1 00:00:03,320 --> 00:00:03,720 Speaker 1: What's up? 2 00:00:03,760 --> 00:00:06,360 Speaker 2: His way up with Angela Yee and guess who is 3 00:00:06,400 --> 00:00:09,800 Speaker 2: here in the flesh bean A man Zacha. Listen, you've 4 00:00:09,800 --> 00:00:12,320 Speaker 2: been all up and down, you know, New York now 5 00:00:12,480 --> 00:00:14,080 Speaker 2: doing the run. So I'm glad we had a chance 6 00:00:14,120 --> 00:00:17,680 Speaker 2: to sit down because I've always had the most respect 7 00:00:17,720 --> 00:00:19,279 Speaker 2: for you as an artist. I told you, I just 8 00:00:19,320 --> 00:00:21,959 Speaker 2: saw you in Saint Thomas. Yes, and I saw that 9 00:00:22,440 --> 00:00:25,720 Speaker 2: you both you and Shaba Rings were headlining and you 10 00:00:25,760 --> 00:00:26,600 Speaker 2: guys had a moment. 11 00:00:26,680 --> 00:00:27,360 Speaker 1: What was that like? 12 00:00:27,800 --> 00:00:31,360 Speaker 3: Well, it's great to you know. I always friend with 13 00:00:31,680 --> 00:00:35,120 Speaker 3: your anyway, because Shabo was there before me and you know, 14 00:00:35,720 --> 00:00:37,960 Speaker 3: and there was a liquorate team going down between me 15 00:00:38,000 --> 00:00:40,760 Speaker 3: and him. So we just have to question that because yeah, yeah, 16 00:00:40,920 --> 00:00:43,080 Speaker 3: music is love and love is in the music, is it? 17 00:00:43,560 --> 00:00:47,000 Speaker 1: Yeah? You donet squashed everything. That's good. 18 00:00:47,040 --> 00:00:49,559 Speaker 2: It's a good feeling though, right, You feel like this 19 00:00:49,720 --> 00:00:53,200 Speaker 2: is all we've all been successful. We're all still here, yeah, 20 00:00:53,600 --> 00:00:55,960 Speaker 2: and it's time to like let by guns be byguns 21 00:00:56,000 --> 00:00:56,800 Speaker 2: and even work together. 22 00:00:57,080 --> 00:00:59,920 Speaker 4: But we are growing people, so that makes sense. 23 00:01:01,440 --> 00:01:05,640 Speaker 3: Music is so nice and so much energy, and there's 24 00:01:05,680 --> 00:01:08,399 Speaker 3: no time for body energy. There's all this time for 25 00:01:08,480 --> 00:01:12,080 Speaker 3: great energy and there's all this time for you, so yeah, 26 00:01:12,200 --> 00:01:12,840 Speaker 3: make it happen. 27 00:01:13,400 --> 00:01:17,040 Speaker 2: And you have your wife here with us today. I 28 00:01:17,120 --> 00:01:18,520 Speaker 2: saw your fiance wife. 29 00:01:18,560 --> 00:01:22,640 Speaker 1: It's already. Yeah, you've been together. So officially, is there 30 00:01:22,640 --> 00:01:23,920 Speaker 1: a wedding date set? Yeah? 31 00:01:24,080 --> 00:01:26,479 Speaker 4: Soon, that's the date. 32 00:01:26,600 --> 00:01:29,200 Speaker 3: Yeah, but I know the work is on and too 33 00:01:29,280 --> 00:01:30,920 Speaker 3: much business, so I protect time out. 34 00:01:30,959 --> 00:01:32,360 Speaker 4: Time, have time to do that. 35 00:01:32,840 --> 00:01:35,120 Speaker 2: How long did you plan your engagement because I know 36 00:01:35,200 --> 00:01:37,120 Speaker 2: for I saw when you slipped the ring on her finger. 37 00:01:37,360 --> 00:01:42,080 Speaker 3: But it was that plan. No, it was just time. Okay, 38 00:01:42,280 --> 00:01:46,120 Speaker 3: because you can't meet the woman when the engagement that happened, 39 00:01:46,480 --> 00:01:48,520 Speaker 3: so it stary. Is our surprise is up? Did she 40 00:01:48,720 --> 00:01:50,520 Speaker 3: just said yes to you? 41 00:01:50,680 --> 00:01:53,320 Speaker 4: For one? That if say yes, so that is the 42 00:01:53,400 --> 00:01:54,440 Speaker 4: excitement about it. 43 00:01:55,080 --> 00:01:58,360 Speaker 2: Well, congratulations, and you know she's here with you today. Hey, 44 00:01:58,360 --> 00:02:01,440 Speaker 2: come here with the ring. I see the ring waving 45 00:02:01,440 --> 00:02:04,760 Speaker 2: in the air. So you're back here obviously in the 46 00:02:04,840 --> 00:02:08,160 Speaker 2: United States. And it's been ten years since you've been 47 00:02:08,200 --> 00:02:10,240 Speaker 2: able to come to the US. But nobody even really 48 00:02:10,280 --> 00:02:11,239 Speaker 2: knows why. 49 00:02:11,720 --> 00:02:13,959 Speaker 4: Well, things on time happened. 50 00:02:14,080 --> 00:02:17,880 Speaker 3: You know, America them give you a chance to come 51 00:02:17,880 --> 00:02:20,280 Speaker 3: to America, save them decide not to give you a visa. 52 00:02:20,360 --> 00:02:22,320 Speaker 3: You just have to wait until them decide to give 53 00:02:22,360 --> 00:02:24,919 Speaker 3: it to you, right, Yeah, that's what it goes. And 54 00:02:24,960 --> 00:02:27,680 Speaker 3: we are Jamaican, so we know what the old vibes run, 55 00:02:28,120 --> 00:02:30,000 Speaker 3: save them decide for lot every artists. 56 00:02:30,000 --> 00:02:31,120 Speaker 4: I am not the older one that last. 57 00:02:31,240 --> 00:02:33,560 Speaker 1: You're definitely not the only one, bless you know. 58 00:02:34,360 --> 00:02:36,720 Speaker 4: Just after we turn your turn and that's what happened. 59 00:02:36,960 --> 00:02:37,720 Speaker 4: My turn is here. 60 00:02:38,280 --> 00:02:40,720 Speaker 1: It feels like it's been a big time right now too. 61 00:02:40,760 --> 00:02:41,400 Speaker 1: For dance hall. 62 00:02:41,480 --> 00:02:44,200 Speaker 2: It's like I kind of feel like the greatest time 63 00:02:44,240 --> 00:02:47,680 Speaker 2: because I think about just back in the nineties, the 64 00:02:47,760 --> 00:02:49,480 Speaker 2: songs that were so big for us. I'm from Brooklyn, 65 00:02:49,480 --> 00:02:51,560 Speaker 2: I'm from Flappers, so you know that was always something 66 00:02:51,600 --> 00:02:54,919 Speaker 2: that we hear NonStop. But it's not necessarily like that 67 00:02:54,960 --> 00:02:57,360 Speaker 2: all over now the United States. 68 00:02:57,919 --> 00:03:03,519 Speaker 3: Well downside is is fire each Yeah, it's's fire each 69 00:03:03,639 --> 00:03:07,000 Speaker 3: because we have been someplace in the United States and 70 00:03:07,040 --> 00:03:10,760 Speaker 3: have sol shows and people sing every song. So Dansallas 71 00:03:10,840 --> 00:03:12,280 Speaker 3: fire each like fire Fi. 72 00:03:12,320 --> 00:03:15,720 Speaker 1: Fire each Yeah. So Atlanta looked lit, yeah. 73 00:03:15,880 --> 00:03:17,320 Speaker 4: Fi each man. 74 00:03:18,320 --> 00:03:22,600 Speaker 3: We travel up to Hawaii, from Miami to Hawaii, the 75 00:03:22,639 --> 00:03:27,200 Speaker 3: fifty States of America not actually ever were, but in 76 00:03:27,240 --> 00:03:29,800 Speaker 3: every state there has a love for music. 77 00:03:30,000 --> 00:03:32,560 Speaker 2: But I feel like now it's even just more energetic 78 00:03:33,000 --> 00:03:35,280 Speaker 2: because we're excited that so many people are being able 79 00:03:35,280 --> 00:03:37,960 Speaker 2: to come to the United States. It was it was crippling, 80 00:03:38,080 --> 00:03:40,200 Speaker 2: I think for artists but also for us to not 81 00:03:40,320 --> 00:03:42,800 Speaker 2: have the pleasure of being able to see being a 82 00:03:42,920 --> 00:03:45,920 Speaker 2: man in concert, a bounce car, bounty killer and concert. 83 00:03:46,040 --> 00:03:48,200 Speaker 3: But you see, it's it's more equippling to the funds 84 00:03:48,240 --> 00:03:51,200 Speaker 3: because they were going back what the funds cannot get 85 00:03:51,240 --> 00:03:54,600 Speaker 3: because I've been touring the world. I've been everywhere in 86 00:03:54,640 --> 00:03:58,600 Speaker 3: the world, so you know, so it is the problem 87 00:03:58,720 --> 00:04:01,440 Speaker 3: is United this is a place where it can work 88 00:04:02,520 --> 00:04:04,720 Speaker 3: every month, every week. 89 00:04:04,840 --> 00:04:07,480 Speaker 4: You can just have a tour and half America. 90 00:04:07,520 --> 00:04:09,080 Speaker 3: It can do an East Coast story, then they go 91 00:04:09,160 --> 00:04:12,080 Speaker 3: and do a West Coast story and you understand. So 92 00:04:12,200 --> 00:04:15,080 Speaker 3: it's it's a different, a big difference. Whenever an American visa, 93 00:04:15,160 --> 00:04:18,279 Speaker 3: you can't only go to turnt about so much. 94 00:04:20,160 --> 00:04:20,920 Speaker 1: New York alone. 95 00:04:20,920 --> 00:04:25,039 Speaker 2: You could do three shows and queens go to Long Island. 96 00:04:25,120 --> 00:04:28,120 Speaker 2: You are going to be in Long Island at the Ubs. 97 00:04:27,920 --> 00:04:32,360 Speaker 3: That's how it goes because in America Expertality, this show 98 00:04:32,360 --> 00:04:37,159 Speaker 3: that's coming up next week Saturday, Ubs, It's it's it's 99 00:04:37,200 --> 00:04:40,960 Speaker 3: going to be a great sure, because I'm I haven't 100 00:04:40,960 --> 00:04:43,800 Speaker 3: been here for so long, so I'm here from my friends, 101 00:04:44,200 --> 00:04:46,920 Speaker 3: you know, so I would start from then till now. 102 00:04:47,680 --> 00:04:50,560 Speaker 3: So it's going to be an epic performance. Yeah, and 103 00:04:50,760 --> 00:04:51,680 Speaker 3: I look forward to. 104 00:04:52,000 --> 00:04:55,000 Speaker 2: And you've got a great line up there with you too. Yeah, 105 00:04:55,040 --> 00:04:57,520 Speaker 2: how instrumental? Like, are you the one that is putting 106 00:04:57,520 --> 00:04:59,200 Speaker 2: together the lineup? How does that work? Or is the 107 00:04:59,240 --> 00:05:02,120 Speaker 2: promoter that's like rise you because I know there's particular 108 00:05:02,200 --> 00:05:03,240 Speaker 2: people that you like to work. 109 00:05:03,279 --> 00:05:03,479 Speaker 1: Yeah. 110 00:05:03,520 --> 00:05:06,120 Speaker 3: Well I put a few artists on the show, and 111 00:05:06,200 --> 00:05:09,640 Speaker 3: the promoter put a few artist sick. So you know, 112 00:05:09,800 --> 00:05:13,520 Speaker 3: because at the end of the year is my concert 113 00:05:13,839 --> 00:05:15,800 Speaker 3: in the money concert. So you know, you have to 114 00:05:15,839 --> 00:05:17,480 Speaker 3: know who you want to work with and who can 115 00:05:17,560 --> 00:05:21,400 Speaker 3: make the concert comfortable. Like we choose our low culture 116 00:05:22,040 --> 00:05:24,600 Speaker 3: when I said that is a DJ can give me 117 00:05:25,200 --> 00:05:28,719 Speaker 3: a nice you know, thirty twenty five to thirty minutes, 118 00:05:29,160 --> 00:05:31,920 Speaker 3: and you know we have Kevin Liquor, you know, say 119 00:05:32,640 --> 00:05:34,360 Speaker 3: the sun, you hold. 120 00:05:34,160 --> 00:05:39,160 Speaker 2: Me my body, got me singing too, Yeah, and then 121 00:05:39,200 --> 00:05:49,520 Speaker 2: we have Christopher Yes cheating on his girlfriend. Yeah, a 122 00:05:49,560 --> 00:05:51,840 Speaker 2: couple we just saw lyrical in the same time, it's 123 00:05:51,839 --> 00:05:53,400 Speaker 2: also were down. 124 00:05:53,800 --> 00:05:57,000 Speaker 4: Yeah, so you know the lineup is nice and the 125 00:05:57,040 --> 00:05:58,120 Speaker 4: show is going to be happy. 126 00:05:58,720 --> 00:06:01,560 Speaker 2: Let me ask you this so and because you know 127 00:06:01,600 --> 00:06:04,839 Speaker 2: this is me, so I got to get into your business. 128 00:06:04,839 --> 00:06:07,599 Speaker 1: So you and your soon to be wife, you guys 129 00:06:07,720 --> 00:06:09,400 Speaker 1: actually dated back in the day. 130 00:06:10,080 --> 00:06:12,120 Speaker 4: Well I know her if I'm back into this, but 131 00:06:12,200 --> 00:06:13,839 Speaker 4: you liked it back then. Long time. 132 00:06:15,560 --> 00:06:16,839 Speaker 1: I like a love story. 133 00:06:16,680 --> 00:06:19,520 Speaker 3: Like this now a longtime, long time, wellver twenty two 134 00:06:19,600 --> 00:06:23,960 Speaker 3: years more. Okay, yeah, I just decided that all the time. 135 00:06:24,160 --> 00:06:27,440 Speaker 3: Mm hmm is it because you know everybody's been through 136 00:06:27,640 --> 00:06:30,720 Speaker 3: life the moon is you know, been there, done that. 137 00:06:30,800 --> 00:06:33,000 Speaker 3: But when I decided to, all right, this time for 138 00:06:33,080 --> 00:06:37,359 Speaker 3: you to beat up man, you know, be responsible, choose 139 00:06:37,360 --> 00:06:38,040 Speaker 3: the right person. 140 00:06:38,440 --> 00:06:40,160 Speaker 1: How does being responsible feel? 141 00:06:40,360 --> 00:06:42,800 Speaker 2: Because I think that when you have the right woman, 142 00:06:42,920 --> 00:06:45,320 Speaker 2: that can actually help in your career as far as 143 00:06:45,360 --> 00:06:49,320 Speaker 2: decisions behind the scenes, feeling stable, having somebody instead of 144 00:06:49,920 --> 00:06:51,239 Speaker 2: you know, just truthful, true. 145 00:06:51,080 --> 00:06:54,800 Speaker 3: Yeah, truthful, that's that's truthful time. But I've been responsible 146 00:06:54,880 --> 00:06:56,000 Speaker 3: long time because I'm my father. 147 00:06:56,160 --> 00:06:57,520 Speaker 4: You see. So you're done. 148 00:06:57,800 --> 00:07:02,880 Speaker 3: But she cheers, stinks. Yeah, she makes things work better. 149 00:07:03,520 --> 00:07:05,360 Speaker 3: So instead that you have to do everything you said, 150 00:07:05,440 --> 00:07:08,279 Speaker 3: she just deal with it. That's my super home. 151 00:07:09,400 --> 00:07:10,720 Speaker 1: Yeah, no, I love that. 152 00:07:10,960 --> 00:07:13,360 Speaker 2: So but I got to know, like, how did they reconnect? 153 00:07:13,360 --> 00:07:15,120 Speaker 2: So you didn't date back then, y'all just knew each 154 00:07:15,160 --> 00:07:18,160 Speaker 2: other from challenge? Yeah okay, So then how did you 155 00:07:18,280 --> 00:07:21,480 Speaker 2: approach her in this? Uh, you know a few years 156 00:07:21,480 --> 00:07:23,360 Speaker 2: ago when you guys did finally link up. 157 00:07:24,160 --> 00:07:27,120 Speaker 4: You're approaching it. It's just you see and she see you. 158 00:07:27,640 --> 00:07:31,360 Speaker 1: She free you, free time time and lined up. 159 00:07:35,120 --> 00:07:39,320 Speaker 4: Is that never got proached? Just doctor, she talked to me, 160 00:07:39,760 --> 00:07:41,440 Speaker 4: m hm, end up together. 161 00:07:42,040 --> 00:07:44,680 Speaker 2: And as far as your children, I've seen you say 162 00:07:44,720 --> 00:07:46,960 Speaker 2: that if you had to do a biopic, you would 163 00:07:47,000 --> 00:07:48,720 Speaker 2: want one of your sons to play you. 164 00:07:48,800 --> 00:07:51,440 Speaker 1: Yeah in that movie. Is this something that is really 165 00:07:51,440 --> 00:07:52,080 Speaker 1: in the works. 166 00:07:52,400 --> 00:07:55,880 Speaker 4: Well, we're working on it. She working in it. 167 00:07:56,040 --> 00:08:01,120 Speaker 2: See that's what I'm talking about. So now it's serious business. Yeah, 168 00:08:01,160 --> 00:08:03,520 Speaker 2: what does a Beanie Man biopic look like? Because I've 169 00:08:03,560 --> 00:08:05,720 Speaker 2: read so much about you, like from your childhood and 170 00:08:05,760 --> 00:08:07,160 Speaker 2: you really started doing music at. 171 00:08:07,040 --> 00:08:10,400 Speaker 1: A young age, and and I've. 172 00:08:10,240 --> 00:08:13,040 Speaker 2: Seen you talk about how you had a stutter when 173 00:08:13,080 --> 00:08:13,840 Speaker 2: you were a kid. 174 00:08:14,040 --> 00:08:15,880 Speaker 4: Yeah, and always by the stomach. 175 00:08:15,960 --> 00:08:20,680 Speaker 3: Really call it talk because it take too long for 176 00:08:21,000 --> 00:08:25,880 Speaker 3: even make a sentence thing, but true music and the 177 00:08:26,040 --> 00:08:36,240 Speaker 3: exercise device and everything. I don't know, speech problem god, 178 00:08:36,640 --> 00:08:39,080 Speaker 3: because you have one time you used to sing everything, 179 00:08:39,280 --> 00:08:41,439 Speaker 3: used to sing the reading book in a school. You 180 00:08:41,520 --> 00:08:44,520 Speaker 3: know when you got school and teacher Cali read, you 181 00:08:44,720 --> 00:08:49,800 Speaker 3: had to just start up. Everyone who has sing read 182 00:08:49,920 --> 00:08:52,800 Speaker 3: or sing the book says start get to be expanded. 183 00:08:52,880 --> 00:08:57,880 Speaker 3: The likely say, single book because the problem was serious 184 00:08:58,040 --> 00:08:59,480 Speaker 3: problem and we used to read it. 185 00:08:59,559 --> 00:09:03,960 Speaker 4: The shopping send to you sing the shop list. 186 00:09:04,760 --> 00:09:07,200 Speaker 1: So you're just just singing. It's really helped you so much. 187 00:09:07,280 --> 00:09:11,120 Speaker 4: Yeah, sometimes when we start talk on my feet, the 188 00:09:11,240 --> 00:09:14,480 Speaker 4: start talk fluently. I said, what the music? 189 00:09:14,600 --> 00:09:14,760 Speaker 1: You know? 190 00:09:14,960 --> 00:09:17,959 Speaker 4: So I really that is really why me? And you're 191 00:09:18,000 --> 00:09:19,400 Speaker 4: kind of an interview. 192 00:09:19,040 --> 00:09:22,840 Speaker 2: With right, Yeah, and so so that was so then 193 00:09:22,880 --> 00:09:25,080 Speaker 2: you started doing music at a super young age. Did 194 00:09:25,120 --> 00:09:27,000 Speaker 2: you think that age five? 195 00:09:27,280 --> 00:09:27,480 Speaker 4: Yeah? 196 00:09:27,880 --> 00:09:29,920 Speaker 2: That so it feels like because sometimes people want to know, 197 00:09:30,000 --> 00:09:33,720 Speaker 2: are you born with because it's a real thing, right, 198 00:09:33,800 --> 00:09:35,600 Speaker 2: some people are born musically with a gift. 199 00:09:36,320 --> 00:09:39,840 Speaker 4: It's like, you know, I'll sing. I started out crying, 200 00:09:41,760 --> 00:09:42,080 Speaker 4: you were. 201 00:09:44,440 --> 00:09:46,120 Speaker 1: I cried a lot, but I definitely can't sing. 202 00:09:47,920 --> 00:09:51,800 Speaker 3: See if you have the perfect pitch from the first cry, 203 00:09:52,600 --> 00:09:55,040 Speaker 3: then you would have been a singer and. 204 00:09:55,080 --> 00:09:56,280 Speaker 1: You haven't cried since. 205 00:09:59,400 --> 00:10:01,160 Speaker 4: Started five, do. 206 00:10:01,200 --> 00:10:05,560 Speaker 3: Your first single, age seven, first album at age ten, and. 207 00:10:06,000 --> 00:10:08,439 Speaker 2: You know, see that's why I'm saying that's amazing for 208 00:10:08,559 --> 00:10:12,320 Speaker 2: a movie because no matter what genre of anything, Yeah, 209 00:10:12,720 --> 00:10:15,000 Speaker 2: that is fascinating because a lot of people don't discover 210 00:10:15,160 --> 00:10:16,640 Speaker 2: that gift until later on in life. 211 00:10:16,679 --> 00:10:19,960 Speaker 3: Truthful, truthful, truthful, But you have a lot of people 212 00:10:20,080 --> 00:10:22,400 Speaker 3: have the gift, but them accepted. 213 00:10:22,800 --> 00:10:26,679 Speaker 2: And family sometimes doesn't help you also be they may 214 00:10:26,720 --> 00:10:29,040 Speaker 2: not be supportive of that because it's a tough business 215 00:10:29,080 --> 00:10:29,360 Speaker 2: to be in. 216 00:10:29,520 --> 00:10:31,480 Speaker 3: No, well, let's see your sin, because all right, my 217 00:10:31,679 --> 00:10:34,839 Speaker 3: mother was a righteous Christian and I couldn't mention it 218 00:10:34,920 --> 00:10:38,320 Speaker 3: was melder downtip music, so you and. 219 00:10:39,880 --> 00:10:40,040 Speaker 4: You know. 220 00:10:40,480 --> 00:10:43,640 Speaker 3: Then we have family next door and them have our 221 00:10:43,720 --> 00:10:47,280 Speaker 3: sound system over there because I make them build the 222 00:10:47,320 --> 00:10:49,199 Speaker 3: son system because I used to go in the in 223 00:10:49,280 --> 00:10:52,679 Speaker 3: the bar and punch the juke box, so putting the 224 00:10:52,760 --> 00:10:55,520 Speaker 3: money not the juke box, and punch the version and 225 00:10:55,679 --> 00:10:58,280 Speaker 3: DJ up on the version. But true, that was a 226 00:10:58,320 --> 00:11:00,599 Speaker 3: bar that's all alcohol and thing as a kid, so 227 00:11:00,800 --> 00:11:04,440 Speaker 3: I couldn't be the boys the system inside of the yard, 228 00:11:05,200 --> 00:11:07,439 Speaker 3: and that's when I grabbed the mic every day and 229 00:11:07,559 --> 00:11:10,800 Speaker 3: learned to gone at church and I hear me. So 230 00:11:10,920 --> 00:11:16,559 Speaker 3: I did my first concert. It was tists telling su 231 00:11:17,400 --> 00:11:22,640 Speaker 3: and that concert televised. After the concert like the concert 232 00:11:22,760 --> 00:11:25,040 Speaker 3: keep on Thursday, televised on a Saturday. 233 00:11:25,920 --> 00:11:27,880 Speaker 4: That's where my mother was at. Woman. That's when she. 234 00:11:27,960 --> 00:11:31,640 Speaker 2: Find Oh my gosh, that's crazy. She's found out because 235 00:11:31,679 --> 00:11:33,920 Speaker 2: she saw you on TV. What you're saying in church? 236 00:11:34,679 --> 00:11:38,400 Speaker 4: Yeah, we go to church on Wednesdays because you have 237 00:11:38,520 --> 00:11:39,520 Speaker 4: to do that for your mother. 238 00:11:40,040 --> 00:11:42,880 Speaker 2: When did she realize, Okay, he's really doing this and 239 00:11:42,920 --> 00:11:44,720 Speaker 2: I'm okay with it because that's also a hard thing 240 00:11:44,760 --> 00:11:46,240 Speaker 2: for parents if she's going to church. 241 00:11:46,400 --> 00:11:48,520 Speaker 4: Well that time I live. 242 00:11:48,520 --> 00:11:51,520 Speaker 3: Next door, No, because afraid for going out of I 243 00:11:51,720 --> 00:11:57,040 Speaker 3: don't know what. But one night, one dance again, aren't 244 00:11:57,080 --> 00:11:59,640 Speaker 3: you coming there for me? You know? And the people 245 00:11:59,679 --> 00:12:04,240 Speaker 3: then tell us said give you with that chance from suit, 246 00:12:05,000 --> 00:12:08,080 Speaker 3: accept it. I know some maniagara stafs and that makes sense. 247 00:12:08,320 --> 00:12:09,719 Speaker 1: Who were you listening to back then? 248 00:12:10,480 --> 00:12:12,560 Speaker 3: I listened to enough people, you know, but I mostly 249 00:12:12,600 --> 00:12:15,920 Speaker 3: listened to dancer artists because that's where my team was, 250 00:12:16,400 --> 00:12:19,040 Speaker 3: you know. So you have artists like General Trees, you 251 00:12:19,120 --> 00:12:21,800 Speaker 3: have artists like Brigadi a Jerry. You have artists like 252 00:12:22,120 --> 00:12:26,000 Speaker 3: Choose the Wheels have, you know, and as I, you know, 253 00:12:26,200 --> 00:12:29,440 Speaker 3: Musid DJ with most of the great music, DJ Chaba Rankin, 254 00:12:29,840 --> 00:12:31,120 Speaker 3: MUC DJ Ninjaman. 255 00:12:31,640 --> 00:12:34,200 Speaker 4: You know, that's that's where I came up in life. 256 00:12:34,240 --> 00:12:39,720 Speaker 3: You see music DJ John jelasun or call it Volcano, MUC, 257 00:12:39,880 --> 00:12:42,920 Speaker 3: DJ P and Lee's Unlimited Music DJ P and Heroes. 258 00:12:43,160 --> 00:12:45,800 Speaker 3: So there's a lot of artists like Cotter Ranking and 259 00:12:46,480 --> 00:12:48,880 Speaker 3: Daddy and some Papa Sana and all of these artists 260 00:12:48,920 --> 00:12:51,360 Speaker 3: that I grew up with. So you know, as I 261 00:12:52,000 --> 00:12:53,880 Speaker 3: I used to listen to some of the greatest DJ 262 00:12:54,040 --> 00:12:56,120 Speaker 3: then in life. 263 00:12:56,480 --> 00:12:58,920 Speaker 2: Right now, who is the first person to take you 264 00:12:59,040 --> 00:13:01,960 Speaker 2: under their wing and be like this little guy has something? 265 00:13:02,559 --> 00:13:07,160 Speaker 3: Well all right, I was really a long start to 266 00:13:07,280 --> 00:13:10,880 Speaker 3: be honest, you know, because I believe in spreading my wings, 267 00:13:11,880 --> 00:13:15,200 Speaker 3: see because if it's still one place and I'm not now, 268 00:13:15,280 --> 00:13:17,960 Speaker 3: I'm in there, so you have to go somewhere else, 269 00:13:18,520 --> 00:13:18,719 Speaker 3: you know. 270 00:13:19,040 --> 00:13:23,439 Speaker 4: But really and truly is the soone system. 271 00:13:23,200 --> 00:13:26,679 Speaker 3: The amusity Japan like ras bilboard the owner for the 272 00:13:26,800 --> 00:13:29,240 Speaker 3: son is that money come like a father at him, 273 00:13:29,240 --> 00:13:31,640 Speaker 3: you know, So I use that money get me my passport, 274 00:13:31,720 --> 00:13:34,840 Speaker 3: my first passport, you know, and start teaching about bunking 275 00:13:34,920 --> 00:13:39,000 Speaker 3: because I'm getting paid, must say you have sea of 276 00:13:39,080 --> 00:13:43,800 Speaker 3: your money and other limiting the influence with keeping school, 277 00:13:43,840 --> 00:13:47,560 Speaker 3: you know, another limiting that. Yeah, so when we say 278 00:13:47,960 --> 00:13:50,679 Speaker 3: people take our wings, have people who response for me 279 00:13:50,880 --> 00:13:53,360 Speaker 3: because them died me a ten year old as a 280 00:13:53,440 --> 00:13:56,319 Speaker 3: little kid. The first time I go to Canada to 281 00:13:56,920 --> 00:14:00,360 Speaker 3: perform as an artist, I was ten years years. 282 00:14:00,840 --> 00:14:02,439 Speaker 1: It's crazy. And then you have to come back and 283 00:14:02,480 --> 00:14:05,839 Speaker 1: go to school. Were you a celebrity at school? 284 00:14:10,760 --> 00:14:12,880 Speaker 2: You know that this is me thinking about your biopic 285 00:14:13,000 --> 00:14:15,560 Speaker 2: and the things that are going to be in there, 286 00:14:15,559 --> 00:14:17,559 Speaker 2: because this is you know, as a little I think 287 00:14:17,640 --> 00:14:20,120 Speaker 2: also people have to show the respect because you have 288 00:14:20,280 --> 00:14:22,880 Speaker 2: so many hits. Like I was telling my producer Dan, 289 00:14:22,960 --> 00:14:25,960 Speaker 2: I was like, what are Beanie Man's biggest songs? And 290 00:14:26,080 --> 00:14:28,160 Speaker 2: even the list of the like ten biggest songs he 291 00:14:28,200 --> 00:14:29,280 Speaker 2: gave me. I'm like, but what about this? 292 00:14:29,400 --> 00:14:29,960 Speaker 1: But what about this? 293 00:14:30,080 --> 00:14:32,280 Speaker 2: But because there's so many, I don't even know how 294 00:14:32,320 --> 00:14:35,040 Speaker 2: you can figure out what's But I also feel like 295 00:14:35,080 --> 00:14:37,280 Speaker 2: people don't give the respect that they share for somebody 296 00:14:37,360 --> 00:14:41,280 Speaker 2: that's been around for so as long as you have like, 297 00:14:41,440 --> 00:14:43,920 Speaker 2: even this King of the Dance Hall tour that you're 298 00:14:43,960 --> 00:14:45,560 Speaker 2: on and you had the song King of the Dance 299 00:14:45,600 --> 00:14:47,920 Speaker 2: Hall that's a huge song as well. I'm like, why 300 00:14:48,040 --> 00:14:51,000 Speaker 2: is this even a question right now? Because anybody should 301 00:14:51,080 --> 00:14:53,680 Speaker 2: think that about themselves. But this is also something you've been. 302 00:14:55,360 --> 00:15:00,120 Speaker 3: Well, that's life because music is politics, and it's you 303 00:15:00,240 --> 00:15:03,680 Speaker 3: to fight the right, you know, because you see it 304 00:15:04,640 --> 00:15:08,040 Speaker 3: after all the work that I've done and still doing, 305 00:15:08,200 --> 00:15:11,640 Speaker 3: and I have no intention to stop, you know it. 306 00:15:11,680 --> 00:15:14,960 Speaker 3: Don't make a sense of your negative mind. You turn 307 00:15:15,080 --> 00:15:18,520 Speaker 3: negative into positive by doing what you do, you know, 308 00:15:18,720 --> 00:15:23,240 Speaker 3: because who respect you, respect you? Who's supposed to show 309 00:15:23,240 --> 00:15:25,160 Speaker 3: you the love, show you a love, who's supposed to 310 00:15:25,200 --> 00:15:26,640 Speaker 3: give your flowers, give you your flow us? 311 00:15:27,040 --> 00:15:29,640 Speaker 4: You know? But you see, a job is to eat it. 312 00:15:29,800 --> 00:15:31,560 Speaker 4: So it's not for you to fight and make him 313 00:15:31,560 --> 00:15:33,800 Speaker 4: them job. See so. 314 00:15:35,880 --> 00:15:38,440 Speaker 1: Click on that link too, just to hate. So what's 315 00:15:38,480 --> 00:15:38,720 Speaker 1: take it? 316 00:15:40,760 --> 00:15:42,960 Speaker 2: And I saw you recently had your daughter Ashley singing 317 00:15:43,040 --> 00:15:45,640 Speaker 2: on stage with you, and so how many of your 318 00:15:45,720 --> 00:15:48,320 Speaker 2: kids do music right now? 319 00:15:48,720 --> 00:15:54,000 Speaker 4: Two mm hmm, yeah, my son Moses Junior and Ashley. 320 00:15:54,640 --> 00:15:54,960 Speaker 1: Okay. 321 00:15:55,160 --> 00:15:59,040 Speaker 2: Sometimes it's hard having a parent who's famous because people 322 00:15:59,320 --> 00:16:01,680 Speaker 2: act like you getting this because. 323 00:16:03,240 --> 00:16:05,240 Speaker 1: What do you teach your kids about the business. 324 00:16:05,680 --> 00:16:09,800 Speaker 4: Well, you see it, given talent is given talent. You know, 325 00:16:09,960 --> 00:16:11,000 Speaker 4: you can't wire them. 326 00:16:11,000 --> 00:16:12,920 Speaker 3: If you can't sing, you can't wire it, Moses, if 327 00:16:12,920 --> 00:16:15,440 Speaker 3: you can't DJ, you can't you cannot do that. But 328 00:16:15,920 --> 00:16:20,240 Speaker 3: there's two lessons in music. Is when you're going to study, 329 00:16:20,400 --> 00:16:22,520 Speaker 3: work hard, but when you go and steer your work 330 00:16:22,560 --> 00:16:26,600 Speaker 3: harder because that way people can love your song and 331 00:16:26,760 --> 00:16:30,760 Speaker 3: remember you. Because if you're not a good entertainer, that's 332 00:16:30,760 --> 00:16:33,120 Speaker 3: aligon a year. You cannot perform. You cannot perform, but 333 00:16:33,240 --> 00:16:34,040 Speaker 3: them suing them good. 334 00:16:34,520 --> 00:16:37,920 Speaker 4: So you have to be that person that ginet toward 335 00:16:37,960 --> 00:16:40,440 Speaker 4: them together and make them be one. 336 00:16:40,920 --> 00:16:45,080 Speaker 1: Right. Yeah, that was nice to see though. That's a 337 00:16:45,120 --> 00:16:45,760 Speaker 1: beautiful thing. 338 00:16:45,880 --> 00:16:48,000 Speaker 4: Yeah, man, that's she she can't sing from ship. She 339 00:16:48,160 --> 00:16:51,120 Speaker 4: looks a bit, so she was like you, Yeah, she 340 00:16:51,560 --> 00:16:53,920 Speaker 4: can't sink from she look at she sing? She sings 341 00:16:54,000 --> 00:16:55,160 Speaker 4: right now. 342 00:16:55,280 --> 00:16:57,160 Speaker 2: So you had posted on your page just kind of 343 00:16:57,240 --> 00:16:59,480 Speaker 2: like there were these rumors going around where people were 344 00:16:59,520 --> 00:17:00,920 Speaker 2: saying you were X, Y and Z. 345 00:17:01,440 --> 00:17:03,000 Speaker 1: How did those rumors even start? 346 00:17:03,560 --> 00:17:06,200 Speaker 3: Well, people start rumor somebody, do you know where it 347 00:17:06,240 --> 00:17:08,560 Speaker 3: came from? No, they never knew a room I skin 348 00:17:08,600 --> 00:17:12,160 Speaker 3: from just hear people with it. Somebody said to somebody, 349 00:17:12,240 --> 00:17:14,680 Speaker 3: and somebody said, and take it to tell it to 350 00:17:14,760 --> 00:17:17,680 Speaker 3: somebody else, and then said, oh you know that to 351 00:17:17,720 --> 00:17:21,240 Speaker 3: say closing up my cousin friend, tell me that sat 352 00:17:21,320 --> 00:17:23,359 Speaker 3: that tell it what the rumor? 353 00:17:23,560 --> 00:17:23,920 Speaker 4: Just start? 354 00:17:24,000 --> 00:17:25,800 Speaker 1: And that's the rumor is it was that bad that 355 00:17:25,880 --> 00:17:26,680 Speaker 1: you had to address it. 356 00:17:26,960 --> 00:17:27,639 Speaker 4: Well, it was. 357 00:17:27,720 --> 00:17:30,680 Speaker 3: Getting very bad because people say, I get wrapped and 358 00:17:30,800 --> 00:17:35,480 Speaker 3: get shot, and you know, and I got shows, right, 359 00:17:35,640 --> 00:17:38,720 Speaker 3: so the people you said get shot, Oh my god, 360 00:17:38,800 --> 00:17:39,560 Speaker 3: you come to perform. 361 00:17:39,920 --> 00:17:43,440 Speaker 1: So I made a sense just nip it right, and 362 00:17:43,560 --> 00:17:46,320 Speaker 1: you did, like she said, we putting out the statement. 363 00:17:47,440 --> 00:17:50,040 Speaker 2: And you did get into an accident, right, a car 364 00:17:50,200 --> 00:17:52,760 Speaker 2: hits you or something, and right, didn't you get hit 365 00:17:52,840 --> 00:17:54,280 Speaker 2: like your ankle broke or something like that. 366 00:17:54,720 --> 00:17:57,159 Speaker 4: I was in an accident on my bike, a car 367 00:17:57,760 --> 00:17:58,320 Speaker 4: on my bike. 368 00:17:58,520 --> 00:18:01,600 Speaker 1: Okay, yeah, yeah, my uncle was That was years ago. 369 00:18:01,800 --> 00:18:04,440 Speaker 4: Okay, yeah, my uncle was out for a bit. 370 00:18:05,000 --> 00:18:07,160 Speaker 1: But yeah, you haven't been through a lot. 371 00:18:07,200 --> 00:18:09,800 Speaker 2: I'm gonna say, because you had Zeka virus, I remember 372 00:18:09,880 --> 00:18:13,040 Speaker 2: that that was wild because it's because you were like 373 00:18:13,119 --> 00:18:14,200 Speaker 2: one of the biggest celebrities. 374 00:18:14,240 --> 00:18:16,720 Speaker 1: I saw that had that, and that was that looked 375 00:18:16,760 --> 00:18:19,800 Speaker 1: like it was that was that? 376 00:18:20,520 --> 00:18:25,639 Speaker 4: That was just I flew somebody just spread our next rumor. 377 00:18:25,800 --> 00:18:28,159 Speaker 2: Oh so it wasn't Zeka. No, I didn't get that 378 00:18:28,600 --> 00:18:33,119 Speaker 2: because that was at like Mosquiti, Mosquito. No, so that 379 00:18:33,280 --> 00:18:34,000 Speaker 2: wasn't even true. 380 00:18:34,080 --> 00:18:39,080 Speaker 4: I thought you said, youze, what is that the ganga fever? Okay, 381 00:18:40,960 --> 00:18:41,600 Speaker 4: that was wicked. 382 00:18:41,680 --> 00:18:44,680 Speaker 3: That don't feel like it's it's a nice thing. Ganga 383 00:18:44,760 --> 00:18:49,360 Speaker 3: fever was wicked. It got pain everywhere. Wow, I got 384 00:18:49,400 --> 00:18:50,359 Speaker 3: a lighter on for weeks. 385 00:18:51,720 --> 00:18:53,520 Speaker 1: Yeah, now that's what I'm saying. You know, I had 386 00:18:53,520 --> 00:18:54,320 Speaker 1: a lot of things happened. 387 00:18:54,359 --> 00:18:54,439 Speaker 3: Now. 388 00:18:54,480 --> 00:18:56,240 Speaker 2: You were also at one of my spots in Brooklyn 389 00:18:56,320 --> 00:18:59,560 Speaker 2: Footprints the other day promoting what are some places that 390 00:19:00,200 --> 00:19:01,880 Speaker 2: I've been watching you go on to. I've been watching 391 00:19:01,920 --> 00:19:03,520 Speaker 2: your page. You weren't saying Lucia. That looked like you 392 00:19:03,600 --> 00:19:06,120 Speaker 2: had a time there Barbados. If you had to tell 393 00:19:06,160 --> 00:19:09,399 Speaker 2: people your favorite place, say, people are like, okay, being 394 00:19:09,440 --> 00:19:11,520 Speaker 2: in there, we're about to go on a girls trip. 395 00:19:12,200 --> 00:19:14,080 Speaker 1: Where would you tell people it's the best place to go? 396 00:19:14,920 --> 00:19:17,560 Speaker 3: Well, my best place in the world, you know, is Jamaica. 397 00:19:19,560 --> 00:19:22,080 Speaker 3: I can tell it to go to manicke do the beach. 398 00:19:22,160 --> 00:19:23,760 Speaker 3: I can tell you to go to Nigrid and a 399 00:19:23,840 --> 00:19:26,560 Speaker 3: seven mileft white son in the water, you know, I 400 00:19:26,640 --> 00:19:28,440 Speaker 3: can you know, I can't tell it to go to 401 00:19:28,520 --> 00:19:30,720 Speaker 3: Blue Mounting if you want not your life, I can 402 00:19:31,000 --> 00:19:34,280 Speaker 3: you know. So you got a lot of rivers in Portland, 403 00:19:35,000 --> 00:19:37,720 Speaker 3: you got a lot of either away in import Antonio 404 00:19:37,800 --> 00:19:40,480 Speaker 3: and you know, so there's a lot of place to 405 00:19:40,560 --> 00:19:41,399 Speaker 3: go in at the. 406 00:19:42,119 --> 00:19:44,400 Speaker 2: Is that where you record most of the time. Yeah, 407 00:19:45,880 --> 00:19:47,119 Speaker 2: So it's not like you're going to come to the 408 00:19:47,160 --> 00:19:48,560 Speaker 2: studio in New York or I. 409 00:19:48,600 --> 00:19:50,680 Speaker 3: Will I go to any shooter anywhere in the world, 410 00:19:51,280 --> 00:19:55,199 Speaker 3: you know. But I went to Nari recording and now you. 411 00:19:55,240 --> 00:19:57,480 Speaker 1: Are aware Norway Norway, Oh dang. 412 00:19:57,880 --> 00:20:01,600 Speaker 3: Yeah at the time, at the part of the year 413 00:20:01,600 --> 00:20:04,639 Speaker 3: when it was night, because they have now now we 414 00:20:04,760 --> 00:20:06,560 Speaker 3: have half enough. 415 00:20:07,800 --> 00:20:10,400 Speaker 4: This this couple of months is night, this couple month 416 00:20:10,520 --> 00:20:14,439 Speaker 4: is dead. Yeah. So yeah, man, I went, I'll go everywhere. 417 00:20:14,480 --> 00:20:17,000 Speaker 4: But Jamica, know you have a different vibes. 418 00:20:17,080 --> 00:20:19,000 Speaker 3: You know, when you when they get up vibes not 419 00:20:19,080 --> 00:20:21,840 Speaker 3: Jamaica is they're just going to should right away. 420 00:20:22,280 --> 00:20:25,119 Speaker 4: You know. In America it was a different thing because 421 00:20:25,720 --> 00:20:29,680 Speaker 4: you will try to record a song ota ed and 422 00:20:29,960 --> 00:20:32,240 Speaker 4: the engineer dream can't get what you're saying. 423 00:20:34,560 --> 00:20:37,280 Speaker 3: What your record before? And then why are you recorded 424 00:20:37,359 --> 00:20:39,920 Speaker 3: back again? And you're writing it from your head? So 425 00:20:40,680 --> 00:20:43,399 Speaker 3: something the joyous sometimes so sometimes better you work with 426 00:20:43,480 --> 00:20:44,280 Speaker 3: your own engineer. 427 00:20:44,359 --> 00:20:47,120 Speaker 4: Sometimes so yeah, so you can't work better? 428 00:20:47,960 --> 00:20:49,440 Speaker 2: You know. I want to ask you because you have 429 00:20:49,680 --> 00:20:52,879 Speaker 2: so many huge songs that you have to perform all 430 00:20:52,920 --> 00:20:55,840 Speaker 2: the time. It's a blessing. But at the same time, 431 00:20:55,880 --> 00:20:59,320 Speaker 2: are you like who am I? Girls and Sugar like 432 00:20:59,400 --> 00:21:01,520 Speaker 2: all these songs that people love so much? Do you 433 00:21:01,640 --> 00:21:02,840 Speaker 2: ever get sick of your own song? 434 00:21:02,960 --> 00:21:05,639 Speaker 4: No, you can't get sick. You get sick of yourself. 435 00:21:07,760 --> 00:21:09,359 Speaker 2: I remember there was an artist I'm not gonna say 436 00:21:09,359 --> 00:21:10,920 Speaker 2: who it was, but he had a song that was 437 00:21:11,000 --> 00:21:13,240 Speaker 2: huge and he told people he wasn't performing it anymore, 438 00:21:13,240 --> 00:21:16,120 Speaker 2: and fans were so disappointed because some people come out 439 00:21:16,240 --> 00:21:17,480 Speaker 2: just to hear like certain things. 440 00:21:17,560 --> 00:21:20,560 Speaker 4: Yeah, you see the problem is if you do that 441 00:21:20,720 --> 00:21:23,640 Speaker 4: to yourself, what would you do to me? God? 442 00:21:23,680 --> 00:21:26,680 Speaker 3: This is your music, and if people request your music, 443 00:21:26,880 --> 00:21:29,720 Speaker 3: you say you music, I mean people are supposed. 444 00:21:29,320 --> 00:21:29,840 Speaker 4: To tee that you. 445 00:21:31,800 --> 00:21:33,520 Speaker 1: Yeah, you're like, this is how I'm making you know. 446 00:21:33,720 --> 00:21:35,840 Speaker 3: Yeah, don't do that. This is the reason why I 447 00:21:35,960 --> 00:21:38,879 Speaker 3: come to see you. Say now I say my favorite 448 00:21:38,960 --> 00:21:40,120 Speaker 3: SunGO sense. 449 00:21:41,000 --> 00:21:43,520 Speaker 2: Now I gotta ask for some stories behind some of 450 00:21:43,600 --> 00:21:48,119 Speaker 2: these songs, okay, or even just for you to like 451 00:21:48,200 --> 00:21:51,040 Speaker 2: give me some insight when you think about a song 452 00:21:51,200 --> 00:21:53,200 Speaker 2: like memories, are you thinking about how you want to 453 00:21:53,359 --> 00:21:55,960 Speaker 2: if you have to say how you want to be remembered? 454 00:21:56,680 --> 00:21:59,919 Speaker 2: But I want to ask you that though, like how 455 00:22:00,080 --> 00:22:01,399 Speaker 2: would you say you want people to. 456 00:22:02,520 --> 00:22:05,119 Speaker 4: Memories is not one of them? Signing the memories was 457 00:22:05,160 --> 00:22:07,800 Speaker 4: a that is a song At. 458 00:22:07,720 --> 00:22:10,440 Speaker 1: The time, we was a nice remember you were the thing? Yeah? 459 00:22:10,720 --> 00:22:14,280 Speaker 4: But things that that that that's the fun. Memories, Guy's 460 00:22:14,680 --> 00:22:15,240 Speaker 4: killed somebody. 461 00:22:17,160 --> 00:22:22,760 Speaker 1: I interpreted it, remember you whether things are good or bad? Yeah, yeah, 462 00:22:22,840 --> 00:22:23,639 Speaker 1: I figured that was. 463 00:22:24,680 --> 00:22:28,520 Speaker 3: Not past fromm by. But you see you did not 464 00:22:28,720 --> 00:22:33,720 Speaker 3: mean your soul loved. So yeah, its melody, but the 465 00:22:33,800 --> 00:22:34,879 Speaker 3: words are not pretty. 466 00:22:36,160 --> 00:22:38,919 Speaker 4: Just the melody. The melody is. 467 00:22:38,920 --> 00:22:44,960 Speaker 3: Pretty because it's nice when people singing, you said, the 468 00:22:45,080 --> 00:22:50,000 Speaker 3: old audience sing you know, so yeah, it's a nice melody, 469 00:22:50,960 --> 00:22:51,840 Speaker 3: but it's not nice. 470 00:22:51,880 --> 00:22:55,520 Speaker 1: It's not a nice song. Now, this bad man story, 471 00:22:55,560 --> 00:22:56,760 Speaker 1: who was that? What was that about? 472 00:22:57,080 --> 00:23:00,760 Speaker 4: Bad monster? And I said, my bull, it's sell my guns. 473 00:23:01,720 --> 00:23:06,440 Speaker 3: Yeah, all right, that is just something where then watch 474 00:23:06,480 --> 00:23:07,959 Speaker 3: Pan TV and we'll come to America. 475 00:23:08,000 --> 00:23:10,119 Speaker 4: They must say, yeah, if you have a licenser and 476 00:23:10,200 --> 00:23:11,040 Speaker 4: you cannot drive with. 477 00:23:11,040 --> 00:23:14,680 Speaker 1: It loaded, Okay, that's true, definitely not here. 478 00:23:16,000 --> 00:23:17,240 Speaker 4: They gotta drive with it loaded. 479 00:23:17,240 --> 00:23:19,320 Speaker 3: You have to take out there, Margasine and put somewhere 480 00:23:19,520 --> 00:23:21,679 Speaker 3: and put the gun somewhere. But may I said, then 481 00:23:21,760 --> 00:23:23,840 Speaker 3: support somebody Russia randomly. 482 00:23:25,080 --> 00:23:25,720 Speaker 1: You don't have time. 483 00:23:29,000 --> 00:23:33,280 Speaker 3: Yeah, I got said, pade my bullet guns down there. Yeah, 484 00:23:33,280 --> 00:23:35,560 Speaker 3: it's just it's simple. It's just simplements. 485 00:23:35,640 --> 00:23:38,760 Speaker 2: You know, you think people interpret too much into your 486 00:23:38,840 --> 00:23:41,560 Speaker 2: lyrics sometimes because they'll be like, you know, he's talking 487 00:23:41,600 --> 00:23:42,919 Speaker 2: about this person when he does. 488 00:23:42,800 --> 00:23:45,399 Speaker 4: It, well, people will know. 489 00:23:46,040 --> 00:23:49,560 Speaker 3: But you know, I if if I'm going to bush you, 490 00:23:49,600 --> 00:23:51,520 Speaker 3: I'm going to bush it, so people don't know really 491 00:23:51,640 --> 00:23:55,040 Speaker 3: who I'm talking. So yeah, people's gonna pin pint and say, yeah, 492 00:23:55,119 --> 00:23:56,200 Speaker 3: another Monday I'm attack. 493 00:23:56,960 --> 00:23:57,960 Speaker 4: But sometimes I meant. 494 00:23:57,880 --> 00:24:00,880 Speaker 3: Missed it because if you decide for do a bad 495 00:24:00,960 --> 00:24:04,359 Speaker 3: mantune that always pined to that Monday set a Monday 496 00:24:04,400 --> 00:24:07,600 Speaker 3: I talk, you don't make no sense, you understand, Yeah. 497 00:24:08,600 --> 00:24:09,520 Speaker 1: Good times. 498 00:24:11,359 --> 00:24:15,120 Speaker 2: And now you also recently did this touchdown song too. 499 00:24:15,200 --> 00:24:16,520 Speaker 2: So do you listen to reggaeton? 500 00:24:17,280 --> 00:24:17,480 Speaker 1: Yeah? 501 00:24:17,600 --> 00:24:21,960 Speaker 3: Sometimes them I can't understand somebody, in my fullest punishment. 502 00:24:21,880 --> 00:24:24,399 Speaker 1: I listen, which, by the way, that's fine, but I 503 00:24:24,520 --> 00:24:25,040 Speaker 1: still like it. 504 00:24:25,280 --> 00:24:28,520 Speaker 2: Yeah, And I think when you go places and travel 505 00:24:28,560 --> 00:24:31,440 Speaker 2: and perform, I'm sure you go places where people don't speak. 506 00:24:31,240 --> 00:24:33,080 Speaker 4: English and they sing everything. 507 00:24:34,480 --> 00:24:35,960 Speaker 1: They don't know what they're saying, but they're singing. 508 00:24:36,640 --> 00:24:39,359 Speaker 4: I'm seeing, I'm seeing. We'll go to our front and 509 00:24:40,960 --> 00:24:46,080 Speaker 4: DJs selectors play downtime music and a talk to me. 510 00:24:46,119 --> 00:24:48,800 Speaker 4: I can't. I want him come up at the stage 511 00:24:49,400 --> 00:24:51,000 Speaker 4: times and don't understand. 512 00:24:51,359 --> 00:24:52,120 Speaker 1: You don't know what you said. 513 00:24:52,320 --> 00:24:58,520 Speaker 4: My interpreter, I interpret everything I said to it. Just 514 00:24:58,560 --> 00:24:59,520 Speaker 4: step on the stage, I. 515 00:24:59,560 --> 00:25:03,760 Speaker 3: Said, holler the gather Brooke Ord. Why open nobody, I'm 516 00:25:03,800 --> 00:25:08,159 Speaker 3: gonna say a month. Even you might say, but you 517 00:25:08,200 --> 00:25:10,560 Speaker 3: don't understand when you talk to don't get it. 518 00:25:11,000 --> 00:25:13,760 Speaker 2: That's amazing how music is a universal language. That's what 519 00:25:13,800 --> 00:25:16,680 Speaker 2: they always say. So what are the types of genres 520 00:25:16,720 --> 00:25:17,720 Speaker 2: of music? Would you say? 521 00:25:18,200 --> 00:25:22,000 Speaker 3: Now, I'm into reggae, tik Tin, I did reggae time sing. 522 00:25:22,119 --> 00:25:24,680 Speaker 3: I did sung with Dana Mark, I did sung with 523 00:25:24,880 --> 00:25:30,680 Speaker 3: Tea Albama. Yeah, did did or Reggae Tank, So you know, 524 00:25:30,880 --> 00:25:35,119 Speaker 3: I'm I'm into al jenre of music as not only 525 00:25:35,560 --> 00:25:40,480 Speaker 3: music that I've reggae music influenced, but I'm into hip hop, 526 00:25:40,560 --> 00:25:41,520 Speaker 3: I'm into R and B. 527 00:25:42,000 --> 00:25:44,600 Speaker 4: I'm into old school Kuntient Western. 528 00:25:45,480 --> 00:25:46,880 Speaker 1: Yeah, I'm cont Western. 529 00:25:47,000 --> 00:25:52,240 Speaker 4: What love some Kendry Rajas and some partner. I tell 530 00:25:52,280 --> 00:25:54,480 Speaker 4: her to be honest, can you rad it? 531 00:25:54,600 --> 00:25:54,840 Speaker 1: Okay? 532 00:25:55,119 --> 00:25:57,680 Speaker 4: Yeah, old school Kunti Western. That what I said. 533 00:25:57,800 --> 00:25:59,560 Speaker 1: I feel like you would get a little collab going. 534 00:26:00,680 --> 00:26:01,720 Speaker 1: I can see that happening. 535 00:26:01,960 --> 00:26:05,000 Speaker 2: What has been the most exciting thing that's happened to you, 536 00:26:05,600 --> 00:26:07,520 Speaker 2: would you say in your career as far as like 537 00:26:07,640 --> 00:26:11,000 Speaker 2: a collaboration or a milestone for being a man, because 538 00:26:11,000 --> 00:26:13,160 Speaker 2: sometimes it's hard to celebrate or get excited about things 539 00:26:13,200 --> 00:26:14,480 Speaker 2: because you've been doing it for so long. 540 00:26:14,760 --> 00:26:17,720 Speaker 3: On the most exciting thing that happened to me as 541 00:26:17,760 --> 00:26:22,159 Speaker 3: a youth is when I know that I'm gonna be 542 00:26:22,359 --> 00:26:26,840 Speaker 3: somebody in the music and when it started, when it 543 00:26:27,040 --> 00:26:29,639 Speaker 3: just started, and I got my first number one me 544 00:26:30,240 --> 00:26:32,440 Speaker 3: no good seating me at the post, I live with 545 00:26:32,520 --> 00:26:35,120 Speaker 3: my mons, We got my first number one sogn. 546 00:26:36,320 --> 00:26:38,960 Speaker 4: These books, I said, yes, I can for I gotta 547 00:26:39,000 --> 00:26:41,240 Speaker 4: fight my mattress. 548 00:26:42,600 --> 00:26:46,560 Speaker 3: What that is because I have to make more music, 549 00:26:47,280 --> 00:26:49,720 Speaker 3: you know, I have to get bigger and bigger, because 550 00:26:49,760 --> 00:26:51,960 Speaker 3: one song do not make the artist, not at all. 551 00:26:52,359 --> 00:26:54,239 Speaker 3: One son just made the sound, but it don't make 552 00:26:54,280 --> 00:26:58,159 Speaker 3: the artist, you know. So I start to work on it, 553 00:26:58,280 --> 00:27:00,560 Speaker 3: work on it, work on it, and get can't number 554 00:27:00,560 --> 00:27:03,520 Speaker 3: on my third number on the first artist of the year. 555 00:27:03,640 --> 00:27:08,520 Speaker 3: Then them time decide a small Catillac when we can 556 00:27:08,880 --> 00:27:12,800 Speaker 3: go to America, Canada, England, anywhere, and that's when I 557 00:27:12,880 --> 00:27:16,400 Speaker 3: start to the tour. So those are my most excited time. 558 00:27:17,040 --> 00:27:21,119 Speaker 3: And then when I come back to Germany Canoe particular, 559 00:27:21,600 --> 00:27:25,000 Speaker 3: start the clash thing. And yeah, it was exciting because 560 00:27:25,119 --> 00:27:30,200 Speaker 3: you know, I am a I'm a very competitive artist, right, 561 00:27:30,440 --> 00:27:37,840 Speaker 3: you know person, because when competition is there, there's more vibes, 562 00:27:39,359 --> 00:27:42,720 Speaker 3: you know, so the energy get bigger. But it's not 563 00:27:43,000 --> 00:27:45,960 Speaker 3: like your energy is not big by yourself, but when 564 00:27:46,000 --> 00:27:47,920 Speaker 3: our vibe is there, the energy get bigger. So you 565 00:27:48,000 --> 00:27:50,560 Speaker 3: have two sided people. So you have these funds and 566 00:27:50,600 --> 00:27:53,960 Speaker 3: you have my funds. So when the energy that you 567 00:27:54,040 --> 00:27:55,439 Speaker 3: have still them funds, do you. 568 00:27:55,480 --> 00:27:58,120 Speaker 1: Know, yeah, yeah, no, that's true. It makes you really 569 00:27:58,160 --> 00:27:58,720 Speaker 1: step out and do. 570 00:27:58,760 --> 00:28:03,040 Speaker 4: Your yes, because once you can get it's funds to go. 571 00:28:06,200 --> 00:28:07,160 Speaker 4: You kept the crowd. 572 00:28:07,359 --> 00:28:08,200 Speaker 1: That's right, you got it. 573 00:28:08,280 --> 00:28:11,080 Speaker 2: That's honestly, Like with the clashes, I said that when 574 00:28:11,359 --> 00:28:13,840 Speaker 2: Versus was happening, I said, as soon as they do 575 00:28:14,000 --> 00:28:18,200 Speaker 2: one of these Jamaican artists, because that's really Versus is 576 00:28:18,440 --> 00:28:22,400 Speaker 2: kind of stemming from a class. Yeah, and so once 577 00:28:22,480 --> 00:28:25,000 Speaker 2: that happened, honestly, and I've said this like a million times, 578 00:28:25,040 --> 00:28:27,120 Speaker 2: that was my favorite Versus to be able to watch. 579 00:28:27,160 --> 00:28:29,280 Speaker 2: It was the first one that the two people were 580 00:28:29,320 --> 00:28:32,600 Speaker 2: in person and it was just going and all the 581 00:28:32,760 --> 00:28:34,639 Speaker 2: hit songs. We were at the house with the ray 582 00:28:34,680 --> 00:28:38,000 Speaker 2: and nephew and I streamed it to my television. I 583 00:28:38,080 --> 00:28:40,760 Speaker 2: married it to the TV and we honestly sat there 584 00:28:40,760 --> 00:28:42,920 Speaker 2: and watched it. It was great to watch. You saw 585 00:28:43,200 --> 00:28:47,520 Speaker 2: your belly and that I gotta, which I thought was 586 00:28:47,600 --> 00:28:49,880 Speaker 2: hilarious because you were like, look, it's COVID. 587 00:28:49,920 --> 00:28:52,360 Speaker 1: A lot of us got a belly during that time. 588 00:28:59,800 --> 00:29:01,400 Speaker 4: It's see it when they come to. 589 00:29:03,760 --> 00:29:07,720 Speaker 3: Vibes like that, you know, Versus being the man bunticular 590 00:29:08,000 --> 00:29:09,960 Speaker 3: one of the biggest rival in Jamaica. 591 00:29:10,720 --> 00:29:11,080 Speaker 4: Yeah, and. 592 00:29:12,600 --> 00:29:15,200 Speaker 3: You don't make a sense, you there is a medias 593 00:29:15,280 --> 00:29:18,960 Speaker 3: you know, makes sense to me in the same place together. 594 00:29:19,720 --> 00:29:22,160 Speaker 4: That's how the vibes is. That's so we know clash. 595 00:29:22,840 --> 00:29:25,880 Speaker 4: So when we used to watch versus One man's one man. 596 00:29:26,840 --> 00:29:30,800 Speaker 3: The next morning, i'm oh, I said, like sang same, 597 00:29:30,840 --> 00:29:33,280 Speaker 3: but many like the vibes, the energy muse a man 598 00:29:33,920 --> 00:29:38,120 Speaker 3: energy person, you know. So when them Carmeno, I said, 599 00:29:38,720 --> 00:29:41,280 Speaker 3: if we do verses with bonticular meself, of course, but 600 00:29:41,640 --> 00:29:44,160 Speaker 3: why should I not want to do our versus with particular? 601 00:29:44,800 --> 00:29:50,200 Speaker 3: So them Carmelo and man know who versus? I said, 602 00:29:50,760 --> 00:29:53,960 Speaker 3: and double it? I said, double it it sung. 603 00:29:57,160 --> 00:29:58,040 Speaker 4: That's what boat. 604 00:29:58,400 --> 00:29:58,600 Speaker 1: You know. 605 00:29:59,240 --> 00:30:01,920 Speaker 4: We sung you sing We're bigger than my sons. You know, 606 00:30:02,080 --> 00:30:02,840 Speaker 4: that's what it is. 607 00:30:03,000 --> 00:30:05,560 Speaker 3: Were you sing better than my song? We sang you sing, 608 00:30:05,640 --> 00:30:06,840 Speaker 3: We'll go further than my son. 609 00:30:07,320 --> 00:30:09,760 Speaker 4: So this is what what versus is. 610 00:30:09,840 --> 00:30:11,720 Speaker 3: Something I said, all right, we can't do this, so 611 00:30:11,720 --> 00:30:13,360 Speaker 3: I want to get this DJ and me get my 612 00:30:13,560 --> 00:30:16,520 Speaker 3: DJ and two different DJs. 613 00:30:17,080 --> 00:30:18,680 Speaker 4: So one man I preyed this one man. 614 00:30:19,080 --> 00:30:19,640 Speaker 1: That's not fair. 615 00:30:23,400 --> 00:30:27,160 Speaker 3: When when the verses get started, now, when the vibe 616 00:30:27,160 --> 00:30:29,240 Speaker 3: start pick up, the vibe start build. 617 00:30:29,040 --> 00:30:31,800 Speaker 4: Up, we just decided not to stop. And then some 618 00:30:32,000 --> 00:30:35,480 Speaker 4: police come after you know some don't be that guy. 619 00:30:35,680 --> 00:30:43,520 Speaker 3: Don't be that guy because all your final something is 620 00:30:43,600 --> 00:30:45,880 Speaker 3: happening because we're inside of a studio. 621 00:30:46,080 --> 00:30:48,280 Speaker 1: Well it was also like five hundred thousand. 622 00:30:48,000 --> 00:30:52,520 Speaker 4: People inside of a studio. They come like then be 623 00:30:52,640 --> 00:30:53,160 Speaker 4: the driver. 624 00:30:53,720 --> 00:30:54,440 Speaker 1: Was streaming it too. 625 00:30:54,600 --> 00:31:03,840 Speaker 4: Yeah, drive to talk to you. I made them themselve 626 00:31:03,960 --> 00:31:04,440 Speaker 4: present them. 627 00:31:05,160 --> 00:31:05,320 Speaker 1: Man. 628 00:31:05,360 --> 00:31:08,880 Speaker 2: I was in Jamaica during the pandemic. Actually we were 629 00:31:08,960 --> 00:31:12,920 Speaker 2: there together with Amory for a fue We went out there. 630 00:31:13,000 --> 00:31:15,400 Speaker 2: So I stayed in Kingston and there was strict like 631 00:31:15,480 --> 00:31:18,320 Speaker 2: you could not be outside after eight pm. I think 632 00:31:18,320 --> 00:31:21,960 Speaker 2: it was after eight pm. Yeah, you couldn't even walk 633 00:31:22,000 --> 00:31:22,560 Speaker 2: step out. 634 00:31:22,480 --> 00:31:25,480 Speaker 4: Onto the street the inside. But we know we. 635 00:31:27,360 --> 00:31:30,120 Speaker 1: So come on, you know you, I mean listen, y'all 636 00:31:30,160 --> 00:31:30,800 Speaker 1: got away with it. 637 00:31:31,120 --> 00:31:34,440 Speaker 2: What was the conversations even like leading up to that, 638 00:31:34,960 --> 00:31:37,320 Speaker 2: like you said, because it was a big competition and 639 00:31:37,440 --> 00:31:40,000 Speaker 2: even following that, you know, is that something that it 640 00:31:40,120 --> 00:31:42,320 Speaker 2: was like because it was a big because it was. 641 00:31:42,280 --> 00:31:44,520 Speaker 3: A huge one because all right, the Prime Minister was 642 00:31:44,600 --> 00:31:48,920 Speaker 3: in it, even the defense was at it. 643 00:31:49,240 --> 00:31:54,080 Speaker 4: The police said said it was it was that we 644 00:31:54,160 --> 00:31:56,520 Speaker 4: can't think about that and for that the vibetists got sweet. 645 00:31:57,440 --> 00:32:01,320 Speaker 2: Yeah, like right now, at this point in time, because 646 00:32:01,320 --> 00:32:03,680 Speaker 2: I do feel like sometimes people try to roll up 647 00:32:03,720 --> 00:32:05,840 Speaker 2: beef between people where there is none. 648 00:32:06,120 --> 00:32:08,400 Speaker 1: But sometimes people feed into that too. 649 00:32:08,480 --> 00:32:11,280 Speaker 2: As an artist, you know, you hear something and then 650 00:32:11,360 --> 00:32:13,160 Speaker 2: it's like I got to respond to this, or somebody 651 00:32:13,200 --> 00:32:16,080 Speaker 2: on social media says someone was taking shots at you 652 00:32:16,400 --> 00:32:17,520 Speaker 2: or you know things like that. 653 00:32:17,720 --> 00:32:21,360 Speaker 4: All right, it's it artistick shots at you when you're 654 00:32:21,520 --> 00:32:22,120 Speaker 4: very important. 655 00:32:22,400 --> 00:32:23,480 Speaker 1: Okay, so it's a good thing. 656 00:32:23,680 --> 00:32:24,600 Speaker 4: Yeah, because. 657 00:32:25,880 --> 00:32:28,480 Speaker 3: If nobody I gotta say for it, they're not gonna 658 00:32:28,480 --> 00:32:31,800 Speaker 3: do it because you are not important, you see it. 659 00:32:31,920 --> 00:32:34,880 Speaker 2: So yeah, you like keep taking the shots because that 660 00:32:35,000 --> 00:32:37,440 Speaker 2: means because when you're up here you don't matter, and 661 00:32:37,480 --> 00:32:38,480 Speaker 2: then nobody's gonna care. 662 00:32:38,480 --> 00:32:41,440 Speaker 3: People talking about me, but we have to see you 663 00:32:42,120 --> 00:32:46,120 Speaker 3: man of tech shots behind your bark manet shots you did. 664 00:32:46,920 --> 00:32:48,800 Speaker 2: How do you how do you decide what songs to 665 00:32:48,880 --> 00:32:51,240 Speaker 2: even perform? Now if you have a set, right, because 666 00:32:51,240 --> 00:32:53,479 Speaker 2: you do have a ton of hits, and so how 667 00:32:53,520 --> 00:32:56,120 Speaker 2: do you put it together? Is it like regionally based 668 00:32:56,120 --> 00:32:58,160 Speaker 2: on where you're going to be, because sometimes you also 669 00:32:58,240 --> 00:33:00,120 Speaker 2: want to put maybe not do you? Sometimes I just 670 00:33:00,160 --> 00:33:02,000 Speaker 2: want to put like newer songs and not just the 671 00:33:02,080 --> 00:33:03,760 Speaker 2: hits because you do want to promote what you have 672 00:33:03,880 --> 00:33:04,280 Speaker 2: coming up. 673 00:33:04,360 --> 00:33:08,200 Speaker 4: But yeah, sometimes you do. Sometimes you do that, but sometimes. 674 00:33:07,880 --> 00:33:11,040 Speaker 1: You just get it going all, you know. 675 00:33:12,920 --> 00:33:14,680 Speaker 3: Because you have you have it sungs and you have 676 00:33:14,800 --> 00:33:18,400 Speaker 3: number one things. So if you're gonna be a Catillag, 677 00:33:19,360 --> 00:33:22,320 Speaker 3: gonna put most of the number one songs because megot 678 00:33:22,480 --> 00:33:26,160 Speaker 3: sing song way the people that love for early years 679 00:33:26,200 --> 00:33:29,160 Speaker 3: coming up. So you know, that's why it goes. Sometimes 680 00:33:29,200 --> 00:33:31,840 Speaker 3: it's fitting to, it's angler fitting to, it's a there 681 00:33:31,920 --> 00:33:34,480 Speaker 3: because its song is a very popular song too. You 682 00:33:34,720 --> 00:33:36,760 Speaker 3: don't have to go number one to be popular, right 683 00:33:37,240 --> 00:33:40,600 Speaker 3: you understand? So yeah, that's all you You be your 684 00:33:40,640 --> 00:33:45,720 Speaker 3: Catllag with a great beginning, a nice belly and a 685 00:33:45,840 --> 00:33:46,520 Speaker 3: proper ending. 686 00:33:47,040 --> 00:33:51,560 Speaker 5: Okay, you don't start high and then you go and 687 00:33:51,640 --> 00:33:56,040 Speaker 5: then start to go. Once you go down, yeah, you 688 00:33:56,160 --> 00:33:58,920 Speaker 5: lose it, that's it. Yeah, yeah, so you have to 689 00:33:59,400 --> 00:34:01,840 Speaker 5: you have to just keep it up there. 690 00:34:02,320 --> 00:34:09,120 Speaker 4: Once you go like this, you go like this like this, So. 691 00:34:09,280 --> 00:34:11,080 Speaker 1: Let me ask you this. Have you decided where you're 692 00:34:11,080 --> 00:34:12,000 Speaker 1: going to go on your honeymoon? 693 00:34:12,400 --> 00:34:12,640 Speaker 4: God? 694 00:34:13,160 --> 00:34:15,880 Speaker 1: God, well, I got to get back to this. You know, 695 00:34:16,000 --> 00:34:17,239 Speaker 1: we started there, we did this. 696 00:34:18,440 --> 00:34:24,200 Speaker 4: Yeah, you see, but. 697 00:34:27,640 --> 00:34:29,480 Speaker 1: You're not gonna plan it to after the wedding, No, 698 00:34:29,680 --> 00:34:31,520 Speaker 1: we can. What type of wedding are you going to have? 699 00:34:31,719 --> 00:34:38,239 Speaker 1: Is it going to be? Because we know you want 700 00:34:38,280 --> 00:34:40,920 Speaker 1: to have a huge one. You want something small and intimate. 701 00:34:42,160 --> 00:34:44,960 Speaker 4: We don't know yet. We can up, we can. 702 00:34:45,320 --> 00:34:49,319 Speaker 2: She's a small Okay, see that's a keeper. She's like, Oh, 703 00:34:49,320 --> 00:34:55,000 Speaker 2: you don't need all the extra. He's like like, we're 704 00:34:55,000 --> 00:34:56,359 Speaker 2: going to get this done. It's going to be soon. 705 00:34:57,520 --> 00:35:00,400 Speaker 2: So U b s Areena. That's exciting to you have 706 00:35:00,480 --> 00:35:02,960 Speaker 2: the show that's happening their Memorial weekend, which is a 707 00:35:03,040 --> 00:35:05,520 Speaker 2: huge weekend for that to be going down. So talk 708 00:35:05,560 --> 00:35:07,239 Speaker 2: to me about what we can expect at ub A 709 00:35:07,280 --> 00:35:08,240 Speaker 2: Serena from being. 710 00:35:08,080 --> 00:35:11,120 Speaker 4: A man twenty four, let's come on for an epic performance. 711 00:35:11,120 --> 00:35:14,319 Speaker 1: You have no idea what's going to write anything, just. 712 00:35:15,360 --> 00:35:18,279 Speaker 3: Because it depends by the audience, you know, and the 713 00:35:18,440 --> 00:35:21,320 Speaker 3: energy of the audience. Yeah, but I always have a 714 00:35:21,360 --> 00:35:22,160 Speaker 3: beautiful sure, so. 715 00:35:22,239 --> 00:35:23,920 Speaker 1: I know they're going to trust me. I don't sen 716 00:35:24,000 --> 00:35:25,840 Speaker 1: y'all told you. I've seen you perform in Saint Thomas. 717 00:35:26,280 --> 00:35:28,480 Speaker 2: I seen you perform in Turks and Kkos, which was 718 00:35:28,520 --> 00:35:30,759 Speaker 2: a surprise to me when we were out there, and 719 00:35:31,080 --> 00:35:33,719 Speaker 2: that is probably one of the funniest nights of my 720 00:35:33,880 --> 00:35:35,719 Speaker 2: life because I was with some drunk people. 721 00:35:36,040 --> 00:35:36,840 Speaker 4: Yeah whoa. 722 00:35:38,280 --> 00:35:40,200 Speaker 2: One of my friends before you got there, went on 723 00:35:40,320 --> 00:35:43,200 Speaker 2: stage and they were having like a they were going 724 00:35:43,239 --> 00:35:45,520 Speaker 2: to have like a twerk contest. He paid the girls 725 00:35:45,560 --> 00:35:50,920 Speaker 2: not to twork. He was like, I'm gonna go up 726 00:35:50,960 --> 00:35:53,160 Speaker 2: there and I'm ana pay these girl He got on 727 00:35:53,239 --> 00:35:55,600 Speaker 2: the stage and they were like what And they were like, 728 00:35:55,680 --> 00:35:58,680 Speaker 2: this gentleman is going to pay these ladies to not twork. 729 00:35:59,120 --> 00:36:01,440 Speaker 2: And there was people that were even in the competition 730 00:36:01,520 --> 00:36:03,160 Speaker 2: that was trying to get paid to not to work. 731 00:36:03,440 --> 00:36:05,400 Speaker 2: But he really gave all of them money. I think 732 00:36:05,400 --> 00:36:08,040 Speaker 2: he gave him a thousand dollars each to not work 733 00:36:08,080 --> 00:36:09,800 Speaker 2: on the stage. I don't even know why. But it 734 00:36:09,920 --> 00:36:11,920 Speaker 2: was an interesting night and you were cool. That was 735 00:36:11,920 --> 00:36:14,120 Speaker 2: another time that someone grabbed the mic. You know, Yeah, 736 00:36:15,880 --> 00:36:17,080 Speaker 2: we don't encourage. 737 00:36:16,719 --> 00:36:21,560 Speaker 4: That, but that's what it is. Sometimes. I'm quite sure 738 00:36:22,160 --> 00:36:24,040 Speaker 4: I might just feeling nice and just run over. 739 00:36:24,880 --> 00:36:27,240 Speaker 3: There's nothing you can do about it because I'm already 740 00:36:27,320 --> 00:36:31,360 Speaker 3: did you know, But yeah, we just said, you know, 741 00:36:31,560 --> 00:36:31,840 Speaker 3: this is. 742 00:36:31,880 --> 00:36:32,560 Speaker 4: Not the way it goes. 743 00:36:33,000 --> 00:36:34,120 Speaker 1: You were very cool about that. 744 00:36:34,280 --> 00:36:36,520 Speaker 2: Yeah, what do you think is one of the biggest 745 00:36:36,560 --> 00:36:39,759 Speaker 2: misconceptions about you that people get wrong about Beanie Man, like. 746 00:36:39,880 --> 00:36:41,759 Speaker 4: Oh the ie on. 747 00:36:41,880 --> 00:36:46,080 Speaker 1: Sure, that's a misconception about mine. 748 00:36:46,320 --> 00:36:50,719 Speaker 3: Oh, misconception because I don't hit nobody and I don't 749 00:36:50,760 --> 00:36:51,880 Speaker 3: judge nobody for nothing. 750 00:36:52,200 --> 00:36:56,000 Speaker 4: I lp you Modanchay for being you, right. 751 00:36:56,200 --> 00:36:58,120 Speaker 2: Yeah, do you feel like you didn't get a lot 752 00:36:58,160 --> 00:36:59,640 Speaker 2: of help coming up, because like you said, you didn't 753 00:36:59,640 --> 00:37:01,400 Speaker 2: really necessarily have somebody take you. 754 00:37:04,000 --> 00:37:06,719 Speaker 4: But I take it like I think it like a 755 00:37:06,800 --> 00:37:09,000 Speaker 4: big mind because it is sometimes a. 756 00:37:11,239 --> 00:37:19,120 Speaker 3: Producer friend and Bud's strikerly you know, it was the 757 00:37:19,200 --> 00:37:23,440 Speaker 3: next one that you know, guide me to reach where 758 00:37:23,440 --> 00:37:27,319 Speaker 3: I am today because he's the one that produced my album. Yeah, 759 00:37:27,480 --> 00:37:32,960 Speaker 3: so yeah, But otherwise that it's just me, you know, 760 00:37:34,080 --> 00:37:36,080 Speaker 3: just me. I'm leave me out and a country to 761 00:37:36,200 --> 00:37:39,759 Speaker 3: live just me, and people just love me everywhere and 762 00:37:39,840 --> 00:37:42,800 Speaker 3: respect me everywhere and just you don't know, disrespect and 763 00:37:43,440 --> 00:37:47,680 Speaker 3: believing our people, always living at people. Yeah, and you know, 764 00:37:48,360 --> 00:37:52,839 Speaker 3: and just move on because any music that in the music, 765 00:37:52,840 --> 00:37:55,560 Speaker 3: and I work for me. I told Magana Country the music, 766 00:37:55,560 --> 00:37:58,160 Speaker 3: and I work for Mechen Magana Man take a beer 767 00:37:58,600 --> 00:38:00,000 Speaker 3: music and I work for me I'm take. 768 00:37:59,880 --> 00:38:03,520 Speaker 4: A losing you see, it's just music. 769 00:38:03,640 --> 00:38:06,600 Speaker 3: I'm travel with music and follow music and you know, 770 00:38:06,920 --> 00:38:09,879 Speaker 3: make it shovel at the wall at Jamaica as a kid, 771 00:38:10,760 --> 00:38:14,680 Speaker 3: just become end up augustone with silver, I could steal them, 772 00:38:15,400 --> 00:38:19,040 Speaker 3: end up the next part of our puppy in the 773 00:38:19,160 --> 00:38:22,759 Speaker 3: so with travelers them and you know, may end up 774 00:38:22,760 --> 00:38:26,279 Speaker 3: a gun to with King Salaman sound. So it's just 775 00:38:26,440 --> 00:38:30,560 Speaker 3: anywhere music travel and then anywhere nobody know we leave 776 00:38:32,040 --> 00:38:34,160 Speaker 3: that was pleased to give me our room for giving 777 00:38:34,239 --> 00:38:38,480 Speaker 3: them our bed forgiving and yeah, and we just work. 778 00:38:38,719 --> 00:38:43,200 Speaker 3: We've got to send a center Lisa limited something. We 779 00:38:43,320 --> 00:38:46,959 Speaker 3: leave our centimes. But we got school, so anyone school 780 00:38:47,040 --> 00:38:51,160 Speaker 3: so people feel something come from Albert, Jamaica. God School 781 00:38:51,200 --> 00:38:54,080 Speaker 3: that you attended, Mogard School. I want take a school, yeah, 782 00:38:54,200 --> 00:38:55,800 Speaker 3: I said, my God school. 783 00:38:56,560 --> 00:38:58,320 Speaker 2: And I think the foundation of it all is that 784 00:38:58,600 --> 00:39:00,759 Speaker 2: you love what you do. Yeah, and I think that's 785 00:39:00,760 --> 00:39:03,920 Speaker 2: important you're not doing. I mean it's great to make money, yes, 786 00:39:04,560 --> 00:39:05,880 Speaker 2: but that's not no. 787 00:39:06,040 --> 00:39:12,120 Speaker 4: But sometimes sometimes money, but my love of music for 788 00:39:12,239 --> 00:39:13,040 Speaker 4: what the music is. 789 00:39:13,520 --> 00:39:19,759 Speaker 3: Because all right, sometimes Mega one dance and the promoter dance, 790 00:39:20,080 --> 00:39:23,560 Speaker 3: the work card, the demoti people are in the camel 791 00:39:23,600 --> 00:39:27,319 Speaker 3: Piers own stem. So you're just nice to free one 792 00:39:27,480 --> 00:39:30,799 Speaker 3: nice of the people. Then you know, next time dance, 793 00:39:30,840 --> 00:39:33,040 Speaker 3: we're a big guess who make a ting boy? 794 00:39:34,160 --> 00:39:34,879 Speaker 1: Yeah you're right. 795 00:39:35,040 --> 00:39:38,239 Speaker 3: Yeah, so you know sometimes just be nice, work me out, 796 00:39:38,320 --> 00:39:41,719 Speaker 3: you know, let it go because mister may and fly 797 00:39:41,880 --> 00:39:50,120 Speaker 3: from Nigeria come to our show a Jamiaica. And when 798 00:39:50,160 --> 00:39:56,160 Speaker 3: we reached it was showed that some of the people 799 00:39:56,320 --> 00:39:58,839 Speaker 3: was on the show. And then see every money across 800 00:39:58,960 --> 00:40:02,920 Speaker 3: back stats baby and the show and promoter and the 801 00:40:02,960 --> 00:40:06,160 Speaker 3: promoter and the promoter and someone leaves. But the show 802 00:40:06,320 --> 00:40:08,960 Speaker 3: was spectrum and it was in the university of the 803 00:40:09,000 --> 00:40:13,640 Speaker 3: worst of this. Now when they're gonna leave the picning 804 00:40:13,680 --> 00:40:16,680 Speaker 3: them know where the throughna come up and say beating 805 00:40:16,680 --> 00:40:18,160 Speaker 3: them on them, show off, find them all the work 806 00:40:18,239 --> 00:40:22,319 Speaker 3: for money. So I must start show other artists, must 807 00:40:22,320 --> 00:40:25,399 Speaker 3: say them. Now by the time it looks at still 808 00:40:25,520 --> 00:40:29,880 Speaker 3: fuller artists you have for just knowing that this is 809 00:40:29,920 --> 00:40:32,759 Speaker 3: where the music is. These are the kids that you 810 00:40:32,840 --> 00:40:35,759 Speaker 3: know support the music. And when them graduate, them still 811 00:40:35,880 --> 00:40:38,600 Speaker 3: got support, you understand, the man said, So you know, 812 00:40:38,880 --> 00:40:40,840 Speaker 3: just get them peace of love because them come to 813 00:40:40,880 --> 00:40:43,640 Speaker 3: you to see the show. It's just them have the 814 00:40:43,680 --> 00:40:46,160 Speaker 3: money for spend them can buy the bar them, can't 815 00:40:46,200 --> 00:40:49,920 Speaker 3: you know, promote everything, you understand, but they might have 816 00:40:50,120 --> 00:40:53,040 Speaker 3: money for coming in, so them peer their money on coming. 817 00:40:53,160 --> 00:40:55,759 Speaker 3: And because that the promoter can here the rest are 818 00:40:55,760 --> 00:40:58,520 Speaker 3: your money. You're now gonna get the picking them some No, 819 00:40:59,360 --> 00:41:00,920 Speaker 3: and said work, but we still. 820 00:41:00,800 --> 00:41:01,919 Speaker 1: Want him to get all his money. 821 00:41:03,120 --> 00:41:06,520 Speaker 4: No, can't do that. No yeah yeah, different things Yeah, 822 00:41:07,680 --> 00:41:09,240 Speaker 4: these type things type change. 823 00:41:09,600 --> 00:41:12,840 Speaker 3: But as I said, certain players like Jamaica, you know, 824 00:41:13,440 --> 00:41:15,960 Speaker 3: because where I go do you can't kill the promoter 825 00:41:16,080 --> 00:41:20,200 Speaker 3: in Jamaica Because I am a jammaker that live in Jamaica. 826 00:41:20,800 --> 00:41:23,440 Speaker 4: I got to updoor Mondays, I go to wed the 827 00:41:23,480 --> 00:41:23,839 Speaker 4: wed even. 828 00:41:23,840 --> 00:41:26,359 Speaker 3: I feel like for singer sang with singer song Even, 829 00:41:26,440 --> 00:41:28,319 Speaker 3: I feel like for singer sang Withdor singer son. 830 00:41:28,840 --> 00:41:30,239 Speaker 4: You know, when you get a shoe or you get 831 00:41:30,239 --> 00:41:32,520 Speaker 4: booked for the show, you the money and perform for 832 00:41:32,600 --> 00:41:35,719 Speaker 4: the people. Then but you love the money. Yeah, but 833 00:41:36,120 --> 00:41:37,960 Speaker 4: if you're profound for the money or do the time, 834 00:41:38,000 --> 00:41:38,799 Speaker 4: where the money cars. 835 00:41:39,480 --> 00:41:42,040 Speaker 2: I'm gonna tell you that because when I saw you 836 00:41:42,160 --> 00:41:43,839 Speaker 2: in Turks I didn't know you was going to be there, 837 00:41:44,320 --> 00:41:46,359 Speaker 2: but you even got on the stage and said something 838 00:41:46,360 --> 00:41:46,680 Speaker 2: about it. 839 00:41:47,760 --> 00:41:48,560 Speaker 4: I like beer people. 840 00:41:49,000 --> 00:41:53,520 Speaker 1: Yeah, not to be known, but I'm still here. We're 841 00:41:53,520 --> 00:41:54,400 Speaker 1: still grateful for that. 842 00:41:55,600 --> 00:42:01,960 Speaker 3: Like in PIM yes, because you know that partner back 843 00:42:02,000 --> 00:42:05,400 Speaker 3: again what people do. But in my life people just 844 00:42:05,680 --> 00:42:09,080 Speaker 3: talk talk, talk and gone and then by time and 845 00:42:09,200 --> 00:42:13,520 Speaker 3: come back. You're a sure time still just streaming up? 846 00:42:16,280 --> 00:42:16,840 Speaker 1: Is it you? 847 00:42:17,400 --> 00:42:19,000 Speaker 2: I listen, I cannot wait to see this movie. You 848 00:42:19,040 --> 00:42:23,279 Speaker 2: gotta get it done because this is how long have 849 00:42:23,400 --> 00:42:24,200 Speaker 2: you been doing music? 850 00:42:24,320 --> 00:42:24,440 Speaker 5: Now? 851 00:42:24,680 --> 00:42:26,240 Speaker 1: Like thirty five years? 852 00:42:26,480 --> 00:42:30,040 Speaker 4: No, for long I've been missat that the five. 853 00:42:30,000 --> 00:42:35,480 Speaker 2: So oh oh, like forty five. My math was so 854 00:42:35,600 --> 00:42:38,359 Speaker 2: off all right, but listen, I appreciate you for coming through. 855 00:42:38,440 --> 00:42:41,600 Speaker 2: You be a Serreena on May twenty fourth. Yeah, that's 856 00:42:41,640 --> 00:42:44,239 Speaker 2: going to be a time. Yeah, we cannot for a 857 00:42:44,320 --> 00:42:47,359 Speaker 2: Memorial Day weekend, y'all know, like, let's let's be out there. 858 00:42:47,400 --> 00:42:49,879 Speaker 2: I love you be a Serena too, yes, man, nice bess, 859 00:42:50,040 --> 00:42:50,799 Speaker 2: all right, well, thank you. 860 00:42:50,840 --> 00:42:51,960 Speaker 1: For coming being in man, thank you. 861 00:42:52,280 --> 00:42:54,400 Speaker 2: And when I did my virtual Angela, you did you 862 00:42:54,560 --> 00:42:57,320 Speaker 2: actually did something for that and I really was so 863 00:42:57,440 --> 00:42:59,239 Speaker 2: excited when they said we can get I said, what 864 00:43:00,640 --> 00:43:00,920 Speaker 2: let's go? 865 00:43:01,080 --> 00:43:03,000 Speaker 1: So I have that forever. That lives. I was like, 866 00:43:03,160 --> 00:43:05,160 Speaker 1: this is perfect. So I appreciate you so much and 867 00:43:05,239 --> 00:43:05,600 Speaker 1: I thank you 868 00:43:06,480 --> 00:43:10,480 Speaker 4: Thank you, thank you, way up.