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Speaker 1: It's now time for Cannabis Talk one oh one with Blue,

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Speaker 1: Joe Grande and Mark and Craig Wasserman the Pot Brothers

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Speaker 1: at Law. We're the world's number one podcast for everything cannabis. Well, Hello,

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Speaker 1: welcome to Cannabis Talk one on one, the world's number

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Speaker 1: one source for everything cannabis. My day is Blue. Alongside

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Speaker 1: of me is Joe Grande. Hey, what's happening everybody? Thank

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Speaker 1: you guys for listening to podcast Cannabis Talk one on one.

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Speaker 1: Make sure you check out our website, Cannabis Talk one

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Speaker 1: on one, as we are the world's number one source

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Speaker 1: for everything cannabis, and make sure you call us up

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Speaker 1: anytime and go check out our Instagram pages for day

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Speaker 1: news and so much more at Cannabis Talk one on one.

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Speaker 1: My man Blue is at one. Christopher Wright, Hello, and

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Speaker 1: I am at Joe Grande fifty two and I hope

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Speaker 1: you guys are ready for the kush Stock Festival by

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Speaker 1: the People for the People, Saturday, April nine at the

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Speaker 1: Atlanto Stadium and Events Center located at twelve thousand Stadium Way, Atlanto, California. One.

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Speaker 1: This event is twenty one and over with a valid

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Speaker 1: I D. Free general at But of course they got

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Speaker 1: that v I P player option for you guys for

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Speaker 1: tickets and more information. The head of the website Cushed

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Speaker 1: dot dot Life, come out and hang out with us

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Speaker 1: at Cush stop. Now, you guys, this show right here,

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Speaker 1: These dudes right here are legends. And I can't believe

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Speaker 1: my headphones aren't even work because I'm born. I disappointed that.

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Speaker 1: What a great air check. These guys did a round

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Speaker 1: they didn't do one. Hey, this headset work, guys. Funny

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Speaker 1: funny thing is I didn't recognize the headset wasn't working.

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Speaker 1: I thought it was tied up on your laptop and

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Speaker 1: I thought it was your faults. Okay, bottom line, these

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Speaker 1: guys are legends in the radio game. You might have

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Speaker 1: heard their names, Eric and Nick v a k a.

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Speaker 1: The Baker Boys in Los Angeles, Miami, San Francisco, Kansas City,

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Speaker 1: San Diego, Orlando, Portland, Oregan. I mean these dudes are nationwide,

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Speaker 1: worldwide of course, because they got the Baker Boys Production Inc.

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Speaker 1: It's knocked out more mix and social security. Boy, I

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Speaker 1: tell you right now, these boys right here are like

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Speaker 1: apolloing Rocky. They go back and forth it. I love

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Speaker 1: them like four flats. They're down like that. These dudes

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Speaker 1: are cool, so cool. They discovered cats like Big Boy,

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Speaker 1: d J E Man, Tito and all. I worked with

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Speaker 1: that Power when six year in Los Angeles and abroad.

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Speaker 1: So when I look at some players like, oh my god,

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Speaker 1: these dudes help create dudes that I worked with. The

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Speaker 1: funny thing is we never worked together, but cross passed

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Speaker 1: many times. They left Power in nine. I came in

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Speaker 1: late nine. These dudes are their original DJ's out of Bakersfield, California.

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Speaker 1: If they're listening to us all over the world, it's

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Speaker 1: a little small armpit city in Cali. Where you go,

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Speaker 1: where does some real talent come from? Baker Cuts, you

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Speaker 1: know what I mean? Right there where they're growing out

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Speaker 1: agriculture before cracking that number two market in the country

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Speaker 1: Los Angeles. Currently, they have a daily Twitch radio show

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Speaker 1: right here. You see the sticker it's Official Baker Boys Daily.

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Speaker 1: They're doing their thing there and you could all so

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Speaker 1: kid on Twitch at switch dot tv slash the Baker Boys.

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Speaker 1: Th H E B A K A B O y Z.

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Speaker 1: That's the Boys and you can hear them O K

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Speaker 1: day with that hip Hop Master Mix Friday seven pm

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Speaker 1: to Midnight's Follow them on Instagram at the Baker Boys,

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Speaker 1: Welcome to the show, you guys, Eric and Nick. You

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Speaker 1: know what's funny too, because even writing that and doing

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Speaker 1: that research for you guys like it was an honor

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Speaker 1: for me really, because I'm sure you guys can look

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Speaker 1: at I don't even know who would be Frank fucking

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Speaker 1: or maybe even if do do the quack quack almost

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Speaker 1: you may look as look at Rick D's is like

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Speaker 1: right before you guys got there kiss. And my point is,

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Speaker 1: you guys drop power right before I got there. Right.

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Speaker 1: So we all been in the game. We've never sat

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Speaker 1: down and even share the mike together, which is crazy, right,

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Speaker 1: And today my point to that is is, folks listening,

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Speaker 1: I was excited because I can't wait tip hear the story.

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Speaker 1: And I was telling you guys offer I was telling

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Speaker 1: I was telling you going. My connection to you guys

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Speaker 1: more was your brother May rest in peace. And I

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Speaker 1: love Frank to death. And Frank and I were geese

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Speaker 1: and dog. And I'm sure everybody tells you guys that

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Speaker 1: because your brother Frank, like everybody, so you're lucky. Are

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Speaker 1: you serious? I know this about Frank? Hold on, tell

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Speaker 1: me that, what do you mean a bulldog man? To

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Speaker 1: those who don't know, if you guys in Frank's way,

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Speaker 1: it's gonna be a problem. He would let you know.

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Speaker 1: I didn't know him like that. Thank God I was

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Speaker 1: his little brother, you know what I mean. But I

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Speaker 1: can see him, you know, doing that. I can see

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Speaker 1: that because he's one of those recognized the real dog

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Speaker 1: when you see one. Because I see him too, and

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Speaker 1: we got along so well. And i'd go to the

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Speaker 1: record port that you guys still have that building over there,

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Speaker 1: and not only that, it really fits because why because

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Speaker 1: for those who don't know Baker boys family what they

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Speaker 1: were doing. They're pushing out records and getting them played

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Speaker 1: record and when when this ship when your family was

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Speaker 1: doing back in the days, cats have no idea about

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Speaker 1: that hustle. Meaning people nowadays you want to become a

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Speaker 1: big famous artist or something. You got I g. You

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Speaker 1: got Twitch that you guys are on daily. You got

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Speaker 1: fucking Facebook. We didn't have that back in the day.

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Speaker 1: And your brother ran the Los Angeles biggest record pool.

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Speaker 1: That's steal the record pool there. But everything is digital now.

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Speaker 1: But my point is your brother did that and laid

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Speaker 1: that down on top of you guys were already doing

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Speaker 1: the morning before, so the family legacy was there and

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Speaker 1: then boom, you guys crossed over and doing this other

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Speaker 1: arm of entertainment in that radio world, which is the

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Speaker 1: distribution for the record pool. Which how did that even come?

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Speaker 1: Frank v Man he was like, I'm done with construction.

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Speaker 1: I need to leave. You know. He was working with

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Speaker 1: our father and they just butt heads, you know, and

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Speaker 1: it was just it was this time for him to

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Speaker 1: do something new. We were in Los Angeles and he

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Speaker 1: came to me. He's like, you know, can I what

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Speaker 1: can you do? Hold on? So they came from Baker's

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Speaker 1: fail to do that out here. Frank he was in

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Speaker 1: Roseman at the time. He was working with my dad

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Speaker 1: um together in construction. But he was just done. He

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Speaker 1: was just tired. He's like, I need to do something else.

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Speaker 1: What a dope thing, because that was a great time.

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Speaker 1: I had a lot of great time. I lost my

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Speaker 1: virgin eny at that spot. Explain what the record pool

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Speaker 1: is for for those that are listening don't know what

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Speaker 1: they are, because yeah, so back in the day before digital,

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Speaker 1: before download the MP three's and all that stuff, there

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Speaker 1: was a record pool. What would happen is that record

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Speaker 1: labels would send boxes of records to the pool, and

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Speaker 1: then you would equally split it among the DJs that

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Speaker 1: are part of the record pool. So every two weeks,

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Speaker 1: if you're a DJ, you pay your monthly dudes, and

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Speaker 1: every two weeks you come to get a box of

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Speaker 1: the newest ship, the newest records that are out there,

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Speaker 1: prom promo copies, promo copies with not even things on it,

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Speaker 1: just a blank label that says Quick and it's like

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Speaker 1: a new DJ Quick or whatever. You know. Those are

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Speaker 1: writing on sharpie on their stuff, Like I would love it, dude.

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Speaker 1: It was so cool. Remember it was like watching the

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Speaker 1: movie not Beat Street, but Breaking and all those things

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Speaker 1: when you see those, That's what it was. It was

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Speaker 1: trying to as you know, I was trying to wrap

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Speaker 1: so I was trying to get in the record pools

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Speaker 1: like Blue from the Imperial Assassinsky Band. Yeah. So I

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Speaker 1: shut down the one on one freeway in the middle

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Speaker 1: rush hour traffic, ended up getting arrested, and sixty three

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Speaker 1: most googled in the world that now ended up on

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Speaker 1: the Grammys Top ten Biggest Stunts. Still holding my position

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Speaker 1: at number seven, and it's crazy because you do the

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Speaker 1: record pool like that, and now when you explain it

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Speaker 1: like that, it takes people so much time to really

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Speaker 1: get something popping. Because when you become a record pool

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Speaker 1: rap so to speaking, and back then Blue just to

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Speaker 1: give you an idea who they are, there was a

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Speaker 1: lot of payola on back then as well. And that's

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Speaker 1: a big deal. Which payola, folks is when you pay

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Speaker 1: even the record label, are the record pool are the

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Speaker 1: DJs to go pay that record? Did it happen? Yeah?

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Speaker 1: On really big ones. If you ever heard a song

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Speaker 1: that sucked, then that was the record song that really

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Speaker 1: got pushed. That just a lot of money to that,

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Speaker 1: so that payola goes to that sucky song that really

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Speaker 1: didn't pop and that artist never really came back again.

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Speaker 1: But you know, my point is behind the record pooled

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Speaker 1: that they had, it was the biggest DJs that are

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Speaker 1: still today in this world. Meaning DJ Bisses were there,

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Speaker 1: your emis were there, that you guys felt, your your

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Speaker 1: j A M. The Atom twelve, the Junkie heavy hit Dog,

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Speaker 1: all those guys that I worked with two if we

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Speaker 1: all worked with And so my point is when I

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Speaker 1: go to parties there too, I would trip because that's

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Speaker 1: where it all pop. Meaning if you gave it to

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Speaker 1: one of those DJs or one of these other DJs

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Speaker 1: that's working at Florentine Gardens in Los Angeles. Back in

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Speaker 1: the day's wife Florentine Gardens is such a big spot

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Speaker 1: for a record pool for those who don't realize because

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Speaker 1: it's eighteen and hovers in some days parties it's all ages.

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Speaker 1: So now you're getting those little kids to call the

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Speaker 1: radio station. And that's the way the game worked. You

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Speaker 1: wanted to get to that DJ that was at Florentine Gardens,

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Speaker 1: to get to that little kids spending call the radio

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Speaker 1: station and get it, because that's the way the game

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Speaker 1: used to work back and I remember calling the stations

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Speaker 1: man that I just explained, is you're what you call

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Speaker 1: it download today? Because people would call in and requestion

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Speaker 1: but one and then here's the coldest part of the

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Speaker 1: radio station. They have phone ops that would go to

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Speaker 1: the program director of music director. Say dirty people called

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Speaker 1: for that new Stevie b song. I'm saying, it's crazy

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Speaker 1: were this but also hold on they could pay for

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Speaker 1: that as well. Yeah, that can call up and request

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Speaker 1: it up. How was the game? I remember hearing artists

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Speaker 1: do that all day and I do him doing it.

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Speaker 1: We used to get twenty people to call in, you know,

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Speaker 1: just on the with no money. We'd be on the

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Speaker 1: head like YO, call it right now. And that was

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Speaker 1: the road call. You guys, remember the road call. Let's

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Speaker 1: back up on what I'm saying. I'm just jumping into

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Speaker 1: the Baker still and let's go early days. Was it

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Speaker 1: early like throwing parties at the house in DJ and

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Speaker 1: there in high school? Or when does it all start?

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Speaker 1: For the core? How does it? How does the Baker

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Speaker 1: Boys get that name? Um, I'll start with this. So basically,

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Speaker 1: you know our brother Frank, he used to party a lot.

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Speaker 1: He used to be a party here has a lot

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Speaker 1: of a lot of parties. So he'd be out and

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Speaker 1: our parents said, you know what, if he's gonna be partying,

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Speaker 1: and we may let him party at home. So he

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Speaker 1: let him lay, let him throw house parties at our house.

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Speaker 1: That's what happened. So he's not on the streets. If

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Speaker 1: he's gonna get drunk or anything or whatever, he's gonna

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Speaker 1: be home. He's gonna be safe. I don't have to

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Speaker 1: worry about him. So that's what happened, and uh, Nick

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Speaker 1: would a sneak downstairs at twelve years old, or how

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Speaker 1: are you nine? He's like nine years old. So he'd

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Speaker 1: sneak downstairs, end up dancing with some girls like three

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Speaker 1: times his size, trying to step beautiful and she was

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Speaker 1: probably he said she was beautiful. And so you know,

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Speaker 1: he's drinking beer and having a good time, and they'd

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Speaker 1: always tell him to go back upstairs, go back upstairs.

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Speaker 1: But then he got he became enamored with the DJ.

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Speaker 1: They would hire a DJ. I think it was Herman, right, Herman.

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Speaker 1: It was either Herman or Moses a one of the

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Speaker 1: two DJs that my brother knew. They would. They would

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Speaker 1: hire the DJ, the house party would be at the house.

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Speaker 1: My brother would be safe at home. And so we

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Speaker 1: grew up listening to Rick James Cameo Lakeside, Michael Jackson,

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Speaker 1: Prince all the dope Ship like everything. Yeah, that's where

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Speaker 1: we grew up listening double Dutch Bus that's everything. Yeah,

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Speaker 1: all that stuff. So that party of the house parties,

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Speaker 1: you know, from there, it went to a teen nightclub.

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Speaker 1: So we started our house. No, no, no, we had

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Speaker 1: a location in Bakersfield. Yes, yes, this was the family

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Speaker 1: owned thing called vi Dell's. It was our last name.

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Speaker 1: So there was a place called the BA. Yeah, yeah,

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Speaker 1: there was a I was like, why does it sound

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Speaker 1: so funny. So there was a place called the Bakersfield

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Speaker 1: and it was the iconic place off of Chester Avenue

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Speaker 1: in Bakersfield, a more Union Avenue, Union Avenue, I'm sorry,

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Speaker 1: where all the hookers were Union as well. There's a

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Speaker 1: hooker story here. So there's a funny hooker story with Nick.

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Speaker 1: We'll tell that one later anyway. Um, so the teen

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Speaker 1: Nightclub became a family nd business that at that time,

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Speaker 1: my dad was out of auction, you know. Um, the

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Speaker 1: economy went bad. He lost construction company and we moved

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Speaker 1: to a building and started Vadels. He started Videls, So

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Speaker 1: we were there every week working, you know, Um, Nick,

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Speaker 1: is it just your three? It was no. We have

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Speaker 1: a older sister as well, Zina. No, she's younger than

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Speaker 1: So it was Frank Zena me than Nick. Um so

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Speaker 1: Videl's came. It was the team nightclub in Bakersfield. There

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Speaker 1: was nothing to do in baker Shield. So look out

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Speaker 1: weekend depeche Mode weekend. I mean you can go to

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Speaker 1: the Bulldog territory and go to Fresno State game maybe

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Speaker 1: you know, I mean, if you really want to. Yeah, yeah,

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Speaker 1: there's not a lot to do anyway, So crucial Shaw

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Speaker 1: the team nightclub started and Nick was Nick was working

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Speaker 1: the lights at the time, and one of the guys

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Speaker 1: who used to get hired to do the uh the

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Speaker 1: house parties, was hired as the resident DJ every day

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Speaker 1: every weekend. So Moses A would play, you know, on

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Speaker 1: Friday and Saturday, and so you to take over from here.

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Speaker 1: I'm talking toward Branch toward France. Yeah, so Moses was

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Speaker 1: dope man. Um. He had the cigarettes, he had the

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Speaker 1: crowd rocking, he had the drink, and he had a

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Speaker 1: girl on each side of him rocking the party. He

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Speaker 1: was your hero. He was my hero, immediately described my hero.

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Speaker 1: How could I not be enamored with this man? You

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Speaker 1: got everything I want? Player? Okay, I'm on the lights,

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Speaker 1: mind you. I'm just looking back like, okay, I'm only so.

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Speaker 1: And then I got the fog, So I was the

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Speaker 1: fog dude too. So I was running around. It was

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Speaker 1: just a kid eleven years old running around with the

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Speaker 1: fog doing the lights. This is where the game starts.

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Speaker 1: So far and then and then Moses, you know, he

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Speaker 1: shuts down for the night and everybody goes home except

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Speaker 1: for the family. And I was like, how how do

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Speaker 1: I turn this on? The turntables was a TECHNI there

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Speaker 1: were dens um so I couldn't afford the technique. That's

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Speaker 1: what that means. Actually more expensive then at that time.

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Speaker 1: So but the techniques, of course, we're always the standard

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Speaker 1: and still is. But anyway, I turned on the turntables,

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Speaker 1: I figured out some stuff. I started playing records because

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Speaker 1: I was already messing around with with music at the house,

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Speaker 1: and there was always records at the house. I remember

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Speaker 1: there were some records that I tried to learn how

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Speaker 1: to scratch, but I didn't know how to scratch. So

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Speaker 1: I took anita win this way, he scratched it for real.

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Speaker 1: That's like the real player scratch. It ain't working the same. Anyway,

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Speaker 1: Moses found out that I was trying to play with

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Speaker 1: his turntables, and he didn't like that, and he complained

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Speaker 1: to our father, and our father said, you know whatever,

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Speaker 1: He didn't take it too serious. After the third or

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Speaker 1: fourth time, Moses got smart and started taking his power

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Speaker 1: chord away. So I couldn't turn his shirt on. So

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Speaker 1: being the Mexican that I am, the Mexican that I am,

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Speaker 1: a power chord and well I just split you know,

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Speaker 1: any old chord yea, And it just spliced it and

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Speaker 1: I put it up there and I was rocking again

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Speaker 1: on the turntable. So he out I was an idiot.

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Speaker 1: I shouldn't have left my evidence there, and he did.

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Speaker 1: Cold when you figure out, damn, I see how he

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Speaker 1: caught me. He left it there. He found out. He

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Speaker 1: took it to my dad. He's like, your son is

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Speaker 1: playing with this equipment, the expensive equipments though, Yeah, and

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Speaker 1: he was right everything we'd say now to a kid,

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Speaker 1: safe thing. Yeah, So I'm not mad at him because

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Speaker 1: he's right. Yeah. Eventually my dad got really piste out

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Speaker 1: of him and said, you know what, you're fired. I'm

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Speaker 1: I'm gonna buy equipment for my son and he's going

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Speaker 1: to be the DJ. It was just like that, and

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Speaker 1: then it was like what doing now? I know he

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Speaker 1: didn't know, he didn't care. He went we bought equipment,

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Speaker 1: the bottom, we bought records, and he went back. He

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Speaker 1: became the DJ, and I got promoted the light man.

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Speaker 1: So he he lost his job as a light man.

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Speaker 1: Now he's the DJ and I'm the light man. So

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Speaker 1: he was an asshole to me, and he'd be like,

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Speaker 1: shut up, light man, Like he tried to belittle me,

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Speaker 1: like go back to the light. If you're lucky, I'll

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Speaker 1: let you hit the right exactly because you gotta stepped up.

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Speaker 1: But Nicky had a Kanye complex back in the day.

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Speaker 1: I heard about that's a grape vine, yeah, man. And

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Speaker 1: the Nicky is the more egotistical over the two of us,

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Speaker 1: of course, yeah, course, yeah. When I see it, he

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Speaker 1: actually said, when we look at my left eye, Joe,

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Speaker 1: right now, we haven't met long enough for you. Look

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Speaker 1: at my right eye on the left side of me,

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Speaker 1: no direct eye context more than three seconds. And the

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Speaker 1: Paul's point is I respected. I was like, no problems.

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Speaker 1: I brought it. We brought our nephew here so we

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Speaker 1: could laser point your eye. Broat. Well that's what he's

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Speaker 1: behind him. He goes, and he pointed, he goes this side,

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Speaker 1: this side, and I was like, well, the other one's

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Speaker 1: sucking glass and wandering not even know what to do.

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Speaker 1: You guys are in Baker's field, Nicks. Now, Djane, you're

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Speaker 1: the last it's just fucking Nick and Eric. When does

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Speaker 1: Baker Boys come about? Baker Boys come about? When Nick

336
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Speaker 1: was Djane for Lighter Shade of Brown? Wait afternoon, how

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00:16:53,000 --> 00:16:56,760
Speaker 1: did that happen? First? We can't go. First off, I

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Speaker 1: love to talk about Nick some more. Actually this was

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Speaker 1: from our dad lettershire Brown was doing a show, and

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Speaker 1: was that from that? How did you meet Brown? Again?

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Speaker 1: I don't remember. We brought them to Bakersfield show. Yeah,

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Speaker 1: we hired them to come and do a show the

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Speaker 1: Old Game. Yeah, well the nightclub was done by then,

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Speaker 1: so we're doing mobile parties yea. So we would do

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Speaker 1: the armor outside event places, yes, outside, indoor whatever. But

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Speaker 1: we had brought Stevie b out. We brought expos a seagulls.

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Speaker 1: Come on man, Debbie, dad whistle. Yeah we were This

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Speaker 1: is true. Yeah, we have to do the things you're

349
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Speaker 1: not supposed to do. A lot of shows to Bakersfield,

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Speaker 1: a lot of shows. Connie, I remember Connie came as well.

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Speaker 1: Yeah all that ship Tony g h. Tony came out.

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Speaker 1: So anyway, Yeah, we brought a lot of shader. Brown

353
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Speaker 1: was like or something like that, and we met them.

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Speaker 1: We hung out. I was cutting up on stage. And like, hey,

355
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Speaker 1: you're good. Do you want to come on tour with us?

356
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Speaker 1: And I was too young the chaperone. He elevated from

357
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Speaker 1: the light man anyway to wiping your ass on try

358
00:18:01,480 --> 00:18:06,320
Speaker 1: to keep track of him, you know what I mean? Anyway,

359
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Speaker 1: you get the show back to Bakersfield. This Latter Shaped

360
00:18:08,600 --> 00:18:12,080
Speaker 1: Brown were performing at Bakersfield College and at KKXX. By

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Speaker 1: this time, we've been had trying to get on the

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Speaker 1: radio station in Bakersfields nineteen eighty eight. We skipped the

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Speaker 1: whole fucking error, guys, is when we get on the

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Speaker 1: radio in Bakersfield, California. Allah ka, we did thirteen fifteen

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Speaker 1: a M K O Y D. So we were trying

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Speaker 1: to emulate what Kat was doing here in Los Angeles

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Speaker 1: in Bakersfield, and we did that. We blew that ship

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Speaker 1: the funk up, so move ahead. We got off the

369
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Speaker 1: radio again. Trying to get back on the radio didn't work.

370
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Speaker 1: Started producing music with Kid Frost. We did three songs

371
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Speaker 1: on his first album through Tony G and then of

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Speaker 1: course the relationship with Lader ship A Brown. So then

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Speaker 1: now I'm d J. We're back in Bakersfield and we

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Speaker 1: can't get on the radio. But there's a new program

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Speaker 1: director at kkxex Steve Wall, and he's backstage with our

376
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Speaker 1: father rest Rest in Power Frank, and my dad goes

377
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Speaker 1: to him and says, these are my kids on the

378
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Speaker 1: stage right there, and they want to do a mixed show,

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Speaker 1: make show on radio, on radio. He's like, well, here's

380
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Speaker 1: my card, call me on Tuesday, call me on Monday. Whatever. Yeah,

381
00:19:05,600 --> 00:19:07,760
Speaker 1: I would. I was like, this guy's full of ship,

382
00:19:07,960 --> 00:19:11,040
Speaker 1: Like he you know, I've already been shot down from

383
00:19:11,080 --> 00:19:13,800
Speaker 1: that plane a couple of times from the last program director.

384
00:19:14,000 --> 00:19:15,840
Speaker 1: He's not gonna take my call. Blah blah blah. He

385
00:19:15,880 --> 00:19:18,920
Speaker 1: took the call. We met, and he ended up taking

386
00:19:18,960 --> 00:19:20,480
Speaker 1: a chance on us and putting us on the air,

387
00:19:20,960 --> 00:19:23,080
Speaker 1: and we put on the air on I think we

388
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Speaker 1: started on a Saturday night or whatever Saturday night mix show.

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Speaker 1: We had like a fifty three share bro in bakersfild

390
00:19:28,600 --> 00:19:31,639
Speaker 1: and Baker. We had like those who don't know, So like,

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Speaker 1: this is what's crazy about when you say a fifty

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Speaker 1: three share, Like I understand that whole hardly because I

393
00:19:37,200 --> 00:19:40,080
Speaker 1: come from the share radio time period. But I'm trying

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00:19:40,119 --> 00:19:42,040
Speaker 1: to make these analogies. So you guys here, and at

395
00:19:42,080 --> 00:19:43,840
Speaker 1: one point we had a double digit share and just

396
00:19:43,880 --> 00:19:46,320
Speaker 1: a double digit shares huge in San Francisco with the doghouse.

397
00:19:46,920 --> 00:19:48,480
Speaker 1: So when you stay fifty three, that was a higher

398
00:19:48,560 --> 00:19:52,439
Speaker 1: granted's Bakersfield. That means folks, that they're fucking dominating the

399
00:19:52,480 --> 00:19:55,320
Speaker 1: market at fifty three percent, especially back then the way

400
00:19:55,320 --> 00:19:58,159
Speaker 1: they did it. It's just it meant to hear that

401
00:19:58,280 --> 00:20:01,159
Speaker 1: number fifty three ship give me my my. I'm like,

402
00:20:01,359 --> 00:20:02,760
Speaker 1: I don't care what market it is. I don't give

403
00:20:02,760 --> 00:20:05,440
Speaker 1: a fucking two people. And you got picked present or whatever.

404
00:20:05,920 --> 00:20:09,639
Speaker 1: It's fucking major, which then again explains why you guys

405
00:20:09,720 --> 00:20:13,200
Speaker 1: made that big splash from course, which is funny. Baker's

406
00:20:13,240 --> 00:20:16,439
Speaker 1: Field is a very very small market. And then they

407
00:20:16,440 --> 00:20:18,760
Speaker 1: get called by the number two market in the country,

408
00:20:18,800 --> 00:20:21,080
Speaker 1: Los Angeles, which is the jump you guys made, which

409
00:20:21,119 --> 00:20:23,320
Speaker 1: now even makes more sense to me. Yeah, which I

410
00:20:23,320 --> 00:20:25,520
Speaker 1: didn't get. It wasn't even based on that though, but no,

411
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Speaker 1: it has to be from the big programming going to

412
00:20:27,240 --> 00:20:29,080
Speaker 1: look at these guys what they're doing. They were they

413
00:20:29,080 --> 00:20:30,639
Speaker 1: were trying to keep us, they were trying to keep us.

414
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Speaker 1: They made us music directors. We were doing music directors.

415
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Speaker 1: Steve Steve Wall and Baker Shield but I'm saying every

416
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Speaker 1: other stag, she's gotta be looking. They didn't know about

417
00:20:37,640 --> 00:20:40,760
Speaker 1: us we were. They actually figured out found us through

418
00:20:41,040 --> 00:20:43,439
Speaker 1: Dave Morales, who was the midday guy at Power one

419
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Speaker 1: oh six. We were in l A working on production.

420
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Speaker 1: They got our studio session got canceled. So we go

421
00:20:48,600 --> 00:20:52,560
Speaker 1: to visit our friend Bruce Reyner at Profile Records, and

422
00:20:52,960 --> 00:20:54,560
Speaker 1: we were like, hey, we're in town, we got nothing

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00:20:54,600 --> 00:20:56,280
Speaker 1: to do. He's like, you guys want to go to dinner. Yeah,

424
00:20:56,280 --> 00:20:58,560
Speaker 1: we'll go to dinner. So later that night we're sitting

425
00:20:58,800 --> 00:21:03,880
Speaker 1: at Antonio on Melrose, Mexican spot, and it's us, Bruce Rener,

426
00:21:04,560 --> 00:21:07,000
Speaker 1: Harold Austin, who just got the music director job at

427
00:21:07,000 --> 00:21:10,440
Speaker 1: the Beat, and also Dave Morales, the midday guy at

428
00:21:10,720 --> 00:21:13,920
Speaker 1: at Power. Yeah. So you know, nick, kids that they're

429
00:21:13,920 --> 00:21:16,720
Speaker 1: getting drunk, fucking hits the table. This time next year,

430
00:21:16,760 --> 00:21:18,280
Speaker 1: we'll be working at Power one of six. Everybody looks

431
00:21:18,280 --> 00:21:21,320
Speaker 1: at each other just starts laughing, laughing out. We're just

432
00:21:21,440 --> 00:21:24,520
Speaker 1: laughing because they're so drunk, and they're just where did

433
00:21:24,520 --> 00:21:28,760
Speaker 1: this come from? Here? We'll be will be at Power

434
00:21:28,760 --> 00:21:33,600
Speaker 1: on six, That's what he said. Yeah, yeah exactly. So

435
00:21:34,359 --> 00:21:37,280
Speaker 1: uh later that night, we go outside and Dave Morales

436
00:21:37,320 --> 00:21:39,119
Speaker 1: is like, you know what, you maybe think I'm drunk

437
00:21:39,119 --> 00:21:42,080
Speaker 1: as hell, and I am, but you know, um, you

438
00:21:42,119 --> 00:21:44,600
Speaker 1: guys would be perfect. You guys will be perfect for

439
00:21:44,640 --> 00:21:47,480
Speaker 1: this hip hop show we're trying to start. We're trying

440
00:21:47,480 --> 00:21:50,080
Speaker 1: to start a Friday night hip hop show. They knew

441
00:21:50,160 --> 00:21:52,919
Speaker 1: that that that format they were doing was dying and

442
00:21:52,960 --> 00:21:54,960
Speaker 1: they need to go in a different directions. Party ship

443
00:21:55,200 --> 00:21:58,520
Speaker 1: and yeah, so dance now stuff and the eighties and

444
00:21:58,920 --> 00:22:03,159
Speaker 1: late eighties Klazano Yeah, yeah, so um, which I love

445
00:22:03,200 --> 00:22:05,880
Speaker 1: Frank too. But Frank's to homie of course. So it's

446
00:22:05,880 --> 00:22:07,920
Speaker 1: out there saving lives now, working with the church and stuff,

447
00:22:07,920 --> 00:22:10,439
Speaker 1: and I love him. A long story short, so you

448
00:22:10,480 --> 00:22:13,040
Speaker 1: know we we uh, he said, get a demo tape

449
00:22:13,040 --> 00:22:15,080
Speaker 1: to us. We got a demo tape to us, to him,

450
00:22:15,119 --> 00:22:16,840
Speaker 1: I mean, And a couple of weeks later we met

451
00:22:16,880 --> 00:22:19,919
Speaker 1: at the Gavin in San Francisco and we left the

452
00:22:19,920 --> 00:22:23,320
Speaker 1: tape for him in his bag because he was drunk again. Sorry,

453
00:22:26,600 --> 00:22:29,400
Speaker 1: he likes to drink. He liked the party, so anyway,

454
00:22:29,440 --> 00:22:31,400
Speaker 1: so he left it to him, and probably a couple

455
00:22:31,440 --> 00:22:32,840
Speaker 1: of weeks later he hit us up and he's like,

456
00:22:33,080 --> 00:22:36,040
Speaker 1: hey man, I gave the tape to Rick Commings and

457
00:22:36,080 --> 00:22:38,120
Speaker 1: he's like, he wants to meet with you guys. Coming

458
00:22:38,119 --> 00:22:41,240
Speaker 1: to you guys for those a company by the name

459
00:22:41,240 --> 00:22:44,280
Speaker 1: of MS Communications and mis Communications. Is this one station

460
00:22:44,359 --> 00:22:46,840
Speaker 1: now called Hot nineties seven in New York. If you

461
00:22:46,880 --> 00:22:48,439
Speaker 1: ever thought of hip hop or thought up you know

462
00:22:48,560 --> 00:22:50,960
Speaker 1: hip hop, well the Hot nineties seven is the big

463
00:22:51,040 --> 00:22:53,520
Speaker 1: hip hop in New York. Yeah. So, so he has

464
00:22:53,600 --> 00:22:55,400
Speaker 1: power at the time, Tobe, but they no longer own power.

465
00:22:56,320 --> 00:22:57,879
Speaker 1: So he was like he he wanted to meet with

466
00:22:57,880 --> 00:23:00,280
Speaker 1: you guys. All right, cool. We came to lay on

467
00:23:00,280 --> 00:23:03,199
Speaker 1: a Wednesday. And I always say this every time, Like

468
00:23:03,240 --> 00:23:05,640
Speaker 1: when we walked in that building, I told Nick said,

469
00:23:05,760 --> 00:23:08,440
Speaker 1: if something happens, cool, If nothing happens, fine cool, Let's

470
00:23:08,440 --> 00:23:10,359
Speaker 1: just we just go in there and be us. And

471
00:23:10,400 --> 00:23:11,840
Speaker 1: so we had a meeting with him. He's like, I

472
00:23:11,880 --> 00:23:14,200
Speaker 1: don't know what it is. There's something here on this cassette.

473
00:23:14,200 --> 00:23:16,760
Speaker 1: I hear it there, I feel it. It's something's telling

474
00:23:16,760 --> 00:23:18,320
Speaker 1: me that I need to do something with you guys.

475
00:23:18,560 --> 00:23:20,280
Speaker 1: I don't know what it is, but you know, you

476
00:23:20,320 --> 00:23:25,960
Speaker 1: guys are interested in This is the strangest talent finding motherfucker.

477
00:23:26,040 --> 00:23:27,639
Speaker 1: That you because he doesn't fit the you look. I

478
00:23:27,680 --> 00:23:29,960
Speaker 1: don't know what that look is, but he just doesn't

479
00:23:30,000 --> 00:23:31,760
Speaker 1: feel a look that you would think. That guy finds

480
00:23:31,760 --> 00:23:33,320
Speaker 1: the biggest talent in the world for hip hop. We

481
00:23:33,320 --> 00:23:36,160
Speaker 1: call him Buckshot Shorty, that's our name, you know, saying like, hey, dog,

482
00:23:36,160 --> 00:23:37,520
Speaker 1: we see him at Big Boys thing and i'd go

483
00:23:37,560 --> 00:23:38,600
Speaker 1: to Blue, I go Blue. You know who that guy?

484
00:23:38,720 --> 00:23:43,080
Speaker 1: He goes? Let me, he's like a man walking and

485
00:23:43,160 --> 00:23:45,720
Speaker 1: limping away. I go, that's the man who hired sway

486
00:23:45,840 --> 00:23:51,000
Speaker 1: that the by the Big Morning show up there. He

487
00:23:51,040 --> 00:23:53,040
Speaker 1: came up and gave Joe a big hug and ship.

488
00:23:53,800 --> 00:23:56,000
Speaker 1: You don't even know who that literally, I mean he

489
00:23:56,040 --> 00:23:59,960
Speaker 1: came up. He's like at Joe's waist and but little cool.

490
00:24:00,119 --> 00:24:02,960
Speaker 1: This dude ever though, Man, he's so he's telling you

491
00:24:02,960 --> 00:24:05,440
Speaker 1: guys all this great stuff, like there's something on this tea. Yeah,

492
00:24:05,520 --> 00:24:07,720
Speaker 1: I gotta do something with you guys. And he's like,

493
00:24:07,800 --> 00:24:09,280
Speaker 1: you guys want to do this job. You know this

494
00:24:09,320 --> 00:24:11,639
Speaker 1: Friday night thing. You want to start, you know, two hours.

495
00:24:11,640 --> 00:24:13,119
Speaker 1: I'm like, well, when do you want us to start?

496
00:24:13,600 --> 00:24:16,720
Speaker 1: This was a Wednesday we meet with him, he said, Friday,

497
00:24:17,119 --> 00:24:21,639
Speaker 1: Friday night. Two days my chin backing in two days.

498
00:24:22,119 --> 00:24:24,800
Speaker 1: In two days, and I'm like, okay, well, where are

499
00:24:24,800 --> 00:24:26,800
Speaker 1: we gonna mix that? Oh? You you pre record your

500
00:24:26,840 --> 00:24:29,520
Speaker 1: mix and you send and you you submit your tape. No, no,

501
00:24:29,760 --> 00:24:32,320
Speaker 1: we don't do that. We do live. We do live.

502
00:24:32,400 --> 00:24:35,680
Speaker 1: We're bringing our ship, we're bringing our turntables, we're bringing

503
00:24:35,680 --> 00:24:37,760
Speaker 1: our records. We're doing live. They don't they don't have

504
00:24:37,760 --> 00:24:40,679
Speaker 1: a mixed room, mind you. This is pre mixed rooms,

505
00:24:41,320 --> 00:24:45,199
Speaker 1: pre DJs on the radio live ship. We convert the

506
00:24:45,240 --> 00:24:48,159
Speaker 1: news room where they do the traffic in the morning

507
00:24:48,560 --> 00:24:51,640
Speaker 1: into a mixed room, a makeshift mixed room. To think

508
00:24:51,680 --> 00:24:55,320
Speaker 1: that you guys are the start that funny feeling. Dog,

509
00:24:55,320 --> 00:24:56,720
Speaker 1: I had a funny feeling. I didn't know that I

510
00:24:56,760 --> 00:24:59,399
Speaker 1: had a funny feeling, though, keep going up, So I

511
00:24:59,440 --> 00:25:02,720
Speaker 1: believe you. So we hustle back to Bakersfield, put to

512
00:25:03,240 --> 00:25:05,720
Speaker 1: put together a bunch of production pieces for it, and

513
00:25:05,840 --> 00:25:07,560
Speaker 1: too late, two days later we're on the air in

514
00:25:07,680 --> 00:25:12,280
Speaker 1: l A Friday nights. And in one month, no, three months.

515
00:25:12,960 --> 00:25:15,120
Speaker 1: He's like, man, you know my other jocks are coming

516
00:25:15,160 --> 00:25:17,240
Speaker 1: to me and be like, yo, these these guys are different,

517
00:25:17,800 --> 00:25:20,600
Speaker 1: Like there's something I don't know what it is. About them.

518
00:25:20,640 --> 00:25:23,080
Speaker 1: They're sounded. He's like, when my staff comes to me,

519
00:25:23,600 --> 00:25:26,640
Speaker 1: and you know, radio people are competitive, they don't want

520
00:25:26,640 --> 00:25:29,360
Speaker 1: to share the light to any they ain't gonna But

521
00:25:29,480 --> 00:25:31,600
Speaker 1: also at the same time, if if somebody is better

522
00:25:31,600 --> 00:25:33,320
Speaker 1: than you, you you gotta step out the way because

523
00:25:33,320 --> 00:25:35,040
Speaker 1: you already know what's gonna happen. We all know the game,

524
00:25:35,119 --> 00:25:36,920
Speaker 1: you know what I mean. So uh, he said, the

525
00:25:36,920 --> 00:25:39,320
Speaker 1: staff is coming like, that's why DJ don't take days off.

526
00:25:39,359 --> 00:25:43,040
Speaker 1: That's a challenge. They're scared to take vacation because somebody

527
00:25:43,040 --> 00:25:44,520
Speaker 1: comes in and does a better show than you, then

528
00:25:44,560 --> 00:25:47,160
Speaker 1: you're gone. That's what happens better than you, You're gone.

529
00:25:47,240 --> 00:25:51,119
Speaker 1: Yep yep. So um, the staff was telling him, and

530
00:25:51,160 --> 00:25:53,160
Speaker 1: he's like, when my staff tells me there's something there,

531
00:25:53,520 --> 00:25:55,720
Speaker 1: I want to look into this more. So we started

532
00:25:55,760 --> 00:25:58,200
Speaker 1: doing overnights. We did overnights for like a month or two.

533
00:25:58,320 --> 00:26:00,199
Speaker 1: I think it was a month, right a month. He

534
00:26:00,280 --> 00:26:02,560
Speaker 1: was like, we need to put you guys on at nights.

535
00:26:03,119 --> 00:26:06,199
Speaker 1: He's like, you gotta go against poor man from k Rock.

536
00:26:06,320 --> 00:26:11,680
Speaker 1: We were five part is Ben just real quick. We

537
00:26:12,119 --> 00:26:14,399
Speaker 1: when we left the station that we we we just

538
00:26:14,520 --> 00:26:17,280
Speaker 1: left to go to I Heeart um, porn Man was

539
00:26:17,320 --> 00:26:19,040
Speaker 1: our morning show, and they were asking us to you

540
00:26:19,080 --> 00:26:20,560
Speaker 1: guys want to do the morning show? The morning show.

541
00:26:20,600 --> 00:26:22,719
Speaker 1: We were already doing the six pm show. So it's

542
00:26:22,760 --> 00:26:24,600
Speaker 1: kind of like traffic jam. We were in that traffic jam.

543
00:26:24,720 --> 00:26:26,199
Speaker 1: So we were just kind of like, you know what,

544
00:26:26,200 --> 00:26:28,600
Speaker 1: we're We're good, Yeah, we're good. We you know, I mean,

545
00:26:28,640 --> 00:26:30,639
Speaker 1: we were already feeling ourselves right there, and they're like, well,

546
00:26:30,680 --> 00:26:31,960
Speaker 1: do you guys want to run this morning show? And

547
00:26:31,960 --> 00:26:34,280
Speaker 1: then porn Man came in and so he started running

548
00:26:34,280 --> 00:26:36,439
Speaker 1: the morning show. Recently. This is just this is just

549
00:26:36,480 --> 00:26:39,479
Speaker 1: recently before. There's just you know, five years ago, four

550
00:26:39,560 --> 00:26:41,920
Speaker 1: or five years recently like that. But it's Cannabis Talk.

551
00:26:41,920 --> 00:26:43,479
Speaker 1: I don't want let's go to break. We'll be right back.

552
00:26:43,520 --> 00:26:45,920
Speaker 1: We'll be right back with Cannabis Talk one oh one.

553
00:26:56,440 --> 00:26:59,520
Speaker 1: Welcome back to Cannabis Talk one oh one. Welcome back

554
00:26:59,520 --> 00:27:01,960
Speaker 1: to Cannabis Talk one on one. The first and only

555
00:27:02,119 --> 00:27:06,040
Speaker 1: complete growing system for cannabis that optimizes all phases of

556
00:27:06,119 --> 00:27:09,439
Speaker 1: the vegetative and bloom cycles to bring your crops to

557
00:27:09,480 --> 00:27:13,280
Speaker 1: their true genetic potential. Discover more at Advanced nutrients dot

558
00:27:13,320 --> 00:27:15,560
Speaker 1: com and shout out to Big Mike, for give me

559
00:27:15,640 --> 00:27:18,439
Speaker 1: a call on my birthday. Appreciate it, Mike, all that

560
00:27:18,440 --> 00:27:20,320
Speaker 1: good thing. Speaking of the shout outs to the Diamond,

561
00:27:20,880 --> 00:27:25,400
Speaker 1: look at my diamond guy. Yeah yeah, yeah, yeah yeah.

562
00:27:26,040 --> 00:27:30,160
Speaker 1: Let me see again. Let me see there. We got

563
00:27:30,160 --> 00:27:33,440
Speaker 1: the Baker Boys in the building. You guys are going down.

564
00:27:33,480 --> 00:27:36,280
Speaker 1: You're basically at Power one. Those six now doing a

565
00:27:36,440 --> 00:27:38,840
Speaker 1: mixed show live. You're the first ones to crack that

566
00:27:39,000 --> 00:27:42,520
Speaker 1: live mixing, which is even funnier because I remember back

567
00:27:42,560 --> 00:27:46,159
Speaker 1: in the day thinking of hearing you guys become the

568
00:27:46,200 --> 00:27:49,600
Speaker 1: Baker Boys mixing on the nights. And I'm already working

569
00:27:49,760 --> 00:27:53,240
Speaker 1: radio in San Francisco doing mornings with the Doghouse, and

570
00:27:53,280 --> 00:27:55,879
Speaker 1: we have two cats come to Southern California by the

571
00:27:55,920 --> 00:27:58,920
Speaker 1: name of d J. Mayne and Double Barrel Darrell. They

572
00:27:59,040 --> 00:28:02,920
Speaker 1: came back to Sam Francisco and they've been became the

573
00:28:03,000 --> 00:28:06,800
Speaker 1: Flavable Boys, which was fucking crazy because I was like,

574
00:28:07,000 --> 00:28:09,400
Speaker 1: I im a flavorable boy? Are you a flavorable boy?

575
00:28:09,400 --> 00:28:10,919
Speaker 1: And they started doing this ship and I was like,

576
00:28:10,960 --> 00:28:18,320
Speaker 1: wait a minute, before when and here's the coldest part.

577
00:28:18,440 --> 00:28:20,520
Speaker 1: I just hit Maine the end of the day. Take

578
00:28:20,520 --> 00:28:22,640
Speaker 1: invited too, my big because you know, I made double

579
00:28:23,080 --> 00:28:25,280
Speaker 1: worked with them obviously, so I love him. But my

580
00:28:25,440 --> 00:28:28,960
Speaker 1: point to that story is I always busted their balls,

581
00:28:29,000 --> 00:28:31,959
Speaker 1: going eight players. I don't even know these kids, but

582
00:28:32,000 --> 00:28:34,120
Speaker 1: you know, just off some love like some Latin dudes

583
00:28:34,160 --> 00:28:36,199
Speaker 1: doing it in l A. I was like, just point like,

584
00:28:36,320 --> 00:28:37,640
Speaker 1: just like, the only reason why I was a Dodger

585
00:28:37,640 --> 00:28:39,400
Speaker 1: fan because Fernando was on the team. The only reason

586
00:28:39,400 --> 00:28:41,719
Speaker 1: why I was a Flavorboy fan is to Latin. I'm

587
00:28:41,720 --> 00:28:45,040
Speaker 1: not gonna lie the Flavor Boys though the Bay Area.

588
00:28:45,040 --> 00:28:46,560
Speaker 1: That's what I'm saying. You. Yeah, I was like, I

589
00:28:46,560 --> 00:28:51,880
Speaker 1: don't remember, so don't get a twisted hints, right, they

590
00:28:51,960 --> 00:28:53,400
Speaker 1: knew who I just said their real names and they

591
00:28:53,440 --> 00:28:55,240
Speaker 1: knew who they were. So my point is in the

592
00:28:55,320 --> 00:28:57,280
Speaker 1: radio game, they had a big name and they did

593
00:28:57,320 --> 00:29:01,040
Speaker 1: a big weekend show because or Bay Area. They could

594
00:29:01,040 --> 00:29:03,680
Speaker 1: have been syndicated out there and dominated as well in

595
00:29:03,720 --> 00:29:05,480
Speaker 1: my opinion, but they didn't get that left from the

596
00:29:05,520 --> 00:29:08,280
Speaker 1: Michael Martin's who. Michael Martin once again was a DJ

597
00:29:08,400 --> 00:29:11,440
Speaker 1: probably right before your guys era out here at Kiss FM.

598
00:29:11,480 --> 00:29:14,680
Speaker 1: So Michael Martin was that transition where Michael Martin was

599
00:29:14,720 --> 00:29:17,360
Speaker 1: a DJ on air with the Rick ds Is and

600
00:29:17,440 --> 00:29:20,920
Speaker 1: all these but they didn't spend live. Michael Martin also

601
00:29:21,160 --> 00:29:23,720
Speaker 1: turned in their pre recorded that the first That's what

602
00:29:23,800 --> 00:29:31,640
Speaker 1: I'm saying is even um eminem the djem Michael Martin

603
00:29:31,920 --> 00:29:33,840
Speaker 1: and Michael Martin is a big player in the game.

604
00:29:34,080 --> 00:29:35,880
Speaker 1: A lot of people don't realize a lot of people,

605
00:29:36,560 --> 00:29:38,440
Speaker 1: like a lot of people don't realize that DJs are

606
00:29:38,560 --> 00:29:42,680
Speaker 1: are so involved in making the world's trends that you know,

607
00:29:42,800 --> 00:29:45,600
Speaker 1: they forget that these DJs are huge in companies now

608
00:29:45,680 --> 00:29:50,480
Speaker 1: that are the trend. Yeah, it's it's like it's like radio, radio, television,

609
00:29:50,520 --> 00:29:52,480
Speaker 1: you know, all these different these things, and when it

610
00:29:52,520 --> 00:29:54,560
Speaker 1: comes through, it comes through like you don't realize it,

611
00:29:54,640 --> 00:29:57,479
Speaker 1: but like, okay, you guys had this huge fucking you know,

612
00:29:57,560 --> 00:30:00,680
Speaker 1: input on influence on people's lives. So the music that

613
00:30:00,720 --> 00:30:02,920
Speaker 1: you played, the music that and and and the things

614
00:30:02,920 --> 00:30:05,800
Speaker 1: that that make. Yeah, and you made people stars and

615
00:30:05,840 --> 00:30:08,120
Speaker 1: you help people grow. And not only that, the streets

616
00:30:08,480 --> 00:30:11,040
Speaker 1: have reacted a certain way to that as well. I mean,

617
00:30:11,080 --> 00:30:13,280
Speaker 1: you know, and and you know, I know it in

618
00:30:13,280 --> 00:30:16,240
Speaker 1: in in a sense where you know, I found Joe,

619
00:30:16,320 --> 00:30:17,520
Speaker 1: you know what I mean, look at me, I found him.

620
00:30:18,680 --> 00:30:23,720
Speaker 1: I found him. Just it's a funny. Fine, though it

621
00:30:23,800 --> 00:30:26,200
Speaker 1: was a funny find. Really he found me. Really he

622
00:30:26,280 --> 00:30:28,920
Speaker 1: found each other because literally I retired and so much

623
00:30:28,960 --> 00:30:31,200
Speaker 1: part of your story, you guys are so ironic, as

624
00:30:31,680 --> 00:30:34,680
Speaker 1: my first call was from her comings. I mean, it's

625
00:30:34,680 --> 00:30:36,520
Speaker 1: just like funny when I hear you guys share without

626
00:30:36,800 --> 00:30:40,200
Speaker 1: my full story, but very similar. I was the baby

627
00:30:40,240 --> 00:30:42,040
Speaker 1: of the family too. As I hear you getting into

628
00:30:42,120 --> 00:30:44,280
Speaker 1: music at that, I too, similar background in my dad.

629
00:30:44,480 --> 00:30:46,040
Speaker 1: I remember though, two I just told some of the

630
00:30:46,040 --> 00:30:48,360
Speaker 1: story of the day at a party at my house.

631
00:30:48,560 --> 00:30:50,560
Speaker 1: We had a party, same way with your older brother.

632
00:30:50,920 --> 00:30:53,040
Speaker 1: My parents has to do us too, like that, and

633
00:30:53,040 --> 00:30:55,480
Speaker 1: we're d Jane a party and I remember my dad going,

634
00:30:55,760 --> 00:30:57,880
Speaker 1: oh me o, you guys are playing that hip hop stuff.

635
00:30:57,920 --> 00:31:02,080
Speaker 1: That's so cute. That's gonna I never forget. And so

636
00:31:02,160 --> 00:31:03,520
Speaker 1: like when I tell people, like when we had this

637
00:31:03,520 --> 00:31:06,280
Speaker 1: party on Saturday, I go, you guys, I've been doing

638
00:31:06,320 --> 00:31:07,480
Speaker 1: this for a year. You know he used to DJ

639
00:31:07,600 --> 00:31:13,320
Speaker 1: my house parties jazz Jim Wow. Yeah, you know Jim

640
00:31:13,320 --> 00:31:16,440
Speaker 1: didn't from the Bay Area. So Jim who's Gary Archer's brother?

641
00:31:16,440 --> 00:31:20,040
Speaker 1: Who Gary Archers? So you know Gary. So my point

642
00:31:20,080 --> 00:31:21,680
Speaker 1: I hated Gary up to come to my point. These

643
00:31:21,680 --> 00:31:25,160
Speaker 1: guys are major record pool guys and major deeps. But

644
00:31:25,200 --> 00:31:27,320
Speaker 1: my point is Jim used to DJ parties at Mouse

645
00:31:27,360 --> 00:31:30,400
Speaker 1: before we were in Radio. Well we were, uh, just

646
00:31:30,440 --> 00:31:33,520
Speaker 1: like you guys were at the and Bakersfield. I was

647
00:31:33,560 --> 00:31:36,440
Speaker 1: in San Jose doing the same things. So say, funny story,

648
00:31:36,520 --> 00:31:38,440
Speaker 1: you might have been at the San Jose show of

649
00:31:38,480 --> 00:31:41,920
Speaker 1: Stevie b Once we bought him to Bakersfield. He's like, Hey,

650
00:31:41,960 --> 00:31:43,840
Speaker 1: I want you guys to come on with me a

651
00:31:43,840 --> 00:31:47,080
Speaker 1: couple of dates Selina San Jose. He took us to

652
00:31:47,120 --> 00:31:51,280
Speaker 1: San Jose with them. Stevie did that, I don't know,

653
00:31:52,720 --> 00:31:55,760
Speaker 1: but Jase Jim was set up when we got to

654
00:31:55,880 --> 00:31:57,880
Speaker 1: the Diamond and he was there with his eight O

655
00:31:58,000 --> 00:31:59,680
Speaker 1: waight drum machine. That's when we met Jazz Jim in

656
00:31:59,720 --> 00:32:03,120
Speaker 1: the eight eight Dog. Jazzy has been doing it forever.

657
00:32:03,160 --> 00:32:04,840
Speaker 1: And like you said before, you need he's DJ and

658
00:32:04,840 --> 00:32:09,360
Speaker 1: at my house parties and he's just because it's like

659
00:32:09,400 --> 00:32:12,320
Speaker 1: those we walk those same lives. And it's funny because

660
00:32:12,320 --> 00:32:15,120
Speaker 1: as I said that to somebody, go and meanwhile I'm

661
00:32:15,160 --> 00:32:17,280
Speaker 1: doing that walk in San Jose blues doing the same

662
00:32:17,320 --> 00:32:19,760
Speaker 1: walk here in l A. So we've been doing parties,

663
00:32:19,840 --> 00:32:22,040
Speaker 1: been doing things. He's done, started bands, he's been in

664
00:32:22,040 --> 00:32:24,480
Speaker 1: this rapping game. I've been with these rappers. I'm doing

665
00:32:24,520 --> 00:32:26,760
Speaker 1: this thing. And it's funny how we're like this is

666
00:32:26,760 --> 00:32:28,880
Speaker 1: all men always tell people like you don't just like

667
00:32:28,920 --> 00:32:30,520
Speaker 1: you know, you could, we could show up to events,

668
00:32:30,560 --> 00:32:32,400
Speaker 1: you know, right now, and just you show up and

669
00:32:32,400 --> 00:32:36,280
Speaker 1: then either security, stage hands, somebody recognized either like yo,

670
00:32:36,400 --> 00:32:39,120
Speaker 1: like that, the watch out like he's cool like that,

671
00:32:39,440 --> 00:32:41,360
Speaker 1: like let him through. And and you don't get that

672
00:32:41,440 --> 00:32:43,080
Speaker 1: unless you've been out here, you know what I mean, Like,

673
00:32:43,120 --> 00:32:45,720
Speaker 1: you've got to put your fucking time in. Yeah, And

674
00:32:45,720 --> 00:32:48,240
Speaker 1: and it's hard for for DJs and artists because they

675
00:32:48,280 --> 00:32:50,240
Speaker 1: come out like they might have a badass record, but

676
00:32:50,280 --> 00:32:52,719
Speaker 1: there and in their mind they're already recognized, but they

677
00:32:52,800 --> 00:32:55,600
Speaker 1: gotta pay their dues amongst so many different people. And

678
00:32:55,760 --> 00:32:57,840
Speaker 1: it's just even getting past security, like you know what

679
00:32:57,840 --> 00:33:00,000
Speaker 1: I'm saying to get on stage, you know, saying even

680
00:33:00,280 --> 00:33:01,760
Speaker 1: you know, I mean, give us one of those one

681
00:33:01,760 --> 00:33:03,640
Speaker 1: of those times where someone didn't let you on stage

682
00:33:03,640 --> 00:33:06,680
Speaker 1: and you had a gig, because it's happening, right, I'll

683
00:33:06,720 --> 00:33:11,080
Speaker 1: tell you I challenged my in your one time with

684
00:33:11,120 --> 00:33:13,960
Speaker 1: the security guard. I'm walking up to this club. We're

685
00:33:13,960 --> 00:33:16,959
Speaker 1: about the DJ and I'm walking with my baseball hat on.

686
00:33:17,440 --> 00:33:19,440
Speaker 1: He's like, you need to take your baseball hat back.

687
00:33:19,720 --> 00:33:22,000
Speaker 1: You're not gonna get in. And I said, oh, really,

688
00:33:22,760 --> 00:33:26,000
Speaker 1: really are you sure? Are you sure about that? I

689
00:33:26,080 --> 00:33:28,000
Speaker 1: walked up to the front, I said, yeah, I'm djan

690
00:33:28,600 --> 00:33:31,560
Speaker 1: and uh. Basically, he you know, I kind of put

691
00:33:31,600 --> 00:33:33,080
Speaker 1: him in his place. And I felt like an asshole

692
00:33:33,080 --> 00:33:35,560
Speaker 1: afterwards because that's not usually me. I don't usually do

693
00:33:35,600 --> 00:33:37,160
Speaker 1: ship like that. I'm using I'll be like, hey, man,

694
00:33:37,200 --> 00:33:39,680
Speaker 1: I'm Djane, you know what I mean, this is my thing.

695
00:33:39,800 --> 00:33:43,560
Speaker 1: Like they're gonna it's hard though to no, but I

696
00:33:43,600 --> 00:33:47,240
Speaker 1: try that. I mean, Will Smith just lost it finally.

697
00:33:47,560 --> 00:33:49,000
Speaker 1: You could have done it too, you know what I mean.

698
00:33:49,360 --> 00:33:52,440
Speaker 1: Do you blame him? What about Kanye? The only one

699
00:33:52,480 --> 00:33:55,520
Speaker 1: person to blame? Yeah, exactly. Yeah, she's been dragging him

700
00:33:55,520 --> 00:33:59,360
Speaker 1: in the guther forever. So she got talking. Yeah, you

701
00:33:59,360 --> 00:34:01,959
Speaker 1: couldn't talk about other people. Let's talk about ourselves exactly.

702
00:34:03,440 --> 00:34:05,200
Speaker 1: And it's funny. Now let's let's get to you guys

703
00:34:05,240 --> 00:34:07,960
Speaker 1: doing that night. So let's get you from doing the nights.

704
00:34:08,080 --> 00:34:10,719
Speaker 1: Where do you guys get the Morning Plug. Does Rick

705
00:34:10,880 --> 00:34:13,279
Speaker 1: do that because Jimmy Steel is not there yet. The

706
00:34:13,360 --> 00:34:17,160
Speaker 1: program it started or ended with poorn Man. So he

707
00:34:17,360 --> 00:34:20,560
Speaker 1: challenged us, He said, we need you to come up challenges, coming,

708
00:34:20,760 --> 00:34:24,080
Speaker 1: challenge us to come up with a benchmark. And what

709
00:34:24,280 --> 00:34:27,200
Speaker 1: is a benchmark? Right of course, going Green making waves

710
00:34:27,320 --> 00:34:30,320
Speaker 1: your your benchmarks on the show five. So the biggest

711
00:34:30,320 --> 00:34:32,520
Speaker 1: show that was on was Love Line and he was

712
00:34:32,520 --> 00:34:34,920
Speaker 1: just number one by a far. So he put us

713
00:34:34,920 --> 00:34:37,799
Speaker 1: in there with this. Kay Rock was ruling the world.

714
00:34:37,840 --> 00:34:39,799
Speaker 1: There was nobody that could touch him ever. Ever, Ever,

715
00:34:40,040 --> 00:34:41,680
Speaker 1: he put us on and we came up with the

716
00:34:41,760 --> 00:34:44,839
Speaker 1: Road Call through a friend, Adrian Miller. We went out

717
00:34:44,840 --> 00:34:46,239
Speaker 1: to dinner one night and we were just kind of,

718
00:34:46,320 --> 00:34:49,920
Speaker 1: you know, putting their heads together, roll call up and

719
00:34:49,920 --> 00:34:52,480
Speaker 1: get spitcher ship. Adrian told us about a DJ over

720
00:34:52,520 --> 00:34:54,120
Speaker 1: in St. Louis where he grew up. They used to

721
00:34:54,120 --> 00:34:55,759
Speaker 1: do something called the road Call, and it with a

722
00:34:55,800 --> 00:34:58,279
Speaker 1: little something like this, who's the teacher with the with

723
00:34:58,320 --> 00:35:01,560
Speaker 1: the golden rule? Mr john sister Johnson? What's his name?

724
00:35:01,680 --> 00:35:05,000
Speaker 1: With the number one school? Shouting high something high? And

725
00:35:05,040 --> 00:35:07,719
Speaker 1: we're like, oh, that's cool as fun. Let's let's let's

726
00:35:07,719 --> 00:35:10,120
Speaker 1: expand on that. Flip it. So we came up with

727
00:35:10,400 --> 00:35:12,360
Speaker 1: the old school saying, well, it was already old school

728
00:35:12,360 --> 00:35:14,320
Speaker 1: saying how does that ship go? Like for real? It

729
00:35:14,440 --> 00:35:17,960
Speaker 1: was three to you want us to do it? You're

730
00:35:17,960 --> 00:35:20,200
Speaker 1: gonna wrap, I will, You're gonna do two bars, I'll

731
00:35:20,200 --> 00:35:21,839
Speaker 1: do it, so two bars too bar and then I'll

732
00:35:21,840 --> 00:35:23,560
Speaker 1: come in. Let's go to let's keep it, let's go

733
00:35:23,600 --> 00:35:25,799
Speaker 1: here we go, do a live road call. Ready, here

734
00:35:25,840 --> 00:35:29,440
Speaker 1: we go, Ready, three to one and one for the

735
00:35:29,480 --> 00:35:32,160
Speaker 1: trouble too full the time, it's the road call. Who's

736
00:35:32,200 --> 00:35:34,560
Speaker 1: on that line, that's blue right here up on the

737
00:35:34,760 --> 00:35:37,560
Speaker 1: line doing a real big cannabis talk one time, that's

738
00:35:37,600 --> 00:35:40,600
Speaker 1: our scrash and that maybe even where you're coming from, baby,

739
00:35:40,640 --> 00:35:43,279
Speaker 1: what city? It's big Joe from the place to be.

740
00:35:43,640 --> 00:35:46,319
Speaker 1: I'm born and raised in East sand ho g uh.

741
00:35:52,200 --> 00:35:55,920
Speaker 1: Were still got it fair, these old school fit, the

742
00:35:55,960 --> 00:36:00,160
Speaker 1: old walkers can still get down on my secret. We

743
00:36:00,200 --> 00:36:04,080
Speaker 1: did a demo of the Rod Call. Classic did a

744
00:36:04,120 --> 00:36:08,080
Speaker 1: demo of the Rod Call with Charlie Weddow. He was

745
00:36:08,520 --> 00:36:10,799
Speaker 1: one of the jocks on there, and it was like, hey, Charlie,

746
00:36:10,840 --> 00:36:13,200
Speaker 1: could can you call in and do this rap? We'll

747
00:36:13,200 --> 00:36:15,279
Speaker 1: write the rap for you. Nickel write the rap. So

748
00:36:15,320 --> 00:36:17,279
Speaker 1: he wrote the rap and Blue did it, recorded it,

749
00:36:17,719 --> 00:36:20,400
Speaker 1: and Rick heard it. He's like He's sit there and

750
00:36:20,440 --> 00:36:22,880
Speaker 1: looked at it for a second. He's like this, this

751
00:36:23,000 --> 00:36:25,839
Speaker 1: might do something. It's like, let's let's do this. Let's

752
00:36:25,840 --> 00:36:27,600
Speaker 1: do this, let's go with us. You guys do it,

753
00:36:27,760 --> 00:36:30,520
Speaker 1: and not too long. Once we got on Nights we

754
00:36:30,800 --> 00:36:33,200
Speaker 1: beat poor Man and then give you some history on this.

755
00:36:33,280 --> 00:36:34,920
Speaker 1: Ready for this. So I just told you how the

756
00:36:34,920 --> 00:36:37,279
Speaker 1: Bay stole that and made the Flavor boys. Right now,

757
00:36:37,280 --> 00:36:38,640
Speaker 1: I'm gonna tell you what the Bay did to these

758
00:36:38,719 --> 00:36:41,120
Speaker 1: dudes on that one. This is what the Bay did

759
00:36:41,120 --> 00:36:45,000
Speaker 1: these motherfucker's on that one. There was stole, but I'm

760
00:36:45,000 --> 00:36:47,200
Speaker 1: gonna get but I'm gonna give you a big fucking

761
00:36:47,360 --> 00:36:49,880
Speaker 1: name that stole from these cats on that one. And

762
00:36:50,000 --> 00:36:54,440
Speaker 1: his name goes by Jonathan A k A. Sway In Tech.

763
00:36:55,120 --> 00:36:57,760
Speaker 1: I love them dudes, and don't get it twisted their geez.

764
00:36:57,840 --> 00:37:01,280
Speaker 1: But they did the road call as well after at Camal.

765
00:37:01,680 --> 00:37:03,640
Speaker 1: I didn't know that, Oh what do you mean at Nights?

766
00:37:03,680 --> 00:37:07,040
Speaker 1: I think they called it the roll call steaking, you

767
00:37:07,080 --> 00:37:09,239
Speaker 1: know what I'm saying. So, and I love Swaying Tech.

768
00:37:09,280 --> 00:37:12,000
Speaker 1: At nights about now, we're throwing names out there, so

769
00:37:12,239 --> 00:37:14,720
Speaker 1: ed Andre in New York City Hot ninety seven. They

770
00:37:14,800 --> 00:37:16,840
Speaker 1: took the roll call from you know, and it's respectful

771
00:37:16,840 --> 00:37:18,880
Speaker 1: saying because he's what I love saying this, ready for this,

772
00:37:19,120 --> 00:37:20,840
Speaker 1: And I would say it right there to their faces.

773
00:37:21,239 --> 00:37:23,120
Speaker 1: All the stunts I did in the morning for the

774
00:37:23,320 --> 00:37:25,280
Speaker 1: for the Doghouse way back in the day. The jackass

775
00:37:25,280 --> 00:37:26,759
Speaker 1: folks were listening to we do it back then and

776
00:37:26,840 --> 00:37:29,440
Speaker 1: stole all my ideas and made fucking millions and billions

777
00:37:29,480 --> 00:37:30,880
Speaker 1: off you guys. And if they're sitting right here, I'm like,

778
00:37:31,040 --> 00:37:35,080
Speaker 1: ain't that true, motherfuck not? Because everybody told me that

779
00:37:35,239 --> 00:37:37,120
Speaker 1: was part of your movies. You guys got your ship

780
00:37:37,160 --> 00:37:39,080
Speaker 1: from the Doghouse, and I was the one doing those things.

781
00:37:39,400 --> 00:37:41,320
Speaker 1: So that's what I heard from firsthand from your team.

782
00:37:41,320 --> 00:37:43,359
Speaker 1: All right, So we gotta know. My point is, don't

783
00:37:43,400 --> 00:37:46,719
Speaker 1: be shy in radio. You have to have thick skin,

784
00:37:46,800 --> 00:37:49,560
Speaker 1: and you gotta be prepared to be jet and there's

785
00:37:49,600 --> 00:37:52,200
Speaker 1: nothing new under the sun, and just get over it.

786
00:37:52,239 --> 00:37:54,799
Speaker 1: I tell Blue that once he says, oh, such a dude,

787
00:37:55,080 --> 00:37:57,480
Speaker 1: it's the best thing. Let them go. I tell them that,

788
00:37:57,800 --> 00:37:59,640
Speaker 1: look at what they're doing. Look at that. Go cool. Now,

789
00:37:59,680 --> 00:38:01,640
Speaker 1: that means we did just just keeping this, keep doing

790
00:38:01,640 --> 00:38:04,719
Speaker 1: what we're doing. They're they're listening. The way I hear,

791
00:38:04,840 --> 00:38:06,600
Speaker 1: the way I look at it is like you're you're

792
00:38:06,640 --> 00:38:08,640
Speaker 1: all we're all chefs in our own way. Okay, you

793
00:38:08,640 --> 00:38:11,600
Speaker 1: can have the same ingredients, but you prepare it a

794
00:38:11,680 --> 00:38:17,120
Speaker 1: little different, and what we do is different. We have

795
00:38:17,200 --> 00:38:20,080
Speaker 1: a different energy about us, totally different. I loved coming

796
00:38:20,080 --> 00:38:21,879
Speaker 1: out and hearing you guys do what I tell you guys.

797
00:38:21,920 --> 00:38:25,000
Speaker 1: I loved it. I fucking love like I was one

798
00:38:25,040 --> 00:38:27,320
Speaker 1: of those guys that would come down here. I remember

799
00:38:27,320 --> 00:38:30,160
Speaker 1: going to be and coming out here and going to

800
00:38:30,239 --> 00:38:33,200
Speaker 1: I'm the Venice Beach and then banging you guys out,

801
00:38:33,239 --> 00:38:35,040
Speaker 1: I'm going down there and then like going to buy

802
00:38:35,040 --> 00:38:39,839
Speaker 1: like Boo your Tribe CDs and ship didn't even like

803
00:38:39,920 --> 00:38:42,160
Speaker 1: we had to call from our house lines and I

804
00:38:42,239 --> 00:38:46,560
Speaker 1: didn't have cell when that we would there was no

805
00:38:46,600 --> 00:38:48,759
Speaker 1: cell phones in there, so so we would sit by

806
00:38:48,800 --> 00:38:50,759
Speaker 1: the by the phone. Yeah, we would sit by the

807
00:38:50,760 --> 00:38:52,719
Speaker 1: phone to call that ship up. And we would have

808
00:38:53,000 --> 00:38:54,960
Speaker 1: you know, a couple of homies at home or in

809
00:38:54,960 --> 00:38:57,480
Speaker 1: the garage listening to the records and we'd be breakdancing

810
00:38:57,480 --> 00:39:00,000
Speaker 1: in the fucking garage. I mean, we're talking about an error,

811
00:39:00,360 --> 00:39:02,760
Speaker 1: and then we'll be right there trying to call. And

812
00:39:02,920 --> 00:39:05,080
Speaker 1: you know, finally to the point where our parents had

813
00:39:05,080 --> 00:39:07,840
Speaker 1: to put a freaking phone in the garage to have

814
00:39:08,080 --> 00:39:09,880
Speaker 1: us need it because they were like, we'd run in

815
00:39:09,920 --> 00:39:13,040
Speaker 1: the house and be like, no, we gotta make And

816
00:39:13,040 --> 00:39:15,480
Speaker 1: now that they changed the game because the live mixing,

817
00:39:15,520 --> 00:39:17,319
Speaker 1: because it's like, wait a minute, how they go right

818
00:39:17,400 --> 00:39:20,600
Speaker 1: into that song. I remember even learning the game of that,

819
00:39:20,760 --> 00:39:23,600
Speaker 1: like hitting the post of like new because you guys

820
00:39:23,640 --> 00:39:27,440
Speaker 1: kind of created that vibe of like new mixing and

821
00:39:27,600 --> 00:39:34,680
Speaker 1: new fucking power one oh six, and you right right,

822
00:39:34,719 --> 00:39:36,920
Speaker 1: you guys would come out the post, hit the post

823
00:39:37,120 --> 00:39:40,480
Speaker 1: like I caught that ship because I'm a radio fucking weirdo. Yeah,

824
00:39:40,480 --> 00:39:42,520
Speaker 1: I mean, like I get those little things which are

825
00:39:42,640 --> 00:39:44,880
Speaker 1: bracelets and ear rings and nice things on women, like

826
00:39:44,920 --> 00:39:46,840
Speaker 1: I noticed that on radio and the little things in

827
00:39:46,960 --> 00:39:51,080
Speaker 1: radio that make that makes somebody dope. And I noticed

828
00:39:51,120 --> 00:39:54,040
Speaker 1: that about you guys, and noticing like early on to

829
00:39:54,280 --> 00:39:57,000
Speaker 1: like they're doing that with real music live music. It

830
00:39:57,080 --> 00:40:00,359
Speaker 1: was just different DJ. From a DJ standpoint, this is

831
00:40:00,360 --> 00:40:02,359
Speaker 1: how we do things. It was rocking that mic live

832
00:40:02,440 --> 00:40:04,560
Speaker 1: on the air. That never happened on the air, only

833
00:40:04,560 --> 00:40:06,279
Speaker 1: in a club and let alone in New York. And

834
00:40:06,760 --> 00:40:09,200
Speaker 1: what disn't even happened, only happened in backyard Barbara. Barbara,

835
00:40:09,320 --> 00:40:11,280
Speaker 1: So me and the mic and Eric on the turntables

836
00:40:11,400 --> 00:40:13,359
Speaker 1: was just a perfect match. We look at each other,

837
00:40:13,480 --> 00:40:15,200
Speaker 1: we know what's coming in. We count each other and

838
00:40:15,239 --> 00:40:17,719
Speaker 1: we can talk. We have hand signals. It's a communication

839
00:40:17,760 --> 00:40:22,719
Speaker 1: without being in the same one. No, you're just one.

840
00:40:25,640 --> 00:40:27,839
Speaker 1: Let's just get out of this one. So, how does

841
00:40:27,920 --> 00:40:30,400
Speaker 1: the morning show gig? And how scared are you to

842
00:40:30,440 --> 00:40:33,040
Speaker 1: take that? You know what the beauty of us coming

843
00:40:33,040 --> 00:40:35,080
Speaker 1: from Bakersfield, we had no idea how big it was.

844
00:40:35,800 --> 00:40:38,280
Speaker 1: Sure that was the beauty of it. I can see that.

845
00:40:38,400 --> 00:40:41,520
Speaker 1: We had no idea. We went from Market seven to

846
00:40:41,640 --> 00:40:44,400
Speaker 1: market too. We just thought we went to LS. We

847
00:40:44,440 --> 00:40:47,719
Speaker 1: didn't know there was market sizes. We didn't know that,

848
00:40:48,120 --> 00:40:50,799
Speaker 1: which means, you know, and just being easy numbers. It

849
00:40:50,800 --> 00:40:53,200
Speaker 1: means from one people listening to you to one million

850
00:40:53,200 --> 00:40:56,839
Speaker 1: people listening to you pretty much, bam. So it's using

851
00:40:56,960 --> 00:41:00,120
Speaker 1: simple numbers. After doing the night show for six I

852
00:41:00,120 --> 00:41:01,799
Speaker 1: think six or eight months, eight months we were doing

853
00:41:01,840 --> 00:41:04,720
Speaker 1: the night show were dominating, we were killing everybody, and

854
00:41:04,800 --> 00:41:06,680
Speaker 1: he's like, I want to put you guys in the

855
00:41:06,680 --> 00:41:09,760
Speaker 1: morning show. He's like after six months, yeah, eight months,

856
00:41:09,920 --> 00:41:13,080
Speaker 1: eight months till that's not And so he goes he

857
00:41:13,120 --> 00:41:15,359
Speaker 1: goes to Doyle Rose, who's the GM at the time,

858
00:41:15,800 --> 00:41:25,799
Speaker 1: and yeah, he's like, Doyle, I'm gonna put these guys right, no, yeah, yeah, yeah.

859
00:41:25,840 --> 00:41:28,120
Speaker 1: He was the man. Doyle was like the big, big, big,

860
00:41:28,520 --> 00:41:30,880
Speaker 1: he's his boss him and Rick like, whoa yeah. So

861
00:41:30,960 --> 00:41:32,959
Speaker 1: he's like, I'm gonna put these guys in the morning show.

862
00:41:33,160 --> 00:41:36,200
Speaker 1: And Doyle looked at him like, are you crazy? How

863
00:41:36,239 --> 00:41:38,080
Speaker 1: am I supposed to sell this? I remember hearing that,

864
00:41:38,360 --> 00:41:40,360
Speaker 1: how am I supposed to sell this? And now Doyle

865
00:41:40,400 --> 00:41:43,439
Speaker 1: and Rick run that whole thing, yeah, which is crazy.

866
00:41:43,440 --> 00:41:45,680
Speaker 1: I don't know. So we went to the mornings, and

867
00:41:45,880 --> 00:41:50,440
Speaker 1: you know, within from the time we got there, about

868
00:41:50,680 --> 00:41:53,319
Speaker 1: nine ten months, we were in the morning show, you know,

869
00:41:53,840 --> 00:41:57,240
Speaker 1: and they knew they had something with us. So Rick says, Mornings,

870
00:41:57,280 --> 00:41:59,240
Speaker 1: you guys take it. Did he give you a producer?

871
00:41:59,239 --> 00:42:01,240
Speaker 1: You guys stick with the know we had a producer format,

872
00:42:01,320 --> 00:42:03,719
Speaker 1: We had a producer that was there already, So like,

873
00:42:03,760 --> 00:42:07,400
Speaker 1: who was it, Uh Stretch, Stretch, Roberts Stretch, Roberts um.

874
00:42:08,080 --> 00:42:10,880
Speaker 1: So we just call him Stretch. Crazy ass. Why dude,

875
00:42:11,440 --> 00:42:13,799
Speaker 1: you go from Stretch to us. I know I met

876
00:42:13,800 --> 00:42:15,839
Speaker 1: Stretch several times. Yeah, I know who's is in the game.

877
00:42:15,880 --> 00:42:18,440
Speaker 1: And then you have said Sketch later on in life too,

878
00:42:19,320 --> 00:42:22,160
Speaker 1: that's crazy. Sketch was more on the production side. He

879
00:42:22,239 --> 00:42:24,440
Speaker 1: wasn't like a producer like for us, you know. But

880
00:42:24,800 --> 00:42:26,800
Speaker 1: so we went to the morning show and and we

881
00:42:26,920 --> 00:42:30,200
Speaker 1: ended up being Start. We beat Stern, We beat um,

882
00:42:30,440 --> 00:42:32,399
Speaker 1: Rick D's, we beat Kevin and being all the big

883
00:42:32,400 --> 00:42:35,560
Speaker 1: guys at the time, we beat them all, all of them,

884
00:42:35,760 --> 00:42:38,720
Speaker 1: your news leader beat them all. I had no idea

885
00:42:38,840 --> 00:42:41,280
Speaker 1: how big it was by the way, you know, so

886
00:42:41,600 --> 00:42:44,319
Speaker 1: um and that's that's you know. We were there in

887
00:42:44,320 --> 00:42:47,239
Speaker 1: the mornings for like three years or something. But then

888
00:42:47,440 --> 00:42:50,360
Speaker 1: the music started changing. They started the whole There was

889
00:42:50,400 --> 00:42:51,800
Speaker 1: a big R and B wave and there was a

890
00:42:51,880 --> 00:42:54,160
Speaker 1: lack of music for especially for the West Coast hip

891
00:42:54,200 --> 00:42:56,200
Speaker 1: hop stuff. So there was a lull in the music

892
00:42:56,200 --> 00:42:59,040
Speaker 1: and they the identity of the station got lost, so

893
00:42:59,080 --> 00:43:01,319
Speaker 1: they went dance for a little while. Then they went

894
00:43:01,360 --> 00:43:05,359
Speaker 1: to r by Ship and it affected the numbers overall

895
00:43:05,080 --> 00:43:08,279
Speaker 1: all overall, so and there was also some management upper

896
00:43:08,280 --> 00:43:12,360
Speaker 1: management changes that wasn't really working for the station. And

897
00:43:12,560 --> 00:43:15,160
Speaker 1: until Steve Smith came back in, the station was down.

898
00:43:16,040 --> 00:43:19,120
Speaker 1: You know. Steve basically you know, turned the ship around. Sure.

899
00:43:19,640 --> 00:43:21,520
Speaker 1: You know by that time we were moved to afternoons

900
00:43:21,680 --> 00:43:23,600
Speaker 1: and we were there for you know, when did you

901
00:43:23,640 --> 00:43:25,840
Speaker 1: guys meet with Big? When Big came in there with

902
00:43:25,880 --> 00:43:27,680
Speaker 1: the Far Side. Is that how that happened? How did

903
00:43:27,680 --> 00:43:31,600
Speaker 1: that whole scenario that go? I don't remember how we met.

904
00:43:31,719 --> 00:43:33,440
Speaker 1: It was a Far Side at the I think it was.

905
00:43:34,080 --> 00:43:37,719
Speaker 1: I remember Big. He came with this is how here

906
00:43:37,760 --> 00:43:39,200
Speaker 1: we go. This is how I remember hearing the story

907
00:43:39,200 --> 00:43:41,879
Speaker 1: from Big. He came in there with Far Side, met

908
00:43:41,920 --> 00:43:44,439
Speaker 1: with you guys. The Baker boys, the Maker boys were like, dude,

909
00:43:44,440 --> 00:43:47,080
Speaker 1: you're cool. We're going to plug you with Brick Cummings.

910
00:43:47,120 --> 00:43:49,200
Speaker 1: So Big always gives it to you guys too, like

911
00:43:50,160 --> 00:43:53,239
Speaker 1: that's that's all that is true. It's just the way

912
00:43:53,280 --> 00:43:54,920
Speaker 1: it went down was a little bit different. It was

913
00:43:55,000 --> 00:43:57,919
Speaker 1: a lot different. Big was the phone call that came

914
00:43:57,960 --> 00:44:00,160
Speaker 1: every Friday night. You know, he wanted to be on

915
00:44:00,200 --> 00:44:02,879
Speaker 1: the radio. He wanted to hear Pistol Grip Pump, which

916
00:44:02,920 --> 00:44:06,680
Speaker 1: was our song, the song that the Baker Boys produced,

917
00:44:06,680 --> 00:44:08,960
Speaker 1: and you know, he would always blow up us and say,

918
00:44:09,000 --> 00:44:14,000
Speaker 1: I love this song right again. And then you know,

919
00:44:14,520 --> 00:44:16,760
Speaker 1: we went out to eat a couple of times together.

920
00:44:16,880 --> 00:44:19,480
Speaker 1: We started growing closer. I started buying things from him

921
00:44:19,480 --> 00:44:22,200
Speaker 1: that I shouldn't have been buying. A big so big,

922
00:44:22,440 --> 00:44:25,279
Speaker 1: big game down right. Yeah. Yeah, So you know they

923
00:44:25,760 --> 00:44:28,960
Speaker 1: kind of grew the relationship like that, and eventually him

924
00:44:29,000 --> 00:44:33,360
Speaker 1: and Fuzzy asked to do a spot on Friday Night Flavors,

925
00:44:33,360 --> 00:44:35,439
Speaker 1: which we said yes too because we're giving like that.

926
00:44:36,400 --> 00:44:39,759
Speaker 1: And um, that's when Rick Cummings happened to be there

927
00:44:39,840 --> 00:44:42,080
Speaker 1: that night, just hanging out with us in the studio,

928
00:44:42,680 --> 00:44:44,480
Speaker 1: and he called me in the studio and called me

929
00:44:44,480 --> 00:44:45,880
Speaker 1: in his office. He's like, who's that guy? Are you

930
00:44:45,880 --> 00:44:48,000
Speaker 1: over there? I was like, that's Kurt. That's a big boy.

931
00:44:48,040 --> 00:44:50,000
Speaker 1: And I'm like, um, He's like, can I meet him?

932
00:44:50,000 --> 00:44:52,239
Speaker 1: I'm like, yeah, I'll introduce you, no problem. That's how

933
00:44:52,239 --> 00:44:55,240
Speaker 1: it happened. How I mean, I hear it very similar,

934
00:44:55,280 --> 00:44:58,320
Speaker 1: but like you know, which is it always gets given

935
00:44:58,320 --> 00:45:00,560
Speaker 1: back to you guys, which is dope, Thank you and

936
00:45:00,840 --> 00:45:03,480
Speaker 1: well deserved well. And it's facts, like I said. Just

937
00:45:03,520 --> 00:45:05,880
Speaker 1: like I said, don't hide from who else because if

938
00:45:05,920 --> 00:45:07,600
Speaker 1: I was just here and see the jackass guts are

939
00:45:07,640 --> 00:45:09,480
Speaker 1: like yo, you know everybody, these are just the facts

940
00:45:09,520 --> 00:45:11,880
Speaker 1: of what we heard unless it's wrong, because most cannabis

941
00:45:11,960 --> 00:45:14,880
Speaker 1: knew you right, that's the way we went down. You

942
00:45:14,920 --> 00:45:17,440
Speaker 1: can't have histories of what people have done and what

943
00:45:17,600 --> 00:45:19,239
Speaker 1: you guys have done. That's why I say, it's so

944
00:45:19,280 --> 00:45:21,319
Speaker 1: dope to think of these legacies that you guys done.

945
00:45:21,440 --> 00:45:23,200
Speaker 1: And speaking of legacies that you guys are doing, I

946
00:45:23,239 --> 00:45:26,640
Speaker 1: want to talk about this Gulf benefit June and Downey.

947
00:45:26,840 --> 00:45:29,160
Speaker 1: I mean, it's four at risk kids. We're gonna come

948
00:45:29,160 --> 00:45:31,560
Speaker 1: back and talk all about this. It's Cannabis Talk one

949
00:45:31,560 --> 00:45:33,640
Speaker 1: on one with the Baker Boys. Will be right back

950
00:45:33,640 --> 00:45:36,719
Speaker 1: after this. We'll be right back with Cannabis Talk one

951
00:45:36,800 --> 00:45:49,000
Speaker 1: oh one. Welcome back to Cannabis Talk one oh one

952
00:45:49,120 --> 00:45:52,080
Speaker 1: but Tender Awards created by G four Live with the

953
00:45:52,160 --> 00:45:55,040
Speaker 1: vision to be the most ambitious and essential cannabis event ever.

954
00:45:55,160 --> 00:45:57,319
Speaker 1: This show is designed for people that want to take

955
00:45:57,360 --> 00:45:59,160
Speaker 1: their business to the next level. Join us at the

956
00:45:59,200 --> 00:46:03,239
Speaker 1: Las Vegas Beautiful Strip, May eleventh of the fourteen two

957
00:46:03,280 --> 00:46:07,760
Speaker 1: at the all New Resort world Snoop Dog Travis Barker. Congratulations,

958
00:46:07,760 --> 00:46:10,759
Speaker 1: Travis Barker just got married to apparently in Vegas. They're

959
00:46:10,760 --> 00:46:12,880
Speaker 1: gonna be performing all the way live together for the

960
00:46:12,920 --> 00:46:15,360
Speaker 1: first time. If you don't go, you don't grow, and

961
00:46:15,400 --> 00:46:17,319
Speaker 1: we're all gonna be there, and we're here with the

962
00:46:17,320 --> 00:46:19,600
Speaker 1: Baker Boys. We just for talking before we went to

963
00:46:19,600 --> 00:46:22,960
Speaker 1: break about the tail legendary things that they're doing. And

964
00:46:23,640 --> 00:46:25,480
Speaker 1: one of the things I just like about people in

965
00:46:25,560 --> 00:46:27,560
Speaker 1: general is only give back. And one thing that you

966
00:46:27,680 --> 00:46:30,200
Speaker 1: just heard Nick says, they've always been given back with

967
00:46:30,239 --> 00:46:31,960
Speaker 1: Fuzzy and Big that's where they let them get on it.

968
00:46:32,040 --> 00:46:33,799
Speaker 1: And for those who don't know, Fuzzy's known as the

969
00:46:33,840 --> 00:46:37,040
Speaker 1: connector now and it's fucking connected with every major artist

970
00:46:37,080 --> 00:46:39,560
Speaker 1: you can imagine, folks. And Big Boy is Big Boy,

971
00:46:39,600 --> 00:46:41,080
Speaker 1: and if you don't know who he is, just typing

972
00:46:41,120 --> 00:46:42,719
Speaker 1: b I G B O Y And these are the

973
00:46:42,719 --> 00:46:44,279
Speaker 1: type of guys that came from these guys as well

974
00:46:44,320 --> 00:46:47,520
Speaker 1: as Fuzzy. Fuzzy's a very big influential character in this game,

975
00:46:47,560 --> 00:46:49,439
Speaker 1: as you guys are influential characters in this game, which

976
00:46:49,480 --> 00:46:52,040
Speaker 1: is dope. But the thing that I love best about

977
00:46:52,120 --> 00:46:55,840
Speaker 1: your evolution is what you're doing now, which is helping

978
00:46:56,000 --> 00:46:58,880
Speaker 1: risk youth. And now we have a big golf benefit

979
00:46:58,960 --> 00:47:01,600
Speaker 1: going down June twenty seventh and Downey. You don't never

980
00:47:01,640 --> 00:47:03,560
Speaker 1: have to do anything like this. Nobody does. Let's just

981
00:47:03,600 --> 00:47:05,360
Speaker 1: face it, you know. But it's a good case. But

982
00:47:05,440 --> 00:47:07,280
Speaker 1: where does this come from? And what's this all about?

983
00:47:07,560 --> 00:47:10,279
Speaker 1: A friend of ours that actually was connected to our brother,

984
00:47:10,320 --> 00:47:13,279
Speaker 1: frank Um with the record pool with Kali King's had

985
00:47:13,360 --> 00:47:15,360
Speaker 1: hit us up about it and he said, hey, you

986
00:47:15,360 --> 00:47:17,400
Speaker 1: guys want to do a golf tournament that that uh

987
00:47:17,680 --> 00:47:20,120
Speaker 1: he said, it'll be good for Downy at rescues. Then

988
00:47:20,160 --> 00:47:22,879
Speaker 1: we're like, yeah, absolutely, let's do Downy. So I will

989
00:47:22,880 --> 00:47:25,200
Speaker 1: be there. Okay, I'm originally from Downey, so I gotta

990
00:47:25,200 --> 00:47:27,160
Speaker 1: be there. Okay, Yeah, you know what I'm saying. You

991
00:47:27,280 --> 00:47:31,640
Speaker 1: have to be there. So we're looking for golfers, we're

992
00:47:31,640 --> 00:47:34,319
Speaker 1: looking for sponsors, people to be involved with it, the

993
00:47:34,360 --> 00:47:37,640
Speaker 1: whole thing, the whole situation. Down nations, Yeah, donations. It's

994
00:47:37,680 --> 00:47:42,320
Speaker 1: all for for Southeast Community Foundation. And so you guys

995
00:47:42,320 --> 00:47:45,080
Speaker 1: can get more information hit us up on our Instagram

996
00:47:45,160 --> 00:47:48,480
Speaker 1: or whatever. Also, there's a email is where I think

997
00:47:48,520 --> 00:47:51,840
Speaker 1: it's Baker Boys Golf Benefit at gmail dot com. Also

998
00:47:52,000 --> 00:47:55,879
Speaker 1: five six to two eleven sixty four is the number

999
00:47:55,960 --> 00:47:58,879
Speaker 1: five six to two hundred eleven sixty four as well

1000
00:47:58,920 --> 00:48:02,160
Speaker 1: as Baker Boys Golf Benefit, which is b A B

1001
00:48:02,320 --> 00:48:04,759
Speaker 1: O y Z. Everything else is the same. It's at

1002
00:48:04,800 --> 00:48:07,000
Speaker 1: the real Hondo Golf Club, guys, and and and and

1003
00:48:07,040 --> 00:48:08,799
Speaker 1: that's you know what I mean, really important to know.

1004
00:48:08,880 --> 00:48:10,920
Speaker 1: Like for me, I appreciate you guys getting involved in

1005
00:48:10,920 --> 00:48:13,640
Speaker 1: that because I'm originally from that area, you know. And

1006
00:48:13,640 --> 00:48:16,560
Speaker 1: and as much as people don't know, that's the melting

1007
00:48:16,600 --> 00:48:19,880
Speaker 1: pot of of everywhere, like you're surrounded by Lynnwood, Compton,

1008
00:48:19,960 --> 00:48:23,280
Speaker 1: south Gate, Downey, you know, Norwalk Paramount. It's just that

1009
00:48:23,280 --> 00:48:26,359
Speaker 1: that's a melting pot, you know, for for for the hood,

1010
00:48:26,480 --> 00:48:30,439
Speaker 1: for the hood, for everything that comes and that goes

1011
00:48:30,440 --> 00:48:33,000
Speaker 1: for imports and exports. Folks, it's melting so much that

1012
00:48:33,120 --> 00:48:37,520
Speaker 1: I have Imperial tattooed on my arm. I ever realized

1013
00:48:37,560 --> 00:48:41,440
Speaker 1: how big Imperial Highway was on the street. That's a

1014
00:48:41,440 --> 00:48:44,080
Speaker 1: pretty big highway. Down He does hold it down on

1015
00:48:44,120 --> 00:48:47,160
Speaker 1: all aspects of what Downy does, which is funny for

1016
00:48:47,200 --> 00:48:49,200
Speaker 1: people listening down He is one of those towns and

1017
00:48:49,320 --> 00:48:52,120
Speaker 1: cities that like does more than it's just a city

1018
00:48:52,200 --> 00:48:55,000
Speaker 1: from all sides of pols a lot of fun stuff there.

1019
00:48:55,040 --> 00:48:57,040
Speaker 1: It's just a crazy area. Like there's a lot of

1020
00:48:57,080 --> 00:48:59,719
Speaker 1: things in Downey that are real, real ship that can

1021
00:48:59,719 --> 00:49:01,800
Speaker 1: happen all over the world. We're trying to make it

1022
00:49:01,840 --> 00:49:04,920
Speaker 1: a little bit better, but no, and you guys are

1023
00:49:04,920 --> 00:49:06,920
Speaker 1: helping it. So this is dope. So folks want to

1024
00:49:06,920 --> 00:49:09,200
Speaker 1: get involved with that, get involved with that. I love

1025
00:49:09,239 --> 00:49:11,640
Speaker 1: that you guys are doing that. There. You mentioned about

1026
00:49:11,680 --> 00:49:13,920
Speaker 1: producing music, and we talked about some of those songs.

1027
00:49:14,040 --> 00:49:16,160
Speaker 1: Are you guys still producing because look at the bangers

1028
00:49:16,200 --> 00:49:18,520
Speaker 1: you guys have done. It's not like you guys are

1029
00:49:18,600 --> 00:49:24,840
Speaker 1: some one hit random. Why you guys got big, big hits? Ye,

1030
00:49:26,160 --> 00:49:29,200
Speaker 1: classical If you guys have worked with other good, big artists, Yes,

1031
00:49:29,360 --> 00:49:31,600
Speaker 1: of course, you know. It's just not done. We're not done.

1032
00:49:31,760 --> 00:49:33,520
Speaker 1: You know what's crazy though, I'll tell you one thing

1033
00:49:33,560 --> 00:49:36,160
Speaker 1: that like, you know one that one big hit right

1034
00:49:36,239 --> 00:49:38,120
Speaker 1: this second, do you guys you guys have the rights

1035
00:49:38,120 --> 00:49:41,879
Speaker 1: to that still, Um, we're looking into that because there's

1036
00:49:41,920 --> 00:49:45,120
Speaker 1: a time limit where they can own certain things. And

1037
00:49:45,160 --> 00:49:47,040
Speaker 1: you talk to David Salace about that because you know

1038
00:49:47,080 --> 00:49:50,240
Speaker 1: David Salas. You remember David. I don't think David Salas

1039
00:49:50,239 --> 00:49:54,400
Speaker 1: is Rudy Salas, his son, Rudy Salace this together. Yeah, okay,

1040
00:49:54,400 --> 00:49:57,240
Speaker 1: so you guys remember Rudy. Okay, so David is doing

1041
00:49:57,360 --> 00:50:00,000
Speaker 1: he's going back right now and he's fighting for everybody,

1042
00:50:00,360 --> 00:50:02,520
Speaker 1: is right. I'll get you, I'll get you with him.

1043
00:50:03,040 --> 00:50:05,920
Speaker 1: But once you do get with him, that's when you

1044
00:50:05,960 --> 00:50:08,800
Speaker 1: go back to like now Instagram and you get everybody

1045
00:50:08,840 --> 00:50:11,120
Speaker 1: doing one of those pistol grip and we get it

1046
00:50:11,239 --> 00:50:14,600
Speaker 1: viral again on with bigs and everybody else, push the

1047
00:50:14,600 --> 00:50:16,080
Speaker 1: ship out of it, and then it starts a new

1048
00:50:16,200 --> 00:50:19,080
Speaker 1: trend and then you get all your paper again. That's

1049
00:50:19,080 --> 00:50:21,719
Speaker 1: what happens. Yes, yes, I'm just I'm just you know,

1050
00:50:22,080 --> 00:50:24,000
Speaker 1: looking at that, I mean that might be something that

1051
00:50:24,080 --> 00:50:27,600
Speaker 1: David could help you guys get it. Do that. And folks,

1052
00:50:27,600 --> 00:50:29,440
Speaker 1: you guys gotta watch this Twitch show because I've been

1053
00:50:29,480 --> 00:50:32,000
Speaker 1: seeing it on the Twitch show and correct me if

1054
00:50:32,000 --> 00:50:34,120
Speaker 1: I'm wrong. You guys, pick a topic, talk about it,

1055
00:50:34,200 --> 00:50:35,920
Speaker 1: say a few thoughts on it, and give it. And

1056
00:50:35,920 --> 00:50:38,280
Speaker 1: I've got to tell you what I've seen. I love actually,

1057
00:50:38,320 --> 00:50:42,640
Speaker 1: oh man, thank you. Um it's basically behind it's behind

1058
00:50:42,640 --> 00:50:45,080
Speaker 1: the scenes radio show live. So like if you were

1059
00:50:45,120 --> 00:50:46,680
Speaker 1: fly on the walls, what you would see at a

1060
00:50:46,760 --> 00:50:49,480
Speaker 1: radio station because for the most part, you don't see it.

1061
00:50:49,680 --> 00:50:52,560
Speaker 1: You don't see everything that happens behind the scenes. What

1062
00:50:52,600 --> 00:50:55,680
Speaker 1: we're talking about, what we're what we're arguing about, what

1063
00:50:55,840 --> 00:50:57,719
Speaker 1: I tell him you can't say that, just and that,

1064
00:50:57,800 --> 00:51:00,799
Speaker 1: you know, checking each other on everything. And we got

1065
00:51:00,880 --> 00:51:02,719
Speaker 1: a chat room in there, so the audience gets to

1066
00:51:02,800 --> 00:51:04,759
Speaker 1: choose what we talk about. Yeah, so we'll give them

1067
00:51:04,760 --> 00:51:07,040
Speaker 1: two topics, two or three topics. Just watch them right

1068
00:51:07,040 --> 00:51:08,880
Speaker 1: here and do the same thing. Yeah, can you mind

1069
00:51:08,920 --> 00:51:14,200
Speaker 1: if we jock you guys on that as long as yeah, no, though,

1070
00:51:14,239 --> 00:51:18,239
Speaker 1: you all should come over here and let's starting, like, hey,

1071
00:51:18,360 --> 00:51:19,520
Speaker 1: can you guys show us how to do because I

1072
00:51:19,560 --> 00:51:21,239
Speaker 1: want to do it. And then if you like how

1073
00:51:21,280 --> 00:51:23,200
Speaker 1: we do, go watch theirs too. I'm saying, the chat

1074
00:51:23,239 --> 00:51:24,719
Speaker 1: could be right there and you could be talking and

1075
00:51:24,760 --> 00:51:26,480
Speaker 1: you could be you know, going back before or even

1076
00:51:26,480 --> 00:51:30,160
Speaker 1: on that pic whatever we got. You know what's crazy

1077
00:51:30,200 --> 00:51:31,799
Speaker 1: is because we we we look at that, we we

1078
00:51:31,840 --> 00:51:34,799
Speaker 1: can't do the actual show because it has to air

1079
00:51:34,880 --> 00:51:37,560
Speaker 1: it first on our heart right, but then but we

1080
00:51:37,560 --> 00:51:40,160
Speaker 1: could do all the background ship just like doing I'm

1081
00:51:40,160 --> 00:51:41,480
Speaker 1: saying we could do that. That's why I said we

1082
00:51:41,520 --> 00:51:43,759
Speaker 1: could do what they do. I totally yeah. And it's

1083
00:51:43,800 --> 00:51:45,440
Speaker 1: funny when he said that, though. The first thing that

1084
00:51:45,480 --> 00:51:48,319
Speaker 1: came to my mind is like, that's what historically has

1085
00:51:48,360 --> 00:51:50,360
Speaker 1: happened and with you guys, is that you guys have

1086
00:51:50,440 --> 00:51:53,640
Speaker 1: these brilliant ideas and then you guys are either blessed

1087
00:51:53,920 --> 00:51:56,239
Speaker 1: other folks to to get to those levels, and then

1088
00:51:56,600 --> 00:51:58,600
Speaker 1: one you've been blessed yourself to be able to do

1089
00:51:58,640 --> 00:52:01,840
Speaker 1: those things. And that's fence. It's about continuing to innovate

1090
00:52:02,040 --> 00:52:05,000
Speaker 1: and make ourselves better. We're always trying to better ourselves

1091
00:52:05,000 --> 00:52:06,680
Speaker 1: and be the best that what we can do here

1092
00:52:06,719 --> 00:52:11,080
Speaker 1: while we're still here, you know, work at a high level, respectfully,

1093
00:52:11,440 --> 00:52:14,040
Speaker 1: do what we do best, and we're still, like I said,

1094
00:52:14,120 --> 00:52:16,879
Speaker 1: learning talk about where I want you to hurt your

1095
00:52:16,880 --> 00:52:19,479
Speaker 1: elbow and patting your guysselves, but patt each other because

1096
00:52:19,520 --> 00:52:21,960
Speaker 1: I want to hear some of the names of the people.

1097
00:52:22,480 --> 00:52:24,400
Speaker 1: And I'm only saying this because I would love somebody

1098
00:52:24,400 --> 00:52:26,360
Speaker 1: to ask me this randomly, and you guys will be

1099
00:52:26,400 --> 00:52:28,960
Speaker 1: able to give good answers, which is give me some

1100
00:52:29,000 --> 00:52:31,080
Speaker 1: of those names that you guys helped us interns that

1101
00:52:31,120 --> 00:52:33,560
Speaker 1: are just killing it that now, like you said, the Fuss,

1102
00:52:33,600 --> 00:52:35,960
Speaker 1: he's in the big right, Give me some more of those.

1103
00:52:36,400 --> 00:52:38,120
Speaker 1: And I already can think of a couple that I

1104
00:52:38,160 --> 00:52:39,440
Speaker 1: know that you guys have done, but I don't even

1105
00:52:39,480 --> 00:52:41,279
Speaker 1: want to If you don't say those, then I'll be like, oh,

1106
00:52:41,400 --> 00:52:43,440
Speaker 1: what about this one? What about Because you guys got

1107
00:52:43,440 --> 00:52:45,680
Speaker 1: cats that are working with Mariah Carey. If you guys

1108
00:52:45,680 --> 00:52:48,240
Speaker 1: got you know, and you guys like, we don't keeping

1109
00:52:48,520 --> 00:52:50,360
Speaker 1: I know you don't, but there's cats that just do.

1110
00:52:50,800 --> 00:52:53,000
Speaker 1: You guys have had people coming. If it wasn't for you,

1111
00:52:53,080 --> 00:52:55,440
Speaker 1: I would never have gotten this. I mean, we all

1112
00:52:55,480 --> 00:52:56,879
Speaker 1: have that have been in the game for a long time.

1113
00:52:56,880 --> 00:52:59,040
Speaker 1: But maybe some of them don't want to claim. Anybody

1114
00:53:00,000 --> 00:53:03,040
Speaker 1: know what you're saying. But so people that we've worked

1115
00:53:03,040 --> 00:53:05,520
Speaker 1: with that have gone on to do great things. Carolina

1116
00:53:05,800 --> 00:53:08,840
Speaker 1: Bermudez out of New York. She's on the radio in

1117
00:53:08,880 --> 00:53:11,560
Speaker 1: New York right now. We met her in Miami. Yeah,

1118
00:53:11,600 --> 00:53:13,880
Speaker 1: she was not on the radio, but we pulled her

1119
00:53:13,920 --> 00:53:17,360
Speaker 1: into the radio station. Eric did I was at the

1120
00:53:17,440 --> 00:53:21,440
Speaker 1: Miami Billboard Awards. UM Latin Billboards, bill Board Awards. She

1121
00:53:21,480 --> 00:53:24,040
Speaker 1: was there handing pamphlets out and I started talking to

1122
00:53:24,120 --> 00:53:26,719
Speaker 1: her and then you know, I started talking to I

1123
00:53:26,719 --> 00:53:28,439
Speaker 1: was like, wow, you you really have a really good

1124
00:53:28,440 --> 00:53:30,759
Speaker 1: person out. Have you done radio before? And she's like,

1125
00:53:30,800 --> 00:53:33,719
Speaker 1: I'm going to school for that right now, communications at

1126
00:53:33,800 --> 00:53:36,319
Speaker 1: the college over here in Miami. I was like, we'll

1127
00:53:36,360 --> 00:53:39,280
Speaker 1: come see us. We're looking for intern come through and

1128
00:53:39,560 --> 00:53:43,640
Speaker 1: we had her br intern from Yeah, So I brought

1129
00:53:43,680 --> 00:53:45,759
Speaker 1: her in and you know, she was with us for

1130
00:53:45,920 --> 00:53:48,120
Speaker 1: three or four months. Um, you know, they had a

1131
00:53:48,120 --> 00:53:50,680
Speaker 1: limit on how long the interns could say, so she

1132
00:53:50,719 --> 00:53:54,040
Speaker 1: had to go after that, but she entered a contest

1133
00:53:54,200 --> 00:53:56,200
Speaker 1: on the other station, which was the pop station. She

1134
00:53:56,280 --> 00:53:58,600
Speaker 1: did want to work with us at a time, but

1135
00:53:58,680 --> 00:54:01,240
Speaker 1: that didn't happen. But any way, so the pop station

1136
00:54:01,320 --> 00:54:03,719
Speaker 1: she entered the contest ended up winning and being the

1137
00:54:03,719 --> 00:54:06,080
Speaker 1: co host. So she became a co host for the

1138
00:54:06,120 --> 00:54:08,919
Speaker 1: pop radio show, which was probably the best Miami yeah

1139
00:54:09,000 --> 00:54:11,040
Speaker 1: for the for the in the same building because it

1140
00:54:11,120 --> 00:54:14,120
Speaker 1: was run by Clear Channel, which became our heart later

1141
00:54:14,120 --> 00:54:15,719
Speaker 1: as soon as you guys were working in my hand, yeah,

1142
00:54:15,760 --> 00:54:19,160
Speaker 1: this is where in Miami. Yeah, So she became the

1143
00:54:19,239 --> 00:54:22,239
Speaker 1: side kick for that morning show done well, and they

1144
00:54:22,280 --> 00:54:24,759
Speaker 1: discovered her in New York. They brought her to New

1145
00:54:24,840 --> 00:54:27,120
Speaker 1: York and with the KTU, she was working with Elvis

1146
00:54:27,200 --> 00:54:31,680
Speaker 1: Durant als renting, so she was working with Elvis, Yeah,

1147
00:54:31,719 --> 00:54:35,680
Speaker 1: and Elvis, Ryan Seacris is the big boys. Yeah. So

1148
00:54:35,760 --> 00:54:38,600
Speaker 1: she was there for many years. And also she did

1149
00:54:38,719 --> 00:54:41,120
Speaker 1: like uh cost co hosting on what's the name of

1150
00:54:41,120 --> 00:54:44,200
Speaker 1: that show? The Whoopie Goldberg's on I Forget. She was

1151
00:54:44,200 --> 00:54:46,200
Speaker 1: on the view a couple of times. She's done TV.

1152
00:54:46,520 --> 00:54:49,719
Speaker 1: She's gone on to do great things as far as

1153
00:54:49,760 --> 00:54:52,120
Speaker 1: that goes best as far as the radio. So we're

1154
00:54:52,160 --> 00:54:54,960
Speaker 1: still friends and and she's she's by far been the

1155
00:54:55,000 --> 00:54:58,440
Speaker 1: most grateful person of everybody that we've opened door for.

1156
00:54:59,480 --> 00:55:01,600
Speaker 1: She is never in different when you go to New

1157
00:55:01,680 --> 00:55:03,600
Speaker 1: York and you run into those radio people running too

1158
00:55:03,600 --> 00:55:05,319
Speaker 1: my girl, Nest Nitty because I did the same thing

1159
00:55:05,320 --> 00:55:09,080
Speaker 1: for Nest Nick seven and she's calling Kaepernick's right hand

1160
00:55:09,120 --> 00:55:11,240
Speaker 1: and she's so funny because she came to my spot

1161
00:55:11,280 --> 00:55:13,879
Speaker 1: in Santa Clarita. When I'm out here, she's working rady

1162
00:55:13,920 --> 00:55:16,240
Speaker 1: on the base. She's depressed, she got leg whatever, whatever

1163
00:55:16,640 --> 00:55:19,320
Speaker 1: I go, Nest, you are dope and Belly was with

1164
00:55:19,680 --> 00:55:22,600
Speaker 1: me to Fally helped pick her up too. We had her.

1165
00:55:22,840 --> 00:55:24,960
Speaker 1: We all met that. We've seen people when they're just

1166
00:55:25,000 --> 00:55:27,520
Speaker 1: down and out the gigs radio. Does you know what

1167
00:55:27,560 --> 00:55:29,560
Speaker 1: I mean? Right? So I got her when she was

1168
00:55:29,600 --> 00:55:33,319
Speaker 1: at her I'm gonna do I T I don't know

1169
00:55:33,320 --> 00:55:34,960
Speaker 1: what I'm gonna do. You know what I mean? I'm

1170
00:55:35,000 --> 00:55:38,840
Speaker 1: like Gril. But who wasn't her Nest Nitt mid days

1171
00:55:38,880 --> 00:55:42,880
Speaker 1: at fucking hot night seven. She said, the case's on MTV.

1172
00:55:43,040 --> 00:55:45,040
Speaker 1: She's the ship. She's a huge, huge huice now. But

1173
00:55:45,080 --> 00:55:46,759
Speaker 1: the same concept. When you see a girl like that,

1174
00:55:46,800 --> 00:55:48,760
Speaker 1: you're like, oh, my point is I love that feeling.

1175
00:55:49,120 --> 00:55:51,880
Speaker 1: Another brother of ours who came up with us. His

1176
00:55:51,960 --> 00:55:55,279
Speaker 1: name is Jay Love and Jay Levin's Vegas New No no, No,

1177
00:55:55,320 --> 00:55:59,480
Speaker 1: that's different Love, Jay Love pushing shove the John Halterman,

1178
00:55:59,800 --> 00:56:03,480
Speaker 1: who was now the president of DASH Radio. Um he

1179
00:56:03,520 --> 00:56:11,319
Speaker 1: came in. Yeah, so j lev came to us via

1180
00:56:11,400 --> 00:56:14,080
Speaker 1: Big Boy. As a matter of fact, Um, for my

1181
00:56:15,080 --> 00:56:18,840
Speaker 1: he was he had started a car stereo stuff. His

1182
00:56:18,960 --> 00:56:22,000
Speaker 1: brother was into amps and worked for a company. He's like,

1183
00:56:22,040 --> 00:56:24,120
Speaker 1: I'll set you up. Just bring me your car and

1184
00:56:24,120 --> 00:56:29,160
Speaker 1: I'll put a sound. He gave me eighties. I don't

1185
00:56:29,200 --> 00:56:32,320
Speaker 1: know what you put in my fucking my Cadillac or

1186
00:56:32,360 --> 00:56:34,440
Speaker 1: whatever I had at the time, and he just gave

1187
00:56:34,480 --> 00:56:36,640
Speaker 1: me a booming sound system and we started off and

1188
00:56:36,680 --> 00:56:38,719
Speaker 1: then he went. He started with us at Power one

1189
00:56:38,760 --> 00:56:41,440
Speaker 1: of six. He was the first one to help us

1190
00:56:41,480 --> 00:56:45,759
Speaker 1: record our shows onto a computer. He brought his computer rup.

1191
00:56:45,800 --> 00:56:48,319
Speaker 1: It's just like, way before anybody was doing any of

1192
00:56:48,320 --> 00:56:49,920
Speaker 1: this digital ship. He's like, you got to record it

1193
00:56:49,960 --> 00:56:52,680
Speaker 1: on computer. Yeah. He had a program called Creamware that

1194
00:56:52,719 --> 00:56:55,000
Speaker 1: we had never heard of before. So he got us

1195
00:56:55,000 --> 00:56:58,960
Speaker 1: into really even more technical digital side. Yeah. So he

1196
00:56:59,000 --> 00:57:01,640
Speaker 1: really showed us a lot of stuff on the digital side.

1197
00:57:01,719 --> 00:57:03,400
Speaker 1: So he was our friend, been our friend, and then

1198
00:57:03,480 --> 00:57:05,480
Speaker 1: it still our friends. It's still is a brother now.

1199
00:57:05,560 --> 00:57:08,799
Speaker 1: But he moved in with us to San Francisco to

1200
00:57:08,840 --> 00:57:11,920
Speaker 1: become our producer. Then he went with us to Miami,

1201
00:57:12,040 --> 00:57:14,560
Speaker 1: became a producers, stayed there many years, produced for other

1202
00:57:14,560 --> 00:57:17,919
Speaker 1: people as well after we left UM and then now

1203
00:57:18,080 --> 00:57:20,480
Speaker 1: you know, the president of Dash Radio. So you know,

1204
00:57:20,480 --> 00:57:22,680
Speaker 1: we've just been so blessed to have so many good

1205
00:57:22,680 --> 00:57:24,840
Speaker 1: people around us that help us get to this level.

1206
00:57:24,840 --> 00:57:26,680
Speaker 1: As you know, as much as we say it's just

1207
00:57:26,800 --> 00:57:29,560
Speaker 1: only us. There's a handful of brothers that have been

1208
00:57:29,560 --> 00:57:33,200
Speaker 1: there behind the scenes that would support us. But you

1209
00:57:33,240 --> 00:57:35,440
Speaker 1: know me, and yeah, they're telling that you guys have

1210
00:57:35,600 --> 00:57:36,960
Speaker 1: is what did it? But you guys have always had

1211
00:57:36,960 --> 00:57:40,120
Speaker 1: a team. It always takes a team. Just like we

1212
00:57:40,160 --> 00:57:42,760
Speaker 1: can't just be talking on these mikes without everybody doing

1213
00:57:42,800 --> 00:57:45,680
Speaker 1: there helping something. Yeah, just like my my headphones now

1214
00:57:45,720 --> 00:57:47,920
Speaker 1: working at the beginning, it's like, Okay, who didn't do that?

1215
00:57:48,800 --> 00:57:51,040
Speaker 1: But it's it's great and it's always great to see

1216
00:57:51,040 --> 00:57:52,840
Speaker 1: that because you guys have had such a great run

1217
00:57:52,880 --> 00:57:55,560
Speaker 1: with it and all this great stuff. And did you

1218
00:57:55,560 --> 00:57:59,640
Speaker 1: guys smoke weed back in the day? To Nick was

1219
00:57:59,640 --> 00:58:03,600
Speaker 1: the guy we don't bother me No, Listen. You know

1220
00:58:03,920 --> 00:58:08,200
Speaker 1: we started working with Kid Frost and all the rappers

1221
00:58:08,280 --> 00:58:10,640
Speaker 1: back then, and we even met be Real early on,

1222
00:58:10,960 --> 00:58:13,280
Speaker 1: and we worked with be Real um in Cy Priscilla

1223
00:58:13,280 --> 00:58:17,040
Speaker 1: and doing remixes and stuff. But we never smoked around

1224
00:58:17,080 --> 00:58:19,560
Speaker 1: them or with them because we were just so focused

1225
00:58:19,560 --> 00:58:22,240
Speaker 1: on doing we were working, working. He said, around or

1226
00:58:22,280 --> 00:58:26,280
Speaker 1: with them, let's say he didn't smoke. I was just

1227
00:58:26,360 --> 00:58:33,240
Speaker 1: surprised because I never knowing anything. But I also said no,

1228
00:58:33,360 --> 00:58:35,439
Speaker 1: because we're in the studio and they're smoking the funk out,

1229
00:58:35,440 --> 00:58:38,280
Speaker 1: you know, But I said no because number one, respect

1230
00:58:38,280 --> 00:58:40,680
Speaker 1: for my brother and what we were trying to accomplish.

1231
00:58:40,720 --> 00:58:44,200
Speaker 1: I was a drinker, I won't deny that, but the

1232
00:58:44,240 --> 00:58:48,520
Speaker 1: cannabis was a note until seven when we got moved

1233
00:58:48,520 --> 00:58:51,440
Speaker 1: to afternoon drive and there was a lot of stress

1234
00:58:51,480 --> 00:58:53,960
Speaker 1: that was lifted off of me. Frank V was a

1235
00:58:53,960 --> 00:58:57,840
Speaker 1: big smoker, and I finally started smoking a blunt with

1236
00:58:57,880 --> 00:59:00,400
Speaker 1: my brother Frank, and from that point forward, I was like, Okay,

1237
00:59:00,440 --> 00:59:03,120
Speaker 1: I'm in, I'm We're gonna get to the high five

1238
00:59:03,160 --> 00:59:05,000
Speaker 1: and hear all about that. But before we do, Nick,

1239
00:59:05,040 --> 00:59:07,000
Speaker 1: I want you to continue talking and tell me about

1240
00:59:07,040 --> 00:59:10,000
Speaker 1: this beautiful candle company that you started with your house

1241
00:59:10,440 --> 00:59:14,439
Speaker 1: super important spend the house of dreams. So in two

1242
00:59:14,520 --> 00:59:18,600
Speaker 1: thousand and twenty we started, uh, this candle company. Absolutely

1243
00:59:18,720 --> 00:59:21,280
Speaker 1: started as a date. My wife wanted to learn how

1244
00:59:21,320 --> 00:59:22,960
Speaker 1: to make candles, so I took her on a date

1245
00:59:23,360 --> 00:59:26,200
Speaker 1: over here somewhere in Los Angeles and the San Pedro.

1246
00:59:26,320 --> 00:59:31,680
Speaker 1: San Pedro, thinking I know where his dates are. I'm

1247
00:59:31,720 --> 00:59:34,800
Speaker 1: just saying no, I'm not, thankfully, I'm talking about in

1248
00:59:34,840 --> 00:59:37,240
Speaker 1: the can't see un those things you know what I mean,

1249
00:59:38,040 --> 00:59:39,600
Speaker 1: It's okay, do I need to pay the bill now?

1250
00:59:41,480 --> 00:59:43,880
Speaker 1: So she fell in love. When we started thinking like,

1251
00:59:43,960 --> 00:59:45,640
Speaker 1: you know, can we do this? What is it gonna

1252
00:59:45,640 --> 00:59:48,640
Speaker 1: take to actually do this? And so we bought another

1253
00:59:48,680 --> 00:59:51,120
Speaker 1: candle making kit and then from that point forward, we

1254
00:59:51,160 --> 00:59:53,160
Speaker 1: started doing research and research and we're like, hey, let's

1255
00:59:53,160 --> 00:59:56,440
Speaker 1: do this. But um, we started pouring him under the

1256
00:59:56,480 --> 00:59:58,800
Speaker 1: full moon, so you get the energy from the full

1257
00:59:58,800 --> 01:00:02,200
Speaker 1: moon in used into the candle, and then we adorned

1258
01:00:02,240 --> 01:00:06,400
Speaker 1: them with crystals, either amethysts or citrine, black tremoline. All

1259
01:00:06,400 --> 01:00:08,640
Speaker 1: of these different stones that come from other Earth have

1260
01:00:09,280 --> 01:00:12,680
Speaker 1: healing values to them. So it's so funny. Dog, I

1261
01:00:12,720 --> 01:00:14,640
Speaker 1: got two stones in my pocket right now. But my

1262
01:00:14,680 --> 01:00:16,840
Speaker 1: older daughter just gave me from the birthday party that

1263
01:00:16,880 --> 01:00:23,080
Speaker 1: she was at. Yeah, dog, looks dad, you need to

1264
01:00:23,160 --> 01:00:25,800
Speaker 1: keep these on you for you know, when your kids

1265
01:00:25,800 --> 01:00:27,800
Speaker 1: are twenty two now and they're giving you game. Right,

1266
01:00:28,360 --> 01:00:30,560
Speaker 1: My daughter's pitting game at me now right, she's twenty

1267
01:00:30,560 --> 01:00:32,600
Speaker 1: two of them. She was psychoanalyzing me and all she's

1268
01:00:32,600 --> 01:00:35,560
Speaker 1: got deep on me this past weekend, bouncing about what

1269
01:00:35,640 --> 01:00:37,480
Speaker 1: I was like, we found some stuff out about me.

1270
01:00:37,520 --> 01:00:39,160
Speaker 1: Look at this, I got these two crystals in my

1271
01:00:39,160 --> 01:00:42,840
Speaker 1: pocket right and right here as you got yours. And

1272
01:00:42,920 --> 01:00:46,360
Speaker 1: you know what's crazy is my wife's dogs recently too, bro,

1273
01:00:47,600 --> 01:00:50,080
Speaker 1: just recently. Like I'm like she's I've got them all

1274
01:00:50,120 --> 01:00:54,400
Speaker 1: around the house. Right now, I got my pocket. I'm

1275
01:00:54,440 --> 01:00:56,480
Speaker 1: to the point where I'm in my pocket. Why not

1276
01:00:57,280 --> 01:01:00,000
Speaker 1: my hairs are sticking up and listen to your wife.

1277
01:01:00,160 --> 01:01:02,240
Speaker 1: And my theory is, if it doesn't work, I ain't

1278
01:01:02,280 --> 01:01:04,400
Speaker 1: lost nothing. If it does, I got crystals in my pocket,

1279
01:01:04,440 --> 01:01:07,160
Speaker 1: I got good energy. I could only win. I look

1280
01:01:07,200 --> 01:01:09,000
Speaker 1: at that like Jesus Juvie, ain't real Why I didn't

1281
01:01:09,040 --> 01:01:13,120
Speaker 1: lose anything? Praise the Lord. So that's what we do, man.

1282
01:01:13,160 --> 01:01:15,560
Speaker 1: We hand poured these beautiful candles into the full moon.

1283
01:01:15,960 --> 01:01:18,640
Speaker 1: Go to the website House of Swino dot com and

1284
01:01:18,720 --> 01:01:21,680
Speaker 1: check out the handmade gifts that my wife is making

1285
01:01:21,720 --> 01:01:24,120
Speaker 1: in the kitchen resow And we have a discount code.

1286
01:01:24,440 --> 01:01:26,120
Speaker 1: Not yeah, I can give you a discount code by

1287
01:01:26,120 --> 01:01:28,840
Speaker 1: the end of the show. But um, we are in

1288
01:01:28,920 --> 01:01:32,760
Speaker 1: Farmers markets now on Tuesday and win Sunday to Sunday,

1289
01:01:32,800 --> 01:01:35,880
Speaker 1: excuse me. And that's in the Brentwood on Sunday and

1290
01:01:35,920 --> 01:01:40,600
Speaker 1: Farmers Markets. Excuse me. Brentwood. Do they kick you out too?

1291
01:01:40,720 --> 01:01:42,120
Speaker 1: Or can you actually go in there? When do you

1292
01:01:42,120 --> 01:01:43,760
Speaker 1: have to take a blower with you? Like let you

1293
01:01:43,840 --> 01:01:44,960
Speaker 1: in or how do they let you in there? It

1294
01:01:45,000 --> 01:01:49,280
Speaker 1: sounds like you've had a bad experience, haven't we all?

1295
01:01:50,480 --> 01:01:55,840
Speaker 1: And you have crystals close by that that was free

1296
01:01:55,880 --> 01:02:03,640
Speaker 1: crystal bro go back. Now you're straight and we sell smudge,

1297
01:02:03,680 --> 01:02:08,000
Speaker 1: sick sage and other things, beautiful stuff. So check it out.

1298
01:02:08,040 --> 01:02:10,120
Speaker 1: Bret was a nice, nice area which is good to go.

1299
01:02:10,840 --> 01:02:14,720
Speaker 1: It's a great area to sell handmade items and gifts

1300
01:02:14,720 --> 01:02:16,160
Speaker 1: that we do if you can get in there to

1301
01:02:16,160 --> 01:02:18,320
Speaker 1: sell it. To get into this, we died in and

1302
01:02:18,360 --> 01:02:21,200
Speaker 1: we're Mexican, so so can you. That's what I mean exactly.

1303
01:02:21,360 --> 01:02:23,760
Speaker 1: Well go check out the website. There is now time

1304
01:02:23,840 --> 01:02:25,680
Speaker 1: for the high five with these two brothers. You heard

1305
01:02:25,720 --> 01:02:27,160
Speaker 1: me say it at the beginning. I'm gonna say at

1306
01:02:27,160 --> 01:02:30,600
Speaker 1: the end I'm a fan five with the Baker Boys

1307
01:02:30,880 --> 01:02:33,000
Speaker 1: Eric and Nick. B will start with Eric. You'll answer

1308
01:02:33,040 --> 01:02:35,520
Speaker 1: the question Nick, you'll answer the same question right after him.

1309
01:02:35,720 --> 01:02:37,880
Speaker 1: How old you the first time he smoked cannabis? And

1310
01:02:37,920 --> 01:02:44,000
Speaker 1: where'd you get it from? Eric? I haven't smoke before ever, never, never, never, ever, ever, ever,

1311
01:02:44,480 --> 01:02:48,680
Speaker 1: I don't drink or smoke, never, never been drunk in

1312
01:02:48,680 --> 01:02:54,520
Speaker 1: my life. That my mom until she died. Never. I

1313
01:02:54,560 --> 01:02:56,960
Speaker 1: have no interest in it, you know so I'm mad

1314
01:02:56,960 --> 01:02:58,760
Speaker 1: at that. What about you? Nick, the bad Apple, the

1315
01:02:58,800 --> 01:03:02,640
Speaker 1: group bro fucking dropped the ball? Huh? What about Nick?

1316
01:03:02,720 --> 01:03:07,400
Speaker 1: The one that did more bumps in everything I haven't done?

1317
01:03:07,440 --> 01:03:11,600
Speaker 1: He has? This is my life, is your life? You

1318
01:03:11,640 --> 01:03:16,480
Speaker 1: live yours. He's got crystals that go other places. And

1319
01:03:16,960 --> 01:03:20,800
Speaker 1: I'm not talking about a lab. Those are wine stoppers.

1320
01:03:20,120 --> 01:03:25,800
Speaker 1: And what you say doubled? Be careful, Okay, anyway, here's

1321
01:03:25,800 --> 01:03:28,160
Speaker 1: your strong I'm gonna blow it up man right here,

1322
01:03:28,200 --> 01:03:32,080
Speaker 1: My man, Sydney Perry, I was, say thirteen twelve or

1323
01:03:32,120 --> 01:03:34,880
Speaker 1: thirteen years old? Was the first time he got drunk? No, no,

1324
01:03:34,880 --> 01:03:38,080
Speaker 1: not I smoked drunk? First time you didn't ask about

1325
01:03:38,360 --> 01:03:40,240
Speaker 1: we're talking about smoke in twelve thirteen? Who gave it

1326
01:03:40,240 --> 01:03:44,240
Speaker 1: to you? Sydney Perry. Sydney Perry, Yes, my brother, right,

1327
01:03:44,280 --> 01:03:46,520
Speaker 1: they're still a good brother. He taught us a lot

1328
01:03:46,520 --> 01:03:49,440
Speaker 1: about d James totally. He brought the k a mixed bastard.

1329
01:03:49,480 --> 01:03:52,960
Speaker 1: He introduced this to Tony and Julio. Oh really, Josette

1330
01:03:53,120 --> 01:03:56,760
Speaker 1: and Marijuana, and Mary Jane asked my brother's funny how

1331
01:03:56,760 --> 01:03:58,840
Speaker 1: those old school dudes like that are just the best, right,

1332
01:03:59,040 --> 01:04:01,959
Speaker 1: Julio Gee's and all those and and all those dudes

1333
01:04:02,320 --> 01:04:05,040
Speaker 1: when you still see them, they're still just like us

1334
01:04:05,040 --> 01:04:07,840
Speaker 1: meeting each other. Like for folks that don't realize we

1335
01:04:08,080 --> 01:04:10,720
Speaker 1: have so much past history, but we've never really just

1336
01:04:10,760 --> 01:04:13,280
Speaker 1: like what funk too, I say, the safety with Funk,

1337
01:04:13,280 --> 01:04:16,600
Speaker 1: I'm like, we're so tight together when we see each other.

1338
01:04:16,720 --> 01:04:18,439
Speaker 1: Was so cool, Like I feel so cool and tight.

1339
01:04:18,520 --> 01:04:21,280
Speaker 1: You have more stories with your brother than you guys, right,

1340
01:04:21,680 --> 01:04:23,480
Speaker 1: but yet we all know it. You're like, I'm even

1341
01:04:23,560 --> 01:04:26,280
Speaker 1: like even asking Punk before, like I'm gonna. I don't

1342
01:04:26,280 --> 01:04:28,280
Speaker 1: know if this is my insecurities kicking in Funk, but

1343
01:04:28,520 --> 01:04:33,480
Speaker 1: they do know me, right, And he goes, no, Joe

1344
01:04:33,520 --> 01:04:35,800
Speaker 1: of like, hey dude, but I'm going we'll talk. I

1345
01:04:35,800 --> 01:04:37,960
Speaker 1: don't want to be like too cocky and act like

1346
01:04:38,040 --> 01:04:41,320
Speaker 1: they should because why I go, Because that's why my

1347
01:04:41,440 --> 01:04:43,560
Speaker 1: fanboy comes out, Like because I'm a fan of theirs,

1348
01:04:43,560 --> 01:04:45,680
Speaker 1: and I don't know a fan of mine, but I

1349
01:04:45,720 --> 01:04:47,560
Speaker 1: know I'm a fan of there, and I think they

1350
01:04:47,600 --> 01:04:50,560
Speaker 1: should be because we did the same things, but I

1351
01:04:50,600 --> 01:04:57,720
Speaker 1: didn't know. Somebody pointed down when I see him, they go,

1352
01:04:57,800 --> 01:05:00,959
Speaker 1: can you get me a water? He went the hot size.

1353
01:05:03,040 --> 01:05:06,040
Speaker 1: Oh yeah, that's what call didn't. So you guys do

1354
01:05:06,240 --> 01:05:07,920
Speaker 1: you didn't know who Blue was, though you knew who

1355
01:05:08,000 --> 01:05:12,040
Speaker 1: I was, right, Imperial Blue. Get it one number two,

1356
01:05:12,400 --> 01:05:14,320
Speaker 1: first number two of the high five. Man, what is

1357
01:05:14,360 --> 01:05:17,520
Speaker 1: your favorite way to use or smoke cannabis? Eric doesn't did.

1358
01:05:17,880 --> 01:05:20,200
Speaker 1: If Eric did, If I did, I would give it

1359
01:05:20,240 --> 01:05:23,120
Speaker 1: to my brother. Yeah, that's my favorite way to smoke.

1360
01:05:23,480 --> 01:05:27,280
Speaker 1: That's why I love that answer. So big, you big,

1361
01:05:27,320 --> 01:05:29,160
Speaker 1: you said, he said, the favorite way to use it?

1362
01:05:29,240 --> 01:05:40,840
Speaker 1: So yeah, now you're n I would say edibles, joints

1363
01:05:41,240 --> 01:05:44,120
Speaker 1: and uh man, I really when I'm looking putting this

1364
01:05:44,200 --> 01:05:46,480
Speaker 1: out there, I want one of those vaporizers. We got

1365
01:05:46,520 --> 01:05:50,000
Speaker 1: electric vaporizing. I just look at this one from Grove.

1366
01:05:50,160 --> 01:05:51,840
Speaker 1: You see the one I got from real. He needs

1367
01:05:51,880 --> 01:05:55,600
Speaker 1: a vapor like look at this top. Mother, it doesn't

1368
01:05:55,640 --> 01:05:59,960
Speaker 1: come out and tell me look at it and said

1369
01:06:00,040 --> 01:06:02,680
Speaker 1: four nineteen and then you hit it it. See that

1370
01:06:02,720 --> 01:06:04,880
Speaker 1: little see that cutty right there. You see that cutty

1371
01:06:04,920 --> 01:06:06,920
Speaker 1: over there where they're sitting down. That's gonna be the

1372
01:06:06,960 --> 01:06:08,640
Speaker 1: Baker Boys spot right there. We gonna have a whole

1373
01:06:08,680 --> 01:06:11,800
Speaker 1: show set doing the show. And I'm saying we put

1374
01:06:11,880 --> 01:06:16,320
Speaker 1: the whole ship on. Do we sleep though? Ye got

1375
01:06:16,320 --> 01:06:20,880
Speaker 1: a whole another story, got the story thought it all.

1376
01:06:21,160 --> 01:06:24,280
Speaker 1: We have apartments substance for each one of our question

1377
01:06:24,400 --> 01:06:26,640
Speaker 1: number three of the High five with the Baker Boys,

1378
01:06:26,840 --> 01:06:29,920
Speaker 1: Eric and Nick v Oh. I love these guys. Craziest

1379
01:06:29,960 --> 01:06:32,640
Speaker 1: place you ever use cannabis or smoke? Eric? Where is

1380
01:06:32,680 --> 01:06:36,960
Speaker 1: the craziest place you ever seen? Nick? Will come out

1381
01:06:37,400 --> 01:06:42,200
Speaker 1: this place where already? Oh my god, man, I don't know.

1382
01:06:42,400 --> 01:06:49,400
Speaker 1: I forgot Okay, go ahead, Nick, Nick? What up? Bro?

1383
01:06:49,720 --> 01:06:51,919
Speaker 1: You ready for this? As I was working at Power

1384
01:06:52,000 --> 01:06:54,880
Speaker 1: Win of six, they commissioned some DJs to go and

1385
01:06:55,040 --> 01:07:03,720
Speaker 1: play for grad night. This was me. How fun were

1386
01:07:03,800 --> 01:07:06,320
Speaker 1: those I used to love so much fun? They just

1387
01:07:06,360 --> 01:07:09,000
Speaker 1: went crazy to kids and they still do tell this day.

1388
01:07:09,240 --> 01:07:11,200
Speaker 1: I mean, they just pop. I used to love going

1389
01:07:11,240 --> 01:07:14,400
Speaker 1: to Did you guys get high with kids? No? I

1390
01:07:14,520 --> 01:07:16,800
Speaker 1: never did that because I was sober by the time

1391
01:07:16,840 --> 01:07:18,280
Speaker 1: I went to Power. So when I was going there

1392
01:07:18,280 --> 01:07:21,120
Speaker 1: with Power, I never got high. But before I got

1393
01:07:21,160 --> 01:07:25,000
Speaker 1: went to Power, Yeah, when I was in San Francisco,

1394
01:07:25,040 --> 01:07:27,960
Speaker 1: don't get a twisted question number four of the high five,

1395
01:07:28,040 --> 01:07:31,160
Speaker 1: what does your go to munchy after you get high? Eric,

1396
01:07:31,480 --> 01:07:33,520
Speaker 1: I don't have to be high to have a much exactly.

1397
01:07:34,120 --> 01:07:38,960
Speaker 1: Like first of all, might go to munchies are probably

1398
01:07:39,040 --> 01:07:45,640
Speaker 1: like reces with reces or goobers or like some kick

1399
01:07:46,080 --> 01:07:52,200
Speaker 1: some Japanese kitchen, Japanese kick cats, strawberry k catreen tea,

1400
01:07:52,960 --> 01:07:56,120
Speaker 1: green tea, remember the strawberry ones. When he came back

1401
01:07:56,160 --> 01:07:58,200
Speaker 1: with those, those were fired. Yeah, the green tea was

1402
01:07:58,280 --> 01:08:00,040
Speaker 1: a crack. I used to love going to Japan and

1403
01:08:00,120 --> 01:08:02,400
Speaker 1: all those guys. It was funny too because Power one

1404
01:08:02,400 --> 01:08:03,880
Speaker 1: of six was from Japan. So I know the Baker

1405
01:08:03,920 --> 01:08:06,920
Speaker 1: boys were Japan because when I went to Japan, I

1406
01:08:07,040 --> 01:08:09,080
Speaker 1: traveled and this was after they were at Power. So

1407
01:08:09,400 --> 01:08:11,400
Speaker 1: you guys did I'm sure the Japan tours did it.

1408
01:08:12,320 --> 01:08:15,880
Speaker 1: I didn't refused to go. I went with me BigMan

1409
01:08:16,080 --> 01:08:20,759
Speaker 1: and dude. We fucking went all over. We went on trains,

1410
01:08:20,840 --> 01:08:23,680
Speaker 1: planes and automobiles. It's amazing, right. I would love that

1411
01:08:23,760 --> 01:08:25,800
Speaker 1: with my partner too, Yeah, it would have been. It

1412
01:08:25,880 --> 01:08:27,479
Speaker 1: was fun. Go ahead. What about you, though, Nick? What

1413
01:08:27,680 --> 01:08:31,679
Speaker 1: you go to A good one? Iody trying to pass

1414
01:08:31,680 --> 01:08:34,880
Speaker 1: that one up and so he got me back for

1415
01:08:34,960 --> 01:08:39,519
Speaker 1: the lap comment. The munchy's right, Yeah, I don't know chips,

1416
01:08:39,600 --> 01:08:43,599
Speaker 1: ice cream? You know anything that's bad for you? Yeah,

1417
01:08:44,439 --> 01:08:46,600
Speaker 1: all kind of chips. What kind of nice? Oh I

1418
01:08:46,680 --> 01:08:50,560
Speaker 1: burst the kettle? Oh yeah, kettle. See that that's my

1419
01:08:50,640 --> 01:08:52,040
Speaker 1: ship right there. That's why I need to hear that.

1420
01:08:52,760 --> 01:08:56,160
Speaker 1: I like UMAs and yes, Humus with him kettle chips,

1421
01:08:56,600 --> 01:08:58,840
Speaker 1: I putting him on game on those bring I'm bring

1422
01:08:58,960 --> 01:09:03,080
Speaker 1: Hummus all the time. Over here like, is trying to

1423
01:09:03,120 --> 01:09:05,240
Speaker 1: catch me the game weight and Si, I'm trying always

1424
01:09:05,240 --> 01:09:07,160
Speaker 1: trying to lose. He's over here like and then he

1425
01:09:07,240 --> 01:09:13,599
Speaker 1: starts losing all the weight and sheds. It's just math

1426
01:09:13,760 --> 01:09:19,160
Speaker 1: yeager crank burger that you can buy on the corner here,

1427
01:09:21,680 --> 01:09:25,960
Speaker 1: right here, on the corner of Stanton. Question number four, No, no, no,

1428
01:09:26,080 --> 01:09:29,200
Speaker 1: that's question number five. If you could smoke cannabis with

1429
01:09:29,360 --> 01:09:34,000
Speaker 1: anyone dead or alive, who would it be? Why? And now?

1430
01:09:34,520 --> 01:09:38,280
Speaker 1: If I will hypothetically answer this question, so could Probably

1431
01:09:38,600 --> 01:09:43,080
Speaker 1: I would have to thank James Brown, the Godfather, the

1432
01:09:43,200 --> 01:09:45,680
Speaker 1: godfather a soul, you know what I mean, Just just

1433
01:09:46,040 --> 01:09:48,720
Speaker 1: just to see where where he would go, See if

1434
01:09:48,720 --> 01:09:53,000
Speaker 1: he would be like violent or cool? Where is this going? Yeah?

1435
01:09:53,040 --> 01:09:54,720
Speaker 1: Where is this going? Like he's gonna tell me to

1436
01:09:54,800 --> 01:09:56,960
Speaker 1: play the drums right or not? You know things like that.

1437
01:09:57,200 --> 01:10:01,280
Speaker 1: So probably James Brown, if I hypothetically boked, James Brown

1438
01:10:01,400 --> 01:10:04,160
Speaker 1: is like one of those Joe Jackson dudes. Yeah, you

1439
01:10:04,280 --> 01:10:06,080
Speaker 1: never know. I'm just gonna know what you're gonna get.

1440
01:10:06,080 --> 01:10:07,720
Speaker 1: That happened. I mean, you don't know what side you're

1441
01:10:07,720 --> 01:10:09,320
Speaker 1: gonna get exactly, you know what I mean. I like that,

1442
01:10:09,400 --> 01:10:11,920
Speaker 1: you know, I don't like that James comment. I think

1443
01:10:11,960 --> 01:10:15,320
Speaker 1: that's the first Rick James Right, Yeah, he said, James Brown,

1444
01:10:15,439 --> 01:10:18,920
Speaker 1: James Brown, I think the first dage round. And but Rick,

1445
01:10:19,000 --> 01:10:24,200
Speaker 1: I'm saying, James, the James Brown dancing going crazy? What

1446
01:10:24,280 --> 01:10:32,320
Speaker 1: about you? Nick oh Man, Steve Jobs? Why why picked

1447
01:10:32,360 --> 01:10:34,760
Speaker 1: his brain? He said, Once we get it and once

1448
01:10:34,800 --> 01:10:36,439
Speaker 1: we get into the cannabis, we could probably do some

1449
01:10:36,640 --> 01:10:41,240
Speaker 1: LSD together. Yeah, it's the entryway, yes, And just think

1450
01:10:41,280 --> 01:10:44,080
Speaker 1: about what he's done with that company Apple, For God's

1451
01:10:44,120 --> 01:10:47,640
Speaker 1: how he's changed the world. Literally. I mean, as I

1452
01:10:47,760 --> 01:10:50,200
Speaker 1: got my first Apple, watched as I got my you know,

1453
01:10:50,280 --> 01:10:52,559
Speaker 1: for my birthday recently, and I just got the Apple

1454
01:10:52,600 --> 01:10:54,599
Speaker 1: I barely got an apple my wife's had on for years,

1455
01:10:54,600 --> 01:10:56,599
Speaker 1: and then oh, it's your fiftieth birthday. Wanted you want

1456
01:10:56,600 --> 01:10:59,640
Speaker 1: to get an apple? Watching? Like, I don't know, do I?

1457
01:11:00,240 --> 01:11:02,720
Speaker 1: That's the best thing I ever got? Is the crazy point?

1458
01:11:02,960 --> 01:11:05,320
Speaker 1: Like why I'm saying that. I was never like, oh

1459
01:11:05,760 --> 01:11:07,320
Speaker 1: why because when I get a text, I could just

1460
01:11:07,360 --> 01:11:08,880
Speaker 1: look at my wrist. I don't have to put my

1461
01:11:08,920 --> 01:11:10,880
Speaker 1: phone out when I see a call. I could just

1462
01:11:10,960 --> 01:11:14,200
Speaker 1: go like this. I never knew what a benefit having

1463
01:11:14,280 --> 01:11:17,160
Speaker 1: that stupid watch was. So next, the next one is

1464
01:11:17,160 --> 01:11:19,200
Speaker 1: going to be where it's just infusing into your arm.

1465
01:11:19,240 --> 01:11:24,120
Speaker 1: If you're okay with that, here we go, Here we go.

1466
01:11:24,560 --> 01:11:27,840
Speaker 1: You're concy anyway, Here we go. You're already happy with

1467
01:11:27,880 --> 01:11:29,760
Speaker 1: it on your wrist. Why not just I'll get the

1468
01:11:29,800 --> 01:11:31,760
Speaker 1: fucking eyeball, give me the fake guy. I'll go the

1469
01:11:31,800 --> 01:11:34,280
Speaker 1: whole thing. I'm ready. They already put one in my neck.

1470
01:11:36,120 --> 01:11:38,720
Speaker 1: We'll get you that brain queue down for that too.

1471
01:11:38,880 --> 01:11:40,880
Speaker 1: Here's the thing when people go, oh, aren't you afraid

1472
01:11:40,920 --> 01:11:43,519
Speaker 1: of what? You've been vaccinated? Right? You already got one

1473
01:11:46,479 --> 01:11:49,200
Speaker 1: from that, He's like, I'm not getting nothing. The funny

1474
01:11:49,240 --> 01:11:51,400
Speaker 1: thing is, I don't I don't even like. I'm so

1475
01:11:51,720 --> 01:11:55,360
Speaker 1: like whatever I'm down, I tell me it's cool. I'm

1476
01:11:55,360 --> 01:11:58,080
Speaker 1: afraid to say something. They're listening, Okay, cool, listen to me.

1477
01:11:58,160 --> 01:12:02,559
Speaker 1: Waste your time. Put this on. Okay, I'll try it whatever.

1478
01:12:02,600 --> 01:12:04,800
Speaker 1: I'm not doing nothing wrong. I'm living so right. I

1479
01:12:04,880 --> 01:12:08,719
Speaker 1: can't go left. Let's go man. Anything else? We finished,

1480
01:12:08,720 --> 01:12:10,439
Speaker 1: and we forgot about the Baker Boys. I mean, you

1481
01:12:10,479 --> 01:12:12,280
Speaker 1: guys got your show first of all. You people should

1482
01:12:12,360 --> 01:12:14,760
Speaker 1: check that out the Daily Ship of course, on their

1483
01:12:14,800 --> 01:12:17,280
Speaker 1: I g at the Baker Boys and on Twitch the

1484
01:12:17,320 --> 01:12:19,200
Speaker 1: Baker Oh yeah, yeah, that TikTok Man. We try to

1485
01:12:19,200 --> 01:12:24,200
Speaker 1: get over a thousand followers. We just started it back up.

1486
01:12:24,520 --> 01:12:26,600
Speaker 1: Nick turned it off because he was fear afraid of

1487
01:12:27,120 --> 01:12:31,120
Speaker 1: He was afraid of China collecting data. That's why he

1488
01:12:31,120 --> 01:12:34,320
Speaker 1: asked me, he's about the shot that he just crossed

1489
01:12:34,320 --> 01:12:36,000
Speaker 1: all the lines. If I know where he's out, he's

1490
01:12:36,040 --> 01:12:38,479
Speaker 1: crossed the hill. China's following us thing. We're good now,

1491
01:12:38,760 --> 01:12:41,120
Speaker 1: so we started it. That makes sense of why he

1492
01:12:41,200 --> 01:12:43,720
Speaker 1: patted me down when I first met He goes, hey,

1493
01:12:43,800 --> 01:12:46,040
Speaker 1: Joe Grundy, right, okay, turn around and then make sure

1494
01:12:46,080 --> 01:12:49,200
Speaker 1: there's no wires. Nick can you pat me down afterwards

1495
01:12:51,960 --> 01:12:55,519
Speaker 1: he goes just choke just us just the start of tournament. Man,

1496
01:12:55,560 --> 01:12:58,519
Speaker 1: where's the golf June seven, three Hondo Golf Course. If

1497
01:12:58,520 --> 01:13:02,479
Speaker 1: you want more information, uh uh Baker Boys Golf Benefit

1498
01:13:02,600 --> 01:13:04,479
Speaker 1: at gmail dot com and go to or go to

1499
01:13:04,520 --> 01:13:06,320
Speaker 1: Cannabis Talk one one because we're gonna get that up

1500
01:13:06,320 --> 01:13:08,840
Speaker 1: on our side too, so it's real easy to find, uh.

1501
01:13:08,920 --> 01:13:10,560
Speaker 1: And make sure you check them out, guys. And and

1502
01:13:10,680 --> 01:13:12,280
Speaker 1: thank you guys so much for joining the show. You

1503
01:13:12,360 --> 01:13:15,880
Speaker 1: guys truly truly are fucking legends in the radio business man,

1504
01:13:15,920 --> 01:13:19,679
Speaker 1: And thank you guys. I want to do seriously like Loki,

1505
01:13:19,840 --> 01:13:21,920
Speaker 1: like we we we need to fight some ship off

1506
01:13:21,960 --> 01:13:25,080
Speaker 1: you guys know, I just you know what I honestly

1507
01:13:25,120 --> 01:13:27,880
Speaker 1: think too though, because I mean it, maybe too many latins,

1508
01:13:27,960 --> 01:13:31,040
Speaker 1: but four latins is better than two. Hey, I'm saying,

1509
01:13:31,520 --> 01:13:33,000
Speaker 1: let's have a soccer team. Let's get a couple of

1510
01:13:33,000 --> 01:13:39,880
Speaker 1: morning here, we get a couple of girls. He has kids.

1511
01:13:41,840 --> 01:13:44,040
Speaker 1: Well there it is, guys, Cannabis Talk one on one.

1512
01:13:44,120 --> 01:13:46,800
Speaker 1: And remember this, if no one else loves you, we do.

1513
01:13:48,160 --> 01:13:50,519
Speaker 1: Thank you for listening to Cannabis Talk one on one

1514
01:13:50,600 --> 01:13:53,719
Speaker 1: on the I Heart Radio app Apple Podcast or wherever

1515
01:13:53,840 --> 01:13:55,000
Speaker 1: you get your podcasts.