1 00:00:00,240 --> 00:00:10,479 Speaker 1: It's with Jenny Garth and Tori Spelling. Hi you guys, 2 00:00:10,600 --> 00:00:14,640 Speaker 1: We're back for another thrilling episode of nine oh two one. 3 00:00:14,680 --> 00:00:22,159 Speaker 1: O MG, it is us. Where do you say? O 4 00:00:22,400 --> 00:00:29,280 Speaker 1: m G. You get excited, Jenny. You know what? Everybody 5 00:00:29,320 --> 00:00:33,920 Speaker 1: loved what You're gonna have to redo it? Oh my gosh? 6 00:00:33,920 --> 00:00:41,120 Speaker 1: What people people like? Oh my god? Yeah? Wait, you 7 00:00:41,159 --> 00:00:43,839 Speaker 1: didn't hear it win viral Like everyone's like redoing that. 8 00:00:43,960 --> 00:00:46,480 Speaker 1: That's like like people have that as their like thing 9 00:00:46,840 --> 00:00:52,520 Speaker 1: on TikTok. I'm a Nope, that was the sexy version. 10 00:00:52,560 --> 00:00:57,440 Speaker 1: Do it one more time? Oh okay, I'm an Yeah, ok, 11 00:00:57,920 --> 00:01:00,240 Speaker 1: that's it. That's it. I had to really dig for 12 00:01:00,320 --> 00:01:05,000 Speaker 1: that one. It's so good. It's good. You guys. Guess 13 00:01:05,000 --> 00:01:09,720 Speaker 1: what AM's not in this week's episode? No, but we do. 14 00:01:09,840 --> 00:01:14,720 Speaker 1: Oh everybody something? Well, let me start this week's episode. 15 00:01:15,040 --> 00:01:19,880 Speaker 1: We promised a dramatic recreation of last week's episode, so 16 00:01:19,920 --> 00:01:26,119 Speaker 1: we transcribe the whole scene. You think crazy, Jenny, we're 17 00:01:26,120 --> 00:01:27,920 Speaker 1: here for it. Would you play the part of an 18 00:01:28,720 --> 00:01:33,680 Speaker 1: I don't know why I'm making this voice now. I'm 19 00:01:33,720 --> 00:01:35,959 Speaker 1: going to be the director. You don't want to be Dylan. 20 00:01:36,000 --> 00:01:37,520 Speaker 1: You want me to be Dylan. I want you to 21 00:01:37,560 --> 00:01:41,400 Speaker 1: be Dylan. Yeah, oh god, okay, wait, wait, where is it? 22 00:01:41,560 --> 00:01:44,640 Speaker 1: I can't find it. Should I not be like you know, 23 00:01:44,720 --> 00:01:47,240 Speaker 1: do that voice? Should I just be a little bit 24 00:01:47,240 --> 00:01:50,640 Speaker 1: more realistic? No? You better give it all the man 25 00:01:50,760 --> 00:01:54,120 Speaker 1: you have in you. Okay, all right, I'm putting it 26 00:01:54,200 --> 00:01:56,120 Speaker 1: in our group text, but I think they're putting it 27 00:01:56,120 --> 00:01:59,160 Speaker 1: on the screen. I got it, I got it. This 28 00:01:59,280 --> 00:02:03,200 Speaker 1: is a cold eat, by the way, I have not Okay, okay, 29 00:02:03,400 --> 00:02:07,720 Speaker 1: I'll do the what is it when you read the descriptions? Yeah, 30 00:02:07,920 --> 00:02:12,600 Speaker 1: or stage stage direction that I'm Dylan, I've lived my 31 00:02:12,600 --> 00:02:17,280 Speaker 1: whole life, or those Dylan and an opening scene and 32 00:02:17,520 --> 00:02:20,480 Speaker 1: on a horse galloping through the meadow with her hair 33 00:02:20,560 --> 00:02:24,760 Speaker 1: blowing in the wind. Dylan having car troubles. Here's a 34 00:02:25,040 --> 00:02:29,320 Speaker 1: nang nearby and turns to look at Anne gallops up 35 00:02:29,680 --> 00:02:32,840 Speaker 1: and and gallops up to Dylan and his broken down car. 36 00:02:33,639 --> 00:02:42,200 Speaker 1: Nice car, nice horse, borrowed or stolen, It doesn't really matter. 37 00:02:42,520 --> 00:02:47,040 Speaker 1: I mean, it's not going anywhere either way. Is there 38 00:02:47,040 --> 00:02:51,840 Speaker 1: a phone around here somewhere? Oh, that's your life? This 39 00:02:52,000 --> 00:02:55,840 Speaker 1: voice could be Dylan's. I don't know. Let me get back, okay, Okay, center. 40 00:02:56,400 --> 00:03:00,240 Speaker 1: Is there a phone around here? Somewhere there's one at 41 00:03:00,240 --> 00:03:09,600 Speaker 1: the ranch. I'm ann I'm dealing and turns horse around 42 00:03:09,720 --> 00:03:17,440 Speaker 1: towards the ranch. Climb on up and seen nailed it. Wow, 43 00:03:17,880 --> 00:03:21,080 Speaker 1: it's hard being Anne. I don't want to be greedy, 44 00:03:21,320 --> 00:03:24,000 Speaker 1: but like, I'm literally living the dream right now, Tori? 45 00:03:24,280 --> 00:03:25,880 Speaker 1: Could do you think I could do the other one 46 00:03:25,880 --> 00:03:31,440 Speaker 1: with you? I mean, there's no Okay, I'll do this today. Okay. 47 00:03:31,480 --> 00:03:35,960 Speaker 1: This is dramatic scene reading number two for everyone listening 48 00:03:36,000 --> 00:03:39,440 Speaker 1: that's thinking this is the greatest thing that they would 49 00:03:39,440 --> 00:03:42,360 Speaker 1: ever experience. It actually is like I don't want to lie, 50 00:03:42,880 --> 00:03:44,960 Speaker 1: but what if I but only maybe if I wasn't 51 00:03:45,120 --> 00:03:47,080 Speaker 1: you know? There's three of us in this one, so 52 00:03:47,320 --> 00:03:49,920 Speaker 1: you have to be in this one. Oh my god. Okay, So, 53 00:03:49,920 --> 00:03:54,680 Speaker 1: so who do you Who do you want to be? Tori? Nobody? 54 00:03:55,440 --> 00:03:56,760 Speaker 1: Do you want to be Nikki? Do you want to 55 00:03:56,760 --> 00:03:58,560 Speaker 1: be Diesel? Or do you want to be Brandon? Those 56 00:03:58,560 --> 00:04:02,040 Speaker 1: are the roles, And Okay, I want to be I'm 57 00:04:02,040 --> 00:04:04,920 Speaker 1: gonna be Nikki. Who do you want to be? Um? 58 00:04:05,120 --> 00:04:07,920 Speaker 1: I want to be Brandon? Okay, I'll be Diesel. This 59 00:04:07,960 --> 00:04:10,720 Speaker 1: is perfect. That's the one you want it anyway you 60 00:04:10,760 --> 00:04:14,960 Speaker 1: know it. Okay, I'll read it. Brandon slams card doors. Wait, 61 00:04:15,080 --> 00:04:19,080 Speaker 1: I need to start over. Brandon slams Carter. As he 62 00:04:19,120 --> 00:04:26,200 Speaker 1: approaches Diesel's house looking for Nicki, Brandon knocks on the door. Yeah, 63 00:04:26,640 --> 00:04:32,359 Speaker 1: let me talk to Nikki. Get lost Jack. Nikki yells 64 00:04:32,360 --> 00:04:38,760 Speaker 1: from inside Brandon Brandon. Brandon forces his way through the 65 00:04:38,800 --> 00:04:43,840 Speaker 1: door and walks straight to Nikki. You okay, listen, this 66 00:04:43,920 --> 00:04:48,760 Speaker 1: is between me and her. Please take me home. You're 67 00:04:48,800 --> 00:04:59,480 Speaker 1: not going anywhere? Yes, I am Nikki. Wait, that's Brandon interrupts. Sorry, okay, 68 00:04:59,480 --> 00:05:03,600 Speaker 1: give me then again, you say, Nikki, you can go. 69 00:05:03,720 --> 00:05:09,440 Speaker 1: Go Nikki? Hey, you heard her? She's loving. Oh sorry 70 00:05:09,480 --> 00:05:12,360 Speaker 1: I stepped on your line. Take two. Take two, Nick, 71 00:05:12,720 --> 00:05:17,200 Speaker 1: Hey you heard her. She's leaving. Fine take her. You 72 00:05:17,320 --> 00:05:20,200 Speaker 1: to make a real cute couple. You better be careful. 73 00:05:20,360 --> 00:05:25,320 Speaker 1: She's jailbait. You know you ever slap any guys around? 74 00:05:25,360 --> 00:05:31,360 Speaker 1: The wait? I have like that? Wait? What the heck 75 00:05:31,440 --> 00:05:34,520 Speaker 1: is that? I think it's it's like you ever slap 76 00:05:34,520 --> 00:05:36,960 Speaker 1: any guys around? Weasel? Or is beating up young girls? More? 77 00:05:37,000 --> 00:05:41,320 Speaker 1: Your stuff? You're so good? Yeah? I don't get this part. 78 00:05:41,880 --> 00:05:44,960 Speaker 1: I'm I'm failing as Brandon, like you ever slap any 79 00:05:45,000 --> 00:05:48,480 Speaker 1: guys around? Weasel like that? Okay? Ready, just like Amy 80 00:05:48,520 --> 00:05:54,080 Speaker 1: the line reading, okay, you ever slap oh boy, take eighty? 81 00:05:54,560 --> 00:05:57,120 Speaker 1: You ever slap any guys around? Weasel? Or is beating 82 00:05:57,200 --> 00:06:01,560 Speaker 1: up girls? You're more your style. You want to take 83 00:06:01,600 --> 00:06:05,640 Speaker 1: me on? Well, I got nothing to prove. But if 84 00:06:05,640 --> 00:06:07,720 Speaker 1: you want to take a shot, why don't you go ahead? 85 00:06:07,800 --> 00:06:12,800 Speaker 1: Dennis Diesel shoves Brandon back, then winds up for a 86 00:06:12,839 --> 00:06:16,520 Speaker 1: big swing at Brandon. Brandon ducks and comes back at 87 00:06:16,560 --> 00:06:21,239 Speaker 1: Diesel and punches him straight in the face. Brandon Diesel 88 00:06:21,240 --> 00:06:25,720 Speaker 1: stumbles back, holding his face. Let's just get out of here. 89 00:06:25,839 --> 00:06:29,640 Speaker 1: Brandon and NICKI leave, leaving Diesel on the ground holding 90 00:06:29,720 --> 00:06:38,360 Speaker 1: his face and seen that was something really bad. Sorry, guys, 91 00:06:38,400 --> 00:06:40,719 Speaker 1: I haven't I haven't acted in a minute. It's been 92 00:06:40,800 --> 00:06:44,120 Speaker 1: you know, you guys were incredible. I think you were 93 00:06:44,120 --> 00:06:47,680 Speaker 1: really good. Actually, I think that you have a future. Yeah, 94 00:06:48,000 --> 00:06:53,080 Speaker 1: nobody really enjoyed that episode, meaning they enjoyed our podcast, 95 00:06:53,480 --> 00:06:55,880 Speaker 1: but they didn't really care for that whole episode. They 96 00:06:55,920 --> 00:06:58,360 Speaker 1: thought it was we told you. Yeah, you guys were right, 97 00:07:02,080 --> 00:07:05,640 Speaker 1: and now onto should we read the email to Amy 98 00:07:05,680 --> 00:07:07,279 Speaker 1: from a listener or you want to say no, no no, 99 00:07:07,400 --> 00:07:10,080 Speaker 1: no no read it. So so I read all the 100 00:07:10,120 --> 00:07:12,440 Speaker 1: instagrams and the emails and the whole thing. This person 101 00:07:12,520 --> 00:07:18,120 Speaker 1: had such a great perspective on why people like Brenda 102 00:07:18,320 --> 00:07:20,800 Speaker 1: that I wanted you guys to read it. It's really 103 00:07:21,680 --> 00:07:26,320 Speaker 1: it put kind of lightbulb on for me. I mean, 104 00:07:26,320 --> 00:07:29,040 Speaker 1: I'm still team Kelly. But it didn't definitely long. Why 105 00:07:29,040 --> 00:07:31,920 Speaker 1: don't you read it? It's for a long tour. You 106 00:07:31,960 --> 00:07:35,960 Speaker 1: read it? Yeah? Bringing my glass? Oh me or Amy? 107 00:07:36,800 --> 00:07:41,280 Speaker 1: Amy should read it? Okay, Okay, So I'm going to 108 00:07:41,360 --> 00:07:44,480 Speaker 1: read this. Um. I won't say the name of the person, 109 00:07:44,520 --> 00:07:46,360 Speaker 1: just in case they don't want it known. But I 110 00:07:46,360 --> 00:07:50,160 Speaker 1: thought this was so thought provoking. So it says I'm 111 00:07:50,200 --> 00:07:53,040 Speaker 1: team Brenda. So you don't suspect I'm just being nice 112 00:07:53,040 --> 00:07:56,000 Speaker 1: to you because I'm team Kelly. You once asked, you 113 00:07:56,080 --> 00:07:58,400 Speaker 1: once asked if listeners would write and say why they 114 00:07:58,440 --> 00:08:01,320 Speaker 1: like Brenda. I don't have a graham. Um, so I 115 00:08:01,360 --> 00:08:03,200 Speaker 1: didn't do it. But I think a lot of girls 116 00:08:03,280 --> 00:08:06,000 Speaker 1: and me identified with Brenda. She was the new girl. 117 00:08:06,280 --> 00:08:10,520 Speaker 1: She felt like an outsider. That uh she wrote corresponded 118 00:08:10,560 --> 00:08:12,680 Speaker 1: so well with my own feelings at school. So that 119 00:08:12,720 --> 00:08:15,640 Speaker 1: they could relate to her. Kelly was beautiful and fun 120 00:08:15,720 --> 00:08:18,760 Speaker 1: and I enjoyed her, but I could never identify with 121 00:08:18,800 --> 00:08:22,960 Speaker 1: the beautiful, confident, popular girl. The normality of Brenda's situation 122 00:08:23,040 --> 00:08:26,480 Speaker 1: made her so relatable. She displayed characteristics that I think 123 00:08:26,480 --> 00:08:28,680 Speaker 1: were really important for me to see as a teenage girl. 124 00:08:29,000 --> 00:08:31,480 Speaker 1: She was independent, she was not a pushover. She spoke 125 00:08:31,480 --> 00:08:34,400 Speaker 1: her mind. There was a wish fulfillment for the viewer 126 00:08:34,559 --> 00:08:37,760 Speaker 1: of seeing her getting together with Dylan. For once, the 127 00:08:37,920 --> 00:08:40,600 Speaker 1: ordinary girl got to get with the dream guy who 128 00:08:40,720 --> 00:08:43,840 Speaker 1: is handsome and mature and serves and read Byron's and 129 00:08:43,880 --> 00:08:47,760 Speaker 1: read Byron's collected works. Of course, beautiful and popular Kelly 130 00:08:47,800 --> 00:08:49,960 Speaker 1: would end up with Dylan, but for a while, we 131 00:08:50,120 --> 00:08:53,040 Speaker 1: ordinary girls had the dream come true. When I had 132 00:08:53,040 --> 00:08:55,120 Speaker 1: my bad break up last year, the first thing I 133 00:08:55,160 --> 00:08:56,679 Speaker 1: did was to find my nine O two one O 134 00:08:56,800 --> 00:08:59,959 Speaker 1: DVD set and put on the episode Parental Guidance Rock 135 00:09:00,000 --> 00:09:03,160 Speaker 1: Amended where Dylan breaks up with Brenda for good. Because 136 00:09:03,200 --> 00:09:05,199 Speaker 1: to this day, even as a thirty year old woman 137 00:09:05,800 --> 00:09:08,199 Speaker 1: or the last teenage girl inside me, I can identify 138 00:09:08,320 --> 00:09:13,880 Speaker 1: with Brenda like that really breaks my heart. It breaks 139 00:09:13,880 --> 00:09:17,679 Speaker 1: my heart too, But but was Brenda really normal, Like 140 00:09:17,880 --> 00:09:20,360 Speaker 1: was see, that's the thing. I don't see her. That's 141 00:09:20,360 --> 00:09:25,280 Speaker 1: why we didn't see that perspective, Like she's so gorgeous 142 00:09:25,320 --> 00:09:28,880 Speaker 1: and dresses so cool. She doesn't feel like the normal 143 00:09:28,960 --> 00:09:33,120 Speaker 1: girl to me. But I guess originally like coming from yeah, 144 00:09:33,120 --> 00:09:36,440 Speaker 1: it's the TV water right, and then the Walshes aren't 145 00:09:36,480 --> 00:09:42,640 Speaker 1: as for lack of a better word, rich, Yeah. So 146 00:09:42,720 --> 00:09:45,440 Speaker 1: I just thought that was so beautifully written and it 147 00:09:45,559 --> 00:09:50,800 Speaker 1: really made me realize like, oh, that makes a lot 148 00:09:50,840 --> 00:09:54,720 Speaker 1: of sense. Well, thank you. I'm so glad somebody took 149 00:09:54,760 --> 00:09:58,760 Speaker 1: the time to write that email. Because they write the 150 00:09:58,800 --> 00:10:03,120 Speaker 1: most amazing I could cry. They write the most amazing things, 151 00:10:03,200 --> 00:10:08,800 Speaker 1: you guys. Like, it's just I get emotional because the 152 00:10:08,840 --> 00:10:11,720 Speaker 1: show means so much to people, and then the way 153 00:10:11,760 --> 00:10:18,480 Speaker 1: they explain it, it's like they're smart than you, believing 154 00:10:18,480 --> 00:10:22,920 Speaker 1: in us. Everyone, we better start talking about this episode 155 00:10:22,960 --> 00:10:26,800 Speaker 1: or I'm gonna be like, let's let's jump in before 156 00:10:26,800 --> 00:10:32,880 Speaker 1: Amy has a breakdown. Uh, let's talk about Season three 157 00:10:32,960 --> 00:10:39,560 Speaker 1: episode fifteen, The Kindness of Strangers, aired November, and now 158 00:10:39,600 --> 00:10:45,920 Speaker 1: for the world's longest synopsis. Oh man, I'm gonna try synopsis. 159 00:10:46,040 --> 00:10:50,880 Speaker 1: A rainy Thanksgiving brings uneasy get togetherness when Brandon brings 160 00:10:50,920 --> 00:10:53,240 Speaker 1: over Jack Kenner, the homeless man he tried to help 161 00:10:53,240 --> 00:10:55,960 Speaker 1: out the previous summer. After Nicki leaves town to visit 162 00:10:55,960 --> 00:10:59,880 Speaker 1: her parents in San Francisco. Meanwhile, Steve, now expelled from school, 163 00:11:00,000 --> 00:11:02,360 Speaker 1: going to his mother for a TV shoot in Santa 164 00:11:02,400 --> 00:11:04,959 Speaker 1: Barbara when he finally breaks his bad news to her, 165 00:11:05,160 --> 00:11:08,040 Speaker 1: But Samantha Sanders actually sticks up for Steve and gets 166 00:11:08,120 --> 00:11:12,400 Speaker 1: him conditionally readmitted to West Beverly. Also, Dylan brings his 167 00:11:12,440 --> 00:11:15,600 Speaker 1: father home for Thanksgiving and must cope with his presence 168 00:11:15,679 --> 00:11:19,160 Speaker 1: and his new girlfriend, Christine. Directed by Richard Lange, written 169 00:11:19,160 --> 00:11:23,280 Speaker 1: by Steve Wasserman and Jessica Klein. Oh, we loved Richard 170 00:11:23,400 --> 00:11:29,120 Speaker 1: Lane like a teddy bear. He was. That's right. This 171 00:11:29,400 --> 00:11:32,559 Speaker 1: was the Thanksgiving episode. I guess so much to talk about. 172 00:11:32,920 --> 00:11:37,880 Speaker 1: First of all, it doesn't rain in l A. Was 173 00:11:37,920 --> 00:11:41,920 Speaker 1: that fake rain? Was that fake rain a hundred percent? 174 00:11:42,640 --> 00:11:46,320 Speaker 1: And it was raining sideways in some of the shots, 175 00:11:46,320 --> 00:11:50,440 Speaker 1: Like what the best was when Donna and David come 176 00:11:50,520 --> 00:11:56,040 Speaker 1: to the Walsh's door. You are jumping, I know, but 177 00:11:56,200 --> 00:11:59,000 Speaker 1: you guys, it was dumping rain. The roof is leaking. 178 00:11:59,200 --> 00:12:01,000 Speaker 1: But then when they go up at the door. There's 179 00:12:01,000 --> 00:12:02,720 Speaker 1: not a drop in sight, and there's sort of like 180 00:12:02,720 --> 00:12:05,800 Speaker 1: a sparkle of sun. Yeah, they're they're perfectly dry and 181 00:12:05,840 --> 00:12:10,120 Speaker 1: they're wearing their ski clothes from the slopes. Do thankskidding? 182 00:12:10,280 --> 00:12:13,520 Speaker 1: Like Donna is dressed in a full ski outfit. You 183 00:12:13,559 --> 00:12:16,640 Speaker 1: know you weren't mad at that whole white es good 184 00:12:16,679 --> 00:12:18,760 Speaker 1: on you. But I was like, why is she wearing 185 00:12:18,760 --> 00:12:23,720 Speaker 1: her ski? Situation like change? Yeah, did you go on 186 00:12:23,760 --> 00:12:25,840 Speaker 1: an airplane to get to the ski slopes or did 187 00:12:25,920 --> 00:12:28,280 Speaker 1: you drive there? They were going to Big Bear. Dude, 188 00:12:28,280 --> 00:12:32,000 Speaker 1: It's like it was big Bear, not mammoth, a big bear. 189 00:12:32,120 --> 00:12:34,440 Speaker 1: We shouted it out. It makes sense. Then a little 190 00:12:34,440 --> 00:12:35,800 Speaker 1: bit more, I was like, did she go on an 191 00:12:35,840 --> 00:12:40,800 Speaker 1: airplane and get ups? Are you a good skier in 192 00:12:40,800 --> 00:12:44,839 Speaker 1: real life? Tori? I am not Jenny, Jenny? You are? 193 00:12:45,000 --> 00:12:50,400 Speaker 1: Yeah she is? Yeah? Can you ski it all? Tory? 194 00:12:51,960 --> 00:12:56,000 Speaker 1: I've been on skis. I gotta see this. I've never 195 00:12:56,000 --> 00:12:59,800 Speaker 1: seen I've had to be like medically like taken down 196 00:12:59,800 --> 00:13:02,720 Speaker 1: the hill. Oh my god. So I went. Okay, So 197 00:13:02,800 --> 00:13:04,840 Speaker 1: I went one time to what is it? Mountain High? 198 00:13:04,840 --> 00:13:06,680 Speaker 1: You guys, it's like an hour outside of l A. 199 00:13:07,200 --> 00:13:10,040 Speaker 1: The only high High school like trip I went on, 200 00:13:10,559 --> 00:13:12,440 Speaker 1: and you're supposed to pair up with somebody, And I 201 00:13:12,600 --> 00:13:14,240 Speaker 1: haired up with my friend in high school and she 202 00:13:14,280 --> 00:13:16,760 Speaker 1: was like an expert skier, and I was like, okay, 203 00:13:16,800 --> 00:13:18,520 Speaker 1: just know that I've been on skis like once in 204 00:13:18,559 --> 00:13:21,160 Speaker 1: my life when I was twelve with my parents. So 205 00:13:21,200 --> 00:13:23,080 Speaker 1: we're on the slope and no, we're on the ski 206 00:13:23,160 --> 00:13:26,199 Speaker 1: lift going up, chair lift, going up, up, up, up. 207 00:13:26,240 --> 00:13:28,680 Speaker 1: It's going so far up. It was like the black Run, 208 00:13:28,760 --> 00:13:32,000 Speaker 1: you guys, the expert one. I don't even think Mountain 209 00:13:32,080 --> 00:13:35,920 Speaker 1: High has a black diamond jetty. Okay, so it was. 210 00:13:36,040 --> 00:13:41,320 Speaker 1: It was the highest one. I literally scoot it down 211 00:13:41,360 --> 00:13:43,360 Speaker 1: as far as I could, and then they sent medical 212 00:13:43,440 --> 00:13:45,120 Speaker 1: help and the thing and they put me on it 213 00:13:45,200 --> 00:13:50,800 Speaker 1: and took me down on the snowmobile. Yes, and I waited. No, 214 00:13:50,880 --> 00:13:52,960 Speaker 1: I wasn't a snow snowmobile. I was in the back 215 00:13:53,000 --> 00:13:57,760 Speaker 1: of something connected to a snowmobile. That were you at 216 00:13:57,760 --> 00:14:01,440 Speaker 1: this point? Like, were you famous going down in that thing? Oh? Man, 217 00:14:02,920 --> 00:14:06,240 Speaker 1: I think I might have. I don't remember. I sat 218 00:14:06,240 --> 00:14:07,840 Speaker 1: in the bus the rest of the day waying to 219 00:14:07,840 --> 00:14:13,479 Speaker 1: go home. I was so mortified and never skied again. Oh, 220 00:14:13,480 --> 00:14:15,800 Speaker 1: oh god, you shouldn't skip with Jenny. I think Jenny 221 00:14:15,880 --> 00:14:18,679 Speaker 1: is like an expert. She is. No, I don't. I'm 222 00:14:18,720 --> 00:14:21,440 Speaker 1: a skier, but as you get older, you don't really 223 00:14:21,480 --> 00:14:23,560 Speaker 1: want to go down those scary ones anymore. And I 224 00:14:23,560 --> 00:14:26,080 Speaker 1: don't know, I just don't have it in me. Yeah, 225 00:14:26,120 --> 00:14:29,920 Speaker 1: I get it. But yeah, it doesn't rain in l A. 226 00:14:30,000 --> 00:14:33,240 Speaker 1: Everybody knows that. So this was a big This must 227 00:14:33,240 --> 00:14:35,640 Speaker 1: have been a big budget for this episode because it's 228 00:14:35,680 --> 00:14:38,320 Speaker 1: expensive to make it rain. I was gonna say that, 229 00:14:38,480 --> 00:14:41,640 Speaker 1: like that's constantly. Yeah, if it rains in l A, 230 00:14:41,680 --> 00:14:43,640 Speaker 1: it rains for like five minutes and then it stops. 231 00:14:44,720 --> 00:14:46,800 Speaker 1: So the whole point of making it rain is just 232 00:14:46,840 --> 00:14:48,960 Speaker 1: so we can have that. Sorry, I'm jumping ahead. That 233 00:14:49,120 --> 00:14:51,240 Speaker 1: scene where he goes up and he fixes the roof 234 00:14:51,320 --> 00:14:54,160 Speaker 1: for them, that was it, right, the scene where he 235 00:14:54,240 --> 00:14:57,040 Speaker 1: goes on the ram he goes on the roof to 236 00:14:57,200 --> 00:15:00,520 Speaker 1: fix the and everybody else stay why we're Kelly and 237 00:15:00,640 --> 00:15:03,600 Speaker 1: David and Donna standing outside in the rain with no umbrella, 238 00:15:04,560 --> 00:15:21,320 Speaker 1: just watching our hair. I was worried, can I tell you, guys? Though, 239 00:15:22,000 --> 00:15:24,360 Speaker 1: that was not far fetched what happened to the Walshes 240 00:15:25,600 --> 00:15:30,200 Speaker 1: kitchen ceiling, because that happened. I didn't leak that happened. 241 00:15:30,880 --> 00:15:34,600 Speaker 1: The whole thing came. It was very dangerous. I was 242 00:15:34,720 --> 00:15:38,000 Speaker 1: I was concerned someone was going to get electrocuted. Yes, 243 00:15:38,480 --> 00:15:42,280 Speaker 1: I think, Jenny, You're so right. They kept the power 244 00:15:42,360 --> 00:15:45,320 Speaker 1: on and I had water pouring out of your kitchen light. 245 00:15:45,360 --> 00:15:48,920 Speaker 1: You're supposed to like turn your power off immediately. Can 246 00:15:48,960 --> 00:15:51,160 Speaker 1: we just go back to the very beginning scene when 247 00:15:51,160 --> 00:15:54,880 Speaker 1: Brandon um Brandon's walking. I think it was in the 248 00:15:54,920 --> 00:15:59,720 Speaker 1: school hallway. He was walking down the hallway, and this 249 00:15:59,840 --> 00:16:01,960 Speaker 1: is crazy that. I don't know if I should say 250 00:16:02,000 --> 00:16:05,640 Speaker 1: this or not, but my eyes were my eyes were 251 00:16:05,720 --> 00:16:15,480 Speaker 1: drawn to a certain area of his body, his crotch. Yeah. Huge, 252 00:16:15,520 --> 00:16:17,960 Speaker 1: I'm gonna have to go back and look at his 253 00:16:18,320 --> 00:16:21,680 Speaker 1: jeans up and his pants up high with a belt. 254 00:16:21,960 --> 00:16:24,160 Speaker 1: So it always made that like crease there. It was 255 00:16:24,200 --> 00:16:29,040 Speaker 1: like a big situation. Yeah. I couldn't take my eyes 256 00:16:29,080 --> 00:16:33,920 Speaker 1: off of it. Was distracted. Immediately, Go watch this one 257 00:16:34,080 --> 00:16:37,040 Speaker 1: because Andrea's on crutches. Now she's out of the wheelchair, 258 00:16:37,080 --> 00:16:43,880 Speaker 1: so she's obviously improving. Yep, that was real. I know 259 00:16:43,960 --> 00:16:45,920 Speaker 1: you all told me it was real, and y'all are right, 260 00:16:46,040 --> 00:16:49,800 Speaker 1: because it clearly was real. I didn't remember her, Jen remembered. 261 00:16:49,840 --> 00:16:54,040 Speaker 1: I didn't. For once I remembered something. You got it? 262 00:16:56,720 --> 00:17:00,440 Speaker 1: And then they let they let Jack out of prison 263 00:17:00,760 --> 00:17:06,080 Speaker 1: for the holiday. Is that does that happen? Happen? I 264 00:17:06,240 --> 00:17:10,040 Speaker 1: thought no, but that wouldn't Maybe if it's like a 265 00:17:10,080 --> 00:17:20,119 Speaker 1: low sort of risk. Yeah, I'm gonna like a white 266 00:17:20,119 --> 00:17:25,040 Speaker 1: collar crime. Like, yeah, I think he's white collar. So 267 00:17:25,160 --> 00:17:27,639 Speaker 1: like he just has a thing on his ankle. No, 268 00:17:27,880 --> 00:17:30,480 Speaker 1: he didn't even have that, right, he just had They 269 00:17:30,560 --> 00:17:34,240 Speaker 1: just told Dylan he had a babysit him. I don't know. 270 00:17:34,840 --> 00:17:38,439 Speaker 1: That was weird, so weird. So I'm looking it up. 271 00:17:38,440 --> 00:17:43,520 Speaker 1: Do white collar criminals get out for holidays? Let's see 272 00:17:43,520 --> 00:17:47,000 Speaker 1: what the internet says on that. While you look that up. Okay, 273 00:17:47,040 --> 00:17:52,160 Speaker 1: so did you see uh? Did you see the when 274 00:17:52,160 --> 00:17:54,159 Speaker 1: they go in the back door of the peach he 275 00:17:54,200 --> 00:17:57,440 Speaker 1: gets out of his Mustang, it's pouring rain. He goes 276 00:17:57,480 --> 00:18:02,360 Speaker 1: into the back door of the peach pit, and then 277 00:18:02,840 --> 00:18:05,240 Speaker 1: later on he comes out of the back door of 278 00:18:05,240 --> 00:18:07,879 Speaker 1: the peach pit and it's still pouring. Right. I just 279 00:18:07,920 --> 00:18:11,359 Speaker 1: thought that was cool because that was the door of 280 00:18:11,560 --> 00:18:14,919 Speaker 1: peach pit after dark later in the series, that was 281 00:18:15,000 --> 00:18:19,320 Speaker 1: the same door yes, and like for anybody that doesn't know, 282 00:18:19,359 --> 00:18:22,800 Speaker 1: like when you film something like that, it's cool, Like 283 00:18:23,520 --> 00:18:25,960 Speaker 1: they filmed that right away, like him going into the 284 00:18:26,000 --> 00:18:28,439 Speaker 1: scene and then him coming out of the scene without 285 00:18:28,440 --> 00:18:30,000 Speaker 1: the scene happening. I don't know. I just thought that 286 00:18:30,040 --> 00:18:35,160 Speaker 1: wasn't interesting. No, that's a great, right, because you don't 287 00:18:35,520 --> 00:18:38,400 Speaker 1: like linear, right, like you don't go in order in order. Yeah, 288 00:18:38,520 --> 00:18:41,320 Speaker 1: so they were like, okay, go in the door, now 289 00:18:41,440 --> 00:18:44,679 Speaker 1: close it. Okay, great, go back out the door, and 290 00:18:44,760 --> 00:18:48,600 Speaker 1: we got two scenes and moving on. So I had 291 00:18:48,640 --> 00:18:52,480 Speaker 1: one note back on Jack at prison. That's not Lompoke 292 00:18:52,760 --> 00:18:57,200 Speaker 1: because they said he goes to Lompoke, right, Lompoc Lompoke Mopoke, 293 00:18:57,960 --> 00:19:00,760 Speaker 1: which is kind of in up the one oh one, 294 00:19:01,359 --> 00:19:04,879 Speaker 1: like sort of near a Tasca Darrow. Right. I'm pretty 295 00:19:04,880 --> 00:19:08,200 Speaker 1: sure that was san Quentin because the shot they showed 296 00:19:08,520 --> 00:19:15,320 Speaker 1: like a prison on beautiful water Quentin in Marin County, 297 00:19:15,720 --> 00:19:18,640 Speaker 1: and it's like on the water like San Quentin's. First 298 00:19:18,640 --> 00:19:20,480 Speaker 1: of all, he wouldn't be at san Quentin because that's 299 00:19:20,520 --> 00:19:24,159 Speaker 1: like there's death row. Yeah, well it's weird. It's like 300 00:19:24,160 --> 00:19:27,120 Speaker 1: hardcore and then also like drug offender. But anyway, there's 301 00:19:27,160 --> 00:19:29,960 Speaker 1: no water at Lompok. It's like totally isolated in the 302 00:19:30,040 --> 00:19:33,080 Speaker 1: middle of California. That was the most beautiful prison. And 303 00:19:33,119 --> 00:19:36,480 Speaker 1: I'm nineties never known that San Quentin. I was like, oh, 304 00:19:36,560 --> 00:19:38,719 Speaker 1: flag on the play that is that's good to know. 305 00:19:38,960 --> 00:19:41,399 Speaker 1: They probably just wanted it to look pretty and it 306 00:19:41,520 --> 00:19:45,159 Speaker 1: did and it did. But yes, so that was my 307 00:19:45,240 --> 00:19:48,159 Speaker 1: little I didn't google that. This is just coming in 308 00:19:48,240 --> 00:19:51,679 Speaker 1: my brain, but I noticed it. And he wants he 309 00:19:51,720 --> 00:19:55,560 Speaker 1: comes in, he wants to bond with Dylan. He's drinking 310 00:19:55,840 --> 00:20:00,439 Speaker 1: in front of his a A member son brutal, and 311 00:20:00,440 --> 00:20:02,760 Speaker 1: then he doesn't spend any time bonding with Dylan because 312 00:20:02,760 --> 00:20:07,119 Speaker 1: he wants to get with his girly. Is it okay 313 00:20:07,160 --> 00:20:10,400 Speaker 1: he drinks when he's like on leave from prison. I'm 314 00:20:10,480 --> 00:20:14,080 Speaker 1: sure not. I mean, do they I don't think they. 315 00:20:14,280 --> 00:20:19,400 Speaker 1: I can't believe this. It's really far fetched. But that's 316 00:20:19,400 --> 00:20:22,320 Speaker 1: the first time we meet Christine who comes on. She's 317 00:20:22,359 --> 00:20:25,600 Speaker 1: on the show for like seven eight episodes. I was 318 00:20:25,640 --> 00:20:28,280 Speaker 1: a little creeped out though that Jack like your dad, 319 00:20:28,359 --> 00:20:31,280 Speaker 1: imagine your dad telling you like, I'm gonna kill the 320 00:20:31,400 --> 00:20:33,520 Speaker 1: lady so I can get some like that made me 321 00:20:33,680 --> 00:20:36,600 Speaker 1: gas and then saying at the end where he says, 322 00:20:36,840 --> 00:20:44,240 Speaker 1: you guys can have my bed. Ohas gross? Yeah, gross. 323 00:20:44,440 --> 00:20:46,639 Speaker 1: And the way and the way he checks like Dylan 324 00:20:46,680 --> 00:20:49,960 Speaker 1: walks away and he checks Christine out like he does 325 00:20:50,000 --> 00:20:53,159 Speaker 1: like a double take from around the corner. He was 326 00:20:53,240 --> 00:20:57,840 Speaker 1: not checking her out. He was like, my dad's cool. Yeah, 327 00:20:57,960 --> 00:21:00,679 Speaker 1: look look he's going for it. No, I thought he 328 00:21:00,720 --> 00:21:04,080 Speaker 1: was creeped out like me. We all have different takes 329 00:21:04,119 --> 00:21:07,399 Speaker 1: on that. It's really hard to understand. That's why I 330 00:21:08,080 --> 00:21:11,320 Speaker 1: like Christine though. What do you guys think of her? Yeah? 331 00:21:11,359 --> 00:21:18,199 Speaker 1: I like her. She's so pretty, like classy lady and 332 00:21:18,320 --> 00:21:22,600 Speaker 1: she's tough. Yeah, she like I like that she stepped in, 333 00:21:22,680 --> 00:21:26,439 Speaker 1: she was she had stepmother vibes going on. What do 334 00:21:26,480 --> 00:21:28,480 Speaker 1: you make that she knows Nat and goes to the 335 00:21:28,520 --> 00:21:32,399 Speaker 1: peach pit? So what does that mean? Like is something coming? 336 00:21:33,600 --> 00:21:36,520 Speaker 1: She used to date Nat? What what's the gnat significance? 337 00:21:36,680 --> 00:21:40,439 Speaker 1: I don't know. I can't I can't actually remember. I 338 00:21:40,480 --> 00:21:43,679 Speaker 1: do know she's there for a while, and I actually 339 00:21:44,160 --> 00:21:46,000 Speaker 1: so that I know, like there has to be a 340 00:21:46,040 --> 00:21:49,440 Speaker 1: reason she's friends with Nat, right or maybe maybe we'll 341 00:21:49,480 --> 00:21:51,879 Speaker 1: find out, like in the next because she's in how 342 00:21:51,880 --> 00:21:56,200 Speaker 1: many episodes, like eight, like seven or eight. I think eight. 343 00:21:58,080 --> 00:22:00,560 Speaker 1: We can ask her while we're going to do one 344 00:22:00,640 --> 00:22:02,480 Speaker 1: on one interview with her, So we're gonna ask her, 345 00:22:02,880 --> 00:22:07,399 Speaker 1: why do you know Nat? Yes, I don't remember our episode, 346 00:22:07,440 --> 00:22:10,000 Speaker 1: so please tell us what happens because we don't know. 347 00:22:11,080 --> 00:22:13,760 Speaker 1: But she was cool. I actually thought, I don't know 348 00:22:13,800 --> 00:22:15,399 Speaker 1: why my memory thought this, but that she was going 349 00:22:15,440 --> 00:22:17,439 Speaker 1: to be like, I'm a lawyer, like I thought, I 350 00:22:17,480 --> 00:22:21,280 Speaker 1: think she might be successful. She looks it. Yeah, she's 351 00:22:21,320 --> 00:22:29,360 Speaker 1: not just like some like I don't know what they 352 00:22:29,359 --> 00:22:33,399 Speaker 1: call bimbo. They call her bimbo like multiple times. I 353 00:22:33,480 --> 00:22:37,960 Speaker 1: had problems with that because she's not right, but also 354 00:22:39,440 --> 00:22:42,800 Speaker 1: why would he call her bimbo? Doesn't even know her? Well, 355 00:22:42,840 --> 00:22:44,919 Speaker 1: I think he. I think I get that Dylan was 356 00:22:45,000 --> 00:22:48,080 Speaker 1: upset by Jack being like where's the phone as he's 357 00:22:48,119 --> 00:22:50,120 Speaker 1: like drinking his cocktail like he's going to call his lady, 358 00:22:50,200 --> 00:22:52,320 Speaker 1: like he should be spending time with his time with 359 00:22:52,440 --> 00:22:57,760 Speaker 1: him and gross. Well, I did think that Jack McKay 360 00:22:57,760 --> 00:23:00,800 Speaker 1: looked he's hot, like he's a good an older man. 361 00:23:02,800 --> 00:23:07,840 Speaker 1: I didn't really think so then, but now I'm like, hello, yes, 362 00:23:10,119 --> 00:23:13,239 Speaker 1: he's hot. What did you guys think At the end 363 00:23:13,280 --> 00:23:17,320 Speaker 1: when Dylan says good night, Dad. It didn't seem to 364 00:23:17,400 --> 00:23:22,400 Speaker 1: roll off his tongue, you know, like it just felt so. 365 00:23:22,600 --> 00:23:27,360 Speaker 1: I don't know. I guess it was weird for him too, 366 00:23:27,400 --> 00:23:30,560 Speaker 1: because he doesn't call his dad Daddy, calls him Jack. 367 00:23:30,840 --> 00:23:32,840 Speaker 1: Do you guys, ever, did you ever call your parents 368 00:23:32,840 --> 00:23:39,399 Speaker 1: by their first name? Oh? My gosh, never? Oh wait 369 00:23:39,520 --> 00:23:43,760 Speaker 1: do it? How do you? What's your mom? Who? Which one? Well? 370 00:23:43,800 --> 00:23:48,360 Speaker 1: So both because so my mom Cheryl and now her 371 00:23:48,440 --> 00:23:52,600 Speaker 1: grandma name is Grahama Cheryl were was like Graham's Cheryl 372 00:23:53,040 --> 00:23:58,680 Speaker 1: like that? Oh my gosh, I can have that Aaron. 373 00:23:59,400 --> 00:24:02,040 Speaker 1: Oh my god, I'm getting nervous just thinking about it. 374 00:24:02,080 --> 00:24:04,840 Speaker 1: Like I didn't even call like my friend's parents by 375 00:24:04,840 --> 00:24:06,439 Speaker 1: their first name when I was young. I didn't even 376 00:24:06,480 --> 00:24:13,600 Speaker 1: know my dad had a name. His name was dad. 377 00:24:14,880 --> 00:24:23,280 Speaker 1: Apparently his name's John. It's a good solid name. Yeah, 378 00:24:23,480 --> 00:24:27,040 Speaker 1: when they do, when they become grandparents, though, then they 379 00:24:27,119 --> 00:24:30,359 Speaker 1: become like me, me and Pappy, and then I forget 380 00:24:30,400 --> 00:24:34,800 Speaker 1: that they had mom and dad. So yeah, right, but 381 00:24:34,920 --> 00:24:39,280 Speaker 1: Tori for you, like that's so so everyone on the set? 382 00:24:39,760 --> 00:24:41,919 Speaker 1: Do they call your dad Mr? Spelling? Did people call 383 00:24:42,000 --> 00:24:46,879 Speaker 1: him Aaron? What did they do? The actors around people 384 00:24:47,400 --> 00:24:51,600 Speaker 1: we have making reference to him all the time and 385 00:24:51,640 --> 00:24:54,159 Speaker 1: then you're like dad, but I just wanted to like 386 00:24:54,200 --> 00:24:56,000 Speaker 1: fit in, so I would have been creeped out there 387 00:24:56,280 --> 00:25:00,119 Speaker 1: like your dad or like they felt comfortable enough it 388 00:25:00,240 --> 00:25:03,440 Speaker 1: like I was just another actor. So that was good. 389 00:25:03,480 --> 00:25:05,600 Speaker 1: That was good. I like that. And did you take 390 00:25:05,680 --> 00:25:08,639 Speaker 1: special care like if your dad was on the set 391 00:25:08,680 --> 00:25:12,720 Speaker 1: for some reason not to hey Dad, hug hug, Like 392 00:25:12,960 --> 00:25:16,000 Speaker 1: did you kind of not do that or did you 393 00:25:16,080 --> 00:25:20,560 Speaker 1: not work? No? No, no, no, we because we all 394 00:25:20,600 --> 00:25:22,360 Speaker 1: felt like his kids when he would come on set, 395 00:25:22,480 --> 00:25:25,280 Speaker 1: like we'd all be running up and hugging him. And 396 00:25:25,320 --> 00:25:28,280 Speaker 1: there was like Santa Claus came right like he didn't 397 00:25:28,280 --> 00:25:30,080 Speaker 1: come on set that much. You know, he was like 398 00:25:30,160 --> 00:25:32,320 Speaker 1: over the hill. He was always a phone call away, 399 00:25:32,480 --> 00:25:36,120 Speaker 1: you know, but when he did it was special. Yeah, 400 00:25:36,320 --> 00:25:41,760 Speaker 1: everyone got excited. What what about when um Jack and 401 00:25:41,840 --> 00:25:46,400 Speaker 1: Dylan like Christine makes them rethink things, then I guess 402 00:25:46,400 --> 00:25:48,240 Speaker 1: they make up, but they make up real quick and 403 00:25:48,280 --> 00:25:54,840 Speaker 1: then they come out playing Monopoly rousing. Wow, that was 404 00:25:54,880 --> 00:25:58,200 Speaker 1: a fast makeup of all the years of like drama 405 00:25:58,240 --> 00:26:02,000 Speaker 1: that those two have had. And they specifically mentioned Charles 406 00:26:02,000 --> 00:26:06,760 Speaker 1: Place because of Chuck Rosen probably that's our executive producer. 407 00:26:08,440 --> 00:26:11,000 Speaker 1: I love a good boy happy for them to make up. 408 00:26:11,440 --> 00:26:14,440 Speaker 1: I don't really love the angsty nous between them. No, 409 00:26:14,600 --> 00:26:19,200 Speaker 1: there's so much better, like jovial together and like, yeah, 410 00:26:19,560 --> 00:26:21,040 Speaker 1: I see. I thought they were kind of hot when 411 00:26:21,040 --> 00:26:24,160 Speaker 1: they were like hot headed at each other, like walk away, Jack, 412 00:26:24,200 --> 00:26:26,360 Speaker 1: that's what you do best, And I was like, that's 413 00:26:26,359 --> 00:26:29,680 Speaker 1: what you do. When he was like await Jack, Jack, 414 00:26:30,800 --> 00:26:33,119 Speaker 1: I don't know, He's like, oh this crap. Sorry. I 415 00:26:33,119 --> 00:26:36,480 Speaker 1: got it very excited here and was acting it out again. Yeah, 416 00:26:36,680 --> 00:26:38,720 Speaker 1: I don't know. Because they were both so like hot 417 00:26:38,760 --> 00:26:42,240 Speaker 1: and like passionate. I was kind of into it. It's 418 00:26:42,240 --> 00:26:46,600 Speaker 1: a good storyline getting Jack involved, is it like it 419 00:26:46,600 --> 00:26:50,320 Speaker 1: it gives a layer to him, to Dylan. Yeah, it 420 00:26:50,400 --> 00:26:55,399 Speaker 1: was very parent heavy this episode, very family Thanksgiving. We 421 00:26:55,520 --> 00:26:58,239 Speaker 1: have to get into the whole Walsh Thanksgiving of it all. 422 00:26:58,320 --> 00:27:00,480 Speaker 1: Let's take a break and come back with because there's 423 00:27:00,520 --> 00:27:17,359 Speaker 1: a lot there. You just want to talk about Jim Suspenders. Yeah, okay, 424 00:27:17,359 --> 00:27:19,600 Speaker 1: So we were watching this episode. My daughter was watching 425 00:27:19,680 --> 00:27:23,760 Speaker 1: with me, Fiana, she's almost sixteen, and um, I was like, 426 00:27:24,320 --> 00:27:26,439 Speaker 1: do you think it's weird that I I have the 427 00:27:26,480 --> 00:27:35,560 Speaker 1: hots for Jim and she said she was like, listen, 428 00:27:35,560 --> 00:27:37,840 Speaker 1: we all think it's a little weird. I'm not gonna lie, 429 00:27:38,800 --> 00:27:42,800 Speaker 1: but we supp back. Did you guys know immediately that 430 00:27:42,800 --> 00:27:47,840 Speaker 1: that was Jack Canner digging in the dumpster? Like? Did 431 00:27:47,840 --> 00:27:52,679 Speaker 1: you make that connection immediately? Did you? Well? I did 432 00:27:52,760 --> 00:27:59,119 Speaker 1: because I read the description of the episode. I had 433 00:27:59,119 --> 00:28:01,720 Speaker 1: a feeling and then my feeling was proven right. So 434 00:28:01,720 --> 00:28:03,720 Speaker 1: I don't know if my feeling was because I remembered 435 00:28:03,800 --> 00:28:07,880 Speaker 1: or because oh that would that make sense? Why would 436 00:28:07,920 --> 00:28:12,080 Speaker 1: they make him Jack when there's already Jack, Yeah, and 437 00:28:12,200 --> 00:28:14,399 Speaker 1: the same and the same episode. Like Jack McKay's not 438 00:28:14,480 --> 00:28:16,879 Speaker 1: in that many episodes, he's in this one. I just 439 00:28:16,880 --> 00:28:23,240 Speaker 1: think it's weird. Um And Dave what's his name, Dave Sheridan. 440 00:28:24,800 --> 00:28:28,320 Speaker 1: He's great, what a great he was? So Jason's best 441 00:28:28,320 --> 00:28:34,800 Speaker 1: friend in real life? Yeah, but I didn't know that. Wait, 442 00:28:34,880 --> 00:28:39,640 Speaker 1: so that's Jack Hanner the Homeless VET. Dave Cheryl is 443 00:28:39,680 --> 00:28:43,400 Speaker 1: best friend. Dave Cheryl David Cheryl and he and and 444 00:28:43,520 --> 00:28:47,880 Speaker 1: Jason were best friends. Yeah, maybe that's why he got Well, 445 00:28:49,680 --> 00:28:52,160 Speaker 1: I'm sure Jason was like, hey, you guys should consider 446 00:28:52,240 --> 00:28:55,200 Speaker 1: my friend. He's really great. He was great, he was 447 00:28:56,320 --> 00:28:58,560 Speaker 1: total difference when he got rid of that beard and 448 00:28:58,600 --> 00:29:02,160 Speaker 1: the the whole thing was like, whoa, I know, yeah, 449 00:29:02,240 --> 00:29:04,880 Speaker 1: that's a long, long walk from the beach club to 450 00:29:05,000 --> 00:29:11,000 Speaker 1: the peach pit. So in the rain, You're right, you 451 00:29:11,120 --> 00:29:16,240 Speaker 1: must have been. I was surprised by Jim being so 452 00:29:17,480 --> 00:29:21,360 Speaker 1: what was he was he? Was he jealous or was 453 00:29:21,400 --> 00:29:25,200 Speaker 1: he you kind of you begin to understand. I think 454 00:29:25,240 --> 00:29:28,560 Speaker 1: it had to do with Jim feeling less than because 455 00:29:28,560 --> 00:29:32,719 Speaker 1: because father I thought, you know, in a war was 456 00:29:32,760 --> 00:29:38,440 Speaker 1: in the armed forces, and that Jim wasn't because was 457 00:29:38,480 --> 00:29:42,120 Speaker 1: protesting the Vietnam War. It's very deep storyline and you 458 00:29:42,200 --> 00:29:44,840 Speaker 1: kind of get the like of what's going on in 459 00:29:44,920 --> 00:29:47,520 Speaker 1: Jim's head. So he had that outburst because I think 460 00:29:47,560 --> 00:29:51,320 Speaker 1: he felt like you're you're important either way. Did you 461 00:29:51,360 --> 00:29:54,680 Speaker 1: notice that every time they would talk about the the 462 00:29:54,720 --> 00:30:00,360 Speaker 1: storyline of Jack, they would play that like music, like serious, 463 00:30:00,440 --> 00:30:10,320 Speaker 1: like military trumpet, like very distracting. It also wasn't I 464 00:30:10,320 --> 00:30:13,800 Speaker 1: think it was an important storyline at the time. It 465 00:30:13,920 --> 00:30:16,360 Speaker 1: was very timely, and they make the restaurants to President 466 00:30:16,440 --> 00:30:20,240 Speaker 1: Bush not being in office anymore, and like this did 467 00:30:20,360 --> 00:30:24,440 Speaker 1: happen that soldiers came home and we're kind of left 468 00:30:25,200 --> 00:30:29,720 Speaker 1: to their own devices and had no support and we're 469 00:30:29,760 --> 00:30:35,160 Speaker 1: kind of screwed. Yeah, yeah, that that that was intense 470 00:30:35,280 --> 00:30:38,760 Speaker 1: the way it turned out for him. But it makes 471 00:30:38,760 --> 00:30:40,880 Speaker 1: sense now that now that you're saying that was David. 472 00:30:41,960 --> 00:30:45,040 Speaker 1: I remember they were friends and David didn't have a 473 00:30:45,080 --> 00:30:50,320 Speaker 1: beard that was fake beard, y'all? Oh, no way, Yeah, 474 00:30:51,280 --> 00:30:52,560 Speaker 1: you know how you can always tell if it's a 475 00:30:52,560 --> 00:30:57,120 Speaker 1: fake beard, Jenny whatever, whatever you're taking for your memories. 476 00:30:58,560 --> 00:31:00,920 Speaker 1: I only say that I don't remember. I just say 477 00:31:01,000 --> 00:31:03,320 Speaker 1: that because I could tell it was a fake fake beard. 478 00:31:03,600 --> 00:31:06,640 Speaker 1: You can tell because you'll either sometimes you'll see shiny 479 00:31:06,960 --> 00:31:10,120 Speaker 1: under the hairs on the side, like the glue that 480 00:31:10,160 --> 00:31:12,440 Speaker 1: they stick it on, because usually with the beard they 481 00:31:12,440 --> 00:31:17,720 Speaker 1: stick it on hair by hair, so and then also 482 00:31:18,440 --> 00:31:24,240 Speaker 1: sometimes like some longer hairs get missed or forgotten about, 483 00:31:24,320 --> 00:31:28,160 Speaker 1: so there's like a scraggly stray beard hair which doesn't 484 00:31:28,160 --> 00:31:32,320 Speaker 1: really happen, like it was like two inches longer than 485 00:31:32,360 --> 00:31:38,760 Speaker 1: the rest of them. Let's take a look. So, okay, 486 00:31:38,920 --> 00:31:41,640 Speaker 1: did you think? All right? So I know we needed 487 00:31:41,640 --> 00:31:43,720 Speaker 1: the like way to get everybody to the wall ships. 488 00:31:43,800 --> 00:31:46,440 Speaker 1: So I thought Andrea was ahead of her time because 489 00:31:46,440 --> 00:31:49,320 Speaker 1: she didn't want to go to her vegetarian Thanksgiving, which 490 00:31:49,360 --> 00:31:56,320 Speaker 1: is probably now exactly like a good to Firky. Did 491 00:31:56,360 --> 00:31:59,800 Speaker 1: you think, I guess we're just to accept that Brendan 492 00:32:00,000 --> 00:32:05,360 Speaker 1: Aliah fully made up, I mean made up enough to 493 00:32:05,440 --> 00:32:07,640 Speaker 1: be like, hey, do you know where Dylan's gonna be 494 00:32:07,680 --> 00:32:13,840 Speaker 1: for Thanksgiving? Oh? That was weird, I thought, yeah, yeah, 495 00:32:14,040 --> 00:32:16,480 Speaker 1: but Kelly does say I don't know and I don't care. 496 00:32:16,960 --> 00:32:23,880 Speaker 1: M hm hm. But what about when when when Brandon 497 00:32:23,920 --> 00:32:28,920 Speaker 1: walks in with Jim Canter thet those names Jim and 498 00:32:28,960 --> 00:32:32,600 Speaker 1: I've been calling him Jack. Nope, Jack, you're right Jack, 499 00:32:32,640 --> 00:32:34,440 Speaker 1: and I got my gym and my Jack and my 500 00:32:34,520 --> 00:32:39,080 Speaker 1: Jack all confused, so many Jay's happening. But did you 501 00:32:39,120 --> 00:32:43,960 Speaker 1: see Jim's face and Cindy's the expression on Sydney's space 502 00:32:44,040 --> 00:32:46,920 Speaker 1: where they cut a waiter. I wrote it down. Cindy's 503 00:32:47,040 --> 00:32:50,120 Speaker 1: mouth was like it was so over the top. She's 504 00:32:50,160 --> 00:32:56,920 Speaker 1: like it was like, ba, well brought him right in. 505 00:32:58,400 --> 00:33:01,479 Speaker 1: Did they wash his clothes? So he took a shower, 506 00:33:01,520 --> 00:33:05,400 Speaker 1: he shaved, he changed, he looks great. Did they wash 507 00:33:05,560 --> 00:33:11,440 Speaker 1: his UM uniform? I bet Cindy would have yeah, because 508 00:33:11,520 --> 00:33:13,320 Speaker 1: when he put it back on later, it was real 509 00:33:13,360 --> 00:33:17,720 Speaker 1: clean and dry. Yeah, I feel like she would have. Yeah, 510 00:33:18,200 --> 00:33:23,520 Speaker 1: this thing just felt like another episode like the was 511 00:33:23,520 --> 00:33:27,800 Speaker 1: it Christmas Eve dinner? Was it? Remember? Yeah? I wrote 512 00:33:27,800 --> 00:33:30,400 Speaker 1: down where everyone showed up at the wallsh house and 513 00:33:31,080 --> 00:33:34,400 Speaker 1: that happens. I wrote down it was the world's most 514 00:33:34,440 --> 00:33:38,719 Speaker 1: boring Thanksgiving ever, Like they're all just sitting in that 515 00:33:38,800 --> 00:33:41,600 Speaker 1: living room, the three the girls on one chair, the 516 00:33:41,600 --> 00:33:48,360 Speaker 1: guys watching football, and nobody was talking. This whole episode 517 00:33:48,440 --> 00:33:52,000 Speaker 1: was very heavy. My note was it. I felt like 518 00:33:52,000 --> 00:33:54,720 Speaker 1: it was awkward and clunky. Like I just felt like 519 00:33:54,720 --> 00:33:57,520 Speaker 1: this this episode it was It was awkward and it 520 00:33:57,560 --> 00:34:04,040 Speaker 1: made me feel awkward. Hoppy was just Yeah, I loved it, 521 00:34:04,120 --> 00:34:07,959 Speaker 1: Amy loved it. Well, okay, let's get to some of 522 00:34:08,000 --> 00:34:11,120 Speaker 1: my other things because I'll go back to Thanksgiving because 523 00:34:11,120 --> 00:34:15,200 Speaker 1: I was unimpressed by Cindy's vegetable platter, but that's not important. 524 00:34:15,880 --> 00:34:18,520 Speaker 1: Did nine O two one oh, you guys? Did nine 525 00:34:18,520 --> 00:34:24,080 Speaker 1: O two one oh invent reality television? Because was it 526 00:34:24,160 --> 00:34:27,120 Speaker 1: a thing? And all of a sudden, Steve and his 527 00:34:27,239 --> 00:34:29,920 Speaker 1: mom are on a reality show basically like a fake 528 00:34:29,960 --> 00:34:33,239 Speaker 1: reality show because it was sort of planned. But like, 529 00:34:33,480 --> 00:34:38,040 Speaker 1: there wasn't reality TV in the nineties, right, there was 530 00:34:38,560 --> 00:34:44,640 Speaker 1: real world, real real world. When was the Osborne's on? No? Later, 531 00:34:45,120 --> 00:34:47,560 Speaker 1: later we didn't have Bachelor, There was no Who Wants 532 00:34:47,560 --> 00:34:50,880 Speaker 1: to Marry a Millionaire? Like I think only the real world? 533 00:34:51,239 --> 00:34:53,440 Speaker 1: Who Wants to Marry a Millionaire? Isn't that a game show? 534 00:34:54,520 --> 00:34:59,400 Speaker 1: Who wants to? It's much easier to just marry one 535 00:34:59,400 --> 00:35:01,400 Speaker 1: you guys are remember who wants It was like one 536 00:35:01,440 --> 00:35:03,160 Speaker 1: of the It was like one of the first reality 537 00:35:03,160 --> 00:35:06,319 Speaker 1: shows on Fox. And Darva Conger She's like, she like 538 00:35:06,760 --> 00:35:09,360 Speaker 1: they married a dude like on the sit on the stage. 539 00:35:09,400 --> 00:35:13,879 Speaker 1: It was Yeah, I didn't understand what was happening with 540 00:35:14,000 --> 00:35:16,080 Speaker 1: Why did they go to Santa Barbara? Why were they 541 00:35:16,080 --> 00:35:19,120 Speaker 1: in that weird house? Why were they shooting the show 542 00:35:19,160 --> 00:35:22,759 Speaker 1: on Thanksgiving? All of the above is great questions. And 543 00:35:22,840 --> 00:35:25,200 Speaker 1: was that the Dynasty House? Like? What was that mansion? 544 00:35:25,920 --> 00:35:28,080 Speaker 1: I don't know, I swear I really, I was looking 545 00:35:28,120 --> 00:35:29,719 Speaker 1: at I was like, is that the Walsh House? But 546 00:35:29,760 --> 00:35:32,760 Speaker 1: they just moved the stairway because it had the space 547 00:35:32,880 --> 00:35:34,959 Speaker 1: and it had the same time to see the exteriors, 548 00:35:35,000 --> 00:35:37,359 Speaker 1: I thought it was the Dynasty House. I was like, yeah, 549 00:35:37,520 --> 00:35:40,720 Speaker 1: exteriors are always different. They just go to like stock 550 00:35:40,760 --> 00:35:44,760 Speaker 1: footage and by by an exterior. Well, the Dynasty House 551 00:35:44,840 --> 00:35:47,239 Speaker 1: is a real house in Woodside, California. Torriy, I'll have 552 00:35:47,360 --> 00:35:50,640 Speaker 1: you know what do you so? Not the inside the outside? 553 00:35:50,960 --> 00:35:55,480 Speaker 1: That's right, and I think, really, where's Woodside near Palo Alto? 554 00:35:55,719 --> 00:36:01,200 Speaker 1: Very fancy? Okay, okay, but but Steve Sanders mom, Samantha Sanders. 555 00:36:02,440 --> 00:36:06,360 Speaker 1: She's beautiful, like like a porcelain doll I want to 556 00:36:06,400 --> 00:36:10,760 Speaker 1: put on my shelf. I love her face. I enjoyed 557 00:36:10,800 --> 00:36:15,279 Speaker 1: those scenes and love that she calls him Stephen. Just 558 00:36:15,400 --> 00:36:19,279 Speaker 1: everything the way she talks, and it's just so she's 559 00:36:19,320 --> 00:36:25,560 Speaker 1: so famous. Yeah, she's perfect. And she saved the day 560 00:36:25,680 --> 00:36:28,239 Speaker 1: because she got him back in school. What do you 561 00:36:28,239 --> 00:36:31,360 Speaker 1: think really happened? Did she like paid, like donate to 562 00:36:31,360 --> 00:36:36,040 Speaker 1: the school, like I was thinking something something, something happening 563 00:36:36,120 --> 00:36:40,239 Speaker 1: on the side that convinced Mrs Teasley. And are we 564 00:36:40,320 --> 00:36:45,399 Speaker 1: to assume that Steve hooked up with the p A yes, 565 00:36:47,120 --> 00:36:52,520 Speaker 1: like a lot. Well that's you know, open for your interpretation. 566 00:36:54,480 --> 00:36:56,200 Speaker 1: But he came back like I met a girl. But 567 00:36:56,239 --> 00:36:58,399 Speaker 1: I was like, and he looked pretty excited about it. 568 00:36:58,920 --> 00:37:01,120 Speaker 1: I got that we missed to chunk, like a scene 569 00:37:01,200 --> 00:37:05,480 Speaker 1: was cut. I got the vibe he did it. I 570 00:37:05,520 --> 00:37:11,000 Speaker 1: don't know. I don't want to think about that he does. 571 00:37:11,239 --> 00:37:14,600 Speaker 1: Are you jealousy a little? I'm not gonna lie. I'm 572 00:37:14,640 --> 00:37:17,920 Speaker 1: always I always feel like all the fields, Like I'm 573 00:37:17,920 --> 00:37:20,600 Speaker 1: always like I like him, and then I don't know, 574 00:37:20,719 --> 00:37:22,759 Speaker 1: like do I like Steve? Do? I sort of just 575 00:37:22,800 --> 00:37:25,880 Speaker 1: think high and so sweet and charming and I have 576 00:37:26,000 --> 00:37:29,480 Speaker 1: to really super sweet and like beautiful, like his skin 577 00:37:29,600 --> 00:37:32,880 Speaker 1: was perfect and no, like so shaved so nicely, like 578 00:37:32,960 --> 00:37:35,319 Speaker 1: he just looked real pretty in this episode. But his 579 00:37:35,680 --> 00:37:40,399 Speaker 1: jacket episode, the one, the one jacket, I couldn't figure 580 00:37:40,440 --> 00:37:42,239 Speaker 1: out what it was. It was long and then it 581 00:37:42,320 --> 00:37:47,000 Speaker 1: kind of tied in at the back. He didn't got it. 582 00:37:47,120 --> 00:37:50,400 Speaker 1: He was rehearsing. Yeah, maybe I remember those clips that 583 00:37:50,480 --> 00:37:52,040 Speaker 1: used to put on the baby back of the baby 584 00:37:52,040 --> 00:37:54,040 Speaker 1: doll dress, like had like a clip on one end 585 00:37:54,280 --> 00:37:55,880 Speaker 1: and then a scruncheet and then a clip on the 586 00:37:55,960 --> 00:38:00,320 Speaker 1: other end. And you would like, has anyone brought those 587 00:38:00,400 --> 00:38:03,720 Speaker 1: back for the nineties, Like I'd like to have one. Yeah, 588 00:38:03,760 --> 00:38:06,160 Speaker 1: me too. All I can think about right now is 589 00:38:06,280 --> 00:38:10,760 Speaker 1: like when I took his shirt off, and I'm like, wait, 590 00:38:10,880 --> 00:38:17,520 Speaker 1: I took a shirt off any tour? Oh, in real life. 591 00:38:17,600 --> 00:38:22,280 Speaker 1: I'm sorry, I thought even an episode, I'm like, wait 592 00:38:22,440 --> 00:38:25,520 Speaker 1: on on the episode he took a shirt off on 593 00:38:25,560 --> 00:38:29,520 Speaker 1: the padcast with Amy, She she almost passed out. I'm 594 00:38:29,600 --> 00:38:31,839 Speaker 1: actually having a flashback and I don't know, I'm having 595 00:38:31,880 --> 00:38:36,399 Speaker 1: a hot flaw. I don't know right now, you're turning right, 596 00:38:37,160 --> 00:38:42,680 Speaker 1: Oh my god, you so red. I'm like, because all 597 00:38:42,680 --> 00:38:44,319 Speaker 1: of a sudden, where you guys were talking about that, 598 00:38:44,360 --> 00:38:48,800 Speaker 1: it just it was like in my mind, oh god, okay, 599 00:38:48,840 --> 00:38:52,880 Speaker 1: looks so yeah. I think nine o two one who 600 00:38:52,920 --> 00:38:57,400 Speaker 1: invented reality TV? Maybe, but it wasn't a series they 601 00:38:57,440 --> 00:39:00,840 Speaker 1: were filming, right it was? Didn't they call it one 602 00:39:01,640 --> 00:39:04,080 Speaker 1: Escape of the Stars, didn't. She refer to it as 603 00:39:04,520 --> 00:39:09,959 Speaker 1: escape Escapes of the What are they escaping? And oh 604 00:39:10,120 --> 00:39:13,919 Speaker 1: and that's why they're in a different house. They're escaping life. Yeah, 605 00:39:13,960 --> 00:39:20,040 Speaker 1: I guess you're escaping with the stars vacationing. Oh that's 606 00:39:20,040 --> 00:39:23,960 Speaker 1: a good show. Yeah, we should put it, we should 607 00:39:23,960 --> 00:39:28,480 Speaker 1: produce that. But yeah, but it was like a reality show, 608 00:39:28,560 --> 00:39:30,640 Speaker 1: but yet it was like fake because remember they all 609 00:39:30,680 --> 00:39:32,920 Speaker 1: like put them in the spot and then they're like, 610 00:39:33,000 --> 00:39:35,000 Speaker 1: let's move on to the next setup. So it wasn't 611 00:39:35,080 --> 00:39:38,480 Speaker 1: quite reality TV, But then Steve had the brilliant idea like, 612 00:39:38,560 --> 00:39:41,880 Speaker 1: oh my mom is so much nicer on camera, so 613 00:39:41,880 --> 00:39:45,480 Speaker 1: I'm going to drop this bomb on her on the show. 614 00:39:45,680 --> 00:39:48,600 Speaker 1: So literally, maybe nine O, two and O didn't invent 615 00:39:48,640 --> 00:39:53,040 Speaker 1: reality TV, but iron zerring Steve. What about when they 616 00:39:53,080 --> 00:39:55,720 Speaker 1: want when they first get there and they're like worker 617 00:39:55,800 --> 00:39:58,480 Speaker 1: guys are putting doing something on the floor, like taping 618 00:39:58,520 --> 00:40:01,440 Speaker 1: the floor, and it's just so rude to them, and 619 00:40:01,719 --> 00:40:06,560 Speaker 1: then the lady the guy goes whatever the talents here. 620 00:40:08,680 --> 00:40:14,319 Speaker 1: I felt uncomfortable, like is that how they think of 621 00:40:14,440 --> 00:40:19,640 Speaker 1: us sometimes because I'm they're the ones saying the talents, 622 00:40:19,800 --> 00:40:23,239 Speaker 1: not you guys. But sometimes we're like the talents cruiser 623 00:40:25,080 --> 00:40:29,440 Speaker 1: because you know what's crazy of the time, it's accurate. 624 00:40:31,840 --> 00:40:35,280 Speaker 1: Let's be honest, the you guys, the behind the scenes, 625 00:40:35,320 --> 00:40:37,000 Speaker 1: and I'm not you guys, I swear to God I 626 00:40:37,000 --> 00:40:45,439 Speaker 1: would tell you. So we play this game. I'm giving 627 00:40:45,440 --> 00:40:47,560 Speaker 1: everyone a little peel back the curtains. So we played 628 00:40:47,600 --> 00:40:49,920 Speaker 1: this game. So we have events. Would you guys have 629 00:40:49,960 --> 00:40:53,560 Speaker 1: been to a million times where like what jingle ball, 630 00:40:53,600 --> 00:40:56,360 Speaker 1: Wango Tango, I heard, radio music festival, all these things. 631 00:40:57,080 --> 00:41:02,480 Speaker 1: So my job is like, are in charge of the talent, 632 00:41:02,600 --> 00:41:05,200 Speaker 1: like the celebrities, and literally that means like we just 633 00:41:05,200 --> 00:41:07,879 Speaker 1: basically like hold your hands, get you water, walk around, 634 00:41:08,000 --> 00:41:11,640 Speaker 1: tell you where to go, here's the bathroom, like a 635 00:41:11,680 --> 00:41:19,080 Speaker 1: million fires in one night. Wrangler. It's not a fancy job, 636 00:41:19,200 --> 00:41:21,760 Speaker 1: like we like it. It's fun, but like you're really 637 00:41:21,840 --> 00:41:26,399 Speaker 1: just in charge of doing whatever the talent needs. So 638 00:41:26,440 --> 00:41:29,440 Speaker 1: at the end of the night, after you, after you 639 00:41:29,480 --> 00:41:36,320 Speaker 1: guys were like, gonet love in this room, Oh my god, 640 00:41:37,480 --> 00:41:39,879 Speaker 1: it's not that. We play this game called high low. 641 00:41:40,480 --> 00:41:42,080 Speaker 1: And so then you go around this all the like 642 00:41:42,200 --> 00:41:43,880 Speaker 1: p a is go around the circle and we're like 643 00:41:43,920 --> 00:41:47,160 Speaker 1: what was the best part and what was the worst part, 644 00:41:47,560 --> 00:41:50,359 Speaker 1: meaning the best talent the worst talent, or like what 645 00:41:50,400 --> 00:41:53,160 Speaker 1: was your favorite moment? Like sometimes it's like, oh, I 646 00:41:53,200 --> 00:41:55,560 Speaker 1: was with Tori and we bumped into Harry Styles and 647 00:41:55,600 --> 00:41:58,239 Speaker 1: this happened, you know, Like sometimes it's that I wish 648 00:41:58,280 --> 00:42:04,040 Speaker 1: I was there for that time. The lows, Oh my god, 649 00:42:04,160 --> 00:42:07,919 Speaker 1: give an example giving names, spill it right now. Okay, 650 00:42:07,920 --> 00:42:11,520 Speaker 1: I've got one. I'm doing. Oh god, I hope everyone listening. 651 00:42:11,680 --> 00:42:15,319 Speaker 1: Everybody has it. Okay. So literally there we were in 652 00:42:15,400 --> 00:42:19,040 Speaker 1: Vegas and the celebrity has to get on stage, like 653 00:42:19,080 --> 00:42:20,719 Speaker 1: you guys do it like Tory. You know, Tory and 654 00:42:20,800 --> 00:42:26,719 Speaker 1: Jenny will be introducing an artist right thinking about doing that, 655 00:42:27,280 --> 00:42:29,680 Speaker 1: I'm like my head, my muscles are clenching up, but 656 00:42:29,760 --> 00:42:34,160 Speaker 1: I won't. Okay. So, literally, this person is supposed to 657 00:42:34,239 --> 00:42:38,440 Speaker 1: be on stage and like maybe eight minutes they are 658 00:42:38,480 --> 00:42:40,360 Speaker 1: not even in the building. They are still at the 659 00:42:40,440 --> 00:42:44,040 Speaker 1: hotel across the street, and this poor p A is 660 00:42:44,080 --> 00:42:46,640 Speaker 1: like not So the p A just sits in the 661 00:42:46,680 --> 00:42:49,360 Speaker 1: hallway like waiting because the person is getting dressed whatever, 662 00:42:49,600 --> 00:42:51,719 Speaker 1: and they're just like knocking on the door like we 663 00:42:51,960 --> 00:42:55,120 Speaker 1: have to go, and like they've probably got a walkie talkie. 664 00:42:55,160 --> 00:42:57,800 Speaker 1: So the walkie talkies like blowing up like we need 665 00:42:57,800 --> 00:43:01,400 Speaker 1: that person now, and the text is blowing up, like 666 00:43:01,680 --> 00:43:07,040 Speaker 1: get him out of the door, get him. It's him, Okay, 667 00:43:05,840 --> 00:43:10,040 Speaker 1: it might have been. I'm just I'm just saying I'm 668 00:43:10,080 --> 00:43:14,439 Speaker 1: being very big. It's four p A who's probably like 669 00:43:14,880 --> 00:43:17,000 Speaker 1: just my friend doing it for me as a favorite, 670 00:43:17,560 --> 00:43:20,680 Speaker 1: walking on the door begging for the person to come. 671 00:43:21,200 --> 00:43:24,200 Speaker 1: The person like it's probably changed their closed twelve times. 672 00:43:26,480 --> 00:43:31,960 Speaker 1: Did they come out, I mean never came out for stopping. 673 00:43:32,080 --> 00:43:35,560 Speaker 1: I think we have had a couple where very rarely 674 00:43:35,640 --> 00:43:39,040 Speaker 1: but a couple were the times the person it didn't happen. 675 00:43:39,880 --> 00:43:42,319 Speaker 1: So they got this free trip to Vegas and they're 676 00:43:42,360 --> 00:43:44,520 Speaker 1: just like partying in their room and they're like, yeah, 677 00:43:44,680 --> 00:43:48,080 Speaker 1: we're just not gonna show up. And I've definitely had 678 00:43:48,120 --> 00:43:50,640 Speaker 1: a few. I've definitely had a few moments on the 679 00:43:50,800 --> 00:43:56,080 Speaker 1: phone like get out of the limo now, right now, 680 00:43:56,360 --> 00:44:00,799 Speaker 1: get them now. I would to Bee, I want to 681 00:44:00,840 --> 00:44:03,160 Speaker 1: feel I want to know what that feels like, Amy 682 00:44:03,239 --> 00:44:06,040 Speaker 1: telling me get out of the livel you feel like 683 00:44:06,160 --> 00:44:11,360 Speaker 1: you're going to have diarrhea. Well, thank you. That's very different. 684 00:44:11,360 --> 00:44:15,359 Speaker 1: I can't even imagine you like like being like mean 685 00:44:16,160 --> 00:44:21,680 Speaker 1: or like get out. It's when it's go time. He's 686 00:44:21,680 --> 00:44:23,480 Speaker 1: got to going. God, my whole body, I'm gonna have 687 00:44:23,480 --> 00:44:25,359 Speaker 1: to take an ad vilt. Okay, anyway, back on track, 688 00:44:25,360 --> 00:44:28,200 Speaker 1: back on track, back on track. Now, this is way 689 00:44:28,200 --> 00:44:31,560 Speaker 1: more fun this episode. Sorry, I'm just being honest. I 690 00:44:31,560 --> 00:44:33,640 Speaker 1: can talk about this ship all day and literally, not 691 00:44:33,719 --> 00:44:36,239 Speaker 1: you guys, I would tell you, not you guys. Not. 692 00:44:36,480 --> 00:44:38,520 Speaker 1: I've never had anything with anyone from nine o two 693 00:44:38,520 --> 00:44:43,719 Speaker 1: and other than literally the greatest experiences because Jason has 694 00:44:43,760 --> 00:44:48,840 Speaker 1: done it and Luke has done it the easiest, most amazing, 695 00:44:48,880 --> 00:44:50,960 Speaker 1: Iron has done it a bunch of times. Like literally, 696 00:44:50,960 --> 00:44:53,800 Speaker 1: I would tell you guys, not a story. I mean Luke. 697 00:44:56,560 --> 00:44:59,319 Speaker 1: So do you guys want to hear it? Yeah? Oh 698 00:44:59,320 --> 00:45:04,440 Speaker 1: it's the best story. Okay. So Luke came to Vegas. Um, 699 00:45:04,480 --> 00:45:07,320 Speaker 1: I can't remember who he was introducing, but the cast 700 00:45:07,360 --> 00:45:09,600 Speaker 1: of Riverdale was with him, like, not the whole cast, 701 00:45:09,600 --> 00:45:13,160 Speaker 1: but a lot of guys. And Ryan Seacrest and I 702 00:45:13,239 --> 00:45:15,879 Speaker 1: were walking down the hall and we bumped into Luke 703 00:45:15,960 --> 00:45:20,400 Speaker 1: and then some band like um, some rock band I 704 00:45:20,440 --> 00:45:23,359 Speaker 1: can't remember. They freaked out over Luke. It was like, 705 00:45:23,480 --> 00:45:26,720 Speaker 1: oh my god. And then we said to the boys 706 00:45:26,760 --> 00:45:30,520 Speaker 1: on Riverdale, I'll never forget this. Whoever it was the 707 00:45:30,560 --> 00:45:32,560 Speaker 1: p A and me and we're like, what do you 708 00:45:32,600 --> 00:45:35,520 Speaker 1: want to do? And they literally said, whatever Luke wants 709 00:45:35,560 --> 00:45:38,200 Speaker 1: to do is what we'll do. Like we are going 710 00:45:38,280 --> 00:45:40,680 Speaker 1: to go wherever he's gonna go. We're gonna do whatever 711 00:45:40,760 --> 00:45:43,040 Speaker 1: he wants to do. And I was just like, oh 712 00:45:43,080 --> 00:45:47,680 Speaker 1: my god. He was. There are no words to explain 713 00:45:47,760 --> 00:45:52,920 Speaker 1: how beyond like he was so amazing, the kindest person, 714 00:45:53,880 --> 00:45:56,480 Speaker 1: and just these boys looked up to him so much. 715 00:45:56,520 --> 00:46:01,080 Speaker 1: It was like, really pretty special. Behind the scenes stories 716 00:46:01,080 --> 00:46:05,080 Speaker 1: are always the best ones. Yeah, speaking of behind the scenes, 717 00:46:05,120 --> 00:46:09,680 Speaker 1: did you notice, okay, did you notice when um at 718 00:46:09,680 --> 00:46:14,960 Speaker 1: the end, I think when when they're when Steve's coming 719 00:46:15,000 --> 00:46:19,000 Speaker 1: out of the classroom into the hallway, there's, uh, did 720 00:46:19,040 --> 00:46:23,600 Speaker 1: you know where there's extras? The background actors are standing 721 00:46:23,800 --> 00:46:27,680 Speaker 1: waiting for their cue to walk. They're like just standing there. 722 00:46:27,719 --> 00:46:29,120 Speaker 1: You have to watch it now because I had to 723 00:46:29,239 --> 00:46:32,000 Speaker 1: rewind it just for my pure enjoyment. They're just standing 724 00:46:32,000 --> 00:46:35,520 Speaker 1: there and then she even steps back and then she goes. 725 00:46:36,360 --> 00:46:39,719 Speaker 1: I love stuff like that, when like Brandon's waiting out 726 00:46:39,960 --> 00:46:42,120 Speaker 1: and the whole Brandon thing coming back and forth was 727 00:46:42,200 --> 00:46:49,719 Speaker 1: to like, I like it. Yep, it was weird. I 728 00:46:49,800 --> 00:46:51,480 Speaker 1: missed that. So and I'm gonna have to rewatch for 729 00:46:51,680 --> 00:46:57,480 Speaker 1: Jason's you know what. I wish I had seen that 730 00:46:57,560 --> 00:47:00,400 Speaker 1: then I would have liked this episode. She something something. 731 00:47:02,640 --> 00:47:09,280 Speaker 1: Did you hate this episode more or the last one? Oh, 732 00:47:09,320 --> 00:47:12,240 Speaker 1: it's gonna upset you. But I actually liked this episode 733 00:47:12,280 --> 00:47:15,319 Speaker 1: less because the last one. I know, I know you 734 00:47:15,320 --> 00:47:16,919 Speaker 1: weren't into the and thing, but you know, I'm big 735 00:47:16,920 --> 00:47:19,680 Speaker 1: fan of hers from her horror phones, So I was 736 00:47:19,719 --> 00:47:23,880 Speaker 1: into that, and it was so beautifully shots that at 737 00:47:23,960 --> 00:47:26,359 Speaker 1: least it was nice to look at. This one was 738 00:47:26,440 --> 00:47:29,239 Speaker 1: just like you said, it was clunk and it was dark, 739 00:47:29,280 --> 00:47:33,880 Speaker 1: like it was all interiors and yeah, yeah, and I 740 00:47:33,920 --> 00:47:37,120 Speaker 1: didn't get to see any of like the kids storylines together. 741 00:47:37,160 --> 00:47:43,360 Speaker 1: There was many like extra characters coming in, like guest stars. 742 00:47:44,560 --> 00:47:48,360 Speaker 1: I felt like it was very disjointed criticism. Yeah, but 743 00:47:48,480 --> 00:47:52,480 Speaker 1: I and also it was super sappy, like the whole toast, 744 00:47:52,760 --> 00:47:57,400 Speaker 1: I mean, the prayer, I guess what. It was so bad. 745 00:47:57,440 --> 00:47:59,840 Speaker 1: I feel like, oh, there's a lesson to be learned, Like, 746 00:48:00,080 --> 00:48:02,600 Speaker 1: oh my god, I seem very superficial, like how Donna 747 00:48:02,760 --> 00:48:05,279 Speaker 1: was in that episode. But I'm sorry, I just want 748 00:48:05,280 --> 00:48:08,200 Speaker 1: to see my main cast member. You mean, how when 749 00:48:08,239 --> 00:48:11,040 Speaker 1: Donna walked up to the homeless guy, she was, so, 750 00:48:11,680 --> 00:48:20,240 Speaker 1: you're homeless. Huh. So you're homeless? Huh. You can't imagine 751 00:48:20,280 --> 00:48:26,080 Speaker 1: not having a gold guard. You're right, there was a 752 00:48:26,239 --> 00:48:30,800 Speaker 1: very important message that both you and I are poo pooing. 753 00:48:32,320 --> 00:48:35,280 Speaker 1: It was more like an after school special slash Hallmark 754 00:48:36,360 --> 00:48:39,680 Speaker 1: very true, very true. It was like a Christmas Hallmark movie, 755 00:48:39,719 --> 00:48:42,040 Speaker 1: but it was Thanksgiving, you know what, Like everything tied 756 00:48:42,120 --> 00:48:45,600 Speaker 1: back every happy like I don't know, it's been two 757 00:48:45,640 --> 00:48:48,320 Speaker 1: in a row for me. You guys, next week's a 758 00:48:48,400 --> 00:48:54,120 Speaker 1: little feast. Dear. Do we take a break and come 759 00:48:54,160 --> 00:48:57,279 Speaker 1: back and talk about the rest? Okay, let's do that. Yeah, 760 00:48:57,400 --> 00:49:13,640 Speaker 1: fashion and our lines because I have the best line. Okay, 761 00:49:13,760 --> 00:49:17,880 Speaker 1: so what are we thinking about the fashion? In this episode? 762 00:49:18,640 --> 00:49:22,200 Speaker 1: Jack McKay in sweats with a black T shirt. Hello, 763 00:49:23,000 --> 00:49:28,440 Speaker 1: white sweats, White sweats. They were cute. I also wanted, 764 00:49:28,719 --> 00:49:32,440 Speaker 1: uh that big blue sweatshirt that Luke was wearing, the 765 00:49:32,520 --> 00:49:41,280 Speaker 1: Dylan was wearing. I wrote that, just wanted that forever question. Yeah, 766 00:49:41,440 --> 00:49:43,400 Speaker 1: sorry to interrupt you, but I really need to know. 767 00:49:43,520 --> 00:49:47,400 Speaker 1: How did they get you to agree to wear that 768 00:49:47,520 --> 00:49:54,799 Speaker 1: headband for that long? Interesting? Interesting? I think I was 769 00:49:54,840 --> 00:49:56,719 Speaker 1: still at the point where I was scared to say 770 00:49:56,719 --> 00:50:00,360 Speaker 1: anything about things. It wasn't a it was a sweat band. 771 00:50:00,800 --> 00:50:03,239 Speaker 1: It was like it was like when you wear to 772 00:50:03,280 --> 00:50:05,360 Speaker 1: the gym to catch your sweat, one of those like 773 00:50:05,520 --> 00:50:08,960 Speaker 1: Terry cough bands. It wasn't a headband like for your police. 774 00:50:09,000 --> 00:50:10,480 Speaker 1: They still got to have my hair because if they 775 00:50:10,480 --> 00:50:12,080 Speaker 1: had me put my hair back, you know, I would 776 00:50:12,080 --> 00:50:15,680 Speaker 1: have lost my ship. Like I hated ear warm hair. 777 00:50:15,880 --> 00:50:19,880 Speaker 1: I was just dying to know em. All I was 778 00:50:20,280 --> 00:50:24,040 Speaker 1: looking at was like the fact, like, wow, I should 779 00:50:24,040 --> 00:50:27,960 Speaker 1: have appreciated I could wear Spandex stretch or whatever pants, 780 00:50:28,080 --> 00:50:33,160 Speaker 1: white white ones, you're a little tishy. I couldn't stop 781 00:50:33,200 --> 00:50:37,320 Speaker 1: staring at it. I couldn't stop staring at it. Cute 782 00:50:37,320 --> 00:50:43,600 Speaker 1: little peach shop, but um, like, oh that is suspenders. 783 00:50:43,640 --> 00:50:45,799 Speaker 1: Like from what I could tell, I liked how the 784 00:50:45,840 --> 00:50:47,799 Speaker 1: burgundy theme he had, like it was kind of a 785 00:50:47,840 --> 00:50:50,200 Speaker 1: plaid thing, and then the bow tie and the suspense. 786 00:50:50,280 --> 00:50:52,160 Speaker 1: But that was his dinner outfit. But what about his 787 00:50:52,200 --> 00:50:55,080 Speaker 1: outfit for before, which was a pastel plaid shirt had 788 00:50:55,120 --> 00:50:56,959 Speaker 1: nothing to do with the holidays. I was very upset 789 00:50:57,000 --> 00:51:03,280 Speaker 1: about it. Okay, true, true. And then like Jack McKay's trench, 790 00:51:03,520 --> 00:51:05,680 Speaker 1: I thought he was maybe wearing a Burberry trench when 791 00:51:05,680 --> 00:51:11,719 Speaker 1: he left prison. Well he's rich. Wait wasn't there a 792 00:51:11,760 --> 00:51:16,120 Speaker 1: scene when Donna and Brenda are both wearing raincoats or 793 00:51:16,160 --> 00:51:21,640 Speaker 1: maybe it was in the opening? Yeah, that was well, 794 00:51:21,840 --> 00:51:24,279 Speaker 1: it's raining, you have to have a rain with a 795 00:51:24,360 --> 00:51:29,480 Speaker 1: plaid shirt. I had Brandon's plaid shirt at the end 796 00:51:29,520 --> 00:51:32,840 Speaker 1: scene was the big like the big Brandon had a 797 00:51:32,840 --> 00:51:36,879 Speaker 1: plaid shirt on like usual, and another scene he had 798 00:51:36,920 --> 00:51:39,480 Speaker 1: like a five tone plaid shirt on. It was like 799 00:51:39,520 --> 00:51:42,160 Speaker 1: red plaid, blue plaid. And then the end scene it 800 00:51:42,239 --> 00:51:48,360 Speaker 1: had big what's the word? What is it? Yeah? What 801 00:51:48,480 --> 00:51:53,000 Speaker 1: is it called? When they're like embroidered on things things, 802 00:51:53,480 --> 00:51:56,480 Speaker 1: big ones all over it? It was really gross. Sorry, 803 00:51:57,160 --> 00:51:59,160 Speaker 1: so do you have is it the plaid of it all? 804 00:51:59,200 --> 00:52:04,239 Speaker 1: Do you just hate lad? No? I thought you hated plaid, 805 00:52:02,560 --> 00:52:05,959 Speaker 1: I thought, I but you don't like it when there's 806 00:52:06,040 --> 00:52:08,640 Speaker 1: too much plaid in an episode? Well? Yeah, I mean 807 00:52:08,920 --> 00:52:11,360 Speaker 1: you can only really have one person wearing plaid in 808 00:52:11,400 --> 00:52:15,680 Speaker 1: a scene like that should be a rule, right now. 809 00:52:15,840 --> 00:52:18,080 Speaker 1: I like plaid, but it wasn't like this time era 810 00:52:18,200 --> 00:52:22,200 Speaker 1: like like plaid like next season or the season after 811 00:52:22,640 --> 00:52:24,920 Speaker 1: when we start to like change styles. That was in. 812 00:52:25,120 --> 00:52:29,279 Speaker 1: But like, okay, we're gonna say lines. Then I have 813 00:52:29,360 --> 00:52:31,160 Speaker 1: to go back to one other thing. What was your 814 00:52:31,200 --> 00:52:35,080 Speaker 1: favorite line? Amy? You said you have a good one. Oh? Yes, okay. 815 00:52:35,200 --> 00:52:39,080 Speaker 1: So when Steve is in the peach pit before he's 816 00:52:39,120 --> 00:52:42,280 Speaker 1: told his mom and Brandon says, are you drowning your sorrows? 817 00:52:42,280 --> 00:52:49,160 Speaker 1: And lactose and lactose? Yeah, isn't it funny? That was 818 00:52:49,200 --> 00:52:52,760 Speaker 1: an ad lib that do you think, Oh, that's amazing 819 00:52:52,800 --> 00:52:55,799 Speaker 1: if it was, And when he says like I'm a 820 00:52:55,840 --> 00:52:58,120 Speaker 1: growing boy, I feel like I can't say it right, 821 00:52:58,120 --> 00:53:01,399 Speaker 1: but I felt like something he would say like yeah, 822 00:53:01,640 --> 00:53:03,760 Speaker 1: like on set you have do you have a line? 823 00:53:04,840 --> 00:53:08,040 Speaker 1: I liked my homeless line. Sorry, I've runed it for you. 824 00:53:08,040 --> 00:53:14,640 Speaker 1: No do it again? Just for fun? Um, so you're homeless? Huh? 825 00:53:14,840 --> 00:53:18,000 Speaker 1: So good. I had a favorite line, but it wasn't 826 00:53:18,040 --> 00:53:20,320 Speaker 1: from the show. It was from Fiona who was watching 827 00:53:20,320 --> 00:53:23,600 Speaker 1: the show with me. She was watching the episode and 828 00:53:23,640 --> 00:53:27,040 Speaker 1: she she was watching the Thanksgiving thing and she goes, 829 00:53:27,800 --> 00:53:34,160 Speaker 1: why are you so pale? It hurts my eyes? I 830 00:53:34,280 --> 00:53:36,839 Speaker 1: was like, it hurts your eyes, like it's it's that bad? 831 00:53:37,000 --> 00:53:43,360 Speaker 1: Because yeah, I love her even more for some Okay, 832 00:53:43,440 --> 00:53:44,759 Speaker 1: can we can we go back for a second. I 833 00:53:44,760 --> 00:53:46,640 Speaker 1: know we have to wrap up up. You know, at 834 00:53:46,640 --> 00:53:49,040 Speaker 1: the very very end in the school when Dylan comes 835 00:53:49,040 --> 00:53:51,279 Speaker 1: back and it's like, oh my god, Dylan's coming back 836 00:53:51,320 --> 00:53:54,240 Speaker 1: and there's Brenda and there's Kelly and they're walking, they're together, 837 00:53:54,320 --> 00:53:56,520 Speaker 1: they're having they're back to being friends, and he busts 838 00:53:56,600 --> 00:53:59,640 Speaker 1: right up in the middle of them mocks them, like 839 00:53:59,719 --> 00:54:03,000 Speaker 1: with his hands, he mocks there they're talking to each other, 840 00:54:03,040 --> 00:54:07,200 Speaker 1: which is socking, rude. Sorry I said that for it. Uh, 841 00:54:07,200 --> 00:54:09,640 Speaker 1: and then he just oh and they grabs them and 842 00:54:09,680 --> 00:54:12,720 Speaker 1: aggressively kisses both of them and then keeps on walking 843 00:54:14,160 --> 00:54:16,880 Speaker 1: kisses both of them. So I got nervous when I 844 00:54:16,920 --> 00:54:18,440 Speaker 1: saw him kiss you on the mouth. I was like, 845 00:54:18,480 --> 00:54:20,040 Speaker 1: is he gonna turn and kiss her in the mouth? Way? 846 00:54:20,080 --> 00:54:23,160 Speaker 1: What's happening here? But he didn't. He kissed her on 847 00:54:23,200 --> 00:54:27,319 Speaker 1: the side of the head. I don't know. I just 848 00:54:27,560 --> 00:54:30,120 Speaker 1: was like, is this a comedy now? Is this funny 849 00:54:30,160 --> 00:54:32,160 Speaker 1: to you? Are we a joke to you? Dylan? And 850 00:54:32,200 --> 00:54:35,239 Speaker 1: I was like, is it okay to just toy with 851 00:54:35,320 --> 00:54:39,120 Speaker 1: girls emotions? Is that the message that you're like, hey, 852 00:54:39,120 --> 00:54:42,920 Speaker 1: I'm back, Yeah, like deal with it. Like, I don't know, 853 00:54:43,040 --> 00:54:45,799 Speaker 1: It's just I was like, oh, if you had both 854 00:54:45,840 --> 00:54:49,879 Speaker 1: turned around just socked him defensive, that would have made 855 00:54:49,880 --> 00:54:53,719 Speaker 1: me happier. Punched him in the deck, I mean, I 856 00:54:53,840 --> 00:54:59,800 Speaker 1: can't say that, No, punched him in the pep h 857 00:55:00,080 --> 00:55:04,320 Speaker 1: Maybe On that note, we wrapped this episode, I feel 858 00:55:04,320 --> 00:55:07,239 Speaker 1: like we should. You know, we got homework though, we 859 00:55:07,360 --> 00:55:09,919 Speaker 1: got homework. Okay, what's next? Do you think it would 860 00:55:09,960 --> 00:55:13,719 Speaker 1: be better. Let's say a little prayer, you guys, Third 861 00:55:13,719 --> 00:55:15,759 Speaker 1: times the charm. It's going to be better. It has to. 862 00:55:16,320 --> 00:55:18,680 Speaker 1: I don't know now Dylan. Dylan's back with the girls. 863 00:55:18,760 --> 00:55:22,840 Speaker 1: Now there's gonna be drama because Gladdy's back. The title 864 00:55:23,239 --> 00:55:25,160 Speaker 1: is a little I don't think it's gonna be It 865 00:55:25,320 --> 00:55:30,440 Speaker 1: says it's a totally happening life. That's next week's episode, 866 00:55:30,480 --> 00:55:37,759 Speaker 1: episode sixteen of season three, Right, don't you feel scared now? 867 00:55:37,800 --> 00:55:40,839 Speaker 1: It's not gonna be good. Okay, well this doesn't matter. 868 00:55:40,880 --> 00:55:42,759 Speaker 1: We're gonna watch it anyway, and we're gonna break it 869 00:55:42,800 --> 00:55:45,719 Speaker 1: down and we're gonna watch it. It's gonna be great. 870 00:55:46,800 --> 00:55:52,800 Speaker 1: Thanks for the best day ever. I love you guys. Bye.