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Speaker 1: So it's me, it's Sally h.

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Speaker 2: Kellerman and uh Chandra Weavie, and we're having like a

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Speaker 2: girl's eye feet thrubs, like all the good fun stuff,

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Speaker 2: and we're all of course spitting into like a jelly

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Speaker 2: jar to get a big jar of spit to try

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Speaker 2: to make one of our enemies drink it, you know,

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Speaker 2: like Jason Momoa, you know, Martin mull or one of

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Speaker 2: these guys right thinks they're really tough, and we're gonna

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Speaker 2: kind of prove like you're not so tough when you,

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Speaker 2: you know, drink a jar spit and then you're throwing

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Speaker 2: up and you know. And so we're kind of trying

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Speaker 2: to figure out how to disguise the jar, and we're

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Speaker 2: also like running out of spit and have to like reload,

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Speaker 2: and we're trying to figure out how to like make

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Speaker 2: the jar look like something more appetizing, you know then spit, yeah,

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Speaker 2: or even just like putting a label on the joe,

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Speaker 2: like even because I at one point was like, let's

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Speaker 2: just throw some duct tape on it and write like

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Speaker 2: special drink, do not drink Jason, And then he'll see that,

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Speaker 2: and he's such a troll.

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Speaker 1: He'll like but.

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Speaker 2: Anyway, uh, as we're working on I'm sorry, are you

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Speaker 2: not liking the story? You're like kind of being like,

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Speaker 2: uh huh, yeah, like you're not like this is like

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Speaker 2: a really good story.

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Speaker 3: Well, I mean maybe you had to be there. I'm not.

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Speaker 3: I just don't get what's happening.

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Speaker 2: They didn't be there, Brett. You have to be here

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Speaker 2: with me while I tell it to you. That's where

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Speaker 2: you have to be. I mean, it's like me telling

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Speaker 2: is almost even better than having seen.

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Speaker 3: It by here you mean my house? Yeah, in your house,

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Speaker 3: in your home studio. Yeah, my home studio set up

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Speaker 3: with all the equipment. Yeah, like I even set up

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Speaker 3: my therem in.

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Speaker 2: Please, I try not to do this anymore. But too scary.

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Speaker 2: That sounds too scary. It feels like it's Twilight Zone

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Speaker 2: or Stranger Things Are or one of them.

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Speaker 3: Right. I just thought we were gonna like play. I

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Speaker 3: thought we were going to jam.

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Speaker 2: All right, Okay, well all right, so well we were

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Speaker 2: welcome to Hollywood Ham butginn sad, i's got to getting

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Speaker 2: my drop names. We recover like back always with this

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Speaker 2: interesting work all showbiz or whatever. Okay, So I'm Sean Clements,

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Speaker 2: So all right let me catch the audience up really quickly.

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Speaker 2: Brett is salty, sourpuss bean baby. Because uh, I had

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Speaker 2: Hayes drop me off at Brett's house at his home studio.

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Speaker 2: I told Hayes that we were going to be having

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Speaker 2: a play date. We'd be doing a jam session here,

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Speaker 2: and Brett got all his instruments set up because of

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Speaker 2: course I told Brett the same thing, because I couldn't

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Speaker 2: trust him to keep a secret for me. What's actually

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Speaker 2: going on. We're not gonna have a jam session. So sorry,

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Speaker 2: Brett turned the thermon off and.

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Speaker 1: Put it away. It's huge, take him out the room.

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Speaker 3: Yeah, it took so much to set all this up. Yeah,

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Speaker 3: we have all my toys. Yeah.

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Speaker 2: I didn't think you were gonna go all I thought

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Speaker 2: you'd just grab like a Ukulelean.

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Speaker 1: We'd do like.

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Speaker 3: A I have that too, We do.

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Speaker 2: Like a you know, Zoe Dash and Ben Schwartz doing that.

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Speaker 2: I know you belong to me, Steve Martin song or whatever.

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Speaker 2: I thought it was going to be something small, which

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Speaker 2: I would have had time for. But anyway, Hayes, as

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Speaker 2: a lot of people who listen to this podcast or

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Speaker 2: any podcast, know, did a smash hit episode of High

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Speaker 2: and Mighty with John Gabris where they talked about newspaper comics.

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Speaker 2: The thing's been performing very well. It's got a really

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Speaker 2: long tail on it. The numbers keep ticking up, and

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Speaker 2: it's frankly made Hayes a little bit big for his breeches.

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Speaker 2: And he can't fit his breeches anymore because he has

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Speaker 2: this huge hit podcast. So what I'm gonna do is

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Speaker 2: fix his britches for him, do a little tailoring here

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Speaker 2: today by doing even bigger podcasts without him on it,

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Speaker 2: I know that the reason this thing is popular is

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Speaker 2: not because of Hayes. Because I do a podcast with

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Speaker 2: Hayes and people don't like it. So what has to

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Speaker 2: be happening is it's the content. It's the newspaper comics,

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Speaker 2: and a little bit it's Gabris. So let me ask

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Speaker 2: you a question. Okay, obviously I could talk about newspaper comics.

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Speaker 2: I know everything about everything. But what do you do

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Speaker 2: if you want to out Gabris?

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Speaker 1: Gabris?

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Speaker 3: Oh, you need Joe Wangler.

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Speaker 2: You need to get an even crazier wild man. You know,

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Speaker 2: you need to get Joe Wanger?

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Speaker 1: What up? What up? Joe Wanger? Yeah? Oh, okay. So

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Speaker 1: that so I'm here to out Gabris John Gabris. Yeah,

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Speaker 1: that's right.

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Speaker 2: We gotta friggin take that guy and put him in

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Speaker 2: his place, because frankly, even he is struggling with his britches.

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Speaker 2: I think you know, Gabs, yeah, that he's big four

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Speaker 2: because of the podcast he did with hayes.

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Speaker 3: Man Dounco there, too big for his breeches.

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Speaker 2: No, it's not not like a I realized that could

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Speaker 2: sound like, but so it's not about that.

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Speaker 1: But anyway, so I'm sorry, I'm late. I was trying

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Speaker 1: to Now the app that I use for directions, I've

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Speaker 1: made it more my mile, it is more prominent on there,

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Speaker 1: and I'm trying to stay to only five miles above

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Speaker 1: the speed limit at any point, so just to be

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Speaker 1: a little bit more conscious of my speed and for

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Speaker 1: the safety of others around me. So that kind of

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Speaker 1: cut down on my time. Because the roads were open,

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Speaker 1: I could have been here, but I just wanted to.

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Speaker 3: Well, okay, so you only go five miles above this

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Speaker 3: bat limit.

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Speaker 1: Well, I try, I mean, I try to stay to

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Speaker 1: the speed lisk within, but if I'm gonna go above

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Speaker 1: at all, no more than five.

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Speaker 2: And then if you could do like like that's a

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Speaker 2: great story for this, but if you could also do

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Speaker 2: like a big belch or something and then like be

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Speaker 2: like I'm swoop smoking weed.

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Speaker 1: Okay, well you know what I.

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Speaker 2: Mean, just to sort of get like the like high

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Speaker 2: and mighty feel in here.

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Speaker 3: Okay, you're hi right when you're doing that.

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Speaker 2: Yeah, you got to be so stoned.

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Speaker 1: Not stoned when I'm operating a vehicle or really pretty

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Speaker 1: much at any other point in my life currently, but sure,

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Speaker 1: but for these I get for this, yeah, because all right, yeah,

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Speaker 1: and what do you so what would gasaurus ribs.

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Speaker 2: You're eating or what are you eating over there?

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Speaker 1: Brona source. So that's like what Fred Flintstone needs, right, yes, okay.

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Speaker 2: Speaking of Fred Flintstone, how about newspaper comics? Huh and

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Speaker 2: Hayes will be back at some point to pick me

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Speaker 2: up and or he may call in or something, Brett,

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Speaker 2: So just like, yeah, if we could pretend that we

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Speaker 2: are having the jam session, and if we could kind

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Speaker 2: of throw them off our set, that would be helpful.

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Speaker 3: I really still want a jam session. I'm sure he

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Speaker 3: isn't this cool man? Wouldn't you want to play date here?

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Speaker 1: I mean I'm kind of champing at the bit to

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Speaker 1: get into some of these things, you know, I mean

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Speaker 1: for sure.

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Speaker 3: Yeah, just don't. It's for Shawn and me. It was

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Speaker 3: supposed to just be Shawn in me.

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Speaker 1: Okay. So if you guys jam, I'm not gonna jam out,

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Speaker 1: but I could listen, I could groove and dances.

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Speaker 2: It would be it's we get self conscious when we're

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Speaker 2: jamming with other people around.

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Speaker 1: So I don't know what did you ask me to

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Speaker 1: Why did you ask me to admire it? Because it

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Speaker 1: looks cool and I'd like to get involved.

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Speaker 2: Okay or swimpy. This's angry about that. So no, it's

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Speaker 2: going great. So newspaper comics, everybody remembers the Sunday funnies.

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Speaker 2: You open the page and you and your parents are

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Speaker 2: reading one side of the news, and you are sort

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Speaker 2: of have to sneak, you know, in between the pages

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Speaker 2: and try to read it while they're reading it and

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Speaker 2: not get caught, you know, and if you do get caught, boy,

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Speaker 2: you get a whipping. Uh and and so uh talk about.

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Speaker 1: That a little bit. Well, I remember looking at newspaper

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Speaker 1: confersot as a kid. But the newspaper newspapers are designed

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Speaker 1: they're divided into different sections. It's really easy to separate them,

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Speaker 1: so I never had to sort of sneak in to

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Speaker 1: pull the pull the pull that section away.

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Speaker 2: Ladi Dah, mister silver spoon in his mouth has all

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Speaker 2: the newspaper sections. So what we would have at my

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Speaker 2: house is sort of very condensed newspaper. I think all

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Speaker 2: the sections got printed very.

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Speaker 1: Small into a page, onto just a single onto one page,

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Speaker 1: and then uh, it seems like I would cost more

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Speaker 1: money to get that done.

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Speaker 2: Well, you know, I didn't get into the economics of it.

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Speaker 2: I was a kid, and that's what I'm remembering. And

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Speaker 2: people love this nostalgia, you know. And I and my

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Speaker 2: dad would have a big, uh, sort of jeweler's loop

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Speaker 2: kind of thing, and he would get down very small

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Speaker 2: and be reading the things, and I would try to

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Speaker 2: sort of angle it so I could see maybe uh,

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Speaker 2: uh Sally.

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Speaker 1: Forth, you know, I don't know that comic that what

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Speaker 1: was that about? It was like, uh, she's a little

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Speaker 1: girl in the rat yeah.

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Speaker 2: That and her dad would.

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Speaker 3: Be like, uh, Hayes is on the phone on the phone,

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Speaker 3: should I pick it up?

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Speaker 2: Yeah, pick it up, pick it up.

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Speaker 1: Just act normal, acnormal Joe, Joe, shut the.

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Speaker 3: Fuck upright, Hayes Hayes, Hey man, yeah, hey.

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Speaker 4: Hey Sean there, can you can you guys, can you

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Speaker 4: put me on speaker? Are you jamming right now or

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Speaker 4: have you? Can you just stop jamming for one second?

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Speaker 5: Uh?

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Speaker 1: Twang, twang, tweing. Oh oh it's Hayes. Oh hey Hayes.

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Speaker 3: Yeah, sounds here, so sounds here?

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Speaker 5: That sounded Wait. I'm sorry. I didn't need that.

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Speaker 4: I didn't know you were like so deep into it.

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Speaker 4: That sounded great. Can I hear the song? Can I

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Speaker 4: hear what you guys are?

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Speaker 1: It's not ready. It's a work in progress.

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Speaker 3: Really, we're just gonna I don't have to.

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Speaker 4: Hear the whole thing, just a continuation of this song

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Speaker 4: that you were just playing.

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Speaker 5: I thought was really nice. I would love to we're

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Speaker 5: just tuning to drive it around all day. I would

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Speaker 5: love Pere's little car music.

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Speaker 2: Twing.

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Speaker 3: It's just so out of tune. We're just so out

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Speaker 3: of tune right now. It's I just think funk. If

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Speaker 3: you call back and like, you know, okay, yeah sir.

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Speaker 4: For Sean, I went to so the first store I

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Speaker 4: went to. They don't have the first story. I went

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Speaker 4: you didn't have any peeps, and they and so I

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Speaker 4: tried a different store and they are starting to get

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Speaker 4: some of.

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Speaker 5: The Easter peeps in, but they don't.

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Speaker 1: Have can't cannot be Easter?

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Speaker 2: He does it have to be Halloween Halloween peeps? Yes,

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Speaker 2: it's got to be like a happy pumpkin or I

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Speaker 2: just can't.

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Speaker 4: Be okay because I heard they're saying some of the

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Speaker 4: other sorts they.

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Speaker 5: Might have the ghosts. Does it have to be the

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Speaker 5: pumpkin peep?

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Speaker 1: Hayzy, if you bring me ghosts? What if you bring

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Speaker 1: me ghosts? So help me.

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Speaker 4: These are food experts be able to work at these stores,

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Speaker 4: and they seem to think that they all taste the same.

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Speaker 2: Oh yeah, yeah, yeah, I'm sure they're gonna tell you

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Speaker 2: that because they're trying to sell off the Eastern peeps

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Speaker 2: that nobody wants.

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Speaker 1: You know what I mean, They're not as good.

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Speaker 2: That's what you're getting schooled by master negotiators, Hayes.

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Speaker 1: This is why you have someone like me in your life.

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Speaker 2: And there's nothing suspicious going on here, and we're not

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Speaker 2: doing anything you wouldn't like, and we're just happy for you.

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Speaker 2: Drop me off for the play date, Go get the

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Speaker 2: good peeps. You'll be more satisfied for doing a good job.

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Speaker 2: And I'm helping.

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Speaker 5: You, okay, because I don't want any peeps.

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Speaker 4: I don't want you to think that this is that

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Speaker 4: it's for me too, because I do not want these.

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Speaker 1: You'll eat them and you'll like them.

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Speaker 5: Okay. Is there anything else? Is there anything else?

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Speaker 1: Yeah? What is a good?

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Speaker 2: Uh? Just out of curiosity like newspaper coming to talk

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Speaker 2: about what is it good?

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Speaker 5: Well?

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Speaker 2: Or just or to write a jam song about a song.

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Speaker 1: Hey, well, I'm sorry, just to let you know. I

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Speaker 1: have to wait.

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Speaker 5: Is that what does that sound?

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Speaker 3: That's just me, It's just me.

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Speaker 1: That's a bread them and yeah, I gotta get well,

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Speaker 1: I just want to.

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Speaker 4: Yes, Okay, that's that voice sounds much more raw and

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Speaker 4: rude than than Brat's voice.

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Speaker 3: Very hardcore, a very nice voice.

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Speaker 1: His Bretz is smoother. Yeah.

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Speaker 2: I think his talk box is two punk rocket's set

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Speaker 2: to punk rock setting, and that's why it's sort of

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Speaker 2: blasting your ears.

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Speaker 3: I really like a raw root sound with.

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Speaker 4: The with the talk box where it's like the government

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Speaker 4: at the beginning saying that you have to obey and stuff.

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Speaker 5: Right, Okay, martial can I hear some of that.

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Speaker 1: You you must obey, listen, listen, you must deny. Wow,

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Speaker 1: the oppressive force.

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Speaker 2: That's really good.

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Speaker 4: Yeah, that's good. Would the government would want except the

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Speaker 4: oppressive force? But that I guess that's very punk. Okay,

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Speaker 4: what's a good way? So a good newspaper comic? Well

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Speaker 4: did you ever? We haven't talked about this in a while,

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Speaker 4: but did I don't. I don't remember if you ever

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Speaker 4: listened to the episode of High and Mighty I did.

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Speaker 5: That was so well received.

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Speaker 2: No, it's not about that. It's like just I was

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Speaker 2: looking for a.

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Speaker 5: Well did you ever?

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Speaker 4: Because that would be a great reasons we talked about

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Speaker 4: so many different comics I heard bits.

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Speaker 1: I skimmed it.

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Speaker 2: Okay, well, never mind, find the peeps and we gotta

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Speaker 2: go because we're actually hitting a sweet groove.

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Speaker 5: Okay, find the peeps and then I'm going to come

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Speaker 5: back right.

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Speaker 1: Yes, you'll come back and pick me up.

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Speaker 5: Oh ya, yahya, okay, okay.

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Speaker 1: Bye, all right, bye. That was close. I'm sorry, I

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Speaker 1: gotta I gotta kind of go soonish. I got a

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Speaker 1: text that a gust of wind blew into my room

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Speaker 1: where I keep all my old documents and my old

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Speaker 1: tax documents got all messed up, and I want to

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Speaker 1: get home and get them organized in case I need

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Speaker 1: quick and easy access to my tax document.

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Speaker 2: Joe, this is great for you, then I understand you

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Speaker 2: need to organize that. But for the purposes what we're

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Speaker 2: doing here, if you could also demonstrate a willingness to

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Speaker 2: make racial jokes that I would be comfortable making, just

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Speaker 2: to kind of gaber set up a little bit.

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Speaker 3: Well, you know, like, is your task guy like Jewish?

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Speaker 1: Yeah, maybe you're like and you're like fine with saying that. Well,

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Speaker 1: I've never met because he's based out of Arizona. I

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Speaker 1: think he's Italian actually from his last thing. Okay, he

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Speaker 1: has kind of a Jewish voice. Well, now you can

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Speaker 1: tell a Jewish person sometimes when you hear a person's

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Speaker 1: voice like, that's Jewish. This guy is Jewish. Okay, that's

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Speaker 1: really sweet.

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Speaker 3: You know that.

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Speaker 1: You know I'm Jewish. You just hear that coming across.

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Speaker 1: Is that good? That's really good?

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Speaker 5: Yeah? Yeah yeah.

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Speaker 2: And even when you say he's Italian, I think that

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Speaker 2: what John would probably say is like he'd have like

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Speaker 2: a term for Italians, you know that maybe I wouldn't

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Speaker 2: be comfortable using.

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Speaker 1: But he seems fine with like you think just John

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Speaker 1: Gaber's story on the word dago or something. I never

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Speaker 1: heard say that.

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Speaker 2: No, I feel like I've heard him say ginzo before.

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Speaker 2: So okay, so.

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Speaker 1: Well maybe that'll be my I'll my way about Gaberson Gabersonde.

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Speaker 3: By the way, that punk intro was awesome.

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Speaker 1: I I really felt like I was struggling, and also

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Speaker 1: I thought for sure he's going to find out because

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Speaker 1: I just repeated what he said. No, it was seamless.

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Speaker 2: It was really felt like a very good punk intro

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Speaker 2: that we can use if we do have time to jam.

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Speaker 3: I was gonna say, maybe we should just pivot to

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Speaker 3: like jamming.

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Speaker 1: I'm worried, I'm a little bit out of the room.

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Speaker 3: You would have to step out. But if you just

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Speaker 3: did that intro, we could. You could do the intro

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Speaker 3: and then step out.

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Speaker 2: But we'll do that but later if you guys are

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Speaker 2: going to do we're doing the newspaper comic thing.

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Speaker 1: If you're gonna jam and exclude me from the jam,

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Speaker 1: I'm gonna step out and I'm not going to step back. No,

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Speaker 1: no doubt. An emergency at home. I got to take

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Speaker 1: care of Joe. No, it's your document. I've only had

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Speaker 1: two glasses of water today. I've got six more glasses

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Speaker 1: of water. I gotta get down before the end of

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Speaker 1: the day too. So I'm a little.

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Speaker 2: Concerned as I think more about this daego thing, that

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Speaker 2: we might get into trouble because I know that, based

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Speaker 2: on the success of The Mick Fox is coming out

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Speaker 2: with the Dago next year.

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Speaker 1: Oh yeah, yeah, it's like his name or something.

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Speaker 2: So I guess it's okay.

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Speaker 5: So but.

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Speaker 2: I think that's part of the theme sung for it.

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Speaker 1: So let's just tread lightly. We can use it, but

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Speaker 1: don't any jokes about it.

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Speaker 2: Yes, at this point, they own a name that if

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Speaker 2: somebody has a name that could kind of be a name,

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Speaker 2: but also is very directly a you know, derogatory like

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Speaker 2: racial slur. They kind of bought most of those to

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Speaker 2: be the names of TV shows. So let's just get

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Speaker 2: right back in where we left off with the newspaper stuff.

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Speaker 2: Rex Morgan m D and Prince Valiant. We're both so funny,

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Speaker 2: and remember that how much words they'd have in their bubbles.

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Speaker 1: Yeah, well, they were trying to advance a you know,

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00:18:00,280 --> 00:18:04,800
Speaker 1: a medical comedic storyline, so there was a lot of

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Speaker 1: jargon that went into it.

359
00:18:06,400 --> 00:18:09,320
Speaker 3: And Prince of Valiant's medical stuff always threw me.

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00:18:09,920 --> 00:18:11,000
Speaker 1: Yeah, I never.

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00:18:10,880 --> 00:18:15,359
Speaker 3: Understood his medical lot of leeches, yeah with that hair.

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Speaker 5: Yeah.

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00:18:16,320 --> 00:18:21,040
Speaker 1: What would get me cracking up was the Phantom, you know,

364
00:18:21,200 --> 00:18:27,280
Speaker 1: because he's that man was his hero name was the Phantom.

365
00:18:27,440 --> 00:18:29,879
Speaker 1: But he wasn't dressed as a ghoul or a specter.

366
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Speaker 1: He just had kind of a purple unitard m. So

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Speaker 1: what would be a better name for him, Probably the

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Speaker 1: grape the Great Master.

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Speaker 2: Grape Master, Yeah, perfect, Yeah, this is.

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Speaker 1: Gonna kill the High and Mighty episode. Yeah, great Master.

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Speaker 1: They didn't do anything like this, right, Brett, did you

372
00:18:50,760 --> 00:18:51,199
Speaker 1: ever hear it?

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Speaker 3: I heard a lot about it, but I didn't hear it.

374
00:18:54,119 --> 00:18:54,639
Speaker 1: Yeah.

375
00:18:54,680 --> 00:18:57,359
Speaker 2: And then, Joe, do you want to like piss on

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Speaker 2: the symbols or something like something just wild right now

377
00:19:00,440 --> 00:19:03,280
Speaker 2: and just like punk rock, just like make some sounds,

378
00:19:03,359 --> 00:19:06,040
Speaker 2: you know, by like just busting it out and pissing

379
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Speaker 2: on the symbols.

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00:19:07,440 --> 00:19:10,359
Speaker 1: I'm actually trying to just have all bowel movements every

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Speaker 1: hour on the hour, which is a thing that my

382
00:19:12,240 --> 00:19:15,880
Speaker 1: doctor is suggesting, so we can wait until the next

383
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Speaker 1: hour comes around.

384
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Speaker 3: Every hour.

385
00:19:18,840 --> 00:19:21,639
Speaker 1: Yeah, that's actually it's actually pretty it's very healthy for

386
00:19:21,680 --> 00:19:23,040
Speaker 1: you to hold it a little bit.

387
00:19:23,359 --> 00:19:28,360
Speaker 3: So twenty four twenty four bowel movements, yes, per day,

388
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Speaker 3: so you don't get cycle.

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00:19:29,960 --> 00:19:33,280
Speaker 1: You never got a steady sleep? No, No, My iPhone

390
00:19:33,320 --> 00:19:35,199
Speaker 1: has a I have a setting where it sets me

391
00:19:35,320 --> 00:19:37,159
Speaker 1: up just slightly before the hour, so I have a

392
00:19:37,160 --> 00:19:39,280
Speaker 1: minute to sort of gain consciousness, and then I get

393
00:19:39,359 --> 00:19:42,240
Speaker 1: up and I go to I do whichever one I

394
00:19:42,320 --> 00:19:46,520
Speaker 1: have to do. Sometimes both, but it's trickier for the

395
00:19:46,560 --> 00:19:48,719
Speaker 1: log if it's both twenty four bow that is out

396
00:19:48,800 --> 00:19:49,760
Speaker 1: Gabra seeing gabril.

397
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Speaker 3: Yeah, he only I mean, he talks about it all

398
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Speaker 3: the time, but it's nowhere near twenty four mm hmm.

399
00:19:57,119 --> 00:19:59,800
Speaker 2: But he maybe call it like butt mud or something.

400
00:20:00,440 --> 00:20:08,920
Speaker 3: Yeah, what if you called it something like that? Oh uh, Hey, Hayes,

401
00:20:09,720 --> 00:20:19,800
Speaker 3: how's it going? Hey, whoa, whoa?

402
00:20:20,720 --> 00:20:24,000
Speaker 1: Oh sorry, I was so lost in the magic of

403
00:20:24,040 --> 00:20:24,480
Speaker 1: the groove.

404
00:20:25,520 --> 00:20:27,960
Speaker 3: Yeah, I'll turn down the it's feeding back. I'll turn

405
00:20:28,040 --> 00:20:28,440
Speaker 3: that down.

406
00:20:29,400 --> 00:20:32,080
Speaker 4: Hey, Hayes, I was worried you guys were running out

407
00:20:32,119 --> 00:20:33,560
Speaker 4: of stuff to jam about.

408
00:20:33,600 --> 00:20:35,240
Speaker 5: I'm sorry this is taking so long.

409
00:20:35,359 --> 00:20:38,720
Speaker 4: I met the Albertson's and Granada Hills.

410
00:20:40,000 --> 00:20:43,040
Speaker 5: There is a guy here who has an old He.

411
00:20:43,040 --> 00:20:46,320
Speaker 4: Took me back to the Uh this like kind of

412
00:20:46,400 --> 00:20:50,679
Speaker 4: candy museum he has going here what they have and

413
00:20:50,960 --> 00:20:52,560
Speaker 4: I just think about this.

414
00:20:53,640 --> 00:20:58,000
Speaker 5: It is peeps. It is Halloween peeps. It is not pumpkins.

415
00:20:58,240 --> 00:20:58,680
Speaker 2: It is.

416
00:21:00,119 --> 00:21:05,320
Speaker 4: They did a promotional peep in twenty twelve for the

417
00:21:05,359 --> 00:21:07,520
Speaker 4: movie Dark Shadows, the.

418
00:21:10,000 --> 00:21:13,520
Speaker 2: Johnny Depp vampire vehicle based on the soap opera by

419
00:21:13,560 --> 00:21:14,120
Speaker 2: the same name.

420
00:21:15,000 --> 00:21:20,800
Speaker 4: Yes, and so these peeps are different characters from Dark Shadows.

421
00:21:21,320 --> 00:21:28,160
Speaker 4: None of them are really pumpkins. There's an ava green one.

422
00:21:27,960 --> 00:21:31,360
Speaker 5: That I guess kind of looks like a pumpkin. Their

423
00:21:31,440 --> 00:21:32,480
Speaker 5: hair is a little bit.

424
00:21:33,520 --> 00:21:36,080
Speaker 2: This is like, you know, outside of the peeps. But

425
00:21:36,840 --> 00:21:44,800
Speaker 2: Donald Trumpkin, okay, he's orange.

426
00:21:45,920 --> 00:21:48,199
Speaker 5: You know, this guy is loving it.

427
00:21:48,280 --> 00:21:53,560
Speaker 4: The guy I want speaker, the guy, the Albertson's guy. Maybeah,

428
00:21:53,600 --> 00:21:56,760
Speaker 4: a lot of these candies kind of political that he

429
00:21:56,800 --> 00:21:57,240
Speaker 4: has here.

430
00:21:57,760 --> 00:21:59,600
Speaker 2: Oh yeah, Oh, could you list some of the other

431
00:21:59,640 --> 00:22:04,040
Speaker 2: political candies just maybe I'll want one of those he has. Uh.

432
00:22:04,280 --> 00:22:08,280
Speaker 4: Well, he's like sort of created uh political cartoons out

433
00:22:08,280 --> 00:22:10,920
Speaker 4: of rappers and uh and so there's a lot of

434
00:22:10,920 --> 00:22:11,280
Speaker 4: stuff with.

435
00:22:11,359 --> 00:22:15,720
Speaker 5: Like cartoons and like baby Ruth Bader Ginsburg is a

436
00:22:16,080 --> 00:22:18,840
Speaker 5: is like a thing that he has going. Uh I,

437
00:22:19,400 --> 00:22:20,560
Speaker 5: I don't understand a.

438
00:22:20,560 --> 00:22:25,119
Speaker 2: Lot of the notorious RBG. Have you been laughing about

439
00:22:25,119 --> 00:22:27,520
Speaker 2: people saying that.

440
00:22:26,760 --> 00:22:28,720
Speaker 5: That's how she's like a boss? Yeah?

441
00:22:29,000 --> 00:22:32,560
Speaker 2: Yeah, such a boss refuse to step down from her

442
00:22:32,560 --> 00:22:34,320
Speaker 2: seat and guarantee you for luck.

443
00:22:35,119 --> 00:22:36,840
Speaker 5: I am loving talking about this.

444
00:22:36,800 --> 00:22:39,040
Speaker 1: But what good? Yeah?

445
00:22:39,160 --> 00:22:43,320
Speaker 5: I am. Uh there's going to close. All those stories

446
00:22:43,359 --> 00:22:44,080
Speaker 5: are going to close.

447
00:22:44,280 --> 00:22:47,560
Speaker 4: And I'm worried that I do really want to get

448
00:22:47,600 --> 00:22:50,359
Speaker 4: these uh these peeps because you did say I would

449
00:22:50,920 --> 00:22:56,240
Speaker 4: get a big unspecified punishment. So I are these okay?

450
00:22:56,560 --> 00:22:59,239
Speaker 4: Or is there something else? If it's not okay? If

451
00:22:59,240 --> 00:23:01,160
Speaker 4: it's not the peeps, is there something else I can

452
00:23:01,400 --> 00:23:02,840
Speaker 4: bring back instead?

453
00:23:03,200 --> 00:23:06,360
Speaker 1: Okay? Yeah? Well do you pick up those political peeps?

454
00:23:06,520 --> 00:23:18,600
Speaker 1: And uh yeah? What is the uh my toe?

455
00:23:19,680 --> 00:23:23,640
Speaker 5: Oh no, yeah.

456
00:23:22,520 --> 00:23:23,960
Speaker 3: Yes, are you okay?

457
00:23:24,000 --> 00:23:24,160
Speaker 5: Man?

458
00:23:24,840 --> 00:23:26,520
Speaker 1: Yeah, it'll be fine. I'm sure.

459
00:23:26,840 --> 00:23:30,600
Speaker 4: Uh I guess that doesn't sound really though, like what

460
00:23:30,760 --> 00:23:32,040
Speaker 4: it sounds like when you hurt your toe.

461
00:23:32,040 --> 00:23:36,119
Speaker 5: It's usually very deep. You make a very deep noise.

462
00:23:36,880 --> 00:23:39,240
Speaker 2: Oh yeah, that was the first half of the noise,

463
00:23:39,280 --> 00:23:40,600
Speaker 2: and here comes the rest of it.

464
00:23:42,680 --> 00:23:49,080
Speaker 1: Go go, go, Joe, do something government.

465
00:23:49,560 --> 00:23:52,239
Speaker 2: Oh yeah, so there it is.

466
00:23:52,520 --> 00:23:54,400
Speaker 5: That sounds right, That sounds right.

467
00:23:54,440 --> 00:23:57,720
Speaker 2: So now I'm gonna need some toe medicine. Hayes, if

468
00:23:57,760 --> 00:24:00,440
Speaker 2: you could get go out, uh, you know, don't get

469
00:24:00,480 --> 00:24:10,119
Speaker 2: the good kind, okay? Uh I need uh Ben gay

470
00:24:12,560 --> 00:24:16,160
Speaker 2: and uh uh and I need.

471
00:24:16,560 --> 00:24:18,320
Speaker 5: To get I could probably get that right here.

472
00:24:18,440 --> 00:24:23,080
Speaker 2: Oh uh no, but not that I need the kind.

473
00:24:24,240 --> 00:24:27,679
Speaker 2: It's got to have Joe Namath on it. Okay on

474
00:24:27,800 --> 00:24:28,800
Speaker 2: the bottle.

475
00:24:29,359 --> 00:24:33,560
Speaker 3: Hey, Hayes, Hayes, can you get some toilet paper here?

476
00:24:34,840 --> 00:24:36,879
Speaker 3: Joe's gonna I mean, I need more.

477
00:24:39,960 --> 00:24:42,080
Speaker 5: Why would Joe need toilet paper?

478
00:24:42,280 --> 00:24:43,840
Speaker 1: Yeah? He never has to go.

479
00:24:44,040 --> 00:24:47,439
Speaker 5: It's not real. It's it's just on the box.

480
00:24:47,680 --> 00:24:49,520
Speaker 1: Yeah, Brett, you're acting crazy.

481
00:24:49,520 --> 00:24:52,320
Speaker 3: It was really stupid of me. Sorry, Yeah, I just

482
00:24:52,359 --> 00:24:53,760
Speaker 3: need a lot more toilet paper.

483
00:24:54,119 --> 00:24:56,080
Speaker 5: You're gonna try to wipe Joe? What even if you

484
00:24:56,160 --> 00:24:58,160
Speaker 5: were real, you're gonna try to wipe his butt?

485
00:24:58,720 --> 00:25:03,240
Speaker 2: Yeah, Brett what? I I'm sorry about the legend. Yeah,

486
00:25:04,200 --> 00:25:05,359
Speaker 2: but did he like.

487
00:25:05,400 --> 00:25:09,600
Speaker 1: Any particular newspaper comic or not the name of any.

488
00:25:09,600 --> 00:25:13,480
Speaker 4: Did Joe Namath like any particular newspaper comic?

489
00:25:13,760 --> 00:25:14,200
Speaker 1: Well?

490
00:25:15,680 --> 00:25:15,840
Speaker 3: Uh?

491
00:25:16,440 --> 00:25:23,080
Speaker 5: Any sports ones? Uh? I don't know, I don't I

492
00:25:23,080 --> 00:25:25,400
Speaker 5: don't remember any football ones peanuts.

493
00:25:26,040 --> 00:25:29,120
Speaker 1: Okay, thanks, Bred, I'll kick the football.

494
00:25:29,320 --> 00:25:32,480
Speaker 4: That's about Charlie Brown. You're thinking, you're thinking of Charlie Brown.

495
00:25:32,600 --> 00:25:34,119
Speaker 1: Yeah, you're picturing Charlie Brown.

496
00:25:34,440 --> 00:25:36,879
Speaker 2: Okay, well, hey is go pick up the Joe Namath

497
00:25:37,359 --> 00:25:41,560
Speaker 2: packaging bottle and then uh you know, and get right

498
00:25:41,600 --> 00:25:42,080
Speaker 2: back here.

499
00:25:42,160 --> 00:25:42,920
Speaker 1: We miss you.

500
00:25:43,520 --> 00:25:48,840
Speaker 4: Okay, yeah, we're gonna go. It's like the rush hours

501
00:25:48,920 --> 00:25:49,680
Speaker 4: just starting now.

502
00:25:49,720 --> 00:25:50,760
Speaker 5: But okay, I'll come to.

503
00:25:51,200 --> 00:25:51,879
Speaker 3: Okay, bye.

504
00:25:52,600 --> 00:25:58,520
Speaker 1: All right, Wow that was close. I am so sorry. No,

505
00:25:58,560 --> 00:25:59,119
Speaker 1: it's okay.

506
00:25:59,320 --> 00:26:02,879
Speaker 2: What what did make you start sort of holding a

507
00:26:02,960 --> 00:26:04,240
Speaker 2: long opera note?

508
00:26:04,440 --> 00:26:09,800
Speaker 1: Oh? I read an article about vocal cord poll up prevention,

509
00:26:10,200 --> 00:26:13,520
Speaker 1: and supposedly, if you hold you know, like a tone

510
00:26:13,560 --> 00:26:16,280
Speaker 1: for eight to ten seconds, you gotta do it like

511
00:26:16,560 --> 00:26:18,840
Speaker 1: three hours after your midday meal.

512
00:26:19,160 --> 00:26:22,400
Speaker 2: So was the article in a newspaper and perhaps near

513
00:26:22,480 --> 00:26:23,720
Speaker 2: any sort of comic.

514
00:26:24,320 --> 00:26:27,359
Speaker 1: No, I haven't looked at a physical newspaper in years.

515
00:26:27,359 --> 00:26:29,399
Speaker 1: This was an article that I read. Old all right,

516
00:26:29,400 --> 00:26:31,199
Speaker 1: all right, all right, all right, all right, but you

517
00:26:31,240 --> 00:26:33,879
Speaker 1: want to talk more about the about con so you

518
00:26:34,040 --> 00:26:37,000
Speaker 1: build the cat or something. I'm not if I do

519
00:26:37,280 --> 00:26:39,840
Speaker 1: urinate on the symbols. I think that just cleaning it

520
00:26:39,920 --> 00:26:42,600
Speaker 1: up with toilet paper. Probably is not the most sanitary

521
00:26:42,640 --> 00:26:45,880
Speaker 1: way to do it. Really, Yeah, I would get you're

522
00:26:45,920 --> 00:26:48,399
Speaker 1: not I would. I would want I would put the

523
00:26:48,520 --> 00:26:50,800
Speaker 1: symbols maybe maybe fill up the sink with a bunch

524
00:26:50,840 --> 00:26:53,360
Speaker 1: of soapy water and put them in there. Oh, you're

525
00:26:53,480 --> 00:26:57,640
Speaker 1: such a big fuck boy you Yeah, well okay.

526
00:26:58,080 --> 00:27:02,000
Speaker 3: Uh okay, So don't piss on my symbols. I think

527
00:27:02,320 --> 00:27:03,320
Speaker 3: that was a joke, right.

528
00:27:04,240 --> 00:27:06,119
Speaker 2: If he was willing to do it, I was willing

529
00:27:06,119 --> 00:27:10,479
Speaker 2: to let him. I'm never gonna force anybody to do

530
00:27:10,560 --> 00:27:11,240
Speaker 2: something like that.

531
00:27:12,000 --> 00:27:14,159
Speaker 3: If you turned it upside down, it kind of forms

532
00:27:14,200 --> 00:27:14,840
Speaker 3: like a bucket.

533
00:27:14,920 --> 00:27:18,840
Speaker 1: I guess, h do you want? Would Gabris save his

534
00:27:19,400 --> 00:27:21,199
Speaker 1: uh peepe? Is that something Gabris?

535
00:27:21,280 --> 00:27:22,320
Speaker 2: Would he save his peepy?

536
00:27:22,520 --> 00:27:27,320
Speaker 1: Oh that's a good question, Brett. Would Gabra save his peepy?

537
00:27:27,480 --> 00:27:27,520
Speaker 2: No?

538
00:27:27,760 --> 00:27:30,560
Speaker 3: I think he uh, that's more like a Howard Hughes thing.

539
00:27:31,040 --> 00:27:32,119
Speaker 1: Yeah.

540
00:27:32,640 --> 00:27:34,280
Speaker 3: I think his whole thing is like he doesn't give

541
00:27:34,320 --> 00:27:37,679
Speaker 3: a fuck, you know, yeah, yeah, anywhere, Yeah, save it.

542
00:27:38,040 --> 00:27:39,120
Speaker 1: Obie doesn't give a fuck.

543
00:27:39,200 --> 00:27:41,240
Speaker 2: And you know, I'm talking about him a lot, and

544
00:27:41,240 --> 00:27:42,359
Speaker 2: I didn't tell him I was going to do that

545
00:27:42,480 --> 00:27:45,800
Speaker 2: on this So let's Uh.

546
00:27:45,960 --> 00:27:49,120
Speaker 3: My uncle always called them the funnies, the funny papers.

547
00:27:48,880 --> 00:27:52,080
Speaker 2: The funny papers. Yeah, see you in the funny papers.

548
00:27:52,560 --> 00:27:53,040
Speaker 5: Yeah.

549
00:27:53,440 --> 00:27:59,359
Speaker 1: Did you ever remember silly putty stretching He stretched silly putty.

550
00:27:59,440 --> 00:28:04,159
Speaker 1: Oh yeah, the newsprint from a comic strip, and then

551
00:28:04,320 --> 00:28:10,639
Speaker 1: you'd get a sort of another image, Oh wow, on

552
00:28:10,760 --> 00:28:15,919
Speaker 1: the silly like reverse. My growing up, you know, we

553
00:28:15,960 --> 00:28:17,120
Speaker 1: didn't have silly putty.

554
00:28:17,880 --> 00:28:20,600
Speaker 2: We had like just cock Like there was just like

555
00:28:20,640 --> 00:28:24,480
Speaker 2: a cock gun and I would put that on the

556
00:28:24,880 --> 00:28:29,320
Speaker 2: giant page of condensed newspaper, you know, articles and comics,

557
00:28:29,520 --> 00:28:33,200
Speaker 2: and boy, I'd catch a whooping for something like that.

558
00:28:33,760 --> 00:28:37,240
Speaker 3: And you could say that word in your family cock.

559
00:28:39,720 --> 00:28:39,959
Speaker 2: You know.

560
00:28:40,200 --> 00:28:43,560
Speaker 3: I mean trying to do this podcast and I wanted

561
00:28:43,600 --> 00:28:45,560
Speaker 3: to jam, so you know, at least you could do

562
00:28:45,640 --> 00:28:46,280
Speaker 3: is laugh at.

563
00:28:46,200 --> 00:28:49,080
Speaker 2: My at the cock cock thing. Yeah, yeah, but you

564
00:28:49,160 --> 00:28:50,960
Speaker 2: knew what I meant.

565
00:28:51,680 --> 00:28:54,640
Speaker 3: Yeah, you needed like a yeah you put it on

566
00:28:54,680 --> 00:28:55,120
Speaker 3: the paper.

567
00:28:55,840 --> 00:29:00,400
Speaker 1: Yeah. I'm sad that the New York Giants aren't any

568
00:29:00,720 --> 00:29:03,680
Speaker 1: aren't still in contention to win the Super Bowl this year,

569
00:29:05,240 --> 00:29:05,760
Speaker 1: But at.

570
00:29:05,640 --> 00:29:08,680
Speaker 2: The same time you're happy for the team that won

571
00:29:08,760 --> 00:29:09,560
Speaker 2: and got to move on.

572
00:29:10,360 --> 00:29:13,080
Speaker 3: Am I Gabris's way into the Giants.

573
00:29:13,400 --> 00:29:19,479
Speaker 2: Yeah right, okay, so I their victory is his thing,

574
00:29:19,600 --> 00:29:21,360
Speaker 2: not being like really gracious about.

575
00:29:22,520 --> 00:29:24,560
Speaker 1: I'll be honest with you. I've seen him wear a

576
00:29:24,680 --> 00:29:27,800
Speaker 1: New York Giants baseball cap and I was.

577
00:29:28,440 --> 00:29:31,120
Speaker 2: Okay, right, okay, yeah, okay, this is perfect. Then I'm

578
00:29:31,160 --> 00:29:32,760
Speaker 2: sorry I missed it, all right, So like.

579
00:29:33,320 --> 00:29:37,200
Speaker 1: Yeah, maybe next year. Yeah, I got a wait a

580
00:29:37,240 --> 00:29:43,840
Speaker 1: whole year for that. Ah shit. So, uh, you know.

581
00:29:45,600 --> 00:29:52,160
Speaker 2: The the New Yorker comic where there's like a donkey

582
00:29:52,440 --> 00:29:56,040
Speaker 2: I think sort of represents one of the political parties,

583
00:29:57,800 --> 00:30:03,440
Speaker 2: the Democratic Arty, great, perfect, and he's getting like, uh,

584
00:30:03,800 --> 00:30:07,600
Speaker 2: maybe they're brushing his teeth or something. Okay, you know,

585
00:30:08,280 --> 00:30:11,160
Speaker 2: and the toothbrush is like says like fascism on the

586
00:30:11,200 --> 00:30:12,160
Speaker 2: handle or something.

587
00:30:13,680 --> 00:30:17,360
Speaker 1: And who and when you say they are, who's the

588
00:30:17,360 --> 00:30:20,320
Speaker 1: they that's brushing the dog keys teeth? Guess you're trying

589
00:30:20,360 --> 00:30:23,040
Speaker 1: to make up a new Space New Yorker cartoon right now.

590
00:30:23,240 --> 00:30:25,400
Speaker 1: I meant general.

591
00:30:25,960 --> 00:30:29,040
Speaker 2: I feel like it is a specific one, like I'm

592
00:30:29,080 --> 00:30:31,760
Speaker 2: making it up. But it feels like one.

593
00:30:31,800 --> 00:30:32,280
Speaker 1: Doesn't it.

594
00:30:32,360 --> 00:30:35,360
Speaker 2: Oh yeah, So who do we think would be, you know,

595
00:30:35,440 --> 00:30:37,520
Speaker 2: holding the brush of fascism?

596
00:30:38,120 --> 00:30:42,360
Speaker 1: Oh maybe Congress?

597
00:30:42,560 --> 00:30:47,040
Speaker 2: Yeah yeah yeah. But also not to overwhelm you, but

598
00:30:47,160 --> 00:30:50,560
Speaker 2: who does Gabriis think would be holding that, you know,

599
00:30:53,440 --> 00:30:56,120
Speaker 2: probably still Congress, right yeah, I think so, Yeah, he

600
00:30:56,120 --> 00:30:59,320
Speaker 2: probably would think that too. Okay, so Congress is holding

601
00:30:59,360 --> 00:31:04,400
Speaker 2: the fascist the toothbrush brushing in Donkey's teeth, right yeah.

602
00:31:04,440 --> 00:31:09,480
Speaker 2: And then they made the caption probably is something like, uh,

603
00:31:09,560 --> 00:31:10,600
Speaker 2: four more years of this.

604
00:31:11,720 --> 00:31:16,440
Speaker 1: I don't know about that. But when I would play rugby,

605
00:31:17,120 --> 00:31:23,160
Speaker 1: if my rugby shoes were too small, I would take

606
00:31:23,400 --> 00:31:26,080
Speaker 1: the New Yorker and just ball it up and then

607
00:31:26,640 --> 00:31:30,600
Speaker 1: put it in the toe of my rugby shoe. Ah,

608
00:31:30,600 --> 00:31:31,600
Speaker 1: and then it fit.

609
00:31:32,120 --> 00:31:34,800
Speaker 2: Yeah, and so this must be what they were doing.

610
00:31:34,840 --> 00:31:36,960
Speaker 1: The other guys in my rugby team would give me help.

611
00:31:37,000 --> 00:31:39,280
Speaker 1: They knew my shoes were too big. They'd call me

612
00:31:39,320 --> 00:31:43,160
Speaker 1: little feet. Oh yeah, okay yeah.

613
00:31:43,200 --> 00:31:46,680
Speaker 2: And then and then they did you you ate a

614
00:31:46,760 --> 00:31:48,680
Speaker 2: snake that you found in a parking lot once?

615
00:31:48,760 --> 00:31:48,960
Speaker 5: Right?

616
00:31:49,080 --> 00:31:49,360
Speaker 2: Yep?

617
00:31:50,000 --> 00:31:50,160
Speaker 5: Yeah?

618
00:31:50,240 --> 00:31:51,040
Speaker 3: Were you wasted?

619
00:31:51,480 --> 00:31:53,880
Speaker 1: Oh yeah? Oh no? Drinking beers?

620
00:31:55,480 --> 00:31:58,080
Speaker 3: Oh yeah, papers loves talking about that kind of stuff.

621
00:31:58,160 --> 00:32:01,520
Speaker 1: Yeah yeah. One time I took two bud lights and

622
00:32:01,560 --> 00:32:04,480
Speaker 1: I poured him into one big glass, drank it, and

623
00:32:04,520 --> 00:32:11,040
Speaker 1: then ate up a snake. Oh no, double class somebody

624
00:32:11,200 --> 00:32:13,120
Speaker 1: dared me. Somebody dared me to do it.

625
00:32:13,480 --> 00:32:17,440
Speaker 2: Yeah, you know, yeah, but and also yeah, and also

626
00:32:17,520 --> 00:32:22,600
Speaker 2: on the on the newspaper stuff, is Dear Abby considered

627
00:32:22,600 --> 00:32:25,920
Speaker 2: a comic or a landers.

628
00:32:27,520 --> 00:32:30,440
Speaker 1: Sometimes in the entertainment section.

629
00:32:30,880 --> 00:32:35,959
Speaker 2: Okay, okay, and you'd see a little picture of Dear Abby.

630
00:32:36,760 --> 00:32:39,000
Speaker 2: It's like, okay, and Landers. Do you like your first

631
00:32:39,080 --> 00:32:40,760
Speaker 2: name so much you had to put it in your

632
00:32:40,840 --> 00:32:41,480
Speaker 2: last name?

633
00:32:46,040 --> 00:32:49,680
Speaker 1: That's very good. Is there anything else on that? Zippy

634
00:32:49,800 --> 00:32:52,360
Speaker 1: Zippy the pin head? Oh? Is that a thing? He's

635
00:32:52,400 --> 00:32:55,200
Speaker 1: the little sad he's like sort of the sad hunchback.

636
00:32:55,680 --> 00:33:00,680
Speaker 1: Oh no, does he like love you? Yeah, he's on

637
00:33:00,760 --> 00:33:03,040
Speaker 1: a He's on a lot of greeting cards when I'm

638
00:33:03,080 --> 00:33:08,080
Speaker 1: a kid, and yeah, yeah yeah Zippy. Yeah he lives alone.

639
00:33:08,520 --> 00:33:11,320
Speaker 3: Yeah, yeah, I guess I never really.

640
00:33:11,120 --> 00:33:17,000
Speaker 1: Mister Mago with the comic all cartoons, I'm assuming started

641
00:33:17,040 --> 00:33:21,120
Speaker 1: as comics. They had to could get them moving, so magoo,

642
00:33:21,560 --> 00:33:25,400
Speaker 1: you know, maybe in the first panel he's like, uh,

643
00:33:25,960 --> 00:33:29,160
Speaker 1: nice kiddie. And yeah he's like making love to like

644
00:33:29,280 --> 00:33:34,920
Speaker 1: a you know, Okay, now I'm interested.

645
00:33:37,960 --> 00:33:38,320
Speaker 2: Yeah.

646
00:33:38,440 --> 00:33:39,440
Speaker 1: Is he overtly sexual?

647
00:33:39,560 --> 00:33:40,280
Speaker 2: John Papers?

648
00:33:41,200 --> 00:33:42,200
Speaker 1: Not really, He's.

649
00:33:42,040 --> 00:33:44,600
Speaker 2: Not like against it. No, Yeah, he's not, but he's

650
00:33:44,640 --> 00:33:45,840
Speaker 2: not like that's not.

651
00:33:46,400 --> 00:33:49,160
Speaker 1: I think he's more like a signifying trait. He's sort

652
00:33:49,160 --> 00:33:50,440
Speaker 1: of like temple about.

653
00:33:50,160 --> 00:33:52,600
Speaker 3: It self deprecating yeaheah.

654
00:33:52,400 --> 00:33:56,800
Speaker 2: He loves yeah, he like well, he demonstrates a willingness

655
00:33:56,840 --> 00:34:00,480
Speaker 2: to kind of eat ship. Like he'll be like I'm

656
00:34:00,600 --> 00:34:04,800
Speaker 2: and be like my dick's so little or whatever, you

657
00:34:04,840 --> 00:34:06,920
Speaker 2: know what I mean, like joke about that.

658
00:34:07,040 --> 00:34:09,640
Speaker 1: Okay, all right, well I'll let I'll marinate on that

659
00:34:09,680 --> 00:34:10,319
Speaker 1: for a little bit.

660
00:34:10,760 --> 00:34:16,400
Speaker 2: So okay, But anyways, Yeah, Zippy or mister Zippy Magoo's

661
00:34:16,480 --> 00:34:19,680
Speaker 2: like making love to like a coat rack, but then

662
00:34:19,719 --> 00:34:20,800
Speaker 2: it turns out it's a brune.

663
00:34:20,880 --> 00:34:24,400
Speaker 1: He thinks it's a brew or go ahead, go ahead?

664
00:34:24,440 --> 00:34:24,600
Speaker 5: Yeah?

665
00:34:24,600 --> 00:34:30,759
Speaker 3: Sorry, Hey, hi guys, how's it going well?

666
00:34:30,800 --> 00:34:33,040
Speaker 4: Are you all jammed out? I'm so sorry this is

667
00:34:33,120 --> 00:34:37,640
Speaker 4: taking forever. Did you guys find more jams to do?

668
00:34:38,320 --> 00:34:38,560
Speaker 5: Yeah?

669
00:34:38,760 --> 00:34:42,120
Speaker 2: We actually stumbled into a hot blues riff.

670
00:34:43,239 --> 00:34:46,920
Speaker 5: Okay, can I please hear that? I'm sorry, I've just

671
00:34:46,920 --> 00:34:50,120
Speaker 5: been driving so much. I just would love to hear it.

672
00:34:51,120 --> 00:34:58,600
Speaker 2: Uh, bum down, doom, doom, doom, doom, boom bounce bean

673
00:34:58,680 --> 00:35:04,600
Speaker 2: bean bean bean Yeah, and then it's and we'll even

674
00:35:04,680 --> 00:35:07,279
Speaker 2: customize it for you. I got the can't find Ben

675
00:35:07,320 --> 00:35:08,440
Speaker 2: Gay blues.

676
00:35:10,400 --> 00:35:11,240
Speaker 5: That's not exactly.

677
00:35:11,239 --> 00:35:14,480
Speaker 4: I can't there is Ben Gay. It's not the Joe

678
00:35:14,560 --> 00:35:18,040
Speaker 4: Namath kind. I I met a cdsen Sillmar.

679
00:35:18,760 --> 00:35:23,640
Speaker 5: They have not Ben Gay and sort of way at

680
00:35:23,680 --> 00:35:26,759
Speaker 5: the back they have way in the back end down.

681
00:35:26,520 --> 00:35:29,680
Speaker 4: They have certain this underground part where they have old medicine,

682
00:35:29,800 --> 00:35:30,640
Speaker 4: and they have.

683
00:35:32,200 --> 00:35:34,040
Speaker 5: This Joe millionaire Ben Gay.

684
00:35:34,600 --> 00:35:37,839
Speaker 1: Ah, yes, Evan Evan is on it.

685
00:35:38,000 --> 00:35:42,800
Speaker 4: Yes, but so I'm like, great, fine, that's close enough,

686
00:35:43,000 --> 00:35:48,440
Speaker 4: but I think the stuff inside is not as toothpaste,

687
00:35:48,880 --> 00:35:52,279
Speaker 4: because that was like the idea. I guess that was

688
00:35:52,280 --> 00:35:55,239
Speaker 4: the promotion. That's like the concept of Joe millionaire is like.

689
00:35:55,320 --> 00:35:56,400
Speaker 1: Not a great smile.

690
00:35:56,560 --> 00:36:00,960
Speaker 4: Yeah, no, it's like that was not the concept of

691
00:36:01,000 --> 00:36:01,799
Speaker 4: Joe billionaire.

692
00:36:01,920 --> 00:36:03,480
Speaker 2: Yeah I could really smile.

693
00:36:04,040 --> 00:36:06,480
Speaker 4: No, that wasn't it. The idea was that he was

694
00:36:06,480 --> 00:36:09,160
Speaker 4: supposed to be a millionaire. But then when you actually.

695
00:36:08,760 --> 00:36:11,359
Speaker 2: He's a sad millionaire. He never smiles. No way, that

696
00:36:11,440 --> 00:36:12,759
Speaker 2: was what they do, right, he.

697
00:36:12,960 --> 00:36:15,719
Speaker 4: Is he is smiling. I definitely see why you were

698
00:36:15,760 --> 00:36:19,880
Speaker 4: confused because he was smiling so much. But what actually

699
00:36:19,880 --> 00:36:21,920
Speaker 4: and I am really running out of time because this

700
00:36:22,239 --> 00:36:25,759
Speaker 4: store is closing now. But I will explain this to you.

701
00:36:26,080 --> 00:36:27,840
Speaker 4: He was supposed to be a millionaire, but then you

702
00:36:27,880 --> 00:36:30,560
Speaker 4: found out that he was actually like a worker.

703
00:36:30,320 --> 00:36:34,480
Speaker 5: Man or something. Yes, that's the equivalent of this toothpaste.

704
00:36:34,560 --> 00:36:37,040
Speaker 4: It's like not the stuff that you thought that it

705
00:36:37,160 --> 00:36:39,239
Speaker 4: was gonna be, which was the ben gay?

706
00:36:39,400 --> 00:36:44,920
Speaker 5: So is that good? They do have the pumpkin peeps here,

707
00:36:44,920 --> 00:36:46,080
Speaker 5: by the way, So I do have.

708
00:36:46,080 --> 00:36:52,319
Speaker 2: The Okay, that's good. Okay, So I just don't know

709
00:36:52,320 --> 00:36:55,920
Speaker 2: why a millionaire would be sad. It's not really making

710
00:36:56,000 --> 00:36:57,360
Speaker 2: sense to me what you're pitching.

711
00:36:57,880 --> 00:37:00,759
Speaker 5: He sort of started to figure it out. What is that?

712
00:37:00,800 --> 00:37:03,839
Speaker 2: What is that? Later?

713
00:37:03,960 --> 00:37:07,280
Speaker 5: I'll call you. What is that? Who's making your phone?

714
00:37:09,120 --> 00:37:09,279
Speaker 2: Oh?

715
00:37:10,000 --> 00:37:12,520
Speaker 1: That's the Alto Sacks?

716
00:37:14,760 --> 00:37:19,120
Speaker 4: No, I know that's that done on anything like an

717
00:37:19,120 --> 00:37:21,320
Speaker 4: Alto Sacks. That sounded like something with a phone.

718
00:37:21,400 --> 00:37:23,920
Speaker 2: You What do you think is Joe Winger listening to

719
00:37:24,000 --> 00:37:26,600
Speaker 2: a voicemail from his mom or something and we can

720
00:37:26,760 --> 00:37:28,600
Speaker 2: hear it about when they're having dinner.

721
00:37:28,719 --> 00:37:30,840
Speaker 5: That's what it sounded like.

722
00:37:31,000 --> 00:37:32,879
Speaker 1: Oh, please, could you grow up?

723
00:37:32,920 --> 00:37:33,240
Speaker 5: Hayes?

724
00:37:33,320 --> 00:37:36,319
Speaker 2: What are you? What are you accusing us of? You

725
00:37:36,360 --> 00:37:37,960
Speaker 2: know we're having a jam session.

726
00:37:38,360 --> 00:37:41,240
Speaker 3: Yeah, you know that computers are part of music.

727
00:37:41,320 --> 00:37:44,239
Speaker 2: Now, Joe doesn't even live in Los Angeles, and if

728
00:37:44,239 --> 00:37:45,719
Speaker 2: he did, he wouldn't be able to get here.

729
00:37:45,840 --> 00:37:47,239
Speaker 1: He's driving slower now.

730
00:37:47,960 --> 00:37:51,200
Speaker 4: Okay, so this is what this is starting to make

731
00:37:51,200 --> 00:37:53,880
Speaker 4: sense because you guys were talking about Charlie Brown. So

732
00:37:54,040 --> 00:37:57,440
Speaker 4: in that world, if Joe's mom would sound like an

733
00:37:57,480 --> 00:38:00,799
Speaker 4: Alto Sacks, then an Alto Sacks would sound exactly like

734
00:38:01,040 --> 00:38:09,560
Speaker 4: Joe's mom. So, okay, I'm sorry, I get it. I misunderstood.

735
00:38:09,920 --> 00:38:13,400
Speaker 4: Where are we at with me being able to come home?

736
00:38:13,680 --> 00:38:15,560
Speaker 1: We're close, We're really close.

737
00:38:16,280 --> 00:38:18,000
Speaker 3: Okay, yeah, I think we're getting somewhere.

738
00:38:18,480 --> 00:38:24,000
Speaker 1: Do you know if they make bulletproof iced tea like ice.

739
00:38:25,600 --> 00:38:26,080
Speaker 3: With butter?

740
00:38:26,440 --> 00:38:28,600
Speaker 1: Yeah, iced syy with like a hunk of butter in

741
00:38:28,640 --> 00:38:29,680
Speaker 1: it and like a blender.

742
00:38:31,200 --> 00:38:34,319
Speaker 5: Uh, it doesn't have to be you.

743
00:38:34,320 --> 00:38:39,480
Speaker 3: Need like smart water to put in that, right, get

744
00:38:39,560 --> 00:38:42,800
Speaker 3: smart like the okay New Tropics or whatever.

745
00:38:43,160 --> 00:38:46,840
Speaker 4: Sure, yeah, okay, So is this something I can just

746
00:38:46,960 --> 00:38:49,160
Speaker 4: make or do I have to like actually go to

747
00:38:49,200 --> 00:38:49,560
Speaker 4: a place.

748
00:38:49,600 --> 00:38:51,520
Speaker 2: I'd like a specialist. I mean, I'd rather have a

749
00:38:51,560 --> 00:38:54,040
Speaker 2: professional do it. It feels a little like you'd be guessing.

750
00:38:55,040 --> 00:38:56,759
Speaker 2: You know, they probably know what kind of tea to

751
00:38:56,920 --> 00:39:00,160
Speaker 2: use if it's got like MC oil or something.

752
00:39:00,760 --> 00:39:04,360
Speaker 5: Okay, this is for your toe or your toe is uh.

753
00:39:04,360 --> 00:39:12,080
Speaker 2: Yeah, my toe's really fallen asleep, it's really swollen. Yeah, okay, Okay,

754
00:39:12,800 --> 00:39:15,480
Speaker 2: so bulletproof iced tea and then yeah, and then you'll

755
00:39:15,480 --> 00:39:17,040
Speaker 2: probably be in the home stretch there.

756
00:39:17,760 --> 00:39:21,920
Speaker 4: Okay, I see you sometimes.

757
00:39:21,960 --> 00:39:25,880
Speaker 2: Okay, I gotta go. Just have a good idea for jam. So,

758
00:39:26,040 --> 00:39:29,359
Speaker 2: I feel like we've pretty much crushed his episode so far,

759
00:39:29,600 --> 00:39:32,919
Speaker 2: Like the Gabors thing, like it had a really long

760
00:39:32,960 --> 00:39:34,560
Speaker 2: tail on it. But I feel like this the numbers

761
00:39:34,560 --> 00:39:36,000
Speaker 2: were going to do for this thing, it's going to

762
00:39:36,040 --> 00:39:38,440
Speaker 2: be wild.

763
00:39:39,880 --> 00:39:45,000
Speaker 1: Joe, did you have anything you want to plug? I

764
00:39:45,080 --> 00:39:47,560
Speaker 1: gotta call my mom back in a little bit before

765
00:39:47,600 --> 00:39:50,200
Speaker 1: they eat dinner. I'm sorry about that.

766
00:39:50,320 --> 00:39:52,120
Speaker 3: You put that right up to the mic.

767
00:39:52,360 --> 00:39:54,680
Speaker 1: Well, I didn't know if it was an emergency from

768
00:39:54,680 --> 00:39:57,520
Speaker 1: my mom, and I didn't want to. I don't like

769
00:39:57,560 --> 00:39:59,560
Speaker 1: holding my phone to my head because I feel like

770
00:39:59,600 --> 00:40:03,520
Speaker 1: I'm more read about the waves and stuff, so I

771
00:40:03,600 --> 00:40:06,040
Speaker 1: play it out loud, and I needed to want to

772
00:40:06,080 --> 00:40:08,040
Speaker 1: make sure everything was okay with my mommy. But I'm

773
00:40:08,040 --> 00:40:12,160
Speaker 1: gonna call her, so I guess I just like to

774
00:40:12,200 --> 00:40:15,480
Speaker 1: plug my continuing relationship with my mom.

775
00:40:14,920 --> 00:40:18,239
Speaker 2: M M. Yeah, well I look forward to that.

776
00:40:19,000 --> 00:40:21,440
Speaker 1: I feel like that's gonna be big. Now is this

777
00:40:22,320 --> 00:40:23,640
Speaker 1: so this is gonna be?

778
00:40:25,000 --> 00:40:25,200
Speaker 5: Am?

779
00:40:25,200 --> 00:40:26,640
Speaker 1: I Do I have a podcast?

780
00:40:26,680 --> 00:40:26,919
Speaker 5: Now?

781
00:40:27,680 --> 00:40:30,560
Speaker 1: Uh? Like you came on my podcast to talk about

782
00:40:30,560 --> 00:40:38,560
Speaker 1: the huh No? No, because I don't think it's here.

783
00:40:38,920 --> 00:40:40,920
Speaker 2: You know, as I sort of tried to crunch the

784
00:40:41,000 --> 00:40:45,920
Speaker 2: numbers on Hayes having this runaway train of success, I mean,

785
00:40:45,920 --> 00:40:48,480
Speaker 2: I know it's not Hayes. I know it's not the

786
00:40:48,520 --> 00:40:52,960
Speaker 2: High and Mighty brand, so you know, I know it's

787
00:40:52,960 --> 00:40:57,400
Speaker 2: not ear gum or whatever the shit, you know, and

788
00:40:57,480 --> 00:41:00,279
Speaker 2: so I'm going like, anything he could do, I can

789
00:41:00,320 --> 00:41:05,520
Speaker 2: do better any uh, get your gun or something. And

790
00:41:05,920 --> 00:41:11,640
Speaker 2: I know that Wanger is basically like a supercharged gabris,

791
00:41:11,840 --> 00:41:13,560
Speaker 2: so we're gonna be able to replace that.

792
00:41:14,200 --> 00:41:17,440
Speaker 1: So don't think steroids?

793
00:41:17,680 --> 00:41:25,799
Speaker 2: Yes, yeah, on steroids yeager and hulk out. So I

794
00:41:25,840 --> 00:41:28,239
Speaker 2: think that you know, what I just thought was not

795
00:41:28,360 --> 00:41:30,080
Speaker 2: that you had to have your own podcast?

796
00:41:30,120 --> 00:41:31,040
Speaker 1: Do you want one?

797
00:41:31,520 --> 00:41:31,880
Speaker 5: No?

798
00:41:32,320 --> 00:41:36,520
Speaker 1: Yeah? Me neither? Okay?

799
00:41:36,840 --> 00:41:40,200
Speaker 2: Uh so, Brett, do you want to do an actual

800
00:41:40,320 --> 00:41:41,120
Speaker 2: jam before?

801
00:41:42,200 --> 00:41:46,239
Speaker 3: We just like, Okay, it's getting kind of hard to

802
00:41:46,320 --> 00:41:49,359
Speaker 3: keep up this lie to Hayes. Yeah, and I never

803
00:41:49,440 --> 00:41:50,200
Speaker 3: really wanted to.

804
00:41:50,280 --> 00:41:51,560
Speaker 1: Do you want to come clean to him?

805
00:41:51,600 --> 00:41:55,360
Speaker 2: I mean, now that we have the footage, like, uh,

806
00:41:55,760 --> 00:42:00,080
Speaker 2: you know, we're going to need him to edit it anyway,

807
00:42:00,160 --> 00:42:02,000
Speaker 2: so he's gonna know that we did it. It was

808
00:42:02,080 --> 00:42:03,960
Speaker 2: just keeping him out of the room while we were.

809
00:42:05,000 --> 00:42:06,520
Speaker 2: Do you want to call him back and get him

810
00:42:06,560 --> 00:42:08,120
Speaker 2: on a jam sash?

811
00:42:08,280 --> 00:42:11,640
Speaker 3: Sure, but I would like some of those peeps. I

812
00:42:11,640 --> 00:42:14,120
Speaker 3: don't want him to skip bringing.

813
00:42:13,800 --> 00:42:15,600
Speaker 1: Those'll be he'll bring them.

814
00:42:16,440 --> 00:42:21,400
Speaker 3: Okay, all right, I'm calling up Hays, calling up hay

815
00:42:22,200 --> 00:42:24,040
Speaker 3: Oh there was no jam session.

816
00:42:24,640 --> 00:42:27,279
Speaker 2: Yeah, Hayes, I'm sorry to us. We had to fix

817
00:42:27,320 --> 00:42:29,960
Speaker 2: your breches. We did a little bit of tailoring work

818
00:42:30,000 --> 00:42:32,160
Speaker 2: and went ahead and made him fit you a little better.

819
00:42:32,880 --> 00:42:39,480
Speaker 3: So I'm just I'm just jamming.

820
00:42:39,560 --> 00:42:43,080
Speaker 1: We're just jamming. But you know, Joe Wanger's here.

821
00:42:43,280 --> 00:42:46,400
Speaker 2: That was a voicemail from his mom, and he and

822
00:42:46,480 --> 00:42:50,759
Speaker 2: I have just recorded a really in depth, fun, sort

823
00:42:50,800 --> 00:42:55,960
Speaker 2: of nostalgic look at newspaper comics. It's relatable, it's funny,

824
00:42:56,080 --> 00:42:57,680
Speaker 2: it's smart, it's charming.

825
00:42:57,880 --> 00:42:59,160
Speaker 1: You probably learned something.

826
00:42:59,760 --> 00:43:03,239
Speaker 2: You'll definitely learned something and I think it's going to

827
00:43:03,360 --> 00:43:05,800
Speaker 2: really perform very well on the web.

828
00:43:06,960 --> 00:43:11,880
Speaker 5: Wait, Brett, why would you coordinate something like this?

829
00:43:12,000 --> 00:43:16,399
Speaker 4: It seems like such a bizarre, mean thing for you.

830
00:43:16,400 --> 00:43:17,080
Speaker 5: To do to me.

831
00:43:17,600 --> 00:43:18,640
Speaker 3: I didn't do this.

832
00:43:19,080 --> 00:43:23,200
Speaker 4: Wors my friend to try and one up my podcast

833
00:43:23,200 --> 00:43:25,240
Speaker 4: which has been so well received.

834
00:43:24,800 --> 00:43:26,920
Speaker 2: And I didn't want to have anything to do with this.

835
00:43:27,040 --> 00:43:30,439
Speaker 2: Hayes and Brett has like hey, and Brett was able

836
00:43:30,480 --> 00:43:32,480
Speaker 2: to blackmail me into doing it.

837
00:43:32,920 --> 00:43:35,399
Speaker 5: In your house. I don't understand.

838
00:43:35,760 --> 00:43:37,719
Speaker 3: No, you dropped him off for a play date.

839
00:43:37,880 --> 00:43:40,720
Speaker 2: I was trying to drop hints during the phone calls

840
00:43:40,760 --> 00:43:44,000
Speaker 2: and kind of let you know, to come and rescue me.

841
00:43:44,360 --> 00:43:48,719
Speaker 2: But he is obviously insane and I was scared, So

842
00:43:49,000 --> 00:43:49,960
Speaker 2: that's why I did it.

843
00:43:50,360 --> 00:43:54,120
Speaker 1: I was invited here, I was excluded by them in

844
00:43:54,200 --> 00:43:58,320
Speaker 1: the jam by Brett, and then I was told you urinate.

845
00:43:58,800 --> 00:44:02,439
Speaker 2: Don't actually urine on the symbols, you know, which are

846
00:44:02,480 --> 00:44:05,160
Speaker 2: like metal and they're so easy to clean.

847
00:44:05,239 --> 00:44:09,120
Speaker 1: It would probably make such a just killer sound. Oh god,

848
00:44:09,280 --> 00:44:10,000
Speaker 1: bringing off of that.

849
00:44:10,200 --> 00:44:13,600
Speaker 4: Yeah, it's been lying about liking music, but I like,

850
00:44:13,880 --> 00:44:15,520
Speaker 4: I didn't think you would use that.

851
00:44:15,640 --> 00:44:19,680
Speaker 5: Why for such a like a mean reason to just

852
00:44:19,719 --> 00:44:20,440
Speaker 5: to hurt me.

853
00:44:21,320 --> 00:44:22,120
Speaker 1: Yes, I don't.

854
00:44:22,160 --> 00:44:25,279
Speaker 2: I never thought of Brett as mister sinister, you know,

855
00:44:25,400 --> 00:44:29,040
Speaker 2: from the comics, but in a way, he's proven that

856
00:44:29,080 --> 00:44:31,680
Speaker 2: he is with this, uh evil scheme.

857
00:44:32,680 --> 00:44:33,279
Speaker 5: Are you mad?

858
00:44:33,440 --> 00:44:33,680
Speaker 1: Is this?

859
00:44:33,840 --> 00:44:35,480
Speaker 4: Does this have something to do with the fact that

860
00:44:35,520 --> 00:44:37,520
Speaker 4: Sean has started to wear a hat that's kind of

861
00:44:37,520 --> 00:44:38,360
Speaker 4: like your hat?

862
00:44:38,680 --> 00:44:39,680
Speaker 3: I noticed that too.

863
00:44:39,800 --> 00:44:41,399
Speaker 1: You can't you mad?

864
00:44:41,440 --> 00:44:41,600
Speaker 3: Bro?

865
00:44:41,840 --> 00:44:42,000
Speaker 2: Well?

866
00:44:42,040 --> 00:44:44,319
Speaker 3: At first I thought that was us dressing the same

867
00:44:44,400 --> 00:44:47,560
Speaker 3: like for the band, you know. Yeah, you turned this

868
00:44:47,800 --> 00:44:51,319
Speaker 3: entire thing around, brought Joe over. I'm happy to have

869
00:44:51,400 --> 00:44:52,520
Speaker 3: you over, but I didn't.

870
00:44:52,320 --> 00:44:55,320
Speaker 1: Thank you for having me. But I am upset still, Yeah.

871
00:44:55,200 --> 00:44:57,160
Speaker 3: And I don't know why you're upset at me. I

872
00:44:57,600 --> 00:45:00,040
Speaker 3: didn't do any of this. I wanted to change. You

873
00:45:00,120 --> 00:45:00,600
Speaker 3: have pulled it.

874
00:45:01,040 --> 00:45:02,960
Speaker 5: Why you would take Sean's hat out on me?

875
00:45:03,200 --> 00:45:05,640
Speaker 1: Yeah? Why are you mad at Hayes? Because I happen

876
00:45:05,719 --> 00:45:07,920
Speaker 1: to have this hat.

877
00:45:08,760 --> 00:45:10,719
Speaker 4: And you made Sean make me run around the whole

878
00:45:10,719 --> 00:45:12,360
Speaker 4: city to get punkin peep.

879
00:45:13,520 --> 00:45:15,600
Speaker 2: I hated that part of it, and I was just

880
00:45:15,760 --> 00:45:18,560
Speaker 2: so uncomfortable and I have a pit in my stomach

881
00:45:19,000 --> 00:45:21,520
Speaker 2: and I'll probably have to do one of Wangart's famous

882
00:45:21,520 --> 00:45:23,239
Speaker 2: hourly bowel movements over it.

883
00:45:24,680 --> 00:45:27,160
Speaker 3: Yeah, Wanger takes twenty four bowel movements.

884
00:45:27,360 --> 00:45:31,600
Speaker 1: They don't last an hour each. That's just because then

885
00:45:31,640 --> 00:45:33,880
Speaker 1: I would just that's all I would be constantly doing.

886
00:45:33,920 --> 00:45:36,400
Speaker 1: But every hour on the hour it takes it.

887
00:45:36,640 --> 00:45:40,720
Speaker 4: They're they're incredibly quick, right, very clean.

888
00:45:40,840 --> 00:45:44,759
Speaker 1: Yeah, they're really fast. The system run it.

889
00:45:44,880 --> 00:45:47,960
Speaker 5: Yeah, it's healthy for you. Yeah, I've heard about this,

890
00:45:49,719 --> 00:45:50,320
Speaker 5: so you know.

891
00:45:50,760 --> 00:45:53,479
Speaker 2: Uh yeah, I mean still get the bulletproof ice tea

892
00:45:53,640 --> 00:45:55,920
Speaker 2: just because otherwise I think Brett's gonna, you know, do

893
00:45:56,080 --> 00:45:56,799
Speaker 2: something to us.

894
00:45:57,400 --> 00:46:00,120
Speaker 4: But I'm gonna have to like edit this now. This

895
00:46:00,200 --> 00:46:02,319
Speaker 4: thing is just that Brent just designed to hurt me.

896
00:46:02,400 --> 00:46:04,440
Speaker 1: Now I have to like, yeah, you do have to

897
00:46:04,600 --> 00:46:04,960
Speaker 1: edit it.

898
00:46:05,040 --> 00:46:10,240
Speaker 2: If you could take out some of the more extreme moments, uh.

899
00:46:09,360 --> 00:46:12,319
Speaker 3: Yeah, if you could edit it on Martin Luther King Day,

900
00:46:12,360 --> 00:46:12,919
Speaker 3: that'd be great.

901
00:46:13,000 --> 00:46:15,560
Speaker 2: And just be careful around the Daego stuff because Fox

902
00:46:15,640 --> 00:46:17,200
Speaker 2: is launching the Dago next year.

903
00:46:18,840 --> 00:46:22,040
Speaker 5: Yeah.

904
00:46:22,160 --> 00:46:23,280
Speaker 1: Yeah, vent Amilia.

905
00:46:24,719 --> 00:46:38,640
Speaker 2: So anyway, uh bye bye bye. Hollywood Handbook is brought

906
00:46:38,680 --> 00:46:48,000
Speaker 2: to you by Wolf Cool Production to subsidiaryobs ow Baby