WEBVTT - How Drag Queens Work

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<v Speaker 1>Welcome to Stuff You Should Know front of House, Stuff

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<v Speaker 1>Works dot com. Hey, and welcome to the podcast. I'm

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<v Speaker 1>Josh Clark. There's Charles W. Chuck Bryant. Uh, and this

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<v Speaker 1>is stuff you should Know. Chucks Chant just a couple

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<v Speaker 1>of drag queens hanging out and chop. We should say

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<v Speaker 1>Chuck and I are both in full drag right now.

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<v Speaker 1>That's right. Uh, you did a nice job with the

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<v Speaker 1>the hair, the wig. I like, thank you. You find

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<v Speaker 1>it big. You know you can't get too big if

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<v Speaker 1>you're a drag queen. I'm a little more fishy than glamour.

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<v Speaker 1>The lashes are nice, and I noticed, keeping with the

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<v Speaker 1>tradition set by Julian Eltinge, your hands are quite feminine.

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<v Speaker 1>Oh well, I'm holding them in a very feminine manner.

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<v Speaker 1>Well done. Thank you. There powdered just right. The knuckles

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<v Speaker 1>aren't his hair easy usual? And I like your campy drag.

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<v Speaker 1>Thank you. I had no idea that your forearms are

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<v Speaker 1>so big and that you had an anchor tattoo. That's right.

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<v Speaker 1>And if you notice my crotch, ah, you won't notice

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<v Speaker 1>anything smooth as a ken doll. That's right. It's taped

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<v Speaker 1>and tucked. You're wearing a gaff a, so that's really

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<v Speaker 1>all you need to know. I went online and I

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<v Speaker 1>looked up how to how to make a gaff or gaffs.

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<v Speaker 1>I was like, I think I understand what this is,

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<v Speaker 1>but I need to find out. And I saw a

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<v Speaker 1>YouTube tutorial by a drag queen how to make one

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<v Speaker 1>out of um, like an underwear waist band, like an

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<v Speaker 1>elastic band and a tube sock cut on either end

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<v Speaker 1>so it's open okay, and you just slide the tube

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<v Speaker 1>sock or no, you slide the elastic band through the

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<v Speaker 1>open tube sock and uh step into the elastic band,

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<v Speaker 1>right because it makes two holes that way sure for

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<v Speaker 1>your legs. And then I guess it's everything gets real compressed. Well, uh,

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<v Speaker 1>that's great. I used duct tape. It's a little more uncomfortable.

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<v Speaker 1>I'm going to use your method for them for that

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<v Speaker 1>video too, But yeah, it looked like it looked cheap, easy, quick,

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<v Speaker 1>and as comfortable as that kind of thing can be.

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<v Speaker 1>So people, if you were not one that reads titles

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<v Speaker 1>to podcasts and you just say, you know, I'm and

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<v Speaker 1>just hear what's going on, we're talking about drag queens

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<v Speaker 1>and it has an interesting history and it's an interesting culture,

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<v Speaker 1>and we like to cover those things. So let's do it. Uh, well,

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<v Speaker 1>this is a Conger article, Yes, Kristen Conger from stuff

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<v Speaker 1>Mom Never told You. Yeah, and she did a really

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<v Speaker 1>good job, like kind of tracing the history and like

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<v Speaker 1>really getting into the culture of of drag queens. And um,

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<v Speaker 1>it turns out that there is a considered father of

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<v Speaker 1>drag queens, although he went to great pains to um

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<v Speaker 1>suggests that he wasn't gay. That's because he was totally gay.

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<v Speaker 1>I think so, Like I noticed she used the she

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<v Speaker 1>pointed out that he's a bachelor. Yeah. I looked up

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<v Speaker 1>more on that. It was often rumored that he were

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<v Speaker 1>talking about who he mentioned earlier with the hands do

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<v Speaker 1>Lean Eltinge Lteinge and uh born William Dalton. And this

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<v Speaker 1>is early twentieth century. And he made a big, big

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<v Speaker 1>name for himself dressing like a lady. Yeah, performing in vaudeville. Um.

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<v Speaker 1>He started out, I guess as a Vouldville performer, but

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<v Speaker 1>then he he was in a play called The Fascinating

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<v Speaker 1>Widow in nineteen eleven. Apparently the ladies loved him, loved

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<v Speaker 1>his drag because he was just really good at it.

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<v Speaker 1>And um, from there he ended up with he ended

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<v Speaker 1>up on screen in films, sponsorship deals. Yeah, he apparently

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<v Speaker 1>was the highest salaried performer of his age. Um, there

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<v Speaker 1>were fan magazines dedicated to him and like dressing up

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<v Speaker 1>as women zines, multiple znes Yeah, at least three. Um

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<v Speaker 1>and uh. He performed for King Edward the Seventh of

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<v Speaker 1>the UK. He was delighted by his performance. So this

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<v Speaker 1>guy Julian elt just like making quite a name for himself.

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<v Speaker 1>And and again he he went to great links to

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<v Speaker 1>be like, look at me, I'm a guy. See I'm

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<v Speaker 1>smoking cigars and I'm fishing. Yeah, but i'd like, I said,

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<v Speaker 1>I looked into it more. And apparently he would. Um,

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<v Speaker 1>he would attack people in the audience sometimes when they

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<v Speaker 1>would yell out derogatory terms about his masculinity, and he

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<v Speaker 1>would challenge people to fights and things. And he was

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<v Speaker 1>a lifelong batchelor. So I think that probably meant that

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<v Speaker 1>he was gay, right, which is fine because as a

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<v Speaker 1>cross dresser, you can be gay or straight, doesn't matter.

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<v Speaker 1>You might transgender, doesn't matter. Yeah, they're all different stripes

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<v Speaker 1>of people who like to put on the opposite clothes

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<v Speaker 1>of whatever their gender is, because they are kings as

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<v Speaker 1>well and perform on stage. It's just you know, it's fun.

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<v Speaker 1>It's a lighthearted, fun thing, right. Well, that's the whole

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<v Speaker 1>point of it. It's supposed to be lighthearted and fun.

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<v Speaker 1>It wasn't always though, Um. There was a very long

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<v Speaker 1>period where when men dressed up as women on stage.

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<v Speaker 1>It was because women weren't allowed to perform on stage,

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<v Speaker 1>so men were frequently like doing this, uh, straight, very

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<v Speaker 1>seriously in dramas um in Greece. In ancient Greece, it

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<v Speaker 1>was considered dangerous for women to be on stage, and

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<v Speaker 1>they were not allowed to be in any of the

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<v Speaker 1>Greek dramas, which kind of ironic because the Greek theater

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<v Speaker 1>arose out of the Rites of Dionysus, which were performed

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<v Speaker 1>almost exclusively by women. And then but once it was

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<v Speaker 1>established a theater, the member like, thank you for bringing

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<v Speaker 1>this to our attention. No go over there because it's

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<v Speaker 1>too dangerous here right, very interesting, uh. And in the

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<v Speaker 1>Middle Ages, of course, um, the Christian Church chimed in

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<v Speaker 1>and said, you know what, here's what theater is. It is, um,

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<v Speaker 1>Bible stories on stage in church church pageants, basically, it's like, oh,

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<v Speaker 1>you used to like the theater, We'll get a load

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<v Speaker 1>of this because this is what it is now. Yeah,

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<v Speaker 1>and women were not allowed to take part in that.

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<v Speaker 1>Of course, men would play the parts of women. Uh.

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<v Speaker 1>And it wasn't until the seventeenth century and read that

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<v Speaker 1>women finally uh the stage opened up and they were

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<v Speaker 1>allowed to tread the boards. Yeah if uh. In Shakespeare's era,

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<v Speaker 1>um men played both roles. And I think what was

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<v Speaker 1>it sixteen sixty that one of the kings in England,

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<v Speaker 1>Charles two, Yeah, that sequel. He said, you know what,

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<v Speaker 1>let's let the ladies back on stage. But even after that,

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<v Speaker 1>this idea of men dressing up as women still continued on.

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<v Speaker 1>And women are actually dressing as men and what they

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<v Speaker 1>called breaches roles, but they were breaches. They's pretty straightforward terminology.

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<v Speaker 1>But King Charles called the bluff of all the performers.

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<v Speaker 1>He was like, you know what, you don't have to

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<v Speaker 1>dress his women anymore. We'll just let women on stage.

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<v Speaker 1>And the guys were like, but but but we fine,

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<v Speaker 1>we really like this. Yeah, And well what happened to

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<v Speaker 1>was men started to play women in a in a

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<v Speaker 1>funnier way and it was more for comedy because they

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<v Speaker 1>wouldn't try to look super feminine. They would try to

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<v Speaker 1>look like a big burly man in address, which is

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<v Speaker 1>sort of like in the Monty Python tradition, like although

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<v Speaker 1>they were no, they weren't exactly they were not fishy

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<v Speaker 1>at all. But uh, we'll get to that that's actually

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<v Speaker 1>a thing. Yeah, fishy drag. Yeah, um, well you might

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<v Speaker 1>as well tell him. Well, I already mentioned it earlier.

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<v Speaker 1>I said I'm more fishy than yeah, but I don't

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<v Speaker 1>think they understand. Fishy is going after like the like

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<v Speaker 1>you want people to confuse you for a woman exactly,

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<v Speaker 1>like as feminine, as like womanly as possible, as like

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<v Speaker 1>dead on right. Yeah, and then campy is obviously more

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<v Speaker 1>for comedy. You're more masculine looking. And then there's of

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<v Speaker 1>course the glamour drag, which is huge hair and everyone's

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<v Speaker 1>eyelashes and glittery dresses. So back to history though, interestingly,

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<v Speaker 1>when the West was um loosening restrictions in Japan and

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<v Speaker 1>the East, they were tightening them and making men once

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<v Speaker 1>again play the uh onagatta roles. Female impersonators in kabuki productions.

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<v Speaker 1>They're like the ladies cannot do kab any longer. Yeah,

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<v Speaker 1>and that lasted through the nineteenth century in Japan. Yeah,

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<v Speaker 1>so it's weird. No, it was like, I guess, if

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<v Speaker 1>you're a woman, you could have been in Japan, and

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<v Speaker 1>then when they closed it down in Japan, you could

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<v Speaker 1>have gone over to England. Bam, I guess, so you're

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<v Speaker 1>all set traveling performer. Um so in in the West

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<v Speaker 1>in England in particular, that whole uh King Charles, the

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<v Speaker 1>second bluff that was called where that became eventually the

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<v Speaker 1>idea that if you were dressing in drag on stage, um,

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<v Speaker 1>it was for laughs. You weren't trying to pull off

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<v Speaker 1>being a woman. You're trying to just make fun of

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<v Speaker 1>the juxtaposition of you big burly dude wearing a dress

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<v Speaker 1>and acting as a woman but not doing a very

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<v Speaker 1>good job of it. That gave rise to a type

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<v Speaker 1>of theater called pantomime, and it is the shortened term

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<v Speaker 1>of it is panto, And I guess mime is the

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<v Speaker 1>other half what came out of this. But panto theater

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<v Speaker 1>is like a big burly dudes and drag playing the

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<v Speaker 1>women and then a woman playing like a young male

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<v Speaker 1>who's now being um inducted into the world of sex

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<v Speaker 1>and the adults, you know. Yeah, yeah, And I think

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<v Speaker 1>the first pano play was from see right. Yeah. It

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<v Speaker 1>started out there and then spread over to the United

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<v Speaker 1>States in the form of uh, you know, before movie

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<v Speaker 1>theaters and things like that, America's favorite entertainment was when

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<v Speaker 1>the vaudeville show came through. Sometimes that was your only

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<v Speaker 1>entertainment that are, like shooting at things in your yard.

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<v Speaker 1>So it was their favorite and also their most hated

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<v Speaker 1>form of entertainment because that was it. So the Vaudefield

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<v Speaker 1>Act would roll through town and there would uh, you know,

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<v Speaker 1>they'll be all kinds of theater and weird performances and

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<v Speaker 1>jugglers and ventriloquists and acrobats and things like that, ban

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<v Speaker 1>Joe's and then actually drag performances to the delight of

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<v Speaker 1>families and children, and it was all seen as just

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<v Speaker 1>good fun. There was no um linked to homosexuality at

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<v Speaker 1>the time. At the at the least, America wasn't putting

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<v Speaker 1>its hang ups about homosexuality onto drag performances. Yeah. Well,

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<v Speaker 1>then that really came about at the turn of the century.

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<v Speaker 1>That's when people got a little more like, hey, what's

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<v Speaker 1>going on here? As as gay people came out of

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<v Speaker 1>the close a little bit more and into the forefront

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<v Speaker 1>a little bit more, and we mean in very small steps. Obviously,

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<v Speaker 1>back then people like, well, wait a minute, when when

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<v Speaker 1>was this guy's dressing up like ladies all of a sudden, right,

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<v Speaker 1>it was just fun? Or is this like wrong? Right?

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<v Speaker 1>You like this to right? And because of prohibition, uh,

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<v Speaker 1>people needed their little speakeasies, their little secret places to

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<v Speaker 1>go drink. It also birthed secret places for gay dudes

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<v Speaker 1>to go hang out. Yeah, they we created the first

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<v Speaker 1>gay bars initially, right, which ultimately, in turn about forty

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<v Speaker 1>years later started to give rise to the first discos.

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<v Speaker 1>Remember that they grew out a gay bars um and

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<v Speaker 1>there the New York, Chicago, big towns, probably Kansas City

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<v Speaker 1>at the time. San Francisco went through what was called

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<v Speaker 1>a pansy craze not our term um and where basically

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<v Speaker 1>it became like the era of the gay man coming

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<v Speaker 1>out of the closet, Like, there are lots of bars

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<v Speaker 1>to go to, there are lots of nightclubs. There was

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<v Speaker 1>like the first gay culture in the United States really

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<v Speaker 1>started to come about. Yeah, and I remember I've read

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<v Speaker 1>somewhere that um, cocaine used to be a gay drug. Yeah,

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<v Speaker 1>they called it um. I'm sorry to say that they

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<v Speaker 1>used to call cocaine fairy dust because it was so

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<v Speaker 1>favored by gay guys around this time. Um, because I

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<v Speaker 1>guess you could get it legally. When was this in

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<v Speaker 1>like the fifties or the twenties, maybe the thirties got

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<v Speaker 1>yeah interesting. Uh So by the nineteen fifties, this is when, uh,

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<v Speaker 1>there were actual laws against being gay and laws against

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<v Speaker 1>dressing as a woman, and in fact, in New York City,

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<v Speaker 1>which you would think would be super forward thinking. Uh,

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<v Speaker 1>in the nineteen fifties, they had a cross dressing law,

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<v Speaker 1>or I guess anti cross dressing law that said that you,

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<v Speaker 1>as a man, were legally bound to where no fewer

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<v Speaker 1>than three pieces of male clothing in order to not

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<v Speaker 1>be arrested for being in drag. Right, And this is

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<v Speaker 1>a problem for these gay bars because they frequently had

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<v Speaker 1>drag shows. Um, so I guess I was thinking, like

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<v Speaker 1>you just maybe do like a like a full on

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<v Speaker 1>full circle cross dress where you dress as a woman,

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<v Speaker 1>dressing as a man as as a woman. Victor Victoria,

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<v Speaker 1>he just blew my mind that was Victor of Victoria.

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<v Speaker 1>That was the movie, right, and with Julie Andrews, it

0:12:44.400 --> 0:12:47.880
<v Speaker 1>was a woman impersonating a man impersonating a woman. I

0:12:47.960 --> 0:12:51.599
<v Speaker 1>thought that was Burt Reynolds's Julie Andrews. She did a

0:12:51.640 --> 0:12:59.120
<v Speaker 1>really good job. You're thinking of deliverance, Yeah, yeah, that

0:12:59.160 --> 0:13:05.400
<v Speaker 1>went way different. So. Um, by the time the nineteen

0:13:05.480 --> 0:13:09.640
<v Speaker 1>sixties mid sixties rolled around, there's a congress sites a

0:13:09.760 --> 0:13:13.280
<v Speaker 1>book called mother Camp where they estimated about five hundred

0:13:13.400 --> 0:13:20.240
<v Speaker 1>regularly performing drag queens by the by nine. Yeah, it's

0:13:20.280 --> 0:13:23.640
<v Speaker 1>pretty pretty high number for back then. Yeah, I would imagine,

0:13:24.040 --> 0:13:26.920
<v Speaker 1>although I'm sure it's quite a lot more than that now.

0:13:27.200 --> 0:13:29.040
<v Speaker 1>But we're talking the sixties and this is a time

0:13:29.080 --> 0:13:33.040
<v Speaker 1>when if you were at a gay bar just being

0:13:33.160 --> 0:13:36.440
<v Speaker 1>dressed in drag like, there was a pretty high likelihood

0:13:36.480 --> 0:13:38.120
<v Speaker 1>the cops are gonna come busting down the door and

0:13:38.200 --> 0:13:40.480
<v Speaker 1>take you to jail and probably beat you up for

0:13:40.640 --> 0:13:44.760
<v Speaker 1>being gay. Um. So, yeah, five hundred performing out in

0:13:44.840 --> 0:13:47.280
<v Speaker 1>the open is I would imagine that's a pretty good number.

0:13:47.640 --> 0:13:50.880
<v Speaker 1>But at the time there were newer performance that like

0:13:51.080 --> 0:13:57.079
<v Speaker 1>Eltnge wanted this. This one guy Bailey, Jim Bailey, who

0:13:57.400 --> 0:14:01.439
<v Speaker 1>apparently did a spot on Judy Garland, and he was

0:14:01.640 --> 0:14:05.079
<v Speaker 1>very adamant about saying, no, I'm not a cross stressor

0:14:05.200 --> 0:14:08.479
<v Speaker 1>I'm not a drag queen. I am a female impersonator.

0:14:09.440 --> 0:14:11.599
<v Speaker 1>And he, you know, had a long run in the

0:14:11.640 --> 0:14:14.840
<v Speaker 1>business as such. It was a big distinction for him. Yeah,

0:14:15.280 --> 0:14:18.160
<v Speaker 1>he yeah, he wanted to be called an illusionist. And

0:14:18.600 --> 0:14:20.600
<v Speaker 1>that makes the point that I think he said earlier.

0:14:21.120 --> 0:14:24.840
<v Speaker 1>Not everyone who does drag is gay, and not everyone

0:14:24.880 --> 0:14:28.920
<v Speaker 1>who does drag cross dresses in um their off stage life.

0:14:30.280 --> 0:14:32.880
<v Speaker 1>But for the most part, if you're gonna put money

0:14:32.960 --> 0:14:35.240
<v Speaker 1>on whether or not a drag queen is is gay,

0:14:35.920 --> 0:14:39.680
<v Speaker 1>you can probably bet that they probably are under normal circumstances. Yeah,

0:14:39.680 --> 0:14:42.080
<v Speaker 1>I don't think we even mentioned the drag queen where

0:14:42.120 --> 0:14:45.160
<v Speaker 1>that came from? The term, Oh no, we did. That

0:14:45.160 --> 0:14:46.920
<v Speaker 1>would have been good in the intro. It would have

0:14:47.000 --> 0:14:48.920
<v Speaker 1>been let's do it here, well, when we were talking

0:14:48.960 --> 0:14:51.400
<v Speaker 1>about theater, it would have been a good one. All right.

0:14:51.440 --> 0:14:56.600
<v Speaker 1>So the term drag what was the original parlance for

0:14:56.800 --> 0:14:59.200
<v Speaker 1>men dressing in women's clothing? And I didn't see the

0:14:59.240 --> 0:15:01.440
<v Speaker 1>theater term. Yeah, theater term, But I don't know where

0:15:01.600 --> 0:15:04.960
<v Speaker 1>that came from, though I don't either okay, and then queen,

0:15:05.000 --> 0:15:08.160
<v Speaker 1>of course is a is a you know, slur, a

0:15:08.280 --> 0:15:12.680
<v Speaker 1>slur for an effeminate gay man, a drag queen put together.

0:15:13.480 --> 0:15:16.680
<v Speaker 1>You just got the term drag queen. That's right, So

0:15:17.000 --> 0:15:21.560
<v Speaker 1>it's underground. Oh and also we should say transvestite, transsexual

0:15:22.160 --> 0:15:24.880
<v Speaker 1>not really favored terms in the gay community, especially these

0:15:24.960 --> 0:15:29.440
<v Speaker 1>days because uh, you know, up until not that long

0:15:29.520 --> 0:15:32.680
<v Speaker 1>ago in the d s M and possibly still listed

0:15:32.720 --> 0:15:35.600
<v Speaker 1>in the d s M, those are mental disorders. People

0:15:35.640 --> 0:15:40.920
<v Speaker 1>who do that are mentally ill according to psychology, which

0:15:41.000 --> 0:15:44.480
<v Speaker 1>is fairly ridiculous. We should encourage people to go listen

0:15:44.520 --> 0:15:47.520
<v Speaker 1>to our what do we call that one? Gender reassignment,

0:15:47.560 --> 0:15:50.560
<v Speaker 1>gender reassignment. How's a good one. That's a really good one. Um. So,

0:15:50.800 --> 0:15:53.760
<v Speaker 1>in the nineteen sixties things start coming out, people start

0:15:53.800 --> 0:15:57.200
<v Speaker 1>coming out, drag queens start becoming more visible. And then

0:15:57.240 --> 0:15:59.920
<v Speaker 1>of course in ninety nine, I know, we've promised this

0:16:00.120 --> 0:16:03.000
<v Speaker 1>podcast will do it at some point. The famous Stonewall

0:16:03.280 --> 0:16:07.280
<v Speaker 1>riots took place where in June New York City police

0:16:07.520 --> 0:16:11.320
<v Speaker 1>rated the stone Wall in which was run by the

0:16:11.400 --> 0:16:13.800
<v Speaker 1>mafia at the time, and it was New York's only

0:16:13.840 --> 0:16:17.440
<v Speaker 1>gay bar run by the mafia. Yeah. Interesting, um, and

0:16:17.760 --> 0:16:20.920
<v Speaker 1>they fought back, and there was a six day basically

0:16:21.120 --> 0:16:25.000
<v Speaker 1>riot fight going on between cops and these gay guys.

0:16:25.560 --> 0:16:28.560
<v Speaker 1>They just said, you know what, we made dress like ladies,

0:16:28.600 --> 0:16:30.840
<v Speaker 1>but we fight like dudes. That's right, We're not gonna

0:16:30.880 --> 0:16:34.360
<v Speaker 1>take it. So pretty much from there, the gay rights

0:16:34.440 --> 0:16:37.160
<v Speaker 1>movement in the US was born. And not even pretty

0:16:37.200 --> 0:16:40.520
<v Speaker 1>much like, yeah, it happened right there, but Conger kind

0:16:40.520 --> 0:16:44.680
<v Speaker 1>of describes the scene that, um, it was a six

0:16:44.800 --> 0:16:48.440
<v Speaker 1>days skirmish with high heel wearing drag queens. Um. But

0:16:48.560 --> 0:16:50.880
<v Speaker 1>you can imagine that that probably was quite a scene,

0:16:51.560 --> 0:16:53.840
<v Speaker 1>quite a tableau. Yeah, they should do a movie about that.

0:16:53.960 --> 0:16:56.840
<v Speaker 1>They did, so they did. I can't remember what's called

0:16:57.120 --> 0:17:00.320
<v Speaker 1>the documentary documentary. I'm sure there's a bunch of there's

0:17:00.360 --> 0:17:03.360
<v Speaker 1>one before stone Wall or after stone Wall, maybe the

0:17:03.440 --> 0:17:09.200
<v Speaker 1>stone Wall during Stonewall, Perry Stonewall. Um. So, in the

0:17:09.280 --> 0:17:12.560
<v Speaker 1>mid nineteen sixties when all this is blossoming, guy named

0:17:12.680 --> 0:17:17.359
<v Speaker 1>Jose Julio Saudia Uh in San Francisco. He was Harvey

0:17:17.400 --> 0:17:20.159
<v Speaker 1>Milk was not the first openly gay political candidate in

0:17:20.240 --> 0:17:23.760
<v Speaker 1>San Francisco. It was actually sorry and he founded something

0:17:23.840 --> 0:17:27.000
<v Speaker 1>called the Imperial Court System. UH and it was basically

0:17:27.960 --> 0:17:33.840
<v Speaker 1>a drag community organization to help people out and throw

0:17:34.040 --> 0:17:39.480
<v Speaker 1>drag balls. And you know now is philanthropic with HIV

0:17:39.600 --> 0:17:44.240
<v Speaker 1>and AIDS organizations. So they're still around. Yeah, they're bigger

0:17:44.280 --> 0:17:47.120
<v Speaker 1>than ever. Chapters all over the place, all over the place,

0:17:47.200 --> 0:17:50.600
<v Speaker 1>different countries, Canada, Mexico. Yeah, but the the Imperial Court

0:17:50.680 --> 0:17:54.879
<v Speaker 1>System was a really big step. Um. This was in

0:17:55.000 --> 0:17:58.400
<v Speaker 1>the mid sixties. I think it was before stone Wall, right, yeah,

0:17:58.400 --> 0:18:00.600
<v Speaker 1>I think so. Um. And this is in the face

0:18:00.640 --> 0:18:04.760
<v Speaker 1>of like crackdowns, getting arrested, getting beat up, really being mistreated,

0:18:05.080 --> 0:18:08.680
<v Speaker 1>um and and not having any civil rights. This guy

0:18:08.840 --> 0:18:11.159
<v Speaker 1>forms the Imperial Court System and it's like one of

0:18:11.200 --> 0:18:13.520
<v Speaker 1>the first big steps that unifying not just the drag

0:18:13.560 --> 0:18:17.119
<v Speaker 1>community but the gay community and really kind of provided

0:18:17.200 --> 0:18:21.080
<v Speaker 1>this this basis of this template for you know, integration

0:18:21.160 --> 0:18:25.080
<v Speaker 1>and support with among gays around the country. And I

0:18:25.119 --> 0:18:27.879
<v Speaker 1>guess a way to say, hey, there's a lot of

0:18:27.920 --> 0:18:30.000
<v Speaker 1>other people over here that feel the same way you

0:18:30.080 --> 0:18:31.480
<v Speaker 1>do and think the same way you do. And it's

0:18:31.480 --> 0:18:33.000
<v Speaker 1>not just here in San Francisco, is not just here

0:18:33.000 --> 0:18:34.960
<v Speaker 1>in New York. They're all over the place. And this

0:18:35.119 --> 0:18:39.040
<v Speaker 1>was one of the first cohesions of that mentality right,

0:18:39.359 --> 0:18:42.080
<v Speaker 1>which is a big, big deal. It was, and the

0:18:42.160 --> 0:18:46.760
<v Speaker 1>drag balls that they UM initiated and started became very

0:18:46.840 --> 0:18:51.080
<v Speaker 1>popular within the African American drag community and these days.

0:18:51.320 --> 0:18:54.600
<v Speaker 1>Um Conger described it as like a fraternity system where

0:18:55.040 --> 0:18:56.880
<v Speaker 1>if you're an up and comer and you're a drag queen,

0:18:57.359 --> 0:19:00.080
<v Speaker 1>you can get sort of like a sponsor. Am they

0:19:00.119 --> 0:19:02.600
<v Speaker 1>were a father to help you out, show you the ropes.

0:19:03.080 --> 0:19:04.840
<v Speaker 1>Maybe if you were kicked out of your house by

0:19:04.880 --> 0:19:07.400
<v Speaker 1>your parents because you're not accepted or out of your hometown,

0:19:08.040 --> 0:19:10.000
<v Speaker 1>they'll put you up and find you a place to live.

0:19:10.080 --> 0:19:13.040
<v Speaker 1>And you know who else does that? Cindy law her

0:19:13.760 --> 0:19:16.320
<v Speaker 1>does she really? Yeah? She? Uh, I think founded and

0:19:16.880 --> 0:19:21.520
<v Speaker 1>definitely funds like some sort of rescue system at Halfway House. Yeah,

0:19:21.600 --> 0:19:24.000
<v Speaker 1>for teens who are kicked out for being gay. Nice,

0:19:24.160 --> 0:19:27.080
<v Speaker 1>isn't that? Yeah? She's awesome. I think I told you

0:19:27.400 --> 0:19:29.639
<v Speaker 1>to her Halloween party one year in New York. You

0:19:29.760 --> 0:19:32.320
<v Speaker 1>did not tell me that? Yeah, my friend was. Um

0:19:33.080 --> 0:19:37.199
<v Speaker 1>is a huge fan and like on the inside as

0:19:37.280 --> 0:19:39.320
<v Speaker 1>far as fandom, you know, like she knows who he

0:19:39.520 --> 0:19:42.920
<v Speaker 1>is and uh, he got an invitation to her Halloween

0:19:43.119 --> 0:19:45.280
<v Speaker 1>party at her loft in New York and I went

0:19:45.920 --> 0:19:47.320
<v Speaker 1>and it was awesome and I met her and got

0:19:47.400 --> 0:19:49.479
<v Speaker 1>a picture made and that was cool. She was as

0:19:49.480 --> 0:19:51.520
<v Speaker 1>sweet as she could be. Yeah. Yeah, she seems like

0:19:51.600 --> 0:19:54.680
<v Speaker 1>she's like living the personality. Yeah, and boy what a

0:19:54.760 --> 0:20:00.880
<v Speaker 1>party man, I can imagine. Yeah. A couple of years

0:20:00.920 --> 0:20:04.960
<v Speaker 1>ago and Dr John opened for so we were there

0:20:05.040 --> 0:20:07.360
<v Speaker 1>for you know, the Dr John Show too, And when

0:20:07.480 --> 0:20:10.639
<v Speaker 1>Dr John ended, like everyone got up and left and

0:20:10.680 --> 0:20:12.480
<v Speaker 1>then new people came in and sat down for the

0:20:12.520 --> 0:20:16.119
<v Speaker 1>Cyndy Lawbers Show. Yeah, it was a weird mix, but

0:20:16.800 --> 0:20:19.320
<v Speaker 1>that didn't end up mixing. That's like, uh, it was

0:20:19.359 --> 0:20:22.920
<v Speaker 1>cool see both of them, Uh, like Zach Brown opening

0:20:23.000 --> 0:20:26.520
<v Speaker 1>for Dolly Parton, Yeah, something like that. Maybe even maybe

0:20:26.560 --> 0:20:30.840
<v Speaker 1>even weird, like they're both country quote unquote right. All right,

0:20:31.400 --> 0:20:33.800
<v Speaker 1>So if you're interested in seeing more about the African

0:20:33.840 --> 0:20:37.359
<v Speaker 1>American drag balls, there's a great documentary, uh called Paris

0:20:37.480 --> 0:20:40.080
<v Speaker 1>Is Burning. Have you seen it? Yeah, I've not seen

0:20:40.119 --> 0:20:44.040
<v Speaker 1>a super entertaining, really good We mentioned drag kings earlier.

0:20:44.160 --> 0:20:46.560
<v Speaker 1>That is a thing when they can also dress his men, yeah,

0:20:46.720 --> 0:20:49.160
<v Speaker 1>which is not a stretch. Once drag queens were established,

0:20:49.200 --> 0:20:53.280
<v Speaker 1>a guy named Johnny science about what about drag kings

0:20:53.960 --> 0:20:57.439
<v Speaker 1>and bam, there they are. That's right, So let's talk

0:20:57.480 --> 0:20:59.919
<v Speaker 1>about what you need to do, what kind of transformation

0:21:00.040 --> 0:21:01.920
<v Speaker 1>needs to take place. I know we kind of hinted

0:21:01.960 --> 0:21:05.280
<v Speaker 1>at it earlier with our jokes about tucking and plucking,

0:21:06.040 --> 0:21:11.080
<v Speaker 1>but that's where it starts. And we remarked about your hands. Um,

0:21:11.359 --> 0:21:15.280
<v Speaker 1>Julian Eltinge was, um, you'd think, you know, all the

0:21:15.320 --> 0:21:16.840
<v Speaker 1>work goes on the face, but he said, the most

0:21:16.880 --> 0:21:18.920
<v Speaker 1>important thing is the hands. Well that was the one

0:21:18.960 --> 0:21:21.240
<v Speaker 1>that he worried about the most. Well you remember that

0:21:21.320 --> 0:21:25.040
<v Speaker 1>seinfeld Man hands. Yeah, well, I mean that makes I

0:21:25.119 --> 0:21:27.320
<v Speaker 1>can imagine it's very distracting if you have a couple

0:21:27.359 --> 0:21:31.320
<v Speaker 1>of chunks of ham. Yeah, you know, and you're acting

0:21:31.480 --> 0:21:33.760
<v Speaker 1>very feminine or whatever. That's weird. Yeah. They went so

0:21:33.920 --> 0:21:36.119
<v Speaker 1>over the top in that episode. How big is like

0:21:36.160 --> 0:21:37.880
<v Speaker 1>I'm sure it was like the key grip or something,

0:21:38.359 --> 0:21:45.560
<v Speaker 1>breaking the bread and stuff in your face. Yeah, so good. Um,

0:21:46.800 --> 0:21:49.359
<v Speaker 1>so all right, so what do you do? You gotta

0:21:49.359 --> 0:21:51.480
<v Speaker 1>get the hands powdered, and he said there's certain ways

0:21:51.520 --> 0:21:54.080
<v Speaker 1>of holding them to make them appear to be more dainty.

0:21:54.160 --> 0:21:55.760
<v Speaker 1>Well he did. I got the impression that he was

0:21:55.840 --> 0:21:59.160
<v Speaker 1>particularly obsessed about this, but he might have big hands.

0:21:59.200 --> 0:22:01.240
<v Speaker 1>Spend like an hour and a half just working on

0:22:01.359 --> 0:22:04.359
<v Speaker 1>the hands. That's just the hands. So you can you

0:22:04.480 --> 0:22:07.760
<v Speaker 1>can guess how long it takes to like do makeup,

0:22:08.240 --> 0:22:10.320
<v Speaker 1>because not only are you doing makeup, you have to

0:22:10.400 --> 0:22:11.960
<v Speaker 1>do it right, but you have to do it to

0:22:12.200 --> 0:22:14.560
<v Speaker 1>cover up the fact that you're a man. So you

0:22:14.640 --> 0:22:16.040
<v Speaker 1>have to like cover up the fact that you're a

0:22:16.119 --> 0:22:19.440
<v Speaker 1>man and then do the makeup as a woman. I imagine. Yeah,

0:22:19.480 --> 0:22:21.520
<v Speaker 1>And I think things really picked up in the seventies

0:22:21.640 --> 0:22:23.800
<v Speaker 1>with this as far as really going all out. After

0:22:24.119 --> 0:22:29.800
<v Speaker 1>um San Francisco UH drag show collective called the Cockettes.

0:22:30.640 --> 0:22:32.480
<v Speaker 1>Apparently they put on a not so great show, and

0:22:32.560 --> 0:22:37.520
<v Speaker 1>gore Vidal himself said famously in his review, no talent

0:22:37.760 --> 0:22:40.920
<v Speaker 1>is not enough. So he's like, great, you're drag queens,

0:22:41.000 --> 0:22:44.440
<v Speaker 1>but this is awful. Basically you still gotta like give

0:22:44.440 --> 0:22:48.399
<v Speaker 1>the audience something. Well. They were also not necessarily like

0:22:48.840 --> 0:22:50.920
<v Speaker 1>real drag queens. They were a bunch of hippies on

0:22:51.000 --> 0:22:55.800
<v Speaker 1>acid and they basically did their own pretty much improv

0:22:56.080 --> 0:22:59.800
<v Speaker 1>musical that sucked, but the fact that they were doing

0:22:59.840 --> 0:23:03.040
<v Speaker 1>it in drag made real the real drag community and

0:23:03.640 --> 0:23:05.320
<v Speaker 1>I may be wrong, but I have the impression they

0:23:05.320 --> 0:23:08.800
<v Speaker 1>weren't like representative the real dragon. Whoa this can like

0:23:08.920 --> 0:23:12.080
<v Speaker 1>people are paying attention and people want like a good show,

0:23:12.680 --> 0:23:14.800
<v Speaker 1>So let's give it to him. Give some talent. Yeah,

0:23:14.840 --> 0:23:18.000
<v Speaker 1>and that So that show, that Cockette show was like

0:23:18.240 --> 0:23:20.640
<v Speaker 1>kind of a turning point as far as like, let's

0:23:20.680 --> 0:23:23.040
<v Speaker 1>do this right. If you're gonna dress up like a woman,

0:23:23.440 --> 0:23:25.200
<v Speaker 1>do it right. Yeah. And if you've ever been you

0:23:25.200 --> 0:23:27.720
<v Speaker 1>ever been to a drag show, I've seen him before you.

0:23:28.400 --> 0:23:30.399
<v Speaker 1>I've been to a few, and I've been to someones

0:23:30.440 --> 0:23:32.480
<v Speaker 1>that were great, and I've been to someone's that sucked.

0:23:32.800 --> 0:23:37.320
<v Speaker 1>And it's like any other theatrical experience. It's it's like

0:23:37.560 --> 0:23:40.480
<v Speaker 1>it makes a huge difference. If it's bad, it's real bad,

0:23:41.119 --> 0:23:43.200
<v Speaker 1>you know. Yeah, I mean it's the same. It's like

0:23:43.840 --> 0:23:47.160
<v Speaker 1>it's the same like watching improv or whatever. Like if

0:23:47.200 --> 0:23:50.159
<v Speaker 1>you see people who are really good at improv and

0:23:50.160 --> 0:23:53.480
<v Speaker 1>then you see people who are just trying improv, you

0:23:53.560 --> 0:23:55.960
<v Speaker 1>can't even put in the same thing. It's like it's

0:23:56.040 --> 0:24:00.600
<v Speaker 1>like Dolly Partners at Brown all right. So in order

0:24:00.640 --> 0:24:02.400
<v Speaker 1>to kick it up a notch, they had to start

0:24:02.440 --> 0:24:05.040
<v Speaker 1>taking more care with their appearance. And the first step

0:24:05.080 --> 0:24:08.359
<v Speaker 1>if you're interested in giving this a shot and you're dude,

0:24:08.480 --> 0:24:11.879
<v Speaker 1>is to shave. That's a pretty good first step if

0:24:11.920 --> 0:24:16.480
<v Speaker 1>you're going yeah, yeah, as close as you can get.

0:24:17.280 --> 0:24:20.040
<v Speaker 1>If you're doing camping, you might not necessarily have to shave. Yeah,

0:24:20.080 --> 0:24:21.800
<v Speaker 1>that's true. Like I could get up there with my

0:24:21.880 --> 0:24:25.719
<v Speaker 1>beard and be thoroughly disgusting as a woman, just kind

0:24:25.720 --> 0:24:33.919
<v Speaker 1>of hump there without moving your arms. Um. The next

0:24:33.960 --> 0:24:36.720
<v Speaker 1>thing you need to do is you need to apply

0:24:37.160 --> 0:24:42.560
<v Speaker 1>lots and lots of makeup and a traditionally a tradition

0:24:42.640 --> 0:24:47.200
<v Speaker 1>called beating your face or beating your mug, and that's

0:24:47.200 --> 0:24:48.880
<v Speaker 1>what they call it in the in the drag community.

0:24:49.040 --> 0:24:51.560
<v Speaker 1>That's really like a lot of cosmetics you want to hide,

0:24:51.680 --> 0:24:55.120
<v Speaker 1>like heavy jawlines and stuff like that, and just slather

0:24:55.280 --> 0:24:59.040
<v Speaker 1>it on. Basically, the more the better, depending on what

0:24:59.080 --> 0:25:01.280
<v Speaker 1>you're going for, of course. Well yeah, I mean, if

0:25:01.320 --> 0:25:03.920
<v Speaker 1>you're going like real feminine, you gotta be careful. You

0:25:03.960 --> 0:25:06.160
<v Speaker 1>can just take it on, you have to take some skill.

0:25:06.240 --> 0:25:09.240
<v Speaker 1>I would think that's right. Um. And then the tuck. Yeah,

0:25:09.320 --> 0:25:11.800
<v Speaker 1>the tuck. We talked about the gaff. You can also

0:25:11.920 --> 0:25:15.119
<v Speaker 1>use tape. Um, I guess you could also talk if

0:25:15.160 --> 0:25:17.960
<v Speaker 1>you're just gonna walk like a penguin or whatever all night, yeah,

0:25:18.080 --> 0:25:21.560
<v Speaker 1>or like Buffalo Bill right yeah, or um I think

0:25:21.640 --> 0:25:24.240
<v Speaker 1>a scary movie too. When one of the Wayne's brothers, like,

0:25:24.920 --> 0:25:27.480
<v Speaker 1>there's a shot of like the waist up, he's like,

0:25:27.800 --> 0:25:29.440
<v Speaker 1>he has his arms out like he's showing off a short.

0:25:29.480 --> 0:25:31.280
<v Speaker 1>He's like, what do you guys think, tucked or untucked?

0:25:31.560 --> 0:25:36.040
<v Speaker 1>And then they pan out tucked. That's just likes pressingge ey.

0:25:36.080 --> 0:25:39.440
<v Speaker 1>But it's like, um on tucked. I didn't see those movies.

0:25:39.480 --> 0:25:43.240
<v Speaker 1>That sounds funny though, Oh those were surprisingly funny. Yeah,

0:25:43.880 --> 0:25:45.440
<v Speaker 1>I like the Spoop movie. I just sort of grew

0:25:45.480 --> 0:25:49.200
<v Speaker 1>out of him after Airplane and and uh, the Naked

0:25:49.240 --> 0:25:51.200
<v Speaker 1>Gun movies. I didn't really see a whole lot of

0:25:51.200 --> 0:25:54.720
<v Speaker 1>them after that. They're good, um, at least the first four.

0:25:56.600 --> 0:25:58.760
<v Speaker 1>So after you've done your tucking and you're taping and

0:25:58.880 --> 0:26:02.119
<v Speaker 1>you're all fit down there, um, you might want to

0:26:02.119 --> 0:26:05.800
<v Speaker 1>add some breasts. It's probably a pretty good idea. You

0:26:05.840 --> 0:26:08.760
<v Speaker 1>can add silicone all those they can be expensive. And

0:26:08.800 --> 0:26:12.240
<v Speaker 1>I'm not talking about implants, talking about a silicone implant

0:26:12.280 --> 0:26:14.639
<v Speaker 1>that you would like put in a brazier, right, or

0:26:14.680 --> 0:26:17.680
<v Speaker 1>there's ones that adhere to your body and like like

0:26:17.920 --> 0:26:21.600
<v Speaker 1>your body temperature adheres them to your body and they're

0:26:21.680 --> 0:26:24.040
<v Speaker 1>really well that's what this article says. I don't know,

0:26:24.119 --> 0:26:27.600
<v Speaker 1>it's not like I'm in the fake breasts. I didn't

0:26:27.720 --> 0:26:30.800
<v Speaker 1>notice that part that sounds gross. Yeah, she's saying. Congress

0:26:30.800 --> 0:26:32.800
<v Speaker 1>says that, like these things are like a couple of

0:26:32.920 --> 0:26:35.639
<v Speaker 1>hundred dollars for like the really good ones that are

0:26:35.680 --> 0:26:39.159
<v Speaker 1>really realistic. So I imagine again, if you're going fishy,

0:26:40.240 --> 0:26:43.240
<v Speaker 1>it probably just it takes a lot more time, a

0:26:43.280 --> 0:26:45.920
<v Speaker 1>lot more effort, and a lot more money to to

0:26:46.240 --> 0:26:48.560
<v Speaker 1>be a fishy drag queen, I would say, So it's

0:26:48.560 --> 0:26:50.480
<v Speaker 1>a lot easier just to you know, be campy and

0:26:50.520 --> 0:26:53.320
<v Speaker 1>look funny and uh. And then of course the name

0:26:53.600 --> 0:26:57.800
<v Speaker 1>is a big, big part of the culture. Um generally

0:26:57.880 --> 0:27:01.439
<v Speaker 1>the names are it's sort of like Art Simpson's prank calls,

0:27:02.200 --> 0:27:06.160
<v Speaker 1>you know, like uh, Amanda hugging kiss. Yeah, exactly. Most

0:27:06.200 --> 0:27:09.280
<v Speaker 1>of the names are like that. Um let us yea

0:27:09.400 --> 0:27:11.600
<v Speaker 1>head to let us. I looked up some some of

0:27:11.680 --> 0:27:19.240
<v Speaker 1>my favorites Madam Ovary, good one, uh, Jean Pool, and

0:27:19.320 --> 0:27:20.920
<v Speaker 1>a lot of obviously a lot of times too it's

0:27:20.960 --> 0:27:24.080
<v Speaker 1>toying with the fact of the gender and stuff like that. Uh,

0:27:24.440 --> 0:27:32.520
<v Speaker 1>Wilma balls Drop, good Lord tests tossedone and uh then

0:27:33.040 --> 0:27:35.840
<v Speaker 1>a nice clean one for everyone out there, Della Coateessen.

0:27:36.600 --> 0:27:38.600
<v Speaker 1>That's nice. Those are just a few of the funny ones.

0:27:38.720 --> 0:27:41.240
<v Speaker 1>That's like a throwback to the vaudeville and drag drag

0:27:41.600 --> 0:27:45.120
<v Speaker 1>shows were family friendly. That's right, good clean point um

0:27:45.640 --> 0:27:51.560
<v Speaker 1>still get clean fun delicates Wilma balls Drop. But the

0:27:51.680 --> 0:27:52.920
<v Speaker 1>name is a big part of it. You know, coming

0:27:52.960 --> 0:27:55.000
<v Speaker 1>up with a great name can really like that just

0:27:55.119 --> 0:27:57.520
<v Speaker 1>kicks it off, right, because when you're announced, if it's

0:27:57.560 --> 0:27:59.879
<v Speaker 1>a great name, the audiences tickled from the very beginning.

0:28:00.200 --> 0:28:01.840
<v Speaker 1>If it's a bad name, they're like, oh God, what's

0:28:01.840 --> 0:28:04.120
<v Speaker 1>this gonna be? Right? Yeah, so what are you doing

0:28:04.160 --> 0:28:07.760
<v Speaker 1>this for? Chuck? Well, there's all different kinds of things. Um,

0:28:08.320 --> 0:28:11.160
<v Speaker 1>A regular drag performance that I've been to is either

0:28:11.240 --> 0:28:15.159
<v Speaker 1>lip sinking or actually performing like karaoke style on stage,

0:28:15.320 --> 0:28:18.000
<v Speaker 1>one after another, and there's usually an m C and

0:28:18.119 --> 0:28:20.680
<v Speaker 1>drag handling the whole show, right, and it's basically like

0:28:20.840 --> 0:28:24.600
<v Speaker 1>just you know, stage performance singing. But they can also

0:28:24.720 --> 0:28:30.040
<v Speaker 1>like get real gigs well yeah, or um being I

0:28:30.119 --> 0:28:33.359
<v Speaker 1>guess kind of a party promoter, just kind of circulating

0:28:33.400 --> 0:28:36.680
<v Speaker 1>around a party, like keeping everything light. What's more fun

0:28:36.800 --> 0:28:38.560
<v Speaker 1>than hiring a drag queen to come to your party

0:28:38.600 --> 0:28:40.600
<v Speaker 1>and just kind of lighting things up. I think that's

0:28:40.600 --> 0:28:42.880
<v Speaker 1>a great idea, you know. Yeah, As Rue Paul said,

0:28:42.920 --> 0:28:45.600
<v Speaker 1>the whole point is to not take life too seriously exactly.

0:28:45.680 --> 0:28:47.360
<v Speaker 1>So when you have somebody dress as a woman not

0:28:47.520 --> 0:28:50.760
<v Speaker 1>taking life too seriously, your guests are probably going to

0:28:50.880 --> 0:28:53.560
<v Speaker 1>lighten up a little bit too. If you have like

0:28:53.720 --> 0:29:00.480
<v Speaker 1>somebody wandering around saying I'm head a lettuce, right, you know? Yeah? Yeah, um.

0:29:00.760 --> 0:29:04.200
<v Speaker 1>And then we can't not mention Australia because for some reason,

0:29:04.280 --> 0:29:08.800
<v Speaker 1>even though Australia is the center of masculinity on the planet,

0:29:09.520 --> 0:29:14.160
<v Speaker 1>it's rife with drag queens thanks to a particular movie.

0:29:14.600 --> 0:29:16.520
<v Speaker 1>Is it because of that or was that already a

0:29:16.600 --> 0:29:19.480
<v Speaker 1>thing and they just highlighted that. I wonder I took

0:29:19.520 --> 0:29:22.200
<v Speaker 1>it that it was the that the movie was its

0:29:22.280 --> 0:29:25.840
<v Speaker 1>own thing, just created this huge cult following that has

0:29:25.880 --> 0:29:29.440
<v Speaker 1>basically put Australia on the map. Priscilla Queen of the Desert,

0:29:29.480 --> 0:29:32.360
<v Speaker 1>of course, is the movie. Yeah but you've seen right, Yeah, yeah,

0:29:32.480 --> 0:29:34.280
<v Speaker 1>it's a good movie. Yeah, very good movie. And I

0:29:34.360 --> 0:29:36.960
<v Speaker 1>can't I've seen parts of like too Wong food, Thanks

0:29:37.040 --> 0:29:41.080
<v Speaker 1>for everything to I never saw that one. Something about Swayzy.

0:29:41.120 --> 0:29:43.960
<v Speaker 1>I just couldn't get sway Wesley Snipes. Yeah, like Guy Piers,

0:29:44.240 --> 0:29:48.200
<v Speaker 1>perfect swazy, Holy cow. Guy Pierce is one of the

0:29:48.280 --> 0:29:50.520
<v Speaker 1>ones in Psilic Queen of the Desert. I didn't know that.

0:29:50.640 --> 0:29:53.320
<v Speaker 1>Who was anybody else that is the star? Now? Well? Yeah,

0:29:53.440 --> 0:29:56.720
<v Speaker 1>it was definitely Guy Piers and Hugo Weaving from The Matrix,

0:29:57.200 --> 0:30:00.520
<v Speaker 1>Oh yeah wow Mr Anderson, Yeah, actually he was a

0:30:00.600 --> 0:30:03.680
<v Speaker 1>Mr Anderson, he was whatever his name was. And then

0:30:03.840 --> 0:30:06.720
<v Speaker 1>Terence Stamp of course, a legendary Terence Stamp. And it

0:30:06.840 --> 0:30:09.280
<v Speaker 1>was the Adventures of Priscilla, Queen in the Desert. So

0:30:09.320 --> 0:30:11.680
<v Speaker 1>if you're looking for it on Netflix or whatever, you

0:30:11.720 --> 0:30:14.360
<v Speaker 1>should watch it. It's a fun movie. And Terence Stamp

0:30:14.400 --> 0:30:18.000
<v Speaker 1>and dragons like that's something else. He's the LIMI you know, right.

0:30:18.520 --> 0:30:20.720
<v Speaker 1>So ultimately, what you're trying to do is get a

0:30:21.280 --> 0:30:25.320
<v Speaker 1>job in a movie about drag queens or to become RuPaul.

0:30:25.920 --> 0:30:28.400
<v Speaker 1>That's true. And they have apparently a show last year

0:30:28.520 --> 0:30:32.080
<v Speaker 1>in Australia reality show where they're drag queens are taking

0:30:32.160 --> 0:30:34.800
<v Speaker 1>that same journey that they did in the movie, and

0:30:34.920 --> 0:30:38.080
<v Speaker 1>it's on TV now apparently, though there's not a lot

0:30:38.120 --> 0:30:40.320
<v Speaker 1>of money. I think you do it for the love,

0:30:40.520 --> 0:30:43.120
<v Speaker 1>for the adoration. Of course, there was a study of

0:30:43.200 --> 0:30:45.520
<v Speaker 1>drag queens down in Key West, which is like drag

0:30:45.600 --> 0:30:49.880
<v Speaker 1>Queens Central. If you've ever watched CNN's New Year's Eve broadcast,

0:30:52.000 --> 0:30:54.400
<v Speaker 1>it's like all drag queens down there. It's crazy. Yeah,

0:30:54.720 --> 0:30:56.800
<v Speaker 1>and then they dropped like a drag queen in a

0:30:56.920 --> 0:30:59.080
<v Speaker 1>giant high heel, I think is what they do really

0:30:59.240 --> 0:31:02.720
<v Speaker 1>instead of like that they um. But they did a

0:31:02.760 --> 0:31:05.000
<v Speaker 1>study of drag queen's down in Key West and they

0:31:05.440 --> 0:31:08.320
<v Speaker 1>they averaged about two hundred bucks a week. So they're

0:31:08.360 --> 0:31:10.520
<v Speaker 1>doing it for the love. People tip them. Yeah, and

0:31:10.600 --> 0:31:14.120
<v Speaker 1>I think probably every drag queen out there spends way

0:31:14.200 --> 0:31:17.480
<v Speaker 1>more money than they're making, you know, hosting and doing

0:31:17.560 --> 0:31:21.600
<v Speaker 1>gigs like that. So we mentioned Rue Paul, Yeah, we

0:31:21.640 --> 0:31:25.920
<v Speaker 1>did not mention May West. No, Well, she apparently took

0:31:26.000 --> 0:31:31.640
<v Speaker 1>a She based her character or her persona on a

0:31:31.800 --> 0:31:37.920
<v Speaker 1>drag queen named Bert Savoy Okay born Everett Mackenzie. So

0:31:38.000 --> 0:31:39.920
<v Speaker 1>that's weird. Here's drag queen, but he changed his name

0:31:39.960 --> 0:31:45.640
<v Speaker 1>to another male name. Anyway. Um, he had a very

0:31:45.760 --> 0:31:49.400
<v Speaker 1>familiar catchphrase, you must come over, and she took that

0:31:49.480 --> 0:31:51.560
<v Speaker 1>and turned it into come up some time and see

0:31:51.640 --> 0:31:54.640
<v Speaker 1>me and people out there going no jokes, just noted

0:31:54.640 --> 0:31:56.480
<v Speaker 1>it's why don't you come up and see me sometime? Yeah,

0:31:56.520 --> 0:32:00.520
<v Speaker 1>you're wrong. Yeah, that's a misquote. Yeah. And similarly, Eastwood

0:32:00.600 --> 0:32:05.480
<v Speaker 1>based his throaty voice on Marilyn Monroe. Shut up, swear

0:32:05.560 --> 0:32:07.720
<v Speaker 1>to god, what do you mean his throaty voice? He

0:32:07.800 --> 0:32:09.920
<v Speaker 1>based it on her. He didn't really talk like that.

0:32:10.160 --> 0:32:18.720
<v Speaker 1>He that's like he talked like the generic teenage cash

0:32:18.800 --> 0:32:23.640
<v Speaker 1>here from the Simpsons. No, he he said, as far

0:32:23.680 --> 0:32:27.320
<v Speaker 1>as Uncle John's bathroom reader, his voice on Marilyn Monroe.

0:32:27.440 --> 0:32:30.240
<v Speaker 1>Yeah that he said that crazy. All right, Should we

0:32:30.280 --> 0:32:34.400
<v Speaker 1>mention a few of these famous drag queens. Yes, Danny LaRue.

0:32:35.400 --> 0:32:37.680
<v Speaker 1>If you're in England and you're not into Eddie Wizard,

0:32:37.840 --> 0:32:40.320
<v Speaker 1>then Danny LaRue is probably your guy, or at least

0:32:40.800 --> 0:32:43.840
<v Speaker 1>until two thousand nine when he sadly passed away. Yeah,

0:32:43.920 --> 0:32:45.880
<v Speaker 1>but he was big back in the day and like

0:32:45.960 --> 0:32:49.120
<v Speaker 1>the fifties, sixties, seventies, Yeah, Yeah, earned a lot of money.

0:32:49.760 --> 0:32:54.800
<v Speaker 1>Doris Fish neither Australian huh um, who moved to San

0:32:54.840 --> 0:32:59.000
<v Speaker 1>Francisco and wrote and starred in the film Vegas and Space.

0:32:59.080 --> 0:33:02.800
<v Speaker 1>Have you seen that of you? Cult film? Apparently not

0:33:02.920 --> 0:33:07.080
<v Speaker 1>about cults. It's just like has a cult following. Uh

0:33:07.280 --> 0:33:11.120
<v Speaker 1>and sadly he died of aids in Divine of Course.

0:33:11.200 --> 0:33:14.080
<v Speaker 1>Anyone who's a John Waters fan, or should we say

0:33:14.280 --> 0:33:18.280
<v Speaker 1>a Harris Millstead fan? I didn't know that wasn't his

0:33:18.360 --> 0:33:22.560
<v Speaker 1>real name, Harris Glenn Milstead. I didn't either, Um. Divine

0:33:22.760 --> 0:33:25.560
<v Speaker 1>was John Waters one of his favorite people to put

0:33:25.600 --> 0:33:27.880
<v Speaker 1>in his films and did some kind of gross things

0:33:27.920 --> 0:33:30.720
<v Speaker 1>in earlier movies like Pink Flamingos. What what did she

0:33:30.880 --> 0:33:34.400
<v Speaker 1>do with dog poop? I ate it? I believe I'm

0:33:34.400 --> 0:33:38.320
<v Speaker 1>not mistaken. But Divine of course made her biggest role

0:33:38.400 --> 0:33:42.440
<v Speaker 1>in Hair Spray as Edna Turnball turned Blad and that's

0:33:42.480 --> 0:33:46.640
<v Speaker 1>who Chon Travolta played in the musical version. I didn't

0:33:46.680 --> 0:33:49.360
<v Speaker 1>know that. Did you ever see it? No? It's an abomination?

0:33:49.680 --> 0:33:51.840
<v Speaker 1>Is it? Really? It's pretty bad? Where did you see it?

0:33:52.880 --> 0:33:56.560
<v Speaker 1>It's a movie, you know? Oh? Yeah? They did Hair

0:33:56.800 --> 0:33:58.840
<v Speaker 1>Spray on Broadway and then they turned the Broadway show

0:33:58.840 --> 0:34:01.120
<v Speaker 1>into a musical and bold to start in the movie

0:34:01.240 --> 0:34:06.000
<v Speaker 1>version of the musical. Okay, but wait where did Divine

0:34:06.080 --> 0:34:10.200
<v Speaker 1>star in the movie? Right? Hairspray the original Hairspray before

0:34:10.239 --> 0:34:11.959
<v Speaker 1>it was a Broadway music So they did a movie,

0:34:12.200 --> 0:34:14.160
<v Speaker 1>turned it into a musical, and then turned the musical

0:34:14.239 --> 0:34:17.959
<v Speaker 1>into a movie. Yes, and his mind bending very much.

0:34:18.880 --> 0:34:22.920
<v Speaker 1>There's Dame Edna. Not a fan? Oh no, now are

0:34:22.960 --> 0:34:27.400
<v Speaker 1>you thought she was pleasant? Uh? Yeah, I'm not a

0:34:27.440 --> 0:34:29.279
<v Speaker 1>big fan, but that is definitely one of the more

0:34:29.360 --> 0:34:34.680
<v Speaker 1>famous and I think who played him, Barry Humphreys, another Australian. Yeah,

0:34:34.719 --> 0:34:37.120
<v Speaker 1>but wasn't he also keen to say like I'm not

0:34:37.239 --> 0:34:40.320
<v Speaker 1>a drag queen. Yeah, she was a character that he

0:34:40.560 --> 0:34:45.480
<v Speaker 1>played and he didn't consider it like drag um. And

0:34:45.680 --> 0:34:49.200
<v Speaker 1>she's retired wolf all right, I just showed Josh a

0:34:49.239 --> 0:34:52.080
<v Speaker 1>pig Church revolta in that movie. She's uh, why had

0:34:52.200 --> 0:34:57.160
<v Speaker 1>stopped that? She's she's retired As of two twelve, there's

0:34:57.440 --> 0:35:02.120
<v Speaker 1>Dame Edna has moved off to Florida. I guess, all right,

0:35:02.440 --> 0:35:06.920
<v Speaker 1>anyone else Lady Bunny, who's Lady Bunny? Lady Bunny is

0:35:07.200 --> 0:35:11.040
<v Speaker 1>uh Jill of all trades Congress, says a multi talented comedian,

0:35:11.120 --> 0:35:15.560
<v Speaker 1>DJ and actress. She um founded Wigstock. Oh I've heard

0:35:15.600 --> 0:35:17.480
<v Speaker 1>a wig Stock. See here's a picture of Lady Bunny

0:35:17.480 --> 0:35:20.399
<v Speaker 1>and she's got a huge wig, which is awesome. Yeah yeah, yeah,

0:35:20.440 --> 0:35:23.319
<v Speaker 1>no Wigstock's and Wigstock is no longer either. That ran

0:35:23.680 --> 0:35:28.359
<v Speaker 1>for about a decade I'm sorry, two decades. Five Yeah,

0:35:28.440 --> 0:35:31.960
<v Speaker 1>right on the nose. So that's drag queens. Go see

0:35:31.960 --> 0:35:33.600
<v Speaker 1>a drag show if you've never done. If you're visiting

0:35:33.640 --> 0:35:36.080
<v Speaker 1>New York in the big city, you've never been, and

0:35:36.200 --> 0:35:40.480
<v Speaker 1>you're from oh, I don't know, Kansas. You don't even

0:35:40.520 --> 0:35:42.800
<v Speaker 1>know you're going to New York. Man, Like, sure, the

0:35:42.880 --> 0:35:45.160
<v Speaker 1>drag show I went to is in Savannah. That's a

0:35:45.360 --> 0:35:47.839
<v Speaker 1>huge dragtown. Yeah yeah, yeah, but I'm just staying. If

0:35:47.840 --> 0:35:49.520
<v Speaker 1>you're busy, if you're visiting the big city for the

0:35:49.560 --> 0:35:53.440
<v Speaker 1>first time, go check out a drag show. Be open minded,

0:35:53.920 --> 0:35:57.600
<v Speaker 1>have some fun, have a drink, and it's it's a

0:35:57.640 --> 0:35:59.960
<v Speaker 1>good time. Yeah. I mean, that's why we didn't really

0:36:00.080 --> 0:36:02.239
<v Speaker 1>describe them much, because you kind of got to see

0:36:02.320 --> 0:36:03.799
<v Speaker 1>him for yourself. Well, and you never know what you're

0:36:03.800 --> 0:36:06.239
<v Speaker 1>gonna get. It could be terrible or it could be

0:36:06.320 --> 0:36:09.560
<v Speaker 1>great exactly. Yeah. Uh. If you want to learn more

0:36:09.600 --> 0:36:11.800
<v Speaker 1>about drag queens, you can type those words into the

0:36:11.840 --> 0:36:14.799
<v Speaker 1>search bar at how stuff works dot com. And uh,

0:36:14.920 --> 0:36:17.040
<v Speaker 1>since I said drag queens, that means it's time for

0:36:17.080 --> 0:36:26.759
<v Speaker 1>a message break. Now it's time for listening. Now good,

0:36:26.840 --> 0:36:30.160
<v Speaker 1>because we're actually going to give advice to this kid. Okay,

0:36:31.040 --> 0:36:33.200
<v Speaker 1>it should be good good advice or I don't know,

0:36:33.280 --> 0:36:35.759
<v Speaker 1>we'll see. I think we should just wing it. Hey,

0:36:35.840 --> 0:36:38.000
<v Speaker 1>guys and Jerry. First off, I'm a huge fan and

0:36:38.320 --> 0:36:41.880
<v Speaker 1>um about to graduate after five long years at the

0:36:41.960 --> 0:36:47.680
<v Speaker 1>University of Washington in Seattle. Go Huskers, Huskies. Yeah. Um.

0:36:47.840 --> 0:36:50.080
<v Speaker 1>Instead of getting a degree in something practical that would

0:36:50.080 --> 0:36:52.520
<v Speaker 1>set me up for a great job like business or engineering,

0:36:52.840 --> 0:36:55.040
<v Speaker 1>I follow my interest, which I think is great by

0:36:55.080 --> 0:36:57.560
<v Speaker 1>the way, and I will be getting a b A

0:36:57.719 --> 0:37:00.400
<v Speaker 1>in Spanish and a b s. In astronomy and physics.

0:37:01.760 --> 0:37:03.680
<v Speaker 1>That being said, guys, I'm about to graduate in five

0:37:03.719 --> 0:37:05.400
<v Speaker 1>weeks and I really have nothing lined up for When

0:37:05.440 --> 0:37:07.680
<v Speaker 1>I entered the quote real world, can you send me

0:37:07.760 --> 0:37:09.960
<v Speaker 1>some money. I know I want to go back to

0:37:10.000 --> 0:37:12.920
<v Speaker 1>school eventually for something involving education, but I was curious

0:37:13.000 --> 0:37:15.279
<v Speaker 1>if you have any suggestions or advice of what I

0:37:15.320 --> 0:37:17.960
<v Speaker 1>should do in the meantime, I'm a little stressed about it,

0:37:18.000 --> 0:37:19.759
<v Speaker 1>to be honest, So I thought I would turn to

0:37:19.920 --> 0:37:22.640
<v Speaker 1>the duo that never leads me astray. And this is

0:37:22.800 --> 0:37:27.240
<v Speaker 1>owen Ah and he says it's pronounced something like capus.

0:37:28.600 --> 0:37:30.879
<v Speaker 1>I want to say, owen capis, but it just felt

0:37:30.960 --> 0:37:33.000
<v Speaker 1>this has got a lot of consonants in it. Let

0:37:33.040 --> 0:37:38.720
<v Speaker 1>me see. Jeez, Yeah, so that's kepis apparently, so owen

0:37:39.000 --> 0:37:41.239
<v Speaker 1>um advice. Of course. The first thing I'm gonna say

0:37:41.320 --> 0:37:44.759
<v Speaker 1>is travel, and probably Josh too, because it's always good

0:37:45.000 --> 0:37:47.200
<v Speaker 1>after you finish college to get out there and see

0:37:47.200 --> 0:37:48.880
<v Speaker 1>a little bit of the world, because it might inform

0:37:49.560 --> 0:37:51.840
<v Speaker 1>your decisions in life. You might open you up to

0:37:51.920 --> 0:37:56.880
<v Speaker 1>something you might want to do. I have some job advice, okay,

0:37:57.080 --> 0:38:01.239
<v Speaker 1>I would say, just like college, follow you or passions.

0:38:01.960 --> 0:38:04.480
<v Speaker 1>So if you find if you think about it, like wow,

0:38:04.560 --> 0:38:08.720
<v Speaker 1>I really really am hardcore into Spanish, figure out something

0:38:08.960 --> 0:38:12.040
<v Speaker 1>to use that, some way to use that. Or astronomy.

0:38:12.520 --> 0:38:15.279
<v Speaker 1>It's pretty narrow use of that, but you never know,

0:38:15.480 --> 0:38:19.160
<v Speaker 1>like if you, uh, there could be a company out

0:38:19.200 --> 0:38:22.480
<v Speaker 1>there that loves employing astronomers. Just has him sit around

0:38:22.520 --> 0:38:25.480
<v Speaker 1>all day in about astronomy. If he's into education, eventually

0:38:25.640 --> 0:38:28.359
<v Speaker 1>you could go get a job at a science center. Yeah,

0:38:28.640 --> 0:38:32.160
<v Speaker 1>and uh work with a big telescope and a planetarium

0:38:32.239 --> 0:38:36.239
<v Speaker 1>and to like and entertain school children. But if you're

0:38:36.239 --> 0:38:39.279
<v Speaker 1>studying Spain, dude, and you have some time Spanish, I

0:38:39.320 --> 0:38:41.960
<v Speaker 1>would say, go to Spain. Sure, get a ticket, go

0:38:42.080 --> 0:38:47.000
<v Speaker 1>to Spain. Check things out. Falling love might decide on

0:38:47.040 --> 0:38:49.480
<v Speaker 1>a job. You might just eat some good pie and

0:38:49.560 --> 0:38:51.879
<v Speaker 1>have a good time and go home and be broke.

0:38:53.040 --> 0:38:55.879
<v Speaker 1>I say, get a job, hippie, but make sure it's

0:38:55.880 --> 0:38:58.319
<v Speaker 1>a job you love. Yeah. I mean that's the point

0:38:58.400 --> 0:39:00.279
<v Speaker 1>to me. It's like that's what we both did. We

0:39:00.360 --> 0:39:02.640
<v Speaker 1>figured out what we loved and wed hard laid them

0:39:02.680 --> 0:39:04.680
<v Speaker 1>into jobs. You know, yeah later in life as well.

0:39:04.760 --> 0:39:06.759
<v Speaker 1>So kids, you don't have to um, you don't have

0:39:06.840 --> 0:39:10.439
<v Speaker 1>to have it all locked down right after graduation. Yeah.

0:39:10.680 --> 0:39:13.200
<v Speaker 1>And also Owen. One thing that I've learned is that

0:39:13.360 --> 0:39:17.480
<v Speaker 1>you don't you almost never use the actual degree that

0:39:17.640 --> 0:39:21.800
<v Speaker 1>you major the like, it's almost never applied to the

0:39:21.880 --> 0:39:24.840
<v Speaker 1>actual job you get. I don't know, I'll think about this.

0:39:24.960 --> 0:39:27.479
<v Speaker 1>I'm an English major, right, I was a history major.

0:39:27.640 --> 0:39:31.319
<v Speaker 1>That's nothing to do with my job at the time,

0:39:32.360 --> 0:39:36.040
<v Speaker 1>hired as writers. Right, yeah, okay, I see your point.

0:39:36.120 --> 0:39:38.360
<v Speaker 1>But so like, there was a guy I can't remember

0:39:38.600 --> 0:39:43.200
<v Speaker 1>who was the NBC chief that Seinfeld used to like mock.

0:39:43.280 --> 0:39:45.920
<v Speaker 1>He actually um became like a character when they were

0:39:45.960 --> 0:39:48.760
<v Speaker 1>trying to sell the TV fell in love with Elane.

0:39:49.480 --> 0:39:51.880
<v Speaker 1>That's a real guy. And he actually was like the

0:39:51.960 --> 0:39:54.880
<v Speaker 1>head of NBC for a while. Yeah, and like NBC's

0:39:54.920 --> 0:39:57.360
<v Speaker 1>hey day, he did a beautiful job of like picking

0:39:57.440 --> 0:39:59.759
<v Speaker 1>shows and stick him with them and steering him. And

0:40:00.200 --> 0:40:02.560
<v Speaker 1>that was when NBC was dominating. He had a degree

0:40:02.640 --> 0:40:05.439
<v Speaker 1>in psychology that had nothing to do with it. Yeah,

0:40:05.480 --> 0:40:08.000
<v Speaker 1>but don't you think psychology helped him with dealing with

0:40:08.800 --> 0:40:12.520
<v Speaker 1>you know, high powered people And no, I'll tell you what.

0:40:12.840 --> 0:40:16.120
<v Speaker 1>What did it? He was doing what he loved and

0:40:16.320 --> 0:40:18.520
<v Speaker 1>hence what he was good at. And if you do

0:40:18.680 --> 0:40:22.280
<v Speaker 1>that you will always succeed. Well, you know what, unless

0:40:22.280 --> 0:40:26.120
<v Speaker 1>you're a philosophy major. You sold me all right, So

0:40:26.200 --> 0:40:31.120
<v Speaker 1>that was from Owen. Thanks for that. You're awesome. Let

0:40:31.200 --> 0:40:33.640
<v Speaker 1>us know what you do. Like follow up, I'd like

0:40:33.680 --> 0:40:36.600
<v Speaker 1>to know, Owen. Yeah, if you go to Spain, they'd

0:40:36.600 --> 0:40:38.040
<v Speaker 1>like to hear about it. Or if you get a job,

0:40:38.120 --> 0:40:41.160
<v Speaker 1>I want to hear about it. All right, how old

0:40:41.280 --> 0:40:45.000
<v Speaker 1>is he? H? Five years so it's probably like three yeah,

0:40:45.040 --> 0:40:47.879
<v Speaker 1>probably somewhere in there. Whatever you do, Owen, good luck.

0:40:48.800 --> 0:40:52.560
<v Speaker 1>But if he's like he didn't be failed to mention

0:40:52.640 --> 0:40:54.880
<v Speaker 1>that I got a late start. I worked in a

0:40:54.920 --> 0:41:00.480
<v Speaker 1>factory for twenty years. You don't go travels Spain. Yes, uh,

0:41:00.719 --> 0:41:03.200
<v Speaker 1>if you want some advice for me and Chuck Man,

0:41:03.280 --> 0:41:05.680
<v Speaker 1>it's gonna open a floodgate, I think, Chuck Sure. You

0:41:05.800 --> 0:41:09.400
<v Speaker 1>can tweet short questions to us s y s K podcast.

0:41:09.960 --> 0:41:12.160
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0:41:12.160 --> 0:41:14.960
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0:41:15.160 --> 0:41:18.800
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0:41:18.880 --> 0:41:21.879
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0:41:21.960 --> 0:41:27.320
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0:41:27.480 --> 0:41:30.000
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0:41:30.000 --> 0:41:34.800
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