WEBVTT - 407: Goldmine

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<v Speaker 1>Oh boy, oh boy, oh boy, let's see. Let me

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<v Speaker 1>put my phone on do not disturb, because this next

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<v Speaker 1>hour is going to be disturbing.

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<v Speaker 2>I would just like this flag for the people that

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<v Speaker 2>are just listening to the show and don't watch this

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<v Speaker 2>on YouTube or see clips on our I g I

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<v Speaker 2>forgot what this episode was about. I forgot that there's

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<v Speaker 2>going to be a whole storyline about my brestoses and

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<v Speaker 2>that has not aged well and is slightly problematic. And

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<v Speaker 2>so today I am wearing a turtleneck turtle neck.

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<v Speaker 3>Yes, because turtlenecks cover your brass.

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<v Speaker 2>Everything everything.

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<v Speaker 4>I was just like, you know what, this is what

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<v Speaker 4>I'm wearing for this episode, turtile neck, since there is

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<v Speaker 4>going to be many conversations about this part of my body.

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<v Speaker 3>Yeah, I forgot it was that aggressive.

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<v Speaker 2>It's agressive.

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<v Speaker 3>Yeah.

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<v Speaker 5>I was like, damn, let's just straight up like, hey,

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<v Speaker 5>take them out and let me say by can you?

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<v Speaker 2>But anyway, we'll get there. We'll get there, you guys.

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<v Speaker 2>By the fact that on the rewatch, I got blindsided

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<v Speaker 2>by it and then I didn't remember how bad it got,

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<v Speaker 2>and then I was sitting there, I'm like, how, yeah,

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<v Speaker 2>how but it's almost like the beginning of this episode

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<v Speaker 2>where Nick kind of explains all of the nicknames he

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<v Speaker 2>has for the women he's hooking up with, and he goes,

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<v Speaker 2>if I put the oops on myself, it's about me

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<v Speaker 2>and my faults, is not her. And that's basically though,

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<v Speaker 2>how they got away with the breast reduction storyline. They

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<v Speaker 2>made it about Schmidt being an idiot with severe issues,

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<v Speaker 2>and that takes the heat off of the CC part

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<v Speaker 2>of it. It's still a little problematic, anyway, let's get

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<v Speaker 2>into it. Run it down, okay.

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<v Speaker 5>In this episode, Nick fakes being gay and creates a

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<v Speaker 5>new alter ego, Gay Nick, in an attempt to make

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<v Speaker 5>Jess's new boyfriend Ian feel less awkward about their past. Meanwhile,

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<v Speaker 5>Schmidt absolutely loses it when CC mention she might get

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<v Speaker 5>a breast reduction, prompting him to do everything in his

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<v Speaker 5>power to save his two best friends, Harold and Kumar. Elsewhere,

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<v Speaker 5>Coach tries to get Winston and stopped playing his long

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<v Speaker 5>game with their sexy neighbors Michelle and viv Who'll be

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<v Speaker 5>right back.

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<v Speaker 3>And this episode was directed by Ruh Awsome, who was

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<v Speaker 3>our DP. It it was our DP. That's right, our director

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<v Speaker 3>of photography.

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<v Speaker 2>Yeah, so we got a chance to direct it, which

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<v Speaker 2>of course makes it a great episode because he knows

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<v Speaker 2>the show inside out. He helps all the directors with

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<v Speaker 2>you know, how they're gonna frame it, how they're gonna

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<v Speaker 2>shoot it. Like he's kind of like the whisperer. So

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<v Speaker 2>the fact that here was no middleman per se, like

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<v Speaker 2>he just got to do it himself. That's quite cool.

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<v Speaker 2>And he had one of the greatest writers that was

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<v Speaker 2>ever on New Girl, Berkeley Johnson wrote it, this is,

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<v Speaker 2>of course episode four seven a gold mine.

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<v Speaker 5>When I tell you, Russ, when I directed, like, for

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<v Speaker 5>all the directors out there, aspiring directors, make your DP,

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<v Speaker 5>your cinematographer, your best friend. M m. They help you

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<v Speaker 5>with everything, They correct your mistakes, make you look good.

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<v Speaker 5>Russ was like every step of the way. He would

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<v Speaker 5>look at my shot list and go, Nope, nope, try this,

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<v Speaker 5>try this, Okay, yep, yep.

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<v Speaker 3>So he's great, he's great, Okay, let's just dive in

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<v Speaker 3>a ship.

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<v Speaker 2>I will say this. I just want to say that

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<v Speaker 2>about Russ. Another thing what was so cool about Liz

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<v Speaker 2>is that she had a lot of friends that were

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<v Speaker 2>super talented writers that were also thinking of directing, and

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<v Speaker 2>she gave quite a few of them opportunities to come

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<v Speaker 2>and direct on our show, because it's hard to get

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<v Speaker 2>on a show. How do you direct for the first time,

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<v Speaker 2>something big? And so she gave that opportunity to them

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<v Speaker 2>and then set them up for full success because she

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<v Speaker 2>had Russ there to sit there and support them, and

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<v Speaker 2>so the episode came out really great. And then a

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<v Speaker 2>lot of them have gone on to be really great directors,

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<v Speaker 2>but they needed to get their foot in the door

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<v Speaker 2>and then prove themselves. And New Girl was a great

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<v Speaker 2>show to do it on because it just had that

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<v Speaker 2>reputation of precing great TV. And so she really did,

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<v Speaker 2>you know, use her platform to help a lot of

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<v Speaker 2>female directors kind of launch their careers, which is very

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<v Speaker 2>cool she did.

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<v Speaker 5>She's the best. She still is the best, even though

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<v Speaker 5>she doesn't return my phone calls.

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<v Speaker 2>That was said at their wedding. Remember at their wedding

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<v Speaker 2>when she married Ali, they gave out Alex's phone number

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<v Speaker 2>because Liz is so notorious for not responding to text

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<v Speaker 2>or phone calls. You gotta you gotta, you gotta contact

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<v Speaker 2>the husband.

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<v Speaker 3>Yeah, he's Hollywood with me too.

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<v Speaker 5>They both they're in New York now a New York life,

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<v Speaker 5>I know, but geez.

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<v Speaker 3>That's stupid.

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<v Speaker 2>All right, Okay, this episode is crazy funny. I also

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<v Speaker 2>forgot about all the weird stuff that happens. And the boys,

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<v Speaker 2>by the way, do give really really good advice to her.

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<v Speaker 2>You can't tell somebody that you're trying to bring home

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<v Speaker 2>to have some fun with that you live with your ex.

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<v Speaker 2>You can't.

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<v Speaker 5>Yeah, well, I think you can, and it takes a

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<v Speaker 5>mature person on the other ends except that, but in

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<v Speaker 5>the beginning, that's like asking a lot of a person

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<v Speaker 5>to trust that your situation is cool. In the beginning,

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<v Speaker 5>it should be fine still, because it's like I don't

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<v Speaker 5>owe you anything, like I I just met you were

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<v Speaker 5>going on a date. I live in my boyfriend, or

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<v Speaker 5>I live with my girlfriend like or ex ex boyfriend

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<v Speaker 5>or ex girlfriend. It's so close to the beginning that

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<v Speaker 5>it should be okay and now, and then over time,

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<v Speaker 5>the closer you get, the more you get to know

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<v Speaker 5>that person that they live with, the more you could

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<v Speaker 5>possibly be okay with it.

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<v Speaker 3>But then at some point it's going to have to change.

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<v Speaker 2>I think it's weird from the get go because in

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<v Speaker 2>the get go, when you start dating somebody. You know,

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<v Speaker 2>it's it's that point where like the slightest thing, you're like,

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<v Speaker 2>I'm out the juice salad weird, I'm out, and it's

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<v Speaker 2>like we're going to go back and we're you know,

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<v Speaker 2>first of all, if you just say I have roommates,

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<v Speaker 2>it's already like okay, so I guess this is going

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<v Speaker 2>to be a very quiet situation. And then to go

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<v Speaker 2>like and one of them I was sleeping with last

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<v Speaker 2>week and it was very serious, big emotional, you know,

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<v Speaker 2>relationship with them, and I said I love you and

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<v Speaker 2>we loved each other.

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<v Speaker 3>And it's really.

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<v Speaker 2>You go, you got to use it like Nick uses it,

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<v Speaker 2>which is it's time to leave.

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<v Speaker 5>Yeah, if you're if you're an individual who truly believes

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<v Speaker 5>they're playing effish in the sea, then sure you don't

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<v Speaker 5>have a problem, Like you don't have a problem with

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<v Speaker 5>tractingy you know that your partners out there, then yeah,

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<v Speaker 5>you could be like I don't need this, may go,

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<v Speaker 5>I'm gonna go find it. I'm gonna go find Oprah.

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<v Speaker 3>You know, yeah, it.

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<v Speaker 2>Should be that easy, right, there's no problem. Ops um

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<v Speaker 2>available Oprah.

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<v Speaker 3>I feel like Oprah.

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<v Speaker 5>I feel like Oprah outside and I feel like Opra

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<v Speaker 5>just but we don't know this about Oprah, But I

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<v Speaker 5>feel like Oprah just be out here getting it in,

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<v Speaker 5>just on the low and don't tell you.

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<v Speaker 2>Oh. I just hit my like that was so. My

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<v Speaker 2>computer just started as a seizure at the thought of

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<v Speaker 2>you saying anything unkind or weird about Oprah. My my,

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<v Speaker 2>my computer just started to like shake.

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<v Speaker 6>Oprah.

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<v Speaker 5>I believe Oprah is listening. I love Oprah so much,

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<v Speaker 5>Oprah Beyonce. I believe they are all listening.

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<v Speaker 2>Yeah, wouldn't that be go hey Oprah? Maybe Okay, So,

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<v Speaker 2>so this is happening that she's trying to go and

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<v Speaker 2>get this guy. How does she say it? How does

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<v Speaker 2>she do it? Is she going to be emotionally mature

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<v Speaker 2>and just tell the truth to this guy? Nick is like,

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<v Speaker 2>do not make up a lie. They offer a bunch

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<v Speaker 2>of suggestions, which I think are great. Meanwhile, Winston is

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<v Speaker 2>playing a risky game with the neighbors.

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<v Speaker 3>Yeah, you know, I forgot about.

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<v Speaker 5>I forgot about Honestly, I thought they were just in

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<v Speaker 5>one episode and I forgot that.

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<v Speaker 3>It's like they live there.

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<v Speaker 5>Now, and I just remember, like as I was rewatching this,

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<v Speaker 5>going oh, it's just where Winston's acting like a little bitch.

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<v Speaker 5>It's like it's like playing a long game. And the

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<v Speaker 5>way they would write it and set me up and

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<v Speaker 5>make me look.

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<v Speaker 3>Like such a simp, it's such a cock. I'm like,

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<v Speaker 3>you know what, though.

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<v Speaker 2>It's not the worst strategy, right, I mean, just sit

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<v Speaker 2>there and go like, I'm going to just sit here

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<v Speaker 2>and be the hero every day for these women. I'm

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<v Speaker 2>gonna be the hero. I'm here all day. I'm also

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<v Speaker 2>here all day so that any dude comes in kind

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<v Speaker 2>of like the situation across the hall, they're gonna be like,

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<v Speaker 2>who's this, like, good looking guy hanging out here doing

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<v Speaker 2>all this stuff with you? And so then that guy

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<v Speaker 2>might go. And so it's not a terrible strategy that

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<v Speaker 2>Winston has, except where it's like he's not creating moments

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<v Speaker 2>of opportunity to change the nature of the relationship, which.

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<v Speaker 3>Is a bit of an issue. Right And we see

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<v Speaker 3>obviously at the end we'll get there. But hell, it

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<v Speaker 3>was weird.

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<v Speaker 2>It was sad and weird, very.

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<v Speaker 3>Very sad, very very sad.

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<v Speaker 2>Okay, then here here is the moment we're going to

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<v Speaker 2>kick off this storyline.

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<v Speaker 5>Good god, Okay, go ahead, it's so weird.

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<v Speaker 2>It's so weird. So CEC is looking through Jess's bras Hmm,

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<v Speaker 2>what an intro to the storyline.

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<v Speaker 3>We've all done.

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<v Speaker 2>It just stuck through.

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<v Speaker 5>When I met my boy's house. You know, when I

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<v Speaker 5>met my boy's house, I'm always going through their underwear drawer.

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<v Speaker 5>It's like, let's see what we got here?

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<v Speaker 3>What we got? Can I rock this? Can I rock that?

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<v Speaker 2>Just normal? Just normal? Can I just ridle through your

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<v Speaker 2>panty drawer?

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<v Speaker 3>Yeah?

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<v Speaker 2>Big to you, we're friends. The fact that Jess is

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<v Speaker 2>just like kay, like, nothing's going to pitch you. I

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<v Speaker 2>don't know what you're doing. I remember, though, reading this

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<v Speaker 2>script and I was like, how weird is this going

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<v Speaker 2>to be? And I was actually very concerned because it

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<v Speaker 2>does say that she shows them, and I'm like, how

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<v Speaker 2>are we pulling this off? Like I feel so uncomfortable

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<v Speaker 2>about it. But they did it in a way that

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<v Speaker 2>was fine and funny and made sense. But so here's

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<v Speaker 2>the thing I will say. I will say is that

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<v Speaker 2>I remember being whatever, fifteen, sixteen and telling my mom

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<v Speaker 2>I wanted a breast.

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<v Speaker 5>Reduction when you were fifteen and yes.

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<v Speaker 2>Yeah, yeah, oh boy, Yeah, I remember telling my mom that,

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<v Speaker 2>and she she I mean, she basically had the reaction

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<v Speaker 2>that Schmid had.

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<v Speaker 3>Yeah, I'm like, did she did? She did?

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<v Speaker 5>She was she con fifteen or sixteen? Did she question you,

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<v Speaker 5>you know, on whether or not you knew what you

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<v Speaker 5>were talking about or what that entailed.

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<v Speaker 2>She knew what I was talking about, and she was

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<v Speaker 2>wise enough to know that it was really just societal pressure.

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<v Speaker 2>And I know that sounds strange, but every single magazine,

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<v Speaker 2>different magazines than a fifteen year old boys are looking at,

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<v Speaker 2>but every magazine that was geared towards girls, the girls

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<v Speaker 2>were just like super rail thin and they had just

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<v Speaker 2>like T shirts that would just kind of like hang

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<v Speaker 2>effortlessly or you know, it was just different. And I

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<v Speaker 2>was just I looked like a grown woman and it

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<v Speaker 2>was just weird. And I just thought, like, I just

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<v Speaker 2>want to this is a focal point. I would like

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<v Speaker 2>it just to be not quote unquote normal and feel normal.

0:11:57.800 --> 0:12:01.079
<v Speaker 2>And so my mom was like, why don't we wait,

0:12:02.480 --> 0:12:05.360
<v Speaker 2>Why don't you wait, and we'll talk about this in

0:12:05.400 --> 0:12:08.599
<v Speaker 2>like ten years from now, and she's and it was

0:12:08.640 --> 0:12:10.839
<v Speaker 2>just and then she said something that was crazy, which

0:12:10.960 --> 0:12:12.840
<v Speaker 2>she knows that I'm just going to share today, which

0:12:12.880 --> 0:12:15.120
<v Speaker 2>is crazy, because she was just like, let's just see

0:12:15.280 --> 0:12:19.400
<v Speaker 2>when we get the first complaint about them, shall we,

0:12:22.200 --> 0:12:25.520
<v Speaker 2>As in, you're feeling all this body pressure from women

0:12:26.080 --> 0:12:28.319
<v Speaker 2>and from what the standard of women is supposed to

0:12:28.360 --> 0:12:29.960
<v Speaker 2>be and how they're supposed to look, and how thin

0:12:30.000 --> 0:12:31.920
<v Speaker 2>and how small all your body parts are supposed to be.

0:12:32.280 --> 0:12:34.320
<v Speaker 2>And she was just like, you haven't started dating and

0:12:34.400 --> 0:12:35.920
<v Speaker 2>going out in the world, but you're also going to

0:12:35.920 --> 0:12:37.760
<v Speaker 2>see there's a lot of love for your body, which

0:12:37.760 --> 0:12:40.360
<v Speaker 2>hopefully then will make you realize you've got a great body.

0:12:40.559 --> 0:12:43.360
<v Speaker 2>So just like, wait, you're getting information from the world

0:12:43.360 --> 0:12:45.280
<v Speaker 2>that's forming things in your brain about what to love

0:12:45.320 --> 0:12:46.960
<v Speaker 2>and not to love about your body. Just wait, there'll

0:12:46.960 --> 0:12:48.000
<v Speaker 2>be more information coming.

0:12:48.600 --> 0:12:50.760
<v Speaker 5>Wow, you knew a lot of information at fifteen sixteen

0:12:50.760 --> 0:12:51.720
<v Speaker 5>because you were a bartender.

0:12:52.400 --> 0:12:55.920
<v Speaker 2>I was working at a bar at fifty years oulds,

0:12:56.800 --> 0:12:59.000
<v Speaker 2>I was. But those guys are all like my brothers. Man.

0:12:59.080 --> 0:13:02.000
<v Speaker 2>They kept be so safe in that bar. It was

0:13:02.040 --> 0:13:04.360
<v Speaker 2>good to work at that bar anyway. All that to say,

0:13:04.360 --> 0:13:05.920
<v Speaker 2>it was funny to sit there and hear this thing

0:13:05.920 --> 0:13:07.640
<v Speaker 2>about I want a breast reduction, because it brought me

0:13:07.679 --> 0:13:10.480
<v Speaker 2>back to like a real conversation I had and then

0:13:10.559 --> 0:13:13.480
<v Speaker 2>someone who loved me who basically was like, let's just

0:13:14.280 --> 0:13:17.040
<v Speaker 2>take a beat before you do some major surgery. Let's

0:13:17.040 --> 0:13:19.280
<v Speaker 2>get more information from life and from the world, and

0:13:19.320 --> 0:13:21.400
<v Speaker 2>you could figure this out for yourself. Yeah.

0:13:21.400 --> 0:13:23.760
<v Speaker 5>I've been thinking about getting a reduction too, but we

0:13:24.120 --> 0:13:27.160
<v Speaker 5>ain't got to talk about that.

0:13:27.160 --> 0:13:29.520
<v Speaker 3>It's crazy, it's crazy, it's crazy.

0:13:30.600 --> 0:13:32.360
<v Speaker 2>Wait till next week when we talk about the Ruler

0:13:32.400 --> 0:13:34.160
<v Speaker 2>episode that are lying.

0:13:35.480 --> 0:13:36.160
<v Speaker 3>I don't know why I.

0:13:36.120 --> 0:13:40.880
<v Speaker 2>Said that's a good line the next episode. Okay, okay,

0:13:40.920 --> 0:13:43.400
<v Speaker 2>all right, So then Schmidt hears down the hall, CEC

0:13:43.559 --> 0:13:46.680
<v Speaker 2>talking about the breast reduction surgery comes. I mean, it's

0:13:46.720 --> 0:13:50.800
<v Speaker 2>the funniest As they stand, Jess and CC stand and

0:13:50.920 --> 0:13:53.920
<v Speaker 2>just hear the footsteps getting louder and racing, like break

0:13:53.960 --> 0:13:56.200
<v Speaker 2>next week and she opens it or she's like, wonder

0:13:56.200 --> 0:13:59.240
<v Speaker 2>who this could be? He comes busting in screaming No.

0:14:00.120 --> 0:14:03.280
<v Speaker 5>It was so funny because you you are basically whispering

0:14:03.320 --> 0:14:05.439
<v Speaker 5>this to Jesse in this room and you just hear

0:14:05.480 --> 0:14:07.280
<v Speaker 5>him screaming on the outside and flying.

0:14:07.040 --> 0:14:08.760
<v Speaker 2>Down the head means the room's got to be bugged.

0:14:08.880 --> 0:14:11.120
<v Speaker 2>Every time CC comes over, he just like sits there

0:14:11.160 --> 0:14:13.240
<v Speaker 2>and like listens to like the bug in the room.

0:14:13.679 --> 0:14:15.280
<v Speaker 3>No one, it's Ceci. He just listen.

0:14:16.760 --> 0:14:19.760
<v Speaker 2>It's just like, yeah, hyper aware.

0:14:20.280 --> 0:14:23.000
<v Speaker 5>And I love the fact that even with that stalker

0:14:23.120 --> 0:14:25.920
<v Speaker 5>like behavior, Cec still loves him.

0:14:26.280 --> 0:14:27.720
<v Speaker 2>You know what. It's weird though, you know, you just

0:14:27.760 --> 0:14:31.080
<v Speaker 2>like have that weird friend and you just know, like

0:14:31.120 --> 0:14:34.800
<v Speaker 2>they're weird isms and everything. You're just like they're harmless,

0:14:35.200 --> 0:14:37.920
<v Speaker 2>so you don't get offended by them when you love

0:14:37.960 --> 0:14:41.440
<v Speaker 2>someone and knows somebody that deeply versus a stranger, Like

0:14:41.480 --> 0:14:43.240
<v Speaker 2>if Nick had said it, Cec would be like, I'm

0:14:43.280 --> 0:14:46.560
<v Speaker 2>hing the cops immediately. Yeah right, And so there's a

0:14:46.600 --> 0:14:49.320
<v Speaker 2>difference in your relationships and how you know people and

0:14:49.520 --> 0:14:52.680
<v Speaker 2>accept their weirdness. And I think that that's the sweet

0:14:52.760 --> 0:14:55.000
<v Speaker 2>dynamic of like Schmidt and CC.

0:14:57.760 --> 0:14:58.480
<v Speaker 3>Yeah, all right.

0:14:59.160 --> 0:15:01.440
<v Speaker 2>Then Schmid goes to the bar, he goes through his

0:15:01.760 --> 0:15:06.400
<v Speaker 2>like you know, weird phases of anger, depression, denial, acceptance,

0:15:07.280 --> 0:15:11.520
<v Speaker 2>being a crazy person. And then we're back with winning coach.

0:15:12.640 --> 0:15:14.480
<v Speaker 5>Yeah, you know, Winston is telling coach that he doesn't

0:15:14.480 --> 0:15:17.200
<v Speaker 5>want to stray from his long game, you know what

0:15:17.200 --> 0:15:19.640
<v Speaker 5>I mean, he still got some things worked out. Coaches

0:15:19.720 --> 0:15:23.520
<v Speaker 5>letting him know basically that having sex is not about

0:15:23.560 --> 0:15:24.240
<v Speaker 5>planning ahead.

0:15:24.280 --> 0:15:26.960
<v Speaker 3>Man, you just gotta you just gotta seize the opportunity.

0:15:27.480 --> 0:15:33.360
<v Speaker 5>And then uh, Coach pitches a crying Schmidt on hanging

0:15:33.360 --> 0:15:36.840
<v Speaker 5>out with four new boobs. It's so funny how we're like,

0:15:38.360 --> 0:15:42.640
<v Speaker 5>how we're personifying breasts just to make just to make

0:15:42.840 --> 0:15:45.440
<v Speaker 5>we're personifying breasts. And we do it again later on

0:15:45.480 --> 0:15:49.720
<v Speaker 5>in this episode when when he's comparing Coach in Winston

0:15:50.280 --> 0:15:52.680
<v Speaker 5>and there's a lot of confusion, but it's so funny

0:15:52.720 --> 0:15:54.840
<v Speaker 5>in order to make this stuff okay that we have

0:15:54.880 --> 0:15:58.000
<v Speaker 5>to keep it personified. We have to like, instead of

0:15:58.040 --> 0:16:00.680
<v Speaker 5>just straight up saying it, we're like call him Harold

0:16:00.760 --> 0:16:03.640
<v Speaker 5>and Kumar, you know. He's like, hey, can I introduce

0:16:03.640 --> 0:16:06.040
<v Speaker 5>you to four new you know, because on.

0:16:06.080 --> 0:16:07.720
<v Speaker 3>Two different women women.

0:16:07.800 --> 0:16:11.800
<v Speaker 2>Which is also what's that as a response, those things

0:16:12.040 --> 0:16:14.440
<v Speaker 2>kill me? Is there a four women out there that

0:16:14.480 --> 0:16:15.200
<v Speaker 2>we don't know about?

0:16:15.240 --> 0:16:20.040
<v Speaker 5>You're going to Yeah, you have been West Virginia.

0:16:20.320 --> 0:16:22.240
<v Speaker 3>I got some things over.

0:16:21.880 --> 0:16:24.320
<v Speaker 2>There, the boobs up here, the under boobs under here.

0:16:24.680 --> 0:16:26.880
<v Speaker 3>Yeah, some total recall stuff.

0:16:30.160 --> 0:16:33.000
<v Speaker 2>All. So Jess is now trying to like get up

0:16:33.040 --> 0:16:36.160
<v Speaker 2>the courage. She's going to handle this in immature way, right,

0:16:36.280 --> 0:16:38.480
<v Speaker 2>So she's like we're going to take you back to

0:16:38.560 --> 0:16:42.040
<v Speaker 2>my place. It's a cute little moment. Then she has

0:16:42.160 --> 0:16:44.400
<v Speaker 2>to say she lives with her accent. She has to

0:16:44.400 --> 0:16:46.520
<v Speaker 2>tell him that it was serious and that they didn't

0:16:46.520 --> 0:16:50.520
<v Speaker 2>say I love you, and he's like, I'm out. You know,

0:16:50.640 --> 0:16:52.360
<v Speaker 2>I've been on a bunch of weird dates. I don't

0:16:52.400 --> 0:16:55.000
<v Speaker 2>want another weird experience in my life. I'm like max

0:16:55.040 --> 0:16:57.920
<v Speaker 2>out on the weirdness. And then she starts to take

0:16:57.920 --> 0:17:01.000
<v Speaker 2>on the guy's script from the beginning, where she's like,

0:17:01.080 --> 0:17:02.520
<v Speaker 2>there's nothing no worry about.

0:17:03.480 --> 0:17:04.720
<v Speaker 3>He's gay.

0:17:04.920 --> 0:17:11.119
<v Speaker 7>He's gay, and it's maybe again it's like the weird

0:17:11.160 --> 0:17:13.560
<v Speaker 7>thing of the Schmidt and CC like her accepting his

0:17:13.920 --> 0:17:18.600
<v Speaker 7>absolutely inappropriate weirdness that you see that there's like true

0:17:18.640 --> 0:17:19.359
<v Speaker 7>chemistry there.

0:17:20.040 --> 0:17:23.359
<v Speaker 2>The level that Nick tries to go, even though he's

0:17:23.480 --> 0:17:26.639
<v Speaker 2>so bad at it, the level that he tries to

0:17:26.800 --> 0:17:30.760
<v Speaker 2>go to support her hook up is nothing but love,

0:17:30.800 --> 0:17:33.359
<v Speaker 2>which is what the guy calls out at the end. Yeah,

0:17:33.400 --> 0:17:35.240
<v Speaker 2>this man's in love with you that he would even

0:17:35.440 --> 0:17:39.320
<v Speaker 2>try when he's clearly terrible and what does he have?

0:17:39.400 --> 0:17:41.520
<v Speaker 2>Terrible a lying but I'm great at make believe. He's

0:17:41.560 --> 0:17:42.760
<v Speaker 2>also terrible at make believe.

0:17:43.359 --> 0:17:44.440
<v Speaker 3>Oh, god.

0:17:47.920 --> 0:17:51.440
<v Speaker 5>Anyway, So just tells Nick a lot about his backstory.

0:17:51.480 --> 0:17:54.560
<v Speaker 5>He tells her he's not to put him in a box.

0:17:55.160 --> 0:17:57.800
<v Speaker 5>Don't put him in a box because gay men hate that.

0:17:58.280 --> 0:18:01.960
<v Speaker 5>So funny. We're gonna get back into uh Nick being

0:18:02.040 --> 0:18:06.480
<v Speaker 5>gay or four gay. Uh we come back for gay,

0:18:06.520 --> 0:18:22.400
<v Speaker 5>he's for gazy when we come back and we are

0:18:22.640 --> 0:18:27.960
<v Speaker 5>back podcast, We're back to the Messervione podcast with Simon

0:18:28.400 --> 0:18:30.320
<v Speaker 5>and and Morris.

0:18:30.600 --> 0:18:32.560
<v Speaker 6>So, if you were trapped on an island and you

0:18:32.600 --> 0:18:37.640
<v Speaker 6>could only bring three LPs with you, which records would

0:18:37.680 --> 0:18:39.840
<v Speaker 6>you like to listen to? Emmy Award winner.

0:18:39.960 --> 0:18:42.919
<v Speaker 3>And Morris LPs the.

0:18:46.720 --> 0:18:51.960
<v Speaker 5>Record there's only room for one. But Benson Boone is

0:18:52.000 --> 0:18:58.480
<v Speaker 5>my favorite artist, Oh my god. Yeah, which I saw

0:18:58.520 --> 0:19:01.719
<v Speaker 5>him perform last night again and that's the first time

0:19:01.800 --> 0:19:02.439
<v Speaker 5>seeing perform.

0:19:03.400 --> 0:19:06.440
<v Speaker 3>I went to event. But he's he's a buddy of mine.

0:19:07.000 --> 0:19:07.879
<v Speaker 2>Ben Jon Boom.

0:19:08.520 --> 0:19:09.800
<v Speaker 3>Yeah, randomly me and Jake.

0:19:09.800 --> 0:19:11.439
<v Speaker 5>I don't want to say buddy, I say acquaintance, but

0:19:11.520 --> 0:19:12.680
<v Speaker 5>we're becoming buddies.

0:19:14.000 --> 0:19:14.840
<v Speaker 3>Probably not, but.

0:19:14.800 --> 0:19:20.680
<v Speaker 5>Anyway, a manifest moment. He's such a great he's such

0:19:20.720 --> 0:19:21.520
<v Speaker 5>a great performer.

0:19:21.840 --> 0:19:24.520
<v Speaker 2>Is American idol. Someone just told me that the other day.

0:19:24.520 --> 0:19:26.080
<v Speaker 2>He came up of American Idol and they did a

0:19:26.119 --> 0:19:28.640
<v Speaker 2>full like Harry Styles glow up on him, right.

0:19:28.800 --> 0:19:29.359
<v Speaker 3>Yeah, I believe.

0:19:29.440 --> 0:19:29.520
<v Speaker 2>So.

0:19:29.960 --> 0:19:32.480
<v Speaker 3>He was like it was we were in a basketball

0:19:32.480 --> 0:19:33.000
<v Speaker 3>game and Jake.

0:19:33.320 --> 0:19:35.480
<v Speaker 5>It was me and Jake at the Lakers game and

0:19:35.600 --> 0:19:38.160
<v Speaker 5>Benson was sitting right in front of us, and Jake like.

0:19:38.119 --> 0:19:40.560
<v Speaker 3>A little bitch was freaking out. It was like, that's

0:19:40.600 --> 0:19:41.120
<v Speaker 3>Benson Boone.

0:19:41.160 --> 0:19:45.720
<v Speaker 2>That's Benson Benson Boone, Yeah, and knows who it is.

0:19:46.240 --> 0:19:48.240
<v Speaker 5>Yeah, And when he turned around, Benson Boone was and

0:19:48.600 --> 0:19:53.600
<v Speaker 5>turns out Benson Boone's a big New Girl fan, big yeah.

0:19:53.720 --> 0:19:55.560
<v Speaker 5>And was like, oh my god. He asked us for

0:19:55.600 --> 0:19:56.000
<v Speaker 5>a photo.

0:19:57.040 --> 0:19:59.320
<v Speaker 3>No he did not, Yeah, he asked us for a

0:19:59.359 --> 0:19:59.880
<v Speaker 3>fire were taking.

0:20:00.600 --> 0:20:02.800
<v Speaker 5>We started following each other on social media, and yesterday

0:20:02.840 --> 0:20:04.359
<v Speaker 5>him and I were dming that I was coming to

0:20:04.359 --> 0:20:08.280
<v Speaker 5>the show and uh yeah, he was just like met

0:20:08.359 --> 0:20:11.919
<v Speaker 5>up after the show, hung out, hung out at the

0:20:11.960 --> 0:20:14.000
<v Speaker 5>event and yeah.

0:20:14.040 --> 0:20:14.480
<v Speaker 3>I was like this.

0:20:15.080 --> 0:20:17.639
<v Speaker 5>And what's what's so cool about it was that that

0:20:17.920 --> 0:20:20.960
<v Speaker 5>day I was playing a song that he had just

0:20:21.080 --> 0:20:24.080
<v Speaker 5>released and I was like, my god, this song is great.

0:20:24.160 --> 0:20:26.360
<v Speaker 5>This man is on fire, Like this is this new

0:20:26.400 --> 0:20:29.200
<v Speaker 5>song is going to be on some Adele ballad shit

0:20:29.800 --> 0:20:32.800
<v Speaker 5>song about his mother, and I was like, oh my god,

0:20:32.800 --> 0:20:35.760
<v Speaker 5>this is great. And then he performed it that same day,

0:20:35.880 --> 0:20:37.680
<v Speaker 5>like later that same night. I was like, my god,

0:20:37.720 --> 0:20:38.520
<v Speaker 5>what is my life?

0:20:38.560 --> 0:20:39.760
<v Speaker 3>Man? What is mom?

0:20:39.920 --> 0:20:43.320
<v Speaker 6>Benson Boom performed like your new favorite song?

0:20:43.600 --> 0:20:43.800
<v Speaker 3>Yeah?

0:20:43.880 --> 0:20:45.400
<v Speaker 2>Such a cool and you guys are like in each

0:20:45.440 --> 0:20:49.720
<v Speaker 2>other's d ms. Benson, come on the podcast, come here.

0:20:49.720 --> 0:20:52.080
<v Speaker 2>You love New Girl so much? I challenge you. Come here.

0:20:52.359 --> 0:20:56.120
<v Speaker 2>We'll do a New Girl quiz for Benson. Let's see

0:20:56.200 --> 0:20:59.800
<v Speaker 2>how many you get right and if you win, you sang.

0:21:00.040 --> 0:21:01.000
<v Speaker 2>If you lose, you sing?

0:21:03.320 --> 0:21:05.480
<v Speaker 5>I posted, I posted it was it a Rick glassman.

0:21:05.600 --> 0:21:08.720
<v Speaker 5>I posted a video of him performing here today.

0:21:08.960 --> 0:21:10.639
<v Speaker 3>Rick was like, how many backlips did you do?

0:21:11.600 --> 0:21:14.440
<v Speaker 2>Yeah? I saw he was wild.

0:21:14.960 --> 0:21:16.360
<v Speaker 3>The dude is insane. Man.

0:21:16.880 --> 0:21:20.320
<v Speaker 2>I feel like Benson Boone would be able to channel

0:21:20.359 --> 0:21:23.040
<v Speaker 2>a better gay Nick than Gay Nick did.

0:21:24.080 --> 0:21:26.320
<v Speaker 5>Will Benson be showing his titties a lot? Can I

0:21:26.320 --> 0:21:28.920
<v Speaker 5>say that he always got his shirt?

0:21:29.600 --> 0:21:29.879
<v Speaker 6>I don't know.

0:21:29.920 --> 0:21:31.800
<v Speaker 2>We're about to have a whole scene talking about mine,

0:21:31.880 --> 0:21:33.440
<v Speaker 2>so I guess we could talk about Benson's.

0:21:33.520 --> 0:21:37.160
<v Speaker 3>He's always showing off? Is Harold and Kumar his Harold Harold.

0:21:37.240 --> 0:21:39.480
<v Speaker 2>I feel like Benson's a real new girlfriend. He will

0:21:39.480 --> 0:21:42.119
<v Speaker 2>not mind this. Benson, we love you. Please come on

0:21:42.119 --> 0:21:46.160
<v Speaker 2>our show. Okay, so well back, and this is the part,

0:21:46.200 --> 0:21:48.240
<v Speaker 2>Oh my god, this part. Okay. I was by myself

0:21:48.320 --> 0:21:50.320
<v Speaker 2>during the rewatch and I cackled it away where I

0:21:50.359 --> 0:21:52.040
<v Speaker 2>was like, someone's going to call the police because there's

0:21:52.040 --> 0:21:56.200
<v Speaker 2>no way she's alone. When when when Max picks up

0:21:56.240 --> 0:22:00.639
<v Speaker 2>the little Clementine oranges mm hmm and the girls just

0:22:00.720 --> 0:22:07.439
<v Speaker 2>over here. Then Damon tries to pivot about what he

0:22:07.560 --> 0:22:18.000
<v Speaker 2>was talking about, which Schmidt doesn't hear, and then the

0:22:18.000 --> 0:22:21.560
<v Speaker 2>girls think it's about you and Damon.

0:22:21.840 --> 0:22:26.880
<v Speaker 3>Yes, And then the most off.

0:22:26.720 --> 0:22:29.639
<v Speaker 2>Sides thing that I feel like that Max Greenfield has

0:22:29.640 --> 0:22:32.760
<v Speaker 2>had to say on this show in the longest time,

0:22:34.240 --> 0:22:37.760
<v Speaker 2>about you too, which is about the oranges, which is

0:22:37.760 --> 0:22:41.640
<v Speaker 2>about the breasts. It's so complicated. And then the scene

0:22:41.840 --> 0:22:43.200
<v Speaker 2>ends with you two.

0:22:44.800 --> 0:22:46.360
<v Speaker 3>Bouncing bouncing.

0:22:46.800 --> 0:22:48.440
<v Speaker 2>I swear I nearly passed away.

0:22:48.640 --> 0:22:49.760
<v Speaker 5>Bounce bounce.

0:22:52.400 --> 0:22:55.719
<v Speaker 3>I mean him comparing them by color.

0:22:56.160 --> 0:22:59.840
<v Speaker 5>He's like one it's like if you you didn't pay attention,

0:22:59.880 --> 0:23:01.880
<v Speaker 5>but one slightly browner than the other.

0:23:03.880 --> 0:23:08.800
<v Speaker 2>And the Dario's face right because she's just like her

0:23:09.200 --> 0:23:11.639
<v Speaker 2>jaw is literally on the ground because I'm sure even

0:23:11.840 --> 0:23:14.720
<v Speaker 2>look because as an actress you still have to choose

0:23:14.720 --> 0:23:19.920
<v Speaker 2>your reactions and play as if he's talking about these

0:23:20.000 --> 0:23:20.640
<v Speaker 2>two men.

0:23:21.320 --> 0:23:24.160
<v Speaker 3>Yeah, yes, it is crazy.

0:23:24.240 --> 0:23:27.720
<v Speaker 2>Then how you choose your reactions because you feel so

0:23:27.880 --> 0:23:31.960
<v Speaker 2>humanly uncomfortable with what is actually happening.

0:23:32.800 --> 0:23:37.960
<v Speaker 5>Oh god, oh my gosh. But yeah, this is right,

0:23:38.000 --> 0:23:39.159
<v Speaker 5>and this is the right, this is right at that

0:23:39.160 --> 0:23:40.360
<v Speaker 5>moment where they get kicked out.

0:23:40.400 --> 0:23:45.080
<v Speaker 2>Yeah, I did skip over some of the funniest stuff

0:23:45.080 --> 0:23:47.920
<v Speaker 2>in the entire world, which is that Coach and Winston

0:23:48.000 --> 0:23:49.760
<v Speaker 2>come up with the thing that they're leaving for forty

0:23:49.800 --> 0:23:53.639
<v Speaker 2>four weeks to sell socks, absolutely, and that Sid's entry

0:23:53.680 --> 0:23:56.480
<v Speaker 2>line is I just cried on my penis while I

0:23:56.520 --> 0:24:00.480
<v Speaker 2>was peeing. Also one of my favorites, So that is

0:24:00.520 --> 0:24:02.440
<v Speaker 2>going to go into like my top ten all time

0:24:02.480 --> 0:24:03.119
<v Speaker 2>favorite scenes.

0:24:03.680 --> 0:24:05.879
<v Speaker 5>I could tell you that that as a man, I

0:24:05.880 --> 0:24:08.359
<v Speaker 5>could tell you that happens more often than you.

0:24:08.359 --> 0:24:09.879
<v Speaker 2>You cry on your penis.

0:24:09.880 --> 0:24:12.800
<v Speaker 5>Well, people don't well because sometimes it's just there and

0:24:12.800 --> 0:24:15.280
<v Speaker 5>it's in the way, and you don't know where your

0:24:15.320 --> 0:24:17.880
<v Speaker 5>tears are going to go because some people are projectile criers,

0:24:18.400 --> 0:24:21.000
<v Speaker 5>and you don't know you don't know where where it's

0:24:21.040 --> 0:24:26.280
<v Speaker 5>gonna like, you know, cascades down, it rolls, it rips,

0:24:26.280 --> 0:24:27.240
<v Speaker 5>it bounces.

0:24:27.320 --> 0:24:27.639
<v Speaker 3>Sometimes.

0:24:28.040 --> 0:24:29.920
<v Speaker 2>I feel like, if you're crying while you're peeing, maybe

0:24:29.960 --> 0:24:31.800
<v Speaker 2>just sit down. Maybe just do a sit down pee.

0:24:31.840 --> 0:24:35.160
<v Speaker 5>If you're just you, who says you gotta who says

0:24:35.160 --> 0:24:37.440
<v Speaker 5>you gotta be peeing while you're crying on your penis,

0:24:37.800 --> 0:24:40.320
<v Speaker 5>you could be You could be on a nude nature

0:24:40.440 --> 0:24:44.359
<v Speaker 5>jog and you can see a beautiful, beautiful sunset, or

0:24:44.400 --> 0:24:46.200
<v Speaker 5>a beautiful flower or a hummingbird.

0:24:47.080 --> 0:24:51.480
<v Speaker 2>Can someone animate Winston on a nude nature jog crying

0:24:52.640 --> 0:24:58.840
<v Speaker 2>on to his own penis?

0:24:58.840 --> 0:24:59.159
<v Speaker 5>Why?

0:24:59.400 --> 0:25:01.959
<v Speaker 2>Why is my brain work like that? When you say something,

0:25:02.000 --> 0:25:03.480
<v Speaker 2>I see it, and I don't.

0:25:03.240 --> 0:25:04.720
<v Speaker 3>Want an animation form.

0:25:04.920 --> 0:25:07.320
<v Speaker 5>You're gonna see it, and you're gonna see this often

0:25:07.560 --> 0:25:12.000
<v Speaker 5>in an animation form. Somebody out there will make this.

0:25:12.640 --> 0:25:16.680
<v Speaker 5>Somebody with good AI, dude.

0:25:16.160 --> 0:25:18.320
<v Speaker 2>That's where he was crying. Well, okay, So then Max

0:25:18.600 --> 0:25:22.040
<v Speaker 2>gets back from his nude nature jog, Chris on this penis.

0:25:22.080 --> 0:25:24.080
<v Speaker 2>Everything goes left with the forty four weeks in the

0:25:24.080 --> 0:25:28.720
<v Speaker 2>socks and the bouncing, and so the girls wisely kick

0:25:28.960 --> 0:25:30.240
<v Speaker 2>these men out of the apartment.

0:25:30.720 --> 0:25:33.280
<v Speaker 5>Yes, I think that's important. I think that's very much

0:25:33.320 --> 0:25:34.520
<v Speaker 5>so appropriate.

0:25:34.240 --> 0:25:38.560
<v Speaker 2>And everything then goes sideways for everybody because the next

0:25:38.560 --> 0:25:42.720
<v Speaker 2>morning just wakes up next to Ian and then classic

0:25:43.160 --> 0:25:47.000
<v Speaker 2>Nick Miller cannot be a good wingman to the end,

0:25:47.560 --> 0:25:48.120
<v Speaker 2>I mean.

0:25:48.400 --> 0:25:50.520
<v Speaker 5>You know, but to be fair, Okay, So what happens is,

0:25:51.440 --> 0:25:52.640
<v Speaker 5>you know, he knocks on the door and he lets

0:25:52.640 --> 0:25:54.719
<v Speaker 5>her know that he's screwed up because he's hooked up

0:25:54.720 --> 0:25:55.000
<v Speaker 5>with a.

0:25:55.000 --> 0:25:58.159
<v Speaker 3>Woman and she's there. Yeah. But to me, I'm like,

0:25:59.080 --> 0:26:02.080
<v Speaker 3>this is an easy, the fixed, fixable problem.

0:26:02.160 --> 0:26:05.600
<v Speaker 5>But again, we're in TV world. There's no issue there.

0:26:05.960 --> 0:26:08.439
<v Speaker 5>He was in his own private room with a woman.

0:26:10.040 --> 0:26:12.760
<v Speaker 5>Ever put her clothes on and stay.

0:26:12.560 --> 0:26:13.600
<v Speaker 3>In the room or go home.

0:26:13.760 --> 0:26:15.439
<v Speaker 2>But the problem is, I think was what he has

0:26:15.600 --> 0:26:17.080
<v Speaker 2>learned is this woman won't leave.

0:26:17.920 --> 0:26:19.080
<v Speaker 3>Yeah, we figured that out later.

0:26:19.400 --> 0:26:21.399
<v Speaker 2>Yeah. I think he's kind of clocked that. You know,

0:26:21.560 --> 0:26:23.200
<v Speaker 2>it seems like he had a great way of getting

0:26:23.240 --> 0:26:25.600
<v Speaker 2>all these women out quickly and this woman is like not.

0:26:26.480 --> 0:26:28.200
<v Speaker 2>And so he's like, I've messed up.

0:26:28.840 --> 0:26:30.000
<v Speaker 5>Or you know what I like to do, you know,

0:26:30.119 --> 0:26:33.280
<v Speaker 5>I like to do what to get people to leave, Hey,

0:26:34.200 --> 0:26:36.800
<v Speaker 5>let's go get a coffee or you know.

0:26:36.800 --> 0:26:40.480
<v Speaker 2>What, stay with her, just stay in the room round two.

0:26:41.040 --> 0:26:43.840
<v Speaker 3>Well, because no, you can't keep doing round too.

0:26:43.880 --> 0:26:47.480
<v Speaker 2>Because like breakfast, I don't care that much.

0:26:47.680 --> 0:26:50.120
<v Speaker 3>Got refuel, refuel, retool.

0:26:49.880 --> 0:26:51.480
<v Speaker 2>And stay in the room.

0:26:51.720 --> 0:26:53.120
<v Speaker 3>But what does she gotta go drop a deuce?

0:26:54.240 --> 0:26:56.120
<v Speaker 2>This is why he's like he So he comes out

0:26:56.119 --> 0:26:58.920
<v Speaker 2>and he's like, I'm just gonna be transferred. Here's the thing.

0:26:59.160 --> 0:27:03.400
<v Speaker 2>I don't know why this would feel shocking, Like why

0:27:03.440 --> 0:27:05.480
<v Speaker 2>can't he just be by Why can't he be like

0:27:05.640 --> 0:27:08.360
<v Speaker 2>obviously he was with Jess and now he's dating men.

0:27:08.840 --> 0:27:10.480
<v Speaker 2>Can't he just be like, oh, I'm.

0:27:10.359 --> 0:27:13.320
<v Speaker 5>Just because no, because that's even that's even that's even

0:27:13.400 --> 0:27:17.600
<v Speaker 5>worse for his case now because on the table, yeah,

0:27:17.720 --> 0:27:20.639
<v Speaker 5>he's like now it's like, oh, I I don't I

0:27:20.680 --> 0:27:25.320
<v Speaker 5>didn't turn myself off from women, like I still date women.

0:27:25.840 --> 0:27:28.400
<v Speaker 3>He's like, wait, what so you so now now? Now

0:27:28.720 --> 0:27:29.400
<v Speaker 3>now he does.

0:27:29.480 --> 0:27:32.520
<v Speaker 5>Ian doesn't know whether or not if if that's the case,

0:27:32.560 --> 0:27:36.240
<v Speaker 5>Ian doesn't know whether or not he's you know, fully

0:27:36.280 --> 0:27:39.280
<v Speaker 5>engaged with men, because he could just today and it's.

0:27:39.080 --> 0:27:41.560
<v Speaker 2>True, he did present it like gay Nick. He didn't

0:27:41.560 --> 0:27:46.560
<v Speaker 2>say why Nick, or you know, curious or fluid Nick. Yeah,

0:27:46.680 --> 0:27:49.480
<v Speaker 2>you're right, Okay, So my idea that it wouldn't work gay,

0:27:49.560 --> 0:27:53.960
<v Speaker 2>but Bryan, okay, okay. So then just is like, you

0:27:54.000 --> 0:27:56.320
<v Speaker 2>know what, I'm gonna take care of it because I'm

0:27:56.320 --> 0:27:58.399
<v Speaker 2>just gonna go full crazy X on her and trust me,

0:27:58.440 --> 0:28:01.399
<v Speaker 2>she's gonna run screaming. And she goes in, but the

0:28:01.480 --> 0:28:05.639
<v Speaker 2>girl kind of out crazies her, and it's just like, no,

0:28:05.840 --> 0:28:08.159
<v Speaker 2>I don't care. Like the last guy I dated was

0:28:08.240 --> 0:28:10.400
<v Speaker 2>eighty years old and I just prayed he did die

0:28:10.440 --> 0:28:13.880
<v Speaker 2>every day. So I like, good with whatever this situation is,

0:28:14.320 --> 0:28:15.560
<v Speaker 2>which is amazing.

0:28:17.760 --> 0:28:18.840
<v Speaker 3>We've all been there.

0:28:20.640 --> 0:28:22.959
<v Speaker 5>Eighty year old woman and I had the same thoughts,

0:28:23.000 --> 0:28:24.960
<v Speaker 5>you know what I mean, Just stick around for a while,

0:28:25.440 --> 0:28:25.920
<v Speaker 5>just stay here.

0:28:25.960 --> 0:28:29.719
<v Speaker 2>I love you, all right. So Coach tries to have

0:28:29.800 --> 0:28:33.720
<v Speaker 2>Winnie's back because he's like tired of watching these women

0:28:33.840 --> 0:28:38.479
<v Speaker 2>manipulate his friend Winston, and he's kind of right, so

0:28:38.520 --> 0:28:41.360
<v Speaker 2>he goes in. He apologizes for trying to manipulate them

0:28:41.480 --> 0:28:44.160
<v Speaker 2>and then says, but also, you're not off the hook,

0:28:44.320 --> 0:28:47.960
<v Speaker 2>because y'all I've been doing the same kind of thing

0:28:48.360 --> 0:28:49.000
<v Speaker 2>to Winnie.

0:28:49.440 --> 0:28:49.920
<v Speaker 3>That's right.

0:28:50.360 --> 0:28:53.960
<v Speaker 5>You know you've manipulating him for months, thinking that you know,

0:28:54.080 --> 0:28:56.400
<v Speaker 5>using your sex to get him to do stuff, and

0:28:56.440 --> 0:28:59.040
<v Speaker 5>they say that they haven't been using sex to get

0:28:59.080 --> 0:29:04.160
<v Speaker 5>Winston at Doucet, and Winston is a little bit, uh,

0:29:04.680 --> 0:29:06.680
<v Speaker 5>he's little, he's a little you know, hurt by that.

0:29:06.760 --> 0:29:08.680
<v Speaker 5>He's like, oh, you haven't. That's what I thought you

0:29:08.680 --> 0:29:10.360
<v Speaker 5>guys were doing. I thought I was about to get

0:29:10.360 --> 0:29:12.120
<v Speaker 5>in there. And then they rock paper scissors.

0:29:13.880 --> 0:29:17.040
<v Speaker 2>Well, coaches like, listen, he's done. He's not going to

0:29:17.120 --> 0:29:19.400
<v Speaker 2>help you anymore. And they still need to like their

0:29:19.440 --> 0:29:24.440
<v Speaker 2>floors done and their shelf done. And then yeah, this choice.

0:29:24.880 --> 0:29:26.960
<v Speaker 5>This, you know, I don't know how I feel about

0:29:26.960 --> 0:29:32.160
<v Speaker 5>this moment, you know, just because we're in the future

0:29:32.400 --> 0:29:34.640
<v Speaker 5>and there's different things to think about. But I'm like,

0:29:35.440 --> 0:29:40.040
<v Speaker 5>did he just say I'll fix your floors for some squish?

0:29:40.560 --> 0:29:42.680
<v Speaker 3>Like basically that's happening.

0:29:43.920 --> 0:29:47.800
<v Speaker 5>Basically, it's like they can't before they live They live

0:29:47.840 --> 0:29:48.880
<v Speaker 5>in a very expensive.

0:29:48.560 --> 0:29:51.160
<v Speaker 2>Apartment, very expensive apartment, and.

0:29:51.200 --> 0:29:53.960
<v Speaker 5>You need to tell me, like, their apartment is exactly

0:29:54.000 --> 0:29:59.719
<v Speaker 5>the same as our apartment. Ye, and we have a

0:29:59.720 --> 0:30:01.680
<v Speaker 5>lot of people living in there, pain right, and it's

0:30:01.800 --> 0:30:04.240
<v Speaker 5>just them too, So they clearly have the money, you

0:30:04.280 --> 0:30:06.880
<v Speaker 5>know what I mean, to just have someone you know,

0:30:06.960 --> 0:30:08.320
<v Speaker 5>first of all, why are you redoing a floor is

0:30:08.320 --> 0:30:08.840
<v Speaker 5>in a rental.

0:30:08.920 --> 0:30:14.440
<v Speaker 3>It's just kind of all right, But but hanging sheels.

0:30:14.480 --> 0:30:15.720
<v Speaker 5>I just thought that was I just thought that was

0:30:15.720 --> 0:30:17.880
<v Speaker 5>a really interesting orichal, the idea that they would.

0:30:17.720 --> 0:30:21.480
<v Speaker 3>Go, okay, well I'll I'll sleep.

0:30:21.280 --> 0:30:24.560
<v Speaker 5>With you the way she was like it's me.

0:30:25.560 --> 0:30:30.000
<v Speaker 2>I was like, oh my god, what. But then they

0:30:30.000 --> 0:30:33.560
<v Speaker 2>do a turn, which is nice just for everybody's dignity,

0:30:34.160 --> 0:30:35.760
<v Speaker 2>just like, I'm kind of into it. All right, let's

0:30:35.760 --> 0:30:37.959
<v Speaker 2>make it cute, let's go have some fun. And when

0:30:38.000 --> 0:30:38.480
<v Speaker 2>he's like.

0:30:38.440 --> 0:30:42.880
<v Speaker 3>Good, bring a pencil on a hard head, she.

0:30:43.160 --> 0:30:46.400
<v Speaker 2>Runs down the hall. Feels slightly problematic to sit there

0:30:46.440 --> 0:30:48.280
<v Speaker 2>and like blackmail the women, and the women are kind

0:30:48.320 --> 0:30:50.520
<v Speaker 2>of like doing their own version of blackmail. It feels

0:30:50.640 --> 0:30:51.360
<v Speaker 2>very strange.

0:30:51.560 --> 0:30:53.640
<v Speaker 3>Well, then it's mutual at that point, you know it's

0:30:53.760 --> 0:30:54.360
<v Speaker 3>both parties.

0:30:54.360 --> 0:30:57.320
<v Speaker 5>If both parties are agreeing that we're manipulating each other

0:30:57.360 --> 0:30:59.440
<v Speaker 5>to get stuff that we want.

0:30:59.680 --> 0:31:03.760
<v Speaker 2>And I just feel weird of sex be transactional, the

0:31:03.800 --> 0:31:06.120
<v Speaker 2>boobs thing. There's a lot of weird stuff that happens

0:31:06.120 --> 0:31:08.640
<v Speaker 2>in this episode, but it truly is the magic of

0:31:08.680 --> 0:31:11.760
<v Speaker 2>new girls sometimes where you love them so much you

0:31:11.840 --> 0:31:14.840
<v Speaker 2>know that their intention is good, because here's what's so

0:31:14.880 --> 0:31:17.720
<v Speaker 2>smart about how they build their characters is that deep

0:31:17.840 --> 0:31:20.560
<v Speaker 2>down you know that Whennie is not just trying to

0:31:20.600 --> 0:31:24.240
<v Speaker 2>get some squish, deep down he wants to be in

0:31:24.240 --> 0:31:27.320
<v Speaker 2>a relationship, he wants to be loved. He's actually trying

0:31:27.360 --> 0:31:31.040
<v Speaker 2>to win like true favor, right, He's trying to sit there,

0:31:31.080 --> 0:31:33.600
<v Speaker 2>play the long game, to be in a relationship and

0:31:33.640 --> 0:31:36.480
<v Speaker 2>to do this thing. And that's what you believe as

0:31:36.600 --> 0:31:39.880
<v Speaker 2>like an audience member, and so you're kind of just like, oh, well,

0:31:39.880 --> 0:31:41.920
<v Speaker 2>maybe this will like she'll see how great when he is,

0:31:42.000 --> 0:31:45.200
<v Speaker 2>and then they'll be together for a while. It's that's

0:31:45.200 --> 0:31:48.000
<v Speaker 2>why it doesn't feel gross. Where on the surface it

0:31:48.000 --> 0:31:49.200
<v Speaker 2>should feel gross.

0:31:49.080 --> 0:31:54.520
<v Speaker 3>Should feel disgusting. It should feel disgusting. You know, if

0:31:54.520 --> 0:31:55.080
<v Speaker 3>that was the case.

0:31:55.080 --> 0:31:56.240
<v Speaker 5>If that was the case, I could tell you I

0:31:56.920 --> 0:31:58.320
<v Speaker 5>would have become a carpenter a long time.

0:32:00.560 --> 0:32:05.760
<v Speaker 2>It's worked out for a lot of people. Car Ian.

0:32:05.960 --> 0:32:10.959
<v Speaker 2>Then this thing that the scene between Ian and Nick Miller,

0:32:12.680 --> 0:32:15.280
<v Speaker 2>and then the end you know it's coming. That's the

0:32:15.320 --> 0:32:17.400
<v Speaker 2>greatest thing, because I had forgotten it and I'm just

0:32:17.440 --> 0:32:19.600
<v Speaker 2>sitting there and being like, they better have Schmidt walk

0:32:19.640 --> 0:32:24.600
<v Speaker 2>in and just be Schmidt and it's going to sit

0:32:24.680 --> 0:32:31.320
<v Speaker 2>there and validate Nick's whole story just by him being Schmidt. Yes,

0:32:32.600 --> 0:32:36.480
<v Speaker 2>it's beautiful because he's totally in the weeds, he's covered

0:32:36.520 --> 0:32:40.719
<v Speaker 2>in sweat. The lies are like unraveling and getting weird,

0:32:42.040 --> 0:32:43.920
<v Speaker 2>and Schmidt saves him.

0:32:44.520 --> 0:32:47.440
<v Speaker 5>Oh my god, it was such a funny. It was

0:32:47.480 --> 0:32:51.320
<v Speaker 5>the to me, that's like the perfect that was the

0:32:51.360 --> 0:32:55.240
<v Speaker 5>perfect scene in this episode. Yeah, everything comes to a

0:32:55.280 --> 0:32:58.560
<v Speaker 5>head and it plays out perfectly, and it didn't feel

0:32:58.760 --> 0:33:00.880
<v Speaker 5>like a stretch, didn't feel.

0:33:00.720 --> 0:33:02.120
<v Speaker 2>Like I was safe.

0:33:02.760 --> 0:33:04.959
<v Speaker 3>Yeah, I was safe.

0:33:06.960 --> 0:33:09.360
<v Speaker 2>It was perfectly written with It's the same as the

0:33:09.400 --> 0:33:12.280
<v Speaker 2>Clementines and the walk away and the comeback, and then

0:33:12.600 --> 0:33:15.640
<v Speaker 2>one's browner than the other, Like they did a perfect

0:33:15.800 --> 0:33:21.000
<v Speaker 2>thing in the writing where everybody's going along with it

0:33:21.360 --> 0:33:25.479
<v Speaker 2>and the audience knows how ridiculous we're talking about different things,

0:33:25.600 --> 0:33:27.680
<v Speaker 2>fully different. Didn't twice in the same.

0:33:27.480 --> 0:33:31.280
<v Speaker 5>Episode exactly back to back. Yeah, Yeah, but I thought

0:33:31.280 --> 0:33:33.200
<v Speaker 5>it was great. I thought that was a very very

0:33:34.880 --> 0:33:38.040
<v Speaker 5>at the end when he's like he's Nick is looking

0:33:38.080 --> 0:33:40.560
<v Speaker 5>at Ian almost as if we almost got him, We

0:33:40.600 --> 0:33:41.400
<v Speaker 5>almost got him.

0:33:41.920 --> 0:33:43.560
<v Speaker 3>Here's the here's the cherry on top.

0:33:44.120 --> 0:33:49.200
<v Speaker 5>Schmidt, kiss me, kiss me, and he does it, and

0:33:49.320 --> 0:33:57.040
<v Speaker 5>obviously Schmidt is like, first of all, Schmid's gay, Like he.

0:33:57.920 --> 0:34:00.760
<v Speaker 3>Schitt loves this. It's like, I can't wait, this has

0:34:00.800 --> 0:34:04.120
<v Speaker 3>been my moment. But he's waiting for it, and he does.

0:34:03.920 --> 0:34:07.840
<v Speaker 5>It, and and it works perfectly because his response to

0:34:07.920 --> 0:34:10.719
<v Speaker 5>him is that your beard is at the perfect I know.

0:34:13.680 --> 0:34:16.120
<v Speaker 2>I felt stubble all things.

0:34:16.120 --> 0:34:19.719
<v Speaker 5>That that conversation would have happened the exact same way

0:34:20.000 --> 0:34:22.239
<v Speaker 5>minus some of Nick's lines, But Schmid would have been

0:34:22.239 --> 0:34:24.279
<v Speaker 5>the exact same way if Ian were not there one

0:34:24.360 --> 0:34:24.799
<v Speaker 5>hundred percent.

0:34:24.880 --> 0:34:29.120
<v Speaker 2>That's what I'm saying. Ian became invisible, and somehow Schmidt

0:34:29.160 --> 0:34:36.279
<v Speaker 2>saves Nick until until the crazy Lady will come at

0:34:36.280 --> 0:34:39.520
<v Speaker 2>the end. Okay, so before we get to that, Schmidt

0:34:39.640 --> 0:34:45.319
<v Speaker 2>barges into CC's consultation. Oh boy, this was a scene.

0:34:45.360 --> 0:34:47.160
<v Speaker 2>I was really worried about it, and I remember talking

0:34:47.160 --> 0:34:48.680
<v Speaker 2>a lot to the producers about it because I'm like,

0:34:48.760 --> 0:34:52.000
<v Speaker 2>how are we doing this reveal? Where's the shot? Where's

0:34:52.040 --> 0:34:54.000
<v Speaker 2>this going to look like? And they were just like, literally,

0:34:54.040 --> 0:34:56.120
<v Speaker 2>it's the top of your shoulder and your face. It's

0:34:56.160 --> 0:34:59.360
<v Speaker 2>a reaction and then you are barely not even in frame,

0:35:00.080 --> 0:35:02.000
<v Speaker 2>and it's going to be all of Schmidt just doing

0:35:02.040 --> 0:35:05.200
<v Speaker 2>his a big emotional goodbye and the only thing that

0:35:05.200 --> 0:35:07.680
<v Speaker 2>you're going to hear is him actually talking about how

0:35:07.719 --> 0:35:11.279
<v Speaker 2>much he loves CEC. And I was like, okay, and

0:35:11.640 --> 0:35:14.000
<v Speaker 2>they did. They did a great job of like selling

0:35:14.000 --> 0:35:17.759
<v Speaker 2>this as a super funny story of how CEC. They

0:35:17.840 --> 0:35:20.520
<v Speaker 2>used all the reaction shots of CEC showing that it

0:35:20.600 --> 0:35:25.359
<v Speaker 2>was inappropriate, uncool, not okay, this is crazy, but then

0:35:25.400 --> 0:35:28.520
<v Speaker 2>also realizing that, man, this guy loves it. Could Honestly,

0:35:28.680 --> 0:35:30.680
<v Speaker 2>the way it was kind of shared to me is

0:35:30.719 --> 0:35:33.279
<v Speaker 2>like this could be about her toes, you know, like

0:35:33.560 --> 0:35:35.839
<v Speaker 2>it's any part of her body. He just loves her

0:35:35.880 --> 0:35:37.840
<v Speaker 2>so much, he loves everything about her to change a

0:35:37.920 --> 0:35:40.080
<v Speaker 2>hair on her head, and then they just chose the

0:35:40.080 --> 0:35:43.880
<v Speaker 2>craziest thing, you know. Yeah, it was very weird.

0:35:44.200 --> 0:35:45.280
<v Speaker 3>Shadowt Harold and Kumor.

0:35:47.080 --> 0:35:50.719
<v Speaker 2>We had cal Pen on the show. Yeah, we had

0:35:50.800 --> 0:35:51.399
<v Speaker 2>him on when we.

0:35:51.360 --> 0:35:52.960
<v Speaker 3>Did I know we had I know we had Calpen.

0:35:54.040 --> 0:35:55.120
<v Speaker 3>He was a cat agent.

0:35:56.080 --> 0:35:58.160
<v Speaker 2>Yeah, he was something like he was when we were

0:35:58.600 --> 0:36:02.520
<v Speaker 2>doing the heist and I feel like we got locked

0:36:02.520 --> 0:36:06.319
<v Speaker 2>away or something like that. He was, Yeah, yeah, something I.

0:36:06.280 --> 0:36:09.320
<v Speaker 3>Want to say. Harold and Kumar, we're both on the show.

0:36:09.480 --> 0:36:11.319
<v Speaker 2>Were they, Joel, Is that true? Did we have both

0:36:11.320 --> 0:36:12.200
<v Speaker 2>Harold and Kumar?

0:36:15.440 --> 0:36:16.280
<v Speaker 3>I could be wrong.

0:36:16.880 --> 0:36:19.680
<v Speaker 2>Oh yeah, he was in jury duty episode of New Girl.

0:36:19.719 --> 0:36:23.160
<v Speaker 2>That happens later we had Harold and Kumar.

0:36:23.400 --> 0:36:24.319
<v Speaker 5>You were right.

0:36:24.400 --> 0:36:26.520
<v Speaker 2>In real life we had John Show and cal Pen.

0:36:27.400 --> 0:36:32.400
<v Speaker 3>Yes, that is correct.

0:36:32.600 --> 0:36:36.960
<v Speaker 2>That's hysterical that we've never even put that together. I

0:36:37.000 --> 0:36:39.640
<v Speaker 2>want you the fans to put that together. Harold and Kumar,

0:36:39.680 --> 0:36:42.319
<v Speaker 2>and then Harold and Kumar were on the show Man

0:36:42.400 --> 0:36:44.760
<v Speaker 2>New Girl. This happened to the show runs long enough.

0:36:44.840 --> 0:36:47.680
<v Speaker 2>Weird things that are definitely not intentional.

0:36:47.960 --> 0:36:50.160
<v Speaker 3>Oh yeah, yeah happened.

0:36:51.640 --> 0:36:54.160
<v Speaker 5>I love the I love the It's an interesting moment

0:36:54.200 --> 0:36:56.320
<v Speaker 5>where he's unless you just talked about this, I know

0:36:56.400 --> 0:36:58.759
<v Speaker 5>you hinted on it a little bit, but he's wearing

0:36:58.760 --> 0:37:05.120
<v Speaker 5>the headphones and he's saying it. I think I was like, Yeah,

0:37:05.440 --> 0:37:08.280
<v Speaker 5>it was such a funny moment because I can guarantee

0:37:08.320 --> 0:37:12.680
<v Speaker 5>you that Max was actually probably saying things for sure,

0:37:13.239 --> 0:37:15.560
<v Speaker 5>and uh and just.

0:37:15.640 --> 0:37:18.040
<v Speaker 3>But just being a little bit more Schmidt.

0:37:17.640 --> 0:37:20.600
<v Speaker 5>With his with his physicalities, and I can and I

0:37:20.600 --> 0:37:23.000
<v Speaker 5>can also assure you that in the script it said

0:37:23.080 --> 0:37:25.960
<v Speaker 5>it was probably just gestures that he was making to

0:37:26.000 --> 0:37:28.000
<v Speaker 5>make it feel like he was saying stuff, and he

0:37:28.040 --> 0:37:31.480
<v Speaker 5>decided he's actually going to say real things for sure.

0:37:31.480 --> 0:37:33.520
<v Speaker 2>They had a pack of alts for him too, to

0:37:33.560 --> 0:37:36.560
<v Speaker 2>sit there, like just in case, say all these things

0:37:37.200 --> 0:37:39.720
<v Speaker 2>and then like shoot a basketball and two finger guns

0:37:39.719 --> 0:37:43.799
<v Speaker 2>and get weird. Oh yeah, he did play it though beautifully.

0:37:43.800 --> 0:37:45.640
<v Speaker 2>That's the one thing about Max is he's got like

0:37:45.680 --> 0:37:49.160
<v Speaker 2>such an incredible, like dramatic range, and he places it

0:37:49.200 --> 0:37:52.799
<v Speaker 2>perfectly in a comedy show, which sells the heart of

0:37:52.840 --> 0:37:55.880
<v Speaker 2>something because it's so absurd to be that serious about

0:37:55.880 --> 0:37:58.879
<v Speaker 2>something so ridiculous. Oh yeah, but you believe him. He's

0:37:58.920 --> 0:37:59.640
<v Speaker 2>like crying.

0:38:00.600 --> 0:38:05.600
<v Speaker 3>Yeah, yeahtation.

0:38:05.640 --> 0:38:10.040
<v Speaker 5>Be if I go through, If I go through with

0:38:10.160 --> 0:38:12.440
<v Speaker 5>this reduction, I know, if I know some women that's

0:38:12.480 --> 0:38:14.880
<v Speaker 5>going to knock down the doors of the doctor's office.

0:38:15.840 --> 0:38:17.279
<v Speaker 2>No, give me the leftover bit.

0:38:18.200 --> 0:38:21.520
<v Speaker 5>Yeah, I don't want to.

0:38:23.920 --> 0:38:27.360
<v Speaker 2>Plant in my garden. Oh my gosh, how could we

0:38:27.400 --> 0:38:30.239
<v Speaker 2>make this weirder? Okay, So then they're in the bathroom.

0:38:30.280 --> 0:38:32.040
<v Speaker 2>This is the end of the show. They're waiting for

0:38:32.200 --> 0:38:36.160
<v Speaker 2>Winston in the shower, and then they realized that they

0:38:36.160 --> 0:38:39.319
<v Speaker 2>are the weird ass clowns that all of all these

0:38:39.320 --> 0:38:43.080
<v Speaker 2>other these people that they've been dating and sleeping with.

0:38:43.360 --> 0:38:45.480
<v Speaker 2>They go home to their group of friends and talk

0:38:45.520 --> 0:38:49.759
<v Speaker 2>about the weird experience they just had and they realized that,

0:38:49.840 --> 0:38:50.640
<v Speaker 2>oh it's us.

0:38:51.080 --> 0:38:52.120
<v Speaker 3>Yeah, we're the weird ones.

0:38:52.200 --> 0:38:53.160
<v Speaker 2>We're the weird ones.

0:38:53.400 --> 0:38:56.040
<v Speaker 3>And then Winston walks into the bathroom.

0:38:57.920 --> 0:39:02.160
<v Speaker 5>To yeah, and then to reveal that it's actually Nick's

0:39:02.200 --> 0:39:05.760
<v Speaker 5>one night stand was in the shower, peeing the shower,

0:39:06.200 --> 0:39:09.000
<v Speaker 5>peeing in the shower, which you know we can put up.

0:39:09.040 --> 0:39:11.160
<v Speaker 3>We can put a pole up right now and see

0:39:11.560 --> 0:39:13.440
<v Speaker 3>you know who pee's in the shower? Who doesn't pee

0:39:13.480 --> 0:39:16.160
<v Speaker 3>in the shower. But I'm guilty of it.

0:39:16.360 --> 0:39:17.920
<v Speaker 6>I feel like everybody peas.

0:39:17.680 --> 0:39:18.200
<v Speaker 2>In the shower.

0:39:18.200 --> 0:39:20.640
<v Speaker 5>I think everybody's gonna lie. Yeah, they're gonna lie and

0:39:20.640 --> 0:39:23.880
<v Speaker 5>say they don't for sure. It's going right down anyway.

0:39:24.040 --> 0:39:25.600
<v Speaker 5>You know what's the worst drain.

0:39:25.880 --> 0:39:27.320
<v Speaker 3>What's the worst of your drain is clogged?

0:39:27.280 --> 0:39:30.160
<v Speaker 2>And nobody is yeah know your shower?

0:39:30.320 --> 0:39:31.640
<v Speaker 3>I guess, yeah, don't.

0:39:31.960 --> 0:39:33.080
<v Speaker 5>Well, first of all, I just talkd about this. Don't

0:39:33.080 --> 0:39:35.520
<v Speaker 5>peing somebody else's shower, you in your own show.

0:39:35.840 --> 0:39:38.040
<v Speaker 2>It's also weird because the shower is usually like very

0:39:38.080 --> 0:39:41.279
<v Speaker 2>close to a toilet. Yeah, you could just pee and

0:39:41.320 --> 0:39:42.440
<v Speaker 2>then get in the shower.

0:39:42.719 --> 0:39:43.799
<v Speaker 3>Yeah, you go handle it that way.

0:39:43.920 --> 0:39:45.120
<v Speaker 2>You can do whatever you want in your house in

0:39:45.160 --> 0:39:47.080
<v Speaker 2>your shower. But it is weird to be like, I'm

0:39:47.080 --> 0:39:51.759
<v Speaker 2>in somebody else's yeah spot, and like you, you're showering there.

0:39:51.800 --> 0:39:54.120
<v Speaker 2>You're probably pretty comfortable with that person. So you know

0:39:54.360 --> 0:39:55.799
<v Speaker 2>what's a little pea wash down the drain.

0:39:58.120 --> 0:40:00.600
<v Speaker 3>Famous last word, you know what.

0:40:00.560 --> 0:40:03.319
<v Speaker 2>The famous last words are? Is Schmidt comparing himself to

0:40:03.520 --> 0:40:08.200
<v Speaker 2>being Harold and Kumar's shindler. What wild ending to that

0:40:09.000 --> 0:40:10.120
<v Speaker 2>sea storyline?

0:40:10.480 --> 0:40:12.440
<v Speaker 5>He saved the boobs, he saved her boobs.

0:40:12.440 --> 0:40:17.040
<v Speaker 2>He said, your children will leave rocks and my grapes.

0:40:18.480 --> 0:40:21.279
<v Speaker 2>All right, that is one of the greatest, funniest, weirdest

0:40:22.000 --> 0:40:25.200
<v Speaker 2>should be problematic and somehow not episodes of New Girl

0:40:25.280 --> 0:40:27.400
<v Speaker 2>And when we come back, we going.

0:40:27.239 --> 0:40:43.960
<v Speaker 5>On and we are Hannah, We're back.

0:40:42.520 --> 0:40:45.920
<v Speaker 2>We weren't even gone that long, but it still feels

0:40:45.960 --> 0:40:46.560
<v Speaker 2>good to be back.

0:40:46.920 --> 0:40:49.920
<v Speaker 3>Oh my god, babe, babe, babe.

0:40:51.000 --> 0:40:55.279
<v Speaker 5>Would you have you lived with an X? And can

0:40:55.320 --> 0:40:57.960
<v Speaker 5>people really ever make living with their ex work?

0:40:58.080 --> 0:40:58.279
<v Speaker 2>Now?

0:40:59.440 --> 0:40:59.720
<v Speaker 3>Really?

0:41:00.160 --> 0:41:02.360
<v Speaker 2>I know as a no, I have never lived to

0:41:02.400 --> 0:41:04.920
<v Speaker 2>the next. Oh, okay, it was over, it's done. You

0:41:05.000 --> 0:41:07.799
<v Speaker 2>know me, If it's over I go see you later.

0:41:08.120 --> 0:41:11.600
<v Speaker 2>Delete your number. We're done. We're gone. I wish you

0:41:11.600 --> 0:41:13.560
<v Speaker 2>the best. I hope you ever really wonderful life. But

0:41:13.560 --> 0:41:16.440
<v Speaker 2>we don't need to be like friends. Yeah, you have

0:41:16.480 --> 0:41:19.880
<v Speaker 2>a very different situation, probably more mature than mine, and

0:41:20.040 --> 0:41:23.080
<v Speaker 2>but I'm done. So because of that, I have never

0:41:23.280 --> 0:41:25.840
<v Speaker 2>lived with an X. That would be bonkers.

0:41:26.320 --> 0:41:28.480
<v Speaker 5>So you you have you wait, so have you lived

0:41:28.480 --> 0:41:33.440
<v Speaker 5>with someone broke and then broke it up and then

0:41:33.480 --> 0:41:33.919
<v Speaker 5>moved out?

0:41:34.000 --> 0:41:34.160
<v Speaker 2>Was that?

0:41:34.160 --> 0:41:34.880
<v Speaker 3>What was that the case?

0:41:35.360 --> 0:41:37.080
<v Speaker 2>I always had my own place.

0:41:37.760 --> 0:41:41.000
<v Speaker 5>Okay, So you never lived with other than you know,

0:41:41.280 --> 0:41:42.160
<v Speaker 5>other than husband.

0:41:43.360 --> 0:41:45.080
<v Speaker 2>No, I've never lived in a place where they didn't

0:41:45.120 --> 0:41:47.239
<v Speaker 2>give up their spot or I didn't give up their spot.

0:41:47.360 --> 0:41:49.800
<v Speaker 2>That's right, Okay, so I haven't. And I remember a

0:41:49.840 --> 0:41:54.120
<v Speaker 2>boyfriend bought a house for us, Oh, bought a house,

0:41:54.239 --> 0:41:57.120
<v Speaker 2>and I did not give up my apartment because I

0:41:57.160 --> 0:41:57.799
<v Speaker 2>was just like, you.

0:41:57.760 --> 0:41:59.320
<v Speaker 3>Know, I'm grateful.

0:41:59.640 --> 0:42:02.719
<v Speaker 2>I don't know. So we lived together. We always when

0:42:02.719 --> 0:42:05.279
<v Speaker 2>I was with somebody, I always lived with them full time.

0:42:05.400 --> 0:42:08.920
<v Speaker 2>Never touched my apartment when it was over. I was like,

0:42:10.600 --> 0:42:12.919
<v Speaker 2>taking the house was so cool. It was a cool house.

0:42:12.960 --> 0:42:13.520
<v Speaker 2>Do you remember?

0:42:13.800 --> 0:42:15.440
<v Speaker 3>I remember I tried to I tried to buy it.

0:42:17.280 --> 0:42:18.040
<v Speaker 3>I tried to buy it.

0:42:18.200 --> 0:42:21.320
<v Speaker 2>Wow, good thing you did. Yeah, have some weird mojo

0:42:21.360 --> 0:42:24.600
<v Speaker 2>in that house. Oh god, No, because of the people

0:42:24.600 --> 0:42:27.640
<v Speaker 2>that sold it to him. That was a whole crazy story.

0:42:27.960 --> 0:42:28.959
<v Speaker 3>I know. He came up.

0:42:30.040 --> 0:42:34.319
<v Speaker 2>Crazy energy in that story. So, No, you've lived with

0:42:34.320 --> 0:42:35.920
<v Speaker 2>the next I feel like, yes, you probably have like

0:42:35.920 --> 0:42:38.160
<v Speaker 2>three xs living with you now because you're kind and generous,

0:42:38.200 --> 0:42:39.280
<v Speaker 2>you let anybody.

0:42:38.880 --> 0:42:40.400
<v Speaker 5>Stay with you.

0:42:40.400 --> 0:42:40.560
<v Speaker 2>No.

0:42:40.640 --> 0:42:42.400
<v Speaker 3>I did live with the next though in the past.

0:42:43.200 --> 0:42:44.440
<v Speaker 3>But it was a young situation.

0:42:44.600 --> 0:42:46.960
<v Speaker 5>You know, someone that I dated when I was much younger,

0:42:47.280 --> 0:42:50.400
<v Speaker 5>and we dated kind of long distance, and then she

0:42:50.480 --> 0:42:53.600
<v Speaker 5>moved to California after we had already.

0:42:53.400 --> 0:42:57.879
<v Speaker 3>Been broken up, you know, and we lived together. The question.

0:42:58.040 --> 0:43:02.120
<v Speaker 5>The tricky part about that was that you know, we

0:43:02.120 --> 0:43:06.080
<v Speaker 5>were we were definitely rekindling, sure, you know what I mean.

0:43:06.120 --> 0:43:07.879
<v Speaker 5>It was like it was almost like we started dating

0:43:07.920 --> 0:43:12.360
<v Speaker 5>again in a way. But ultimately I moved out, you know,

0:43:12.640 --> 0:43:16.480
<v Speaker 5>got on a new girl and was like I got money, now, dog.

0:43:18.560 --> 0:43:23.239
<v Speaker 3>Help with this rent guy. So I so I moved out.

0:43:23.520 --> 0:43:25.759
<v Speaker 5>And what's funny about it is that for years her

0:43:25.840 --> 0:43:28.080
<v Speaker 5>and then a couple other girls lived in this place,

0:43:28.400 --> 0:43:31.279
<v Speaker 5>and my name was still on the lease, so every

0:43:31.320 --> 0:43:32.520
<v Speaker 5>time I would go over that would act like it

0:43:32.560 --> 0:43:33.400
<v Speaker 5>was my place.

0:43:38.000 --> 0:43:40.719
<v Speaker 2>Mine is mine. Okay, what's the best way to tell

0:43:40.760 --> 0:43:43.520
<v Speaker 2>a friend they shouldn't go through with a cosmetic procedure

0:43:43.600 --> 0:43:46.080
<v Speaker 2>they are contemplating doing. Can I just say something right now?

0:43:46.360 --> 0:43:47.160
<v Speaker 2>Mind your business?

0:43:49.120 --> 0:43:50.399
<v Speaker 5>Oh you're saying that if your friend wants to go through

0:43:50.400 --> 0:43:52.040
<v Speaker 5>a cosmetic procedure, just let them do it.

0:43:52.280 --> 0:43:53.040
<v Speaker 4>What do they want to do?

0:43:53.120 --> 0:43:56.879
<v Speaker 2>Let them do it asking you? If they're asking you

0:43:57.239 --> 0:43:59.840
<v Speaker 2>do you think, then tell your truth. But if someone

0:43:59.880 --> 0:44:01.600
<v Speaker 2>is just like, I'm gonna go get my nose done,

0:44:01.800 --> 0:44:02.680
<v Speaker 2>hund your business?

0:44:03.160 --> 0:44:04.920
<v Speaker 3>Well what if you know you ever see those people

0:44:04.920 --> 0:44:05.480
<v Speaker 3>like thisse the thing?

0:44:06.080 --> 0:44:07.759
<v Speaker 5>Yeah, I'm okay with that too, Like go if you

0:44:07.800 --> 0:44:10.200
<v Speaker 5>want to get work done or whatever is your body?

0:44:10.200 --> 0:44:12.360
<v Speaker 3>I I don't care. But it's when people.

0:44:12.080 --> 0:44:14.239
<v Speaker 5>Take it too far that it becomes a concern because

0:44:14.280 --> 0:44:17.080
<v Speaker 5>then it feels like it becomes a mental disorder where

0:44:17.080 --> 0:44:20.040
<v Speaker 5>it's like when people have this dysmorphia of what they

0:44:20.040 --> 0:44:22.840
<v Speaker 5>look like and they go, Okay, I'm gonna they keep

0:44:22.880 --> 0:44:24.880
<v Speaker 5>doing it, and they keep doing it, and before you

0:44:24.920 --> 0:44:26.560
<v Speaker 5>know it, they end up looking like catwoman.

0:44:27.719 --> 0:44:30.600
<v Speaker 2>There's the but if they're asking for help. Are they

0:44:30.680 --> 0:44:33.759
<v Speaker 2>saying like, hey, what do you think should I do it?

0:44:33.800 --> 0:44:36.200
<v Speaker 2>I think that's a different thing to be like lovingly,

0:44:36.280 --> 0:44:39.359
<v Speaker 2>to be like, if you really are asking me, then

0:44:39.400 --> 0:44:40.200
<v Speaker 2>this is what I'll share.

0:44:40.239 --> 0:44:42.359
<v Speaker 5>But that's the question. That's the question. Is the question

0:44:42.480 --> 0:44:45.759
<v Speaker 5>is you know if it's if? The question is how

0:44:45.760 --> 0:44:48.000
<v Speaker 5>do you tell them they shouldn't? So if they are

0:44:48.040 --> 0:44:49.200
<v Speaker 5>asking you, what do you say?

0:44:50.080 --> 0:44:52.840
<v Speaker 2>I say, Okay, tell me what would you say?

0:44:53.000 --> 0:44:53.520
<v Speaker 3>I show them.

0:44:53.560 --> 0:44:57.880
<v Speaker 5>I show them pictures of like botched procedures and go

0:44:58.000 --> 0:44:59.759
<v Speaker 5>this so you could look like this. And they show

0:44:59.800 --> 0:45:03.719
<v Speaker 5>them picture of like, you know, Denzel Washington, and I go,

0:45:03.920 --> 0:45:06.880
<v Speaker 5>or you could look like this, And then it's a

0:45:06.920 --> 0:45:11.080
<v Speaker 5>picture of when Martin got beat up by that boxer

0:45:11.120 --> 0:45:12.680
<v Speaker 5>in the episode of Martin and his face had the

0:45:12.760 --> 0:45:13.680
<v Speaker 5>lumps all over it.

0:45:14.440 --> 0:45:15.200
<v Speaker 3>They look crazy.

0:45:15.320 --> 0:45:17.200
<v Speaker 2>It's a picture of Martin that's going to talk the

0:45:17.200 --> 0:45:19.960
<v Speaker 2>woman out of getting her Well.

0:45:19.800 --> 0:45:22.359
<v Speaker 5>It's gonna be a woman. Men get men, get men

0:45:22.400 --> 0:45:23.440
<v Speaker 5>get work done all the time.

0:45:23.680 --> 0:45:26.319
<v Speaker 2>I know they do. Here's what I will tell you.

0:45:27.560 --> 0:45:30.040
<v Speaker 2>Here's what I'll tell you. Here's a flip on that question. Okay,

0:45:30.600 --> 0:45:36.520
<v Speaker 2>because I have never had anything done. Okay, I've never

0:45:36.560 --> 0:45:39.880
<v Speaker 2>done a botox, a filler, a whatever, like nothing. I

0:45:39.880 --> 0:45:41.920
<v Speaker 2>don't even go for like facials. I don't do anything

0:45:42.080 --> 0:45:44.960
<v Speaker 2>at all. Wash my face or makeup, that's what I'll do.

0:45:45.360 --> 0:45:46.640
<v Speaker 2>But I've never done anything.

0:45:47.040 --> 0:45:47.200
<v Speaker 3>Mm.

0:45:47.960 --> 0:45:52.680
<v Speaker 2>And the amount of people who have told me I should.

0:45:56.520 --> 0:45:58.400
<v Speaker 3>Your kids don't count. Your kids don't count.

0:45:58.120 --> 0:46:02.480
<v Speaker 2>I'm telling you no. Grown people have said to me

0:46:02.560 --> 0:46:04.319
<v Speaker 2>they're like, you know that thing right there, you could

0:46:04.400 --> 0:46:06.640
<v Speaker 2>just and it'll be better, or your lips they could

0:46:06.680 --> 0:46:08.759
<v Speaker 2>be like this, And it's so funny to me. So

0:46:08.880 --> 0:46:11.040
<v Speaker 2>like this question is about how do you tell someone

0:46:11.080 --> 0:46:14.440
<v Speaker 2>not to go through with it? Like the freedom people

0:46:14.760 --> 0:46:19.040
<v Speaker 2>have to suggest you should get some work done is

0:46:19.560 --> 0:46:24.160
<v Speaker 2>how do you stop that from happening. I genuinely feel

0:46:24.920 --> 0:46:27.640
<v Speaker 2>it's almost like a weird sickness for me where I'm

0:46:27.680 --> 0:46:32.280
<v Speaker 2>just so curious to know what I'm gonna look like,

0:46:32.280 --> 0:46:35.000
<v Speaker 2>Like I like the idea. I feel really privileged to age,

0:46:35.120 --> 0:46:38.280
<v Speaker 2>you know, like you have lost friends when they're younger

0:46:38.480 --> 0:46:40.759
<v Speaker 2>or whatever. You realize that every day you get to

0:46:40.760 --> 0:46:43.600
<v Speaker 2>be here, you're so lucky to be here. And I'm

0:46:43.680 --> 0:46:45.759
<v Speaker 2>just curious to know what am I gonna look like

0:46:45.760 --> 0:46:48.799
<v Speaker 2>at fifty five sixty five, seventy five. And if I

0:46:48.840 --> 0:46:51.440
<v Speaker 2>alter anything in my face or put things in or

0:46:51.520 --> 0:46:54.360
<v Speaker 2>out for me, I go, I just wonder what I

0:46:54.360 --> 0:46:57.919
<v Speaker 2>would have looked like. And also to everybody that's doing

0:46:58.040 --> 0:47:00.640
<v Speaker 2>all the things, I think that's great. Whatever makes you

0:47:00.640 --> 0:47:02.440
<v Speaker 2>feel great. It makes me feel great to kind of

0:47:02.440 --> 0:47:05.080
<v Speaker 2>go like, ooh, this thing is happening today. And for

0:47:05.160 --> 0:47:06.839
<v Speaker 2>other people they do other things. I think it's great.

0:47:07.080 --> 0:47:08.920
<v Speaker 2>That's why I'm saying, mind your business. Don't tell me

0:47:09.000 --> 0:47:11.080
<v Speaker 2>to get work done, and I won't tell you not

0:47:11.160 --> 0:47:11.600
<v Speaker 2>to get work.

0:47:12.239 --> 0:47:13.640
<v Speaker 3>That's why you're so angry about this.

0:47:14.200 --> 0:47:15.719
<v Speaker 2>I'm trying to make a deal. I'm trying to make

0:47:15.719 --> 0:47:16.640
<v Speaker 2>a deal with everybody.

0:47:17.160 --> 0:47:21.480
<v Speaker 5>Oh this is personal, all right, well personal, Never mind

0:47:21.520 --> 0:47:22.239
<v Speaker 5>all the things I said.

0:47:22.280 --> 0:47:24.759
<v Speaker 2>This is a very personal episode about boobs and botox.

0:47:24.800 --> 0:47:29.040
<v Speaker 5>You guys, all right, I know, crying on penises anyway.

0:47:29.480 --> 0:47:31.800
<v Speaker 3>Listening to those LPs, okay, well.

0:47:31.880 --> 0:47:34.560
<v Speaker 2>Go mine today was my goodness got into it.

0:47:35.640 --> 0:47:39.040
<v Speaker 5>Thank you all for listening. As always, we really appreciate it.

0:47:39.760 --> 0:47:42.120
<v Speaker 5>Please show us some love. Show us some love by

0:47:42.160 --> 0:47:45.840
<v Speaker 5>clicking that notification bell, get that like, make some comments,

0:47:45.840 --> 0:47:48.560
<v Speaker 5>share with your friends, follow us on ig at the

0:47:48.600 --> 0:47:50.480
<v Speaker 5>mess Around pod and go ahead and get some of

0:47:50.480 --> 0:47:54.719
<v Speaker 5>that merch. We don't have turtlenecks yet's rocket.

0:47:54.600 --> 0:47:56.719
<v Speaker 3>Right now, but we will. We will very very soon.

0:47:56.880 --> 0:47:59.480
<v Speaker 2>We have a great merch. You guys, you've got birthdays

0:47:59.480 --> 0:48:01.759
<v Speaker 2>coming up, something that someone's a new girl fan. Be

0:48:01.960 --> 0:48:04.640
<v Speaker 2>like Benson Boone, go get yourself some new girl merch.

0:48:05.080 --> 0:48:07.280
<v Speaker 6>We should send Benson some new girl merch.

0:48:07.880 --> 0:48:12.280
<v Speaker 2>Oh, Benson, Merry Christmas.

0:48:12.560 --> 0:48:14.799
<v Speaker 3>Well, he wears like sparkly blouses, so we.

0:48:14.760 --> 0:48:17.080
<v Speaker 2>Can sparkle it for him. You want some rhinestones on

0:48:17.080 --> 0:48:18.240
<v Speaker 2>a mess around sweater?

0:48:18.719 --> 0:48:19.239
<v Speaker 3>Oh? Yeah?

0:48:19.440 --> 0:48:21.480
<v Speaker 2>Sign into his DMS and say, Hannah, Simone wants to

0:48:21.480 --> 0:48:24.680
<v Speaker 2>know if you want to rhyinestone mess around sweater right now?

0:48:25.120 --> 0:48:28.319
<v Speaker 5>Hannah, let's see, I got it right there.

0:48:28.520 --> 0:48:28.759
<v Speaker 3>Open.

0:48:28.800 --> 0:48:29.640
<v Speaker 2>Would you like us?

0:48:29.880 --> 0:48:33.279
<v Speaker 3>That's a nude? Who's that? Okay? Yep, I got it?

0:48:33.320 --> 0:48:36.560
<v Speaker 3>Boom he just said, all right, cool, done?

0:48:36.760 --> 0:48:40.400
<v Speaker 2>Locked you like Benson Boon, get your sweat at the

0:48:40.440 --> 0:48:42.759
<v Speaker 2>mess around pod dot com. Also, if you have any

0:48:42.760 --> 0:48:45.400
<v Speaker 2>thoughts about what we just said, we said a lot today.

0:48:45.560 --> 0:48:47.480
<v Speaker 2>If you have any thoughts about what we just said,

0:48:47.560 --> 0:48:50.840
<v Speaker 2>email us at the mess Around Pod at gmail dot com.

0:48:50.960 --> 0:48:55.080
<v Speaker 2>We address all those questions thoughts stories that you have

0:48:55.160 --> 0:48:59.080
<v Speaker 2>to share on our loft meetings. So yeah, let us know.

0:48:59.680 --> 0:49:01.719
<v Speaker 3>Yes please do we love you and I help you

0:49:01.760 --> 0:49:05.160
<v Speaker 3>love us back? Please by Mike.

0:49:05.719 --> 0:49:08.680
<v Speaker 2>That was the mess around. In iHeartMedia Production.

0:49:08.640 --> 0:49:12.080
<v Speaker 5>Our executive producer is Joel Monique. Our senior producer is

0:49:12.120 --> 0:49:16.040
<v Speaker 5>Abu Zafar Bei Wang provided engineering and editing services.

0:49:16.120 --> 0:49:20.080
<v Speaker 2>Additional production from Daniel Goodman, Wendy Heisler, and Kyle Shevron.

0:49:20.520 --> 0:49:23.720
<v Speaker 2>Our theme song was written and composed by Ronald Jukebox Jackson.

0:49:24.360 --> 0:49:30.640
<v Speaker 3>Catch you next time. Bye,