1 00:00:00,040 --> 00:00:03,480 Speaker 1: First of all, you don't know me. Were all about 2 00:00:03,480 --> 00:00:06,320 Speaker 1: that high school drama, Girl Drama, Girl, all about them 3 00:00:06,360 --> 00:00:09,479 Speaker 1: high school queens. We'll take you for a ride in 4 00:00:09,560 --> 00:00:15,520 Speaker 1: our comic girl sharing for the drama Queen's Up, Girl Fashion. 5 00:00:15,560 --> 00:00:18,200 Speaker 1: But you'll tough, girl. You can sit with us. Girl Drama, 6 00:00:18,239 --> 00:00:22,000 Speaker 1: Queens Drama, Queen's Drama, Queen's Drama, John mc Queen's Drama, 7 00:00:22,079 --> 00:00:29,160 Speaker 1: Queen's Cool. Hey, friends, we're gonna make podcast. We got 8 00:00:29,680 --> 00:00:34,600 Speaker 1: season two, episode fifteen, Unopened Letter to the World Now. 9 00:00:34,680 --> 00:00:37,320 Speaker 1: The original air date for this was February twenty two, 10 00:00:37,400 --> 00:00:41,280 Speaker 1: two thousand five, and our synopsis it's the students of 11 00:00:41,320 --> 00:00:44,239 Speaker 1: tree Hill High make a time capsule to that they 12 00:00:44,400 --> 00:00:47,520 Speaker 1: expect to be open in fifty years. That's a long 13 00:00:47,560 --> 00:00:51,040 Speaker 1: time from now. So Anna struggles with what to reveal 14 00:00:51,080 --> 00:00:55,920 Speaker 1: about herself. Nathan continues down his downward spiral, and Peyton 15 00:00:55,960 --> 00:01:00,480 Speaker 1: and Jake, who is there anything else to say but 16 00:01:00,640 --> 00:01:04,680 Speaker 1: that go on their first date. Um, I'm blushing just 17 00:01:04,800 --> 00:01:09,000 Speaker 1: thinking about it. And Brooke really starts to think about 18 00:01:09,040 --> 00:01:12,720 Speaker 1: what she can do as president. I want to start 19 00:01:12,760 --> 00:01:16,320 Speaker 1: this by saying I felt the Haley void, like we 20 00:01:16,440 --> 00:01:18,920 Speaker 1: knew they were going to be episodes that Haley was 21 00:01:18,959 --> 00:01:22,800 Speaker 1: not in enjoy It really bothered me a couple episodes 22 00:01:22,840 --> 00:01:24,479 Speaker 1: ago when you said you felt like they were testing 23 00:01:24,520 --> 00:01:26,720 Speaker 1: the waters to see if the show could float without you, 24 00:01:26,880 --> 00:01:29,640 Speaker 1: And to me, the answer is a firm no, Like 25 00:01:29,680 --> 00:01:33,400 Speaker 1: I really missed the energy that you bring, and it's 26 00:01:34,120 --> 00:01:36,560 Speaker 1: it balances our dynamic in a way that I think 27 00:01:36,640 --> 00:01:41,200 Speaker 1: is really important. Um, I missed you this episode. Thanks. 28 00:01:41,360 --> 00:01:44,160 Speaker 1: I missed Haley in this episode two being able to 29 00:01:44,200 --> 00:01:47,440 Speaker 1: be more objective now and sitting back and watching saw, 30 00:01:47,920 --> 00:01:50,400 Speaker 1: I miss that. There's a there's a grounded nous, There's 31 00:01:50,400 --> 00:01:57,120 Speaker 1: a grounded thread that she even in her ah, even 32 00:01:57,120 --> 00:01:59,840 Speaker 1: in her confusion about where she is, who she wants 33 00:01:59,880 --> 00:02:01,720 Speaker 1: to be, that what choices she wants to make, there's 34 00:02:01,720 --> 00:02:04,880 Speaker 1: still just something grounded about her that I think helps 35 00:02:04,960 --> 00:02:07,400 Speaker 1: with the tone of everything in the show. And yeah, 36 00:02:07,680 --> 00:02:11,160 Speaker 1: Mr too, it feels weird everybody talking about her and 37 00:02:11,240 --> 00:02:14,639 Speaker 1: she's not there to defend herself a check. Yeah, but 38 00:02:14,760 --> 00:02:17,680 Speaker 1: you know what I will say works, I'm like, oh, yeah, 39 00:02:17,760 --> 00:02:21,680 Speaker 1: the void we're feeling is the chasm that actually gives 40 00:02:21,720 --> 00:02:24,480 Speaker 1: way for Nathan and Lucas to both be such a mess. 41 00:02:25,960 --> 00:02:29,600 Speaker 1: You know, like like these boys are drowning without you, 42 00:02:30,360 --> 00:02:34,760 Speaker 1: the romantic interest and the best friend. And so I'm like, oh, yeah, 43 00:02:34,840 --> 00:02:38,560 Speaker 1: I don't. I don't like it. And I guess that's 44 00:02:38,560 --> 00:02:42,919 Speaker 1: why the guy in charge aside. I guess that's why 45 00:02:42,960 --> 00:02:45,000 Speaker 1: they were doing it. It like actually works. They're like, 46 00:02:45,040 --> 00:02:46,880 Speaker 1: what happens if she leaves? And it's like all everything 47 00:02:46,880 --> 00:02:54,079 Speaker 1: falls apart. It's really sad. I cried twice watching this up. Guys. 48 00:02:54,120 --> 00:02:56,800 Speaker 1: There were no secrets left in this episode. It all 49 00:02:57,000 --> 00:03:01,720 Speaker 1: came spilling out everywhere, big mess, a big beautiful And 50 00:03:01,800 --> 00:03:04,440 Speaker 1: this was one of those episodes where they really tapped 51 00:03:04,520 --> 00:03:09,000 Speaker 1: into what I think our show did at its strongest, 52 00:03:09,120 --> 00:03:13,840 Speaker 1: which is when when they writing of all the vignettes 53 00:03:13,919 --> 00:03:18,320 Speaker 1: tied together and you get this book end of Whitey 54 00:03:18,320 --> 00:03:21,519 Speaker 1: watching his younger self. Fun fact that was Barry Corbyn's 55 00:03:21,560 --> 00:03:25,680 Speaker 1: son with you know, a buzz cut playing young Whitey 56 00:03:25,840 --> 00:03:29,240 Speaker 1: and and we all cried at the end when Whitey. 57 00:03:29,280 --> 00:03:33,640 Speaker 1: But you see all these little moments like you know, 58 00:03:35,040 --> 00:03:38,000 Speaker 1: you call Peyton, calls Jacob Fox, and then you cut 59 00:03:38,040 --> 00:03:39,880 Speaker 1: to Karen and she says to Andy, he won't out 60 00:03:39,880 --> 00:03:42,960 Speaker 1: fox me. And then Brooke and Lucas and Felix are 61 00:03:42,960 --> 00:03:45,400 Speaker 1: talking about surprises, and then it cuts to Erica Marsh 62 00:03:45,400 --> 00:03:48,800 Speaker 1: saying surprise and like all these little things they did 63 00:03:48,880 --> 00:03:53,000 Speaker 1: such a good job kind of giving you these slices 64 00:03:53,040 --> 00:03:56,600 Speaker 1: of life of everyone, and in watching it, you know 65 00:03:56,640 --> 00:03:58,440 Speaker 1: the way the fans do. I'm like, look at all 66 00:03:58,440 --> 00:04:03,360 Speaker 1: these people doing dumb ship with Haley around. Yeah mother 67 00:04:04,560 --> 00:04:07,000 Speaker 1: from a side from Payton and Jake, that is you, guys, 68 00:04:07,560 --> 00:04:11,600 Speaker 1: let's talk about it. I can't even that's seen in 69 00:04:11,680 --> 00:04:16,920 Speaker 1: the hallway by the lockers. You smell insanely good today. 70 00:04:17,279 --> 00:04:24,280 Speaker 1: My god, I was losing my mind Hillary discovering her 71 00:04:24,279 --> 00:04:27,000 Speaker 1: face and you, by the way, trying to be cool 72 00:04:27,120 --> 00:04:31,400 Speaker 1: and being like that's presumptuous. Guys. There was Zoro acting 73 00:04:31,720 --> 00:04:38,880 Speaker 1: happy honestly and like we were such good friends. He 74 00:04:39,040 --> 00:04:42,080 Speaker 1: friends owned me so hard, and so I would have 75 00:04:42,160 --> 00:04:44,880 Speaker 1: to be like, yeah, cool, No, I'm definitely not looking 76 00:04:44,880 --> 00:04:46,400 Speaker 1: forward to these scenes where we have to kiss you. 77 00:04:46,600 --> 00:04:51,760 Speaker 1: Gross you're my friend, um. But everyone, including Greenberg knew 78 00:04:51,839 --> 00:04:57,120 Speaker 1: that I thought he was the fucking cats put champ Hillary. 79 00:04:58,040 --> 00:05:02,039 Speaker 1: I did, but even I had a boyfriend at the time, 80 00:05:02,120 --> 00:05:07,320 Speaker 1: and Greenberg would like fly into Wilmington's and like be like, hey, 81 00:05:07,360 --> 00:05:11,039 Speaker 1: can I like stash my guitar at your house, and 82 00:05:11,040 --> 00:05:13,520 Speaker 1: I'd be like, yeah, sure, whatever you want, dude, Like 83 00:05:13,640 --> 00:05:16,880 Speaker 1: my house is your house. Cool. My boyfriend would go 84 00:05:17,200 --> 00:05:23,080 Speaker 1: from work, I'd be like, who is this get he's 85 00:05:23,120 --> 00:05:27,840 Speaker 1: not hanging out here? Um is that guy that all 86 00:05:27,880 --> 00:05:30,640 Speaker 1: the girls wanted and all the boys wanted to be 87 00:05:30,640 --> 00:05:36,039 Speaker 1: because he's just effortlessly cool. He's so naturally masculine in 88 00:05:36,080 --> 00:05:38,120 Speaker 1: that kind of like in that way that just makes 89 00:05:38,120 --> 00:05:40,560 Speaker 1: you sweel, like the romance novel way that makes you swoon, 90 00:05:40,760 --> 00:05:43,159 Speaker 1: the lean in and knowing how to say but it's 91 00:05:43,160 --> 00:05:45,800 Speaker 1: not fake. That's the thing. We've seen it so many times, 92 00:05:45,839 --> 00:05:48,120 Speaker 1: especially on c W shows, where guys show up and 93 00:05:48,400 --> 00:05:50,680 Speaker 1: they do the thing that's supposed to be sexy they 94 00:05:50,760 --> 00:05:52,760 Speaker 1: do they do the lean and the eyebrow goes up 95 00:05:52,760 --> 00:05:54,880 Speaker 1: and they lean in the door frame and they're just 96 00:05:54,960 --> 00:06:01,280 Speaker 1: like they look constipated because it's so forced. It is 97 00:06:01,360 --> 00:06:05,160 Speaker 1: so natural from him, from from b G man. It 98 00:06:05,320 --> 00:06:08,480 Speaker 1: just comes right from his gut. It's so good and 99 00:06:08,560 --> 00:06:13,560 Speaker 1: it's not there's no push behind it. He's not trying 100 00:06:13,560 --> 00:06:17,560 Speaker 1: to prove it, and like, isn't that swagger when somebody 101 00:06:17,600 --> 00:06:20,840 Speaker 1: just is and it's low key and and he's a 102 00:06:20,880 --> 00:06:23,760 Speaker 1: little quieter than everybody else, and it makes you want 103 00:06:23,800 --> 00:06:28,279 Speaker 1: to lean in and listen. Last, is that what's happening? No, listen. 104 00:06:28,360 --> 00:06:31,560 Speaker 1: He bashed at himself, and that's what's so great is 105 00:06:31,600 --> 00:06:35,120 Speaker 1: that when he's like, hey man, I'm a single dad, 106 00:06:35,160 --> 00:06:37,159 Speaker 1: I'm a high school dropout, I'm getting ready to go 107 00:06:37,160 --> 00:06:39,600 Speaker 1: on my first day since my daughter was born. I'm 108 00:06:39,640 --> 00:06:43,480 Speaker 1: a catch right. Yeah, you know that's how he is 109 00:06:43,480 --> 00:06:45,440 Speaker 1: in real life too, Like he is able to laugh 110 00:06:45,480 --> 00:06:48,760 Speaker 1: at himself in a way that disarms other people, and 111 00:06:49,120 --> 00:06:52,960 Speaker 1: specifically for Peyton, who does have so many trust issues, 112 00:06:53,960 --> 00:06:57,840 Speaker 1: who has so many walls up, what he is able 113 00:06:57,920 --> 00:07:04,840 Speaker 1: to provide is like a really safe gentle I mean, 114 00:07:05,560 --> 00:07:10,320 Speaker 1: in the bedroom, Jake finds condoms and it leads them 115 00:07:10,400 --> 00:07:14,280 Speaker 1: not to having sex, but to having this really vulnerable conversation. 116 00:07:14,400 --> 00:07:17,480 Speaker 1: And you admit it in the sweetest way that you 117 00:07:17,520 --> 00:07:25,160 Speaker 1: know you're nervous, and he's just like, let's take it slow. Yeah. 118 00:07:25,240 --> 00:07:27,560 Speaker 1: And you said it. I literally I wrote it down 119 00:07:27,800 --> 00:07:31,440 Speaker 1: in my notes. You said, name a more perfectly scripted 120 00:07:31,440 --> 00:07:35,360 Speaker 1: boy character. Enjoy and I both went, can't honestly like 121 00:07:35,520 --> 00:07:39,920 Speaker 1: the Boys on Creek, The Boys and Girls you know, 122 00:07:39,960 --> 00:07:41,840 Speaker 1: on like any of the other shows. I'm sorry Jake 123 00:07:41,880 --> 00:07:47,880 Speaker 1: Jagelski gets the trophy. He's kind of cool. Yeah, okay, cool, 124 00:07:48,000 --> 00:07:51,840 Speaker 1: you told him he got cool points for that, and 125 00:07:51,880 --> 00:07:57,640 Speaker 1: he is. You know, we obviously love Jake Jakalski very much, 126 00:07:57,640 --> 00:07:59,640 Speaker 1: and it's a lot easier to come in and play 127 00:07:59,680 --> 00:08:02,600 Speaker 1: an of a really great character than it is to like, 128 00:08:03,160 --> 00:08:06,080 Speaker 1: I have to do it every single episode for ten years. 129 00:08:06,120 --> 00:08:07,880 Speaker 1: You know, the other boys really got put through the 130 00:08:07,960 --> 00:08:11,240 Speaker 1: ringer because it's like, how do we constantly find interesting 131 00:08:11,280 --> 00:08:14,880 Speaker 1: things for them to do? And so because Jake was 132 00:08:14,960 --> 00:08:19,320 Speaker 1: limited to you know, what is it three seasons, you know, 133 00:08:20,320 --> 00:08:25,080 Speaker 1: his stuff is really quality, it's really controlled, and his 134 00:08:25,280 --> 00:08:27,640 Speaker 1: narrative is strong, and he never has to do any 135 00:08:27,680 --> 00:08:31,720 Speaker 1: like weird b storylines that did never have to eat 136 00:08:31,760 --> 00:08:33,920 Speaker 1: a heart. Yeah, it's like he doesn't have to do 137 00:08:33,960 --> 00:08:37,480 Speaker 1: any dumb so he can just stay true to who 138 00:08:37,520 --> 00:08:39,760 Speaker 1: he is without having to be like, what are we 139 00:08:39,760 --> 00:08:43,160 Speaker 1: going to do this week with Jake jael Ski. Um. 140 00:08:43,200 --> 00:08:45,760 Speaker 1: But I think that conversation in the bedroom was important 141 00:08:45,880 --> 00:08:52,360 Speaker 1: and I appreciate that a lot of the concerns we 142 00:08:52,360 --> 00:08:57,720 Speaker 1: were voicing about teenage sexuality were heard and that this 143 00:08:57,840 --> 00:09:00,880 Speaker 1: is an example of that where it's like, oh, maybe 144 00:09:00,920 --> 00:09:05,200 Speaker 1: the girls will commit more to their storylines if, like, 145 00:09:05,600 --> 00:09:09,480 Speaker 1: we try to portray an accurate version of what teenage 146 00:09:09,520 --> 00:09:13,160 Speaker 1: sexuality is, and so you can have lost your virginity 147 00:09:13,160 --> 00:09:17,680 Speaker 1: in high school and still not be like a sex machine. 148 00:09:17,800 --> 00:09:25,880 Speaker 1: You know. The idea that Peyton is is specific in her. Look, 149 00:09:25,920 --> 00:09:27,760 Speaker 1: I did this, That doesn't mean I'm going to do 150 00:09:27,800 --> 00:09:31,320 Speaker 1: it every time. Yeah. I love that. I love setting 151 00:09:31,320 --> 00:09:35,239 Speaker 1: that example. Yeah, And I think that's a really important 152 00:09:35,960 --> 00:09:39,280 Speaker 1: thing for us to look at because you know, um, 153 00:09:39,520 --> 00:09:41,600 Speaker 1: we we listen to you guys, and we read all 154 00:09:41,600 --> 00:09:44,720 Speaker 1: your questions and we read all your feedback, and um, 155 00:09:44,760 --> 00:09:48,040 Speaker 1: somebody said something that got us all talking offline about how, 156 00:09:49,559 --> 00:09:52,040 Speaker 1: you know, some of the ways we've talked about our 157 00:09:52,160 --> 00:09:55,680 Speaker 1: character's experiences made somebody think like, well, am I supposed 158 00:09:55,720 --> 00:09:57,720 Speaker 1: to be ashamed that I had sex in high school? 159 00:09:57,760 --> 00:10:00,360 Speaker 1: This was a good I'm a listener, and you were like, 160 00:10:00,400 --> 00:10:03,480 Speaker 1: oh my god, No, that's not the point. The point 161 00:10:03,720 --> 00:10:05,760 Speaker 1: when we talk about this stuff is that we, as 162 00:10:05,840 --> 00:10:10,480 Speaker 1: young women, we're being put in sexual situations. We didn't 163 00:10:10,480 --> 00:10:12,559 Speaker 1: agree to buy a bunch of men old enough to 164 00:10:12,600 --> 00:10:16,120 Speaker 1: be our dads and it felt very upsetting, and it 165 00:10:16,240 --> 00:10:19,640 Speaker 1: felt like a lot of that um, a lot of 166 00:10:19,679 --> 00:10:23,520 Speaker 1: that stuff, especially for Brooke Davis certainly at moments for 167 00:10:23,559 --> 00:10:29,760 Speaker 1: Peyton felt like grown male fantasy of teenage girls and 168 00:10:29,880 --> 00:10:32,280 Speaker 1: it was hard for us. And I think that's why 169 00:10:32,280 --> 00:10:35,760 Speaker 1: we find like the Haley and Nathan becoming an intimate 170 00:10:35,800 --> 00:10:39,079 Speaker 1: sexual couple to be beautiful and it's and it's exactly 171 00:10:39,080 --> 00:10:41,280 Speaker 1: why I'm so glad that you said what you just said, Hilary, 172 00:10:41,280 --> 00:10:44,040 Speaker 1: because it's like, look, you do what you want to do, 173 00:10:44,480 --> 00:10:47,280 Speaker 1: but don't let anyone in the world say that because 174 00:10:47,640 --> 00:10:50,200 Speaker 1: you're not ready, something's wrong with you, or because you 175 00:10:50,360 --> 00:10:53,120 Speaker 1: have you're just supposed to be ready for it all 176 00:10:53,120 --> 00:10:56,920 Speaker 1: the time. Like that's not how people are. And it's 177 00:10:57,200 --> 00:10:59,319 Speaker 1: it's so nice, I think for us to be getting 178 00:10:59,320 --> 00:11:03,679 Speaker 1: to a point where these characters are becoming more real 179 00:11:03,920 --> 00:11:09,200 Speaker 1: women with real complex experiences rather than like, you know, 180 00:11:09,320 --> 00:11:15,080 Speaker 1: tiger beat poster girls in cheerleading uniforms that like, yeah, 181 00:11:15,200 --> 00:11:18,680 Speaker 1: like gross. And so suddenly I feel like I'm actually 182 00:11:18,720 --> 00:11:22,839 Speaker 1: watching teenagers again and it's it's so sweet, and all 183 00:11:22,920 --> 00:11:25,760 Speaker 1: of guys think that all started to happen. I mean, 184 00:11:25,800 --> 00:11:28,760 Speaker 1: I know we were sort of putting up fights and 185 00:11:28,840 --> 00:11:31,599 Speaker 1: having conversations. It wasn't always a fight. Sometimes it was 186 00:11:31,640 --> 00:11:36,000 Speaker 1: a conversation. Um, there were maybe more women in the 187 00:11:36,040 --> 00:11:38,960 Speaker 1: writer's room. I'm not sure. Maybe you guys know more 188 00:11:39,000 --> 00:11:42,000 Speaker 1: about what was going on there than I do. I mean, 189 00:11:42,520 --> 00:11:46,720 Speaker 1: I think that our performances are better when we're doing 190 00:11:46,760 --> 00:11:48,760 Speaker 1: things that we like. Do you know what I mean. 191 00:11:48,840 --> 00:11:52,520 Speaker 1: It's like there was a certain element of, like, let's 192 00:11:52,679 --> 00:11:56,400 Speaker 1: play to each other's strengths, whether that's in the writer's 193 00:11:56,480 --> 00:11:58,920 Speaker 1: room or that's on set. And so I can see 194 00:11:59,640 --> 00:12:02,160 Speaker 1: in us as young actresses on the show. I can 195 00:12:02,200 --> 00:12:06,160 Speaker 1: see in the boys, like in Chad's confessional in this 196 00:12:06,240 --> 00:12:10,760 Speaker 1: episode when he's talking about the brothers stuff. Chad loves 197 00:12:10,840 --> 00:12:14,679 Speaker 1: his brothers in real life, and so Chad talking about 198 00:12:14,720 --> 00:12:18,160 Speaker 1: brotherhood in this episode that's real to him. And that 199 00:12:18,280 --> 00:12:23,120 Speaker 1: performance is great. And so for us Brooke Davis doing 200 00:12:23,120 --> 00:12:27,520 Speaker 1: the leadership stuff and like and like being inspired and 201 00:12:27,600 --> 00:12:32,240 Speaker 1: being more that's real, and talking about these major trust issues, 202 00:12:32,920 --> 00:12:36,720 Speaker 1: that's real. You singing is real, you know. So the 203 00:12:36,800 --> 00:12:40,120 Speaker 1: things that we that we got to explore that we're 204 00:12:40,200 --> 00:12:42,240 Speaker 1: closest to us, I think are the things that we 205 00:12:42,360 --> 00:12:45,200 Speaker 1: really thrived in that's a great point. So if you 206 00:12:45,240 --> 00:12:48,280 Speaker 1: really came alive as Brooke in a new way, I 207 00:12:48,320 --> 00:12:51,240 Speaker 1: think not. I don't know if it's been I feel 208 00:12:51,240 --> 00:12:52,880 Speaker 1: like it's been happening over the course of the episode, 209 00:12:52,880 --> 00:12:56,200 Speaker 1: but I saw something different in this one of and 210 00:12:56,240 --> 00:13:01,239 Speaker 1: I loved how Lucas was encouraging brookes uh in intellectual 211 00:13:01,280 --> 00:13:04,640 Speaker 1: growth and just the way that you It was seeing 212 00:13:04,679 --> 00:13:07,040 Speaker 1: Brooke turned this corner in her life and realizing that 213 00:13:07,080 --> 00:13:10,320 Speaker 1: she's worth so much more, which it's again, it's not 214 00:13:10,440 --> 00:13:12,920 Speaker 1: something that we've never seen her have this moment before. 215 00:13:12,920 --> 00:13:15,720 Speaker 1: I think I was just really recognizing her sink into 216 00:13:15,760 --> 00:13:18,679 Speaker 1: it for the first time. Do you have memories about 217 00:13:18,800 --> 00:13:21,640 Speaker 1: this episode or what how the storyline started to change 218 00:13:21,640 --> 00:13:26,800 Speaker 1: for you once she became class president? Yeah, totally. I 219 00:13:26,800 --> 00:13:33,960 Speaker 1: I felt closer to her, and I remember shooting that 220 00:13:34,080 --> 00:13:36,079 Speaker 1: party and and you know, hill Or you were like, 221 00:13:36,080 --> 00:13:40,480 Speaker 1: why are there all these goth kids there? Random topic 222 00:13:40,960 --> 00:13:46,079 Speaker 1: threw up every customer time North Carolina, and they're like, 223 00:13:46,440 --> 00:13:49,280 Speaker 1: send them to the tree Hill set, we need more beanies, 224 00:13:50,360 --> 00:13:54,240 Speaker 1: we need fishnets. It was great, and I think you know, 225 00:13:54,280 --> 00:13:56,920 Speaker 1: they did it to make it very clear that this 226 00:13:57,000 --> 00:13:59,800 Speaker 1: wasn't like a normal Tree Hill party. Everything looked different 227 00:13:59,800 --> 00:14:04,360 Speaker 1: than music was different, and I remember how sweet it felt. 228 00:14:04,600 --> 00:14:06,880 Speaker 1: You know. We were at the point where like we 229 00:14:06,880 --> 00:14:10,840 Speaker 1: couldn't totally go out in town anymore without being, you know, 230 00:14:11,040 --> 00:14:14,439 Speaker 1: being recognized and like things happening. And I don't know, 231 00:14:15,080 --> 00:14:17,520 Speaker 1: this isn't a judgment of the people who recognize us 232 00:14:17,520 --> 00:14:20,040 Speaker 1: for being on TV. This is my my feelings as 233 00:14:20,080 --> 00:14:23,400 Speaker 1: an anxious person. That was that got really hard for me, 234 00:14:23,680 --> 00:14:29,160 Speaker 1: Like it gave me a lot of social anxiety, because yeah, 235 00:14:29,880 --> 00:14:35,320 Speaker 1: and I think I've done enough pondering on the privilege 236 00:14:35,320 --> 00:14:38,280 Speaker 1: of being in people's homes with them, But what happens 237 00:14:38,280 --> 00:14:41,160 Speaker 1: when you're in someone's home with them every week is 238 00:14:41,200 --> 00:14:44,440 Speaker 1: that you're real familiar to them, but to you, they're 239 00:14:44,440 --> 00:14:48,080 Speaker 1: still strangers. And it got very strange for me. The 240 00:14:48,160 --> 00:14:52,000 Speaker 1: combination of being familiar and also of being Brooke Davis, 241 00:14:52,000 --> 00:14:54,920 Speaker 1: who was very sexualized. A lot of people would touch 242 00:14:55,000 --> 00:15:01,600 Speaker 1: me in ways that made me very uncomfortable, and it 243 00:15:01,680 --> 00:15:04,200 Speaker 1: took me years to figure out how to start setting 244 00:15:04,200 --> 00:15:07,600 Speaker 1: boundaries around that stuff with strangers, because I never wanted 245 00:15:07,640 --> 00:15:10,760 Speaker 1: to ruin anyone's day. But I say all of this 246 00:15:10,840 --> 00:15:15,800 Speaker 1: to illustrate like it tugged on my heartstrings seeing Brooke 247 00:15:15,960 --> 00:15:18,880 Speaker 1: and Lucas and Mouth and Anna kind of find their 248 00:15:18,920 --> 00:15:23,520 Speaker 1: way to that side room at the party, and Brooks 249 00:15:23,520 --> 00:15:27,080 Speaker 1: seeing Erica like that and going, I'm not having a 250 00:15:27,120 --> 00:15:30,560 Speaker 1: good time, and I know I've been there and that's 251 00:15:30,600 --> 00:15:34,840 Speaker 1: not a good time either. It all just felt cathartic 252 00:15:35,000 --> 00:15:39,400 Speaker 1: for me, and I've so often been the person who's 253 00:15:39,440 --> 00:15:42,840 Speaker 1: gotten other people home, and just like Camp counseled my 254 00:15:42,880 --> 00:15:45,960 Speaker 1: way through things, and yeah, I don't know. I I 255 00:15:46,040 --> 00:15:49,280 Speaker 1: loved being at this point with her where she didn't 256 00:15:49,840 --> 00:15:53,760 Speaker 1: need to like be the party, cheer everyone on, make 257 00:15:53,840 --> 00:15:56,560 Speaker 1: everyone take shots. She was like, I'm actually just not 258 00:15:56,720 --> 00:15:58,200 Speaker 1: feeling this and I want to go home and read 259 00:15:58,200 --> 00:16:02,720 Speaker 1: a book. She was excited to get home and just 260 00:16:02,760 --> 00:16:07,520 Speaker 1: flipped through that book the Lucas gave her, and then 261 00:16:07,640 --> 00:16:13,280 Speaker 1: the memo of like the quote that she's reading, you know, 262 00:16:13,440 --> 00:16:16,360 Speaker 1: she's talking about, you know, don't let the things of 263 00:16:16,400 --> 00:16:19,360 Speaker 1: the past get in the way of the future. And 264 00:16:19,480 --> 00:16:22,480 Speaker 1: Lucas has given her this beautiful book that is looking 265 00:16:22,520 --> 00:16:26,400 Speaker 1: to her future, her presidency, and Felix has thrown her 266 00:16:26,480 --> 00:16:32,480 Speaker 1: this like raging weird party's very much her past, and 267 00:16:32,560 --> 00:16:37,120 Speaker 1: these boys are now embodying past in future and so 268 00:16:38,400 --> 00:16:42,240 Speaker 1: we know what she's gonna pick. I love it. I 269 00:16:42,320 --> 00:16:47,480 Speaker 1: love it and and and I think she's finding purpose 270 00:16:48,040 --> 00:16:53,000 Speaker 1: at the same time as Lucas is really reclaiming his nobility. 271 00:16:53,440 --> 00:16:55,360 Speaker 1: You know, he was a character who lost his way 272 00:16:55,360 --> 00:16:57,920 Speaker 1: in season one, and here he is being a good 273 00:16:57,960 --> 00:17:00,120 Speaker 1: guy and he's showing up for Keith, and he's showing 274 00:17:00,160 --> 00:17:02,600 Speaker 1: up for Nathan, and he's showing up for Haley even 275 00:17:02,640 --> 00:17:08,280 Speaker 1: while she's gone, And that that trajectory for them feels 276 00:17:08,359 --> 00:17:14,840 Speaker 1: so much more rooted in integrity than like two people 277 00:17:14,840 --> 00:17:17,000 Speaker 1: who just decided to hook up a year ago. You know, 278 00:17:18,320 --> 00:17:28,120 Speaker 1: it's kind of cool. Well, sometimes you have to take 279 00:17:28,119 --> 00:17:30,000 Speaker 1: a couple of steps back, do you know what I mean. 280 00:17:30,280 --> 00:17:32,840 Speaker 1: There have been people in my life where it's like, oh, 281 00:17:32,920 --> 00:17:35,960 Speaker 1: we kissed, and they're like, what an asshole? And then 282 00:17:35,960 --> 00:17:37,639 Speaker 1: you don't talk for a little while, and then you 283 00:17:37,880 --> 00:17:43,600 Speaker 1: come back and you slowly rebuild. Yeah, it's like, oh, actually, 284 00:17:43,640 --> 00:17:45,440 Speaker 1: there are things that are lovely about you that don't 285 00:17:45,440 --> 00:17:49,000 Speaker 1: involve you know, swap and spit and let's you know, 286 00:17:49,080 --> 00:17:53,119 Speaker 1: get to know those things. And I think Brooke and 287 00:17:53,240 --> 00:17:56,439 Speaker 1: Lucas are a great example of that. Because it was 288 00:17:56,800 --> 00:18:00,880 Speaker 1: real hot and heavy, real fast in season one with 289 00:18:00,960 --> 00:18:07,760 Speaker 1: no line, real payoff, you know. Yeah, yeah, I just 290 00:18:08,320 --> 00:18:11,600 Speaker 1: I like it. And Brooke Davis and then an Ubert. 291 00:18:11,680 --> 00:18:14,679 Speaker 1: I don't know what else to say about it. God, 292 00:18:15,320 --> 00:18:23,439 Speaker 1: it's coming, d W. I Safe just launched that app, 293 00:18:23,520 --> 00:18:26,439 Speaker 1: and we can only hire drivers that were like student 294 00:18:26,440 --> 00:18:30,560 Speaker 1: government presidents because we know they will sexually assault. I'm 295 00:18:30,600 --> 00:18:33,159 Speaker 1: so weird it out with like, you know, pick up apps, 296 00:18:33,240 --> 00:18:35,199 Speaker 1: because oh my gosh, you know, I see all the 297 00:18:35,240 --> 00:18:37,199 Speaker 1: news and I'm just like, this is the worst. I 298 00:18:37,240 --> 00:18:40,840 Speaker 1: would love for a high school senior who just needs 299 00:18:40,880 --> 00:18:43,960 Speaker 1: like a job to pick me up, that would want 300 00:18:44,040 --> 00:18:47,439 Speaker 1: to be very sweet. Yeah. I just love that she 301 00:18:47,520 --> 00:18:51,440 Speaker 1: saw Erica in that place. God, and I love Brook 302 00:18:51,480 --> 00:18:55,719 Speaker 1: and Erica together. I love them. I said watching it, Wow, 303 00:18:55,920 --> 00:18:59,760 Speaker 1: what a great team. They're so good. And this idea 304 00:18:59,800 --> 00:19:04,640 Speaker 1: that she took Erica home from a party and came 305 00:19:04,720 --> 00:19:08,760 Speaker 1: up with this idea. You know, She's like there has 306 00:19:08,840 --> 00:19:11,320 Speaker 1: to be something here, so she sits working on her 307 00:19:11,359 --> 00:19:13,639 Speaker 1: laptop and comes up with a safe ride program. I 308 00:19:13,720 --> 00:19:19,240 Speaker 1: just love it. And the Felix party, Like, is he 309 00:19:19,400 --> 00:19:23,040 Speaker 1: part of like a secret weirdo club? Because because there 310 00:19:23,080 --> 00:19:25,440 Speaker 1: were so many Randas at the party at West Find 311 00:19:25,480 --> 00:19:28,560 Speaker 1: all those people we went to the Molly went to topic. 312 00:19:29,520 --> 00:19:32,040 Speaker 1: But it was such a weird scene for a high 313 00:19:32,040 --> 00:19:35,919 Speaker 1: school party too, because they also all seemed older in 314 00:19:35,960 --> 00:19:40,840 Speaker 1: a way. But it wasn't college kids. It was like 315 00:19:40,880 --> 00:19:44,240 Speaker 1: the coffeehouse kids that do slam poetry. I mean literally 316 00:19:44,240 --> 00:19:47,439 Speaker 1: who I hung out with in high school. But in 317 00:19:47,560 --> 00:19:50,640 Speaker 1: terms of weird parties for tree Hill, it was weird. 318 00:19:51,080 --> 00:19:53,919 Speaker 1: Also interesting that Anna had no feedback about it, Like 319 00:19:53,960 --> 00:19:58,639 Speaker 1: they didn't write Anna having any sort of commentary or 320 00:19:58,720 --> 00:20:01,680 Speaker 1: judgment on her brother's friend, which now in hindsight feels 321 00:20:01,680 --> 00:20:05,320 Speaker 1: like a miss. She's just like, this is Felix. Felix 322 00:20:05,359 --> 00:20:09,159 Speaker 1: is a freak, dude. I'm telling you you're probably what 323 00:20:09,240 --> 00:20:12,200 Speaker 1: if he's dancing with glow sticks in his basement like 324 00:20:12,240 --> 00:20:15,600 Speaker 1: when he leaves, like the flaming balls on strings. But 325 00:20:15,720 --> 00:20:18,280 Speaker 1: remember host also like beat box when we were when 326 00:20:18,320 --> 00:20:22,159 Speaker 1: we be filming. Oh yeah, that's right, he's just downstairs 327 00:20:22,160 --> 00:20:26,920 Speaker 1: with glow sticks like beatboxing. Weird stuff ever went to 328 00:20:27,040 --> 00:20:31,200 Speaker 1: in high school? It wasn't really I didn't really get 329 00:20:31,200 --> 00:20:34,720 Speaker 1: invited to a lot of parties, and well, Joy, you 330 00:20:34,720 --> 00:20:39,680 Speaker 1: were working on a soap opera. You were adult things. Yeah, 331 00:20:39,960 --> 00:20:44,719 Speaker 1: I was a little bit of a grown up. Yeah. Yeah, 332 00:20:44,920 --> 00:20:48,800 Speaker 1: I'm trying to remember. Oh you know what I did do? Um. 333 00:20:48,880 --> 00:20:54,480 Speaker 1: I remember spending I hung out with Jessica Beale and 334 00:20:54,520 --> 00:20:57,879 Speaker 1: her seventeenth birthday in New York because we're both on 335 00:20:58,280 --> 00:21:01,480 Speaker 1: we were both Why was I Why was I in 336 00:21:01,520 --> 00:21:03,960 Speaker 1: that circle? I can't remember because I wasn't on the 337 00:21:04,000 --> 00:21:09,160 Speaker 1: show yet, but it was, but I was. I think 338 00:21:09,200 --> 00:21:13,119 Speaker 1: I was eighteen or nineteen. I think I was on 339 00:21:13,160 --> 00:21:16,560 Speaker 1: a soap at the time. Yeah, and yeah, it was 340 00:21:16,600 --> 00:21:19,560 Speaker 1: like an all night I remember going it was she 341 00:21:19,640 --> 00:21:25,040 Speaker 1: had a limo and going to different clubs and she 342 00:21:25,160 --> 00:21:29,800 Speaker 1: was a sweetheart. I loved her. Yeah, but I just 343 00:21:29,840 --> 00:21:31,840 Speaker 1: remember it was like at four o'clock in the morning, 344 00:21:32,760 --> 00:21:35,399 Speaker 1: us the limo pulling over and going into another club 345 00:21:35,440 --> 00:21:41,160 Speaker 1: and I was like, oh, guys, I'm going home. I can't. 346 00:21:41,200 --> 00:21:45,920 Speaker 1: I don't do this stuff. Have fun, bye bye, because 347 00:21:46,640 --> 00:21:51,600 Speaker 1: so late. Yeah that's tomorrow you did tomorrow morning. You 348 00:21:51,680 --> 00:21:54,399 Speaker 1: did great. I really lasted as long as I could. 349 00:21:54,800 --> 00:21:57,080 Speaker 1: But that's I think that's the craziest thing. I remember 350 00:21:57,240 --> 00:22:00,840 Speaker 1: the wildest night when we hit up a lot of 351 00:22:00,880 --> 00:22:05,080 Speaker 1: different places. Yeah, like the weirdest party that you ended up. 352 00:22:07,119 --> 00:22:10,120 Speaker 1: I don't even know. I mean high school for us, 353 00:22:10,600 --> 00:22:12,600 Speaker 1: because I went to that little all girls school and 354 00:22:12,600 --> 00:22:15,199 Speaker 1: then there were like other all boys schools around and 355 00:22:15,240 --> 00:22:17,680 Speaker 1: so there it was always like a house party where 356 00:22:17,680 --> 00:22:19,320 Speaker 1: people would get together, and then it was always a 357 00:22:19,400 --> 00:22:21,720 Speaker 1: big deal. Like we were going from Pasadena and the 358 00:22:21,800 --> 00:22:24,840 Speaker 1: kids who like went to Loyola downtown, they were like 359 00:22:25,200 --> 00:22:28,480 Speaker 1: kids from the West Side who were to go downtown. 360 00:22:28,920 --> 00:22:31,720 Speaker 1: But we wouldn't go downtown, but we they're like, that's 361 00:22:31,720 --> 00:22:34,919 Speaker 1: where one of the boys schools was, and so it 362 00:22:34,920 --> 00:22:36,960 Speaker 1: would be like, oh, the West Side boys are having 363 00:22:36,960 --> 00:22:39,919 Speaker 1: a party in the Palisades on Saturday. And I was 364 00:22:40,200 --> 00:22:42,640 Speaker 1: always the designated driver. I was always like, my mom 365 00:22:42,680 --> 00:22:48,320 Speaker 1: will kill me. She's scary. I'll drive and I've yeah, no, truly, 366 00:22:48,359 --> 00:22:50,560 Speaker 1: I was just like, pile in the truck, let's go. 367 00:22:51,480 --> 00:22:56,480 Speaker 1: I believe that Maureen is no joke. My mom was 368 00:22:56,680 --> 00:22:59,840 Speaker 1: so scary, and my my mom was just like, if 369 00:22:59,840 --> 00:23:01,520 Speaker 1: you and you're ever going to get one over on me, 370 00:23:01,560 --> 00:23:03,840 Speaker 1: you won't. And if you ever get drunk at a party, 371 00:23:03,840 --> 00:23:05,760 Speaker 1: don't trust your idiot friends. Call me and I'll come 372 00:23:05,760 --> 00:23:07,680 Speaker 1: pick you up. But you only won't be in trouble 373 00:23:07,720 --> 00:23:09,320 Speaker 1: if I come pick you up. And I was like, well, 374 00:23:09,760 --> 00:23:12,280 Speaker 1: I'll get in trouble or my mom will come pick 375 00:23:12,320 --> 00:23:16,159 Speaker 1: me up, and that's social sue. So I just can't 376 00:23:16,720 --> 00:23:19,480 Speaker 1: do this. I think I got drunk like five times 377 00:23:19,480 --> 00:23:21,440 Speaker 1: in high school and oh my god, you got drunk 378 00:23:21,560 --> 00:23:26,440 Speaker 1: high school? Uh? I was just outside of Los Angeles. 379 00:23:26,480 --> 00:23:29,919 Speaker 1: Kids were getting drunk like every night. I was like, 380 00:23:30,080 --> 00:23:32,440 Speaker 1: everyone made fun of me for being so like when 381 00:23:32,480 --> 00:23:34,480 Speaker 1: we lived there, people were like the kids in l 382 00:23:34,520 --> 00:23:36,520 Speaker 1: A do cocaine in middle school And I was like, 383 00:23:36,560 --> 00:23:41,160 Speaker 1: what you got right there? What was your crazy party? 384 00:23:41,359 --> 00:23:44,320 Speaker 1: But see we go to the West Side, I'm trying 385 00:23:44,320 --> 00:23:47,640 Speaker 1: to think a crazy part. You know, parties after shows, 386 00:23:47,720 --> 00:23:51,440 Speaker 1: come on, rap parties, let's get crazy. I mean those 387 00:23:51,480 --> 00:23:56,480 Speaker 1: weren't necessarily wild. When we moved to Wilmington' That's when 388 00:23:56,520 --> 00:24:01,200 Speaker 1: my party game was like strang um because we were 389 00:24:01,240 --> 00:24:06,199 Speaker 1: like people had snakes and we were you know, like 390 00:24:06,240 --> 00:24:08,439 Speaker 1: it was a whole scene. Well, and you came from 391 00:24:08,520 --> 00:24:10,920 Speaker 1: New York where the bars are open till four and year, 392 00:24:11,800 --> 00:24:15,399 Speaker 1: so you were like you were from party central. I 393 00:24:15,400 --> 00:24:18,919 Speaker 1: would say the weirdest party I ever went to was 394 00:24:18,960 --> 00:24:22,439 Speaker 1: when I was like eighteen or nineteen at MTV, and 395 00:24:22,560 --> 00:24:30,679 Speaker 1: Gideon Yego, who did news on TRL, was well I wish, 396 00:24:30,760 --> 00:24:34,640 Speaker 1: and I was like where Gideon Diego was the Jake 397 00:24:34,680 --> 00:24:39,560 Speaker 1: Jiguel Ski of MTV, like perfect dudes. He went to Columbia. 398 00:24:39,640 --> 00:24:42,040 Speaker 1: He was so smart, he did like Rock the Vote, 399 00:24:42,280 --> 00:24:45,399 Speaker 1: like he was just so cool, like beyond cool and 400 00:24:45,520 --> 00:24:51,679 Speaker 1: so handsome. And he invited me to like a party 401 00:24:51,840 --> 00:24:57,199 Speaker 1: in an abandoned building, and I was like, okay, I 402 00:24:57,240 --> 00:24:59,399 Speaker 1: had a boyfriend, of course, and so we go to 403 00:24:59,480 --> 00:25:02,280 Speaker 1: this like already you know, in an abandon like I'm 404 00:25:02,359 --> 00:25:05,439 Speaker 1: pretty sure, like there was no power in this building, 405 00:25:05,520 --> 00:25:08,080 Speaker 1: Like it was so weird. And we rolled up and 406 00:25:08,160 --> 00:25:11,200 Speaker 1: everyone was like rave dancing and it was like really 407 00:25:11,240 --> 00:25:15,159 Speaker 1: like thumpy music and also like plastic all over the place, 408 00:25:15,240 --> 00:25:17,959 Speaker 1: just like the walls, and it was like a Dexter 409 00:25:18,160 --> 00:25:22,480 Speaker 1: kill room. It was so fucking weird. But Gideon is 410 00:25:22,520 --> 00:25:24,760 Speaker 1: the one who introduced me to this scene, and I 411 00:25:24,800 --> 00:25:26,359 Speaker 1: was like I have to pretend like I think this 412 00:25:26,440 --> 00:25:31,480 Speaker 1: is so cool. He's so cool. Um, And I remember 413 00:25:31,520 --> 00:25:36,120 Speaker 1: like leaving being so relieved that I hadn't embarrassed myself, 414 00:25:36,520 --> 00:25:39,119 Speaker 1: like when you're in a scene like that, all you 415 00:25:39,160 --> 00:25:41,320 Speaker 1: want to do is escape without being the butt of 416 00:25:41,359 --> 00:25:45,280 Speaker 1: the joke. That's it. That's when you're young and you're 417 00:25:45,320 --> 00:25:48,160 Speaker 1: at a party like you, especially that age, you're just 418 00:25:49,040 --> 00:25:52,040 Speaker 1: and the person who you put on a pedestal invites you. 419 00:25:52,040 --> 00:25:54,160 Speaker 1: You're just like, how am I going to get through 420 00:25:54,160 --> 00:25:58,600 Speaker 1: the next two hours of this? I have sometimes in 421 00:25:58,680 --> 00:26:02,239 Speaker 1: situations like that, it's the anticipation that kills me, Like, 422 00:26:03,240 --> 00:26:06,480 Speaker 1: oh man, I recently met someone who I just think 423 00:26:06,560 --> 00:26:09,119 Speaker 1: is so cool, and I've thought that this person was 424 00:26:09,160 --> 00:26:11,120 Speaker 1: cool forever. I can't tell you, guys, well, i'll tell 425 00:26:11,119 --> 00:26:14,080 Speaker 1: you're gonna I'll tell you after, but I'm not gonna 426 00:26:14,080 --> 00:26:16,679 Speaker 1: tell the world. And I and I was like, we 427 00:26:16,720 --> 00:26:18,840 Speaker 1: have this one thing in common and it's kind of weird, 428 00:26:18,880 --> 00:26:20,560 Speaker 1: and I'm gonna come up with a really funny joke 429 00:26:20,600 --> 00:26:23,240 Speaker 1: and it's gonna be great. And then we met and 430 00:26:23,280 --> 00:26:25,879 Speaker 1: we had the best conversation, and then she brought up 431 00:26:25,920 --> 00:26:30,760 Speaker 1: the thing and completely in the in the most charming way, 432 00:26:30,920 --> 00:26:34,840 Speaker 1: like undercut the opportunity for the joke. But I was 433 00:26:35,040 --> 00:26:37,080 Speaker 1: I had been thinking about this joke for two weeks, 434 00:26:37,080 --> 00:26:40,159 Speaker 1: and so I told the joke anyway, and it was 435 00:26:41,520 --> 00:26:44,240 Speaker 1: got you guys have got so weird. She just kind 436 00:26:44,240 --> 00:26:46,600 Speaker 1: of looked at me, and then I was like, well, 437 00:26:46,760 --> 00:26:48,679 Speaker 1: you know, I just was I've been thinking about that 438 00:26:48,760 --> 00:26:50,480 Speaker 1: for a while. A note now, I said, I just 439 00:26:50,520 --> 00:26:55,240 Speaker 1: started like, you guys have got weirder and worse. And 440 00:26:55,359 --> 00:26:57,439 Speaker 1: so I guess the moral of the story is that 441 00:26:57,520 --> 00:26:59,800 Speaker 1: my awkward parties were not in high school. They're happening 442 00:26:59,840 --> 00:27:03,959 Speaker 1: to me now as adults. I'm not allowed. I'm not 443 00:27:04,000 --> 00:27:08,240 Speaker 1: allowed in public anymore. I'm just not oh so much. 444 00:27:08,840 --> 00:27:14,520 Speaker 1: It was bad for different of us. Sometimes it's Sophie's 445 00:27:14,560 --> 00:27:24,520 Speaker 1: mystery friend Getty Jego slash in a Dexter murder geek 446 00:27:24,560 --> 00:27:28,439 Speaker 1: out for who is it? Do you know who? I who? 447 00:27:28,520 --> 00:27:31,399 Speaker 1: I geeked out about? He lived in an apartment building 448 00:27:31,440 --> 00:27:34,600 Speaker 1: right now, That's right, Okay, never mind anyway, secrets cannot 449 00:27:34,600 --> 00:27:38,199 Speaker 1: talk about You guys can't know about this stuff. But 450 00:27:38,280 --> 00:27:40,720 Speaker 1: I did have. Here's one funny thing I do remember 451 00:27:41,040 --> 00:27:43,200 Speaker 1: when I lived in when I lived in New York, 452 00:27:43,320 --> 00:27:48,000 Speaker 1: and I went to a party for Nantucket Film Festival 453 00:27:48,760 --> 00:27:51,760 Speaker 1: because I was doing a reading at the Nantucket Film Festival, 454 00:27:51,800 --> 00:27:54,639 Speaker 1: which they never invited me back to because I was weird. 455 00:27:54,960 --> 00:28:01,240 Speaker 1: That was so geeky about everybody there. But I was like, 456 00:28:01,280 --> 00:28:03,919 Speaker 1: I remember talking. I had this very serious conversation on 457 00:28:03,920 --> 00:28:06,520 Speaker 1: a balcony of a New York apartment with a massive 458 00:28:06,840 --> 00:28:09,320 Speaker 1: view over to Rebecca, you know, of the river. And 459 00:28:09,720 --> 00:28:11,840 Speaker 1: I was talking with Fisher Stevens out on the patio 460 00:28:11,960 --> 00:28:14,879 Speaker 1: for like minutes and he was great. And then I 461 00:28:14,920 --> 00:28:18,200 Speaker 1: walked inside and I started I started talking with Tate 462 00:28:18,200 --> 00:28:22,080 Speaker 1: Donovan and he gave me his number, tat babe, I know. 463 00:28:22,359 --> 00:28:24,800 Speaker 1: And then I went home. And then the next day 464 00:28:24,800 --> 00:28:27,480 Speaker 1: I was like, okay, okay, I'm gonna call I'm gonna 465 00:28:27,520 --> 00:28:30,840 Speaker 1: call him, and I did and he left a message 466 00:28:30,840 --> 00:28:32,720 Speaker 1: and I thought it was very charming. And then he 467 00:28:32,800 --> 00:28:39,760 Speaker 1: never called me back. Oh, because I was not charming. 468 00:28:39,840 --> 00:28:43,840 Speaker 1: I was so awkward and so like babbling over myself 469 00:28:43,840 --> 00:28:46,080 Speaker 1: and just had no bet you were. But I know, 470 00:28:46,280 --> 00:28:51,640 Speaker 1: let me tell you the thing about when I run 471 00:28:51,640 --> 00:28:54,680 Speaker 1: into a man that I am attracted to, all my 472 00:28:54,760 --> 00:28:58,200 Speaker 1: like cool, laid back joy goes away and I suddenly 473 00:28:58,280 --> 00:29:01,360 Speaker 1: become like, I don't know, my tongue doesn't fit in 474 00:29:01,440 --> 00:29:04,120 Speaker 1: my mouth, I don't know how to talk, I don't 475 00:29:04,120 --> 00:29:07,960 Speaker 1: know how to stand. It's just stupid. What am I 476 00:29:08,040 --> 00:29:13,000 Speaker 1: do with my body? Let our arms? Where do they go? No? 477 00:29:14,000 --> 00:29:17,160 Speaker 1: Forget about it? Oh well good, all right, so we're 478 00:29:17,160 --> 00:29:21,040 Speaker 1: gonna throw some really comfortable parties, ladies, after all the 479 00:29:21,080 --> 00:29:23,400 Speaker 1: awkward party and we've done, Hey, we should take this 480 00:29:23,440 --> 00:29:25,720 Speaker 1: opportunity to say we're gonna throw a really comfortable party 481 00:29:25,760 --> 00:29:29,560 Speaker 1: on March with Brand Greenberg, and we hope all of 482 00:29:29,560 --> 00:29:32,360 Speaker 1: you join us. I just wanted to throw that in there, 483 00:29:32,800 --> 00:29:35,080 Speaker 1: just like a slide into home base. Just you know, 484 00:29:35,360 --> 00:29:38,000 Speaker 1: slide it in and you can get tickets to our 485 00:29:38,560 --> 00:29:43,280 Speaker 1: wonderful party on looped live dot com. That's looped l 486 00:29:43,360 --> 00:29:55,840 Speaker 1: o O P l i v E looped live dot com. Okay, 487 00:29:55,880 --> 00:29:57,440 Speaker 1: we we had a thought about something we need to 488 00:29:57,480 --> 00:29:58,760 Speaker 1: talk about and we came up with a way to 489 00:29:58,800 --> 00:30:02,239 Speaker 1: do it. Okay, so now that we've established we're all 490 00:30:02,320 --> 00:30:04,840 Speaker 1: terribly awkward at parties, I want to talk about my 491 00:30:04,880 --> 00:30:10,640 Speaker 1: two favorite awkward people at Felix's awkward party, hands down 492 00:30:11,280 --> 00:30:17,160 Speaker 1: Anna and Oh Yeah I love them their little friendship 493 00:30:17,880 --> 00:30:21,360 Speaker 1: and them breaking into the school. And then decided when 494 00:30:21,360 --> 00:30:23,160 Speaker 1: when malcoes it would be wrong to watch this right, 495 00:30:23,720 --> 00:30:27,680 Speaker 1: maybe just a couple of minutes. Oh my god, really 496 00:30:27,800 --> 00:30:31,280 Speaker 1: Brooks confession that she would be with somebody like Marvin 497 00:30:32,200 --> 00:30:39,640 Speaker 1: Senator and that's priceless. I j I U no idea. 498 00:30:39,760 --> 00:30:42,000 Speaker 1: Caught me so off guard that when Brooks said it, 499 00:30:42,080 --> 00:30:46,960 Speaker 1: I felt like I was mouth and I was like what, yeah, 500 00:30:47,240 --> 00:30:49,040 Speaker 1: Oh my god. And then when he says to Anna 501 00:30:49,080 --> 00:30:50,760 Speaker 1: in the hall at the end, he goes, just don't 502 00:30:50,840 --> 00:30:53,560 Speaker 1: hit on Brooke, I have enough competition for her. That was, 503 00:30:53,560 --> 00:30:58,040 Speaker 1: Oh my god, dude, their little friendship. But I just 504 00:30:58,520 --> 00:31:03,840 Speaker 1: I thought Daniella did such a gorgeous job in her 505 00:31:03,880 --> 00:31:10,760 Speaker 1: confessional and then the opportunity to have it again and 506 00:31:10,840 --> 00:31:14,040 Speaker 1: for her to lean into who she is and and 507 00:31:14,200 --> 00:31:19,680 Speaker 1: be clearer about why she doesn't like the labels and 508 00:31:19,720 --> 00:31:22,880 Speaker 1: how she doesn't have the answers. God, I just thought 509 00:31:23,320 --> 00:31:26,320 Speaker 1: it was beautiful. Man. I love that the message of 510 00:31:26,360 --> 00:31:30,040 Speaker 1: this one thing doesn't define me. That I thought is 511 00:31:30,160 --> 00:31:33,600 Speaker 1: really powerful and beautiful and so much better than her 512 00:31:33,640 --> 00:31:37,680 Speaker 1: original confession or moment or whatever you wanna call it 513 00:31:37,720 --> 00:31:40,560 Speaker 1: with the with that camera. I just read this really 514 00:31:40,600 --> 00:31:46,040 Speaker 1: wonderful editorial that was posted on Twitter, so I wish 515 00:31:46,040 --> 00:31:48,400 Speaker 1: I knew who actually wrote it, and it was about 516 00:31:48,440 --> 00:31:53,160 Speaker 1: gay characters on television and how you know, we're almost 517 00:31:53,240 --> 00:31:58,160 Speaker 1: twenty years out from when this episode originally aired, and 518 00:31:59,320 --> 00:32:02,920 Speaker 1: some things have changed, which is awesome. Some things have not, 519 00:32:03,440 --> 00:32:06,480 Speaker 1: and we're seeing a lot of that right now play 520 00:32:06,520 --> 00:32:10,760 Speaker 1: out in the news and also in television. You know, 521 00:32:11,240 --> 00:32:14,560 Speaker 1: there are more gay characters on TV now, but that 522 00:32:14,640 --> 00:32:18,280 Speaker 1: doesn't necessarily always mean that they're better um or that 523 00:32:18,320 --> 00:32:22,440 Speaker 1: they're well written. And a lot of times gay characters 524 00:32:22,440 --> 00:32:26,120 Speaker 1: can be used as like the punchline. Um. They can 525 00:32:26,160 --> 00:32:29,000 Speaker 1: be used as just kind of like checking the box, 526 00:32:29,840 --> 00:32:33,920 Speaker 1: and that's really frustrating. And so there was a writer 527 00:32:34,080 --> 00:32:36,560 Speaker 1: who was talking about the gay characters that make an 528 00:32:36,560 --> 00:32:41,040 Speaker 1: impact to her as a gay writer, and she was like, 529 00:32:41,120 --> 00:32:44,320 Speaker 1: it's the ones that don't have it figured out, you know. 530 00:32:44,560 --> 00:32:47,040 Speaker 1: It's it's the characters that are in their process of 531 00:32:47,120 --> 00:32:52,280 Speaker 1: discovery and who are a little bit messy. And I 532 00:32:52,360 --> 00:32:57,560 Speaker 1: appreciate that Anna doesn't just come out swinging, you know, 533 00:32:57,840 --> 00:33:03,320 Speaker 1: and allows room for discovery because when you are a teenager, 534 00:33:04,640 --> 00:33:06,479 Speaker 1: I grew up with kids that have known since they 535 00:33:06,520 --> 00:33:10,080 Speaker 1: were very very little, and that's awesome, and I want 536 00:33:10,360 --> 00:33:14,320 Speaker 1: that kind of reassurance and self awareness for my friends. 537 00:33:14,960 --> 00:33:17,520 Speaker 1: But there are also people who arrived at it later 538 00:33:18,160 --> 00:33:22,680 Speaker 1: and really struggled because high school is all about being performative, right, 539 00:33:23,240 --> 00:33:26,520 Speaker 1: and so if you're not performing something that's true to you, 540 00:33:27,080 --> 00:33:31,320 Speaker 1: it gets very muddy. So that process of discovery is 541 00:33:31,360 --> 00:33:36,080 Speaker 1: really important. And gay characters on TV that take the 542 00:33:36,120 --> 00:33:41,320 Speaker 1: walk with the viewers are vital. And Anna, I love 543 00:33:41,360 --> 00:33:44,560 Speaker 1: her for this, and she's just so earnest. There's nothing 544 00:33:44,600 --> 00:33:51,800 Speaker 1: false about Daniela No, And I loved the I loved 545 00:33:51,840 --> 00:33:55,360 Speaker 1: the earnestness and the nervousness in her first past. You know, 546 00:33:55,840 --> 00:33:57,600 Speaker 1: hopefully if fifty years from now it won't be a 547 00:33:57,600 --> 00:34:01,040 Speaker 1: big deal I'm bisexual, if it's still a big deal, surprise, 548 00:34:01,840 --> 00:34:03,640 Speaker 1: you know, like, what's what's it all going to mean? 549 00:34:03,680 --> 00:34:07,400 Speaker 1: And then she realized that that that wasn't what she 550 00:34:07,480 --> 00:34:11,200 Speaker 1: wanted to say. And in that second past, after she 551 00:34:11,239 --> 00:34:13,879 Speaker 1: admitted to mouth, oh god, when she said, I thought 552 00:34:13,920 --> 00:34:16,160 Speaker 1: I'd feel liberated and said I'm back here, I'm back 553 00:34:16,160 --> 00:34:22,920 Speaker 1: in the closet. Sweet, it was just so sweet. And 554 00:34:22,920 --> 00:34:26,359 Speaker 1: you realize that it's for so many people in this 555 00:34:26,440 --> 00:34:29,600 Speaker 1: moment of life, whenever they're coming out happens, it's it's 556 00:34:29,600 --> 00:34:31,439 Speaker 1: a little bit of coming out and then a little 557 00:34:31,440 --> 00:34:33,520 Speaker 1: bit of back to safety. And a little bit more, 558 00:34:33,640 --> 00:34:36,480 Speaker 1: and you've got to test the waters man. Yeah, and 559 00:34:36,520 --> 00:34:40,439 Speaker 1: see if you have a safe person, if not even 560 00:34:40,640 --> 00:34:43,000 Speaker 1: a group of safe people, do you have one safe person? 561 00:34:44,280 --> 00:34:48,400 Speaker 1: It's so valuable this the message that it's okay to 562 00:34:48,480 --> 00:34:52,480 Speaker 1: be messy and and take take your time and explore 563 00:34:52,600 --> 00:34:56,400 Speaker 1: and you don't have to have everything right and sort 564 00:34:56,440 --> 00:35:00,520 Speaker 1: it out right now, especially for high school. Oh god, 565 00:35:01,040 --> 00:35:04,960 Speaker 1: and this measure of perfection is just so tough. We 566 00:35:05,000 --> 00:35:07,239 Speaker 1: would have we we really just see you guys at 567 00:35:07,239 --> 00:35:10,520 Speaker 1: home not have been trying to get Danielle on the show. Unfortunately, 568 00:35:10,600 --> 00:35:13,120 Speaker 1: she's kind of like in demand right now and she's 569 00:35:13,120 --> 00:35:16,719 Speaker 1: like working, so we're trying, like literally every episode, we're like, 570 00:35:16,840 --> 00:35:20,160 Speaker 1: can we have her now? I would have loved to 571 00:35:20,200 --> 00:35:23,560 Speaker 1: have her for this um yeah, because I know I 572 00:35:23,600 --> 00:35:25,839 Speaker 1: feel like we should talk about this episode with her 573 00:35:25,880 --> 00:35:29,680 Speaker 1: when she finally can make it work. Yeah, Yeah, that'd 574 00:35:29,719 --> 00:35:32,799 Speaker 1: be great. It's just so good. And you know when 575 00:35:32,800 --> 00:35:35,719 Speaker 1: you said that thing, Joy, you just reminded me when 576 00:35:35,760 --> 00:35:37,680 Speaker 1: you said it's so important to show people it's okay 577 00:35:37,680 --> 00:35:40,759 Speaker 1: to be messy. Everyone's a little bit of a mess 578 00:35:40,800 --> 00:35:43,480 Speaker 1: in this episode, and some of it's painful, you know, 579 00:35:43,600 --> 00:35:47,840 Speaker 1: Nathan's in pain. Some of it's beautiful, you know, Jake's 580 00:35:47,880 --> 00:35:50,000 Speaker 1: trying to figure himself out, and Peyton's trying to figure 581 00:35:50,040 --> 00:35:52,160 Speaker 1: out if she can be vulnerable with Jake, and and 582 00:35:52,200 --> 00:36:01,480 Speaker 1: they'll figure Outrell. But I love these kids just trying 583 00:36:01,520 --> 00:36:06,600 Speaker 1: to figure it out in this time capsule, and and 584 00:36:06,680 --> 00:36:09,680 Speaker 1: even Brooke trying to figure herself out, saying, you know, 585 00:36:10,760 --> 00:36:13,640 Speaker 1: there's this double standard and it sucks like guys are 586 00:36:13,680 --> 00:36:16,680 Speaker 1: allowed to be like this and we're not. And God, 587 00:36:16,719 --> 00:36:20,080 Speaker 1: I hope you guys fix that because it makes it 588 00:36:20,120 --> 00:36:23,160 Speaker 1: really hard for the girls to figure it out. Brooks 589 00:36:23,160 --> 00:36:30,080 Speaker 1: time capsule monologue is so dope. Get to do monologues often. 590 00:36:30,320 --> 00:36:34,200 Speaker 1: It really felt like going back to theater because everyone 591 00:36:34,320 --> 00:36:38,440 Speaker 1: was assigned I'm gonna do my monologue and you just 592 00:36:38,480 --> 00:36:39,920 Speaker 1: had to sit in that room and you had to 593 00:36:39,920 --> 00:36:44,360 Speaker 1: do it all in one past, you know. And Brooks 594 00:36:44,440 --> 00:36:49,440 Speaker 1: monologue it was awesome because you just see like boss 595 00:36:49,520 --> 00:36:57,040 Speaker 1: Brooks show up. Yes, I loved it. I wish Haley 596 00:36:57,040 --> 00:36:59,759 Speaker 1: had gotten a monologue. You never did one as like 597 00:36:59,800 --> 00:37:02,080 Speaker 1: a no. I wish they would have like had me 598 00:37:02,200 --> 00:37:04,480 Speaker 1: mail one in for the school or something that would 599 00:37:04,520 --> 00:37:07,879 Speaker 1: have been fun. What would Haley have said in her monologue, 600 00:37:08,400 --> 00:37:13,600 Speaker 1: Oh look at that point in her life, She's kissed 601 00:37:13,719 --> 00:37:22,520 Speaker 1: sweet sweet pillow lips. Chris Keller. I think Haley would say, Um, 602 00:37:22,600 --> 00:37:26,920 Speaker 1: I've I've always worked really hard, and I've always tried 603 00:37:26,960 --> 00:37:29,799 Speaker 1: to do my best and be the best person that 604 00:37:29,880 --> 00:37:32,880 Speaker 1: I could be. And I've gone off the example of 605 00:37:32,960 --> 00:37:35,200 Speaker 1: my parents and so many people around me, and I 606 00:37:35,280 --> 00:37:39,840 Speaker 1: take all the cautionary tales around me that I see 607 00:37:39,920 --> 00:37:42,920 Speaker 1: and I put them in my arsenal of what not 608 00:37:43,040 --> 00:37:48,200 Speaker 1: to do. And I am the person that everyone comes 609 00:37:48,239 --> 00:37:54,880 Speaker 1: to for advice. And the truth is, I'm just a 610 00:37:55,000 --> 00:37:57,640 Speaker 1: scared little girl and I don't have it all figured out, 611 00:37:58,920 --> 00:38:05,120 Speaker 1: and I needed to take a minute and be reckless 612 00:38:05,400 --> 00:38:09,239 Speaker 1: and be brave in a way that I've never been 613 00:38:09,520 --> 00:38:13,399 Speaker 1: and be unsafe. So that's what I'm doing right now. 614 00:38:13,719 --> 00:38:16,440 Speaker 1: And I really hope that there's forgiveness waiting for me 615 00:38:16,520 --> 00:38:21,080 Speaker 1: on the other side. Oh, you don't even need forgiveness. 616 00:38:21,200 --> 00:38:23,280 Speaker 1: You don't even need, but you know what, Look, people 617 00:38:23,280 --> 00:38:25,640 Speaker 1: get hurt when you're messy, and you have to apologize 618 00:38:25,640 --> 00:38:27,879 Speaker 1: for that, and that's okay. I think that's part of life. 619 00:38:27,920 --> 00:38:31,360 Speaker 1: I think actually forgiveness is an incredibly integral part of 620 00:38:31,360 --> 00:38:35,720 Speaker 1: a functioning society. You have to be able to admit 621 00:38:35,840 --> 00:38:39,200 Speaker 1: when you've made a mistake, because we all do, and 622 00:38:39,239 --> 00:38:41,719 Speaker 1: then be able to forgive when someone has hurt you 623 00:38:41,840 --> 00:38:45,400 Speaker 1: because you've made a mistake. That is a basic functional 624 00:38:45,960 --> 00:38:51,400 Speaker 1: need for any community, any person. It's it's not a 625 00:38:51,440 --> 00:38:54,960 Speaker 1: magic thing. It's a choice. So when Hailey went away, 626 00:38:55,680 --> 00:38:58,560 Speaker 1: like this is something that's going to hurt Nathan, everybody 627 00:38:58,600 --> 00:39:03,720 Speaker 1: says it, you can it coming you as joy? How 628 00:39:03,760 --> 00:39:10,080 Speaker 1: did you feel about Haley's action of leaving? It was hard. 629 00:39:11,719 --> 00:39:17,719 Speaker 1: It was hard to support her because okay, so me 630 00:39:17,840 --> 00:39:20,160 Speaker 1: as joy when I was twenty, or me as joy 631 00:39:20,280 --> 00:39:25,600 Speaker 1: now when you were just when I was twenty, I mean, yes, 632 00:39:27,120 --> 00:39:29,880 Speaker 1: when I was twenty, it was it was hard because 633 00:39:30,080 --> 00:39:33,200 Speaker 1: I so much was Haley and was trying to do 634 00:39:33,239 --> 00:39:35,759 Speaker 1: everything right and wanted to set the perfect example and 635 00:39:35,800 --> 00:39:38,480 Speaker 1: didn't want to do the wrong thing, and I wanted 636 00:39:39,080 --> 00:39:41,360 Speaker 1: I just wanted to I cared about trying to be perfect. 637 00:39:42,320 --> 00:39:52,680 Speaker 1: Me now definitely does not care about done. But so yeah, 638 00:39:52,760 --> 00:39:57,520 Speaker 1: by um, I care about living a life of gratitude 639 00:39:57,680 --> 00:40:02,160 Speaker 1: and and um just soaking up every moment of every 640 00:40:02,200 --> 00:40:03,919 Speaker 1: day that I can with the people that I love, 641 00:40:04,040 --> 00:40:07,919 Speaker 1: and um, just trying to do the right thing out 642 00:40:07,920 --> 00:40:09,920 Speaker 1: of out of a place of gratitude, not out of 643 00:40:09,920 --> 00:40:12,120 Speaker 1: a place of trying to check off all the boxes. Yeah, 644 00:40:13,360 --> 00:40:17,680 Speaker 1: and uh, that's the major difference. It's very Valjean and Javert. 645 00:40:17,960 --> 00:40:25,200 Speaker 1: We really joy. One of these days we're going to 646 00:40:25,320 --> 00:40:28,960 Speaker 1: like reenact our lay Miss performance. Oh my god, when 647 00:40:28,960 --> 00:40:31,239 Speaker 1: did we remember we did that? We ran through lame 648 00:40:31,360 --> 00:40:33,440 Speaker 1: Is in like six minutes, it was, and it was 649 00:40:33,480 --> 00:40:37,640 Speaker 1: in Haley's apartment. It was for one of our PA's birthdays, 650 00:40:37,719 --> 00:40:39,480 Speaker 1: r p A Dawn. It was her birthday, and we 651 00:40:39,480 --> 00:40:41,799 Speaker 1: were like, we're going to perform the entirety of lame 652 00:40:41,960 --> 00:40:45,600 Speaker 1: Is in six minutes during the turnaround, and we did. 653 00:40:46,280 --> 00:40:48,319 Speaker 1: And so one day we'll redo that. But I see 654 00:40:48,320 --> 00:40:51,319 Speaker 1: what you're saying, like you're you're softened now, like Jean 655 00:40:51,400 --> 00:40:54,799 Speaker 1: Valjean from Miss. Yes, It's like I was hard and 656 00:40:54,840 --> 00:40:57,000 Speaker 1: I was, you know, angry, and then I was I 657 00:40:57,080 --> 00:40:59,680 Speaker 1: was also trying to live live exactly right and do 658 00:40:59,719 --> 00:41:02,440 Speaker 1: everything exactly the right way, which is very legalistic and 659 00:41:02,480 --> 00:41:04,960 Speaker 1: that sort of religious mindset. And now I think I've 660 00:41:05,040 --> 00:41:09,760 Speaker 1: changed my my I know I've changed my perspective massively. 661 00:41:09,880 --> 00:41:12,919 Speaker 1: So now it's like I've I feel like I'm living 662 00:41:13,000 --> 00:41:15,880 Speaker 1: under this umbrella of grace where I'm just like, okay, 663 00:41:16,080 --> 00:41:17,920 Speaker 1: so i can be a mess and that's kind of 664 00:41:17,960 --> 00:41:20,600 Speaker 1: the point and I'm doing my best and I'm just 665 00:41:20,640 --> 00:41:24,600 Speaker 1: super grateful. So that's it. Anyway, we're kind of getting 666 00:41:24,640 --> 00:41:29,120 Speaker 1: off track. Sorry, but I'm I just feel like watching 667 00:41:29,160 --> 00:41:32,919 Speaker 1: Haley walk away with Nathan, I give her space for that. Now. 668 00:41:33,320 --> 00:41:35,560 Speaker 1: Back then it was it was a little harder to 669 00:41:35,560 --> 00:41:38,719 Speaker 1: to very long windedly answer your question, Hilary. Yeah. I 670 00:41:38,719 --> 00:41:41,359 Speaker 1: mean I can see like because we were there, I mean, 671 00:41:41,400 --> 00:41:43,799 Speaker 1: we're friends with you when we were twenty two years 672 00:41:43,840 --> 00:41:46,840 Speaker 1: old when we were doing this. Yeah, and in my 673 00:41:46,880 --> 00:41:49,200 Speaker 1: head I can hear you being like, that's not what 674 00:41:49,280 --> 00:41:52,600 Speaker 1: a wife does, Like yeah, I would never you know, 675 00:41:52,719 --> 00:41:59,319 Speaker 1: like you have always been um firm about justice and 676 00:41:59,360 --> 00:42:02,560 Speaker 1: like gritty and so I can see you like reading 677 00:42:02,600 --> 00:42:11,480 Speaker 1: the script and be like what the Yeah, yeah, interested 678 00:42:11,520 --> 00:42:13,840 Speaker 1: I've room for now you gotta make space for you 679 00:42:13,880 --> 00:42:16,920 Speaker 1: also got to go on tour, so you know, I 680 00:42:16,960 --> 00:42:20,400 Speaker 1: was just going to ask what was it like, because 681 00:42:20,400 --> 00:42:22,680 Speaker 1: it's not like you were just sitting at home being 682 00:42:22,719 --> 00:42:24,719 Speaker 1: like I can't believe. They wrote that, like, you were 683 00:42:24,840 --> 00:42:28,520 Speaker 1: on tour. Yeah, it was super cool. You were out 684 00:42:28,560 --> 00:42:32,200 Speaker 1: doing something cool, was it? But was there like a 685 00:42:32,320 --> 00:42:35,200 Speaker 1: conflict in it? Or was tour just so all encompassing 686 00:42:35,280 --> 00:42:41,000 Speaker 1: and you were betraying James? No, but I missed him. 687 00:42:43,480 --> 00:42:46,120 Speaker 1: I know. I didn't feel like I was betraying James. 688 00:42:46,120 --> 00:42:48,160 Speaker 1: I had a blast. I was having so much fun. 689 00:42:48,520 --> 00:42:52,719 Speaker 1: I was definitely experimenting with a new side of my 690 00:42:53,040 --> 00:42:55,080 Speaker 1: life and and a part of me that I'd always 691 00:42:55,120 --> 00:42:58,600 Speaker 1: wanted to see come alive. So it was a great opportunity. 692 00:42:58,800 --> 00:43:03,239 Speaker 1: Was so much fun. I loved doing stops of the 693 00:43:03,320 --> 00:43:06,960 Speaker 1: tour and and being witnessed to that. Yeah, because you 694 00:43:07,480 --> 00:43:13,279 Speaker 1: guys out to come introduce the shows. I never No, 695 00:43:13,480 --> 00:43:15,840 Speaker 1: I never got to do that. Oh I went on 696 00:43:15,880 --> 00:43:20,040 Speaker 1: the road. I was on to us and God, I 697 00:43:20,160 --> 00:43:25,040 Speaker 1: was just like, my friends are so freaking cool. I 698 00:43:25,160 --> 00:43:31,000 Speaker 1: was pumped, where were you or something? Because I didn't 699 00:43:31,040 --> 00:43:33,319 Speaker 1: know Hillary, because I didn't get to go. We didn't 700 00:43:33,320 --> 00:43:34,960 Speaker 1: get to go in the beginning. It was only when 701 00:43:35,000 --> 00:43:38,120 Speaker 1: the show was wrapped, and then there were a couple 702 00:43:38,200 --> 00:43:43,000 Speaker 1: more dates. Right after this season we were doing Secret Life, 703 00:43:43,000 --> 00:43:46,960 Speaker 1: weren't you. That's summer weren't you were either doing that 704 00:43:47,000 --> 00:43:49,120 Speaker 1: movie you did with Jason Ritter or The Secret Life 705 00:43:49,120 --> 00:43:52,680 Speaker 1: of Bees. You were doing a movie. I did the 706 00:43:52,719 --> 00:43:59,160 Speaker 1: movie in Louisiana right after this where I met Elizabeth Arnoa. 707 00:44:00,320 --> 00:44:04,480 Speaker 1: It was Elizabeth because then when we come back, like 708 00:44:04,600 --> 00:44:07,680 Speaker 1: the next year, Lizarne Wash shows up to play Shelley. 709 00:44:07,960 --> 00:44:11,160 Speaker 1: Because I was like, friend, let me have her. What 710 00:44:11,200 --> 00:44:19,919 Speaker 1: was that called? Who knows? Come on, look, come to me? 711 00:44:20,239 --> 00:44:22,440 Speaker 1: This is where we he did insert the Jeopardy music 712 00:44:23,800 --> 00:44:29,840 Speaker 1: was say we did it? Were you guys? Sisters? Because 713 00:44:29,840 --> 00:44:31,960 Speaker 1: you all kind of look alike? I played like the 714 00:44:32,040 --> 00:44:39,239 Speaker 1: super like waspy. Where's Pastel's like rich bitch? Oh interesting? Incidentally, 715 00:44:39,560 --> 00:44:42,080 Speaker 1: very similar to the character Hillary plays on Good Sam, 716 00:44:42,239 --> 00:44:47,680 Speaker 1: which is also coming up on March. You're right, the 717 00:44:47,760 --> 00:44:50,400 Speaker 1: character I play on Good Sam. It's like the grown 718 00:44:50,440 --> 00:44:54,880 Speaker 1: up version of who I was in just like she's scary, fancy, 719 00:44:55,200 --> 00:44:58,000 Speaker 1: Like I have a meeting to get to I skipped 720 00:44:58,000 --> 00:45:01,400 Speaker 1: a p T A meeting for the because I have 721 00:45:01,440 --> 00:45:06,000 Speaker 1: a question. Okay, how the hell does Dan know how 722 00:45:06,040 --> 00:45:10,600 Speaker 1: to find everybody everywhere all the time? No, Like, seriously, 723 00:45:10,760 --> 00:45:14,600 Speaker 1: I have I have a theory. Does Dan Scott motors 724 00:45:14,640 --> 00:45:21,040 Speaker 1: put trackers in the cars he sells. Yes, don't you remember? 725 00:45:21,080 --> 00:45:24,399 Speaker 1: There was a big scandal because because paparazzi who were 726 00:45:24,400 --> 00:45:27,560 Speaker 1: working for TMZ had put trackers under Jessica Simpson's car. 727 00:45:27,640 --> 00:45:30,520 Speaker 1: Oh my god, that's horrendous. You guys, this was a 728 00:45:30,600 --> 00:45:32,560 Speaker 1: thing and they were doing it to like all yes, 729 00:45:32,880 --> 00:45:34,640 Speaker 1: they were doing it to all these celebrities. There was 730 00:45:34,640 --> 00:45:39,200 Speaker 1: a whole big lawsuit, I totally remember, and because everyone 731 00:45:39,280 --> 00:45:42,080 Speaker 1: was like, how are they always finding in these like 732 00:45:42,160 --> 00:45:46,520 Speaker 1: really weird private places. And I'm literally thinking to myself, 733 00:45:47,280 --> 00:45:48,799 Speaker 1: I mean I wasn't going to say it, but yes, 734 00:45:49,080 --> 00:45:53,759 Speaker 1: so I was like, is Dan Scott, like O G 735 00:45:54,000 --> 00:45:58,800 Speaker 1: t MZ does he track? Maybe he's such a freak. 736 00:45:58,840 --> 00:46:00,719 Speaker 1: It's just so weird that he shows in church, Like, 737 00:46:01,040 --> 00:46:02,880 Speaker 1: first of all, why is Dan going walking into it? 738 00:46:05,640 --> 00:46:07,600 Speaker 1: I know, it's just so like why would he be 739 00:46:07,640 --> 00:46:12,080 Speaker 1: in there except that he's following Jewels. Sometimes our show 740 00:46:12,320 --> 00:46:16,239 Speaker 1: is so on the nose. It's just like Juels is 741 00:46:16,280 --> 00:46:21,040 Speaker 1: in a church brain because she's in such a conundrum. Guys, 742 00:46:21,040 --> 00:46:24,240 Speaker 1: when I and I want to talk to Jesus about it, 743 00:46:25,120 --> 00:46:28,239 Speaker 1: I'm just gonna go to my bedroom, Like I'm not 744 00:46:28,239 --> 00:46:31,400 Speaker 1: going to go into a physical church, me to usually 745 00:46:31,440 --> 00:46:34,640 Speaker 1: go into the bathroom cry alone, magically every single time 746 00:46:34,680 --> 00:46:39,160 Speaker 1: I walk into the bathroom, Mommy, like without fail for 747 00:46:39,200 --> 00:46:42,000 Speaker 1: the last eleven Daughter's got a tracker on you? Is what. 748 00:46:45,360 --> 00:46:49,000 Speaker 1: I love it. But Dan is so devious in this, 749 00:46:49,400 --> 00:46:53,560 Speaker 1: And I was so unsettled when the boys got out 750 00:46:53,560 --> 00:46:58,960 Speaker 1: of jail, and it's clear that Lucas has shared everything 751 00:46:59,040 --> 00:47:05,040 Speaker 1: with Nathan, everything, and Dan, who is a man of secrets, says, good, 752 00:47:05,280 --> 00:47:08,480 Speaker 1: I'm glad you told him your brothers, you know, like 753 00:47:08,719 --> 00:47:11,799 Speaker 1: you should have told him. And it just felt like 754 00:47:11,920 --> 00:47:16,960 Speaker 1: really bad foreshadowing, like what is Dan gonna spill to Keith, 755 00:47:17,640 --> 00:47:21,799 Speaker 1: who's so vulnerable and so happy right now, who just 756 00:47:21,880 --> 00:47:25,560 Speaker 1: bought a house for him and jewels. He's so fragile, 757 00:47:26,040 --> 00:47:31,839 Speaker 1: so fragile. And the boys get arrested just after Dan 758 00:47:31,960 --> 00:47:34,000 Speaker 1: had said to Jules he's going to let this one go, 759 00:47:34,239 --> 00:47:39,480 Speaker 1: and she says, I don't believe you. It gave me 760 00:47:39,520 --> 00:47:43,440 Speaker 1: the chills, would you like? I don't like it? No. 761 00:47:45,239 --> 00:47:50,520 Speaker 1: I mean Maria looks so shattered sitting in that scene. 762 00:47:50,560 --> 00:47:52,560 Speaker 1: I mean, she did a beautiful job just sitting in 763 00:47:52,600 --> 00:47:57,520 Speaker 1: that church like that. She just looks broken and afraid, 764 00:47:57,880 --> 00:48:00,480 Speaker 1: and it was like that is how felt them the 765 00:48:00,600 --> 00:48:03,560 Speaker 1: inside when he said that you told him you should 766 00:48:03,560 --> 00:48:08,600 Speaker 1: have your brother's some bad's gonna happen. I feel it. 767 00:48:09,200 --> 00:48:14,680 Speaker 1: I feel it coming, and she she you, guys, are 768 00:48:16,680 --> 00:48:19,560 Speaker 1: I set you up? Girl? I loved it. I'm backing 769 00:48:19,640 --> 00:48:22,560 Speaker 1: up what you're putting down. No. But she has to 770 00:48:22,600 --> 00:48:26,880 Speaker 1: express so much in those scenes because it is um 771 00:48:26,920 --> 00:48:28,840 Speaker 1: a little bit of a choppy storyline, because it's like 772 00:48:28,840 --> 00:48:32,360 Speaker 1: we just jump into it sometimes, and she has to 773 00:48:32,400 --> 00:48:38,360 Speaker 1: express that she really does love Keith, that she's really 774 00:48:38,400 --> 00:48:41,120 Speaker 1: wanting to be with him, she's afraid of this man 775 00:48:41,239 --> 00:48:45,040 Speaker 1: who originally hired her and now is like lording this 776 00:48:45,160 --> 00:48:47,880 Speaker 1: information over her head. Like it's a lot to articulate 777 00:48:47,960 --> 00:48:51,440 Speaker 1: in these scenes without being able to say that, And 778 00:48:51,480 --> 00:48:55,359 Speaker 1: so Maria was just like a disgusted look. It's just 779 00:48:55,440 --> 00:48:59,759 Speaker 1: like who are you? Yeah? What monster? Who did this 780 00:48:59,800 --> 00:49:04,439 Speaker 1: to you? Here's horrible? Can we talk about the kiss though, 781 00:49:04,640 --> 00:49:07,680 Speaker 1: when Keith takes her by the hair, when he runs 782 00:49:07,680 --> 00:49:11,400 Speaker 1: his hand through her hair and kisses her. Thanks Keith, 783 00:49:11,680 --> 00:49:19,000 Speaker 1: we all needed that. Yeah, Craig's earnest face in that scene, guys, 784 00:49:19,120 --> 00:49:21,800 Speaker 1: it made me. It makes me cringe. I'm sorry, I'm sorry. 785 00:49:22,200 --> 00:49:24,319 Speaker 1: I want to love it, I want to be It 786 00:49:24,360 --> 00:49:27,360 Speaker 1: makes me like run, run, run, far, far away. What 787 00:49:27,680 --> 00:49:35,160 Speaker 1: do you mean with your hair? No, when a man 788 00:49:35,280 --> 00:49:43,360 Speaker 1: buys you a house, he's so earnest, he's so eager, 789 00:49:43,600 --> 00:49:47,040 Speaker 1: he's so needy, and so needs the validation of that 790 00:49:47,120 --> 00:49:49,319 Speaker 1: he's doing it right it. I don't know. Maybe this 791 00:49:49,400 --> 00:49:51,480 Speaker 1: is my childhood trauma. Guys, I don't know. I'm just 792 00:49:51,680 --> 00:49:56,040 Speaker 1: if if I can't deal with it, it's um it 793 00:49:56,200 --> 00:49:58,839 Speaker 1: does nobody else have this issue? Your vibe? Joy? I mean, 794 00:49:58,840 --> 00:50:00,680 Speaker 1: I'm your friend, and I know you well enough to 795 00:50:00,719 --> 00:50:03,960 Speaker 1: know that you like a little like man, a dirt 796 00:50:04,000 --> 00:50:06,799 Speaker 1: on the boot, you know what. I like a little grouch. Yeah. 797 00:50:08,200 --> 00:50:11,040 Speaker 1: It's funny to me though, because I'm like needy, I 798 00:50:11,080 --> 00:50:15,200 Speaker 1: didn't read him giving her a house as needy. It 799 00:50:15,400 --> 00:50:24,040 Speaker 1: feels needy listening, non judgment. It feels needy, like he's 800 00:50:24,080 --> 00:50:30,480 Speaker 1: not actually just giving it, he's he needs to be here. 801 00:50:30,480 --> 00:50:34,840 Speaker 1: To me, the my interpretation of it is that it's 802 00:50:35,000 --> 00:50:38,880 Speaker 1: actually more about him needing the validation of being the 803 00:50:38,920 --> 00:50:41,680 Speaker 1: guy who could provide this in this moment, who can 804 00:50:41,680 --> 00:50:44,799 Speaker 1: show up and beat Yes, Hillary the hero and it 805 00:50:44,840 --> 00:50:47,960 Speaker 1: doesn't just it doesn't just feel natural and authentic and 806 00:50:48,040 --> 00:50:51,800 Speaker 1: just there. He's just trying so hard to be exactly 807 00:50:51,800 --> 00:50:54,520 Speaker 1: what she needs that it puts it really puts me 808 00:50:54,560 --> 00:50:58,239 Speaker 1: off as a romantic interest. Sometimes these writers stress me 809 00:50:58,280 --> 00:51:04,160 Speaker 1: out because all teen right, it takes a lot of effort, 810 00:51:04,600 --> 00:51:07,839 Speaker 1: and we all know you don't buy a house in 811 00:51:07,880 --> 00:51:09,480 Speaker 1: like three weeks. Oh my god, do you know what 812 00:51:09,480 --> 00:51:13,240 Speaker 1: I mean? He takes so long to close on a house. 813 00:51:14,760 --> 00:51:18,160 Speaker 1: If you could you imagine if you had just gotten 814 00:51:18,200 --> 00:51:21,440 Speaker 1: engaged and the person who's supposed to be your partner goes, 815 00:51:21,480 --> 00:51:23,879 Speaker 1: look at this giant decision I made without you. Yeah, 816 00:51:23,920 --> 00:51:28,640 Speaker 1: that's weird. It's intense. I'd be like, what if I 817 00:51:28,640 --> 00:51:33,520 Speaker 1: hate this kind of house? Are we stuck here? Like 818 00:51:35,360 --> 00:51:39,200 Speaker 1: Jeffrey had bought a house two months before I met him, 819 00:51:40,239 --> 00:51:42,720 Speaker 1: and so he had a house and I was like, okay, 820 00:51:42,800 --> 00:51:47,239 Speaker 1: I guess I live here now that's weird. And the 821 00:51:47,320 --> 00:51:49,680 Speaker 1: second he did a movie here in New York, like 822 00:51:49,760 --> 00:51:52,120 Speaker 1: we've been together, I don't know, maybe a year, and 823 00:51:52,160 --> 00:51:54,359 Speaker 1: he was like, oh, there's a little Tina tiny log 824 00:51:54,440 --> 00:51:57,759 Speaker 1: Cavin for sale. I was like, done, we're moving. We 825 00:51:57,840 --> 00:52:00,680 Speaker 1: bought this place and never went back to his house 826 00:52:00,680 --> 00:52:05,759 Speaker 1: and like never we went and finally like sold our 827 00:52:06,760 --> 00:52:10,439 Speaker 1: and I walked outside and the neighbors were like, oh, hey, 828 00:52:10,480 --> 00:52:13,560 Speaker 1: are you the new neighbors. And I'm like no, no, no, no, no, 829 00:52:13,760 --> 00:52:19,319 Speaker 1: We're the old neighbors leaving. We're done here. No, there's 830 00:52:19,360 --> 00:52:22,080 Speaker 1: a it's an energy thing. When you're in a new relationship, 831 00:52:22,160 --> 00:52:27,160 Speaker 1: you make decisions together together, especially is that big as 832 00:52:27,160 --> 00:52:32,880 Speaker 1: a house? Property decisions take a solid eight months. Like, yeah, 833 00:52:33,080 --> 00:52:35,200 Speaker 1: they take a long time. Yeah. I had a guy 834 00:52:35,200 --> 00:52:38,040 Speaker 1: by me flowers before a date once, like they arrived 835 00:52:38,040 --> 00:52:39,960 Speaker 1: a few hours before the date and I was like, 836 00:52:40,040 --> 00:52:45,439 Speaker 1: I gotta go. I can't do this, No, I can't 837 00:52:45,600 --> 00:52:48,760 Speaker 1: wait for Santon. I had a debrief whoever you become 838 00:52:48,840 --> 00:52:51,200 Speaker 1: serious about next, Like he'll come to us and we'll 839 00:52:51,239 --> 00:52:54,440 Speaker 1: be like hold on, hold on, hold on. There's some grounds. 840 00:52:54,440 --> 00:52:58,520 Speaker 1: So I can't even imagine, like buying a house, a 841 00:52:58,640 --> 00:53:02,520 Speaker 1: house before you Oh my god, be like no, no, honey, no, no, 842 00:53:02,680 --> 00:53:04,360 Speaker 1: the thing that you think is sweet, don't do that, 843 00:53:04,719 --> 00:53:10,000 Speaker 1: don't do it, don't do it. Ignore her. But that like, 844 00:53:10,239 --> 00:53:12,000 Speaker 1: let's move on to the Andy then of it all, 845 00:53:12,040 --> 00:53:14,719 Speaker 1: because Andy's showing up in a different way and I 846 00:53:14,760 --> 00:53:16,920 Speaker 1: love the way Andy shows up. I love the way 847 00:53:16,960 --> 00:53:23,800 Speaker 1: he shows up danger. Yeah, the like sleep I sleep 848 00:53:23,800 --> 00:53:26,040 Speaker 1: with a baseball bat in my room, Like Italian part 849 00:53:26,040 --> 00:53:27,400 Speaker 1: of me is like, that's the way I want a 850 00:53:27,440 --> 00:53:30,879 Speaker 1: man to show up for me. Call and figure out 851 00:53:30,960 --> 00:53:35,439 Speaker 1: what there is to get to destroy him. I love 852 00:53:35,480 --> 00:53:38,399 Speaker 1: the Karen is finally on the war path. She has 853 00:53:38,480 --> 00:53:42,520 Speaker 1: been so steady and patient and kind and just be 854 00:53:42,680 --> 00:53:46,239 Speaker 1: generous and setting an example for my son, and now 855 00:53:46,960 --> 00:53:50,799 Speaker 1: no holds barred man, she is just letting loose. I 856 00:53:50,840 --> 00:53:57,560 Speaker 1: mean her in that freaking mediation. You're asked friend, boy haircut, 857 00:53:59,000 --> 00:54:03,600 Speaker 1: You're asked ass. That's one of those things for our 858 00:54:03,640 --> 00:54:06,600 Speaker 1: friends at home that really kills us, when you know 859 00:54:06,680 --> 00:54:10,920 Speaker 1: you're on television and you can't say words normal people 860 00:54:11,080 --> 00:54:13,600 Speaker 1: use when they're angry. So you just have to keep 861 00:54:13,640 --> 00:54:18,000 Speaker 1: saying assy as asked face because you can't swear and 862 00:54:18,120 --> 00:54:22,120 Speaker 1: say like you motherfucker, you took my kid? You know. God, 863 00:54:22,200 --> 00:54:24,879 Speaker 1: It's so it was. She did it, and she did 864 00:54:24,880 --> 00:54:29,560 Speaker 1: it beautifully straight faced. She did that straight faced. Yeah yeah, 865 00:54:29,640 --> 00:54:32,759 Speaker 1: I can't believe it. And Paul remained straight faced as well. 866 00:54:32,920 --> 00:54:38,080 Speaker 1: God blessed someone was why she did it? Hurling that 867 00:54:38,160 --> 00:54:41,279 Speaker 1: at me. I wouldn't take it. Um alright, I'm going 868 00:54:41,320 --> 00:54:43,879 Speaker 1: through my notes here, guys. We take so many notes 869 00:54:43,880 --> 00:54:48,680 Speaker 1: when we watch these things. The Tim Confessional, God, Brett 870 00:54:48,680 --> 00:54:51,360 Speaker 1: clay Well, because he has to improvise so much of 871 00:54:51,400 --> 00:54:53,880 Speaker 1: his stuff because they didn't really write for him. They 872 00:54:53,880 --> 00:54:57,239 Speaker 1: would just say like, okay, go Brett, you know, and 873 00:54:57,320 --> 00:55:01,239 Speaker 1: he would. And I think he's so funny. And I 874 00:55:01,920 --> 00:55:07,800 Speaker 1: wish that Tim was utilized more because he's hate Um okay, 875 00:55:07,880 --> 00:55:11,480 Speaker 1: what else Keith kissing Jewels? We did that part. Sex 876 00:55:11,600 --> 00:55:13,520 Speaker 1: is the easy part. Giving your heart to someone is 877 00:55:13,560 --> 00:55:17,240 Speaker 1: the hard part. I had so many fans like asked 878 00:55:17,280 --> 00:55:21,560 Speaker 1: me to write that out and like, yeah, so I 879 00:55:21,640 --> 00:55:24,000 Speaker 1: was like, that's a weird one. What do you mean 880 00:55:24,480 --> 00:55:27,399 Speaker 1: when Peyton's like sex is the easy part. It's giving 881 00:55:27,440 --> 00:55:29,880 Speaker 1: your heart to someone that's the hard part. And people 882 00:55:29,880 --> 00:55:31,759 Speaker 1: are like, can you write this out on a thing 883 00:55:31,880 --> 00:55:40,560 Speaker 1: at a convention? And I'm like, oh, interesting, okay, okay, hey, 884 00:55:40,920 --> 00:55:44,680 Speaker 1: were you going to question? You know what I want 885 00:55:44,680 --> 00:55:48,600 Speaker 1: written out from this episode? I want that's the thing 886 00:55:48,640 --> 00:55:51,960 Speaker 1: that Anna said at the end when she says I'm 887 00:55:52,000 --> 00:55:53,960 Speaker 1: just trying to find my way. I guess that part 888 00:55:54,080 --> 00:56:01,279 Speaker 1: is timeless. I want fan art of I want I'm 889 00:56:01,320 --> 00:56:08,080 Speaker 1: proud of me too. I loved that. Yeah that, I'm 890 00:56:08,120 --> 00:56:11,880 Speaker 1: proud of you girls. I'm proud of you girls, and 891 00:56:11,920 --> 00:56:14,520 Speaker 1: I'm proud of me too. I think we've all come 892 00:56:14,560 --> 00:56:18,840 Speaker 1: a long way. Well, and then Nathan talking about Haley. 893 00:56:19,120 --> 00:56:22,879 Speaker 1: If I love her and she loves me, what's there 894 00:56:22,920 --> 00:56:28,799 Speaker 1: to figure out? Yeah? And I loved Lucas. When they 895 00:56:28,880 --> 00:56:33,640 Speaker 1: finally start talking again and Luke says, your marriage wins 896 00:56:33,680 --> 00:56:38,080 Speaker 1: out over some confused kiss. Remember the real Haley, even 897 00:56:38,120 --> 00:56:48,400 Speaker 1: when she's lesser. Too good advice. You know, nobody's perfect. 898 00:56:48,920 --> 00:56:51,680 Speaker 1: If this was all about loving perfect people, no one 899 00:56:51,680 --> 00:56:55,319 Speaker 1: would ever be loved ever that is That is good 900 00:56:55,360 --> 00:56:59,920 Speaker 1: advice as well. M hm m hmm. Guys, we can 901 00:57:00,000 --> 00:57:03,200 Speaker 1: even you a lot to think about today. Hey, what 902 00:57:03,320 --> 00:57:05,640 Speaker 1: kind of weirdo parties have you guys been to? Will 903 00:57:05,680 --> 00:57:09,400 Speaker 1: you tell us? Yeah? Oh my god? Bonus points If 904 00:57:09,440 --> 00:57:11,520 Speaker 1: you have pictures from your weird high school parts, we 905 00:57:11,520 --> 00:57:21,880 Speaker 1: want to see them. Tag us should spin a wheel? 906 00:57:22,200 --> 00:57:26,560 Speaker 1: I think I think I should. I love most likely 907 00:57:26,600 --> 00:57:33,320 Speaker 1: to most likely to say something inappropriate time capsule, most 908 00:57:33,360 --> 00:57:37,440 Speaker 1: likely to become a travel blogger. This actually feels like 909 00:57:37,600 --> 00:57:43,960 Speaker 1: Erica marsh to me, I love that. Yeah, I fully 910 00:57:44,040 --> 00:57:48,520 Speaker 1: believe it. She's got that little host sensibility. You know, 911 00:57:48,680 --> 00:57:53,240 Speaker 1: she'd plan the ship out of a great itinerary. Yeah, hey, yo, 912 00:57:53,320 --> 00:57:58,720 Speaker 1: I'm here in Italy. Oh my god, isn't this gorgeous? 913 00:57:58,760 --> 00:58:01,000 Speaker 1: Love her so much? Kind of this is so cool. 914 00:58:01,520 --> 00:58:06,240 Speaker 1: But it's Kate vogel ate and lived in Paris and 915 00:58:06,240 --> 00:58:09,439 Speaker 1: like did a whole blog about it, and it's Yeah, 916 00:58:09,520 --> 00:58:12,840 Speaker 1: she's like a travel blogger and she does cool stuff. Um, 917 00:58:12,920 --> 00:58:14,919 Speaker 1: is there anybody else in our cast that does that? 918 00:58:17,640 --> 00:58:19,880 Speaker 1: I mean, I feel like we all kind of travel 919 00:58:19,920 --> 00:58:23,080 Speaker 1: a lot, but I don't know about blogging. So he's 920 00:58:23,120 --> 00:58:29,480 Speaker 1: like unfishing in Montana. I'm in Italy. I do travel 921 00:58:29,680 --> 00:58:31,720 Speaker 1: a lot, but I don't have the patience to be 922 00:58:31,800 --> 00:58:34,640 Speaker 1: like and then I boarded the L train, like I 923 00:58:34,680 --> 00:58:39,840 Speaker 1: don't know. Hey, you know who has adventures and writes 924 00:58:39,840 --> 00:58:45,920 Speaker 1: about them sometimes? Brian Greenberg? I know, you mean the 925 00:58:45,960 --> 00:58:49,440 Speaker 1: Brian Greenberg that's coming on our live event on March 926 00:58:50,120 --> 00:58:55,040 Speaker 1: just a pre game for a good Sama period. March 927 00:58:55,800 --> 00:58:58,120 Speaker 1: is going to be a double up with your girls, 928 00:58:58,280 --> 00:59:00,240 Speaker 1: and I hope you all are ready because it's can 929 00:59:00,280 --> 00:59:04,520 Speaker 1: be quite a special special evening and guys, next up 930 00:59:05,160 --> 00:59:11,560 Speaker 1: on this show, We've got season two, episode sixteen. Somewhere 931 00:59:11,600 --> 00:59:14,160 Speaker 1: a clock is ticking. I'm telling you it's a ticking 932 00:59:14,160 --> 00:59:17,919 Speaker 1: time bomb, and it's Damn Scott, Damn Scott. Damn He's 933 00:59:18,120 --> 00:59:27,200 Speaker 1: Damn Scott, Damn Dan Scott. We're Scott from now. Dan. 934 00:59:28,600 --> 00:59:33,320 Speaker 1: Thanks for joining us London next week. Hey, thanks for listening. 935 00:59:33,440 --> 00:59:35,680 Speaker 1: Don't forget to leave us a review. You can also 936 00:59:35,760 --> 00:59:38,880 Speaker 1: follow us on Instagram at Drama Queens O t H 937 00:59:39,440 --> 00:59:42,680 Speaker 1: or email us at Drama Queens at I heart radio 938 00:59:42,800 --> 00:59:47,360 Speaker 1: dot com. See you next time. Were all about that 939 00:59:47,480 --> 00:59:50,360 Speaker 1: high school drama? Girl, Drama, Girl, all about them high 940 00:59:50,400 --> 00:59:53,520 Speaker 1: school queens. We'll take you for a ride at our 941 00:59:53,560 --> 00:59:59,400 Speaker 1: comic Girl Sharing the Drama Queens up girl Fashion, but 942 00:59:59,560 --> 01:00:02,000 Speaker 1: you'll tell girls you could sit with us. Girl Drama, 943 01:00:02,040 --> 01:00:05,800 Speaker 1: Queeze Drama, Queeze Drama, Queen's Drama draw MC Queen's Drama 944 01:00:05,880 --> 01:00:07,000 Speaker 1: Queens