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Speaker 1: So I pull up.

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Speaker 2: I pull up at Dave's a girl's house, ring the doorbell,

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Speaker 2: and he answers it, I say, I have bad news.

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Speaker 2: Sonic highways. They Sonic, the real Sonic Sega won't let

5
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Speaker 2: you use him. It can't be about him anymore. But

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Speaker 2: you should have it be in about music now, hmm okay,

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Speaker 2: And it.

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Speaker 3: Actually I had I had taken a late night phone

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Speaker 3: call from him where he was like, do you think

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Speaker 3: I could do the Sonic boom thing that Gile used

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Speaker 3: to do?

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Speaker 2: Yes?

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Speaker 3: And I and I said, well, I'll talk to my

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Speaker 3: other video game friends, but I feel like you did

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Speaker 3: the one video game thing. It didn't work. Now you're

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Speaker 3: gonna go Sonic boom. Why don't you just use Hayes

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Speaker 3: idea and make it about you did?

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Speaker 4: What?

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Speaker 5: It's a music thing?

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Speaker 2: Yes, and now it is in about music, but the

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Speaker 2: original content of like, imagine how fast Sonic could go

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Speaker 2: down a highway racing a car.

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Speaker 3: Well, also imagine doing punch that's a Sonic boom on

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Speaker 3: a highway. Oh yes, to a highway. You punched the

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Speaker 3: concrete And how many cars would be excited about something

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Speaker 3: like something like that?

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Speaker 2: So I don't know at some point do you say,

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Speaker 2: you just don't do it at all? But people like

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Speaker 2: the music that he did.

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Speaker 3: Yes, yes, he he was in Goo Fighters. Is that right?

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Speaker 2: Yes, he was in the Goo Fighters.

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Speaker 5: I confuse them with fu Fo dolls.

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Speaker 2: Hey, welcome to allwood have book and it's I just

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Speaker 2: got to kicking button dropping names in the red carpet

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Speaker 2: lineback hallways of this industry we call showbiz. It's nice

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Speaker 2: to laugh after being so mad and go ahead.

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Speaker 6: What up? What up?

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Speaker 3: That's just you know, we don't have to do it,

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Speaker 3: but I think when we don't do it, it can

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Speaker 3: create a little bit of a weird And it happened. Yes,

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Speaker 3: they're scared, and where did you go? It is, of

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Speaker 3: course the basis for our sticker.

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Speaker 2: So well, like I said, it was a week of

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Speaker 2: being mad, because there's a lot of stuff that's wrong

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Speaker 2: with this country, and it has to do with sometimes

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Speaker 2: politics and occasionally it's it's about taxes and things like that.

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Speaker 2: But this week, the main thing that was wrong with

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Speaker 2: America was you all saw this magazine cover and I

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Speaker 2: hesitate to even describe it in detail.

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Speaker 5: Well, I hesitate to even call it a magazine.

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Speaker 2: Yeah, I mean and specifically the magazine is paper magazine,

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Speaker 2: which is like, yeah, we know. And the image on

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Speaker 2: the cover is Kim Kardashian as if she needs any

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Speaker 2: more attention, and.

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Speaker 6: She the.

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Speaker 3: Pose that she's in and the wardrobe choice is something

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Speaker 3: it's desperate. Yes, that's exactly right. It's a desperate cry

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Speaker 3: for look at me. And I'm on a magazine and

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Speaker 3: it's made of paper and everyone has to know that,

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Speaker 3: and it's just so pathetic and the fact that people

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Speaker 3: actually apparently bought it and looked at it just makes

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Speaker 3: me very scared for my children and my children's children

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Speaker 3: and what this country is because we used to be

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Speaker 3: about something and if you were famous and you're on

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Speaker 3: a magazine, it used to mean you had talent.

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Speaker 2: Because the the question for me is what does she

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Speaker 2: even do?

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Speaker 3: She doesn't do anything, she doesn't do anything.

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Speaker 5: What does she do?

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Speaker 3: Literally, let's talk about what she actually does. She's on

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Speaker 3: a TV show and gets her picture taken. Okay, that

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Speaker 3: is today, that's a job. That's a job, all of

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Speaker 3: a sudden job and why because people want to look

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Speaker 3: at her like, okay, being a beautiful woman having your

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Speaker 3: picture taken, that's a job. We don't even have a

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Speaker 3: name for that. You know, give me a real celebrity,

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Speaker 3: Give me Kate Upton from the other Woman, an actress,

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Speaker 3: you know that is a celeb like because she's doing something.

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Speaker 5: Give me.

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Speaker 3: A songwriter, like like Paris Hilton, you know had those

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Speaker 3: stats single out?

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Speaker 5: Now that to me or Coco I tease wife.

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Speaker 2: And remember if you think back to the days of

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Speaker 2: Betty Page and Jane Mansfield and how they used to do.

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Speaker 2: I think they were professional USO performers. They used to

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Speaker 2: go and do and they would do dancing for the truth.

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Speaker 3: And they got there because of their talent. And I

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Speaker 3: miss where is our generations? Jah Jah Gobore. Now here's

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Speaker 3: a woman. She was a very famous woman for a

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Speaker 3: very long time because of her talent.

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Speaker 5: And it wasn't.

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Speaker 3: Because she wore jewelry and was glamorous and beautiful. But

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Speaker 3: she was famous because well mostly because she was married

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Speaker 3: so many times. But Kim hasn't been married but three times.

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Speaker 2: Well that was a tradition that Paris Hillton inherited. Actually

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Speaker 2: because you remember, just like Jajah, she went to go

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Speaker 2: live on a farm, And so when is Kim Kardashian

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Speaker 2: gonna go live on a farm.

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Speaker 3: She's never been out a farm at all at all.

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Speaker 3: And so so it just makes me wonder like are

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Speaker 3: we just picking and choosing, like, oh, this person's famous

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Speaker 3: because a lot of people want to look at them.

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Speaker 5: That's not fame when.

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Speaker 2: You think about role models. When you just think about

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Speaker 2: role models for a second, and who were choosing to

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Speaker 2: celebrate with their magazine covers, and you think about all

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Speaker 2: the scientists that are out there, Oh, please just go

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Speaker 2: ahead and just name one right now. Well, and see

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Speaker 2: that's the problem because I can name a bunch Carly

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Speaker 2: for example.

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Speaker 5: Yeah, and they're doing things.

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Speaker 2: You know what happened this week? Do you realize what

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Speaker 2: happened to the news this week? We just sent out

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Speaker 2: a spaceship and stop.

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Speaker 3: Put it on a com We put it on comet

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Speaker 3: and then made away, Yes, from potentially hitting the United States,

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Speaker 3: from hitting the United States, and from what I've heard,

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Speaker 3: maybe hitting a bus. And if you think about how

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Speaker 3: many people are on a bus at any given time,

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Speaker 3: minimum one to be driving it, and there's seats all

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Speaker 3: the way down them mm hmm, all of those could

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Speaker 3: be comet food right now.

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Speaker 6: So and by what do we do? It's done?

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Speaker 2: What we poose but do we put on the magazine

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Speaker 2: instead and we put Kim Kardashian's butt on there? When

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Speaker 2: what does she even do when a scientist put a

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Speaker 2: scientist butt on the magazine cover.

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Speaker 3: Can I just say, I've literally never seen Malala's butt.

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Speaker 1: I won the.

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Speaker 3: Nobel Peace Prize and I haven't seen her butt on

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Speaker 3: a magazine on the internet. I mean, what are we

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Speaker 3: doing as a nation looking at the butt of some

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Speaker 3: woman who you know is just some famous woman and

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Speaker 3: not a scientist or maybe somebody who's even a smart writer?

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Speaker 2: Yes, what about Joan Didion?

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Speaker 6: Thank you?

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Speaker 3: I have?

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Speaker 2: And people say like, well, Joan Didion's butt is like

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Speaker 2: not big enough to be on the magazine. Well, I

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Speaker 2: don't know, we don't know what it looks like because

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Speaker 2: no one will put it on the magazine.

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Speaker 3: Yes, and there's another picture in there later where you

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Speaker 3: can see her whole her nanano entertats, she got a

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Speaker 3: taters and her nanao out and you're looking at them

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Speaker 3: and I'm going, well, couldn't this be someone with real talent,

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Speaker 3: somebody like a Flannery O'Connor or something.

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Speaker 2: Oh so sad that Flannery O'Connor and Maya Angelou died

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Speaker 2: and you never saw there na, nay, no even once.

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Speaker 3: Yes, it's very frustrating, and so to me, I just

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Speaker 3: wonder as a nation, what direction we're headed and are

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Speaker 3: we gonna Actually, maybe we should have let the comet

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Speaker 3: crash into us, and.

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Speaker 5: Maybe that been an interesting wake up call and if.

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Speaker 3: Maybe if it ate some of those bus people the

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Speaker 3: comet munched them up, then maybe we'd go, oh, well,

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Speaker 3: we're not really looking at what's important. I mean, somebody

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Speaker 3: like Heidi Klume. Okay, now this is a celebrity. Her

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Speaker 3: she because I'll tell you what, she's a fashion judge.

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Speaker 3: She's a fashion judge. She says what's good about fashion.

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Speaker 3: She really knows how to get her picture taken, which

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Speaker 3: I don't even know if Kim was doing it right.

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Speaker 5: I mean I wasn't in the room.

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Speaker 3: But I got to assume had to tell her how

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Speaker 3: the camera works everything. And Heidi's on a reality show. Yeah,

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Speaker 3: chimists too, but this one's a competition. I don't see

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Speaker 3: anybody win anything on the Kardashians except an argument over

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Speaker 3: who's gonna, you know, uh, hang out with Bruce. Anyway,

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Speaker 3: it is good to have fun now, that we are

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Speaker 3: not so mad it is.

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Speaker 2: It is important to talk about though, and I'm glad

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Speaker 2: that we did decide to bring it up, and we

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Speaker 2: have a really.

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Speaker 5: Well no one's talking about it. Yes, yes, And and

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Speaker 5: if I could say.

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Speaker 2: One more thing except to say yummy, that's what everyone says.

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Speaker 2: These zombies just look at a big button, they say, yummy, gimme.

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Speaker 3: Well, becauld look like a peach and they're thinking they're

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Speaker 3: gonna take a big chomp and you can't.

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Speaker 2: It's so clearly photoshop paper and they are trying to

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Speaker 2: tell you on the cover of the magazine.

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Speaker 3: I know it's photosh because from the angle, actually her

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Speaker 3: taters would be sticking out in front of her shoulder

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Speaker 3: a little bit, and you don't see him. No. I

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Speaker 3: mean you see him later on the photo with her Nanana,

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Speaker 3: but but you don't see him in that shot. So

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Speaker 3: I go, well, I know they photoshopped it, So what

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Speaker 3: else did they change? Did they make it look more

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Speaker 3: like a beach. It's just disgusting to me. And so

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Speaker 3: you know, thank you to us for being brave enough

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Speaker 3: to bring it up and talk about it and to

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Speaker 3: be upset about it, because it's a good thing. To

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Speaker 3: be upset about. We still haven't found that plane we're

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Speaker 3: talking about, Kim.

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Speaker 7: Where is the plane?

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Speaker 2: Put the plane on the magazine.

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Speaker 3: Somebody put the missing plane parts on a magazine cover.

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Speaker 3: I mean that's news, or at least a photo of

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Speaker 3: the ocean where we.

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Speaker 5: Think it might be.

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Speaker 2: Take your fashion magazine and use it to find the plane.

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Speaker 2: Do something important for once instead of this woman, who

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Speaker 2: it's unclear to be.

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Speaker 6: What she even does.

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Speaker 3: I'm so glad they didn't let her get a star

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Speaker 3: and Walk of Fame. They blocked her from buying it.

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Speaker 3: And that was the happiest day of my life. And

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Speaker 3: I said, at least Hollywood still has some morals.

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Speaker 2: And if she Walk of Fame is for actresses like Patricia,

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Speaker 2: he didn't.

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Speaker 3: And I can say one more thing, and I will

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Speaker 3: if that magazine's true and they really did break the internet,

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Speaker 3: I'm gonna be so pissed because I'm really starting to

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Speaker 3: get the hang of that thing, and my little cousin

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Speaker 3: Sam was really showing me. I got pretty close to

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Speaker 3: getting to a website this week and.

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Speaker 2: Some of my financial information is in there, I'm told

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Speaker 2: and so if it's broken, then I'm gonna be in

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Speaker 2: big trouble. Somebody else's too.

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Speaker 3: And I know and it's a certain Yeah, it's a

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Speaker 3: certain woman who lives in Calabassis with her family.

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Speaker 5: And apparently that's news.

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Speaker 2: We have a great guest today. Paul Sheer is here

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Speaker 2: and you know him from We've talked up his show

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Speaker 2: a couple of times on this show. How did this

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Speaker 2: get made? On Earwolf? And he has the adult Swim

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Speaker 2: show with the SUV and he's on the League Show,

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Speaker 2: and he's been in the movies and he's gonna come

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Speaker 2: here and we're gonna work shop a script together, coming

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Speaker 2: right up on Hollywood Handbook.

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Speaker 3: So I turned to Jill Biden and.

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Speaker 5: I go, which one is this again?

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Speaker 3: And she goes, oh, that's the cave Age career And

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Speaker 3: I go, so, then what's that one?

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Speaker 5: And she realizes her error.

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Speaker 2: Yes, right, yes, well that's the thing because she does

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Speaker 2: that eyes closed and she just takes a big sniffy.

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Speaker 5: Yes, it's all a big whiff and into recredit.

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Speaker 3: She's very good ninety percent of the time, but when

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Speaker 3: she's wrong, she's wrong and someone needs to make.

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Speaker 2: Her admit it. What was it?

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Speaker 3: M Oh, oh, it was a sheep's cheese.

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Speaker 6: My it.

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Speaker 3: Yeah, it's not good, and it's not.

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Speaker 6: You know what.

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Speaker 3: I wrote it down in my journal, so I will

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Speaker 3: get back to you.

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Speaker 2: Hey, welcome back to Hollywood Handbook and Insider's Gut to

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Speaker 2: kicking button dropping names in the red carpet lineback hallways

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Speaker 2: of this industry. We call Showbiz great, guest great. The

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Speaker 2: real corker of a corker of a guest is Paul

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Speaker 2: sheer Uh.

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Speaker 3: And you would almost say we've been lying when we

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Speaker 3: said we had a corkor of a guest before, and

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Speaker 3: now that we know what one.

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Speaker 2: In retrospect, it has turned out to be a lie.

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Speaker 7: Well, the pressure is on. But you know, I feel like,

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Speaker 7: you know, I'm gonna probably bring my a game here.

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Speaker 7: I feel like I already feel it.

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Speaker 6: In the room. I feel like we were going to

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Speaker 6: have a big, big show.

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Speaker 2: Well, a lot of people we've been plugging your podcast

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Speaker 2: actually on the show for a long time.

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Speaker 6: Thank you, And that's actually really helped.

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Speaker 7: And that we've gotten, you know, we've got a lot

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Speaker 7: of we've definitely gotten some bumps. And I think you

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Speaker 7: know the good thing about our show is you guys

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Speaker 7: get the word of mouth out and that it gets

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Speaker 7: a tracking up.

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Speaker 6: And that's really important because.

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Speaker 7: It's all about the tracking ultimately, like how is how

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Speaker 7: is it being perceived? You don't have to see it,

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Speaker 7: but you have to know about it, and that's kind

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Speaker 7: of the whole I mean, you know that's the way

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Speaker 7: I work, you.

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Speaker 2: Know, yes, yes, the tracking, Yeah, exactly, you know tracking

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Speaker 2: tracking and now your podcast? Yeah, how we like the movie?

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Speaker 7: Well no, no, it's it's actually called how did This

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Speaker 7: Get made?

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Speaker 5: How do they do that?

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Speaker 6: How did discuss the movie? Yes, well not the movie?

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Speaker 5: They do that movie?

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Speaker 7: Well you know what that is kind of a it

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Speaker 7: sounds like that. Yeah, it's how this get made? There's

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Speaker 7: no movie in the title, you know. Uh, but you

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Speaker 7: know it says with myself and June, Diane Raphael and

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Speaker 7: Jason man Zukus and we have a celebrity guest.

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Speaker 5: Your wife, yes, my wife. Yeah, we love it.

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Speaker 3: We want to know because people are really listening to

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Speaker 3: this thing. Yeah, what what would you say you do

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Speaker 3: that that people like?

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Speaker 6: I don't.

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Speaker 7: That's a good question, like what why do people like it?

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Speaker 3: That's something that's replicable, Yes, without actually doing your show?

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Speaker 5: Is there's something another show.

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Speaker 2: Do again could do?

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Speaker 7: So maybe like this is this is the kind of

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Speaker 7: advice for like young podcasters out there.

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Speaker 2: Yes, yes, good, yeah, yeah, And maybe they have a

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Speaker 2: network that they're working within. It should be like a

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Speaker 2: good Foundations and they've been doing and maybe they've been

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Speaker 2: doing for over a year that totally started from scratch.

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Speaker 2: And the equipment they're using is probably the most expensive

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Speaker 2: you couldbye and they're plateauing.

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Speaker 6: Right, so they're not getting an.

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Speaker 5: Audience yes good, yes.

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Speaker 7: Well look, I mean I'll always say that, you know,

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Speaker 7: accessibility is something that's always important. And what we try

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Speaker 7: to do is we bring the audience in with us.

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Speaker 7: We all watch this movie together. So I mean, you know,

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Speaker 7: I wouldn't say that you have to watch a movie,

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Speaker 7: but you would you would want to kind of commune

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Speaker 7: with the if you want to be one with them,

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Speaker 7: you don't want to be above them.

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Speaker 2: How do you decide which ones to include in this?

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Speaker 2: What's the filtering? Well, you would include the mall, you

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Speaker 2: would include them all. I mean, you know, we're all

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Speaker 2: we're all equal. We're not you know, we're not uh,

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Speaker 2: we're not better than anyone else.

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Speaker 5: What if you are better better.

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Speaker 3: Than the audience in case they were well no, you know,

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Speaker 3: not I don't know if that's it.

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Speaker 6: I don't know. I don't know if you could.

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Speaker 3: Not just not like better bodies. I mean probably, but

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Speaker 3: just better like they have. Well then what they're talking

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Speaker 3: about they.

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Speaker 2: Know more things, more things and and being smarter and

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Speaker 2: funny and nice.

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Speaker 6: Well, I mean, I don't know.

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Speaker 7: They should maybe check themselves a little bit because I

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Speaker 7: feel like, you know, look, we're all in this together,

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Speaker 7: and we should uh you know, I think I think

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Speaker 7: every form of entertainment is about a shared experience, and

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Speaker 7: you know, we like entertainment that brings us in and

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Speaker 7: not I'm not uh not preaches to us, nor does

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Speaker 7: it present something that they can't wrap their heads around.

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Speaker 6: Like you know, life styles are The Rich and Famous.

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Speaker 7: Is a great example of people that were enormously wealthy

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Speaker 7: and lived a very high faluting lifestyle.

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Speaker 3: Yeah.

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Speaker 2: Yeah, But at.

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Speaker 6: The same time, the host of that show really brought

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Speaker 6: people in.

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Speaker 2: Can I tell you my theory, My people like your show.

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Speaker 2: We live in a very negative culture these days, sure,

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Speaker 2: because of the Internet, yeah, and haters, yes, instant gratification society.

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Speaker 2: And I think because you take these movies, some of

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Speaker 2: which we've been involved with some capacity and it's all good.

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Speaker 3: Nobody sets out to make a movie that you go,

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Speaker 3: how do they do this movie?

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Speaker 2: Yes, but I think that's why people like they They

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Speaker 2: like cut things down, people who have actually achieved something

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Speaker 2: taken down. I think that, I think, I think that's

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Speaker 2: what I think, that's what people enjoy.

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Speaker 6: Well, that's that's definitely an interesting viewpoint, and.

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Speaker 3: Get off the pedestal just because you know, somebody thinks

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Speaker 3: they're important because they wrote eproch on three and you know.

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Speaker 7: So okay, so basically that that is interesting. Like, you know,

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Speaker 7: we always try to say that our show isn't about

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Speaker 7: pushing forward negativity. It's kind of the discussion you might

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Speaker 7: have with a group of friends after you and enjoyed

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Speaker 7: it or saw a movie that you know, made you question,

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Speaker 7: how did that get made?

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Speaker 2: Yeah, and then you take something that someone who work

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Speaker 2: really hard on and of.

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Speaker 7: Course you say, I mean, look, that's something that we

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Speaker 7: wrestle with obviously, but you know, look, we are all uh,

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Speaker 7: you know, different than other people we were in this business.

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Speaker 7: We're writers and actors and producers, and we've been involved

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Speaker 7: in some embarrassing things and so we you know, we

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Speaker 7: feel like, hey, look we would have a smile on

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Speaker 7: our face. If someone did it about our thing, maybe we'll.

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Speaker 3: See and so do we and so do and in

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Speaker 3: some of the cases also there's a cut of some

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Speaker 3: of these movies that actually does really work that, you know.

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Speaker 2: Yes, and it's it's a collaborative process. And sometimes it

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Speaker 2: was the other guys like.

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Speaker 7: Well that's that's actually that's actually a very good point. Yeah,

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Speaker 7: Like you know, there's not one chef in the kitchen,

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Speaker 7: I mean, and that's what.

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Speaker 6: You're talking about.

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Speaker 7: Of course, John Favreau in his movie Chef, you know,

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Speaker 7: because he was the writer, director, actor, star and the

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Speaker 7: chef and the chef literally the titular chef. Yes, you know,

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Speaker 7: but but that's a very rare example where you get

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Speaker 7: somebody making a you know, an independent movie like that

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Speaker 7: and really in their voice out there.

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Speaker 2: And we know how that got me. It was a

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Speaker 2: great cast.

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Speaker 3: Yeah, oh yeah, from top to bottom, T to b

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Speaker 3: there were true A listers filling out the casts. And

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Speaker 3: when Johnny Legs says, yes, you're going to be looking

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Speaker 3: at a green light for your film.

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Speaker 7: Well, yeah, I mean I think you know, we all

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Speaker 7: want to achieve that, you know, like we all want

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Speaker 7: to work with our friends, and it just happens that,

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Speaker 7: you know, his friends are giant stars in the Marvel universe,

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Speaker 7: and you know, and so I think that that you know,

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Speaker 7: it brought them over, and you know it was a

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Speaker 7: very you know look, but hey, look, you know he's

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Speaker 7: the same kid from Chicago who made Swingers, and you know,

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Speaker 7: it just happens to be that.

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Speaker 3: You know, I heard some of that, some of that

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Speaker 3: scene with Robert Hoody June, you know, I think it

404
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Speaker 3: referred to I heard some of it was improvised. I

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Speaker 3: mean I really heard that that is how loose they're flowing, Yes, exactly. Yeah,

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Speaker 3: you know, it seems like there's a very loose vibe

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Speaker 3: there yet.

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Speaker 2: And I heard it said that they were going to

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Speaker 2: get to eat the food after, but they did not

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Speaker 2: end up getting to eat most of the food.

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Speaker 7: So that was like part of the deal. Like if

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Speaker 7: you came and shot this movie, you get some like delicious.

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Speaker 2: Well it's fancy food.

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Speaker 6: Yeah, it is fancy.

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Speaker 3: I mean it's but at parts it's not fancy food.

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Speaker 3: Delicious roots that tastes great, and that's what it's all about.

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Speaker 2: Yeah, Now, Paul, people have said, when you do your

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Speaker 2: movie takedowns. They say, well, why don't you give it

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Speaker 2: a try for once?

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Speaker 7: And I mean, why don't I give it a try?

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Speaker 2: Well, maybe you see how hard it is, Yeah, and

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Speaker 2: why don't you.

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Speaker 3: Go and well you write a script and then you'll

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Speaker 3: see how it is can be pretty hard.

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Speaker 7: Well, I mean, you know, we don't really get that

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Speaker 7: kind of feedback. But I mean, you know, I definitely have.

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Speaker 6: I have. You know, I've been I've done some things

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Speaker 6: you know that.

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Speaker 2: You know.

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Speaker 7: I did a thing called meow TV, which was television

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Speaker 7: for cats by cats, and that was paid for by

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Speaker 7: the and these are the wonderful people at Purina, and

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Speaker 7: they gave us a great uh slot on Lifetime and

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Speaker 7: it was a really it was a really fantastic experience.

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Speaker 6: But I mean, but it didn't turn out great and

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Speaker 6: the cats didn't like it.

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Speaker 7: Well, yeah, I think that you know, the show uh

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Speaker 7: As from what we were told, was to appeal to cats,

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Speaker 7: very similarly to that character and scrooged where they wanted

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Speaker 7: to appeal to little animals. This was this is actually

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Speaker 7: a real person after that movie came out trying to.

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Speaker 5: Feel very similar.

443
00:21:39,359 --> 00:21:41,680
Speaker 7: And it scared them. I don't know if it's scared them.

444
00:21:41,680 --> 00:21:43,280
Speaker 7: I don't know if they had a focus group.

445
00:21:43,040 --> 00:21:46,760
Speaker 2: Of cats, it seems like the first thing to if

446
00:21:46,800 --> 00:21:48,520
Speaker 2: they want to know whether or not it's really for it.

447
00:21:48,640 --> 00:21:50,560
Speaker 7: The cats are cag and they probably wouldn't show up

448
00:21:50,600 --> 00:21:52,359
Speaker 7: for such a thing, or if they did show up,

449
00:21:52,359 --> 00:21:54,719
Speaker 7: they probably wouldn't express their truest opinion.

450
00:21:54,840 --> 00:21:58,480
Speaker 3: Depends other race. Imry, It just it depends on the race,

451
00:21:58,480 --> 00:22:00,520
Speaker 3: because you said cats are cag and that's sort of

452
00:22:00,560 --> 00:22:03,280
Speaker 3: this blanket statement where it's like okay, well okay, like

453
00:22:03,520 --> 00:22:05,960
Speaker 3: what guys are this and it's just like okay, but

454
00:22:06,080 --> 00:22:09,200
Speaker 3: it's it's a little bit of environment involved too. Sure, Okay,

455
00:22:09,280 --> 00:22:12,040
Speaker 3: there's actually all right, yeah, there's not your end nature

456
00:22:12,080 --> 00:22:12,440
Speaker 3: and they're not.

457
00:22:12,480 --> 00:22:15,280
Speaker 7: Okay, well you don't have all right, you're clearly a

458
00:22:15,280 --> 00:22:16,680
Speaker 7: cat owners.

459
00:22:17,000 --> 00:22:18,680
Speaker 5: That's neither here nor there.

460
00:22:19,800 --> 00:22:21,320
Speaker 6: I'm not trying. I'm not trying to.

461
00:22:22,960 --> 00:22:26,280
Speaker 7: All right, I'm not I'm not trying to insult any

462
00:22:26,320 --> 00:22:27,560
Speaker 7: cat owners out there just saying that.

463
00:22:28,240 --> 00:22:29,200
Speaker 3: No, you're not some cat owners.

464
00:22:29,200 --> 00:22:31,520
Speaker 5: You're selling cats because you're saying they're all one thing.

465
00:22:31,680 --> 00:22:34,399
Speaker 7: All right, Well okay, yeah, all right, you got me.

466
00:22:34,440 --> 00:22:36,879
Speaker 2: I guess you got me on that now, Paul, you

467
00:22:37,200 --> 00:22:39,240
Speaker 2: we have something that we've done in the past that

468
00:22:39,280 --> 00:22:41,000
Speaker 2: we like to do for some of our guests, and

469
00:22:41,080 --> 00:22:43,760
Speaker 2: it's a little helping segment. And I don't know if

470
00:22:43,760 --> 00:22:46,359
Speaker 2: it has a name, but what it is to describe

471
00:22:46,359 --> 00:22:49,040
Speaker 2: it is you bring us one of your scripts that

472
00:22:49,080 --> 00:22:51,480
Speaker 2: you have that your wart workshopping around town.

473
00:22:51,680 --> 00:22:55,040
Speaker 7: I'm very actually excited about this because you know, you

474
00:22:55,080 --> 00:22:57,440
Speaker 7: did say why don't I put my you know, put

475
00:22:57,440 --> 00:23:02,120
Speaker 7: my money where my mouth is. And I've been fascinated

476
00:23:02,320 --> 00:23:07,520
Speaker 7: by the success of the horror genre. Oh yeah, you know,

477
00:23:07,640 --> 00:23:10,160
Speaker 7: and I feel like that's the easiest way in right

478
00:23:10,200 --> 00:23:14,560
Speaker 7: now is with a genre film and a horror.

479
00:23:14,680 --> 00:23:17,440
Speaker 6: Look. I'm a big fan of the Blumhouse people.

480
00:23:17,440 --> 00:23:18,000
Speaker 5: Blumhouse.

481
00:23:18,119 --> 00:23:20,720
Speaker 2: I was just gonna say Blumhouse, Blumhouse.

482
00:23:20,240 --> 00:23:20,920
Speaker 5: Yah, Blumphouse.

483
00:23:20,960 --> 00:23:23,320
Speaker 7: You know they make sometimes they make movies, you know,

484
00:23:23,520 --> 00:23:26,159
Speaker 7: for just hundreds of dollars. They'll make, you know, a

485
00:23:26,200 --> 00:23:28,800
Speaker 7: fifteen of them, and they only release one or even

486
00:23:28,840 --> 00:23:32,000
Speaker 7: sometimes I might have understood half of one sometimes in

487
00:23:32,040 --> 00:23:33,600
Speaker 7: the theater. They I feel like that is good and

488
00:23:33,640 --> 00:23:34,879
Speaker 7: they and that will be it.

489
00:23:35,040 --> 00:23:38,160
Speaker 3: So every movie they make is based on just items

490
00:23:38,160 --> 00:23:41,080
Speaker 3: in a storage closet and or there are story I'm sorry.

491
00:23:41,080 --> 00:23:43,840
Speaker 3: Storage container like those storage wars. Yeah, they buy, they

492
00:23:43,880 --> 00:23:45,720
Speaker 3: bid on a storage locker, and that's how much the

493
00:23:45,760 --> 00:23:46,200
Speaker 3: movie costs.

494
00:23:46,200 --> 00:23:47,320
Speaker 5: However much they pay for.

495
00:23:47,240 --> 00:23:51,480
Speaker 2: It, and it becomes biggest movie because they found the secret,

496
00:23:51,520 --> 00:23:53,440
Speaker 2: which is what you do. And the trailer. You don't

497
00:23:53,440 --> 00:23:58,400
Speaker 2: show the movie. You show people watching the movie and saying, ah.

498
00:23:57,560 --> 00:23:59,600
Speaker 7: I love that. I mean, this is a genre that

499
00:23:59,640 --> 00:24:01,840
Speaker 7: I want to get involved with because I think financially

500
00:24:01,920 --> 00:24:04,720
Speaker 7: it's a great place to kind of break into the business.

501
00:24:04,760 --> 00:24:07,439
Speaker 3: You know, yes, and you go where the money is

502
00:24:07,520 --> 00:24:09,560
Speaker 3: and we're not here to judge you. And if more

503
00:24:09,880 --> 00:24:14,640
Speaker 3: sick perverts want to see well fucking Frankinstein's bite each

504
00:24:14,640 --> 00:24:17,320
Speaker 3: other's heads off, then you know, I won't be there.

505
00:24:17,359 --> 00:24:19,560
Speaker 3: But people are paying money, and you go where the

506
00:24:19,560 --> 00:24:22,720
Speaker 3: money is in Paul got the audience, Well, the audience

507
00:24:23,080 --> 00:24:23,880
Speaker 3: and it's their fall.

508
00:24:24,119 --> 00:24:26,840
Speaker 7: I actually, well, I actually take the I do take

509
00:24:27,240 --> 00:24:31,160
Speaker 7: a different approach. I like to do what Alfred Hitchcock

510
00:24:31,240 --> 00:24:36,000
Speaker 7: is a great master of cinema Alfred Hetchcock does. He says,

511
00:24:36,080 --> 00:24:39,520
Speaker 7: you know, if you show the audience a gun in

512
00:24:39,560 --> 00:24:41,479
Speaker 7: the first act, well my gun's got to go off

513
00:24:41,520 --> 00:24:43,520
Speaker 7: in the third act, And so what I like to

514
00:24:43,560 --> 00:24:45,320
Speaker 7: do is have a scary scene at the top of

515
00:24:45,320 --> 00:24:49,560
Speaker 7: the movie, and then wait about eighty seven eighty eight minutes,

516
00:24:49,600 --> 00:24:52,879
Speaker 7: and then in the final two three five minutes, I

517
00:24:53,200 --> 00:24:55,440
Speaker 7: do a final scare, and I think you you come

518
00:24:55,480 --> 00:24:58,600
Speaker 7: in scared in the middle, it's what's happening, and at

519
00:24:58,600 --> 00:25:01,359
Speaker 7: the end you do any you leave but you but

520
00:25:01,359 --> 00:25:03,119
Speaker 7: when you walk out of the theater, you go, I

521
00:25:03,160 --> 00:25:03,919
Speaker 7: got pretty.

522
00:25:03,640 --> 00:25:07,000
Speaker 3: Scared everything in between. Yes, I always say that. The

523
00:25:07,040 --> 00:25:09,000
Speaker 3: whole trick that I'm trying to do with the middle

524
00:25:09,000 --> 00:25:11,680
Speaker 3: of my movies is make them forget about the beginning

525
00:25:12,160 --> 00:25:13,639
Speaker 3: so that when it comes back up at the end,

526
00:25:13,680 --> 00:25:16,280
Speaker 3: they can go, oh yeah.

527
00:25:15,600 --> 00:25:16,200
Speaker 6: It's uh.

528
00:25:16,320 --> 00:25:19,440
Speaker 7: I use it as I always call films like salt machines.

529
00:25:20,000 --> 00:25:23,239
Speaker 7: If you win early on, you'll stay there more and

530
00:25:23,280 --> 00:25:24,879
Speaker 7: more and more because you think you're gonna win. But

531
00:25:24,880 --> 00:25:27,199
Speaker 7: guess is winning. The casino's winning. So why do I

532
00:25:27,200 --> 00:25:29,040
Speaker 7: need to write five ten scares in the middle of

533
00:25:29,119 --> 00:25:32,520
Speaker 7: a movie when I could just wait, just do two. Yeah,

534
00:25:32,560 --> 00:25:33,240
Speaker 7: those two good ones?

535
00:25:33,240 --> 00:25:34,160
Speaker 2: Because they're expensive.

536
00:25:34,440 --> 00:25:36,600
Speaker 7: Oh my gosh, A good scare is very expensive. I mean,

537
00:25:36,680 --> 00:25:39,000
Speaker 7: you have to get the right you know, musical stings.

538
00:25:39,040 --> 00:25:41,080
Speaker 7: You have to get the right you know, camerangle on

539
00:25:41,119 --> 00:25:43,679
Speaker 7: the floor, the feet, whatever it is, its blood, the

540
00:25:43,880 --> 00:25:46,280
Speaker 7: scary hand coming out of the you know, the wicker

541
00:25:46,480 --> 00:25:46,840
Speaker 7: chair or.

542
00:25:46,840 --> 00:25:49,399
Speaker 2: Whatever it is. But we don't want to spoil it

543
00:25:49,440 --> 00:25:49,800
Speaker 2: too much.

544
00:25:49,800 --> 00:25:51,440
Speaker 5: Well did you print copies?

545
00:25:51,600 --> 00:25:53,800
Speaker 2: Yes? Well, we asked our listeners, which one of you.

546
00:25:53,800 --> 00:25:55,560
Speaker 2: We know you have a lot of scares. Wait, which

547
00:25:55,760 --> 00:25:56,480
Speaker 2: they would like to hear.

548
00:25:56,560 --> 00:25:58,480
Speaker 6: Oh wait, you you printed copies?

549
00:25:59,119 --> 00:26:00,600
Speaker 2: I print? I did good? Print?

550
00:26:01,000 --> 00:26:02,320
Speaker 6: Okay, great, thank you, because I do.

551
00:26:02,440 --> 00:26:04,720
Speaker 7: I do put on all my emails now that you know,

552
00:26:04,800 --> 00:26:06,640
Speaker 7: let's think twice before you print.

553
00:26:06,680 --> 00:26:06,919
Speaker 6: That's me.

554
00:26:06,960 --> 00:26:09,040
Speaker 7: I'm actually very involved in one of the things that

555
00:26:09,119 --> 00:26:11,879
Speaker 7: I'm trying to get the word out about, which is conservation.

556
00:26:12,000 --> 00:26:14,280
Speaker 7: And that's with water, that's with paper and everything. And

557
00:26:14,320 --> 00:26:16,720
Speaker 7: this is a plan you know plants. Well, this is

558
00:26:16,760 --> 00:26:18,960
Speaker 7: printed format it so it's on one page. It's paid

559
00:26:19,000 --> 00:26:19,520
Speaker 7: for you great.

560
00:26:19,840 --> 00:26:22,480
Speaker 2: The recommendation for a script to read that we got

561
00:26:23,240 --> 00:26:26,000
Speaker 2: was from show show bro our friend Charlie from the forums,

562
00:26:26,000 --> 00:26:29,080
Speaker 2: and he wants to see us read. So it looks

563
00:26:29,119 --> 00:26:33,159
Speaker 2: like I married in Van helsing. Oh yes, and on

564
00:26:33,240 --> 00:26:35,760
Speaker 2: a stage of ego remind us of the subtitle is

565
00:26:35,920 --> 00:26:37,119
Speaker 2: a Skelington's Kiss.

566
00:26:38,119 --> 00:26:40,800
Speaker 7: Well, this is nice because this is I'm glad we

567
00:26:40,840 --> 00:26:42,480
Speaker 7: picked this one because this is one of the ones

568
00:26:42,480 --> 00:26:46,320
Speaker 7: that is based on a true story, and it was

569
00:26:46,400 --> 00:26:50,480
Speaker 7: emerging of two true stories. Obviously, Van Helsing is a

570
00:26:50,800 --> 00:26:54,840
Speaker 7: great character in the American mythos and I say that

571
00:26:54,880 --> 00:26:57,320
Speaker 7: because I think we adopted him from Romania, where he

572
00:26:57,400 --> 00:27:01,000
Speaker 7: was originally from. This movie will be shot in Bulgaria, obviously,

573
00:27:01,359 --> 00:27:02,920
Speaker 7: just because of budgetary stuff.

574
00:27:02,720 --> 00:27:03,600
Speaker 5: That's obvious, you know.

575
00:27:04,359 --> 00:27:09,280
Speaker 7: And the Skelington's Kiss that is I put that there

576
00:27:09,320 --> 00:27:13,280
Speaker 7: for foreign markets because you can sometimes trick people as

577
00:27:13,359 --> 00:27:15,200
Speaker 7: a Roman a romantic film.

578
00:27:15,960 --> 00:27:18,240
Speaker 2: But it also our subtitles exactly.

579
00:27:19,080 --> 00:27:21,800
Speaker 3: Yes, we did want to talk about subtitles and how

580
00:27:21,840 --> 00:27:25,200
Speaker 3: how strong they can be. And for me, I'm listening

581
00:27:25,240 --> 00:27:28,800
Speaker 3: to this title and getting married is nice and honestly,

582
00:27:28,840 --> 00:27:31,520
Speaker 3: and Van Helsing would be a pretty safe person to

583
00:27:31,560 --> 00:27:35,200
Speaker 3: be married to because he's going out and hunting evil spirits.

584
00:27:35,320 --> 00:27:37,719
Speaker 3: They might not be coming for him. So I feel like, oh,

585
00:27:37,760 --> 00:27:39,960
Speaker 3: I'm going to get out of this title alive. And

586
00:27:40,000 --> 00:27:42,280
Speaker 3: then the Skelington has kissed me.

587
00:27:42,520 --> 00:27:45,080
Speaker 7: Well, yes, yes, yes, And I think what the idea

588
00:27:45,119 --> 00:27:49,119
Speaker 7: of that Skelington kiss is it's you know, is it

589
00:27:49,160 --> 00:27:50,400
Speaker 7: a good thing or it's a bad thing. I guess

590
00:27:50,440 --> 00:27:51,800
Speaker 7: we'll have to spend ninety They.

591
00:27:51,760 --> 00:27:53,680
Speaker 3: Have no lips, well they have no lips?

592
00:27:54,040 --> 00:28:00,480
Speaker 7: Well no, no, no, skeleton has no lips. Yes, Scaling

593
00:28:00,600 --> 00:28:03,840
Speaker 7: ten is a creature that you're gonna meet in this film,

594
00:28:04,000 --> 00:28:06,639
Speaker 7: and that is you'll see what he has and what

595
00:28:06,680 --> 00:28:07,280
Speaker 7: he doesn't have.

596
00:28:07,560 --> 00:28:10,960
Speaker 3: Oh okay, and then Paul, after we read this, do

597
00:28:11,080 --> 00:28:14,800
Speaker 3: I send you my lunesta bill because I think I'm

598
00:28:14,800 --> 00:28:18,840
Speaker 3: an afteruble sleeping with the spookiness of the even the

599
00:28:18,880 --> 00:28:19,719
Speaker 3: Skellington and all.

600
00:28:19,920 --> 00:28:21,800
Speaker 6: Well, I hope it won't be that high.

601
00:28:22,080 --> 00:28:24,359
Speaker 5: No, yes, well, yeah, I have some.

602
00:28:25,960 --> 00:28:27,800
Speaker 2: So should we just start from the top. Yes, there

603
00:28:27,800 --> 00:28:29,800
Speaker 2: are a lot of sound cues in this so.

604
00:28:29,400 --> 00:28:31,880
Speaker 6: So I'll be reading along with you. Then I'll do.

605
00:28:33,320 --> 00:28:35,119
Speaker 2: You guys can just kind of split up the characters.

606
00:28:35,640 --> 00:28:36,320
Speaker 2: Great as we go.

607
00:28:36,560 --> 00:28:37,880
Speaker 6: Great, and I could do voices.

608
00:28:38,280 --> 00:28:41,280
Speaker 5: Yeah, you know the voice, Yes, so that's perfect voices.

609
00:28:41,400 --> 00:28:43,480
Speaker 5: I have two voices, a loud one and a quiet one.

610
00:28:43,560 --> 00:28:46,800
Speaker 2: Okay, great, Okay, there's a sound cute.

611
00:28:47,480 --> 00:28:50,120
Speaker 7: Remind me of a really great story which we definitely

612
00:28:50,120 --> 00:28:51,800
Speaker 7: have to get into about Las Vegas.

613
00:28:52,000 --> 00:28:54,920
Speaker 6: Last Vegas, Last Vegas. Great great film.

614
00:28:55,400 --> 00:28:57,400
Speaker 7: Uh you know, which I also thought was a horror film,

615
00:28:57,400 --> 00:29:00,320
Speaker 7: but it wasn't. Yes, only because it was like I

616
00:29:00,360 --> 00:29:00,840
Speaker 7: felt like the.

617
00:29:01,520 --> 00:29:03,200
Speaker 5: Last you know, it's like Final Destination.

618
00:29:03,360 --> 00:29:04,240
Speaker 7: Yes, exactly.

619
00:29:05,800 --> 00:29:11,600
Speaker 2: Okay, So it says black screen and then title card,

620
00:29:12,800 --> 00:29:15,640
Speaker 2: so it looks like I'm married. In Van helsing mm hmm.

621
00:29:16,280 --> 00:29:23,280
Speaker 2: Exterior Bulgaria College, a college boy walks out of the bathroom.

622
00:29:23,880 --> 00:29:26,000
Speaker 2: His name is Ruben Carter and then it says not

623
00:29:26,120 --> 00:29:30,080
Speaker 2: that one in parentheses. He walks out of the bathroom

624
00:29:30,160 --> 00:29:34,000
Speaker 2: with his friend Pisin, and he's holding his hair and

625
00:29:34,040 --> 00:29:34,720
Speaker 2: he's groaning.

626
00:29:36,600 --> 00:29:42,160
Speaker 7: Oh, man, not a good pop quiz for this guy.

627
00:29:43,120 --> 00:29:45,480
Speaker 3: Oh piece in you got a chill? Man, You're wound

628
00:29:45,560 --> 00:29:49,480
Speaker 3: too tight? Brother, Why don't you go fucking jer golf

629
00:29:49,560 --> 00:29:51,400
Speaker 3: to ease the tension in your soul?

630
00:29:51,760 --> 00:29:55,080
Speaker 7: Honeymy well, I can tell you one thing I could

631
00:29:55,120 --> 00:30:00,200
Speaker 7: do or could I now forget it.

632
00:30:00,400 --> 00:30:03,000
Speaker 3: Don't hold out on me too long. Boyo ooh, it's

633
00:30:03,040 --> 00:30:05,760
Speaker 3: my lacrosse homies. What up, bros?

634
00:30:05,960 --> 00:30:07,280
Speaker 7: High five? High five, high five?

635
00:30:07,360 --> 00:30:08,360
Speaker 5: Woo five.

636
00:30:09,600 --> 00:30:12,560
Speaker 7: Hey maybe I'll catch up with you later. I just

637
00:30:12,600 --> 00:30:16,040
Speaker 7: have to go in the woods and do something.

638
00:30:16,400 --> 00:30:19,200
Speaker 3: Yeah, all right, look out for raccoons.

639
00:30:19,840 --> 00:30:20,920
Speaker 6: That's not all I'll look out for.

640
00:30:21,760 --> 00:30:25,920
Speaker 2: Peace In disappears into the woods, vanishing into the dark.

641
00:30:26,640 --> 00:30:32,160
Speaker 2: Creepy music plays as he arrives at a glowing stump.

642
00:30:32,960 --> 00:30:36,840
Speaker 7: Yeah this is actually this is definitely a good trailer scene.

643
00:30:38,320 --> 00:30:44,640
Speaker 8: Oh lord, you talk masted, feed me the knowledge, give

644
00:30:44,760 --> 00:30:46,080
Speaker 8: me what I need.

645
00:30:48,040 --> 00:30:52,640
Speaker 2: Ruben appears in the clearing. He forgot his schwag bong.

646
00:30:54,480 --> 00:30:58,600
Speaker 3: Oh piece, Ruben.

647
00:30:58,360 --> 00:31:02,560
Speaker 4: I choke you leave me be in the woods.

648
00:31:03,120 --> 00:31:09,160
Speaker 7: You're seeing too much lost job.

649
00:31:12,200 --> 00:31:17,360
Speaker 3: My insides feel like they're doing sudden crazy like going

650
00:31:17,600 --> 00:31:19,880
Speaker 3: outside of my skin.

651
00:31:21,400 --> 00:31:23,320
Speaker 2: Reubens insides fall on the ground.

652
00:31:23,760 --> 00:31:29,040
Speaker 4: This is not meant dude, Hold it right there, foul villain.

653
00:31:30,880 --> 00:31:31,960
Speaker 7: A guy pops out.

654
00:31:31,800 --> 00:31:34,520
Speaker 2: Of the ground with a big bow and arrow that's

655
00:31:34,560 --> 00:31:37,760
Speaker 2: made of silver. He pulls it back and he points

656
00:31:37,760 --> 00:31:39,160
Speaker 2: it right at Peason's brain.

657
00:31:40,120 --> 00:31:46,480
Speaker 4: It's I van Helsing, and you cannot murder college students

658
00:31:46,480 --> 00:31:54,760
Speaker 4: there in Bulgaria. He's van Helsing van helsing, you son

659
00:31:54,760 --> 00:31:56,760
Speaker 4: of a bitch, chilled.

660
00:31:56,520 --> 00:31:59,400
Speaker 7: Your father and now I'm gonna chill you.

661
00:32:00,040 --> 00:32:00,800
Speaker 6: Are you? Good bye?

662
00:32:01,880 --> 00:32:02,120
Speaker 2: Ah?

663
00:32:03,560 --> 00:32:04,480
Speaker 7: Another one down.

664
00:32:04,920 --> 00:32:08,120
Speaker 2: Peace And dives in the vampire way, where it turns

665
00:32:08,200 --> 00:32:10,800
Speaker 2: light from the inside and blows out and he explodes.

666
00:32:10,840 --> 00:32:13,680
Speaker 2: He turns to dust. Ruben sits there. His guts are

667
00:32:13,720 --> 00:32:15,120
Speaker 2: on the ground, but he is still alive.

668
00:32:15,840 --> 00:32:16,880
Speaker 3: Little help, dude.

669
00:32:17,240 --> 00:32:18,360
Speaker 7: I wish I could help you.

670
00:32:18,800 --> 00:32:20,800
Speaker 1: But when you look at me, sure, I'm good at

671
00:32:20,880 --> 00:32:24,200
Speaker 1: killing things, but keeping things alive and living, I'm not

672
00:32:24,240 --> 00:32:29,720
Speaker 1: so good at. Take for example, Kati, my relationships with women,

673
00:32:30,080 --> 00:32:30,880
Speaker 1: it's terrible.

674
00:32:31,080 --> 00:32:32,560
Speaker 5: Oh you haven't tuped out with ladies?

675
00:32:33,360 --> 00:32:33,760
Speaker 7: Awful?

676
00:32:34,120 --> 00:32:35,920
Speaker 9: I mean, I wish I could go back to college

677
00:32:35,920 --> 00:32:38,960
Speaker 9: and just, you know, create a new identity for myself

678
00:32:39,000 --> 00:32:42,160
Speaker 9: and you know, just see girls for who I am

679
00:32:42,200 --> 00:32:44,480
Speaker 9: and not what I do, which is killed the beasts

680
00:32:44,520 --> 00:32:48,480
Speaker 9: of the wild and awful supernatural Thingsben.

681
00:32:47,840 --> 00:32:49,000
Speaker 2: Brings out the dig.

682
00:32:49,200 --> 00:32:55,720
Speaker 3: But here take my student id, card Us Ruben.

683
00:32:56,640 --> 00:32:57,840
Speaker 6: What an interesting name.

684
00:32:57,920 --> 00:33:02,360
Speaker 9: Maybe I'll take these hockey sack balls and this backpack

685
00:33:02,440 --> 00:33:04,240
Speaker 9: and I'll give you my hat.

686
00:33:04,880 --> 00:33:05,920
Speaker 7: You can wear this hat.

687
00:33:06,840 --> 00:33:12,080
Speaker 2: Just be yourself. Okay, Yeah, So do we want to

688
00:33:12,120 --> 00:33:14,640
Speaker 2: talk about the just the beginning of that you'd set

689
00:33:14,720 --> 00:33:17,080
Speaker 2: up for a really interesting story.

690
00:33:17,040 --> 00:33:21,040
Speaker 7: Yeah, I like m m, well, clearly, I mean it's

691
00:33:21,080 --> 00:33:24,680
Speaker 7: it's kind of a it's a fun switch, yes, right, yeah,

692
00:33:24,760 --> 00:33:26,280
Speaker 7: it took a college movie. Obviously.

693
00:33:26,720 --> 00:33:31,760
Speaker 3: Yes, it's sort of Van Wilder meets I don't want

694
00:33:31,760 --> 00:33:33,000
Speaker 3: to say Van hell Sing.

695
00:33:33,640 --> 00:33:35,120
Speaker 6: That's actually I hope you would say.

696
00:33:35,000 --> 00:33:36,040
Speaker 5: Oh, okay, because it is.

697
00:33:36,200 --> 00:33:38,240
Speaker 7: Okay, Yeah, that's kind of what I wanted to do

698
00:33:38,440 --> 00:33:41,200
Speaker 7: with it is just kind of you know, so obviously,

699
00:33:41,600 --> 00:33:43,120
Speaker 7: you know, you think that these are our first two

700
00:33:43,200 --> 00:33:44,440
Speaker 7: main characters, but they die with.

701
00:33:44,480 --> 00:33:46,560
Speaker 2: In the Fair, both dead very fast.

702
00:33:46,800 --> 00:33:49,840
Speaker 7: Yeah, and so the main the main movie really starts

703
00:33:49,840 --> 00:33:52,200
Speaker 7: when Van Helsing, you know, it takes the Hackey sack Ball,

704
00:33:52,280 --> 00:33:54,720
Speaker 7: takes the Ruben's id, and then he's going to go

705
00:33:54,760 --> 00:33:57,080
Speaker 7: to college. Now it's kind of like the John Crier

706
00:33:57,120 --> 00:33:59,120
Speaker 7: movie Hiding Out. I don't know if you're familiar anyway,

707
00:33:59,400 --> 00:34:02,280
Speaker 7: the it's about him going there and getting a chance

708
00:34:02,360 --> 00:34:05,120
Speaker 7: to relive college because.

709
00:34:05,000 --> 00:34:08,560
Speaker 2: He and that is that somehow to his failure in relationships?

710
00:34:09,040 --> 00:34:09,279
Speaker 7: Yeah?

711
00:34:09,719 --> 00:34:12,080
Speaker 3: Heard that, and I know and I've read the script,

712
00:34:12,080 --> 00:34:14,839
Speaker 3: but I do want to ask, anyway, is Rubin then

713
00:34:14,960 --> 00:34:17,520
Speaker 3: going to now Bevan Helsing and he got the hat

714
00:34:17,560 --> 00:34:19,440
Speaker 3: even though he got inside him.

715
00:34:19,719 --> 00:34:21,480
Speaker 7: No, that's that's kind of just a go what we

716
00:34:21,520 --> 00:34:23,040
Speaker 7: call like a red herring.

717
00:34:23,440 --> 00:34:25,520
Speaker 3: Okay, so you think Ruben might appear.

718
00:34:25,719 --> 00:34:27,960
Speaker 7: Yeah, I think what we're going to actually do, and

719
00:34:28,000 --> 00:34:29,839
Speaker 7: this is I don't want to spoil it, but he'll

720
00:34:29,880 --> 00:34:32,080
Speaker 7: come across him later on and he'll get that hat back.

721
00:34:32,840 --> 00:34:34,440
Speaker 3: Okay, well that's intourse.

722
00:34:34,640 --> 00:34:36,520
Speaker 7: We all know Van Helsing keeps his you know, his

723
00:34:36,600 --> 00:34:37,560
Speaker 7: crystals in this hat.

724
00:34:37,640 --> 00:34:40,120
Speaker 3: And can I double check with you, through no fault

725
00:34:40,120 --> 00:34:43,000
Speaker 3: of my own, did the voices of the characters. Did

726
00:34:43,040 --> 00:34:48,120
Speaker 3: the characters get reversed from their descriptions? Rubin is was

727
00:34:48,280 --> 00:34:52,080
Speaker 3: peace in, the best friend, was the main guy, is

728
00:34:52,080 --> 00:34:55,359
Speaker 3: the big guy, but then but then became the main

729
00:34:55,400 --> 00:34:56,640
Speaker 3: guy and Rubin became the friend.

730
00:34:56,719 --> 00:34:59,560
Speaker 2: Well, Rubin is acting a little more like a best friend.

731
00:35:00,080 --> 00:35:03,560
Speaker 3: Yeah yeah, So is that then a sort of a

732
00:35:03,600 --> 00:35:04,799
Speaker 3: literary switcheroom.

733
00:35:05,360 --> 00:35:07,320
Speaker 7: I mean, it's all, it's all you can it's all.

734
00:35:07,360 --> 00:35:10,040
Speaker 7: You can wash it in the sink. That's I always say, like.

735
00:35:10,120 --> 00:35:11,880
Speaker 3: You can wash it all. You can wash it in

736
00:35:11,920 --> 00:35:14,319
Speaker 3: the sink. You can just kind of tell you how

737
00:35:14,360 --> 00:35:16,239
Speaker 3: many times I hear that, Yeah, just kind of get

738
00:35:16,239 --> 00:35:18,080
Speaker 3: it in the sink and we'll see what washes out

739
00:35:18,440 --> 00:35:20,160
Speaker 3: the you know. I think the idea is that we

740
00:35:20,239 --> 00:35:22,360
Speaker 3: are about I mean, I'm always about in my writing

741
00:35:22,440 --> 00:35:25,440
Speaker 3: subverting things the same way that you know, like a

742
00:35:25,480 --> 00:35:26,720
Speaker 3: Steven Soderberg.

743
00:35:26,360 --> 00:35:29,320
Speaker 7: Does stuff, you know, with a you know, hill direct

744
00:35:29,360 --> 00:35:31,279
Speaker 7: to comedy. But then I'll direct a drama and then

745
00:35:31,320 --> 00:35:33,000
Speaker 7: shoot a movie with like five cameras and you got

746
00:35:33,000 --> 00:35:34,719
Speaker 7: to pick the movie you want to watch. So, like

747
00:35:34,800 --> 00:35:36,399
Speaker 7: I wanted to be like, who's the best friend, who's

748
00:35:36,400 --> 00:35:37,279
Speaker 7: the who's the main guy?

749
00:35:38,280 --> 00:35:40,160
Speaker 6: Neither? The main guy is Van Helsing?

750
00:35:40,239 --> 00:35:42,520
Speaker 3: And it's that and it's that old adage, tell me

751
00:35:42,600 --> 00:35:46,080
Speaker 3: what you're gonna do, then do the opposite. Yes, then

752
00:35:46,160 --> 00:35:49,279
Speaker 3: surprise me when you do what the opposite is by

753
00:35:49,320 --> 00:35:50,239
Speaker 3: doing it a different way.

754
00:35:50,440 --> 00:35:54,120
Speaker 2: Yes, So should we move on to one of the

755
00:35:54,160 --> 00:35:56,440
Speaker 2: later Is there a scene in particular that you'd like

756
00:35:56,520 --> 00:35:57,879
Speaker 2: us to Well, I'd love to talk.

757
00:35:58,560 --> 00:36:01,360
Speaker 7: I would love to talk about the first the dance,

758
00:36:01,560 --> 00:36:02,279
Speaker 7: the dance scene.

759
00:36:02,560 --> 00:36:06,480
Speaker 3: It's interesting, what is Van Helsing's success with girls now

760
00:36:06,480 --> 00:36:08,200
Speaker 3: that he's taken on this Ruben persona.

761
00:36:08,520 --> 00:36:11,840
Speaker 7: But obviously now the idea that is when he killed

762
00:36:12,480 --> 00:36:15,680
Speaker 7: and of course you know, I'm all the characters bunt together,

763
00:36:15,719 --> 00:36:19,680
Speaker 7: but when he killed that creature in the beginning, piece

764
00:36:19,760 --> 00:36:20,680
Speaker 7: and piece and.

765
00:36:20,640 --> 00:36:22,320
Speaker 6: Obvious that was his name that he was in college.

766
00:36:22,320 --> 00:36:25,719
Speaker 7: But you know, he obviously had opened up the wormhole

767
00:36:25,760 --> 00:36:28,720
Speaker 7: of the stump at that point. So that's the runner

768
00:36:28,719 --> 00:36:30,839
Speaker 7: of the movie obviously, is that these beasts are coming

769
00:36:30,880 --> 00:36:33,239
Speaker 7: out of the stump throughout the film. So he's just

770
00:36:33,320 --> 00:36:36,320
Speaker 7: trying to be a normal guy in college, but these

771
00:36:36,320 --> 00:36:39,040
Speaker 7: beasts are coming in and and this is kind of

772
00:36:39,080 --> 00:36:40,919
Speaker 7: a classic take. I don't know if you've ever seen

773
00:36:40,960 --> 00:36:43,759
Speaker 7: like a like a Brady Bunch episode where like they

774
00:36:44,320 --> 00:36:46,279
Speaker 7: they like the brothers look alike and they have to

775
00:36:46,280 --> 00:36:48,279
Speaker 7: go on two dates at the same time.

776
00:36:48,360 --> 00:36:49,920
Speaker 6: They switching back and forth.

777
00:36:50,160 --> 00:36:51,399
Speaker 5: I don't know a television but.

778
00:36:51,480 --> 00:36:56,200
Speaker 3: Okay, but yeah, okay, I give a tablet, Yeah, a tablet. Yeah,

779
00:36:56,239 --> 00:36:57,640
Speaker 3: we can definitely download it on a tablet.

780
00:36:57,800 --> 00:37:02,360
Speaker 7: So so Bass in this scene, he's trying to have

781
00:37:02,400 --> 00:37:04,359
Speaker 7: a great date with this girl that he really likes.

782
00:37:05,120 --> 00:37:07,799
Speaker 7: She's in you know, she's in the law track and uh,

783
00:37:08,560 --> 00:37:11,480
Speaker 7: and these beasts are coming in because the the stump

784
00:37:11,560 --> 00:37:13,399
Speaker 7: is opened it. This is a you know, obviously towards

785
00:37:13,440 --> 00:37:15,040
Speaker 7: the middle where the stump is fully opened.

786
00:37:15,200 --> 00:37:21,759
Speaker 2: So let's we'll just do uh interior college party. Ben

787
00:37:21,880 --> 00:37:27,719
Speaker 2: Helsing and Breath enter the college party. Ben Helsing is

788
00:37:27,920 --> 00:37:32,439
Speaker 2: briefly freaked out by the white combination of lights he's

789
00:37:32,480 --> 00:37:33,320
Speaker 2: never seen before.

790
00:37:34,239 --> 00:37:38,640
Speaker 3: No, the Ruben, that physics test was how odd Cabanco's

791
00:37:38,719 --> 00:37:41,279
Speaker 3: crazy hot me. Oh my, I didn't think I got

792
00:37:41,280 --> 00:37:43,440
Speaker 3: a single home right, Well, look.

793
00:37:43,239 --> 00:37:46,120
Speaker 8: At these foul beasts and the what what are these?

794
00:37:46,600 --> 00:37:48,680
Speaker 7: Oh uh dope lights?

795
00:37:48,760 --> 00:37:54,160
Speaker 3: I mean, oh, Ruben, you're just the craziest talking guy.

796
00:37:54,440 --> 00:37:56,520
Speaker 3: Or no, I guess it's because you're from the north

797
00:37:56,560 --> 00:37:57,920
Speaker 3: and I'm from the side.

798
00:37:58,040 --> 00:38:01,800
Speaker 7: Well, yes, maybe we should get a beverage and enjoy

799
00:38:01,880 --> 00:38:04,560
Speaker 7: a dance of some kind.

800
00:38:04,680 --> 00:38:08,200
Speaker 2: But suddenly the dance for everyone's taking turns dancing and

801
00:38:08,440 --> 00:38:11,160
Speaker 2: somebody pushes Van Helsing into the center of the room.

802
00:38:11,560 --> 00:38:15,520
Speaker 7: Hey, now, no, I don't, I don't dance dance.

803
00:38:16,520 --> 00:38:21,440
Speaker 3: Show him how you boogie? Even, mister Reuben, come on, dances.

804
00:38:22,000 --> 00:38:28,839
Speaker 6: It's Irish step dancing.

805
00:38:29,280 --> 00:38:31,200
Speaker 3: Begins Irish spidance, kind of cool.

806
00:38:31,480 --> 00:38:34,080
Speaker 2: Everyone around it starts Irish step dancing as well.

807
00:38:35,360 --> 00:38:38,839
Speaker 3: Wait a minute, now i've me thinking he's stupid, makes

808
00:38:38,880 --> 00:38:40,040
Speaker 3: me the one who doesn't fit in.

809
00:38:40,440 --> 00:38:41,600
Speaker 5: Now I'm gonna do it.

810
00:38:42,640 --> 00:38:43,719
Speaker 6: Everyone with me.

811
00:38:44,560 --> 00:38:45,080
Speaker 1: He o.

812
00:38:45,400 --> 00:38:47,120
Speaker 5: Hey, now we're.

813
00:38:46,920 --> 00:38:49,400
Speaker 3: Getting it and we're really coming together.

814
00:38:51,480 --> 00:38:59,200
Speaker 4: I love college, Ruben brub rub yes, yes, yes, clean.

815
00:38:59,320 --> 00:39:00,880
Speaker 3: Are y'all going to kiss me?

816
00:39:02,640 --> 00:39:05,200
Speaker 2: Van Helsing starts to lean in for a kiss, but

817
00:39:05,440 --> 00:39:09,040
Speaker 2: just as he does, some terrifying music starts to play again,

818
00:39:09,680 --> 00:39:13,720
Speaker 2: and a million vampires crashing through each and every window.

819
00:39:14,000 --> 00:39:18,200
Speaker 7: Yegger beasts, Hold on, my love, I must go to

820
00:39:18,320 --> 00:39:21,279
Speaker 7: the Euino and forgive myself here.

821
00:39:21,680 --> 00:39:24,920
Speaker 2: Van Helsing disappears into the bathroom and comes back without

822
00:39:24,960 --> 00:39:29,160
Speaker 2: his ruben name tag. They want to know I really

823
00:39:29,200 --> 00:39:30,400
Speaker 2: want this blood.

824
00:39:30,520 --> 00:39:34,360
Speaker 5: I'm going to get me wolse.

825
00:39:35,040 --> 00:39:37,680
Speaker 9: Look, you guys need to die real quick because I

826
00:39:37,680 --> 00:39:39,399
Speaker 9: have a hot day going on right now?

827
00:39:39,840 --> 00:39:40,959
Speaker 6: Or can we do this later?

828
00:39:41,200 --> 00:39:45,680
Speaker 3: Perhaps I'm so hungry for blood the what do you

829
00:39:45,719 --> 00:39:46,720
Speaker 3: have in mind? Ah?

830
00:39:47,800 --> 00:39:48,800
Speaker 7: Give me twenty minutes.

831
00:39:48,840 --> 00:39:50,160
Speaker 5: I'm twenty minutes.

832
00:39:50,200 --> 00:39:52,400
Speaker 3: Okay, all right, hang on, let me think cause I

833
00:39:52,440 --> 00:39:54,360
Speaker 3: gotta get because this when the sun comes up.

834
00:39:54,360 --> 00:39:55,040
Speaker 7: I got a problem.

835
00:39:55,080 --> 00:39:57,480
Speaker 6: Yes I will. I just I need to lay my

836
00:39:57,560 --> 00:39:58,680
Speaker 6: lips on this woman's mouth.

837
00:39:58,800 --> 00:40:01,160
Speaker 3: You're gonna do a be kissy on it? Yes, yes,

838
00:40:01,200 --> 00:40:01,600
Speaker 3: of course.

839
00:40:02,000 --> 00:40:03,000
Speaker 2: Please let me be.

840
00:40:03,320 --> 00:40:05,640
Speaker 5: A normal kiss.

841
00:40:05,719 --> 00:40:10,000
Speaker 3: What do you mean Gellington kiss?

842
00:40:11,120 --> 00:40:14,040
Speaker 2: Van housing his eyebrows raise. He's never heard of the

843
00:40:14,080 --> 00:40:17,680
Speaker 2: Skellington's kiss before it turns out to be a secret

844
00:40:17,760 --> 00:40:21,000
Speaker 2: kind of ancient kiss that breaks, that breaks his curse,

845
00:40:21,040 --> 00:40:22,919
Speaker 2: and he will lose all his powers if he does

846
00:40:22,920 --> 00:40:23,279
Speaker 2: the kiss.

847
00:40:23,320 --> 00:40:25,799
Speaker 7: Can I I want to ask you, guys, because I'm

848
00:40:25,880 --> 00:40:28,279
Speaker 7: enjoying reading this, do you think it was wrong that

849
00:40:28,360 --> 00:40:31,080
Speaker 7: I put all that exposition in the stage direction. I

850
00:40:31,080 --> 00:40:32,720
Speaker 7: don't actually explain it in the script.

851
00:40:33,080 --> 00:40:35,480
Speaker 3: It doesn't actually come back up in the script what

852
00:40:35,560 --> 00:40:36,120
Speaker 3: I could tell.

853
00:40:36,280 --> 00:40:37,640
Speaker 7: But yeah, no, because I did.

854
00:40:37,760 --> 00:40:38,840
Speaker 6: I did think it.

855
00:40:39,000 --> 00:40:40,759
Speaker 2: I was supposed to come through with the eyebrows.

856
00:40:40,800 --> 00:40:43,000
Speaker 7: I think, yeah, I mean, this is a choice that

857
00:40:43,040 --> 00:40:44,880
Speaker 7: I made. I know that Quentin Tarantino gets a lot

858
00:40:44,920 --> 00:40:48,239
Speaker 7: of great press for writing really fun scripts to read,

859
00:40:48,480 --> 00:40:49,960
Speaker 7: and I was trying to do the same thing. Just

860
00:40:49,960 --> 00:40:53,880
Speaker 7: give the audience, the reader, some information that that the

861
00:40:53,920 --> 00:40:55,520
Speaker 7: people watching the movie would never have.

862
00:40:55,760 --> 00:40:57,239
Speaker 3: I will, yeah, I say, it must be a very

863
00:40:57,239 --> 00:41:00,719
Speaker 3: different experience to watch this film then, would be to

864
00:41:00,920 --> 00:41:04,520
Speaker 3: just read it. Yeah, Because there's a lot of stuff

865
00:41:04,560 --> 00:41:04,839
Speaker 3: like that.

866
00:41:04,920 --> 00:41:06,800
Speaker 7: Well, it's a ton of easter eggs for the readers

867
00:41:06,880 --> 00:41:08,920
Speaker 7: of the movie, which is great because I feel like

868
00:41:09,080 --> 00:41:11,440
Speaker 7: when you get the book at Academy Award season, obviously

869
00:41:11,480 --> 00:41:14,120
Speaker 7: you guys just get screeners from you know, and also

870
00:41:14,480 --> 00:41:16,680
Speaker 7: the books, the shooting scripts. It's fun because I think,

871
00:41:16,920 --> 00:41:19,879
Speaker 7: I mean, I look forward to Award season just get

872
00:41:19,920 --> 00:41:22,400
Speaker 7: all those shooting scripts and I just kind of page

873
00:41:22,480 --> 00:41:25,040
Speaker 7: through and just read them all. And it's you know,

874
00:41:25,200 --> 00:41:27,440
Speaker 7: just I'm always like, oh, did another shooting script come today?

875
00:41:27,880 --> 00:41:29,440
Speaker 6: I can't wait to read this one, you know.

876
00:41:29,560 --> 00:41:32,120
Speaker 2: And sometimes you feel the package and it feels like

877
00:41:32,120 --> 00:41:34,360
Speaker 2: it might be a DVD. Yeah, then you open up

878
00:41:34,400 --> 00:41:36,080
Speaker 2: and it's a shooting script.

879
00:41:36,200 --> 00:41:37,480
Speaker 6: I'm so excited.

880
00:41:37,800 --> 00:41:39,439
Speaker 2: So what a gat I love.

881
00:41:40,040 --> 00:41:41,880
Speaker 7: And you know, if I get a nice you know,

882
00:41:42,160 --> 00:41:44,040
Speaker 7: a nice US B drive, I could just pop that

883
00:41:44,080 --> 00:41:46,160
Speaker 7: in and I can bring those shooting scripts anywhere.

884
00:41:46,160 --> 00:41:47,520
Speaker 6: And Warner Brothers is great with that.

885
00:41:47,520 --> 00:41:51,080
Speaker 7: The great USB drives all the scripts on them.

886
00:41:51,040 --> 00:41:51,640
Speaker 5: And they're fun.

887
00:41:51,680 --> 00:41:56,640
Speaker 3: I got, I got cool. Yeah, gohool, Yes, I'm saving

888
00:41:56,680 --> 00:41:58,280
Speaker 3: that one for a long drive.

889
00:41:58,640 --> 00:42:01,359
Speaker 7: Well. I love it because I mean for me too,

890
00:42:01,400 --> 00:42:05,000
Speaker 7: it's like, there's no surefireway to let someone know that

891
00:42:05,040 --> 00:42:07,000
Speaker 7: you're in the business when you put a USB drive

892
00:42:07,040 --> 00:42:09,760
Speaker 7: and it has like, you know, it says Batman, go whole,

893
00:42:10,880 --> 00:42:13,719
Speaker 7: Captain Phillips, you know whatever. And I think that that's

894
00:42:13,760 --> 00:42:17,319
Speaker 7: the secret handshake of Hollywood is what's on your USB drive?

895
00:42:17,800 --> 00:42:20,120
Speaker 5: Oh yes, yeah, I'll tell you all is lost.

896
00:42:20,160 --> 00:42:22,000
Speaker 3: You can do it about one sitting, and I do

897
00:42:22,120 --> 00:42:25,680
Speaker 3: mean the toilet.

898
00:42:26,000 --> 00:42:28,080
Speaker 2: You A lot of these guys will just put the

899
00:42:28,600 --> 00:42:31,480
Speaker 2: song Q in the script, but you sort of do

900
00:42:31,600 --> 00:42:33,720
Speaker 2: the lyrics and a column on the side.

901
00:42:34,400 --> 00:42:36,680
Speaker 6: Av Yeah. Yeah, you know.

902
00:42:36,719 --> 00:42:40,640
Speaker 7: I got my start in industrials, so that's you know,

903
00:42:40,680 --> 00:42:42,319
Speaker 7: I was used to that kind of writing, and it's

904
00:42:42,360 --> 00:42:45,320
Speaker 7: more fun that way too. Column writing is more fun.

905
00:42:45,239 --> 00:42:46,920
Speaker 2: And then it's just kind of as you remember the

906
00:42:47,000 --> 00:42:48,919
Speaker 2: lyrics and it's not always exactly right.

907
00:42:49,160 --> 00:42:50,920
Speaker 7: Yeah, well I think that. I mean that's also a

908
00:42:51,000 --> 00:42:55,080
Speaker 7: rights issue because these songs are protection. Yeah, so I

909
00:42:55,080 --> 00:42:57,960
Speaker 7: don't want to necessarily go like, well we definitely need

910
00:42:57,960 --> 00:42:59,600
Speaker 7: that Taylor Swiss song. It's like, well this is my

911
00:42:59,680 --> 00:43:01,040
Speaker 7: remember Brint to the Tailor song.

912
00:43:01,080 --> 00:43:01,279
Speaker 6: Yeah.

913
00:43:01,280 --> 00:43:04,319
Speaker 2: So ultimately you could just do it if it came then,

914
00:43:04,440 --> 00:43:06,279
Speaker 2: because you know the lyrics. You're showing that you know

915
00:43:06,320 --> 00:43:06,720
Speaker 2: the lyrics.

916
00:43:07,040 --> 00:43:08,160
Speaker 6: Shake it out, Shake it out.

917
00:43:08,200 --> 00:43:10,000
Speaker 3: But there's some other yes, I mean you mentioned some

918
00:43:10,120 --> 00:43:12,680
Speaker 3: other Easter eggs and it is interesting. I mean Van

919
00:43:12,760 --> 00:43:15,840
Speaker 3: Helsing has a resorbed twin in his shoulder. According to

920
00:43:15,880 --> 00:43:18,359
Speaker 3: the stage direction, but he's sort of feeding little baby

921
00:43:18,440 --> 00:43:20,120
Speaker 3: characters and stuff off screen.

922
00:43:20,360 --> 00:43:23,000
Speaker 7: Well, I mean, I think the people people said that

923
00:43:23,120 --> 00:43:27,040
Speaker 7: thing about what's in the suitcase in pulp fiction, and

924
00:43:27,120 --> 00:43:29,960
Speaker 7: we read the script, you'll find out gold.

925
00:43:30,239 --> 00:43:33,160
Speaker 3: Yeah, it is gold, yes, and that's why it glows.

926
00:43:33,400 --> 00:43:35,960
Speaker 7: Well, but it's not even gold. And that's the thing.

927
00:43:36,000 --> 00:43:39,080
Speaker 7: It's not even gold. It's actually I mean maybe you

928
00:43:39,120 --> 00:43:39,759
Speaker 7: read it as gold.

929
00:43:39,760 --> 00:43:40,320
Speaker 6: I thought it was.

930
00:43:40,480 --> 00:43:41,200
Speaker 2: It says gold.

931
00:43:41,400 --> 00:43:45,000
Speaker 7: Well, I thought it was. I mean I read it was.

932
00:43:45,000 --> 00:43:46,880
Speaker 6: Gold coins, gold coins.

933
00:43:46,680 --> 00:43:49,960
Speaker 3: Yes, like well, and that's not just gold because there's

934
00:43:50,000 --> 00:43:54,359
Speaker 3: gold bars, but the coins and it's very specifical. It's

935
00:43:54,360 --> 00:43:56,960
Speaker 3: not those chocolate ones with the gold foil on it. Yeah,

936
00:43:57,000 --> 00:43:59,319
Speaker 3: they're real golds.

937
00:43:59,320 --> 00:44:01,239
Speaker 6: It's real gold, yes, yeah.

938
00:44:01,239 --> 00:44:03,400
Speaker 7: And that's and that's and then I think that's that

939
00:44:03,480 --> 00:44:06,280
Speaker 7: adds so much more to pulp fiction now knowing that.

940
00:44:06,280 --> 00:44:08,760
Speaker 5: Knowing that they wanted them because gold's worth money.

941
00:44:09,080 --> 00:44:10,919
Speaker 7: Yeah, well it's a lot of money, I mean, ever

942
00:44:10,960 --> 00:44:13,719
Speaker 7: since that movie. And but the thing is, and this is,

943
00:44:13,760 --> 00:44:15,799
Speaker 7: I mean we all know this because the way we

944
00:44:15,880 --> 00:44:19,160
Speaker 7: do our finances, you wouldn't want to carry gold bars

945
00:44:19,160 --> 00:44:20,680
Speaker 7: in a briefcase because it'd be wigh you down, but

946
00:44:20,719 --> 00:44:21,560
Speaker 7: gold coins would.

947
00:44:21,360 --> 00:44:23,239
Speaker 5: Be a lot lighter, a lot lighter. Yes, you could

948
00:44:23,280 --> 00:44:24,000
Speaker 5: carry a lot more.

949
00:44:24,239 --> 00:44:27,160
Speaker 2: Should we continue from the pick up at the kiss?

950
00:44:27,520 --> 00:44:29,080
Speaker 7: Well, I mean I think you know how that kind

951
00:44:29,120 --> 00:44:31,360
Speaker 7: of goes, right, I mean they kiss and that you know,

952
00:44:31,400 --> 00:44:32,920
Speaker 7: he goes in and kills those vampires.

953
00:44:33,080 --> 00:44:33,120
Speaker 4: It.

954
00:44:33,120 --> 00:44:35,120
Speaker 3: What was interesting to me is sort of the detours

955
00:44:35,120 --> 00:44:37,120
Speaker 3: you took in this film, because it does set you

956
00:44:37,200 --> 00:44:38,840
Speaker 3: up for a pretty straight He's going to be in

957
00:44:38,880 --> 00:44:42,239
Speaker 3: college and just hanging out. He wins, you know, he

958
00:44:42,280 --> 00:44:45,440
Speaker 3: scores the winning touchdown or kisses the girl. But then

959
00:44:45,480 --> 00:44:48,640
Speaker 3: there is also you know, some scenes that maybe I

960
00:44:48,640 --> 00:44:50,120
Speaker 3: wouldn't expect from the setup.

961
00:44:50,239 --> 00:44:53,680
Speaker 7: Well, I appreciate you saying that, and I think, you know,

962
00:44:53,800 --> 00:44:57,279
Speaker 7: I think the one scene you know, probably the scene

963
00:44:57,280 --> 00:44:59,040
Speaker 7: that you're talking about, And this is a scene that

964
00:44:59,080 --> 00:45:04,240
Speaker 7: I got excited by. The it's a full on abortion scene,

965
00:45:04,280 --> 00:45:10,920
Speaker 7: I mean, and it's something that he yeah, goes with

966
00:45:11,000 --> 00:45:16,240
Speaker 7: his friend to see her have an abort. Well, I'm sorry,

967
00:45:16,560 --> 00:45:20,560
Speaker 7: I'm I got a little bit. I'm I'm laughing at

968
00:45:20,560 --> 00:45:23,960
Speaker 7: it because it's it's like the scene in in fourty

969
00:45:24,000 --> 00:45:26,400
Speaker 7: year old version where there's ripping the hair off his chest.

970
00:45:26,640 --> 00:45:27,960
Speaker 6: It's funny to see it.

971
00:45:28,400 --> 00:45:35,640
Speaker 3: Lives saying he's not traditional. Maybe first it's like a, well,

972
00:45:35,680 --> 00:45:37,720
Speaker 3: we'll hear it, we'll hear it, but she's not reacting

973
00:45:37,760 --> 00:45:38,400
Speaker 3: the way why.

974
00:45:38,239 --> 00:45:38,759
Speaker 6: And that's the thing.

975
00:45:38,920 --> 00:45:40,799
Speaker 7: And Van Helsing has to come in because I mean,

976
00:45:40,880 --> 00:45:43,040
Speaker 7: little did he know that she was having a devil baby?

977
00:45:43,320 --> 00:45:45,120
Speaker 7: And that's he's there and he gets to in so

978
00:45:45,560 --> 00:45:47,520
Speaker 7: he stabs it. So it actually I think it was

979
00:45:47,520 --> 00:45:50,800
Speaker 7: important that that abortion scene was there. And also maybe

980
00:45:50,840 --> 00:45:53,560
Speaker 7: when I did write the script, I just seemed blue Valentine,

981
00:45:53,640 --> 00:45:54,839
Speaker 7: So I won't put that out there.

982
00:45:54,880 --> 00:45:57,160
Speaker 2: So let's let's do that. Let's let's start with that one.

983
00:45:57,200 --> 00:46:00,640
Speaker 2: I guess first they're kind of in the waiting room. Uh,

984
00:46:00,680 --> 00:46:05,359
Speaker 2: and so it says interior waiting room. Van Helsing and

985
00:46:05,440 --> 00:46:08,520
Speaker 2: Brie are sitting there there just kind of seem like

986
00:46:08,560 --> 00:46:10,879
Speaker 2: maybe they're not sure what to say to each other.

987
00:46:13,239 --> 00:46:15,000
Speaker 5: These magazines are so out of date.

988
00:46:15,360 --> 00:46:17,640
Speaker 6: Like you know, one thing they're there, it's to be

989
00:46:17,680 --> 00:46:18,160
Speaker 6: out of date.

990
00:46:19,000 --> 00:46:23,960
Speaker 7: It's our love. And even though we are going to stop.

991
00:46:23,760 --> 00:46:26,560
Speaker 8: One part of our relationship, I want you to know

992
00:46:26,600 --> 00:46:27,680
Speaker 8: I'll always be there for you.

993
00:46:28,640 --> 00:46:32,200
Speaker 3: Which part are we stopping? The baby right, Yeah, Oh,

994
00:46:32,239 --> 00:46:34,280
Speaker 3: I didn't know if you meant stop having sex.

995
00:46:34,560 --> 00:46:37,400
Speaker 7: No, will continue that, but I will not.

996
00:46:37,520 --> 00:46:38,719
Speaker 5: But the baby's an actual.

997
00:46:38,520 --> 00:46:39,200
Speaker 7: Part of the relationship.

998
00:46:39,239 --> 00:46:40,600
Speaker 5: Okay, I will promise.

999
00:46:40,239 --> 00:46:42,920
Speaker 8: You I will never wear a condom.

1000
00:46:43,160 --> 00:46:45,799
Speaker 6: I did not put that foul beast anywhere near me.

1001
00:46:45,920 --> 00:46:49,719
Speaker 3: Now, look when we go in there, Okay said that

1002
00:46:49,760 --> 00:46:51,640
Speaker 3: a lot. You seem to think that's a sticking point

1003
00:46:51,640 --> 00:46:51,880
Speaker 3: for me.

1004
00:46:52,200 --> 00:46:56,400
Speaker 2: Van Helsing isn't used to modern times, That's what it says.

1005
00:46:58,239 --> 00:47:02,520
Speaker 7: That's the reminder to the audience that there are differences.

1006
00:47:03,280 --> 00:47:05,080
Speaker 6: You know, Yeah, condom to him is weird.

1007
00:47:05,120 --> 00:47:06,600
Speaker 2: Do you check in with that a couple of times?

1008
00:47:06,640 --> 00:47:06,799
Speaker 8: Yeah?

1009
00:47:06,880 --> 00:47:09,560
Speaker 3: He doesn't trust it. Yeah, so a lot of us

1010
00:47:09,560 --> 00:47:10,760
Speaker 3: older guys don't really.

1011
00:47:10,880 --> 00:47:12,879
Speaker 7: And I mean that's why one of the funniest things

1012
00:47:12,880 --> 00:47:14,239
Speaker 7: in the movie is when he talks to the water

1013
00:47:14,280 --> 00:47:17,320
Speaker 7: cooler because he hears people. He goes, I heard that

1014
00:47:17,360 --> 00:47:20,480
Speaker 7: there's great water cooler talk, and he thought, like, is

1015
00:47:20,520 --> 00:47:22,520
Speaker 7: he's used to dealing with kind of weird creatures.

1016
00:47:22,600 --> 00:47:24,759
Speaker 3: Yeah, yeah, to him, it looks like some sort of

1017
00:47:24,800 --> 00:47:26,280
Speaker 3: water beasts exactly.

1018
00:47:26,280 --> 00:47:27,880
Speaker 7: And then when he goes to like, you know, he

1019
00:47:27,920 --> 00:47:29,640
Speaker 7: says to the you know, he says to the beast.

1020
00:47:29,719 --> 00:47:31,759
Speaker 7: He's like, you know, what did you watch on reality TV?

1021
00:47:32,600 --> 00:47:37,920
Speaker 2: Let's just do that same Oh right, yeah, interior office breakroom.

1022
00:47:38,080 --> 00:47:41,879
Speaker 2: Van Helsing observes a water cooler from afar. He gets

1023
00:47:41,880 --> 00:47:44,960
Speaker 2: his courage up and finally he is able to approach it.

1024
00:47:45,080 --> 00:47:51,080
Speaker 8: Hello, water cooler, I guess we must have a conversation.

1025
00:47:52,880 --> 00:47:53,279
Speaker 6: You're like.

1026
00:47:58,520 --> 00:48:01,080
Speaker 2: The noise of the water coolers starts to make Van

1027
00:48:01,160 --> 00:48:04,080
Speaker 2: Housing sweat and sort of the stimulated.

1028
00:48:04,120 --> 00:48:12,719
Speaker 8: What I you are very track? I would like to

1029
00:48:12,719 --> 00:48:14,440
Speaker 8: see if you would like to go with me.

1030
00:48:15,440 --> 00:48:19,360
Speaker 2: To the dance pan down to reveal that Van Housing

1031
00:48:19,400 --> 00:48:21,400
Speaker 2: stick is already stuck in the water cooler.

1032
00:48:22,360 --> 00:48:26,080
Speaker 8: Just get it in there for a second day. I

1033
00:48:26,360 --> 00:48:28,279
Speaker 8: warn you, I don't wear condoms. I don't put that

1034
00:48:28,680 --> 00:48:30,080
Speaker 8: foul creature anywhere near me.

1035
00:48:30,840 --> 00:48:36,480
Speaker 10: Oh, Basher, I'm thirsty for a glass. Whoa yo, sure

1036
00:48:37,040 --> 00:48:42,359
Speaker 10: you never saw anything. It turned out that the guy

1037
00:48:42,480 --> 00:48:46,400
Speaker 10: was a vampire. He dies in this vampire way freeze.

1038
00:48:47,200 --> 00:48:52,040
Speaker 8: Hey, everybody, I really thought that was a Frankenstein on freeze.

1039
00:48:54,239 --> 00:48:56,960
Speaker 7: So I thought that was fun and that and and

1040
00:48:57,040 --> 00:48:58,560
Speaker 7: now just out of the scene for a second.

1041
00:48:58,800 --> 00:48:59,440
Speaker 6: Do you like that?

1042
00:48:59,560 --> 00:49:02,600
Speaker 7: Man health and talks to the audience like Cuff style.

1043
00:49:02,680 --> 00:49:05,680
Speaker 7: That's Christian Slater's my favorite Christian Slatter movie Cuffs. He

1044
00:49:05,760 --> 00:49:07,879
Speaker 7: talks to the camera a little bit, a little Ferris Bueller,

1045
00:49:07,920 --> 00:49:09,040
Speaker 7: a little Cuffs action there.

1046
00:49:09,160 --> 00:49:13,279
Speaker 2: Well, when he confesses this so interesting because you what

1047
00:49:13,360 --> 00:49:15,439
Speaker 2: you maybe thought as a viewer is that he killed

1048
00:49:15,440 --> 00:49:17,560
Speaker 2: the guy out of embarrassment and then he turned he

1049
00:49:17,600 --> 00:49:19,200
Speaker 2: was lucky that it turned out to be a vampire,

1050
00:49:19,280 --> 00:49:21,279
Speaker 2: but it really was that he was trying to kill

1051
00:49:21,320 --> 00:49:23,080
Speaker 2: him because he thought it was a franking.

1052
00:49:22,880 --> 00:49:24,400
Speaker 3: Well, I think he's lying to the audience. He's an

1053
00:49:24,440 --> 00:49:28,279
Speaker 3: unreliable narrator. I think he is embarrassed.

1054
00:49:28,719 --> 00:49:31,160
Speaker 7: He's embarrassed, and then he kind of tries to tell

1055
00:49:31,160 --> 00:49:33,319
Speaker 7: the audience like, hey, don't lose faith in me as

1056
00:49:33,320 --> 00:49:35,800
Speaker 7: a main character, that I just killed the innocent civilian.

1057
00:49:36,200 --> 00:49:36,600
Speaker 6: I am.

1058
00:49:37,040 --> 00:49:38,359
Speaker 7: I thought it was a frankensteime.

1059
00:49:38,480 --> 00:49:41,480
Speaker 3: To me, it's jarring that it only happens once and

1060
00:49:42,440 --> 00:49:45,879
Speaker 3: solid sixty five pages into the screen. Its almost because

1061
00:49:45,880 --> 00:49:47,560
Speaker 3: if you remember in Cuffs, he does it a few

1062
00:49:47,560 --> 00:49:49,839
Speaker 3: times and he kind of gets you used to it. Yeah, yeah,

1063
00:49:50,000 --> 00:49:52,080
Speaker 3: I will say that you want to do your own thing.

1064
00:49:52,200 --> 00:49:54,720
Speaker 3: But a lot of that stuff went out in editing.

1065
00:49:54,760 --> 00:49:56,480
Speaker 7: When I was editing on the script, because we started

1066
00:49:56,480 --> 00:49:58,399
Speaker 7: with a I had a one hundred and seventy five

1067
00:49:58,440 --> 00:50:00,880
Speaker 7: page script and now this is down to eighty two pages.

1068
00:50:01,200 --> 00:50:03,719
Speaker 7: And uh, and we were just cutting it and just

1069
00:50:03,960 --> 00:50:06,479
Speaker 7: losing things that didn't kind of fit. But that would

1070
00:50:06,480 --> 00:50:09,120
Speaker 7: always work because he did kill civilian and I wanted

1071
00:50:09,160 --> 00:50:09,760
Speaker 7: to justify.

1072
00:50:10,040 --> 00:50:11,200
Speaker 6: I wanted to justify that.

1073
00:50:11,360 --> 00:50:14,000
Speaker 3: And that's that's a big scare moment too, just if

1074
00:50:14,000 --> 00:50:15,840
Speaker 3: we're counting scarce, that's a big scare moment.

1075
00:50:16,800 --> 00:50:18,640
Speaker 2: Do you want to take a look at the end,

1076
00:50:18,680 --> 00:50:21,600
Speaker 2: the end is I found the end actually very post

1077
00:50:21,640 --> 00:50:22,759
Speaker 2: credit scene? Yeah?

1078
00:50:23,480 --> 00:50:24,719
Speaker 7: Or do you want to just do the end the

1079
00:50:25,239 --> 00:50:28,120
Speaker 7: traditional end, which which would you prefer? The post credit

1080
00:50:28,160 --> 00:50:29,799
Speaker 7: scenes is fun. I mean, but that's but that you know,

1081
00:50:29,840 --> 00:50:31,839
Speaker 7: that's that's the tease for the next you know.

1082
00:50:32,080 --> 00:50:36,000
Speaker 5: The stinger into there. Yeah, Oh okay, well, I.

1083
00:50:35,920 --> 00:50:37,839
Speaker 7: Mean that's I mean, that's a simple thing that would

1084
00:50:37,880 --> 00:50:41,080
Speaker 7: be you know, obviously all cgi and we get a

1085
00:50:41,080 --> 00:50:43,160
Speaker 7: big name actor to do it. You know, I was

1086
00:50:43,200 --> 00:50:45,840
Speaker 7: singing stupid shimmy and yeah, and uh and you know,

1087
00:50:45,880 --> 00:50:49,000
Speaker 7: I think, uh, I'll just do let's read the post

1088
00:50:49,000 --> 00:50:49,520
Speaker 7: credits scene.

1089
00:50:49,680 --> 00:50:55,720
Speaker 2: Okay, great, let's do that interior, empty room. It seems

1090
00:50:55,719 --> 00:50:59,320
Speaker 2: like everybody's gone. The credits begin to roll.

1091
00:50:59,800 --> 00:51:03,719
Speaker 7: But did you forget about me? I missed the skeleton

1092
00:51:04,360 --> 00:51:07,839
Speaker 7: and I still got a kiss for everyone out there

1093
00:51:07,840 --> 00:51:08,799
Speaker 7: in that audience.

1094
00:51:10,719 --> 00:51:11,480
Speaker 6: Fucker up.

1095
00:51:11,600 --> 00:51:16,560
Speaker 2: Oh that's the big skin, that the big Oh what

1096
00:51:16,719 --> 00:51:17,760
Speaker 2: a scary idea.

1097
00:51:18,000 --> 00:51:22,200
Speaker 7: Yeah, so he the audience is getting the Skelington's kiss

1098
00:51:22,719 --> 00:51:25,360
Speaker 7: and they leave not knowing what it has.

1099
00:51:25,239 --> 00:51:26,480
Speaker 6: Affected them with, are they?

1100
00:51:26,680 --> 00:51:28,960
Speaker 7: Well they do know, because he does go on to say,

1101
00:51:29,160 --> 00:51:31,480
Speaker 7: just here, you know now that I've kissed you. You

1102
00:51:31,560 --> 00:51:34,319
Speaker 7: might be possessed, you might have the murderous instinct, or

1103
00:51:34,400 --> 00:51:38,279
Speaker 7: you might be on your deathbed. Either way, you've been

1104
00:51:38,360 --> 00:51:42,759
Speaker 7: kissed by the Skelington. And and then a hashag Skeleton's

1105
00:51:42,800 --> 00:51:48,480
Speaker 7: Kish kiss. And that's to get people, that is the type.

1106
00:51:48,560 --> 00:51:50,640
Speaker 7: But I do wanna, I do want to make sure

1107
00:51:50,680 --> 00:51:53,239
Speaker 7: that people leave the theater tweeting, and that's and that

1108
00:51:53,320 --> 00:51:55,080
Speaker 7: was important for me to put the hashtag up there,

1109
00:51:55,080 --> 00:51:57,160
Speaker 7: because you know, obviously social media is.

1110
00:51:57,120 --> 00:52:00,800
Speaker 6: All about getting the word out. Yes, and that's fun.

1111
00:52:01,160 --> 00:52:07,799
Speaker 3: So for as far as notes, yeah, I would say

1112
00:52:07,840 --> 00:52:11,560
Speaker 3: that this movie is funny and smart and nice and

1113
00:52:11,600 --> 00:52:16,279
Speaker 3: it's cool, good and it's funny, and I laughed at

1114
00:52:16,320 --> 00:52:19,600
Speaker 3: it and it made me think a lot. It's cool, Yes,

1115
00:52:19,800 --> 00:52:22,560
Speaker 3: it was had some real badass moments that I thought

1116
00:52:22,600 --> 00:52:25,239
Speaker 3: were cool. It's fun and it is fun, and there's

1117
00:52:25,280 --> 00:52:26,879
Speaker 3: some great stuff you did there.

1118
00:52:28,440 --> 00:52:29,759
Speaker 5: I'm not sure I get it.

1119
00:52:30,200 --> 00:52:33,719
Speaker 7: Sure, yes, sure, yes, sure sure.

1120
00:52:33,480 --> 00:52:37,200
Speaker 3: And I'm not sure anyone would well I beg to differ.

1121
00:52:37,280 --> 00:52:41,279
Speaker 6: I think that first of all, Twilight movies were very.

1122
00:52:41,239 --> 00:52:43,719
Speaker 7: Big, and that was pretty much about high school movie, right,

1123
00:52:43,840 --> 00:52:45,640
Speaker 7: And and I think that.

1124
00:52:47,480 --> 00:52:49,640
Speaker 5: You know, just got on high school. Okay, well but

1125
00:52:50,080 --> 00:52:51,200
Speaker 5: high school college on.

1126
00:52:51,320 --> 00:52:52,840
Speaker 7: I know, but but I'm just saying, but I feel like,

1127
00:52:52,880 --> 00:52:57,840
Speaker 7: you know, people are interested in collegiate collegiate monsters and

1128
00:52:57,600 --> 00:53:02,560
Speaker 7: u and collegiate you know, and you know, look, there's

1129
00:53:02,600 --> 00:53:07,280
Speaker 7: Tom Sawyer, there's Huckleberry Finn, there's Van Helsing. They're literally

1130
00:53:07,280 --> 00:53:10,640
Speaker 7: and we've never seen Van Helsing in college. And I

1131
00:53:10,640 --> 00:53:14,120
Speaker 7: think one of the fun thing about it is that

1132
00:53:14,160 --> 00:53:16,839
Speaker 7: we get to see him as Van Helsing, the one

1133
00:53:16,840 --> 00:53:18,399
Speaker 7: that we know and we love because we don't want

1134
00:53:18,400 --> 00:53:20,040
Speaker 7: to we don't want to see a pimply faced Van

1135
00:53:20,080 --> 00:53:22,680
Speaker 7: Helsing now. And I think it's and it's an undercover movie.

1136
00:53:22,800 --> 00:53:24,440
Speaker 7: I mean, look, let me go through all the genres

1137
00:53:24,440 --> 00:53:27,279
Speaker 7: that it is. It's a it's a college movie. Yes,

1138
00:53:27,680 --> 00:53:32,000
Speaker 7: it is a grows out comedy. It is a relationship movie.

1139
00:53:32,480 --> 00:53:35,160
Speaker 7: It is a undercover movie, which I think you can

1140
00:53:35,239 --> 00:53:39,680
Speaker 7: classify movies as that. Is a horror movie. It is

1141
00:53:39,719 --> 00:53:43,279
Speaker 7: a thriller movie. It is a scary movie. And it's

1142
00:53:43,320 --> 00:53:44,640
Speaker 7: a true bio pick.

1143
00:53:45,360 --> 00:53:45,600
Speaker 6: You know.

1144
00:53:45,640 --> 00:53:46,160
Speaker 7: And if you.

1145
00:53:46,160 --> 00:53:48,440
Speaker 2: Said this was based on a true story, yeah.

1146
00:53:48,480 --> 00:53:53,400
Speaker 3: Yes, well it's an abortion film. I mean it's a statement.

1147
00:53:53,440 --> 00:53:55,000
Speaker 7: Oh yes, Oh, I forgot about that.

1148
00:53:55,160 --> 00:53:57,040
Speaker 3: And look, I mean we jumped out of that scene

1149
00:53:57,080 --> 00:53:59,400
Speaker 3: pretty quick, but yeah, it was because it just went on.

1150
00:53:59,480 --> 00:54:02,920
Speaker 5: It was a lot of direction just describing what I'm nervous.

1151
00:54:02,960 --> 00:54:05,399
Speaker 7: I am nervous though because of the obvious child. Now

1152
00:54:05,440 --> 00:54:07,080
Speaker 7: that that kind of took a lot of the steam

1153
00:54:07,160 --> 00:54:09,279
Speaker 7: with the abortion stuff, now, I don't want to feel.

1154
00:54:09,000 --> 00:54:10,560
Speaker 2: Like it's handled very similarly.

1155
00:54:10,760 --> 00:54:13,239
Speaker 7: Well, I don't want to feel like I'm copying. Yeah,

1156
00:54:13,280 --> 00:54:14,719
Speaker 7: but I will say that I've been working on the

1157
00:54:14,760 --> 00:54:17,960
Speaker 7: script for a very very very long time.

1158
00:54:18,200 --> 00:54:21,960
Speaker 3: And Anne, isn't it true that you one time caught

1159
00:54:22,320 --> 00:54:24,920
Speaker 3: Jenny Slake going through a drawer of yours?

1160
00:54:25,480 --> 00:54:28,520
Speaker 6: That's true? Well, I should. Actually, I would tell you.

1161
00:54:29,200 --> 00:54:31,040
Speaker 7: The way that she would say is that I was

1162
00:54:31,040 --> 00:54:33,120
Speaker 7: in her house and she caught me going through one

1163
00:54:33,120 --> 00:54:33,840
Speaker 7: of her drawers.

1164
00:54:34,160 --> 00:54:35,680
Speaker 6: But who owns anything?

1165
00:54:36,200 --> 00:54:39,040
Speaker 3: Yes, well as one a thing of American I very

1166
00:54:39,120 --> 00:54:39,880
Speaker 3: much relate to it.

1167
00:54:39,880 --> 00:54:42,399
Speaker 5: It's all the land, it's all. Yeah, it's the.

1168
00:54:42,280 --> 00:54:44,960
Speaker 3: Planet owns everything, and I just happened to be here

1169
00:54:45,040 --> 00:54:45,879
Speaker 3: existing with it.

1170
00:54:46,040 --> 00:54:48,000
Speaker 2: My one note is that that Van Helsing did not

1171
00:54:48,239 --> 00:54:49,520
Speaker 2: end up marrying anyone.

1172
00:54:49,640 --> 00:54:52,880
Speaker 6: Actually, well, no, we have to go back to fighting vampire.

1173
00:54:53,000 --> 00:54:54,800
Speaker 2: That is something that I think people will be looking

1174
00:54:54,800 --> 00:54:56,880
Speaker 2: for though because of the title being.

1175
00:54:56,960 --> 00:55:00,480
Speaker 5: So so it looks like looks like hell thing.

1176
00:55:01,120 --> 00:55:03,279
Speaker 2: So I mean I just prepare for that.

1177
00:55:03,400 --> 00:55:07,279
Speaker 3: Well yeah, so who is saying that that's the big

1178
00:55:07,360 --> 00:55:10,480
Speaker 3: question because he doesn't ever get married, So it's someone

1179
00:55:10,480 --> 00:55:15,839
Speaker 3: who's crazy. No, no, no, no, no, that's that you

1180
00:55:15,840 --> 00:55:16,480
Speaker 3: guys are reading.

1181
00:55:16,760 --> 00:55:17,919
Speaker 5: Well, that's what I didn't get.

1182
00:55:17,960 --> 00:55:20,600
Speaker 2: I'm saying reading understand that part of it?

1183
00:55:20,640 --> 00:55:20,880
Speaker 1: All right?

1184
00:55:21,200 --> 00:55:22,399
Speaker 2: Am I reading into it too much?

1185
00:55:22,480 --> 00:55:23,279
Speaker 6: Or do we have to do this?

1186
00:55:23,600 --> 00:55:25,560
Speaker 7: I'm embarrassed now to even do this for you. I'm

1187
00:55:25,560 --> 00:55:27,480
Speaker 7: gonna I'm gonna do this to you right now. And

1188
00:55:27,520 --> 00:55:30,520
Speaker 7: this is this is annoying to me, but I'll do it.

1189
00:55:30,600 --> 00:55:31,799
Speaker 7: There one on a second.

1190
00:55:31,719 --> 00:55:35,680
Speaker 11: There are two skeleton's kisses. Yes, yes, yes, but very different.

1191
00:55:35,800 --> 00:55:37,719
Speaker 11: Hold on, I'm gonna I'm gonna go through this. I'm

1192
00:55:37,760 --> 00:55:41,879
Speaker 11: gonna you just get ready. Okay, this is an ad

1193
00:55:41,920 --> 00:55:43,640
Speaker 11: that just popped up. Okay, so.

1194
00:55:46,080 --> 00:55:48,680
Speaker 6: Fury what. That's a movie that's out right.

1195
00:55:48,840 --> 00:55:52,600
Speaker 2: We've actually, well, we've complained about this the exactly thing because.

1196
00:55:52,480 --> 00:55:55,200
Speaker 3: Because the poster, he's relaxing.

1197
00:55:54,560 --> 00:55:56,920
Speaker 2: He's taking a rest, doesn't look mad at all. He

1198
00:55:56,960 --> 00:55:58,520
Speaker 2: looks very like he's on a vacation.

1199
00:55:58,640 --> 00:56:01,920
Speaker 3: He's relaxing, and he's a good look guy. Actually know

1200
00:56:01,960 --> 00:56:04,400
Speaker 3: who he is. You got a great thing going.

1201
00:56:05,520 --> 00:56:07,759
Speaker 7: All right, Look, most I'm looking at most of the

1202
00:56:07,760 --> 00:56:09,800
Speaker 7: titles of these movies, and none of them really relate

1203
00:56:09,880 --> 00:56:10,400
Speaker 7: to the movie.

1204
00:56:11,480 --> 00:56:14,040
Speaker 3: A lot of them aren't doing great well, Like I

1205
00:56:14,080 --> 00:56:16,120
Speaker 3: don't know, if you've read all the box office.

1206
00:56:15,840 --> 00:56:18,759
Speaker 2: Reports, what did you go to your phone to look for?

1207
00:56:18,800 --> 00:56:22,960
Speaker 7: You know, if you've been on box office Mojo, movie movies, movies,

1208
00:56:23,160 --> 00:56:26,560
Speaker 7: Maze Runner, do they run amaze in that? That's almost

1209
00:56:26,600 --> 00:56:29,760
Speaker 7: exclusively There is one part where they do all right, well,

1210
00:56:30,080 --> 00:56:35,200
Speaker 7: dear white people, someone writing a letter in that m Annabela?

1211
00:56:35,280 --> 00:56:36,960
Speaker 6: Is that about the character named Annabel?

1212
00:56:37,800 --> 00:56:39,160
Speaker 2: Well, we've talked about it already.

1213
00:56:39,200 --> 00:56:40,640
Speaker 6: Had that was a trick movie?

1214
00:56:40,840 --> 00:56:43,000
Speaker 7: The Judge? Is that about a judge? Is Birdman about

1215
00:56:43,000 --> 00:56:45,520
Speaker 7: a birdman? Is John Wick about John Wick?

1216
00:56:45,719 --> 00:56:45,879
Speaker 6: Is?

1217
00:56:46,160 --> 00:56:50,560
Speaker 7: Oh, here's a great one? Is o G about Ogi?

1218
00:56:51,719 --> 00:56:54,320
Speaker 7: Is Gone Girl about a Gone Girl? Is Interstellar about

1219
00:56:54,320 --> 00:56:55,719
Speaker 7: some sort of interstellar travel? No?

1220
00:56:55,920 --> 00:56:57,239
Speaker 6: The answer is no to all of these.

1221
00:56:57,440 --> 00:57:00,239
Speaker 2: Yeah, yeah, well I don't know the ant or, but

1222
00:57:00,320 --> 00:57:02,520
Speaker 2: I'll see those and then I'll tell you maybe if

1223
00:57:02,520 --> 00:57:03,080
Speaker 2: they are loved.

1224
00:57:03,320 --> 00:57:06,359
Speaker 3: But he makes a good point because it is the

1225
00:57:06,400 --> 00:57:08,880
Speaker 3: title is just a sales tool, and.

1226
00:57:08,920 --> 00:57:09,960
Speaker 6: Everything is about sales.

1227
00:57:10,160 --> 00:57:12,400
Speaker 7: It's about again comes back to what I said in

1228
00:57:12,400 --> 00:57:13,760
Speaker 7: the beginning, tracking.

1229
00:57:13,840 --> 00:57:16,680
Speaker 5: Mm hmm, And I hate feeling producted?

1230
00:57:17,040 --> 00:57:19,720
Speaker 3: Do you guys hate being producted by these movies?

1231
00:57:19,920 --> 00:57:24,120
Speaker 7: That feels like a great Bernie macbit? Was that a

1232
00:57:24,160 --> 00:57:26,040
Speaker 7: Bernie Mac? I thought you were doing a Bernie mac bet?

1233
00:57:26,080 --> 00:57:26,840
Speaker 5: Is that a Bernie Mac?

1234
00:57:26,960 --> 00:57:27,640
Speaker 6: I think that is a.

1235
00:57:27,560 --> 00:57:29,440
Speaker 7: Bernie mac Bet. I hate being producted.

1236
00:57:29,600 --> 00:57:31,080
Speaker 2: Well, what is he going to do with it?

1237
00:57:31,760 --> 00:57:33,160
Speaker 6: Well? And very true?

1238
00:57:33,880 --> 00:57:36,240
Speaker 2: Right? Is that bad? I mean? What is he is

1239
00:57:36,240 --> 00:57:36,840
Speaker 2: he gonna do?

1240
00:57:37,400 --> 00:57:38,040
Speaker 6: Is that offensive?

1241
00:57:38,120 --> 00:57:40,160
Speaker 2: Is he gonna do a stand up comedy bit anymore.

1242
00:57:41,240 --> 00:57:43,160
Speaker 7: I'm in the middle of actually trying to make Baby's

1243
00:57:43,200 --> 00:57:45,120
Speaker 7: Kids into a horror film.

1244
00:57:45,160 --> 00:57:47,160
Speaker 2: Well, that guy is I think a lot that guy.

1245
00:57:47,400 --> 00:57:49,480
Speaker 5: No, that's the guys too.

1246
00:57:49,800 --> 00:57:51,120
Speaker 6: Yeah, yeah, that wasn't that.

1247
00:57:51,920 --> 00:57:53,200
Speaker 5: No, it's Robin something.

1248
00:57:54,000 --> 00:57:55,880
Speaker 6: Oh my gosh, guys, we better look.

1249
00:57:55,800 --> 00:57:58,280
Speaker 5: Up babased Kids as long as you've got movies.

1250
00:57:57,960 --> 00:58:01,040
Speaker 3: Typed in your phone already, have to add a couple

1251
00:58:01,160 --> 00:58:03,240
Speaker 3: letters to go movies baybased Kids.

1252
00:58:03,280 --> 00:58:07,880
Speaker 7: All right, babased Kids. You're right, you guys, You guys

1253
00:58:07,920 --> 00:58:11,760
Speaker 7: are right. It was Robin Harris. Robin Harris, m you

1254
00:58:11,760 --> 00:58:12,120
Speaker 7: think you have.

1255
00:58:12,320 --> 00:58:16,600
Speaker 2: Everybody loves Bernie right, Yes, Paul, thank you so much

1256
00:58:16,640 --> 00:58:17,600
Speaker 2: for coming on the show.

1257
00:58:18,680 --> 00:58:20,800
Speaker 6: And yeah, great, and.

1258
00:58:20,800 --> 00:58:22,240
Speaker 7: We will do well.

1259
00:58:22,280 --> 00:58:24,520
Speaker 3: Hang on, something's wrong for Paul.

1260
00:58:24,680 --> 00:58:26,800
Speaker 2: Because we haven't done this yet. We will, Paul, we

1261
00:58:26,880 --> 00:58:27,880
Speaker 2: will do your show.

1262
00:58:28,080 --> 00:58:28,680
Speaker 6: We will do it.

1263
00:58:28,720 --> 00:58:29,320
Speaker 2: We'll figure out.

1264
00:58:31,040 --> 00:58:34,400
Speaker 6: That's why I came here. That's a lot.

1265
00:58:34,440 --> 00:58:37,320
Speaker 7: Thank you, guys. I really appreciate you guys. Give me

1266
00:58:37,360 --> 00:58:39,760
Speaker 7: a chance to workshop this script. And like I said,

1267
00:58:40,520 --> 00:58:42,280
Speaker 7: your notes were great and I'm not going to take them,

1268
00:58:42,320 --> 00:58:43,600
Speaker 7: but I really appreciate it hearing them.

1269
00:58:43,640 --> 00:58:45,440
Speaker 2: Well to say hear them.

1270
00:58:45,560 --> 00:58:47,760
Speaker 3: Yes, we're all pulling for you and we can't wait

1271
00:58:47,800 --> 00:58:51,880
Speaker 3: to see if and what you do next. So thank you,

1272
00:58:52,600 --> 00:58:55,840
Speaker 3: so thanks for being here at everybody at home. Could

1273
00:58:55,880 --> 00:58:58,240
Speaker 3: you like us on Facebook? Could you do me a favorite?

1274
00:58:58,240 --> 00:59:01,760
Speaker 3: Could you rate us on iTunes? And you can talk

1275
00:59:01,800 --> 00:59:04,600
Speaker 3: to us on the forums. And somebody did that this week,

1276
00:59:04,640 --> 00:59:08,600
Speaker 3: and they got the pro version, Boy Genie, Boy Genie

1277
00:59:08,640 --> 00:59:08,960
Speaker 3: did it.

1278
00:59:09,040 --> 00:59:10,520
Speaker 2: Boy Genie got the pro version.

1279
00:59:11,040 --> 00:59:14,840
Speaker 3: And so as a prize, we're gonna send you a

1280
00:59:14,880 --> 00:59:18,160
Speaker 3: flash drive with three Hollywood shooting scripts on it, Boy Genie,

1281
00:59:18,640 --> 00:59:22,200
Speaker 3: and we each select what our favorite has been from

1282
00:59:22,280 --> 00:59:24,240
Speaker 3: this past year, and you get one.

1283
00:59:24,360 --> 00:59:28,640
Speaker 2: Skellington's kiss from Steve Veusemi at the end of the movie,

1284
00:59:28,680 --> 00:59:30,360
Speaker 2: and it's for boy Genie.

1285
00:59:30,440 --> 00:59:31,000
Speaker 6: I love it.

1286
00:59:31,480 --> 00:59:32,880
Speaker 2: But they like when you say their name.

1287
00:59:33,560 --> 00:59:35,120
Speaker 6: I have to say their name, Boy Genie.

1288
00:59:35,360 --> 00:59:36,520
Speaker 2: Yeah, but that's enough.

1289
00:59:37,600 --> 00:59:42,760
Speaker 3: Bye, Hey, damn boy Genie, get us guts and kissed.

1290
00:59:43,040 --> 00:59:48,360
Speaker 2: I said bye.

1291
00:59:50,720 --> 00:59:53,680
Speaker 3: This has been an Earwolf Media production executive producers Jeff

1292
00:59:53,720 --> 00:59:56,680
Speaker 3: Ulrick and Scott Ackerman. For more information, visit Earwolf dot.

1293
00:59:56,560 --> 01:00:04,160
Speaker 8: Com, Earwarf Radio Boom dot

1294
01:00:04,240 --> 01:00:12,080
Speaker 5: Com, The Worf Dead