WEBVTT - Revisiting the Orphan Train: An American Odyssey

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<v Speaker 1>Hi, it's Moe. We're off through the new year, but

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<v Speaker 1>I wanted to share another one of my favorite stories

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<v Speaker 1>with you before we return with our final episode of

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<v Speaker 1>the season. It's about the largely forgotten social experiment known

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<v Speaker 1>as the Orphan Train Movement. From eighteen fifty four to

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<v Speaker 1>nineteen twenty nine, more than a quarter million abandoned or

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<v Speaker 1>orphaned children were placed on trains, taking them from East

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<v Speaker 1>coast cities to the Midwest and beyond to live with

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<v Speaker 1>new families, the largest mass migration of children in American history. Today,

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<v Speaker 1>two million Americans are descendants of these courageous riders. In

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<v Speaker 1>twenty nineteen, we looked back at their often heartbreaking journeys

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<v Speaker 1>and tracked down the last known survivor. It's a story

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<v Speaker 1>that moves me as much now as it did when

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<v Speaker 1>we first told it. As always, thank you for listening.

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<v Speaker 2>Hi.

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<v Speaker 3>My name is Addie Skilman, and this is Loving Versus Virginia,

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<v Speaker 3>the stepping stone for equality in America.

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<v Speaker 1>Every year, at the National History Day Contest, middle and

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<v Speaker 1>high school kids from across the country gather to compete,

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<v Speaker 1>presenting on a range of historical topics, therefore turning the

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<v Speaker 1>times reward to Victory.

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<v Speaker 3>Rysler appeal taking a stand against prohibition.

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<v Speaker 1>Root sixty sis road possibilities.

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<v Speaker 4>What chaplin, Missouri?

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<v Speaker 5>Alcoholis?

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<v Speaker 6>Let's all so great to get your kids all Rude

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<v Speaker 6>sixty six.

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<v Speaker 1>But the topic that grabbed my attention was one presented

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<v Speaker 1>by a fifteen year old from Minnesota, Claire Isaacson.

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<v Speaker 3>Orphan Train, the compromise that the children on the right trucks.

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<v Speaker 1>I'd never heard of the Orphan Train, but from her

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<v Speaker 1>first line, Claire had me hooked.

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<v Speaker 3>Your parents are not your parents, Your past is not

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<v Speaker 3>your past. Your life begins when you are chosen.

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<v Speaker 1>Your life begins when you were chosen, an apt way

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<v Speaker 1>to describe the Orphan Train, a mostly forgotten nineteenth century

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<v Speaker 1>movement that rescued abandoned children from the crowded streets of

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<v Speaker 1>East Coast cities and delivered them by train to new

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<v Speaker 1>families across the country. In her presentation, Claire channeled real

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<v Speaker 1>life Orphan Train rider Victoria Moe, a child of Irish immigrants,

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<v Speaker 1>as she made the trip west.

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<v Speaker 3>We cruss our fingers and prayed that we get a

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<v Speaker 3>loving home. Many older children are scared and tried to run.

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<v Speaker 3>Our pasts were left behind on that train station. We

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<v Speaker 3>were going to have a totally different life and our

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<v Speaker 3>new homes.

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<v Speaker 1>I spoke to Claire after her performance, and I'm a

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<v Speaker 1>little embarrassed that I'd never even heard of this before.

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<v Speaker 7>Yeah, I know, it's crazy, and that's why I'm thankful

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<v Speaker 7>that I did the topics so I can hopefully make

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<v Speaker 7>more people know about it, because it's really a secret

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<v Speaker 7>and kind of hidden.

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<v Speaker 1>How big was this movement?

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<v Speaker 8>Well, a quarter million children removed west from eighteen fifty

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<v Speaker 8>four to nineteen twenty nine.

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<v Speaker 1>A quarter million people. That's like the population of Cleveland.

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<v Speaker 1>That's a lot of people. As I dug into our

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<v Speaker 1>archives at CBS News, more voices began to surface, voices

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<v Speaker 1>of orphan trained riders from years past, all of them

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<v Speaker 1>children who had been lifted from dire situations and scattered

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<v Speaker 1>across the country for hope of a better life.

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<v Speaker 5>They sent me out west to Colorado Springs. I went

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<v Speaker 5>to Wayne County, Michigan.

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<v Speaker 4>I had never heard of anything like Kansas.

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<v Speaker 1>In this episode, we'll tell you the story of the

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<v Speaker 1>largest mass migration of children in American history, and I'll

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<v Speaker 1>travel to Texas to talk to the last known surviving

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<v Speaker 1>orphan train rider. They took you when you were such

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<v Speaker 1>a little baby of us.

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<v Speaker 6>The Smallest, Small, Smallest one London Home train.

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<v Speaker 1>From CBS Sunday Morning, and Simon and Schuster. I'm Morocca

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<v Speaker 1>and this is mobituaries, This mobid the Orphan Train. May

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<v Speaker 1>thirty first, nineteen twenty nine, death of an American experiment

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<v Speaker 1>extra extra. Read all about it the Boston molasses disaster

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<v Speaker 1>of nineteen nineteen. It's a slow reader. If you happen

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<v Speaker 1>to be outside Penn Station in New York City last June,

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<v Speaker 1>you might have seen a familiar face. What else h

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<v Speaker 1>extract star. I read all about it Warren Harding dead.

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<v Speaker 1>It was the one hundredth anniversary of the New York

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<v Speaker 1>Daily News, and I had joined their street team for

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<v Speaker 1>the day to pass out papers. Look, I love any

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<v Speaker 1>opportunity to shout random historical facts at strangers were extract

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<v Speaker 1>I read all about it, the Sultan, the Swat credit

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<v Speaker 1>to the Yankees, call the bay Rute News you want.

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<v Speaker 1>I love the baby Ruth thing, but I also wanted

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<v Speaker 1>to get a feel for what it was like to

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<v Speaker 1>be a newsye on the streets of New York. You know, newsies,

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<v Speaker 1>they're the plucky dancing paper boys from that disney musically loved.

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<v Speaker 1>But it turns out it wasn't all song and dance.

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<v Speaker 1>Newsies worked long hours on poor wages. Most of them

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<v Speaker 1>were abandoned children, and in the mid eighteen hundred It's

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<v Speaker 1>New York City had a crisis of abandoned children. Enter

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<v Speaker 1>Charles Loring Brace.

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<v Speaker 9>Charles Loring Brace, from a young age to his dying day,

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<v Speaker 9>really tried to be the best he could be for others.

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<v Speaker 1>Say, George is the head curator of the National Orphan

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<v Speaker 1>Train Complex in Concordia, Kansas. And to tell the story

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<v Speaker 1>of the Orphan Train, you have to tell the story

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<v Speaker 1>of Charles Laring Brace, who was born in eighteen twenty

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<v Speaker 1>six into a well to do family in Lichfield's, Connecticut.

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<v Speaker 1>What was he raised to do?

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<v Speaker 5>Yeah?

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<v Speaker 9>Well, his father, who was a teacher, thought that Charles

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<v Speaker 9>would follow in his footsteps, and he thought, okay, Charles

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<v Speaker 9>is going to be a teacher. And then Charles decides

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<v Speaker 9>to be a pastor. But then he realizes that you

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<v Speaker 9>don't have to be a pastor that stands behind a pulpit.

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<v Speaker 1>The patrician Charles was going to become a missionary, an

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<v Speaker 1>idea that greatly concerned his father, because being a pastor,

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<v Speaker 1>you know, it's kind of nice you get invited over

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<v Speaker 1>to dinner, you've got a nice place where you live.

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<v Speaker 1>But I mean, when you're a missionary, it's you're kind

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<v Speaker 1>of rolling up your sleeves and getting out there.

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<v Speaker 9>He truly jumped into the depths that were being ignored.

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<v Speaker 1>In the eighteen fifties, mass immigration from Europe, mostly Irish

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<v Speaker 1>and German Catholics, overwhelmed New York City. Poor sanitation and

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<v Speaker 1>wild pigs roaming the streets spread diseases like cholera and tuberculosis.

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<v Speaker 1>Non Existent labor laws meant unsustainable wages and unsafe working conditions.

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<v Speaker 1>And while the wretched state of affairs touched people of

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<v Speaker 1>all ages, children felt the effects hardest.

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<v Speaker 10>There was in fantaside happening in New York, where these

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<v Speaker 10>kids were actually literally dying in the streets, in the gutters.

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<v Speaker 10>These babies were tossed out of homes.

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<v Speaker 1>Renee Wendinger has written several books about the orphan train movement.

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<v Speaker 1>She has a personal connection to the subject. Her mother's

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<v Speaker 1>Sophia was a rider. Have you ever wondered what would

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<v Speaker 1>have happened to your mother. Had she stayed in New York.

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<v Speaker 11>I don't think in that timeframe she would have survived.

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<v Speaker 1>Charles Loring Brace was determined to help remember the newsiaes.

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<v Speaker 1>He created lodging houses for them, but there were far

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<v Speaker 1>more children in need than there were jobs for newsboys.

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<v Speaker 1>Give me a sense of the scale of the problem.

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<v Speaker 9>At one point they say ten thousand kids are on

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<v Speaker 9>the street. At another turn, it's thirty.

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<v Speaker 1>Thousand, thirty thousand homeless children at a time when New

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<v Speaker 1>York had fewer than six hundred thousand people total. Charles

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<v Speaker 1>Loring Brace saw all this firsthand.

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<v Speaker 9>Is eighteen fifty three. In the February of that year.

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<v Speaker 9>He starts going out into the streets and quickly realizes

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<v Speaker 9>that we're spending more money imprisoning children because you could

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<v Speaker 9>be arrested for being a vagrant child, and he wants

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<v Speaker 9>to help.

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<v Speaker 5>Now.

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<v Speaker 1>Orphanages existed back then, but they were overcrowded, and so

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<v Speaker 1>called poorhouses put children and adults together, a dangerous situation

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<v Speaker 1>for kids. So maybe it was best to get them

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<v Speaker 1>out of New York altogether.

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<v Speaker 9>He really believed in the idea of getting kids out

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<v Speaker 9>of the city and out of.

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<v Speaker 1>Vice, vice seems like the perfect word what he sees

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<v Speaker 1>going on in the cities of these kids. He just

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<v Speaker 1>sees it as kind of a cauldron of sinfulness, basically.

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<v Speaker 9>But he really doesn't see a way for children to

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<v Speaker 9>grow up and not be touched by it, not be

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<v Speaker 9>drawn into it, to live in an orphanage and then

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<v Speaker 9>be let out at eighteen and not fall into a prison.

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<v Speaker 1>So Brace comes up with a plan to move children

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<v Speaker 1>en mass to a place where they'll stand a better chance.

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<v Speaker 1>Put simply, Charles Loving Brace says, we're going to put

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<v Speaker 1>some kids on a train.

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<v Speaker 5>Yeah.

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<v Speaker 1>In eighteen fifty three, Brace founds the Children's Aid Society

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<v Speaker 1>to help carry out his grand play. First, he needs

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<v Speaker 1>to find people willing to take in abandoned children.

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<v Speaker 9>He basically selects a community where he knows someone. They're

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<v Speaker 9>going to go through that church and require that people

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<v Speaker 9>who apply for them bring two references from their pastor

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<v Speaker 9>and from their courthouse, and they're going to place them

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<v Speaker 9>out under the guardianship of the Children's Aid Society.

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<v Speaker 1>Why is he confident that they're even going to be

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<v Speaker 1>placed I.

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<v Speaker 9>Think he truly believed that people weren't going to come

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<v Speaker 9>to New York and take kids out of orphanages. But

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<v Speaker 9>if he brought them to them, put them in their face,

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<v Speaker 9>there was no way they could say no. And so

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<v Speaker 9>he took a chance.

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<v Speaker 1>Brace makes a deal with a pastor he knows in

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<v Speaker 1>the small town of Dowagiac, Michigan, and the Children's Aid

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<v Speaker 1>Society begins to gather the forty five children who will

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<v Speaker 1>be the passengers on the first orphan train.

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<v Speaker 9>The majority come from the New York Juvenile Asylum, and

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<v Speaker 9>technically that first train we now know by historical records,

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<v Speaker 9>is paid for in half by children they had studied

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<v Speaker 9>your jubil asylum.

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<v Speaker 1>Were any of the kids coerced, pressured or is this

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<v Speaker 1>something that they all wanted?

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<v Speaker 9>It's seemingly like they wanted it, But of course what's

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<v Speaker 9>the alternative.

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<v Speaker 6>Now?

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<v Speaker 1>Orphan train is a slight misnomer. It takes multiple trains

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<v Speaker 1>and boats to get from New York City to Michigan.

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<v Speaker 1>For many of these children, it's their first time ever

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<v Speaker 1>leaving New York City.

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<v Speaker 9>How scary that must have been on the choppy water

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<v Speaker 9>and the cliffs and how many trees there are.

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<v Speaker 1>For these kids, it must have been like going to

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<v Speaker 1>another planet. Oh, absolutely, a memory of This kind of

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<v Speaker 1>crossing even made it into Claire's Orphan Train performance.

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<v Speaker 2>I remember crossing the Hudson River. Oh the wonder that

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<v Speaker 2>filled our eyes. Oh we had ever seen sorrow and pain?

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<v Speaker 2>What's the world is supposed for us?

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<v Speaker 1>The children arrive into Watchiack in late September eighteen fifty four,

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<v Speaker 1>and no one, not the children, not their caretaker, not

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<v Speaker 1>the townspeople, really knows what to expect. So they get

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<v Speaker 1>off the train into Watchiack, and then what happens.

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<v Speaker 9>The kids are so excited. They're finally in Michigan, their

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<v Speaker 9>final destination, and they take off.

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<v Speaker 1>That's right, they run in all directions. Look, they're kids,

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<v Speaker 1>they've been cooped up on a train for days. Their

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<v Speaker 1>caretaker can't keep up. He just goes to wait for

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<v Speaker 1>them at the hotel.

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<v Speaker 9>Finally the kids start rolling in and they have stolen

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<v Speaker 9>everything green apples and pumpkins and acorns, and have shoved

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<v Speaker 9>grass and leaves up their shirts, up their shirt sleeves,

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<v Speaker 9>in their hats, down their pants, in their pockets because

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<v Speaker 9>they're so excited. They've never seen everything where it grows.

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<v Speaker 1>And I'm curious, do they know that you're not supposed

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<v Speaker 1>to steal. Possibly not, And I'm just I'm trying to

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<v Speaker 1>imagine what the people in the town are thinking.

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<v Speaker 9>I bet they're alarmed.

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<v Speaker 1>They probably are alarmed. The people of Dowagiac, after all,

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<v Speaker 1>are scheduled to meet the orphan train riders that day

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<v Speaker 1>at church. You can imagine that already they're regretting welcoming

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<v Speaker 1>the orphans to town. But when they get to church,

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<v Speaker 1>they're greeted with a surprise.

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<v Speaker 9>The first thing that they really hear from the kids

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<v Speaker 9>are Sunday hymns, and they are singing comy centers, poor

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<v Speaker 9>and needy.

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<v Speaker 1>The kids went over the town.

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<v Speaker 9>They're placed within a week.

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<v Speaker 1>All of them, so this first ride had to be

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<v Speaker 1>considered a success.

0:13:50.200 --> 0:13:50.880
<v Speaker 9>Absolutely.

0:13:51.559 --> 0:13:55.320
<v Speaker 1>Two months later, a second train leaves New York and

0:13:55.360 --> 0:14:01.600
<v Speaker 1>the orphan train movement begins in earnest and now a

0:14:01.679 --> 0:14:07.480
<v Speaker 1>pop quiz because I love pop quizzz. It's easy to overlook,

0:14:07.760 --> 0:14:11.839
<v Speaker 1>but so much of America's history, innovation, arts, and entertainment

0:14:12.080 --> 0:14:16.079
<v Speaker 1>politics has been driven by individuals who grew up adopted

0:14:16.320 --> 0:14:19.080
<v Speaker 1>or in foster families. I'm going to give you some

0:14:19.240 --> 0:14:23.320
<v Speaker 1>clues and you have to guess which famous orphan I'm describing.

0:14:24.000 --> 0:14:27.280
<v Speaker 1>If you get two out of three, you win. There

0:14:27.320 --> 0:14:31.880
<v Speaker 1>are no prizes. Our first clue. Before this, former president,

0:14:32.040 --> 0:14:35.600
<v Speaker 1>Stanford graduate and self made millionaire was roasted in the

0:14:35.640 --> 0:14:39.520
<v Speaker 1>Broadway musical Annie for his role presiding over the Great Depression.

0:14:39.920 --> 0:14:43.600
<v Speaker 1>He was raised by distant relatives in Oregon after losing

0:14:43.640 --> 0:14:56.080
<v Speaker 1>both of his parents to pneumonia. It's Herbert Hoover fun fact.

0:14:56.240 --> 0:15:01.400
<v Speaker 1>One of his nicknames was the Hermit, author of Palo Alto. Next,

0:15:01.600 --> 0:15:05.480
<v Speaker 1>this fast food mogul, whose grandma's advice not to cut

0:15:05.520 --> 0:15:09.800
<v Speaker 1>corners inspired his decision to make his iconic burgers square

0:15:09.920 --> 0:15:13.400
<v Speaker 1>instead of round, was adopted as a baby and used

0:15:13.400 --> 0:15:17.160
<v Speaker 1>his wealth and influence to help others with childhoods like his,

0:15:17.760 --> 0:15:22.080
<v Speaker 1>creating a foundation that still supports foster children around the country.

0:15:24.200 --> 0:15:28.400
<v Speaker 1>I'm Dave Thomas. I started Wendy's with one restaurant. It's

0:15:28.560 --> 0:15:32.600
<v Speaker 1>Dave Thomas. Fun fact. Before he created Wendy's, he was

0:15:32.640 --> 0:15:36.000
<v Speaker 1>the mastermind behind the fried Chicken bucket that put KFC

0:15:36.120 --> 0:15:41.160
<v Speaker 1>on the map. Finally, this adopted child would become famous

0:15:41.200 --> 0:15:44.000
<v Speaker 1>at the ripe old age of ten, playing the lead

0:15:44.080 --> 0:15:46.720
<v Speaker 1>role in a series about a family living on the

0:15:46.760 --> 0:15:52.840
<v Speaker 1>prairie in Minnesota. In the eighteen seventies, I decided something.

0:15:53.520 --> 0:15:56.720
<v Speaker 5>What's that happening home is the nicest word there is.

0:15:57.240 --> 0:16:01.160
<v Speaker 1>It's Melissa Gilbert. Her show Lit on the Prairie would

0:16:01.200 --> 0:16:05.480
<v Speaker 1>have storylines revolving around orphans throughout its run, including one

0:16:05.520 --> 0:16:08.480
<v Speaker 1>played by friend of the podcast, Chason Bateman.

0:16:09.520 --> 0:16:11.840
<v Speaker 2>And we hope you meant what you said about how

0:16:11.920 --> 0:16:15.720
<v Speaker 2>you want us to stay, because that's what we want.

0:16:15.520 --> 0:16:20.280
<v Speaker 1>To Speaking of little houses and prairies, let's get back

0:16:20.320 --> 0:16:25.640
<v Speaker 1>on that orphan train. As the Children's Aid Society grew,

0:16:25.840 --> 0:16:29.480
<v Speaker 1>it sent hundreds, then thousands of children all across the country.

0:16:30.080 --> 0:16:33.000
<v Speaker 1>Now almost none of the riders are alive today. But

0:16:33.160 --> 0:16:36.880
<v Speaker 1>back in nineteen seventy nine, my CBS Sunday Morning colleague

0:16:37.000 --> 0:16:41.560
<v Speaker 1>the Great Martha Teichner interviewed sisters Anna and Margaret Fuchs.

0:16:42.160 --> 0:16:45.560
<v Speaker 1>They and their third sister, Helen, rode the orphan train

0:16:45.760 --> 0:16:49.440
<v Speaker 1>when they were just ten, nine and seven years old.

0:16:49.640 --> 0:16:53.320
<v Speaker 1>They were orphaned after losing both their parents to tuberculosis.

0:16:54.120 --> 0:16:56.880
<v Speaker 1>Margaret remembered seeing their mother's burial.

0:16:57.360 --> 0:17:00.120
<v Speaker 12>The thing that really got to me was seen in

0:17:00.200 --> 0:17:03.880
<v Speaker 12>that coffin being lowered, and I can remember trying to

0:17:03.960 --> 0:17:07.360
<v Speaker 12>jump into that grade because that was my mother down there.

0:17:07.520 --> 0:17:09.840
<v Speaker 1>When the children were put on a train in nineteen

0:17:09.880 --> 0:17:12.639
<v Speaker 1>twenty four, they didn't even know where they were headed.

0:17:12.800 --> 0:17:15.720
<v Speaker 1>As Anna remembered, I had.

0:17:15.680 --> 0:17:20.119
<v Speaker 4>Very strong ideas that I was going to California. I

0:17:20.160 --> 0:17:23.400
<v Speaker 4>didn't know there was any other stake besides New York

0:17:23.440 --> 0:17:25.720
<v Speaker 4>and California, as far as I was concerned.

0:17:26.000 --> 0:17:30.720
<v Speaker 1>Margaret described their arrival in the tiny town of McPherson, Kansas.

0:17:30.840 --> 0:17:33.960
<v Speaker 12>First thing I did was to look around. How come

0:17:33.960 --> 0:17:35.720
<v Speaker 12>they're letting us out in the middle of nowhere. I

0:17:35.720 --> 0:17:38.520
<v Speaker 12>couldn't see any buildings. I was looking for skyscrapers.

0:17:38.880 --> 0:17:42.560
<v Speaker 1>Whenever orphans sent by the Society arrived at their destination,

0:17:42.840 --> 0:17:45.639
<v Speaker 1>they were lined up on a train platform or on

0:17:45.720 --> 0:17:48.440
<v Speaker 1>the stage of a theater so that families could walk

0:17:48.480 --> 0:17:51.680
<v Speaker 1>down the line and pick out their preferred kid. As

0:17:51.720 --> 0:17:56.199
<v Speaker 1>author Renee Wendinger explains, this process actually gave rise to

0:17:56.240 --> 0:17:57.720
<v Speaker 1>a familiar turn of phrase.

0:17:57.960 --> 0:17:59.960
<v Speaker 10>Some of the children would have stood on a little

0:18:00.080 --> 0:18:03.560
<v Speaker 10>box called the soap box, and that's how the term

0:18:03.640 --> 0:18:07.120
<v Speaker 10>put up for adoption became known as we know it today.

0:18:07.480 --> 0:18:12.000
<v Speaker 1>If it sounds impersonal, well that's an understatement. Here's how

0:18:12.040 --> 0:18:15.840
<v Speaker 1>fifteen year old Claire Isaacson described it in her National

0:18:15.960 --> 0:18:17.320
<v Speaker 1>History Day performance.

0:18:17.760 --> 0:18:22.159
<v Speaker 2>Ladies were usually chosen first, then the tougher, stronger looking voice.

0:18:22.960 --> 0:18:26.480
<v Speaker 3>US girls were usually chosen vast. We watched people come

0:18:26.920 --> 0:18:30.520
<v Speaker 3>and go and inspect of the children. We saw them

0:18:30.560 --> 0:18:33.600
<v Speaker 3>looking at their teeth and even having some boys to

0:18:33.720 --> 0:18:34.280
<v Speaker 3>push us.

0:18:35.200 --> 0:18:38.560
<v Speaker 1>Martha Teichner asked Anna Fuchs about her experience.

0:18:38.760 --> 0:18:42.040
<v Speaker 13>Did you ever feel any outrage or any any anger

0:18:42.080 --> 0:18:43.800
<v Speaker 13>at the fact that you were being kind of lined

0:18:43.880 --> 0:18:46.840
<v Speaker 13>up there and say, okay, I got a kid.

0:18:47.760 --> 0:18:51.240
<v Speaker 4>No, I don't think so. I think it's a matter

0:18:51.520 --> 0:18:55.320
<v Speaker 4>of you sort of blame yourself for having lost your folks.

0:18:55.480 --> 0:18:58.720
<v Speaker 1>The sisters were all selected, but by different families.

0:18:59.119 --> 0:19:02.480
<v Speaker 13>How big thought was that when you were standing there

0:19:02.640 --> 0:19:05.760
<v Speaker 13>the day that you were both selected by families, seeing

0:19:05.800 --> 0:19:09.280
<v Speaker 13>each other and seeing goodbyes and wondering what's going to happen?

0:19:10.880 --> 0:19:12.439
<v Speaker 12>I think it was sort of the case that there

0:19:12.480 --> 0:19:16.480
<v Speaker 12>was so much confusion and all that we didn't really

0:19:16.520 --> 0:19:19.000
<v Speaker 12>have that much chance to think about it, did we.

0:19:19.359 --> 0:19:23.400
<v Speaker 4>I don't think the thought entered my mind at all

0:19:23.600 --> 0:19:28.639
<v Speaker 4>until I got there and sat on that step ladder

0:19:28.640 --> 0:19:32.119
<v Speaker 4>in the kitchen, and then it finally hit me. You

0:19:32.240 --> 0:19:34.720
<v Speaker 4>are alone that was when you started, and that's when

0:19:34.760 --> 0:19:35.639
<v Speaker 4>I start in.

0:19:38.200 --> 0:19:42.360
<v Speaker 1>Sibling separation was an added trauma thousands of orphan writers

0:19:42.480 --> 0:19:43.800
<v Speaker 1>suffered over the years.

0:19:44.000 --> 0:19:48.520
<v Speaker 12>Were you scared, Yes, I think we just wanted to

0:19:48.520 --> 0:19:50.120
<v Speaker 12>be sure that we were going to be close enough

0:19:50.160 --> 0:19:54.120
<v Speaker 12>together so that we get to wouldn't lose each other.

0:19:55.080 --> 0:19:56.280
<v Speaker 13>Why was that so important?

0:19:56.320 --> 0:20:00.600
<v Speaker 12>What was it's We were family and that was all

0:20:00.600 --> 0:20:01.639
<v Speaker 12>the family there was.

0:20:03.720 --> 0:20:06.600
<v Speaker 1>Even though Anna and Margaret were both taken in by

0:20:06.640 --> 0:20:10.680
<v Speaker 1>families in the same town, their lives took very different turns.

0:20:11.240 --> 0:20:15.080
<v Speaker 1>Anna became extremely close to her new mother, Jenny Bankston.

0:20:15.560 --> 0:20:19.000
<v Speaker 4>She was a person I could trust when I first

0:20:19.119 --> 0:20:21.440
<v Speaker 4>came here. When I came out here, that was one

0:20:21.480 --> 0:20:26.119
<v Speaker 4>thing I did not trust anyone. I had lost faith

0:20:26.160 --> 0:20:30.679
<v Speaker 4>in people. I really feel like I've had two mothers.

0:20:30.960 --> 0:20:34.520
<v Speaker 1>Margaret, meanwhile, was taken in by the Runian family, who

0:20:34.600 --> 0:20:38.200
<v Speaker 1>ran a local boarding house. They enlisted Margaret to help

0:20:38.240 --> 0:20:41.760
<v Speaker 1>with cleaning and cooking for guests. It was a pretty cold,

0:20:41.880 --> 0:20:43.359
<v Speaker 1>business like relationship.

0:20:43.680 --> 0:20:45.199
<v Speaker 12>I always had the feeling that I was there in

0:20:45.240 --> 0:20:45.960
<v Speaker 12>place of a maid.

0:20:46.880 --> 0:20:50.240
<v Speaker 1>Now these weren't formal adoptions, at least not at first,

0:20:50.600 --> 0:20:54.560
<v Speaker 1>but the family's writers ended up with were bound by contract.

0:20:55.160 --> 0:20:57.720
<v Speaker 1>Parents had to make sure the children went to school

0:20:57.800 --> 0:21:01.639
<v Speaker 1>and church. They were expectationsations for the kids as well.

0:21:02.080 --> 0:21:04.320
<v Speaker 9>Yes, the child had to you know, be a child

0:21:04.680 --> 0:21:07.680
<v Speaker 9>and listen to those parents and help out around the house,

0:21:07.720 --> 0:21:10.760
<v Speaker 9>and a household at that moment operated like a little business,

0:21:10.960 --> 0:21:13.120
<v Speaker 9>whether you were the birth child, or the adopted child,

0:21:13.240 --> 0:21:14.119
<v Speaker 9>or the foster child.

0:21:14.640 --> 0:21:16.399
<v Speaker 1>Basically, what you're saying is being a kid in the

0:21:16.440 --> 0:21:21.479
<v Speaker 1>nineteenth century wasn't very fun. No, no, absolutely not. But

0:21:21.560 --> 0:21:25.240
<v Speaker 1>that didn't make it any easier for orphaned children hoping

0:21:25.280 --> 0:21:28.879
<v Speaker 1>to find a family. Arriving to one like Margaret's was hard.

0:21:29.320 --> 0:21:31.520
<v Speaker 12>I honestly don't remember whether I call them mom and

0:21:31.600 --> 0:21:33.359
<v Speaker 12>dad or whether I call them mister ms Venion.

0:21:33.600 --> 0:21:36.040
<v Speaker 5>What does that tell you about your experience.

0:21:36.160 --> 0:21:42.080
<v Speaker 12>Well, just that there wasn't that kind of love there, well,

0:21:42.359 --> 0:21:43.440
<v Speaker 12>affection of any kind.

0:21:43.760 --> 0:21:45.480
<v Speaker 13>Does it hurt you that you never had that?

0:21:45.600 --> 0:21:45.960
<v Speaker 5>Does it?

0:21:46.560 --> 0:21:46.720
<v Speaker 4>Oh?

0:21:46.800 --> 0:21:52.800
<v Speaker 12>Yes, yes, particularly when I knew the kind of a

0:21:52.960 --> 0:21:55.720
<v Speaker 12>home that Anna was in, where she was getting that

0:21:55.880 --> 0:21:58.160
<v Speaker 12>kind of affection and all.

0:21:59.640 --> 0:22:03.960
<v Speaker 1>Mart situation wasn't rare, but spurred by the Children's Aid

0:22:04.080 --> 0:22:08.800
<v Speaker 1>Society's success, other organizations began to follow suit, and in

0:22:08.880 --> 0:22:17.600
<v Speaker 1>eighteen sixty nine, the second largest orphan train institution began earlier.

0:22:17.640 --> 0:22:20.960
<v Speaker 1>I quizzed you on some of America's most prominent real

0:22:21.000 --> 0:22:24.240
<v Speaker 1>life orphans, but they're not nearly as famous as some

0:22:24.440 --> 0:22:28.600
<v Speaker 1>fictional orphans. Remember that Herbert Hoover song from about ten

0:22:28.640 --> 0:22:32.320
<v Speaker 1>minutes ago, Well, it's from a musical centered around an orphan.

0:22:32.640 --> 0:22:34.639
<v Speaker 4>Why any kid would want to be an orphan is

0:22:34.680 --> 0:22:35.159
<v Speaker 4>beyond me.

0:22:36.320 --> 0:22:45.880
<v Speaker 1>Not little orphan Annie was a star, first of comic strips,

0:22:46.040 --> 0:22:49.520
<v Speaker 1>then of the Broadway stage. In my opinion, the nineteen

0:22:49.560 --> 0:22:52.840
<v Speaker 1>eighty two movie is only worth mentioning for Carol Burnett's

0:22:52.840 --> 0:22:53.480
<v Speaker 1>Miss Hannigan.

0:22:53.680 --> 0:22:57.119
<v Speaker 9>And if this floor don't shine, I could turn with

0:22:57.160 --> 0:23:01.199
<v Speaker 9>the pressure building or becks.

0:23:01.920 --> 0:23:05.000
<v Speaker 4>Unders stamp yes Miss Again.

0:23:05.960 --> 0:23:09.159
<v Speaker 1>On television, the nineteen eighties, as It Happens, were a

0:23:09.240 --> 0:23:13.399
<v Speaker 1>boom time for orphan centered sitcoms, starting with Arnold and

0:23:13.440 --> 0:23:15.640
<v Speaker 1>Willis on Different Strokes.

0:23:15.320 --> 0:23:16.840
<v Speaker 5>Don't get too used at his place?

0:23:17.160 --> 0:23:18.280
<v Speaker 4>Who'ld you talk about? Willis?

0:23:19.400 --> 0:23:21.080
<v Speaker 1>And there was Punky Brewster.

0:23:21.400 --> 0:23:22.800
<v Speaker 5>What doesn't anyone want me?

0:23:23.440 --> 0:23:27.320
<v Speaker 1>What's wrong with me? Nothing's wrong with you?

0:23:27.320 --> 0:23:28.119
<v Speaker 6>You don't want me?

0:23:28.280 --> 0:23:30.240
<v Speaker 9>Neither did my mom, That's.

0:23:30.040 --> 0:23:30.760
<v Speaker 4>Why she did?

0:23:30.880 --> 0:23:30.960
<v Speaker 8>She?

0:23:31.680 --> 0:23:33.760
<v Speaker 1>And who could forget Webster.

0:23:34.640 --> 0:23:36.640
<v Speaker 5>I'm r getting used to you guys.

0:23:38.680 --> 0:23:42.240
<v Speaker 13>And you know what, chance, we're getting kind of used

0:23:42.240 --> 0:23:43.040
<v Speaker 13>to you too.

0:23:44.119 --> 0:23:47.400
<v Speaker 1>It's surprising, given our love of a good orphan story,

0:23:47.560 --> 0:23:52.359
<v Speaker 1>that the Orphan Train has been so overlooked. By the

0:23:52.400 --> 0:23:55.600
<v Speaker 1>time the Civil War ended in eighteen sixty five, the

0:23:55.680 --> 0:23:59.800
<v Speaker 1>Children's Aid Society had placed twelve hundred children with families

0:23:59.800 --> 0:24:05.240
<v Speaker 1>in America's heartland, but Charles Loring Brace's organization placed children

0:24:05.320 --> 0:24:09.240
<v Speaker 1>primarily in Protestant homes, regardless of the fact that many

0:24:09.280 --> 0:24:13.160
<v Speaker 1>of those babies were born to Catholic immigrant mothers. Enter

0:24:13.480 --> 0:24:17.960
<v Speaker 1>the New York Foundling Hospital once again, Shaley George from

0:24:17.960 --> 0:24:19.919
<v Speaker 1>the National Orphan Train Complex.

0:24:20.680 --> 0:24:23.320
<v Speaker 9>The New York Founding Hospital starts in eighteen sixty nine

0:24:23.520 --> 0:24:27.119
<v Speaker 9>with two sisters, Sister Theresa and Sister Anne, and then

0:24:27.400 --> 0:24:32.399
<v Speaker 9>they're head of their foundling sister Mary Irene Fitzgibbons. And

0:24:32.480 --> 0:24:34.680
<v Speaker 9>so they start the New York Founding Hospital as tiny

0:24:34.760 --> 0:24:38.639
<v Speaker 9>little Brownstone and within the night a baby's left on

0:24:38.680 --> 0:24:39.280
<v Speaker 9>their doorstep.

0:24:39.600 --> 0:24:43.800
<v Speaker 1>The demand for their services caught them totally off guard, and.

0:24:43.880 --> 0:24:46.320
<v Speaker 9>By the end of the month they have forty five infants.

0:24:46.359 --> 0:24:48.000
<v Speaker 9>By the end of the year, they have over one hundred,

0:24:48.800 --> 0:24:53.520
<v Speaker 9>and so their mission turned to placing Catholic babies in

0:24:53.560 --> 0:24:54.360
<v Speaker 9>Catholic homes.

0:24:54.920 --> 0:24:57.080
<v Speaker 1>Not all of those babies were Catholic when they were

0:24:57.119 --> 0:24:59.719
<v Speaker 1>left at the door of the Foundling Hospital, but as

0:24:59.760 --> 0:25:02.640
<v Speaker 1>one Orphan trained riders set about the Foundling, you.

0:25:02.640 --> 0:25:04.160
<v Speaker 9>Might go in one way, but you'll leave a.

0:25:04.080 --> 0:25:07.360
<v Speaker 1>Catholic Following in the tracks of the Children's Aid Society,

0:25:07.600 --> 0:25:11.639
<v Speaker 1>the Foundling started placing children on trains headed west, but

0:25:11.760 --> 0:25:16.440
<v Speaker 1>these children were much younger, mostly infants, and specifically chosen

0:25:16.480 --> 0:25:18.680
<v Speaker 1>to resemble the families they were joining.

0:25:18.960 --> 0:25:23.280
<v Speaker 9>They believe that placing out younger children who matched the

0:25:23.320 --> 0:25:26.560
<v Speaker 9>family by eye color, hair color, age, and gender would

0:25:26.640 --> 0:25:30.119
<v Speaker 9>cut back on the stigma from the surrounding community because

0:25:30.160 --> 0:25:32.119
<v Speaker 9>they looked like the family that they were placed in.

0:25:32.320 --> 0:25:34.560
<v Speaker 1>So it's sort of the reverse of Children's Aid Society,

0:25:34.600 --> 0:25:38.760
<v Speaker 1>where the Children's Aid Society sends kids out and then

0:25:39.280 --> 0:25:44.320
<v Speaker 1>prospective parents choose the kids. Then here it's more of

0:25:45.000 --> 0:25:48.399
<v Speaker 1>a mail order system, right. Basically, that's what happened to

0:25:48.520 --> 0:25:52.280
<v Speaker 1>Anne Harrison, who was featured on CBS Sunday Morning back

0:25:52.320 --> 0:25:54.879
<v Speaker 1>in two thousand and two when she was a spry

0:25:55.200 --> 0:25:55.760
<v Speaker 1>ninety three.

0:25:56.200 --> 0:25:59.040
<v Speaker 14>They had asked for a two and a half year

0:25:59.119 --> 0:26:03.840
<v Speaker 14>old girl with brown hair and brown eyes. Well they

0:26:03.880 --> 0:26:07.240
<v Speaker 14>got a two and a half year old girl that

0:26:07.640 --> 0:26:13.760
<v Speaker 14>had auburn hair and hazel eyes, but that was close enough.

0:26:14.320 --> 0:26:17.160
<v Speaker 1>Because she was so young when she arrived. Anne grew

0:26:17.240 --> 0:26:20.680
<v Speaker 1>up not even knowing she was adopted. Her father made

0:26:20.720 --> 0:26:21.480
<v Speaker 1>sure that.

0:26:21.800 --> 0:26:25.960
<v Speaker 9>Her father basically threatened the entire town to not tell

0:26:25.960 --> 0:26:28.720
<v Speaker 9>her she was adopted. Her father never wanted her to

0:26:28.720 --> 0:26:32.280
<v Speaker 9>feel less than to be thought of, that she was

0:26:32.400 --> 0:26:35.600
<v Speaker 9>not truly his daughter.

0:26:35.760 --> 0:26:39.320
<v Speaker 1>But despite her father's best efforts, the other kids and

0:26:39.400 --> 0:26:41.960
<v Speaker 1>her own teachers never quite accepted her.

0:26:42.480 --> 0:26:45.520
<v Speaker 14>I was never popular in school, and that bothered me,

0:26:45.600 --> 0:26:50.200
<v Speaker 14>and I seemed to always be the odd ball. Orphans

0:26:50.400 --> 0:26:55.240
<v Speaker 14>or adopted children were not really as good class as

0:26:55.280 --> 0:26:58.880
<v Speaker 14>the other people. I think that was just a general

0:26:59.080 --> 0:27:02.359
<v Speaker 14>thought that you were a bad seed if you came

0:27:03.119 --> 0:27:05.239
<v Speaker 14>from people that they didn't know.

0:27:07.800 --> 0:27:09.960
<v Speaker 9>So a lot of the orphan train writers had to

0:27:09.960 --> 0:27:13.200
<v Speaker 9>contend with people who were not pleased with them being

0:27:13.240 --> 0:27:17.960
<v Speaker 9>in town. The idea is that you're going to inherit

0:27:18.040 --> 0:27:22.840
<v Speaker 9>traits of poverty, of vice from parents that some never.

0:27:22.760 --> 0:27:25.640
<v Speaker 1>Knew, almost like the orphan train writers are tainted.

0:27:25.960 --> 0:27:29.240
<v Speaker 9>Yeah, the negativity of immigration is there from the get go,

0:27:29.760 --> 0:27:33.840
<v Speaker 9>the negativity of your parents didn't want you, your parents

0:27:33.880 --> 0:27:36.960
<v Speaker 9>lost you because they were a drunk or abusive or

0:27:37.000 --> 0:27:38.840
<v Speaker 9>in prison, and.

0:27:39.040 --> 0:27:42.159
<v Speaker 1>Would grow up move to Chicago and become a professional

0:27:42.280 --> 0:27:45.840
<v Speaker 1>nightclub singer. She wouldn't find out she was adopted until

0:27:45.880 --> 0:27:48.879
<v Speaker 1>she was twenty seven years old, and that wasn't the

0:27:48.880 --> 0:27:52.760
<v Speaker 1>only surprise waiting for the woman who'd been baptized to Catholic.

0:27:52.720 --> 0:27:57.480
<v Speaker 14>In nineteen eighty nine, I get this letter from the

0:27:57.520 --> 0:28:01.080
<v Speaker 14>New York Health Department. Open it up, and there's my

0:28:01.240 --> 0:28:09.119
<v Speaker 14>original birth certificate, Mabel Reuben. My mother's name was of

0:28:10.000 --> 0:28:13.719
<v Speaker 14>Jenny Ruben. My father's name was Moe Kohn.

0:28:15.040 --> 0:28:19.600
<v Speaker 5>Well. I looked at that and I just split into laughter.

0:28:20.240 --> 0:28:22.960
<v Speaker 9>She just thought, well, I'll just go on and add

0:28:23.119 --> 0:28:25.679
<v Speaker 9>a Star of David to my crucifix necklace and just

0:28:25.760 --> 0:28:28.480
<v Speaker 9>keep going, because what can I do?

0:28:30.960 --> 0:28:34.119
<v Speaker 5>Well? My Jewish friends said, we know it all about.

0:28:37.560 --> 0:28:41.040
<v Speaker 1>The Foundling and Children's Aid Society together set the Lion's

0:28:41.120 --> 0:28:44.320
<v Speaker 1>share of those two hundred and fifty thousand children west

0:28:44.960 --> 0:28:48.400
<v Speaker 1>until the last orphan train left for Sulfur Springs, Texas,

0:28:48.720 --> 0:28:52.680
<v Speaker 1>on May thirty first, nineteen twenty nine, the world had

0:28:52.720 --> 0:28:56.960
<v Speaker 1>simply outgrown the orphan train. Communities in the Midwest now

0:28:57.040 --> 0:29:00.920
<v Speaker 1>had their own abandoned children to help. The story doesn't

0:29:01.040 --> 0:29:05.760
<v Speaker 1>end there. We know how a quarter million children found

0:29:05.760 --> 0:29:09.040
<v Speaker 1>their way west, but what happened after they grew up?

0:29:11.520 --> 0:29:13.440
<v Speaker 2>Do you know the name that was given to you

0:29:13.560 --> 0:29:14.200
<v Speaker 2>at bern.

0:29:17.240 --> 0:29:17.920
<v Speaker 4>Sofia?

0:29:19.360 --> 0:29:20.800
<v Speaker 10>Who names your Sofia?

0:29:22.960 --> 0:29:24.360
<v Speaker 5>For my mother and my dad?

0:29:25.280 --> 0:29:31.280
<v Speaker 1>That's Renee Wendinger interviewing her mother, Sophia Hillesheim Kaminski. Sophia

0:29:31.400 --> 0:29:34.840
<v Speaker 1>had been an orphan train rider taken in by Anna Grime,

0:29:35.320 --> 0:29:39.360
<v Speaker 1>a single woman in Springfield, Minnesota, who spoke only German.

0:29:40.080 --> 0:29:43.560
<v Speaker 14>She really didn't know how to raise children because she

0:29:43.680 --> 0:29:45.760
<v Speaker 14>could not be English.

0:29:45.800 --> 0:29:47.120
<v Speaker 5>So I had to learn German.

0:29:48.240 --> 0:29:50.680
<v Speaker 9>And when I went forward to school, then I had.

0:29:50.600 --> 0:29:54.600
<v Speaker 14>To relearned the English because I had only talked German

0:29:54.640 --> 0:29:55.200
<v Speaker 14>all the time.

0:29:55.280 --> 0:29:57.160
<v Speaker 4>So what did you do for entertainment?

0:29:59.160 --> 0:30:01.480
<v Speaker 5>I didn't have any entertainment. That had to work all

0:30:01.480 --> 0:30:02.040
<v Speaker 5>the time.

0:30:02.760 --> 0:30:06.200
<v Speaker 1>But that wasn't the worst of it. Was Anna physically abusive?

0:30:06.400 --> 0:30:09.640
<v Speaker 11>Yeah she was. She had a little whip that she

0:30:09.760 --> 0:30:10.680
<v Speaker 11>kept in the corner.

0:30:10.760 --> 0:30:13.640
<v Speaker 10>It was a snake handled whip, and by that I

0:30:13.680 --> 0:30:16.760
<v Speaker 10>mean it was sort of a leather handled whip, and

0:30:16.800 --> 0:30:19.960
<v Speaker 10>that's the way she would flog her and she'd say,

0:30:20.120 --> 0:30:24.040
<v Speaker 10>now you remember this, and remember not to do that again.

0:30:27.160 --> 0:30:30.400
<v Speaker 1>Sophia's orphan train story is a sad one, but it

0:30:30.400 --> 0:30:33.440
<v Speaker 1>doesn't end at her childhood. She would grow up to

0:30:33.480 --> 0:30:38.120
<v Speaker 1>become someone vastly different from Anna Grime. Here's how Renee

0:30:38.240 --> 0:30:39.280
<v Speaker 1>describes her mother.

0:30:39.600 --> 0:30:42.680
<v Speaker 10>She just had such a warm, open heart. There is

0:30:43.320 --> 0:30:47.200
<v Speaker 10>no one that ever knew her would say anything bad

0:30:47.240 --> 0:30:51.560
<v Speaker 10>about her, because she was just a warm, loving person.

0:30:52.000 --> 0:30:54.480
<v Speaker 1>You know, it's funny that your mother's story in so

0:30:54.560 --> 0:30:57.800
<v Speaker 1>many of these other orphan train writers' stories. It sort

0:30:57.840 --> 0:31:04.720
<v Speaker 1>of underlines how vulnerable children are, but also how resilient.

0:31:04.400 --> 0:31:06.640
<v Speaker 10>They were the type of people that would just sort

0:31:06.680 --> 0:31:09.520
<v Speaker 10>of kind of pull the bootstraps up and they would

0:31:09.560 --> 0:31:13.880
<v Speaker 10>carry on. But my mother would always say, I was

0:31:13.960 --> 0:31:16.280
<v Speaker 10>just so thankful to have a roof over my head.

0:31:16.520 --> 0:31:18.680
<v Speaker 1>Your mother had a lot to be angry about.

0:31:18.760 --> 0:31:21.720
<v Speaker 11>She really did, but she did not have that in

0:31:21.760 --> 0:31:22.400
<v Speaker 11>her heart.

0:31:22.560 --> 0:31:25.400
<v Speaker 10>And you know, I don't know if that's something that

0:31:25.480 --> 0:31:29.400
<v Speaker 10>we inherit Is it biological? Is do we have the

0:31:29.520 --> 0:31:34.320
<v Speaker 10>influences around us? Is it our geography? I have no idea,

0:31:34.400 --> 0:31:38.040
<v Speaker 10>but her arms were always outreached to people.

0:31:38.880 --> 0:31:42.120
<v Speaker 1>But Renee's mother didn't find peace until near the end

0:31:42.160 --> 0:31:45.120
<v Speaker 1>of her own life. Did your mother ever forgive Anna?

0:31:45.480 --> 0:31:51.880
<v Speaker 10>She did not forgive her until she was about I

0:31:51.920 --> 0:31:56.480
<v Speaker 10>think she was like ninety six years old, and she

0:31:56.720 --> 0:31:59.800
<v Speaker 10>asked me one day if I would take her to

0:32:00.000 --> 0:32:03.920
<v Speaker 10>a cemetery. She said, it's time. I need to go

0:32:03.960 --> 0:32:06.280
<v Speaker 10>to the cemetery and I need to forgive her.

0:32:07.680 --> 0:32:09.800
<v Speaker 1>So you took your ninety six year old mother to

0:32:09.840 --> 0:32:13.120
<v Speaker 1>the cemetery. And what did she say when she was

0:32:13.160 --> 0:32:14.880
<v Speaker 1>at the tombstone? Havanna.

0:32:15.760 --> 0:32:19.640
<v Speaker 10>I have no idea what she spoke inside her heart

0:32:20.080 --> 0:32:24.800
<v Speaker 10>and we walked away and she said, it's done. I

0:32:24.880 --> 0:32:27.080
<v Speaker 10>needed to do that, She said, I should have done

0:32:27.120 --> 0:32:28.160
<v Speaker 10>that a long time ago.

0:32:37.520 --> 0:32:40.480
<v Speaker 1>Now, all the Orphan train riders you've been hearing from

0:32:40.520 --> 0:32:45.280
<v Speaker 1>in this episode, Renee's mother, Sophia, Anna, and Margaret Fuchs,

0:32:45.800 --> 0:32:52.040
<v Speaker 1>Ann Harrison, they're all voices from the past. They're all gone.

0:32:52.360 --> 0:32:55.959
<v Speaker 1>But I wanted to talk to a writer myself, and

0:32:56.000 --> 0:32:59.000
<v Speaker 1>so I went down to Texas to meet the last

0:32:59.160 --> 0:33:07.160
<v Speaker 1>known survivor being orphan train rider. Okay, testing testing right here,

0:33:07.960 --> 0:33:11.120
<v Speaker 1>I'm in a conference room at an assisted living facility

0:33:11.360 --> 0:33:15.360
<v Speaker 1>in East Bernard, Texas, an hour outside of Houston. Sitting

0:33:15.400 --> 0:33:21.040
<v Speaker 1>with me, a host of eager relatives would surrounding ninety

0:33:21.080 --> 0:33:25.719
<v Speaker 1>seven year old Beatrice Voytek, an actual orphan train rider.

0:33:25.960 --> 0:33:28.080
<v Speaker 2>The only thing is we know for ninety seven she's

0:33:28.080 --> 0:33:28.640
<v Speaker 2>doing great.

0:33:29.400 --> 0:33:32.200
<v Speaker 1>That's her son, George. You're a terrific looking ninety seven

0:33:32.840 --> 0:33:37.880
<v Speaker 1>and appreciating you may be the last surviving orphan train rider.

0:33:38.040 --> 0:33:38.960
<v Speaker 1>How does that feel?

0:33:39.600 --> 0:33:44.440
<v Speaker 6>Well, I'm kind of They believe that because I was

0:33:44.480 --> 0:33:46.800
<v Speaker 6>the smallest on that train.

0:33:46.880 --> 0:33:49.640
<v Speaker 1>She's a national treasure. Did you hear that?

0:33:50.320 --> 0:33:52.360
<v Speaker 6>No, you're a national treasure.

0:33:53.400 --> 0:33:54.480
<v Speaker 1>You are because you are.

0:33:54.800 --> 0:33:55.880
<v Speaker 6>You absolutely are.

0:33:57.000 --> 0:33:57.320
<v Speaker 5>Well.

0:33:57.360 --> 0:34:02.480
<v Speaker 6>I appreciate that. I'm thinking, I think extra from any

0:34:02.560 --> 0:34:03.280
<v Speaker 6>other orphan.

0:34:03.840 --> 0:34:07.360
<v Speaker 1>Beatrice, the daughter of an Irish immigrant, was only fourteen

0:34:07.400 --> 0:34:10.080
<v Speaker 1>months old when she made the trip from New York City,

0:34:10.400 --> 0:34:13.719
<v Speaker 1>landing with a Czech family in Texas. She's got a

0:34:13.760 --> 0:34:17.440
<v Speaker 1>fascinating story, but in the end, the person that seems

0:34:17.560 --> 0:34:21.920
<v Speaker 1>least interested in it is Beatrice. I asked her about

0:34:21.960 --> 0:34:25.279
<v Speaker 1>discovering she was an orphan train rider. You didn't know

0:34:25.320 --> 0:34:26.440
<v Speaker 1>that you'd been adopted.

0:34:27.040 --> 0:34:29.680
<v Speaker 6>I didn't know I was an orphan. I didn't know anything.

0:34:29.800 --> 0:34:32.720
<v Speaker 6>I just read it all the time. You mind you mama,

0:34:32.800 --> 0:34:36.080
<v Speaker 6>You mind your mama, And I didn't pay attention.

0:34:36.239 --> 0:34:38.960
<v Speaker 1>Could I asked her about her birth mother, who was

0:34:39.040 --> 0:34:40.439
<v Speaker 1>twenty nine when she had her.

0:34:40.680 --> 0:34:44.240
<v Speaker 6>If she used she stood that chance of getting pregnant,

0:34:44.600 --> 0:34:48.400
<v Speaker 6>then she should have known that she finet to provide

0:34:48.480 --> 0:34:49.480
<v Speaker 6>for that baby.

0:34:49.560 --> 0:34:52.279
<v Speaker 1>Do you wonder what the rest of her life was like?

0:34:53.120 --> 0:34:54.560
<v Speaker 6>You mean my real mother?

0:34:55.400 --> 0:34:58.560
<v Speaker 1>No, I asked Beatrice if she ever wondered what she

0:34:58.719 --> 0:35:01.400
<v Speaker 1>might have missed out on having been scooped up and

0:35:01.520 --> 0:35:03.360
<v Speaker 1>moved so far away so young.

0:35:03.840 --> 0:35:08.240
<v Speaker 6>Well, yeah, I mean I was adopted into a into

0:35:08.280 --> 0:35:12.360
<v Speaker 6>a family, and and that was my family. There's that,

0:35:12.520 --> 0:35:13.760
<v Speaker 6>you know, that was my life.

0:35:14.080 --> 0:35:17.520
<v Speaker 1>You've never imagined, even for a moment, what your life

0:35:17.560 --> 0:35:19.759
<v Speaker 1>would have been like if you stayed in New York.

0:35:19.920 --> 0:35:22.880
<v Speaker 6>Oh yeah, oh yeah, I thought about that, America?

0:35:23.040 --> 0:35:24.000
<v Speaker 1>And what did you think?

0:35:24.360 --> 0:35:24.759
<v Speaker 5>What were you?

0:35:25.080 --> 0:35:31.120
<v Speaker 6>Thank God? I'm I'm here in Texas. I'm satisfied with

0:35:31.239 --> 0:35:34.080
<v Speaker 6>my life the way it is, and and I'm so

0:35:34.680 --> 0:35:40.920
<v Speaker 6>blessed with you know, the people that adopted me and

0:35:40.480 --> 0:35:43.640
<v Speaker 6>and and brought me up and raised me right and

0:35:44.640 --> 0:35:47.480
<v Speaker 6>probably much better than my real parents.

0:35:47.520 --> 0:35:50.319
<v Speaker 1>With and if you ever do want to come to

0:35:50.360 --> 0:35:57.319
<v Speaker 1>New York, I've got a guest room. We'll go see

0:35:57.360 --> 0:36:00.960
<v Speaker 1>a Broadway show. You ever see Phantom of the Opera? No,

0:36:01.400 --> 0:36:02.160
<v Speaker 1>it's terrific.

0:36:02.640 --> 0:36:04.520
<v Speaker 2>Yeah.

0:36:04.600 --> 0:36:08.960
<v Speaker 1>There was no dramatic revelation from Beatrice, no Rosebud moment.

0:36:09.640 --> 0:36:12.720
<v Speaker 1>She didn't render a sweeping verdict on whether the Orphan

0:36:12.760 --> 0:36:16.400
<v Speaker 1>Train was good or bad. As she saw it, She

0:36:16.560 --> 0:36:20.680
<v Speaker 1>rode the train, she grew up, she moved on. It

0:36:20.840 --> 0:36:25.480
<v Speaker 1>was what it was. But when Beatrice herself passes on,

0:36:26.040 --> 0:36:29.359
<v Speaker 1>that won't be the end of the Orphan Train story. Descendants,

0:36:29.640 --> 0:36:34.440
<v Speaker 1>historians and budding historians like Claire Isaacson are still telling

0:36:34.480 --> 0:36:38.719
<v Speaker 1>it today. Does this give you kind of a new

0:36:38.760 --> 0:36:41.880
<v Speaker 1>appreciation of the importance of preserving history.

0:36:42.120 --> 0:36:43.040
<v Speaker 13>I believe it does.

0:36:43.480 --> 0:36:48.520
<v Speaker 8>Yeah, and especially this movement, because it's not well known

0:36:48.560 --> 0:36:52.560
<v Speaker 8>at all. And I've joined the little community of the

0:36:52.680 --> 0:36:55.840
<v Speaker 8>Orphan Train rider, people trying to keep the story alive.

0:36:56.160 --> 0:36:58.560
<v Speaker 1>And the main way of preserving it is through Orphan

0:36:58.680 --> 0:37:02.240
<v Speaker 1>Train reunions. When they first started in the nineteen sixties,

0:37:02.440 --> 0:37:04.960
<v Speaker 1>they were places for the writers themselves to gather.

0:37:05.680 --> 0:37:09.439
<v Speaker 10>What these writers would do, would stand up and tell

0:37:09.480 --> 0:37:13.719
<v Speaker 10>their stories. And I found them so intriguing and so interesting.

0:37:14.280 --> 0:37:15.120
<v Speaker 11>These riders.

0:37:15.200 --> 0:37:19.080
<v Speaker 10>When they got together, they celebrated for three straight days.

0:37:19.520 --> 0:37:23.920
<v Speaker 1>I'm struck by how you used the word celebrate. What

0:37:23.960 --> 0:37:25.080
<v Speaker 1>do you mean celebrate?

0:37:25.320 --> 0:37:31.960
<v Speaker 10>They celebrated their togethern Us as orphan trained brothers and sisters.

0:37:32.560 --> 0:37:35.600
<v Speaker 1>But as the number of riders has dwindled, they've become

0:37:35.600 --> 0:37:39.000
<v Speaker 1>a chance for descendants to share memories and stories of

0:37:39.040 --> 0:37:40.680
<v Speaker 1>their loved ones who have passed on.

0:37:41.120 --> 0:37:42.520
<v Speaker 11>It's quite amazing.

0:37:42.600 --> 0:37:46.000
<v Speaker 10>In fact, we feel very much a kinship with each other.

0:37:46.760 --> 0:37:50.520
<v Speaker 10>We all know what our parents felt or our grandparents felt,

0:37:50.680 --> 0:37:55.759
<v Speaker 10>and soon, hopefully the grandchildren of these writers will take over.

0:37:56.640 --> 0:38:00.160
<v Speaker 1>The legacy of the Orphan train movement. Isn't easy to quantify.

0:38:00.880 --> 0:38:04.279
<v Speaker 1>While all the writers were impacted by their new communities

0:38:04.280 --> 0:38:07.840
<v Speaker 1>and families, many grew up to make their own impact

0:38:07.920 --> 0:38:08.920
<v Speaker 1>on the world.

0:38:09.080 --> 0:38:11.960
<v Speaker 9>The kids went on to serve in the Civil War,

0:38:12.040 --> 0:38:14.719
<v Speaker 9>World War One, World War II, Korea. We have some

0:38:14.840 --> 0:38:18.480
<v Speaker 9>that served in Vietnam. Just thinking politically, you know, speaking

0:38:19.080 --> 0:38:23.160
<v Speaker 9>the people who served in our state governments, in our Congress.

0:38:25.320 --> 0:38:27.560
<v Speaker 1>Just some of the orphan trained riders who went on

0:38:27.640 --> 0:38:31.720
<v Speaker 1>to lead lives of distinction. Andrew Burke became the second

0:38:31.800 --> 0:38:35.360
<v Speaker 1>governor of the state of North Dakota. His friend John

0:38:35.400 --> 0:38:38.399
<v Speaker 1>green Brady, who rode the same orphan train, would become

0:38:38.480 --> 0:38:43.040
<v Speaker 1>governor of the Territory of Alaska. Henry L. Jost became

0:38:43.120 --> 0:38:47.040
<v Speaker 1>mayor of Kansas City, Missouri, his nickname the Orphan Boy

0:38:47.120 --> 0:38:51.480
<v Speaker 1>Mayor before joining the United States Congress. Joe Iya would

0:38:51.520 --> 0:38:55.480
<v Speaker 1>become head football coach at Louisiana Tech University and inducted

0:38:55.600 --> 0:38:58.759
<v Speaker 1>into the College Football Hall of Fame. And while we

0:38:58.800 --> 0:39:01.879
<v Speaker 1>can't confirm, it's a long standing rumor in the orphan

0:39:01.920 --> 0:39:06.040
<v Speaker 1>trained community that a former United States Supreme Court justice

0:39:06.360 --> 0:39:09.640
<v Speaker 1>was a writer, but kept its secret because of the stigma.

0:39:10.200 --> 0:39:12.640
<v Speaker 1>If you think you know who it was, let us know.

0:39:13.719 --> 0:39:17.320
<v Speaker 1>The writers certainly made their mark. The Children's Aid Society

0:39:17.560 --> 0:39:21.919
<v Speaker 1>estimates that there are over two million Orphan trained descendants

0:39:22.080 --> 0:39:22.960
<v Speaker 1>alive today.

0:39:23.640 --> 0:39:26.200
<v Speaker 9>Yeah, they helped shape America, but.

0:39:26.239 --> 0:39:29.400
<v Speaker 1>On a personal level, the trains meant something different to

0:39:29.480 --> 0:39:33.440
<v Speaker 1>each child who rode them. For Anna Fuchs, it was

0:39:33.480 --> 0:39:36.560
<v Speaker 1>the best possible solution to a terrible situation.

0:39:37.200 --> 0:39:40.480
<v Speaker 4>It took a lot of kids off of the streets

0:39:40.480 --> 0:39:44.719
<v Speaker 4>of New York who might have become prostitutes and beggars

0:39:44.760 --> 0:39:47.799
<v Speaker 4>and thieves and gave them another chance of life for.

0:39:47.800 --> 0:39:51.960
<v Speaker 1>Her sister Margaret. Though its benefits couldn't justify the pain

0:39:52.040 --> 0:39:54.040
<v Speaker 1>it caused for that time.

0:39:54.200 --> 0:39:56.799
<v Speaker 12>I guess it was as good as anything. It was

0:39:56.960 --> 0:39:59.759
<v Speaker 12>all it was, but I certainly can't go along with it.

0:40:00.400 --> 0:40:04.000
<v Speaker 12>I feel that the idea of taking children and having

0:40:04.080 --> 0:40:07.080
<v Speaker 12>them lose all contact with any of the relatives I

0:40:07.120 --> 0:40:07.880
<v Speaker 12>think is wrong.

0:40:08.400 --> 0:40:12.040
<v Speaker 1>And Harrison never let the inauspicious start to her life

0:40:12.160 --> 0:40:13.040
<v Speaker 1>slow her down.

0:40:13.239 --> 0:40:15.640
<v Speaker 5>I've had a good life, you think so.

0:40:16.160 --> 0:40:22.279
<v Speaker 14>Yes, I just took opportunities when they came, and when

0:40:22.320 --> 0:40:26.160
<v Speaker 14>I couldn't find the opportunities, I lived with what was there.

0:40:27.920 --> 0:40:31.319
<v Speaker 1>But it's Renee Wendinger's perspective that will stick with me

0:40:31.480 --> 0:40:32.200
<v Speaker 1>the longest.

0:40:33.040 --> 0:40:37.840
<v Speaker 10>I am a grandmother, and every time my grandchildren have

0:40:37.960 --> 0:40:41.480
<v Speaker 10>turned the age of two, I look at them and

0:40:41.520 --> 0:40:46.120
<v Speaker 10>I think, oh, my gosh, this is what my mother

0:40:46.320 --> 0:40:49.359
<v Speaker 10>would have looked like when she boarded that train at

0:40:49.400 --> 0:40:55.440
<v Speaker 10>Grand Central terminal. And I really cannot imagine that little

0:40:55.719 --> 0:40:59.640
<v Speaker 10>child getting on a train to somewhere to know where.

0:41:00.040 --> 0:41:03.040
<v Speaker 11>I have no idea what my life is going to

0:41:03.040 --> 0:41:03.400
<v Speaker 11>be like.

0:41:05.080 --> 0:41:09.640
<v Speaker 1>Wow, and two year olds is so vulnerable.

0:41:09.440 --> 0:41:14.080
<v Speaker 10>Absolutely so vulnerable, it hits your heart. You know, I

0:41:14.120 --> 0:41:16.759
<v Speaker 10>don't know anyone that does not have a heart for

0:41:17.000 --> 0:41:24.240
<v Speaker 10>any child.

0:41:26.560 --> 0:41:30.560
<v Speaker 1>An update since we first posted this episode in December

0:41:30.600 --> 0:41:34.799
<v Speaker 1>twenty nineteen, we learned that Beatrice Voytech passed away at

0:41:34.800 --> 0:41:38.160
<v Speaker 1>the age of one hundred. Her local newspaper wrote that

0:41:38.719 --> 0:41:42.280
<v Speaker 1>Beatrice started life in New York City, but an orphan

0:41:42.360 --> 0:41:44.960
<v Speaker 1>train ride was in her future to take her to

0:41:45.040 --> 0:41:49.160
<v Speaker 1>East Bernard, where she lived all her life. I am

0:41:49.239 --> 0:41:52.000
<v Speaker 1>so grateful that I had the chance to meet her

0:41:52.040 --> 0:41:55.600
<v Speaker 1>that day in Texas and to learn her remarkable story.

0:41:58.239 --> 0:42:01.239
<v Speaker 1>Mobits will be back next week with the story of

0:42:01.719 --> 0:42:06.080
<v Speaker 1>legendary comic Lwanda Page. You may know her best as

0:42:06.080 --> 0:42:09.000
<v Speaker 1>the hilarious aunt esther on Sanford and Son.

0:42:09.560 --> 0:42:12.239
<v Speaker 5>You are evil heathen.

0:42:13.640 --> 0:42:16.600
<v Speaker 1>And one of these days the Lord is gonna strike

0:42:16.680 --> 0:42:17.440
<v Speaker 1>you down.

0:42:18.040 --> 0:42:20.719
<v Speaker 13>If he ever decide to get his hands dirty.

0:42:22.280 --> 0:42:25.400
<v Speaker 1>But Page was much more than a secondary character on

0:42:25.440 --> 0:42:29.839
<v Speaker 1>a sitcom. A queen of comedy. She remains an inspiration

0:42:29.960 --> 0:42:34.520
<v Speaker 1>to comedians including Whoopy Goldberg. She as funny as hell,

0:42:35.440 --> 0:42:38.359
<v Speaker 1>Yeah you know, and black women. They will tear you up.

0:42:38.840 --> 0:42:40.680
<v Speaker 1>They will tear you up, they will talk about it,

0:42:40.719 --> 0:42:44.799
<v Speaker 1>they will tell you about yourself. I certainly hope you

0:42:44.920 --> 0:42:48.640
<v Speaker 1>enjoyed this mobituary, Nah ask you to please rate and

0:42:48.680 --> 0:42:52.640
<v Speaker 1>review our podcast. You can also follow Mobituaries on Facebook

0:42:52.719 --> 0:42:56.000
<v Speaker 1>and Instagram, and you can follow me Morocca on Twitter

0:42:56.239 --> 0:42:59.800
<v Speaker 1>at Morocca. For more great content about the Orphan Trains,

0:43:00.000 --> 0:43:04.080
<v Speaker 1>please visit mobituaries dot com. You can subscribe to Mobituaries

0:43:04.120 --> 0:43:08.200
<v Speaker 1>wherever you get your podcasts. This episode of Mobituaries was

0:43:08.200 --> 0:43:11.840
<v Speaker 1>produced by Harry Wood and Gideon Evans. Our team of

0:43:11.880 --> 0:43:16.160
<v Speaker 1>producers also includes Megan Marcus and me Moroka. It was

0:43:16.360 --> 0:43:21.080
<v Speaker 1>edited by Harry Wood and engineered by Dan Dezzula. Indispensable

0:43:21.080 --> 0:43:26.520
<v Speaker 1>support from Genius Denesky, Kate mccauliffe, Sam Egan, Renee Wendinger,

0:43:26.800 --> 0:43:31.840
<v Speaker 1>Shelley George, Jason Sakka, Alberto Robina, Richard Roher, and everyone

0:43:31.920 --> 0:43:35.319
<v Speaker 1>at CBS News Radio. Thank you to the New York

0:43:35.400 --> 0:43:37.760
<v Speaker 1>Daily News for letting me join you for your one

0:43:37.840 --> 0:43:41.440
<v Speaker 1>hundredth anniversary celebration, and to the New York Foundling for

0:43:41.560 --> 0:43:44.840
<v Speaker 1>welcoming us to your one hundred and fiftieth anniversary, not

0:43:44.960 --> 0:43:48.839
<v Speaker 1>that it's a competition. Thanks also to CBS News correspondent

0:43:49.040 --> 0:43:52.440
<v Speaker 1>Bob McNamara for his two thousand and two interview of

0:43:52.560 --> 0:43:56.440
<v Speaker 1>Ann Harrison. We'd like to thank Greg mark Way, the

0:43:56.480 --> 0:44:00.520
<v Speaker 1>families of Anna and Margaret Fuchs and Anne Harrison, Beatrice

0:44:00.560 --> 0:44:04.200
<v Speaker 1>Voytek and her family, and Linda Fomer, the orphan trained

0:44:04.200 --> 0:44:08.360
<v Speaker 1>descendant and researcher who connected us to Beatrice. Special thanks

0:44:08.400 --> 0:44:12.480
<v Speaker 1>to our bold, budding young historians from National History Day,

0:44:12.840 --> 0:44:17.839
<v Speaker 1>Addie Skilling, Tucker Olshaby, Jacob Reid, Evelyn Carpenter, Katie Merrikovitz,

0:44:18.040 --> 0:44:22.680
<v Speaker 1>Jack Anderson, Jader Briggs, Megan swankat Daytona Foley Logan Smith,

0:44:22.840 --> 0:44:27.080
<v Speaker 1>and of course Claire Isaacson and her mom Joy. Our

0:44:27.160 --> 0:44:30.400
<v Speaker 1>theme music is written by Daniel Hart and, as always,

0:44:30.840 --> 0:44:34.920
<v Speaker 1>undying thanks to Rand Morrison and John carp without whom

0:44:35.160 --> 0:44:36.879
<v Speaker 1>mobituaries couldn't live