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Speaker 1: Hello the Internet, and welcome to Season one forty six,

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Speaker 1: Episode one of Jo Days Like guys, the production of

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Speaker 1: My Heart Radio. This is a podcast where we take

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Speaker 1: a deep dive into America's share consciousness and say, officially,

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Speaker 1: off the top, fuck the Koch Brothers from Fox News,

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Speaker 1: Fun Rush, Limbaugh, Fun Sexton, It's Monday, August. My name

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Speaker 1: is Jack O'Brien, a k demon seeming COVID source, Taylor Swift,

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Speaker 1: Folk Floor, Kanye running Portland's Trumble, NBA is in a bubble,

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Speaker 1: John Lewis Herman, King Fauci's pitch, Jis Lane, no election,

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Speaker 1: Trump Assets, Cameron's at without a Mask, Trump's Test, Blue

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Speaker 1: Check Hack Unsolved. Mr Rees is back, David Duke, no Olympic.

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Speaker 1: Snyder has a named a pick or that is courtesy

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Speaker 1: of not It was not written for me. It was

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Speaker 1: a J. Smith just right now. He pointed out that

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Speaker 1: you could do a different verse if we didn't start

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Speaker 1: the fire for every week of twenty and so we

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Speaker 1: did that for a couple of weeks. Back, very well written.

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Speaker 1: I'm thrilled to be joined as always by my co host,

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Speaker 1: Mr Miles Greg. I think I'm gonna just do the

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Speaker 1: nine inch Nails one all over again. Ready, Okay, I'll

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Speaker 1: make you the music up. Okay, no, yes, today, Miles

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Speaker 1: great a k A. Someone just attacked me in a

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Speaker 1: tweet of that just said Sashimi rolling the hating, and

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Speaker 1: it's about it. I think it was some stupid Japanese

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Speaker 1: race of people just up like Sushion by school. So yeah,

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Speaker 1: Mr Sashimi, Sashimi rolling rolling dirty. Thank you so much

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Speaker 1: to that unnamed person who I will figure out at

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Speaker 1: some point but just not quite yet. You know what

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Speaker 1: it was, Kelly stand Away at Exploding Ruins, Thank you?

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Speaker 1: I stand away that a k h uh. Well, we

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Speaker 1: are thrilled to be joined in our third peak by

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Speaker 1: the talented, the brilliant so amanthem Mick Very. I'm not

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Speaker 1: gonna lie. I had to step away from the mic

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Speaker 1: from the great song I I kind of forgot it

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Speaker 1: was fire and then immediately the Demon same. Why I

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Speaker 1: gotta start with the demon? Semen, It's a good rhyme.

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Speaker 1: Its right off the bat, you know, let him know

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Speaker 1: keeps going, it goes TikTok band Ellen's mean hydroxya Callaura

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Speaker 1: Queen's probably the best one, but I didn't get to it.

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Speaker 1: Oh man really summed it up right there. I know

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Speaker 1: mal in ballots might be fake. Why is everything a cake?

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Speaker 1: Uh yeah? A j Smith. So we didn't start the fire?

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Speaker 1: Huh yeah. I remember my singing, bro. I just I

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Speaker 1: just wasn't sure that the title was different, like you know,

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Speaker 1: because sometimes it'll be like how I you know how

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Speaker 1: I embraced the flame like sometimes eighties songs is it

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Speaker 1: was not the chorus, it was the name of the song.

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Speaker 1: I remember. That was the thing I would say as

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Speaker 1: a kid it to my mom like our friend my friend,

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Speaker 1: we would say that to our mom's like when we

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Speaker 1: get in trouble, like as a way that you're starting

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Speaker 1: a fire just for like spilling ship. And they just

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Speaker 1: didn't think it was funny. They're like, no, seriously, the

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Speaker 1: male Maleman is hurt because you got for so much grease.

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Speaker 1: I'm like, weeded and start the fire. Yeah. He was

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Speaker 1: always every time for me for songs like that. I

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Speaker 1: only remember like two words and then I just and

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Speaker 1: make my own shut up. It didn't help because both

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Speaker 1: our moms are Japanese and did not know the song,

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Speaker 1: and they're like, shut the funk up and clean this oil.

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Speaker 1: You started the fire. I did start one time again,

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Speaker 1: I did one time at my house and until until

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Speaker 1: in my adulthood, and they're like, they just admit it.

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Speaker 1: And I was like, okay, I did. I didn't mean

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Speaker 1: to ship. You did admit it recently just as an adult. Yeah,

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Speaker 1: but I think it was thirteen. I was like, I

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Speaker 1: didn't know. That is amazing. Wait what was the time?

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Speaker 1: How long? Okay? How long did you care that? My

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Speaker 1: early thirties to actually, wow, that is so dope. I

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Speaker 1: think about ship like that. Wow. Wait, so what was

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Speaker 1: the what were the what was the circumstances? Matches they

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Speaker 1: were hanging in string. I just wanted to know if

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Speaker 1: I could, if it was flammable, very how fast it

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Speaker 1: would catch on flames? And it very fast, very fast,

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Speaker 1: very fast. I love it open smudging a little bit.

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Speaker 1: I've been yeah, a little sage, little Rosemary. Not bad

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Speaker 1: for bundle coming for you. Just you know, to clear

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Speaker 1: out the air. Uh you know, it's starting a lot

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Speaker 1: of fires. It's been dark in this room, so I

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Speaker 1: got to clear out the negative energy. Are you getting

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Speaker 1: more of Uh? No? I just like burning stuff. Okay,

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Speaker 1: so cool, I said the same thing. Your wife's like,

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Speaker 1: look if you're gonna burn stuff, at least have the

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Speaker 1: incense or something that doesn't just set off the fire

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Speaker 1: to the smoke. Stopped burning plastic in the middle of

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Speaker 1: the room on the floor. All right, Smith, we're going

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Speaker 1: to get to know you a little bit better in

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Speaker 1: a moment. First, we're gonna tell our listeners a couple

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Speaker 1: of the things we're talking about. We're gonna talk about

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Speaker 1: the judge who killed the paramount consent decrees, which is

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Speaker 1: something that we've been kind of checking in on from

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Speaker 1: time to time. Uh yeah, thing of the past. You're

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Speaker 1: now just gonna have to go to the local community

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Speaker 1: center and watch puppet shows for your entertainment because that

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Speaker 1: or go to the local Amazon Mind Entertainment center where

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Speaker 1: you'll jack in for three hours for fifty has a

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Speaker 1: great puppet center. So outside of covid is Yeah, we

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Speaker 1: have a century of puppetry yards. Like, oh man, it's badass.

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Speaker 1: So how dare you? I thought I was not be

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Speaker 1: smirching or be smudging. We just got the I'm gonna

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Speaker 1: go with smudge. Uh smirching, smudge, Yeah, get it together.

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Speaker 1: Be smudging. Uh smirching without the bee is is an

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Speaker 1: interesting word with Yeah, d n C. I'm just I'm

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Speaker 1: kind of glad that nobody's gonna pay attention to the

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Speaker 1: Democratic National Convention because the early rumors are that they

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Speaker 1: are preventing AOC from speaking and putting the Clinton's front

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Speaker 1: and center. So we'll talk about that, We'll talk about

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Speaker 1: the rush to vaccine, the rush to vaccinate. Uh, We're

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Speaker 1: gonna talk about the d A investigating Trump and his

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Speaker 1: company over fraud, and then we're gonna get to our

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Speaker 1: Netflix rewatch as I rewatched a new film called Jurassic

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Speaker 1: Park um that I gotta recommend guys. Can't wait to

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Speaker 1: hear what can't wait to hear about it? I've heard

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Speaker 1: a lot of terrible things about it. And then you guys, uh, look,

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Speaker 1: you guys looked at the always classic Malibu Rescue, which

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Speaker 1: is one of the most influential pieces of pop culture

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Speaker 1: of the past forty years, was surprisingly a lot more

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Speaker 1: depth than I gave a credit for. Okay, we'll get

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Speaker 1: to that. Depth is not what I was expecting from that.

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Speaker 1: Did you do the movies or the series? Are both

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Speaker 1: just the movie that was trending? Yes? Yes, yes, yes?

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Speaker 1: Oh wait is there a series? Yeah? Yeah, I was

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Speaker 1: so confused. She's like and she's like, Miles is into

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Speaker 1: this show. It's like a bunch of kids, like running

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Speaker 1: around in a saving Okay, is everything? Okay? But first, Samantha,

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Speaker 1: we like to ask our guests, what is something from

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Speaker 1: your search history that is revealing about who you are,

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Speaker 1: where you are, what you're up to see. That's really

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Speaker 1: hard because as a podcaster on a network that is

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Speaker 1: all about research, I google some random stuff and then

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Speaker 1: some really serious stuff. And the last bit has been

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Speaker 1: who are the female candidates and important elections around the country.

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Speaker 1: So that's what I've been googling the last two days.

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Speaker 1: I feel like, that's so sad. That's such a serious answer,

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Speaker 1: and I didn't want to give that to you all,

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Speaker 1: but that's where I am. Right. Is there a female

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Speaker 1: candidate that you're particularly excited about that you just found

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Speaker 1: out about via that Google? Via the Google? So Canada's

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Speaker 1: Valens Valenzuela. I got this, y'all. Canada's Vealezuela is the

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Speaker 1: first Afro Latina in Texas that's coming up, and that's

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Speaker 1: a really big, big, big election, and trying to talk

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Speaker 1: about what the kind of significance would happen if she

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Speaker 1: actually did win. So that's kind of one of those things.

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Speaker 1: I'm like, really excited about this gonna be a turning point,

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Speaker 1: but at the same time really nervous because I don't

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Speaker 1: want to be disappointed. Yeah, which happens a lot. Corey

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Speaker 1: Busch Corey Bush is also another person who just pulled

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Speaker 1: off upset, besting William Lacey Clay Jr. Uh in Missouri.

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Speaker 1: And yeah, she's activist. She's like, you know on that

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Speaker 1: wave of people that you're like, these are the these

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Speaker 1: are the kinds of people like I don't. We don't.

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Speaker 1: We no longer need people who are versed in the

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Speaker 1: arts of like finance and business. You know, we need

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Speaker 1: people who who's there eating with their hearts and leading

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Speaker 1: with purpose because the policies have failed, so we need

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Speaker 1: people who are purpose driven. And yeah, I'm really stoked

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Speaker 1: to see her being the race. But just got some

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Speaker 1: really great UM platforms and some great, really great supports

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Speaker 1: and it's going to be amazing to see what she does. Uh.

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Speaker 1: None of that is true according to the Democratic Party,

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Speaker 1: by the way, Like she's a single mother, a nurse,

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Speaker 1: and a pastor. I don't know, get out of here

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Speaker 1: with that stuff. Uh, like, what's what's her what's like,

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Speaker 1: what's her take on capital gains taxes? It's like what

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Speaker 1: that's not who does that? That isn't the first question. Yeah,

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Speaker 1: let me let me look at your phone here, see

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Speaker 1: how many donors you got? That's yeah, these actually organ

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Speaker 1: and blood donors. They talked on when I used to

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Speaker 1: listen to Crooked Media podcast. They talked about how the

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Speaker 1: first thing that somebody will do if somebody wants to

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Speaker 1: run for office, they'll go through your phone own and

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Speaker 1: count up how many, uh like big donors you have

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Speaker 1: in your contact list. Like that was literally a thing

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Speaker 1: they said without shame. I mean they were like, I

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Speaker 1: mean it's not great, but that's the truth. That's the

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Speaker 1: harsh truth of my contacts with fake names in my

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Speaker 1: phone book. That's smart. Everyone's nicknames, so they'll be like,

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Speaker 1: who is Spider Muffins? What are you trying to hide? Miles?

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Speaker 1: He loaded. It's like a It was a habit from

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Speaker 1: high school, like when I first got my cell phone,

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Speaker 1: Like everyone had like nicknames and ships. So it would

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Speaker 1: never be like, oh, that's that's Corey, Like you know,

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Speaker 1: that's that's thirty two. I would always add something that

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Speaker 1: I have to try to remember about them, so you know,

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Speaker 1: but you know, it's a double edged sword because for

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Speaker 1: a lot of people, I can like it keeps these

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Speaker 1: memories very fresh as to why they have these nicknames.

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Speaker 1: Other times, like text come in and it's been years,

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Speaker 1: I get a new phone and like the context when like,

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Speaker 1: I'm sorry, Um, Stone eyes, who are you against Stone?

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Speaker 1: So far we got spider muffins Stone guys, you don't

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Speaker 1: want to see this problem. I think one of these episodes,

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Speaker 1: like for some extra content, we just need to have

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Speaker 1: you read off your reading. One one is literally mushroom cock.

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Speaker 1: Wait you have Donald Trump's phone? Also, yeah, you need

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Speaker 1: to do with these screenshots the house I gotta protect.

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Speaker 1: I have to protect the anentivity of my friends because

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Speaker 1: I was always hacking your phone. Yea, that's the thing.

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Speaker 1: You're hanging out with John and John and John the

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Speaker 1: other day, John, John, John and the other stock mushroom cock.

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Speaker 1: What is something you think is overrated, Samantha? Overrated? Um,

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Speaker 1: I have decided house plants and people who are obsessed.

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Speaker 1: I know it's quarantine, and I know there's a lot

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Speaker 1: of stuff that we need to do, but I don't

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Speaker 1: understand this need for house plants and why you have

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Speaker 1: to have a jungle in your house while you're surrounded

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Speaker 1: by your sadness, you're in your ferns. Why plants make

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Speaker 1: you sad, Samantha. Maybe because, honestly, maybe because I'm really

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Speaker 1: jealous and mine always died. It doesn't matter. They all die,

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Speaker 1: and I'm pretty sure they're suicidal or something because I'm like,

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Speaker 1: they're trying to die. It's the draining that I learned.

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Speaker 1: I was not draining like half the time. They're like,

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Speaker 1: where where's the water going? I don't know, Just put

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Speaker 1: the water the plant and I'm like yeah. The people

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Speaker 1: like it's just sitting there at the bottom. Like then

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Speaker 1: it's not it's not properly, it'll be over water. I'm like,

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Speaker 1: oh shit, that's why people will be watering their plants

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Speaker 1: in the sink. I'm like, that's stupid. Yeah, So there's

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Speaker 1: a lot of on. One second, I need to bring

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Speaker 1: my closest plan over so I can show it off

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Speaker 1: to you. Hug on it is he going to go

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Speaker 1: And he's about the card in like an award winning

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Speaker 1: Jerusalem tulip. That's not even that's like the gardens they

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Speaker 1: put on a bouquet that you put in like a

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Speaker 1: plastic picture from Shaky's Pizza. Not really, though, did you

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Speaker 1: just take a from your yard and put it in

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Speaker 1: a I know it's not your kids, right, your kids

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Speaker 1: did that? Right? What? No? This is this is so dirty,

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Speaker 1: so dead. I think this must be the remnants of

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Speaker 1: there must have been something else in here. But yeah,

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Speaker 1: that's also how unobservant I am is that that's been

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Speaker 1: there for the past three weeks and I have some

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Speaker 1: thing maybe because I'm dead inside and therefore having living

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Speaker 1: things around me, it reminds me how dead inside I am. Yeah,

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Speaker 1: I feel like that's overrated. Sam. Just embraced the change,

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Speaker 1: you know, because it's the failure of the plants dying

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Speaker 1: that you fear, you know, Just embrace that, just go

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Speaker 1: into with some That's the thing succulents helped really restore

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Speaker 1: my faith in being able to three succulents. People keep

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Speaker 1: giving me plants. Yeah, alright, well why plant gang Helper

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Speaker 1: out yelled at this. Now. This is one thing that

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Speaker 1: I have to say. People who moved to California start

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Speaker 1: getting cocky about being able to keep plants alive and

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Speaker 1: like how great they are with everywhere else in the country,

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Speaker 1: Like plants don't grow despite themselves, Like in California, you

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Speaker 1: just like drop a seed and a plant, like a

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Speaker 1: tree will be there tomorrow. California is just the easiest

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Speaker 1: place to grow something. So I'll maybe extend the Uh wow, okay,

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Speaker 1: but wait, I just saw your plant and aren't you

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Speaker 1: in California? What my zoom connection is dropping out? I

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Speaker 1: gotta go. Indoor plants are different California. They are very

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Speaker 1: inhospitable to life. Um, Sam, what is something you think

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Speaker 1: is underrated? All right? I really am dead inside as

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Speaker 1: I say this. I think, like grandparent candy or like

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Speaker 1: the old people, candy has been underrated because my life changed, Yes, yes,

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Speaker 1: and they have a little soft shoes now that has

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Speaker 1: been my go to candies. And I've been made fun

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Speaker 1: of plenty because that was exactly what our grandparents had

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Speaker 1: waiting for them. And that's the commercial right that the

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Speaker 1: grandparent actually pulls it out of their like pocket or

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Speaker 1: pocketbook as they would say, and handed to the kids.

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Speaker 1: It's underrated and it's delightful. Yeah. I just think like

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Speaker 1: my my grandmother used to keep candy at her house

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Speaker 1: and it was always like the old school grant was

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Speaker 1: like it would be butter Scotch candies were there's them

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Speaker 1: fucking strawberry foil ships that were just strawberry ship. Yeah.

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Speaker 1: That Andy's and Andy's Mint chocolates. Those are great. Those

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Speaker 1: are great grandparents candies, the one that my grandma on

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Speaker 1: my dad's side would always have the uh the like

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Speaker 1: red and white mints that they have at the when

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Speaker 1: you leave. Ah, yeah, like the peppermints. Like yeah, those

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Speaker 1: are my least favorite candies. And my least favorite was

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Speaker 1: the log candies, you know. Yeah. So it's like a

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Speaker 1: peanut butter crisp log covered with like a white and

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Speaker 1: brown striped candy. Yeah, yeah, it was. It's not pink.

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Speaker 1: Know what peanut brittle? No, it's not. No, it's it's

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Speaker 1: not a brittle. It's not a brittle. No, it's called

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Speaker 1: a peanut butter bar. Is that what it is? Logs? Yeah,

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Speaker 1: it has the stripes so it was individually wrapped, but

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Speaker 1: they had the white the black stripes on the packaging right,

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Speaker 1: and there was a yellow stanut butter logs. So I

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Speaker 1: guess y'all called it something else. I mean, look, not

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Speaker 1: everybody's got regional names. You know, we call them tasty

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Speaker 1: vittles down here in l A. Those are gross looking

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Speaker 1: and not what I was thinking. Oh you know what

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Speaker 1: I missed. I remember the dinner mints, like back when

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Speaker 1: you could just put your bare hand into a thing

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Speaker 1: at a restaurant and there was no sanitation guidelines. But

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Speaker 1: the ones that were like half marshmallow weak kind of

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Speaker 1: you know, I mean that would dissolve like in your

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Speaker 1: mouth a little bit chalky. Yeah, yeah, you like the

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Speaker 1: thing they called wedding ments because I just don't like mint, man,

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Speaker 1: I think, I mean, it's just not like for me.

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Speaker 1: It's just sort of like what can I grab handfuls

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Speaker 1: of that my parents won't see me and I can

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Speaker 1: eat like in my room later in my pockets stink

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Speaker 1: like candy, right, I think we did, but not the

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Speaker 1: not the just straight up mint. Mm hm um. I

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Speaker 1: still believe in the power of peppermint for your stomach.

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Speaker 1: Like the ginger. Okay, ginger ale does work, so let's

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Speaker 1: just not let's let's not call that into question at

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Speaker 1: this point, the sacredness of ginger ale. Something's wrong with

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Speaker 1: your stomach. You drink ginger real, your ginger um. Yeah,

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Speaker 1: the ginger beer, ginger, everything ginger, all the things there

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Speaker 1: you go. Uh. And finally, Sam, what is a myth?

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Speaker 1: What's something people think is true you know, to be

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Speaker 1: false or vice versa. See, you know, this is what

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Speaker 1: I've been thinking on this because last time I came in,

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Speaker 1: I wasn't quite prepared. Uh. But I think one of

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Speaker 1: the things that, again, God, I'm such a sad sack.

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Speaker 1: I'm just I'm just always a sad sack. Uh. That

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Speaker 1: the whole idea, yeah, that if you have the means

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Speaker 1: that adoption is a great answer for you, and it

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Speaker 1: should be a family who adopts a kid. And I

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Speaker 1: think that's a complete myth. And not adoption is not

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Speaker 1: for everyone, and especially adoption is not necessarily for rich people,

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Speaker 1: so stop it. And also the term homing for young

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Speaker 1: children is awful. I just want to come to that.

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Speaker 1: But I've been thinking on this quite a bit. I don't.

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Speaker 1: I guess you can tell because we've been talking a

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Speaker 1: little bit about adoption, and that's been in our episodes

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Speaker 1: on on my podcast. But I'm like, hmmm, I think

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Speaker 1: we just need to go ahead and let people know.

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Speaker 1: Please talk stop talking about loving Jesus and how you're

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Speaker 1: gonna save these kids. Just stop it Just interesting. Okay,

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Speaker 1: So because I'm completely ignorant to the adoption seeing the gain,

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Speaker 1: what that's like. I mean, the last few stories I've

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Speaker 1: read have been in relationship, like really awful stories. To

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Speaker 1: your point of people would like, we have these big

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Speaker 1: hearts and yes, this child may be a murderer from Ukraine.

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Speaker 1: I don't know, and I will say that when I

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Speaker 1: abandoned them to justify this um. But like so, I mean,

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Speaker 1: like I'll educate me because I'm completely ignorant to the myth.

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Speaker 1: You're even sort of dispelled, right, So this whole idea

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Speaker 1: that the reason well as you know, is still a

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Speaker 1: big topic about religious rights and organizations, foster care organizations

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Speaker 1: and adoption agencies being able to deny LGBTQ plus couples

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Speaker 1: from adopting, saying that to truly have a good family

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Speaker 1: and upbringing, it needs to be a nuclear family, essentially

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Speaker 1: a Christian family, male woman, you know, having that and

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Speaker 1: having the means and that's that's it. That's kind of

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Speaker 1: the whole. You can do that and you can pay

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Speaker 1: the you know, thirty dollars to bring a child over,

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Speaker 1: go for it. I mean, just like, anecdotally, I'm like,

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Speaker 1: my friends with the gay parents are doing way better

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Speaker 1: than the adjusted. That's the conversation that I've had with

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Speaker 1: many of people that honestly, the lgbt U plus, because

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Speaker 1: they understand trauma, they are probably a little more And

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Speaker 1: this is not necessarily resource This is not something that

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Speaker 1: I have looked into, but as a social worker that's

351
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Speaker 1: been in that industry, they're probably more able to handle

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Speaker 1: trauma as versus to a family who wants the perfect

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Speaker 1: looking family. UM. And I know the YouTube couple of

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Speaker 1: the stuffers. I don't know if you know any about

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00:20:16,359 --> 00:20:19,680
Speaker 1: this adopted a kid, an autistic kid from China. I

356
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Speaker 1: want to say China. I'll have to go back and

357
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Speaker 1: look at that, UM and realize, oh my god, it's hard.

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Speaker 1: It's hard having an adopted child from a different country

359
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Speaker 1: who also has autism. And it's not necessarily difficult because

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00:20:34,000 --> 00:20:36,520
Speaker 1: he is difficult, but because they don't understand how to

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Speaker 1: handle or cope. And so they made a lot of money,

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Speaker 1: a lot of money through their YouTube channel, UM with

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Speaker 1: talking about how philanthropic this was and how amazing of

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00:20:48,040 --> 00:20:49,960
Speaker 1: a couple they are and doing all of these things

365
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Speaker 1: for this kid. And then he just disappeared and everybody

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Speaker 1: was like, what happened to this child? And by the way,

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Speaker 1: they had their own biological children as well, and everybody

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Speaker 1: kept asking, where's this kid, where's the kid gone to?

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Speaker 1: And they came back with a statement. We had to

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Speaker 1: read home name. We had to read Home Huxley because

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Speaker 1: we were not able to, you know, deal with his issues.

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Speaker 1: And it was became a huge thing where like, yeah,

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Speaker 1: like we had an early atypical child that we were

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Speaker 1: wholly unprepared like because of him. You know, we didn't

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Speaker 1: know what was going on with that, so you know,

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Speaker 1: we had to read home. It is such a whole

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Speaker 1: big thing. They made a lot of money, they made

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Speaker 1: a lot of sponsorships, and then they had come back

379
00:21:31,280 --> 00:21:35,800
Speaker 1: with that. So as of June they were investigated, and finally,

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00:21:35,920 --> 00:21:39,480
Speaker 1: I think people have forgotten about it, essentially because the

381
00:21:39,560 --> 00:21:41,919
Speaker 1: truth of the matter is when it comes down to adoption,

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Speaker 1: which is really grows. I honestly discourage a lot of people.

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Speaker 1: I as an adopted child, of course and very grateful,

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Speaker 1: but also can tell you the struggles that I've had

385
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Speaker 1: to deal with growing up and even now as an adult,

386
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Speaker 1: trying to struggle through some of my identity stuff and

387
00:21:56,359 --> 00:21:59,440
Speaker 1: what it feels like as an interracial family and I

388
00:21:59,520 --> 00:22:02,040
Speaker 1: thinking I'm the different race of the rest of my

389
00:22:02,160 --> 00:22:05,000
Speaker 1: family and what that looks like, especially today, and the

390
00:22:05,200 --> 00:22:07,639
Speaker 1: idea of I grew up in a southern home with

391
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Speaker 1: a white family, so go from there. But what it

392
00:22:11,800 --> 00:22:15,000
Speaker 1: looks like when you really need to look at the

393
00:22:15,080 --> 00:22:17,760
Speaker 1: fact that this is not going to be a hallmark story.

394
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Speaker 1: This child is gonna be grateful to you and your

395
00:22:21,040 --> 00:22:23,680
Speaker 1: understand what comes along with it. So it's a it's

396
00:22:23,720 --> 00:22:25,879
Speaker 1: the thing. And I'm actually very discouraging to people that

397
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Speaker 1: I'm like, you really need to understand these are the

398
00:22:27,880 --> 00:22:30,080
Speaker 1: things that's going to happen to you and that's the good,

399
00:22:30,280 --> 00:22:32,639
Speaker 1: like the best case scenario. They're like, but I was

400
00:22:32,760 --> 00:22:36,119
Speaker 1: just watching This is Us and um, you know I

401
00:22:36,480 --> 00:22:39,560
Speaker 1: found a way we're teenage teenage we just cried and

402
00:22:39,640 --> 00:22:47,359
Speaker 1: hugged each other and we're okay now, and that build

403
00:22:47,400 --> 00:22:49,200
Speaker 1: up with the white savior and they're like, no, this

404
00:22:49,720 --> 00:22:52,400
Speaker 1: is why this is so wrong. Just it's just enough

405
00:22:52,480 --> 00:22:55,840
Speaker 1: to have a big house, right and you're good and

406
00:22:56,280 --> 00:23:01,879
Speaker 1: two people as a couple, heterosexual couple. Yeah, the means

407
00:23:02,080 --> 00:23:05,920
Speaker 1: argument that that means argument that people have though is

408
00:23:06,040 --> 00:23:09,320
Speaker 1: really like it's something because again, some of the most

409
00:23:09,560 --> 00:23:12,879
Speaker 1: fuck up people I know come from means, you know

410
00:23:12,920 --> 00:23:15,760
Speaker 1: what I mean, because the philosophy of the parents was

411
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Speaker 1: the funk you need. Man, We've got all this money

412
00:23:17,920 --> 00:23:19,600
Speaker 1: and ship was you hung out here. Here's like three

413
00:23:19,680 --> 00:23:22,960
Speaker 1: hundred bucks. I'll be back on Sunday night and it's

414
00:23:23,000 --> 00:23:25,560
Speaker 1: like Friday morning, you know what I mean, And it's

415
00:23:25,560 --> 00:23:27,040
Speaker 1: just like and then we will go there and party

416
00:23:27,359 --> 00:23:29,240
Speaker 1: because it's like, yo, the parents love like, you know,

417
00:23:29,320 --> 00:23:31,040
Speaker 1: all this cash, Like we just order pizza all day.

418
00:23:31,040 --> 00:23:33,920
Speaker 1: There's no parents. You're smoking my weed live. And then

419
00:23:34,000 --> 00:23:38,040
Speaker 1: they're missing you know, that real like parental upbringing that

420
00:23:38,160 --> 00:23:40,720
Speaker 1: they miss. And then I realized that went through my

421
00:23:40,800 --> 00:23:42,840
Speaker 1: therapy that I was actually into, I was raising some

422
00:23:42,920 --> 00:23:45,879
Speaker 1: of these kids. So when my relationships ended up being

423
00:23:46,000 --> 00:23:48,679
Speaker 1: me raising some of these kids because the parents were like, hey, man,

424
00:23:48,720 --> 00:23:50,680
Speaker 1: you're the smart kid, like help him out. And I

425
00:23:50,800 --> 00:23:53,119
Speaker 1: take that on literally and then I'm like, holy sh it, man,

426
00:23:53,240 --> 00:23:56,800
Speaker 1: like the dad made me raise his son. The fuck

427
00:23:57,280 --> 00:23:59,640
Speaker 1: that kid ends up on your phone a spider muffins

428
00:24:00,200 --> 00:24:12,520
Speaker 1: or or or side. Dad's disappointed. Alright, guys, let's take

429
00:24:12,520 --> 00:24:25,160
Speaker 1: a quick break and we'll be right back. And we're back.

430
00:24:25,800 --> 00:24:28,320
Speaker 1: So we touched on last year when the Department of

431
00:24:28,440 --> 00:24:33,720
Speaker 1: Justice was starting to re examine the seventy one year

432
00:24:33,760 --> 00:24:38,960
Speaker 1: old consent decrees, which we're sort of preventing the entertainment

433
00:24:39,000 --> 00:24:44,400
Speaker 1: industry from becoming like just giant monopolies. Basically, yeah, from

434
00:24:44,480 --> 00:24:47,840
Speaker 1: like fully meddling in the entire process of like, we

435
00:24:47,920 --> 00:24:50,879
Speaker 1: own the studio, we own the intellectual property, and then

436
00:24:50,880 --> 00:24:52,720
Speaker 1: at a certain point it was like, we also want

437
00:24:52,760 --> 00:24:55,000
Speaker 1: to own the theaters or at the very least make

438
00:24:55,040 --> 00:24:57,200
Speaker 1: the theaters do whatever we say, because we make the

439
00:24:57,240 --> 00:24:59,639
Speaker 1: movies that they need to project in their theaters. So

440
00:24:59,800 --> 00:25:02,680
Speaker 1: it stuff like block booking is one of the things

441
00:25:02,800 --> 00:25:05,080
Speaker 1: that was like one of the main things he was preventing,

442
00:25:05,119 --> 00:25:06,760
Speaker 1: which is sort of like Disney would go to like

443
00:25:06,880 --> 00:25:08,399
Speaker 1: an a m C and be like, look, if you

444
00:25:08,480 --> 00:25:10,879
Speaker 1: want Mulan, you gotta take all this other bullshit too

445
00:25:10,960 --> 00:25:12,840
Speaker 1: and put it out minimum these screens. I'm like, I

446
00:25:12,880 --> 00:25:14,840
Speaker 1: don't know if that's good for business, but the whole

447
00:25:15,040 --> 00:25:17,639
Speaker 1: cudgel is, oh, do you want Star Wars, then you're

448
00:25:17,680 --> 00:25:19,480
Speaker 1: taking your and then you will show these other films

449
00:25:19,520 --> 00:25:21,960
Speaker 1: at your theater and because of that, because that is

450
00:25:22,000 --> 00:25:24,440
Speaker 1: not allowed, you know, theater is a little bit more

451
00:25:24,520 --> 00:25:27,960
Speaker 1: able to independently program things. Although you know, for the

452
00:25:28,040 --> 00:25:30,760
Speaker 1: most part it's the same fair wherever you go. But

453
00:25:31,000 --> 00:25:34,880
Speaker 1: by you know, these decrees being lifted that will bring

454
00:25:35,280 --> 00:25:38,560
Speaker 1: you know, that means things like block booking or circuit dealing,

455
00:25:38,600 --> 00:25:40,280
Speaker 1: which is sort of like if you have a circuit

456
00:25:40,320 --> 00:25:42,600
Speaker 1: of theaters, like you need to have this very expensive

457
00:25:42,720 --> 00:25:45,080
Speaker 1: license to show all the films in the circuit of theater.

458
00:25:45,160 --> 00:25:47,639
Speaker 1: So it's all these other business practices that are predatory,

459
00:25:48,240 --> 00:25:51,560
Speaker 1: and the opponents are saying that you know, even though

460
00:25:51,600 --> 00:25:55,000
Speaker 1: they're like sun setting, Uh, some of these provisions like

461
00:25:55,080 --> 00:25:57,560
Speaker 1: for two years, so like it'll be like two years

462
00:25:57,640 --> 00:25:59,639
Speaker 1: until like this whole idea like where you could put

463
00:26:00,040 --> 00:26:02,960
Speaker 1: potentially do block booking again would come back. Is a

464
00:26:03,000 --> 00:26:05,240
Speaker 1: way to start get their heads around how to transition

465
00:26:05,320 --> 00:26:07,600
Speaker 1: the industry. But at the end of the day, the

466
00:26:07,680 --> 00:26:10,160
Speaker 1: d j's argument sort of like these anti trust laws

467
00:26:10,200 --> 00:26:12,879
Speaker 1: that we have now are like adequate, so even if

468
00:26:12,920 --> 00:26:15,240
Speaker 1: we lift these, it's all good. But then opponents like,

469
00:26:15,320 --> 00:26:17,359
Speaker 1: but you're not actually even pointing out the things that

470
00:26:17,600 --> 00:26:21,840
Speaker 1: these decrees were preventing are bad and potentially cause problems

471
00:26:21,920 --> 00:26:25,040
Speaker 1: and like anti like lack of competition. So like to

472
00:26:25,440 --> 00:26:29,240
Speaker 1: somebody to a listener who's just uh, you know a

473
00:26:29,359 --> 00:26:32,280
Speaker 1: film go are your average film consumer, Like, how do

474
00:26:32,480 --> 00:26:36,400
Speaker 1: how does this affect them? I mean, first, it's probably

475
00:26:36,440 --> 00:26:41,360
Speaker 1: gonna effect I think independent theaters, of our independents, that's

476
00:26:41,560 --> 00:26:44,199
Speaker 1: really those are the those are the ones that are

477
00:26:44,359 --> 00:26:47,360
Speaker 1: really really going to be in trouble because like, for example,

478
00:26:47,400 --> 00:26:49,280
Speaker 1: if you're an independent theatery like well I only want

479
00:26:49,320 --> 00:26:51,879
Speaker 1: Star Wars and they're like, well, here's the deal. You

480
00:26:51,960 --> 00:26:53,520
Speaker 1: gotta take all this other ship too, and you're like,

481
00:26:53,560 --> 00:26:55,399
Speaker 1: well I don't really have the capacity, Like well, then

482
00:26:55,560 --> 00:26:59,720
Speaker 1: you don't get Star Wars. So that's that. Um, that's

483
00:26:59,840 --> 00:27:02,320
Speaker 1: you know, that is the very the aggressive way of

484
00:27:02,359 --> 00:27:04,280
Speaker 1: it looking. And then also like it could be a

485
00:27:04,320 --> 00:27:07,960
Speaker 1: thing where some theaters just become extensions of the studios themselves,

486
00:27:08,440 --> 00:27:11,200
Speaker 1: like you will theater as you have your and Disney

487
00:27:11,320 --> 00:27:15,639
Speaker 1: being the best case scenario because they now own every movie.

488
00:27:15,800 --> 00:27:18,359
Speaker 1: But like that's and that's when we were talking about

489
00:27:18,480 --> 00:27:20,879
Speaker 1: last time with this is because Disney owns such a

490
00:27:21,800 --> 00:27:25,760
Speaker 1: just an incredible amount of market share that with a

491
00:27:25,840 --> 00:27:28,320
Speaker 1: lot of these decrees lifted. They have a very they

492
00:27:28,400 --> 00:27:30,320
Speaker 1: have a lot of weight they can throw around when

493
00:27:30,400 --> 00:27:33,760
Speaker 1: it comes to like how business is done with movie theaters. Um,

494
00:27:34,000 --> 00:27:37,200
Speaker 1: so it's right now, you know, everyone's like it, don't worry,

495
00:27:37,200 --> 00:27:39,280
Speaker 1: It's going to be fine. Everyone's saying it will be okay.

496
00:27:39,320 --> 00:27:41,120
Speaker 1: Like some of the companies that were in the original

497
00:27:41,240 --> 00:27:44,080
Speaker 1: consent decrees, like r KL and like MGM, like they

498
00:27:44,119 --> 00:27:46,800
Speaker 1: don't even exist anymore. So it's really not like the same.

499
00:27:47,359 --> 00:27:51,159
Speaker 1: But you know, like anything it all it's doing is

500
00:27:51,359 --> 00:27:54,720
Speaker 1: creating a lot of possibilities that people like the Director's

501
00:27:54,760 --> 00:27:57,360
Speaker 1: Guild and Writer's Guild and a lot of independent theater

502
00:27:57,480 --> 00:28:01,080
Speaker 1: operators saying this, could you know, wipe everything out? Is

503
00:28:01,160 --> 00:28:04,399
Speaker 1: that why that little Twitter post was such a big thing,

504
00:28:04,520 --> 00:28:06,320
Speaker 1: the one that the dude is beating up on the

505
00:28:06,400 --> 00:28:09,199
Speaker 1: Mulan poster. I was very confused by that. By that, Oh,

506
00:28:09,280 --> 00:28:12,840
Speaker 1: that was a different story that I didn't know that

507
00:28:12,960 --> 00:28:15,879
Speaker 1: was because of Disney. Well, that that was a that

508
00:28:15,960 --> 00:28:18,000
Speaker 1: was a French film. I think what they said was

509
00:28:18,160 --> 00:28:20,960
Speaker 1: a French theater owner when he found out that Mulan

510
00:28:21,080 --> 00:28:22,720
Speaker 1: was just going to be put out on streaming and

511
00:28:22,800 --> 00:28:24,920
Speaker 1: he like owns a theater and then this massive in

512
00:28:25,119 --> 00:28:27,440
Speaker 1: lobby display that he was just tearing down because he's

513
00:28:27,440 --> 00:28:29,400
Speaker 1: just so pissed that he's like, well, that's not money

514
00:28:29,440 --> 00:28:32,000
Speaker 1: coming through my doors now, Okay, Okay, I didn't know

515
00:28:32,040 --> 00:28:37,040
Speaker 1: if he just really hated Mulan and Ann. They just

516
00:28:37,119 --> 00:28:39,600
Speaker 1: announced that Mulan is going to come out on Disney

517
00:28:39,680 --> 00:28:44,040
Speaker 1: Plus the same weekend that the first major theater releases

518
00:28:44,160 --> 00:28:48,960
Speaker 1: coming that Christopher Nolan's tenant, so like he is, I

519
00:28:49,040 --> 00:28:52,840
Speaker 1: think all theater owners are piste Disney Like. In order

520
00:28:52,920 --> 00:28:56,040
Speaker 1: to kind of throw them a bone, we're like, no,

521
00:28:56,200 --> 00:29:00,120
Speaker 1: that's okay. We'll charge people thirty dollars to rent or

522
00:29:00,240 --> 00:29:05,040
Speaker 1: to download this movie and like just pass the shift

523
00:29:05,120 --> 00:29:11,240
Speaker 1: onto the people make them because god knows Americans have

524
00:29:11,480 --> 00:29:15,040
Speaker 1: so much disposable income at this point. But yeah, I mean,

525
00:29:15,280 --> 00:29:17,360
Speaker 1: on the other hand, though, Miles, it's gonna be tight

526
00:29:17,440 --> 00:29:21,280
Speaker 1: when you can have like a crossover with like Marvel,

527
00:29:22,160 --> 00:29:26,040
Speaker 1: X Men, d C. Like just it's everything's made by

528
00:29:26,120 --> 00:29:29,720
Speaker 1: one mega studio and then they can set the ticket

529
00:29:29,800 --> 00:29:32,320
Speaker 1: prices too, because you can set the ticket prices, but

530
00:29:32,520 --> 00:29:34,720
Speaker 1: it will be super tight because like Superman can chill

531
00:29:34,760 --> 00:29:38,920
Speaker 1: with Wolverine and yes, the ideological content of the movie

532
00:29:39,040 --> 00:29:41,920
Speaker 1: will be telling you that this sort of thing is okay.

533
00:29:42,720 --> 00:29:45,120
Speaker 1: It will still be super tight in the effects will

534
00:29:45,120 --> 00:29:47,520
Speaker 1: be awesome. So he's gonna win. What studio is gonna

535
00:29:47,560 --> 00:29:51,280
Speaker 1: win out this whole done Disney h Disneys, like Disney

536
00:29:51,320 --> 00:29:55,320
Speaker 1: should already they they need to start taking a look

537
00:29:55,360 --> 00:29:57,240
Speaker 1: at But yeah, that's the other things to say is like,

538
00:29:57,440 --> 00:30:01,120
Speaker 1: you know, the decrees also prevented studios from setting minimum

539
00:30:01,200 --> 00:30:05,200
Speaker 1: prices on tickets too, So there's a lot of ship

540
00:30:05,320 --> 00:30:06,880
Speaker 1: that they're saying, like, well, you know, people just aren't

541
00:30:06,880 --> 00:30:08,680
Speaker 1: gonna do that anyway. Like it's just it's it will

542
00:30:08,720 --> 00:30:11,560
Speaker 1: help competition. That's what they always say, that this these

543
00:30:11,600 --> 00:30:16,560
Speaker 1: you know, regulations hinder competition. Uh so I'm I am

544
00:30:16,680 --> 00:30:22,920
Speaker 1: that dubious at best dubious. Um, thank you so much,

545
00:30:23,160 --> 00:30:26,760
Speaker 1: you're welcome. Uh yeah. I do wonder like all the

546
00:30:27,400 --> 00:30:32,320
Speaker 1: kind of uh quote unquote like geek culture, the mainstream

547
00:30:32,440 --> 00:30:35,800
Speaker 1: of geek culture, and like all the people talking being

548
00:30:35,920 --> 00:30:39,920
Speaker 1: excited about crossovers, I do wonder if that was like

549
00:30:40,160 --> 00:30:42,840
Speaker 1: seeded by I wouldn't be surprised if when we look

550
00:30:42,880 --> 00:30:46,320
Speaker 1: back in history, it will have been seated by like

551
00:30:46,440 --> 00:30:49,240
Speaker 1: the same way that Russia used trolls, Like, I'm sure

552
00:30:49,320 --> 00:30:53,440
Speaker 1: Disney's smart enough to have them have their marketing campaign

553
00:30:53,560 --> 00:30:56,120
Speaker 1: using trolls to like make it seem like people are

554
00:30:56,160 --> 00:30:59,000
Speaker 1: excited for that ship. So if they're really just consolidate

555
00:30:59,200 --> 00:31:02,640
Speaker 1: the higher entertainment industry, I mean, the place to look

556
00:31:02,760 --> 00:31:04,680
Speaker 1: is just to look in the programming of the last

557
00:31:04,840 --> 00:31:07,760
Speaker 1: twenty years of children's programming and just be like, they're like,

558
00:31:07,880 --> 00:31:11,080
Speaker 1: it's weird. I saw in like I didn't catch this

559
00:31:11,200 --> 00:31:13,760
Speaker 1: in a Laddin. The whole thing about like lifting the

560
00:31:13,840 --> 00:31:16,440
Speaker 1: consent decrease, the paramount consent decrease if you look in

561
00:31:16,480 --> 00:31:20,520
Speaker 1: the background, it's weird instead of saying, uh, Sex and

562
00:31:20,560 --> 00:31:23,680
Speaker 1: the Clouds of the Lion King lived to the paramount

563
00:31:23,680 --> 00:31:29,520
Speaker 1: of consent decrease. And it may seem like we're unloading

564
00:31:29,560 --> 00:31:31,720
Speaker 1: on Disney, but that's just because they're probably going to

565
00:31:31,800 --> 00:31:33,440
Speaker 1: own us in a couple of days. So we're just

566
00:31:33,480 --> 00:31:37,920
Speaker 1: getting all the ship talk out of the way, right, Yeah,

567
00:31:38,360 --> 00:31:40,959
Speaker 1: where to go? So we can not talk about them

568
00:31:41,920 --> 00:31:44,560
Speaker 1: all right, let's talk about So the d n C

569
00:31:45,240 --> 00:31:50,080
Speaker 1: Democratic National Convention is probably or definitely not going to

570
00:31:50,200 --> 00:31:52,959
Speaker 1: happen in any real sense it's gonna be like an

571
00:31:53,040 --> 00:31:56,240
Speaker 1: online thing. It's gonna be a shitty work zoom call.

572
00:31:58,560 --> 00:32:00,440
Speaker 1: Have you guys seen the commercial for that that little

573
00:32:00,440 --> 00:32:03,479
Speaker 1: animation they have for the six ft Like CNN has

574
00:32:03,520 --> 00:32:05,600
Speaker 1: been putting it up about the DNC in the r

575
00:32:05,680 --> 00:32:08,560
Speaker 1: n C where it's like the elephant in the donkey

576
00:32:08,640 --> 00:32:11,040
Speaker 1: and then they measure six ft away and it ends

577
00:32:11,080 --> 00:32:13,960
Speaker 1: with him saying, this is the most we've ever talked.

578
00:32:14,720 --> 00:32:17,560
Speaker 1: Oh wow, I saw this the other day. I was like,

579
00:32:17,600 --> 00:32:21,480
Speaker 1: what the fuck is this? What is happening? So the

580
00:32:21,720 --> 00:32:24,520
Speaker 1: messages like if only we could get the Democrats and

581
00:32:24,560 --> 00:32:27,080
Speaker 1: Republicans to talk to each other and get on the

582
00:32:27,160 --> 00:32:30,720
Speaker 1: same side, then we'd be okay. So something it's pretty

583
00:32:30,800 --> 00:32:33,680
Speaker 1: much just advertising that it's coming, like the DNC is

584
00:32:33,760 --> 00:32:35,560
Speaker 1: coming and the RNC is coming with they'ure not saying

585
00:32:35,600 --> 00:32:37,560
Speaker 1: when or where. But it's just like I don't know

586
00:32:37,640 --> 00:32:39,000
Speaker 1: why they have it. I don't know if it's just

587
00:32:39,080 --> 00:32:41,640
Speaker 1: a filler, but I was very confused about what is happening.

588
00:32:41,720 --> 00:32:44,040
Speaker 1: Why did they someone do this? What is what's going on?

589
00:32:44,480 --> 00:32:48,200
Speaker 1: We accidentally aired a screensaver and uh, it seemed like

590
00:32:48,840 --> 00:32:51,960
Speaker 1: so we just left it up. Yeah, I don't know.

591
00:32:52,560 --> 00:32:56,160
Speaker 1: So anyways, the Democratic like, I think it's at least

592
00:32:56,240 --> 00:32:59,600
Speaker 1: worth looking at where the d n C's head is at,

593
00:33:00,280 --> 00:33:04,680
Speaker 1: the Democratic Party's head is at, because apparently, uh, they

594
00:33:04,960 --> 00:33:10,000
Speaker 1: are preventing AOC from speaking uh and putting the Obama's

595
00:33:10,040 --> 00:33:15,360
Speaker 1: and the Clinton's front and center. UM, good, good, great great.

596
00:33:15,440 --> 00:33:19,640
Speaker 1: My analysis of this, UH is you have honestly got

597
00:33:19,720 --> 00:33:21,840
Speaker 1: to be fucking kidding me with this ship. That's what

598
00:33:21,960 --> 00:33:28,480
Speaker 1: I wrote. That's I so, the most charismatic electrifying force

599
00:33:28,600 --> 00:33:31,440
Speaker 1: on the party since Barack. They want to push her

600
00:33:31,600 --> 00:33:34,640
Speaker 1: to the back in favor of the person who lost

601
00:33:34,720 --> 00:33:41,360
Speaker 1: the last election and her sexual predator husband. And that's

602
00:33:41,800 --> 00:33:45,880
Speaker 1: that's where we're at. They just because they're a known quantity,

603
00:33:46,040 --> 00:33:47,440
Speaker 1: and it's just like they should have learned that a

604
00:33:47,560 --> 00:33:50,280
Speaker 1: lesson from the John Lewis funeral and the eulogy, Like

605
00:33:51,040 --> 00:33:53,920
Speaker 1: everybody just cringed so hard the minute I saw him

606
00:33:53,960 --> 00:33:55,440
Speaker 1: pop up. I had to turn the station. I was like,

607
00:33:55,480 --> 00:33:58,840
Speaker 1: I can't for them, except for the Democratic Party. They

608
00:33:58,880 --> 00:34:02,520
Speaker 1: weren't cringing. They were like, because you said, you said,

609
00:34:02,520 --> 00:34:05,840
Speaker 1: it's it's the same thing. Like the theory Jack about

610
00:34:05,880 --> 00:34:08,680
Speaker 1: like when a celebrity gets like famous like they lose

611
00:34:08,719 --> 00:34:11,520
Speaker 1: their life skills from that point on. Like it's the

612
00:34:11,600 --> 00:34:14,600
Speaker 1: same thing with politicians like the hey day, their heyday,

613
00:34:14,800 --> 00:34:17,520
Speaker 1: Like they're stuck in that moment where like Bill Clinton

614
00:34:17,680 --> 00:34:20,640
Speaker 1: is tight as fuck, He's gonna come out that's sacks

615
00:34:20,680 --> 00:34:24,360
Speaker 1: and black people will be like and they're like, this

616
00:34:24,520 --> 00:34:26,600
Speaker 1: is fucking excellent, you know what I mean, No one's

617
00:34:26,640 --> 00:34:29,640
Speaker 1: thinking in where we are now, and it's just really

618
00:34:29,840 --> 00:34:33,640
Speaker 1: really fucking lame. And it's even think like AOC the

619
00:34:34,000 --> 00:34:36,680
Speaker 1: end of last year I remember, which felt honestly and

620
00:34:36,719 --> 00:34:38,919
Speaker 1: we could all say that felt like fifteen years ago

621
00:34:39,600 --> 00:34:42,880
Speaker 1: when the when the primary, the presidential primary, who's going

622
00:34:42,920 --> 00:34:45,959
Speaker 1: to get the nomination? I remember when the squad people

623
00:34:45,960 --> 00:34:48,560
Speaker 1: are like, oh man, whoever the squad endorses, like that's

624
00:34:48,560 --> 00:34:51,640
Speaker 1: gonna be big, And now we're seeing them like sort

625
00:34:51,640 --> 00:34:54,560
Speaker 1: of a backlash. I think from that too, where it's like, dude,

626
00:34:54,560 --> 00:34:57,200
Speaker 1: to keep these people out the spotlight. Obama is gonna

627
00:34:57,280 --> 00:34:59,719
Speaker 1: even sit on his endorsements of these people and at

628
00:34:59,800 --> 00:35:02,799
Speaker 1: least the first wave, so it doesn't quite say put

629
00:35:02,880 --> 00:35:04,680
Speaker 1: the message out that the d n C in Obama

630
00:35:04,800 --> 00:35:06,960
Speaker 1: is not fucking with them right now. But you know

631
00:35:07,000 --> 00:35:09,160
Speaker 1: there's that possibility when he does his second round of

632
00:35:09,280 --> 00:35:12,640
Speaker 1: endorsements that they could get it. It's just very I

633
00:35:12,719 --> 00:35:16,359
Speaker 1: think we see that the establishment realizes that already now

634
00:35:16,440 --> 00:35:18,799
Speaker 1: I think is at this point millennials and younger make

635
00:35:18,880 --> 00:35:21,440
Speaker 1: up the majority of the human life in this country

636
00:35:22,000 --> 00:35:25,480
Speaker 1: that you know, they're they're trying to, you know, delay

637
00:35:25,600 --> 00:35:28,320
Speaker 1: the passing of the torch as long as possible, because

638
00:35:28,320 --> 00:35:30,960
Speaker 1: there's many people who I think our generation of people

639
00:35:31,040 --> 00:35:33,360
Speaker 1: look at as being the kinds of politicians we'd like

640
00:35:33,440 --> 00:35:36,880
Speaker 1: to see an office versus the step dads and step

641
00:35:36,960 --> 00:35:39,400
Speaker 1: moms of our childhoods that we see in office. Now.

642
00:35:40,160 --> 00:35:43,480
Speaker 1: The fact that they would let the Clintons anywhere the

643
00:35:45,160 --> 00:35:51,640
Speaker 1: fucking spotlight is so unnerving to me. Just like where

644
00:35:53,000 --> 00:35:57,120
Speaker 1: even if Biden wins, which you know, I want him

645
00:35:57,160 --> 00:35:59,680
Speaker 1: to win more than I've ever wanted a presidential candidate

646
00:35:59,760 --> 00:36:03,080
Speaker 1: to and anything, and I'm just not excited about him

647
00:36:03,480 --> 00:36:06,640
Speaker 1: at all, but I just you know, we can't, we

648
00:36:06,719 --> 00:36:09,759
Speaker 1: can't do another four years of this ship. But if

649
00:36:09,800 --> 00:36:14,120
Speaker 1: he wins, like what, it's just gonna be so infuriating

650
00:36:14,280 --> 00:36:16,840
Speaker 1: the party in power the way the way the Democrats.

651
00:36:16,920 --> 00:36:19,880
Speaker 1: But maybe I don't know, maybe maybe they can be

652
00:36:20,280 --> 00:36:24,799
Speaker 1: reformed while in power. Maybe they can primary Biden after

653
00:36:24,880 --> 00:36:27,480
Speaker 1: he wins. The smart move is you you convince voters

654
00:36:27,600 --> 00:36:30,160
Speaker 1: right now with your VP candidate that guess what, man

655
00:36:30,239 --> 00:36:32,440
Speaker 1: Biden isn't the d n C man. He gets it.

656
00:36:32,640 --> 00:36:34,800
Speaker 1: We get it, like we're gonna have to do Medicare

657
00:36:34,920 --> 00:36:37,560
Speaker 1: for all, We're gonna have to actually like have more

658
00:36:37,680 --> 00:36:41,359
Speaker 1: robust self social safety nets, and then they'll we'll get

659
00:36:41,400 --> 00:36:44,640
Speaker 1: in there and then it's gonna be let's just maintain

660
00:36:44,800 --> 00:36:49,319
Speaker 1: the status quo and we'll just do incremental incremental legislation

661
00:36:50,120 --> 00:36:52,880
Speaker 1: when really, you know, I think everyone is just so

662
00:36:53,160 --> 00:36:57,440
Speaker 1: hungry for solutions because we're like everyone is exhausted unless

663
00:36:57,440 --> 00:36:59,680
Speaker 1: you're someone who is living in the you know, blessed.

664
00:37:00,000 --> 00:37:03,080
Speaker 1: I've for senten up where you just don't you know,

665
00:37:03,200 --> 00:37:05,400
Speaker 1: there's a there's a there's like a world you live

666
00:37:05,440 --> 00:37:08,200
Speaker 1: in now where not many of the world's ills affect you,

667
00:37:08,880 --> 00:37:11,319
Speaker 1: but it affects pretty much everybody else. And I think

668
00:37:11,360 --> 00:37:13,760
Speaker 1: that's like someone just willing to look at this sober

669
00:37:13,840 --> 00:37:15,759
Speaker 1: and say like, yeah, this is bad. Actually, we don't

670
00:37:15,760 --> 00:37:17,600
Speaker 1: need to say like America is so great Number one.

671
00:37:17,640 --> 00:37:19,440
Speaker 1: You can say, yeah, a lot of this stuff is

672
00:37:19,480 --> 00:37:21,480
Speaker 1: fucked up, but you know what, everybody, let's forgot how

673
00:37:21,520 --> 00:37:23,520
Speaker 1: to change it, rather than like trying to protect the ego,

674
00:37:23,680 --> 00:37:26,120
Speaker 1: the collective ego of the nation and like acting like

675
00:37:26,239 --> 00:37:28,240
Speaker 1: things aren't so bad and we are just leaving people

676
00:37:28,280 --> 00:37:32,080
Speaker 1: behind by the by the hundreds of thousands, millions. Honestly,

677
00:37:32,120 --> 00:37:34,399
Speaker 1: I'm surprised they didn't bring on Bush just the way

678
00:37:34,480 --> 00:37:36,840
Speaker 1: they are like just pulling him up as if he

679
00:37:37,080 --> 00:37:42,960
Speaker 1: was the ultimate Absolutely what is happening? I think case

680
00:37:43,040 --> 00:37:45,000
Speaker 1: it's just going to be like one of their main speakers.

681
00:37:45,120 --> 00:37:48,480
Speaker 1: So it's all about getting that that sloppy, soft middle,

682
00:37:48,760 --> 00:37:57,200
Speaker 1: you know, like look at this, we're like the rock

683
00:37:57,280 --> 00:37:59,840
Speaker 1: when you became the corporate elbow, when you joined the corporation.

684
00:38:00,120 --> 00:38:02,200
Speaker 1: I don't know if you remember that. Anyway, it was

685
00:38:02,280 --> 00:38:04,040
Speaker 1: like when you saw the guy joined up with the

686
00:38:04,080 --> 00:38:06,160
Speaker 1: bad guys and people like, WHOA, what's this mean? Like

687
00:38:06,280 --> 00:38:07,799
Speaker 1: in the same way, they could be like Bush has

688
00:38:07,880 --> 00:38:11,560
Speaker 1: come to this side, y'all, and they're like, but it's

689
00:38:11,600 --> 00:38:13,360
Speaker 1: all meaningless because at the end of the day, we

690
00:38:13,440 --> 00:38:16,239
Speaker 1: still have people dying of COVID nineteen. We have no

691
00:38:16,440 --> 00:38:18,919
Speaker 1: national plan, we have no way to actually help small

692
00:38:19,000 --> 00:38:22,080
Speaker 1: business owners because now people are trying to figure out

693
00:38:22,160 --> 00:38:24,520
Speaker 1: every way to advocate for themselves, when really we just

694
00:38:24,640 --> 00:38:26,600
Speaker 1: need to be looking at where where all the money

695
00:38:26,719 --> 00:38:28,919
Speaker 1: is going, and say, can you stop sucking the money

696
00:38:29,000 --> 00:38:32,000
Speaker 1: for one second? Can you stopped for one second so

697
00:38:32,160 --> 00:38:33,880
Speaker 1: we can get on our feet for a moment, and

698
00:38:34,000 --> 00:38:36,239
Speaker 1: then let's figure out what we're gonna do. But there's

699
00:38:36,520 --> 00:38:39,640
Speaker 1: you can't keep ringing out the dollars from people when

700
00:38:39,880 --> 00:38:43,000
Speaker 1: we're all dried up. Uh. And that's what's so interesting,

701
00:38:43,080 --> 00:38:45,160
Speaker 1: Like there's not people aren't even understand like the logic

702
00:38:45,239 --> 00:38:47,279
Speaker 1: of that. It's like there's nothing to extract right now

703
00:38:47,400 --> 00:38:51,120
Speaker 1: from people, but they still want to. And people can

704
00:38:51,239 --> 00:38:54,080
Speaker 1: say what they want about Bush politically. But he is

705
00:38:54,200 --> 00:38:57,400
Speaker 1: my favorite visual artist. And he does have a new Uh.

706
00:39:00,320 --> 00:39:03,839
Speaker 1: This one actually pays tribute to immigrants, so it does.

707
00:39:04,160 --> 00:39:06,640
Speaker 1: I did see, Yes, yes, he did a whole book

708
00:39:06,680 --> 00:39:09,719
Speaker 1: on immigration. He was one and he just painted a

709
00:39:09,760 --> 00:39:13,840
Speaker 1: bunch of portraits out of many Juan, that was actually

710
00:39:14,880 --> 00:39:19,000
Speaker 1: my first I didn't like that. You know, the creator

711
00:39:19,120 --> 00:39:21,560
Speaker 1: of ice decided you wanted to do a book of inigration,

712
00:39:21,600 --> 00:39:23,359
Speaker 1: and you're like, what the funk are you doing? Sit

713
00:39:23,440 --> 00:39:25,319
Speaker 1: back down, dude. But then I got a desist from

714
00:39:25,320 --> 00:39:27,480
Speaker 1: Paul Rodriguez. There's a movie called A Million to Juan.

715
00:39:29,760 --> 00:39:33,800
Speaker 1: Did you see that movie? No, no, Paul Rodriguez, not

716
00:39:33,960 --> 00:39:38,040
Speaker 1: the skateboarder his dad. Yeah, okay, yeah, yea, were ya

717
00:39:38,040 --> 00:39:40,680
Speaker 1: weren't up on a dumb comedy from the nineties. I

718
00:39:41,920 --> 00:39:45,520
Speaker 1: just need this one. Oh yeah, maybe it was like

719
00:39:45,760 --> 00:39:50,879
Speaker 1: just big for Angelino's mhm, Georgia. You know, we don't

720
00:39:50,920 --> 00:39:54,440
Speaker 1: do anything that has any spans, Just so you know,

721
00:39:54,640 --> 00:39:57,359
Speaker 1: the modern ston on Mark Twain story, the million pound

722
00:39:57,400 --> 00:40:01,279
Speaker 1: bank note. I don't. I'm gonna have to go google that,

723
00:40:01,360 --> 00:40:06,360
Speaker 1: Like alright, any moving on, just silence, Dan, can you

724
00:40:06,400 --> 00:40:11,640
Speaker 1: put some crickets in there? But real quick, let's hit

725
00:40:11,680 --> 00:40:13,200
Speaker 1: these two stories that we've had on the dock for

726
00:40:13,239 --> 00:40:16,520
Speaker 1: a couple of days. Experts are saying that the White

727
00:40:16,560 --> 00:40:20,960
Speaker 1: House probably uh shouldn't be rushing the vaccine the way

728
00:40:21,040 --> 00:40:23,600
Speaker 1: that they are. Um, they're just making it seem like,

729
00:40:24,280 --> 00:40:27,120
Speaker 1: let's get this thing out there, the operation warp speed,

730
00:40:27,280 --> 00:40:32,480
Speaker 1: which is always good when a scientific process, a research

731
00:40:32,600 --> 00:40:36,600
Speaker 1: process is being done at warp speed. Granted, I want

732
00:40:36,640 --> 00:40:38,920
Speaker 1: I want to vaccine as fast as anybody else, but

733
00:40:39,360 --> 00:40:42,239
Speaker 1: what what are the issues that they're calling out, well,

734
00:40:43,040 --> 00:40:45,759
Speaker 1: the whole thing is Trump is like I need this

735
00:40:45,960 --> 00:40:51,279
Speaker 1: vaccine yesterday. Uh and because the only thing now it's like, okay, well,

736
00:40:51,320 --> 00:40:53,920
Speaker 1: if I can do enough voter suppression, fuck are eating

737
00:40:54,000 --> 00:40:58,120
Speaker 1: these other things, plus ra RA announce a vaccine that

738
00:40:58,280 --> 00:41:01,480
Speaker 1: might be enough just to get people to forget that.

739
00:41:01,719 --> 00:41:04,400
Speaker 1: Probably around two thousand people will have been dead by

740
00:41:04,440 --> 00:41:07,759
Speaker 1: that point, if not more um of COVID nineteen. So

741
00:41:08,520 --> 00:41:10,920
Speaker 1: right now, like there's everyone's looking at it. There's like

742
00:41:11,040 --> 00:41:14,040
Speaker 1: two vaccines that are that have trials right now, and

743
00:41:14,239 --> 00:41:17,960
Speaker 1: it's not going to inoculate like a full actual cohort

744
00:41:18,040 --> 00:41:21,799
Speaker 1: of like the actual test subjects until September. So they're

745
00:41:21,840 --> 00:41:23,960
Speaker 1: saying like okay, and then as we're doing that, we

746
00:41:24,040 --> 00:41:26,640
Speaker 1: still have to gather all kinds of like data on efficiency,

747
00:41:26,840 --> 00:41:29,640
Speaker 1: like probably like if we're gonna do it normally, we'd

748
00:41:29,680 --> 00:41:32,840
Speaker 1: probably be doing that around December at the earliest. And

749
00:41:32,960 --> 00:41:35,520
Speaker 1: then so once we so that's the thing, the data

750
00:41:35,520 --> 00:41:38,160
Speaker 1: has been gathered at that point, and then they would

751
00:41:38,239 --> 00:41:40,719
Speaker 1: have to do some research after that. So to the

752
00:41:40,880 --> 00:41:44,000
Speaker 1: idea of something happening in November is just like that's

753
00:41:44,000 --> 00:41:47,520
Speaker 1: just on a fully accelerated timeline. Or like that's completely reckless.

754
00:41:47,840 --> 00:41:51,320
Speaker 1: They also just say they don't want to undermine people's

755
00:41:51,360 --> 00:41:53,880
Speaker 1: faith in science. Either. You go out there and telling

756
00:41:53,920 --> 00:41:56,080
Speaker 1: people like we're gonna have that ship done in November

757
00:41:56,120 --> 00:41:58,160
Speaker 1: blah blah blah, and it comes out and it's flawed

758
00:41:58,320 --> 00:42:01,280
Speaker 1: or it's not ready or whatever, then people there's another

759
00:42:01,400 --> 00:42:03,440
Speaker 1: talking point that will come out where people like, well,

760
00:42:03,440 --> 00:42:05,440
Speaker 1: you see what happen? Doesn't he work? Like what are

761
00:42:05,480 --> 00:42:09,440
Speaker 1: you scientists talking? So they're also afraid that like please

762
00:42:09,480 --> 00:42:11,560
Speaker 1: don't put all your hopes and dreams into this either,

763
00:42:11,680 --> 00:42:14,080
Speaker 1: like don't don't talk about all this ship out loud,

764
00:42:14,120 --> 00:42:16,160
Speaker 1: like we're just doing the thing that we're researching. Don't

765
00:42:16,200 --> 00:42:20,080
Speaker 1: start saying, oh, come in this fall to Fox of

766
00:42:20,239 --> 00:42:24,040
Speaker 1: the vaccine, because there's still things going on. And what

767
00:42:24,160 --> 00:42:27,000
Speaker 1: makes it really disheartening is that like Healthy Human Services

768
00:42:27,080 --> 00:42:30,280
Speaker 1: is behind the entire rollout and they are talking about

769
00:42:30,320 --> 00:42:33,000
Speaker 1: this like it's it's like the new McDonald's monopoly game.

770
00:42:33,360 --> 00:42:35,520
Speaker 1: Like the way they're going to talk about it, they're like,

771
00:42:35,640 --> 00:42:37,480
Speaker 1: think about this is a quote from someone the Healthy

772
00:42:37,560 --> 00:42:39,640
Speaker 1: Human Services. Think about it as a four to six

773
00:42:39,680 --> 00:42:43,280
Speaker 1: week period of time, very intense, multi channeled, highly targeted

774
00:42:43,320 --> 00:42:46,239
Speaker 1: based on what we've learned about the vaccine. So you

775
00:42:46,320 --> 00:42:48,440
Speaker 1: may not hear a lot about promising vaccines over the

776
00:42:48,480 --> 00:42:52,400
Speaker 1: airwaves in August and September, but you'll be overwhelmed by

777
00:42:52,480 --> 00:42:56,160
Speaker 1: it come November. Like, what, we're not launching a new

778
00:42:56,440 --> 00:43:00,440
Speaker 1: marketing Yeah, it's marketing campaign. And they are saying that

779
00:43:00,600 --> 00:43:02,719
Speaker 1: despite the fact that we have no idea what the

780
00:43:02,840 --> 00:43:05,120
Speaker 1: state of the vaccine is going to be at that point.

781
00:43:05,280 --> 00:43:09,359
Speaker 1: They're just like, we're gonna put something in your arm. Yeah,

782
00:43:09,680 --> 00:43:13,440
Speaker 1: you know, we'll figure that ship out. Because the other

783
00:43:13,520 --> 00:43:16,279
Speaker 1: thing is too like once you get it vaccine and

784
00:43:16,480 --> 00:43:19,640
Speaker 1: you're out there, depending on how you would potentially interact

785
00:43:19,719 --> 00:43:21,480
Speaker 1: with it, like it depends on what the level of

786
00:43:21,560 --> 00:43:23,840
Speaker 1: the infection rate is in like the area you're in.

787
00:43:24,400 --> 00:43:25,880
Speaker 1: So there are a lot of ways to sort of

788
00:43:25,960 --> 00:43:27,480
Speaker 1: look at the data. It's not just like okay, and

789
00:43:27,520 --> 00:43:29,520
Speaker 1: then September, all these people are all good, it's fine.

790
00:43:29,560 --> 00:43:31,040
Speaker 1: You don't know where they've been, you don't know like

791
00:43:31,120 --> 00:43:34,600
Speaker 1: if they've actually come into contact whatever. So all this

792
00:43:34,800 --> 00:43:38,800
Speaker 1: to say is that this is like a massively delicate

793
00:43:38,960 --> 00:43:42,439
Speaker 1: operation because we're dealing with something that we really want

794
00:43:42,520 --> 00:43:45,000
Speaker 1: to be effective. This can't be like, you know, when

795
00:43:45,000 --> 00:43:47,400
Speaker 1: PlayStation two comes out in the first week and people look,

796
00:43:47,640 --> 00:43:50,640
Speaker 1: the City Drive doesn't work, and then people get all mad,

797
00:43:51,040 --> 00:43:54,040
Speaker 1: like don't play around with people, because this this is

798
00:43:54,080 --> 00:43:56,359
Speaker 1: gonna there's all this is a lot more important than

799
00:43:56,400 --> 00:43:59,000
Speaker 1: I think that even the White House understands, Like, yes,

800
00:43:59,040 --> 00:44:01,160
Speaker 1: it could be a great motive vader, but it could

801
00:44:01,320 --> 00:44:04,960
Speaker 1: really really really funk with people's perception of like what

802
00:44:05,280 --> 00:44:08,000
Speaker 1: you know, the research is able to promise because most

803
00:44:08,040 --> 00:44:10,520
Speaker 1: people are really ignorant around these processes and they just

804
00:44:10,600 --> 00:44:13,560
Speaker 1: think it's like making a fucking you know, like anything

805
00:44:13,600 --> 00:44:15,759
Speaker 1: you'd make in a factory, like was it designed in CAD?

806
00:44:16,000 --> 00:44:17,560
Speaker 1: All right, then just start rulling it out, like to

807
00:44:17,640 --> 00:44:20,160
Speaker 1: start shooting them out on the factory. But isn't that

808
00:44:20,239 --> 00:44:22,200
Speaker 1: what the White House is kind of all about. Donald

809
00:44:22,200 --> 00:44:24,480
Speaker 1: Trump wants to be the one and the first one

810
00:44:24,600 --> 00:44:27,200
Speaker 1: to say it no matter what, because he has to

811
00:44:27,280 --> 00:44:29,640
Speaker 1: have that credit just in case it's right. It's almost

812
00:44:29,680 --> 00:44:31,520
Speaker 1: like he's just throwing all of it out there so

813
00:44:31,640 --> 00:44:33,920
Speaker 1: out of the two percent of chance that it's right,

814
00:44:34,200 --> 00:44:37,359
Speaker 1: he can say I told you I'm the best. That's

815
00:44:37,400 --> 00:44:39,719
Speaker 1: the whole gamble. Yeah, and he's gonna do it, and

816
00:44:39,760 --> 00:44:42,320
Speaker 1: I will be so interested to see what the science

817
00:44:42,480 --> 00:44:45,319
Speaker 1: community has to say around that time, he's going like, Yep,

818
00:44:45,440 --> 00:44:48,280
Speaker 1: this is it, We've got it, folks, get ready for November.

819
00:44:48,800 --> 00:44:50,800
Speaker 1: Everything's gonna be fine, but you just gotta reelect me

820
00:44:51,040 --> 00:44:56,879
Speaker 1: and then you get the vaccine right, and then yeah,

821
00:44:57,000 --> 00:44:59,640
Speaker 1: he holds the country hostage. I mean already the rates

822
00:44:59,760 --> 00:45:01,759
Speaker 1: that some people have been talking about with some of

823
00:45:01,800 --> 00:45:07,000
Speaker 1: the treatments have been astro fuckingomical. Part is how much

824
00:45:07,080 --> 00:45:09,000
Speaker 1: is it going to cost? And who's going to be

825
00:45:09,040 --> 00:45:11,279
Speaker 1: able to be able to get access to that? As

826
00:45:11,320 --> 00:45:13,439
Speaker 1: well as who are you testing it on to show

827
00:45:13,480 --> 00:45:17,640
Speaker 1: the risks, like what's happening? I mean, everybody's gonna they're

828
00:45:17,640 --> 00:45:19,960
Speaker 1: gonna have to make it for free like that, or

829
00:45:20,120 --> 00:45:22,279
Speaker 1: not make it for free, but give it out for free,

830
00:45:22,400 --> 00:45:25,480
Speaker 1: Like what do you think they will? Though? Yeah, I

831
00:45:25,880 --> 00:45:30,200
Speaker 1: think that's like just just the unpopularity of trying to

832
00:45:30,400 --> 00:45:34,360
Speaker 1: charge people money for the vaccine to like a global

833
00:45:34,560 --> 00:45:37,959
Speaker 1: pandemic that has destroyed the economy would be a step

834
00:45:38,040 --> 00:45:41,840
Speaker 1: too far. And I have never been negatively surprised by

835
00:45:41,880 --> 00:45:46,359
Speaker 1: this country so or the pharmaceutical industry. Yeah, but if

836
00:45:46,400 --> 00:45:48,600
Speaker 1: there's anything we know about farming. They get it at

837
00:45:48,600 --> 00:45:51,600
Speaker 1: a certain point because when you look at the like

838
00:45:51,719 --> 00:45:54,160
Speaker 1: the testing even like who gets access to what types

839
00:45:54,160 --> 00:45:56,320
Speaker 1: of tests, it's still limited, and you're kind of like,

840
00:45:56,440 --> 00:46:00,840
Speaker 1: why isn't this successible? It's the testing, like we're not

841
00:46:00,920 --> 00:46:04,080
Speaker 1: able to not everyone is excess when we know the

842
00:46:04,080 --> 00:46:06,720
Speaker 1: people who are with Trump, they're getting the good stuff,

843
00:46:06,800 --> 00:46:10,000
Speaker 1: the good testing to tell you whether because Mike Dawine

844
00:46:10,360 --> 00:46:13,279
Speaker 1: he tested positive and then they're like, oh fuck it, man,

845
00:46:13,440 --> 00:46:15,440
Speaker 1: get another test. Man, he's going to meet the president.

846
00:46:15,480 --> 00:46:17,960
Speaker 1: And then he tested negative, and then people like you see,

847
00:46:18,040 --> 00:46:19,320
Speaker 1: but then it's like, go, hold on, you have to

848
00:46:19,400 --> 00:46:21,360
Speaker 1: realize that some of these a lot of these tests

849
00:46:21,560 --> 00:46:25,799
Speaker 1: have more false negatives than they do like the false positives,

850
00:46:25,920 --> 00:46:29,840
Speaker 1: so like if anything extremely extremely rare, it's like if anything,

851
00:46:30,040 --> 00:46:32,800
Speaker 1: you just got a false negative because you just hurried

852
00:46:32,880 --> 00:46:37,719
Speaker 1: up another test. Yeah, a lot of the experts have

853
00:46:37,880 --> 00:46:40,320
Speaker 1: been saying, like, yo, the tests are whack as funk

854
00:46:40,360 --> 00:46:42,840
Speaker 1: out here, Like we got thet the fucking like C

855
00:46:43,080 --> 00:46:45,200
Speaker 1: grade doesn't have like the ross dress for less B

856
00:46:45,360 --> 00:46:48,680
Speaker 1: grade tests. We've got like the fucking I don't even

857
00:46:48,760 --> 00:46:51,800
Speaker 1: know like there then there, Yeah, there's like everything in

858
00:46:51,840 --> 00:46:54,160
Speaker 1: this country there's levels to this ship and even the

859
00:46:54,239 --> 00:46:57,400
Speaker 1: tests that people are getting. Yeah. Uh. And then the

860
00:46:57,600 --> 00:47:00,280
Speaker 1: d A is investigating Trump and his company over fraud

861
00:47:00,480 --> 00:47:03,920
Speaker 1: in New York. That's, you know, a story from earlier

862
00:47:04,000 --> 00:47:06,440
Speaker 1: this week. But I when I first saw it, my

863
00:47:06,520 --> 00:47:09,439
Speaker 1: eyes kinda passed over it. I thought I already knew

864
00:47:09,520 --> 00:47:13,760
Speaker 1: that he was being investigated for fraud. But um, basically

865
00:47:13,880 --> 00:47:17,399
Speaker 1: the revelation came that, you know, after this a month

866
00:47:17,440 --> 00:47:20,680
Speaker 1: after the Supreme Court paved the way for the d

867
00:47:20,880 --> 00:47:26,160
Speaker 1: A to subpoena his tax filings, we have new filings

868
00:47:26,239 --> 00:47:28,320
Speaker 1: that suggests that we used to think it was just

869
00:47:28,400 --> 00:47:31,640
Speaker 1: going to be about hush money payments Michael Cohen made

870
00:47:31,880 --> 00:47:34,640
Speaker 1: on the Stormy Daniels thing, but it's much broader in

871
00:47:34,760 --> 00:47:40,360
Speaker 1: scope and involves massive, repeated for alleged bank and insurance fraud,

872
00:47:40,960 --> 00:47:45,040
Speaker 1: which is so just It's got it all man. It's

873
00:47:45,239 --> 00:47:47,440
Speaker 1: uh in Deutsche Bank too. The latest thing was, like

874
00:47:47,560 --> 00:47:50,600
Speaker 1: Dave was reported that they handed all his records over,

875
00:47:51,400 --> 00:47:54,000
Speaker 1: So yeah, probably looking at the whole thing now. That's

876
00:47:54,040 --> 00:47:57,560
Speaker 1: why they're my favorite favorite company in America, Deutscha. But

877
00:47:57,719 --> 00:48:01,880
Speaker 1: then happen is you put another or corporal corporate defender

878
00:48:01,920 --> 00:48:04,320
Speaker 1: in the White House and what does it mean anyway?

879
00:48:04,480 --> 00:48:06,440
Speaker 1: You just got that one out. I'm gonna wait for

880
00:48:06,560 --> 00:48:08,200
Speaker 1: her ten years from now to see the movie to

881
00:48:08,239 --> 00:48:11,920
Speaker 1: see what happened, right, just say, yeah, plug your ears now,

882
00:48:12,000 --> 00:48:13,680
Speaker 1: You're like, now this movie will be so good. I'm

883
00:48:13,680 --> 00:48:17,400
Speaker 1: not spoiling. Is no spoilers, No spoilers. Let's take a

884
00:48:17,480 --> 00:48:21,040
Speaker 1: quick break. We'll be right back to talk about Jurassic Park.

885
00:48:31,560 --> 00:48:34,080
Speaker 1: And we're back, And what do you guys want to

886
00:48:34,080 --> 00:48:37,799
Speaker 1: talk about first? You want to talk Malibu Rescue. Yeah,

887
00:48:38,160 --> 00:48:45,759
Speaker 1: let's talk Malibu Rescue the White House to watch Teenagers

888
00:48:45,800 --> 00:48:53,520
Speaker 1: of the Beach. Um. Malibu Rescue is straight up kids show. Uh.

889
00:48:53,920 --> 00:48:55,320
Speaker 1: At the time, I was like, what the fund This

890
00:48:55,400 --> 00:48:57,480
Speaker 1: movie is only hour and ten minutes. I'm like, this

891
00:48:57,640 --> 00:49:00,319
Speaker 1: is a movie. This is not uh. And then as

892
00:49:00,360 --> 00:49:02,480
Speaker 1: I look, I'm like, okay, so it's already a series

893
00:49:03,160 --> 00:49:05,960
Speaker 1: about these kids who are just like I'm guessing I

894
00:49:06,040 --> 00:49:08,080
Speaker 1: haven't seen this series, but based on the movie that

895
00:49:08,200 --> 00:49:11,279
Speaker 1: they are some kind of rescue team, um, and like

896
00:49:11,400 --> 00:49:15,240
Speaker 1: they're all like little teenagers. But the interesting thing about

897
00:49:15,239 --> 00:49:17,480
Speaker 1: the movie is like it the second I watched it,

898
00:49:17,520 --> 00:49:19,560
Speaker 1: I was like, damn, this is like a fucking cartoon

899
00:49:19,840 --> 00:49:23,040
Speaker 1: just with human beings. Like everything from the opening felt

900
00:49:23,080 --> 00:49:25,160
Speaker 1: like some pop patrol ship. Like the first scene is

901
00:49:25,200 --> 00:49:28,400
Speaker 1: like a rescue and it's like yo, suret you go

902
00:49:28,520 --> 00:49:30,680
Speaker 1: over there on your jet ski you you too, and

903
00:49:30,760 --> 00:49:32,840
Speaker 1: like they're like flying in like a formation to like

904
00:49:32,880 --> 00:49:34,520
Speaker 1: get this paddle board who is about to get eaten

905
00:49:34,520 --> 00:49:36,759
Speaker 1: by mako sharks and ship, and like they go and

906
00:49:36,800 --> 00:49:38,960
Speaker 1: they do their thing, like they swirl around to scare

907
00:49:39,000 --> 00:49:40,920
Speaker 1: the sharks. Way the rescue book comes in, pulls the

908
00:49:40,960 --> 00:49:43,160
Speaker 1: guy in. They're like great, and it felt like I

909
00:49:43,239 --> 00:49:44,960
Speaker 1: was like, Okay, this is very easy to wrap your

910
00:49:44,960 --> 00:49:47,960
Speaker 1: head around if you're a kid transitioning from like cartoons

911
00:49:48,040 --> 00:49:50,920
Speaker 1: to like I r L people content. The kids a

912
00:49:51,000 --> 00:49:53,560
Speaker 1: master of disguise and they trick the shark into thinking

913
00:49:53,719 --> 00:49:59,360
Speaker 1: there and and like uh no. But the movie is

914
00:49:59,520 --> 00:50:03,680
Speaker 1: very melaic and easy to follow, and it's essentially about

915
00:50:03,719 --> 00:50:06,360
Speaker 1: like these kids. They're like the bad news bears of

916
00:50:06,520 --> 00:50:10,800
Speaker 1: like youth. Yeah, like lifeguards, and then they find themselves

917
00:50:10,880 --> 00:50:14,120
Speaker 1: having to replace Team USA, like in the World Beach

918
00:50:14,200 --> 00:50:17,399
Speaker 1: Master competition. I do have to pass this since I'm

919
00:50:17,440 --> 00:50:20,000
Speaker 1: in Georgia and I don't know much about California. I

920
00:50:20,080 --> 00:50:23,840
Speaker 1: love California, but the Valley. I mean in the eighties,

921
00:50:23,840 --> 00:50:26,319
Speaker 1: I remember the Valley is really bad because basically these

922
00:50:26,440 --> 00:50:29,319
Speaker 1: kids are from the valley and they're like, no one

923
00:50:29,400 --> 00:50:31,440
Speaker 1: from the Valley will be on our team. So I'm

924
00:50:31,440 --> 00:50:37,040
Speaker 1: really confused why people hate the valley trash. The people

925
00:50:37,080 --> 00:50:43,279
Speaker 1: from the valley are garbage humans. Uh, the Valley. I'm

926
00:50:43,320 --> 00:50:52,960
Speaker 1: not joking that actually hurt um Uh, just hold on,

927
00:50:53,960 --> 00:50:57,560
Speaker 1: give me a minute. Uh. So it's it's just it's classes,

928
00:50:57,800 --> 00:51:00,160
Speaker 1: you know what I mean. I think because the the

929
00:51:00,400 --> 00:51:02,560
Speaker 1: moneyed people of the city tend to live on the

930
00:51:02,640 --> 00:51:04,759
Speaker 1: west side, on the other side of the hill, as

931
00:51:04,880 --> 00:51:08,200
Speaker 1: we say colloquially here, um, but in the beach areas

932
00:51:08,480 --> 00:51:11,560
Speaker 1: and the valley is like, yeah, you're working class people. Uh,

933
00:51:11,719 --> 00:51:14,839
Speaker 1: and just we're gross. That's why I funk with New

934
00:51:14,960 --> 00:51:17,440
Speaker 1: Jersey because like people in New York and be like, oh,

935
00:51:17,520 --> 00:51:19,839
Speaker 1: the fucking people from Jersey the bridge and tunnel full.

936
00:51:20,239 --> 00:51:22,640
Speaker 1: I'm like, yes, but guess what we are the real

937
00:51:22,719 --> 00:51:25,160
Speaker 1: people of this city at least l a I say that. Um,

938
00:51:25,280 --> 00:51:28,279
Speaker 1: So you know, that's that's really the hate. It's like, oh,

939
00:51:28,360 --> 00:51:30,839
Speaker 1: you're poor and gross and we're rich. And we're from here,

940
00:51:31,040 --> 00:51:33,239
Speaker 1: so that's all it is, okay, because I was just like, why,

941
00:51:33,520 --> 00:51:38,160
Speaker 1: I feel like after forty years they would have gone

942
00:51:38,239 --> 00:51:42,080
Speaker 1: past the valley, but valley had gotten um gentrified, and

943
00:51:42,160 --> 00:51:44,759
Speaker 1: now the cool place to live. I mean it is gentrified,

944
00:51:44,840 --> 00:51:47,200
Speaker 1: which is funny because in the eighties, like everybody who

945
00:51:47,400 --> 00:51:49,799
Speaker 1: wasn't a star of a show lived in the valley.

946
00:51:49,880 --> 00:51:52,239
Speaker 1: So like everybody who was like a camera operator, a writer,

947
00:51:53,080 --> 00:51:54,719
Speaker 1: like if you didn't have that, if you were making

948
00:51:54,800 --> 00:51:57,040
Speaker 1: big books, those like the people who are living in

949
00:51:57,080 --> 00:51:59,200
Speaker 1: the valley at first, because the studios are in the

950
00:51:59,320 --> 00:52:01,920
Speaker 1: valley as well, or a lot of them. Um, so

951
00:52:02,239 --> 00:52:05,239
Speaker 1: you know it's but I mean Paul Thomas Anderson grew

952
00:52:05,360 --> 00:52:08,399
Speaker 1: up there and like a lot of his was very

953
00:52:08,600 --> 00:52:11,800
Speaker 1: like defined by the valley. The valley is like I

954
00:52:11,880 --> 00:52:13,879
Speaker 1: feel like the New Jersey thing. I was actually thinking

955
00:52:13,880 --> 00:52:15,880
Speaker 1: about that the other day when we were talking about

956
00:52:16,560 --> 00:52:19,520
Speaker 1: New Jersey culture in general, and how like it has

957
00:52:19,560 --> 00:52:25,200
Speaker 1: a very specific like uh geographical, like gravitational pool and

958
00:52:25,360 --> 00:52:28,480
Speaker 1: like sense of place in all the work that comes

959
00:52:28,520 --> 00:52:33,360
Speaker 1: from New Jersey, whether it's sopranos or Bruce Springsteen. And like, meanwhile,

960
00:52:33,440 --> 00:52:35,600
Speaker 1: the people in New York like look down on it

961
00:52:35,680 --> 00:52:39,040
Speaker 1: and it's like, well, there's actually like there's a lot

962
00:52:39,120 --> 00:52:41,320
Speaker 1: of great art that comes out of there, and what

963
00:52:41,400 --> 00:52:45,320
Speaker 1: do you guys have, Woody Allen. But you know the

964
00:52:45,400 --> 00:52:47,279
Speaker 1: same thing with the valley, like there's so much like

965
00:52:47,360 --> 00:52:53,719
Speaker 1: beautiful art and just like Rammy Malick, Katherine McPhee, Rachel Bilson,

966
00:52:58,600 --> 00:53:02,879
Speaker 1: Paul Thomas Anderson, Flying Lotus, Okay, the valley is out here,

967
00:53:03,120 --> 00:53:04,640
Speaker 1: but yeah, but that's all it is. And I think

968
00:53:04,680 --> 00:53:06,719
Speaker 1: it's just it's just it's like any show where you

969
00:53:06,800 --> 00:53:10,040
Speaker 1: just set up like the Townies and whatever dynamic of

970
00:53:10,080 --> 00:53:12,640
Speaker 1: any geographic region, just like when we're just with the

971
00:53:12,680 --> 00:53:16,200
Speaker 1: Outer Banks, we saw you know what I mean, dude. Um,

972
00:53:16,719 --> 00:53:19,279
Speaker 1: So yeah, and then the movie goes on to be

973
00:53:19,719 --> 00:53:22,120
Speaker 1: you know, the whole thing is just very much like

974
00:53:22,160 --> 00:53:24,279
Speaker 1: an eighties film where it's like, if we don't win

975
00:53:24,320 --> 00:53:27,800
Speaker 1: the competition enough, kids won't be interested in junior rescue

976
00:53:27,840 --> 00:53:29,759
Speaker 1: and there will be no junior rescue. So we got

977
00:53:29,880 --> 00:53:31,839
Speaker 1: to basically quote, you know, like this is their their

978
00:53:31,880 --> 00:53:34,600
Speaker 1: rec center that they have to save in this film.

979
00:53:36,920 --> 00:53:38,520
Speaker 1: But all this to say is when I was looking

980
00:53:38,560 --> 00:53:40,839
Speaker 1: at him like who is behind this? Because it felt

981
00:53:40,960 --> 00:53:44,440
Speaker 1: very like, this is interesting. This guy Savage Steve Holland,

982
00:53:44,480 --> 00:53:46,680
Speaker 1: the guy who who wrote and directed Better Off Dead

983
00:53:47,160 --> 00:53:50,440
Speaker 1: and One Crazy Summer. He created this show and directed

984
00:53:50,520 --> 00:53:52,799
Speaker 1: this this whole thing. So this is the man who

985
00:53:52,960 --> 00:53:56,239
Speaker 1: was making eighties team content is like and may like

986
00:53:56,360 --> 00:53:58,600
Speaker 1: eat the Cat and all kinds of other things in

987
00:53:58,640 --> 00:54:01,600
Speaker 1: the nineties comb and eight Like this is where he is. Now,

988
00:54:02,480 --> 00:54:05,520
Speaker 1: why did you call him savage Steve? Is that what

989
00:54:05,719 --> 00:54:07,960
Speaker 1: you have him in as a contacting your phone or

990
00:54:08,080 --> 00:54:11,000
Speaker 1: is that that's what he goes by? I was watching

991
00:54:11,080 --> 00:54:14,160
Speaker 1: the end and it says directed by Savage Steve Holland.

992
00:54:14,280 --> 00:54:16,520
Speaker 1: He's an art Like so he went to cal Arts

993
00:54:16,560 --> 00:54:19,080
Speaker 1: I think around the same, see, like he started off

994
00:54:19,120 --> 00:54:22,600
Speaker 1: as an artist doing cartoons and then like that turned

995
00:54:22,640 --> 00:54:25,160
Speaker 1: into like writing like savage is like his nickname, but

996
00:54:25,200 --> 00:54:27,680
Speaker 1: I guess that's what he's just like I don't know's

997
00:54:28,160 --> 00:54:31,839
Speaker 1: I'm not saying. It's a cool thing. Yeah savage, yeah yeah.

998
00:54:31,880 --> 00:54:33,560
Speaker 1: And you should have seen him do the Savage challenge

999
00:54:33,600 --> 00:54:36,560
Speaker 1: on TikTok. It was trash, but but it was interesting

1000
00:54:36,640 --> 00:54:38,719
Speaker 1: to think, like, because who is that one guy from

1001
00:54:38,840 --> 00:54:41,400
Speaker 1: Revenge of the Nerds that's also Better Off Dead and

1002
00:54:41,480 --> 00:54:43,839
Speaker 1: one crazy Summer to do with the curly hair, who's

1003
00:54:43,880 --> 00:54:49,360
Speaker 1: kind of like yeah, yeah, yeah, he's he's in Beach Rescue,

1004
00:54:49,480 --> 00:54:51,680
Speaker 1: like he has a little cameo, and I'm like, damn,

1005
00:54:51,760 --> 00:54:54,719
Speaker 1: you're the fucking homie, Like you're even giving him work still,

1006
00:54:54,920 --> 00:54:57,120
Speaker 1: like you haven't forgot you, Like I had your back

1007
00:54:57,200 --> 00:54:59,480
Speaker 1: one crazy summer. I had your back better off dead.

1008
00:54:59,640 --> 00:55:02,440
Speaker 1: I'm even need some work now, do you? Is there

1009
00:55:02,520 --> 00:55:05,440
Speaker 1: like an aesthetic Curtis Armstrong, that's his name, Curtis Armstrong.

1010
00:55:06,040 --> 00:55:09,080
Speaker 1: Does Malibu Rescue have like an aesthetic that like feels

1011
00:55:09,200 --> 00:55:13,480
Speaker 1: like kids will one day feel nostalgic for this? I

1012
00:55:13,560 --> 00:55:16,319
Speaker 1: don't know what do you think? Sam? I'm not gonna lie.

1013
00:55:16,480 --> 00:55:19,120
Speaker 1: So I just watched clips because I was really confused

1014
00:55:19,120 --> 00:55:21,680
Speaker 1: about whether or not we were doing movie or the series,

1015
00:55:21,760 --> 00:55:23,520
Speaker 1: and I'm like, I'm not watching this series. They can't

1016
00:55:23,560 --> 00:55:27,200
Speaker 1: make it that. I went it down as I was

1017
00:55:27,320 --> 00:55:30,160
Speaker 1: watching the clips, I'm sitting here going, yeah, it's very

1018
00:55:30,239 --> 00:55:32,279
Speaker 1: much like Netflix is trying to do their own version

1019
00:55:32,320 --> 00:55:35,200
Speaker 1: of Disney's movies, the children's movies, and trying to get

1020
00:55:35,239 --> 00:55:37,160
Speaker 1: those in it, saying like The Kissing Booth, which I've

1021
00:55:37,200 --> 00:55:40,360
Speaker 1: not watched on all of that too, So I don't know,

1022
00:55:40,640 --> 00:55:42,879
Speaker 1: because I feel like there's so much content it's hard

1023
00:55:42,920 --> 00:55:45,240
Speaker 1: to classify. I was going to be classic and cult

1024
00:55:45,960 --> 00:55:48,640
Speaker 1: cultures later on. I just have to ask, though, is

1025
00:55:48,800 --> 00:55:51,399
Speaker 1: Brody the nuke Chad for all these movies? Because I've

1026
00:55:51,400 --> 00:55:54,120
Speaker 1: seen that name come up for all the bros of

1027
00:55:54,239 --> 00:55:59,359
Speaker 1: the antagonists. I think it's all people who just saw

1028
00:55:59,400 --> 00:56:01,279
Speaker 1: Brody j here on the Hills and we're like, Yeah,

1029
00:56:01,320 --> 00:56:05,840
Speaker 1: that's the new name for some rich asshole guy. Seems cool. No,

1030
00:56:05,960 --> 00:56:13,320
Speaker 1: he's the douche Yeah, and you know, one of the

1031
00:56:13,400 --> 00:56:16,400
Speaker 1: main characters poisons the whole team with Rotten cole slaw

1032
00:56:16,760 --> 00:56:22,319
Speaker 1: spoiler alert, What is your personal name for douchebag white guy?

1033
00:56:23,640 --> 00:56:27,200
Speaker 1: Don't say Jack, Miles. Don't say Jack, even if that's

1034
00:56:27,239 --> 00:56:31,000
Speaker 1: the truth. After head Alley comment, how about this John

1035
00:56:37,960 --> 00:56:44,920
Speaker 1: or Tyler brand Brandt Brant, Wow, that's specific. I don't know,

1036
00:56:45,160 --> 00:56:48,080
Speaker 1: he man, Maybe I should not say that. Maybe the

1037
00:56:48,200 --> 00:56:53,839
Speaker 1: person who gave me that preference is going to mine

1038
00:56:53,880 --> 00:56:58,760
Speaker 1: would always have to go with either Chad or Kyle. Okay, Kyle, Okay, Kyle,

1039
00:57:01,560 --> 00:57:03,759
Speaker 1: the Kyles. I knew like you could punk them, so

1040
00:57:03,840 --> 00:57:06,040
Speaker 1: they weren't like really they weren't like somebody who gave

1041
00:57:06,080 --> 00:57:12,960
Speaker 1: you problems. Maybe Phil, I don't know, Yeah, Phil, I

1042
00:57:13,080 --> 00:57:15,080
Speaker 1: was just so like off the Yeah, I don't know.

1043
00:57:15,160 --> 00:57:17,880
Speaker 1: I'm trying to think. I don't know. I don't know.

1044
00:57:17,880 --> 00:57:21,560
Speaker 1: I never paid Tyler Tyler all those names of dudes

1045
00:57:21,560 --> 00:57:25,240
Speaker 1: who play lacrosse. Basically, Brody is appropriate. I think, yeah,

1046
00:57:25,280 --> 00:57:28,480
Speaker 1: Brody is pretty good. Um, all this to say is, uh,

1047
00:57:28,560 --> 00:57:30,120
Speaker 1: if you want to check out what the guy who

1048
00:57:30,320 --> 00:57:33,560
Speaker 1: created created, Eat the Cat and Better Off Dead is

1049
00:57:33,600 --> 00:57:39,400
Speaker 1: doing now, like thirty years later, check this out. Oh yeah.

1050
00:57:40,800 --> 00:57:42,200
Speaker 1: The one thing I did like was at the end,

1051
00:57:42,240 --> 00:57:44,760
Speaker 1: they do that thing where they show you bloopers. Always

1052
00:57:44,840 --> 00:57:47,280
Speaker 1: like that at the end of the movie. Love a

1053
00:57:47,320 --> 00:57:49,360
Speaker 1: blooper real at the end of the movie. Although I

1054
00:57:49,400 --> 00:57:51,800
Speaker 1: don't like it in Pixar movies. I think that's annoying.

1055
00:57:52,040 --> 00:57:54,000
Speaker 1: That doesn't make sense, that's stupid. You put in the

1056
00:57:54,160 --> 00:57:58,520
Speaker 1: labor for that. Well, I didn't see the like, this

1057
00:57:58,720 --> 00:58:03,640
Speaker 1: is y'all scripted? This come on toy story spotanity. It's

1058
00:58:03,680 --> 00:58:05,840
Speaker 1: not doesn't work like that. It's the fucking magic is

1059
00:58:05,880 --> 00:58:08,560
Speaker 1: a spontaneity. Toy story figured out. Toy Story four has

1060
00:58:08,600 --> 00:58:11,880
Speaker 1: great uh post credit sequences, but Jack, We're dying to

1061
00:58:11,960 --> 00:58:14,800
Speaker 1: hear about this, this indie flick, right, So you might

1062
00:58:14,840 --> 00:58:19,040
Speaker 1: have been hearing some rumblings about the new movie called

1063
00:58:19,160 --> 00:58:24,720
Speaker 1: Jurassic Park. Uh it's about dinosaurs, folks. Uh. So the

1064
00:58:24,760 --> 00:58:26,960
Speaker 1: reason I wanted to talk about this, it's been the

1065
00:58:27,040 --> 00:58:30,280
Speaker 1: top movie of the box office overall during the pandemic.

1066
00:58:30,400 --> 00:58:32,640
Speaker 1: It's like people are going to see it at drive

1067
00:58:32,720 --> 00:58:35,640
Speaker 1: ins and just wherever you can watch movies on big

1068
00:58:35,720 --> 00:58:39,600
Speaker 1: screens when no new movies are coming out. Netflix just

1069
00:58:39,720 --> 00:58:43,560
Speaker 1: released it on August one on Netflix. The whole trilogy

1070
00:58:44,000 --> 00:58:48,200
Speaker 1: and the original has been in the top ten ever since.

1071
00:58:48,280 --> 00:58:51,160
Speaker 1: I think it was like one of the top movies

1072
00:58:51,320 --> 00:58:55,200
Speaker 1: already of the past week based on like a few days,

1073
00:58:55,400 --> 00:58:58,560
Speaker 1: but it was number four a couple of days ago.

1074
00:58:59,280 --> 00:59:03,160
Speaker 1: And yeah, so I wanted to go back. So I'm

1075
00:59:03,240 --> 00:59:07,040
Speaker 1: a Jaws guy. I love Jaws. That that is to me,

1076
00:59:07,360 --> 00:59:11,320
Speaker 1: what Jurassic Park is to kids who were, you know,

1077
00:59:12,080 --> 00:59:14,840
Speaker 1: growing up now and like Jurassic Park is their favorite movie.

1078
00:59:15,200 --> 00:59:17,520
Speaker 1: So there's like a little bit of like competition in

1079
00:59:17,640 --> 00:59:20,720
Speaker 1: there that I had to like just put aside, put

1080
00:59:20,760 --> 00:59:24,680
Speaker 1: aside because like it's it's not useful. Nobody wants to hear.

1081
00:59:24,760 --> 00:59:27,840
Speaker 1: It's the same my old ass man take about how

1082
00:59:28,000 --> 00:59:32,560
Speaker 1: like Jaws is better because the shows less and the

1083
00:59:32,640 --> 00:59:38,920
Speaker 1: antagonist more consistent. Here's the thing Durrassic Park doesn't. I

1084
00:59:39,040 --> 00:59:42,680
Speaker 1: love Jurassic Park. Don't talk about in the context of Jaws, though, Jack,

1085
00:59:42,840 --> 00:59:45,400
Speaker 1: Just keep it, just stay focused here. So this is

1086
00:59:45,440 --> 00:59:47,880
Speaker 1: the thing that I noticed, regardless not thinking about Jaws.

1087
00:59:50,600 --> 00:59:56,040
Speaker 1: So the antagonist is not the dinosaurs. The antagonist is chaos.

1088
00:59:56,680 --> 01:00:01,200
Speaker 1: And so there's all these like different things that happen

1089
01:00:01,640 --> 01:00:04,880
Speaker 1: where it's just it's very loose, like the way that

1090
01:00:05,080 --> 01:00:07,280
Speaker 1: like at one point it's a car that's fallen out

1091
01:00:07,320 --> 01:00:10,680
Speaker 1: of a tree. At another point, it's like they're racing

1092
01:00:10,760 --> 01:00:13,920
Speaker 1: to get over this electrified fence, just like stuff that

1093
01:00:14,440 --> 01:00:18,160
Speaker 1: doesn't happen in let's say, another monster movie made by

1094
01:00:18,160 --> 01:00:22,800
Speaker 1: Steven Spielberg. But so like they literally like stick to that,

1095
01:00:22,960 --> 01:00:24,880
Speaker 1: and that was just something that I had forgotten that

1096
01:00:24,960 --> 01:00:28,240
Speaker 1: they like really are like, yeah, no, chaos theory is

1097
01:00:28,280 --> 01:00:32,600
Speaker 1: actually the antagonist, um and it works. I Mean, the

1098
01:00:33,200 --> 01:00:36,520
Speaker 1: the thing about Jurassic Park is like the script is

1099
01:00:36,600 --> 01:00:40,360
Speaker 1: not as good as you know some of the other

1100
01:00:40,600 --> 01:00:46,000
Speaker 1: like classic monster movies, but the effects are so fucking good,

1101
01:00:46,280 --> 01:00:50,320
Speaker 1: like still still they still Oh my god. There's like

1102
01:00:50,600 --> 01:00:53,600
Speaker 1: the when the t rex like is looking in the

1103
01:00:53,680 --> 01:00:55,400
Speaker 1: window and they shine a light in its side and

1104
01:00:55,440 --> 01:01:01,080
Speaker 1: it's pupil dilates. Like that is they threaded that needle

1105
01:01:01,200 --> 01:01:05,000
Speaker 1: of using practical effects and computers only when they needed it.

1106
01:01:05,080 --> 01:01:07,280
Speaker 1: So like that foot that comes down, that's real, that

1107
01:01:07,520 --> 01:01:10,080
Speaker 1: I is real, But then the other stuff that's really

1108
01:01:10,160 --> 01:01:12,640
Speaker 1: like when it makes you realize how far like how

1109
01:01:12,760 --> 01:01:14,400
Speaker 1: lazy or not, I don't know whatever the reason is

1110
01:01:14,440 --> 01:01:16,880
Speaker 1: why everyone just so by the time the Lost World

1111
01:01:17,000 --> 01:01:20,560
Speaker 1: came around, they were using like more c g I

1112
01:01:20,960 --> 01:01:25,200
Speaker 1: and that movie sucks and like the effects aren't great

1113
01:01:25,760 --> 01:01:29,080
Speaker 1: on that because it's they just like leaned too heavily

1114
01:01:29,160 --> 01:01:33,000
Speaker 1: on the computerized stuff, whereas this movie is like mostly practical.

1115
01:01:33,160 --> 01:01:36,520
Speaker 1: It's like half and half. Basically I thought at the time,

1116
01:01:36,920 --> 01:01:39,160
Speaker 1: I was like, man, C G I stuff is like

1117
01:01:39,240 --> 01:01:41,520
Speaker 1: the future because this stuff looks amazing, because that was

1118
01:01:41,640 --> 01:01:44,439
Speaker 1: like what everybody was writing about. But like now looking

1119
01:01:44,520 --> 01:01:47,800
Speaker 1: at it, you can tell that like all the Raptor stuff,

1120
01:01:47,920 --> 01:01:53,439
Speaker 1: the up close Raptor stuff is practical effects all the yeah,

1121
01:01:53,800 --> 01:01:56,720
Speaker 1: all the all the close up t Rex stuff is

1122
01:01:56,800 --> 01:02:02,840
Speaker 1: practical effects ian. Malcolm J. Gould Bloom is just making

1123
01:02:03,000 --> 01:02:08,080
Speaker 1: love to your eyes the entire time he is on camera.

1124
01:02:08,880 --> 01:02:13,640
Speaker 1: That's another thing. That time just NonStop. He puts it

1125
01:02:13,720 --> 01:02:17,400
Speaker 1: on so thick. I it's no surprise that they tried

1126
01:02:17,440 --> 01:02:19,520
Speaker 1: to make him the protagonist. Do you think like they

1127
01:02:19,560 --> 01:02:21,920
Speaker 1: were like like nerd guys who are like, yo, that's

1128
01:02:21,960 --> 01:02:25,400
Speaker 1: gonna be my swag when I hear women like pickup

1129
01:02:25,560 --> 01:02:28,920
Speaker 1: artists like body language, the pickup artist body language like

1130
01:02:28,960 --> 01:02:34,160
Speaker 1: that like literary type of but I'm just curious like

1131
01:02:34,240 --> 01:02:36,200
Speaker 1: people who are like of age, Like you know, if

1132
01:02:36,240 --> 01:02:38,520
Speaker 1: you were like twenty two and ninety three and you're like,

1133
01:02:38,720 --> 01:02:43,240
Speaker 1: oh my god, I'm I'm adopting. I'm the Malcolm swack

1134
01:02:43,440 --> 01:02:46,440
Speaker 1: like black linen, button up open, you know what I mean,

1135
01:02:46,480 --> 01:02:48,080
Speaker 1: and would be like give me your hand really quick.

1136
01:02:48,120 --> 01:02:49,720
Speaker 1: I'm just gonna put it if I put a data

1137
01:02:50,360 --> 01:02:53,000
Speaker 1: of wine here at a bar, like bro, you getting

1138
01:02:53,000 --> 01:02:56,120
Speaker 1: on my clothes and I'm sorry. This is the pickup

1139
01:02:56,280 --> 01:02:59,480
Speaker 1: artist type of tactics. I mean right, yeah, like a

1140
01:02:59,480 --> 01:03:03,920
Speaker 1: little it's tactile to it like involves touching. He was

1141
01:03:03,960 --> 01:03:07,560
Speaker 1: the original mystery the pickup artist. He was. He was

1142
01:03:07,640 --> 01:03:12,000
Speaker 1: the beginning in the book, his character dies spoiler alert,

1143
01:03:12,200 --> 01:03:19,960
Speaker 1: but apparently they to dress you got me there too?

1144
01:03:21,960 --> 01:03:26,240
Speaker 1: Do you did you not take English literature in high school?

1145
01:03:27,240 --> 01:03:34,440
Speaker 1: Did you not have a It's interesting, yeah, Christian, it's

1146
01:03:34,480 --> 01:03:38,920
Speaker 1: interesting because so he ended up like being a climate

1147
01:03:39,040 --> 01:03:43,560
Speaker 1: change denialist. Uh, just a terrible guy. I actually read

1148
01:03:43,600 --> 01:03:45,960
Speaker 1: a short story by him one time. They did this

1149
01:03:46,080 --> 01:03:48,760
Speaker 1: thing of like short stories that were supposed to be

1150
01:03:48,880 --> 01:03:52,560
Speaker 1: literary from like people who are like Sue Grafton and

1151
01:03:52,680 --> 01:03:56,480
Speaker 1: Michael Creighton, and his was like so dark and misogynistic

1152
01:03:56,600 --> 01:04:01,080
Speaker 1: and just like a guy murdering his twice and like

1153
01:04:01,760 --> 01:04:05,360
Speaker 1: it was like, oh man, you are a bad person. Uh,

1154
01:04:05,960 --> 01:04:08,400
Speaker 1: but that was back when I read everything that Michael

1155
01:04:08,400 --> 01:04:12,360
Speaker 1: Crichton wrote. Anyways, there Ian Malcolm like ends up having

1156
01:04:12,440 --> 01:04:15,480
Speaker 1: all these like anti science arguments in this movie that

1157
01:04:15,560 --> 01:04:18,760
Speaker 1: I hadn't remembered, where he's like, you can't just invent

1158
01:04:18,920 --> 01:04:22,360
Speaker 1: stuff just for the sake of invention, and like you

1159
01:04:22,600 --> 01:04:26,040
Speaker 1: kind of end up being in that argument on the

1160
01:04:26,160 --> 01:04:31,200
Speaker 1: side of John Hammond, the park owner, because like, I

1161
01:04:31,280 --> 01:04:33,520
Speaker 1: don't know, it should be like all the stuff that

1162
01:04:33,560 --> 01:04:38,640
Speaker 1: goes wrong shouldn't go wrong. Like they just like twenty

1163
01:04:38,760 --> 01:04:41,560
Speaker 1: things like a perfect storm comes together to funk this

1164
01:04:41,680 --> 01:04:44,240
Speaker 1: up the very first time they go out. Um, I

1165
01:04:44,320 --> 01:04:47,400
Speaker 1: remember being like a cautionary tale, like don't mess with things.

1166
01:04:47,520 --> 01:04:52,320
Speaker 1: That's I don't mess with nature. I mean, I know,

1167
01:04:52,960 --> 01:04:54,560
Speaker 1: I mean I might be the only person that has

1168
01:04:54,600 --> 01:04:58,040
Speaker 1: seen Jack's back tattoo, but it does say your scientists

1169
01:04:58,080 --> 01:05:01,080
Speaker 1: were so preoccupied with whether or not they could they

1170
01:05:01,160 --> 01:05:05,320
Speaker 1: didn't stop to think if they should, which I think

1171
01:05:05,400 --> 01:05:09,960
Speaker 1: that great, Yeah, yeah, thank you so much. But I

1172
01:05:10,040 --> 01:05:11,880
Speaker 1: think like that was like the one part I feel

1173
01:05:11,920 --> 01:05:14,520
Speaker 1: like that only resonated like from all this stuff that

1174
01:05:14,680 --> 01:05:19,240
Speaker 1: his criticism. It's a great line. Uh yeah, but now

1175
01:05:19,320 --> 01:05:20,680
Speaker 1: the more in the sense like yeah, but fuck it,

1176
01:05:20,760 --> 01:05:23,360
Speaker 1: bro like if you can pull it out with the argument,

1177
01:05:23,560 --> 01:05:26,320
Speaker 1: So like what the thing that happens is they start

1178
01:05:26,440 --> 01:05:29,640
Speaker 1: they immediately start arguing on the scientific merit of what

1179
01:05:29,720 --> 01:05:31,920
Speaker 1: they're doing as opposed to the thing they should be

1180
01:05:32,000 --> 01:05:37,600
Speaker 1: criticizing is without consulting the broader scientific community, you did

1181
01:05:37,840 --> 01:05:40,720
Speaker 1: all of these all this cloning and then put them

1182
01:05:41,040 --> 01:05:43,560
Speaker 1: out there in a fucking amusement park, Like that's what

1183
01:05:43,680 --> 01:05:47,000
Speaker 1: you did with it. That's also I think they have

1184
01:05:47,160 --> 01:05:51,120
Speaker 1: to have time travel because the dinosaurs like a t

1185
01:05:51,280 --> 01:05:52,959
Speaker 1: rex to be that old would have to be twenty

1186
01:05:53,040 --> 01:05:56,840
Speaker 1: years old. So they've been either cloning these things for

1187
01:05:57,040 --> 01:05:59,800
Speaker 1: years and years and years and we're like years a

1188
01:06:00,200 --> 01:06:02,160
Speaker 1: decades ahead of the rest of the world in terms

1189
01:06:02,200 --> 01:06:06,160
Speaker 1: of science, or just to build an amusement park or

1190
01:06:06,360 --> 01:06:09,560
Speaker 1: that's just a plot hole. Um, are you questioning bet

1191
01:06:09,680 --> 01:06:11,720
Speaker 1: Wong in this movie because he was one of those

1192
01:06:11,760 --> 01:06:19,360
Speaker 1: how dare you full sexual mature? Yeah, So anyways, Malcolm

1193
01:06:19,440 --> 01:06:21,920
Speaker 1: ends up making like these anti science arguments, which is

1194
01:06:22,160 --> 01:06:25,680
Speaker 1: kind of weird. They struck me as weird, like in

1195
01:06:25,800 --> 01:06:31,320
Speaker 1: our present day when we're having that argument with the

1196
01:06:31,480 --> 01:06:35,800
Speaker 1: president and his followers about the pandemic that might just

1197
01:06:35,920 --> 01:06:40,400
Speaker 1: be specific to this very moment though. And yeah, there's

1198
01:06:40,440 --> 01:06:43,080
Speaker 1: also just this thing like where the font of the

1199
01:06:43,200 --> 01:06:47,160
Speaker 1: movie is seems like it should be like on a

1200
01:06:47,240 --> 01:06:51,960
Speaker 1: happy meal ed um, But because I think it's because

1201
01:06:52,040 --> 01:06:55,760
Speaker 1: it's so influential that like it was just so everywhere

1202
01:06:55,920 --> 01:06:58,520
Speaker 1: when I was twelve in the movie came out that

1203
01:06:58,720 --> 01:07:02,880
Speaker 1: like I just associated with that. But like at the

1204
01:07:02,920 --> 01:07:05,240
Speaker 1: beginning of the movie, I was like, why why do

1205
01:07:05,400 --> 01:07:09,080
Speaker 1: I think this is so like I don't know, dissonant

1206
01:07:09,200 --> 01:07:12,520
Speaker 1: that like this this font is going with this like

1207
01:07:12,720 --> 01:07:17,080
Speaker 1: very serious music rum which that music did you guys,

1208
01:07:17,240 --> 01:07:19,600
Speaker 1: I don't know. I wasn't banned anybody else in band

1209
01:07:19,680 --> 01:07:26,080
Speaker 1: when this came around. This movie. Yeah, we did whatever.

1210
01:07:27,320 --> 01:07:30,040
Speaker 1: We played this all. We did it all. One of

1211
01:07:30,080 --> 01:07:32,760
Speaker 1: the things I had underrated in the in my memory

1212
01:07:32,880 --> 01:07:36,720
Speaker 1: is just the earlier scenes of them, like seeing the

1213
01:07:36,800 --> 01:07:39,960
Speaker 1: dinosaurs for the first time, and the performances of everybody

1214
01:07:40,080 --> 01:07:43,760
Speaker 1: just being like, whoa, this is fucking amazing, Like I'm

1215
01:07:43,800 --> 01:07:47,440
Speaker 1: looking at a dinosaur like that's That's really a big

1216
01:07:47,560 --> 01:07:50,280
Speaker 1: part of the movie, is like the performances of people

1217
01:07:50,400 --> 01:07:53,360
Speaker 1: just being so fucking blown away by the fact that

1218
01:07:53,440 --> 01:07:56,400
Speaker 1: dinosaurs are there. Whereas you know, I feel like in

1219
01:07:56,480 --> 01:07:59,080
Speaker 1: the more recent dress of Park movies, they're just kind

1220
01:07:59,080 --> 01:08:03,200
Speaker 1: of like, yeah, there's a dinosaur because that's the movie.

1221
01:08:04,040 --> 01:08:06,880
Speaker 1: Oh you're new to Earth, bro. Yeah. But I hadn't.

1222
01:08:07,040 --> 01:08:10,480
Speaker 1: I hadn't seen the teaser for the new Jurassic Park movie,

1223
01:08:10,720 --> 01:08:16,559
Speaker 1: the third of the Jurassic World films. Yeah, and well,

1224
01:08:16,640 --> 01:08:19,200
Speaker 1: first of all, so the second, which I thought was

1225
01:08:19,320 --> 01:08:23,800
Speaker 1: like kind of uh, didn't do well, was actually a

1226
01:08:23,920 --> 01:08:26,880
Speaker 1: monster hit. Like overall, it was just like people were

1227
01:08:26,960 --> 01:08:29,680
Speaker 1: kind of tired of writing about it, but um, it

1228
01:08:29,840 --> 01:08:32,680
Speaker 1: was a monster hit. And so this new one is

1229
01:08:33,160 --> 01:08:35,600
Speaker 1: the dinosaurs are loose in the world and it's just

1230
01:08:36,439 --> 01:08:39,439
Speaker 1: it's basically the San Diego scene from Lost World, but

1231
01:08:39,640 --> 01:08:44,960
Speaker 1: just everywhere in the world everyone's in the pool together. Um.

1232
01:08:45,720 --> 01:08:49,559
Speaker 1: And the trailer looks dope. So I am holding out

1233
01:08:49,640 --> 01:08:52,639
Speaker 1: hope that they're going to make a second good Jurassic

1234
01:08:52,760 --> 01:08:57,400
Speaker 1: Park movie because this movie is fucking lit. Um. Oh.

1235
01:08:57,760 --> 01:09:02,320
Speaker 1: Just a quick thing that that font is called neuland yeah,

1236
01:09:02,439 --> 01:09:06,000
Speaker 1: and it's like used on like American spirits. Uh uses

1237
01:09:06,040 --> 01:09:08,800
Speaker 1: that same sort of font and like a bunch of stuff.

1238
01:09:08,800 --> 01:09:12,000
Speaker 1: It's it became a very influential font after or it's

1239
01:09:12,000 --> 01:09:15,000
Speaker 1: been around. But this guy, like this German typesetter made it,

1240
01:09:15,000 --> 01:09:18,479
Speaker 1: I guess in like the thirties. Hell yeah, dog, anyways,

1241
01:09:18,560 --> 01:09:20,960
Speaker 1: five stars, great movie. I guess I have to check

1242
01:09:21,000 --> 01:09:23,519
Speaker 1: it out. Man's Yeah, you guys should. What would you

1243
01:09:23,600 --> 01:09:34,320
Speaker 1: write the Jaws movie Jaws? Yeah, I'd go five stars

1244
01:09:34,360 --> 01:09:36,840
Speaker 1: for Jaws as well. I just like movies. But I mean,

1245
01:09:36,880 --> 01:09:38,920
Speaker 1: do you think there's a difference though, because who who

1246
01:09:39,000 --> 01:09:41,960
Speaker 1: came who created the Jaws story for that script for

1247
01:09:42,000 --> 01:09:45,920
Speaker 1: that screenplay? Uh. Peter Benchley and then a man who

1248
01:09:46,200 --> 01:09:49,439
Speaker 1: I met when I was on a podcast. Oh yeah,

1249
01:09:49,479 --> 01:09:53,040
Speaker 1: I want to go fact yourself because I'm just thinking

1250
01:09:53,080 --> 01:09:55,479
Speaker 1: of like how there's like source like if if there's

1251
01:09:55,479 --> 01:09:58,080
Speaker 1: a difference in the source material where like Spielberg's trying

1252
01:09:58,120 --> 01:10:00,800
Speaker 1: to adapt to Michael crichton novel, like that's it, you know,

1253
01:10:00,920 --> 01:10:02,960
Speaker 1: if that's a different I'm just trying to see if

1254
01:10:03,000 --> 01:10:05,200
Speaker 1: maybe you could see the potential for Jurassic Park being

1255
01:10:05,280 --> 01:10:07,560
Speaker 1: on the same level of Jaws for you personally, it

1256
01:10:07,640 --> 01:10:10,599
Speaker 1: doesn't matter. I mean, no, they did the very best.

1257
01:10:10,920 --> 01:10:14,560
Speaker 1: This is a perfect idea for a movie and the

1258
01:10:14,760 --> 01:10:18,760
Speaker 1: perfect execution of that idea, Like they it couldn't have

1259
01:10:18,800 --> 01:10:22,000
Speaker 1: been done any better because like you can't not show

1260
01:10:22,080 --> 01:10:25,800
Speaker 1: the right Yeah, there you go, but you can't not

1261
01:10:26,000 --> 01:10:29,840
Speaker 1: show the dinosaurs because like the like it just doesn't

1262
01:10:29,920 --> 01:10:33,280
Speaker 1: work as well if it's you know, and then I

1263
01:10:33,320 --> 01:10:36,560
Speaker 1: don't know, they just nailed it so fucking hard. And

1264
01:10:36,640 --> 01:10:39,360
Speaker 1: get guess what do you think the budget of this movie?

1265
01:10:39,520 --> 01:10:48,400
Speaker 1: Wass Jurassic Park in like ninety three dollars? Yeah, you're

1266
01:10:48,400 --> 01:10:55,560
Speaker 1: gonna get it. But shoot, I know this something around there. Yeah, unbelievable.

1267
01:10:55,880 --> 01:10:58,599
Speaker 1: That's like that's like believable. That's like kind of that's

1268
01:10:58,600 --> 01:11:01,280
Speaker 1: like a two million dollars film now, yeah, you know,

1269
01:11:01,360 --> 01:11:04,040
Speaker 1: at minimum for marketing, and it wouldn't be as good

1270
01:11:04,080 --> 01:11:08,120
Speaker 1: now because people were like, you can't do all these things,

1271
01:11:08,200 --> 01:11:09,600
Speaker 1: you won't be able to pull it off. And so

1272
01:11:09,800 --> 01:11:12,120
Speaker 1: he had to like think through every shot and how

1273
01:11:12,200 --> 01:11:14,800
Speaker 1: the effect was going to be pulled off, whereas now

1274
01:11:14,920 --> 01:11:17,680
Speaker 1: they would just like do it in computers, which is

1275
01:11:17,720 --> 01:11:22,880
Speaker 1: what they do, right. Yeah, yeah, And unless you're director,

1276
01:11:23,040 --> 01:11:25,800
Speaker 1: like fucking our boy Chris Nolan, man, he likes to

1277
01:11:25,840 --> 01:11:28,160
Speaker 1: do so much shitting camera. Dog, that's like his secret, dude,

1278
01:11:28,280 --> 01:11:30,120
Speaker 1: that's why he's the goat bro. I mean, now you're

1279
01:11:30,160 --> 01:11:33,040
Speaker 1: talking about the greatest director of all time. B dude.

1280
01:11:33,080 --> 01:11:34,960
Speaker 1: Oh yeah, okay, how about this, What if Chris Nolan

1281
01:11:35,000 --> 01:11:36,960
Speaker 1: did Jaws and Jurassic Park? Dude, those would be the

1282
01:11:37,000 --> 01:11:38,760
Speaker 1: best films ever. Those would be the best movies ever.

1283
01:11:38,840 --> 01:11:42,439
Speaker 1: Dode Jaws Verse Jurassic Park. Yeah, and then he like

1284
01:11:42,600 --> 01:11:45,519
Speaker 1: gets mcg to write the script. That would be exactly dude.

1285
01:11:45,960 --> 01:11:50,240
Speaker 1: Oh yeah, all right, Spider Muffins, grab some more beer too,

1286
01:11:50,720 --> 01:11:57,120
Speaker 1: and we're done, right, Spider Muffins. Samantha as always such

1287
01:11:57,160 --> 01:12:00,519
Speaker 1: a pleasure of having you on the daily. Where can

1288
01:12:00,600 --> 01:12:03,559
Speaker 1: people find you and follow you? Okay? You can follow

1289
01:12:03,640 --> 01:12:07,120
Speaker 1: me on Twitter at McVeigh Samantha at Twitter or on

1290
01:12:07,240 --> 01:12:09,600
Speaker 1: Stuff I've Never Told You with Mom Stuff podcast at

1291
01:12:09,640 --> 01:12:14,280
Speaker 1: Twitter or on Instagram McVeigh sam or on Stuff Mom

1292
01:12:14,400 --> 01:12:17,120
Speaker 1: Never Told You Instagram. Oh yeah, And is there a

1293
01:12:17,160 --> 01:12:20,759
Speaker 1: tweet or some other work of social media you've been enjoying.

1294
01:12:21,360 --> 01:12:23,560
Speaker 1: I'm not gonna lie with the new n r A

1295
01:12:23,720 --> 01:12:27,360
Speaker 1: stuff the March for our Lives, with their sending prayers

1296
01:12:27,400 --> 01:12:30,479
Speaker 1: and thoughts, that's been my delight. I'm not I've been

1297
01:12:30,560 --> 01:12:34,720
Speaker 1: enjoying that. Miles where can people find you? And with

1298
01:12:34,880 --> 01:12:39,240
Speaker 1: tweet you've been enjoying? Uh, let's see. You can find

1299
01:12:39,280 --> 01:12:41,360
Speaker 1: me on Twitter and Instagram at Miles of Gray. Also

1300
01:12:41,479 --> 01:12:44,080
Speaker 1: on the other podcast for twenty Day Fiance. If you

1301
01:12:44,120 --> 01:12:46,680
Speaker 1: watch nine Day Fiance, come by check it out. We

1302
01:12:46,760 --> 01:12:50,200
Speaker 1: just recap the show talk some ish. A tweet that

1303
01:12:50,280 --> 01:12:53,639
Speaker 1: I like is this someone did a screen grab Alison

1304
01:12:53,720 --> 01:12:56,880
Speaker 1: Agasty at Alison Agosti just like a screen grab of

1305
01:12:56,920 --> 01:13:00,479
Speaker 1: when Ellen was on Comedians Getting Cars or Comedians Coffee

1306
01:13:00,560 --> 01:13:06,120
Speaker 1: Cars was signing Ford and and so they're there. They're

1307
01:13:06,120 --> 01:13:08,799
Speaker 1: in a coffee shop and it's a discussion about Porsche

1308
01:13:08,880 --> 01:13:11,600
Speaker 1: to Rossi and how she wants more horses, and like

1309
01:13:11,720 --> 01:13:13,240
Speaker 1: it's just a screen grab. One is just Ellen with

1310
01:13:13,280 --> 01:13:15,240
Speaker 1: her arms crossed, looking up and it just says, but

1311
01:13:15,360 --> 01:13:18,000
Speaker 1: she wants a lot, she wants lots more horses, which

1312
01:13:18,080 --> 01:13:21,559
Speaker 1: I don't. And then they cut to Jerry and he's saying, right,

1313
01:13:21,640 --> 01:13:23,920
Speaker 1: but what has that got to do with you? And

1314
01:13:24,080 --> 01:13:26,400
Speaker 1: then it goes back to Ellen and she goes, well,

1315
01:13:26,720 --> 01:13:31,080
Speaker 1: you know, it's a lot of horses, this idea, it's

1316
01:13:31,120 --> 01:13:33,120
Speaker 1: just so funny. And then she just said I knew

1317
01:13:33,160 --> 01:13:35,919
Speaker 1: Ellen was evil when she wouldn't let Porsche have more horses.

1318
01:13:37,600 --> 01:13:41,240
Speaker 1: That's real though, right, that's real. Yeah, that was just

1319
01:13:41,479 --> 01:13:44,800
Speaker 1: you doing your debt on Signfeld. Yeah that's what I

1320
01:13:44,920 --> 01:13:46,519
Speaker 1: just I can't help it. But yeah, what he said

1321
01:13:46,600 --> 01:13:47,920
Speaker 1: was right, So what does that have to do with you?

1322
01:13:48,560 --> 01:13:51,040
Speaker 1: And but the screen grab is so great here, I'm

1323
01:13:51,040 --> 01:13:52,920
Speaker 1: just gonna share this really quick just so you can see.

1324
01:13:53,200 --> 01:13:56,840
Speaker 1: It's I'm not the host, but anyway, she's so for lord,

1325
01:13:57,200 --> 01:14:00,320
Speaker 1: it's the perfect screen grab, like with the subtitle, because

1326
01:14:00,320 --> 01:14:04,200
Speaker 1: she's just looking down like, you know, a lot of horses, man,

1327
01:14:04,479 --> 01:14:07,519
Speaker 1: you know, I got a lot of horses. Man. Anybody

1328
01:14:07,600 --> 01:14:12,880
Speaker 1: who watches that show and doesn't like feel like they're

1329
01:14:12,920 --> 01:14:17,040
Speaker 1: witnessing something evil happening, like just vaguely, not like oh

1330
01:14:17,200 --> 01:14:20,680
Speaker 1: that that person is like a killer or something, but

1331
01:14:20,840 --> 01:14:24,560
Speaker 1: just like Jerry Seinfeld and like his line of questioning

1332
01:14:25,000 --> 01:14:28,439
Speaker 1: is so troubling to me, I've always like, not troubling

1333
01:14:28,479 --> 01:14:31,160
Speaker 1: in any profound way. Just like he just seems like

1334
01:14:31,360 --> 01:14:35,000
Speaker 1: such a asshole. Um. You know what, though, The one

1335
01:14:35,040 --> 01:14:36,680
Speaker 1: thing I do appreciate is at least he gets on

1336
01:14:36,760 --> 01:14:39,160
Speaker 1: to all his friends about not tipping, like he made

1337
01:14:39,160 --> 01:14:40,600
Speaker 1: sure to let them know you're a dick if you

1338
01:14:40,600 --> 01:14:42,320
Speaker 1: don't take it well as a celebrity. So I will

1339
01:14:42,320 --> 01:14:45,479
Speaker 1: appreciate that one bit. And I also appreciate that he'll

1340
01:14:45,560 --> 01:14:47,439
Speaker 1: make fun of their houses if it looks like it

1341
01:14:47,520 --> 01:14:52,160
Speaker 1: costs anything less than fifteen million dollars. Though you're rich.

1342
01:14:52,240 --> 01:15:00,240
Speaker 1: I thought you were doing having a good career about it.

1343
01:15:00,320 --> 01:15:02,920
Speaker 1: When we right around in a segway, What do you drive?

1344
01:15:03,360 --> 01:15:09,920
Speaker 1: Anissa and versa? One Just one more Ellen based tweet

1345
01:15:10,200 --> 01:15:12,760
Speaker 1: is from at matt Rana Yetta. It says the A

1346
01:15:13,040 --> 01:15:15,160
Speaker 1: and l g B t q I A stands for

1347
01:15:15,560 --> 01:15:22,839
Speaker 1: actually no, that's not the truth. Ellen. Uh. Some tweets

1348
01:15:23,200 --> 01:15:27,439
Speaker 1: I've been enjoying. Tera Millette tweeted Ted Moseby in the

1349
01:15:27,479 --> 01:15:30,639
Speaker 1: year told the story of how he met his children's

1350
01:15:30,720 --> 01:15:37,240
Speaker 1: mother and he never mentioned the coronavirus once and then uh,

1351
01:15:38,360 --> 01:15:42,599
Speaker 1: hex c underscore Clam tweeted, what if the balls got

1352
01:15:42,720 --> 01:15:46,280
Speaker 1: hard to um? And that's the sort of thing that

1353
01:15:46,400 --> 01:15:52,320
Speaker 1: I find funny. Contact your your doctor, contact a urologist.

1354
01:15:53,200 --> 01:15:55,000
Speaker 1: Find me on Twitter, Jack on her throat Bran. You

1355
01:15:55,000 --> 01:15:57,360
Speaker 1: can find us on Twitter at daily zeitgeis where at

1356
01:15:57,400 --> 01:16:00,240
Speaker 1: the daily zeitgeys on Instagram, we have a Facebook fan page,

1357
01:16:00,280 --> 01:16:02,920
Speaker 1: on a website Daily's like guys dot com, Wory post

1358
01:16:03,479 --> 01:16:06,400
Speaker 1: episodes and our foot who are link off to the

1359
01:16:06,439 --> 01:16:09,240
Speaker 1: information that we talked about today's episode, as well as

1360
01:16:09,360 --> 01:16:14,759
Speaker 1: a song we ride out on Miles Boy Oh Boy,

1361
01:16:15,080 --> 01:16:18,040
Speaker 1: Children of the nineties or if you were buying records

1362
01:16:18,080 --> 01:16:20,680
Speaker 1: in the nineties and early two thousands, you're gonna like this.

1363
01:16:21,160 --> 01:16:25,000
Speaker 1: It's a wonderful mash up of Eve's uh you know,

1364
01:16:25,520 --> 01:16:27,640
Speaker 1: let me blow your mind. You know obviously wants to

1365
01:16:27,680 --> 01:16:29,400
Speaker 1: find it on there too, but we're focusing on Eve

1366
01:16:29,840 --> 01:16:32,720
Speaker 1: and it's also mixed with like the lounge in beat

1367
01:16:32,840 --> 01:16:41,000
Speaker 1: from l O Colu j okay. So as that beat

1368
01:16:41,280 --> 01:16:45,320
Speaker 1: with Eve mashed up over together by this DJ called

1369
01:16:45,439 --> 01:16:48,720
Speaker 1: Nick Bike out in Vancouver. Shout out Vancouver. I hope

1370
01:16:48,720 --> 01:16:51,280
Speaker 1: I think it's British Columbia or as maybe Vancouver watching it.

1371
01:16:51,360 --> 01:16:54,559
Speaker 1: Either way, all Vancouver stand up, um and this is Eve.

1372
01:16:54,680 --> 01:16:56,920
Speaker 1: Let me blow your mind. It's that Matt Hall and

1373
01:16:57,080 --> 01:17:01,680
Speaker 1: Nick Bike Jamaica dub remix. No and bump this in

1374
01:17:01,720 --> 01:17:04,200
Speaker 1: your speakers. You're gonna get this one SoundCloud unfortunately, but

1375
01:17:04,320 --> 01:17:06,200
Speaker 1: you can download it for free on his SoundCloud, so

1376
01:17:06,720 --> 01:17:10,320
Speaker 1: that link will be in the Budougles notes. Alright. The

1377
01:17:10,400 --> 01:17:12,680
Speaker 1: Daily like Gas a production to buy her radio for

1378
01:17:12,720 --> 01:17:15,200
Speaker 1: more podcast for my her radio visit her radio Ride

1379
01:17:15,200 --> 01:17:18,040
Speaker 1: Babble podcast her Where have you listen to your favorite?

1380
01:17:18,120 --> 01:17:20,600
Speaker 1: Chose that's gonna do it for this morning. We'll be

1381
01:17:20,720 --> 01:17:23,360
Speaker 1: back this afternoon to tell you what's trending. We'll talk

1382
01:17:23,360 --> 01:17:29,080
Speaker 1: to you that by by Yo Rocket glasses shake your

1383
01:17:29,120 --> 01:17:32,720
Speaker 1: asses face moved up like you havn't hot flashes? Which one?

1384
01:17:32,880 --> 01:17:36,599
Speaker 1: Pick one? This one classic read one blond bitch. I'm

1385
01:17:36,680 --> 01:17:40,759
Speaker 1: pressing Waned Suad that lips stop fasting. Listen to baby

1386
01:17:40,800 --> 01:17:44,120
Speaker 1: relaxest pass this breast waiting, head back, we even through

1387
01:17:44,160 --> 01:17:46,760
Speaker 1: the traffic. This one's wrong should be labeled as the

1388
01:17:46,840 --> 01:17:50,320
Speaker 1: hand is some of y'all Nick's hot sight, dumb gassing clowns.

1389
01:17:50,360 --> 01:17:53,360
Speaker 1: I bought them as I can't stop that easy come easy,

1390
01:17:53,439 --> 01:17:58,000
Speaker 1: go easy gonna blessing jealousy that they over tractic y'all

1391
01:17:58,200 --> 01:18:00,479
Speaker 1: right and well, too concerned with fashion. Don't then you

1392
01:18:00,520 --> 01:18:02,840
Speaker 1: wake yourself cat walking back in the pody