WEBVTT - You Think it’s Weird (S4 E8 "Die, Jerk”)

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<v Speaker 1>I am all in. Hello, that's you. I am all

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<v Speaker 1>in with Scott Patterson and I Heart Radio Podcast. Hi everybody,

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<v Speaker 1>Scott Patterson, I am all in Podcast, Season four, Episode

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<v Speaker 1>A Died Jerk, and I am joined by my intrepid crew,

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<v Speaker 1>well almost all of them. Tara's missing today. Yeah. Wait,

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<v Speaker 1>Tara's on vacation race. She own assignment in but I'm been.

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<v Speaker 1>She's on Hill Morris, She's on Stars Hollow assignment. But Janiel,

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<v Speaker 1>where is Tara? She's a Disney World disney World. She's

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<v Speaker 1>a trader. He loves Disney. Wow. I think the rides

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<v Speaker 1>on our show are even more fun, don't you think?

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<v Speaker 1>Daniel Romo? Hello, Hello, baby sugarman. Hello chugging? What are

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<v Speaker 1>you chugging? There? Chugging? And minerals and um apparently Amy

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<v Speaker 1>has a big fat surprise. Guys. Ready, you're ready, I'm

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<v Speaker 1>I'm dying to know what it is. First of all,

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<v Speaker 1>I have to thank everyone who wrote in to help

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<v Speaker 1>me with this surprise. I know what it is. Help

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<v Speaker 1>you with the surprise. Get ready? Yeah? I found Malamar's.

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<v Speaker 1>I've never had one? Are they good? Well? I I

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<v Speaker 1>waited for you, guys. I haven't even one, can I

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<v Speaker 1>try one that says, Okay, I'm just gonna say because

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<v Speaker 1>I am trying to, you know, get holiday ready. So

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<v Speaker 1>a hundred and twenty calories for two cookies, so I'm

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<v Speaker 1>just gonna have one. They look amazing, you guys, they

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<v Speaker 1>look actually amazing. So just for anyone thing. I found

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<v Speaker 1>him at Target. I had to get them shipped though,

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<v Speaker 1>like they didn't have them my target, my local target.

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<v Speaker 1>You know what. They kind of they kind of remind

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<v Speaker 1>me of Girl Scout Cookies a little bit. So it's

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<v Speaker 1>the packaging while experience a cookie box, and then they're

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<v Speaker 1>wrapped in plastic, which I love because I loved knowing

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<v Speaker 1>things are the Girl Scout Cookies come wrapped in plastic?

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<v Speaker 1>I don't think so. No, they have the tag along

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<v Speaker 1>come like that. Amy, Yeah, okay, I know my Girl

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<v Speaker 1>Scout cookies. Let me tell you. Oh oh, there's sort

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<v Speaker 1>of a softness, a surprising softness. Okay, so they're a

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<v Speaker 1>little squashy. Okay, so I'm gonna gonna eat one. Oh

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<v Speaker 1>my god, drum roll now, I wish I remembered which

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<v Speaker 1>episode had all the malamar mentions. Took a minute. Okay,

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<v Speaker 1>Oh my god, Oh my god, holy they're excellent, so

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<v Speaker 1>tell us about it. What are you experiencing? I would

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<v Speaker 1>compare them to what I love a s'more bar, because

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<v Speaker 1>they had chocolate. There's like a marshmallowy thing. There's almost

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<v Speaker 1>like crumbly Graham crackers in there. Killing me right now?

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<v Speaker 1>Stuff anymore? Yes, you can't, I can't know. There's only

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<v Speaker 1>sixty calories in this sixty calories? Are you gonna send

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<v Speaker 1>me a box? What's going on? We got boxes coming?

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<v Speaker 1>I know. I like how Aby sent herself a box

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<v Speaker 1>but failed to send us one. That's so true. Okay,

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<v Speaker 1>I probably recommend hitting your targets and that's oh no,

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<v Speaker 1>wonder they named it that hit your target, Hit your target,

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<v Speaker 1>and order these. They're great. They're really really great. They're

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<v Speaker 1>made by an Abisco. They're they're great. And is there

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<v Speaker 1>a rhyme and reason too? Why it's only in the

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<v Speaker 1>fall and not year round? I would love to know

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<v Speaker 1>this is this is like this? Well, s'mores are sort

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<v Speaker 1>of campfire e right, so it's that could be all

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<v Speaker 1>seasons winter right there? Winter, but that's a summer treat.

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<v Speaker 1>That's a fourth of July treat. If I've ever tasted one? Yeah, oh,

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<v Speaker 1>pardon me, I need to silence my phone. It's my

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<v Speaker 1>first day out of bed. Did you get sick? I

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<v Speaker 1>got sick. Yeah, you get the same. Everyone has a cold,

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<v Speaker 1>so I was like night love. Everyone has it. I

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<v Speaker 1>love taking the night quill. Literally, it's because all the

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<v Speaker 1>kids are back in school, just spreading their Germans random

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<v Speaker 1>and all the kids went to Harry Styles and poor

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<v Speaker 1>Harry Styles is sick. Everyone's everybody. Literally, one of my

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<v Speaker 1>friends kids class had half the class out. Yeah. My

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<v Speaker 1>first is my first day up and around and sort

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<v Speaker 1>of like doing stuff, you know, welcome back to life.

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<v Speaker 1>Thank you. You sound pretty good. I mean I can

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<v Speaker 1>get a little. I might. I might. I might have

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<v Speaker 1>to hit the gym later. I don't know. I'm thinking

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<v Speaker 1>about it. I think that sounds terrible. I know it does.

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<v Speaker 1>I'd rather just go back to bed. No, it's good

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<v Speaker 1>to sweat it out. You'll feel way better after. You

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<v Speaker 1>should eat some soup. Oh I've been eating chicken soup. Yeah. Yeah,

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<v Speaker 1>actually works starving it up. Did you give it to

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<v Speaker 1>your wife too? No, I tried. She wouldn't let me. Well,

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<v Speaker 1>I mean it was I was gone the whole weekend,

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<v Speaker 1>so you know, I came home and I was like,

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<v Speaker 1>oh my god, I'm sick and I don't care. Right,

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<v Speaker 1>Oh my god, Okay, I'm ready, all right, Danielle synopsizes,

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<v Speaker 1>all right, this is season four, episode eight, Died Jerk

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<v Speaker 1>air date in November eleven, two thousand three. Rory is

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<v Speaker 1>learning how to become an opinion writer for the Yale

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<v Speaker 1>Daily News by reviewing a ballet show. David Lane's relationship

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<v Speaker 1>makes a return, sort of. Lorelie is surprised by the

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<v Speaker 1>news of Nicole and Luke. Meanwhile, Jason, a k digger,

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<v Speaker 1>gets a reluctant invite to Friday night dinner with Emily

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<v Speaker 1>and Richard. I know we're gonna get to it. Nothing

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<v Speaker 1>was more unhinged or oh my god, unhinged, absolutely unhinged

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<v Speaker 1>when she realizes Nicole is back at the diner and

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<v Speaker 1>she just yeah, I literally wrote on my notes, oh

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<v Speaker 1>my god, oh my god, that was bad. That was

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<v Speaker 1>so epic to what we'll get to that. Okay, Scott,

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<v Speaker 1>what do you think? I thoroughly enjoyed this episode. I'm

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<v Speaker 1>not saying it was like a top ten episode so

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<v Speaker 1>you've seen, yeah, but I think it was pretty darn good. Um. Yeah,

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<v Speaker 1>I like the opening. Uhm, it's got some nice new

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<v Speaker 1>blood in there. You've got some digger blood. You've got

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<v Speaker 1>some You've got some what's his name, Danny, Danny, Yeah,

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<v Speaker 1>Danny Strong in there. You've got some some new stuff popping.

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<v Speaker 1>So I like that, you know. And there's things going

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<v Speaker 1>on at Yale now it feels really full and she's

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<v Speaker 1>really settled in and um, I don't know. You know,

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<v Speaker 1>you've got the Luke stuff going on, and then of

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<v Speaker 1>course you got to throw a Nicole complication in there.

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<v Speaker 1>Everything's sort of heading in one direction and then you

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<v Speaker 1>want to you mentioned there. I have to interrupt you

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<v Speaker 1>for one second. There's a TikTok going around right now

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<v Speaker 1>that is so epic of you and Lauren. And it's

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<v Speaker 1>a blooper scene. It's a scene, Oh god, you're doing

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<v Speaker 1>something in this blooper where she's sort of thanking you

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<v Speaker 1>and she says, that's what I love about you, but

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<v Speaker 1>she says I love you and wrong, right, we're sitting

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<v Speaker 1>we're sitting outside at night on the bench. Yes, and

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<v Speaker 1>then and then and then and then I say, well,

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<v Speaker 1>in that case, the show would be over and something

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<v Speaker 1>like it. It's so good, it's all over TikTok. Really,

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<v Speaker 1>Oh my god, I'm sorry to interrupt, but I just

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<v Speaker 1>made me do you say I love you? And she's like,

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<v Speaker 1>I got long the line wrong and you say something

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<v Speaker 1>funny and then she's like, that would be the end

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<v Speaker 1>of the show. The end of the show. I remember

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<v Speaker 1>that one. Yeah, so good. Anyway back to it. Sorry,

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<v Speaker 1>missed working with her, you know, I miss it. We

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<v Speaker 1>had it, we had fun. Yeah, she's just she's a

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<v Speaker 1>crack up. You know. It's like, yeah, sometimes you gets

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<v Speaker 1>so tired you just couldn't get anything right. Just you

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<v Speaker 1>just you know, you get that you just break and

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<v Speaker 1>you just start laughing. And then when it's clearly night,

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<v Speaker 1>when you're doing it by the middle of the night,

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<v Speaker 1>right right, so you know, the good directors will just

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<v Speaker 1>let you laugh at out because they know they can't

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<v Speaker 1>just stop it. You know. It wasn't a while. Dragon

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<v Speaker 1>Guy's come on, really, let's let's go, you know, and

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<v Speaker 1>it's like you just look at it, like God, just

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<v Speaker 1>just let's let us laugh because it's like there's no

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<v Speaker 1>horses out of the bar. This is like punch. Yeah. Wait.

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<v Speaker 1>I also love lower Lize hair. So she did like

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<v Speaker 1>a thing in this scene where it was almost like

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<v Speaker 1>a half little if you have bangs, it would be

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<v Speaker 1>like if you just pulled back the bangs and just

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<v Speaker 1>put that up, and everything else was down. Great hair,

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<v Speaker 1>great pink sweater with the bird. Oh god. And then

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<v Speaker 1>this Cisco you're chime in Cisco and Ebert like they're

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<v Speaker 1>talking about Atlantic City, and and then Richard gives his

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<v Speaker 1>review and she says something like and Cisco, no Ebert

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<v Speaker 1>because there's Cisco neighbor, right. Um? Yeah. I like the

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<v Speaker 1>opening and it was, you know, it was like it

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<v Speaker 1>was Digger at his best, which is Digger at his

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<v Speaker 1>worst almost if you know what I mean. Absolutely, And

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<v Speaker 1>it's like there's I don't know, Danielle, what was the

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<v Speaker 1>sensation that you were getting when Digger was doing his

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<v Speaker 1>his ploy? Wait, is Digger there yet? I thought we

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<v Speaker 1>haven't gotten to that part. That's not the opening. The

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<v Speaker 1>opening is the opening is then talking about the success

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<v Speaker 1>of Atlantic sid yes, and talking about Yeah, they're talking

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<v Speaker 1>about it, doesn't Digger come in? And later it's at

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<v Speaker 1>the end of the episode. Yeah, but I get why

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<v Speaker 1>you blurred it because it's the opening is all about Digger,

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<v Speaker 1>so you almost feel like I get I get it.

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<v Speaker 1>I thought that jumbles the memory. Wait, did you guys

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<v Speaker 1>are the part when she's like, um, a woman with

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<v Speaker 1>less than a reputable nature? And then was it Rory

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<v Speaker 1>that was like, it's not disrespectful unless it depends what

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<v Speaker 1>you're talking to them about or something like that. And

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<v Speaker 1>I'm just like, oh, no, Belie shops and she's like, off, Dad,

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<v Speaker 1>well I guess you're married, like about a plus A plus.

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<v Speaker 1>It's like Emily's worst nightmare. She even scolded. She even scolded, Rory,

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<v Speaker 1>you're hanging around. It's like that's your mother's influence, isn't it.

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<v Speaker 1>I mean it's just like they're just bagging on each

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<v Speaker 1>other at dinner, trying to keep it classy. It's not happening.

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<v Speaker 1>Was so fancy and it's just a rip fast. There's

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<v Speaker 1>there's a there's a there's a server standing in the

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<v Speaker 1>archway ready to go. Right. They just have to lift

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<v Speaker 1>a finger and she she comes over, you know. I

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<v Speaker 1>mean it's like, yeah, that's fancy, gilmors Man, Okay. And

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<v Speaker 1>then we go to the paper. What do you think

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<v Speaker 1>of all the the paper? Well, you know, a girl

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<v Speaker 1>from a small town, she's in now she's in the

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<v Speaker 1>big city and the big time, you know, and like

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<v Speaker 1>we're talking about Yale, so you know they're putting on

0:12:17.760 --> 0:12:20.280
<v Speaker 1>some productions over there. You've got Yale rap, You've got

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<v Speaker 1>you know, you've got one of the best theater schools

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<v Speaker 1>at that level in the world, right, and so I'm

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<v Speaker 1>sure the dance school is probably you know, top notch

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<v Speaker 1>as well. They've got that's a great point. I wouldn't

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<v Speaker 1>have put on such shitty productions at Yale because you

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<v Speaker 1>know how Rory goes and reviews the ballot is terrible

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<v Speaker 1>and then the end show is terrible. I don't think

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<v Speaker 1>that's Yale is going to have that crappy of shows.

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<v Speaker 1>I don't think they are either. They've got some of

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<v Speaker 1>the finest, you know, actors and the finest talent going

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<v Speaker 1>to that school. It's it's part of the reason they

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<v Speaker 1>got in Funny for the TV show. But I do

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<v Speaker 1>I do love that like Rory is getting challenged though,

0:13:00.400 --> 0:13:02.520
<v Speaker 1>because I feel like we're so used to her doing

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<v Speaker 1>everything right and being the star student and you know whatever,

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<v Speaker 1>and finally she's confronted with, you know, a little criticism

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<v Speaker 1>that her stuff isn't good enough. Right, Well, that was

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<v Speaker 1>right That's the point I was making. She's from this

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<v Speaker 1>little town, she's been really protected, overprotected, and now she's

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<v Speaker 1>in the big city and she's in the she's going

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<v Speaker 1>to have to She's going to have to start throwing

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<v Speaker 1>some punches if she wants to get little fish in

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<v Speaker 1>the big pond. Yeah. Man, Yeah, talent only gets you

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<v Speaker 1>so far. Now you gotta get some attitude. Yeah, good

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<v Speaker 1>pair of stuff in this episode. Flipping through the newspaper

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<v Speaker 1>and and Rory even like, my my article isn't in

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<v Speaker 1>here in Paris is like flipping so fast. It's like, oh,

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<v Speaker 1>thank god mine's in there. If she would I like

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<v Speaker 1>Paris in this episode. You know, I had we had

0:13:54.480 --> 0:13:58.000
<v Speaker 1>a similar assignment in in our high school where in

0:13:58.040 --> 0:14:00.480
<v Speaker 1>our English classway to go review the school play. It

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<v Speaker 1>was a musical and and and the teacher said, you

0:14:04.760 --> 0:14:06.920
<v Speaker 1>can either be John Simon of the New York Times

0:14:07.000 --> 0:14:08.920
<v Speaker 1>or you can be somebody else. So John Simon was

0:14:08.960 --> 0:14:11.520
<v Speaker 1>a serbic, I mean, he was just deadly in his

0:14:11.600 --> 0:14:14.880
<v Speaker 1>criticism and he just sliced people up. And the other

0:14:14.880 --> 0:14:18.880
<v Speaker 1>guy was a little more measured. So when I gave

0:14:18.960 --> 0:14:25.240
<v Speaker 1>my review, he said, obviously you're in this John Simon camp. No,

0:14:25.840 --> 0:14:34.200
<v Speaker 1>I didn't have I have to have a Doyle. It

0:14:34.320 --> 0:14:36.640
<v Speaker 1>was really good. I actually gave it a very good review.

0:14:36.640 --> 0:14:38.320
<v Speaker 1>I just there was a couple of things about it

0:14:38.360 --> 0:14:43.000
<v Speaker 1>that I found objectionable, that's all. So yeah, I mean

0:14:43.120 --> 0:14:48.600
<v Speaker 1>I actually think that Rory, Okay, what would you do

0:14:48.760 --> 0:14:51.320
<v Speaker 1>if you are writing for the paper? I mean, Scott,

0:14:51.320 --> 0:14:53.080
<v Speaker 1>we pretty much know your answer and you go to

0:14:53.120 --> 0:14:57.600
<v Speaker 1>this crappy ballet. Would you write the honest review? Yes?

0:14:57.680 --> 0:15:01.000
<v Speaker 1>You eviscerateed, you eviscerated. But here's but here's her dilemma.

0:15:01.080 --> 0:15:03.840
<v Speaker 1>She's a student there. She's got to fit in. She can't,

0:15:03.880 --> 0:15:05.360
<v Speaker 1>you know, she doesn't want to be a Paris and

0:15:05.400 --> 0:15:09.760
<v Speaker 1>make you a list of enemies and narrow it down

0:15:09.760 --> 0:15:12.760
<v Speaker 1>to five. You know, you know what I'm saying. So

0:15:13.000 --> 0:15:15.320
<v Speaker 1>it's a little different. So but if she wants to

0:15:15.360 --> 0:15:18.560
<v Speaker 1>develop as a writer and and and really excel at

0:15:19.040 --> 0:15:21.760
<v Speaker 1>you know, at that at that paper, which is a

0:15:21.800 --> 0:15:25.240
<v Speaker 1>prestigious place to be, I mean, can you imagine having

0:15:25.240 --> 0:15:28.320
<v Speaker 1>that on your resume and your journey Editor of the

0:15:28.400 --> 0:15:31.080
<v Speaker 1>Yale Review or whatever it's called, you know, um, what

0:15:31.120 --> 0:15:35.520
<v Speaker 1>are they called the Daily Bugle? No, the whippin poof

0:15:35.640 --> 0:15:37.360
<v Speaker 1>the dale. You know what I wanted to call it.

0:15:39.200 --> 0:15:41.440
<v Speaker 1>It's out of my head right now, the blaze that's

0:15:41.480 --> 0:15:47.040
<v Speaker 1>the paper on h Wait, we'll get to more of this,

0:15:47.080 --> 0:15:50.440
<v Speaker 1>but we'll keep going in order. So we get next

0:15:50.680 --> 0:15:55.840
<v Speaker 1>to where um lauralize like walking with Lane and Rory,

0:15:55.840 --> 0:15:59.520
<v Speaker 1>and Lane keep saying like punching work counts kicking where

0:15:59.520 --> 0:16:05.720
<v Speaker 1>the sun shine and loraa La thinks they're mad at

0:16:05.720 --> 0:16:08.800
<v Speaker 1>somebody like it was all that was sort of like funny,

0:16:08.880 --> 0:16:12.760
<v Speaker 1>but what's happening for me? Like, what's happening here? What

0:16:12.840 --> 0:16:15.120
<v Speaker 1>was happening? So we they're sort of a walk and

0:16:15.160 --> 0:16:19.080
<v Speaker 1>talk and we're learning the baby's born and Laura Lize

0:16:19.120 --> 0:16:21.320
<v Speaker 1>heading to Sukis and she got the gift of the

0:16:21.360 --> 0:16:24.320
<v Speaker 1>box that's sort of like the cake box. And we're

0:16:24.360 --> 0:16:26.640
<v Speaker 1>getting a little bit of Lane and Dave that we're

0:16:26.680 --> 0:16:29.880
<v Speaker 1>there still together. So we get that he would be

0:16:29.920 --> 0:16:35.640
<v Speaker 1>home for Christmas. M probably not though I know no,

0:16:35.720 --> 0:16:41.280
<v Speaker 1>it's in California making a hit. Serious. Yeah, sorry, Lane,

0:16:42.280 --> 0:16:48.600
<v Speaker 1>he's out. He's on Fox Network now, he said on

0:16:48.680 --> 0:16:52.240
<v Speaker 1>the c W anymore, he's not coming home. I have

0:16:52.360 --> 0:16:56.040
<v Speaker 1>to say that. We get two Suki's and I laugh

0:16:56.160 --> 0:16:59.440
<v Speaker 1>so hard at Michelle because first of all, he sneezed

0:17:00.560 --> 0:17:05.719
<v Speaker 1>to me, is better in two than into you know

0:17:05.840 --> 0:17:08.200
<v Speaker 1>what year was this, two thousand three or four? Yeah,

0:17:09.760 --> 0:17:15.560
<v Speaker 1>because I mean a sneeze is like someone sneezes. Now

0:17:15.560 --> 0:17:24.359
<v Speaker 1>everyone's like, oh, your exile if you sneeze totally. And

0:17:24.359 --> 0:17:26.080
<v Speaker 1>then I thought it was so funny. Did you guys

0:17:26.119 --> 0:17:31.159
<v Speaker 1>notice when Suki and Lora la are talking, Michelle is

0:17:31.200 --> 0:17:35.000
<v Speaker 1>on the porch fully being chased by something, but it's

0:17:35.119 --> 0:17:40.440
<v Speaker 1>totally in the background. Did you guys see that? Yeah,

0:17:42.840 --> 0:17:47.240
<v Speaker 1>he's fully flailing. You have to rewatch it. No, it

0:17:47.320 --> 0:17:50.840
<v Speaker 1>was dive bombing him. He was trapped out there. Poor

0:17:51.040 --> 0:17:55.320
<v Speaker 1>poor guy, pour a little guy. And then and then

0:17:55.359 --> 0:18:00.200
<v Speaker 1>we see Bruce again. Bruce shows up. Oh Bruce, Oh

0:18:00.240 --> 0:18:05.560
<v Speaker 1>good Bruce Cage lore Lie with a passion. Let's not

0:18:05.640 --> 0:18:09.920
<v Speaker 1>approve what does not see or feel that others don't?

0:18:11.160 --> 0:18:13.960
<v Speaker 1>What is what is going on there? What is with that?

0:18:14.080 --> 0:18:16.679
<v Speaker 1>What is with that? What is Bruce as a character

0:18:16.720 --> 0:18:20.240
<v Speaker 1>trying to tell us as an audience? Uh, you know,

0:18:21.000 --> 0:18:23.480
<v Speaker 1>I think a lot of baby nurses are kind of

0:18:23.600 --> 0:18:27.479
<v Speaker 1>strict like that though, But I do like this exercise Scott,

0:18:27.560 --> 0:18:32.119
<v Speaker 1>because I I don't I'm trying to think about it, like,

0:18:32.200 --> 0:18:35.360
<v Speaker 1>what is Bruce trying to tell us about Lorlie? That's

0:18:35.359 --> 0:18:38.679
<v Speaker 1>actually really interesting? It is, right, why would you do

0:18:38.760 --> 0:18:42.199
<v Speaker 1>that to the main character? Why? Why is a minor

0:18:42.280 --> 0:18:44.240
<v Speaker 1>character that's only going to be there for a couple

0:18:44.280 --> 0:18:50.960
<v Speaker 1>of episodes, So hating on on our beloved lor Lie? Why? Why?

0:18:51.200 --> 0:18:56.280
<v Speaker 1>Just for the sake of comedy? Probably probably for the

0:18:56.280 --> 0:19:00.320
<v Speaker 1>sake of comedy. And it's fitting because Lorlie is sort

0:19:00.359 --> 0:19:05.720
<v Speaker 1>of the you know, free and she's not a rule follower,

0:19:05.800 --> 0:19:11.959
<v Speaker 1>and Bruce is like, it's it's something, it's it's it's

0:19:12.000 --> 0:19:15.760
<v Speaker 1>it's restrictions that give us the best of Laurela because

0:19:15.800 --> 0:19:20.160
<v Speaker 1>she you can't you can't put baby in a corner, right, right,

0:19:20.920 --> 0:19:24.000
<v Speaker 1>something to play off of and rebel against. And yeah,

0:19:24.080 --> 0:19:28.280
<v Speaker 1>that's exactly right. It goes against everything she's about. So now,

0:19:28.680 --> 0:19:31.280
<v Speaker 1>may I throw one flag on the play bone to

0:19:31.320 --> 0:19:35.600
<v Speaker 1>pict Yes, that's what we do. I felt like it

0:19:35.720 --> 0:19:38.359
<v Speaker 1>wasn't a baby, then it was a baby, then it

0:19:38.480 --> 0:19:40.879
<v Speaker 1>was Yeah, they're going back and forth. Yeah, you're like,

0:19:40.920 --> 0:19:43.280
<v Speaker 1>that is clearly a toy in your hands, right, and

0:19:44.560 --> 0:19:47.080
<v Speaker 1>they picked it up. I'm like, that's not a baby,

0:19:47.320 --> 0:19:50.680
<v Speaker 1>that's not even a doll like it was just a

0:19:50.680 --> 0:19:54.080
<v Speaker 1>bunch of blankets. Then when she held the baby and

0:19:54.160 --> 0:19:57.840
<v Speaker 1>you see the face, I'm like, that's a baby. Then

0:19:57.880 --> 0:19:59.960
<v Speaker 1>even when Bruce picked up the baby again, I'm like,

0:20:00.119 --> 0:20:02.840
<v Speaker 1>that's not a baby. Yeah, you don't want to have

0:20:02.880 --> 0:20:06.080
<v Speaker 1>a real baby there. That can cause first of all,

0:20:06.119 --> 0:20:08.840
<v Speaker 1>it's not safe. Second of all, can cause these huge

0:20:08.840 --> 0:20:11.640
<v Speaker 1>delays because the baby starts crying and pooping the whole thing.

0:20:11.840 --> 0:20:14.280
<v Speaker 1>So you use the baby only when you literally must

0:20:14.480 --> 0:20:19.320
<v Speaker 1>use it. I think it's an animatronic rubber baby. But

0:20:19.400 --> 0:20:21.880
<v Speaker 1>what about that one moves. It moves, it's eyes move,

0:20:21.960 --> 0:20:24.160
<v Speaker 1>its mouth and nose move, its hands move and all

0:20:24.160 --> 0:20:29.160
<v Speaker 1>that stuff. Wow, that's scary. You know, they're kind of cool. Yeah,

0:20:30.480 --> 0:20:33.480
<v Speaker 1>I think this shot was a baby. And they showed

0:20:33.520 --> 0:20:39.479
<v Speaker 1>the face that I don't think that was a real baby.

0:20:39.520 --> 0:20:42.280
<v Speaker 1>What they literally showed the face. It's a rubber baby,

0:20:42.520 --> 0:20:49.240
<v Speaker 1>No it is. It's made out of rubber, rubber and plastic.

0:20:49.359 --> 0:20:51.480
<v Speaker 1>You might not be rung because the baby when I

0:20:51.480 --> 0:20:54.960
<v Speaker 1>because I noticed the same thing amy the baby didn't

0:20:55.000 --> 0:20:57.600
<v Speaker 1>move like it wasn't like the eyes moved or the

0:20:57.600 --> 0:21:00.160
<v Speaker 1>mouth moved or the hands. It was just like any

0:21:00.200 --> 0:21:04.280
<v Speaker 1>rubber babies they have and Warner brothers in thousands of

0:21:04.400 --> 0:21:07.600
<v Speaker 1>rubber babies. Well, I think they have a few. Is

0:21:07.600 --> 0:21:10.520
<v Speaker 1>there any chance you can't have all these babies coming

0:21:10.560 --> 0:21:12.919
<v Speaker 1>in and it would be so expensive If you're shooting

0:21:12.960 --> 0:21:14.600
<v Speaker 1>at three o'clock in the morning or two in the

0:21:14.600 --> 0:21:16.800
<v Speaker 1>morning and you're on the set with oceans eleven people

0:21:16.840 --> 0:21:20.679
<v Speaker 1>are smoking cigarettes. Hey, let's throw the baby around. You know,

0:21:20.760 --> 0:21:23.240
<v Speaker 1>it's like you know what I mean, It's like, you

0:21:23.320 --> 0:21:27.000
<v Speaker 1>gotta have the rubber baby. Is there any chance, Hannah,

0:21:27.320 --> 0:21:29.880
<v Speaker 1>you could pull up that scene so we could look

0:21:29.920 --> 0:21:33.280
<v Speaker 1>at the baby and see if that was a baby.

0:21:35.200 --> 0:21:37.919
<v Speaker 1>Oh my god, Hannah. Literally I don't know how she

0:21:38.040 --> 0:21:44.520
<v Speaker 1>does it. Hannah got this scene in six seconds split.

0:21:44.800 --> 0:21:47.000
<v Speaker 1>So to me, that looks like a baby. That's a

0:21:47.040 --> 0:21:51.760
<v Speaker 1>fake baby. Hannah. It's so fair, Hannah. It's so fast.

0:21:51.800 --> 0:21:53.960
<v Speaker 1>She gets out of bed, turns out the lights, and

0:21:54.040 --> 0:21:56.240
<v Speaker 1>she's back in bed before the lights go out. That's

0:21:56.240 --> 0:21:59.040
<v Speaker 1>how fast she is. She's like, Muhammad, she got that

0:21:59.119 --> 0:22:02.879
<v Speaker 1>baby up here? Okay, so it can we put this

0:22:02.960 --> 0:22:05.720
<v Speaker 1>on Instagram so that we can do a poll real baby,

0:22:05.720 --> 0:22:08.960
<v Speaker 1>fake baby? And I'm going that's a baby. That baby

0:22:09.080 --> 0:22:14.159
<v Speaker 1>is laying their way too sweetly, just a sleeping baby.

0:22:14.160 --> 0:22:17.119
<v Speaker 1>It looks I think that's a rubber baby. Yeah, I

0:22:17.160 --> 0:22:20.920
<v Speaker 1>think it's a rubber baby. I think that's a real baby.

0:22:20.960 --> 0:22:26.040
<v Speaker 1>But when they actually rubber babies, faces usually look a

0:22:26.080 --> 0:22:29.199
<v Speaker 1>little more generic than that. That is a rubber baby.

0:22:29.440 --> 0:22:32.600
<v Speaker 1>It is a rubber baby. Yeah, that's now there's no baby.

0:22:32.680 --> 0:22:36.000
<v Speaker 1>So see that scene. There's no baby. Now there is.

0:22:36.160 --> 0:22:39.840
<v Speaker 1>There's a rubber that's a rubber baby. But I think

0:22:39.880 --> 0:22:44.000
<v Speaker 1>when they showed the face real baby. Look at Michelle

0:22:44.000 --> 0:22:46.000
<v Speaker 1>in the background, you guys, look at Michelle just sitting

0:22:46.040 --> 0:22:49.440
<v Speaker 1>there kind of looking at We enjoyed the scene. Oh

0:22:49.480 --> 0:22:51.520
<v Speaker 1>my god, fake baby. I mean, we got all the

0:22:51.600 --> 0:22:54.320
<v Speaker 1>dynamics of it. And I love that blazer on Lora

0:22:54.400 --> 0:22:57.679
<v Speaker 1>lie is she she did? She has? You know, the

0:22:57.680 --> 0:23:01.520
<v Speaker 1>wardrobe is looking good. I agree with you on that one,

0:23:01.920 --> 0:23:10.960
<v Speaker 1>very solid. Yeah. All right, We're back at Yale and

0:23:11.040 --> 0:23:17.639
<v Speaker 1>Roy's got a red sweater on, and uh, she's rejected again.

0:23:18.160 --> 0:23:21.600
<v Speaker 1>He's crossing everything off on her, and he's speed reading

0:23:21.640 --> 0:23:23.480
<v Speaker 1>the whole thing and he's just making locks and then

0:23:23.680 --> 0:23:27.879
<v Speaker 1>crossing off. He says, it's getting better, it's getting better.

0:23:28.640 --> 0:23:32.360
<v Speaker 1>And he says, just right, what you think right, what's

0:23:32.840 --> 0:23:41.119
<v Speaker 1>the right instead of right righty writing? Boy did she ever? Okay?

0:23:41.160 --> 0:23:45.200
<v Speaker 1>So then we go into Mrs Kim's and at first

0:23:45.240 --> 0:23:47.240
<v Speaker 1>I thought it was I called it a lemonade vase.

0:23:47.359 --> 0:23:51.679
<v Speaker 1>Didn't they go to the ballet after that? Did I

0:23:51.720 --> 0:23:57.320
<v Speaker 1>mess it up? Mm hmm? Yeah, they I wrote Nutcracker terrible?

0:23:57.960 --> 0:24:02.240
<v Speaker 1>Oh yeah, they go the right after. Yeah, And that

0:24:02.359 --> 0:24:05.760
<v Speaker 1>was a funny scene. It was a funny scene because

0:24:05.760 --> 0:24:07.720
<v Speaker 1>you don't have to film what's actually going on. You

0:24:07.720 --> 0:24:10.520
<v Speaker 1>can get the reaction from the two which don't you

0:24:10.520 --> 0:24:15.200
<v Speaker 1>think that's actually even better? It was funnier. Yeah. Yeah,

0:24:16.240 --> 0:24:20.760
<v Speaker 1>I thought Loyalis jokes were pretty funny, the nutcracker joke,

0:24:21.800 --> 0:24:23.679
<v Speaker 1>and I knew Rory was going to take her lines

0:24:23.720 --> 0:24:29.199
<v Speaker 1>and put him in the article. Mm hmm. Then we

0:24:29.280 --> 0:24:36.000
<v Speaker 1>get to Mrs Kids and we've got the lemonade jug controversy, oh,

0:24:36.119 --> 0:24:40.720
<v Speaker 1>which was sweet and funny that Mrs Kim wants to

0:24:40.760 --> 0:24:43.560
<v Speaker 1>send Dave a gift. And I also like that Dave

0:24:43.640 --> 0:24:46.960
<v Speaker 1>is alive and well I do too. I like that

0:24:47.000 --> 0:24:50.320
<v Speaker 1>he's still in the mix without obviously being there. But

0:24:51.000 --> 0:24:53.880
<v Speaker 1>I thought it was a big moment that Mrs Kim

0:24:54.080 --> 0:24:58.080
<v Speaker 1>was told Lane to send this weird jug things to

0:24:58.280 --> 0:25:01.119
<v Speaker 1>Dave because he's a good boy, you know. Like I

0:25:01.240 --> 0:25:03.760
<v Speaker 1>was just like, oh, this is Mrs Kim's way of

0:25:03.800 --> 0:25:10.040
<v Speaker 1>like acceptance, which is shocking but sweet and Dave deserves it.

0:25:10.359 --> 0:25:17.760
<v Speaker 1>I agree. I agree, she's you know, Lane's gonna be now.

0:25:17.800 --> 0:25:21.000
<v Speaker 1>It's like Mrs Kim intruding on her relationship in a

0:25:21.040 --> 0:25:24.439
<v Speaker 1>positive way, but it's still an intrusion. It's I can

0:25:24.680 --> 0:25:27.639
<v Speaker 1>just stay out of it. You're right, you know, stop

0:25:28.160 --> 0:25:33.080
<v Speaker 1>trying to manipulate the situation. And I know it's you know,

0:25:33.200 --> 0:25:37.400
<v Speaker 1>her way, and and maybe at that point she understands

0:25:37.480 --> 0:25:41.680
<v Speaker 1>or she always under has understood her omniscience over that

0:25:41.920 --> 0:25:44.239
<v Speaker 1>whole family, you know what I mean. And what she

0:25:44.320 --> 0:25:47.560
<v Speaker 1>says goes. But it's it's like I'm glad Lane stepped

0:25:47.560 --> 0:25:52.959
<v Speaker 1>in and said, listen, mama, mama, you know stop okay,

0:25:53.080 --> 0:25:55.719
<v Speaker 1>let me let it breathe, let me do this. You know,

0:25:56.320 --> 0:26:00.840
<v Speaker 1>it's like it's gaining her independence. Mrs Kim is a

0:26:00.960 --> 0:26:08.959
<v Speaker 1>good mom. Yes and no? Yes, And I mean I

0:26:09.040 --> 0:26:11.400
<v Speaker 1>do what do you think, Scott, how what's the yes?

0:26:11.440 --> 0:26:15.320
<v Speaker 1>What's the no? Well? I you know, I had I

0:26:15.400 --> 0:26:18.880
<v Speaker 1>had some friends growing up who had parents like that,

0:26:20.240 --> 0:26:23.439
<v Speaker 1>UM who were very restrictive, who were you know, you

0:26:23.520 --> 0:26:26.440
<v Speaker 1>must study UM and if you get in trouble, you're

0:26:26.440 --> 0:26:28.920
<v Speaker 1>grounded for a whole month. I mean, very very very

0:26:28.960 --> 0:26:33.200
<v Speaker 1>strict UM. And and another friend had parents that were

0:26:33.320 --> 0:26:35.600
<v Speaker 1>you know, that would get very physical with him when

0:26:35.600 --> 0:26:39.359
<v Speaker 1>he was in trouble, and they both had severe problems

0:26:40.320 --> 0:26:45.639
<v Speaker 1>um UM. One became very successful, the other became successful

0:26:45.680 --> 0:26:47.879
<v Speaker 1>in another sense, but there were there were problems, there

0:26:47.880 --> 0:26:50.760
<v Speaker 1>were issues. So I you know, I don't think that that.

0:26:51.320 --> 0:26:53.439
<v Speaker 1>I mean, I really think it depends on the child

0:26:54.080 --> 0:26:57.560
<v Speaker 1>and what they're made of. But you're going to give um.

0:26:57.600 --> 0:27:00.719
<v Speaker 1>I mean Mrs Kim is giving Lane issues going forward

0:27:00.760 --> 0:27:04.000
<v Speaker 1>that she's going to have to deal with her whole life. Yeah.

0:27:04.080 --> 0:27:07.280
<v Speaker 1>I mean there's a point at which you know, you

0:27:07.359 --> 0:27:10.080
<v Speaker 1>just sort of have to let your kids fail. You

0:27:10.160 --> 0:27:12.639
<v Speaker 1>have to let them fail because they've got to figure

0:27:12.640 --> 0:27:14.720
<v Speaker 1>it out on their own. And if you don't let

0:27:14.760 --> 0:27:18.119
<v Speaker 1>them fail, you know they're there. And I would argue

0:27:18.240 --> 0:27:22.439
<v Speaker 1>Mrs Kim did that when Lane got drunk at the party.

0:27:23.440 --> 0:27:26.720
<v Speaker 1>Yeah she I think Mrs Kim might be, like, I

0:27:26.840 --> 0:27:30.920
<v Speaker 1>might give her thumbs up on being a mom. She's

0:27:31.000 --> 0:27:37.000
<v Speaker 1>very different than Laurelae. But when push comes to shove,

0:27:38.240 --> 0:27:46.600
<v Speaker 1>she does the right thing. Yeah, very involved and very strict.

0:27:46.200 --> 0:27:48.560
<v Speaker 1>I mean Lane can't do anything. She can't go out

0:27:48.640 --> 0:27:50.840
<v Speaker 1>after dark, she can't date, she can't go here, she

0:27:50.880 --> 0:27:53.560
<v Speaker 1>can I mean it's ridiculous. Yeah, you know, I just

0:27:53.680 --> 0:27:56.080
<v Speaker 1>think parents that are like that. I mean, there were

0:27:56.119 --> 0:27:59.960
<v Speaker 1>more parents like that back then and my parents generated

0:28:00.560 --> 0:28:04.359
<v Speaker 1>than there are today. And I think and I think

0:28:04.400 --> 0:28:07.440
<v Speaker 1>I think parenting has changed anyway, you know. Getting back

0:28:07.480 --> 0:28:09.119
<v Speaker 1>to the main point, I want to go on a tangent,

0:28:09.160 --> 0:28:12.159
<v Speaker 1>but yeah, I just think that that that Lane is

0:28:12.200 --> 0:28:14.960
<v Speaker 1>going to experience some serious issues going forward, and she's

0:28:14.960 --> 0:28:16.880
<v Speaker 1>going to have a tough time breaking out of that

0:28:17.080 --> 0:28:21.760
<v Speaker 1>even as an adult. I'll give it a different perspective

0:28:21.880 --> 0:28:24.200
<v Speaker 1>just because I did grow up that way. I had

0:28:24.440 --> 0:28:30.119
<v Speaker 1>very strict parents. But like I feel like Mrs Kim

0:28:30.320 --> 0:28:33.000
<v Speaker 1>is very strict on her. I'm definitely going to go

0:28:33.040 --> 0:28:36.679
<v Speaker 1>ahead and say that. But she's showing, she's giving things

0:28:36.760 --> 0:28:40.600
<v Speaker 1>that are showing that she cares about Lane. She's not

0:28:40.800 --> 0:28:43.800
<v Speaker 1>doing it to be you know, a strict parent just

0:28:43.880 --> 0:28:46.240
<v Speaker 1>because she's not doing it too, you know, like a

0:28:47.440 --> 0:28:51.520
<v Speaker 1>just be ah, she's doing it because she's like I

0:28:51.600 --> 0:28:54.440
<v Speaker 1>care about her, and she's showing these little things that

0:28:54.480 --> 0:28:59.600
<v Speaker 1>are you know, giving giving Lane something like send this

0:28:59.680 --> 0:29:02.200
<v Speaker 1>drug a Dave. He's a really good boy. That is

0:29:02.800 --> 0:29:06.160
<v Speaker 1>stands of approval. Um, okay, fine, you can go to

0:29:06.360 --> 0:29:10.280
<v Speaker 1>prom with Dave. That's another approval, Like because Mrs Kim

0:29:10.320 --> 0:29:13.760
<v Speaker 1>could very easily say absolutely not, you will not talk

0:29:13.800 --> 0:29:16.400
<v Speaker 1>to this boy in California, you will not take this

0:29:16.440 --> 0:29:19.160
<v Speaker 1>guy to prom, you will not see this man. And

0:29:19.320 --> 0:29:21.920
<v Speaker 1>she did do that in the beginning, so I will

0:29:21.960 --> 0:29:25.720
<v Speaker 1>say that. But she's at least like kind of giving

0:29:25.720 --> 0:29:29.920
<v Speaker 1>a little bit, which I appreciate of Mrs Kim. You know,

0:29:30.120 --> 0:29:33.040
<v Speaker 1>the payoff of the jug was really good and that

0:29:33.160 --> 0:29:39.080
<v Speaker 1>it wasn't it was so that one was Lane going

0:29:39.280 --> 0:29:44.440
<v Speaker 1>down a wormhole, but also showed that Lane isn't ready

0:29:44.440 --> 0:29:50.440
<v Speaker 1>to get married and maybe now maybe an inkling that

0:29:50.640 --> 0:29:56.480
<v Speaker 1>like she might date someone other than Dave. Yeah, and

0:29:56.560 --> 0:29:58.840
<v Speaker 1>maybe she doesn't see it as the end goal for

0:29:58.960 --> 0:30:05.760
<v Speaker 1>days right, you know, which, uh is tragic. This is

0:30:05.880 --> 0:30:10.840
<v Speaker 1>really going to make me sad. You just wanted to

0:30:10.840 --> 0:30:12.760
<v Speaker 1>be with Dave. I wanted to be with Dave. I

0:30:12.800 --> 0:30:14.800
<v Speaker 1>want Dave to come back from the O C. And

0:30:14.840 --> 0:30:18.280
<v Speaker 1>just hang out and starts hollow forever, the kind of

0:30:18.320 --> 0:30:21.520
<v Speaker 1>I will say, I never like to rewrite the show right,

0:30:21.600 --> 0:30:29.160
<v Speaker 1>like I never I do. I like it. But I

0:30:29.160 --> 0:30:34.760
<v Speaker 1>if I would have been whoever c W, the Paladinos, whoever,

0:30:35.160 --> 0:30:37.920
<v Speaker 1>I would have backed up a truck of money and

0:30:37.960 --> 0:30:41.320
<v Speaker 1>said to Adam Brody you are now a series regular

0:30:42.600 --> 0:30:45.479
<v Speaker 1>and kept him through the run of the show. You know,

0:30:45.520 --> 0:30:48.200
<v Speaker 1>they may have done that with all of those guys,

0:30:48.400 --> 0:30:51.280
<v Speaker 1>you know, Milo and Jared and all those guys, and

0:30:51.320 --> 0:30:55.360
<v Speaker 1>they you know, they may have all said no, right,

0:30:55.400 --> 0:30:58.200
<v Speaker 1>because I would argue that on the O c Adam

0:30:58.280 --> 0:31:01.640
<v Speaker 1>Brody was the lead. It was definitely an ensemble, but

0:31:01.720 --> 0:31:05.880
<v Speaker 1>the entire show revolved around him. So I think they're

0:31:05.960 --> 0:31:09.920
<v Speaker 1>I think their teams, their reps, you know, burned it

0:31:09.960 --> 0:31:12.720
<v Speaker 1>into their brains like this is a CW, this is

0:31:12.800 --> 0:31:14.720
<v Speaker 1>a smaller network. We need to get you on a

0:31:14.720 --> 0:31:19.560
<v Speaker 1>big network with your own show. You're right, and it's

0:31:19.560 --> 0:31:22.520
<v Speaker 1>not and it's and it's about you and and everything

0:31:22.680 --> 0:31:25.640
<v Speaker 1>revolves around you, and that's where you how you build

0:31:25.640 --> 0:31:29.400
<v Speaker 1>a career. So right, and Jared was super smart with that.

0:31:29.800 --> 0:31:32.160
<v Speaker 1>And see when child Michael Murray too, that happened to

0:31:32.240 --> 0:31:37.880
<v Speaker 1>him to totally so that that show and Milo Milo

0:31:37.960 --> 0:31:40.959
<v Speaker 1>went from this to being leveled up on Heroes and

0:31:41.000 --> 0:31:45.960
<v Speaker 1>then skyrocket literally, right, those young guys used that show

0:31:46.000 --> 0:31:49.960
<v Speaker 1>as a springboard. Right, it wasn't it wasn't an end

0:31:50.040 --> 0:31:54.480
<v Speaker 1>game for them. Talent that came out of Gilmore Girls

0:31:55.560 --> 0:31:59.280
<v Speaker 1>come on, like literally every single one of those guys,

0:31:59.440 --> 0:32:01.640
<v Speaker 1>every single on. Chad Michael Murray went on to have

0:32:01.680 --> 0:32:04.080
<v Speaker 1>his own show, Jared went on to have more, you know,

0:32:04.200 --> 0:32:11.360
<v Speaker 1>his own show multiple times over, Milo, Adam Matt Zuchre

0:32:11.880 --> 0:32:15.800
<v Speaker 1>has his own show. He did do Good Wife between

0:32:15.960 --> 0:32:19.720
<v Speaker 1>but now fully has I mean, that's pretty crazy. Yeah,

0:32:19.760 --> 0:32:21.480
<v Speaker 1>it's five guys right there, and then look at you.

0:32:21.600 --> 0:32:23.960
<v Speaker 1>I mean, that doesn't even mention Melissa McCarthy, Like, are

0:32:23.960 --> 0:32:30.400
<v Speaker 1>you kidding me for one second? You're absolutely right. You

0:32:30.440 --> 0:32:32.920
<v Speaker 1>know that Gilmore Girls can be referred to as kind

0:32:32.920 --> 0:32:36.960
<v Speaker 1>of a farm team for Hollywood, like he made the

0:32:37.000 --> 0:32:42.840
<v Speaker 1>Hollywood major league teams. So Gilmore fed a lot of

0:32:42.880 --> 0:32:48.160
<v Speaker 1>those those productions with Town. So I'll quickly mention the

0:32:48.200 --> 0:32:50.880
<v Speaker 1>gray pants and the gray sweater with the stripe I

0:32:51.000 --> 0:32:54.280
<v Speaker 1>love it. As we get to the most epic scene

0:32:54.680 --> 0:32:58.080
<v Speaker 1>in this whole episode, which was and maybe which maybe

0:32:58.840 --> 0:33:04.160
<v Speaker 1>it involves you. You know, this one doesn't even have Scott.

0:33:04.240 --> 0:33:07.120
<v Speaker 1>It's literally about Scott, but he never came out. So

0:33:08.080 --> 0:33:12.360
<v Speaker 1>Lauraa goes into the diner, she sees Nicole and is

0:33:12.400 --> 0:33:16.360
<v Speaker 1>your best acting, your best acting being all about you

0:33:16.520 --> 0:33:21.480
<v Speaker 1>and you not being there? Great acting? I knew we

0:33:21.480 --> 0:33:24.360
<v Speaker 1>were in for a ten out of ten when Laura

0:33:24.480 --> 0:33:32.920
<v Speaker 1>Lee says we'll all be and she's all, look at

0:33:32.960 --> 0:33:37.760
<v Speaker 1>you there to Nicole. If somebody could bring up the

0:33:38.920 --> 0:33:41.560
<v Speaker 1>and I I know people don't love it, but like,

0:33:41.680 --> 0:33:46.960
<v Speaker 1>can we please read that scene? Because what Lauren Graham

0:33:47.120 --> 0:33:53.280
<v Speaker 1>did was so freaking epic. It was hilarious and uncomfortable.

0:33:53.280 --> 0:33:57.000
<v Speaker 1>I mean she I just kept writing, holy cow, holy cow,

0:33:57.120 --> 0:34:02.720
<v Speaker 1>o MG, this is hilarious. Not hungry anymore? I mean,

0:34:02.800 --> 0:34:05.400
<v Speaker 1>is there anyone if Hannah can pull this off and

0:34:05.440 --> 0:34:09.319
<v Speaker 1>pull up that scene? I will if Hannah can do

0:34:09.360 --> 0:34:12.920
<v Speaker 1>this really fast? And then there's then there's like five

0:34:13.000 --> 0:34:16.080
<v Speaker 1>hand I'll let you off the hook because I got Danielle,

0:34:16.120 --> 0:34:19.919
<v Speaker 1>how do you guys do this so fast? Oh? She's

0:34:19.920 --> 0:34:22.080
<v Speaker 1>going to do it? Wait? Is there an I don't

0:34:22.120 --> 0:34:23.799
<v Speaker 1>want to be this person? So Danielle, do you want

0:34:23.800 --> 0:34:27.680
<v Speaker 1>to play Laurea, la what you just you just drooled

0:34:27.680 --> 0:34:30.799
<v Speaker 1>all over? If you well, if you guys will left.

0:34:31.000 --> 0:34:34.640
<v Speaker 1>But I don't want to be ab you'd be Laurel.

0:34:34.840 --> 0:34:37.040
<v Speaker 1>I'll be Nicole. All right, I'm gonna I'm gonna direct

0:34:37.120 --> 0:34:39.160
<v Speaker 1>you too in this episode. Thank you. But wait, okay,

0:34:39.239 --> 0:34:41.160
<v Speaker 1>so here we go. All right, go Scott. We're ready?

0:34:41.520 --> 0:34:45.560
<v Speaker 1>All right, ladies are you? Uh, you're good, you're feel ready?

0:34:45.640 --> 0:34:50.080
<v Speaker 1>I feel pretty good? Okay, Okay, whenever you're ready, ladies

0:34:50.160 --> 0:34:57.680
<v Speaker 1>commence Nicole, Hi, Lorely, we'll all be look at you there.

0:34:58.280 --> 0:35:03.960
<v Speaker 1>It's nice to see you. Yeah. Does Luke know you're there? Okay? Cut? Sorry, Amy,

0:35:04.040 --> 0:35:08.399
<v Speaker 1>don't don't laugh at your own jokes. Please, you can't.

0:35:08.440 --> 0:35:10.840
<v Speaker 1>You can't be the actress. And I'm fine. I'm just

0:35:10.840 --> 0:35:13.160
<v Speaker 1>gonna try and play it normal just because I was

0:35:13.239 --> 0:35:16.359
<v Speaker 1>over acting, I think you think so. Yeah, don't laugh

0:35:16.400 --> 0:35:19.040
<v Speaker 1>at your own jokes. Just it's not a joke, it's

0:35:19.080 --> 0:35:25.520
<v Speaker 1>just a reaction. All right. When you're ready, ladies take two, Nicole, hi, Lola,

0:35:26.360 --> 0:35:29.040
<v Speaker 1>we'll all be look look at you there. It's nice

0:35:29.040 --> 0:35:32.719
<v Speaker 1>to see you. Yeah. Does Luke know you're here? Yeah,

0:35:32.840 --> 0:35:35.000
<v Speaker 1>he's just in the back. Do you want him. No,

0:35:35.040 --> 0:35:36.440
<v Speaker 1>I don't want him. I don't want him. I was

0:35:36.480 --> 0:35:38.359
<v Speaker 1>just coming in for a bite with a friend, not

0:35:38.400 --> 0:35:41.120
<v Speaker 1>my imaginary friend, my friends, not with me. But he

0:35:41.200 --> 0:35:42.960
<v Speaker 1>doesn't eat normal food like this, so he's not coming

0:35:43.000 --> 0:35:46.960
<v Speaker 1>in you. So you could very good in you, very

0:35:47.000 --> 0:35:49.360
<v Speaker 1>good too. I'm just still living here in stars Hollow

0:35:49.400 --> 0:35:52.960
<v Speaker 1>and Rory's going to Yale. I that, of course, Well,

0:35:53.040 --> 0:35:56.320
<v Speaker 1>naturally would you'd be all filled in because Luke's talking

0:35:56.360 --> 0:36:01.080
<v Speaker 1>to you regularly? Mm hmm. Oh I I met a

0:36:01.080 --> 0:36:04.960
<v Speaker 1>bunch of lawyers from your firm. Really I did, yes, yes,

0:36:05.000 --> 0:36:07.560
<v Speaker 1>because well they were coming in to see Luke and

0:36:07.640 --> 0:36:10.080
<v Speaker 1>I'm in here a lot, and you know, right, yeah,

0:36:10.120 --> 0:36:13.480
<v Speaker 1>they're good guys, really good guys. They like you a lot,

0:36:13.640 --> 0:36:17.440
<v Speaker 1>and their partners at my firm, well, so they have

0:36:17.520 --> 0:36:20.560
<v Speaker 1>to like you. So I was Luke coming out or room.

0:36:20.680 --> 0:36:23.840
<v Speaker 1>He should be, you know, I'm not hungry. No, I

0:36:23.920 --> 0:36:27.799
<v Speaker 1>just remembered I ate. Oh, so it's really good to

0:36:27.840 --> 0:36:36.520
<v Speaker 1>see you same here, really good. So okay, Scott, I

0:36:36.600 --> 0:36:40.560
<v Speaker 1>want to brag. Did I nail that? No? You didn't. Sorry,

0:36:41.800 --> 0:36:45.359
<v Speaker 1>Oh my god, see you missed, you missed. You need

0:36:45.360 --> 0:36:49.000
<v Speaker 1>to take a pause. Oh my god, I literally didn't Amy.

0:36:50.080 --> 0:36:52.840
<v Speaker 1>I thought it was pretty good for somebody who wasn't trained,

0:36:53.840 --> 0:36:55.760
<v Speaker 1>and that was pretty good. I knew you were enjoying

0:36:55.800 --> 0:36:59.120
<v Speaker 1>yourself and you were, you know, the spirit of I

0:36:59.239 --> 0:37:02.280
<v Speaker 1>was in you. I felt that. Thank you. I thought

0:37:02.360 --> 0:37:04.200
<v Speaker 1>I was a ten out of ten. I'm not gonna lie, literally,

0:37:04.200 --> 0:37:11.319
<v Speaker 1>I would give you seven out of ten Malamar's. First

0:37:11.320 --> 0:37:13.440
<v Speaker 1>of all, I didn't do it justice, but that scene

0:37:13.520 --> 0:37:16.360
<v Speaker 1>was freaking genius as long as you enjoyed it. You

0:37:16.360 --> 0:37:18.799
<v Speaker 1>know what Billy Kid used to tell my wife when

0:37:18.800 --> 0:37:22.080
<v Speaker 1>she started skiing. He goes, listen, it doesn't matter as

0:37:22.080 --> 0:37:23.879
<v Speaker 1>long as you're smiling at the end of the run.

0:37:24.080 --> 0:37:27.680
<v Speaker 1>You're doing it right, and you're smiling. You're smiling at

0:37:27.719 --> 0:37:30.080
<v Speaker 1>the end of your run. Yeah, that was a girl.

0:37:30.280 --> 0:37:33.000
<v Speaker 1>That scene is. I can't do justice because it was

0:37:33.000 --> 0:37:36.920
<v Speaker 1>also the body language. Yeah, it was, and the whole

0:37:37.000 --> 0:37:39.520
<v Speaker 1>It's just like and at the end when Nicole was

0:37:39.560 --> 0:37:42.720
<v Speaker 1>eating her fries, I was like, oh, she knows she's

0:37:42.760 --> 0:37:46.000
<v Speaker 1>on like she is on top right now that she

0:37:46.160 --> 0:37:50.319
<v Speaker 1>just made Lorelei squirm. She's just casually eating the how

0:37:50.360 --> 0:37:53.279
<v Speaker 1>precise it is. You see how intricate the whole thing is.

0:37:53.840 --> 0:37:57.680
<v Speaker 1>You had a big chart that said Nicole, Laurel. That

0:37:57.719 --> 0:38:04.840
<v Speaker 1>would be point Nicole that we are seeing loyal I

0:38:05.239 --> 0:38:12.759
<v Speaker 1>and Rory both squirm in this episode. Danielle, they are

0:38:12.800 --> 0:38:16.200
<v Speaker 1>not right. They are not crushing it like they normally do.

0:38:17.239 --> 0:38:19.920
<v Speaker 1>So okay, so now we see on the door of

0:38:19.960 --> 0:38:23.200
<v Speaker 1>the dorm room died jerk and what who did you

0:38:23.239 --> 0:38:26.600
<v Speaker 1>think it was at when you first saw it? I

0:38:26.600 --> 0:38:29.279
<v Speaker 1>immediately knew it was for Rory, but I love that

0:38:29.400 --> 0:38:32.600
<v Speaker 1>parents tried owning it. She was like, we all know

0:38:32.719 --> 0:38:39.399
<v Speaker 1>this is probably for me, Oh my god. And then

0:38:39.480 --> 0:38:41.680
<v Speaker 1>Janet admits she kissed the boyfriend of someone on the

0:38:41.760 --> 0:38:45.480
<v Speaker 1>volleyball team, and then the other girls like, what's her name,

0:38:45.520 --> 0:38:51.640
<v Speaker 1>Olivia Hack? What's Olivia Hack's character? Tanna? Yeah, Tanna, Hannah.

0:38:51.960 --> 0:38:55.360
<v Speaker 1>She we knew it wasn't Tanna. Come on, yeah, we

0:38:55.360 --> 0:38:57.640
<v Speaker 1>were like, sorry, Tana, you know, don't You're not even

0:38:57.640 --> 0:39:04.160
<v Speaker 1>a leg in this race. Oh my god. So good.

0:39:04.960 --> 0:39:07.439
<v Speaker 1>So then we go quickly back to the diner where

0:39:07.440 --> 0:39:10.600
<v Speaker 1>we see Laura, Lee and Luke sort of now almost

0:39:10.600 --> 0:39:17.600
<v Speaker 1>having the same sort of awkwardness over Nicole. What did

0:39:17.640 --> 0:39:20.800
<v Speaker 1>you think in a little hostility like LORELEI was upset,

0:39:22.360 --> 0:39:25.359
<v Speaker 1>she was she came in hot and like, not in

0:39:25.400 --> 0:39:30.040
<v Speaker 1>a nice way. She came in like excuse me. Yeah,

0:39:30.400 --> 0:39:33.600
<v Speaker 1>she was confrontational to say the least, at a little

0:39:33.680 --> 0:39:38.400
<v Speaker 1>territorial there. Yeah, I wrote she's mad. Well, yeah, she

0:39:38.440 --> 0:39:42.200
<v Speaker 1>didn't really express it until the end. You know, she

0:39:42.280 --> 0:39:46.480
<v Speaker 1>thinks the new the new pots are stupid, right, she

0:39:46.600 --> 0:39:52.600
<v Speaker 1>put it into the stupid stupid and she left without

0:39:52.600 --> 0:39:57.120
<v Speaker 1>eating again. Oh my god, she's so hungry in this episode.

0:39:57.160 --> 0:40:00.160
<v Speaker 1>I love that scene. I love that. It's one my

0:40:00.239 --> 0:40:04.080
<v Speaker 1>favorite scenes I did with her. I would then put

0:40:04.160 --> 0:40:10.760
<v Speaker 1>point Luke on my chart. Yeah, Luke one one again. Well,

0:40:10.800 --> 0:40:13.640
<v Speaker 1>I mean he's just living his life, right, I mean,

0:40:14.520 --> 0:40:16.920
<v Speaker 1>stuff happens, and he's going with the flow. He's trying

0:40:16.960 --> 0:40:21.000
<v Speaker 1>to relax into a relationship or back into it. You know,

0:40:21.040 --> 0:40:26.439
<v Speaker 1>you can't fault him for that. His wife. Yeah, you're right,

0:40:27.040 --> 0:40:31.480
<v Speaker 1>it is his wife. I just wrote, Lorela is freaking,

0:40:31.960 --> 0:40:35.239
<v Speaker 1>and I think she didn't freak before when you two

0:40:35.239 --> 0:40:36.880
<v Speaker 1>were sitting on the steps of the house when you

0:40:36.960 --> 0:40:39.560
<v Speaker 1>told her, because you said I got married and then

0:40:39.880 --> 0:40:43.600
<v Speaker 1>very quickly we know you got divorced or you're getting divorced,

0:40:43.800 --> 0:40:50.399
<v Speaker 1>so she didn't have to feel all this. Oh, she's feeling. Yeah,

0:40:50.480 --> 0:40:53.320
<v Speaker 1>I mean, I think we're in the genuine space where

0:40:53.840 --> 0:40:58.200
<v Speaker 1>he's moved on and he's he wants his life to

0:40:58.239 --> 0:41:01.200
<v Speaker 1>amount to something, and you know, he wants a partner

0:41:01.239 --> 0:41:03.000
<v Speaker 1>to share it with, and he's just you know, he's

0:41:03.040 --> 0:41:06.760
<v Speaker 1>not going to wait for her any longer if she okay.

0:41:06.840 --> 0:41:09.879
<v Speaker 1>So if I think that if lore Lee didn't learn

0:41:09.920 --> 0:41:12.200
<v Speaker 1>all this that he's getting back with Nicole a bit,

0:41:12.760 --> 0:41:14.640
<v Speaker 1>she never would have gone out with Digger. I think

0:41:14.680 --> 0:41:17.839
<v Speaker 1>it would have been they would have hooked up right

0:41:17.880 --> 0:41:22.520
<v Speaker 1>here because she's clearly ready losing her mind. And then

0:41:22.560 --> 0:41:25.759
<v Speaker 1>I think she goes to Digger because she can't have

0:41:25.880 --> 0:41:30.920
<v Speaker 1>Luke right now, right, I mean that's the only explanation. Yeah. Well,

0:41:30.960 --> 0:41:35.080
<v Speaker 1>also I like Digger, but we'll get to that. So

0:41:35.120 --> 0:41:40.680
<v Speaker 1>I have a question for you guys. They're very loud

0:41:40.920 --> 0:41:49.520
<v Speaker 1>walking around the entire restaurant. Literally, do these customers think

0:41:49.560 --> 0:41:52.920
<v Speaker 1>it's weird that it's not a large diner? They can

0:41:52.960 --> 0:41:58.120
<v Speaker 1>literally here there is higher conversation. I think that's the

0:41:58.239 --> 0:42:03.280
<v Speaker 1>norm for Luke's diner. Yeah. I think that's his place

0:42:03.320 --> 0:42:07.479
<v Speaker 1>and he'll talk when he wants to do they add

0:42:07.480 --> 0:42:09.480
<v Speaker 1>the background noise, so like when you guys are doing

0:42:09.520 --> 0:42:11.560
<v Speaker 1>the scene. Is it just dead quiet and they're except

0:42:11.600 --> 0:42:16.960
<v Speaker 1>for you too? Oh my god, it has to be.

0:42:17.000 --> 0:42:21.800
<v Speaker 1>It had better be. No talking, uh no, even whispering.

0:42:21.840 --> 0:42:24.560
<v Speaker 1>A lot of a lot of doing extra work is hard,

0:42:24.600 --> 0:42:28.799
<v Speaker 1>and when people are are getting into their extra characters,

0:42:28.880 --> 0:42:32.040
<v Speaker 1>you know, sometimes they sort of whisper because they're forming

0:42:32.080 --> 0:42:34.400
<v Speaker 1>the words they want to believe, they want the other

0:42:34.400 --> 0:42:37.040
<v Speaker 1>person to believe that they're having an actual conversation. It's

0:42:37.120 --> 0:42:39.840
<v Speaker 1>very difficult if you ever try to do that and

0:42:39.920 --> 0:42:42.520
<v Speaker 1>stay quiet in a scene except you know, you're mimicking

0:42:42.560 --> 0:42:44.480
<v Speaker 1>everything and you're not making any noise. It's very difficult

0:42:44.480 --> 0:42:46.840
<v Speaker 1>to do it. So, my god, i'd be fired in

0:42:46.920 --> 0:42:49.480
<v Speaker 1>four seconds. Yeah, well you don't get fired. Just said, hey,

0:42:49.520 --> 0:42:51.880
<v Speaker 1>you know, can you And a lot of like clinking

0:42:51.920 --> 0:42:55.120
<v Speaker 1>of glasses or putting putting things down, or clinking of

0:42:55.160 --> 0:42:58.319
<v Speaker 1>cutlery on I'm gonna have to watch the cutlery because

0:42:58.360 --> 0:43:01.680
<v Speaker 1>now do they pick it up? Like yeah, everything's very

0:43:01.960 --> 0:43:05.400
<v Speaker 1>like you'll you'll notice. And I just you know, I

0:43:05.440 --> 0:43:09.880
<v Speaker 1>was just watching a film where Kevin Spacey was in

0:43:09.960 --> 0:43:13.160
<v Speaker 1>a scene and he was who was the actor they

0:43:13.160 --> 0:43:15.799
<v Speaker 1>would let go? Oh no, Stanley Tucci was let go.

0:43:16.640 --> 0:43:19.200
<v Speaker 1>Kevin Spacey came in and said something and he was

0:43:19.239 --> 0:43:22.239
<v Speaker 1>packing up his things, and you know even there, right,

0:43:22.280 --> 0:43:24.359
<v Speaker 1>it's not you know, you don't you know, if you've

0:43:24.400 --> 0:43:26.320
<v Speaker 1>just been fired after nineteen years, you're gonna be a

0:43:26.320 --> 0:43:28.240
<v Speaker 1>littleist and you're gonna be throwing stuff in the box,

0:43:28.360 --> 0:43:30.920
<v Speaker 1>right because they're scorting you out of the building and

0:43:30.960 --> 0:43:34.120
<v Speaker 1>it's like it's really harsh, so and they're waiting for you,

0:43:34.160 --> 0:43:36.040
<v Speaker 1>so you're just gonna be pissed. But Stanley Tucci was

0:43:36.040 --> 0:43:38.960
<v Speaker 1>carefully placing all of the items in the box very quietly,

0:43:38.960 --> 0:43:43.160
<v Speaker 1>not to step on Kevin Spacey's lines or I'm sorry

0:43:43.160 --> 0:43:49.279
<v Speaker 1>Paul Bettany's lines. This i think it's margin call. Oh yeah,

0:43:49.320 --> 0:43:51.600
<v Speaker 1>so do you also have to do that for the edit,

0:43:51.840 --> 0:43:54.359
<v Speaker 1>like just in case they like, you don't want all

0:43:54.440 --> 0:43:57.359
<v Speaker 1>this noise going on when somebody else is talking when

0:43:57.360 --> 0:44:00.920
<v Speaker 1>you're talking, so you just gotta do things quietly. It's

0:44:00.960 --> 0:44:03.480
<v Speaker 1>like why they have the you know, like when whenever

0:44:03.480 --> 0:44:06.359
<v Speaker 1>somebody comes from a grocery store, they're special backs. They're

0:44:06.400 --> 0:44:09.200
<v Speaker 1>not the real bags because the real bags make too

0:44:09.280 --> 0:44:13.040
<v Speaker 1>much noise. But you have art, yeah, and you literally

0:44:13.080 --> 0:44:18.560
<v Speaker 1>have it at the grocery store so loud, or just

0:44:18.600 --> 0:44:21.040
<v Speaker 1>all the things Luke has to do, like the coffee,

0:44:21.160 --> 0:44:23.720
<v Speaker 1>put the coffee thing back in, drop a mug, drop

0:44:23.719 --> 0:44:26.920
<v Speaker 1>a plate, like that's a lot. You land it quietly,

0:44:26.960 --> 0:44:29.879
<v Speaker 1>you don't put it down normal. Is there stuff under

0:44:29.880 --> 0:44:34.520
<v Speaker 1>the plates, like you know, like things? There was a

0:44:34.560 --> 0:44:37.520
<v Speaker 1>whole choreographed thing that you had in this scene. I

0:44:37.560 --> 0:44:41.839
<v Speaker 1>mean it was a lot of things. Pick up move dude, dude,

0:44:42.120 --> 0:44:45.399
<v Speaker 1>But yeah, I noticed one of the plates was plated beautifully.

0:44:45.640 --> 0:44:51.040
<v Speaker 1>It had the beautiful mashto. Well, that's how we do it.

0:44:51.480 --> 0:44:53.919
<v Speaker 1>Is that all on your script? Like okay, say this line,

0:44:54.000 --> 0:44:57.759
<v Speaker 1>drop your cup, So you make it up, but then

0:44:57.800 --> 0:45:01.879
<v Speaker 1>you have to do it the same way all times. Yeah,

0:45:01.920 --> 0:45:05.160
<v Speaker 1>you can figure it out and rehearsal. Do you write

0:45:05.160 --> 0:45:07.960
<v Speaker 1>yourself a note like note to the mashed potatoes, go

0:45:08.000 --> 0:45:09.399
<v Speaker 1>to the fries, go to the count. No, you don't

0:45:09.400 --> 0:45:12.600
<v Speaker 1>write it down, You just you just remember it. Yeah. Yeah,

0:45:12.640 --> 0:45:15.319
<v Speaker 1>that's why I wouldn't be able to do that. If

0:45:15.440 --> 0:45:18.680
<v Speaker 1>you would, you could do it enough. Do you think

0:45:18.680 --> 0:45:20.920
<v Speaker 1>you could do it if you did that all those

0:45:20.960 --> 0:45:25.880
<v Speaker 1>movements he made without writing it down? No, because I

0:45:25.880 --> 0:45:29.080
<v Speaker 1>wouldn't be comfortable memorizing those lines like that, my head

0:45:29.080 --> 0:45:31.839
<v Speaker 1>would just be all about the lines and like making

0:45:31.840 --> 0:45:34.520
<v Speaker 1>SUREM delivering those that I'll forget, Oh I didn't pick

0:45:34.560 --> 0:45:36.160
<v Speaker 1>up the cup or I didn't pick up the plate,

0:45:36.320 --> 0:45:39.560
<v Speaker 1>like I don't know. I give you mad kudos because

0:45:39.840 --> 0:45:43.480
<v Speaker 1>I there's no way, no way, absolutely no way. Well,

0:45:43.880 --> 0:45:46.319
<v Speaker 1>you know that's why you do theater. In theater, you

0:45:46.360 --> 0:45:49.239
<v Speaker 1>do that. That's if you're trying to change it. If

0:45:49.280 --> 0:45:52.000
<v Speaker 1>you've been on stage and you've had to deal with

0:45:52.160 --> 0:45:56.880
<v Speaker 1>kitchen scenes and doing those, doing lots of activities, and

0:45:56.880 --> 0:45:59.480
<v Speaker 1>and and learning how to do all that stuff, you know,

0:45:59.520 --> 0:46:03.719
<v Speaker 1>you learn that the dance, the blocking, the choreography that

0:46:03.800 --> 0:46:06.640
<v Speaker 1>you come up with in rehearsal supports the scene and

0:46:06.680 --> 0:46:09.040
<v Speaker 1>supports the life of the dialogue. I mean, you gotta

0:46:09.040 --> 0:46:10.960
<v Speaker 1>give it life, right, you gotta give it a behavior.

0:46:11.400 --> 0:46:14.560
<v Speaker 1>I need to know this. What's harder the scene you

0:46:14.640 --> 0:46:17.840
<v Speaker 1>just did in the diner with lor Lye or Harry

0:46:17.880 --> 0:46:21.960
<v Speaker 1>Styles performing on stage. I sort of think Harry's got

0:46:22.000 --> 0:46:25.759
<v Speaker 1>it easier because you could make you know what it's all,

0:46:25.960 --> 0:46:29.919
<v Speaker 1>it's all the same. Yeah, he's got I'm sure he's

0:46:29.920 --> 0:46:33.400
<v Speaker 1>got choreograph moves that he does every single night, and

0:46:33.440 --> 0:46:36.040
<v Speaker 1>he and he knows what he's going to do in

0:46:36.200 --> 0:46:39.719
<v Speaker 1>every section of every song that he sings, but there's

0:46:39.880 --> 0:46:43.040
<v Speaker 1>room for it, like because it's a light show, right,

0:46:43.080 --> 0:46:44.960
<v Speaker 1>I mean, it's a whole thing's he's got to be

0:46:45.000 --> 0:46:47.839
<v Speaker 1>in certain spots for the lights to him the right way.

0:46:47.920 --> 0:46:50.359
<v Speaker 1>So it's all rehearsed, and I mean, I think there's

0:46:50.440 --> 0:46:53.000
<v Speaker 1>probably a looser structure when you're performing live like that,

0:46:53.080 --> 0:46:57.360
<v Speaker 1>but there's a general sort of blocking that must be

0:46:57.440 --> 0:47:00.359
<v Speaker 1>adhered to on every song. You know, those things are

0:47:00.480 --> 0:47:04.239
<v Speaker 1>very well thought out. My next question for you to

0:47:04.719 --> 0:47:11.439
<v Speaker 1>abruptly change the topic. Does Nicole like Laurel No, no way,

0:47:13.400 --> 0:47:18.920
<v Speaker 1>And does Laurel like Nicole No? That's a death match

0:47:19.440 --> 0:47:29.720
<v Speaker 1>right there. Yeah, Nicole loves this episode like she loves

0:47:30.000 --> 0:47:34.799
<v Speaker 1>everything about it. She loves that is so true. Yeah,

0:47:34.840 --> 0:47:37.600
<v Speaker 1>she was looking her chops at the end of that scene. Yeah,

0:47:38.400 --> 0:47:42.200
<v Speaker 1>I got her. Yeah. Okay, So we go to the

0:47:42.239 --> 0:47:48.080
<v Speaker 1>cafeteria and die jerk, we get Rory gets confronted. Do

0:47:48.080 --> 0:47:52.520
<v Speaker 1>you think the ballerina really would have done that? Um? Sure,

0:47:53.160 --> 0:47:58.480
<v Speaker 1>I think it's it's highly probable. Sure, Yeah, why not?

0:47:58.560 --> 0:48:00.360
<v Speaker 1>I think if you're an actor and you or a

0:48:00.440 --> 0:48:02.280
<v Speaker 1>dancer or a singer and you get a bad review.

0:48:02.680 --> 0:48:05.280
<v Speaker 1>I mean, are you gonna go you get a bad review, Scott,

0:48:05.400 --> 0:48:07.719
<v Speaker 1>You're gonna go call the New York Times and tell

0:48:07.760 --> 0:48:13.279
<v Speaker 1>them like die jerk. Well, Scott's not getting compared to

0:48:13.360 --> 0:48:17.600
<v Speaker 1>being a hippo. So if somebody called you a hippo

0:48:17.680 --> 0:48:22.000
<v Speaker 1>and a review, you might be a little I don't know.

0:48:22.040 --> 0:48:25.880
<v Speaker 1>I just think, you know, my here's my message to

0:48:26.080 --> 0:48:33.360
<v Speaker 1>that ballerina. Mh you better grow a thicker skin totally

0:48:33.400 --> 0:48:37.200
<v Speaker 1>if you're gonna make it totally, because you're gonna get

0:48:37.640 --> 0:48:40.680
<v Speaker 1>slammed on the way up. No matter how good you are,

0:48:40.880 --> 0:48:43.480
<v Speaker 1>you're gonna get slammed by something. That's how many of

0:48:43.520 --> 0:48:48.800
<v Speaker 1>those were getting on the Instagram Read our Apple reviews.

0:48:48.960 --> 0:48:54.640
<v Speaker 1>People are very nice, real mean, and that's they're right.

0:48:54.719 --> 0:48:57.080
<v Speaker 1>They get to do that. That's their right. They get

0:48:57.120 --> 0:49:00.960
<v Speaker 1>to write to to a certain sent like I don't

0:49:00.960 --> 0:49:03.319
<v Speaker 1>think you should do terrible, terrible things, but like they

0:49:03.320 --> 0:49:05.919
<v Speaker 1>can write to us and say, you guys suck. Yeah,

0:49:05.960 --> 0:49:08.680
<v Speaker 1>that's that's just life. You know. I like it better

0:49:08.719 --> 0:49:10.800
<v Speaker 1>when they give us like notes and we can improve.

0:49:10.880 --> 0:49:13.479
<v Speaker 1>But yeah, they're right, you suck. It's it's it's very

0:49:13.560 --> 0:49:18.200
<v Speaker 1>possible that at times you can suck. It's really, no

0:49:18.280 --> 0:49:20.680
<v Speaker 1>matter how much work you put in about how dedicated

0:49:20.719 --> 0:49:22.680
<v Speaker 1>you are to about how much you love it, it's

0:49:22.719 --> 0:49:25.080
<v Speaker 1>possible that the end result is like, you know, no,

0:49:25.600 --> 0:49:31.000
<v Speaker 1>you're not somebody's cup of tea. It just happens, you know,

0:49:31.160 --> 0:49:35.960
<v Speaker 1>no matter how much you want it right, totally, I got.

0:49:36.000 --> 0:49:39.040
<v Speaker 1>I'm trying to find one that I read that was okay, way,

0:49:39.239 --> 0:49:44.359
<v Speaker 1>this was so good respect respect to the person. So

0:49:44.440 --> 0:49:47.040
<v Speaker 1>first of all, somebody who and I don't like to

0:49:47.040 --> 0:49:48.359
<v Speaker 1>read the name because I don't know if they want

0:49:48.360 --> 0:49:50.000
<v Speaker 1>to be on that, you know, so I'm not reading

0:49:50.000 --> 0:49:52.640
<v Speaker 1>it just to be respect. But number one, no, no, no,

0:49:52.680 --> 0:49:56.440
<v Speaker 1>they're not thoughts. This is real Amy, You've really grown

0:49:56.480 --> 0:49:59.680
<v Speaker 1>on me. So I'm thinking, oh my god, my day

0:49:59.760 --> 0:50:04.319
<v Speaker 1>is may I have a fan? I'm growing up? And

0:50:04.320 --> 0:50:06.120
<v Speaker 1>then you know, like went on Instagram. It says like

0:50:06.160 --> 0:50:09.880
<v Speaker 1>two more comments, so I click, oh, two more comments

0:50:09.920 --> 0:50:17.520
<v Speaker 1>and it says I can't relate. I was like, it

0:50:17.560 --> 0:50:21.839
<v Speaker 1>took me right back down. Okay, so uh see that

0:50:21.920 --> 0:50:27.000
<v Speaker 1>was very funny, but didn't age well. Digger and Richard

0:50:27.160 --> 0:50:30.440
<v Speaker 1>hooking up the wireless, I mean I guess it aged

0:50:30.440 --> 0:50:33.799
<v Speaker 1>well because of the time, but it was like he's

0:50:33.880 --> 0:50:39.799
<v Speaker 1>take the wireless. We're wireless, taking the last laptop, mom,

0:50:39.880 --> 0:50:42.400
<v Speaker 1>you can do shopping on the internet, you know, like

0:50:42.480 --> 0:50:46.000
<v Speaker 1>things like that. It's like Google Google them. I mean,

0:50:46.000 --> 0:50:48.880
<v Speaker 1>so it was like very funny, but it was so dated.

0:50:50.120 --> 0:50:56.640
<v Speaker 1>He's out on the patio. It's crystal clear out here. Wait.

0:50:56.760 --> 0:50:59.600
<v Speaker 1>Is that Is that charming when it's so dated or

0:50:59.640 --> 0:51:03.719
<v Speaker 1>is it just yeah? Kind of like it. I like

0:51:03.880 --> 0:51:07.600
<v Speaker 1>seeing Richard being all happy and goofy and full of

0:51:07.680 --> 0:51:12.439
<v Speaker 1>life and enjoying himself, you know, discovering something new and

0:51:12.480 --> 0:51:15.320
<v Speaker 1>having this new partnership and this new lease on life.

0:51:15.360 --> 0:51:18.160
<v Speaker 1>It's it's nice to be around that. You know, he's

0:51:18.200 --> 0:51:20.480
<v Speaker 1>happy like a kid again. You know, it's like everything's

0:51:20.520 --> 0:51:23.640
<v Speaker 1>brand new. Yeah, and not to mention it's still kind

0:51:23.680 --> 0:51:27.080
<v Speaker 1>of relatable. Like my grandparents don't have like they just

0:51:27.120 --> 0:51:29.480
<v Speaker 1>have their landline, you know, like they don't have a

0:51:29.560 --> 0:51:33.319
<v Speaker 1>laptop or anything like tech savvy like that. So it's

0:51:33.320 --> 0:51:35.520
<v Speaker 1>still even though it was twenty years ago, it's still

0:51:35.600 --> 0:51:38.400
<v Speaker 1>kind of relatable. Yeah, it's relatable where it's Yeah, but

0:51:38.440 --> 0:51:41.520
<v Speaker 1>you're definitely like we all have like we all have

0:51:41.600 --> 0:51:44.680
<v Speaker 1>a lot of time. Okay, So then what do you

0:51:44.680 --> 0:51:46.200
<v Speaker 1>think of Digger when he says he's going to get

0:51:46.239 --> 0:51:58.839
<v Speaker 1>Emily to invite him to dinner. You know this he's annoying. Yeah,

0:51:59.040 --> 0:52:01.919
<v Speaker 1>he just he's just you know, he's so in love

0:52:01.960 --> 0:52:04.839
<v Speaker 1>with himself. He thinks he's so clever, right, and I'm

0:52:04.840 --> 0:52:06.560
<v Speaker 1>going to really prove it to her, and he's so

0:52:06.680 --> 0:52:10.080
<v Speaker 1>like on it, and and it's just, yeah, it's just

0:52:10.120 --> 0:52:13.279
<v Speaker 1>a little too much. Right. Oh. I loved it. I

0:52:13.560 --> 0:52:17.520
<v Speaker 1>I it's it's fun. It was actually fun to watch, right,

0:52:18.000 --> 0:52:20.200
<v Speaker 1>Like he set it up, he does it. Then he

0:52:20.200 --> 0:52:22.080
<v Speaker 1>sat at dinner table and he's going to ask her

0:52:22.120 --> 0:52:24.360
<v Speaker 1>to dinner, and it's you know, it's supposed to be romantic,

0:52:24.600 --> 0:52:27.280
<v Speaker 1>like I'm not sure we'll have enough, and she's acting

0:52:27.320 --> 0:52:29.520
<v Speaker 1>like she's just getting all turned on, and it was

0:52:29.719 --> 0:52:33.120
<v Speaker 1>I was just too okay, So I love that. I

0:52:33.160 --> 0:52:37.279
<v Speaker 1>thought that was so Yeah, I have to disagree because

0:52:37.320 --> 0:52:40.440
<v Speaker 1>I loved Jason and Emily. I thought that was adorable.

0:52:40.719 --> 0:52:45.319
<v Speaker 1>And then I loved the subliminal flirty flirt flirt with

0:52:45.400 --> 0:52:49.480
<v Speaker 1>Digger and Laura La and nobody gets it but Rory.

0:52:50.040 --> 0:52:53.839
<v Speaker 1>He was basically asking, like setting up their date at

0:52:53.920 --> 0:52:59.399
<v Speaker 1>the table. Of course, it was so adorable. I will

0:52:59.480 --> 0:53:03.720
<v Speaker 1>give that to him. That's kind of cute. Sure, fine, fine,

0:53:03.800 --> 0:53:08.239
<v Speaker 1>like that's cool, but I don't know. He still just

0:53:08.280 --> 0:53:10.880
<v Speaker 1>bothers me. The only thing that bothered me about him

0:53:10.920 --> 0:53:12.960
<v Speaker 1>was I didn't like how he was holding his fork

0:53:13.520 --> 0:53:16.680
<v Speaker 1>because it was like, you're not eating holding for he

0:53:16.760 --> 0:53:19.040
<v Speaker 1>was holding his fork upside down, and I'm like, you're

0:53:19.040 --> 0:53:21.920
<v Speaker 1>not going to eat? But yeah, I mean it's so

0:53:21.960 --> 0:53:24.000
<v Speaker 1>tough for me. I get a lot of dialogue in

0:53:24.000 --> 0:53:27.920
<v Speaker 1>that scene. Yeah, I couldn't. He couldn't really eat. I

0:53:27.960 --> 0:53:29.840
<v Speaker 1>don't think he had. I don't think he had eating

0:53:29.880 --> 0:53:34.080
<v Speaker 1>food on his mind. True. I give that a ten

0:53:34.120 --> 0:53:36.560
<v Speaker 1>out of ten. I loved it. I thought that whole

0:53:36.600 --> 0:53:41.680
<v Speaker 1>thing was hilarious. And we're working in the article and

0:53:41.840 --> 0:53:44.520
<v Speaker 1>Richard and Emily read the article. They would love it.

0:53:44.800 --> 0:53:48.279
<v Speaker 1>They would love that article. They love they love it,

0:53:48.320 --> 0:53:51.160
<v Speaker 1>and then we've got this sort of dance. Definitely a

0:53:51.200 --> 0:53:56.000
<v Speaker 1>good scene. It was. It was well acted, well executed.

0:53:56.080 --> 0:54:00.759
<v Speaker 1>It was very clever. And then that Rory saw right

0:54:00.800 --> 0:54:02.640
<v Speaker 1>through it. She's like, um, are you gonna go out

0:54:02.680 --> 0:54:06.120
<v Speaker 1>with him? Because that was obvious? It was obvious, right,

0:54:07.480 --> 0:54:10.120
<v Speaker 1>It was almost too obvious. It was just too you know,

0:54:10.360 --> 0:54:12.759
<v Speaker 1>maybe that's what bothered me a little bit about it.

0:54:12.760 --> 0:54:15.839
<v Speaker 1>It was just a little too obvious where it's like

0:54:15.920 --> 0:54:17.840
<v Speaker 1>Emily and Richard had to pretend like they didn't know

0:54:17.880 --> 0:54:19.680
<v Speaker 1>what was going on, and it was pretty obvious what

0:54:19.760 --> 0:54:22.080
<v Speaker 1>was going on, you know what I mean. The other

0:54:22.080 --> 0:54:24.880
<v Speaker 1>thing I'm going to say is the phone call scenes

0:54:25.400 --> 0:54:29.240
<v Speaker 1>literally do not bother me. I think they are totally working,

0:54:29.520 --> 0:54:32.040
<v Speaker 1>and I think it's the way they shoot them because

0:54:32.040 --> 0:54:34.359
<v Speaker 1>it's not just I'm on the phone. Well, there's not

0:54:34.440 --> 0:54:37.160
<v Speaker 1>that many of them anymore. You would be surprised there

0:54:37.200 --> 0:54:40.120
<v Speaker 1>was a ton in this episode. I don't notice how

0:54:40.120 --> 0:54:44.000
<v Speaker 1>many were there. There was a lore like calling Rory

0:54:44.320 --> 0:54:47.760
<v Speaker 1>before she goes to the and the Shane and wasn't

0:54:47.960 --> 0:54:52.520
<v Speaker 1>was there one with Lane and Rory? Two? Jackie says

0:54:52.560 --> 0:54:55.239
<v Speaker 1>there were two, and I'm telling you two in an

0:54:55.280 --> 0:54:58.280
<v Speaker 1>hour is not that much. But it's also the movement,

0:54:58.640 --> 0:55:01.520
<v Speaker 1>so they make sure that Lane is moving during hers

0:55:01.560 --> 0:55:04.759
<v Speaker 1>and Rory's moving, so you really feel like it's not

0:55:04.880 --> 0:55:07.360
<v Speaker 1>just stagnant. No one's sitting there talking on the phone.

0:55:07.840 --> 0:55:13.040
<v Speaker 1>I think they're I think it's working, right, Yeah, if

0:55:13.040 --> 0:55:15.759
<v Speaker 1>you use them sparingly in the right way, they can

0:55:15.800 --> 0:55:21.719
<v Speaker 1>be very effective. I just can't overdo it. True, So

0:55:22.000 --> 0:55:27.200
<v Speaker 1>favorite lines, and then let's give Digger a one out

0:55:27.239 --> 0:55:30.680
<v Speaker 1>of ten malamars and then the episode one out of

0:55:30.680 --> 0:55:34.000
<v Speaker 1>ten malamars. I just want to know where you guys standing,

0:55:34.320 --> 0:55:36.279
<v Speaker 1>want to give the episode and Digger one out of ten.

0:55:36.760 --> 0:55:41.080
<v Speaker 1>No, no no, I'm judging it already as I'm saying, the

0:55:41.120 --> 0:55:44.600
<v Speaker 1>scale is one out of ten millions the new scale.

0:55:44.600 --> 0:55:47.279
<v Speaker 1>I've never heard of one out of ten. I'm just

0:55:47.320 --> 0:55:50.839
<v Speaker 1>throwing it in there. How many malamars for Digger and

0:55:50.840 --> 0:55:55.160
<v Speaker 1>how many malamars for the episode? But it's ten now, okay,

0:55:55.520 --> 0:55:58.000
<v Speaker 1>it's never So what do you why do you feel

0:55:58.000 --> 0:55:59.520
<v Speaker 1>the need to explain to one out of ten to us?

0:55:59.520 --> 0:56:03.160
<v Speaker 1>And forgot, guys, we're gonna go to one to time

0:56:04.239 --> 0:56:09.880
<v Speaker 1>because we usually one to sixteen. We're going off the rails.

0:56:09.120 --> 0:56:14.120
<v Speaker 1>You what is this, you're saying, I'm being a little

0:56:14.160 --> 0:56:17.799
<v Speaker 1>captain obvious. Well, are we into kindergarten? Here? Are we

0:56:17.880 --> 0:56:21.279
<v Speaker 1>telling the one out of ten? Or how many alamar's

0:56:21.320 --> 0:56:25.600
<v Speaker 1>and favorite lines? I gave mine, but you guys give yours. Danielle, Okay,

0:56:25.760 --> 0:56:28.400
<v Speaker 1>my favorite is from Rory when she says, it's April

0:56:28.480 --> 0:56:31.319
<v Speaker 1>Levine's world and we're just living in it. You know what,

0:56:31.400 --> 0:56:33.560
<v Speaker 1>that's my favorite line to you stole my line. I'm

0:56:33.560 --> 0:56:36.680
<v Speaker 1>gonna take that line to that was That was a

0:56:36.760 --> 0:56:40.759
<v Speaker 1>really good line. That was good. Can also relate was

0:56:40.800 --> 0:56:42.480
<v Speaker 1>that in the middle. It was that when she was

0:56:42.520 --> 0:56:45.480
<v Speaker 1>defending herself and when she was getting ranted at by

0:56:45.480 --> 0:56:51.920
<v Speaker 1>the hippo God, I forget she said that when she was,

0:56:52.560 --> 0:56:59.160
<v Speaker 1>you know, reeling her response to the raging Ballerina. Right, yeah,

0:56:59.200 --> 0:57:02.520
<v Speaker 1>you're a hundred. That was a very good that was

0:57:04.719 --> 0:57:08.240
<v Speaker 1>I laughed out loud of that line. That was great. Um,

0:57:08.280 --> 0:57:11.560
<v Speaker 1>that's my favorite line too. How many malamars guys for

0:57:11.640 --> 0:57:14.279
<v Speaker 1>this episode, Daniel, what do you think? I'll give this

0:57:14.320 --> 0:57:19.080
<v Speaker 1>episode eight out of ten Malamars. I did really enjoy it. Um, Digger,

0:57:19.160 --> 0:57:21.680
<v Speaker 1>I'll give a two out of ten and only giving

0:57:21.720 --> 0:57:25.720
<v Speaker 1>two because the banter back and forth is good. But

0:57:25.880 --> 0:57:29.200
<v Speaker 1>he just bothers me. Amy, what do you what do

0:57:29.200 --> 0:57:32.560
<v Speaker 1>you think? I'm gonna give the scene with Loralai and

0:57:32.680 --> 0:57:35.720
<v Speaker 1>Nicole ten out of ten Milamars. I'm gonna give Digger

0:57:36.280 --> 0:57:39.440
<v Speaker 1>eight out of ten Malamars, and I'm gonna give the

0:57:39.520 --> 0:57:45.160
<v Speaker 1>episode seven and a half, malamars, Wow, Okay, I'm going

0:57:45.240 --> 0:57:51.040
<v Speaker 1>to give so Digger. We're like rating Digger now, yeah,

0:57:51.120 --> 0:57:58.760
<v Speaker 1>just because I want to know. Um, well, I think

0:57:58.760 --> 0:58:02.200
<v Speaker 1>he's awfully good, you know, I think I think the

0:58:02.280 --> 0:58:07.160
<v Speaker 1>actor is awfully good. Um and I think he's you know,

0:58:07.160 --> 0:58:12.640
<v Speaker 1>I'm gonna I'm gonna lighten up on Digger because you're

0:58:12.640 --> 0:58:15.040
<v Speaker 1>supposed to be on my team. I am on your team.

0:58:15.160 --> 0:58:17.920
<v Speaker 1>But it's a very specific job that he has to

0:58:18.080 --> 0:58:25.920
<v Speaker 1>do right, because he can't be really really charming. He

0:58:26.040 --> 0:58:28.880
<v Speaker 1>can't really be a rival. He has to be a

0:58:28.960 --> 0:58:32.880
<v Speaker 1>hinch Schmart. There's got to be something that the audience

0:58:32.920 --> 0:58:37.440
<v Speaker 1>says no to immediately. They can't even be you know

0:58:37.440 --> 0:58:41.440
<v Speaker 1>what I mean? So they so they that that. So

0:58:41.600 --> 0:58:45.000
<v Speaker 1>I'm on that basis, I'm gonna give him a ten

0:58:45.080 --> 0:58:49.840
<v Speaker 1>out of ten, you know what I mean. But in

0:58:49.920 --> 0:58:53.800
<v Speaker 1>terms of ability, you know, I'm gonna I'm gonna go

0:58:53.840 --> 0:58:59.480
<v Speaker 1>to okay, because that, as an audience is what I'm

0:58:59.480 --> 0:59:02.400
<v Speaker 1>supposed to be feeling, right, I think, So I think

0:59:02.440 --> 0:59:04.680
<v Speaker 1>it's good. So ya ten out of ten. Casting the

0:59:04.800 --> 0:59:09.360
<v Speaker 1>right actor like Digger. I thought that was sexy the

0:59:09.360 --> 0:59:16.560
<v Speaker 1>whole thing. Sorry, well, wait, how many mile mars for

0:59:16.600 --> 0:59:19.320
<v Speaker 1>the episode? What did you give it? Eight? Daniel? You

0:59:19.320 --> 0:59:25.160
<v Speaker 1>gave it seven and a half. You know, I'm I'm

0:59:25.280 --> 0:59:28.680
<v Speaker 1>right up there all close to close to nine almost,

0:59:29.040 --> 0:59:34.520
<v Speaker 1>I think eight eight point eight five. Yeah, I really

0:59:34.520 --> 0:59:37.200
<v Speaker 1>liked this episode. I really thought it was It was

0:59:37.440 --> 0:59:42.880
<v Speaker 1>mostly terrific. Yeah, everyone had something yeah, right, like everyone

0:59:43.040 --> 0:59:46.680
<v Speaker 1>had like a no one was boring in this episode.

0:59:46.680 --> 0:59:49.880
<v Speaker 1>Everyone had some a storyline that was crucial to their character.

0:59:50.360 --> 0:59:52.720
<v Speaker 1>That is true. That is really true. It's it's like

0:59:52.760 --> 0:59:56.320
<v Speaker 1>a show that's hitting its stride. It's like in in

0:59:56.480 --> 0:59:59.720
<v Speaker 1>full bloom almost, you know, it's like everybody, Yeah, even

0:59:59.760 --> 1:00:03.080
<v Speaker 1>Ma l got some. Yeah. I didn't never saw Kirk.

1:00:03.160 --> 1:00:05.919
<v Speaker 1>We never had Kirk. But okay, you know yeah, yeah

1:00:06.080 --> 1:00:08.960
<v Speaker 1>he had a big last episode. Yeah he's tired, right,

1:00:08.960 --> 1:00:13.840
<v Speaker 1>he's tired, and too much Kirk for us maybe a

1:00:13.880 --> 1:00:18.560
<v Speaker 1>bad thing, you know, because he's so memorable. Right, So

1:00:18.600 --> 1:00:22.960
<v Speaker 1>it's correct. Um, yeah, what's next? Yeah, what's next? It's

1:00:23.000 --> 1:00:25.560
<v Speaker 1>Ted Copple's Big Night Out. Okay, so the next episode

1:00:25.640 --> 1:00:31.920
<v Speaker 1>is season four, episode nine, Ted Copple's Big Night Out. Um, anyway,

1:00:32.040 --> 1:00:35.000
<v Speaker 1>that's it. That's gonna be a ramp as we Uh,

1:00:35.200 --> 1:00:38.840
<v Speaker 1>as we steer this Gelopi off the freeway and into

1:00:38.840 --> 1:00:41.960
<v Speaker 1>the repair shop. UM, we think we're going to get there.

1:00:43.640 --> 1:00:46.120
<v Speaker 1>All the best everybody, best fans on the planet. Thanks

1:00:46.160 --> 1:00:49.400
<v Speaker 1>for downloading, uh and we will see you next time.

1:00:49.480 --> 1:00:53.080
<v Speaker 1>Stay safe. Oh wait a minute, hang on a second, Um,

1:00:53.120 --> 1:00:55.840
<v Speaker 1>I have a very special announcement. What about your crack staff.

1:00:55.880 --> 1:00:59.200
<v Speaker 1>They didn't find anything. Oh geez, yeah, hang on, crack staff.

1:01:00.920 --> 1:01:03.360
<v Speaker 1>In the meantime, I'm gonna be a German Comic Con

1:01:03.400 --> 1:01:08.840
<v Speaker 1>Dortmund December one and two. German. I mean that's not

1:01:08.920 --> 1:01:13.080
<v Speaker 1>just that's no Rhode Islands. Well, the Rhode Island was

1:01:13.080 --> 1:01:15.120
<v Speaker 1>a big deal too. That was a big big two.

1:01:17.240 --> 1:01:22.960
<v Speaker 1>And my crack staff has uh forwarded me their notes. Um,

1:01:23.160 --> 1:01:26.920
<v Speaker 1>welcoming me back to California, and uh, thank you for

1:01:27.000 --> 1:01:34.680
<v Speaker 1>welcoming me back all right around the seventh yourself. You

1:01:34.760 --> 1:01:39.960
<v Speaker 1>will eat those words soon because of the thing that

1:01:40.120 --> 1:01:43.440
<v Speaker 1>and you will meet my crack staff. And let me

1:01:43.440 --> 1:01:48.280
<v Speaker 1>tell you, they are crack and they are staffy. They're okay,

1:01:48.320 --> 1:01:50.640
<v Speaker 1>give it to me. Seven thirty with Laurel Leilane and

1:01:50.760 --> 1:01:55.160
<v Speaker 1>Roya are approaching Suki's house. In the far background, you

1:01:55.200 --> 1:01:57.840
<v Speaker 1>can see what appears to be a large spotlight set

1:01:57.920 --> 1:02:02.800
<v Speaker 1>up on top of Luke's diner building. Whoa yeah, is

1:02:02.840 --> 1:02:07.440
<v Speaker 1>that like for for the show? Yeah? Sure. At the

1:02:07.960 --> 1:02:11.800
<v Speaker 1>eighteen mark, there are two students in the background sorting slides.

1:02:12.840 --> 1:02:16.120
<v Speaker 1>The one on the left is a Canadian teenager who

1:02:16.160 --> 1:02:19.280
<v Speaker 1>had recently battled leukemia. She was on the set that

1:02:19.400 --> 1:02:23.400
<v Speaker 1>day courtesy off to Make a Wish Foundation, who fulfilled

1:02:23.400 --> 1:02:28.360
<v Speaker 1>her wish to meet the Gilmore Girls cast. Um. Yeah,

1:02:28.360 --> 1:02:30.840
<v Speaker 1>they did that every so often. It was always a

1:02:30.920 --> 1:02:33.560
<v Speaker 1>wonderful day on set with the Make a Wish kids.

1:02:34.040 --> 1:02:38.800
<v Speaker 1>Um Uh. Now the male voice singing Michael Rowe the

1:02:38.800 --> 1:02:46.880
<v Speaker 1>boat ashore at the end of the episode is Seth McFarlane. Yes,

1:02:47.440 --> 1:02:50.080
<v Speaker 1>they've also my crack Staff has also suggested a couple

1:02:50.120 --> 1:02:54.960
<v Speaker 1>of favorite lines. Um, Emily, you are certainly not going

1:02:55.080 --> 1:03:00.360
<v Speaker 1>to google me, Mrs Kim Mike Gluten, Patty's called fires

1:03:00.360 --> 1:03:05.760
<v Speaker 1>who we're switching to spaghetti and wheatballs. Okay, So that's it. Um,

1:03:05.760 --> 1:03:09.800
<v Speaker 1>that's it for crack staff, who you will meet soon

1:03:10.960 --> 1:03:14.760
<v Speaker 1>and uh. And that is that, folks. Stay safe, See

1:03:14.800 --> 1:03:47.160
<v Speaker 1>you next time. Hey everybody, and don't forget follow us

1:03:47.160 --> 1:03:51.640
<v Speaker 1>on Instagram at I Am All in podcast and Emailie

1:03:51.840 --> 1:03:56.000
<v Speaker 1>at Gilmore at I Heart radio dot com. Oh you

1:03:56.080 --> 1:03:57.880
<v Speaker 1>Gilmore fans. If you're looking for the best cup of

1:03:57.920 --> 1:04:01.160
<v Speaker 1>coffee in the world, go to my website from my company,

1:04:01.480 --> 1:04:03.880
<v Speaker 1>scott ep dot com. S C O T T y

1:04:03.960 --> 1:04:15.920
<v Speaker 1>P dot com, scott ep dot com Grade one Specialty Coffee. Yeah.