1
00:00:17,760 --> 00:00:23,239
Speaker 1: My voice done after nineties Great, I done.

2
00:00:24,040 --> 00:00:27,680
Speaker 2: I'm impressed that we're upright and like here, we're here,

3
00:00:27,960 --> 00:00:29,560
Speaker 2: Like that's the success of the day.

4
00:00:29,800 --> 00:00:31,400
Speaker 1: Barely barely.

5
00:00:31,480 --> 00:00:35,479
Speaker 3: I feel like I'm barely squeaking in. Tomorrow I squeak

6
00:00:35,560 --> 00:00:41,159
Speaker 3: in and do another round of press tour for homework movies,

7
00:00:41,920 --> 00:00:44,440
Speaker 3: and then and then you and I will be going

8
00:00:44,520 --> 00:00:47,960
Speaker 3: on a road trip in a Hyundai ion It.

9
00:00:48,040 --> 00:00:50,040
Speaker 2: I'm so excited. Yeah, I'm so excited.

10
00:00:50,360 --> 00:00:53,080
Speaker 3: I first of all, I know we get to do

11
00:00:53,120 --> 00:00:55,200
Speaker 3: the podcast, but I actually get to see you in

12
00:00:55,240 --> 00:01:00,320
Speaker 3: person like twice, not even that, like three times we

13
00:01:00,400 --> 00:01:03,200
Speaker 3: went to dinner and then Nineties Gone and then this.

14
00:01:03,440 --> 00:01:05,520
Speaker 3: And for those of you that don't know, Andrew and

15
00:01:05,600 --> 00:01:07,360
Speaker 3: I do not exactly live around the corner from each other.

16
00:01:07,400 --> 00:01:09,080
Speaker 1: Yes we both live technically.

17
00:01:08,640 --> 00:01:12,560
Speaker 3: In la Ish, but on opposite ends of it, and

18
00:01:12,840 --> 00:01:15,720
Speaker 3: so I don't get to see her in person very often, and.

19
00:01:15,360 --> 00:01:21,160
Speaker 1: She's probably totally sick of me. But I day I

20
00:01:21,240 --> 00:01:21,520
Speaker 1: got you.

21
00:01:22,240 --> 00:01:25,520
Speaker 2: The last night of nineties Con, after we were all done,

22
00:01:25,560 --> 00:01:27,400
Speaker 2: we all went back to our hotel rooms. We were tired,

23
00:01:27,480 --> 00:01:28,600
Speaker 2: nobody went out together.

24
00:01:28,800 --> 00:01:29,880
Speaker 1: Oh no, And I.

25
00:01:29,840 --> 00:01:34,400
Speaker 2: Turn on the TV and who do I see your

26
00:01:34,640 --> 00:01:37,840
Speaker 2: face on the Hallmark movie staring back at me, and

27
00:01:37,880 --> 00:01:39,400
Speaker 2: I was like, I can't get away from her, Like

28
00:01:39,520 --> 00:01:41,120
Speaker 2: she's me.

29
00:01:41,360 --> 00:01:42,920
Speaker 3: You texted me a picture and you were like you're

30
00:01:42,920 --> 00:01:44,959
Speaker 3: ever and I said, I'm watching you right now.

31
00:01:45,120 --> 00:01:47,360
Speaker 1: Yeah, just kind of created with the people. Yeah, it

32
00:01:47,440 --> 00:01:47,760
Speaker 1: was creepy.

33
00:01:47,800 --> 00:01:48,920
Speaker 2: I had to turn it off. Sorry.

34
00:01:49,000 --> 00:01:51,520
Speaker 1: I was just no, please, I don't. I take no

35
00:01:51,560 --> 00:01:52,680
Speaker 1: offense none.

36
00:01:52,840 --> 00:01:55,600
Speaker 3: You had spent the day with me, you know, with

37
00:01:55,760 --> 00:01:57,760
Speaker 3: all manner of things happening in the background.

38
00:01:58,120 --> 00:02:02,960
Speaker 1: Yeah, uh, bomb detecting dogs or whatever. No, what was it.

39
00:02:04,320 --> 00:02:08,800
Speaker 3: It was like sort of yes, yeah, detector wand oh

40
00:02:08,840 --> 00:02:12,200
Speaker 3: yeah it was right. Yeah, and yeah somebody needed to

41
00:02:12,240 --> 00:02:15,160
Speaker 3: take their belt off because it was peeping. So hats

42
00:02:15,160 --> 00:02:17,520
Speaker 3: off to Manny or thank.

43
00:02:17,360 --> 00:02:18,040
Speaker 2: You for editor.

44
00:02:18,200 --> 00:02:20,720
Speaker 3: We we love Manny. He was probably like what is

45
00:02:20,800 --> 00:02:23,919
Speaker 3: going on? And no joke. It was over nine minutes

46
00:02:23,960 --> 00:02:27,200
Speaker 3: we had to record, and so yeah, it was there

47
00:02:27,240 --> 00:02:28,079
Speaker 3: was just no way.

48
00:02:27,960 --> 00:02:30,320
Speaker 2: To be quiet. He's like, how do I how do

49
00:02:30,360 --> 00:02:31,160
Speaker 2: I salvage this?

50
00:02:31,560 --> 00:02:31,720
Speaker 1: Well?

51
00:02:31,720 --> 00:02:33,400
Speaker 2: I was like, let's go in the bathroom and Jody's

52
00:02:33,440 --> 00:02:33,919
Speaker 2: like no.

53
00:02:34,280 --> 00:02:37,040
Speaker 1: I was like no. I was like no, yeah, no,

54
00:02:37,120 --> 00:02:38,080
Speaker 1: that would be the work.

55
00:02:38,480 --> 00:02:44,720
Speaker 3: Great for singing, not so much for audio recording, Yes, anyway.

56
00:02:45,000 --> 00:02:47,080
Speaker 2: But did you have fun? Like? What how was your

57
00:02:47,200 --> 00:02:49,760
Speaker 2: I mean how I mean we talked, but how would

58
00:02:49,800 --> 00:02:52,079
Speaker 2: your how was your weekend? Overall?

59
00:02:52,280 --> 00:02:57,560
Speaker 3: I love, I really do. I love going to nineties Con.

60
00:02:57,720 --> 00:03:02,640
Speaker 3: I have so much fun there. It has become quite

61
00:03:02,800 --> 00:03:06,400
Speaker 3: the like fans that come to all the nineties cons,

62
00:03:06,440 --> 00:03:11,239
Speaker 3: whether it's Florida or Hartford, Connecticut, And it's just I'm

63
00:03:11,720 --> 00:03:17,520
Speaker 3: so enjoying the vibe of nineties Con and and selfishly

64
00:03:17,560 --> 00:03:18,960
Speaker 3: too because I get to you know, we get to

65
00:03:18,960 --> 00:03:21,840
Speaker 3: see people from other shows that we grew up with,

66
00:03:22,560 --> 00:03:24,840
Speaker 3: or friends that we've worked with or whatever on other

67
00:03:24,880 --> 00:03:26,440
Speaker 3: shows that we don't get to see all the time.

68
00:03:27,840 --> 00:03:30,680
Speaker 3: So I have a great time. I mean, my voice

69
00:03:30,720 --> 00:03:33,000
Speaker 3: is gone because I just yap it up with everybody.

70
00:03:33,040 --> 00:03:36,200
Speaker 3: But I love all the fans that come through our lines.

71
00:03:36,360 --> 00:03:39,760
Speaker 3: And we had so many great fan of Ritos out there.

72
00:03:39,880 --> 00:03:43,120
Speaker 3: Even there were there was somebody out there with a

73
00:03:43,160 --> 00:03:45,320
Speaker 3: shirt that said original fan of Rito.

74
00:03:45,600 --> 00:03:47,240
Speaker 1: On it, which was awesome.

75
00:03:47,920 --> 00:03:49,800
Speaker 3: Yeah, we had some great ones. But you know what

76
00:03:49,840 --> 00:03:51,760
Speaker 3: we didn't do. Remember when we were like, you know

77
00:03:51,800 --> 00:03:54,080
Speaker 3: what we should do, it was have like a we'll

78
00:03:54,080 --> 00:03:56,560
Speaker 3: have like a code that we'll say on the thing

79
00:03:56,600 --> 00:03:58,840
Speaker 3: and yeah, we forget to do that. We never did that, now,

80
00:03:58,880 --> 00:04:00,800
Speaker 3: you know what I thought about it when on the

81
00:04:00,800 --> 00:04:04,760
Speaker 3: plane right home yesterday, I was like, oh, yeah, that's right,

82
00:04:04,800 --> 00:04:05,520
Speaker 3: we were going to do that.

83
00:04:05,680 --> 00:04:09,080
Speaker 1: Well, that at least we're consistent in our in our forgetting.

84
00:04:09,280 --> 00:04:12,000
Speaker 2: You know, it's it's chaotic, especially the first day of

85
00:04:12,080 --> 00:04:14,880
Speaker 2: nineties gone. Like you're doing you're doing press or going

86
00:04:14,960 --> 00:04:16,640
Speaker 2: around trying to get touched up. You're going.

87
00:04:16,680 --> 00:04:18,040
Speaker 1: And I had come from Missouri.

88
00:04:18,600 --> 00:04:20,560
Speaker 3: I was doing a speaking event in Missouri and my

89
00:04:20,640 --> 00:04:25,520
Speaker 3: plane was delayed. Yes, oh yes, someone decided to pee

90
00:04:25,520 --> 00:04:26,200
Speaker 3: in first class.

91
00:04:26,200 --> 00:04:33,640
Speaker 1: You guys. Someone got on the plane too drunk.

92
00:04:34,480 --> 00:04:34,960
Speaker 2: Mm hmmm.

93
00:04:35,200 --> 00:04:38,520
Speaker 1: And we were next to take off mm hmm.

94
00:04:39,400 --> 00:04:43,760
Speaker 3: And this guy p'd like a fountain everywhere, sitting in

95
00:04:43,800 --> 00:04:46,279
Speaker 3: the bulkhead. Sounded like someone pouring coffee on the floor.

96
00:04:46,560 --> 00:04:48,680
Speaker 2: Oh so he like he didn't just pee his pants.

97
00:04:48,800 --> 00:04:50,279
Speaker 2: He like it was zipped it out.

98
00:04:50,160 --> 00:04:53,120
Speaker 1: And was just look. I did not have a visual.

99
00:04:53,240 --> 00:04:55,440
Speaker 3: I was it was a small plane, but it wasn't

100
00:04:55,440 --> 00:04:57,039
Speaker 3: that small, you know what I mean. So I was

101
00:04:57,080 --> 00:04:58,760
Speaker 3: a couple of rows back and I had my ear

102
00:04:58,760 --> 00:05:01,160
Speaker 3: pods in which I sort of regret now because I

103
00:05:01,200 --> 00:05:03,400
Speaker 3: wish I could have heard exactly how this went down.

104
00:05:05,279 --> 00:05:07,960
Speaker 3: But funny enough, the guy that was in front of

105
00:05:08,000 --> 00:05:10,800
Speaker 3: me that that said something to the guy across the

106
00:05:10,839 --> 00:05:14,120
Speaker 3: aisle about his pea fountain. Was that nineties Con?

107
00:05:14,760 --> 00:05:14,839
Speaker 2: Was?

108
00:05:14,839 --> 00:05:15,359
Speaker 1: It was?

109
00:05:15,400 --> 00:05:15,440
Speaker 2: It?

110
00:05:15,640 --> 00:05:21,719
Speaker 3: Bev was at Beverly Mitchell's table and she was trying.

111
00:05:21,920 --> 00:05:24,039
Speaker 3: She brought him over to try and find me, but

112
00:05:24,080 --> 00:05:26,200
Speaker 3: we were doing like photo ops or something because he

113
00:05:26,560 --> 00:05:29,320
Speaker 3: somehow the story had gotten around because everyone I was

114
00:05:29,320 --> 00:05:33,039
Speaker 3: telling the story was hilarious, and somehow she was like,

115
00:05:33,080 --> 00:05:35,720
Speaker 3: oh my gosh. He the guy that was like in

116
00:05:35,760 --> 00:05:38,919
Speaker 3: front of you was on the was at my table.

117
00:05:38,720 --> 00:05:42,080
Speaker 2: So like as a volunteer as no no, no, like as

118
00:05:42,120 --> 00:05:46,680
Speaker 2: an attendee, as an attendee to nineties Con, and he

119
00:05:46,760 --> 00:05:47,200
Speaker 2: was like, this.

120
00:05:47,200 --> 00:05:48,400
Speaker 1: Guy pee on my flight. And I was like, I

121
00:05:48,520 --> 00:05:52,400
Speaker 1: was there. Yeah, it's just anyway, but a bonding moment.

122
00:05:52,680 --> 00:05:53,120
Speaker 1: It was.

123
00:05:53,240 --> 00:05:55,480
Speaker 3: We had to pull back into the gate. They had

124
00:05:55,480 --> 00:05:58,680
Speaker 3: to get the guy off the plane into the waiting

125
00:05:58,680 --> 00:06:01,600
Speaker 3: cop cars. They had to they they had to clean

126
00:06:01,640 --> 00:06:03,839
Speaker 3: the plane. They didn't debord.

127
00:06:03,520 --> 00:06:09,400
Speaker 1: Us, okay, which wondering which you know, yay and nay,

128
00:06:09,560 --> 00:06:10,120
Speaker 1: you know what I mean?

129
00:06:10,160 --> 00:06:11,880
Speaker 3: Like I was a couple of roads back and over,

130
00:06:12,040 --> 00:06:14,880
Speaker 3: so I have less skin in the game per se

131
00:06:14,960 --> 00:06:17,640
Speaker 3: about whether or not, you know, I get to be

132
00:06:17,720 --> 00:06:20,400
Speaker 3: like really mad if that they didn't turn the plane

133
00:06:20,400 --> 00:06:22,080
Speaker 3: around or get us off and get us onto a

134
00:06:22,080 --> 00:06:22,640
Speaker 3: new plane.

135
00:06:22,760 --> 00:06:24,080
Speaker 1: I wasn't sitting next to the.

136
00:06:24,000 --> 00:06:25,520
Speaker 2: P Yeah you're involved.

137
00:06:25,680 --> 00:06:26,640
Speaker 1: I was less involved.

138
00:06:27,480 --> 00:06:32,839
Speaker 3: But I will say hats off to our flight attendant team.

139
00:06:33,120 --> 00:06:37,440
Speaker 3: They were excellent that nobody freaked out like they.

140
00:06:37,360 --> 00:06:40,760
Speaker 1: We just were like, there's a passenger issue. But why though?

141
00:06:41,120 --> 00:06:41,880
Speaker 1: Why was I like?

142
00:06:41,960 --> 00:06:42,960
Speaker 2: Is it me what I do?

143
00:06:43,200 --> 00:06:45,400
Speaker 1: Like I just randomly nothing.

144
00:06:45,440 --> 00:06:48,080
Speaker 3: I did nothing, sitting on the plane with my AirPods in,

145
00:06:48,400 --> 00:06:49,960
Speaker 3: and I'm like it might be me.

146
00:06:50,160 --> 00:06:52,279
Speaker 1: I wonder if it's me. Did I do something that

147
00:06:52,320 --> 00:06:53,039
Speaker 1: I don't know about?

148
00:06:53,160 --> 00:06:56,560
Speaker 2: Just you attract like random bad luck, like this is

149
00:06:57,880 --> 00:06:59,240
Speaker 2: I attract.

150
00:06:59,000 --> 00:07:02,000
Speaker 3: Like oh, oh my god, I can't believe that happened. Stories,

151
00:07:02,200 --> 00:07:04,359
Speaker 3: which this was one of them. But I for a

152
00:07:04,400 --> 00:07:06,640
Speaker 3: second was like, is this my story? Or am I

153
00:07:06,720 --> 00:07:08,680
Speaker 3: just sort of present for someone else's story?

154
00:07:10,000 --> 00:07:12,360
Speaker 2: Yeah? You were just an observer, you went back?

155
00:07:12,480 --> 00:07:15,560
Speaker 1: Yeah, back, I was background in the story.

156
00:07:15,800 --> 00:07:16,120
Speaker 4: Uh.

157
00:07:16,360 --> 00:07:18,920
Speaker 3: And and they got the guy off the plane and

158
00:07:19,000 --> 00:07:22,280
Speaker 3: we cheered for the you know, the the crew that

159
00:07:22,320 --> 00:07:24,560
Speaker 3: came in and cleaned it up. But meanwhile, nobody in

160
00:07:24,560 --> 00:07:26,200
Speaker 3: the back of the plane has any idea what's going on?

161
00:07:26,320 --> 00:07:29,320
Speaker 3: Oh yeah, I know the like happening in first class.

162
00:07:29,320 --> 00:07:31,320
Speaker 3: Why are they all cheering for these two? What is

163
00:07:31,400 --> 00:07:34,680
Speaker 3: going on up there? And yeah it was.

164
00:07:34,960 --> 00:07:35,320
Speaker 2: It was.

165
00:07:35,560 --> 00:07:38,480
Speaker 3: Some guy just was like, I need to peep right now.

166
00:07:39,320 --> 00:07:44,040
Speaker 3: Didn't even almost tick almost took off that we did

167
00:07:44,080 --> 00:07:44,800
Speaker 3: or didn't you know.

168
00:07:45,160 --> 00:07:48,960
Speaker 2: Yeah, Like it's not like you had been in flight

169
00:07:49,040 --> 00:07:51,360
Speaker 2: for three hours, Like why why didn't he.

170
00:07:51,320 --> 00:07:53,760
Speaker 1: Got it was a fifty minute flight.

171
00:07:53,880 --> 00:07:56,840
Speaker 3: Well, to be fair, when this guy got on the plane,

172
00:07:56,960 --> 00:07:59,360
Speaker 3: he tried to put his backpack in the overhead compartment

173
00:07:59,480 --> 00:08:01,560
Speaker 3: and it only made it about halfway there and he

174
00:08:01,640 --> 00:08:03,800
Speaker 3: sat down anyway, So anyway.

175
00:08:03,640 --> 00:08:06,840
Speaker 2: He's a cautionary tale. Now he is a Yeah, he is.

176
00:08:06,800 --> 00:08:07,920
Speaker 1: A cautionary tale.

177
00:08:08,400 --> 00:08:13,120
Speaker 2: Like I watch your liquor and go potty before you

178
00:08:13,200 --> 00:08:13,840
Speaker 2: board a plane.

179
00:08:13,880 --> 00:08:17,600
Speaker 3: What happened in the days you dressed nicely for a plane.

180
00:08:17,680 --> 00:08:20,440
Speaker 3: Now now you're just being on the bullhead.

181
00:08:20,200 --> 00:08:21,560
Speaker 1: On Oh yeah, yeah.

182
00:08:21,720 --> 00:08:27,120
Speaker 3: Anyway, yeah, so that was that was the eventful sort

183
00:08:27,160 --> 00:08:28,480
Speaker 3: of arrival that night.

184
00:08:28,680 --> 00:08:31,880
Speaker 2: But you made it went so we made it mostly

185
00:08:31,960 --> 00:08:34,240
Speaker 2: on time, like you missed the press in the beginning, but.

186
00:08:34,559 --> 00:08:36,880
Speaker 3: Yeah, I was like, I am so exhausted the rest

187
00:08:36,920 --> 00:08:38,600
Speaker 3: of it and almost overslept.

188
00:08:39,240 --> 00:08:39,840
Speaker 1: That was great.

189
00:08:39,880 --> 00:08:41,720
Speaker 3: The first morning I managed to get ready in twenty

190
00:08:41,720 --> 00:08:44,880
Speaker 3: minutes because I hit last snooze on my alarm and

191
00:08:45,000 --> 00:08:48,720
Speaker 3: turned it off and then woke up twenty five minutes

192
00:08:48,720 --> 00:08:49,080
Speaker 3: before I was.

193
00:08:49,040 --> 00:08:50,960
Speaker 1: Supposed to be downstairs. So wow, it was a very

194
00:08:51,000 --> 00:08:51,760
Speaker 1: cute wick shower.

195
00:08:51,840 --> 00:08:54,960
Speaker 2: And yeah, you looked great for only twenty minutes of prep.

196
00:08:55,200 --> 00:08:56,320
Speaker 2: That's that's really good.

197
00:08:56,600 --> 00:08:57,960
Speaker 1: Thank you, thank you. It was.

198
00:08:58,480 --> 00:09:00,760
Speaker 3: I think sometimes if you just don't pay attention, it

199
00:09:00,800 --> 00:09:05,000
Speaker 3: goes better. Yeah, true, true. But anyway, now I how

200
00:09:05,080 --> 00:09:08,439
Speaker 3: was your nineties Cone? Enough about me and my misadventures.

201
00:09:08,520 --> 00:09:09,520
Speaker 3: How is your ninety you?

202
00:09:09,720 --> 00:09:10,040
Speaker 1: You had?

203
00:09:10,280 --> 00:09:12,560
Speaker 3: We had so many great fans there from the show,

204
00:09:12,640 --> 00:09:16,280
Speaker 3: I mean, just so wonderful. But I love seeing your

205
00:09:16,480 --> 00:09:17,600
Speaker 3: your table people.

206
00:09:17,920 --> 00:09:20,760
Speaker 2: My table, Like, yeah, I got like the bacon and

207
00:09:20,800 --> 00:09:24,640
Speaker 2: eggs people, I've got the Gibbler Gallop kids, I've got

208
00:09:24,679 --> 00:09:26,920
Speaker 2: like all the the blockheads showed up in.

209
00:09:28,480 --> 00:09:28,760
Speaker 1: Wares.

210
00:09:29,000 --> 00:09:32,079
Speaker 2: They were just like, here have some boy band merch. Know.

211
00:09:32,080 --> 00:09:35,400
Speaker 2: It was just like I am totally merched out. Someone

212
00:09:35,400 --> 00:09:39,000
Speaker 2: gave me a little retro tote bag, yet bright yellow

213
00:09:39,080 --> 00:09:40,920
Speaker 2: tote bag with new Kids on the Block on it,

214
00:09:40,960 --> 00:09:42,959
Speaker 2: and I was like, this is great. I can use

215
00:09:43,000 --> 00:09:45,719
Speaker 2: this to pack all of my wonderful gifts in and

216
00:09:46,400 --> 00:09:49,280
Speaker 2: check it on the way home. It was really fantastic.

217
00:09:49,360 --> 00:09:51,720
Speaker 2: So yeah, I've got some of my little gifts displayed.

218
00:09:52,600 --> 00:09:54,680
Speaker 2: I appreciate them all so much. You don't have to

219
00:09:54,720 --> 00:09:57,800
Speaker 2: bring us gifts, but they're very sweet. Lots of them

220
00:09:57,800 --> 00:09:59,920
Speaker 2: are homemade, lots of sweet notes.

221
00:10:00,240 --> 00:10:05,079
Speaker 3: I see you have the the that ornament, which is

222
00:10:05,280 --> 00:10:10,240
Speaker 3: so sweet. Someone made that ornament for us, and in

223
00:10:10,360 --> 00:10:14,160
Speaker 3: the middle is uh are is Bob with some wings

224
00:10:14,240 --> 00:10:16,880
Speaker 3: on him, and then you can see it's all of

225
00:10:16,960 --> 00:10:20,800
Speaker 3: us including Ashley, Mary Kate on the ends, but it's

226
00:10:20,840 --> 00:10:22,920
Speaker 3: the whole cast and it's his family forever. And then

227
00:10:22,960 --> 00:10:26,440
Speaker 3: on the other side, I believe it says something true.

228
00:10:26,200 --> 00:10:31,160
Speaker 2: Friends are never apart, maybe in distance, but never in heart. Yeah,

229
00:10:31,240 --> 00:10:33,600
Speaker 2: it's very sweet, and I have. She gave me some

230
00:10:33,720 --> 00:10:36,560
Speaker 2: to give to the other cast members too at nineties Con, so.

231
00:10:36,720 --> 00:10:40,080
Speaker 3: Yeah, yeah, some really sweet guess. I got a Lego set.

232
00:10:40,120 --> 00:10:43,240
Speaker 3: I'm very excited to build. It's a Simba Legas Lego set.

233
00:10:43,280 --> 00:10:45,320
Speaker 3: And I was a huge Lion King fan as a kid,

234
00:10:45,360 --> 00:10:48,120
Speaker 3: so oh nice. And I got a pink bunny shirt.

235
00:10:49,120 --> 00:10:51,199
Speaker 3: Oh yeah, somebody made me a pink bunny.

236
00:10:51,360 --> 00:10:52,920
Speaker 2: From kate Lin Larkin.

237
00:10:53,000 --> 00:10:55,240
Speaker 1: She's got I believe from her too.

238
00:10:56,280 --> 00:10:59,520
Speaker 2: I got Jesse Barry and the Rippers, Barry and the Rippers,

239
00:11:00,080 --> 00:11:04,319
Speaker 2: Barry Williams from Brady Bunch. I can't wait till we

240
00:11:04,360 --> 00:11:06,360
Speaker 2: get to that episode because I can't remember anything about

241
00:11:06,360 --> 00:11:08,480
Speaker 2: it except this shirt. So that's right.

242
00:11:09,200 --> 00:11:10,000
Speaker 1: Oh my gosh.

243
00:11:10,040 --> 00:11:12,080
Speaker 2: I showed up wearing this shirt and then gave me

244
00:11:12,120 --> 00:11:13,559
Speaker 2: a shiss. I was like, this is so cool, So

245
00:11:13,600 --> 00:11:15,320
Speaker 2: I'm wearing it for today's podcast.

246
00:11:15,320 --> 00:11:15,840
Speaker 1: I love it.

247
00:11:15,880 --> 00:11:18,079
Speaker 3: I'm gonna wear I'm gonna wear my my pink bunnies

248
00:11:18,480 --> 00:11:20,560
Speaker 3: one of these days. But I sort of slid in hot,

249
00:11:20,840 --> 00:11:23,960
Speaker 3: as they say, coming in from reading errands today. But

250
00:11:24,480 --> 00:11:28,240
Speaker 3: oh my gosh, just so many lovely things, and more importantly,

251
00:11:28,880 --> 00:11:35,120
Speaker 3: so many sweet and kind and wonderful interactions and conversations.

252
00:11:35,520 --> 00:11:37,840
Speaker 2: Yeah it was. It was really more meaningful that way,

253
00:11:37,920 --> 00:11:40,959
Speaker 2: just getting just a few extra seconds or minutes of

254
00:11:41,040 --> 00:11:45,720
Speaker 2: connection and hearing people's stories like they're just also genuine

255
00:11:45,760 --> 00:11:47,679
Speaker 2: and loving and it's I know, it's like we never

256
00:11:47,800 --> 00:11:49,839
Speaker 2: take that for granted, just how much you guys love

257
00:11:49,880 --> 00:11:52,600
Speaker 2: our show and our characters and us, like it's just

258
00:11:52,679 --> 00:11:54,600
Speaker 2: it really, I don't even have words for it.

259
00:11:54,679 --> 00:11:57,960
Speaker 1: Yes, So our panel went completely off the rails with

260
00:11:58,080 --> 00:11:59,360
Speaker 1: Dave Dave Day.

261
00:11:59,480 --> 00:12:01,920
Speaker 2: There's no there was no off switch to Dave that

262
00:12:02,200 --> 00:12:02,840
Speaker 2: entire weekend.

263
00:12:02,920 --> 00:12:05,120
Speaker 1: He was it was yeah, I did laugh.

264
00:12:05,360 --> 00:12:08,160
Speaker 3: We were walking through the hall and I said, I said, yeah,

265
00:12:08,360 --> 00:12:11,320
Speaker 3: that panel was like if you sat us all down

266
00:12:11,320 --> 00:12:13,400
Speaker 3: and you went, okay, find.

267
00:12:13,120 --> 00:12:16,440
Speaker 1: The two people with ADHD and it was just.

268
00:12:16,640 --> 00:12:19,880
Speaker 3: Me and Dave just ping ponging all of each other

269
00:12:19,880 --> 00:12:22,040
Speaker 3: and going and Dave getting out of his seat and

270
00:12:22,080 --> 00:12:24,560
Speaker 3: going and doing things and just making jokes. And I

271
00:12:24,600 --> 00:12:28,080
Speaker 3: was like, yeah, I'm really you It's this is why

272
00:12:28,160 --> 00:12:31,360
Speaker 3: I couldn't sit any anywhere near a human being in.

273
00:12:31,320 --> 00:12:32,600
Speaker 1: Class, because this is what happened.

274
00:12:33,679 --> 00:12:36,320
Speaker 3: Yeah, no, I said the question, and then we were like, wait,

275
00:12:37,320 --> 00:12:40,120
Speaker 3: I'm sorry, did we answer that at all?

276
00:12:40,240 --> 00:12:41,400
Speaker 1: That was no.

277
00:12:41,440 --> 00:12:42,920
Speaker 2: I don't think we answered any question.

278
00:12:43,280 --> 00:12:46,880
Speaker 3: For Doory Jackson, who does our she just she's like, oh,

279
00:12:46,920 --> 00:12:47,440
Speaker 3: here we go.

280
00:12:47,720 --> 00:12:49,280
Speaker 2: She does such a good job. And we're like Doriy

281
00:12:49,400 --> 00:12:51,760
Speaker 2: just interrupted Dave and ask a question for this way.

282
00:12:51,840 --> 00:12:54,880
Speaker 3: Yeah, don't don't feel bad, but you know what, it

283
00:12:54,920 --> 00:12:56,720
Speaker 3: was fun. And I will say people came through the

284
00:12:56,760 --> 00:12:59,040
Speaker 3: line and we're like, thank you guys for being insane.

285
00:12:59,240 --> 00:13:02,120
Speaker 3: We really appreciate it, but thank you for being silly

286
00:13:02,200 --> 00:13:03,960
Speaker 3: and fun and just who you are. And I'm like,

287
00:13:04,040 --> 00:13:08,199
Speaker 3: that is if you saw us all hanging out in

288
00:13:08,240 --> 00:13:12,080
Speaker 3: one of our houses together, that is exactly the same.

289
00:13:12,200 --> 00:13:14,440
Speaker 3: Like you're getting the same people.

290
00:13:15,240 --> 00:13:18,199
Speaker 2: It's a real deal. Yeah, yeah, yep, there's no we're

291
00:13:18,240 --> 00:13:21,000
Speaker 2: not acting up there. That's just us on a random

292
00:13:21,040 --> 00:13:25,360
Speaker 2: on a random Saturday, Like that is just us. I

293
00:13:25,400 --> 00:13:27,360
Speaker 2: also have to laugh. One of my one of the

294
00:13:27,400 --> 00:13:31,640
Speaker 2: most meta moments for me was the last day were

295
00:13:31,679 --> 00:13:35,720
Speaker 2: you and me and Candace and Andrew Keegan. Yes, we're

296
00:13:35,720 --> 00:13:39,040
Speaker 2: hanging out. I haven't seen him in ages and uh

297
00:13:39,360 --> 00:13:42,360
Speaker 2: we were trying to remember what episode he was in,

298
00:13:42,720 --> 00:13:44,320
Speaker 2: and then there was some debate. We're like, was it

299
00:13:44,320 --> 00:13:45,880
Speaker 2: the last episode, right?

300
00:13:45,960 --> 00:13:48,080
Speaker 1: And I was the last last episode?

301
00:13:48,160 --> 00:13:50,319
Speaker 3: I remember it was the last episode that we shot,

302
00:13:50,480 --> 00:13:52,920
Speaker 3: not the last one that aired right, right?

303
00:13:52,960 --> 00:13:54,839
Speaker 2: And I stood up? Is the title of it?

304
00:13:55,240 --> 00:13:55,440
Speaker 1: Yeah?

305
00:13:55,440 --> 00:13:57,440
Speaker 2: And so but Candace and I didn't believe you. So

306
00:13:57,480 --> 00:14:00,600
Speaker 2: we I pulled it up and pulled it up on YouTube. Yeah,

307
00:14:00,600 --> 00:14:03,160
Speaker 2: and we sat there, the four of us and watched it.

308
00:14:03,440 --> 00:14:04,840
Speaker 2: Andrew Andrews was laughing.

309
00:14:05,360 --> 00:14:09,079
Speaker 1: No, Andrew was crying. Oh he was crying. No, he

310
00:14:09,200 --> 00:14:12,560
Speaker 1: was tearing up and crying. That's why he asked for a group.

311
00:14:12,640 --> 00:14:16,440
Speaker 3: Like he's he's like super sweet and emotional and like

312
00:14:16,640 --> 00:14:18,800
Speaker 3: he literally was like I can't believe I got to

313
00:14:18,800 --> 00:14:19,720
Speaker 3: be there for that moment.

314
00:14:19,760 --> 00:14:23,520
Speaker 1: Like he was like I had no idea as a kid.

315
00:14:23,360 --> 00:14:25,080
Speaker 3: What was going on. And I'm like, oh my god,

316
00:14:25,080 --> 00:14:26,640
Speaker 3: I got to be there for that moment. And he

317
00:14:26,680 --> 00:14:30,520
Speaker 3: was just like so sweet and so sweeter. Now who's

318
00:14:30,560 --> 00:14:33,560
Speaker 3: eight is watching the show, and so I think he was.

319
00:14:33,720 --> 00:14:35,640
Speaker 3: He and I were talking and like, it's like I

320
00:14:35,720 --> 00:14:38,640
Speaker 3: just have a whole new appreciation for it because I

321
00:14:38,640 --> 00:14:39,760
Speaker 3: get to skip through her.

322
00:14:39,600 --> 00:14:41,680
Speaker 1: Eyes and it bad. I think is why he like

323
00:14:41,720 --> 00:14:43,200
Speaker 1: teared up, because now he's a dad and.

324
00:14:43,160 --> 00:14:45,000
Speaker 2: He gets the whole you know, he gets it now.

325
00:14:45,120 --> 00:14:50,840
Speaker 3: Yeahah, but yeah, we were standing there watching the last episode. Uh,

326
00:14:50,880 --> 00:14:52,640
Speaker 3: and then I was like, yeah, remember this is the

327
00:14:52,680 --> 00:14:55,360
Speaker 3: part where I come back in and I hug Bob

328
00:14:55,400 --> 00:14:57,200
Speaker 3: And that was the last thing, and you like, I

329
00:14:57,240 --> 00:14:58,160
Speaker 3: was like, and you could see.

330
00:14:58,040 --> 00:15:00,880
Speaker 2: Him crying, and yeah, it was a whole the whole thing.

331
00:15:00,880 --> 00:15:03,920
Speaker 3: We're trying to figure out if Scott was there because

332
00:15:03,920 --> 00:15:06,440
Speaker 3: it was DJ's like the prom episode, and we thought

333
00:15:06,520 --> 00:15:10,920
Speaker 3: that that was when DJ. When when when Steve came

334
00:15:10,960 --> 00:15:12,920
Speaker 3: back to take DJ to prom. I believe that was

335
00:15:13,000 --> 00:15:14,280
Speaker 3: that that episode.

336
00:15:14,280 --> 00:15:17,400
Speaker 2: I don't even know, so you think the fans will

337
00:15:18,440 --> 00:15:18,760
Speaker 2: tell us.

338
00:15:18,760 --> 00:15:25,840
Speaker 3: And Andrew sold one of his scripts and it was

339
00:15:25,960 --> 00:15:29,320
Speaker 3: somebody came through the line to have met us. I'll

340
00:15:29,360 --> 00:15:32,600
Speaker 3: sign it. And I said, oh, you don't know what

341
00:15:32,640 --> 00:15:34,880
Speaker 3: you have. And they were like what I said, This

342
00:15:36,400 --> 00:15:39,120
Speaker 3: is the final.

343
00:15:39,000 --> 00:15:40,520
Speaker 1: Script that we ever shot.

344
00:15:40,960 --> 00:15:43,040
Speaker 3: This is it, this is the fine And they were

345
00:15:43,080 --> 00:15:45,440
Speaker 3: like what I say, Oh, yeah, this is the final

346
00:15:45,600 --> 00:15:48,280
Speaker 3: script we ever shot. And I looked back to the

347
00:15:48,360 --> 00:15:50,560
Speaker 3: last page and read out the last like four or

348
00:15:50,560 --> 00:15:53,160
Speaker 3: five lines between Steph and DJ, or between Steph and

349
00:15:53,240 --> 00:15:56,200
Speaker 3: Danny rather and and.

350
00:15:56,160 --> 00:15:57,040
Speaker 1: They were like, oh my gosh.

351
00:15:57,040 --> 00:15:58,960
Speaker 3: I said, yeah, so like Andrew signs it and all

352
00:15:59,000 --> 00:16:00,640
Speaker 3: of us anyway, it was I was like, this is

353
00:16:00,680 --> 00:16:03,240
Speaker 3: a pretty cool one you have, you know, the final script.

354
00:16:03,720 --> 00:16:06,320
Speaker 2: That's yeah. They had no idea that that was how.

355
00:16:06,280 --> 00:16:08,800
Speaker 3: Specially the one that aired was Michelle falling off the

356
00:16:08,840 --> 00:16:13,800
Speaker 3: horse or whatever and then uh, which then a fan

357
00:16:13,880 --> 00:16:16,400
Speaker 3: fit turned into maybe the Fuller House was.

358
00:16:16,400 --> 00:16:20,400
Speaker 1: Just Michelle's like a fever dream, like a dream while

359
00:16:20,400 --> 00:16:23,560
Speaker 1: she's in a coma, and that's why she's not in.

360
00:16:23,520 --> 00:16:28,600
Speaker 3: It, right, that's why because she's Yeah, kind of makes sense,

361
00:16:28,960 --> 00:16:30,160
Speaker 3: it makes total sense, but.

362
00:16:30,280 --> 00:16:32,040
Speaker 2: It's more sense than anything else on the show.

363
00:16:33,240 --> 00:16:38,320
Speaker 3: I think we've decided that making sense is is optional optional.

364
00:16:38,440 --> 00:16:39,120
Speaker 1: Yeah, yeah, yeah.

365
00:16:39,280 --> 00:16:42,040
Speaker 3: If if the joke has to work and the sense

366
00:16:42,120 --> 00:16:44,280
Speaker 3: that we don't have to make sense, then fine, then we'll.

367
00:16:44,120 --> 00:16:48,360
Speaker 2: Do it totally totally. Speaking of yeah, should we do

368
00:16:48,480 --> 00:16:48,920
Speaker 2: a recap?

369
00:16:49,360 --> 00:16:49,840
Speaker 1: A recap?

370
00:16:49,920 --> 00:16:51,880
Speaker 3: Let's well, we had a little and we had some

371
00:16:52,000 --> 00:16:54,080
Speaker 3: nineties condent to chat, right, and there will be more.

372
00:16:54,160 --> 00:16:56,360
Speaker 2: We'll have some things to chat about. Yeah, well we'll

373
00:16:56,400 --> 00:16:59,960
Speaker 2: remember more later once we're rested and have our head hunts.

374
00:17:00,400 --> 00:17:02,800
Speaker 1: Maybe. Yeah.

375
00:17:02,960 --> 00:17:08,080
Speaker 2: But yeah, super great weekend, and now let's discuss another

376
00:17:08,080 --> 00:17:19,200
Speaker 2: great episode of Full House. Welcome back to How Rude Tanaritos.

377
00:17:19,359 --> 00:17:22,240
Speaker 2: I'm Andrea Barber and I'm Jody Sweeten, and today we're

378
00:17:22,280 --> 00:17:28,760
Speaker 2: discussing season three, episode fourteen, Misadventures in Babysitting. It originally

379
00:17:28,800 --> 00:17:32,800
Speaker 2: aired on January twelfth, nineteen ninety and it goes a

380
00:17:32,840 --> 00:17:36,360
Speaker 2: little something like this. DJ decides to babysit in order

381
00:17:36,400 --> 00:17:39,679
Speaker 2: to earn money for her own phone, but her charge

382
00:17:39,840 --> 00:17:42,000
Speaker 2: turns out to be a bratty nightmare.

383
00:17:43,160 --> 00:17:44,720
Speaker 1: Oh yes, I remember this kid.

384
00:17:44,960 --> 00:17:48,040
Speaker 2: Yeah, oh yeah, this kid. It was directed by Billy

385
00:17:48,119 --> 00:17:51,200
Speaker 2: Fausta Coffee Coffee, Coffee. He's directing a lot of them

386
00:17:51,320 --> 00:17:53,080
Speaker 2: this season, like his name.

387
00:17:53,160 --> 00:17:56,280
Speaker 3: He was, Yeah, he directed quite a few there for

388
00:17:56,560 --> 00:17:58,080
Speaker 3: like on our second third seasons.

389
00:17:58,080 --> 00:18:00,480
Speaker 2: He was did a wow, this was quite a it's

390
00:18:00,480 --> 00:18:03,439
Speaker 2: it's great. It makes me want coffee, coffee, coffee all

391
00:18:03,480 --> 00:18:06,680
Speaker 2: the time, right. And then it was written by two

392
00:18:06,760 --> 00:18:12,640
Speaker 2: ladies that we haven't before, Sherry Sharfer Rowlands. She worked

393
00:18:12,640 --> 00:18:15,159
Speaker 2: on Family Ties as a production assistant and worked on

394
00:18:15,240 --> 00:18:19,160
Speaker 2: sixteen episodes of Full House, all in season three. Oh great, Yeah,

395
00:18:19,200 --> 00:18:22,000
Speaker 2: so I don't particularly remember her, but you know that's

396
00:18:22,000 --> 00:18:22,399
Speaker 2: good to know.

397
00:18:22,680 --> 00:18:23,400
Speaker 1: Yeah.

398
00:18:23,440 --> 00:18:26,919
Speaker 2: And then it was also written by Julie Strassman Kohane.

399
00:18:27,600 --> 00:18:30,520
Speaker 2: She was a story editor for ground Lean's Marsh, which

400
00:18:30,560 --> 00:18:33,600
Speaker 2: is like a like like Muppets sort of, and she

401
00:18:33,640 --> 00:18:37,080
Speaker 2: also worked on brothers bebar and throw Mama from the train.

402
00:18:37,480 --> 00:18:41,320
Speaker 2: So yeah, this is great having these two ladies represent Yeah.

403
00:18:41,400 --> 00:18:43,280
Speaker 1: I love love seeing some female writers in there.

404
00:18:43,600 --> 00:18:46,120
Speaker 2: Love it. And then we have lots of great guest stars.

405
00:18:46,320 --> 00:18:48,520
Speaker 1: Yes, I was like, oh my gosh, it's it, you know.

406
00:18:49,040 --> 00:18:53,560
Speaker 2: So well. Yeah, we have Bruce Baum, who returns as

407
00:18:53,720 --> 00:18:56,399
Speaker 2: Paul this time. We last saw him in the Phillis

408
00:18:56,440 --> 00:19:00,920
Speaker 2: Diller episode. But seriously, folks, he was the MC on stage,

409
00:19:01,240 --> 00:19:03,160
Speaker 2: so this is the same character.

410
00:19:03,960 --> 00:19:05,399
Speaker 1: No, he plays different characters.

411
00:19:05,520 --> 00:19:07,800
Speaker 3: He will also come back as a host at a

412
00:19:07,840 --> 00:19:08,720
Speaker 3: pirate restaurant.

413
00:19:08,760 --> 00:19:10,800
Speaker 1: Yeah, and a few other things.

414
00:19:10,880 --> 00:19:13,400
Speaker 3: Yeah, Bruce was you know, he was comedy friends with

415
00:19:13,640 --> 00:19:15,679
Speaker 3: all the guys, so yeah, he was always kind of

416
00:19:15,720 --> 00:19:16,320
Speaker 3: rotating in now.

417
00:19:16,760 --> 00:19:19,680
Speaker 2: So he's the Connie Connie Karen. You know.

418
00:19:21,680 --> 00:19:23,640
Speaker 1: We have several repeats in this one as well too,

419
00:19:24,080 --> 00:19:24,480
Speaker 1: we do.

420
00:19:25,720 --> 00:19:29,600
Speaker 2: Then we have the fabulous Mike Binder and Steve Binder,

421
00:19:29,720 --> 00:19:33,280
Speaker 2: who's such a good friend. I love all of us. Yeah,

422
00:19:33,320 --> 00:19:35,440
Speaker 2: a great friend of Dave and Bob's too.

423
00:19:36,160 --> 00:19:40,480
Speaker 1: They grew up together, Yeah in Detroit, right, Yeah, in Detroit.

424
00:19:40,359 --> 00:19:42,920
Speaker 3: Mike Binder and Dave grew up together. They've known each

425
00:19:42,920 --> 00:19:45,960
Speaker 3: other since they were young, and they did, and they

426
00:19:46,359 --> 00:19:48,639
Speaker 3: all did comedy together when they were teenagers, lived on

427
00:19:48,680 --> 00:19:52,440
Speaker 3: each other's couches and vice versa. And and Binder gave

428
00:19:52,520 --> 00:19:56,280
Speaker 3: me my first opportunity to like get up and do

429
00:19:56,680 --> 00:19:59,359
Speaker 3: uh some of my own original material opening for him.

430
00:19:59,200 --> 00:19:59,840
Speaker 1: At the Ice House.

431
00:20:00,359 --> 00:20:01,400
Speaker 2: That's so cool.

432
00:20:01,600 --> 00:20:02,560
Speaker 1: That was. Yeah, he is.

433
00:20:02,720 --> 00:20:07,280
Speaker 3: He's been incredibly supportive in that journey for me. But he,

434
00:20:07,560 --> 00:20:12,359
Speaker 3: I mean, Binder was around our whole I mean I

435
00:20:12,440 --> 00:20:14,760
Speaker 3: just always remember him. He's one of Bob and Dave's

436
00:20:14,760 --> 00:20:17,879
Speaker 3: closest friends, so he's just always been there. And we

437
00:20:17,960 --> 00:20:21,000
Speaker 3: have some fun pictures from John's like sixtieth birthday with

438
00:20:21,160 --> 00:20:22,000
Speaker 3: Winder and Dave.

439
00:20:22,600 --> 00:20:25,360
Speaker 1: Yeah, it's just love those guys. So such a.

440
00:20:25,280 --> 00:20:27,640
Speaker 2: Cool guy, and he's done so well in this episode.

441
00:20:27,640 --> 00:20:29,760
Speaker 2: I didn't I didn't remember him as an actor. I

442
00:20:29,800 --> 00:20:32,520
Speaker 2: think of him as a comedian or a director, but like,

443
00:20:32,600 --> 00:20:33,880
Speaker 2: he's so good in this road.

444
00:20:33,960 --> 00:20:40,479
Speaker 1: Yeah, super funny. Yeah, he's great, really really funny, fantastic.

445
00:20:40,520 --> 00:20:44,240
Speaker 2: H And then we have Barry Kivell as Michael Kagan.

446
00:20:45,280 --> 00:20:49,240
Speaker 2: He was on One Fine Day, The Natural and Crocodile

447
00:20:49,359 --> 00:20:53,959
Speaker 2: Dundee some major major hits there, and he will return

448
00:20:54,440 --> 00:20:57,960
Speaker 2: to full House in a few episodes from now. Then

449
00:20:57,960 --> 00:21:03,640
Speaker 2: we have Joan Leegsman as Joyce Kagan. We last saw

450
00:21:03,680 --> 00:21:08,359
Speaker 2: her in season one as Jonie in Joe's Place. She

451
00:21:08,440 --> 00:21:10,640
Speaker 2: has three moms with Barbara and Janice.

452
00:21:10,760 --> 00:21:15,440
Speaker 3: Yes she is Joni is Lenny Rip's girlfriend. That's okay,

453
00:21:15,520 --> 00:21:18,119
Speaker 3: this is yeah, Yeah, Jony was one of that. She

454
00:21:18,200 --> 00:21:20,040
Speaker 3: was one of the moms in that one, and then

455
00:21:20,200 --> 00:21:21,960
Speaker 3: yeah again and then she came back in this one.

456
00:21:22,200 --> 00:21:24,919
Speaker 1: Uh, as as as Joyce.

457
00:21:25,000 --> 00:21:28,320
Speaker 2: Now she's Jonny, Joyce and Joan. Okay, yeah, this is

458
00:21:28,320 --> 00:21:31,840
Speaker 2: all very illiterative, and this is yeah, this is a

459
00:21:31,880 --> 00:21:36,080
Speaker 2: trend full houses. Just we're we recycle, we recycle actors.

460
00:21:35,680 --> 00:21:39,280
Speaker 3: And I believe the technical term is nepotism, but we're

461
00:21:39,359 --> 00:21:41,080
Speaker 3: just gonna we're gonna say that.

462
00:21:41,160 --> 00:21:43,200
Speaker 1: It's uh, just.

463
00:21:43,480 --> 00:21:47,199
Speaker 3: Sort of how this business works at times. You know,

464
00:21:47,240 --> 00:21:49,200
Speaker 3: a guy who knows a guy you know, and then

465
00:21:49,200 --> 00:21:52,720
Speaker 3: you then you got a thing. So yeah, but no,

466
00:21:52,760 --> 00:21:55,359
Speaker 3: but not to say not to say that anyone you know,

467
00:21:55,520 --> 00:21:56,720
Speaker 3: sort of got.

468
00:21:58,320 --> 00:22:02,359
Speaker 1: Hilarious. She was so funny. Yeah, she was great. Also,

469
00:22:02,560 --> 00:22:03,520
Speaker 1: she was coming great.

470
00:22:04,080 --> 00:22:05,840
Speaker 2: Yeah, this is a really good pair, this mom and

471
00:22:05,920 --> 00:22:08,960
Speaker 2: dad pair. Yes, they were so so funny. And she

472
00:22:09,000 --> 00:22:11,639
Speaker 2: too will be back in the Three Men and another

473
00:22:11,720 --> 00:22:17,200
Speaker 2: Baby episode along with Barry Kivel. So yay. And then, last,

474
00:22:17,240 --> 00:22:20,840
Speaker 2: but certainly not least, we have Malachi Pearson. He returns

475
00:22:20,960 --> 00:22:24,399
Speaker 2: as Brian Kagan. We last saw him in Nerd for

476
00:22:24,440 --> 00:22:28,800
Speaker 2: a day. Yeah, he was teasing duck face, yeah until

477
00:22:28,880 --> 00:22:31,760
Speaker 2: you told him told him where to play.

478
00:22:31,840 --> 00:22:35,040
Speaker 1: Yeah. Yeah, he's kind of He plays a good obnoxious kid.

479
00:22:35,320 --> 00:22:37,040
Speaker 2: Yeah he's a good pest yea.

480
00:22:38,160 --> 00:22:39,120
Speaker 1: Yeah, it's a great yeah.

481
00:22:39,480 --> 00:22:43,439
Speaker 2: Yeah. Yeah, it's a guy after my own heart. Okay,

482
00:22:43,520 --> 00:22:46,000
Speaker 2: So we start with the teaser. In the living room,

483
00:22:46,720 --> 00:22:50,520
Speaker 2: Joey is making a bet with Michelle. He declares, I'll

484
00:22:50,520 --> 00:22:53,359
Speaker 2: bet you a kiss that I can make this flower dance,

485
00:22:53,840 --> 00:22:55,760
Speaker 2: and he sets a toy flower in front of a

486
00:22:55,800 --> 00:22:59,920
Speaker 2: stereo and Michelle, who's wearing a giant pair of sunglasses, responds,

487
00:23:00,200 --> 00:23:03,800
Speaker 2: no way, jose Joey laughs and tells her watch this.

488
00:23:04,600 --> 00:23:07,320
Speaker 2: He turns on music and presses a button on the flower,

489
00:23:07,440 --> 00:23:09,720
Speaker 2: and it prompts the flower to dance to the beat.

490
00:23:10,119 --> 00:23:13,360
Speaker 3: I remember these, but those were they were the height

491
00:23:13,440 --> 00:23:18,399
Speaker 3: of the technology, truly at the beginning. There it was

492
00:23:18,800 --> 00:23:22,520
Speaker 3: my flower dance to the music, you know. Yeah, it

493
00:23:22,600 --> 00:23:24,480
Speaker 3: was like the post lava lamp era. This was the

494
00:23:24,480 --> 00:23:25,639
Speaker 3: cool thing you had in your room.

495
00:23:25,760 --> 00:23:30,480
Speaker 2: Yes, yes, it's so great. So Michelle is very impressed.

496
00:23:30,560 --> 00:23:33,520
Speaker 2: She's like, cool flower. And then she goes and picks

497
00:23:33,600 --> 00:23:35,800
Speaker 2: up a real flower and sets it next to Joey,

498
00:23:35,880 --> 00:23:38,160
Speaker 2: expecting it to dance. Yeah.

499
00:23:38,240 --> 00:23:40,280
Speaker 3: You know that real flower that we keep on the

500
00:23:40,960 --> 00:23:43,200
Speaker 3: on the side table in the living room where it

501
00:23:43,240 --> 00:23:47,280
Speaker 3: can't get any sunlight and it's never been before.

502
00:23:47,760 --> 00:23:49,280
Speaker 1: Yeah, it's just there.

503
00:23:49,720 --> 00:23:56,280
Speaker 2: It's always be convenient, convenient prop right, so funny. So

504
00:23:56,800 --> 00:23:59,760
Speaker 2: she she's expecting this thing to dance, but it doesn't,

505
00:24:00,040 --> 00:24:02,040
Speaker 2: and so she taps it saying, hey, you wake up,

506
00:24:02,560 --> 00:24:05,200
Speaker 2: and Joey says, well, I think this one is a wallflower.

507
00:24:06,080 --> 00:24:09,720
Speaker 2: So Michelle smiles and dances, telling the sunflower to dance

508
00:24:09,720 --> 00:24:13,160
Speaker 2: and go crazy. Joey shakes this real flower to make

509
00:24:13,200 --> 00:24:16,879
Speaker 2: it dance, and Michelle is happy. She says, you got it, dude,

510
00:24:17,400 --> 00:24:21,320
Speaker 2: and that's our teaser. Short Swedes felt.

511
00:24:21,080 --> 00:24:24,600
Speaker 3: This felt like too many uh and this is me

512
00:24:24,680 --> 00:24:26,680
Speaker 3: saying it, but it felt like we were trying to

513
00:24:26,720 --> 00:24:31,520
Speaker 3: get too many like taglines into one thing.

514
00:24:31,640 --> 00:24:35,320
Speaker 1: We had the you guys use uh, hey, I don't know,

515
00:24:35,359 --> 00:24:36,639
Speaker 1: we had a few with this one.

516
00:24:36,680 --> 00:24:38,800
Speaker 2: It was one of the way Jose, The Way Jose.

517
00:24:39,080 --> 00:24:39,880
Speaker 1: It was one of.

518
00:24:39,800 --> 00:24:44,040
Speaker 3: Those Michelle teasers that felt a like real forced that.

519
00:24:44,080 --> 00:24:47,760
Speaker 2: I was like, true, yeah, how many catchphrases can you

520
00:24:47,800 --> 00:24:49,120
Speaker 2: shove into one scene?

521
00:24:49,600 --> 00:24:52,239
Speaker 1: Because it didn't they didn't necessarily make sense, But I

522
00:24:52,280 --> 00:24:54,800
Speaker 1: was like, okay, whatever, it was cute.

523
00:24:54,640 --> 00:24:57,840
Speaker 3: Dancing flower dancing, kid love it.

524
00:24:57,840 --> 00:25:01,159
Speaker 2: It's cute, So you know they it did what it

525
00:25:01,200 --> 00:25:03,080
Speaker 2: was supposed to do. It made you smile and it's cut.

526
00:25:03,200 --> 00:25:06,800
Speaker 2: But yeah, yeah, yep. So next we're in the living room.

527
00:25:07,040 --> 00:25:09,520
Speaker 2: DJ's laying on the couch talking to Kimmy on the

528
00:25:09,600 --> 00:25:14,160
Speaker 2: phone while they're gossiping. Stephanie is pacing behind her, impatiently

529
00:25:14,320 --> 00:25:17,320
Speaker 2: looking at her watch. She finally leans over the couch

530
00:25:17,359 --> 00:25:20,679
Speaker 2: and reminds DJ, A person is waiting for the phone,

531
00:25:21,480 --> 00:25:21,919
Speaker 2: and your.

532
00:25:21,800 --> 00:25:25,720
Speaker 1: Hair waiting for the phone. Do you remember this gets

533
00:25:26,400 --> 00:25:27,919
Speaker 1: wait for this phone.

534
00:25:28,080 --> 00:25:31,719
Speaker 2: Waiting waiting in line for your brother or your sister,

535
00:25:31,920 --> 00:25:34,320
Speaker 2: or your mom or your dad to get off the

536
00:25:34,359 --> 00:25:37,160
Speaker 2: line so that you can use it.

537
00:25:37,320 --> 00:25:39,720
Speaker 3: One of the things that always made me really grateful

538
00:25:39,720 --> 00:25:41,960
Speaker 3: that I was an only child. Oh yes, I didn't

539
00:25:41,960 --> 00:25:44,200
Speaker 3: have to share a phone line with any with anyone,

540
00:25:44,240 --> 00:25:47,359
Speaker 3: well other than my mom, right right, but it's different.

541
00:25:47,400 --> 00:25:49,480
Speaker 2: Like I had brothers, which is still a little different

542
00:25:49,480 --> 00:25:52,400
Speaker 2: because they were a lot older than me. But yeah,

543
00:25:52,440 --> 00:25:54,240
Speaker 2: it was I was annoying them because that's what you did.

544
00:25:54,280 --> 00:25:56,520
Speaker 2: You take the phone with the long cord, you stretch

545
00:25:56,560 --> 00:25:58,480
Speaker 2: it as far as you can into your closet and

546
00:25:58,600 --> 00:26:00,600
Speaker 2: shut the door for privacy, and then you're on the

547
00:26:00,600 --> 00:26:02,159
Speaker 2: phone for like two hours. Ye hyeah hour.

548
00:26:02,280 --> 00:26:05,720
Speaker 1: Sometimes you couldn't get me. I hate talking on the phone, now.

549
00:26:07,000 --> 00:26:11,800
Speaker 3: Hate it couldn't It's that sounds that's torturous. You want

550
00:26:11,800 --> 00:26:13,959
Speaker 3: to talk on the phone for two hours? No to

551
00:26:14,000 --> 00:26:16,600
Speaker 3: someone I just saw an hour and a half ago

552
00:26:16,640 --> 00:26:17,040
Speaker 3: at school.

553
00:26:17,400 --> 00:26:20,000
Speaker 1: No, I want to go be quiet. Yeah, oh god.

554
00:26:21,000 --> 00:26:25,320
Speaker 2: That's why our generation, you know, uh gen X are millennials.

555
00:26:25,359 --> 00:26:27,919
Speaker 2: I think that's why we're so opposed to being on

556
00:26:27,960 --> 00:26:29,960
Speaker 2: the phone, because we were on the phone for most

557
00:26:30,040 --> 00:26:30,720
Speaker 2: of our teenage.

558
00:26:30,760 --> 00:26:33,680
Speaker 3: Right, it's like, no text me, this, this meeting could

559
00:26:33,680 --> 00:26:36,000
Speaker 3: have been a text, right, this text could have been

560
00:26:36,000 --> 00:26:36,920
Speaker 3: a shorter text.

561
00:26:37,000 --> 00:26:37,200
Speaker 1: Yeah.

562
00:26:37,240 --> 00:26:40,080
Speaker 2: Basically, yeah, yep, I am the same way. I'm like,

563
00:26:40,119 --> 00:26:42,119
Speaker 2: don't call me, just text me, and if you have

564
00:26:42,160 --> 00:26:44,280
Speaker 2: to call me, text me first to tell me that

565
00:26:44,320 --> 00:26:46,120
Speaker 2: you're gonna call right, right right, if you.

566
00:26:46,080 --> 00:26:46,920
Speaker 1: Call me out of the blue.

567
00:26:47,000 --> 00:26:48,879
Speaker 3: I am answering the phone, and I am asking the

568
00:26:48,960 --> 00:26:49,720
Speaker 3: question who's dead.

569
00:26:51,720 --> 00:26:57,800
Speaker 2: Yes, yes, it's terrible. That's because because Noah, no, it's

570
00:26:57,920 --> 00:27:02,239
Speaker 2: it's it's triggering, it's very triggering. So meanwhile, DJ is

571
00:27:02,400 --> 00:27:05,320
Speaker 2: ignoring Stephanie, but she scoots to the other side of

572
00:27:05,359 --> 00:27:09,320
Speaker 2: the couch and continues her conversation with Kimmy. Tell me again,

573
00:27:09,560 --> 00:27:13,160
Speaker 2: where did he kiss her? And steph answers on the lips,

574
00:27:13,280 --> 00:27:18,240
Speaker 2: don't you listen. Danny walks into the room. He addresses DJ,

575
00:27:18,760 --> 00:27:20,399
Speaker 2: let me know when you're done, honey, I need to

576
00:27:20,480 --> 00:27:24,440
Speaker 2: use the phone. Steph chimes in, Dad, no Cutsis, I've

577
00:27:24,440 --> 00:27:29,000
Speaker 2: been waiting twenty minutes. Get in line. Then Joey walks in.

578
00:27:29,080 --> 00:27:31,200
Speaker 2: He tells DJ to hurry up because he needs to

579
00:27:31,320 --> 00:27:35,400
Speaker 2: use the phone too. Danny promptly states, Hey, no Cutsis,

580
00:27:35,800 --> 00:27:38,200
Speaker 2: get in line. This is quite the pile up of.

581
00:27:38,200 --> 00:27:42,560
Speaker 3: People, right Well, I mean there's you know, nineteen people

582
00:27:42,560 --> 00:27:46,359
Speaker 3: that live in this house, so at some point, multiple

583
00:27:46,440 --> 00:27:47,840
Speaker 3: ones of them are going to need to use the

584
00:27:47,840 --> 00:27:48,600
Speaker 3: phone at the same time.

585
00:27:48,680 --> 00:27:51,240
Speaker 2: So yeah, it's inevitable. Yeah, I can't only imagine what

586
00:27:51,280 --> 00:27:55,639
Speaker 2: that phone bill was. DJ ignores the line of people

587
00:27:55,680 --> 00:27:58,680
Speaker 2: behind her and continues to talk excitedly in the phone

588
00:27:59,160 --> 00:28:02,159
Speaker 2: they kissed for twelve well seconds? Were their eyes open

589
00:28:02,320 --> 00:28:05,879
Speaker 2: or closed? These are very important details for a thirteen

590
00:28:05,960 --> 00:28:06,439
Speaker 2: year old man.

591
00:28:06,720 --> 00:28:08,960
Speaker 3: God, yeah, yeah, you remember these phone calls as a

592
00:28:09,040 --> 00:28:10,040
Speaker 3: like middle schooler, when you.

593
00:28:09,960 --> 00:28:12,119
Speaker 1: Were like, they did what? Oh my god? On my lips?

594
00:28:12,119 --> 00:28:13,120
Speaker 1: Where behind the art room?

595
00:28:13,240 --> 00:28:16,879
Speaker 2: Yeah? Yeah, this was a very accurate dialogue. I was impressed,

596
00:28:17,040 --> 00:28:20,679
Speaker 2: you know, it was great. Joey begins a side chat

597
00:28:20,880 --> 00:28:23,439
Speaker 2: with Danny. He tells him he needs to line up

598
00:28:23,440 --> 00:28:26,280
Speaker 2: a place for his Friday night poker game. One of

599
00:28:26,320 --> 00:28:30,680
Speaker 2: his poker buddies has food poisoning from eating vending machine sushi.

600
00:28:31,160 --> 00:28:35,240
Speaker 2: Then Danny suggests that they use his house for the game.

601
00:28:35,600 --> 00:28:39,520
Speaker 2: He even offers to take the friend's place, and Joey's amused.

602
00:28:39,880 --> 00:28:42,040
Speaker 2: You want to have a poker game here in your

603
00:28:42,120 --> 00:28:47,120
Speaker 2: palace of cleanliness. Danny defends himself, saying he doesn't always

604
00:28:47,160 --> 00:28:50,400
Speaker 2: have to be neat, and he dramatically untucks his shirt

605
00:28:50,440 --> 00:28:54,800
Speaker 2: to prove his point. Bob is so good. He's so

606
00:28:54,880 --> 00:28:58,360
Speaker 2: good at the physical comedy right and being a total geek. Yeah,

607
00:28:58,440 --> 00:29:00,240
Speaker 2: it's such a geek if. But it's like, you can't

608
00:29:00,320 --> 00:29:02,880
Speaker 2: just gently untuck your shirt, you have to do it

609
00:29:02,920 --> 00:29:03,719
Speaker 2: with intentions.

610
00:29:04,040 --> 00:29:04,240
Speaker 1: Right.

611
00:29:05,000 --> 00:29:09,600
Speaker 2: He nailed it. So, DJ, who is still talking on

612
00:29:09,640 --> 00:29:14,800
Speaker 2: the phone, asks Kimmy their braces got stuck together out

613
00:29:15,160 --> 00:29:18,120
Speaker 2: and Steph reminds her, Hey, I'm not getting any younger.

614
00:29:19,680 --> 00:29:22,200
Speaker 2: DJ finally gives up the phone. She tells Kimmy to

615
00:29:22,240 --> 00:29:25,720
Speaker 2: hold on while she switches to the upstairs phone. She's

616
00:29:25,720 --> 00:29:30,240
Speaker 2: not hanging up, she's just just hold on. Kimmy says

617
00:29:30,240 --> 00:29:33,360
Speaker 2: something on the other line, and DJ agrees, I know.

618
00:29:33,840 --> 00:29:38,880
Speaker 2: Stephanie is a real pain. Stephanie's jaw drops in shock.

619
00:29:39,840 --> 00:29:42,520
Speaker 2: When DJ leaves, Steph picks up the phone and gives

620
00:29:42,600 --> 00:29:45,959
Speaker 2: Kimmy a piece of her mind. This is the major

621
00:29:46,120 --> 00:29:48,960
Speaker 2: pain speaking, how rude.

622
00:29:50,640 --> 00:29:51,200
Speaker 1: Delivery.

623
00:29:51,320 --> 00:29:57,000
Speaker 2: Jody just knocked it out of the park.

624
00:29:57,000 --> 00:30:02,240
Speaker 1: That was so hard, Thank you. Steph was appalled she

625
00:30:02,880 --> 00:30:06,480
Speaker 1: could even be deemed to be the problem in this. Yeah,

626
00:30:06,600 --> 00:30:07,040
Speaker 1: you're so.

627
00:30:07,080 --> 00:30:12,960
Speaker 2: Good at just being mad at people. Yeah, yeah, you're

628
00:30:13,000 --> 00:30:15,920
Speaker 2: so good at it. So she hands the phone to

629
00:30:16,040 --> 00:30:19,000
Speaker 2: Danny and storms out of the room. Then Becky and

630
00:30:19,080 --> 00:30:21,880
Speaker 2: Jesse walk through the front door, and they are full

631
00:30:21,920 --> 00:30:25,720
Speaker 2: of happiness. Becky tells him she had a wonderful afternoon.

632
00:30:26,000 --> 00:30:29,920
Speaker 2: She loved their picnic in the park. Jesse responds in

633
00:30:29,920 --> 00:30:33,080
Speaker 2: the lovey dovey tone, telling Becky that every day is

634
00:30:33,120 --> 00:30:36,160
Speaker 2: a picnic with her. The two go back and forth,

635
00:30:36,400 --> 00:30:38,960
Speaker 2: flaunting their love for one another right in front of

636
00:30:39,120 --> 00:30:40,040
Speaker 2: Danny and Joey.

637
00:30:40,440 --> 00:30:43,240
Speaker 1: Not to have a private conversation. When you walk into

638
00:30:43,240 --> 00:30:44,320
Speaker 1: a room with other people.

639
00:30:45,360 --> 00:30:47,160
Speaker 2: Did they even acknowledge Danny and Joey?

640
00:30:47,200 --> 00:30:49,960
Speaker 3: I don't think they know, because sitcoms, you never you

641
00:30:50,000 --> 00:30:51,880
Speaker 3: walk into a room and you're like, and these people

642
00:30:51,920 --> 00:30:55,640
Speaker 3: are just backdrops now, but like it was, you know.

643
00:30:55,880 --> 00:30:58,680
Speaker 3: I just always love that sitcom engine where you're like, oh, yeah, no,

644
00:30:58,720 --> 00:31:01,320
Speaker 3: you wouldn't. You wouldn't be like hey and acknowledge people,

645
00:31:01,600 --> 00:31:03,480
Speaker 3: or now you've got to be awkward.

646
00:31:04,120 --> 00:31:05,920
Speaker 2: You're only in your own little storyline.

647
00:31:05,960 --> 00:31:08,880
Speaker 3: You're not because you have to be awkward so that

648
00:31:08,960 --> 00:31:10,920
Speaker 3: it makes it awkward for other people. But you would,

649
00:31:10,960 --> 00:31:13,640
Speaker 3: I mean, I would hope that most people would have

650
00:31:14,000 --> 00:31:16,360
Speaker 3: more sense than that. But I look, I've been wrong.

651
00:31:16,480 --> 00:31:17,000
Speaker 3: I've been wrong.

652
00:31:17,120 --> 00:31:21,080
Speaker 2: Yeah, it's full house. You have to lower your expectations here, right,

653
00:31:21,800 --> 00:31:26,720
Speaker 2: normal behavior. So the two go back and forth, flaunting

654
00:31:26,920 --> 00:31:28,920
Speaker 2: their love for one another. Oh I already said that,

655
00:31:29,120 --> 00:31:32,600
Speaker 2: Joey interrupts, telling them he's getting a cavity from all

656
00:31:32,640 --> 00:31:35,400
Speaker 2: this sweet talk. Yes, same, Joey.

657
00:31:35,160 --> 00:31:37,240
Speaker 1: Same same. But also you could leave the room.

658
00:31:37,400 --> 00:31:41,840
Speaker 3: You know, it's sure, I don't know who's moart fault here.

659
00:31:42,000 --> 00:31:44,560
Speaker 3: You know you're hanging out and the eavesdropping as you

660
00:31:44,600 --> 00:31:49,959
Speaker 3: saw there obviously having a private conversation, but also that

661
00:31:50,040 --> 00:31:52,720
Speaker 3: guys break it up, you know, so you can.

662
00:31:53,000 --> 00:31:54,840
Speaker 2: There's fifty two rooms in this house, you could.

663
00:31:55,120 --> 00:31:58,840
Speaker 3: Yeah, there's right, go please there's the Winchester Mystery Mansion

664
00:31:58,960 --> 00:32:01,920
Speaker 3: like there you know you constantly changing shape?

665
00:32:01,960 --> 00:32:02,240
Speaker 1: Please?

666
00:32:02,320 --> 00:32:07,040
Speaker 2: Yes? Bless So. Jesse tells Joey to get used to it.

667
00:32:07,400 --> 00:32:10,160
Speaker 2: He and Becky just had their one year anniversary of

668
00:32:10,200 --> 00:32:13,800
Speaker 2: the day they met, and they promised no more fighting.

669
00:32:14,280 --> 00:32:21,520
Speaker 2: No that's going to go well sure, jan like just no, yeah, okay, sure,

670
00:32:21,800 --> 00:32:28,440
Speaker 2: bless your heart, yeah, bless yep, bless bless. Becky nods

671
00:32:28,440 --> 00:32:31,400
Speaker 2: in agreement. From now on they're going to work everything

672
00:32:31,440 --> 00:32:34,560
Speaker 2: out with good communication and understanding.

673
00:32:35,000 --> 00:32:36,480
Speaker 1: Well, that's our show. Thanks, goodnight.

674
00:32:41,120 --> 00:32:44,520
Speaker 2: Oh gee I wonder where this is going. Becky gives

675
00:32:44,560 --> 00:32:47,880
Speaker 2: an example. The two of them are disagreeing on where

676
00:32:47,920 --> 00:32:51,080
Speaker 2: to spend Christmas. They can either spend it in Nebraska

677
00:32:51,120 --> 00:32:58,080
Speaker 2: with Becky's relatives or spend it in Graceland with Elvis's relatives. Now,

678
00:32:58,120 --> 00:33:00,600
Speaker 2: in the old days, this would pose a potential crisis,

679
00:33:00,840 --> 00:33:05,240
Speaker 2: but now solving this problem will only bring them closer together.

680
00:33:05,880 --> 00:33:08,120
Speaker 3: I think the fact that this is even a problem

681
00:33:08,160 --> 00:33:10,680
Speaker 3: to begin with is a bigger problem than the problem

682
00:33:10,760 --> 00:33:12,240
Speaker 3: of where to spend the holidays.

683
00:33:12,400 --> 00:33:14,440
Speaker 1: But yes, what do I know?

684
00:33:14,880 --> 00:33:18,440
Speaker 2: This is so problematic, like Graceland really, Like I could

685
00:33:18,560 --> 00:33:21,640
Speaker 2: understand if Jesse wanted to spend time with his family,

686
00:33:21,720 --> 00:33:24,400
Speaker 2: like his parents or whatever. It's it's Christmas, it's the holidays,

687
00:33:24,560 --> 00:33:28,560
Speaker 2: but Graceland real, yeah, yeah, do that spring break or

688
00:33:28,600 --> 00:33:32,080
Speaker 2: summer vacation, you know. Yeah, yeah, this was a this

689
00:33:32,160 --> 00:33:34,680
Speaker 2: was a week premise but okay.

690
00:33:34,320 --> 00:33:37,960
Speaker 3: But but it was but a very Jesse thing to do. True,

691
00:33:38,360 --> 00:33:41,680
Speaker 3: So actually I am totally on board with buying it.

692
00:33:41,680 --> 00:33:44,560
Speaker 1: It's very own branch for Jesse. So true.

693
00:33:45,800 --> 00:33:48,960
Speaker 2: So Jesse and Becky begin to casually make out. Of course,

694
00:33:49,360 --> 00:33:52,600
Speaker 2: of course you do, because yeah, casually, just because as

695
00:33:52,640 --> 00:33:56,640
Speaker 2: they do. It's been forty two seconds since the last makeout.

696
00:33:56,680 --> 00:33:57,640
Speaker 2: They got to do another one.

697
00:33:57,840 --> 00:33:58,080
Speaker 1: Yeah.

698
00:33:58,760 --> 00:34:01,480
Speaker 2: I Meanwhile, Kimmy enters through the front door. While on

699
00:34:01,520 --> 00:34:04,840
Speaker 2: her cordless phone. She spots the couple and exclaims, oh

700
00:34:05,000 --> 00:34:06,640
Speaker 2: baby or mayboy said, whoa baby?

701
00:34:07,320 --> 00:34:09,440
Speaker 3: I don't know what you said, but whatever it was,

702
00:34:09,640 --> 00:34:11,920
Speaker 3: why are you addressing it? Just walk upstairs or do

703
00:34:11,960 --> 00:34:13,720
Speaker 3: whatever you have to do, but don't make it more awkward.

704
00:34:14,239 --> 00:34:16,880
Speaker 2: And now I now get a character ignores, and now

705
00:34:16,920 --> 00:34:19,399
Speaker 2: a character acknowledges the people in the room, like right

706
00:34:19,520 --> 00:34:22,200
Speaker 2: right right, yeah yeah, And of course I walk like

707
00:34:22,280 --> 00:34:24,920
Speaker 2: right right to them. I don't just head straight upstairs.

708
00:34:26,360 --> 00:34:29,760
Speaker 2: So Kimmy proceeds to tell DJ on the telephone heavy

709
00:34:29,880 --> 00:34:33,440
Speaker 2: lip action in your living room before she runs upstairs.

710
00:34:34,320 --> 00:34:38,320
Speaker 2: Jimmy's cordless phone gets incredible range, like an incredible range.

711
00:34:38,880 --> 00:34:42,520
Speaker 3: I feel like you walk outside of your like of

712
00:34:42,560 --> 00:34:43,240
Speaker 3: your bedroom.

713
00:34:43,480 --> 00:34:47,440
Speaker 1: Get started right, Yeah, yeah, you started picking up your

714
00:34:47,440 --> 00:34:48,320
Speaker 1: neighbor's conversation.

715
00:34:48,680 --> 00:34:53,160
Speaker 2: Yes, yes, this was really this is the the fakest

716
00:34:53,160 --> 00:34:55,640
Speaker 2: thing in the entire episode.

717
00:34:57,320 --> 00:34:58,560
Speaker 1: That's the most ridiculous part.

718
00:34:59,760 --> 00:35:02,839
Speaker 2: Uh. But first Danny stops Kimmy and asks her if

719
00:35:02,880 --> 00:35:07,560
Speaker 2: she's talking to DJ upstairs, and Kimmy responds, please, mister Tanner,

720
00:35:07,680 --> 00:35:11,839
Speaker 2: this is a private conversation. Danny emphasizes that they all

721
00:35:11,880 --> 00:35:14,520
Speaker 2: need to remember to keep the front door locked.

722
00:35:15,160 --> 00:35:17,640
Speaker 1: And remember what the hell privacy is.

723
00:35:17,760 --> 00:35:20,640
Speaker 3: I don't think anyone in his family or neighborhood knows

724
00:35:20,640 --> 00:35:22,880
Speaker 3: what privacy is. No one can No one can be

725
00:35:22,880 --> 00:35:24,160
Speaker 3: like this is a private conversation.

726
00:35:24,400 --> 00:35:28,839
Speaker 1: No one has one. I was just saying his private conversations.

727
00:35:28,880 --> 00:35:33,000
Speaker 2: No, but he has boundaries in this house. No, No, yeah,

728
00:35:33,239 --> 00:35:38,680
Speaker 2: everything is, everything is everywhere you look. Danny does not

729
00:35:38,760 --> 00:35:40,920
Speaker 2: want to keep the door do He doesn't want to

730
00:35:40,960 --> 00:35:42,600
Speaker 2: keep the door always open, that's for sure.

731
00:35:42,680 --> 00:35:45,239
Speaker 3: Yeah, yeah, we should lock this. Yeah, I guess he

732
00:35:45,280 --> 00:35:46,000
Speaker 3: lost that battle.

733
00:35:46,200 --> 00:35:51,400
Speaker 2: Yep. Meanwhile, Jesse and Becky are still making out, so

734
00:35:51,560 --> 00:35:53,759
Speaker 2: he decides to take matters into his own hands. He

735
00:35:53,800 --> 00:35:57,239
Speaker 2: grabs a blanket and throws it over the couple. All right,

736
00:35:57,320 --> 00:35:58,040
Speaker 2: that's one solution.

737
00:35:58,280 --> 00:36:00,359
Speaker 1: That's yeah.

738
00:36:01,080 --> 00:36:02,960
Speaker 3: I think I've ever been that oblivious in my life.

739
00:36:03,000 --> 00:36:08,920
Speaker 3: But I you know, okay, again, it's a sitcom. I know, guys,

740
00:36:08,920 --> 00:36:10,719
Speaker 3: it's okay. I'm willing to go with the joke, but

741
00:36:10,719 --> 00:36:13,160
Speaker 3: I'm just joke It's funny if you think about it

742
00:36:13,200 --> 00:36:15,479
Speaker 3: in terms of normal human behavior, that no one would

743
00:36:15,480 --> 00:36:15,920
Speaker 3: ever do that.

744
00:36:16,080 --> 00:36:19,120
Speaker 2: Totally, totally jokes. Gotta work, jokes, gotta work no matter what.

745
00:36:20,400 --> 00:36:22,960
Speaker 2: So next we are in the girls room. Kimmy's laying

746
00:36:23,040 --> 00:36:25,439
Speaker 2: on Steff's bed and DJ is laying on her own

747
00:36:25,480 --> 00:36:28,160
Speaker 2: bed while they continue to talk to each other through

748
00:36:28,239 --> 00:36:31,560
Speaker 2: the phone, and DJ's on her classic red lips phone.

749
00:36:32,280 --> 00:36:36,480
Speaker 2: This is peak junior high like, this is classic teenage girls,

750
00:36:36,560 --> 00:36:38,640
Speaker 2: laying on the bed on your stomach with your feet,

751
00:36:38,880 --> 00:36:41,239
Speaker 2: with your legs behind you, cross behind you like this.

752
00:36:41,400 --> 00:36:43,799
Speaker 2: I remember I did this, I pose like this. Oh,

753
00:36:43,880 --> 00:36:46,600
Speaker 2: it was on the phone. That's very it's awesome.

754
00:36:46,719 --> 00:36:46,920
Speaker 1: I was.

755
00:36:47,000 --> 00:36:50,240
Speaker 3: Yes, it's built into your structure, as like in your DNA,

756
00:36:50,360 --> 00:36:51,440
Speaker 3: like when you are a teenager.

757
00:36:51,480 --> 00:36:53,480
Speaker 1: That's just how you lay and talk to people.

758
00:36:53,719 --> 00:36:58,000
Speaker 2: Totally. So Kimmy asks DJ if she saw this infamous

759
00:36:58,080 --> 00:37:01,759
Speaker 2: kiss in person, and DJ no, but I saw the

760
00:37:01,800 --> 00:37:05,080
Speaker 2: person who saw it in person say it to another person,

761
00:37:05,840 --> 00:37:07,839
Speaker 2: which is always.

762
00:37:07,480 --> 00:37:10,640
Speaker 1: How middle school. Uh yeah, information gets past.

763
00:37:10,840 --> 00:37:13,719
Speaker 2: Yep, it's like that gave telephone like it, Yes, pass

764
00:37:13,760 --> 00:37:17,760
Speaker 2: it around and eventually it makes no sense. Then Danny

765
00:37:17,760 --> 00:37:20,000
Speaker 2: storms into the room, holding the phone up to his

766
00:37:20,040 --> 00:37:23,120
Speaker 2: ear and shouting into it. Girls, this has gotten way

767
00:37:23,120 --> 00:37:26,960
Speaker 2: out of line. DJ looks at him unfazed and reminds

768
00:37:27,000 --> 00:37:30,320
Speaker 2: him she's talking to Kimmy on the phone. He walks

769
00:37:30,320 --> 00:37:32,960
Speaker 2: towards his daughter and points out the obvious in the

770
00:37:33,080 --> 00:37:36,360
Speaker 2: same room. He demands the girls hang up the phone,

771
00:37:36,719 --> 00:37:39,719
Speaker 2: and DJ proceeds to tell Kimmy, I can't talk right now,

772
00:37:39,840 --> 00:37:41,879
Speaker 2: but I'll call you back later, and she hangs up.

773
00:37:43,040 --> 00:37:45,680
Speaker 2: Danny reminds her that there are five people living in

774
00:37:45,719 --> 00:37:48,240
Speaker 2: this house and she cannot monopolize the phone.

775
00:37:48,920 --> 00:37:52,640
Speaker 1: Well, there's there's six people living in this house. Well

776
00:37:52,640 --> 00:37:55,240
Speaker 1: I guess. I guess she's not making any phone calls.

777
00:37:55,680 --> 00:37:56,520
Speaker 2: Oh that's true.

778
00:37:56,680 --> 00:37:59,640
Speaker 3: Well again, I guess five other people besides Yeah, five,

779
00:38:00,040 --> 00:38:00,799
Speaker 3: that would make sense.

780
00:38:01,080 --> 00:38:03,000
Speaker 2: But it still felt low, Like I really thought that

781
00:38:03,080 --> 00:38:05,720
Speaker 2: number was in the teens. Like that's how full it feels.

782
00:38:06,120 --> 00:38:09,320
Speaker 2: There's so many people in the house, right, too many people.

783
00:38:09,760 --> 00:38:12,000
Speaker 3: Well, you've got some passing characters in and out. So

784
00:38:12,000 --> 00:38:14,040
Speaker 3: there's a lot of people in the house, but only

785
00:38:14,200 --> 00:38:16,120
Speaker 3: six of them that are residing there currently.

786
00:38:16,440 --> 00:38:18,799
Speaker 2: Yeah, that's true. That's true. Like Kimmy and Becky are

787
00:38:18,840 --> 00:38:20,080
Speaker 2: in and out all right time.

788
00:38:20,120 --> 00:38:23,480
Speaker 1: They might as well be for you know, all intents

789
00:38:23,480 --> 00:38:23,960
Speaker 1: and purposes.

790
00:38:24,000 --> 00:38:27,920
Speaker 2: But yeah, yeah, yep. So DJ tells Danny she's got

791
00:38:27,960 --> 00:38:32,040
Speaker 2: the perfect solution. She should have her own private phone number.

792
00:38:32,880 --> 00:38:35,359
Speaker 2: Kimmy chimes in, telling Danny that she's had her own

793
00:38:35,360 --> 00:38:38,959
Speaker 2: phone for six months now. Danny begins to tell DJ

794
00:38:39,120 --> 00:38:42,760
Speaker 2: that a phone costs a lot of money, but Kimmy

795
00:38:42,800 --> 00:38:46,480
Speaker 2: interrupts him. Actually to convert the extension phone in this

796
00:38:46,640 --> 00:38:48,520
Speaker 2: room to a separate line, there's only a one time

797
00:38:48,520 --> 00:38:51,320
Speaker 2: cost of forty five dollars. After that a very reasonable

798
00:38:51,320 --> 00:38:54,760
Speaker 2: monthly cost of sixteen fifty, not including state and local taxes.

799
00:38:55,440 --> 00:38:57,960
Speaker 2: I remember I worked so hard on that line, Like if.

800
00:38:57,880 --> 00:39:01,000
Speaker 3: You you did great you, I would have bought a

801
00:39:01,000 --> 00:39:02,840
Speaker 3: phone line from you. In fact, I want you to.

802
00:39:03,560 --> 00:39:06,920
Speaker 3: I'd buy one now from you. Yeah, agree, thank you.

803
00:39:07,080 --> 00:39:07,279
Speaker 1: Yeah.

804
00:39:07,320 --> 00:39:10,800
Speaker 2: It was like it wasn't It was just like wrote memorization.

805
00:39:10,840 --> 00:39:13,279
Speaker 2: It wasn't like natural dialogue that flows when you have

806
00:39:13,320 --> 00:39:15,000
Speaker 2: a scene partner. It was just like, no, just say

807
00:39:15,040 --> 00:39:16,959
Speaker 2: it as fast as you can and repeat these lines.

808
00:39:17,000 --> 00:39:19,120
Speaker 2: So I had to really like work at memorizing it,

809
00:39:20,040 --> 00:39:22,240
Speaker 2: and yeah, and I did it. I'm very proud of myself.

810
00:39:22,400 --> 00:39:25,560
Speaker 3: Hilarious, Yeah, thank you, and so very Kimney to be like,

811
00:39:25,719 --> 00:39:28,480
Speaker 3: I can't remember anything school related, but I remember this

812
00:39:28,719 --> 00:39:29,880
Speaker 3: all right, this is important.

813
00:39:30,120 --> 00:39:31,360
Speaker 1: Yeah, she can't.

814
00:39:31,120 --> 00:39:33,000
Speaker 2: Remember to write her own name on her homework. She

815
00:39:33,040 --> 00:39:34,920
Speaker 2: writes DJ's name right homework.

816
00:39:35,040 --> 00:39:37,200
Speaker 1: She's like, I have all the taxes and fees down

817
00:39:37,239 --> 00:39:37,560
Speaker 1: here for you.

818
00:39:37,960 --> 00:39:40,040
Speaker 2: So Danny breaks the news that he is not going

819
00:39:40,080 --> 00:39:43,319
Speaker 2: to give DJ her own phone, but DJ insists that

820
00:39:43,360 --> 00:39:45,879
Speaker 2: she'll pay for it. She can babysit, just like Kimmy does.

821
00:39:46,800 --> 00:39:49,400
Speaker 2: Danny tells DJ that if she can earn enough money

822
00:39:49,400 --> 00:39:53,120
Speaker 2: to pay for it herself, then he'll consider it. Kimmy

823
00:39:53,120 --> 00:39:55,719
Speaker 2: says DJ can take her babysitting job on Friday for

824
00:39:55,880 --> 00:39:59,280
Speaker 2: Brian Kagan. DJ puts her arm around her best friend

825
00:39:59,320 --> 00:40:03,200
Speaker 2: and says, what would we do without Kimmy and Danny

826
00:40:03,200 --> 00:40:10,040
Speaker 2: shakes his head. One can only dream for Kimmy. They're

827
00:40:10,080 --> 00:40:12,279
Speaker 2: definitely setting that like this, we're getting more into the

828
00:40:12,640 --> 00:40:15,319
Speaker 2: like very gibbler fied here with my own shirts are

829
00:40:15,320 --> 00:40:18,520
Speaker 2: getting worse, My hair is getting my hair is getting

830
00:40:18,560 --> 00:40:21,400
Speaker 2: not worse, but you know, but yeah, you definitely have

831
00:40:21,480 --> 00:40:24,319
Speaker 2: more scrunchy sort of more scrunchy.

832
00:40:24,200 --> 00:40:27,320
Speaker 3: Tail moment going on side sweat bangs that was coming

833
00:40:27,360 --> 00:40:28,560
Speaker 3: in the early nineties.

834
00:40:28,920 --> 00:40:32,680
Speaker 2: Yeah, she's getting more annoying. She's talking back to Danny. Yeah,

835
00:40:32,800 --> 00:40:34,719
Speaker 2: it's it's it's growing now.

836
00:40:34,920 --> 00:40:38,440
Speaker 3: I can't Did Kimmy set DJ up knowing that this

837
00:40:38,560 --> 00:40:39,400
Speaker 3: kid was a nightmare?

838
00:40:40,640 --> 00:40:43,960
Speaker 2: Oh? I didn't think of it from that angle. No,

839
00:40:44,080 --> 00:40:46,719
Speaker 2: you know what I mean, KIMMI trying to help. I

840
00:40:46,719 --> 00:40:48,799
Speaker 2: think she was genuinely like, oh, you need a job, here,

841
00:40:49,239 --> 00:40:51,879
Speaker 2: take this job. You think she was setting her up for?

842
00:40:52,000 --> 00:40:52,919
Speaker 1: Like, No, I just.

843
00:40:52,840 --> 00:40:56,600
Speaker 3: Wonder if if Kimmy was like, if Kimmy was like, oh,

844
00:40:56,640 --> 00:40:58,680
Speaker 3: this kid's a nightmare, and he's just like, hey, you

845
00:40:58,719 --> 00:41:02,000
Speaker 3: know what tickm like? But like, I don't know, because yeah,

846
00:41:02,040 --> 00:41:04,920
Speaker 3: give me. Sometimes it's kind of you know, she'll kind

847
00:41:04,920 --> 00:41:07,040
Speaker 3: of do that. She'll be like, I gotta I gotta

848
00:41:07,120 --> 00:41:07,680
Speaker 3: look out for me.

849
00:41:07,800 --> 00:41:09,799
Speaker 1: Hey you should try this, you know what I mean?

850
00:41:10,160 --> 00:41:11,919
Speaker 3: But I don't know. But I didn't know. I'm like, wait,

851
00:41:11,960 --> 00:41:13,480
Speaker 3: I couldn't remember. If we got to the end and

852
00:41:13,520 --> 00:41:15,160
Speaker 3: we find out that Kimmy was like, yeah, no, this

853
00:41:15,239 --> 00:41:15,920
Speaker 3: kid's in a nightmare.

854
00:41:15,960 --> 00:41:18,080
Speaker 1: I knew this was gonna happen, but I don't. I

855
00:41:18,120 --> 00:41:20,560
Speaker 1: don't think. I don't think we find that out.

856
00:41:20,560 --> 00:41:24,040
Speaker 2: But that's no, no, because I well, I definitely Kimmy

857
00:41:24,080 --> 00:41:27,120
Speaker 2: definitely knows that the kid is is a terror, right

858
00:41:27,160 --> 00:41:29,239
Speaker 2: because she goes over and you know the stinky feet, right.

859
00:41:29,280 --> 00:41:32,000
Speaker 2: But yeah, I don't know if she was trying to

860
00:41:32,040 --> 00:41:34,120
Speaker 2: just shove him off on DJ, I don't know. I'm

861
00:41:34,120 --> 00:41:36,640
Speaker 2: gonna say Kimmy had really good intentions, okay.

862
00:41:36,400 --> 00:41:39,040
Speaker 3: And Gimmy, Kimmy had good intentions, but she definitely didn't

863
00:41:39,040 --> 00:41:39,560
Speaker 3: warn DJ.

864
00:41:40,000 --> 00:41:43,879
Speaker 2: So she did not she did not properly set DJ

865
00:41:44,040 --> 00:41:45,240
Speaker 2: up for her success.

866
00:41:45,280 --> 00:41:46,640
Speaker 1: Here, got it?

867
00:41:47,360 --> 00:41:49,840
Speaker 2: So in the kitchen, Joey's setting up poker chips on

868
00:41:49,880 --> 00:41:53,759
Speaker 2: the table while Michelle and Steph stand nearby, and you

869
00:41:53,760 --> 00:41:56,800
Speaker 2: were wearing the most fabulous nineties sweater with that pink

870
00:41:56,880 --> 00:41:58,600
Speaker 2: high top on it, with like.

871
00:41:58,520 --> 00:42:01,600
Speaker 3: I think there's a I have a headshot or something

872
00:42:02,280 --> 00:42:05,719
Speaker 3: or with myself in that. I can remember like some

873
00:42:05,760 --> 00:42:11,560
Speaker 3: sort of backstage picture in that sweater with the super cute.

874
00:42:11,239 --> 00:42:13,520
Speaker 2: I could see you. I hope you got to take

875
00:42:13,560 --> 00:42:14,399
Speaker 2: that home at the end.

876
00:42:14,480 --> 00:42:15,520
Speaker 1: I have it in my closet.

877
00:42:15,560 --> 00:42:18,719
Speaker 2: Now, No, you're going to change into that right now?

878
00:42:18,719 --> 00:42:19,120
Speaker 1: I'm gonna.

879
00:42:19,239 --> 00:42:22,000
Speaker 3: That's actually it's what I wear every day, but I

880
00:42:22,040 --> 00:42:23,879
Speaker 3: just don't wear it every day on the podcast because

881
00:42:23,880 --> 00:42:25,239
Speaker 3: I wouldn't want people to think I'm weird.

882
00:42:25,280 --> 00:42:30,160
Speaker 1: But no, I our secret. Keep that our secret. Yeah,

883
00:42:30,200 --> 00:42:32,160
Speaker 1: no I do. I don't think I kept it.

884
00:42:32,239 --> 00:42:36,359
Speaker 3: But it was very in line with the nineties, late

885
00:42:36,440 --> 00:42:39,560
Speaker 3: eighties three D loud.

886
00:42:41,000 --> 00:42:41,680
Speaker 1: Sweaters.

887
00:42:41,920 --> 00:42:42,279
Speaker 2: I let.

888
00:42:42,320 --> 00:42:45,799
Speaker 3: This seemed to h touch everyone.

889
00:42:45,480 --> 00:42:46,440
Speaker 1: In the Tanner household.

890
00:42:46,520 --> 00:42:52,120
Speaker 2: So yeah, true, it was like an epidemic of sweaters.

891
00:42:51,719 --> 00:42:55,640
Speaker 3: In the Oh yeah it was. It was, Yeah, a

892
00:42:55,640 --> 00:42:57,279
Speaker 3: lot of strange sweaters.

893
00:42:58,200 --> 00:43:01,520
Speaker 2: So Joey tells Stephanie that DJ babysitting tonight, so she

894
00:43:01,680 --> 00:43:05,520
Speaker 2: is in charge of putting Michelle to sleep. Stephanie crouches

895
00:43:05,520 --> 00:43:07,439
Speaker 2: down to Michelle and tells her it's time to put

896
00:43:07,440 --> 00:43:11,120
Speaker 2: on her pajamas and go to bed. Michelle protests, telling

897
00:43:11,160 --> 00:43:13,920
Speaker 2: Stephanie that she's not sleepy, and she proves this by

898
00:43:13,920 --> 00:43:17,840
Speaker 2: opening her eyes really wide. Steph thinks for a moment

899
00:43:18,000 --> 00:43:20,840
Speaker 2: before exclaiming that she has an idea. She tells Michelle

900
00:43:20,840 --> 00:43:24,720
Speaker 2: they can go upstairs and play sleeping beauty. Michelle asks

901
00:43:24,880 --> 00:43:28,279
Speaker 2: how do you play that? And Stephanie cleverly responds, you

902
00:43:28,360 --> 00:43:32,680
Speaker 2: go to sleep, and that's the beauty of it. Michelle frowns,

903
00:43:32,719 --> 00:43:35,440
Speaker 2: I'm staying here. She crawls under the kitchen table and

904
00:43:35,480 --> 00:43:39,680
Speaker 2: stays put. Stephanie tries luring her to sleep by offering

905
00:43:39,680 --> 00:43:42,560
Speaker 2: her a cookie, but Michelle' smirks I already have one

906
00:43:42,680 --> 00:43:45,680
Speaker 2: and pulls a cookie out of her pocket. Steph declares,

907
00:43:45,680 --> 00:43:48,280
Speaker 2: I'm coming in after you, and she proceeds to crawl

908
00:43:48,360 --> 00:43:51,040
Speaker 2: under the table while Michelle runs out from under it.

909
00:43:51,520 --> 00:43:53,760
Speaker 2: Michelle makes her way to a laundry basket and covers

910
00:43:53,760 --> 00:43:57,560
Speaker 2: herself with a blanket. Stephanie walks up to this poorly

911
00:43:57,719 --> 00:44:00,480
Speaker 2: hidden toddler and says, that's it. You're going on to bed,

912
00:44:00,560 --> 00:44:01,080
Speaker 2: young lady.

913
00:44:01,880 --> 00:44:03,759
Speaker 1: And there was some look straight at the camera when

914
00:44:03,760 --> 00:44:04,600
Speaker 1: I said this, though.

915
00:44:06,239 --> 00:44:07,840
Speaker 3: It was supposed to be like kind of out just

916
00:44:07,880 --> 00:44:10,640
Speaker 3: in exasperation, but I realized like I looked right at

917
00:44:10,640 --> 00:44:13,680
Speaker 3: the like just spiked the camera as as yeah I did,

918
00:44:13,760 --> 00:44:16,440
Speaker 3: And I was like, oh, yeah, just directly kind of

919
00:44:16,480 --> 00:44:18,440
Speaker 3: looked or right next to the camera.

920
00:44:19,040 --> 00:44:22,040
Speaker 2: Yeah, So I hate it when you catch yourself doing.

921
00:44:21,920 --> 00:44:23,799
Speaker 3: It, right, But it was funny, like I knew, I

922
00:44:23,880 --> 00:44:25,480
Speaker 3: was like it was just sort of like an out

923
00:44:25,520 --> 00:44:28,080
Speaker 3: to yourself kind of moment, that's it, you know.

924
00:44:28,400 --> 00:44:30,560
Speaker 1: But I was just like, I looked right at it.

925
00:44:30,719 --> 00:44:33,799
Speaker 2: Yeah, that's so great. Well, and there were some like

926
00:44:34,160 --> 00:44:38,920
Speaker 2: obviously looped recordings of your line, yes, making the cross,

927
00:44:39,120 --> 00:44:41,440
Speaker 2: so I was like, all right, they added some dialogue

928
00:44:41,480 --> 00:44:44,120
Speaker 2: to cover otherwise it's just some weird awkward pause, yeah,

929
00:44:44,400 --> 00:44:46,799
Speaker 2: you know, and speaking waiting for Michelle to get in

930
00:44:46,800 --> 00:44:52,160
Speaker 2: the laundry basket. So Stephanie pulls the basket out of

931
00:44:52,160 --> 00:44:55,840
Speaker 2: the kitchen. Michelle waves to her uncle and says bye bye, Joey.

932
00:44:57,440 --> 00:45:01,600
Speaker 2: Just then Danny runs downstairs. He's sporting casual clothes and

933
00:45:01,640 --> 00:45:06,240
Speaker 2: a sideways hat while enthusiastically telling Joey let's play poker.

934
00:45:07,160 --> 00:45:09,800
Speaker 2: He then grabs a handful of potato chips and messily

935
00:45:09,920 --> 00:45:13,719
Speaker 2: throws them into his mouth. They simultaneously spill all over

936
00:45:13,760 --> 00:45:17,600
Speaker 2: his clothes and onto the floor. Joey makes a joke

937
00:45:17,680 --> 00:45:20,799
Speaker 2: out of this whole act. WHOA Danny? Pretty soon you're

938
00:45:20,840 --> 00:45:24,160
Speaker 2: gonna be drinking straight out of the milk curtain, and

939
00:45:24,239 --> 00:45:26,600
Speaker 2: Danny matter of factly tells Joey that he's a slob,

940
00:45:26,960 --> 00:45:27,919
Speaker 2: not a barbarian.

941
00:45:29,360 --> 00:45:31,319
Speaker 3: I feel like there's got to be a happy medium though,

942
00:45:31,360 --> 00:45:33,600
Speaker 3: in between man.

943
00:45:33,440 --> 00:45:36,640
Speaker 1: Who throws potato chips all over himself and.

944
00:45:38,480 --> 00:45:41,360
Speaker 3: Danny Tanner, you know, like, how about I don't know,

945
00:45:41,560 --> 00:45:44,120
Speaker 3: take like one ship at a time, you know what

946
00:45:44,160 --> 00:45:46,840
Speaker 3: I mean, Like just just be normal.

947
00:45:47,200 --> 00:45:49,840
Speaker 1: Yeah, I guess that's the thing. Danny. He doesn't know

948
00:45:49,880 --> 00:45:50,960
Speaker 1: how so's.

949
00:45:50,680 --> 00:45:52,919
Speaker 2: He doesn't know how to be normal. No, normal people

950
00:45:52,960 --> 00:45:55,200
Speaker 2: would just be like, oh, you know, take off your

951
00:45:55,200 --> 00:45:58,279
Speaker 2: belt or you know, don't don't do your hair that

952
00:45:58,360 --> 00:46:00,520
Speaker 2: day or something, you know. But Dan like, no, I'm

953
00:46:00,520 --> 00:46:03,319
Speaker 2: going to throw chips on the floor deliberately, right right,

954
00:46:04,480 --> 00:46:07,279
Speaker 2: That's okay. So, I mean it's a tactics so it's

955
00:46:07,320 --> 00:46:12,600
Speaker 2: definitely a way to go or Danny. Just then, Jesse

956
00:46:12,680 --> 00:46:15,880
Speaker 2: walks in with two of his poker buddies, Steve and Paul.

957
00:46:16,520 --> 00:46:19,640
Speaker 2: He introduces them to Danny and Danny tells them his

958
00:46:19,680 --> 00:46:24,160
Speaker 2: friends call him dirty Dan. I did not even recognize

959
00:46:24,200 --> 00:46:26,919
Speaker 2: Mike Binder at first until I read the credits, because

960
00:46:26,960 --> 00:46:27,719
Speaker 2: I was like.

961
00:46:27,680 --> 00:46:29,799
Speaker 3: He doesn't even I knew it from his voice. I

962
00:46:29,800 --> 00:46:32,080
Speaker 3: couldn't tell from his well, I mean, I knew it

963
00:46:32,120 --> 00:46:35,520
Speaker 3: was him, like I could see his face, but I

964
00:46:35,560 --> 00:46:38,600
Speaker 3: also like just his voice was like, so he's.

965
00:46:38,400 --> 00:46:39,720
Speaker 1: Just got that Michigan accent.

966
00:46:40,640 --> 00:46:44,319
Speaker 2: Yes, yes, he's I recognize the eyes, but everything else

967
00:46:44,360 --> 00:46:47,280
Speaker 2: I thought looked so different. I was. I was surprised

968
00:46:47,280 --> 00:46:50,640
Speaker 2: to read his name at the end. So Paul walks

969
00:46:50,640 --> 00:46:53,879
Speaker 2: over to the kitchen table sticks his fingers directly into

970
00:46:53,920 --> 00:46:57,440
Speaker 2: the bowl of dip. He licks his fingers and exclaims

971
00:46:57,840 --> 00:47:01,959
Speaker 2: good dip, and Danny calmly responds, well, maybe later you'd

972
00:47:02,000 --> 00:47:03,400
Speaker 2: like a handful of ice cream.

973
00:47:05,719 --> 00:47:06,080
Speaker 1: Wow.

974
00:47:06,400 --> 00:47:08,280
Speaker 2: Yeah, yeah, it's gross.

975
00:47:08,640 --> 00:47:11,440
Speaker 1: That's yeah, it's just it's just gross.

976
00:47:11,480 --> 00:47:16,960
Speaker 2: It's just gross. Yeah, agreed. Then Steve pulls out six

977
00:47:17,120 --> 00:47:20,239
Speaker 2: full packs of cigarettes. He tells the group to speak

978
00:47:20,320 --> 00:47:22,600
Speaker 2: up if they want one, because they won't last long.

979
00:47:24,920 --> 00:47:26,840
Speaker 2: I cringe, like, I know that a lot.

980
00:47:28,120 --> 00:47:31,120
Speaker 1: Has intense smoke. Six packs in a night.

981
00:47:31,680 --> 00:47:33,600
Speaker 2: Well, and he's like, this is the first time meeting

982
00:47:33,680 --> 00:47:35,680
Speaker 2: Danny and being in his house and he just rolls

983
00:47:35,760 --> 00:47:38,240
Speaker 2: up and starts smoking in the house, Like that's pretty bold,

984
00:47:38,280 --> 00:47:41,480
Speaker 2: even for nineteen eighty nine where you're smoking was not

985
00:47:41,520 --> 00:47:42,600
Speaker 2: as much like Sigma.

986
00:47:42,960 --> 00:47:48,719
Speaker 3: Maybe the yeah, I don't know, it was just I

987
00:47:48,719 --> 00:47:50,840
Speaker 3: wouldn't just roll up and start smoking in someone's that

988
00:47:50,960 --> 00:47:53,400
Speaker 3: like that felt. Yeah, I guess it's supposed to be.

989
00:47:53,440 --> 00:47:55,319
Speaker 3: The point is that you're it's supposed to be sort

990
00:47:55,360 --> 00:47:59,480
Speaker 3: of needling Danny. These two guys are exactly what Danny

991
00:47:59,520 --> 00:48:00,319
Speaker 3: doesn't need.

992
00:48:00,480 --> 00:48:04,600
Speaker 2: Right, I agree? Right, So Danny is continuing this cool

993
00:48:04,640 --> 00:48:10,040
Speaker 2: guy act. Oh chain smoker radical, Jesse suggests they play

994
00:48:10,080 --> 00:48:14,319
Speaker 2: a little five card Nebraska. Becky's wild and Steve is

995
00:48:14,400 --> 00:48:18,719
Speaker 2: very confused. Huh. Jesse apologizes. He tells the guys he's

996
00:48:18,760 --> 00:48:21,400
Speaker 2: having a problem with his girlfriend because she wants to

997
00:48:21,440 --> 00:48:26,279
Speaker 2: spend Christmas in Nebraska. Paul interjects, will tell her you

998
00:48:26,320 --> 00:48:30,080
Speaker 2: don't want to go, and Joey responds to Paul telling

999
00:48:30,160 --> 00:48:33,080
Speaker 2: him Jesse can't do that because he and Becky work

1000
00:48:33,200 --> 00:48:37,520
Speaker 2: things out with open and honest communication, Mocking Jesse as

1001
00:48:37,600 --> 00:48:38,320
Speaker 2: he says, this.

1002
00:48:39,200 --> 00:48:42,600
Speaker 1: Why this seemed so weirdly out of character for Joey?

1003
00:48:42,920 --> 00:48:44,239
Speaker 2: I wrote that down same.

1004
00:48:44,360 --> 00:48:49,120
Speaker 1: It's like it's I was like, Joey doesn't like I

1005
00:48:49,160 --> 00:48:50,360
Speaker 1: mean Joey.

1006
00:48:50,600 --> 00:48:52,759
Speaker 3: Yeah, it doesn't, but I but is this just is

1007
00:48:52,760 --> 00:48:54,520
Speaker 3: this like the you know joe in front of like

1008
00:48:54,560 --> 00:48:56,400
Speaker 3: his guy friends. Is he kind of being a you know?

1009
00:48:57,160 --> 00:49:01,800
Speaker 3: Because because Joey's usually not he wouldn't make fun of

1010
00:49:01,880 --> 00:49:05,040
Speaker 3: him for like talking to Becky, I don't feel like

1011
00:49:05,360 --> 00:49:06,960
Speaker 3: Joey's that guy.

1012
00:49:07,080 --> 00:49:12,920
Speaker 1: I feel like Jesse would yes, agreed, yes, but Joey wouldn't.

1013
00:49:13,160 --> 00:49:15,680
Speaker 1: But I don't know. I yeah, I thought.

1014
00:49:15,520 --> 00:49:17,120
Speaker 2: The same thing. I know, the guys like to like

1015
00:49:17,239 --> 00:49:19,960
Speaker 2: needle each other and then tease each other, but this

1016
00:49:20,120 --> 00:49:22,440
Speaker 2: just felt a little more, you know, below the belt.

1017
00:49:23,200 --> 00:49:24,879
Speaker 2: And they're like, this is Joey, this is the guy

1018
00:49:24,880 --> 00:49:28,160
Speaker 2: that was advocating for therapy just a few episodes ago.

1019
00:49:29,120 --> 00:49:33,120
Speaker 2: Just get Jesse for talking about feelings with his girlfriend. So, yeah,

1020
00:49:33,200 --> 00:49:38,000
Speaker 2: I agree, this was out of character. Uh So Steve

1021
00:49:38,040 --> 00:49:41,120
Speaker 2: bluntly tells Jesse he's in a lot of trouble. He

1022
00:49:41,239 --> 00:49:45,040
Speaker 2: asks if Jesse tells her how he feels openly and honestly.

1023
00:49:45,560 --> 00:49:49,600
Speaker 2: Jesse nods yes, and Steve asks do you get your way?

1024
00:49:50,280 --> 00:49:54,200
Speaker 2: And Jesse shakes his head no. So Steve concludes pack

1025
00:49:54,280 --> 00:49:58,560
Speaker 2: her long John's pal, you're going to Nebraska, but Jesse

1026
00:49:58,640 --> 00:50:01,440
Speaker 2: insists he is not going to Nebraska. He went to

1027
00:50:01,520 --> 00:50:05,160
Speaker 2: Nebraska for Thanksgiving, so this time she's gonna do what

1028
00:50:05,360 --> 00:50:09,200
Speaker 2: he wants, and Joey pipes up, don't tell us tell her.

1029
00:50:10,120 --> 00:50:13,799
Speaker 2: Jesse gets defensive, saying he will, he'll just call her later.

1030
00:50:14,840 --> 00:50:18,520
Speaker 2: But Joey has a better idea call now, and then

1031
00:50:18,560 --> 00:50:21,640
Speaker 2: he begins this chant call now, call now.

1032
00:50:22,239 --> 00:50:26,960
Speaker 1: This is such immature behavior in the part of the guys.

1033
00:50:27,200 --> 00:50:30,960
Speaker 3: Yeah, it just again, it doesn't feel like, it doesn't

1034
00:50:30,960 --> 00:50:35,279
Speaker 3: feel true to the dynamic of who like Joey is

1035
00:50:35,360 --> 00:50:38,319
Speaker 3: that he's sort of I don't know, like making fun

1036
00:50:38,320 --> 00:50:40,680
Speaker 3: of Jesse's relationship, Like that doesn't seem like the kind

1037
00:50:40,680 --> 00:50:41,400
Speaker 3: of guy Joey is.

1038
00:50:41,440 --> 00:50:43,440
Speaker 1: But I don't know, maybe he's having off night.

1039
00:50:43,600 --> 00:50:46,440
Speaker 3: Maybe he's feel a little jealous that, you know, that

1040
00:50:46,520 --> 00:50:50,200
Speaker 3: Jesse's got a girlfriend, and so he's just like fine,

1041
00:50:50,200 --> 00:50:51,360
Speaker 3: you know, and so maybe he's.

1042
00:50:51,280 --> 00:50:53,680
Speaker 1: Just like I don't know, Yeah, sometimes that happens. Sometimes

1043
00:50:53,680 --> 00:50:54,120
Speaker 1: that happens.

1044
00:50:54,880 --> 00:50:57,640
Speaker 2: I feel like they were given these lines to Mike

1045
00:50:57,680 --> 00:51:00,520
Speaker 2: Binder because he's already give a rip, he's looking in

1046
00:51:00,560 --> 00:51:00,799
Speaker 2: the house.

1047
00:51:00,880 --> 00:51:06,000
Speaker 3: Yeah, exactly, like that would have been more his his thing,

1048
00:51:06,239 --> 00:51:08,560
Speaker 3: like the new guy kind of the you know.

1049
00:51:08,640 --> 00:51:11,640
Speaker 2: Yeah, kind of showing off, how tough he exactly like

1050
00:51:12,320 --> 00:51:15,080
Speaker 2: Jesse would be more apt to like try and impress

1051
00:51:15,560 --> 00:51:18,680
Speaker 2: that guy than Joey, who he knows a little bit better.

1052
00:51:18,719 --> 00:51:19,000
Speaker 1: I don't know.

1053
00:51:19,120 --> 00:51:21,640
Speaker 2: Yeah, yeah, yeah, this was a this was a misstep.

1054
00:51:21,760 --> 00:51:28,640
Speaker 2: I totally agree. Okay, so Jesse gives into the peer

1055
00:51:28,680 --> 00:51:29,840
Speaker 2: pressure he runs.

1056
00:51:29,960 --> 00:51:36,120
Speaker 1: He's so great at that. He's just so great at that. Again.

1057
00:51:36,400 --> 00:51:39,759
Speaker 2: Yeah, like it's either Scott Bao or it's Rippers, or

1058
00:51:39,880 --> 00:51:43,200
Speaker 2: like he's always doing things because other people have either

1059
00:51:43,280 --> 00:51:45,839
Speaker 2: challenged him or he feels like he needs to prove

1060
00:51:45,880 --> 00:51:46,960
Speaker 2: what a tough guy he is.

1061
00:51:47,120 --> 00:51:49,440
Speaker 1: It's like, this is what we talk about when we

1062
00:51:49,440 --> 00:51:51,400
Speaker 1: talk about our toxic masculinity. Guys.

1063
00:51:51,560 --> 00:51:53,120
Speaker 2: Yes, this is what we talk about Jesse.

1064
00:51:53,239 --> 00:51:55,839
Speaker 1: But it's true. Jesse. He needs he needs, he needs

1065
00:51:55,880 --> 00:51:59,360
Speaker 1: some He needs to work on his communication skills, truly, truly,

1066
00:51:59,800 --> 00:52:06,200
Speaker 1: and also he needs to get over Elvis. Please please

1067
00:52:06,320 --> 00:52:07,440
Speaker 1: stop with the Graceland.

1068
00:52:07,480 --> 00:52:10,400
Speaker 2: Well, that doesn't happen for at Christmas thirty seven years,

1069
00:52:10,880 --> 00:52:12,960
Speaker 2: but I don't think it ever does It never happened.

1070
00:52:12,960 --> 00:52:17,600
Speaker 2: But yeah, a little obsessive, I know. So Jesse calls

1071
00:52:17,640 --> 00:52:20,640
Speaker 2: Becky and he rudely tells her I've made a decision.

1072
00:52:20,920 --> 00:52:24,960
Speaker 2: We're going to Graceland this Christmas. End of discussion, case closed.

1073
00:52:25,960 --> 00:52:28,960
Speaker 2: The men all rally behind him, cheering at his demands.

1074
00:52:29,120 --> 00:52:33,839
Speaker 3: Yeah, good job, guys, killing it great, y'all have successful relationships.

1075
00:52:33,920 --> 00:52:39,160
Speaker 2: Right, yeah, Jesse continues into the phone. Oh and one

1076
00:52:39,160 --> 00:52:41,720
Speaker 2: more thing, call me when you get this message. Thanks

1077
00:52:41,760 --> 00:52:45,320
Speaker 2: by Yeah. He walks back to the table and proudly yells,

1078
00:52:45,360 --> 00:52:47,480
Speaker 2: all right, boys, let's play a little poker.

1079
00:52:49,160 --> 00:52:52,000
Speaker 1: So true, it's easier to say things to a voicemail.

1080
00:52:52,840 --> 00:53:04,600
Speaker 2: This is true. So then next we are at DJ's

1081
00:53:04,600 --> 00:53:09,160
Speaker 2: babysitting gig at the Kagan house. Brian's mom, Joyce is

1082
00:53:09,239 --> 00:53:13,360
Speaker 2: briefing DJ before leaving her with her son. She admits,

1083
00:53:13,600 --> 00:53:15,680
Speaker 2: we like Brian to go to bed by nine o'clock,

1084
00:53:15,920 --> 00:53:19,600
Speaker 2: but sometimes his inner clock says ten, so you can

1085
00:53:19,719 --> 00:53:24,399
Speaker 2: just go with his natural flow. DJ restates this to her,

1086
00:53:24,920 --> 00:53:28,719
Speaker 2: so he goes to bed whenever he wants, and Joyce responds, yes,

1087
00:53:28,800 --> 00:53:34,760
Speaker 2: that's the rule. Brian's dad, Michael, mentions the emergency numbers

1088
00:53:34,800 --> 00:53:36,520
Speaker 2: are posted on the sub zero.

1089
00:53:37,160 --> 00:53:41,120
Speaker 1: He adds if our struts an expensive refrigerator for this, yes,

1090
00:53:41,320 --> 00:53:45,719
Speaker 1: very expensive, very fancy. Yeah, works extra hard.

1091
00:53:46,120 --> 00:53:48,759
Speaker 2: And then he says, if our stockbroker calls, tell him

1092
00:53:48,760 --> 00:53:54,680
Speaker 2: he can fax the information directly to our BMW. I'm

1093
00:53:54,719 --> 00:53:59,799
Speaker 2: so confused about what these character breakdowns are like they're deadheads.

1094
00:53:59,360 --> 00:54:06,120
Speaker 3: Yea, I'm like that I feel like one doesn't belong

1095
00:54:06,640 --> 00:54:09,120
Speaker 3: with the other, you know what I mean, Like yeah,

1096
00:54:09,239 --> 00:54:13,319
Speaker 3: like if there if Yeah, I feel like deadheads.

1097
00:54:14,360 --> 00:54:17,480
Speaker 1: Are not having Fax machines in their BMW.

1098
00:54:17,880 --> 00:54:21,000
Speaker 2: No, they definitely don't have BMW's. They're not facts like.

1099
00:54:20,960 --> 00:54:25,000
Speaker 3: Hey man fax me and my my my VW busy,

1100
00:54:25,200 --> 00:54:25,719
Speaker 3: you know what I mean?

1101
00:54:25,760 --> 00:54:27,279
Speaker 2: Like that would be like, all right, I could send

1102
00:54:27,280 --> 00:54:31,400
Speaker 2: aming pigeons in the desert the smoke signal man, right,

1103
00:54:31,480 --> 00:54:33,799
Speaker 2: like I you know, but not.

1104
00:54:34,080 --> 00:54:36,680
Speaker 1: Yeah, this was well, yeah, maybe it was supposed to

1105
00:54:36,719 --> 00:54:38,560
Speaker 1: be that, like these parents are just they are all

1106
00:54:38,560 --> 00:54:39,160
Speaker 1: over the place.

1107
00:54:39,239 --> 00:54:40,440
Speaker 2: They are Maybe.

1108
00:54:40,200 --> 00:54:45,560
Speaker 3: It's they are Gordon Gecko uh meets Jerry Garcia, you

1109
00:54:45,600 --> 00:54:48,120
Speaker 3: know what I mean, which sounds like some.

1110
00:54:48,000 --> 00:54:52,560
Speaker 2: Sort of weird Ben and Jerry's flavor. Anyway, Yeah, this

1111
00:54:52,680 --> 00:54:54,560
Speaker 2: was like they were trying to combine two jokes into

1112
00:54:54,600 --> 00:54:59,440
Speaker 2: one by making them yuppie dead heads. But yeah, what.

1113
00:54:58,400 --> 00:55:00,279
Speaker 1: Whatever, All the jokes have got to work. All the

1114
00:55:00,360 --> 00:55:01,160
Speaker 1: jokes I've got to work.

1115
00:55:02,360 --> 00:55:04,919
Speaker 2: So Joyce calls out for Brian, asking him to come

1116
00:55:04,960 --> 00:55:08,560
Speaker 2: say hello to DJ. Brian eagerly runs down the stairs,

1117
00:55:08,600 --> 00:55:11,680
Speaker 2: politely saying, Hi, DJ, We're gonna have a lot of

1118
00:55:11,680 --> 00:55:15,160
Speaker 2: fun tonight, and DJ smiles, that's what I'm here for.

1119
00:55:16,040 --> 00:55:18,440
Speaker 2: Joyce and Michael say goodbye to their son and they

1120
00:55:18,480 --> 00:55:21,680
Speaker 2: begin to leave. DJ walks them to the door, saying bye,

1121
00:55:21,840 --> 00:55:25,040
Speaker 2: have fun at your costume party, and they both let

1122
00:55:25,040 --> 00:55:28,319
Speaker 2: out a silent laugh, and Michael responds, we're going to

1123
00:55:28,400 --> 00:55:31,240
Speaker 2: a Grateful Dead concert. He throws up a peace sign

1124
00:55:31,360 --> 00:55:38,040
Speaker 2: and Joyce says stay mellow, and they leave. Okay. Brian

1125
00:55:38,200 --> 00:55:42,279
Speaker 2: grins at DJ. I hear it's your first time babysitting

1126
00:55:43,080 --> 00:55:47,920
Speaker 2: fresh blood, fresh blood, yep, a new victim. DJs tells them, well,

1127
00:55:47,960 --> 00:55:50,440
Speaker 2: that's not true, because she baby sits for Michelle all

1128
00:55:50,480 --> 00:55:55,920
Speaker 2: the time. Brian declares, well, this will be different. DJ

1129
00:55:56,000 --> 00:55:58,600
Speaker 2: should suggests that the two of them should be friends.

1130
00:55:59,440 --> 00:56:01,879
Speaker 2: Brian stick out his hand. Give me half the money

1131
00:56:01,880 --> 00:56:04,080
Speaker 2: you're making off me and maybe I'll be your friend.

1132
00:56:05,000 --> 00:56:12,120
Speaker 1: Wow. Just right to extortion? Okay, right fast, Yes, DJ.

1133
00:56:11,920 --> 00:56:14,720
Speaker 2: Says, not a prayer. I'm saving up for my own phone.

1134
00:56:15,440 --> 00:56:17,480
Speaker 2: She crouches down to him and asks if he'd like

1135
00:56:17,520 --> 00:56:20,560
Speaker 2: to play a nice, quiet game or if he'd rather

1136
00:56:20,680 --> 00:56:25,080
Speaker 2: just go straight to sleep instead. Brian shouts haya and

1137
00:56:25,160 --> 00:56:28,360
Speaker 2: jumps onto the couch. He stands above her as he screams,

1138
00:56:28,680 --> 00:56:31,040
Speaker 2: I am a teenage mutant Ninja turtle and you are

1139
00:56:31,080 --> 00:56:33,440
Speaker 2: the evil Lord Craying from dimension X.

1140
00:56:34,000 --> 00:56:38,320
Speaker 1: Oh boy, yes, right off the rails.

1141
00:56:38,560 --> 00:56:41,520
Speaker 2: Oh yes. He proceeds to karate chop the air, telling

1142
00:56:41,600 --> 00:56:45,279
Speaker 2: DJ to kneel before him, and she sneers, I am

1143
00:56:45,320 --> 00:56:50,239
Speaker 2: not kneeling before you. Brian smirks want to bet. He

1144
00:56:50,360 --> 00:56:53,600
Speaker 2: threatens to smash a vase and blame her if she

1145
00:56:53,640 --> 00:56:58,400
Speaker 2: doesn't oblige, but DJ doesn't believe him. Without hesitation, Brian

1146
00:56:58,520 --> 00:57:01,440
Speaker 2: throws the vase into the air, and luckily DJ is

1147
00:57:01,480 --> 00:57:04,400
Speaker 2: able to catch it before it hits the ground. She

1148
00:57:04,560 --> 00:57:08,880
Speaker 2: is appalled by his actions. Brian yell's lucky catch Lord Craying,

1149
00:57:09,280 --> 00:57:12,879
Speaker 2: this means war. He karate chops and kicks the air

1150
00:57:12,920 --> 00:57:15,040
Speaker 2: around DJ as she rolls her eyes.

1151
00:57:16,680 --> 00:57:18,760
Speaker 1: Nightmare baby sitting gig, Yes, night.

1152
00:57:18,760 --> 00:57:21,680
Speaker 2: This is She's going to be earning every single penny

1153
00:57:22,080 --> 00:57:22,320
Speaker 2: of this.

1154
00:57:22,520 --> 00:57:24,760
Speaker 1: So much. You know what else? There was so much of,

1155
00:57:26,080 --> 00:57:27,840
Speaker 1: so much mob in this house.

1156
00:57:28,760 --> 00:57:33,280
Speaker 2: Mob mob, the color mauve, mov mo, yeah no, mov

1157
00:57:33,360 --> 00:57:35,000
Speaker 2: you said it right, I just can't.

1158
00:57:35,240 --> 00:57:38,720
Speaker 1: It reminded me of my mom's house in the late eighties.

1159
00:57:38,720 --> 00:57:39,160
Speaker 1: Early ns.

1160
00:57:39,240 --> 00:57:42,440
Speaker 3: My mom also loved MOV and it was very popular.

1161
00:57:43,560 --> 00:57:47,600
Speaker 3: And it was just wall the wall, sort of pink

1162
00:57:48,000 --> 00:57:49,400
Speaker 3: dark pink carpeting.

1163
00:57:50,160 --> 00:57:53,520
Speaker 2: Yeah, yeah, it's it's a little it's a little depressing.

1164
00:57:53,680 --> 00:57:55,560
Speaker 2: You know, it's very dated. I would say, it's.

1165
00:57:55,400 --> 00:57:56,880
Speaker 1: Just very not for then.

1166
00:57:57,160 --> 00:58:00,280
Speaker 3: It was probably top of the line, you know, sub

1167
00:58:00,400 --> 00:58:05,760
Speaker 3: zero Stockbroker or BMW Fax Machine people, you know.

1168
00:58:05,960 --> 00:58:08,840
Speaker 1: Like that was that mob was it?

1169
00:58:09,440 --> 00:58:16,560
Speaker 3: And Oak Yeah? Oak Banister, Oh gorgeous. The woodwork, Uh yeah,

1170
00:58:16,880 --> 00:58:17,600
Speaker 3: that house was.

1171
00:58:18,520 --> 00:58:22,840
Speaker 2: Peak peak nineteen ninety Yeah, And that set reminded me

1172
00:58:22,920 --> 00:58:25,640
Speaker 2: so much of so many other sets, like that's always

1173
00:58:25,680 --> 00:58:28,120
Speaker 2: the set for like the the guest, you know, the

1174
00:58:28,200 --> 00:58:30,080
Speaker 2: house for whoever's guest starring that week.

1175
00:58:30,640 --> 00:58:32,440
Speaker 3: But you know, it was funny was I was like,

1176
00:58:32,480 --> 00:58:35,439
Speaker 3: I don't think we've ever seen this. We've never really

1177
00:58:35,440 --> 00:58:38,120
Speaker 3: seen the inside of anybody else's house.

1178
00:58:38,480 --> 00:58:42,160
Speaker 2: WHOA, I think you're right.

1179
00:58:44,000 --> 00:58:45,880
Speaker 1: I have never seen the inside of the Gibbler's house.

1180
00:58:46,760 --> 00:58:48,560
Speaker 1: Seeing schools, We've.

1181
00:58:48,400 --> 00:58:51,760
Speaker 3: Seen school we've seen playgrounds, we've seen parks, we've seen

1182
00:58:51,760 --> 00:58:53,040
Speaker 3: the garages.

1183
00:58:52,720 --> 00:58:54,640
Speaker 2: The outside of Becky's house.

1184
00:58:54,440 --> 00:58:56,160
Speaker 1: In the outside of Becky's house.

1185
00:58:56,760 --> 00:58:59,080
Speaker 2: Yeah, this airports.

1186
00:58:59,280 --> 00:59:04,640
Speaker 1: Yeah, we've never seen the inside of a neighbor or

1187
00:59:04,680 --> 00:59:07,080
Speaker 1: anyone else's another family's house.

1188
00:59:08,240 --> 00:59:09,600
Speaker 2: Interesting observation.

1189
00:59:09,840 --> 00:59:12,520
Speaker 1: It was my everywhere you look, but I let into it.

1190
00:59:12,560 --> 00:59:16,360
Speaker 2: But yeah, that's okay, that's yeah, No, I didn't think

1191
00:59:16,400 --> 00:59:20,480
Speaker 2: about that. It's a that's true. I'm like, I wonder

1192
00:59:20,480 --> 00:59:23,479
Speaker 2: why the Kagans deserved their own self. So you can't,

1193
00:59:24,160 --> 00:59:26,880
Speaker 2: it's the joke storylines. We'll get there.

1194
00:59:26,960 --> 00:59:27,600
Speaker 1: Yeah, you can't.

1195
00:59:27,640 --> 00:59:30,640
Speaker 3: Just you can't just you know, stick ahead through any banister,

1196
00:59:30,720 --> 00:59:31,160
Speaker 3: you know what I mean.

1197
00:59:31,160 --> 00:59:33,160
Speaker 2: Right, right, it's got to be it's got to be

1198
00:59:33,160 --> 00:59:33,720
Speaker 2: a full set.

1199
00:59:34,080 --> 00:59:34,320
Speaker 1: Right.

1200
00:59:35,280 --> 00:59:38,280
Speaker 2: So after a commercial break, we continue in the Kagan house.

1201
00:59:38,880 --> 00:59:41,840
Speaker 2: Some time has passed and now Brian is running down

1202
00:59:41,840 --> 00:59:45,080
Speaker 2: the stairs as DJ chases after him. She yells, give

1203
00:59:45,120 --> 00:59:47,600
Speaker 2: me my purse back. How you are you a little mutant?

1204
00:59:48,000 --> 00:59:49,960
Speaker 2: This is going as well as it was before the

1205
00:59:50,240 --> 00:59:51,000
Speaker 2: commercial break.

1206
00:59:51,800 --> 00:59:53,680
Speaker 3: Well, I feel like she's getting a very very real

1207
00:59:53,720 --> 00:59:56,640
Speaker 3: experience of what it's like to have children. Yes it

1208
00:59:56,680 --> 01:00:00,160
Speaker 3: unless it's a preview, Yeah yeah, yeah, bran.

1209
01:00:00,040 --> 01:00:03,280
Speaker 2: And tells DJ to freeze. She stops in her tracks

1210
01:00:03,280 --> 01:00:06,280
Speaker 2: and Brian threatens her again, do what I say, or

1211
01:00:06,320 --> 01:00:09,960
Speaker 2: your purse goes into the fish tank. This kid is

1212
01:00:10,040 --> 01:00:15,720
Speaker 2: some discipline, right, DJ does not entertain him. Forget it.

1213
01:00:15,880 --> 01:00:19,480
Speaker 2: I Am not shaving my head. Come on, kid, that

1214
01:00:19,600 --> 01:00:23,680
Speaker 2: is impossible. Like ask her to stay up later, or

1215
01:00:23,760 --> 01:00:26,400
Speaker 2: ask her for you know, extra sweets or something, but

1216
01:00:26,440 --> 01:00:29,680
Speaker 2: like to shave her head.

1217
01:00:29,080 --> 01:00:34,280
Speaker 1: It's something. There's something off. There's a little a little scary.

1218
01:00:34,560 --> 01:00:37,000
Speaker 1: You know, this kid's gonna said for some serious trouble.

1219
01:00:37,400 --> 01:00:38,880
Speaker 2: DJ doesn't entertain She's.

1220
01:00:38,720 --> 01:00:40,760
Speaker 1: Not left his head in the banister.

1221
01:00:43,080 --> 01:00:45,840
Speaker 2: There's a knock on the door. DJ opens it to

1222
01:00:45,960 --> 01:00:52,240
Speaker 2: reveal Kimmy. Brian screams with disgust. Oh no, not Kimmy Gobbler.

1223
01:00:52,840 --> 01:00:54,920
Speaker 1: Oh that's unfortunate.

1224
01:00:56,080 --> 01:00:58,880
Speaker 2: I think this is our this is our second Kimmy Gobbler.

1225
01:00:58,880 --> 01:00:59,960
Speaker 2: We've heard it once before.

1226
01:01:00,960 --> 01:01:05,000
Speaker 1: But isn't that that's your that's the name of your

1227
01:01:05,080 --> 01:01:05,800
Speaker 1: character and that.

1228
01:01:06,280 --> 01:01:15,480
Speaker 2: Parody, Oh the parody, the parody with the capital T. Well,

1229
01:01:15,480 --> 01:01:16,560
Speaker 2: but this was the nineties.

1230
01:01:16,600 --> 01:01:19,439
Speaker 3: This was But I'm just saying it had like it

1231
01:01:19,480 --> 01:01:21,520
Speaker 3: wasn't not that the two were not connected. I mean

1232
01:01:21,560 --> 01:01:24,440
Speaker 3: they're connected sort of, but there but one did not

1233
01:01:24,520 --> 01:01:26,320
Speaker 3: influence the others what I'm saying, But it just so

1234
01:01:26,360 --> 01:01:29,760
Speaker 3: happens to be that Kitty Gobblert is the name of

1235
01:01:29,800 --> 01:01:35,360
Speaker 3: your character. I believe in uh uh, a house parody

1236
01:01:35,600 --> 01:01:41,600
Speaker 3: movie that children shouldn't watch. Correct, guys, you get what

1237
01:01:41,640 --> 01:01:44,800
Speaker 3: I'm saying. I forgot that when I'm throwing down that's.

1238
01:01:44,600 --> 01:01:45,200
Speaker 1: What I do.

1239
01:01:45,400 --> 01:01:46,760
Speaker 2: Yeah, I think you do.

1240
01:01:47,200 --> 01:01:50,000
Speaker 3: But if I read it trying to trying to be appropriate.

1241
01:01:50,040 --> 01:01:52,240
Speaker 3: So many kids came through at nineties gone, we love

1242
01:01:52,280 --> 01:01:52,640
Speaker 3: your show.

1243
01:01:52,680 --> 01:01:54,920
Speaker 1: I was like, I'm so glad I don't blow it.

1244
01:01:55,480 --> 01:01:58,400
Speaker 2: I know, yeah, had I had that moment. I was like,

1245
01:01:58,400 --> 01:02:01,600
Speaker 2: oh gosh, what else have we talked about that listen to?

1246
01:02:02,000 --> 01:02:02,200
Speaker 1: Yeah?

1247
01:02:02,360 --> 01:02:07,320
Speaker 2: Sorry kids, So anyway, we'll back to Kimmy. Back to

1248
01:02:07,400 --> 01:02:11,120
Speaker 2: Kimmy Gobbler. Uh DJ tells Kimmy that Brian has her

1249
01:02:11,160 --> 01:02:14,920
Speaker 2: purse and asks what do I do. Kimmy confidently states

1250
01:02:15,200 --> 01:02:19,360
Speaker 2: watch this. She walks up to Brian and announces, all right, chump,

1251
01:02:19,640 --> 01:02:22,200
Speaker 2: drop the purse right now, or I'm gonna kiss you.

1252
01:02:22,960 --> 01:02:25,919
Speaker 2: Brian immediately throws the purse to Kimmy, shouting yuck.

1253
01:02:27,640 --> 01:02:28,640
Speaker 1: Told his parents that.

1254
01:02:30,520 --> 01:02:32,400
Speaker 3: You know what I mean, Like, that doesn't that's not

1255
01:02:32,520 --> 01:02:34,240
Speaker 3: I mean a Kimmy, not that Gimmy cares, but like

1256
01:02:35,040 --> 01:02:38,120
Speaker 3: I would be bothered if my I came home and

1257
01:02:38,160 --> 01:02:40,760
Speaker 3: my kid was like, yeah, the babysitter threatened to kiss

1258
01:02:40,760 --> 01:02:42,600
Speaker 3: me if I didn't do what they said.

1259
01:02:42,640 --> 01:02:44,800
Speaker 1: Wait what, I don't know. I didn't.

1260
01:02:44,840 --> 01:02:46,320
Speaker 2: I didn't it didn't didn't know.

1261
01:02:46,360 --> 01:02:46,760
Speaker 1: It doesn't.

1262
01:02:46,760 --> 01:02:50,160
Speaker 3: But like when I thought about it, I was like, wow,

1263
01:02:50,320 --> 01:02:52,960
Speaker 3: that's well. I mean, I get the point of what

1264
01:02:53,080 --> 01:02:54,919
Speaker 3: Kimmy's trying to do. But my guys, I was a parent,

1265
01:02:54,960 --> 01:02:57,360
Speaker 3: i'd be like, don't just but the kid's terrible. Never

1266
01:02:57,400 --> 01:02:59,520
Speaker 3: mind the kids, the.

1267
01:02:59,560 --> 01:03:03,480
Speaker 2: Kids, well, Kimmy's terrible. This is a terrible combination. And

1268
01:03:03,520 --> 01:03:06,680
Speaker 2: she's not actually gonna kiss him. It's a threat. It's

1269
01:03:06,720 --> 01:03:07,520
Speaker 2: all her threats.

1270
01:03:08,920 --> 01:03:12,240
Speaker 1: Yeah, I know, I'm just saying. I know. I'm just

1271
01:03:12,240 --> 01:03:13,720
Speaker 1: saying if it were if it.

1272
01:03:13,720 --> 01:03:16,760
Speaker 2: Were character Kimmy, yeah, it'd be a little bit no. No,

1273
01:03:17,120 --> 01:03:19,520
Speaker 2: but Kimmy's never saying anything again, whatever I have to

1274
01:03:19,560 --> 01:03:22,240
Speaker 2: say or do, you can't be weird.

1275
01:03:22,440 --> 01:03:22,919
Speaker 1: It'd be weird.

1276
01:03:23,840 --> 01:03:27,400
Speaker 2: So we haven't seen the last of me, and he

1277
01:03:27,480 --> 01:03:32,280
Speaker 2: bolts up the stairs Kimmy DJ size asking Kimmy why

1278
01:03:32,360 --> 01:03:35,400
Speaker 2: she didn't mention that Brian is a baby godzilla.

1279
01:03:36,520 --> 01:03:40,760
Speaker 1: Yeah.

1280
01:03:42,120 --> 01:03:46,000
Speaker 3: See this makes me think Jimmy knew and was like sorry,

1281
01:03:46,200 --> 01:03:47,880
Speaker 3: she had given her heads up, but she did come

1282
01:03:47,880 --> 01:03:49,200
Speaker 3: over to help, and yeah, yeah.

1283
01:03:49,520 --> 01:03:52,600
Speaker 2: Well she should, but she didn't come over. She came

1284
01:03:52,640 --> 01:03:56,640
Speaker 2: over to rescue her, right right, so he could she

1285
01:03:56,680 --> 01:03:58,760
Speaker 2: could have. But that's Kimmy, she didn't.

1286
01:03:59,840 --> 01:04:00,600
Speaker 1: Nobody asked me.

1287
01:04:01,080 --> 01:04:05,800
Speaker 2: Nobody asked me. Kimmy tells DJ to relax. She offers

1288
01:04:05,880 --> 01:04:09,800
Speaker 2: to show her where they hide the imported chocolates, but

1289
01:04:10,200 --> 01:04:12,600
Speaker 2: they are stopped by Brian, who's waiting for them on

1290
01:04:12,640 --> 01:04:16,040
Speaker 2: the staircase. He's holding a water gun that's pointed directly

1291
01:04:16,120 --> 01:04:20,919
Speaker 2: at the girls and yells prepare to die. Slime burgers.

1292
01:04:22,040 --> 01:04:26,040
Speaker 3: Interest, I never mind. I'm not gonna say anything. No, no, no,

1293
01:04:26,160 --> 01:04:30,160
Speaker 3: it doesn't it's irrelevant. Oh okay, yeah, I thought you

1294
01:04:30,240 --> 01:04:31,840
Speaker 3: were thinking of nothing happened in appropriately.

1295
01:04:31,920 --> 01:04:32,920
Speaker 2: You good to say it anyways.

1296
01:04:33,120 --> 01:04:34,880
Speaker 1: No, no, no, I was just gonna say, like, I, yeah,

1297
01:04:34,880 --> 01:04:36,600
Speaker 1: I don't think water guns look like that anymore.

1298
01:04:37,480 --> 01:04:40,280
Speaker 3: You can know a lot change they Yeah, they're very

1299
01:04:40,520 --> 01:04:43,720
Speaker 3: much like blue and orange and not at all realistic.

1300
01:04:43,800 --> 01:04:47,760
Speaker 2: It's obviously kid kid toys. Now, that's yeah, you don't

1301
01:04:47,760 --> 01:04:50,680
Speaker 2: want them to look real at all. Yeah, and slimeburgers,

1302
01:04:50,720 --> 01:04:53,680
Speaker 2: how come Burger is like an insult. We got geek

1303
01:04:53,840 --> 01:04:56,760
Speaker 2: geek burgers, we got slime burgers, like this was a

1304
01:04:57,320 --> 01:04:59,240
Speaker 2: this was a hefty insult in the in the eighties

1305
01:04:59,240 --> 01:05:03,200
Speaker 2: and nineties. Yeah, yeah, it was, or at least a

1306
01:05:03,560 --> 01:05:05,680
Speaker 2: house I wonder if they used these insults on other

1307
01:05:06,360 --> 01:05:09,240
Speaker 2: eighties and nineties sitcoms. Was that a thing or was

1308
01:05:09,280 --> 01:05:10,480
Speaker 2: that just a full house thing?

1309
01:05:10,840 --> 01:05:11,960
Speaker 1: I think it was.

1310
01:05:12,200 --> 01:05:15,000
Speaker 3: I think it was a family friendly TV sort of thing,

1311
01:05:15,120 --> 01:05:19,160
Speaker 3: Like you had to come up with silly, funny sounding,

1312
01:05:19,360 --> 01:05:25,520
Speaker 3: creative insults that weren't necessarily mean, rude, cut you know

1313
01:05:25,560 --> 01:05:27,439
Speaker 3: what I mean, for kids to kind of toss around

1314
01:05:27,520 --> 01:05:28,480
Speaker 3: or inappropriate or whatever.

1315
01:05:28,520 --> 01:05:28,800
Speaker 1: I guess.

1316
01:05:28,880 --> 01:05:30,920
Speaker 2: So, yeah, yeah, and burger is.

1317
01:05:30,920 --> 01:05:33,600
Speaker 3: A funny It sounds funny when you say it, That's true.

1318
01:05:33,680 --> 01:05:35,520
Speaker 3: It's like any word with a P or whatever, a

1319
01:05:35,600 --> 01:05:36,720
Speaker 3: burger burger.

1320
01:05:37,320 --> 01:05:40,360
Speaker 2: Yeah, it rolls off the tongue, right, Yeah, that's true. Yeah,

1321
01:05:40,360 --> 01:05:41,640
Speaker 2: we can't obviously we can't swear.

1322
01:05:42,000 --> 01:05:43,840
Speaker 1: Yeah, it's oh you know right, you couldn't.

1323
01:05:44,120 --> 01:05:46,960
Speaker 3: You couldn't call someone uh something that I won't say,

1324
01:05:46,960 --> 01:05:48,040
Speaker 3: because Manny would.

1325
01:05:47,840 --> 01:05:48,680
Speaker 1: Just have to bleep it out right.

1326
01:05:48,960 --> 01:05:51,560
Speaker 2: We don't want to create more work for Manny. No, No,

1327
01:05:51,720 --> 01:05:55,640
Speaker 2: he's got enough he has enough to do. Uh So

1328
01:05:56,000 --> 01:05:58,920
Speaker 2: Brian shoots water at them while they hide behind the furniture,

1329
01:05:59,360 --> 01:06:03,840
Speaker 2: and DJ declares that's it. I am through playing games.

1330
01:06:04,480 --> 01:06:07,480
Speaker 2: They stand up and walk towards him. Brian tries to

1331
01:06:07,560 --> 01:06:12,080
Speaker 2: run away, but his head is stuck between the railings.

1332
01:06:12,680 --> 01:06:14,520
Speaker 2: He begins screaming for help.

1333
01:06:16,040 --> 01:06:17,919
Speaker 1: Here we go yep.

1334
01:06:18,200 --> 01:06:22,600
Speaker 2: DJ gets a closer look and nervously says he's really stuck,

1335
01:06:23,520 --> 01:06:26,479
Speaker 2: and Kimmy cheerfully responds, great, let's go watch TV.

1336
01:06:28,960 --> 01:06:32,440
Speaker 1: A great babysitter. Kimmy not great, This is pe Kimmy,

1337
01:06:32,520 --> 01:06:36,400
Speaker 1: though it is. It really is. Kimmy's like Rum's old.

1338
01:06:36,480 --> 01:06:39,120
Speaker 1: Great and to be fair, she's not wrong.

1339
01:06:39,800 --> 01:06:44,160
Speaker 3: She's this kid Kina. Yeah you kind of would for

1340
01:06:44,240 --> 01:06:48,120
Speaker 3: a few minutes go oh too bad. They go see

1341
01:06:48,160 --> 01:06:50,080
Speaker 3: what I can do? Yeah, you know what I mean.

1342
01:06:50,200 --> 01:06:54,960
Speaker 2: Like he's that guy, so totally so. DJ tells Brian

1343
01:06:55,040 --> 01:06:57,160
Speaker 2: to stay calm. She says she'll be right back and

1344
01:06:57,320 --> 01:06:58,400
Speaker 2: asks Kimmy.

1345
01:06:58,360 --> 01:07:00,640
Speaker 3: Calm, Get calm, kid. You have never calm the whole

1346
01:07:00,680 --> 01:07:04,520
Speaker 3: time we've been here. It's right, yeah, stay calm.

1347
01:07:04,680 --> 01:07:05,600
Speaker 2: He hasn't been cold.

1348
01:07:05,800 --> 01:07:08,000
Speaker 1: Don't stay cross. Maybe he'll just buck it off like

1349
01:07:08,080 --> 01:07:10,200
Speaker 1: a like a wild Bronco. You know what I mean,

1350
01:07:11,400 --> 01:07:12,480
Speaker 1: walk your head right out of there.

1351
01:07:16,440 --> 01:07:18,280
Speaker 2: So she asks Kimy to keep an eye on Brian,

1352
01:07:18,680 --> 01:07:21,960
Speaker 2: and Kimmy strolls up to Brian. She takes off her

1353
01:07:22,000 --> 01:07:25,360
Speaker 2: shoe while asking if he wants to smell her feet.

1354
01:07:26,240 --> 01:07:28,960
Speaker 2: She sticks her foot in his face and he wails

1355
01:07:29,320 --> 01:07:34,320
Speaker 2: while covering his nose. I'm sorry, I know this us

1356
01:07:34,400 --> 01:07:40,760
Speaker 2: begins this long running joke of Kimmy's stinky feet. Yeah,

1357
01:07:40,920 --> 01:07:42,800
Speaker 2: and I just I get asked about this a lot

1358
01:07:42,960 --> 01:07:45,520
Speaker 2: to this day. At nineties con, I got asked about

1359
01:07:45,560 --> 01:07:46,720
Speaker 2: it several times.

1360
01:07:47,680 --> 01:07:49,960
Speaker 3: Even if you did, do you think you'd be like, yeah, yeah,

1361
01:07:50,040 --> 01:07:51,120
Speaker 3: you want should I take him off?

1362
01:07:51,280 --> 01:07:52,160
Speaker 2: Like what? You know what I mean?

1363
01:07:52,520 --> 01:07:57,440
Speaker 3: And also I'm here to vouch and say unequivocally no,

1364
01:07:58,160 --> 01:08:02,760
Speaker 3: Andrea Barber, nothing not that roses.

1365
01:08:03,400 --> 01:08:03,640
Speaker 1: I don't.

1366
01:08:03,680 --> 01:08:05,600
Speaker 3: I mean, I don't know, I've never been actually you

1367
01:08:05,680 --> 01:08:09,160
Speaker 3: know what I mean. But I'm just saying no, We've

1368
01:08:09,200 --> 01:08:13,040
Speaker 3: shared dressing rooms and trailers. You do not have stinky feet. People, Thanks,

1369
01:08:13,040 --> 01:08:17,639
Speaker 3: stop asking, Thank you, Jimmy. Jimmy didn't even have sinky feet.

1370
01:08:17,640 --> 01:08:19,760
Speaker 3: Everyone just made her feel bad about it, right right,

1371
01:08:19,960 --> 01:08:23,519
Speaker 3: This was disorder she's fine, she's treated it now some

1372
01:08:23,640 --> 01:08:25,880
Speaker 3: gold bombs and she's fine.

1373
01:08:26,040 --> 01:08:26,599
Speaker 1: Stop asking.

1374
01:08:26,680 --> 01:08:28,880
Speaker 2: She sees Steve the podiatrist later.

1375
01:08:30,520 --> 01:08:30,920
Speaker 1: It's right.

1376
01:08:31,400 --> 01:08:33,479
Speaker 3: Look, it's a hippo violation to even ask him. Okay,

1377
01:08:33,600 --> 01:08:35,559
Speaker 3: don't ask. Don't ask doctor Steve.

1378
01:08:35,960 --> 01:08:37,240
Speaker 2: How but he fixed it?

1379
01:08:37,400 --> 01:08:37,679
Speaker 1: Okay?

1380
01:08:38,560 --> 01:08:38,920
Speaker 4: Just no.

1381
01:08:39,400 --> 01:08:42,840
Speaker 2: Yes, if the joke had just ended, here come I

1382
01:08:42,840 --> 01:08:44,519
Speaker 2: thought it was funny. Yeah, he's stuck in a banister.

1383
01:08:44,720 --> 01:08:46,679
Speaker 2: So she's like, here's someme on my feet. That's funny.

1384
01:08:47,360 --> 01:08:49,960
Speaker 2: It's when it repeats over and over and over and

1385
01:08:50,120 --> 01:08:53,000
Speaker 2: over for the rest of the series and into Fuller House.

1386
01:08:53,560 --> 01:08:56,240
Speaker 2: That's where I'm like, this is lazy writing. You guys

1387
01:08:56,400 --> 01:08:58,920
Speaker 2: like this this joke. It works the first time, it's

1388
01:08:59,000 --> 01:09:01,799
Speaker 2: not really working the other times. And imagine being forty

1389
01:09:01,840 --> 01:09:05,479
Speaker 2: eight years old and being asked if your feet still stink.

1390
01:09:05,840 --> 01:09:06,280
Speaker 1: I'm done.

1391
01:09:06,640 --> 01:09:08,000
Speaker 2: I'm done. People, that's it.

1392
01:09:08,200 --> 01:09:11,439
Speaker 3: Don't don't do it. Don't don't ask the question again.

1393
01:09:11,479 --> 01:09:13,960
Speaker 1: Guys. It's no. It's a no. It's a hard no.

1394
01:09:14,160 --> 01:09:16,479
Speaker 2: Yes, I'm pretty tolerant of all things gibbler. I'll wear

1395
01:09:16,560 --> 01:09:18,559
Speaker 2: the scarves, I'll do lines catchphrase.

1396
01:09:18,600 --> 01:09:21,760
Speaker 3: It's so yeah, You're like, it's just because it is

1397
01:09:22,120 --> 01:09:26,479
Speaker 3: because the outfits are obviously kimny, but like they're asking

1398
01:09:26,640 --> 01:09:30,720
Speaker 3: you as though it's an actual, uh physical ailment or

1399
01:09:30,800 --> 01:09:32,840
Speaker 3: issue that you have. Yeah, right, and you're like, no,

1400
01:09:32,960 --> 01:09:35,519
Speaker 3: this has no was also a character much like the

1401
01:09:35,520 --> 01:09:38,400
Speaker 3: bacon and egg scarf that I could take.

1402
01:09:38,280 --> 01:09:42,880
Speaker 2: Off exactly exactly. I've been grand marshal in parades and

1403
01:09:42,960 --> 01:09:45,160
Speaker 2: people will yell at me from the sidewalk, don't take

1404
01:09:45,200 --> 01:09:49,720
Speaker 2: off your shoes like this followed me right, followed me

1405
01:09:49,760 --> 01:09:52,240
Speaker 2: around my entire life, And I'm sorry, I'm inventing. This

1406
01:09:52,360 --> 01:09:54,719
Speaker 2: is sort of like therapy. I'll send you a copay later.

1407
01:09:54,800 --> 01:09:55,800
Speaker 1: But yeah, that's fine.

1408
01:09:55,880 --> 01:09:58,719
Speaker 2: This has been. This has been, you know, thirty thirty

1409
01:09:59,000 --> 01:10:01,760
Speaker 2: something years of of this following you around, and I

1410
01:10:01,840 --> 01:10:03,720
Speaker 2: just had to get that out. This is officially how

1411
01:10:03,720 --> 01:10:05,880
Speaker 2: I feel about it. People, official, do you feel about it?

1412
01:10:06,479 --> 01:10:08,760
Speaker 2: And this is you don't You don't hear ab say

1413
01:10:08,800 --> 01:10:09,719
Speaker 2: it often guys.

1414
01:10:10,680 --> 01:10:14,960
Speaker 3: But pass the word around. But asking, okay, asking my

1415
01:10:15,120 --> 01:10:19,880
Speaker 3: feet don't get a boundary. They do not final answer. Done,

1416
01:10:20,200 --> 01:10:22,040
Speaker 3: thank you coming to our ted talk.

1417
01:10:22,240 --> 01:10:24,400
Speaker 2: Okay, yes, thank you for coming to our ted talk.

1418
01:10:24,439 --> 01:10:27,439
Speaker 2: I'm done. I will not I will not mention this again. Actually,

1419
01:10:27,439 --> 01:10:30,120
Speaker 2: I probably will. I will move on from it for now.

1420
01:10:30,880 --> 01:10:34,160
Speaker 2: Back to butter Kid, so DJ quickly runs back into

1421
01:10:34,160 --> 01:10:37,360
Speaker 2: the room to witness what is happening here. She reminds

1422
01:10:37,400 --> 01:10:39,559
Speaker 2: Kimmy that it won't help if he passes out.

1423
01:10:40,680 --> 01:10:43,400
Speaker 1: I wanted him to stay calm. He'd be pretty malleable.

1424
01:10:45,520 --> 01:10:48,200
Speaker 2: She sets down her kitchen supplies and tells Brian that

1425
01:10:48,280 --> 01:10:50,639
Speaker 2: he will be able to slide right out as soon

1426
01:10:50,720 --> 01:10:54,479
Speaker 2: as they butter up his head. DJ and Kimmy beg

1427
01:10:54,560 --> 01:11:00,160
Speaker 2: in rubbing butter all over Brian's face, and he angry shouted, oh,

1428
01:11:00,360 --> 01:11:03,040
Speaker 2: he says, this will never work. Dumb girls.

1429
01:11:04,640 --> 01:11:06,080
Speaker 1: Oh look who's stuck in the banister.

1430
01:11:06,320 --> 01:11:11,679
Speaker 2: Uh well then okay, so Kimmy's like, well, we better

1431
01:11:11,760 --> 01:11:15,920
Speaker 2: butter his whole head and we do. That was like

1432
01:11:16,040 --> 01:11:19,040
Speaker 2: real butter. That was like that soft margarine.

1433
01:11:18,640 --> 01:11:20,880
Speaker 1: Right right right, Yeah it was I can't believe it's

1434
01:11:20,920 --> 01:11:21,280
Speaker 1: not butter.

1435
01:11:21,560 --> 01:11:23,840
Speaker 2: Yeah, yeah, that's exactly, that's exactly.

1436
01:11:23,479 --> 01:11:26,960
Speaker 1: Which was just a just a congealed oil basically, And

1437
01:11:27,200 --> 01:11:29,880
Speaker 1: then years later they were like, actually, that's really really

1438
01:11:29,920 --> 01:11:33,200
Speaker 1: bad for you. Don't do that. Yeah, just have the butter, guys,

1439
01:11:33,360 --> 01:11:36,280
Speaker 1: just have the butter. But it was how did that

1440
01:11:36,439 --> 01:11:38,840
Speaker 1: feel Was it gross? I would I don't like getting

1441
01:11:38,880 --> 01:11:40,599
Speaker 1: my hands dirty and see.

1442
01:11:40,720 --> 01:11:44,800
Speaker 2: Right, yeah, no it it did feel well, it was gross,

1443
01:11:44,880 --> 01:11:46,479
Speaker 2: but like it wasn't on my head. It was just

1444
01:11:46,600 --> 01:11:48,479
Speaker 2: on my hands, so I was tolerant. I feel bad

1445
01:11:48,520 --> 01:11:51,200
Speaker 2: for the kid though, because laughing though at least you

1446
01:11:51,320 --> 01:11:53,840
Speaker 2: know how he was. We had like he we just

1447
01:11:53,920 --> 01:11:55,200
Speaker 2: had to do it over and over and then he

1448
01:11:55,320 --> 01:11:56,639
Speaker 2: had to like wash his head.

1449
01:11:57,280 --> 01:11:59,080
Speaker 3: I feel like you could only butter him up once.

1450
01:11:59,280 --> 01:12:03,280
Speaker 3: Well once, I feel like a couple of she went

1451
01:12:03,360 --> 01:12:04,800
Speaker 3: full butter. You can't go better.

1452
01:12:05,000 --> 01:12:08,439
Speaker 2: Yeah, once you do butter on the hair, that requires

1453
01:12:08,520 --> 01:12:12,200
Speaker 2: a whole other thing. But that was not comfortable for

1454
01:12:12,320 --> 01:12:15,080
Speaker 2: that little boy. So I feel bad that he had

1455
01:12:15,120 --> 01:12:17,439
Speaker 2: to just sit there with his head stuck in the banister.

1456
01:12:17,640 --> 01:12:20,280
Speaker 2: I mean it wasn't really stuck obviously, but yeah, it's

1457
01:12:20,320 --> 01:12:23,160
Speaker 2: covered in butter. It's covered in butter. The things we

1458
01:12:23,280 --> 01:12:27,000
Speaker 2: do for jokes to work, I tell you, right. So

1459
01:12:27,120 --> 01:12:29,519
Speaker 2: Brian is trying to slide his head out, but it's

1460
01:12:29,600 --> 01:12:33,080
Speaker 2: not working. He's getting more irritated by the second, telling

1461
01:12:33,200 --> 01:12:34,639
Speaker 2: the girls to get him out of there.

1462
01:12:35,280 --> 01:12:38,879
Speaker 1: You got yourself in there, buddy, Yeah, calm down. I'm trying.

1463
01:12:40,160 --> 01:12:42,920
Speaker 2: DJ's size, telling Kimmy she better go call her dad.

1464
01:12:43,960 --> 01:12:46,600
Speaker 2: Kimmy stops her, convincing her that if she admits she

1465
01:12:46,680 --> 01:12:49,800
Speaker 2: can't handle this job, she'll never get her own phone.

1466
01:12:50,800 --> 01:12:53,519
Speaker 2: But DJ doesn't know what else to do. Kimmy turns

1467
01:12:53,560 --> 01:12:55,600
Speaker 2: to Brian and casually tells him that she's gonna go

1468
01:12:55,640 --> 01:12:56,879
Speaker 2: get her dad's chainsaw.

1469
01:12:58,080 --> 01:12:58,479
Speaker 1: Of course.

1470
01:12:58,800 --> 01:13:00,519
Speaker 2: Of course the Gibblers have a chain saw.

1471
01:13:01,520 --> 01:13:04,320
Speaker 3: Of course, it's easily accessible and Kimmy knows how to operate.

1472
01:13:04,479 --> 01:13:06,960
Speaker 2: Yeah, yeah, that's just that's another day at the Gibbler house. Yep.

1473
01:13:07,280 --> 01:13:11,240
Speaker 3: Well, they do a large scale topiary, so, uh they

1474
01:13:11,360 --> 01:13:15,639
Speaker 3: you know, she's really adept at uh at at creating

1475
01:13:15,800 --> 01:13:17,519
Speaker 3: animal figurines.

1476
01:13:18,080 --> 01:13:20,559
Speaker 2: The Ostrich has has standards. You know, the.

1477
01:13:22,080 --> 01:13:26,000
Speaker 3: Backyard it's a huge also shape shifting backyard, so yeah,

1478
01:13:26,040 --> 01:13:29,880
Speaker 3: you've got to have nice topiaries to look at absolutely well.

1479
01:13:29,960 --> 01:13:32,519
Speaker 3: And then Kimmy she later used those skills, uh to

1480
01:13:32,640 --> 01:13:35,160
Speaker 3: learn how to you know, carve high sculptures for her

1481
01:13:35,200 --> 01:13:36,000
Speaker 3: party planning business.

1482
01:13:36,320 --> 01:13:38,840
Speaker 2: Yeah, this is see, this was very useful. We're very

1483
01:13:38,960 --> 01:13:42,880
Speaker 2: useful skills. This is the origin of Kimmy's party planning days.

1484
01:13:44,520 --> 01:13:47,679
Speaker 2: So we're back in the kitchen, Steve blows cigarette smoke

1485
01:13:47,880 --> 01:13:54,640
Speaker 2: directly into Danny's face and asks, is my cigarette bothering you? Yeah? Bro,

1486
01:13:55,200 --> 01:14:02,760
Speaker 2: this is his dude's oblivious just it's just not caring, right, yeah? Yeah.

1487
01:14:03,760 --> 01:14:06,560
Speaker 2: Danny gives no reaction as he says, no, it's a

1488
01:14:06,640 --> 01:14:11,040
Speaker 2: poker game. Your eyes are supposed to sting. Steve tells

1489
01:14:11,120 --> 01:14:13,680
Speaker 2: him that was his last cigarette of the evening, and

1490
01:14:13,800 --> 01:14:18,160
Speaker 2: Danny sarcastically responds, what a shame with a smile. Then

1491
01:14:18,720 --> 01:14:22,719
Speaker 2: Steve proceeds to light a cigar. Danny remarks, Oh great,

1492
01:14:22,800 --> 01:14:25,559
Speaker 2: here's a new, a refreshing new smell. Ah.

1493
01:14:25,680 --> 01:14:28,400
Speaker 3: Yes, which is funny because Bob actually loved smoking cigars.

1494
01:14:28,680 --> 01:14:33,679
Speaker 2: Yeah he did, he did. Yeah. Uh. Then Michelle cheerfully

1495
01:14:33,720 --> 01:14:37,120
Speaker 2: walks in in her pjs and says, hi, boys, what's happening.

1496
01:14:38,200 --> 01:14:40,600
Speaker 2: Steph quickly follows behind her and tells her dad that

1497
01:14:40,720 --> 01:14:44,320
Speaker 2: Michelle won't listen to her. She proves this by telling

1498
01:14:44,400 --> 01:14:47,080
Speaker 2: Michelle to go to bed. Michelle responds by opening her

1499
01:14:47,120 --> 01:14:51,639
Speaker 2: mouth and sticking her tongue out at Steph. Jesse takes initiative,

1500
01:14:51,720 --> 01:14:55,200
Speaker 2: convincing Michelle it's time for night night because everyone else

1501
01:14:55,320 --> 01:14:58,160
Speaker 2: is going to sleep too. He instructs all of the men,

1502
01:14:58,520 --> 01:15:02,719
Speaker 2: including Paul and Steve, to pretend to fall asleep. Steph

1503
01:15:02,800 --> 01:15:08,680
Speaker 2: tells Michelle see everyone's sleeping. Michelle questions wear their pajamas.

1504
01:15:09,680 --> 01:15:12,080
Speaker 2: Steph thinks quick on her feet and comes up with

1505
01:15:12,560 --> 01:15:15,880
Speaker 2: they're under their clothes. Then she convinces Michelle to follow

1506
01:15:15,920 --> 01:15:20,320
Speaker 2: her upstairs and they tiptoe out of the kitchen. Course

1507
01:15:20,360 --> 01:15:22,240
Speaker 2: step like, how old is Steph at this point? This

1508
01:15:22,439 --> 01:15:28,320
Speaker 2: is pretty young to be I was eight, Okay, so yeah,

1509
01:15:28,439 --> 01:15:31,320
Speaker 2: that's I guess because the adults are still in Yeah,

1510
01:15:31,360 --> 01:15:33,040
Speaker 2: and you're just trying to get her to sleep. So

1511
01:15:33,120 --> 01:15:37,280
Speaker 2: that's enough responsibility for an eight year old. After the

1512
01:15:37,320 --> 01:15:39,720
Speaker 2: girls leave, the guys get back into their game, but

1513
01:15:39,880 --> 01:15:44,040
Speaker 2: Joey actually fell asleep at the table. Jesse screams in

1514
01:15:44,120 --> 01:15:46,280
Speaker 2: his ear wake up, and Joey's.

1515
01:15:45,920 --> 01:15:46,559
Speaker 1: Head flies up.

1516
01:15:47,120 --> 01:15:50,439
Speaker 2: He apologizes, saying he dreamt that he actually won a hand.

1517
01:15:51,600 --> 01:15:55,000
Speaker 2: The phone rings. Danny exclaims that he's got it. We

1518
01:15:55,160 --> 01:15:58,080
Speaker 2: hear him talking frantically on the phone, telling DJ he'll

1519
01:15:58,120 --> 01:16:00,599
Speaker 2: be right there. He hangs up and tells the guys

1520
01:16:00,640 --> 01:16:03,400
Speaker 2: he's got to go. Steve stops him before he leaves,

1521
01:16:03,439 --> 01:16:05,880
Speaker 2: yelling Hey, could you pick me up a pouch of

1522
01:16:06,120 --> 01:16:07,519
Speaker 2: a pouch of pipe tobacco?

1523
01:16:08,960 --> 01:16:15,000
Speaker 1: Dave, Sir, Sir, sir, sir, settle, okay, just settle.

1524
01:16:15,439 --> 01:16:18,160
Speaker 3: If you smoked all six packs of those cigarettes, there's

1525
01:16:18,200 --> 01:16:21,280
Speaker 3: twenty cigarettes and a pack you have smoked one hundred

1526
01:16:21,320 --> 01:16:26,240
Speaker 3: and twenty cigarettes eat tonight, gosh, and and a cigar

1527
01:16:26,680 --> 01:16:28,960
Speaker 3: and now you're looking for the dang.

1528
01:16:30,120 --> 01:16:33,160
Speaker 2: Yeah, that's a lot. That's a lot. This guy needs

1529
01:16:33,320 --> 01:16:37,599
Speaker 2: an iron lung, someone to tell Steve to settle down.

1530
01:16:37,800 --> 01:16:41,760
Speaker 2: That is okay, and Danny, Danny's He's had enough. He

1531
01:16:41,880 --> 01:16:44,040
Speaker 2: walks up to him and finally shouts.

1532
01:16:43,880 --> 01:16:45,719
Speaker 1: Sir, you are a chimney.

1533
01:16:46,439 --> 01:16:49,240
Speaker 2: Yes, not only are you ruining your own health, you're

1534
01:16:49,280 --> 01:16:54,000
Speaker 2: ruining the health of innocent people around you. YenS, thank you.

1535
01:16:54,320 --> 01:16:58,400
Speaker 2: Danny finally let him have it. Yeah, that was disrespectful.

1536
01:16:58,520 --> 01:17:03,000
Speaker 1: It's gross that curtains are gonna smell like you're cigar smoke.

1537
01:17:03,360 --> 01:17:08,280
Speaker 2: Right. Yeah, Steve totally deserved this. And then Danny turns

1538
01:17:08,320 --> 01:17:11,080
Speaker 2: to Paul next and says, and you, sir, you should

1539
01:17:11,080 --> 01:17:13,439
Speaker 2: take a drive through a car wash without your car.

1540
01:17:14,920 --> 01:17:17,479
Speaker 1: Yeah, okay, and wash your hands.

1541
01:17:18,840 --> 01:17:19,040
Speaker 2: Yeah.

1542
01:17:19,200 --> 01:17:21,519
Speaker 3: I have a feeling like I just have a feeling

1543
01:17:21,520 --> 01:17:23,679
Speaker 3: if he's the guy that would stick his two fingers

1544
01:17:23,800 --> 01:17:27,960
Speaker 3: into the dip directly and eat it, he probably doesn't

1545
01:17:28,040 --> 01:17:29,160
Speaker 3: wash his hands after.

1546
01:17:30,880 --> 01:17:31,439
Speaker 1: What you're saying.

1547
01:17:31,760 --> 01:17:38,040
Speaker 2: Yeah, he's not concerned with cleanliness at all. Yeah. So

1548
01:17:38,600 --> 01:17:41,280
Speaker 2: Danny ends the criticisms with a smile, saying it was

1549
01:17:41,400 --> 01:17:44,120
Speaker 2: nice meeting you both, and he swiftly leaves the kitchen.

1550
01:17:45,320 --> 01:17:48,720
Speaker 2: Then Becky enters through the back door, slamming the door

1551
01:17:48,880 --> 01:17:49,400
Speaker 2: behind her.

1552
01:17:50,000 --> 01:17:52,759
Speaker 1: Here we go, She walks, I love when the audience

1553
01:17:52,800 --> 01:17:55,360
Speaker 1: goes ooh, you're like, oh, yes, they're invested.

1554
01:17:55,640 --> 01:17:57,400
Speaker 2: Yeah, something's happening. Something's happening.

1555
01:17:57,920 --> 01:17:58,120
Speaker 1: Yeah.

1556
01:17:58,439 --> 01:18:01,200
Speaker 2: She walks up to Jesse with a own cold face

1557
01:18:01,600 --> 01:18:06,360
Speaker 2: and says hello, Jess. Jesse gets wide eyed. He turns

1558
01:18:06,360 --> 01:18:09,920
Speaker 2: around with a smile, saying hi, Pumpkin, and then nervously

1559
01:18:10,000 --> 01:18:13,280
Speaker 2: asks what she's doing there. Becky tells him that she

1560
01:18:13,360 --> 01:18:16,760
Speaker 2: got his sweet little message. Then she turns to the

1561
01:18:16,840 --> 01:18:19,000
Speaker 2: rest of the men sitting at the table, saying that

1562
01:18:19,080 --> 01:18:22,280
Speaker 2: they must be the macho idiots she heard cheering in

1563
01:18:22,400 --> 01:18:27,559
Speaker 2: the back Yes. Yes. Steve and Paul quickly stand up,

1564
01:18:27,640 --> 01:18:30,439
Speaker 2: realizing it's time for them to leave. Steve grabs his

1565
01:18:30,520 --> 01:18:33,120
Speaker 2: poker chips, while Paul grabs a few slices of pizza

1566
01:18:33,479 --> 01:18:36,559
Speaker 2: and a handful of potato chips for the road. Before

1567
01:18:36,560 --> 01:18:39,480
Speaker 2: they're out the door, Paul tells Jesse have foot in Nebraska,

1568
01:18:39,840 --> 01:18:43,200
Speaker 2: and Jesse yells get out. That was actually pretty funny.

1569
01:18:43,880 --> 01:18:45,559
Speaker 1: That yeah, that was great. Yeah.

1570
01:18:46,320 --> 01:18:49,760
Speaker 2: Joey slowly stands up. He sheepishly tells the couple that

1571
01:18:49,880 --> 01:18:52,040
Speaker 2: he'll he'll be in the living room looking for change

1572
01:18:52,160 --> 01:18:53,840
Speaker 2: in the sofa if anyone needs him.

1573
01:18:55,040 --> 01:18:57,040
Speaker 1: Meanwhile, someone got the hint to leave the room.

1574
01:18:57,320 --> 01:19:00,200
Speaker 2: Yeah. Yeah, at least they were observant enough to realize, Yeah,

1575
01:19:00,240 --> 01:19:05,920
Speaker 2: it's time to exit stage right. Becky's anger has not subsided.

1576
01:19:06,600 --> 01:19:09,559
Speaker 2: She addresses Jesse, how dare you leave me a message

1577
01:19:09,640 --> 01:19:14,880
Speaker 2: like that? Whatever happened to communication and understanding and predictability?

1578
01:19:16,760 --> 01:19:19,920
Speaker 2: Jesse fires back, I've been trying to communicate that I

1579
01:19:20,000 --> 01:19:22,320
Speaker 2: want to go to Graceland for Christmas, but you're just

1580
01:19:22,439 --> 01:19:23,360
Speaker 2: not understanding.

1581
01:19:24,320 --> 01:19:27,400
Speaker 1: I got a long way to go here too.

1582
01:19:28,360 --> 01:19:30,960
Speaker 2: Becky admits that she will never understand why he would

1583
01:19:31,000 --> 01:19:34,519
Speaker 2: want to spend their holiday in Graceland. Standing in line

1584
01:19:34,640 --> 01:19:40,120
Speaker 2: to see a collection of oversized sequin jumpsuits, She's got

1585
01:19:40,160 --> 01:19:43,680
Speaker 2: a point a huge point. She's got a huge point here,

1586
01:19:44,920 --> 01:19:47,639
Speaker 2: but Jesse stops her. He reminds Becky that her beef

1587
01:19:47,800 --> 01:19:51,680
Speaker 2: is with him, not with the king. Becky says, we

1588
01:19:51,760 --> 01:19:54,200
Speaker 2: need to figure this out. So Jesse suggests that they

1589
01:19:54,280 --> 01:19:57,280
Speaker 2: solve their game over a game. Solve their problem over

1590
01:19:57,400 --> 01:20:01,200
Speaker 2: a game of poker. Yeah, yes, because that's.

1591
01:20:01,040 --> 01:20:04,000
Speaker 1: Always a raze. Because away, that's right, that's what adults do.

1592
01:20:05,280 --> 01:20:08,080
Speaker 2: Becky pulls up a chair and Jesse smirks, you do

1593
01:20:08,240 --> 01:20:11,160
Speaker 2: remember how to play, don't you? Oh? You take him

1594
01:20:11,280 --> 01:20:16,960
Speaker 2: for everything he's worth, Becky, And she does. She grabs

1595
01:20:17,040 --> 01:20:19,200
Speaker 2: cards a deck. She grabs the deck of cards from

1596
01:20:19,280 --> 01:20:21,720
Speaker 2: him and says, oh, I think they remember, And then

1597
01:20:21,760 --> 01:20:24,080
Speaker 2: she gets serious and lays down the rolls. The name

1598
01:20:24,160 --> 01:20:27,240
Speaker 2: of the game is five Cards stud Nothing wild, nothing cute,

1599
01:20:27,439 --> 01:20:31,280
Speaker 2: just down and dirty poker, and Jesse's impressed. WHOA you

1600
01:20:31,360 --> 01:20:35,519
Speaker 2: want a cigar? Becky begins dealing the cards and they

1601
01:20:35,560 --> 01:20:38,479
Speaker 2: both get a pair of sevens, making them tied. It

1602
01:20:38,560 --> 01:20:41,040
Speaker 2: all comes down to the last card. They both pull

1603
01:20:41,120 --> 01:20:44,519
Speaker 2: theirs and seem quite happy with their cards, but then

1604
01:20:45,000 --> 01:20:48,880
Speaker 2: realization hits Jesse. He tells Becky that this is silly.

1605
01:20:49,360 --> 01:20:52,080
Speaker 2: No matter what their cards say there is no winner,

1606
01:20:52,640 --> 01:20:55,120
Speaker 2: and he doesn't want to take a grumpy person to Graceland.

1607
01:20:55,240 --> 01:20:59,519
Speaker 2: It's the happiest place on earth. Becky agrees she doesn't

1608
01:20:59,520 --> 01:21:03,120
Speaker 2: want any attitude on the Christmas hay Ride either. Jesse

1609
01:21:03,240 --> 01:21:06,320
Speaker 2: decides that they can make a little compromise. He'll go

1610
01:21:06,360 --> 01:21:09,000
Speaker 2: to Nebraska with her for Christmas if she goes to

1611
01:21:09,080 --> 01:21:11,679
Speaker 2: Graceland with him for the hunka Honka New Year's Eve,

1612
01:21:12,080 --> 01:21:15,200
Speaker 2: Fried Chicken Festival, Old.

1613
01:21:15,040 --> 01:21:21,280
Speaker 1: Fried Chicken Festival. It must be it better be Fried

1614
01:21:21,360 --> 01:21:22,160
Speaker 1: Chicken Festival.

1615
01:21:23,040 --> 01:21:24,640
Speaker 2: Of course he wants to go to this event. This

1616
01:21:24,840 --> 01:21:26,519
Speaker 2: is right, probably made for him.

1617
01:21:27,000 --> 01:21:30,840
Speaker 1: It's exactly maybe did the King did Elvis eat a

1618
01:21:30,880 --> 01:21:32,040
Speaker 1: lot of cold fried chicken?

1619
01:21:32,520 --> 01:21:36,840
Speaker 2: I'm wondering there must be some sort of connection. There

1620
01:21:37,000 --> 01:21:37,960
Speaker 2: has to be. I don't know.

1621
01:21:38,760 --> 01:21:40,880
Speaker 1: I don't know, or maybe that's just just the running

1622
01:21:40,960 --> 01:21:41,800
Speaker 1: joke of the fried chicken.

1623
01:21:41,920 --> 01:21:44,280
Speaker 2: We asked John when he was on this podcast. He

1624
01:21:44,400 --> 01:21:46,280
Speaker 2: was like, I don't know. Yeah, he doesn't even have

1625
01:21:46,360 --> 01:21:48,599
Speaker 2: an answer for it. So we're just left with this mystery.

1626
01:21:51,520 --> 01:21:54,080
Speaker 2: So Becky laughs and holds out her hand for a handshake,

1627
01:21:54,280 --> 01:21:57,559
Speaker 2: saying it's a deal. Jesse shakes her hand, and says

1628
01:21:57,640 --> 01:22:00,880
Speaker 2: all right. Becky realizes he must have had a pretty

1629
01:22:01,000 --> 01:22:04,840
Speaker 2: bad card to come up with this compromise. He admits, yeah,

1630
01:22:05,160 --> 01:22:08,800
Speaker 2: it was a three, and Becky smiles, almost as bad

1631
01:22:08,800 --> 01:22:12,160
Speaker 2: as my two. Jesse slams his card on the table,

1632
01:22:12,280 --> 01:22:15,040
Speaker 2: yelling I would have won, and then they both laugh

1633
01:22:15,160 --> 01:22:19,080
Speaker 2: and give each other a kiss. Okay, I'm proud of

1634
01:22:19,160 --> 01:22:21,920
Speaker 2: Jesse for coming up with this compromise. You know, he

1635
01:22:22,040 --> 01:22:24,280
Speaker 2: finally came around to it, so I'm proud of it.

1636
01:22:24,600 --> 01:22:27,040
Speaker 1: Yeah, we're moving towards the right direction.

1637
01:22:27,160 --> 01:22:30,479
Speaker 2: Yes, we're definitely moving in the right direction. Back at

1638
01:22:30,479 --> 01:22:33,400
Speaker 2: the Kagan house, Danny is helping to get Brian's head

1639
01:22:33,400 --> 01:22:36,120
Speaker 2: out of a staircase railing. He reminds the boy that

1640
01:22:36,240 --> 01:22:38,720
Speaker 2: putting his head in there was a very dangerous thing

1641
01:22:38,840 --> 01:22:42,479
Speaker 2: to do. DJ is to the side watching Danny solve

1642
01:22:42,560 --> 01:22:46,000
Speaker 2: this problem. She tells him she's sorry, and she concludes

1643
01:22:46,040 --> 01:22:48,559
Speaker 2: that she's just not ready for babysitting or her own

1644
01:22:48,680 --> 01:22:52,040
Speaker 2: phone or anything. But Danny smiles and tells her the

1645
01:22:52,160 --> 01:22:56,439
Speaker 2: exact opposite. He's actually very proud of Dj. She didn't

1646
01:22:56,479 --> 01:22:59,280
Speaker 2: try to handle the situation by herself, which could have

1647
01:22:59,360 --> 01:23:03,640
Speaker 2: ultimately made things worse. Tonight she asked for help, and

1648
01:23:03,800 --> 01:23:08,599
Speaker 2: that's exactly what a good babysitter would do. DJ tells

1649
01:23:08,640 --> 01:23:10,639
Speaker 2: her dad thank you and gives him a big hug.

1650
01:23:11,920 --> 01:23:13,880
Speaker 3: That was not the time to be having a conversation, though,

1651
01:23:13,920 --> 01:23:15,400
Speaker 3: you just walked away from it. What the said in

1652
01:23:15,439 --> 01:23:15,880
Speaker 3: a banister?

1653
01:23:16,520 --> 01:23:20,000
Speaker 1: True? True? Why are you sawing from behind him? Or

1654
01:23:20,120 --> 01:23:23,600
Speaker 1: you can't see? You know what I mean. He's like

1655
01:23:23,840 --> 01:23:24,760
Speaker 1: standing over the.

1656
01:23:24,840 --> 01:23:28,720
Speaker 3: Kid, and the kid's basically blocking where Danny would see.

1657
01:23:28,720 --> 01:23:30,920
Speaker 3: And he's like, let me get a small saw and

1658
01:23:31,280 --> 01:23:34,320
Speaker 3: just saw right in the direction towards us, you know,

1659
01:23:34,680 --> 01:23:36,400
Speaker 3: I know, so that we could see them both in

1660
01:23:36,479 --> 01:23:37,680
Speaker 3: the shot and he could talk to me.

1661
01:23:37,800 --> 01:23:37,920
Speaker 2: You A.

1662
01:23:38,720 --> 01:23:41,120
Speaker 1: But I was just like, who, who in the right

1663
01:23:41,200 --> 01:23:44,639
Speaker 1: mind would ever say this is the best way place

1664
01:23:44,760 --> 01:23:46,479
Speaker 1: to stand in order to pull this off.

1665
01:23:48,000 --> 01:23:49,720
Speaker 2: This is why I love you, Joy Sweeten, Like you

1666
01:23:49,880 --> 01:23:53,360
Speaker 2: just you notice these details, You obsess over these details.

1667
01:23:53,400 --> 01:23:55,360
Speaker 2: And meanwhile, I'm like, what a nice lesson.

1668
01:23:55,439 --> 01:23:58,920
Speaker 3: That's such a nice I'm like, you're gonna you're gonna

1669
01:23:59,000 --> 01:24:02,400
Speaker 3: cut the kid in half and to finish the job,

1670
01:24:02,680 --> 01:24:04,760
Speaker 3: so save the talk for later, you know what I mean.

1671
01:24:04,800 --> 01:24:07,800
Speaker 3: The hug and all that stuff, good nice lovely moment. Yes,

1672
01:24:08,280 --> 01:24:10,840
Speaker 3: your kid, you know, allowed another kid to get his

1673
01:24:10,920 --> 01:24:12,960
Speaker 3: head stuck at a railing and now you're destroying someone

1674
01:24:12,960 --> 01:24:13,519
Speaker 3: else's house.

1675
01:24:13,800 --> 01:24:15,400
Speaker 1: So let's gonna move on here.

1676
01:24:15,800 --> 01:24:17,759
Speaker 2: Yeah, they should have tabled this talk for a minute

1677
01:24:17,920 --> 01:24:21,599
Speaker 2: twenty one of this episode. You know, beggars can't be shoosers.

1678
01:24:23,439 --> 01:24:26,280
Speaker 2: And Brian interrupts this sweet moment and says, you who

1679
01:24:26,479 --> 01:24:27,040
Speaker 2: remember me?

1680
01:24:29,200 --> 01:24:31,880
Speaker 1: Yeah? What is that the same thing? Yeah?

1681
01:24:32,920 --> 01:24:36,320
Speaker 2: Danny gets back to work, putting him in half. Right,

1682
01:24:36,439 --> 01:24:40,160
Speaker 2: then Brian's parents walked through the door, singing New Orleans

1683
01:24:40,320 --> 01:24:41,320
Speaker 2: by Grateful Dead.

1684
01:24:42,040 --> 01:24:46,160
Speaker 3: They still the shortest Dead concert ever. Right, it's been

1685
01:24:46,240 --> 01:24:50,400
Speaker 3: what like an hour, It's been like an hour. They

1686
01:24:50,439 --> 01:24:52,640
Speaker 3: wouldn't even be through their first song, you know what

1687
01:24:52,680 --> 01:24:55,240
Speaker 3: I mean, it would they'd still it'd be the song

1688
01:24:55,360 --> 01:24:59,840
Speaker 3: number one, and I don't think the parents would be Yeah.

1689
01:25:00,040 --> 01:25:00,719
Speaker 2: I was shocked.

1690
01:25:00,960 --> 01:25:03,439
Speaker 1: Yeah, wow, no, I was shocked.

1691
01:25:03,960 --> 01:25:08,280
Speaker 2: He said, concert, very short concert. You know, I hope

1692
01:25:08,320 --> 01:25:08,840
Speaker 2: they Well.

1693
01:25:08,880 --> 01:25:11,080
Speaker 3: One thing about the Grateful Dead that they're known for

1694
01:25:11,280 --> 01:25:16,519
Speaker 3: is being succinct and timely, you know, yeah, yeah, no,

1695
01:25:16,760 --> 01:25:20,479
Speaker 3: not long meandering songs. You sort of gone for twenty

1696
01:25:20,520 --> 01:25:22,479
Speaker 3: five minutes. No, no, no, no, no, no, just no,

1697
01:25:22,920 --> 01:25:25,040
Speaker 3: like a minute fifty each one.

1698
01:25:25,200 --> 01:25:26,720
Speaker 2: They're tight. They're really tight.

1699
01:25:26,760 --> 01:25:28,160
Speaker 1: Oh yeah yeah, super tight. Yeah.

1700
01:25:30,400 --> 01:25:33,120
Speaker 2: So they see Danny standing on the staircase.

1701
01:25:33,479 --> 01:25:37,200
Speaker 4: Right shocking, there's a saw involved. My kid's head is there,

1702
01:25:37,280 --> 01:25:41,880
Speaker 4: he's covered in butter? What you know, like i'd walk

1703
01:25:41,920 --> 01:25:43,679
Speaker 4: in the door like whoa, whoa, whoa, whoa?

1704
01:25:43,880 --> 01:25:45,800
Speaker 1: Whoa? What is happening? Yes?

1705
01:25:46,360 --> 01:25:52,200
Speaker 2: Yes, a little alarmed, Danny explains. He says that Brian

1706
01:25:52,280 --> 01:25:54,320
Speaker 2: stuck his head through the railings and he'll be out

1707
01:25:54,360 --> 01:25:55,240
Speaker 2: in just a second.

1708
01:25:55,520 --> 01:25:58,519
Speaker 3: Everything is fine, yeah, I mean other than you know

1709
01:25:58,640 --> 01:26:01,240
Speaker 3: this sense. To fix that you'll have to do on

1710
01:26:01,320 --> 01:26:04,120
Speaker 3: your stairs here. But and we use all your butter.

1711
01:26:04,360 --> 01:26:10,160
Speaker 2: Sorry. DJ realizes that they may also be confused about

1712
01:26:10,200 --> 01:26:13,200
Speaker 2: the butter. She explains that they had to be there

1713
01:26:13,280 --> 01:26:17,639
Speaker 2: to understand. Danny removes one of the railings and Brian

1714
01:26:17,840 --> 01:26:21,240
Speaker 2: is finally free. His dad asks if he's all right,

1715
01:26:21,560 --> 01:26:24,519
Speaker 2: and to everyone's surprise, there's a big smile plastered on

1716
01:26:24,640 --> 01:26:27,800
Speaker 2: Brian's face. He tells his dad that he's fine and

1717
01:26:27,960 --> 01:26:30,640
Speaker 2: adds that DJ is his favorite babysitter.

1718
01:26:32,240 --> 01:26:32,439
Speaker 1: Wow.

1719
01:26:32,560 --> 01:26:36,479
Speaker 2: Okay, Brian's mom nods, we'll talk about that later, but

1720
01:26:36,600 --> 01:26:42,160
Speaker 2: for now, go get some bread and wipe off your head. Yeah,

1721
01:26:42,520 --> 01:26:44,080
Speaker 2: that was such a funny line. I don't know why

1722
01:26:44,120 --> 01:26:46,800
Speaker 2: that struck me. That's so funny when I laughed out

1723
01:26:46,800 --> 01:26:51,120
Speaker 2: loud at that one. So Brian's dad apologizes to DJ

1724
01:26:51,280 --> 01:26:53,560
Speaker 2: for all the trouble. He tells her they would like

1725
01:26:53,640 --> 01:26:56,520
Speaker 2: to have her back on Saturday at seven if she's available.

1726
01:26:57,240 --> 01:27:00,120
Speaker 2: DJ's hesitant at first, so the parents tell her in

1727
01:27:00,320 --> 01:27:04,439
Speaker 2: Unison that they'll double her salary. She immediately responds, great,

1728
01:27:04,640 --> 01:27:10,519
Speaker 2: see you Saturday, seven o'clock sharp. They're very understanding, Like, wow.

1729
01:27:10,600 --> 01:27:13,720
Speaker 1: They're very understanding, which again.

1730
01:27:13,760 --> 01:27:17,240
Speaker 3: Leads me to believe that they know that their child

1731
01:27:17,400 --> 01:27:20,800
Speaker 3: is a danger to others and they just are trying

1732
01:27:20,840 --> 01:27:21,240
Speaker 3: to get out.

1733
01:27:21,479 --> 01:27:23,599
Speaker 2: Yeah, they're running out of babysitting.

1734
01:27:23,600 --> 01:27:25,439
Speaker 3: They ran out of babysitters. That's how they wound up

1735
01:27:25,479 --> 01:27:27,800
Speaker 3: with Kimmy in the first place. Yes, and then even

1736
01:27:27,880 --> 01:27:30,000
Speaker 3: Kimmy was like I wash my hands at this.

1737
01:27:30,240 --> 01:27:30,880
Speaker 1: Did you try?

1738
01:27:31,520 --> 01:27:31,720
Speaker 2: You know?

1739
01:27:32,000 --> 01:27:35,800
Speaker 3: And and now yeah, they walked in they're like, oh,

1740
01:27:35,840 --> 01:27:37,920
Speaker 3: our kid's head stuck on the badager. It's fine, can

1741
01:27:37,960 --> 01:27:40,280
Speaker 3: you be here at seven? And William Baymore, Yeah.

1742
01:27:40,439 --> 01:27:42,960
Speaker 2: That makes sense that now it makes sense that this

1743
01:27:43,160 --> 01:27:43,400
Speaker 2: I mean.

1744
01:27:43,400 --> 01:27:46,400
Speaker 3: And they said they'll double her salary, which implies that

1745
01:27:46,520 --> 01:27:49,759
Speaker 3: she is a a salary employee on the payroll.

1746
01:27:49,920 --> 01:27:52,200
Speaker 2: Yeah, so they'll do anything to keep her.

1747
01:27:52,680 --> 01:27:54,000
Speaker 1: Yeah, she's just getting that.

1748
01:27:54,640 --> 01:27:56,200
Speaker 3: They're gonna give her a you know, a four oh

1749
01:27:56,240 --> 01:27:59,680
Speaker 3: one k At this point, she'll just keep their kid

1750
01:27:59,720 --> 01:28:01,040
Speaker 3: from hurting anyone.

1751
01:28:01,280 --> 01:28:04,880
Speaker 2: Yeah, yes, the desperate You can smell the desperation.

1752
01:28:05,280 --> 01:28:06,920
Speaker 1: Yeah, yeah, yeah, it's evident.

1753
01:28:08,880 --> 01:28:11,120
Speaker 2: So I know what I was.

1754
01:28:11,360 --> 01:28:12,760
Speaker 3: I was gonna make sure you said you could smell

1755
01:28:12,800 --> 01:28:14,640
Speaker 3: the desperation, and I was like, no, well they were

1756
01:28:14,680 --> 01:28:16,320
Speaker 3: at at a Grateful Dead concert.

1757
01:28:16,479 --> 01:28:17,640
Speaker 1: Oh desperation.

1758
01:28:18,120 --> 01:28:21,839
Speaker 2: Well, you know, not desperation, but something. Next, in Steph

1759
01:28:22,000 --> 01:28:26,559
Speaker 2: and DJ's room, the phone rings and DJ answers it Hello,

1760
01:28:27,560 --> 01:28:30,639
Speaker 2: it's Danny on the other line. She says, Dad, where

1761
01:28:30,640 --> 01:28:33,559
Speaker 2: are you? And he walks in, holding the home phone

1762
01:28:33,640 --> 01:28:37,000
Speaker 2: and saying I'm right here. She's confused, how can he

1763
01:28:37,080 --> 01:28:40,600
Speaker 2: be calling her on the same line. Danny breaks the

1764
01:28:40,680 --> 01:28:43,680
Speaker 2: exciting news. Maybe it's because I just called you on

1765
01:28:43,840 --> 01:28:49,280
Speaker 2: your very own phone number. DJ screams with excitement, chanting I.

1766
01:28:49,320 --> 01:28:50,840
Speaker 1: Got a phone, I got a phone.

1767
01:28:51,560 --> 01:28:53,400
Speaker 2: She gives her dad a big hug and thanks him.

1768
01:28:53,840 --> 01:28:56,760
Speaker 2: She asks what her new number is, and Steph responds

1769
01:28:56,880 --> 01:29:01,559
Speaker 2: five five, five, eight seven two two. DJ asks Steph,

1770
01:29:02,120 --> 01:29:04,920
Speaker 2: how does she know that stuff? Admits that Danny told

1771
01:29:04,960 --> 01:29:07,280
Speaker 2: her this morning and she managed to keep it a

1772
01:29:07,400 --> 01:29:10,080
Speaker 2: secret all day and now she's exhausted.

1773
01:29:10,840 --> 01:29:12,479
Speaker 1: That took so much mental energy, right.

1774
01:29:14,000 --> 01:29:16,280
Speaker 2: Danny reminds DJ that she can have the phone as

1775
01:29:16,360 --> 01:29:18,400
Speaker 2: long as she can pay for it, but he doesn't

1776
01:29:18,400 --> 01:29:21,759
Speaker 2: want babysitting to take away from her schoolwork. DJ assures

1777
01:29:21,800 --> 01:29:26,080
Speaker 2: him there's no problem. Danny sighs, His little girl's growing up,

1778
01:29:26,200 --> 01:29:28,240
Speaker 2: and one day the phone is gonna ring and it's

1779
01:29:28,280 --> 01:29:31,160
Speaker 2: gonna be a boy calling. With any luck, it'll be

1780
01:29:31,200 --> 01:29:34,559
Speaker 2: a dentist boy or a doctor boy. And then one

1781
01:29:34,640 --> 01:29:36,360
Speaker 2: day that boy is going to come home to him

1782
01:29:36,400 --> 01:29:38,679
Speaker 2: and tell him he has the most beautiful, most wonderful

1783
01:29:38,760 --> 01:29:41,439
Speaker 2: daughter in the world, meaning Danny must be one heck

1784
01:29:41,520 --> 01:29:45,439
Speaker 2: of a dad. This was a this was a weird

1785
01:29:46,600 --> 01:29:48,120
Speaker 2: let's just I don't even know what to call it.

1786
01:29:49,520 --> 01:29:53,960
Speaker 3: And aside it was it was it was supposed to

1787
01:29:54,040 --> 01:29:56,120
Speaker 3: be like dad, like, oh, my kid's getting older, but

1788
01:29:56,200 --> 01:29:59,400
Speaker 3: it was like it was very much that thing of

1789
01:29:59,640 --> 01:30:05,200
Speaker 3: like oh, and then it's you're like going from being.

1790
01:30:05,040 --> 01:30:07,720
Speaker 1: A daughter to a wife. You know, there's no life

1791
01:30:07,960 --> 01:30:08,960
Speaker 1: like that's sort of the thing.

1792
01:30:09,120 --> 01:30:11,200
Speaker 3: Like it was like, oh and then I hand you

1793
01:30:11,280 --> 01:30:12,640
Speaker 3: off to some you know what I mean, sort of

1794
01:30:12,720 --> 01:30:14,120
Speaker 3: that's the next stage in life.

1795
01:30:14,280 --> 01:30:17,120
Speaker 2: Okay. It was like, yeah, it was a little extra,

1796
01:30:17,240 --> 01:30:19,160
Speaker 2: but okay, i'll buy it. I'll buy it.

1797
01:30:19,840 --> 01:30:22,080
Speaker 1: He was right about the you know, with any luck.

1798
01:30:22,280 --> 01:30:24,080
Speaker 1: But it was a it was a pediatrist boy.

1799
01:30:24,160 --> 01:30:26,559
Speaker 2: Oh yeah, that's right. Okay, so she did end up

1800
01:30:26,560 --> 01:30:31,760
Speaker 2: with a doctor boy. So DJ tells her dad that

1801
01:30:31,880 --> 01:30:34,920
Speaker 2: he is so corny sometimes, but he is one heck

1802
01:30:34,960 --> 01:30:38,439
Speaker 2: of a dad. The phone rings and DJ exclaims, my

1803
01:30:38,520 --> 01:30:41,479
Speaker 2: first phone call, but then she wonders who has her

1804
01:30:41,560 --> 01:30:45,559
Speaker 2: phone number already. She answers the phone, and an annoyed

1805
01:30:45,640 --> 01:30:49,320
Speaker 2: look spreads across her face. She tells Stephanie, it's for you,

1806
01:30:50,160 --> 01:30:54,760
Speaker 2: and Stephanie politely responds, thank you. DJ holds the phone

1807
01:30:54,760 --> 01:30:57,719
Speaker 2: away from her. I thought you kept my number a secret,

1808
01:30:58,439 --> 01:31:02,439
Speaker 2: Steph smirks, I did from you. She grabs the phone

1809
01:31:02,479 --> 01:31:05,160
Speaker 2: from DJ and says, Hi, Walter, Yeah, you can reach

1810
01:31:05,240 --> 01:31:06,240
Speaker 2: me here day or night.

1811
01:31:07,000 --> 01:31:08,080
Speaker 1: And that's our show.

1812
01:31:10,080 --> 01:31:11,800
Speaker 2: I love Walter, are still talking.

1813
01:31:11,800 --> 01:31:14,360
Speaker 1: I know, I love that yeah, Walter is the friend

1814
01:31:14,400 --> 01:31:15,160
Speaker 1: that she's talking to.

1815
01:31:15,560 --> 01:31:18,720
Speaker 2: Yeah, and uh yeah, that was a great, great little

1816
01:31:18,760 --> 01:31:21,760
Speaker 2: button to that scene to the whole episode that was.

1817
01:31:21,880 --> 01:31:23,040
Speaker 1: This was a cute episode. I remember.

1818
01:31:23,040 --> 01:31:26,560
Speaker 3: I do remember this one, although I thought that I

1819
01:31:26,840 --> 01:31:30,160
Speaker 3: sort of had in my brain the Rusty episode and

1820
01:31:30,439 --> 01:31:33,280
Speaker 3: this kid has the same and that Rusty was the

1821
01:31:33,320 --> 01:31:34,679
Speaker 3: one that got his head stuck in the banish.

1822
01:31:34,840 --> 01:31:36,840
Speaker 2: Oh right, right, they kind of look a little similar

1823
01:31:37,000 --> 01:31:39,840
Speaker 2: or they have a little bit of that hair that yeah, yeah, yeah,

1824
01:31:39,880 --> 01:31:40,360
Speaker 2: I can see what.

1825
01:31:40,400 --> 01:31:42,080
Speaker 3: You And they're kind of like, yeah, sort of little

1826
01:31:42,200 --> 01:31:46,200
Speaker 3: like mischievous characters, right, yeah, right, I had those two.

1827
01:31:46,200 --> 01:31:47,720
Speaker 1: Confused in my mind. But yeah, the butt, I do.

1828
01:31:47,840 --> 01:31:49,719
Speaker 1: I vividly remembered the butter episode.

1829
01:31:49,720 --> 01:31:52,920
Speaker 2: Everyone remembers the butter, the banister and the stinky feet

1830
01:31:53,280 --> 01:31:53,519
Speaker 2: like this.

1831
01:31:53,800 --> 01:31:54,160
Speaker 4: This was.

1832
01:31:54,640 --> 01:31:56,920
Speaker 1: This was a big episode. This was this was This

1833
01:31:57,080 --> 01:32:01,120
Speaker 1: was a big episode for sure. I have one small other.

1834
01:32:01,280 --> 01:32:02,840
Speaker 2: Everywhere you look, oh what you got?

1835
01:32:03,960 --> 01:32:05,679
Speaker 1: If you look at.

1836
01:32:07,680 --> 01:32:13,000
Speaker 3: Steve aka Mike Binder in the poker scene, he's wearing

1837
01:32:13,040 --> 01:32:14,880
Speaker 3: a jacket like a letterman jacket.

1838
01:32:15,000 --> 01:32:17,200
Speaker 1: And it says Mike on the side of it. Yes,

1839
01:32:17,240 --> 01:32:18,680
Speaker 1: because yeah, it says Mike.

1840
01:32:18,840 --> 01:32:21,400
Speaker 2: I did see that. I did see that. Actually that's

1841
01:32:21,439 --> 01:32:23,880
Speaker 2: sort of my everywhere you look sort of but a

1842
01:32:23,880 --> 01:32:26,519
Speaker 2: little different because I noticed the mic. But I also

1843
01:32:26,680 --> 01:32:30,559
Speaker 2: noticed above the mic on his jacket it says eighty eight.

1844
01:32:32,080 --> 01:32:34,400
Speaker 2: So does that mean he graduated in eighty eight and

1845
01:32:34,520 --> 01:32:39,479
Speaker 2: he's nineteen, friends with Jesse and Joey and playing poker

1846
01:32:40,640 --> 01:32:43,040
Speaker 2: or was this like a I don't know if it

1847
01:32:43,160 --> 01:32:45,040
Speaker 2: was like a real letterman's jacket at like a high

1848
01:32:45,040 --> 01:32:47,960
Speaker 2: school jacket, or if this was just some trendy cold I.

1849
01:32:47,920 --> 01:32:51,120
Speaker 1: Don't know that he was wearing it, but now, yeah,

1850
01:32:51,120 --> 01:32:52,639
Speaker 1: I don't know. That's a good, that's a good.

1851
01:32:52,920 --> 01:32:56,679
Speaker 3: Maybe I think eighty eight was probably the number. Maybe

1852
01:32:56,840 --> 01:33:00,160
Speaker 3: that was like you, like, not the year, but like

1853
01:33:00,240 --> 01:33:02,400
Speaker 3: the number, like his football number or whatever.

1854
01:33:03,120 --> 01:33:05,040
Speaker 2: Oh okay, that would make a lot more sense. That's

1855
01:33:05,160 --> 01:33:08,439
Speaker 2: usually the Yeah, okay, okay, Yeah. Well I love that

1856
01:33:08,520 --> 01:33:11,080
Speaker 2: it was obviously his own personal jacket, and I love

1857
01:33:11,160 --> 01:33:14,120
Speaker 2: that he got to wear it straight, absolutely and yeah,

1858
01:33:14,240 --> 01:33:16,880
Speaker 2: very very clever. How the mic was right there just

1859
01:33:17,240 --> 01:33:20,080
Speaker 2: you know, yep, a little nod to mics there. Loved it.

1860
01:33:20,800 --> 01:33:22,360
Speaker 1: But that was all I got for the episode.

1861
01:33:22,760 --> 01:33:25,280
Speaker 2: That's all I got. I love the babysitting storyline. The

1862
01:33:25,400 --> 01:33:28,960
Speaker 2: Jesse Rebecca fighting is repetitive still, but whatever, you know,

1863
01:33:29,120 --> 01:33:30,920
Speaker 2: at least it was there was a b storyline of

1864
01:33:31,000 --> 01:33:33,639
Speaker 2: his brief Yes, true, true. I just wish I want

1865
01:33:33,680 --> 01:33:36,360
Speaker 2: them to give Lori something else to do besides argue.

1866
01:33:36,160 --> 01:33:36,560
Speaker 1: With jess Y.

1867
01:33:37,040 --> 01:33:40,040
Speaker 3: Yeah, we got all the ways to go. I can't

1868
01:33:40,080 --> 01:33:41,680
Speaker 3: wait to see her like have more to do with

1869
01:33:41,920 --> 01:33:44,320
Speaker 3: the girls because I know that that she does kind

1870
01:33:44,320 --> 01:33:47,400
Speaker 3: of as time goes on. So yes, definitely. But yeah,

1871
01:33:47,560 --> 01:33:50,120
Speaker 3: that was another fun, great episode and we got to

1872
01:33:50,160 --> 01:33:53,120
Speaker 3: talk a little nineties con too, so yeah, we got

1873
01:33:53,160 --> 01:33:54,200
Speaker 3: to talk about all sorts.

1874
01:33:53,960 --> 01:33:56,080
Speaker 1: Of things and it was a long episode today. Thanks.

1875
01:33:56,360 --> 01:33:59,599
Speaker 1: We appreciate you super sized fan of Rito's and listening.

1876
01:33:59,680 --> 01:34:00,519
Speaker 1: We had a to cover.

1877
01:34:01,479 --> 01:34:04,320
Speaker 3: But you guys, if you want to follow us on Instagram,

1878
01:34:04,400 --> 01:34:06,799
Speaker 3: make sure you are following us at how Rude Podcast.

1879
01:34:07,120 --> 01:34:09,639
Speaker 3: You can also send us an email at Howard podcast

1880
01:34:09,680 --> 01:34:14,840
Speaker 3: at gmail dot com. We love questions, comments, uh, concerns,

1881
01:34:15,400 --> 01:34:19,120
Speaker 3: mild concerns, you know, mild right, yeah, just mild. But

1882
01:34:19,280 --> 01:34:22,080
Speaker 3: now we we love our original fan Rito's out there.

1883
01:34:22,240 --> 01:34:23,960
Speaker 3: We loved getting to see you guys at this nineties con.

1884
01:34:24,080 --> 01:34:27,640
Speaker 3: It was so much fun and remember everybody like and

1885
01:34:27,680 --> 01:34:29,720
Speaker 3: subscribe to the podcast wherever you're listening to it so

1886
01:34:29,760 --> 01:34:31,200
Speaker 3: that you can make sure and get all the news

1887
01:34:31,280 --> 01:34:36,080
Speaker 3: episodes when they come out. And the world is small,

1888
01:34:37,920 --> 01:34:39,559
Speaker 3: but the house is full of butter.

1889
01:34:40,280 --> 01:34:46,800
Speaker 1: Yes, yes, the banisters small, but the house is full

1890
01:34:46,840 --> 01:34:47,160
Speaker 1: of butter.

1891
01:34:47,320 --> 01:34:47,519
Speaker 2: Yeah.

1892
01:34:48,960 --> 01:34:51,240
Speaker 1: Okay, let's try it again. Okay, ready, ready, here we go.

1893
01:34:51,400 --> 01:34:51,720
Speaker 3: Got it.

1894
01:34:52,920 --> 01:34:57,360
Speaker 1: The banisters small, but the house is full of butter. Yes,

1895
01:34:57,960 --> 01:34:59,160
Speaker 1: nailed it. There we go.

1896
01:34:59,280 --> 01:35:05,519
Speaker 2: That's great, Ma, I'm making you a new bracelet right now, right, perfect, brilliant,

1897
01:35:06,520 --> 01:35:16,479
Speaker 2: nothing m