1 00:00:01,840 --> 00:00:07,440 Speaker 1: Welcome to Brainstuff, a production of iHeartRadio. Hey brain Stuff, 2 00:00:07,480 --> 00:00:12,800 Speaker 1: Lauren Vogelbaum here. Samuel F. B. Morse was a successful 3 00:00:12,840 --> 00:00:17,120 Speaker 1: businessman and a presidential portrait artist. But above all else, 4 00:00:17,160 --> 00:00:21,239 Speaker 1: he's remembered for his eponymous Morse Code, an elegant system 5 00:00:21,280 --> 00:00:25,759 Speaker 1: that revolutionized communications back in the eighteen hundreds. Even in 6 00:00:25,800 --> 00:00:28,760 Speaker 1: the heyday of Silicon Valley and social media, there's still 7 00:00:28,760 --> 00:00:31,840 Speaker 1: a place for this well worn code. Just ask the 8 00:00:31,920 --> 00:00:34,920 Speaker 1: US Navy. It's one of the languages that cryptologic technicians 9 00:00:34,960 --> 00:00:39,440 Speaker 1: learn while training at the Center for Information Dominance, as 10 00:00:39,520 --> 00:00:43,280 Speaker 1: a forerunner to email, text messages, and other near instant 11 00:00:43,320 --> 00:00:46,440 Speaker 1: messaging media. Oh, we think Morse Code deserves a tip 12 00:00:46,440 --> 00:00:51,080 Speaker 1: of the hat, so today let's tell the story. Parts 13 00:00:51,120 --> 00:00:55,200 Speaker 1: of Samuel Morse's backstory read like a tragic Hollywood screenplay. 14 00:00:55,800 --> 00:00:58,120 Speaker 1: He was born in Massachusetts on April twenty seventh of 15 00:00:58,120 --> 00:01:02,160 Speaker 1: seventeen ninety one. National painter Morse found himself working on 16 00:01:02,200 --> 00:01:05,119 Speaker 1: a portrait of the Marquis de Lafayette in eighteen twenty five. 17 00:01:05,840 --> 00:01:08,600 Speaker 1: The job had taken him to Washington, d C. Where 18 00:01:08,600 --> 00:01:12,680 Speaker 1: he received a devastating letter. According to the Dispatch, his 19 00:01:12,880 --> 00:01:17,880 Speaker 1: young wife had died back at their home in New Haven, Connecticut. Worse, 20 00:01:18,120 --> 00:01:20,480 Speaker 1: by the time Morse got this message, it was too 21 00:01:20,600 --> 00:01:22,720 Speaker 1: late for him to return in time for her funeral. 22 00:01:23,280 --> 00:01:27,520 Speaker 1: She was laid to rest without him. Such was the 23 00:01:27,560 --> 00:01:31,280 Speaker 1: pace of most long distance communications in those days. But 24 00:01:31,440 --> 00:01:34,040 Speaker 1: Morse was one of the entrepreneurs leading the way into 25 00:01:34,080 --> 00:01:37,160 Speaker 1: the future. He was one of the developers of the 26 00:01:37,160 --> 00:01:41,000 Speaker 1: first telegraphs built in the eighteen thirties. To call any 27 00:01:41,080 --> 00:01:44,560 Speaker 1: loan scientist or inventor the father of this technical breakthrough 28 00:01:44,600 --> 00:01:48,000 Speaker 1: would be misleading. Morse was just one of the visionaries 29 00:01:48,040 --> 00:01:53,280 Speaker 1: behind the telegraph's early development. Despite his limited scientific background, 30 00:01:53,480 --> 00:01:57,840 Speaker 1: Morse had a real passion for electricity. In eighteen thirty seven, 31 00:01:57,920 --> 00:02:00,760 Speaker 1: he showcased a prototypical telegraph that he had built at 32 00:02:00,800 --> 00:02:05,240 Speaker 1: a public demonstration. Like all telegraphs, his sent out pulses 33 00:02:05,280 --> 00:02:08,600 Speaker 1: of electric current via wire. The pulses would make their 34 00:02:08,639 --> 00:02:12,320 Speaker 1: way into a receiver. But this is where Samuel Morse's 35 00:02:12,320 --> 00:02:17,160 Speaker 1: famous code came into play. A Morse's telegraph couldn't transmit 36 00:02:17,400 --> 00:02:22,920 Speaker 1: voices or written characters, yet by capitalizing on those electric pulses, 37 00:02:23,200 --> 00:02:27,079 Speaker 1: he devised a new way to send simply coded messages. 38 00:02:28,880 --> 00:02:31,080 Speaker 1: He did have a brilliant partner by the name of 39 00:02:31,120 --> 00:02:35,320 Speaker 1: Alfred Vail, who helped him refine and expand the system. 40 00:02:35,440 --> 00:02:38,520 Speaker 1: Under the code, every letter in the English language, along 41 00:02:38,560 --> 00:02:41,960 Speaker 1: with most punctuation marks, and each digit from zero through nine, 42 00:02:42,520 --> 00:02:47,280 Speaker 1: was given a unique corresponding set of short and long pulses. 43 00:02:48,440 --> 00:02:51,200 Speaker 1: Long pulses came to be known as dashes, while the 44 00:02:51,200 --> 00:02:54,760 Speaker 1: short ones are called dots. In this early iteration of 45 00:02:54,760 --> 00:02:58,320 Speaker 1: the code, some dashes lasted longer than others, and the 46 00:02:58,320 --> 00:03:03,840 Speaker 1: spaces between pulses varied widely depending on the context. Morse 47 00:03:03,919 --> 00:03:06,360 Speaker 1: soon got the chance to show off his electric cipher. 48 00:03:07,040 --> 00:03:09,920 Speaker 1: In eighteen forty three, Congress gave him a thirty thousand 49 00:03:09,919 --> 00:03:14,040 Speaker 1: dollars grant to build an experimental long distance telegraph between Washington, 50 00:03:14,120 --> 00:03:18,080 Speaker 1: d c. And Baltimore, Maryland. The moment of truth came 51 00:03:18,160 --> 00:03:21,360 Speaker 1: on May twenty fourth of eighteen forty four. Sitting in 52 00:03:21,400 --> 00:03:24,600 Speaker 1: the US Capitol's Supreme Court Chamber, Morse sent a coded 53 00:03:24,639 --> 00:03:27,360 Speaker 1: message along to Vail, who was waiting in Baltimore at 54 00:03:27,360 --> 00:03:29,480 Speaker 1: the other end of the line. A Morse had his 55 00:03:29,520 --> 00:03:32,840 Speaker 1: message ready. At the suggestion of a friend's daughter, he 56 00:03:32,919 --> 00:03:36,640 Speaker 1: transmitted a quote from the Biblical Book of Numbers. What 57 00:03:36,920 --> 00:03:41,360 Speaker 1: hath God wrought a little intense but perhaps appropriately so 58 00:03:42,720 --> 00:03:45,840 Speaker 1: A long distance telegraph lines spread like wildfire over the 59 00:03:45,920 --> 00:03:49,800 Speaker 1: next few decades, so did Samuel Morse's code. During the 60 00:03:49,840 --> 00:03:52,840 Speaker 1: Civil War, President Abraham Lincoln used it to keep abreast 61 00:03:52,880 --> 00:03:57,000 Speaker 1: of battlefield developments, and when Western Union completed the first 62 00:03:57,080 --> 00:04:01,160 Speaker 1: transcontinental telegraph line in eighteen sixty one, A Lincoln received 63 00:04:01,200 --> 00:04:04,000 Speaker 1: its first message, a dispatch sent all the way from 64 00:04:04,040 --> 00:04:10,320 Speaker 1: San Francisco to DC. But meanwhile, as Morse Code took 65 00:04:10,360 --> 00:04:14,240 Speaker 1: hold in other countries, of problems emerged. To address these, 66 00:04:14,320 --> 00:04:18,240 Speaker 1: a German telegraph inspector simplified the system in eighteen forty eight. 67 00:04:18,880 --> 00:04:21,560 Speaker 1: Among other changes, he did away with the extra long 68 00:04:21,640 --> 00:04:25,440 Speaker 1: dashes and revised many of the individual number and letter codes. 69 00:04:26,560 --> 00:04:29,359 Speaker 1: After some additional tweaks were made, this new edition was 70 00:04:29,400 --> 00:04:34,600 Speaker 1: dubbed International Morse Code. Meanwhile, the original version was retroactively 71 00:04:34,640 --> 00:04:38,359 Speaker 1: labeled American Morse Code. Outside of Civil War reenactments, the 72 00:04:38,560 --> 00:04:43,600 Speaker 1: latter is all but distinct Today. In the International code, 73 00:04:43,720 --> 00:04:46,440 Speaker 1: a dashes pulse is three times longer than that of 74 00:04:46,480 --> 00:04:49,480 Speaker 1: a dot. Each letter in the English alphabet is coded 75 00:04:49,480 --> 00:04:52,880 Speaker 1: with a combination of one to four dashes and dots. 76 00:04:53,400 --> 00:04:56,159 Speaker 1: Each numeral zero through nine is coded with a combination 77 00:04:56,320 --> 00:05:00,320 Speaker 1: of five dashes and dots. If your deal with a 78 00:05:00,400 --> 00:05:03,560 Speaker 1: letter that features multiple dots, band or dashes, there should 79 00:05:03,560 --> 00:05:05,680 Speaker 1: be a pause equivalent to the length of one dot 80 00:05:05,760 --> 00:05:09,840 Speaker 1: in between those components. The pauses that separate entire letters 81 00:05:09,880 --> 00:05:13,880 Speaker 1: are longer equal to a dash or three dots, and 82 00:05:14,080 --> 00:05:17,599 Speaker 1: individual words should be divided by even longer pauses, measuring 83 00:05:17,720 --> 00:05:23,360 Speaker 1: seven dots long. Perhaps the most iconic Morse code phrase 84 00:05:23,520 --> 00:05:28,280 Speaker 1: is SOS, a universally recognized distress signal. SOS was first 85 00:05:28,279 --> 00:05:31,320 Speaker 1: adopted as such by German telegraphers in the year nineteen 86 00:05:31,320 --> 00:05:35,320 Speaker 1: oh five. But why did they pick this particular letter combo. 87 00:05:35,880 --> 00:05:39,320 Speaker 1: It's because in international Morse code, S is three dots 88 00:05:39,560 --> 00:05:43,360 Speaker 1: and O is three dashes and dot dot dot dash 89 00:05:43,440 --> 00:05:46,440 Speaker 1: dash dash dot dot dot is an easy sequence to remember, 90 00:05:46,600 --> 00:05:52,040 Speaker 1: even when you're in grave peril. However, although Morse code 91 00:05:52,120 --> 00:05:55,200 Speaker 1: was explicitly designed for the telegraph, people have used it 92 00:05:55,240 --> 00:05:58,080 Speaker 1: in lots of other ways. With the dawn of radio 93 00:05:58,120 --> 00:06:01,680 Speaker 1: telegraph machines in the eighteen ninety, coded messages could travel 94 00:06:01,760 --> 00:06:05,120 Speaker 1: via radio waves, and it can be used visually too. 95 00:06:05,800 --> 00:06:09,480 Speaker 1: Beginning in eighteen sixty seven, ships began using onboard blinker 96 00:06:09,560 --> 00:06:14,120 Speaker 1: lights to flash more signals at each other. Then there's 97 00:06:14,160 --> 00:06:17,680 Speaker 1: the case of Jeremiah Denton, Junior, an American Navy pilot 98 00:06:17,760 --> 00:06:20,760 Speaker 1: and future senator. He was captured during the Vietnam War. 99 00:06:21,400 --> 00:06:24,800 Speaker 1: In a forced appearance on North Vietnamese television, Denton was 100 00:06:24,839 --> 00:06:27,599 Speaker 1: coerced into saying that his captors were treating him well 101 00:06:27,640 --> 00:06:31,320 Speaker 1: behind enemy lines, but his eyes told a different story. 102 00:06:31,880 --> 00:06:34,960 Speaker 1: By blinking. In sequence, he used Morse Code to spell 103 00:06:35,000 --> 00:06:39,560 Speaker 1: out the word torture. Later in the twentieth century, the 104 00:06:39,560 --> 00:06:43,000 Speaker 1: code was largely phased out. The US Coast Guard hasn't 105 00:06:43,080 --> 00:06:45,760 Speaker 1: used it in an official capacity since nineteen ninety five, 106 00:06:46,120 --> 00:06:51,080 Speaker 1: and modern ships are far more reliant on satellite communication systems. However, 107 00:06:51,160 --> 00:06:53,800 Speaker 1: the US Navy, as mentioned above, is still training its 108 00:06:53,839 --> 00:06:58,320 Speaker 1: intelligence specialists in the code. Another group that's showing it 109 00:06:58,360 --> 00:07:01,800 Speaker 1: some love is the International Morse Code Preservation Society, a 110 00:07:01,839 --> 00:07:05,240 Speaker 1: coalition of amateur radio operators with thousands of members around 111 00:07:05,279 --> 00:07:08,760 Speaker 1: the globe. So while the golden age of dots and 112 00:07:08,839 --> 00:07:12,239 Speaker 1: dashes may be over, Morse's code is still hanging in there. 113 00:07:12,640 --> 00:07:20,320 Speaker 1: No discressed signal is required Today's episode is based on 114 00:07:20,360 --> 00:07:22,840 Speaker 1: the article how Morse Code Works and Still Lives On 115 00:07:22,920 --> 00:07:25,000 Speaker 1: in the Digital Age on how stiff works dot Com, 116 00:07:25,040 --> 00:07:28,560 Speaker 1: written by Mark Mancini. Brainstuff is production of iHeartRadio in 117 00:07:28,600 --> 00:07:30,720 Speaker 1: partnership with how stiff Works dot Com and is produced 118 00:07:30,720 --> 00:07:33,560 Speaker 1: by Tyler Klang. Four more podcasts from my heart Radio. 119 00:07:33,760 --> 00:07:36,840 Speaker 1: Visit the iHeartRadio app, Apple Podcasts, or wherever you listen 120 00:07:36,880 --> 00:07:37,800 Speaker 1: to your favorite shows.