WEBVTT - #129 - Cypress Moreno

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<v Speaker 1>Bulet Cap Podcast Special guests. We got my guys Cypress

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<v Speaker 1>Moreno in the building. Welcome, thanks for having me. Welcome man,

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<v Speaker 1>congrats you just dropped the new is it EP mixtape?

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<v Speaker 1>Is it a mixtape? If it's on the DSPs? Yeah,

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<v Speaker 1>I don't know. Bro's twenty twenty one mixedge Okay, I

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<v Speaker 1>don't know. Is it on that pif too, it's not.

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<v Speaker 1>So is it a mixtape? You got a good point.

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<v Speaker 1>You got a good point, you know, called tapped in.

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<v Speaker 1>Tapped in now you have You've been playing me some

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<v Speaker 1>music that is not out. You have some really big

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<v Speaker 1>like you. I feel like you've been holding on to music.

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<v Speaker 1>You know, some people they overthink shit, they hold on

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<v Speaker 1>the shit too long, and I feel like you are

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<v Speaker 1>a very, very very perfect example of that because you

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<v Speaker 1>played me some shit. Then I'm like, bro, what are

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<v Speaker 1>you doing? Like put this shit out like big names

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<v Speaker 1>like you know what I'm saying, Like, what was what

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<v Speaker 1>was it about this project that made the timing right

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<v Speaker 1>for you to put something out? It just finally fell right.

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<v Speaker 1>I kind of set the deadline too. I said it

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<v Speaker 1>for the thirty first, so the last day of the year.

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<v Speaker 1>But we're here now in twenty twenty two, and yeah,

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<v Speaker 1>it's gonna be a big year. Catch twenty two is

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<v Speaker 1>a label so and you've been killing it on the

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<v Speaker 1>beats too, Man, I appreciate that, getting a lot of

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<v Speaker 1>big placements, been producing them for a lot of artists

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<v Speaker 1>all over the place. I mean, you played me some

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<v Speaker 1>shipping homie from Detroit that was crazy. Would you like

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<v Speaker 1>sample eminem Yeah, we replayed it though, shout out Peyote. Yeah.

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<v Speaker 1>For people who don't know what is like, who is Cypersmarano?

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<v Speaker 1>What do you do? Man? I know you're like, where

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<v Speaker 1>are you from? Give us the whole backstory, bro, I'm

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<v Speaker 1>a DJ. I'm a DJ first, so my name is

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<v Speaker 1>Cyprus from La DJ producer now, you know, really focused

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<v Speaker 1>on the producing. But we could I mean sit, we

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<v Speaker 1>could sit here and talk for a long time. I'm

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<v Speaker 1>almost over almost ten years in the game. So it

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<v Speaker 1>started like it started a while ago. I've been I've

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<v Speaker 1>been in this La shit and it's taken me around

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<v Speaker 1>the world. I mean, you had told me that originally

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<v Speaker 1>you were going to college in Arizona, right, Yeah, where's

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<v Speaker 1>it Tucson? So you were going to U of A,

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<v Speaker 1>U of A so was what were you always making

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<v Speaker 1>music like and it was just in the background, and

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<v Speaker 1>but you were also trying to get a degree in

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<v Speaker 1>like you know, doing normal ship like or was it

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<v Speaker 1>like something that what was what? What was the catalyst

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<v Speaker 1>that made you go full time with this ship? I

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<v Speaker 1>was a student athlete. I played football in high school.

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<v Speaker 1>So senior year is when like I started DJing just

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<v Speaker 1>after football season that liked, what is it second year,

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<v Speaker 1>second quarter, second semester? Right, this was before I went

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<v Speaker 1>off to college. College is when I like started really

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<v Speaker 1>like turning up parties and ship. Were you played football?

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<v Speaker 1>U Nah, I wanted to walk on though I didn't

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<v Speaker 1>get a chance to, but I was only there there

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<v Speaker 1>for one one year. But yeah, U of a, that's

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<v Speaker 1>when like I really started kind of just turning parties up.

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<v Speaker 1>Already had like that connection back back home with like

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<v Speaker 1>Charisma Young California Amen, yep, and that like kind of

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<v Speaker 1>kind of came up under that umbrella as well when

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<v Speaker 1>I was in LA when I got back from college.

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<v Speaker 1>But yeah, it really started senior year. Just you know,

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<v Speaker 1>I've been around turntables, been around like a couple of

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<v Speaker 1>DJs in the family, but like it wasn't until senior

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<v Speaker 1>year when I really like was like, yeah, I'm gonna

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<v Speaker 1>really fuck with this. I wasn't playing sports at a

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<v Speaker 1>lot of time on my hands, so you kind of

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<v Speaker 1>just dove into DJing initially, not even beats necessarily. Yeah,

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<v Speaker 1>straight into DJing because like it's not obviously probably a

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<v Speaker 1>pretty easy transition to make, but I think so like

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<v Speaker 1>if you understand, if you understand music, if you understand

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<v Speaker 1>how to blend records, like you know, tempo, all that shit,

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<v Speaker 1>I feel like it makes the beat making process that

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<v Speaker 1>much easier. I'm sure most definitely. So you get back

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<v Speaker 1>from college that didn't work out, what were you going

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<v Speaker 1>to call it for? Pre physiology? I don't even know

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<v Speaker 1>what that is, just similar to anatomy, and I wanted

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<v Speaker 1>to become an athletic trainer. Oh that's fire. Yeah, so

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<v Speaker 1>you're a very smart guy. We could say that one

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<v Speaker 1>year of college just us a year more than I had,

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<v Speaker 1>so I did a little more school though when I

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<v Speaker 1>got back, I actually wanted to record in school, so like, okay,

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<v Speaker 1>so you learned how to engineer and a little bit

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<v Speaker 1>of that. It really I took the production program, so

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<v Speaker 1>it really taught me like the fundamentals and music theory.

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<v Speaker 1>That's really what I got from. I remember I went

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<v Speaker 1>to one of those in a Z and I felt

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<v Speaker 1>like it was like a bunch of aspiring local rappers

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<v Speaker 1>that took that class. No, Yeah, I met a lot

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<v Speaker 1>of a lot of people in school. Yeah. So when

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<v Speaker 1>because like you know, I feel like you really started

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<v Speaker 1>to kind of get like a you know, you've been

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<v Speaker 1>putting in work, but I feel like when short Line

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<v Speaker 1>started to kind of take off, you were there, DJ,

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<v Speaker 1>and I feel like your wave really kind of started

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<v Speaker 1>to blow up just in general, because I feel like

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<v Speaker 1>you kind of co signed and we're kind of behind

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<v Speaker 1>a lot of this early LA shit that we kind

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<v Speaker 1>of everyone knows now, but you know, you know, when

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<v Speaker 1>me and Heav would be talking about like the LA shit,

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<v Speaker 1>like you were the name that was always coming up,

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<v Speaker 1>like you and Vic. You know what I'm saying as

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<v Speaker 1>far as like some the early names that were like

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<v Speaker 1>co signing guys like Draco and you know, Shoreline shit

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<v Speaker 1>like that. But like what was like the first like

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<v Speaker 1>look that happened for you in this music ship out

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<v Speaker 1>here in LA that really kind of solidified you, you

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<v Speaker 1>think or you felt like oh this ship is actually working.

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<v Speaker 1>I might actually be able to like make a career

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<v Speaker 1>out of this, like that young California coast sign. Yeah,

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<v Speaker 1>because at a point in time shout out to a

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<v Speaker 1>man shot Charisma that was like way before even that era, right,

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<v Speaker 1>just having like that little yeah at peak, Young California

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<v Speaker 1>is a big deal most definitely. Yeah, Yeah, that was

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<v Speaker 1>like I mean, it was just like John Hart. There

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<v Speaker 1>was like a young California sound low ky. It was

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<v Speaker 1>like John Hard, like Sage, like Bobby Brackens, Like yeah,

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<v Speaker 1>for sure, for sure, now that's real. Like who was

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<v Speaker 1>it from Young California that originally had tapped in with

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<v Speaker 1>you charisma? What sh it originally? Like back in the

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<v Speaker 1>day we was in the club scene, like a lot

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<v Speaker 1>of the DJs that kind of like I guess guided me,

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<v Speaker 1>I could say, like in the right dige a couple

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<v Speaker 1>of names mark you mark one more DJ night trying.

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<v Speaker 1>Charisma was among that group. Empire Element I think was

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<v Speaker 1>the name of the club, Hollywood, like a little eighteen

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<v Speaker 1>and over where we just all kind of linked up

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<v Speaker 1>and yeah, from their Young California coasts on and then

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<v Speaker 1>that was really like the beginning of shit, you know,

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<v Speaker 1>what I liked about you was that you made your

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<v Speaker 1>own lane instead of having to, like cause you know,

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<v Speaker 1>the Hollywood DJ politics and trying to get into these

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<v Speaker 1>clubs and then the undercutting and to be honest, like

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<v Speaker 1>as much as people think LA clubs pay great, they

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<v Speaker 1>pay out right, Bro. I love going to Phoenix. You

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<v Speaker 1>go to like any other city. I go to San

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<v Speaker 1>Diego and get a bag, you know what I mean,

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<v Speaker 1>go to az whatever. But I feel like you didn't,

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<v Speaker 1>like a lot of DJ's kind of based their self

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<v Speaker 1>worth on that world, like Yo, I'm at Nightingdale or

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<v Speaker 1>whatever the fuck right now. But I feel like you

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<v Speaker 1>just said, hey, this shit is if it comes cool.

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<v Speaker 1>But you kind of just carved your own ship out. Yeah. No,

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<v Speaker 1>I always kind of had like this. I guess this

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<v Speaker 1>vision in the back of my mind, like to do

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<v Speaker 1>what I'm doing right now, like I always wanted to do.

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<v Speaker 1>I just needed to learn how to do it. But

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<v Speaker 1>it was the DJ ain't that really just it exposed

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<v Speaker 1>me to you know, this whole music game, just different

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<v Speaker 1>sides because through that, like the young California umbrother, I

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<v Speaker 1>was doing ship like this, Like I was doing sit

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<v Speaker 1>down interviews and trying to do like the the radio

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<v Speaker 1>and podcast things like like, yeah, like a couple of

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<v Speaker 1>years ago, seven, eight years ago, a couple Yeah, that's crazy.

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<v Speaker 1>You've been doing this for so long. You look doing

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<v Speaker 1>this for a minute. You look very young, bro, You

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<v Speaker 1>age gracefully. So what what was tell me about? Man,

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<v Speaker 1>some of those early days being around Shoreline and just

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<v Speaker 1>some of those tours, some of those moments, man, what's

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<v Speaker 1>like crazy moments? Because everybody was on that first tour.

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<v Speaker 1>I didn't just DJ for Shortline. What was on that

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<v Speaker 1>tour Roachie one tap, kaylin h literally everybody, Yeah, Chike,

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<v Speaker 1>uh shit, I don't know. I gotta look at my

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<v Speaker 1>my sherado because I got like all these different crates

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<v Speaker 1>that I just over the years. They just like, you're

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<v Speaker 1>on the tour pretty much pretty much. There was a

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<v Speaker 1>lot of people on that tour. There's a lot of

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<v Speaker 1>people from Atlanta, uh Mad mass Savage. So were you

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<v Speaker 1>DJing like the whole sat the whole fucking thing. I

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<v Speaker 1>was stugg in it. Wow, that study real to you

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<v Speaker 1>was like, so you were playing everyone's fucking music? Oh yeah,

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<v Speaker 1>that's rough. Yeah, when I was on tour, I was

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<v Speaker 1>playing everybody's music I had I was like producing while

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<v Speaker 1>we was on the road. I have a lot of

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<v Speaker 1>music from like being on the road, but when I

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<v Speaker 1>was on tour, I guess during that time, I didn't

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<v Speaker 1>really have a lot of music out. I only had

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<v Speaker 1>like one song that came out of that that little era, right,

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<v Speaker 1>it's called Swear to God. It's like a Detroit l

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<v Speaker 1>A banger. But but yeah, ship crazy moments. What was there?

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<v Speaker 1>What was the like the guys in the group not

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<v Speaker 1>getting along? Was that like a pretty early on thing

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<v Speaker 1>on the tour because I know when like we talked

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<v Speaker 1>to Gez about it, like it felt felt like he

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<v Speaker 1>said that like some of that stuff kind of started

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<v Speaker 1>to like get magnified while they were on the road together.

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<v Speaker 1>We did like I think two tours together, but no

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<v Speaker 1>from from from the jump that sh it was was lit.

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<v Speaker 1>But I just mean like we're like, like, did you

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<v Speaker 1>notice like any dysfunction within like between the homies like

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<v Speaker 1>during the during the tours. Yeah, definitely. I feel like

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<v Speaker 1>when you're on tour with somebody, like if you don't like,

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<v Speaker 1>if you don't get along with somebody, it's gonna just

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<v Speaker 1>it's gonna just because you can't escape somebody like, yeah,

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<v Speaker 1>we're on the road together, we're in a fucking bus

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<v Speaker 1>or we're in a very tight space. You know what

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<v Speaker 1>I'm saying, We have to go to the next day

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<v Speaker 1>if we all want to get paid t like this

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<v Speaker 1>right this moment, that shit was dope. What because I

0:10:04.679 --> 0:10:06.480
<v Speaker 1>know you still DJ for? Like, who do you DJ

0:10:06.600 --> 0:10:11.640
<v Speaker 1>for right now? Ship? Really whoever hit me up? But

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<v Speaker 1>most recently I was at rolling Loud with I did

0:10:15.200 --> 0:10:19.520
<v Speaker 1>the first day with Phoenix, second day with Cupolo from

0:10:19.520 --> 0:10:26.679
<v Speaker 1>the Bay, Yeah at the Bay and oh Win, take Win,

0:10:26.800 --> 0:10:30.920
<v Speaker 1>take you Jay? What's shit? I really just be DJ

0:10:31.000 --> 0:10:33.679
<v Speaker 1>for whoever hit me? Who was on tapped in yo

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<v Speaker 1>all that PSD shit, all that shit is all. Listen, man,

0:11:22.840 --> 0:11:24.720
<v Speaker 1>put them odd socks on your ass cheeks and think

0:11:24.760 --> 0:11:29.720
<v Speaker 1>me later. I'm gonna look right now here we go

0:11:30.320 --> 0:11:32.120
<v Speaker 1>because we're gonna. I don't want to leave anybody, you know,

0:11:32.240 --> 0:11:35.679
<v Speaker 1>stupid young on fully the Godfather, how to read it

0:11:35.720 --> 0:11:38.400
<v Speaker 1>all the way through? I gotta name all these twenty fools.

0:11:38.679 --> 0:11:42.240
<v Speaker 1>Jiggy to go White, John is White, John mcghite, Jude

0:11:42.280 --> 0:11:46.280
<v Speaker 1>just says the N word. Probably Yeah, it sounds about right. Uh,

0:11:46.679 --> 0:11:51.240
<v Speaker 1>Chucksta killio block boys. I didn't even lie to you, bro.

0:11:51.360 --> 0:11:53.880
<v Speaker 1>I feel like I'm like semi tapped in what's going on?

0:11:54.640 --> 0:11:56.760
<v Speaker 1>And I would say about fifty percent of these artists

0:11:56.800 --> 0:11:59.600
<v Speaker 1>I don't know which is a good thing, because I

0:11:59.679 --> 0:12:03.160
<v Speaker 1>like to discovering new artists. Yeah, we got young global

0:12:03.280 --> 0:12:08.360
<v Speaker 1>Doley Burnet's global from Hawaii? From New York. How do

0:12:08.400 --> 0:12:11.200
<v Speaker 1>you tap in with someone from Hawaii? Ship just going

0:12:11.240 --> 0:12:14.520
<v Speaker 1>out in Hawaii? Having to show in Hawaii being drunk?

0:12:15.440 --> 0:12:20.160
<v Speaker 1>Just Ballerina's ever heard of? Ballerinas? Is Hawaii strip club?

0:12:20.480 --> 0:12:23.840
<v Speaker 1>Going up? It's a strip club. It's where's Honolulu though

0:12:24.640 --> 0:12:29.240
<v Speaker 1>I've only been in Maui. Yeahlu Hawaiian shrip that's Hawaihu

0:12:29.480 --> 0:12:32.160
<v Speaker 1>that's the main. Yeah, that's the main Hawaiian strip club.

0:12:32.240 --> 0:12:34.040
<v Speaker 1>Gotta be a movie though if it's a Hawaii wom

0:12:34.080 --> 0:12:37.079
<v Speaker 1>Becausewaiian women are so beautiful. It's cool. It's a good

0:12:37.080 --> 0:12:41.480
<v Speaker 1>time at all at every city outside of La what's

0:12:41.480 --> 0:12:45.280
<v Speaker 1>your favorite city to like partying? Like, go to like

0:12:45.360 --> 0:12:48.400
<v Speaker 1>that you get the most love you think. Atlanta's fun,

0:12:48.760 --> 0:12:55.720
<v Speaker 1>Atlanta culture great food, good food good see, let's see.

0:12:56.720 --> 0:12:58.800
<v Speaker 1>I'm not like the even though I come from a

0:12:58.800 --> 0:13:01.480
<v Speaker 1>big city, New York, I could only do it like

0:13:01.760 --> 0:13:03.840
<v Speaker 1>for so long. Oh yeah, New York is it becomes

0:13:03.840 --> 0:13:06.240
<v Speaker 1>a lot fast. It's cool though, Like I like working

0:13:06.280 --> 0:13:08.240
<v Speaker 1>in New York. Yeah, now New York is cool, but

0:13:08.559 --> 0:13:12.120
<v Speaker 1>you there for a reason. Yeah, New York. I got

0:13:12.320 --> 0:13:15.560
<v Speaker 1>people who live there. God bless them. They got they

0:13:15.600 --> 0:13:19.520
<v Speaker 1>got a whole entire like they could withstand walking and

0:13:19.640 --> 0:13:22.080
<v Speaker 1>subways and people more than I can. Really, I mean,

0:13:22.400 --> 0:13:25.720
<v Speaker 1>I fuck with Arizona. You went to school there. Yeah,

0:13:25.880 --> 0:13:28.800
<v Speaker 1>Phoenix is cool too, Phoenix the vibe. Yeah you always

0:13:28.800 --> 0:13:31.240
<v Speaker 1>I feel like you always doing after parties in Phoenix. Yeah.

0:13:31.520 --> 0:13:34.520
<v Speaker 1>I like some random place for so like, damn they

0:13:34.520 --> 0:13:36.760
<v Speaker 1>got cypers and where the fuck is he? I gotta

0:13:36.800 --> 0:13:38.960
<v Speaker 1>look this place up. I'll pull up man, I'll be

0:13:38.960 --> 0:13:41.760
<v Speaker 1>showing loves whoever shows little at me. You're very good

0:13:41.760 --> 0:13:43.600
<v Speaker 1>at like kind of spotting like new talent. Who are

0:13:43.600 --> 0:13:45.920
<v Speaker 1>some of the newer artists that I that you think

0:13:45.960 --> 0:13:49.719
<v Speaker 1>that we haven't kind of like you know, discovered yet

0:13:49.720 --> 0:13:51.280
<v Speaker 1>that you kind of you got your eye on. Bro.

0:13:52.520 --> 0:13:55.920
<v Speaker 1>Right now, I say, like everybody on taped in for

0:13:56.600 --> 0:13:58.960
<v Speaker 1>everybody on the project, but on the project just you know,

0:13:59.160 --> 0:14:01.480
<v Speaker 1>from from dre Go all the way all the way Dawn.

0:14:03.520 --> 0:14:06.120
<v Speaker 1>But I'm listening to like a lot of like what's

0:14:06.160 --> 0:14:08.640
<v Speaker 1>going on in San Diego right now? Like recently I've

0:14:08.720 --> 0:14:10.800
<v Speaker 1>just been what's going on? Well, let me know what's

0:14:10.800 --> 0:14:12.280
<v Speaker 1>going on because I've been in San Diego a lot.

0:14:12.320 --> 0:14:13.679
<v Speaker 1>I don't know what's going on there. So I got

0:14:13.679 --> 0:14:17.880
<v Speaker 1>a lot of Hispanic ravers, okay, and then it's a

0:14:17.880 --> 0:14:21.680
<v Speaker 1>lot of dudes bubbling from the city. Little Rob. Is

0:14:21.720 --> 0:14:23.680
<v Speaker 1>that where you're from? He's from San Diego? A Charger

0:14:23.720 --> 0:14:27.120
<v Speaker 1>fan that was from San Diego though, Oh see a

0:14:27.160 --> 0:14:29.680
<v Speaker 1>Charger fan. I don't know. I would hope so right,

0:14:30.880 --> 0:14:32.760
<v Speaker 1>I don't know. Little Rob was a legend. Charger fans

0:14:32.760 --> 0:14:35.880
<v Speaker 1>are sick right now. Oh my god, are you a

0:14:35.960 --> 0:14:38.960
<v Speaker 1>Charger fan? You no, Bro, they had it. They just

0:14:38.960 --> 0:14:41.160
<v Speaker 1>had to just let the clock run out. They would

0:14:41.160 --> 0:14:44.720
<v Speaker 1>have both been in the playoffs. Wherever that coach is.

0:14:46.360 --> 0:14:47.720
<v Speaker 1>I don't know. He had a chip on his shoulder.

0:14:47.720 --> 0:14:49.920
<v Speaker 1>I didn't really get that. They gotta fire that coach,

0:14:50.160 --> 0:14:53.280
<v Speaker 1>you think so, of course? Bro? Did you watch the game? Yeah,

0:14:53.520 --> 0:14:57.440
<v Speaker 1>that fourth in like fucking four on their on eighteen,

0:14:58.960 --> 0:15:01.760
<v Speaker 1>terrible call, leave the ball up. It's a whole lot

0:15:01.800 --> 0:15:06.520
<v Speaker 1>going on during that game, like the commentators, the whole situation,

0:15:06.840 --> 0:15:10.280
<v Speaker 1>like somebody may have I guess they could have ended

0:15:10.480 --> 0:15:13.520
<v Speaker 1>what Ben's career if it would have been Yeah, if

0:15:13.560 --> 0:15:15.960
<v Speaker 1>they would have tied, both would have got in and

0:15:16.040 --> 0:15:18.680
<v Speaker 1>Ben would have and they chewers were oute okay, so

0:15:18.760 --> 0:15:22.000
<v Speaker 1>I was kind of hoping for the Tis Ben anyway.

0:15:23.240 --> 0:15:25.720
<v Speaker 1>What about like as far as like, uh, you know,

0:15:26.840 --> 0:15:28.600
<v Speaker 1>you got the weed here, you got the label. Are

0:15:28.600 --> 0:15:31.080
<v Speaker 1>you like signing an artist to are are you like

0:15:31.160 --> 0:15:34.560
<v Speaker 1>actively looking for artists to sign? Yeah? Definitely I want to.

0:15:34.560 --> 0:15:36.200
<v Speaker 1>I want to get to that point where I got

0:15:36.680 --> 0:15:38.320
<v Speaker 1>you know, a couple of artists. Have you done that?

0:15:38.480 --> 0:15:41.000
<v Speaker 1>Do you have any yet or you're still no? Right now?

0:15:41.040 --> 0:15:43.320
<v Speaker 1>I'm like the artist, the producer, So you're just kind

0:15:43.320 --> 0:15:46.160
<v Speaker 1>of making sure you got an imprint to release your

0:15:46.160 --> 0:15:48.320
<v Speaker 1>own ship through right now? Build it on a cashwy

0:15:48.320 --> 0:15:52.600
<v Speaker 1>to the label like started it in twenty eighteen. This

0:15:52.720 --> 0:15:56.160
<v Speaker 1>was actually my second full I guess, full body of work.

0:15:56.560 --> 0:15:58.560
<v Speaker 1>I put a project out with Big Sad that was

0:15:58.600 --> 0:16:01.880
<v Speaker 1>through Cash twenty two and nineteen hundred. What's up with

0:16:02.680 --> 0:16:06.080
<v Speaker 1>I know you have a dope main project you've been

0:16:06.120 --> 0:16:09.440
<v Speaker 1>working on. Are there any other projects that you have

0:16:09.560 --> 0:16:12.440
<v Speaker 1>just been kind of working on? Like full collaborative ship

0:16:12.520 --> 0:16:18.200
<v Speaker 1>with Arucci? That shit pretty much almost finished up. It's

0:16:18.200 --> 0:16:21.080
<v Speaker 1>a lot of the coyotes, they're dope. Yeah, I got

0:16:21.080 --> 0:16:23.680
<v Speaker 1>some crazy shit with them. Who else I don't have

0:16:23.680 --> 0:16:25.200
<v Speaker 1>to look at my phone. It's a game. It's a

0:16:25.240 --> 0:16:27.760
<v Speaker 1>gang of a little EPs and yeah, full length products.

0:16:27.760 --> 0:16:30.440
<v Speaker 1>Are they ever gonna come out though? This year? Okay,

0:16:30.520 --> 0:16:32.920
<v Speaker 1>it's twenty twenty two. You gotta like you said you

0:16:33.000 --> 0:16:34.600
<v Speaker 1>when you literally say, man, there's a whole lot on

0:16:34.680 --> 0:16:37.840
<v Speaker 1>my phone. I can't even I just I just hope

0:16:38.440 --> 0:16:41.640
<v Speaker 1>this ship comes out. Bro is right here, right, So

0:16:41.680 --> 0:16:48.000
<v Speaker 1>what's coming out next? What's coming out next? Who knows?

0:16:47.800 --> 0:16:49.600
<v Speaker 1>It's a it's a couple of singles, like some of

0:16:49.600 --> 0:16:51.560
<v Speaker 1>the homies are putting putting out stuff that I produce,

0:16:52.000 --> 0:16:54.280
<v Speaker 1>shout out west Side Web. I got a song with

0:16:54.320 --> 0:16:58.800
<v Speaker 1>him called Fake Hustle, Fake Hustle. Yeah, okay, banger that's

0:16:58.840 --> 0:17:06.199
<v Speaker 1>coming out, and a couple of singles. It's just I

0:17:06.240 --> 0:17:09.800
<v Speaker 1>really gotta look yo. But twenty twenty two kind of

0:17:09.840 --> 0:17:13.440
<v Speaker 1>like already, it's already like the blueprints already kind of ritten.

0:17:13.800 --> 0:17:15.600
<v Speaker 1>You were talking about some of the Mexican artists that

0:17:15.600 --> 0:17:18.440
<v Speaker 1>are in San Diego. We talked about the full Community

0:17:18.480 --> 0:17:20.920
<v Speaker 1>put out there their list of the top Mexican rappers.

0:17:21.080 --> 0:17:24.200
<v Speaker 1>Who's your top five Mexican rappers right now? Mexican rappers

0:17:24.280 --> 0:17:29.680
<v Speaker 1>right now, right now Mmmm. They don't even got to

0:17:29.720 --> 0:17:31.760
<v Speaker 1>be like, who's the biggest, just who who are you? Who?

0:17:31.800 --> 0:17:34.159
<v Speaker 1>Do you like? You like that food community clip? You

0:17:34.200 --> 0:17:38.040
<v Speaker 1>want to? I mean the fuck shout out to them.

0:17:38.280 --> 0:17:39.840
<v Speaker 1>But I guess all all the homies I got music

0:17:39.880 --> 0:17:41.960
<v Speaker 1>with people that got I'm trying to think of all

0:17:42.000 --> 0:17:44.760
<v Speaker 1>the Mexican rapper rappers I got music with. You mentioned

0:17:44.800 --> 0:17:48.040
<v Speaker 1>the Coyotes, shod yeah, dom man, I got some ship

0:17:48.119 --> 0:17:54.480
<v Speaker 1>we Jeezy. Who else the Mexican Little Marrow pretty sure? Yeah,

0:17:54.480 --> 0:18:01.639
<v Speaker 1>I think he's Mexican San Diego one more then Bravo,

0:18:01.800 --> 0:18:04.560
<v Speaker 1>Bravo Mexican. Yeah, Brabo the back chaser that I'm not

0:18:04.600 --> 0:18:07.240
<v Speaker 1>sure about. As a white man, I can't just be

0:18:07.280 --> 0:18:10.280
<v Speaker 1>guessing people definit cities in twenty twenty two. They will

0:18:10.280 --> 0:18:14.159
<v Speaker 1>put they will be like, because what if he's not?

0:18:14.480 --> 0:18:17.760
<v Speaker 1>And you know, yeah, all right, we'll look man. The

0:18:17.800 --> 0:18:20.520
<v Speaker 1>project is out, Yeah, project is out, man shot everybody

0:18:20.600 --> 0:18:24.880
<v Speaker 1>involved videos coming. Yeah. I dropped one, well, the one

0:18:24.920 --> 0:18:27.240
<v Speaker 1>to the single a no Jumper up the score, that's

0:18:27.280 --> 0:18:31.320
<v Speaker 1>it all right now. I dropped one to the intro

0:18:31.600 --> 0:18:35.840
<v Speaker 1>feature in Young Globe one Doley no Limit. That one's out,

0:18:36.119 --> 0:18:38.439
<v Speaker 1>And I just dropped the video with Kailin too Kalyn

0:18:38.520 --> 0:18:39.879
<v Speaker 1>for Reel for Real. It was a single that we

0:18:39.920 --> 0:18:42.880
<v Speaker 1>put out last year called Call Me Yo. I wanted

0:18:42.920 --> 0:18:44.880
<v Speaker 1>to ask you too before we get out of here,

0:18:44.920 --> 0:18:50.040
<v Speaker 1>what would like, like, obviously the loss of Draco good

0:18:50.200 --> 0:18:54.120
<v Speaker 1>Rest in peace Draco, you know, for people who aren't

0:18:54.160 --> 0:18:56.720
<v Speaker 1>in LA who don't kind of understand like the gravity

0:18:56.760 --> 0:18:58.479
<v Speaker 1>of like how big he was in the city, like

0:18:59.640 --> 0:19:02.920
<v Speaker 1>obviously somebody who you were close with, But like, what

0:19:03.000 --> 0:19:05.520
<v Speaker 1>was that day like? Because I remember finding out being

0:19:05.560 --> 0:19:07.800
<v Speaker 1>like fuck, like that shit was crazy, that she was

0:19:07.800 --> 0:19:11.480
<v Speaker 1>a trip. Yeah, that she was a trip. Were you

0:19:11.600 --> 0:19:13.479
<v Speaker 1>at that show at all? Nah? So I was at

0:19:13.560 --> 0:19:17.000
<v Speaker 1>Rolling Loud the week before, So just being at Rolling

0:19:17.080 --> 0:19:20.520
<v Speaker 1>Loud and experiencing three days Rolling Loud too, because like

0:19:20.640 --> 0:19:24.439
<v Speaker 1>the Rolling Loud protocols they changed completely. I don't know

0:19:24.440 --> 0:19:27.360
<v Speaker 1>if they knew that Kanye was coming beforehand. They probably did,

0:19:27.359 --> 0:19:30.560
<v Speaker 1>but they was on some ship bro like security wise,

0:19:32.200 --> 0:19:34.480
<v Speaker 1>which I'm looking back on and I'm like, Okay, yeah,

0:19:35.320 --> 0:19:38.119
<v Speaker 1>I could see how nothing really happened at Rolling Loud.

0:19:38.160 --> 0:19:41.879
<v Speaker 1>The way they was it was really like ship. The

0:19:41.920 --> 0:19:44.320
<v Speaker 1>way we was escortial, it was just a trip. Everything

0:19:44.440 --> 0:19:48.359
<v Speaker 1>was on point calculated. So me being fresh from Rolling

0:19:48.400 --> 0:19:51.760
<v Speaker 1>Loud and kind of like, you know, the festivals been

0:19:52.440 --> 0:19:53.879
<v Speaker 1>that was. That was a big festival. To get me

0:19:53.920 --> 0:19:55.920
<v Speaker 1>wrong with that lineup looked dope. Definitely wanted to be there,

0:19:56.000 --> 0:19:57.359
<v Speaker 1>but at the same time, I was just kind of

0:19:57.400 --> 0:20:00.600
<v Speaker 1>wood from Rolling Loud. You spent three days on yeah,

0:20:01.480 --> 0:20:04.160
<v Speaker 1>the rest of the year, you know, commuting to the IE.

0:20:04.440 --> 0:20:07.920
<v Speaker 1>So I'm just thinking, like I'm finna deal with security,

0:20:08.119 --> 0:20:12.680
<v Speaker 1>you know, just covid go get the covid risband lines walking,

0:20:13.359 --> 0:20:16.600
<v Speaker 1>can't get the ubers. I'm just thinking, yeah, you know

0:20:16.720 --> 0:20:19.800
<v Speaker 1>this is right down the street. Am I really missing out?

0:20:20.680 --> 0:20:23.760
<v Speaker 1>Kind of watching everything from you know, from the stories

0:20:24.480 --> 0:20:27.160
<v Speaker 1>and then you know that shit was a trip because

0:20:27.359 --> 0:20:29.760
<v Speaker 1>I had two passes to pull up. I was thinking

0:20:29.800 --> 0:20:32.359
<v Speaker 1>like I might pull up around seven pm to go

0:20:32.480 --> 0:20:35.200
<v Speaker 1>check out, like you know, I think it was Draco

0:20:36.680 --> 0:20:39.360
<v Speaker 1>fifty C and Snoop where it was like a couple

0:20:39.400 --> 0:20:41.560
<v Speaker 1>people that I want to go watch just on some

0:20:41.600 --> 0:20:43.960
<v Speaker 1>regular ship. But know that shit was the trip that

0:20:44.000 --> 0:20:46.320
<v Speaker 1>day was crazy. Yeah, Like can you kind of try

0:20:46.359 --> 0:20:48.160
<v Speaker 1>to put in the words in Europeeon, like what what

0:20:48.160 --> 0:20:50.320
<v Speaker 1>what Draco mad in La you know what I'm saying

0:20:50.359 --> 0:20:53.359
<v Speaker 1>for people who don't know, he just created the whole

0:20:54.320 --> 0:20:57.240
<v Speaker 1>I wouldn't say you created the whole new way, but

0:20:57.280 --> 0:20:59.760
<v Speaker 1>he was a huge part of it. Was a huge Yeah,

0:21:00.359 --> 0:21:02.600
<v Speaker 1>a lot of like the rappers that are doing shit right,

0:21:02.920 --> 0:21:04.680
<v Speaker 1>I feel like him, Grito, like you know, there's a

0:21:04.720 --> 0:21:07.119
<v Speaker 1>few of those guys that I feel like he was

0:21:07.119 --> 0:21:08.560
<v Speaker 1>finally starting to get some of that credit. You know

0:21:08.560 --> 0:21:11.200
<v Speaker 1>what I'm saying. So yeah, rest in peace to Draco.

0:21:11.840 --> 0:21:15.879
<v Speaker 1>Hopefully you got some a whole busy ass. Twenty twenty

0:21:15.880 --> 0:21:18.800
<v Speaker 1>two for us. Nah, I plan to I plan to, man,

0:21:19.520 --> 0:21:22.800
<v Speaker 1>this is year I plan to you know, drop more music.

0:21:23.400 --> 0:21:26.080
<v Speaker 1>I've been holding it for the right moments. I feel

0:21:26.119 --> 0:21:28.760
<v Speaker 1>like the moments are coming this year. There it is, man,

0:21:28.800 --> 0:21:30.520
<v Speaker 1>anything else you want to shout out? You got fucking

0:21:30.520 --> 0:21:34.400
<v Speaker 1>weed here man shit shout out Cast twenty two Catch

0:21:34.480 --> 0:21:37.720
<v Speaker 1>Gallery La. Oh yeah you got the gallery? Yeah, which

0:21:37.760 --> 0:21:39.240
<v Speaker 1>is dope. So if you ever come in to LA

0:21:39.280 --> 0:21:40.720
<v Speaker 1>and you need to play like a space to like

0:21:40.840 --> 0:21:44.160
<v Speaker 1>do a pop up or do whatever, I mean, shit,

0:21:44.359 --> 0:21:47.119
<v Speaker 1>just tap in at Cash Gallery La. What was the

0:21:47.520 --> 0:21:49.640
<v Speaker 1>you was also kind of running up the little little

0:21:49.640 --> 0:21:51.400
<v Speaker 1>you know, the pandemic strippias, you know, what I'm saying.

0:21:51.400 --> 0:21:53.480
<v Speaker 1>How was the Pandemic Strip Club game? No? Them was

0:21:53.480 --> 0:21:58.880
<v Speaker 1>Catch twenty two? Parties, labor parties. Okay, okay, okayah shout

0:21:58.920 --> 0:22:01.159
<v Speaker 1>out today we still I mean you said you You

0:22:01.280 --> 0:22:02.760
<v Speaker 1>always more than what we gotta get you to come

0:22:02.760 --> 0:22:05.280
<v Speaker 1>to DJ one. Actually, let's do it, man, let's do it.

0:22:05.400 --> 0:22:09.400
<v Speaker 1>I'll do it for free. Anyway, there it is, man.

0:22:09.440 --> 0:22:11.760
<v Speaker 1>Shout out my guy cypres Marina going for having me. Hey,

0:22:11.840 --> 0:22:13.240
<v Speaker 1>thanks for having me for real. Boom