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Speaker 1: I'm going to put Corey Booker to shame. Can you imagine?

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Speaker 2: I wonder if anyone would tune in to see us,

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Speaker 2: to hear us filibus stream just talking nonsense for twelve hours,

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Speaker 2: you know what.

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Speaker 3: Look, twenty four hour telethons used to be a thing,

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Speaker 3: okay on to watch unboxing videos. They would watch us

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Speaker 3: yap about nothing. I mean, that's pretty much what this

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Speaker 3: podcast is, with an intermittent break of like recap right

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Speaker 3: right right.

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Speaker 2: The recap gets in the way of our banter. But

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Speaker 2: that's all right. You don't have to have some structure, so.

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Speaker 3: God, I hate structure, speaking of not speaking of structure,

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Speaker 3: but yes, when I was at an event recently, a

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Speaker 3: fan of Rito of ours, her name is Emory Alexander

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Speaker 3: and she is ten years old.

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Speaker 1: Em Marie hi, Emory, uh.

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Speaker 3: So, Emory gave us this note and I would like

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Speaker 3: to read it.

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Speaker 1: It's his first.

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Speaker 3: Of all, there is an adorable little picture, so cute.

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Speaker 1: Is that like a hedgehog?

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Speaker 3: This is the cutest hedgehog so cute in the world, right, yeah.

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Speaker 1: A little turned up knows you got little very Emory.

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Speaker 3: I love this little hedgehog, but it says how rude

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Speaker 3: Tanta Rito's perfect.

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Speaker 2: Perfect yep, tan or I love the spelling too. That

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Speaker 2: like there's no question makes.

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Speaker 1: Sense, right, tan or Ito's Uh.

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Speaker 3: Dear Jody Sweeten, I love Full House so much and

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Speaker 3: I love your podcast. How rude Tanta Rito's I wish

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Speaker 3: I could have met you when you were a kid,

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Speaker 3: but she had to settle for adult me. I guess

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Speaker 3: h please please say hi to Andrea barber Ford me

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Speaker 3: so hi.

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Speaker 1: And then she drew She drew us in the full

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Speaker 1: House house. Look at us, sweet am I the time.

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Speaker 1: That's yeah, I think you're the tallest.

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Speaker 3: Remember she would have rather have met me when I

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Speaker 3: was smoking.

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Speaker 1: So I think you do the smaller small haven't.

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Speaker 2: I'm the taller because that's the only time I was

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Speaker 2: smaller than you.

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Speaker 1: I haven't been talking to Mike sorri is uh.

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Speaker 3: And then and then she a little ps what this

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Speaker 3: was written in the car? Maybe you can mention my

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Speaker 3: card on your podcast.

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Speaker 1: It would mean a.

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Speaker 3: Lot, so Emory, thank you so much for this little note.

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Speaker 3: I hope you hear this, uh, and I hope you

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Speaker 3: know that we are grateful for your hedgehog drawing and

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Speaker 3: all of the uh.

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Speaker 1: The fan Urito love, so I wanted to make sure

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Speaker 1: that we read that.

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Speaker 2: Yeah is adorable. Thank you Emory for that lovely drawing

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Speaker 2: and sentiment. That's just made my whole day right there.

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Speaker 1: I know.

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Speaker 3: I also now, as a pointed, that was never a

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Speaker 3: hedgehog on a full house.

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Speaker 1: Of all the animals.

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Speaker 2: We never had a ferret?

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Speaker 1: What else was it? Monkey?

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Speaker 2: So there were monkeysh there were all the woodland animals,

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Speaker 2: but I don't think a hedgehog's one of them. Let's

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Speaker 2: make it back and reshoot like season seven, right now,

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Speaker 2: let's just go back.

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Speaker 3: I need a hedgehog, an armadillo, and a lemur, you

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Speaker 3: know what I mean. Like, if I don't get those,

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Speaker 3: I'm not doing it.

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Speaker 2: Yeah, that's put it in your writers, like, yeah.

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Speaker 3: That's anything I do. Now I need I need a

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Speaker 3: scene with a lemur. I let those things are ridiculous

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Speaker 3: looking along with my love of slots.

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Speaker 2: Oh that you definitely have a type. You have a

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Speaker 2: type of animal. Yeah, welcome back to Howard San Ritos.

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Speaker 2: I'm Andrea Barber and I'm Jody Sweeten. Today we're discussing

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Speaker 2: season five, episode twenty four.

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Speaker 1: When will this season end? How are we on episode

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Speaker 1: twenty four.

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Speaker 3: This was this was a twenty six er. Gosh, season

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Speaker 3: five was when we got twenty six.

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Speaker 2: Feels so long, especially now when the streaming era night episodes. Yeah,

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Speaker 2: this episode is titled Girls Will Be Boys, and it

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Speaker 2: originally aired on April twenty eighth, nineteen ninety two, and

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Speaker 2: it goes a little something like this. Michelle begins dressing

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Speaker 2: and acting like a boy to win back a friend

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Speaker 2: who suddenly decides he doesn't like girls. Meanwhile, Jesse lands

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Speaker 2: apart on Joey's TV show.

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Speaker 1: Of course he does well.

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Speaker 2: Joey just won the award for you know, best children's programming.

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Speaker 3: So no one else in San Francisco except for this

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Speaker 3: family and the people that they know it really is

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Speaker 3: the Truman Show.

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Speaker 2: Whatever channel. This is like they just have a lock

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Speaker 2: on the whole block of programming. They've got the Morning

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Speaker 2: Waker San Francisco.

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Speaker 1: Carl Tanners, Yeah, Chanders Show in the afternoon.

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Speaker 2: They've just got all we need is like a late

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Speaker 2: night show and they will have, you know, hit everything.

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Speaker 2: This was directed by Joels Wick. It was written by

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Speaker 2: Tom Bercard and Stacy hur And we got some great

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Speaker 2: guest stars Michelle's friends. We have finally Ladies and gentlemen.

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Speaker 2: Journey Smollett as Denise Yes, Journey, she has finally arrived.

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Speaker 1: It is I am so happy for her.

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Speaker 3: She was always so sweet and so lovely, and her

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Speaker 3: parents were amazing and like she just just such an

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Speaker 3: like creative, interesting, yeah tribe, you know what I mean.

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Speaker 3: They were like just such a cool family. I loved them, just.

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Speaker 2: Amazing personalities and sage presence and you're just very drawn

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Speaker 2: drawn to that person.

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Speaker 3: Absolutely like they Yeah, they were, they were really great.

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Speaker 3: But Journey was so sweet and so lovely, so talented, yeah,

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Speaker 3: so talented. So it's it's been so great to see her,

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Speaker 3: you know, really taking off in film and TV. Watched

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Speaker 3: all of the Lovecraft on HBO. But she was amazing

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Speaker 3: watching her in a bunch of things, and she's just

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Speaker 3: so talented.

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Speaker 1: So yeah, Journey, Journey, it's amazing. We and we love

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Speaker 1: getting to come back and.

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Speaker 4: Watch you as a little This is so well they

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Speaker 4: say they say that her breakout performance was age eleven,

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Speaker 4: and this is before age eleven, So I can't believe

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Speaker 4: they're not considering Full House as her breakout performance.

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Speaker 3: Well, I guess it would depend that breakout would probably

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Speaker 3: mean she has a larger part.

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Speaker 2: I would also, yeah, probably she Well she was in

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Speaker 2: eves By, your opposite Samuel L.

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Speaker 1: Jackson, So I oh.

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Speaker 3: Eves By, Well that was yeah that was a very

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Speaker 3: uh dark and hard film. So yeah, why that would

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Speaker 3: be her breakout and uh and.

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Speaker 2: Not full That's all right, I'll take it.

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Speaker 1: Okay, Yeah, no, look she yeah, I remember that movie.

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Speaker 1: Oh my gosh, yeah she was.

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Speaker 2: Yes, we had a lot of child actors that dealt

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Speaker 2: like even kil Hughes doing the pet cemetery.

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Speaker 1: Like, we had a lot of young people.

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Speaker 3: And then in Fuller we had we had oh oh yeah,

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Speaker 3: I played Rose.

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Speaker 1: Why am I forgetting her name?

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Speaker 2: My god?

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Speaker 1: She's on everything right now too.

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Speaker 3: She's na great Kenna, so like I want to say mackenzie.

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Speaker 3: And I literally was look the cutest picture of her

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Speaker 3: and Zoe Zoe's like eighth or ninth birthday party because

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Speaker 3: they were buddies.

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Speaker 1: Yeah, and I just looked. I was like, oh, m Kenna,

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Speaker 1: Oh man, it's so great to see her.

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Speaker 3: And I literally thought that yesterday and I couldn't remember

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Speaker 3: her name.

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Speaker 2: Paul Os Brain That's okay, Just a few more of

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Speaker 2: Journey's credits because they she's just so fabulous. And she

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Speaker 2: played Black Canary in Warner Brothers DC Universals, Birds of Prey.

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Speaker 2: Like you mentioned HBO's Lovecraft Country, True Blood, Friday Night Lights.

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Speaker 2: And she did twenty four episodes of Cosby in ninety

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Speaker 2: eight ninety nine. So and that's just a smattering of

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Speaker 2: her credits. Yeah, I did far more than that, but

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Speaker 2: super excited she's part of the show now. Miko Hughes

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Speaker 2: returns as Aaron, Taj Mowrie returns as Teddy Cyrus Namani.

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Speaker 1: He stars as Boy at Show.

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Speaker 3: Oh brilliant pect. I'm just like, I don't think he

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Speaker 3: even spoke so well. Yeah, I know he was someone's kids.

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Speaker 3: He was someone's kid for sure.

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Speaker 2: He has two other credits, Love Affair in nineteen ninety

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Speaker 2: four and Live at the Bike in two thousand and four.

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Speaker 1: I don't know. Then we have Molly Orr as Girl

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Speaker 1: at Show.

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Speaker 2: Sorry, you don't get a name.

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Speaker 3: Second second only to Boy at Show. Really in terms

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Speaker 3: of it was a very it was hard to pick really,

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Speaker 3: monks who did best well.

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Speaker 1: Molly went places.

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Speaker 2: You may recognize her from her many appearances on The

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Speaker 2: Amanda Show, Stephen Stevens, Seventh Heaven Drake and Josh sister sister,

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Speaker 2: and she'll be back next week on Full House for

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Speaker 2: a Captain video Part one. So yeah, she did a

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Speaker 2: ton of guest appearances, all right, So go Molly. Yeah,

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Speaker 2: you don't have any lines on our show, but you

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Speaker 2: went on to have lines on.

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Speaker 3: Right, right, but you went on to have lines on

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Speaker 3: other shows. So congratulations.

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Speaker 2: And last, but certainly not least, we have Michael J.

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Speaker 2: Shay returning as stage manager. M He does an excellent

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Speaker 2: job as the stage job.

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Speaker 1: It's almost like he is.

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Speaker 2: We start with the teaser. In the kitchen, Danny and

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Speaker 2: Michelle are sitting at the table, each with a huge

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Speaker 2: plate of spaghetti in front of them. Michelle's eyes widen

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Speaker 2: at her plate of food. Oh boy, pisketti. She grabs

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Speaker 2: a fork full and stuffs it into her mouth, using

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Speaker 2: her hands to scoop in the rest. Danny interrupts her,

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Speaker 2: saying he has a meeter way to eat pisqutti. He

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Speaker 2: shows her how to use a spoon to aid in

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Speaker 2: twisting the spaghetti noodles.

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Speaker 1: Important, very important, critical steps.

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Speaker 2: Michelle follows a long sort of but she ends up

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Speaker 2: with a mound of spaghetti on her fork and she

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Speaker 2: proceeds to shove it into her mouth. She's like, she

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Speaker 2: doesn't have time for these pleasantry you know.

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Speaker 3: She's like, I mean, but again though, I'm like, Michelle,

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Speaker 3: what the food they call it? It's okay, Like it's not, Yeah,

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Speaker 3: you don't have to I don't have to eat with

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Speaker 3: your hands and shove stuff in your face.

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Speaker 1: You know it's cake or scatty or ice cream. I

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Speaker 1: don't know.

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Speaker 2: I think this was just a funny bit in the night.

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Speaker 2: Like it's like, oh, kids eating food messily. That's a

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Speaker 2: funny visual. It's a comedic bit, and the writers are tired.

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Speaker 2: The writers are tired. It's episode twenty four.

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Speaker 3: The teeser the teaser, Uh, I think was just always

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Speaker 3: inherently Michelle and food.

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Speaker 1: Michelle is just a silly, fun little yeah win in.

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Speaker 2: Doubt, throw Michelle in with some messy food and let

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Speaker 2: her go to town.

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Speaker 1: And that's what she did.

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Speaker 2: So next, at the television studio, Joey is hosting his

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Speaker 2: Ranger Joe show and the kids on stage are scream

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Speaker 2: singing the theme song along with the track. Once the

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Speaker 2: song ends, the stage manager tells them they're clear. He

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Speaker 2: gives Joey a heads up mister Strobridge wants to see

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Speaker 2: him in his office, and the stage manager, Michael Shay,

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Speaker 2: has this biggest headset. It's like it's like it's as big.

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Speaker 3: As these It's like it's like podcasting can't Yeah.

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Speaker 2: No, it's like his head must hurt by the end

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Speaker 2: of the day.

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Speaker 3: And they were like one sided too, so like, you know.

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Speaker 1: It's got to be heavier side for sure.

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Speaker 2: So Joey gives him a hesitant nod and tells Teddy, Aaron,

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Speaker 2: and Michelle to stay on the set while he goes

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Speaker 2: to see the boss. Michelle turns around and asks, are

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Speaker 2: you in trouble? Joey shrugs, I can't be in trouble.

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Speaker 2: I bought him a big, gigantic cheese log for Christmas.

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Speaker 3: That's if somebody buys me a cheese log. I'm yeah,

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Speaker 3: I love a good cheese log. You know they had

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Speaker 3: me at cheese exactly.

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Speaker 2: Teddy comments, so why are you sweating, Ranger Joe, and

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Speaker 2: Joey explains it's because he's working under these hot lights

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Speaker 2: and sweat is the body's natural cool system. But Michelle

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Speaker 2: sees right through this and can tell that he is

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Speaker 2: a nervous wreck.

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Speaker 3: I mean she's a therapist. She can see right through

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Speaker 3: the cover. You know, all those you don't have to hide,

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Speaker 3: you don't have to mask.

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Speaker 1: See.

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Speaker 2: Yeah, the unspoken body language, she can read it like

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Speaker 2: nobody's business.

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Speaker 1: Joey sighs.

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Speaker 2: I knew I should have bought him the beer sausage,

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Speaker 2: and he walks away to meet his fate. Then Aaron

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Speaker 2: walks up to Teddy and asks if he wants to

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Speaker 2: play at.

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Speaker 1: His house today.

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Speaker 2: Teddy politely responds, no, I'm playing at Michelle's house. She's

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Speaker 2: my best friend. This absolutely disgusts Aaron. He turns to

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Speaker 2: Michelle and shouts, yeak, I.

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Speaker 3: Have to say, Nico Hughes is the as a child

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Speaker 3: is the master of disgust.

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Speaker 1: Like, could not be more grossed out.

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Speaker 3: Yeah, and also, you just's one of those little kids you.

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Speaker 1: Like, oh see, you kind of want to chase him,

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Speaker 1: you know what I mean. He's so at this role.

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Speaker 3: I was like, oh, stop it, Aaron, Yeah, great, such

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Speaker 3: a so I love that these children are just left

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Speaker 3: alone on a set you know, the nineties.

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Speaker 1: Yeah, No, workers don't need him.

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Speaker 2: No, Joey's there, Joey's there somewhere in the building.

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Speaker 1: That's enough.

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Speaker 2: So Michelle asks Aaron, what is your problem? He bluntly

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Speaker 2: points out that she's a girl, and Michelle responds with

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Speaker 2: her signature duh. Aaron says he doesn't play with girls,

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Speaker 2: but Michelle.

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Speaker 1: Aaron, Aaron, We got it?

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Speaker 2: Aaron, who are his role models at home? Because you

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Speaker 2: know this, this came from whoever's raising him, So I blame.

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Speaker 1: We have some streets.

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Speaker 2: Michelle points out I am a fun girl. Teddy chimes

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Speaker 2: in and says you should play at Michelle's house. They

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Speaker 2: have great stuff in their refrigerator. Aaron gives in, but

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Speaker 2: not without saying I better not get girl cooties. Michelle admits,

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Speaker 2: you've got a bad attitude. Yeah, Teddy, No, it's an agreement.

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Speaker 2: I love Teddy like Teddy's just Teddy's. You're so sweet

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Speaker 2: and innocent and.

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Speaker 1: Is so sweet. Yeah, Aaron is.

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Speaker 3: I feel like if Aaron doesn't change trajectory, I know

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Speaker 3: exactly who this kid is going to become as an adult.

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Speaker 1: You know, Well, yeah, yeah, I see it. I've seen you,

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Speaker 1: Yeah exactly, I've run into plenty of you. Yeah yeah,

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Speaker 1: oh you got I've seen you on the internet.

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Speaker 3: No, but but uh yeah, it's but it's very funny.

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Speaker 1: I mean, and I get it.

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Speaker 3: Everybody the kids are little and like boycootie's girl cooties

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Speaker 3: you bubba.

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Speaker 1: Well, it's a right of passage. Gross. I get that, but.

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Speaker 3: I don't feel like that happens as much anymore though

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Speaker 3: I never I didn't see that.

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Speaker 1: Like as much.

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Speaker 3: I mean, I saw them like picking on each other,

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Speaker 3: but I don't think it was necessarily like don't play

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Speaker 3: with the girls or boys.

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Speaker 2: You know, right, I feel like at least your kids

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Speaker 2: growing up, No, well mine would just naturally tend towards

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Speaker 2: their own gender like they you know, they were They

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Speaker 2: didn't think the other gender was gross. They were just like, no,

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Speaker 2: my friends are all girls if you're Felicity, or all

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Speaker 2: boys if your tate so. But there was no like

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Speaker 2: ew girl cooties.

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Speaker 1: There's nothing that.

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Speaker 2: See.

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Speaker 3: I was growing I had more friends that were boys

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Speaker 3: than girls because I did. I was not part of

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Speaker 3: the girl drama sort of thing, and like I was like.

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Speaker 1: This is BEAUTI full time job. But it was.

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Speaker 3: But yeah I was gone and I you know, come

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Speaker 3: back in a week later and like all alliances have shifted.

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Speaker 1: You're like, oh, so we don't like her now, And

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Speaker 1: I was like, I can't yeah this you need note cards.

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Speaker 3: So I'd get Yeah, I'd get kicked out of handball

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Speaker 3: or something for you know, okay, stupid some of you avoid,

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Speaker 3: and so I'd go, I'd go play war out in

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Speaker 3: the field with the boys and we'd just be running

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Speaker 3: and clotheslining each other, you know what.

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Speaker 1: I can picture that. Yeah, yeah, so that's it. Says

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Speaker 1: a lot about me.

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Speaker 2: This explains a lot. This actually explains a lot about you.

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Speaker 1: Yeah yeah, yeah, yeah, Oh I love it.

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Speaker 2: Well, this is a this is a funny, problematic, but

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Speaker 2: funny premise, and uh yes, Miko is selling it.

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Speaker 3: He is, Oh yeah, he's so great because he's just

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Speaker 3: so obnoxious in this.

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Speaker 2: Next, in the living room, Jesse is with the twins,

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Speaker 2: who are sitting in their chairs with large bibs attached

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Speaker 2: to them. That's when Becky and Danny come home from work.

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Speaker 2: Jesse excitedly tells Becky that he taught the boys how

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Speaker 2: to play catch, and Becky stunned, how can they play catch?

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Speaker 2: They just learned how to dribble. Jesse believes them to

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Speaker 2: be natural athletes, and he proves it by throwing two

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Speaker 2: velcrow balls onto their velcrow bibs. When the twins catch them,

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Speaker 2: he brags to Becky and Danny, these kids are headed

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Speaker 2: to the big leagues. Danny jokes, yeah, as long as

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Speaker 2: they can wear those bibs. Then Joey comes home from

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Speaker 2: work with Aaron, Teddy, and Michelle in tow. Aaron immediately

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Speaker 2: suggests let's play superheroes. Teddy holds out his arms and

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Speaker 2: announces I'll be Batman, and Aaron says I'll be Superman

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Speaker 2: while sporting an adorable superhero pose himself. Ko commits man

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Speaker 2: he's just giving. Michelle chimes in, I'll be the Little Mermaid,

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Speaker 2: but Aaron tells her that that's not a superhero, that's

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Speaker 2: a fish.

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Speaker 1: Becky steps in. Aaron just calmed down, like Aaron, Aaron,

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Speaker 1: he's making all the rules. It's like the rules so bossy,

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Speaker 1: very bossy. So Becky steps in.

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Speaker 2: How about if Michelle is wonder Woman and Aaron shakes

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Speaker 2: his head as he is suddenly picky about these rules.

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Speaker 2: That's impossible, she doesn't have black hair. Becky shakes her head.

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Speaker 2: What was I thinking? Teddy asks Michelle if she wants

354
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Speaker 2: to play Superman's mother, and Michelle asks, what does Superman's

355
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Speaker 2: mother do, Teddy says. She lays out Superman's pajamas, but

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Speaker 2: Michelle is not impressed.

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Speaker 3: No, welcome to the page where your options are.

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Speaker 1: Somebody's mother you take. When this was I was like,

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Speaker 1: oh my god, that's right this.

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Speaker 2: Yeah, and it was like the Yeah, your role is

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Speaker 2: as a helper or a caretaker. You are a mother

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Speaker 2: or nurse in this episode.

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Speaker 1: Yeah.

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Speaker 3: I just I was like and again I was like, Aaron, yeah, look,

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Speaker 3: we gotta break these we got we gotta break the

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Speaker 3: site here now. But yeah, exactly, but we need you

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Speaker 3: to to to adjust yourself, right.

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Speaker 2: I wish we had met his parents. I don't think

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Speaker 2: we do meet his parents now.

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Speaker 1: I'm curious. I want to meet them. I'm curious what's

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Speaker 1: going on in So they all go.

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Speaker 2: Upstairs to play, and Michelle exercises caution, yelling no running

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Speaker 2: on the steps.

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Speaker 1: You could totally hear.

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Speaker 2: Danny's voice that's exactly repeating what he's told her. Next,

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Speaker 2: Becky takes the twins out of the room, saying, come on,

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Speaker 2: big leaguers, it's time to hit the showers. Oh, Nicky,

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00:19:19,960 --> 00:19:23,800
Speaker 2: nice drool. You can use that for your spitball, and

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Speaker 2: Jesse walks over to Joey, who is sitting on the

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Speaker 2: chair with mister Woodchuck. Jesse asks him, how can't put

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Speaker 2: the bubbet down?

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Speaker 1: Can't? You can't know it's attached to his It's attached

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Speaker 1: to his arm.

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00:19:34,320 --> 00:19:36,880
Speaker 2: Jesse asks how to the show go, and Joey admits

385
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Speaker 2: the show went great, but my meeting with Strowbridge was

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Speaker 2: a disaster. He says, I need a sidekick. Jesse thinks

387
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Speaker 2: that's a great idea. He can have another adult on

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Speaker 2: set for some added snappy banter.

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Speaker 1: Mister Strowbridge is always suggesting.

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Speaker 3: Sidekicks though, ye be yeah, that's right what he's doing

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Speaker 3: with Joey.

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Speaker 1: He's like, you're okay, but.

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Speaker 2: You need some bounce off of Yeah, I agree with Strobridge.

394
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Speaker 2: Yeah you need I need a co host to bounce

395
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Speaker 2: off of. I'm just saying. Joey has a light bulb

396
00:20:09,640 --> 00:20:13,000
Speaker 2: moment and uses mister Woodchuck to tap Jesse on the shoulder.

397
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Speaker 2: He admits there's only one guy perfect for the job.

398
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Speaker 1: And Jesse asks me.

399
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Speaker 2: Joey says yes, and then the two of them go

400
00:20:21,359 --> 00:20:25,119
Speaker 2: back and forth with no and yes, no, yes. Danny

401
00:20:25,119 --> 00:20:28,760
Speaker 2: comments from the sidelines, boy can banter get any snappier.

402
00:20:29,840 --> 00:20:32,719
Speaker 2: Joey tries to convince Jesse, you could do all the music,

403
00:20:33,000 --> 00:20:37,480
Speaker 2: put a band together, be my posse. Jesse cringes, no, no,

404
00:20:37,560 --> 00:20:40,280
Speaker 2: I don't want to be some dorky ranger dressed up

405
00:20:40,320 --> 00:20:41,919
Speaker 2: like an overgrown cub scout.

406
00:20:42,440 --> 00:20:43,040
Speaker 1: No offense.

407
00:20:44,480 --> 00:20:46,879
Speaker 2: Joey insists he doesn't have to be he can be

408
00:20:46,960 --> 00:20:50,200
Speaker 2: somebody macho and rugged. He thinks for a moment before

409
00:20:50,240 --> 00:20:54,919
Speaker 2: suggesting lumberjack. Jess, I think this is a great idea, Like,

410
00:20:54,960 --> 00:20:57,520
Speaker 2: I love this is one of Joey's best ideas ever.

411
00:20:57,840 --> 00:20:59,840
Speaker 2: For sure, you know, Jesse gets to be the little

412
00:20:59,840 --> 00:21:02,719
Speaker 2: bay and sidekick guy like on the late night talk shows.

413
00:21:02,760 --> 00:21:06,600
Speaker 2: He gets to be a lumber This is brilliant, well done, Joey.

414
00:21:07,640 --> 00:21:10,560
Speaker 2: But Jesse pauses and looks off in the distance. I

415
00:21:10,600 --> 00:21:14,639
Speaker 2: could live with that. Plus I need the money. Joey

416
00:21:14,640 --> 00:21:18,320
Speaker 2: excitedly tells him he can start tomorrow and welcomes him aboard.

417
00:21:19,200 --> 00:21:20,960
Speaker 1: Mister wood. Wow, that was quick.

418
00:21:21,200 --> 00:21:25,280
Speaker 3: I just like again, i'ves just this family is amazing

419
00:21:25,400 --> 00:21:26,080
Speaker 3: that they are like.

420
00:21:26,040 --> 00:21:27,960
Speaker 2: I don't have to get approval from the boss.

421
00:21:28,400 --> 00:21:33,200
Speaker 3: No networks now, which is like I trust you, yeah,

422
00:21:33,240 --> 00:21:35,800
Speaker 3: you and your wood chuckle pick the right person. It's

423
00:21:35,880 --> 00:21:38,720
Speaker 3: just yeah, and I bet they'll live in your house. Well,

424
00:21:38,800 --> 00:21:40,840
Speaker 3: it saves on transportation.

425
00:21:40,320 --> 00:21:42,639
Speaker 1: Costs, can carl. Yeah, yes, he.

426
00:21:42,640 --> 00:21:44,960
Speaker 3: At least can drive because Joey has to take the

427
00:21:45,119 --> 00:21:46,760
Speaker 3: bus because he can't take the Woodchuck office.

428
00:21:46,800 --> 00:21:47,480
Speaker 1: Yeah, that's right.

429
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Speaker 3: So this is working out for both This work out great,

430
00:21:50,320 --> 00:21:55,159
Speaker 3: This is yes, great for both of them. Yeah, uh,

431
00:21:55,560 --> 00:21:58,680
Speaker 3: what's happening? Oh yeah, mister Woodchuck gets face to face

432
00:21:58,720 --> 00:22:01,760
Speaker 3: with Jesse and says, get it. A board is made

433
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Speaker 3: of wood, board, wood.

434
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Speaker 2: It's a wood pun. I got millions of them and

435
00:22:06,880 --> 00:22:11,800
Speaker 2: you'll hear them all. Jesse bites mister Woodchuck's nose in response.

436
00:22:12,920 --> 00:22:16,240
Speaker 2: As Joey and Jesse exit, mister Woodchuck leans on Jesse's shoulder,

437
00:22:16,280 --> 00:22:21,160
Speaker 2: repeating Lumberjack, Jess, Lumberjack Jess. Finally, Jesse asks, knowing, get

438
00:22:21,200 --> 00:22:24,560
Speaker 2: that beaver off his shoulder, and mister Woodchuck replies, I'm

439
00:22:24,600 --> 00:22:28,160
Speaker 2: not a beaver. Then the phone rings and Danny goes

440
00:22:28,160 --> 00:22:31,240
Speaker 2: to answer it, but dj bolts in and tells him

441
00:22:31,280 --> 00:22:33,679
Speaker 2: it's for her. She grabs the phone out of his

442
00:22:33,720 --> 00:22:37,639
Speaker 2: hands and says, hi, Kimmy. Danny asks why doesn't Kimmy

443
00:22:37,720 --> 00:22:41,159
Speaker 2: call you on your own phone, and DJ explains, I

444
00:22:41,280 --> 00:22:44,680
Speaker 2: just left Kimmy's house. She knew I wouldn't be upstairs yet.

445
00:22:45,040 --> 00:22:48,080
Speaker 2: Then DJ begins to gossip on the phone, but realizes

446
00:22:48,320 --> 00:22:52,679
Speaker 2: Danny is still there and asks him for privacy. Danny

447
00:22:52,720 --> 00:22:55,760
Speaker 2: sarcastically responds, Oh sure, I'll just go hide in the

448
00:22:55,760 --> 00:22:59,800
Speaker 2: hamper for a while, and then he leaves. DJ continues

449
00:22:59,840 --> 00:23:02,520
Speaker 2: to tell Kimmy, You'll never guess what I heard from

450
00:23:02,560 --> 00:23:03,720
Speaker 2: Kathy Santoni.

451
00:23:05,280 --> 00:23:09,280
Speaker 3: Kathy's Antoni back at it again, the center of gossip. Yeah,

452
00:23:09,320 --> 00:23:11,840
Speaker 3: she's always in the middle of She's always just like

453
00:23:12,440 --> 00:23:16,439
Speaker 3: I heard. Yeah, I love this, Oh boy, Kathy Santoni.

454
00:23:24,400 --> 00:23:28,080
Speaker 2: Meanwhile, in the kitchen, Stephanie has just arrived home from school.

455
00:23:28,480 --> 00:23:31,080
Speaker 2: She picks up the phone and realizes it's being used,

456
00:23:31,400 --> 00:23:35,600
Speaker 2: but once she overhears DJ gossiping with Kimmy, she decides

457
00:23:35,640 --> 00:23:39,879
Speaker 2: to listen in. And you're wearing this adorable sparkly jumpsuits.

458
00:23:39,960 --> 00:23:41,440
Speaker 1: Oh this little jumper.

459
00:23:42,720 --> 00:23:46,040
Speaker 2: Yeah, I look so comfortable, so comfortable like I want to.

460
00:23:46,560 --> 00:23:49,280
Speaker 3: I've seen those same sort of things like come back

461
00:23:49,400 --> 00:23:53,480
Speaker 3: like that, very like drop crotch, sort of one piece.

462
00:23:53,560 --> 00:23:54,400
Speaker 1: One thing.

463
00:23:54,520 --> 00:23:57,720
Speaker 2: Those are definitely in style, or at least they were recently.

464
00:23:57,800 --> 00:24:00,359
Speaker 3: So I feel like you had some from that. Was

465
00:24:00,359 --> 00:24:01,640
Speaker 3: was that company that you used to.

466
00:24:01,560 --> 00:24:03,640
Speaker 1: Wear all the time. Oh yeah, Carly, Carly Jean.

467
00:24:03,720 --> 00:24:05,920
Speaker 2: They had a bunch of this.

468
00:24:06,040 --> 00:24:07,840
Speaker 1: Yes, that's exactly what I was born.

469
00:24:08,040 --> 00:24:12,879
Speaker 2: Yeah, you were a trendsetter. Stephanie was a trendsetter before

470
00:24:12,960 --> 00:24:13,560
Speaker 2: she even knew it.

471
00:24:14,119 --> 00:24:16,640
Speaker 1: Yeah. Yeah, I had a little half and half side

472
00:24:16,680 --> 00:24:17,240
Speaker 1: pony there too.

473
00:24:17,320 --> 00:24:21,760
Speaker 2: Yeah you did with your scrunchy yeah. So DJ continues

474
00:24:21,800 --> 00:24:24,760
Speaker 2: to tell Kimmy over the phone, there's this rumor going

475
00:24:24,800 --> 00:24:27,960
Speaker 2: around that Roxanne is stuffing her braw with two ply

476
00:24:28,160 --> 00:24:31,639
Speaker 2: paper towels during lunch today. She spilled juice on her

477
00:24:31,680 --> 00:24:36,160
Speaker 2: blouse and it was absorbed like that. Then DJ hears

478
00:24:36,160 --> 00:24:40,160
Speaker 2: gum popping through the receiver and gets suspicious to stall.

479
00:24:40,280 --> 00:24:43,679
Speaker 2: She asks Kimmy what she's doing this weekend. Kimmy rambles

480
00:24:43,720 --> 00:24:47,960
Speaker 2: on about her mom's roller derby championship, and while she does,

481
00:24:48,359 --> 00:24:51,240
Speaker 2: DJ peeks her head into the kitchen to find Steph

482
00:24:51,440 --> 00:24:55,080
Speaker 2: listening in. DJ comes up with a brilliant plan. She

483
00:24:55,200 --> 00:24:57,960
Speaker 2: tells Kimmy, Oh, I just remembered what I wanted to

484
00:24:58,000 --> 00:24:58,360
Speaker 2: tell you.

485
00:24:58,960 --> 00:24:59,520
Speaker 1: Then we get a.

486
00:24:59,440 --> 00:25:02,040
Speaker 2: Split screen of DJ in the living room and Stephanie

487
00:25:02,040 --> 00:25:05,320
Speaker 2: in the kitchen. DJ says into the phone, you know

488
00:25:05,359 --> 00:25:08,480
Speaker 2: how Stephanie's always reading my diary and going through all

489
00:25:08,520 --> 00:25:12,760
Speaker 2: my stuff. Steph proudly nods to herself when hearing this,

490
00:25:13,320 --> 00:25:14,119
Speaker 2: She doesn't hang up.

491
00:25:16,480 --> 00:25:16,800
Speaker 1: I know.

492
00:25:18,359 --> 00:25:22,320
Speaker 2: DJ continues She's the queen of the sneaks, and Steph

493
00:25:22,400 --> 00:25:28,000
Speaker 2: puts a hand over her heart to compliment Stephanie's confidence.

494
00:25:28,720 --> 00:25:30,640
Speaker 1: Oh, keep going.

495
00:25:30,920 --> 00:25:34,680
Speaker 2: Finally, DJ threatens I've come up with the ultimate revenge.

496
00:25:35,080 --> 00:25:38,000
Speaker 2: She won't know where, she won't know how, but when

497
00:25:38,000 --> 00:25:41,960
Speaker 2: she least expects it, boom. Steph quickly hangs up the

498
00:25:41,960 --> 00:25:45,040
Speaker 2: phone in fear of what she just heard. When DJ

499
00:25:45,200 --> 00:25:48,000
Speaker 2: sees that she stopped listening, she clarifies to Kimmy that

500
00:25:48,040 --> 00:25:52,080
Speaker 2: she only said that stuff to teach Stephanie a lesson. Still,

501
00:25:52,240 --> 00:25:56,679
Speaker 2: Kimmy offers her mother's stun gun, but DJ declines.

502
00:25:57,600 --> 00:26:01,320
Speaker 3: Thanks, did don't tase your sister? But yeah, a stun

503
00:26:01,400 --> 00:26:03,840
Speaker 3: gun is a taser. It just sounds cut when you

504
00:26:03,880 --> 00:26:06,440
Speaker 3: say it when it rhymes, yeah, tase your sister.

505
00:26:06,880 --> 00:26:08,800
Speaker 1: Yeah, dazing siblings, It's not guilty.

506
00:26:08,920 --> 00:26:12,479
Speaker 2: Gibblers aren't known for their safety, their safety regulations. So

507
00:26:13,000 --> 00:26:16,480
Speaker 2: this was my voice, right, I don't remember doing voiceover work.

508
00:26:16,600 --> 00:26:17,840
Speaker 2: I don't did I get paid for this?

509
00:26:17,920 --> 00:26:18,320
Speaker 1: I don't know.

510
00:26:18,480 --> 00:26:21,159
Speaker 3: Like this was No, you didn't get voiceover work. They

511
00:26:21,240 --> 00:26:23,119
Speaker 3: just recorded it on set and the microphone or you

512
00:26:23,160 --> 00:26:24,120
Speaker 3: went in and did it was like loop.

513
00:26:24,240 --> 00:26:27,040
Speaker 2: Yeah, like I don't remember, I don't even doing that,

514
00:26:27,160 --> 00:26:28,840
Speaker 2: So no you didn't.

515
00:26:28,880 --> 00:26:31,000
Speaker 3: It was I mean every time you had to go

516
00:26:31,040 --> 00:26:32,800
Speaker 3: do looping or anything like that, you just went to

517
00:26:32,840 --> 00:26:34,359
Speaker 3: the sound stage.

518
00:26:34,040 --> 00:26:36,600
Speaker 1: And yeah, yeah I was. I was talking.

519
00:26:36,760 --> 00:26:40,280
Speaker 3: Recording in those big giant sound stages when you would go.

520
00:26:40,560 --> 00:26:42,679
Speaker 3: So looping is when you go and you have to

521
00:26:42,680 --> 00:26:46,360
Speaker 3: re record some audio. Sometimes you have to match your

522
00:26:46,400 --> 00:26:48,760
Speaker 3: lip reading, and sometimes it's like if your back is

523
00:26:48,760 --> 00:26:50,760
Speaker 3: turned and they want to add just something in there

524
00:26:50,800 --> 00:26:51,240
Speaker 3: to make.

525
00:26:51,480 --> 00:26:52,560
Speaker 1: The scene made more sense.

526
00:26:53,119 --> 00:26:57,480
Speaker 3: We used to record it at at Sony Studios, and

527
00:26:57,560 --> 00:27:02,280
Speaker 3: Sony was MGM, so it was these huge sound stages

528
00:27:02,320 --> 00:27:05,720
Speaker 3: where they would record like full orchestras back in the

529
00:27:05,840 --> 00:27:09,320
Speaker 3: you know, thirties, forties, fifties for music scores, and you

530
00:27:09,359 --> 00:27:12,520
Speaker 3: would be like in the corner in this little thing

531
00:27:12,560 --> 00:27:14,320
Speaker 3: that had like a bounce, you know on it, so

532
00:27:14,359 --> 00:27:16,920
Speaker 3: your your voice didn't go out into the distance, but

533
00:27:16,960 --> 00:27:20,880
Speaker 3: you would be in these like gigantic size screening rooms

534
00:27:20,920 --> 00:27:23,400
Speaker 3: that were you know, made for full orchestras, just.

535
00:27:23,359 --> 00:27:25,120
Speaker 1: To do these little looping lines.

536
00:27:25,160 --> 00:27:26,679
Speaker 3: And it was I mean it was so cool to

537
00:27:26,720 --> 00:27:28,600
Speaker 3: go into these buildings that had been there forever.

538
00:27:28,840 --> 00:27:29,679
Speaker 1: Yeah, oh it was.

539
00:27:29,760 --> 00:27:31,440
Speaker 2: I remember how big the screens were.

540
00:27:31,480 --> 00:27:33,520
Speaker 1: And then when you see yourself like a full size

541
00:27:33,560 --> 00:27:35,520
Speaker 1: movie screen. Oh yeah, face like that.

542
00:27:38,680 --> 00:27:41,359
Speaker 2: Yeah, I remember that the beaps, the three beaps to

543
00:27:41,440 --> 00:27:44,480
Speaker 2: match the line to your lip movement. Yeah, that's like

544
00:27:44,640 --> 00:27:45,840
Speaker 2: embedded in my head.

545
00:27:46,280 --> 00:27:46,680
Speaker 1: Oh yeah.

546
00:27:46,680 --> 00:27:48,159
Speaker 2: I don't feel like we did as much looping in

547
00:27:48,200 --> 00:27:50,959
Speaker 2: the fuller days as we did in the full house days,

548
00:27:51,600 --> 00:27:52,160
Speaker 2: except for the.

549
00:27:52,119 --> 00:27:55,240
Speaker 3: Total, probably because your audio was a lot better, you know,

550
00:27:55,280 --> 00:27:57,679
Speaker 3: I mean you picked up more. I think the problem

551
00:27:57,720 --> 00:27:59,960
Speaker 3: with when you had to do looping it was if

552
00:28:00,000 --> 00:28:01,640
Speaker 3: if the mic didn't catch you or something.

553
00:28:01,640 --> 00:28:03,639
Speaker 1: And I'm sure the microphones were boom didn't catch you.

554
00:28:03,960 --> 00:28:06,440
Speaker 3: Yeah, I'm sure the microphones are much more sensitive now,

555
00:28:06,440 --> 00:28:06,879
Speaker 3: so it's.

556
00:28:06,720 --> 00:28:10,080
Speaker 1: A little bit easier technology unless you have to add stuff. Yeah,

557
00:28:10,119 --> 00:28:11,040
Speaker 1: that's right, that's right.

558
00:28:12,080 --> 00:28:14,879
Speaker 2: So next in the kitchen, Stephanie is pacing back and

559
00:28:14,960 --> 00:28:18,360
Speaker 2: forth repeating I'm dead, I'm dead. She stops to take

560
00:28:18,359 --> 00:28:21,240
Speaker 2: a deep breath and says, oh no. Then DJ comes

561
00:28:21,320 --> 00:28:24,760
Speaker 2: up from behind and casually says hey Steph, and Stephanie screams.

562
00:28:24,800 --> 00:28:28,679
Speaker 2: When she sees her, DJ innocently asks, what's wrong. You

563
00:28:28,720 --> 00:28:33,119
Speaker 2: seem a little tense. Steph slowly walks backward while trying

564
00:28:33,119 --> 00:28:37,439
Speaker 2: to maintain her cool. Me. Nope, no tension here, cool

565
00:28:37,560 --> 00:28:40,960
Speaker 2: as a cucumber. So DJ offers, want to go up

566
00:28:41,000 --> 00:28:43,280
Speaker 2: to my room. We can play that new computer game

567
00:28:43,320 --> 00:28:45,240
Speaker 2: I got, Stephanie.

568
00:28:44,880 --> 00:28:47,200
Speaker 1: Whenever a sibling says that you're in trouble.

569
00:28:47,040 --> 00:28:49,040
Speaker 2: She's volunteering to spend time with you.

570
00:28:49,160 --> 00:28:52,360
Speaker 3: Right eighty times, Zobeie like, hey, Bee, you want to

571
00:28:52,360 --> 00:28:53,040
Speaker 3: I was like, it's a trap.

572
00:28:53,080 --> 00:28:55,920
Speaker 1: It's a trap. Don't fall for it. Don't fall for it,

573
00:28:56,000 --> 00:28:56,280
Speaker 1: And they.

574
00:28:56,280 --> 00:28:58,760
Speaker 2: Fall for it every time Steph is not. She hesitates

575
00:28:59,120 --> 00:29:04,160
Speaker 2: your room alone. No witnesses, I don't think so DJ shrugs, Okay,

576
00:29:04,400 --> 00:29:08,320
Speaker 2: I'll get I mean, I'll catch you later, and Stephanie

577
00:29:08,360 --> 00:29:14,280
Speaker 2: says aloud, I'm doomed. Next, in the girl's room, Aaron

578
00:29:14,320 --> 00:29:17,320
Speaker 2: and Teddy are running around the room with towel capes on,

579
00:29:17,640 --> 00:29:21,360
Speaker 2: pretending to be Superman and Batman. Michelle is at her

580
00:29:21,360 --> 00:29:25,280
Speaker 2: play kitchen when she calls out, Superman, Batman, your breakfast

581
00:29:25,360 --> 00:29:29,920
Speaker 2: is ready. Michelle doesn't seem too happy about this, like

582
00:29:29,960 --> 00:29:31,640
Speaker 2: she's just sort of going through the motions.

583
00:29:31,680 --> 00:29:34,800
Speaker 1: I don't think she's excited about this role as the cook.

584
00:29:35,520 --> 00:29:39,920
Speaker 3: I mean, I you know, she's She's like, I could

585
00:29:40,680 --> 00:29:44,640
Speaker 3: make scrambled eggs and also be wonder woman multitasking.

586
00:29:44,880 --> 00:29:46,880
Speaker 2: We are very good at multitasking.

587
00:29:47,240 --> 00:29:47,840
Speaker 1: Yeah.

588
00:29:47,920 --> 00:29:50,880
Speaker 2: So Teddy walks over and Michelle hands him a plastic plate.

589
00:29:51,200 --> 00:29:52,560
Speaker 1: He says thanks.

590
00:29:52,280 --> 00:29:55,840
Speaker 2: Superman's mother and pretends to eat some pancakes, and then

591
00:29:55,880 --> 00:29:59,960
Speaker 2: he shouts, your pancakes are delicious. Aaron throws his hands

592
00:30:00,120 --> 00:30:04,240
Speaker 2: up and declares, let's play wrestling now. Teddy walks back

593
00:30:04,280 --> 00:30:07,560
Speaker 2: over to him and growls, I'm the ultimate warrior. Aaron

594
00:30:07,640 --> 00:30:11,280
Speaker 2: growls back, I'm the macho man. Michelle interrupts with her

595
00:30:11,320 --> 00:30:14,280
Speaker 2: hands on her hips. Don't tell me, I'm the macho

596
00:30:14,440 --> 00:30:18,360
Speaker 2: Man's mother. Aaron gives her a thumbs up, you got it,

597
00:30:18,720 --> 00:30:20,920
Speaker 2: and the boys start to wrestle.

598
00:30:21,360 --> 00:30:24,280
Speaker 1: And then Michelle kicks Aaron out of the house.

599
00:30:26,400 --> 00:30:28,640
Speaker 2: Well, she does get a little tougher. She tells them to.

600
00:30:28,600 --> 00:30:31,120
Speaker 1: Freeze as yeah, She's like no, no, no, no, no no no.

601
00:30:31,200 --> 00:30:33,960
Speaker 3: So they but also I have to just really quickly say,

602
00:30:34,440 --> 00:30:38,360
Speaker 3: this show, this entire show is a reminder though, of how.

603
00:30:38,160 --> 00:30:40,360
Speaker 1: Many of how lacking.

604
00:30:42,240 --> 00:30:47,520
Speaker 3: Female superheroes, female wrestlers like women were represented in these

605
00:30:47,560 --> 00:30:51,240
Speaker 3: things to where now like I don't it wouldn't be like, oh,

606
00:30:51,280 --> 00:30:54,280
Speaker 3: there's not really any superheroes other than wonder Woman, Like there's.

607
00:30:54,120 --> 00:30:55,200
Speaker 1: So many you know what I mean there?

608
00:30:55,240 --> 00:30:55,440
Speaker 2: Now?

609
00:30:55,600 --> 00:30:57,080
Speaker 1: Yeah? Yeah, yeah.

610
00:30:56,480 --> 00:30:59,120
Speaker 3: It was an interesting episode to kind of go back

611
00:30:59,120 --> 00:31:01,440
Speaker 3: to that, like early ninety saying be like, oh yeah,

612
00:31:01,480 --> 00:31:06,280
Speaker 3: there weren't there were wonderful Yeah, well look I'd love

613
00:31:06,280 --> 00:31:10,400
Speaker 3: me she Bomb. But I wanted to be She's.

614
00:31:11,560 --> 00:31:13,479
Speaker 1: For Halloween next year. You can be Shera right.

615
00:31:13,560 --> 00:31:16,240
Speaker 3: I was so mad when Netflix did that Sheira cartoon,

616
00:31:16,360 --> 00:31:18,480
Speaker 3: and I was like, I wanted to.

617
00:31:18,400 --> 00:31:21,200
Speaker 1: Be the voice. Oh you should have been Princess of Power. Oh,

618
00:31:21,240 --> 00:31:24,479
Speaker 1: I told Teddy, I missed opportunity. Darn it.

619
00:31:25,480 --> 00:31:28,600
Speaker 2: So Michelle tells the boys freeze. They do as they're told,

620
00:31:28,840 --> 00:31:31,840
Speaker 2: and she continues, it's my room, and I say, we

621
00:31:31,920 --> 00:31:32,520
Speaker 2: play house.

622
00:31:33,200 --> 00:31:33,440
Speaker 1: Good.

623
00:31:33,440 --> 00:31:36,880
Speaker 2: Michelle set a boundary. It's your room, it's your house. Yes,

624
00:31:37,000 --> 00:31:39,720
Speaker 2: you tell them what you're doing. That's exactly the way

625
00:31:39,720 --> 00:31:40,120
Speaker 2: to do it.

626
00:31:40,920 --> 00:31:41,800
Speaker 1: Teddy is all in.

627
00:31:41,960 --> 00:31:46,000
Speaker 2: He loves playing house, but Aaron rejects the idea because

628
00:31:46,080 --> 00:31:48,120
Speaker 2: playing house is for girls.

629
00:31:49,960 --> 00:31:54,520
Speaker 1: This Aaron, Aaron, Aaron, Aaron in a house.

630
00:31:57,400 --> 00:31:59,480
Speaker 2: His parents Like, what are his parents?

631
00:31:59,560 --> 00:32:01,520
Speaker 1: Like, there's parents.

632
00:32:01,120 --> 00:32:03,400
Speaker 3: Because he's always kind of been this kid, pre school everything.

633
00:32:03,400 --> 00:32:05,440
Speaker 1: He's just kind of yeah, he's been.

634
00:32:05,560 --> 00:32:08,680
Speaker 2: He's the pincher, he's the non sharer.

635
00:32:08,840 --> 00:32:12,600
Speaker 1: Like, yeah he's that, right, is that? Yeah? Well we

636
00:32:12,680 --> 00:32:13,360
Speaker 1: know how those kids.

637
00:32:13,760 --> 00:32:16,360
Speaker 2: So this causes Teddy to backtrack and he says, I

638
00:32:16,440 --> 00:32:21,000
Speaker 2: hate playing house, Teddy. I know, you know, Teddy, Teddy

639
00:32:21,040 --> 00:32:24,000
Speaker 2: is a people pleaser. You know, he loves Michelle, but

640
00:32:24,040 --> 00:32:26,440
Speaker 2: he doesn't want to be awesome. He doesn't want to Aaron,

641
00:32:26,680 --> 00:32:29,360
Speaker 2: I get his but I get that he's too young

642
00:32:29,400 --> 00:32:32,240
Speaker 2: to like really know how to have the confidence to

643
00:32:32,240 --> 00:32:33,240
Speaker 2: stand up for yourself.

644
00:32:33,360 --> 00:32:37,960
Speaker 3: So right, and as my mom would always say, three

645
00:32:38,080 --> 00:32:39,760
Speaker 3: playing is a bad number?

646
00:32:39,760 --> 00:32:40,800
Speaker 1: Really is Janice is?

647
00:32:40,920 --> 00:32:43,680
Speaker 3: So I remember my mom would be like, if I

648
00:32:43,720 --> 00:32:46,240
Speaker 3: wanted to invite two friends over, she would.

649
00:32:46,120 --> 00:32:48,400
Speaker 1: Be like, no, I.

650
00:32:48,440 --> 00:32:50,640
Speaker 3: Think you should invite you, especially when she knew.

651
00:32:50,480 --> 00:32:52,400
Speaker 1: The two she was like, no, you guys are it's

652
00:32:53,280 --> 00:32:55,400
Speaker 1: it's not going to go well. Yep, And I remember.

653
00:32:55,320 --> 00:32:57,640
Speaker 3: Seeing it with my kids, you like, there's always two

654
00:32:57,680 --> 00:32:59,840
Speaker 3: that are closer and a line and one feels left out,

655
00:32:59,880 --> 00:33:01,280
Speaker 3: and then it's all.

656
00:33:01,240 --> 00:33:02,280
Speaker 1: Always a third wheel.

657
00:33:02,480 --> 00:33:06,160
Speaker 2: Yeah, all of awkward number revolved when there were three

658
00:33:06,560 --> 00:33:08,800
Speaker 2: three friends and then one.

659
00:33:08,640 --> 00:33:10,800
Speaker 1: Help left out. That was all that's always the source

660
00:33:10,800 --> 00:33:13,080
Speaker 1: of all the fight. Yes, yes, yes.

661
00:33:12,960 --> 00:33:13,880
Speaker 2: There's a terrible number.

662
00:33:13,960 --> 00:33:15,320
Speaker 1: You needed to add one more.

663
00:33:17,760 --> 00:33:17,960
Speaker 4: So.

664
00:33:18,320 --> 00:33:21,080
Speaker 2: Aaron suggests, let's play guns.

665
00:33:21,960 --> 00:33:24,320
Speaker 3: Pretty sure you couldn't say that on me now as

666
00:33:24,360 --> 00:33:25,280
Speaker 3: a child.

667
00:33:25,760 --> 00:33:27,680
Speaker 1: Yeah, because it's not funny.

668
00:33:27,680 --> 00:33:31,239
Speaker 2: It's not funny anymore, not that it ever was, but well,

669
00:33:31,280 --> 00:33:34,479
Speaker 2: Michelle stops him to reiterate that they are playing house.

670
00:33:35,240 --> 00:33:38,320
Speaker 2: Aaron responds, Okay, let's play house and blow it up

671
00:33:38,360 --> 00:33:39,120
Speaker 2: with our guns.

672
00:33:39,960 --> 00:33:42,880
Speaker 3: God, I know who this kid's gonna be.

673
00:33:44,120 --> 00:33:47,520
Speaker 1: Just I can see it. I can see it.

674
00:33:48,280 --> 00:33:50,080
Speaker 2: Everybody knows somebody like this.

675
00:33:50,320 --> 00:33:56,040
Speaker 3: You know, I have seen who this like.

676
00:33:56,720 --> 00:34:01,080
Speaker 1: Misogynistic guns runing person. Because I'm just kidding everyone, I'm

677
00:34:01,120 --> 00:34:02,440
Speaker 1: not picky. Everyone relaxed.

678
00:34:03,360 --> 00:34:07,760
Speaker 3: You gotta admit Aaron's being kind of again.

679
00:34:08,200 --> 00:34:11,400
Speaker 2: I blame his parents, not Aaron but telling if it

680
00:34:11,440 --> 00:34:14,000
Speaker 2: was this would bother me a lot more, probably, But

681
00:34:14,040 --> 00:34:17,239
Speaker 2: if it's mik and he's so good, I love him.

682
00:34:17,280 --> 00:34:19,680
Speaker 3: He's so good and playing this little Yeah he is, Yeah,

683
00:34:19,680 --> 00:34:21,000
Speaker 3: he's a little. He just is.

684
00:34:22,160 --> 00:34:22,239
Speaker 1: So.

685
00:34:22,280 --> 00:34:24,920
Speaker 2: He grabbed one of Michelle's dolls and pretends it's a gun,

686
00:34:25,160 --> 00:34:28,319
Speaker 2: firing it all over the room, but Michelle grabs it

687
00:34:28,320 --> 00:34:31,080
Speaker 2: out of his hands and argues, baby love button is

688
00:34:31,239 --> 00:34:34,600
Speaker 2: not a gun. Aaron walks over to Teddy and puts

689
00:34:34,640 --> 00:34:37,000
Speaker 2: a hand on his shoulder. Teddy, you should come over

690
00:34:37,040 --> 00:34:40,960
Speaker 2: to my house. I have phasers. Teddy likes the idea,

691
00:34:41,000 --> 00:34:42,720
Speaker 2: but he asks, what about Michelle?

692
00:34:44,200 --> 00:34:47,640
Speaker 1: I love Teddy. Teddy is just so good friend, trying.

693
00:34:47,360 --> 00:34:51,680
Speaker 3: To be like wait this, and what are fasers like

694
00:34:51,840 --> 00:34:54,000
Speaker 3: lazers like.

695
00:34:57,040 --> 00:34:59,880
Speaker 1: A ard be like I have?

696
00:35:00,680 --> 00:35:05,719
Speaker 3: They live, they live and their stun guns and ostriches, and.

697
00:35:06,000 --> 00:35:08,560
Speaker 1: Yeah they probably are good. Their parents are good friends

698
00:35:08,560 --> 00:35:09,319
Speaker 1: with Aaron's.

699
00:35:09,000 --> 00:35:12,960
Speaker 2: Parents, right, they all get along very well, they do. Yeah,

700
00:35:14,520 --> 00:35:18,040
Speaker 2: so Aaron threatens, if you play with her, I'll tell

701
00:35:18,120 --> 00:35:20,839
Speaker 2: the whole school that you're a girl lover.

702
00:35:22,000 --> 00:35:22,840
Speaker 1: Teddy doesn't want that.

703
00:35:23,400 --> 00:35:28,239
Speaker 2: He looks at Michelle and sadly tells her sorry, Oh, Teddy.

704
00:35:28,239 --> 00:35:33,160
Speaker 1: Michelle mirror's that same sad look at him. I know poor,

705
00:35:33,400 --> 00:35:35,359
Speaker 1: I know, poor Michelle, poor Teddy.

706
00:35:35,160 --> 00:35:39,200
Speaker 2: Poor everyone except for except for Aaron. But Teddy doesn't

707
00:35:39,200 --> 00:35:42,000
Speaker 2: want that. He looks at Michelle and sadly tells her, oh, no,

708
00:35:42,040 --> 00:35:46,040
Speaker 2: I said that already. Meanwhile, Aaron praises Teddy, way to go,

709
00:35:46,320 --> 00:35:50,239
Speaker 2: come on, let's go be men, and they walk out growling.

710
00:35:51,560 --> 00:35:54,360
Speaker 2: Michelle looks at the ground and says, I lost my

711
00:35:54,480 --> 00:35:59,920
Speaker 2: best friend. We'll we hear some sad music, sad sad music.

712
00:36:00,040 --> 00:36:01,480
Speaker 1: I just feel.

713
00:36:01,280 --> 00:36:03,279
Speaker 2: Bad for Michelle. I feel bad for Teddy though, because

714
00:36:03,320 --> 00:36:05,319
Speaker 2: he is literally in the middle of this. You know,

715
00:36:05,400 --> 00:36:07,160
Speaker 2: he's got an internal struggle.

716
00:36:08,080 --> 00:36:11,239
Speaker 3: I am just surprised though, that these what are they

717
00:36:11,280 --> 00:36:12,160
Speaker 3: kindergarteners now?

718
00:36:12,520 --> 00:36:15,080
Speaker 1: I think so that these kindergarteners.

719
00:36:14,440 --> 00:36:17,680
Speaker 3: Are like, hey, we're out, We're gonna go call a cab.

720
00:36:17,600 --> 00:36:22,040
Speaker 1: See you later. Get Laren's house, right yeah?

721
00:36:22,320 --> 00:36:24,920
Speaker 3: Are they going downstairs to call mom and be like hey,

722
00:36:24,960 --> 00:36:27,640
Speaker 3: we're Like it just was such a I was like, oh, yeah,

723
00:36:28,000 --> 00:36:30,960
Speaker 3: usually we're out a parent coming and saying okay, cui

724
00:36:31,160 --> 00:36:35,560
Speaker 3: five more minutes till Teddy's you gotta go right right, No.

725
00:36:35,640 --> 00:36:38,319
Speaker 2: They unilaterally are and we we're out.

726
00:36:38,480 --> 00:36:39,399
Speaker 1: Yeah, we out.

727
00:36:41,760 --> 00:36:44,319
Speaker 2: So meanwhile in the living room, Joey and Jesse are

728
00:36:44,320 --> 00:36:48,600
Speaker 2: going over Lumberjack Jess's news script, which relies on Jesse

729
00:36:48,760 --> 00:36:52,640
Speaker 2: being fun and magical. And I did a double take

730
00:36:52,920 --> 00:36:55,880
Speaker 2: seeing the guys holding their scripts because I was like, wait.

731
00:36:57,800 --> 00:37:00,040
Speaker 1: They had their game was probably their strips. Absolutely, I

732
00:37:01,520 --> 00:37:05,080
Speaker 1: would have I would have absolutely written.

733
00:37:05,160 --> 00:37:06,719
Speaker 3: Every time I had a paper in my hand, I

734
00:37:06,760 --> 00:37:07,279
Speaker 3: was like, here's my.

735
00:37:07,280 --> 00:37:09,800
Speaker 1: Line clipboard of fun. Write your lines on it.

736
00:37:12,080 --> 00:37:12,319
Speaker 3: Yeah.

737
00:37:14,640 --> 00:37:17,560
Speaker 2: So Jesse plasters a fake smile on his face to

738
00:37:17,640 --> 00:37:20,560
Speaker 2: read the script, but after one line, he compares himself

739
00:37:20,600 --> 00:37:24,640
Speaker 2: to Tinkerbell, so Joey gives him another adjective to embody.

740
00:37:25,120 --> 00:37:28,640
Speaker 2: This time he should try being fun, magical, and manly.

741
00:37:29,920 --> 00:37:33,600
Speaker 2: Jesse questions what Joey would know about being manly, considering

742
00:37:33,640 --> 00:37:37,000
Speaker 2: he still wears foot sea pajamas, and Joey defends his

743
00:37:37,120 --> 00:37:39,919
Speaker 2: cold feet and says that doesn't make him any less

744
00:37:40,000 --> 00:37:40,480
Speaker 2: of a man.

745
00:37:41,680 --> 00:37:47,120
Speaker 3: Exactly, joe you wear shit, you wear those Jesse, you

746
00:37:47,160 --> 00:37:50,719
Speaker 3: and Aaron need to go just sit down for a minute.

747
00:37:50,719 --> 00:37:53,600
Speaker 2: I wish I had seen a scene seen a scene

748
00:37:53,640 --> 00:37:56,520
Speaker 2: between Jesse and Aaron, like that's like, let's.

749
00:37:56,920 --> 00:37:59,200
Speaker 1: That's what I well that Oh where'd you go? Hold on?

750
00:37:59,280 --> 00:38:03,600
Speaker 1: I just got no he knew I clicked. I don't

751
00:38:03,640 --> 00:38:04,120
Speaker 1: know what I did.

752
00:38:04,320 --> 00:38:06,520
Speaker 3: My computer updated and I clicked something and then you

753
00:38:06,600 --> 00:38:07,439
Speaker 3: like went your hold.

754
00:38:07,440 --> 00:38:08,400
Speaker 1: The whole screen went away, and.

755
00:38:08,360 --> 00:38:11,239
Speaker 3: I was like, ah, I couldn't he needed a break up?

756
00:38:12,040 --> 00:38:12,239
Speaker 1: Yeah?

757
00:38:12,320 --> 00:38:16,000
Speaker 3: I was like enough, yeah, no I I I uh.

758
00:38:16,080 --> 00:38:18,919
Speaker 3: Jesse and Aaron I thought that was gonna be the thing?

759
00:38:19,200 --> 00:38:19,400
Speaker 1: Was it?

760
00:38:19,400 --> 00:38:22,400
Speaker 3: Maybe Jesse saw that like he was trying to be

761
00:38:22,440 --> 00:38:24,000
Speaker 3: over it, and then so I was like, oh, yeah,

762
00:38:24,000 --> 00:38:25,120
Speaker 3: maybe that's I don't.

763
00:38:25,000 --> 00:38:27,479
Speaker 2: Know, that's that's not where this lesson went.

764
00:38:27,840 --> 00:38:36,319
Speaker 3: And I feel like Nick Enselis and Aaron's parents are

765
00:38:37,040 --> 00:38:37,520
Speaker 3: have a lot.

766
00:38:37,719 --> 00:38:38,960
Speaker 1: There's some stuff in common there.

767
00:38:38,960 --> 00:38:42,759
Speaker 3: They're tight ver old school ideas, you know, very yep, yeah, yeah,

768
00:38:42,760 --> 00:38:43,439
Speaker 3: they're cut from.

769
00:38:43,320 --> 00:38:45,080
Speaker 1: The same close. There's a lot of Yeah, there's a

770
00:38:45,080 --> 00:38:45,759
Speaker 1: lot going on.

771
00:38:45,880 --> 00:38:49,200
Speaker 2: So Jesse clarifies it's not the foot sees it's the

772
00:38:49,239 --> 00:38:52,200
Speaker 2: little trap door in the back with the missing button.

773
00:38:54,160 --> 00:38:57,279
Speaker 2: So is suggesting that you could see Dave's button because

774
00:38:57,320 --> 00:38:59,400
Speaker 2: the trap door doesn't have a button to But I

775
00:38:59,400 --> 00:39:01,040
Speaker 2: don't know, thinking too much about it.

776
00:39:00,920 --> 00:39:03,680
Speaker 1: It's there, Well, there's there's usually two buttons, right, so

777
00:39:03,680 --> 00:39:06,600
Speaker 1: there's one hanging it's just one? Yeah like that?

778
00:39:07,000 --> 00:39:09,920
Speaker 3: Like, yeah, I don't know if they don't want copper tone, baby,

779
00:39:10,040 --> 00:39:10,959
Speaker 3: that's what I'm too much about.

780
00:39:11,440 --> 00:39:13,640
Speaker 1: But so what's not?

781
00:39:15,080 --> 00:39:15,200
Speaker 3: So?

782
00:39:15,239 --> 00:39:19,600
Speaker 2: Then fine, yes, gratefully yes. Michelle walks in looking extra somber.

783
00:39:20,320 --> 00:39:22,200
Speaker 2: She asks the guys if she can hang out with

784
00:39:22,239 --> 00:39:26,000
Speaker 2: them since her friends went home. Jesse and Joey are

785
00:39:26,000 --> 00:39:29,160
Speaker 2: more than happy to have her of course. Joey even

786
00:39:29,200 --> 00:39:32,479
Speaker 2: mentions that Lumberjack Jess is learning to become a real man,

787
00:39:33,080 --> 00:39:35,960
Speaker 2: and suddenly Michelle lights up. You can learn how to

788
00:39:36,000 --> 00:39:36,520
Speaker 2: be a man.

789
00:39:36,920 --> 00:39:40,320
Speaker 1: I gotta see this. Yeah, So Jesse takes.

790
00:39:40,080 --> 00:39:44,320
Speaker 2: The challenge and channels his inner manly man. He spits

791
00:39:44,360 --> 00:39:47,000
Speaker 2: on his hands before running them through his hair and says,

792
00:39:47,000 --> 00:39:50,719
Speaker 2: in a fake deep voice, Hi, I'm Lumberjack Jess. I

793
00:39:50,800 --> 00:39:53,879
Speaker 2: walk with a manly swagger because I have a manly job.

794
00:39:54,680 --> 00:39:57,759
Speaker 1: Why did you spit on your hair? Why would you

795
00:39:57,800 --> 00:40:00,120
Speaker 1: do that? Is that what men do?

796
00:40:00,080 --> 00:40:00,279
Speaker 3: Do? They?

797
00:40:00,480 --> 00:40:01,960
Speaker 1: I know, they like they'll spit on the ground, but

798
00:40:02,080 --> 00:40:03,240
Speaker 1: do they spin in their hands?

799
00:40:03,239 --> 00:40:05,759
Speaker 2: And then anyway, has that ever been a thing like

800
00:40:05,800 --> 00:40:07,799
Speaker 2: maybe that's was it a thing?

801
00:40:08,239 --> 00:40:09,160
Speaker 1: I don't I don't know.

802
00:40:09,400 --> 00:40:12,319
Speaker 2: That's just this was there a especially Jesse, like you'd

803
00:40:12,320 --> 00:40:15,719
Speaker 2: think only like the right, only the hair products could

804
00:40:15,800 --> 00:40:16,319
Speaker 2: touch his hair.

805
00:40:16,360 --> 00:40:18,480
Speaker 3: But spit, well, I know he didn't actually spit, but

806
00:40:18,560 --> 00:40:19,520
Speaker 3: like I guess, I don't know.

807
00:40:19,760 --> 00:40:24,640
Speaker 2: Was that it's just a man that's Jesse's interpretation of

808
00:40:24,719 --> 00:40:28,160
Speaker 2: manly spit, spit on your hands, hands, through your hair.

809
00:40:28,239 --> 00:40:30,839
Speaker 1: I don't know. Well, that's it's a low bar.

810
00:40:31,840 --> 00:40:33,520
Speaker 2: And then he shows them how he pulls up his

811
00:40:33,600 --> 00:40:39,160
Speaker 2: manly pants and scratches his manly scratch. You can see

812
00:40:39,520 --> 00:40:41,399
Speaker 2: Dave's trying not to break in this.

813
00:40:41,840 --> 00:40:45,799
Speaker 3: Right's watching Dave's face was like, I was like, he

814
00:40:46,160 --> 00:40:47,840
Speaker 3: this took so long to probably.

815
00:40:47,560 --> 00:40:50,880
Speaker 2: Get manly scratch. Like that went a totally different direction

816
00:40:51,000 --> 00:40:52,040
Speaker 2: that I was expecting.

817
00:40:52,160 --> 00:40:55,319
Speaker 1: So right, it's not wrong though, No, they're not wrong.

818
00:40:55,320 --> 00:40:59,080
Speaker 1: They're not wrong. Always some scratching. Hey, they're apparently very itchy.

819
00:40:59,320 --> 00:41:01,759
Speaker 2: I don't don't know why there's a Yeah, I I

820
00:41:02,239 --> 00:41:04,160
Speaker 2: could go off on a tangent on this.

821
00:41:04,239 --> 00:41:05,680
Speaker 1: I won't. I could too, but I'm.

822
00:41:05,560 --> 00:41:07,919
Speaker 3: Just saying, and I think everyone listening out there would

823
00:41:07,920 --> 00:41:08,560
Speaker 3: agree there.

824
00:41:08,440 --> 00:41:09,720
Speaker 1: Is a there's a lot of scratching.

825
00:41:09,800 --> 00:41:13,600
Speaker 2: Well, Michael would say, it's asting, it's not scratching. You

826
00:41:13,680 --> 00:41:16,080
Speaker 2: have to like theres you adjust your boobs and a

827
00:41:16,120 --> 00:41:19,719
Speaker 2: bra something like. That's what men are doing. Yes, I

828
00:41:19,760 --> 00:41:24,000
Speaker 2: want to know why why singer like singers, performers, new kids,

829
00:41:24,200 --> 00:41:26,839
Speaker 2: why don't they always grab their crotches to like emphasize

830
00:41:26,840 --> 00:41:28,359
Speaker 2: a note, like what is that?

831
00:41:28,560 --> 00:41:30,839
Speaker 1: Is that just a thing? Have you ever? Have you ever?

832
00:41:31,440 --> 00:41:31,640
Speaker 3: You know?

833
00:41:31,840 --> 00:41:36,439
Speaker 1: I think if you grab certain things, your voice gets hired.

834
00:41:37,080 --> 00:41:40,399
Speaker 1: So it's yeah, it's a thing, you.

835
00:41:40,320 --> 00:41:43,440
Speaker 3: Know, it's it's why uh you know back in the

836
00:41:43,480 --> 00:41:46,960
Speaker 3: day eunuchs made great choir boys. You know, it's you

837
00:41:47,080 --> 00:41:50,200
Speaker 3: squeeze them. It's yeah, that's what it does.

838
00:41:50,320 --> 00:41:52,960
Speaker 1: So it's a it's a technique. It's a singing technique.

839
00:41:53,120 --> 00:41:56,239
Speaker 2: Okay, yeah, yeah, this explains everything.

840
00:41:56,520 --> 00:41:57,440
Speaker 1: That's exactly.

841
00:41:57,520 --> 00:41:59,879
Speaker 3: But do you think Michael Jackson's voice was naturally.

842
00:42:00,600 --> 00:42:06,560
Speaker 1: No, he just he just yeah, yep.

843
00:42:08,640 --> 00:42:10,680
Speaker 2: I will never look at new kids the same. This

844
00:42:10,880 --> 00:42:13,799
Speaker 2: is amazing today.

845
00:42:16,360 --> 00:42:21,719
Speaker 3: Things every time joe does it now you'll be like, ah, I.

846
00:42:21,719 --> 00:42:23,279
Speaker 1: Know what you're doing. What you're doing.

847
00:42:24,320 --> 00:42:27,560
Speaker 2: Jesse gives Joey a manly punch to greet him and

848
00:42:27,640 --> 00:42:30,400
Speaker 2: follows it up with a terrifying fake laugh.

849
00:42:30,920 --> 00:42:31,400
Speaker 1: Yeah.

850
00:42:31,480 --> 00:42:33,960
Speaker 2: Michelle is just watching all of this with fascination and

851
00:42:34,080 --> 00:42:39,520
Speaker 2: asks what makes boys different than girls. The guys stammer

852
00:42:39,560 --> 00:42:41,359
Speaker 2: as they try to figure out how to explain that

853
00:42:41,360 --> 00:42:42,600
Speaker 2: to a five year old.

854
00:42:43,040 --> 00:42:45,680
Speaker 1: They talk about birds, bees, the flowers.

855
00:42:46,120 --> 00:42:49,239
Speaker 2: Finally, Joey just throws all of the responsibility onto Jesse.

856
00:42:49,960 --> 00:42:51,880
Speaker 2: He takes a seat next to Michelle and begins to

857
00:42:51,920 --> 00:42:55,520
Speaker 2: describe boys get to lead when you dance, Boys can

858
00:42:55,560 --> 00:42:58,200
Speaker 2: grow a little mustache. The best part is at a

859
00:42:58,239 --> 00:43:00,799
Speaker 2: concert or a ballgame, the line at the men's room

860
00:43:00,840 --> 00:43:04,960
Speaker 2: are so much shorter. Yes, that that is really He's

861
00:43:05,000 --> 00:43:06,960
Speaker 2: got a point just with this last thing about the

862
00:43:07,000 --> 00:43:09,520
Speaker 2: shorter lines. I tried to go at the New Kids

863
00:43:09,520 --> 00:43:12,560
Speaker 2: concert a few weeks ago. Women's lines were so long,

864
00:43:12,600 --> 00:43:14,480
Speaker 2: and I will try to go into the men's room

865
00:43:14,520 --> 00:43:15,840
Speaker 2: and the attendant wouldn't let me.

866
00:43:15,920 --> 00:43:19,680
Speaker 3: He's like, no, guess what, You're either gonna let me

867
00:43:19,760 --> 00:43:21,239
Speaker 3: or I'm gonna appeel over you right now.

868
00:43:21,480 --> 00:43:22,320
Speaker 1: Take your choice.

869
00:43:23,920 --> 00:43:26,680
Speaker 3: Some what I've seen at some concerts that are very

870
00:43:26,719 --> 00:43:29,480
Speaker 3: female heavy, like New Kids and stuff like that, they

871
00:43:29,480 --> 00:43:32,120
Speaker 3: will shut down some of the men's room and and

872
00:43:32,320 --> 00:43:35,680
Speaker 3: turn them into women's restrooms because they know that there's

873
00:43:35,719 --> 00:43:39,080
Speaker 3: going to be an outsized number of women that would

874
00:43:39,080 --> 00:43:39,680
Speaker 3: have been nice.

875
00:43:39,960 --> 00:43:42,840
Speaker 1: The men will need considerably less. Yeah.

876
00:43:42,920 --> 00:43:45,239
Speaker 2: Yeah, there's like what five men in the audience, Like

877
00:43:45,280 --> 00:43:46,880
Speaker 2: they can get by with one bathroom.

878
00:43:46,880 --> 00:43:47,400
Speaker 1: They're gonna be.

879
00:43:47,760 --> 00:43:50,479
Speaker 2: They're fine, Like one urinal that's all they need. Rest

880
00:43:50,480 --> 00:43:52,240
Speaker 2: of us, we need toilets of people.

881
00:43:53,880 --> 00:43:55,720
Speaker 1: Yeah, it's not This is not pretty.

882
00:43:56,239 --> 00:43:58,800
Speaker 2: So Michelle admits that being a boy sounds like fun,

883
00:43:59,200 --> 00:44:02,440
Speaker 2: and Jesse agreed. He asks if that answers her question,

884
00:44:02,600 --> 00:44:05,600
Speaker 2: and she nods, yes, it does, and then he lets

885
00:44:05,640 --> 00:44:08,000
Speaker 2: out the biggest sigh of relief.

886
00:44:08,880 --> 00:44:11,200
Speaker 1: Yeah. I didn't have to get into the details. I don't know.

887
00:44:11,320 --> 00:44:13,680
Speaker 2: Yeah, were they they they must have assumed that Michelle

888
00:44:13,719 --> 00:44:17,240
Speaker 2: was talking about like the physical differences between boys and girls.

889
00:44:17,400 --> 00:44:19,160
Speaker 1: They were like, what makes boys and girls different?

890
00:44:19,200 --> 00:44:23,560
Speaker 2: You're like, oh, well, and she's talking about societal traits,

891
00:44:23,680 --> 00:44:25,680
Speaker 2: you know, like personality traits, right, Well.

892
00:44:25,600 --> 00:44:28,319
Speaker 3: I think, yeah, I mean I think really what I

893
00:44:28,400 --> 00:44:30,280
Speaker 3: got out of is like, well, really, what's the difference

894
00:44:30,320 --> 00:44:35,000
Speaker 3: between boys and girls? Is at base sort of the genitalia,

895
00:44:35,040 --> 00:44:36,799
Speaker 3: I guess, you know what I mean? Like, other than that,

896
00:44:36,840 --> 00:44:40,600
Speaker 3: like hormonal whatever, but they were going there because that's

897
00:44:40,680 --> 00:44:42,920
Speaker 3: really the biggest difference. And Michelle was just like, what's

898
00:44:42,960 --> 00:44:45,239
Speaker 3: the what's what's steal? What's the wrestling thing?

899
00:44:45,280 --> 00:44:45,760
Speaker 1: You guys?

900
00:44:46,400 --> 00:44:48,800
Speaker 2: Yeah, why can't I play superheroes with the boys?

901
00:44:48,880 --> 00:44:52,040
Speaker 1: That's that's basically right. And he was like, how do

902
00:44:52,120 --> 00:44:53,280
Speaker 1: we explain.

903
00:44:53,239 --> 00:44:56,920
Speaker 3: Uh, you know, yeah, reproduction, you know what was a

904
00:44:56,920 --> 00:45:01,160
Speaker 3: missed opportunity here having mik walk in and say boys

905
00:45:01,200 --> 00:45:04,879
Speaker 3: have a penis, girls have a vagina.

906
00:45:05,600 --> 00:45:06,120
Speaker 1: I don't care.

907
00:45:06,400 --> 00:45:08,920
Speaker 2: Maybe kindergarten cop hadn't come out yet, maybe, but.

908
00:45:09,280 --> 00:45:12,720
Speaker 3: No, I think it, or maybe not at this time.

909
00:45:12,520 --> 00:45:14,600
Speaker 1: But he was. He was on it soon and then

910
00:45:14,680 --> 00:45:15,759
Speaker 1: I think came back on the show.

911
00:45:15,800 --> 00:45:18,200
Speaker 2: I would have been legendary. Just Aaron just walks through,

912
00:45:18,360 --> 00:45:20,279
Speaker 2: says the line on the crash and then.

913
00:45:20,280 --> 00:45:22,319
Speaker 3: Keep this a littlert. I think he was a little

914
00:45:22,440 --> 00:45:25,440
Speaker 3: ert maybe or was yeah, I don't know. Anyway, he

915
00:45:25,560 --> 00:45:26,920
Speaker 3: just said that and walked out.

916
00:45:27,000 --> 00:45:29,680
Speaker 1: That would have been just chef's kiss.

917
00:45:29,880 --> 00:45:31,359
Speaker 2: Let's go back and reshoot it right now.

918
00:45:31,600 --> 00:45:34,040
Speaker 1: He's not wrong. It's not wrong. Boys have a penis,

919
00:45:34,040 --> 00:45:34,360
Speaker 1: girls I.

920
00:45:34,360 --> 00:45:38,480
Speaker 3: Have a vagina, and and sometimes that's you know, I

921
00:45:38,600 --> 00:45:40,839
Speaker 3: just it's funny to me, like, how on here You're like, oh,

922
00:45:40,840 --> 00:45:42,120
Speaker 3: there's so many times when I'm.

923
00:45:41,920 --> 00:45:44,480
Speaker 1: Like, well, that's not true. Well, it can be like

924
00:45:46,120 --> 00:45:48,280
Speaker 1: I want to sell Michelle like you don't. It's okay.

925
00:45:48,400 --> 00:45:50,000
Speaker 2: You don't have to fit into a box. You don't

926
00:45:50,000 --> 00:45:51,759
Speaker 2: need a label you need to fit into a box.

927
00:45:51,800 --> 00:45:52,759
Speaker 1: There's a spectrum.

928
00:45:53,080 --> 00:45:59,000
Speaker 3: Jenny is a spectrum and is very much again like

929
00:45:59,080 --> 00:46:00,720
Speaker 3: this is kind of one of those amps are really.

930
00:46:00,600 --> 00:46:03,800
Speaker 1: Yeah, it's learned. You're taught like, oh, boys do this.

931
00:46:04,080 --> 00:46:06,880
Speaker 3: Girls do this, And it's kind of an interesting episode

932
00:46:06,880 --> 00:46:10,879
Speaker 3: where you're like, that's this an that's not the case exactly. Oh,

933
00:46:10,880 --> 00:46:13,600
Speaker 3: and Maddie says, Kindergarten Cop came out in nineteen ninety,

934
00:46:14,000 --> 00:46:15,279
Speaker 3: so it was already out.

935
00:46:15,360 --> 00:46:16,680
Speaker 2: This was a missed opportunity.

936
00:46:17,080 --> 00:46:19,160
Speaker 3: Yeah, gotta say, I'm sure it crossed the minds of

937
00:46:19,200 --> 00:46:22,080
Speaker 3: the writers, and I'm sure that someone in the writer's

938
00:46:22,160 --> 00:46:23,520
Speaker 3: room went, we can't say that on ABC.

939
00:46:23,719 --> 00:46:25,799
Speaker 1: Oh yeah, that's right. They could. Yes, that's true.

940
00:46:25,800 --> 00:46:27,360
Speaker 2: ABC would have been like nod, be.

941
00:46:27,480 --> 00:46:31,920
Speaker 3: Like no, dear God, the correct anatomical reference though.

942
00:46:40,080 --> 00:46:42,680
Speaker 2: So next in the kitchen, Steph is setting the table

943
00:46:42,680 --> 00:46:45,759
Speaker 2: when DJ walks up behind her, Steph screams at her

944
00:46:45,760 --> 00:46:49,440
Speaker 2: once again, and DJ casually mentions I have something for you.

945
00:46:50,440 --> 00:46:54,520
Speaker 2: Terror fills Steph's eyes as she responds, I don't want it.

946
00:46:54,719 --> 00:46:57,160
Speaker 2: DJ gives it to her anyway, but Steph cowers in

947
00:46:57,239 --> 00:47:00,920
Speaker 2: fear before she can even see the gift. To her surprise,

948
00:47:01,040 --> 00:47:05,320
Speaker 2: it's a harmless brownie. In fact, it's a double fudge

949
00:47:05,440 --> 00:47:08,320
Speaker 2: chocolate homemade brownie, her favorite.

950
00:47:08,760 --> 00:47:10,800
Speaker 1: It's definitely laced placed with something.

951
00:47:11,920 --> 00:47:13,640
Speaker 2: DJ says she baked it herself.

952
00:47:14,280 --> 00:47:19,359
Speaker 1: Nice, step you shoed, Steph. You don't know what's in

953
00:47:19,360 --> 00:47:20,120
Speaker 1: that brownie.

954
00:47:20,440 --> 00:47:24,160
Speaker 2: Stephanie asks you want me to eat that? And DJ nods,

955
00:47:24,440 --> 00:47:27,239
Speaker 2: so Steph continues to ask, you mean chew it up

956
00:47:27,320 --> 00:47:29,440
Speaker 2: and swallow it and have to go through my and

957
00:47:29,480 --> 00:47:33,560
Speaker 2: have it go through my blood stream. DJ insists that

958
00:47:33,680 --> 00:47:36,080
Speaker 2: she try it, so Steph finally takes it from her

959
00:47:36,120 --> 00:47:39,560
Speaker 2: and says, thank you. I'll just take this non poisonous

960
00:47:39,560 --> 00:47:42,400
Speaker 2: brownie and throw it out into the backyard.

961
00:47:43,880 --> 00:47:46,040
Speaker 1: And you just you don't go see me coming.

962
00:47:46,200 --> 00:47:46,399
Speaker 3: Yeah.

963
00:47:48,520 --> 00:47:51,360
Speaker 2: She chucks the brownie out the door and gets serious

964
00:47:51,480 --> 00:47:55,160
Speaker 2: with DJ. I know you're out to get me. DJ

965
00:47:55,280 --> 00:47:58,680
Speaker 2: plays dumb, so Stephanie admits I listened in on your

966
00:47:58,719 --> 00:48:02,960
Speaker 2: phone call. DJ pretends to be shocked, asking Steph what

967
00:48:03,040 --> 00:48:07,720
Speaker 2: she heard. Stephanie responds, your evil plot, but it's gonna

968
00:48:07,719 --> 00:48:11,320
Speaker 2: take more than a brownie to do me in. DJ smirks,

969
00:48:11,719 --> 00:48:14,960
Speaker 2: I already did you in and Steph pauses for a

970
00:48:15,000 --> 00:48:19,239
Speaker 2: moment before asking huh. DJ reveals her ploy to drive

971
00:48:19,280 --> 00:48:23,120
Speaker 2: Stephanie crazy, and Steph admits, well, it just so happens.

972
00:48:23,680 --> 00:48:24,200
Speaker 1: It worked.

973
00:48:25,160 --> 00:48:27,560
Speaker 2: DJ asks if she learned her lesson, and she nods,

974
00:48:28,120 --> 00:48:30,960
Speaker 2: your personal life is your own business and I'll never

975
00:48:31,080 --> 00:48:35,200
Speaker 2: listen in on your phone calls again. DJ happily walks away,

976
00:48:35,480 --> 00:48:38,319
Speaker 2: and Steph mutters under her breath, I'll just read about

977
00:48:38,320 --> 00:48:41,640
Speaker 2: it in your diary and DJ asks what and stuff

978
00:48:41,680 --> 00:48:45,959
Speaker 2: pretends and she said nothing, nothing I got.

979
00:48:45,960 --> 00:48:48,520
Speaker 1: I love how they get the just through something.

980
00:48:49,320 --> 00:48:51,840
Speaker 3: To have the older sibling be like, oh, I'm not

981
00:48:51,960 --> 00:48:54,200
Speaker 3: actually gonna do anything. I'm just gonna make you think

982
00:48:54,200 --> 00:48:55,040
Speaker 3: I'm gonna do something.

983
00:48:55,040 --> 00:48:57,719
Speaker 1: It's brilliant. What a what a relief though.

984
00:48:57,600 --> 00:49:03,680
Speaker 3: Instead of actually being like no, no, no, I'm gonna yeah, yeah, yeah.

985
00:49:03,760 --> 00:49:04,600
Speaker 1: Just the thread of it.

986
00:49:04,760 --> 00:49:07,000
Speaker 3: Like making a brownie and it's just made with like

987
00:49:07,280 --> 00:49:09,040
Speaker 3: all salt or something you know what I mean, like

988
00:49:09,080 --> 00:49:10,840
Speaker 3: that would be that.

989
00:49:10,719 --> 00:49:13,879
Speaker 2: Would be the thing that would I feel like, Yeah,

990
00:49:14,280 --> 00:49:19,919
Speaker 2: just subtle torture, subtle love it. Next, in the living room,

991
00:49:20,120 --> 00:49:24,360
Speaker 2: Teddy and Aaron walk in carrying big toy guns. Danny

992
00:49:24,400 --> 00:49:26,879
Speaker 2: calls out to Michelle, telling her that her friends are here,

993
00:49:27,200 --> 00:49:29,799
Speaker 2: and Aaron asks Teddy why are we here?

994
00:49:30,560 --> 00:49:33,960
Speaker 1: Teddy explain, did you guys drive here? Where are the parents?

995
00:49:36,239 --> 00:49:41,240
Speaker 2: There's parents saying thanks, there's no there's nothing.

996
00:49:41,600 --> 00:49:44,319
Speaker 3: Like out of the car go and one kid's like, wait,

997
00:49:44,440 --> 00:49:44,880
Speaker 3: why were we?

998
00:49:45,320 --> 00:49:45,520
Speaker 4: Yeah?

999
00:49:45,680 --> 00:49:47,520
Speaker 1: I don't even know where you're going. Well, I mean

1000
00:49:47,560 --> 00:49:49,080
Speaker 1: he probably is, like I just got in the cab

1001
00:49:49,120 --> 00:49:50,959
Speaker 1: when Teddy rolled up and was like get in. We're

1002
00:49:51,000 --> 00:49:54,040
Speaker 1: you know, getting stupid. We're going somewhere, and like.

1003
00:49:54,000 --> 00:49:56,719
Speaker 2: That's the self reliance of these kinder.

1004
00:49:57,280 --> 00:49:58,560
Speaker 1: We're going to Michelle's house.

1005
00:49:58,719 --> 00:50:01,400
Speaker 2: Yeah, riding the hor This is right up the front stoop.

1006
00:50:01,560 --> 00:50:04,040
Speaker 1: That's all right. Yeah, they barked him outside.

1007
00:50:05,520 --> 00:50:09,400
Speaker 2: So Teddy explains Michelle said she had a big surprise

1008
00:50:09,480 --> 00:50:12,680
Speaker 2: for us, and Aaron responds in a sassy tone, it

1009
00:50:12,880 --> 00:50:17,320
Speaker 2: better be good. Then we see Michelle walking down the stairs.

1010
00:50:17,560 --> 00:50:21,279
Speaker 2: She's wearing a biker outfit and a backwards baseball hat

1011
00:50:21,360 --> 00:50:24,120
Speaker 2: with her hair tucked into it. She even has a

1012
00:50:24,200 --> 00:50:28,440
Speaker 2: neon toy gun strapped to her. She thumps over to

1013
00:50:28,440 --> 00:50:31,240
Speaker 2: the boys and greets them in a deep voice, Hey teddy,

1014
00:50:31,640 --> 00:50:34,640
Speaker 2: yo erin, and then she lets out a deep fake laugh,

1015
00:50:34,760 --> 00:50:35,560
Speaker 2: mimicking Jesse.

1016
00:50:35,880 --> 00:50:41,560
Speaker 1: Ah sounded like she was being strangled some names, alarming.

1017
00:50:42,440 --> 00:50:43,440
Speaker 1: Tanny is amused.

1018
00:50:43,600 --> 00:50:46,120
Speaker 3: Also, can I say, though, I'm so glad that finally

1019
00:50:46,400 --> 00:50:51,080
Speaker 3: the leather jacket that Jesse bought her is coming in

1020
00:50:51,160 --> 00:50:52,319
Speaker 3: handy yea for once.

1021
00:50:52,680 --> 00:50:56,200
Speaker 2: That's you know, it's the reciting Yes, but it's a

1022
00:50:56,239 --> 00:50:56,640
Speaker 2: cute bit.

1023
00:50:56,719 --> 00:50:58,359
Speaker 1: You know, it's been a few years. No, it's very cute.

1024
00:50:58,400 --> 00:50:59,120
Speaker 1: It's very cute.

1025
00:50:59,120 --> 00:51:02,080
Speaker 3: But I'm I'm like, thank god you got the leather jacket.

1026
00:51:02,200 --> 00:51:05,319
Speaker 2: See, yeah, that was good. The wardrobe they got to

1027
00:51:05,480 --> 00:51:10,560
Speaker 2: reuse that and save somebody that week, so excellent. Danny

1028
00:51:10,760 --> 00:51:13,680
Speaker 2: is amused, and he asks his daughter, what are you doing?

1029
00:51:14,320 --> 00:51:17,480
Speaker 2: She responds, I'm a boy now, and she lifts up

1030
00:51:17,480 --> 00:51:21,520
Speaker 2: her pants, mimicking Uncle Jesse once again. She tells the

1031
00:51:21,600 --> 00:51:25,680
Speaker 2: boys they should play guns, and they happily agree. Danny

1032
00:51:25,680 --> 00:51:29,160
Speaker 2: watches with concern as Michelle tells her friends last one

1033
00:51:29,239 --> 00:51:33,040
Speaker 2: up the stairs is a girl and the kids run away.

1034
00:51:34,360 --> 00:51:38,440
Speaker 1: Oh the internalized misogyny, Well there's that.

1035
00:51:38,760 --> 00:51:42,080
Speaker 2: Yeah, there's there's playing with guns, like, there's a lot of.

1036
00:51:44,120 --> 00:51:45,120
Speaker 1: Right, well, there's just.

1037
00:51:45,120 --> 00:51:47,359
Speaker 3: A lot of things that now you're like the world

1038
00:51:47,480 --> 00:51:49,320
Speaker 3: is yeah.

1039
00:51:49,160 --> 00:51:52,359
Speaker 2: Yeah, yeah, this hits differently in twenty twenty five.

1040
00:51:52,800 --> 00:51:54,360
Speaker 1: Twenty yeah, yeah, it certainly does.

1041
00:51:56,120 --> 00:51:59,600
Speaker 2: So Becky almost gets taken down by the kids running

1042
00:51:59,640 --> 00:52:02,600
Speaker 2: up the stage, and she laughs and asks Danny what's

1043
00:52:02,680 --> 00:52:07,120
Speaker 2: going on. He tells her Michelle said, Michelle just said

1044
00:52:07,239 --> 00:52:09,919
Speaker 2: she's a boy, and Becky shrugs it off.

1045
00:52:10,080 --> 00:52:10,760
Speaker 1: Don't worry.

1046
00:52:10,920 --> 00:52:13,279
Speaker 2: When I was Michelle's age, I was a real tom boy.

1047
00:52:13,600 --> 00:52:16,200
Speaker 2: Didn't you ever go through a phase like that? Danny

1048
00:52:16,239 --> 00:52:20,160
Speaker 2: smiles as he recalls one Halloween, I actually wanted to

1049
00:52:20,160 --> 00:52:21,320
Speaker 2: be Julie Andrews.

1050
00:52:22,440 --> 00:52:23,920
Speaker 1: Becky doesn't.

1051
00:52:23,960 --> 00:52:26,440
Speaker 2: Beggy stares at him in shock, and he certainly says

1052
00:52:26,640 --> 00:52:30,520
Speaker 2: that doesn't leave this room. I love Julie Andrews. She

1053
00:52:30,680 --> 00:52:33,720
Speaker 2: was great, Julia. I've always wanted to be Mary Poppins

1054
00:52:33,760 --> 00:52:34,360
Speaker 2: for Halloween.

1055
00:52:34,520 --> 00:52:37,120
Speaker 1: So yeah, right, maybe he was Mary Poppins. There's so

1056
00:52:37,120 --> 00:52:39,080
Speaker 1: many different like outfits you could choose.

1057
00:52:39,080 --> 00:52:45,399
Speaker 3: It's so great sound of music oh yeah, good choice, Danny. Yeah,

1058
00:52:45,719 --> 00:52:48,880
Speaker 3: great choice, Danny. And also, you know, calm down, you

1059
00:52:48,920 --> 00:52:49,760
Speaker 3: live in San Francisco.

1060
00:52:49,880 --> 00:52:52,879
Speaker 1: That's okay. You're gonna this is you'll blend don't. Don't

1061
00:52:52,880 --> 00:52:56,319
Speaker 1: be concerned. You're okay, it's fine, everything's fine. You'll blend in,

1062
00:52:56,400 --> 00:52:56,880
Speaker 1: just fine.

1063
00:52:57,120 --> 00:52:57,279
Speaker 3: Yeah.

1064
00:52:57,360 --> 00:52:57,760
Speaker 1: Yeah.

1065
00:52:57,880 --> 00:53:00,640
Speaker 2: Next, in the girls room, the boys are playing with

1066
00:53:00,719 --> 00:53:02,959
Speaker 2: their toy guns, yelling bang bang bang.

1067
00:53:03,560 --> 00:53:04,640
Speaker 1: Teddy gets shot by.

1068
00:53:04,600 --> 00:53:08,480
Speaker 2: Erin and dramatically grabs his chest before face planting onto

1069
00:53:08,520 --> 00:53:11,799
Speaker 2: the bed. Michelle rushes to his aid and asks if

1070
00:53:11,840 --> 00:53:14,840
Speaker 2: he's all right. Aaron frowns and asks, what are you doing.

1071
00:53:15,400 --> 00:53:18,440
Speaker 2: Michelle explains, I'm being a nurse. This man has a

1072
00:53:18,480 --> 00:53:23,080
Speaker 2: serious awi. Aaron narrows his eyes. I thought you said

1073
00:53:23,120 --> 00:53:27,239
Speaker 2: you were a boy. Michelle counters, So a boy can

1074
00:53:27,280 --> 00:53:27,840
Speaker 2: be a nurse.

1075
00:53:30,239 --> 00:53:31,440
Speaker 1: Exactly, Michelle.

1076
00:53:31,560 --> 00:53:33,480
Speaker 2: Oh, Michelle. I don't know where she picks this up,

1077
00:53:33,480 --> 00:53:35,920
Speaker 2: where she learned this from, but I am proud of her.

1078
00:53:36,040 --> 00:53:38,720
Speaker 1: Yes, exactly, a boy could be a nurse. Yeah. Also,

1079
00:53:38,800 --> 00:53:40,759
Speaker 1: your friend got shot, man, you gotta go deal with it.

1080
00:53:40,880 --> 00:53:45,200
Speaker 1: You have a heart, you know, That's what he's like.

1081
00:53:45,239 --> 00:53:49,040
Speaker 1: Oh you're a boy, you can't care. No, dude, no,

1082
00:53:49,239 --> 00:53:54,400
Speaker 1: feelings remained. See how we got here? Just at right?

1083
00:53:54,560 --> 00:53:54,759
Speaker 4: Yeah?

1084
00:53:54,800 --> 00:53:56,480
Speaker 1: Yeah.

1085
00:53:56,520 --> 00:53:59,520
Speaker 2: So Aaron looks at Michelle in disgust and he tells

1086
00:53:59,560 --> 00:54:02,800
Speaker 2: Teddy let's get out of here. She's not a real boy.

1087
00:54:04,200 --> 00:54:07,200
Speaker 2: Teddy quickly gets up and nods, I guess you're right,

1088
00:54:07,880 --> 00:54:12,319
Speaker 2: and he turns to Michelle and tells her nice try Eddy.

1089
00:54:12,640 --> 00:54:17,080
Speaker 2: You know Teddy's just being brainwashed by Aaron. This is

1090
00:54:16,840 --> 00:54:18,560
Speaker 2: this is how it goes.

1091
00:54:18,640 --> 00:54:19,920
Speaker 1: This is this is what happens.

1092
00:54:20,480 --> 00:54:23,279
Speaker 2: Then Danny walks into the room and asks how everybody's doing.

1093
00:54:23,880 --> 00:54:27,440
Speaker 2: The boys circle him and shoot him relentlessly with their guns,

1094
00:54:27,520 --> 00:54:32,360
Speaker 2: yelling get the giant. Danny smugly responds, lucky for me,

1095
00:54:32,600 --> 00:54:36,280
Speaker 2: I just sprayed myself with my anti ray gun repellent.

1096
00:54:37,320 --> 00:54:40,200
Speaker 2: Aaron looks at Teddy and admits you were right. He

1097
00:54:40,360 --> 00:54:42,160
Speaker 2: is strange and they walk.

1098
00:54:42,000 --> 00:54:46,800
Speaker 1: Out again to their to their car.

1099
00:54:47,640 --> 00:54:51,040
Speaker 3: And he's like, yeah, I want to get some beers

1100
00:54:51,040 --> 00:54:54,840
Speaker 3: on the way home. Yeah, let's get a beer, bro Yeah.

1101
00:54:54,920 --> 00:54:58,200
Speaker 2: Danny turns to Michelle and apologizes for breaking up their game,

1102
00:54:58,440 --> 00:55:02,800
Speaker 2: but Michelle just says, I'm a crummy boy. Danny responds,

1103
00:55:03,200 --> 00:55:05,880
Speaker 2: that's because you're a girl. Why are you trying to

1104
00:55:05,920 --> 00:55:09,800
Speaker 2: be a boy, Michelle admits, because Teddy doesn't want to

1105
00:55:09,840 --> 00:55:14,400
Speaker 2: play with girls anymore. Realization hits and Danny takes a

1106
00:55:14,440 --> 00:55:17,520
Speaker 2: seat next to her. He explains, I know you feel

1107
00:55:17,520 --> 00:55:20,280
Speaker 2: bad about this, but you've got to understand that Teddy

1108
00:55:20,360 --> 00:55:23,920
Speaker 2: is just going through a stage right now, Michelle, I

1109
00:55:23,960 --> 00:55:24,640
Speaker 2: didn't love this.

1110
00:55:25,239 --> 00:55:26,839
Speaker 1: Oh really that.

1111
00:55:26,840 --> 00:55:29,480
Speaker 3: He's going through a stage. It kind of feels like

1112
00:55:30,719 --> 00:55:36,919
Speaker 3: letting his exclusionary behavior kind of off the hook and

1113
00:55:37,040 --> 00:55:40,600
Speaker 3: telling Michelle, like, you need to understand that, like boys

1114
00:55:40,600 --> 00:55:43,160
Speaker 3: are just not gonna like it sometimes that's.

1115
00:55:42,840 --> 00:55:43,440
Speaker 1: His boys are.

1116
00:55:43,520 --> 00:55:43,719
Speaker 2: Yeah.

1117
00:55:43,960 --> 00:55:46,200
Speaker 1: It feels a little bit like that instead of being like,

1118
00:55:46,600 --> 00:55:49,680
Speaker 1: there is you know what that's not true? Yeah that

1119
00:55:49,920 --> 00:55:51,720
Speaker 1: is you or you know what I mean. I feel

1120
00:55:51,719 --> 00:55:54,360
Speaker 1: like it's he does sort of do that, but like

1121
00:55:55,160 --> 00:55:56,160
Speaker 1: you know, I don't like the stage.

1122
00:55:56,200 --> 00:55:57,960
Speaker 3: Oh, don't worry about it. The boys are gonna want

1123
00:55:57,960 --> 00:55:59,319
Speaker 3: to play with you all the time of it. Like

1124
00:55:59,360 --> 00:56:02,360
Speaker 3: it know, right, I just feel like it's sort of

1125
00:56:02,800 --> 00:56:04,239
Speaker 3: it's like that boys.

1126
00:56:03,960 --> 00:56:04,520
Speaker 1: Will be boys.

1127
00:56:04,520 --> 00:56:06,239
Speaker 3: Oh, it's just the thing they go through. They don't

1128
00:56:06,280 --> 00:56:07,400
Speaker 3: have to like you right now, and you're like, we

1129
00:56:07,800 --> 00:56:11,880
Speaker 3: just discard discarding Actually kind of they were kind of

1130
00:56:12,120 --> 00:56:13,719
Speaker 3: mean and rude and like, that's.

1131
00:56:13,480 --> 00:56:16,080
Speaker 1: Not okay, it's not okay. No, you definitely have a point.

1132
00:56:16,239 --> 00:56:19,640
Speaker 2: I think for Aaron, absolutely, this is not a stage

1133
00:56:19,719 --> 00:56:23,759
Speaker 2: for Aaron, Like, this is deep, this is arisogynya, this

1134
00:56:23,880 --> 00:56:24,520
Speaker 2: is Aaron.

1135
00:56:24,280 --> 00:56:25,120
Speaker 1: For the rest of his life.

1136
00:56:25,120 --> 00:56:28,200
Speaker 2: Teddy, I could argue it's a stage for Teddy because

1137
00:56:28,200 --> 00:56:29,240
Speaker 2: he's just he's trying.

1138
00:56:29,000 --> 00:56:31,279
Speaker 1: To hear, he's trying to people. Please. This might not

1139
00:56:31,280 --> 00:56:34,239
Speaker 1: be a stage. This might become please. He might not

1140
00:56:34,280 --> 00:56:34,800
Speaker 1: be a stage.

1141
00:56:35,640 --> 00:56:37,960
Speaker 3: It was more so that I just felt like Danny

1142
00:56:38,160 --> 00:56:43,719
Speaker 3: was weirdly dismissive of Michelle feeling like left out. Yeah, yeah,

1143
00:56:43,880 --> 00:56:49,840
Speaker 3: just saying it was more being gendered rather than being excluded.

1144
00:56:49,920 --> 00:56:50,839
Speaker 1: Yeah, I can see that.

1145
00:56:51,120 --> 00:56:53,480
Speaker 2: I can absolutely see that it was not the best

1146
00:56:53,719 --> 00:56:57,560
Speaker 2: Danny talk, but you know, it makes for a funny

1147
00:56:57,640 --> 00:56:58,480
Speaker 2: joke later.

1148
00:56:58,680 --> 00:56:59,680
Speaker 1: So I mean it was.

1149
00:57:00,239 --> 00:57:00,479
Speaker 3: Yes.

1150
00:57:02,280 --> 00:57:05,120
Speaker 2: So Danny explains to Michelle a stage is when you

1151
00:57:05,160 --> 00:57:08,040
Speaker 2: go through something and then eventually you grow out of it,

1152
00:57:08,320 --> 00:57:11,160
Speaker 2: and he provides an example. You once went through a

1153
00:57:11,160 --> 00:57:15,160
Speaker 2: stage where you didn't like chocolate cake. Michelle gasps at

1154
00:57:15,160 --> 00:57:18,120
Speaker 2: the mere thought and says, no way. Danny continues, it

1155
00:57:18,160 --> 00:57:21,560
Speaker 2: only lasted ten minutes, but you get the idea. Right now,

1156
00:57:21,600 --> 00:57:23,880
Speaker 2: Teddy's going through his I don't want to play with

1157
00:57:24,040 --> 00:57:29,000
Speaker 2: girls stage. Michelle sighs, I don't like this stage, but

1158
00:57:29,080 --> 00:57:31,520
Speaker 2: Danny assures her, before you know it, all the boys

1159
00:57:31,560 --> 00:57:33,880
Speaker 2: are going to want to play with you all the time.

1160
00:57:35,040 --> 00:57:37,680
Speaker 2: He frowns and mentions, that's when I'll go through my

1161
00:57:37,920 --> 00:57:42,320
Speaker 2: keep away from my daughter stage. Michelle shrugs, I just

1162
00:57:42,360 --> 00:57:43,640
Speaker 2: want my best friend back.

1163
00:57:44,600 --> 00:57:46,160
Speaker 1: See, when it.

1164
00:57:45,840 --> 00:57:48,200
Speaker 2: Boils down to it, Michelle just wants her best friend,

1165
00:57:48,240 --> 00:57:51,200
Speaker 2: regardless he's a by or a girl, right, So, yeah,

1166
00:57:51,320 --> 00:57:52,960
Speaker 2: pick the gender out of it. She just wants her

1167
00:57:53,000 --> 00:57:53,800
Speaker 2: best friend, right.

1168
00:57:53,680 --> 00:57:55,880
Speaker 3: She just yeah, I feel like that should have That

1169
00:57:56,040 --> 00:57:57,480
Speaker 3: was more the prominent thing.

1170
00:57:57,360 --> 00:58:01,120
Speaker 2: That was like, yeah, you know, rather than oh, boys

1171
00:58:01,160 --> 00:58:01,720
Speaker 2: will be boys.

1172
00:58:01,760 --> 00:58:03,880
Speaker 1: They'll grow out of it, right right.

1173
00:58:04,360 --> 00:58:10,000
Speaker 2: Yeah, So Danny insists if he's really your best friend,

1174
00:58:10,160 --> 00:58:12,440
Speaker 2: he'll come back around real friends like you.

1175
00:58:12,760 --> 00:58:13,560
Speaker 1: For who you are?

1176
00:58:14,600 --> 00:58:17,280
Speaker 2: She asks who am I, and Danny grabs her and

1177
00:58:17,320 --> 00:58:20,720
Speaker 2: sets her on his lap, exclaiming, you are, Michelle Tanner,

1178
00:58:21,120 --> 00:58:25,240
Speaker 2: you are one terrific person. You're sweet, you're funny, you're friendly,

1179
00:58:25,560 --> 00:58:28,919
Speaker 2: you're kind. She looks at him and grins. Keep going,

1180
00:58:29,560 --> 00:58:33,000
Speaker 2: and Danny laughs, I could keep going on forever, and

1181
00:58:33,000 --> 00:58:35,400
Speaker 2: Michelle happily responds, you always do.

1182
00:58:37,640 --> 00:58:41,000
Speaker 3: She's not wrong, She's not wrong. That was That was

1183
00:58:41,320 --> 00:58:43,320
Speaker 3: that the any moment was very sweet. That was a

1184
00:58:43,320 --> 00:58:46,920
Speaker 3: sweet moment between Bob and I think it was Ashley.

1185
00:58:47,040 --> 00:58:49,440
Speaker 1: Yeah, yeah, Kate. I don't know which one it was,

1186
00:58:49,480 --> 00:58:50,360
Speaker 1: but I can't remember.

1187
00:58:50,360 --> 00:58:52,840
Speaker 3: I can tell him apart, but I don't remember which

1188
00:58:52,840 --> 00:58:53,960
Speaker 3: one was in that last scene, but it was.

1189
00:58:54,080 --> 00:58:54,720
Speaker 1: It was a sweet thing.

1190
00:58:54,720 --> 00:58:56,920
Speaker 2: It was a nice little pep talk after she felt

1191
00:58:56,920 --> 00:58:59,120
Speaker 2: so bad about herself for being a girl. It's nice

1192
00:58:59,160 --> 00:59:01,040
Speaker 2: that he kind of built up her self esteem a

1193
00:59:01,080 --> 00:59:02,680
Speaker 2: little bit like Danny Tanner does.

1194
00:59:03,120 --> 00:59:03,840
Speaker 1: Yeah.

1195
00:59:04,040 --> 00:59:07,000
Speaker 2: Next, at the ranger, Joe taping, Aaron is pushing Teddy

1196
00:59:07,040 --> 00:59:09,000
Speaker 2: around literally and telling him.

1197
00:59:08,880 --> 00:59:09,960
Speaker 1: To sit with the boys.

1198
00:59:10,520 --> 00:59:13,640
Speaker 2: Teddy rolls his eyes and responds, okay, don't have a cow.

1199
00:59:14,480 --> 00:59:16,400
Speaker 2: Then Michelle walks by the two of them with her

1200
00:59:16,560 --> 00:59:17,960
Speaker 2: head held high.

1201
00:59:18,040 --> 00:59:22,240
Speaker 1: Not paying them one ounce of attention. That's that's how

1202
00:59:22,280 --> 00:59:23,000
Speaker 1: I'll how you do it.

1203
00:59:23,160 --> 00:59:25,680
Speaker 2: Yes, that's how you do You don't care yep.

1204
00:59:25,720 --> 00:59:27,600
Speaker 1: Don't let again to you. Okay.

1205
00:59:27,760 --> 00:59:30,800
Speaker 2: Yeah, Teddy says hi to her, and she formally responds

1206
00:59:30,920 --> 00:59:34,400
Speaker 2: hello Theodore before walking toward a girl her age and

1207
00:59:34,440 --> 00:59:35,480
Speaker 2: introducing herself.

1208
00:59:35,840 --> 00:59:39,280
Speaker 1: Hi, my name's Michelle. The girl gives her a big.

1209
00:59:39,080 --> 00:59:43,480
Speaker 2: Smile and says, my name's Denise. Michelle asks her a

1210
00:59:43,600 --> 00:59:48,520
Speaker 2: very important question, do you like boys? Denise's face sours, Nah,

1211
00:59:48,720 --> 00:59:53,080
Speaker 2: boys are gross. Michelle agrees, and the girls turn to

1212
00:59:53,120 --> 00:59:55,480
Speaker 2: Teddy and Aaron and stick their tongues out at them.

1213
00:59:55,880 --> 00:59:59,440
Speaker 2: The boys respond by sticking their tongues out too. Joey

1214
00:59:59,440 --> 01:00:01,480
Speaker 2: has to break them up and reminds them to put

1215
01:00:01,520 --> 01:00:04,800
Speaker 2: on their happy faces. The stage manager cues them in

1216
01:00:05,000 --> 01:00:07,760
Speaker 2: and the Ranger Joe theme song begins to play. The

1217
01:00:07,840 --> 01:00:11,600
Speaker 2: kids sing along at the top of their lungs. Joey

1218
01:00:11,600 --> 01:00:14,760
Speaker 2: begins the show and reveals the exciting news he's introducing

1219
01:00:14,800 --> 01:00:19,520
Speaker 2: the kids to his news sidekick, Lumberjack Jess. Jesse appears

1220
01:00:19,520 --> 01:00:22,960
Speaker 2: from a fake tent wearing the goofiest lumberjack outfit you've

1221
01:00:22,960 --> 01:00:26,480
Speaker 2: ever seen. He has knee high combat boots, a matching

1222
01:00:26,560 --> 01:00:31,480
Speaker 2: fluffy plaid hat, and plaid flannel and suspenders. The kids

1223
01:00:31,520 --> 01:00:33,440
Speaker 2: let out a roar of laughter when they catch a

1224
01:00:33,440 --> 01:00:36,480
Speaker 2: glimpse of him. Jesse gives them a mocking laugh right

1225
01:00:36,520 --> 01:00:39,160
Speaker 2: back and tells Joey they're laughing because you made me

1226
01:00:39,240 --> 01:00:42,920
Speaker 2: wear this stupid hat. Joey assures him, they're not laughing

1227
01:00:42,960 --> 01:00:46,320
Speaker 2: at your hat, but Aaron shouts, yes we are, and

1228
01:00:46,400 --> 01:00:49,800
Speaker 2: the kids all burst into laughter. Aaron like Aaron takes

1229
01:00:49,800 --> 01:00:52,439
Speaker 2: no prisoner, Like there's nobody nobody's safe from Aaron.

1230
01:00:53,760 --> 01:00:56,480
Speaker 1: Yeah, dishes, he doesn't care.

1231
01:00:56,560 --> 01:00:58,959
Speaker 3: He doesn't say what he thinks, although I will say

1232
01:00:59,000 --> 01:01:02,400
Speaker 3: I remember going into my cousin's house who they lived

1233
01:01:02,440 --> 01:01:05,680
Speaker 3: in like kind of northern Iowa, and my cousin had

1234
01:01:05,720 --> 01:01:08,360
Speaker 3: one of those ridiculous hats with the flaps and the thing.

1235
01:01:08,520 --> 01:01:09,600
Speaker 1: And I was laughing at him.

1236
01:01:09,640 --> 01:01:12,080
Speaker 3: I was like, oh, that's hat, bro, And he's like, hey,

1237
01:01:12,280 --> 01:01:14,960
Speaker 3: when it's twenty below and you're outside, you want your

1238
01:01:14,960 --> 01:01:15,600
Speaker 3: ears covered.

1239
01:01:15,600 --> 01:01:17,280
Speaker 1: And I was like, hell you look when it's that

1240
01:01:17,640 --> 01:01:20,160
Speaker 1: it's true. I was like, I didn't think about that. Yeah,

1241
01:01:20,320 --> 01:01:22,080
Speaker 1: this is not so stupid, it's useful.

1242
01:01:22,600 --> 01:01:27,320
Speaker 2: But the right weather, it's definitely useful. So the kids

1243
01:01:27,320 --> 01:01:30,840
Speaker 2: burst into laughter. Joey asks his sidekick if something's wrong,

1244
01:01:30,880 --> 01:01:34,680
Speaker 2: and Jesse responds, yeah, I feel like a lumber jackass.

1245
01:01:35,440 --> 01:01:38,120
Speaker 2: He takes the giant hat off and admits I don't

1246
01:01:38,160 --> 01:01:42,680
Speaker 2: really fit into this enchanted forest thing, and Joey responds, Oh, sure,

1247
01:01:43,120 --> 01:01:46,640
Speaker 2: sure you do. You signed an enchanted contract, and Jesse

1248
01:01:46,760 --> 01:01:49,920
Speaker 2: nods that's right, and I do need that enchanted paycheck.

1249
01:01:50,720 --> 01:01:53,080
Speaker 2: So he turns his attention back to the kids and asks,

1250
01:01:53,200 --> 01:01:56,640
Speaker 2: you want to see the real Lumberjack Jess. He walks

1251
01:01:56,680 --> 01:01:59,920
Speaker 2: over to a lumberjack band waiting on stage and picks.

1252
01:01:59,720 --> 01:02:00,360
Speaker 1: Up his guitar.

1253
01:02:01,000 --> 01:02:03,040
Speaker 2: He tells the kids to get their rumps off those

1254
01:02:03,040 --> 01:02:07,280
Speaker 2: stumps because they are gonna rock this forest. Jesse and

1255
01:02:07,280 --> 01:02:09,440
Speaker 2: his band start to play a song about knocking on

1256
01:02:09,520 --> 01:02:12,920
Speaker 2: wood as the kids dance their hearts out on the stage.

1257
01:02:13,680 --> 01:02:15,080
Speaker 1: They were dancing.

1258
01:02:16,440 --> 01:02:20,280
Speaker 3: I love it, like kindergarten when you're like just dance

1259
01:02:20,360 --> 01:02:25,120
Speaker 3: for all your and they there's some rhythm, but but

1260
01:02:25,160 --> 01:02:30,520
Speaker 3: it's just rhythm and like, yeah, they're like slam dancing,

1261
01:02:30,680 --> 01:02:32,960
Speaker 3: you know what I mean. They're like they're just just

1262
01:02:33,160 --> 01:02:34,040
Speaker 3: ready for a mash pit.

1263
01:02:34,200 --> 01:02:36,120
Speaker 2: It's the best, you know that they're dancing with their

1264
01:02:36,160 --> 01:02:41,400
Speaker 2: whole bodies. They are feeling it. They're not insecure about

1265
01:02:41,400 --> 01:02:42,200
Speaker 2: people looking at them.

1266
01:02:42,240 --> 01:02:44,960
Speaker 3: There's like they don't care dance there. I'm here to

1267
01:02:45,080 --> 01:02:46,400
Speaker 3: dance and have a good time.

1268
01:02:46,480 --> 01:02:46,760
Speaker 2: It is.

1269
01:02:46,840 --> 01:02:49,800
Speaker 1: That's so cute. I did love that is it?

1270
01:02:50,040 --> 01:02:52,919
Speaker 3: I do wonder though, I always when they're doing these

1271
01:02:52,960 --> 01:02:55,360
Speaker 3: little asides about Joe Jesse not wanted to be a

1272
01:02:55,440 --> 01:02:57,600
Speaker 3: lumberjacket Joe, didn't they start the show?

1273
01:02:58,400 --> 01:03:01,680
Speaker 2: Yeah, yeah, the audience.

1274
01:03:02,560 --> 01:03:06,919
Speaker 3: The audience is like waiting for Jesse to figure out

1275
01:03:07,000 --> 01:03:08,600
Speaker 3: is that he needs his paycheck?

1276
01:03:08,640 --> 01:03:09,640
Speaker 1: And right it's not.

1277
01:03:09,960 --> 01:03:11,960
Speaker 2: It was too early for a commercial break, so yeah,

1278
01:03:11,960 --> 01:03:14,360
Speaker 2: the audience is city Okay.

1279
01:03:14,400 --> 01:03:16,120
Speaker 1: I just wanted to make sure because nobody.

1280
01:03:16,240 --> 01:03:19,080
Speaker 2: Yeah, I was like, are we just the world revolves

1281
01:03:19,080 --> 01:03:22,240
Speaker 2: around the Tanner just wants to hear this fight exactly.

1282
01:03:22,240 --> 01:03:23,400
Speaker 1: They're like, what's going on?

1283
01:03:23,560 --> 01:03:23,800
Speaker 3: Right?

1284
01:03:24,480 --> 01:03:28,480
Speaker 2: It's better than a soap opera. So we're later on,

1285
01:03:28,520 --> 01:03:31,920
Speaker 2: We're still at the Ranger Joe show and Joey finishes

1286
01:03:32,040 --> 01:03:34,800
Speaker 2: the show with a joke from mister Woodchuck before queueing

1287
01:03:34,880 --> 01:03:37,840
Speaker 2: Jesse to take him home. Jesse starts to sing the

1288
01:03:37,920 --> 01:03:41,560
Speaker 2: Ranger Joe theme song as the kids scream along Ranger Joe,

1289
01:03:41,840 --> 01:03:45,760
Speaker 2: Ranger Joe. Mister Woodchuck chimes in be back tomorrow with

1290
01:03:45,800 --> 01:03:48,240
Speaker 2: a brand new show, and Jesse and the kids finish

1291
01:03:48,320 --> 01:03:52,400
Speaker 2: out with a big Ranger Joe. The show wraps and

1292
01:03:52,560 --> 01:03:55,480
Speaker 2: the kids all get up to leave. Denise grabs Michelle's

1293
01:03:55,520 --> 01:03:58,040
Speaker 2: hand and they begin to walk out together, but Teddy

1294
01:03:58,080 --> 01:04:01,960
Speaker 2: stops them. Hey, where are you going? Michelle responds to

1295
01:04:02,040 --> 01:04:05,400
Speaker 2: play with my new best friend. Then she turns to

1296
01:04:05,480 --> 01:04:07,720
Speaker 2: her best friend and asks, what's your name?

1297
01:04:07,760 --> 01:04:10,520
Speaker 1: Again? I do loving kids? Do you that? They're like,

1298
01:04:10,560 --> 01:04:13,240
Speaker 1: this is my friend? What's your name? Y?

1299
01:04:13,680 --> 01:04:13,760
Speaker 2: Like?

1300
01:04:13,840 --> 01:04:14,200
Speaker 3: I get it?

1301
01:04:14,360 --> 01:04:19,480
Speaker 2: Funny, the girl responds Denise, and Michelle repeats to Teddy, Denise,

1302
01:04:19,840 --> 01:04:23,600
Speaker 2: and you can't play with us. Teddy sadly asks why not,

1303
01:04:24,040 --> 01:04:28,240
Speaker 2: and Michelle explains because you are going through a stage.

1304
01:04:29,280 --> 01:04:33,000
Speaker 2: Teddy is shocked, I am, and Michelle points out you

1305
01:04:33,080 --> 01:04:36,080
Speaker 2: just want to play with the boys, but Teddy insists, no,

1306
01:04:36,200 --> 01:04:40,200
Speaker 2: I don't. Aaron's too bossy. So Michelle asks for real, Teddy?

1307
01:04:40,400 --> 01:04:41,160
Speaker 1: For real? Yes?

1308
01:04:41,440 --> 01:04:44,120
Speaker 2: Like yes, Teddy, you need to catch on to this.

1309
01:04:44,600 --> 01:04:50,320
Speaker 3: Teddy, Yeah, yeah, those don't. It's not yeah unless it's

1310
01:04:50,360 --> 01:04:52,000
Speaker 3: you're not gonna want it. I feel like you two

1311
01:04:52,000 --> 01:04:54,000
Speaker 3: are going to wind up on very opposite sides of

1312
01:04:54,000 --> 01:04:54,480
Speaker 3: the spectrum.

1313
01:04:54,480 --> 01:04:56,640
Speaker 1: Teddy in aeron absolutely yes, y yes.

1314
01:04:57,680 --> 01:04:59,600
Speaker 2: So Michelle asks do you want to be my best

1315
01:04:59,640 --> 01:05:04,840
Speaker 2: friend again? And Teddy nods, I really do. Michelle exclaims, yay,

1316
01:05:05,200 --> 01:05:09,560
Speaker 2: the stage is over. Teddy runs over to the girls

1317
01:05:09,640 --> 01:05:12,720
Speaker 2: and grabs each of their hands. He suggests, let's go

1318
01:05:12,760 --> 01:05:15,080
Speaker 2: to my house, and they begin to walk out together,

1319
01:05:16,080 --> 01:05:18,160
Speaker 2: but then Aaron runs up to them and shouts, Teddy,

1320
01:05:18,640 --> 01:05:23,200
Speaker 2: are you a girl lover? And he responds yep, and he, Michelle,

1321
01:05:23,240 --> 01:05:25,880
Speaker 2: and Denise all wave at Aaron in unison as Teddy

1322
01:05:25,880 --> 01:05:31,800
Speaker 2: announces see ya, bye bye. But before they can leave,

1323
01:05:31,880 --> 01:05:36,400
Speaker 2: Aaron wonders, hey, can I come too? And Michelle responds, Okay,

1324
01:05:36,600 --> 01:05:43,280
Speaker 2: we're playing hide and seek. Aaron smiles, Thanks, Michelle, seeon, like.

1325
01:05:43,360 --> 01:05:45,840
Speaker 1: That wasn't hard, Aaron. Anybody can play.

1326
01:05:45,880 --> 01:05:47,640
Speaker 2: I'm proud of her. I'm proud of Michelle.

1327
01:05:47,800 --> 01:05:50,200
Speaker 3: I'm proud of Michelle because she was like, see, I'm

1328
01:05:50,200 --> 01:05:52,600
Speaker 3: not gonna I'm gonna show you what it feels like,

1329
01:05:52,680 --> 01:05:55,240
Speaker 3: and then I'm gonna then I'm gonna let you know that, yes,

1330
01:05:55,280 --> 01:05:55,800
Speaker 3: you can't play.

1331
01:05:55,920 --> 01:05:57,760
Speaker 2: She did the right thing. She took the high road

1332
01:05:57,920 --> 01:06:00,560
Speaker 2: and didn't exclude him. Yep, but he's got a taste

1333
01:06:00,600 --> 01:06:05,400
Speaker 2: of his own medicine that was exactly well handled. Michelle

1334
01:06:05,400 --> 01:06:08,480
Speaker 2: tells him you hide and will find you, and then

1335
01:06:08,480 --> 01:06:12,560
Speaker 2: she whispers into Teddy's ear. Maybe she grabs Aaron's hand

1336
01:06:12,560 --> 01:06:15,360
Speaker 2: and the four of them walk out together and that's

1337
01:06:15,440 --> 01:06:16,200
Speaker 2: the show.

1338
01:06:17,440 --> 01:06:22,600
Speaker 1: Yay episode. This is cute. It was cute.

1339
01:06:23,240 --> 01:06:27,360
Speaker 3: It was yeah, I I Michelle and her little biker

1340
01:06:27,400 --> 01:06:34,000
Speaker 3: outfit was hilarious. No one plays disgusted better than than Nko.

1341
01:06:34,080 --> 01:06:37,040
Speaker 3: As a child, Miko Hughes. He could have been discussed

1342
01:06:37,040 --> 01:06:37,720
Speaker 3: in inside Out.

1343
01:06:37,760 --> 01:06:38,240
Speaker 1: You know what I mean?

1344
01:06:38,400 --> 01:06:41,040
Speaker 2: It was that he is the embodiment perfect for that.

1345
01:06:41,400 --> 01:06:43,200
Speaker 1: Yeah, yeah, I know. The kid's had a heavy load

1346
01:06:43,240 --> 01:06:45,440
Speaker 1: this week. This was a lot Michelle and his friends

1347
01:06:45,680 --> 01:06:47,400
Speaker 1: to carry. Yeah, this was a lot for them.

1348
01:06:47,480 --> 01:06:47,680
Speaker 3: Yeah.

1349
01:06:48,280 --> 01:06:50,120
Speaker 1: They did great, they did. They did.

1350
01:06:50,160 --> 01:06:54,640
Speaker 2: The four of them work really well together. So yes, yeah, yeah,

1351
01:06:54,680 --> 01:06:56,960
Speaker 2: I'm excited to see this. I know that Michelle's friends

1352
01:06:56,960 --> 01:06:59,720
Speaker 2: appear more in the later season, so I'm very excited

1353
01:06:59,840 --> 01:07:00,920
Speaker 2: to see where they go.

1354
01:07:01,720 --> 01:07:03,960
Speaker 1: Yeah. This was and they're a cute little crew. I do.

1355
01:07:04,240 --> 01:07:07,880
Speaker 1: I do like them good posse. Yeah, yeah, no, this was.

1356
01:07:08,000 --> 01:07:10,760
Speaker 1: It was a cute one. Did you have any everywhere

1357
01:07:10,760 --> 01:07:11,040
Speaker 1: you look?

1358
01:07:11,840 --> 01:07:14,480
Speaker 2: I didn't write any down, so I'm gonna say no,

1359
01:07:15,160 --> 01:07:16,360
Speaker 2: did you have any?

1360
01:07:16,560 --> 01:07:18,479
Speaker 1: I did not either. I did not either.

1361
01:07:19,040 --> 01:07:22,560
Speaker 3: My My only thing that I did notice is Danny's

1362
01:07:22,640 --> 01:07:24,520
Speaker 3: quite bold choice of tie and shirt?

1363
01:07:24,640 --> 01:07:25,840
Speaker 1: Oh? What was it?

1364
01:07:25,920 --> 01:07:27,240
Speaker 2: I don't remember if you.

1365
01:07:27,240 --> 01:07:29,520
Speaker 3: Go back, so he had it was like either a

1366
01:07:29,560 --> 01:07:32,880
Speaker 3: striped or sort of a plaid or something shirt like

1367
01:07:33,120 --> 01:07:35,880
Speaker 3: different like two different colored, like wider stripes if I

1368
01:07:35,880 --> 01:07:39,560
Speaker 3: remember it. And then is his tie looked almost like

1369
01:07:39,600 --> 01:07:42,920
Speaker 3: a like a like a still life painting or something

1370
01:07:43,000 --> 01:07:44,840
Speaker 3: with like big floral things on it.

1371
01:07:44,880 --> 01:07:47,680
Speaker 2: Oh, yeah, that's of patterns and color.

1372
01:07:47,800 --> 01:07:50,320
Speaker 1: Yeah it was. It was. I looked at Danny. I

1373
01:07:50,360 --> 01:07:53,240
Speaker 1: was like, huh, it's a very bold tie.

1374
01:07:53,920 --> 01:07:56,560
Speaker 2: Roberta had influence on that decision.

1375
01:07:56,600 --> 01:07:59,880
Speaker 3: I was probably No, it would have been Brian bought

1376
01:08:00,120 --> 01:08:01,320
Speaker 3: no Bob squar wire.

1377
01:08:01,360 --> 01:08:04,680
Speaker 2: Oh that's right, yeah, yeah, it feels like a Bob

1378
01:08:04,760 --> 01:08:05,440
Speaker 2: Squire choice.

1379
01:08:05,520 --> 01:08:07,680
Speaker 1: Yeah, I think, yeah, yeah. He was always silish like that.

1380
01:08:07,920 --> 01:08:11,080
Speaker 3: Well yeah, anyway, that was my only note where not

1381
01:08:11,120 --> 01:08:12,640
Speaker 3: even in everywhere you look, but just the thing where

1382
01:08:12,640 --> 01:08:12,920
Speaker 3: I was.

1383
01:08:12,880 --> 01:08:16,479
Speaker 1: Like, huh, oh interesting. Danny's usually a little subdued, but

1384
01:08:16,560 --> 01:08:17,840
Speaker 1: this felt bold.

1385
01:08:17,560 --> 01:08:20,559
Speaker 2: And I like this was this was very risky for Danny, Like.

1386
01:08:20,520 --> 01:08:21,800
Speaker 1: This was a risk.

1387
01:08:22,000 --> 01:08:24,800
Speaker 3: Well, I don't know where this shirt and tie would

1388
01:08:24,840 --> 01:08:27,240
Speaker 3: be in the lineup of his you know, clothes, as

1389
01:08:27,280 --> 01:08:30,160
Speaker 3: we saw in the closet, every very very color code.

1390
01:08:30,080 --> 01:08:32,600
Speaker 2: Very color coded, very well organized. Yeah, where does it go?

1391
01:08:32,880 --> 01:08:36,360
Speaker 3: And all very uh bland you know what I mean,

1392
01:08:36,400 --> 01:08:39,960
Speaker 3: it's only like beige, beige, color neutral colors.

1393
01:08:40,120 --> 01:08:43,040
Speaker 1: Only he's stepping out, you know what. Maybe it's Vicky.

1394
01:08:43,320 --> 01:08:45,400
Speaker 1: Oh yeah, Vicky.

1395
01:08:45,560 --> 01:08:48,320
Speaker 2: Yeah, she's in Chicaga. She's in Chicago though, right?

1396
01:08:48,720 --> 01:08:50,840
Speaker 1: Oh? No, wait are they she comes back?

1397
01:08:51,200 --> 01:08:51,240
Speaker 3: No?

1398
01:08:51,360 --> 01:08:55,680
Speaker 1: I thought she stayed. Did she still didn't? Wasn't long

1399
01:08:55,760 --> 01:08:57,760
Speaker 1: to just review this, not did she stay or did

1400
01:08:57,800 --> 01:08:58,120
Speaker 1: she go?

1401
01:08:58,240 --> 01:08:58,479
Speaker 3: Now?

1402
01:08:58,880 --> 01:09:01,040
Speaker 1: No, did she an airport.

1403
01:09:00,680 --> 01:09:04,280
Speaker 2: Moment and then she's stayed stay, But we haven't seen

1404
01:09:04,320 --> 01:09:06,920
Speaker 2: her since the airport, so in my mind, she'll went

1405
01:09:06,960 --> 01:09:07,680
Speaker 2: to Chicago.

1406
01:09:08,520 --> 01:09:10,640
Speaker 1: I thought we'd seen her. Have we seen her since that?

1407
01:09:10,840 --> 01:09:11,080
Speaker 2: Wow?

1408
01:09:11,240 --> 01:09:12,280
Speaker 1: I don't know. We're at the end.

1409
01:09:12,280 --> 01:09:13,680
Speaker 2: We're at the end of the season. So we got

1410
01:09:13,720 --> 01:09:14,800
Speaker 2: two more episodes to.

1411
01:09:14,760 --> 01:09:17,760
Speaker 3: Go, two more episodes and then I'm not going to

1412
01:09:17,800 --> 01:09:18,559
Speaker 3: remember what we did.

1413
01:09:18,439 --> 01:09:20,200
Speaker 1: This moah, We'll forget this way.

1414
01:09:20,280 --> 01:09:22,080
Speaker 2: We'll be in Turkey Comas in two days.

1415
01:09:22,600 --> 01:09:26,720
Speaker 1: Oh my gosh. Yes, uh well, everybody, that's it.

1416
01:09:27,760 --> 01:09:30,719
Speaker 3: Thank you so much fan Ritos for tuning in again

1417
01:09:30,840 --> 01:09:32,480
Speaker 3: for our ridiculousness.

1418
01:09:32,680 --> 01:09:37,160
Speaker 1: Are fun and hopefully our laughter. So we love you

1419
01:09:37,200 --> 01:09:37,799
Speaker 1: fan rito's.

1420
01:09:37,800 --> 01:09:39,640
Speaker 3: If you want to find us on Instagram, you can

1421
01:09:39,720 --> 01:09:42,720
Speaker 3: check us out at how Rude Podcast. Send us emails

1422
01:09:42,800 --> 01:09:45,439
Speaker 3: at how Rude Tanurito's at gmail dot com. We do

1423
01:09:45,600 --> 01:09:48,879
Speaker 3: fan question episodes, so make sure and send in your questions.

1424
01:09:49,080 --> 01:09:51,519
Speaker 1: Whatever you guys got about full house, about us, about

1425
01:09:51,520 --> 01:09:52,080
Speaker 1: the podcast.

1426
01:09:52,200 --> 01:09:55,120
Speaker 2: Let us know you guys had some great questions last time, so.

1427
01:09:55,600 --> 01:09:59,840
Speaker 1: Really good like deep questions. Yeah, things that like we've

1428
01:09:59,880 --> 01:10:01,439
Speaker 1: no we've never been asked for.

1429
01:10:01,560 --> 01:10:01,760
Speaker 2: Yeah.

1430
01:10:01,840 --> 01:10:05,200
Speaker 1: Yeah, a good job. Seriously.

1431
01:10:05,680 --> 01:10:10,040
Speaker 3: Uh and uh yeah, how redmerch dot com. That is

1432
01:10:10,040 --> 01:10:13,120
Speaker 3: our merch store with t shirts and fun stuff. Yep,

1433
01:10:13,160 --> 01:10:16,080
Speaker 3: howd tan Rito's shirts. We've got a property of Stephanie

1434
01:10:16,080 --> 01:10:18,679
Speaker 3: Tanner's shirts with a big pink funny We've got turtles

1435
01:10:18,680 --> 01:10:20,840
Speaker 3: and bags on skateboards.

1436
01:10:21,880 --> 01:10:23,880
Speaker 1: Yeah, so go check that out.

1437
01:10:23,960 --> 01:10:28,439
Speaker 3: And and I believe that's it. Y'alllso, remember the world

1438
01:10:28,560 --> 01:10:34,080
Speaker 3: is small. The house is full of errands, just full

1439
01:10:34,120 --> 01:10:38,240
Speaker 3: of all, just full of little little errands running around

1440
01:10:38,800 --> 01:10:42,480
Speaker 3: in disgust, making faces at everyone.

1441
01:10:42,880 --> 01:10:45,479
Speaker 1: Just they're everywhere. This is a house full of those

1442
01:10:45,520 --> 01:10:46,040
Speaker 1: little works.

1443
01:10:46,120 --> 01:10:49,240
Speaker 2: It's kids like him that I'm like God blessed teachers

1444
01:10:49,280 --> 01:10:52,240
Speaker 2: like they really don't get paid enough because I'm dealing

1445
01:10:52,240 --> 01:10:53,240
Speaker 2: with kids like this.

1446
01:10:53,760 --> 01:10:58,960
Speaker 1: It's true, And now the house is full of horror.

1447
01:10:59,000 --> 01:11:00,000
Speaker 1: House is what that is?

1448
01:11:00,120 --> 01:11:00,320
Speaker 2: Right?

1449
01:11:00,400 --> 01:11:00,639
Speaker 3: Yeah?

1450
01:11:00,840 --> 01:11:05,760
Speaker 1: Aaron, take it outside, bro? All right? See that side?

1451
01:11:06,400 --> 01:11:08,760
Speaker 1: Did you squeeze yourself for that high note? Bye?