1 00:00:03,920 --> 00:00:11,319 Speaker 1: It's that time, time, time, time, luck and load. The 2 00:00:11,520 --> 00:00:13,920 Speaker 1: Michael Very Show is on the air. 3 00:00:32,760 --> 00:00:45,560 Speaker 2: Wouldn't it be nice if we could go back back 4 00:00:45,560 --> 00:00:48,560 Speaker 2: to when music felt like a dream, back to when 5 00:00:48,600 --> 00:00:51,400 Speaker 2: Brian Wilson first tuned his soul to the sound of 6 00:00:51,440 --> 00:01:14,520 Speaker 2: the sea. If Brian Wilson didn't just write songs, he 7 00:01:14,600 --> 00:01:20,280 Speaker 2: built cathedrals out of sound. He took a surfboard, a heartbreak, 8 00:01:20,840 --> 00:01:24,480 Speaker 2: and a piano and made something holy. 9 00:01:25,000 --> 00:01:41,960 Speaker 3: Fizo Godmzys's young man. 10 00:01:42,520 --> 00:01:47,120 Speaker 2: He heard things the rest of us just missed, not 11 00:01:47,360 --> 00:01:55,120 Speaker 2: just notes, emotions. He turned loneliness into harmony, turned fear 12 00:01:55,160 --> 00:02:00,160 Speaker 2: into falsetto, turned childhood pain into beauty. 13 00:02:02,720 --> 00:02:10,320 Speaker 4: I love and the way the sunlight plays a partner. 14 00:02:13,480 --> 00:02:18,160 Speaker 2: While the world chase hits. Brian Wilson chased truth and 15 00:02:18,280 --> 00:02:22,840 Speaker 2: quietly changed the course of music far beyond his own band. 16 00:02:24,320 --> 00:02:27,799 Speaker 2: He showed us that pop could be art, that noise 17 00:02:27,840 --> 00:02:32,840 Speaker 2: could be poetry. He didn't follow the formula, he rewrote it, 18 00:02:34,240 --> 00:02:36,960 Speaker 2: and through all the chaos in his mind, he gave 19 00:02:37,000 --> 00:02:42,000 Speaker 2: our chaos a melody. We thought he was writing about California, 20 00:02:42,720 --> 00:02:48,480 Speaker 2: but really he was writing about us, our longing, our innocence, 21 00:02:49,440 --> 00:03:00,360 Speaker 2: our need to believe in something beautiful. Brian Wilson wasn't 22 00:03:00,440 --> 00:03:05,920 Speaker 2: just a beach boy. He was the ocean, and now 23 00:03:07,240 --> 00:03:08,120 Speaker 2: he's gone back to it. 24 00:03:10,080 --> 00:03:14,760 Speaker 3: I may not always love you, but line is there 25 00:03:15,000 --> 00:03:18,200 Speaker 3: are stas love you. 26 00:03:18,200 --> 00:03:23,840 Speaker 4: You never need to Dad, I'll thank you so shit. 27 00:03:24,360 --> 00:03:53,200 Speaker 4: Buddy good Oden knows what I be with that you. 28 00:03:38,360 --> 00:03:45,560 Speaker 1: Live anything this Eddie Martini boughts the moment, nice watch. 29 00:03:45,640 --> 00:03:50,120 Speaker 1: He's really up to his production since then. It is 30 00:03:50,200 --> 00:03:56,120 Speaker 1: not an exaggeration to say Brian Wilson eighty two, the 31 00:03:56,200 --> 00:03:59,480 Speaker 1: real heart and soul of the Beach Boys, has passed. 32 00:03:59,800 --> 00:04:02,840 Speaker 1: It is not an exaggeration to say that Brian Wilson 33 00:04:03,120 --> 00:04:11,920 Speaker 1: is the Mozart or Beethoven of the twentieth century. Paul McCartney, 34 00:04:12,400 --> 00:04:20,839 Speaker 1: John Lennon, Brian Wilson. These are the men who have 35 00:04:21,800 --> 00:04:28,440 Speaker 1: affected in the most tectonic way world music as we 36 00:04:28,560 --> 00:04:33,640 Speaker 1: know it for the popular culture. And it is an incredible, 37 00:04:34,080 --> 00:04:39,000 Speaker 1: incredible loss to humanity his passing. You know, I find 38 00:04:39,000 --> 00:04:42,839 Speaker 1: it interesting. I posted yesterday that Brian Wilson had passed, 39 00:04:45,000 --> 00:04:47,000 Speaker 1: and the only thing a number of people could think 40 00:04:47,160 --> 00:04:52,159 Speaker 1: to comment was, here's real massed up and hey you okay, well, yeah, 41 00:04:52,839 --> 00:04:59,440 Speaker 1: I suppose that's true, but it's really not the point 42 00:04:59,480 --> 00:05:02,520 Speaker 1: of it all. I don't know why people do that. 43 00:05:02,680 --> 00:05:04,200 Speaker 1: I don't know if it's a well, he might have 44 00:05:04,240 --> 00:05:06,520 Speaker 1: been great, but at least I'm not crazy. I never 45 00:05:06,600 --> 00:05:11,680 Speaker 1: understand that yet. Yes, he struggled with severe depression, but 46 00:05:11,760 --> 00:05:15,599 Speaker 1: we're all going to be gone, sooner or later. We're 47 00:05:15,600 --> 00:05:18,480 Speaker 1: all going to be gone, And the question is what 48 00:05:18,560 --> 00:05:22,039 Speaker 1: do you leave behind? Because one hundred years from now, 49 00:05:22,080 --> 00:05:26,080 Speaker 1: nobody will remember you were bat blank crazy. They just won't. 50 00:05:26,680 --> 00:05:28,320 Speaker 1: They will remember what did you do with you a 51 00:05:28,360 --> 00:05:32,200 Speaker 1: great father or mother? Did you create some great art 52 00:05:32,240 --> 00:05:34,760 Speaker 1: and hand it off to the universe and it'll be 53 00:05:34,839 --> 00:05:41,160 Speaker 1: remembered one hundred years. Hence, that is what is noteworthy. 54 00:05:41,320 --> 00:05:45,240 Speaker 1: That's what we should celebrate, not something he didn't choose. 55 00:05:45,360 --> 00:05:51,680 Speaker 1: Having been tormented by depression, which, by the way, many 56 00:05:51,839 --> 00:05:55,440 Speaker 1: people are, and being eighty two. In the early to 57 00:05:55,520 --> 00:05:58,560 Speaker 1: mid sixties, when he was at his prime and really 58 00:05:58,680 --> 00:06:02,320 Speaker 1: fell under the throes of it, there were not the resources, 59 00:06:03,080 --> 00:06:06,640 Speaker 1: both in people and drugs that there are today. There 60 00:06:06,640 --> 00:06:11,360 Speaker 1: are a number of people who are functioning with depression 61 00:06:12,400 --> 00:06:17,039 Speaker 1: that could not have at that time. In any case, 62 00:06:19,360 --> 00:06:22,400 Speaker 1: we had a segment last night our second segment, so 63 00:06:22,440 --> 00:06:24,560 Speaker 1: we call that fifty two our second segment of the 64 00:06:24,560 --> 00:06:27,360 Speaker 1: five o'clock hour. Most of you know, we do this 65 00:06:27,440 --> 00:06:30,280 Speaker 1: morning show and then we do an evening show from 66 00:06:30,279 --> 00:06:32,360 Speaker 1: five to seven, and when the astros are not on, 67 00:06:32,800 --> 00:06:36,640 Speaker 1: there's a replay from seven to nine, which oddly enough, 68 00:06:37,080 --> 00:06:40,360 Speaker 1: absolutely kills in the ratings, which we find quite funny 69 00:06:40,520 --> 00:06:42,480 Speaker 1: because we've already been on five hours a day, which 70 00:06:42,520 --> 00:06:44,719 Speaker 1: is more than anybody in the country, and they replayed 71 00:06:44,800 --> 00:06:47,320 Speaker 1: two more hours, which we love because we love us 72 00:06:47,320 --> 00:06:50,359 Speaker 1: and Michael Berry show from seven to nine and it 73 00:06:50,440 --> 00:06:54,640 Speaker 1: dominates the time slot, so that's pretty cool. But anyway, 74 00:06:55,600 --> 00:06:59,279 Speaker 1: we had a segment last night related to the movie 75 00:06:59,520 --> 00:07:03,560 Speaker 1: rain Man, and I won't redo this segment now because 76 00:07:03,560 --> 00:07:05,360 Speaker 1: we're going to replay it in just a moment. Our 77 00:07:05,400 --> 00:07:07,480 Speaker 1: next segment's going to be a replay from next night, 78 00:07:07,480 --> 00:07:09,920 Speaker 1: and then we'll get back to the show live. But 79 00:07:11,440 --> 00:07:15,080 Speaker 1: it was an interesting moment a discovery I had made 80 00:07:15,280 --> 00:07:20,760 Speaker 1: yesterday about rain Man, and the reason was I went 81 00:07:20,880 --> 00:07:24,880 Speaker 1: looking into Brian Wilson's history and the mental health treatment 82 00:07:24,920 --> 00:07:28,920 Speaker 1: he had received and trying to get some sense of 83 00:07:28,960 --> 00:07:33,080 Speaker 1: it all, and I had landed on rain Man and 84 00:07:33,280 --> 00:07:40,280 Speaker 1: how Rainman had addressed folks on the spectrum, which I 85 00:07:40,320 --> 00:07:41,960 Speaker 1: guess I should be careful. I'm gonna ended up going 86 00:07:41,960 --> 00:07:43,840 Speaker 1: back into the whole segment I did last night. We 87 00:07:43,840 --> 00:07:45,360 Speaker 1: don't want to do that. Let me just say this. 88 00:07:47,440 --> 00:07:49,960 Speaker 1: When I started in radio twenty years ago, I had 89 00:07:50,000 --> 00:07:52,400 Speaker 1: a program director I'd even care for it, and he 90 00:07:52,560 --> 00:07:54,840 Speaker 1: used to say, don't ever judge how the show goes 91 00:07:54,880 --> 00:07:58,480 Speaker 1: by the reaction of the audience, because even Dion Warwick 92 00:07:58,520 --> 00:08:00,600 Speaker 1: in the Psychic Hotline gets a lot of phone calls, 93 00:08:00,600 --> 00:08:03,920 Speaker 1: doesn't make it good radio. And I've come to find 94 00:08:03,960 --> 00:08:06,200 Speaker 1: that that's not true. Our listeners are pretty honest. You 95 00:08:06,280 --> 00:08:09,840 Speaker 1: folks are pretty honest. And we had such an outpouring 96 00:08:10,480 --> 00:08:13,440 Speaker 1: of emails about last night's show that we're doing something 97 00:08:13,480 --> 00:08:15,560 Speaker 1: we almost never do, and that is in the next segment, 98 00:08:15,560 --> 00:08:18,280 Speaker 1: we're replaying last night's show and then we'll get back 99 00:08:18,320 --> 00:08:25,200 Speaker 1: to it. Flavor Long and I met Michael Berry's Chocta free. 100 00:08:26,680 --> 00:08:26,920 Speaker 4: Out. 101 00:08:39,440 --> 00:08:43,400 Speaker 1: This intro song and our opening segment of the show 102 00:08:43,520 --> 00:08:47,079 Speaker 1: last night got more email responses of praise than I 103 00:08:47,200 --> 00:08:49,760 Speaker 1: have received in years. So we are going to replay 104 00:08:49,840 --> 00:08:51,839 Speaker 1: that segment right now, just as it was. 105 00:08:53,679 --> 00:08:59,040 Speaker 4: What we've got here is milk cage. 106 00:08:59,240 --> 00:09:02,280 Speaker 5: Most of the people hovering that campaign were not particularly 107 00:09:02,960 --> 00:09:07,760 Speaker 5: knowledgeable about the past and didn't you know, may may 108 00:09:07,840 --> 00:09:11,200 Speaker 5: not have even known that. You know, America firsters pac 109 00:09:11,320 --> 00:09:14,720 Speaker 5: Madison Square Garden in nineteen thirty nine and a pro 110 00:09:15,000 --> 00:09:16,959 Speaker 5: Nazi Germany rally. 111 00:09:17,679 --> 00:09:20,000 Speaker 1: You said over the weekend, referring to it, there's a 112 00:09:20,080 --> 00:09:22,359 Speaker 1: direct parallel to a big rally that happened. 113 00:09:22,080 --> 00:09:24,200 Speaker 4: In the mid nineteen thirties, that Medicine Square Garden. 114 00:09:24,320 --> 00:09:25,679 Speaker 1: So I know what I saw, and I'll just leave 115 00:09:25,679 --> 00:09:28,439 Speaker 1: it at that. Do you think Donald Trump is a fascist? 116 00:09:28,520 --> 00:09:28,600 Speaker 6: Yes? 117 00:09:28,679 --> 00:09:30,400 Speaker 4: I do, Yes, I do. 118 00:09:31,400 --> 00:09:37,520 Speaker 5: The races, sex, is homophobic, xenophobic, islamophobic, you name it. 119 00:09:38,160 --> 00:09:40,800 Speaker 4: Only garbage I see floating down there as his supporters. 120 00:09:41,840 --> 00:09:45,800 Speaker 1: His demonization is seen as unconstable, and it's not America. 121 00:09:46,240 --> 00:09:49,160 Speaker 5: You could put half of Trump's supporters into what I 122 00:09:49,280 --> 00:09:52,160 Speaker 5: call the basket of deplora win. 123 00:09:54,120 --> 00:09:55,320 Speaker 4: Look at the fee with. 124 00:09:57,480 --> 00:10:03,400 Speaker 7: Look at the wind away with bomus come the ball. 125 00:10:05,760 --> 00:10:07,719 Speaker 8: You know that's a little bit old, that chart, that 126 00:10:07,920 --> 00:10:10,480 Speaker 8: charts a couple of months old. And if you want 127 00:10:10,520 --> 00:10:12,880 Speaker 8: to really see something that said, take a look at 128 00:10:12,920 --> 00:10:13,360 Speaker 8: what happened. 129 00:10:27,520 --> 00:10:50,240 Speaker 6: The reasoning man. We believe the same blood, we share 130 00:10:51,040 --> 00:10:56,439 Speaker 6: the same home, and we salute the same great American flag. 131 00:10:58,679 --> 00:11:04,000 Speaker 8: We are one people, one family, and one glorious nation 132 00:11:04,400 --> 00:11:04,920 Speaker 8: under God. 133 00:11:05,800 --> 00:11:07,120 Speaker 1: So Jews and Muslims and. 134 00:11:07,160 --> 00:11:11,760 Speaker 8: Catholics and Evangelicals and Mormons, and they're all joining our 135 00:11:11,880 --> 00:11:16,160 Speaker 8: corps and large numbers, larger than anyone has ever seen 136 00:11:16,320 --> 00:11:19,800 Speaker 8: in this country before, larger than they've ever seen in 137 00:11:19,960 --> 00:11:24,400 Speaker 8: any country. And the Republican Party has really become the 138 00:11:24,600 --> 00:11:27,760 Speaker 8: Party of inclusion, and that's something very nice about that. 139 00:11:41,040 --> 00:11:45,600 Speaker 1: Can we just can we just take a moment. I'm 140 00:11:45,640 --> 00:11:50,839 Speaker 1: fifty four. If you are my age. Gn R was 141 00:11:50,920 --> 00:11:53,160 Speaker 1: our Beatles. I don't need to hear it from you 142 00:11:53,480 --> 00:11:56,040 Speaker 1: that grew up with the Beatles. I'm just telling you. 143 00:11:57,080 --> 00:12:01,640 Speaker 1: GNR was ubiquitous. They were everywhere all the time. You 144 00:12:02,080 --> 00:12:05,280 Speaker 1: listened to them on the radio. You it was really 145 00:12:05,320 --> 00:12:07,560 Speaker 1: the only place you could get music back then. Somebody 146 00:12:07,640 --> 00:12:10,079 Speaker 1: maybe had a cassette tape. If you were in a 147 00:12:10,120 --> 00:12:12,079 Speaker 1: public place, if there was a festival, if there was 148 00:12:12,120 --> 00:12:15,959 Speaker 1: a sporting event. Man, it was GNR actual roads. I 149 00:12:16,040 --> 00:12:21,800 Speaker 1: mean it was. They were so darn big it is 150 00:12:21,920 --> 00:12:24,199 Speaker 1: hard to imagine. I mean, I don't know who's that 151 00:12:24,360 --> 00:12:30,280 Speaker 1: big today because the eighties had brought in this new 152 00:12:30,360 --> 00:12:36,240 Speaker 1: wave which was just basically a shaving the edges off 153 00:12:36,280 --> 00:12:41,959 Speaker 1: of disco and calling it pop, but it was really disco. 154 00:12:42,400 --> 00:12:44,719 Speaker 1: You can go back and look at it mathematically, the 155 00:12:44,760 --> 00:12:49,480 Speaker 1: way the music is structured, so many the glam version 156 00:12:49,720 --> 00:12:53,160 Speaker 1: of it. Anyway, we didn't. We're going to talk about 157 00:12:53,840 --> 00:12:56,840 Speaker 1: terrorism in America today, which is what's going on across 158 00:12:56,920 --> 00:12:59,400 Speaker 1: the country, who's funding it, how it should be dealt with, 159 00:13:01,559 --> 00:13:04,199 Speaker 1: why it matters. But first I want to take you 160 00:13:04,280 --> 00:13:08,959 Speaker 1: back to nineteen eighty eight because we're also in about 161 00:13:09,080 --> 00:13:13,120 Speaker 1: that era in that mode. In nineteen eighty eight, the 162 00:13:13,320 --> 00:13:16,800 Speaker 1: largest grossing film of the year was rain Man. Follow 163 00:13:16,840 --> 00:13:22,880 Speaker 1: Me Here for a Moment. Rainman was nominated for eight 164 00:13:25,080 --> 00:13:28,720 Speaker 1: awards at the sixty first Academy Awards, Best Picture, Best Director, 165 00:13:28,760 --> 00:13:33,679 Speaker 1: Best Actor for Dustin Hoffman, Best Original screenpay Play. I 166 00:13:33,760 --> 00:13:37,599 Speaker 1: am not a Tom Cruise fan, not at all. But 167 00:13:37,720 --> 00:13:40,400 Speaker 1: I think he is so good in Tropic Thunder, in 168 00:13:40,480 --> 00:13:42,319 Speaker 1: a role that's outside the norm for him, which is 169 00:13:42,320 --> 00:13:44,920 Speaker 1: why I like it, and it's awesome, And I think 170 00:13:44,960 --> 00:13:48,760 Speaker 1: he is so good in rain Man. He's got you 171 00:13:48,960 --> 00:13:53,959 Speaker 1: so twisted off, bent out of shape, aggravated by his 172 00:13:54,160 --> 00:13:57,600 Speaker 1: character in rain Man that you almost wonder if they 173 00:13:57,640 --> 00:14:01,600 Speaker 1: starved him of sleeping food for days to get him 174 00:14:01,679 --> 00:14:07,000 Speaker 1: that edgy to play that role. The movie is so 175 00:14:07,360 --> 00:14:12,959 Speaker 1: incredibly good, it's just wonderful. It's such a frame of reference. 176 00:14:13,679 --> 00:14:16,520 Speaker 1: You know, if Judge Watner's name is mentioned, or if 177 00:14:16,600 --> 00:14:20,320 Speaker 1: somebody is just too locked in on, you know, doing 178 00:14:20,400 --> 00:14:23,400 Speaker 1: something at a certain time and refuses to be the 179 00:14:23,600 --> 00:14:29,320 Speaker 1: character that was Dustin Hoffman in that film, it really 180 00:14:29,480 --> 00:14:32,000 Speaker 1: moves the conversation forward because it gives you a frame 181 00:14:32,040 --> 00:14:37,000 Speaker 1: of reference to talk about certain obsessive, compulsive behaviors. That 182 00:14:37,240 --> 00:14:40,400 Speaker 1: was before we started referring to people, including ourselves, as 183 00:14:40,480 --> 00:14:44,360 Speaker 1: somewhere on the spectrum, which I think most people are 184 00:14:45,080 --> 00:14:50,800 Speaker 1: somewhere on the spectrum, including and especially high performing individuals. 185 00:14:51,560 --> 00:14:55,560 Speaker 1: Elon Musk is way out there on the spectrum. But 186 00:14:55,680 --> 00:15:00,120 Speaker 1: then again, you're not a normal guy if you if 187 00:15:00,160 --> 00:15:02,840 Speaker 1: you build Tesla and SpaceX and start Link and the 188 00:15:02,920 --> 00:15:06,480 Speaker 1: Boring Company and everything that he's done, and you want 189 00:15:06,520 --> 00:15:08,520 Speaker 1: to father a bunch of kids to to you know, 190 00:15:08,800 --> 00:15:12,600 Speaker 1: further the race or the species or whatever else. But 191 00:15:12,720 --> 00:15:15,160 Speaker 1: thank God for him, We need people like that, they move. 192 00:15:15,280 --> 00:15:19,480 Speaker 1: They moved the ball forward anyway. Dustin Hoffman's character was 193 00:15:20,520 --> 00:15:24,920 Speaker 1: was really an opportunity for us to kind of to 194 00:15:25,840 --> 00:15:28,880 Speaker 1: put our arms around and begin to grasp this concept 195 00:15:30,040 --> 00:15:33,680 Speaker 1: of not even retardation because we had dealt with that, 196 00:15:35,160 --> 00:15:38,080 Speaker 1: this concept of people that are somewhere on the spectrum 197 00:15:38,200 --> 00:15:41,000 Speaker 1: and yet still able to function. But the reason I 198 00:15:41,120 --> 00:15:43,240 Speaker 1: brought this up is there is a scene in the 199 00:15:43,320 --> 00:15:45,200 Speaker 1: movie where the two of them are in the phone booth. 200 00:15:45,240 --> 00:15:49,080 Speaker 1: Remember Tom Cruise has basically kidnapped him, and they call 201 00:15:49,680 --> 00:15:53,000 Speaker 1: back to the doctor. Remember that, and Dustin Hoffman farts. 202 00:15:53,040 --> 00:15:55,240 Speaker 1: This is just right after the fart scene in the 203 00:15:55,280 --> 00:15:55,800 Speaker 1: phone booth. 204 00:15:57,520 --> 00:16:02,160 Speaker 4: Oh, Charlie battant on home, aren't did you fart? Aren't? 205 00:16:02,480 --> 00:16:02,720 Speaker 1: Did you? 206 00:16:07,520 --> 00:16:09,480 Speaker 4: How can you stay in that? My own mind? How 207 00:16:09,520 --> 00:16:11,360 Speaker 4: can you stand there now? 208 00:16:11,400 --> 00:16:13,200 Speaker 1: The reason I told you that is I just learned 209 00:16:13,240 --> 00:16:16,560 Speaker 1: today that Dustin Hoffman did fark and it wasn't in 210 00:16:16,640 --> 00:16:19,600 Speaker 1: the script and they improvised that. How awesome is that? 211 00:16:19,920 --> 00:16:22,320 Speaker 1: Don't worry, We'll talk about the riots. I just want 212 00:16:22,400 --> 00:16:23,920 Speaker 1: to start with that because I think it's a great story. 213 00:16:25,000 --> 00:16:32,400 Speaker 4: The Michael Berry Show, Michael Berry Show, Yeah. 214 00:16:34,360 --> 00:16:38,440 Speaker 1: Think about this. I saw a mean said California in 215 00:16:38,480 --> 00:16:43,520 Speaker 1: nineteen sixty five. A bunch of young folks and they 216 00:16:43,560 --> 00:16:50,720 Speaker 1: were all white, standing around a white Mustang convertible. Pretty girls, 217 00:16:50,800 --> 00:16:55,880 Speaker 1: blonde hair. The guys all look like models, you know 218 00:16:55,920 --> 00:16:58,000 Speaker 1: who the guys looked like. What was the guys? Was 219 00:16:58,040 --> 00:16:59,840 Speaker 1: it James Spader that always played the bad guy in 220 00:16:59,880 --> 00:17:02,800 Speaker 1: the eighties. They all looked like him, full had of 221 00:17:02,840 --> 00:17:04,520 Speaker 1: blonde hair. I mean, I know he's bald now. But 222 00:17:05,880 --> 00:17:07,960 Speaker 1: and they're all at the beach and they're all dressed, 223 00:17:08,000 --> 00:17:10,080 Speaker 1: and I don't know what you wore back then. Oh, 224 00:17:10,080 --> 00:17:12,320 Speaker 1: I don't know if there was a brand. Op op 225 00:17:12,600 --> 00:17:16,280 Speaker 1: was what I was growing up. Ocean Pacific And you know, 226 00:17:16,400 --> 00:17:20,159 Speaker 1: they're frolicking in the sand around the car and they're happy. 227 00:17:20,280 --> 00:17:26,480 Speaker 1: And Brian Wilson was writing the soundtrack to that life. 228 00:17:27,320 --> 00:17:31,119 Speaker 1: The beach boys, the beach, the California beach, soaking in 229 00:17:31,240 --> 00:17:35,720 Speaker 1: the rays, the girls, the boys frolicking having fun, whimsical. 230 00:17:36,160 --> 00:17:41,080 Speaker 1: That was California in nineteen sixty five. When pet Sounds hit. 231 00:17:41,680 --> 00:17:44,520 Speaker 1: I mean, that was it, man, that was the feel. 232 00:17:44,680 --> 00:17:50,040 Speaker 1: That was it. Fast forward sixty years, how appropriate now 233 00:17:51,160 --> 00:17:59,119 Speaker 1: California is some mixed bag of illegal alien Mexicans, Muslim terrorists, 234 00:18:00,359 --> 00:18:03,359 Speaker 1: complete trash from around the world, the worst of the worst, 235 00:18:03,480 --> 00:18:07,560 Speaker 1: the crap, whole country sending US dumping on us, their terrorists, 236 00:18:08,240 --> 00:18:12,800 Speaker 1: child traffickers, ex cons. This mari Elis boat lift all 237 00:18:12,920 --> 00:18:16,480 Speaker 1: over again. That's what California has become. That's what it 238 00:18:16,560 --> 00:18:20,439 Speaker 1: was allowed to become. They didn't invade violently. They were 239 00:18:20,480 --> 00:18:24,479 Speaker 1: welcomed by guilt ridden white people who were ashamed at 240 00:18:24,520 --> 00:18:26,680 Speaker 1: how well they were living. Don't worry, They're not the 241 00:18:26,720 --> 00:18:31,000 Speaker 1: only ones. That's happening in Sweden, Norway, Denmark, England's lost 242 00:18:31,040 --> 00:18:36,760 Speaker 1: to the Caliphate. Chance McLain meanwhile, trying to outdo ramon Roman. 243 00:18:36,800 --> 00:18:38,320 Speaker 1: I hope you know this was an attempt out do you. 244 00:18:39,040 --> 00:18:41,480 Speaker 1: This was a This was a shot at your kingdom. 245 00:18:41,560 --> 00:18:43,840 Speaker 1: I just your dingdom. This was a shot at your 246 00:18:43,880 --> 00:18:48,440 Speaker 1: Dingdom's what it was. Chance McLain writes, quote my whole life. 247 00:18:48,480 --> 00:18:50,280 Speaker 1: This was after Brian Wilson died. We all had a 248 00:18:50,320 --> 00:18:53,480 Speaker 1: group cry my whole life. The Beach Boys, which means 249 00:18:53,520 --> 00:18:56,640 Speaker 1: Brian Wilson have been a dominant inspiration for the music 250 00:18:56,720 --> 00:18:59,679 Speaker 1: I love and the music I've made. It's always been 251 00:18:59,720 --> 00:19:03,159 Speaker 1: to Beach Boys. The Beatles, Hank Junior, and the Cars. 252 00:19:03,880 --> 00:19:06,600 Speaker 1: As the years and decades passed, these were joined by 253 00:19:06,680 --> 00:19:10,400 Speaker 1: various bands Erasure but Shut Up, Ramon, I Love Eraser, 254 00:19:10,800 --> 00:19:14,080 Speaker 1: bon Jovi, and more recently My Chemical Romance, Muse and 255 00:19:14,160 --> 00:19:17,320 Speaker 1: the Killers. Some of these have come and gone, but 256 00:19:17,440 --> 00:19:21,800 Speaker 1: that Core four has never changed. The Beach Boys, the Beatles, 257 00:19:22,320 --> 00:19:25,800 Speaker 1: Hank Jr. And the Cars. That feels weird putting the 258 00:19:25,880 --> 00:19:30,000 Speaker 1: cars in that category, doesn't it? Okay? I guess if 259 00:19:30,040 --> 00:19:32,120 Speaker 1: you don't want any credibility, throw the cars in there. 260 00:19:32,840 --> 00:19:35,360 Speaker 1: And the first of the core four is Brian Wilson. 261 00:19:35,800 --> 00:19:37,920 Speaker 1: The sound he made was so different and distinct yet 262 00:19:38,000 --> 00:19:41,520 Speaker 1: fit with his contemporaries. And at the root is how 263 00:19:41,560 --> 00:19:45,879 Speaker 1: he used harmony so brilliantly. He used layering masterfully. Oh 264 00:19:45,920 --> 00:19:48,760 Speaker 1: that's funny, because I talked about layering yesterday. Just don't 265 00:19:48,840 --> 00:19:50,920 Speaker 1: quote me in okay, I want to come up with 266 00:19:50,960 --> 00:19:54,040 Speaker 1: that concept who He would bring in weird instruments. His 267 00:19:54,119 --> 00:19:57,879 Speaker 1: songs would take wild journeys into unexpected directions. He was 268 00:19:58,040 --> 00:20:01,320 Speaker 1: daring but not inaccessible. He and his co writers would 269 00:20:01,359 --> 00:20:04,479 Speaker 1: write seemingly playful lyrics that had depth under the surface, 270 00:20:04,920 --> 00:20:07,080 Speaker 1: or they might write something that would seem pretentious if 271 00:20:07,119 --> 00:20:10,440 Speaker 1: anyone else wrote it, but then he wrote it. But 272 00:20:10,600 --> 00:20:13,679 Speaker 1: when he wrote it, we bought it. His life was imperfect. 273 00:20:14,560 --> 00:20:16,480 Speaker 1: From when I'm trying to bungle some of his words, 274 00:20:16,520 --> 00:20:18,400 Speaker 1: so his doesn't end up better than yours. I don't 275 00:20:18,400 --> 00:20:21,600 Speaker 1: want to outshine you. He had all the struggles, but man, 276 00:20:21,720 --> 00:20:25,399 Speaker 1: could that dude make music? Rest in peace, sincerely, I 277 00:20:25,520 --> 00:20:27,560 Speaker 1: hope that in death this genius found the piece that 278 00:20:27,600 --> 00:20:30,639 Speaker 1: eluded him for over eighty years. Often the turmoil in 279 00:20:30,720 --> 00:20:32,679 Speaker 1: our lives is what enables us to make great art. 280 00:20:33,240 --> 00:20:36,040 Speaker 1: I mean us humans. If that's true. I hate that 281 00:20:36,119 --> 00:20:38,040 Speaker 1: he had to suffer, But holy hell, am I grateful 282 00:20:38,080 --> 00:20:41,280 Speaker 1: for the music, as are millions upon millions of people. 283 00:20:41,760 --> 00:20:44,800 Speaker 1: His influence as a songwriter cannot be overstated. While inducting 284 00:20:45,240 --> 00:20:47,760 Speaker 1: Brian Wilson into the Songwriters Hall of Fame, Sir Paul 285 00:20:47,840 --> 00:20:51,680 Speaker 1: McCartney told those in attendance that Brian Wilson's music would 286 00:20:51,760 --> 00:20:53,320 Speaker 1: often make him cry. 287 00:20:56,119 --> 00:21:02,080 Speaker 9: He wrote some music. When I played it, it made 288 00:21:02,119 --> 00:21:05,120 Speaker 9: me cry, and I don't quite know why. It wasn't 289 00:21:05,160 --> 00:21:07,680 Speaker 9: necessarily the words of the music. There's just something so 290 00:21:08,119 --> 00:21:11,040 Speaker 9: deep in it that there's only certain pieces of music 291 00:21:11,119 --> 00:21:14,520 Speaker 9: can do this to me and just reach it right 292 00:21:14,640 --> 00:21:18,280 Speaker 9: down in me. And I think it's a sign of 293 00:21:18,440 --> 00:21:20,440 Speaker 9: great genius to be able to do that with a 294 00:21:20,480 --> 00:21:22,080 Speaker 9: bunch of words and a bunch of notes. 295 00:21:22,800 --> 00:21:25,960 Speaker 4: And this man, he deserves to be in the Hall 296 00:21:26,000 --> 00:21:26,960 Speaker 4: of Fame, that's sure. 297 00:21:28,840 --> 00:21:32,720 Speaker 9: So thank you, sir for everything you've done for me, 298 00:21:32,800 --> 00:21:34,840 Speaker 9: for making me cry, for having that thing you can 299 00:21:34,880 --> 00:21:37,080 Speaker 9: do with your music. You just put those notes, those 300 00:21:37,119 --> 00:21:39,920 Speaker 9: harmonies together, stick a couple of words over the top 301 00:21:39,960 --> 00:21:40,800 Speaker 9: of it, and you've got me. 302 00:21:41,080 --> 00:21:42,680 Speaker 1: Any day, ladies and gentlemen. 303 00:21:43,320 --> 00:21:44,440 Speaker 4: Brian Wilson. 304 00:21:46,800 --> 00:21:48,800 Speaker 1: That was his induction into what the rock and roll 305 00:21:48,840 --> 00:21:55,080 Speaker 1: Hall of Fame. That's right. Yeah, so you've got le 306 00:21:55,280 --> 00:21:59,480 Speaker 1: chic and Brian Wilson. Yeah really it really. 307 00:22:04,080 --> 00:22:04,119 Speaker 6: So. 308 00:22:04,960 --> 00:22:07,200 Speaker 1: Our group is heavy. If we had slack, that's would 309 00:22:07,200 --> 00:22:09,159 Speaker 1: be on slack, But we don't do slack. That's a 310 00:22:09,240 --> 00:22:12,439 Speaker 1: side channel site. I don't know if people still use slack. 311 00:22:13,359 --> 00:22:16,560 Speaker 1: But a friend of mine a few years ago, Russell Linley, 312 00:22:17,040 --> 00:22:21,200 Speaker 1: he had a nationwide ad agency called ad Results, and 313 00:22:21,280 --> 00:22:22,959 Speaker 1: they were the biggest and the best at what they did, 314 00:22:23,280 --> 00:22:27,200 Speaker 1: and from Rush to Hannity to back, I don't want 315 00:22:27,200 --> 00:22:28,760 Speaker 1: to put myself in that category, but we were a 316 00:22:28,800 --> 00:22:32,480 Speaker 1: part of their stable. When a national company wanted live endorsements, 317 00:22:32,560 --> 00:22:35,320 Speaker 1: not just advertisement, live endorsements, they would go to them 318 00:22:35,359 --> 00:22:37,200 Speaker 1: and say, who would be a good partner for this product? 319 00:22:37,760 --> 00:22:39,640 Speaker 1: And for about five years I didn't speak for them 320 00:22:39,720 --> 00:22:42,280 Speaker 1: because the spots had to read a script and I 321 00:22:42,320 --> 00:22:43,959 Speaker 1: don't read scripts. If I don't. If I like your 322 00:22:44,040 --> 00:22:45,800 Speaker 1: if I like your product, you don't have to tell 323 00:22:45,880 --> 00:22:49,600 Speaker 1: me what hours Connie Connie Stagner is open, right, You 324 00:22:49,680 --> 00:22:51,560 Speaker 1: don't need to tell me that. You don't need to 325 00:22:51,640 --> 00:22:55,960 Speaker 1: tell me what hours us coin is open or what 326 00:22:56,200 --> 00:22:59,360 Speaker 1: sale they're having for Memorial Day, because nothing honors dead 327 00:22:59,400 --> 00:23:01,840 Speaker 1: soldiers quite like twenty five percent off, you know. Tell 328 00:23:01,840 --> 00:23:03,760 Speaker 1: me that they don't do that sort of stuff. It's 329 00:23:03,840 --> 00:23:06,800 Speaker 1: a long term play. It's a brand partnership. It's a 330 00:23:07,240 --> 00:23:11,600 Speaker 1: they share our values kind of deal. But Russell is 331 00:23:11,680 --> 00:23:14,719 Speaker 1: a genius, and they sold their company for a lot 332 00:23:14,760 --> 00:23:17,399 Speaker 1: of money because he's a genius. He and Marshall Williams 333 00:23:17,640 --> 00:23:21,440 Speaker 1: his partner, just a business partner, none just but just 334 00:23:21,520 --> 00:23:27,400 Speaker 1: business partner. They're actually both oddly married to insanely gorgeous women. 335 00:23:28,040 --> 00:23:30,200 Speaker 1: So they could be gay because gay guys always married 336 00:23:30,280 --> 00:23:33,280 Speaker 1: just these over the top gorgeous women. So yeah, you know, 337 00:23:33,400 --> 00:23:35,200 Speaker 1: come to think of it, yeah, they'd make a nice 338 00:23:35,240 --> 00:23:37,280 Speaker 1: gay couple. Yeah, and they make a lot of money. 339 00:23:37,320 --> 00:23:39,760 Speaker 1: They're really smart and really high energy. But anyway, so 340 00:23:39,960 --> 00:23:44,080 Speaker 1: Russell told me years ago, he was like, I tell 341 00:23:44,080 --> 00:23:45,680 Speaker 1: you what, I'll send it to you on Slack. And 342 00:23:45,760 --> 00:23:48,320 Speaker 1: I said, what is slack? He said, what's a side channel? Well, 343 00:23:48,359 --> 00:23:50,159 Speaker 1: I don't know what the primary channel is. What's a 344 00:23:50,160 --> 00:23:52,320 Speaker 1: side channel? I feel like my grandmother all over again. 345 00:23:52,920 --> 00:23:54,679 Speaker 1: And he said, oh, it's slack. You know, you got 346 00:23:54,720 --> 00:23:57,200 Speaker 1: it up on your screen and while you're working, people 347 00:23:57,280 --> 00:23:59,720 Speaker 1: in the office they can send you, you know, comments 348 00:23:59,760 --> 00:24:02,800 Speaker 1: on whoa man. I got too many things coming at 349 00:24:02,840 --> 00:24:04,680 Speaker 1: me already. I think I'm gonna go ahead and pull 350 00:24:04,760 --> 00:24:08,160 Speaker 1: back on Slack. No slack for me, no man, listen, 351 00:24:08,440 --> 00:24:11,320 Speaker 1: you got your people on slack. And then and Russell 352 00:24:11,560 --> 00:24:14,320 Speaker 1: is he's not on cocaine. But he's the guy that 353 00:24:14,440 --> 00:24:17,119 Speaker 1: if you found out he was, he's not. He's actually 354 00:24:17,160 --> 00:24:19,320 Speaker 1: stone close over. He doesn't do anything. He's a what 355 00:24:19,359 --> 00:24:23,200 Speaker 1: do you call it, straight edge like ad uh? But 356 00:24:23,320 --> 00:24:24,840 Speaker 1: he said, yeah, I mean, you know, you can just 357 00:24:24,880 --> 00:24:28,080 Speaker 1: shoot somebody a message. I got email. I don't. I 358 00:24:28,119 --> 00:24:30,920 Speaker 1: don't need another place to check messages. I don't want 359 00:24:30,920 --> 00:24:33,200 Speaker 1: to do that. But if we had slacked, that's where 360 00:24:33,240 --> 00:24:36,080 Speaker 1: this is going on, was going by email. And everybody's 361 00:24:36,119 --> 00:24:39,159 Speaker 1: making fun of Ramone for being the first one for 362 00:24:39,640 --> 00:24:43,040 Speaker 1: his Brian Wilson tribute because I told everybody, you know, 363 00:24:43,119 --> 00:24:46,800 Speaker 1: let's pay proper tribute to Brian Wilson, and Darryl Kunda said, 364 00:24:46,840 --> 00:24:49,160 Speaker 1: Ramone's got that quote first kid to turn in their 365 00:24:49,240 --> 00:24:55,080 Speaker 1: test vibe. Maybe fid he's getting some kickback money from 366 00:24:55,119 --> 00:24:58,520 Speaker 1: the cartel to Michael Berry show that, or he's got 367 00:24:58,640 --> 00:25:05,280 Speaker 1: the brains of the new Stephen Page, who I would 368 00:25:05,359 --> 00:25:07,679 Speaker 1: argue was the heart and soul of Baron negu Lady's 369 00:25:07,720 --> 00:25:10,880 Speaker 1: been only really one half the front name duo. 370 00:25:12,960 --> 00:25:20,560 Speaker 7: I try to turn that up sane heal lovest joy 371 00:25:22,600 --> 00:25:26,880 Speaker 7: A Bland Buggatsarland Castle film son. 372 00:25:26,880 --> 00:25:33,440 Speaker 1: Of He was a York University in Toronto, Miami. The 373 00:25:33,560 --> 00:25:38,440 Speaker 1: year was nineteen ninety and he was really connected to 374 00:25:39,480 --> 00:25:45,119 Speaker 1: Brian Wilson, and not just the early sixties Brian Wilson, 375 00:25:45,160 --> 00:25:47,119 Speaker 1: but ran Wilson through the seventies when most people had 376 00:25:47,160 --> 00:25:51,119 Speaker 1: forgotten him. The band had at his direction at his 377 00:25:51,240 --> 00:25:54,440 Speaker 1: request kind of moved on. The Beach Boys had gone 378 00:25:54,480 --> 00:25:57,359 Speaker 1: on tour multiple times. He could not join them because 379 00:25:57,359 --> 00:26:02,920 Speaker 1: he was struggling with mental health problems so badly. And 380 00:26:03,600 --> 00:26:07,800 Speaker 1: at one point he had he was looking for inspiration 381 00:26:08,000 --> 00:26:11,040 Speaker 1: of the beach but in his home, so he had 382 00:26:11,440 --> 00:26:16,159 Speaker 1: loads of sand brought into his living room and dumped 383 00:26:16,200 --> 00:26:18,640 Speaker 1: in his living room, and he would walk from his bed, 384 00:26:18,720 --> 00:26:21,159 Speaker 1: which he struggled to get out of, which anybody who 385 00:26:21,240 --> 00:26:26,880 Speaker 1: knows anything about depression, people that really struggle with depression, 386 00:26:27,240 --> 00:26:30,160 Speaker 1: can have can can find it impossible to get out 387 00:26:30,200 --> 00:26:34,600 Speaker 1: of bed. Now that task alone. I've read about people 388 00:26:35,520 --> 00:26:38,480 Speaker 1: other than going to the restroom, not getting out of 389 00:26:38,520 --> 00:26:40,520 Speaker 1: the bed and not getting out of their bedroom for 390 00:26:40,640 --> 00:26:44,879 Speaker 1: months on end. Some of them very successful, some of 391 00:26:44,960 --> 00:26:49,280 Speaker 1: them are very famous for that matter. And Stephen Page 392 00:26:49,680 --> 00:26:56,480 Speaker 1: was connecting with this struggle for sanity, for stability, and 393 00:26:57,400 --> 00:26:59,879 Speaker 1: it meant something to him that Brian Wilson had all 394 00:27:00,080 --> 00:27:03,879 Speaker 1: so struggled in this way. So he was living in 395 00:27:04,000 --> 00:27:07,280 Speaker 1: his parents' basement, literally living in his parents' basement in Toronto, 396 00:27:08,160 --> 00:27:12,960 Speaker 1: and he had the band which they had named on 397 00:27:13,080 --> 00:27:14,760 Speaker 1: the when they're coming up with names, they thought it 398 00:27:14,800 --> 00:27:17,680 Speaker 1: would be cool when they were when they were in town, 399 00:27:18,119 --> 00:27:22,320 Speaker 1: the sign would say coming tonight bare Naked Ladies or 400 00:27:22,640 --> 00:27:25,960 Speaker 1: bare Naked Ladies Tonight, which is where that name came from. 401 00:27:26,720 --> 00:27:29,840 Speaker 1: So Stephen Page was only nineteen struggling with his own 402 00:27:30,359 --> 00:27:36,359 Speaker 1: mental health issues and begins a deep dive into Brian 403 00:27:36,400 --> 00:27:39,000 Speaker 1: Wilson and what Brian Wilson was going through. And he 404 00:27:39,119 --> 00:27:42,359 Speaker 1: wanted people who wanted other people to find solace in 405 00:27:42,400 --> 00:27:45,200 Speaker 1: the Brian Wilson story. And this is some would argue 406 00:27:45,200 --> 00:27:47,960 Speaker 1: the greatest American songwriter of all time, certainly one of 407 00:27:48,040 --> 00:27:51,199 Speaker 1: the greatest American songwriters of all time, one of, if 408 00:27:51,280 --> 00:27:56,560 Speaker 1: not the most influential American songwriter in pop culture. You know, 409 00:27:56,680 --> 00:28:00,119 Speaker 1: sixty five years later that's still true. And so he 410 00:28:00,160 --> 00:28:03,320 Speaker 1: wrote that tribute to him, and he lived in fear 411 00:28:04,040 --> 00:28:06,040 Speaker 1: how Brian Wilson would take it. Would he think he 412 00:28:06,280 --> 00:28:09,520 Speaker 1: was taunting him, or making fun of him, or insulting him. 413 00:28:10,280 --> 00:28:13,680 Speaker 1: And Brian Wilson was apparently moved to tears and came 414 00:28:13,800 --> 00:28:16,600 Speaker 1: to their concert and they brought him up on stage. 415 00:28:17,440 --> 00:28:20,520 Speaker 1: So I want you to imagine this moment gives me 416 00:28:20,640 --> 00:28:23,640 Speaker 1: chose to think about it. If you've written a tribute 417 00:28:24,880 --> 00:28:29,160 Speaker 1: to your favorite artist, and you've attempted very delicately, because 418 00:28:29,200 --> 00:28:32,680 Speaker 1: it's not something you do easily in the middle of 419 00:28:32,720 --> 00:28:37,960 Speaker 1: a hit song. You've attempted to address the difficulty of 420 00:28:38,880 --> 00:28:41,160 Speaker 1: mental health that he suffered from, that you yourself have 421 00:28:41,240 --> 00:28:47,320 Speaker 1: suffered from, without being over the top or kitschy or saccer, 422 00:28:47,440 --> 00:28:52,160 Speaker 1: and you want to bring attention to this. And he 423 00:28:52,360 --> 00:28:56,800 Speaker 1: comes up on stage with you and sings that song. 424 00:28:59,080 --> 00:29:00,960 Speaker 1: I don't know how you talk moment in your life. 425 00:29:01,040 --> 00:29:02,200 Speaker 1: I don't know how you put that. I don't know 426 00:29:02,240 --> 00:29:06,240 Speaker 1: where in your memory palace you put that moment, because 427 00:29:06,240 --> 00:29:09,080 Speaker 1: that ninety nine times out of one hundred, that doesn't 428 00:29:09,200 --> 00:29:15,760 Speaker 1: turn out that way. And he's hurt, insulted, angry, litigious, 429 00:29:15,960 --> 00:29:19,520 Speaker 1: who knows? And here is this moment that you everything 430 00:29:19,680 --> 00:29:22,520 Speaker 1: you wanted tribute to Brian Wilson and to try Brian 431 00:29:22,560 --> 00:29:26,760 Speaker 1: Wilson's struggle all brought to bear on the stage and 432 00:29:26,840 --> 00:29:29,840 Speaker 1: Brian Wilson joins in because he gets the spirit of 433 00:29:29,920 --> 00:29:34,320 Speaker 1: what you're doing. Woo boy, that's strong right there. I mean, 434 00:29:34,400 --> 00:29:40,360 Speaker 1: that is uh, that's deep, that is very very deep. 435 00:29:41,200 --> 00:29:46,560 Speaker 1: We went looking for a mental health partner several years ago. 436 00:29:47,600 --> 00:29:51,840 Speaker 1: I wanted somebody, because I kept getting messages from listeners 437 00:29:53,360 --> 00:29:57,360 Speaker 1: asking for where they could get help mental health help 438 00:29:58,000 --> 00:30:01,400 Speaker 1: often for them, probably more often because people aren't People 439 00:30:01,400 --> 00:30:04,080 Speaker 1: are a little uncomfortable to ask for themselves. But when 440 00:30:04,120 --> 00:30:07,200 Speaker 1: it comes to your teenager, there all hands on deck. 441 00:30:07,240 --> 00:30:10,920 Speaker 1: Hey guys, they'll blow a siren. Can somebody help me? 442 00:30:11,600 --> 00:30:16,760 Speaker 1: Because with mental health, with teenagers particularly, you worry about suicide. 443 00:30:17,720 --> 00:30:20,000 Speaker 1: And so I kept getting this request, and so I 444 00:30:20,000 --> 00:30:22,640 Speaker 1: would ask around and I couldn't find anybody, and so 445 00:30:22,880 --> 00:30:25,680 Speaker 1: Robert Reese. I put Robert rees one of our top 446 00:30:25,760 --> 00:30:29,720 Speaker 1: sellers on the issue of finding someone, and I put 447 00:30:29,760 --> 00:30:32,280 Speaker 1: the word out and we got emails, and he would 448 00:30:32,840 --> 00:30:34,320 Speaker 1: go and meet with them and say, you know, we 449 00:30:34,440 --> 00:30:36,040 Speaker 1: expect you to do this, this, and this, and we 450 00:30:36,160 --> 00:30:38,320 Speaker 1: expect to get great results. We expect to get great 451 00:30:38,360 --> 00:30:41,040 Speaker 1: feedback from our listeners when we do them. It's a 452 00:30:41,120 --> 00:30:44,240 Speaker 1: husband wife team and it's a full practice. I don't know, 453 00:30:44,240 --> 00:30:46,040 Speaker 1: they probably have twenty five thirty people there now. 454 00:30:46,000 --> 00:30:46,080 Speaker 6: But. 455 00:30:47,640 --> 00:30:50,400 Speaker 1: There were practices of just one person, and I'm sure 456 00:30:50,400 --> 00:30:53,200 Speaker 1: they were all very good, but they couldn't handle the 457 00:30:53,280 --> 00:30:56,280 Speaker 1: amount of referrals we were going to be sending. And 458 00:30:56,400 --> 00:30:59,640 Speaker 1: we have been very very happy with our partnership with 459 00:31:00,000 --> 00:31:03,080 Speaker 1: Family Psychiatry of the Woodlands. But whether you use them 460 00:31:03,240 --> 00:31:05,400 Speaker 1: or someone else, I have changed my opinion in fifty 461 00:31:05,440 --> 00:31:10,240 Speaker 1: four years. If you struggle with mental health, that doesn't 462 00:31:10,280 --> 00:31:12,200 Speaker 1: mean you should be the county judge because you may 463 00:31:12,240 --> 00:31:15,000 Speaker 1: not be set up to do that, but it does 464 00:31:15,160 --> 00:31:20,040 Speaker 1: mean that you should get help. That is a real thing. 465 00:31:20,600 --> 00:31:23,160 Speaker 1: It's a real thing to have mental health issues. And 466 00:31:23,440 --> 00:31:25,560 Speaker 1: it's a real thing to be debilitated and not be 467 00:31:25,600 --> 00:31:27,000 Speaker 1: able to get out of bed, and it's a real 468 00:31:27,040 --> 00:31:29,080 Speaker 1: thing to not be able to function as a human being. 469 00:31:29,480 --> 00:31:31,640 Speaker 1: And you didn't choose that, and you're not weak. It's 470 00:31:31,680 --> 00:31:35,200 Speaker 1: a sickness. It's an illness, and like every other illness, 471 00:31:36,080 --> 00:31:38,200 Speaker 1: it deserves to be treated