WEBVTT - It Never Rains in Southern California

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. Hi you guys,

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<v Speaker 1>We're back for another thrilling episode of nine oh two one.

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<v Speaker 1>O MG, it is us. Where do you say? O

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<v Speaker 1>m G. You get excited, Jenny. You know what? Everybody

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<v Speaker 1>loved what You're gonna have to redo it? Oh my gosh?

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<v Speaker 1>What people people like? Oh my god? Yeah? Wait, you

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<v Speaker 1>didn't hear it win viral Like everyone's like redoing that.

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<v Speaker 1>That's like like people have that as their like thing

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<v Speaker 1>on TikTok. I'm a Nope, that was the sexy version.

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<v Speaker 1>Do it one more time? Oh okay, I'm an Yeah, ok,

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<v Speaker 1>that's it. That's it. I had to really dig for

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<v Speaker 1>that one. It's so good. It's good. You guys. Guess

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<v Speaker 1>what AM's not in this week's episode? No, but we do.

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<v Speaker 1>Oh everybody something? Well, let me start this week's episode.

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<v Speaker 1>We promised a dramatic recreation of last week's episode, so

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<v Speaker 1>we transcribe the whole scene. You think crazy, Jenny, we're

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<v Speaker 1>here for it. Would you play the part of an

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<v Speaker 1>I don't know why I'm making this voice now. I'm

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<v Speaker 1>going to be the director. You don't want to be Dylan.

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<v Speaker 1>You want me to be Dylan. I want you to

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<v Speaker 1>be Dylan. Yeah, oh god, okay, wait, wait, where is it?

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<v Speaker 1>I can't find it. Should I not be like you know,

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<v Speaker 1>do that voice? Should I just be a little bit

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<v Speaker 1>more realistic? No? You better give it all the man

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<v Speaker 1>you have in you. Okay, all right, I'm putting it

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<v Speaker 1>in our group text, but I think they're putting it

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<v Speaker 1>on the screen. I got it, I got it. This

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<v Speaker 1>is a cold eat, by the way, I have not Okay, okay,

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<v Speaker 1>I'll do the what is it when you read the descriptions? Yeah,

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<v Speaker 1>or stage stage direction that I'm Dylan, I've lived my

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<v Speaker 1>whole life, or those Dylan and an opening scene and

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<v Speaker 1>on a horse galloping through the meadow with her hair

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<v Speaker 1>blowing in the wind. Dylan having car troubles. Here's a

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<v Speaker 1>nang nearby and turns to look at Anne gallops up

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<v Speaker 1>and and gallops up to Dylan and his broken down car.

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<v Speaker 1>Nice car, nice horse, borrowed or stolen, It doesn't really matter.

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<v Speaker 1>I mean, it's not going anywhere either way. Is there

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<v Speaker 1>a phone around here somewhere? Oh, that's your life? This

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<v Speaker 1>voice could be Dylan's. I don't know. Let me get back, okay, Okay, center.

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<v Speaker 1>Is there a phone around here? Somewhere there's one at

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<v Speaker 1>the ranch. I'm ann I'm dealing and turns horse around

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<v Speaker 1>towards the ranch. Climb on up and seen nailed it. Wow,

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<v Speaker 1>it's hard being Anne. I don't want to be greedy,

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<v Speaker 1>but like, I'm literally living the dream right now, Tori?

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<v Speaker 1>Could do you think I could do the other one

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<v Speaker 1>with you? I mean, there's no Okay, I'll do this today. Okay.

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<v Speaker 1>This is dramatic scene reading number two for everyone listening

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<v Speaker 1>that's thinking this is the greatest thing that they would

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<v Speaker 1>ever experience. It actually is like I don't want to lie,

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<v Speaker 1>but what if I but only maybe if I wasn't

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<v Speaker 1>you know? There's three of us in this one, so

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<v Speaker 1>you have to be in this one. Oh my god. Okay, So,

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<v Speaker 1>so who do you Who do you want to be? Tori? Nobody?

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<v Speaker 1>Do you want to be Nikki? Do you want to

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<v Speaker 1>be Diesel? Or do you want to be Brandon? Those

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<v Speaker 1>are the roles, And Okay, I want to be I'm

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<v Speaker 1>gonna be Nikki. Who do you want to be? Um?

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<v Speaker 1>I want to be Brandon? Okay, I'll be Diesel. This

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<v Speaker 1>is perfect. That's the one you want it anyway you

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<v Speaker 1>know it. Okay, I'll read it. Brandon slams card doors. Wait,

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<v Speaker 1>I need to start over. Brandon slams Carter. As he

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<v Speaker 1>approaches Diesel's house looking for Nicki, Brandon knocks on the door. Yeah,

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<v Speaker 1>let me talk to Nikki. Get lost Jack. Nikki yells

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<v Speaker 1>from inside Brandon Brandon. Brandon forces his way through the

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<v Speaker 1>door and walks straight to Nikki. You okay, listen, this

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<v Speaker 1>is between me and her. Please take me home. You're

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<v Speaker 1>not going anywhere? Yes, I am Nikki. Wait, that's Brandon interrupts. Sorry, okay,

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<v Speaker 1>give me then again, you say, Nikki, you can go.

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<v Speaker 1>Go Nikki? Hey, you heard her? She's loving. Oh sorry

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<v Speaker 1>I stepped on your line. Take two. Take two, Nick,

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<v Speaker 1>Hey you heard her. She's leaving. Fine take her. You

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<v Speaker 1>to make a real cute couple. You better be careful.

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<v Speaker 1>She's jailbait. You know you ever slap any guys around?

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<v Speaker 1>The wait? I have like that? Wait? What the heck

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<v Speaker 1>is that? I think it's it's like you ever slap

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<v Speaker 1>any guys around? Weasel? Or is beating up young girls? More?

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<v Speaker 1>Your stuff? You're so good? Yeah? I don't get this part.

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<v Speaker 1>I'm I'm failing as Brandon, like you ever slap any

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<v Speaker 1>guys around? Weasel like that? Okay? Ready, just like Amy

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<v Speaker 1>the line reading, okay, you ever slap oh boy, take eighty?

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<v Speaker 1>You ever slap any guys around? Weasel? Or is beating

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<v Speaker 1>up girls? You're more your style. You want to take

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<v Speaker 1>me on? Well, I got nothing to prove. But if

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<v Speaker 1>you want to take a shot, why don't you go ahead?

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<v Speaker 1>Dennis Diesel shoves Brandon back, then winds up for a

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<v Speaker 1>big swing at Brandon. Brandon ducks and comes back at

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<v Speaker 1>Diesel and punches him straight in the face. Brandon Diesel

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<v Speaker 1>stumbles back, holding his face. Let's just get out of here.

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<v Speaker 1>Brandon and NICKI leave, leaving Diesel on the ground holding

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<v Speaker 1>his face and seen that was something really bad. Sorry, guys,

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<v Speaker 1>I haven't I haven't acted in a minute. It's been

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<v Speaker 1>you know, you guys were incredible. I think you were

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<v Speaker 1>really good. Actually, I think that you have a future. Yeah,

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<v Speaker 1>nobody really enjoyed that episode, meaning they enjoyed our podcast,

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<v Speaker 1>but they didn't really care for that whole episode. They

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<v Speaker 1>thought it was we told you. Yeah, you guys were right,

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<v Speaker 1>and now onto should we read the email to Amy

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<v Speaker 1>from a listener or you want to say no, no no,

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<v Speaker 1>no no read it. So so I read all the

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<v Speaker 1>instagrams and the emails and the whole thing. This person

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<v Speaker 1>had such a great perspective on why people like Brenda

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<v Speaker 1>that I wanted you guys to read it. It's really

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<v Speaker 1>it put kind of lightbulb on for me. I mean,

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<v Speaker 1>I'm still team Kelly. But it didn't definitely long. Why

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<v Speaker 1>don't you read it? It's for a long tour. You

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<v Speaker 1>read it? Yeah? Bringing my glass? Oh me or Amy?

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<v Speaker 1>Amy should read it? Okay, Okay, So I'm going to

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<v Speaker 1>read this. Um. I won't say the name of the person,

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<v Speaker 1>just in case they don't want it known. But I

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<v Speaker 1>thought this was so thought provoking. So it says I'm

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<v Speaker 1>team Brenda. So you don't suspect I'm just being nice

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<v Speaker 1>to you because I'm team Kelly. You once asked, you

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<v Speaker 1>once asked if listeners would write and say why they

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<v Speaker 1>like Brenda. I don't have a graham. Um, so I

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<v Speaker 1>didn't do it. But I think a lot of girls

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<v Speaker 1>and me identified with Brenda. She was the new girl.

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<v Speaker 1>She felt like an outsider. That uh she wrote corresponded

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<v Speaker 1>so well with my own feelings at school. So that

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<v Speaker 1>they could relate to her. Kelly was beautiful and fun

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<v Speaker 1>and I enjoyed her, but I could never identify with

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<v Speaker 1>the beautiful, confident, popular girl. The normality of Brenda's situation

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<v Speaker 1>made her so relatable. She displayed characteristics that I think

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<v Speaker 1>were really important for me to see as a teenage girl.

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<v Speaker 1>She was independent, she was not a pushover. She spoke

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<v Speaker 1>her mind. There was a wish fulfillment for the viewer

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<v Speaker 1>of seeing her getting together with Dylan. For once, the

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<v Speaker 1>ordinary girl got to get with the dream guy who

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<v Speaker 1>is handsome and mature and serves and read Byron's and

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<v Speaker 1>read Byron's collected works. Of course, beautiful and popular Kelly

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<v Speaker 1>would end up with Dylan, but for a while, we

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<v Speaker 1>ordinary girls had the dream come true. When I had

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<v Speaker 1>my bad break up last year, the first thing I

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<v Speaker 1>did was to find my nine O two one O

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<v Speaker 1>DVD set and put on the episode Parental Guidance Rock

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<v Speaker 1>Amended where Dylan breaks up with Brenda for good. Because

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<v Speaker 1>to this day, even as a thirty year old woman

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<v Speaker 1>or the last teenage girl inside me, I can identify

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<v Speaker 1>with Brenda like that really breaks my heart. It breaks

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<v Speaker 1>my heart too, But but was Brenda really normal, Like

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<v Speaker 1>was see, that's the thing. I don't see her. That's

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<v Speaker 1>why we didn't see that perspective, Like she's so gorgeous

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<v Speaker 1>and dresses so cool. She doesn't feel like the normal

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<v Speaker 1>girl to me. But I guess originally like coming from yeah,

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<v Speaker 1>it's the TV water right, and then the Walshes aren't

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<v Speaker 1>as for lack of a better word, rich, Yeah. So

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<v Speaker 1>I just thought that was so beautifully written and it

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<v Speaker 1>really made me realize like, oh, that makes a lot

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<v Speaker 1>of sense. Well, thank you. I'm so glad somebody took

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<v Speaker 1>the time to write that email. Because they write the

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<v Speaker 1>most amazing I could cry. They write the most amazing things,

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<v Speaker 1>you guys. Like, it's just I get emotional because the

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<v Speaker 1>show means so much to people, and then the way

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<v Speaker 1>they explain it, it's like they're smart than you, believing

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<v Speaker 1>in us. Everyone, we better start talking about this episode

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<v Speaker 1>or I'm gonna be like, let's let's jump in before

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<v Speaker 1>Amy has a breakdown. Uh, let's talk about Season three

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<v Speaker 1>episode fifteen, The Kindness of Strangers, aired November, and now

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<v Speaker 1>for the world's longest synopsis. Oh man, I'm gonna try synopsis.

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<v Speaker 1>A rainy Thanksgiving brings uneasy get togetherness when Brandon brings

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<v Speaker 1>over Jack Kenner, the homeless man he tried to help

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<v Speaker 1>out the previous summer. After Nicki leaves town to visit

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<v Speaker 1>her parents in San Francisco. Meanwhile, Steve, now expelled from school,

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<v Speaker 1>going to his mother for a TV shoot in Santa

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<v Speaker 1>Barbara when he finally breaks his bad news to her,

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<v Speaker 1>But Samantha Sanders actually sticks up for Steve and gets

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<v Speaker 1>him conditionally readmitted to West Beverly. Also, Dylan brings his

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<v Speaker 1>father home for Thanksgiving and must cope with his presence

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<v Speaker 1>and his new girlfriend, Christine. Directed by Richard Lange, written

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<v Speaker 1>by Steve Wasserman and Jessica Klein. Oh, we loved Richard

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<v Speaker 1>Lane like a teddy bear. He was. That's right. This

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<v Speaker 1>was the Thanksgiving episode. I guess so much to talk about.

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<v Speaker 1>First of all, it doesn't rain in l A. Was

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<v Speaker 1>that fake rain? Was that fake rain a hundred percent?

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<v Speaker 1>And it was raining sideways in some of the shots,

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<v Speaker 1>Like what the best was when Donna and David come

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<v Speaker 1>to the Walsh's door. You are jumping, I know, but

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<v Speaker 1>you guys, it was dumping rain. The roof is leaking.

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<v Speaker 1>But then when they go up at the door. There's

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<v Speaker 1>not a drop in sight, and there's sort of like

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<v Speaker 1>a sparkle of sun. Yeah, they're they're perfectly dry and

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<v Speaker 1>they're wearing their ski clothes from the slopes. Do thankskidding?

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<v Speaker 1>Like Donna is dressed in a full ski outfit. You

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<v Speaker 1>know you weren't mad at that whole white es good

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<v Speaker 1>on you. But I was like, why is she wearing

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<v Speaker 1>her ski? Situation like change? Yeah, did you go on

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<v Speaker 1>an airplane to get to the ski slopes or did

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<v Speaker 1>you drive there? They were going to Big Bear. Dude,

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<v Speaker 1>It's like it was big Bear, not mammoth, a big bear.

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<v Speaker 1>We shouted it out. It makes sense. Then a little

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<v Speaker 1>bit more, I was like, did she go on an

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<v Speaker 1>airplane and get ups? Are you a good skier in

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<v Speaker 1>real life? Tori? I am not Jenny, Jenny? You are?

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<v Speaker 1>Yeah she is? Yeah? Can you ski it all? Tory?

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<v Speaker 1>I've been on skis. I gotta see this. I've never

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<v Speaker 1>seen I've had to be like medically like taken down

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<v Speaker 1>the hill. Oh my god. So I went. Okay, So

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<v Speaker 1>I went one time to what is it? Mountain High?

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<v Speaker 1>You guys, it's like an hour outside of l A.

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<v Speaker 1>The only high High school like trip I went on,

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<v Speaker 1>and you're supposed to pair up with somebody, And I

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<v Speaker 1>haired up with my friend in high school and she

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<v Speaker 1>was like an expert skier, and I was like, okay,

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<v Speaker 1>just know that I've been on skis like once in

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<v Speaker 1>my life when I was twelve with my parents. So

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<v Speaker 1>we're on the slope and no, we're on the ski

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<v Speaker 1>lift going up, chair lift, going up, up, up, up.

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<v Speaker 1>It's going so far up. It was like the black Run,

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<v Speaker 1>you guys, the expert one. I don't even think Mountain

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<v Speaker 1>High has a black diamond jetty. Okay, so it was.

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<v Speaker 1>It was the highest one. I literally scoot it down

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<v Speaker 1>as far as I could, and then they sent medical

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<v Speaker 1>help and the thing and they put me on it

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<v Speaker 1>and took me down on the snowmobile. Yes, and I waited. No,

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<v Speaker 1>I wasn't a snow snowmobile. I was in the back

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<v Speaker 1>of something connected to a snowmobile. That were you at

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<v Speaker 1>this point? Like, were you famous going down in that thing? Oh? Man,

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<v Speaker 1>I think I might have. I don't remember. I sat

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<v Speaker 1>in the bus the rest of the day waying to

0:14:07.840 --> 0:14:13.479
<v Speaker 1>go home. I was so mortified and never skied again. Oh,

0:14:13.480 --> 0:14:15.800
<v Speaker 1>oh god, you shouldn't skip with Jenny. I think Jenny

0:14:15.880 --> 0:14:18.679
<v Speaker 1>is like an expert. She is. No, I don't. I'm

0:14:18.720 --> 0:14:21.440
<v Speaker 1>a skier, but as you get older, you don't really

0:14:21.480 --> 0:14:23.560
<v Speaker 1>want to go down those scary ones anymore. And I

0:14:23.560 --> 0:14:26.080
<v Speaker 1>don't know, I just don't have it in me. Yeah,

0:14:26.120 --> 0:14:29.920
<v Speaker 1>I get it. But yeah, it doesn't rain in l A.

0:14:30.000 --> 0:14:33.240
<v Speaker 1>Everybody knows that. So this was a big This must

0:14:33.240 --> 0:14:35.640
<v Speaker 1>have been a big budget for this episode because it's

0:14:35.680 --> 0:14:38.320
<v Speaker 1>expensive to make it rain. I was gonna say that,

0:14:38.480 --> 0:14:41.640
<v Speaker 1>like that's constantly. Yeah, if it rains in l A,

0:14:41.680 --> 0:14:43.640
<v Speaker 1>it rains for like five minutes and then it stops.

0:14:44.720 --> 0:14:46.800
<v Speaker 1>So the whole point of making it rain is just

0:14:46.840 --> 0:14:48.960
<v Speaker 1>so we can have that. Sorry, I'm jumping ahead. That

0:14:49.120 --> 0:14:51.240
<v Speaker 1>scene where he goes up and he fixes the roof

0:14:51.320 --> 0:14:54.160
<v Speaker 1>for them, that was it, right, the scene where he

0:14:54.240 --> 0:14:57.040
<v Speaker 1>goes on the ram he goes on the roof to

0:14:57.200 --> 0:15:00.520
<v Speaker 1>fix the and everybody else stay why we're Kelly and

0:15:00.640 --> 0:15:03.600
<v Speaker 1>David and Donna standing outside in the rain with no umbrella,

0:15:04.560 --> 0:15:21.320
<v Speaker 1>just watching our hair. I was worried, can I tell you, guys? Though,

0:15:22.000 --> 0:15:24.360
<v Speaker 1>that was not far fetched what happened to the Walshes

0:15:25.600 --> 0:15:30.200
<v Speaker 1>kitchen ceiling, because that happened. I didn't leak that happened.

0:15:30.880 --> 0:15:34.600
<v Speaker 1>The whole thing came. It was very dangerous. I was

0:15:34.720 --> 0:15:38.000
<v Speaker 1>I was concerned someone was going to get electrocuted. Yes,

0:15:38.480 --> 0:15:42.280
<v Speaker 1>I think, Jenny, You're so right. They kept the power

0:15:42.360 --> 0:15:45.320
<v Speaker 1>on and I had water pouring out of your kitchen light.

0:15:45.360 --> 0:15:48.920
<v Speaker 1>You're supposed to like turn your power off immediately. Can

0:15:48.960 --> 0:15:51.160
<v Speaker 1>we just go back to the very beginning scene when

0:15:51.160 --> 0:15:54.880
<v Speaker 1>Brandon um Brandon's walking. I think it was in the

0:15:54.920 --> 0:15:59.720
<v Speaker 1>school hallway. He was walking down the hallway, and this

0:15:59.840 --> 0:16:01.960
<v Speaker 1>is crazy that. I don't know if I should say

0:16:02.000 --> 0:16:05.640
<v Speaker 1>this or not, but my eyes were my eyes were

0:16:05.720 --> 0:16:15.480
<v Speaker 1>drawn to a certain area of his body, his crotch. Yeah. Huge,

0:16:15.520 --> 0:16:17.960
<v Speaker 1>I'm gonna have to go back and look at his

0:16:18.320 --> 0:16:21.680
<v Speaker 1>jeans up and his pants up high with a belt.

0:16:21.960 --> 0:16:24.160
<v Speaker 1>So it always made that like crease there. It was

0:16:24.200 --> 0:16:29.040
<v Speaker 1>like a big situation. Yeah. I couldn't take my eyes

0:16:29.080 --> 0:16:33.920
<v Speaker 1>off of it. Was distracted. Immediately, Go watch this one

0:16:34.080 --> 0:16:37.040
<v Speaker 1>because Andrea's on crutches. Now she's out of the wheelchair,

0:16:37.080 --> 0:16:43.880
<v Speaker 1>so she's obviously improving. Yep, that was real. I know

0:16:43.960 --> 0:16:45.920
<v Speaker 1>you all told me it was real, and y'all are right,

0:16:46.040 --> 0:16:49.800
<v Speaker 1>because it clearly was real. I didn't remember her, Jen remembered.

0:16:49.840 --> 0:16:54.040
<v Speaker 1>I didn't. For once I remembered something. You got it?

0:16:56.720 --> 0:17:00.440
<v Speaker 1>And then they let they let Jack out of prison

0:17:00.760 --> 0:17:06.080
<v Speaker 1>for the holiday. Is that does that happen? Happen? I

0:17:06.240 --> 0:17:10.040
<v Speaker 1>thought no, but that wouldn't Maybe if it's like a

0:17:10.080 --> 0:17:20.119
<v Speaker 1>low sort of risk. Yeah, I'm gonna like a white

0:17:20.119 --> 0:17:25.040
<v Speaker 1>collar crime. Like, yeah, I think he's white collar. So

0:17:25.160 --> 0:17:27.639
<v Speaker 1>like he just has a thing on his ankle. No,

0:17:27.880 --> 0:17:30.480
<v Speaker 1>he didn't even have that, right, he just had They

0:17:30.560 --> 0:17:34.240
<v Speaker 1>just told Dylan he had a babysit him. I don't know.

0:17:34.840 --> 0:17:38.439
<v Speaker 1>That was weird, so weird. So I'm looking it up.

0:17:38.440 --> 0:17:43.520
<v Speaker 1>Do white collar criminals get out for holidays? Let's see

0:17:43.520 --> 0:17:47.000
<v Speaker 1>what the internet says on that. While you look that up. Okay,

0:17:47.040 --> 0:17:52.160
<v Speaker 1>so did you see uh? Did you see the when

0:17:52.160 --> 0:17:54.159
<v Speaker 1>they go in the back door of the peach he

0:17:54.200 --> 0:17:57.440
<v Speaker 1>gets out of his Mustang, it's pouring rain. He goes

0:17:57.480 --> 0:18:02.360
<v Speaker 1>into the back door of the peach pit, and then

0:18:02.840 --> 0:18:05.240
<v Speaker 1>later on he comes out of the back door of

0:18:05.240 --> 0:18:07.879
<v Speaker 1>the peach pit and it's still pouring. Right. I just

0:18:07.920 --> 0:18:11.359
<v Speaker 1>thought that was cool because that was the door of

0:18:11.560 --> 0:18:14.919
<v Speaker 1>peach pit after dark later in the series, that was

0:18:15.000 --> 0:18:19.320
<v Speaker 1>the same door yes, and like for anybody that doesn't know,

0:18:19.359 --> 0:18:22.800
<v Speaker 1>like when you film something like that, it's cool, Like

0:18:23.520 --> 0:18:25.960
<v Speaker 1>they filmed that right away, like him going into the

0:18:26.000 --> 0:18:28.439
<v Speaker 1>scene and then him coming out of the scene without

0:18:28.440 --> 0:18:30.000
<v Speaker 1>the scene happening. I don't know. I just thought that

0:18:30.040 --> 0:18:35.160
<v Speaker 1>wasn't interesting. No, that's a great, right, because you don't

0:18:35.520 --> 0:18:38.400
<v Speaker 1>like linear, right, like you don't go in order in order. Yeah,

0:18:38.520 --> 0:18:41.320
<v Speaker 1>so they were like, okay, go in the door, now

0:18:41.440 --> 0:18:44.679
<v Speaker 1>close it. Okay, great, go back out the door, and

0:18:44.760 --> 0:18:48.600
<v Speaker 1>we got two scenes and moving on. So I had

0:18:48.640 --> 0:18:52.480
<v Speaker 1>one note back on Jack at prison. That's not Lompoke

0:18:52.760 --> 0:18:57.200
<v Speaker 1>because they said he goes to Lompoke, right, Lompoc Lompoke Mopoke,

0:18:57.960 --> 0:19:00.760
<v Speaker 1>which is kind of in up the one oh one,

0:19:01.359 --> 0:19:04.879
<v Speaker 1>like sort of near a Tasca Darrow. Right. I'm pretty

0:19:04.880 --> 0:19:08.200
<v Speaker 1>sure that was san Quentin because the shot they showed

0:19:08.520 --> 0:19:15.320
<v Speaker 1>like a prison on beautiful water Quentin in Marin County,

0:19:15.720 --> 0:19:18.640
<v Speaker 1>and it's like on the water like San Quentin's. First

0:19:18.640 --> 0:19:20.480
<v Speaker 1>of all, he wouldn't be at san Quentin because that's

0:19:20.520 --> 0:19:24.159
<v Speaker 1>like there's death row. Yeah, well it's weird. It's like

0:19:24.160 --> 0:19:27.120
<v Speaker 1>hardcore and then also like drug offender. But anyway, there's

0:19:27.160 --> 0:19:29.960
<v Speaker 1>no water at Lompok. It's like totally isolated in the

0:19:30.040 --> 0:19:33.080
<v Speaker 1>middle of California. That was the most beautiful prison. And

0:19:33.119 --> 0:19:36.480
<v Speaker 1>I'm nineties never known that San Quentin. I was like, oh,

0:19:36.560 --> 0:19:38.719
<v Speaker 1>flag on the play that is that's good to know.

0:19:38.960 --> 0:19:41.399
<v Speaker 1>They probably just wanted it to look pretty and it

0:19:41.520 --> 0:19:45.159
<v Speaker 1>did and it did. But yes, so that was my

0:19:45.240 --> 0:19:48.159
<v Speaker 1>little I didn't google that. This is just coming in

0:19:48.240 --> 0:19:51.679
<v Speaker 1>my brain, but I noticed it. And he wants he

0:19:51.720 --> 0:19:55.560
<v Speaker 1>comes in, he wants to bond with Dylan. He's drinking

0:19:55.840 --> 0:20:00.439
<v Speaker 1>in front of his a A member son brutal, and

0:20:00.440 --> 0:20:02.760
<v Speaker 1>then he doesn't spend any time bonding with Dylan because

0:20:02.760 --> 0:20:07.119
<v Speaker 1>he wants to get with his girly. Is it okay

0:20:07.160 --> 0:20:10.400
<v Speaker 1>he drinks when he's like on leave from prison. I'm

0:20:10.480 --> 0:20:14.080
<v Speaker 1>sure not. I mean, do they I don't think they.

0:20:14.280 --> 0:20:19.400
<v Speaker 1>I can't believe this. It's really far fetched. But that's

0:20:19.400 --> 0:20:22.320
<v Speaker 1>the first time we meet Christine who comes on. She's

0:20:22.359 --> 0:20:25.600
<v Speaker 1>on the show for like seven eight episodes. I was

0:20:25.640 --> 0:20:28.280
<v Speaker 1>a little creeped out though that Jack like your dad,

0:20:28.359 --> 0:20:31.280
<v Speaker 1>imagine your dad telling you like, I'm gonna kill the

0:20:31.400 --> 0:20:33.520
<v Speaker 1>lady so I can get some like that made me

0:20:33.680 --> 0:20:36.600
<v Speaker 1>gas and then saying at the end where he says,

0:20:36.840 --> 0:20:44.240
<v Speaker 1>you guys can have my bed. Ohas gross? Yeah, gross.

0:20:44.440 --> 0:20:46.639
<v Speaker 1>And the way and the way he checks like Dylan

0:20:46.680 --> 0:20:49.960
<v Speaker 1>walks away and he checks Christine out like he does

0:20:50.000 --> 0:20:53.159
<v Speaker 1>like a double take from around the corner. He was

0:20:53.240 --> 0:20:57.840
<v Speaker 1>not checking her out. He was like, my dad's cool. Yeah,

0:20:57.960 --> 0:21:00.679
<v Speaker 1>look look he's going for it. No, I thought he

0:21:00.720 --> 0:21:04.080
<v Speaker 1>was creeped out like me. We all have different takes

0:21:04.119 --> 0:21:07.399
<v Speaker 1>on that. It's really hard to understand. That's why I

0:21:08.080 --> 0:21:11.320
<v Speaker 1>like Christine though. What do you guys think of her? Yeah?

0:21:11.359 --> 0:21:18.199
<v Speaker 1>I like her. She's so pretty, like classy lady and

0:21:18.320 --> 0:21:22.600
<v Speaker 1>she's tough. Yeah, she like I like that she stepped in,

0:21:22.680 --> 0:21:26.439
<v Speaker 1>she was she had stepmother vibes going on. What do

0:21:26.480 --> 0:21:28.480
<v Speaker 1>you make that she knows Nat and goes to the

0:21:28.520 --> 0:21:32.399
<v Speaker 1>peach pit? So what does that mean? Like is something coming?

0:21:33.600 --> 0:21:36.520
<v Speaker 1>She used to date Nat? What what's the gnat significance?

0:21:36.680 --> 0:21:40.439
<v Speaker 1>I don't know. I can't I can't actually remember. I

0:21:40.480 --> 0:21:43.679
<v Speaker 1>do know she's there for a while, and I actually

0:21:44.160 --> 0:21:46.000
<v Speaker 1>so that I know, like there has to be a

0:21:46.040 --> 0:21:49.440
<v Speaker 1>reason she's friends with Nat, right or maybe maybe we'll

0:21:49.480 --> 0:21:51.879
<v Speaker 1>find out, like in the next because she's in how

0:21:51.880 --> 0:21:56.200
<v Speaker 1>many episodes, like eight, like seven or eight. I think eight.

0:21:58.080 --> 0:22:00.560
<v Speaker 1>We can ask her while we're going to do one

0:22:00.640 --> 0:22:02.480
<v Speaker 1>on one interview with her, So we're gonna ask her,

0:22:02.880 --> 0:22:07.399
<v Speaker 1>why do you know Nat? Yes, I don't remember our episode,

0:22:07.440 --> 0:22:10.000
<v Speaker 1>so please tell us what happens because we don't know.

0:22:11.080 --> 0:22:13.760
<v Speaker 1>But she was cool. I actually thought, I don't know

0:22:13.800 --> 0:22:15.399
<v Speaker 1>why my memory thought this, but that she was going

0:22:15.440 --> 0:22:17.439
<v Speaker 1>to be like, I'm a lawyer, like I thought, I

0:22:17.480 --> 0:22:21.280
<v Speaker 1>think she might be successful. She looks it. Yeah, she's

0:22:21.320 --> 0:22:29.360
<v Speaker 1>not just like some like I don't know what they

0:22:29.359 --> 0:22:33.399
<v Speaker 1>call bimbo. They call her bimbo like multiple times. I

0:22:33.480 --> 0:22:37.960
<v Speaker 1>had problems with that because she's not right, but also

0:22:39.440 --> 0:22:42.800
<v Speaker 1>why would he call her bimbo? Doesn't even know her? Well,

0:22:42.840 --> 0:22:44.919
<v Speaker 1>I think he. I think I get that Dylan was

0:22:45.000 --> 0:22:48.080
<v Speaker 1>upset by Jack being like where's the phone as he's

0:22:48.119 --> 0:22:50.120
<v Speaker 1>like drinking his cocktail like he's going to call his lady,

0:22:50.200 --> 0:22:52.320
<v Speaker 1>like he should be spending time with his time with

0:22:52.440 --> 0:22:57.760
<v Speaker 1>him and gross. Well, I did think that Jack McKay

0:22:57.760 --> 0:23:00.800
<v Speaker 1>looked he's hot, like he's a good an older man.

0:23:02.800 --> 0:23:07.840
<v Speaker 1>I didn't really think so then, but now I'm like, hello, yes,

0:23:10.119 --> 0:23:13.239
<v Speaker 1>he's hot. What did you guys think At the end

0:23:13.280 --> 0:23:17.320
<v Speaker 1>when Dylan says good night, Dad. It didn't seem to

0:23:17.400 --> 0:23:22.400
<v Speaker 1>roll off his tongue, you know, like it just felt so.

0:23:22.600 --> 0:23:27.360
<v Speaker 1>I don't know. I guess it was weird for him too,

0:23:27.400 --> 0:23:30.560
<v Speaker 1>because he doesn't call his dad Daddy, calls him Jack.

0:23:30.840 --> 0:23:32.840
<v Speaker 1>Do you guys, ever, did you ever call your parents

0:23:32.840 --> 0:23:39.399
<v Speaker 1>by their first name? Oh? My gosh, never? Oh wait

0:23:39.520 --> 0:23:43.760
<v Speaker 1>do it? How do you? What's your mom? Who? Which one? Well?

0:23:43.800 --> 0:23:48.360
<v Speaker 1>So both because so my mom Cheryl and now her

0:23:48.440 --> 0:23:52.600
<v Speaker 1>grandma name is Grahama Cheryl were was like Graham's Cheryl

0:23:53.040 --> 0:23:58.680
<v Speaker 1>like that? Oh my gosh, I can have that Aaron.

0:23:59.400 --> 0:24:02.040
<v Speaker 1>Oh my god, I'm getting nervous just thinking about it.

0:24:02.080 --> 0:24:04.840
<v Speaker 1>Like I didn't even call like my friend's parents by

0:24:04.840 --> 0:24:06.439
<v Speaker 1>their first name when I was young. I didn't even

0:24:06.480 --> 0:24:13.600
<v Speaker 1>know my dad had a name. His name was dad.

0:24:14.880 --> 0:24:23.280
<v Speaker 1>Apparently his name's John. It's a good solid name. Yeah,

0:24:23.480 --> 0:24:27.040
<v Speaker 1>when they do, when they become grandparents, though, then they

0:24:27.119 --> 0:24:30.359
<v Speaker 1>become like me, me and Pappy, and then I forget

0:24:30.400 --> 0:24:34.800
<v Speaker 1>that they had mom and dad. So yeah, right, but

0:24:34.920 --> 0:24:39.280
<v Speaker 1>Tori for you, like that's so so everyone on the set?

0:24:39.760 --> 0:24:41.919
<v Speaker 1>Do they call your dad Mr? Spelling? Did people call

0:24:42.000 --> 0:24:46.879
<v Speaker 1>him Aaron? What did they do? The actors around people

0:24:47.400 --> 0:24:51.600
<v Speaker 1>we have making reference to him all the time and

0:24:51.640 --> 0:24:54.159
<v Speaker 1>then you're like dad, but I just wanted to like

0:24:54.200 --> 0:24:56.000
<v Speaker 1>fit in, so I would have been creeped out there

0:24:56.280 --> 0:25:00.119
<v Speaker 1>like your dad or like they felt comfortable enough it

0:25:00.240 --> 0:25:03.440
<v Speaker 1>like I was just another actor. So that was good.

0:25:03.480 --> 0:25:05.600
<v Speaker 1>That was good. I like that. And did you take

0:25:05.680 --> 0:25:08.639
<v Speaker 1>special care like if your dad was on the set

0:25:08.680 --> 0:25:12.720
<v Speaker 1>for some reason not to hey Dad, hug hug, Like

0:25:12.960 --> 0:25:16.000
<v Speaker 1>did you kind of not do that or did you

0:25:16.080 --> 0:25:20.560
<v Speaker 1>not work? No? No, no, no, we because we all

0:25:20.600 --> 0:25:22.360
<v Speaker 1>felt like his kids when he would come on set,

0:25:22.480 --> 0:25:25.280
<v Speaker 1>like we'd all be running up and hugging him. And

0:25:25.320 --> 0:25:28.280
<v Speaker 1>there was like Santa Claus came right like he didn't

0:25:28.280 --> 0:25:30.080
<v Speaker 1>come on set that much. You know, he was like

0:25:30.160 --> 0:25:32.320
<v Speaker 1>over the hill. He was always a phone call away,

0:25:32.480 --> 0:25:36.120
<v Speaker 1>you know, but when he did it was special. Yeah,

0:25:36.320 --> 0:25:41.760
<v Speaker 1>everyone got excited. What what about when um Jack and

0:25:41.840 --> 0:25:46.400
<v Speaker 1>Dylan like Christine makes them rethink things, then I guess

0:25:46.400 --> 0:25:48.240
<v Speaker 1>they make up, but they make up real quick and

0:25:48.280 --> 0:25:54.840
<v Speaker 1>then they come out playing Monopoly rousing. Wow, that was

0:25:54.880 --> 0:25:58.200
<v Speaker 1>a fast makeup of all the years of like drama

0:25:58.240 --> 0:26:02.000
<v Speaker 1>that those two have had. And they specifically mentioned Charles

0:26:02.000 --> 0:26:06.760
<v Speaker 1>Place because of Chuck Rosen probably that's our executive producer.

0:26:08.440 --> 0:26:11.000
<v Speaker 1>I love a good boy happy for them to make up.

0:26:11.440 --> 0:26:14.440
<v Speaker 1>I don't really love the angsty nous between them. No,

0:26:14.600 --> 0:26:19.200
<v Speaker 1>there's so much better, like jovial together and like, yeah,

0:26:19.560 --> 0:26:21.040
<v Speaker 1>I see. I thought they were kind of hot when

0:26:21.040 --> 0:26:24.160
<v Speaker 1>they were like hot headed at each other, like walk away, Jack,

0:26:24.200 --> 0:26:26.360
<v Speaker 1>that's what you do best, And I was like, that's

0:26:26.359 --> 0:26:29.680
<v Speaker 1>what you do. When he was like await Jack, Jack,

0:26:30.800 --> 0:26:33.119
<v Speaker 1>I don't know, He's like, oh this crap. Sorry. I

0:26:33.119 --> 0:26:36.480
<v Speaker 1>got it very excited here and was acting it out again. Yeah,

0:26:36.680 --> 0:26:38.720
<v Speaker 1>I don't know. Because they were both so like hot

0:26:38.760 --> 0:26:42.240
<v Speaker 1>and like passionate. I was kind of into it. It's

0:26:42.240 --> 0:26:46.600
<v Speaker 1>a good storyline getting Jack involved, is it like it

0:26:46.600 --> 0:26:50.320
<v Speaker 1>it gives a layer to him, to Dylan. Yeah, it

0:26:50.400 --> 0:26:55.399
<v Speaker 1>was very parent heavy this episode, very family Thanksgiving. We

0:26:55.520 --> 0:26:58.239
<v Speaker 1>have to get into the whole Walsh Thanksgiving of it all.

0:26:58.320 --> 0:27:00.480
<v Speaker 1>Let's take a break and come back with because there's

0:27:00.520 --> 0:27:17.359
<v Speaker 1>a lot there. You just want to talk about Jim Suspenders. Yeah, okay,

0:27:17.359 --> 0:27:19.600
<v Speaker 1>So we were watching this episode. My daughter was watching

0:27:19.680 --> 0:27:23.760
<v Speaker 1>with me, Fiana, she's almost sixteen, and um, I was like,

0:27:24.320 --> 0:27:26.439
<v Speaker 1>do you think it's weird that I I have the

0:27:26.480 --> 0:27:35.560
<v Speaker 1>hots for Jim and she said she was like, listen,

0:27:35.560 --> 0:27:37.840
<v Speaker 1>we all think it's a little weird. I'm not gonna lie,

0:27:38.800 --> 0:27:42.800
<v Speaker 1>but we supp back. Did you guys know immediately that

0:27:42.800 --> 0:27:47.840
<v Speaker 1>that was Jack Canner digging in the dumpster? Like? Did

0:27:47.840 --> 0:27:52.679
<v Speaker 1>you make that connection immediately? Did you? Well? I did

0:27:52.760 --> 0:27:59.119
<v Speaker 1>because I read the description of the episode. I had

0:27:59.119 --> 0:28:01.720
<v Speaker 1>a feeling and then my feeling was proven right. So

0:28:01.720 --> 0:28:03.720
<v Speaker 1>I don't know if my feeling was because I remembered

0:28:03.800 --> 0:28:07.880
<v Speaker 1>or because oh that would that make sense? Why would

0:28:07.920 --> 0:28:12.080
<v Speaker 1>they make him Jack when there's already Jack, Yeah, and

0:28:12.200 --> 0:28:14.399
<v Speaker 1>the same and the same episode. Like Jack McKay's not

0:28:14.480 --> 0:28:16.879
<v Speaker 1>in that many episodes, he's in this one. I just

0:28:16.880 --> 0:28:23.240
<v Speaker 1>think it's weird. Um And Dave what's his name, Dave Sheridan.

0:28:24.800 --> 0:28:28.320
<v Speaker 1>He's great, what a great he was? So Jason's best

0:28:28.320 --> 0:28:34.800
<v Speaker 1>friend in real life? Yeah, but I didn't know that. Wait,

0:28:34.880 --> 0:28:39.640
<v Speaker 1>so that's Jack Hanner the Homeless VET. Dave Cheryl is

0:28:39.680 --> 0:28:43.400
<v Speaker 1>best friend. Dave Cheryl David Cheryl and he and and

0:28:43.520 --> 0:28:47.880
<v Speaker 1>Jason were best friends. Yeah, maybe that's why he got Well,

0:28:49.680 --> 0:28:52.160
<v Speaker 1>I'm sure Jason was like, hey, you guys should consider

0:28:52.240 --> 0:28:55.200
<v Speaker 1>my friend. He's really great. He was great, he was

0:28:56.320 --> 0:28:58.560
<v Speaker 1>total difference when he got rid of that beard and

0:28:58.600 --> 0:29:02.160
<v Speaker 1>the the whole thing was like, whoa, I know, yeah,

0:29:02.240 --> 0:29:04.880
<v Speaker 1>that's a long, long walk from the beach club to

0:29:05.000 --> 0:29:11.000
<v Speaker 1>the peach pit. So in the rain, You're right, you

0:29:11.120 --> 0:29:16.240
<v Speaker 1>must have been. I was surprised by Jim being so

0:29:17.480 --> 0:29:21.360
<v Speaker 1>what was he was he? Was he jealous or was

0:29:21.400 --> 0:29:25.200
<v Speaker 1>he you kind of you begin to understand. I think

0:29:25.240 --> 0:29:28.560
<v Speaker 1>it had to do with Jim feeling less than because

0:29:28.560 --> 0:29:32.719
<v Speaker 1>because father I thought, you know, in a war was

0:29:32.760 --> 0:29:38.440
<v Speaker 1>in the armed forces, and that Jim wasn't because was

0:29:38.480 --> 0:29:42.120
<v Speaker 1>protesting the Vietnam War. It's very deep storyline and you

0:29:42.200 --> 0:29:44.840
<v Speaker 1>kind of get the like of what's going on in

0:29:44.920 --> 0:29:47.520
<v Speaker 1>Jim's head. So he had that outburst because I think

0:29:47.560 --> 0:29:51.320
<v Speaker 1>he felt like you're you're important either way. Did you

0:29:51.360 --> 0:29:54.680
<v Speaker 1>notice that every time they would talk about the the

0:29:54.720 --> 0:30:00.360
<v Speaker 1>storyline of Jack, they would play that like music, like serious,

0:30:00.440 --> 0:30:10.320
<v Speaker 1>like military trumpet, like very distracting. It also wasn't I

0:30:10.320 --> 0:30:13.800
<v Speaker 1>think it was an important storyline at the time. It

0:30:13.920 --> 0:30:16.360
<v Speaker 1>was very timely, and they make the restaurants to President

0:30:16.440 --> 0:30:20.240
<v Speaker 1>Bush not being in office anymore, and like this did

0:30:20.360 --> 0:30:24.440
<v Speaker 1>happen that soldiers came home and we're kind of left

0:30:25.200 --> 0:30:29.720
<v Speaker 1>to their own devices and had no support and we're

0:30:29.760 --> 0:30:35.160
<v Speaker 1>kind of screwed. Yeah, yeah, that that that was intense

0:30:35.280 --> 0:30:38.760
<v Speaker 1>the way it turned out for him. But it makes

0:30:38.760 --> 0:30:40.880
<v Speaker 1>sense now that now that you're saying that was David.

0:30:41.960 --> 0:30:45.040
<v Speaker 1>I remember they were friends and David didn't have a

0:30:45.080 --> 0:30:50.320
<v Speaker 1>beard that was fake beard, y'all? Oh, no way, Yeah,

0:30:51.280 --> 0:30:52.560
<v Speaker 1>you know how you can always tell if it's a

0:30:52.560 --> 0:30:57.120
<v Speaker 1>fake beard, Jenny whatever, whatever you're taking for your memories.

0:30:58.560 --> 0:31:00.920
<v Speaker 1>I only say that I don't remember. I just say

0:31:01.000 --> 0:31:03.320
<v Speaker 1>that because I could tell it was a fake fake beard.

0:31:03.600 --> 0:31:06.640
<v Speaker 1>You can tell because you'll either sometimes you'll see shiny

0:31:06.960 --> 0:31:10.120
<v Speaker 1>under the hairs on the side, like the glue that

0:31:10.160 --> 0:31:12.440
<v Speaker 1>they stick it on, because usually with the beard they

0:31:12.440 --> 0:31:17.720
<v Speaker 1>stick it on hair by hair, so and then also

0:31:18.440 --> 0:31:24.240
<v Speaker 1>sometimes like some longer hairs get missed or forgotten about,

0:31:24.320 --> 0:31:28.160
<v Speaker 1>so there's like a scraggly stray beard hair which doesn't

0:31:28.160 --> 0:31:32.320
<v Speaker 1>really happen, like it was like two inches longer than

0:31:32.360 --> 0:31:38.760
<v Speaker 1>the rest of them. Let's take a look. So, okay,

0:31:38.920 --> 0:31:41.640
<v Speaker 1>did you think? All right? So I know we needed

0:31:41.640 --> 0:31:43.720
<v Speaker 1>the like way to get everybody to the wall ships.

0:31:43.800 --> 0:31:46.440
<v Speaker 1>So I thought Andrea was ahead of her time because

0:31:46.440 --> 0:31:49.320
<v Speaker 1>she didn't want to go to her vegetarian Thanksgiving, which

0:31:49.360 --> 0:31:56.320
<v Speaker 1>is probably now exactly like a good to Firky. Did

0:31:56.360 --> 0:31:59.800
<v Speaker 1>you think, I guess we're just to accept that Brendan

0:32:00.000 --> 0:32:05.360
<v Speaker 1>Aliah fully made up, I mean made up enough to

0:32:05.440 --> 0:32:07.640
<v Speaker 1>be like, hey, do you know where Dylan's gonna be

0:32:07.680 --> 0:32:13.840
<v Speaker 1>for Thanksgiving? Oh? That was weird, I thought, yeah, yeah,

0:32:14.040 --> 0:32:16.480
<v Speaker 1>but Kelly does say I don't know and I don't care.

0:32:16.960 --> 0:32:23.880
<v Speaker 1>M hm hm. But what about when when when Brandon

0:32:23.920 --> 0:32:28.920
<v Speaker 1>walks in with Jim Canter thet those names Jim and

0:32:28.960 --> 0:32:32.600
<v Speaker 1>I've been calling him Jack. Nope, Jack, you're right Jack,

0:32:32.640 --> 0:32:34.440
<v Speaker 1>and I got my gym and my Jack and my

0:32:34.520 --> 0:32:39.080
<v Speaker 1>Jack all confused, so many Jay's happening. But did you

0:32:39.120 --> 0:32:43.960
<v Speaker 1>see Jim's face and Cindy's the expression on Sydney's space

0:32:44.040 --> 0:32:46.920
<v Speaker 1>where they cut a waiter. I wrote it down. Cindy's

0:32:47.040 --> 0:32:50.120
<v Speaker 1>mouth was like it was so over the top. She's

0:32:50.160 --> 0:32:56.920
<v Speaker 1>like it was like, ba, well brought him right in.

0:32:58.400 --> 0:33:01.479
<v Speaker 1>Did they wash his clothes? So he took a shower,

0:33:01.520 --> 0:33:05.400
<v Speaker 1>he shaved, he changed, he looks great. Did they wash

0:33:05.560 --> 0:33:11.440
<v Speaker 1>his UM uniform? I bet Cindy would have yeah, because

0:33:11.520 --> 0:33:13.320
<v Speaker 1>when he put it back on later, it was real

0:33:13.360 --> 0:33:17.720
<v Speaker 1>clean and dry. Yeah, I feel like she would have. Yeah,

0:33:18.200 --> 0:33:23.520
<v Speaker 1>this thing just felt like another episode like the was

0:33:23.520 --> 0:33:27.800
<v Speaker 1>it Christmas Eve dinner? Was it? Remember? Yeah? I wrote

0:33:27.800 --> 0:33:30.400
<v Speaker 1>down where everyone showed up at the wallsh house and

0:33:31.080 --> 0:33:34.400
<v Speaker 1>that happens. I wrote down it was the world's most

0:33:34.440 --> 0:33:38.719
<v Speaker 1>boring Thanksgiving ever, Like they're all just sitting in that

0:33:38.800 --> 0:33:41.600
<v Speaker 1>living room, the three the girls on one chair, the

0:33:41.600 --> 0:33:48.360
<v Speaker 1>guys watching football, and nobody was talking. This whole episode

0:33:48.440 --> 0:33:52.000
<v Speaker 1>was very heavy. My note was it. I felt like

0:33:52.000 --> 0:33:54.720
<v Speaker 1>it was awkward and clunky. Like I just felt like

0:33:54.720 --> 0:33:57.520
<v Speaker 1>this this episode it was It was awkward and it

0:33:57.560 --> 0:34:04.040
<v Speaker 1>made me feel awkward. Hoppy was just Yeah, I loved it,

0:34:04.120 --> 0:34:07.959
<v Speaker 1>Amy loved it. Well, okay, let's get to some of

0:34:08.000 --> 0:34:11.120
<v Speaker 1>my other things because I'll go back to Thanksgiving because

0:34:11.120 --> 0:34:15.200
<v Speaker 1>I was unimpressed by Cindy's vegetable platter, but that's not important.

0:34:15.880 --> 0:34:18.520
<v Speaker 1>Did nine O two one oh, you guys? Did nine

0:34:18.520 --> 0:34:24.080
<v Speaker 1>O two one oh invent reality television? Because was it

0:34:24.160 --> 0:34:27.120
<v Speaker 1>a thing? And all of a sudden, Steve and his

0:34:27.239 --> 0:34:29.920
<v Speaker 1>mom are on a reality show basically like a fake

0:34:29.960 --> 0:34:33.239
<v Speaker 1>reality show because it was sort of planned. But like,

0:34:33.480 --> 0:34:38.040
<v Speaker 1>there wasn't reality TV in the nineties, right, there was

0:34:38.560 --> 0:34:44.640
<v Speaker 1>real world, real real world. When was the Osborne's on? No? Later,

0:34:45.120 --> 0:34:47.560
<v Speaker 1>later we didn't have Bachelor, There was no Who Wants

0:34:47.560 --> 0:34:50.880
<v Speaker 1>to Marry a Millionaire? Like I think only the real world?

0:34:51.239 --> 0:34:53.440
<v Speaker 1>Who Wants to Marry a Millionaire? Isn't that a game show?

0:34:54.520 --> 0:34:59.400
<v Speaker 1>Who wants to? It's much easier to just marry one

0:34:59.400 --> 0:35:01.400
<v Speaker 1>you guys are remember who wants It was like one

0:35:01.440 --> 0:35:03.160
<v Speaker 1>of the It was like one of the first reality

0:35:03.160 --> 0:35:06.319
<v Speaker 1>shows on Fox. And Darva Conger She's like, she like

0:35:06.760 --> 0:35:09.360
<v Speaker 1>they married a dude like on the sit on the stage.

0:35:09.400 --> 0:35:13.879
<v Speaker 1>It was Yeah, I didn't understand what was happening with

0:35:14.000 --> 0:35:16.080
<v Speaker 1>Why did they go to Santa Barbara? Why were they

0:35:16.080 --> 0:35:19.120
<v Speaker 1>in that weird house? Why were they shooting the show

0:35:19.160 --> 0:35:22.759
<v Speaker 1>on Thanksgiving? All of the above is great questions. And

0:35:22.840 --> 0:35:25.200
<v Speaker 1>was that the Dynasty House? Like? What was that mansion?

0:35:25.920 --> 0:35:28.080
<v Speaker 1>I don't know, I swear I really, I was looking

0:35:28.120 --> 0:35:29.719
<v Speaker 1>at I was like, is that the Walsh House? But

0:35:29.760 --> 0:35:32.760
<v Speaker 1>they just moved the stairway because it had the space

0:35:32.880 --> 0:35:34.959
<v Speaker 1>and it had the same time to see the exteriors,

0:35:35.000 --> 0:35:37.359
<v Speaker 1>I thought it was the Dynasty House. I was like, yeah,

0:35:37.520 --> 0:35:40.720
<v Speaker 1>exteriors are always different. They just go to like stock

0:35:40.760 --> 0:35:44.760
<v Speaker 1>footage and by by an exterior. Well, the Dynasty House

0:35:44.840 --> 0:35:47.239
<v Speaker 1>is a real house in Woodside, California. Torriy, I'll have

0:35:47.360 --> 0:35:50.640
<v Speaker 1>you know what do you so? Not the inside the outside?

0:35:50.960 --> 0:35:55.480
<v Speaker 1>That's right, and I think, really, where's Woodside near Palo Alto?

0:35:55.719 --> 0:36:01.200
<v Speaker 1>Very fancy? Okay, okay, but but Steve Sanders mom, Samantha Sanders.

0:36:02.440 --> 0:36:06.360
<v Speaker 1>She's beautiful, like like a porcelain doll I want to

0:36:06.400 --> 0:36:10.760
<v Speaker 1>put on my shelf. I love her face. I enjoyed

0:36:10.800 --> 0:36:15.279
<v Speaker 1>those scenes and love that she calls him Stephen. Just

0:36:15.400 --> 0:36:19.279
<v Speaker 1>everything the way she talks, and it's just so she's

0:36:19.320 --> 0:36:25.560
<v Speaker 1>so famous. Yeah, she's perfect. And she saved the day

0:36:25.680 --> 0:36:28.239
<v Speaker 1>because she got him back in school. What do you

0:36:28.239 --> 0:36:31.360
<v Speaker 1>think really happened? Did she like paid, like donate to

0:36:31.360 --> 0:36:36.040
<v Speaker 1>the school, like I was thinking something something, something happening

0:36:36.120 --> 0:36:40.239
<v Speaker 1>on the side that convinced Mrs Teasley. And are we

0:36:40.320 --> 0:36:45.399
<v Speaker 1>to assume that Steve hooked up with the p A yes,

0:36:47.120 --> 0:36:52.520
<v Speaker 1>like a lot. Well that's you know, open for your interpretation.

0:36:54.480 --> 0:36:56.200
<v Speaker 1>But he came back like I met a girl. But

0:36:56.239 --> 0:36:58.399
<v Speaker 1>I was like, and he looked pretty excited about it.

0:36:58.920 --> 0:37:01.120
<v Speaker 1>I got that we missed to chunk, like a scene

0:37:01.200 --> 0:37:05.480
<v Speaker 1>was cut. I got the vibe he did it. I

0:37:05.520 --> 0:37:11.000
<v Speaker 1>don't know. I don't want to think about that he does.

0:37:11.239 --> 0:37:14.600
<v Speaker 1>Are you jealousy a little? I'm not gonna lie. I'm

0:37:14.640 --> 0:37:17.920
<v Speaker 1>always I always feel like all the fields, Like I'm

0:37:17.920 --> 0:37:20.600
<v Speaker 1>always like I like him, and then I don't know,

0:37:20.719 --> 0:37:22.759
<v Speaker 1>like do I like Steve? Do? I sort of just

0:37:22.800 --> 0:37:25.880
<v Speaker 1>think high and so sweet and charming and I have

0:37:26.000 --> 0:37:29.480
<v Speaker 1>to really super sweet and like beautiful, like his skin

0:37:29.600 --> 0:37:32.880
<v Speaker 1>was perfect and no, like so shaved so nicely, like

0:37:32.960 --> 0:37:35.319
<v Speaker 1>he just looked real pretty in this episode. But his

0:37:35.680 --> 0:37:40.399
<v Speaker 1>jacket episode, the one, the one jacket, I couldn't figure

0:37:40.440 --> 0:37:42.239
<v Speaker 1>out what it was. It was long and then it

0:37:42.320 --> 0:37:47.000
<v Speaker 1>kind of tied in at the back. He didn't got it.

0:37:47.120 --> 0:37:50.400
<v Speaker 1>He was rehearsing. Yeah, maybe I remember those clips that

0:37:50.480 --> 0:37:52.040
<v Speaker 1>used to put on the baby back of the baby

0:37:52.040 --> 0:37:54.040
<v Speaker 1>doll dress, like had like a clip on one end

0:37:54.280 --> 0:37:55.880
<v Speaker 1>and then a scruncheet and then a clip on the

0:37:55.960 --> 0:38:00.320
<v Speaker 1>other end. And you would like, has anyone brought those

0:38:00.400 --> 0:38:03.720
<v Speaker 1>back for the nineties, Like I'd like to have one. Yeah,

0:38:03.760 --> 0:38:06.160
<v Speaker 1>me too. All I can think about right now is

0:38:06.280 --> 0:38:10.760
<v Speaker 1>like when I took his shirt off, and I'm like, wait,

0:38:10.880 --> 0:38:17.520
<v Speaker 1>I took a shirt off any tour? Oh, in real life.

0:38:17.600 --> 0:38:22.280
<v Speaker 1>I'm sorry, I thought even an episode, I'm like, wait

0:38:22.440 --> 0:38:25.520
<v Speaker 1>on on the episode he took a shirt off on

0:38:25.560 --> 0:38:29.520
<v Speaker 1>the padcast with Amy, She she almost passed out. I'm

0:38:29.600 --> 0:38:31.839
<v Speaker 1>actually having a flashback and I don't know, I'm having

0:38:31.880 --> 0:38:36.399
<v Speaker 1>a hot flaw. I don't know right now, you're turning right,

0:38:37.160 --> 0:38:42.680
<v Speaker 1>Oh my god, you so red. I'm like, because all

0:38:42.680 --> 0:38:44.319
<v Speaker 1>of a sudden, where you guys were talking about that,

0:38:44.360 --> 0:38:48.800
<v Speaker 1>it just it was like in my mind, oh god, okay,

0:38:48.840 --> 0:38:52.880
<v Speaker 1>looks so yeah. I think nine o two one who

0:38:52.920 --> 0:38:57.400
<v Speaker 1>invented reality TV? Maybe, but it wasn't a series they

0:38:57.440 --> 0:39:00.840
<v Speaker 1>were filming, right it was? Didn't they call it one

0:39:01.640 --> 0:39:04.080
<v Speaker 1>Escape of the Stars, didn't. She refer to it as

0:39:04.520 --> 0:39:09.959
<v Speaker 1>escape Escapes of the What are they escaping? And oh

0:39:10.120 --> 0:39:13.919
<v Speaker 1>and that's why they're in a different house. They're escaping life. Yeah,

0:39:13.960 --> 0:39:20.040
<v Speaker 1>I guess you're escaping with the stars vacationing. Oh that's

0:39:20.040 --> 0:39:23.960
<v Speaker 1>a good show. Yeah, we should put it, we should

0:39:23.960 --> 0:39:28.480
<v Speaker 1>produce that. But yeah, but it was like a reality show,

0:39:28.560 --> 0:39:30.640
<v Speaker 1>but yet it was like fake because remember they all

0:39:30.680 --> 0:39:32.920
<v Speaker 1>like put them in the spot and then they're like,

0:39:33.000 --> 0:39:35.000
<v Speaker 1>let's move on to the next setup. So it wasn't

0:39:35.080 --> 0:39:38.480
<v Speaker 1>quite reality TV, But then Steve had the brilliant idea like,

0:39:38.560 --> 0:39:41.880
<v Speaker 1>oh my mom is so much nicer on camera, so

0:39:41.880 --> 0:39:45.480
<v Speaker 1>I'm going to drop this bomb on her on the show.

0:39:45.680 --> 0:39:48.600
<v Speaker 1>So literally, maybe nine O, two and O didn't invent

0:39:48.640 --> 0:39:53.040
<v Speaker 1>reality TV, but iron zerring Steve. What about when they

0:39:53.080 --> 0:39:55.720
<v Speaker 1>want when they first get there and they're like worker

0:39:55.800 --> 0:39:58.480
<v Speaker 1>guys are putting doing something on the floor, like taping

0:39:58.520 --> 0:40:01.440
<v Speaker 1>the floor, and it's just so rude to them, and

0:40:01.719 --> 0:40:06.560
<v Speaker 1>then the lady the guy goes whatever the talents here.

0:40:08.680 --> 0:40:14.319
<v Speaker 1>I felt uncomfortable, like is that how they think of

0:40:14.440 --> 0:40:19.640
<v Speaker 1>us sometimes because I'm they're the ones saying the talents,

0:40:19.800 --> 0:40:23.239
<v Speaker 1>not you guys. But sometimes we're like the talents cruiser

0:40:25.080 --> 0:40:29.440
<v Speaker 1>because you know what's crazy of the time, it's accurate.

0:40:31.840 --> 0:40:35.280
<v Speaker 1>Let's be honest, the you guys, the behind the scenes,

0:40:35.320 --> 0:40:37.000
<v Speaker 1>and I'm not you guys, I swear to God I

0:40:37.000 --> 0:40:45.439
<v Speaker 1>would tell you. So we play this game. I'm giving

0:40:45.440 --> 0:40:47.560
<v Speaker 1>everyone a little peel back the curtains. So we played

0:40:47.600 --> 0:40:49.920
<v Speaker 1>this game. So we have events. Would you guys have

0:40:49.960 --> 0:40:53.560
<v Speaker 1>been to a million times where like what jingle ball,

0:40:53.600 --> 0:40:56.360
<v Speaker 1>Wango Tango, I heard, radio music festival, all these things.

0:40:57.080 --> 0:41:02.480
<v Speaker 1>So my job is like, are in charge of the talent,

0:41:02.600 --> 0:41:05.200
<v Speaker 1>like the celebrities, and literally that means like we just

0:41:05.200 --> 0:41:07.879
<v Speaker 1>basically like hold your hands, get you water, walk around,

0:41:08.000 --> 0:41:11.640
<v Speaker 1>tell you where to go, here's the bathroom, like a

0:41:11.680 --> 0:41:19.080
<v Speaker 1>million fires in one night. Wrangler. It's not a fancy job,

0:41:19.200 --> 0:41:21.760
<v Speaker 1>like we like it. It's fun, but like you're really

0:41:21.840 --> 0:41:26.399
<v Speaker 1>just in charge of doing whatever the talent needs. So

0:41:26.440 --> 0:41:29.440
<v Speaker 1>at the end of the night, after you, after you

0:41:29.480 --> 0:41:36.320
<v Speaker 1>guys were like, gonet love in this room, Oh my god,

0:41:37.480 --> 0:41:39.879
<v Speaker 1>it's not that. We play this game called high low.

0:41:40.480 --> 0:41:42.080
<v Speaker 1>And so then you go around this all the like

0:41:42.200 --> 0:41:43.880
<v Speaker 1>p a is go around the circle and we're like

0:41:43.920 --> 0:41:47.160
<v Speaker 1>what was the best part and what was the worst part,

0:41:47.560 --> 0:41:50.359
<v Speaker 1>meaning the best talent the worst talent, or like what

0:41:50.400 --> 0:41:53.160
<v Speaker 1>was your favorite moment? Like sometimes it's like, oh, I

0:41:53.200 --> 0:41:55.560
<v Speaker 1>was with Tori and we bumped into Harry Styles and

0:41:55.600 --> 0:41:58.239
<v Speaker 1>this happened, you know, Like sometimes it's that I wish

0:41:58.280 --> 0:42:04.040
<v Speaker 1>I was there for that time. The lows, Oh my god,

0:42:04.160 --> 0:42:07.919
<v Speaker 1>give an example giving names, spill it right now. Okay,

0:42:07.920 --> 0:42:11.520
<v Speaker 1>I've got one. I'm doing. Oh god, I hope everyone listening.

0:42:11.680 --> 0:42:15.319
<v Speaker 1>Everybody has it. Okay. So literally there we were in

0:42:15.400 --> 0:42:19.040
<v Speaker 1>Vegas and the celebrity has to get on stage, like

0:42:19.080 --> 0:42:20.719
<v Speaker 1>you guys do it like Tory. You know, Tory and

0:42:20.800 --> 0:42:26.719
<v Speaker 1>Jenny will be introducing an artist right thinking about doing that,

0:42:27.280 --> 0:42:29.680
<v Speaker 1>I'm like my head, my muscles are clenching up, but

0:42:29.760 --> 0:42:34.160
<v Speaker 1>I won't. Okay. So, literally, this person is supposed to

0:42:34.239 --> 0:42:38.440
<v Speaker 1>be on stage and like maybe eight minutes they are

0:42:38.480 --> 0:42:40.360
<v Speaker 1>not even in the building. They are still at the

0:42:40.440 --> 0:42:44.040
<v Speaker 1>hotel across the street, and this poor p A is

0:42:44.080 --> 0:42:46.640
<v Speaker 1>like not So the p A just sits in the

0:42:46.680 --> 0:42:49.360
<v Speaker 1>hallway like waiting because the person is getting dressed whatever,

0:42:49.600 --> 0:42:51.719
<v Speaker 1>and they're just like knocking on the door like we

0:42:51.960 --> 0:42:55.120
<v Speaker 1>have to go, and like they've probably got a walkie talkie.

0:42:55.160 --> 0:42:57.800
<v Speaker 1>So the walkie talkies like blowing up like we need

0:42:57.800 --> 0:43:01.400
<v Speaker 1>that person now, and the text is blowing up, like

0:43:01.680 --> 0:43:07.040
<v Speaker 1>get him out of the door, get him. It's him, Okay,

0:43:05.840 --> 0:43:10.040
<v Speaker 1>it might have been. I'm just I'm just saying I'm

0:43:10.080 --> 0:43:14.439
<v Speaker 1>being very big. It's four p A who's probably like

0:43:14.880 --> 0:43:17.000
<v Speaker 1>just my friend doing it for me as a favorite,

0:43:17.560 --> 0:43:20.680
<v Speaker 1>walking on the door begging for the person to come.

0:43:21.200 --> 0:43:24.200
<v Speaker 1>The person like it's probably changed their closed twelve times.

0:43:26.480 --> 0:43:31.960
<v Speaker 1>Did they come out, I mean never came out for stopping.

0:43:32.080 --> 0:43:35.560
<v Speaker 1>I think we have had a couple where very rarely

0:43:35.640 --> 0:43:39.040
<v Speaker 1>but a couple were the times the person it didn't happen.

0:43:39.880 --> 0:43:42.319
<v Speaker 1>So they got this free trip to Vegas and they're

0:43:42.360 --> 0:43:44.520
<v Speaker 1>just like partying in their room and they're like, yeah,

0:43:44.680 --> 0:43:48.080
<v Speaker 1>we're just not gonna show up. And I've definitely had

0:43:48.120 --> 0:43:50.640
<v Speaker 1>a few. I've definitely had a few moments on the

0:43:50.800 --> 0:43:56.080
<v Speaker 1>phone like get out of the limo now, right now,

0:43:56.360 --> 0:44:00.799
<v Speaker 1>get them now. I would to Bee, I want to

0:44:00.840 --> 0:44:03.160
<v Speaker 1>feel I want to know what that feels like, Amy

0:44:03.239 --> 0:44:06.040
<v Speaker 1>telling me get out of the livel you feel like

0:44:06.160 --> 0:44:11.360
<v Speaker 1>you're going to have diarrhea. Well, thank you. That's very different.

0:44:11.360 --> 0:44:15.359
<v Speaker 1>I can't even imagine you like like being like mean

0:44:16.160 --> 0:44:21.680
<v Speaker 1>or like get out. It's when it's go time. He's

0:44:21.680 --> 0:44:23.480
<v Speaker 1>got to going. God, my whole body, I'm gonna have

0:44:23.480 --> 0:44:25.359
<v Speaker 1>to take an ad vilt. Okay, anyway, back on track,

0:44:25.360 --> 0:44:28.200
<v Speaker 1>back on track, back on track. Now, this is way

0:44:28.200 --> 0:44:31.560
<v Speaker 1>more fun this episode. Sorry, I'm just being honest. I

0:44:31.560 --> 0:44:33.640
<v Speaker 1>can talk about this ship all day and literally, not

0:44:33.719 --> 0:44:36.239
<v Speaker 1>you guys, I would tell you, not you guys. Not.

0:44:36.480 --> 0:44:38.520
<v Speaker 1>I've never had anything with anyone from nine o two

0:44:38.520 --> 0:44:43.719
<v Speaker 1>and other than literally the greatest experiences because Jason has

0:44:43.760 --> 0:44:48.840
<v Speaker 1>done it and Luke has done it the easiest, most amazing,

0:44:48.880 --> 0:44:50.960
<v Speaker 1>Iron has done it a bunch of times. Like literally,

0:44:50.960 --> 0:44:53.800
<v Speaker 1>I would tell you guys, not a story. I mean Luke.

0:44:56.560 --> 0:44:59.319
<v Speaker 1>So do you guys want to hear it? Yeah? Oh

0:44:59.320 --> 0:45:04.440
<v Speaker 1>it's the best story. Okay. So Luke came to Vegas. Um,

0:45:04.480 --> 0:45:07.320
<v Speaker 1>I can't remember who he was introducing, but the cast

0:45:07.360 --> 0:45:09.600
<v Speaker 1>of Riverdale was with him, like, not the whole cast,

0:45:09.600 --> 0:45:13.160
<v Speaker 1>but a lot of guys. And Ryan Seacrest and I

0:45:13.239 --> 0:45:15.879
<v Speaker 1>were walking down the hall and we bumped into Luke

0:45:15.960 --> 0:45:20.400
<v Speaker 1>and then some band like um, some rock band I

0:45:20.440 --> 0:45:23.359
<v Speaker 1>can't remember. They freaked out over Luke. It was like,

0:45:23.480 --> 0:45:26.720
<v Speaker 1>oh my god. And then we said to the boys

0:45:26.760 --> 0:45:30.520
<v Speaker 1>on Riverdale, I'll never forget this. Whoever it was the

0:45:30.560 --> 0:45:32.560
<v Speaker 1>p A and me and we're like, what do you

0:45:32.600 --> 0:45:35.520
<v Speaker 1>want to do? And they literally said, whatever Luke wants

0:45:35.560 --> 0:45:38.200
<v Speaker 1>to do is what we'll do. Like we are going

0:45:38.280 --> 0:45:40.680
<v Speaker 1>to go wherever he's gonna go. We're gonna do whatever

0:45:40.760 --> 0:45:43.040
<v Speaker 1>he wants to do. And I was just like, oh

0:45:43.080 --> 0:45:47.680
<v Speaker 1>my god. He was. There are no words to explain

0:45:47.760 --> 0:45:52.920
<v Speaker 1>how beyond like he was so amazing, the kindest person,

0:45:53.880 --> 0:45:56.480
<v Speaker 1>and just these boys looked up to him so much.

0:45:56.520 --> 0:46:01.080
<v Speaker 1>It was like, really pretty special. Behind the scenes stories

0:46:01.080 --> 0:46:05.080
<v Speaker 1>are always the best ones. Yeah, speaking of behind the scenes,

0:46:05.120 --> 0:46:09.680
<v Speaker 1>did you notice, okay, did you notice when um at

0:46:09.680 --> 0:46:14.960
<v Speaker 1>the end, I think when when they're when Steve's coming

0:46:15.000 --> 0:46:19.000
<v Speaker 1>out of the classroom into the hallway, there's, uh, did

0:46:19.040 --> 0:46:23.600
<v Speaker 1>you know where there's extras? The background actors are standing

0:46:23.800 --> 0:46:27.680
<v Speaker 1>waiting for their cue to walk. They're like just standing there.

0:46:27.719 --> 0:46:29.120
<v Speaker 1>You have to watch it now because I had to

0:46:29.239 --> 0:46:32.000
<v Speaker 1>rewind it just for my pure enjoyment. They're just standing

0:46:32.000 --> 0:46:35.520
<v Speaker 1>there and then she even steps back and then she goes.

0:46:36.360 --> 0:46:39.719
<v Speaker 1>I love stuff like that, when like Brandon's waiting out

0:46:39.960 --> 0:46:42.120
<v Speaker 1>and the whole Brandon thing coming back and forth was

0:46:42.200 --> 0:46:49.719
<v Speaker 1>to like, I like it. Yep, it was weird. I

0:46:49.800 --> 0:46:51.480
<v Speaker 1>missed that. So and I'm gonna have to rewatch for

0:46:51.680 --> 0:46:57.480
<v Speaker 1>Jason's you know what. I wish I had seen that

0:46:57.560 --> 0:47:00.400
<v Speaker 1>then I would have liked this episode. She something something.

0:47:02.640 --> 0:47:09.280
<v Speaker 1>Did you hate this episode more or the last one? Oh,

0:47:09.320 --> 0:47:12.240
<v Speaker 1>it's gonna upset you. But I actually liked this episode

0:47:12.280 --> 0:47:15.319
<v Speaker 1>less because the last one. I know, I know you

0:47:15.320 --> 0:47:16.919
<v Speaker 1>weren't into the and thing, but you know, I'm big

0:47:16.920 --> 0:47:19.680
<v Speaker 1>fan of hers from her horror phones, So I was

0:47:19.719 --> 0:47:23.880
<v Speaker 1>into that, and it was so beautifully shots that at

0:47:23.960 --> 0:47:26.359
<v Speaker 1>least it was nice to look at. This one was

0:47:26.440 --> 0:47:29.239
<v Speaker 1>just like you said, it was clunk and it was dark,

0:47:29.280 --> 0:47:33.880
<v Speaker 1>like it was all interiors and yeah, yeah, and I

0:47:33.920 --> 0:47:37.120
<v Speaker 1>didn't get to see any of like the kids storylines together.

0:47:37.160 --> 0:47:43.360
<v Speaker 1>There was many like extra characters coming in, like guest stars.

0:47:44.560 --> 0:47:48.360
<v Speaker 1>I felt like it was very disjointed criticism. Yeah, but

0:47:48.480 --> 0:47:52.480
<v Speaker 1>I and also it was super sappy, like the whole toast,

0:47:52.760 --> 0:47:57.400
<v Speaker 1>I mean, the prayer, I guess what. It was so bad.

0:47:57.440 --> 0:47:59.840
<v Speaker 1>I feel like, oh, there's a lesson to be learned, Like,

0:48:00.080 --> 0:48:02.600
<v Speaker 1>oh my god, I seem very superficial, like how Donna

0:48:02.760 --> 0:48:05.279
<v Speaker 1>was in that episode. But I'm sorry, I just want

0:48:05.280 --> 0:48:08.200
<v Speaker 1>to see my main cast member. You mean, how when

0:48:08.239 --> 0:48:11.040
<v Speaker 1>Donna walked up to the homeless guy, she was, so,

0:48:11.680 --> 0:48:20.240
<v Speaker 1>you're homeless. Huh. So you're homeless? Huh. You can't imagine

0:48:20.280 --> 0:48:26.080
<v Speaker 1>not having a gold guard. You're right, there was a

0:48:26.239 --> 0:48:30.800
<v Speaker 1>very important message that both you and I are poo pooing.

0:48:32.320 --> 0:48:35.280
<v Speaker 1>It was more like an after school special slash Hallmark

0:48:36.360 --> 0:48:39.680
<v Speaker 1>very true, very true. It was like a Christmas Hallmark movie,

0:48:39.719 --> 0:48:42.040
<v Speaker 1>but it was Thanksgiving, you know what, Like everything tied

0:48:42.120 --> 0:48:45.600
<v Speaker 1>back every happy like I don't know, it's been two

0:48:45.640 --> 0:48:48.320
<v Speaker 1>in a row for me. You guys, next week's a

0:48:48.400 --> 0:48:54.120
<v Speaker 1>little feast. Dear. Do we take a break and come

0:48:54.160 --> 0:48:57.279
<v Speaker 1>back and talk about the rest? Okay, let's do that. Yeah,

0:48:57.400 --> 0:49:13.640
<v Speaker 1>fashion and our lines because I have the best line. Okay,

0:49:13.760 --> 0:49:17.880
<v Speaker 1>so what are we thinking about the fashion? In this episode?

0:49:18.640 --> 0:49:22.200
<v Speaker 1>Jack McKay in sweats with a black T shirt. Hello,

0:49:23.000 --> 0:49:28.440
<v Speaker 1>white sweats, White sweats. They were cute. I also wanted,

0:49:28.719 --> 0:49:32.440
<v Speaker 1>uh that big blue sweatshirt that Luke was wearing, the

0:49:32.520 --> 0:49:41.280
<v Speaker 1>Dylan was wearing. I wrote that, just wanted that forever question. Yeah,

0:49:41.440 --> 0:49:43.400
<v Speaker 1>sorry to interrupt you, but I really need to know.

0:49:43.520 --> 0:49:47.400
<v Speaker 1>How did they get you to agree to wear that

0:49:47.520 --> 0:49:54.799
<v Speaker 1>headband for that long? Interesting? Interesting? I think I was

0:49:54.840 --> 0:49:56.719
<v Speaker 1>still at the point where I was scared to say

0:49:56.719 --> 0:50:00.360
<v Speaker 1>anything about things. It wasn't a it was a sweat band.

0:50:00.800 --> 0:50:03.239
<v Speaker 1>It was like it was like when you wear to

0:50:03.280 --> 0:50:05.360
<v Speaker 1>the gym to catch your sweat, one of those like

0:50:05.520 --> 0:50:08.960
<v Speaker 1>Terry cough bands. It wasn't a headband like for your police.

0:50:09.000 --> 0:50:10.480
<v Speaker 1>They still got to have my hair because if they

0:50:10.480 --> 0:50:12.080
<v Speaker 1>had me put my hair back, you know, I would

0:50:12.080 --> 0:50:15.680
<v Speaker 1>have lost my ship. Like I hated ear warm hair.

0:50:15.880 --> 0:50:19.880
<v Speaker 1>I was just dying to know em. All I was

0:50:20.280 --> 0:50:24.040
<v Speaker 1>looking at was like the fact, like, wow, I should

0:50:24.040 --> 0:50:27.960
<v Speaker 1>have appreciated I could wear Spandex stretch or whatever pants,

0:50:28.080 --> 0:50:33.160
<v Speaker 1>white white ones, you're a little tishy. I couldn't stop

0:50:33.200 --> 0:50:37.320
<v Speaker 1>staring at it. I couldn't stop staring at it. Cute

0:50:37.320 --> 0:50:43.600
<v Speaker 1>little peach shop, but um, like, oh that is suspenders.

0:50:43.640 --> 0:50:45.799
<v Speaker 1>Like from what I could tell, I liked how the

0:50:45.840 --> 0:50:47.799
<v Speaker 1>burgundy theme he had, like it was kind of a

0:50:47.840 --> 0:50:50.200
<v Speaker 1>plaid thing, and then the bow tie and the suspense.

0:50:50.280 --> 0:50:52.160
<v Speaker 1>But that was his dinner outfit. But what about his

0:50:52.200 --> 0:50:55.080
<v Speaker 1>outfit for before, which was a pastel plaid shirt had

0:50:55.120 --> 0:50:56.959
<v Speaker 1>nothing to do with the holidays. I was very upset

0:50:57.000 --> 0:51:03.280
<v Speaker 1>about it. Okay, true, true. And then like Jack McKay's trench,

0:51:03.520 --> 0:51:05.680
<v Speaker 1>I thought he was maybe wearing a Burberry trench when

0:51:05.680 --> 0:51:11.719
<v Speaker 1>he left prison. Well he's rich. Wait wasn't there a

0:51:11.760 --> 0:51:16.120
<v Speaker 1>scene when Donna and Brenda are both wearing raincoats or

0:51:16.160 --> 0:51:21.640
<v Speaker 1>maybe it was in the opening? Yeah, that was well,

0:51:21.840 --> 0:51:24.279
<v Speaker 1>it's raining, you have to have a rain with a

0:51:24.360 --> 0:51:29.480
<v Speaker 1>plaid shirt. I had Brandon's plaid shirt at the end

0:51:29.520 --> 0:51:32.840
<v Speaker 1>scene was the big like the big Brandon had a

0:51:32.840 --> 0:51:36.879
<v Speaker 1>plaid shirt on like usual, and another scene he had

0:51:36.920 --> 0:51:39.480
<v Speaker 1>like a five tone plaid shirt on. It was like

0:51:39.520 --> 0:51:42.160
<v Speaker 1>red plaid, blue plaid. And then the end scene it

0:51:42.239 --> 0:51:48.360
<v Speaker 1>had big what's the word? What is it? Yeah? What

0:51:48.480 --> 0:51:53.000
<v Speaker 1>is it called? When they're like embroidered on things things,

0:51:53.480 --> 0:51:56.480
<v Speaker 1>big ones all over it? It was really gross. Sorry,

0:51:57.160 --> 0:51:59.160
<v Speaker 1>so do you have is it the plaid of it all?

0:51:59.200 --> 0:52:04.239
<v Speaker 1>Do you just hate lad? No? I thought you hated plaid,

0:52:02.560 --> 0:52:05.959
<v Speaker 1>I thought, I but you don't like it when there's

0:52:06.040 --> 0:52:08.640
<v Speaker 1>too much plaid in an episode? Well? Yeah, I mean

0:52:08.920 --> 0:52:11.360
<v Speaker 1>you can only really have one person wearing plaid in

0:52:11.400 --> 0:52:15.680
<v Speaker 1>a scene like that should be a rule, right now.

0:52:15.840 --> 0:52:18.080
<v Speaker 1>I like plaid, but it wasn't like this time era

0:52:18.200 --> 0:52:22.200
<v Speaker 1>like like plaid like next season or the season after

0:52:22.640 --> 0:52:24.920
<v Speaker 1>when we start to like change styles. That was in.

0:52:25.120 --> 0:52:29.279
<v Speaker 1>But like, okay, we're gonna say lines. Then I have

0:52:29.360 --> 0:52:31.160
<v Speaker 1>to go back to one other thing. What was your

0:52:31.200 --> 0:52:35.080
<v Speaker 1>favorite line? Amy? You said you have a good one. Oh? Yes, okay.

0:52:35.200 --> 0:52:39.080
<v Speaker 1>So when Steve is in the peach pit before he's

0:52:39.120 --> 0:52:42.280
<v Speaker 1>told his mom and Brandon says, are you drowning your sorrows?

0:52:42.280 --> 0:52:49.160
<v Speaker 1>And lactose and lactose? Yeah, isn't it funny? That was

0:52:49.200 --> 0:52:52.760
<v Speaker 1>an ad lib that do you think, Oh, that's amazing

0:52:52.800 --> 0:52:55.799
<v Speaker 1>if it was, And when he says like I'm a

0:52:55.840 --> 0:52:58.120
<v Speaker 1>growing boy, I feel like I can't say it right,

0:52:58.120 --> 0:53:01.399
<v Speaker 1>but I felt like something he would say like yeah,

0:53:01.640 --> 0:53:03.760
<v Speaker 1>like on set you have do you have a line?

0:53:04.840 --> 0:53:08.040
<v Speaker 1>I liked my homeless line. Sorry, I've runed it for you.

0:53:08.040 --> 0:53:14.640
<v Speaker 1>No do it again? Just for fun? Um, so you're homeless? Huh?

0:53:14.840 --> 0:53:18.000
<v Speaker 1>So good. I had a favorite line, but it wasn't

0:53:18.040 --> 0:53:20.320
<v Speaker 1>from the show. It was from Fiona who was watching

0:53:20.320 --> 0:53:23.600
<v Speaker 1>the show with me. She was watching the episode and

0:53:23.640 --> 0:53:27.040
<v Speaker 1>she she was watching the Thanksgiving thing and she goes,

0:53:27.800 --> 0:53:34.160
<v Speaker 1>why are you so pale? It hurts my eyes? I

0:53:34.280 --> 0:53:36.839
<v Speaker 1>was like, it hurts your eyes, like it's it's that bad?

0:53:37.000 --> 0:53:43.360
<v Speaker 1>Because yeah, I love her even more for some Okay,

0:53:43.440 --> 0:53:44.759
<v Speaker 1>can we can we go back for a second. I

0:53:44.760 --> 0:53:46.640
<v Speaker 1>know we have to wrap up up. You know, at

0:53:46.640 --> 0:53:49.040
<v Speaker 1>the very very end in the school when Dylan comes

0:53:49.040 --> 0:53:51.279
<v Speaker 1>back and it's like, oh my god, Dylan's coming back

0:53:51.320 --> 0:53:54.240
<v Speaker 1>and there's Brenda and there's Kelly and they're walking, they're together,

0:53:54.320 --> 0:53:56.520
<v Speaker 1>they're having they're back to being friends, and he busts

0:53:56.600 --> 0:53:59.640
<v Speaker 1>right up in the middle of them mocks them, like

0:53:59.719 --> 0:54:03.000
<v Speaker 1>with his hands, he mocks there they're talking to each other,

0:54:03.040 --> 0:54:07.200
<v Speaker 1>which is socking, rude. Sorry I said that for it. Uh,

0:54:07.200 --> 0:54:09.640
<v Speaker 1>and then he just oh and they grabs them and

0:54:09.680 --> 0:54:12.720
<v Speaker 1>aggressively kisses both of them and then keeps on walking

0:54:14.160 --> 0:54:16.880
<v Speaker 1>kisses both of them. So I got nervous when I

0:54:16.920 --> 0:54:18.440
<v Speaker 1>saw him kiss you on the mouth. I was like,

0:54:18.480 --> 0:54:20.040
<v Speaker 1>is he gonna turn and kiss her in the mouth? Way?

0:54:20.080 --> 0:54:23.160
<v Speaker 1>What's happening here? But he didn't. He kissed her on

0:54:23.200 --> 0:54:27.319
<v Speaker 1>the side of the head. I don't know. I just

0:54:27.560 --> 0:54:30.120
<v Speaker 1>was like, is this a comedy now? Is this funny

0:54:30.160 --> 0:54:32.160
<v Speaker 1>to you? Are we a joke to you? Dylan? And

0:54:32.200 --> 0:54:35.239
<v Speaker 1>I was like, is it okay to just toy with

0:54:35.320 --> 0:54:39.120
<v Speaker 1>girls emotions? Is that the message that you're like, hey,

0:54:39.120 --> 0:54:42.920
<v Speaker 1>I'm back, Yeah, like deal with it. Like, I don't know,

0:54:43.040 --> 0:54:45.799
<v Speaker 1>It's just I was like, oh, if you had both

0:54:45.840 --> 0:54:49.879
<v Speaker 1>turned around just socked him defensive, that would have made

0:54:49.880 --> 0:54:53.719
<v Speaker 1>me happier. Punched him in the deck, I mean, I

0:54:53.840 --> 0:54:59.800
<v Speaker 1>can't say that, No, punched him in the pep h

0:55:00.080 --> 0:55:04.320
<v Speaker 1>Maybe On that note, we wrapped this episode, I feel

0:55:04.320 --> 0:55:07.239
<v Speaker 1>like we should. You know, we got homework though, we

0:55:07.360 --> 0:55:09.919
<v Speaker 1>got homework. Okay, what's next? Do you think it would

0:55:09.960 --> 0:55:13.719
<v Speaker 1>be better. Let's say a little prayer, you guys, Third

0:55:13.719 --> 0:55:15.759
<v Speaker 1>times the charm. It's going to be better. It has to.

0:55:16.320 --> 0:55:18.680
<v Speaker 1>I don't know now Dylan. Dylan's back with the girls.

0:55:18.760 --> 0:55:22.840
<v Speaker 1>Now there's gonna be drama because Gladdy's back. The title

0:55:23.239 --> 0:55:25.160
<v Speaker 1>is a little I don't think it's gonna be It

0:55:25.320 --> 0:55:30.440
<v Speaker 1>says it's a totally happening life. That's next week's episode,

0:55:30.480 --> 0:55:37.759
<v Speaker 1>episode sixteen of season three, Right, don't you feel scared now?

0:55:37.800 --> 0:55:40.839
<v Speaker 1>It's not gonna be good. Okay, well this doesn't matter.

0:55:40.880 --> 0:55:42.759
<v Speaker 1>We're gonna watch it anyway, and we're gonna break it

0:55:42.800 --> 0:55:45.719
<v Speaker 1>down and we're gonna watch it. It's gonna be great.

0:55:46.800 --> 0:55:52.800
<v Speaker 1>Thanks for the best day ever. I love you guys. Bye.