speaker 2: sign right. They were like, after this record comes out.

384
00:22:15,560 --> 00:22:18,240
Speaker 2: My first two singles three in ninety eight, way above

385
00:22:18,280 --> 00:22:21,240
Speaker 2: what they thought it was going to do, I say

386
00:22:21,280 --> 00:22:23,960
Speaker 2: to them, So John's like, I'll work with you on

387
00:22:24,000 --> 00:22:26,520
Speaker 2: the next album. I stay cool, take it to the label,

388
00:22:26,520 --> 00:22:28,480
Speaker 2: like John's going to welcome me. At this point, Johnny

389
00:22:28,560 --> 00:22:31,440
Speaker 2: is like Grammy Award winning get lifted. He's taking me

390
00:22:31,520 --> 00:22:33,280
Speaker 2: on the road with then they know, just as a

391
00:22:33,440 --> 00:22:46,600
Speaker 2: team like legend. So but he's he's working, but he's

392
00:22:46,760 --> 00:22:50,359
Speaker 2: really co signing everything as far as the UK and

393
00:22:50,440 --> 00:22:53,359
Speaker 2: taking me on the road. And no American artists or

394
00:22:53,400 --> 00:22:55,000
Speaker 2: big artists has done that for an artist that was

395
00:22:55,040 --> 00:22:59,679
Speaker 2: still building. So I take the take the music here.

396
00:22:59,720 --> 00:23:01,640
Speaker 2: Then I'm I'm like, I started this new album, John,

397
00:23:01,720 --> 00:23:03,680
Speaker 2: that just don't help me? Does that produce it? And

398
00:23:04,119 --> 00:23:06,280
Speaker 2: I says to me who And I said.

399
00:23:06,119 --> 00:23:06,480
Speaker 4: Let me go?

400
00:23:06,760 --> 00:23:07,560
Speaker 3: And that's in London.

401
00:23:07,720 --> 00:23:09,879
Speaker 2: This is London. I still let me go. Let me

402
00:23:09,960 --> 00:23:10,399
Speaker 2: go please.

403
00:23:10,440 --> 00:23:12,000
Speaker 3: I got to go.

404
00:23:15,040 --> 00:23:22,120
Speaker 2: Stop everything pretty much. I got Union Jack right.

405
00:23:24,880 --> 00:23:29,880
Speaker 14: I'm like, John Leon is gonna help her? She said too, Lennon,

406
00:23:30,000 --> 00:23:35,720
Speaker 14: bro John D thinks doesn't know.

407
00:23:36,160 --> 00:23:45,720
Speaker 4: She doesn't know here, so this is working with John.

408
00:23:45,640 --> 00:23:50,560
Speaker 2: Lennon's crazy.

409
00:23:51,800 --> 00:23:52,440
Speaker 1: That Yeah.

410
00:23:52,840 --> 00:23:54,240
Speaker 2: I was like, you guys don't get it.

411
00:23:54,280 --> 00:23:54,760
Speaker 4: I have to go.

412
00:23:55,280 --> 00:23:57,399
Speaker 3: So they didn't have a problem, then you go. They did.

413
00:23:57,480 --> 00:24:00,240
Speaker 2: They took three years to figure that deal out there

414
00:24:00,320 --> 00:24:04,480
Speaker 2: they did. When we decided, when was like pretty much

415
00:24:07,600 --> 00:24:14,359
Speaker 2: don't let her go. It really was. It took a

416
00:24:14,440 --> 00:24:16,600
Speaker 2: bunch of prayers and a good lawyer, me sitting on

417
00:24:16,880 --> 00:24:19,720
Speaker 2: his like on his phone every day like what do

418
00:24:19,840 --> 00:24:23,359
Speaker 2: we hear back, you know, and continuing to record, and

419
00:24:23,440 --> 00:24:25,080
Speaker 2: then like one night came and like yeah, come into

420
00:24:25,119 --> 00:24:28,960
Speaker 2: her and signed the deal. I was like okay, and

421
00:24:29,600 --> 00:24:32,200
Speaker 2: pretty much maybe like six months or four months after that,

422
00:24:33,160 --> 00:24:35,920
Speaker 2: I moved. I sold all my bits at the house,

423
00:24:36,680 --> 00:24:38,440
Speaker 2: sold on my shoes, on my thing, because I feel

424
00:24:38,520 --> 00:24:40,560
Speaker 2: like this, if you can get it one time, you

425
00:24:40,600 --> 00:24:44,080
Speaker 2: can get it again. So I needed money. It was

426
00:24:44,240 --> 00:24:46,400
Speaker 2: it was I was really working off my own steam

427
00:24:46,440 --> 00:24:48,960
Speaker 2: making sure that I could record and keep it going.

428
00:24:49,200 --> 00:24:51,760
Speaker 2: And it took three years. So in between my the

429
00:24:51,880 --> 00:24:53,879
Speaker 2: last major hit maybe two thousand and four in the

430
00:24:54,080 --> 00:24:57,160
Speaker 2: UK two thousand and six seven was when I moved,

431
00:24:57,240 --> 00:24:59,920
Speaker 2: and it was just like there was not another check coming.

432
00:25:00,080 --> 00:25:03,000
Speaker 2: Then it was me doing shows, trying to and it

433
00:25:03,160 --> 00:25:06,399
Speaker 2: was wild time. So sold on my ship, left, came

434
00:25:06,480 --> 00:25:11,480
Speaker 2: over here and started again, went crazy and worked my

435
00:25:11,800 --> 00:25:14,920
Speaker 2: awes yeah, yeah, working ever since.

436
00:25:16,280 --> 00:25:24,480
Speaker 1: Beautiful that's beautiful. Yeah you came in with the with

437
00:25:24,600 --> 00:25:26,760
Speaker 1: the Kanye coach home and.

438
00:25:29,040 --> 00:25:30,560
Speaker 2: Yeah, but they seen me working.

439
00:25:30,840 --> 00:25:36,159
Speaker 7: You know you're from so you knew you was you

440
00:25:36,320 --> 00:25:38,280
Speaker 7: was like, I know I can pop because I popped

441
00:25:38,320 --> 00:25:40,560
Speaker 7: right from And that's a big thing. I think in

442
00:25:40,720 --> 00:25:43,600
Speaker 7: anything making it, you got to make it wherever you're

443
00:25:43,640 --> 00:25:46,399
Speaker 7: from all at least be able to rock this before

444
00:25:46,480 --> 00:25:47,840
Speaker 7: you go trying to take something else.

445
00:25:47,880 --> 00:25:52,000
Speaker 3: So confidence, how was that connected? Like even though you

446
00:25:52,440 --> 00:25:54,640
Speaker 3: popping in the UK, how was you able to come.

447
00:25:54,600 --> 00:25:57,200
Speaker 2: On here and make those connections with Kanye and well,

448
00:25:57,480 --> 00:25:59,879
Speaker 2: I say signed me. Well again, I know them from

449
00:26:00,119 --> 00:26:01,879
Speaker 2: I was over there, so we were friends and we

450
00:26:01,920 --> 00:26:04,399
Speaker 2: were cool and I understood John And when I was

451
00:26:04,440 --> 00:26:07,520
Speaker 2: in London was coming over there touring all the time,

452
00:26:07,600 --> 00:26:08,520
Speaker 2: John tanking the road with.

453
00:26:08,560 --> 00:26:12,800
Speaker 3: Him because they need artists from the country.

454
00:26:14,840 --> 00:26:17,560
Speaker 2: Okay, so it's a work ethic thing. I think. You know,

455
00:26:17,800 --> 00:26:20,560
Speaker 2: I wasn't going to just hang out with was like,

456
00:26:20,880 --> 00:26:24,440
Speaker 2: I was like, come on with me, I love.

457
00:26:26,040 --> 00:26:26,080
Speaker 1: You.

458
00:26:26,160 --> 00:26:29,200
Speaker 8: Knowing there with the with the mindset of saying like

459
00:26:29,320 --> 00:26:33,360
Speaker 8: I'm popping here and I know you need is going roll,

460
00:26:33,440 --> 00:26:35,160
Speaker 8: but not knowing I ain't gonna make.

461
00:26:35,080 --> 00:26:37,320
Speaker 2: That connection when I go to no, we're all fans

462
00:26:37,320 --> 00:26:39,280
Speaker 2: of music. To you go, I look at it like that.

463
00:26:39,320 --> 00:26:42,200
Speaker 2: I'm a big fan of music. If you're doing great

464
00:26:42,320 --> 00:26:44,840
Speaker 2: music and the things sounds good, I want to be involved,

465
00:26:45,000 --> 00:26:46,920
Speaker 2: you know, especially if you want me to be involved,

466
00:26:46,960 --> 00:26:49,320
Speaker 2: I'm gonna be involved. And there was like a kinship.

467
00:26:49,320 --> 00:26:50,760
Speaker 2: There was like a thing. He would be like, how

468
00:26:50,840 --> 00:26:52,159
Speaker 2: do you get these melodies? And I'd be like, but

469
00:26:52,280 --> 00:26:54,320
Speaker 2: you say the word so well. So we would studying

470
00:26:54,359 --> 00:26:56,720
Speaker 2: each other and I think that was like a great

471
00:26:56,840 --> 00:26:58,320
Speaker 2: musical thing at the time.

472
00:26:59,080 --> 00:27:01,240
Speaker 6: So you said you start that rapping, though, when did

473
00:27:01,320 --> 00:27:04,000
Speaker 6: you like kind of transition to singing or did you

474
00:27:04,080 --> 00:27:05,760
Speaker 6: always throw the melodies in the music.

475
00:27:05,840 --> 00:27:08,280
Speaker 2: I sang all the time half my first album, Miss

476
00:27:08,280 --> 00:27:10,560
Speaker 2: Singing and Rapping the first song people heard from me.

477
00:27:11,080 --> 00:27:12,840
Speaker 2: And I think how it became known on the scene

478
00:27:12,880 --> 00:27:15,800
Speaker 2: out there was from rapping because it was easy to

479
00:27:15,880 --> 00:27:18,600
Speaker 2: do open mic rapping than do open mic singing. Good

480
00:27:20,080 --> 00:27:25,120
Speaker 2: every thing right, Yeah, everyone was like, oh gosh, she's

481
00:27:25,160 --> 00:27:26,680
Speaker 2: really I was like, yeah.

482
00:27:27,680 --> 00:27:29,680
Speaker 6: So when when did you feel like you were gaining

483
00:27:29,760 --> 00:27:33,960
Speaker 6: some momentum in America? Because that's what you know like think,

484
00:27:34,040 --> 00:27:36,600
Speaker 6: you come from another country and you go somewhere and

485
00:27:36,680 --> 00:27:39,560
Speaker 6: it's already a tough crowd, and now when did you

486
00:27:39,640 --> 00:27:42,359
Speaker 6: start to feel like, Okay, now it's working out, Like

487
00:27:42,440 --> 00:27:43,640
Speaker 6: I'm getting somewhere.

488
00:27:43,400 --> 00:27:45,359
Speaker 2: With this and this is going to sound crazy. It

489
00:27:45,520 --> 00:27:48,320
Speaker 2: wasn't with American Boy, right, It wasn't. It was with

490
00:27:48,440 --> 00:27:48,720
Speaker 2: thank You.

491
00:27:50,359 --> 00:27:51,000
Speaker 4: It was with thank You.

492
00:27:51,080 --> 00:27:52,560
Speaker 2: When I would go out, I went out on the

493
00:27:52,640 --> 00:27:55,040
Speaker 2: road to promote thank You, and I would do all

494
00:27:55,080 --> 00:27:57,320
Speaker 2: of the different spaces and all the different venues and

495
00:27:57,359 --> 00:28:00,399
Speaker 2: all the venues I missed the first go round and

496
00:28:00,440 --> 00:28:05,040
Speaker 2: they would be singing album cuts but me, and then

497
00:28:05,040 --> 00:28:07,040
Speaker 2: they would be into thank You so hard. I was like,

498
00:28:07,119 --> 00:28:09,000
Speaker 2: I'm so sorry you guys like to shrek it up.

499
00:28:09,040 --> 00:28:10,960
Speaker 2: I understand why you like it, but like, I'm so

500
00:28:11,080 --> 00:28:15,040
Speaker 2: sorry you're coming through the art because I was going

501
00:28:15,119 --> 00:28:17,600
Speaker 2: through it too. It's like, but that was when I

502
00:28:17,640 --> 00:28:19,359
Speaker 2: felt like, oh no, no, people fuck with me.

503
00:28:20,359 --> 00:28:22,359
Speaker 1: You go and do it. Help them get through it though.

504
00:28:26,280 --> 00:28:27,960
Speaker 8: Sometimes you're giving off game or they was like I

505
00:28:28,000 --> 00:28:29,080
Speaker 8: wouldn't never looked at it like that.

506
00:28:29,280 --> 00:28:29,560
Speaker 4: Thank You.

507
00:28:30,080 --> 00:28:31,040
Speaker 3: Your music helped me.

508
00:28:31,760 --> 00:28:32,280
Speaker 4: It was a lot.

509
00:28:32,400 --> 00:28:35,320
Speaker 2: It was a lot of that that happened so and

510
00:28:35,440 --> 00:28:37,679
Speaker 2: then people like yesterday, was it two or three days ago?

511
00:28:37,760 --> 00:28:40,160
Speaker 2: We was at the Apollo and this lady came up

512
00:28:40,200 --> 00:28:42,600
Speaker 2: to me and she was like yes, like he got

513
00:28:42,680 --> 00:28:45,160
Speaker 2: me through and I was like, which one. So she

514
00:28:45,280 --> 00:28:47,280
Speaker 2: looked like she was from the West Indies, so I'm

515
00:28:47,320 --> 00:28:48,960
Speaker 2: thinking she's gonna say come over, and she was like

516
00:28:49,920 --> 00:28:52,640
Speaker 2: conqueror and she almost stood there and cried at me,

517
00:28:52,680 --> 00:28:54,400
Speaker 2: and I was like, please don't crab, please don't, please

518
00:28:54,400 --> 00:28:57,480
Speaker 2: don't on my face. My face is being ready to

519
00:28:57,480 --> 00:29:03,000
Speaker 2: go on stage. I understand that she really stood there

520
00:29:03,000 --> 00:29:06,440
Speaker 2: and was like thank you. She had a whole moment

521
00:29:06,640 --> 00:29:09,160
Speaker 2: like those moments let me know, Yeah, you're doing the

522
00:29:09,240 --> 00:29:09,520
Speaker 2: right thing.

523
00:29:09,600 --> 00:29:14,480
Speaker 7: Come over hard though too. Yeah, that's when it was,

524
00:29:14,680 --> 00:29:16,719
Speaker 7: and that's when I felt like it was going crazy

525
00:29:16,800 --> 00:29:21,920
Speaker 7: with the reggae on the island. Melodies and beats was

526
00:29:22,000 --> 00:29:23,120
Speaker 7: going crazy.

527
00:29:22,800 --> 00:29:26,600
Speaker 1: At that time. Your ship just came in like yeah, yeah.

528
00:29:27,240 --> 00:29:29,880
Speaker 3: I like to take it back, like what what made

529
00:29:29,960 --> 00:29:31,800
Speaker 3: you want to pick up a mic? Like what made

530
00:29:31,880 --> 00:29:33,720
Speaker 3: you want to tap into that? Because some people who

531
00:29:33,880 --> 00:29:36,680
Speaker 3: just you got people to do. You got some people

532
00:29:36,680 --> 00:29:38,120
Speaker 3: who've been on a baby.

533
00:29:39,080 --> 00:29:43,520
Speaker 2: Yeah, I mean first time I remember singing, I was

534
00:29:43,800 --> 00:29:48,280
Speaker 2: maybe seven. Second time I remember singing, I was maybe twelve.

535
00:29:48,400 --> 00:29:50,360
Speaker 2: I say that two different ways. So the first time

536
00:29:50,400 --> 00:29:52,520
Speaker 2: I remember singing, sitting at church, I was seven. I

537
00:29:52,600 --> 00:29:57,240
Speaker 2: was scared out with that's holding the tone right. Second

538
00:29:57,320 --> 00:30:00,480
Speaker 2: time they asked me to sing my little brother and compete.

539
00:30:00,480 --> 00:30:01,640
Speaker 2: You know, he was trying to sing and I was

540
00:30:01,680 --> 00:30:03,040
Speaker 2: singing it with him, and they were like this is

541
00:30:03,200 --> 00:30:05,280
Speaker 2: really you know, they clapping shit, and I was like

542
00:30:06,320 --> 00:30:10,680
Speaker 2: it wasn't terrible. I could do this. As I got older,

543
00:30:10,840 --> 00:30:13,160
Speaker 2: it became a thing of now, this makes me feel

544
00:30:13,240 --> 00:30:15,360
Speaker 2: joy inside, Like I could go sit in a room

545
00:30:15,440 --> 00:30:18,360
Speaker 2: for hours and dissect every harmony and look at them

546
00:30:18,400 --> 00:30:20,680
Speaker 2: like Carlos flowing around the room and you know that

547
00:30:20,880 --> 00:30:23,240
Speaker 2: kind of thing, and I don't care, don't talk to me.

548
00:30:23,720 --> 00:30:26,440
Speaker 2: I'm ready off there, like do do do do do

549
00:30:26,600 --> 00:30:31,360
Speaker 2: do do? Like my family's like which she's upstairs, and

550
00:30:31,440 --> 00:30:33,480
Speaker 2: I would be in my joy bag for like a

551
00:30:33,560 --> 00:30:39,560
Speaker 2: week doing that ship you know, after school, jolt to

552
00:30:39,600 --> 00:30:42,520
Speaker 2: see whatever who was popping at the time, fully focused

553
00:30:42,520 --> 00:30:44,560
Speaker 2: and I was like, this is this is what I'm

554
00:30:44,600 --> 00:30:46,440
Speaker 2: gonna do. This is I think I'm gonna do this

555
00:30:47,360 --> 00:30:50,960
Speaker 2: and then throwing it further back remember being three and

556
00:30:51,120 --> 00:30:56,000
Speaker 2: watching Bob Marley on TV my parents and he was

557
00:30:56,040 --> 00:31:00,840
Speaker 2: performing Zimbabwe at the Rainbow Yeah, and so old DVD

558
00:31:01,120 --> 00:31:05,840
Speaker 2: or thing you I watched, but that performance he was

559
00:31:05,920 --> 00:31:08,720
Speaker 2: like he was in the spirit, right, he was like no,

560
00:31:08,960 --> 00:31:10,360
Speaker 2: he was like he was he had on his he

561
00:31:10,360 --> 00:31:17,480
Speaker 2: had we had a green jeans show on he had, yeah,

562
00:31:18,040 --> 00:31:21,480
Speaker 2: and he was like he was singing Zimbabwe ice clothed

563
00:31:21,560 --> 00:31:26,080
Speaker 2: wild And I remember being three thinking that's it, and

564
00:31:26,800 --> 00:31:29,320
Speaker 2: I feel like that was the beginning to start for me.

565
00:31:30,040 --> 00:31:31,560
Speaker 4: What was the what was your house like?

566
00:31:31,600 --> 00:31:33,920
Speaker 6: Because you know, everybody got up on Saturday mornings and

567
00:31:34,360 --> 00:31:37,280
Speaker 6: was cleaning up, So what was the you grew up on?

568
00:31:37,800 --> 00:31:41,360
Speaker 2: We did that. We had Mary, of course, we had

569
00:31:41,480 --> 00:31:46,600
Speaker 2: n some One. We had every lovers, Dennis Brown, Freddie McGregor,

570
00:31:46,760 --> 00:31:51,640
Speaker 2: all of that, right, you had freaking Stevie and Luci

571
00:31:51,720 --> 00:31:53,920
Speaker 2: Van Dress and all of that. And then because we

572
00:31:54,000 --> 00:31:55,840
Speaker 2: were young kids in London and we want to hear

573
00:31:55,880 --> 00:32:00,080
Speaker 2: pop music, yeas dran Juran, it's it's you know, of

574
00:32:00,120 --> 00:32:04,200
Speaker 2: them mixed up in it too. That was Meiling, Kim Obscure,

575
00:32:04,280 --> 00:32:07,120
Speaker 2: Aies groups and then the Pope, so we had it

576
00:32:07,200 --> 00:32:09,080
Speaker 2: all mixed up. But My parents were like, you're gonna

577
00:32:09,120 --> 00:32:11,560
Speaker 2: know music. You're gonna know soul music, and you're gonna

578
00:32:11,600 --> 00:32:15,640
Speaker 2: know African music, and you're gonna know reggae, and that's

579
00:32:15,680 --> 00:32:18,320
Speaker 2: all that's what you do. So that's what sounds like.

580
00:32:21,520 --> 00:32:23,800
Speaker 1: That's how you build a range man, That's how you

581
00:32:23,840 --> 00:32:24,120
Speaker 1: build a.

582
00:32:24,120 --> 00:32:26,160
Speaker 11: Real artist, because it's like you don't pull You're pull

583
00:32:26,240 --> 00:32:28,600
Speaker 11: them from everything you've ever listened to, the shows.

584
00:32:28,960 --> 00:32:31,160
Speaker 1: You know what I'm saying, What did you guys?

585
00:32:31,240 --> 00:32:32,840
Speaker 2: What did you listen to early?

586
00:32:34,440 --> 00:32:34,640
Speaker 7: Wow?

587
00:32:35,840 --> 00:32:36,760
Speaker 2: What did you love him.

588
00:32:38,360 --> 00:32:38,560
Speaker 1: Back?

589
00:32:44,080 --> 00:32:45,920
Speaker 2: That's all right? What happened?

590
00:32:46,680 --> 00:32:47,080
Speaker 7: I don't.

591
00:32:50,360 --> 00:32:53,479
Speaker 4: Changed, and you like insane.

592
00:32:57,600 --> 00:32:58,760
Speaker 3: Medi in the house, bro, I don't know.

593
00:32:59,200 --> 00:33:03,680
Speaker 11: And it went from tr little booty smoking Northful you know,

594
00:33:03,840 --> 00:33:05,440
Speaker 11: then it goes to the basis like that.

595
00:33:05,720 --> 00:33:07,240
Speaker 4: But my start offs pop off.

596
00:33:07,880 --> 00:33:10,840
Speaker 8: I think Michael Jackson was like our biggest star.

597
00:33:11,080 --> 00:33:13,280
Speaker 3: So it was like, you're gonna listen to anything music,

598
00:33:13,360 --> 00:33:14,320
Speaker 3: at least start with him.

599
00:33:14,760 --> 00:33:16,640
Speaker 2: Listen. Michael was a stafpour in our family.

600
00:33:16,960 --> 00:33:18,360
Speaker 1: Yeah, you weren't getting away from.

601
00:33:20,320 --> 00:33:22,160
Speaker 2: He's around the world. That's what say this more stuff

602
00:33:22,240 --> 00:33:23,720
Speaker 2: that's similar my.

603
00:33:23,760 --> 00:33:28,040
Speaker 8: Household, Michael Jackson, Haylen Wet watch everything.

604
00:33:29,600 --> 00:33:30,200
Speaker 1: On Sunday.

605
00:33:30,560 --> 00:33:33,480
Speaker 6: You don't hear no rep nowhere, like on all the

606
00:33:33,560 --> 00:33:38,040
Speaker 6: stations they just played like gospel they got and the

607
00:33:39,360 --> 00:33:42,480
Speaker 6: like to the Blue they started playing the blues. So

608
00:33:43,080 --> 00:33:45,320
Speaker 6: but like that, it wasn't you know like as we're

609
00:33:45,360 --> 00:33:47,880
Speaker 6: growing up and we're getting outside more and more and more,

610
00:33:48,000 --> 00:33:49,040
Speaker 6: it just became.

611
00:33:48,880 --> 00:33:51,640
Speaker 1: Like even it's just something that we did too. You

612
00:33:51,680 --> 00:33:52,160
Speaker 1: know what I'm saying.

613
00:33:52,200 --> 00:33:54,720
Speaker 6: You just played the call him the oldest, Just play

614
00:33:54,760 --> 00:33:58,320
Speaker 6: the oldest Sunday. You know my parents, but you know

615
00:33:58,440 --> 00:34:01,040
Speaker 6: we were just like we don't from in Mississippi is

616
00:34:01,080 --> 00:34:04,160
Speaker 6: North Mississippi, right, So the Old head Station come in

617
00:34:04,520 --> 00:34:07,440
Speaker 6: crystal clear coming in. I'm talking about like you get

618
00:34:07,680 --> 00:34:08,200
Speaker 6: no standing.

619
00:34:08,239 --> 00:34:09,279
Speaker 4: It's like it's a CD.

620
00:34:13,000 --> 00:34:15,560
Speaker 6: It might cut in and out, but the Old Head

621
00:34:15,640 --> 00:34:19,880
Speaker 6: Station coming so quick, come on man, and we uh

622
00:34:20,080 --> 00:34:22,920
Speaker 6: where I grew up, right outside of Memphis. So we

623
00:34:23,120 --> 00:34:26,920
Speaker 6: had Isaac Hayes on Sunday, Isaac Bubbaly hay. He was

624
00:34:27,000 --> 00:34:30,880
Speaker 6: like it's hay I butter Soul Sundays and he was

625
00:34:31,000 --> 00:34:34,919
Speaker 6: just played none but like school nomb but the old schools.

626
00:34:34,600 --> 00:34:36,640
Speaker 11: Bro because I know when I used to wrap my hunty,

627
00:34:36,880 --> 00:34:39,360
Speaker 11: you know, we all had liked one three one on that.

628
00:34:39,480 --> 00:34:41,440
Speaker 8: But when I get in my hunt cut, I would say,

629
00:34:41,480 --> 00:34:44,800
Speaker 8: my new more music than anybody, like out of my

630
00:34:44,920 --> 00:34:48,040
Speaker 8: mama and my daddy could My mama didn't kill just keep.

631
00:34:47,880 --> 00:34:57,560
Speaker 1: It on, want to stark. She didn't want to catch.

632
00:35:00,800 --> 00:35:03,719
Speaker 6: Because you've never heard before, and that was moving out

633
00:35:03,760 --> 00:35:13,360
Speaker 6: the wait for Jesus man what.

634
00:35:13,760 --> 00:35:16,040
Speaker 8: But when I get called with my Auntie, she put

635
00:35:16,080 --> 00:35:18,799
Speaker 8: it on one on four point one, that's the old

636
00:35:18,840 --> 00:35:19,479
Speaker 8: school shape.

637
00:35:19,520 --> 00:35:24,799
Speaker 3: That's when I started hearing all the brother loandro, who

638
00:35:24,880 --> 00:35:27,520
Speaker 3: that is that woman'll be playing into her car?

639
00:35:27,640 --> 00:35:31,239
Speaker 1: I'm like, aunt like, who is it?

640
00:35:31,840 --> 00:35:34,720
Speaker 8: So I wasn't the interne when we didn't have accents

641
00:35:34,800 --> 00:35:36,759
Speaker 8: like that, so it was like I would have to

642
00:35:36,840 --> 00:35:37,400
Speaker 8: pick back.

643
00:35:37,320 --> 00:35:39,160
Speaker 3: Up on him. When I hear it again, I was

644
00:35:39,200 --> 00:35:41,120
Speaker 3: like whatever party was listening to.

645
00:35:41,640 --> 00:35:44,160
Speaker 2: We went through a whole here where like my parents

646
00:35:44,239 --> 00:35:45,480
Speaker 2: what super gospel?

647
00:35:45,680 --> 00:35:46,040
Speaker 1: All right?

648
00:35:46,600 --> 00:35:49,040
Speaker 2: I went to church and my mom and that throughout

649
00:35:49,120 --> 00:35:49,799
Speaker 2: my mom throughout her.

650
00:35:50,320 --> 00:35:52,799
Speaker 3: I just to this day she threw the.

651
00:35:54,480 --> 00:35:54,680
Speaker 4: Wow.

652
00:35:54,800 --> 00:35:58,840
Speaker 2: She thought it was because it was secular my feelings

653
00:35:59,360 --> 00:36:04,320
Speaker 2: geese and it was this about of too, like I

654
00:36:04,360 --> 00:36:06,080
Speaker 2: still dream about that because I wanted it when I

655
00:36:06,120 --> 00:36:08,680
Speaker 2: grew up anyhow, and she they got rid of all

656
00:36:08,760 --> 00:36:11,640
Speaker 2: the specular music in the house and so it was gospel.

657
00:36:12,040 --> 00:36:15,800
Speaker 2: Going to my auntie's house, she would play Luca Stevie

658
00:36:15,880 --> 00:36:16,480
Speaker 2: Alley's on them.

659
00:36:16,560 --> 00:36:17,320
Speaker 3: I don't know it.

660
00:36:17,320 --> 00:36:20,360
Speaker 2: What was her thing? Like her guy, she loved that.

661
00:36:20,480 --> 00:36:20,600
Speaker 4: Man.

662
00:36:20,680 --> 00:36:21,200
Speaker 2: It was crazy.

663
00:36:21,520 --> 00:36:23,120
Speaker 6: But see when you was thinking about it though, like

664
00:36:23,239 --> 00:36:25,520
Speaker 6: growing up, like when we were kids, kids like the

665
00:36:25,600 --> 00:36:29,080
Speaker 6: ages generation early nineties, like black people used to take

666
00:36:29,160 --> 00:36:30,480
Speaker 6: pride in their music collection.

667
00:36:30,840 --> 00:36:31,520
Speaker 4: You know what I'm saying.

668
00:36:31,600 --> 00:36:33,520
Speaker 7: But you used to have to have a music collection

669
00:36:33,640 --> 00:36:36,880
Speaker 7: to have one right who you were. And then the

670
00:36:37,080 --> 00:36:40,560
Speaker 7: other day, the other thing I noticed is I listened

671
00:36:40,560 --> 00:36:43,080
Speaker 7: to what my parents was listening to now, like the ship.

672
00:36:43,120 --> 00:36:45,719
Speaker 7: I'd be like, I don't want this ship now. I'm like, man,

673
00:36:45,840 --> 00:36:50,879
Speaker 7: put that ship on that night, man, God damn, put

674
00:36:50,960 --> 00:36:51,520
Speaker 7: on that side.

675
00:36:52,400 --> 00:36:53,239
Speaker 1: Shut the up.

676
00:36:53,280 --> 00:36:54,840
Speaker 3: They were playing boys, and I said, I want to

677
00:36:54,880 --> 00:36:55,719
Speaker 3: cook the radio off.

678
00:36:57,000 --> 00:36:59,600
Speaker 11: But as the nineties, baby, I always took Friday when

679
00:36:59,640 --> 00:37:02,600
Speaker 11: I saw somebody who had like a music collection on

680
00:37:03,080 --> 00:37:04,680
Speaker 11: c book and I'm like, but.

681
00:37:04,800 --> 00:37:09,200
Speaker 2: You got the experience all things like yeah, all the

682
00:37:09,239 --> 00:37:12,440
Speaker 2: song like you know songs.

683
00:37:12,920 --> 00:37:14,360
Speaker 3: Why can't get this ship in my household?

684
00:37:14,880 --> 00:37:15,080
Speaker 1: Yeah?

685
00:37:15,400 --> 00:37:23,239
Speaker 7: You wouldn't even real rewinding and.

686
00:37:24,800 --> 00:37:25,800
Speaker 1: You better get the single.

687
00:37:26,320 --> 00:37:27,479
Speaker 3: You want to hear that again?

688
00:37:30,920 --> 00:37:34,000
Speaker 1: You got the album? Yeah, but the.

689
00:37:34,120 --> 00:37:36,480
Speaker 7: Album you ain't gonna do all that. Goddamn fan the

690
00:37:36,560 --> 00:37:40,000
Speaker 7: grooves scratch ship up. You were kind of skipped. But

691
00:37:40,840 --> 00:37:43,200
Speaker 7: a CD like that Road the whole way?

692
00:37:44,719 --> 00:37:46,080
Speaker 2: Who was the lot of pusson? You think that I

693
00:37:46,160 --> 00:37:47,920
Speaker 2: had like a full out CD that you could be

694
00:37:48,040 --> 00:37:50,000
Speaker 2: like beginning getting at the end.

695
00:37:52,040 --> 00:37:56,000
Speaker 1: I can't even think recent, Like everything in my mind

696
00:37:56,200 --> 00:37:57,000
Speaker 1: is further.

697
00:37:57,600 --> 00:38:01,320
Speaker 3: Yeah, I think I think Urban Legend was CD cd C.

698
00:38:01,600 --> 00:38:06,160
Speaker 1: That's so fast. Oh see they got them first DMX

699
00:38:07,239 --> 00:38:09,560
Speaker 1: hell is High. I let that bitch ride start to

700
00:38:09,600 --> 00:38:11,720
Speaker 1: finish Juvenile four.

701
00:38:11,680 --> 00:38:15,440
Speaker 3: Hundred degrees four hundred, four hundred at aliens.

702
00:38:16,080 --> 00:38:19,279
Speaker 1: Yeah, that ride on you.

703
00:38:20,200 --> 00:38:24,080
Speaker 4: Yeah, I will play speaking Box and let the lot lo.

704
00:38:24,600 --> 00:38:28,839
Speaker 1: Let both timeth.

705
00:38:33,360 --> 00:38:37,600
Speaker 2: I thought, why through that?

706
00:38:37,800 --> 00:38:39,760
Speaker 4: They're always trying to break flat people.

707
00:38:40,560 --> 00:38:43,239
Speaker 1: They killing mic last album, the one that won out

708
00:38:43,239 --> 00:38:46,960
Speaker 1: of the gramms. That's not what? What's that big Creek?

709
00:38:47,200 --> 00:38:50,640
Speaker 3: I can listen to some big Christ Okay, that's true, Chain,

710
00:38:51,120 --> 00:38:51,640
Speaker 3: that's true.

711
00:38:54,120 --> 00:38:57,480
Speaker 8: One the sigh string calling Future No Dope on Sunday,

712
00:38:58,000 --> 00:39:00,839
Speaker 8: String Caller No dope on sun whim sending in front

713
00:39:00,840 --> 00:39:06,399
Speaker 8: of stunt no cap that when you know, I started

714
00:39:06,400 --> 00:39:08,400
Speaker 8: almost stop selling because you know what.

715
00:39:10,880 --> 00:39:11,160
Speaker 1: I'm like.

716
00:39:11,200 --> 00:39:16,040
Speaker 3: But the nigga rabbit ain't got morals, man, man, you.

717
00:39:16,080 --> 00:39:16,480
Speaker 2: Know who.

718
00:39:20,880 --> 00:39:21,479
Speaker 3: Get a gap?

719
00:39:22,520 --> 00:39:23,680
Speaker 1: Rock was hard?

720
00:39:25,200 --> 00:39:27,560
Speaker 3: That street call of Future he ain't got to touch

721
00:39:27,960 --> 00:39:28,720
Speaker 3: t I first.

722
00:39:28,560 --> 00:39:32,200
Speaker 1: He had what's the best mode mixed tape? The Future joining.

723
00:39:32,040 --> 00:39:32,759
Speaker 3: Ain't got yeah?

724
00:39:33,120 --> 00:39:36,480
Speaker 5: That one everything, you know, even though the album where

725
00:39:36,480 --> 00:39:40,200
Speaker 5: they said he was going pinistry, Yeah come back he said, man,

726
00:39:40,280 --> 00:39:41,680
Speaker 5: let me let me here.

727
00:39:42,880 --> 00:39:43,080
Speaker 1: Yeah.

728
00:39:45,560 --> 00:39:48,319
Speaker 6: It's crazy how we developed your musical taste though, because

729
00:39:50,239 --> 00:39:54,480
Speaker 6: my dad was a big fan ghetto boys, and you know,

730
00:39:54,640 --> 00:39:57,040
Speaker 6: he would have all these rap albums that were like

731
00:39:57,520 --> 00:39:58,439
Speaker 6: that he really loved.

732
00:39:58,480 --> 00:40:01,480
Speaker 2: Like would you say, like this is my question, I

733
00:40:01,520 --> 00:40:02,640
Speaker 2: getting to like American?

734
00:40:04,239 --> 00:40:04,439
Speaker 4: Yeah?

735
00:40:04,480 --> 00:40:09,320
Speaker 2: I know, I know that's a question even South that

736
00:40:09,719 --> 00:40:11,480
Speaker 2: would you say you were more East Coast fans with

737
00:40:11,560 --> 00:40:13,680
Speaker 2: West Coast East Coast shelf?

738
00:40:14,960 --> 00:40:18,000
Speaker 1: I can't say't say that we liked at all. It

739
00:40:18,120 --> 00:40:20,879
Speaker 1: was about fifty to fifty. We liked it all.

740
00:40:21,120 --> 00:40:25,280
Speaker 6: We always kept our music separate, like like when somebody

741
00:40:25,320 --> 00:40:27,719
Speaker 6: from the South, it was pretty much like they automatic,

742
00:40:28,640 --> 00:40:32,560
Speaker 6: But then it's like, we had certain elements that we

743
00:40:32,760 --> 00:40:36,000
Speaker 6: liked from West Coast music, like like even though it

744
00:40:36,160 --> 00:40:43,040
Speaker 6: was like a lot of who you Like lyricism and

745
00:40:43,120 --> 00:40:47,000
Speaker 6: the word playing of the East Coast they were more

746
00:40:47,040 --> 00:40:50,200
Speaker 6: focused on actually like who could say the most ship.

747
00:40:50,320 --> 00:40:52,720
Speaker 6: But like the West Coast, the flow was way different.

748
00:40:52,800 --> 00:40:56,239
Speaker 6: It was like they weren't trying to over compensate with it.

749
00:40:56,320 --> 00:40:58,840
Speaker 6: They would like, let that dope ass be play or

750
00:40:58,960 --> 00:41:01,720
Speaker 6: do a cool ass flip on an old school classic

751
00:41:02,040 --> 00:41:04,120
Speaker 6: and just keep it real light. But on the East

752
00:41:04,200 --> 00:41:08,160
Speaker 6: Coast they gone, they're trying to wrap detail for me.

753
00:41:08,640 --> 00:41:11,360
Speaker 6: The East Coast just wrapped from Baltimore.

754
00:41:13,680 --> 00:41:14,320
Speaker 3: East Coast.

755
00:41:16,040 --> 00:41:19,160
Speaker 1: For me, both though we rocked with who Rocked with Us?

756
00:41:19,760 --> 00:41:20,719
Speaker 1: And that was the South.

757
00:41:20,960 --> 00:41:23,520
Speaker 7: So like the East Coast, we liked them until they

758
00:41:23,560 --> 00:41:26,680
Speaker 7: started showing this thing. They was the first because they

759
00:41:26,719 --> 00:41:29,040
Speaker 7: would come down here and start shopping on us, shipping

760
00:41:29,040 --> 00:41:30,000
Speaker 7: on us on the radio.

761
00:41:30,120 --> 00:41:31,520
Speaker 1: Like we love Who Tang?

762
00:41:31,840 --> 00:41:34,520
Speaker 7: Who Tang had a woo wear store here in Atlanta,

763
00:41:35,160 --> 00:41:36,880
Speaker 7: Like I beg my mama to take me to that

764
00:41:37,040 --> 00:41:41,640
Speaker 7: bitch that she was full of weed smoke, she still

765
00:41:41,719 --> 00:41:43,960
Speaker 7: let me get the stir See.

766
00:41:44,040 --> 00:41:46,160
Speaker 1: That's the biggest difference the West Coast never shipped on

767
00:41:46,239 --> 00:41:49,840
Speaker 1: the South. Yeah, yeah, and and we rocked.

768
00:41:49,640 --> 00:41:53,960
Speaker 6: With Everybody's one of the first East Coast artists that

769
00:41:54,200 --> 00:41:56,279
Speaker 6: was on a lot of down south here you come

770
00:41:56,360 --> 00:42:01,319
Speaker 6: down definite wall like everybody from Project Pat to Look

771
00:42:01,440 --> 00:42:03,319
Speaker 6: John to motherfucking I.

772
00:42:03,320 --> 00:42:03,719
Speaker 1: Can say that.

773
00:42:03,840 --> 00:42:05,239
Speaker 7: I can say that for Nor, I can say that

774
00:42:05,400 --> 00:42:08,759
Speaker 7: for Cam and them. Yeah, I say that for Wu

775
00:42:08,880 --> 00:42:13,799
Speaker 7: Tang and the No Nas. Yeah, like yeah, it was.

776
00:42:13,800 --> 00:42:15,880
Speaker 2: Way more love than it was hate that they were

777
00:42:15,920 --> 00:42:18,080
Speaker 2: trying to like make it feel like right.

778
00:42:18,520 --> 00:42:24,440
Speaker 6: And Ray Kawan too of course. But see that's what

779
00:42:24,719 --> 00:42:30,200
Speaker 6: but West two shows, I mean Tupac ship like, he

780
00:42:30,400 --> 00:42:32,560
Speaker 6: was real dynamic, but he could give you both like

781
00:42:33,760 --> 00:42:35,960
Speaker 6: one your love don't sound nothing like to live and

782
00:42:36,080 --> 00:42:38,000
Speaker 6: die in that like you know what I'm saying.

783
00:42:39,040 --> 00:42:41,040
Speaker 3: But I think a lot of that ship like it.

784
00:42:41,360 --> 00:42:43,120
Speaker 3: It made us ship like ship like like.

785
00:42:43,160 --> 00:42:47,200
Speaker 8: Oh, she can't listen to them because they damn now

786
00:42:47,280 --> 00:42:50,160
Speaker 8: on the same ship went on because we really weren't hit,

787
00:42:50,960 --> 00:42:52,800
Speaker 8: you know what I'm saying, because we weren't playing their music,

788
00:42:52,960 --> 00:42:54,160
Speaker 8: like even like like.

789
00:42:54,200 --> 00:42:56,239
Speaker 3: I said, my household, I didn't even know about that.

790
00:42:56,280 --> 00:42:58,799
Speaker 3: She doesn't want side of the World until I went on.

791
00:42:58,840 --> 00:43:03,799
Speaker 8: Somebody House and somebody playing this you nobody, and I'm

792
00:43:03,840 --> 00:43:05,080
Speaker 8: like i gotta write their name.

793
00:43:04,960 --> 00:43:05,879
Speaker 3: Down and go back home.

794
00:43:06,000 --> 00:43:06,360
Speaker 5: Like it was.

795
00:43:08,320 --> 00:43:29,759
Speaker 1: Rather you needed a buffer in between them, bro, you need.

796
00:43:34,200 --> 00:43:37,160
Speaker 3: I didn't started this and everybody, but since.

797
00:43:37,000 --> 00:43:39,120
Speaker 6: We on the conversation music, you don't work with a

798
00:43:39,200 --> 00:43:42,080
Speaker 6: lot of legends, facts like who are some of your

799
00:43:42,120 --> 00:43:43,120
Speaker 6: favorites to work.

800
00:43:43,000 --> 00:43:47,200
Speaker 1: With or who is the one who had you kind

801
00:43:47,239 --> 00:43:50,759
Speaker 1: of like believe we're in this month.

802
00:43:52,000 --> 00:43:55,759
Speaker 2: It threw me completely because I remember a sob when

803
00:43:55,800 --> 00:43:58,880
Speaker 2: I came here. I was like, I'm gonna live my

804
00:43:59,000 --> 00:44:01,120
Speaker 2: life in between the student your sessions. I would be

805
00:44:01,200 --> 00:44:05,880
Speaker 2: outside of the clubs two stepping on tables. I had

806
00:44:05,920 --> 00:44:07,880
Speaker 2: to give up vodka because it was like not did

807
00:44:07,960 --> 00:44:10,919
Speaker 2: too much, no more.

808
00:44:13,480 --> 00:44:17,520
Speaker 3: Went crazy wild, had a very fun time. It was.

809
00:44:20,160 --> 00:44:23,560
Speaker 4: From ninety nine, the old five Pete.

810
00:44:25,080 --> 00:44:27,680
Speaker 2: It was a beautiful time and I remember like having

811
00:44:27,719 --> 00:44:29,520
Speaker 2: a good time. A bunch of Gucci made records in

812
00:44:29,600 --> 00:44:33,120
Speaker 2: a row, and then I did a record with Jerry

813
00:44:33,160 --> 00:44:37,200
Speaker 2: Wonder Fat them sounds to put it down. I literally

814
00:44:37,320 --> 00:44:39,640
Speaker 2: had moved to the West Coast at this point, like

815
00:44:39,920 --> 00:44:42,960
Speaker 2: doing a whole other thing, doing cartoon voices and whatnot,

816
00:44:43,000 --> 00:44:45,880
Speaker 2: and Jerry hearsed me like, yes, Gucci may wants a

817
00:44:45,960 --> 00:44:47,760
Speaker 2: record that we did finally free.

818
00:44:49,360 --> 00:44:51,200
Speaker 3: Hmm what me?

819
00:44:52,719 --> 00:44:54,279
Speaker 8: May you know?

820
00:44:58,640 --> 00:45:00,760
Speaker 2: Because it was like I met like it was all flashbacks.

821
00:45:00,800 --> 00:45:02,400
Speaker 2: So like I said, dancing on tables and all the

822
00:45:02,440 --> 00:45:05,000
Speaker 2: different clubs going to on the road, and that was

823
00:45:05,040 --> 00:45:08,680
Speaker 2: a joint that was all like crew, like Lemonade, Freaky Girl,

824
00:45:08,960 --> 00:45:12,080
Speaker 2: you know, all of them in that era. That was

825
00:45:12,120 --> 00:45:14,400
Speaker 2: our ship. I'll turn up like let's go me and

826
00:45:14,480 --> 00:45:17,440
Speaker 2: my homegirls and my assistance and whatnot, and so then

827
00:45:17,480 --> 00:45:18,520
Speaker 2: I want to record with him.

828
00:45:19,080 --> 00:45:20,880
Speaker 4: It was just like this is crazy.

829
00:45:21,440 --> 00:45:31,040
Speaker 2: Oh my god, he knows that's the fun time. Yeah,

830
00:45:31,560 --> 00:45:33,160
Speaker 2: that was one. I mean that's one. But look, I've

831
00:45:33,239 --> 00:45:36,239
Speaker 2: done so many racers with so many people, and I've

832
00:45:36,280 --> 00:45:39,560
Speaker 2: got things that are coming out with people who growing up,

833
00:45:40,000 --> 00:45:43,040
Speaker 2: I wouldn't even think that they need my name, and

834
00:45:43,120 --> 00:45:45,080
Speaker 2: I met some of them because of my radio show.

835
00:45:45,120 --> 00:45:47,640
Speaker 2: But it's just like I look at it all like mine,

836
00:45:47,640 --> 00:45:51,000
Speaker 2: it's a blessing. I get to do this for a living.

837
00:45:51,040 --> 00:45:52,719
Speaker 2: I get to do this and wake up in the

838
00:45:52,760 --> 00:45:57,880
Speaker 2: morning and be like I sang a song and they

839
00:45:58,040 --> 00:46:02,120
Speaker 2: understand all the ten thousand hours playing and they Yeah,

840
00:46:03,400 --> 00:46:06,600
Speaker 2: but the hours of no sleep, you know them, days

841
00:46:06,640 --> 00:46:08,480
Speaker 2: of like I got to start my favorite shoes.

842
00:46:09,200 --> 00:46:10,960
Speaker 4: What's your what's your creative process?

843
00:46:11,920 --> 00:46:14,320
Speaker 6: Do you just get inspired and do it on the spot,

844
00:46:14,480 --> 00:46:17,040
Speaker 6: or you got a certain routine that you'd like to

845
00:46:17,120 --> 00:46:18,399
Speaker 6: go through now?

846
00:46:19,600 --> 00:46:21,680
Speaker 2: And I say this now because the last thing I

847
00:46:21,960 --> 00:46:24,040
Speaker 2: lost the records I recorded, which is my album coming.

848
00:46:24,600 --> 00:46:26,840
Speaker 2: I did that in the Pandemic, the Panini, whatever you

849
00:46:26,920 --> 00:46:30,400
Speaker 2: want to call it. And it was a four hour process.

850
00:46:31,040 --> 00:46:34,399
Speaker 2: I would pray, I'll go what he wants me to say,

851
00:46:35,280 --> 00:46:36,960
Speaker 2: and then I get out the way. I just let

852
00:46:37,000 --> 00:46:39,239
Speaker 2: it come out, I don't judge it, and leave it

853
00:46:39,320 --> 00:46:42,479
Speaker 2: with the producer and leave. And it was four hours

854
00:46:42,520 --> 00:46:44,279
Speaker 2: because if I did it, if I did anything more

855
00:46:44,360 --> 00:46:46,920
Speaker 2: than four, I started thinking it, start trying to move

856
00:46:46,960 --> 00:46:48,880
Speaker 2: the words around, and don't that makes sense that melody

857
00:46:48,920 --> 00:46:52,239
Speaker 2: feels too? Did that before? Uh uh uh? And I

858
00:46:52,360 --> 00:46:53,960
Speaker 2: just get in the way of it, you know. So

859
00:46:54,880 --> 00:46:57,880
Speaker 2: my process now was like pray, go in there, freedom,

860
00:46:58,920 --> 00:47:01,600
Speaker 2: singing to my phone, the melody down, and then coloring

861
00:47:01,680 --> 00:47:05,160
Speaker 2: the lights right and the words and the melody. So

862
00:47:05,320 --> 00:47:06,799
Speaker 2: I'm singing the melody. I look at it like I'm

863
00:47:06,880 --> 00:47:09,960
Speaker 2: drawing this and then the words just going here and

864
00:47:10,120 --> 00:47:12,240
Speaker 2: that's it. Knock it out, lead the studio.

865
00:47:13,280 --> 00:47:16,480
Speaker 1: Let me check with your Is that true? Because you said.

866
00:47:23,880 --> 00:47:26,640
Speaker 4: You and what.

867
00:47:28,960 --> 00:47:29,640
Speaker 2: How did I get that?

868
00:47:30,000 --> 00:47:31,920
Speaker 4: You ain't gonna even mention the lemonade. You know you

869
00:47:32,040 --> 00:47:33,520
Speaker 4: need lemonade to make the damn song?

870
00:47:34,000 --> 00:47:38,360
Speaker 8: Now you you you are all around all the stuff, jealous,

871
00:47:38,600 --> 00:47:39,920
Speaker 8: Now we need you.

872
00:47:40,560 --> 00:47:42,800
Speaker 3: Think that you would get into the cartoon space.

873
00:47:43,800 --> 00:47:46,920
Speaker 2: I answer that I prayed about that and I want

874
00:47:46,960 --> 00:47:48,680
Speaker 2: to do Yeah I did. It was really like a

875
00:47:49,360 --> 00:47:51,960
Speaker 2: I think after a certain period of like being outside

876
00:47:52,040 --> 00:47:54,920
Speaker 2: in the world, people like you have a voiceover voice too,

877
00:47:55,080 --> 00:47:57,160
Speaker 2: like you should do that. I was like, I want

878
00:47:57,200 --> 00:47:59,160
Speaker 2: to voiceover gigs. I want to and it was like

879
00:47:59,200 --> 00:48:01,719
Speaker 2: I want to voice over you. They got closed and

880
00:48:01,800 --> 00:48:04,600
Speaker 2: I was like, no, I want to do a car too,

881
00:48:05,239 --> 00:48:07,160
Speaker 2: because I want my nieces and nephews to hear my voice.

882
00:48:07,160 --> 00:48:09,440
Speaker 2: But my sisters were pregnant time, and I was like,

883
00:48:09,480 --> 00:48:11,640
Speaker 2: they're not coming here, they're not moving to the York,

884
00:48:12,440 --> 00:48:14,239
Speaker 2: but I want them to hear my voice over there

885
00:48:14,480 --> 00:48:16,280
Speaker 2: and I want them to know at least that's Auntie.

886
00:48:16,400 --> 00:48:20,480
Speaker 2: Like I have a big family, five girls, three boys,

887
00:48:20,560 --> 00:48:22,800
Speaker 2: it's nine of us toll and I meant that. I

888
00:48:22,920 --> 00:48:24,120
Speaker 2: was like, no, I just want them to be able

889
00:48:24,120 --> 00:48:26,080
Speaker 2: to hear my voice. I want an international. I got

890
00:48:26,160 --> 00:48:30,120
Speaker 2: very clear about the prayer Butt and after pasturing the

891
00:48:30,160 --> 00:48:32,239
Speaker 2: shit out my team, I was like, they were like, what,

892
00:48:32,360 --> 00:48:35,000
Speaker 2: this cartoon came in a lot of money. I was like,

893
00:48:35,239 --> 00:48:38,120
Speaker 2: what's it about? What it's a cartoon net or like

894
00:48:38,600 --> 00:48:42,920
Speaker 2: your the character is cool gardener and she's she's like

895
00:48:42,960 --> 00:48:45,759
Speaker 2: a big sister. I was like, I can relate. I'm

896
00:48:45,760 --> 00:48:49,440
Speaker 2: the biggest, I'm the oldest, oldest girl. And so they

897
00:48:49,600 --> 00:48:51,359
Speaker 2: read it to me and I was like, this is good,

898
00:48:51,400 --> 00:48:54,000
Speaker 2: this is easy. We weren't privy to any of the

899
00:48:54,080 --> 00:48:55,680
Speaker 2: story arcs. I didn't know any of it. I was

900
00:48:55,719 --> 00:48:58,040
Speaker 2: just like, I like purple, it's gardening, it it's my

901
00:48:58,200 --> 00:49:00,719
Speaker 2: best my bust stone and the Capricorn, and this is great.

902
00:49:01,320 --> 00:49:04,200
Speaker 2: Let's go. And the more I kept doing it, I

903
00:49:04,360 --> 00:49:06,719
Speaker 2: just felt like this is this is the biggest honor

904
00:49:06,760 --> 00:49:10,160
Speaker 2: of my life. This is amazing, Like thank you God.

905
00:49:10,239 --> 00:49:10,640
Speaker 1: And then.

906
00:49:12,239 --> 00:49:17,120
Speaker 2: The character well, she she well Rebecca Sugar. Again. Their

907
00:49:17,160 --> 00:49:22,520
Speaker 2: their partnership, the team, and they created this whole character,

908
00:49:22,640 --> 00:49:24,759
Speaker 2: they said based off of a song that I had

909
00:49:24,800 --> 00:49:29,600
Speaker 2: called Freak a video. So I did a song called Freak.

910
00:49:30,000 --> 00:49:32,640
Speaker 2: I can be a Freak every Day. It came out

911
00:49:32,640 --> 00:49:33,600
Speaker 2: in the American Boy.

912
00:49:39,960 --> 00:49:42,680
Speaker 3: But You're freak, So I'm just talking about.

913
00:49:47,719 --> 00:49:49,360
Speaker 2: I had this song that was more about just like

914
00:49:49,640 --> 00:50:04,120
Speaker 2: feeling yourself and being you like cartoons. Oh God, I

915
00:50:09,960 --> 00:50:12,680
Speaker 2: was like, oh, yes, was the video. I drepped it up.

916
00:50:13,160 --> 00:50:16,120
Speaker 2: I literally drepped it and I literally was like, oh,

917
00:50:16,320 --> 00:50:19,799
Speaker 2: she the character should look like this, And I take

918
00:50:19,800 --> 00:50:21,360
Speaker 2: the picture and I do a zoom with the director

919
00:50:21,480 --> 00:50:23,239
Speaker 2: like I want to look like this in the video

920
00:50:23,320 --> 00:50:25,520
Speaker 2: and they should be. And I was telling them what

921
00:50:25,560 --> 00:50:29,480
Speaker 2: it should feel like, and we did the video. The

922
00:50:29,560 --> 00:50:33,279
Speaker 2: videos did it sting. Anyhow, she's a fan of it,

923
00:50:33,360 --> 00:50:36,440
Speaker 2: and she liked it because it feels like it's like

924
00:50:36,640 --> 00:50:39,480
Speaker 2: Baltimore House. It's like, you know, it's club, it's it's

925
00:50:39,640 --> 00:50:42,520
Speaker 2: it's dance music. And she was like, yo, I just

926
00:50:42,600 --> 00:50:45,080
Speaker 2: love the video. I like how strong and how incredible

927
00:50:45,120 --> 00:50:46,440
Speaker 2: you're looking at it, and that's what it should be.

928
00:50:46,960 --> 00:50:48,840
Speaker 2: And one of the reasons why I really like I

929
00:50:48,880 --> 00:50:51,680
Speaker 2: think it was the right decision. She said something to

930
00:50:51,760 --> 00:50:53,959
Speaker 2: the effect of, like someone else like, why is going

931
00:50:54,040 --> 00:50:56,359
Speaker 2: it a black woman, you know. And she was like, well,

932
00:50:56,360 --> 00:50:59,600
Speaker 2: why not? Every other thing is white and male, why

933
00:50:59,600 --> 00:51:01,800
Speaker 2: wouldn't be a black woman. I was just like, and

934
00:51:01,880 --> 00:51:05,800
Speaker 2: this is why I took the role, because she you know,

935
00:51:05,960 --> 00:51:08,160
Speaker 2: she's she sees what we bring to the world as

936
00:51:08,200 --> 00:51:11,400
Speaker 2: women like but she wasn't and she wasn't afraid of

937
00:51:13,239 --> 00:51:15,239
Speaker 2: reference that, you know. And so then that was so

938
00:51:15,400 --> 00:51:22,759
Speaker 2: groundbreaking for a lot of people. How many seasons, like

939
00:51:23,120 --> 00:51:24,799
Speaker 2: six seasons in a movie.

940
00:51:27,080 --> 00:51:27,960
Speaker 3: That's a good franchise.

941
00:51:28,840 --> 00:51:32,480
Speaker 4: Yeah, thank you. He was right.

942
00:51:35,200 --> 00:51:36,160
Speaker 2: Six plus in the movie.

943
00:51:37,400 --> 00:51:39,880
Speaker 6: Clayton already told you how your song made us feel

944
00:51:39,920 --> 00:51:41,480
Speaker 6: as American boys? What was this.

945
00:51:42,960 --> 00:51:45,200
Speaker 1: Like? What what made you stick with that concept? How

946
00:51:45,239 --> 00:51:48,719
Speaker 1: did that come about? What I was in?

947
00:51:49,000 --> 00:51:51,279
Speaker 2: I was in the beach in Miami. I was at

948
00:51:51,320 --> 00:51:53,960
Speaker 2: the beach. So I'm recording.

949
00:51:54,680 --> 00:51:56,399
Speaker 3: Also conservative.

950
00:52:00,200 --> 00:52:01,080
Speaker 12: On the beach.

951
00:52:06,960 --> 00:52:07,360
Speaker 4: Before that.

952
00:52:08,000 --> 00:52:18,400
Speaker 2: Okay, I lived my life. Oh my god, I'm on

953
00:52:18,480 --> 00:52:18,839
Speaker 2: the beach.

954
00:52:20,040 --> 00:52:21,720
Speaker 4: No, it was four.

955
00:52:24,120 --> 00:52:27,240
Speaker 2: Okay, okay, I will crash a four wheel.

956
00:52:27,239 --> 00:52:27,719
Speaker 1: I have done.

957
00:52:27,760 --> 00:52:30,560
Speaker 2: This is ridiculous. I have no it's crazy.

958
00:52:32,600 --> 00:52:33,360
Speaker 1: I do not do it.

959
00:52:38,000 --> 00:52:40,759
Speaker 2: It's a good time. But no, I was on the

960
00:52:40,800 --> 00:52:43,000
Speaker 2: beach for John Well. No, I was not on the

961
00:52:43,000 --> 00:52:45,160
Speaker 2: feature John. I was in Miami and John was recording,

962
00:52:45,760 --> 00:52:47,440
Speaker 2: and all the time they was recording, I was like,

963
00:52:47,520 --> 00:52:50,120
Speaker 2: I'm going to the beach. This is I'm not staying

964
00:52:50,120 --> 00:52:53,759
Speaker 2: in the studio with you people, just moving around. I

965
00:52:53,840 --> 00:52:56,719
Speaker 2: had a session with where I am that week and

966
00:52:56,800 --> 00:53:00,319
Speaker 2: I'm just waiting to see when it Yeah, because he's

967
00:53:00,360 --> 00:53:04,680
Speaker 2: the American boy, and that's that's so we go ahead.

968
00:53:05,800 --> 00:53:06,040
Speaker 4: Hold on.

969
00:53:06,200 --> 00:53:09,280
Speaker 1: I hate to cut you off, but just the network

970
00:53:09,320 --> 00:53:10,239
Speaker 1: of friends that you.

971
00:53:10,320 --> 00:53:12,640
Speaker 2: Are saying that, she sounds so great.

972
00:53:12,800 --> 00:53:13,719
Speaker 4: You're just kicking with.

973
00:53:15,680 --> 00:53:18,920
Speaker 6: Im on the beach, not like you gotta call and books,

974
00:53:19,000 --> 00:53:21,719
Speaker 6: just like he left, gotta do this.

975
00:53:21,760 --> 00:53:22,520
Speaker 1: Let me go to the beach.

976
00:53:24,560 --> 00:53:27,600
Speaker 2: That's crazy. That's so good.

977
00:53:28,360 --> 00:53:30,760
Speaker 4: Thank you about right Miami.

978
00:53:31,320 --> 00:53:33,760
Speaker 8: What I was, I mean your friends and they respect

979
00:53:33,840 --> 00:53:36,920
Speaker 8: your mind, and this is how you're vibing and creating

980
00:53:37,040 --> 00:53:38,920
Speaker 8: this That is lead you.

981
00:53:38,960 --> 00:53:42,720
Speaker 1: Want to beat you getting mad if you call him William? Okay,

982
00:53:44,600 --> 00:53:47,279
Speaker 1: that's the question you get just as mad as jail ed.

983
00:53:52,560 --> 00:53:52,600
Speaker 3: You.

984
00:53:53,680 --> 00:53:55,279
Speaker 1: What do you do like this in the studio while

985
00:53:55,320 --> 00:53:56,000
Speaker 1: you're back then.

986
00:54:00,880 --> 00:54:01,920
Speaker 2: You know, get out of here.

987
00:54:03,440 --> 00:54:13,400
Speaker 4: You I see you, Oh my god, Oh.

988
00:54:15,080 --> 00:54:24,600
Speaker 2: That's why are you like? I'm like, I'm trying to

989
00:54:25,000 --> 00:54:25,600
Speaker 2: remember the story.

990
00:54:25,640 --> 00:54:27,959
Speaker 3: I'm just like went to thea.

991
00:54:28,960 --> 00:54:31,239
Speaker 2: I went to the beach waiting for my session to go,

992
00:54:31,440 --> 00:54:34,560
Speaker 2: and so come back and next day we start the

993
00:54:34,600 --> 00:54:36,520
Speaker 2: session and John's like, so, what you been doing? And

994
00:54:36,600 --> 00:54:41,440
Speaker 2: I was like, beach hanging out. Sometimes Cuban boys loved me.

995
00:54:41,640 --> 00:54:43,239
Speaker 2: I didn't know the Recuban at the time. I have

996
00:54:43,320 --> 00:54:45,880
Speaker 2: to correct myself and say this now. It was to

997
00:54:45,960 --> 00:54:50,160
Speaker 2: me it was like, oh my goodness, let's speak in Spanish. Yeah,

998
00:54:51,040 --> 00:54:53,120
Speaker 2: so we don't have a big Latino community and the

999
00:54:53,360 --> 00:54:56,480
Speaker 2: ky So my mind is blow the entire time. And

1000
00:54:56,600 --> 00:54:58,320
Speaker 2: then just like say what together.

1001
00:54:59,800 --> 00:55:13,920
Speaker 1: All d you know? They them up today, all the vibes, and.

1002
00:55:13,920 --> 00:55:16,839
Speaker 2: I'm just saying, like my mind like if they were

1003
00:55:17,400 --> 00:55:20,320
Speaker 2: great like and also I have the thing where I

1004
00:55:20,400 --> 00:55:23,120
Speaker 2: listen to people speak. I like to I hear melody

1005
00:55:23,239 --> 00:55:27,040
Speaker 2: and you know, and anyhow, and Johnes is looking at.

1006
00:55:27,000 --> 00:55:28,480
Speaker 4: Me like what what I was like?

1007
00:55:28,640 --> 00:55:31,640
Speaker 2: They they hold on, you know, don't worry about it's

1008
00:55:31,640 --> 00:55:32,680
Speaker 2: good will is right.

1009
00:55:32,600 --> 00:55:32,920
Speaker 5: About that.

1010
00:55:34,840 --> 00:55:41,080
Speaker 3: You wrote about it American one who really Hispanic, and it.

1011
00:55:41,120 --> 00:55:47,280
Speaker 2: Made it about everybody you were. But the emaginal starting

1012
00:55:47,320 --> 00:55:49,160
Speaker 2: point was like, oh my goodness, I'm on the beach

1013
00:55:49,200 --> 00:55:51,000
Speaker 2: and this is just a fun time, you know, like

1014
00:55:51,160 --> 00:55:53,640
Speaker 2: it was the whole It was on me and my hunggirl. Yeah,

1015
00:55:53,719 --> 00:55:58,160
Speaker 2: it was a wild I will say it, well, I

1016
00:55:58,200 --> 00:56:00,800
Speaker 2: will say yes, but you know, like I said, it was.

1017
00:56:00,960 --> 00:56:04,040
Speaker 2: And then we're fresh from London, so the accents extra strong,

1018
00:56:04,360 --> 00:56:08,080
Speaker 2: so it doesn't matter black guys. It was just everybody.

1019
00:56:08,120 --> 00:56:10,200
Speaker 2: It was like, oh my goodness, the British girls and

1020
00:56:10,680 --> 00:56:13,840
Speaker 2: we were just like, let's go get margarita and like,

1021
00:56:14,600 --> 00:56:15,400
Speaker 2: but what's the way home?

1022
00:56:15,600 --> 00:56:15,879
Speaker 4: You come?

1023
00:56:16,440 --> 00:56:17,080
Speaker 2: It was a good time.

1024
00:56:17,760 --> 00:56:19,360
Speaker 4: That was so it was.

1025
00:56:19,480 --> 00:56:21,640
Speaker 2: It was fun. So we go in and John's like,

1026
00:56:21,680 --> 00:56:23,880
Speaker 2: whatch ha been up to? And I'm like on the

1027
00:56:23,960 --> 00:56:25,759
Speaker 2: beach and you know, he's like, well, let's right about that.

1028
00:56:26,640 --> 00:56:30,640
Speaker 2: And the same thing. He goes in and and melodies

1029
00:56:30,719 --> 00:56:33,000
Speaker 2: and I go into our melody and then we both

1030
00:56:33,040 --> 00:56:34,280
Speaker 2: call or in the alliance.

1031
00:56:34,239 --> 00:56:36,120
Speaker 1: Held bring back.

1032
00:56:36,520 --> 00:56:37,080
Speaker 3: I'm a student.

1033
00:56:37,239 --> 00:56:37,720
Speaker 2: I'm a student.

1034
00:56:39,080 --> 00:56:39,600
Speaker 3: I'm right here.

1035
00:56:39,600 --> 00:56:41,359
Speaker 8: Had the conversation. He said, all right, now let's write

1036
00:56:41,400 --> 00:56:46,279
Speaker 8: about this. He takes everything, he goes and make the beat.

1037
00:56:46,520 --> 00:56:47,440
Speaker 3: He makes the beat like.

1038
00:56:49,120 --> 00:56:50,840
Speaker 2: Well, I am had the beat and he was playing

1039
00:56:50,880 --> 00:56:53,480
Speaker 2: three beats, playing playing three beats. First of all, he

1040
00:56:53,520 --> 00:56:56,239
Speaker 2: played me wait a Minute, which was the very first single,

1041
00:56:58,000 --> 00:56:59,960
Speaker 2: and I'm like, oh, that's screaming little such a love

1042
00:57:00,040 --> 00:57:02,640
Speaker 2: that sample. Let's let's do that one. He's like okay,

1043
00:57:03,480 --> 00:57:05,200
Speaker 2: So we wrote that record, put it down, and then

1044
00:57:05,400 --> 00:57:08,120
Speaker 2: American Boy came around and he was like, I don't.

1045
00:57:08,680 --> 00:57:14,520
Speaker 2: I said that feat is it? And he's like, no,

1046
00:57:14,560 --> 00:57:16,200
Speaker 2: I don't. I don't know if that's a hit. I said,

1047
00:57:17,880 --> 00:57:20,520
Speaker 2: that's the one, and if we don't make it back,

1048
00:57:21,240 --> 00:57:23,160
Speaker 2: I'll go to ib from making your money back. They're

1049
00:57:23,160 --> 00:57:29,200
Speaker 2: gonna love this in the UK. I'm in Europe. We're good. Yeah,

1050
00:57:30,240 --> 00:57:30,800
Speaker 2: it'll be good.

1051
00:57:31,920 --> 00:57:36,800
Speaker 1: So yeah, you're like, okay, I know this don't work it.

1052
00:57:38,640 --> 00:57:41,600
Speaker 2: And that's my thought. No, that's my thought for us

1053
00:57:41,640 --> 00:57:44,200
Speaker 2: as if I can. If it works for me, it's

1054
00:57:44,240 --> 00:57:47,280
Speaker 2: something that I believe in and I know that I

1055
00:57:47,400 --> 00:57:50,320
Speaker 2: can do it at home, going.

1056
00:57:50,200 --> 00:57:53,440
Speaker 4: Everywhere, like over here, we can't. If you don't work,

1057
00:57:53,480 --> 00:57:53,920
Speaker 4: it don't work.

1058
00:57:54,000 --> 00:57:55,920
Speaker 3: She's like, I could take it to the game. We're

1059
00:57:55,920 --> 00:57:58,280
Speaker 3: gonna be like, let's try it in the UK. It's

1060
00:57:58,360 --> 00:57:59,320
Speaker 3: already you should.

1061
00:58:00,040 --> 00:58:02,400
Speaker 2: Well, that's if it's gonna work. I don't think that's

1062
00:58:02,440 --> 00:58:05,880
Speaker 2: even a real If you love it, and it's your ship.

1063
00:58:06,120 --> 00:58:08,480
Speaker 2: It's gonna work wherever you take it. You know, that's mine.

1064
00:58:08,520 --> 00:58:11,040
Speaker 2: That's that's always been my thing. But selling it to

1065
00:58:11,120 --> 00:58:13,600
Speaker 2: them was just like, no, give me, I know what

1066
00:58:13,720 --> 00:58:17,360
Speaker 2: place I can go perform that girl right now. But

1067
00:58:17,520 --> 00:58:19,240
Speaker 2: other than that, I just loved it and believed in

1068
00:58:19,280 --> 00:58:22,160
Speaker 2: the record. The baseline is one thing an American boy

1069
00:58:22,240 --> 00:58:25,520
Speaker 2: that is don't matter if I just have a bass player, Yeah,

1070
00:58:26,160 --> 00:58:28,480
Speaker 2: that song, I have a hand clap. I can sing

1071
00:58:28,560 --> 00:58:30,880
Speaker 2: that song. It's just a guitar. I can sing that song.

1072
00:58:31,360 --> 00:58:33,720
Speaker 2: And that's that's my through line with every single record,

1073
00:58:33,880 --> 00:58:37,840
Speaker 2: like can I do this, do this, I do this,

1074
00:58:38,680 --> 00:58:42,760
Speaker 2: I do this easy? Yeah. But that that was literally that,

1075
00:58:43,000 --> 00:58:47,280
Speaker 2: and we'll put the record out elsewhere, and we came

1076
00:58:47,360 --> 00:58:49,480
Speaker 2: back around, figured it out and he released it.

1077
00:58:49,640 --> 00:58:51,200
Speaker 1: It feel like that's one of them songs that.

1078
00:58:53,400 --> 00:58:53,680
Speaker 6: It No.

1079
00:58:53,840 --> 00:58:56,280
Speaker 2: He had already recorded a version of it like a

1080
00:58:56,440 --> 00:58:59,080
Speaker 2: vibe record, and had just released it in the UK

1081
00:58:59,240 --> 00:59:02,560
Speaker 2: and a very small label and the whole album, so

1082
00:59:02,600 --> 00:59:04,600
Speaker 2: it wasn't the single of the album, just on this album,

1083
00:59:05,040 --> 00:59:09,120
Speaker 2: and people who knew him loved him found that record

1084
00:59:09,160 --> 00:59:10,360
Speaker 2: and they were like, but this is the will I

1085
00:59:10,400 --> 00:59:13,320
Speaker 2: am record? I was like, excuse me, bro. He was

1086
00:59:13,360 --> 00:59:28,280
Speaker 2: like he was like, yeah, that was crazy that came up. Okay,

1087
00:59:28,320 --> 00:59:28,880
Speaker 2: I'm not going.

1088
00:59:36,480 --> 00:59:37,360
Speaker 15: No, I'm not gonna do.

1089
00:59:40,600 --> 00:59:44,200
Speaker 2: So I was perfect, especially he we put it out

1090
00:59:44,360 --> 00:59:47,400
Speaker 2: and it just went and did everything he needed to do.

1091
00:59:48,440 --> 00:59:51,400
Speaker 2: Kanye go on it maybe six months to eight months

1092
00:59:51,440 --> 00:59:55,160
Speaker 2: after we recorded it. That's it, uh, and he we

1093
00:59:55,440 --> 00:59:58,160
Speaker 2: wanted him on it. It wasn't like this is a

1094
00:59:58,240 --> 00:59:59,840
Speaker 2: thing to make her blow up. It was like the

1095
01:00:00,240 --> 01:00:02,720
Speaker 2: is gonna go. This is a juggleal how can we

1096
01:00:02,800 --> 01:00:04,080
Speaker 2: make it sleeping over?

1097
01:00:05,520 --> 01:00:09,480
Speaker 9: I was like, I mean should guy, what's a record

1098
01:00:09,560 --> 01:00:12,720
Speaker 9: that you win in the studio that you just absolutely

1099
01:00:13,040 --> 01:00:15,760
Speaker 9: like your feeling world favorite?

1100
01:00:18,040 --> 01:00:20,680
Speaker 2: Like I think at the time of this is my

1101
01:00:21,000 --> 01:00:24,640
Speaker 2: I can listen to this like I just recorded. It's

1102
01:00:24,680 --> 01:00:27,040
Speaker 2: not exactly where I was and this the original demo

1103
01:00:27,120 --> 01:00:29,840
Speaker 2: vocal from my house, a song called break My Heart

1104
01:00:30,480 --> 01:00:33,880
Speaker 2: featuring Red Cross. I remember where I was and it

1105
01:00:33,960 --> 01:00:37,640
Speaker 2: was like forecast in it, which is weird. But the

1106
01:00:37,680 --> 01:00:40,000
Speaker 2: guy I was with at the time, I was like,

1107
01:00:40,120 --> 01:00:42,000
Speaker 2: I wrote this record out of just a pure blue sky,

1108
01:00:42,120 --> 01:00:45,800
Speaker 2: like the four hour scenario, and I wasn't doing it frequently.

1109
01:00:45,840 --> 01:00:47,920
Speaker 2: Then I just did it in that moment and never

1110
01:00:48,000 --> 01:00:51,440
Speaker 2: did it again for like six years. And at the

1111
01:00:51,520 --> 01:00:54,840
Speaker 2: time I was like, this is it's not with this record,

1112
01:00:54,880 --> 01:00:56,320
Speaker 2: and you know, I told the label and that was

1113
01:00:56,560 --> 01:00:58,320
Speaker 2: the second album all to me. But that record makes

1114
01:00:58,360 --> 01:01:02,000
Speaker 2: me just feel like I want them and the nineties.

1115
01:01:03,360 --> 01:01:03,560
Speaker 1: Like this.

1116
01:01:04,000 --> 01:01:07,960
Speaker 2: Yeah, I don't want to relift a heartbreak. But every

1117
01:01:08,040 --> 01:01:09,960
Speaker 2: single song, you know, and I feel like I got

1118
01:01:10,000 --> 01:01:14,080
Speaker 2: to listen new records. This album the same vibe.

1119
01:01:15,680 --> 01:01:19,600
Speaker 1: It was always a bad excited about it. I'm excited.

1120
01:01:20,160 --> 01:01:21,440
Speaker 1: What's the name of the new album?

1121
01:01:21,640 --> 01:01:22,240
Speaker 2: What is coming?

1122
01:01:22,320 --> 01:01:23,160
Speaker 4: I can't tell you just.

1123
01:01:30,880 --> 01:01:34,320
Speaker 2: Us, but I will say I have four records out

1124
01:01:34,400 --> 01:01:37,240
Speaker 2: right now, well probably by the time you hear this,

1125
01:01:37,920 --> 01:01:41,560
Speaker 2: Oh I fire Love on Love and the song cale

1126
01:01:41,640 --> 01:01:46,040
Speaker 2: New Directions, and these songs were made from like twenty eighteen,

1127
01:01:46,880 --> 01:01:50,000
Speaker 2: started in twenty twelve. BLUs made from twenty eighteen through

1128
01:01:50,120 --> 01:01:52,720
Speaker 2: to maybe we're just literally mixing as we go right now.

1129
01:01:55,880 --> 01:01:57,960
Speaker 4: Shit, he says, was.

1130
01:01:58,440 --> 01:02:04,400
Speaker 16: Whoa, it's timeless music, even though you take the studio,

1131
01:02:04,920 --> 01:02:08,000
Speaker 16: did be recorded with the music you've made, Like you said,

1132
01:02:08,840 --> 01:02:13,600
Speaker 16: eighteen year dropping twenty five, it takes a minute, it.

1133
01:02:13,720 --> 01:02:14,360
Speaker 4: Takes a million.

1134
01:02:15,200 --> 01:02:18,880
Speaker 2: Why now when because we need joy, we need love,

1135
01:02:19,360 --> 01:02:21,560
Speaker 2: and I think if God gave me all this music

1136
01:02:21,680 --> 01:02:25,439
Speaker 2: to give, now would be the time to get it going.

1137
01:02:25,480 --> 01:02:27,840
Speaker 2: And also I listen, I pray a lot, as I've said,

1138
01:02:28,280 --> 01:02:31,440
Speaker 2: and I don't. I don't really. I don't getting my

1139
01:02:31,520 --> 01:02:35,280
Speaker 2: ego about when, and we have to because people ain't.

1140
01:02:36,560 --> 01:02:37,840
Speaker 2: He gave it to me. He's going to make the

1141
01:02:37,880 --> 01:02:39,680
Speaker 2: pall straight and let people who need to hear it

1142
01:02:39,760 --> 01:02:41,800
Speaker 2: hear it. Who is four? Us who is four? And

1143
01:02:41,880 --> 01:02:43,720
Speaker 2: it's you know, and they're going to get it in

1144
01:02:43,800 --> 01:02:45,440
Speaker 2: the time they get it in. There's people who were

1145
01:02:45,480 --> 01:02:48,520
Speaker 2: just discovering I had a reggae album out now, and

1146
01:02:48,640 --> 01:02:50,240
Speaker 2: I did that in twenty I put that out in

1147
01:02:50,280 --> 01:02:50,800
Speaker 2: twenty eighteen.

1148
01:02:51,200 --> 01:02:53,919
Speaker 8: It's like you had a whole reggae I'm just like, oh,

1149
01:02:54,000 --> 01:02:56,240
Speaker 8: butch up.

1150
01:02:57,960 --> 01:02:59,440
Speaker 2: But when you're meant to hear it, you're meant to

1151
01:02:59,480 --> 01:03:01,040
Speaker 2: hear it, not to say that this is what this is.

1152
01:03:01,160 --> 01:03:03,960
Speaker 2: But I took my time with this and wanted to

1153
01:03:04,040 --> 01:03:07,000
Speaker 2: wait for the right features. I wanted to put everything

1154
01:03:07,040 --> 01:03:08,600
Speaker 2: in the right place. As much as I proposed to

1155
01:03:08,640 --> 01:03:11,360
Speaker 2: be good and let the producer do this thing too.

1156
01:03:11,440 --> 01:03:14,800
Speaker 2: I didn't want to just be like good. I want

1157
01:03:14,800 --> 01:03:16,040
Speaker 2: to live with it. I want to ride with it.

1158
01:03:16,120 --> 01:03:17,680
Speaker 2: I want to see how allowed it to feel and

1159
01:03:17,760 --> 01:03:21,920
Speaker 2: how joyful. Yeah, this is if this is whacking. It

1160
01:03:22,000 --> 01:03:24,080
Speaker 2: was just me in the house, like just because everything

1161
01:03:24,160 --> 01:03:27,280
Speaker 2: was quiet or and it wasn't you know, you know

1162
01:03:27,360 --> 01:03:27,960
Speaker 2: what I love.

1163
01:03:27,840 --> 01:03:31,320
Speaker 6: About you, Like we've been following each other on social

1164
01:03:31,400 --> 01:03:34,520
Speaker 6: media for a long time, but you show a lot

1165
01:03:34,600 --> 01:03:37,120
Speaker 6: of love to just a lot of a lot of people.

1166
01:03:37,880 --> 01:03:38,920
Speaker 1: Like I've been seeing you.

1167
01:03:39,080 --> 01:03:41,680
Speaker 6: Laughing at the at the comedy pages, the reals and

1168
01:03:42,160 --> 01:03:42,720
Speaker 6: the music.

1169
01:03:42,840 --> 01:03:44,160
Speaker 1: You be all over the place.

1170
01:03:44,280 --> 01:03:50,320
Speaker 2: Man, we live jewel lied, we live everywhere. And I

1171
01:03:50,360 --> 01:03:54,240
Speaker 2: don't I don't hate. I don't really see the whole. Well,

1172
01:03:54,240 --> 01:03:56,120
Speaker 2: you can't like this person sing too much because they're

1173
01:03:56,120 --> 01:03:57,960
Speaker 2: going to think you're too drawing. Like what makes me

1174
01:03:58,040 --> 01:03:59,439
Speaker 2: laugh makes me laugh, I don't.

1175
01:03:59,520 --> 01:04:00,320
Speaker 1: I just hit that.

1176
01:04:00,640 --> 01:04:03,640
Speaker 2: Yeah, and I think you guys are funny. You kept

1177
01:04:03,840 --> 01:04:08,760
Speaker 2: us alive during the Panditi and before Okay, I was listening. Look,

1178
01:04:08,800 --> 01:04:11,479
Speaker 2: I was looking on YouTube, like looking at the full

1179
01:04:11,720 --> 01:04:14,520
Speaker 2: like old shows that you were like, I am going

1180
01:04:14,560 --> 01:04:17,280
Speaker 2: to see you on Netflix. That ship made my heart thing.

1181
01:04:17,480 --> 01:04:20,400
Speaker 2: I was so joyful. I was like, this is this

1182
01:04:20,600 --> 01:04:23,760
Speaker 2: isn't it seems to be proud, like, so appreciate mother.

1183
01:04:24,600 --> 01:04:27,200
Speaker 6: What kind of advice do you give artists that come

1184
01:04:27,280 --> 01:04:30,560
Speaker 6: up to you like the next are still a lot

1185
01:04:30,600 --> 01:04:33,400
Speaker 6: of London that she's from the East Side though, she

1186
01:04:33,880 --> 01:04:36,520
Speaker 6: you know, because it's no blueprint to really do what

1187
01:04:36,720 --> 01:04:40,160
Speaker 6: you've done, but you made it easier for the next

1188
01:04:40,280 --> 01:04:44,080
Speaker 6: person because you bridge the gap between America.

1189
01:04:43,640 --> 01:04:44,520
Speaker 1: And the and the UK.

1190
01:04:44,840 --> 01:04:48,560
Speaker 2: So well, you know, Lousens did that for me. They

1191
01:04:48,600 --> 01:04:52,040
Speaker 2: did that for me. Who else a bunch of things

1192
01:04:52,080 --> 01:04:56,760
Speaker 2: in the UK from Beverly Nighties, Paris. Uh, so many

1193
01:04:56,840 --> 01:04:59,320
Speaker 2: people did that for me. I can't stand here and

1194
01:04:59,360 --> 01:05:00,400
Speaker 2: say like I'm the first.

1195
01:05:00,720 --> 01:05:03,480
Speaker 4: No, parts not the first, but you got to keep

1196
01:05:03,520 --> 01:05:05,280
Speaker 4: the legacy going for sure, and.

1197
01:05:05,480 --> 01:05:08,720
Speaker 2: Keep legacy talking. Uh, Marsha and flower Tree did that

1198
01:05:08,800 --> 01:05:12,000
Speaker 2: for me too, right. So what I always tell people,

1199
01:05:12,040 --> 01:05:13,640
Speaker 2: and it's always a question like, well how do I

1200
01:05:13,760 --> 01:05:16,840
Speaker 2: how do I like? You're a singer thing, you're an artist?

1201
01:05:16,960 --> 01:05:19,880
Speaker 2: Be artist. All the other shit you're worrying about is

1202
01:05:20,000 --> 01:05:22,040
Speaker 2: standing in the way, your ego standing in the way.

1203
01:05:22,160 --> 01:05:25,840
Speaker 2: Stop thinking overthinking this shit and just create like I

1204
01:05:25,960 --> 01:05:29,320
Speaker 2: did it. I'm writing a book because I keep getting

1205
01:05:29,360 --> 01:05:33,960
Speaker 2: that question and it's just my perspective. Tweak it, make

1206
01:05:34,000 --> 01:05:34,520
Speaker 2: it your own.

1207
01:05:34,840 --> 01:05:35,000
Speaker 1: You know.

1208
01:05:35,200 --> 01:05:36,560
Speaker 2: My thing is just I'm gonna show you how you

1209
01:05:36,680 --> 01:05:38,800
Speaker 2: get how I got there. And I had to learn

1210
01:05:38,880 --> 01:05:41,480
Speaker 2: these lessons on the fly because there was no physical

1211
01:05:41,560 --> 01:05:46,160
Speaker 2: example of like come here, stay here, move with this person.

1212
01:05:46,360 --> 01:05:48,880
Speaker 2: Don't do that shit I said, don't do that shit.

1213
01:05:48,920 --> 01:05:51,120
Speaker 2: It was none of that for me. I was doing

1214
01:05:51,160 --> 01:05:52,880
Speaker 2: the shit and fuck it. I'm being like, oh God,

1215
01:05:53,680 --> 01:05:54,320
Speaker 2: let's go again.

1216
01:05:54,560 --> 01:05:54,720
Speaker 3: You know.

1217
01:05:55,400 --> 01:05:56,880
Speaker 2: So I'm writing all that in the book. But my

1218
01:05:56,960 --> 01:05:59,600
Speaker 2: main thing is always just create, stop making excuses about it,

1219
01:06:00,320 --> 01:06:04,560
Speaker 2: make really good music, stop judging the music, don't overthink it,

1220
01:06:05,400 --> 01:06:09,160
Speaker 2: and pray, like whoever you pray to. I believe in

1221
01:06:09,360 --> 01:06:10,880
Speaker 2: spirituality over religion.

1222
01:06:11,440 --> 01:06:11,600
Speaker 4: You know.

1223
01:06:11,960 --> 01:06:14,360
Speaker 2: However you get to God is how you get to God. Right,

1224
01:06:15,720 --> 01:06:18,280
Speaker 2: But yeah, the being that is bigger than all of

1225
01:06:18,400 --> 01:06:22,160
Speaker 2: us for directions and do the fucking thing, like stop

1226
01:06:23,280 --> 01:06:27,240
Speaker 2: overthinking and stuff. Dude, Yeah, get out your way. That's

1227
01:06:27,320 --> 01:06:29,800
Speaker 2: my main thing to like, well how are you? And

1228
01:06:29,840 --> 01:06:30,280
Speaker 2: I'm just like.

1229
01:06:33,440 --> 01:06:33,800
Speaker 4: I'm just.

1230
01:06:35,920 --> 01:06:38,320
Speaker 2: Here, go doors open. I'm like cool, I'm gonna run

1231
01:06:38,320 --> 01:06:41,320
Speaker 2: through it full speed. Don't stop running cool, keep going.

1232
01:06:41,360 --> 01:06:45,200
Speaker 2: All right, we're living in real life. That's my thing. Yeah,

1233
01:06:47,720 --> 01:06:48,160
Speaker 2: is that okay?

1234
01:06:51,640 --> 01:06:52,240
Speaker 4: We're good.

1235
01:06:55,640 --> 01:06:58,320
Speaker 6: Because it's like even you know us as comedians and

1236
01:06:58,440 --> 01:06:59,440
Speaker 6: he's a musician.

1237
01:06:59,560 --> 01:07:01,440
Speaker 4: You do is very talented.

1238
01:07:01,800 --> 01:07:04,160
Speaker 1: Hey, your residuous talents were crazy too.

1239
01:07:05,680 --> 01:07:07,560
Speaker 6: So it's just like just to be able to get

1240
01:07:07,600 --> 01:07:10,760
Speaker 6: some insight on somebody who was creative, just to see

1241
01:07:10,800 --> 01:07:13,720
Speaker 6: what the process is and how you navigate the decisions,

1242
01:07:13,880 --> 01:07:16,200
Speaker 6: you know what I mean, because sometimes we do shit

1243
01:07:16,280 --> 01:07:18,760
Speaker 6: and we don't know the impact that it's having on

1244
01:07:18,920 --> 01:07:19,520
Speaker 6: somebody else.

1245
01:07:19,640 --> 01:07:21,520
Speaker 1: Like you said, the lady who knew the album cut,

1246
01:07:21,600 --> 01:07:23,800
Speaker 1: that's her, that's her ship that you know.

1247
01:07:23,960 --> 01:07:26,560
Speaker 6: And then sometimes people come up to us and tell

1248
01:07:26,680 --> 01:07:28,600
Speaker 6: us about a moment that happened, and it's like, man,

1249
01:07:28,680 --> 01:07:29,840
Speaker 6: I needed wouldn't.

1250
01:07:29,880 --> 01:07:31,480
Speaker 1: I was at a point where it would nothing make

1251
01:07:31,560 --> 01:07:34,160
Speaker 1: me laugh, But I sat and I watched and got

1252
01:07:34,240 --> 01:07:37,160
Speaker 1: me out of that space. Like that's that's the ship.

1253
01:07:37,360 --> 01:07:38,439
Speaker 4: Thing, right. Yeah.

1254
01:07:38,720 --> 01:07:42,520
Speaker 2: They're saying like there's fifty eleven things and even put

1255
01:07:42,600 --> 01:07:45,080
Speaker 2: so many bodies you just want to execute. You start,

1256
01:07:45,120 --> 01:07:46,400
Speaker 2: you go out on your value ites like what makes

1257
01:07:46,440 --> 01:07:47,640
Speaker 2: me fun? What makes me laugh?

1258
01:07:48,040 --> 01:07:48,200
Speaker 1: Right?

1259
01:07:48,440 --> 01:07:51,240
Speaker 2: And you the way you do comedy is observant as fuck,

1260
01:07:51,320 --> 01:07:53,160
Speaker 2: And I love it, you know, and it's just like

1261
01:07:53,240 --> 01:07:55,880
Speaker 2: a very like this is this is this is this

1262
01:07:56,000 --> 01:08:00,280
Speaker 2: is why I follow like because it's it's truth. You know,

1263
01:08:00,440 --> 01:08:05,520
Speaker 2: it's not it's not made up. Yeah, and I wish

1264
01:08:05,600 --> 01:08:08,920
Speaker 2: more people would think that instead of thinking me, are

1265
01:08:09,920 --> 01:08:11,480
Speaker 2: we get in the way. This is the way that

1266
01:08:11,600 --> 01:08:13,400
Speaker 2: this is that is done and I have to present

1267
01:08:13,520 --> 01:08:16,519
Speaker 2: this way and I have to present that way all right,

1268
01:08:17,120 --> 01:08:17,360
Speaker 2: you know.

1269
01:08:20,000 --> 01:08:21,680
Speaker 1: I can't do that.

1270
01:08:26,000 --> 01:08:28,280
Speaker 8: You're getting frustrated because everything will come with a problem

1271
01:08:28,680 --> 01:08:30,840
Speaker 8: every once you know that, and you're like, oh see,

1272
01:08:30,840 --> 01:08:32,840
Speaker 8: I was so focused on thinking that once I get done,

1273
01:08:32,960 --> 01:08:34,400
Speaker 8: this problem ain't gonna have problems.

1274
01:08:35,120 --> 01:08:36,639
Speaker 3: You just gotta learn the problem.

1275
01:08:36,720 --> 01:08:39,800
Speaker 2: So yep, it was mean thing.

1276
01:08:40,560 --> 01:08:42,640
Speaker 1: I'm a n R. I'm the a R on the

1277
01:08:42,760 --> 01:08:50,280
Speaker 1: new DC album We need you What needs you on?

1278
01:08:51,120 --> 01:08:54,760
Speaker 1: What needs you need? A session? Fact, Yeah, we ain't

1279
01:08:54,760 --> 01:08:57,080
Speaker 1: gonna We're gonna actually ready for you be quick.

1280
01:08:57,200 --> 01:08:57,880
Speaker 2: I want to hear.

1281
01:09:00,160 --> 01:09:07,040
Speaker 1: For a hour. I'm gonna pray for come on, she's

1282
01:09:07,040 --> 01:09:07,439
Speaker 1: gonna stop.

1283
01:09:09,880 --> 01:09:10,760
Speaker 2: He's a decent.

1284
01:09:14,280 --> 01:09:16,000
Speaker 1: American where we're gonna give her so much.

1285
01:09:16,320 --> 01:09:19,200
Speaker 6: It's gonna be so much CASTRM five teens and ways she's.

1286
01:09:19,040 --> 01:09:21,480
Speaker 1: Gonna be like come on Man, I'm ready to go around.

1287
01:09:25,560 --> 01:09:25,760
Speaker 4: One.

1288
01:09:27,720 --> 01:09:35,760
Speaker 1: It's on the top on this turn that phones up.

1289
01:09:35,920 --> 01:09:38,280
Speaker 4: Oh my god, Oh my god.

1290
01:09:39,479 --> 01:09:41,600
Speaker 3: Now it's just funny here hearing the journey though, you

1291
01:09:41,640 --> 01:09:43,080
Speaker 3: know what I'm saying, because as an artist like you

1292
01:09:43,320 --> 01:09:45,519
Speaker 3: just hear like the process.

1293
01:09:45,960 --> 01:09:46,640
Speaker 4: I think, I just.

1294
01:09:48,560 --> 01:09:50,240
Speaker 8: You know what I'm saying, have finally just got to

1295
01:09:50,320 --> 01:09:52,439
Speaker 8: a point like bro, it's just the process. The only

1296
01:09:52,520 --> 01:09:54,160
Speaker 8: thing that's different between you and there was a pla

1297
01:09:54,320 --> 01:09:57,519
Speaker 8: plaque on the wall and it's literally let me measure

1298
01:09:57,560 --> 01:09:57,960
Speaker 8: that what it.

1299
01:09:58,000 --> 01:09:59,839
Speaker 1: Feels like, the hanger plague on the walls.

1300
01:09:59,880 --> 01:10:04,400
Speaker 4: Just that's just from thinking about like you know, you're

1301
01:10:04,439 --> 01:10:09,160
Speaker 4: growing up, You're sitting in your room. You go from

1302
01:10:10,360 --> 01:10:11,280
Speaker 4: from the notebook to.

1303
01:10:12,880 --> 01:10:16,439
Speaker 2: Your point. You know how many records will never see

1304
01:10:16,479 --> 01:10:19,960
Speaker 2: the light day, never get to that one grammy and

1305
01:10:20,040 --> 01:10:23,400
Speaker 2: that one two million and at one moment and people

1306
01:10:23,560 --> 01:10:25,960
Speaker 2: coming up saying to get all of those that record

1307
01:10:26,360 --> 01:10:30,599
Speaker 2: there are there are there are that tapes hard drives

1308
01:10:30,680 --> 01:10:34,800
Speaker 2: this big and my vocals on him that will never

1309
01:10:34,920 --> 01:10:39,040
Speaker 2: see the light of day, please Jesus, because they were terrible,

1310
01:10:39,280 --> 01:10:42,639
Speaker 2: Okay to get to that point, And I think it's

1311
01:10:42,800 --> 01:10:46,160
Speaker 2: just one of the things that I did before I

1312
01:10:46,320 --> 01:10:49,519
Speaker 2: decided to move. Here was in between all of the

1313
01:10:49,600 --> 01:10:51,880
Speaker 2: discussion with the label again, I was praying I went

1314
01:10:51,920 --> 01:10:55,200
Speaker 2: to a real depressive era. I call it depressive, but

1315
01:10:55,320 --> 01:10:57,320
Speaker 2: it wasn't. It was good, like singling me out to

1316
01:10:57,479 --> 01:11:00,720
Speaker 2: like get me right, and I was like, get clear

1317
01:11:00,760 --> 01:11:02,080
Speaker 2: on what do you what do you want? I want

1318
01:11:02,120 --> 01:11:04,280
Speaker 2: to win a Grammy. I'm going to win a Grammy.

1319
01:11:05,000 --> 01:11:07,560
Speaker 2: I'm winning a Grammy. I wonner Grammy. Like how the

1320
01:11:07,640 --> 01:11:10,320
Speaker 2: words mean things right? And it took me getting to

1321
01:11:10,400 --> 01:11:12,639
Speaker 2: that place and then being like, I'm going to get

1322
01:11:12,640 --> 01:11:15,760
Speaker 2: out the way of the house. I don't know how.

1323
01:11:16,400 --> 01:11:18,640
Speaker 2: I didn't even expect it. When it happened, I was

1324
01:11:19,560 --> 01:11:21,439
Speaker 2: I got no I got told I was nominated when

1325
01:11:21,439 --> 01:11:24,320
Speaker 2: I was leaving another hotel in maybe Vienna or something

1326
01:11:24,400 --> 01:11:27,479
Speaker 2: on tour, and I was pissed. I want to go home.

1327
01:11:27,640 --> 01:11:29,519
Speaker 2: It was cold, I was tired. I didn't know where

1328
01:11:29,560 --> 01:11:33,880
Speaker 2: home was. I just moved from London. Family wasn't really

1329
01:11:33,920 --> 01:11:36,080
Speaker 2: in the US like that. And I got told I

1330
01:11:36,200 --> 01:11:39,400
Speaker 2: was nominated, and I was big piss going home. I'm

1331
01:11:39,400 --> 01:11:41,880
Speaker 2: coming down at the elevator and I get a phone

1332
01:11:41,920 --> 01:11:44,439
Speaker 2: call and I'm just like, what are they calling me

1333
01:11:44,520 --> 01:11:46,519
Speaker 2: for now who else I got paid? Like what the fuck?

1334
01:11:46,640 --> 01:11:48,400
Speaker 2: Like can you leave me? I just want to get

1335
01:11:48,400 --> 01:11:52,960
Speaker 2: on the box. I can't even but I'm performing every

1336
01:11:53,040 --> 01:11:55,880
Speaker 2: night and I'm giving him my all. And they were like,

1337
01:11:55,920 --> 01:12:00,880
Speaker 2: you got nominated two Grammys. I stopped in the middle

1338
01:12:00,880 --> 01:12:02,200
Speaker 2: of the street in Vienna and did a look at

1339
01:12:02,200 --> 01:12:05,000
Speaker 2: praise dogs. I was like, thank you, like I had

1340
01:12:05,080 --> 01:12:07,960
Speaker 2: a whole and then when I wanted, I want it

1341
01:12:08,040 --> 01:12:12,760
Speaker 2: on the carpet. So the how is inconsequential to God's

1342
01:12:12,800 --> 01:12:14,560
Speaker 2: saying like I told you you could get it, like

1343
01:12:15,160 --> 01:12:18,160
Speaker 2: just do the things, put in the work, or just yeah,

1344
01:12:18,200 --> 01:12:20,519
Speaker 2: out of the way, let me make it so you know?

1345
01:12:21,200 --> 01:12:23,560
Speaker 2: Does I say like there's fifty eleven different songs that

1346
01:12:23,640 --> 01:12:25,880
Speaker 2: will never see the light of day. There are moments

1347
01:12:25,960 --> 01:12:30,320
Speaker 2: that I could have taken I didn't take when God

1348
01:12:30,400 --> 01:12:32,000
Speaker 2: says yes, and when it says your time and you

1349
01:12:32,040 --> 01:12:35,479
Speaker 2: can't agreement with him and you save your time. It's whatever.

1350
01:12:36,640 --> 01:12:38,439
Speaker 2: Holding the plaque is one thing. I've had it at

1351
01:12:38,479 --> 01:12:43,120
Speaker 2: the house. Grammy's cute. But the memory and the feeling

1352
01:12:43,200 --> 01:12:45,840
Speaker 2: of those moments being God like he told me I

1353
01:12:45,920 --> 01:12:48,240
Speaker 2: was gonna get a Grammy. That's the thing.

1354
01:12:48,360 --> 01:12:48,600
Speaker 1: For me.

1355
01:12:48,840 --> 01:12:51,479
Speaker 2: That's the thing I carried like shit, you don't lie.

1356
01:12:52,840 --> 01:12:54,600
Speaker 3: You lie, you.

1357
01:13:01,000 --> 01:13:05,200
Speaker 1: Don't look it from you. We're here telling the truth

1358
01:13:05,320 --> 01:13:05,960
Speaker 1: for the Lord.

1359
01:13:06,760 --> 01:13:12,000
Speaker 2: That's the clear understand.

1360
01:13:13,760 --> 01:13:15,000
Speaker 4: And to the people who are watching this.

1361
01:13:15,680 --> 01:13:18,720
Speaker 1: I don't know chimes. You have to see people say

1362
01:13:18,760 --> 01:13:20,240
Speaker 1: this or hear people say this.

1363
01:13:20,520 --> 01:13:20,680
Speaker 10: Man.

1364
01:13:20,800 --> 01:13:23,880
Speaker 1: You gotta speak your dreams into life. Man, you know what.

1365
01:13:24,200 --> 01:13:25,519
Speaker 1: You can't just sit on that.

1366
01:13:25,680 --> 01:13:28,760
Speaker 8: Man because she just said it's crazy. Because like you said,

1367
01:13:28,840 --> 01:13:30,920
Speaker 8: most y'all did hit me. They said it was specific.

1368
01:13:31,960 --> 01:13:35,759
Speaker 8: I wouldn't that was specific. Always said I just wanted

1369
01:13:35,760 --> 01:13:36,439
Speaker 8: to do music.

1370
01:13:37,240 --> 01:13:38,559
Speaker 4: That's the face.

1371
01:13:39,080 --> 01:13:40,160
Speaker 2: To make it somewhere else.

1372
01:13:40,200 --> 01:13:42,679
Speaker 3: So he's just like you doing the music.

1373
01:13:42,960 --> 01:13:43,920
Speaker 4: That's the faith right there.

1374
01:13:44,040 --> 01:13:46,400
Speaker 6: You feel like God just we want to know if

1375
01:13:46,439 --> 01:13:48,680
Speaker 6: you're gonna be bold enough to say it, because you

1376
01:13:48,800 --> 01:13:50,400
Speaker 6: gotta somebody got to laugh at it.

1377
01:13:50,600 --> 01:13:52,519
Speaker 1: Somebody got to tell you that it ain't gonna have prime.

1378
01:13:52,720 --> 01:13:54,160
Speaker 1: But you're the one who gotta believe it.

1379
01:13:54,320 --> 01:13:54,639
Speaker 3: Rights.

1380
01:13:54,920 --> 01:13:59,560
Speaker 2: It's what you ain't nobody to say out loud to

1381
01:14:00,080 --> 01:14:02,400
Speaker 2: nobody around. I did it out loud on my balcony

1382
01:14:02,520 --> 01:14:03,439
Speaker 2: to nobody else.

1383
01:14:04,320 --> 01:14:04,519
Speaker 1: See.

1384
01:14:04,560 --> 01:14:06,040
Speaker 4: I always just wanted to make it and gave my.

1385
01:14:06,080 --> 01:14:09,920
Speaker 3: Family out the goods. That was just the goal he got.

1386
01:14:09,960 --> 01:14:12,000
Speaker 3: He gave me the gone somewhere else. So he was

1387
01:14:12,080 --> 01:14:14,920
Speaker 3: just like I gained him same go Now what what

1388
01:14:15,080 --> 01:14:15,639
Speaker 3: what else?

1389
01:14:15,840 --> 01:14:16,800
Speaker 2: Just like music? Easy?

1390
01:14:17,040 --> 01:14:20,240
Speaker 3: I was just put you around music for yourself. I'm

1391
01:14:20,560 --> 01:14:23,400
Speaker 3: put you on the wrong people who that you do music.

1392
01:14:23,800 --> 01:14:26,560
Speaker 3: So it's not really the plant, it's not really you

1393
01:14:26,600 --> 01:14:27,639
Speaker 3: want to make it out the hood.

1394
01:14:28,120 --> 01:14:30,880
Speaker 2: They really like your music, But what do you want

1395
01:14:30,920 --> 01:14:32,280
Speaker 2: to what do you want to do with the music.

1396
01:14:32,479 --> 01:14:34,959
Speaker 3: It's not just like help I just like being a composer.

1397
01:14:35,080 --> 01:14:37,680
Speaker 8: Like I realized, like that's what I like to do,

1398
01:14:38,120 --> 01:14:40,280
Speaker 8: just like by you hearing say that, Yes, you really

1399
01:14:40,320 --> 01:14:41,040
Speaker 8: just saying I'm like that.

1400
01:14:41,200 --> 01:14:41,840
Speaker 4: That's it for me.

1401
01:14:42,640 --> 01:14:44,680
Speaker 2: It's good that, thank you.

1402
01:14:45,400 --> 01:14:48,759
Speaker 3: That's all I want to tell the folks stop playing.

1403
01:14:49,320 --> 01:14:49,680
Speaker 3: That was it.

1404
01:14:50,080 --> 01:14:52,479
Speaker 2: That's it, that was it. And if you want to

1405
01:14:53,040 --> 01:14:56,439
Speaker 2: help me, look and I'll give you this if you

1406
01:14:56,520 --> 01:14:59,679
Speaker 2: want more. Nothing wrong with that. Yes, there's nothing wrong

1407
01:14:59,680 --> 01:15:03,160
Speaker 2: with saying I like hearing people hear my music and

1408
01:15:03,240 --> 01:15:06,280
Speaker 2: I like that. But you know what, God, I want

1409
01:15:06,320 --> 01:15:07,439
Speaker 2: to go on this tour and I want to do

1410
01:15:07,479 --> 01:15:11,240
Speaker 2: it like this. Yeah, there's nothing wrong with that. Think

1411
01:15:11,320 --> 01:15:12,800
Speaker 2: I think you have a gift and you will to

1412
01:15:13,439 --> 01:15:14,960
Speaker 2: do with that. Purpose pushes you.

1413
01:15:20,200 --> 01:15:25,960
Speaker 4: You gotta go stay. I want to cut it out.

1414
01:15:27,720 --> 01:15:29,200
Speaker 12: I want to cut it down.

1415
01:15:29,360 --> 01:15:32,880
Speaker 4: Lord, when you cut it out, I made it up.

1416
01:15:33,280 --> 01:15:34,959
Speaker 1: Got cigarette?

1417
01:15:46,280 --> 01:15:46,840
Speaker 2: How you take this?

1418
01:15:46,920 --> 01:15:51,360
Speaker 3: A beauty Charlie, But praise for your front there.

1419
01:15:51,439 --> 01:15:53,720
Speaker 1: But I said, want you to take the blood. I

1420
01:15:53,840 --> 01:15:55,200
Speaker 1: want my nephew off some Drew.

1421
01:15:55,400 --> 01:15:55,840
Speaker 4: I want to.

1422
01:16:00,200 --> 01:16:00,479
Speaker 3: Ride.

1423
01:16:01,280 --> 01:16:05,920
Speaker 1: Oh my god, I know your drilling.

1424
01:16:06,120 --> 01:16:12,720
Speaker 4: Jesus, Wait a minute, I know you Drew.

1425
01:16:13,479 --> 01:16:14,720
Speaker 3: You know.

1426
01:16:16,479 --> 01:16:18,280
Speaker 2: This felt bad too young?

1427
01:16:25,560 --> 01:16:29,320
Speaker 4: He meddled with this stuff. I won't better for it.

1428
01:16:32,800 --> 01:16:34,240
Speaker 2: I think you have looks.

1429
01:16:35,840 --> 01:16:42,320
Speaker 17: But that's so funny, brod here the break from from.

1430
01:16:44,080 --> 01:16:45,080
Speaker 4: Held this week.

1431
01:16:46,760 --> 01:16:47,840
Speaker 7: I saw what do you want?

1432
01:16:49,160 --> 01:16:49,519
Speaker 4: He think?

1433
01:16:49,640 --> 01:17:00,880
Speaker 12: No, nobody, nobody, I'm stealing, just gonna let him. It

1434
01:17:04,840 --> 01:17:07,200
Speaker 12: wouldn't be shipped if we if we didn't get you.

1435
01:17:08,960 --> 01:17:16,160
Speaker 6: Oh my god, we got YOUSELFO.

1436
01:17:16,600 --> 01:17:18,160
Speaker 2: I had a wonderful time when I come to the

1437
01:17:18,200 --> 01:17:21,760
Speaker 2: stuff every time, okay, from food to the to them.

1438
01:17:22,680 --> 01:17:28,840
Speaker 2: So I had a strip up stories. I was like,

1439
01:17:28,880 --> 01:17:32,240
Speaker 2: oh God, stricken stories. So this one good time at bank.

1440
01:17:32,320 --> 01:17:35,960
Speaker 4: Okay, that's.

1441
01:17:38,680 --> 01:17:39,400
Speaker 6: A yeah.

1442
01:17:39,680 --> 01:17:42,920
Speaker 2: I have gone there one. Wait, a few years ago

1443
01:17:43,600 --> 01:17:46,200
Speaker 2: a few years ago. I had to show out here

1444
01:17:48,400 --> 01:17:51,519
Speaker 2: all right because I'm I'm a polite tipper. I don't

1445
01:17:51,800 --> 01:17:55,880
Speaker 2: like throwing chap people. I'm a free face back no,

1446
01:17:56,160 --> 01:18:02,519
Speaker 2: I okay like that in their hands, but in their hands, okay,

1447
01:18:03,479 --> 01:18:04,559
Speaker 2: what are you doing here?

1448
01:18:04,600 --> 01:18:04,760
Speaker 3: You go?

1449
01:18:04,880 --> 01:18:05,719
Speaker 2: It's just so well.

1450
01:18:07,080 --> 01:18:08,840
Speaker 4: And that you did so well.

1451
01:18:09,000 --> 01:18:12,880
Speaker 2: I did great job. It's just awkward for me because

1452
01:18:13,040 --> 01:18:14,960
Speaker 2: a lot of a lot of ladies with dancing always

1453
01:18:15,000 --> 01:18:18,280
Speaker 2: like they genuine love. It's not like oh she's just

1454
01:18:18,360 --> 01:18:20,360
Speaker 2: like no, I love that song. And they came and

1455
01:18:20,600 --> 01:18:27,120
Speaker 2: hug me, and I'm just like thank you, because it's

1456
01:18:27,200 --> 01:18:31,360
Speaker 2: just glar everywhere. It's a wild time. I had did

1457
01:18:31,400 --> 01:18:33,679
Speaker 2: a show one time, and I did it after event

1458
01:18:33,920 --> 01:18:39,720
Speaker 2: at the show, the venue and STEVJ camp. He made

1459
01:18:39,800 --> 01:18:44,160
Speaker 2: us him and my team. That guy over there hatched

1460
01:18:44,200 --> 01:18:46,080
Speaker 2: the plan to get me to the homes of Atlanta.

1461
01:18:47,040 --> 01:18:51,519
Speaker 2: STEVJ was going to be hosting table down there. I am,

1462
01:18:52,240 --> 01:18:56,040
Speaker 2: I'm I'm quite polked. Okay, guys. Again, like I said,

1463
01:18:56,040 --> 01:18:57,600
Speaker 2: I'm not going to throw money at people. I just

1464
01:18:58,200 --> 01:19:01,000
Speaker 2: you know, don't show. We get to look and these

1465
01:19:01,080 --> 01:19:04,720
Speaker 2: guys left me there with TVJ. This is STVJ right

1466
01:19:04,840 --> 01:19:09,920
Speaker 2: the height of the team on the show Why did

1467
01:19:09,960 --> 01:19:11,760
Speaker 2: you leave? How would you leave me? In the club

1468
01:19:12,960 --> 01:19:16,719
Speaker 2: for the fun? Okay? And I'm just there looking around

1469
01:19:16,800 --> 01:19:27,080
Speaker 2: like what really do and our three faces are like,

1470
01:19:27,120 --> 01:19:28,920
Speaker 2: I me, these is these are generals we are but

1471
01:19:29,040 --> 01:19:31,360
Speaker 2: like it was very intense. It was so we go

1472
01:19:31,479 --> 01:19:34,160
Speaker 2: in there. I'm trying to like find my way to

1473
01:19:34,320 --> 01:19:36,000
Speaker 2: like just be for like and be nice. And then

1474
01:19:36,040 --> 01:19:38,120
Speaker 2: I go to the bathroom and I come back and

1475
01:19:39,240 --> 01:19:42,160
Speaker 2: he's like, get over here, you guys, stop that shy ship.

1476
01:19:42,200 --> 01:19:45,040
Speaker 2: And I'm just like, it's okay, okay, I just want

1477
01:19:45,040 --> 01:19:47,400
Speaker 2: to sit down. And then he gets this lady to

1478
01:19:47,479 --> 01:19:49,960
Speaker 2: do it Dars for me, and it's just the whole

1479
01:19:49,960 --> 01:19:53,760
Speaker 2: spectacle and I'm just like, okay, get a stage and

1480
01:19:53,840 --> 01:19:57,639
Speaker 2: she's like she's going like it's crazy. She's going crazy.

1481
01:19:57,840 --> 01:19:58,439
Speaker 2: Is it's a lot?

1482
01:19:58,600 --> 01:19:58,720
Speaker 6: Right?

1483
01:20:00,720 --> 01:20:03,720
Speaker 2: And he turns to me, Oh god, just say his

1484
01:20:03,800 --> 01:20:07,920
Speaker 2: boss ship. Oh no. He turns around and I'm looking

1485
01:20:08,479 --> 01:20:10,680
Speaker 2: I never heard he was.

1486
01:20:13,000 --> 01:20:13,040
Speaker 3: Like.

1487
01:20:14,640 --> 01:20:18,400
Speaker 2: He tells around. She's like and this point, everything's wide open,

1488
01:20:18,520 --> 01:20:20,960
Speaker 2: and I'm just like I don't want.

1489
01:20:20,840 --> 01:20:21,280
Speaker 1: To say.

1490
01:20:23,800 --> 01:20:25,439
Speaker 2: And he's like, nah, look at the asshole.

1491
01:20:25,439 --> 01:20:26,280
Speaker 4: And I was like, no, what.

1492
01:20:35,160 --> 01:20:36,599
Speaker 15: And it was like at the end of the dogs,

1493
01:20:36,760 --> 01:20:39,160
Speaker 15: she could see it was just a whole. I was

1494
01:20:39,280 --> 01:20:43,160
Speaker 15: like to share in my life and especially I took

1495
01:20:43,200 --> 01:20:46,000
Speaker 15: them like take them out. I was like, okay, here,

1496
01:20:46,000 --> 01:20:48,559
Speaker 15: you're going this so well, so well, and I gave

1497
01:20:48,600 --> 01:20:49,040
Speaker 15: her a Bundy.

1498
01:20:49,040 --> 01:20:51,880
Speaker 2: She was like, I was like, gotta go. It's just

1499
01:20:51,960 --> 01:20:53,920
Speaker 2: like that was like, I'm not good at that.

1500
01:20:55,400 --> 01:20:55,640
Speaker 3: I know.

1501
01:20:56,280 --> 01:20:59,880
Speaker 1: I just feel like back up, knew best.

1502
01:21:02,640 --> 01:21:08,559
Speaker 2: But the growing up, the woman, the treat you allful family.

1503
01:21:10,280 --> 01:21:12,960
Speaker 2: It's weird for me to be like I on the whole.

1504
01:21:14,400 --> 01:21:14,640
Speaker 1: I know.

1505
01:21:15,040 --> 01:21:17,600
Speaker 2: I just didn't feel good. They cussed me out by it.

1506
01:21:17,680 --> 01:21:18,280
Speaker 2: They laugh for me.

1507
01:21:19,000 --> 01:21:20,560
Speaker 11: Here they getting naked, so it'd be like, you know what,

1508
01:21:20,640 --> 01:21:21,400
Speaker 11: that's part of you.

1509
01:21:21,560 --> 01:21:24,120
Speaker 3: Like he spread that puss. Then they turned around the spread.

1510
01:21:24,160 --> 01:21:28,439
Speaker 2: Like hell no, oh my god, dam and I'm like,

1511
01:21:28,520 --> 01:21:31,400
Speaker 2: don't do it like that. Curious.

1512
01:21:32,720 --> 01:21:35,360
Speaker 1: We used to go to at the Blue Flame.

1513
01:21:35,280 --> 01:21:36,160
Speaker 7: Right well.

1514
01:21:37,600 --> 01:21:48,560
Speaker 1: Life who got tres.

1515
01:21:46,920 --> 01:21:51,840
Speaker 4: Flexing, big women flex right, not getting on.

1516
01:21:53,080 --> 01:21:53,799
Speaker 2: That's too much.

1517
01:21:55,840 --> 01:21:56,439
Speaker 1: Way you do it.

1518
01:21:56,600 --> 01:21:57,799
Speaker 4: The whole club going.

1519
01:22:00,720 --> 01:22:05,360
Speaker 6: Called the ads flat contest. Go on, Christy man, oh man,

1520
01:22:06,520 --> 01:22:09,479
Speaker 6: you ain't seen no ship like this these days. Getting

1521
01:22:09,520 --> 01:22:13,040
Speaker 6: out of Prinson, they coming from way back here.

1522
01:22:15,320 --> 01:22:16,640
Speaker 3: They didn't want to hit a nigga like that for

1523
01:22:16,720 --> 01:22:17,080
Speaker 3: so long.

1524
01:22:17,439 --> 01:22:22,120
Speaker 6: What the stripper do christ because they didn't give us

1525
01:22:22,200 --> 01:22:23,200
Speaker 6: six hundred.

1526
01:22:23,880 --> 01:22:27,000
Speaker 4: Oh my god, strip it's a lot.

1527
01:22:27,880 --> 01:22:29,599
Speaker 3: Gotta have your script flood.

1528
01:22:30,720 --> 01:22:33,280
Speaker 2: They had me singing American boy. Was it was strange

1529
01:22:34,360 --> 01:22:41,439
Speaker 2: yea god damn thank you they did.

1530
01:22:41,479 --> 01:22:44,160
Speaker 4: They made me saying it was like, did you see

1531
01:22:44,280 --> 01:22:45,120
Speaker 4: we get screw.

1532
01:22:47,120 --> 01:22:52,200
Speaker 2: Thank you? This is this is this is my color to.

1533
01:22:56,240 --> 01:22:56,559
Speaker 8: Come back.

1534
01:22:56,800 --> 01:22:59,600
Speaker 4: Got stopped back in here. Yeah, you know, something like

1535
01:23:02,080 --> 01:23:04,800
Speaker 4: killing for killer little stomach.

1536
01:23:04,479 --> 01:23:09,040
Speaker 2: As thank you, this is very cool.

1537
01:23:09,200 --> 01:23:10,840
Speaker 4: Thank you one more.

1538
01:23:10,720 --> 01:23:13,519
Speaker 6: Time, because you know the ladyship we had, we ain't

1539
01:23:13,560 --> 01:23:16,920
Speaker 6: had nothing that fits specifically for them because we went, yeah,

1540
01:23:17,000 --> 01:23:19,479
Speaker 6: we got some form even for the baby mama.

1541
01:23:19,560 --> 01:23:22,320
Speaker 1: If your stomach out this summer, don't even cook it,

1542
01:23:22,479 --> 01:23:23,320
Speaker 1: don't worry about it.

1543
01:23:27,600 --> 01:23:31,040
Speaker 4: Pull that out. Come on now.

1544
01:23:34,080 --> 01:23:37,800
Speaker 2: Why you like this? This is fine?

1545
01:23:37,880 --> 01:23:38,120
Speaker 6: Thank you?

1546
01:23:38,240 --> 01:23:39,320
Speaker 2: And I love that little love hard.

1547
01:23:39,400 --> 01:23:41,559
Speaker 4: It's just very dope exactly.

1548
01:23:41,640 --> 01:23:44,080
Speaker 3: You know, for the love somebody, somebody do that.

1549
01:23:45,479 --> 01:23:47,280
Speaker 4: It's good. It's bed to make a girl.

1550
01:23:47,479 --> 01:23:50,280
Speaker 2: We love the love of love like that because you

1551
01:23:51,760 --> 01:23:52,759
Speaker 2: pull back up here.

1552
01:23:52,760 --> 01:23:53,679
Speaker 4: Well, because.

1553
01:23:55,120 --> 01:23:57,760
Speaker 6: He don't let it be your last let them know

1554
01:23:57,800 --> 01:23:59,479
Speaker 6: where they can find you on social media.

1555
01:23:59,600 --> 01:24:01,280
Speaker 4: You can we can expect the album.

1556
01:24:01,400 --> 01:24:05,200
Speaker 2: Oh yeah, you can find me at Estelle Darlings, pretty

1557
01:24:05,240 --> 01:24:10,760
Speaker 2: much everything, Twitter, Instagram, threads, blue sky.

1558
01:24:11,439 --> 01:24:11,559
Speaker 4: Uh.

1559
01:24:12,560 --> 01:24:16,160
Speaker 2: Facebook is for a slash of style. If you're on Facebook, Yeah,

1560
01:24:16,320 --> 01:24:17,800
Speaker 2: TikTok jumping.

1561
01:24:18,280 --> 01:24:20,360
Speaker 1: I know a lot of people about to get back

1562
01:24:20,400 --> 01:24:21,040
Speaker 1: on Facebook.

1563
01:24:21,920 --> 01:24:23,679
Speaker 6: I'm about to get back on there because the social

1564
01:24:23,760 --> 01:24:25,920
Speaker 6: media is kicking me off the.

1565
01:24:25,960 --> 01:24:27,080
Speaker 1: Record together you got it?

1566
01:24:28,040 --> 01:24:29,680
Speaker 3: Yeah, that's really what I want to do.

1567
01:24:30,120 --> 01:24:35,400
Speaker 2: I really like okay, but Clark okay, and actually get

1568
01:24:35,760 --> 01:24:40,479
Speaker 2: my ship, which it's true what I'm saying that playing.

1569
01:24:42,320 --> 01:24:44,160
Speaker 3: Before this, what's the what's.

1570
01:24:44,040 --> 01:24:44,720
Speaker 5: The girl sound like?

1571
01:24:46,320 --> 01:24:46,599
Speaker 4: Erica?

1572
01:24:47,760 --> 01:24:48,520
Speaker 1: All?

1573
01:24:49,560 --> 01:24:53,519
Speaker 2: Oh wow, we love we love Yeah, we love her.

1574
01:24:55,000 --> 01:24:59,960
Speaker 18: Favorite and I like something walk or two mm hm,

1575
01:25:00,479 --> 01:25:03,760
Speaker 18: she's bad. It's a lot of great something walk her back.

1576
01:25:05,280 --> 01:25:06,920
Speaker 18: It's a lot of them already.

1577
01:25:07,000 --> 01:25:07,320
Speaker 1: Number one.

1578
01:25:07,479 --> 01:25:11,000
Speaker 3: I'm saying, I'm really only for the soul feel right now.

1579
01:25:11,240 --> 01:25:13,519
Speaker 8: You already it's just Neil so no, it's just I

1580
01:25:13,640 --> 01:25:17,080
Speaker 8: know you and her something will be magnificent out of that.

1581
01:25:17,320 --> 01:25:17,599
Speaker 1: Agree.

1582
01:25:17,720 --> 01:25:21,839
Speaker 3: I don't know what, but put it together right, you're gonna.

1583
01:25:21,640 --> 01:25:23,760
Speaker 1: Suck it up. She already got in in the place

1584
01:25:24,200 --> 01:25:26,360
Speaker 1: I can tell you by the way she is really

1585
01:25:27,600 --> 01:25:28,240
Speaker 1: So we'll do what.

1586
01:25:35,960 --> 01:25:42,720
Speaker 2: Do you have the rustle of the album? I got

1587
01:25:43,000 --> 01:25:46,120
Speaker 2: your moses on the album else we haven't ever thinking

1588
01:25:46,120 --> 01:25:50,000
Speaker 2: about this. All the nices on the album. Yeah, that's

1589
01:25:50,200 --> 01:25:53,080
Speaker 2: Taylor is a singer from DC Credible Arts. The album

1590
01:25:53,120 --> 01:25:53,439
Speaker 2: that Neil.

1591
01:25:53,479 --> 01:25:56,240
Speaker 1: So I'm gonna send my part in.

1592
01:25:56,560 --> 01:25:58,640
Speaker 2: Okay, roughen for me.

1593
01:25:58,880 --> 01:26:01,679
Speaker 6: I'm saying something. We'll do it like a ninety skiit

1594
01:26:01,800 --> 01:26:02,840
Speaker 6: like I'm on the voicemail.

1595
01:26:03,200 --> 01:26:06,920
Speaker 3: Okay, Grace, Okay, told you in the wrap.

1596
01:26:07,680 --> 01:26:08,800
Speaker 4: Yeah, I put it at the head.

1597
01:26:09,120 --> 01:26:12,960
Speaker 3: Okay, this is just now leaving why.

1598
01:26:13,720 --> 01:26:15,799
Speaker 1: Man, I ain't made it to the end of the album.

1599
01:26:17,040 --> 01:26:19,960
Speaker 1: I had wrote the little verses you told me. I

1600
01:26:19,960 --> 01:26:22,040
Speaker 1: ain't got no beat over here. But listen to it,

1601
01:26:22,320 --> 01:26:29,760
Speaker 1: just just be this. Hold on, say what.

1602
01:26:32,280 --> 01:26:36,639
Speaker 4: Come on? You say that Hello?

1603
01:26:36,840 --> 01:26:40,400
Speaker 1: Hello, Damn, that's gonna be a co.

1604
01:26:42,120 --> 01:26:42,360
Speaker 4: Come on.

1605
01:26:43,120 --> 01:26:46,160
Speaker 3: We actually listen to voicemail. We were literally this just

1606
01:26:46,200 --> 01:26:49,680
Speaker 3: to see to listen to the voicemail.

1607
01:26:54,520 --> 01:26:54,880
Speaker 1: Anyway.

1608
01:26:55,800 --> 01:26:58,280
Speaker 4: If it ain't good, what are you gonna call?

1609
01:26:58,320 --> 01:26:59,160
Speaker 6: You call you.

1610
01:27:00,920 --> 01:27:06,479
Speaker 2: And you listen to yeah right voice, and I need

1611
01:27:06,600 --> 01:27:07,160
Speaker 2: help for real.

1612
01:27:13,439 --> 01:27:17,840
Speaker 17: I'm gonna be really listen, listen boy man, Now that

1613
01:27:18,200 --> 01:27:22,040
Speaker 17: I got to like for something like parent if it takes,

1614
01:27:22,400 --> 01:27:23,519
Speaker 17: tell me to go to day.

1615
01:27:24,280 --> 01:27:27,920
Speaker 1: I still this motherfucker had the same voicemail for at

1616
01:27:28,040 --> 01:27:31,080
Speaker 1: least thirteen years. What play?

1617
01:27:31,439 --> 01:27:35,040
Speaker 6: Hey, what's up? You reached Clayton English? I can't answer

1618
01:27:35,040 --> 01:27:39,160
Speaker 6: the phone right now. The name number and a mess.

1619
01:27:39,680 --> 01:27:40,400
Speaker 6: I'll get back to.

1620
01:27:40,439 --> 01:27:44,160
Speaker 4: You, just to get back your name.

1621
01:27:51,080 --> 01:27:53,599
Speaker 6: I need my number.

1622
01:27:54,080 --> 01:27:55,360
Speaker 1: What the fuck do you want?

1623
01:27:56,360 --> 01:27:57,080
Speaker 2: What did you want?

1624
01:27:59,600 --> 01:28:01,360
Speaker 1: I really wish I knew what the you bought it?

1625
01:28:03,360 --> 01:28:03,519
Speaker 2: Right?

1626
01:28:04,160 --> 01:28:04,559
Speaker 1: Nobody?

1627
01:28:04,720 --> 01:28:09,599
Speaker 6: Boys mail, nobody, boysmail standing and the motherfucker you ain't

1628
01:28:09,680 --> 01:28:13,200
Speaker 6: called back? You know they may because they start assuming

1629
01:28:13,280 --> 01:28:16,599
Speaker 6: what you're doing. Yeah, man, it's me just hitting you again.

1630
01:28:17,400 --> 01:28:19,479
Speaker 6: I guess you be as a sleeping south.

1631
01:28:22,320 --> 01:28:22,880
Speaker 1: I was trying to.

1632
01:28:24,920 --> 01:28:25,479
Speaker 4: You must.

1633
01:28:31,000 --> 01:28:34,760
Speaker 1: You know, family right with you? Get with me when

1634
01:28:34,800 --> 01:28:35,120
Speaker 1: you can?

1635
01:28:36,280 --> 01:28:41,280
Speaker 6: Hey bird now one one now one, nigga lead three.

1636
01:28:41,320 --> 01:28:46,439
Speaker 6: On the third voicemail, he'd just be like, all right, man,

1637
01:28:50,960 --> 01:28:54,240
Speaker 6: say that broe what it is?

1638
01:28:54,360 --> 01:28:55,040
Speaker 1: I see how it is.

1639
01:28:57,000 --> 01:29:03,680
Speaker 4: You ain't got to hit me back? Crazy, it's so

1640
01:29:03,880 --> 01:29:05,479
Speaker 4: far that niggas stupid.

1641
01:29:05,560 --> 01:29:07,760
Speaker 1: Bro, you gotta hit back.

1642
01:29:13,320 --> 01:29:14,919
Speaker 4: Think no way you're gonna give me permission.

1643
01:29:15,720 --> 01:29:21,240
Speaker 1: You ain't got empty back all right? Then one was

1644
01:29:21,320 --> 01:29:22,280
Speaker 1: the days of me.

1645
01:29:23,160 --> 01:29:30,680
Speaker 6: You have fifteen unheard messages, Alise, I'm doing that lit.

1646
01:29:39,439 --> 01:29:45,320
Speaker 1: Sh let me.

1647
01:29:50,880 --> 01:29:51,280
Speaker 3: Out here.

1648
01:29:52,040 --> 01:29:53,559
Speaker 1: That mother fucking crazy man.

1649
01:29:56,960 --> 01:29:58,479
Speaker 2: This is this is the type of show.

1650
01:29:59,000 --> 01:30:01,200
Speaker 4: This is a dude funked up.

1651
01:30:08,840 --> 01:30:14,200
Speaker 2: Keep going, keep going, It's gonna keep going like.

1652
01:30:15,840 --> 01:30:15,880
Speaker 1: This.

1653
01:30:23,600 --> 01:30:25,840
Speaker 2: What's the tears for me? He's really gone?

1654
01:30:26,840 --> 01:30:30,600
Speaker 3: Wait a minute, he said, was just.

1655
01:30:36,760 --> 01:30:38,960
Speaker 1: Yeah, I don't know what you got going on today. Man,

1656
01:30:39,040 --> 01:30:44,040
Speaker 1: I don't hit you a couple of times money. That

1657
01:30:44,240 --> 01:30:45,600
Speaker 1: was the day man voicemail.

1658
01:30:48,800 --> 01:30:49,400
Speaker 6: The town.

1659
01:30:51,000 --> 01:30:53,200
Speaker 1: Was this ship wasted all that ship.

1660
01:30:53,960 --> 01:30:56,679
Speaker 4: I don't remember this well, Stiff.

1661
01:30:58,240 --> 01:31:00,320
Speaker 1: We literally sit here and talk ship at.

1662
01:31:00,280 --> 01:31:01,720
Speaker 2: You all, and I could just see here look at you.

1663
01:31:01,800 --> 01:31:02,719
Speaker 4: He was off forever.

1664
01:31:02,840 --> 01:31:05,080
Speaker 2: This larous a good time.

1665
01:31:05,360 --> 01:31:08,600
Speaker 1: No, it's great. Right, you gotta come back when the

1666
01:31:08,640 --> 01:31:11,720
Speaker 1: album make us part of your promo.

1667
01:31:11,560 --> 01:31:12,639
Speaker 4: Right, Yeah for sure?

1668
01:31:13,600 --> 01:31:15,559
Speaker 2: Yeah you have all the songs. It all up.

1669
01:31:17,760 --> 01:31:19,599
Speaker 4: Well, guys, this has.

1670
01:31:19,520 --> 01:31:22,880
Speaker 1: Been another great episode of the eighty five Stops Show.

1671
01:31:24,080 --> 01:31:25,080
Speaker 4: Anything you want to leave me.

1672
01:31:26,880 --> 01:31:29,719
Speaker 2: Have fun, live on off by the album.

1673
01:31:29,479 --> 01:31:32,760
Speaker 1: When it comes God first, what it is?

1674
01:31:34,600 --> 01:31:37,439
Speaker 2: Sure that keep laughing, stay in your joy man, This

1675
01:31:37,600 --> 01:31:39,920
Speaker 2: is it. Tune into a five styles and stay laughing.

1676
01:31:40,200 --> 01:31:43,519
Speaker 1: That's right, because I always remember you ain't got a

1677
01:31:43,560 --> 01:31:44,200
Speaker 1: call us back