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Speaker 1: I am all in. Hello, that's you. I am all

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Speaker 1: in with Scott Patterson and I Heart Radio Podcast. Hi everybody,

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Speaker 1: Scott Patterson, I am all in Podcast, Season four, Episode

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Speaker 1: A Died Jerk, and I am joined by my intrepid crew,

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Speaker 1: well almost all of them. Tara's missing today. Yeah. Wait,

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Speaker 1: Tara's on vacation race. She own assignment in but I'm been.

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Speaker 1: She's on Hill Morris, She's on Stars Hollow assignment. But Janiel,

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Speaker 1: where is Tara? She's a Disney World disney World. She's

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Speaker 1: a trader. He loves Disney. Wow. I think the rides

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Speaker 1: on our show are even more fun, don't you think?

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Speaker 1: Daniel Romo? Hello, Hello, baby sugarman. Hello chugging? What are

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Speaker 1: you chugging? There? Chugging? And minerals and um apparently Amy

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Speaker 1: has a big fat surprise. Guys. Ready, you're ready, I'm

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Speaker 1: I'm dying to know what it is. First of all,

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Speaker 1: I have to thank everyone who wrote in to help

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Speaker 1: me with this surprise. I know what it is. Help

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Speaker 1: you with the surprise. Get ready? Yeah? I found Malamar's.

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Speaker 1: I've never had one? Are they good? Well? I I

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Speaker 1: waited for you, guys. I haven't even one, can I

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Speaker 1: try one that says, Okay, I'm just gonna say because

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Speaker 1: I am trying to, you know, get holiday ready. So

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Speaker 1: a hundred and twenty calories for two cookies, so I'm

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Speaker 1: just gonna have one. They look amazing, you guys, they

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Speaker 1: look actually amazing. So just for anyone thing. I found

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Speaker 1: him at Target. I had to get them shipped though,

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Speaker 1: like they didn't have them my target, my local target.

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Speaker 1: You know what. They kind of they kind of remind

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Speaker 1: me of Girl Scout Cookies a little bit. So it's

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Speaker 1: the packaging while experience a cookie box, and then they're

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Speaker 1: wrapped in plastic, which I love because I loved knowing

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Speaker 1: things are the Girl Scout Cookies come wrapped in plastic?

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Speaker 1: I don't think so. No, they have the tag along

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Speaker 1: come like that. Amy, Yeah, okay, I know my Girl

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Speaker 1: Scout cookies. Let me tell you. Oh oh, there's sort

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Speaker 1: of a softness, a surprising softness. Okay, so they're a

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Speaker 1: little squashy. Okay, so I'm gonna gonna eat one. Oh

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Speaker 1: my god, drum roll now, I wish I remembered which

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Speaker 1: episode had all the malamar mentions. Took a minute. Okay,

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Speaker 1: Oh my god, Oh my god, holy they're excellent, so

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Speaker 1: tell us about it. What are you experiencing? I would

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Speaker 1: compare them to what I love a s'more bar, because

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Speaker 1: they had chocolate. There's like a marshmallowy thing. There's almost

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Speaker 1: like crumbly Graham crackers in there. Killing me right now?

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Speaker 1: Stuff anymore? Yes, you can't, I can't know. There's only

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Speaker 1: sixty calories in this sixty calories? Are you gonna send

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Speaker 1: me a box? What's going on? We got boxes coming?

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Speaker 1: I know. I like how Aby sent herself a box

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Speaker 1: but failed to send us one. That's so true. Okay,

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Speaker 1: I probably recommend hitting your targets and that's oh no,

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Speaker 1: wonder they named it that hit your target, Hit your target,

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Speaker 1: and order these. They're great. They're really really great. They're

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Speaker 1: made by an Abisco. They're they're great. And is there

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Speaker 1: a rhyme and reason too? Why it's only in the

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Speaker 1: fall and not year round? I would love to know

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Speaker 1: this is this is like this? Well, s'mores are sort

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Speaker 1: of campfire e right, so it's that could be all

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Speaker 1: seasons winter right there? Winter, but that's a summer treat.

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Speaker 1: That's a fourth of July treat. If I've ever tasted one? Yeah, oh,

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Speaker 1: pardon me, I need to silence my phone. It's my

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Speaker 1: first day out of bed. Did you get sick? I

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Speaker 1: got sick. Yeah, you get the same. Everyone has a cold,

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Speaker 1: so I was like night love. Everyone has it. I

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Speaker 1: love taking the night quill. Literally, it's because all the

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Speaker 1: kids are back in school, just spreading their Germans random

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Speaker 1: and all the kids went to Harry Styles and poor

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Speaker 1: Harry Styles is sick. Everyone's everybody. Literally, one of my

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Speaker 1: friends kids class had half the class out. Yeah. My

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Speaker 1: first is my first day up and around and sort

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Speaker 1: of like doing stuff, you know, welcome back to life.

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Speaker 1: Thank you. You sound pretty good. I mean I can

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Speaker 1: get a little. I might. I might. I might have

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Speaker 1: to hit the gym later. I don't know. I'm thinking

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Speaker 1: about it. I think that sounds terrible. I know it does.

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Speaker 1: I'd rather just go back to bed. No, it's good

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Speaker 1: to sweat it out. You'll feel way better after. You

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Speaker 1: should eat some soup. Oh I've been eating chicken soup. Yeah. Yeah,

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Speaker 1: actually works starving it up. Did you give it to

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Speaker 1: your wife too? No, I tried. She wouldn't let me. Well,

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Speaker 1: I mean it was I was gone the whole weekend,

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Speaker 1: so you know, I came home and I was like,

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Speaker 1: oh my god, I'm sick and I don't care. Right,

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Speaker 1: Oh my god, Okay, I'm ready, all right, Danielle synopsizes,

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Speaker 1: all right, this is season four, episode eight, Died Jerk

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Speaker 1: air date in November eleven, two thousand three. Rory is

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Speaker 1: learning how to become an opinion writer for the Yale

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Speaker 1: Daily News by reviewing a ballet show. David Lane's relationship

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Speaker 1: makes a return, sort of. Lorelie is surprised by the

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Speaker 1: news of Nicole and Luke. Meanwhile, Jason, a k digger,

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Speaker 1: gets a reluctant invite to Friday night dinner with Emily

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Speaker 1: and Richard. I know we're gonna get to it. Nothing

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Speaker 1: was more unhinged or oh my god, unhinged, absolutely unhinged

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Speaker 1: when she realizes Nicole is back at the diner and

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Speaker 1: she just yeah, I literally wrote on my notes, oh

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Speaker 1: my god, oh my god, that was bad. That was

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Speaker 1: so epic to what we'll get to that. Okay, Scott,

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Speaker 1: what do you think? I thoroughly enjoyed this episode. I'm

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Speaker 1: not saying it was like a top ten episode so

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Speaker 1: you've seen, yeah, but I think it was pretty darn good. Um. Yeah,

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Speaker 1: I like the opening. Uhm, it's got some nice new

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Speaker 1: blood in there. You've got some digger blood. You've got

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Speaker 1: some You've got some what's his name, Danny, Danny, Yeah,

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Speaker 1: Danny Strong in there. You've got some some new stuff popping.

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Speaker 1: So I like that, you know. And there's things going

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Speaker 1: on at Yale now it feels really full and she's

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Speaker 1: really settled in and um, I don't know. You know,

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Speaker 1: you've got the Luke stuff going on, and then of

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Speaker 1: course you got to throw a Nicole complication in there.

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Speaker 1: Everything's sort of heading in one direction and then you

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Speaker 1: want to you mentioned there. I have to interrupt you

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Speaker 1: for one second. There's a TikTok going around right now

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Speaker 1: that is so epic of you and Lauren. And it's

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Speaker 1: a blooper scene. It's a scene, Oh god, you're doing

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Speaker 1: something in this blooper where she's sort of thanking you

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Speaker 1: and she says, that's what I love about you, but

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Speaker 1: she says I love you and wrong, right, we're sitting

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Speaker 1: we're sitting outside at night on the bench. Yes, and

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Speaker 1: then and then and then and then I say, well,

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Speaker 1: in that case, the show would be over and something

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Speaker 1: like it. It's so good, it's all over TikTok. Really,

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Speaker 1: Oh my god, I'm sorry to interrupt, but I just

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Speaker 1: made me do you say I love you? And she's like,

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Speaker 1: I got long the line wrong and you say something

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Speaker 1: funny and then she's like, that would be the end

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Speaker 1: of the show. The end of the show. I remember

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Speaker 1: that one. Yeah, so good. Anyway back to it. Sorry,

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Speaker 1: missed working with her, you know, I miss it. We

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Speaker 1: had it, we had fun. Yeah, she's just she's a

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Speaker 1: crack up. You know. It's like, yeah, sometimes you gets

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Speaker 1: so tired you just couldn't get anything right. Just you

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Speaker 1: just you know, you get that you just break and

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Speaker 1: you just start laughing. And then when it's clearly night,

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Speaker 1: when you're doing it by the middle of the night,

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Speaker 1: right right, so you know, the good directors will just

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Speaker 1: let you laugh at out because they know they can't

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Speaker 1: just stop it. You know. It wasn't a while. Dragon

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Speaker 1: Guy's come on, really, let's let's go, you know, and

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Speaker 1: it's like you just look at it, like God, just

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Speaker 1: just let's let us laugh because it's like there's no

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Speaker 1: horses out of the bar. This is like punch. Yeah. Wait.

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Speaker 1: I also love lower Lize hair. So she did like

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Speaker 1: a thing in this scene where it was almost like

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Speaker 1: a half little if you have bangs, it would be

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Speaker 1: like if you just pulled back the bangs and just

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Speaker 1: put that up, and everything else was down. Great hair,

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Speaker 1: great pink sweater with the bird. Oh god. And then

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Speaker 1: this Cisco you're chime in Cisco and Ebert like they're

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Speaker 1: talking about Atlantic City, and and then Richard gives his

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Speaker 1: review and she says something like and Cisco, no Ebert

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Speaker 1: because there's Cisco neighbor, right. Um? Yeah. I like the

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Speaker 1: opening and it was, you know, it was like it

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Speaker 1: was Digger at his best, which is Digger at his

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Speaker 1: worst almost if you know what I mean. Absolutely, And

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Speaker 1: it's like there's I don't know, Danielle, what was the

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Speaker 1: sensation that you were getting when Digger was doing his

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Speaker 1: his ploy? Wait, is Digger there yet? I thought we

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Speaker 1: haven't gotten to that part. That's not the opening. The

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Speaker 1: opening is the opening is then talking about the success

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Speaker 1: of Atlantic sid yes, and talking about Yeah, they're talking

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Speaker 1: about it, doesn't Digger come in? And later it's at

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Speaker 1: the end of the episode. Yeah, but I get why

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Speaker 1: you blurred it because it's the opening is all about Digger,

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Speaker 1: so you almost feel like I get I get it.

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Speaker 1: I thought that jumbles the memory. Wait, did you guys

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Speaker 1: are the part when she's like, um, a woman with

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Speaker 1: less than a reputable nature? And then was it Rory

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Speaker 1: that was like, it's not disrespectful unless it depends what

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Speaker 1: you're talking to them about or something like that. And

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Speaker 1: I'm just like, oh, no, Belie shops and she's like, off, Dad,

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Speaker 1: well I guess you're married, like about a plus A plus.

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Speaker 1: It's like Emily's worst nightmare. She even scolded. She even scolded, Rory,

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Speaker 1: you're hanging around. It's like that's your mother's influence, isn't it.

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Speaker 1: I mean it's just like they're just bagging on each

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Speaker 1: other at dinner, trying to keep it classy. It's not happening.

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Speaker 1: Was so fancy and it's just a rip fast. There's

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Speaker 1: there's a there's a there's a server standing in the

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Speaker 1: archway ready to go. Right. They just have to lift

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Speaker 1: a finger and she she comes over, you know. I

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Speaker 1: mean it's like, yeah, that's fancy, gilmors Man, Okay. And

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Speaker 1: then we go to the paper. What do you think

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Speaker 1: of all the the paper? Well, you know, a girl

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Speaker 1: from a small town, she's in now she's in the

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Speaker 1: big city and the big time, you know, and like

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Speaker 1: we're talking about Yale, so you know they're putting on

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Speaker 1: some productions over there. You've got Yale rap, You've got

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Speaker 1: you know, you've got one of the best theater schools

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Speaker 1: at that level in the world, right, and so I'm

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Speaker 1: sure the dance school is probably you know, top notch

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Speaker 1: as well. They've got that's a great point. I wouldn't

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Speaker 1: have put on such shitty productions at Yale because you

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Speaker 1: know how Rory goes and reviews the ballot is terrible

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Speaker 1: and then the end show is terrible. I don't think

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Speaker 1: that's Yale is going to have that crappy of shows.

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Speaker 1: I don't think they are either. They've got some of

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Speaker 1: the finest, you know, actors and the finest talent going

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Speaker 1: to that school. It's it's part of the reason they

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Speaker 1: got in Funny for the TV show. But I do

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Speaker 1: I do love that like Rory is getting challenged though,

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Speaker 1: because I feel like we're so used to her doing

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Speaker 1: everything right and being the star student and you know whatever,

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Speaker 1: and finally she's confronted with, you know, a little criticism

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Speaker 1: that her stuff isn't good enough. Right, Well, that was

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Speaker 1: right That's the point I was making. She's from this

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Speaker 1: little town, she's been really protected, overprotected, and now she's

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Speaker 1: in the big city and she's in the she's going

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Speaker 1: to have to She's going to have to start throwing

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Speaker 1: some punches if she wants to get little fish in

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Speaker 1: the big pond. Yeah. Man, Yeah, talent only gets you

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Speaker 1: so far. Now you gotta get some attitude. Yeah, good

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Speaker 1: pair of stuff in this episode. Flipping through the newspaper

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Speaker 1: and and Rory even like, my my article isn't in

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Speaker 1: here in Paris is like flipping so fast. It's like, oh,

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Speaker 1: thank god mine's in there. If she would I like

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Speaker 1: Paris in this episode. You know, I had we had

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Speaker 1: a similar assignment in in our high school where in

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Speaker 1: our English classway to go review the school play. It

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Speaker 1: was a musical and and and the teacher said, you

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Speaker 1: can either be John Simon of the New York Times

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Speaker 1: or you can be somebody else. So John Simon was

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Speaker 1: a serbic, I mean, he was just deadly in his

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Speaker 1: criticism and he just sliced people up. And the other

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Speaker 1: guy was a little more measured. So when I gave

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Speaker 1: my review, he said, obviously you're in this John Simon camp. No,

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Speaker 1: I didn't have I have to have a Doyle. It

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Speaker 1: was really good. I actually gave it a very good review.

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Speaker 1: I just there was a couple of things about it

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Speaker 1: that I found objectionable, that's all. So yeah, I mean

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Speaker 1: I actually think that Rory, Okay, what would you do

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Speaker 1: if you are writing for the paper? I mean, Scott,

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Speaker 1: we pretty much know your answer and you go to

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Speaker 1: this crappy ballet. Would you write the honest review? Yes?

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Speaker 1: You eviscerateed, you eviscerated. But here's but here's her dilemma.

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Speaker 1: She's a student there. She's got to fit in. She can't,

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Speaker 1: you know, she doesn't want to be a Paris and

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Speaker 1: make you a list of enemies and narrow it down

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Speaker 1: to five. You know, you know what I'm saying. So

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Speaker 1: it's a little different. So but if she wants to

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Speaker 1: develop as a writer and and and really excel at

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Speaker 1: you know, at that at that paper, which is a

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Speaker 1: prestigious place to be, I mean, can you imagine having

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Speaker 1: that on your resume and your journey Editor of the

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Speaker 1: Yale Review or whatever it's called, you know, um, what

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Speaker 1: are they called the Daily Bugle? No, the whippin poof

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Speaker 1: the dale. You know what I wanted to call it.

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Speaker 1: It's out of my head right now, the blaze that's

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Speaker 1: the paper on h Wait, we'll get to more of this,

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Speaker 1: but we'll keep going in order. So we get next

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Speaker 1: to where um lauralize like walking with Lane and Rory,

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Speaker 1: and Lane keep saying like punching work counts kicking where

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Speaker 1: the sun shine and loraa La thinks they're mad at

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Speaker 1: somebody like it was all that was sort of like funny,

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Speaker 1: but what's happening for me? Like, what's happening here? What

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Speaker 1: was happening? So we they're sort of a walk and

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Speaker 1: talk and we're learning the baby's born and Laura Lize

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Speaker 1: heading to Sukis and she got the gift of the

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Speaker 1: box that's sort of like the cake box. And we're

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Speaker 1: getting a little bit of Lane and Dave that we're

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Speaker 1: there still together. So we get that he would be

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Speaker 1: home for Christmas. M probably not though I know no,

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Speaker 1: it's in California making a hit. Serious. Yeah, sorry, Lane,

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Speaker 1: he's out. He's on Fox Network now, he said on

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Speaker 1: the c W anymore, he's not coming home. I have

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Speaker 1: to say that. We get two Suki's and I laugh

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Speaker 1: so hard at Michelle because first of all, he sneezed

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Speaker 1: to me, is better in two than into you know

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Speaker 1: what year was this, two thousand three or four? Yeah,

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Speaker 1: because I mean a sneeze is like someone sneezes. Now

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Speaker 1: everyone's like, oh, your exile if you sneeze totally. And

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Speaker 1: then I thought it was so funny. Did you guys

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Speaker 1: notice when Suki and Lora la are talking, Michelle is

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Speaker 1: on the porch fully being chased by something, but it's

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Speaker 1: totally in the background. Did you guys see that? Yeah,

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Speaker 1: he's fully flailing. You have to rewatch it. No, it

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Speaker 1: was dive bombing him. He was trapped out there. Poor

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Speaker 1: poor guy, pour a little guy. And then and then

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Speaker 1: we see Bruce again. Bruce shows up. Oh Bruce, Oh

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Speaker 1: good Bruce Cage lore Lie with a passion. Let's not

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Speaker 1: approve what does not see or feel that others don't?

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Speaker 1: What is what is going on there? What is with that?

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Speaker 1: What is with that? What is Bruce as a character

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Speaker 1: trying to tell us as an audience? Uh, you know,

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Speaker 1: I think a lot of baby nurses are kind of

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Speaker 1: strict like that though, But I do like this exercise Scott,

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Speaker 1: because I I don't I'm trying to think about it, like,

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Speaker 1: what is Bruce trying to tell us about Lorlie? That's

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Speaker 1: actually really interesting? It is, right, why would you do

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Speaker 1: that to the main character? Why? Why is a minor

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Speaker 1: character that's only going to be there for a couple

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Speaker 1: of episodes, So hating on on our beloved lor Lie? Why? Why?

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Speaker 1: Just for the sake of comedy? Probably probably for the

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Speaker 1: sake of comedy. And it's fitting because Lorlie is sort

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Speaker 1: of the you know, free and she's not a rule follower,

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Speaker 1: and Bruce is like, it's it's something, it's it's it's

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Speaker 1: it's restrictions that give us the best of Laurela because

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Speaker 1: she you can't you can't put baby in a corner, right, right,

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Speaker 1: something to play off of and rebel against. And yeah,

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Speaker 1: that's exactly right. It goes against everything she's about. So now,

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Speaker 1: may I throw one flag on the play bone to

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Speaker 1: pict Yes, that's what we do. I felt like it

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Speaker 1: wasn't a baby, then it was a baby, then it

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Speaker 1: was Yeah, they're going back and forth. Yeah, you're like,

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Speaker 1: that is clearly a toy in your hands, right, and

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Speaker 1: they picked it up. I'm like, that's not a baby,

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Speaker 1: that's not even a doll like it was just a

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Speaker 1: bunch of blankets. Then when she held the baby and

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Speaker 1: you see the face, I'm like, that's a baby. Then

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Speaker 1: even when Bruce picked up the baby again, I'm like,

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Speaker 1: that's not a baby. Yeah, you don't want to have

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Speaker 1: a real baby there. That can cause first of all,

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Speaker 1: it's not safe. Second of all, can cause these huge

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Speaker 1: delays because the baby starts crying and pooping the whole thing.

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Speaker 1: So you use the baby only when you literally must

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Speaker 1: use it. I think it's an animatronic rubber baby. But

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Speaker 1: what about that one moves. It moves, it's eyes move,

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Speaker 1: its mouth and nose move, its hands move and all

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Speaker 1: that stuff. Wow, that's scary. You know, they're kind of cool. Yeah,

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Speaker 1: I think this shot was a baby. And they showed

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Speaker 1: the face that I don't think that was a real baby.

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Speaker 1: What they literally showed the face. It's a rubber baby,

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Speaker 1: No it is. It's made out of rubber, rubber and plastic.

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Speaker 1: You might not be rung because the baby when I

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Speaker 1: because I noticed the same thing amy the baby didn't

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Speaker 1: move like it wasn't like the eyes moved or the

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Speaker 1: mouth moved or the hands. It was just like any

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Speaker 1: rubber babies they have and Warner brothers in thousands of

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Speaker 1: rubber babies. Well, I think they have a few. Is

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Speaker 1: there any chance you can't have all these babies coming

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Speaker 1: in and it would be so expensive If you're shooting

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Speaker 1: at three o'clock in the morning or two in the

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Speaker 1: morning and you're on the set with oceans eleven people

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Speaker 1: are smoking cigarettes. Hey, let's throw the baby around. You know,

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Speaker 1: it's like you know what I mean, It's like, you

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Speaker 1: gotta have the rubber baby. Is there any chance, Hannah,

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Speaker 1: you could pull up that scene so we could look

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Speaker 1: at the baby and see if that was a baby.

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Speaker 1: Oh my god, Hannah. Literally I don't know how she

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Speaker 1: does it. Hannah got this scene in six seconds split.

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Speaker 1: So to me, that looks like a baby. That's a

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Speaker 1: fake baby. Hannah. It's so fair, Hannah. It's so fast.

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Speaker 1: She gets out of bed, turns out the lights, and

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Speaker 1: she's back in bed before the lights go out. That's

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Speaker 1: how fast she is. She's like, Muhammad, she got that

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Speaker 1: baby up here? Okay, so it can we put this

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Speaker 1: on Instagram so that we can do a poll real baby,

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Speaker 1: fake baby? And I'm going that's a baby. That baby

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Speaker 1: is laying their way too sweetly, just a sleeping baby.

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Speaker 1: It looks I think that's a rubber baby. Yeah, I

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Speaker 1: think it's a rubber baby. I think that's a real baby.

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Speaker 1: But when they actually rubber babies, faces usually look a

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Speaker 1: little more generic than that. That is a rubber baby.

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Speaker 1: It is a rubber baby. Yeah, that's now there's no baby.

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Speaker 1: So see that scene. There's no baby. Now there is.

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Speaker 1: There's a rubber that's a rubber baby. But I think

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Speaker 1: when they showed the face real baby. Look at Michelle

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Speaker 1: in the background, you guys, look at Michelle just sitting

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Speaker 1: there kind of looking at We enjoyed the scene. Oh

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Speaker 1: my god, fake baby. I mean, we got all the

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Speaker 1: dynamics of it. And I love that blazer on Lora

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Speaker 1: lie is she she did? She has? You know, the

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Speaker 1: wardrobe is looking good. I agree with you on that one,

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Speaker 1: very solid. Yeah. All right, We're back at Yale and

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Speaker 1: Roy's got a red sweater on, and uh, she's rejected again.

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Speaker 1: He's crossing everything off on her, and he's speed reading

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Speaker 1: the whole thing and he's just making locks and then

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Speaker 1: crossing off. He says, it's getting better, it's getting better.

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Speaker 1: And he says, just right, what you think right, what's

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Speaker 1: the right instead of right righty writing? Boy did she ever? Okay?

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Speaker 1: So then we go into Mrs Kim's and at first

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Speaker 1: I thought it was I called it a lemonade vase.

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Speaker 1: Didn't they go to the ballet after that? Did I

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Speaker 1: mess it up? Mm hmm? Yeah, they I wrote Nutcracker terrible?

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Speaker 1: Oh yeah, they go the right after. Yeah, And that

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Speaker 1: was a funny scene. It was a funny scene because

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Speaker 1: you don't have to film what's actually going on. You

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Speaker 1: can get the reaction from the two which don't you

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Speaker 1: think that's actually even better? It was funnier. Yeah. Yeah,

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Speaker 1: I thought Loyalis jokes were pretty funny, the nutcracker joke,

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Speaker 1: and I knew Rory was going to take her lines

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Speaker 1: and put him in the article. Mm hmm. Then we

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Speaker 1: get to Mrs Kids and we've got the lemonade jug controversy, oh,

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Speaker 1: which was sweet and funny that Mrs Kim wants to

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Speaker 1: send Dave a gift. And I also like that Dave

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Speaker 1: is alive and well I do too. I like that

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Speaker 1: he's still in the mix without obviously being there. But

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Speaker 1: I thought it was a big moment that Mrs Kim

385
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Speaker 1: was told Lane to send this weird jug things to

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Speaker 1: Dave because he's a good boy, you know. Like I

387
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Speaker 1: was just like, oh, this is Mrs Kim's way of

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Speaker 1: like acceptance, which is shocking but sweet and Dave deserves it.

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Speaker 1: I agree. I agree, she's you know, Lane's gonna be now.

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Speaker 1: It's like Mrs Kim intruding on her relationship in a

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Speaker 1: positive way, but it's still an intrusion. It's I can

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Speaker 1: just stay out of it. You're right, you know, stop

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Speaker 1: trying to manipulate the situation. And I know it's you know,

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Speaker 1: her way, and and maybe at that point she understands

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Speaker 1: or she always under has understood her omniscience over that

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Speaker 1: whole family, you know what I mean. And what she

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Speaker 1: says goes. But it's it's like I'm glad Lane stepped

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Speaker 1: in and said, listen, mama, mama, you know stop okay,

399
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Speaker 1: let me let it breathe, let me do this. You know,

400
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Speaker 1: it's like it's gaining her independence. Mrs Kim is a

401
00:26:00,960 --> 00:26:08,959
Speaker 1: good mom. Yes and no? Yes, And I mean I

402
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Speaker 1: do what do you think, Scott, how what's the yes?

403
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Speaker 1: What's the no? Well? I you know, I had I

404
00:26:15,400 --> 00:26:18,880
Speaker 1: had some friends growing up who had parents like that,

405
00:26:20,240 --> 00:26:23,439
Speaker 1: UM who were very restrictive, who were you know, you

406
00:26:23,520 --> 00:26:26,440
Speaker 1: must study UM and if you get in trouble, you're

407
00:26:26,440 --> 00:26:28,920
Speaker 1: grounded for a whole month. I mean, very very very

408
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Speaker 1: strict UM. And and another friend had parents that were

409
00:26:33,320 --> 00:26:35,600
Speaker 1: you know, that would get very physical with him when

410
00:26:35,600 --> 00:26:39,359
Speaker 1: he was in trouble, and they both had severe problems

411
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Speaker 1: um UM. One became very successful, the other became successful

412
00:26:45,680 --> 00:26:47,879
Speaker 1: in another sense, but there were there were problems, there

413
00:26:47,880 --> 00:26:50,760
Speaker 1: were issues. So I you know, I don't think that that.

414
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Speaker 1: I mean, I really think it depends on the child

415
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Speaker 1: and what they're made of. But you're going to give um.

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Speaker 1: I mean Mrs Kim is giving Lane issues going forward

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Speaker 1: that she's going to have to deal with her whole life. Yeah.

418
00:27:04,080 --> 00:27:07,280
Speaker 1: I mean there's a point at which you know, you

419
00:27:07,359 --> 00:27:10,080
Speaker 1: just sort of have to let your kids fail. You

420
00:27:10,160 --> 00:27:12,639
Speaker 1: have to let them fail because they've got to figure

421
00:27:12,640 --> 00:27:14,720
Speaker 1: it out on their own. And if you don't let

422
00:27:14,760 --> 00:27:18,119
Speaker 1: them fail, you know they're there. And I would argue

423
00:27:18,240 --> 00:27:22,439
Speaker 1: Mrs Kim did that when Lane got drunk at the party.

424
00:27:23,440 --> 00:27:26,720
Speaker 1: Yeah she I think Mrs Kim might be, like, I

425
00:27:26,840 --> 00:27:30,920
Speaker 1: might give her thumbs up on being a mom. She's

426
00:27:31,000 --> 00:27:37,000
Speaker 1: very different than Laurelae. But when push comes to shove,

427
00:27:38,240 --> 00:27:46,600
Speaker 1: she does the right thing. Yeah, very involved and very strict.

428
00:27:46,200 --> 00:27:48,560
Speaker 1: I mean Lane can't do anything. She can't go out

429
00:27:48,640 --> 00:27:50,840
Speaker 1: after dark, she can't date, she can't go here, she

430
00:27:50,880 --> 00:27:53,560
Speaker 1: can I mean it's ridiculous. Yeah, you know, I just

431
00:27:53,680 --> 00:27:56,080
Speaker 1: think parents that are like that. I mean, there were

432
00:27:56,119 --> 00:27:59,960
Speaker 1: more parents like that back then and my parents generated

433
00:28:00,560 --> 00:28:04,359
Speaker 1: than there are today. And I think and I think

434
00:28:04,400 --> 00:28:07,440
Speaker 1: I think parenting has changed anyway, you know. Getting back

435
00:28:07,480 --> 00:28:09,119
Speaker 1: to the main point, I want to go on a tangent,

436
00:28:09,160 --> 00:28:12,159
Speaker 1: but yeah, I just think that that that Lane is

437
00:28:12,200 --> 00:28:14,960
Speaker 1: going to experience some serious issues going forward, and she's

438
00:28:14,960 --> 00:28:16,880
Speaker 1: going to have a tough time breaking out of that

439
00:28:17,080 --> 00:28:21,760
Speaker 1: even as an adult. I'll give it a different perspective

440
00:28:21,880 --> 00:28:24,200
Speaker 1: just because I did grow up that way. I had

441
00:28:24,440 --> 00:28:30,119
Speaker 1: very strict parents. But like I feel like Mrs Kim

442
00:28:30,320 --> 00:28:33,000
Speaker 1: is very strict on her. I'm definitely going to go

443
00:28:33,040 --> 00:28:36,679
Speaker 1: ahead and say that. But she's showing, she's giving things

444
00:28:36,760 --> 00:28:40,600
Speaker 1: that are showing that she cares about Lane. She's not

445
00:28:40,800 --> 00:28:43,800
Speaker 1: doing it to be you know, a strict parent just

446
00:28:43,880 --> 00:28:46,240
Speaker 1: because she's not doing it too, you know, like a

447
00:28:47,440 --> 00:28:51,520
Speaker 1: just be ah, she's doing it because she's like I

448
00:28:51,600 --> 00:28:54,440
Speaker 1: care about her, and she's showing these little things that

449
00:28:54,480 --> 00:28:59,600
Speaker 1: are you know, giving giving Lane something like send this

450
00:28:59,680 --> 00:29:02,200
Speaker 1: drug a Dave. He's a really good boy. That is

451
00:29:02,800 --> 00:29:06,160
Speaker 1: stands of approval. Um, okay, fine, you can go to

452
00:29:06,360 --> 00:29:10,280
Speaker 1: prom with Dave. That's another approval, Like because Mrs Kim

453
00:29:10,320 --> 00:29:13,760
Speaker 1: could very easily say absolutely not, you will not talk

454
00:29:13,800 --> 00:29:16,400
Speaker 1: to this boy in California, you will not take this

455
00:29:16,440 --> 00:29:19,160
Speaker 1: guy to prom, you will not see this man. And

456
00:29:19,320 --> 00:29:21,920
Speaker 1: she did do that in the beginning, so I will

457
00:29:21,960 --> 00:29:25,720
Speaker 1: say that. But she's at least like kind of giving

458
00:29:25,720 --> 00:29:29,920
Speaker 1: a little bit, which I appreciate of Mrs Kim. You know,

459
00:29:30,120 --> 00:29:33,040
Speaker 1: the payoff of the jug was really good and that

460
00:29:33,160 --> 00:29:39,080
Speaker 1: it wasn't it was so that one was Lane going

461
00:29:39,280 --> 00:29:44,440
Speaker 1: down a wormhole, but also showed that Lane isn't ready

462
00:29:44,440 --> 00:29:50,440
Speaker 1: to get married and maybe now maybe an inkling that

463
00:29:50,640 --> 00:29:56,480
Speaker 1: like she might date someone other than Dave. Yeah, and

464
00:29:56,560 --> 00:29:58,840
Speaker 1: maybe she doesn't see it as the end goal for

465
00:29:58,960 --> 00:30:05,760
Speaker 1: days right, you know, which, uh is tragic. This is

466
00:30:05,880 --> 00:30:10,840
Speaker 1: really going to make me sad. You just wanted to

467
00:30:10,840 --> 00:30:12,760
Speaker 1: be with Dave. I wanted to be with Dave. I

468
00:30:12,800 --> 00:30:14,800
Speaker 1: want Dave to come back from the O C. And

469
00:30:14,840 --> 00:30:18,280
Speaker 1: just hang out and starts hollow forever, the kind of

470
00:30:18,320 --> 00:30:21,520
Speaker 1: I will say, I never like to rewrite the show right,

471
00:30:21,600 --> 00:30:29,160
Speaker 1: like I never I do. I like it. But I

472
00:30:29,160 --> 00:30:34,760
Speaker 1: if I would have been whoever c W, the Paladinos, whoever,

473
00:30:35,160 --> 00:30:37,920
Speaker 1: I would have backed up a truck of money and

474
00:30:37,960 --> 00:30:41,320
Speaker 1: said to Adam Brody you are now a series regular

475
00:30:42,600 --> 00:30:45,479
Speaker 1: and kept him through the run of the show. You know,

476
00:30:45,520 --> 00:30:48,200
Speaker 1: they may have done that with all of those guys,

477
00:30:48,400 --> 00:30:51,280
Speaker 1: you know, Milo and Jared and all those guys, and

478
00:30:51,320 --> 00:30:55,360
Speaker 1: they you know, they may have all said no, right,

479
00:30:55,400 --> 00:30:58,200
Speaker 1: because I would argue that on the O c Adam

480
00:30:58,280 --> 00:31:01,640
Speaker 1: Brody was the lead. It was definitely an ensemble, but

481
00:31:01,720 --> 00:31:05,880
Speaker 1: the entire show revolved around him. So I think they're

482
00:31:05,960 --> 00:31:09,920
Speaker 1: I think their teams, their reps, you know, burned it

483
00:31:09,960 --> 00:31:12,720
Speaker 1: into their brains like this is a CW, this is

484
00:31:12,800 --> 00:31:14,720
Speaker 1: a smaller network. We need to get you on a

485
00:31:14,720 --> 00:31:19,560
Speaker 1: big network with your own show. You're right, and it's

486
00:31:19,560 --> 00:31:22,520
Speaker 1: not and it's and it's about you and and everything

487
00:31:22,680 --> 00:31:25,640
Speaker 1: revolves around you, and that's where you how you build

488
00:31:25,640 --> 00:31:29,400
Speaker 1: a career. So right, and Jared was super smart with that.

489
00:31:29,800 --> 00:31:32,160
Speaker 1: And see when child Michael Murray too, that happened to

490
00:31:32,240 --> 00:31:37,880
Speaker 1: him to totally so that that show and Milo Milo

491
00:31:37,960 --> 00:31:40,959
Speaker 1: went from this to being leveled up on Heroes and

492
00:31:41,000 --> 00:31:45,960
Speaker 1: then skyrocket literally, right, those young guys used that show

493
00:31:46,000 --> 00:31:49,960
Speaker 1: as a springboard. Right, it wasn't it wasn't an end

494
00:31:50,040 --> 00:31:54,480
Speaker 1: game for them. Talent that came out of Gilmore Girls

495
00:31:55,560 --> 00:31:59,280
Speaker 1: come on, like literally every single one of those guys,

496
00:31:59,440 --> 00:32:01,640
Speaker 1: every single on. Chad Michael Murray went on to have

497
00:32:01,680 --> 00:32:04,080
Speaker 1: his own show, Jared went on to have more, you know,

498
00:32:04,200 --> 00:32:11,360
Speaker 1: his own show multiple times over, Milo, Adam Matt Zuchre

499
00:32:11,880 --> 00:32:15,800
Speaker 1: has his own show. He did do Good Wife between

500
00:32:15,960 --> 00:32:19,720
Speaker 1: but now fully has I mean, that's pretty crazy. Yeah,

501
00:32:19,760 --> 00:32:21,480
Speaker 1: it's five guys right there, and then look at you.

502
00:32:21,600 --> 00:32:23,960
Speaker 1: I mean, that doesn't even mention Melissa McCarthy, Like, are

503
00:32:23,960 --> 00:32:30,400
Speaker 1: you kidding me for one second? You're absolutely right. You

504
00:32:30,440 --> 00:32:32,920
Speaker 1: know that Gilmore Girls can be referred to as kind

505
00:32:32,920 --> 00:32:36,960
Speaker 1: of a farm team for Hollywood, like he made the

506
00:32:37,000 --> 00:32:42,840
Speaker 1: Hollywood major league teams. So Gilmore fed a lot of

507
00:32:42,880 --> 00:32:48,160
Speaker 1: those those productions with Town. So I'll quickly mention the

508
00:32:48,200 --> 00:32:50,880
Speaker 1: gray pants and the gray sweater with the stripe I

509
00:32:51,000 --> 00:32:54,280
Speaker 1: love it. As we get to the most epic scene

510
00:32:54,680 --> 00:32:58,080
Speaker 1: in this whole episode, which was and maybe which maybe

511
00:32:58,840 --> 00:33:04,160
Speaker 1: it involves you. You know, this one doesn't even have Scott.

512
00:33:04,240 --> 00:33:07,120
Speaker 1: It's literally about Scott, but he never came out. So

513
00:33:08,080 --> 00:33:12,360
Speaker 1: Lauraa goes into the diner, she sees Nicole and is

514
00:33:12,400 --> 00:33:16,360
Speaker 1: your best acting, your best acting being all about you

515
00:33:16,520 --> 00:33:21,480
Speaker 1: and you not being there? Great acting? I knew we

516
00:33:21,480 --> 00:33:24,360
Speaker 1: were in for a ten out of ten when Laura

517
00:33:24,480 --> 00:33:32,920
Speaker 1: Lee says we'll all be and she's all, look at

518
00:33:32,960 --> 00:33:37,760
Speaker 1: you there to Nicole. If somebody could bring up the

519
00:33:38,920 --> 00:33:41,560
Speaker 1: and I I know people don't love it, but like,

520
00:33:41,680 --> 00:33:46,960
Speaker 1: can we please read that scene? Because what Lauren Graham

521
00:33:47,120 --> 00:33:53,280
Speaker 1: did was so freaking epic. It was hilarious and uncomfortable.

522
00:33:53,280 --> 00:33:57,000
Speaker 1: I mean she I just kept writing, holy cow, holy cow,

523
00:33:57,120 --> 00:34:02,720
Speaker 1: o MG, this is hilarious. Not hungry anymore? I mean,

524
00:34:02,800 --> 00:34:05,400
Speaker 1: is there anyone if Hannah can pull this off and

525
00:34:05,440 --> 00:34:09,319
Speaker 1: pull up that scene? I will if Hannah can do

526
00:34:09,360 --> 00:34:12,920
Speaker 1: this really fast? And then there's then there's like five

527
00:34:13,000 --> 00:34:16,080
Speaker 1: hand I'll let you off the hook because I got Danielle,

528
00:34:16,120 --> 00:34:19,919
Speaker 1: how do you guys do this so fast? Oh? She's

529
00:34:19,920 --> 00:34:22,080
Speaker 1: going to do it? Wait? Is there an I don't

530
00:34:22,120 --> 00:34:23,799
Speaker 1: want to be this person? So Danielle, do you want

531
00:34:23,800 --> 00:34:27,680
Speaker 1: to play Laurea, la what you just you just drooled

532
00:34:27,680 --> 00:34:30,799
Speaker 1: all over? If you well, if you guys will left.

533
00:34:31,000 --> 00:34:34,640
Speaker 1: But I don't want to be ab you'd be Laurel.

534
00:34:34,840 --> 00:34:37,040
Speaker 1: I'll be Nicole. All right, I'm gonna I'm gonna direct

535
00:34:37,120 --> 00:34:39,160
Speaker 1: you too in this episode. Thank you. But wait, okay,

536
00:34:39,239 --> 00:34:41,160
Speaker 1: so here we go. All right, go Scott. We're ready?

537
00:34:41,520 --> 00:34:45,560
Speaker 1: All right, ladies are you? Uh, you're good, you're feel ready?

538
00:34:45,640 --> 00:34:50,080
Speaker 1: I feel pretty good? Okay, Okay, whenever you're ready, ladies

539
00:34:50,160 --> 00:34:57,680
Speaker 1: commence Nicole, Hi, Lorely, we'll all be look at you there.

540
00:34:58,280 --> 00:35:03,960
Speaker 1: It's nice to see you. Yeah. Does Luke know you're there? Okay? Cut? Sorry, Amy,

541
00:35:04,040 --> 00:35:08,399
Speaker 1: don't don't laugh at your own jokes. Please, you can't.

542
00:35:08,440 --> 00:35:10,840
Speaker 1: You can't be the actress. And I'm fine. I'm just

543
00:35:10,840 --> 00:35:13,160
Speaker 1: gonna try and play it normal just because I was

544
00:35:13,239 --> 00:35:16,359
Speaker 1: over acting, I think you think so. Yeah, don't laugh

545
00:35:16,400 --> 00:35:19,040
Speaker 1: at your own jokes. Just it's not a joke, it's

546
00:35:19,080 --> 00:35:25,520
Speaker 1: just a reaction. All right. When you're ready, ladies take two, Nicole, hi, Lola,

547
00:35:26,360 --> 00:35:29,040
Speaker 1: we'll all be look look at you there. It's nice

548
00:35:29,040 --> 00:35:32,719
Speaker 1: to see you. Yeah. Does Luke know you're here? Yeah,

549
00:35:32,840 --> 00:35:35,000
Speaker 1: he's just in the back. Do you want him. No,

550
00:35:35,040 --> 00:35:36,440
Speaker 1: I don't want him. I don't want him. I was

551
00:35:36,480 --> 00:35:38,359
Speaker 1: just coming in for a bite with a friend, not

552
00:35:38,400 --> 00:35:41,120
Speaker 1: my imaginary friend, my friends, not with me. But he

553
00:35:41,200 --> 00:35:42,960
Speaker 1: doesn't eat normal food like this, so he's not coming

554
00:35:43,000 --> 00:35:46,960
Speaker 1: in you. So you could very good in you, very

555
00:35:47,000 --> 00:35:49,360
Speaker 1: good too. I'm just still living here in stars Hollow

556
00:35:49,400 --> 00:35:52,960
Speaker 1: and Rory's going to Yale. I that, of course, Well,

557
00:35:53,040 --> 00:35:56,320
Speaker 1: naturally would you'd be all filled in because Luke's talking

558
00:35:56,360 --> 00:36:01,080
Speaker 1: to you regularly? Mm hmm. Oh I I met a

559
00:36:01,080 --> 00:36:04,960
Speaker 1: bunch of lawyers from your firm. Really I did, yes, yes,

560
00:36:05,000 --> 00:36:07,560
Speaker 1: because well they were coming in to see Luke and

561
00:36:07,640 --> 00:36:10,080
Speaker 1: I'm in here a lot, and you know, right, yeah,

562
00:36:10,120 --> 00:36:13,480
Speaker 1: they're good guys, really good guys. They like you a lot,

563
00:36:13,640 --> 00:36:17,440
Speaker 1: and their partners at my firm, well, so they have

564
00:36:17,520 --> 00:36:20,560
Speaker 1: to like you. So I was Luke coming out or room.

565
00:36:20,680 --> 00:36:23,840
Speaker 1: He should be, you know, I'm not hungry. No, I

566
00:36:23,920 --> 00:36:27,799
Speaker 1: just remembered I ate. Oh, so it's really good to

567
00:36:27,840 --> 00:36:36,520
Speaker 1: see you same here, really good. So okay, Scott, I

568
00:36:36,600 --> 00:36:40,560
Speaker 1: want to brag. Did I nail that? No? You didn't. Sorry,

569
00:36:41,800 --> 00:36:45,359
Speaker 1: Oh my god, see you missed, you missed. You need

570
00:36:45,360 --> 00:36:49,000
Speaker 1: to take a pause. Oh my god, I literally didn't Amy.

571
00:36:50,080 --> 00:36:52,840
Speaker 1: I thought it was pretty good for somebody who wasn't trained,

572
00:36:53,840 --> 00:36:55,760
Speaker 1: and that was pretty good. I knew you were enjoying

573
00:36:55,800 --> 00:36:59,120
Speaker 1: yourself and you were, you know, the spirit of I

574
00:36:59,239 --> 00:37:02,280
Speaker 1: was in you. I felt that. Thank you. I thought

575
00:37:02,360 --> 00:37:04,200
Speaker 1: I was a ten out of ten. I'm not gonna lie, literally,

576
00:37:04,200 --> 00:37:11,319
Speaker 1: I would give you seven out of ten Malamar's. First

577
00:37:11,320 --> 00:37:13,440
Speaker 1: of all, I didn't do it justice, but that scene

578
00:37:13,520 --> 00:37:16,360
Speaker 1: was freaking genius as long as you enjoyed it. You

579
00:37:16,360 --> 00:37:18,799
Speaker 1: know what Billy Kid used to tell my wife when

580
00:37:18,800 --> 00:37:22,080
Speaker 1: she started skiing. He goes, listen, it doesn't matter as

581
00:37:22,080 --> 00:37:23,879
Speaker 1: long as you're smiling at the end of the run.

582
00:37:24,080 --> 00:37:27,680
Speaker 1: You're doing it right, and you're smiling. You're smiling at

583
00:37:27,719 --> 00:37:30,080
Speaker 1: the end of your run. Yeah, that was a girl.

584
00:37:30,280 --> 00:37:33,000
Speaker 1: That scene is. I can't do justice because it was

585
00:37:33,000 --> 00:37:36,920
Speaker 1: also the body language. Yeah, it was, and the whole

586
00:37:37,000 --> 00:37:39,520
Speaker 1: It's just like and at the end when Nicole was

587
00:37:39,560 --> 00:37:42,720
Speaker 1: eating her fries, I was like, oh, she knows she's

588
00:37:42,760 --> 00:37:46,000
Speaker 1: on like she is on top right now that she

589
00:37:46,160 --> 00:37:50,319
Speaker 1: just made Lorelei squirm. She's just casually eating the how

590
00:37:50,360 --> 00:37:53,279
Speaker 1: precise it is. You see how intricate the whole thing is.

591
00:37:53,840 --> 00:37:57,680
Speaker 1: You had a big chart that said Nicole, Laurel. That

592
00:37:57,719 --> 00:38:04,840
Speaker 1: would be point Nicole that we are seeing loyal I

593
00:38:05,239 --> 00:38:12,759
Speaker 1: and Rory both squirm in this episode. Danielle, they are

594
00:38:12,800 --> 00:38:16,200
Speaker 1: not right. They are not crushing it like they normally do.

595
00:38:17,239 --> 00:38:19,920
Speaker 1: So okay, so now we see on the door of

596
00:38:19,960 --> 00:38:23,200
Speaker 1: the dorm room died jerk and what who did you

597
00:38:23,239 --> 00:38:26,600
Speaker 1: think it was at when you first saw it? I

598
00:38:26,600 --> 00:38:29,279
Speaker 1: immediately knew it was for Rory, but I love that

599
00:38:29,400 --> 00:38:32,600
Speaker 1: parents tried owning it. She was like, we all know

600
00:38:32,719 --> 00:38:39,399
Speaker 1: this is probably for me, Oh my god. And then

601
00:38:39,480 --> 00:38:41,680
Speaker 1: Janet admits she kissed the boyfriend of someone on the

602
00:38:41,760 --> 00:38:45,480
Speaker 1: volleyball team, and then the other girls like, what's her name,

603
00:38:45,520 --> 00:38:51,640
Speaker 1: Olivia Hack? What's Olivia Hack's character? Tanna? Yeah, Tanna, Hannah.

604
00:38:51,960 --> 00:38:55,360
Speaker 1: She we knew it wasn't Tanna. Come on, yeah, we

605
00:38:55,360 --> 00:38:57,640
Speaker 1: were like, sorry, Tana, you know, don't You're not even

606
00:38:57,640 --> 00:39:04,160
Speaker 1: a leg in this race. Oh my god. So good.

607
00:39:04,960 --> 00:39:07,439
Speaker 1: So then we go quickly back to the diner where

608
00:39:07,440 --> 00:39:10,600
Speaker 1: we see Laura, Lee and Luke sort of now almost

609
00:39:10,600 --> 00:39:17,600
Speaker 1: having the same sort of awkwardness over Nicole. What did

610
00:39:17,640 --> 00:39:20,800
Speaker 1: you think in a little hostility like LORELEI was upset,

611
00:39:22,360 --> 00:39:25,359
Speaker 1: she was she came in hot and like, not in

612
00:39:25,400 --> 00:39:30,040
Speaker 1: a nice way. She came in like excuse me. Yeah,

613
00:39:30,400 --> 00:39:33,600
Speaker 1: she was confrontational to say the least, at a little

614
00:39:33,680 --> 00:39:38,400
Speaker 1: territorial there. Yeah, I wrote she's mad. Well, yeah, she

615
00:39:38,440 --> 00:39:42,200
Speaker 1: didn't really express it until the end. You know, she

616
00:39:42,280 --> 00:39:46,480
Speaker 1: thinks the new the new pots are stupid, right, she

617
00:39:46,600 --> 00:39:52,600
Speaker 1: put it into the stupid stupid and she left without

618
00:39:52,600 --> 00:39:57,120
Speaker 1: eating again. Oh my god, she's so hungry in this episode.

619
00:39:57,160 --> 00:40:00,160
Speaker 1: I love that scene. I love that. It's one my

620
00:40:00,239 --> 00:40:04,080
Speaker 1: favorite scenes I did with her. I would then put

621
00:40:04,160 --> 00:40:10,760
Speaker 1: point Luke on my chart. Yeah, Luke one one again. Well,

622
00:40:10,800 --> 00:40:13,640
Speaker 1: I mean he's just living his life, right, I mean,

623
00:40:14,520 --> 00:40:16,920
Speaker 1: stuff happens, and he's going with the flow. He's trying

624
00:40:16,960 --> 00:40:21,000
Speaker 1: to relax into a relationship or back into it. You know,

625
00:40:21,040 --> 00:40:26,439
Speaker 1: you can't fault him for that. His wife. Yeah, you're right,

626
00:40:27,040 --> 00:40:31,480
Speaker 1: it is his wife. I just wrote, Lorela is freaking,

627
00:40:31,960 --> 00:40:35,239
Speaker 1: and I think she didn't freak before when you two

628
00:40:35,239 --> 00:40:36,880
Speaker 1: were sitting on the steps of the house when you

629
00:40:36,960 --> 00:40:39,560
Speaker 1: told her, because you said I got married and then

630
00:40:39,880 --> 00:40:43,600
Speaker 1: very quickly we know you got divorced or you're getting divorced,

631
00:40:43,800 --> 00:40:50,399
Speaker 1: so she didn't have to feel all this. Oh, she's feeling. Yeah,

632
00:40:50,480 --> 00:40:53,320
Speaker 1: I mean, I think we're in the genuine space where

633
00:40:53,840 --> 00:40:58,200
Speaker 1: he's moved on and he's he wants his life to

634
00:40:58,239 --> 00:41:01,200
Speaker 1: amount to something, and you know, he wants a partner

635
00:41:01,239 --> 00:41:03,000
Speaker 1: to share it with, and he's just you know, he's

636
00:41:03,040 --> 00:41:06,760
Speaker 1: not going to wait for her any longer if she okay.

637
00:41:06,840 --> 00:41:09,879
Speaker 1: So if I think that if lore Lee didn't learn

638
00:41:09,920 --> 00:41:12,200
Speaker 1: all this that he's getting back with Nicole a bit,

639
00:41:12,760 --> 00:41:14,640
Speaker 1: she never would have gone out with Digger. I think

640
00:41:14,680 --> 00:41:17,839
Speaker 1: it would have been they would have hooked up right

641
00:41:17,880 --> 00:41:22,520
Speaker 1: here because she's clearly ready losing her mind. And then

642
00:41:22,560 --> 00:41:25,759
Speaker 1: I think she goes to Digger because she can't have

643
00:41:25,880 --> 00:41:30,920
Speaker 1: Luke right now, right, I mean that's the only explanation. Yeah. Well,

644
00:41:30,960 --> 00:41:35,080
Speaker 1: also I like Digger, but we'll get to that. So

645
00:41:35,120 --> 00:41:40,680
Speaker 1: I have a question for you guys. They're very loud

646
00:41:40,920 --> 00:41:49,520
Speaker 1: walking around the entire restaurant. Literally, do these customers think

647
00:41:49,560 --> 00:41:52,920
Speaker 1: it's weird that it's not a large diner? They can

648
00:41:52,960 --> 00:41:58,120
Speaker 1: literally here there is higher conversation. I think that's the

649
00:41:58,239 --> 00:42:03,280
Speaker 1: norm for Luke's diner. Yeah. I think that's his place

650
00:42:03,320 --> 00:42:07,479
Speaker 1: and he'll talk when he wants to do they add

651
00:42:07,480 --> 00:42:09,480
Speaker 1: the background noise, so like when you guys are doing

652
00:42:09,520 --> 00:42:11,560
Speaker 1: the scene. Is it just dead quiet and they're except

653
00:42:11,600 --> 00:42:16,960
Speaker 1: for you too? Oh my god, it has to be.

654
00:42:17,000 --> 00:42:21,800
Speaker 1: It had better be. No talking, uh no, even whispering.

655
00:42:21,840 --> 00:42:24,560
Speaker 1: A lot of a lot of doing extra work is hard,

656
00:42:24,600 --> 00:42:28,799
Speaker 1: and when people are are getting into their extra characters,

657
00:42:28,880 --> 00:42:32,040
Speaker 1: you know, sometimes they sort of whisper because they're forming

658
00:42:32,080 --> 00:42:34,400
Speaker 1: the words they want to believe, they want the other

659
00:42:34,400 --> 00:42:37,040
Speaker 1: person to believe that they're having an actual conversation. It's

660
00:42:37,120 --> 00:42:39,840
Speaker 1: very difficult if you ever try to do that and

661
00:42:39,920 --> 00:42:42,520
Speaker 1: stay quiet in a scene except you know, you're mimicking

662
00:42:42,560 --> 00:42:44,480
Speaker 1: everything and you're not making any noise. It's very difficult

663
00:42:44,480 --> 00:42:46,840
Speaker 1: to do it. So, my god, i'd be fired in

664
00:42:46,920 --> 00:42:49,480
Speaker 1: four seconds. Yeah, well you don't get fired. Just said, hey,

665
00:42:49,520 --> 00:42:51,880
Speaker 1: you know, can you And a lot of like clinking

666
00:42:51,920 --> 00:42:55,120
Speaker 1: of glasses or putting putting things down, or clinking of

667
00:42:55,160 --> 00:42:58,319
Speaker 1: cutlery on I'm gonna have to watch the cutlery because

668
00:42:58,360 --> 00:43:01,680
Speaker 1: now do they pick it up? Like yeah, everything's very

669
00:43:01,960 --> 00:43:05,400
Speaker 1: like you'll you'll notice. And I just you know, I

670
00:43:05,440 --> 00:43:09,880
Speaker 1: was just watching a film where Kevin Spacey was in

671
00:43:09,960 --> 00:43:13,160
Speaker 1: a scene and he was who was the actor they

672
00:43:13,160 --> 00:43:15,799
Speaker 1: would let go? Oh no, Stanley Tucci was let go.

673
00:43:16,640 --> 00:43:19,200
Speaker 1: Kevin Spacey came in and said something and he was

674
00:43:19,239 --> 00:43:22,239
Speaker 1: packing up his things, and you know even there, right,

675
00:43:22,280 --> 00:43:24,359
Speaker 1: it's not you know, you don't you know, if you've

676
00:43:24,400 --> 00:43:26,320
Speaker 1: just been fired after nineteen years, you're gonna be a

677
00:43:26,320 --> 00:43:28,240
Speaker 1: littleist and you're gonna be throwing stuff in the box,

678
00:43:28,360 --> 00:43:30,920
Speaker 1: right because they're scorting you out of the building and

679
00:43:30,960 --> 00:43:34,120
Speaker 1: it's like it's really harsh, so and they're waiting for you,

680
00:43:34,160 --> 00:43:36,040
Speaker 1: so you're just gonna be pissed. But Stanley Tucci was

681
00:43:36,040 --> 00:43:38,960
Speaker 1: carefully placing all of the items in the box very quietly,

682
00:43:38,960 --> 00:43:43,160
Speaker 1: not to step on Kevin Spacey's lines or I'm sorry

683
00:43:43,160 --> 00:43:49,279
Speaker 1: Paul Bettany's lines. This i think it's margin call. Oh yeah,

684
00:43:49,320 --> 00:43:51,600
Speaker 1: so do you also have to do that for the edit,

685
00:43:51,840 --> 00:43:54,359
Speaker 1: like just in case they like, you don't want all

686
00:43:54,440 --> 00:43:57,359
Speaker 1: this noise going on when somebody else is talking when

687
00:43:57,360 --> 00:44:00,920
Speaker 1: you're talking, so you just gotta do things quietly. It's

688
00:44:00,960 --> 00:44:03,480
Speaker 1: like why they have the you know, like when whenever

689
00:44:03,480 --> 00:44:06,359
Speaker 1: somebody comes from a grocery store, they're special backs. They're

690
00:44:06,400 --> 00:44:09,200
Speaker 1: not the real bags because the real bags make too

691
00:44:09,280 --> 00:44:13,040
Speaker 1: much noise. But you have art, yeah, and you literally

692
00:44:13,080 --> 00:44:18,560
Speaker 1: have it at the grocery store so loud, or just

693
00:44:18,600 --> 00:44:21,040
Speaker 1: all the things Luke has to do, like the coffee,

694
00:44:21,160 --> 00:44:23,720
Speaker 1: put the coffee thing back in, drop a mug, drop

695
00:44:23,719 --> 00:44:26,920
Speaker 1: a plate, like that's a lot. You land it quietly,

696
00:44:26,960 --> 00:44:29,879
Speaker 1: you don't put it down normal. Is there stuff under

697
00:44:29,880 --> 00:44:34,520
Speaker 1: the plates, like you know, like things? There was a

698
00:44:34,560 --> 00:44:37,520
Speaker 1: whole choreographed thing that you had in this scene. I

699
00:44:37,560 --> 00:44:41,839
Speaker 1: mean it was a lot of things. Pick up move dude, dude,

700
00:44:42,120 --> 00:44:45,399
Speaker 1: But yeah, I noticed one of the plates was plated beautifully.

701
00:44:45,640 --> 00:44:51,040
Speaker 1: It had the beautiful mashto. Well, that's how we do it.

702
00:44:51,480 --> 00:44:53,919
Speaker 1: Is that all on your script? Like okay, say this line,

703
00:44:54,000 --> 00:44:57,759
Speaker 1: drop your cup, So you make it up, but then

704
00:44:57,800 --> 00:45:01,879
Speaker 1: you have to do it the same way all times. Yeah,

705
00:45:01,920 --> 00:45:05,160
Speaker 1: you can figure it out and rehearsal. Do you write

706
00:45:05,160 --> 00:45:07,960
Speaker 1: yourself a note like note to the mashed potatoes, go

707
00:45:08,000 --> 00:45:09,399
Speaker 1: to the fries, go to the count. No, you don't

708
00:45:09,400 --> 00:45:12,600
Speaker 1: write it down, You just you just remember it. Yeah. Yeah,

709
00:45:12,640 --> 00:45:15,319
Speaker 1: that's why I wouldn't be able to do that. If

710
00:45:15,440 --> 00:45:18,680
Speaker 1: you would, you could do it enough. Do you think

711
00:45:18,680 --> 00:45:20,920
Speaker 1: you could do it if you did that all those

712
00:45:20,960 --> 00:45:25,880
Speaker 1: movements he made without writing it down? No, because I

713
00:45:25,880 --> 00:45:29,080
Speaker 1: wouldn't be comfortable memorizing those lines like that, my head

714
00:45:29,080 --> 00:45:31,839
Speaker 1: would just be all about the lines and like making

715
00:45:31,840 --> 00:45:34,520
Speaker 1: SUREM delivering those that I'll forget, Oh I didn't pick

716
00:45:34,560 --> 00:45:36,160
Speaker 1: up the cup or I didn't pick up the plate,

717
00:45:36,320 --> 00:45:39,560
Speaker 1: like I don't know. I give you mad kudos because

718
00:45:39,840 --> 00:45:43,480
Speaker 1: I there's no way, no way, absolutely no way. Well,

719
00:45:43,880 --> 00:45:46,319
Speaker 1: you know that's why you do theater. In theater, you

720
00:45:46,360 --> 00:45:49,239
Speaker 1: do that. That's if you're trying to change it. If

721
00:45:49,280 --> 00:45:52,000
Speaker 1: you've been on stage and you've had to deal with

722
00:45:52,160 --> 00:45:56,880
Speaker 1: kitchen scenes and doing those, doing lots of activities, and

723
00:45:56,880 --> 00:45:59,480
Speaker 1: and and learning how to do all that stuff, you know,

724
00:45:59,520 --> 00:46:03,719
Speaker 1: you learn that the dance, the blocking, the choreography that

725
00:46:03,800 --> 00:46:06,640
Speaker 1: you come up with in rehearsal supports the scene and

726
00:46:06,680 --> 00:46:09,040
Speaker 1: supports the life of the dialogue. I mean, you gotta

727
00:46:09,040 --> 00:46:10,960
Speaker 1: give it life, right, you gotta give it a behavior.

728
00:46:11,400 --> 00:46:14,560
Speaker 1: I need to know this. What's harder the scene you

729
00:46:14,640 --> 00:46:17,840
Speaker 1: just did in the diner with lor Lye or Harry

730
00:46:17,880 --> 00:46:21,960
Speaker 1: Styles performing on stage. I sort of think Harry's got

731
00:46:22,000 --> 00:46:25,759
Speaker 1: it easier because you could make you know what it's all,

732
00:46:25,960 --> 00:46:29,919
Speaker 1: it's all the same. Yeah, he's got I'm sure he's

733
00:46:29,920 --> 00:46:33,400
Speaker 1: got choreograph moves that he does every single night, and

734
00:46:33,440 --> 00:46:36,040
Speaker 1: he and he knows what he's going to do in

735
00:46:36,200 --> 00:46:39,719
Speaker 1: every section of every song that he sings, but there's

736
00:46:39,880 --> 00:46:43,040
Speaker 1: room for it, like because it's a light show, right,

737
00:46:43,080 --> 00:46:44,960
Speaker 1: I mean, it's a whole thing's he's got to be

738
00:46:45,000 --> 00:46:47,839
Speaker 1: in certain spots for the lights to him the right way.

739
00:46:47,920 --> 00:46:50,359
Speaker 1: So it's all rehearsed, and I mean, I think there's

740
00:46:50,440 --> 00:46:53,000
Speaker 1: probably a looser structure when you're performing live like that,

741
00:46:53,080 --> 00:46:57,360
Speaker 1: but there's a general sort of blocking that must be

742
00:46:57,440 --> 00:47:00,359
Speaker 1: adhered to on every song. You know, those things are

743
00:47:00,480 --> 00:47:04,239
Speaker 1: very well thought out. My next question for you to

744
00:47:04,719 --> 00:47:11,439
Speaker 1: abruptly change the topic. Does Nicole like Laurel No, no way,

745
00:47:13,400 --> 00:47:18,920
Speaker 1: And does Laurel like Nicole No? That's a death match

746
00:47:19,440 --> 00:47:29,720
Speaker 1: right there. Yeah, Nicole loves this episode like she loves

747
00:47:30,000 --> 00:47:34,799
Speaker 1: everything about it. She loves that is so true. Yeah,

748
00:47:34,840 --> 00:47:37,600
Speaker 1: she was looking her chops at the end of that scene. Yeah,

749
00:47:38,400 --> 00:47:42,200
Speaker 1: I got her. Yeah. Okay, So we go to the

750
00:47:42,239 --> 00:47:48,080
Speaker 1: cafeteria and die jerk, we get Rory gets confronted. Do

751
00:47:48,080 --> 00:47:52,520
Speaker 1: you think the ballerina really would have done that? Um? Sure,

752
00:47:53,160 --> 00:47:58,480
Speaker 1: I think it's it's highly probable. Sure, Yeah, why not?

753
00:47:58,560 --> 00:48:00,360
Speaker 1: I think if you're an actor and you or a

754
00:48:00,440 --> 00:48:02,280
Speaker 1: dancer or a singer and you get a bad review.

755
00:48:02,680 --> 00:48:05,280
Speaker 1: I mean, are you gonna go you get a bad review, Scott,

756
00:48:05,400 --> 00:48:07,719
Speaker 1: You're gonna go call the New York Times and tell

757
00:48:07,760 --> 00:48:13,279
Speaker 1: them like die jerk. Well, Scott's not getting compared to

758
00:48:13,360 --> 00:48:17,600
Speaker 1: being a hippo. So if somebody called you a hippo

759
00:48:17,680 --> 00:48:22,000
Speaker 1: and a review, you might be a little I don't know.

760
00:48:22,040 --> 00:48:25,880
Speaker 1: I just think, you know, my here's my message to

761
00:48:26,080 --> 00:48:33,360
Speaker 1: that ballerina. Mh you better grow a thicker skin totally

762
00:48:33,400 --> 00:48:37,200
Speaker 1: if you're gonna make it totally, because you're gonna get

763
00:48:37,640 --> 00:48:40,680
Speaker 1: slammed on the way up. No matter how good you are,

764
00:48:40,880 --> 00:48:43,480
Speaker 1: you're gonna get slammed by something. That's how many of

765
00:48:43,520 --> 00:48:48,800
Speaker 1: those were getting on the Instagram Read our Apple reviews.

766
00:48:48,960 --> 00:48:54,640
Speaker 1: People are very nice, real mean, and that's they're right.

767
00:48:54,719 --> 00:48:57,080
Speaker 1: They get to do that. That's their right. They get

768
00:48:57,120 --> 00:49:00,960
Speaker 1: to write to to a certain sent like I don't

769
00:49:00,960 --> 00:49:03,319
Speaker 1: think you should do terrible, terrible things, but like they

770
00:49:03,320 --> 00:49:05,919
Speaker 1: can write to us and say, you guys suck. Yeah,

771
00:49:05,960 --> 00:49:08,680
Speaker 1: that's that's just life. You know. I like it better

772
00:49:08,719 --> 00:49:10,800
Speaker 1: when they give us like notes and we can improve.

773
00:49:10,880 --> 00:49:13,479
Speaker 1: But yeah, they're right, you suck. It's it's it's very

774
00:49:13,560 --> 00:49:18,200
Speaker 1: possible that at times you can suck. It's really, no

775
00:49:18,280 --> 00:49:20,680
Speaker 1: matter how much work you put in about how dedicated

776
00:49:20,719 --> 00:49:22,680
Speaker 1: you are to about how much you love it, it's

777
00:49:22,719 --> 00:49:25,080
Speaker 1: possible that the end result is like, you know, no,

778
00:49:25,600 --> 00:49:31,000
Speaker 1: you're not somebody's cup of tea. It just happens, you know,

779
00:49:31,160 --> 00:49:35,960
Speaker 1: no matter how much you want it right, totally, I got.

780
00:49:36,000 --> 00:49:39,040
Speaker 1: I'm trying to find one that I read that was okay, way,

781
00:49:39,239 --> 00:49:44,359
Speaker 1: this was so good respect respect to the person. So

782
00:49:44,440 --> 00:49:47,040
Speaker 1: first of all, somebody who and I don't like to

783
00:49:47,040 --> 00:49:48,359
Speaker 1: read the name because I don't know if they want

784
00:49:48,360 --> 00:49:50,000
Speaker 1: to be on that, you know, so I'm not reading

785
00:49:50,000 --> 00:49:52,640
Speaker 1: it just to be respect. But number one, no, no, no,

786
00:49:52,680 --> 00:49:56,440
Speaker 1: they're not thoughts. This is real Amy, You've really grown

787
00:49:56,480 --> 00:49:59,680
Speaker 1: on me. So I'm thinking, oh my god, my day

788
00:49:59,760 --> 00:50:04,319
Speaker 1: is may I have a fan? I'm growing up? And

789
00:50:04,320 --> 00:50:06,120
Speaker 1: then you know, like went on Instagram. It says like

790
00:50:06,160 --> 00:50:09,880
Speaker 1: two more comments, so I click, oh, two more comments

791
00:50:09,920 --> 00:50:17,520
Speaker 1: and it says I can't relate. I was like, it

792
00:50:17,560 --> 00:50:21,839
Speaker 1: took me right back down. Okay, so uh see that

793
00:50:21,920 --> 00:50:27,000
Speaker 1: was very funny, but didn't age well. Digger and Richard

794
00:50:27,160 --> 00:50:30,440
Speaker 1: hooking up the wireless, I mean I guess it aged

795
00:50:30,440 --> 00:50:33,799
Speaker 1: well because of the time, but it was like he's

796
00:50:33,880 --> 00:50:39,799
Speaker 1: take the wireless. We're wireless, taking the last laptop, mom,

797
00:50:39,880 --> 00:50:42,400
Speaker 1: you can do shopping on the internet, you know, like

798
00:50:42,480 --> 00:50:46,000
Speaker 1: things like that. It's like Google Google them. I mean,

799
00:50:46,000 --> 00:50:48,880
Speaker 1: so it was like very funny, but it was so dated.

800
00:50:50,120 --> 00:50:56,640
Speaker 1: He's out on the patio. It's crystal clear out here. Wait.

801
00:50:56,760 --> 00:50:59,600
Speaker 1: Is that Is that charming when it's so dated or

802
00:50:59,640 --> 00:51:03,719
Speaker 1: is it just yeah? Kind of like it. I like

803
00:51:03,880 --> 00:51:07,600
Speaker 1: seeing Richard being all happy and goofy and full of

804
00:51:07,680 --> 00:51:12,439
Speaker 1: life and enjoying himself, you know, discovering something new and

805
00:51:12,480 --> 00:51:15,320
Speaker 1: having this new partnership and this new lease on life.

806
00:51:15,360 --> 00:51:18,160
Speaker 1: It's it's nice to be around that. You know, he's

807
00:51:18,200 --> 00:51:20,480
Speaker 1: happy like a kid again. You know, it's like everything's

808
00:51:20,520 --> 00:51:23,640
Speaker 1: brand new. Yeah, and not to mention it's still kind

809
00:51:23,680 --> 00:51:27,080
Speaker 1: of relatable. Like my grandparents don't have like they just

810
00:51:27,120 --> 00:51:29,480
Speaker 1: have their landline, you know, like they don't have a

811
00:51:29,560 --> 00:51:33,319
Speaker 1: laptop or anything like tech savvy like that. So it's

812
00:51:33,320 --> 00:51:35,520
Speaker 1: still even though it was twenty years ago, it's still

813
00:51:35,600 --> 00:51:38,400
Speaker 1: kind of relatable. Yeah, it's relatable where it's Yeah, but

814
00:51:38,440 --> 00:51:41,520
Speaker 1: you're definitely like we all have like we all have

815
00:51:41,600 --> 00:51:44,680
Speaker 1: a lot of time. Okay, So then what do you

816
00:51:44,680 --> 00:51:46,200
Speaker 1: think of Digger when he says he's going to get

817
00:51:46,239 --> 00:51:58,839
Speaker 1: Emily to invite him to dinner. You know this he's annoying. Yeah,

818
00:51:59,040 --> 00:52:01,919
Speaker 1: he just he's just you know, he's so in love

819
00:52:01,960 --> 00:52:04,839
Speaker 1: with himself. He thinks he's so clever, right, and I'm

820
00:52:04,840 --> 00:52:06,560
Speaker 1: going to really prove it to her, and he's so

821
00:52:06,680 --> 00:52:10,080
Speaker 1: like on it, and and it's just, yeah, it's just

822
00:52:10,120 --> 00:52:13,279
Speaker 1: a little too much. Right. Oh. I loved it. I

823
00:52:13,560 --> 00:52:17,520
Speaker 1: I it's it's fun. It was actually fun to watch, right,

824
00:52:18,000 --> 00:52:20,200
Speaker 1: Like he set it up, he does it. Then he

825
00:52:20,200 --> 00:52:22,080
Speaker 1: sat at dinner table and he's going to ask her

826
00:52:22,120 --> 00:52:24,360
Speaker 1: to dinner, and it's you know, it's supposed to be romantic,

827
00:52:24,600 --> 00:52:27,280
Speaker 1: like I'm not sure we'll have enough, and she's acting

828
00:52:27,320 --> 00:52:29,520
Speaker 1: like she's just getting all turned on, and it was

829
00:52:29,719 --> 00:52:33,120
Speaker 1: I was just too okay, So I love that. I

830
00:52:33,160 --> 00:52:37,279
Speaker 1: thought that was so Yeah, I have to disagree because

831
00:52:37,320 --> 00:52:40,440
Speaker 1: I loved Jason and Emily. I thought that was adorable.

832
00:52:40,719 --> 00:52:45,319
Speaker 1: And then I loved the subliminal flirty flirt flirt with

833
00:52:45,400 --> 00:52:49,480
Speaker 1: Digger and Laura La and nobody gets it but Rory.

834
00:52:50,040 --> 00:52:53,839
Speaker 1: He was basically asking, like setting up their date at

835
00:52:53,920 --> 00:52:59,399
Speaker 1: the table. Of course, it was so adorable. I will

836
00:52:59,480 --> 00:53:03,720
Speaker 1: give that to him. That's kind of cute. Sure, fine, fine,

837
00:53:03,800 --> 00:53:08,239
Speaker 1: like that's cool, but I don't know. He still just

838
00:53:08,280 --> 00:53:10,880
Speaker 1: bothers me. The only thing that bothered me about him

839
00:53:10,920 --> 00:53:12,960
Speaker 1: was I didn't like how he was holding his fork

840
00:53:13,520 --> 00:53:16,680
Speaker 1: because it was like, you're not eating holding for he

841
00:53:16,760 --> 00:53:19,040
Speaker 1: was holding his fork upside down, and I'm like, you're

842
00:53:19,040 --> 00:53:21,920
Speaker 1: not going to eat? But yeah, I mean it's so

843
00:53:21,960 --> 00:53:24,000
Speaker 1: tough for me. I get a lot of dialogue in

844
00:53:24,000 --> 00:53:27,920
Speaker 1: that scene. Yeah, I couldn't. He couldn't really eat. I

845
00:53:27,960 --> 00:53:29,840
Speaker 1: don't think he had. I don't think he had eating

846
00:53:29,880 --> 00:53:34,080
Speaker 1: food on his mind. True. I give that a ten

847
00:53:34,120 --> 00:53:36,560
Speaker 1: out of ten. I loved it. I thought that whole

848
00:53:36,600 --> 00:53:41,680
Speaker 1: thing was hilarious. And we're working in the article and

849
00:53:41,840 --> 00:53:44,520
Speaker 1: Richard and Emily read the article. They would love it.

850
00:53:44,800 --> 00:53:48,279
Speaker 1: They would love that article. They love they love it,

851
00:53:48,320 --> 00:53:51,160
Speaker 1: and then we've got this sort of dance. Definitely a

852
00:53:51,200 --> 00:53:56,000
Speaker 1: good scene. It was. It was well acted, well executed.

853
00:53:56,080 --> 00:54:00,759
Speaker 1: It was very clever. And then that Rory saw right

854
00:54:00,800 --> 00:54:02,640
Speaker 1: through it. She's like, um, are you gonna go out

855
00:54:02,680 --> 00:54:06,120
Speaker 1: with him? Because that was obvious? It was obvious, right,

856
00:54:07,480 --> 00:54:10,120
Speaker 1: It was almost too obvious. It was just too you know,

857
00:54:10,360 --> 00:54:12,759
Speaker 1: maybe that's what bothered me a little bit about it.

858
00:54:12,760 --> 00:54:15,839
Speaker 1: It was just a little too obvious where it's like

859
00:54:15,920 --> 00:54:17,840
Speaker 1: Emily and Richard had to pretend like they didn't know

860
00:54:17,880 --> 00:54:19,680
Speaker 1: what was going on, and it was pretty obvious what

861
00:54:19,760 --> 00:54:22,080
Speaker 1: was going on, you know what I mean. The other

862
00:54:22,080 --> 00:54:24,880
Speaker 1: thing I'm going to say is the phone call scenes

863
00:54:25,400 --> 00:54:29,240
Speaker 1: literally do not bother me. I think they are totally working,

864
00:54:29,520 --> 00:54:32,040
Speaker 1: and I think it's the way they shoot them because

865
00:54:32,040 --> 00:54:34,359
Speaker 1: it's not just I'm on the phone. Well, there's not

866
00:54:34,440 --> 00:54:37,160
Speaker 1: that many of them anymore. You would be surprised there

867
00:54:37,200 --> 00:54:40,120
Speaker 1: was a ton in this episode. I don't notice how

868
00:54:40,120 --> 00:54:44,000
Speaker 1: many were there. There was a lore like calling Rory

869
00:54:44,320 --> 00:54:47,760
Speaker 1: before she goes to the and the Shane and wasn't

870
00:54:47,960 --> 00:54:52,520
Speaker 1: was there one with Lane and Rory? Two? Jackie says

871
00:54:52,560 --> 00:54:55,239
Speaker 1: there were two, and I'm telling you two in an

872
00:54:55,280 --> 00:54:58,280
Speaker 1: hour is not that much. But it's also the movement,

873
00:54:58,640 --> 00:55:01,520
Speaker 1: so they make sure that Lane is moving during hers

874
00:55:01,560 --> 00:55:04,759
Speaker 1: and Rory's moving, so you really feel like it's not

875
00:55:04,880 --> 00:55:07,360
Speaker 1: just stagnant. No one's sitting there talking on the phone.

876
00:55:07,840 --> 00:55:13,040
Speaker 1: I think they're I think it's working, right, Yeah, if

877
00:55:13,040 --> 00:55:15,759
Speaker 1: you use them sparingly in the right way, they can

878
00:55:15,800 --> 00:55:21,719
Speaker 1: be very effective. I just can't overdo it. True, So

879
00:55:22,000 --> 00:55:27,200
Speaker 1: favorite lines, and then let's give Digger a one out

880
00:55:27,239 --> 00:55:30,680
Speaker 1: of ten malamars and then the episode one out of

881
00:55:30,680 --> 00:55:34,000
Speaker 1: ten malamars. I just want to know where you guys standing,

882
00:55:34,320 --> 00:55:36,279
Speaker 1: want to give the episode and Digger one out of ten.

883
00:55:36,760 --> 00:55:41,080
Speaker 1: No, no no, I'm judging it already as I'm saying, the

884
00:55:41,120 --> 00:55:44,600
Speaker 1: scale is one out of ten millions the new scale.

885
00:55:44,600 --> 00:55:47,279
Speaker 1: I've never heard of one out of ten. I'm just

886
00:55:47,320 --> 00:55:50,839
Speaker 1: throwing it in there. How many malamars for Digger and

887
00:55:50,840 --> 00:55:55,160
Speaker 1: how many malamars for the episode? But it's ten now, okay,

888
00:55:55,520 --> 00:55:58,000
Speaker 1: it's never So what do you why do you feel

889
00:55:58,000 --> 00:55:59,520
Speaker 1: the need to explain to one out of ten to us?

890
00:55:59,520 --> 00:56:03,160
Speaker 1: And forgot, guys, we're gonna go to one to time

891
00:56:04,239 --> 00:56:09,880
Speaker 1: because we usually one to sixteen. We're going off the rails.

892
00:56:09,120 --> 00:56:14,120
Speaker 1: You what is this, you're saying, I'm being a little

893
00:56:14,160 --> 00:56:17,799
Speaker 1: captain obvious. Well, are we into kindergarten? Here? Are we

894
00:56:17,880 --> 00:56:21,279
Speaker 1: telling the one out of ten? Or how many alamar's

895
00:56:21,320 --> 00:56:25,600
Speaker 1: and favorite lines? I gave mine, but you guys give yours. Danielle, Okay,

896
00:56:25,760 --> 00:56:28,400
Speaker 1: my favorite is from Rory when she says, it's April

897
00:56:28,480 --> 00:56:31,319
Speaker 1: Levine's world and we're just living in it. You know what,

898
00:56:31,400 --> 00:56:33,560
Speaker 1: that's my favorite line to you stole my line. I'm

899
00:56:33,560 --> 00:56:36,680
Speaker 1: gonna take that line to that was That was a

900
00:56:36,760 --> 00:56:40,759
Speaker 1: really good line. That was good. Can also relate was

901
00:56:40,800 --> 00:56:42,480
Speaker 1: that in the middle. It was that when she was

902
00:56:42,520 --> 00:56:45,480
Speaker 1: defending herself and when she was getting ranted at by

903
00:56:45,480 --> 00:56:51,920
Speaker 1: the hippo God, I forget she said that when she was,

904
00:56:52,560 --> 00:56:59,160
Speaker 1: you know, reeling her response to the raging Ballerina. Right, yeah,

905
00:56:59,200 --> 00:57:02,520
Speaker 1: you're a hundred. That was a very good that was

906
00:57:04,719 --> 00:57:08,240
Speaker 1: I laughed out loud of that line. That was great. Um,

907
00:57:08,280 --> 00:57:11,560
Speaker 1: that's my favorite line too. How many malamars guys for

908
00:57:11,640 --> 00:57:14,279
Speaker 1: this episode, Daniel, what do you think? I'll give this

909
00:57:14,320 --> 00:57:19,080
Speaker 1: episode eight out of ten Malamars. I did really enjoy it. Um, Digger,

910
00:57:19,160 --> 00:57:21,680
Speaker 1: I'll give a two out of ten and only giving

911
00:57:21,720 --> 00:57:25,720
Speaker 1: two because the banter back and forth is good. But

912
00:57:25,880 --> 00:57:29,200
Speaker 1: he just bothers me. Amy, what do you what do

913
00:57:29,200 --> 00:57:32,560
Speaker 1: you think? I'm gonna give the scene with Loralai and

914
00:57:32,680 --> 00:57:35,720
Speaker 1: Nicole ten out of ten Milamars. I'm gonna give Digger

915
00:57:36,280 --> 00:57:39,440
Speaker 1: eight out of ten Malamars, and I'm gonna give the

916
00:57:39,520 --> 00:57:45,160
Speaker 1: episode seven and a half, malamars, Wow, Okay, I'm going

917
00:57:45,240 --> 00:57:51,040
Speaker 1: to give so Digger. We're like rating Digger now, yeah,

918
00:57:51,120 --> 00:57:58,760
Speaker 1: just because I want to know. Um, well, I think

919
00:57:58,760 --> 00:58:02,200
Speaker 1: he's awfully good, you know, I think I think the

920
00:58:02,280 --> 00:58:07,160
Speaker 1: actor is awfully good. Um and I think he's you know,

921
00:58:07,160 --> 00:58:12,640
Speaker 1: I'm gonna I'm gonna lighten up on Digger because you're

922
00:58:12,640 --> 00:58:15,040
Speaker 1: supposed to be on my team. I am on your team.

923
00:58:15,160 --> 00:58:17,920
Speaker 1: But it's a very specific job that he has to

924
00:58:18,080 --> 00:58:25,920
Speaker 1: do right, because he can't be really really charming. He

925
00:58:26,040 --> 00:58:28,880
Speaker 1: can't really be a rival. He has to be a

926
00:58:28,960 --> 00:58:32,880
Speaker 1: hinch Schmart. There's got to be something that the audience

927
00:58:32,920 --> 00:58:37,440
Speaker 1: says no to immediately. They can't even be you know

928
00:58:37,440 --> 00:58:41,440
Speaker 1: what I mean? So they so they that that. So

929
00:58:41,600 --> 00:58:45,000
Speaker 1: I'm on that basis, I'm gonna give him a ten

930
00:58:45,080 --> 00:58:49,840
Speaker 1: out of ten, you know what I mean. But in

931
00:58:49,920 --> 00:58:53,800
Speaker 1: terms of ability, you know, I'm gonna I'm gonna go

932
00:58:53,840 --> 00:58:59,480
Speaker 1: to okay, because that, as an audience is what I'm

933
00:58:59,480 --> 00:59:02,400
Speaker 1: supposed to be feeling, right, I think, So I think

934
00:59:02,440 --> 00:59:04,680
Speaker 1: it's good. So ya ten out of ten. Casting the

935
00:59:04,800 --> 00:59:09,360
Speaker 1: right actor like Digger. I thought that was sexy the

936
00:59:09,360 --> 00:59:16,560
Speaker 1: whole thing. Sorry, well, wait, how many mile mars for

937
00:59:16,600 --> 00:59:19,320
Speaker 1: the episode? What did you give it? Eight? Daniel? You

938
00:59:19,320 --> 00:59:25,160
Speaker 1: gave it seven and a half. You know, I'm I'm

939
00:59:25,280 --> 00:59:28,680
Speaker 1: right up there all close to close to nine almost,

940
00:59:29,040 --> 00:59:34,520
Speaker 1: I think eight eight point eight five. Yeah, I really

941
00:59:34,520 --> 00:59:37,200
Speaker 1: liked this episode. I really thought it was It was

942
00:59:37,440 --> 00:59:42,880
Speaker 1: mostly terrific. Yeah, everyone had something yeah, right, like everyone

943
00:59:43,040 --> 00:59:46,680
Speaker 1: had like a no one was boring in this episode.

944
00:59:46,680 --> 00:59:49,880
Speaker 1: Everyone had some a storyline that was crucial to their character.

945
00:59:50,360 --> 00:59:52,720
Speaker 1: That is true. That is really true. It's it's like

946
00:59:52,760 --> 00:59:56,320
Speaker 1: a show that's hitting its stride. It's like in in

947
00:59:56,480 --> 00:59:59,720
Speaker 1: full bloom almost, you know, it's like everybody, Yeah, even

948
00:59:59,760 --> 01:00:03,080
Speaker 1: Ma l got some. Yeah. I didn't never saw Kirk.

949
01:00:03,160 --> 01:00:05,919
Speaker 1: We never had Kirk. But okay, you know yeah, yeah

950
01:00:06,080 --> 01:00:08,960
Speaker 1: he had a big last episode. Yeah he's tired, right,

951
01:00:08,960 --> 01:00:13,840
Speaker 1: he's tired, and too much Kirk for us maybe a

952
01:00:13,880 --> 01:00:18,560
Speaker 1: bad thing, you know, because he's so memorable. Right, So

953
01:00:18,600 --> 01:00:22,960
Speaker 1: it's correct. Um, yeah, what's next? Yeah, what's next? It's

954
01:00:23,000 --> 01:00:25,560
Speaker 1: Ted Copple's Big Night Out. Okay, so the next episode

955
01:00:25,640 --> 01:00:31,920
Speaker 1: is season four, episode nine, Ted Copple's Big Night Out. Um, anyway,

956
01:00:32,040 --> 01:00:35,000
Speaker 1: that's it. That's gonna be a ramp as we Uh,

957
01:00:35,200 --> 01:00:38,840
Speaker 1: as we steer this Gelopi off the freeway and into

958
01:00:38,840 --> 01:00:41,960
Speaker 1: the repair shop. UM, we think we're going to get there.

959
01:00:43,640 --> 01:00:46,120
Speaker 1: All the best everybody, best fans on the planet. Thanks

960
01:00:46,160 --> 01:00:49,400
Speaker 1: for downloading, uh and we will see you next time.

961
01:00:49,480 --> 01:00:53,080
Speaker 1: Stay safe. Oh wait a minute, hang on a second, Um,

962
01:00:53,120 --> 01:00:55,840
Speaker 1: I have a very special announcement. What about your crack staff.

963
01:00:55,880 --> 01:00:59,200
Speaker 1: They didn't find anything. Oh geez, yeah, hang on, crack staff.

964
01:01:00,920 --> 01:01:03,360
Speaker 1: In the meantime, I'm gonna be a German Comic Con

965
01:01:03,400 --> 01:01:08,840
Speaker 1: Dortmund December one and two. German. I mean that's not

966
01:01:08,920 --> 01:01:13,080
Speaker 1: just that's no Rhode Islands. Well, the Rhode Island was

967
01:01:13,080 --> 01:01:15,120
Speaker 1: a big deal too. That was a big big two.

968
01:01:17,240 --> 01:01:22,960
Speaker 1: And my crack staff has uh forwarded me their notes. Um,

969
01:01:23,160 --> 01:01:26,920
Speaker 1: welcoming me back to California, and uh, thank you for

970
01:01:27,000 --> 01:01:34,680
Speaker 1: welcoming me back all right around the seventh yourself. You

971
01:01:34,760 --> 01:01:39,960
Speaker 1: will eat those words soon because of the thing that

972
01:01:40,120 --> 01:01:43,440
Speaker 1: and you will meet my crack staff. And let me

973
01:01:43,440 --> 01:01:48,280
Speaker 1: tell you, they are crack and they are staffy. They're okay,

974
01:01:48,320 --> 01:01:50,640
Speaker 1: give it to me. Seven thirty with Laurel Leilane and

975
01:01:50,760 --> 01:01:55,160
Speaker 1: Roya are approaching Suki's house. In the far background, you

976
01:01:55,200 --> 01:01:57,840
Speaker 1: can see what appears to be a large spotlight set

977
01:01:57,920 --> 01:02:02,800
Speaker 1: up on top of Luke's diner building. Whoa yeah, is

978
01:02:02,840 --> 01:02:07,440
Speaker 1: that like for for the show? Yeah? Sure. At the

979
01:02:07,960 --> 01:02:11,800
Speaker 1: eighteen mark, there are two students in the background sorting slides.

980
01:02:12,840 --> 01:02:16,120
Speaker 1: The one on the left is a Canadian teenager who

981
01:02:16,160 --> 01:02:19,280
Speaker 1: had recently battled leukemia. She was on the set that

982
01:02:19,400 --> 01:02:23,400
Speaker 1: day courtesy off to Make a Wish Foundation, who fulfilled

983
01:02:23,400 --> 01:02:28,360
Speaker 1: her wish to meet the Gilmore Girls cast. Um. Yeah,

984
01:02:28,360 --> 01:02:30,840
Speaker 1: they did that every so often. It was always a

985
01:02:30,920 --> 01:02:33,560
Speaker 1: wonderful day on set with the Make a Wish kids.

986
01:02:34,040 --> 01:02:38,800
Speaker 1: Um Uh. Now the male voice singing Michael Rowe the

987
01:02:38,800 --> 01:02:46,880
Speaker 1: boat ashore at the end of the episode is Seth McFarlane. Yes,

988
01:02:47,440 --> 01:02:50,080
Speaker 1: they've also my crack Staff has also suggested a couple

989
01:02:50,120 --> 01:02:54,960
Speaker 1: of favorite lines. Um, Emily, you are certainly not going

990
01:02:55,080 --> 01:03:00,360
Speaker 1: to google me, Mrs Kim Mike Gluten, Patty's called fires

991
01:03:00,360 --> 01:03:05,760
Speaker 1: who we're switching to spaghetti and wheatballs. Okay, So that's it. Um,

992
01:03:05,760 --> 01:03:09,800
Speaker 1: that's it for crack staff, who you will meet soon

993
01:03:10,960 --> 01:03:14,760
Speaker 1: and uh. And that is that, folks. Stay safe, See

994
01:03:14,800 --> 01:03:47,160
Speaker 1: you next time. Hey everybody, and don't forget follow us

995
01:03:47,160 --> 01:03:51,640
Speaker 1: on Instagram at I Am All in podcast and Emailie

996
01:03:51,840 --> 01:03:56,000
Speaker 1: at Gilmore at I Heart radio dot com. Oh you

997
01:03:56,080 --> 01:03:57,880
Speaker 1: Gilmore fans. If you're looking for the best cup of

998
01:03:57,920 --> 01:04:01,160
Speaker 1: coffee in the world, go to my website from my company,

999
01:04:01,480 --> 01:04:03,880
Speaker 1: scott ep dot com. S C O T T y

1000
01:04:03,960 --> 01:04:15,920
Speaker 1: P dot com, scott ep dot com Grade one Specialty Coffee. Yeah.