WEBVTT - From the Vault: Brain and Head Theft, Part 2

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick, and it's Saturday

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<v Speaker 1>Vault episode time. This one originally aired on February four.

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<v Speaker 1>It is Brain and Head Theft, Part two, picking up

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<v Speaker 1>from Part one, which ran last Saturday. So stick around

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<v Speaker 1>and enjoy Welcome to Stuff to Blow Your Mind production

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<v Speaker 1>of My Heart Radio. Hey you, welcome to Stuff to

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<v Speaker 1>Blow your Mind. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick, and we're back with part two of our

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<v Speaker 1>discussion of stolen heads and stolen brains. That's right, If

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<v Speaker 1>you didn't listen to part one, go back listen to

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<v Speaker 1>part one, because that's where we initially get into it,

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<v Speaker 1>and we talked about like some ancient ideas about what

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<v Speaker 1>the brain did and uh. Then we get into some

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<v Speaker 1>examples of of brains that have been preserved uh consensually,

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<v Speaker 1>and then get a little bit into the theft. And

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<v Speaker 1>we're gonna get more into the theft here in this episode,

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<v Speaker 1>and then towards the end, we're gonna get into some

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<v Speaker 1>of the mythology and folklore of disembodied heads. That's right.

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<v Speaker 1>So at the end of the last episode, we were

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<v Speaker 1>talking about the theft of the skull of the Austrian

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<v Speaker 1>classical composer Franz Joseph Haydn, which was stolen by phrenologists

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<v Speaker 1>who clung to the mistaken belief that Haydn's musical genius

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<v Speaker 1>would somehow be inscribed in the bone of his cranium.

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<v Speaker 1>But Hayden isn't the only figure like this. There there

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<v Speaker 1>are other figures in history with some kind of reputation

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<v Speaker 1>for genius of one kind or another, who have had

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<v Speaker 1>their heads or their brains stolen in the hope that

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<v Speaker 1>these remnants would somehow explain to science what made them

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<v Speaker 1>so smart. And of course, in the case of phrenology,

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<v Speaker 1>this was an utterly hopeless endeavor, just because phrenology is

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<v Speaker 1>total quack pseudoscience. It's end to end. But this has

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<v Speaker 1>also happened even in ages of more legitimate neuroscience, and

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<v Speaker 1>still maybe doesn't tell us as much as the people

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<v Speaker 1>who stole these brains hoped that it would. So I

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<v Speaker 1>want to talk about another famous stolen head that is

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<v Speaker 1>not even for any pretense of neuroscience or any other

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<v Speaker 1>type of research. I want to talk about the head

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<v Speaker 1>of Jeremy Bentham. Uh, so you might know Jeremy Bentham

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<v Speaker 1>best for I don't know what do people know him

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<v Speaker 1>best for these days? Maybe for the for the idea

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<v Speaker 1>of the panopticon, which he was a promoter of. That

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<v Speaker 1>would be where our listeners might have heard his name

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<v Speaker 1>on this show before. Yeah, Jeremy Bentham was a highly

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<v Speaker 1>influential eighteenth and nineteenth century philosopher and social reformer from England,

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<v Speaker 1>and he's usually thought of as one of the founders

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<v Speaker 1>of liberalism and one of the modern founders of the

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<v Speaker 1>utilitarian theory of ethics. So, in other words, right and

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<v Speaker 1>wrong would be determined not by what the King says,

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<v Speaker 1>or what the Bible says, or not by any deontological duty,

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<v Speaker 1>but by what course of action would provide the greatest

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<v Speaker 1>happiness to the greatest number of people. And Bentham is

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<v Speaker 1>kind of interesting because if you read through a collection

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<v Speaker 1>of his opinions and arguments today, it is this strange

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<v Speaker 1>mixture of things that for the time were extremely radical,

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<v Speaker 1>progressive and by our modern ethics admirable, but also things

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<v Speaker 1>that are bizarrely horrifying. So so, for example, you know,

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<v Speaker 1>he was in favor of total political equality, for women

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<v Speaker 1>and the decriminalization of homosexuality. But he also did not

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<v Speaker 1>like the idea of privacy. He thought that was a

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<v Speaker 1>bad concept. And of course this is exemplified in the

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<v Speaker 1>idea of the panopticon, in which prisoners have no privacy

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<v Speaker 1>or and and do not know if the the gaze

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<v Speaker 1>of the like the the lone observation tower, if they

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<v Speaker 1>are looking at them in any given moment, you know. Right,

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<v Speaker 1>So he would dig where we are now in some respects. Right,

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<v Speaker 1>Oh my god, Jeremy Bentham. I would love to know

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<v Speaker 1>Jeremy Bentham's thoughts on the modern digital landscape. But anyway,

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<v Speaker 1>that the relevant part of the Jeremy Bentham story today

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<v Speaker 1>is that his head still exists today above ground in

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<v Speaker 1>a grotesque, incompetently mummified form, and and it keeps getting stolen.

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<v Speaker 1>I was reading a piece about this that was a

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<v Speaker 1>transcript of a CBC radio piece which featured an interview

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<v Speaker 1>with the Subadra Doss, who is a curator of collections

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<v Speaker 1>at University College London. The interviewer was named Carol Off

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<v Speaker 1>and this CBC piece includes some excellent biographical tidbits right

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<v Speaker 1>at the top about Bentham's weird and interesting personality apart

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<v Speaker 1>from his politics and his public work. For example, it

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<v Speaker 1>says that Bentham had a walking stick that he called Dapple,

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<v Speaker 1>he had a teapot that he referred to as Dicky,

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<v Speaker 1>and he had an elderly cat that was named the

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<v Speaker 1>Reverend Sir John Langborne. Oh that's that's I don't know

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<v Speaker 1>if that's a good cat name. That's a bit too human.

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<v Speaker 1>I think it's funny when a dog has a very

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<v Speaker 1>human name. I don't I haven't made my mind up

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<v Speaker 1>about cats yet, I think, I guess I assume that's funny.

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<v Speaker 1>I find it cats work best when they have food names,

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<v Speaker 1>you know, okay, yeah, like biscuit or mochy or pound

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<v Speaker 1>cake or um yeah, really anything rabby oli. I mean,

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<v Speaker 1>you can go go crazy with it, but generally speaking, yes,

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<v Speaker 1>it's something kind of cute and foods. He works well

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<v Speaker 1>with cats. I find I'm glad that we've all learned

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<v Speaker 1>that one day you plan to eat a cat. Well,

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<v Speaker 1>I mean it would really if that were the case,

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<v Speaker 1>and it's not, then we with the feeling would be

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<v Speaker 1>mutual between me and the cats, So I think the

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<v Speaker 1>cat would respect it. Oh yeah, if we were appreciating game.

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<v Speaker 1>Is that what they say? Yeah, totally if we were

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<v Speaker 1>small enough our cats what heat does yeah? Um, But anyway,

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<v Speaker 1>I thought that was a pretty good window into his personality.

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<v Speaker 1>And uh. And so Bentham a cently had express wishes

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<v Speaker 1>for what would be done to his remains in the

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<v Speaker 1>event of his death, and they fall along some similar

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<v Speaker 1>lines of sensibility. So Bentham died in eighteen thirty two,

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<v Speaker 1>and when that happened, he wanted his dead body to

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<v Speaker 1>be preserved in a way that would allow him to

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<v Speaker 1>be wheeled out and presented to friends at parties in

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<v Speaker 1>case anybody missed seeing him. Take rob, I want you

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<v Speaker 1>to take what I just said and compare that to

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<v Speaker 1>the picture of his preserved head above. Well, you know,

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<v Speaker 1>it certainly would be a conversation starter or stopper at

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<v Speaker 1>any party. Uh. I mean it's pretty impressive looking. It

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<v Speaker 1>is identifiable as a head, even his head. Uh, it

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<v Speaker 1>kind of looks it has a very leathery consistency to it. Um.

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<v Speaker 1>The skin is you had kind of darkened and kind

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<v Speaker 1>of looks like a slim gem with these sling Yeah,

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<v Speaker 1>there's hair on it, which I'm guessing as perhaps his

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<v Speaker 1>original hair. Real hair. Yep. The eyes clearly are not

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<v Speaker 1>his original eyes appears to be a pair of glass

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<v Speaker 1>eyeballs that have been inserted into it, which you give

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<v Speaker 1>it this extra uncanny appearance because it looks like, you know,

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<v Speaker 1>the living dead. It looks like the eyes of a

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<v Speaker 1>of of a litch sing at you. But the look

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<v Speaker 1>on his face is also not terrifying. It's more serene.

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<v Speaker 1>It looks like he's patiently listening to you while you're

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<v Speaker 1>sharing a tidbit. Oh, I don't know how serene it.

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<v Speaker 1>I mean, I guess I kind of see what you're saying.

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<v Speaker 1>But he looks to me very like startled and appalled.

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<v Speaker 1>He looks like a a butler who has accidentally opened

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<v Speaker 1>a door to a room in which something obscene is

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<v Speaker 1>taking place. Oh, I get more of a like he's

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<v Speaker 1>patiently listening to you while you tell him something that

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<v Speaker 1>he personally finds boring. But okay, he's a good listener. Nonetheless. Okay,

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<v Speaker 1>so what was the deal with his head? Like? Why

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<v Speaker 1>is his head off of his dead body but they're

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<v Speaker 1>both preserved. Why does it look like that? Uh? To

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<v Speaker 1>quote from Doss in this interview, she says Bentham had

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<v Speaker 1>made a special request that his head be preserved in

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<v Speaker 1>the style of the Maori, the native New Zealanders. But

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<v Speaker 1>his friend Dr southwood Smith, who was tasked with creating

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<v Speaker 1>the auto icon, wasn't necessarily as practiced with that as

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<v Speaker 1>he probably would have liked to have been. And Dast

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<v Speaker 1>goes on, and so the result was a head that

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<v Speaker 1>southwood Smith said was not suitable for display, which is

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<v Speaker 1>why he had a wax model commissioned. That's the one

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<v Speaker 1>on display with the auto icon, which is the skeleton

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<v Speaker 1>in Bentham's own clothes. So so, according to Daston, the

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<v Speaker 1>head was desiccated here with sulfuric acid, and sometimes his

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<v Speaker 1>hair still falls out. But the situation is that there

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<v Speaker 1>are two separate necro icons of this utilitarian philosopher that

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<v Speaker 1>are both made out of his real body. There's his

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<v Speaker 1>body containing his bones and his clothes, topped with a

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<v Speaker 1>fake wax head, and that's on display at University College London,

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<v Speaker 1>and Rob, I've got an image for you to look

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<v Speaker 1>at down below. Oh here, and then you also have

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<v Speaker 1>his severed head, poorly preserved that we just described, sometimes

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<v Speaker 1>kept separately, sometimes shown at the feet of the auto icon.

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<v Speaker 1>Of the rest of the body, because it's just this disgusting,

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<v Speaker 1>rotten looking beef jerky head. And then of course there's

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<v Speaker 1>the horrible body with a wax head that has these

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<v Speaker 1>gloves on it that look really just this is awful. Yeah,

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<v Speaker 1>the picture you shared that shows the the wax headed

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<v Speaker 1>figure with an actual skeleton inside of it, uh seated

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<v Speaker 1>and then there it at its feet indeed is the

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<v Speaker 1>original head. And um, yeah, this looks fairly terrifying but

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<v Speaker 1>also symbolically potent. Maybe it's just because of the some

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<v Speaker 1>of the examples that I was looking at from say

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<v Speaker 1>Hindu iconography that we'll get into later. Like there, I

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<v Speaker 1>feel like this image is trying to tell me something

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<v Speaker 1>about about death. Yeah, it seems almost in the style

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<v Speaker 1>of the the Cephaloforce sing, you know, like the Saints

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<v Speaker 1>like San Denis in Paris, the Saints who carry their

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<v Speaker 1>own heads in their hands because of the legends where

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<v Speaker 1>they were decapitated but then just picked up their heads

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<v Speaker 1>and walked around did some miracles or something. Yeah, except

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<v Speaker 1>he's like saying, yeah, it's like, look, there's my head

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<v Speaker 1>down there. It's rotten, but I'm I'm one look at

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<v Speaker 1>this gorgeous wax head I'm boasting. So the story gets

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<v Speaker 1>weirder because we've got to get to the actual theft.

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<v Speaker 1>This was all according to Bentham's wishes, though the mummification

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<v Speaker 1>or preservation of the head got screwed up. Southwood Smith

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<v Speaker 1>did not do a good job with that, or at

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<v Speaker 1>least not to his own liking. And I don't know,

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<v Speaker 1>the results don't look great. But then the theft comes in,

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<v Speaker 1>because apparently Jeremy Bentham's actual preserved head has been repeatedly

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<v Speaker 1>stolen or kidnapped as a result of student pranks like

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<v Speaker 1>Doss points out that sometime in the nineteen nineties, Bentham's

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<v Speaker 1>head was quote kidnapped by uc l's rival university, King's

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<v Speaker 1>College in London. So I assume it was stolen by

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<v Speaker 1>some kind of English version of Jim Magiluski from the Brain,

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<v Speaker 1>you know, a prank boy. And in fact, it seems

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<v Speaker 1>the head was stolen multiple times in its history. I

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<v Speaker 1>was reading a piece about this from Smith Journal that says,

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<v Speaker 1>quote once it was returned upon the making of a

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<v Speaker 1>charitable donation. On another occasion, it was recovered from a

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<v Speaker 1>luggage locker in Aberdeen. A man as clever as Bentham

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<v Speaker 1>should have been able to foresee the inevitable consequences of

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<v Speaker 1>spending eternity among students. Now, at some point the head

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<v Speaker 1>was recovered from what happened in the nineties these mischievous students,

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<v Speaker 1>and it was put back on display at least at

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<v Speaker 1>one point for an exhibit called what does it Mean

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<v Speaker 1>to be Human? Curating Heads at u c L. So

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<v Speaker 1>this is a head that apparently keeps getting stolen. Don't

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<v Speaker 1>know if it will ever be stolen again. I think

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<v Speaker 1>they are taking extreme measures to prevent that, but who

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<v Speaker 1>knows what's going to happen. But we should still say that,

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<v Speaker 1>at least in Bentham's case, this is consensual preservation in

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<v Speaker 1>a museum, despite a few uh en cephalocleptics over the years.

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<v Speaker 1>There are also lots of disturbing cases where someone's head

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<v Speaker 1>or brain ends up in a museum against their own wishes,

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<v Speaker 1>whether it's by the supposed forces of science and preservation

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<v Speaker 1>or some other forces that are doing the stealing. It

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<v Speaker 1>has happened plenty of times that heads, skulls, brains get

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<v Speaker 1>taken from somebody's body, whether they wanted that or not,

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<v Speaker 1>and end up in a museum. And and this brings

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<v Speaker 1>me to the next thing I wanted to talk about

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<v Speaker 1>to follow up on some of the uh, some of

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<v Speaker 1>the phrenology discussion from the last episode, because I feel

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<v Speaker 1>like I want to be a bit self critical here,

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<v Speaker 1>because I have to note that I feel a baseline

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<v Speaker 1>sympathy for the classic Indiana Jones line about the Cross

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<v Speaker 1>of Coronado in the Last Crusade when he says it

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<v Speaker 1>belongs in a museum. You know, I I really enjoy museums,

0:12:53.720 --> 0:12:57.280
<v Speaker 1>and I am instinctually drawn to the idea that it's

0:12:57.360 --> 0:13:01.119
<v Speaker 1>good to have artifacts preserved in play. Is like museums

0:13:01.160 --> 0:13:04.360
<v Speaker 1>places where you know, artifacts from history should be the

0:13:04.520 --> 0:13:07.319
<v Speaker 1>you know, the common heritage of all humankind to observe

0:13:07.360 --> 0:13:09.760
<v Speaker 1>and learn from. And so it's good that you get

0:13:09.760 --> 0:13:11.480
<v Speaker 1>to go see them in a museum in a place

0:13:11.480 --> 0:13:14.320
<v Speaker 1>where they will be preserved as well as possible across time.

0:13:14.880 --> 0:13:17.200
<v Speaker 1>And this sounds good, but of course it can in

0:13:17.360 --> 0:13:20.520
<v Speaker 1>reality be an extremely fraught concept and just one of

0:13:20.520 --> 0:13:23.640
<v Speaker 1>the million complications We explore some of this in our

0:13:23.679 --> 0:13:27.080
<v Speaker 1>Invention episode on the First Museum is the question of

0:13:27.120 --> 0:13:29.800
<v Speaker 1>physical location. Like I think it is actually good that

0:13:29.920 --> 0:13:33.160
<v Speaker 1>artifacts from ancient history or even more recent history could

0:13:33.160 --> 0:13:35.720
<v Speaker 1>in some way be the common heritage of all human

0:13:35.760 --> 0:13:38.199
<v Speaker 1>kind to learn from. But they've got to physically be somewhere,

0:13:38.200 --> 0:13:41.040
<v Speaker 1>And it turns out that is often in like wealthy

0:13:41.120 --> 0:13:44.520
<v Speaker 1>European nations or in the United States, so like not

0:13:44.720 --> 0:13:48.040
<v Speaker 1>everybody actually has the same access to these artifacts. You know,

0:13:48.200 --> 0:13:51.160
<v Speaker 1>you've got to physically go to London or to Washington

0:13:51.320 --> 0:13:53.720
<v Speaker 1>or something to see them. Yeah, you have this this

0:13:53.920 --> 0:13:59.000
<v Speaker 1>um this this severe imbalance where say school children in

0:13:59.120 --> 0:14:02.600
<v Speaker 1>the United States can go to their local museum in

0:14:02.640 --> 0:14:06.280
<v Speaker 1>a major city and see artifacts of ancient Egypt, but

0:14:06.320 --> 0:14:09.120
<v Speaker 1>those same artifacts are not on display at the local

0:14:09.200 --> 0:14:12.880
<v Speaker 1>museum for actual Egyptian children to see. They would have

0:14:12.960 --> 0:14:15.600
<v Speaker 1>to look at a reproduction or a picture in a

0:14:15.640 --> 0:14:19.000
<v Speaker 1>book or on the internet. Right. And of course another

0:14:19.040 --> 0:14:21.640
<v Speaker 1>big problem here is just the question of, like, how

0:14:21.640 --> 0:14:24.680
<v Speaker 1>do you source these artifacts when you're you're bringing them

0:14:24.720 --> 0:14:27.680
<v Speaker 1>into museum collections. A lot of times it's hard to

0:14:27.720 --> 0:14:30.880
<v Speaker 1>make a convincing argument that that what's happening in the

0:14:30.920 --> 0:14:33.720
<v Speaker 1>collection of these artifacts is not just stealing, is just

0:14:33.800 --> 0:14:36.920
<v Speaker 1>stealing from dead people. And so I think that there

0:14:36.920 --> 0:14:38.960
<v Speaker 1>are real dilemmas here. I say this as as a

0:14:38.960 --> 0:14:42.040
<v Speaker 1>lover of museums. Uh. And of course it's true even

0:14:42.160 --> 0:14:44.840
<v Speaker 1>of inanimate artifacts that are produced by people who are

0:14:44.880 --> 0:14:47.920
<v Speaker 1>long gone, but it's obviously even more fraught when you're

0:14:47.960 --> 0:14:52.040
<v Speaker 1>talking about things like the remains of human beings, especially

0:14:52.120 --> 0:15:01.600
<v Speaker 1>human beings who lived relatively recently. Uh. And so this

0:15:01.640 --> 0:15:03.240
<v Speaker 1>brings me back to what we were talking about in

0:15:03.280 --> 0:15:06.040
<v Speaker 1>the Haydn segment of part one. We were talking about

0:15:06.080 --> 0:15:10.960
<v Speaker 1>the development of the pseudoscience of phrenology, which quick refresher.

0:15:11.080 --> 0:15:15.480
<v Speaker 1>This was a now completely debunked pseudoscience that was popular,

0:15:15.600 --> 0:15:19.000
<v Speaker 1>especially in like the first half of the nineteenth century,

0:15:19.040 --> 0:15:21.600
<v Speaker 1>popular throughout Europe, in the United States, and it was

0:15:21.640 --> 0:15:26.240
<v Speaker 1>the belief that you could infer mental characteristics of people

0:15:26.400 --> 0:15:31.000
<v Speaker 1>by measuring bumps and contours on their skulls. And this

0:15:31.120 --> 0:15:33.200
<v Speaker 1>is one of the this was one of the motivations

0:15:33.280 --> 0:15:37.400
<v Speaker 1>for the stealing of the of Franz Joseph Haydn's skull. Now,

0:15:37.440 --> 0:15:41.240
<v Speaker 1>there are some strains of phrenology that a person could

0:15:41.280 --> 0:15:46.600
<v Speaker 1>see as extremely wrong and pseudo scientific, but not super harmful,

0:15:46.760 --> 0:15:49.000
<v Speaker 1>or at least not more harmful than a belief in

0:15:49.040 --> 0:15:51.480
<v Speaker 1>like palm reading or something. You know, I'm just feeling

0:15:51.520 --> 0:15:54.080
<v Speaker 1>around on your head and doing a doing a little

0:15:54.120 --> 0:15:58.440
<v Speaker 1>personality test for you. Right, it's not accurate, there's no

0:15:58.480 --> 0:16:03.200
<v Speaker 1>science to it, but it's ultimately I guess harmless, right right,

0:16:03.280 --> 0:16:05.440
<v Speaker 1>I mean, I mean, I guess all pseudoscience in a

0:16:05.480 --> 0:16:08.640
<v Speaker 1>way is potentially harmful, but it's not It's not as

0:16:08.680 --> 0:16:10.520
<v Speaker 1>harmful as the other stuff we're about to talk to,

0:16:10.880 --> 0:16:14.720
<v Speaker 1>because there are these other strains and incarnations of phrenology

0:16:14.760 --> 0:16:18.760
<v Speaker 1>and other types of pseudoscience that are that are just

0:16:18.800 --> 0:16:23.160
<v Speaker 1>a straight up nightmare. Sometimes forms of racist pseudoscience aimed

0:16:23.160 --> 0:16:27.480
<v Speaker 1>at like proving that people with different skin colors were

0:16:27.480 --> 0:16:30.480
<v Speaker 1>a result of separate acts of divine creations, so they're

0:16:30.480 --> 0:16:33.760
<v Speaker 1>not even really all the same kind of human. Also

0:16:33.920 --> 0:16:38.360
<v Speaker 1>weird ideas of crackpot cranial criminology. Um, that didn't mean

0:16:38.400 --> 0:16:41.120
<v Speaker 1>to be so illiterated there, but in in the nineteenth

0:16:41.160 --> 0:16:44.600
<v Speaker 1>century especially, it was very common for proponents of phrenology

0:16:44.680 --> 0:16:48.960
<v Speaker 1>and other types of craniometry. So craniometry would be a

0:16:48.960 --> 0:16:51.520
<v Speaker 1>any kind of a belief system based on the measurements

0:16:51.560 --> 0:16:55.200
<v Speaker 1>of the skull, not necessarily like bumps, like phrenology. But

0:16:55.920 --> 0:16:57.840
<v Speaker 1>there were other people who just tried to collect a

0:16:57.840 --> 0:17:01.560
<v Speaker 1>bunch of skulls and measure them and draw in friendss. Uh. So,

0:17:01.560 --> 0:17:03.560
<v Speaker 1>so there were these things going on, and they would

0:17:03.600 --> 0:17:07.320
<v Speaker 1>cause people to gather these huge collections of human skulls,

0:17:07.720 --> 0:17:11.639
<v Speaker 1>supposedly to form the raw materials for their research. But

0:17:11.760 --> 0:17:13.480
<v Speaker 1>I was reading about this in that same book I

0:17:13.520 --> 0:17:16.120
<v Speaker 1>mentioned in the previous episode, the one by Francis Larson

0:17:16.200 --> 0:17:20.280
<v Speaker 1>called Severed, which this whole chapter is really, uh, really

0:17:20.320 --> 0:17:23.960
<v Speaker 1>horrifying and fascinating. Uh. It would lead these people to

0:17:23.960 --> 0:17:26.919
<v Speaker 1>gather these big collections of skulls that in practice, it

0:17:26.960 --> 0:17:30.200
<v Speaker 1>seems to me these collections were often just as much

0:17:30.240 --> 0:17:34.040
<v Speaker 1>as sort of personal museum exhibit or a morbid curio

0:17:34.160 --> 0:17:38.479
<v Speaker 1>collection to impress guests and wealthy benefactors as they were

0:17:38.600 --> 0:17:42.760
<v Speaker 1>even a failed attempt to actually gather data. And unfortunately,

0:17:42.800 --> 0:17:46.119
<v Speaker 1>it seems like most of these skulls collected for supposed

0:17:46.160 --> 0:17:50.880
<v Speaker 1>craniometric research in the eighteen hundreds were not donated consensually.

0:17:51.320 --> 0:17:53.840
<v Speaker 1>You can probably imagine where a lot of them came from.

0:17:53.920 --> 0:17:57.200
<v Speaker 1>A lot of them were stolen from graveyards and battlefields.

0:17:57.240 --> 0:18:03.080
<v Speaker 1>Some came from prisons and morgues, spittals, workhouses, burial grounds

0:18:03.119 --> 0:18:06.679
<v Speaker 1>without the consultation of the owner or their family, and

0:18:06.760 --> 0:18:09.760
<v Speaker 1>often without even knowing who the person had actually been.

0:18:10.480 --> 0:18:13.080
<v Speaker 1>And as you might guess, the less wealth and power

0:18:13.200 --> 0:18:15.919
<v Speaker 1>the person had, the more likely that their skull might

0:18:15.960 --> 0:18:19.439
<v Speaker 1>be stolen after their death. Many came from cemeteries of

0:18:19.560 --> 0:18:23.080
<v Speaker 1>enslaved people in America. There are horrific details about the

0:18:23.080 --> 0:18:26.480
<v Speaker 1>harvesting of skulls from Native American people's during the wars

0:18:26.480 --> 0:18:29.159
<v Speaker 1>of expansion of the U. S Frontier into tribal lands,

0:18:29.680 --> 0:18:33.520
<v Speaker 1>and many came from just from poor people, from workhouses

0:18:33.520 --> 0:18:36.720
<v Speaker 1>and potter's fields. Larson as a whole chapter about this

0:18:36.800 --> 0:18:40.600
<v Speaker 1>horrible episode in history and her book Severed Um. But

0:18:40.960 --> 0:18:44.720
<v Speaker 1>a couple of these notorious skull collectors she mentions are

0:18:44.760 --> 0:18:49.040
<v Speaker 1>the English doctor Joseph Barnard Davis and the American physician

0:18:49.480 --> 0:18:53.119
<v Speaker 1>Samuel George Morton. Both were mainly working in the early

0:18:53.160 --> 0:18:56.919
<v Speaker 1>to mid nineteenth century, and she tells one anecdote about

0:18:57.160 --> 0:19:00.119
<v Speaker 1>Barnard Davis that I wanted to read here, so she

0:19:00.119 --> 0:19:03.920
<v Speaker 1>says quote as a physician, Barnard Davis showed few qualms

0:19:03.960 --> 0:19:07.520
<v Speaker 1>when it came to head collecting. John Betto, a fellow doctor,

0:19:07.640 --> 0:19:12.119
<v Speaker 1>remembered that he looked on heads simply as potential skulls.

0:19:12.760 --> 0:19:16.159
<v Speaker 1>Betto recounted introducing Barnard Davis during his rounds at the

0:19:16.200 --> 0:19:19.680
<v Speaker 1>hospital to one of his patients, a sailor from Dubrovnik

0:19:19.920 --> 0:19:22.440
<v Speaker 1>who had nearly drowned. It was being cared for at

0:19:22.440 --> 0:19:25.760
<v Speaker 1>the Bristol Royal Infirmary. Betto was treating the man for

0:19:25.880 --> 0:19:30.919
<v Speaker 1>gang green on the lung. Barnard Davis's curiosity was immediately piqued. Now,

0:19:31.040 --> 0:19:33.719
<v Speaker 1>he said to Betto, you know that man can't recover,

0:19:33.920 --> 0:19:36.040
<v Speaker 1>Do take care to secure his head for me when

0:19:36.040 --> 0:19:38.880
<v Speaker 1>he dies, for I have no cranium from that neighborhood.

0:19:39.640 --> 0:19:42.240
<v Speaker 1>I guess he was talking about the neighborhood of Dubrovnik.

0:19:43.000 --> 0:19:46.399
<v Speaker 1>And Uh. Then Larsen goes on. Luckily for the sailor,

0:19:46.480 --> 0:19:49.800
<v Speaker 1>Barnard Davis had been too enthusiastic in his diagnosis. The

0:19:49.800 --> 0:19:53.919
<v Speaker 1>patient made a full recovery, and Tibetto's amused relief, he

0:19:53.960 --> 0:19:58.360
<v Speaker 1>carried his head on his own shoulders back to hertzegovernor uh.

0:19:58.359 --> 0:20:00.280
<v Speaker 1>And so she says, like this is the is the

0:20:00.320 --> 0:20:03.520
<v Speaker 1>reality of what's often going on in skull collecting. It's

0:20:03.560 --> 0:20:08.000
<v Speaker 1>like basically totally ignoring the humanity of human beings. And

0:20:08.040 --> 0:20:09.879
<v Speaker 1>just being like, how am I going to get that skull?

0:20:10.359 --> 0:20:13.560
<v Speaker 1>It's like a like a cartoon where one cartoon character

0:20:13.600 --> 0:20:16.640
<v Speaker 1>looks at the other and just sees like food as

0:20:16.640 --> 0:20:20.760
<v Speaker 1>a cannibalistic frenzy takes every except yeah, the Looney Tunes

0:20:20.800 --> 0:20:23.160
<v Speaker 1>where like they're in the lifeboat and like Donald Duck

0:20:23.200 --> 0:20:25.760
<v Speaker 1>looks at somebody and just imagines their body is like

0:20:25.800 --> 0:20:29.240
<v Speaker 1>a like a drumstick or something. Yeah, it also reminds

0:20:29.280 --> 0:20:32.320
<v Speaker 1>me of that line and t s Eliott's Whispers of Immortality.

0:20:32.760 --> 0:20:35.440
<v Speaker 1>Webster was much possessed by death and saw the skull

0:20:35.520 --> 0:20:38.880
<v Speaker 1>and eat the skin. Now, it's also worth pointing out

0:20:38.880 --> 0:20:42.440
<v Speaker 1>that the findings of these early craniometrists have not really

0:20:42.480 --> 0:20:45.600
<v Speaker 1>held up to scientific scrutiny. Larson talks about this as well,

0:20:45.640 --> 0:20:48.960
<v Speaker 1>all of the problems with their supposed research. Uh, they

0:20:49.160 --> 0:20:51.800
<v Speaker 1>a lot of them were trying to make generalizations about

0:20:51.840 --> 0:20:54.840
<v Speaker 1>the mental qualities of large groups of people. Oh, you know,

0:20:54.920 --> 0:20:57.240
<v Speaker 1>you can see because of this trend in the skulls

0:20:57.280 --> 0:21:00.320
<v Speaker 1>of people from this part of the world that they

0:21:00.320 --> 0:21:04.280
<v Speaker 1>have these mental characteristics. And this was all based on

0:21:04.320 --> 0:21:09.360
<v Speaker 1>these skull measurements. But their research was plagued by poor methodology,

0:21:09.440 --> 0:21:13.920
<v Speaker 1>inconsistency and samples, inconsistency and measurements, fudging the data when

0:21:13.920 --> 0:21:17.080
<v Speaker 1>it didn't fit, etcetera. Larcent as a whole discussion on this,

0:21:17.200 --> 0:21:19.520
<v Speaker 1>it seems like once again we're we're dealing with something

0:21:19.560 --> 0:21:23.320
<v Speaker 1>that ultimately just amounted to bunk. Though I wanted also

0:21:23.400 --> 0:21:25.680
<v Speaker 1>to discuss a couple of points that she makes which

0:21:25.680 --> 0:21:28.400
<v Speaker 1>I thought were very useful and interpreting what was going

0:21:28.440 --> 0:21:32.760
<v Speaker 1>on here. Historically, one interesting issue was if people are

0:21:32.920 --> 0:21:36.640
<v Speaker 1>looking into, you know, these various questions, trying to understand

0:21:37.119 --> 0:21:41.600
<v Speaker 1>the human mind, trying to understand culture, trying to understand

0:21:41.680 --> 0:21:46.840
<v Speaker 1>mental processes, why the particular emphasis on skulls, like why

0:21:46.920 --> 0:21:51.040
<v Speaker 1>the phrenology and craniometry craze as a very bone focused

0:21:51.119 --> 0:21:53.919
<v Speaker 1>thing to begin with. Well, she talks about how the

0:21:53.960 --> 0:21:58.240
<v Speaker 1>physical characteristics of skulls just happened to lend themselves quite

0:21:58.280 --> 0:22:02.320
<v Speaker 1>well to the practical applications and interests of the people

0:22:02.320 --> 0:22:05.760
<v Speaker 1>who were in these fields. So she writes, quote one

0:22:05.840 --> 0:22:10.440
<v Speaker 1>Victorian physician James eight Ken MiGs noted that skulls are

0:22:10.600 --> 0:22:15.639
<v Speaker 1>easily prepared and preserved, maybe conveniently handled and surveyed. Considered

0:22:15.680 --> 0:22:18.560
<v Speaker 1>in various points of view and compared to each other.

0:22:19.119 --> 0:22:23.120
<v Speaker 1>Skulls are favorable specimens because they're small, hard, and robust.

0:22:23.440 --> 0:22:26.560
<v Speaker 1>They're more compact than whole skeletons, which means that they

0:22:26.560 --> 0:22:30.200
<v Speaker 1>can be relatively easily transported, and they're more durable than

0:22:30.240 --> 0:22:33.919
<v Speaker 1>the messy tissues they contain, surviving for centuries on a

0:22:34.000 --> 0:22:38.240
<v Speaker 1>museum shelf. They're surprisingly resistant to pressure, partly because of

0:22:38.240 --> 0:22:41.880
<v Speaker 1>their shape, but also because the skull, unlike longbones, has

0:22:41.920 --> 0:22:44.960
<v Speaker 1>no marrow, and skulls were thought to be the most

0:22:45.119 --> 0:22:48.320
<v Speaker 1>characteristic part of the human body because there were so

0:22:48.359 --> 0:22:50.480
<v Speaker 1>many ways in which one could be different from another.

0:22:50.800 --> 0:22:53.760
<v Speaker 1>Full of nooks and crannies and holes and lumps, they

0:22:53.760 --> 0:22:57.119
<v Speaker 1>were a statistician's dream. So this seems like one of

0:22:57.160 --> 0:22:59.960
<v Speaker 1>those cases of people who thought they were doing science

0:23:00.040 --> 0:23:03.120
<v Speaker 1>tific research but may well have been letting their theories

0:23:03.160 --> 0:23:09.080
<v Speaker 1>be overdetermined by attraction to the specific practical and esthetic

0:23:09.160 --> 0:23:13.080
<v Speaker 1>aspects of objects that they just wanted to study. Maybe

0:23:13.119 --> 0:23:15.520
<v Speaker 1>because it was kind of attractive to have a collection

0:23:15.560 --> 0:23:17.360
<v Speaker 1>of these in your house that you could show off

0:23:17.400 --> 0:23:20.119
<v Speaker 1>to people. Maybe because they were easy to move around

0:23:20.200 --> 0:23:23.280
<v Speaker 1>from place to place and store, and much more so,

0:23:23.400 --> 0:23:26.480
<v Speaker 1>of course than actual brains themselves, which would quickly wrought

0:23:26.560 --> 0:23:29.680
<v Speaker 1>and all that kind of stuff. Yeah, I mean, skulls

0:23:29.720 --> 0:23:32.439
<v Speaker 1>are really cool. I mean there's no denying it. Um

0:23:32.760 --> 0:23:36.720
<v Speaker 1>that their neat. Uh. You know, it's fun to draw skulls.

0:23:36.760 --> 0:23:40.360
<v Speaker 1>It's fun to look at pictures and photos and illustrations

0:23:40.359 --> 0:23:44.200
<v Speaker 1>of skulls, skull iconography, and just pretty much every culture

0:23:44.240 --> 0:23:48.720
<v Speaker 1>on Earth is instantly captivating. Uh. And then yeah, you

0:23:48.720 --> 0:23:50.640
<v Speaker 1>can see where someone might be like, all right, let's

0:23:50.720 --> 0:23:53.159
<v Speaker 1>I'm gonna lean into this. Skulls are my thing. I

0:23:53.200 --> 0:23:55.640
<v Speaker 1>want to study the skull. What what kind of information

0:23:55.680 --> 0:23:58.040
<v Speaker 1>can I glean from the skull? Yeah, you almost get

0:23:58.040 --> 0:24:00.840
<v Speaker 1>the sense that this was, um, it was very cart

0:24:00.920 --> 0:24:03.800
<v Speaker 1>before the horse. It was kind of like, uh, skull

0:24:03.880 --> 0:24:07.280
<v Speaker 1>collecting first, science second, and it turned out that the

0:24:07.320 --> 0:24:10.639
<v Speaker 1>science was not even good science. Yeah, I mean, it

0:24:10.760 --> 0:24:14.199
<v Speaker 1>just inevitably it brings us back to the you know,

0:24:14.359 --> 0:24:16.240
<v Speaker 1>at the end of the scene from Hamlet where he's

0:24:16.280 --> 0:24:21.200
<v Speaker 1>holding the skull and contemplating mortality and impermanence and so forth.

0:24:21.240 --> 0:24:22.679
<v Speaker 1>You know, I mean, it's just that that's what the

0:24:22.680 --> 0:24:26.439
<v Speaker 1>skull is. It is such a a potent symbol of

0:24:26.520 --> 0:24:30.840
<v Speaker 1>these just all these different ideas and concerns and anxieties

0:24:30.880 --> 0:24:35.399
<v Speaker 1>we have about impermanence. Yeah, now, when it comes to

0:24:35.640 --> 0:24:39.320
<v Speaker 1>brains specifically, I also want to talk about one tragic

0:24:39.359 --> 0:24:43.040
<v Speaker 1>case in history of of brains being preserved for supposed

0:24:43.080 --> 0:24:47.159
<v Speaker 1>scientific uses or by museums without the consent of the

0:24:47.200 --> 0:24:50.000
<v Speaker 1>person and so. And of course this is something to

0:24:50.080 --> 0:24:52.959
<v Speaker 1>consider in contrast to something like Bentham or or like

0:24:53.119 --> 0:24:56.080
<v Speaker 1>you know, where somebody intentionally grants their head to a

0:24:56.160 --> 0:24:59.000
<v Speaker 1>museum or something. Uh. This is the story of a

0:24:59.040 --> 0:25:02.880
<v Speaker 1>man known to his story as ish Now, as told

0:25:02.920 --> 0:25:07.280
<v Speaker 1>by Larson is. She was a Native American man who

0:25:07.600 --> 0:25:11.240
<v Speaker 1>was captured while foraging near a slaughter house in northern

0:25:11.280 --> 0:25:15.439
<v Speaker 1>California in the year nineteen eleven. He was about fifty

0:25:15.520 --> 0:25:19.160
<v Speaker 1>years old. He did not speak English, and he apparently

0:25:19.200 --> 0:25:22.400
<v Speaker 1>at least had no living friends or relatives, And so

0:25:22.440 --> 0:25:26.440
<v Speaker 1>he was taken to anthropologists at the University of California, Berkeley,

0:25:26.480 --> 0:25:30.159
<v Speaker 1>who identified him as a member of the Yahi people,

0:25:30.680 --> 0:25:33.119
<v Speaker 1>many of whom had been victims of genocide by the

0:25:33.119 --> 0:25:37.040
<v Speaker 1>white settlers in northern California. And uh, she was not

0:25:37.119 --> 0:25:40.040
<v Speaker 1>even really the man's name is she was an identifier

0:25:40.160 --> 0:25:43.520
<v Speaker 1>given to him by the anthropologist which apparently meant man

0:25:43.760 --> 0:25:47.720
<v Speaker 1>in the Yana language, that's the overarching language to which

0:25:47.800 --> 0:25:51.879
<v Speaker 1>the Yahi people belonged. But the man known as She

0:25:52.000 --> 0:25:54.679
<v Speaker 1>never revealed his real name, do apparently to it to

0:25:54.720 --> 0:25:58.040
<v Speaker 1>accustom within his culture of not revealing your name to

0:25:58.119 --> 0:26:00.920
<v Speaker 1>someone unless you are introduced by a member of your

0:26:00.920 --> 0:26:04.080
<v Speaker 1>own people. So after he after he was captured, he

0:26:04.200 --> 0:26:07.879
<v Speaker 1>was taken to the University of California Museum of Anthropology,

0:26:07.920 --> 0:26:10.800
<v Speaker 1>where he lived for some time. He worked as a janitor,

0:26:11.280 --> 0:26:15.320
<v Speaker 1>and anthropologists did some research with him. They made recordings

0:26:15.359 --> 0:26:18.440
<v Speaker 1>of him speaking and singing in his language. Uh. They

0:26:18.800 --> 0:26:21.639
<v Speaker 1>they studied his language, studied him in other ways. And

0:26:21.760 --> 0:26:24.960
<v Speaker 1>he passed away in nineteen sixteen. And then when I

0:26:25.000 --> 0:26:28.080
<v Speaker 1>want to pick up, quoting from Larsen here, quote she

0:26:28.240 --> 0:26:31.800
<v Speaker 1>had expressly asked that his body not be subject to

0:26:31.840 --> 0:26:35.200
<v Speaker 1>a post mortem. One curator wrote in the days before

0:26:35.240 --> 0:26:38.480
<v Speaker 1>is She's death quote science can go to hell. We

0:26:38.600 --> 0:26:42.560
<v Speaker 1>propose to stand by our friends. He added, Besides, I

0:26:42.600 --> 0:26:46.320
<v Speaker 1>cannot believe that any scientific value is materially involved. The

0:26:46.400 --> 0:26:49.080
<v Speaker 1>prime interest in his case would be of a morbid

0:26:49.200 --> 0:26:54.080
<v Speaker 1>romantic nature. But his letter arrived too late. Staff at

0:26:54.119 --> 0:26:58.159
<v Speaker 1>the museum, who declared themselves. Is She's friends made quote

0:26:58.240 --> 0:27:02.520
<v Speaker 1>a compromise between science and sentiment and performed an autopsy

0:27:02.560 --> 0:27:05.679
<v Speaker 1>against his wishes. They removed his brain and sent it

0:27:05.720 --> 0:27:09.960
<v Speaker 1>to the Smithsonian. Those who undertook the autopsy comforted themselves

0:27:10.000 --> 0:27:13.040
<v Speaker 1>that it had been minimally invasive and certainly not as

0:27:13.080 --> 0:27:17.080
<v Speaker 1>disrespectful as a dissection. His brain, after all, was preserved

0:27:17.240 --> 0:27:20.280
<v Speaker 1>rather than destroyed. The rest of Ish's body, which was

0:27:20.400 --> 0:27:24.080
<v Speaker 1>kept whole, was cremated in a California cemetery. Thus the

0:27:24.119 --> 0:27:26.959
<v Speaker 1>autopsy was seen as a compromise, despite the fact that

0:27:27.000 --> 0:27:31.120
<v Speaker 1>it went against the dead man's wishes. And Larsen goes

0:27:31.119 --> 0:27:34.040
<v Speaker 1>on to say that is She's body was divided after death,

0:27:34.119 --> 0:27:36.399
<v Speaker 1>just as his identity had been in life. He was

0:27:36.480 --> 0:27:40.280
<v Speaker 1>both a man and a scientific specimen. Like so many others.

0:27:40.320 --> 0:27:43.320
<v Speaker 1>He had supposedly been quote the last of his tribe

0:27:43.640 --> 0:27:46.760
<v Speaker 1>and was apparently without living relatives, and was considered to

0:27:46.960 --> 0:27:50.679
<v Speaker 1>quote valuable to lose in death. And I feel like

0:27:50.680 --> 0:27:54.000
<v Speaker 1>this story is such an important reminder that even if

0:27:54.040 --> 0:27:56.560
<v Speaker 1>what you're doing is real science and not for anology

0:27:56.640 --> 0:28:00.560
<v Speaker 1>or something, you can't ever let yourself start thinking about

0:28:00.720 --> 0:28:04.840
<v Speaker 1>human beings as information first I mean the situation she's

0:28:04.880 --> 0:28:07.520
<v Speaker 1>describing here is that there were scientists who are saying, like, oh,

0:28:07.600 --> 0:28:10.760
<v Speaker 1>but it's just it would just be too valuable, uh,

0:28:10.760 --> 0:28:13.560
<v Speaker 1>to to study his brain. There's too much we can

0:28:13.680 --> 0:28:16.639
<v Speaker 1>learn from it. But I mean, he didn't want this

0:28:16.680 --> 0:28:19.120
<v Speaker 1>to happen, And so you've got to remember to think

0:28:19.119 --> 0:28:22.359
<v Speaker 1>of people as people first, and only once they say Okay,

0:28:22.359 --> 0:28:26.080
<v Speaker 1>I am willing to have my my body somehow translated

0:28:26.119 --> 0:28:29.400
<v Speaker 1>into information for science, that you can proceed down that road.

0:28:29.720 --> 0:28:32.440
<v Speaker 1>It's the basis of the concept of informed consent, which

0:28:32.440 --> 0:28:36.280
<v Speaker 1>is so important and scientific research today. Plus, I feel like,

0:28:36.480 --> 0:28:40.800
<v Speaker 1>you know, certainly from our perspective, the case was not

0:28:41.000 --> 0:28:44.800
<v Speaker 1>very strong for we must preserve this brain, we must

0:28:44.800 --> 0:28:47.640
<v Speaker 1>study this brain. I know, as as one of the

0:28:47.640 --> 0:28:49.880
<v Speaker 1>people who worked with you. She said, you know that

0:28:50.040 --> 0:28:53.400
<v Speaker 1>it's probably more a case of motivation by mere morbid

0:28:53.440 --> 0:28:58.000
<v Speaker 1>curiosity with also i'm sure, quite racist undertones. Yeah, it's

0:28:58.040 --> 0:28:59.760
<v Speaker 1>not it's not like they were trying to solve a crime.

0:28:59.800 --> 0:29:02.280
<v Speaker 1>It's not like they were trying to understand the ravages

0:29:02.320 --> 0:29:07.040
<v Speaker 1>of a particular disease, etcetera. Yeah, it seemed based almost

0:29:07.160 --> 0:29:11.280
<v Speaker 1>entirely in just morbid interest. Fortunately, there is a better

0:29:11.320 --> 0:29:13.840
<v Speaker 1>conclusion to this story. So I was reading a San

0:29:13.840 --> 0:29:17.520
<v Speaker 1>Francisco Chronicle article by Kevin Fagan from the year two

0:29:17.600 --> 0:29:23.760
<v Speaker 1>thousand that was about the reunification of of E's remains.

0:29:23.880 --> 0:29:26.880
<v Speaker 1>So Fagan here writes, quote, sometime today, a jet is

0:29:26.880 --> 0:29:30.960
<v Speaker 1>scheduled to land in California carrying a band of Ishi's descendants,

0:29:31.040 --> 0:29:33.560
<v Speaker 1>and with them will be the long lost final piece

0:29:33.560 --> 0:29:38.160
<v Speaker 1>of their ancestor, Ishi's brain. Leaders of the Reading Rancheria

0:29:38.320 --> 0:29:41.160
<v Speaker 1>and Pitt River tribes, which trace their bloodlines to iss

0:29:41.200 --> 0:29:44.600
<v Speaker 1>She's extinct Yahe nation through the Yana tribe, promised to

0:29:44.680 --> 0:29:47.720
<v Speaker 1>never reveal where they buried him. They're not saying when

0:29:47.760 --> 0:29:49.800
<v Speaker 1>they will do it either, just that they're landing in

0:29:49.840 --> 0:29:52.320
<v Speaker 1>California today and that they want to be left alone

0:29:52.360 --> 0:29:55.880
<v Speaker 1>to shepherd their departed elder spirit away in peace. So

0:29:55.920 --> 0:29:57.920
<v Speaker 1>obviously it's good to hear that that happened, But it

0:29:57.960 --> 0:30:00.480
<v Speaker 1>only follows you know what had already happened and could

0:30:00.480 --> 0:30:03.720
<v Speaker 1>not be undone, And it makes you, I mean again,

0:30:03.720 --> 0:30:06.320
<v Speaker 1>it brings me back to this question about like, um,

0:30:06.360 --> 0:30:08.360
<v Speaker 1>how do you how do you manage the sort of

0:30:08.360 --> 0:30:12.120
<v Speaker 1>scientific and preservation impulse that it belongs in a museum

0:30:12.160 --> 0:30:15.719
<v Speaker 1>impulse against questions where maybe it's not as clear, like

0:30:15.760 --> 0:30:19.280
<v Speaker 1>it's clear that this should not that that's brain should

0:30:19.320 --> 0:30:21.320
<v Speaker 1>not have been removed because he was alive. You got

0:30:21.320 --> 0:30:24.040
<v Speaker 1>to hear him say no, I don't want this. Um.

0:30:24.480 --> 0:30:27.120
<v Speaker 1>I guess the tougher question is in cases of like

0:30:27.840 --> 0:30:30.240
<v Speaker 1>what what about the remains of people who have been

0:30:30.320 --> 0:30:32.640
<v Speaker 1>dead for a longer time and you know, could not

0:30:32.720 --> 0:30:35.200
<v Speaker 1>be consulted on the question of whether they would be

0:30:35.240 --> 0:30:38.400
<v Speaker 1>interested in being the subject of scientific research or not.

0:30:38.800 --> 0:30:41.720
<v Speaker 1>And I genuinely don't know the answer there. Yeah, I

0:30:41.880 --> 0:30:45.400
<v Speaker 1>do like how the story ended with the brain being

0:30:45.440 --> 0:30:49.600
<v Speaker 1>returned into tribal privacy, you know, like and I feel

0:30:49.600 --> 0:30:52.560
<v Speaker 1>like that detail you know of itself, that that lines

0:30:52.680 --> 0:30:55.000
<v Speaker 1>up with a lot of different you know, things for

0:30:55.080 --> 0:30:59.880
<v Speaker 1>seeing regarding not only like actual artifacts, but also just

0:31:00.160 --> 0:31:04.800
<v Speaker 1>like traditions and information. Um. I did a I did

0:31:04.800 --> 0:31:09.400
<v Speaker 1>an article last year for Housetuff Works about the skin Walker.

0:31:09.440 --> 0:31:12.400
<v Speaker 1>They wanted an article about the Navajo tradition of the

0:31:12.400 --> 0:31:14.600
<v Speaker 1>skin walker, and like that was one of the things

0:31:14.680 --> 0:31:17.920
<v Speaker 1>I really was driven home for me in researching that

0:31:18.040 --> 0:31:21.880
<v Speaker 1>is like that there there are certain you know, aspects

0:31:21.920 --> 0:31:27.520
<v Speaker 1>of of of living tradition that you know, it's it's

0:31:27.560 --> 0:31:30.760
<v Speaker 1>it's disrespectful to to to you know, to act on

0:31:30.760 --> 0:31:33.600
<v Speaker 1>this desire to collect it all and to and to

0:31:33.760 --> 0:31:35.720
<v Speaker 1>keep it all and to codify it and to put

0:31:35.720 --> 0:31:38.440
<v Speaker 1>it on a shelf. Uh that some things, you know,

0:31:38.480 --> 0:31:42.560
<v Speaker 1>still belong to the people who created them, and you

0:31:42.600 --> 0:31:44.719
<v Speaker 1>know they can share them if they want to, you know.

0:31:45.880 --> 0:31:47.880
<v Speaker 1>Uh So yeah, I can't help but be reminded of

0:31:47.920 --> 0:31:51.120
<v Speaker 1>that with this the story of of this this piece

0:31:51.160 --> 0:31:55.640
<v Speaker 1>of this individual finally being returned uh to his people,

0:31:56.120 --> 0:31:59.400
<v Speaker 1>and in doing so it kind of passes out of

0:31:59.400 --> 0:32:02.360
<v Speaker 1>of the broad order like media view, right that you're

0:32:02.360 --> 0:32:04.560
<v Speaker 1>not going to be like taking TV cameras to his

0:32:04.600 --> 0:32:07.680
<v Speaker 1>grave site or that kind of thing, because that would

0:32:07.680 --> 0:32:10.200
<v Speaker 1>just be a continuation of the same sort of energy

0:32:10.320 --> 0:32:20.400
<v Speaker 1>that he seemed very outspoken against. Well, now that we've

0:32:20.400 --> 0:32:22.720
<v Speaker 1>talked a good bit about the foibles and horrors of

0:32:22.760 --> 0:32:26.760
<v Speaker 1>relatively recent skull head and brain theft, Uh, what do

0:32:26.760 --> 0:32:29.479
<v Speaker 1>you say we go back into some some more deeper

0:32:29.560 --> 0:32:33.880
<v Speaker 1>history and mythology. Yeah, yeah, because again you know, the skull,

0:32:34.000 --> 0:32:38.560
<v Speaker 1>the head, Uh. You know, these are certainly longstanding icons,

0:32:38.640 --> 0:32:43.240
<v Speaker 1>so they've been focal points for myth making and dreaming

0:32:43.280 --> 0:32:47.479
<v Speaker 1>and anxiety, you know, throughout all the human existence, and

0:32:47.520 --> 0:32:49.720
<v Speaker 1>it's it's it's only relatively recently we've been able to

0:32:49.720 --> 0:32:53.360
<v Speaker 1>focus more on the brain as an icon. You know. Um,

0:32:53.400 --> 0:32:57.080
<v Speaker 1>you know, like if you ever encounter a ghost movie

0:32:57.160 --> 0:32:59.480
<v Speaker 1>that has like a brain based ghost, it's a little

0:32:59.480 --> 0:33:01.600
<v Speaker 1>off off putting, right, because it doesn't seem like the

0:33:01.600 --> 0:33:05.040
<v Speaker 1>ghost should be associated with the brain. The brain seems

0:33:05.040 --> 0:33:07.440
<v Speaker 1>more of a science fiction quality as opposed to something

0:33:07.440 --> 0:33:11.360
<v Speaker 1>that is more supernatural in nature. Uh So, yeah, I

0:33:11.360 --> 0:33:13.120
<v Speaker 1>guess to begin with, we should point out that folks

0:33:13.120 --> 0:33:15.280
<v Speaker 1>have been taken heads for longer than they have had

0:33:15.320 --> 0:33:18.760
<v Speaker 1>any any certainly any understanding of the brains rattling around

0:33:18.760 --> 0:33:20.800
<v Speaker 1>inside them. Uh And we don't even have to get

0:33:20.840 --> 0:33:22.680
<v Speaker 1>into all the gory details because you know, the sort

0:33:22.720 --> 0:33:24.560
<v Speaker 1>of things we're talking about, you know, heads hewn off

0:33:24.600 --> 0:33:27.560
<v Speaker 1>in battles, heads mounted on poles and pikes, lobbed with

0:33:27.600 --> 0:33:32.240
<v Speaker 1>a catapult, skulls lined up on the on shelves in catacombs,

0:33:32.240 --> 0:33:35.480
<v Speaker 1>that sort of thing. And we're also never in some cases,

0:33:35.480 --> 0:33:38.600
<v Speaker 1>we're not sure, you know, when we're dealing with something

0:33:38.600 --> 0:33:40.480
<v Speaker 1>where it's okay, is this head a trophy. Is this

0:33:40.600 --> 0:33:42.080
<v Speaker 1>some sort or of this some some sort of like

0:33:42.160 --> 0:33:45.360
<v Speaker 1>sacred funerary tradition or something in between a lot of

0:33:45.360 --> 0:33:47.320
<v Speaker 1>times we have to sort of piece together what it

0:33:47.400 --> 0:33:51.080
<v Speaker 1>actually meant. So one example, I was looking at from

0:33:51.080 --> 0:33:53.200
<v Speaker 1>the ancient world and this is this is not so

0:33:53.280 --> 0:33:55.680
<v Speaker 1>much myth here, this is actual, like you know, actual

0:33:55.840 --> 0:34:01.200
<v Speaker 1>um archaeological evidence. Uh. I was reading ritual use of

0:34:01.200 --> 0:34:05.400
<v Speaker 1>trophy heads in ancient um Nasca society and this was

0:34:05.480 --> 0:34:09.720
<v Speaker 1>by Donald A. Prue, published in Ritual Sacrifice in Ancient

0:34:09.760 --> 0:34:12.680
<v Speaker 1>Peru in two thousand and one. So the taking of

0:34:12.719 --> 0:34:15.840
<v Speaker 1>heads for ritual use has a long history in the

0:34:15.880 --> 0:34:20.680
<v Speaker 1>Central Andes from the pre Ceramic period prior to about

0:34:20.800 --> 0:34:24.839
<v Speaker 1>eighteen hundred BC and continuing through Inca times and with

0:34:24.920 --> 0:34:28.239
<v Speaker 1>the Nasca, the craftspeople uh you know, responsible for the

0:34:28.320 --> 0:34:31.360
<v Speaker 1>Nasca lines, these were created between five hundred BC and

0:34:31.400 --> 0:34:34.760
<v Speaker 1>five d C. With the Nasca, uh, they also engaged

0:34:34.840 --> 0:34:37.480
<v Speaker 1>in the taking of heads, and we see it represented

0:34:37.520 --> 0:34:42.120
<v Speaker 1>in their rich textile art, depicting warriors, shamans, mythical beings

0:34:42.120 --> 0:34:46.160
<v Speaker 1>in some cases with human heads, often on their cloaks

0:34:46.320 --> 0:34:49.799
<v Speaker 1>or in their hands. And according to Prue, over one

0:34:49.880 --> 0:34:53.120
<v Speaker 1>hundred examples remain of the Nasca mummified heads, which were

0:34:53.120 --> 0:34:55.360
<v Speaker 1>the which were first removed from the body, apparently with

0:34:55.400 --> 0:34:58.200
<v Speaker 1>an obsidian knife, and then a hole would have been

0:34:58.239 --> 0:35:01.280
<v Speaker 1>punched through the base of the skull using a club

0:35:01.440 --> 0:35:04.000
<v Speaker 1>or some sort of a tool, and then the brain

0:35:04.120 --> 0:35:08.120
<v Speaker 1>and the eyes were moved through that opening. But then

0:35:08.160 --> 0:35:11.680
<v Speaker 1>another hole, smaller hole was punched or drilled through the

0:35:11.760 --> 0:35:15.200
<v Speaker 1>forehead and this was uh apparently in order to allow

0:35:15.680 --> 0:35:19.360
<v Speaker 1>a carrying rope to be secured. The lips were pinned

0:35:19.360 --> 0:35:22.560
<v Speaker 1>with thorns and cloth was stuffed into the skull, and

0:35:22.600 --> 0:35:24.719
<v Speaker 1>so you have a preserved skull at this point. So

0:35:24.760 --> 0:35:27.480
<v Speaker 1>you said these were believed to be for ritual use.

0:35:27.640 --> 0:35:30.400
<v Speaker 1>It was the thought that they would be like displayed somewhere,

0:35:30.520 --> 0:35:33.319
<v Speaker 1>or that they would be like carried in a ceremony.

0:35:33.760 --> 0:35:36.239
<v Speaker 1>This is where it all gets really interesting, and this

0:35:36.280 --> 0:35:39.080
<v Speaker 1>is where that where a lot of authors have and

0:35:39.120 --> 0:35:41.560
<v Speaker 1>a lot of scientists have have really chimed in with

0:35:41.600 --> 0:35:44.360
<v Speaker 1>different views. But you know, it looks it's easy to

0:35:44.400 --> 0:35:46.360
<v Speaker 1>look at something like this and think of it just

0:35:46.400 --> 0:35:49.680
<v Speaker 1>as trophy taking, right, like the just the trophy taking

0:35:49.680 --> 0:35:51.560
<v Speaker 1>of a war like people. And indeed war was an

0:35:51.560 --> 0:35:55.319
<v Speaker 1>important part of their culture, but the reality seems to

0:35:55.360 --> 0:35:59.719
<v Speaker 1>have been ultimately far more complicated substitute head jars where

0:35:59.760 --> 0:36:02.160
<v Speaker 1>something times were found to be buried with the bodies,

0:36:02.600 --> 0:36:06.000
<v Speaker 1>and the actual heads were not merely symbols of victory,

0:36:06.080 --> 0:36:11.439
<v Speaker 1>but they were used in shamatic rituals, perhaps entailing hallucinogenics

0:36:11.440 --> 0:36:14.359
<v Speaker 1>as a means of communing with the spirit realm and

0:36:14.600 --> 0:36:19.240
<v Speaker 1>according to pro quote, propagating and controlling the forces of nature,

0:36:19.600 --> 0:36:23.640
<v Speaker 1>especially so far as natural resources are concerned. Now, apparently

0:36:23.680 --> 0:36:26.360
<v Speaker 1>some have argued that these were not trophy heads but

0:36:26.360 --> 0:36:29.120
<v Speaker 1>the heads of honored ancestors, but pro dis disputes this.

0:36:29.239 --> 0:36:32.920
<v Speaker 1>He he defines them instead as quote trophies of warfare

0:36:32.960 --> 0:36:36.680
<v Speaker 1>collected for ritual purposes. So that that's that's interesting because

0:36:36.680 --> 0:36:40.319
<v Speaker 1>it seems to I think to a lot of modern minds,

0:36:40.120 --> 0:36:42.160
<v Speaker 1>it seems to be it seems sounds like a mashup

0:36:42.160 --> 0:36:44.839
<v Speaker 1>of two different ideas, like you're taking the head of

0:36:44.920 --> 0:36:48.040
<v Speaker 1>your your enemy off of their dead body, but isn't

0:36:48.160 --> 0:36:50.160
<v Speaker 1>but you're probably doing that as like a trophy or

0:36:50.160 --> 0:36:52.680
<v Speaker 1>a sign of disrespect. You know. We often think of that,

0:36:53.200 --> 0:36:56.240
<v Speaker 1>um I think of the key and peel skit, where

0:36:56.840 --> 0:37:01.439
<v Speaker 1>one like uh, barbarian beheads and other and then goes

0:37:01.440 --> 0:37:03.960
<v Speaker 1>through all these various sort of comedic acts with the

0:37:04.000 --> 0:37:06.520
<v Speaker 1>head to see what How the rest of the tribe responds,

0:37:06.760 --> 0:37:09.000
<v Speaker 1>I know, that's what does he do? He uh, he

0:37:09.160 --> 0:37:12.759
<v Speaker 1>like puts little shoes under it and makes it walk. Yeah,

0:37:12.880 --> 0:37:15.760
<v Speaker 1>and like that's that's a big hit. But he also

0:37:15.880 --> 0:37:17.719
<v Speaker 1>like does things like pretend to give birth to the

0:37:17.719 --> 0:37:24.759
<v Speaker 1>head and like that just doesn't don't want to like it. Yeah,

0:37:24.840 --> 0:37:26.360
<v Speaker 1>But it's the kind of thing where like when we

0:37:26.400 --> 0:37:28.640
<v Speaker 1>think about head taking, we think of stuff like that.

0:37:28.719 --> 0:37:32.759
<v Speaker 1>We think of like something barbaric and trophy oriented. But

0:37:32.880 --> 0:37:35.920
<v Speaker 1>in this case it seems like it wasn't bad or

0:37:35.920 --> 0:37:38.000
<v Speaker 1>it wasn't purely that it was. It was also this

0:37:38.080 --> 0:37:41.400
<v Speaker 1>idea of what you need this head, This head is

0:37:41.440 --> 0:37:46.880
<v Speaker 1>necessary for various religious purposes, a way of a means

0:37:46.920 --> 0:37:50.239
<v Speaker 1>of communing with the spirit realm um. Now, as for

0:37:50.280 --> 0:37:52.640
<v Speaker 1>the brain, it seems like the brain was was discarded.

0:37:52.680 --> 0:37:54.359
<v Speaker 1>That would have been again, that would have been part

0:37:54.400 --> 0:37:56.960
<v Speaker 1>of like that first act of punching through the back

0:37:56.960 --> 0:37:59.800
<v Speaker 1>of the skull to remove the eyes and the brain. Uh.

0:38:00.000 --> 0:38:01.920
<v Speaker 1>Probably going back to the reality we talked about before,

0:38:01.920 --> 0:38:05.799
<v Speaker 1>where the brain uh rots rather rather quickly, and that's

0:38:05.800 --> 0:38:07.239
<v Speaker 1>going to be one of the first things you're gonna

0:38:07.239 --> 0:38:10.360
<v Speaker 1>want to remove now. This also reminds me of the

0:38:10.400 --> 0:38:14.399
<v Speaker 1>mummified heads of the Kocoum dynasty of the Maya, which

0:38:14.400 --> 0:38:16.880
<v Speaker 1>were kept and preserved because they were said to contain

0:38:16.920 --> 0:38:21.040
<v Speaker 1>the voices of their ancestors, again a means of communicating

0:38:21.040 --> 0:38:24.319
<v Speaker 1>with spirits and or the dead. This is interesting to

0:38:24.400 --> 0:38:27.279
<v Speaker 1>compare to remember what we talked about in the first

0:38:27.280 --> 0:38:32.520
<v Speaker 1>episode about the plastered heads of Chattelhyuk in southern Turkey,

0:38:32.640 --> 0:38:35.520
<v Speaker 1>which you know from this Stone Age settlement, there were

0:38:35.560 --> 0:38:39.120
<v Speaker 1>often heads of ancestors that were kept in some kind

0:38:39.120 --> 0:38:43.200
<v Speaker 1>of preserved form, apparently within the home. Yeah, and during

0:38:43.239 --> 0:38:46.080
<v Speaker 1>the mid first millennium BC there were there were various

0:38:46.080 --> 0:38:48.799
<v Speaker 1>accounts of the use of human heads in acts of

0:38:48.800 --> 0:38:54.600
<v Speaker 1>of of communion, necromancy, divination across the Mediterranean. We see

0:38:54.600 --> 0:38:58.239
<v Speaker 1>it mentioned in the accounts of Herodotus. In Aristotle, um

0:38:58.840 --> 0:39:01.520
<v Speaker 1>uh Cleomnis of the first of Sparta is said to

0:39:01.600 --> 0:39:04.719
<v Speaker 1>have consulted with the head of his friend our quantities

0:39:05.040 --> 0:39:11.040
<v Speaker 1>on all major decisions ahead, which he kept preserved in honey, honey, Yeah,

0:39:11.239 --> 0:39:13.800
<v Speaker 1>that's good, and so you know. Of course, when we

0:39:14.080 --> 0:39:16.799
<v Speaker 1>deal with accounts like this, we're we're beginning to at

0:39:17.239 --> 0:39:20.160
<v Speaker 1>least beginning to transfer into the realm of myth and

0:39:20.280 --> 0:39:25.000
<v Speaker 1>lore and legend, where we we become less sure about

0:39:25.080 --> 0:39:28.640
<v Speaker 1>what is actually going on, because then there is this

0:39:28.760 --> 0:39:34.520
<v Speaker 1>broader realm of just stories about disembodied heads that still

0:39:34.600 --> 0:39:37.160
<v Speaker 1>have life in them, that can speak, that can fly,

0:39:37.520 --> 0:39:42.120
<v Speaker 1>that can terrorize, that can give you know, important advice

0:39:42.200 --> 0:39:45.680
<v Speaker 1>to the living, etcetera. I think one of the coolest

0:39:45.719 --> 0:39:48.120
<v Speaker 1>of these that uh, that folks may have heard of

0:39:48.640 --> 0:39:53.319
<v Speaker 1>is is the myth of of Memir uh in Norse mythology.

0:39:54.360 --> 0:39:57.040
<v Speaker 1>Uh So, this Memir was one of the Jiltons in

0:39:57.120 --> 0:39:59.719
<v Speaker 1>Norse mythology, one of the frost giants, and he was

0:39:59.719 --> 0:40:03.440
<v Speaker 1>the ardian of the well of inspiration and wisdom at

0:40:03.480 --> 0:40:06.879
<v Speaker 1>the roots of the world tree, and Odin would come

0:40:06.920 --> 0:40:09.239
<v Speaker 1>to to drink from the well, and member would make

0:40:09.280 --> 0:40:12.440
<v Speaker 1>him leave an eye and payment. And then Memor was

0:40:12.480 --> 0:40:16.320
<v Speaker 1>held hostage in in battle by the Vanier during the

0:40:16.320 --> 0:40:19.960
<v Speaker 1>the Aser Vanier War, and they beheaded him, but Odin,

0:40:20.320 --> 0:40:22.399
<v Speaker 1>since he liked the guy, you know, retrieved his head

0:40:22.440 --> 0:40:25.000
<v Speaker 1>and kept it alive with magic herbs so that the

0:40:25.040 --> 0:40:27.640
<v Speaker 1>head could continue to give counsel to the King of

0:40:27.680 --> 0:40:32.680
<v Speaker 1>the gods. And so you'll see uh, some wonderful illustrations

0:40:32.680 --> 0:40:35.759
<v Speaker 1>of this, both old and then recent, where there's like

0:40:35.840 --> 0:40:38.560
<v Speaker 1>this of some cases, is like a zombie head that

0:40:38.680 --> 0:40:42.640
<v Speaker 1>Odin is is holding that he is, uh, that is

0:40:42.680 --> 0:40:46.760
<v Speaker 1>his advisor. Yeah, you've attached one here where Odin is

0:40:46.760 --> 0:40:49.719
<v Speaker 1>is leaning his head over on the severed head like

0:40:49.760 --> 0:40:52.760
<v Speaker 1>he's almost kind of snuggling with it. Of course Odin

0:40:52.920 --> 0:40:55.720
<v Speaker 1>is missing one eye as usual, and uh, and there's

0:40:55.760 --> 0:40:57.800
<v Speaker 1>just fire coming out of the thing's mouth or I

0:40:57.800 --> 0:40:59.400
<v Speaker 1>don't know, it looks like he's got like a star

0:40:59.600 --> 0:41:03.759
<v Speaker 1>in at the back of his throat. Yes. Um. In

0:41:03.880 --> 0:41:07.280
<v Speaker 1>terms of heads that give advice like this, there's also

0:41:07.520 --> 0:41:11.880
<v Speaker 1>an Arabian Nights story of of King Yunnan and the

0:41:11.960 --> 0:41:14.880
<v Speaker 1>Duban and Duban the sage and the stage in question.

0:41:14.960 --> 0:41:17.400
<v Speaker 1>At least in some variations of this tale, continues to

0:41:17.440 --> 0:41:20.480
<v Speaker 1>speak after it has been removed from its body. Now

0:41:20.520 --> 0:41:24.359
<v Speaker 1>I'm gonna get into some other examples. Uh here, Uh,

0:41:24.400 --> 0:41:29.239
<v Speaker 1>you know of of of disembodied heads of decapitation in

0:41:29.440 --> 0:41:32.600
<v Speaker 1>mythology that are that are pretty interesting. One that I

0:41:32.640 --> 0:41:37.960
<v Speaker 1>found really fascinating is the self decapitating nude goddess of Hinduism. Uh.

0:41:38.000 --> 0:41:42.440
<v Speaker 1>That is that is known as China Masta, and that

0:41:42.520 --> 0:41:46.279
<v Speaker 1>just means she's she whose head is severed, and she's

0:41:46.280 --> 0:41:49.839
<v Speaker 1>typically depicted red fleshed and holding a scimitar in one

0:41:49.920 --> 0:41:53.160
<v Speaker 1>hand and her own head in the other as blood

0:41:53.280 --> 0:41:56.319
<v Speaker 1>fountains from the stump of her neck, which and in

0:41:56.360 --> 0:42:00.560
<v Speaker 1>some cases is then consumed by her thirsty skeletal tendance.

0:42:01.080 --> 0:42:04.440
<v Speaker 1>And then she is usually stand depicted standing on top

0:42:04.520 --> 0:42:08.680
<v Speaker 1>of a copulating human couple. Uh. So it's it's an

0:42:08.800 --> 0:42:12.960
<v Speaker 1>instantly um captivating image. She's one of the tin goddesses

0:42:13.000 --> 0:42:15.720
<v Speaker 1>of the esoteric tradition of Tantra, and she's a slayer

0:42:15.760 --> 0:42:19.959
<v Speaker 1>of demons. So she's a highly uh symbolic deity. There's

0:42:19.960 --> 0:42:22.759
<v Speaker 1>the sense of the transcendence of the body free of

0:42:22.800 --> 0:42:24.920
<v Speaker 1>the mind, you know, the body, the mind has clearly

0:42:24.960 --> 0:42:28.760
<v Speaker 1>literally been removed from the physical form. She's a symbol

0:42:28.760 --> 0:42:33.200
<v Speaker 1>of sacrifice and ferocity. Yeah, this image rey is amazing. Yeah,

0:42:33.239 --> 0:42:36.759
<v Speaker 1>it probably goes without saying, but this in particular, though,

0:42:36.800 --> 0:42:39.120
<v Speaker 1>this goes for a lot of Hindu iconography. This is

0:42:39.160 --> 0:42:41.560
<v Speaker 1>an image that's caught the interest of various Westerns, so

0:42:41.600 --> 0:42:44.640
<v Speaker 1>you'll sometimes see it depicted by Western artists or adopted

0:42:44.680 --> 0:42:49.280
<v Speaker 1>by death metal bands, etcetera. Right, man, the death metal bands,

0:42:49.280 --> 0:42:52.439
<v Speaker 1>they just they just snatch up everything. Cool. Yeah. Yeah.

0:42:52.520 --> 0:42:55.600
<v Speaker 1>If it's you know, it hits a certain vibe for them,

0:42:55.640 --> 0:42:58.600
<v Speaker 1>they'll they'll, they'll take it. Uh. So they're at least

0:42:58.600 --> 0:43:02.080
<v Speaker 1>a couple of speaking as associated with tellings and retellings

0:43:02.080 --> 0:43:05.840
<v Speaker 1>of the Mahabarata, the Hindu epic heads placed on polls

0:43:05.880 --> 0:43:09.120
<v Speaker 1>after being sacrificed or having their body sacrifice in order

0:43:09.160 --> 0:43:11.919
<v Speaker 1>to watch the battle. And I was reading a little

0:43:11.920 --> 0:43:15.880
<v Speaker 1>bit about this from author and mythologist dev Dute uh

0:43:16.320 --> 0:43:19.360
<v Speaker 1>pan Nick, who has a whole page about these tales

0:43:19.480 --> 0:43:22.680
<v Speaker 1>at his mythology website uh devdut dot com. It's d

0:43:22.760 --> 0:43:26.440
<v Speaker 1>e V d u t t dot com. Uh. He

0:43:26.480 --> 0:43:29.880
<v Speaker 1>writes that these tales are often about perspective. Quote. The

0:43:29.960 --> 0:43:33.080
<v Speaker 1>talking head is thus a symbol for a less confined,

0:43:33.239 --> 0:43:36.040
<v Speaker 1>more global perspective on things. All of us see the

0:43:36.080 --> 0:43:39.200
<v Speaker 1>world from our individual point of view, limited by our prejudices,

0:43:39.400 --> 0:43:43.440
<v Speaker 1>our expectations, and our experiences. The talking head sees it

0:43:43.480 --> 0:43:47.280
<v Speaker 1>from an alternative angle and when he voices his opinions,

0:43:47.320 --> 0:43:49.960
<v Speaker 1>we see the world quite differently. When he speaks, we

0:43:50.000 --> 0:43:54.400
<v Speaker 1>realize the Pandavas and the Kavas are are tiny elements

0:43:54.400 --> 0:43:57.840
<v Speaker 1>of God's greater canvas. The Mahabarata is not just about

0:43:57.840 --> 0:44:02.480
<v Speaker 1>one kingdom. It is about cosmic order. Now that's not

0:44:02.560 --> 0:44:07.120
<v Speaker 1>to say there aren't just monster heads too in Hindu iconography. Uh,

0:44:07.160 --> 0:44:11.359
<v Speaker 1>there's a really cool example, uh named Kurta Muka, or

0:44:11.440 --> 0:44:14.400
<v Speaker 1>the head of Glory as it's often referred to. And

0:44:14.440 --> 0:44:17.600
<v Speaker 1>this is a monstrous flying head in Hindu mythology that

0:44:17.640 --> 0:44:21.000
<v Speaker 1>seems to be similar in many ways to the Gorgonian

0:44:21.080 --> 0:44:23.279
<v Speaker 1>head of the Greek tradition that we discussed in our

0:44:23.320 --> 0:44:28.800
<v Speaker 1>Medusa episodes. So, according to Carol Rose, the folklore is

0:44:29.520 --> 0:44:33.680
<v Speaker 1>when Shiva was told that he was unworthy of marrying Parvati.

0:44:34.080 --> 0:44:37.759
<v Speaker 1>In his rage, his experiences such rage that a monstrous

0:44:37.840 --> 0:44:41.799
<v Speaker 1>lion springs from his head and then it attacks Shiva,

0:44:41.920 --> 0:44:44.640
<v Speaker 1>and he commands that, no, we're not doing that, uh,

0:44:44.800 --> 0:44:49.080
<v Speaker 1>eat yourself instead, And so this monster consumes its own body,

0:44:49.200 --> 0:44:52.960
<v Speaker 1>leaving only its entrails, which then turned to pearls, and

0:44:53.000 --> 0:44:56.200
<v Speaker 1>so that leaves only the head. So Shiva then commands

0:44:56.760 --> 0:44:59.840
<v Speaker 1>uh Kurta Muka to serve as the guardian of entrance.

0:45:00.080 --> 0:45:03.000
<v Speaker 1>And so you see this head, this head of glory

0:45:03.480 --> 0:45:06.520
<v Speaker 1>uh in um, you know, above the door or around

0:45:06.520 --> 0:45:10.720
<v Speaker 1>the door of in in many different examples of Hindu

0:45:10.840 --> 0:45:15.279
<v Speaker 1>architecture from India and from other countries. You know, this

0:45:15.360 --> 0:45:17.960
<v Speaker 1>is interesting because you brought it up and I somehow

0:45:18.080 --> 0:45:20.759
<v Speaker 1>did not think about it. But from Greek mythology, you know,

0:45:20.800 --> 0:45:24.680
<v Speaker 1>we did the episode last year about about Medusa. That's

0:45:24.680 --> 0:45:27.920
<v Speaker 1>of course the case of a stolen head in mythology,

0:45:28.000 --> 0:45:30.680
<v Speaker 1>or the head is severed like he takes it and

0:45:30.800 --> 0:45:34.920
<v Speaker 1>uses it as a tool. Yeah, it becomes a weapon,

0:45:35.280 --> 0:45:38.240
<v Speaker 1>not so much a means of communicating with anything, but

0:45:38.239 --> 0:45:41.480
<v Speaker 1>but this this weapon, this symbol, and and here we

0:45:41.480 --> 0:45:44.360
<v Speaker 1>see another tradition. Now I've not read anything that that

0:45:44.520 --> 0:45:47.319
<v Speaker 1>links the two in any respect. You know, let's just

0:45:47.360 --> 0:45:49.800
<v Speaker 1>say that like one inspired the other anything of that nature.

0:45:49.800 --> 0:45:52.960
<v Speaker 1>But clearly they're getting it similar ideas. The idea of

0:45:53.000 --> 0:45:57.799
<v Speaker 1>this um, this terrifying head uh and or face that

0:45:58.000 --> 0:46:00.719
<v Speaker 1>stares out from a work as a as a way

0:46:00.719 --> 0:46:04.640
<v Speaker 1>of warning those who would who would trespass. Now I

0:46:04.680 --> 0:46:07.680
<v Speaker 1>should know that looking around though sometimes it appears to

0:46:07.680 --> 0:46:09.800
<v Speaker 1>have arms, so I don't know if that it gains

0:46:09.920 --> 0:46:12.440
<v Speaker 1>arms later or arms just end up popping back up

0:46:12.480 --> 0:46:17.000
<v Speaker 1>in the iconography. But there you go. Another entity we've

0:46:17.000 --> 0:46:19.759
<v Speaker 1>talked about before in the show is Rahu in hin Hinduism,

0:46:19.800 --> 0:46:23.000
<v Speaker 1>the eclipse entity. Uh you know this is the you

0:46:23.000 --> 0:46:25.440
<v Speaker 1>know once was a proud oshera demi god of immense

0:46:25.480 --> 0:46:29.480
<v Speaker 1>power and hunger and seeking immortality. It drinks the divine nectar,

0:46:30.040 --> 0:46:33.400
<v Speaker 1>but before this drop can pass his throat, he's swallowing

0:46:33.440 --> 0:46:39.080
<v Speaker 1>it mid swallow. Vishnu decapitates him for his transgression and yeah,

0:46:39.080 --> 0:46:43.160
<v Speaker 1>and this ends up translating into this um this eclipse

0:46:43.200 --> 0:46:46.520
<v Speaker 1>mythology where the head of Rajo attempts to consume the

0:46:46.560 --> 0:46:49.240
<v Speaker 1>sun or does consume the sun, but then it passes

0:46:49.239 --> 0:46:51.160
<v Speaker 1>out of the next stump. I think we talked about

0:46:51.200 --> 0:46:52.920
<v Speaker 1>this in one of the first episodes of Stuff to

0:46:52.960 --> 0:46:56.080
<v Speaker 1>Blow Your Mind. I ever did the one on the eclipse. Yeah, yeah,

0:46:56.120 --> 0:46:59.920
<v Speaker 1>I think so. Another example is uh Braun the Blessed

0:47:00.040 --> 0:47:03.040
<v Speaker 1>in Welsh mythology. The giant king who mortally wounded in

0:47:03.080 --> 0:47:05.480
<v Speaker 1>battle had his followers cut off his head so that

0:47:05.480 --> 0:47:08.200
<v Speaker 1>it could be returned to Britain. One day and for

0:47:08.239 --> 0:47:11.320
<v Speaker 1>a long time this head was said to speak before

0:47:11.360 --> 0:47:14.160
<v Speaker 1>it grew silent, and the story goes that the silent

0:47:14.200 --> 0:47:17.160
<v Speaker 1>head was finally taken to White Hill. Uh. This is

0:47:17.200 --> 0:47:19.399
<v Speaker 1>where the Tower of London, they say would one day

0:47:19.400 --> 0:47:22.600
<v Speaker 1>be built, and they buried it there facing France to

0:47:22.719 --> 0:47:27.400
<v Speaker 1>ward off the enemy. And this supposedly ties into the UH.

0:47:27.600 --> 0:47:30.880
<v Speaker 1>The The Celtic cult of of the head also reflected

0:47:30.920 --> 0:47:33.560
<v Speaker 1>in the Tale of the Green Knight. Uh. We're in

0:47:33.680 --> 0:47:36.480
<v Speaker 1>in the Green Night. The Green Knight comes into Arthur's

0:47:36.520 --> 0:47:38.920
<v Speaker 1>court and challenges someone to cut off his head. But

0:47:38.960 --> 0:47:40.600
<v Speaker 1>then when they do, he just picks it up and

0:47:40.600 --> 0:47:42.239
<v Speaker 1>he's like, no, I'm fine now I get to cut

0:47:42.280 --> 0:47:45.000
<v Speaker 1>off your head, but I'll do it a year from now. Yeah.

0:47:45.080 --> 0:47:48.960
<v Speaker 1>The the decapitation battle is another motif or contest. You

0:47:49.000 --> 0:47:51.480
<v Speaker 1>see that, uh in a lot of legends from this

0:47:51.520 --> 0:47:54.480
<v Speaker 1>part of the world, and it's interesting, you know. Um.

0:47:54.920 --> 0:47:58.360
<v Speaker 1>Terry Jones of Monty Python, of course, was very steeped

0:47:58.440 --> 0:48:01.319
<v Speaker 1>in UH in this sort of lore, and he was

0:48:01.360 --> 0:48:03.640
<v Speaker 1>one of the author one of the writers for the

0:48:03.680 --> 0:48:09.040
<v Speaker 1>screenplay for Labyrinth, and Labyrinth features those wonderful fiery red

0:48:09.120 --> 0:48:14.200
<v Speaker 1>creatures that attempt to engage in a decapitation contest with

0:48:14.440 --> 0:48:18.200
<v Speaker 1>our our heroine Sarah. Do you remember them where they're

0:48:18.239 --> 0:48:20.680
<v Speaker 1>like where they get mad at her because you're only

0:48:20.680 --> 0:48:23.040
<v Speaker 1>You're not supposed to take someone else's head. No one's

0:48:23.040 --> 0:48:26.040
<v Speaker 1>supposed to take your own head off this this reminds

0:48:26.080 --> 0:48:28.680
<v Speaker 1>me of of the head swapping scene and teams in

0:48:28.719 --> 0:48:31.560
<v Speaker 1>the universe. Oh yeah, yeah, exactly. I mean this sort

0:48:31.560 --> 0:48:35.359
<v Speaker 1>of thing, head swapping, decapitated heads living on You see

0:48:35.360 --> 0:48:39.440
<v Speaker 1>it just everywhere. Um for instance, here, here's some other examples.

0:48:39.680 --> 0:48:43.320
<v Speaker 1>In Maya mythology, you have head Appo who was tripped

0:48:43.360 --> 0:48:46.919
<v Speaker 1>by the lords of the underworld, and his decapitated head

0:48:47.000 --> 0:48:49.359
<v Speaker 1>was that hung as a trophy from a giant tree.

0:48:49.840 --> 0:48:52.600
<v Speaker 1>But then this head later spits into a woman's hand

0:48:53.000 --> 0:48:56.680
<v Speaker 1>and in doing so, impregnates her with the Maya hero twins,

0:48:56.680 --> 0:49:00.000
<v Speaker 1>who would go on to have various adventures. We've already

0:49:00.040 --> 0:49:03.160
<v Speaker 1>touched on in the previous episode. We've touched on Orpheus

0:49:03.239 --> 0:49:06.000
<v Speaker 1>is Singing Head and Greek mythology. Oh yeah, and the

0:49:06.040 --> 0:49:09.200
<v Speaker 1>possible symbolic connection to the box made for Hyde and

0:49:09.320 --> 0:49:13.000
<v Speaker 1>Skull with the liar Yeah uh. In the Trial of

0:49:13.040 --> 0:49:15.759
<v Speaker 1>the Knights, Templars One of the charges was that they

0:49:15.760 --> 0:49:19.400
<v Speaker 1>worshiped an entity called Bahammet that was sometimes described as

0:49:19.440 --> 0:49:22.280
<v Speaker 1>a severed head. And then oh, you have some wonderful

0:49:22.320 --> 0:49:26.320
<v Speaker 1>monsters as well. Um, there's the Kara Sioux in the

0:49:26.640 --> 0:49:29.120
<v Speaker 1>Southeast day. It's the Southeast Asian spirit that takes the

0:49:29.160 --> 0:49:32.360
<v Speaker 1>form of a beautiful woman's head with her organs dangling

0:49:32.400 --> 0:49:35.400
<v Speaker 1>below her neck so it floats it close and it

0:49:35.440 --> 0:49:38.400
<v Speaker 1>seems to essentially be another variation of the willow the

0:49:38.400 --> 0:49:41.759
<v Speaker 1>Whisp tradition. Uh that is held around the world and

0:49:41.760 --> 0:49:44.800
<v Speaker 1>that we devoted a big episode two in the past.

0:49:45.640 --> 0:49:48.160
<v Speaker 1>So she cannot what she like, glows and leads people

0:49:48.160 --> 0:49:51.840
<v Speaker 1>off the path. I believe, so yes, um, and there's that.

0:49:51.880 --> 0:49:55.960
<v Speaker 1>There's actually a Indonesian horror movie titled Mystics in Bali

0:49:56.080 --> 0:49:59.200
<v Speaker 1>that looks pretty interesting because it features the Kara su

0:49:59.360 --> 0:50:01.400
<v Speaker 1>I included a screenshot here for you, Joe and for

0:50:01.640 --> 0:50:04.000
<v Speaker 1>a movie trailer for you to check out later. Oh yeah,

0:50:04.040 --> 0:50:06.520
<v Speaker 1>I gotta I gotta see that. That looks great now.

0:50:06.560 --> 0:50:10.439
<v Speaker 1>The melee version of this is the the Panteonic, which

0:50:10.480 --> 0:50:14.080
<v Speaker 1>functions like a vampire, only it prays exclusively on babies

0:50:14.120 --> 0:50:18.040
<v Speaker 1>and infants. Then there's also the Japanese uh nuki kubi,

0:50:18.160 --> 0:50:20.560
<v Speaker 1>which is a type of yokai and Japanese traditions. It's

0:50:20.600 --> 0:50:23.480
<v Speaker 1>humanoid in form, but it can separate its head from

0:50:23.480 --> 0:50:26.360
<v Speaker 1>its body and this can float free to work mischief.

0:50:26.360 --> 0:50:29.400
<v Speaker 1>It's just one of one of various examples of disembodied

0:50:29.440 --> 0:50:32.880
<v Speaker 1>heads that you'll find in Japanese lore, and then in

0:50:33.080 --> 0:50:36.319
<v Speaker 1>um uh the native peoples of the Americas, you find

0:50:36.360 --> 0:50:40.120
<v Speaker 1>some other interesting traditions as well. Uh. The flying head

0:50:40.160 --> 0:50:44.480
<v Speaker 1>of the Iroquois and the one dot mythology. This is

0:50:44.600 --> 0:50:47.160
<v Speaker 1>a great flying head sometimes with bat wings on each

0:50:47.239 --> 0:50:50.320
<v Speaker 1>side of its head, with long hair and terrible eyes.

0:50:51.360 --> 0:50:55.799
<v Speaker 1>Carol Rose writes about these in her book on Monsters. Uh.

0:50:56.080 --> 0:50:58.440
<v Speaker 1>She said that this was an entire class of monsters

0:50:58.440 --> 0:51:01.480
<v Speaker 1>in the folklore of the Iroquois, huge ugly heads with

0:51:01.560 --> 0:51:05.680
<v Speaker 1>eyes of fire, dripping fangs, and huge wings instead of ears.

0:51:06.040 --> 0:51:09.560
<v Speaker 1>They fly through storm winds with wild hair, uh, you know,

0:51:09.600 --> 0:51:11.960
<v Speaker 1>helping to keep them afloat and kind of floating around them.

0:51:12.160 --> 0:51:15.360
<v Speaker 1>They prey on villagers and animals alike, and their teeth

0:51:15.360 --> 0:51:18.400
<v Speaker 1>they're like it sounds like they were kind of like

0:51:18.400 --> 0:51:20.719
<v Speaker 1>like a cage if their if their teeth or their

0:51:20.800 --> 0:51:24.560
<v Speaker 1>jaws close over you. There's no escape. But there's a

0:51:24.600 --> 0:51:27.360
<v Speaker 1>tail apparently of an old woman who is roasting some

0:51:27.440 --> 0:51:31.040
<v Speaker 1>chestnuts over the fire, and then she brings a fiery

0:51:31.080 --> 0:51:34.160
<v Speaker 1>coal back from the fire with her to keep her warm,

0:51:34.239 --> 0:51:37.960
<v Speaker 1>and then here comes the flying head and it it

0:51:38.080 --> 0:51:41.359
<v Speaker 1>gobbles her up, chestnuts and all, but then it has

0:51:41.400 --> 0:51:43.920
<v Speaker 1>to spit her out because of the fiery coal, and

0:51:43.960 --> 0:51:47.480
<v Speaker 1>then that coal burns the monster up from the inside out. Oh.

0:51:47.600 --> 0:51:49.879
<v Speaker 1>I love when the story is a trick like that. Yeah,

0:51:50.000 --> 0:51:52.680
<v Speaker 1>especially when it's like an old lady who gets gets

0:51:52.680 --> 0:51:56.400
<v Speaker 1>the wind over the monster. That's always nice, not not

0:51:56.520 --> 0:52:01.080
<v Speaker 1>your traditional young, dashing male slayer. Yeah. So so that's

0:52:01.080 --> 0:52:05.120
<v Speaker 1>just an example of some of the myths and legends

0:52:05.200 --> 0:52:08.840
<v Speaker 1>and folklore tales you'll find just throughout the world. I

0:52:09.120 --> 0:52:10.960
<v Speaker 1>know there's some wonderful ones that I didn't touch on,

0:52:11.000 --> 0:52:12.920
<v Speaker 1>and certainly i'd love to hear from anyone out there

0:52:12.920 --> 0:52:14.279
<v Speaker 1>if you have a really good one, if you have

0:52:14.320 --> 0:52:16.960
<v Speaker 1>a favorite, uh, we would love to to hear it

0:52:17.080 --> 0:52:19.640
<v Speaker 1>and then potentially share it back with everybody else in

0:52:19.640 --> 0:52:22.320
<v Speaker 1>a listener mail episode. But I think just this selection

0:52:22.600 --> 0:52:25.600
<v Speaker 1>gives you a certain taste of what out what's out there?

0:52:25.680 --> 0:52:30.280
<v Speaker 1>You know, these various imaginative contemplations on like what happens

0:52:30.280 --> 0:52:33.160
<v Speaker 1>if the head lives and the body dies, what happens

0:52:33.160 --> 0:52:36.239
<v Speaker 1>if the body decapitates itself. Like, there's just it's just

0:52:36.320 --> 0:52:42.480
<v Speaker 1>such rich grounds for contemplation regarding identity and mortality and

0:52:42.560 --> 0:52:44.880
<v Speaker 1>just so much. It seems like a lot of times

0:52:44.920 --> 0:52:48.359
<v Speaker 1>disembodied heads are angry. Yeah, well, you know a lot

0:52:48.400 --> 0:52:50.200
<v Speaker 1>of times I guess they do have something to be

0:52:50.280 --> 0:52:53.680
<v Speaker 1>angry about. But but then sometimes their jovial um. You know,

0:52:53.719 --> 0:52:56.600
<v Speaker 1>there's some of those examples from the from tellings of

0:52:56.600 --> 0:52:59.399
<v Speaker 1>the Mahabarata I was reading, like they're laughing, like their laughing,

0:52:59.480 --> 0:53:04.359
<v Speaker 1>there's one I think their laughterre distracts Archina during the battle, um,

0:53:04.400 --> 0:53:06.719
<v Speaker 1>you know, and there's a sense of like being free

0:53:06.760 --> 0:53:11.600
<v Speaker 1>from the body. Um. I'm also reminded of the heads

0:53:11.600 --> 0:53:15.000
<v Speaker 1>that show up in Miyazaki Spirited Away, the three heads

0:53:15.000 --> 0:53:17.279
<v Speaker 1>that kind of roll around and bumble, and they don't

0:53:17.440 --> 0:53:20.480
<v Speaker 1>have much personality to them, and I don't really know

0:53:20.520 --> 0:53:22.160
<v Speaker 1>what they're doing and what they're there for, but they

0:53:22.160 --> 0:53:26.319
<v Speaker 1>don't seem distressed. They say, maybe perpetually alarmed, but uh,

0:53:26.360 --> 0:53:29.719
<v Speaker 1>that's about it. That's good stuff. All right. Well, we're

0:53:29.719 --> 0:53:33.000
<v Speaker 1>gonna go ahead and uh close this episode out, but yeah,

0:53:33.040 --> 0:53:35.040
<v Speaker 1>we'd love to hear from everybody out there. Any any

0:53:35.040 --> 0:53:41.040
<v Speaker 1>other examples of flying heads and self decapitating spirits, other

0:53:41.080 --> 0:53:44.720
<v Speaker 1>examples of brain and head preservation. Have you been taken

0:53:44.719 --> 0:53:48.160
<v Speaker 1>by a particular specimen of brain or head at a museum?

0:53:48.239 --> 0:53:50.560
<v Speaker 1>We would love to hear from you all about it.

0:53:50.920 --> 0:53:52.359
<v Speaker 1>In the meantime, if you want to check out other

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<v Speaker 1>episodes of Stuff to Blow Your Mind, you can find

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0:53:59.000 --> 0:54:02.200
<v Speaker 1>and subscribe. Huge thanks as always to our excellent audio

0:54:02.239 --> 0:54:04.640
<v Speaker 1>producer Seth Nicholas Johnson. If you would like to get

0:54:04.680 --> 0:54:06.800
<v Speaker 1>in touch with us with feedback on this episode or

0:54:06.800 --> 0:54:08.960
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0:54:09.040 --> 0:54:11.799
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0:54:11.840 --> 0:54:21.719
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