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Speaker 1: Press passing on some property and get put in the

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Speaker 1: back of a cop car. He goes, I want to

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Speaker 1: write a song called fell in Love in the back

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Speaker 1: of a cop car, and Keith Urban heard it later

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Speaker 1: at the Grammys and changed My.

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Speaker 2: Life, Episode four ninety seven. Matt Jenkins. So I like Matt.

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Speaker 2: I don't know if I was gonna like him. I'm

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Speaker 2: glad he didn't stand up when I walked in. I'm

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Speaker 2: being honest, very tall, yeah, six'. FOUR i appreciate him

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Speaker 2: sitting down and not making me feel less of a.

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Speaker 2: Man and not only, that when we took a picture

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Speaker 2: at the, END i, said, hey we should stand up

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Speaker 2: BECAUSE i like the lighting a bit better BECAUSE i

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Speaker 2: was kind of washing us out when we were sitting.

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Speaker 2: Down and THEN i remember he was six y, four

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Speaker 2: AND i, said maybe this will be the last one

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Speaker 2: that we sit. For matt has written a, ton a

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Speaker 2: ton of big. Songs he won The Triple Play, award

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Speaker 2: which he talks, about which is three number ones in

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Speaker 2: the same. YEAR i remember being With matt and his.

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Speaker 2: Brother we've had his brother on two, yeah And Jordan

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Speaker 2: davis And jordan's Brother jacob right when they won for

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Speaker 2: By dirt we were all back at THE cmas just

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Speaker 2: kind of hanging out and it was kind of cool

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Speaker 2: because it was two brothers and two brothers that had

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Speaker 2: written that Song song of The.

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Speaker 1: Year super.

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Speaker 2: Cool so big fan Of Matt, jenkins but we waited

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Speaker 2: to bring him in until now Because i'm hosting this

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Speaker 2: music night live From, nashville which he is playing at

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Speaker 2: and playing some of his big. Songs so it is

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Speaker 2: a live songwriter round From, nashville but in movie theaters

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Speaker 2: all across the, country and it's. Live it's not like a.

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Speaker 2: MOVIE i was talking to my wife about it last

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Speaker 2: night and she was, like, wait so it's a movie

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Speaker 2: directed By Steven. Spilberg i'm, like, no, no, no at. All

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Speaker 2: it's live And i'm hosting it and it'll Be march

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Speaker 2: eighth at seven Pm. Central you buy tickets at the

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Speaker 2: movie theater just like you would anything. Else but it's Eight,

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Speaker 2: eastern Seventh, central Six, mountain Five, pacific so it's gonna be.

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Speaker 2: Great we're doing an Analog nashville that's never been done.

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Speaker 2: BEFORE i hope people, come and if a ton, do

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Speaker 2: we'll do it, again and if none. Do you, know

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Speaker 2: we took a big, swing BUT i like taking big.

45
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Speaker 2: Swings So Matt jenkins is one of the people they're

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Speaker 2: going to play. Songs he talks about what songs he's

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Speaker 2: gonna play during this. Too But Brett, james who we've

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Speaker 2: had on the show, before who Did Jesus take The

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Speaker 2: Will he has a bunch of. Songs Kelly archer and she's,

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Speaker 2: like sleep with, You Brett. Young she has a lot

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Speaker 2: of hits. Too obviously they wouldn't be on, this but

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Speaker 2: they've written over forty number ones, altogether and so it's a.

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Speaker 2: Concert it's a storytelling. Experience it's about the creative process behind.

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Speaker 2: It if you listen to this, PODCAST i think you'll

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Speaker 2: like this show because that's what that. Is that's what

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Speaker 2: we would do, here but we would get sued for

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Speaker 2: putting music on the. Podcast, BASICALLY i hope you come

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Speaker 2: get tickets at music night dot com and we'll put

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Speaker 2: the information down on the bottom here music night Dot.

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Speaker 2: Com but wanted to mention. That and it's not even

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Speaker 2: that we Had matt on just for. This we would

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Speaker 2: have had him on anyway, before but we just wanted

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Speaker 2: to make sure we put this up at a time

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Speaker 2: where it made. Sense did you go back to twenty twenty,

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Speaker 2: three or just type In Josh, Jenkins Bobby, Cash chicken

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Speaker 2: hear his. Brother his brother was in a band THAT

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Speaker 2: i used to. Love can you remember the?

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Speaker 1: Band? AH i can't remember off the top of my.

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Speaker 2: HEAD i bet You eddie Can eddie sitting here beside?

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Speaker 1: Me, Hey.

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Speaker 2: Eddie So Matt jenkins is on this, episode But Josh

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Speaker 2: jenkins is his. Brother Josh jenkins was in a trio

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Speaker 2: And Josh hjenkins big songwriter in. Town you're gonna know the.

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Speaker 2: Band when we were At Emmy, television we played them

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Speaker 2: all the. Time it was a, trio A texas, trio A.

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Speaker 3: Texas country music triom h Uh Reckless Kelly, nope, okay

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Speaker 3: so oh oh Oh Cross Nannian, Ragweed no a. TRIO

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Speaker 3: i Thought Cross Carenadian ragweed WAS i think that more

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Speaker 3: because it was Like Randy.

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Speaker 2: Cross and it doesn't matter What i'm talking about them

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Speaker 2: three letters, there substant three letters would be, there, uh

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Speaker 2: not even an, acronym but people would just say they're

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Speaker 2: three letters is what it stood?

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Speaker 1: FOR whoa three? Letters?

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Speaker 2: Dude you're taking me back right. Now the first letter

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Speaker 2: is A. G you were a producer of this network

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Speaker 2: SO i. WAS i, was but there were a lot

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Speaker 2: of bands and, yeah BUT i loved this.

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Speaker 4: Band you did loved him G r G R oh

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Speaker 4: they got, nothing really, NO i got. Nothing and the

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Speaker 4: fact that you loved this.

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Speaker 2: Loved him and when he came in When josh were Doing.

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Speaker 2: Matt but When josh came, IN i was, like oh my,

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Speaker 2: GOSH I Green River.

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Speaker 1: Ordinates oh, yeah, OKAY i remember the. Name they were so.

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Speaker 1: Legit did they ever come into the? Studio it.

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Speaker 2: EMMY i don't. Know they came into my heart. Though

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Speaker 2: But matt talks, about you, know when his, brother younger

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Speaker 2: brother moved to town after he did G R, O

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Speaker 2: matt had a record. Deal he talks about that and

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Speaker 2: how he didn't have a record deal after a. WHILE

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Speaker 2: i loved the. EPISODE i haven't Texted, Mike and If

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Speaker 2: matt listened to, THIS i really don't care at this

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Speaker 2: point BECAUSE i Like. MATT i feel like. Whatever there

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Speaker 2: was no parking in my house because we had like

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Speaker 2: somebody that was cleaning the hun day because we had

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Speaker 2: A hunday shoot that. Day we we had the. Dog

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Speaker 2: we have somebody that comes and cleans our dogs like

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Speaker 2: every three weeks that they have a mobile, pet so

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Speaker 2: that was. Blocking there was nowhere to park And matt

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Speaker 2: has a huge, truck and just maybe it Wasn't. Matt

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Speaker 2: maybe it was a gap with them parked it like

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Speaker 2: right in the middle of the house like butt out

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Speaker 2: where nobody could get. Through AND i was, like my

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Speaker 2: Hou's amazon was a drop on packages and he was,

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Speaker 2: like there's no. Parking SO i hope you enjoyed the.

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Speaker 2: EPISODE i. DID i really Like. Matt he was a ballplayer. Too,

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Speaker 2: yeah makes sense if you're six or, four you got

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Speaker 2: to kind of be a, ballplayer right or just you're

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Speaker 2: asked all the, time why aren't you a? Ballplayer, Yes

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Speaker 2: matt Kay jenkins loved. It please come Watch Music, Night

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Speaker 2: Music night dot. Com and now let's get going with the.

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Speaker 2: Episode how you doing, man, good good.

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Speaker 1: Brother thanks for having. Me we're taping this at one.

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Speaker 2: Pm so what do you have any sort of day

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Speaker 2: when you have something at one like did you write

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Speaker 2: it all?

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Speaker 1: Today? No block? Today? Off you know it can look,

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Speaker 1: different you, know obviously one of the freedoms of being

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Speaker 1: a songwriter is you Can you, know it's. Funny when

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Speaker 1: you moved to, town it used to be like everybody

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Speaker 1: should up at Ten road at ten and As i've

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Speaker 1: gotten you, know been here, longer the day moves back

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Speaker 1: a little. Bit usually started, eleven but blocked off, today

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Speaker 1: but usually get going about. Eleven sometimes it'll puss the.

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Speaker 1: Afternoon but isn't that? Crazy like the. Joke we started

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Speaker 1: at the butt crack of, Eleven and WHEN.

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Speaker 2: I sat, DOWN i was trying to think the last

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Speaker 2: TIME i saw. You but THEN i see your brother

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Speaker 2: AND i get not, confused but, YEAH i mean you got,

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Speaker 2: guys do LOOK i think all?

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Speaker 1: Together it was A.

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Speaker 2: Cma, yes, right we're back in that little mid fancy

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Speaker 2: room where people get to go and eat, food but

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Speaker 2: it's been touched by other, people so it's not fully.

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Speaker 2: Fancy and it was right when you guys had you had, won,

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Speaker 2: yes by, dirt.

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Speaker 1: Such a COOL i was thinking about this, interview AND

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Speaker 1: i was thinking about that moment with. You we you,

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Speaker 1: know we've met in the, past you, know in passing

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Speaker 1: a couple of. Times BUT i was just thinking about that. Memory,

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Speaker 1: winning you, know the highlight of my, life one of the

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Speaker 1: highlights of my life career songwriting wives was winning you,

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Speaker 1: know by dirt with with those boys and going backstage

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Speaker 1: and you, Know luke comes off stage and high five

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Speaker 1: IN us and then going back there and then hanging

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Speaker 1: in the green room with you And jordan And jacob

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Speaker 1: and just celebrating back. There so that's pretty. Quecial is that?

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Speaker 1: Highlight is that the public facing highlight of your? Career?

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Speaker 1: YEAH i think. So there's been like some personal. Highlights you,

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Speaker 1: KNOW i had a triple play one. Year we have you,

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Speaker 1: know sort of industry. THINGS i, want what were the

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Speaker 1: three in what? Year? Shoot it Was, confession set in

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Speaker 1: the world On? Fire and, shoot you're going to do

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Speaker 1: this to? Me maybe where It's i'm trying to, think,

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Speaker 1: no Cop. CAR i don't know HOW.

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Speaker 2: I know all your, songs BUT i don't know the

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Speaker 2: years as In, yeah i'd have to.

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Speaker 1: LOOK i know it's those. Two i'm trying to think

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Speaker 1: what the third one.

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Speaker 2: Is what's the rule on the triple? Play they have

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Speaker 2: to be written in the same year or releasing hit

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Speaker 2: number one in the same.

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Speaker 1: Year you. KNOW i think that the rules have evolved

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Speaker 1: a little bit where now they'll they'll include like hot

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Speaker 1: country number, ones and but back WHEN i did, it

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Speaker 1: you had to have three number ones on the radio

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Speaker 1: in a calendar.

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Speaker 2: Year which it didn't matter when they were written because

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Speaker 2: they could have written three year ye right, Exactly so

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Speaker 2: if there were number one on the, calendar got.

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Speaker 1: It and for, me you, KNOW i remember going Into

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Speaker 1: Tim debwall's, office great, songwriter producer Ran Arista records, forever

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Speaker 1: and he had a triple play on the on the you,

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Speaker 1: know on his, shelf AND, i you, know growing up

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Speaker 1: here like in, Town you're, like, hey that's the dream

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00:08:02,960 --> 00:08:04,880
Speaker 1: to win one of, those and SO i would say

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00:08:04,880 --> 00:08:07,080
Speaker 1: that that's one of the. Highlights and then obviously winning

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00:08:07,520 --> 00:08:09,480
Speaker 1: UH Cma song of The, year you, know just to

190
00:08:09,480 --> 00:08:11,920
Speaker 1: do it with my brother and The Davis boys on

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00:08:11,960 --> 00:08:14,360
Speaker 1: the song that we wrote is gonna be hard to be.

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00:08:14,400 --> 00:08:16,640
Speaker 1: Topped and that same year we WON Nsai song of The,

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00:08:16,720 --> 00:08:19,520
Speaker 1: year which is you, know the fellow peers in town

194
00:08:19,600 --> 00:08:22,320
Speaker 1: vote for their favorite song of the. Year to win

195
00:08:22,360 --> 00:08:24,200
Speaker 1: there was really special, too and my. Parents it was

196
00:08:24,240 --> 00:08:25,840
Speaker 1: at the rhyme and my parents got to come in

197
00:08:25,920 --> 00:08:28,320
Speaker 1: And i'm you, know our history with our dad being

198
00:08:28,320 --> 00:08:30,080
Speaker 1: a songwriter growing, up just to him to be in

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00:08:30,120 --> 00:08:32,600
Speaker 1: the house that night was really, special but hard to

200
00:08:32,600 --> 00:08:34,439
Speaker 1: top THE Cma song of The, YEAR i.

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00:08:34,559 --> 00:08:37,079
Speaker 2: Forgot now it's all coming, back BUT i Forgot jacob And.

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00:08:37,160 --> 00:08:40,080
Speaker 2: Jordan yes it was it was brother and Brother crimes

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00:08:40,200 --> 00:08:40,560
Speaker 2: that wrote.

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00:08:40,679 --> 00:08:43,480
Speaker 1: Songs, yes that's. Cool and you know what's cool is you,

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00:08:43,480 --> 00:08:45,520
Speaker 1: know we can get into that more. Later but what's

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00:08:45,559 --> 00:08:47,840
Speaker 1: really cool IS i heard the only other number one

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00:08:49,000 --> 00:08:51,040
Speaker 1: written by two sets of. Brothers you, know the song

208
00:08:51,360 --> 00:08:53,800
Speaker 1: red solo cut let, Me oh, SORRY i gave how

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00:08:53,760 --> 00:08:54,200
Speaker 1: are you gonna?

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Speaker 2: ASK i?

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00:08:54,679 --> 00:08:56,760
Speaker 1: Know so that be The warren.

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00:08:56,800 --> 00:09:00,240
Speaker 2: Brothers and THEN i know And jim BECAUSE i written

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00:09:00,240 --> 00:09:00,760
Speaker 2: a bunch Of Jim.

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00:09:01,320 --> 00:09:04,400
Speaker 1: JIM i don't Know jim's brother, Though. Brett, yeah, Sorry

215
00:09:04,400 --> 00:09:05,000
Speaker 1: i'll teach you up.

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Speaker 2: There you, did AND i THINK i would have got,

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Speaker 2: there but you gave me no time to answer the.

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Speaker 2: Question that's the worst game Show i've ever been. On,

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Speaker 2: YEAH i.

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Speaker 1: DIDN'T i didn't know.

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Speaker 2: That.

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Speaker 1: Yeah, cool little fun.

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Speaker 2: Fact another the little fun fact about that song is

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Speaker 2: that they basically just used the work tape for that.

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Speaker 2: Song tob we just sang over it wow because that

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Speaker 2: you Hear jim in the. Background that's him when they

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Speaker 2: were just making the.

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Speaker 1: Demo it's a. Cool, yeah. Brilliant, yeah it's way better

229
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Speaker 1: than you.

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Speaker 2: Guys, yeah that's the best, one it is for. Sure

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Speaker 2: how often do you write with your brother a? Lot

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Speaker 2: was it ever a thing where you didn't.

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Speaker 1: For a, while you, know growing up in you know In,

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Speaker 1: Texas like we grew up in a super musical, household

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Speaker 1: and there was so much. Music, actually when you would

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Speaker 1: call our, house the answer machine would we would like

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Speaker 1: record ourselves singing together on the answer. Machine so we

238
00:09:51,360 --> 00:09:53,840
Speaker 1: just grew up playing music, together but never really. Wrote

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00:09:54,480 --> 00:09:55,920
Speaker 1: and then, note you, know he went. Up he was

240
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Speaker 1: in a pop rock band and Traveled, america AND i

241
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Speaker 1: was a, fan, yeah of his. BAND i told him that.

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Speaker 2: ONE i was, like, MAN i used to work at

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Speaker 2: A tv, station a MUSIC tv, network and that's WHERE

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Speaker 2: i kind of fell in love with.

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Speaker 1: Them, Yeah AND i remember when he was in, HERE

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Speaker 1: i was, like, DUDE i was a big. Fan, Yeah

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Speaker 1: and they opened up for you, know Switch foot And

248
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Speaker 1: Goo Goo dolls and all these cool, things and that

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Speaker 1: band kind of wrapped AND i, said you got to

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00:10:17,040 --> 00:10:18,559
Speaker 1: come To. Nashville so he, came and then we really,

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00:10:18,559 --> 00:10:21,400
Speaker 1: started you, know writing, more and then you, know as

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00:10:21,400 --> 00:10:23,240
Speaker 1: time's gone, on we've written more and, more and then

253
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Speaker 1: it's really. Cool we kind of partnered With jordan on

254
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Speaker 1: his first, record and it's been really special to write

255
00:10:29,040 --> 00:10:30,680
Speaker 1: a lot really focused on The jordan. Thing but we,

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Speaker 1: right we actually wrote this, week So i'd say a

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Speaker 1: couple times a.

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Speaker 2: Month was there ever a time, though where if he's

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Speaker 2: just moving to, town, like we're not going to write

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Speaker 2: together BECAUSE i don't want people to think That i'm

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Speaker 2: getting you rights because you're just my. Brother was that

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Speaker 2: ever a conversation like you didn't want him to feel

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00:10:45,200 --> 00:10:47,200
Speaker 2: like or you want other people to feel like since

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Speaker 2: he was your, brother he was getting a bunch of great.

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Speaker 1: Rights, yeah you, KNOW i, MEAN i, OBVIOUSLY i think

266
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Speaker 1: we've allowed each other to have enough space in our.

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Speaker 1: CAREER i think that's some you, know The warren brothers

268
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Speaker 1: right every right to get. TOGETHER i can't do. That

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00:11:00,120 --> 00:11:02,199
Speaker 1: SO i think we've let each other have enough space

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Speaker 1: and we would co. Write but when he moved to,

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Speaker 1: TOWN i actually introduced him To shane, mcinally it's a

272
00:11:07,360 --> 00:11:10,400
Speaker 1: pretty good, introduction And shane believed in him and signed

273
00:11:10,440 --> 00:11:13,120
Speaker 1: him To. Smack so he was With Smack poshing for

274
00:11:13,240 --> 00:11:16,280
Speaker 1: years and you, know we didn't write a. Bunch. Yeah

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Speaker 1: it's almost, like, hey you, know you come, here do

276
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Speaker 1: your own. Thing you gotta kind of find your own,

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Speaker 1: way AND i think it took him a few years

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Speaker 1: to kind, of you, know find his groove and he's rocking.

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Speaker 1: Now but it's. Cool we kind of we we do

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Speaker 1: our thing, together but we both sort of allow each

281
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Speaker 1: other some space and it feels fresh and exciting when

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Speaker 1: we come back. Together helped me out with.

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Speaker 2: SOMETHING i was just going through your cataloger when you

284
00:11:35,960 --> 00:11:38,480
Speaker 2: mentioned that triple play with. Confession how's that song? Going

285
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Speaker 2: all the songs are.

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Speaker 1: BLUR, u, rusty barbed, wirelines these, fields gravel dust behind the.

287
00:11:44,080 --> 00:11:46,160
Speaker 1: Wheels that the course of course is light up the

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Speaker 1: night and LET i just switched. Keys light up to,

289
00:11:47,840 --> 00:11:50,040
Speaker 1: night let it, burn lean back and watch the sun,

290
00:11:50,120 --> 00:11:53,439
Speaker 1: down feed do WHAT i do in, Life so little side,

291
00:11:53,520 --> 00:11:57,000
Speaker 1: ways take a, sip ban say it, prey wait full

292
00:11:57,160 --> 00:12:00,480
Speaker 1: shooting star and steer out fat the, headlights own the.

293
00:12:00,640 --> 00:12:04,120
Speaker 1: Highway guy in the windshield a looking back looks just like.

294
00:12:04,160 --> 00:12:07,720
Speaker 1: Me but there's a crack and the reflection this is

295
00:12:07,800 --> 00:12:10,600
Speaker 1: just the. Moonlights so got it? Cool got it? Cool took.

296
00:12:10,640 --> 00:12:14,679
Speaker 2: Me there's songs everywhere all the. Time, yeah that got to.

297
00:12:14,760 --> 00:12:16,760
Speaker 1: Know, yes it took me a. Second do you ever

298
00:12:16,760 --> 00:12:18,200
Speaker 1: do that you ever mix up your own. Songs, oh

299
00:12:18,360 --> 00:12:18,599
Speaker 1: all the.

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00:12:18,640 --> 00:12:20,560
Speaker 2: Time good BECAUSE i don't want to feel insulted.

301
00:12:20,559 --> 00:12:22,640
Speaker 1: There oh and you know what's, Funny LIKE i played

302
00:12:22,640 --> 00:12:25,040
Speaker 1: these riders. ROUNDS i was playing one last, night And

303
00:12:25,120 --> 00:12:28,320
Speaker 1: i'll have like almost performance anxiety Where i've played these

304
00:12:28,320 --> 00:12:30,680
Speaker 1: songs a million, times BUT i have so many melodies

305
00:12:30,679 --> 00:12:32,960
Speaker 1: in my head THAT i would be, like DO i

306
00:12:33,000 --> 00:12:36,760
Speaker 1: remember this Melody i'm about to? Play but, yeah especially

307
00:12:36,760 --> 00:12:39,120
Speaker 1: when you're writing and, performing you're, like get get them

308
00:12:39,160 --> 00:12:40,080
Speaker 1: all twisted? Up for.

309
00:12:40,160 --> 00:12:42,160
Speaker 2: SURE i talked to your brother a bit about growing,

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00:12:42,200 --> 00:12:44,199
Speaker 2: up but everybody has two different, stories especially because you're

311
00:12:44,200 --> 00:12:46,320
Speaker 2: not the same, age, RIGHT i, mean you grow, up

312
00:12:46,480 --> 00:12:47,280
Speaker 2: it's the, same but it's.

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Speaker 1: Different musical, FAMILY i don't.

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Speaker 2: Know tell, me, well tell me what they were, like

315
00:12:53,360 --> 00:12:55,960
Speaker 2: what your parents were, like and what you saw them doing.

316
00:12:56,040 --> 00:12:58,880
Speaker 1: Musically, yeah, so you, know such a cool. Thing my

317
00:12:59,320 --> 00:13:02,200
Speaker 1: dad wanted to be a. Songwriter his parents weren't musical at.

318
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Speaker 1: All he wanted to be a. Songwriter and you, know

319
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Speaker 1: we have binders of. Lyrics you know still that he

320
00:13:08,040 --> 00:13:09,960
Speaker 1: would write, lyrics and you know we can we just

321
00:13:09,960 --> 00:13:12,840
Speaker 1: sit around and joke and sing his. Songs now sometimes

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00:13:12,840 --> 00:13:14,560
Speaker 1: we talk about making like a little record of his,

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00:13:14,640 --> 00:13:18,320
Speaker 1: songs but we just grew up in a household with you,

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00:13:18,320 --> 00:13:22,320
Speaker 1: know music all the. Time songwriters were. Highlighted and but

325
00:13:22,320 --> 00:13:23,680
Speaker 1: but when when he met my, mom he had a

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00:13:23,720 --> 00:13:26,480
Speaker 1: band and you, know playing Around texas and she would

327
00:13:26,520 --> 00:13:29,800
Speaker 1: take tickets to the door and he would, play and you,

328
00:13:29,800 --> 00:13:32,559
Speaker 1: know when they had, us he obviously had that. Dream

329
00:13:32,640 --> 00:13:34,800
Speaker 1: and there's actually hilarious. VIDEO i think there's some on

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00:13:34,840 --> 00:13:37,960
Speaker 1: YouTube of us playing around The opryes In, texas which

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00:13:37,960 --> 00:13:41,400
Speaker 1: are sort of many you, know grand old oprys and

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Speaker 1: people would show up and we'd be singing like almost

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00:13:43,320 --> 00:13:46,520
Speaker 1: like family band, style you, Know Merle haggard, Singing Daddy.

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00:13:46,559 --> 00:13:49,160
Speaker 1: Frank and So i'm like, eight you, know nine or

335
00:13:49,600 --> 00:13:51,319
Speaker 1: eight or, nine and my bro's, there he's six or,

336
00:13:51,360 --> 00:13:53,280
Speaker 1: seven and we're singing with my. Mom my mom's got

337
00:13:53,280 --> 00:13:55,920
Speaker 1: the Big texas, hair and you, know dad singing and

338
00:13:55,920 --> 00:13:57,920
Speaker 1: we're singing. Along and so we just grew up doing

339
00:13:57,920 --> 00:14:01,200
Speaker 1: the family band, thing singing again other and my. Dad you,

340
00:14:01,240 --> 00:14:04,120
Speaker 1: know it's FUNNY i was thinking, about you, know it's

341
00:14:04,160 --> 00:14:06,280
Speaker 1: kind of it's really nice BECAUSE i think as you

342
00:14:06,320 --> 00:14:09,199
Speaker 1: get older and you start writing, songs you almost have

343
00:14:09,280 --> 00:14:14,199
Speaker 1: this inner. Critic AND i think my dad just encouraged

344
00:14:14,280 --> 00:14:15,840
Speaker 1: us to write and challenge us a. Rut he used

345
00:14:15,840 --> 00:14:18,199
Speaker 1: to give us a yellow legal pat and, say, hey

346
00:14:18,200 --> 00:14:20,480
Speaker 1: go in the other room and write a. Song AND

347
00:14:20,960 --> 00:14:23,280
Speaker 1: i think starting at such a young age allowed us

348
00:14:23,320 --> 00:14:25,440
Speaker 1: to just it's almost like we didn't even have that

349
00:14:25,480 --> 00:14:28,360
Speaker 1: inner critic in, us and so we just just. Wrote

350
00:14:28,880 --> 00:14:31,760
Speaker 1: and he really highlighted to, Us, hey here's the artists

351
00:14:31,760 --> 00:14:34,400
Speaker 1: that write their own. Songs and SO i just think

352
00:14:34,440 --> 00:14:36,600
Speaker 1: we loved. SONGWRITERS i think we love. Songs we just

353
00:14:36,600 --> 00:14:39,480
Speaker 1: grew up in. It and he cultivated that in, us

354
00:14:39,640 --> 00:14:42,360
Speaker 1: the love for. Songs and so you know When josh

355
00:14:42,440 --> 00:14:44,720
Speaker 1: jorn G, roh he's writing all the. SONGS i moved To,

356
00:14:44,760 --> 00:14:47,640
Speaker 1: nashville got, Signed i'm writing all my songs and, so,

357
00:14:48,240 --> 00:14:50,400
Speaker 1: yeah we just grew up in that environment that loved.

358
00:14:50,480 --> 00:14:54,120
Speaker 1: MUSIC i always, SAY i didn't know it wasn't normal

359
00:14:54,160 --> 00:14:56,160
Speaker 1: to sing at every family function UNTIL i went to

360
00:14:56,200 --> 00:14:58,640
Speaker 1: other people's houses and, like this isn't normal to sing

361
00:14:58,640 --> 00:15:02,120
Speaker 1: on cue at other people's. Houses so we just grew

362
00:15:02,200 --> 00:15:05,200
Speaker 1: up in. That and you, know there was never any.

363
00:15:05,200 --> 00:15:06,720
Speaker 1: PLAN B i was, LIKE i want TO i want

364
00:15:06,760 --> 00:15:07,600
Speaker 1: to make MUSIC.

365
00:15:07,600 --> 00:15:09,920
Speaker 2: I had a friend messaged me last night late last,

366
00:15:10,000 --> 00:15:11,160
Speaker 2: night BUT i go to bed too, early SO i

367
00:15:11,400 --> 00:15:14,160
Speaker 2: read it this. Morning and he's in the middle of

368
00:15:14,160 --> 00:15:15,800
Speaker 2: writing a. Book i've written a couple of. BOOKS i didn't

369
00:15:15,800 --> 00:15:17,080
Speaker 2: like the process they take.

370
00:15:17,120 --> 00:15:17,440
Speaker 1: Forever.

371
00:15:17,600 --> 00:15:19,920
Speaker 2: YEAH i like writing funny songs much, better or just

372
00:15:19,920 --> 00:15:22,000
Speaker 2: songs in, general BECAUSE i know if it sucks or

373
00:15:22,040 --> 00:15:23,400
Speaker 2: not right AFTER i finish.

374
00:15:23,440 --> 00:15:24,880
Speaker 1: It. Yeah. Yeah and he.

375
00:15:24,920 --> 00:15:27,040
Speaker 2: Was like asking. It he's, LIKE i Think i've hit writer's.

376
00:15:27,040 --> 00:15:29,560
Speaker 2: Block and he asked me for my, advice AND i, Said,

377
00:15:29,560 --> 00:15:31,920
Speaker 2: HEY i don't know what writer's block, is BECAUSE i

378
00:15:31,920 --> 00:15:33,560
Speaker 2: feel LIKE i always, Suck LIKE i feel LIKE i

379
00:15:33,600 --> 00:15:37,440
Speaker 2: live in a, constant perpetual state of writer's. Block do

380
00:15:37,480 --> 00:15:39,560
Speaker 2: you get that as a, writer like a version of

381
00:15:39,560 --> 00:15:41,400
Speaker 2: writer's block where nothing is.

382
00:15:42,880 --> 00:15:43,760
Speaker 1: Triggering the same?

383
00:15:43,800 --> 00:15:46,240
Speaker 2: Thoughts, Nothing you feel like you can't land on a,

384
00:15:46,280 --> 00:15:49,080
Speaker 2: melody your lyrics Aren't and does that ever happen with?

385
00:15:49,120 --> 00:15:52,800
Speaker 1: You? Yes AND i think the benefit Of nashville is

386
00:15:53,080 --> 00:15:56,320
Speaker 1: because it's such like a blue collar at least HOW

387
00:15:56,360 --> 00:15:59,000
Speaker 1: i approach. It blue. Collar my calendar is booked out

388
00:15:59,240 --> 00:16:01,400
Speaker 1: for the, year or not the, year but like months and,

389
00:16:01,440 --> 00:16:03,720
Speaker 1: months and you, know you fill in the gaps where it's, like,

390
00:16:03,720 --> 00:16:06,600
Speaker 1: HEY i have to show up and be creative and

391
00:16:06,760 --> 00:16:08,520
Speaker 1: you really get to lean on other. People but it

392
00:16:08,600 --> 00:16:10,880
Speaker 1: is a little bit of LIKE i will say THAT

393
00:16:10,960 --> 00:16:13,960
Speaker 1: i go through stretches WHERE i feel very OR i

394
00:16:13,960 --> 00:16:18,000
Speaker 1: can feel very, uninspired and that could be tied to writer's,

395
00:16:18,040 --> 00:16:20,840
Speaker 1: block and so you, KNOW i have little tricks that

396
00:16:20,920 --> 00:16:22,520
Speaker 1: kind of get me out of. It but they want

397
00:16:22,560 --> 00:16:24,480
Speaker 1: to hear a. Couple, yeah, MAN i think obviously some

398
00:16:24,520 --> 00:16:27,120
Speaker 1: of the go to is Reading, DUDE i.

399
00:16:27,200 --> 00:16:29,680
Speaker 2: Do i'm telling you you're speaking right now to somebody

400
00:16:29,720 --> 00:16:30,160
Speaker 2: who uses that.

401
00:16:30,200 --> 00:16:32,600
Speaker 1: Exactly you have to READ i really, THINK i mean,

402
00:16:32,640 --> 00:16:36,320
Speaker 1: again and it's different for, everybody BUT i just didn't

403
00:16:36,320 --> 00:16:38,080
Speaker 1: REALIZE i love it and you got to. Find, hey

404
00:16:38,640 --> 00:16:40,200
Speaker 1: WHEN i first moved to, town it's, like, hey here's.

405
00:16:40,240 --> 00:16:41,640
Speaker 1: Double you gotta write doubles.

406
00:16:41,440 --> 00:16:42,840
Speaker 2: And Not, twitter by the, way BECAUSE i used to be,

407
00:16:42,840 --> 00:16:44,560
Speaker 2: like oh it's Three. Twitter, yeah not the same thing.

408
00:16:44,600 --> 00:16:48,240
Speaker 1: Exactly you might find a hook On, twitter but YOU i,

409
00:16:48,280 --> 00:16:49,960
Speaker 1: have you, know On instagram you're, like, oh that's a cool.

410
00:16:50,000 --> 00:16:52,800
Speaker 1: Quote BUT i think you gotta if you're pouring, OUT i,

411
00:16:52,800 --> 00:16:55,520
Speaker 1: mean you spend your whole life talking and pouring out

412
00:16:56,280 --> 00:16:58,680
Speaker 1: books and, so and it's, like, man if you're not

413
00:16:58,720 --> 00:17:02,880
Speaker 1: feeling your tank, up you will start regurgitating the same

414
00:17:02,960 --> 00:17:05,200
Speaker 1: thing and melodies and so you really have to take

415
00:17:05,240 --> 00:17:08,119
Speaker 1: time and and feel your. Tank and so to, me

416
00:17:08,160 --> 00:17:09,920
Speaker 1: it's like JUST i love to, work But i've also

417
00:17:09,960 --> 00:17:12,160
Speaker 1: had to find the balance of, LIKE i know When

418
00:17:12,160 --> 00:17:14,520
Speaker 1: i'm starting to get a little, burnt and SO i

419
00:17:14,560 --> 00:17:16,679
Speaker 1: go through. Seasons But i'll. Read If i'm reading a,

420
00:17:16,680 --> 00:17:20,440
Speaker 1: book Then i'll just you, KNOW i might grab five

421
00:17:20,480 --> 00:17:23,280
Speaker 1: titles from a, book you, know and or listen to you,

422
00:17:23,280 --> 00:17:26,159
Speaker 1: know some great great music is always great BECAUSE i

423
00:17:26,240 --> 00:17:30,320
Speaker 1: just feel like language and vernacular and you, know finding

424
00:17:30,400 --> 00:17:32,439
Speaker 1: a cool artist and just listening and letting it be

425
00:17:32,440 --> 00:17:35,800
Speaker 1: in the background will just trigger phrases and ideas and

426
00:17:35,840 --> 00:17:38,560
Speaker 1: SO i just feel like the intake of that helps

427
00:17:38,640 --> 00:17:41,360
Speaker 1: like feel the well to pour back out.

428
00:17:41,520 --> 00:17:44,560
Speaker 2: One of My this may tell you how UNINTELLIGENT i,

429
00:17:44,600 --> 00:17:48,320
Speaker 2: Am like, fundamentally WHEN i read, BOOKS i read.

430
00:17:48,119 --> 00:17:51,560
Speaker 1: Them and THEN i use new.

431
00:17:51,359 --> 00:17:54,560
Speaker 2: Words like my vernacular expands even THOUGH i know the.

432
00:17:54,600 --> 00:17:57,840
Speaker 2: Words there are a lot of words THAT i really

433
00:17:57,880 --> 00:18:01,240
Speaker 2: don't use UNTIL i read book and they're using those,

434
00:18:01,280 --> 00:18:03,200
Speaker 2: words And i'm, like, oh those are good Words i've forgotten. About,

435
00:18:03,280 --> 00:18:05,640
Speaker 2: yes and that sounds like something a sixth grader would. Say,

436
00:18:05,800 --> 00:18:08,240
Speaker 2: yes but that helps me tremendously and like my every,

437
00:18:08,280 --> 00:18:09,639
Speaker 2: day five hour a day talking.

438
00:18:09,720 --> 00:18:12,160
Speaker 1: Life. Absolutely, yeah it's, like, hey what is? It, okay

439
00:18:12,200 --> 00:18:13,800
Speaker 1: what is this? Word and, okay what does this? Mean

440
00:18:13,840 --> 00:18:16,919
Speaker 1: i'm gonna just kind of, innately you, know put it

441
00:18:16,960 --> 00:18:18,199
Speaker 1: into Your, yeah like you, said your.

442
00:18:18,280 --> 00:18:20,119
Speaker 2: Vernaculary sometimes don't even Realize i'm using it and it

443
00:18:20,160 --> 00:18:20,879
Speaker 2: just pops up all of a.

444
00:18:20,880 --> 00:18:23,199
Speaker 1: Sudden have you READ i don't know what you're reading right,

445
00:18:23,200 --> 00:18:25,960
Speaker 1: Now Demon. COPPERHEAD i just read that was an amazing. Book

446
00:18:26,000 --> 00:18:27,879
Speaker 1: and then one of my favorites That i've read in

447
00:18:27,880 --> 00:18:29,680
Speaker 1: a long time is a book Called. James have you read?

448
00:18:29,680 --> 00:18:32,359
Speaker 1: That was? It is it? Fiction non? Fiction? About it's

449
00:18:32,400 --> 00:18:35,520
Speaker 1: fiction and it's Actually i'm trying to think the author's.

450
00:18:35,600 --> 00:18:37,399
Speaker 1: Name it's fantastic as one of the best books of the,

451
00:18:37,480 --> 00:18:39,439
Speaker 1: year you, know songs a few, lists but it was

452
00:18:39,760 --> 00:18:42,760
Speaker 1: it's from the, Perspective Huck. Finn it's from the perspective

453
00:18:42,800 --> 00:18:45,520
Speaker 1: of the. Slave oh, yeah so the whole book is

454
00:18:45,520 --> 00:18:48,439
Speaker 1: From james the slave's. Perspective it's One it's wonderful it's

455
00:18:48,440 --> 00:18:49,480
Speaker 1: one of the best books That i've read in the

456
00:18:49,520 --> 00:18:51,080
Speaker 1: last few. Years so, anyway not to no.

457
00:18:51,080 --> 00:18:52,800
Speaker 2: NO i LIKE i liked the game of book nerd

458
00:18:52,920 --> 00:18:55,160
Speaker 2: because it's almost you almost got to have. Somebody it's

459
00:18:55,160 --> 00:18:57,280
Speaker 2: like A netflix. Show honest to, GOD i don't know

460
00:18:57,320 --> 00:18:59,080
Speaker 2: what shows to watch On my friends say much of a.

461
00:18:59,119 --> 00:19:01,400
Speaker 1: Commitment, YES i need somebody to tell me that it's

462
00:19:01,440 --> 00:19:01,800
Speaker 1: great THAT i.

463
00:19:01,960 --> 00:19:05,720
Speaker 5: Trust let's take a quick pause for a message from our, sponsor.

464
00:19:13,119 --> 00:19:15,000
Speaker 2: And we're back on The Bobby.

465
00:19:15,040 --> 00:19:18,000
Speaker 1: Cast the weird thing About.

466
00:19:17,880 --> 00:19:19,960
Speaker 2: And, Again i'm not the person to go to if

467
00:19:20,000 --> 00:19:22,159
Speaker 2: someone's thinking about writing a book because the process to

468
00:19:22,200 --> 00:19:25,560
Speaker 2: me is it was grueling because it was so, long

469
00:19:25,640 --> 00:19:28,200
Speaker 2: and there's no payoff the day it's.

470
00:19:28,359 --> 00:19:30,600
Speaker 1: Released where if you.

471
00:19:30,560 --> 00:19:32,000
Speaker 2: Put out a song and it comes out that, day

472
00:19:32,320 --> 00:19:33,439
Speaker 2: you can, go, hey what do you think of the?

473
00:19:33,480 --> 00:19:35,440
Speaker 2: Song just generally to people you put out a, book

474
00:19:35,440 --> 00:19:37,040
Speaker 2: you gotta wait two three weeks before anybody even read

475
00:19:37,080 --> 00:19:39,000
Speaker 2: the freaking. Thing so you're just like sitting on your,

476
00:19:39,040 --> 00:19:41,240
Speaker 2: thumb just, going, Well i'll do this and feel it

477
00:19:41,280 --> 00:19:43,919
Speaker 2: until somebody tells me how they. Feel right, NOW i,

478
00:19:43,960 --> 00:19:46,879
Speaker 2: SAY i don't read a lot of. FICTION i like

479
00:19:47,240 --> 00:19:51,199
Speaker 2: to read fiction WHEN i will allow, myself Which i'm

480
00:19:51,200 --> 00:19:52,879
Speaker 2: getting better. At But i'm reading the book Called The

481
00:19:52,880 --> 00:19:57,320
Speaker 2: Life impossible right, now which is by this author from

482
00:19:57,320 --> 00:19:58,800
Speaker 2: AN i don't know any names of any books or

483
00:19:58,800 --> 00:20:01,960
Speaker 2: songs because OUR i read it thing on a iPad

484
00:20:02,080 --> 00:20:03,640
Speaker 2: and you don't see the front of the cover? Anymore

485
00:20:04,080 --> 00:20:05,400
Speaker 2: so how much was remember the title of the? Book

486
00:20:05,400 --> 00:20:06,760
Speaker 2: IF i don't see the front of the cover over and.

487
00:20:06,680 --> 00:20:09,120
Speaker 1: Over you enjoy reading it on the. SCREEN i don't.

488
00:20:08,920 --> 00:20:10,200
Speaker 2: Read it on my, phone BUT i read it on

489
00:20:10,200 --> 00:20:12,760
Speaker 2: an iPad, okay okay or a. Kendle my wife reads a.

490
00:20:12,800 --> 00:20:13,399
Speaker 2: KENDLE i read a.

491
00:20:13,440 --> 00:20:14,360
Speaker 1: iPad but what's?

492
00:20:14,400 --> 00:20:16,560
Speaker 2: Funny people say, like, hey you read anything? Good And i'm, like,

493
00:20:16,640 --> 00:20:19,080
Speaker 2: YEAH i know the name of. It, yeah because when it.

494
00:20:19,000 --> 00:20:22,359
Speaker 1: Was hard, books you always saw the. Title. Yeah. Yeah

495
00:20:23,240 --> 00:20:24,919
Speaker 1: do you feel like are those inspiring like?

496
00:20:24,960 --> 00:20:25,080
Speaker 2: You?

497
00:20:25,200 --> 00:20:28,560
Speaker 1: Yeah things that inspire you the not self, help but

498
00:20:28,680 --> 00:20:31,000
Speaker 1: like that motivates you a little? Better is that your

499
00:20:31,040 --> 00:20:32,640
Speaker 1: kind of go? To so.

500
00:20:34,240 --> 00:20:36,800
Speaker 2: The book THAT i can read YOU i read. Recently

501
00:20:36,840 --> 00:20:37,760
Speaker 2: don't believe everything you?

502
00:20:37,800 --> 00:20:40,920
Speaker 1: Think? HMMM i, Heard, YEAH i tend.

503
00:20:40,960 --> 00:20:43,879
Speaker 2: To and it's mostly the difference in thoughts and thinking

504
00:20:43,920 --> 00:20:45,919
Speaker 2: where you don't control your. Thoughts you do have some

505
00:20:46,000 --> 00:20:49,399
Speaker 2: influence on your thinking because that's putting effort into your,

506
00:20:49,440 --> 00:20:51,080
Speaker 2: thoughts and how some of your thoughts are. Toxic you

507
00:20:51,080 --> 00:20:53,840
Speaker 2: can't control your thoughts that come. In but it's basically

508
00:20:54,040 --> 00:21:00,680
Speaker 2: you can to a point control your. Thinking AND i did.

509
00:21:00,680 --> 00:21:04,080
Speaker 2: THAT i read this book Called gambler From Billy. Walters

510
00:21:04,119 --> 00:21:06,840
Speaker 2: he's a crazy guy who bet all this. Money but

511
00:21:06,960 --> 00:21:08,919
Speaker 2: AND i get into some of these books, too LIKE

512
00:21:09,000 --> 00:21:10,200
Speaker 2: i Read The realm Of Hungry.

513
00:21:10,240 --> 00:21:11,159
Speaker 1: GHOSTS i come from a family of.

514
00:21:11,160 --> 00:21:14,680
Speaker 2: Addiction and what sucks about reading digitally is that you're,

515
00:21:14,680 --> 00:21:16,040
Speaker 2: LIKE i really want to read, this and it's by

516
00:21:16,840 --> 00:21:19,080
Speaker 2: good warm matey who's a, doctor And i'm, Like i'm,

517
00:21:19,080 --> 00:21:20,040
Speaker 2: in and then you buy the.

518
00:21:20,040 --> 00:21:20,919
Speaker 1: Book i'm an.

519
00:21:20,960 --> 00:21:22,920
Speaker 2: IDIOT i buy the book and it's like nine hundred

520
00:21:22,920 --> 00:21:24,200
Speaker 2: and thirteen, pages And i'm, Like, god, dang if i'd

521
00:21:24,200 --> 00:21:25,520
Speaker 2: seen the, STORE i would have never grabbed.

522
00:21:25,520 --> 00:21:28,080
Speaker 1: It it's too. Big thirteen that's a big. Book. Yeah.

523
00:21:28,119 --> 00:21:30,240
Speaker 1: Yeah on the, iPad it's all the same. Thickness that's a.

524
00:21:30,240 --> 00:21:33,640
Speaker 2: Commitment SO i Read The Midnight library By Matt.

525
00:21:33,640 --> 00:21:35,600
Speaker 1: Hayes oh great, Book, yes, awesome right?

526
00:21:35,640 --> 00:21:39,440
Speaker 2: Book and that's who Wrote The Life, impossible and that's

527
00:21:39,440 --> 00:21:40,359
Speaker 2: WHY i ended up on that.

528
00:21:40,359 --> 00:21:43,680
Speaker 1: One, okay THAT mani. Library it was. Fantastic, Yeah and

529
00:21:43,720 --> 00:21:48,280
Speaker 1: it's all about like life, choices like don't second guess

530
00:21:48,359 --> 00:21:51,240
Speaker 1: what you're doing because maybe it doesn't feel right right this. Second.

531
00:21:51,480 --> 00:21:55,879
Speaker 2: Yeah but it's stuff like that That i'll read And

532
00:21:55,960 --> 00:21:58,199
Speaker 2: i'll just pull so much even without knowing it so.

533
00:21:58,240 --> 00:21:59,960
Speaker 2: Subconsciously and that was my question about, you and, right

534
00:22:00,560 --> 00:22:02,520
Speaker 2: like where do you pull stuff?

535
00:22:02,520 --> 00:22:04,520
Speaker 1: From whenever you have to be a well, yeap you

536
00:22:04,600 --> 00:22:06,840
Speaker 1: have to BE i AND i, AGAIN i have a.

537
00:22:06,920 --> 00:22:08,920
Speaker 1: Daughter my oldest daughter will. Read she'd be, like, DAD

538
00:22:09,640 --> 00:22:11,320
Speaker 1: i love. Her she's a book, nerd but she's, LIKE

539
00:22:11,440 --> 00:22:13,240
Speaker 1: i read one hundred fifty pages last night And i'm

540
00:22:13,240 --> 00:22:15,520
Speaker 1: like blown. Away BUT i told, HER i, SAID i

541
00:22:15,520 --> 00:22:17,560
Speaker 1: read an article and they're, Saying i'm trying to remember

542
00:22:17,560 --> 00:22:20,000
Speaker 1: the stat but like the most successful people read the

543
00:22:20,000 --> 00:22:22,600
Speaker 1: most books a lot of times CEOs and So i'm,

544
00:22:22,640 --> 00:22:24,080
Speaker 1: like you, know it's like trying to encourage that in

545
00:22:24,160 --> 00:22:25,879
Speaker 1: my girls or, whatever and so but for me as a,

546
00:22:25,920 --> 00:22:29,199
Speaker 1: creative it's Just i've learned when the wells, DRY i

547
00:22:29,240 --> 00:22:33,119
Speaker 1: got to like put on you, know the things you,

548
00:22:33,160 --> 00:22:35,199
Speaker 1: know obviously for, me you, know getting my word in the.

549
00:22:35,200 --> 00:22:37,560
Speaker 1: Morning and then Obviously I'M i love to listen to,

550
00:22:37,640 --> 00:22:43,040
Speaker 1: music like classical music with no lyrics is. Refreshing but, yeah, books,

551
00:22:43,840 --> 00:22:46,399
Speaker 1: MOVIES i love. Movies and, again as a, WRITER i

552
00:22:46,400 --> 00:22:48,760
Speaker 1: feel like my intenna can go up and go, Okay

553
00:22:49,240 --> 00:22:53,560
Speaker 1: i'm listening to every. Conversation i'm listening trying to find you,

554
00:22:53,560 --> 00:22:57,280
Speaker 1: know What i'm saying. Ideas If i'm like that in that, Mode.

555
00:22:58,320 --> 00:23:01,200
Speaker 2: I'd like to say to anybody, LISTENING i think both

556
00:23:01,240 --> 00:23:03,280
Speaker 2: of us understand that our jobs are not the same

557
00:23:03,280 --> 00:23:05,639
Speaker 2: as going to the mill like my stepdad had to

558
00:23:05,640 --> 00:23:09,080
Speaker 2: do every, day whatever the physical labor job. Is we're

559
00:23:09,080 --> 00:23:11,560
Speaker 2: in a creative. Space But i'm gonna say, this it

560
00:23:11,600 --> 00:23:14,080
Speaker 2: starts to. Burn it starts to be hard work because

561
00:23:14,960 --> 00:23:16,280
Speaker 2: not the same hard. WORK i can already see the

562
00:23:16,280 --> 00:23:18,200
Speaker 2: Messages I'm i'm just doing a little proactive keeping the

563
00:23:18,200 --> 00:23:21,200
Speaker 2: messages to hit me in the head right now when

564
00:23:21,200 --> 00:23:24,840
Speaker 2: it starts to be, difficult like an actual. Grind WHAT

565
00:23:25,040 --> 00:23:29,840
Speaker 2: i can do now a bit is force a bit of,

566
00:23:29,880 --> 00:23:36,440
Speaker 2: boredom BECAUSE i will Be i'm a, creative But i'm

567
00:23:36,520 --> 00:23:40,160
Speaker 2: managing seven different projects at, once and So i'm using

568
00:23:40,240 --> 00:23:42,600
Speaker 2: both sides on our, brain And i'm having to constantly

569
00:23:42,640 --> 00:23:44,840
Speaker 2: think of, compelling funny, things and at the same Time

570
00:23:44,840 --> 00:23:48,480
Speaker 2: i'm managing, people And i'll run out WHERE i feel

571
00:23:48,480 --> 00:23:51,120
Speaker 2: LIKE i have nothing, good. Nothing so IF i don't

572
00:23:51,160 --> 00:23:55,199
Speaker 2: force myself to be, bored nothing creative. Happens SO i

573
00:23:55,240 --> 00:23:58,399
Speaker 2: have to get myself back to that space. Quiet, yeah

574
00:23:58,440 --> 00:24:00,680
Speaker 2: it's the one of the place is THAT i think

575
00:24:00,720 --> 00:24:03,000
Speaker 2: the best is in the shower BECAUSE i can't go anywhere.

576
00:24:03,000 --> 00:24:05,080
Speaker 2: Else there's no PHONE i can get, to So i'll

577
00:24:05,119 --> 00:24:07,480
Speaker 2: just sit. There the shower is a good place.

578
00:24:07,280 --> 00:24:09,840
Speaker 1: For, me right Driving, yeah to, me it's like driving

579
00:24:10,080 --> 00:24:12,520
Speaker 1: shutting everything. Off shower showers great now WHEN i drive

580
00:24:12,520 --> 00:24:14,040
Speaker 1: the on my phone you painting credit. Card it's a

581
00:24:14,040 --> 00:24:17,480
Speaker 1: scary place you're alone with your, thoughts but it's also

582
00:24:17,560 --> 00:24:21,120
Speaker 1: a beautiful thing because we really aren't alone with our thoughts,

583
00:24:21,160 --> 00:24:23,520
Speaker 1: anymore and it's hard to. Be it's hard to be

584
00:24:23,720 --> 00:24:25,480
Speaker 1: that we can feel so much of this space and so,

585
00:24:26,160 --> 00:24:29,840
Speaker 1: yeah obviously that's Where god shows up and just, downloads you,

586
00:24:29,880 --> 00:24:32,520
Speaker 1: know things to you and you're, yeah you can kind

587
00:24:32,520 --> 00:24:34,639
Speaker 1: of chew on things and how much of A texan are? You?

588
00:24:35,359 --> 00:24:38,760
Speaker 1: UH i, Mean i've met people that are we, know

589
00:24:38,840 --> 00:24:41,040
Speaker 1: we know, them AND i lived there for twelve. Years

590
00:24:41,080 --> 00:24:42,040
Speaker 1: oh you did. It, YEAH i lived In.

591
00:24:42,040 --> 00:24:45,560
Speaker 2: Austin my adult young adult life is completely formed by

592
00:24:45,560 --> 00:24:45,840
Speaker 2: the state Of.

593
00:24:45,880 --> 00:24:49,399
Speaker 1: Texas In, Austin. Texas so yes alone, Star, YEAH i

594
00:24:49,400 --> 00:24:51,800
Speaker 1: have friends that are so dial Hard texan AND i love.

595
00:24:51,840 --> 00:24:54,199
Speaker 1: It you, KNOW i was talking To read. Earlier it's, like,

596
00:24:54,240 --> 00:24:57,520
Speaker 1: hey you move, away and LIKE I i some of that.

597
00:24:57,680 --> 00:25:00,640
Speaker 1: PRIDE i feel even stronger now from WHERE i came.

598
00:25:00,680 --> 00:25:03,840
Speaker 1: From But i'm Not i'm not near as hardcore as

599
00:25:03,840 --> 00:25:04,199
Speaker 1: a lot of.

600
00:25:04,200 --> 00:25:09,199
Speaker 2: People looking at your catalog here of songs that are

601
00:25:09,200 --> 00:25:11,280
Speaker 2: listed as notable, Hits i'm not sure who listened.

602
00:25:11,280 --> 00:25:12,240
Speaker 1: On maybe Even, MIKE i don't.

603
00:25:12,280 --> 00:25:15,040
Speaker 2: Know By Dirt Jordan davis talked about that one cop

604
00:25:15,080 --> 00:25:16,000
Speaker 2: Car Keith urban.

605
00:25:17,520 --> 00:25:19,199
Speaker 1: That was a long time. Ago. Huh, yeah that was

606
00:25:19,200 --> 00:25:22,919
Speaker 1: my first With. Sam With, Sam, yeah i'd had a

607
00:25:22,920 --> 00:25:25,840
Speaker 1: few songs THAT i won't name that have that died

608
00:25:25,880 --> 00:25:29,199
Speaker 1: in the forties on the chart fifties and and you,

609
00:25:29,240 --> 00:25:31,640
Speaker 1: know didn't do WHAT i wanted him to and sat.

610
00:25:31,680 --> 00:25:34,400
Speaker 1: Down sam was, working didn't have a record deal, yet

611
00:25:34,720 --> 00:25:36,680
Speaker 1: And i'd written with him a time or two and

612
00:25:37,000 --> 00:25:39,760
Speaker 1: he shut. UP i, meant, Obviously sam's, brilliant and That

613
00:25:39,800 --> 00:25:42,960
Speaker 1: monovolo record really a few records come along that sort

614
00:25:42,960 --> 00:25:45,360
Speaker 1: of Changed. Nashville BUT i JUST i love the way

615
00:25:45,359 --> 00:25:48,040
Speaker 1: that his brain works and thought and and he had that,

616
00:25:48,119 --> 00:25:51,640
Speaker 1: idea you, know he WAS i think it's it's white

617
00:25:51,800 --> 00:25:54,359
Speaker 1: is his. Wife he was trespassing on some property and

618
00:25:54,400 --> 00:25:55,840
Speaker 1: got put put in the back of a cop. Car he,

619
00:25:55,840 --> 00:25:57,600
Speaker 1: GOES i want to write a song called fell In

620
00:25:57,640 --> 00:25:59,600
Speaker 1: love in the back of a cop. Car and, uh

621
00:26:00,160 --> 00:26:02,760
Speaker 1: we wrote it over four or five, rights And Keith

622
00:26:02,840 --> 00:26:06,000
Speaker 1: urban heard it and played it at The grammys and

623
00:26:06,280 --> 00:26:08,399
Speaker 1: changed my. LIFE i always SAY i was able to

624
00:26:08,400 --> 00:26:10,920
Speaker 1: call the home folk back In texas and tell THEM

625
00:26:11,400 --> 00:26:13,640
Speaker 1: i sort of made. IT i wasn't crazy no matter

626
00:26:13,640 --> 00:26:16,159
Speaker 1: what else. Happens Keith urban played my song at The.

627
00:26:16,160 --> 00:26:19,400
Speaker 1: Grammy so that was the first like like big, win

628
00:26:19,560 --> 00:26:22,720
Speaker 1: honestly win in my cells and win for me in.

629
00:26:22,840 --> 00:26:27,439
Speaker 2: Town when you talk about writing With sam and that

630
00:26:27,520 --> 00:26:30,760
Speaker 2: was early early for you and early for. Him, yeah

631
00:26:30,840 --> 00:26:32,960
Speaker 2: and you say you wrote four or five, times LIKE

632
00:26:33,280 --> 00:26:35,320
Speaker 2: i Know sam and also know How sam.

633
00:26:35,400 --> 00:26:37,320
Speaker 1: Works was that how he worked?

634
00:26:37,359 --> 00:26:38,879
Speaker 2: Then where it was we were just going to revisit

635
00:26:38,960 --> 00:26:39,359
Speaker 2: over and over and.

636
00:26:39,720 --> 00:26:42,960
Speaker 1: Over, no, no, OH i mean, Literally i'll say this

637
00:26:43,000 --> 00:26:45,280
Speaker 1: when we talk about other, artists but, Like sam is

638
00:26:45,320 --> 00:26:47,760
Speaker 1: one of the most, talented brilliant people That i've been

639
00:26:47,760 --> 00:26:49,960
Speaker 1: in the room. With BUT i think that the gift

640
00:26:50,000 --> 00:26:54,800
Speaker 1: That sam has is he literally the Longer i've been,

641
00:26:54,800 --> 00:26:56,880
Speaker 1: Here i've learned. This the best writers know when it's,

642
00:26:56,920 --> 00:26:59,879
Speaker 1: wrong and the great ones know how to fix it

643
00:27:00,080 --> 00:27:02,040
Speaker 1: and make it. Right and you can just write a,

644
00:27:02,040 --> 00:27:03,679
Speaker 1: song but when you the great writers know it's not.

645
00:27:03,760 --> 00:27:06,800
Speaker 1: Right And sam has that thing where he he could

646
00:27:06,920 --> 00:27:09,800
Speaker 1: just rewrite the same verse ten, times you. Know so

647
00:27:10,400 --> 00:27:13,359
Speaker 1: we we spent five six writes just like writing and

648
00:27:13,400 --> 00:27:16,560
Speaker 1: rewriting and stripping. Down and that wasn't you. Know i've

649
00:27:16,560 --> 00:27:18,760
Speaker 1: done that a little bit and so, yeah the early

650
00:27:18,840 --> 00:27:22,119
Speaker 1: days With sam were hard but good hard because the

651
00:27:22,280 --> 00:27:24,720
Speaker 1: end product was so, great but it was it was.

652
00:27:24,760 --> 00:27:27,840
Speaker 1: Painful BUT i will Say i've written with him quite

653
00:27:27,840 --> 00:27:31,399
Speaker 1: a bit recently and he's like he's he's you, know

654
00:27:31,480 --> 00:27:33,520
Speaker 1: not mellowed, out BUT i think he's evolved a little

655
00:27:33,520 --> 00:27:36,159
Speaker 1: bit and a little less that he'll we'll work on

656
00:27:36,160 --> 00:27:37,720
Speaker 1: stuff and then he'll take it back and kind of

657
00:27:37,760 --> 00:27:39,440
Speaker 1: would shit on it a little bit more than he used.

658
00:27:39,480 --> 00:27:43,280
Speaker 2: To, yeah notorious at taking Forever, yeah and then after

659
00:27:43,320 --> 00:27:44,560
Speaker 2: forever going back and redoing it.

660
00:27:44,600 --> 00:27:47,600
Speaker 1: AGAIN i heard this all this, Said sam's JUST i

661
00:27:47,600 --> 00:27:49,560
Speaker 1: think one of the most talented. People. SAM i Love. Sam,

662
00:27:49,600 --> 00:27:51,560
Speaker 1: oh BUT i heard body like A Back road THAT

663
00:27:51,920 --> 00:27:55,760
Speaker 1: i heard twenty different. Versions so but, again one of

664
00:27:55,760 --> 00:27:58,280
Speaker 1: the biggest songs in country music. History so he knows

665
00:27:58,320 --> 00:27:59,479
Speaker 1: something right for.

666
00:27:59,560 --> 00:28:02,680
Speaker 2: Sure what about, like there are little things about songs

667
00:28:02,720 --> 00:28:04,399
Speaker 2: sometimes that maybe you don't think are going to be

668
00:28:04,640 --> 00:28:08,200
Speaker 2: the big thing about the song and the yep yep

669
00:28:08,520 --> 00:28:10,320
Speaker 2: yep And Dustin lynch Where it's At yep.

670
00:28:10,640 --> 00:28:13,120
Speaker 1: Yep when you say that, SONG i go, yep, yeah

671
00:28:13,320 --> 00:28:13,840
Speaker 1: the yep yep.

672
00:28:13,920 --> 00:28:17,119
Speaker 2: Song so more so than like the writing of that,

673
00:28:17,240 --> 00:28:20,560
Speaker 2: Song i'm curious about the edition Of yep, yep OR

674
00:28:20,600 --> 00:28:22,600
Speaker 2: i guess the lack of subtraction of yep, yep or

675
00:28:22,600 --> 00:28:23,120
Speaker 2: how that came.

676
00:28:23,160 --> 00:28:25,480
Speaker 1: About you, know wrote With Zach, crowd who's a great.

677
00:28:25,480 --> 00:28:27,800
Speaker 1: Friend we sort of came up together and we had

678
00:28:27,800 --> 00:28:31,720
Speaker 1: cop card together and we wrote that Where It's at

679
00:28:31,720 --> 00:28:34,199
Speaker 1: With Cary. Barlow and you, know in your career you

680
00:28:34,240 --> 00:28:36,960
Speaker 1: have these songs that are like you, know are these,

681
00:28:37,040 --> 00:28:40,680
Speaker 1: big meaty. Songs and Then zach had this. Track zach

682
00:28:40,720 --> 00:28:43,680
Speaker 1: hadn't had a hit. Yet zach had this, track and

683
00:28:43,840 --> 00:28:45,960
Speaker 1: we showed up with Carry barlow And carrie's you, know

684
00:28:46,160 --> 00:28:49,120
Speaker 1: married To Hilly, lindsay just an amazing musician and guitar.

685
00:28:49,160 --> 00:28:52,520
Speaker 1: Player and he starts playing that lead lift damp, down you,

686
00:28:52,560 --> 00:28:55,200
Speaker 1: know and we write where it's, at and there's this

687
00:28:55,280 --> 00:28:56,880
Speaker 1: little space AND i give it to give it up

688
00:28:56,920 --> 00:28:59,840
Speaker 1: To zach and just his, intuition his producer hit in.

689
00:29:00,240 --> 00:29:02,760
Speaker 1: Intuition there was a little space where yep yep went

690
00:29:03,400 --> 00:29:05,560
Speaker 1: and we were just working on it and he just

691
00:29:05,680 --> 00:29:07,640
Speaker 1: got on the mind and said yep. Yep he just

692
00:29:07,680 --> 00:29:10,640
Speaker 1: filled that space with yep. Yep and it's so. Funny

693
00:29:10,680 --> 00:29:12,760
Speaker 1: it was like it came out dustin cut. It it's

694
00:29:12,800 --> 00:29:15,720
Speaker 1: like where it's, at yep. Yep it's like it became a,

695
00:29:15,760 --> 00:29:17,640
Speaker 1: thing and it was so. Funny it was like such

696
00:29:17,760 --> 00:29:20,280
Speaker 1: like an add on after the. Fact but those little,

697
00:29:20,320 --> 00:29:24,280
Speaker 1: CANDY i think his pop brain knew there needed to

698
00:29:24,280 --> 00:29:26,600
Speaker 1: be a part, there and it was like that little

699
00:29:26,600 --> 00:29:28,240
Speaker 1: candy that kind of took it to another.

700
00:29:28,320 --> 00:29:40,560
Speaker 5: Level The bobby cast will be right. Back this is

701
00:29:40,640 --> 00:29:41,840
Speaker 5: The bobby CAST.

702
00:29:42,120 --> 00:29:44,160
Speaker 2: I wonder two with that, song and Again i'm asking

703
00:29:44,240 --> 00:29:48,040
Speaker 2: to go and think back about something years. Ago but was, It,

704
00:29:48,120 --> 00:29:50,200
Speaker 2: hey let's try. This, HEY i think this is going

705
00:29:50,240 --> 00:29:52,160
Speaker 2: to be. Awesome did you hear it the first? Time

706
00:29:52,880 --> 00:29:55,280
Speaker 2: it had to hit a little weird because again it

707
00:29:55,480 --> 00:29:57,920
Speaker 2: wasn't it's not camm that's not common and, yeah how,

708
00:29:58,040 --> 00:30:02,920
Speaker 2: yeah like what what was the range there of let's try? This,

709
00:30:03,360 --> 00:30:05,040
Speaker 2: OKAY i like? It or you, guys you guys talk

710
00:30:05,040 --> 00:30:06,360
Speaker 2: about a little, bit you.

711
00:30:06,320 --> 00:30:08,800
Speaker 1: Know and, again like you, SAID i don't remember, exactly

712
00:30:08,880 --> 00:30:11,600
Speaker 1: BUT i do remember digging in and feel like it

713
00:30:11,640 --> 00:30:13,880
Speaker 1: became like a thing in the song that kind of

714
00:30:14,000 --> 00:30:14,320
Speaker 1: made it.

715
00:30:14,360 --> 00:30:16,280
Speaker 2: Special did you know it was gonna be something that stuck?

716
00:30:16,280 --> 00:30:18,640
Speaker 1: Out, yeah that's what it felt. Like it felt, like you,

717
00:30:18,640 --> 00:30:21,400
Speaker 1: know it, was, yeah that little extra piece and then

718
00:30:21,400 --> 00:30:25,440
Speaker 1: obviously dust and cutting it and just taking it to another.

719
00:30:25,520 --> 00:30:28,160
Speaker 1: Level and it's so funny WHEN i play it, live

720
00:30:28,200 --> 00:30:30,840
Speaker 1: it's like in the crowds singing the, part you, know

721
00:30:30,920 --> 00:30:33,040
Speaker 1: it is like the. Thing there are a.

722
00:30:33,040 --> 00:30:35,280
Speaker 2: Couple other INSTANCES i think, of not exactly the, same

723
00:30:35,320 --> 00:30:39,600
Speaker 2: But Kobe, cala will you come me? In and they

724
00:30:39,720 --> 00:30:43,040
Speaker 2: leave that in and you, guys, yes and you guys

725
00:30:43,040 --> 00:30:45,440
Speaker 2: did that. Purposefully but it's like the things that you

726
00:30:45,560 --> 00:30:48,800
Speaker 2: remember from the songs that maybe weren't supposed to be

727
00:30:48,840 --> 00:30:50,960
Speaker 2: the thing you were gonna remember from the song when

728
00:30:50,960 --> 00:30:55,479
Speaker 2: they wrote the song that and Then James blunt On

729
00:30:55,520 --> 00:31:00,760
Speaker 2: You're beautiful where it's like it's a lot and he's

730
00:31:00,760 --> 00:31:03,479
Speaker 2: like sings the first line twice the beginning of it

731
00:31:03,880 --> 00:31:05,720
Speaker 2: and they left it.

732
00:31:05,760 --> 00:31:08,400
Speaker 1: In, Yeah so there are a lot of. Those it's

733
00:31:08,400 --> 00:31:10,120
Speaker 1: almost like that uniqueness or that for.

734
00:31:10,080 --> 00:31:11,880
Speaker 2: Sure and there's gotta be a conversation like do we lease?

735
00:31:11,960 --> 00:31:14,239
Speaker 1: This? Yeah like why it's almost some magic in, it

736
00:31:15,000 --> 00:31:17,000
Speaker 1: you know that you go like and some risk, yeah

737
00:31:17,040 --> 00:31:19,000
Speaker 1: and some. Risk. Yeah, yep it's.

738
00:31:19,000 --> 00:31:21,040
Speaker 2: AWESOME i Tell dustin that all the, time like the

739
00:31:21,080 --> 00:31:24,480
Speaker 2: fact that he cut that, song left it, in didn't

740
00:31:24,520 --> 00:31:25,719
Speaker 2: think that he was too good for.

741
00:31:25,800 --> 00:31:27,600
Speaker 1: It, yeah because now it's that's one.

742
00:31:27,560 --> 00:31:29,280
Speaker 2: Of the most fun songs that, like as they call,

743
00:31:29,320 --> 00:31:33,080
Speaker 2: it a, Recurrent, yeah it's a really fun recurrent of

744
00:31:33,120 --> 00:31:37,080
Speaker 2: your songs on The and for those listening to recurrent

745
00:31:37,080 --> 00:31:39,080
Speaker 2: would be a song that has already hit number, one

746
00:31:39,320 --> 00:31:42,960
Speaker 2: done really, well has been off the, chart but we'll

747
00:31:43,000 --> 00:31:45,400
Speaker 2: be brought back to play because audiences are familiar with

748
00:31:45,440 --> 00:31:47,400
Speaker 2: it and like. It there are also things called golds

749
00:31:47,400 --> 00:31:49,080
Speaker 2: that would be Like brooks and done like the, older

750
00:31:49,360 --> 00:31:51,080
Speaker 2: but of like what song has done best for you

751
00:31:51,120 --> 00:31:52,040
Speaker 2: as like as a?

752
00:31:52,080 --> 00:31:55,840
Speaker 1: RECURRENT i, mean OBVIOUSLY i would say By, dirt but

753
00:31:55,880 --> 00:31:58,880
Speaker 1: you know that's kind of a fresher, song so you

754
00:31:58,920 --> 00:32:01,360
Speaker 1: know where it's at was. Big but you, know CAN

755
00:32:01,360 --> 00:32:02,960
Speaker 1: i be, honest DO i make you want? It Billy?

756
00:32:02,960 --> 00:32:06,520
Speaker 1: Carrington oh, yeah it is like that was sort of

757
00:32:06,560 --> 00:32:09,320
Speaker 1: we love that. Song it was not even going to

758
00:32:09,360 --> 00:32:11,000
Speaker 1: be a, single and they decided to put it out

759
00:32:11,560 --> 00:32:15,360
Speaker 1: and you, Know billy's voice is just insane AND i

760
00:32:15,360 --> 00:32:17,800
Speaker 1: don't know whatever that just it just sounded so good

761
00:32:17,840 --> 00:32:19,600
Speaker 1: on the. Radio AND i still hear that song all the.

762
00:32:19,640 --> 00:32:21,360
Speaker 1: Time and you, know when you look at you, know

763
00:32:21,400 --> 00:32:23,000
Speaker 1: you're able to look at your ass cap checks and, go,

764
00:32:23,040 --> 00:32:24,880
Speaker 1: hey which songs you know they some of some of

765
00:32:24,880 --> 00:32:27,720
Speaker 1: them fall off a, cliff and then that's a good

766
00:32:27,760 --> 00:32:29,800
Speaker 1: recurrent and Then, billy you, KNOW i still hear.

767
00:32:29,840 --> 00:32:33,880
Speaker 2: It billy is the artist THAT i think of most

768
00:32:33,960 --> 00:32:36,440
Speaker 2: when it's the OH i didn't know he sang that?

769
00:32:36,680 --> 00:32:37,440
Speaker 1: Artist, yes of.

770
00:32:37,560 --> 00:32:41,760
Speaker 2: Not he has so many hits, monsters awesome, songs but

771
00:32:41,800 --> 00:32:44,479
Speaker 2: he's not around, much and when you start to look

772
00:32:44,480 --> 00:32:46,160
Speaker 2: at his, catalog you're, LIKE i didn't realize them any.

773
00:32:46,200 --> 00:32:47,840
Speaker 1: Hits oh if you went and Saw Billy, currington it

774
00:32:47,880 --> 00:32:52,040
Speaker 1: would be it's probably. Twenty it's all. Hits it's crazy how. Many,

775
00:32:52,400 --> 00:32:55,480
Speaker 1: yeah he almost, falls, yeah a little under the, radar

776
00:32:55,720 --> 00:32:59,800
Speaker 1: for his voice is so. Identifiable but it's weird how

777
00:32:59,840 --> 00:33:03,400
Speaker 1: some artists just sort of transcend and become. Bigger you.

778
00:33:03,440 --> 00:33:05,720
Speaker 1: Know you also have these artists that you look at

779
00:33:05,720 --> 00:33:08,040
Speaker 1: their their catalog and they don't have that many, hits

780
00:33:08,080 --> 00:33:10,120
Speaker 1: but they're such a star and they have a, thing

781
00:33:10,880 --> 00:33:13,720
Speaker 1: And billy. Is but some artists just kind of fall

782
00:33:13,800 --> 00:33:16,320
Speaker 1: under the radar a little. Bit AND i think That's billy's,

783
00:33:16,520 --> 00:33:19,080
Speaker 1: personality a little, Understated, yeah very.

784
00:33:19,160 --> 00:33:21,400
Speaker 2: Much so doesn't have a lot to say when he's

785
00:33:21,440 --> 00:33:23,640
Speaker 2: not saying. It And i've been Lucky billy AND i

786
00:33:23,640 --> 00:33:25,600
Speaker 2: have Billion i've been really cool for a long. Time

787
00:33:25,920 --> 00:33:29,280
Speaker 2: but not cool as in we talk a, lot because

788
00:33:29,360 --> 00:33:32,040
Speaker 2: he doesn't talk a, lot or he'll he's, like, hey

789
00:33:32,040 --> 00:33:33,520
Speaker 2: you should come stay with me In. Hawaiian i'm, like

790
00:33:33,520 --> 00:33:34,920
Speaker 2: we've talked four. TIMES i love, you BUT i don't.

791
00:33:34,920 --> 00:33:38,400
Speaker 2: KNOW i. KNOW i think that's part of what has

792
00:33:38,960 --> 00:33:41,560
Speaker 2: Kept billy from being the person everybody knows Is billy

793
00:33:41,680 --> 00:33:43,560
Speaker 2: has chosen not to be the person that everybody.

794
00:33:43,560 --> 00:33:45,560
Speaker 1: Knows he's, like, HEY I he'll post videos of him

795
00:33:45,560 --> 00:33:48,840
Speaker 1: In hawaii. Something it's. Funny when DO i make you?

796
00:33:48,960 --> 00:33:50,560
Speaker 1: Want it was coming. Out he posted a video On

797
00:33:50,600 --> 00:33:52,800
Speaker 1: instagram and we're, like uh. Oh for a, minute he

798
00:33:53,000 --> 00:33:55,640
Speaker 1: like posts a video of like kim niked like from from,

799
00:33:55,640 --> 00:33:58,560
Speaker 1: behind like climbing a coconut try and you're, like uh,

800
00:33:58,560 --> 00:34:00,320
Speaker 1: oh this is gonna hurt. Ourselves it was just it's like,

801
00:34:00,600 --> 00:34:01,480
Speaker 1: anyway Classic.

802
00:34:01,520 --> 00:34:05,080
Speaker 2: Billy my favorite song of, yours maybe one of my

803
00:34:05,200 --> 00:34:08,080
Speaker 2: top twenty songs since moving To, nashville is setting The

804
00:34:08,080 --> 00:34:12,360
Speaker 2: world On fire BECAUSE i love When kenny sings slow.

805
00:34:12,400 --> 00:34:14,120
Speaker 2: Songs i'm not a big Beach kenny guy BECAUSE i

806
00:34:14,160 --> 00:34:16,560
Speaker 2: don't like the beach that. MUCH i Love Kenny chesney

807
00:34:16,560 --> 00:34:19,120
Speaker 2: when he's doing the. Ballads, yeah and this is up,

808
00:34:19,160 --> 00:34:21,520
Speaker 2: there It's kenny And. PINK i love setting the world on.

809
00:34:21,560 --> 00:34:22,080
Speaker 2: Fire tell me that.

810
00:34:22,120 --> 00:34:25,640
Speaker 1: Story, yeah such a cool. STORY i, Mean Josh, osborne

811
00:34:25,719 --> 00:34:27,279
Speaker 1: you know there's a crew of. Us WHEN i first

812
00:34:27,360 --> 00:34:32,160
Speaker 1: moved to. Town It's shane, Mccannally Matt, ramsey elite singer

813
00:34:32,160 --> 00:34:37,160
Speaker 1: Of Old, Dominion, Trevor Brandy, clark And Josh osborne and

814
00:34:37,200 --> 00:34:40,480
Speaker 1: we were like a. Pack And Josh osbourne is like

815
00:34:40,520 --> 00:34:42,640
Speaker 1: one of my best friends in. Town we've been writing for,

816
00:34:42,719 --> 00:34:44,520
Speaker 1: years had a few hits on there together that, list

817
00:34:44,560 --> 00:34:48,000
Speaker 1: and we got together with our Buddy Ross, kaperman and you,

818
00:34:48,040 --> 00:34:50,200
Speaker 1: know people always ask the cool thing About nashville is

819
00:34:50,680 --> 00:34:54,520
Speaker 1: it is about. Ideas But ross is. Brilliant if you've

820
00:34:54,520 --> 00:34:56,280
Speaker 1: had On ross, before it was one of my closest.

821
00:34:56,480 --> 00:34:59,439
Speaker 1: Friends oh. Yeah ross is a great, friend and he's.

822
00:34:59,480 --> 00:35:03,440
Speaker 1: Brilliant he's musically, brilliant and he'll have these musical. Pieces

823
00:35:03,440 --> 00:35:05,640
Speaker 1: so he had like almost like a. Score he had

824
00:35:05,640 --> 00:35:07,560
Speaker 1: the music to set in the world on, fire no,

825
00:35:07,680 --> 00:35:13,200
Speaker 1: melodies and so we just start singing and melodies and

826
00:35:13,239 --> 00:35:15,480
Speaker 1: we don't have a. Hook and it's. FUNNY i love

827
00:35:15,520 --> 00:35:18,680
Speaker 1: The Ryan adams Song Losienna good just smiled and you,

828
00:35:18,719 --> 00:35:21,000
Speaker 1: know So i'm, like first, verse we got drunk GUN

829
00:35:21,040 --> 00:35:24,040
Speaker 1: i see in a boulevard and we start coloring all

830
00:35:24,040 --> 00:35:26,400
Speaker 1: these cool pictures and we don't have a, hook and

831
00:35:26,440 --> 00:35:29,600
Speaker 1: So i'm like scrambling an hour, in going, like where's

832
00:35:29,600 --> 00:35:31,880
Speaker 1: a what hook CAN i we find that fits? This

833
00:35:32,040 --> 00:35:33,719
Speaker 1: and a couple of pages, Back i'd written down the

834
00:35:33,760 --> 00:35:36,840
Speaker 1: titles back to, reading, reading And i'd written down just

835
00:35:37,400 --> 00:35:38,880
Speaker 1: written down setting The world On. Fire So i'm like

836
00:35:38,920 --> 00:35:41,319
Speaker 1: scrambling for an, idea and a couple of pages back

837
00:35:41,320 --> 00:35:44,719
Speaker 1: in my note section had written down the title setting

838
00:35:44,760 --> 00:35:47,320
Speaker 1: The world On. Fire we plugged that, in got sent To.

839
00:35:47,400 --> 00:35:51,200
Speaker 1: Kenny there's a funny story. Here we got got sent To.

840
00:35:51,239 --> 00:35:53,960
Speaker 1: Kenny we heard he loved it And pink was gonna

841
00:35:53,960 --> 00:35:56,560
Speaker 1: hop on. It AND i don't know if you heard this,

842
00:35:56,640 --> 00:36:00,719
Speaker 1: story BUT i heard she called him and, said you

843
00:36:00,760 --> 00:36:02,680
Speaker 1: know the. Story i'm putting out music at the exact same.

844
00:36:02,719 --> 00:36:06,000
Speaker 1: Time you can't release, this and, yeah you may know

845
00:36:06,080 --> 00:36:09,080
Speaker 1: more THAN i do of the. Story and luckily she

846
00:36:09,160 --> 00:36:11,040
Speaker 1: called back and, Said i'm. Pregnant you can put this song.

847
00:36:11,080 --> 00:36:13,360
Speaker 1: Out is that? True that's? True i'd heard. That, Yeah

848
00:36:13,400 --> 00:36:15,440
Speaker 1: SO i always, say whatever happened that, Night i'm glad it.

849
00:36:15,480 --> 00:36:19,600
Speaker 2: Happened, yes getting pregnant and allowed that song because, yeah

850
00:36:19,640 --> 00:36:21,560
Speaker 2: they had music that was going to pop up against each.

851
00:36:21,560 --> 00:36:24,480
Speaker 1: Other her baby helped. Me they pay for my, babies

852
00:36:24,520 --> 00:36:27,520
Speaker 1: So i'm. Grateful but, anyway, yeah that you, KNOW i

853
00:36:27,560 --> 00:36:29,960
Speaker 1: think that. Song like the THING i love about it

854
00:36:30,000 --> 00:36:33,600
Speaker 1: is it has like it's, country but it has soul

855
00:36:33,800 --> 00:36:35,759
Speaker 1: and you, know it's, LIKE i don't, know it's one

856
00:36:35,800 --> 00:36:38,040
Speaker 1: of my funnest to play, live and it just has

857
00:36:38,080 --> 00:36:40,520
Speaker 1: like a thing to it that's you, know, again a

858
00:36:40,560 --> 00:36:43,759
Speaker 1: lot of it's ross And Josh josh is, brilliance But

859
00:36:43,880 --> 00:36:45,759
Speaker 1: kenny And pink just brought it to. LIVES i love that,

860
00:36:45,800 --> 00:36:47,799
Speaker 1: song you, know AND i didn't even WHEN i first heard.

861
00:36:47,840 --> 00:36:49,520
Speaker 1: IT i Thought kenny was going to sing the, choruses

862
00:36:49,560 --> 00:36:50,799
Speaker 1: and then he Got pink to sing, him you, know

863
00:36:50,800 --> 00:36:53,120
Speaker 1: which is like really a, cool almost like a pop

864
00:36:53,120 --> 00:36:53,400
Speaker 1: thing to.

865
00:36:53,440 --> 00:36:58,080
Speaker 2: Do so the television Show nashville that was ON abc

866
00:36:58,680 --> 00:37:01,280
Speaker 2: and then ended up being ON cm, two which was. Fiction,

867
00:37:01,560 --> 00:37:03,680
Speaker 2: yeah that's not the show that you were.

868
00:37:03,719 --> 00:37:06,680
Speaker 1: On, no you're going On you're going old. SCHOOL i

869
00:37:06,680 --> 00:37:08,200
Speaker 1: didn't even know you knew about. This, yeah there was

870
00:37:08,239 --> 00:37:13,560
Speaker 1: a SHOW i think On fox Pre yeah that was On. Fox,

871
00:37:13,640 --> 00:37:15,640
Speaker 1: YEAH i, KNOW i know all the. Answers i'm just

872
00:37:15,680 --> 00:37:19,200
Speaker 1: letting you, talk. Dude you, know you know some, dirt you.

873
00:37:19,239 --> 00:37:21,320
Speaker 1: KNOW i, Mean i'm trying to be an. ARTIST i,

874
00:37:21,480 --> 00:37:22,879
Speaker 1: MEAN i grew up in TEXT i wanted to Be George.

875
00:37:22,920 --> 00:37:25,239
Speaker 1: STRAIGHT i moved, here had a record, deal lost a record.

876
00:37:25,280 --> 00:37:28,120
Speaker 1: Deal i'm kind of in the like wilderness, years like

877
00:37:28,160 --> 00:37:31,640
Speaker 1: what AM i? Doing AND i got approached to be

878
00:37:31,760 --> 00:37:34,319
Speaker 1: on the Show. Nashville it was On fox and it

879
00:37:34,400 --> 00:37:36,759
Speaker 1: was FROM i should have known it was from the

880
00:37:36,760 --> 00:37:39,440
Speaker 1: creators Of Laguna, beach but they were pitching it as

881
00:37:39,520 --> 00:37:42,360
Speaker 1: more of a a like hates about the. MUSIC i

882
00:37:42,360 --> 00:37:42,719
Speaker 1: should have.

883
00:37:42,760 --> 00:37:45,759
Speaker 2: Known music credibility was how that. SHOW i remember when

884
00:37:45,800 --> 00:37:49,959
Speaker 2: it was being created and it really it really.

885
00:37:50,040 --> 00:37:52,279
Speaker 1: Was there was no, yeah and so you got in

886
00:37:52,320 --> 00:37:54,920
Speaker 1: and you, realize, like, oh they're they're just going after the.

887
00:37:55,000 --> 00:37:59,080
Speaker 1: Drama and what's funny is, like you, Know Jamie johnson

888
00:37:59,120 --> 00:38:01,799
Speaker 1: was on the Show. Chill there was a lot of you,

889
00:38:01,840 --> 00:38:04,960
Speaker 1: know people That i'm friends with now And i'm GLAD

890
00:38:04,960 --> 00:38:06,600
Speaker 1: i did the. Show BUT i got in and there

891
00:38:06,680 --> 00:38:08,560
Speaker 1: was like just drama and they're, Like, hey you think

892
00:38:08,600 --> 00:38:11,600
Speaker 1: that girl's, Cute you're going to hang out. Tonight you.

893
00:38:11,640 --> 00:38:13,799
Speaker 1: Know it's just like you could tell they wanted there

894
00:38:13,840 --> 00:38:17,440
Speaker 1: to be drama and relationships and not as much. Music

895
00:38:17,520 --> 00:38:21,160
Speaker 1: so luckily it lasted a couple of episodes and got.

896
00:38:21,160 --> 00:38:23,080
Speaker 1: Pulled did you ever think about doing? It and maybe you?

897
00:38:23,080 --> 00:38:24,960
Speaker 2: Did did you ever audition for any of the? Shows

898
00:38:24,960 --> 00:38:26,279
Speaker 2: LIKE i had all the voice any of.

899
00:38:26,320 --> 00:38:29,640
Speaker 1: That, NO i thought about, it BUT i NEVER i don't.

900
00:38:29,640 --> 00:38:31,799
Speaker 1: KNOW i feel LIKE I i don't. KNOW i don't.

901
00:38:31,800 --> 00:38:33,640
Speaker 1: KNOW i don't know if MAYBE i just that's a great.

902
00:38:33,680 --> 00:38:35,560
Speaker 1: QUESTION i don't know IF i ever thought about it too,

903
00:38:35,560 --> 00:38:37,719
Speaker 1: SERIOUSLY i don't know if it WAS i don't. Know

904
00:38:37,760 --> 00:38:39,759
Speaker 1: MAYBE i don't. Know i'll. SEE i think you, know

905
00:38:39,760 --> 00:38:42,080
Speaker 1: obviously you're a part Of American idol and it's changed people's.

906
00:38:42,080 --> 00:38:46,200
Speaker 1: Careers BUT i just never thought about going that.

907
00:38:46,280 --> 00:38:50,360
Speaker 2: ROUTE i think if you anybody would have done it

908
00:38:50,400 --> 00:38:54,000
Speaker 2: seven or eight years, ago there's a lot of strings

909
00:38:54,000 --> 00:38:56,239
Speaker 2: that would have kept you attached to certain. Things it

910
00:38:56,320 --> 00:39:00,320
Speaker 2: was almost, like you, know give to get, it and

911
00:39:00,440 --> 00:39:03,200
Speaker 2: that you would back in the day when the show

912
00:39:03,239 --> 00:39:05,239
Speaker 2: will use. Idle for, example BEFORE i was on, it

913
00:39:05,239 --> 00:39:10,560
Speaker 2: it was like massively pop culture seasons one through, seven,

914
00:39:10,680 --> 00:39:13,279
Speaker 2: right people watched and you, knew and you rooted and

915
00:39:13,320 --> 00:39:16,880
Speaker 2: you had but if you won or finished, anywhere they

916
00:39:16,920 --> 00:39:18,960
Speaker 2: had the rights to keep you and do a lot with,

917
00:39:19,000 --> 00:39:20,880
Speaker 2: you and that could hurt. You you had all this

918
00:39:22,000 --> 00:39:26,960
Speaker 2: whatever fame, is but you kind of owed that entity

919
00:39:27,600 --> 00:39:29,759
Speaker 2: later AND i did four years on. It it was

920
00:39:30,080 --> 00:39:34,080
Speaker 2: zero percent that but you didn't have as much fame

921
00:39:34,280 --> 00:39:36,560
Speaker 2: because everything is fractured at this.

922
00:39:36,600 --> 00:39:38,200
Speaker 1: Point fame is so, fractured.

923
00:39:38,760 --> 00:39:40,799
Speaker 2: And so people would, go, HEY i was, thinking AM

924
00:39:40,800 --> 00:39:45,040
Speaker 2: i doing or auditioning For idol Or The? Voice and,

925
00:39:45,120 --> 00:39:46,719
Speaker 2: like how much do we have to owe? IT i was,

926
00:39:46,760 --> 00:39:49,360
Speaker 2: like you, don't, right you have the opportunity if you,

927
00:39:49,440 --> 00:39:53,280
Speaker 2: win but you don't owe them. Anything AND i also

928
00:39:53,400 --> 00:39:56,040
Speaker 2: think the stigma of being on one of those shows

929
00:39:57,200 --> 00:40:00,440
Speaker 2: has fallen a bit because now it's just how can

930
00:40:00,480 --> 00:40:01,719
Speaker 2: you get as many people to see?

931
00:40:01,760 --> 00:40:04,080
Speaker 1: You? Period, yep that's.

932
00:40:04,120 --> 00:40:04,360
Speaker 2: IT i.

933
00:40:04,560 --> 00:40:06,200
Speaker 1: THINK i do think early on there was maybe a

934
00:40:06,239 --> 00:40:08,080
Speaker 1: little bit of a big, time you, know And i'd

935
00:40:08,080 --> 00:40:10,040
Speaker 1: had a record and lost it AND i Think i'm

936
00:40:10,080 --> 00:40:12,560
Speaker 1: about to get another, one AND i just, YEAH i

937
00:40:12,560 --> 00:40:13,760
Speaker 1: think that was probably the biggest.

938
00:40:13,760 --> 00:40:17,000
Speaker 2: Thing there was a deserve, stigma right because they cornballed

939
00:40:17,000 --> 00:40:18,480
Speaker 2: you up on those shows way more than they do,

940
00:40:18,560 --> 00:40:20,279
Speaker 2: now and they still do a little bit because they

941
00:40:20,320 --> 00:40:22,480
Speaker 2: need people to sing familiar. Songs but there were certain

942
00:40:22,520 --> 00:40:25,360
Speaker 2: artists that we'd be like you should singing Original, yeah,

943
00:40:25,520 --> 00:40:28,239
Speaker 2: yeah and like if they were LIKE i, say artist finger,

944
00:40:28,320 --> 00:40:31,120
Speaker 2: quotes if they were a, writer if they actually, played

945
00:40:31,160 --> 00:40:33,239
Speaker 2: if they sang and had the ability and capacity to

946
00:40:33,280 --> 00:40:35,640
Speaker 2: do and we encourage them to do.

947
00:40:35,680 --> 00:40:37,759
Speaker 1: That AND i even, think, yeah the Last eduardo and

948
00:40:37,800 --> 00:40:39,279
Speaker 1: some of these people that have come out that are

949
00:40:39,320 --> 00:40:41,439
Speaker 1: just name, check good. JOB i got. THAT i will,

950
00:40:41,480 --> 00:40:43,200
Speaker 1: say not THAT i didn't watch it back in the,

951
00:40:43,239 --> 00:40:45,160
Speaker 1: day BUT i have four daughters and so we have

952
00:40:45,239 --> 00:40:48,279
Speaker 1: some go tos and, when, yeah When American idol comes,

953
00:40:48,280 --> 00:40:51,120
Speaker 1: on it's like. Record we watched it as a. Family so,

954
00:40:52,360 --> 00:40:54,719
Speaker 1: Yeah BUT i think it's not that it wasn't early,

955
00:40:54,760 --> 00:40:57,440
Speaker 1: on BUT i think the artistry has really been highlighted

956
00:40:57,480 --> 00:40:58,840
Speaker 1: in a you know What i'm saying.

957
00:40:58,760 --> 00:41:00,799
Speaker 2: Even refreshing to me to be able to allow people

958
00:41:00,840 --> 00:41:01,319
Speaker 2: to do their own.

959
00:41:01,360 --> 00:41:01,480
Speaker 1: Thing.

960
00:41:01,560 --> 00:41:03,719
Speaker 2: Yep and some people, did couldn't and didn't need to

961
00:41:04,120 --> 00:41:05,640
Speaker 2: because they were just a good straight ahead.

962
00:41:05,680 --> 00:41:08,520
Speaker 1: Singer AND i also think now we have the enough

963
00:41:08,680 --> 00:41:10,919
Speaker 1: like history and artists that have come off the show

964
00:41:10,960 --> 00:41:13,960
Speaker 1: and worked THAT i don't, KNOW i THINK I i'd

965
00:41:14,000 --> 00:41:16,440
Speaker 1: probably approach it. Differently, now what's up with? You in

966
00:41:16,480 --> 00:41:17,240
Speaker 1: your first record?

967
00:41:17,320 --> 00:41:20,239
Speaker 2: Deal did you have interest before you moved here or

968
00:41:20,280 --> 00:41:22,040
Speaker 2: did you come here and then did you do a

969
00:41:22,080 --> 00:41:22,680
Speaker 2: publishing deal?

970
00:41:22,719 --> 00:41:25,399
Speaker 1: First? That what was a? Process? Yeah so again back

971
00:41:25,400 --> 00:41:28,360
Speaker 1: to growing up like there was no PLAN. B i

972
00:41:28,400 --> 00:41:30,960
Speaker 1: grew up playing Around. TEXAS i wanted to be you.

973
00:41:31,000 --> 00:41:35,320
Speaker 1: KNOW i Loved Randy, Travis Don, Williams George, strait Loved John.

974
00:41:35,360 --> 00:41:39,080
Speaker 1: Mayer you. Know SO i wrote all my own songs

975
00:41:39,200 --> 00:41:41,600
Speaker 1: AND i CAME i entered A Naris grammy. SHOWCASE i

976
00:41:41,600 --> 00:41:43,759
Speaker 1: went to music college Outside. Texas what was that? Thing?

977
00:41:43,800 --> 00:41:46,759
Speaker 1: Again the Way i'm THE Nars grammy? Showcase and you

978
00:41:46,760 --> 00:41:49,719
Speaker 1: Know Jesse, ALEXANDER i do she she was a part

979
00:41:49,719 --> 00:41:51,120
Speaker 1: of that one of the years THAT i was. In

980
00:41:51,200 --> 00:41:53,640
Speaker 1: BUT i made the finals of. THAT i came to

981
00:41:53,640 --> 00:41:54,840
Speaker 1: town and how do you do? That do you send a?

982
00:41:54,840 --> 00:41:57,200
Speaker 1: Song mail of? Songs send a song in That i'd

983
00:41:57,239 --> 00:42:00,680
Speaker 1: written by, myself And i'd made the of that at

984
00:42:00,680 --> 00:42:03,359
Speaker 1: like nineteen or, twenty and it got me to town

985
00:42:03,400 --> 00:42:05,640
Speaker 1: And Jody williams and if you, Know Joey yams RAN bmi.

986
00:42:05,800 --> 00:42:09,080
Speaker 1: Forever he had me into his. OFFICE i sang and

987
00:42:09,239 --> 00:42:11,960
Speaker 1: played and then he took me over to play For

988
00:42:12,040 --> 00:42:16,360
Speaker 1: Tim duboil And Tony brown In. Universal i'm nineteen AND

989
00:42:16,400 --> 00:42:19,200
Speaker 1: i walk, IN i, PLAYED i played for six seven,

990
00:42:19,200 --> 00:42:20,680
Speaker 1: people and they offered me a record deal on the.

991
00:42:20,719 --> 00:42:24,200
Speaker 1: Spot what'd you look? Like what's? Night what what nineteen

992
00:42:24,480 --> 00:42:28,000
Speaker 1: mat looked? Like you, know, youthful spry hair LIKE i

993
00:42:28,160 --> 00:42:32,080
Speaker 1: was just thick wavy. Hair, yeah naives all get. Out

994
00:42:32,440 --> 00:42:35,480
Speaker 1: did you have like a thing? Visually, yeah LIKE i think,

995
00:42:35,920 --> 00:42:37,560
Speaker 1: COUNTRY i mean not too far off. THIS i MEAN

996
00:42:37,600 --> 00:42:39,320
Speaker 1: i did used to rock the cowboy hat, more BUT i.

997
00:42:39,360 --> 00:42:41,640
Speaker 1: DIDN'T i didn't rock it in that, meeting BUT i

998
00:42:41,719 --> 00:42:43,520
Speaker 1: was just trying to like cowboy, cool you.

999
00:42:43,560 --> 00:42:46,480
Speaker 2: Know iby a little bit like, yeah like young vibey

1000
00:42:46,520 --> 00:42:48,960
Speaker 2: country bybe, yeah like it would be, yeah well cowboy,

1001
00:42:49,040 --> 00:42:52,200
Speaker 2: boots but you, know some a Little james And John

1002
00:42:52,239 --> 00:42:55,000
Speaker 2: mayer mixed in with, there and you, know And i'd

1003
00:42:55,000 --> 00:42:57,000
Speaker 2: written all these songs by, myself and SO i just played.

1004
00:42:57,000 --> 00:42:58,319
Speaker 1: It they offer me a record. Deal i'm, Like i'm

1005
00:42:58,360 --> 00:43:01,840
Speaker 1: gonna be famous and always Say, god use that to

1006
00:43:01,880 --> 00:43:04,520
Speaker 1: get me. Here but you, know then you start the

1007
00:43:04,600 --> 00:43:06,400
Speaker 1: journey of then they throw you in the room with

1008
00:43:06,640 --> 00:43:08,160
Speaker 1: like then they throw in your room with like all

1009
00:43:08,239 --> 00:43:10,520
Speaker 1: these like established, writers and you kind of lose You oh,

1010
00:43:10,560 --> 00:43:11,840
Speaker 1: NO i don't want to lose. This you got a.

1011
00:43:11,920 --> 00:43:13,880
Speaker 2: Deal by the, way for those that aren't, watching WHEN

1012
00:43:13,920 --> 00:43:15,600
Speaker 2: i say, Vibe matt wears, eyeliners run it.

1013
00:43:15,640 --> 00:43:18,640
Speaker 1: Today so it runing a eyeliner. Lipstick it's a, kiss you. Know, No,

1014
00:43:18,760 --> 00:43:20,719
Speaker 1: no he's not at. All but you got a record

1015
00:43:20,760 --> 00:43:22,560
Speaker 1: deal that. Day they offered you a deal that, yes

1016
00:43:24,160 --> 00:43:25,000
Speaker 1: and how does that? Work?

1017
00:43:25,160 --> 00:43:28,400
Speaker 2: Yes OR i don't, Know let's look at it for

1018
00:43:28,400 --> 00:43:29,279
Speaker 2: a while and come back to.

1019
00:43:29,320 --> 00:43:32,120
Speaker 1: You, Yeah Joe nichols was popping off with The, impossible

1020
00:43:32,280 --> 00:43:34,840
Speaker 1: and you, Know Tony brown had Produced George straight And

1021
00:43:34,920 --> 00:43:36,520
Speaker 1: tim had been At arister for, years and SO i

1022
00:43:36,600 --> 00:43:39,880
Speaker 1: think there was like a credibility to, them And jody

1023
00:43:39,920 --> 00:43:41,480
Speaker 1: had taken me. Off they always, like send the contract.

1024
00:43:41,560 --> 00:43:44,160
Speaker 1: Over but, yeah they gave me a, BOTTLE i, said they,

1025
00:43:44,200 --> 00:43:45,400
Speaker 1: said we want to sign. You they gave me a

1026
00:43:45,440 --> 00:43:50,120
Speaker 1: bottle of champagne THAT i kiss kept. Forever and, yeah

1027
00:43:50,239 --> 00:43:51,880
Speaker 1: and again it opened the door to get. Here BUT

1028
00:43:51,920 --> 00:43:53,600
Speaker 1: i you, KNOW i think they sent a great contract

1029
00:43:53,640 --> 00:43:55,800
Speaker 1: and you, know next, thing you, know these songs that

1030
00:43:55,840 --> 00:43:58,600
Speaker 1: you've written by, yourself then you're in the. STUDIO i

1031
00:43:58,680 --> 00:44:00,200
Speaker 1: just don't THINK i knew WHO i was and enough

1032
00:44:00,280 --> 00:44:03,279
Speaker 1: yet to be, no, no, no this this IS i want,

1033
00:44:03,360 --> 00:44:05,760
Speaker 1: this you. Know then they throw you in the studio

1034
00:44:05,960 --> 00:44:07,919
Speaker 1: With Tony brown and you got a twelve piece band,

1035
00:44:08,040 --> 00:44:10,799
Speaker 1: playing you, know and then they're, like, hey what if?

1036
00:44:10,840 --> 00:44:13,200
Speaker 1: You what if? We you, know listen to a few outside,

1037
00:44:13,239 --> 00:44:16,440
Speaker 1: songs and it just changes from the period you know

1038
00:44:16,480 --> 00:44:19,560
Speaker 1: where it. Started and IF i could go, back you,

1039
00:44:19,680 --> 00:44:21,839
Speaker 1: KNOW i WISH i could do it, differently BUT i wasn't.

1040
00:44:21,880 --> 00:44:24,480
Speaker 1: Ready but obviously it got me, here And i'm grateful

1041
00:44:24,760 --> 00:44:27,800
Speaker 1: for the friendships and the door being open to getting askrew,

1042
00:44:27,880 --> 00:44:31,239
Speaker 1: that but what about as far as, like did you

1043
00:44:31,280 --> 00:44:34,080
Speaker 1: ever put a single? Out? Yes and how what was that?

1044
00:44:34,160 --> 00:44:36,239
Speaker 1: Process and how to DO i put two singles out

1045
00:44:36,719 --> 00:44:39,279
Speaker 1: and they died in the. Forties BUT i did the radio,

1046
00:44:39,400 --> 00:44:42,560
Speaker 1: tour you, Know dean AND i were. TALKING i got,

1047
00:44:42,600 --> 00:44:46,120
Speaker 1: to you, know open up For Taylor, SWIFT, i you,

1048
00:44:46,160 --> 00:44:48,279
Speaker 1: know open up For LADY a And Zach brown, band

1049
00:44:48,320 --> 00:44:50,560
Speaker 1: and did the radio. Tour SO i got a little

1050
00:44:50,560 --> 00:44:52,960
Speaker 1: bit of the, artist play The grand Ol opry a few,

1051
00:44:53,000 --> 00:44:55,840
Speaker 1: times got to experience a little bit of the artist's.

1052
00:44:55,880 --> 00:44:59,000
Speaker 1: Life and but none of them ever took off enough

1053
00:44:59,080 --> 00:45:00,600
Speaker 1: to you, know gain any.

1054
00:45:00,680 --> 00:45:03,880
Speaker 5: Traction, seriously let's take a quick pause for a message

1055
00:45:03,920 --> 00:45:05,160
Speaker 5: from our, sponsor.

1056
00:45:12,840 --> 00:45:17,120
Speaker 2: And we're back on The Bobby. Cast after the second,

1057
00:45:17,200 --> 00:45:19,880
Speaker 2: Single is that when that relationship ended with the?

1058
00:45:19,920 --> 00:45:24,000
Speaker 1: Label, Yeah Mark wright came, in took, over, showcased and

1059
00:45:24,960 --> 00:45:26,399
Speaker 1: we got the word that he was going to drop.

1060
00:45:26,480 --> 00:45:29,800
Speaker 1: ME i think he dropped. Everybody AND i, remember not

1061
00:45:29,920 --> 00:45:31,840
Speaker 1: to be too, REAL i remember getting my car and

1062
00:45:32,000 --> 00:45:36,040
Speaker 1: just being, like all, Right i'm, gonna you, know being super,

1063
00:45:36,080 --> 00:45:37,839
Speaker 1: emotional Like i'm going to go back, home like it's.

1064
00:45:37,880 --> 00:45:39,680
Speaker 1: Over you, know you almost feel like your world's, ending

1065
00:45:39,800 --> 00:45:43,440
Speaker 1: and uh and, uh BUT i. DIDN'T i didn't have

1066
00:45:43,520 --> 00:45:45,800
Speaker 1: anything else THAT i, loved and SO i JUST i

1067
00:45:45,840 --> 00:45:47,560
Speaker 1: think it's a lot of people's. STORY i just stuck

1068
00:45:47,600 --> 00:45:50,279
Speaker 1: around BECAUSE i was, LIKE i love, writing and SO

1069
00:45:50,360 --> 00:45:52,040
Speaker 1: i was, Like i'm. THERE i guess somebody stick, around

1070
00:45:52,160 --> 00:45:54,600
Speaker 1: And i'm GLAD i. Did but it was it was a,

1071
00:45:54,680 --> 00:45:57,920
Speaker 1: painful painful. Journey did you have a publishing deal at

1072
00:45:57,960 --> 00:46:00,480
Speaker 1: the same time or was it within The it was With,

1073
00:46:00,600 --> 00:46:04,280
Speaker 1: jody you, know but you, Know i've had probably, lost

1074
00:46:04,640 --> 00:46:07,080
Speaker 1: had and lost three or four publishing deals BEFORE i even,

1075
00:46:07,160 --> 00:46:09,040
Speaker 1: had you. Know SO i was With jody and lost.

1076
00:46:09,040 --> 00:46:10,480
Speaker 1: IT i was With sony and lost. IT i was

1077
00:46:10,520 --> 00:46:15,919
Speaker 1: with a company Called Black, ink and that's when those

1078
00:46:16,000 --> 00:46:17,960
Speaker 1: years are WHEN i started connecting with you, know the

1079
00:46:18,040 --> 00:46:20,120
Speaker 1: boys From Old dominion And shane And. Josh so there

1080
00:46:20,160 --> 00:46:22,680
Speaker 1: started to be like a little bit of nuggets of you, Know,

1081
00:46:23,600 --> 00:46:25,920
Speaker 1: okay we got a hold and a few things started,

1082
00:46:26,000 --> 00:46:28,840
Speaker 1: happening and THEN i ended up signing With Ashley gorley's

1083
00:46:28,840 --> 00:46:32,399
Speaker 1: Company Tape room And, combustion and we're there now And Warner,

1084
00:46:33,080 --> 00:46:36,239
Speaker 1: No i'm me At warner now. Mainly but, yeah so

1085
00:46:36,360 --> 00:46:39,759
Speaker 1: it's mainly, dang, yeah. DIVERSIFYING i, KNOW i know there's

1086
00:46:39,760 --> 00:46:42,120
Speaker 1: a GREAT i have a writer manager Named Alicia preuett

1087
00:46:42,239 --> 00:46:44,800
Speaker 1: who has a co venture With. Warner so it's you,

1088
00:46:44,880 --> 00:46:47,279
Speaker 1: KNOW i think every songwriter's journey would be would be.

1089
00:46:47,360 --> 00:46:49,720
Speaker 1: Similar but it's a lot of a lot of, songs

1090
00:46:49,719 --> 00:46:52,360
Speaker 1: a lot of publishing, companies people, paying you, know almost

1091
00:46:52,400 --> 00:46:54,200
Speaker 1: for you to learn how to write. Songs it's why That.

1092
00:46:54,320 --> 00:46:57,600
Speaker 2: LAMBORGHINI i didn't, Know Druve. Lamborghinia that makes. Sense now

1093
00:46:57,680 --> 00:47:00,000
Speaker 2: times are. Good uh so you almost got to SAY

1094
00:47:00,000 --> 00:47:01,600
Speaker 2: i can do what you. Say you, Did, no never

1095
00:47:01,640 --> 00:47:03,319
Speaker 2: got to, now never got you tried for a while

1096
00:47:03,520 --> 00:47:06,800
Speaker 2: tried for a. While, yeah when do you have that internal,

1097
00:47:07,719 --> 00:47:11,320
Speaker 2: okay the artist. Thing maybe we're gonna put it on,

1098
00:47:11,400 --> 00:47:13,279
Speaker 2: hold or maybe we're not going to pursue that and

1099
00:47:13,320 --> 00:47:13,959
Speaker 2: we're going to, Run.

1100
00:47:13,880 --> 00:47:16,880
Speaker 1: Like when does that? Happen? YEAH i think in. CONJUNCTION

1101
00:47:17,000 --> 00:47:20,080
Speaker 1: i started having a few songs Like jacob and cut

1102
00:47:20,120 --> 00:47:22,520
Speaker 1: a song of mine Called heaven that was on His

1103
00:47:23,400 --> 00:47:26,640
Speaker 1: uh what record was that? On? SHOOT i don't know,

1104
00:47:26,719 --> 00:47:29,000
Speaker 1: that but he talked about it being a sing but

1105
00:47:29,040 --> 00:47:30,879
Speaker 1: that that WAS i had a few songs that kind

1106
00:47:30,880 --> 00:47:32,600
Speaker 1: of popped AND i was, Like, okay this songwriter thing

1107
00:47:32,680 --> 00:47:34,719
Speaker 1: is getting some. Life this is Like i'm twenty, five

1108
00:47:34,840 --> 00:47:37,279
Speaker 1: twenty six at this, point and you, know BUT i

1109
00:47:37,360 --> 00:47:40,080
Speaker 1: wrestled for years BECAUSE i felt like the only thing

1110
00:47:40,160 --> 00:47:44,280
Speaker 1: that was success was being a successful artist selling Out Bridge.

1111
00:47:44,280 --> 00:47:47,279
Speaker 1: Stone that was the. Dream and it took. Me it

1112
00:47:47,360 --> 00:47:50,879
Speaker 1: took me years to sort of surrender over time BECAUSE

1113
00:47:50,920 --> 00:47:53,040
Speaker 1: i experienced enough of the artist thing to, go, OKAY

1114
00:47:53,160 --> 00:47:56,200
Speaker 1: i THINK i could be okay writing, songs AND i

1115
00:47:56,280 --> 00:47:57,960
Speaker 1: THINK i had to get to the point WHERE i was,

1116
00:47:58,120 --> 00:48:00,840
Speaker 1: Like i'm not just because As i'm not trying to

1117
00:48:00,880 --> 00:48:02,640
Speaker 1: be an artist on the radio doesn't Mean i'm not

1118
00:48:02,680 --> 00:48:05,080
Speaker 1: an artist. ANYMORE i thought THAT i had to like

1119
00:48:05,239 --> 00:48:07,840
Speaker 1: give that part of me, up AND i was just,

1120
00:48:07,920 --> 00:48:10,560
Speaker 1: Like i'm still an artist. Now i'm JUST i think

1121
00:48:10,560 --> 00:48:13,279
Speaker 1: it was gradual and overtime AND i kind of was, like,

1122
00:48:13,360 --> 00:48:15,759
Speaker 1: hey this is a pretty good life and Now i'm

1123
00:48:15,800 --> 00:48:19,319
Speaker 1: playing more shows THAN i you, know can even play

1124
00:48:19,600 --> 00:48:21,880
Speaker 1: and get to be home ninety five percent of the,

1125
00:48:21,920 --> 00:48:26,160
Speaker 1: time and, yeah write. Songs so It's i'm. GRATEFUL i

1126
00:48:26,239 --> 00:48:28,759
Speaker 1: WOULDN'T i wouldn't change, anything but it. Was it, was,

1127
00:48:29,080 --> 00:48:31,200
Speaker 1: yeah an evolution of letting that go a little. Bit

1128
00:48:31,440 --> 00:48:35,839
Speaker 1: what was your first? Cut? Oh, Shoot heaven was early

1129
00:48:35,960 --> 00:48:38,719
Speaker 1: on you Remember Loving? Theft, yes, yeah they had a

1130
00:48:38,760 --> 00:48:41,040
Speaker 1: song called running out Of. AIR i don't feel that

1131
00:48:41,120 --> 00:48:42,640
Speaker 1: was one of their singles that didn't do. It Wait

1132
00:48:42,920 --> 00:48:45,880
Speaker 1: i'm Running, YEAH i know. That, WAIT i gotta catch my,

1133
00:48:46,000 --> 00:48:49,320
Speaker 1: BREATH i feel big and then hold on and again my.

1134
00:48:49,480 --> 00:48:54,279
Speaker 1: Head how's the hook? Go? Shoot you Would i'm air

1135
00:48:54,320 --> 00:48:54,960
Speaker 1: pull it, up full of.

1136
00:48:55,080 --> 00:48:56,560
Speaker 2: Up that's the problem because if you start doing a

1137
00:48:56,560 --> 00:48:58,480
Speaker 2: bunch AND i do this during on my show, too

1138
00:48:58,480 --> 00:49:00,600
Speaker 2: if we're doing like eight songs or talking about songs

1139
00:49:01,200 --> 00:49:02,840
Speaker 2: and they're like singer ahead of litt Lamb i'm Like

1140
00:49:03,040 --> 00:49:03,680
Speaker 2: mary had.

1141
00:49:04,120 --> 00:49:07,200
Speaker 1: FORGOT i can't do it too many. Melodies, okay So

1142
00:49:08,000 --> 00:49:11,960
Speaker 1: i'm running. Out yeah, Man i'm almost. There you're. There it's.

1143
00:49:11,960 --> 00:49:13,440
Speaker 1: FUNNY i was in a Home depot a while back

1144
00:49:13,480 --> 00:49:15,760
Speaker 1: and it was. PLAYING i was, like, wow Home depot

1145
00:49:15,800 --> 00:49:16,319
Speaker 1: got the deep.

1146
00:49:16,400 --> 00:49:19,800
Speaker 2: Cuts this MIGHT i don't feel like this was that deep, though, Right.

1147
00:49:19,960 --> 00:49:22,440
Speaker 1: Yeah it wasn't really a. HIT i mean, IT i

1148
00:49:22,560 --> 00:49:22,759
Speaker 1: know this.

1149
00:49:22,880 --> 00:49:25,279
Speaker 2: Is this is my favorite song of. Their, Really i'm

1150
00:49:25,320 --> 00:49:28,120
Speaker 2: gonna run right to you Then I'm gonna run. Away,

1151
00:49:30,800 --> 00:49:32,279
Speaker 2: yeah this is my favorite song of. There the one

1152
00:49:32,320 --> 00:49:34,239
Speaker 2: guy over AND i do it all. Day that's how

1153
00:49:34,239 --> 00:49:35,160
Speaker 2: you get all your, streams this.

1154
00:49:35,239 --> 00:49:42,840
Speaker 1: One hold. ON i love this. Song thank, You ye

1155
00:49:45,920 --> 00:49:50,040
Speaker 1: run right To you And I'm gonna run away go.

1156
00:49:50,360 --> 00:49:52,880
Speaker 1: JAM i like to think that song was ahead of its.

1157
00:49:52,960 --> 00:49:55,480
Speaker 1: TIME i really. DO i absolutely. Agree H i go

1158
00:49:55,560 --> 00:49:57,160
Speaker 1: feel it was kind of, fresh but like if it

1159
00:49:57,200 --> 00:49:58,600
Speaker 1: had been a couple of years, later it would have

1160
00:49:58,719 --> 00:49:59,040
Speaker 1: would have.

1161
00:49:59,120 --> 00:50:03,759
Speaker 2: Worked it's Like i'm running out of it as a.

1162
00:50:03,840 --> 00:50:05,560
Speaker 1: Jam. Dude you know you wrote that.

1163
00:50:05,640 --> 00:50:07,880
Speaker 2: One that was. Good my respect for you from like

1164
00:50:08,120 --> 00:50:11,319
Speaker 2: load to. Medium oh thank, You i'm.

1165
00:50:11,400 --> 00:50:13,120
Speaker 1: Kidding that's a great. Song, now Thanks, BRO.

1166
00:50:13,440 --> 00:50:16,040
Speaker 2: I feel like somebody should cut that, Now, yeah Like heath.

1167
00:50:15,880 --> 00:50:17,760
Speaker 1: Or somebody or you, know And i'm.

1168
00:50:17,640 --> 00:50:21,720
Speaker 2: Sure or like Jelly, rollers that, guy let's Oh morgan

1169
00:50:22,960 --> 00:50:23,640
Speaker 2: the hit any of?

1170
00:50:23,719 --> 00:50:27,200
Speaker 1: Those can you help me with? That So i'm gonna

1171
00:50:27,200 --> 00:50:27,440
Speaker 1: ask this.

1172
00:50:27,600 --> 00:50:30,640
Speaker 2: QUESTION i would prefer not to say any names BECAUSE

1173
00:50:30,640 --> 00:50:33,880
Speaker 2: i have friends that do this and. You i'm not

1174
00:50:33,960 --> 00:50:35,640
Speaker 2: asking you to say any, names BUT i do want

1175
00:50:35,680 --> 00:50:39,240
Speaker 2: to talk ABOUT ai for a. Second there are different

1176
00:50:39,320 --> 00:50:46,399
Speaker 2: ways that it's. Utilized difficult lyrically BECAUSE i don't feel

1177
00:50:46,400 --> 00:50:52,520
Speaker 2: LIKE ai IS ai doesn't have the nuance built into you,

1178
00:50:52,560 --> 00:50:54,680
Speaker 2: know we'll call it a regionality of country.

1179
00:50:54,840 --> 00:50:56,239
Speaker 1: Music so that's a bit.

1180
00:50:56,360 --> 00:51:01,320
Speaker 2: Tough BUT i know folks who can YOU ai to

1181
00:51:01,600 --> 00:51:04,239
Speaker 2: sing the song in their own? Voice, yes on a

1182
00:51:04,320 --> 00:51:06,120
Speaker 2: demo to see if they would like themselves singing.

1183
00:51:06,200 --> 00:51:09,160
Speaker 1: It oh. OH i was with somebody the day and they're, like,

1184
00:51:09,239 --> 00:51:10,840
Speaker 1: hey we're writing for Jelly, roll and they're, LIKE i

1185
00:51:10,880 --> 00:51:14,040
Speaker 1: got a jelly roll vocal and Jelly roll loves to

1186
00:51:14,200 --> 00:51:16,880
Speaker 1: HEAR i was thinking of Jelly. Roll, Sorry i'm not today,

1187
00:51:16,920 --> 00:51:18,920
Speaker 1: names but this is like known and so it's like

1188
00:51:19,040 --> 00:51:21,920
Speaker 1: there's not any any like saying, anything and so it's

1189
00:51:21,960 --> 00:51:25,160
Speaker 1: like it is becoming a thing in. TOWN i think the,

1190
00:51:25,320 --> 00:51:27,600
Speaker 1: ARTIST i think initially was, like are people gonna have

1191
00:51:27,600 --> 00:51:30,440
Speaker 1: a weird? Thing BUT i think it's become a little

1192
00:51:31,120 --> 00:51:33,640
Speaker 1: a little more regular now and so it, Is, man

1193
00:51:33,719 --> 00:51:37,839
Speaker 1: what a weird world like warp. Speed this literally happened. Overnight,

1194
00:51:38,080 --> 00:51:40,040
Speaker 1: well they're also not putting the song out, yes with

1195
00:51:40,120 --> 00:51:41,400
Speaker 1: THE ai. Voice so.

1196
00:51:43,600 --> 00:51:45,840
Speaker 2: What from my understanding And i've heard some of this,

1197
00:51:45,920 --> 00:51:49,400
Speaker 2: too if THE ai you can write a song and

1198
00:51:49,560 --> 00:51:53,000
Speaker 2: have that version of that person's voice sing that song

1199
00:51:53,120 --> 00:51:54,960
Speaker 2: and see then you can listen to it to see

1200
00:51:54,960 --> 00:51:57,200
Speaker 2: if you would like to sing that. Song and that's

1201
00:51:57,280 --> 00:51:57,719
Speaker 2: just using a.

1202
00:51:57,800 --> 00:52:00,239
Speaker 1: Tool what do you think about The Randy? Travis he's

1203
00:52:00,280 --> 00:52:01,360
Speaker 1: one of my. Heroes what are your? You?

1204
00:52:01,480 --> 00:52:04,319
Speaker 2: Maybe, OKAY i Think randy is different than Another i'll

1205
00:52:04,320 --> 00:52:08,160
Speaker 2: Talk randy. Specifically. Yeah first of, ALL i think it's pretty.

1206
00:52:08,200 --> 00:52:10,000
Speaker 1: Cool and what it did is it gave him a.

1207
00:52:10,080 --> 00:52:13,120
Speaker 2: Voice it, first it introduced people to the idea good or,

1208
00:52:13,160 --> 00:52:15,839
Speaker 2: bad of WHAT ai could, do BECAUSE i don't think

1209
00:52:16,080 --> 00:52:20,000
Speaker 2: really there was an understanding because it wasn't so much

1210
00:52:20,040 --> 00:52:23,000
Speaker 2: front and center of HOW ai would work and allow

1211
00:52:23,080 --> 00:52:26,320
Speaker 2: an artist or there are people in kind of my

1212
00:52:26,480 --> 00:52:29,839
Speaker 2: business who will ai their commercials because they have all their.

1213
00:52:29,920 --> 00:52:31,640
Speaker 1: Sounds you know that you can sit in the.

1214
00:52:31,719 --> 00:52:33,880
Speaker 2: ROOM i haven't done, it not Because i'm too good for,

1215
00:52:33,960 --> 00:52:35,719
Speaker 2: it but BECAUSE i just don't want to admit That

1216
00:52:35,760 --> 00:52:37,040
Speaker 2: i've done, it because as soon AS i do, It

1217
00:52:37,080 --> 00:52:40,160
Speaker 2: i'll admit where they have you going room and uh la,

1218
00:52:40,520 --> 00:52:44,120
Speaker 2: ba you're doing all these sounds and you're saying, words

1219
00:52:44,200 --> 00:52:45,880
Speaker 2: and then they can make any commercial with your.

1220
00:52:45,960 --> 00:52:47,439
Speaker 1: Voice it sounds ninety three percent.

1221
00:52:47,680 --> 00:52:50,600
Speaker 2: Right the fact that you could take and make a

1222
00:52:50,760 --> 00:53:00,360
Speaker 2: song from old, recordings old you, know uh voice, CLIPS

1223
00:53:01,239 --> 00:53:03,799
Speaker 2: i think it would made people, go, wow who knew

1224
00:53:03,800 --> 00:53:05,000
Speaker 2: you could do? That and then some of them were, like,

1225
00:53:05,000 --> 00:53:06,880
Speaker 2: wow that's. Crazy that doesn't feel like real, hard that

1226
00:53:06,920 --> 00:53:10,319
Speaker 2: doesn't feel. Whatever SO i thought that was a great

1227
00:53:10,440 --> 00:53:14,520
Speaker 2: introduction to what the technology. Is AND i think For randy,

1228
00:53:14,600 --> 00:53:16,919
Speaker 2: specifically WHY i did like it for him is he can't.

1229
00:53:17,000 --> 00:53:20,880
Speaker 2: SING i think it's different if it's an artist that

1230
00:53:21,040 --> 00:53:23,120
Speaker 2: can who's just, like let's just make it and put it.

1231
00:53:23,160 --> 00:53:26,960
Speaker 1: Out AND i, think, yeah to connect to, YOU i

1232
00:53:27,000 --> 00:53:29,120
Speaker 1: think what you're, SAYING i just don't think. PEOPLE i

1233
00:53:29,160 --> 00:53:33,160
Speaker 1: think people especially, now are Create we crave, authenticity AND

1234
00:53:33,600 --> 00:53:35,800
Speaker 1: i think that the human even the air thing that

1235
00:53:35,880 --> 00:53:38,640
Speaker 1: we talked, about the Coby kola thing and THE i think,

1236
00:53:38,719 --> 00:53:41,640
Speaker 1: people you, know it's like IF i KNEW ai wrote a,

1237
00:53:41,680 --> 00:53:43,680
Speaker 1: BOOK i don't want TO i don't want to read.

1238
00:53:43,719 --> 00:53:45,360
Speaker 1: IT i don't know there's something IF i knew it

1239
00:53:45,440 --> 00:53:48,000
Speaker 1: was AN ai, vocal it JUST i think the humanity

1240
00:53:48,080 --> 00:53:51,960
Speaker 1: of connecting with the flaws and maybe, GUITAR i don't,

1241
00:53:51,960 --> 00:53:55,520
Speaker 1: KNOW i connect with. That SO i think, listeners if

1242
00:53:55,560 --> 00:53:58,120
Speaker 1: there's a label in the future this IS, AI i

1243
00:53:58,200 --> 00:54:00,520
Speaker 1: think people will not consume. IT i. Don't but, again

1244
00:54:00,560 --> 00:54:05,800
Speaker 1: if it's some background musical piece on Planet earth or

1245
00:54:05,880 --> 00:54:08,719
Speaker 1: something where it's like this was A i generated or to,

1246
00:54:08,840 --> 00:54:12,520
Speaker 1: me that's. Different BUT i think this is where you

1247
00:54:12,600 --> 00:54:14,759
Speaker 1: align To it's, like, HEY i think there's spaces that it.

1248
00:54:15,239 --> 00:54:18,880
Speaker 1: Works but when it comes to writing lyric and the

1249
00:54:19,000 --> 00:54:21,600
Speaker 1: humanity and the sole, PART i just don't think it

1250
00:54:21,680 --> 00:54:23,719
Speaker 1: can do what humans can. Do and SO i just

1251
00:54:23,760 --> 00:54:28,040
Speaker 1: don't think listeners in the audience WILL i don't, know support.

1252
00:54:28,080 --> 00:54:31,760
Speaker 2: It it's a word that's not used, often especially in today's,

1253
00:54:31,760 --> 00:54:33,320
Speaker 2: climate but there's nuance with.

1254
00:54:33,440 --> 00:54:36,040
Speaker 1: It, yeah you, know we're not a big nuance culture.

1255
00:54:36,080 --> 00:54:39,680
Speaker 2: Nowadays but, YEAH i also think it will get so

1256
00:54:39,840 --> 00:54:42,320
Speaker 2: good where they can make it sound quote more. Authentic

1257
00:54:42,480 --> 00:54:47,160
Speaker 2: AND i would COMPARE ai to like a book ghost.

1258
00:54:47,239 --> 00:54:53,000
Speaker 2: Writer if you get a great, ghostwriter nobody knows that

1259
00:54:53,080 --> 00:54:54,759
Speaker 2: the person didn't even write the. Book and if they

1260
00:54:54,840 --> 00:54:57,359
Speaker 2: think the person writes the book wrote the, book they

1261
00:54:57,440 --> 00:54:58,680
Speaker 2: love the book even.

1262
00:54:58,480 --> 00:54:59,359
Speaker 1: Though the person didn't write.

1263
00:54:59,360 --> 00:55:03,680
Speaker 2: It, yeah IF ai can eventually do, that which probably

1264
00:55:03,760 --> 00:55:06,640
Speaker 2: at some point we'll be able, to you, know will.

1265
00:55:06,640 --> 00:55:10,480
Speaker 1: Laws require there to be a, tag and, yeah it'll be.

1266
00:55:10,600 --> 00:55:13,040
Speaker 1: Different But i'd fake the crap out of. It IF

1267
00:55:13,080 --> 00:55:17,800
Speaker 1: i could sing yeah doing your, SHOW i would just

1268
00:55:17,960 --> 00:55:20,480
Speaker 1: turn there's a hologrammy you do in your show in the. Morning,

1269
00:55:20,680 --> 00:55:25,120
Speaker 1: okay so it's funny you bring that. Up so pandemics

1270
00:55:25,160 --> 00:55:25,560
Speaker 1: messed up my.

1271
00:55:25,640 --> 00:55:27,800
Speaker 2: Years but right before the, pandemic the year before the,

1272
00:55:27,840 --> 00:55:33,560
Speaker 2: pandemic nineteen, nineteen, yep Uh Ross, Kauferman i'm very close

1273
00:55:33,600 --> 00:55:36,719
Speaker 2: To ross And Nicole gallion us three got together and

1274
00:55:36,760 --> 00:55:38,959
Speaker 2: wrote a whole bunch of songs and it WASN'T. Ai

1275
00:55:39,080 --> 00:55:44,480
Speaker 2: but my idea WAS i wanted to create a holographic

1276
00:55:45,080 --> 00:55:48,759
Speaker 2: basically artist but tour opener that could be The Baby

1277
00:55:48,800 --> 00:55:50,360
Speaker 2: act and a baby act at the same time on

1278
00:55:50,400 --> 00:55:52,080
Speaker 2: a bunch of. Tours so it was gonna be a,

1279
00:55:52,440 --> 00:55:55,319
Speaker 2: hologram and but all the songs be written by. Us

1280
00:55:55,360 --> 00:55:58,319
Speaker 2: we're gonna be sung by, Us so we're gonna write

1281
00:55:58,320 --> 00:55:59,560
Speaker 2: them all and we're gonna build this thing.

1282
00:55:59,600 --> 00:56:00,480
Speaker 1: Out and then.

1283
00:56:02,040 --> 00:56:04,160
Speaker 2: They was gonna go out and be the open or

1284
00:56:04,200 --> 00:56:06,840
Speaker 2: opener or like instead of A dj you. Have it

1285
00:56:06,920 --> 00:56:09,480
Speaker 2: was Called Neon people and so and and there's a

1286
00:56:09,520 --> 00:56:11,400
Speaker 2: few songs. Up we ended up having to shell but

1287
00:56:11,480 --> 00:56:13,759
Speaker 2: Because nicole got the sort of being the president of

1288
00:56:13,800 --> 00:56:16,000
Speaker 2: that record. Label but we wrote for like three. Months

1289
00:56:16,040 --> 00:56:20,640
Speaker 2: we wrote all these. Songs they're really good Because ross

1290
00:56:20,680 --> 00:56:22,799
Speaker 2: And nicole, LIKE i was, LIKE i have this great.

1291
00:56:22,840 --> 00:56:24,480
Speaker 2: Idea and then we would secretly ride and we put

1292
00:56:24,520 --> 00:56:27,759
Speaker 2: them under fake names AND i don't and that WASN'T,

1293
00:56:27,880 --> 00:56:30,960
Speaker 2: ai but that, was you, know, Technical we were going

1294
00:56:31,000 --> 00:56:33,520
Speaker 2: to use. Technology and that came to. Me it came

1295
00:56:33,560 --> 00:56:35,160
Speaker 2: to me in a, dream not. REALLY i was watching

1296
00:56:35,239 --> 00:56:40,120
Speaker 2: like Sixty minutes or, something and In japan they had

1297
00:56:40,120 --> 00:56:44,359
Speaker 2: a massive pop star that was a. Hologram, okay AND i, thought,

1298
00:56:45,480 --> 00:56:47,600
Speaker 2: Okay i've seen. Holograms i've seen hologams Like elvis And

1299
00:56:47,640 --> 00:56:49,480
Speaker 2: tupac and doing their. Thing but what if we created

1300
00:56:49,520 --> 00:56:52,399
Speaker 2: a new one and actually wrote for country and made

1301
00:56:53,280 --> 00:56:56,040
Speaker 2: it inexpensive to have go around and be a.

1302
00:56:56,080 --> 00:56:57,560
Speaker 1: Part of a tour and not have to be. There

1303
00:56:58,160 --> 00:56:59,600
Speaker 1: it's also, lazy LIKE i want to go do it

1304
00:56:59,640 --> 00:57:02,640
Speaker 1: and get to be and why. NOT i think if

1305
00:57:02,680 --> 00:57:04,959
Speaker 1: people know what it is up the front on the front,

1306
00:57:05,040 --> 00:57:06,520
Speaker 1: END i think that's well, YEAH.

1307
00:57:06,320 --> 00:57:08,040
Speaker 2: I mean they definite wouldn't think it was anybody there

1308
00:57:08,040 --> 00:57:10,800
Speaker 2: because it was gonna be a. Computer but, yeah so

1309
00:57:10,920 --> 00:57:14,319
Speaker 2: it's pull this, Up neil p p l is how

1310
00:57:14,320 --> 00:57:16,240
Speaker 2: we spelled, people and we worked on it forever and

1311
00:57:17,240 --> 00:57:17,840
Speaker 2: you're right About.

1312
00:57:17,920 --> 00:57:21,200
Speaker 1: Ross that, dude he's he's he's a, genius Brilliant and

1313
00:57:21,400 --> 00:57:24,760
Speaker 1: So nicole sang the song but like.

1314
00:57:27,640 --> 00:57:29,160
Speaker 2: And we never really got to go public with it

1315
00:57:29,240 --> 00:57:31,840
Speaker 2: because before we were, Done nicle and she was like

1316
00:57:32,280 --> 00:57:32,800
Speaker 2: she couldn't do.

1317
00:57:32,880 --> 00:57:34,600
Speaker 1: It it's a conflict of. Interest but it was, like.

1318
00:57:39,480 --> 00:57:46,160
Speaker 2: So it's definitely. Vibe wasn't super, traditional but still was like, regionally.

1319
00:57:48,400 --> 00:57:53,440
Speaker 1: He's just a fat dad is getting loose Up christmas

1320
00:57:54,960 --> 00:57:56,120
Speaker 1: this fal.

1321
00:58:04,880 --> 00:58:07,240
Speaker 2: So we did so we did a bunch and Then

1322
00:58:07,560 --> 00:58:09,320
Speaker 2: nicole got too big for a bridges. Cool so she

1323
00:58:09,480 --> 00:58:11,040
Speaker 2: was going to be the voice she was she Wrote

1324
00:58:11,040 --> 00:58:12,480
Speaker 2: okay big TO i mean she got to be the

1325
00:58:12,480 --> 00:58:13,080
Speaker 2: president of record.

1326
00:58:13,160 --> 00:58:15,480
Speaker 1: Label like literally yeah yeah she was.

1327
00:58:15,560 --> 00:58:17,760
Speaker 2: This we would sit and write and we would just

1328
00:58:18,400 --> 00:58:20,600
Speaker 2: sing them right, then And ross's writing.

1329
00:58:20,640 --> 00:58:23,320
Speaker 1: House, wow what a new front. HERE i, Mean i'm

1330
00:58:23,360 --> 00:58:26,160
Speaker 1: STILL i think we're all evolving our thoughts on. It

1331
00:58:26,280 --> 00:58:29,360
Speaker 1: and it's, Like i'll be curious in our world and

1332
00:58:29,640 --> 00:58:32,400
Speaker 1: legislation like did they put up? Boundaries you? Know and

1333
00:58:32,520 --> 00:58:35,360
Speaker 1: and like you, said, Tags but, man what a wild

1334
00:58:35,400 --> 00:58:37,160
Speaker 1: thing that we could have a future pop star that

1335
00:58:37,360 --> 00:58:40,800
Speaker 1: is just Created and people, go, HEY i Love it's

1336
00:58:40,880 --> 00:58:43,280
Speaker 1: visually created all the, sounds BUT i LOVE i love.

1337
00:58:43,320 --> 00:58:44,680
Speaker 1: It and my kids are jamming to in the. Car

1338
00:58:44,800 --> 00:58:46,840
Speaker 1: it's like that feels like it's.

1339
00:58:46,720 --> 00:58:51,000
Speaker 2: Coming running out of air neon people both ahead of

1340
00:58:51,000 --> 00:58:54,600
Speaker 2: their freaking. Tippens we talked about this before you got,

1341
00:58:54,640 --> 00:58:58,280
Speaker 2: here but we're doing this music night live where you're

1342
00:58:58,320 --> 00:58:58,480
Speaker 2: going to.

1343
00:58:58,560 --> 00:59:01,000
Speaker 1: Sing so this is you singing your? Song, yeah how

1344
00:59:01,040 --> 00:59:04,240
Speaker 1: did they approach you to do? This? Yeah so such

1345
00:59:04,280 --> 00:59:06,840
Speaker 1: a Cool nashville. STORY i was at a friend's house

1346
00:59:06,880 --> 00:59:09,960
Speaker 1: who was a great. Friend he's a musician and one

1347
00:59:10,000 --> 00:59:13,480
Speaker 1: of his friends there was There dean Cell and and

1348
00:59:13,960 --> 00:59:15,720
Speaker 1: we hit it off and we were talking And dean

1349
00:59:15,840 --> 00:59:19,640
Speaker 1: sort of shared his vision of. This he had moved,

1350
00:59:19,680 --> 00:59:21,720
Speaker 1: here and you know in, town we have, this you,

1351
00:59:21,800 --> 00:59:24,080
Speaker 1: know for the, listeners like these songwriter nights Which i've

1352
00:59:24,360 --> 00:59:26,760
Speaker 1: alluded to. Earlier it's at The bluebird or the listening

1353
00:59:26,880 --> 00:59:29,680
Speaker 1: room in people's houses where you go, here you, know, two,

1354
00:59:29,760 --> 00:59:33,400
Speaker 1: three four songwriters share the stories behind the songs and

1355
00:59:34,360 --> 00:59:36,480
Speaker 1: play and sing them in their own sort of original.

1356
00:59:36,520 --> 00:59:39,959
Speaker 1: Way And dean had seen one of these songwriter nights

1357
00:59:40,080 --> 00:59:42,760
Speaker 1: at somebody's house and was just saying How moody was by,

1358
00:59:42,800 --> 00:59:45,120
Speaker 1: it and he loved, it and you, know he Had

1359
00:59:45,320 --> 00:59:49,360
Speaker 1: dean had a history in film and, broadcast and he just, said,

1360
00:59:49,360 --> 00:59:52,400
Speaker 1: HEY i have this idea of broadcasting a songwriter night

1361
00:59:53,400 --> 00:59:57,040
Speaker 1: live to movie theaters Around. America so if you live

1362
00:59:57,120 --> 01:00:00,400
Speaker 1: in you, know middle Of nebraska or you, Know kansas

1363
01:00:00,480 --> 01:00:02,280
Speaker 1: or wherever you, know you can go to your Movie,

1364
01:00:02,400 --> 01:00:04,160
Speaker 1: texas you can go to your movie theater and see

1365
01:00:04,360 --> 01:00:08,240
Speaker 1: experience the live songwriter night at your local movie. Theater

1366
01:00:08,320 --> 01:00:10,280
Speaker 1: and SO i thought it was a brilliant. Idea and,

1367
01:00:11,120 --> 01:00:13,600
Speaker 1: yeah we met a few times and, he you, know

1368
01:00:14,320 --> 01:00:16,240
Speaker 1: just had the vision and has gone all the way

1369
01:00:16,320 --> 01:00:19,919
Speaker 1: and obviously gotten some incredible songwriters involved With Brat james

1370
01:00:19,960 --> 01:00:23,320
Speaker 1: And Kelly archer and yourself being involved in some great

1371
01:00:23,440 --> 01:00:26,680
Speaker 1: team and so it's coming to Life march. Eighth, Yeah

1372
01:00:26,760 --> 01:00:28,600
Speaker 1: so this is the week of, it, Right.

1373
01:00:28,640 --> 01:00:33,000
Speaker 2: Mike so it's This saturday night at seven Pm. Central

1374
01:00:33,880 --> 01:00:36,600
Speaker 2: it's live in all time zones, though so live in

1375
01:00:36,640 --> 01:00:37,960
Speaker 2: all times. Zones does that mean it's gonna be Eight,

1376
01:00:37,960 --> 01:00:39,600
Speaker 2: eastern Seventh central or does that mean it's going to

1377
01:00:39,640 --> 01:00:40,360
Speaker 2: be seven in all time?

1378
01:00:40,440 --> 01:00:43,160
Speaker 1: Zones do we, Know? Mike do we?

1379
01:00:43,240 --> 01:00:47,200
Speaker 2: Know? So so Eight, eastern Seventh, central Six, Mountains, Okay,

1380
01:00:48,080 --> 01:00:50,320
Speaker 2: yeah having a syndicated show where times are all, different

1381
01:00:50,920 --> 01:00:54,840
Speaker 2: it's all, Okay so Eight, eastern, yeah Seventh, central Six,

1382
01:00:54,920 --> 01:00:55,760
Speaker 2: mountain Five.

1383
01:00:55,800 --> 01:00:57,880
Speaker 1: Pacific, yeah go to the.

1384
01:00:57,960 --> 01:01:00,160
Speaker 2: Theater you can look it up to it's Thet Them

1385
01:01:00,240 --> 01:01:02,400
Speaker 2: entertainment WHAT i know them from is Like phantom of

1386
01:01:02,440 --> 01:01:04,600
Speaker 2: The opera and you watch like A broadway show live.

1387
01:01:04,800 --> 01:01:07,920
Speaker 1: There do you know what you're gonna play? It you? Know,

1388
01:01:08,040 --> 01:01:09,880
Speaker 1: yes some of the songs you, LISTED i mean we you,

1389
01:01:09,920 --> 01:01:12,000
Speaker 1: know obviously had to get some stuff. Approved so you'll, hear,

1390
01:01:12,160 --> 01:01:15,000
Speaker 1: yeah you'll hear By, dirt how that? Happened and you

1391
01:01:15,120 --> 01:01:17,400
Speaker 1: know cop car setting the world on.

1392
01:01:17,520 --> 01:01:19,360
Speaker 2: Fire i'll sing the pink part of you, HAPPY i need,

1393
01:01:19,440 --> 01:01:21,000
Speaker 2: YOU i need, you bring you, in swoop you, in

1394
01:01:21,680 --> 01:01:24,080
Speaker 2: out of the, theater, happy anywhere you. Know and there

1395
01:01:24,120 --> 01:01:27,520
Speaker 2: might even be a song or Two Travis dinnings, Song,

1396
01:01:27,560 --> 01:01:29,200
Speaker 2: abby if you know that SONG i wrote, THAT i

1397
01:01:29,280 --> 01:01:29,640
Speaker 2: might play.

1398
01:01:29,680 --> 01:01:33,640
Speaker 1: That and my name Is, abby SO i don't, know

1399
01:01:33,720 --> 01:01:36,640
Speaker 1: yeah that that that. List so it's gonna. Be it's

1400
01:01:36,680 --> 01:01:38,920
Speaker 1: gonna be a FUN i, mean Obviously Brett jesus take

1401
01:01:38,960 --> 01:01:41,520
Speaker 1: The whill And kelly so many. Hits so it's gonna.

1402
01:01:41,520 --> 01:01:43,360
Speaker 1: Be and you, know the cool thing about these these

1403
01:01:43,480 --> 01:01:45,920
Speaker 1: nights is everyone's, different but there is you, know you

1404
01:01:46,000 --> 01:01:47,680
Speaker 1: play and sing together and there's just sort of a

1405
01:01:47,760 --> 01:01:51,760
Speaker 1: magic that. Happens and So i'm excited for people Around

1406
01:01:51,760 --> 01:01:55,680
Speaker 1: america that can't be In nashville get to experience the

1407
01:01:55,760 --> 01:01:59,080
Speaker 1: specialness of these nights in their. Town, yeah it's.

1408
01:01:59,160 --> 01:02:01,760
Speaker 2: COOL i think sometimes we get so used to it

1409
01:02:01,840 --> 01:02:02,720
Speaker 2: we forget how cool it.

1410
01:02:02,920 --> 01:02:08,800
Speaker 1: Is you'll see these. SONGWRITERS i was gonna, say, guys

1411
01:02:08,880 --> 01:02:13,920
Speaker 1: but there's a woman. Too but guys who wrote these massive.

1412
01:02:13,960 --> 01:02:17,240
Speaker 2: Songs hear the story behind, it and then also sing

1413
01:02:17,360 --> 01:02:19,960
Speaker 2: it the way that you kind of wrote, it which

1414
01:02:20,040 --> 01:02:23,880
Speaker 2: is always cool because it's always a bit different the

1415
01:02:23,960 --> 01:02:25,600
Speaker 2: way that it was kind of. Created so, YEAH i

1416
01:02:25,600 --> 01:02:27,600
Speaker 2: hope people. Come and we talked about it way earlier

1417
01:02:27,680 --> 01:02:29,840
Speaker 2: before you got. Here and then also and down on

1418
01:02:29,880 --> 01:02:31,960
Speaker 2: the notes on the podcast you can see more information

1419
01:02:32,080 --> 01:02:34,400
Speaker 2: and you can definitely look it up and come it's

1420
01:02:34,400 --> 01:02:36,560
Speaker 2: gonna it's gonna be really great and they're gonna do

1421
01:02:37,160 --> 01:02:39,680
Speaker 2: a replay of it on the eleventh as, Well, Tuesday march,

1422
01:02:39,680 --> 01:02:40,919
Speaker 2: eleventh seven Pm local.

1423
01:02:41,000 --> 01:02:43,360
Speaker 1: Time what do you do for? Fun? Like what's? Fun?

1424
01:02:44,040 --> 01:02:46,600
Speaker 1: Man great question obviously when you're when you got four?

1425
01:02:46,720 --> 01:02:49,840
Speaker 1: Kids So I'M i have a thirteen almost, eleven nine and,

1426
01:02:49,960 --> 01:02:53,240
Speaker 1: seven So i'm like later TODAY i, AM i have

1427
01:02:53,320 --> 01:02:56,360
Speaker 1: A i'm a soccer practice to go. To i'm one

1428
01:02:56,400 --> 01:02:58,640
Speaker 1: of the coaches on a basketball. Team SO i mean

1429
01:02:58,680 --> 01:03:01,400
Speaker 1: a lot of stuff feels fills that, Boy BUT i

1430
01:03:01,480 --> 01:03:06,280
Speaker 1: love to love to fly fish big sports. Fan and

1431
01:03:06,360 --> 01:03:07,720
Speaker 1: so how tall are? You six?

1432
01:03:07,840 --> 01:03:08,000
Speaker 4: Four?

1433
01:03:08,120 --> 01:03:11,439
Speaker 1: YEAH i used to play. BASKETBALL i stink it's, boys that's.

1434
01:03:11,520 --> 01:03:14,440
Speaker 1: Crazy when'd you get? Tall? Oh shoot? Me you, know

1435
01:03:14,520 --> 01:03:16,120
Speaker 1: my dad's six foot SO i don't know where it's.

1436
01:03:16,120 --> 01:03:18,680
Speaker 1: From my mom's a little. Taller so what about you grandparents?

1437
01:03:18,720 --> 01:03:19,000
Speaker 2: Anything?

1438
01:03:19,000 --> 01:03:21,200
Speaker 1: Message, No, no when did you Grow when were you

1439
01:03:21,240 --> 01:03:24,959
Speaker 1: bigger than everybody? Else probably tenth? Grade kind of shot?

1440
01:03:25,040 --> 01:03:27,400
Speaker 1: Up pretty good basketball, Player pretty. Good, YEAH i probably

1441
01:03:27,400 --> 01:03:30,400
Speaker 1: could have GONE d two college. Basketball you didn't want

1442
01:03:30,400 --> 01:03:32,560
Speaker 1: to it at? All, NO i JUST i had the

1443
01:03:32,640 --> 01:03:34,760
Speaker 1: love of music AND i wanted to chase. That so

1444
01:03:35,760 --> 01:03:37,480
Speaker 1: BUT i still. Play you, know you Know Ashley goreley

1445
01:03:37,520 --> 01:03:38,440
Speaker 1: had has a last.

1446
01:03:38,560 --> 01:03:40,120
Speaker 2: Night they called, me can you come? Play it's eight.

1447
01:03:40,160 --> 01:03:41,960
Speaker 2: PM i can't do anything eight. PM i wake up

1448
01:03:42,120 --> 01:03:42,240
Speaker 2: in the.

1449
01:03:42,280 --> 01:03:44,080
Speaker 1: MORNING i used to run at his place all the,

1450
01:03:44,160 --> 01:03:46,800
Speaker 1: time and so there's there's a few. Crews i've kind

1451
01:03:46,840 --> 01:03:48,800
Speaker 1: of gone in and out of retirement a few.

1452
01:03:48,880 --> 01:03:52,120
Speaker 2: TIMES i worry about my eight cels and seals at

1453
01:03:52,160 --> 01:03:54,840
Speaker 2: this point, exactly not twenty, Five So i'd hurt them

1454
01:03:54,880 --> 01:03:55,919
Speaker 2: the same IF i was twenty.

1455
01:03:55,960 --> 01:03:58,160
Speaker 1: Five it was just hell one. Time now, Nothing. Hills

1456
01:03:58,200 --> 01:03:59,000
Speaker 1: did you grow up playing?

1457
01:03:59,040 --> 01:04:01,720
Speaker 2: BALL i grew up playing a lot of, all but

1458
01:04:02,000 --> 01:04:05,000
Speaker 2: just not that. Great i'm a better athlete now THAN

1459
01:04:05,040 --> 01:04:06,840
Speaker 2: i was as a. KID i grew way later in. Life,

1460
01:04:06,880 --> 01:04:08,600
Speaker 2: YEAH i didn't start growing till like eight months. AGO

1461
01:04:08,840 --> 01:04:10,320
Speaker 2: i was five to three until like eight months ago

1462
01:04:10,520 --> 01:04:13,640
Speaker 2: and then all of a, sudden but, yeah, yeah Like

1463
01:04:13,760 --> 01:04:14,880
Speaker 2: i'm big sports.

1464
01:04:14,920 --> 01:04:16,480
Speaker 1: Guys you have favorite? Team you have favorite? Team? Now

1465
01:04:16,560 --> 01:04:19,120
Speaker 1: oh You cowboys? Fan, big die Hard cowboys?

1466
01:04:19,160 --> 01:04:19,560
Speaker 2: Fan like?

1467
01:04:19,880 --> 01:04:24,400
Speaker 1: Painful, yeah, yeah it's. Painful a few Decades ranger, Fan mavericks.

1468
01:04:24,440 --> 01:04:26,320
Speaker 1: Fans we just traded a. Little oh my, gosh that's

1469
01:04:26,320 --> 01:04:31,080
Speaker 1: even worse than Pain but, yeah those Are. YEAH i

1470
01:04:31,160 --> 01:04:34,040
Speaker 1: got some college, teams but, yeah The texas Mainly cowboys

1471
01:04:34,080 --> 01:04:38,320
Speaker 1: are like My but do you play any basketball at? All? Now?

1472
01:04:38,680 --> 01:04:40,800
Speaker 1: Yeah every now and Then i'll, go, yeah run At

1473
01:04:40,840 --> 01:04:44,240
Speaker 1: ashley's or go to the y or but not not a.

1474
01:04:44,320 --> 01:04:46,000
Speaker 1: Ton we have a little we have a we have

1475
01:04:46,080 --> 01:04:47,960
Speaker 1: a goal in our driveway THAT i shoot with my.

1476
01:04:48,040 --> 01:04:50,720
Speaker 1: Girls they play that's. Yeah are they? Tall they're? Tall,

1477
01:04:51,120 --> 01:04:53,200
Speaker 1: yeah they have. It, yeah they have. It my nine

1478
01:04:53,240 --> 01:04:56,000
Speaker 1: year old's really good and so it's fun To my

1479
01:04:56,040 --> 01:04:57,840
Speaker 1: thirteen year old's, tall but she just didn't have a

1480
01:04:57,880 --> 01:04:59,920
Speaker 1: love for. It but my nine year old loves. It

1481
01:05:00,080 --> 01:05:02,520
Speaker 1: So i'm, like let's. Go you ever play? Pickleball i've.

1482
01:05:02,640 --> 01:05:04,920
Speaker 1: Never THAT'S i got to get into. It i'm actually

1483
01:05:05,160 --> 01:05:07,400
Speaker 1: seen some videos And i'm, LIKE i, know it's like the.

1484
01:05:07,560 --> 01:05:09,360
Speaker 1: Thing so you are you a big? Pickleballer?

1485
01:05:09,520 --> 01:05:15,360
Speaker 2: Yeah, Yeah and the floor is pretty, high meaning if

1486
01:05:15,360 --> 01:05:17,920
Speaker 2: you're halfway, decent you can get halfway decent pretty. Quick

1487
01:05:18,920 --> 01:05:21,960
Speaker 2: uh now the ceiling's really, high but you can get

1488
01:05:22,120 --> 01:05:27,360
Speaker 2: mid really. Quick pretty. Good, YEAH i play, enough But

1489
01:05:27,560 --> 01:05:29,360
Speaker 2: i'm pretty. Good and we have a we have had

1490
01:05:29,360 --> 01:05:30,880
Speaker 2: a court built back here that you may have. Seen

1491
01:05:31,880 --> 01:05:33,560
Speaker 2: we own part of a professional picktball, team which is

1492
01:05:33,640 --> 01:05:35,560
Speaker 2: kind of, fine and so we've lost a lot of

1493
01:05:35,560 --> 01:05:36,960
Speaker 2: money so. Far SO i don't don't be. That, yeah

1494
01:05:36,960 --> 01:05:40,520
Speaker 2: don't be jealous or, anything but, yeah, like, Yeah i'm into.

1495
01:05:40,600 --> 01:05:43,800
Speaker 2: It for, me it's the competitive itch WHEN i can't

1496
01:05:43,800 --> 01:05:46,120
Speaker 2: BECAUSE i can't play golf much Because i'm So i'm just.

1497
01:05:46,240 --> 01:05:49,200
Speaker 1: Busy, yeah golf is four. Hours, yeah it is a.

1498
01:05:49,240 --> 01:05:51,080
Speaker 1: Commitment you. Know it's. Funny you have a few. Buddies

1499
01:05:51,200 --> 01:05:53,720
Speaker 1: the thing THAT i love about, pickleball and it's similar

1500
01:05:53,760 --> 01:05:56,320
Speaker 1: to golf but like maybe. Tennis but you go and they're, like,

1501
01:05:56,400 --> 01:05:58,880
Speaker 1: hey like sixty year old ladies are like working twenty

1502
01:05:58,960 --> 01:06:01,520
Speaker 1: year old. Dudes so it's it's like it really is

1503
01:06:01,720 --> 01:06:03,600
Speaker 1: like you, know the skill of it and the, iye

1504
01:06:03,600 --> 01:06:06,080
Speaker 1: hand coordination of it, is you, know especially in.

1505
01:06:06,120 --> 01:06:08,040
Speaker 2: Doubles pickleball allows you to play doubles and be. Old,

1506
01:06:08,200 --> 01:06:10,200
Speaker 2: YEAH i crush some of your old. Lady though there

1507
01:06:10,200 --> 01:06:12,400
Speaker 2: ain't a. Seven i'm going to put this challenge. Out,

1508
01:06:12,520 --> 01:06:15,880
Speaker 2: please let's tell them about. It ladies sixty or old

1509
01:06:16,000 --> 01:06:17,080
Speaker 2: or in, PICKABLE i will beat.

1510
01:06:17,120 --> 01:06:17,800
Speaker 1: YOU i will.

1511
01:06:17,880 --> 01:06:20,000
Speaker 2: DEMOLISH i don't care if you're sixty and, ABOVE i

1512
01:06:20,080 --> 01:06:20,760
Speaker 2: will play you and.

1513
01:06:20,960 --> 01:06:24,000
Speaker 1: Demolish, hey what was that like famous tennis match Between

1514
01:06:24,360 --> 01:06:26,400
Speaker 1: battle of The sexes that the sexes we should do.

1515
01:06:26,520 --> 01:06:31,160
Speaker 2: That let's get like Only, no, no if you're sixty and,

1516
01:06:31,240 --> 01:06:33,760
Speaker 2: ABOVE i will and you're a, FEMALE i will pound

1517
01:06:33,800 --> 01:06:33,920
Speaker 2: you in.

1518
01:06:33,960 --> 01:06:37,280
Speaker 1: Pickleball raise some money for. Charity, yes find me anybody

1519
01:06:37,800 --> 01:06:41,360
Speaker 1: heck or seventy AND i make it easier or seventy and. Above,

1520
01:06:42,200 --> 01:06:44,479
Speaker 1: yeah you'd like, It, yeah because you can play it pretty.

1521
01:06:44,520 --> 01:06:47,200
Speaker 2: Quick, hey, MAN i really appreciate you coming over, Right.

1522
01:06:47,120 --> 01:06:48,840
Speaker 1: Thanks, Man Thanks, Hey AND i just want to, say,

1523
01:06:48,880 --> 01:06:51,240
Speaker 1: Man i'm thank you for being such a champion of.

1524
01:06:51,320 --> 01:06:53,920
Speaker 1: Songwriters And i've been a fan just you, know on

1525
01:06:54,040 --> 01:06:55,920
Speaker 1: the on your, show just you, know you hear a

1526
01:06:55,960 --> 01:06:58,600
Speaker 1: song and you you believe in it and you'll and

1527
01:06:58,640 --> 01:07:00,960
Speaker 1: you'll blast it and create a play form for songwriters

1528
01:07:01,000 --> 01:07:03,360
Speaker 1: to be have a voice and be you, know people.

1529
01:07:03,400 --> 01:07:05,120
Speaker 1: Know i'm so thank you, man thanks for honor to

1530
01:07:05,160 --> 01:07:07,240
Speaker 1: be on and thank you for what you. DO i appreciate.

1531
01:07:07,320 --> 01:07:09,360
Speaker 1: That and can you?

1532
01:07:09,400 --> 01:07:09,560
Speaker 2: Sing?

1533
01:07:10,040 --> 01:07:11,680
Speaker 1: Yeah still you shall have? It oh, yeah not right.

1534
01:07:11,720 --> 01:07:13,360
Speaker 2: NOW i don't want to think but, like, yeah you're

1535
01:07:13,360 --> 01:07:15,080
Speaker 2: gonna do this like people are doing. IT i want

1536
01:07:15,120 --> 01:07:16,880
Speaker 2: to get nervous and be, like oh my, god a

1537
01:07:16,920 --> 01:07:18,400
Speaker 2: little traumatic the old.

1538
01:07:18,480 --> 01:07:20,840
Speaker 1: Days, No, no you're, GOOD i got. It, okay just make.

1539
01:07:20,880 --> 01:07:22,120
Speaker 1: It i'll be ready music, night let's.

1540
01:07:22,160 --> 01:07:25,000
Speaker 2: Go if you, like tug your ear, Twice i'll run in, okay,

1541
01:07:25,320 --> 01:07:28,200
Speaker 2: yes and lend vocals that would be minus and do.

1542
01:07:28,320 --> 01:07:29,920
Speaker 2: This AND i only sing in the key OF g,

1543
01:07:30,120 --> 01:07:31,360
Speaker 2: okay so everything needs to be IN.

1544
01:07:31,400 --> 01:07:32,920
Speaker 1: G OR i can't do. It we'll just well maybe

1545
01:07:32,960 --> 01:07:34,720
Speaker 1: a little run out of air and, Dude i'll be

1546
01:07:34,800 --> 01:07:35,880
Speaker 1: ready to. Go let's.

1547
01:07:35,920 --> 01:07:38,960
Speaker 2: GO i wasn't.

1548
01:07:39,000 --> 01:07:41,040
Speaker 1: Lying that song's of. Jam thank, you? Bro were you?

1549
01:07:41,080 --> 01:07:42,840
Speaker 1: SURPRISED i knew it? Though that dude YOU i mean

1550
01:07:42,880 --> 01:07:44,600
Speaker 1: you did to Show nashville and run out of? Air

1551
01:07:44,760 --> 01:07:45,400
Speaker 1: you know your? Stuff?

1552
01:07:45,440 --> 01:07:47,640
Speaker 2: IMPRESSED i know the stuff THAT i. KNOW i don't

1553
01:07:47,680 --> 01:07:48,920
Speaker 2: know all of, it just the stuff THAT i. Know,

1554
01:07:49,360 --> 01:07:50,000
Speaker 2: mike anything But.

1555
01:07:50,080 --> 01:07:50,760
Speaker 1: Matt we're all.

1556
01:07:50,800 --> 01:07:54,720
Speaker 2: Good, okay you guys Follow matt At matt K jenkins

1557
01:07:55,280 --> 01:07:57,520
Speaker 2: uh and then come get tickets at music night dot.

1558
01:07:57,560 --> 01:08:00,160
Speaker 2: Com we talked about the. Beginning i'll mention it one more.

1559
01:08:00,200 --> 01:08:03,600
Speaker 2: Time music night Dot. Com notes are down in the podcast.

1560
01:08:03,720 --> 01:08:05,640
Speaker 2: Notes we'd love for you to come see it because

1561
01:08:05,680 --> 01:08:07,280
Speaker 2: if you do that means we'll probably get to do it. Again,

1562
01:08:07,600 --> 01:08:09,440
Speaker 2: yep and that's the. Goal, yes we're not just doing

1563
01:08:09,480 --> 01:08:11,360
Speaker 2: this is one. Time we want to have a career

1564
01:08:11,400 --> 01:08:12,960
Speaker 2: of doing this every. Week we want to Do Music

1565
01:08:13,080 --> 01:08:16,439
Speaker 2: night theaters Across. America All, right that's, It thank You,

1566
01:08:16,600 --> 01:08:19,719
Speaker 2: matt and we will see you guys next. Time thanks

1567
01:08:19,760 --> 01:08:21,360
Speaker 2: for listening to A Bobby cast.

1568
01:08:21,520 --> 01:08:21,880
Speaker 1: Production