WEBVTT - Reality TV is Solvable

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<v Speaker 1>Bushkin, This is solvable. I'm Ronald Young Junior, So well

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<v Speaker 1>you married. That's Nate Olakoya, a contestant of ABC's Bachelorette,

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<v Speaker 1>proposing to Michelle Young on National TV. The Bachelorette spent

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<v Speaker 1>off to ABC's The Bachelor is a competitive reality dating

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<v Speaker 1>show where contestants vie for the love of the lead,

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<v Speaker 1>aptly titled The Bachelor or The Bachelorette. With the start

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<v Speaker 1>of twenty twenty two, The Bachelor premiered it's twenty sixth season.

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<v Speaker 1>The franchise has been a popular mainstay for ABC, with

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<v Speaker 1>average viewership reaching over ten million in some seasons. I

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<v Speaker 1>love both The Bachelor and The Bachelorette. I've watched for

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<v Speaker 1>many seasons and at times I'd love to hate both

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<v Speaker 1>shows as well. Recently, I felt like the shows have

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<v Speaker 1>fallen out of step with reality. I mean, you have

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<v Speaker 1>almost entirely white player pools. There was a year where

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<v Speaker 1>both leads and all of their players were all white.

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<v Speaker 1>Twenty years later, we finally get a black bachelor. We

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<v Speaker 1>still have never seen a black woman when the ring

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<v Speaker 1>which is getting the final rows. There's still so much

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<v Speaker 1>that needs to happen. The past few seasons of the

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<v Speaker 1>show have tried to address its blind spots with regards

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<v Speaker 1>to race. Out of a combined forty four seasons, there

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<v Speaker 1>have been two black Bachelorettes and one black Bachelor so far.

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<v Speaker 1>But beyond the lack of inclusivity, watching the show is

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<v Speaker 1>difficult at times because it's premise feels dishonest. Everything you

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<v Speaker 1>see on that screen is a choice made by producers,

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<v Speaker 1>everything from what's actually happening on the screen, especially to

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<v Speaker 1>what they're not showing you. That's Chad Coulchin and Lizzie Peace,

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<v Speaker 1>who you heard earlier, are co hosts of Game of Roses,

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<v Speaker 1>a podcast about the Bachelor and Bachelor Rette franchises. I

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<v Speaker 1>enjoy listening because Chad and Lizzie talk about the show

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<v Speaker 1>in a very different way, not as a reality show

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<v Speaker 1>that chronicles to search for love, as the franchise purports

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<v Speaker 1>itself to be, but rather as a game with a prize.

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<v Speaker 1>And we meticulously recorded every play that has ever been

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<v Speaker 1>made by any player in the history of the game,

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<v Speaker 1>which gave us an in depth understanding of not only

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<v Speaker 1>the evolution of the game, but all of these different

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<v Speaker 1>statistical categories that allow us to apply metrics to strategy

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<v Speaker 1>for players coming into the game who want to try

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<v Speaker 1>to win the ring, the crown, get Top four, get

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<v Speaker 1>their million Instagram followers, or whatever their goals may be. Today,

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<v Speaker 1>we're talking to Lizzie and Chad not only about the

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<v Speaker 1>problems on this one reality show, but about how we

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<v Speaker 1>could take a more honest approach in producing and viewing

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<v Speaker 1>reality television. The belief that reality TV is real is

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<v Speaker 1>a solvable problem. Pretend that I've never watched this show

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<v Speaker 1>in my life, and just give me the most basic

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<v Speaker 1>description of The Bachelor you can. The Bachelor is a

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<v Speaker 1>ten round game of attrition where around thirty women try

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<v Speaker 1>to compete to date one man. And the way that

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<v Speaker 1>we sort of break down the show on our podcast

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<v Speaker 1>as well as the book that we have coming out,

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<v Speaker 1>is treating it like a game, as the end goal

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<v Speaker 1>being either to win the ring, to win the crown,

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<v Speaker 1>or around top four placement, because then you are guaranteed

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<v Speaker 1>a spot in Bachelor in Paradise, subsequent appearances on the show,

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<v Speaker 1>and can possibly get a million Instagram followers. It's funny

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<v Speaker 1>because I've known the show is not real, and most

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<v Speaker 1>of my arguments against it have to be with what

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<v Speaker 1>they're pressing forth as the ideal body type, the ideal race,

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<v Speaker 1>the ideal way to fall in love, and the ideal

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<v Speaker 1>family standard. Those are the practices that I argue with

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<v Speaker 1>the most. But what I'm hearing from you is that

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<v Speaker 1>it's there's more theater in this show than a regular

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<v Speaker 1>watcher would would even realize. Is that absolutely, it's pro

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<v Speaker 1>wrestling at this point, almost the kind of it is real.

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<v Speaker 1>I mean, every once in a while there is a

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<v Speaker 1>relationship that comes out of this show. There is potentially

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<v Speaker 1>even a family that does happen. It is rare, but

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<v Speaker 1>that's also part of the game. It's not real, yeah,

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<v Speaker 1>but the viewing audience, I think largely still believes it is.

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<v Speaker 1>So one segment of your podcast is there's a running

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<v Speaker 1>theme of the number of days and Lizzie, you do

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<v Speaker 1>you cover this portion the number of days without an

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<v Speaker 1>Asian Bachelor? Why is that important to note? Well, it

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<v Speaker 1>started out as the Days Without a Black Bachelor, the

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<v Speaker 1>DWAB as we call it, and we were tracking this

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<v Speaker 1>almost since the very beginning of our podcast until the

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<v Speaker 1>casting of Matt James, and so the day that his

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<v Speaker 1>premier aired, the DWAB finally went to zero, there was

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<v Speaker 1>finally zero days without a black Bachelor. For us, especially

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<v Speaker 1>having watched you know, the history of the whole series,

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<v Speaker 1>we have basically seen how racist the casting practices are.

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<v Speaker 1>I mean, you have almost entirely white player pools. There

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<v Speaker 1>was a year where both leads and all of their

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<v Speaker 1>players were all white. Years later we finally get a

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<v Speaker 1>black bachelor. We still have never seen a black woman

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<v Speaker 1>win the ring, which is getting the final rows. There's

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<v Speaker 1>still so much that needs to happen. And during Matt

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<v Speaker 1>James this season, even though they had the most diverse

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<v Speaker 1>player pool of all time, they were getting a proportionately

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<v Speaker 1>lower amount of screen time than the white players during

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<v Speaker 1>that season. Now we have days without an Asian Bachelor

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<v Speaker 1>because there hasn't been an Asian lead, There's been very

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<v Speaker 1>low Asian representation in terms of the players as well.

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<v Speaker 1>It's important for us to keep holding them accountable, to

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<v Speaker 1>make sure that you know, it's not a show upholding

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<v Speaker 1>white supremacy essentially. And I think it's important to note

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<v Speaker 1>too that it's not just about who's getting cast or

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<v Speaker 1>who the leads are. Those are all subjective choices, obviously,

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<v Speaker 1>but so are the stories being told and who makes

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<v Speaker 1>it into the final four. The leads don't actually choose

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<v Speaker 1>who gets the first impression Rose, who gets to go

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<v Speaker 1>on the dates, who gets the group date Roses. That's

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<v Speaker 1>all done by producers. When we think about things like

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<v Speaker 1>the reckonings that kind of begin to happen in society,

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<v Speaker 1>and it seemed like, and especially into different types of industry,

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<v Speaker 1>There's one in the cooking industry, there's one of course

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<v Speaker 1>in Hollywood, and just everywhere. It just seemed like there

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<v Speaker 1>are ripple effects of people waking up to the realities

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<v Speaker 1>of racism. So when we talk about race and this

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<v Speaker 1>show specifically, we talk about these being subjective choices. Do

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<v Speaker 1>you think a show like The Bachelor can be reimagined

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<v Speaker 1>to position itself as a reality show that is about

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<v Speaker 1>love in the current era for us, we think that

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<v Speaker 1>they need to embrace social media rather than run away

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<v Speaker 1>from it, as they seem to be doing with the

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<v Speaker 1>Bachelor Paradise storyline this year. I think they need to

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<v Speaker 1>catch up to where society is. They've been very slow moving.

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<v Speaker 1>You know, they've been making it up in terms of race,

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<v Speaker 1>but they've only featured one openly LGBTQ plus player during

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<v Speaker 1>a main game season. That was Jamie King on Nick

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<v Speaker 1>Baile's Season twenty one versus. You know, it's like one

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<v Speaker 1>in five young people identify as LGBTQ plus at this point,

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<v Speaker 1>So it's like, if you want to make more money

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<v Speaker 1>and keep going and not be seen as this relic,

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<v Speaker 1>we think that the game has to move forward and

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<v Speaker 1>start representing. You know what love stories in our country

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<v Speaker 1>actually look like. They don't embrace a lot of marginalization,

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<v Speaker 1>so they don't necessarily disability size. They'd certainly have a

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<v Speaker 1>certain archetype that they got there. Do you think that

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<v Speaker 1>any of those things are things they get addressed if

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<v Speaker 1>it moves from network television to a streaming platform, do

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<v Speaker 1>they have an incentive to even try to address those issues?

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<v Speaker 1>Do you think they even see them as issues? Well,

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<v Speaker 1>they are experimenting right now. They had a bisexual bachelorette

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<v Speaker 1>in Bachelor Australia some of the offshoot shows. They are

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<v Speaker 1>trying things out and seeing what the reactions are, and

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<v Speaker 1>I think we'll probably definitely see a bisexual lead at

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<v Speaker 1>some point. Do you think you'll ever see a plus

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<v Speaker 1>size lead or plus size contestant. We've had a couple

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<v Speaker 1>plus size contestants and they tried to pitch Bob Guinea,

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<v Speaker 1>the Bachelor of season four, as a kind of non

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<v Speaker 1>traditional looking bachelor. He was like a little bigger than

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<v Speaker 1>as soon as he shows up as the bachelor. He

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<v Speaker 1>was a tall white dude, but like he wasn't you know,

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<v Speaker 1>like a jack bodybuilder type dude. And then as soon

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<v Speaker 1>as he shows up in the first thing they show

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<v Speaker 1>is him jogging and like getting in quotes in shape

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<v Speaker 1>to be the Bachelor. So even that was kind of

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<v Speaker 1>like overturned. And to answer your question, like do they

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<v Speaker 1>see these as problems? I don't know, whatever kind of

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<v Speaker 1>antiquated views they want to promote, whatever kind of psychological

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<v Speaker 1>torture they want to impart upon any of these players.

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<v Speaker 1>It's like, well, it's good TV. Well that what does

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<v Speaker 1>that mean though we're destroying the fabric of America? Is

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<v Speaker 1>that like for good TV? That's where we're at now?

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<v Speaker 1>So talking more about that, do you think it's actually

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<v Speaker 1>destroying the fabric of America? Because I'm I'm prone to hyperbole,

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<v Speaker 1>and I say yes, but talk about how yeah, it

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<v Speaker 1>absolutely is, because there's I mean, we just came out

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<v Speaker 1>of the Trump era and this notion that we can

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<v Speaker 1>just promote open lies through media, and there's going to

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<v Speaker 1>be a certain segment of the population who either does

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<v Speaker 1>outright believe it or behaves as though they do. We'll

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<v Speaker 1>get us into situations like we're at now, where nobody

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<v Speaker 1>trusts anything in the news, nobody trusts science, nobody trusts

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<v Speaker 1>anything because everybody thinks everything is a lie. I think

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<v Speaker 1>reality TV is I mean, it's not where it started,

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<v Speaker 1>but it's like throwing gasoline on the fire. It's always

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<v Speaker 1>about driving people into emotional breakdowns so that we can

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<v Speaker 1>watch that as entertainment. And I know that a lot

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<v Speaker 1>of people think Bachelor is just kind of like a frivolous,

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<v Speaker 1>guilty pleasure, but to me, it really is the most

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<v Speaker 1>accurate reflection of our current society, especially one in which

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<v Speaker 1>we just had a reality TV show host as President

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<v Speaker 1>of the United States. I like the ways in which

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<v Speaker 1>that you guys are critical of the show by you know,

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<v Speaker 1>bringing it into reality and talking about the elements of

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<v Speaker 1>it that aren't real. I think that's important, and I

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<v Speaker 1>think you guys definitely have encouraged a different way to

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<v Speaker 1>watch The Bachelor, but you guys also have some ideas

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<v Speaker 1>of how the show can be improved or a better

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<v Speaker 1>version of a dating show. Do you guys want to

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<v Speaker 1>talk me through what some of those are. We would

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<v Speaker 1>like to see a more inclusive, more honest reality show

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<v Speaker 1>basically that's more clear about what people are going on

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<v Speaker 1>reality dating shows for, and just a more honest approach

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<v Speaker 1>to reality television. I think for the past twenty years

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<v Speaker 1>and all reality TV, there has been this line drawn

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<v Speaker 1>between the producers and the audience, and the producers saying

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<v Speaker 1>they can't see behind the curtain. The thing we're making

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<v Speaker 1>is this lie and they're eating it up, and that's

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<v Speaker 1>how we're making our money. But audiences are like so

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<v Speaker 1>much more savvy now. We all basically are making reality

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<v Speaker 1>TV shows in our instagrams and our TikTok's twenty four

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<v Speaker 1>hours a day. We understand how things are produced now.

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<v Speaker 1>I think all reality shows should step out of the

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<v Speaker 1>shadows and be much more transparent about the production elements

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<v Speaker 1>of it, and even maybe have that be a component

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<v Speaker 1>of the show itself. Every once in a while, especially

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<v Speaker 1>in Bachelor, you'll see a producer kind of like sneak

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<v Speaker 1>out of the shadows to have a conversation with somebody

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<v Speaker 1>or whatever. But I think you can have all that stuff,

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<v Speaker 1>Like right up front, what do you think we lose

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<v Speaker 1>by mining our own lives for content in this way?

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<v Speaker 1>Mindfulness being in the present moment. I think we have

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<v Speaker 1>different opinions on this. For me, I'm ready for the

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<v Speaker 1>chip in my head. I want to live in the

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<v Speaker 1>metaverse now. I think everything should be content at all times.

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<v Speaker 1>We are moving very quickly towards a society in which

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<v Speaker 1>everything has recorded twenty four hours a day, and the

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<v Speaker 1>job will really be curation. It will be who can

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<v Speaker 1>find the best, most interesting things if you look at like,

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<v Speaker 1>do you know Tank Sinatra, that meme artist? Yes, I've

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<v Speaker 1>afforded a lot of Tank Sinatra memes to my friends.

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<v Speaker 1>I follow him on Instagram. He also does Influencers in

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<v Speaker 1>the Wild that is literally just videos of people making

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<v Speaker 1>content that we watch and laugh at. So now content

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<v Speaker 1>is watching people making content, and eventually it's going to

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<v Speaker 1>be people sleeping, people just like sitting on their couch.

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<v Speaker 1>People will start getting famous for those things once we're

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<v Speaker 1>recording everything all the time, and I'm down for it.

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<v Speaker 1>There's a hotel in Japan that you can stay out

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<v Speaker 1>for free, but they just record you the whole time.

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<v Speaker 1>Is that good. What can listeners do if they want

0:13:22.316 --> 0:13:25.236
<v Speaker 1>to see the quality of their reality television improved with

0:13:25.276 --> 0:13:29.396
<v Speaker 1>shows like The Bachelor or anything else that they love watching.

0:13:29.876 --> 0:13:32.436
<v Speaker 1>Have a higher level of scrutiny for everything you're watching.

0:13:32.836 --> 0:13:36.116
<v Speaker 1>Always be asking yourself when you see anything on any screen,

0:13:36.716 --> 0:13:39.356
<v Speaker 1>why am I seeing this? Who wants me to see this?

0:13:39.716 --> 0:13:41.436
<v Speaker 1>And why do they want me to see it? Like

0:13:41.516 --> 0:13:44.956
<v Speaker 1>they're presenting it. Everything you see on that screen is

0:13:44.956 --> 0:13:48.596
<v Speaker 1>a choice made by producers, everything from what's actually happening

0:13:48.636 --> 0:13:51.596
<v Speaker 1>on the screen, especially to what they're not showing you.

0:13:51.716 --> 0:13:54.796
<v Speaker 1>There's so much media being generated, and now with deep fakes,

0:13:55.196 --> 0:13:59.116
<v Speaker 1>anything you want can be generated. Anyone can say anything. Yeah,

0:13:59.116 --> 0:14:02.236
<v Speaker 1>and especially I would say, no one is as evil

0:14:02.556 --> 0:14:06.076
<v Speaker 1>or as good as they probably appear given the edit.

0:14:06.076 --> 0:14:09.436
<v Speaker 1>They need these types of basic archetypes in every season.

0:14:10.156 --> 0:14:14.956
<v Speaker 1>Villains Fools we have We have broken down into twelve

0:14:15.036 --> 0:14:19.196
<v Speaker 1>archetypes in our book. But keep those in mind and

0:14:19.356 --> 0:14:23.116
<v Speaker 1>do not send threats or any hate towards people that

0:14:23.156 --> 0:14:25.156
<v Speaker 1>you don't know all the internet. How do you think

0:14:25.156 --> 0:14:28.556
<v Speaker 1>that results in improving the reality television? Like? What do

0:14:28.596 --> 0:14:31.516
<v Speaker 1>you think will come of that? I mean, ideally you

0:14:31.636 --> 0:14:37.236
<v Speaker 1>don't see players suffer from mental illness the way that

0:14:37.236 --> 0:14:39.156
<v Speaker 1>you were seeing a lot right now. And this has

0:14:39.196 --> 0:14:43.316
<v Speaker 1>been going on since season one. Linnise Adams, the first

0:14:43.316 --> 0:14:45.396
<v Speaker 1>black woman to appear on the show, who actually got

0:14:45.396 --> 0:14:50.276
<v Speaker 1>the first kiss in season one, went through like horrible

0:14:50.396 --> 0:14:54.956
<v Speaker 1>mental illness and started self medicating after she got a

0:14:55.036 --> 0:14:58.436
<v Speaker 1>huge racist backlash against her appearance, like all of these

0:14:58.436 --> 0:15:01.996
<v Speaker 1>white supremacists put videos of her on websites and stuff.

0:15:02.516 --> 0:15:08.956
<v Speaker 1>It's hard to prepare for the mental toll that having

0:15:09.196 --> 0:15:13.676
<v Speaker 1>yourself scrutinized, seeing yourself edited in all sorts of ways,

0:15:13.716 --> 0:15:25.476
<v Speaker 1>saying things that you never said, affects the players. What

0:15:25.556 --> 0:15:27.916
<v Speaker 1>do you guys see for the future of Game of Roses?

0:15:27.956 --> 0:15:29.236
<v Speaker 1>What do you guys see for the future of The

0:15:29.236 --> 0:15:31.996
<v Speaker 1>Bachelor in five to ten years, you guys still going

0:15:32.036 --> 0:15:33.436
<v Speaker 1>to be doing this? Do you guys think you'll get

0:15:33.436 --> 0:15:35.996
<v Speaker 1>tired of it? What will it look like? And do

0:15:36.036 --> 0:15:38.876
<v Speaker 1>you think it will be improved? What do you expect

0:15:38.876 --> 0:15:41.036
<v Speaker 1>that it looks like as you guys continue on, We're

0:15:41.036 --> 0:15:44.036
<v Speaker 1>really hoping our book comes out, How to Win the Bachelor,

0:15:44.196 --> 0:15:47.036
<v Speaker 1>and I think it will change the way people watch

0:15:47.076 --> 0:15:51.036
<v Speaker 1>the show. That's one of our goals and it adds

0:15:51.076 --> 0:15:53.756
<v Speaker 1>like a what we think is a fun element to

0:15:53.756 --> 0:15:55.956
<v Speaker 1>treat it as a sport, and we think that more

0:15:55.996 --> 0:15:59.596
<v Speaker 1>and more people will and we'll get you know, we

0:15:59.716 --> 0:16:02.316
<v Speaker 1>did some statistical work on this, but we're hoping, you know,

0:16:02.396 --> 0:16:04.716
<v Speaker 1>others pick up where we left off and do even

0:16:04.756 --> 0:16:09.476
<v Speaker 1>more statistics and make it into, you know, something akin

0:16:09.556 --> 0:16:13.556
<v Speaker 1>to the stats that baseball has, for instance, you know,

0:16:13.556 --> 0:16:16.116
<v Speaker 1>where you're tracking everything. I don't know if we'll still

0:16:16.116 --> 0:16:17.876
<v Speaker 1>be doing this in five years. We are trying to

0:16:17.956 --> 0:16:21.116
<v Speaker 1>do our own version of a dating game that is like,

0:16:21.516 --> 0:16:24.796
<v Speaker 1>at least in our opinion, a little more progressive, a

0:16:24.836 --> 0:16:27.396
<v Speaker 1>little more inclusive. And so we'll see, you know, hopefully

0:16:27.396 --> 0:16:36.276
<v Speaker 1>we can get that sold and on the air. Appreciate

0:16:36.316 --> 0:16:39.676
<v Speaker 1>you guys both for participating. Thanks for having us. This

0:16:39.756 --> 0:16:42.156
<v Speaker 1>was fun. Yeah, this has been a blast. This was

0:16:42.196 --> 0:16:48.516
<v Speaker 1>so awesome. Lizzie Pacing Chad Coulching are the hosts of

0:16:48.556 --> 0:16:51.236
<v Speaker 1>the podcast Game of Roses. We have linked to their

0:16:51.236 --> 0:16:54.476
<v Speaker 1>new book, How to Win the Bachelor in our show notes. Also,

0:16:54.476 --> 0:16:57.076
<v Speaker 1>if you're watching the twenty twenty two season of The Bachelor, ABC,

0:16:57.316 --> 0:17:00.316
<v Speaker 1>I will say that listening to their podcast makes the

0:17:00.356 --> 0:17:04.436
<v Speaker 1>show just better, So definitely seek that out wherever you listen.

0:17:05.676 --> 0:17:09.436
<v Speaker 1>Solvable is produced by Jocelyn Frank, Research by David Job,

0:17:09.756 --> 0:17:13.476
<v Speaker 1>Booking by Lisa Dunn, editing help from Kashall Williams. Our

0:17:13.516 --> 0:17:16.996
<v Speaker 1>managing producer is Sasha Matthias, and our Executive producer is

0:17:17.036 --> 0:17:20.596
<v Speaker 1>mil LaBelle. I'm Ronald Young Junior. Thanks for listening.