WEBVTT - Playing Persimmon and the Secrets of Pebble Beach

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<v Speaker 1>I miss a green, for example, I'm already upset. When

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<v Speaker 1>I find my ball in the bunker, I'm really upset.

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<v Speaker 2>And when I find my.

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<v Speaker 3>Ball in a fried egg Friday egg, the dreaded Frida egg,

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<v Speaker 3>Frida egg, Frida egg bride egg Lie.

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<v Speaker 1>I'm about ready to run off of the Welcome back

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<v Speaker 1>to another edition of the Friday Golf Podcast. I am

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<v Speaker 1>your host, Andy Johnson. Today I have a giant podcast

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<v Speaker 1>for you. I have two parts, two interviews, one with

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<v Speaker 1>Todd Dempsey that I conducted and another with Chris Millard,

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<v Speaker 1>longtime golf media person who's written a book, new book.

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<v Speaker 1>The Todd Dempsey podcast was done by me. The interview

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<v Speaker 1>with Chris was done by Garrett Morrison. Garrett is out

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<v Speaker 1>of the country right now. He is frolicking about Melbourne, Australia.

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<v Speaker 1>I'm very jealous. I'm envious of his trip. Right now,

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<v Speaker 1>he's playing with some Australian golf legends at some of

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<v Speaker 1>the best golf courses in the world. So today, who

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<v Speaker 1>knows where he is today, but he just finished up Victoria,

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<v Speaker 1>He's played Royal Melbourne East. I'm not sure where he's

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<v Speaker 1>going today, but he is. He's on quite quite the

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<v Speaker 1>little trip down there. Todd Dempsey will be up first then.

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<v Speaker 1>Chris Todd, for those that don't know, is a former

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<v Speaker 1>PGA Tour player. He was a four time All American

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<v Speaker 1>at Arizona State in the nineties, a walker cupper. What's

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<v Speaker 1>interesting about his life now is that he makes Persimon woods.

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<v Speaker 1>He plays Persimmon woods pretty much exclusively. He has played

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<v Speaker 1>like PGA Tour Qualifiers, Champions Tour, Final Stage, Q School

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<v Speaker 1>playing per Simmon. Just a very interesting person in golf.

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<v Speaker 1>Chris Millard, he just wrote a new book. The new

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<v Speaker 1>book is called The Shot Watson Nicholas, Pebble Beach and

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<v Speaker 1>the Chip That Changed Everything. So it's a look at

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<v Speaker 1>the nineteen eighty two US Open and Pebble Beach. A

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<v Speaker 1>lot of the book is actually about the architecture of

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<v Speaker 1>Pebble Beach. So Garrett and Chris talk in depth about

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<v Speaker 1>this book in Pebble Beach and that's the podcast. Before

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<v Speaker 1>we get into the podcast, let's take a quick break

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<v Speaker 1>and talk about our partner, Stripe. Stripe's been a partner

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<v Speaker 1>of the Egg for a really long time, really since

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<v Speaker 1>we started to take payment. So we spend a couple

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<v Speaker 1>of years not doing any monetization. But when we wanted

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<v Speaker 1>to make money on the website, we turned to Stripe

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<v Speaker 1>and Stripe's been an amazing partner honestly, like great partners

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<v Speaker 1>are partners that you don't have to worry about. I've

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<v Speaker 1>never really had to worry about Stripe. So Stripe works

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<v Speaker 1>for us. They also work for giant businesses like Alaska Airlines,

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<v Speaker 1>Hurts in the PGA, so many places work with Stripe.

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<v Speaker 1>This is an amazing stat. It powers one percent of

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<v Speaker 1>the total GDP. That's a large number. Stripe has a

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<v Speaker 1>lot of products. You know, they have their online checkout

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<v Speaker 1>the general Stripe where you go and you can pay

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<v Speaker 1>for something and you check out with Stripe. One of

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<v Speaker 1>the other cool products that they have that we use

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<v Speaker 1>and over three hundred thousand businesses used, that's more than

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<v Speaker 1>anybody else, is their Stripe Billing product. They can do

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<v Speaker 1>advance billing software to handle even the most complex business models.

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<v Speaker 1>So whether you need a flat rate monthly subscription that's

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<v Speaker 1>what we have, or usage based billing, invoicing, or anything

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<v Speaker 1>in between. Stripe Business helps businesses grow with smarter recurring

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<v Speaker 1>what Stripe can do for your business. Visit stripe dot com. Todd,

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<v Speaker 1>I would love to hear you are becoming one of

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<v Speaker 1>the foremost Persimmon officionados in the in the game of golf,

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<v Speaker 1>I'd say you're on the on the forefront, nobody else

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<v Speaker 1>is playing per Simon and Champions Tour Q school. What

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<v Speaker 1>is the process for building a persimon would like you're

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<v Speaker 1>doing right now?

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<v Speaker 4>Yeah, I start with pretty much a just a raw

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<v Speaker 4>block of person. It's it's been eat it and and

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<v Speaker 4>dry it out by by the middle Ground in Kentucky.

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<v Speaker 4>Really good guys that are still still uh cutting per

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<v Speaker 4>Simon and so yeah, I start with a pretty raw

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<v Speaker 4>block and you know sole plate face, insert, bore out

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<v Speaker 4>the hozzle, just in shape it to whatever whatever I

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<v Speaker 4>want to to create. So it's uh, it's fun. I

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<v Speaker 4>I definitely in high school, I used to refinish woods,

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<v Speaker 4>but but now it's being able to create it from

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<v Speaker 4>pretty much nothing is is a lot of fun.

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<v Speaker 1>What type of tools are you using to like shape

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<v Speaker 1>it down? Like how do you get it into that

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<v Speaker 1>into the head design? I'm also curious, like do you

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<v Speaker 1>play around with different designs? I know, like I have

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<v Speaker 1>a few different sets of Percimmons with with different features,

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<v Speaker 1>Like I have a the Ben Hogan one that as

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<v Speaker 1>the little like speed slot on it. Like, are you

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<v Speaker 1>messing around with aerodynamic designs and and trying to figure out,

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<v Speaker 1>you know, how you can improve them?

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<v Speaker 4>Yeah, I mean I do. I try to. You know,

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<v Speaker 4>most people that are into Persimmon are into the classic designs.

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<v Speaker 4>But that speed slot that is a that is a

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<v Speaker 4>good I love that that Hogan head. But I've messed

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<v Speaker 4>around with some larger heads and some really small heads,

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<v Speaker 4>and yeah, I mean I'm always kind of looking to

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<v Speaker 4>see what works, but try to stick to pretty classic

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<v Speaker 4>designs and keep it as simple as possible.

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<v Speaker 1>You mentioned so you're into refinishing Persimmons as a kid,

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<v Speaker 1>I think like every kid really probably from my generation

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<v Speaker 1>to back, was into it. Like I always remember as

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<v Speaker 1>a kid, like playing around with lead tape ape and

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<v Speaker 1>seeing what I can do. I think like a lot

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<v Speaker 1>of that's gone with the modern clubs and club fitting

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<v Speaker 1>where it's gotten to, but I used to, you know,

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<v Speaker 1>mess around with different setups, and you know, you would

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<v Speaker 1>you would do different things to your clubs, Like when

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<v Speaker 1>you finished playing professional golf around it was the you know,

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<v Speaker 1>early twenty tens. How did you get back into the

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<v Speaker 1>Persimmon world.

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<v Speaker 4>It was kind of by accident. I didn't play much

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<v Speaker 4>golf at first. After after the game kind of beat

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<v Speaker 4>me up a little bit and I didn't play much.

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<v Speaker 4>But when I did go back out, I find myself

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<v Speaker 4>just playing around with per Simmons. It's just for me

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<v Speaker 4>fun to you know, the feel and the sound and

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<v Speaker 4>in my opinion, the way the way the game was

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<v Speaker 4>meant to be played. Yeah, it was kind of by accident.

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<v Speaker 4>I didn't didn't really go out with the intention of

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<v Speaker 4>making per Simmons, but I started to start messing around

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<v Speaker 4>with making some from scratch and got a lot of

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<v Speaker 4>interest from from friends, so I started making for them

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<v Speaker 4>and then just kind of kind of grew from there.

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<v Speaker 1>What have you seen is like, what what type of people,

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<v Speaker 1>if you've thought about this, are kind of most drawn

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<v Speaker 1>to the Persimon game? And and like what I see

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<v Speaker 1>when I have mine in the bag is like golfers

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<v Speaker 1>around me are just genuinely interested in hitting it. They

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<v Speaker 1>love obviously love the sound. But is there is there

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<v Speaker 1>a type of person that you come across more often

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<v Speaker 1>than not that is particularly interested in playing per Semon.

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<v Speaker 4>Yeah, I'd say mostly people in my age range, you know,

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<v Speaker 4>early fifties that kind of played per Simmon, kind of

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<v Speaker 4>at the tail end of Persimmon, and then the start

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<v Speaker 4>of metal woods, which which obviously really changed the game completely.

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<v Speaker 4>So I think people that kind of appreciate how the

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<v Speaker 4>game was. How you know, golf courses were designed for Persimmon,

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<v Speaker 4>they were not designed for the wood, the metal woods

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<v Speaker 4>that are out today, So I think, but I have

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<v Speaker 4>seen all ages, you know, you surprise I have been

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<v Speaker 4>surprised how many younger people are drawn to the person

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<v Speaker 4>and the game. The way when you look at old

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<v Speaker 4>highlights of great players in the past and playing what

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<v Speaker 4>they played.

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<v Speaker 1>I mean, it's it's amazing when you look back at

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<v Speaker 1>like the shells wonderful world of golf, and just the

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<v Speaker 1>how much stylistically the difference of the game is with

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<v Speaker 1>you know, Persimmon would than in comparison to the metal

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<v Speaker 1>like just how how dramatically different. Even the technique of

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<v Speaker 1>a golf swing is. What do you see from from

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<v Speaker 1>your standpoint as someone who played on tour in the

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<v Speaker 1>four hundred and sixty CC era, how is your golf

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<v Speaker 1>swing and your approach to the game different when you

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<v Speaker 1>play per simmon versus the modern technology.

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<v Speaker 4>Yeah, there's definitely a little more With today's equipment, you

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<v Speaker 4>can kind of swing for the fences and just just

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<v Speaker 4>let it go or then I mean you still it's

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<v Speaker 4>still the same swing, but it's swing's a little a

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<v Speaker 4>little less reckless than I see some of the swings today.

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<v Speaker 4>And you know, misshits are we're an issue back then,

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<v Speaker 4>where now you just kind of hit it anywhere on

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<v Speaker 4>the face and it's going to get out there somewhere

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<v Speaker 4>in play. So it's taking a lot of the skill

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<v Speaker 4>out of the game and has changed the way people

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<v Speaker 4>swing the club. For sure. I'm not a super technical

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<v Speaker 4>and I don't really analyze the golf swing, but but

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<v Speaker 4>it looks different when I in the rare occasion when

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<v Speaker 4>I watch a little on TV, it's swings are swings

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<v Speaker 4>are a lot different than what I remember growing up.

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<v Speaker 4>So I think a lot of that is the equipment,

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<v Speaker 4>which is kind of a shame, but it's not much

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<v Speaker 4>not much we can do about it now, But I

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<v Speaker 4>I just I just like to keep the game the

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<v Speaker 4>way I the game I fell in love with growing up.

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<v Speaker 4>That the beauty of of of the game and the

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<v Speaker 4>equipment and and you know, nobody was really trying to

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<v Speaker 4>cheat the game with developing clubs that that make it easier,

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<v Speaker 4>you know, they're I think the rules it's you know,

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<v Speaker 4>once the Metal Woods came out, the hollow heads, it's

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<v Speaker 4>kind of a turning point in the game, and it

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<v Speaker 4>would have been nice to keep you know, solid heads, no,

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<v Speaker 4>no hollow heads. It seems like it could be a simple,

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<v Speaker 4>simple rule, simple fixed to to what we got now,

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<v Speaker 4>but it's definitely a little late for that.

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<v Speaker 1>You uh, you have played on the Champion and Champion

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<v Speaker 1>Shore Q School also some Monday qualifiers with the person

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<v Speaker 1>in Woods. What is the general reaction of of your

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<v Speaker 1>your playing partners when they see what you're what you're

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<v Speaker 1>rolling up with.

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<v Speaker 4>Yeah, it's definitely gets gets some interest. And I'm not

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<v Speaker 4>really people that know me know, I'm not really into

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<v Speaker 4>get into the spotlight or trying to get attention and

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<v Speaker 4>kind of the opposite. So it's I kind of I

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<v Speaker 4>play it just because I love playing it, and but yeah,

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<v Speaker 4>well kind of wonder what I'm doing at times, but

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<v Speaker 4>it's just I'd rather just not not play than than

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<v Speaker 4>play with some of this modern stuff. That's that's really

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<v Speaker 4>It's made the game just so so much. You know,

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<v Speaker 4>you go play Cyprus Point, great, great course, that's now.

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<v Speaker 4>I mean people hitting sandwiches into into every hole and

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<v Speaker 4>it's it's kind of a shame. But I just do

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<v Speaker 4>it for my own enjoyment and try to try to

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<v Speaker 4>avoid too much attention. I just like to do my thing.

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<v Speaker 4>But but yeah, I understand where people wonder what I'm doing.

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<v Speaker 1>I you know, in my experience playing like Persimmon and

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<v Speaker 1>seventies plays, I've gotta set up Wilson FG seventeens that

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<v Speaker 1>I play with a fair amount to me, I don't

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<v Speaker 1>think like if you play well, you still like you

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<v Speaker 1>can't maybe quite bully the par fives as much, but

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<v Speaker 1>like you still have the ability to shoot really good scores.

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<v Speaker 1>I think this is like a misconception people think, like

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<v Speaker 1>like turning it back to the Stone Agent turns the

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<v Speaker 1>game into impossible. Like if anything, I find like when

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<v Speaker 1>I play per Simmon, I keep the ball in play

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<v Speaker 1>a little bit more even on poor driving days because

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<v Speaker 1>the ball just doesn't go as far off line. But

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<v Speaker 1>like what I see is like by I still have

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<v Speaker 1>the ability to shoot really really good rounds. It's just

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<v Speaker 1>when I don't have it, it's a little bit more

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<v Speaker 1>clear that I don't have it, right, Like it creates

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<v Speaker 1>almost a little bit, just a little bit wider variance

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<v Speaker 1>of scoring, but like it doesn't prohibit you from shooting

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<v Speaker 1>a low number.

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<v Speaker 4>Yeah, I agree. It's if you're swinging it well, it

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<v Speaker 4>gets out there almost as far as the modern stuff.

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<v Speaker 4>And like you're saying, it's a little straighter, so yeah,

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<v Speaker 4>I agree, it's not. You're not giving up much when

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<v Speaker 4>you when you're swinging it well, when you're a little off,

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<v Speaker 4>it can it's it makes the game a little tougher,

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<v Speaker 4>but that's just kind of the way it was designed

0:15:16.320 --> 0:15:22.080
<v Speaker 4>to be played, So I yeah, it's it's especially with

0:15:22.280 --> 0:15:25.080
<v Speaker 4>my woods, they're kind of designed for the modern ball.

0:15:25.320 --> 0:15:28.560
<v Speaker 4>The some of the older older per Simmons, if you

0:15:28.600 --> 0:15:32.480
<v Speaker 4>try to you know, they were designed for ballattas, so

0:15:32.760 --> 0:15:35.120
<v Speaker 4>they can be tough. But but mine are you know,

0:15:35.200 --> 0:15:37.040
<v Speaker 4>a little more weight in the back, a little a

0:15:37.040 --> 0:15:40.480
<v Speaker 4>little more loft, a little less bulge and roll, and

0:15:41.440 --> 0:15:43.800
<v Speaker 4>they tend to work well with the modern ball. So

0:15:43.880 --> 0:15:46.680
<v Speaker 4>I really don't feel like I give up much at all.

0:15:46.800 --> 0:15:51.000
<v Speaker 4>And then you add in just the enjoyment of of

0:15:51.160 --> 0:15:54.280
<v Speaker 4>enjoying the game, and that's worth worth a few shots

0:15:54.320 --> 0:15:58.520
<v Speaker 4>in my opinion. So yeah, it's uh, I.

0:15:58.440 --> 0:16:01.120
<v Speaker 1>Think I think just generally, like I find my attitude

0:16:01.200 --> 0:16:03.960
<v Speaker 1>when I play with with the older stuff is better

0:16:04.160 --> 0:16:07.800
<v Speaker 1>as well. And I think like, and I have a

0:16:07.800 --> 0:16:11.000
<v Speaker 1>friend that says that this is because you don't practice

0:16:11.040 --> 0:16:14.240
<v Speaker 1>anymore and you know you're not as good as you

0:16:14.320 --> 0:16:16.840
<v Speaker 1>used to be, and these clubs help you cope with that.

0:16:18.920 --> 0:16:22.400
<v Speaker 1>But I do think like just in general, like when

0:16:22.400 --> 0:16:27.040
<v Speaker 1>you you you're I think like, I just find myself

0:16:27.120 --> 0:16:33.000
<v Speaker 1>happier with the with the with the like there, the

0:16:33.040 --> 0:16:37.640
<v Speaker 1>feel of it is just so much more rewarding, right, Like,

0:16:37.720 --> 0:16:40.400
<v Speaker 1>you know you are swinging well, when you're driving it well,

0:16:40.840 --> 0:16:44.320
<v Speaker 1>there are no you know, misconceptions about how you're playing.

0:16:45.400 --> 0:16:48.640
<v Speaker 4>Yeah, that's that's definitely true. You can't really fake it

0:16:48.760 --> 0:16:53.000
<v Speaker 4>with with persimon and blades. You know, you either make

0:16:53.040 --> 0:16:57.120
<v Speaker 4>a good swing or you don't, and you accept the consequences.

0:16:57.240 --> 0:17:03.960
<v Speaker 4>And so yeah, that's it's I just feel like, again,

0:17:05.000 --> 0:17:08.480
<v Speaker 4>classic golf courses were designed for for this type of equipment.

0:17:08.520 --> 0:17:11.160
<v Speaker 4>So when people go out and say they shot sixty

0:17:11.160 --> 0:17:15.120
<v Speaker 4>three at Cyprus Point, it's not really the same as

0:17:15.119 --> 0:17:18.760
<v Speaker 4>Ben Hogan shooting sixty three in the in the match.

0:17:18.880 --> 0:17:22.760
<v Speaker 4>You know, it's that was like a totally different game.

0:17:22.920 --> 0:17:28.280
<v Speaker 4>So it's it's kind of you really can't records have

0:17:28.359 --> 0:17:30.960
<v Speaker 4>kind of gone out out the window. You know. It's

0:17:31.119 --> 0:17:38.520
<v Speaker 4>uh with with you know, when the Hogan's hitting you know,

0:17:38.640 --> 0:17:42.000
<v Speaker 4>mid irons into every hole out there and guys are

0:17:42.040 --> 0:17:47.160
<v Speaker 4>hitting sandwiches. It's just it's not you can't compare those scores.

0:17:47.320 --> 0:17:51.600
<v Speaker 4>So but it's again, it's more more about the enjoyment

0:17:51.680 --> 0:17:55.320
<v Speaker 4>for me and just yeah, just enjoying playing golf. It's, uh,

0:17:57.119 --> 0:18:02.040
<v Speaker 4>there's a much more satisfaction on a good good drive.

0:18:02.200 --> 0:18:06.560
<v Speaker 4>And and it's just what I remember as a kid

0:18:06.600 --> 0:18:10.359
<v Speaker 4>growing up in the eighties playing golf. That's, you know,

0:18:10.400 --> 0:18:13.280
<v Speaker 4>getting on the first tee and looking at everybody's driver,

0:18:13.520 --> 0:18:17.000
<v Speaker 4>the gray and the stain in color. It's definitely different.

0:18:17.800 --> 0:18:23.440
<v Speaker 4>Now you get on the first tee and it's, uh.

0:18:22.880 --> 0:18:25.120
<v Speaker 1>Was do you asked? You asked? Was your was your

0:18:25.200 --> 0:18:28.040
<v Speaker 1>driver built with AI technology? Like mine? Was?

0:18:30.240 --> 0:18:34.720
<v Speaker 4>Yeah, exactly, I I know. Now you get on the

0:18:34.760 --> 0:18:39.240
<v Speaker 4>tee and and and it's just whatever brand four hundred

0:18:39.240 --> 0:18:42.000
<v Speaker 4>and sixty c C driver you've got where it was,

0:18:42.080 --> 0:18:46.199
<v Speaker 4>it was a lot more you know, started conversation, you know,

0:18:46.280 --> 0:18:51.800
<v Speaker 4>looking at somebody's McGregor or somebody's wood Brothers, and every

0:18:51.880 --> 0:18:56.040
<v Speaker 4>every driver was unique, one of a kind. So it's

0:18:56.119 --> 0:18:59.719
<v Speaker 4>a I don't know, it's not not for everybody. I'm

0:18:59.760 --> 0:19:03.639
<v Speaker 4>not trying to change anybody's mind about golf, but I

0:19:04.359 --> 0:19:08.320
<v Speaker 4>for me, it's just, uh, I don't think i'd play

0:19:08.440 --> 0:19:12.680
<v Speaker 4>if I if I if I stuck to what the

0:19:12.720 --> 0:19:14.720
<v Speaker 4>way equipment is going.

0:19:16.000 --> 0:19:18.800
<v Speaker 1>I've told a lot of people that I've played golf

0:19:18.800 --> 0:19:21.600
<v Speaker 1>with this the story this year, but we we did

0:19:21.680 --> 0:19:24.800
<v Speaker 1>a we did a Hickory tournament and it was we

0:19:24.840 --> 0:19:28.479
<v Speaker 1>played like seventy two holes of hickory golf. And I played,

0:19:28.600 --> 0:19:30.920
<v Speaker 1>you know, the day or two before it with Hickory

0:19:30.960 --> 0:19:34.280
<v Speaker 1>clubs and and it was it was awesome. It was

0:19:34.280 --> 0:19:38.280
<v Speaker 1>super fun. But you know, the Hickory clubs are heavier,

0:19:38.760 --> 0:19:42.720
<v Speaker 1>and obviously then you have the small sweet spot. And

0:19:42.880 --> 0:19:45.240
<v Speaker 1>I played a couple of days after that, I played

0:19:45.240 --> 0:19:49.040
<v Speaker 1>with modern clubs, and what I couldn't believe was I

0:19:49.119 --> 0:19:52.719
<v Speaker 1>had It was an effect. I felt like it effectively

0:19:52.880 --> 0:19:56.360
<v Speaker 1>was like speed training. I came back, I was faster

0:19:57.160 --> 0:19:59.440
<v Speaker 1>and because of the emphasis of hitting the club in

0:19:59.480 --> 0:20:02.960
<v Speaker 1>the center. I the next like two weeks, I drove

0:20:02.960 --> 0:20:05.320
<v Speaker 1>the ball better as good as I've ever driven the

0:20:05.359 --> 0:20:08.159
<v Speaker 1>ball because of like if you think about like the

0:20:08.200 --> 0:20:14.800
<v Speaker 1>mechanics of of have hitting these Percimmons or Hickory drivers, well,

0:20:15.359 --> 0:20:18.359
<v Speaker 1>like you have to you have to focus on center contact,

0:20:18.560 --> 0:20:21.480
<v Speaker 1>and then the added weight is effectively like you know,

0:20:21.520 --> 0:20:25.640
<v Speaker 1>it's like a donut in baseball right where So I think,

0:20:25.680 --> 0:20:28.320
<v Speaker 1>like when I what I'm saying this for is like

0:20:29.440 --> 0:20:33.879
<v Speaker 1>I think, like any like type of golfer, if you

0:20:34.000 --> 0:20:37.679
<v Speaker 1>play with this type of technology every once in a while,

0:20:37.840 --> 0:20:40.240
<v Speaker 1>when you come out of it, I guarantee you're going

0:20:40.280 --> 0:20:42.439
<v Speaker 1>to play better with the modern clubs because like you

0:20:42.520 --> 0:20:46.800
<v Speaker 1>are going to like the folk you you cannot take

0:20:46.840 --> 0:20:48.960
<v Speaker 1>a swing. I think, like that's the biggest thing, is

0:20:49.000 --> 0:20:52.840
<v Speaker 1>Like I think, I like can space out. I'm somebody

0:20:52.920 --> 0:20:56.080
<v Speaker 1>that has a short attention span, and modern equipment allows

0:20:56.119 --> 0:20:59.840
<v Speaker 1>me to space out, whereas retro equipment does not allow

0:20:59.880 --> 0:21:03.840
<v Speaker 1>me that opportunity. I like, I find myself more focused

0:21:03.880 --> 0:21:06.439
<v Speaker 1>over shots, and that is a good thing just to

0:21:07.040 --> 0:21:10.480
<v Speaker 1>do because when you play the modern equipment and you

0:21:10.520 --> 0:21:13.800
<v Speaker 1>bring that laser focus back, it is like you are,

0:21:13.880 --> 0:21:16.200
<v Speaker 1>you are going to play a lot better than before

0:21:16.359 --> 0:21:20.560
<v Speaker 1>playing that stuff. So I think it's it's a I

0:21:20.600 --> 0:21:24.520
<v Speaker 1>think like people do this like cross and I like,

0:21:25.080 --> 0:21:28.480
<v Speaker 1>I thoroughly this is not why I play retro clubs,

0:21:29.160 --> 0:21:32.600
<v Speaker 1>but people do cross training and all sorts of other sports,

0:21:33.560 --> 0:21:36.240
<v Speaker 1>and I think that, like one thing that nobody's really

0:21:36.280 --> 0:21:42.280
<v Speaker 1>explored is how cross training with old equipment can help

0:21:42.359 --> 0:21:45.560
<v Speaker 1>you play better golf with modern equipment. And I know

0:21:45.640 --> 0:21:47.960
<v Speaker 1>that's not why you're doing it, but it is another

0:21:48.560 --> 0:21:52.320
<v Speaker 1>avenue of appeal for the old equipment is that I

0:21:52.400 --> 0:21:55.399
<v Speaker 1>guarantee by playing like what I found after playing I

0:21:55.400 --> 0:21:57.159
<v Speaker 1>played like it probably a year and a half, two

0:21:57.240 --> 0:22:01.080
<v Speaker 1>years of personmon and blades. What I found because I

0:22:01.160 --> 0:22:04.879
<v Speaker 1>missed way more greens. My short game got way better

0:22:05.160 --> 0:22:08.119
<v Speaker 1>over two years. Right, My putting got better because I

0:22:08.160 --> 0:22:10.840
<v Speaker 1>had more lag putts because I was having longer approaches

0:22:10.840 --> 0:22:14.560
<v Speaker 1>into greens. You know, like it made me a way

0:22:14.640 --> 0:22:18.639
<v Speaker 1>more complete player by playing this equipment. And sure, like

0:22:19.040 --> 0:22:23.560
<v Speaker 1>I didn't shoot all like the lowest scores all the time,

0:22:23.600 --> 0:22:27.600
<v Speaker 1>but I knew I was improving because of what the

0:22:27.640 --> 0:22:30.280
<v Speaker 1>equipment was forcing me to get better at.

0:22:32.400 --> 0:22:35.159
<v Speaker 4>Yeah, that makes a lot of sense. I used to

0:22:35.240 --> 0:22:38.480
<v Speaker 4>coach some kids, some high school golfers trying to play

0:22:38.520 --> 0:22:41.720
<v Speaker 4>college golf, and I would give them a per Simon

0:22:41.760 --> 0:22:47.120
<v Speaker 4>would and I could see it with them. It helped

0:22:47.119 --> 0:22:50.680
<v Speaker 4>their driving. It definitely has helped my driving when I

0:22:50.680 --> 0:22:55.520
<v Speaker 4>reluctantly do play a modern driver. It just is so easy.

0:22:55.560 --> 0:23:00.720
<v Speaker 4>It's not even it doesn't even feel like off, but it,

0:23:01.040 --> 0:23:04.840
<v Speaker 4>uh yeah, it's it's it's not really why I do it,

0:23:04.880 --> 0:23:09.000
<v Speaker 4>but I agree that it can only help you know, it's, uh,

0:23:09.880 --> 0:23:15.119
<v Speaker 4>if if you're hitting wedges into every hole, you're probably

0:23:15.119 --> 0:23:20.960
<v Speaker 4>not missing many greens and you're not not really learning

0:23:21.000 --> 0:23:24.440
<v Speaker 4>how to play the game. So I it's I would

0:23:24.600 --> 0:23:27.679
<v Speaker 4>definitely recommend it, even for people that aren't interested in

0:23:27.720 --> 0:23:32.360
<v Speaker 4>it for the nostalgic reasons, to to to play them

0:23:32.359 --> 0:23:35.800
<v Speaker 4>and see what it does for your game, because it

0:23:35.880 --> 0:23:39.800
<v Speaker 4>definitely definitely makes you sharp. You can't you can't get

0:23:39.800 --> 0:23:43.359
<v Speaker 4>away with a whole lot swinging for Simmons.

0:23:44.760 --> 0:23:48.080
<v Speaker 1>So you you had a great competitive career, I think, uh,

0:23:48.880 --> 0:23:52.040
<v Speaker 1>you know, you might say, oh well, he might play

0:23:52.160 --> 0:23:55.879
<v Speaker 1>downplay it, you downplay stuff, but you you were a

0:23:55.920 --> 0:23:58.720
<v Speaker 1>four time All American at Arizona State. You played on

0:23:58.760 --> 0:24:02.920
<v Speaker 1>the Walker Cup. You made one hundred and fifty cuts

0:24:03.000 --> 0:24:04.880
<v Speaker 1>over one hundred and fifty cuts on the PGA Tour

0:24:04.880 --> 0:24:08.720
<v Speaker 1>and corn Ferry Tour. When you look back on your

0:24:08.960 --> 0:24:13.320
<v Speaker 1>your career, do you have like a singular event or

0:24:13.400 --> 0:24:19.640
<v Speaker 1>experience that stands out above all all the other ones.

0:24:20.800 --> 0:24:23.239
<v Speaker 4>Yeah, I mean definitely playing the Walker Cup was one

0:24:23.280 --> 0:24:30.159
<v Speaker 4>of the highlights, you know, representing the US, and that

0:24:30.280 --> 0:24:33.000
<v Speaker 4>definitely stands out. As far as pro golf, it all

0:24:33.080 --> 0:24:35.440
<v Speaker 4>kind of ran together. It was a way to make

0:24:35.440 --> 0:24:39.119
<v Speaker 4>a living, and it kind of kind of squeaked by,

0:24:39.320 --> 0:24:42.960
<v Speaker 4>but it was I got away from from why I

0:24:43.000 --> 0:24:46.159
<v Speaker 4>played golf, and I was just out there trying to,

0:24:47.800 --> 0:24:52.080
<v Speaker 4>you know, like make cuts and make some money, and

0:24:53.440 --> 0:24:57.880
<v Speaker 4>completely got away from from why I started playing the game.

0:24:58.000 --> 0:25:00.800
<v Speaker 4>And it's kind of why when I was I didn't

0:25:00.800 --> 0:25:02.800
<v Speaker 4>play at all, and then when I did come back

0:25:02.840 --> 0:25:06.320
<v Speaker 4>and play, I was going to do it differently with

0:25:06.840 --> 0:25:11.800
<v Speaker 4>persimmons and kind of the way the game when I

0:25:11.840 --> 0:25:13.960
<v Speaker 4>was introduced to the game, the way it was played.

0:25:14.080 --> 0:25:18.560
<v Speaker 1>So what is it about golf that you love the

0:25:18.560 --> 0:25:24.240
<v Speaker 1>most at its core? You like like the aspect of

0:25:24.280 --> 0:25:27.520
<v Speaker 1>the game that the person brings out. What is it

0:25:27.560 --> 0:25:29.600
<v Speaker 1>about golf that you fell in love with as a kid.

0:25:31.520 --> 0:25:36.479
<v Speaker 4>Yeah, I think it wasn't about the score. It was

0:25:36.520 --> 0:25:42.760
<v Speaker 4>more about just being out out in the nature and

0:25:42.880 --> 0:25:45.320
<v Speaker 4>the course, being one with the course and kind of

0:25:46.200 --> 0:25:48.480
<v Speaker 4>I mean, obviously you're trying to shoot a low score,

0:25:48.520 --> 0:25:52.159
<v Speaker 4>but it was kind of it was not in the

0:25:52.200 --> 0:25:55.919
<v Speaker 4>top five of things that I was out there for. Again,

0:25:55.960 --> 0:26:02.119
<v Speaker 4>when I turned pro, it became everything. So yeah, just

0:26:02.320 --> 0:26:06.280
<v Speaker 4>is is a you know, as much more into into

0:26:06.440 --> 0:26:08.840
<v Speaker 4>golf courses. That's That's one thing I did find when

0:26:08.880 --> 0:26:12.240
<v Speaker 4>I went from amateur to pro golf went from playing

0:26:14.400 --> 0:26:17.720
<v Speaker 4>you know, really really good golf courses to still good courses,

0:26:17.760 --> 0:26:23.639
<v Speaker 4>but not not historical. Yeah. Yeah, I mean I played

0:26:23.640 --> 0:26:29.480
<v Speaker 4>for US Amateurs and and maybe they weren't the They

0:26:29.520 --> 0:26:31.240
<v Speaker 4>were all good, but not It was kind of a

0:26:31.800 --> 0:26:34.200
<v Speaker 4>kind of a low point in in in the U

0:26:34.240 --> 0:26:39.119
<v Speaker 4>s Ams. But I the Champions Club in Houston was

0:26:39.119 --> 0:26:46.359
<v Speaker 4>was a highlight. But you know, the Honors Course, TPC Sawgrass.

0:26:46.800 --> 0:26:49.000
<v Speaker 1>Do you have Mirefield Village around then too.

0:26:49.520 --> 0:26:54.000
<v Speaker 4>Airfield Village, which, yeah, that was good, but but you know,

0:26:57.440 --> 0:27:01.280
<v Speaker 4>it was kind of an interesting stretch for for for Usam's.

0:27:01.320 --> 0:27:04.760
<v Speaker 1>But I well, it's an interesting stretch for golf architecture.

0:27:04.840 --> 0:27:09.040
<v Speaker 1>I think when you were growing up the the late

0:27:09.080 --> 0:27:12.600
<v Speaker 1>eighties early nineties is probably when you would say that

0:27:12.680 --> 0:27:16.760
<v Speaker 1>golf architecture completely had most lost its way, you know,

0:27:17.280 --> 0:27:20.600
<v Speaker 1>nineteen ninety five that you know, you're talking about like

0:27:20.840 --> 0:27:23.439
<v Speaker 1>at that point the very starts of the careers of

0:27:23.440 --> 0:27:26.679
<v Speaker 1>Tom Doe, Core and Crenshaw, these people that have brought

0:27:26.880 --> 0:27:29.360
<v Speaker 1>back that brought back a lot of the great classic

0:27:29.400 --> 0:27:33.040
<v Speaker 1>golf courses with restorations and and then also brought a

0:27:33.040 --> 0:27:38.920
<v Speaker 1>whole new era of golf design into kind of into vogue.

0:27:38.920 --> 0:27:41.080
<v Speaker 1>But that wasn't until you know, really the early two

0:27:41.119 --> 0:27:43.439
<v Speaker 1>thousands that you were on the PGA tour at that point.

0:27:44.359 --> 0:27:48.480
<v Speaker 4>Yeah, yeah, that's true. And I mean, I think Pete

0:27:48.520 --> 0:27:51.160
<v Speaker 4>Died puts a lot of a lot of thought, put

0:27:51.200 --> 0:27:54.240
<v Speaker 4>a lot of thought into his designs, and I think

0:27:54.280 --> 0:27:58.560
<v Speaker 4>he was a genius. But uh yeah, two of my

0:27:58.640 --> 0:28:04.960
<v Speaker 4>usams were Pete die course, which is okay, amazing, But

0:28:04.960 --> 0:28:10.560
<v Speaker 4>but yeah, I definitely drawn to the more classic designs,

0:28:10.640 --> 0:28:15.159
<v Speaker 4>the more subtle, subtle features.

0:28:15.480 --> 0:28:19.320
<v Speaker 1>And if I was going to give you ten rounds

0:28:19.320 --> 0:28:22.720
<v Speaker 1>of golf, how would you how would you break them out?

0:28:22.760 --> 0:28:24.640
<v Speaker 1>You could bring whoever you want, so you can bring

0:28:24.720 --> 0:28:27.840
<v Speaker 1>you know, assume you're flying private from course to course.

0:28:27.840 --> 0:28:30.760
<v Speaker 1>You got ten rounds with three of your favorite people.

0:28:31.359 --> 0:28:33.920
<v Speaker 1>How are you splitting up the ten rounds across courses?

0:28:35.600 --> 0:28:39.680
<v Speaker 4>I mean growing up in San Diego and my first

0:28:39.760 --> 0:28:42.080
<v Speaker 4>five will probably be California courses.

0:28:43.360 --> 0:28:46.160
<v Speaker 1>I live in California and one of the things I

0:28:46.200 --> 0:28:49.240
<v Speaker 1>love the most about here is the golf courses.

0:28:49.760 --> 0:28:52.200
<v Speaker 4>Yeah, no, I know, I miss I'm in Florida now.

0:28:52.240 --> 0:28:56.480
<v Speaker 4>I really miss the Polanta and how bad they get

0:28:56.520 --> 0:29:00.160
<v Speaker 4>in the afternoon and how I just I just this

0:29:00.280 --> 0:29:05.400
<v Speaker 4>that you know, I'm I'm on this Bermuda here. That's

0:29:06.160 --> 0:29:08.600
<v Speaker 4>I don't know. I'm still trying to find courses that

0:29:08.680 --> 0:29:12.360
<v Speaker 4>inspire me out here. But I would you know, Cypress, Pebble.

0:29:16.080 --> 0:29:20.520
<v Speaker 1>Gosh, you could do multiple, multiple rounds courses too. This

0:29:20.560 --> 0:29:22.840
<v Speaker 1>doesn't have to be ten. So you could say I'm

0:29:22.840 --> 0:29:26.120
<v Speaker 1>gonna play five at Cypress and I you know, but

0:29:26.360 --> 0:29:28.520
<v Speaker 1>you can. You can break up to your ten however

0:29:28.560 --> 0:29:31.360
<v Speaker 1>you want. I saw your your your Walker Cup was

0:29:31.400 --> 0:29:34.080
<v Speaker 1>supposed to be at Chicago Golf and it got canceled.

0:29:34.760 --> 0:29:40.840
<v Speaker 4>Yeah, bad break, Yeah exactly. I mean, interlocking was good.

0:29:41.000 --> 0:29:42.480
<v Speaker 1>It was Interlock, it's great.

0:29:42.840 --> 0:29:46.360
<v Speaker 4>But yeah, Chicago Golf and I was able to finally

0:29:46.400 --> 0:29:49.080
<v Speaker 4>play out there a few years ago for the first time,

0:29:49.160 --> 0:29:53.160
<v Speaker 4>and yeah, that would have been fun. And I love

0:29:53.480 --> 0:29:57.840
<v Speaker 4>Seth Rayner and but yeah, Interlock in a lot of

0:29:57.960 --> 0:30:05.440
<v Speaker 4>history there with Bobby Jones and but yeah that Yeah,

0:30:05.960 --> 0:30:09.080
<v Speaker 4>going back to the courses i'd play, I recently played

0:30:09.360 --> 0:30:12.760
<v Speaker 4>Pine Valley a friend of mine as a member and

0:30:13.040 --> 0:30:15.400
<v Speaker 4>finally got to play out there. That that is an

0:30:16.520 --> 0:30:20.480
<v Speaker 4>amazing place. I wasn't It wasn't what I expected. I

0:30:20.520 --> 0:30:23.760
<v Speaker 4>thought it was just going to be really impossible, and

0:30:25.320 --> 0:30:29.880
<v Speaker 4>which it kind of was. But I it's pretty fair,

0:30:30.040 --> 0:30:33.640
<v Speaker 4>you know, It's it's there. You can't lose a ball

0:30:33.640 --> 0:30:35.560
<v Speaker 4>out there. It's pretty hard to lose a ball, which

0:30:36.200 --> 0:30:39.840
<v Speaker 4>I expected it to be different, but they've they've got

0:30:39.840 --> 0:30:41.720
<v Speaker 4>it trimmed up pretty good where you're not going to

0:30:41.800 --> 0:30:45.400
<v Speaker 4>lose a ball and it's either hit good shots so

0:30:45.480 --> 0:30:49.720
<v Speaker 4>you don't and it's it's relentless. But I definitely definitely

0:30:49.760 --> 0:30:50.720
<v Speaker 4>want to play out there.

0:30:51.360 --> 0:30:53.440
<v Speaker 1>I think one of the interesting things about that that

0:30:53.560 --> 0:30:56.800
<v Speaker 1>golf course is like way better with Persimmon than modern.

0:30:57.840 --> 0:31:01.080
<v Speaker 4>Yeah, the first day we play, I played all the

0:31:01.080 --> 0:31:04.240
<v Speaker 4>way back, which I don't know the yardage and I

0:31:04.240 --> 0:31:06.640
<v Speaker 4>don't know if those teas were there back back in

0:31:06.680 --> 0:31:08.760
<v Speaker 4>the day or not. But it was a little bit

0:31:08.800 --> 0:31:11.760
<v Speaker 4>of a stretch. But the second day we played one

0:31:11.840 --> 0:31:16.560
<v Speaker 4>tee up and it was just perfect with percent and

0:31:16.600 --> 0:31:21.240
<v Speaker 4>being able to work it off the tee and so yeah,

0:31:21.280 --> 0:31:24.160
<v Speaker 4>that that was. That was a fun, fun couple of days.

0:31:24.520 --> 0:31:27.040
<v Speaker 4>As far as East Coast courses, that would probably be

0:31:27.080 --> 0:31:31.280
<v Speaker 4>my favorite. But yeah, I'd rather I could just go

0:31:31.400 --> 0:31:35.120
<v Speaker 4>up the California coast, you know, you could.

0:31:35.080 --> 0:31:37.240
<v Speaker 1>You could do you know, like if you just did

0:31:37.280 --> 0:31:43.600
<v Speaker 1>California and you did you know, l a CC, Valley Club, Cyprus,

0:31:44.400 --> 0:31:48.400
<v Speaker 1>San Francisco, Like in cal Club, it looks pretty you

0:31:48.440 --> 0:31:50.360
<v Speaker 1>could do two in each of those five. I mean,

0:31:50.480 --> 0:31:54.400
<v Speaker 1>you haven't even talked about Riviero bel Air. I mean

0:31:54.440 --> 0:31:56.880
<v Speaker 1>it's like it's kind of crazy, like how in how

0:31:56.920 --> 0:31:59.800
<v Speaker 1>different and unique all those courses are from each other.

0:32:00.120 --> 0:32:03.320
<v Speaker 4>You know, Yeah, that's that's the beauty of California. You

0:32:03.360 --> 0:32:08.520
<v Speaker 4>got everything, you know, every every kind of weather, every topography,

0:32:08.680 --> 0:32:12.520
<v Speaker 4>and yeah, the golf in California is it's what I

0:32:12.560 --> 0:32:16.640
<v Speaker 4>grew up on and so I definitely miss it. I

0:32:16.680 --> 0:32:18.720
<v Speaker 4>was able to go out there a couple of times

0:32:18.720 --> 0:32:22.360
<v Speaker 4>this year and play and play some of those courses again.

0:32:22.480 --> 0:32:27.200
<v Speaker 4>But it, yeah, I could. Yeah, you never get bored

0:32:27.240 --> 0:32:28.960
<v Speaker 4>playing golf in California.

0:32:30.800 --> 0:32:34.760
<v Speaker 1>You played with Phil Mickelson in college. I believe you're

0:32:34.800 --> 0:32:38.720
<v Speaker 1>a brief roommate of Phil. Do you have a favorite

0:32:38.760 --> 0:32:42.480
<v Speaker 1>story from or tale of Phil from his from his

0:32:42.560 --> 0:32:44.920
<v Speaker 1>early years.

0:32:45.720 --> 0:32:51.200
<v Speaker 4>I mean, I can't think of a specific story, but

0:32:51.640 --> 0:32:56.280
<v Speaker 4>he was just you could tell he was going to

0:32:56.360 --> 0:32:59.600
<v Speaker 4>do something great just being around him. His confidence and

0:32:59.640 --> 0:33:05.960
<v Speaker 4>his Yeah, there's just something different there that and he

0:33:06.080 --> 0:33:11.120
<v Speaker 4>was always very good to me. He he made my

0:33:11.200 --> 0:33:13.880
<v Speaker 4>game better. I played played a lot with him and

0:33:14.560 --> 0:33:18.840
<v Speaker 4>tried to compete with him, and and that that really,

0:33:20.680 --> 0:33:22.880
<v Speaker 4>you know, did a lot for my game, my short

0:33:22.920 --> 0:33:27.240
<v Speaker 4>game especially. I just I realized just how good people

0:33:27.320 --> 0:33:30.240
<v Speaker 4>can be putting and chipping. I mean, I'd never seen

0:33:30.280 --> 0:33:35.280
<v Speaker 4>anything like it, So, yeah, it was it was a positive.

0:33:35.280 --> 0:33:37.200
<v Speaker 4>I think it was just one year that that I

0:33:37.240 --> 0:33:42.800
<v Speaker 4>played with him, but he yeah, he I mean, it's

0:33:42.880 --> 0:33:46.160
<v Speaker 4>it's kind of a shame to see he's kind of

0:33:47.200 --> 0:33:50.120
<v Speaker 4>I was hoping to watch him play some Champions Tour stuff,

0:33:50.160 --> 0:33:55.680
<v Speaker 4>and I don't haven't seen much live stuff. But it's

0:33:56.760 --> 0:33:59.280
<v Speaker 4>I was hoping he was gonna play more PG tour

0:33:59.360 --> 0:34:03.600
<v Speaker 4>stuff for a while. He's you know, winning the PGA

0:34:03.680 --> 0:34:06.400
<v Speaker 4>at fifty. He still still was competitive.

0:34:06.560 --> 0:34:10.880
<v Speaker 1>So but yeah, I think I was at that PGA,

0:34:11.719 --> 0:34:15.720
<v Speaker 1>and I think that I think because of like what's

0:34:15.760 --> 0:34:19.200
<v Speaker 1>happened over the last couple of years, that gets a

0:34:19.239 --> 0:34:24.200
<v Speaker 1>little bit overshadowed and not talked about as like truly

0:34:24.320 --> 0:34:27.960
<v Speaker 1>one of the great sporting moments of the last like

0:34:29.040 --> 0:34:32.719
<v Speaker 1>I mean, maybe one of the greatest sporting moments of

0:34:32.760 --> 0:34:35.920
<v Speaker 1>like in the history of sports was that win. It

0:34:36.000 --> 0:34:40.200
<v Speaker 1>was un I mean, he he had no form and

0:34:40.239 --> 0:34:43.560
<v Speaker 1>then like to take down Brooks Kopka, who at the

0:34:43.640 --> 0:34:48.640
<v Speaker 1>time was like the pre eminent major championship player and

0:34:48.800 --> 0:34:53.480
<v Speaker 1>like completely like kind of like I it was walking

0:34:53.520 --> 0:34:57.120
<v Speaker 1>inside the ropes that day. I was. I mean, it

0:34:57.160 --> 0:34:59.200
<v Speaker 1>felt like he just like played a game on him,

0:34:59.280 --> 0:35:02.560
<v Speaker 1>like he he he like kind of got him mentally,

0:35:02.800 --> 0:35:06.319
<v Speaker 1>you know, he slow played him and kind of I

0:35:06.320 --> 0:35:10.120
<v Speaker 1>think he drove him nuts. And part of how Kopka

0:35:10.200 --> 0:35:13.800
<v Speaker 1>kind of folded was that he was frustrated with Phil

0:35:14.160 --> 0:35:16.400
<v Speaker 1>and how slow he was playing, Like it was like

0:35:16.480 --> 0:35:17.719
<v Speaker 1>he was hustling him.

0:35:18.480 --> 0:35:21.279
<v Speaker 4>Yeah, yeah, he. I mean I saw a lot of that,

0:35:21.920 --> 0:35:24.480
<v Speaker 4>you know, playing playing money games with him in college,

0:35:24.560 --> 0:35:29.279
<v Speaker 4>and yeah, he just he's just such a competitor and

0:35:30.040 --> 0:35:33.879
<v Speaker 4>he'll find a way to win. He it won, went

0:35:33.960 --> 0:35:39.359
<v Speaker 4>forty five times on the PGA Tour. That's during the

0:35:39.400 --> 0:35:42.520
<v Speaker 4>Tiger era too, so it would have been sixty probably

0:35:42.600 --> 0:35:47.640
<v Speaker 4>at least if Tiger wasn't around. So he, Yeah, just

0:35:47.840 --> 0:35:52.480
<v Speaker 4>an amazing player. I've still probably never seen any I

0:35:52.520 --> 0:35:56.320
<v Speaker 4>played a little with Tiger kind of before he took off,

0:35:56.440 --> 0:36:05.560
<v Speaker 4>but Phil was is is his game is it's different

0:36:05.600 --> 0:36:11.560
<v Speaker 4>than anything I've ever seen before or or since. You know. Again,

0:36:11.600 --> 0:36:15.239
<v Speaker 4>it's kind of a shame that he's kind of you know,

0:36:15.800 --> 0:36:19.040
<v Speaker 4>we don't get to see him play anymore. But he's

0:36:19.480 --> 0:36:20.880
<v Speaker 4>an amazing player.

0:36:24.120 --> 0:36:28.840
<v Speaker 1>Your kids are competitive surfers, which I read. You know,

0:36:28.920 --> 0:36:31.399
<v Speaker 1>you grew up surfing and and then you've gotten back

0:36:31.400 --> 0:36:36.520
<v Speaker 1>into surfing because of that. What what is it about

0:36:36.520 --> 0:36:39.120
<v Speaker 1>surfing that appeals to you? And do you think there's

0:36:39.200 --> 0:36:43.560
<v Speaker 1>any any bit of golf? Uh? And and some of

0:36:43.600 --> 0:36:47.520
<v Speaker 1>the aspects of golf that that that surfing shares.

0:36:49.200 --> 0:36:52.640
<v Speaker 4>Yeah, I think they're both pretty solitary sports. You know,

0:36:52.719 --> 0:36:54.600
<v Speaker 4>you're kind of kind of out on your own, whether

0:36:54.600 --> 0:36:56.920
<v Speaker 4>you're on the golf course or or in the water.

0:36:57.120 --> 0:36:59.839
<v Speaker 4>So I do. I do like that where it's it's

0:36:59.840 --> 0:37:02.640
<v Speaker 4>all on you, you know, there's no no team to

0:37:02.760 --> 0:37:09.400
<v Speaker 4>bail you out. So it's I like that aspect. And

0:37:09.560 --> 0:37:14.440
<v Speaker 4>physically it's definitely different. But a golf swing is a

0:37:14.440 --> 0:37:18.800
<v Speaker 4>pretty explosive move, and so is surfing. You know, popping

0:37:18.880 --> 0:37:21.920
<v Speaker 4>up on your board and making turns, it's pretty pretty

0:37:21.920 --> 0:37:26.960
<v Speaker 4>explosive moves. So they're they're they're similar in that way.

0:37:28.760 --> 0:37:34.759
<v Speaker 4>But yeah, definitely a different, different, different culture. They're very

0:37:34.800 --> 0:37:39.960
<v Speaker 4>different cultures. But I love the taking the kids to

0:37:40.040 --> 0:37:42.440
<v Speaker 4>surf contests, a lot of a lot of good people,

0:37:42.520 --> 0:37:48.680
<v Speaker 4>and it's definitely different than than the what I remember

0:37:48.680 --> 0:37:50.960
<v Speaker 4>growing up playing playing golf turn and.

0:37:52.080 --> 0:37:55.800
<v Speaker 1>The competitive surce it's a little different than the competitive

0:37:55.840 --> 0:37:56.440
<v Speaker 1>golf scene.

0:37:57.120 --> 0:38:03.480
<v Speaker 4>Yeah, it's I mean, there's definitely some with the judging. It's, uh,

0:38:03.600 --> 0:38:06.400
<v Speaker 4>there's a lot of you know, with with with golf,

0:38:06.400 --> 0:38:09.000
<v Speaker 4>you either shoot the number you don't. With surfing, it's

0:38:09.160 --> 0:38:15.640
<v Speaker 4>there's unfortunately more more things that play into your results

0:38:15.640 --> 0:38:18.080
<v Speaker 4>than your actual surfing. But it's I mean, it's hard.

0:38:18.120 --> 0:38:22.120
<v Speaker 4>I I don't envy the judges that have to judge surfing.

0:38:22.200 --> 0:38:26.279
<v Speaker 4>It's uh so that that part I'm not a huge

0:38:26.320 --> 0:38:31.080
<v Speaker 4>fan of. But I love golf. It's it's all on

0:38:31.120 --> 0:38:33.880
<v Speaker 4>you and you either shoot the number you don't.

0:38:35.160 --> 0:38:38.560
<v Speaker 1>What's one bucketless place that you want to surf and

0:38:38.600 --> 0:38:42.120
<v Speaker 1>what's one golf course that you haven't played that you

0:38:42.120 --> 0:38:43.200
<v Speaker 1>you really want to see.

0:38:45.239 --> 0:38:48.840
<v Speaker 4>My son recently went to Nicaragua and I've seen pictures

0:38:49.600 --> 0:38:56.360
<v Speaker 4>that that looked like a like ideal ideal surf spot,

0:38:56.640 --> 0:38:58.960
<v Speaker 4>so that would probably be my my place I'd want

0:38:59.000 --> 0:39:01.360
<v Speaker 4>to go to surf. I've actually never been on a

0:39:01.400 --> 0:39:04.800
<v Speaker 4>surf trip. I just surf at home with the kids,

0:39:04.840 --> 0:39:07.640
<v Speaker 4>and so that that would be uh, I'd love to do.

0:39:07.760 --> 0:39:11.840
<v Speaker 4>That's at some point. I've never played golf in Ireland.

0:39:12.239 --> 0:39:16.520
<v Speaker 4>I played some in Scotland and I would probably I'd

0:39:16.560 --> 0:39:21.680
<v Speaker 4>love to play some of those those courses in Ireland.

0:39:21.800 --> 0:39:24.440
<v Speaker 4>So no of course in particular, but.

0:39:24.560 --> 0:39:30.640
<v Speaker 1>Just the surf culture in Ireland like pretty good.

0:39:31.239 --> 0:39:33.319
<v Speaker 4>That's that's what I hear. So yeah, it could be

0:39:33.960 --> 0:39:35.000
<v Speaker 4>combined for sure.

0:39:36.719 --> 0:39:39.120
<v Speaker 1>I know like La Hinch is like a huge surf town.

0:39:39.400 --> 0:39:42.320
<v Speaker 1>When we were I was in Northern Ireland this spring

0:39:43.120 --> 0:39:47.239
<v Speaker 1>and Port Rush is like a huge surf town. So

0:39:47.640 --> 0:39:50.560
<v Speaker 1>you like go out there and it's like you're on

0:39:50.760 --> 0:39:53.440
<v Speaker 1>Royal Port Rush and you're playing and then there's people

0:39:53.800 --> 0:39:56.319
<v Speaker 1>when you look down the dune, there's people surfing. You

0:39:56.320 --> 0:39:59.040
<v Speaker 1>could do you could surf and play world class golf

0:39:59.080 --> 0:40:01.560
<v Speaker 1>like all the way up in down the Irish coast.

0:40:01.880 --> 0:40:04.360
<v Speaker 4>Yeah, I didn't didn't think of that, but I have

0:40:04.800 --> 0:40:09.440
<v Speaker 4>heard that. I read that book, that Ireland book. I

0:40:09.480 --> 0:40:12.920
<v Speaker 4>forgot what it's called, but where he walks around Ireland.

0:40:12.520 --> 0:40:15.960
<v Speaker 1>But of course called Ireland. Yeah, yeah, Tom Coins book.

0:40:16.400 --> 0:40:23.279
<v Speaker 4>Right, So yeah, here about about the surf spots there.

0:40:23.320 --> 0:40:25.800
<v Speaker 4>So yeah, that would be an ideal spot for sure.

0:40:26.400 --> 0:40:29.399
<v Speaker 1>Yeah, there was a when I was over there, we

0:40:29.400 --> 0:40:33.160
<v Speaker 1>were I mean, it's like a pretty cool culture, like

0:40:33.200 --> 0:40:38.680
<v Speaker 1>the surf there's I mean, it seems like pretty popular.

0:40:39.200 --> 0:40:42.600
<v Speaker 1>My my sister in law the last few years has

0:40:42.640 --> 0:40:46.440
<v Speaker 1>been just she's basically just taught yoga at surf camps

0:40:46.640 --> 0:40:48.920
<v Speaker 1>all around the world, and one of them she taught

0:40:49.400 --> 0:40:52.839
<v Speaker 1>yoga at was in Ireland. Now she's in Nicaragua at

0:40:52.880 --> 0:40:57.600
<v Speaker 1>a surf camp there. But you know, she she's able

0:40:57.640 --> 0:41:00.400
<v Speaker 1>to teach yoga and then go surfing every day good.

0:41:00.280 --> 0:41:03.960
<v Speaker 4>Life sounds pretty good there.

0:41:04.320 --> 0:41:08.680
<v Speaker 1>But the uh, the when I was in I there

0:41:08.719 --> 0:41:11.359
<v Speaker 1>was this great map I wish I think I might

0:41:11.400 --> 0:41:13.200
<v Speaker 1>have taken a picture on my phone. I'll have to

0:41:13.239 --> 0:41:15.319
<v Speaker 1>try and find it. But there's this great map that

0:41:15.800 --> 0:41:18.800
<v Speaker 1>like showed all like the surf spots along the coast

0:41:18.800 --> 0:41:20.879
<v Speaker 1>and it was really cool. You could kind of layer

0:41:20.960 --> 0:41:25.960
<v Speaker 1>it up. That'd be a great all time huh golf

0:41:26.160 --> 0:41:30.360
<v Speaker 1>surf trip. But your your oversized luggage would be tough. Yeah,

0:41:31.760 --> 0:41:32.279
<v Speaker 1>a lot of it.

0:41:32.760 --> 0:41:35.440
<v Speaker 4>That's a lot of luggage for sure. But yeah, it

0:41:35.480 --> 0:41:37.440
<v Speaker 4>sounds like it'd be worth it for sure.

0:41:38.080 --> 0:41:42.200
<v Speaker 1>Yeah, for people interested in in in buying your clubs,

0:41:42.239 --> 0:41:43.160
<v Speaker 1>how do they do that?

0:41:45.920 --> 0:41:49.680
<v Speaker 4>Yeah, I mean I've I've started a partnership with Power

0:41:49.719 --> 0:41:53.279
<v Speaker 4>Built Golf, which I'm really excited about. So they I

0:41:53.400 --> 0:41:57.840
<v Speaker 4>make woods for them and they put them on their website.

0:41:57.920 --> 0:42:00.279
<v Speaker 4>So Power Built Golf is a good good place to

0:42:00.800 --> 0:42:05.160
<v Speaker 4>look for him. I do occasionally do some some custom

0:42:06.120 --> 0:42:11.759
<v Speaker 4>stuff still, but yeah, I just top Dempsey dot com.

0:42:12.760 --> 0:42:15.120
<v Speaker 4>But but yeah, the Power Built thing, you know, that's

0:42:15.160 --> 0:42:20.600
<v Speaker 4>a a classic company that was big in the in

0:42:20.680 --> 0:42:23.680
<v Speaker 4>the eighties when I started playing golf, and so it's

0:42:23.840 --> 0:42:26.360
<v Speaker 4>kind of a dream to be working with a company

0:42:26.480 --> 0:42:29.560
<v Speaker 4>like that and making woods for them.

0:42:30.840 --> 0:42:32.120
<v Speaker 1>Irons look awesome too.

0:42:33.040 --> 0:42:37.280
<v Speaker 4>Yeah, they're doing doing just real simple forged blades and

0:42:37.960 --> 0:42:41.920
<v Speaker 4>great potters. I'm doing some putters for them to Persimon Potters,

0:42:41.920 --> 0:42:45.760
<v Speaker 4>which I'm excited about. But they're just doing like a

0:42:45.800 --> 0:42:49.400
<v Speaker 4>classic eighty EO two that looks looks so good, just

0:42:49.440 --> 0:42:54.200
<v Speaker 4>the right amount of offset. And Paul bow and Travis

0:42:54.239 --> 0:42:59.839
<v Speaker 4>Henderson there at David Martin at power Build are great

0:43:00.040 --> 0:43:04.080
<v Speaker 4>guys that are that are really doing some exciting stuff,

0:43:04.120 --> 0:43:08.400
<v Speaker 4>getting getting back to the to the classic roots of

0:43:08.440 --> 0:43:09.040
<v Speaker 4>the company.

0:43:11.520 --> 0:43:14.879
<v Speaker 1>I feel like, you know, when we talk about all

0:43:14.920 --> 0:43:18.800
<v Speaker 1>the things like pros pro should have to play blade irons,

0:43:20.440 --> 0:43:25.120
<v Speaker 1>you know, like now that they've gotten into this cavvyback stuff,

0:43:25.360 --> 0:43:28.319
<v Speaker 1>and it's just like, why can't the best players in

0:43:28.320 --> 0:43:29.800
<v Speaker 1>the world play play blades?

0:43:30.080 --> 0:43:33.799
<v Speaker 4>You know? Yeah, I mean I agree. And now you're

0:43:33.840 --> 0:43:37.920
<v Speaker 4>seeing tour players with their highest iron is a is

0:43:37.960 --> 0:43:41.880
<v Speaker 4>a five iron. You know, I got got hybrid four irons,

0:43:41.920 --> 0:43:48.560
<v Speaker 4>three irons. It's uh yeah, I I I don't understand

0:43:48.640 --> 0:43:50.680
<v Speaker 4>it because I I can't hit a hybrid to save

0:43:50.760 --> 0:43:53.719
<v Speaker 4>my life. Guys, they'll have three hybrid I mean tour

0:43:53.719 --> 0:43:57.840
<v Speaker 4>players three hybrids in their bags, and I don't know,

0:43:57.880 --> 0:44:04.560
<v Speaker 4>they're obviously doing better than me, but they I agree

0:44:04.600 --> 0:44:08.200
<v Speaker 4>that it's I just think that the game would be

0:44:08.200 --> 0:44:12.200
<v Speaker 4>better if people played played equipment that that golf courses

0:44:12.239 --> 0:44:19.000
<v Speaker 4>were designed for. And yeah, keeping as much much of

0:44:19.040 --> 0:44:24.359
<v Speaker 4>the you know, like you know, people get better by

0:44:24.520 --> 0:44:28.120
<v Speaker 4>by improving their their their swinging and there and they're

0:44:28.280 --> 0:44:32.160
<v Speaker 4>putting stroke and not not with a new a new

0:44:32.440 --> 0:44:37.560
<v Speaker 4>piece of equipment that's that the scientists devised, you know.

0:44:37.640 --> 0:44:41.319
<v Speaker 4>I just it's that when I grew up, it was

0:44:41.400 --> 0:44:43.160
<v Speaker 4>just it was all on you. You know, there's no

0:44:43.680 --> 0:44:47.440
<v Speaker 4>there wasn't this seemingly endless search to find the club

0:44:47.480 --> 0:44:53.200
<v Speaker 4>that will basically swing for you. And so yeah, it's

0:44:53.239 --> 0:44:57.120
<v Speaker 4>just I guess it's just the things change and and

0:44:58.160 --> 0:45:01.040
<v Speaker 4>maybe others are better and adapting to the change in me,

0:45:01.200 --> 0:45:03.760
<v Speaker 4>but I'm just gonna keep doing what I'm doing.

0:45:05.120 --> 0:45:09.320
<v Speaker 1>What you just described reminds me of just standing over

0:45:09.760 --> 0:45:13.880
<v Speaker 1>a long iron shot with a with a old school blade,

0:45:14.680 --> 0:45:17.160
<v Speaker 1>where you're just standing over and all and it's you know,

0:45:17.239 --> 0:45:20.480
<v Speaker 1>maybe there's a lot of trouble around the green and

0:45:20.520 --> 0:45:22.960
<v Speaker 1>all you're thinking about is like you just got to

0:45:23.000 --> 0:45:25.560
<v Speaker 1>put a really good move on this one, you know,

0:45:26.239 --> 0:45:30.000
<v Speaker 1>and having that that that's what you feel right before

0:45:30.000 --> 0:45:32.880
<v Speaker 1>you pull the trigger, is like, just make sure you

0:45:33.000 --> 0:45:35.200
<v Speaker 1>make sure you move your body well you.

0:45:35.200 --> 0:45:39.680
<v Speaker 4>Know, Yeah, yeah exactly. It's uh, there's you're definitely on

0:45:39.719 --> 0:45:41.640
<v Speaker 4>your own in that situation.

0:45:41.880 --> 0:45:45.600
<v Speaker 1>And that's the that's the beauty of golf, right there

0:45:45.840 --> 0:45:48.480
<v Speaker 1>is that feeling where it's like, am I going to

0:45:48.560 --> 0:45:51.640
<v Speaker 1>pull this off? Am I? I'm in this moment. It's

0:45:51.680 --> 0:45:55.480
<v Speaker 1>a it's an extraordinarily difficult situation, and we're going to

0:45:55.520 --> 0:45:57.600
<v Speaker 1>see if we pull it off, if we're going to

0:45:57.640 --> 0:45:59.480
<v Speaker 1>be able to do it. And when you do it,

0:46:00.120 --> 0:46:02.360
<v Speaker 1>there's nothing better, nothing feels better.

0:46:03.440 --> 0:46:07.400
<v Speaker 4>Yeah, yeah, exactly. I know. Now you're looking at a hybrid.

0:46:07.440 --> 0:46:10.560
<v Speaker 4>It's a whole different, different shot. You can hit it

0:46:10.719 --> 0:46:13.279
<v Speaker 4>anywhere on the face and it's going to get up

0:46:13.320 --> 0:46:17.239
<v Speaker 4>there somewhere. But I I never never have been able

0:46:17.239 --> 0:46:21.319
<v Speaker 4>to hit them. They go and I go left. Yeah,

0:46:21.520 --> 0:46:23.919
<v Speaker 4>that's that's my tendency too.

0:46:25.120 --> 0:46:28.000
<v Speaker 1>I just like and now like I look at them

0:46:28.160 --> 0:46:31.360
<v Speaker 1>and they're clothes and I'm and they look close to me,

0:46:31.560 --> 0:46:35.399
<v Speaker 1>and I just it's I don't like them at all.

0:46:35.719 --> 0:46:38.680
<v Speaker 1>I like the driving iron, the modern driving irons. They're

0:46:39.600 --> 0:46:43.080
<v Speaker 1>basically the same thing, but they make those things are

0:46:43.600 --> 0:46:45.279
<v Speaker 1>set up and look way better to me.

0:46:45.400 --> 0:46:48.120
<v Speaker 4>Yeah, but I definitely I agree, But those those are

0:46:48.280 --> 0:46:53.840
<v Speaker 4>hollow heads they yeah, trampoline effect that that. Yeah, that's

0:46:53.920 --> 0:46:57.279
<v Speaker 4>been a huge you know, guys are hitting those two

0:46:57.400 --> 0:47:02.400
<v Speaker 4>eighty three hundred and what a difference. You know, if

0:47:02.440 --> 0:47:05.800
<v Speaker 4>you can get it just changes the game so much.

0:47:05.880 --> 0:47:08.360
<v Speaker 4>But yeah, I agree, they at least look kind of

0:47:08.440 --> 0:47:10.440
<v Speaker 4>like golf clubs.

0:47:10.880 --> 0:47:13.839
<v Speaker 1>Yeah. All right, well Todd, thanks so much for coming on,

0:47:14.080 --> 0:47:16.880
<v Speaker 1>and it was great chatting with you, and look forward

0:47:16.920 --> 0:47:19.560
<v Speaker 1>to seeing Babell. We'll play for simon one day.

0:47:20.080 --> 0:47:21.440
<v Speaker 4>That was good. Thanks Andy.

0:47:30.480 --> 0:47:33.479
<v Speaker 1>All right, before we get to Chris Millard, let's talk

0:47:33.520 --> 0:47:36.160
<v Speaker 1>about our friends at good Walk Coffee. You probably have

0:47:36.200 --> 0:47:41.239
<v Speaker 1>heard about good Walk through this podcast. We partner with

0:47:41.480 --> 0:47:44.879
<v Speaker 1>good Walk Coffee. We make our own blend. I am

0:47:45.040 --> 0:47:49.680
<v Speaker 1>like a fried Egg coffee blend attic. I recently ran out.

0:47:49.800 --> 0:47:52.080
<v Speaker 1>I had to get a coffee I used to drink

0:47:52.200 --> 0:47:55.960
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0:47:56.000 --> 0:48:00.440
<v Speaker 1>got my monthly shipment yesterday, so I'm back on the

0:48:00.440 --> 0:48:04.720
<v Speaker 1>fried Egg blend. You can buy our coffee at Goodwocoffee

0:48:04.760 --> 0:48:07.319
<v Speaker 1>dot com or on our website. But one of the

0:48:07.360 --> 0:48:10.120
<v Speaker 1>things we did we did this fun holiday box with

0:48:10.680 --> 0:48:13.960
<v Speaker 1>Goodwalk Coffee. We have a holiday blend in it. It

0:48:14.080 --> 0:48:18.440
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0:48:18.480 --> 0:48:22.040
<v Speaker 1>that farm, our women is a woman owned farm, so

0:48:22.080 --> 0:48:25.319
<v Speaker 1>we have a Peruvian blend that's a holiday blend in

0:48:25.440 --> 0:48:30.000
<v Speaker 1>this box. You also have a shotgun Start headcover for

0:48:30.120 --> 0:48:33.680
<v Speaker 1>our other podcasts, a shotgun Start headcover with producer of

0:48:33.719 --> 0:48:39.240
<v Speaker 1>this podcast, PJ on it, and as well as a tumbler,

0:48:39.840 --> 0:48:43.239
<v Speaker 1>a nice little tumbler. I use it to walk around

0:48:43.280 --> 0:48:45.759
<v Speaker 1>the block when I might have an adult beverage, when

0:48:45.760 --> 0:48:49.600
<v Speaker 1>I'm walking the dog, or in the morning when I

0:48:49.640 --> 0:48:52.520
<v Speaker 1>have a cup of coffee. It's a great little tumbler.

0:48:52.880 --> 0:48:56.320
<v Speaker 1>So you can buy our holiday box on our website

0:48:56.360 --> 0:49:01.799
<v Speaker 1>at proshop dot thefridagg dot com. Check out Goodwalk Coffee.

0:49:01.840 --> 0:49:06.440
<v Speaker 1>They are a great partner. Really love their coffee. Can't

0:49:06.480 --> 0:49:09.040
<v Speaker 1>recommend it enough. It is also like a great gift.

0:49:09.400 --> 0:49:12.319
<v Speaker 1>People love coffee. The holiday box is a great gift,

0:49:12.320 --> 0:49:16.120
<v Speaker 1>but the coffee is also a great gift. So thanks

0:49:16.160 --> 0:49:19.120
<v Speaker 1>good Walk and let's get over to Chris Millard to

0:49:19.160 --> 0:49:21.160
<v Speaker 1>talk about Pebble Beach in his new book.

0:49:29.560 --> 0:49:32.160
<v Speaker 3>I am here with Chris Millard, the author of a

0:49:32.200 --> 0:49:36.960
<v Speaker 3>new book called The Shot, Watson, Nicholas, Pebble Beach and

0:49:37.000 --> 0:49:40.640
<v Speaker 3>the Chip That Changed Everything. It was published by Back

0:49:40.760 --> 0:49:44.240
<v Speaker 3>nine Press. It's available for pre order now, I believe

0:49:44.280 --> 0:49:48.080
<v Speaker 3>in shipping sometime in mid December. Chris, welcome back to

0:49:48.120 --> 0:49:48.480
<v Speaker 3>the show.

0:49:48.800 --> 0:49:50.520
<v Speaker 2>Great to be with you, Garrett, Thanks for having me.

0:49:51.520 --> 0:49:55.840
<v Speaker 3>So your book is kind of centered around this shot

0:49:56.000 --> 0:49:59.600
<v Speaker 3>by Tom Watson in the nineteen eighty two US Open,

0:49:59.800 --> 0:50:03.080
<v Speaker 3>the famous chip in that everybody knows, but I thought

0:50:03.080 --> 0:50:05.800
<v Speaker 3>we would take this book as a kind of excuse

0:50:05.880 --> 0:50:09.560
<v Speaker 3>to dig into Pebble Beach's history a bit. A significant

0:50:09.600 --> 0:50:11.680
<v Speaker 3>portion of the book is about that. It kind of

0:50:11.760 --> 0:50:15.839
<v Speaker 3>doubles as a history of Pebble Beach as well as

0:50:15.880 --> 0:50:20.480
<v Speaker 3>a history of this one shot. So let's talk about Pebble.

0:50:20.520 --> 0:50:23.440
<v Speaker 3>What was your first experience out there? When did you

0:50:23.480 --> 0:50:24.280
<v Speaker 3>first see the course?

0:50:24.680 --> 0:50:26.800
<v Speaker 2>Well, the first time I ever saw the golf course

0:50:26.920 --> 0:50:30.120
<v Speaker 2>was probably in the early nineties when I was working

0:50:30.120 --> 0:50:34.759
<v Speaker 2>for Golf World magazine and I was out there to

0:50:34.800 --> 0:50:37.680
<v Speaker 2>cover something and I thought, you know what, I'm out near.

0:50:37.960 --> 0:50:41.120
<v Speaker 2>I'm in the general area. I can't be even in

0:50:41.160 --> 0:50:44.480
<v Speaker 2>California without finding my way down to Pebble, so I

0:50:44.560 --> 0:50:47.520
<v Speaker 2>just kind of wandered down there. I remember driving by

0:50:48.480 --> 0:50:51.360
<v Speaker 2>fifteen t at Cyprus and thinking, oh my gosh, I

0:50:51.360 --> 0:50:54.479
<v Speaker 2>can't believe I'm here, and then follow seventeen mile drive

0:50:54.560 --> 0:50:58.680
<v Speaker 2>down and so my first sighting of the whole place

0:50:58.800 --> 0:51:01.319
<v Speaker 2>was really I wasn't playing. I was just trying to

0:51:01.360 --> 0:51:04.719
<v Speaker 2>soak it in. So it was a visual treat for me,

0:51:04.800 --> 0:51:06.480
<v Speaker 2>and that was probably in the early nineties.

0:51:07.200 --> 0:51:10.400
<v Speaker 3>It's very easy to see the courses when you're in

0:51:11.880 --> 0:51:13.200
<v Speaker 3>you can just kind of drive by them.

0:51:13.480 --> 0:51:17.200
<v Speaker 2>I didn't expect that, you know, like coming from the northeast.

0:51:17.320 --> 0:51:19.440
<v Speaker 2>You know, if let's just suppose you want to do

0:51:19.480 --> 0:51:21.640
<v Speaker 2>a drive by and check in on Wing Foot.

0:51:21.640 --> 0:51:23.719
<v Speaker 3>Like right, this is not going to go out to

0:51:23.760 --> 0:51:25.920
<v Speaker 3>Long Island and kind of guess you can kind of

0:51:25.960 --> 0:51:27.839
<v Speaker 3>drive by some of those courses, like.

0:51:27.840 --> 0:51:30.080
<v Speaker 2>Shima Cock you can trying to drive right through it.

0:51:30.760 --> 0:51:34.000
<v Speaker 2>But yeah, the idea that that it's so exposed and

0:51:34.040 --> 0:51:37.000
<v Speaker 2>so at least visually accessible to the average Joe, just

0:51:37.080 --> 0:51:40.360
<v Speaker 2>driving down seventeen mile drive was kind of staggering to me.

0:51:40.840 --> 0:51:44.080
<v Speaker 3>I always tell people that you can just ask for

0:51:44.200 --> 0:51:49.760
<v Speaker 3>coastal access at the entrance of the Pebble Beach Resort essentially,

0:51:50.360 --> 0:51:52.279
<v Speaker 3>and just drive in and kind of park next to

0:51:52.320 --> 0:51:56.680
<v Speaker 3>the seventeenth hole. Yeah, and walk around and see the

0:51:56.719 --> 0:51:58.680
<v Speaker 3>golf course. Nobody's going to stop you from doing that.

0:51:58.760 --> 0:51:59.960
<v Speaker 4>It is little store.

0:52:00.800 --> 0:52:03.760
<v Speaker 2>David Fay, you probably remember David. He was executive director

0:52:03.760 --> 0:52:07.120
<v Speaker 2>of the USGA for years. He wrote an introduction to

0:52:07.200 --> 0:52:09.799
<v Speaker 2>the book. Tom Watson wrote a forward, and David Fay

0:52:09.880 --> 0:52:13.560
<v Speaker 2>contributed an introduction, and Fay starts off as introduction saying,

0:52:13.600 --> 0:52:15.400
<v Speaker 2>you know, the first time I ever set foot on

0:52:15.440 --> 0:52:18.160
<v Speaker 2>the Monterey Peninsula, I was, you know, a twenty year

0:52:18.160 --> 0:52:21.319
<v Speaker 2>old kid in a friend's car, and I was just

0:52:21.400 --> 0:52:23.480
<v Speaker 2>bombing down the road and I thought, wait a minute,

0:52:23.600 --> 0:52:26.239
<v Speaker 2>that's fifteen T at Pebble Beach just to my right

0:52:26.320 --> 0:52:29.320
<v Speaker 2>right there. Holy cow. You pulled the car over, popped

0:52:29.320 --> 0:52:32.680
<v Speaker 2>open the trunk, pulled out an old ball, used ball

0:52:32.719 --> 0:52:35.080
<v Speaker 2>in a rusty club, and hit a shot on fifteen T.

0:52:35.480 --> 0:52:37.360
<v Speaker 2>And he goes. I was back in the car and

0:52:37.400 --> 0:52:39.480
<v Speaker 2>pulling away before the ball ever landed. But I could

0:52:39.520 --> 0:52:41.680
<v Speaker 2>tell my friends I hit a shot at Cyprus.

0:52:43.080 --> 0:52:45.360
<v Speaker 3>Yeah, I got got to outrun the cops. After that,

0:52:46.840 --> 0:52:49.160
<v Speaker 3>you know you can. There are hiking trails that kind

0:52:49.160 --> 0:52:51.200
<v Speaker 3>of go through Pebble Beach, and I always tell people

0:52:51.239 --> 0:52:55.000
<v Speaker 3>that there's a great hiking trail that essentially runs along

0:52:55.080 --> 0:52:58.319
<v Speaker 3>the top of the big dune ridge that separates the

0:52:58.400 --> 0:53:02.120
<v Speaker 3>dune holes at spy Glass Hill from the dune holes

0:53:02.200 --> 0:53:06.120
<v Speaker 3>at Pebble Beach. There is a public hiking trail that

0:53:06.200 --> 0:53:09.120
<v Speaker 3>you can There are maps of these trails that you

0:53:09.120 --> 0:53:12.640
<v Speaker 3>can find online. But you can just walk right by

0:53:12.840 --> 0:53:15.960
<v Speaker 3>the inland portion of Cypress Point as well. I did

0:53:16.000 --> 0:53:19.040
<v Speaker 3>many times when when I lived in the area and.

0:53:18.920 --> 0:53:21.160
<v Speaker 2>I didn't beautiful walk.

0:53:21.840 --> 0:53:23.799
<v Speaker 3>It's incredible. Yeah, it kind of dumps you out right

0:53:23.840 --> 0:53:27.680
<v Speaker 3>by the fourth hole at at Spyglass Hill, right the

0:53:27.760 --> 0:53:30.320
<v Speaker 3>third green fourth hole. It sort of takes a turn

0:53:31.080 --> 0:53:34.440
<v Speaker 3>there and goes along the fourth hole. But as you're

0:53:34.480 --> 0:53:38.560
<v Speaker 3>walking along that that high point, you can definitely see

0:53:38.960 --> 0:53:41.359
<v Speaker 3>the ninth hole at Cypress Point and all the all

0:53:41.400 --> 0:53:44.480
<v Speaker 3>those inland holes which are which are so wonderful and beautiful.

0:53:44.520 --> 0:53:46.279
<v Speaker 2>That's a mental note next trip out there. I got

0:53:46.400 --> 0:53:46.959
<v Speaker 2>to do that one.

0:53:47.160 --> 0:53:51.480
<v Speaker 3>Yes, absolutely, So what made you want to delve into

0:53:51.520 --> 0:53:53.400
<v Speaker 3>the history of Pebble Beach.

0:53:53.320 --> 0:53:59.080
<v Speaker 2>Chris independently Garrett. Both Golf Channel and ESPN at various

0:53:59.120 --> 0:54:03.640
<v Speaker 2>times in their existence cited Watson's chip is the greatest

0:54:03.640 --> 0:54:07.439
<v Speaker 2>shot in golf history. And so a few years back,

0:54:07.440 --> 0:54:09.920
<v Speaker 2>a friend of mine said to me, you know, if

0:54:09.960 --> 0:54:12.880
<v Speaker 2>those two organizations think it's the best shot in golf history,

0:54:13.680 --> 0:54:15.799
<v Speaker 2>maybe there's something to it, like, maybe you should look

0:54:15.840 --> 0:54:19.759
<v Speaker 2>into it. So I started researching the main characters and

0:54:19.840 --> 0:54:22.839
<v Speaker 2>the drama, and if you think about it, they're Tom

0:54:22.880 --> 0:54:28.920
<v Speaker 2>Watson and his caddie, Bruce Edwards, Jack Nicholas, Pebble itself,

0:54:29.840 --> 0:54:34.400
<v Speaker 2>the US Open itself, and you track basically end ABC

0:54:34.560 --> 0:54:38.120
<v Speaker 2>and ESPN, which were in an interesting shadow dance at

0:54:38.120 --> 0:54:39.719
<v Speaker 2>that time, which if you want to get into it later,

0:54:39.760 --> 0:54:43.640
<v Speaker 2>we can. You track all these characters up to the

0:54:43.719 --> 0:54:48.240
<v Speaker 2>moment when Watson chips in, and then you see how

0:54:48.320 --> 0:54:52.080
<v Speaker 2>that moment refracted all their lives. What did that moment

0:54:52.120 --> 0:54:54.839
<v Speaker 2>do to them all? How did it change things? And

0:54:55.680 --> 0:54:59.680
<v Speaker 2>the truth is what I discovered is that chip changed everything.

0:55:00.320 --> 0:55:03.520
<v Speaker 2>It changed the future trajectory of Pebble Beach itself, It

0:55:03.640 --> 0:55:07.800
<v Speaker 2>changed Washington Watson's standing in golf history. It marked the

0:55:07.880 --> 0:55:11.959
<v Speaker 2>denw ma of Nicholas's career. It marked forever the rise

0:55:12.000 --> 0:55:14.920
<v Speaker 2>of cable television and the extinction of the three network

0:55:15.160 --> 0:55:17.279
<v Speaker 2>version of television we may have all grown up with.

0:55:19.840 --> 0:55:23.439
<v Speaker 2>So it really changed everything, and that's why I thought

0:55:23.480 --> 0:55:24.760
<v Speaker 2>the book would be kind of interesting.

0:55:25.600 --> 0:55:28.279
<v Speaker 3>There are all these different threads that feed into this

0:55:28.360 --> 0:55:29.080
<v Speaker 3>one shot.

0:55:29.719 --> 0:55:29.919
<v Speaker 4>Right.

0:55:30.000 --> 0:55:32.640
<v Speaker 3>The television angle of it was the most surprising to me,

0:55:32.680 --> 0:55:35.359
<v Speaker 3>and what we'll talk about that later. But it's something

0:55:35.400 --> 0:55:37.839
<v Speaker 3>I've been interested in for a long time as well.

0:55:37.880 --> 0:55:42.279
<v Speaker 3>So I appreciated the history of the rise of golf television.

0:55:42.960 --> 0:55:47.440
<v Speaker 3>I think that's a very interesting story that hasn't really

0:55:47.480 --> 0:55:48.800
<v Speaker 3>been investigated.

0:55:49.040 --> 0:55:52.440
<v Speaker 2>I agree with you completely. We have most of us

0:55:52.560 --> 0:55:56.560
<v Speaker 2>have viewed golf on television for decades in our lives,

0:55:57.239 --> 0:56:00.840
<v Speaker 2>and so it is the way most of us ingest

0:56:00.920 --> 0:56:04.160
<v Speaker 2>or consume the game on at least a weekly or

0:56:04.239 --> 0:56:07.200
<v Speaker 2>daily basis. I think I've always thought it was worthwhile

0:56:07.280 --> 0:56:10.400
<v Speaker 2>to look at golf through the lens of how television

0:56:10.440 --> 0:56:13.239
<v Speaker 2>looks at golf and how television presents golf. It's always

0:56:13.280 --> 0:56:15.600
<v Speaker 2>been an interest of mine anyway, so I'm glad to

0:56:15.600 --> 0:56:16.600
<v Speaker 2>hear you you like that.

0:56:16.920 --> 0:56:19.279
<v Speaker 3>It's something I always think about when the Masters comes

0:56:19.320 --> 0:56:23.279
<v Speaker 3>around because the history of the Master's telecast is such

0:56:23.320 --> 0:56:26.960
<v Speaker 3>a rich history onto itself. But of course the Masters

0:56:27.040 --> 0:56:30.239
<v Speaker 3>was not the first golf tournament to be televised in

0:56:30.280 --> 0:56:33.520
<v Speaker 3>the US. That was really the US Open. The US

0:56:33.600 --> 0:56:36.080
<v Speaker 3>Open was the one that was there kind of at

0:56:36.080 --> 0:56:39.919
<v Speaker 3>the beginning being televised. But we'll get to that later.

0:56:40.040 --> 0:56:42.720
<v Speaker 3>First I want to talk about some of the history

0:56:42.719 --> 0:56:45.960
<v Speaker 3>of Pebble Beach. I love the detail that you have

0:56:46.120 --> 0:56:48.440
<v Speaker 3>on the history of Pebble Beach in this book because

0:56:48.760 --> 0:56:52.680
<v Speaker 3>I think it's one of the more underappreciated or misunderstood

0:56:53.080 --> 0:56:57.760
<v Speaker 3>histories among the great golf courses. It's also an unconventional history.

0:56:57.800 --> 0:57:01.480
<v Speaker 3>You know, if you read it enough golf course in

0:57:01.480 --> 0:57:04.040
<v Speaker 3>golf club histories, you start to become familiar with a

0:57:04.160 --> 0:57:07.799
<v Speaker 3>kind of common story structure about these courses. They were

0:57:07.840 --> 0:57:11.200
<v Speaker 3>built by some great architect in the tens, twenties or thirties,

0:57:11.239 --> 0:57:13.399
<v Speaker 3>and then they lost their way, and then they came

0:57:13.480 --> 0:57:16.440
<v Speaker 3>back because Tom Doak or Gil Hans or Bill Corr

0:57:16.480 --> 0:57:19.160
<v Speaker 3>visited and brought it back to its former glory. But

0:57:19.200 --> 0:57:23.080
<v Speaker 3>that's just not the path that Pebble followed. This was

0:57:23.160 --> 0:57:29.160
<v Speaker 3>a really strange kind of course with the strange early evolution,

0:57:29.480 --> 0:57:32.560
<v Speaker 3>and you do such a great job of fleshing out

0:57:32.560 --> 0:57:36.800
<v Speaker 3>the details of that evolution in this book. So first,

0:57:37.440 --> 0:57:41.080
<v Speaker 3>the history of the land itself. There's a lot to

0:57:41.120 --> 0:57:44.960
<v Speaker 3>say here, but briefly, as briefly as you can, what

0:57:45.240 --> 0:57:48.120
<v Speaker 3>was the history of the land at Pebble Beach before

0:57:48.240 --> 0:57:49.560
<v Speaker 3>it was developed?

0:57:49.880 --> 0:57:54.360
<v Speaker 2>So, you know, the Mexican influence on that part of

0:57:54.400 --> 0:57:59.760
<v Speaker 2>California began to recede, you know, roughly in the eighteen thirties,

0:57:59.760 --> 0:58:04.720
<v Speaker 2>eighteen forties, and the property had actually changed hands several

0:58:04.800 --> 0:58:09.400
<v Speaker 2>times sort of between the eighteen forties in the eighteen eighties.

0:58:11.640 --> 0:58:13.919
<v Speaker 2>I guess the best place to tune in to keep

0:58:13.960 --> 0:58:18.640
<v Speaker 2>this sort of you know short, is when David Jacks

0:58:19.400 --> 0:58:21.680
<v Speaker 2>bought their property. And a lot of people may not

0:58:21.800 --> 0:58:23.600
<v Speaker 2>know that David Jacks is the man who gave the

0:58:23.680 --> 0:58:27.240
<v Speaker 2>name to Monterey Jack cheese. It was a lot of

0:58:27.280 --> 0:58:30.400
<v Speaker 2>the dairy required to produce that certain kind of cheese

0:58:30.520 --> 0:58:32.920
<v Speaker 2>was produced on farms he owned in that area, and

0:58:32.920 --> 0:58:35.920
<v Speaker 2>that's where Monterey Jack comes from. So the property changes

0:58:36.000 --> 0:58:38.720
<v Speaker 2>hands a couple of times. I guess maybe the most

0:58:38.760 --> 0:58:43.760
<v Speaker 2>important moment in the development of Pebble Beach really is

0:58:43.880 --> 0:58:46.640
<v Speaker 2>the driving of the Golden Spike at Promontory Point. You know,

0:58:46.680 --> 0:58:49.560
<v Speaker 2>when we had rail travel that could essentially take you

0:58:49.600 --> 0:58:52.240
<v Speaker 2>anywhere from anywhere in the US to anywhere in the US.

0:58:53.040 --> 0:58:56.960
<v Speaker 2>That's when Pebble started. That's when their moment arrived. And

0:58:57.160 --> 0:59:00.560
<v Speaker 2>of course the men involved in the driving that spike,

0:59:00.640 --> 0:59:03.440
<v Speaker 2>a lot of them were San Francisco household names, you know,

0:59:03.520 --> 0:59:07.080
<v Speaker 2>like Crocker and Huntington and Leland, you know, all these guys.

0:59:07.640 --> 0:59:10.560
<v Speaker 2>And they also happened to be the guys who wanted

0:59:10.600 --> 0:59:13.960
<v Speaker 2>to drive some traffic down to property they owned down

0:59:14.040 --> 0:59:19.040
<v Speaker 2>at del Monte. And so the you know, long before

0:59:20.240 --> 0:59:24.000
<v Speaker 2>field of dreams, these guys ascribed to the idea that

0:59:24.000 --> 0:59:25.960
<v Speaker 2>if you build it, they will come. If if you

0:59:26.000 --> 0:59:27.840
<v Speaker 2>have a resort, and if you can build a railway,

0:59:27.880 --> 0:59:30.520
<v Speaker 2>people will start coming. And that was sort of the

0:59:30.560 --> 0:59:35.320
<v Speaker 2>beginning of people coming to Pebble Beach. Well actually it

0:59:35.320 --> 0:59:37.160
<v Speaker 2>wasn't even really thought of as Pebble Beach, that it

0:59:37.200 --> 0:59:40.840
<v Speaker 2>was thought of as del Monte. And there had been

0:59:40.920 --> 0:59:45.160
<v Speaker 2>golf in del Monte starting in the late eighteen nineties,

0:59:46.120 --> 0:59:49.640
<v Speaker 2>that beautiful little golf course, del Monte Golf Club.

0:59:50.400 --> 0:59:52.520
<v Speaker 3>Old del Monty as it's often called Yeah.

0:59:52.360 --> 0:59:56.000
<v Speaker 2>And designed by Charles Maud in eighteen ninety seven, great

0:59:56.080 --> 0:59:59.840
<v Speaker 2>little beloved golf course in that area. So people had

0:59:59.840 --> 1:00:02.600
<v Speaker 2>been coming to play golf in that region long before

1:00:02.640 --> 1:00:06.880
<v Speaker 2>Pebble Beach was even a thought in anyone's mind. And

1:00:08.400 --> 1:00:11.560
<v Speaker 2>the property continues to change hands a little bit and

1:00:12.120 --> 1:00:21.720
<v Speaker 2>around let's see nineteen. Well, well the golf course. Really

1:00:22.280 --> 1:00:24.680
<v Speaker 2>you talked earlier about how it's kind of a curious

1:00:24.720 --> 1:00:27.440
<v Speaker 2>happenstance that Pebble Beach ever even came to be. It

1:00:27.520 --> 1:00:31.360
<v Speaker 2>really is. I mean, I've often thought that it's not

1:00:31.440 --> 1:00:34.400
<v Speaker 2>a coincidence that a golf course that was birth not

1:00:34.520 --> 1:00:37.440
<v Speaker 2>far from where the Grateful Dead came to be famous,

1:00:38.320 --> 1:00:43.160
<v Speaker 2>traveled along a strange trip. It really was a circuitous route.

1:00:44.000 --> 1:00:50.320
<v Speaker 2>And originally that property there was a group the Carmel

1:00:50.400 --> 1:00:53.600
<v Speaker 2>Development Corp. Came to the people who owned that property

1:00:53.960 --> 1:00:57.720
<v Speaker 2>and said, you know what, you'd probably be smart to

1:00:57.760 --> 1:01:03.040
<v Speaker 2>develop homes here. So, as stunning as it sounds, the

1:01:03.040 --> 1:01:06.640
<v Speaker 2>Pebble Beach we know in love today was almost obviated

1:01:07.320 --> 1:01:13.480
<v Speaker 2>by homes. And in fact, as you probably know, in

1:01:13.560 --> 1:01:19.200
<v Speaker 2>any of the Pebble Beach historian devoteesno a lot was

1:01:19.240 --> 1:01:25.160
<v Speaker 2>actually sold the William Batty lot, which really for people

1:01:25.160 --> 1:01:28.560
<v Speaker 2>who've been to Pebble or watch it essentially occupied the

1:01:28.600 --> 1:01:32.840
<v Speaker 2>old fifth Hole. And so when they retreated from this plan,

1:01:33.000 --> 1:01:36.640
<v Speaker 2>fortunately you know, reason prevailed. They decided, you know what,

1:01:37.880 --> 1:01:43.600
<v Speaker 2>if you build houses on this waterfront land, you're taking

1:01:43.640 --> 1:01:46.480
<v Speaker 2>away the view of the houses that are up on

1:01:46.520 --> 1:01:51.600
<v Speaker 2>the ridge. And there were more lots up on the ridge.

1:01:51.880 --> 1:01:54.120
<v Speaker 2>So they realized they were going to get more money

1:01:54.280 --> 1:01:59.240
<v Speaker 2>if they preserved what became the golf course. So they

1:01:59.280 --> 1:02:02.520
<v Speaker 2>sold all the life on the ridge. They all have

1:02:02.960 --> 1:02:05.400
<v Speaker 2>since there were more lots. That means more waterfront views,

1:02:05.440 --> 1:02:11.640
<v Speaker 2>that means more income. And for the longest time, as

1:02:11.680 --> 1:02:14.439
<v Speaker 2>you know, I know, Garrett, the fifth Hole, that one lot.

1:02:14.480 --> 1:02:16.680
<v Speaker 2>The family who did buy that one lot when they

1:02:16.680 --> 1:02:20.520
<v Speaker 2>were thinking of developing it would not sell. And in fact,

1:02:20.680 --> 1:02:24.480
<v Speaker 2>I don't think they sold that lot. It's the William

1:02:24.520 --> 1:02:28.560
<v Speaker 2>Beatty family. I think it was like lot lot three

1:02:28.840 --> 1:02:33.360
<v Speaker 2>block something I can't remember. They wouldn't sell to Pebble

1:02:33.400 --> 1:02:37.440
<v Speaker 2>until the nineteen nineties, and that's when Jack Nicholas was

1:02:37.480 --> 1:02:41.959
<v Speaker 2>actually hired to When they did sell back to Pebble Beach,

1:02:42.120 --> 1:02:46.120
<v Speaker 2>Necklace was hired to fashion a fifth hole. That was

1:02:46.280 --> 1:02:48.680
<v Speaker 2>really the original intent of the desires to have a

1:02:48.680 --> 1:02:51.720
<v Speaker 2>fifth hole that went more towards the water than away

1:02:51.720 --> 1:02:56.919
<v Speaker 2>from the water. And so that was like a kind

1:02:56.920 --> 1:03:00.200
<v Speaker 2>of a thorn in the paw of golf purists a

1:03:00.240 --> 1:03:03.640
<v Speaker 2>long long time. That ultimately did get resolved. I think you,

1:03:04.440 --> 1:03:06.120
<v Speaker 2>I think you have a better fifth hole now than

1:03:06.160 --> 1:03:08.400
<v Speaker 2>you did when you had to work around the baby property.

1:03:09.640 --> 1:03:14.400
<v Speaker 3>Well, there certainly was a It was evidence of the

1:03:14.480 --> 1:03:18.120
<v Speaker 3>of the kind of chaotic genesis of the course that

1:03:18.120 --> 1:03:22.080
<v Speaker 3>that that one house was sitting there on the coastline.

1:03:22.080 --> 1:03:24.680
<v Speaker 3>It was the only real you know, it was the

1:03:24.680 --> 1:03:28.400
<v Speaker 3>only property that was pressed right up against the coastline

1:03:28.520 --> 1:03:32.040
<v Speaker 3>at Pebble Beach, and of course the course had to

1:03:32.720 --> 1:03:34.840
<v Speaker 3>work around it for a long time, the fifth hole

1:03:35.480 --> 1:03:38.919
<v Speaker 3>part three traveling inland and then finally coming out onto

1:03:38.960 --> 1:03:42.120
<v Speaker 3>that sixth te where you then can get back to

1:03:42.840 --> 1:03:45.919
<v Speaker 3>the coastline. And so that that was that was sort

1:03:45.920 --> 1:03:49.040
<v Speaker 3>of a funny little quirk of of the of the

1:03:49.080 --> 1:03:51.720
<v Speaker 3>property for quite a while. But yeah, it was. It

1:03:51.760 --> 1:03:54.240
<v Speaker 3>was as you say in the book, it was originally

1:03:54.320 --> 1:03:57.960
<v Speaker 3>meant to be kind of a real estate development, but

1:03:58.080 --> 1:04:02.280
<v Speaker 3>then the notion of a golf took hold Samuel Morse

1:04:02.440 --> 1:04:05.080
<v Speaker 3>being a key driver behind it.

1:04:05.360 --> 1:04:07.960
<v Speaker 2>I can't believe I neglected to mention him, because he

1:04:08.160 --> 1:04:12.040
<v Speaker 2>was really he was both the one of the problems

1:04:12.320 --> 1:04:15.480
<v Speaker 2>and he was the problem solver, you know he was.

1:04:16.200 --> 1:04:20.320
<v Speaker 2>He was basically brought in to do the liquidation when

1:04:20.360 --> 1:04:22.880
<v Speaker 2>they decided they were going to start selling these properties

1:04:22.920 --> 1:04:25.640
<v Speaker 2>that are now the golf course. He was the one

1:04:25.680 --> 1:04:28.400
<v Speaker 2>brought in to sell those, and he was an eager,

1:04:28.520 --> 1:04:30.600
<v Speaker 2>young yell graduate and he was gung ho. He's going

1:04:30.640 --> 1:04:31.880
<v Speaker 2>to do whatever he had to do to get the

1:04:31.960 --> 1:04:35.400
<v Speaker 2>job done. And after he sold the baby property, he

1:04:35.520 --> 1:04:38.040
<v Speaker 2>literally wrote, I forget where I found this, Maybe in

1:04:38.040 --> 1:04:40.360
<v Speaker 2>a memoir or somewhere he wrote, I think I'm going

1:04:40.400 --> 1:04:41.240
<v Speaker 2>to regret.

1:04:40.920 --> 1:04:45.080
<v Speaker 3>This wasn't wrong.

1:04:45.840 --> 1:04:47.800
<v Speaker 2>Then he is the one who flipped it around and said,

1:04:47.800 --> 1:04:50.800
<v Speaker 2>you know what, guys, rather than sell the rather than

1:04:50.840 --> 1:04:55.480
<v Speaker 2>sell these direct waterfront lots, let's preserve this the views

1:04:56.200 --> 1:05:02.320
<v Speaker 2>and sell lots up top. And then ultimately that gave

1:05:02.600 --> 1:05:04.680
<v Speaker 2>the owners of the land the chance to build the

1:05:04.720 --> 1:05:09.320
<v Speaker 2>golf course, which a preserved a lots the views, but

1:05:09.480 --> 1:05:12.480
<v Speaker 2>also was going to be open to the public and

1:05:12.760 --> 1:05:16.040
<v Speaker 2>would further enhance their ownership of the resorts down there,

1:05:16.040 --> 1:05:18.920
<v Speaker 2>which they were big investors in, and so the tourist

1:05:19.000 --> 1:05:22.800
<v Speaker 2>trap nature of Pebble just got even more so when

1:05:23.120 --> 1:05:25.920
<v Speaker 2>the golf course got designed. Of course, the next step

1:05:26.040 --> 1:05:28.400
<v Speaker 2>is all right, well, how do you get this golf

1:05:28.400 --> 1:05:32.720
<v Speaker 2>course built? Who designs it? And as you've read in

1:05:32.760 --> 1:05:35.840
<v Speaker 2>the book, Garrett, that was a weird thing in and

1:05:35.880 --> 1:05:40.800
<v Speaker 2>of itself. You know, you look at who would be

1:05:40.880 --> 1:05:44.120
<v Speaker 2>on your roster of you know, your wish list of

1:05:44.280 --> 1:05:49.520
<v Speaker 2>potential golf course designers in the mid nineteen nineteen, sixteen,

1:05:49.560 --> 1:05:50.480
<v Speaker 2>seventeen eighteen.

1:05:51.040 --> 1:05:53.400
<v Speaker 3>Yeah, it'd be a fairly short list in America at

1:05:53.400 --> 1:05:54.120
<v Speaker 3>the time.

1:05:54.080 --> 1:05:54.560
<v Speaker 1>That's right.

1:05:54.600 --> 1:05:57.160
<v Speaker 2>And there were some real, you know all stars. I mean,

1:05:57.160 --> 1:06:00.400
<v Speaker 2>you had Donald Ross, you had Alistair mckenn, he had

1:06:00.480 --> 1:06:03.880
<v Speaker 2>Charles Blair MacDonald to you and I have talked about before,

1:06:04.040 --> 1:06:06.920
<v Speaker 2>and there's some evidence that he considered all three of those.

1:06:07.280 --> 1:06:10.560
<v Speaker 2>There's actually a little bit of confusion. Maybe he may

1:06:10.600 --> 1:06:14.320
<v Speaker 2>have confused mackenzie and MacDonald in his memoirs. But still

1:06:14.360 --> 1:06:18.360
<v Speaker 2>he had a who's who of potential designers staring him

1:06:18.360 --> 1:06:22.600
<v Speaker 2>in the face for a great property. And he goes

1:06:22.640 --> 1:06:28.360
<v Speaker 2>with the head scratching combo of Neville and Grant, who

1:06:28.400 --> 1:06:31.960
<v Speaker 2>between them had never designed a single golf course in

1:06:32.000 --> 1:06:37.520
<v Speaker 2>their lives, and the amateur amateur records they had. They

1:06:37.560 --> 1:06:41.560
<v Speaker 2>were good players, they knew the game. But you know,

1:06:41.720 --> 1:06:46.280
<v Speaker 2>like Jack Neville was a local guy, Walker Cupper, I mean,

1:06:46.360 --> 1:06:49.440
<v Speaker 2>the guy was a real player, had never designed a

1:06:49.440 --> 1:06:54.840
<v Speaker 2>golf course in his life, and neither had Grant. And

1:06:55.880 --> 1:06:59.640
<v Speaker 2>somehow these two gave us Pebble Beach. But even the

1:06:59.640 --> 1:07:03.120
<v Speaker 2>pebble Beach they gave us isn't the Pebble Beach that

1:07:03.160 --> 1:07:04.920
<v Speaker 2>we all know in Revere today. It had to go

1:07:04.960 --> 1:07:06.760
<v Speaker 2>through quite a few mutations.

1:07:07.160 --> 1:07:11.920
<v Speaker 3>What were Jack Neville and Douglas Grant's respective roles on

1:07:11.960 --> 1:07:14.960
<v Speaker 3>the project. Do we have a sense of, you know,

1:07:15.000 --> 1:07:17.880
<v Speaker 3>who was sort of the head of it and who

1:07:17.960 --> 1:07:20.680
<v Speaker 3>might have been in the tail of it, or do

1:07:21.120 --> 1:07:22.280
<v Speaker 3>we not have that information.

1:07:22.360 --> 1:07:24.880
<v Speaker 2>I don't know if I have that in a concrete way,

1:07:24.920 --> 1:07:30.320
<v Speaker 2>but I know that Neville, well here I don't know this.

1:07:30.760 --> 1:07:33.440
<v Speaker 2>I sense from reading all this and researching it, that

1:07:35.040 --> 1:07:38.360
<v Speaker 2>Morse who was doing the hiring, you know, Morse who

1:07:38.360 --> 1:07:42.040
<v Speaker 2>had became really the undisputed king of Pebble Beach starting

1:07:42.120 --> 1:07:45.120
<v Speaker 2>with saving this property in the nineteen eighteen or so

1:07:45.560 --> 1:07:48.320
<v Speaker 2>all the way up until his death, he was really

1:07:48.520 --> 1:07:52.600
<v Speaker 2>the King. Morse had a real soft spot in his

1:07:52.760 --> 1:07:59.080
<v Speaker 2>heart for Jack Neville, and Neville was over time, Neville

1:07:59.120 --> 1:08:03.520
<v Speaker 2>became a bit of a head to Morse, and Morse

1:08:03.640 --> 1:08:07.640
<v Speaker 2>was actually quite protective of Neville and of Neville's reputation

1:08:07.880 --> 1:08:08.280
<v Speaker 2>visa v.

1:08:08.400 --> 1:08:08.760
<v Speaker 4>Pebble.

1:08:09.320 --> 1:08:12.680
<v Speaker 2>So even though, as we'll get into, Pebble took a

1:08:12.720 --> 1:08:17.640
<v Speaker 2>lot of design twists and turns over its life, especially

1:08:18.320 --> 1:08:23.679
<v Speaker 2>its life from conception in nineteen eighteen ish nineteen sixteen

1:08:24.360 --> 1:08:27.200
<v Speaker 2>through the nineteen twenty nine AM a lot of stuff

1:08:27.240 --> 1:08:33.520
<v Speaker 2>happened in there. Morse was always protective of Neville's authorship

1:08:33.640 --> 1:08:38.479
<v Speaker 2>and Neville's byline. And even when you know a lot

1:08:38.520 --> 1:08:41.880
<v Speaker 2>of people knew the changes that were being affected on

1:08:41.920 --> 1:08:46.320
<v Speaker 2>Pebble Beach in the nineteen twenties, Morse always stuck to

1:08:46.400 --> 1:08:48.920
<v Speaker 2>this theme that you know it was it was done

1:08:48.960 --> 1:08:51.240
<v Speaker 2>by Neville and Grant. It was done by Neville and Grant.

1:08:51.280 --> 1:08:54.559
<v Speaker 2>He always protected Neville, even when the facts said, there's

1:08:54.600 --> 1:08:56.040
<v Speaker 2>a lot of other people who deserve.

1:08:55.880 --> 1:08:56.519
<v Speaker 4>Some credit here.

1:08:58.320 --> 1:09:02.400
<v Speaker 2>So I'm gonna I'm going to offer a conjecture that

1:09:03.160 --> 1:09:06.880
<v Speaker 2>Neville was more the lead than Grant was only because

1:09:07.040 --> 1:09:08.759
<v Speaker 2>Morre said so much faith in Nebelle.

1:09:09.479 --> 1:09:12.439
<v Speaker 3>It's always been my sense as well. And there's also

1:09:12.560 --> 1:09:16.559
<v Speaker 3>some kind of circumstantial evidence around the fact that Jack

1:09:16.600 --> 1:09:20.559
<v Speaker 3>Neville went on to do some more design work in

1:09:20.600 --> 1:09:25.799
<v Speaker 3>the future, whereas Douglas Grant kind of faded back into

1:09:26.000 --> 1:09:28.000
<v Speaker 3>the searit he did of golf history.

1:09:28.320 --> 1:09:31.160
<v Speaker 2>Yeah, Donald Grant ended up, I mean, Grant ended up

1:09:31.160 --> 1:09:33.479
<v Speaker 2>moving to Donald I made the same mistake Nicholas made

1:09:33.520 --> 1:09:39.960
<v Speaker 2>one time he went Donald Grant. Yeah, Douglas Grant's golf courses.

1:09:40.720 --> 1:09:44.000
<v Speaker 2>Nicholas made that same mistake in his book. But I

1:09:44.040 --> 1:09:47.320
<v Speaker 2>think Grant ended up moving back to England and really

1:09:47.400 --> 1:09:49.559
<v Speaker 2>kind of ended up turning his back on American golf.

1:09:49.920 --> 1:09:52.240
<v Speaker 2>But you so, you're right. Neville was much more front

1:09:52.240 --> 1:09:54.320
<v Speaker 2>and center for his whole career, I mean whole life,

1:09:54.600 --> 1:09:59.400
<v Speaker 2>even going way forward to when Sandy Tatum was asked

1:09:59.400 --> 1:10:02.000
<v Speaker 2>to kind of redo the golf course, and he reached

1:10:02.000 --> 1:10:05.680
<v Speaker 2>out quite emotionally. And a beautiful little piece of the

1:10:05.720 --> 1:10:11.280
<v Speaker 2>book is when when Sandy Tatum and Jack Neville worked

1:10:11.320 --> 1:10:16.000
<v Speaker 2>together to prep Pebble Beach for the eighty two US Open.

1:10:17.240 --> 1:10:20.280
<v Speaker 3>So, what are some of the big differences between the

1:10:20.520 --> 1:10:25.160
<v Speaker 3>nineteen nineteen version of Pebble Beach and the one that

1:10:25.200 --> 1:10:27.920
<v Speaker 3>we know time, Where would you go first, and kind

1:10:27.920 --> 1:10:30.920
<v Speaker 3>of describing to people how this golf course originally looked.

1:10:31.120 --> 1:10:33.240
<v Speaker 2>Yeah, so I'm going to take your question you asked

1:10:33.280 --> 1:10:35.559
<v Speaker 2>about nineteen nineteen. I'm going to go back one year earlier,

1:10:35.560 --> 1:10:36.320
<v Speaker 2>in nineteen.

1:10:36.000 --> 1:10:38.640
<v Speaker 3>Eight nineteen eighteen. Yeah, because there's this is actually this

1:10:38.840 --> 1:10:41.080
<v Speaker 3>was news to me in your book, the fact that

1:10:41.080 --> 1:10:43.080
<v Speaker 3>the course had been played before nineteen.

1:10:43.120 --> 1:10:45.160
<v Speaker 2>So if you go into the pro shop there today

1:10:45.160 --> 1:10:48.160
<v Speaker 2>and you buy something with a logo on it, it's

1:10:48.200 --> 1:10:51.080
<v Speaker 2>got the beautiful trees and the rocky promontory, and it

1:10:51.120 --> 1:10:55.479
<v Speaker 2>says nineteen nineteen. And of course that's the day that

1:10:55.600 --> 1:11:00.000
<v Speaker 2>everybody believes that Pebble Beach had its opening. The true

1:11:00.080 --> 1:11:02.040
<v Speaker 2>ruth of the matter is that the golf course was

1:11:02.120 --> 1:11:07.240
<v Speaker 2>opened on March thirty first, and fittingly enough, April first,

1:11:07.920 --> 1:11:14.120
<v Speaker 2>April Fool's Day of nineteen eighteen, and the baptism of

1:11:14.200 --> 1:11:19.000
<v Speaker 2>Pebble Beach was an absolute embarrassment that day. The conditioning

1:11:19.120 --> 1:11:25.080
<v Speaker 2>was atrocious, there were rocks everywhere, there were sheeps still

1:11:25.120 --> 1:11:29.040
<v Speaker 2>grazing the property. The golf course was just not ready

1:11:29.080 --> 1:11:33.120
<v Speaker 2>for prime time, and Morse and everybody involved with Pebble

1:11:33.160 --> 1:11:35.679
<v Speaker 2>Beach at that time really put the brakes on and said,

1:11:35.680 --> 1:11:38.960
<v Speaker 2>you know, we're not ready, and they literally shut the

1:11:38.960 --> 1:11:44.360
<v Speaker 2>golf course down. And Morse told his team, the golf

1:11:44.360 --> 1:11:47.960
<v Speaker 2>course design team and the maintenance team, you know, we're

1:11:47.960 --> 1:11:50.519
<v Speaker 2>going to take a mulligan here, and they went. They

1:11:50.520 --> 1:11:54.040
<v Speaker 2>spent a year, almost a year up until February of

1:11:54.120 --> 1:11:58.679
<v Speaker 2>nineteen nineteen, February twenty second, nineteen nineteen, when they actually

1:11:58.760 --> 1:12:02.360
<v Speaker 2>were now ready for the actual opening of Pebble Beach.

1:12:02.680 --> 1:12:06.799
<v Speaker 2>And so that one little glitch, that year long glitch,

1:12:07.040 --> 1:12:08.960
<v Speaker 2>gets back to your point where you're saying, of this

1:12:09.120 --> 1:12:12.639
<v Speaker 2>strange trip and this strange like it's not a straight

1:12:12.680 --> 1:12:15.640
<v Speaker 2>line story Pebble Beach. It's a very curvy up and

1:12:15.720 --> 1:12:24.080
<v Speaker 2>down story. So from a conditioning standpoint, and by the way,

1:12:24.080 --> 1:12:28.240
<v Speaker 2>Pebble struggled with conditioning for a long long time. Even

1:12:28.240 --> 1:12:31.040
<v Speaker 2>when they were starting to get big time tournaments like

1:12:31.160 --> 1:12:35.639
<v Speaker 2>say the sixty one Amateur, even the seventy two Open,

1:12:36.479 --> 1:12:40.240
<v Speaker 2>a lot of the great players were a little disappointed

1:12:40.280 --> 1:12:44.240
<v Speaker 2>with the quality of the conditioning. And I guess we

1:12:44.320 --> 1:12:49.760
<v Speaker 2>got to remember that while Pebble is ostensibly rolling in

1:12:49.840 --> 1:12:51.920
<v Speaker 2>money now when they're charging I don't know are they

1:12:52.000 --> 1:12:55.160
<v Speaker 2>have they hit a thousand yet for what does it cost?

1:12:55.720 --> 1:13:01.439
<v Speaker 3>It's not quite a thousand yet they've virtuously kept it around,

1:13:01.479 --> 1:13:04.240
<v Speaker 3>I believe the seven hundred to eight hundred dollars mark.

1:13:04.320 --> 1:13:07.600
<v Speaker 3>But then there's the there's the resort stay that is

1:13:07.720 --> 1:13:10.559
<v Speaker 3>usually involved exactly being able to play at Pebble Beach

1:13:10.600 --> 1:13:13.040
<v Speaker 3>and all that. So it's not a it's not a

1:13:13.120 --> 1:13:13.639
<v Speaker 3>cheap ticket.

1:13:14.320 --> 1:13:17.479
<v Speaker 2>So while where you know, now they certainly have these

1:13:17.520 --> 1:13:21.799
<v Speaker 2>streams of revenue coming into help, and their their reputation

1:13:21.920 --> 1:13:25.280
<v Speaker 2>is so lofty, they can they can levy those charges.

1:13:25.760 --> 1:13:29.160
<v Speaker 2>If you go back to the twenties, thirties, forties, fifties,

1:13:29.280 --> 1:13:33.759
<v Speaker 2>sixties even and into the seventies, that wasn't really the case.

1:13:33.840 --> 1:13:37.400
<v Speaker 2>I mean, there was no the promotional machine was much

1:13:37.439 --> 1:13:42.840
<v Speaker 2>more muted. It was harder to get to Pebble. The

1:13:42.880 --> 1:13:48.320
<v Speaker 2>techniques for managing turf weren't very advanced really anywhere until

1:13:48.360 --> 1:13:53.960
<v Speaker 2>the nineteen sixties and seventies, and it was tough. In fact,

1:13:54.000 --> 1:13:56.960
<v Speaker 2>at one point, I think in the nineteen seventy two

1:13:57.200 --> 1:13:59.240
<v Speaker 2>US Open, of course Nicholas had won the am there

1:13:59.280 --> 1:14:01.479
<v Speaker 2>in sixty one. He comes back eleven years later and

1:14:01.479 --> 1:14:04.280
<v Speaker 2>he wins the us Open and he turned to the

1:14:04.280 --> 1:14:06.400
<v Speaker 2>head of the USGA and he said, what did you

1:14:06.400 --> 1:14:11.240
<v Speaker 2>do with all the grass? I mean, these are guys

1:14:11.280 --> 1:14:13.839
<v Speaker 2>who had been playing Augusta National in these great places

1:14:13.880 --> 1:14:15.439
<v Speaker 2>all these years, and they would come out to Pebble

1:14:15.479 --> 1:14:19.160
<v Speaker 2>and routinely be a little disappointed. So it's hard for

1:14:19.240 --> 1:14:21.800
<v Speaker 2>us in our current day mindset to imagine that it

1:14:21.800 --> 1:14:24.200
<v Speaker 2>would be anything but pristine. But for a long time,

1:14:24.240 --> 1:14:26.519
<v Speaker 2>Pebble was anything but it.

1:14:26.520 --> 1:14:28.439
<v Speaker 3>Was kind of a working man's course for a while,

1:14:28.479 --> 1:14:30.759
<v Speaker 3>you know. That's that's kind of how it felt. For

1:14:30.920 --> 1:14:34.800
<v Speaker 3>a while. It was, yeah, I mean it and you

1:14:34.840 --> 1:14:37.240
<v Speaker 3>know there were there were glitzy people who would who

1:14:37.280 --> 1:14:39.800
<v Speaker 3>would hang around the resort and all that, but the

1:14:39.880 --> 1:14:44.040
<v Speaker 3>course uh was was a bit ramshackle and uh and

1:14:44.160 --> 1:14:48.280
<v Speaker 3>even rural feeling, maybe partly because it was kind of remote.

1:14:49.040 --> 1:14:52.639
<v Speaker 3>That was one reason for it, for its slightly shaggy nature.

1:14:52.720 --> 1:14:56.200
<v Speaker 3>But that's hard to conceive of now.

1:14:56.320 --> 1:14:57.000
<v Speaker 4>It really is.

1:14:57.400 --> 1:15:02.000
<v Speaker 2>And not only was the conditioning an issue, but there

1:15:02.000 --> 1:15:06.680
<v Speaker 2>were aspects of the golf course itself that drew that

1:15:07.040 --> 1:15:12.240
<v Speaker 2>were so looked down upon. You know, Morse's goal was

1:15:12.800 --> 1:15:17.479
<v Speaker 2>when he finally got his golf course built, his goal was,

1:15:17.560 --> 1:15:22.840
<v Speaker 2>all right, I need to land some attention. I need

1:15:22.880 --> 1:15:25.360
<v Speaker 2>to get some people, some big names, to come out

1:15:25.360 --> 1:15:28.840
<v Speaker 2>here and play here and create a little excitement. So

1:15:28.920 --> 1:15:33.200
<v Speaker 2>he created this thing called the Pebble Beach Open with

1:15:33.400 --> 1:15:35.720
<v Speaker 2>I think a five thousand dollars perse, which at the

1:15:35.760 --> 1:15:41.080
<v Speaker 2>time dwarfed most of the purses in professional golf. And he,

1:15:41.280 --> 1:15:45.120
<v Speaker 2>with the scheduling skills of a boxing promoter, he scheduled

1:15:45.120 --> 1:15:48.759
<v Speaker 2>his event to follow or proceed. It was right around

1:15:48.760 --> 1:15:51.040
<v Speaker 2>either right before right after the LA opened. So all

1:15:51.080 --> 1:15:53.640
<v Speaker 2>the big names in professional golf were in town or

1:15:53.680 --> 1:15:56.639
<v Speaker 2>in California, and so he got them to zip down

1:15:56.640 --> 1:15:58.960
<v Speaker 2>and play in this thing to create a little publicity.

1:16:00.120 --> 1:16:05.479
<v Speaker 2>And the complaints with Pebble had been two. One was

1:16:05.560 --> 1:16:08.920
<v Speaker 2>the eighteenth hole. And this is for I mean, you

1:16:09.000 --> 1:16:11.000
<v Speaker 2>may know this, Garrett, but for the average person who

1:16:11.080 --> 1:16:16.519
<v Speaker 2>watches Pebble, you know, the eighteenth is almost a sack

1:16:17.000 --> 1:16:22.200
<v Speaker 2>a religious place. It's almost perfect. The eighteenth was the

1:16:22.439 --> 1:16:25.120
<v Speaker 2>problem with Pebble Beach for much of its early life,

1:16:25.960 --> 1:16:30.840
<v Speaker 2>and what Morse was trying to do was create enough

1:16:30.840 --> 1:16:34.439
<v Speaker 2>interest in pebble that he could land the California Golf

1:16:34.479 --> 1:16:39.519
<v Speaker 2>Association State Championship on that golf course, and that was

1:16:39.520 --> 1:16:41.920
<v Speaker 2>his hole, like his true north was how am I

1:16:41.960 --> 1:16:45.479
<v Speaker 2>going to get the California State championship on my golf course?

1:16:46.520 --> 1:16:51.000
<v Speaker 2>And people kept telling him, you can't get that event

1:16:51.080 --> 1:16:53.679
<v Speaker 2>on this golf course until you fix up the eighteenth hole.

1:16:54.840 --> 1:16:57.200
<v Speaker 2>And the problem with the hole at the time was

1:16:57.200 --> 1:17:01.960
<v Speaker 2>that it was very short. Couple of solutions came about.

1:17:02.080 --> 1:17:05.439
<v Speaker 2>One was the first solution was offered by this guy

1:17:05.520 --> 1:17:11.040
<v Speaker 2>named Arthur Bunker Vincent, and his idea was, hey, right

1:17:11.080 --> 1:17:15.760
<v Speaker 2>behind seventeen Green, right where the beach is, let's pile

1:17:15.880 --> 1:17:18.120
<v Speaker 2>up some rocks and sand and let's build a tea

1:17:18.160 --> 1:17:21.880
<v Speaker 2>box right there, which would kind of require you to

1:17:22.000 --> 1:17:26.240
<v Speaker 2>hit over a little piece of the bay, and you know,

1:17:26.960 --> 1:17:31.000
<v Speaker 2>you'd have a dramatic tea shot. So they did that,

1:17:31.080 --> 1:17:33.360
<v Speaker 2>and that's why we have that tea box where we do.

1:17:34.479 --> 1:17:40.200
<v Speaker 2>That's Arthur Bunker Vincent's tea box. But it did while

1:17:40.280 --> 1:17:44.639
<v Speaker 2>it added an exciting tea shot, it didn't do much

1:17:44.640 --> 1:17:47.040
<v Speaker 2>for the rest of the hole, which was extremely short.

1:17:47.280 --> 1:17:52.200
<v Speaker 2>It was kind of a stubby little par for And

1:17:53.640 --> 1:18:00.599
<v Speaker 2>then in another kind of circuitous happenstance of Pebble Beach's evolution. Hollins,

1:18:00.640 --> 1:18:03.799
<v Speaker 2>who moved out from the East Coast out to Pebble

1:18:03.840 --> 1:18:07.400
<v Speaker 2>and was kind of a high society matron. She was

1:18:07.520 --> 1:18:10.519
<v Speaker 2>very friendly with Herbert Fowler, who was a very prominent

1:18:10.520 --> 1:18:12.960
<v Speaker 2>golf course designer, and Fowler had done some work on

1:18:13.040 --> 1:18:18.680
<v Speaker 2>del Monte in recent years, and he and Marion were

1:18:18.720 --> 1:18:25.519
<v Speaker 2>social friends, and that sort of led to Fowler being

1:18:25.520 --> 1:18:29.439
<v Speaker 2>asked for his thoughts on eighteen. And Fowler basically says

1:18:29.479 --> 1:18:32.280
<v Speaker 2>to Morse the same thing that the California Golf Association

1:18:32.360 --> 1:18:35.439
<v Speaker 2>had said to Morris, which is, you're not going to

1:18:35.479 --> 1:18:38.000
<v Speaker 2>get a golf our golf tournament on your golf course

1:18:38.080 --> 1:18:41.160
<v Speaker 2>until you fix eighteen. And it's got to be thorough

1:18:41.200 --> 1:18:46.120
<v Speaker 2>going change. Vincent's tea box was a nice idea, but

1:18:46.680 --> 1:18:50.960
<v Speaker 2>you need a dramatic change. And that's when Fowler stretched

1:18:51.000 --> 1:18:53.799
<v Speaker 2>it one hundred and seventy yards further up the coast.

1:18:54.520 --> 1:18:57.320
<v Speaker 2>So he added one hundred and seventy yards to that hole,

1:18:57.680 --> 1:19:02.639
<v Speaker 2>and that's really that what kind of put Pebble over

1:19:02.680 --> 1:19:07.559
<v Speaker 2>the finish line for the California Golf Association, and that's

1:19:07.600 --> 1:19:10.559
<v Speaker 2>what landed him the California State Amateur, which was held

1:19:10.560 --> 1:19:16.400
<v Speaker 2>there for years and years, and that's when her Morse

1:19:16.840 --> 1:19:21.000
<v Speaker 2>started thinking about bigger game, like, Okay, now I've got

1:19:21.000 --> 1:19:23.760
<v Speaker 2>my attention getting golf course. Now I'm getting the great

1:19:23.800 --> 1:19:27.480
<v Speaker 2>amateurs to come and play their championship every year. Now

1:19:27.520 --> 1:19:30.840
<v Speaker 2>I'm cooking with gas. So that it was really the

1:19:30.880 --> 1:19:34.799
<v Speaker 2>combination of Arthur Vincent's tea box concept and then Herbert

1:19:34.840 --> 1:19:38.680
<v Speaker 2>Fowler's one hundred and seventy yard addition to the end

1:19:38.720 --> 1:19:42.679
<v Speaker 2>of the hole that helped Morse put pebble on the map.

1:19:43.720 --> 1:19:46.880
<v Speaker 3>Went from about a three hundred and thirty three hundred

1:19:46.920 --> 1:19:52.439
<v Speaker 3>and forty par four to a pretty stern par five

1:19:52.840 --> 1:19:53.479
<v Speaker 3>exactly right.

1:19:53.720 --> 1:19:56.679
<v Speaker 2>And can you imagine now, imagine, whether you've played pebble

1:19:56.800 --> 1:20:00.000
<v Speaker 2>or not, you've seen it on TV a million times.

1:20:00.000 --> 1:20:04.519
<v Speaker 2>Imagine if you walk off seventeen and like the tea

1:20:04.600 --> 1:20:08.160
<v Speaker 2>box is immediately to your right. It's not like out

1:20:08.240 --> 1:20:11.040
<v Speaker 2>towards the water. It's just right there and you're kind

1:20:11.040 --> 1:20:14.479
<v Speaker 2>of bunting one. You're not even hitting over the water

1:20:14.560 --> 1:20:18.600
<v Speaker 2>at all. It's hard to imagine, and it's easy to

1:20:18.600 --> 1:20:21.720
<v Speaker 2>get in the California Golf Association's head and say, oh,

1:20:21.760 --> 1:20:24.960
<v Speaker 2>I get it. I get why they hated eighteen. And

1:20:25.360 --> 1:20:27.240
<v Speaker 2>now when you look at what you have at eighteen,

1:20:27.280 --> 1:20:28.320
<v Speaker 2>it's just incredible.

1:20:28.640 --> 1:20:30.800
<v Speaker 3>Does a good job of fitting with the rest of

1:20:30.840 --> 1:20:33.280
<v Speaker 3>the course too. It doesn't feel like it was designed

1:20:33.920 --> 1:20:37.680
<v Speaker 3>by somebody else, or somebody who had not routed or

1:20:37.720 --> 1:20:40.719
<v Speaker 3>conceived of the other holes that run along the coast.

1:20:41.360 --> 1:20:45.160
<v Speaker 2>I mean, like, look at eight and nine and ten. Well,

1:20:45.200 --> 1:20:48.360
<v Speaker 2>look at six and eight and nine and ten. It's easy,

1:20:48.400 --> 1:20:50.400
<v Speaker 2>it would be easy for us to believe that the

1:20:50.439 --> 1:20:53.479
<v Speaker 2>same person who laid those out is the same person

1:20:53.479 --> 1:20:55.160
<v Speaker 2>who did eighteen, even though it's.

1:20:55.080 --> 1:20:58.360
<v Speaker 3>Right not Yeah, eighteen is sort of a mirror image

1:20:58.439 --> 1:21:02.040
<v Speaker 3>in some ways of ten. Exactly right strategically, you know,

1:21:02.080 --> 1:21:04.400
<v Speaker 3>conceptually as a golf hole, the way that it uses

1:21:04.439 --> 1:21:07.320
<v Speaker 3>the coastline pretty similar.

1:21:07.280 --> 1:21:11.240
<v Speaker 2>I agree completely. And the other hurdle that Morse had

1:21:11.479 --> 1:21:15.200
<v Speaker 2>is as the better players started to come to Pebble

1:21:15.240 --> 1:21:22.320
<v Speaker 2>Beach for more California state championships, you had better quality

1:21:22.360 --> 1:21:27.080
<v Speaker 2>of play, and you had more sophisticated judges of quality,

1:21:27.560 --> 1:21:31.679
<v Speaker 2>and so they ultimately started to hone in on holes

1:21:31.720 --> 1:21:34.519
<v Speaker 2>eight and thirteen. The green complexes at eight and thirteen

1:21:35.280 --> 1:21:40.360
<v Speaker 2>and their concerns really were that those green complexes were

1:21:40.400 --> 1:21:46.160
<v Speaker 2>not really designed to receive the kind of iron shot

1:21:46.160 --> 1:21:51.639
<v Speaker 2>the fairway was demanding. So, in what I'm sure he

1:21:51.720 --> 1:21:54.840
<v Speaker 2>hoped was an audition for future work at Pebble Beach,

1:21:55.320 --> 1:22:00.000
<v Speaker 2>Alistair Mackenzie weighed in through probably again through Marion Holland,

1:22:00.120 --> 1:22:04.479
<v Speaker 2>and they were very close, as you know, and he

1:22:05.040 --> 1:22:10.000
<v Speaker 2>came in to do redo eight and thirteen. What happened

1:22:10.080 --> 1:22:14.160
<v Speaker 2>was he started on aid and thirteen and got called

1:22:14.160 --> 1:22:17.280
<v Speaker 2>away to Australia for another design job.

1:22:18.479 --> 1:22:23.640
<v Speaker 3>Meanwhile, well Melbourne, that was Mackenzie's famous trip to Australia,

1:22:23.640 --> 1:22:26.000
<v Speaker 3>happened kind of exactly right in mid nineteen twenties.

1:22:26.320 --> 1:22:29.800
<v Speaker 2>So he goes down to Australia and meanwhile eight and

1:22:29.840 --> 1:22:33.759
<v Speaker 2>thirteen aren't finished. So all of a sudden people are playing,

1:22:33.840 --> 1:22:36.280
<v Speaker 2>They're going, wait, we told you to fix eight and thirteen.

1:22:36.320 --> 1:22:41.120
<v Speaker 2>These are atrocious And what they what they didn't appreciate

1:22:41.240 --> 1:22:43.720
<v Speaker 2>was that Mackenzie was in mid it was kind of

1:22:43.720 --> 1:22:46.200
<v Speaker 2>a work in progress, and that when he came back

1:22:46.240 --> 1:22:49.439
<v Speaker 2>from Australia he finished eight and thirteen and then everyone

1:22:49.520 --> 1:22:52.960
<v Speaker 2>went all right, well, now now we've got a legit

1:22:53.080 --> 1:22:56.760
<v Speaker 2>golf course. And that even put Pebble a little bit

1:22:57.000 --> 1:22:59.160
<v Speaker 2>further on the map, a little higher on the map.

1:23:00.080 --> 1:23:03.040
<v Speaker 2>And then, of course in the late twenties, in nineteen

1:23:03.080 --> 1:23:05.559
<v Speaker 2>twenty seven, the USJA announces they're going to bring the

1:23:05.560 --> 1:23:08.120
<v Speaker 2>amateur to Pebble, and of course Pebble goes through an

1:23:08.280 --> 1:23:10.280
<v Speaker 2>entirely new evolution for that.

1:23:11.280 --> 1:23:15.160
<v Speaker 3>Well, before we get to that eight and thirteen Mackenzie's

1:23:15.200 --> 1:23:18.639
<v Speaker 3>changes there. If you've seen the photographs of these holes,

1:23:18.640 --> 1:23:22.479
<v Speaker 3>and I would suggest that anybody listening to this podcast

1:23:22.560 --> 1:23:26.400
<v Speaker 3>who hasn't seen Mackenzie's versions of the greens at eight

1:23:26.439 --> 1:23:30.320
<v Speaker 3>and thirteen, there are great pictures of them. Go check

1:23:30.320 --> 1:23:33.280
<v Speaker 3>out an article called Pebble Beach then and now if

1:23:33.320 --> 1:23:36.400
<v Speaker 3>you just search for that and Google, something will come

1:23:36.479 --> 1:23:40.719
<v Speaker 3>up on the Pebble Beach Resort website that will show

1:23:40.760 --> 1:23:44.000
<v Speaker 3>you a bunch of photos of those holes through the years,

1:23:44.400 --> 1:23:48.719
<v Speaker 3>including Mackenzie's versions of those greens. They're very Mackenzie and greens,

1:23:48.920 --> 1:23:53.360
<v Speaker 3>you know, recognizably his work similar in many ways to

1:23:53.880 --> 1:23:57.280
<v Speaker 3>what he was doing at that very time just down

1:23:57.360 --> 1:24:02.519
<v Speaker 3>seventeen mile drive at Cyprus Point, and so they were

1:24:02.840 --> 1:24:05.960
<v Speaker 3>in his style in a way that they aren't anymore

1:24:06.560 --> 1:24:11.280
<v Speaker 3>and also very different from what came before at Pebble Beach.

1:24:11.840 --> 1:24:15.080
<v Speaker 3>You know, we talked about some of the rudimentary nature

1:24:15.360 --> 1:24:19.719
<v Speaker 3>of jack Neville and Douglas Grant's original design at Pebble Beach.

1:24:20.280 --> 1:24:23.080
<v Speaker 3>One way in which it was rudimentary, I think is

1:24:23.120 --> 1:24:28.960
<v Speaker 3>that the greens were very simply constructed. Yes, many of

1:24:29.000 --> 1:24:33.280
<v Speaker 3>them pretty large and just kind of sitting on the

1:24:33.360 --> 1:24:39.160
<v Speaker 3>land in very basic ways. Yeah, without these kind of

1:24:39.200 --> 1:24:42.400
<v Speaker 3>stylish bunkers or anything of the kind that Mackenzie was

1:24:42.479 --> 1:24:44.880
<v Speaker 3>famous for. And so that's what Mackenzie was working with.

1:24:45.120 --> 1:24:48.639
<v Speaker 3>He really changed the style of those greens quite a bit.

1:24:49.760 --> 1:24:53.080
<v Speaker 2>Not only that, you're exactly right, Garrett, he changed eight

1:24:53.120 --> 1:24:57.759
<v Speaker 2>and thirteen enormously. I do believe, just from the studying

1:24:57.800 --> 1:24:59.960
<v Speaker 2>that I've done, the reading I've done, I do believe

1:25:00.160 --> 1:25:02.559
<v Speaker 2>Mackenzie desperately wanted to get his hands on the whole

1:25:02.560 --> 1:25:06.240
<v Speaker 2>golf course. I think he really and doing eight and

1:25:06.280 --> 1:25:08.639
<v Speaker 2>thirteen was his way of saying, I'm available for these

1:25:08.640 --> 1:25:09.559
<v Speaker 2>other sixteen holes.

1:25:09.800 --> 1:25:12.479
<v Speaker 3>This is kind of my this is my example. These

1:25:12.479 --> 1:25:14.040
<v Speaker 3>are my paint switches here, right.

1:25:14.080 --> 1:25:14.240
<v Speaker 4>Yeah.

1:25:15.920 --> 1:25:20.680
<v Speaker 2>But then twenty seven rolls around and they announced the

1:25:21.240 --> 1:25:24.840
<v Speaker 2>USAM is coming to Pebble which which really is like

1:25:24.880 --> 1:25:28.840
<v Speaker 2>a that's a cultural moment for the USGA itself to

1:25:28.920 --> 1:25:32.040
<v Speaker 2>have these sort of westward ambitions. That was quite a thing.

1:25:32.160 --> 1:25:38.600
<v Speaker 2>To bring the most prestigious USGA title really at the

1:25:38.640 --> 1:25:43.840
<v Speaker 2>time to California. That was like a moon launch, and the.

1:25:44.400 --> 1:25:47.000
<v Speaker 3>Tournament was much a much bigger deal back then than

1:25:47.040 --> 1:25:48.920
<v Speaker 3>it is now. You know, it's a big deal now,

1:25:49.000 --> 1:25:52.040
<v Speaker 3>but you know, this is a tournament that Bobby Jones

1:25:52.120 --> 1:25:53.120
<v Speaker 3>was playing.

1:25:52.840 --> 1:25:57.040
<v Speaker 2>It exactly right. So that was a huge moment not

1:25:57.120 --> 1:25:59.360
<v Speaker 2>only for the USGA and it's kind of westward or

1:25:59.439 --> 1:26:04.800
<v Speaker 2>national lands, but also for Pebble Beach because now we've

1:26:04.800 --> 1:26:07.639
<v Speaker 2>talked about a lot of these little evolutionary twists and turns.

1:26:07.640 --> 1:26:08.000
<v Speaker 4>It took.

1:26:08.800 --> 1:26:11.360
<v Speaker 2>Now they had to get the golf course ready for

1:26:12.040 --> 1:26:14.120
<v Speaker 2>what the New York Times referred to as the onslaught

1:26:15.840 --> 1:26:21.479
<v Speaker 2>And so how do you do that? You touched on

1:26:21.600 --> 1:26:25.640
<v Speaker 2>something that I didn't really connect in the book. I

1:26:25.760 --> 1:26:29.360
<v Speaker 2>I kind of wish I had when Mackenzie does eight

1:26:29.400 --> 1:26:37.080
<v Speaker 2>and thirteen that I think may have a little bulb

1:26:37.160 --> 1:26:43.000
<v Speaker 2>in the head of Chandler Egan, because that's who they ask,

1:26:43.160 --> 1:26:46.360
<v Speaker 2>you know, they bring in Hunter and Egan. The odd

1:26:46.400 --> 1:26:50.320
<v Speaker 2>couple of Hunter and Egan to get the golf course

1:26:50.360 --> 1:26:54.719
<v Speaker 2>ready for the nineteen twenty nine am Hunter being an

1:26:54.760 --> 1:26:58.479
<v Speaker 2>avowed socialist who ran for the governor of Connecticut as

1:26:58.520 --> 1:27:03.760
<v Speaker 2>a socialist and wrote some pretty heavyweight tomes on sociology

1:27:03.880 --> 1:27:10.080
<v Speaker 2>and communism, politics, religion. And Chandler Eagan, who is arguably

1:27:10.120 --> 1:27:13.360
<v Speaker 2>one of the first it boys of American amateur golf,

1:27:14.160 --> 1:27:20.640
<v Speaker 2>you know, NCAA champion, multiple am champion, Olympian, you name it.

1:27:20.720 --> 1:27:23.200
<v Speaker 3>And the aristocratic sort of you know, kind of kind

1:27:23.200 --> 1:27:26.360
<v Speaker 3>of an amateur in the Bobby Jones role. Contrasted with

1:27:26.479 --> 1:27:29.280
<v Speaker 3>Robert Hunter, it is there is a you know, a

1:27:29.320 --> 1:27:32.679
<v Speaker 3>bit of a mismatch there, but both men, of course

1:27:32.800 --> 1:27:37.640
<v Speaker 3>worked had worked with Alistair mackenzie, Hunter assisting on some

1:27:37.680 --> 1:27:40.439
<v Speaker 3>of Mackenzie's most famous California.

1:27:39.920 --> 1:27:41.760
<v Speaker 2>And then he goes on to write one of the

1:27:41.840 --> 1:27:45.160
<v Speaker 2>probably top five greatest books ever written in the history

1:27:45.200 --> 1:27:47.880
<v Speaker 2>of golf course architecture, you know, The Links, which is

1:27:47.960 --> 1:27:52.800
<v Speaker 2>just a must read. So this odd couple is brought

1:27:52.800 --> 1:27:56.559
<v Speaker 2>in and you know, to their credit, you know, a lot,

1:27:56.600 --> 1:28:00.600
<v Speaker 2>a lot of their quotes most and Chandler Eagan, I

1:28:00.640 --> 1:28:06.320
<v Speaker 2>think had a slightly higher profile than hunter at that

1:28:06.400 --> 1:28:09.800
<v Speaker 2>time anyway, and a lot of his quotes about this

1:28:10.280 --> 1:28:14.360
<v Speaker 2>prep for the us M in twenty nine were things

1:28:14.400 --> 1:28:17.439
<v Speaker 2>like God had done most of the work already, most

1:28:17.479 --> 1:28:20.160
<v Speaker 2>of the heavy lifting was done already. There wasn't much

1:28:20.200 --> 1:28:26.720
<v Speaker 2>to do except really bunkers and greens. And to your point,

1:28:26.840 --> 1:28:29.360
<v Speaker 2>that was kind of a weak spot of Pebble Beach

1:28:29.640 --> 1:28:33.120
<v Speaker 2>where the non Mackenzie bunkers and greens the other sixteen

1:28:34.200 --> 1:28:37.439
<v Speaker 2>And if you talk to Jeff Shackelford about this, who's

1:28:37.640 --> 1:28:41.360
<v Speaker 2>really a real student of Pebble Beach golf course design history,

1:28:41.479 --> 1:28:44.560
<v Speaker 2>we spent a good amount of time on the phone.

1:28:45.720 --> 1:28:51.519
<v Speaker 2>He basically says, when you look at what Egan did

1:28:52.560 --> 1:28:57.080
<v Speaker 2>for the twenty nine AM at Pebble and the results

1:28:57.080 --> 1:29:00.400
<v Speaker 2>that Pebble got out of the work he did, may

1:29:00.439 --> 1:29:05.240
<v Speaker 2>be the most underappreciated golf course designer in history. And

1:29:05.320 --> 1:29:08.040
<v Speaker 2>I think that's a pretty good argument, especially when you

1:29:08.080 --> 1:29:11.800
<v Speaker 2>go back, if you look, you know, you recommended that

1:29:11.960 --> 1:29:15.040
<v Speaker 2>article about Pebble Beach, you know, go back and look

1:29:15.080 --> 1:29:18.000
<v Speaker 2>at the images. If you go back and you look

1:29:18.000 --> 1:29:21.120
<v Speaker 2>at the images of Pebble Beach from the nineteen twenty

1:29:21.200 --> 1:29:30.680
<v Speaker 2>nine era, the bunkering is just spectacular. Now, there's one

1:29:31.040 --> 1:29:33.960
<v Speaker 2>really important thing happened in nineteen twenty nine that we

1:29:33.960 --> 1:29:36.000
<v Speaker 2>haven't touched on, and of course that's the crash and

1:29:36.240 --> 1:29:40.559
<v Speaker 2>the ensuing depression. Most of the great clubs. I mean,

1:29:40.600 --> 1:29:42.320
<v Speaker 2>you know this from having been out there so long.

1:29:42.320 --> 1:29:46.320
<v Speaker 2>In California. You know, Cypress Point almost closed its doors

1:29:46.920 --> 1:29:49.360
<v Speaker 2>during the depression. They were filling in bunkers in order

1:29:49.400 --> 1:29:53.200
<v Speaker 2>to reduce maintenance costs. And if Cypress Point was filling

1:29:53.240 --> 1:29:58.599
<v Speaker 2>in these massive Pentagruleian bunkers to save costs, you can

1:29:59.000 --> 1:30:01.479
<v Speaker 2>be sure that Pebble Beach which was doing the same thing,

1:30:01.720 --> 1:30:05.920
<v Speaker 2>and these huge bunkers that he put in were also

1:30:06.479 --> 1:30:08.639
<v Speaker 2>susceptible to the wind. You know, the bigger the bunker,

1:30:08.680 --> 1:30:09.920
<v Speaker 2>the easier it is for the wind to get in

1:30:10.000 --> 1:30:14.559
<v Speaker 2>there and suck all that stand out. So I think

1:30:15.080 --> 1:30:19.920
<v Speaker 2>the bunkers that Egan and Hunter put in were absolutely beautiful.

1:30:20.000 --> 1:30:22.760
<v Speaker 2>I wish they still existed, but I understand why they don't.

1:30:23.160 --> 1:30:26.400
<v Speaker 2>They just they couldn't but for a moment, for that

1:30:26.560 --> 1:30:29.800
<v Speaker 2>moment in nineteen you know, twenty seven, twenty eight, twenty nine,

1:30:29.880 --> 1:30:32.800
<v Speaker 2>during the m and until the depression hits and wipes

1:30:32.800 --> 1:30:35.840
<v Speaker 2>it all out that may have been one of the

1:30:35.840 --> 1:30:38.719
<v Speaker 2>really most beautifully bunkered golf courses in the world.

1:30:39.840 --> 1:30:43.120
<v Speaker 3>Well, for people who haven't seen photos of the course

1:30:43.120 --> 1:30:47.320
<v Speaker 3>from this era, just envision a lot of the greens

1:30:47.360 --> 1:30:53.760
<v Speaker 3>that you know now like seven or seventeen, being surrounded

1:30:53.960 --> 1:30:59.479
<v Speaker 3>by these kind of duneescape style bunkers, completely surrounded in

1:30:59.520 --> 1:31:03.440
<v Speaker 3>a lot of case says they aren't even really discreete bunkers.

1:31:03.680 --> 1:31:08.559
<v Speaker 3>They're more like kind of island in this. Yeah, in

1:31:08.640 --> 1:31:12.080
<v Speaker 3>this in this sandscape, it's almost like what you see

1:31:12.120 --> 1:31:15.960
<v Speaker 3>at Mammoth Duns or something like that. At Sand Valleygan

1:31:16.040 --> 1:31:18.160
<v Speaker 3>there's just a lot of exposed sand.

1:31:18.160 --> 1:31:22.800
<v Speaker 2>And Egan said somewhere I think I maybe in the book,

1:31:23.080 --> 1:31:26.280
<v Speaker 2>Egan said somewhere that this was something that we cooked up.

1:31:26.320 --> 1:31:29.360
<v Speaker 2>We hadn't really seen this anywhere before. It's just something

1:31:29.400 --> 1:31:31.800
<v Speaker 2>that we thought would be kind of cool to use,

1:31:31.880 --> 1:31:36.160
<v Speaker 2>you know, my vernacular, and we tried it, and of

1:31:36.200 --> 1:31:41.880
<v Speaker 2>course it looks amazing. You know, it was it was

1:31:41.920 --> 1:31:44.040
<v Speaker 2>ill fated, it wasn't going to last forever, but for

1:31:44.120 --> 1:31:45.800
<v Speaker 2>that moment, it's sure was spectacular.

1:31:46.320 --> 1:31:49.400
<v Speaker 3>Yeah, you know, I'm of two minds about about this

1:31:49.520 --> 1:31:53.599
<v Speaker 3>move by by Egan and I'm curious also about Hunter's

1:31:53.640 --> 1:31:57.040
<v Speaker 3>involvement in it too, because Hunter is often known in

1:31:57.080 --> 1:32:01.120
<v Speaker 3>his work with Mackenzie as sort of the artisan of

1:32:01.520 --> 1:32:05.720
<v Speaker 3>the bunkers and the on site construction guy, and I

1:32:05.720 --> 1:32:08.320
<v Speaker 3>wonder if he played a similar role in this project.

1:32:08.400 --> 1:32:12.559
<v Speaker 3>But I'm of two minds about about this move by

1:32:12.880 --> 1:32:16.720
<v Speaker 3>Egan's team to create these dunescapes, because on the one hand,

1:32:16.760 --> 1:32:20.760
<v Speaker 3>they're clearly very impressive. When you see these photos that

1:32:20.880 --> 1:32:24.559
<v Speaker 3>they're stunning, you know, and especially in their difference from

1:32:24.560 --> 1:32:27.680
<v Speaker 3>what exists there now, you almost can't believe that the

1:32:27.720 --> 1:32:31.559
<v Speaker 3>course once looked like this. Yes, on the other hand,

1:32:33.560 --> 1:32:38.880
<v Speaker 3>it's not natural to that to that terrain for there

1:32:38.920 --> 1:32:42.639
<v Speaker 3>to be these donezy bunkers. It's kind of an odd fit.

1:32:43.439 --> 1:32:46.880
<v Speaker 3>And partly for that reason, they were remember maybe never

1:32:47.000 --> 1:32:50.880
<v Speaker 3>going to last because of the the wind and because

1:32:50.880 --> 1:32:54.240
<v Speaker 3>of the fact that there just isn't a base of

1:32:54.400 --> 1:32:59.519
<v Speaker 3>sand there on Pebble Beach's property to keep this kind

1:32:59.520 --> 1:33:03.120
<v Speaker 3>of const struction in existence. Once they blow away, you've

1:33:03.200 --> 1:33:04.960
<v Speaker 3>just got heavy clay.

1:33:04.840 --> 1:33:08.720
<v Speaker 2>Basically, which, to your point on that service, that may

1:33:08.760 --> 1:33:12.400
<v Speaker 2>be exactly the reason why they never existed before and

1:33:12.479 --> 1:33:13.479
<v Speaker 2>never existed again.

1:33:13.600 --> 1:33:15.439
<v Speaker 3>Like that yeah, I think they just blew away.

1:33:16.479 --> 1:33:16.639
<v Speaker 4>Right.

1:33:16.920 --> 1:33:19.200
<v Speaker 2>I wonder if he can even had in his mind,

1:33:19.479 --> 1:33:22.519
<v Speaker 2>you know, this lipstick is going to wear off, but boy,

1:33:22.560 --> 1:33:24.120
<v Speaker 2>it sure does look it's going to look.

1:33:23.960 --> 1:33:25.879
<v Speaker 3>Good for good for the amateur.

1:33:26.800 --> 1:33:27.120
<v Speaker 2>Right.

1:33:27.320 --> 1:33:29.599
<v Speaker 3>Yeah, But as you mentioned, you know, the depression hit

1:33:29.680 --> 1:33:33.800
<v Speaker 3>and I'm sure that the maintenance uh you know requirements

1:33:33.960 --> 1:33:39.080
<v Speaker 3>of these doneesy bunkers were part of the reason that

1:33:39.120 --> 1:33:42.320
<v Speaker 3>they that they didn't survive. You know that that they

1:33:42.439 --> 1:33:45.879
<v Speaker 3>just took a lot of effort and funding to maintain.

1:33:45.920 --> 1:33:49.200
<v Speaker 3>And that's something that Pebble Beach or many other courses

1:33:49.240 --> 1:33:53.000
<v Speaker 3>in America had during the nineteen thirties and during World War.

1:33:52.880 --> 1:33:55.360
<v Speaker 2>Two, no doubt about that. And by the way, if

1:33:55.400 --> 1:33:58.200
<v Speaker 2>you do, if any of your listeners or viewers do

1:33:58.760 --> 1:34:01.720
<v Speaker 2>go look at old images. Is when you look at

1:34:01.760 --> 1:34:05.519
<v Speaker 2>seventeen in those old twenty nine era images, look at

1:34:05.640 --> 1:34:09.120
<v Speaker 2>the spot in the back left of the green where

1:34:09.360 --> 1:34:15.200
<v Speaker 2>Watson plays this chip that spurred this whole book, that

1:34:15.720 --> 1:34:19.720
<v Speaker 2>what is that slope where he was was sand back

1:34:20.080 --> 1:34:25.360
<v Speaker 2>in the twenty nine amateur era. And so just for

1:34:25.400 --> 1:34:28.519
<v Speaker 2>a little sense of like connecting history, connecting the dots,

1:34:29.080 --> 1:34:31.799
<v Speaker 2>that would have he would have likely been in sand

1:34:31.960 --> 1:34:35.080
<v Speaker 2>if the Chandler Eagan design had survived, and that would

1:34:35.120 --> 1:34:38.360
<v Speaker 2>have been a way easier shot for Tom Watson anyway

1:34:38.479 --> 1:34:41.160
<v Speaker 2>than chipping out of you know, Shinhaigh rough.

1:34:41.720 --> 1:34:41.920
<v Speaker 4>Right.

1:34:42.840 --> 1:34:47.480
<v Speaker 3>So, Egan and Hunter's work I think is maybe primarily

1:34:47.520 --> 1:34:51.920
<v Speaker 3>remembered for these dunescapes that they built, because that's the

1:34:51.920 --> 1:34:58.000
<v Speaker 3>most visually striking part of what they did. But what

1:34:58.400 --> 1:35:01.800
<v Speaker 3>are some other aspects, of course that that you would

1:35:01.840 --> 1:35:05.880
<v Speaker 3>credit to that renovation? What are some other ways in

1:35:05.920 --> 1:35:09.439
<v Speaker 3>which they altered the course in ways that proved to

1:35:09.479 --> 1:35:10.560
<v Speaker 3>be kind of permanent.

1:35:12.200 --> 1:35:17.000
<v Speaker 2>Let's see that That's that's a tough question because I

1:35:17.040 --> 1:35:21.760
<v Speaker 2>don't know if I can come up with something uh

1:35:22.360 --> 1:35:26.519
<v Speaker 2>lasting that we could point to today and say, yeah,

1:35:26.560 --> 1:35:27.400
<v Speaker 2>that's Egan.

1:35:27.400 --> 1:35:30.280
<v Speaker 3>Or it went away? I guess yeah. I mean, you

1:35:30.280 --> 1:35:33.240
<v Speaker 3>know the old double ninth fair way if you play

1:35:33.280 --> 1:35:36.240
<v Speaker 3>the ninth hole, now, you know you look to the

1:35:36.320 --> 1:35:40.519
<v Speaker 3>right and you see a whole other expanse of now

1:35:40.760 --> 1:35:45.639
<v Speaker 3>kind of rough that is right by the ocean cliff. Well,

1:35:45.680 --> 1:35:48.200
<v Speaker 3>that that was once fairway, and that was an idea.

1:35:48.760 --> 1:35:51.599
<v Speaker 2>Well in the old chambers, remember didn't they they didn't

1:35:51.600 --> 1:35:54.919
<v Speaker 2>they opened a wasn't there a tea box down closer

1:35:54.920 --> 1:35:58.120
<v Speaker 2>to the water on nine, on ten, it was on ten,

1:35:58.200 --> 1:35:58.800
<v Speaker 2>it's on tests.

1:35:59.120 --> 1:36:01.160
<v Speaker 3>Yeah, and they and they re established it if you

1:36:01.200 --> 1:36:03.599
<v Speaker 3>walk to the right of the night train, but they don't.

1:36:03.680 --> 1:36:06.320
<v Speaker 3>It's not very frequently in use. But it's a cool

1:36:06.360 --> 1:36:06.840
<v Speaker 3>tea box.

1:36:08.000 --> 1:36:11.360
<v Speaker 2>But I can't that's a really good question. I guess

1:36:11.400 --> 1:36:15.719
<v Speaker 2>it lends itself to the ephemeral nature of what Egan

1:36:15.840 --> 1:36:19.759
<v Speaker 2>and Hunter did. They they put Pebble on the Big

1:36:19.840 --> 1:36:23.040
<v Speaker 2>Time map, but with changes that were that you know,

1:36:23.160 --> 1:36:24.559
<v Speaker 2>we're just going to fade away.

1:36:25.280 --> 1:36:28.559
<v Speaker 3>Yeah, it's wild. I think that's right. But you know,

1:36:28.800 --> 1:36:32.839
<v Speaker 3>I think one thing though, and there's no particular evidence

1:36:32.880 --> 1:36:36.720
<v Speaker 3>for this, but I think I think it's true that

1:36:37.360 --> 1:36:43.280
<v Speaker 3>they established the greens of Pebble Beach. Yes, that sort

1:36:43.280 --> 1:36:46.160
<v Speaker 3>of still exist now. They're smaller now than they were

1:36:46.400 --> 1:36:50.120
<v Speaker 3>when when Egan and Hunter built them, but they still

1:36:50.120 --> 1:36:53.840
<v Speaker 3>have some of the character, some of the design concept

1:36:53.960 --> 1:36:56.160
<v Speaker 3>that I think Egan and Hunter came up with. Basically

1:36:56.200 --> 1:36:59.360
<v Speaker 3>the design concepts of the greens at Pebble Beach I

1:36:59.439 --> 1:37:03.160
<v Speaker 3>believe to Egan and Hunters for the most part, and

1:37:03.240 --> 1:37:04.840
<v Speaker 3>not Nevill and Graand Yeah, I.

1:37:05.080 --> 1:37:07.720
<v Speaker 2>Think that's fair to say that's the only area where

1:37:07.760 --> 1:37:12.360
<v Speaker 2>I could visually point to and say, you know, before

1:37:12.560 --> 1:37:16.880
<v Speaker 2>Egan and Hunter, this did not exist, and now it does.

1:37:16.960 --> 1:37:19.600
<v Speaker 2>I think probably the green surfaces are the only the

1:37:19.600 --> 1:37:20.600
<v Speaker 2>only thing you could point to.

1:37:21.160 --> 1:37:24.200
<v Speaker 3>Yeah, yeah, And I think the main difference now between

1:37:25.080 --> 1:37:28.559
<v Speaker 3>you know, the greens as they exist now and as

1:37:28.640 --> 1:37:32.840
<v Speaker 3>they existed in the nineteen twenty nine US amateur, I

1:37:32.920 --> 1:37:35.439
<v Speaker 3>think the main difference would be that they were bigger

1:37:35.479 --> 1:37:40.760
<v Speaker 3>back then, and probably some contours have been lost over time.

1:37:41.240 --> 1:37:43.280
<v Speaker 3>But if you look at the seventeenth green, for instance,

1:37:43.760 --> 1:37:46.880
<v Speaker 3>which you write an account of in your book, that

1:37:47.120 --> 1:37:50.040
<v Speaker 3>idea of the green as this kind of hourglass shaped

1:37:50.120 --> 1:37:54.519
<v Speaker 3>thing with two different sections divided by a ridge. That

1:37:54.680 --> 1:37:58.080
<v Speaker 3>was a Chandler Egan concept for a green, and that's

1:37:58.120 --> 1:37:58.839
<v Speaker 3>still there.

1:37:58.640 --> 1:38:01.400
<v Speaker 2>Basically, Yeah, that's still basically there. I mean it's changed

1:38:01.439 --> 1:38:03.680
<v Speaker 2>in some ways only because as the green, as the

1:38:03.720 --> 1:38:06.120
<v Speaker 2>shape and size of the green has changed over time,

1:38:06.600 --> 1:38:09.880
<v Speaker 2>the proportional space filled by the hump in the middle

1:38:09.920 --> 1:38:11.559
<v Speaker 2>has changed a little bit over time.

1:38:11.600 --> 1:38:12.519
<v Speaker 4>But in.

1:38:14.280 --> 1:38:19.960
<v Speaker 2>A larger sense, you're right, that is the original Hunter Egan.

1:38:20.240 --> 1:38:24.479
<v Speaker 3>Look, the basic concept. Okay, so going forward in time

1:38:24.840 --> 1:38:28.639
<v Speaker 3>a little bit, why didn't Pebble Beach get a US

1:38:28.680 --> 1:38:30.120
<v Speaker 3>Open until nineteen seventy two.

1:38:31.240 --> 1:38:35.320
<v Speaker 2>Well, so I asked Frank Canigan about this once. And

1:38:35.360 --> 1:38:37.519
<v Speaker 2>Frank is one of the great truth tellers and all

1:38:37.520 --> 1:38:41.559
<v Speaker 2>of golfer was. He passed away years ago. But I

1:38:41.600 --> 1:38:47.000
<v Speaker 2>asked Frank in his quote, he's actually in the book, California,

1:38:49.240 --> 1:38:57.080
<v Speaker 2>while now a economic behemoth, really in the nineteen twenties

1:38:57.360 --> 1:39:00.719
<v Speaker 2>and certainly during the depression in the thirties and really

1:39:00.880 --> 1:39:05.040
<v Speaker 2>until after World War Two, didn't have that many people

1:39:05.080 --> 1:39:10.240
<v Speaker 2>living in it, and particularly northern California was not as

1:39:10.240 --> 1:39:13.280
<v Speaker 2>populous as southern California. You know, La was growing a

1:39:13.360 --> 1:39:18.559
<v Speaker 2>lot faster than the area around Pebble Beach. And if

1:39:18.600 --> 1:39:21.920
<v Speaker 2>you look at the cities and the markets into which

1:39:21.960 --> 1:39:25.439
<v Speaker 2>the USGA had taken the US Open, you know, these

1:39:25.439 --> 1:39:30.880
<v Speaker 2>are big places. These are New York and Chicago. You know,

1:39:31.640 --> 1:39:35.360
<v Speaker 2>there's they were worried. Frank Canagan tells me that even

1:39:35.800 --> 1:39:39.479
<v Speaker 2>for the nineteen seventy two US Open, the USJA was

1:39:39.520 --> 1:39:41.519
<v Speaker 2>worried that, you know, what would happen if you put

1:39:41.560 --> 1:39:43.599
<v Speaker 2>on a US Open and nobody came.

1:39:44.920 --> 1:39:45.120
<v Speaker 4>There?

1:39:45.640 --> 1:39:48.599
<v Speaker 2>Just weren't the bodies. And plus it was the first

1:39:48.600 --> 1:39:50.439
<v Speaker 2>time they were going to have the US Open at

1:39:50.439 --> 1:39:54.200
<v Speaker 2>a public golf course quote unquote public golf course, and

1:39:54.479 --> 1:39:57.160
<v Speaker 2>a public golf course didn't have the ready made volunteer

1:39:57.160 --> 1:39:59.200
<v Speaker 2>base that a private club would have, and so there

1:39:59.280 --> 1:40:04.680
<v Speaker 2>was some doubts about that. There were always doubts about conditioning,

1:40:04.760 --> 1:40:07.519
<v Speaker 2>as we talked before about Pebble Beach. So those were

1:40:07.560 --> 1:40:13.559
<v Speaker 2>the big three strikes against Pebble, and they, you know,

1:40:13.720 --> 1:40:16.080
<v Speaker 2>literally Frank Hannigan said to me, we were worried that

1:40:16.200 --> 1:40:20.920
<v Speaker 2>nobody would come. In fact, the USGA's contract with Pebble

1:40:21.000 --> 1:40:25.120
<v Speaker 2>had a stipulation that if a certain amount of people

1:40:25.840 --> 1:40:29.000
<v Speaker 2>didn't show, there was going to be some kind of

1:40:29.479 --> 1:40:32.519
<v Speaker 2>refund back to the USGA. Like the Pebble had to

1:40:32.520 --> 1:40:36.720
<v Speaker 2>get out and say there'll be bodies here. So it

1:40:36.800 --> 1:40:40.439
<v Speaker 2>was that that's really why it took a long time

1:40:40.680 --> 1:40:42.720
<v Speaker 2>for the US Open, which you know, you and I

1:40:42.720 --> 1:40:45.400
<v Speaker 2>talked earlier about how the am was for the longest time,

1:40:45.520 --> 1:40:50.400
<v Speaker 2>was the golden child of USGA championships. In my own mind,

1:40:50.400 --> 1:40:54.200
<v Speaker 2>I've always thought that once Bobby Jones started routinely winning Opens,

1:40:54.240 --> 1:40:58.040
<v Speaker 2>he added glamour, the the prestige that he lent to

1:40:58.120 --> 1:41:01.600
<v Speaker 2>the amateur that the amateur always had. It started to

1:41:01.720 --> 1:41:05.760
<v Speaker 2>leach into the US Open and even onto the professional

1:41:05.800 --> 1:41:08.200
<v Speaker 2>players who were playing golf at that time because Bobby

1:41:08.280 --> 1:41:13.519
<v Speaker 2>Jones he raised all ships in a way, and so

1:41:15.760 --> 1:41:20.240
<v Speaker 2>to bring their biggest what had now become their biggest title,

1:41:20.360 --> 1:41:25.559
<v Speaker 2>the US Open, to Pebble Beach, seemed like a no brainer.

1:41:25.560 --> 1:41:26.840
<v Speaker 2>But there, as I said, there were a lot of

1:41:26.920 --> 1:41:27.599
<v Speaker 2>risks involved.

1:41:29.320 --> 1:41:34.400
<v Speaker 3>What was the relationship between television and Pebble Beach, And

1:41:34.439 --> 1:41:37.799
<v Speaker 3>maybe you could take that story up to the nineteen

1:41:37.880 --> 1:41:41.120
<v Speaker 3>seventy two US Open, where there was an important element

1:41:41.320 --> 1:41:44.240
<v Speaker 3>of that tournament being televised.

1:41:44.720 --> 1:41:49.439
<v Speaker 2>So, as you mentioned earlier, the nineteen forty seven US

1:41:49.479 --> 1:41:54.400
<v Speaker 2>Open was the first golf tournament ever telecast. And if

1:41:54.439 --> 1:41:57.439
<v Speaker 2>you try to imagine where TV was in nineteen forty seven,

1:41:57.479 --> 1:42:01.519
<v Speaker 2>it was extremely primitive. I mean, and this isn't even

1:42:01.560 --> 1:42:05.320
<v Speaker 2>really an exaggeration, but like TV cameras were like as

1:42:05.360 --> 1:42:07.599
<v Speaker 2>complicated as a car, you know what I mean. Like

1:42:07.680 --> 1:42:10.000
<v Speaker 2>now now you could film a TV show with your

1:42:10.040 --> 1:42:13.120
<v Speaker 2>iPhone and people might not know the difference.

1:42:12.960 --> 1:42:16.640
<v Speaker 3>And you can beam the image across the air right right,

1:42:16.680 --> 1:42:19.840
<v Speaker 3>as opposed to having to you know, just imagine trying

1:42:19.880 --> 1:42:22.800
<v Speaker 3>to trying to film a golf tournament. If you've got

1:42:22.840 --> 1:42:28.040
<v Speaker 3>these massive cameras and you can't communicate, you know, the

1:42:28.080 --> 1:42:29.880
<v Speaker 3>camera is and you have to figure out a way

1:42:29.920 --> 1:42:30.599
<v Speaker 3>to connect everything.

1:42:30.960 --> 1:42:33.760
<v Speaker 2>It's insane. And the people who I've spoken to, there's

1:42:33.800 --> 1:42:35.400
<v Speaker 2>a lot of people in this book in the TV

1:42:35.520 --> 1:42:37.960
<v Speaker 2>industry that I talked to about the evolution of golf

1:42:38.000 --> 1:42:41.719
<v Speaker 2>and TV, they'll tell you that, you know, the hardest

1:42:41.720 --> 1:42:46.160
<v Speaker 2>sport to film for TV is golf because tennis or

1:42:46.200 --> 1:42:49.680
<v Speaker 2>baseball or football all take place in a very predictable,

1:42:49.760 --> 1:42:54.839
<v Speaker 2>confined area, and golf takes place over hundreds of acres

1:42:54.880 --> 1:42:57.320
<v Speaker 2>with a small ball going hundreds of miles an hour.

1:42:59.000 --> 1:43:02.960
<v Speaker 2>You can't be everywhere. You can get every shot in

1:43:03.000 --> 1:43:06.400
<v Speaker 2>a tennis match pretty easily, you cannot get every shot

1:43:06.479 --> 1:43:10.519
<v Speaker 2>in a golf tournament. So it's it's maddening to try

1:43:10.560 --> 1:43:14.000
<v Speaker 2>to do television to golf television. And these guys in

1:43:14.040 --> 1:43:17.599
<v Speaker 2>nineteen forty seven in Saint Louis just figured they'd give

1:43:17.600 --> 1:43:19.360
<v Speaker 2>it a go, you know, and it was very much

1:43:19.439 --> 1:43:24.040
<v Speaker 2>like an entrepreneurial kind of a Jerry rigged concept. They

1:43:24.200 --> 1:43:28.679
<v Speaker 2>literally the entire telecast consisted of approach shots into eighteen

1:43:28.840 --> 1:43:31.280
<v Speaker 2>because you know, they didn't have mobiles.

1:43:31.320 --> 1:43:33.040
<v Speaker 3>What else could you do anheld.

1:43:32.680 --> 1:43:34.400
<v Speaker 2>Camera where you could walk with the guy up to

1:43:34.439 --> 1:43:37.360
<v Speaker 2>eighteen green. So it literally it started and ended with

1:43:37.439 --> 1:43:42.280
<v Speaker 2>the approach to eighteen. And to show you how naive

1:43:42.360 --> 1:43:47.120
<v Speaker 2>this all was, one of the guys went up to

1:43:47.120 --> 1:43:49.400
<v Speaker 2>Ben Hogan, who was playing in the tournament, and said, hey, Ben,

1:43:49.640 --> 1:43:51.799
<v Speaker 2>you know, do you think you could do a little interview,

1:43:51.880 --> 1:43:53.519
<v Speaker 2>you know, like stand here in front of our camera

1:43:53.520 --> 1:43:55.519
<v Speaker 2>and chat with us. And he kind of had to

1:43:55.560 --> 1:43:57.719
<v Speaker 2>explain like what it was all about. You know, now,

1:43:58.439 --> 1:44:00.719
<v Speaker 2>what player doesn't walk off eighteen in a tour event

1:44:00.840 --> 1:44:03.960
<v Speaker 2>know that there's the media guy. So they had to say, well,

1:44:04.000 --> 1:44:05.760
<v Speaker 2>we have a camera here and that's what we're going

1:44:05.800 --> 1:44:08.200
<v Speaker 2>to do. And Ben Hogan said to the guy, well,

1:44:08.280 --> 1:44:10.439
<v Speaker 2>you know, yeah, I think I've got time to chat

1:44:10.479 --> 1:44:13.040
<v Speaker 2>with you guys, but you know, how about fifty bucks?

1:44:15.240 --> 1:44:16.920
<v Speaker 2>And the guy says, you know, we don't. Really he

1:44:17.520 --> 1:44:18.639
<v Speaker 2>set the standard really that.

1:44:18.640 --> 1:44:21.160
<v Speaker 3>Was very Yeah, he protected journalism in.

1:44:21.120 --> 1:44:23.960
<v Speaker 2>The exactly right Imagine the guy said, here's fifty bucks,

1:44:24.000 --> 1:44:26.920
<v Speaker 2>where would we all be? Yeah, So the guy said

1:44:26.960 --> 1:44:28.800
<v Speaker 2>to him, you know, no, we don't. We don't pay

1:44:28.800 --> 1:44:33.040
<v Speaker 2>for that, and Ben said, great, I'm gone. So now

1:44:33.160 --> 1:44:37.719
<v Speaker 2>go from literally the forty seven Open filming approach shots

1:44:37.720 --> 1:44:43.280
<v Speaker 2>into eighteen move ahead. Later in life, television has become

1:44:43.280 --> 1:44:48.080
<v Speaker 2>a little more sophisticated, and Rune Ourledge is now overseeing

1:44:48.120 --> 1:44:51.400
<v Speaker 2>ABC Sports, which had the contract to air the US

1:44:51.479 --> 1:44:58.000
<v Speaker 2>Open up until the early nineties, and Terry Jastro, who

1:44:58.040 --> 1:45:02.120
<v Speaker 2>went on to become unbelo believably successful and well regarded

1:45:02.160 --> 1:45:06.200
<v Speaker 2>television producer and director. They're all working at ABC Sports

1:45:06.240 --> 1:45:11.599
<v Speaker 2>and they're working on preparing to broadcast the Pebble Beach

1:45:11.680 --> 1:45:14.679
<v Speaker 2>US Open, And so they're doing site visits and where

1:45:14.680 --> 1:45:16.679
<v Speaker 2>are we going to put our cameras and all this stuff,

1:45:16.720 --> 1:45:21.040
<v Speaker 2>And they get this idea. They say to themselves, you know,

1:45:21.200 --> 1:45:24.120
<v Speaker 2>golf has always started at, like in the old days

1:45:24.280 --> 1:45:27.640
<v Speaker 2>at Saint Louis, the eighteenth hole. Even more recently in

1:45:27.760 --> 1:45:30.160
<v Speaker 2>the in the seventies, we were only showing golf from

1:45:30.200 --> 1:45:33.920
<v Speaker 2>like the eleventh hole on. And they say to themselves,

1:45:33.960 --> 1:45:36.200
<v Speaker 2>you know, would you really would you cover a baseball

1:45:36.240 --> 1:45:38.400
<v Speaker 2>game starting in the third inning? And they're like, no,

1:45:38.680 --> 1:45:42.200
<v Speaker 2>you wouldn't. And so they come to this idea that

1:45:43.040 --> 1:45:46.080
<v Speaker 2>a great golf telecast of the US Open especially ought

1:45:46.120 --> 1:45:49.400
<v Speaker 2>to have as much golf as possible, and if you're

1:45:49.479 --> 1:45:52.760
<v Speaker 2>at a place like Pebble, even more so because you're

1:45:52.800 --> 1:45:56.879
<v Speaker 2>going to have such vistas. So they call Rune Oledge

1:45:56.880 --> 1:46:00.080
<v Speaker 2>from their site visit at Pebble, and they say, and

1:46:00.400 --> 1:46:02.559
<v Speaker 2>Rune has played in the Crosby but at this time

1:46:03.040 --> 1:46:06.519
<v Speaker 2>Run is a regular in the Crosby Clambake playing with

1:46:06.560 --> 1:46:10.200
<v Speaker 2>Tom Weiscoff. He loves Pebble as much as anybody. So

1:46:10.240 --> 1:46:13.000
<v Speaker 2>they call Run and they say, hey, you know, we're

1:46:13.000 --> 1:46:15.360
<v Speaker 2>out here doing the sight visit. We were thinking, maybe

1:46:15.600 --> 1:46:17.639
<v Speaker 2>is this crazy? Maybe we ought to be showing more

1:46:17.680 --> 1:46:19.840
<v Speaker 2>holes and more of Pebble and more of these views.

1:46:20.640 --> 1:46:23.400
<v Speaker 2>As I say in the book, you know, asking Run

1:46:23.439 --> 1:46:25.799
<v Speaker 2>our OLiS if he wants more pebble is like asking

1:46:25.920 --> 1:46:31.320
<v Speaker 2>Christopher Walking if he wants more cow bell. So he says,

1:46:31.479 --> 1:46:35.000
<v Speaker 2>that's a great idea, absolutely great idea. He says, why

1:46:35.040 --> 1:46:36.720
<v Speaker 2>don't we get as much as we can? In fact,

1:46:36.840 --> 1:46:39.200
<v Speaker 2>instead of just doing like one hour, let's do like

1:46:39.360 --> 1:46:42.120
<v Speaker 2>three hours. And then Run had to come up with

1:46:42.160 --> 1:46:44.600
<v Speaker 2>the decision, well, where are those three hours going to

1:46:44.680 --> 1:46:47.240
<v Speaker 2>come from? And of course he was the godfather of

1:46:47.320 --> 1:46:51.240
<v Speaker 2>why world of sports, which was just the it show

1:46:51.320 --> 1:46:55.000
<v Speaker 2>in all sports television at that time, and so he said, great,

1:46:55.240 --> 1:46:59.120
<v Speaker 2>we'll just make what we'll take two hours from why

1:46:59.160 --> 1:47:03.679
<v Speaker 2>world of sports and make it golf coverage. And that's

1:47:03.720 --> 1:47:05.960
<v Speaker 2>when they got that's the first time that golf ever

1:47:06.000 --> 1:47:10.240
<v Speaker 2>got the big window, the big block of television time

1:47:10.360 --> 1:47:13.759
<v Speaker 2>to show early early holes. Going back, I think maybe

1:47:14.400 --> 1:47:17.120
<v Speaker 2>in that open they might have started around the sixth

1:47:17.360 --> 1:47:20.640
<v Speaker 2>hole something like that, and eventually at Southern Hills, I

1:47:20.680 --> 1:47:22.960
<v Speaker 2>think in seventy seven might have been the first time

1:47:23.000 --> 1:47:25.679
<v Speaker 2>that they ever were able to show all eighteen.

1:47:25.960 --> 1:47:28.800
<v Speaker 3>Did all eighteen and at Pebble Beach, surely part of

1:47:28.840 --> 1:47:31.840
<v Speaker 3>the motive would be, we want to make sure to

1:47:31.880 --> 1:47:35.320
<v Speaker 3>show the seventh hole at the very least, like get

1:47:35.400 --> 1:47:38.000
<v Speaker 3>back far enough in the round so that they can

1:47:38.040 --> 1:47:42.360
<v Speaker 3>see some of that four through ten stretch, which is

1:47:42.400 --> 1:47:46.000
<v Speaker 3>so great, whereas if you start at eleven at Pebble Beach,

1:47:46.080 --> 1:47:49.439
<v Speaker 3>you're not really showing right Pebble Beach. That's a way

1:47:49.479 --> 1:47:51.840
<v Speaker 3>that would satisfy anybody exactly.

1:47:51.880 --> 1:47:59.320
<v Speaker 2>And speaking of motives, in their early discussions, Jastro had

1:47:59.360 --> 1:48:03.080
<v Speaker 2>spoken with the general manager of Pebble Beach itself, and

1:48:03.120 --> 1:48:06.040
<v Speaker 2>the general manager was complaining to Terry, this is all

1:48:06.080 --> 1:48:09.120
<v Speaker 2>in the book that Hey, times at Pebble are tough.

1:48:09.200 --> 1:48:12.720
<v Speaker 2>We're not selling out our rooms, we're not selling out

1:48:12.720 --> 1:48:17.040
<v Speaker 2>the golf course. We're having a hard time. And so hey, Terry,

1:48:17.160 --> 1:48:19.360
<v Speaker 2>when you air the USO, we need to do us

1:48:19.400 --> 1:48:23.000
<v Speaker 2>a favor. Can you rather than just showing golf action,

1:48:23.720 --> 1:48:26.160
<v Speaker 2>can you just sell the lodge a little bit? Can

1:48:26.160 --> 1:48:28.760
<v Speaker 2>you sell the experience a little bit? And so I

1:48:28.800 --> 1:48:33.479
<v Speaker 2>went back and I looked at the footage of those

1:48:34.240 --> 1:48:38.519
<v Speaker 2>all four days of the telecast, and every day the

1:48:38.600 --> 1:48:41.320
<v Speaker 2>opening shot is a tight shot of the front door

1:48:41.360 --> 1:48:44.600
<v Speaker 2>of the lodge, and you know, the announcer says, you know,

1:48:44.680 --> 1:48:47.519
<v Speaker 2>you're looking live at the lodge at Pebble Beach, and

1:48:47.520 --> 1:48:50.000
<v Speaker 2>he talks about what a fantastic place it is. And

1:48:50.040 --> 1:48:53.040
<v Speaker 2>then they panned back and they turned fifty yards away

1:48:53.080 --> 1:48:54.880
<v Speaker 2>as the first t of one of the great golf

1:48:54.920 --> 1:48:59.599
<v Speaker 2>courses in the world, and the phones are lighting up,

1:49:00.000 --> 1:49:04.160
<v Speaker 2>people are reserving rooms again. And Jastro and the general

1:49:04.200 --> 1:49:08.559
<v Speaker 2>manager Pebble said that that hosting that open airing that

1:49:08.880 --> 1:49:12.240
<v Speaker 2>open is what kind of revived Pebble financially.

1:49:13.120 --> 1:49:18.000
<v Speaker 3>Yeah, so television and Pebble Beach have certainly been intertwined,

1:49:18.400 --> 1:49:21.920
<v Speaker 3>very very intimately ever ever since very much. You know,

1:49:22.320 --> 1:49:24.200
<v Speaker 3>to get to the kind of final beat of your

1:49:24.240 --> 1:49:29.519
<v Speaker 3>story about TV and Pebble, the nineteen eighty two US

1:49:29.640 --> 1:49:35.800
<v Speaker 3>Open represented yet another innovation in golf telecasts, right, yet

1:49:35.840 --> 1:49:38.800
<v Speaker 3>another expansion of the coverage. Maybe you could say a

1:49:38.800 --> 1:49:40.080
<v Speaker 3>few words about it, Yes, about that.

1:49:40.600 --> 1:49:44.519
<v Speaker 2>So, up until nineteen eighty two, golf in America had

1:49:44.560 --> 1:49:47.360
<v Speaker 2>only been broadcast on weekends. You'd only been able to

1:49:47.400 --> 1:49:52.040
<v Speaker 2>watch it on a Saturday or Sunday. So ABC has

1:49:52.120 --> 1:49:55.120
<v Speaker 2>the rights the television package, and what they would do

1:49:55.280 --> 1:49:57.880
<v Speaker 2>is they would bring their whole crew out to a

1:49:57.960 --> 1:50:02.559
<v Speaker 2>venue and they would use the Thursday Friday rounds as

1:50:02.640 --> 1:50:06.160
<v Speaker 2>practice for what would be the coverage on Saturday and Sunday.

1:50:06.520 --> 1:50:09.639
<v Speaker 2>So the cameras would literally try to train the kind

1:50:09.640 --> 1:50:11.680
<v Speaker 2>of know the angles of the ballflight and kind of

1:50:11.680 --> 1:50:14.719
<v Speaker 2>get all that down on Thursday and Friday so they'd

1:50:14.720 --> 1:50:18.439
<v Speaker 2>be ready on Saturday and Sunday. Well, this little teeny

1:50:18.439 --> 1:50:22.679
<v Speaker 2>little cable contraption called ESPN, which was just starving for

1:50:23.120 --> 1:50:28.559
<v Speaker 2>both programming and money approaches ABC Sports, which was the

1:50:28.680 --> 1:50:33.479
<v Speaker 2>Leviathan and says, what would you think about us airing

1:50:33.560 --> 1:50:36.960
<v Speaker 2>your Thursday and Friday rounds on our little cable net

1:50:37.600 --> 1:50:40.479
<v Speaker 2>and then you guys can do your Saturday and Sunday rounds.

1:50:41.600 --> 1:50:48.800
<v Speaker 2>And of course this meant that the ABC sports cameramen

1:50:49.400 --> 1:50:52.360
<v Speaker 2>and announcers and PA's the whole staff, we're going to

1:50:52.400 --> 1:50:56.080
<v Speaker 2>be live on Thursday and Friday, meaning they would forfeit

1:50:56.120 --> 1:51:00.880
<v Speaker 2>those practice days. So it meant more tension and more

1:51:00.920 --> 1:51:04.439
<v Speaker 2>work and less practice. And so the ABC people were

1:51:04.479 --> 1:51:08.200
<v Speaker 2>a little bit the staffers anywhere were a little bit

1:51:08.360 --> 1:51:18.320
<v Speaker 2>cold to this idea. And the disdain that broadcast television

1:51:18.439 --> 1:51:22.200
<v Speaker 2>had for cable television at that time cannot be overstated.

1:51:22.520 --> 1:51:29.680
<v Speaker 2>I mean, broadcast television was essentially Hollywood, and cable television

1:51:29.880 --> 1:51:32.320
<v Speaker 2>was you know, the Des Moines affiliate, you know, you

1:51:32.400 --> 1:51:35.519
<v Speaker 2>know what I mean, Like there was no there was

1:51:35.640 --> 1:51:41.240
<v Speaker 2>no glamour attached to cable even though at that moment

1:51:41.640 --> 1:51:44.280
<v Speaker 2>what was kind of bubbling up under the surface was

1:51:45.320 --> 1:51:49.080
<v Speaker 2>we were about to go from a three network universe

1:51:49.360 --> 1:51:56.200
<v Speaker 2>in television, ABC, NBC, and CBS into this dozens of channels,

1:51:56.280 --> 1:52:02.200
<v Speaker 2>hundreds of channels cable universe, and that the cable companies

1:52:02.680 --> 1:52:06.240
<v Speaker 2>were going to be receiving money, not only subscriber fees,

1:52:06.520 --> 1:52:08.360
<v Speaker 2>but also advertising dollars.

1:52:08.960 --> 1:52:12.879
<v Speaker 3>Yeah, and probably the greatest business model exactly right, ever invented,

1:52:13.080 --> 1:52:16.000
<v Speaker 3>which is now collapsing, by the way, exactly right, but

1:52:16.080 --> 1:52:19.120
<v Speaker 3>for about you know, forty years there it.

1:52:19.120 --> 1:52:20.160
<v Speaker 4>Was that's exactly right.

1:52:21.000 --> 1:52:25.840
<v Speaker 2>And so while ABC was in the catbird seat in

1:52:25.960 --> 1:52:31.720
<v Speaker 2>terms of glamour and prestige, the future was clearly going

1:52:31.760 --> 1:52:35.440
<v Speaker 2>to be a cable television And so this all unfolded

1:52:35.920 --> 1:52:39.280
<v Speaker 2>that week at Pebble in nineteen eighty two, with this

1:52:39.439 --> 1:52:43.919
<v Speaker 2>upstart cable network trying to work with and ultimately usurp

1:52:44.680 --> 1:52:48.479
<v Speaker 2>the you know, the leader, the ABC Sports leader, and

1:52:49.560 --> 1:52:52.200
<v Speaker 2>that moment happened, you know, they finally agreed to do it.

1:52:55.040 --> 1:52:59.240
<v Speaker 2>And right before they went on air, Kurt Goudie, who

1:52:59.320 --> 1:53:02.240
<v Speaker 2>was one of the announouncers for ABC, no, it's Jim McKay.

1:53:02.280 --> 1:53:05.160
<v Speaker 2>I'm sorry, it was Jim McKay. Jim McKay says to

1:53:05.200 --> 1:53:07.840
<v Speaker 2>everybody over their earpieces before they're about to go on

1:53:07.880 --> 1:53:11.040
<v Speaker 2>air on Thursday and Friday. He goes, hey, don't waste

1:53:11.040 --> 1:53:14.040
<v Speaker 2>your good stuff today or tomorrow. It's only cable.

1:53:14.080 --> 1:53:19.920
<v Speaker 3>It's only cable that's good stuff. Well, you get to

1:53:19.920 --> 1:53:23.400
<v Speaker 3>the end of that Tournament, seventy first hole, Watson chips

1:53:23.439 --> 1:53:29.920
<v Speaker 3>and I rewatched this before our interview with an eye

1:53:30.000 --> 1:53:34.839
<v Speaker 3>toward the telecast of it. Yeah, and what I noticed

1:53:35.000 --> 1:53:40.400
<v Speaker 3>was that it was a very well executed telecast. It

1:53:40.479 --> 1:53:44.679
<v Speaker 3>represented kind of how far golf television had come since

1:53:44.920 --> 1:53:47.599
<v Speaker 3>nineteen forty seven when they were just showing those approach chests,

1:53:47.640 --> 1:53:50.519
<v Speaker 3>and how far it had come since those those Masters

1:53:50.520 --> 1:53:55.640
<v Speaker 3>tournaments that they broadcast in the nineteen sixties when it

1:53:55.680 --> 1:53:58.360
<v Speaker 3>was sort of similar. They would only cover a few

1:53:58.360 --> 1:54:00.880
<v Speaker 3>holes at a time. It was black and white for

1:54:01.720 --> 1:54:04.920
<v Speaker 3>at least a few years there. At the beginning, you

1:54:05.000 --> 1:54:09.760
<v Speaker 3>get to Watson's Chipin' in nineteen eighty two, and the

1:54:09.840 --> 1:54:13.400
<v Speaker 3>crew knows exactly how to deliver that moment. Yes, you

1:54:13.439 --> 1:54:16.599
<v Speaker 3>see the shot itself in a wide shot, you see

1:54:16.600 --> 1:54:19.840
<v Speaker 3>the ball go in. Then and then you have these

1:54:19.920 --> 1:54:23.160
<v Speaker 3>different cameras, these different angles, the close up on Watson

1:54:23.280 --> 1:54:27.280
<v Speaker 3>showing his run across the green, cutting to the crowd

1:54:27.320 --> 1:54:29.640
<v Speaker 3>and showing the crowd going crazy, and then back to

1:54:29.680 --> 1:54:32.880
<v Speaker 3>Watson as he continues to celebrate and points at his caddy,

1:54:33.160 --> 1:54:35.640
<v Speaker 3>Bruce Edwards, And you know, says I told you so,

1:54:35.760 --> 1:54:37.800
<v Speaker 3>basically because he told him before the shot that he

1:54:37.880 --> 1:54:39.800
<v Speaker 3>was going to He wasn't just going to get it close,

1:54:39.840 --> 1:54:43.200
<v Speaker 3>he was going to hold it. And you know, looking

1:54:43.240 --> 1:54:45.800
<v Speaker 3>at this, I was like, well, this is basically a

1:54:45.840 --> 1:54:50.360
<v Speaker 3>modern golf telecast. They got there everything that's really important.

1:54:50.360 --> 1:54:52.120
<v Speaker 3>I mean, there's a bunch of bells and whistles now

1:54:52.120 --> 1:54:53.880
<v Speaker 3>that they have that they didn't have back then. But

1:54:54.920 --> 1:54:58.760
<v Speaker 3>really that's all you need right there. The ability to

1:54:58.840 --> 1:55:01.120
<v Speaker 3>show these shots from a number of different angles and

1:55:01.200 --> 1:55:07.560
<v Speaker 3>to have the commentators following along live and delivering the moment.

1:55:08.280 --> 1:55:09.680
<v Speaker 3>They were able to do that.

1:55:10.280 --> 1:55:12.800
<v Speaker 2>It was almost cinematic, like if you if you take

1:55:12.840 --> 1:55:17.680
<v Speaker 2>footage from just your random event, to take the nineteen

1:55:18.400 --> 1:55:21.360
<v Speaker 2>sixty five US Open, I don't even know bell Reeve,

1:55:21.360 --> 1:55:23.600
<v Speaker 2>I don't even know where it was, take footage from

1:55:23.600 --> 1:55:26.280
<v Speaker 2>that and compare it to the footage you just described,

1:55:26.520 --> 1:55:32.760
<v Speaker 2>maybe two and the advances in golf television are almost undescribable.

1:55:33.720 --> 1:55:36.720
<v Speaker 2>But a lot of that vision, a lot of that

1:55:36.840 --> 1:55:41.480
<v Speaker 2>sort of intimacy and the warmth and the humanity is

1:55:41.600 --> 1:55:48.920
<v Speaker 2>actually brought to the screen by Ruin Oarledge that that

1:55:49.120 --> 1:55:51.880
<v Speaker 2>was his thing. And I don't know, you may not

1:55:51.920 --> 1:55:54.080
<v Speaker 2>be old enough. I don't know you. You might be.

1:55:54.640 --> 1:55:57.400
<v Speaker 3>Do you remember was two years before I was born.

1:55:58.360 --> 1:55:59.680
<v Speaker 3>If that gives you an idea, well.

1:55:59.560 --> 1:55:59.960
<v Speaker 4>You might be.

1:56:00.400 --> 1:56:02.240
<v Speaker 2>You were probably a little to you, you remember. But Rune

1:56:02.280 --> 1:56:05.240
<v Speaker 2>Oarlich brought this thing about in the nineteen seventies and

1:56:05.320 --> 1:56:09.000
<v Speaker 2>probably it lasted into the eighties called up close and personal,

1:56:09.600 --> 1:56:12.360
<v Speaker 2>and it's become almost a cliche in TV now, but

1:56:13.560 --> 1:56:15.360
<v Speaker 2>up close and personally. The idea of up close and

1:56:15.400 --> 1:56:18.520
<v Speaker 2>personal was that, particularly in the seventies when this thing

1:56:18.560 --> 1:56:21.280
<v Speaker 2>really took off. Maybe it could have been the early eighties.

1:56:23.040 --> 1:56:28.080
<v Speaker 2>Rune had this belief that if I, if I knew

1:56:28.120 --> 1:56:31.520
<v Speaker 2>you in some way, I would care more about what

1:56:31.520 --> 1:56:33.600
<v Speaker 2>you're doing on the field, or on the golf course

1:56:33.680 --> 1:56:35.960
<v Speaker 2>or on the tennis court. And so if I could

1:56:36.400 --> 1:56:38.960
<v Speaker 2>somehow get a little bit closer to you with my camera,

1:56:39.440 --> 1:56:41.200
<v Speaker 2>and if I could see your eyes a little bit,

1:56:41.320 --> 1:56:45.560
<v Speaker 2>eyes were huge, and if my announcers had something a

1:56:45.600 --> 1:56:50.480
<v Speaker 2>little more about you than he's born in California, you know,

1:56:50.720 --> 1:56:53.640
<v Speaker 2>like maybe that you played golf at this college, and

1:56:53.760 --> 1:56:55.840
<v Speaker 2>that you had been a left hander and the switch

1:56:55.880 --> 1:56:59.400
<v Speaker 2>to right, and so more personal detail, and so that

1:56:59.440 --> 1:57:01.680
<v Speaker 2>the better I knew you, the more I would care

1:57:01.720 --> 1:57:04.640
<v Speaker 2>about what you were doing on TV. That was the

1:57:04.880 --> 1:57:09.480
<v Speaker 2>essence of up close and personal, and Jastro talks about

1:57:09.480 --> 1:57:12.680
<v Speaker 2>it in the book. In the chapter where we detail

1:57:13.240 --> 1:57:17.320
<v Speaker 2>this TV moment and what went into these shots, Jastro

1:57:17.400 --> 1:57:19.920
<v Speaker 2>talks about the importance of having the best cameramen in

1:57:19.960 --> 1:57:23.880
<v Speaker 2>the business in position to get all the shots they wanted,

1:57:24.320 --> 1:57:27.000
<v Speaker 2>close ups of the ball, like, for instance, you would

1:57:27.080 --> 1:57:28.800
<v Speaker 2>not have seen a close up of a golf ball

1:57:28.840 --> 1:57:32.800
<v Speaker 2>in the nineteen sixty five US Open telegass. Yeah, but

1:57:33.040 --> 1:57:35.840
<v Speaker 2>you got a real good look at the ball, and

1:57:38.160 --> 1:57:40.880
<v Speaker 2>I am there since, and you had multiple guys with

1:57:41.080 --> 1:57:45.000
<v Speaker 2>low angle cameras, multiple guys with high angle cameras. In fact,

1:57:45.640 --> 1:57:51.920
<v Speaker 2>to get that balletic response by Watson is really a

1:57:51.920 --> 1:57:54.640
<v Speaker 2>tribute to the cameramen because that just didn't happen a

1:57:54.680 --> 1:57:56.680
<v Speaker 2>lot in golf, and it certainly didn't happen a lot

1:57:56.680 --> 1:58:00.720
<v Speaker 2>with Watson. He was a very reserved guy. Ironic really

1:58:00.760 --> 1:58:06.080
<v Speaker 2>that his greatest shot is marked by the most Unwatson

1:58:06.240 --> 1:58:10.360
<v Speaker 2>like celebration you've ever seen in your life. And the

1:58:10.360 --> 1:58:12.760
<v Speaker 2>fact that they were able to record all that live

1:58:14.160 --> 1:58:18.000
<v Speaker 2>is a testament to the evolution of golf television. But

1:58:18.040 --> 1:58:23.360
<v Speaker 2>it's really a credit to Ruin Oarledge and Terry Jastrow

1:58:23.400 --> 1:58:26.960
<v Speaker 2>and to Chuck Howard who really learned nailed down how

1:58:27.000 --> 1:58:27.760
<v Speaker 2>to do golf TV.

1:58:28.760 --> 1:58:32.440
<v Speaker 3>And then beyond that, it's in color and it's showing

1:58:32.680 --> 1:58:35.880
<v Speaker 3>Pebble Beach. You can see the ocean, you can see

1:58:35.920 --> 1:58:40.400
<v Speaker 3>the course, and I think that probably changed a lot

1:58:40.440 --> 1:58:44.400
<v Speaker 3>of things for Pebble Beach, being able to be beamed

1:58:44.480 --> 1:58:48.320
<v Speaker 3>into people's living rooms in color so that people could

1:58:48.320 --> 1:58:50.040
<v Speaker 3>actually see what this golf course looked like.

1:58:50.200 --> 1:58:53.800
<v Speaker 2>Yeah, I think it did. I think really almost starting

1:58:53.960 --> 1:58:56.720
<v Speaker 2>in seventy two when people got to watch Nicholas hit

1:58:56.760 --> 1:59:01.280
<v Speaker 2>the one iron the seventeen stretching through and really even

1:59:01.320 --> 1:59:05.560
<v Speaker 2>to when they went there in ninety two, the best

1:59:05.680 --> 1:59:07.920
<v Speaker 2>ad you could ever have for Pebble Beach is a

1:59:08.040 --> 1:59:12.080
<v Speaker 2>US Open at Pebble Beach. And from the time that

1:59:12.120 --> 1:59:17.800
<v Speaker 2>Golf di just started ranking courses, you see a huge

1:59:18.880 --> 1:59:22.320
<v Speaker 2>rise in Pebble Beach's stature the more it's been on

1:59:22.360 --> 1:59:27.440
<v Speaker 2>television in US Opens. So, you know, to Jastro and

1:59:27.520 --> 1:59:31.160
<v Speaker 2>the GM's earlier point about you know, now they were

1:59:31.200 --> 1:59:35.400
<v Speaker 2>selling rooms like the US Open and the ABC put

1:59:35.400 --> 1:59:39.960
<v Speaker 2>Pebble back on the financial map. I think it's also

1:59:40.360 --> 1:59:44.839
<v Speaker 2>carved out for Pebble Beach a permanent place in golf

1:59:45.640 --> 1:59:51.560
<v Speaker 2>course lore. I mean it's it's just spectacular and it

1:59:51.600 --> 1:59:52.360
<v Speaker 2>loves the camera.

1:59:53.960 --> 1:59:55.760
<v Speaker 3>Well, Chris, it was great to have you back on

1:59:55.800 --> 1:59:59.400
<v Speaker 3>the podcast again. The book is called The Shot Watson Nicholas,

1:59:59.400 --> 2:00:02.840
<v Speaker 3>Pebble Beach and the Chip That Changed Everything available for

2:00:02.960 --> 2:00:05.160
<v Speaker 3>order now. Maybe by the time this podcast comes out.

2:00:05.200 --> 2:00:08.600
<v Speaker 3>In fact, copies of the book will be getting shipped

2:00:08.600 --> 2:00:11.800
<v Speaker 3>out to people. So congratulations on the book and thanks

2:00:11.840 --> 2:00:12.320
<v Speaker 3>for coming on.

2:00:12.880 --> 2:00:15.080
<v Speaker 2>Thank you so much, Garrett, thanks for having me, and

2:00:15.400 --> 2:00:17.280
<v Speaker 2>happy holidays to you and all your viewers.

2:00:17.480 --> 2:00:18.240
<v Speaker 3>Yeah to you as well.

2:00:28.760 --> 2:00:31.960
<v Speaker 1>All right, thank you for listening to another edition of

2:00:32.000 --> 2:00:35.680
<v Speaker 1>the Friday Podcast. I hope you liked this monster episode here.

2:00:36.760 --> 2:00:39.520
<v Speaker 1>Gotten a ton of feedback about the Bob Crosby episode

2:00:39.560 --> 2:00:44.880
<v Speaker 1>earlier this week. Thank you, that was really fun. I'm

2:00:44.960 --> 2:00:48.640
<v Speaker 1>sad that Bob had a hard stop. That conversation probably

2:00:48.680 --> 2:00:52.720
<v Speaker 1>would have kept going. We will definitely get him back

2:00:52.760 --> 2:00:56.520
<v Speaker 1>on in the near future to have a part two

2:00:57.560 --> 2:01:02.000
<v Speaker 1>of that discussion. But thanks the PJA for editing producing

2:01:02.040 --> 2:01:05.080
<v Speaker 1>this podcast. He has been a busy boy. We've got

2:01:05.120 --> 2:01:08.160
<v Speaker 1>year review going on on shotgun start and he is

2:01:09.040 --> 2:01:13.120
<v Speaker 1>churning out the audio content. We've got two more weeks

2:01:13.120 --> 2:01:16.000
<v Speaker 1>of pods and then a little break. We're going to

2:01:16.040 --> 2:01:19.640
<v Speaker 1>take a holiday break, but we've got some goodies in

2:01:19.720 --> 2:01:24.040
<v Speaker 1>store for the holidays. Thanks to everybody for their ongoing support,

2:01:24.640 --> 2:01:27.880
<v Speaker 1>And if you're looking for another type of holiday gift,

2:01:28.200 --> 2:01:31.560
<v Speaker 1>check out Club TFE our membership. That's a great gift

2:01:31.720 --> 2:01:34.000
<v Speaker 1>for people. If you want to gift yourself, if you

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<v Speaker 1>want to learn more about golf courses, architecture, if you

2:01:36.960 --> 2:01:40.160
<v Speaker 1>want to join our community talk about golf with other

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<v Speaker 1>golfs that goes check out CLUBTFE. That's the frid egg

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<v Speaker 1>dot com slash membership. Thanks