1 00:00:01,680 --> 00:00:06,680 Speaker 1: Coolso media, Hello, and welcome to cool people who did 2 00:00:06,720 --> 00:00:09,520 Speaker 1: cool stuff. You're a weekly reminder that nothing ever changes. 3 00:00:09,560 --> 00:00:12,360 Speaker 1: And by that I mean people keep doing good things 4 00:00:12,760 --> 00:00:16,160 Speaker 1: and only good things, And we do good things because 5 00:00:16,200 --> 00:00:18,279 Speaker 1: bad things happen. It's almost like the people who do 6 00:00:18,320 --> 00:00:20,720 Speaker 1: bad things. No, they're not doing us a favor by 7 00:00:20,800 --> 00:00:22,760 Speaker 1: letting us have a chance to do good things. But 8 00:00:22,880 --> 00:00:26,080 Speaker 1: one good thing that's happening is that I have a guest, 9 00:00:26,600 --> 00:00:28,720 Speaker 1: and my guest is Gabe. 10 00:00:29,120 --> 00:00:29,320 Speaker 2: Hi. 11 00:00:29,360 --> 00:00:30,680 Speaker 1: How are you Hi? 12 00:00:31,200 --> 00:00:33,720 Speaker 2: It's Gabe from the first one you'll remember. 13 00:00:33,960 --> 00:00:36,120 Speaker 1: Okay, I have a question for you. Yeah, what does 14 00:00:36,120 --> 00:00:38,440 Speaker 1: a thousand natural shocks mean? Which is, by the way, 15 00:00:38,520 --> 00:00:40,320 Speaker 1: the name of the podcast that Gabe does. 16 00:00:40,880 --> 00:00:44,600 Speaker 2: Yes, and my sub sac it's from the to be 17 00:00:44,760 --> 00:00:46,199 Speaker 2: or not to be speech from Hamlet. 18 00:00:46,320 --> 00:00:48,880 Speaker 1: Oh shit, I feel like a uh huh Okay. 19 00:00:49,159 --> 00:00:52,120 Speaker 2: He says the thousand natural shocks that flashes air to 20 00:00:52,760 --> 00:00:56,680 Speaker 2: And I kind of have weird like obsessions with different 21 00:00:56,720 --> 00:00:59,840 Speaker 2: Shakespeare plays for different amounts of time. So in college 22 00:00:59,840 --> 00:01:01,880 Speaker 2: I was really into Macbeth and I did not care 23 00:01:01,920 --> 00:01:02,880 Speaker 2: about anything. 24 00:01:02,520 --> 00:01:04,000 Speaker 1: Else because you're neurotypical. 25 00:01:04,240 --> 00:01:07,479 Speaker 2: Yeah, exactly, because there's no autism detected here. Yeah, And then, 26 00:01:07,680 --> 00:01:09,679 Speaker 2: so it wasn't like, oh, you're into Shakespeare. It was like, no, 27 00:01:09,720 --> 00:01:12,800 Speaker 2: I'm into this. And so that happened with Hamlet too. 28 00:01:13,120 --> 00:01:16,000 Speaker 2: While this was going on, because I was like, I 29 00:01:16,040 --> 00:01:17,680 Speaker 2: watched the Kenneth brannaw one. 30 00:01:17,720 --> 00:01:19,559 Speaker 1: Don't ask me to know the name of pop people 31 00:01:19,760 --> 00:01:20,760 Speaker 1: or actors. 32 00:01:21,040 --> 00:01:24,360 Speaker 2: So Kenneth Brandna, he's an actor, but he's also like, 33 00:01:24,640 --> 00:01:27,040 Speaker 2: he did an adaptation of Hamlet that's four hours long. 34 00:01:27,200 --> 00:01:30,280 Speaker 2: It ripped for me. I loved it, but then I 35 00:01:30,319 --> 00:01:33,600 Speaker 2: saw that he was nominated for Best Adapted Screenplay for 36 00:01:33,640 --> 00:01:36,520 Speaker 2: it when he simply did not change one word. 37 00:01:37,440 --> 00:01:39,640 Speaker 1: I would still say a screenplay from a stage play 38 00:01:39,720 --> 00:01:40,440 Speaker 1: is an adaptation. 39 00:01:41,080 --> 00:01:44,360 Speaker 2: He did, Okay, sure, maybe no, I'll buy it. But 40 00:01:44,640 --> 00:01:46,080 Speaker 2: when I saw that, I was like, he did, no, 41 00:01:46,319 --> 00:01:46,880 Speaker 2: no it. 42 00:01:47,280 --> 00:01:50,600 Speaker 1: Yeah, I will make my case because my association with 43 00:01:50,600 --> 00:01:52,960 Speaker 1: to be or not to be speech besides the only 44 00:01:53,160 --> 00:01:55,639 Speaker 1: Shakespeare I can quote like five lines of as compared 45 00:01:55,680 --> 00:01:58,600 Speaker 1: to nothing else. Can't quote anything of. Because when I 46 00:01:58,640 --> 00:02:00,720 Speaker 1: was in high school and I was an ingl me 47 00:02:00,760 --> 00:02:04,360 Speaker 1: and my best friend were teamed up to make Hamlet videos. 48 00:02:04,600 --> 00:02:06,920 Speaker 1: Oh okay, we had to pick some scenes and make 49 00:02:06,960 --> 00:02:10,400 Speaker 1: a Hamlet video. And me and my best friend competed 50 00:02:10,680 --> 00:02:13,240 Speaker 1: who got to be Hamlet by whoever memorized the speech 51 00:02:13,280 --> 00:02:15,920 Speaker 1: faster and I did not, And so I got my 52 00:02:16,080 --> 00:02:17,960 Speaker 1: second pick of who I wanted to be. So I 53 00:02:18,040 --> 00:02:22,160 Speaker 1: was a gay male Ophelia. Yes, okay, And so I 54 00:02:22,160 --> 00:02:26,200 Speaker 1: had a very tortured suicide scene, interesting bits of lore, 55 00:02:26,760 --> 00:02:29,120 Speaker 1: and we set the whole thing to the caral orifle 56 00:02:29,120 --> 00:02:30,239 Speaker 1: like do do do? 57 00:02:32,960 --> 00:02:33,480 Speaker 2: Wow. 58 00:02:34,000 --> 00:02:37,359 Speaker 1: Wow that was a pretentious little asshole. Yeah, I got 59 00:02:37,360 --> 00:02:39,079 Speaker 1: to be Ophelia, so it all worked out. 60 00:02:39,480 --> 00:02:41,520 Speaker 2: Also, I want to shout out the movie Sing Sing, 61 00:02:41,720 --> 00:02:44,080 Speaker 2: which is also where I got that from. Speaking of 62 00:02:44,120 --> 00:02:47,480 Speaker 2: auditioning for Hamlet, I started liking Hamlet because in that movie, 63 00:02:47,600 --> 00:02:50,520 Speaker 2: it's about a real life troop of actors in a 64 00:02:50,520 --> 00:02:53,560 Speaker 2: prison who put on a play and they wanted you Hamlet. 65 00:02:53,600 --> 00:02:56,040 Speaker 2: But then they start writing Hamlet into a different play, 66 00:02:56,120 --> 00:02:58,480 Speaker 2: so like, Hamlet's just a character in this other play 67 00:02:58,520 --> 00:03:01,520 Speaker 2: they're doing. And two, the audition for Pamela. The part 68 00:03:01,520 --> 00:03:04,239 Speaker 2: that made me absolutely sob at the end is that 69 00:03:04,400 --> 00:03:08,600 Speaker 2: all of the actors in the film are playing themselves. 70 00:03:09,120 --> 00:03:12,840 Speaker 2: It's the prison troop. Guys other than Coleman Domingo. I 71 00:03:13,440 --> 00:03:18,120 Speaker 2: lost it. Holy shit, It's so good. It's so good. 72 00:03:19,120 --> 00:03:22,960 Speaker 1: Well to also talk about people who are theatrical is 73 00:03:23,240 --> 00:03:29,000 Speaker 1: this week because these ladies are queens sometimes, but because 74 00:03:29,000 --> 00:03:31,919 Speaker 1: we are on part two of a two parter about 75 00:03:31,960 --> 00:03:35,720 Speaker 1: the Galley, the transpriestesses of ancient Rome, who I thought 76 00:03:35,720 --> 00:03:37,400 Speaker 1: were going to be way more mythical than they are, 77 00:03:37,600 --> 00:03:40,880 Speaker 1: and actually we're just there was a fucking lot of them. 78 00:03:40,960 --> 00:03:43,440 Speaker 1: For once, source I found said that they were around 79 00:03:43,480 --> 00:03:48,280 Speaker 1: for twelve hundred years. What Yeah, I didn't find to 80 00:03:48,280 --> 00:03:50,440 Speaker 1: start an end date there, and that would push it 81 00:03:50,560 --> 00:03:53,720 Speaker 1: past the Christianization of Rome. And I haven't read as 82 00:03:53,800 --> 00:03:57,560 Speaker 1: much about the Galley past Christianization of Rome, but that's 83 00:03:57,560 --> 00:04:01,600 Speaker 1: just because I haven't read as much. So the Galley 84 00:04:01,680 --> 00:04:05,800 Speaker 1: were primarily talked about at the time with male language 85 00:04:05,800 --> 00:04:09,200 Speaker 1: the Gale, and again, as I said before, I couldn't 86 00:04:09,200 --> 00:04:13,840 Speaker 1: find pronunciation guides doing what I can. Most modern historians, 87 00:04:13,880 --> 00:04:15,600 Speaker 1: at least the ones I've tended to look at, tend 88 00:04:15,600 --> 00:04:17,840 Speaker 1: to use the female forms when talking about them, and 89 00:04:17,920 --> 00:04:21,080 Speaker 1: some of the original sources also use the female form 90 00:04:21,080 --> 00:04:24,080 Speaker 1: when talking about them, and you can kind of basically 91 00:04:24,680 --> 00:04:27,640 Speaker 1: see how much of Dick's they're being based on how 92 00:04:27,680 --> 00:04:30,799 Speaker 1: they fucking gender them in language. Imagine that things change 93 00:04:30,800 --> 00:04:35,400 Speaker 1: so much. Wild the galley existed for a while before 94 00:04:35,440 --> 00:04:38,040 Speaker 1: they started showing up and writing, probably, and that happens 95 00:04:38,040 --> 00:04:41,960 Speaker 1: around the year two hundred BCE. The first poems about 96 00:04:41,960 --> 00:04:45,680 Speaker 1: them are epigrams in this context, are very short poems, 97 00:04:45,760 --> 00:04:49,000 Speaker 1: usually inscribed on things. There's just a bunch of them, 98 00:04:49,040 --> 00:04:51,039 Speaker 1: and it's like, kind of like a classic style of 99 00:04:51,120 --> 00:04:54,400 Speaker 1: story will be about a gala, an individual galley who 100 00:04:54,440 --> 00:04:56,880 Speaker 1: is attacked by a lion and then uses her drum 101 00:04:57,000 --> 00:05:00,880 Speaker 1: and wild ritual dancing to scare the lion away and 102 00:05:00,920 --> 00:05:03,720 Speaker 1: then donate something a robe, a drum, a lock of 103 00:05:03,720 --> 00:05:09,120 Speaker 1: hair to meet your sabelli. Huh. The galley probably grew 104 00:05:09,160 --> 00:05:12,400 Speaker 1: out of the metro gear test the itinerant preachers and beggars. 105 00:05:13,000 --> 00:05:15,880 Speaker 1: And we know this, or we suspect this because one 106 00:05:15,880 --> 00:05:18,599 Speaker 1: of the epigrams that's just like the same story as always, 107 00:05:19,040 --> 00:05:21,400 Speaker 1: instead of using the word gala, use the word metro guide. 108 00:05:22,120 --> 00:05:22,760 Speaker 2: Oh okay. 109 00:05:23,480 --> 00:05:26,000 Speaker 1: And then one guy later was like, ione is called 110 00:05:26,080 --> 00:05:28,640 Speaker 1: the metrogetes, but galoy are what they're now called, and 111 00:05:28,720 --> 00:05:30,800 Speaker 1: used yet another well, I think they used the latter, 112 00:05:30,800 --> 00:05:31,480 Speaker 1: the caloy. 113 00:05:31,920 --> 00:05:34,919 Speaker 2: Okay, interesting, we should go back to being called these 114 00:05:34,960 --> 00:05:37,600 Speaker 2: fun things like or just start using them to confuse 115 00:05:37,640 --> 00:05:38,280 Speaker 2: sis people. 116 00:05:38,839 --> 00:05:41,760 Speaker 1: I know, although what if it will get baden Gate two? 117 00:05:44,920 --> 00:05:48,159 Speaker 1: But anyway, I'll actually probably cover the baiten at some point, 118 00:05:48,200 --> 00:05:50,920 Speaker 1: which is the medieval English conception of the third gender 119 00:05:51,480 --> 00:05:52,479 Speaker 1: of trans women. 120 00:05:52,600 --> 00:05:56,240 Speaker 2: But we are not using cool enough words, and that 121 00:05:56,440 --> 00:05:59,640 Speaker 2: I will go on record that's the number one problem 122 00:05:59,640 --> 00:06:00,880 Speaker 2: for trans people today. 123 00:06:00,880 --> 00:06:04,200 Speaker 1: And I think we're pretty good at being cool. I 124 00:06:04,200 --> 00:06:06,159 Speaker 1: actually think it's the people who are I know, you 125 00:06:06,200 --> 00:06:13,160 Speaker 1: know this, Yeah, it's like, oh, we reclaimed the tea slurt. 126 00:06:13,200 --> 00:06:17,080 Speaker 2: That's nice. I'm calling myself a metro guard now, yeah, Bryan, 127 00:06:17,200 --> 00:06:17,600 Speaker 2: stop me. 128 00:06:18,240 --> 00:06:22,080 Speaker 1: Yeah. And it's funny because it's like we've always been 129 00:06:22,240 --> 00:06:26,279 Speaker 1: seen as cool and that scares people. Tease scares people 130 00:06:26,480 --> 00:06:29,120 Speaker 1: that we are because you have to be so comfortable 131 00:06:29,160 --> 00:06:32,440 Speaker 1: to come out as trans, and being comfortable is how 132 00:06:32,480 --> 00:06:36,320 Speaker 1: you are cool. And so these people who've locked themselves 133 00:06:36,320 --> 00:06:39,840 Speaker 1: into these like really rigid places are like, no, you 134 00:06:39,880 --> 00:06:42,680 Speaker 1: can't go over to the fun place, you have to 135 00:06:42,720 --> 00:06:43,560 Speaker 1: stay over here. 136 00:06:44,640 --> 00:06:48,360 Speaker 2: I literally had someone when I was a bisexual woman, 137 00:06:48,440 --> 00:06:50,800 Speaker 2: which we all know is the most oppressed person you 138 00:06:50,839 --> 00:06:54,400 Speaker 2: can be, especially if you're white. Someone messaged me and 139 00:06:54,520 --> 00:06:57,400 Speaker 2: was like, I used to bully you online, like homophobically. 140 00:06:57,800 --> 00:07:00,160 Speaker 2: It was because I'm gay and I'm sorry and now 141 00:07:00,200 --> 00:07:00,679 Speaker 2: I'm out. 142 00:07:00,920 --> 00:07:04,560 Speaker 1: And I was like, aw wow, that's sweet. 143 00:07:05,400 --> 00:07:07,240 Speaker 2: Yeah, it really is that they said in the thing, 144 00:07:07,279 --> 00:07:08,560 Speaker 2: they were like, I was just jealous. 145 00:07:09,560 --> 00:07:12,520 Speaker 1: I love an Onion headline from like ten years ago 146 00:07:12,680 --> 00:07:17,360 Speaker 1: that was like grandfather confused as to why trans granddaughter 147 00:07:17,520 --> 00:07:20,240 Speaker 1: doesn't just dress in women's clothes in private like everyone 148 00:07:20,280 --> 00:07:21,160 Speaker 1: from his generation. 149 00:07:22,120 --> 00:07:25,720 Speaker 2: Yes, suh, yes suh. 150 00:07:25,880 --> 00:07:30,960 Speaker 1: So basically, at various points we do more obvious shit. 151 00:07:31,400 --> 00:07:34,880 Speaker 1: And the name Galley probably comes from the River Gallos, 152 00:07:35,520 --> 00:07:37,840 Speaker 1: which is in Phrygia. So it's basically a way of 153 00:07:37,840 --> 00:07:42,360 Speaker 1: being like, oh, these Phrygians, these like foreigners. The foreignness 154 00:07:42,360 --> 00:07:45,760 Speaker 1: of this cult, even though it's like tied now into 155 00:07:45,800 --> 00:07:49,440 Speaker 1: like Greek and especially Roman nationalism, it's still about being 156 00:07:49,520 --> 00:07:53,520 Speaker 1: like this foreign group of wild people, and so the 157 00:07:53,600 --> 00:07:56,040 Speaker 1: River Gallos is like, oh, this is basically the Phrygians. 158 00:07:56,240 --> 00:07:58,120 Speaker 1: There's also a chance that they got their name from 159 00:07:58,120 --> 00:08:01,480 Speaker 1: the Gauls who lived on the river Gallows. Oh, so 160 00:08:01,960 --> 00:08:04,200 Speaker 1: it's interesting because then it's like the Celts are fucking 161 00:08:04,200 --> 00:08:04,720 Speaker 1: added again. 162 00:08:04,840 --> 00:08:08,240 Speaker 2: I was gonna say, Okay, interesting. 163 00:08:08,120 --> 00:08:13,160 Speaker 1: And that's probably less likely. Oh boo. And the river 164 00:08:13,240 --> 00:08:16,560 Speaker 1: Gallos is said to drive anyone who drink his waters insane, 165 00:08:17,200 --> 00:08:20,280 Speaker 1: and the Sibylly cult was largely seen as insane. 166 00:08:21,000 --> 00:08:23,880 Speaker 2: Yeah, so now my next question is, what's the definition 167 00:08:23,960 --> 00:08:26,440 Speaker 2: of insanity? Just dancing crazy with a drum? Like, what 168 00:08:26,480 --> 00:08:27,480 Speaker 2: are we talking about? 169 00:08:27,920 --> 00:08:29,480 Speaker 1: I mean they're like cutting their own dicks off during 170 00:08:29,480 --> 00:08:34,160 Speaker 1: ecstatic dancing and stuff during Yeah, in like public ways 171 00:08:34,400 --> 00:08:37,120 Speaker 1: pretty metal? It is really fucking metal. 172 00:08:37,320 --> 00:08:40,400 Speaker 2: Oh you guys thought ripping off a bat's head spitting 173 00:08:40,400 --> 00:08:42,000 Speaker 2: it was metal, which I don't think he. 174 00:08:42,000 --> 00:08:44,560 Speaker 1: Even did on No, I don't remember if he did it. 175 00:08:45,000 --> 00:08:48,720 Speaker 2: I think it wasn't on purpose. And now you know, 176 00:08:49,240 --> 00:08:51,720 Speaker 2: are you cutting your dickoff while dancing? 177 00:08:51,880 --> 00:08:55,520 Speaker 1: No? Yeah, so yeah, you really got nothing on these people, 178 00:08:55,679 --> 00:08:58,400 Speaker 1: which is interesting. One historian that I was reading was 179 00:08:58,440 --> 00:09:02,880 Speaker 1: talking about how some trans people look back enviously of 180 00:09:02,920 --> 00:09:07,000 Speaker 1: this group, even though they're super ostracized, literally because their 181 00:09:07,000 --> 00:09:08,600 Speaker 1: transition was in their own hands. 182 00:09:09,320 --> 00:09:12,359 Speaker 2: Oh wow wow. 183 00:09:11,960 --> 00:09:14,840 Speaker 1: And like because back then you were just like, I'm 184 00:09:14,880 --> 00:09:17,000 Speaker 1: fucking crazy, let's go cut your dick off. 185 00:09:17,160 --> 00:09:18,000 Speaker 2: Yeah yeah, yeah. 186 00:09:18,120 --> 00:09:20,600 Speaker 1: Now it's like you have to get diagnosed as crazy. 187 00:09:20,679 --> 00:09:22,240 Speaker 1: This is a little bit more like twenty years ago. 188 00:09:22,320 --> 00:09:25,040 Speaker 1: Oh I love this. You have to get diagnosed as 189 00:09:25,040 --> 00:09:27,520 Speaker 1: crazy and then taken through the crazy system and then 190 00:09:27,520 --> 00:09:30,199 Speaker 1: they're like, Okay, I guess you're so crazy that we're 191 00:09:30,200 --> 00:09:32,440 Speaker 1: going to cut your dick off. And for anyone who's listening, 192 00:09:32,720 --> 00:09:35,720 Speaker 1: not everyone, even in the Sibley cult, probably but not 193 00:09:35,760 --> 00:09:38,600 Speaker 1: everyone's cutting their shit off. Whatever gender and sex are different, 194 00:09:38,600 --> 00:09:43,559 Speaker 1: do your homework. Anyway. Even in the twentieth century, historians 195 00:09:43,559 --> 00:09:46,560 Speaker 1: were like, oh, these people castrated themselves because they were insane. 196 00:09:47,360 --> 00:09:49,280 Speaker 1: And it takes until the twenty first century where people 197 00:09:49,280 --> 00:09:53,400 Speaker 1: are like, uh, you historians haven't really paid attention to 198 00:09:53,440 --> 00:09:57,800 Speaker 1: modern sociology, have you. And it's also possible that the 199 00:09:57,840 --> 00:10:01,160 Speaker 1: Galley that their name comes from the Gala consumer and 200 00:10:01,240 --> 00:10:04,439 Speaker 1: some historians have traced a possible route of cultural transmission. 201 00:10:04,920 --> 00:10:08,240 Speaker 1: This is less likely. It's more likely it's the people 202 00:10:08,280 --> 00:10:12,719 Speaker 1: of the Crazy River and Crazy Town over east. And 203 00:10:13,400 --> 00:10:16,080 Speaker 1: even though many of the people in the cult are 204 00:10:16,360 --> 00:10:19,600 Speaker 1: literally Greek, they're basically being like, oh, those weird foreigners 205 00:10:20,800 --> 00:10:24,000 Speaker 1: and the Galley were males who castrated themselves ritually and 206 00:10:24,040 --> 00:10:26,679 Speaker 1: then lived as women. And there's actually specific mythology. I'll 207 00:10:26,679 --> 00:10:28,839 Speaker 1: get into it a little bit about why they're not 208 00:10:28,960 --> 00:10:31,079 Speaker 1: just eunuchs but actually living as women, and it's a 209 00:10:31,120 --> 00:10:31,640 Speaker 1: different thing. 210 00:10:32,320 --> 00:10:33,520 Speaker 2: Ah Okay. 211 00:10:34,120 --> 00:10:37,240 Speaker 1: The historian Ka Lucker, who wrote this piece in two 212 00:10:37,280 --> 00:10:39,480 Speaker 1: thousand and five that I'm citing sometimes and again in 213 00:10:39,520 --> 00:10:43,960 Speaker 1: the notes, wrote about the galley in Greece. Quote, the 214 00:10:44,040 --> 00:10:47,960 Speaker 1: social structure depended on clear, inflexible gender roles, and the 215 00:10:48,040 --> 00:10:51,560 Speaker 1: transgender priesthood seemed to threaten those roles, even while it 216 00:10:51,600 --> 00:10:54,400 Speaker 1: acted as a pressure valve, allowing people who could not 217 00:10:54,480 --> 00:10:57,800 Speaker 1: fit the rigid social roles a means of escape. And 218 00:10:57,840 --> 00:11:02,559 Speaker 1: so this is like the Greece and Rome are incredibly 219 00:11:02,559 --> 00:11:05,480 Speaker 1: patriarchal cultures with these very rigid gender roles, and so 220 00:11:05,559 --> 00:11:07,959 Speaker 1: here comes the wild thing. And this is why I'm 221 00:11:08,040 --> 00:11:11,920 Speaker 1: arguing that basically people are like, oh, we better let 222 00:11:11,920 --> 00:11:14,720 Speaker 1: people get trans otherwise it's going to be fucked up 223 00:11:14,760 --> 00:11:16,880 Speaker 1: in here, and so we want to do it in 224 00:11:16,960 --> 00:11:21,199 Speaker 1: our way by ostracizing them and controlling them, but tying 225 00:11:21,200 --> 00:11:21,840 Speaker 1: them into things. 226 00:11:22,600 --> 00:11:26,920 Speaker 2: I see. It's interesting. It's almost like, oh, you're having 227 00:11:26,960 --> 00:11:30,920 Speaker 2: some gay feelings, go be a priest. Like it's very. 228 00:11:30,840 --> 00:11:33,880 Speaker 1: Like that probably happened a lot in history. Huh. 229 00:11:34,000 --> 00:11:37,160 Speaker 2: Yeah, it's very much like, oh, you're kind of a 230 00:11:37,200 --> 00:11:42,439 Speaker 2: different thing. You're weird. So instead of being in regular society, 231 00:11:42,559 --> 00:11:45,040 Speaker 2: we'll put you in this temple and then you'll be 232 00:11:45,040 --> 00:11:47,800 Speaker 2: taking care of the God. Yeah, and then you're not 233 00:11:47,840 --> 00:11:49,160 Speaker 2: in our grocery store or whatever. 234 00:11:50,080 --> 00:11:52,120 Speaker 1: I remember talking to my aunt rest in peace. I 235 00:11:52,160 --> 00:11:56,680 Speaker 1: love her. Who's a nun? Yeah, And I remember I 236 00:11:56,720 --> 00:11:58,559 Speaker 1: asked her, you know, she was like dying, and I'm like, so, 237 00:11:58,559 --> 00:12:00,760 Speaker 1: why'd you become a nun? And she's like, well, I 238 00:12:00,840 --> 00:12:02,640 Speaker 1: like teaching and I didn't want to get married, and 239 00:12:02,679 --> 00:12:05,360 Speaker 1: I like, god, yeah, And like I don't know if 240 00:12:05,400 --> 00:12:07,720 Speaker 1: she was gay. I know she didn't like men very much, 241 00:12:08,040 --> 00:12:09,600 Speaker 1: but like, I don't know if she's gay or not. 242 00:12:09,679 --> 00:12:12,120 Speaker 1: I don't know. I don't care. Like, but her best 243 00:12:12,200 --> 00:12:15,160 Speaker 1: friend of sixty years they fucking lived together, and like, 244 00:12:15,520 --> 00:12:18,320 Speaker 1: as my aunt's memory went, her best friend would answer 245 00:12:18,360 --> 00:12:21,120 Speaker 1: for her, and like whatever the nature of that relationship 246 00:12:21,280 --> 00:12:25,440 Speaker 1: was was beautiful, like and it Yeah, I actually personally 247 00:12:25,440 --> 00:12:30,360 Speaker 1: think that aunt was probably like ace or just a nun. 248 00:12:30,520 --> 00:12:33,600 Speaker 1: I don't know. Yeah, it's a different sexuality to be 249 00:12:33,640 --> 00:12:34,439 Speaker 1: a nun, you know. 250 00:12:34,840 --> 00:12:37,600 Speaker 2: Right, But you couldn't like you were just like, yeah, 251 00:12:37,679 --> 00:12:40,360 Speaker 2: that's the only place for me basically. And so if 252 00:12:40,400 --> 00:12:43,120 Speaker 2: you give yourself to a god and you have some 253 00:12:43,160 --> 00:12:48,640 Speaker 2: sort of different sexuality or different gender expression or identity 254 00:12:48,679 --> 00:12:51,839 Speaker 2: than mainstream society, it makes sense to be like, no, 255 00:12:52,040 --> 00:12:55,080 Speaker 2: this is a god thing. Yeah, totally, this is about 256 00:12:55,080 --> 00:12:56,240 Speaker 2: God for me. Actually. 257 00:12:56,360 --> 00:13:00,679 Speaker 1: Yeah, but the Galay could still fuck so well with 258 00:13:00,920 --> 00:13:03,920 Speaker 1: a lot of God people, fair, that's true. A lot 259 00:13:03,920 --> 00:13:04,600 Speaker 1: of God people fuck. 260 00:13:04,800 --> 00:13:05,880 Speaker 2: A lot of God people fuck. 261 00:13:06,360 --> 00:13:10,040 Speaker 1: Yeah. And so soon enough the Galley are going to 262 00:13:10,080 --> 00:13:12,640 Speaker 1: show up in Rome too, and Rome is gonna, you know, 263 00:13:12,920 --> 00:13:15,360 Speaker 1: become a pretty big deal on the world stage. So 264 00:13:15,480 --> 00:13:17,840 Speaker 1: because Rome becomes a big deal, the Galay are going 265 00:13:17,840 --> 00:13:20,360 Speaker 1: to exist as I saw sit it for twelve hundred 266 00:13:20,440 --> 00:13:23,559 Speaker 1: years and range from Britain to Turkey. Just fucking wild. 267 00:13:23,679 --> 00:13:25,319 Speaker 2: Wow, that's so widespread. 268 00:13:25,760 --> 00:13:27,760 Speaker 1: Yeah, there's like articles where like, oh, we on earthed 269 00:13:27,760 --> 00:13:31,280 Speaker 1: another transgender from Rome in northern Britain or whatever. Not 270 00:13:31,360 --> 00:13:34,160 Speaker 1: northern Britain, but the northern part of England where the 271 00:13:34,240 --> 00:13:39,120 Speaker 1: Romans got to what And yeah, because you know, Rome 272 00:13:39,440 --> 00:13:40,720 Speaker 1: colonized lots of places. 273 00:13:40,920 --> 00:13:41,920 Speaker 2: Yeah, that's wild. 274 00:13:42,920 --> 00:13:45,200 Speaker 1: And so the subtext I've read implies that Sibilly was 275 00:13:45,240 --> 00:13:47,640 Speaker 1: more popular among the people than the elite. And I 276 00:13:47,760 --> 00:13:49,680 Speaker 1: like that because it's something I run across a lot, 277 00:13:49,720 --> 00:13:52,280 Speaker 1: and it runs against a lot of the populist anti 278 00:13:52,360 --> 00:13:54,760 Speaker 1: queer propaganda that claims gay people only live in like 279 00:13:54,800 --> 00:13:57,719 Speaker 1: coastal cities or whatever the fuck, because I also think 280 00:13:57,760 --> 00:14:02,360 Speaker 1: that there's this dichotomy in queer culture between like upstanding 281 00:14:02,480 --> 00:14:09,920 Speaker 1: queer culture and like criminal queerness, and often like criminal 282 00:14:10,040 --> 00:14:13,440 Speaker 1: queerness runs all throughout history, where people are violent and 283 00:14:13,480 --> 00:14:17,559 Speaker 1: wild and untamed are often gayer, Like, yeah, if you're 284 00:14:17,600 --> 00:14:20,840 Speaker 1: on the outskirts of society, it's actually gayer, even though 285 00:14:20,840 --> 00:14:24,000 Speaker 1: people are performing masculinity like crazy. As someone who did 286 00:14:24,000 --> 00:14:26,800 Speaker 1: a lot of beard on beard kissing while living in squats, 287 00:14:26,840 --> 00:14:29,600 Speaker 1: and I first started feeling safe wearing dresses while like 288 00:14:30,200 --> 00:14:34,120 Speaker 1: literally sleeping under bridges with hoboes who liked to knife fight. Sure, 289 00:14:34,520 --> 00:14:39,280 Speaker 1: And so I appreciate this about this history because Sibilly 290 00:14:39,360 --> 00:14:42,800 Speaker 1: worshiped reached Italy before it reached Rome, it reached the 291 00:14:42,880 --> 00:14:47,480 Speaker 1: outskirts before it hit civilization. The countryside saw more and 292 00:14:47,560 --> 00:14:51,480 Speaker 1: more worship of this trans loving nature goddess. And there's 293 00:14:51,480 --> 00:14:54,000 Speaker 1: a decent chance that both her acceptance in Athens and 294 00:14:54,080 --> 00:14:56,560 Speaker 1: later in Rome, was that the powerful realized they couldn't 295 00:14:56,600 --> 00:14:59,080 Speaker 1: stop her worship, so it's better to contain it and 296 00:14:59,160 --> 00:15:01,200 Speaker 1: let it serve as this pre us valve. Let it 297 00:15:01,200 --> 00:15:03,960 Speaker 1: become acceptable theology before it blows the whole thing apart. 298 00:15:04,920 --> 00:15:08,400 Speaker 1: So for hundreds of years people are worshiping Sibylly or 299 00:15:08,520 --> 00:15:11,720 Speaker 1: Magnu matar as one of the ways it was called 300 00:15:11,760 --> 00:15:15,800 Speaker 1: in Rome, in the countryside in Italy, and it became 301 00:15:15,840 --> 00:15:19,200 Speaker 1: an official part of the state religion in two hundred 302 00:15:19,240 --> 00:15:20,240 Speaker 1: and four BCE. 303 00:15:21,040 --> 00:15:26,040 Speaker 2: What that's so wild, that's like very It is interesting 304 00:15:26,040 --> 00:15:29,320 Speaker 2: where you're talking about the dichotomy of queerness and the 305 00:15:29,360 --> 00:15:35,840 Speaker 2: sort of upstanding people who distance themselves from the wild crazy, 306 00:15:36,680 --> 00:15:39,080 Speaker 2: Like that's the difference between like being gay and being queer. 307 00:15:39,520 --> 00:15:42,800 Speaker 1: Yeah, in some ways, which you're both fine. Honestly, I'm 308 00:15:42,800 --> 00:15:45,320 Speaker 1: not trying to come for people who want a simpler life. 309 00:15:45,720 --> 00:15:50,320 Speaker 2: Sure, yeah, as long as you don't vote my rights away, Yeah, totally. 310 00:15:50,440 --> 00:15:50,920 Speaker 1: Yeah. 311 00:15:51,080 --> 00:15:53,240 Speaker 2: It sounds like when you're talking about the galley, it 312 00:15:53,320 --> 00:15:56,800 Speaker 2: sounds like the LGB people who are like, is the 313 00:15:56,880 --> 00:16:00,400 Speaker 2: tea part of it? Like really, like maybe the tea 314 00:16:00,520 --> 00:16:03,280 Speaker 2: isn't part of it, and so the reason. 315 00:16:03,040 --> 00:16:05,000 Speaker 1: That we can be like, you know, we're like, oh, yeah, 316 00:16:05,000 --> 00:16:06,880 Speaker 1: they show up in Greece and then then like Rome, 317 00:16:06,920 --> 00:16:12,800 Speaker 1: we're like two o four BCE because basically Rome came 318 00:16:13,040 --> 00:16:16,120 Speaker 1: crawling to Sibylly the Goddess and being like, we fucking 319 00:16:16,240 --> 00:16:20,120 Speaker 1: need you. Because in two oh five BCE you have 320 00:16:20,200 --> 00:16:22,760 Speaker 1: this whole Second Punic War that is entirely over my 321 00:16:22,800 --> 00:16:24,880 Speaker 1: head because I am a Spanish civil war once a 322 00:16:24,880 --> 00:16:27,200 Speaker 1: week thinker, not a Rome once a week thinker. 323 00:16:28,320 --> 00:16:29,600 Speaker 2: She's not like other girls. 324 00:16:30,000 --> 00:16:35,440 Speaker 1: Yeah, and so the you have this whole Second Punic 325 00:16:35,480 --> 00:16:38,040 Speaker 1: War going on, and the Romans are like, something's got 326 00:16:38,160 --> 00:16:40,400 Speaker 1: to happen. We're gonna go talk to the oracle because 327 00:16:40,400 --> 00:16:42,760 Speaker 1: we're in this war. And also stones keep falling out 328 00:16:42,800 --> 00:16:44,360 Speaker 1: of the sky and we're like starting to get kind 329 00:16:44,360 --> 00:16:44,880 Speaker 1: of freaked out. 330 00:16:45,320 --> 00:16:45,960 Speaker 2: Is that true? 331 00:16:46,800 --> 00:16:48,600 Speaker 1: Yeah, that they seem to be writing about it might 332 00:16:48,600 --> 00:16:50,640 Speaker 1: have been like more asteroids than normal they knew about, 333 00:16:51,040 --> 00:16:53,120 Speaker 1: you know, asteroids and shit, right. 334 00:16:53,760 --> 00:16:55,960 Speaker 2: Well, yeah, maybe it would happen more often. 335 00:16:56,720 --> 00:16:58,520 Speaker 1: And so they go to the oracle and the oracle 336 00:16:58,600 --> 00:17:01,080 Speaker 1: is like, you will win this war if you build 337 00:17:01,120 --> 00:17:04,879 Speaker 1: a temple for Magna Mater in Rome for Sybilly. And 338 00:17:04,960 --> 00:17:08,200 Speaker 1: so the Romans go to a mantter shrine in Anatolia 339 00:17:08,359 --> 00:17:10,639 Speaker 1: and they're like, can we bring monster to Rome? And 340 00:17:10,640 --> 00:17:13,199 Speaker 1: they're like, yeah, sure, here's the meteorite we used to 341 00:17:13,200 --> 00:17:16,200 Speaker 1: represent her on Earth or whatever. They're like, town mascot. 342 00:17:16,000 --> 00:17:17,840 Speaker 2: Why well, what's in it for the oracle? Why would 343 00:17:17,840 --> 00:17:21,080 Speaker 2: the oracle just pick this goddess out of thin air? 344 00:17:21,920 --> 00:17:23,399 Speaker 1: I bet she liked her. I bet she was like, 345 00:17:23,440 --> 00:17:25,600 Speaker 1: I like hanging out with like, you know, wild ladies 346 00:17:25,600 --> 00:17:25,920 Speaker 1: and shit. 347 00:17:26,359 --> 00:17:28,080 Speaker 2: She's like, Galay, I got you. 348 00:17:28,480 --> 00:17:32,600 Speaker 1: Oh my oracle says yea, hey God, I have Siby here. 349 00:17:33,480 --> 00:17:36,200 Speaker 1: And it might have been like, you know, Sybilly is 350 00:17:36,240 --> 00:17:41,280 Speaker 1: like representing this like untamable spirit or something right, and 351 00:17:41,280 --> 00:17:42,639 Speaker 1: maybe it's like you need a little bit more of 352 00:17:42,680 --> 00:17:44,640 Speaker 1: that in your mix in order to win this war, 353 00:17:44,960 --> 00:17:45,119 Speaker 1: you know. 354 00:17:45,560 --> 00:17:45,800 Speaker 2: Cut. 355 00:17:46,119 --> 00:17:49,040 Speaker 1: I mean the Galay aren't like warriors, but like whatever. 356 00:17:49,640 --> 00:17:53,480 Speaker 1: And so the Romans bring Manser over as a space stone, 357 00:17:53,520 --> 00:17:56,760 Speaker 1: like as a little asteroid rock into Rome with great 358 00:17:56,880 --> 00:17:59,800 Speaker 1: pomp and fanfare. The boat is met with parades and 359 00:18:00,320 --> 00:18:03,720 Speaker 1: they like, bring the goddess this little rock kind of 360 00:18:03,760 --> 00:18:05,760 Speaker 1: like a Jamie Leftis has a pet rock. You know. 361 00:18:05,880 --> 00:18:09,560 Speaker 2: Yes, this is like everything that you have described, like 362 00:18:09,680 --> 00:18:12,399 Speaker 2: every two sentences could be its own movie. 363 00:18:12,680 --> 00:18:14,480 Speaker 1: Yeah, yeah, no, absolutely, this. 364 00:18:14,359 --> 00:18:17,879 Speaker 2: Is also I'm just picturing like this asteroid coming on 365 00:18:17,920 --> 00:18:22,560 Speaker 2: a boat, like every visual is so insane. Yeah, it's 366 00:18:22,600 --> 00:18:24,119 Speaker 2: like amalgamation of things. 367 00:18:24,119 --> 00:18:26,680 Speaker 1: I like, I know, there's so many of these things 368 00:18:26,680 --> 00:18:28,280 Speaker 1: that keep running a cross being like why aren't these 369 00:18:28,320 --> 00:18:30,119 Speaker 1: more movies about these? And usually it's because, like, oh, 370 00:18:30,160 --> 00:18:32,479 Speaker 1: because it's about gay people or anarchists or whatever, you know. 371 00:18:33,080 --> 00:18:36,440 Speaker 2: But just the image of a boat with a big rock. 372 00:18:36,280 --> 00:18:38,879 Speaker 1: On it, Yeah, a little rock. I got no idea 373 00:18:39,720 --> 00:18:42,399 Speaker 1: to see. They're well funny, Like I think it's funny 374 00:18:42,400 --> 00:18:44,280 Speaker 1: if it's like the size of like your fist, you know, 375 00:18:45,080 --> 00:18:46,840 Speaker 1: like on a pillow. I think that's what it is. 376 00:18:46,880 --> 00:18:50,400 Speaker 1: But I actually don't know. I got a pillow. Yeah, 377 00:18:51,160 --> 00:18:51,440 Speaker 1: that part. 378 00:18:51,560 --> 00:18:52,680 Speaker 2: I love it so much. 379 00:18:53,400 --> 00:18:56,359 Speaker 1: Yeah, people have whole PhD's about this shit, but I 380 00:18:56,400 --> 00:18:58,240 Speaker 1: spend a lot of time reading about it this week. 381 00:18:58,320 --> 00:18:59,520 Speaker 1: So I'm the expert. 382 00:18:59,640 --> 00:19:01,960 Speaker 2: Right in, if you have a PhD. Right in and 383 00:19:02,200 --> 00:19:04,600 Speaker 2: let us know if the rock was big or small. 384 00:19:04,680 --> 00:19:10,159 Speaker 1: Yeah, And by one ninety one BCE, they finished building 385 00:19:10,200 --> 00:19:12,520 Speaker 1: the temple right in the center of Rome on Palatine 386 00:19:12,600 --> 00:19:15,280 Speaker 1: Hill has got a courtyard and columns and a fountain 387 00:19:15,320 --> 00:19:16,520 Speaker 1: and all the bells and whistles. 388 00:19:16,960 --> 00:19:17,560 Speaker 2: Wow. 389 00:19:18,200 --> 00:19:20,359 Speaker 1: And the Romans have to add their own spin on 390 00:19:20,400 --> 00:19:24,399 Speaker 1: this lady. And maybe the biggest change is all a sudden, 391 00:19:24,440 --> 00:19:28,680 Speaker 1: poor Sibylly is a fertility goddess. No, she didn't want that, 392 00:19:29,320 --> 00:19:31,119 Speaker 1: I know, I know, but I guess she was like, 393 00:19:31,160 --> 00:19:32,800 Speaker 1: you know, it's been a while, I'm ready to pop 394 00:19:32,840 --> 00:19:37,199 Speaker 1: out some kids. I don't know. And the upside is 395 00:19:37,200 --> 00:19:38,959 Speaker 1: that her icons are drawn with a lot of children, 396 00:19:39,000 --> 00:19:42,560 Speaker 1: but also lots of like genitals just drawn on everything. 397 00:19:43,520 --> 00:19:46,760 Speaker 2: I mean, uh, I can't win them all, but it's like, 398 00:19:48,280 --> 00:19:50,960 Speaker 2: it's so interesting to me to have this woman. And 399 00:19:51,000 --> 00:19:54,159 Speaker 2: then because I don't think she decided she wanted to 400 00:19:54,160 --> 00:19:55,520 Speaker 2: be a fertility god. 401 00:19:55,680 --> 00:19:56,919 Speaker 1: No, I suspect not. 402 00:19:57,160 --> 00:19:59,520 Speaker 2: I think they were like, hey, you gotta be a 403 00:19:59,560 --> 00:20:03,720 Speaker 2: fertility god. Yeah, like when an influencer becomes a tradwife 404 00:20:03,720 --> 00:20:05,280 Speaker 2: because of the brand deals. 405 00:20:05,600 --> 00:20:10,640 Speaker 1: Yeah, totally, much like our brand deals, which are the following, 406 00:20:10,840 --> 00:20:18,760 Speaker 1: Hey I did it, and we're back. Okay. So she's 407 00:20:18,760 --> 00:20:20,600 Speaker 1: still this wild goddess, but they're also making her a 408 00:20:20,640 --> 00:20:23,000 Speaker 1: little bit more she's like the protector of Rome now, 409 00:20:23,040 --> 00:20:26,080 Speaker 1: and so they are doing this like she's not just wilderness, 410 00:20:26,080 --> 00:20:30,880 Speaker 1: she's urban. She can do it all, but everyone knows 411 00:20:30,880 --> 00:20:35,240 Speaker 1: she's a foreign import, and specifically her and her followers 412 00:20:35,240 --> 00:20:38,040 Speaker 1: get accused all the time of being too sexual, like 413 00:20:38,080 --> 00:20:43,080 Speaker 1: this foreign hussy is corrupting our culture, even though Rome 414 00:20:43,160 --> 00:20:45,240 Speaker 1: is literally where they decided to make it about sex. 415 00:20:45,720 --> 00:20:48,159 Speaker 1: She wasn't about sex before that kind of like how 416 00:20:48,160 --> 00:20:50,200 Speaker 1: today trans women are called groomers by people who marry 417 00:20:50,240 --> 00:20:50,919 Speaker 1: literal children. 418 00:20:51,400 --> 00:20:55,240 Speaker 2: I mean very that. But it's also like, I'm sure 419 00:20:55,240 --> 00:20:57,359 Speaker 2: there's so many books I could read about this, but 420 00:20:57,400 --> 00:21:03,320 Speaker 2: there's female gods, and then there's so hated for the things. 421 00:21:03,000 --> 00:21:04,639 Speaker 1: That people decide they are. 422 00:21:04,840 --> 00:21:07,320 Speaker 2: Yeah, like, girl, you made her that? 423 00:21:07,960 --> 00:21:09,160 Speaker 1: Yeah, why are you mad at her? 424 00:21:09,280 --> 00:21:11,560 Speaker 2: Just make her? Not that you didn't have it before. 425 00:21:12,480 --> 00:21:14,800 Speaker 1: I'm like starting to be of the like Rome ruined 426 00:21:14,840 --> 00:21:16,320 Speaker 1: everything theory of history. 427 00:21:16,600 --> 00:21:18,959 Speaker 2: Sure, Rome the Ronald Reagan of the world. 428 00:21:19,359 --> 00:21:22,200 Speaker 1: Yeah, absolutely, Yeah, that's the like chart you know where 429 00:21:22,200 --> 00:21:26,480 Speaker 1: everything gets bad. Yeah, although Ronald Reagan didn't want to 430 00:21:26,480 --> 00:21:29,000 Speaker 1: get into a nuclear war, so that's better than the 431 00:21:29,040 --> 00:21:29,920 Speaker 1: current present. 432 00:21:30,240 --> 00:21:32,320 Speaker 2: I've now been seeing a lot of stuff about he 433 00:21:32,480 --> 00:21:35,040 Speaker 2: actually would be considered a Democrat. 434 00:21:34,600 --> 00:21:38,840 Speaker 1: Today probably, And that's not saying anything party. 435 00:21:39,040 --> 00:21:42,320 Speaker 2: No very bad about the Democrats, But I like, okay, 436 00:21:42,400 --> 00:21:45,320 Speaker 2: so they bring her in, they say, not only is 437 00:21:45,400 --> 00:21:49,760 Speaker 2: she a foign hussy, but now she's got all these 438 00:21:49,800 --> 00:21:55,720 Speaker 2: nefarious intentions regarding sex. But like, did I think she's real? 439 00:21:57,280 --> 00:21:59,800 Speaker 1: I don't know to what degree people use the gods 440 00:21:59,800 --> 00:22:03,160 Speaker 1: as metaphors or literal in the ancient times? Right, hard 441 00:22:03,200 --> 00:22:07,760 Speaker 1: to say, because I like, I find religion a useful metaphor, right, 442 00:22:07,840 --> 00:22:09,199 Speaker 1: Like that is a thing that is useful for my 443 00:22:09,240 --> 00:22:11,720 Speaker 1: own life. Yeah, me too, And and so I get 444 00:22:11,720 --> 00:22:13,560 Speaker 1: like really confused when people are like bearded guy in 445 00:22:13,600 --> 00:22:15,879 Speaker 1: the sky and I'm like, what. 446 00:22:16,520 --> 00:22:17,879 Speaker 2: You could choose anything? 447 00:22:18,720 --> 00:22:21,040 Speaker 1: Well, it's like some of the things that people use, 448 00:22:21,119 --> 00:22:24,159 Speaker 1: Like there's like monotheistic stuff that is interesting to me 449 00:22:24,240 --> 00:22:27,119 Speaker 1: by using that as a metaphor, right, I guess I 450 00:22:27,160 --> 00:22:30,199 Speaker 1: would say it's like a both. When I think of 451 00:22:30,240 --> 00:22:34,560 Speaker 1: my polytheistic friends who like truly believe, they believe that 452 00:22:34,680 --> 00:22:40,359 Speaker 1: they create and empower gods, and gods are like real, 453 00:22:41,640 --> 00:22:44,600 Speaker 1: but in this way that doesn't really exist in a 454 00:22:44,640 --> 00:22:45,800 Speaker 1: materialistic world. 455 00:22:46,520 --> 00:22:48,960 Speaker 2: They need someone to believe in them in order to exist, 456 00:22:49,119 --> 00:22:50,159 Speaker 2: kind of like Santa Claus. 457 00:22:50,680 --> 00:22:53,199 Speaker 1: Yeah, and kind of a like it's a thing you 458 00:22:53,280 --> 00:22:57,480 Speaker 1: can access by believing in them, Okay. I like that, 459 00:22:57,720 --> 00:23:00,560 Speaker 1: Like if you need to embody a certain idea, you're 460 00:23:00,600 --> 00:23:03,000 Speaker 1: going to talk to this certain like god. And I 461 00:23:03,000 --> 00:23:04,879 Speaker 1: think about like we did some episodes about the Haitian 462 00:23:04,880 --> 00:23:08,959 Speaker 1: revolution a while ago, and the way that like Voto 463 00:23:08,960 --> 00:23:14,080 Speaker 1: practitioners like bring down spirits to ride them and become 464 00:23:14,200 --> 00:23:17,359 Speaker 1: like yeah people, you know, it's like there's a real 465 00:23:17,440 --> 00:23:19,959 Speaker 1: power in that, right, And that was a power that 466 00:23:20,080 --> 00:23:24,520 Speaker 1: destroyed the French rule of Haiti, you know, because they 467 00:23:24,560 --> 00:23:27,320 Speaker 1: were like I'm empowering myself with the idea of I 468 00:23:27,359 --> 00:23:30,040 Speaker 1: don't give a fuck anymore, right right, right? You know. 469 00:23:30,200 --> 00:23:30,719 Speaker 2: I love that. 470 00:23:31,040 --> 00:23:33,879 Speaker 1: It's like the muses. So in some ways it like 471 00:23:34,080 --> 00:23:38,840 Speaker 1: almost doesn't matter whether they are self aware of using 472 00:23:38,880 --> 00:23:42,000 Speaker 1: it as a metaphor or not. That would be my theory. 473 00:23:43,520 --> 00:23:46,439 Speaker 1: And I I would fucking give almost anything to go 474 00:23:46,440 --> 00:23:48,959 Speaker 1: back and talk to some gallet and be like what 475 00:23:49,000 --> 00:23:51,480 Speaker 1: do you think you know? Because they didn't really write that. 476 00:23:51,560 --> 00:23:53,120 Speaker 1: We have the writing of it, that's the thing. 477 00:23:53,320 --> 00:23:55,560 Speaker 2: Yeah, they didn't tell their own stories. 478 00:23:55,520 --> 00:23:58,240 Speaker 1: Yeah, which is I don't know, I get it, like 479 00:23:58,280 --> 00:24:00,199 Speaker 1: annoyed when people are like, oh, own voices, this is 480 00:24:00,200 --> 00:24:02,159 Speaker 1: all that matters, and I'm like, ah, does it And 481 00:24:02,200 --> 00:24:04,840 Speaker 1: then I'm like, oh, but it does matter too. It's 482 00:24:04,840 --> 00:24:06,280 Speaker 1: like part of what matters, you know. 483 00:24:06,880 --> 00:24:08,760 Speaker 2: At least in a nonfiction sense. 484 00:24:09,480 --> 00:24:14,840 Speaker 1: Yeah. So the Galley come with Sibilly, and this scared 485 00:24:14,880 --> 00:24:17,880 Speaker 1: the shit out of Roman society, and the galley were 486 00:24:17,920 --> 00:24:21,200 Speaker 1: held in contempt by the laws of society. The laws 487 00:24:21,200 --> 00:24:25,080 Speaker 1: were like, Romans can't join them. And the historian that 488 00:24:25,280 --> 00:24:28,800 Speaker 1: I keep quoting Ka Lucker pointed out, and I'm paraphrasing here, 489 00:24:29,080 --> 00:24:31,840 Speaker 1: it is well understood in sociology that a society only 490 00:24:31,880 --> 00:24:34,960 Speaker 1: outlaws something if people are trying to do it right. 491 00:24:35,000 --> 00:24:39,280 Speaker 1: They're not making up new laws. So like people want 492 00:24:39,280 --> 00:24:42,320 Speaker 1: to be galley, romans are trying to join them. They 493 00:24:42,320 --> 00:24:45,879 Speaker 1: were popular among some people, despite being despised and ostracized 494 00:24:45,880 --> 00:24:48,680 Speaker 1: by much of society, and people would sometimes get exiled 495 00:24:48,680 --> 00:24:52,600 Speaker 1: for joining. One time, there was a galley named Janutius, 496 00:24:53,320 --> 00:24:56,440 Speaker 1: and she was denied her inheritance because the law was like, oh, 497 00:24:56,480 --> 00:25:00,280 Speaker 1: only men and women can inherit property and out a 498 00:25:00,320 --> 00:25:03,080 Speaker 1: man or a woman legally, which means that they are 499 00:25:03,160 --> 00:25:07,760 Speaker 1: legally a third gender. But Janutius wasn't able to speak 500 00:25:07,800 --> 00:25:11,520 Speaker 1: in court to defend herself because just by being in 501 00:25:11,640 --> 00:25:14,960 Speaker 1: court with her presence and voice, she would have polluted it. 502 00:25:16,359 --> 00:25:19,080 Speaker 2: You know what's so interesting, it's not them going no, 503 00:25:19,160 --> 00:25:22,280 Speaker 2: you're actually a man. It's them going you're a third thing. 504 00:25:22,280 --> 00:25:25,399 Speaker 1: And we don't like that either, Yeah, totally, which like 505 00:25:25,560 --> 00:25:29,679 Speaker 1: to compare to the Baden of medieval England. The reason 506 00:25:29,760 --> 00:25:33,119 Speaker 1: we know about them is some old laws that are like, 507 00:25:33,400 --> 00:25:36,480 Speaker 1: I like, if a man sleeps with a baden, it's 508 00:25:36,520 --> 00:25:38,359 Speaker 1: a crime. If a woman sleeps with the bad and 509 00:25:38,400 --> 00:25:40,119 Speaker 1: it's a crime. If a bad and sleeps with another 510 00:25:40,160 --> 00:25:42,600 Speaker 1: bad and it's a crime. But they're all different crimes 511 00:25:42,720 --> 00:25:46,920 Speaker 1: or like different and so like we know we exist 512 00:25:47,119 --> 00:25:52,000 Speaker 1: because it was illegal for us to fuck. Yes, yes, 513 00:25:52,600 --> 00:25:54,960 Speaker 1: but we are legally distinct from both men and women. 514 00:25:55,760 --> 00:25:59,560 Speaker 2: Yes, that's exactly. Wow, that's so interesting. 515 00:26:00,240 --> 00:26:01,560 Speaker 1: Yeah. 516 00:26:01,680 --> 00:26:04,240 Speaker 2: Yeah. And then did the go a live at the temple? 517 00:26:04,800 --> 00:26:05,520 Speaker 1: Yeah? I believe so. 518 00:26:06,200 --> 00:26:10,080 Speaker 2: Okay, cute little model house like in America's next time. 519 00:26:10,640 --> 00:26:12,240 Speaker 1: I will take your word for it. The things that 520 00:26:12,280 --> 00:26:14,760 Speaker 1: I've read imply that they were kind of a happy 521 00:26:14,800 --> 00:26:18,720 Speaker 1: little society amongst themselves. It seems like it they weren't 522 00:26:18,760 --> 00:26:21,600 Speaker 1: allowed to bury their dead inside the city. I don't 523 00:26:21,600 --> 00:26:25,000 Speaker 1: know whether this is just Athens or just Rome. The 524 00:26:25,040 --> 00:26:28,640 Speaker 1: two sources are confusing between the two. So they had 525 00:26:28,640 --> 00:26:31,840 Speaker 1: a unique death ritual. The dead Galla was carried out 526 00:26:31,840 --> 00:26:34,600 Speaker 1: of the city by her comrades and buried under stones 527 00:26:34,720 --> 00:26:37,639 Speaker 1: outside the city, and then her friends would wait seven 528 00:26:37,720 --> 00:26:40,440 Speaker 1: days before returning to the city and getting back to work. 529 00:26:41,000 --> 00:26:44,040 Speaker 1: They sat shiva. Is that a thing is to like 530 00:26:44,480 --> 00:26:46,080 Speaker 1: go hang out with the dead for a week. 531 00:26:46,240 --> 00:26:50,000 Speaker 2: When a Jewish person dies, you sit in your house 532 00:26:50,600 --> 00:26:53,639 Speaker 2: for seven days. There's other rituals and stuff around it, 533 00:26:53,680 --> 00:26:56,320 Speaker 2: but you're supposed to stick around for seven days. 534 00:26:56,640 --> 00:26:57,080 Speaker 1: That's cool. 535 00:26:57,280 --> 00:26:59,600 Speaker 2: Yeah, it's called sitting shiva. And you're supposed to cover 536 00:26:59,680 --> 00:27:04,080 Speaker 2: all your mirrors and you're supposed to tear your clothing. Yeah. 537 00:27:04,200 --> 00:27:07,320 Speaker 2: People come and visit you, They bring you food. A 538 00:27:07,400 --> 00:27:09,280 Speaker 2: rabbi comes and prays at your house every day. 539 00:27:10,400 --> 00:27:12,320 Speaker 1: Jews have some good death rights. I have a lot 540 00:27:12,320 --> 00:27:15,320 Speaker 1: of Jewish friends who like once a year the yard site. 541 00:27:15,480 --> 00:27:17,879 Speaker 1: It must be like celebrating the death of someone. And 542 00:27:17,920 --> 00:27:19,959 Speaker 1: then like my friend like who whenever she stays at 543 00:27:19,960 --> 00:27:22,480 Speaker 1: my house like sings songs and like likes candles and 544 00:27:22,480 --> 00:27:23,359 Speaker 1: stuff for the dead, and. 545 00:27:23,760 --> 00:27:25,040 Speaker 2: Yeah, the yard site candle. 546 00:27:25,240 --> 00:27:25,440 Speaker 1: Yeah. 547 00:27:25,480 --> 00:27:27,560 Speaker 2: One funny thing is I went to a non Jewish 548 00:27:27,560 --> 00:27:29,359 Speaker 2: friend's house one time and they had a bunch of 549 00:27:29,480 --> 00:27:31,639 Speaker 2: yard site candles and I was like what and they 550 00:27:31,680 --> 00:27:33,879 Speaker 2: were like, oh, they're like a dollar at the store. 551 00:27:34,000 --> 00:27:36,000 Speaker 2: And I was like, those are Jewish death candles. 552 00:27:36,080 --> 00:27:38,719 Speaker 1: Oh, that's funny. It's like the equivalent of how everyone 553 00:27:38,720 --> 00:27:42,960 Speaker 1: has like the prayer candles from like Latin American exactly. 554 00:27:43,320 --> 00:27:45,920 Speaker 2: Yeah, but theirs has Beyonce on net. 555 00:27:46,160 --> 00:27:51,040 Speaker 1: Yeah, totally uh huh yeah, which, honestly, and Catholics mess 556 00:27:51,160 --> 00:27:53,920 Speaker 1: is fine from my point of view. Yeah, ghost syncretic 557 00:27:53,960 --> 00:27:58,080 Speaker 1: who cares. And so the Romans are obsessed with hierarchy, 558 00:27:58,880 --> 00:28:02,119 Speaker 1: and so they add a person in charge and they 559 00:28:02,160 --> 00:28:04,360 Speaker 1: do this in a way that probably sucks. They make 560 00:28:04,400 --> 00:28:08,120 Speaker 1: an arch Gallas, one Gallas to rule the rest of them. 561 00:28:08,600 --> 00:28:13,040 Speaker 1: And this Gallas probably didn't castraight. And I'm gonna say himself, 562 00:28:13,400 --> 00:28:15,639 Speaker 1: not just because he has a dick, but like he 563 00:28:15,960 --> 00:28:19,160 Speaker 1: seems to be an appointee from the city to watch 564 00:28:19,160 --> 00:28:23,720 Speaker 1: over these wild women. What I know, And I don't 565 00:28:23,760 --> 00:28:27,960 Speaker 1: know whether that looked like the doctor at the asylum 566 00:28:28,400 --> 00:28:32,160 Speaker 1: or like it's so fucked up, I know, like they 567 00:28:32,200 --> 00:28:35,280 Speaker 1: clearly can take care of themselves. Get Chad out of here, 568 00:28:35,600 --> 00:28:39,600 Speaker 1: I know. And reading this makes me think because Caesar 569 00:28:39,720 --> 00:28:42,960 Speaker 1: claims that the Druids had arch Druids, and I'm like, 570 00:28:43,400 --> 00:28:46,120 Speaker 1: did they or you just Roman? So you just assume 571 00:28:46,160 --> 00:28:49,440 Speaker 1: there's a fucking hierarchy everywhere there's an arch whatever the fuck? 572 00:28:50,000 --> 00:28:50,200 Speaker 1: You know. 573 00:28:51,000 --> 00:28:54,800 Speaker 2: This is like when the cops tried to ask us 574 00:28:54,920 --> 00:28:57,840 Speaker 2: who in front of the detention center downtown was in 575 00:28:57,960 --> 00:29:01,880 Speaker 2: charge and who was bringing us Yeah, and then we 576 00:29:01,880 --> 00:29:02,880 Speaker 2: were like, no one. 577 00:29:03,320 --> 00:29:03,600 Speaker 1: Yeah. 578 00:29:04,200 --> 00:29:06,240 Speaker 2: They could not wrap their minds around it. 579 00:29:06,640 --> 00:29:11,000 Speaker 1: Yeah, it like genuinely doesn't compute to a hierarchical organizational 580 00:29:11,040 --> 00:29:14,400 Speaker 1: model that anyone would have a model outside of that, 581 00:29:15,040 --> 00:29:17,400 Speaker 1: you know, Yeah, which has like always been one of 582 00:29:17,400 --> 00:29:20,800 Speaker 1: our strengths, although it has its own weaknesses that we 583 00:29:20,840 --> 00:29:22,040 Speaker 1: just have to learn how to adjust to. 584 00:29:22,320 --> 00:29:22,760 Speaker 2: Yeah. 585 00:29:22,800 --> 00:29:26,160 Speaker 1: But so I had trouble tracking exactly which sources we're 586 00:29:26,200 --> 00:29:28,280 Speaker 1: talking about Greek and which we're talking about Roman gallet. 587 00:29:28,400 --> 00:29:30,520 Speaker 1: It doesn't help that one of the main people writing 588 00:29:30,520 --> 00:29:34,160 Speaker 1: about them was a Greek satirist named Lucian who seemed 589 00:29:34,160 --> 00:29:36,680 Speaker 1: to hate them, who was also writing about them in 590 00:29:36,840 --> 00:29:39,800 Speaker 1: Rome despite being the Greek person. So I'm going to 591 00:29:39,800 --> 00:29:41,000 Speaker 1: conflate the two a little bit. 592 00:29:41,640 --> 00:29:43,720 Speaker 2: Okay, So he was like, not only do I hate 593 00:29:43,720 --> 00:29:45,320 Speaker 2: them here, I also hate them over there. 594 00:29:45,520 --> 00:29:47,800 Speaker 1: That seems to be the thing. Or he was Greek 595 00:29:47,880 --> 00:29:50,960 Speaker 1: but part of Roman. It fucking I get really annoyed at. 596 00:29:50,880 --> 00:29:53,800 Speaker 2: This satirizing satirizing in what sense, So. 597 00:29:54,280 --> 00:29:56,880 Speaker 1: Like, I think he's kind of a little bit of 598 00:29:56,880 --> 00:30:00,360 Speaker 1: a shock journalists kind of my impression, okay, but I'm 599 00:30:00,360 --> 00:30:03,240 Speaker 1: not one hundred percent certain. And he's the only person 600 00:30:03,320 --> 00:30:06,920 Speaker 1: to describe their initiation ceremony, which is again, it's literally 601 00:30:06,960 --> 00:30:08,520 Speaker 1: the same problem we had with the Druids, where the 602 00:30:08,560 --> 00:30:11,040 Speaker 1: only people writing about them were Romans and Greeks who 603 00:30:11,160 --> 00:30:13,240 Speaker 1: kind of didn't like them but also kind of wanted 604 00:30:13,280 --> 00:30:17,400 Speaker 1: to sensationalize things. But also the past is also sensational. 605 00:30:17,920 --> 00:30:20,440 Speaker 1: So like, the thing that I'm about to describe might 606 00:30:20,480 --> 00:30:23,880 Speaker 1: be true, and most people take it as true, and 607 00:30:23,920 --> 00:30:26,960 Speaker 1: I've read some stuff that's a little bit skeptical. During 608 00:30:27,400 --> 00:30:32,320 Speaker 1: Dias Sanguinus, the day of Blood on the spring equinox, 609 00:30:32,360 --> 00:30:34,960 Speaker 1: it's this big, wild festival full of ecstatic music and 610 00:30:35,040 --> 00:30:37,680 Speaker 1: dancing put on by the Gallet for the people of 611 00:30:37,760 --> 00:30:41,800 Speaker 1: Rome Warehouse party. Yeah, I think it's in the streets honestly, 612 00:30:41,800 --> 00:30:44,480 Speaker 1: but I'm not sure cool spectators would come because who 613 00:30:44,480 --> 00:30:46,600 Speaker 1: can resist a good show. And so they do their 614 00:30:46,600 --> 00:30:50,120 Speaker 1: ecstatic dancing and music and shit and everything's fucking wild, 615 00:30:50,680 --> 00:30:52,480 Speaker 1: and so some of them are so overcome by the 616 00:30:52,520 --> 00:30:55,240 Speaker 1: moment that they go into the center of the crowd, 617 00:30:55,680 --> 00:30:59,960 Speaker 1: they pick up the ritual sword and they castrate themselves. 618 00:31:00,680 --> 00:31:02,040 Speaker 2: That's not the Galley doing that. 619 00:31:02,280 --> 00:31:03,600 Speaker 1: This is how they become Galley. 620 00:31:04,200 --> 00:31:07,000 Speaker 2: So the people that want to join the Galley, they're 621 00:31:07,160 --> 00:31:08,600 Speaker 2: so excited about it. 622 00:31:09,040 --> 00:31:11,840 Speaker 1: But most of these people didn't know they wanted to 623 00:31:11,880 --> 00:31:17,120 Speaker 1: be Galay until the dancing. Up. By the dancing, you 624 00:31:17,240 --> 00:31:19,760 Speaker 1: kiss one girl and suddenly you're a lesbian. 625 00:31:19,400 --> 00:31:22,880 Speaker 2: You know exactly, or you see them having the time 626 00:31:22,880 --> 00:31:25,200 Speaker 2: of their lives. Yeah, and you're like, that's what I'm missing, 627 00:31:25,600 --> 00:31:26,680 Speaker 2: that's what I need to do. 628 00:31:26,920 --> 00:31:27,920 Speaker 1: Yeah. 629 00:31:27,960 --> 00:31:29,959 Speaker 2: It's that thing where it's like, oh my god, they 630 00:31:30,040 --> 00:31:33,520 Speaker 2: got surgery so quickly after they just like thought they 631 00:31:33,520 --> 00:31:35,880 Speaker 2: were trans and it's like, no, there's probably a lot 632 00:31:35,920 --> 00:31:38,040 Speaker 2: of stuff bubbling. You don't just go into the middle 633 00:31:38,040 --> 00:31:39,520 Speaker 2: of a crowd and cut your dick off. If that 634 00:31:39,560 --> 00:31:42,280 Speaker 2: hasn't occurred to you a few times beforehand, I know, 635 00:31:42,440 --> 00:31:45,560 Speaker 2: now you're given permission now because the world is so 636 00:31:45,920 --> 00:31:50,760 Speaker 2: celebratory and you're surrounded by people who are like you 637 00:31:50,800 --> 00:31:54,080 Speaker 2: and they seem to be having a good time, You're like, well. 638 00:31:55,040 --> 00:31:57,720 Speaker 1: You're right, Yeah, we're a social contation. 639 00:31:58,280 --> 00:32:01,160 Speaker 2: This is for me? Is this social contagent? If not 640 00:32:01,400 --> 00:32:04,440 Speaker 2: everyone at the thing cuts their dick off, you know? Yeah, no, 641 00:32:04,520 --> 00:32:07,520 Speaker 2: exactly only a few people do. If it was the 642 00:32:07,560 --> 00:32:08,760 Speaker 2: whole party would do it. 643 00:32:08,840 --> 00:32:13,160 Speaker 1: Yeah, it would solve some other problems. Never mind, I 644 00:32:13,280 --> 00:32:17,280 Speaker 1: take it back. So it gets even cooler after they 645 00:32:17,280 --> 00:32:20,440 Speaker 1: cut their shit off. And Okay, Historically when people a 646 00:32:20,440 --> 00:32:23,160 Speaker 1: talking about castration in this context, it seems to be 647 00:32:23,280 --> 00:32:26,320 Speaker 1: like sometimes it's like orchaect to me, and sometimes it's 648 00:32:26,320 --> 00:32:27,320 Speaker 1: like the full package. 649 00:32:27,600 --> 00:32:28,480 Speaker 2: Yeah that's what I thought. 650 00:32:28,480 --> 00:32:32,400 Speaker 1: Sometimes they're not. Sometimes they're dick right, And so then 651 00:32:32,440 --> 00:32:35,600 Speaker 1: they run through the city holding their jrunk in their 652 00:32:35,640 --> 00:32:39,760 Speaker 1: hands and then throw it at a random house like 653 00:32:39,880 --> 00:32:43,080 Speaker 1: egging a house, but for keeps eh wavos that's my joke. Okay, 654 00:32:43,440 --> 00:32:47,280 Speaker 1: And whoever's house they have egged, the people then have 655 00:32:47,360 --> 00:32:50,640 Speaker 1: to come out and give the new gala women's clothes 656 00:32:50,640 --> 00:32:52,360 Speaker 1: and jewelry. 657 00:32:52,400 --> 00:32:56,280 Speaker 2: This fucking rules is amazing. This is cool as hell. 658 00:32:56,560 --> 00:32:59,400 Speaker 1: Yeah, there's some adult whatever it shows up my house 659 00:32:59,440 --> 00:33:02,000 Speaker 1: and throws her dick at it. I'm like, all right, 660 00:33:02,320 --> 00:33:03,000 Speaker 1: you get a dress. 661 00:33:03,440 --> 00:33:08,560 Speaker 2: Yeah exactly. It's like the craziest Halloween treating of all time. 662 00:33:08,720 --> 00:33:14,680 Speaker 1: Totally yeah, your house. I dicked your house. Wow. And 663 00:33:14,720 --> 00:33:16,760 Speaker 1: then they return to the temple and they joined the gallet. 664 00:33:17,560 --> 00:33:20,200 Speaker 2: You're not gonna bleed out right, Like, what's so? 665 00:33:20,440 --> 00:33:22,920 Speaker 1: There is danger here? And yeah, I don't know what 666 00:33:23,000 --> 00:33:25,400 Speaker 1: percentage Because a lot of people were talking about this, 667 00:33:25,440 --> 00:33:27,920 Speaker 1: I starting to talk about it, say like they are 668 00:33:27,920 --> 00:33:30,240 Speaker 1: willing to accept this level of danger that they might 669 00:33:30,280 --> 00:33:32,120 Speaker 1: not survive this thing, right. 670 00:33:32,400 --> 00:33:34,720 Speaker 2: Just kind of pack the wound and let it scab over. 671 00:33:35,000 --> 00:33:39,920 Speaker 1: Yeah. I don't know the actual danger of chopping your 672 00:33:39,920 --> 00:33:41,480 Speaker 1: dick off in the middle of a crowd. I think 673 00:33:41,520 --> 00:33:45,400 Speaker 1: it's reasonably high. But like you know, on a normal day, 674 00:33:45,440 --> 00:33:47,320 Speaker 1: we have like a really low chance of dying. The 675 00:33:47,400 --> 00:33:48,920 Speaker 1: day you shop your dick off in a crowd, you're 676 00:33:48,920 --> 00:33:50,600 Speaker 1: gonna have a higher chance of dying. Does that become 677 00:33:50,640 --> 00:33:53,480 Speaker 1: one percent? Does that become twenty percent. I could not 678 00:33:53,560 --> 00:33:56,160 Speaker 1: tell you. I'll go into my chart. I'll ask my doctor. 679 00:33:56,240 --> 00:33:58,640 Speaker 1: Yeah it's a good idea. Yeah, and bring a little 680 00:33:58,680 --> 00:33:59,400 Speaker 1: hand drum. 681 00:34:00,480 --> 00:34:02,080 Speaker 2: Yeah yeah, just curious. 682 00:34:02,400 --> 00:34:05,920 Speaker 1: Yeah. So this day, the Day of Blood, was a 683 00:34:05,960 --> 00:34:09,720 Speaker 1: celebration of the sort of demi god of the galley, 684 00:34:09,800 --> 00:34:11,600 Speaker 1: the sort of right hand lady of. 685 00:34:11,760 --> 00:34:14,160 Speaker 2: Sibylly Adis Sick. 686 00:34:14,520 --> 00:34:19,680 Speaker 1: But what Addis liked was ad Nope, this is literally 687 00:34:19,719 --> 00:34:23,600 Speaker 1: the worst AD transition I've ever done. Oh but you're 688 00:34:23,640 --> 00:34:26,759 Speaker 1: stuck with it, Okay, go back for it. Only is 689 00:34:26,840 --> 00:34:30,120 Speaker 1: that her real name? Addis? Yeah, okay, but not with 690 00:34:30,160 --> 00:34:34,080 Speaker 1: a d. H, not with a D. I didn't do 691 00:34:34,120 --> 00:34:36,600 Speaker 1: it on purpose. I wish I had. I wish I 692 00:34:36,640 --> 00:34:43,759 Speaker 1: was that clever. All right, ads, and we're back. So 693 00:34:43,840 --> 00:34:47,400 Speaker 1: when the cult went to Greece, they took this word Addis. 694 00:34:47,760 --> 00:34:50,320 Speaker 1: That was probably either the name of a specific priest 695 00:34:50,320 --> 00:34:53,560 Speaker 1: of matter and Phrygia. It might have been also the 696 00:34:53,600 --> 00:34:57,719 Speaker 1: name for like priests of materire. But basically they're like, 697 00:34:58,120 --> 00:35:01,239 Speaker 1: once the conceptual Addis is in Greece, they're like, all right, 698 00:35:01,280 --> 00:35:04,600 Speaker 1: this is the demigod who's hooking up with Sibylly, and 699 00:35:04,640 --> 00:35:08,240 Speaker 1: he is generally seen as the first Gala. He gets 700 00:35:08,280 --> 00:35:11,279 Speaker 1: heat and sheet in various ways. I'm gonna just okay, 701 00:35:11,400 --> 00:35:13,560 Speaker 1: I'm gonna misgender and by accident her. 702 00:35:13,920 --> 00:35:15,400 Speaker 2: Okay, this is interesting. 703 00:35:15,840 --> 00:35:18,600 Speaker 1: And there's a ton of different versions about this myth 704 00:35:18,719 --> 00:35:23,200 Speaker 1: about how this comes to be someone who is more 705 00:35:23,239 --> 00:35:25,440 Speaker 1: than a eunuch but is in fact living as a woman. 706 00:35:25,480 --> 00:35:27,960 Speaker 1: And so these are the origin stories that we know 707 00:35:28,160 --> 00:35:29,680 Speaker 1: is like, this is more than being a eunuch. 708 00:35:30,280 --> 00:35:31,160 Speaker 2: Okay, okay. 709 00:35:31,840 --> 00:35:35,040 Speaker 1: In some myths, she starts off as infertile from birth, 710 00:35:35,440 --> 00:35:40,200 Speaker 1: which could mean a lot of things interesting. This includes literally, 711 00:35:40,280 --> 00:35:43,120 Speaker 1: if someone's just like not attracted to women, they could 712 00:35:43,120 --> 00:35:46,160 Speaker 1: be called infertile from birth, or they could be intersects, 713 00:35:46,440 --> 00:35:49,200 Speaker 1: or they could just literally not be fertile for a 714 00:35:49,239 --> 00:35:52,920 Speaker 1: fucking million reasons. In one of these stories, Addis is 715 00:35:52,960 --> 00:35:56,160 Speaker 1: hooking up with probably Sibylly okay, and then he cheats 716 00:35:56,160 --> 00:36:00,000 Speaker 1: andre as a boy in whatever gender sure something, cheat 717 00:36:00,000 --> 00:36:02,000 Speaker 1: meat on her. She's so mad at him that he 718 00:36:02,040 --> 00:36:04,600 Speaker 1: goes crazy and he cuts off his own dick in 719 00:36:04,719 --> 00:36:08,279 Speaker 1: like sorrow and this and this kills him and the 720 00:36:08,280 --> 00:36:14,040 Speaker 1: galet self castraight in Addis's memory. Another poem has adis 721 00:36:14,080 --> 00:36:16,960 Speaker 1: going mad in the woods alone and cutting off her 722 00:36:16,960 --> 00:36:20,080 Speaker 1: own junk with a flint knife. At this point, she 723 00:36:20,120 --> 00:36:23,200 Speaker 1: gets female pronouns in this story, and she picks up 724 00:36:23,280 --> 00:36:26,640 Speaker 1: the drum and dances and then goes to sleep. She 725 00:36:26,800 --> 00:36:30,000 Speaker 1: wakes up and thinks kind of in awe about how 726 00:36:30,040 --> 00:36:33,960 Speaker 1: she's been every kind of person. Wow, and she's super sad. 727 00:36:34,600 --> 00:36:37,279 Speaker 1: But Sibylly sends a lion to drive her insane, but 728 00:36:37,360 --> 00:36:39,880 Speaker 1: like in a good way, in a like free you 729 00:36:39,920 --> 00:36:41,360 Speaker 1: from your sorrow's way. 730 00:36:41,600 --> 00:36:44,000 Speaker 2: Okay, yeah, like when we up my searcher line. 731 00:36:44,520 --> 00:36:48,160 Speaker 1: Yeah. And then Adis goes into the woods and is 732 00:36:48,200 --> 00:36:49,880 Speaker 1: forever after a servant to Sibylly. 733 00:36:50,440 --> 00:36:55,280 Speaker 2: So in one instance, addis Amab. 734 00:36:55,960 --> 00:36:57,640 Speaker 1: Yeah, always Amab in these stories. 735 00:36:57,680 --> 00:37:03,480 Speaker 2: Okay, addis Amab looking up with Sibley. He cheats on her, Yeah, 736 00:37:03,520 --> 00:37:07,080 Speaker 2: but somehow he's the victim. Classic And then. 737 00:37:07,200 --> 00:37:08,759 Speaker 1: I don't know if he's the victim in that. I 738 00:37:08,840 --> 00:37:10,440 Speaker 1: think he's like he's upset. 739 00:37:10,480 --> 00:37:13,439 Speaker 2: He goes insane because she's mad at him. Yeah, it's 740 00:37:13,440 --> 00:37:15,719 Speaker 2: like when your boyfriend is like you know what I mean? 741 00:37:16,400 --> 00:37:18,400 Speaker 1: Yeah, like I'm so stupid and starts. 742 00:37:19,400 --> 00:37:22,040 Speaker 2: But I'm sorry. Yeah, why would you ever want to 743 00:37:22,080 --> 00:37:24,200 Speaker 2: be with someone like me whatever, you know that kind 744 00:37:24,239 --> 00:37:24,959 Speaker 2: of okay. 745 00:37:24,960 --> 00:37:26,080 Speaker 1: Anyways, so then. 746 00:37:26,360 --> 00:37:28,560 Speaker 2: He's like, what, oh, okay, if you don't take me back, 747 00:37:28,600 --> 00:37:30,359 Speaker 2: I'm just gonna cut my dick off. Then he cuts 748 00:37:30,360 --> 00:37:32,919 Speaker 2: his dick off, and then he dies, and then all 749 00:37:32,960 --> 00:37:36,040 Speaker 2: the gully are like, will cut our dick off because 750 00:37:36,040 --> 00:37:37,520 Speaker 2: of your crazy ex boyfriend? 751 00:37:37,600 --> 00:37:40,040 Speaker 1: Well, when you say it like that, he's in cell coded. 752 00:37:40,640 --> 00:37:42,040 Speaker 2: Deeply in cell coded. 753 00:37:42,239 --> 00:37:45,520 Speaker 1: Oh god, oh you found the darkest version of this story. 754 00:37:45,600 --> 00:37:46,520 Speaker 1: Uh huh? Yeah. 755 00:37:46,920 --> 00:37:50,200 Speaker 2: Or also like, if my friends cut their dicks off 756 00:37:50,320 --> 00:37:52,920 Speaker 2: because of my crazy ex boyfriend, I'd be like, are 757 00:37:52,960 --> 00:37:57,640 Speaker 2: we even friends? Why would you do that? 758 00:37:58,239 --> 00:38:03,600 Speaker 1: Yeah? Okay, more stories about Addis. Oh no, there's so 759 00:38:03,680 --> 00:38:05,839 Speaker 1: many of these. I've only got some of them written down. 760 00:38:05,960 --> 00:38:07,840 Speaker 2: The performative feminist boyfriend Addis. 761 00:38:07,960 --> 00:38:11,799 Speaker 1: Uh. Another story has Addis as a young Phrygian who 762 00:38:11,840 --> 00:38:15,560 Speaker 1: is supposed to stay chased for Meter, but then instead 763 00:38:15,600 --> 00:38:18,840 Speaker 1: falls in love with a Niad, and so Meter kills 764 00:38:18,840 --> 00:38:23,240 Speaker 1: the Naiad by destroying its sacred tree, and so Addis 765 00:38:23,360 --> 00:38:26,480 Speaker 1: runs off into the wilderness and castrates himself because he 766 00:38:26,560 --> 00:38:29,680 Speaker 1: decided his balls were why he was sad? What's a 767 00:38:29,800 --> 00:38:34,040 Speaker 1: naiad like a fucking water dryad. I think I played 768 00:38:34,040 --> 00:38:35,400 Speaker 1: a lot of D and D as a kid. I 769 00:38:35,440 --> 00:38:37,200 Speaker 1: assume I know this, and now I'm worried. 770 00:38:37,440 --> 00:38:39,240 Speaker 2: He falls in love with a dolphin. 771 00:38:40,360 --> 00:38:43,160 Speaker 1: No, no, like a naiad is like a nymph whoa 772 00:38:43,680 --> 00:38:44,279 Speaker 1: got it, got it? 773 00:38:44,320 --> 00:38:44,640 Speaker 2: Got it? 774 00:38:44,880 --> 00:38:45,120 Speaker 1: Yeah? 775 00:38:45,200 --> 00:38:48,480 Speaker 2: Okay. So then he runs away dramatically cuts his own 776 00:38:48,520 --> 00:38:51,920 Speaker 2: balls off because that's what's making him sad, because. 777 00:38:51,680 --> 00:38:53,960 Speaker 1: His desire for sex was making him sad. I guess 778 00:38:54,920 --> 00:38:58,080 Speaker 1: because he like was supposed to say, chased and he failed. 779 00:38:58,560 --> 00:39:01,600 Speaker 1: So now he's like, ah. 780 00:39:00,560 --> 00:39:03,960 Speaker 2: He's so dramatic. Oh my god, dude, have you considered 781 00:39:04,080 --> 00:39:04,880 Speaker 2: just being regular? 782 00:39:05,960 --> 00:39:09,640 Speaker 1: No, adis is not. Neither has any trans woman ever 783 00:39:09,680 --> 00:39:15,640 Speaker 1: said we earned our reputation, and in a positive way, 784 00:39:15,719 --> 00:39:20,200 Speaker 1: I'll say so. In another Greek tale, this one's like 785 00:39:20,280 --> 00:39:24,400 Speaker 1: less og okay, Zeus falls asleep and has a wet dream, 786 00:39:24,800 --> 00:39:29,359 Speaker 1: and his wet dream creates Agdustus, who is sybilly and 787 00:39:29,520 --> 00:39:32,520 Speaker 1: is an intersects god with the two main sets of genitals. 788 00:39:33,640 --> 00:39:37,320 Speaker 1: Agnustus freaked out the gods so much that they cut 789 00:39:37,320 --> 00:39:42,080 Speaker 1: off Agnustus's dick, which then sprouted into an almond tree 790 00:39:42,120 --> 00:39:44,920 Speaker 1: and a nymph ate one of the almonds and it 791 00:39:45,000 --> 00:39:48,920 Speaker 1: got her pregnant, and she gives birth to Adis, who 792 00:39:48,960 --> 00:39:51,840 Speaker 1: was then raised by a goat. And then Adis is 793 00:39:51,840 --> 00:39:55,000 Speaker 1: getting married to someone but then saw Agdustus and then 794 00:39:55,120 --> 00:39:59,359 Speaker 1: goes crazy at the wedding and castraates both himself and 795 00:39:59,440 --> 00:40:02,960 Speaker 1: his father in law. Okay, and what does Syby have. 796 00:40:02,960 --> 00:40:03,440 Speaker 2: To do with this? 797 00:40:03,840 --> 00:40:05,080 Speaker 1: Agus is Sibilly? 798 00:40:05,320 --> 00:40:05,799 Speaker 2: Oh? Got it? 799 00:40:05,800 --> 00:40:08,840 Speaker 1: Got It's just like some syncretic shit. So in this case, 800 00:40:09,520 --> 00:40:10,960 Speaker 1: Sibilly is intersex. 801 00:40:11,600 --> 00:40:14,560 Speaker 2: Okay, Well, this story is insane, Like is there an 802 00:40:14,600 --> 00:40:20,000 Speaker 2: explanation for like were these people like eating berries that 803 00:40:20,080 --> 00:40:23,719 Speaker 2: made them high? Like what is that explanation? Is it 804 00:40:23,880 --> 00:40:26,840 Speaker 2: just like if you don't have anything else, you're just 805 00:40:27,080 --> 00:40:27,880 Speaker 2: very creative. 806 00:40:28,640 --> 00:40:31,000 Speaker 1: I think it's echo chamber shit. I think it's like 807 00:40:31,000 --> 00:40:34,160 Speaker 1: if everyone's telling you like, yeah, yeah, totally, Zeus would 808 00:40:34,160 --> 00:40:36,160 Speaker 1: totally do that, and then you're like yeah, and then 809 00:40:36,160 --> 00:40:38,759 Speaker 1: it would like create an almonary and everyone's like yeah, no, absolutely, 810 00:40:39,040 --> 00:40:40,319 Speaker 1: and so I was like I don't think that they 811 00:40:40,320 --> 00:40:42,960 Speaker 1: would create an almonary and they're like no, you just 812 00:40:43,000 --> 00:40:45,240 Speaker 1: get how could you think that? That's My best guess. 813 00:40:45,280 --> 00:40:48,120 Speaker 2: It's like when you're playing like with a little kid 814 00:40:48,600 --> 00:40:51,080 Speaker 2: and the kids like and now my dinosaur can fly, 815 00:40:51,320 --> 00:40:53,880 Speaker 2: and you're like okay, yeah, and they're like, no, the 816 00:40:53,920 --> 00:40:57,080 Speaker 2: reason that you can't actually have your power introde that 817 00:40:57,160 --> 00:40:59,800 Speaker 2: is because mine has a force field. And you're like, okay, 818 00:41:00,320 --> 00:41:02,560 Speaker 2: and that's what this is. Like, No, he had a 819 00:41:02,600 --> 00:41:04,560 Speaker 2: wet dream and it turned into an almond and she 820 00:41:04,719 --> 00:41:06,960 Speaker 2: ate the almond and she's pregnant. Duh. 821 00:41:07,080 --> 00:41:08,839 Speaker 1: Yeah, and that's why the goat raised him. And then 822 00:41:08,840 --> 00:41:10,280 Speaker 1: then yeah, yeah. 823 00:41:10,120 --> 00:41:11,600 Speaker 2: And then you have to just be like, you're right, 824 00:41:11,719 --> 00:41:12,360 Speaker 2: I'm stupid. 825 00:41:12,760 --> 00:41:15,279 Speaker 1: Yeah, that one is the most Greek myth of all 826 00:41:15,280 --> 00:41:19,320 Speaker 1: of them, but it's just like a tragic, weird story. 827 00:41:19,520 --> 00:41:21,480 Speaker 1: I'm like, all right, whatever, And a lot of them 828 00:41:21,480 --> 00:41:23,480 Speaker 1: are just like, oh, I went into a cave and 829 00:41:23,520 --> 00:41:27,640 Speaker 1: then was overcome by like ecstatic madness and self castrated, 830 00:41:27,680 --> 00:41:29,760 Speaker 1: and you know, went off to go worship the goddess. 831 00:41:30,040 --> 00:41:32,520 Speaker 2: Why are they obsessed with castrating? 832 00:41:33,120 --> 00:41:36,759 Speaker 1: Well, so in this case, this is a specific I 833 00:41:36,760 --> 00:41:39,200 Speaker 1: don't want to say Greek culture is obsessed with castrating, 834 00:41:39,560 --> 00:41:42,400 Speaker 1: but I would say that, like a lot of historical 835 00:41:42,440 --> 00:41:45,200 Speaker 1: societies are, I've only read about some of them. I 836 00:41:45,239 --> 00:41:49,320 Speaker 1: was reading about this cult in Siberia in the eighteenth 837 00:41:49,320 --> 00:41:51,960 Speaker 1: and nineteenth century. That was like, oh my god, it 838 00:41:51,960 --> 00:41:54,040 Speaker 1: was an ecstatic dancing cult where they like cut off 839 00:41:54,040 --> 00:41:59,040 Speaker 1: their own dicks. See, yeah, I think ecstatic dancing is 840 00:41:59,040 --> 00:42:01,400 Speaker 1: associated with the shit don't let your children go to 841 00:42:01,480 --> 00:42:03,759 Speaker 1: raves if you don't want them to become trans girls. 842 00:42:03,800 --> 00:42:05,040 Speaker 2: And put that on a pillow. 843 00:42:05,560 --> 00:42:09,279 Speaker 1: Yeah. And there's another story about the First Gale, and 844 00:42:09,320 --> 00:42:12,439 Speaker 1: this one is not Attis but a guy named Combabos 845 00:42:12,760 --> 00:42:16,560 Speaker 1: who castrated himself for the Syrian goddess Adergatis, whose followers 846 00:42:16,600 --> 00:42:19,200 Speaker 1: would castrate themselves. But this is the like not just 847 00:42:19,320 --> 00:42:23,799 Speaker 1: uniq story. This woman falls in love with a unit Combabos, 848 00:42:24,320 --> 00:42:26,960 Speaker 1: but when she realized he didn't have a dick, she 849 00:42:27,040 --> 00:42:31,600 Speaker 1: does what anyone would do and kill herself in her sorrow. 850 00:42:31,719 --> 00:42:35,560 Speaker 1: And ever since, the Galley have worn women's clothes, so 851 00:42:35,640 --> 00:42:38,520 Speaker 1: it's to not seduce women. And I can just go 852 00:42:38,560 --> 00:42:41,439 Speaker 1: ahead and say that that was not written by someone 853 00:42:41,440 --> 00:42:45,200 Speaker 1: who has a trans woman's experience, because wearing women's clothes 854 00:42:45,200 --> 00:42:47,920 Speaker 1: doesn't make you less attractive to women. I'll just go 855 00:42:47,920 --> 00:42:48,680 Speaker 1: ahead and say that. 856 00:42:50,680 --> 00:42:54,440 Speaker 2: No. If anything, it's well, I guess I'm not a woman. 857 00:42:54,680 --> 00:42:56,360 Speaker 2: When I was a woman, it was one of my 858 00:42:56,440 --> 00:42:57,080 Speaker 2: top tiers. 859 00:42:57,520 --> 00:43:00,759 Speaker 1: Yeah, it's like, yeah, I think it's interesting because it's 860 00:43:00,840 --> 00:43:05,560 Speaker 1: like saying, like, oh, the solution here is to become 861 00:43:05,640 --> 00:43:08,759 Speaker 1: a woman, like to fit the social role of women, 862 00:43:09,320 --> 00:43:12,160 Speaker 1: instead of trying to go through life in this social 863 00:43:12,239 --> 00:43:14,640 Speaker 1: role of Unich, which is an existing social role within 864 00:43:14,680 --> 00:43:16,120 Speaker 1: a lot of these cultures. And I don't know as 865 00:43:16,200 --> 00:43:18,399 Speaker 1: much about it. I've watched Game of Thrones and read 866 00:43:18,440 --> 00:43:19,040 Speaker 1: some history. 867 00:43:19,239 --> 00:43:22,120 Speaker 2: But it's like, so nobody could be like, we should 868 00:43:22,160 --> 00:43:26,440 Speaker 2: just wholesale do life as women because that's basically what 869 00:43:26,480 --> 00:43:28,120 Speaker 2: we are and we don't want to confuse anyone. 870 00:43:29,440 --> 00:43:31,719 Speaker 1: I think that that's kind of a bit of what's 871 00:43:31,760 --> 00:43:37,000 Speaker 1: happening here. And like, again, we don't have any gallet 872 00:43:37,080 --> 00:43:40,879 Speaker 1: saying why they did it. Maddening, I know. But what's 873 00:43:40,880 --> 00:43:43,720 Speaker 1: interesting that the Klucker. The reason I really like her piece, 874 00:43:43,760 --> 00:43:46,440 Speaker 1: I assume it's her. Oh my god, I'm making rud assumptions. 875 00:43:47,200 --> 00:43:49,880 Speaker 1: I don't know why I really like this person's piece 876 00:43:50,760 --> 00:43:54,960 Speaker 1: is that that author says, like, you know, what historians 877 00:43:55,000 --> 00:44:00,320 Speaker 1: are missing is the transgender experience is understanding this is 878 00:44:00,360 --> 00:44:04,880 Speaker 1: a way that people feel creech, And so this author 879 00:44:04,960 --> 00:44:06,560 Speaker 1: is able to come in and say like I can 880 00:44:06,600 --> 00:44:09,359 Speaker 1: actually offer. And they're an academic and they're presenting all 881 00:44:09,360 --> 00:44:11,920 Speaker 1: the academic arguments, but they're like, but the thing that 882 00:44:12,040 --> 00:44:15,439 Speaker 1: actually fits all the data we have is that they're 883 00:44:15,440 --> 00:44:19,520 Speaker 1: fucking trans people who have always existed and like in 884 00:44:19,600 --> 00:44:22,640 Speaker 1: different ways in different societies, but this is a way 885 00:44:22,680 --> 00:44:26,160 Speaker 1: to be trans in that society. And that because you're like, 886 00:44:26,280 --> 00:44:28,360 Speaker 1: why did they do it? And like, I don't know, 887 00:44:28,440 --> 00:44:30,040 Speaker 1: the music was good and I always kind of wanted 888 00:44:30,040 --> 00:44:30,919 Speaker 1: to do I don't know. 889 00:44:31,040 --> 00:44:35,240 Speaker 2: You know, like, yeah, did you ever see the movie 890 00:44:35,640 --> 00:44:39,360 Speaker 2: Stress Positions? No, it's by a trans woman. It's like 891 00:44:39,400 --> 00:44:41,760 Speaker 2: more recent movie by a trans woman named Feta Hamilton, 892 00:44:42,000 --> 00:44:45,120 Speaker 2: I believe. And there's a part in it where this 893 00:44:45,280 --> 00:44:49,520 Speaker 2: younger guy who is like questioning has like trans women. 894 00:44:50,040 --> 00:44:52,359 Speaker 2: It's like me, I don't know, yeah, and a little 895 00:44:52,360 --> 00:44:57,279 Speaker 2: eggy is talking to the trans woman character and is 896 00:44:57,360 --> 00:45:00,239 Speaker 2: like being so when did you first realize the we're 897 00:45:00,280 --> 00:45:04,160 Speaker 2: a woman, and she just goes, I don't know. I 898 00:45:04,280 --> 00:45:07,680 Speaker 2: just kind of wanted to kill myself and then this helped. Yeah, 899 00:45:07,760 --> 00:45:11,800 Speaker 2: totally always think about I think about that all the time. 900 00:45:12,800 --> 00:45:15,400 Speaker 1: I'm going to shout out my nun on again, please, 901 00:45:15,840 --> 00:45:17,920 Speaker 1: I have a cousin who's trans who came out before 902 00:45:18,000 --> 00:45:18,319 Speaker 1: I did. 903 00:45:18,560 --> 00:45:21,040 Speaker 2: Wow, rude, Oh, I. 904 00:45:21,000 --> 00:45:23,279 Speaker 1: Have so many trans cousins. This is the beautiful thing 905 00:45:23,280 --> 00:45:25,600 Speaker 1: about being part of a lot of Catholic families. I 906 00:45:25,640 --> 00:45:28,000 Speaker 1: have a lot of cousins. I've got like thirty something cousins. 907 00:45:28,680 --> 00:45:29,960 Speaker 2: I don't have any cousins. 908 00:45:30,880 --> 00:45:34,440 Speaker 1: Yeah, I'm sorry. Yeah, I have more than I literally 909 00:45:34,640 --> 00:45:37,880 Speaker 1: can keep track of it any given time. And so 910 00:45:37,920 --> 00:45:41,440 Speaker 1: I'm sitting at Christmas next to Sister Dominic and my 911 00:45:41,520 --> 00:45:43,759 Speaker 1: cousin comes in and I'm not going to say my 912 00:45:43,800 --> 00:45:44,560 Speaker 1: cousin's name. 913 00:45:44,440 --> 00:45:45,400 Speaker 2: But Hummingbird. 914 00:45:46,360 --> 00:45:50,480 Speaker 1: My cousin humming Bird to throw back, yeah, exactly, And 915 00:45:50,560 --> 00:45:54,600 Speaker 1: my aunt says, now, who's that? And I'm like, oh, 916 00:45:54,600 --> 00:45:58,840 Speaker 1: that's humming Bird. She's a woman now. And Sister Dominic, 917 00:45:59,600 --> 00:46:02,640 Speaker 1: eighty year old, none is like, I bet she's always 918 00:46:02,640 --> 00:46:03,239 Speaker 1: felt that way. 919 00:46:04,120 --> 00:46:07,200 Speaker 2: Oh, and a conversation perfect. 920 00:46:07,600 --> 00:46:09,759 Speaker 1: And it's funny, is it's like I talked to a 921 00:46:09,840 --> 00:46:12,000 Speaker 1: Hummingbird about it and she was like, no, I didn't 922 00:46:12,000 --> 00:46:13,360 Speaker 1: always feel that way. I just like, when I was 923 00:46:13,400 --> 00:46:15,520 Speaker 1: like twenty two or something, I realized this possibility. 924 00:46:15,560 --> 00:46:18,000 Speaker 2: And I know we're not allowed to tell six people 925 00:46:18,000 --> 00:46:19,279 Speaker 2: that yet I know. 926 00:46:19,560 --> 00:46:21,360 Speaker 1: Yeah, mine was that. I was like, I think that 927 00:46:21,440 --> 00:46:23,440 Speaker 1: I had one idea of my gender and then what 928 00:46:23,480 --> 00:46:25,279 Speaker 1: trans was moved to include it. 929 00:46:26,480 --> 00:46:29,920 Speaker 2: You know. Wow, Okay, I love that. I love that. 930 00:46:30,680 --> 00:46:36,319 Speaker 1: But anyway, so you have the galley. Yeah, they don't 931 00:46:36,320 --> 00:46:39,000 Speaker 1: eat pigs, they don't touch doves. I could not tell 932 00:46:39,040 --> 00:46:42,520 Speaker 1: you why. They also kind of had the original. I 933 00:46:42,560 --> 00:46:44,440 Speaker 1: don't know if all of them ate only this diet, 934 00:46:44,480 --> 00:46:49,840 Speaker 1: but the Holy Food for Sibilly, the Sacramental food is 935 00:46:49,960 --> 00:46:53,520 Speaker 1: the original paleo diet trend, not what we call paleo, 936 00:46:53,840 --> 00:46:59,760 Speaker 1: but specifically because meter prefers to eat pre civilized food. 937 00:47:00,239 --> 00:47:04,920 Speaker 1: The food, the original food, greens and cheese, like vegetables 938 00:47:04,920 --> 00:47:06,920 Speaker 1: and cheese. Yeah. 939 00:47:06,920 --> 00:47:07,440 Speaker 2: I love that. 940 00:47:07,680 --> 00:47:09,160 Speaker 1: Yeah, no, it seems like a pretty good diet. 941 00:47:09,360 --> 00:47:11,480 Speaker 2: Yeah, very down mostly. I think that's kind of my 942 00:47:11,520 --> 00:47:13,239 Speaker 2: diet now. Yeah, yeah, I know. 943 00:47:13,280 --> 00:47:15,080 Speaker 1: I explain this to people and I'm like, yeah, no, 944 00:47:16,040 --> 00:47:18,960 Speaker 1: that sounds nice. I'm like, well, I want bread, but 945 00:47:19,000 --> 00:47:21,720 Speaker 1: that's because I'm civilized. I've been sure. 946 00:47:22,360 --> 00:47:25,719 Speaker 2: Greens, cheese and then just a little pop tard as 947 00:47:25,719 --> 00:47:26,080 Speaker 2: a treat. 948 00:47:26,520 --> 00:47:29,480 Speaker 1: Yeah, olive oil and bread and top. Yeah huh oh, 949 00:47:29,560 --> 00:47:34,439 Speaker 1: I'm so hungry. Okay, So the Galley would drive people 950 00:47:34,520 --> 00:47:37,760 Speaker 1: into madness, but a pleasant madness with their wild, untamable music. 951 00:47:37,800 --> 00:47:40,880 Speaker 1: They would walk around town in brightly colored robes, begging 952 00:47:40,880 --> 00:47:45,040 Speaker 1: for alms and accompanied by floutists. And the noise they 953 00:47:45,080 --> 00:47:49,800 Speaker 1: produced was to remember how meater. You know, Sibilly hid 954 00:47:49,840 --> 00:47:52,600 Speaker 1: the god Jupiter from Saturn when Saturn was trying to 955 00:47:52,640 --> 00:47:55,440 Speaker 1: do his whole devour all of his children thing. Yeah, 956 00:47:55,480 --> 00:47:59,280 Speaker 1: so Meter hid Jupiter and then made a huge noise 957 00:47:59,320 --> 00:48:02,560 Speaker 1: to cover up juice Butter's crying, Oh my god. And 958 00:48:02,600 --> 00:48:07,400 Speaker 1: so this is the like holy noise to reflect keeping 959 00:48:07,440 --> 00:48:11,360 Speaker 1: this child safe from its like murderous father. 960 00:48:11,719 --> 00:48:13,000 Speaker 2: But we don't know what it sounds like. 961 00:48:13,719 --> 00:48:15,319 Speaker 1: There's actually some people who get mad if you call 962 00:48:15,360 --> 00:48:19,000 Speaker 1: them reconstructionists, who say that they have found the original 963 00:48:19,080 --> 00:48:22,239 Speaker 1: drumming patterns, and I have only their word for it 964 00:48:22,280 --> 00:48:25,040 Speaker 1: off of their website, which is galay dot org or 965 00:48:25,120 --> 00:48:26,799 Speaker 1: calm or something. I'll talk about them a little at 966 00:48:26,840 --> 00:48:27,080 Speaker 1: the end. 967 00:48:27,520 --> 00:48:28,200 Speaker 2: Incredible. 968 00:48:28,920 --> 00:48:31,200 Speaker 1: But I like this story because trans women have always 969 00:48:31,200 --> 00:48:33,759 Speaker 1: been associated with noise music. It's in our blood, which 970 00:48:33,800 --> 00:48:35,279 Speaker 1: actually used to piss me off a lot. I once 971 00:48:35,280 --> 00:48:38,000 Speaker 1: played this show. I like I had a synth band 972 00:48:38,280 --> 00:48:41,200 Speaker 1: and it's a solo project, but it's like not a 973 00:48:41,239 --> 00:48:43,719 Speaker 1: noise band. I was like, very like, it's like, you know, 974 00:48:43,760 --> 00:48:48,280 Speaker 1: it has noticeable rhythms and yeah, music theory and whatever. 975 00:48:48,640 --> 00:48:50,640 Speaker 1: I went to go play this show at this punk bar. 976 00:48:50,719 --> 00:48:53,279 Speaker 1: I would hang out it all the time, and I 977 00:48:53,360 --> 00:48:55,920 Speaker 1: like walk in with my like synthesizer under my arm 978 00:48:56,000 --> 00:48:57,719 Speaker 1: and shit, and someone looks up and goes, oh, I 979 00:48:57,760 --> 00:49:00,480 Speaker 1: didn't know there was a noise show later tonight, and 980 00:49:00,520 --> 00:49:02,120 Speaker 1: I was like, no, I'm just a trans woman. 981 00:49:03,120 --> 00:49:04,600 Speaker 2: Well you're like, what are you talking about. I walk 982 00:49:04,600 --> 00:49:07,000 Speaker 2: around with this all the time. Yeah, I actually legally 983 00:49:07,120 --> 00:49:07,839 Speaker 2: have to carry it. 984 00:49:08,160 --> 00:49:10,479 Speaker 1: Yeah, in order to flag my gender. Yeah right, it's. 985 00:49:10,400 --> 00:49:12,239 Speaker 2: Sort of part of the thing. They're making me bring 986 00:49:12,280 --> 00:49:13,879 Speaker 2: it to the airport. It's a whole deal. 987 00:49:14,040 --> 00:49:16,640 Speaker 1: Yeah, totally. Yeah, in order to get my ID to work. 988 00:49:16,719 --> 00:49:20,040 Speaker 2: Yeah, you're at the DMV with your synthesize. Yeah. 989 00:49:20,280 --> 00:49:21,760 Speaker 1: They put me in the trans line. 990 00:49:21,880 --> 00:49:22,680 Speaker 2: Yeah exactly. 991 00:49:23,160 --> 00:49:26,759 Speaker 1: Yeah. Another thing that trans women have always been associated with. 992 00:49:26,800 --> 00:49:28,719 Speaker 1: And this has much more to do with being ostracized 993 00:49:28,760 --> 00:49:31,239 Speaker 1: by society and sex work. 994 00:49:31,840 --> 00:49:33,920 Speaker 2: Oh so it's not flautists. 995 00:49:33,560 --> 00:49:37,600 Speaker 1: Yeah no. Unfortunately, although if we go far enough into euphemism, 996 00:49:37,640 --> 00:49:41,439 Speaker 1: it is. But yes, in Rome, the Galley were wild 997 00:49:41,480 --> 00:49:45,560 Speaker 1: and exotic and sexual and corrupting, so absolutely, at least 998 00:49:45,560 --> 00:49:48,520 Speaker 1: in the accounts of them. They're often sex workers. Whether 999 00:49:48,560 --> 00:49:51,040 Speaker 1: or not they are, I don't fucking know. It's written 1000 00:49:51,040 --> 00:49:53,560 Speaker 1: as slander. It doesn't need to be fuck that. Yeah, 1001 00:49:53,680 --> 00:49:57,600 Speaker 1: fuck anyone whoives people shiit for doing sex work. They 1002 00:49:57,680 --> 00:50:00,960 Speaker 1: also seem to usually but not always, lose their connection 1003 00:50:01,000 --> 00:50:03,080 Speaker 1: to their family when they come out as oh, oh 1004 00:50:03,120 --> 00:50:08,760 Speaker 1: my god, yeah, nothing changes, this is wow. Most dropped 1005 00:50:08,760 --> 00:50:11,960 Speaker 1: their family names, and the Galley weren't allowed to get 1006 00:50:11,960 --> 00:50:14,279 Speaker 1: married because they couldn't have kids. Was a big part 1007 00:50:14,320 --> 00:50:16,880 Speaker 1: of why they weren't allowed to get married. And the 1008 00:50:16,920 --> 00:50:19,960 Speaker 1: only role for this legal third sex was as priestess. 1009 00:50:20,520 --> 00:50:23,000 Speaker 1: And they had each other. They had each other, and 1010 00:50:23,040 --> 00:50:25,600 Speaker 1: they had the goddess, and the Galley spoke for the 1011 00:50:25,600 --> 00:50:29,040 Speaker 1: goddess like one of the most important gods right, And 1012 00:50:29,080 --> 00:50:35,160 Speaker 1: Sibylly had her own form of poetry, Galliambic meter ah 1013 00:50:35,480 --> 00:50:39,960 Speaker 1: okay is a meter of poetry that exists for the 1014 00:50:40,000 --> 00:50:43,920 Speaker 1: Galley to speak for Sibylly. I am not a big 1015 00:50:43,960 --> 00:50:47,240 Speaker 1: classical poetry buff in terms of like meter and stuff, 1016 00:50:48,000 --> 00:50:50,120 Speaker 1: but I looked it up and I found one English 1017 00:50:50,160 --> 00:50:54,360 Speaker 1: poem written in this form by Tennyson. Okay, I've actually 1018 00:50:54,400 --> 00:50:56,160 Speaker 1: brought up Tennyson before in the show. I think he's 1019 00:50:56,480 --> 00:50:58,759 Speaker 1: not a lefty, but I've brought him up before because 1020 00:50:58,800 --> 00:51:01,080 Speaker 1: he wrote the poem that Charge of the Light Brigade, 1021 00:51:01,080 --> 00:51:03,080 Speaker 1: which was meant to be this patriotic ode to people 1022 00:51:03,080 --> 00:51:05,560 Speaker 1: who like charged it a certain death. But then if 1023 00:51:05,600 --> 00:51:08,239 Speaker 1: people read it now, it sounds like a critique of militarism, 1024 00:51:08,440 --> 00:51:10,440 Speaker 1: but he like didn't mean it as one. But he 1025 00:51:10,440 --> 00:51:16,759 Speaker 1: writes all this like ancient British patriotic poetry. But the 1026 00:51:16,760 --> 00:51:19,799 Speaker 1: example I found is from a poem called Boadicea, and 1027 00:51:19,840 --> 00:51:23,320 Speaker 1: Boadicea is named after probably a future friend of the 1028 00:51:23,360 --> 00:51:26,320 Speaker 1: pod even though she's a British icon, and that fucks 1029 00:51:26,360 --> 00:51:30,239 Speaker 1: with my brain. She was a Celtic queen who led 1030 00:51:30,280 --> 00:51:34,000 Speaker 1: her people into war against the invading Romans in sixty CE. 1031 00:51:34,920 --> 00:51:37,759 Speaker 2: Okay, so a lot of goddesses had our big and 1032 00:51:37,800 --> 00:51:40,920 Speaker 2: in charge of stuff, a lot of queens. A lot 1033 00:51:40,920 --> 00:51:43,279 Speaker 2: of it's interesting. 1034 00:51:44,320 --> 00:51:46,200 Speaker 1: I mean, part of it is that, like the rest 1035 00:51:46,239 --> 00:51:48,919 Speaker 1: of the world besides Roman Greece was like, ah, women 1036 00:51:49,000 --> 00:51:51,440 Speaker 1: are in charge of shit and fight sometimes whatever, who cares. 1037 00:51:52,000 --> 00:51:54,880 Speaker 2: Yeah, that's true. There was a lot of goddesses women 1038 00:51:55,080 --> 00:51:56,759 Speaker 2: like yeah, yeah. 1039 00:51:56,400 --> 00:51:58,040 Speaker 1: And I'm flattening it a little bit, but only a 1040 00:51:58,040 --> 00:52:01,160 Speaker 1: little bit, and like not metaphorical like goddesses. I keep 1041 00:52:01,160 --> 00:52:03,600 Speaker 1: calling the metaphors, but like there's just like a lot 1042 00:52:03,640 --> 00:52:06,239 Speaker 1: of like warrior queens who are fucking up Greece and Rome. 1043 00:52:06,400 --> 00:52:10,400 Speaker 2: You know, Yeah, they're just like women who it's almost 1044 00:52:10,440 --> 00:52:14,440 Speaker 2: like they're put on a pedestal and also denegrated at 1045 00:52:14,440 --> 00:52:15,080 Speaker 2: the same time. 1046 00:52:15,520 --> 00:52:18,520 Speaker 1: Yeah, which nothing ever changes. Well, but it's interesting is 1047 00:52:18,560 --> 00:52:20,239 Speaker 1: that I haven't looked into this as much as I 1048 00:52:20,280 --> 00:52:21,880 Speaker 1: would like to. I started down this side quest and 1049 00:52:21,920 --> 00:52:24,480 Speaker 1: then I was like, this is a different episode the Amazons, 1050 00:52:24,520 --> 00:52:26,560 Speaker 1: partly because I was looking for trans mask representation in 1051 00:52:26,600 --> 00:52:29,000 Speaker 1: this episode, because it's like a transwomen, right. If you 1052 00:52:29,040 --> 00:52:31,040 Speaker 1: go back to Sumer, you get some trans men stuff 1053 00:52:31,080 --> 00:52:34,399 Speaker 1: going on, right, because a Nani could transform people either way. 1054 00:52:34,760 --> 00:52:38,720 Speaker 1: Oh true, and would also like specifically give afab priests, 1055 00:52:38,840 --> 00:52:41,680 Speaker 1: would be given spears and like turned into men or whatever. 1056 00:52:41,719 --> 00:52:45,719 Speaker 2: You know, Sure, we have muland we don't need more representation. 1057 00:52:47,520 --> 00:52:51,640 Speaker 1: So the Amazons are, in a weird way a sort 1058 00:52:51,680 --> 00:52:54,960 Speaker 1: of trans MAScin representation, but they're mythological, right. But in 1059 00:52:55,000 --> 00:52:57,040 Speaker 1: Greece you have these like warrior women and they are 1060 00:52:57,040 --> 00:52:59,440 Speaker 1: presented as women, but they're also cutting at least one 1061 00:52:59,480 --> 00:53:02,200 Speaker 1: of their tits and they're taking these very masculine roles 1062 00:53:02,239 --> 00:53:05,919 Speaker 1: and they're living in this world without men. And what's 1063 00:53:05,960 --> 00:53:09,680 Speaker 1: interesting is, again I haven't fallen as far down this 1064 00:53:09,719 --> 00:53:12,560 Speaker 1: rabbit hole as I would like, is that basically the 1065 00:53:12,600 --> 00:53:15,400 Speaker 1: Greeks built up a mythology of being, Like they looked 1066 00:53:15,400 --> 00:53:18,200 Speaker 1: around and we're like, all of these women keep killing 1067 00:53:18,280 --> 00:53:21,520 Speaker 1: us with bows from horseback anytime we like go east 1068 00:53:21,520 --> 00:53:24,600 Speaker 1: into the steps, you know. Yeah, And so a society 1069 00:53:24,640 --> 00:53:28,200 Speaker 1: with gender equality or at least better opportunities for women 1070 00:53:28,800 --> 00:53:31,799 Speaker 1: was seen as this terrifying mythical place where women were 1071 00:53:31,800 --> 00:53:36,040 Speaker 1: basically men and the men were basically dead. And sounds 1072 00:53:36,080 --> 00:53:39,719 Speaker 1: cool to me, I know, there's no notes. Yeah, And 1073 00:53:39,760 --> 00:53:43,120 Speaker 1: there are modern pagan reconstructionists of Sibylly, like the Maytrum 1074 00:53:43,160 --> 00:53:45,359 Speaker 1: of Sibylly, who are women living in at Upstate New 1075 00:53:45,440 --> 00:53:47,720 Speaker 1: York who got their start nineteen ninety eight. I literally 1076 00:53:47,719 --> 00:53:49,480 Speaker 1: only know about them from their website at the very 1077 00:53:49,560 --> 00:53:52,520 Speaker 1: last minute. I'm not shouting them out specifically, they might 1078 00:53:52,560 --> 00:53:54,600 Speaker 1: be fine. I just don't know, you know, Is it. 1079 00:53:54,600 --> 00:53:57,400 Speaker 2: Just like a Geocity site from nineteen ninety eight. 1080 00:53:57,520 --> 00:54:00,719 Speaker 1: No, it actually updated their webpage was because I ran 1081 00:54:00,760 --> 00:54:02,799 Speaker 1: across it in an article, but from a while ago, 1082 00:54:02,880 --> 00:54:05,239 Speaker 1: and I was like, oh, they're still around, and they're like, 1083 00:54:05,239 --> 00:54:07,240 Speaker 1: they're still around. Their website is like, hey, we updated 1084 00:54:07,280 --> 00:54:10,279 Speaker 1: our web page finally, you know. And they say that 1085 00:54:10,320 --> 00:54:13,719 Speaker 1: the Matrum is open to all, regardless of gender, gender identity, race, 1086 00:54:13,760 --> 00:54:17,680 Speaker 1: ethnic background, or sexual orientation. Our theology starts from the 1087 00:54:17,680 --> 00:54:21,240 Speaker 1: simplest basis, the divine feminine principles, the basis of the universe, 1088 00:54:21,280 --> 00:54:24,799 Speaker 1: where all the great mother learning about ourselves. And they 1089 00:54:24,840 --> 00:54:26,960 Speaker 1: started as a place for trans women to recover from 1090 00:54:26,960 --> 00:54:30,120 Speaker 1: transition and get their shit together, and soon started to 1091 00:54:30,120 --> 00:54:34,360 Speaker 1: include all women. And they're horizontally organized. Each priestess is 1092 00:54:34,400 --> 00:54:37,319 Speaker 1: the other's equal. They have a radio station that's part 1093 00:54:37,360 --> 00:54:42,840 Speaker 1: of the Veterans of the Pod pacifica radio public radio network. Okay, again, 1094 00:54:43,000 --> 00:54:44,759 Speaker 1: I don't know shit about them besides what they've said, 1095 00:54:44,800 --> 00:54:47,240 Speaker 1: but I am happy when people make the world more interesting. 1096 00:54:47,920 --> 00:54:51,800 Speaker 1: Mm hmmm. And that's what I got about the GLEG 1097 00:54:52,040 --> 00:54:55,080 Speaker 1: people who won't touch doves who hang out and play 1098 00:54:55,360 --> 00:54:59,600 Speaker 1: wild music that incites people the social contagion. They're corrupting 1099 00:54:59,680 --> 00:55:03,680 Speaker 1: the U. And they lived in some ways beautiful lives, 1100 00:55:03,920 --> 00:55:06,600 Speaker 1: but they were ostracized from their families and stuff. 1101 00:55:06,760 --> 00:55:08,440 Speaker 2: You said. They took care of each other. It was 1102 00:55:08,480 --> 00:55:12,839 Speaker 2: like a sisterhood, like a closeness. 1103 00:55:10,960 --> 00:55:13,160 Speaker 1: That it seems to be. Yeah, I mean. 1104 00:55:13,000 --> 00:55:17,080 Speaker 2: So they found each other, and I wish we could 1105 00:55:17,080 --> 00:55:19,560 Speaker 2: hear from them, because I'm sure there were so many 1106 00:55:19,600 --> 00:55:24,120 Speaker 2: things that they knew amongst themselves that they obviously would 1107 00:55:24,160 --> 00:55:28,319 Speaker 2: not have shared outside of that. And also, yeah, you're right, 1108 00:55:28,360 --> 00:55:34,440 Speaker 2: a lot of the depiction was very sensationalized, very like 1109 00:55:34,480 --> 00:55:37,160 Speaker 2: who knows if they even did the dick cutting in person. 1110 00:55:37,520 --> 00:55:39,759 Speaker 1: It's just like, yeah, it might have been like a 1111 00:55:39,800 --> 00:55:42,759 Speaker 1: sacred thing. Later they asked somebody just an orchaectomies. 1112 00:55:43,000 --> 00:55:46,839 Speaker 2: Right, It's just like this. It is like what you said, 1113 00:55:46,840 --> 00:55:50,040 Speaker 2: where they just dig up in the future every New 1114 00:55:50,120 --> 00:55:53,759 Speaker 2: York Times headline about trans people and then decide that's 1115 00:55:53,760 --> 00:55:55,480 Speaker 2: what it was like to be trans. 1116 00:55:55,880 --> 00:55:57,920 Speaker 1: Yeah, and so what. 1117 00:55:57,920 --> 00:56:00,759 Speaker 2: Happened to the galley? They? Where did they go after that? 1118 00:56:01,120 --> 00:56:02,560 Speaker 2: They just stop? They died out? 1119 00:56:03,080 --> 00:56:07,640 Speaker 1: Yeah, I mean like Rome Christian and Nizes and the 1120 00:56:07,640 --> 00:56:11,480 Speaker 1: pagan religions are like suppressed by the Christians. And I 1121 00:56:11,600 --> 00:56:15,560 Speaker 1: don't know about what the Cult of the Galley does 1122 00:56:16,320 --> 00:56:19,319 Speaker 1: like and the Cult of Sibylly does post the Christianization. 1123 00:56:19,520 --> 00:56:21,840 Speaker 1: I would love to read more about it, but I 1124 00:56:21,880 --> 00:56:22,520 Speaker 1: just don't know yet. 1125 00:56:22,840 --> 00:56:25,560 Speaker 2: Wow, But then now modern day you think it's kind 1126 00:56:25,560 --> 00:56:28,920 Speaker 2: of like this group has sort of I really like, 1127 00:56:29,719 --> 00:56:33,400 Speaker 2: as I get older, I'm starting to really enjoy people 1128 00:56:33,400 --> 00:56:37,000 Speaker 2: who have taken old things and just preserved them. 1129 00:56:37,160 --> 00:56:38,279 Speaker 1: Yeah, just like so. 1130 00:56:38,400 --> 00:56:41,000 Speaker 2: That you know, and you know, here's the old way 1131 00:56:41,040 --> 00:56:43,000 Speaker 2: we used to make milk. Just want you to keep 1132 00:56:43,040 --> 00:56:46,399 Speaker 2: knowing about it. Yeah, it might need it someday, yeah, 1133 00:56:46,560 --> 00:56:50,319 Speaker 2: or well, but it's just kind of like these oh 1134 00:56:50,480 --> 00:56:54,840 Speaker 2: I've learned all these stances from you know, the eighteen hundreds, 1135 00:56:54,880 --> 00:56:57,480 Speaker 2: just want to keep them just in case. So like 1136 00:56:58,320 --> 00:57:01,319 Speaker 2: the fact that I'm trans and I had not heard 1137 00:57:01,360 --> 00:57:04,640 Speaker 2: of this before. Yeah, even though we do, like you 1138 00:57:04,680 --> 00:57:07,480 Speaker 2: said in the first part, we do say, oh, trans 1139 00:57:07,480 --> 00:57:11,200 Speaker 2: people have always existed. It's it's deeper than we even 1140 00:57:11,400 --> 00:57:15,839 Speaker 2: say with that tagline. Yeah, it's so much deeper. And 1141 00:57:15,920 --> 00:57:20,280 Speaker 2: like the ways of being a different gender. You could 1142 00:57:20,280 --> 00:57:22,919 Speaker 2: do a podcast like this till fucking end of time, 1143 00:57:23,040 --> 00:57:24,840 Speaker 2: just covering all the different ways people have come up 1144 00:57:24,840 --> 00:57:26,560 Speaker 2: with doing it, you know, because we can flate them 1145 00:57:26,640 --> 00:57:29,040 Speaker 2: down to very simple things, you know, not simple, but 1146 00:57:29,080 --> 00:57:32,280 Speaker 2: like we take like the two spirit idea, you know, 1147 00:57:32,440 --> 00:57:35,160 Speaker 2: which is like a different type of gender deviance in 1148 00:57:35,240 --> 00:57:37,720 Speaker 2: a different society, But then we're flattening a lot of 1149 00:57:37,720 --> 00:57:40,600 Speaker 2: societies to come up with that, right, right, And like 1150 00:57:40,680 --> 00:57:43,480 Speaker 2: the Hazra thing from South Asia. You know, there's like 1151 00:57:44,040 --> 00:57:48,480 Speaker 2: so many different ways of being what I'm going to 1152 00:57:48,520 --> 00:57:50,920 Speaker 2: call trans which is like you could pedantically attack me 1153 00:57:50,960 --> 00:57:53,000 Speaker 2: for and I would be kind of fair, because I 1154 00:57:53,480 --> 00:57:56,640 Speaker 2: get really sad when people think, oh, we know what's up, 1155 00:57:56,880 --> 00:57:58,720 Speaker 2: and we look back at the old ways of being 1156 00:57:58,720 --> 00:58:00,920 Speaker 2: trands and we're like, oh, those they didn't know what 1157 00:58:00,960 --> 00:58:01,360 Speaker 2: we know. 1158 00:58:01,960 --> 00:58:04,320 Speaker 1: You know, we don't know what they know. I don't 1159 00:58:04,320 --> 00:58:07,120 Speaker 1: know shit exactly. We have ways that work for us 1160 00:58:07,120 --> 00:58:08,680 Speaker 1: in ways that don't work for us. And as someone 1161 00:58:08,800 --> 00:58:11,120 Speaker 1: like I sometimes look back at the Beten and I 1162 00:58:11,120 --> 00:58:14,720 Speaker 1: don't know much about them, But as someone who has 1163 00:58:14,880 --> 00:58:17,840 Speaker 1: you know whatever, I'll be reasonably personal on this. My 1164 00:58:17,960 --> 00:58:20,640 Speaker 1: problem is not my body. My problem is the gender 1165 00:58:20,680 --> 00:58:23,400 Speaker 1: assumptions the society has about who I should be based 1166 00:58:23,400 --> 00:58:28,240 Speaker 1: on my body, you know. And so sometimes I look 1167 00:58:28,280 --> 00:58:30,680 Speaker 1: back at older things and I can kind of resonate 1168 00:58:30,720 --> 00:58:35,240 Speaker 1: with it more than the modern, very medicalized approach, right, 1169 00:58:35,640 --> 00:58:38,640 Speaker 1: But other people would look back and be like, fuck, 1170 00:58:38,680 --> 00:58:41,680 Speaker 1: I don't have access to these things that save my life. Right, 1171 00:58:42,000 --> 00:58:44,800 Speaker 1: And there's so many ways of being trands even now, 1172 00:58:45,880 --> 00:58:49,760 Speaker 1: And I think it's beautiful to realize that, you know, 1173 00:58:49,840 --> 00:58:51,560 Speaker 1: not just like go digging around through history and be 1174 00:58:51,640 --> 00:58:54,080 Speaker 1: like I'm that now or whatever, right, but like we 1175 00:58:54,120 --> 00:58:57,240 Speaker 1: could understand there's so many ways to express gender. And 1176 00:58:57,320 --> 00:59:00,440 Speaker 1: also just like as we start unpacking that, like literally 1177 00:59:00,480 --> 00:59:03,200 Speaker 1: the oldest language in the world talks about a goddess 1178 00:59:03,240 --> 00:59:07,120 Speaker 1: who makes you trans right, we have, which means that 1179 00:59:07,320 --> 00:59:10,640 Speaker 1: cultures that are older than that probably fucking have that. 1180 00:59:11,040 --> 00:59:15,840 Speaker 1: Like the Victorian idea of like man is penis and 1181 00:59:16,240 --> 00:59:22,240 Speaker 1: girl is vagina is some fucking modern shit like you 1182 00:59:22,240 --> 00:59:23,920 Speaker 1: were talking about with like Ice. You know, you're like, 1183 00:59:24,320 --> 00:59:26,680 Speaker 1: that's just twenty years old. Most people listening to this 1184 00:59:26,680 --> 00:59:30,720 Speaker 1: are older than Ice, And like I've like met people 1185 00:59:30,760 --> 00:59:34,240 Speaker 1: who are older than like immigration law in the United States. Oh, 1186 00:59:34,240 --> 00:59:36,720 Speaker 1: I guess we have the alien exclusion active whatever. But like, 1187 00:59:37,040 --> 00:59:40,960 Speaker 1: the modern border is a fucking new and bad idea. 1188 00:59:41,040 --> 00:59:43,080 Speaker 1: It is, And people are like, oh, my answers just 1189 00:59:43,120 --> 00:59:44,680 Speaker 1: came over the right way because because there wasn't a 1190 00:59:44,720 --> 00:59:46,160 Speaker 1: wrong way. I mean, actually they did come over the 1191 00:59:46,200 --> 00:59:48,200 Speaker 1: wrong way because they killed in genocide in order to 1192 00:59:48,240 --> 00:59:53,160 Speaker 1: do it. But like, but that's not who they're talking about. Yeah, yeah, anyway, 1193 00:59:53,240 --> 00:59:54,000 Speaker 1: that's my rant. 1194 00:59:54,600 --> 00:59:57,920 Speaker 2: Yeah, I think I agree with you about looking back 1195 00:59:58,200 --> 01:00:04,640 Speaker 2: because it gives us more options for what it's like 1196 01:00:04,880 --> 01:00:09,880 Speaker 2: to even engage with gender even if you're a SIS person. Totally, 1197 01:00:10,120 --> 01:00:13,480 Speaker 2: And I really loved hearing about all of this. I 1198 01:00:13,560 --> 01:00:18,680 Speaker 2: really I loved knowing just yeah, knowing more about what 1199 01:00:18,720 --> 01:00:23,080 Speaker 2: it was like to be gender variant, even if they 1200 01:00:23,160 --> 01:00:27,040 Speaker 2: never actually through their penises at houses. 1201 01:00:26,800 --> 01:00:29,240 Speaker 1: I know, but I'm willing to let them have. Usually 1202 01:00:29,280 --> 01:00:31,560 Speaker 1: when people talk shit on us, I'm like, yeah, but 1203 01:00:31,600 --> 01:00:34,640 Speaker 1: I'll own it, Like, okay, hear me out. I have 1204 01:00:34,640 --> 01:00:37,560 Speaker 1: a friend who went to prison for property destruction because 1205 01:00:37,560 --> 01:00:39,680 Speaker 1: he went to a protest and he was accused of 1206 01:00:39,680 --> 01:00:42,200 Speaker 1: breaking every window that was broken by a black block 1207 01:00:42,240 --> 01:00:45,480 Speaker 1: at a protest. It was physically impossible for him to 1208 01:00:45,480 --> 01:00:48,440 Speaker 1: have broken all of those windows, but he did the time. 1209 01:00:49,440 --> 01:00:52,080 Speaker 1: I hold that he can claim to have broken every 1210 01:00:52,080 --> 01:00:53,360 Speaker 1: single one of those windows. 1211 01:00:54,680 --> 01:00:55,760 Speaker 2: Okay, I like it. 1212 01:00:56,200 --> 01:00:58,680 Speaker 1: We might not have thrown our dicks at houses, but 1213 01:00:58,760 --> 01:01:00,960 Speaker 1: I'm willing to pretend like we did because we had 1214 01:01:01,000 --> 01:01:04,000 Speaker 1: the social ostracization for it, so we might as well 1215 01:01:04,000 --> 01:01:06,400 Speaker 1: get the like, yeah, fuck it, whatever I like. Actually, 1216 01:01:06,400 --> 01:01:07,960 Speaker 1: it was a very deeply personal thing that I did 1217 01:01:07,960 --> 01:01:09,920 Speaker 1: it with the consultation of priestesses, and we had a 1218 01:01:10,000 --> 01:01:12,440 Speaker 1: very beautiful ritual. But yeah, I fucking threw my dick 1219 01:01:12,440 --> 01:01:13,520 Speaker 1: at a house. Fuck. Yeah. 1220 01:01:13,840 --> 01:01:16,560 Speaker 2: You know how when the drag queens are doing their 1221 01:01:16,640 --> 01:01:20,520 Speaker 2: numbers and inevitably some trans mask is walking behind them 1222 01:01:20,520 --> 01:01:23,880 Speaker 2: with like a basket to put the ones in. That's me. 1223 01:01:24,080 --> 01:01:26,320 Speaker 2: All of you guys are throwing your dicks at houses 1224 01:01:26,320 --> 01:01:29,040 Speaker 2: and I have a little basket behind you just picking 1225 01:01:29,080 --> 01:01:29,440 Speaker 2: them up. 1226 01:01:30,600 --> 01:01:32,560 Speaker 1: Oh. I just want the Sci fi store where you 1227 01:01:32,640 --> 01:01:34,840 Speaker 1: just walk into the store and you like, pick up 1228 01:01:34,880 --> 01:01:37,320 Speaker 1: and leave secondary sex characteristics that you like, do and 1229 01:01:37,360 --> 01:01:38,600 Speaker 1: don't want, like an exchange. 1230 01:01:39,040 --> 01:01:41,760 Speaker 2: I wish you think about that all the time. 1231 01:01:42,160 --> 01:01:47,000 Speaker 1: Yeah. Anyway, God hope eventually do this podcast so long 1232 01:01:47,040 --> 01:01:49,160 Speaker 1: and someone does figure out the dick and Titty Store 1233 01:01:49,240 --> 01:01:52,120 Speaker 1: and like, you know, and we're going to be sponsored 1234 01:01:52,120 --> 01:01:56,080 Speaker 1: by the Dick and Titty Store. Oh, I love it 1235 01:01:56,320 --> 01:01:58,000 Speaker 1: as the most I'm talking about dick and Titties on 1236 01:01:58,040 --> 01:01:58,360 Speaker 1: the show. 1237 01:01:58,400 --> 01:02:03,360 Speaker 2: Basically, ever, I did it, guess I did it. Thank 1238 01:02:03,400 --> 01:02:07,920 Speaker 2: you for having me. I'm so excited. I'm on the reddits, 1239 01:02:07,960 --> 01:02:10,320 Speaker 2: as I said, so, please everyone be nice to me. 1240 01:02:14,080 --> 01:02:16,320 Speaker 1: I do not look at the reddits for cool Zone Media. 1241 01:02:17,520 --> 01:02:20,000 Speaker 2: It's bad. I mean no, it's bad of me to do. 1242 01:02:20,120 --> 01:02:22,280 Speaker 2: It's not that the things there are bad. Everyone there 1243 01:02:22,360 --> 01:02:23,360 Speaker 2: is very respectful. 1244 01:02:23,760 --> 01:02:25,600 Speaker 1: Yeah. Every now and then when people say positive things, 1245 01:02:25,640 --> 01:02:27,120 Speaker 1: someone show it to me and I'm like, that's great. 1246 01:02:27,160 --> 01:02:29,400 Speaker 1: And other than that, I'm like, you know, it can 1247 01:02:29,400 --> 01:02:32,520 Speaker 1: be discussion that people have without me. That's fine. People 1248 01:02:32,560 --> 01:02:34,200 Speaker 1: are gonna have their own opinion about what I'm doing. 1249 01:02:34,720 --> 01:02:38,280 Speaker 1: It works for me, yeah anyway. But if people want 1250 01:02:38,320 --> 01:02:40,440 Speaker 1: to have an opinion about stuff you do, where can 1251 01:02:40,480 --> 01:02:42,080 Speaker 1: they reach your words and hear your voice. 1252 01:02:42,240 --> 01:02:45,960 Speaker 2: You can follow me on substack one thousand natural Shocks. 1253 01:02:46,080 --> 01:02:49,439 Speaker 2: That's substack dot com. I'm on Instagram at Gabe s Done. 1254 01:02:49,920 --> 01:02:52,800 Speaker 2: I used to post fun party Boy, Gabe, we Hooe, 1255 01:02:52,840 --> 01:02:57,280 Speaker 2: pomp spring stuff and now it's exclusively anger at the government. 1256 01:02:58,400 --> 01:02:59,280 Speaker 1: The times we live in. 1257 01:02:59,680 --> 01:03:02,880 Speaker 2: I said that I slid into a DM of a 1258 01:03:02,920 --> 01:03:04,840 Speaker 2: guy and I was like, you should look at your 1259 01:03:04,880 --> 01:03:08,040 Speaker 2: profile and see what you come across just before you 1260 01:03:08,120 --> 01:03:10,280 Speaker 2: do that. And then I was like, hey, I promise 1261 01:03:10,400 --> 01:03:13,040 Speaker 2: I have hobbies and interests that aren't anger at the government. 1262 01:03:16,440 --> 01:03:18,320 Speaker 1: I'm working at a book right now where a character 1263 01:03:18,440 --> 01:03:20,400 Speaker 1: is making fun of another character and they're like, I 1264 01:03:20,400 --> 01:03:26,080 Speaker 1: looked up your field profile and it literally just says Antifa. Yes, yes, 1265 01:03:26,960 --> 01:03:28,920 Speaker 1: that's a little spoiler for a book I'm working on. 1266 01:03:29,520 --> 01:03:33,920 Speaker 2: And that's my humor entirely. So the podcast is a 1267 01:03:34,040 --> 01:03:38,680 Speaker 2: thousand natural shocks Bad with Money podcast. It's an extension 1268 01:03:38,720 --> 01:03:43,760 Speaker 2: of Bad with Money due to my changing radicalism. And 1269 01:03:45,080 --> 01:03:47,320 Speaker 2: do a show called Just between Us with my friend. 1270 01:03:47,760 --> 01:03:49,959 Speaker 2: It probably will be done, but you can go listen 1271 01:03:50,040 --> 01:03:52,080 Speaker 2: to back episodes of that if you'd like. 1272 01:03:52,640 --> 01:03:53,919 Speaker 1: Fuck yam and. 1273 01:03:54,120 --> 01:03:57,000 Speaker 2: I think that's everything. I don't know. Everything's on Instagram now, 1274 01:03:57,760 --> 01:03:59,240 Speaker 2: slash substack. 1275 01:03:59,240 --> 01:04:03,080 Speaker 1: And you can follow me on the Internet. I'm Margaret Kilchroy. 1276 01:04:03,400 --> 01:04:06,200 Speaker 1: I'm on the Internet. I wish I wasn't, but you know, 1277 01:04:06,760 --> 01:04:10,760 Speaker 1: I also like feeling like I interact with the world, 1278 01:04:10,840 --> 01:04:14,240 Speaker 1: and I like eating on a regular basis, So say 1279 01:04:14,560 --> 01:04:14,760 Speaker 1: on that. 1280 01:04:20,160 --> 01:04:22,640 Speaker 2: Cool People who Did Cool Stuff is a production of 1281 01:04:22,720 --> 01:04:25,800 Speaker 2: cool Zone Media. For more podcasts and cool Zone Media, 1282 01:04:25,960 --> 01:04:29,200 Speaker 2: visit our website coolzonemedia dot com, or check us out 1283 01:04:29,320 --> 01:04:30,080 Speaker 2: on the I Heard 1284 01:04:30,120 --> 01:04:33,960 Speaker 1: Radio app, Apple Podcasts, or wherever you get your podcasts.